WEBVTT - Cruising 101

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<v Speaker 1>Hey, viewers, Sniffy's Cruising Confessions is an explicit podcast about

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<v Speaker 1>queer sex, filter dirty words and unfiltered descriptions of sexual activities.

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<v Speaker 1>If hearing about orgies, anonymous sex, kink, fetish, and more

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<v Speaker 1>offends your sensibilities, you might want to skip this. Viewer

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<v Speaker 1>discretion is advised. It's definitely not for kids.

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<v Speaker 2>Gabe.

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<v Speaker 3>Yes, Chris, tell me about your hottest cruising experience.

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<v Speaker 1>I've got to say I once was very curious about

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<v Speaker 1>the Blue Store rip and I had never been there before,

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<v Speaker 1>and everybody was like, oh, the video boosts at the

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<v Speaker 1>Blue Store, and I was like, well, let me go

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<v Speaker 1>try a piece of queer history. I went downstairs to

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<v Speaker 1>the video booths and there was nobody. There was like

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<v Speaker 1>me and this older guy who had clearly also taken

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<v Speaker 1>his lunch break.

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<v Speaker 2>To go to the bus. And I was like, all right, baby,

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<v Speaker 2>it's you and me. Guy. Let's it. We're either staring

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<v Speaker 2>at a screen or we're gonna make the most of this.

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<v Speaker 1>And it was one of those things where it was

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<v Speaker 1>like neither of us were what the other one was

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<v Speaker 1>looking for, but we were like this could be.

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<v Speaker 2>Yeah. It was like a really good.

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<v Speaker 1>Hookup did in an exchange a name, didn't exchange number,

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<v Speaker 1>like absolutely nothing, and then we just left and I

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<v Speaker 1>never saw that personally again.

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<v Speaker 2>It was really it was fun, how about you.

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<v Speaker 3>It was late one night and I was headed to

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<v Speaker 3>a friend's house to stay in the city. I'm supposed

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<v Speaker 3>to going to Brooklyn and there's this like hot guy

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<v Speaker 3>who's like on the other side of the door, and

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<v Speaker 3>like we're making eyes at each other, making eyes.

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<v Speaker 2>There's a door between you, well.

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<v Speaker 3>You know, like the subway door, and then see yeah, yeah,

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<v Speaker 3>So like I'm like looking over and I like, I

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<v Speaker 3>I'm like, it's kind of hot. Two stops and then

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<v Speaker 3>he comes and sits in front of me. He starts adjusting.

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<v Speaker 3>I started adjusting. We start playing with each other with

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<v Speaker 3>the with with ourselves, and uh, finally he just like

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<v Speaker 3>motions for me to get off the train. We get

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<v Speaker 3>off the train and we like hook up on the

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<v Speaker 3>train platform. We don't say a word this entire time,

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<v Speaker 3>and then wait for the next train that was coming

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<v Speaker 3>in like six minutes. Get on the train. He gets

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<v Speaker 3>off of the next time. I give a little nod

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<v Speaker 3>and uh, yeah, I'm tracking hot.

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<v Speaker 1>I am coming into this episode like a cruising novice

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<v Speaker 1>like I need a cruising one O one, you're like

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<v Speaker 1>grad school Like ready, h for.

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<v Speaker 2>Sure she holds multiple degrees in cruising. Okay, that is amazing.

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<v Speaker 2>That's a great story.

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<v Speaker 3>Not gonna lie every time I get on the train

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<v Speaker 3>and I'm hoping he's on it, just to like for

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<v Speaker 3>a repeating.

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<v Speaker 1>Whenever I revisit the Blue Store, I hope that man

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<v Speaker 1>in his suit is there as well.

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<v Speaker 2>No, I love that. That is really really incredible.

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<v Speaker 1>Yeah, we all know that Sniffy's and the Pandemic kind

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<v Speaker 1>of ignited a gay cruising renaissance in cities around the world.

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<v Speaker 1>But where did cruising begin and how has it changed

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<v Speaker 1>over time?

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<v Speaker 3>Well, this week we welcome writer and activist Leo Herrara

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<v Speaker 3>to talk about his new manual and a Log Cruising,

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<v Speaker 3>which offers amazing advice to make cruising easier, whether you're

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<v Speaker 3>a beginner or you're like me, a season pro.

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<v Speaker 2>Welcome to Sniffy's Cruising Confessions.

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<v Speaker 3>I am Gabe Goonsilers, I'm Chris Patterson rosso each week

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<v Speaker 3>weeks for the Sublime world of Queer Sex, cruising and Relationship, where.

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<v Speaker 1>We talking to queer folks of all kinds, ask them questions,

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<v Speaker 1>swap sex stories, share intimate revelations.

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<v Speaker 4>A lot of us are discovering ourselves in cruising spaces.

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<v Speaker 3>This happened to me at this toilet stall, in the

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<v Speaker 3>library or the airport.

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<v Speaker 2>I feel like everybody's gonna fuck a little harder here, Damn.

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<v Speaker 3>So I was like the neighborhood slot, and I took

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<v Speaker 3>pride in that.

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<v Speaker 2>I was so afraid but yet so intrigued. And the

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<v Speaker 2>more I gave to him, the more you could take.

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<v Speaker 4>If you're having sex on Sniffy's, you already have a

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<v Speaker 4>moral deficit.

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<v Speaker 3>I think if you're a gay or career person on

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<v Speaker 3>Instagram or Twitter, you definitely have seen our first guest work.

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<v Speaker 1>Leo Herredra is a Mexican writer, activist, and filmmaker best

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<v Speaker 1>known for his viral essay Means that explored queerness, race,

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<v Speaker 1>and disease.

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<v Speaker 3>Not to mention his incredible Herrara Words substack, where he

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<v Speaker 3>publishes long form essays on queer culture and sex.

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<v Speaker 1>Leo's latest project is a new manual called Analog Cruising, which,

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<v Speaker 1>opinion every Cruising Confessions listener and Sniffy's user.

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<v Speaker 2>Should probably read for sure. Welcome Leohredra. How are you

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<v Speaker 2>And I'm going so good, Thank you so much for

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<v Speaker 2>having me. So glad you're here.

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<v Speaker 1>Let's pretend I have been living under a rock for

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<v Speaker 1>the past thousand years. Uh, And I asked you what

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<v Speaker 1>cruising is. How would you give us, like a very

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<v Speaker 1>base simple definition of cruising.

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<v Speaker 4>Cruising is when two people look at each other and

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<v Speaker 4>know they're going to have sex and then have sex.

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<v Speaker 2>It's a really simple note. Yes, simple, Yeah, truly one

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<v Speaker 2>of the oldest art forms. I mean, the beauty is

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<v Speaker 2>in the simplicity, right, Yeah, I like that. And it

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<v Speaker 2>seems like.

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<v Speaker 1>The eyes and eye contact is maybe like part of

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<v Speaker 1>the vocabulary or nonverbal language of cruising.

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<v Speaker 4>Eye contact is the mother tongue. Everything starts with eye

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<v Speaker 4>contact and then builds from there. So you start by

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<v Speaker 4>looking at one another. And as most game I know,

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<v Speaker 4>if you're in a crowded you can look around and

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<v Speaker 4>you will spot out the other gay just by the

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<v Speaker 4>way that you guys look at each other. If you

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<v Speaker 4>look away and then look back and you're still looking

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<v Speaker 4>at one another, that is a whole romance novel waiting

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<v Speaker 4>to happen right in that split second. Gay men are

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<v Speaker 4>so good at nonverbal communication. Because we've had to do

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<v Speaker 4>it for so long for safety issues. Once we learn

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<v Speaker 4>to sort of harness that for sexual issues, it sort

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<v Speaker 4>of opens.

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<v Speaker 2>Up this entire different world for us.

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<v Speaker 4>Whether it's park cruising, cruising someone on a subway, in

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<v Speaker 4>a dark room at a sex club, at a bath house,

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<v Speaker 4>there's sort of different rules of engagement for each of

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<v Speaker 4>those spaces, but they always always start off with eye contact.

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<v Speaker 3>So, thinking about cruising, what do we know about where

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<v Speaker 3>it started?

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<v Speaker 4>You know, it's one of those things where, because there's

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<v Speaker 4>so little historical records about gay culture, we're never really

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<v Speaker 4>gonna know. But my thought about that is it's probably

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<v Speaker 4>when two cavemans saw each other and look down and

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<v Speaker 4>they're like that, it's a huge cave mancock, and then

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<v Speaker 4>they dragged each other.

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<v Speaker 2>To a cave and then had sex before language.

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<v Speaker 4>Began, and then they probably had you know, a little

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<v Speaker 4>like drawings up on a cave men.

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<v Speaker 1>Well, I love those are proto only fans. Those drawings

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<v Speaker 1>were only fans before we knew what it was.

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<v Speaker 2>It's great, it's amazing totally.

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<v Speaker 4>And so we have some records, Unfortunately a lot of

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<v Speaker 4>them are police records of you know, sting operations, and

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<v Speaker 4>things like that. When you're studying queer history, you have

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<v Speaker 4>to sort of read between the lines of certain things.

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<v Speaker 4>But what's interesting to me is that cruising is ingrained

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<v Speaker 4>in the gay DNA.

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<v Speaker 2>So almost the history. In a way, it's valuable, but

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<v Speaker 2>you don't need.

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<v Speaker 4>To know it to go cruising. It's just something that

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<v Speaker 4>you can sort of instinctively pick up because it's basically

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<v Speaker 4>all instinct. I'm also curious why like parks and public

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<v Speaker 4>places became sort of the focal point for cruising, and

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<v Speaker 4>whether or not that has a lot to do with

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<v Speaker 4>like police persecution or the persecution of queer spaces, especially

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<v Speaker 4>like mid twentieth century, right. I mean, the reason that

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<v Speaker 4>those parks exist is because that's all we had, you know,

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<v Speaker 4>before queer bars were a thing, or before they were

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<v Speaker 4>allowed to be legal, which hasn't been that long. I mean,

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<v Speaker 4>people would cruise, you know, neither Coliseum or in you know,

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<v Speaker 4>when Aversta Park in San Francisco or the Rambles in

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<v Speaker 4>New York. A lot of black and brown men would

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<v Speaker 4>go to Prospect Park, to the Veil of Cashmere, which

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<v Speaker 4>is one of my favorite names of any cruising area.

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<v Speaker 4>So that's sort of you know, they're just born out

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<v Speaker 4>of necessity, but they're also you know, born out of adventure.

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<v Speaker 4>How many married men who were secretly gay would take

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<v Speaker 4>a walk in the park, you know, after dinner time,

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<v Speaker 4>and so a lot of those spaces are created by

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<v Speaker 4>a community that just needed to find each other for

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<v Speaker 4>sexual and just communal reasons.

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<v Speaker 2>I live across the sea from Prospect Park. I have

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<v Speaker 2>been there. I bet you it's wonderful. I'll save.

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<v Speaker 3>It's definitely been great for that because you can sort

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<v Speaker 3>of check in when you're going to be there, which

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<v Speaker 3>I love. I love that feature actually where you can

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<v Speaker 3>sort of like I'm going to be there at twelve

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<v Speaker 3>forty three.

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<v Speaker 2>You're a prompt girly.

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<v Speaker 1>You're like, look, we got the audition at eight, we

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<v Speaker 1>got it. Yeah, I'm going to be in the veil

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<v Speaker 1>Kashmir as seven.

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<v Speaker 2>You can veil me and it will be fantastic. It

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<v Speaker 2>will be great. Yeah.

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<v Speaker 4>So it's like, it's interesting, how cruising sort of you know,

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<v Speaker 4>we had a very hyper focused on only digital tools

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<v Speaker 4>for so long, and we're sort of seeing that pendulum

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<v Speaker 4>go back to where we're experiencing sort of a hybrid

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<v Speaker 4>cruising word incorporates a little bit of digital elements to it,

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<v Speaker 4>but at the end of the day, you're still stucking

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<v Speaker 4>dick at apart and it's still beautiful.

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<v Speaker 2>Yeah.

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<v Speaker 3>Back in the early days, pre internet, when I was cruising,

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<v Speaker 3>I like had all these skills, and then we sort

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<v Speaker 3>of got away from that, and then like when cruising

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<v Speaker 3>started started happening it again, I was like, oh, I

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<v Speaker 3>don't have these skills anymore. I don't know how to

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<v Speaker 3>look at someone and get the okay and walk with

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<v Speaker 3>them and do the thing, and like, you know, I've

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<v Speaker 3>sort of had forgotten that, and you know, now that

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<v Speaker 3>I'm doing it again, it's like, Oh, it's kind of

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<v Speaker 3>like old hat. It's like getting on a bicycle again.

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<v Speaker 3>They're all in there, all those skills.

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<v Speaker 1>And even learning about where to find cruising spots is

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<v Speaker 1>so interesting because the idea, right is that these spaces

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<v Speaker 1>are somewhat secretive. It's word of mouth, it's passed along

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<v Speaker 1>through through gay channels. I remember the first cruising spot

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<v Speaker 1>I ever learned about was in college and I was

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<v Speaker 1>like freshly out. I was like nineteen or twenty, and

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<v Speaker 1>it was this park about like a mile away from

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<v Speaker 1>my campus in Providence, and it was a park where

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<v Speaker 1>you knew people were cruising, and you knew when you

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<v Speaker 1>were getting to the cruising spot because there'd be like

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<v Speaker 1>little used condoms on the ground.

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<v Speaker 2>Tall. Yeah, but I had to drive to get there.

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<v Speaker 1>So I remember driving my friends to this park, or

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<v Speaker 1>my friend's car to this park. I went alone, and

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<v Speaker 1>I parked and I went and I did my thing,

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<v Speaker 1>and I like made furtive eye contact with someone and

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<v Speaker 1>I got a little scared and I left and then

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<v Speaker 1>I went back and then I had a really fun time.

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<v Speaker 1>And when I got back to my friend's car, the

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<v Speaker 1>car wasn't working anymore. So I was like stranded in

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<v Speaker 1>a known cruising spot in Providence, and I was like,

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<v Speaker 1>who am I going to call to come pick me up?

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<v Speaker 1>Outside this gay cruising park lo and behold another cruiser.

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<v Speaker 1>A man driving a truck was driving by and he's like, hey, buddy,

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<v Speaker 1>you need car help, And I was like yeah, and.

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<v Speaker 2>Then we hooked up in his truck. Before it was wild.

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<v Speaker 1>Honestly, it felt like I was living a porno and

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<v Speaker 1>I was like, oh, but this can be life.

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<v Speaker 2>Like you can live a little fantasy at the park

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<v Speaker 2>if you want too.

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<v Speaker 4>And that's what makes cruising so exciting because you never

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<v Speaker 4>know what narrative you're gonna get. Yeah, use this digital

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<v Speaker 4>narrative machine that you're like, oh, I'm into this, and

0:10:38.040 --> 0:10:39.480
<v Speaker 4>I'm into that. You're gonna go here, and you're gonna

0:10:39.480 --> 0:10:41.160
<v Speaker 4>go to that. Please don't gost me or please show

0:10:41.160 --> 0:10:44.560
<v Speaker 4>it me when you show up at a park and

0:10:44.600 --> 0:10:46.600
<v Speaker 4>when you're doing like cruising on a subway, like you

0:10:46.760 --> 0:10:50.400
<v Speaker 4>literally don't know what that story arc is gonna be.

0:10:50.760 --> 0:10:54.040
<v Speaker 4>And even when it's not good, you know, knock on

0:10:54.080 --> 0:10:55.880
<v Speaker 4>wood and you're still safe. You know, even when it's

0:10:55.920 --> 0:10:58.120
<v Speaker 4>not fantastic, even if you don't get late, it's always

0:10:58.160 --> 0:10:58.959
<v Speaker 4>such a story.

0:10:59.200 --> 0:11:01.479
<v Speaker 2>Yeah, and even when it's tragic.

0:11:01.120 --> 0:11:05.160
<v Speaker 4>It's always a fantastic part of the things that sort

0:11:05.160 --> 0:11:06.680
<v Speaker 4>of mold you as a gay person.

0:11:06.920 --> 0:11:09.800
<v Speaker 1>How have you seen sort of cruising evolve. I guess

0:11:09.800 --> 0:11:13.439
<v Speaker 1>over the past twenty thirty years. In particular, I think.

0:11:13.240 --> 0:11:15.679
<v Speaker 2>It evolves in the way that we do use technology.

0:11:15.800 --> 0:11:19.240
<v Speaker 4>But also one of the biggest watershed moments was the

0:11:19.280 --> 0:11:22.640
<v Speaker 4>release of Prep in twenty thirteen and how that sort

0:11:22.640 --> 0:11:25.280
<v Speaker 4>of started to lift the stigma that a lot of

0:11:25.320 --> 0:11:27.560
<v Speaker 4>these spaces had for such a long time.

0:11:27.760 --> 0:11:30.960
<v Speaker 2>You know, bathhouses were closed because of aids. There was

0:11:31.000 --> 0:11:32.440
<v Speaker 2>this stigma attached to it.

0:11:32.440 --> 0:11:35.080
<v Speaker 4>When I started going to dark rooms and sex clubs

0:11:35.160 --> 0:11:38.120
<v Speaker 4>in the early in two thousand and five, you know,

0:11:38.240 --> 0:11:41.679
<v Speaker 4>when I was twenty something, there was still a lot

0:11:41.720 --> 0:11:44.640
<v Speaker 4>of stigma. People were really really scared of those places,

0:11:44.679 --> 0:11:48.760
<v Speaker 4>and older men had dealt with such a traumatic experience

0:11:48.920 --> 0:11:52.120
<v Speaker 4>through the crisis that they just weren't There was so

0:11:52.280 --> 0:11:55.679
<v Speaker 4>much shame attached to them and so much fear, And

0:11:55.760 --> 0:11:58.960
<v Speaker 4>so now that we've sort of lifted it, you can

0:11:59.080 --> 0:12:02.760
<v Speaker 4>see that these spaces are gradually filling up with younger

0:12:03.160 --> 0:12:05.600
<v Speaker 4>men that are very curious about them, and filling up

0:12:05.640 --> 0:12:09.040
<v Speaker 4>with older men who removed themselves from them for so long.

0:12:09.480 --> 0:12:12.600
<v Speaker 4>So that's one of the biggest parts of how it's changed.

0:12:12.840 --> 0:12:15.040
<v Speaker 4>But the wonderful part about cruising is that it never

0:12:15.080 --> 0:12:18.440
<v Speaker 4>really changes. It is such a constant in our community.

0:12:18.800 --> 0:12:22.080
<v Speaker 4>It sort of adapts to the culture, and it adapts

0:12:22.080 --> 0:12:25.720
<v Speaker 4>to the safety of everything, and it adapts to laws.

0:12:25.880 --> 0:12:28.600
<v Speaker 4>But it's still two men looking at each other being like,

0:12:28.640 --> 0:12:29.560
<v Speaker 4>I'm gonna suck that dick.

0:12:32.120 --> 0:12:33.120
<v Speaker 2>Happen, it doesn't matter.

0:12:38.840 --> 0:12:40.960
<v Speaker 4>I think it's such a beautiful part of our culture

0:12:41.000 --> 0:12:44.000
<v Speaker 4>because it takes us back to such a primal place,

0:12:44.559 --> 0:12:48.000
<v Speaker 4>and it's also a litmus test of how we're doing politically,

0:12:48.080 --> 0:12:51.040
<v Speaker 4>how we're doing medically, how we're doing socially.

0:12:51.400 --> 0:12:52.839
<v Speaker 2>It's it's it says a lot to.

0:12:52.800 --> 0:12:55.000
<v Speaker 4>Me that we're even having a conversation like this for

0:12:55.080 --> 0:12:58.360
<v Speaker 4>ag n Apple Sniffy's, because for so long most gay

0:12:58.360 --> 0:13:03.480
<v Speaker 4>men ninety nine percent of their hookups were digital. There's

0:13:03.480 --> 0:13:05.640
<v Speaker 4>so many more doc rooms at parties. There's so much

0:13:05.679 --> 0:13:08.880
<v Speaker 4>more value attached to a bath house, for example, like

0:13:08.920 --> 0:13:12.600
<v Speaker 4>the EMPOS outbreak, when we really learned how dependent we

0:13:12.640 --> 0:13:14.640
<v Speaker 4>could be on them to get our vaccines and to

0:13:14.640 --> 0:13:15.920
<v Speaker 4>get our safe sex information.

0:13:16.080 --> 0:13:19.720
<v Speaker 1>I actually got my empox vaccine at a mobile vaccine

0:13:19.720 --> 0:13:22.880
<v Speaker 1>truck that showed out, showed up right outside of a

0:13:22.920 --> 0:13:25.640
<v Speaker 1>sex party, and I was like, oh, this is easier

0:13:25.640 --> 0:13:27.200
<v Speaker 1>than trying to sign up on the City of New

0:13:27.320 --> 0:13:28.400
<v Speaker 1>York's website.

0:13:28.679 --> 0:13:29.719
<v Speaker 2>Like I just had to go to.

0:13:29.679 --> 0:13:33.920
<v Speaker 3>The sex party and it was an increasing was great.

0:13:33.960 --> 0:13:36.840
<v Speaker 1>I made friends in line, like it was a great time,

0:13:36.920 --> 0:13:39.439
<v Speaker 1>and the nurses were sitting there like this is the

0:13:39.480 --> 0:13:41.480
<v Speaker 1>most people we've seen show up to one of these

0:13:41.480 --> 0:13:44.160
<v Speaker 1>mobile vans. And I think a lot of times people

0:13:44.200 --> 0:13:47.400
<v Speaker 1>think that sexual community or sexual subcultures are just solely

0:13:47.440 --> 0:13:49.680
<v Speaker 1>focused on sex, but there's also a care element and

0:13:49.679 --> 0:13:52.360
<v Speaker 1>a community element that I think is so interesting.

0:13:52.760 --> 0:13:55.840
<v Speaker 4>And those spaces can exist without a care element, Like

0:13:55.920 --> 0:13:59.000
<v Speaker 4>a lot of all cruising areas and all cruising interactions

0:13:59.040 --> 0:14:03.280
<v Speaker 4>depend on a bay level of respect and consent and

0:14:03.360 --> 0:14:07.439
<v Speaker 4>excitement and pride in who you are and what your

0:14:07.480 --> 0:14:10.360
<v Speaker 4>needs are. So you can't go into a cruising space

0:14:10.559 --> 0:14:13.240
<v Speaker 4>feeling terrible about yourself, not being able to look at

0:14:13.280 --> 0:14:15.839
<v Speaker 4>someone in the eyes, caring a lot of shame about

0:14:15.840 --> 0:14:19.680
<v Speaker 4>what you're doing because it's not sexy, nobody wants.

0:14:19.520 --> 0:14:20.200
<v Speaker 2>To fuck back up.

0:14:21.600 --> 0:14:24.400
<v Speaker 4>You really need a level of base pride in your

0:14:24.440 --> 0:14:27.680
<v Speaker 4>culture and your community to enjoy those spaces. The queens

0:14:27.720 --> 0:14:29.680
<v Speaker 4>that have the best time, that are proud to be

0:14:29.720 --> 0:14:31.520
<v Speaker 4>there and having a good time. Even if you're not

0:14:31.560 --> 0:14:35.280
<v Speaker 4>having sex, you're making friends and you're just gathering a

0:14:35.280 --> 0:14:36.440
<v Speaker 4>story to tell later on.

0:14:36.560 --> 0:14:41.560
<v Speaker 1>So I'm wondering how did people share cruising spots or

0:14:41.680 --> 0:14:45.680
<v Speaker 1>tips or etiquette, or like even learn how to cruise

0:14:45.720 --> 0:14:47.840
<v Speaker 1>with each other pre internet?

0:14:48.920 --> 0:14:52.600
<v Speaker 4>So cruising is one of our oldest forms of oral histories.

0:14:52.920 --> 0:14:55.880
<v Speaker 4>So it was just something that somebody told somebody else

0:14:55.880 --> 0:14:58.320
<v Speaker 4>who told somebody else, who told somebody else. When we

0:14:58.320 --> 0:15:01.720
<v Speaker 4>were able to get you know, classifi as in newspapers

0:15:01.760 --> 0:15:05.600
<v Speaker 4>and use codes, we did have ways to sort of

0:15:05.600 --> 0:15:07.400
<v Speaker 4>communicate that with each other. But one of the most

0:15:07.440 --> 0:15:10.160
<v Speaker 4>interesting parts about cruising is that it's so instinctual. So

0:15:10.680 --> 0:15:13.280
<v Speaker 4>when you go into a park and you see the

0:15:13.320 --> 0:15:16.960
<v Speaker 4>little nooks and crannies and you see somebody standing there,

0:15:17.320 --> 0:15:20.040
<v Speaker 4>you're gonna be like, Oh, that's an interesting thing over there.

0:15:20.080 --> 0:15:22.800
<v Speaker 4>I wonder what's happening there? Why is there a guy

0:15:22.960 --> 0:15:26.000
<v Speaker 4>just standing there? And so a lot of our cruising

0:15:26.240 --> 0:15:28.560
<v Speaker 4>spots and a lot of the way that cruising evolves

0:15:28.840 --> 0:15:32.320
<v Speaker 4>is instinctual and like the most minimal word of mouth,

0:15:33.160 --> 0:15:36.160
<v Speaker 4>because we needed to protect ourselves from the law and

0:15:36.240 --> 0:15:40.960
<v Speaker 4>from queer bashings and the politics of our own culture.

0:15:41.400 --> 0:15:43.480
<v Speaker 1>Is so interesting to me, like the sort of languages

0:15:43.520 --> 0:15:47.760
<v Speaker 1>that surround cruising, both verbal and nonverbal, are constantly evolving

0:15:47.800 --> 0:15:50.600
<v Speaker 1>and really just depend on like who's the person you hear?

0:15:50.800 --> 0:15:51.640
<v Speaker 2>Yeah? Right?

0:15:52.560 --> 0:15:55.120
<v Speaker 1>I learned how to cruise from you outside. We were

0:15:55.160 --> 0:15:56.920
<v Speaker 1>standing outside waiting to be left from the in from

0:15:56.960 --> 0:15:59.840
<v Speaker 1>the studio. Chris turns to their left, sees this man

0:16:00.000 --> 0:16:02.000
<v Speaker 1>walking down the sidewalk and goes ooh, he looks yummy.

0:16:02.160 --> 0:16:04.560
<v Speaker 1>The man approaches us Christs and not avert their eyes.

0:16:04.640 --> 0:16:08.240
<v Speaker 1>The entire time passes us. Chris turns looks at it

0:16:08.640 --> 0:16:10.480
<v Speaker 1>like waiting for him to look back, and I was like,

0:16:10.520 --> 0:16:12.200
<v Speaker 1>maybe I need him to look back for you.

0:16:13.080 --> 0:16:15.960
<v Speaker 2>That was that was like masterclass outside the.

0:16:16.000 --> 0:16:18.840
<v Speaker 4>Whole world is then that waiting of are they going

0:16:18.920 --> 0:16:22.080
<v Speaker 4>to turn back? And that moment that they do is

0:16:22.120 --> 0:16:24.360
<v Speaker 4>one of the most exciting things that can happen to you.

0:16:24.480 --> 0:16:30.080
<v Speaker 2>I get such a rush from it, like get yeah.

0:16:30.480 --> 0:16:32.600
<v Speaker 3>I Like, I'm a sober person, so I don't get

0:16:32.600 --> 0:16:35.360
<v Speaker 3>a lot of highs these days, so like this is

0:16:35.400 --> 0:16:36.240
<v Speaker 3>my new high.

0:16:36.480 --> 0:16:38.600
<v Speaker 2>Just like getting the look back in the smile and

0:16:38.640 --> 0:16:40.120
<v Speaker 2>then that's it. I just sort of going my way.

0:16:40.160 --> 0:16:42.400
<v Speaker 2>I have no intention of poking up. I just want

0:16:42.440 --> 0:16:43.320
<v Speaker 2>to get the look back.

0:16:43.920 --> 0:16:48.360
<v Speaker 4>There's a dopamine explosion, says hey, you should probably pay

0:16:48.360 --> 0:16:49.000
<v Speaker 4>attention to that.

0:16:49.080 --> 0:16:50.520
<v Speaker 2>Yeah, I mean, the joke's on your brain because you're

0:16:50.520 --> 0:16:51.200
<v Speaker 2>not going to appropriate.

0:16:51.240 --> 0:16:54.480
<v Speaker 3>But still so thinking about the danger of cruising, right,

0:16:54.520 --> 0:16:57.840
<v Speaker 3>we look at like these police raids, how has it

0:16:57.920 --> 0:16:59.520
<v Speaker 3>changed from the past to the present.

0:17:00.760 --> 0:17:02.680
<v Speaker 4>You know, I think we'd like to tell ourselves that

0:17:02.720 --> 0:17:06.640
<v Speaker 4>everything's totally fine, but as we know, police presence and

0:17:07.680 --> 0:17:10.920
<v Speaker 4>queer culture is always going to have a really terrible relationship.

0:17:11.160 --> 0:17:13.000
<v Speaker 4>But even our bars, you know, are still dealing with

0:17:13.080 --> 0:17:16.520
<v Speaker 4>raids and parties get shut down all the time for that,

0:17:16.760 --> 0:17:18.840
<v Speaker 4>so we always have to be really hyper aware of that.

0:17:18.880 --> 0:17:22.879
<v Speaker 4>And as soon as we, you know, drop that vigilance,

0:17:22.960 --> 0:17:24.560
<v Speaker 4>that's when we're really going to get in trouble.

0:17:24.840 --> 0:17:27.160
<v Speaker 2>So the first rule in my park.

0:17:26.960 --> 0:17:31.160
<v Speaker 4>Cruising guide is to inform yourself on the police activity

0:17:31.200 --> 0:17:31.840
<v Speaker 4>in the area.

0:17:32.240 --> 0:17:33.960
<v Speaker 2>And sometimes it just takes.

0:17:33.920 --> 0:17:37.200
<v Speaker 4>One toddler to pick up a dirty condom and that

0:17:37.320 --> 0:17:39.879
<v Speaker 4>Karen mom is going to run to that park, you know,

0:17:40.520 --> 0:17:43.119
<v Speaker 4>to the police, and then they're gonna mow down all

0:17:43.160 --> 0:17:45.560
<v Speaker 4>the bushes, and that happens all the time.

0:17:45.680 --> 0:17:47.760
<v Speaker 3>To be honest, I kind of love the danger. The

0:17:48.160 --> 0:17:50.200
<v Speaker 3>thrill of kind of getting hot is kind of really

0:17:50.200 --> 0:17:52.760
<v Speaker 3>hot to me, and like the urgency of having to

0:17:52.800 --> 0:17:54.760
<v Speaker 3>get off so I can get out, so I you

0:17:54.760 --> 0:17:56.960
<v Speaker 3>know what I mean, Like I kind of love that.

0:17:57.160 --> 0:17:59.760
<v Speaker 4>Yeah, yeah, So that's interesting because to me, I'm the opposite.

0:17:59.760 --> 0:18:02.560
<v Speaker 4>I hate the idea of getting caught, so and every

0:18:02.640 --> 0:18:04.600
<v Speaker 4>every cruising area is going to have a different element

0:18:04.680 --> 0:18:07.280
<v Speaker 4>of that danger because it is such a dopamine rush

0:18:07.280 --> 0:18:09.320
<v Speaker 4>to be like, oh my god, what if somebody comes up?

0:18:09.600 --> 0:18:12.040
<v Speaker 4>But there's you know, there's different levels of rushes to

0:18:12.119 --> 0:18:14.520
<v Speaker 4>each space and sort of one of the one of

0:18:14.560 --> 0:18:16.720
<v Speaker 4>the most exciting parts is figuring out, like what is

0:18:17.040 --> 0:18:19.440
<v Speaker 4>the thing that turns you on the most about cruising

0:18:19.600 --> 0:18:22.359
<v Speaker 4>and about being sort of exposed to the elements or

0:18:22.400 --> 0:18:24.920
<v Speaker 4>exposed to other people. That's the beauty of these cruising

0:18:24.920 --> 0:18:27.800
<v Speaker 4>areas is that they are made to be able to

0:18:28.080 --> 0:18:30.199
<v Speaker 4>see out and not and for the outside to not

0:18:30.280 --> 0:18:32.720
<v Speaker 4>see in. So most cruising areas are not going to

0:18:32.760 --> 0:18:35.600
<v Speaker 4>be very you know, they're not going to be about

0:18:35.600 --> 0:18:39.000
<v Speaker 4>exposure and exhibitionism. But one of the things that I

0:18:39.000 --> 0:18:41.240
<v Speaker 4>do remind people when I'm doing I'm working on my

0:18:41.320 --> 0:18:44.359
<v Speaker 4>dark Room cruising guide right now, and one of the

0:18:44.440 --> 0:18:47.160
<v Speaker 4>rules is to just take this moment into like skin

0:18:47.320 --> 0:18:50.520
<v Speaker 4>room and understand that you're hearingsing something that is very

0:18:50.640 --> 0:18:52.720
<v Speaker 4>very rare to the rest of the world, Like to

0:18:52.760 --> 0:18:55.000
<v Speaker 4>be able to go into a bar and to go

0:18:55.119 --> 0:18:58.520
<v Speaker 4>into a back room and there's a dozen guys fucking

0:18:59.200 --> 0:19:01.760
<v Speaker 4>it's really specific to us and we're one of the

0:19:01.880 --> 0:19:04.800
<v Speaker 4>very few cultures that can make a friend in the dark.

0:19:05.320 --> 0:19:06.800
<v Speaker 2>And so there's a beauty of that.

0:19:06.920 --> 0:19:10.920
<v Speaker 4>So you're going through this veil of consciousness where you're

0:19:11.240 --> 0:19:15.160
<v Speaker 4>experiencing this thing that is private, that there are entire

0:19:15.520 --> 0:19:18.360
<v Speaker 4>our entire culture builds to be a private thing, and

0:19:18.400 --> 0:19:21.800
<v Speaker 4>you get to step into this looking glass of sexuality.

0:19:21.800 --> 0:19:23.960
<v Speaker 4>That's really I mean, that's where the rush for me

0:19:24.040 --> 0:19:25.840
<v Speaker 4>comes sometimes because that's magic.

0:19:26.920 --> 0:19:30.600
<v Speaker 2>It's magic, it's sex magic, it's sex magic. That's what

0:19:30.600 --> 0:19:34.720
<v Speaker 2>we're channeling here today. Chapter one of them are throw

0:19:34.720 --> 0:19:36.200
<v Speaker 2>that in my culture, baby, come on.

0:19:36.760 --> 0:19:39.159
<v Speaker 1>A thing I see a lot, especially online, because everyone's

0:19:39.160 --> 0:19:42.359
<v Speaker 1>got an opinion about having sex on Twitter, is that

0:19:42.480 --> 0:19:45.720
<v Speaker 1>because we have apps, we don't need physical cruising spaces,

0:19:45.840 --> 0:19:50.120
<v Speaker 1>or that we are somehow subjecting people to dangerous scenarios

0:19:50.320 --> 0:19:53.639
<v Speaker 1>by engaging and cruising in public spaces. How would you

0:19:53.680 --> 0:19:57.639
<v Speaker 1>sort of unpack that or address that concern, whether or

0:19:57.640 --> 0:19:59.160
<v Speaker 1>not it is being asked in good faith.

0:20:00.640 --> 0:20:03.440
<v Speaker 4>I think we're always going to need physical cruising spaces,

0:20:03.480 --> 0:20:06.160
<v Speaker 4>and we're already learning sort of the damages of social media,

0:20:06.200 --> 0:20:10.000
<v Speaker 4>for example, and how they, you know, cause a disconnect

0:20:10.000 --> 0:20:12.600
<v Speaker 4>with one another. The thing that people have to remember

0:20:12.680 --> 0:20:14.840
<v Speaker 4>is that a lot of us are discovering ourselves in

0:20:14.880 --> 0:20:17.000
<v Speaker 4>cruising spaces. So it might be easy to get on

0:20:17.040 --> 0:20:18.560
<v Speaker 4>an app and be like I'm into this, this, this,

0:20:18.760 --> 0:20:21.480
<v Speaker 4>this and this, but a lot of us don't have that.

0:20:22.040 --> 0:20:25.000
<v Speaker 4>You know, a lot of us discover our sexuality through practice,

0:20:25.240 --> 0:20:28.520
<v Speaker 4>and that's what cruising spaces are meant for. So, for example,

0:20:28.880 --> 0:20:31.240
<v Speaker 4>I learned that I was into larger guys when I

0:20:31.320 --> 0:20:34.000
<v Speaker 4>was in a bathhouse, and that wouldn't have been the

0:20:34.040 --> 0:20:36.120
<v Speaker 4>case if I had just ordered in what I thought

0:20:36.160 --> 0:20:39.000
<v Speaker 4>that I was supposed to be attracted to. A lot

0:20:39.040 --> 0:20:41.960
<v Speaker 4>of other people don't have the luxury of getting on

0:20:42.000 --> 0:20:45.960
<v Speaker 4>an app or being out of the closet. Even so,

0:20:46.119 --> 0:20:50.520
<v Speaker 4>cruising spaces allow us to come into our own sexually

0:20:50.800 --> 0:20:53.639
<v Speaker 4>and also to explore things that maybe wouldn't have occurred

0:20:53.640 --> 0:20:56.560
<v Speaker 4>to us. Is something that's really priceless and something that

0:20:56.600 --> 0:20:58.440
<v Speaker 4>can't be replicated digitally.

0:20:59.280 --> 0:21:00.800
<v Speaker 3>We're going to take a sh up break and when

0:21:00.840 --> 0:21:03.280
<v Speaker 3>we get back, we'll hear Leo's personal advice for first

0:21:03.280 --> 0:21:07.080
<v Speaker 3>time cruisers and two distinct locations more Sniffy's cruising confessions.

0:21:07.080 --> 0:21:07.760
<v Speaker 2>On the way.

0:21:13.440 --> 0:21:16.200
<v Speaker 1>Welcome back, we are chatting with Leo Herredra. So, Leo,

0:21:16.359 --> 0:21:18.720
<v Speaker 1>your new book is called Analog Cruising, Can you tell

0:21:18.760 --> 0:21:20.600
<v Speaker 1>us a bit about it? What prompted you to write

0:21:20.600 --> 0:21:22.040
<v Speaker 1>it and what are we going.

0:21:22.000 --> 0:21:22.560
<v Speaker 2>To find in it?

0:21:23.200 --> 0:21:26.280
<v Speaker 4>So what prompted the Cruising Guide is how much interest

0:21:26.320 --> 0:21:28.600
<v Speaker 4>there is in cruising and also at the same time,

0:21:29.000 --> 0:21:30.800
<v Speaker 4>how we don't know a lot about it because it

0:21:30.840 --> 0:21:33.680
<v Speaker 4>hasn't been spoken about very openly for a really long

0:21:33.720 --> 0:21:36.520
<v Speaker 4>time as we sort of got more dependent on the apps,

0:21:36.800 --> 0:21:38.960
<v Speaker 4>and so many younger people will ask me, like the

0:21:39.080 --> 0:21:41.840
<v Speaker 4>really the most basic parts of it, like what can

0:21:41.880 --> 0:21:43.960
<v Speaker 4>I expect when I walk into a bath house?

0:21:44.560 --> 0:21:46.040
<v Speaker 2>The moment I like, how do I check in? What

0:21:46.080 --> 0:21:46.720
<v Speaker 2>should I bring?

0:21:47.880 --> 0:21:51.919
<v Speaker 4>Or how do I stand in a part? How do

0:21:51.960 --> 0:21:54.080
<v Speaker 4>I depend on not having my phone?

0:21:54.520 --> 0:21:56.240
<v Speaker 3>I mean, I will say as a person, I read

0:21:56.280 --> 0:22:00.360
<v Speaker 3>them before this interview, and I felt so nostalgic reading them,

0:22:00.800 --> 0:22:03.399
<v Speaker 3>experiencing like remembering my first time cruising in a park,

0:22:03.480 --> 0:22:06.879
<v Speaker 3>or like going to the pathouse in particular, like getting

0:22:06.920 --> 0:22:09.080
<v Speaker 3>the courage to go to the bath house, trying to

0:22:09.119 --> 0:22:11.000
<v Speaker 3>find someone to go with me, and sort of like

0:22:11.040 --> 0:22:13.160
<v Speaker 3>going through your checklist and being like, God, I really

0:22:13.160 --> 0:22:15.080
<v Speaker 3>wish I had had this because there was so much

0:22:15.080 --> 0:22:17.640
<v Speaker 3>of the unknown. I just sort of like showed up

0:22:18.280 --> 0:22:20.360
<v Speaker 3>at the bath house and I was like, Okay, now

0:22:20.440 --> 0:22:22.479
<v Speaker 3>what you know and asking a lot of questions at

0:22:22.520 --> 0:22:24.679
<v Speaker 3>the front desk, and they're all rolling their eyes at me,

0:22:25.440 --> 0:22:27.680
<v Speaker 3>like girl, just go in and have a good time,

0:22:27.880 --> 0:22:28.040
<v Speaker 3>you know.

0:22:28.600 --> 0:22:32.120
<v Speaker 2>But it's such a rite of passage.

0:22:32.160 --> 0:22:33.879
<v Speaker 4>But I think we could have made it a little

0:22:33.880 --> 0:22:37.399
<v Speaker 4>easier for ourselves. And because of the stigma associated to

0:22:37.440 --> 0:22:39.320
<v Speaker 4>these spaces, I had to do the same thing like

0:22:39.320 --> 0:22:41.960
<v Speaker 4>we've all had to. It's such a moment to like

0:22:42.400 --> 0:22:45.000
<v Speaker 4>get the courage to walk into a bath house and

0:22:45.080 --> 0:22:46.159
<v Speaker 4>not know what's.

0:22:45.920 --> 0:22:46.760
<v Speaker 2>On the other side.

0:22:47.200 --> 0:22:49.320
<v Speaker 4>And there's an excitement to that, but I feel like

0:22:49.359 --> 0:22:52.719
<v Speaker 4>there's also an unfairness to how scary it could be

0:22:52.800 --> 0:22:53.600
<v Speaker 4>for some people.

0:22:53.680 --> 0:22:53.879
<v Speaker 2>You know.

0:22:53.960 --> 0:22:56.879
<v Speaker 4>One of the most basic questions that I get about

0:22:56.920 --> 0:23:00.159
<v Speaker 4>park cruising, for example, is like where do I stand?

0:23:00.440 --> 0:23:02.840
<v Speaker 2>Which is so adorable when like a twenty one year.

0:23:02.680 --> 0:23:04.360
<v Speaker 4>Old like messages you on Instagra and be like, I'd

0:23:04.359 --> 0:23:06.080
<v Speaker 4>love to you, but I just don't know how to stand,

0:23:06.640 --> 0:23:10.119
<v Speaker 4>And You're like, oh, wow, where are you gonna know?

0:23:10.400 --> 0:23:12.960
<v Speaker 4>Like where who would have taught you that? So I'm

0:23:12.960 --> 0:23:14.800
<v Speaker 4>going to read you guys. One of the one of

0:23:14.840 --> 0:23:16.800
<v Speaker 4>the things I'm most proud of in this cruising guide,

0:23:16.920 --> 0:23:20.240
<v Speaker 4>Tip number six says, pretend you're in a museum. Walk

0:23:20.280 --> 0:23:22.280
<v Speaker 4>around at the same pace as an art exhibit and

0:23:22.400 --> 0:23:25.840
<v Speaker 4>use a similar volume. You're either the art or the viewer.

0:23:26.280 --> 0:23:29.320
<v Speaker 4>Mosey around or stand and wait. Tick off your headphones,

0:23:29.359 --> 0:23:31.920
<v Speaker 4>put your phone away, and pay attention. If you're interested

0:23:31.960 --> 0:23:34.239
<v Speaker 4>in someone, walk to them and stand the distance as

0:23:34.240 --> 0:23:37.919
<v Speaker 4>you would a painting. So already you're already letting them know, like,

0:23:38.359 --> 0:23:40.119
<v Speaker 4>don't be talking a lot, like how would you be

0:23:40.160 --> 0:23:42.800
<v Speaker 4>in an art exhibit? And are you the person who

0:23:43.040 --> 0:23:45.560
<v Speaker 4>is being gazed upon or are you the one that's

0:23:45.600 --> 0:23:47.840
<v Speaker 4>sort of looking around for that? And so those kinds

0:23:47.880 --> 0:23:51.880
<v Speaker 4>of really real world tips, I'm really surprised at how

0:23:51.880 --> 0:23:53.719
<v Speaker 4>helpful they've been and how people will be Like, I

0:23:53.720 --> 0:23:55.119
<v Speaker 4>did it, I did the thing, I went to the

0:23:55.119 --> 0:23:56.200
<v Speaker 4>cruising area.

0:23:56.359 --> 0:23:59.080
<v Speaker 3>What happens when you get rejected? How do we behave

0:23:59.119 --> 0:24:00.960
<v Speaker 3>in that in these instances?

0:24:01.440 --> 0:24:03.080
<v Speaker 4>One of the things, one of the most important things

0:24:03.119 --> 0:24:06.320
<v Speaker 4>that we learn in cruising spaces is to not take

0:24:06.480 --> 0:24:10.040
<v Speaker 4>rejection as a reflection of ourselves. And one of the

0:24:10.320 --> 0:24:12.040
<v Speaker 4>I think one of the worst parts about the apps

0:24:12.160 --> 0:24:14.280
<v Speaker 4>is how they allow us to just reject one another

0:24:14.320 --> 0:24:16.760
<v Speaker 4>in a way that we probably wouldn't in person, Like

0:24:16.760 --> 0:24:18.240
<v Speaker 4>I would never go up to some and to be like,

0:24:18.280 --> 0:24:20.240
<v Speaker 4>that's an ugly dick, but you.

0:24:20.200 --> 0:24:24.280
<v Speaker 2>Know that's crazy, or to just stop talking to them. Yeah,

0:24:24.320 --> 0:24:26.600
<v Speaker 2>so I might. I might. I might be the type

0:24:26.600 --> 0:24:31.159
<v Speaker 2>that would, but I was just saying, godasa likely, so

0:24:31.320 --> 0:24:31.840
<v Speaker 2>I think it.

0:24:32.000 --> 0:24:35.480
<v Speaker 4>Really sometimes the apps encourage some sort of our more

0:24:35.560 --> 0:24:40.679
<v Speaker 4>sociopathic qualities in the Bathhouse Guy Tip number eight is

0:24:40.720 --> 0:24:43.440
<v Speaker 4>do not take rejection as a reflection on you. If

0:24:43.440 --> 0:24:45.439
<v Speaker 4>you get a no, just not courteous, they'll leave their

0:24:45.440 --> 0:24:48.359
<v Speaker 4>space because you don't know why they've said no to you.

0:24:48.720 --> 0:24:51.040
<v Speaker 2>They might be a voyeur.

0:24:51.359 --> 0:24:53.080
<v Speaker 4>Here in the guide that says, you know, it might

0:24:53.119 --> 0:24:55.480
<v Speaker 4>just be a voyeur or exhibitionist or biding their time.

0:24:55.800 --> 0:24:58.399
<v Speaker 4>It may also mean not write this minute and they'll

0:24:58.400 --> 0:25:01.600
<v Speaker 4>find you later. So you have to sort of leave

0:25:01.720 --> 0:25:04.600
<v Speaker 4>yourself and leave all the demons in your head and

0:25:04.680 --> 0:25:06.840
<v Speaker 4>understand like they might just not be into me right now.

0:25:07.760 --> 0:25:09.520
<v Speaker 4>It might just might not be their type, they might

0:25:09.560 --> 0:25:11.720
<v Speaker 4>not be in the mood. They might just want to

0:25:11.760 --> 0:25:14.359
<v Speaker 4>just chill for a minute, So it kind of makes

0:25:14.400 --> 0:25:17.080
<v Speaker 4>you sort of be an adult and accept rejection and

0:25:17.119 --> 0:25:19.840
<v Speaker 4>also give it and return in a way that's courteous

0:25:19.880 --> 0:25:21.919
<v Speaker 4>and then the way that you would want somebody to

0:25:21.960 --> 0:25:22.480
<v Speaker 4>do that for you.

0:25:22.760 --> 0:25:23.280
<v Speaker 2>So one of the.

0:25:23.200 --> 0:25:27.000
<v Speaker 4>Biggest concerns in cruising spaces for younger folks is.

0:25:26.960 --> 0:25:28.840
<v Speaker 2>Like, am I going to say no to the old

0:25:28.920 --> 0:25:29.440
<v Speaker 2>ugly guy?

0:25:29.600 --> 0:25:32.160
<v Speaker 4>Like that's one of the one of the main questions,

0:25:32.160 --> 0:25:33.880
<v Speaker 4>Like what if somebody touches me and I don't want

0:25:33.880 --> 0:25:36.320
<v Speaker 4>them to, And it's very simple.

0:25:36.359 --> 0:25:39.600
<v Speaker 2>You just tap tap them on the arm and then

0:25:39.640 --> 0:25:41.640
<v Speaker 2>you say no, thank you, and that's it.

0:25:42.160 --> 0:25:44.920
<v Speaker 4>Most people that are seizing cruisers in these spaces understand

0:25:44.960 --> 0:25:47.520
<v Speaker 4>it's like, Okay, that's not for me. And if you

0:25:47.600 --> 0:25:50.240
<v Speaker 4>have to get verbal and be like no, they've already

0:25:50.240 --> 0:25:53.080
<v Speaker 4>broken enough rules that they don't belong in that space.

0:25:53.440 --> 0:25:56.399
<v Speaker 4>It teaches us how to accept rejection and to give rejection,

0:25:56.480 --> 0:25:59.240
<v Speaker 4>and that sort of strengthens us and strengthens our sort

0:25:59.240 --> 0:26:03.600
<v Speaker 4>of emotional immune system, because that's the scariest part of

0:26:03.920 --> 0:26:06.200
<v Speaker 4>any kind of interaction, is that someone's going to say no.

0:26:06.600 --> 0:26:08.159
<v Speaker 4>One of the things that I learned because of my

0:26:08.240 --> 0:26:10.840
<v Speaker 4>elders was that's the worst thing that can happen.

0:26:10.920 --> 0:26:14.800
<v Speaker 2>Yes, yeah, someone just says no and you deal with it.

0:26:15.359 --> 0:26:17.879
<v Speaker 4>And one of the other tips in the guide is like,

0:26:18.280 --> 0:26:21.200
<v Speaker 4>don't go to these spaces when you're not feeling okay,

0:26:21.760 --> 0:26:25.080
<v Speaker 4>you're really depressed, if you're really anxious, if you're like,

0:26:25.320 --> 0:26:27.320
<v Speaker 4>if I don't get laid tonight, I don't know what

0:26:27.359 --> 0:26:31.480
<v Speaker 4>I'm gonna do. That's really unhealthy and so and I've

0:26:31.480 --> 0:26:33.320
<v Speaker 4>done it before, and a lot of us, you know,

0:26:33.359 --> 0:26:36.040
<v Speaker 4>we'll go through a terrible breakup and we'll be like,

0:26:36.080 --> 0:26:38.040
<v Speaker 4>I'm just gonna go get fucked in a bathhouse and

0:26:38.200 --> 0:26:42.800
<v Speaker 4>you know, fuck the pain a way, and there's a

0:26:42.800 --> 0:26:44.880
<v Speaker 4>time and a space for that. But when that doesn't

0:26:45.119 --> 0:26:48.680
<v Speaker 4>function right, it could do real damage. So it's important

0:26:48.680 --> 0:26:51.600
<v Speaker 4>to approach cruising and when you're already feeling centered. If

0:26:51.600 --> 0:26:54.080
<v Speaker 4>you're expecting a stranger to make you feel good about yourself,

0:26:54.400 --> 0:26:56.720
<v Speaker 4>that's a whole different other conversation.

0:26:56.200 --> 0:26:57.560
<v Speaker 2>That you have to have with yourself.

0:26:58.400 --> 0:27:00.879
<v Speaker 3>I am always the person to injury myself to someone

0:27:01.000 --> 0:27:03.639
<v Speaker 3>that I think is attractive, and my friends are always like,

0:27:03.720 --> 0:27:05.720
<v Speaker 3>how do you do that? And I think it's from

0:27:06.080 --> 0:27:08.719
<v Speaker 3>going to the bathhouses and having this like exactly the

0:27:08.720 --> 0:27:10.639
<v Speaker 3>worst thing that could happen is someone just says no,

0:27:11.440 --> 0:27:15.239
<v Speaker 3>and like the other possibilities are endless, you know, and like,

0:27:15.640 --> 0:27:17.040
<v Speaker 3>so what if they say no, I live in New

0:27:17.119 --> 0:27:18.439
<v Speaker 3>York City.

0:27:18.640 --> 0:27:20.200
<v Speaker 2>There is another dick around the corner.

0:27:20.480 --> 0:27:22.280
<v Speaker 4>But yeah, that's one of the most important things that

0:27:22.320 --> 0:27:24.439
<v Speaker 4>I was taught. Was wasn't just you know what my

0:27:24.520 --> 0:27:27.159
<v Speaker 4>elders were, my elder with a specific elder who is

0:27:27.160 --> 0:27:29.440
<v Speaker 4>this big ginger bear where I was like, how do.

0:27:29.440 --> 0:27:31.080
<v Speaker 2>You always pick up these beautiful boys?

0:27:31.119 --> 0:27:33.239
<v Speaker 4>And he said, I just ask, and the worst thing

0:27:33.280 --> 0:27:35.960
<v Speaker 4>that can happen is is they say no. But and

0:27:36.040 --> 0:27:38.119
<v Speaker 4>the second part, so that was even just as important.

0:27:38.160 --> 0:27:42.040
<v Speaker 4>He said, that just leaves room for a yes somewhere

0:27:42.040 --> 0:27:44.680
<v Speaker 4>else exactly, And once you sort of fix your mind

0:27:44.720 --> 0:27:47.879
<v Speaker 4>around that where you don't fixate on that guy rejected me.

0:27:47.920 --> 0:27:50.280
<v Speaker 4>That guy rejected me. He was like, yeah, I got rejected.

0:27:50.680 --> 0:27:53.359
<v Speaker 4>The night's still young. Let's keep it moving, let's keep

0:27:53.400 --> 0:27:56.119
<v Speaker 4>it pushing, and maybe we'll find what we want tonight,

0:27:56.200 --> 0:27:58.600
<v Speaker 4>or maybe we won't. But that rush of coming up

0:27:58.600 --> 0:28:02.280
<v Speaker 4>to somebody and introducing yourself, it builds up stamina, and

0:28:02.359 --> 0:28:05.320
<v Speaker 4>it builds up sort of your strength, not only as

0:28:05.320 --> 0:28:07.760
<v Speaker 4>a sexual person but as like a queer person. Yes,

0:28:07.800 --> 0:28:10.600
<v Speaker 4>because we're so used to rejection by the outside world that.

0:28:10.800 --> 0:28:13.840
<v Speaker 2>If we can't get rejection from one another in a sexual,

0:28:13.880 --> 0:28:16.560
<v Speaker 2>playful way, how are we gonna deal with the rest

0:28:16.600 --> 0:28:18.000
<v Speaker 2>of the world that wants to kill us.

0:28:18.400 --> 0:28:20.840
<v Speaker 1>It is so funny because I really do think that

0:28:20.840 --> 0:28:23.800
<v Speaker 1>that being part of like a queer community has prepared

0:28:23.840 --> 0:28:26.960
<v Speaker 1>me for performance and comedy. The one thing that I

0:28:27.000 --> 0:28:29.199
<v Speaker 1>always hear when it comes to cruising and stand up

0:28:29.240 --> 0:28:32.399
<v Speaker 1>comedy is be prepared for a ton of rejections. Yeah,

0:28:32.440 --> 0:28:34.320
<v Speaker 1>And I was like, all right, I picked a lifestyle

0:28:34.359 --> 0:28:37.200
<v Speaker 1>where I'm gonna hear no ninety five percent of the time. Yeah,

0:28:37.200 --> 0:28:40.960
<v Speaker 1>and I'm gonna relish every letter in that word ultimately.

0:28:41.040 --> 0:28:43.680
<v Speaker 4>I mean, I'm a scrawny little guy, you know, I'm

0:28:43.680 --> 0:28:47.480
<v Speaker 4>a skyreletvel brown guy who's attracted to big, big bears.

0:28:47.800 --> 0:28:49.680
<v Speaker 2>Like I've gotten said no a.

0:28:49.680 --> 0:28:53.040
<v Speaker 4>Ton of times, but the times that they've said yes, Babe,

0:28:53.120 --> 0:28:56.960
<v Speaker 4>changing for everybody.

0:28:55.560 --> 0:28:57.400
<v Speaker 2>For every party involved.

0:28:58.400 --> 0:29:00.840
<v Speaker 1>I love that You're like, I'm gonna, you know, I

0:29:00.960 --> 0:29:01.680
<v Speaker 1>changed their life.

0:29:02.880 --> 0:29:03.600
<v Speaker 2>I love that.

0:29:04.560 --> 0:29:07.680
<v Speaker 1>I do kind of want to get down to these

0:29:07.720 --> 0:29:11.120
<v Speaker 1>two spaces that you've introduced in your writing. The bath

0:29:11.160 --> 0:29:13.520
<v Speaker 1>house and the park. What would you say are the

0:29:13.560 --> 0:29:17.480
<v Speaker 1>differences and similarities between these these two locations of cruising.

0:29:17.960 --> 0:29:20.880
<v Speaker 4>I think of the park it's sort of the Olympics

0:29:20.920 --> 0:29:25.800
<v Speaker 4>of cruising. It's a really difficult learning curve. It's really intimidating.

0:29:25.880 --> 0:29:28.880
<v Speaker 4>You're you're dependent on the elements you're dependent on. Cops

0:29:28.920 --> 0:29:32.600
<v Speaker 4>are exposed to mom's jogging. It's depending on how the

0:29:32.600 --> 0:29:39.200
<v Speaker 4>park is. You're not so sure, but the rewards of

0:29:39.240 --> 0:29:41.360
<v Speaker 4>that are so high. Like I love park cruising when

0:29:41.400 --> 0:29:43.960
<v Speaker 4>I'm in Berlin because I never know what I'm going

0:29:44.040 --> 0:29:47.880
<v Speaker 4>to get, and it's just I have my own ritual.

0:29:48.400 --> 0:29:52.040
<v Speaker 4>I get to I wear something really like nondescript. I

0:29:52.080 --> 0:29:54.400
<v Speaker 4>take my little flask or my little like white claw

0:29:54.560 --> 0:29:58.240
<v Speaker 4>and wait. And a parks, for example, teaches you how

0:29:58.280 --> 0:30:00.480
<v Speaker 4>to wait, and it teaches you to understand the you

0:30:00.520 --> 0:30:02.560
<v Speaker 4>might not get what you want and you don't even

0:30:02.600 --> 0:30:04.680
<v Speaker 4>know if you're gonna have an orgasm, whereas a bath

0:30:04.680 --> 0:30:07.920
<v Speaker 4>house is more about the amenities and you can bring

0:30:07.920 --> 0:30:10.720
<v Speaker 4>a friend with you, and they were built for socializing,

0:30:10.920 --> 0:30:13.280
<v Speaker 4>and they were built sort of as a response to

0:30:13.920 --> 0:30:16.120
<v Speaker 4>being exposed in the elements in parks and things like that.

0:30:16.160 --> 0:30:20.280
<v Speaker 4>So it's almost like their opposite ends of safety and

0:30:20.800 --> 0:30:23.800
<v Speaker 4>of relaxation. So you're not going to be that relaxed

0:30:23.800 --> 0:30:25.840
<v Speaker 4>in the park if you're looking recruising, if you're too relaxed,

0:30:25.880 --> 0:30:27.200
<v Speaker 4>then you're not doing it right because you have to

0:30:27.200 --> 0:30:30.360
<v Speaker 4>be very vigilant about everything, whereas a bath house, all

0:30:30.360 --> 0:30:32.240
<v Speaker 4>you got to do is just lay in a steam

0:30:32.320 --> 0:30:35.120
<v Speaker 4>room and wait and see if somebody hot comes in.

0:30:35.400 --> 0:30:37.080
<v Speaker 4>And the worst thing that can happen is you sat

0:30:37.120 --> 0:30:39.880
<v Speaker 4>in a steamroom and relaxed. One of my favorite bath houses,

0:30:40.480 --> 0:30:42.200
<v Speaker 4>you know, there's a little there's a little place to

0:30:42.240 --> 0:30:45.120
<v Speaker 4>have a little salad and a little white wine, so

0:30:45.880 --> 0:30:47.560
<v Speaker 4>you can bring a friend to those and you can

0:30:47.600 --> 0:30:49.120
<v Speaker 4>sort of like lean into it.

0:30:49.440 --> 0:30:50.840
<v Speaker 2>There's also a lot of.

0:30:50.760 --> 0:30:53.480
<v Speaker 4>Intimidation involved because you have to get completely naked and

0:30:53.520 --> 0:30:55.160
<v Speaker 4>you have to be walking around a towel, and a

0:30:55.200 --> 0:30:57.400
<v Speaker 4>lot of us have a lot of you know, self

0:30:57.440 --> 0:30:59.760
<v Speaker 4>consciousness about our bodies, so they're both kind of have

0:30:59.760 --> 0:31:00.680
<v Speaker 4>a give and take.

0:31:01.360 --> 0:31:03.200
<v Speaker 2>And all cruising areas are like that.

0:31:03.320 --> 0:31:06.880
<v Speaker 4>So I'm doing guides for arcades and for dark rooms

0:31:06.880 --> 0:31:08.160
<v Speaker 4>and for sex clubs.

0:31:07.840 --> 0:31:09.760
<v Speaker 2>Which are a little bit different than the bath house.

0:31:09.800 --> 0:31:13.240
<v Speaker 4>And all of them have sort of different rules of engagement,

0:31:13.560 --> 0:31:16.000
<v Speaker 4>and in the book, I have like a kiki level

0:31:16.040 --> 0:31:18.600
<v Speaker 4>of like this is how much kinkiki here, or like

0:31:18.920 --> 0:31:21.160
<v Speaker 4>you know, this is how you should be thinking about safety,

0:31:21.160 --> 0:31:24.040
<v Speaker 4>whereas like a park, your safety is very very important,

0:31:24.240 --> 0:31:25.240
<v Speaker 4>whereas't a bath house.

0:31:25.520 --> 0:31:26.360
<v Speaker 2>You know, just don't be.

0:31:26.320 --> 0:31:28.320
<v Speaker 4>Fucked up and crack your skull on a tile and

0:31:28.400 --> 0:31:30.520
<v Speaker 4>you'll be fine. Each one of these spaces has a

0:31:30.560 --> 0:31:33.080
<v Speaker 4>different rule of engagement and a different rule of what

0:31:33.160 --> 0:31:37.240
<v Speaker 4>consent looks like and how verbal consent is. And within

0:31:37.360 --> 0:31:40.720
<v Speaker 4>those spaces, like for example, in a bath house, you

0:31:40.720 --> 0:31:43.520
<v Speaker 4>don't just start groping people in the locker room, right,

0:31:43.600 --> 0:31:45.320
<v Speaker 4>That's not what you would do. That's kind of rude.

0:31:45.960 --> 0:31:48.160
<v Speaker 4>But if there's a maze for a steam room, that

0:31:48.200 --> 0:31:51.680
<v Speaker 4>gets a little bit more gropy. So those things are

0:31:51.720 --> 0:31:54.480
<v Speaker 4>sort of they can be spelled out, and that's why

0:31:54.480 --> 0:31:56.960
<v Speaker 4>I'm spelling them out in these guides. But after a

0:31:57.040 --> 0:31:59.400
<v Speaker 4>while you sort of start to realize that they all

0:31:59.440 --> 0:32:02.240
<v Speaker 4>have a rhythm and that you you just have to

0:32:02.240 --> 0:32:04.480
<v Speaker 4>pay attention. And I think that's the thing that sort

0:32:04.520 --> 0:32:06.560
<v Speaker 4>of gets lost when we get too dependent on apps,

0:32:06.560 --> 0:32:10.080
<v Speaker 4>as we start learning how to like look up, look up,

0:32:10.600 --> 0:32:11.280
<v Speaker 4>like look up.

0:32:11.160 --> 0:32:11.640
<v Speaker 2>Mary as well.

0:32:11.800 --> 0:32:16.160
<v Speaker 3>Tell everybody what is your favorite cruising moment? Oh my god,

0:32:18.160 --> 0:32:18.560
<v Speaker 3>oh my.

0:32:18.560 --> 0:32:21.560
<v Speaker 4>Least favorite actually happened this year, and this guy broke

0:32:21.840 --> 0:32:25.320
<v Speaker 4>every single room, like every single rule imaginable. I was

0:32:25.360 --> 0:32:28.760
<v Speaker 4>in a park in Berlin and there was a power

0:32:28.800 --> 0:32:31.640
<v Speaker 4>bottom against the tree and I went in there and

0:32:31.680 --> 0:32:33.800
<v Speaker 4>I did my thing and I'm fucking I'm really hard

0:32:34.120 --> 0:32:36.640
<v Speaker 4>and I smelled that he at Popper's, so I was like, hey,

0:32:36.680 --> 0:32:38.720
<v Speaker 4>can I take a whiff of those? And as I'm

0:32:38.800 --> 0:32:41.920
<v Speaker 4>jackhammering this man, he looks back and goes, no, I'm

0:32:41.960 --> 0:32:42.680
<v Speaker 4>not a store.

0:32:42.920 --> 0:32:46.000
<v Speaker 2>Get your own. I was like, oh my god, I'm

0:32:46.040 --> 0:32:51.360
<v Speaker 2>inside you. Correct, Yeah, like we are. We are in

0:32:51.440 --> 0:32:55.960
<v Speaker 2>an intimate act. We are showing things to each other. Wow.

0:32:56.240 --> 0:32:58.720
<v Speaker 4>I was like, are you I'm like, I pop out

0:32:58.720 --> 0:33:01.280
<v Speaker 4>and I'm like, are you fucking kidding me? And the

0:33:01.640 --> 0:33:05.240
<v Speaker 4>queens around me were like no, she did it. And

0:33:05.280 --> 0:33:08.040
<v Speaker 4>now I was like, get the fuck out of here.

0:33:08.160 --> 0:33:10.920
<v Speaker 4>I'm like, are you out of your fucking mind talking

0:33:10.960 --> 0:33:11.520
<v Speaker 4>to me like that?

0:33:11.600 --> 0:33:13.000
<v Speaker 1>Wait, but at this point you've got there are other

0:33:13.040 --> 0:33:14.920
<v Speaker 1>people there as well, so you've got like a little crowd.

0:33:15.000 --> 0:33:17.720
<v Speaker 2>This is like the third actually people got there.

0:33:17.720 --> 0:33:21.040
<v Speaker 4>Were sort of like whoa, yeah, and so I'm like,

0:33:21.120 --> 0:33:22.160
<v Speaker 4>get the fuck out.

0:33:21.960 --> 0:33:23.720
<v Speaker 2>Of here, you rude ass bitch.

0:33:23.920 --> 0:33:25.920
<v Speaker 4>And I'm like, no, you're not having sex with anybody here,

0:33:26.080 --> 0:33:27.480
<v Speaker 4>and I was like, I want to make sure you're

0:33:27.480 --> 0:33:30.560
<v Speaker 4>having super uncomfortable So we sort of like hissed him

0:33:30.600 --> 0:33:31.040
<v Speaker 4>out of there.

0:33:31.440 --> 0:33:33.880
<v Speaker 2>And this other queen who I who would wouldn't have

0:33:33.880 --> 0:33:36.280
<v Speaker 2>been my type, but she was like, I can't believe

0:33:36.320 --> 0:33:38.160
<v Speaker 2>that happened. And I was like, was that just me?

0:33:38.240 --> 0:33:41.040
<v Speaker 2>Because it's like, you know, midnight? Is it just me?

0:33:41.160 --> 0:33:43.120
<v Speaker 2>Was that like the rudest thing you've ever heard ever?

0:33:43.320 --> 0:33:45.040
<v Speaker 4>She was like, we don't talk to each other like

0:33:45.080 --> 0:33:47.600
<v Speaker 4>that in these faces, Like I was just it was

0:33:47.640 --> 0:33:50.479
<v Speaker 4>so gross, and me and him just sat there and

0:33:50.520 --> 0:33:52.640
<v Speaker 4>we talked for a while, and then after we were

0:33:52.680 --> 0:33:54.880
<v Speaker 4>done talking. He was not my type at all, but

0:33:54.960 --> 0:33:56.840
<v Speaker 4>after we were done talking, we had this thing that

0:33:56.880 --> 0:33:57.280
<v Speaker 4>we shirt.

0:33:57.320 --> 0:33:59.200
<v Speaker 2>I was like, we were both like, you know, I'm trying.

0:33:59.120 --> 0:34:02.920
<v Speaker 4>Having sex and it was so hot because we shared

0:34:02.960 --> 0:34:07.080
<v Speaker 4>this moment out there, and then out of nowhere, these

0:34:07.120 --> 0:34:11.040
<v Speaker 4>two just my type guys came in to like surround us,

0:34:11.760 --> 0:34:14.239
<v Speaker 4>and I was like I couldn't have ordered either of

0:34:14.280 --> 0:34:17.200
<v Speaker 4>them if I had tried, and so all of a sudden,

0:34:17.600 --> 0:34:19.680
<v Speaker 4>this moment that was so rude and kind of a

0:34:19.680 --> 0:34:22.960
<v Speaker 4>little bit demoralizing and was really I was like, I've never.

0:34:22.760 --> 0:34:26.400
<v Speaker 2>Felt so used as the top before. All of a

0:34:26.440 --> 0:34:27.000
<v Speaker 2>sudden it.

0:34:26.960 --> 0:34:32.479
<v Speaker 4>Became this communal kind of like experience. And then even

0:34:32.480 --> 0:34:35.560
<v Speaker 4>though me and this guy weren't exactly one another's type,

0:34:35.600 --> 0:34:39.520
<v Speaker 4>we sort of connected sexually, and then that energy and

0:34:39.640 --> 0:34:41.640
<v Speaker 4>us having sat there and like kind of processed it

0:34:41.880 --> 0:34:44.160
<v Speaker 4>brought all of these people around us, and then all

0:34:44.200 --> 0:34:46.960
<v Speaker 4>of a sudden we both had exactly what we wanted.

0:34:47.000 --> 0:34:49.319
<v Speaker 4>This other guy was like he was he was like,

0:34:49.360 --> 0:34:51.040
<v Speaker 4>this is just my type, and I'm like, these two

0:34:51.080 --> 0:34:53.920
<v Speaker 4>are just my type too, And it ended up turning

0:34:53.920 --> 0:34:58.240
<v Speaker 4>into this like really tender, sweet orgy of like six

0:34:58.320 --> 0:35:01.320
<v Speaker 4>people outside in the summer in a park.

0:35:01.920 --> 0:35:04.680
<v Speaker 2>And it would have never happened had that first kuyd have.

0:35:04.719 --> 0:35:08.080
<v Speaker 4>Been a total dick and it And there was a

0:35:08.120 --> 0:35:10.080
<v Speaker 4>moment there that I wanted to leave because I felt

0:35:10.120 --> 0:35:12.719
<v Speaker 4>so grossed out by that experience and being talked to

0:35:12.800 --> 0:35:15.279
<v Speaker 4>sort of that way and the way the way that

0:35:15.360 --> 0:35:17.919
<v Speaker 4>he talked to me and treated me, and I didn't leave,

0:35:17.960 --> 0:35:21.120
<v Speaker 4>and instead I sort of, you know, commiserated with a sister,

0:35:21.480 --> 0:35:24.279
<v Speaker 4>and that created this whole nother energy and this whole

0:35:24.320 --> 0:35:25.920
<v Speaker 4>experience that I wouldn't have had otherwise.

0:35:26.200 --> 0:35:28.920
<v Speaker 2>So that's my favorite, my two favorite ones, And that

0:35:29.760 --> 0:35:30.720
<v Speaker 2>was a perfect story.

0:35:30.800 --> 0:35:32.319
<v Speaker 1>It would have been such a gag if you'd asked

0:35:32.320 --> 0:35:37.960
<v Speaker 1>for popersy and turned around tap tap tap no.

0:35:36.320 --> 0:35:39.480
<v Speaker 2>No, that would have been so much better. I'm not

0:35:39.600 --> 0:35:40.799
<v Speaker 2>a store who the.

0:35:41.560 --> 0:35:44.680
<v Speaker 1>Yeah, the store ising like I had a line ready

0:35:44.840 --> 0:35:46.960
<v Speaker 1>and wanted to try it out on an unwilling crowd.

0:35:47.080 --> 0:35:47.680
<v Speaker 2>Yeah.

0:35:47.760 --> 0:35:49.480
<v Speaker 4>I think the thing that I would leave the audience

0:35:49.480 --> 0:35:51.600
<v Speaker 4>with about cruising is always just to trust your gut

0:35:51.640 --> 0:35:54.880
<v Speaker 4>and your comfort level whenever you're in any of these spaces,

0:35:54.920 --> 0:35:57.719
<v Speaker 4>and if something doesn't feel right, you are not obligated

0:35:57.719 --> 0:35:59.400
<v Speaker 4>to partake, You're not obligated to be there.

0:35:59.440 --> 0:36:00.920
<v Speaker 2>You're not missing out on anything.

0:36:01.200 --> 0:36:03.719
<v Speaker 4>Those spaces will always be there for you for when

0:36:03.760 --> 0:36:04.840
<v Speaker 4>you are ready perfect.

0:36:04.840 --> 0:36:07.040
<v Speaker 2>Trust your gut before you slide something inside it.

0:36:07.200 --> 0:36:09.680
<v Speaker 3>Leo, thank you so much for stopping by to educate me,

0:36:10.239 --> 0:36:11.840
<v Speaker 3>Gabe and our listeners on cruising.

0:36:11.960 --> 0:36:14.080
<v Speaker 1>Absolutely, this has been so much fun and so enlightening.

0:36:14.520 --> 0:36:16.560
<v Speaker 1>I'd love to know, Leo, where can folks listening or

0:36:16.560 --> 0:36:17.920
<v Speaker 1>watching find you online.

0:36:18.080 --> 0:36:21.040
<v Speaker 4>I am at Instagram and Twitter at Herrera Images and

0:36:21.200 --> 0:36:24.000
<v Speaker 4>on substack at Herrera Words, and you'll be able to

0:36:24.040 --> 0:36:25.560
<v Speaker 4>buy my analog cruising.

0:36:25.280 --> 0:36:29.279
<v Speaker 2>Guide at if They Lived dot org. Awesome. All right, y'all,

0:36:29.320 --> 0:36:36.040
<v Speaker 2>don't go anywhere. I'm all right.

0:36:36.080 --> 0:36:38.640
<v Speaker 3>It's almost an end of our show, which means it's

0:36:38.680 --> 0:36:40.040
<v Speaker 3>time to play pump and dump.

0:36:40.120 --> 0:36:41.919
<v Speaker 1>We're gonna get some topics and we have to vote

0:36:41.920 --> 0:36:45.239
<v Speaker 1>pump or dump, pump being a very positive affirmation and

0:36:45.320 --> 0:36:48.000
<v Speaker 1>dump being a literal dump where you're throwing it out.

0:36:48.080 --> 0:36:51.200
<v Speaker 1>All right, So our first one is Captain Rush, the

0:36:51.560 --> 0:36:54.320
<v Speaker 1>little known mascot of Rush Poppers.

0:36:54.320 --> 0:36:56.759
<v Speaker 2>They used to have one. He's a superhero.

0:36:56.920 --> 0:36:58.520
<v Speaker 3>Yeah, and I think he wears a crop top.

0:36:58.960 --> 0:37:02.640
<v Speaker 1>He's got like a crop top and like like leggings on,

0:37:02.920 --> 0:37:05.840
<v Speaker 1>like form fitting leggings. Yeah, that's a pump. It's a

0:37:05.880 --> 0:37:08.120
<v Speaker 1>pump for me. Yeah, yeah, I like. I like an

0:37:08.160 --> 0:37:11.239
<v Speaker 1>off brand Dollar Store superhero. Look, it's my favorite for sure.

0:37:12.360 --> 0:37:17.080
<v Speaker 1>So here's the next topic for you. Pickleball absolute dumb

0:37:17.640 --> 0:37:20.160
<v Speaker 1>any athletics dump. I didn't say that.

0:37:20.280 --> 0:37:25.160
<v Speaker 2>Yeah, if it needs a racket and a ball, I'm out.

0:37:25.160 --> 0:37:28.719
<v Speaker 2>I'm so sorry. Yeah, no, that's a dump for me.

0:37:28.880 --> 0:37:30.440
<v Speaker 1>I'm not you know, we don't learn how to play pickleball,

0:37:30.480 --> 0:37:33.120
<v Speaker 1>are you kidding? I disappointed my parents enough when they

0:37:33.200 --> 0:37:35.239
<v Speaker 1>learned I couldn't play baseball. There's nothing left for me

0:37:35.280 --> 0:37:39.359
<v Speaker 1>after that. We're done with sports, all right.

0:37:39.360 --> 0:37:43.560
<v Speaker 3>Next on our list is Art the Clown. I don't

0:37:43.560 --> 0:37:45.839
<v Speaker 3>know who that is either, but also clowns. It's an

0:37:45.880 --> 0:37:49.400
<v Speaker 3>immediate dump for me. Oh no, clowns are not sexy.

0:37:49.400 --> 0:37:51.320
<v Speaker 2>I'm so sorry. No, but you're thinking circus clown.

0:37:51.400 --> 0:37:54.040
<v Speaker 3>But clowns are like terrifying. Yeah, but those are circus

0:37:54.080 --> 0:37:56.280
<v Speaker 3>clown There's no way you can make a clown sexy.

0:37:56.320 --> 0:37:56.960
<v Speaker 2>I'm so sorry.

0:37:57.000 --> 0:37:58.759
<v Speaker 3>I promise you they're fun. They can be.

0:37:58.880 --> 0:37:59.359
<v Speaker 2>I will say.

0:37:59.360 --> 0:38:01.279
<v Speaker 1>One of my favorite clowns I've ever seen is named

0:38:01.360 --> 0:38:04.760
<v Speaker 1>your Girlfriend, and they were performing actually at our producer

0:38:04.800 --> 0:38:08.279
<v Speaker 1>Adam's Inferno party, and it was a really great performance.

0:38:08.440 --> 0:38:09.920
<v Speaker 2>It was spectacular.

0:38:10.320 --> 0:38:11.960
<v Speaker 1>All right, Art the Clown is a dump, but I

0:38:12.000 --> 0:38:15.520
<v Speaker 1>stand clowning, just not horror clowns, all right.

0:38:15.640 --> 0:38:18.160
<v Speaker 3>The last one is the man in the Sniffy's logo.

0:38:18.760 --> 0:38:21.200
<v Speaker 3>There's a man, There's a man. There's a man in

0:38:21.280 --> 0:38:23.480
<v Speaker 3>the logo. Yeah, like in the little swivel.

0:38:23.719 --> 0:38:26.480
<v Speaker 2>Yeah, it's this guy. It's him, it's him.

0:38:27.080 --> 0:38:29.880
<v Speaker 1>He told me about this guest of honor, like you

0:38:29.920 --> 0:38:32.400
<v Speaker 1>see you know how like that little wave.

0:38:32.880 --> 0:38:35.239
<v Speaker 2>Yeah, this is him and he's got his dick under

0:38:35.239 --> 0:38:37.680
<v Speaker 2>the stall. I love on.

0:38:37.880 --> 0:38:40.560
<v Speaker 1>Wait actually, like yeah, can we get a little can

0:38:40.600 --> 0:38:41.359
<v Speaker 1>I inspect more close?

0:38:42.200 --> 0:38:44.719
<v Speaker 3>There's like a very a lot worth inspector Dick.

0:38:44.800 --> 0:38:46.759
<v Speaker 1>I want to know who modeled for this, and I

0:38:46.840 --> 0:38:48.720
<v Speaker 1>want to find them and meet them in person. Okay,

0:38:49.040 --> 0:38:52.480
<v Speaker 1>this is incredible. I just I really I need everyone

0:38:52.480 --> 0:38:53.919
<v Speaker 1>to know the ratio of Dick to boy.

0:38:54.880 --> 0:38:57.160
<v Speaker 2>This is out of thicker than his forum.

0:38:57.280 --> 0:39:00.760
<v Speaker 1>It is absolutely thicker than his forums. And his balls

0:39:00.800 --> 0:39:04.080
<v Speaker 1>are about as large as like half of his face

0:39:04.120 --> 0:39:08.239
<v Speaker 1>each ball. Yeah, this is really great. These are impeccable proportions.

0:39:08.320 --> 0:39:11.600
<v Speaker 1>I need to know who's his surgeon. It's very lovely

0:39:12.280 --> 0:39:14.600
<v Speaker 1>from the back, Okay, we can work on that. From

0:39:14.640 --> 0:39:17.120
<v Speaker 1>the front, it's amazing. Okay, So the man in the

0:39:17.160 --> 0:39:19.480
<v Speaker 1>Sniffy's logo is pomp.

0:39:19.719 --> 0:39:25.560
<v Speaker 2>We got it all right. We learned so much this week,

0:39:25.840 --> 0:39:26.439
<v Speaker 2>we really did.

0:39:26.600 --> 0:39:29.319
<v Speaker 1>I have to thank Leohreda for calling in. That was

0:39:29.400 --> 0:39:32.480
<v Speaker 1>such a fun interview. Please remember to check out his substack,

0:39:32.640 --> 0:39:35.680
<v Speaker 1>edit it out words, and his new manual Analog Cruising.

0:39:36.040 --> 0:39:37.840
<v Speaker 3>And if you want to read even more about cruising

0:39:37.920 --> 0:39:40.400
<v Speaker 3>in general, head over to Sniffy's hash where we're posting

0:39:40.400 --> 0:39:42.600
<v Speaker 3>a list of our favorite books about gay cruiser.

0:39:42.520 --> 0:39:45.280
<v Speaker 1>Including one from nineteen thirty eight. People have been cruising

0:39:45.360 --> 0:39:46.919
<v Speaker 1>for a very long time.

0:39:47.520 --> 0:39:49.040
<v Speaker 2>Thank you for watching or listening.

0:39:49.120 --> 0:39:52.640
<v Speaker 1>Sniffy's Cruising Confessions is directed by Adam Barron, produced by

0:39:52.640 --> 0:39:56.520
<v Speaker 1>Stevie Williams and Cameron Femino, and executive produced by Eli Martin.

0:39:56.719 --> 0:40:00.960
<v Speaker 3>Cruising Confessions is presented by Sniffy's the Ultimate Map Cruising Platforms.

0:40:00.960 --> 0:40:04.640
<v Speaker 3>We're Gay by incurious people ready to cruise. Check out

0:40:04.640 --> 0:40:07.080
<v Speaker 3>the map at sniffys dot com and follow Sniffy's on

0:40:07.120 --> 0:40:08.480
<v Speaker 3>all socials at Sniffy's app.

0:40:08.719 --> 0:40:11.000
<v Speaker 2>Put your put, put your put, your

0:40:13.320 --> 0:40:13.360
<v Speaker 4>H