1
00:00:05,760 --> 00:00:09,400
Speaker 1: Still the Place with Laura Layton, Courtney Thorn Smith.

2
00:00:09,440 --> 00:00:12,480
Speaker 2: And Daphne's Aniga and iHeartRadio podcast.

3
00:00:14,080 --> 00:00:16,680
Speaker 1: Hey everybody, welcome back. It's just still the Place. It's

4
00:00:16,720 --> 00:00:17,920
Speaker 1: so good to see you guys.

5
00:00:17,800 --> 00:00:18,599
Speaker 3: So great to see you.

6
00:00:18,680 --> 00:00:19,360
Speaker 4: Always see you.

7
00:00:20,079 --> 00:00:21,960
Speaker 1: I had a very exciting day yesterday. Do I know

8
00:00:22,000 --> 00:00:22,919
Speaker 1: what happened to me yesterday?

9
00:00:23,000 --> 00:00:23,600
Speaker 4: Absolutely?

10
00:00:24,000 --> 00:00:27,320
Speaker 1: So. I had my normal day and I exercised and

11
00:00:27,320 --> 00:00:29,040
Speaker 1: then I like to have a bath, so I turned

12
00:00:29,040 --> 00:00:31,000
Speaker 1: my bath on and then I go down and I

13
00:00:31,040 --> 00:00:33,760
Speaker 1: went downstairs for a sec and I opened my fridge

14
00:00:33,760 --> 00:00:35,760
Speaker 1: and realized I didn't have cottage cheese. And I'm obsessed

15
00:00:35,760 --> 00:00:37,800
Speaker 1: with cottage cheese and berries right now. So what do

16
00:00:37,800 --> 00:00:40,400
Speaker 1: I do. I go to the store and I do

17
00:00:40,520 --> 00:00:42,800
Speaker 1: my shopping. I'm wandering, I'm checking out, and I went,

18
00:00:43,720 --> 00:00:45,040
Speaker 1: I think my bath is running.

19
00:00:45,200 --> 00:00:48,120
Speaker 4: Oh dear, no, I just know.

20
00:00:48,960 --> 00:00:51,199
Speaker 1: And Laura just had flooding, and I was thinking, oh

21
00:00:51,240 --> 00:00:52,879
Speaker 1: my god. Laura just said flooding. Well, I know who

22
00:00:52,960 --> 00:00:56,400
Speaker 1: to call for a flooding guy, and I raised home.

23
00:00:57,240 --> 00:00:59,720
Speaker 1: I went, well, you don't want to be dangerous. But luckily,

24
00:00:59,760 --> 00:01:01,520
Speaker 1: I said a store very close to my husband. I'm

25
00:01:01,560 --> 00:01:04,800
Speaker 1: going home and I'm thinking towels. Towels, run, run run.

26
00:01:05,319 --> 00:01:07,039
Speaker 1: I raised in it are race up stairs, and the

27
00:01:07,160 --> 00:01:09,200
Speaker 1: drain on my tub had kept it so it was

28
00:01:09,240 --> 00:01:12,399
Speaker 1: a very close store and it did not flood. But

29
00:01:12,440 --> 00:01:14,440
Speaker 1: I literally had that thing where it. I was like,

30
00:01:15,480 --> 00:01:17,080
Speaker 1: I think I turned the tub on, and it was

31
00:01:17,160 --> 00:01:19,720
Speaker 1: just that total mind fart of opening a fridge. I

32
00:01:19,760 --> 00:01:22,520
Speaker 1: need cottage cheese right to my car. Girl like, oh,

33
00:01:23,840 --> 00:01:24,360
Speaker 1: I call.

34
00:01:24,280 --> 00:01:27,800
Speaker 2: That middle age brain, by the way, Well, they were, well, yeah,

35
00:01:27,880 --> 00:01:30,960
Speaker 2: because you'll have a thought and then you'll you can

36
00:01:31,000 --> 00:01:33,200
Speaker 2: either go act on it, which is a total possibility

37
00:01:33,200 --> 00:01:35,399
Speaker 2: apparently in middle age, Like just go act on it,

38
00:01:35,640 --> 00:01:37,720
Speaker 2: and then you'll have another thought at the end of

39
00:01:37,720 --> 00:01:39,480
Speaker 2: that first thought, and then you're like, well should I

40
00:01:39,480 --> 00:01:41,200
Speaker 2: act on that one note? That's just a thought. I

41
00:01:41,240 --> 00:01:43,080
Speaker 2: don't have to, And before you know it, like the

42
00:01:43,160 --> 00:01:45,600
Speaker 2: one task you want to get done that morning hasn't

43
00:01:45,600 --> 00:01:46,039
Speaker 2: been done.

44
00:01:46,240 --> 00:01:47,080
Speaker 4: No, that's but you.

45
00:01:47,080 --> 00:01:50,360
Speaker 1: Normally because I've done this before. I set my watch.

46
00:01:50,400 --> 00:01:52,280
Speaker 1: I started it when Jack was little. I always set

47
00:01:52,280 --> 00:01:53,880
Speaker 1: as bath and I would get caught up and doing

48
00:01:53,920 --> 00:01:55,560
Speaker 1: little kid things. So I set it for ten minutes

49
00:01:55,560 --> 00:01:57,520
Speaker 1: because that's all it takes. And I didn't say I

50
00:01:57,520 --> 00:01:59,640
Speaker 1: thought I certainly don't need to because I'm just going

51
00:01:59,640 --> 00:02:01,040
Speaker 1: down to the fridge for a sec.

52
00:02:01,240 --> 00:02:03,160
Speaker 3: So until the storm happened.

53
00:02:03,200 --> 00:02:06,120
Speaker 1: If I have middle aged brain, that leads it's luckily

54
00:02:06,120 --> 00:02:07,280
Speaker 1: I didn't go to the store and go you know

55
00:02:07,280 --> 00:02:09,000
Speaker 1: what I need? I need to go to the hardware store,

56
00:02:09,040 --> 00:02:11,280
Speaker 1: and then it would have been drill.

57
00:02:11,160 --> 00:02:13,919
Speaker 3: And then I'm going to a century city that drain

58
00:02:14,000 --> 00:02:16,120
Speaker 3: could only have worked for so long. I'm glad to

59
00:02:16,120 --> 00:02:19,399
Speaker 3: hear that the overflows. It's good to know you put

60
00:02:19,400 --> 00:02:19,920
Speaker 3: it to the test.

61
00:02:20,040 --> 00:02:22,600
Speaker 1: And I hate that I wasted any water. Feel terrible

62
00:02:22,600 --> 00:02:24,919
Speaker 1: at wasting water. But I'm so relieved that it wasn't

63
00:02:25,000 --> 00:02:27,480
Speaker 1: all over my floor because I literally I thought about Laura.

64
00:02:27,960 --> 00:02:32,480
Speaker 3: That would have been a very different story. Yes, I know, blood.

65
00:02:32,240 --> 00:02:35,440
Speaker 1: Disaster, especially because you were saying during construction you might

66
00:02:35,520 --> 00:02:37,720
Speaker 1: need to come to my house to film the podcast.

67
00:02:37,760 --> 00:02:40,239
Speaker 1: And then what if my house was also getting flood

68
00:02:40,280 --> 00:02:42,200
Speaker 1: work done? No, what's gonna happen.

69
00:02:43,960 --> 00:02:46,480
Speaker 2: I guess we're going to move in here in the studio.

70
00:02:47,880 --> 00:02:48,680
Speaker 4: It's safer.

71
00:02:48,800 --> 00:02:49,000
Speaker 5: You know.

72
00:02:49,200 --> 00:02:53,760
Speaker 3: The rubber walls were padded. Yeah, we need padded.

73
00:02:53,840 --> 00:02:53,960
Speaker 2: Well.

74
00:02:54,000 --> 00:02:56,120
Speaker 3: It's always so fun to see you and Courtney. I

75
00:02:56,160 --> 00:02:57,640
Speaker 3: see you in another adorable dress.

76
00:02:57,960 --> 00:03:00,639
Speaker 1: I am this is a bell by a least, which

77
00:03:00,680 --> 00:03:02,760
Speaker 1: I was going to wear something else today, but then

78
00:03:02,919 --> 00:03:06,200
Speaker 1: this called out to me, so yeah, yeah, I love it.

79
00:03:06,240 --> 00:03:07,640
Speaker 3: If it works, change it popular.

80
00:03:07,800 --> 00:03:09,639
Speaker 1: We were talking about coordinating. It was like, well, I'm

81
00:03:09,639 --> 00:03:12,680
Speaker 1: always in blue occasionally pink, so that's easy. You know

82
00:03:12,840 --> 00:03:15,120
Speaker 1: this corn was going to be yep, you match the

83
00:03:15,120 --> 00:03:20,360
Speaker 1: pillows I do today. Yep, that's nice.

84
00:03:21,120 --> 00:03:25,480
Speaker 3: It's been so fun reading the comments that we're getting

85
00:03:26,080 --> 00:03:29,799
Speaker 3: people responding to our recaps and our guests, and it's

86
00:03:29,840 --> 00:03:32,120
Speaker 3: been so fun to read those. We want to continue

87
00:03:32,160 --> 00:03:36,160
Speaker 3: to encourage people to interact with us on our socials.

88
00:03:36,360 --> 00:03:38,360
Speaker 3: It's been really fun for us to have that sort

89
00:03:38,360 --> 00:03:41,440
Speaker 3: of interaction here. Everybody's reactions and stories may.

90
00:03:41,360 --> 00:03:45,360
Speaker 2: Add if they go to still the place the Instagram

91
00:03:45,440 --> 00:03:49,280
Speaker 2: and DM them or go to the comments there, then.

92
00:03:49,240 --> 00:03:51,680
Speaker 4: For sure Still our producer will see them there.

93
00:03:52,240 --> 00:03:52,480
Speaker 1: Yeah.

94
00:03:52,520 --> 00:03:56,680
Speaker 2: I've been loving the questions and the comments, and yeah,

95
00:03:56,720 --> 00:03:57,320
Speaker 2: it's really great.

96
00:03:57,360 --> 00:03:59,360
Speaker 4: We had to know that it's really reaching people.

97
00:03:59,480 --> 00:03:59,880
Speaker 2: Is fun.

98
00:04:00,080 --> 00:04:05,320
Speaker 3: Somebody in our DMS recently reminded us that after the

99
00:04:05,400 --> 00:04:09,120
Speaker 3: show ended, after all of the seasons ended, there was

100
00:04:09,160 --> 00:04:12,200
Speaker 3: a way that you could get a vile of the

101
00:04:12,280 --> 00:04:16,279
Speaker 3: swimming pool water as a keepsake. I saw that somebody

102
00:04:16,360 --> 00:04:18,200
Speaker 3: reminded us of that in the DMS. Is something I

103
00:04:18,240 --> 00:04:20,440
Speaker 3: never would have remembered if we weren't being reminded from

104
00:04:20,480 --> 00:04:20,880
Speaker 3: our fans.

105
00:04:21,080 --> 00:04:25,120
Speaker 1: I know, why don't we have that? I wasn't given

106
00:04:25,160 --> 00:04:27,400
Speaker 1: the opportunity for some pool water, but maybe we can

107
00:04:27,440 --> 00:04:28,679
Speaker 1: buy it on eBay fans.

108
00:04:28,760 --> 00:04:31,560
Speaker 3: Yeah, pool water. I thought that was very funny. Anyway,

109
00:04:31,720 --> 00:04:33,440
Speaker 3: we wouldn't know if you didn't tell us, So please

110
00:04:33,520 --> 00:04:34,039
Speaker 3: keep them coming.

111
00:04:34,120 --> 00:04:35,400
Speaker 4: Yeah, let us be telling stuff.

112
00:04:35,960 --> 00:04:41,440
Speaker 3: But so yeah, we're here for episode five of melrose Place,

113
00:04:41,680 --> 00:04:45,720
Speaker 3: which is titled Leap of Faith. It's season one, episode five.

114
00:04:45,760 --> 00:04:48,479
Speaker 3: It aired August fifth, nineteen ninety two. This one was

115
00:04:48,520 --> 00:04:50,760
Speaker 3: directed by Bethany Rooney.

116
00:04:51,040 --> 00:04:52,560
Speaker 4: Which I may want to jump in.

117
00:04:52,720 --> 00:04:53,400
Speaker 1: She's amazing.

118
00:04:53,600 --> 00:04:55,880
Speaker 4: She's amazing. She's a very prolific director.

119
00:04:56,000 --> 00:04:58,719
Speaker 2: And she wrote a book called Directors Tell the Story

120
00:04:58,760 --> 00:05:03,440
Speaker 2: that I read and when I was shadowing to direct

121
00:05:03,680 --> 00:05:06,600
Speaker 2: my first film, which I did for Lifetime, and her

122
00:05:06,680 --> 00:05:10,120
Speaker 2: book was like the only thing out there, Directors Tell

123
00:05:10,160 --> 00:05:10,640
Speaker 2: the Story.

124
00:05:10,720 --> 00:05:11,960
Speaker 4: You might want to read it.

125
00:05:11,960 --> 00:05:16,880
Speaker 2: It's it's amazing, like everything from locations to on set

126
00:05:17,040 --> 00:05:20,040
Speaker 2: to shots, just the how to. She breaks it all down.

127
00:05:20,080 --> 00:05:21,800
Speaker 2: And I just wrote her an email and just said,

128
00:05:21,839 --> 00:05:23,359
Speaker 2: I just want to thank you. I loved working with

129
00:05:23,400 --> 00:05:26,240
Speaker 2: you on Meloy's Place. But this Bible, it's a bible.

130
00:05:26,400 --> 00:05:29,120
Speaker 1: That's great that I remember her directing, and I think

131
00:05:29,120 --> 00:05:30,919
Speaker 1: she was our first female director. She must have been,

132
00:05:30,920 --> 00:05:32,560
Speaker 1: and it was really rare then. I mean it's a

133
00:05:32,600 --> 00:05:35,080
Speaker 1: lot more common now, but it's very rare. And I

134
00:05:35,160 --> 00:05:39,039
Speaker 1: remember she the men would question her, like the crew guys.

135
00:05:39,040 --> 00:05:40,520
Speaker 1: We had a lovely crew, but it was a sign

136
00:05:40,600 --> 00:05:42,440
Speaker 1: of the times, right. It was a more sexist time,

137
00:05:42,839 --> 00:05:44,680
Speaker 1: and she would say something. They'd say, are you sure,

138
00:05:44,800 --> 00:05:47,520
Speaker 1: and she would just very calmly say yes, I am

139
00:05:48,040 --> 00:05:51,200
Speaker 1: very direct, very calm, and I was like, wow, she

140
00:05:51,400 --> 00:05:53,919
Speaker 1: just held her She didn't get defensive, she didn't. She

141
00:05:54,120 --> 00:05:56,479
Speaker 1: just stayed very She was so clear. And I don't

142
00:05:56,480 --> 00:05:58,080
Speaker 1: even know if you weren't there yet, but she had

143
00:05:58,279 --> 00:06:01,719
Speaker 1: shorter days. She knew exactly what she wanted. She was

144
00:06:01,920 --> 00:06:05,080
Speaker 1: very clear, very calm. Her direction was clear and calm.

145
00:06:05,480 --> 00:06:07,920
Speaker 1: I remember feeling so safe when she was there. So

146
00:06:07,960 --> 00:06:10,040
Speaker 1: I love that she wrote a book. I will read that.

147
00:06:10,120 --> 00:06:11,040
Speaker 1: I really admire her.

148
00:06:11,160 --> 00:06:14,240
Speaker 3: She is very she is all of those things you describe.

149
00:06:14,440 --> 00:06:16,760
Speaker 3: She will continue to come back to Melrose. I think

150
00:06:16,800 --> 00:06:20,680
Speaker 3: she does at least five Melrose Yes Place episodes. But

151
00:06:20,760 --> 00:06:24,039
Speaker 3: then I also worked with her on Pretty Liars. She

152
00:06:24,200 --> 00:06:27,280
Speaker 3: did Desperate Housewives with Doug and Marcia, so she did.

153
00:06:28,240 --> 00:06:28,480
Speaker 2: Yeah.

154
00:06:28,560 --> 00:06:31,080
Speaker 3: It's been so nice to see her be so successful,

155
00:06:31,080 --> 00:06:32,920
Speaker 3: and she's a terrific director. I would love to work

156
00:06:32,920 --> 00:06:33,960
Speaker 3: with her anytime, and a.

157
00:06:33,920 --> 00:06:36,279
Speaker 1: Really great example of how women at that time had

158
00:06:36,279 --> 00:06:39,080
Speaker 1: to be better than anybody. And she was so clear

159
00:06:39,160 --> 00:06:40,839
Speaker 1: and so on top of it. And I just remember

160
00:06:40,880 --> 00:06:45,240
Speaker 1: her being unflappable and watching her not react and not

161
00:06:45,560 --> 00:06:47,599
Speaker 1: are you sure? Are you sure? And she's yes, I

162
00:06:47,640 --> 00:06:50,000
Speaker 1: am yes, iow solid as a rock.

163
00:06:50,040 --> 00:06:50,440
Speaker 3: That's amazing.

164
00:06:50,480 --> 00:06:51,120
Speaker 4: She wrote the book.

165
00:06:51,120 --> 00:06:53,719
Speaker 2: She could I could throw the book at you.

166
00:06:54,120 --> 00:06:55,800
Speaker 1: I will read that, I am.

167
00:06:56,720 --> 00:06:57,640
Speaker 3: That is so cool.

168
00:06:57,839 --> 00:06:58,839
Speaker 4: It's interesting.

169
00:06:58,920 --> 00:07:02,119
Speaker 3: So this episode was of course created by Darren Starr,

170
00:07:02,160 --> 00:07:04,880
Speaker 3: written by Darren Starr and Ellen Herman. I am going

171
00:07:04,920 --> 00:07:06,360
Speaker 3: to be using my glasses again today.

172
00:07:07,760 --> 00:07:11,000
Speaker 1: Yeahs up, they are people.

173
00:07:11,200 --> 00:07:17,240
Speaker 3: We are ready for our recap and episode five. We

174
00:07:17,280 --> 00:07:20,080
Speaker 3: begin in the courtyard where all of the apartment residents

175
00:07:20,120 --> 00:07:24,200
Speaker 3: are dancing in various styles. I will point out. They're

176
00:07:24,240 --> 00:07:26,880
Speaker 3: hanging out by the pool and everyone's dancing. There's some

177
00:07:26,920 --> 00:07:30,040
Speaker 3: sort of fun party happening. And the next thing we know,

178
00:07:30,560 --> 00:07:33,840
Speaker 3: they're throwing Billy in the pool, fully clothed, and we

179
00:07:33,960 --> 00:07:35,760
Speaker 3: realize that the reason they've thrown him in the pool

180
00:07:35,880 --> 00:07:39,280
Speaker 3: is to celebrate a job he's recently landing. He's going

181
00:07:39,320 --> 00:07:42,960
Speaker 3: to be He's got a new column in a local

182
00:07:43,040 --> 00:07:44,920
Speaker 3: sort of he describes it as a rag, like a

183
00:07:44,960 --> 00:07:47,440
Speaker 3: throwaway newspaper, but it's a column. Nonetheless, he's going to

184
00:07:47,480 --> 00:07:51,960
Speaker 3: have a writing job. Everybody's congratulating him, and he says

185
00:07:52,160 --> 00:07:55,880
Speaker 3: he's going to write about himself and adventures, and Jake

186
00:07:55,920 --> 00:07:57,840
Speaker 3: sort of doubts that he might have adventures at all.

187
00:07:57,920 --> 00:08:00,480
Speaker 1: And I turned this on and I was just like, oh,

188
00:08:00,520 --> 00:08:03,920
Speaker 1: look at us dancing like eager young people. First of all,

189
00:08:04,000 --> 00:08:06,440
Speaker 1: that anybody thinks this is what people do by the

190
00:08:06,480 --> 00:08:08,760
Speaker 1: pool on a day. They start doing the hustle, like

191
00:08:08,800 --> 00:08:12,440
Speaker 1: we were doing some sort of organized dance. Doug and

192
00:08:12,440 --> 00:08:13,320
Speaker 1: I were doing like.

193
00:08:14,960 --> 00:08:18,360
Speaker 2: Jake and Sandy. We're doing like the two step, like

194
00:08:18,440 --> 00:08:19,600
Speaker 2: some Western swing.

195
00:08:20,000 --> 00:08:22,920
Speaker 3: There's, you know, Jake and Sandy off doing their own private,

196
00:08:22,920 --> 00:08:26,520
Speaker 3: little dirty dancing moment. Yes, Yeah, there was a whole

197
00:08:26,520 --> 00:08:27,920
Speaker 3: There was a variety of dance tips.

198
00:08:27,960 --> 00:08:29,880
Speaker 1: It was very funny. I was thinking, Wow, we were

199
00:08:29,960 --> 00:08:32,560
Speaker 1: really eager to please them. That would not have flown

200
00:08:32,640 --> 00:08:34,760
Speaker 1: in a later season, would have been like, no, we're

201
00:08:34,760 --> 00:08:36,400
Speaker 1: not we're not dancing. That is ridiculous.

202
00:08:36,520 --> 00:08:37,720
Speaker 4: Early you remember how.

203
00:08:37,559 --> 00:08:40,679
Speaker 2: Many times because you guys threw Billy in with all

204
00:08:40,679 --> 00:08:43,319
Speaker 2: of his clothes on, which is, as we know, a huge.

205
00:08:44,120 --> 00:08:46,280
Speaker 3: Reset if you don't get it right the first time.

206
00:08:46,520 --> 00:08:47,040
Speaker 4: Do you remember?

207
00:08:47,120 --> 00:08:49,440
Speaker 1: By Tim, I'm so sure we did it like you,

208
00:08:49,559 --> 00:08:51,800
Speaker 1: Laura was talking about the wedding dress scene. I'm sure

209
00:08:51,800 --> 00:08:53,800
Speaker 1: we did it up until the moment of throwing him

210
00:08:53,800 --> 00:08:56,560
Speaker 1: in up you, until we knew that we had it.

211
00:08:56,679 --> 00:08:58,280
Speaker 4: Yeah, I mean, I'm sure they had to have doubles

212
00:08:58,280 --> 00:08:59,800
Speaker 4: of wardrobe. But still it would take.

213
00:08:59,640 --> 00:09:01,320
Speaker 3: A long and it was like the second half of

214
00:09:01,320 --> 00:09:04,040
Speaker 3: the scene. He was already wet, and then there's one

215
00:09:04,040 --> 00:09:06,880
Speaker 3: more thing and Jake just does another little one, like

216
00:09:07,120 --> 00:09:09,840
Speaker 3: not even pushing back in so he couldn't start out with.

217
00:09:10,000 --> 00:09:13,120
Speaker 1: When Andrew walked in, I remember thinking those are weird, huge,

218
00:09:13,160 --> 00:09:15,240
Speaker 1: weird pants, Like he said, what do we have four

219
00:09:15,280 --> 00:09:18,800
Speaker 1: of Let's take these pants. You're back in style like

220
00:09:18,840 --> 00:09:21,080
Speaker 1: that's ww my son's pants are like he gets some

221
00:09:21,120 --> 00:09:23,240
Speaker 1: three sizes too big. That's what that's what the kids

222
00:09:23,280 --> 00:09:25,880
Speaker 1: are doing now, Daphne. Okay, but at the time it

223
00:09:25,920 --> 00:09:27,760
Speaker 1: looked so out of characters, like, oh, that's why they

224
00:09:27,800 --> 00:09:30,640
Speaker 1: needed something. They had several of Yeah, funny.

225
00:09:30,800 --> 00:09:33,840
Speaker 3: Well, then we have Michael enter the scene and he's

226
00:09:33,840 --> 00:09:36,760
Speaker 3: a static bought something and then they end up shoving

227
00:09:36,800 --> 00:09:39,079
Speaker 3: him into the pool too. When he's celebrating his good

228
00:09:39,160 --> 00:09:40,040
Speaker 3: day and.

229
00:09:40,280 --> 00:09:41,880
Speaker 4: He's excatic because he saved the life.

230
00:09:41,880 --> 00:09:46,680
Speaker 3: He saved life, and he was weird.

231
00:09:46,600 --> 00:09:48,600
Speaker 1: Like it must have been before hippo because we're like, oh,

232
00:09:48,640 --> 00:09:50,640
Speaker 1: the one who did the one like he's apparely coming

233
00:09:50,679 --> 00:09:53,280
Speaker 1: home but exactly.

234
00:09:53,000 --> 00:10:02,000
Speaker 3: What the patient had, Yeah she lived. How nice interesting

235
00:10:02,040 --> 00:10:04,480
Speaker 3: way of celebrating. So then we cut to Michael and

236
00:10:04,559 --> 00:10:08,560
Speaker 3: Jane's apartment and Michael is talking about, uh, he's just

237
00:10:08,960 --> 00:10:12,440
Speaker 3: like monologuing about oddly chipper.

238
00:10:12,480 --> 00:10:15,000
Speaker 1: Michael's oddly chipper in this episode.

239
00:10:14,640 --> 00:10:17,280
Speaker 3: Just on about you somebody all of a sudden and

240
00:10:17,480 --> 00:10:19,680
Speaker 3: we see that on the other side of the bathroom door,

241
00:10:19,880 --> 00:10:23,640
Speaker 3: Jane is inside the bathroom opening up a pregnancy test,

242
00:10:23,720 --> 00:10:25,840
Speaker 3: so we realize she's concerned about that.

243
00:10:26,200 --> 00:10:29,280
Speaker 1: And did you also notice how different the pregnancy test looked. Yes,

244
00:10:29,679 --> 00:10:33,240
Speaker 1: the nineties really recognized how a pregnancy test in the nineties.

245
00:10:33,360 --> 00:10:35,360
Speaker 1: It was like a little pot. Maybe they made it

246
00:10:35,400 --> 00:10:38,080
Speaker 1: bigger so that the we could see it. I think

247
00:10:38,120 --> 00:10:41,880
Speaker 1: a little proll of pink. Yeah, maybe maybe they did

248
00:10:41,880 --> 00:10:43,640
Speaker 1: that so everyone in the audience could see it because

249
00:10:43,640 --> 00:10:45,360
Speaker 1: it was a big pink thing.

250
00:10:45,840 --> 00:10:48,200
Speaker 3: Well, it did say very clearly on it pregnancy tests,

251
00:10:48,240 --> 00:10:51,200
Speaker 3: so we all we definitely know what's going on. And

252
00:10:51,320 --> 00:10:53,760
Speaker 3: Michael is clueless on the other side of the bathroom.

253
00:10:53,440 --> 00:10:57,280
Speaker 2: Door, but he doesn't like that she's not answering responding,

254
00:10:57,320 --> 00:11:00,720
Speaker 2: so he's like, Jane, yeah, you know, like you listening

255
00:11:00,720 --> 00:11:02,120
Speaker 2: to me and opens.

256
00:11:01,720 --> 00:11:03,280
Speaker 4: The door and she's like, hi, Michael.

257
00:11:04,240 --> 00:11:07,880
Speaker 3: So then she ends up at her boutique where Alison

258
00:11:08,120 --> 00:11:14,280
Speaker 3: is trying undresses and Jane just sort of casually mentions, oh, yeah,

259
00:11:14,400 --> 00:11:15,280
Speaker 3: I'm pregnant.

260
00:11:15,600 --> 00:11:16,160
Speaker 4: And by the.

261
00:11:16,120 --> 00:11:20,480
Speaker 3: Way, Michael doesn't know yet, You're the first person I've told. Yeah,

262
00:11:20,559 --> 00:11:22,960
Speaker 3: that was kind of a bomb dropping for Alison.

263
00:11:23,360 --> 00:11:25,080
Speaker 1: It is kind of I mean, I do like what

264
00:11:25,120 --> 00:11:27,520
Speaker 1: I like about this episode is that it feels like

265
00:11:27,559 --> 00:11:30,319
Speaker 1: they're really bringing us together as friends. Obviously you only

266
00:11:30,320 --> 00:11:32,120
Speaker 1: tell a friend that, and I met her boutique. I'm like, oh,

267
00:11:32,240 --> 00:11:35,000
Speaker 1: now we're starting to overlap our lives a little bit more,

268
00:11:35,040 --> 00:11:38,120
Speaker 1: which I liked. Although I'm like, she tells me she's

269
00:11:38,120 --> 00:11:40,280
Speaker 1: pregnant and I'm sitting there, I've got my arms crossed,

270
00:11:40,320 --> 00:11:43,360
Speaker 1: which feels like that's great. I'm like, hug her. I

271
00:11:43,440 --> 00:11:45,400
Speaker 1: just like what I wanted Alison to be nicer to Billy.

272
00:11:45,480 --> 00:11:49,400
Speaker 1: I'm like, Alison hug Jane. So I don't know why

273
00:11:49,480 --> 00:11:52,240
Speaker 1: it's such a weird. Maybe it wasn't.

274
00:11:52,040 --> 00:11:54,040
Speaker 3: In the direction give yourself a break.

275
00:11:54,480 --> 00:11:56,560
Speaker 1: I didn't say she didn't hug her because now I

276
00:11:56,559 --> 00:11:59,520
Speaker 1: would say, obviously I would hug her, So instead I'm like,

277
00:11:59,679 --> 00:12:02,319
Speaker 1: all shut down, cross.

278
00:12:02,400 --> 00:12:05,320
Speaker 3: Well, it's also I feel like it was also sort

279
00:12:05,320 --> 00:12:08,560
Speaker 3: of all of a sudden, the episode was going to

280
00:12:08,559 --> 00:12:11,000
Speaker 3: be about something. It was a really big deal. Like,

281
00:12:11,160 --> 00:12:13,920
Speaker 3: up until now, we've sort of had episodes that are about, oh,

282
00:12:14,040 --> 00:12:16,600
Speaker 3: is Jake going to be able to make his rent money?

283
00:12:16,800 --> 00:12:19,160
Speaker 3: Is you know whatever, Ronda going to be able to

284
00:12:19,200 --> 00:12:22,200
Speaker 3: reschedule her aerobics class, like, and then all of a sudden,

285
00:12:22,240 --> 00:12:23,720
Speaker 3: this is going to be a big storyline. So I

286
00:12:23,720 --> 00:12:26,000
Speaker 3: feel like this was a bit of a turning point

287
00:12:26,000 --> 00:12:27,920
Speaker 3: to go, oh, this is a this is a serial

288
00:12:28,000 --> 00:12:32,160
Speaker 3: topic here you know where, and we see that it

289
00:12:32,480 --> 00:12:35,720
Speaker 3: does become an even bigger topic. But I felt like

290
00:12:35,760 --> 00:12:36,760
Speaker 3: it was the first kind.

291
00:12:36,640 --> 00:12:38,080
Speaker 4: Of went deep.

292
00:12:38,240 --> 00:12:41,760
Speaker 1: Yeah, you know, the special episode.

293
00:12:41,360 --> 00:12:45,720
Speaker 3: Of and So that's also Allison learns that Michael doesn't

294
00:12:45,720 --> 00:12:49,560
Speaker 3: know yet, and and that Jane is telling Allison is

295
00:12:49,600 --> 00:12:52,520
Speaker 3: the first person to know. But back in Allison and

296
00:12:52,559 --> 00:12:55,760
Speaker 3: Billy's apartment, Billy is at the computer typing and he

297
00:12:55,800 --> 00:12:58,760
Speaker 3: seems frustrated. He's trying to work on his Colling computer.

298
00:12:59,320 --> 00:13:01,199
Speaker 1: I mean the size of a microwave.

299
00:13:01,320 --> 00:13:02,920
Speaker 3: It's a giant block.

300
00:13:03,000 --> 00:13:05,160
Speaker 1: And I was watching with a girlfriend and she said

301
00:13:05,160 --> 00:13:09,120
Speaker 1: those were considered portable. Yeah, because of the screen like that,

302
00:13:09,800 --> 00:13:11,840
Speaker 1: it was huge, but she said they were actually considered

303
00:13:11,880 --> 00:13:13,360
Speaker 1: portable and they went in a case.

304
00:13:13,520 --> 00:13:16,120
Speaker 3: Yeah, he had like a nice like portable one. But

305
00:13:16,360 --> 00:13:19,320
Speaker 3: that was just the mon sewing machine, right, I mean

306
00:13:19,320 --> 00:13:22,480
Speaker 3: there was still probably like a big like unit underneath

307
00:13:22,480 --> 00:13:23,560
Speaker 3: the death right of.

308
00:13:23,520 --> 00:13:25,199
Speaker 1: Like operating PEQ.

309
00:13:25,520 --> 00:13:26,880
Speaker 4: Right, it was giant.

310
00:13:27,520 --> 00:13:31,120
Speaker 3: But also while he's typing, and he's also throwing away

311
00:13:31,160 --> 00:13:34,440
Speaker 3: pieces of paper like paper, he's you know, not throw

312
00:13:34,480 --> 00:13:37,120
Speaker 3: that out, crumble it up and throw it. Wait a minute,

313
00:13:38,120 --> 00:13:39,600
Speaker 3: you're typing on a computer.

314
00:13:40,800 --> 00:13:45,320
Speaker 2: But he his handwriting like Hemingway, and then was trans.

315
00:13:44,600 --> 00:13:49,240
Speaker 3: Printing it and then anger throw it. I mean, like

316
00:13:49,320 --> 00:13:51,559
Speaker 3: I say, shoot the visual like, oh we get this

317
00:13:51,600 --> 00:13:54,040
Speaker 3: is how many drafts have not worked out because we

318
00:13:54,080 --> 00:13:55,720
Speaker 3: can see your pilot of paper behind you. But wait

319
00:13:55,720 --> 00:13:57,600
Speaker 3: a minute, aren't you working on a computer.

320
00:13:57,880 --> 00:14:00,679
Speaker 1: I didn't even notice that, and I probably he probably

321
00:14:01,000 --> 00:14:02,839
Speaker 1: didn't catch it at the time. That's so funny.

322
00:14:03,080 --> 00:14:05,040
Speaker 3: I was so confused. I had to rewind and go,

323
00:14:05,080 --> 00:14:08,240
Speaker 3: did I miss something.

324
00:14:07,000 --> 00:14:10,040
Speaker 4: The beginning of computers? We didn't, But what was the paper?

325
00:14:10,080 --> 00:14:10,200
Speaker 2: Then?

326
00:14:10,280 --> 00:14:11,280
Speaker 3: Then he had to crumple up.

327
00:14:11,360 --> 00:14:13,800
Speaker 2: He was writing, but I think he was writing Longhand.

328
00:14:13,800 --> 00:14:17,760
Speaker 2: But what I'm saying is computers were not like everywhere

329
00:14:17,800 --> 00:14:19,240
Speaker 2: back then. It wasn't like you pull it out of

330
00:14:19,280 --> 00:14:21,840
Speaker 2: your purse. And so he was, you know, trying to

331
00:14:21,920 --> 00:14:25,040
Speaker 2: do both. Like he's writing and then he's trans what

332
00:14:25,040 --> 00:14:26,560
Speaker 2: do you call it transcribing it?

333
00:14:26,920 --> 00:14:32,520
Speaker 3: Okay, Daphne's Story's got a justification where it really doesn't

334
00:14:32,560 --> 00:14:33,640
Speaker 3: make sense. It works for you.

335
00:14:33,920 --> 00:14:36,520
Speaker 1: I respect it. And he put on her director hat

336
00:14:36,560 --> 00:14:38,720
Speaker 1: and say this is why.

337
00:14:37,480 --> 00:14:41,160
Speaker 3: I was justifying I was I was totally head scratched.

338
00:14:41,160 --> 00:14:42,680
Speaker 3: A paper comes from like, yeah.

339
00:14:42,480 --> 00:14:45,040
Speaker 2: This is the time in history where we don't know

340
00:14:45,080 --> 00:14:45,760
Speaker 2: what that's for.

341
00:14:46,120 --> 00:14:49,760
Speaker 3: Yeah, I was head scratching. But he did like have

342
00:14:49,800 --> 00:14:53,520
Speaker 3: a giant pile of frustration paper behind him. And then

343
00:14:53,640 --> 00:14:56,840
Speaker 3: so Alison comes home and finds him cleaning out the

344
00:14:56,840 --> 00:15:00,240
Speaker 3: fridge because he's so frustrated he can't get it is

345
00:15:00,240 --> 00:15:02,560
Speaker 3: writing done, and so he decides to clean.

346
00:15:02,360 --> 00:15:06,120
Speaker 1: The offended for Alison, because Alison would have a clean fridge.

347
00:15:06,480 --> 00:15:09,600
Speaker 1: That was it. Excuse me, my fridge is very clean.

348
00:15:09,640 --> 00:15:11,720
Speaker 3: Yeah, like something exploded in there. They made it very

349
00:15:11,720 --> 00:15:12,520
Speaker 3: filthy for him.

350
00:15:12,440 --> 00:15:14,880
Speaker 1: To the food like the know, like where are the

351
00:15:14,880 --> 00:15:17,160
Speaker 1: piles of food that happened when you clean out your fridge?

352
00:15:17,240 --> 00:15:20,000
Speaker 3: No, and you no longer care about post its or labeling.

353
00:15:20,160 --> 00:15:23,120
Speaker 3: Is just like whatever you threw the food out? Yeah

354
00:15:23,200 --> 00:15:23,880
Speaker 3: I used to care.

355
00:15:24,080 --> 00:15:25,320
Speaker 1: Let's get his shirt off and move on.

356
00:15:25,400 --> 00:15:28,080
Speaker 3: I no longer care. And so you're like, oh, you're

357
00:15:28,080 --> 00:15:31,800
Speaker 3: frustrated with your writing. It's okay, you know, there's nothing

358
00:15:31,840 --> 00:15:34,360
Speaker 3: wrong with being ordinary. He thinks he needs more adventure

359
00:15:34,560 --> 00:15:36,000
Speaker 3: and so he says, you know what, I need to

360
00:15:36,000 --> 00:15:40,320
Speaker 3: work on my drinking problem. Let's go to Shooters. Yeah,

361
00:15:40,360 --> 00:15:44,320
Speaker 3: off they go. But before we see them at Shooters,

362
00:15:44,600 --> 00:15:48,120
Speaker 3: we find Michael and Jane are dancing at a Mexican restaurant.

363
00:15:48,320 --> 00:15:50,080
Speaker 3: Which did anybody notice?

364
00:15:50,760 --> 00:15:50,840
Speaker 5: Was?

365
00:15:51,000 --> 00:15:55,080
Speaker 3: I mean, was it like Lawrence Welk like dancing and

366
00:15:55,120 --> 00:15:55,560
Speaker 3: the like.

367
00:15:56,160 --> 00:15:57,480
Speaker 1: Dancing Mexican restaurant?

368
00:15:57,800 --> 00:16:00,280
Speaker 3: Yeah, like what kind of places in theater?

369
00:16:00,360 --> 00:16:00,960
Speaker 1: What's happening?

370
00:16:01,080 --> 00:16:04,800
Speaker 3: It was? It was a very sort of interesting vibe.

371
00:16:04,840 --> 00:16:07,080
Speaker 3: But what is what is the genre here at this

372
00:16:07,240 --> 00:16:10,680
Speaker 3: at this Mexican restaurant? But there Lawrence well Mariacci, Yeah,

373
00:16:10,680 --> 00:16:13,440
Speaker 3: what it was? It was, And they're dancing and then

374
00:16:13,480 --> 00:16:15,800
Speaker 3: they're going to have dinner, so it's like a supper club.

375
00:16:16,000 --> 00:16:18,240
Speaker 3: But it was a bizarre place. I want to know

376
00:16:18,240 --> 00:16:20,760
Speaker 3: where it was. Does it still exist?

377
00:16:21,600 --> 00:16:21,920
Speaker 4: Anybody?

378
00:16:21,960 --> 00:16:22,120
Speaker 2: Still?

379
00:16:22,120 --> 00:16:25,480
Speaker 1: It's a good idea, I would guess not anybody for

380
00:16:25,560 --> 00:16:27,000
Speaker 1: all of you at home. This is where the idea

381
00:16:27,080 --> 00:16:27,520
Speaker 1: was born.

382
00:16:28,720 --> 00:16:29,240
Speaker 4: There anymore?

383
00:16:30,080 --> 00:16:33,120
Speaker 3: I wonder why it didn't last? So yes, But this

384
00:16:33,200 --> 00:16:35,480
Speaker 3: is where Jane has decided to brush the subject and

385
00:16:35,520 --> 00:16:40,480
Speaker 3: ask Michael if he, you know, wants children's Yeah, she says,

386
00:16:40,560 --> 00:16:42,960
Speaker 3: I wouldn't have a baby, and.

387
00:16:42,560 --> 00:16:45,000
Speaker 1: His reaction is, shall we say, not what you'd hope for?

388
00:16:45,520 --> 00:16:51,480
Speaker 3: Yes, why because I like babies? Yeah, yeah, he doesn't

389
00:16:51,560 --> 00:16:52,280
Speaker 3: like babies.

390
00:16:52,800 --> 00:16:54,480
Speaker 1: He's got a lot of a lot of bad a

391
00:16:54,480 --> 00:16:55,520
Speaker 1: lot of negative ideas.

392
00:16:55,560 --> 00:16:58,320
Speaker 3: But already know, she knows she's pregnant, and she's sort

393
00:16:58,320 --> 00:17:00,840
Speaker 3: of just testing the water in a way, like as

394
00:17:00,840 --> 00:17:03,680
Speaker 3: a hypothetical, and he immediately is putting the kobash on

395
00:17:03,720 --> 00:17:08,960
Speaker 3: it and Nope, it's too soon and you know, five

396
00:17:09,040 --> 00:17:13,280
Speaker 3: years or whatever, not even close. So that's pretty devastating

397
00:17:13,320 --> 00:17:16,080
Speaker 3: for Jane to sort of grapple with. But then we

398
00:17:16,119 --> 00:17:17,320
Speaker 3: do go to shooters.

399
00:17:17,359 --> 00:17:21,720
Speaker 2: Oh wait, he suggests getting a dog suggestion to his

400
00:17:21,840 --> 00:17:25,639
Speaker 2: wife asking about having children, not like why are you asking?

401
00:17:25,680 --> 00:17:27,800
Speaker 4: Are you okay? It's like, why don't we get a

402
00:17:28,040 --> 00:17:29,280
Speaker 4: don't we get you a dog?

403
00:17:30,800 --> 00:17:33,760
Speaker 1: Although, in his defense, right, she's not being honest, she's

404
00:17:33,800 --> 00:17:36,440
Speaker 1: not being clear, So he thinks they're having a theoretical discussion.

405
00:17:36,440 --> 00:17:38,640
Speaker 1: He doesn't know they're having real discussions. So that's why

406
00:17:39,359 --> 00:17:42,280
Speaker 1: you should really just tell the truth, be direct, because

407
00:17:42,320 --> 00:17:45,520
Speaker 1: there's too much room for this miscommunication, which is the

408
00:17:45,560 --> 00:17:47,200
Speaker 1: basis of every TV show, So it has to.

409
00:17:47,080 --> 00:17:48,439
Speaker 4: Be But I do think the answer to a lot

410
00:17:48,440 --> 00:17:49,560
Speaker 4: of problems is to get a dog.

411
00:17:49,760 --> 00:17:53,040
Speaker 1: Usually I happen to agree with you answer to every

412
00:17:53,040 --> 00:17:54,680
Speaker 1: problem again, that.

413
00:17:54,640 --> 00:18:00,160
Speaker 3: Is a puppy, please, yes, So yes. We find Bill

414
00:18:00,280 --> 00:18:04,280
Speaker 3: at Shooters where he's trying to become a drinker and

415
00:18:04,400 --> 00:18:06,680
Speaker 3: Allison is saying, yeah, it's it's just not all that

416
00:18:06,720 --> 00:18:08,520
Speaker 3: I could have told you that it wasn't wasn't a

417
00:18:08,520 --> 00:18:11,720
Speaker 3: great idea to become a drinker. But as he's trying

418
00:18:11,760 --> 00:18:15,159
Speaker 3: to be more interesting and adventurous income Jake and Matt

419
00:18:15,720 --> 00:18:18,280
Speaker 3: who are having a boys night and they joined them

420
00:18:18,320 --> 00:18:21,520
Speaker 3: at the bar where Matt regales them with a story

421
00:18:21,520 --> 00:18:24,240
Speaker 3: about his day at work and.

422
00:18:25,400 --> 00:18:26,800
Speaker 1: Which is kind of I thought it was fun to

423
00:18:26,840 --> 00:18:29,920
Speaker 1: see because kind of the first time I saw Doug

424
00:18:30,000 --> 00:18:31,720
Speaker 1: coming in his mat like he had a lot to

425
00:18:31,760 --> 00:18:33,640
Speaker 1: It's probably the most he's gotten to say so far

426
00:18:33,680 --> 00:18:36,120
Speaker 1: on the show. It's an interesting story. It was all

427
00:18:36,160 --> 00:18:38,600
Speaker 1: of his energy. He's very very funny, which he doesn't

428
00:18:38,600 --> 00:18:40,760
Speaker 1: get to be as Matt often enough, and it was

429
00:18:40,840 --> 00:18:43,119
Speaker 1: really fun to see him come in. And I also

430
00:18:43,119 --> 00:18:45,120
Speaker 1: felt like that was a scene where I thought we

431
00:18:45,200 --> 00:18:46,680
Speaker 1: really look like friends.

432
00:18:46,720 --> 00:18:48,720
Speaker 3: Yep, like before people are hanging out to were acting.

433
00:18:48,720 --> 00:18:50,760
Speaker 1: You do a good job, but here, like you can

434
00:18:50,760 --> 00:18:54,600
Speaker 1: tell we're really laughing, we're authentically connecting, we're having fun

435
00:18:55,280 --> 00:18:57,680
Speaker 1: being together in the scene. So to me, it felt

436
00:18:57,720 --> 00:19:00,680
Speaker 1: like episode five is where we gelled as a cast.

437
00:19:01,160 --> 00:19:03,040
Speaker 3: Yeah, there was a lot of like friends were.

438
00:19:03,040 --> 00:19:07,439
Speaker 1: Missing you guys obviously well, but until I felt like

439
00:19:07,480 --> 00:19:08,280
Speaker 1: we gelled in this.

440
00:19:08,680 --> 00:19:09,800
Speaker 3: Those of us that were there.

441
00:19:09,880 --> 00:19:13,080
Speaker 2: Yes, we're jelling, and I did like seeing dancing by

442
00:19:13,119 --> 00:19:15,639
Speaker 2: the pool and now the gelling is continuing and you

443
00:19:15,680 --> 00:19:18,159
Speaker 2: guys are just this this like sant Elmo's Fire for

444
00:19:18,200 --> 00:19:18,640
Speaker 2: God's sake.

445
00:19:18,720 --> 00:19:21,639
Speaker 3: Yeah, No, there were there were like more groupings that

446
00:19:21,680 --> 00:19:23,719
Speaker 3: were more than just one on one conversations. They were

447
00:19:23,720 --> 00:19:26,760
Speaker 3: like droopings for things that were coming.

448
00:19:26,800 --> 00:19:30,760
Speaker 2: Everyone's like, you know, you guys are all helping Billy.

449
00:19:30,480 --> 00:19:31,199
Speaker 3: Get a life.

450
00:19:31,240 --> 00:19:34,040
Speaker 2: Basically, Okay, we all have a mission, right, We're gonna

451
00:19:34,200 --> 00:19:35,359
Speaker 2: send him to an adventure.

452
00:19:35,520 --> 00:19:35,800
Speaker 4: You know.

453
00:19:36,119 --> 00:19:39,600
Speaker 2: Oh, he's feeling like down because he hasn't experienced anything.

454
00:19:39,800 --> 00:19:40,520
Speaker 4: He's regular.

455
00:19:40,800 --> 00:19:43,639
Speaker 2: Maybe I'm going ahead, probably, but I just love like

456
00:19:43,720 --> 00:19:46,119
Speaker 2: the guys are all we're on a mission to for

457
00:19:46,240 --> 00:19:48,280
Speaker 2: him to pop his adventure.

458
00:19:48,359 --> 00:19:48,679
Speaker 4: Cherry.

459
00:19:50,680 --> 00:19:51,000
Speaker 6: Wow.

460
00:19:53,560 --> 00:19:55,840
Speaker 3: I wish that had been in the script because that

461
00:19:55,960 --> 00:19:57,399
Speaker 3: was a good line.

462
00:19:57,600 --> 00:19:58,600
Speaker 4: Once again, there you go.

463
00:19:59,359 --> 00:20:01,400
Speaker 3: Well, and so in comes in the bar, in comes

464
00:20:01,480 --> 00:20:03,919
Speaker 3: this guy with a neck brace, which, like, you know,

465
00:20:03,960 --> 00:20:07,000
Speaker 3: when we the audience sees this guy, it's absurd that

466
00:20:07,160 --> 00:20:09,159
Speaker 3: somebody in a neck brace decides, Oh, I know what

467
00:20:09,200 --> 00:20:10,240
Speaker 3: I need to do. I need to go out to

468
00:20:10,280 --> 00:20:11,760
Speaker 3: Shooters tonight. My neck brace.

469
00:20:11,880 --> 00:20:14,760
Speaker 1: Well, this is that reminded me when when dappyad reminded

470
00:20:14,800 --> 00:20:16,639
Speaker 1: me of the line, Like we were talking about favorite

471
00:20:16,680 --> 00:20:18,439
Speaker 1: lines from the show, and Andrew had a line in

472
00:20:18,440 --> 00:20:21,480
Speaker 1: the scene before which was they get into bar brawls

473
00:20:21,520 --> 00:20:24,800
Speaker 1: and go through women like kleenex ew. And then in

474
00:20:24,840 --> 00:20:29,600
Speaker 1: this scene it shooters, I'm talking about Emily Dickinson, and Andrew goes,

475
00:20:29,760 --> 00:20:34,359
Speaker 1: what a candy ass about like she never left her house?

476
00:20:35,920 --> 00:20:38,680
Speaker 4: She look at her? What a candy ass?

477
00:20:39,080 --> 00:20:42,359
Speaker 1: Yeah, so those are my two favorite lines from the show.

478
00:20:42,600 --> 00:20:46,119
Speaker 3: That's fantastic. But then not a candy ass is this

479
00:20:46,160 --> 00:20:48,320
Speaker 3: guy standing at the bar and his neck brace. And

480
00:20:48,520 --> 00:20:50,119
Speaker 3: Billy's like, Dinda know, how'd you get the net?

481
00:20:50,400 --> 00:20:50,680
Speaker 4: What?

482
00:20:50,680 --> 00:20:50,840
Speaker 6: What?

483
00:20:50,960 --> 00:20:53,120
Speaker 3: Dude? What's that? Tell me all about it? You must

484
00:20:53,160 --> 00:20:56,080
Speaker 3: have been in you know, some exciting story. And he says, oh,

485
00:20:56,080 --> 00:21:00,159
Speaker 3: actually I got this bungee jumping And then proceeds to

486
00:21:00,200 --> 00:21:03,000
Speaker 3: tell this like was he the most dire, like I

487
00:21:03,040 --> 00:21:06,120
Speaker 3: was doing this and I was it was like this

488
00:21:06,320 --> 00:21:08,119
Speaker 3: and I got it was like he was you know,

489
00:21:08,280 --> 00:21:10,119
Speaker 3: it was grim and it was dire and it was

490
00:21:10,200 --> 00:21:14,400
Speaker 3: like like and Billy's like, oh really, yeah.

491
00:21:14,560 --> 00:21:18,359
Speaker 2: That was The guest star was John Bradley and he

492
00:21:18,400 --> 00:21:21,159
Speaker 2: went on to do Independence Day like Firefight, Days of

493
00:21:21,200 --> 00:21:21,760
Speaker 2: Our Lives.

494
00:21:21,840 --> 00:21:24,000
Speaker 4: He sounds like he had a good career, but he was.

495
00:21:24,800 --> 00:21:25,080
Speaker 2: He was.

496
00:21:25,280 --> 00:21:31,199
Speaker 3: He was guy in neck brace, but very inspired. He was.

497
00:21:31,280 --> 00:21:35,320
Speaker 3: He triggered all the whole episode of things for Billy

498
00:21:35,440 --> 00:21:37,600
Speaker 3: and the guys to do, because of course Billy's like,

499
00:21:37,640 --> 00:21:39,840
Speaker 3: we gotta do this, and you guys are doing it

500
00:21:39,840 --> 00:21:41,560
Speaker 3: with me, and he says to the guys that they

501
00:21:41,560 --> 00:21:42,640
Speaker 3: were going to do it and.

502
00:21:42,600 --> 00:21:45,480
Speaker 1: They jumped right on board. And Jake was almost giddy

503
00:21:45,520 --> 00:21:47,320
Speaker 1: in this scene, like Jake kind of came out of

504
00:21:47,400 --> 00:21:50,040
Speaker 1: like angry Jake and he was like happy one of

505
00:21:50,080 --> 00:21:52,399
Speaker 1: the guys, Jake. That was fun to see, Yes, I was.

506
00:21:52,600 --> 00:21:54,800
Speaker 3: I did also notice, do you guys remember shooting it

507
00:21:54,800 --> 00:21:56,800
Speaker 3: in shooters or any bar where they're like, it's going

508
00:21:56,880 --> 00:21:59,520
Speaker 3: to be really loud. There's a lot of people in here. Yes,

509
00:21:59,760 --> 00:22:02,800
Speaker 3: and we're gonna have loudness under your scene in posts,

510
00:22:02,800 --> 00:22:05,040
Speaker 3: so go ahead and shout at each other. Yeah, And

511
00:22:05,119 --> 00:22:08,280
Speaker 3: these guys were shouting this entire scene at each other,

512
00:22:08,280 --> 00:22:09,800
Speaker 3: and I could just tell, oh my god, they were

513
00:22:09,800 --> 00:22:11,399
Speaker 3: given the direction that it's gonna be so loud, and

514
00:22:11,440 --> 00:22:14,439
Speaker 3: then they didn't bring up the background in post production.

515
00:22:14,480 --> 00:22:15,879
Speaker 3: You got to go back and see the scene that

516
00:22:16,920 --> 00:22:18,680
Speaker 3: music really.

517
00:22:18,720 --> 00:22:21,199
Speaker 1: Yeah, we finally figured it out in later episodes. I

518
00:22:21,200 --> 00:22:23,440
Speaker 1: remember having that discussion and the director would say that,

519
00:22:23,480 --> 00:22:26,240
Speaker 1: we said, you say that, but our experience is, yeah,

520
00:22:26,320 --> 00:22:28,680
Speaker 1: they never do, and we look like crazy people yelling

521
00:22:28,720 --> 00:22:29,840
Speaker 1: at each other for no reason.

522
00:22:30,000 --> 00:22:35,320
Speaker 3: The very mild, understated song underneath, like just mellow music.

523
00:22:35,440 --> 00:22:37,760
Speaker 3: It is not pumping like you know, remember that.

524
00:22:37,920 --> 00:22:40,760
Speaker 2: Yes, this reminds me of all the eighties movies that

525
00:22:40,840 --> 00:22:42,879
Speaker 2: we did, and like the nineties, because there were so

526
00:22:42,920 --> 00:22:45,280
Speaker 2: many club and bar scenes and like that would be

527
00:22:45,320 --> 00:22:48,520
Speaker 2: all the time. They bring the music in, they bring

528
00:22:48,520 --> 00:22:52,200
Speaker 2: the playback, the smoke would come in. They go, remember,

529
00:22:52,240 --> 00:22:54,280
Speaker 2: you gotta yell at each other, and you're like, it's

530
00:22:54,400 --> 00:22:56,680
Speaker 2: quiet because on set it has to be quiet because

531
00:22:56,800 --> 00:22:59,240
Speaker 2: all the background noise comes in later and post production

532
00:22:59,600 --> 00:23:00,840
Speaker 2: and you go, oh my.

533
00:23:00,800 --> 00:23:02,280
Speaker 1: God, that God is so hot.

534
00:23:03,040 --> 00:23:06,160
Speaker 2: I know, I think he's looking at you.

535
00:23:06,160 --> 00:23:07,679
Speaker 4: You know, you just feel like a jerk.

536
00:23:09,160 --> 00:23:12,360
Speaker 3: These guys committed to the direction and they were shouting there, wow,

537
00:23:12,400 --> 00:23:13,400
Speaker 3: we're so young a knight.

538
00:23:13,920 --> 00:23:14,919
Speaker 1: We were so eager.

539
00:23:14,960 --> 00:23:18,560
Speaker 3: Then so funny you guys. So then we're back at

540
00:23:18,560 --> 00:23:22,000
Speaker 3: the Mexican restaurant and we see Jean still trying to

541
00:23:22,520 --> 00:23:25,959
Speaker 3: kind of probe the subject and talk to him more

542
00:23:25,960 --> 00:23:28,680
Speaker 3: about having a baby, and he's recalling that his parents

543
00:23:28,880 --> 00:23:31,080
Speaker 3: had babies too young. He doesn't think it's a good idea,

544
00:23:31,080 --> 00:23:31,880
Speaker 3: and maybe.

545
00:23:32,000 --> 00:23:34,840
Speaker 1: Just piling it on, it's just getting worse and worse

546
00:23:34,880 --> 00:23:35,600
Speaker 1: for your heart.

547
00:23:36,119 --> 00:23:36,320
Speaker 2: You know.

548
00:23:36,520 --> 00:23:39,560
Speaker 1: Josie, she's so good at being vulnerable and you just

549
00:23:39,640 --> 00:23:41,920
Speaker 1: look at her and it's just it was breaking my heart,

550
00:23:42,080 --> 00:23:45,000
Speaker 1: just like no, no, Michael, take it back, take it back, say.

551
00:23:44,920 --> 00:23:46,919
Speaker 3: It because this is where he's he's sort of speaking

552
00:23:46,960 --> 00:23:51,160
Speaker 3: to her like she's a It's like he's condescending. He's like, yeah,

553
00:23:51,240 --> 00:23:53,280
Speaker 3: oh honey, oh no, no, no, I.

554
00:23:53,200 --> 00:23:55,080
Speaker 1: Have different conversations.

555
00:23:55,160 --> 00:23:57,680
Speaker 3: Yes, it just felt like such a talking to a child.

556
00:23:58,400 --> 00:24:02,920
Speaker 3: Said great, but that like dog great to your point,

557
00:24:02,960 --> 00:24:06,679
Speaker 3: like Josie's moment there as Jane was so vulnerable, like

558
00:24:06,760 --> 00:24:09,119
Speaker 3: I don't want a dog like that's it was such

559
00:24:09,119 --> 00:24:09,960
Speaker 3: a beautiful moment.

560
00:24:10,040 --> 00:24:11,040
Speaker 1: Yeah, she dealt with that.

561
00:24:11,920 --> 00:24:14,879
Speaker 3: Are they are the characters of Jane and Michael different?

562
00:24:14,880 --> 00:24:17,760
Speaker 4: Are they very different in age? Because he, I know

563
00:24:17,840 --> 00:24:19,439
Speaker 4: she in real life was like twenty one.

564
00:24:19,600 --> 00:24:20,400
Speaker 3: She was twenty one.

565
00:24:20,520 --> 00:24:22,960
Speaker 4: Is he much older the character because he was in

566
00:24:23,040 --> 00:24:24,200
Speaker 4: her like a child.

567
00:24:24,400 --> 00:24:26,320
Speaker 3: But I don't think they were writing that he was

568
00:24:26,359 --> 00:24:28,800
Speaker 3: that much older as a character. I think it was

569
00:24:29,080 --> 00:24:32,880
Speaker 3: just he is older. I think is Mike. I think, yeah,

570
00:24:32,920 --> 00:24:34,960
Speaker 3: Thomas is older than Josie. But I don't know that

571
00:24:35,080 --> 00:24:37,560
Speaker 3: the character of Michael and Jane were supposed to be

572
00:24:37,600 --> 00:24:40,119
Speaker 3: like a big age gap of a marriage. They're married,

573
00:24:40,119 --> 00:24:43,399
Speaker 3: they're going through their first you know, one bedroom apartment together.

574
00:24:43,440 --> 00:24:45,600
Speaker 3: He's doing is he's an intern, right?

575
00:24:45,680 --> 00:24:46,440
Speaker 4: And and.

576
00:24:48,000 --> 00:24:50,000
Speaker 3: That's older that it was just sort of like the

577
00:24:50,080 --> 00:24:52,520
Speaker 3: delivery of it that I think gives you that idea

578
00:24:52,520 --> 00:24:53,920
Speaker 3: that he's speaking to somebody.

579
00:24:54,280 --> 00:24:56,000
Speaker 4: Throughout the whole episode, you're just.

580
00:24:55,880 --> 00:24:59,320
Speaker 3: Like, yeah, yeah, that was.

581
00:24:59,359 --> 00:25:01,000
Speaker 4: Good into it not a great feeling.

582
00:25:01,119 --> 00:25:05,840
Speaker 3: And poor Jane is you know, just dealing with big stuff.

583
00:25:06,440 --> 00:25:11,880
Speaker 3: So anyway back at the courtyard, she's it's The next day,

584
00:25:12,000 --> 00:25:14,359
Speaker 3: she's leaving for work in the morning and Alison sees

585
00:25:14,400 --> 00:25:19,040
Speaker 3: her and says, you know, she reveals that she hasn't

586
00:25:19,720 --> 00:25:22,639
Speaker 3: she still hasn't told Michael, and not only that she

587
00:25:22,960 --> 00:25:26,720
Speaker 3: is on her way, she says she's thinking of maybe

588
00:25:27,359 --> 00:25:28,919
Speaker 3: not having the baby.

589
00:25:29,040 --> 00:25:30,440
Speaker 1: You know, I became aware of to you in these

590
00:25:30,480 --> 00:25:32,760
Speaker 1: scenes in the courtyard. We have a lot of very

591
00:25:32,800 --> 00:25:37,240
Speaker 1: private conversations at full voice in the courtyard, like so

592
00:25:37,440 --> 00:25:39,919
Speaker 1: to voute Jay, Allison take it down a notch, like,

593
00:25:39,960 --> 00:25:45,520
Speaker 1: don't yell congratulations across as we're saying he doesn't know yet, right.

594
00:25:45,880 --> 00:25:48,880
Speaker 3: Well, I don't think that a lot happened in the courtyard.

595
00:25:49,080 --> 00:25:52,560
Speaker 1: I'm not whispering. We're just yelling at everywhere. We're just yelling.

596
00:25:52,840 --> 00:25:56,800
Speaker 3: There's definitely more yelling in the courtyard coming up. But yeah,

597
00:25:56,840 --> 00:25:59,840
Speaker 3: this it seemed like that was a big moment again

598
00:25:59,880 --> 00:26:01,800
Speaker 3: to go, yeah, I haven't I haven't told him yet,

599
00:26:02,320 --> 00:26:04,199
Speaker 3: and it was just like, ooh, Allison's in on this

600
00:26:04,680 --> 00:26:10,199
Speaker 3: secret and just really yeah. So out on this sidewalk

601
00:26:10,280 --> 00:26:13,480
Speaker 3: we see Michael and Jake together, which is another fun pairing.

602
00:26:13,520 --> 00:26:15,480
Speaker 3: We haven't seen them sort of piling around and I

603
00:26:15,560 --> 00:26:18,240
Speaker 3: love that dynamic of when they're walking down the street together,

604
00:26:18,280 --> 00:26:21,520
Speaker 3: we get to see them sort of differently. Jake wasn't

605
00:26:21,520 --> 00:26:25,119
Speaker 3: brooding and Michael wasn't condescending, like they were together as friends,

606
00:26:25,119 --> 00:26:26,920
Speaker 3: and it was really like sort of refreshing.

607
00:26:26,920 --> 00:26:28,479
Speaker 2: And you get to see him on the avenue, you know,

608
00:26:28,520 --> 00:26:31,040
Speaker 2: you get to see the environment that the Melrose, you

609
00:26:31,040 --> 00:26:33,080
Speaker 2: get to see West Hollywood. It was really I love

610
00:26:33,080 --> 00:26:34,840
Speaker 2: it when they shoot out there, when we all would

611
00:26:34,880 --> 00:26:35,439
Speaker 2: shoot out there.

612
00:26:35,480 --> 00:26:38,280
Speaker 1: But I wonder if they were trying combinations at that time, like,

613
00:26:38,400 --> 00:26:41,440
Speaker 1: because this feels like everybody mus together in different combinations

614
00:26:41,480 --> 00:26:42,200
Speaker 1: in this episode.

615
00:26:42,359 --> 00:26:44,720
Speaker 3: Yeah, I thought it was really cute. And they're they're

616
00:26:44,720 --> 00:26:47,560
Speaker 3: walking down the street and talking about Mike. Michael sort

617
00:26:47,560 --> 00:26:49,400
Speaker 3: of saying, yeah, Jane wants to, you know, think about

618
00:26:49,440 --> 00:26:51,159
Speaker 3: having a baby, and I'm just not ready for that.

619
00:26:51,359 --> 00:26:54,399
Speaker 1: And then he adds in there are other interns, you

620
00:26:54,520 --> 00:26:57,479
Speaker 1: have kids, and they have unhappy marriages. It's like really

621
00:26:57,520 --> 00:26:58,840
Speaker 1: piling it on at this point.

622
00:26:58,960 --> 00:27:03,040
Speaker 3: Yeah, and and but he has some weird donut analogy too.

623
00:27:03,119 --> 00:27:05,119
Speaker 3: There was a thing about donut in a hole and

624
00:27:05,160 --> 00:27:07,240
Speaker 3: I didn't catch it. I didn't I didn't want to

625
00:27:07,280 --> 00:27:11,199
Speaker 3: even go by, like I don't want to know. I don't.

626
00:27:11,560 --> 00:27:16,600
Speaker 1: So anyway, Billy drives up, Billy drives up, that's ready,

627
00:27:16,640 --> 00:27:18,840
Speaker 1: drives a cab I forgot.

628
00:27:19,080 --> 00:27:21,000
Speaker 3: And he just happens to be driving down to see

629
00:27:21,000 --> 00:27:27,280
Speaker 3: his buddies over again, Alice and Corney.

630
00:27:30,240 --> 00:27:30,480
Speaker 2: Yeah.

631
00:27:30,520 --> 00:27:34,080
Speaker 3: But then then that's where he says, Hey, you know, Jake,

632
00:27:34,119 --> 00:27:36,760
Speaker 3: we're going bunch of bunch of jumping Michael, you should come.

633
00:27:36,800 --> 00:27:39,679
Speaker 3: And Michael's like, are you freaking kidding? No, no way,

634
00:27:39,920 --> 00:27:42,240
Speaker 3: so he says no. But that was really funny to

635
00:27:42,280 --> 00:27:44,760
Speaker 3: have them all like, oh, fancy meeting you here? I know.

636
00:27:45,040 --> 00:27:51,000
Speaker 3: So cute. So then we're back at the apartment building

637
00:27:51,240 --> 00:27:55,199
Speaker 3: and Ronda and Sandy are in their apartment. Ronda is

638
00:27:55,240 --> 00:28:01,080
Speaker 3: preparing a full fish for dinner and talking about maybe

639
00:28:01,119 --> 00:28:06,080
Speaker 3: adding some nutritional counseling to her classes, and she's dancing

640
00:28:06,200 --> 00:28:11,359
Speaker 3: and cooking very happy fish and she's got this giant

641
00:28:11,400 --> 00:28:13,080
Speaker 3: fish that she's contained low carb.

642
00:28:13,160 --> 00:28:14,840
Speaker 4: Do you remember all that from back then that.

643
00:28:15,280 --> 00:28:18,840
Speaker 1: They every four years. Yeah, it's just like I think

644
00:28:18,840 --> 00:28:22,280
Speaker 1: we're back there now. They call it something else against.

645
00:28:25,480 --> 00:28:27,320
Speaker 3: But here comes Jane knocking at the door, and she

646
00:28:27,359 --> 00:28:29,719
Speaker 3: has dresses for run and Sandy to try on. And

647
00:28:29,760 --> 00:28:32,760
Speaker 3: she seems to be very excited a little man.

648
00:28:32,960 --> 00:28:34,760
Speaker 1: Maybe yeah, very worked out.

649
00:28:34,800 --> 00:28:37,280
Speaker 4: Do you think that was a hormonal thing like something.

650
00:28:37,320 --> 00:28:39,920
Speaker 1: I think she's trying not to think about something. So

651
00:28:40,000 --> 00:28:44,600
Speaker 1: she's she's distracted dresses or I was wondering.

652
00:28:44,280 --> 00:28:46,680
Speaker 3: If it also did he say something the night before

653
00:28:46,840 --> 00:28:50,120
Speaker 3: that was like remember when you wanted your designs to

654
00:28:50,240 --> 00:28:52,600
Speaker 3: take off and you wanted like funky dresses this and that,

655
00:28:52,680 --> 00:28:57,200
Speaker 3: Like did did something he said? Did it trigger her

656
00:28:57,240 --> 00:28:58,720
Speaker 3: to go, oh, yeah, I need a double down.

657
00:28:58,800 --> 00:29:01,320
Speaker 2: Let me get back to that, and like maybe like

658
00:29:01,440 --> 00:29:03,520
Speaker 2: maybe that's just wondering why she was Really.

659
00:29:04,680 --> 00:29:07,080
Speaker 1: She's not doing this very important thing. She's trying to

660
00:29:07,080 --> 00:29:08,800
Speaker 1: distract herself, okay, right, and need to see that, and

661
00:29:09,320 --> 00:29:13,200
Speaker 1: she's doing this kind of manic, disconnected energy because she

662
00:29:13,240 --> 00:29:14,640
Speaker 1: needs to do is sit down and talk to her

663
00:29:14,720 --> 00:29:16,440
Speaker 1: husband about this very real issue.

664
00:29:16,520 --> 00:29:19,680
Speaker 3: Totally mm hm. And so she presents the girls with

665
00:29:19,720 --> 00:29:21,720
Speaker 3: these dresses to try on. Here, try these on. I'm

666
00:29:21,760 --> 00:29:23,480
Speaker 3: so excited to share these designs with you.

667
00:29:24,680 --> 00:29:29,920
Speaker 2: And and they're big gunnysacks. They're like huge, pretty hidious, right,

668
00:29:29,920 --> 00:29:30,880
Speaker 2: they're really horrible.

669
00:29:31,440 --> 00:29:33,800
Speaker 1: You have the thought, why didn't you try them on?

670
00:29:34,040 --> 00:29:37,920
Speaker 3: Did you why, yes, I did put them on.

671
00:29:38,800 --> 00:29:39,880
Speaker 4: Yeah, Jane, did you.

672
00:29:39,800 --> 00:29:41,280
Speaker 3: Try them on first before you.

673
00:29:41,200 --> 00:29:43,560
Speaker 1: Brought them to other Yeah, they're certainly not your size,

674
00:29:43,640 --> 00:29:45,760
Speaker 1: Jain No, and there was like a patchwork thing that

675
00:29:45,880 --> 00:29:49,360
Speaker 1: wasn't even it was like, yeah, they were very definitely

676
00:29:49,600 --> 00:29:52,920
Speaker 1: something visual comedic moment. But but I think also she

677
00:29:53,000 --> 00:29:56,440
Speaker 1: was out of her body when she's not for body,

678
00:29:56,600 --> 00:29:57,560
Speaker 1: just trying to distract.

679
00:29:57,840 --> 00:30:01,840
Speaker 2: Yeah, I agree, But then Runda pays since she's in

680
00:30:01,920 --> 00:30:05,960
Speaker 2: the kitchen, it comes out holding this fish by the tail,

681
00:30:06,120 --> 00:30:09,680
Speaker 2: as you do I've done a million times.

682
00:30:09,720 --> 00:30:10,760
Speaker 4: We're having this for dinner.

683
00:30:10,880 --> 00:30:14,120
Speaker 3: Yeah, you must not feel well. Let me show you this.

684
00:30:14,320 --> 00:30:17,480
Speaker 1: I mean, wouldn't anyone throws when you're cooking a chicken

685
00:30:17,480 --> 00:30:20,120
Speaker 1: because you bring out the whole chicken. It's really uncomfortable

686
00:30:20,160 --> 00:30:20,880
Speaker 1: for everybody.

687
00:30:21,000 --> 00:30:22,960
Speaker 3: But that was the direction, so she did.

688
00:30:23,240 --> 00:30:23,600
Speaker 4: She did it.

689
00:30:23,800 --> 00:30:26,720
Speaker 3: She's holding the fish, and then it was the opportunity

690
00:30:26,760 --> 00:30:31,360
Speaker 3: for us to see Jane feel sickness. She runs to

691
00:30:31,400 --> 00:30:33,240
Speaker 3: the bathroom, and all of a sudden, the girls know

692
00:30:33,320 --> 00:30:36,760
Speaker 3: exactly what's happening, and she throws a bathroom and luckily

693
00:30:36,800 --> 00:30:41,880
Speaker 3: that was off camera, and Sandy and asks are you pregnant?

694
00:30:41,960 --> 00:30:44,560
Speaker 1: And it is not surprisingly, Sandy has a lot of

695
00:30:44,560 --> 00:30:45,520
Speaker 1: friends who's been.

696
00:30:45,400 --> 00:30:48,400
Speaker 2: Pregnant, friends, friends back in her hometown.

697
00:30:49,840 --> 00:30:50,160
Speaker 4: Yeah.

698
00:30:50,200 --> 00:30:53,120
Speaker 3: So now there's two more people who learn that Gane

699
00:30:53,200 --> 00:30:56,320
Speaker 3: is pregnant. And she also tells the girls that Michael

700
00:30:56,320 --> 00:31:02,200
Speaker 3: doesn't know yet and please don't say it thing most importantly.

701
00:31:02,440 --> 00:31:04,520
Speaker 4: Because he doesn't want one and we don't want to.

702
00:31:04,680 --> 00:31:06,800
Speaker 3: She doesn't want to wreck his plans, right and I'm

703
00:31:06,800 --> 00:31:10,680
Speaker 3: not she's not ready to deal with it, and that

704
00:31:11,000 --> 00:31:15,120
Speaker 3: she's told girls but not him. So then we cut

705
00:31:15,120 --> 00:31:18,960
Speaker 3: to Billy, who is having another nightmare. Billy is the

706
00:31:18,960 --> 00:31:23,680
Speaker 3: one who has a very active sort of imagination, imagination

707
00:31:24,120 --> 00:31:25,440
Speaker 3: and having.

708
00:31:25,280 --> 00:31:30,760
Speaker 1: A dream sequence shirtless scene for sure, best scene he's

709
00:31:30,800 --> 00:31:34,840
Speaker 1: in bed no no no, which was appropriate he could

710
00:31:34,840 --> 00:31:35,080
Speaker 1: make it.

711
00:31:35,760 --> 00:31:39,280
Speaker 3: Because Billy was the one who had the dream sequence before, right, yeah.

712
00:31:39,640 --> 00:31:42,360
Speaker 2: Down in the daytime at night and then and he

713
00:31:42,400 --> 00:31:44,360
Speaker 2: also had the Noir one where yeh.

714
00:31:44,760 --> 00:31:46,840
Speaker 3: So now he's the writer, right, he's just.

715
00:31:46,760 --> 00:31:49,760
Speaker 2: Like Okay, so I say, just as a suicide, I

716
00:31:49,840 --> 00:31:53,040
Speaker 2: now think of Darren Star like whenever I see I

717
00:31:53,080 --> 00:31:56,160
Speaker 2: think of Darren who was a writer as a kid

718
00:31:56,240 --> 00:32:00,280
Speaker 2: and always wanted to and you know, he created Billy

719
00:32:00,000 --> 00:32:03,640
Speaker 2: and I wonder if like these things are overlay his life.

720
00:32:03,680 --> 00:32:04,560
Speaker 4: We'll have to get him in here.

721
00:32:04,760 --> 00:32:06,600
Speaker 3: We have to get him in here and ask him

722
00:32:06,640 --> 00:32:12,040
Speaker 3: so many questions. Yeah, so Billy's nightmare is all about

723
00:32:13,040 --> 00:32:15,360
Speaker 3: climbing to the top of a high dive, and and

724
00:32:15,400 --> 00:32:17,680
Speaker 3: his parents are in the nightmare in the dream and

725
00:32:17,680 --> 00:32:20,360
Speaker 3: they're encouraging him to jump, just jump, and he's terrified.

726
00:32:20,920 --> 00:32:23,560
Speaker 3: And then his dream morphs where it's actually him and

727
00:32:23,600 --> 00:32:28,400
Speaker 3: he's terrified, and then he's falling and he startles himself awake,

728
00:32:28,520 --> 00:32:32,920
Speaker 3: yelling out in his sleep, which makes Allison come running

729
00:32:33,040 --> 00:32:36,080
Speaker 3: sort of like she's heard him yelling, Billy, are you okay?

730
00:32:36,120 --> 00:32:39,160
Speaker 3: So then she comes in and, as concerned as she

731
00:32:39,280 --> 00:32:44,040
Speaker 3: may be, Betty's been screaming at his sleep. What did

732
00:32:45,640 --> 00:32:48,479
Speaker 3: Then You're like, well, I know this one story like

733
00:32:48,520 --> 00:32:52,000
Speaker 3: instead of comforting, You're like, well, there's this one story

734
00:32:52,000 --> 00:32:57,600
Speaker 3: where the rope wasn't long enough and he died. It

735
00:32:57,680 --> 00:32:59,959
Speaker 3: was not really like the most comforting thing.

736
00:33:00,160 --> 00:33:03,080
Speaker 2: Oh my god, I think Alison I had some trauma

737
00:33:03,080 --> 00:33:03,720
Speaker 2: as a child.

738
00:33:03,840 --> 00:33:05,080
Speaker 4: She's not very comforting.

739
00:33:05,200 --> 00:33:10,440
Speaker 3: Well, I do know of this one situation, He's right, Yeah.

740
00:33:10,920 --> 00:33:13,040
Speaker 2: And then you know in dreams when you die, then

741
00:33:13,080 --> 00:33:13,960
Speaker 2: you really die.

742
00:33:14,120 --> 00:33:17,920
Speaker 3: Yeah, that never happens, but it doesn't happen very often.

743
00:33:17,960 --> 00:33:20,000
Speaker 3: You're fine, good night, good night.

744
00:33:21,880 --> 00:33:25,120
Speaker 1: Oh my god, that's so funny. Oh yeah, that's true. Yeah,

745
00:33:25,160 --> 00:33:26,840
Speaker 1: that's true. Some kind of help is the kind of

746
00:33:26,840 --> 00:33:30,320
Speaker 1: help we all could do without. That's what Allison's personifying here.

747
00:33:30,840 --> 00:33:33,200
Speaker 1: Oh my god, that's hilarious.

748
00:33:33,200 --> 00:33:36,560
Speaker 3: More adds to his anxiety. I thought, she's like, I

749
00:33:36,560 --> 00:33:38,640
Speaker 3: don't think bungee jumping is a good idea.

750
00:33:38,680 --> 00:33:41,520
Speaker 1: And by the way, maybe don't help Allison. Yeah, maybe

751
00:33:41,520 --> 00:33:42,320
Speaker 1: we just don't help.

752
00:33:42,880 --> 00:33:44,880
Speaker 4: Maybe Emily Dickinson wasn't such a candy.

753
00:33:45,040 --> 00:33:46,640
Speaker 1: Well, you think after the time when I told him

754
00:33:46,640 --> 00:33:48,840
Speaker 1: Miss Script was terrible, he would go, maybe she's not

755
00:33:48,920 --> 00:33:50,520
Speaker 1: the nurturing source I could go to.

756
00:33:51,880 --> 00:33:54,520
Speaker 4: You just come, You're like, you want the truth, go

757
00:33:54,600 --> 00:33:55,040
Speaker 4: to this one.

758
00:33:55,200 --> 00:33:55,760
Speaker 5: My word.

759
00:33:56,160 --> 00:33:58,320
Speaker 3: Well, in her defense, I think she didn't want him

760
00:33:58,320 --> 00:34:00,239
Speaker 3: to do the jump. So but that was like her

761
00:34:00,280 --> 00:34:02,480
Speaker 3: way of like discouraging from it, going you know this

762
00:34:02,520 --> 00:34:04,080
Speaker 3: is that is a very sweet.

763
00:34:03,800 --> 00:34:05,320
Speaker 1: Way to look at it. I think she was just

764
00:34:05,360 --> 00:34:10,640
Speaker 1: being an insensitive claude. I can't end.

765
00:34:12,640 --> 00:34:12,960
Speaker 4: Yeah.

766
00:34:13,120 --> 00:34:17,759
Speaker 3: So then back in the courtyard, Billy and Matt are

767
00:34:17,840 --> 00:34:21,560
Speaker 3: it's the morning of and it is apparently early morning

768
00:34:21,719 --> 00:34:25,319
Speaker 3: because they're going to wake Jake up with a knock

769
00:34:25,320 --> 00:34:27,799
Speaker 3: on the door and say it is time. It is

770
00:34:27,840 --> 00:34:31,600
Speaker 3: the day and we are doing this. We're going bungee jumping.

771
00:34:31,360 --> 00:34:33,759
Speaker 4: And he's shirtless yep, of course.

772
00:34:33,640 --> 00:34:36,680
Speaker 3: And Matt is manically drinking his morning coffee.

773
00:34:37,040 --> 00:34:37,279
Speaker 5: Yep.

774
00:34:38,200 --> 00:34:43,120
Speaker 3: But off they go. They're going through with it and

775
00:34:43,160 --> 00:34:47,560
Speaker 3: we'll see what happens there. Jane comes to Alison's apartment

776
00:34:48,719 --> 00:34:50,799
Speaker 3: and now that everybody's gone, she tells her that she

777
00:34:51,000 --> 00:34:56,040
Speaker 3: has made a decision. Michael is not at the apartment,

778
00:34:56,480 --> 00:34:59,200
Speaker 3: neither is Billy, so she comes to Alison to let

779
00:34:59,440 --> 00:35:02,759
Speaker 3: Alison know that she has decided she doesn't want to

780
00:35:02,840 --> 00:35:03,840
Speaker 3: keep the baby.

781
00:35:04,280 --> 00:35:09,640
Speaker 1: So we take a very intense turn. All were light light, light, bunge, bungee, bungee.

782
00:35:10,040 --> 00:35:14,879
Speaker 1: But it's like, wow, it got real, big stuff got real.

783
00:35:15,760 --> 00:35:16,600
Speaker 1: Wasn't that shocking?

784
00:35:17,560 --> 00:35:20,360
Speaker 4: Yeah? I was shocking. It was very bru And she

785
00:35:20,440 --> 00:35:22,840
Speaker 4: wants you to come with her to the clinic in

786
00:35:22,880 --> 00:35:24,440
Speaker 4: this scene, right, So.

787
00:35:24,480 --> 00:35:26,800
Speaker 1: That's part of why they probably put us together in

788
00:35:26,840 --> 00:35:28,120
Speaker 1: the beginning, because they have to go, oh, now, we

789
00:35:28,160 --> 00:35:30,400
Speaker 1: need to make them friends really quickly. To establish it.

790
00:35:30,440 --> 00:35:32,560
Speaker 1: They're good friends, because she's going to come to her

791
00:35:32,600 --> 00:35:36,240
Speaker 1: to take her to the clinic. Now, obviously you would

792
00:35:36,280 --> 00:35:38,480
Speaker 1: just say, no, you can't. You have to tell you

793
00:35:38,520 --> 00:35:42,719
Speaker 1: can't do this, you have to tell him, but she does.

794
00:35:42,920 --> 00:35:43,719
Speaker 3: She does bring it up.

795
00:35:43,840 --> 00:35:44,080
Speaker 4: Cry.

796
00:35:44,440 --> 00:35:44,600
Speaker 5: Yeah.

797
00:35:44,840 --> 00:35:48,080
Speaker 1: I mean honestly, like if a friend came and told

798
00:35:48,080 --> 00:35:50,880
Speaker 1: you that, you would say, you have to you cannot.

799
00:35:51,440 --> 00:35:54,880
Speaker 4: I don't agree. I don't agree at all. I yeah,

800
00:35:54,920 --> 00:35:55,880
Speaker 4: and I and this.

801
00:35:55,760 --> 00:35:58,799
Speaker 1: Is interesting, Well I don't I think that.

802
00:36:00,000 --> 00:36:02,359
Speaker 4: So what caught me in this whole thing was the

803
00:36:02,400 --> 00:36:03,680
Speaker 4: burden they thought.

804
00:36:03,760 --> 00:36:07,280
Speaker 2: She's caring, She's holding this, she has to make the decision,

805
00:36:07,360 --> 00:36:08,960
Speaker 2: she has to try to tell her husband, who doesn't

806
00:36:08,960 --> 00:36:09,680
Speaker 2: want to hear about it.

807
00:36:10,200 --> 00:36:12,200
Speaker 4: She has to she's all alone.

808
00:36:12,360 --> 00:36:15,600
Speaker 2: You know, these guys are all planning to bungee jump together,

809
00:36:15,719 --> 00:36:19,040
Speaker 2: and like, that's so scary. But I was thinking about that,

810
00:36:19,239 --> 00:36:22,000
Speaker 2: you know, I mean, that's what choice is about. And

811
00:36:22,120 --> 00:36:24,759
Speaker 2: yet I don't know what I would do. I've never

812
00:36:24,800 --> 00:36:26,920
Speaker 2: been pregnant, I don't have children. I never wanted them,

813
00:36:26,960 --> 00:36:30,560
Speaker 2: so I don't really have, you know, a valid voice

814
00:36:30,600 --> 00:36:30,839
Speaker 2: in this.

815
00:36:30,960 --> 00:36:34,279
Speaker 4: But you know, it's different for everybody. I don't think everybody.

816
00:36:34,120 --> 00:36:37,000
Speaker 2: Would make that choice. I think that you would obviously,

817
00:36:37,120 --> 00:36:39,160
Speaker 2: and I don't know what the rest would do. But

818
00:36:39,200 --> 00:36:42,280
Speaker 2: if a friend came, I don't know that you'd automatically

819
00:36:42,920 --> 00:36:46,240
Speaker 2: insist that she tell her husband or her boyfriend or whatever.

820
00:36:48,000 --> 00:36:53,560
Speaker 3: Well, I think it's just interesting, Like you said, this,

821
00:36:53,600 --> 00:36:59,080
Speaker 3: this episode has stuff that's just so light and you know, goofy,

822
00:36:59,320 --> 00:37:02,200
Speaker 3: and then this this is a really serious topic that

823
00:37:02,560 --> 00:37:05,800
Speaker 3: in nineteen ninety two Aaron Spelling was willing to tackle

824
00:37:05,840 --> 00:37:08,879
Speaker 3: this topic and write about it. And like it took

825
00:37:08,920 --> 00:37:12,160
Speaker 3: me by surprise just in general that it came up

826
00:37:12,160 --> 00:37:14,880
Speaker 3: in this episode, that all of a sudden we were

827
00:37:14,880 --> 00:37:17,040
Speaker 3: talking about a really big deal. But just to think that,

828
00:37:17,160 --> 00:37:21,239
Speaker 3: like this was a topic thirty two years ago, right,

829
00:37:21,280 --> 00:37:25,720
Speaker 3: and then it's such a relevant conversation today of course.

830
00:37:26,400 --> 00:37:28,239
Speaker 1: But I'm not talking about whether or not she has

831
00:37:28,320 --> 00:37:30,560
Speaker 1: the right to choose. And you said husband or boyfriend,

832
00:37:30,600 --> 00:37:34,160
Speaker 1: it's not the same thing to me, Like it's her choice, obviously,

833
00:37:34,320 --> 00:37:37,279
Speaker 1: but in a marriage, to withhold something like that from

834
00:37:37,320 --> 00:37:41,160
Speaker 1: a husband, that's a marriage killer. That's what I was thinking. Yeah,

835
00:37:41,200 --> 00:37:43,160
Speaker 1: I completely think she gets to choose. She has complete

836
00:37:43,200 --> 00:37:46,400
Speaker 1: control over her body. That's her choice. But as a friend.

837
00:37:46,480 --> 00:37:47,880
Speaker 1: If a friend came to me and said, I'm not

838
00:37:47,880 --> 00:37:50,560
Speaker 1: going to tell my husband something this important, I would say, now, again,

839
00:37:51,000 --> 00:37:53,720
Speaker 1: Alison's young, she's not married. As someone who has been married,

840
00:37:53,719 --> 00:37:58,400
Speaker 1: I would say, you can't withhold something like this, right,

841
00:37:58,600 --> 00:38:00,000
Speaker 1: I mean, it ends up we're going to get to this,

842
00:38:00,280 --> 00:38:02,719
Speaker 1: but it ends that ends up coming from the counselor

843
00:38:03,280 --> 00:38:05,239
Speaker 1: at the clinic, not her friends. Or do you think

844
00:38:05,320 --> 00:38:10,080
Speaker 1: is interesting although again we're so young. Maybe yeah, I

845
00:38:10,160 --> 00:38:12,680
Speaker 1: don't know. Maybe I'm just like, Okay, you want to

846
00:38:12,719 --> 00:38:16,200
Speaker 1: be a supportive friend. Okay, I'm here for you. It's

847
00:38:16,280 --> 00:38:18,960
Speaker 1: just to do to consider something like that without telling

848
00:38:18,960 --> 00:38:23,000
Speaker 1: your husband. It's really a big deal. It's a really

849
00:38:23,000 --> 00:38:23,479
Speaker 1: big deal.

850
00:38:23,560 --> 00:38:28,880
Speaker 3: And the story really wasn't about like judging whether the

851
00:38:29,920 --> 00:38:31,920
Speaker 3: choice was right or wrong, or good or bad or

852
00:38:31,920 --> 00:38:34,319
Speaker 3: It wasn't about that. It was more like, what what

853
00:38:34,480 --> 00:38:38,719
Speaker 3: are people in their twenties, you know, grappling with and

854
00:38:38,800 --> 00:38:43,359
Speaker 3: how might that look? And like, obviously many people think

855
00:38:43,400 --> 00:38:45,960
Speaker 3: it's a bad choice not to share this news with

856
00:38:46,000 --> 00:38:48,600
Speaker 3: your husband. They are in a marriage. This is you know,

857
00:38:48,680 --> 00:38:52,000
Speaker 3: this was a baby that came from a marriage between

858
00:38:52,000 --> 00:38:58,040
Speaker 3: two people, and so that idea that this is a

859
00:38:58,080 --> 00:39:01,160
Speaker 3: bad choice that a twenty something might be making to

860
00:39:01,239 --> 00:39:03,160
Speaker 3: go I just can't tell him, you know, or like

861
00:39:03,280 --> 00:39:04,920
Speaker 3: not knowing how to do that. So the story was

862
00:39:04,960 --> 00:39:08,960
Speaker 3: more about that, not not like making the judgment on

863
00:39:08,960 --> 00:39:10,879
Speaker 3: on sort of the choice at all.

864
00:39:11,600 --> 00:39:11,719
Speaker 1: You know.

865
00:39:12,800 --> 00:39:15,319
Speaker 2: I just thought it was really I thought they were

866
00:39:15,360 --> 00:39:17,879
Speaker 2: setting up that it wasn't safe for her to tell him.

867
00:39:18,160 --> 00:39:20,560
Speaker 2: As to your point, he piles it on, piles it on,

868
00:39:20,680 --> 00:39:23,280
Speaker 2: the writers piled on. They wanted to make this very.

869
00:39:24,880 --> 00:39:25,759
Speaker 4: You know, extreme.

870
00:39:25,920 --> 00:39:29,000
Speaker 2: He was his was no, and so then to say

871
00:39:29,000 --> 00:39:32,120
Speaker 2: to her you have to tell him, it's like I

872
00:39:32,239 --> 00:39:33,560
Speaker 2: just felt for her.

873
00:39:33,680 --> 00:39:35,920
Speaker 4: Well, you know you're not in that marriage.

874
00:39:36,080 --> 00:39:37,640
Speaker 1: Well I felt for her too. If it had been

875
00:39:37,640 --> 00:39:40,960
Speaker 1: physically not safe, if he were abusive and it wasn't safe,

876
00:39:41,360 --> 00:39:43,480
Speaker 1: that feels like another issue to me. But look indurating

877
00:39:43,600 --> 00:39:46,080
Speaker 1: how much we're talking about it. And it was just

878
00:39:46,200 --> 00:39:49,960
Speaker 1: this one simple scene. It really was so much to

879
00:39:49,960 --> 00:39:52,520
Speaker 1: put into an episode. It was a contrasted with the

880
00:39:52,520 --> 00:39:54,719
Speaker 1: bungee jumping. Yeah, it was like, wow, when you were

881
00:39:54,719 --> 00:39:56,400
Speaker 1: a bungee jumping again and he we're talking about.

882
00:39:56,200 --> 00:39:59,520
Speaker 3: This, yeah, very serious topic and it's obviously you know,

883
00:39:59,680 --> 00:40:01,960
Speaker 3: up till now we've had stories that are like neatly

884
00:40:01,960 --> 00:40:04,960
Speaker 3: wrapped up. After that episode, we talk about it, they

885
00:40:04,960 --> 00:40:06,960
Speaker 3: resolve and everybody smiles at the end of the episode,

886
00:40:06,960 --> 00:40:09,520
Speaker 3: and we never talked about the thing again, like now

887
00:40:09,560 --> 00:40:12,720
Speaker 3: we finally have something. This is like a big life

888
00:40:12,760 --> 00:40:15,480
Speaker 3: and high stakes and it's not just you know.

889
00:40:15,600 --> 00:40:19,680
Speaker 2: I like how the writers really illustrated how it was

890
00:40:19,840 --> 00:40:24,960
Speaker 2: all on her, Like, I know, biologically that's obvious, but

891
00:40:25,719 --> 00:40:28,719
Speaker 2: he was surrounded by buddies, he had a problem that

892
00:40:28,880 --> 00:40:32,480
Speaker 2: wasn't that big in comparison. She had a husband who

893
00:40:32,520 --> 00:40:34,239
Speaker 2: didn't want to hear from her, didn't listen to her.

894
00:40:34,280 --> 00:40:36,640
Speaker 2: It was all about his needs and his plan. And

895
00:40:37,040 --> 00:40:39,160
Speaker 2: I just like how they really showed that this is

896
00:40:39,239 --> 00:40:42,560
Speaker 2: a massive not just the decision of what to do,

897
00:40:42,640 --> 00:40:47,320
Speaker 2: but also how to find you know, ears and comfort

898
00:40:47,400 --> 00:40:49,680
Speaker 2: and solace and someone helped me figure this out even

899
00:40:49,800 --> 00:40:50,400
Speaker 2: do I tell him?

900
00:40:50,440 --> 00:40:52,319
Speaker 4: Do I not? And then the other decision too.

901
00:40:52,360 --> 00:40:54,879
Speaker 2: I just felt like that was really they really did

902
00:40:55,080 --> 00:40:57,480
Speaker 2: commit to showing that it was all on her, this

903
00:40:57,640 --> 00:41:00,840
Speaker 2: young woman all by herself a lot.

904
00:41:01,200 --> 00:41:03,839
Speaker 3: But she's confided in her friend Allison, who now has

905
00:41:04,120 --> 00:41:06,719
Speaker 3: you know, she's carrying this this sort of burden too,

906
00:41:06,760 --> 00:41:10,759
Speaker 3: that like, oh, my friend is about to make a

907
00:41:10,760 --> 00:41:13,120
Speaker 3: big decision one way or the other, and she's not

908
00:41:13,160 --> 00:41:16,640
Speaker 3: including her husband, and now she's carrying this as her friend.

909
00:41:16,680 --> 00:41:18,640
Speaker 3: But she wants to be there for Jane and be

910
00:41:18,719 --> 00:41:21,480
Speaker 3: there for her friends, so they know.

911
00:41:21,560 --> 00:41:23,200
Speaker 2: And then we cut to the freeway and the jeep

912
00:41:23,200 --> 00:41:25,319
Speaker 2: and these guys are so care free and they're gonna

913
00:41:25,360 --> 00:41:27,200
Speaker 2: go jump off a bridge because they got nothing else

914
00:41:27,200 --> 00:41:27,640
Speaker 2: better to do.

915
00:41:27,840 --> 00:41:31,480
Speaker 1: Remember, just flaughing books. I remember when they pulls out

916
00:41:31,600 --> 00:41:36,600
Speaker 1: Matt's car, Doug was like really purple, Like was I

917
00:41:36,640 --> 00:41:38,080
Speaker 1: think a little purple cheep?

918
00:41:38,160 --> 00:41:41,520
Speaker 3: I thought, okay, that is kind of the realist, the bluest,

919
00:41:41,560 --> 00:41:43,520
Speaker 3: but it wasn't quite a jeep. It was something else.

920
00:41:43,560 --> 00:41:51,520
Speaker 3: Do you guys think, do you remember Suzuki Samurai was.

921
00:41:50,360 --> 00:41:54,520
Speaker 1: Going because obviously Matt was gay, and he goes, isn't

922
00:41:54,520 --> 00:41:56,279
Speaker 1: this a bit on the nose? Like it was this

923
00:41:56,440 --> 00:42:00,160
Speaker 1: purple Tuzuki. I remember, really.

924
00:42:00,520 --> 00:42:03,600
Speaker 3: I remember wanting Suzuki Samurai in the nineties, like I

925
00:42:03,719 --> 00:42:06,239
Speaker 3: believe were the cutest cars. But Matt got yes, it

926
00:42:06,280 --> 00:42:07,520
Speaker 3: was the feminine jeep.

927
00:42:07,560 --> 00:42:08,680
Speaker 1: It was the feminine version of.

928
00:42:09,360 --> 00:42:11,960
Speaker 3: Very cute, and they were very festive.

929
00:42:12,040 --> 00:42:13,719
Speaker 1: They were they were having a ball.

930
00:42:13,840 --> 00:42:18,600
Speaker 3: They were drive Mayada, remember the bat too.

931
00:42:18,680 --> 00:42:21,560
Speaker 4: That was the Mayada and the Cabriolets. Remember Cabriolets.

932
00:42:23,000 --> 00:42:23,600
Speaker 6: Did you have it?

933
00:42:24,520 --> 00:42:27,320
Speaker 1: I feel like you had a rabbit. You had a rabbit,

934
00:42:27,520 --> 00:42:27,960
Speaker 1: I did.

935
00:42:29,040 --> 00:42:29,600
Speaker 4: What did you have?

936
00:42:30,880 --> 00:42:33,160
Speaker 2: I first had I had a Ford Explorer and then

937
00:42:33,200 --> 00:42:36,040
Speaker 2: I got your first w Oh no, my first was

938
00:42:36,080 --> 00:42:38,759
Speaker 2: a piece of crap, Toyota I'm talking about.

939
00:42:38,840 --> 00:42:39,680
Speaker 3: I had a rabbit first.

940
00:42:39,800 --> 00:42:41,360
Speaker 4: Yeah, I had used Toyota.

941
00:42:41,440 --> 00:42:45,640
Speaker 1: Yeah, I had an ancient Mustang too. That was my first.

942
00:42:46,200 --> 00:42:47,600
Speaker 1: Very sister then came to me.

943
00:42:47,840 --> 00:42:48,480
Speaker 4: That's cool.

944
00:42:49,360 --> 00:42:51,480
Speaker 3: Yeah, the guys are ring bunge jumping. They see the bridge.

945
00:42:51,480 --> 00:42:54,080
Speaker 3: Did you guys recognize where that was where message for

946
00:42:54,160 --> 00:42:57,200
Speaker 3: bungee jumping? You didn't recognize it was La River right?

947
00:42:57,719 --> 00:43:00,080
Speaker 3: I think it was in Pasadena. I think it's the

948
00:43:00,600 --> 00:43:03,719
Speaker 3: Royal Seko like And by the way, it's in Pasadena

949
00:43:03,840 --> 00:43:09,400
Speaker 3: right near the the Rose Bowl where there's the Aquatic Center,

950
00:43:09,440 --> 00:43:11,239
Speaker 3: and that was where they did the high dive for

951
00:43:11,400 --> 00:43:15,280
Speaker 3: Billy's dream sequence. He was standing on the high dive location.

952
00:43:16,680 --> 00:43:19,640
Speaker 3: I recognize that as the Rose Bowl Aquatic Center, the

953
00:43:19,680 --> 00:43:21,719
Speaker 3: Rose Bowl swimming cool and then they must have done

954
00:43:21,719 --> 00:43:23,120
Speaker 3: those on the same day because then they did the

955
00:43:23,120 --> 00:43:25,840
Speaker 3: exterior shots to see the bridge, and just right outside the.

956
00:43:25,920 --> 00:43:30,239
Speaker 1: Tarafra was a bridge, no water, there's there's a little

957
00:43:30,280 --> 00:43:34,080
Speaker 1: puddle on the bottom, but that ground cement.

958
00:43:34,480 --> 00:43:37,880
Speaker 3: And they show the footage of the guy who like

959
00:43:37,920 --> 00:43:39,840
Speaker 3: the first one I thought when they showed it was

960
00:43:39,880 --> 00:43:41,960
Speaker 3: bouncing on the cord whatever. I thought, maybe that was

961
00:43:41,960 --> 00:43:43,839
Speaker 3: a dummy. I don't know, but like he bounces back

962
00:43:43,880 --> 00:43:45,759
Speaker 3: up and he comes so close to.

963
00:43:47,160 --> 00:43:48,319
Speaker 1: And then the bridge. Yeah.

964
00:43:48,320 --> 00:43:50,040
Speaker 3: And then the second time you see that it's not

965
00:43:50,120 --> 00:43:52,120
Speaker 3: a dummy, it's a guy. And I know this was

966
00:43:52,360 --> 00:43:55,480
Speaker 3: you know, footage of a guy whoever going off, but

967
00:43:55,840 --> 00:43:57,800
Speaker 3: it made it look like it was right with so

968
00:43:57,960 --> 00:44:00,640
Speaker 3: yeah yeah, so and then but he's moving his arms

969
00:44:00,680 --> 00:44:05,000
Speaker 3: and everything and I'm like, oh my gosh, yeah, like terrifying,

970
00:44:05,360 --> 00:44:08,600
Speaker 3: so close to the bridge, and Billy's still terrified to

971
00:44:08,600 --> 00:44:12,000
Speaker 3: do it. He's doing his like video waiver. He's doing

972
00:44:12,080 --> 00:44:14,440
Speaker 3: his waiver and he has to speak it so we

973
00:44:14,480 --> 00:44:15,920
Speaker 3: can all hear the words that he's like, you know,

974
00:44:16,600 --> 00:44:21,600
Speaker 3: this action may result in yes, and yeah, he's just

975
00:44:21,640 --> 00:44:25,279
Speaker 3: doing that's so. But we see that Matt's already done

976
00:44:25,280 --> 00:44:27,839
Speaker 3: his jump and he's just elated, and then when it's

977
00:44:27,880 --> 00:44:29,719
Speaker 3: Billy's turn, he has to go up to the top.

978
00:44:29,800 --> 00:44:32,720
Speaker 3: And that's when they watched Jake boinging around.

979
00:44:32,760 --> 00:44:36,360
Speaker 1: And I was trying to remember if they actually bungee jumped,

980
00:44:37,360 --> 00:44:39,560
Speaker 1: if the guy's actually bungee jumped. I was trying to

981
00:44:39,600 --> 00:44:41,560
Speaker 1: remember because they had the whole setup. Isn't it like

982
00:44:41,640 --> 00:44:43,600
Speaker 1: something actors would do. They'd go, I want to do it,

983
00:44:43,640 --> 00:44:44,480
Speaker 1: I want to do it.

984
00:44:44,840 --> 00:44:45,640
Speaker 4: I wouldn't.

985
00:44:45,840 --> 00:44:46,960
Speaker 3: I can't imagine that.

986
00:44:49,239 --> 00:44:51,960
Speaker 1: We asked Doug can. We asked Doug, I'm going to

987
00:44:52,000 --> 00:45:00,000
Speaker 1: ask you. Do you have his private super ivate home? Hi, honey,

988
00:45:00,080 --> 00:45:06,720
Speaker 1: asked I ask you a question first? Was your car

989
00:45:07,080 --> 00:45:10,040
Speaker 1: on the show? Was Matt's car or purple? Suzuki Samurai?

990
00:45:10,440 --> 00:45:13,160
Speaker 6: I think, if I'm not mistake, it was more of

991
00:45:13,239 --> 00:45:20,000
Speaker 6: a like aquamarine blue. Uh well wait, sex, but it

992
00:45:20,160 --> 00:45:21,800
Speaker 6: is fun to say Suzuki Samurai.

993
00:45:22,600 --> 00:45:24,759
Speaker 1: I remember when they got brought the card and I

994
00:45:24,760 --> 00:45:28,640
Speaker 1: remember you going really really okay.

995
00:45:28,640 --> 00:45:30,640
Speaker 3: So we have another question for you. We were we

996
00:45:30,680 --> 00:45:37,000
Speaker 3: were just talking about the bungee jumping scene, which we've determined.

997
00:45:37,560 --> 00:45:40,680
Speaker 3: Was it out in Pasadena near the Rose Bowl?

998
00:45:41,280 --> 00:45:41,520
Speaker 1: Yeah?

999
00:45:41,640 --> 00:45:44,360
Speaker 5: I thought it was. Yeah, that that yeah, that bridge

1000
00:45:44,360 --> 00:45:45,440
Speaker 5: over there in Pasadena.

1001
00:45:45,560 --> 00:45:47,920
Speaker 3: Yes, okay, So the girls wanted to know, and I

1002
00:45:47,920 --> 00:45:50,880
Speaker 3: forgot to ask you did you nobody actually did anybody

1003
00:45:50,920 --> 00:45:54,400
Speaker 3: actually bungee jump? Like was the footage you guys jumping?

1004
00:45:55,640 --> 00:45:55,680
Speaker 1: No?

1005
00:45:56,000 --> 00:45:58,239
Speaker 6: God, no, no, no, I knew.

1006
00:45:58,800 --> 00:46:02,120
Speaker 3: Stuntman, stuntman right, what do you remember about that scene?

1007
00:46:02,520 --> 00:46:06,160
Speaker 6: Yeah? I do. Actually we were in the Szooky tam Rice.

1008
00:46:06,160 --> 00:46:10,440
Speaker 6: But my recollection was that we sang Wooly Bully.

1009
00:46:12,600 --> 00:46:14,359
Speaker 3: Did they sing Wily Bully in the scene? I don't

1010
00:46:14,400 --> 00:46:16,000
Speaker 3: think you sang Willy Bully in the scene.

1011
00:46:16,760 --> 00:46:19,640
Speaker 6: Well no, no, no, I don't think it aired or anybody

1012
00:46:19,680 --> 00:46:22,880
Speaker 6: remember singing Well, having that come up on an episode,

1013
00:46:23,680 --> 00:46:24,440
Speaker 6: you haven't seen that.

1014
00:46:24,680 --> 00:46:28,560
Speaker 5: This was Matt's moment to shine, because you guys know,

1015
00:46:28,719 --> 00:46:32,840
Speaker 5: I'm a very dedicated character actor and I go deep

1016
00:46:33,400 --> 00:46:36,120
Speaker 5: and so in my backstory for Matt, he was like

1017
00:46:36,120 --> 00:46:39,440
Speaker 5: in show choir. He was all jazz hands and shows.

1018
00:46:40,160 --> 00:46:42,520
Speaker 5: And so when we when we got them, when we

1019
00:46:42,560 --> 00:46:46,040
Speaker 5: had the opportunity to sing Willy Bully, I was I went, I.

1020
00:46:45,960 --> 00:46:49,239
Speaker 3: Was all in nice, but you want to jump from

1021
00:46:49,239 --> 00:46:49,720
Speaker 3: a bridge?

1022
00:46:49,840 --> 00:46:50,920
Speaker 5: Huh?

1023
00:46:51,040 --> 00:46:52,320
Speaker 2: Yeah?

1024
00:46:52,360 --> 00:46:54,640
Speaker 3: And then apparently Bully Bully got cut unless it's not

1025
00:46:54,760 --> 00:46:57,000
Speaker 3: in this scene. Like, is it possible that Wooly Bully

1026
00:46:57,160 --> 00:46:59,760
Speaker 3: is like still to come in another episode of watching?

1027
00:46:59,800 --> 00:47:02,279
Speaker 5: It is possible that I have conflated episodes.

1028
00:47:02,360 --> 00:47:04,520
Speaker 3: So yes, stunt.

1029
00:47:04,160 --> 00:47:08,359
Speaker 4: Manner, he said, nobody jumped? Nobody jumped? Did stuntman jump?

1030
00:47:08,360 --> 00:47:09,320
Speaker 4: Were those dummies?

1031
00:47:10,160 --> 00:47:14,440
Speaker 3: I thought that they were dummies even if they were

1032
00:47:14,440 --> 00:47:16,040
Speaker 3: stunt they were dummy.

1033
00:47:16,440 --> 00:47:17,360
Speaker 2: Yeah.

1034
00:47:17,400 --> 00:47:19,880
Speaker 3: Well, now the big mystery is where's Wooly Bully?

1035
00:47:20,840 --> 00:47:21,080
Speaker 4: Yeah?

1036
00:47:21,239 --> 00:47:24,080
Speaker 5: I need to know because that would have changed the.

1037
00:47:24,040 --> 00:47:24,759
Speaker 6: Whole course for me.

1038
00:47:25,080 --> 00:47:28,239
Speaker 5: But girls, while while I have you, I think it's

1039
00:47:28,280 --> 00:47:29,840
Speaker 5: time for me to air my beef.

1040
00:47:30,160 --> 00:47:37,400
Speaker 6: What's let's see Grant show Andrew Shoe in the studio.

1041
00:47:38,080 --> 00:47:41,080
Speaker 5: I'm married to one of the hosts of the show.

1042
00:47:41,280 --> 00:47:45,560
Speaker 5: I get a phone call, but don't worry, I listen.

1043
00:47:45,719 --> 00:47:47,360
Speaker 5: I'm used to being marginalized.

1044
00:47:47,520 --> 00:47:51,640
Speaker 3: Oh, you're not marginalized. You're coming in soon.

1045
00:47:52,280 --> 00:47:55,560
Speaker 1: Your wife told us that you weren't available.

1046
00:47:55,640 --> 00:47:59,760
Speaker 3: That's all I know's he's very, very busy.

1047
00:48:00,480 --> 00:48:02,760
Speaker 5: Yeah, the calendarselves her.

1048
00:48:02,600 --> 00:48:06,440
Speaker 1: Exact Quoe was, he's too busy and too important. I

1049
00:48:06,440 --> 00:48:07,160
Speaker 1: can't wait to.

1050
00:48:07,120 --> 00:48:07,959
Speaker 4: Have you in, Doug.

1051
00:48:08,200 --> 00:48:10,120
Speaker 3: Yeah, wait, we all can't wait.

1052
00:48:10,960 --> 00:48:12,760
Speaker 5: Yeah, I'm kind of a big deal.

1053
00:48:13,160 --> 00:48:14,919
Speaker 1: Yeah, yeah, we're very clear.

1054
00:48:15,760 --> 00:48:19,320
Speaker 3: Well we are, we are. Yes, we're just getting warmed

1055
00:48:19,400 --> 00:48:22,280
Speaker 3: up actually with those other guys coming in. And then

1056
00:48:22,840 --> 00:48:25,320
Speaker 3: you'll be in soon, honey, and you can sing wly

1057
00:48:25,400 --> 00:48:29,040
Speaker 3: bully for us, and then then we show us your

1058
00:48:29,080 --> 00:48:30,759
Speaker 3: jazz hands. It's gonna be great.

1059
00:48:30,880 --> 00:48:31,960
Speaker 1: All right, We're gonna get it.

1060
00:48:32,320 --> 00:48:33,040
Speaker 3: We're gonna get back to.

1061
00:48:35,000 --> 00:48:35,040
Speaker 1: You.

1062
00:48:36,280 --> 00:48:36,600
Speaker 5: Thanks.

1063
00:48:41,719 --> 00:48:43,880
Speaker 3: Back in the courtyard. Okay, Sandy hand I've come by

1064
00:48:43,960 --> 00:48:47,160
Speaker 3: Jean's apartment following up looking for her and want to

1065
00:48:47,200 --> 00:48:49,800
Speaker 3: find out how she's feeling. Jean's walking out with Alison

1066
00:48:49,880 --> 00:48:53,960
Speaker 3: and reveals that they're actually headed to the clinic. So

1067
00:48:54,120 --> 00:48:57,200
Speaker 3: that's when the girls say, you know, we'll come along now.

1068
00:48:57,200 --> 00:48:58,959
Speaker 3: They want to be there for her as well.

1069
00:48:59,120 --> 00:49:01,360
Speaker 1: Yeah, we're on to offer, but realizes she has a class,

1070
00:49:01,400 --> 00:49:04,600
Speaker 1: so she stays behind, but Sandy Allison.

1071
00:49:04,320 --> 00:49:06,640
Speaker 3: Sandy's going to go. So then at the doctor's office,

1072
00:49:06,719 --> 00:49:09,440
Speaker 3: Jane is in with the doctor and Sandy and Allison

1073
00:49:09,560 --> 00:49:13,160
Speaker 3: are in the lobby waiting, but the doctor at the

1074
00:49:13,160 --> 00:49:17,479
Speaker 3: clinic tells Jane that she is six weeks pregnant, and

1075
00:49:19,120 --> 00:49:22,800
Speaker 3: Jane reveals that she doesn't want to keep the pregnancy.

1076
00:49:22,920 --> 00:49:23,879
Speaker 3: The doctor questions her.

1077
00:49:24,040 --> 00:49:25,680
Speaker 1: Shocking, even though I knew she was there. I thought

1078
00:49:25,719 --> 00:49:27,279
Speaker 1: she was there to have a discussion, and she said

1079
00:49:27,320 --> 00:49:29,719
Speaker 1: that as an audience member. I was shocked if like, oh,

1080
00:49:29,800 --> 00:49:30,640
Speaker 1: are we there already?

1081
00:49:31,000 --> 00:49:33,319
Speaker 3: Well, it's like because she sort of told Alison, I

1082
00:49:33,400 --> 00:49:36,160
Speaker 3: just want to explore and like have a conversation. But

1083
00:49:36,200 --> 00:49:38,440
Speaker 3: then she was sort of, you know, announcing it to

1084
00:49:38,520 --> 00:49:41,000
Speaker 3: the doctor that she'd already made a decision, at which

1085
00:49:41,000 --> 00:49:45,200
Speaker 3: time the doctor says, well, you know, have you talked

1086
00:49:45,200 --> 00:49:46,959
Speaker 3: to your husband? Can he be here? Maybe we should

1087
00:49:47,000 --> 00:49:49,439
Speaker 3: have this conversation when he's here. And that's when Jane

1088
00:49:49,440 --> 00:49:52,360
Speaker 3: says she doesn't want to include him in the conversation

1089
00:49:52,560 --> 00:49:54,880
Speaker 3: and that she thinks that every marriage has secrets.

1090
00:49:55,080 --> 00:49:57,760
Speaker 1: Yeah, which is a very intense line, right, every marriage

1091
00:49:57,760 --> 00:49:59,319
Speaker 1: has its secrets, right. And I thought the doctor was

1092
00:49:59,400 --> 00:50:02,399
Speaker 1: very sensitive, very thoughtful, and just.

1093
00:50:02,360 --> 00:50:05,160
Speaker 4: I thought she was a little pushy, but whatever I.

1094
00:50:05,080 --> 00:50:05,920
Speaker 3: Thought, she was stern.

1095
00:50:06,000 --> 00:50:08,960
Speaker 1: I think I think she's just trying to make it okay.

1096
00:50:08,960 --> 00:50:10,680
Speaker 1: In her head, She's trying to find a way to

1097
00:50:10,719 --> 00:50:12,160
Speaker 1: make it okay to not tell him.

1098
00:50:12,440 --> 00:50:16,279
Speaker 3: Well, so, okay, anyway, so we've already we've covered all

1099
00:50:16,320 --> 00:50:18,520
Speaker 3: the things that are happening on the bungee jumping front.

1100
00:50:18,600 --> 00:50:22,560
Speaker 3: While this is happening in the doctor's office, but then

1101
00:50:22,920 --> 00:50:27,520
Speaker 3: in the lobby of the waiting room of the doctor's office,

1102
00:50:27,640 --> 00:50:31,560
Speaker 3: Alison and Sandy are having a conversation where it is

1103
00:50:32,719 --> 00:50:37,080
Speaker 3: revealed that Sandy has had an abortion in her past

1104
00:50:37,120 --> 00:50:40,560
Speaker 3: and she tells Alison the story all about it, how

1105
00:50:40,600 --> 00:50:42,359
Speaker 3: difficult it was for her.

1106
00:50:42,239 --> 00:50:44,480
Speaker 1: Which is kind of the first real insight we have

1107
00:50:44,560 --> 00:50:47,920
Speaker 1: into Sandy too. It's really amyel o'kain's first time to

1108
00:50:48,120 --> 00:50:49,879
Speaker 1: share the characters vulnerability.

1109
00:50:50,080 --> 00:50:53,880
Speaker 3: Sandy, you know, I think was she was acknowledging that

1110
00:50:53,920 --> 00:50:57,040
Speaker 3: she just made this horrible mistake in her youth, that

1111
00:50:57,360 --> 00:50:58,960
Speaker 3: she made all sorts of mistakes and it was a

1112
00:50:59,000 --> 00:51:02,160
Speaker 3: terrible experience, you know, what she'd gone through and put

1113
00:51:02,200 --> 00:51:05,480
Speaker 3: that revelation and sharing it with Alison. She said, Alison

1114
00:51:05,640 --> 00:51:08,960
Speaker 3: was the first person to hear the story, and that

1115
00:51:09,160 --> 00:51:11,680
Speaker 3: you know, when you tell somebody something that intimate, and

1116
00:51:11,719 --> 00:51:12,799
Speaker 3: that Alice.

1117
00:51:12,960 --> 00:51:15,200
Speaker 2: In an understanding way, what did you do?

1118
00:51:16,680 --> 00:51:16,919
Speaker 5: Well?

1119
00:51:17,480 --> 00:51:19,600
Speaker 1: I did a better job. I feel like Alison has

1120
00:51:19,600 --> 00:51:22,000
Speaker 1: come along. She didn't tell a horror story, she didn't

1121
00:51:22,040 --> 00:51:24,520
Speaker 1: meet the vulnerbally with a horror story. No she just said,

1122
00:51:24,520 --> 00:51:25,960
Speaker 1: that's what you do, you tell your friends, and then

1123
00:51:26,000 --> 00:51:28,359
Speaker 1: Sandy said are we friends? Which is so sweet because

1124
00:51:28,360 --> 00:51:30,080
Speaker 1: if she's someone who probably hasn't had a lot of

1125
00:51:30,080 --> 00:51:33,200
Speaker 1: good female friends, it was that sweet moment of them.

1126
00:51:33,120 --> 00:51:35,960
Speaker 3: Connect and she seemed really cautious and wary of it, like,

1127
00:51:36,160 --> 00:51:38,560
Speaker 3: you know, is that to be trusted? But she really

1128
00:51:38,600 --> 00:51:40,960
Speaker 3: went out on a limb to tell Alice in that story,

1129
00:51:40,960 --> 00:51:42,359
Speaker 3: and I think that's you know.

1130
00:51:42,560 --> 00:51:44,520
Speaker 4: What did Alison say to her? Do you remember this

1131
00:51:44,600 --> 00:51:44,799
Speaker 4: is what?

1132
00:51:44,920 --> 00:51:45,520
Speaker 3: That's what friends?

1133
00:51:45,560 --> 00:51:45,680
Speaker 2: Do?

1134
00:51:46,000 --> 00:51:46,840
Speaker 1: We know?

1135
00:51:46,960 --> 00:51:49,080
Speaker 4: Afterwards when she says is that what we are? Alison?

1136
00:51:49,120 --> 00:51:51,040
Speaker 4: Are we friends? Was there a button?

1137
00:51:51,080 --> 00:51:53,480
Speaker 1: I think there was just a sensitive sort of nod

1138
00:51:53,640 --> 00:51:56,759
Speaker 1: and the look that remember when you had to hold

1139
00:51:56,760 --> 00:51:58,839
Speaker 1: the look for a long time before they said cut

1140
00:51:58,880 --> 00:51:59,759
Speaker 1: I could that was the whole thing.

1141
00:52:01,600 --> 00:52:04,560
Speaker 3: So then back at Michael and Jean's apartment, Michael answers

1142
00:52:04,560 --> 00:52:07,640
Speaker 3: the door to Ronda, who's enthusiastically bringing over some food

1143
00:52:07,680 --> 00:52:12,000
Speaker 3: that she's made, and she's just blurting, blurting, words are

1144
00:52:12,040 --> 00:52:14,799
Speaker 3: flying out of her mouth and we can just see

1145
00:52:14,800 --> 00:52:18,360
Speaker 3: where this is going, and she's saying, don't you you know,

1146
00:52:18,920 --> 00:52:22,200
Speaker 3: don't stress, don't exert yourself. We know every you know,

1147
00:52:22,239 --> 00:52:24,040
Speaker 3: it's so hard for what you two have been through

1148
00:52:24,160 --> 00:52:27,160
Speaker 3: and the baby and and the audiences. You'll have a

1149
00:52:27,200 --> 00:52:29,920
Speaker 3: baby when you're ready, She's said, yeah, well you'll have

1150
00:52:29,960 --> 00:52:31,239
Speaker 3: a baby when you're ready with you what.

1151
00:52:31,480 --> 00:52:33,200
Speaker 1: Yeah, And you're just like zipp it, sip and sip it,

1152
00:52:33,400 --> 00:52:36,240
Speaker 1: and you're like, just give them the little fat veteenie, Rhonda,

1153
00:52:36,400 --> 00:52:38,640
Speaker 1: And then she tries to back pedal and it is

1154
00:52:38,680 --> 00:52:39,400
Speaker 1: not successful.

1155
00:52:39,440 --> 00:52:40,200
Speaker 3: No, not at all.

1156
00:52:40,280 --> 00:52:42,160
Speaker 1: It's already the cat is way out of the bag.

1157
00:52:42,800 --> 00:52:46,120
Speaker 3: Yeah, so that's that's bad news for for That's the

1158
00:52:46,160 --> 00:52:48,200
Speaker 3: way that Michael's going to find out. But back in

1159
00:52:48,239 --> 00:52:51,919
Speaker 3: the courtyard, Billy, Jake and Matt are coming back from

1160
00:52:52,000 --> 00:52:56,080
Speaker 3: bungee jumping there sitting down having cokes, and Matt is

1161
00:52:56,160 --> 00:52:59,520
Speaker 3: sort of teasing Billy, like saying, but there's nothing wrong

1162
00:52:59,560 --> 00:53:03,279
Speaker 3: with being a coward and being scared. They're they're just

1163
00:53:03,320 --> 00:53:04,480
Speaker 3: making fun of him right and left.

1164
00:53:04,520 --> 00:53:07,640
Speaker 1: But you know, again a little bit of whiplash in

1165
00:53:07,640 --> 00:53:11,399
Speaker 1: this episode from this very serious storyline to like it's

1166
00:53:11,440 --> 00:53:12,480
Speaker 1: just like wait, where are we now?

1167
00:53:12,800 --> 00:53:13,080
Speaker 4: Now?

1168
00:53:13,360 --> 00:53:15,680
Speaker 3: Just the joshing in the Yeah, in the courtyard and

1169
00:53:16,280 --> 00:53:18,680
Speaker 3: nobody landed in the pool in that one though, But

1170
00:53:18,920 --> 00:53:23,680
Speaker 3: Jane does walk through and she's obviously not not in

1171
00:53:23,719 --> 00:53:25,920
Speaker 3: a fine mood, and she's walking up to her door.

1172
00:53:26,360 --> 00:53:28,719
Speaker 3: So she enters her apartment and finds Michael in the

1173
00:53:28,800 --> 00:53:30,520
Speaker 3: kitchen not.

1174
00:53:30,480 --> 00:53:33,520
Speaker 1: Happy really and this is where you know, and I

1175
00:53:33,560 --> 00:53:35,440
Speaker 1: said to you earlier, definitely said, but he's not abusive.

1176
00:53:35,480 --> 00:53:38,080
Speaker 1: I thought, well, wow, this is like he's angry. There's

1177
00:53:38,120 --> 00:53:42,280
Speaker 1: no moment of what's going on. He is just rageful.

1178
00:53:42,400 --> 00:53:44,600
Speaker 1: So that I did think, Oh, that is scary. I

1179
00:53:44,680 --> 00:53:46,120
Speaker 1: kind of know why she wouldn't want to tell him

1180
00:53:46,120 --> 00:53:48,400
Speaker 1: if this is the response that he was a bit scary.

1181
00:53:48,560 --> 00:53:51,200
Speaker 3: I think we could all agree on this scene was

1182
00:53:52,000 --> 00:53:54,680
Speaker 3: really or said it was wrong and it was all

1183
00:53:54,719 --> 00:53:56,040
Speaker 3: about him being betrayed.

1184
00:53:56,120 --> 00:53:58,680
Speaker 4: He's such a victim here and it so annoyed me.

1185
00:53:59,000 --> 00:54:01,680
Speaker 3: Yeah, if you read flags in this scene, yeah, and

1186
00:54:02,120 --> 00:54:04,560
Speaker 3: the height that he took his anger was just it

1187
00:54:04,680 --> 00:54:05,520
Speaker 3: was scary.

1188
00:54:05,800 --> 00:54:10,920
Speaker 2: It was how Jane is written and how Josie plays her.

1189
00:54:11,320 --> 00:54:14,120
Speaker 2: It's just like you've been saying, you know, we've all

1190
00:54:14,239 --> 00:54:18,040
Speaker 2: seen from the beginning, like she's so vulnerable. She plays

1191
00:54:18,080 --> 00:54:21,280
Speaker 2: that so naturally and beautifully. She's like, does nothing wrong,

1192
00:54:21,400 --> 00:54:23,920
Speaker 2: you know, And then she has this on her, and

1193
00:54:23,960 --> 00:54:24,680
Speaker 2: he's just.

1194
00:54:24,960 --> 00:54:26,440
Speaker 4: So the way that she's playing.

1195
00:54:26,160 --> 00:54:28,120
Speaker 2: It, the way that Jane's written, and then he's just

1196
00:54:28,160 --> 00:54:32,879
Speaker 2: written so like polar opposite and just so pure rage.

1197
00:54:32,920 --> 00:54:35,080
Speaker 3: He feels like a bully in and he's upset because

1198
00:54:35,120 --> 00:54:38,880
Speaker 3: he thinks, you know that she's gone and had total andrency.

1199
00:54:39,000 --> 00:54:43,280
Speaker 1: Yeah, absolutely, but in the scene moment of what happened.

1200
00:54:43,040 --> 00:54:45,200
Speaker 3: Right, and then in the scene he learns that she

1201
00:54:45,239 --> 00:54:48,759
Speaker 3: didn't actually terminate the pregnancy, but he's still angry. He's

1202
00:54:48,800 --> 00:54:50,840
Speaker 3: still yeah, he's found.

1203
00:54:50,800 --> 00:54:53,920
Speaker 4: You've decided, you've decided. Let's not forget.

1204
00:54:54,000 --> 00:54:56,880
Speaker 2: The thing that's center on this whole confusion was that

1205
00:54:56,960 --> 00:55:00,239
Speaker 2: he had a plan what he decided in the beginning. No, no, no,

1206
00:55:00,360 --> 00:55:02,520
Speaker 2: that's not part of the plan, not at least so casually,

1207
00:55:02,520 --> 00:55:04,920
Speaker 2: at least five years from now or whatever like that

1208
00:55:05,040 --> 00:55:05,640
Speaker 2: was his plan.

1209
00:55:06,000 --> 00:55:10,080
Speaker 1: Yeah, their is not great, So that escalated. They're screaming

1210
00:55:10,160 --> 00:55:12,360
Speaker 1: at each other, ends up carrying out into the courtyard

1211
00:55:12,360 --> 00:55:14,719
Speaker 1: where he's stomping off and he doesn't care who hears,

1212
00:55:14,760 --> 00:55:17,440
Speaker 1: and he's she's saying, let's not we're in the courtyard, like,

1213
00:55:17,480 --> 00:55:21,480
Speaker 1: don't let's find any somebody's aware of right to my

1214
00:55:21,560 --> 00:55:22,640
Speaker 1: point exactly.

1215
00:55:23,239 --> 00:55:26,040
Speaker 3: We're shouting and there's people here that're sitting by the pool.

1216
00:55:26,160 --> 00:55:28,759
Speaker 3: They've just bungee jump. Yeah, so she's trying to have it,

1217
00:55:29,000 --> 00:55:31,320
Speaker 3: you know, de escalating. He says he doesn't care who hears.

1218
00:55:31,360 --> 00:55:33,920
Speaker 3: And he says, you know who cares, You've already told everybody,

1219
00:55:33,920 --> 00:55:36,680
Speaker 3: and everybody told everybody but me, and so off he storms.

1220
00:55:38,440 --> 00:55:43,680
Speaker 3: So that was brutal. And then he's storming down the street.

1221
00:55:44,600 --> 00:55:46,799
Speaker 4: They go after him. The guys all get up and

1222
00:55:46,880 --> 00:55:48,120
Speaker 4: kind of go after him, you know.

1223
00:55:48,280 --> 00:55:50,560
Speaker 1: Yeah, which is this episode which try to I love

1224
00:55:50,600 --> 00:55:53,040
Speaker 1: all this people coming together, Yeah, yeah.

1225
00:55:52,960 --> 00:55:55,319
Speaker 3: Try to cool him down or find out what's going

1226
00:55:55,360 --> 00:55:59,120
Speaker 3: on whatever. And they have a couple lines where it's

1227
00:55:59,160 --> 00:56:02,640
Speaker 3: like women they can't be trusted, you know, that sort

1228
00:56:02,680 --> 00:56:06,920
Speaker 3: of like banter. But then back at the courtyard, we

1229
00:56:06,960 --> 00:56:09,720
Speaker 3: see that the girls are rallying around Jane as well,

1230
00:56:09,920 --> 00:56:13,400
Speaker 3: and she's confiding in them that she really feels like

1231
00:56:13,560 --> 00:56:17,200
Speaker 3: she can't talk to her husband, that he just isn't

1232
00:56:17,200 --> 00:56:20,600
Speaker 3: somebody that is willing to listen or change his mind,

1233
00:56:20,600 --> 00:56:24,200
Speaker 3: and she just feels really, you know, lost, And Ronda

1234
00:56:24,239 --> 00:56:25,919
Speaker 3: feels bad and guilty that she was the one who's

1235
00:56:25,920 --> 00:56:28,279
Speaker 3: built the beans, and Jane says, it is just not

1236
00:56:28,360 --> 00:56:32,160
Speaker 3: your fault. There's such bigger issue, and she realizes she

1237
00:56:32,160 --> 00:56:33,560
Speaker 3: should have told him, but it's just like.

1238
00:56:33,640 --> 00:56:36,080
Speaker 1: Which is incredibly generous, Yeah, because I would say no,

1239
00:56:36,360 --> 00:56:39,279
Speaker 1: my part was this, but also, wow, shut your mouth.

1240
00:56:39,480 --> 00:56:44,440
Speaker 1: Yeah really she was very very very gracious.

1241
00:56:44,480 --> 00:56:46,840
Speaker 3: Yeah, she was very gracious. But she's realizing there's a

1242
00:56:46,840 --> 00:56:49,799
Speaker 3: bigger problem that she and her husband are just not

1243
00:56:50,080 --> 00:56:55,560
Speaker 3: at all able to talk about this reasonably. So we

1244
00:56:55,680 --> 00:56:59,560
Speaker 3: find the guys at Shooters where Michael is telling Billy,

1245
00:56:59,680 --> 00:57:03,799
Speaker 3: Matt and Jake that marriage is about realizing that you

1246
00:57:04,320 --> 00:57:06,520
Speaker 3: never really knew somebody. You know, you thought you knew somebody,

1247
00:57:06,560 --> 00:57:08,479
Speaker 3: but you never really did. And he's sort of like.

1248
00:57:09,520 --> 00:57:11,920
Speaker 4: All about him, all about and then.

1249
00:57:12,680 --> 00:57:15,960
Speaker 3: Yeah, but oddly he you know, sort of casually mentions

1250
00:57:16,000 --> 00:57:18,440
Speaker 3: and then the baby and the guys are like, what

1251
00:57:18,440 --> 00:57:22,760
Speaker 3: what baby? And that's when we realized the guys didn't know.

1252
00:57:22,840 --> 00:57:25,919
Speaker 3: Michael realizes that the guys didn't know. He assumed they did,

1253
00:57:26,160 --> 00:57:33,080
Speaker 3: and their response was completely ecstatic and thrilled and congratulatory,

1254
00:57:33,240 --> 00:57:34,520
Speaker 3: Which did you guys think?

1255
00:57:34,560 --> 00:57:34,640
Speaker 1: Like?

1256
00:57:35,480 --> 00:57:37,840
Speaker 3: Then that was that was the moment that made him

1257
00:57:37,880 --> 00:57:39,720
Speaker 3: go Okay, you're right. Like, all of a sudden, he

1258
00:57:39,760 --> 00:57:41,560
Speaker 3: becomes I need to go talk to Jane and like

1259
00:57:41,640 --> 00:57:44,960
Speaker 3: be heroic, like back to yeah Jane, Like but that

1260
00:57:45,040 --> 00:57:46,760
Speaker 3: was all all it took was to see that the

1261
00:57:46,760 --> 00:57:49,560
Speaker 3: guys were excited about and he's like, yeah, they're like.

1262
00:57:49,520 --> 00:57:51,120
Speaker 1: We only we have two more minutes of the show.

1263
00:57:51,160 --> 00:57:53,640
Speaker 1: We have to get him durned around. But I think too.

1264
00:57:53,720 --> 00:57:56,760
Speaker 1: It sort of changed his perspective. He'd been on a

1265
00:57:56,840 --> 00:58:00,200
Speaker 1: difficult problem not the time, and then he saw their reaction.

1266
00:58:00,320 --> 00:58:02,320
Speaker 1: He was like, oh, I wasn't even thinking that this

1267
00:58:02,360 --> 00:58:05,439
Speaker 1: could be good news. It hadn't even occurred to him that, yeah,

1268
00:58:05,440 --> 00:58:07,840
Speaker 1: the woman he loves is pregnant with their child.

1269
00:58:08,200 --> 00:58:11,600
Speaker 3: Yeah. It just happens so fast for coming from the

1270
00:58:11,640 --> 00:58:13,640
Speaker 3: place of anger where he was and whatever, and then

1271
00:58:13,760 --> 00:58:15,680
Speaker 3: to just have it be like, oh, you're right, and

1272
00:58:15,680 --> 00:58:16,320
Speaker 3: it's like whoop.

1273
00:58:16,840 --> 00:58:18,560
Speaker 1: So he changed to I had to do a lot

1274
00:58:18,600 --> 00:58:21,560
Speaker 1: of homework to figure out how the character that was

1275
00:58:21,640 --> 00:58:23,400
Speaker 1: like work. We didn't see he was home trying to

1276
00:58:23,400 --> 00:58:23,960
Speaker 1: figure that out.

1277
00:58:24,200 --> 00:58:26,080
Speaker 3: Yeah, so he changes. The student says he needs to

1278
00:58:26,080 --> 00:58:29,240
Speaker 3: go home and talk to Jane. So we see Jane

1279
00:58:30,080 --> 00:58:32,600
Speaker 3: at home alone, lying in bed, awake when Michael comes

1280
00:58:32,640 --> 00:58:36,360
Speaker 3: in and he sits down and they both agree that

1281
00:58:36,400 --> 00:58:39,200
Speaker 3: they want this baby, and they're apologetic, both of them,

1282
00:58:39,360 --> 00:58:43,760
Speaker 3: and they're all of a sudden happy and sweet and.

1283
00:58:45,720 --> 00:58:48,280
Speaker 2: And I'm still waiting for the apology from Michael, but

1284
00:58:48,400 --> 00:58:49,560
Speaker 2: I don't think that's gonna come.

1285
00:58:49,840 --> 00:58:51,080
Speaker 4: We're gonna be waiting a long time.

1286
00:58:51,640 --> 00:58:53,640
Speaker 3: Like it still feels like I'm holding my breath for them.

1287
00:58:53,720 --> 00:58:55,760
Speaker 3: So I was like, wait a minute, this feels really toxic.

1288
00:58:56,120 --> 00:58:58,600
Speaker 3: But I'm glad that they've come to a decision and

1289
00:58:58,600 --> 00:59:00,520
Speaker 3: they're back together, Like you.

1290
00:59:00,480 --> 00:59:02,959
Speaker 1: Can't quite relax into it. You don't know it's okay

1291
00:59:03,000 --> 00:59:04,840
Speaker 1: for eggs eggs.

1292
00:59:04,600 --> 00:59:06,800
Speaker 3: Shells a little bit like is that gonna happen again? Yeah,

1293
00:59:06,800 --> 00:59:08,840
Speaker 3: we're all on eggs shells with with the two of them,

1294
00:59:08,920 --> 00:59:11,520
Speaker 3: but we're pleased that they're pleased, and we're pleased that

1295
00:59:11,560 --> 00:59:16,480
Speaker 3: they made this decision. And then Billy, we find he

1296
00:59:16,840 --> 00:59:21,400
Speaker 3: is reading Alice in his article and he's written his

1297
00:59:21,480 --> 00:59:25,000
Speaker 3: article about his misadventures bungee jumping, and that he that

1298
00:59:25,040 --> 00:59:28,520
Speaker 3: it really wasn't about that life is not about death.

1299
00:59:28,560 --> 00:59:30,880
Speaker 3: That's it's not about the adventure, and he doesn't want

1300
00:59:30,920 --> 00:59:32,720
Speaker 3: it to be about death. That's just more just about being.

1301
00:59:32,720 --> 00:59:34,840
Speaker 3: Life is about living, not about exactly.

1302
00:59:35,200 --> 00:59:38,680
Speaker 2: So I so he resolved writer's ending.

1303
00:59:38,880 --> 00:59:41,760
Speaker 3: Yep, he resolved his piece, and we see that he's.

1304
00:59:41,720 --> 00:59:44,160
Speaker 4: But I just don't get the very last line. You guys,

1305
00:59:44,600 --> 00:59:47,360
Speaker 4: move over, Doogie Howser. I don't get that.

1306
00:59:47,800 --> 00:59:51,080
Speaker 1: We don't real it, says Billy writes about Michael's baby.

1307
00:59:51,200 --> 00:59:51,520
Speaker 5: News.

1308
00:59:51,840 --> 00:59:54,640
Speaker 3: Yeah, you'd be a young So was Doogie Howser a

1309
00:59:54,760 --> 00:59:56,680
Speaker 3: dad when I watched a character?

1310
00:59:56,720 --> 00:59:59,040
Speaker 1: No, no, no, he's a young doctor. When I watched it,

1311
00:59:59,120 --> 01:00:01,200
Speaker 1: I thought he was saying because Dougie Howser had this

1312
01:00:01,280 --> 01:00:04,440
Speaker 1: internal monologue and I thought that's what it was. But

1313
01:00:04,480 --> 01:00:06,160
Speaker 1: apparently I.

1314
01:00:06,120 --> 01:00:08,200
Speaker 3: Think it has to do with Dougie Howser being a doctor,

1315
01:00:08,200 --> 01:00:10,600
Speaker 3: and he was about to write about Michael being a doctor.

1316
01:00:10,640 --> 01:00:13,600
Speaker 3: But I also thought, well, was Doogie Houser also, aser's

1317
01:00:13,640 --> 01:00:14,160
Speaker 3: the baby?

1318
01:00:14,320 --> 01:00:17,439
Speaker 1: So the Doogie Howser stories that this young, this young

1319
01:00:17,520 --> 01:00:22,320
Speaker 1: genius is a doctor. So the baby that now right now, fetus,

1320
01:00:22,440 --> 01:00:26,080
Speaker 1: the fetus, it's a doctor. I guess it was kind

1321
01:00:26,080 --> 01:00:26,560
Speaker 1: of a stretch.

1322
01:00:26,600 --> 01:00:27,840
Speaker 3: Okay, it was kind of a stretch.

1323
01:00:27,880 --> 01:00:30,520
Speaker 1: We were all a little bit head sketching a stretch

1324
01:00:30,520 --> 01:00:30,919
Speaker 1: of a tag.

1325
01:00:30,960 --> 01:00:33,560
Speaker 3: All right, so there's a consensus there. And I did

1326
01:00:33,560 --> 01:00:37,480
Speaker 3: think that this was an episode with fewer shirtless moments,

1327
01:00:37,520 --> 01:00:42,840
Speaker 3: fewer kisses, and fewer kisses, lots of lots of Jane

1328
01:00:42,880 --> 01:00:43,280
Speaker 3: and Michael.

1329
01:00:43,480 --> 01:00:46,880
Speaker 1: Yeah, not a lot of sexy kisses, like makeup kisses. Sweet.

1330
01:00:47,880 --> 01:00:49,040
Speaker 3: Yeah.

1331
01:00:49,160 --> 01:00:51,640
Speaker 1: Yeah, this was like a really serious episode, and you

1332
01:00:51,680 --> 01:00:54,120
Speaker 1: really do. I'm really looking forward to when it all

1333
01:00:54,160 --> 01:00:57,120
Speaker 1: goes crazy because this was pretty intense. As you said,

1334
01:00:57,160 --> 01:00:59,320
Speaker 1: like this episode took a serious turn.

1335
01:01:00,120 --> 01:01:04,440
Speaker 3: Yeah, but it's also like it's maybe our first carryover

1336
01:01:04,880 --> 01:01:08,240
Speaker 3: that the story. We're going to see that now next episode,

1337
01:01:08,360 --> 01:01:10,600
Speaker 3: Jane and Michael are still going to be pregnant, right,

1338
01:01:10,680 --> 01:01:12,760
Speaker 3: I mean that's yeah, we're going to see something carry

1339
01:01:12,760 --> 01:01:15,200
Speaker 3: over for the first time where everything else just sort

1340
01:01:15,200 --> 01:01:17,480
Speaker 3: of wraps up in a neat package up until now it.

1341
01:01:17,440 --> 01:01:19,200
Speaker 4: Goes from episodic and cereal.

1342
01:01:19,360 --> 01:01:22,680
Speaker 3: Yeah, we're starting to see like the beginnings of you first.

1343
01:01:22,760 --> 01:01:25,760
Speaker 3: I keep going here, Well it must I don't think

1344
01:01:25,760 --> 01:01:27,800
Speaker 3: they can ignore it in the next episode, right, they

1345
01:01:27,800 --> 01:01:29,520
Speaker 3: can't ignore it. It's going to still be a thing.

1346
01:01:29,760 --> 01:01:33,160
Speaker 1: So however, No, she doesn't have a baby in the future, so.

1347
01:01:33,400 --> 01:01:35,240
Speaker 3: We don't know how that happens, but we know that

1348
01:01:35,640 --> 01:01:38,120
Speaker 3: they can't ignore it. So it's going to have no,

1349
01:01:38,200 --> 01:01:41,720
Speaker 3: it's going to be a thing, and that that would

1350
01:01:41,720 --> 01:01:42,320
Speaker 3: be Yeah, I.

1351
01:01:42,280 --> 01:01:44,760
Speaker 4: Had it, gave it enough for adoption between episodes.

1352
01:01:44,680 --> 01:01:48,320
Speaker 3: Yeah no. So the next episode will be season one,

1353
01:01:48,360 --> 01:01:50,920
Speaker 3: episode six. It would be called Second Chances. If that

1354
01:01:50,960 --> 01:01:54,240
Speaker 3: gives us any clues. So I'd like to know more, Yeah,

1355
01:01:54,240 --> 01:01:57,040
Speaker 3: I know. So in the meantime, we want everybody to

1356
01:01:57,640 --> 01:02:00,479
Speaker 3: please continue to dm us on our so the place

1357
01:02:00,520 --> 01:02:01,600
Speaker 3: Instagram we love.

1358
01:02:01,720 --> 01:02:05,480
Speaker 2: We'd love to hear more of what people want.

1359
01:02:04,760 --> 01:02:08,400
Speaker 1: Any questions you have, if there are questions, memories, special guests,

1360
01:02:08,520 --> 01:02:11,600
Speaker 1: question memories. We know that Doug would like to be

1361
01:02:11,680 --> 01:02:15,080
Speaker 1: on He's put in a voto.

1362
01:02:13,880 --> 01:02:16,960
Speaker 3: The raise your hand. If Doug should be our next guest, raise.

1363
01:02:16,760 --> 01:02:20,720
Speaker 1: Your hand in the let him and we have to

1364
01:02:20,760 --> 01:02:21,240
Speaker 1: bring them all.

1365
01:02:21,920 --> 01:02:25,240
Speaker 2: It's so fascinating, you know, watching these again and like

1366
01:02:25,720 --> 01:02:28,360
Speaker 2: it's just like so new, especially for me.

1367
01:02:28,440 --> 01:02:30,680
Speaker 4: I did watch the whole series a while back, but

1368
01:02:31,960 --> 01:02:32,720
Speaker 4: I forgot You're right.

1369
01:02:32,800 --> 01:02:35,000
Speaker 1: It's when I am getting attached to the character, like

1370
01:02:35,040 --> 01:02:37,840
Speaker 1: I'm separate enough that I'm not judging myself. The first

1371
01:02:37,840 --> 01:02:40,360
Speaker 1: couple were hard to watch. Now I can really step

1372
01:02:40,400 --> 01:02:42,720
Speaker 1: back and enjoy it. And I really am getting into it.

1373
01:02:42,720 --> 01:02:44,600
Speaker 1: And Tory and Jenny told us, you become a fan

1374
01:02:44,640 --> 01:02:47,160
Speaker 1: of the show. And it isn't like I'll wait till

1375
01:02:47,240 --> 01:02:49,640
Speaker 1: before this episode to watch the next one. But it's

1376
01:02:49,680 --> 01:02:51,680
Speaker 1: hard to stop it. I know, I do want to

1377
01:02:51,720 --> 01:02:53,280
Speaker 1: watch the next one as it's coming up.

1378
01:02:53,320 --> 01:02:55,040
Speaker 4: I know, but then you get so confused.

1379
01:02:55,280 --> 01:02:57,080
Speaker 1: I can't. Yeah, I can't have too many in my

1380
01:02:57,080 --> 01:02:58,880
Speaker 1: head at once. It's got to be one because, as

1381
01:02:58,920 --> 01:03:01,160
Speaker 1: we talked about middle aged, if I leave my tub on,

1382
01:03:01,200 --> 01:03:03,360
Speaker 1: I can't be trusted to separate two episodes.

1383
01:03:03,400 --> 01:03:04,480
Speaker 4: Do you have cottage cheese?

1384
01:03:04,800 --> 01:03:06,480
Speaker 1: I do. I got lots of cottage cheese, so we

1385
01:03:06,480 --> 01:03:08,120
Speaker 1: should be okay for a while. I got two of

1386
01:03:08,160 --> 01:03:09,360
Speaker 1: the big containers.

1387
01:03:08,920 --> 01:03:11,480
Speaker 4: So it's cottage cheese and fruit like berries.

1388
01:03:11,200 --> 01:03:13,520
Speaker 1: Berries right now, that's my curran. I'm like one of

1389
01:03:13,560 --> 01:03:15,479
Speaker 1: the I eat. I eat one thing for a while

1390
01:03:15,480 --> 01:03:16,880
Speaker 1: and then I never want to see it again. It

1391
01:03:16,920 --> 01:03:19,280
Speaker 1: was it was chopped Mexican salad for a while, but

1392
01:03:19,320 --> 01:03:21,160
Speaker 1: I made it was yummy that everything but the kitchen

1393
01:03:21,200 --> 01:03:23,400
Speaker 1: sink in it. Now this is I think as a

1394
01:03:23,440 --> 01:03:24,240
Speaker 1: summer fruit.

1395
01:03:24,080 --> 01:03:25,959
Speaker 4: Is so good. Yes, I'm loving the fruit.

1396
01:03:26,720 --> 01:03:30,040
Speaker 1: Have you tried these pink pineapples? No, they have a

1397
01:03:30,160 --> 01:03:32,680
Speaker 1: pink wrapper around them. They have them at Gelson's and

1398
01:03:32,760 --> 01:03:36,200
Speaker 1: Visenni and they're pink inside and they're yummy sweet you

1399
01:03:36,280 --> 01:03:39,840
Speaker 1: had them. Wow, they're so I will bring next week.

1400
01:03:39,880 --> 01:03:41,760
Speaker 1: I will bring everybody pineapple.

1401
01:03:41,920 --> 01:03:45,320
Speaker 2: I've been getting yellow watermelons by accident.

1402
01:03:45,520 --> 01:03:49,000
Speaker 4: I buy the little watermelons and twice they've been yellow inside.

1403
01:03:49,120 --> 01:03:49,960
Speaker 1: Do they taste different?

1404
01:03:50,080 --> 01:03:56,160
Speaker 2: Yes, they're terrible. They have no taste yellow watermelon. They

1405
01:03:56,160 --> 01:03:58,680
Speaker 2: look exactly like they're not pink on the outside.

1406
01:03:58,720 --> 01:03:59,400
Speaker 4: It's so annoying.

1407
01:04:00,440 --> 01:04:05,840
Speaker 3: Oh wow, all right, and don't forget to download and subscribe. Yeah,

1408
01:04:05,880 --> 01:04:07,160
Speaker 3: thanks for coming to steal the place.

1409
01:04:07,240 --> 01:04:09,640
Speaker 1: That'll be come in fast and furious. It's so much

1410
01:04:09,640 --> 01:04:11,280
Speaker 1: fun to watch it together. Mm hmm.

1411
01:04:11,640 --> 01:04:13,240
Speaker 3: Love you guys, Love you Hi.