WEBVTT - Invention Classic: Sun Glasses

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<v Speaker 1>Hey, welcome to Invention. My name is Robert Lamb and

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<v Speaker 1>I'm Joe McCormick, and today we're bringing you a classic

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<v Speaker 1>episode of Invention. This one originally published on January seven, nineteen,

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<v Speaker 1>and it's about sunglasses. That's right. Yeah, this is a

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<v Speaker 1>pretty fun one because sunglasses are one of those inventions

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<v Speaker 1>that it's easy to take for granted, and it's easy

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<v Speaker 1>to assume that it's tied pretty much to the modern age.

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<v Speaker 1>But y as we get into here, that's not quite

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<v Speaker 1>the case. Hey, welcome to Invention. My name is Robert

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<v Speaker 1>Lamb and I'm Joe McCormick. Robert, what kind of sunglasses

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<v Speaker 1>do you wear? Well? Currently, uh, my son is six

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<v Speaker 1>years old, so I've been going through a spell here

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<v Speaker 1>where I can really only wear whatever kind of semi

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<v Speaker 1>garbage swag sunglasses has come my way, you know, with

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<v Speaker 1>various brand names plastered to the side of them, because inevitably,

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<v Speaker 1>especially when he was younger, my son would have to

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<v Speaker 1>get his hands on whatever kind of sunglasses I had

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<v Speaker 1>in the car. So the sunglasses get smudged, sunglasses get

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<v Speaker 1>scratched up, sunglasses get broken or just lost. And I

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<v Speaker 1>was pretty good at losing sunglasses even before he came

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<v Speaker 1>into my life. Uh So, I'm hoping that I'm working

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<v Speaker 1>up to very soon reaching that point where I can

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<v Speaker 1>actually buy a decent pair of sunglasses that will protect

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<v Speaker 1>my eyes. Did you ever actually wear those company sunglasses

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<v Speaker 1>we got? I have, like them like fold in half

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<v Speaker 1>at the nose. Yeah, I I got those immediately. Mainly

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<v Speaker 1>I I thought to myself, this is a great decoy

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<v Speaker 1>brand because my son is gonna love like the Transformer

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<v Speaker 1>s qualities of these sunglasses here break that one. Yeah,

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<v Speaker 1>But I've ended up wearing them around anyway. So that's

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<v Speaker 1>my story. Hopefully, by the time I'm ready to actually

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<v Speaker 1>get some decent sunglasses, we'll have some like Back to

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<v Speaker 1>the Future two sunglasses, you know, like the ones that

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<v Speaker 1>you've got as a prize uh Pizza Hut back in

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<v Speaker 1>the day when that film first came out. Except now

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<v Speaker 1>these will be legit future sunglasses. You know. I was

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<v Speaker 1>trying to think before we decided to do this episode,

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<v Speaker 1>our sunglasses an invention or not? Did they count? Yeah?

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<v Speaker 1>They count? I guess everything is an invention. Were we

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<v Speaker 1>born with sunglasses? Well we'll get into that, but yeah,

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<v Speaker 1>it is difficult for us to imagine a time before sunglasses.

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<v Speaker 1>How did Corey Hart keep track of the visions in

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<v Speaker 1>his eyes? I don't know. How did rowdy Roddy Piper

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<v Speaker 1>see through the alien conspiracy? I guess I don't know.

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<v Speaker 1>He didn't how to terminate or cover up his eye damage.

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<v Speaker 1>That's a good point, bro, Really, how did anyone ever

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<v Speaker 1>in the history of Earth managed to look cool at

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<v Speaker 1>any given moment, much less shade their eyes from the

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<v Speaker 1>vicious light of day. It's already telling that all the

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<v Speaker 1>examples you point to our cultural ones you're pointing, You're

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<v Speaker 1>pointing to movies and stuff, rather than talking about how

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<v Speaker 1>would I get through my life without sunglasses? Well, that

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<v Speaker 1>this is to be an important part of just the

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<v Speaker 1>iconography of the sunglasses, and that will be more important

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<v Speaker 1>later on in our discussion, but in their their psychological

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<v Speaker 1>effects example in that, but initially here you know, we're

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<v Speaker 1>we're we're complicating the purpose of the sunglasses, babe by Basically,

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<v Speaker 1>the whole deal is the sun is bright. I disagree,

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<v Speaker 1>And while our eyelids do give us the ability to

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<v Speaker 1>manipulate the amount of sunlight hitting our eyeballs, it also

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<v Speaker 1>pays to have other options and certainly we have the

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<v Speaker 1>ability to look away from the sun, to hide from

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<v Speaker 1>the sun, or to raise a hand or a forearm

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<v Speaker 1>to block it. But that's dependent largely on say your environment.

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<v Speaker 1>Like some environments are much brighter than others. What if

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<v Speaker 1>you live in a place where, say it's springtime, and

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<v Speaker 1>you're in a place with snow cover. The sun can

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<v Speaker 1>be so bright in those cases because it's not only

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<v Speaker 1>coming from above, but reflecting off of the snow, that

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<v Speaker 1>you essentially cannot use your eyes in the environment, right,

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<v Speaker 1>because otherwise you can't just shade where hat you need

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<v Speaker 1>to wear like a hat with two bills right, one

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<v Speaker 1>on top, one at the bottom. Um, it's coming from

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<v Speaker 1>all directions, and you need to use your hands for

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<v Speaker 1>other things. You're an individual, will need to to hunt

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<v Speaker 1>or fish or craft, etcetera. You can't just go around

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<v Speaker 1>with your hands up all the time. Um. When I

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<v Speaker 1>when I think about the challenges of dealing with sunlight,

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<v Speaker 1>and I'm always forced to just think about how amazing

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<v Speaker 1>our eyelids are though for manipulating light well, and our

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<v Speaker 1>iris is of course they our pupils contract when there's

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<v Speaker 1>too much light, but there's a point at which they

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<v Speaker 1>can't contract anymore, and you have to depend on the eyelids.

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<v Speaker 1>One of one example I always go to is there's

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<v Speaker 1>a character in Larry McMurtry's novel Comanche Moon and he

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<v Speaker 1>he winds up tortured by bandit flares and they slice

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<v Speaker 1>his eyelids off. They leave him for for dead in

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<v Speaker 1>the sun, and he's you know, half driven mad by

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<v Speaker 1>the whole whole ordeal but sick eyelids. Oh yeah, it

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<v Speaker 1>is a It is a sick, weird book. Um, I

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<v Speaker 1>love it. It's my favorite McMurtry book. But afterwards, this

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<v Speaker 1>character ends up constructing a pair of special sunglasses for

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<v Speaker 1>himself with these varying, um varying levels of darkness, so

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<v Speaker 1>that he can just click through them as he needs them,

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<v Speaker 1>depending on where he is, if he's a you know,

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<v Speaker 1>indoors outdoors, bright day, uh, you know, cloudy day, etcetera.

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<v Speaker 1>But I always come back to that because it's like, yeah,

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<v Speaker 1>have you had to recreate the functionality of your eyelids?

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<v Speaker 1>What kind of invention would you have to have to build?

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<v Speaker 1>You've got so many parts of your body that you

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<v Speaker 1>really don't appreciate but would if they were gone, right,

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<v Speaker 1>But enough about Larry McMurtry's cyborg westerns. Uh, let's let's

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<v Speaker 1>just get down to sunglasses. What is essential to a

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<v Speaker 1>modern pair of sunglasses? What do you what do you need?

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<v Speaker 1>Is we're sort of deconstructing the the invention. Well, you

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<v Speaker 1>need a frame to hold them over the eyes, and

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<v Speaker 1>you need lenses that will, in one way or another

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<v Speaker 1>filter the incoming line. They obviously can't be completely okay

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<v Speaker 1>if you need to be able to see through them,

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<v Speaker 1>but they also need to stop some amount of bad

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<v Speaker 1>stuff from getting in right. So, like from from a

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<v Speaker 1>material level, it seems pretty straightforward. Um, you know, glass

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<v Speaker 1>itself is a rather old invention. We could and we

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<v Speaker 1>can really revisit glass at some point in future episode.

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<v Speaker 1>But you find examples of this in ancient Mesopotamia. Uh.

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<v Speaker 1>Certainly crystals and other substances or were known to to

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<v Speaker 1>ancient people. So just the materials of say building something

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<v Speaker 1>out of six, we can all imagine the sort of

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<v Speaker 1>flint stones style uh, spectacles or sunglasses that one could

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<v Speaker 1>conceivably have. But invention is always about that moment where

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<v Speaker 1>someone actually puts materials together and and create something that

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<v Speaker 1>has not existed before. So we're forced to just to

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<v Speaker 1>ask that question, Well, where do we really see the

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<v Speaker 1>earliest indications of uh to all to a certain extent, spectacles.

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<v Speaker 1>We can't talk about sunglasses without talking about spectacles a

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<v Speaker 1>little bit. But we're mostly concerned with sunglasses in this

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<v Speaker 1>episode because they look cooler right focusing lenses. That that's

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<v Speaker 1>the story for another time, where I think we're dealing

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<v Speaker 1>with a somewhat simpler story right now. Yes, even though

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<v Speaker 1>sunglasses might not have become extremely popular around the world

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<v Speaker 1>until after spectacles were widely used. But it's really too

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<v Speaker 1>bad because they're they're they're sunglasses esfecially, there are modern

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<v Speaker 1>usage of them. They're they're they're really important. They really

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<v Speaker 1>protect us. Well, think about the sunglasses you wear as

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<v Speaker 1>a kind of radiation suit for your eyes. I think

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<v Speaker 1>on that one for a second. Try try to actually

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<v Speaker 1>cognize the fact that good old fashioned sunlight is literally

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<v Speaker 1>radiation from a star. That's a phrase that always echoes

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<v Speaker 1>in my mind when it's really beaten down on my head.

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<v Speaker 1>Um and a good pair of sunglasses should do multiple

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<v Speaker 1>things right. They should decrease the intensity of the light

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<v Speaker 1>reaching your eyes. So if it's a bright, shining day,

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<v Speaker 1>or there's glare off of water or off of a

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<v Speaker 1>reflective surface or something. You need light to reach your

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<v Speaker 1>eyes in order to see, but you don't need so

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<v Speaker 1>much of it. And when the number of lumens in

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<v Speaker 1>your surroundings exceed what your eyes need in order to see,

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<v Speaker 1>your iris muscles contract. They shrink your pupil the shutter

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<v Speaker 1>of your eye, and that admits less in. But eventually

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<v Speaker 1>your pupils can't contract anymore, and then you have to

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<v Speaker 1>try to limit more light by squinting your eyelids, but

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<v Speaker 1>eventually you run into problems there. Right, sometimes it's so

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<v Speaker 1>bright that squinting becomes difficult, or you know you you

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<v Speaker 1>you're squinting so much you want to completely close your eyes. Now.

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<v Speaker 1>The other thing that's important for sunglasses to do is

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<v Speaker 1>decrease or eliminate ultra violet radiation when when that's coming

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<v Speaker 1>at your eyes now, there's really no benefit to getting

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<v Speaker 1>ultra violet radiation in your eyes. Whereas you need the

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<v Speaker 1>visible light that comes in from the sun in order

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<v Speaker 1>to see your surroundings, you don't really need UV light

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<v Speaker 1>at all. And so if sunglasses can reduce or even

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<v Speaker 1>completely eliminate U V exposure to your eyes. That's a

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<v Speaker 1>good thing, because your eyes can be injured by u

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<v Speaker 1>V exposure. But as we were saying earlier, also let's

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<v Speaker 1>not ignore the fact that sunglasses are a very profound

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<v Speaker 1>style choice and play a psychological and cultural role as well.

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<v Speaker 1>I think people often wear sunglasses as much for style

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<v Speaker 1>and psychological reasons as they do for uh, for reducing

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<v Speaker 1>glare and reducing UV exposure. In any event, you're gonna

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<v Speaker 1>want a good pair of sunglasses before you go out to, say,

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<v Speaker 1>a sporting event, right for a number of reasons, because

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<v Speaker 1>it's you're you're outdoors and it may be very bright. Uh.

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<v Speaker 1>And then it's also a social engagement. You know, you

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<v Speaker 1>wanna look cool, uh to the other fans or their

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<v Speaker 1>friends and family that have traveled there with you. In

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<v Speaker 1>the case of the dude, you can't go bowling without

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<v Speaker 1>sunglasses exactly. Uh. So, for our first historical journey, in

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<v Speaker 1>our attempt to understand sunglasses of old, let's go back

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<v Speaker 1>to the ancient Romans, Let's go to the Colosseum. Now,

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<v Speaker 1>this I think is actually going to be a false example,

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<v Speaker 1>but it's something that's interesting that sometimes gets cited in

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<v Speaker 1>this context. So we're gonna to our old friend Plenty

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<v Speaker 1>of the Elder first century CE Roman writer in his

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<v Speaker 1>Natural History translated by John Bostock. Plenty is discussing in

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<v Speaker 1>in book thirty seven of his Natural History, quote the

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<v Speaker 1>natural history of precious stones, and he comes to a

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<v Speaker 1>section on what he calls Smaragdes. I could have sworn

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<v Speaker 1>that was one of the one of the raith kings

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<v Speaker 1>in the Lord of the Rings the saga. But I

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<v Speaker 1>don't think so. Which anniversary gift is smar Agnes? I

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<v Speaker 1>can never remember. It's like it's like wood, but ivory Smaragdes. Right,

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<v Speaker 1>So samur agnes appears to be a term used for

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<v Speaker 1>green precious stones, for barrel stones like emerald, or for

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<v Speaker 1>jasper stones. Uh. And he so he seems to be

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<v Speaker 1>talking about emeralds. I think that's the way it's most

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<v Speaker 1>often translated. And Plenty dwells for a while on how

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<v Speaker 1>beautiful the emerald is and how RESTful to the eye,

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<v Speaker 1>how soothing to look upon quote. Even when the vision

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<v Speaker 1>has been fatigued with intently viewing other objects, it is

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<v Speaker 1>refreshed by being turned upon this stone. And lapidaries know

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<v Speaker 1>of nothing that is more gratefully soothing to the eyes.

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<v Speaker 1>It's soft green tints being wonderfully adapted for assuaging lassitude

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<v Speaker 1>when felt in those organs. By those organs, I think

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<v Speaker 1>he means eyes. But anyway, getting to to the part

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<v Speaker 1>that's often cited as as emerald sunglasses, but actually it

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<v Speaker 1>appears to not be, he writes, quote, when the surface

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<v Speaker 1>of the sami agnus is flat, it reflects the image

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<v Speaker 1>of objects in the same manner as a mirror. The

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<v Speaker 1>Emperor Nero used to view the combats of the gladiators

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<v Speaker 1>upon a Smaragdus upon a Smaragdus ban key here perhaps right.

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<v Speaker 1>So this would have been the first century CE, and

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<v Speaker 1>it's been cited as an early use of tinted transparencies

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<v Speaker 1>in the sun. The idea that Nero was maybe watching

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<v Speaker 1>the net fighters and the pursuers the secutors through Gym's

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<v Speaker 1>like lenses. So just I guess try to imagine he's

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<v Speaker 1>holding him rolds over his eyes and looking through them

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<v Speaker 1>like lenses to fill alter out some of the glare.

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<v Speaker 1>I think I also saw an artistic interpretation of this,

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<v Speaker 1>where you see the you know, the the portly emperor,

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<v Speaker 1>they're all in his finery, and he's holding up something

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<v Speaker 1>that looks like it's almost like opera uh binoculars, you know,

0:12:17.080 --> 0:12:19.600
<v Speaker 1>except it's just one emerald that he's holding up to

0:12:19.679 --> 0:12:22.960
<v Speaker 1>his eye. I'm thinking, with the green and that image

0:12:23.000 --> 0:12:25.720
<v Speaker 1>you're describing, this has got to be the inspiration for

0:12:25.800 --> 0:12:29.720
<v Speaker 1>David Lynch's depiction of Baron Harkonen in his adaptation of Dune.

0:12:30.000 --> 0:12:33.240
<v Speaker 1>Oh does he have an emerald? Well, everything's green around.

0:12:33.760 --> 0:12:35.880
<v Speaker 1>It's like his his rooms are green. He's got this

0:12:35.960 --> 0:12:39.240
<v Speaker 1>green environment. He's kind of a Nero like figure. But anyway,

0:12:39.720 --> 0:12:41.520
<v Speaker 1>the reason I said this was a false choice is

0:12:41.559 --> 0:12:44.520
<v Speaker 1>because it sounds to me like in the context Plenty

0:12:44.559 --> 0:12:47.520
<v Speaker 1>meant that Nero if this story is even true. Watched

0:12:47.600 --> 0:12:50.800
<v Speaker 1>the fights as reflected in the surface of the sami

0:12:50.880 --> 0:12:53.760
<v Speaker 1>agnous like a mirror, because he was just talking about

0:12:53.800 --> 0:12:56.320
<v Speaker 1>how it reflects like a mirror, and this would still

0:12:56.360 --> 0:12:59.680
<v Speaker 1>have probably some some like sun dampening effect. Right, just

0:12:59.720 --> 0:13:02.800
<v Speaker 1>tried imagine something reflected an emerald. It's not going to

0:13:02.880 --> 0:13:06.160
<v Speaker 1>be reflected in a blinding way. But so he's looking

0:13:06.200 --> 0:13:09.120
<v Speaker 1>at that since the emerald reflects less light than the

0:13:09.160 --> 0:13:12.400
<v Speaker 1>source provides. I was looking at a text titled the

0:13:12.440 --> 0:13:15.600
<v Speaker 1>Origin and Development of Spectacles by C. J. S. Thompson,

0:13:15.640 --> 0:13:18.040
<v Speaker 1>and this is an older Texas is from N seven,

0:13:18.320 --> 0:13:21.320
<v Speaker 1>but he also mentions the Nero story and he definitely

0:13:21.440 --> 0:13:23.440
<v Speaker 1>argued too that it was probably a case where Nero

0:13:23.600 --> 0:13:28.319
<v Speaker 1>just liked to watch the festivities colored green um which

0:13:28.520 --> 0:13:30.760
<v Speaker 1>you know via the Emerald, and that he gained no

0:13:30.920 --> 0:13:34.479
<v Speaker 1>sun shading from it. And yeah, I think my suspicion

0:13:34.480 --> 0:13:37.480
<v Speaker 1>here is that based on some recent research we did

0:13:37.480 --> 0:13:40.760
<v Speaker 1>for stuff to build your mind about gladiatorial combat for

0:13:40.800 --> 0:13:44.000
<v Speaker 1>our episode on the trident Um, you know there there

0:13:44.080 --> 0:13:47.400
<v Speaker 1>was if you're a fan of both the sort of

0:13:47.440 --> 0:13:52.960
<v Speaker 1>the sporting combat of of the gladiatorial spectacle as well

0:13:53.000 --> 0:13:56.199
<v Speaker 1>as like the drama and all these other ridiculous aspects

0:13:56.280 --> 0:13:59.120
<v Speaker 1>of it, you're gonna be you might you might gain

0:13:59.240 --> 0:14:02.480
<v Speaker 1>something from looking out at this combat between men dressed

0:14:02.520 --> 0:14:06.280
<v Speaker 1>as fish men using nautical weapons and then adding a

0:14:06.320 --> 0:14:10.440
<v Speaker 1>green overlay on that. UM. I could see where where

0:14:10.440 --> 0:14:14.040
<v Speaker 1>the green tent could perhaps be be helpful in that

0:14:14.480 --> 0:14:17.120
<v Speaker 1>that particular mode of entertainment. What you're saying is taking

0:14:17.120 --> 0:14:20.960
<v Speaker 1>on a decidedly Lynchian vibe. I I think I think

0:14:20.960 --> 0:14:24.840
<v Speaker 1>the connection is there now Thompson also points out that

0:14:24.840 --> 0:14:28.280
<v Speaker 1>while the Romans certainly suffered from eye problems and had

0:14:28.280 --> 0:14:31.520
<v Speaker 1>their own treatments for those ailments, there's no mention in

0:14:31.520 --> 0:14:36.080
<v Speaker 1>the work of say Celsus of artificial site aids. He

0:14:36.120 --> 0:14:39.520
<v Speaker 1>mentions that in writings prior to the thirteenth century, one

0:14:39.640 --> 0:14:43.480
<v Speaker 1>finds only occasional mentions of magnifying classes. So the use

0:14:43.520 --> 0:14:46.320
<v Speaker 1>of some sort of a lens to uh look at

0:14:46.360 --> 0:14:49.000
<v Speaker 1>finder details or perhaps you know, holding it up to

0:14:49.360 --> 0:14:53.000
<v Speaker 1>a text. But uh, you don't see mention of spectacles,

0:14:53.720 --> 0:14:55.240
<v Speaker 1>by the way. He also wrote that there was no

0:14:55.360 --> 0:14:58.320
<v Speaker 1>evidence that lenses were known to the ancient Egyptians or

0:14:58.360 --> 0:15:03.080
<v Speaker 1>the Hebrews. However, we do have a very early magnifying glass,

0:15:03.360 --> 0:15:06.640
<v Speaker 1>or depending on who you ask, perhaps a fire starting glass,

0:15:06.680 --> 0:15:09.160
<v Speaker 1>something that you used to refract the rays of the sun,

0:15:09.240 --> 0:15:11.680
<v Speaker 1>you know, to start a small fire. Uh, you know,

0:15:11.720 --> 0:15:15.200
<v Speaker 1>the kind of thing that children may sometimes do when

0:15:15.240 --> 0:15:18.280
<v Speaker 1>trying to burn ants, hopefully not to ants, hopefully not.

0:15:18.360 --> 0:15:21.320
<v Speaker 1>I mean, and you know one has to be careful,

0:15:21.720 --> 0:15:25.680
<v Speaker 1>but at any rate, this particular lens, the Nimrod lens,

0:15:26.160 --> 0:15:28.880
<v Speaker 1>is a three thousand year old crystal unearthed in eighteen

0:15:28.920 --> 0:15:34.760
<v Speaker 1>fifty by Austin Henry layered in the Syrian Palace of Nimrod. However,

0:15:35.560 --> 0:15:37.320
<v Speaker 1>we were also not sure. It might have simply been

0:15:37.360 --> 0:15:40.960
<v Speaker 1>a decorative element. It might not have been used. Uh.

0:15:40.960 --> 0:15:43.360
<v Speaker 1>And in any rate, it's not tinted. Okay, so we're

0:15:43.360 --> 0:15:45.600
<v Speaker 1>not talking about sunglasses, right, but we are talking about

0:15:45.600 --> 0:15:48.280
<v Speaker 1>like a crystal that may have been that people may

0:15:48.320 --> 0:15:50.640
<v Speaker 1>have looked through. And now you have to ask you

0:15:51.080 --> 0:15:53.120
<v Speaker 1>the question, like to what extent did they just look

0:15:53.200 --> 0:15:55.840
<v Speaker 1>through it because it was cool? Like what's more mystical

0:15:56.200 --> 0:15:59.920
<v Speaker 1>than holding up some sort of you know, gleaming crystal,

0:16:00.040 --> 0:16:03.400
<v Speaker 1>even if it's clear, and watching how the world is

0:16:03.440 --> 0:16:07.000
<v Speaker 1>distorted ever so slightly. Now, another thing that's worth noting

0:16:07.200 --> 0:16:10.120
<v Speaker 1>is that we've been talking about lenses and tinted lenses.

0:16:10.160 --> 0:16:13.760
<v Speaker 1>But obviously people came up with ways of protecting their

0:16:13.800 --> 0:16:17.640
<v Speaker 1>eyes from the sun, uh, having accessories beyond just their

0:16:17.640 --> 0:16:20.280
<v Speaker 1>hands and their eyelids and stuff to protect their eyes

0:16:20.360 --> 0:16:24.040
<v Speaker 1>from the sun long before there were there were tinted

0:16:24.080 --> 0:16:29.119
<v Speaker 1>glass or plastic lenses or anything, for example, hats and umbrellas.

0:16:29.240 --> 0:16:32.880
<v Speaker 1>That's obvious, yeah, But a much more ingenious and much

0:16:32.920 --> 0:16:36.080
<v Speaker 1>more interesting one is what I want to mention the Inuit,

0:16:36.160 --> 0:16:40.680
<v Speaker 1>and you pick people's of the northern circumpolar regions today Canada, Alaska,

0:16:40.760 --> 0:16:45.119
<v Speaker 1>Greenland and Russia have for centuries made these ingenious devices

0:16:45.200 --> 0:16:48.560
<v Speaker 1>known as snow goggles. Yes, and and I want to

0:16:48.560 --> 0:16:50.840
<v Speaker 1>come back to what we said earlier about lumens before

0:16:50.840 --> 0:16:52.880
<v Speaker 1>we get into this, because I think this really drives

0:16:52.920 --> 0:16:56.800
<v Speaker 1>home the necessity that led to the invention. Uh. So,

0:16:57.560 --> 0:17:00.800
<v Speaker 1>in an indoor environment, a humanist typically typically going to

0:17:00.880 --> 0:17:04.359
<v Speaker 1>encounter four hundred, six hundred lumens. That's the intensity of

0:17:04.400 --> 0:17:08.320
<v Speaker 1>the light um and our comfortable level four loomens, it's's

0:17:08.320 --> 0:17:11.800
<v Speaker 1>gonna go up to round thirty five hundred. If you're

0:17:11.800 --> 0:17:14.600
<v Speaker 1>in the shade on a sunny day, you're probably encountering

0:17:14.640 --> 0:17:17.520
<v Speaker 1>around a thousand lumens sunny day out on say a

0:17:17.640 --> 0:17:20.199
<v Speaker 1>highway or other reflective surface. You know, we all know

0:17:20.240 --> 0:17:22.040
<v Speaker 1>what it's like to drive on like a really sunny day.

0:17:22.040 --> 0:17:24.760
<v Speaker 1>You almost have to have shades. Uh, you're probably gonna

0:17:24.760 --> 0:17:28.080
<v Speaker 1>do with something like six thousand or more lumens. Uh.

0:17:28.119 --> 0:17:30.760
<v Speaker 1>Ten thousand lumens is the danger zone where you really

0:17:30.760 --> 0:17:32.879
<v Speaker 1>have to start worrying about the health of your eyes.

0:17:33.560 --> 0:17:36.320
<v Speaker 1>But a snow field on a sunny day, you're talking

0:17:37.119 --> 0:17:40.400
<v Speaker 1>twelve thousand plus lumens. And this is where you enter

0:17:40.440 --> 0:17:43.680
<v Speaker 1>the domain of potential snow blindness. Right and this is

0:17:43.720 --> 0:17:47.119
<v Speaker 1>of course because of the reflective power of white snow. Right. Uh,

0:17:47.400 --> 0:17:50.120
<v Speaker 1>you can create almost kind of double sun effects, sun

0:17:50.160 --> 0:17:53.840
<v Speaker 1>above and sun below being reflected back up. Whereas you know,

0:17:54.200 --> 0:17:57.199
<v Speaker 1>a normal patch of ground that's got say grass or

0:17:57.280 --> 0:18:00.560
<v Speaker 1>just open soil, might reflect about ten percent of the

0:18:00.680 --> 0:18:03.480
<v Speaker 1>UV ray is coming from the sun. Snow can reflect

0:18:03.560 --> 0:18:05.919
<v Speaker 1>not quite a hundred percent, but something like close to

0:18:05.960 --> 0:18:10.000
<v Speaker 1>a of it, nearly doubling your UV exposure. And so

0:18:10.160 --> 0:18:12.800
<v Speaker 1>if you are, say living in in northern regions where

0:18:12.800 --> 0:18:15.440
<v Speaker 1>there's a lot of snow cover, one thing that works

0:18:15.440 --> 0:18:17.240
<v Speaker 1>in your favor is that for much of the year,

0:18:17.400 --> 0:18:20.199
<v Speaker 1>the sun doesn't get super bright, right, it doesn't get

0:18:20.240 --> 0:18:22.840
<v Speaker 1>super high in the sky, doesn't get super direct, but

0:18:23.119 --> 0:18:25.080
<v Speaker 1>it will in certain parts of the year where there

0:18:25.200 --> 0:18:27.080
<v Speaker 1>is still a lot of snow cover on the ground.

0:18:27.119 --> 0:18:30.359
<v Speaker 1>So when you've got those things working together, say bright sun,

0:18:30.960 --> 0:18:33.800
<v Speaker 1>heavy snow cover, maybe in the springtime when the sun

0:18:33.880 --> 0:18:36.480
<v Speaker 1>is out high in the sky, proper eye protection is

0:18:36.520 --> 0:18:39.840
<v Speaker 1>incredibly important, and not just because it's difficult to hunt

0:18:39.920 --> 0:18:42.680
<v Speaker 1>or see where you're going when the sun's reflecting off

0:18:42.680 --> 0:18:45.040
<v Speaker 1>the white snow and there's blinding glare and everything. But

0:18:45.080 --> 0:18:48.000
<v Speaker 1>it's what you mentioned, there's this risk of snow blindness,

0:18:48.240 --> 0:18:51.679
<v Speaker 1>which is also known as a photocrotitis. So, as we

0:18:51.760 --> 0:18:55.119
<v Speaker 1>mentioned earlier, part of natural sunlight is ultra violet radiation,

0:18:55.200 --> 0:18:58.480
<v Speaker 1>and ultra violet radiation can damage the cornea. It can

0:18:58.560 --> 0:19:01.439
<v Speaker 1>damage the conjunctiva, the outer surfaces of the eye, just

0:19:01.520 --> 0:19:04.040
<v Speaker 1>like it can damage the skin. And this is why

0:19:04.080 --> 0:19:07.439
<v Speaker 1>photocharrotitis is often described as something like quote sunburn of

0:19:07.520 --> 0:19:11.080
<v Speaker 1>the eye. Symptoms include pain and feeling of having like

0:19:11.200 --> 0:19:15.160
<v Speaker 1>irritans or foreign bodies lodged in the eye, tearing up,

0:19:15.280 --> 0:19:19.960
<v Speaker 1>swelling and redness, light sensitivity, and sometimes even truly temporary

0:19:20.080 --> 0:19:23.320
<v Speaker 1>loss of vision. That's where the blindness comes from. And

0:19:23.400 --> 0:19:25.639
<v Speaker 1>so if you need to be doing stuff out in

0:19:25.720 --> 0:19:28.040
<v Speaker 1>the snow where the sun is bright, this this is

0:19:28.080 --> 0:19:30.240
<v Speaker 1>going to be a problem. And snow goggles fight this

0:19:30.280 --> 0:19:34.560
<v Speaker 1>problem with a very smart design. They're typically a carved frame,

0:19:34.880 --> 0:19:39.440
<v Speaker 1>usually made from animal bone or walrus tusks, sometimes from driftwood,

0:19:39.880 --> 0:19:43.360
<v Speaker 1>or sometimes even from like strange materials like I saw

0:19:43.400 --> 0:19:45.640
<v Speaker 1>one that I think was from baleen from a whale.

0:19:46.440 --> 0:19:49.639
<v Speaker 1>And uh, this frame fits tight over the eyes so

0:19:49.720 --> 0:19:51.960
<v Speaker 1>that light doesn't get in on the sides or the top,

0:19:52.240 --> 0:19:55.920
<v Speaker 1>and then light is allowed to enter through two very wide,

0:19:56.119 --> 0:19:59.879
<v Speaker 1>very narrow slots carved in the middle of the goggles,

0:20:00.080 --> 0:20:03.080
<v Speaker 1>which are sometimes darkened on the inside with a material

0:20:03.200 --> 0:20:07.040
<v Speaker 1>like soot. And these narrow slits allow the person wearing

0:20:07.080 --> 0:20:09.600
<v Speaker 1>them to see without exposing their eyes to too much

0:20:09.640 --> 0:20:13.680
<v Speaker 1>glare or UV radiation. And some alternate versions also have

0:20:13.680 --> 0:20:17.560
<v Speaker 1>have multiple slits more like like shutter shades or Venetian

0:20:17.600 --> 0:20:21.080
<v Speaker 1>blinds or something. They're not unlike the sort of novelty

0:20:21.240 --> 0:20:24.960
<v Speaker 1>plastic nineteen eighties sunglasses you know where there where you

0:20:25.040 --> 0:20:28.280
<v Speaker 1>just had you had no glass, no lens, shutters, these slits, yes,

0:20:28.320 --> 0:20:31.959
<v Speaker 1>so shutter shapes, which yeah, you look at the especially

0:20:32.000 --> 0:20:34.359
<v Speaker 1>the nineteen eighties versions of these, and it's easy to

0:20:34.440 --> 0:20:37.240
<v Speaker 1>just think, this is ridiculous. This is the this is

0:20:37.280 --> 0:20:41.760
<v Speaker 1>the sunglasses, this is eye wear. Is a purely decorative element,

0:20:41.960 --> 0:20:43.679
<v Speaker 1>and to a certain extent is true. But they do

0:20:43.720 --> 0:20:46.040
<v Speaker 1>have a certain functionality as well. Yeah, and in many

0:20:46.080 --> 0:20:49.600
<v Speaker 1>ways a highly effective functionality. I mean this, if you

0:20:49.680 --> 0:20:52.080
<v Speaker 1>don't have tinted glass to work with. This is a

0:20:52.160 --> 0:20:55.960
<v Speaker 1>genius design. Yeah, and and the necessity that led to

0:20:56.000 --> 0:20:58.480
<v Speaker 1>it like like this would this would be the kind

0:20:58.480 --> 0:21:03.040
<v Speaker 1>of environment that would necessitate sunglasses, UM in a way

0:21:03.119 --> 0:21:05.879
<v Speaker 1>that other parts of the world did not. All right, Well,

0:21:05.880 --> 0:21:07.879
<v Speaker 1>on that note, let's take a quick break, and when

0:21:07.880 --> 0:21:11.280
<v Speaker 1>we come back, we'll discuss some more curios from the

0:21:11.480 --> 0:21:16.360
<v Speaker 1>UH the history of invention UH in regards to the sunglasses.

0:21:21.800 --> 0:21:26.240
<v Speaker 1>All right, we're back now. Another frequently sided example of

0:21:26.240 --> 0:21:30.080
<v Speaker 1>of sunglasses or early sunglasses used UH involved them not

0:21:30.119 --> 0:21:33.159
<v Speaker 1>being used to protect against the sun or perhaps in

0:21:33.200 --> 0:21:37.280
<v Speaker 1>any way affect vision, but that they were allegedly used

0:21:37.640 --> 0:21:41.040
<v Speaker 1>just to hide your eyes from others. This is this

0:21:41.160 --> 0:21:44.720
<v Speaker 1>is a crucially important part of sunglasses. Could not ignore it.

0:21:44.840 --> 0:21:47.400
<v Speaker 1>I mean, think of all the times you've worn sunglasses.

0:21:47.440 --> 0:21:49.560
<v Speaker 1>And there are times where you wear them to protect

0:21:49.640 --> 0:21:53.240
<v Speaker 1>your eyes. There are times when you wear them to

0:21:53.240 --> 0:21:56.640
<v Speaker 1>to see better than high a light intensive environment. There

0:21:56.640 --> 0:21:59.200
<v Speaker 1>are times when you do it to look cool. But

0:21:59.280 --> 0:22:02.000
<v Speaker 1>there are times when say I've I've warned them, for instance,

0:22:02.080 --> 0:22:06.680
<v Speaker 1>on the train before UH, even when the train is underground,

0:22:07.240 --> 0:22:09.879
<v Speaker 1>because it kind of makes me a little invisible if

0:22:09.920 --> 0:22:13.360
<v Speaker 1>I have my sunglasses on, my my earbuds in, then

0:22:13.520 --> 0:22:17.879
<v Speaker 1>I am like less visibly present. Well, you, it means

0:22:17.960 --> 0:22:21.880
<v Speaker 1>you can look around the world around you without ever

0:22:22.760 --> 0:22:27.240
<v Speaker 1>unequivocally being caught looking at someone or something. It's a

0:22:27.320 --> 0:22:29.760
<v Speaker 1>natural human tendency to want to look around and see

0:22:29.800 --> 0:22:33.240
<v Speaker 1>who's around you. Like, if you get caught looking at somebody,

0:22:33.280 --> 0:22:35.480
<v Speaker 1>that's always awkward, especially if you've got some kind of

0:22:35.520 --> 0:22:38.080
<v Speaker 1>social anxiety. You don't you don't want to like make

0:22:38.119 --> 0:22:40.320
<v Speaker 1>that eye contact and be like, oh, we just both

0:22:40.359 --> 0:22:42.439
<v Speaker 1>looked at each other at the same time, right, And

0:22:42.480 --> 0:22:44.560
<v Speaker 1>if you're on the train, sometimes you need to look

0:22:44.600 --> 0:22:46.920
<v Speaker 1>at the weird person on the train. And if you're

0:22:46.920 --> 0:22:49.520
<v Speaker 1>not wearing sunglasses and you're doing this, that weird person

0:22:49.600 --> 0:22:53.560
<v Speaker 1>might be you. It's just a great solution for everybody involved.

0:22:54.040 --> 0:22:59.480
<v Speaker 1>So multiple sources report that Chinese judges wore smokey courtz

0:22:59.560 --> 0:23:03.240
<v Speaker 1>glass is to hide their eye expressions from the court

0:23:03.640 --> 0:23:06.920
<v Speaker 1>during the thirteenth century, So this would have been during

0:23:06.960 --> 0:23:11.720
<v Speaker 1>the Song Dynasty through twelve seventy nine. So it's looking

0:23:11.760 --> 0:23:15.119
<v Speaker 1>around a little bit about this, and Harvard's came in

0:23:15.240 --> 0:23:18.920
<v Speaker 1>to wrote the following in nineteen thirty six in the

0:23:19.040 --> 0:23:23.720
<v Speaker 1>introduction of spectacles into China, which which deals um, you know,

0:23:23.800 --> 0:23:26.359
<v Speaker 1>in large part was just spectacles in general. And if

0:23:26.400 --> 0:23:30.680
<v Speaker 1>we come back and discuss spectacles on the show specifically,

0:23:31.000 --> 0:23:34.200
<v Speaker 1>will probably return to this and and other sources. But

0:23:34.640 --> 0:23:38.600
<v Speaker 1>he cites Chinese writings that indicated that quote. Under the song,

0:23:38.760 --> 0:23:42.520
<v Speaker 1>dynasty judges in deciding cases in the court used rock

0:23:42.760 --> 0:23:47.120
<v Speaker 1>crystal or courts to read illegible legal documents in the sun.

0:23:47.320 --> 0:23:49.480
<v Speaker 1>So here the idea seems to be that they were

0:23:49.600 --> 0:23:55.199
<v Speaker 1>using them for magnification instead, or perhaps in addition to um,

0:23:55.600 --> 0:23:59.119
<v Speaker 1>shielding their eyes from other people at the court. Well,

0:23:59.160 --> 0:24:01.960
<v Speaker 1>it's specific fis in the sun, so that would seem

0:24:02.080 --> 0:24:04.760
<v Speaker 1>to make it sound like they were trying to shield

0:24:04.800 --> 0:24:07.880
<v Speaker 1>their eyes from from glare perhaps. So yeah, this one

0:24:08.080 --> 0:24:10.399
<v Speaker 1>this leaves me confused though as to like what was

0:24:10.440 --> 0:24:14.400
<v Speaker 1>actually going on or was it a case where, for instance,

0:24:14.480 --> 0:24:18.520
<v Speaker 1>these spectacles were arranged for reading in the sun or

0:24:18.720 --> 0:24:21.280
<v Speaker 1>for some sort of magnification purpose, but then they realized,

0:24:21.280 --> 0:24:24.840
<v Speaker 1>oh wait, these also shield our eyes and it makes

0:24:24.960 --> 0:24:28.960
<v Speaker 1>a judging a little easier, right, Well, you can absolutely

0:24:29.080 --> 0:24:32.040
<v Speaker 1>see how sunglasses would and we'll get more into the

0:24:32.080 --> 0:24:34.879
<v Speaker 1>psychological effects later on, but you can see how sunglasses

0:24:34.920 --> 0:24:37.159
<v Speaker 1>would be helpful if you were trying to give the

0:24:37.240 --> 0:24:40.359
<v Speaker 1>appearance of impartiality. You know, right, if you're a judge,

0:24:40.600 --> 0:24:44.560
<v Speaker 1>you want to hide any sign of your face showing

0:24:44.600 --> 0:24:48.080
<v Speaker 1>emotion and reaction to arguments or something like that. I'm

0:24:48.119 --> 0:24:50.080
<v Speaker 1>not sure that's the reasoning here, but you can see

0:24:50.080 --> 0:24:52.800
<v Speaker 1>how it could be right, and you still remain you

0:24:52.880 --> 0:24:55.800
<v Speaker 1>still retain a portion of your humanity in a way

0:24:55.920 --> 0:24:58.000
<v Speaker 1>that you wouldn't if you were wearing, say a hood

0:24:58.200 --> 0:25:02.200
<v Speaker 1>or an iron mask or some other um covering for

0:25:02.280 --> 0:25:06.040
<v Speaker 1>your face. Now, I looked at another text, Old Chinese

0:25:06.080 --> 0:25:09.920
<v Speaker 1>Spectacles by Auto Durham Rasmussen, and there's a discussion of

0:25:10.080 --> 0:25:13.520
<v Speaker 1>methods used to grind quote crystal smoky courts in a

0:25:13.640 --> 0:25:18.439
<v Speaker 1>variety of rose courts into lenses. And apparently Marco Polo

0:25:18.600 --> 0:25:22.400
<v Speaker 1>reported Chinese lenses in twelve seventy, stating that people used

0:25:22.480 --> 0:25:26.920
<v Speaker 1>lenses of quarts or semi precious stones to aid their site. Okay,

0:25:27.000 --> 0:25:30.640
<v Speaker 1>but here we're still talking about not just like casual

0:25:30.880 --> 0:25:35.800
<v Speaker 1>usage among the people, not fashion usage, but like specialized

0:25:35.880 --> 0:25:38.360
<v Speaker 1>cases and in some cases seeming to be some kind

0:25:38.359 --> 0:25:42.159
<v Speaker 1>of magnifier or site aid. Right, Yeah, And definitely like

0:25:42.240 --> 0:25:45.320
<v Speaker 1>a premium item that would be used by a specialist,

0:25:45.720 --> 0:25:47.920
<v Speaker 1>and in fact it does seem that also in like Europe,

0:25:47.960 --> 0:25:52.440
<v Speaker 1>in the United States, tinted glasses did exist some in

0:25:52.720 --> 0:25:56.200
<v Speaker 1>the past few centuries, but they were not widely used

0:25:56.320 --> 0:25:59.359
<v Speaker 1>and certainly not outside some kind of corrective or medical

0:25:59.520 --> 0:26:04.880
<v Speaker 1>content xtore specialized research context until the twentieth century. Right, Yeah,

0:26:04.920 --> 0:26:08.399
<v Speaker 1>I mean some classes have become such a a fashion

0:26:08.520 --> 0:26:12.360
<v Speaker 1>symbol it is easy to forget the necessity of them,

0:26:12.840 --> 0:26:15.680
<v Speaker 1>even if we're not dealing with just the basic ideas

0:26:15.680 --> 0:26:17.320
<v Speaker 1>of ooh, it's like a super bright day or you're

0:26:17.400 --> 0:26:19.800
<v Speaker 1>in the middle of a of a snow field. Um,

0:26:20.000 --> 0:26:23.080
<v Speaker 1>because tinted lenses can assist people with low vision, and

0:26:23.080 --> 0:26:26.480
<v Speaker 1>they're often prescribed to people with ocular diseases such as

0:26:26.640 --> 0:26:33.840
<v Speaker 1>age related macular degeneration, retinitis pigmentosa, cataract retinopathy, cone dystrophy,

0:26:34.280 --> 0:26:38.119
<v Speaker 1>and oculo cutaneous albinism. Yeah, I've also seen references to

0:26:38.680 --> 0:26:42.440
<v Speaker 1>tinted lenses being recommended for, say, people who were undergoing

0:26:42.480 --> 0:26:45.080
<v Speaker 1>some of the symptoms of syphilis or something like that,

0:26:45.960 --> 0:26:49.560
<v Speaker 1>which makes me wonder if there's a connection with I

0:26:49.680 --> 0:26:52.120
<v Speaker 1>have to go to a movie in in Francis Ford

0:26:52.119 --> 0:26:56.440
<v Speaker 1>Coppola's Dracula, where Gary Oldman is Dracula. Where's those tinted

0:26:56.560 --> 0:26:58.480
<v Speaker 1>lenses in the I guess that's supposed to be the

0:26:58.560 --> 0:27:02.120
<v Speaker 1>nineteenth century in England. Yeah, well, I mean, as I've

0:27:02.240 --> 0:27:05.440
<v Speaker 1>I've ever read before. There are theories, and this is

0:27:05.480 --> 0:27:09.879
<v Speaker 1>again just a theory that that brom Stoker could have

0:27:09.960 --> 0:27:13.040
<v Speaker 1>had syphilis and that might have on some level informed

0:27:13.200 --> 0:27:16.879
<v Speaker 1>his writing of Dracula. I don't remember him mentioning tinted

0:27:17.119 --> 0:27:20.639
<v Speaker 1>spectacles in the book, did he? I do not recall

0:27:20.720 --> 0:27:23.360
<v Speaker 1>that being a detail of the book, but it's definitely

0:27:23.400 --> 0:27:26.000
<v Speaker 1>there in that movie anyway. It's it's interesting, it's an

0:27:26.040 --> 0:27:30.640
<v Speaker 1>interesting choice. Whyever Coppola did it? Um. But for modern sunglasses,

0:27:30.680 --> 0:27:33.640
<v Speaker 1>it's hard to say that they were actually exactly invented

0:27:33.760 --> 0:27:37.399
<v Speaker 1>at any particular time, because we as we mentioned, various

0:27:37.520 --> 0:27:40.359
<v Speaker 1>kinds of shaded or tinted lenses had existed for a

0:27:40.400 --> 0:27:44.720
<v Speaker 1>while for various specialized uses. It wasn't until the nineteen

0:27:44.840 --> 0:27:48.680
<v Speaker 1>twenties I think, really when commercial sunglasses and tinted goggles

0:27:48.800 --> 0:27:52.639
<v Speaker 1>for driving often really became popular. And then especially it

0:27:52.680 --> 0:27:57.040
<v Speaker 1>seems in the nineteen thirties when commercially produced sunglasses became

0:27:57.119 --> 0:27:59.840
<v Speaker 1>popular in the in the United States due to their

0:27:59.880 --> 0:28:04.080
<v Speaker 1>being a fashion item worn by the rich and the glamorous. Now,

0:28:04.160 --> 0:28:06.320
<v Speaker 1>if we want to focus briefly on the idea of

0:28:06.400 --> 0:28:09.000
<v Speaker 1>how sunglasses actually work, I feel like you can. You

0:28:09.040 --> 0:28:10.840
<v Speaker 1>can take a couple of approaches here. You can go

0:28:10.960 --> 0:28:13.720
<v Speaker 1>the very simple route, or you can go the incredibly

0:28:13.840 --> 0:28:16.720
<v Speaker 1>tedious route. Right, And how do we how do we

0:28:16.800 --> 0:28:20.200
<v Speaker 1>avoid those two? Well? We can. I think what we'll

0:28:20.240 --> 0:28:21.760
<v Speaker 1>do is we'll try to we'll try and hit the

0:28:21.840 --> 0:28:24.480
<v Speaker 1>high notes here and and just remind everybody, if you

0:28:24.520 --> 0:28:27.400
<v Speaker 1>want a more in depth discussion of how sunglasses work,

0:28:27.440 --> 0:28:30.720
<v Speaker 1>there's actually a how stuff works article, How sunglasses work.

0:28:30.800 --> 0:28:32.960
<v Speaker 1>Oddly enough, that's the title of the article. That's a

0:28:32.960 --> 0:28:34.520
<v Speaker 1>pretty good one. Yeah, and it's it's a pretty It

0:28:34.680 --> 0:28:35.879
<v Speaker 1>is a pretty good one. It takes you through a

0:28:35.960 --> 0:28:39.040
<v Speaker 1>lot of the more optical details, like essentially, to really

0:28:39.600 --> 0:28:43.560
<v Speaker 1>understand how sunglasses work, you needed like a full refresher

0:28:43.640 --> 0:28:46.680
<v Speaker 1>on how light works. And that's what this article provides.

0:28:46.720 --> 0:28:48.760
<v Speaker 1>And that's what we do not have time to provide

0:28:48.920 --> 0:28:52.680
<v Speaker 1>here today. But we talked about lumens already, and we've

0:28:52.720 --> 0:28:57.040
<v Speaker 1>talked about just basically how sunglasses modify incoming light to

0:28:57.200 --> 0:28:59.800
<v Speaker 1>your eyes. Now, there are different ways that different types

0:28:59.840 --> 0:29:03.840
<v Speaker 1>of sunglasses do that, right, modern sunglasses, especially depending on

0:29:03.880 --> 0:29:08.280
<v Speaker 1>a number of different methods. There's tinting, polarization, photochromic lenses,

0:29:08.440 --> 0:29:12.880
<v Speaker 1>there's mirror mirroring, scratch resistant coading, anti reflective coding, and

0:29:13.120 --> 0:29:17.880
<v Speaker 1>UV coding. Tinting, though, is largely what we're talking about here, uh,

0:29:17.920 --> 0:29:20.320
<v Speaker 1>and it's certainly key to the older methods of LEMBS

0:29:20.400 --> 0:29:24.640
<v Speaker 1>based shades. Gray tint is generally popular because gray tint

0:29:24.720 --> 0:29:27.840
<v Speaker 1>reduces the overall amount of brightness with the least amount

0:29:27.880 --> 0:29:30.520
<v Speaker 1>of color distortion. Because this is this is actually a

0:29:30.520 --> 0:29:32.920
<v Speaker 1>really interesting thing to to read up on, because when

0:29:32.960 --> 0:29:35.240
<v Speaker 1>you think about the color of shades, it's easy to

0:29:35.360 --> 0:29:39.240
<v Speaker 1>just think that it's just purely, you know, a fashion choice.

0:29:39.320 --> 0:29:41.760
<v Speaker 1>Am I gonna have brown? Am I gonna maybe a

0:29:41.840 --> 0:29:44.560
<v Speaker 1>mood choice? Like are you nero? And you want to

0:29:44.600 --> 0:29:48.320
<v Speaker 1>see the gladiator fights in green? Because you like green? Yeah?

0:29:48.440 --> 0:29:52.840
<v Speaker 1>Maybe I like rose rose tinted glasses. There's actually now

0:29:52.880 --> 0:29:56.560
<v Speaker 1>I'm remembering that I have been into various New Age

0:29:56.640 --> 0:30:01.240
<v Speaker 1>stores where they sell um glass is that are tinted

0:30:01.440 --> 0:30:04.200
<v Speaker 1>within and they come with like documentation to tell you

0:30:04.280 --> 0:30:07.160
<v Speaker 1>about how this particular tinant will affect your mood. Oh,

0:30:07.280 --> 0:30:09.680
<v Speaker 1>like in a like a magic stone power kind of way,

0:30:09.880 --> 0:30:12.760
<v Speaker 1>Like it has the powers of the supposed powers of

0:30:12.840 --> 0:30:15.920
<v Speaker 1>these crystals embedded in the glass. Oh. Yes, there's definitely

0:30:16.160 --> 0:30:17.840
<v Speaker 1>a new age crystal vibe to it. But also I

0:30:17.880 --> 0:30:19.960
<v Speaker 1>think maybe maybe there's a they were incorporating a little

0:30:19.960 --> 0:30:22.640
<v Speaker 1>bit of color theory as well. How do I get

0:30:22.960 --> 0:30:27.000
<v Speaker 1>diamond sunglasses? I just want to look through dark diamonds.

0:30:27.320 --> 0:30:30.240
<v Speaker 1>I want to say that, um, the dark crystal McDuck

0:30:30.320 --> 0:30:33.200
<v Speaker 1>had those real maybe, but well, I want to say

0:30:33.240 --> 0:30:35.720
<v Speaker 1>that there is like a like, apart from the cartoon

0:30:35.800 --> 0:30:38.120
<v Speaker 1>that showed when it played all the clips at the beginning,

0:30:38.200 --> 0:30:40.600
<v Speaker 1>that he had like diamonds stuck in his eyes. That's

0:30:40.640 --> 0:30:42.640
<v Speaker 1>what I'm thinking of, Okay, but I think, yeah, you

0:30:42.680 --> 0:30:46.560
<v Speaker 1>wouldn't want diamonds stuck in your eyes. That'd be pointy. Um.

0:30:47.040 --> 0:30:50.240
<v Speaker 1>But anyway, that the tacom here is that uh different color.

0:30:50.440 --> 0:30:54.440
<v Speaker 1>Different tinted lenses do different things. They interact with light

0:30:54.480 --> 0:30:58.080
<v Speaker 1>in different ways. So again gray um is not going

0:30:58.160 --> 0:31:01.880
<v Speaker 1>to really distort color all that much. Meanwhile, yellow or

0:31:01.960 --> 0:31:04.680
<v Speaker 1>gold tints reduced the amount of blue light while allowing

0:31:04.720 --> 0:31:07.600
<v Speaker 1>a larger percentage of other frequencies through. But they can

0:31:07.640 --> 0:31:10.560
<v Speaker 1>also create a kind of glare known as blue haze.

0:31:11.400 --> 0:31:13.960
<v Speaker 1>The yellow tint virtually eliminates the blue part of the

0:31:14.000 --> 0:31:18.280
<v Speaker 1>spectrum and has the effect of making everything bright and sharp.

0:31:18.920 --> 0:31:23.200
<v Speaker 1>Amber and brownish tints reduced glare, and they have molecules

0:31:23.240 --> 0:31:27.080
<v Speaker 1>that absorb higher frequency colors such as blue. In addition

0:31:27.120 --> 0:31:31.120
<v Speaker 1>to UV rays, Green tints on lenses filter some blue

0:31:31.200 --> 0:31:33.960
<v Speaker 1>light in reduced glare, and they offer the highest contrast

0:31:34.240 --> 0:31:37.520
<v Speaker 1>and greatest visual acuity. I guess that's the thing we

0:31:37.600 --> 0:31:40.800
<v Speaker 1>hadn't mentioned much already, is that certain types of light

0:31:40.920 --> 0:31:45.600
<v Speaker 1>filtering could actually sharpen images and reduced blur, such as

0:31:45.680 --> 0:31:50.640
<v Speaker 1>at the gladiatorial uh combat. You know, I don't know

0:31:50.680 --> 0:31:53.600
<v Speaker 1>if that worked well. No, that makes me think. You know,

0:31:53.680 --> 0:31:56.360
<v Speaker 1>there are these stories from the past of people going

0:31:56.440 --> 0:31:59.160
<v Speaker 1>to the movie theaters with sunglasses on. Right, you'd go

0:31:59.240 --> 0:32:01.480
<v Speaker 1>sit in the movies and watch through sunglasses. I wonder

0:32:01.560 --> 0:32:05.200
<v Speaker 1>if some people were trying to see a sharper image somehow. Now,

0:32:05.280 --> 0:32:08.760
<v Speaker 1>the oldest method of tinting depends on constant density, and

0:32:08.880 --> 0:32:11.200
<v Speaker 1>what does that mean? So this is a uniform tinting

0:32:11.240 --> 0:32:14.400
<v Speaker 1>throughout the lens. Nowadays, we'd have to wear those shades

0:32:14.560 --> 0:32:17.880
<v Speaker 1>over the uncomfortable three D glasses that were already wearing. Right,

0:32:18.200 --> 0:32:21.320
<v Speaker 1>let's say you're heading up a chain gang. That's that's

0:32:21.360 --> 0:32:24.000
<v Speaker 1>got Luke in it. Oh yeah, you're talking about old

0:32:24.000 --> 0:32:26.320
<v Speaker 1>cool hand Luke and the man with no eyes that

0:32:27.000 --> 0:32:30.200
<v Speaker 1>that chain gang guard where he's always wearing those those

0:32:30.640 --> 0:32:35.240
<v Speaker 1>perfectly mirrored shades and just seems to have no soul exactly.

0:32:35.400 --> 0:32:37.120
<v Speaker 1>Or at the other end of the spectrum, let's say

0:32:37.160 --> 0:32:39.880
<v Speaker 1>you're just trying to look super cool. I mean, there

0:32:39.920 --> 0:32:42.880
<v Speaker 1>are so many reasons people wear sunglasses that don't have

0:32:43.360 --> 0:32:46.640
<v Speaker 1>that much to do with blocking out the sunlight. Sunglasses,

0:32:46.720 --> 0:32:49.800
<v Speaker 1>I think have a profound psychological and cultural impact, and

0:32:49.880 --> 0:32:57.719
<v Speaker 1>we should talk about that when we come back. All right,

0:32:57.760 --> 0:33:00.760
<v Speaker 1>we're back, So we're talking about the legacy of sunglasses

0:33:00.840 --> 0:33:04.080
<v Speaker 1>of what are they doing psychologically and culturally. Now, one

0:33:04.120 --> 0:33:06.920
<v Speaker 1>thing is that human behavior and self image pretty clearly

0:33:07.000 --> 0:33:11.840
<v Speaker 1>are influenced by some interplay between our ongoing senses of

0:33:12.040 --> 0:33:15.880
<v Speaker 1>seeing and being seen. Right at any given time, you're

0:33:15.880 --> 0:33:19.800
<v Speaker 1>potentially seeing something and you're potentially being seen, and how

0:33:19.920 --> 0:33:23.440
<v Speaker 1>you feel about those things is going to affect your confidence,

0:33:23.640 --> 0:33:27.320
<v Speaker 1>your relation to other people, maybe your generosity. As just

0:33:27.480 --> 0:33:29.920
<v Speaker 1>one strange example, just just think about all the ways

0:33:30.000 --> 0:33:33.840
<v Speaker 1>that things feel different if you're viewing them simply through

0:33:33.960 --> 0:33:37.080
<v Speaker 1>some kind of barrier or screen, Like the way that

0:33:37.520 --> 0:33:41.239
<v Speaker 1>your relationship to the world changes when you're looking at

0:33:41.280 --> 0:33:44.920
<v Speaker 1>that world through a car windshield, You know what I mean?

0:33:45.040 --> 0:33:47.880
<v Speaker 1>How being being inside a car looking out at the

0:33:47.920 --> 0:33:51.560
<v Speaker 1>world fundamentally changes how you think about that world as

0:33:51.560 --> 0:33:54.360
<v Speaker 1>opposed to being in the exact same place but not

0:33:54.600 --> 0:33:57.280
<v Speaker 1>looking through the glass of a windshield. Yeah, Like, it's

0:33:57.320 --> 0:34:00.560
<v Speaker 1>an entirely different scenario if you're just, say, you know,

0:34:00.680 --> 0:34:02.920
<v Speaker 1>at a summer camp, just walking through the woods. But

0:34:02.960 --> 0:34:05.200
<v Speaker 1>then if you're wearing a hockey mask while doing so,

0:34:05.360 --> 0:34:08.120
<v Speaker 1>it changes everything. Well, no, it really does, I mean,

0:34:08.239 --> 0:34:10.640
<v Speaker 1>And it's not just the act of say, stalking through

0:34:10.680 --> 0:34:13.480
<v Speaker 1>the woods or the act of driving. It also seems

0:34:13.520 --> 0:34:17.040
<v Speaker 1>to be something about that barrier. And likewise, sunglasses can

0:34:17.080 --> 0:34:20.040
<v Speaker 1>be a kind of shield or barrier or blind that

0:34:20.200 --> 0:34:23.160
<v Speaker 1>has psychological effects on the person wearing them in the

0:34:23.239 --> 0:34:26.720
<v Speaker 1>person they interact with. Think again of the Chinese courtroom example.

0:34:27.000 --> 0:34:29.799
<v Speaker 1>You could see in a maybe in a maybe well

0:34:29.920 --> 0:34:33.840
<v Speaker 1>meaning or benevolent way that a judge hiding their face

0:34:35.040 --> 0:34:38.520
<v Speaker 1>could be a way to try to show impartiality or neutrality,

0:34:38.640 --> 0:34:42.600
<v Speaker 1>not show emotional reactions to arguments or statements or evidence.

0:34:42.920 --> 0:34:44.720
<v Speaker 1>On the other hand, you could say that a judge

0:34:44.800 --> 0:34:48.160
<v Speaker 1>covering their face could be some kind of power move, right.

0:34:48.320 --> 0:34:50.800
<v Speaker 1>You know, the judge says you will not have access

0:34:50.920 --> 0:34:53.560
<v Speaker 1>to my humanity. I will look upon you, but you

0:34:53.600 --> 0:34:55.960
<v Speaker 1>will not look upon me. And even though they're not

0:34:56.040 --> 0:34:58.880
<v Speaker 1>technically the judge that you know, we do see this

0:34:59.000 --> 0:35:03.280
<v Speaker 1>with our enforcement figures, right, and those chain gang figures

0:35:03.400 --> 0:35:06.040
<v Speaker 1>like the man with no eyes or the clearly the

0:35:06.080 --> 0:35:09.440
<v Speaker 1>cool hand Luke inspired character in the Cohen Brothers. Oh brother,

0:35:09.480 --> 0:35:13.600
<v Speaker 1>where art thou? Where you often see like fire reflected

0:35:13.640 --> 0:35:16.799
<v Speaker 1>in his dark shades, but never his eyes. And there

0:35:16.920 --> 0:35:20.680
<v Speaker 1>is actually research on the effects of sunglasses on human behavior. Yeah,

0:35:20.760 --> 0:35:22.800
<v Speaker 1>I was looking at a two thousand ten University of

0:35:22.840 --> 0:35:27.680
<v Speaker 1>Toronto study that found that people wearing sunglasses were less generous. Now,

0:35:27.760 --> 0:35:30.400
<v Speaker 1>this was via a very small experiment in which participants

0:35:30.440 --> 0:35:32.560
<v Speaker 1>were given a small amount of money to divvy up

0:35:32.600 --> 0:35:36.960
<v Speaker 1>between themselves and another individual, and um and and yeah,

0:35:37.000 --> 0:35:39.080
<v Speaker 1>they found that if you were wearing the sunglasses. You

0:35:39.320 --> 0:35:41.839
<v Speaker 1>were a little sting ere with the money. In a way,

0:35:41.920 --> 0:35:44.920
<v Speaker 1>It's like they could see less of you, and therefore

0:35:45.560 --> 0:35:48.640
<v Speaker 1>there was less to be lost in uh in in

0:35:49.120 --> 0:35:51.600
<v Speaker 1>in dishing out less money. Well, it's this feeling of

0:35:51.719 --> 0:35:55.600
<v Speaker 1>being inside and being disconnected. I think that has something

0:35:55.640 --> 0:35:57.160
<v Speaker 1>to do with that. I mean, it's the same way

0:35:57.239 --> 0:36:00.239
<v Speaker 1>that you are much. I mean, maybe not you, but

0:36:00.320 --> 0:36:03.399
<v Speaker 1>I would suspect you, like most people are just less

0:36:03.840 --> 0:36:07.239
<v Speaker 1>generous when thinking about the people around you when you're

0:36:07.280 --> 0:36:09.480
<v Speaker 1>in a car. You ever notice how like if you

0:36:09.640 --> 0:36:12.360
<v Speaker 1>if you were walking past somebody on the sidewalk and

0:36:12.440 --> 0:36:14.759
<v Speaker 1>they got in your way, you wouldn't You wouldn't be like,

0:36:14.960 --> 0:36:17.320
<v Speaker 1>what's wrong with you? You? You know, get out of

0:36:17.360 --> 0:36:20.000
<v Speaker 1>my way. But people in cars say stuff like that

0:36:20.160 --> 0:36:22.239
<v Speaker 1>all the time. I think it has something to do

0:36:22.360 --> 0:36:25.200
<v Speaker 1>with like looking out through that screen on the world.

0:36:25.320 --> 0:36:28.960
<v Speaker 1>It creates this barrier that undercuts your generosity and connection

0:36:29.080 --> 0:36:32.040
<v Speaker 1>with other people outside as humans and turns them more

0:36:32.120 --> 0:36:37.359
<v Speaker 1>into like obstacle stimuli. Yeah. Now, And another thing which

0:36:37.360 --> 0:36:39.120
<v Speaker 1>you mention is that this study does follow in the

0:36:39.160 --> 0:36:45.120
<v Speaker 1>tradition of Philippa Zimbardo's famous Stanford prison experiment. Which show

0:36:45.280 --> 0:36:47.760
<v Speaker 1>it's easy to forget because this is like the less

0:36:48.880 --> 0:36:51.680
<v Speaker 1>powerful detail of that study. But I mean, I think

0:36:51.760 --> 0:36:53.279
<v Speaker 1>I have read that there there are a lot of

0:36:53.320 --> 0:36:55.719
<v Speaker 1>people who look back on that study and think, you know,

0:36:55.760 --> 0:36:58.160
<v Speaker 1>we shouldn't draw too many conclusions from it. I think

0:36:58.480 --> 0:37:00.719
<v Speaker 1>I don't remember exactly what the critics sisms are now,

0:37:00.800 --> 0:37:04.080
<v Speaker 1>but I think it it is. It has been critically reappraised, right,

0:37:04.160 --> 0:37:06.480
<v Speaker 1>it is. It is a study that was that it

0:37:06.520 --> 0:37:09.279
<v Speaker 1>certainly has a has a long legacy onto itself. A

0:37:09.360 --> 0:37:12.279
<v Speaker 1>lot of people have revisited it that in cases have

0:37:12.400 --> 0:37:14.839
<v Speaker 1>had issues with it. But it did entail the use

0:37:14.880 --> 0:37:17.520
<v Speaker 1>of mirrored sunglasses. Those assigned to play the roles of

0:37:17.640 --> 0:37:22.520
<v Speaker 1>guards in that experiment were given sticks and sunglasses. And

0:37:22.840 --> 0:37:25.560
<v Speaker 1>basically the issue is that in that experiment, some people

0:37:25.600 --> 0:37:27.560
<v Speaker 1>were assigned to play the role of prisoners and some

0:37:27.640 --> 0:37:29.800
<v Speaker 1>people were assigned to play the role of guards, and

0:37:29.840 --> 0:37:33.360
<v Speaker 1>they found that even just being given these fake roles,

0:37:33.640 --> 0:37:36.840
<v Speaker 1>supposedly the people really took on their roles and like

0:37:36.920 --> 0:37:39.719
<v Speaker 1>the guards, became brutal. Well, you know, no matter what

0:37:39.840 --> 0:37:42.440
<v Speaker 1>we think about the Stanford Prison experiment, we do have

0:37:42.480 --> 0:37:44.880
<v Speaker 1>plenty of studies and clothed cognition in the ways that

0:37:45.320 --> 0:37:49.880
<v Speaker 1>various cultural uniforms change the way we think about ourselves.

0:37:49.960 --> 0:37:54.240
<v Speaker 1>Our own abilities are roles, and typically those experiments include

0:37:54.280 --> 0:37:56.560
<v Speaker 1>things like giving somebody a doctor's coat and a clipboard

0:37:57.200 --> 0:37:59.320
<v Speaker 1>but preases their sense of authority. Yeah, but in this

0:37:59.560 --> 0:38:01.719
<v Speaker 1>but you can back at Stanford prison experiment and say, well,

0:38:02.400 --> 0:38:04.920
<v Speaker 1>a stick and some sunglasses. This is kind of to

0:38:05.120 --> 0:38:08.719
<v Speaker 1>a certain extent that the uniform of the guard. That

0:38:09.160 --> 0:38:12.600
<v Speaker 1>is so how many how many cases are sunglasses a

0:38:12.680 --> 0:38:17.160
<v Speaker 1>part of a uniform official or unofficial that have certain

0:38:17.239 --> 0:38:20.319
<v Speaker 1>attributes that we perhaps take on when we wear them,

0:38:20.440 --> 0:38:24.560
<v Speaker 1>and we're thinking about that particular archetype. For instance, it

0:38:24.600 --> 0:38:27.839
<v Speaker 1>could be something like just the cool cat who's wearing shades. Uh,

0:38:28.040 --> 0:38:30.800
<v Speaker 1>you know, maybe we're just thinking about David Caruso putting

0:38:30.840 --> 0:38:33.080
<v Speaker 1>those those those deal with It shades on and saying

0:38:33.160 --> 0:38:36.640
<v Speaker 1>something cool. Well, that's another good question. Why are sunglasses

0:38:36.719 --> 0:38:40.080
<v Speaker 1>so generally perceived as cool? I've read about this, and

0:38:40.280 --> 0:38:42.360
<v Speaker 1>you know, one of the ideas out there is that

0:38:42.840 --> 0:38:47.000
<v Speaker 1>sunglasses are perceived as cool because, as we've been talking about,

0:38:47.120 --> 0:38:51.640
<v Speaker 1>they limit people's access to your emotions and to your reactions. Right,

0:38:51.719 --> 0:38:55.680
<v Speaker 1>they make you appear more static. When other people can't

0:38:55.760 --> 0:39:00.520
<v Speaker 1>read your expressions, you appear more you know, impassive, more confident,

0:39:00.520 --> 0:39:03.680
<v Speaker 1>and more cool. Yeah, more stoic. I mean, you know,

0:39:03.760 --> 0:39:06.040
<v Speaker 1>the old saying is whether the eyes that are mirror

0:39:06.080 --> 0:39:08.839
<v Speaker 1>into the soul. You know, the eyes. Our eyes are

0:39:08.840 --> 0:39:11.320
<v Speaker 1>an important part of how we communicate with people, and

0:39:11.480 --> 0:39:15.080
<v Speaker 1>they can there can be a certain vulnerability. Uh. There,

0:39:15.160 --> 0:39:17.600
<v Speaker 1>there are various ways that we can We can just

0:39:17.840 --> 0:39:20.760
<v Speaker 1>have like dumb staring eyes and if you're wearing shades,

0:39:20.800 --> 0:39:22.920
<v Speaker 1>nobody can see that confused look in your eyes. It's

0:39:22.920 --> 0:39:26.399
<v Speaker 1>a type of social psychological armor. Yeah, in some ways,

0:39:26.480 --> 0:39:29.400
<v Speaker 1>quite literally, right, Yeah, I mean they're a way to hide.

0:39:30.600 --> 0:39:32.640
<v Speaker 1>I was also looking at a two thousand thirteen article

0:39:32.680 --> 0:39:35.920
<v Speaker 1>published in Psychological Science, a journal of the Association for

0:39:36.080 --> 0:39:39.880
<v Speaker 1>Psychological Science, and in this researchers from the Chinese University

0:39:40.000 --> 0:39:43.960
<v Speaker 1>of Hong Kong found that the participants who relived an

0:39:44.000 --> 0:39:49.040
<v Speaker 1>embarrassing experience tended to prefer large, dark tinted sunglasses, and

0:39:49.120 --> 0:39:52.640
<v Speaker 1>they also found that embarrassed participants expressed greater interest in

0:39:52.719 --> 0:39:57.080
<v Speaker 1>sunglasses as well as restorative face creams. So again, they're

0:39:57.080 --> 0:40:01.560
<v Speaker 1>like both exercises and covering your face with some thing. Um. Now,

0:40:01.640 --> 0:40:04.360
<v Speaker 1>the study was conducted with only Chinese participants, so the

0:40:04.440 --> 0:40:06.839
<v Speaker 1>authors pointed out, you know, they're they're very likely going

0:40:06.880 --> 0:40:10.360
<v Speaker 1>to be certain cultural elements to to these test subjects

0:40:10.400 --> 0:40:12.799
<v Speaker 1>that wouldn't be president and other test subjects. Of course,

0:40:12.880 --> 0:40:14.720
<v Speaker 1>that's always the case. I mean a lot of studies

0:40:14.800 --> 0:40:17.560
<v Speaker 1>studies are just done on American college studies. There might

0:40:17.600 --> 0:40:20.600
<v Speaker 1>be cultural issues there as well, exactly. But but I

0:40:20.640 --> 0:40:22.640
<v Speaker 1>do feel like this in general, it does I think

0:40:22.680 --> 0:40:25.200
<v Speaker 1>it matches up with a lot of our experiences. Uh,

0:40:25.320 --> 0:40:28.480
<v Speaker 1>if if you're going on in public and you've been crying,

0:40:29.360 --> 0:40:32.319
<v Speaker 1>wearing sunglasses is the way to go. I mean, we've

0:40:32.320 --> 0:40:34.960
<v Speaker 1>all had situations too where you're just feeling maybe you're

0:40:35.000 --> 0:40:38.799
<v Speaker 1>just feeling a little shy or emotionally vulnerable. Putting on sunglasses,

0:40:39.120 --> 0:40:41.759
<v Speaker 1>even if your eyes are not puffy from tears, it's

0:40:41.800 --> 0:40:44.520
<v Speaker 1>a way of like disconnecting and feeling a little safer

0:40:44.680 --> 0:40:47.319
<v Speaker 1>and being just a little less up in the face

0:40:47.400 --> 0:40:50.120
<v Speaker 1>of the world. It's putting the screen up. Yeah. Now

0:40:50.200 --> 0:40:52.160
<v Speaker 1>I could be wrong about this, but I also feel

0:40:52.160 --> 0:40:55.880
<v Speaker 1>like that there's perhaps some interesting connection between our preference

0:40:55.960 --> 0:41:00.319
<v Speaker 1>for sunglasses and the way that we experience so much

0:41:00.320 --> 0:41:03.920
<v Speaker 1>of our lives through screen devices. Now you know that

0:41:04.160 --> 0:41:07.080
<v Speaker 1>that the sunglasses introduced this idea of looking at the

0:41:07.120 --> 0:41:09.879
<v Speaker 1>world through a kind of barrier or screen, and we're

0:41:09.960 --> 0:41:14.680
<v Speaker 1>constantly doing now social interactions on phones, on computers, on

0:41:14.800 --> 0:41:18.040
<v Speaker 1>devices where we're also interacting with the world through a screen.

0:41:19.160 --> 0:41:21.719
<v Speaker 1>I don't know if there's anything interesting to tease out there,

0:41:21.760 --> 0:41:24.640
<v Speaker 1>but it feels it feels right to me. Huh, you know,

0:41:24.760 --> 0:41:26.160
<v Speaker 1>I was just thinking of another thing. Have you ever

0:41:26.280 --> 0:41:28.800
<v Speaker 1>encountered somebody internally? We're talking about people we don't know

0:41:28.960 --> 0:41:32.799
<v Speaker 1>that well, or even celebrities, but people who never see

0:41:32.880 --> 0:41:35.960
<v Speaker 1>without their shades, And then when you finally do, it's

0:41:35.960 --> 0:41:38.040
<v Speaker 1>a little unnerving because you're like, oh, is that what

0:41:38.120 --> 0:41:42.360
<v Speaker 1>your eyes look like? It's like seeing kiss without their makeup. Yeah, exactly.

0:41:42.440 --> 0:41:45.319
<v Speaker 1>Becomes such a part of their identity, you know, um,

0:41:45.880 --> 0:41:49.200
<v Speaker 1>but it also, you're their identity becomes this slightly less

0:41:49.280 --> 0:41:52.680
<v Speaker 1>human thing. You know. There's like the stoic eyed, dark

0:41:52.760 --> 0:41:56.160
<v Speaker 1>eyed U country music star. And then if you remove them,

0:41:56.239 --> 0:41:58.200
<v Speaker 1>you're like, who's that guy? Who is the one who

0:41:58.200 --> 0:42:01.279
<v Speaker 1>always wore sunglasses? Was it Roy or person? Did he

0:42:01.360 --> 0:42:04.400
<v Speaker 1>always have sunglasses on? Yes? I believe he did. Another

0:42:04.560 --> 0:42:07.840
<v Speaker 1>one is Hank Williams Jr. Oh No of sunglasses. But

0:42:07.920 --> 0:42:10.560
<v Speaker 1>I believe that was, if i'm if I'm if memory

0:42:10.600 --> 0:42:12.759
<v Speaker 1>serves me correctly, part of that was due to an

0:42:12.800 --> 0:42:16.280
<v Speaker 1>injury he's sustained as well. Yeah. Well, I think another

0:42:16.400 --> 0:42:20.600
<v Speaker 1>way that sunglasses lend a sense of coolness and maybe

0:42:20.640 --> 0:42:23.320
<v Speaker 1>even celebrity or glamor to people is that they increase

0:42:23.360 --> 0:42:25.719
<v Speaker 1>a sense of mystery, Right, that's sort of what you're

0:42:25.719 --> 0:42:27.319
<v Speaker 1>getting at here. Well, yeah, because of the other side,

0:42:27.360 --> 0:42:29.719
<v Speaker 1>what do their eyes look like? What is it like

0:42:30.000 --> 0:42:32.399
<v Speaker 1>to have a personal connection with this person? I don't

0:42:32.400 --> 0:42:35.520
<v Speaker 1>even I don't even know who dare stares into the

0:42:35.600 --> 0:42:40.880
<v Speaker 1>eyes of Bosephis. It's like Medusa. Yeah, um. I Speaking

0:42:40.920 --> 0:42:43.760
<v Speaker 1>of psychology and sunglasses, I also read a two fourteen

0:42:44.040 --> 0:42:47.799
<v Speaker 1>University of Sienna study Sienna in Italy, and they made

0:42:47.800 --> 0:42:52.359
<v Speaker 1>a connection between panic attacks, specifically panic disorders in fear

0:42:52.440 --> 0:42:56.360
<v Speaker 1>of bright lights. And so people who experience uh, panic

0:42:56.400 --> 0:42:59.239
<v Speaker 1>attacks and and and and have a panic disorder, they said,

0:42:59.239 --> 0:43:01.759
<v Speaker 1>off and find come for in the use of sunglasses.

0:43:02.320 --> 0:43:04.960
<v Speaker 1>That's interesting. I wonder what the wonder what the causal

0:43:05.160 --> 0:43:08.719
<v Speaker 1>ordering there is? Is it like they find comfort in

0:43:08.840 --> 0:43:12.160
<v Speaker 1>sunglasses because they're afraid of bright lights, or they're afraid

0:43:12.200 --> 0:43:15.279
<v Speaker 1>of bright lights because they find comfort in sunglasses. Yeah,

0:43:15.360 --> 0:43:18.680
<v Speaker 1>that's a good point because yeah, there's so many, now

0:43:18.760 --> 0:43:21.920
<v Speaker 1>that we've discussed all these various, uh, just psychological elements

0:43:21.960 --> 0:43:24.120
<v Speaker 1>that could be in play, from the unclothed cognition to

0:43:24.440 --> 0:43:27.440
<v Speaker 1>even just personal identity. Like if you wear sunglasses so

0:43:27.600 --> 0:43:29.440
<v Speaker 1>much that they are just a part of who you are,

0:43:30.120 --> 0:43:33.120
<v Speaker 1>then it makes sense that you would feel naked without them.

0:43:33.440 --> 0:43:36.279
<v Speaker 1>Maybe you end up just wearing your sunglasses at night,

0:43:36.440 --> 0:43:41.280
<v Speaker 1>much like Corey Hart did. Are you lonely just like me? Mercy?

0:43:42.760 --> 0:43:45.000
<v Speaker 1>All right? So there you have it. Uh, that is

0:43:45.080 --> 0:43:48.600
<v Speaker 1>the episode of Invention for this week. We do hope

0:43:48.640 --> 0:43:51.880
<v Speaker 1>that you will check out Invention pod dot com. That

0:43:52.000 --> 0:43:54.960
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0:43:55.000 --> 0:43:58.840
<v Speaker 1>Invention Podcast. You'll also find links out to our social

0:43:58.920 --> 0:44:01.840
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0:44:05.680 --> 0:44:08.360
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0:44:08.520 --> 0:44:10.920
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0:44:10.960 --> 0:44:12.719
<v Speaker 1>episodes of Stuff to Blow Your Mind. But we're also

0:44:12.760 --> 0:44:16.399
<v Speaker 1>happy to talk about episodes of Invention. Huge Thanks as

0:44:16.480 --> 0:44:20.279
<v Speaker 1>always to Scott Benjamin for research assistance on this show,

0:44:20.719 --> 0:44:24.320
<v Speaker 1>and to our excellent audio producer Tory Harrison. If you

0:44:24.320 --> 0:44:26.080
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