WEBVTT - Word Aversion: The Story of Moist

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<v Speaker 1>Welcome to Stuff to blow your mind from How Stuff

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<v Speaker 1>Works dot Com. Ladies and gentlemen, I am Julie Douglas,

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<v Speaker 1>and not with me today is Mr Lamb, who is

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<v Speaker 1>out of the country instead. One very brave soul joins

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<v Speaker 1>us today, the one the only Alison voice like Silk

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<v Speaker 1>Louder Milk. Thanks Julie. It's a pleasure to be here.

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<v Speaker 1>I haven't been in the studio and quite some time,

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<v Speaker 1>and I'm glad to be back to be discussing word

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<v Speaker 1>a version. I know we're gonna get into this in

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<v Speaker 1>a moment um. This is all your fault this episode today.

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<v Speaker 1>By the way, you want to explain how it came about,

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<v Speaker 1>and I do, I do um? Actually, do you think

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<v Speaker 1>you could take us back to one day in July?

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<v Speaker 1>It was like ten o'clock in the morning. There was

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<v Speaker 1>a fire drill here at How Stuff Works. We were

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<v Speaker 1>all congregated in the parking lot. I can't take it

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<v Speaker 1>from there, so yes, we were congregated in the parking

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<v Speaker 1>lot in Georgia. You know, it can be quite a

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<v Speaker 1>warm place in the summertime, and it can also have

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<v Speaker 1>a fair amount of moisture. So I do believe I

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<v Speaker 1>made the comment that it was feeling a little moist outside,

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<v Speaker 1>and Julie of course gave me this look because she

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<v Speaker 1>has that aversion to the word moist, which I do not.

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<v Speaker 1>And I am one of those people who enjoys tormenting

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<v Speaker 1>people with the word moist clearly because as I said,

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<v Speaker 1>it was ten o'clock in the morning, and I said

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<v Speaker 1>to you, it's not even noon. It's like drinking before noon.

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<v Speaker 1>It was, it was, And so we had this whole

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<v Speaker 1>conversation of like, oh, why do we have word a version?

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<v Speaker 1>What's it all about? And what's going on in your

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<v Speaker 1>brain when you have this word of version? What was

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<v Speaker 1>going on in your brain? Like what did you think

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<v Speaker 1>when I said that? I thought about the groin area

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<v Speaker 1>and I don't like to say groin either, that's that

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<v Speaker 1>oi oi. I thought about just just this unpleasant sort

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<v Speaker 1>of you know, mustiness. And this is all out of

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<v Speaker 1>the context of food. By the way, if if someone

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<v Speaker 1>is saying that something is you know, there's this cake

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<v Speaker 1>and it's moist and redlent um of you know, fruit

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<v Speaker 1>trees in may totally because you're reframing. Reframing, that's the key.

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<v Speaker 1>That's the keys We're going to find out here. So

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<v Speaker 1>it turns out though I'm not alone with this whole

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<v Speaker 1>moist thing. No, no, you're not, definitely not. So there

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<v Speaker 1>was a two thousand twelve Uffington Post entry that I

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<v Speaker 1>happened to come across and perhaps some of you saw

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<v Speaker 1>as well, and they were trying to come up with

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<v Speaker 1>synonyms for moist, and I actually I did like some

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<v Speaker 1>of them. My particular favorite was good crumb. Did she

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<v Speaker 1>catch that? I did see that? Like I kind of Again,

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<v Speaker 1>I'm gonna say it had a little bit of a

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<v Speaker 1>weird association, almost like hey, she gives good chrome, you know.

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<v Speaker 1>And this was in the context of food writing, right,

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<v Speaker 1>Like they were like, hey, as food writers, we have

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<v Speaker 1>to write about moist all the time. What words can

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<v Speaker 1>we put in there? So good chrome was one of them. Sure, spongy,

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<v Speaker 1>which I think is fairly descriptive, and a plastic cake

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<v Speaker 1>I would I would of spongey in the in the

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<v Speaker 1>realm of cake. And also hydrated, hydrated not dry a

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<v Speaker 1>little scientific yeah, yeah, hydrated is good, um, because it

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<v Speaker 1>was like, yeah, that's a hydrated piece of cake. I

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<v Speaker 1>just ate. And then not dry was another one. But

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<v Speaker 1>then I thought, you know what these are all sort

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<v Speaker 1>of paltry. I don't know that there actually would be

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<v Speaker 1>a stand in for moist when it comes to culinary writing. Yeah,

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<v Speaker 1>I think moist works well, and thus it's prevalence to

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<v Speaker 1>describe cake of all sorts. Nonetheless, moist just continues to

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<v Speaker 1>rise as this word that is much maligned. And I

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<v Speaker 1>wanted to point out that The New York Or had

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<v Speaker 1>a blog post called words came in Marked for Death.

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<v Speaker 1>And this was a Twitter game show that they started

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<v Speaker 1>called Questioning Lee and when the first installments was, hey,

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<v Speaker 1>if you were going to remove a word from the

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<v Speaker 1>English language, which one would it be? And again moist

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<v Speaker 1>got marked for death. Yeah. I also heard that slacks

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<v Speaker 1>came in pretty high on that list. Slacks, yes, I

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<v Speaker 1>might have nominated dungarees myself. Oh, dungarees. I think that's

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<v Speaker 1>kind of quaint, though I do. I think it's kind

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<v Speaker 1>of quaint, but it's also for me. Slacks and dungarees,

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<v Speaker 1>I kind of they're interchangeable. I saw trousers on one

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<v Speaker 1>list as well. I like trousers. Trouser has an elegant

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<v Speaker 1>connotation for me. How yeah, the same thing, And I

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<v Speaker 1>think that's what it all boils down to, is that

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<v Speaker 1>for me, that seems kind of like a fancy word

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<v Speaker 1>for pants. And everybody has their own, you know, idiosyncrasies

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<v Speaker 1>when it comes to these likes and dislikes of words.

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<v Speaker 1>And I was thinking about this too. It even probably

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<v Speaker 1>comes up in your profession. So if you're a teacher,

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<v Speaker 1>probably one of the most maligned words for you is

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<v Speaker 1>the word like. Oh sure, absolutely. Did you read the

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<v Speaker 1>Vanity Fair post in which Christopher Hitchins railed against the

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<v Speaker 1>usage of like as a placeholder and just it's craziness

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<v Speaker 1>in the English language. I mean I even hear it

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<v Speaker 1>out of my my daughter. Yeah. So it's all well

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<v Speaker 1>and good that we have these grammatical pet peeves where

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<v Speaker 1>it's like your regardless, where it's such as like, which

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<v Speaker 1>we already discussed, but we're really talking about words that

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<v Speaker 1>you have a serious distaste for. And the folks at

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<v Speaker 1>the Language Log, which is an excellent blog run by

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<v Speaker 1>a bunch of linguists, um and in particular, there's a

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<v Speaker 1>gentleman by the name of Mark Liberman who has written

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<v Speaker 1>and commented and aggregated posts on the subject at length,

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<v Speaker 1>and he kind of has taken on the task of

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<v Speaker 1>defining word a version and it's really this physiological response.

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<v Speaker 1>I mean, doesn't make your skin crawl? Yeah it does,

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<v Speaker 1>And I think that's the mystery of it, Like how

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<v Speaker 1>could a word elicit a physical response and how could

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<v Speaker 1>you absorb that into your body like that? And that's

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<v Speaker 1>what's so fascinating. Yeah, so we really have to dig

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<v Speaker 1>into the juicy, and perhaps already in territory of associations,

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<v Speaker 1>we will. So you want to give that a start,

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<v Speaker 1>miss Julie. Well, before we dive into Freud and the unconscious,

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<v Speaker 1>maybe we should play a bit of this clip from

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<v Speaker 1>Monty Python that you sent me. That is wonderful and

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<v Speaker 1>oh oh that could be a word, that could be

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<v Speaker 1>a trigger word. We are going to be working in

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<v Speaker 1>these trigger words and awesome. People hate it, they did,

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<v Speaker 1>but now it's so prevalent that people have begun to

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<v Speaker 1>adopt it as like, fine, this is a low level

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<v Speaker 1>world version today. Awesome. Awesome, Um, it's I think it's

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<v Speaker 1>in the realm of like you know, in terms of

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<v Speaker 1>pet Peeves. But this Monty Python clip in which there's

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<v Speaker 1>a kind of Downton Abbey like congregation of family in

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<v Speaker 1>a drawing room commenting on their pastoral, aristocratic life. Uh,

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<v Speaker 1>they begin to talk about certain words and recast and

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<v Speaker 1>and they talk about lovely woody words and dreadful tinny words. Tinny.

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<v Speaker 1>So let's have a listen there, gone, what's going? Yeah?

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<v Speaker 1>I think I think just like a word. It gives

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<v Speaker 1>me confidence. It's got a woody quality about it. School

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<v Speaker 1>much better than newspaper or little been peltly dreadful newspaper,

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<v Speaker 1>little been dreadful, titious worry. Al Right. So I love

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<v Speaker 1>that clip because it does kind of capture this whole

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<v Speaker 1>thing that we all have of words. And it goes

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<v Speaker 1>on and on, it gets even more ridiculous and great.

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<v Speaker 1>And they even bring up the word sausage. That's a

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<v Speaker 1>nice woody word. Yes, yes they do. You know what

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<v Speaker 1>it made me think of, Julie. It made me think,

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<v Speaker 1>if people have these word of versions and they're listening

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<v Speaker 1>to them with different accents, doesn't cause the same response.

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<v Speaker 1>I mean, would it be okay for you to hear

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<v Speaker 1>somebody say moist with an English accent as opposed to

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<v Speaker 1>just a flat out American English Southern accent. No? I

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<v Speaker 1>still yeah, even I think it might even be worse

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<v Speaker 1>if it is pronounced in a British accent. Okay, So

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<v Speaker 1>accents have no impact on this word of version for you.

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<v Speaker 1>And of course it's anecdotally anecdotal. And as will just

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<v Speaker 1>disc this word of version is not well studied. It

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<v Speaker 1>probably should because it would be fascinating to know if,

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<v Speaker 1>like a thousand years ago, if there are certain words

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<v Speaker 1>that you know, got on people's nerves and wine and

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<v Speaker 1>how contextual cultural that was. Research's our battering around some ideas,

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<v Speaker 1>and we'll get to that in a little bit. Yeah,

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<v Speaker 1>but first we gotta go into Freud and all things

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<v Speaker 1>that are sort of grizzly and awful. You have to

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<v Speaker 1>turn to Grandpa Freud here um. And when we talk

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<v Speaker 1>about Freud and unconscious, we're talking about the division of

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<v Speaker 1>the mind and psychoanalytic theory containing elements of psychic makeup.

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<v Speaker 1>We're talking about memories, repressed desires um, things that are

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<v Speaker 1>not consciously perceived by us or controlled, but they do

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<v Speaker 1>affect our conscious thoughts and how we behave in the world.

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<v Speaker 1>And so Freud, through all of the therapy that he

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<v Speaker 1>was doing with his patients, was trying to tease these

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<v Speaker 1>hidden mental processes from his patients through their dreams or

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<v Speaker 1>even word associations. And that's where it gets really interesting

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<v Speaker 1>when you start to look at language and words. And

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<v Speaker 1>I was even thinking about this in terms of embodied cognition,

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<v Speaker 1>those studies that talk about how if you have a

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<v Speaker 1>cup of warm coffee as opposed to a couple of

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<v Speaker 1>iced tea. When you have that warm coffee in your hand,

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<v Speaker 1>you're going to think more warm thoughts about the person

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<v Speaker 1>that you're talking to as opposed if you had that

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<v Speaker 1>iced coffee. Okay, So here's an example for you. Say

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<v Speaker 1>somebody were to serve you a slice of cake, and

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<v Speaker 1>on that plate that the cake was served on, there

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<v Speaker 1>was the word moist written on that plate indelibly. Fine,

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<v Speaker 1>really fine, it's the cake and then I know this

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<v Speaker 1>is not gonna be a dry cake, and I'm all

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<v Speaker 1>for it. But even if it was written on the plate,

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<v Speaker 1>that would not know, Okay, as long as there weren't

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<v Speaker 1>any strange, like, you know, depictions of groin areas accompanying

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<v Speaker 1>it depicted on the plate. I don't think they have

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<v Speaker 1>those kinds of there's not some sort of Greek you'ren

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<v Speaker 1>somewhere with a piece of cake and groinage. But but ye,

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<v Speaker 1>they have done studies like that in which people who

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<v Speaker 1>are freaked out by rats they wrote the word rat

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<v Speaker 1>on a plate and then they put a piece of

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<v Speaker 1>food on it whatever they were giving the poor test subjects,

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<v Speaker 1>and the people did have an issue with eating the

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<v Speaker 1>food on the plate that had rat written on it.

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<v Speaker 1>So that was kind of interesting. So I was just

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<v Speaker 1>wondering if that might hold truth for you as well. Well.

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<v Speaker 1>If it said rat, I have to say, then I

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<v Speaker 1>would probably not be as keen to eat that piece

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<v Speaker 1>of cake. Yeah. And and this has come up before

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<v Speaker 1>in the podcast before too, like if you have a

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<v Speaker 1>chocolate cake and you write cloeaca on the top and

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<v Speaker 1>pretty cursive frosting, is someone going to eat it when

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<v Speaker 1>they know what a cloeaca is? I think maybe if

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<v Speaker 1>it were purple frosting, all right, So for you, purple

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<v Speaker 1>cloeaca fine. But I wanted to point out that David

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<v Speaker 1>Eagleman talks about this this suggestibility a lot in some

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<v Speaker 1>of his work. In fact, it's in his book Incognito,

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<v Speaker 1>and this question of free will is being part and

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<v Speaker 1>parcel of the conscious mind hanging out at the sidelines

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<v Speaker 1>while the unconscious, and he says, kind of does all

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<v Speaker 1>the heavy lifting for us, and ultimately it sort of

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<v Speaker 1>delivers that burp of consciousness that we perceive, which I

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<v Speaker 1>think is really interesting because he says, you know, with

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<v Speaker 1>some things that we have those aha moments, that those

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<v Speaker 1>moments could have been in the works for weeks, months,

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<v Speaker 1>or even years, and that all this stuff is going

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<v Speaker 1>on under the cover of unconscious and so these word

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<v Speaker 1>of versions are manifestations of what you know, we find

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<v Speaker 1>delightful or disgusting in our lives, and so it would

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<v Speaker 1>stand to reason that words which also embody symbols would

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<v Speaker 1>come to represent ideas unconsciously for us. And then I

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<v Speaker 1>started to think about Young, who branched off from Freud,

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<v Speaker 1>and he had the whole collective unconscious thing going on, right,

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<v Speaker 1>So he's saying, yes, there's this deal about the unconscious

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<v Speaker 1>and all this hidden meaning, but collectively we all sort

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<v Speaker 1>of signed into this or signed onto this um system

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<v Speaker 1>of symbols. And so then I thought, well, that's really

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<v Speaker 1>interesting because that's perhaps how words like moist rise to

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<v Speaker 1>the top of our consciousness from the unconscious or the

0:12:07.640 --> 0:12:11.280
<v Speaker 1>collective unconsciousness, right, And our podcast isn't going to do

0:12:11.360 --> 0:12:17.680
<v Speaker 1>anything to help it. Now we're gonna continue to heat

0:12:17.720 --> 0:12:24.079
<v Speaker 1>up the flames under under moisture. There, that's an interesting analogy. Yeah,

0:12:24.240 --> 0:12:28.600
<v Speaker 1>now now I'm thinking about sweating buttocks. Sorry about that. So, Julie,

0:12:28.600 --> 0:12:30.960
<v Speaker 1>what do you think about bilingual and multilingual folks. Do

0:12:30.960 --> 0:12:33.440
<v Speaker 1>you think they have such word a versions? Well, I

0:12:33.520 --> 0:12:37.400
<v Speaker 1>know for a fact that they do have an emotional distance.

0:12:37.600 --> 0:12:40.240
<v Speaker 1>And I have talked about this before, but there's a

0:12:40.320 --> 0:12:43.680
<v Speaker 1>study in which participants were asked to assess a financial risk.

0:12:43.920 --> 0:12:45.920
<v Speaker 1>And now we already know that when it comes to

0:12:46.000 --> 0:12:48.440
<v Speaker 1>finances and trying to figure out what's a good choice

0:12:48.440 --> 0:12:51.120
<v Speaker 1>and a bad choice, that we're really messy thinkers about this.

0:12:52.080 --> 0:12:55.480
<v Speaker 1>And um, what they did, these participants they were asked

0:12:55.520 --> 0:12:58.080
<v Speaker 1>to think about this risk not in their mother tongue,

0:12:58.280 --> 0:13:01.360
<v Speaker 1>but in a second language that they were fluent him.

0:13:01.440 --> 0:13:04.640
<v Speaker 1>And the study is called the foreign language effect. Thinking

0:13:04.720 --> 0:13:07.600
<v Speaker 1>in a foreign tongue reduces decision biases, which I think

0:13:07.640 --> 0:13:11.800
<v Speaker 1>just gave away the results. Yeah, and the it was

0:13:11.840 --> 0:13:14.319
<v Speaker 1>a series of experiments more than three people from the

0:13:14.440 --> 0:13:17.200
<v Speaker 1>US and Korea. And what they found is that people

0:13:17.240 --> 0:13:20.400
<v Speaker 1>have two different modes of thoughts when they are trying

0:13:20.400 --> 0:13:24.880
<v Speaker 1>to process information and emotions, and one is really systematic

0:13:24.960 --> 0:13:29.360
<v Speaker 1>and analytical and cognitive intensive, and the other is fast,

0:13:29.520 --> 0:13:33.160
<v Speaker 1>unconscious and emotionally charged. And so what they found is

0:13:33.200 --> 0:13:37.320
<v Speaker 1>that when people were processing these risks in a second language,

0:13:37.360 --> 0:13:41.439
<v Speaker 1>they were not weighted with the emotion of the experience

0:13:41.480 --> 0:13:44.800
<v Speaker 1>of those words that might color their perception and the decisions.

0:13:45.120 --> 0:13:48.800
<v Speaker 1>So they made far more rational choices because they weren't

0:13:48.800 --> 0:13:52.640
<v Speaker 1>freighted with all of this uh emotion of language, and

0:13:52.679 --> 0:13:55.360
<v Speaker 1>it gave them that distance that they needed. And we

0:13:55.400 --> 0:13:58.720
<v Speaker 1>do tend to linger over negative emotions. And I think

0:13:58.720 --> 0:14:00.679
<v Speaker 1>that this is related to a word a version, and

0:14:00.720 --> 0:14:03.360
<v Speaker 1>that you think about these words really making you mad

0:14:03.720 --> 0:14:07.080
<v Speaker 1>or instilling some sort of feeling in you that is

0:14:07.160 --> 0:14:11.240
<v Speaker 1>not pleasant, and your brain kind of pauses longer over

0:14:11.320 --> 0:14:16.199
<v Speaker 1>the negativity. It's true because it turns out that we humans,

0:14:16.400 --> 0:14:21.080
<v Speaker 1>we remember far more negative words than positive ones. Yeah.

0:14:21.080 --> 0:14:24.040
<v Speaker 1>There's a study about emotion where it's correct. Yeah. Is

0:14:24.520 --> 0:14:27.560
<v Speaker 1>conducted by Dr Robert W. Schroff, He's the associate professor

0:14:27.640 --> 0:14:30.880
<v Speaker 1>of a POD Linguistics Penn State, and Julia Sanchez, a

0:14:30.920 --> 0:14:34.680
<v Speaker 1>graduate student psychology at the Chicago School of Psychology UM

0:14:34.760 --> 0:14:38.320
<v Speaker 1>and she they asked groups of people in Mexico City

0:14:38.320 --> 0:14:40.520
<v Speaker 1>in Chicago. This is important because they wanted to see

0:14:40.520 --> 0:14:43.920
<v Speaker 1>if there were any cultural differences in two age groups

0:14:43.960 --> 0:14:47.440
<v Speaker 1>twenty years old in sixty five years old to just

0:14:47.760 --> 0:14:50.120
<v Speaker 1>you know, list as many emotions as they could just

0:14:50.200 --> 0:14:52.800
<v Speaker 1>off the top of their head, and then those emotions

0:14:52.840 --> 0:14:57.280
<v Speaker 1>were categorized as negative, positive, or neutral. And it turns

0:14:57.320 --> 0:15:01.080
<v Speaker 1>out that people, um really did know many more of

0:15:01.120 --> 0:15:04.240
<v Speaker 1>these negative words and positive. We're talking about a proportion

0:15:04.320 --> 0:15:10.360
<v Speaker 1>of words that it's fifty percent negative, positive and neutral. Now,

0:15:10.400 --> 0:15:12.960
<v Speaker 1>in terms of differences between the age groups, it was

0:15:13.000 --> 0:15:17.760
<v Speaker 1>found that older folks had more of a diversity of words,

0:15:18.360 --> 0:15:20.800
<v Speaker 1>which makes sense because they have more life experience and

0:15:20.960 --> 0:15:25.160
<v Speaker 1>perhaps have dabbled in more word choices. But in terms

0:15:25.280 --> 0:15:27.840
<v Speaker 1>of proportion of negativity, it didn't matter what age you are.

0:15:27.920 --> 0:15:31.600
<v Speaker 1>You were still going to use or think of more

0:15:31.640 --> 0:15:35.400
<v Speaker 1>negative words. You know, depend no matter what your age was,

0:15:36.000 --> 0:15:39.480
<v Speaker 1>And it didn't matter if you were from Mexico or

0:15:40.080 --> 0:15:44.080
<v Speaker 1>excuse me, Mexico City or Chicago, you still again had

0:15:44.840 --> 0:15:48.720
<v Speaker 1>the memory available to you that was associated with negative words.

0:15:48.760 --> 0:15:50.640
<v Speaker 1>So I wonder if that's why we focus more on

0:15:50.760 --> 0:15:54.080
<v Speaker 1>word a version whether than word attraction. Do you have

0:15:54.160 --> 0:15:59.400
<v Speaker 1>attraction towards oh, I do, I do. I'm winking out

0:15:59.440 --> 0:16:02.720
<v Speaker 1>one of them, are it now? You know? It came

0:16:02.800 --> 0:16:05.120
<v Speaker 1>up and I was reading this over it was a

0:16:05.120 --> 0:16:09.680
<v Speaker 1>lot of people love the French word for grapefruit. Do

0:16:09.720 --> 0:16:11.440
<v Speaker 1>you happen to know it? I don't. What is it

0:16:12.000 --> 0:16:16.240
<v Speaker 1>forgive me? French speakers? Pump the moose? It's quite nice.

0:16:16.320 --> 0:16:20.960
<v Speaker 1>I think it sounds excellent, especially as compared with grapefruit. Well, yeah,

0:16:20.960 --> 0:16:22.880
<v Speaker 1>grapefruit is kind of heavy with the g right, and

0:16:22.920 --> 0:16:25.080
<v Speaker 1>we'll talk about that. It's one of those plosive words

0:16:25.760 --> 0:16:28.880
<v Speaker 1>and it does have impact, but it's not impactful. Just

0:16:28.920 --> 0:16:32.760
<v Speaker 1>for the record, impactful. I knew, I see, I knew,

0:16:32.840 --> 0:16:34.480
<v Speaker 1>I knew that would be on your list there. I

0:16:34.520 --> 0:16:37.680
<v Speaker 1>also hate impact as a verb, but that's a holy different,

0:16:37.960 --> 0:16:40.880
<v Speaker 1>that's a whole other ball. And you're an editor, so

0:16:41.080 --> 0:16:42.600
<v Speaker 1>by law, I think that you kind of have to.

0:16:43.040 --> 0:16:44.360
<v Speaker 1>So you would think that I would have a lot.

0:16:44.400 --> 0:16:45.760
<v Speaker 1>And I mean, you work with words all the time

0:16:45.800 --> 0:16:49.240
<v Speaker 1>as well, and I really don't have too many word

0:16:49.280 --> 0:16:51.400
<v Speaker 1>of versions. But again, I'm not quite ready to speak

0:16:51.440 --> 0:16:54.440
<v Speaker 1>to that. No, no, no, maybe maybe I'll save that

0:16:54.520 --> 0:16:58.320
<v Speaker 1>for the end. You mean, you're like centerpiece of word aversion.

0:16:58.440 --> 0:17:01.040
<v Speaker 1>The one word that gets you. So one word, all right,

0:17:01.080 --> 0:17:02.520
<v Speaker 1>we'll get to that. I think we all are going

0:17:02.560 --> 0:17:05.800
<v Speaker 1>to have to build up to this one. Yeah yeah. Um.

0:17:05.880 --> 0:17:10.000
<v Speaker 1>Let's talk about lists of aversion words and attraction words here.

0:17:10.800 --> 0:17:14.080
<v Speaker 1>A Mississippi State University survey found that among the student

0:17:14.119 --> 0:17:17.159
<v Speaker 1>population who submitted their least favorite words, these were the

0:17:17.200 --> 0:17:19.639
<v Speaker 1>ones that that rose to the top. And this is

0:17:19.720 --> 0:17:24.520
<v Speaker 1>in order of their level of hatred. Vomit, moist, puke,

0:17:25.040 --> 0:17:28.320
<v Speaker 1>phlagm in my nose right now, as you guys can

0:17:28.400 --> 0:17:32.119
<v Speaker 1>hear slaughter, snot ugly, damp, and mucus and then a

0:17:32.320 --> 0:17:36.399
<v Speaker 1>damp damp really yeah huh, I like damp, and I

0:17:36.440 --> 0:17:40.280
<v Speaker 1>like dank um oh, dank thank is a nice descriptor, right.

0:17:40.760 --> 0:17:43.480
<v Speaker 1>A two thousand and eleven follow up survey found moist

0:17:43.560 --> 0:17:46.680
<v Speaker 1>pulling into the number one slot, though, So it's really

0:17:46.720 --> 0:17:49.120
<v Speaker 1>a cultural phenomena, and that's what I'm thinking. I'm thinking

0:17:49.160 --> 0:17:53.000
<v Speaker 1>that this is a zeitguys moment for moist in the world,

0:17:53.000 --> 0:17:54.560
<v Speaker 1>and it would be very interesting to see if it

0:17:54.600 --> 0:17:56.720
<v Speaker 1>takes a turn, because, as we know, language is ever

0:17:56.800 --> 0:17:59.719
<v Speaker 1>evolving and and and takes on new meaning depending on

0:18:00.320 --> 0:18:03.320
<v Speaker 1>the sort of experiences that we have with it culturally.

0:18:03.800 --> 0:18:06.000
<v Speaker 1>So I have to share with you this product that

0:18:06.040 --> 0:18:09.560
<v Speaker 1>I found. I can't hold back anyone. So when I

0:18:09.600 --> 0:18:12.359
<v Speaker 1>was researching for the podcast, I came across a line

0:18:12.400 --> 0:18:16.040
<v Speaker 1>of skin care products and it was called Moist Diane.

0:18:16.440 --> 0:18:22.040
<v Speaker 1>And sometimes there is a comma inserted between moist and

0:18:22.080 --> 0:18:24.960
<v Speaker 1>Diane as if the more as if we were addressing

0:18:25.000 --> 0:18:27.280
<v Speaker 1>Diane directly. Sometimes the comma was taken out. So I

0:18:27.720 --> 0:18:30.400
<v Speaker 1>found this all very curious. Um it seemed to be

0:18:30.920 --> 0:18:34.600
<v Speaker 1>a line of beauty products from Japan, So I think

0:18:34.640 --> 0:18:38.360
<v Speaker 1>obviously that can cause some problems just as far as

0:18:39.000 --> 0:18:43.159
<v Speaker 1>naming products and then extending those product names to other languages,

0:18:43.280 --> 0:18:46.439
<v Speaker 1>and you know, what are the connotations here? That's really

0:18:46.480 --> 0:18:49.199
<v Speaker 1>tricky territory. Yeah, and we'll talk more about you know

0:18:49.320 --> 0:18:53.159
<v Speaker 1>how corporations use language to manipulate in a moment. But

0:18:53.200 --> 0:18:56.160
<v Speaker 1>you're right, there's like if you don't have the correct like, oh,

0:18:56.200 --> 0:18:58.119
<v Speaker 1>this is not a word that you want to necessarily

0:18:58.200 --> 0:19:00.439
<v Speaker 1>use with common then put someone's name that X to it,

0:19:00.880 --> 0:19:03.520
<v Speaker 1>then you just don't know that moist Diana right now

0:19:03.720 --> 0:19:06.560
<v Speaker 1>is making my tear ducks in my eye really active.

0:19:07.960 --> 0:19:10.960
<v Speaker 1>But alright, so those are some aversion words. Let's splip

0:19:10.960 --> 0:19:14.920
<v Speaker 1>over to the beautiful, that the attractive words. I don't

0:19:14.920 --> 0:19:19.360
<v Speaker 1>know why I'm talking like that. Let's luxuriate in these words.

0:19:20.080 --> 0:19:24.040
<v Speaker 1>According to Ben Zimmer, writing for Visual Source, the words

0:19:24.040 --> 0:19:30.600
<v Speaker 1>selected the most oftenest favorite is love. Oh really yeah? Okay,

0:19:30.640 --> 0:19:33.399
<v Speaker 1>but I thought, okay, that's that's sweet. We should have

0:19:33.480 --> 0:19:36.359
<v Speaker 1>more words for love. I agree, you know it should

0:19:36.359 --> 0:19:37.960
<v Speaker 1>be you know how there's the whole thing of like

0:19:38.160 --> 0:19:41.520
<v Speaker 1>the you know, seventy words for snow and love should

0:19:41.560 --> 0:19:43.600
<v Speaker 1>be so important that you should have one million, right

0:19:43.920 --> 0:19:47.400
<v Speaker 1>or you know, we should probably ask our our listeners

0:19:47.480 --> 0:19:50.040
<v Speaker 1>to let us know some of the words that they

0:19:50.160 --> 0:19:53.360
<v Speaker 1>use instead of love for love? Is there a standing?

0:19:53.520 --> 0:19:55.439
<v Speaker 1>Is there not? Because I would be really interested enough

0:19:55.480 --> 0:19:58.760
<v Speaker 1>from you guys. Um. But this word is then followed

0:19:58.800 --> 0:20:03.960
<v Speaker 1>by the really it feel good term serendipity. Serendipity does

0:20:04.000 --> 0:20:07.280
<v Speaker 1>come up a lot, yeah, grace and peace and other

0:20:07.320 --> 0:20:10.840
<v Speaker 1>favorites are polk ertude, although I have seen polkartudinus on

0:20:10.880 --> 0:20:13.960
<v Speaker 1>the other list and word of versions you collected the Guardian,

0:20:14.200 --> 0:20:17.720
<v Speaker 1>I think they railed against polkertude and polkartudinous. Yeah. I

0:20:17.760 --> 0:20:20.359
<v Speaker 1>didn't really get um, other than it sounds like a

0:20:20.400 --> 0:20:24.480
<v Speaker 1>mismatch from what it means, which is beautiful, schaden freud, perspicacious.

0:20:25.160 --> 0:20:30.440
<v Speaker 1>I like that one. Mellifluous, oh yeah, and discombobulate. Discombobulates

0:20:30.440 --> 0:20:33.160
<v Speaker 1>a big one. It has so many satisfying syllables in there,

0:20:33.440 --> 0:20:35.280
<v Speaker 1>it does. That's one that you can really kind of

0:20:35.280 --> 0:20:37.600
<v Speaker 1>garbble around in your mouth like a bunch of marbles.

0:20:37.720 --> 0:20:40.600
<v Speaker 1>And that's what some people like, I mean, and and

0:20:40.600 --> 0:20:43.040
<v Speaker 1>that's also what some people hate, right, So that's the sense.

0:20:43.240 --> 0:20:46.480
<v Speaker 1>It's not just the association, it's the way it sounds,

0:20:46.480 --> 0:20:48.920
<v Speaker 1>the way it feels to pronounce the word. We'll see.

0:20:48.960 --> 0:20:51.520
<v Speaker 1>That's the interesting part of it, right, because um, it's

0:20:51.520 --> 0:20:54.480
<v Speaker 1>not Yeah, it's like a physical response. And that's the

0:20:54.560 --> 0:20:58.760
<v Speaker 1>whole embodied cognition that if you do something physically, then

0:20:58.800 --> 0:21:01.560
<v Speaker 1>your your brain will fall low and have those sort

0:21:01.560 --> 0:21:04.320
<v Speaker 1>of patterns. So if you have discombobulated in your mouth,

0:21:04.560 --> 0:21:07.879
<v Speaker 1>then you feel sort of like you're luxuriating in language.

0:21:08.320 --> 0:21:11.679
<v Speaker 1>That's nice, RELI, that's very nice, thank you. So for

0:21:11.720 --> 0:21:15.399
<v Speaker 1>some reason, the oi diphthong has gotten a bit of

0:21:15.400 --> 0:21:19.720
<v Speaker 1>a bad rap well, because it shows up in moist

0:21:20.440 --> 0:21:25.719
<v Speaker 1>and groin goiter gitter. I love giter I just love it.

0:21:26.040 --> 0:21:28.920
<v Speaker 1>Should we discuss what an oral dipthong is? Go ahead,

0:21:28.960 --> 0:21:32.399
<v Speaker 1>all right, Well we're talking about our gliding vowels in

0:21:32.480 --> 0:21:36.840
<v Speaker 1>a one syllable word, so it uh diplong actually translate

0:21:36.880 --> 0:21:40.199
<v Speaker 1>literally to two voices or two sounds, so it's not

0:21:40.280 --> 0:21:44.880
<v Speaker 1>just like your straightforward um clip right, it's cow ow cow.

0:21:46.160 --> 0:21:48.840
<v Speaker 1>That's nice. Yeah, you can't see eventually it's making a

0:21:48.880 --> 0:21:51.600
<v Speaker 1>lovely face that she pronounces. And it's too bad we

0:21:51.600 --> 0:21:54.920
<v Speaker 1>don't have a video accompaniment of this. We'll see when.

0:21:54.920 --> 0:21:57.800
<v Speaker 1>When this brings up this this idea too of um,

0:21:57.840 --> 0:22:00.600
<v Speaker 1>you know, these dipthongs and how words feel on our mouth.

0:22:01.119 --> 0:22:05.560
<v Speaker 1>It brings up this idea of synthsia, right, and synath

0:22:05.600 --> 0:22:09.080
<v Speaker 1>asia is a perceptual condition in which information between the

0:22:09.119 --> 0:22:12.280
<v Speaker 1>senses is blended. So if I see a word, I

0:22:12.400 --> 0:22:14.879
<v Speaker 1>might see a color as well, or here are sound

0:22:15.320 --> 0:22:17.840
<v Speaker 1>podcast about this before we have we've definitely touched on

0:22:17.920 --> 0:22:21.560
<v Speaker 1>this before. So this this becomes the question is is

0:22:21.560 --> 0:22:24.680
<v Speaker 1>the word a version or word attractions simply something that

0:22:25.520 --> 0:22:28.680
<v Speaker 1>is being processed in our brains so that the other

0:22:28.760 --> 0:22:31.680
<v Speaker 1>senses are are not just tacking on connotations to it,

0:22:31.760 --> 0:22:37.080
<v Speaker 1>but actually trying to take that symbol and reinterpret it

0:22:37.119 --> 0:22:40.920
<v Speaker 1>in different modes. Right, And so this is a hypothesis

0:22:40.960 --> 0:22:44.040
<v Speaker 1>that David Eagleman and his lab are testing out over

0:22:44.080 --> 0:22:47.320
<v Speaker 1>at Baylor. And what they're doing, I mean they basically

0:22:47.359 --> 0:22:49.119
<v Speaker 1>if you guys are interested in taking the survey, and

0:22:49.160 --> 0:22:50.800
<v Speaker 1>I'm sure they would appreciate it. I took it the

0:22:50.800 --> 0:22:53.520
<v Speaker 1>other day interparation for this podcast, and it takes about

0:22:53.520 --> 0:22:56.480
<v Speaker 1>fifteen minutes. Although it didn't for me because I don't

0:22:56.480 --> 0:23:01.000
<v Speaker 1>think that I have this condition unfortunate, uh so it

0:23:01.040 --> 0:23:03.680
<v Speaker 1>didn't really lead me any farther. But this is a

0:23:03.800 --> 0:23:06.480
<v Speaker 1>hypothesis that they have out there because nobody really knows

0:23:06.680 --> 0:23:09.400
<v Speaker 1>why do we why do we have these word of versions. Yeah,

0:23:09.400 --> 0:23:11.560
<v Speaker 1>and I kind of got a couple of clues from

0:23:11.560 --> 0:23:13.560
<v Speaker 1>taking in the test. I have to say, oh, you

0:23:13.560 --> 0:23:16.960
<v Speaker 1>did take it, Yeah, I did. And some of the

0:23:17.040 --> 0:23:21.240
<v Speaker 1>questions were, um, like, you know, did you have migraines

0:23:21.280 --> 0:23:23.840
<v Speaker 1>as a child, did you have any hearing loss as

0:23:23.840 --> 0:23:27.160
<v Speaker 1>a child, Um, did you have here ear infections? Someone?

0:23:27.200 --> 0:23:28.720
<v Speaker 1>And so forth. So I think they're trying to see

0:23:28.760 --> 0:23:30.720
<v Speaker 1>whether or not there have been some things crossed in

0:23:30.720 --> 0:23:34.560
<v Speaker 1>the brain initially and then um, of course they talk about,

0:23:35.400 --> 0:23:38.160
<v Speaker 1>you know, some other continus like a d D and

0:23:38.320 --> 0:23:40.920
<v Speaker 1>I don't know if they talk specifically about schizophrenia, but

0:23:41.000 --> 0:23:42.919
<v Speaker 1>they're trying to get to the bottom of this, like

0:23:43.000 --> 0:23:46.440
<v Speaker 1>what is driving this senestia, this idea that you're looking

0:23:46.480 --> 0:23:50.159
<v Speaker 1>at a word and feeling something. In fact, one of

0:23:50.200 --> 0:23:53.439
<v Speaker 1>the questions and the questionnaire was do certain words trigger

0:23:53.480 --> 0:23:56.439
<v Speaker 1>a taste in your mouth? Example? Does the name Derek

0:23:56.680 --> 0:24:00.120
<v Speaker 1>taste like ear wax? I saw that. I love that.

0:24:00.200 --> 0:24:05.200
<v Speaker 1>It's so great, Poor Derek. I know all the Derek's

0:24:05.240 --> 0:24:07.879
<v Speaker 1>out there, sorry about that. I don't. For me, I

0:24:07.960 --> 0:24:11.600
<v Speaker 1>don't the taste of ear waxes not inhabit My mouth

0:24:12.800 --> 0:24:15.920
<v Speaker 1>tasted ear wax, definitely, scabs fried chicken, but I don't

0:24:16.200 --> 0:24:18.399
<v Speaker 1>have you ever tasted your wax? No, but how do

0:24:18.480 --> 0:24:21.040
<v Speaker 1>you just throw off scabs and fried chicken? Like, yeah,

0:24:21.160 --> 0:24:24.280
<v Speaker 1>scabs and fried chicken. I know that. Well, Yeah, because

0:24:24.320 --> 0:24:28.200
<v Speaker 1>you know, I conducted an experiment when I was younger. Okay,

0:24:29.560 --> 0:24:32.720
<v Speaker 1>no longer, this is no longer. I'm just saying, yeah,

0:24:32.880 --> 0:24:34.720
<v Speaker 1>I think i'd be really interesting to be a lexical

0:24:34.720 --> 0:24:39.800
<v Speaker 1>acoustatory type of sinnis feat. That's right, That's that's the category, right,

0:24:39.840 --> 0:24:41.880
<v Speaker 1>it is. Indeed. Yeah, I think I had a bit

0:24:41.880 --> 0:24:44.320
<v Speaker 1>of a visual sinnis feet, but I was low on it,

0:24:44.400 --> 0:24:45.760
<v Speaker 1>you know, And I think it was more like, hey,

0:24:45.800 --> 0:24:47.840
<v Speaker 1>you like to dream up things in your head? There.

0:24:50.160 --> 0:24:52.639
<v Speaker 1>All right, let's take a quick break, and when we

0:24:52.680 --> 0:24:56.160
<v Speaker 1>get back, we're going to talk about the corporate scrabble

0:24:56.200 --> 0:25:01.520
<v Speaker 1>strategy of trying to manipulate language and words to make us,

0:25:01.840 --> 0:25:11.720
<v Speaker 1>uh do their bidding. All right, we're back. Did you

0:25:11.800 --> 0:25:15.240
<v Speaker 1>do you catch any of the flagged words from either

0:25:15.280 --> 0:25:18.960
<v Speaker 1>of the lists in there? Yeah, gossamer, I'm fetching, fetching.

0:25:19.160 --> 0:25:22.640
<v Speaker 1>Also very nice, belieguer. What do you think about the leaguer? Okay,

0:25:22.680 --> 0:25:26.040
<v Speaker 1>that wasn't in the advertisement, but I like the leaguered.

0:25:26.359 --> 0:25:28.879
<v Speaker 1>I like the leaguered better than be leaguer. You're feeling

0:25:28.880 --> 0:25:32.000
<v Speaker 1>beliaguered by all the podcast research you had to do.

0:25:32.280 --> 0:25:37.720
<v Speaker 1>It's yeah, it's more impactful. But squab squab was on

0:25:37.760 --> 0:25:40.520
<v Speaker 1>the list squib squab, scipt squab. So squab is a

0:25:40.600 --> 0:25:43.760
<v Speaker 1>kind of bird, right, and uh, for years I've been

0:25:43.760 --> 0:25:46.080
<v Speaker 1>saying squibt squab. I didn't realize that that was a

0:25:46.119 --> 0:25:50.600
<v Speaker 1>word that had risen to the top of maligned words. Also, cornucopia. Yes,

0:25:51.119 --> 0:25:52.919
<v Speaker 1>And in fact, we we have a little thing we're

0:25:52.960 --> 0:25:54.560
<v Speaker 1>going to do at the end here, We're going to

0:25:54.640 --> 0:25:58.440
<v Speaker 1>construct our own sentences of of words. Oh okay, I

0:25:58.840 --> 0:26:02.119
<v Speaker 1>copia shows up in my sentence, by the way. And

0:26:02.160 --> 0:26:05.040
<v Speaker 1>I invite listeners to do this as well. Yes, do

0:26:05.040 --> 0:26:07.360
<v Speaker 1>do send us your crazy word of vision sentences. Yeah,

0:26:07.359 --> 0:26:09.359
<v Speaker 1>because the the idea is, let's see if we can

0:26:09.359 --> 0:26:13.600
<v Speaker 1>really make people um sort of wins here. Um all right,

0:26:13.760 --> 0:26:19.239
<v Speaker 1>so manipulating language. We've got corporations, h masters at this,

0:26:19.480 --> 0:26:21.520
<v Speaker 1>masters at this. And you brought this up the other day.

0:26:21.560 --> 0:26:24.200
<v Speaker 1>You were like, you know what, the letters X and Y,

0:26:24.280 --> 0:26:27.639
<v Speaker 1>they're used in a lot of products. Excuse me, X

0:26:27.680 --> 0:26:29.800
<v Speaker 1>and Z you want to go for those big scrabble

0:26:29.880 --> 0:26:33.200
<v Speaker 1>jackpot letters to make them stand out other I don't

0:26:33.200 --> 0:26:35.399
<v Speaker 1>know that it does anymore. I just due to the

0:26:35.560 --> 0:26:40.760
<v Speaker 1>preponderance of X and z um in particularly pharmaceutical names. Yeah,

0:26:40.800 --> 0:26:42.840
<v Speaker 1>and that was the idea right at first, that they

0:26:42.840 --> 0:26:44.800
<v Speaker 1>were being used so that they would stand out in

0:26:44.840 --> 0:26:49.880
<v Speaker 1>the market. Yeah. I mean think xan X, think Zertech, Zoloft.

0:26:50.640 --> 0:26:54.160
<v Speaker 1>What other ones you got, Julie, Um, I don't know

0:26:55.640 --> 0:27:04.359
<v Speaker 1>a lot. Zufia are you making that up zinias zium. Yeah,

0:27:04.600 --> 0:27:07.879
<v Speaker 1>so it seems like linguists and working in tandem with

0:27:07.960 --> 0:27:10.639
<v Speaker 1>corporations could wait into a whole world of trouble. So

0:27:10.720 --> 0:27:12.720
<v Speaker 1>you do want to consult the linguists when you're figuring

0:27:12.720 --> 0:27:16.880
<v Speaker 1>out what you're gonna name your venerable product. And so

0:27:17.119 --> 0:27:19.199
<v Speaker 1>m A lot of corporate corporations have gone with the

0:27:19.320 --> 0:27:21.800
<v Speaker 1>X and Z strategy. But I mean there's also just

0:27:21.840 --> 0:27:25.440
<v Speaker 1>the word itself. Okay. For example, do you remember when

0:27:25.600 --> 0:27:29.640
<v Speaker 1>that tablet called the iPad came out? What is it?

0:27:30.280 --> 0:27:32.800
<v Speaker 1>Have you heard of this thing called the yea? Yeah,

0:27:32.840 --> 0:27:35.240
<v Speaker 1>that was the thing. Yeah, yeah, that thing where you

0:27:35.240 --> 0:27:37.480
<v Speaker 1>do the thing and the thing and then your kid

0:27:37.760 --> 0:27:41.040
<v Speaker 1>just takes control of it. Yeah, I know that. Yeah.

0:27:41.080 --> 0:27:43.879
<v Speaker 1>So I remember when iPad first came out. I was thinking, huh,

0:27:44.320 --> 0:27:47.560
<v Speaker 1>that's really odd that they would name something after you know,

0:27:47.720 --> 0:27:52.679
<v Speaker 1>female product, thinking of pads. I was thinking sanitary. I

0:27:52.720 --> 0:27:56.720
<v Speaker 1>was thinking of sanitary pads, thank you. And then eventually

0:27:56.920 --> 0:27:59.280
<v Speaker 1>the iPad did its iPad thing and took over the

0:27:59.280 --> 0:28:04.960
<v Speaker 1>world and is running for you know, world dictatorship, and uh,

0:28:05.119 --> 0:28:07.960
<v Speaker 1>the iPad kind of left my brain with its association.

0:28:08.040 --> 0:28:10.440
<v Speaker 1>So I think that there's very much a case, again

0:28:10.480 --> 0:28:14.800
<v Speaker 1>anecdotally in terms of words ever evolving and in terms

0:28:14.880 --> 0:28:17.720
<v Speaker 1>of our own personal associations with those words changing, because

0:28:18.119 --> 0:28:20.080
<v Speaker 1>tell you, the truth is kind of flipped now. So

0:28:20.240 --> 0:28:23.640
<v Speaker 1>hygiene products I almost think of as sort of sleek,

0:28:24.440 --> 0:28:27.400
<v Speaker 1>like an iPad. It's weird the way that works. I thought,

0:28:27.440 --> 0:28:30.399
<v Speaker 1>I saw you on on the train the other day, um,

0:28:30.440 --> 0:28:32.800
<v Speaker 1>just flipping out a pad and then just kind of

0:28:32.800 --> 0:28:35.360
<v Speaker 1>typing on it and looking around and looking like very

0:28:35.400 --> 0:28:39.720
<v Speaker 1>self satisfied there. Yeah, I wasn't sure that was a pad,

0:28:39.760 --> 0:28:42.800
<v Speaker 1>but now I know, Um, all right, so that that's

0:28:42.800 --> 0:28:45.640
<v Speaker 1>this idea, right, that you can reframe and you can

0:28:45.720 --> 0:28:49.120
<v Speaker 1>retrain your brain. Um. But I did want to point

0:28:49.120 --> 0:28:51.240
<v Speaker 1>out before we talk a little bit more about that,

0:28:51.440 --> 0:28:56.680
<v Speaker 1>is that advertisers and linguists who are consulting with them

0:28:56.960 --> 0:28:59.960
<v Speaker 1>can also give advertisers a jump by using a little

0:29:00.000 --> 0:29:03.680
<v Speaker 1>ation and rhyme where love it. Yeah, I mean we're

0:29:03.680 --> 0:29:05.960
<v Speaker 1>talking about you know, when we talk about a literation

0:29:06.160 --> 0:29:11.400
<v Speaker 1>and rhyme, nutter butter YouTube on amanopeas right, like Twitter. Absolutely,

0:29:11.480 --> 0:29:14.640
<v Speaker 1>these are things that stick in the brain and close

0:29:14.720 --> 0:29:18.400
<v Speaker 1>of consonants. These are really important in advertising too, because

0:29:18.440 --> 0:29:21.840
<v Speaker 1>these plosive you can already hear plose of consonants cause

0:29:21.920 --> 0:29:25.240
<v Speaker 1>the airflow to stop during pronunciation because there's an inclusion

0:29:25.240 --> 0:29:27.480
<v Speaker 1>in the mouth, So we're talking about the glottis in

0:29:27.520 --> 0:29:29.960
<v Speaker 1>the back of the throat or the tongue, and what

0:29:30.080 --> 0:29:33.480
<v Speaker 1>happens is that the pressure of that air builds up

0:29:33.520 --> 0:29:37.600
<v Speaker 1>against whatever it is that's including the airway, and then

0:29:37.600 --> 0:29:40.520
<v Speaker 1>when it's releases that the air is allowed to pass,

0:29:41.080 --> 0:29:45.240
<v Speaker 1>you get a more forceful sound. So okay, so if

0:29:45.280 --> 0:29:49.040
<v Speaker 1>it's a more forceful sound, is it a more memorable sound? Well, yeah,

0:29:49.040 --> 0:29:51.280
<v Speaker 1>because you're giving a little bit more emphasis to it.

0:29:51.480 --> 0:29:54.800
<v Speaker 1>So if I'm you know, close up B or hard

0:29:54.880 --> 0:29:58.800
<v Speaker 1>see like or A D A G K A p

0:29:58.920 --> 0:30:03.600
<v Speaker 1>R T, there's it's just more powerful powerful, right, No, definitely,

0:30:03.920 --> 0:30:08.640
<v Speaker 1>which leads this idea that some words, when they are said,

0:30:09.040 --> 0:30:13.200
<v Speaker 1>are going to have you want to say impactful again,

0:30:13.400 --> 0:30:15.520
<v Speaker 1>I was going to say more of an emotional impact.

0:30:15.720 --> 0:30:17.440
<v Speaker 1>I really was. I wasn't going to do that to

0:30:17.440 --> 0:30:19.560
<v Speaker 1>your third time. You're you're kind enough to come on

0:30:19.760 --> 0:30:24.080
<v Speaker 1>and hang out with me. So but this kind of

0:30:24.120 --> 0:30:26.960
<v Speaker 1>gets this idea of there might be the word that

0:30:26.960 --> 0:30:29.600
<v Speaker 1>that you really really dislike, that that could be one

0:30:29.640 --> 0:30:32.240
<v Speaker 1>of the reasons why you dislike it besides the cultural

0:30:33.120 --> 0:30:35.440
<v Speaker 1>connotation that it has, And I don't know if you're

0:30:35.440 --> 0:30:37.520
<v Speaker 1>ready to talk about it or if you want to,

0:30:37.760 --> 0:30:40.920
<v Speaker 1>So it's worth pointing out that there's no surprise then

0:30:40.960 --> 0:30:43.520
<v Speaker 1>why moist kind of reigns supreme because it has the

0:30:43.520 --> 0:30:46.000
<v Speaker 1>connotation for a lot of people, a lot of I

0:30:46.040 --> 0:30:48.320
<v Speaker 1>think women in particular, I would be curious to hear

0:30:48.400 --> 0:30:53.760
<v Speaker 1>from men if they have the moist word a version. Um.

0:30:54.000 --> 0:30:56.600
<v Speaker 1>So it has the connotation like we talked about, and

0:30:56.640 --> 0:31:00.720
<v Speaker 1>it also has that that always sound that we don't

0:31:00.760 --> 0:31:04.479
<v Speaker 1>really like to say apparently, although I still maintain that

0:31:04.520 --> 0:31:09.960
<v Speaker 1>goiter is awesome. It goiter is awesome. But when when

0:31:09.960 --> 0:31:11.800
<v Speaker 1>we talk about closives, and I'm not going to make

0:31:11.800 --> 0:31:13.520
<v Speaker 1>you say your word, by the way, because it's not

0:31:13.560 --> 0:31:15.000
<v Speaker 1>a good word, and I see that you don't want

0:31:15.000 --> 0:31:17.040
<v Speaker 1>to say this word, So I'm going to say another

0:31:17.080 --> 0:31:19.640
<v Speaker 1>word that is a forceful word, and I'm going to

0:31:19.680 --> 0:31:22.360
<v Speaker 1>say it in the context of that movie Dick Tracy.

0:31:22.640 --> 0:31:24.960
<v Speaker 1>There are some words that you can just lob around

0:31:25.280 --> 0:31:27.600
<v Speaker 1>and they are going to have more of an impact.

0:31:28.360 --> 0:31:30.719
<v Speaker 1>I can do this, Julie, I don't have to. This

0:31:30.760 --> 0:31:33.400
<v Speaker 1>is an awful word. My my word a version is

0:31:34.000 --> 0:31:37.800
<v Speaker 1>to the word that the C word um for women.

0:31:38.600 --> 0:31:40.120
<v Speaker 1>It's hard for me to even say. It's hard for

0:31:40.120 --> 0:31:41.920
<v Speaker 1>me to talk about. This is the only connection I

0:31:41.960 --> 0:31:43.560
<v Speaker 1>have to word a version. I can type all day,

0:31:43.600 --> 0:31:45.360
<v Speaker 1>I can type all sorts of things, I can type

0:31:45.720 --> 0:31:48.160
<v Speaker 1>weird stuff, I can type impactful over and over and

0:31:48.240 --> 0:31:51.240
<v Speaker 1>not have any reaction. But the C word, for me,

0:31:52.120 --> 0:31:54.520
<v Speaker 1>it's just it's just one of those words. It's it's

0:31:54.560 --> 0:31:56.400
<v Speaker 1>the only word for me that that I have that

0:31:56.520 --> 0:31:59.280
<v Speaker 1>reaction to. Yeah, and again this is you've got so

0:31:59.320 --> 0:32:01.240
<v Speaker 1>many mean Actually, if you went through the list, you

0:32:01.280 --> 0:32:03.240
<v Speaker 1>could just take off everything right. You could say it's

0:32:03.240 --> 0:32:08.080
<v Speaker 1>got the closeft consonance two of them, right, and um,

0:32:08.120 --> 0:32:12.720
<v Speaker 1>it's got the cultural associations and it's just mean spirited.

0:32:13.040 --> 0:32:15.760
<v Speaker 1>So when you lab it at someone, it's got a

0:32:15.760 --> 0:32:19.120
<v Speaker 1>lot more force than another word. It's worth noting, though,

0:32:19.160 --> 0:32:25.160
<v Speaker 1>that people have attempted to reclaim the word, as I

0:32:25.160 --> 0:32:27.120
<v Speaker 1>don't know whether they would be successful. I think there

0:32:27.160 --> 0:32:29.480
<v Speaker 1>are a lot of people like me out there or

0:32:29.640 --> 0:32:32.520
<v Speaker 1>have this crazy relationship and just a really averse to it.

0:32:32.600 --> 0:32:37.720
<v Speaker 1>But I admire the attempt to reclaim Yeah, I do too,

0:32:37.760 --> 0:32:39.280
<v Speaker 1>and I understand you that in other parts of the

0:32:39.320 --> 0:32:42.720
<v Speaker 1>world that it's not a big deal. In Australia, yeah,

0:32:42.760 --> 0:32:45.680
<v Speaker 1>I think it's in Australia, maybe in Britain to you guys,

0:32:45.760 --> 0:32:47.320
<v Speaker 1>let me know out there, but it's sort of thrown

0:32:47.320 --> 0:32:50.160
<v Speaker 1>around is in a more playful sense. But I think

0:32:50.240 --> 0:32:53.520
<v Speaker 1>for for you and obviously women in the United States,

0:32:53.520 --> 0:32:55.239
<v Speaker 1>it's one of those things. It's like taken out at

0:32:55.240 --> 0:32:59.720
<v Speaker 1>a K forty seven, Julie, Yes, Aliston, have you run

0:32:59.720 --> 0:33:07.120
<v Speaker 1>out of creamy? Oh, moist, the putrid, oh, crepuscular? Word

0:33:07.120 --> 0:33:10.040
<v Speaker 1>diverse topics for today? I think we have we have.

0:33:10.160 --> 0:33:12.719
<v Speaker 1>The only thing I wanted to mention is that not

0:33:12.840 --> 0:33:15.720
<v Speaker 1>only you know, is it gonna differ from language the

0:33:15.800 --> 0:33:20.320
<v Speaker 1>language what words are are word diversive, word attractive, but

0:33:20.480 --> 0:33:24.040
<v Speaker 1>also tonal aspects of it. You didn't get to the

0:33:24.040 --> 0:33:27.000
<v Speaker 1>tonal language. Yeah, so if you're speaking in Vietnamese, one

0:33:27.040 --> 0:33:29.840
<v Speaker 1>word could mean five different things depending on the way

0:33:29.880 --> 0:33:32.280
<v Speaker 1>that you pronounce that word, which then brings up this

0:33:32.320 --> 0:33:35.840
<v Speaker 1>whole idea of the musicality of language and how it

0:33:35.880 --> 0:33:38.760
<v Speaker 1>affects emotion and how we process. But I think for

0:33:38.760 --> 0:33:40.840
<v Speaker 1>the time being, I think it's worth saying that it's

0:33:40.960 --> 0:33:44.120
<v Speaker 1>we can all agree that words have emotion, and then

0:33:44.160 --> 0:33:46.440
<v Speaker 1>our brains are processing it in a certain way and

0:33:46.480 --> 0:33:49.760
<v Speaker 1>everything is pretty much codified. So you take a word

0:33:49.840 --> 0:33:52.480
<v Speaker 1>like moist and you start to tease it apart, and

0:33:52.560 --> 0:33:55.560
<v Speaker 1>you see that it means a lot of different things

0:33:55.720 --> 0:33:58.040
<v Speaker 1>to a lot of different people, and then maybe nothing

0:33:58.080 --> 0:34:01.760
<v Speaker 1>to some people. It's pretty fascinating stuff. And gelogists I

0:34:01.800 --> 0:34:04.960
<v Speaker 1>would love more talking about the soil, but they're used

0:34:04.960 --> 0:34:06.840
<v Speaker 1>to it because they're dealing what they're dealing with soil.

0:34:07.160 --> 0:34:09.840
<v Speaker 1>They're dealing with moist soil, so they're dealing with that

0:34:10.160 --> 0:34:12.840
<v Speaker 1>bong all day. They probably are like, what's what's up

0:34:12.880 --> 0:34:14.480
<v Speaker 1>with moist? I love it. I'm also only going to

0:34:14.560 --> 0:34:17.319
<v Speaker 1>describe this. We're taking something valuable away from me when

0:34:17.360 --> 0:34:19.560
<v Speaker 1>you say that we should take moist away from the

0:34:19.600 --> 0:34:23.439
<v Speaker 1>English language. So do you have your sentence of word

0:34:23.440 --> 0:34:26.120
<v Speaker 1>a version or did you already laid on me? I

0:34:26.239 --> 0:34:29.560
<v Speaker 1>may have laid it on you with that putrid, crepuscular

0:34:29.560 --> 0:34:32.600
<v Speaker 1>business that we were just discussing. Okay, so here's what

0:34:32.719 --> 0:34:36.400
<v Speaker 1>I got, here's mine. When the slack wearing, squab loving

0:34:36.400 --> 0:34:39.799
<v Speaker 1>man thrust his pinky into his moist, naval and extracted

0:34:39.880 --> 0:34:44.439
<v Speaker 1>and impressive amount of crud. He was inspired to create

0:34:44.480 --> 0:34:47.440
<v Speaker 1>a new design for bandage, featuring a cornucopia of scaps

0:34:47.520 --> 0:34:52.040
<v Speaker 1>the color of fudge. Wells a Julie, well done, Thank you,

0:34:52.200 --> 0:34:55.200
<v Speaker 1>thank you. Sorry. If it kind of freaked everybody out

0:34:55.239 --> 0:34:59.560
<v Speaker 1>or anybody out, I think we should probably leave it there. Okay,

0:34:59.680 --> 0:35:03.040
<v Speaker 1>we'll do yeah, all right. Let us know you guys,

0:35:03.520 --> 0:35:06.360
<v Speaker 1>do you have word of versions? Do you have a

0:35:06.400 --> 0:35:09.239
<v Speaker 1>sentence of word of versions you'd like to share with us? Oh,

0:35:09.239 --> 0:35:11.120
<v Speaker 1>we'd love to hear them. We would really really love

0:35:11.160 --> 0:35:14.040
<v Speaker 1>to hear them. And you know, do you have any

0:35:14.040 --> 0:35:17.359
<v Speaker 1>thoughts on how we overlay words with intended or unintended

0:35:17.400 --> 0:35:20.719
<v Speaker 1>meaning based on our experiences in the world, And did

0:35:20.760 --> 0:35:23.520
<v Speaker 1>we leave anything out? Surely we did. Let us know

0:35:23.600 --> 0:35:26.480
<v Speaker 1>on Facebook, Twitter, or you can send us a handcrafted

0:35:26.520 --> 0:35:30.280
<v Speaker 1>email at blow the Mind at Discovery dot com. Allison,

0:35:30.600 --> 0:35:34.279
<v Speaker 1>thank you for counterbalancing my my flemmy tones today with

0:35:34.320 --> 0:35:37.600
<v Speaker 1>your dulcet ones and hanging out with us. Julia, is

0:35:37.640 --> 0:35:44.960
<v Speaker 1>a pleasure to be here. Oh dude. For more on

0:35:45.000 --> 0:35:47.440
<v Speaker 1>this and thousands of other topics, Is that how Stuff

0:35:47.440 --> 0:35:53.960
<v Speaker 1>Works dot Com