1 00:00:02,400 --> 00:00:06,280 Speaker 1: Happy Saturday, everybody. This week, we have an episode coming 2 00:00:06,360 --> 00:00:09,160 Speaker 1: up on the show that's connected to Charles Dickens, and 3 00:00:09,200 --> 00:00:12,160 Speaker 1: we specifically mentioned that he went on a tour of 4 00:00:12,200 --> 00:00:14,880 Speaker 1: the United States. He also went to Canada. On that tour, 5 00:00:15,120 --> 00:00:18,239 Speaker 1: he was really treated like a celebrity. He did not 6 00:00:18,400 --> 00:00:20,520 Speaker 1: come home with a lot of money to show for 7 00:00:20,600 --> 00:00:23,360 Speaker 1: any of it. And so since that came up in 8 00:00:23,400 --> 00:00:25,880 Speaker 1: this forthcoming new episode, we thought we would share the 9 00:00:26,040 --> 00:00:30,160 Speaker 1: previous episode that we conveniently already had about that tour. 10 00:00:30,680 --> 00:00:33,599 Speaker 1: And this episode is from previous host Sarah and Deblina 11 00:00:33,680 --> 00:00:39,879 Speaker 1: and originally published back in March of Enjoy Welcome to 12 00:00:40,280 --> 00:00:43,120 Speaker 1: Stuff You Missed in History Class from how Stuff Works 13 00:00:43,120 --> 00:00:52,559 Speaker 1: dot Com. Hello, and welcome to the podcast. I'm Fair 14 00:00:52,720 --> 00:00:55,440 Speaker 1: Dowdy and I'm Deblina Chuck Reboarding and lately we've been 15 00:00:55,560 --> 00:00:58,640 Speaker 1: on a bit of a literary event covering everybody from 16 00:00:58,640 --> 00:01:01,960 Speaker 1: the new to Us on Men, travel writer evleet Chellaby 17 00:01:02,160 --> 00:01:06,240 Speaker 1: too old British literature friends like the Bronte's or the Brownings. 18 00:01:06,280 --> 00:01:09,160 Speaker 1: But there's one name that keeps popping up, and that's 19 00:01:09,280 --> 00:01:12,440 Speaker 1: Charles Dickens. And of course he's a natural when you're 20 00:01:12,520 --> 00:01:15,000 Speaker 1: already thinking about the likes of the Brontes because he's 21 00:01:15,040 --> 00:01:19,720 Speaker 1: a contemporary. There both staples of any literature class. But 22 00:01:20,160 --> 00:01:24,000 Speaker 1: Dickens also fits in with Chellaby, albeit in a lesser 23 00:01:24,040 --> 00:01:26,920 Speaker 1: known kind of way. He was also a travel writer, 24 00:01:27,040 --> 00:01:30,640 Speaker 1: and of course Dickens is best known for dramatizing the 25 00:01:30,680 --> 00:01:35,319 Speaker 1: cruel life of London slums and finding comedy in Victorian hypocrisy. 26 00:01:35,319 --> 00:01:37,520 Speaker 1: I'm sure most of you have read some Dickens along 27 00:01:37,560 --> 00:01:41,039 Speaker 1: the way. He also wrote essays, and he covered parliamentary 28 00:01:41,080 --> 00:01:45,720 Speaker 1: news and produced travelogs, including a very memorable account of 29 00:01:45,800 --> 00:01:48,840 Speaker 1: his first trip to the United States and Canada. And 30 00:01:48,880 --> 00:01:52,520 Speaker 1: since two thousand twelve marks the two anniversary of dickens birth, 31 00:01:52,840 --> 00:01:55,480 Speaker 1: will be focusing on a few aspects of his life 32 00:01:55,520 --> 00:01:57,720 Speaker 1: over the next couple of weeks. But this seems like 33 00:01:57,760 --> 00:02:00,760 Speaker 1: a natural place to start for one, and dickens first 34 00:02:00,800 --> 00:02:03,960 Speaker 1: American tour came early in his career, right when he 35 00:02:04,000 --> 00:02:08,000 Speaker 1: achieved great fame but not yet great wealth. Second, it 36 00:02:08,080 --> 00:02:11,160 Speaker 1: shook him up, both in his beliefs and in his writing. 37 00:02:11,520 --> 00:02:15,000 Speaker 1: America was not all he had hoped, and that disillusionment 38 00:02:15,040 --> 00:02:18,920 Speaker 1: is believed to have greatly affected his later most famous works. 39 00:02:19,000 --> 00:02:21,720 Speaker 1: And finally it gives us a peek at something which 40 00:02:21,760 --> 00:02:25,680 Speaker 1: in the forties was really just beginning in earnest celebrity 41 00:02:25,800 --> 00:02:29,239 Speaker 1: culture with all the barber sells your hair trim means 42 00:02:29,360 --> 00:02:32,400 Speaker 1: creepiness that's involved with that, and we'll that will explain 43 00:02:32,440 --> 00:02:34,880 Speaker 1: that a little more like a little tantalizing clue for 44 00:02:35,000 --> 00:02:37,520 Speaker 1: what lies ahead. But first we're going to give you 45 00:02:37,520 --> 00:02:40,440 Speaker 1: a brief background on Charles Dickens and today, I think 46 00:02:40,480 --> 00:02:44,000 Speaker 1: most people know about dickens childhood at the boot blacking factory, 47 00:02:44,000 --> 00:02:47,400 Speaker 1: this really deeply scarring period during which his father was 48 00:02:47,440 --> 00:02:50,400 Speaker 1: in debtors prison and little Charles had to go to 49 00:02:50,440 --> 00:02:54,040 Speaker 1: work and retrospectively, of course, it's a critical experience for 50 00:02:54,080 --> 00:02:56,120 Speaker 1: the man who went on to create characters like Joe 51 00:02:56,200 --> 00:02:59,640 Speaker 1: and Oliver Twist or Tiny Tim. Even though I find 52 00:02:59,639 --> 00:03:03,680 Speaker 1: this interesting, his general public and even his own kids 53 00:03:03,760 --> 00:03:07,160 Speaker 1: didn't know about that factory work or his father's prison 54 00:03:07,200 --> 00:03:10,920 Speaker 1: time until after Dickens's death. What made that period really 55 00:03:10,960 --> 00:03:14,200 Speaker 1: horrifying was that Dickens had come out of a comfortable home. 56 00:03:14,560 --> 00:03:17,760 Speaker 1: He was born in February seventh, eighteen twelve, and he 57 00:03:17,800 --> 00:03:20,799 Speaker 1: grew up in Chatham, his father working for the Navy payoffice. 58 00:03:21,280 --> 00:03:24,880 Speaker 1: His earlier years were heavy on games, magic lantern shows 59 00:03:24,919 --> 00:03:28,600 Speaker 1: and performances of comic songs with his sister, sometimes even 60 00:03:28,600 --> 00:03:31,560 Speaker 1: at a nearby tavern. He was educated, and he had 61 00:03:31,560 --> 00:03:34,480 Speaker 1: a large library at his disposal, filled with titles like 62 00:03:34,560 --> 00:03:38,160 Speaker 1: The Arabian Nights, Robinson Crusoe and Don Quixote. So it 63 00:03:38,200 --> 00:03:41,880 Speaker 1: was a very happy, comfortable childhood. But as his father's 64 00:03:41,920 --> 00:03:45,640 Speaker 1: fortune decline, the family moved to Camden Town, London, gave 65 00:03:45,720 --> 00:03:48,840 Speaker 1: up educations for the children, I think except for dickens 66 00:03:48,840 --> 00:03:52,280 Speaker 1: older sister, who still had music lessons, and rock Bottom 67 00:03:52,320 --> 00:03:55,440 Speaker 1: finally came in eighteen twenty four with debtrous prison and 68 00:03:55,520 --> 00:03:58,440 Speaker 1: factory work for by then twelve year old Charles. And 69 00:03:58,720 --> 00:04:01,320 Speaker 1: he later wrote of this, of this time, in the 70 00:04:01,360 --> 00:04:04,560 Speaker 1: shock of such a huge change in his circumstances, quote, 71 00:04:04,840 --> 00:04:07,040 Speaker 1: I felt my early hopes of growing up to be 72 00:04:07,080 --> 00:04:11,280 Speaker 1: a learned and distinguished man crushed in my breast. So 73 00:04:11,640 --> 00:04:15,240 Speaker 1: after a spell, you know, about nine or ten months 74 00:04:15,240 --> 00:04:17,920 Speaker 1: working in the factory, he had continued to work there, unfortunately, 75 00:04:17,920 --> 00:04:20,960 Speaker 1: after his father got out of debtors prison. But after 76 00:04:21,279 --> 00:04:23,760 Speaker 1: the family got back on its feet again, Dickens had 77 00:04:23,800 --> 00:04:26,880 Speaker 1: a little bit more schooling, and at age fifteen he 78 00:04:26,960 --> 00:04:30,200 Speaker 1: went to work, this time as a solicitor's clerk. It 79 00:04:30,279 --> 00:04:32,520 Speaker 1: wasn't the most interesting work, but at least it gave 80 00:04:32,600 --> 00:04:35,400 Speaker 1: him a little bit of legal background, which influenced some 81 00:04:35,480 --> 00:04:39,080 Speaker 1: of his later novels. By eight though, he started picking 82 00:04:39,160 --> 00:04:42,080 Speaker 1: up extra work as a freelance journalist, and by eighteen 83 00:04:42,080 --> 00:04:45,400 Speaker 1: thirty two he was taken on as a regular parliamentary reporter. 84 00:04:45,920 --> 00:04:49,360 Speaker 1: And Dickens certainly could have spent his whole career as 85 00:04:49,360 --> 00:04:52,040 Speaker 1: a journalist. He was popular, he was very good at it, 86 00:04:52,080 --> 00:04:55,040 Speaker 1: but he was really itching to write more than just 87 00:04:55,160 --> 00:04:58,320 Speaker 1: the news, and so he started publishing stories in eighteen 88 00:04:58,320 --> 00:05:01,599 Speaker 1: thirty three, and right under the name Bows, which was 89 00:05:02,080 --> 00:05:06,520 Speaker 1: kind of um version of his brother's childhood nickname. He 90 00:05:06,600 --> 00:05:10,839 Speaker 1: started contributing these street sketches to his paper in eighteen 91 00:05:10,880 --> 00:05:13,360 Speaker 1: thirty four. He had really been walking around London for 92 00:05:13,640 --> 00:05:16,559 Speaker 1: most of his life, so he knew all types of people, 93 00:05:16,600 --> 00:05:18,960 Speaker 1: He knew all neighborhoods, and he could paint them really 94 00:05:19,080 --> 00:05:23,320 Speaker 1: vividly in these newspaper sketches. And these popular vignettes caught 95 00:05:23,320 --> 00:05:26,479 Speaker 1: the attention of the booksellers Edward Chapman and William Hall, 96 00:05:26,720 --> 00:05:28,960 Speaker 1: who commissioned him to write text for a series of 97 00:05:29,000 --> 00:05:32,120 Speaker 1: illustrations done by a popular artist of the day. But 98 00:05:32,160 --> 00:05:35,160 Speaker 1: when the artist committed suicide shortly after the project started, 99 00:05:35,240 --> 00:05:38,680 Speaker 1: Dickens became the creative lead himself, shifting the focus to 100 00:05:38,880 --> 00:05:41,440 Speaker 1: the text portion of it. The result was the name 101 00:05:41,520 --> 00:05:44,920 Speaker 1: making Pickwick Papers, a smash hit that had a run 102 00:05:44,960 --> 00:05:48,680 Speaker 1: of forty thousand copies, and in his sudden success, Dickens 103 00:05:48,680 --> 00:05:51,280 Speaker 1: signed up for a multitude of projects and stepped up 104 00:05:51,320 --> 00:05:54,000 Speaker 1: as the editor of a new magazine. He'd also by 105 00:05:54,040 --> 00:05:57,880 Speaker 1: this point married Catherine Hogarth and started a family. His 106 00:05:58,000 --> 00:06:02,679 Speaker 1: hits came out one after another, serialized, of course, Oliver Twist, 107 00:06:02,839 --> 00:06:06,880 Speaker 1: Nicholas Nickleby the Old Curiosity Shop, and Barnaby Rudge, and 108 00:06:06,960 --> 00:06:10,600 Speaker 1: Dickens still has a reputation of being a shockingly prodigious writer, 109 00:06:11,080 --> 00:06:14,000 Speaker 1: some say maybe too much so, but even he was 110 00:06:14,000 --> 00:06:16,640 Speaker 1: getting worn down by doing so much work. So with 111 00:06:16,720 --> 00:06:19,520 Speaker 1: all of these post Pickwick promises wrapped up by the 112 00:06:19,520 --> 00:06:22,760 Speaker 1: early eighteen forties, he talked to his publishers and talked 113 00:06:22,800 --> 00:06:26,240 Speaker 1: them into giving him a lengthy sabbatical, paid in advance 114 00:06:26,360 --> 00:06:29,040 Speaker 1: on future work. But what was he going to do 115 00:06:29,120 --> 00:06:33,120 Speaker 1: with this really long vacation travel, of course, and Dickens 116 00:06:33,240 --> 00:06:36,640 Speaker 1: really only had one destination in mind. That was America, 117 00:06:36,760 --> 00:06:40,120 Speaker 1: Land of liberty, this nation unburdened by a bunch of 118 00:06:40,160 --> 00:06:43,280 Speaker 1: old world hang ups, or so Dickens hoped. He very 119 00:06:43,360 --> 00:06:46,080 Speaker 1: much hoped, as we're going to see later. He wanted 120 00:06:46,080 --> 00:06:48,200 Speaker 1: to see the Great Frontier. He wanted to see the 121 00:06:48,279 --> 00:06:51,960 Speaker 1: Democratic Experiment and Niagara Falls, all the things you can 122 00:06:52,000 --> 00:06:56,039 Speaker 1: kind of imagine somebody like Dickens wanting to to see 123 00:06:56,200 --> 00:06:59,320 Speaker 1: in person. But Dickens being Dickens, he also wanted to 124 00:06:59,360 --> 00:07:02,599 Speaker 1: see the fact drees and prisons and mad houses. Having 125 00:07:02,640 --> 00:07:07,159 Speaker 1: spent so much of his time investigating his own country's institutions, 126 00:07:07,160 --> 00:07:10,800 Speaker 1: he was really ready to see other examples around the world, 127 00:07:10,840 --> 00:07:13,760 Speaker 1: see what other people were up to. Katherine, of course, 128 00:07:13,840 --> 00:07:16,840 Speaker 1: wasn't too keen on leaving their four kids by this point, 129 00:07:16,960 --> 00:07:19,760 Speaker 1: eventually they had ten, but it was decided that they 130 00:07:19,800 --> 00:07:22,840 Speaker 1: would tour the United States in Canada for just six months, 131 00:07:22,880 --> 00:07:24,800 Speaker 1: still a pretty long time, but they would leave their 132 00:07:24,880 --> 00:07:27,600 Speaker 1: kids with the actor William McCready, who was a good 133 00:07:27,600 --> 00:07:31,280 Speaker 1: family friend, and to spice up the deal for the publishers, 134 00:07:31,320 --> 00:07:34,600 Speaker 1: who were of course paying in advance for this long sabbatical, 135 00:07:35,000 --> 00:07:37,600 Speaker 1: Dickens would still be working the whole time, and upon 136 00:07:37,720 --> 00:07:41,640 Speaker 1: his return he'd have a publishable notebook filled with all 137 00:07:41,680 --> 00:07:44,480 Speaker 1: of his travel impressions. Turned out to be a pretty 138 00:07:44,520 --> 00:07:48,360 Speaker 1: fateful decision. So January three, eighteen forty two, a twenty 139 00:07:48,400 --> 00:07:51,320 Speaker 1: nine year old Dickens left Liverpool in the steamship Britannia 140 00:07:51,360 --> 00:07:54,559 Speaker 1: with Catherine and her maid Anne Brown. It was about 141 00:07:54,560 --> 00:07:57,520 Speaker 1: the worst start you could possibly imagine, though they were seasick. 142 00:07:57,960 --> 00:08:00,560 Speaker 1: The cabin was so tiny and cramped the He joked 143 00:08:00,560 --> 00:08:02,760 Speaker 1: that their luggage had about as much of a chance 144 00:08:02,800 --> 00:08:04,960 Speaker 1: of fitting in the door as a giraffe had of 145 00:08:05,000 --> 00:08:07,840 Speaker 1: getting into a flower pot. And the weather was bad, 146 00:08:08,240 --> 00:08:11,160 Speaker 1: actually some of the worst weather that had been around 147 00:08:11,160 --> 00:08:13,280 Speaker 1: in years. It probably spent most of the trip thinking 148 00:08:13,320 --> 00:08:15,920 Speaker 1: that they were going to capsize, so not very fun. 149 00:08:16,000 --> 00:08:19,160 Speaker 1: They finally landed in Nova Scotia and then went right 150 00:08:19,200 --> 00:08:22,040 Speaker 1: on to Boston, which was the first stop of the trip, 151 00:08:22,080 --> 00:08:24,920 Speaker 1: and they got their January twenty two and really, at 152 00:08:24,960 --> 00:08:28,560 Speaker 1: first Dickens was in heaven. He supposedly would tear through 153 00:08:28,600 --> 00:08:32,400 Speaker 1: the Boston snow reading off shop signs. He just loved 154 00:08:32,440 --> 00:08:36,000 Speaker 1: everything he saw. But that elation didn't last very long, 155 00:08:36,040 --> 00:08:39,439 Speaker 1: and one problem was being Dickens, who was, of course 156 00:08:39,520 --> 00:08:44,480 Speaker 1: an incredibly famous and kind of surprisingly recognizable celebrity in 157 00:08:44,520 --> 00:08:57,040 Speaker 1: the United States. Though maybe it's not too surprising. Dickens 158 00:08:57,120 --> 00:09:00,480 Speaker 1: was known as an eccentric dresser, particularly in his youth. 159 00:09:00,520 --> 00:09:04,160 Speaker 1: One Massachusetts onlooker called him a genteel rowdy, so once 160 00:09:04,200 --> 00:09:09,600 Speaker 1: he got pointed out, maybe no, that's dickens um. As 161 00:09:09,679 --> 00:09:12,880 Speaker 1: little as half a century earlier, though, authors hadn't really 162 00:09:12,920 --> 00:09:16,040 Speaker 1: been very famous as individuals, at least at least not 163 00:09:16,120 --> 00:09:18,480 Speaker 1: in a stop and stare at them kind of way. 164 00:09:18,559 --> 00:09:21,360 Speaker 1: They were known mostly for their work, but with better 165 00:09:21,400 --> 00:09:25,080 Speaker 1: dissemination of news, more gossips spreading around, I mean, think 166 00:09:25,120 --> 00:09:29,040 Speaker 1: of our old very old by now Lord Byron episode, 167 00:09:29,480 --> 00:09:33,760 Speaker 1: these famous personalities, whether they were authors or actors or singers, 168 00:09:33,800 --> 00:09:36,479 Speaker 1: started to get as big as anything they were producing. 169 00:09:36,520 --> 00:09:41,080 Speaker 1: They started to become names and recognizable people. But for Dickens, 170 00:09:41,080 --> 00:09:45,280 Speaker 1: fame wasn't a very fun thing to acquire, no, I mean, 171 00:09:45,320 --> 00:09:48,640 Speaker 1: it involved fancy parties and meeting icons, but it also 172 00:09:48,720 --> 00:09:51,720 Speaker 1: involved a lot of the unpleasantness that we associate with 173 00:09:51,880 --> 00:09:56,360 Speaker 1: modern day celebrity culture which shocked Dickens and really disturbed him. 174 00:09:56,640 --> 00:09:59,760 Speaker 1: Crowds would follow him everywhere. He wrote, quote, if I 175 00:09:59,800 --> 00:10:02,760 Speaker 1: turned run into the street, I'm followed by a multitude. 176 00:10:03,240 --> 00:10:05,960 Speaker 1: And I can't drink a glass of water without having 177 00:10:06,000 --> 00:10:08,600 Speaker 1: one hundred people looking down my throat when I opened 178 00:10:08,600 --> 00:10:11,920 Speaker 1: my mouth to swallow. On a boat stop over near Cleveland, 179 00:10:12,000 --> 00:10:15,240 Speaker 1: he caught a quote party of gentlemen staring at his 180 00:10:15,320 --> 00:10:18,760 Speaker 1: sleeping wife through a cabin window. People on the docks 181 00:10:18,800 --> 00:10:21,720 Speaker 1: would actually rip handfuls of fur from his coat when 182 00:10:21,720 --> 00:10:24,079 Speaker 1: he came by. And then, I mean, if that's not 183 00:10:24,160 --> 00:10:27,120 Speaker 1: bad enough, there was this profit driven side of a 184 00:10:27,160 --> 00:10:31,520 Speaker 1: lot of the celebrity craze. To the Barbara we mentioned 185 00:10:31,520 --> 00:10:35,199 Speaker 1: who tried to sell his hair, Tiffany's and Company apparently 186 00:10:35,280 --> 00:10:37,880 Speaker 1: made copies of a Dickens bust and offered those up 187 00:10:37,880 --> 00:10:40,760 Speaker 1: for sale. I think this really bothered him, all of 188 00:10:40,800 --> 00:10:45,000 Speaker 1: this money making surrounding his name. And there's another aspect, though, 189 00:10:45,040 --> 00:10:48,280 Speaker 1: of this fame that really bothered Dickens, and that was 190 00:10:48,360 --> 00:10:52,800 Speaker 1: wherever he went, whether it was Boston, Philadelphia, St. Louis Washington, 191 00:10:52,880 --> 00:10:56,920 Speaker 1: d C. Richmond, New York City, Louisville, he met throngs 192 00:10:56,960 --> 00:11:00,640 Speaker 1: of American fans who had obviously read and enjoyed his books. Okay, 193 00:11:00,679 --> 00:11:03,440 Speaker 1: that's a good thing. Presumably they've all been buying those books, 194 00:11:04,040 --> 00:11:06,440 Speaker 1: which was true. The only problem was that, due to 195 00:11:06,600 --> 00:11:10,360 Speaker 1: a lack of international copyright laws, Dickens knew he hadn't 196 00:11:10,400 --> 00:11:13,480 Speaker 1: made any money off of these many fans, since US 197 00:11:13,559 --> 00:11:16,240 Speaker 1: publishers could rip off his work. So, on the one hand, 198 00:11:16,280 --> 00:11:18,960 Speaker 1: he's seeing these busts of himself that people are trying 199 00:11:18,960 --> 00:11:21,400 Speaker 1: to sell, he's knowing he's not making any money for 200 00:11:21,440 --> 00:11:23,600 Speaker 1: the actual books that have made him so famous in 201 00:11:23,600 --> 00:11:27,400 Speaker 1: the first place. So he started peppering his speeches with 202 00:11:27,520 --> 00:11:31,400 Speaker 1: dissatisfaction about the laws. But he wasn't oblivious. He didn't 203 00:11:31,520 --> 00:11:35,480 Speaker 1: try to center his argument on his own personal finances. Instead, 204 00:11:35,480 --> 00:11:37,880 Speaker 1: he chose to focus on the fact that all writers, 205 00:11:37,920 --> 00:11:41,320 Speaker 1: Americans included, would benefit from a change, and that at 206 00:11:41,320 --> 00:11:44,120 Speaker 1: the end of the day, he'd quote rather have the 207 00:11:44,160 --> 00:11:47,120 Speaker 1: affectionate regard of my fellow men as I would have 208 00:11:47,280 --> 00:11:50,160 Speaker 1: heaps of gold, heaps and minds of gold. So he 209 00:11:50,240 --> 00:11:53,000 Speaker 1: tried to catch it in terms like I'm just looking 210 00:11:53,000 --> 00:11:57,160 Speaker 1: out for all writers, and gradually though that sort of 211 00:11:57,480 --> 00:12:00,800 Speaker 1: spin on his argument changed and got a little more intense, 212 00:12:00,880 --> 00:12:03,800 Speaker 1: and while many average Americans would have agreed with him 213 00:12:03,840 --> 00:12:06,680 Speaker 1: that there needed to be some kind of copyright changes, 214 00:12:07,200 --> 00:12:10,840 Speaker 1: the press really pounced on this copyright obsession and declared 215 00:12:10,880 --> 00:12:15,240 Speaker 1: it an indelicate, an improper avenue of public discussion, something 216 00:12:15,240 --> 00:12:18,760 Speaker 1: that an honored guest shouldn't be going around talking to 217 00:12:18,840 --> 00:12:21,600 Speaker 1: everybody about. And it was really the first strike in 218 00:12:21,640 --> 00:12:24,719 Speaker 1: what became known as dickens Quarrel with America, because as 219 00:12:24,720 --> 00:12:28,760 Speaker 1: the press escalated things, so did Dickens. Okay, but before 220 00:12:28,800 --> 00:12:31,920 Speaker 1: we get into more particulars about what really is going 221 00:12:31,960 --> 00:12:35,319 Speaker 1: to sound like the ultimate failed vacation, it's worth noting 222 00:12:35,320 --> 00:12:37,400 Speaker 1: that there were some high points to this. There were 223 00:12:37,480 --> 00:12:41,319 Speaker 1: some good times. Sometimes being a celebrated author meant parties 224 00:12:41,360 --> 00:12:44,320 Speaker 1: as we mentioned, and mingling with fellow famous people. On 225 00:12:44,440 --> 00:12:47,880 Speaker 1: Valentine's Day two, for example, Dickens was the guest of 226 00:12:47,920 --> 00:12:50,360 Speaker 1: honor at one of the biggest parties to that date 227 00:12:50,400 --> 00:12:53,600 Speaker 1: in New York City's Park Theater, which was, according to 228 00:12:53,679 --> 00:12:58,280 Speaker 1: Simon Watson BBC magazine, decorated with wreaths, paintings, and a 229 00:12:58,320 --> 00:13:00,960 Speaker 1: bust of Dickens with an eagle boring over his head, 230 00:13:01,000 --> 00:13:04,440 Speaker 1: which sounds a little strange and I can't help but 231 00:13:04,520 --> 00:13:08,160 Speaker 1: wonder if that had anything to do with Dickens request 232 00:13:08,240 --> 00:13:11,439 Speaker 1: in his will that no monuments being made of him 233 00:13:11,480 --> 00:13:14,560 Speaker 1: seeing that eagle flying over his head. And yeah, like 234 00:13:14,600 --> 00:13:16,560 Speaker 1: you just mentioned, he also did get to meet a 235 00:13:16,600 --> 00:13:20,360 Speaker 1: lot of fellow writers. He met Edgar Allan, Poe, Washington, 236 00:13:20,480 --> 00:13:25,120 Speaker 1: Irving Longfellow, Oliver Wendell Holmes, Harriet Beechristow, a lot of 237 00:13:25,120 --> 00:13:28,200 Speaker 1: folks who pop up in the podcast Alt Do. And 238 00:13:28,240 --> 00:13:30,280 Speaker 1: then he and Catherine had some fun too. I mean, 239 00:13:30,320 --> 00:13:33,040 Speaker 1: I know their later relationship is not characterized very well, 240 00:13:33,120 --> 00:13:35,320 Speaker 1: so we're going to talk about in another episode. But 241 00:13:35,760 --> 00:13:37,840 Speaker 1: during this time they seemed to have a pretty good time. 242 00:13:37,880 --> 00:13:40,600 Speaker 1: They acted in a play together. On the last leg 243 00:13:40,600 --> 00:13:43,960 Speaker 1: of their trip was which was a jaunt through Canada 244 00:13:44,040 --> 00:13:46,840 Speaker 1: that included a stop in Montreal. They really enjoyed that. 245 00:13:46,960 --> 00:13:50,240 Speaker 1: And then whenever he could, he broke away from all 246 00:13:50,280 --> 00:13:52,959 Speaker 1: of the hubbub, all of the fancier people who were 247 00:13:53,040 --> 00:13:55,959 Speaker 1: flocking around him to do what he liked to do most, 248 00:13:56,000 --> 00:13:58,920 Speaker 1: which was just wander tour all of these new towns 249 00:13:58,960 --> 00:14:02,760 Speaker 1: he was visiting. Yeah, he toured some of the worst neighborhoods. 250 00:14:02,760 --> 00:14:04,760 Speaker 1: In fact of New York City at the time that 251 00:14:04,840 --> 00:14:07,480 Speaker 1: was five points in the Bowery. He visited the mills 252 00:14:07,520 --> 00:14:10,560 Speaker 1: at Lowell, Massachusetts, and was impressed to find a model 253 00:14:10,640 --> 00:14:14,920 Speaker 1: industrial community, a place where the women workers only stayed 254 00:14:14,920 --> 00:14:18,280 Speaker 1: a few years. They lived in comfy boarding houses, and 255 00:14:18,280 --> 00:14:21,360 Speaker 1: they had access to things like lecture series, a house 256 00:14:21,440 --> 00:14:25,080 Speaker 1: run periodical, and pianos. So it was really different from 257 00:14:25,120 --> 00:14:27,840 Speaker 1: what he knew of similar situations in England. And I 258 00:14:27,840 --> 00:14:29,920 Speaker 1: think that's an important thing to consider when we get 259 00:14:29,960 --> 00:14:32,320 Speaker 1: to some of the later particulars in this episode that 260 00:14:32,400 --> 00:14:35,920 Speaker 1: he did see some he did compare some things in 261 00:14:35,960 --> 00:14:39,800 Speaker 1: the United States positively compared to what he saw in England. 262 00:14:40,360 --> 00:14:43,680 Speaker 1: He also toured prisons and insane asylums. It might seem 263 00:14:43,680 --> 00:14:45,640 Speaker 1: a little strange to us now to do that on 264 00:14:45,680 --> 00:14:49,280 Speaker 1: your vacation, but according to Natalie McKnight, a professor at 265 00:14:49,280 --> 00:14:52,800 Speaker 1: Boston University interviewed on the World, it wasn't that weird 266 00:14:52,920 --> 00:14:56,200 Speaker 1: for British writers to include investigative travel on their trips 267 00:14:56,240 --> 00:14:59,400 Speaker 1: to the US. There you go. Another major high point 268 00:14:59,440 --> 00:15:02,600 Speaker 1: for Dickens was a trip to the Perkins Institute, which 269 00:15:02,800 --> 00:15:06,120 Speaker 1: was well and is a School for the Blind in Massachusetts. 270 00:15:06,200 --> 00:15:09,600 Speaker 1: And I think it really speaks for dickins sincere interest 271 00:15:09,720 --> 00:15:13,080 Speaker 1: in social issues that the top items on his to 272 00:15:13,360 --> 00:15:16,440 Speaker 1: see in the United States list were Niagara Falls, as 273 00:15:16,440 --> 00:15:19,440 Speaker 1: we already mentioned, and then Laura Bridgeman, who was a 274 00:15:19,480 --> 00:15:23,160 Speaker 1: little girl who was deaf blind but had been educated 275 00:15:23,200 --> 00:15:27,080 Speaker 1: with language. And Bridgeman, who incidentally is believed to be 276 00:15:27,080 --> 00:15:30,560 Speaker 1: the first deaf blind person to be educated, had been 277 00:15:30,600 --> 00:15:34,360 Speaker 1: written about by Perkins director Dr Samuel Gridley. How and 278 00:15:34,760 --> 00:15:36,760 Speaker 1: uh he was the man who had also come up 279 00:15:36,800 --> 00:15:39,600 Speaker 1: with the system for teaching her language in the first place. 280 00:15:39,680 --> 00:15:43,800 Speaker 1: He had written this publication which proved pretty popular internationally, 281 00:15:43,800 --> 00:15:46,480 Speaker 1: and Dickens had heard of it. So Dickins was so 282 00:15:46,600 --> 00:15:50,120 Speaker 1: impressed by meeting Laura that he included quite a bit 283 00:15:50,240 --> 00:15:53,359 Speaker 1: of the meeting in his later published Notes on America. 284 00:15:53,520 --> 00:15:56,520 Speaker 1: And according to jan seymour Ford, who was a research 285 00:15:56,600 --> 00:16:00,440 Speaker 1: librarian at Perkins, schools for people with disabilities were really 286 00:16:00,440 --> 00:16:03,680 Speaker 1: just starting to, as she said, get traction during this time, 287 00:16:03,720 --> 00:16:06,600 Speaker 1: and dickens work helped spread the word a little bit 288 00:16:06,640 --> 00:16:10,160 Speaker 1: about what an institution like this could do for people 289 00:16:10,200 --> 00:16:21,680 Speaker 1: who had disabilities. Dickens work also led directly to the 290 00:16:21,800 --> 00:16:25,880 Speaker 1: education of none other than Helen Keller. Decades after Dickens visit, 291 00:16:26,000 --> 00:16:29,200 Speaker 1: Keller's parents read his American notes and came across the 292 00:16:29,240 --> 00:16:32,080 Speaker 1: story of Laura Bridgeman. They went to Perkins and were 293 00:16:32,120 --> 00:16:35,480 Speaker 1: connected with a graduate and teacher who was Anne Sullivan, 294 00:16:35,800 --> 00:16:39,800 Speaker 1: the miracle worker who taught Keller language. And this little 295 00:16:39,840 --> 00:16:42,000 Speaker 1: sub story here is just so interesting to me. It 296 00:16:42,040 --> 00:16:45,040 Speaker 1: makes me almost want to maybe do a future episode 297 00:16:45,040 --> 00:16:48,560 Speaker 1: on Helen Keller. But it wasn't, of course, all pleasant 298 00:16:48,600 --> 00:16:52,360 Speaker 1: trips like trips to Lottle trips to Perkins for Dickens. 299 00:16:52,480 --> 00:16:55,680 Speaker 1: He visited Washington, d C. In March and he met 300 00:16:55,680 --> 00:16:59,360 Speaker 1: President John Tyler. He toured the capital, but the trip 301 00:16:59,400 --> 00:17:02,840 Speaker 1: was kind of fine by the disregard for spittoons that 302 00:17:02,960 --> 00:17:07,200 Speaker 1: he witnessed in the nation's capital. He later wrote, Washington 303 00:17:07,359 --> 00:17:11,360 Speaker 1: maybe called the headquarters of tobacco tinctured saliva. The thing 304 00:17:11,400 --> 00:17:15,320 Speaker 1: itself is an exaggeration of nastiness which cannot be outdone. 305 00:17:15,800 --> 00:17:18,080 Speaker 1: And he went on to warn readers that if they 306 00:17:18,119 --> 00:17:23,360 Speaker 1: were gonna tour the capital, and I mean the capital building, um, 307 00:17:23,400 --> 00:17:26,639 Speaker 1: if in case they dropped anything, be careful not to 308 00:17:26,680 --> 00:17:29,000 Speaker 1: pick it up without a gloved hands because you were 309 00:17:29,000 --> 00:17:32,200 Speaker 1: probably gonna run into a bunch of tobaccos. But other 310 00:17:32,240 --> 00:17:35,760 Speaker 1: issues around the country involved what he saw as poor 311 00:17:35,840 --> 00:17:41,959 Speaker 1: table manners, overheated homes, arrogance, hypocrisy, and a tendency towards 312 00:17:42,040 --> 00:17:45,400 Speaker 1: violence that was illustrated by a gun fight between two 313 00:17:45,480 --> 00:17:48,080 Speaker 1: kids who were using real guns. So it kind of 314 00:17:48,160 --> 00:17:53,760 Speaker 1: ran the whole, from the whole ungloved hands to poor 315 00:17:53,800 --> 00:17:56,720 Speaker 1: table manners and went up from there. It's a verty. 316 00:17:56,720 --> 00:17:58,960 Speaker 1: It got more serious than that too. In Richmond he 317 00:17:59,000 --> 00:18:02,760 Speaker 1: saw slavery, which he was very outspoken against, and then 318 00:18:02,960 --> 00:18:06,160 Speaker 1: some of it was just disappointment. In St. Louis, for instance, 319 00:18:06,320 --> 00:18:08,800 Speaker 1: he was disappointed by a trip to see the looking 320 00:18:08,800 --> 00:18:11,600 Speaker 1: Glass Prairie, which is something he had really wanted to do, 321 00:18:11,720 --> 00:18:15,680 Speaker 1: go see the prairie. According to Professor Jerome Mechier, who's 322 00:18:15,680 --> 00:18:19,439 Speaker 1: the author of Dickens and Innocent Abroad, quote, the longer 323 00:18:19,480 --> 00:18:22,240 Speaker 1: Dickens rubbed shoulders with Americans, the more he realized that 324 00:18:22,280 --> 00:18:26,200 Speaker 1: the Americans were simply not English enough. And Dickens himself 325 00:18:26,240 --> 00:18:28,600 Speaker 1: wrote to his friend Greedy, he was taking care of 326 00:18:28,600 --> 00:18:31,600 Speaker 1: his kids. This is not the republic I came to see. 327 00:18:31,880 --> 00:18:36,560 Speaker 1: This is not the republic of my imagination, So those 328 00:18:36,600 --> 00:18:40,840 Speaker 1: are harsh words. But after he got home, Dickens did 329 00:18:40,920 --> 00:18:44,159 Speaker 1: one better. He started polishing up his travel journals and 330 00:18:44,200 --> 00:18:47,920 Speaker 1: he ended up publishing them as promised as American Notes 331 00:18:47,960 --> 00:18:51,680 Speaker 1: for general circulation. Then he stepped it up again. The 332 00:18:51,720 --> 00:18:54,560 Speaker 1: following year he started a new book called Martin Chuzzlewit, 333 00:18:54,720 --> 00:18:57,320 Speaker 1: and when the first issues weren't really selling that well, 334 00:18:57,560 --> 00:19:00,800 Speaker 1: he decided to pack off his hero to America and 335 00:19:01,160 --> 00:19:04,159 Speaker 1: included a lot of his own kind of experiences he 336 00:19:04,200 --> 00:19:07,679 Speaker 1: had seen in the Midwest. So both his travelogue and 337 00:19:07,760 --> 00:19:12,080 Speaker 1: his novel painted quite an unflattering picture of America. Seems 338 00:19:12,200 --> 00:19:15,480 Speaker 1: folks wouldn't have expected the man famous for tearing apart 339 00:19:15,520 --> 00:19:19,480 Speaker 1: hypocrisies of British life to be entirely kind, but in 340 00:19:19,560 --> 00:19:22,680 Speaker 1: fact they had new friends like Washington Irving were hurt, 341 00:19:23,080 --> 00:19:26,920 Speaker 1: even outraged. People in New York burned copies of Martin 342 00:19:27,000 --> 00:19:31,399 Speaker 1: Chuzzlewit papers denounced the American Notes. The trip very likely 343 00:19:31,480 --> 00:19:35,320 Speaker 1: changed Dickens to Some scholars see his work getting less 344 00:19:35,320 --> 00:19:38,639 Speaker 1: optimistic after his American journey, and I can kind of 345 00:19:38,680 --> 00:19:42,040 Speaker 1: see this from several different perspectives. One it does seem 346 00:19:42,080 --> 00:19:45,439 Speaker 1: like people overreacted quite a bit. The travel notes do 347 00:19:45,680 --> 00:19:50,280 Speaker 1: include kind of unfavorable comparisons to British things, you know, 348 00:19:50,320 --> 00:19:53,880 Speaker 1: where we were talking about the low um little factories 349 00:19:53,920 --> 00:19:57,480 Speaker 1: and how it's England that comes across as worse in 350 00:19:57,640 --> 00:20:02,040 Speaker 1: that situation. There's a lot of stuff like that. But um, 351 00:20:02,119 --> 00:20:04,879 Speaker 1: if people were overreacting a bit, well then maybe also 352 00:20:04,960 --> 00:20:08,480 Speaker 1: Dickens kind of had unrealistic expectations. If you go into 353 00:20:08,480 --> 00:20:11,399 Speaker 1: a trip and your expectations are that it will be 354 00:20:11,520 --> 00:20:14,439 Speaker 1: a land of innocent people where everything's perfect, you know, 355 00:20:14,520 --> 00:20:17,480 Speaker 1: kind of a utopia, it seemed he was expecting, you're 356 00:20:17,520 --> 00:20:20,359 Speaker 1: probably going to be a little bit disappointed, especially people 357 00:20:20,359 --> 00:20:23,320 Speaker 1: are ripping fur out of your code. That's true. So 358 00:20:23,440 --> 00:20:26,240 Speaker 1: it's not that any of this really affected dickens popularity 359 00:20:26,280 --> 00:20:30,200 Speaker 1: as an author in the US. More than twenty years later, Dickens, 360 00:20:30,320 --> 00:20:33,399 Speaker 1: who by this point had multiple households to support and 361 00:20:33,400 --> 00:20:35,840 Speaker 1: that's just a hint for the next podcast we're going 362 00:20:35,880 --> 00:20:38,120 Speaker 1: to come up with, he decided it might be time 363 00:20:38,160 --> 00:20:40,560 Speaker 1: to revisit America, and this time as a part of 364 00:20:40,640 --> 00:20:44,320 Speaker 1: his Smash lecture series, in which he'd act rather than 365 00:20:44,359 --> 00:20:46,879 Speaker 1: read portions of his own works from a special gas 366 00:20:46,960 --> 00:20:50,520 Speaker 1: lit lecturn, so after sending a reconnaissance scout on ahead, 367 00:20:50,560 --> 00:20:53,639 Speaker 1: he arrived in Boston in mid November of eighteen sixty seven. 368 00:20:54,040 --> 00:20:57,119 Speaker 1: During his northeastern tour, quite a few things happened. He 369 00:20:57,680 --> 00:21:00,560 Speaker 1: met Mark Twain or Mark Twain saw and of course 370 00:21:00,600 --> 00:21:04,640 Speaker 1: Mark Twain is also known for his his public readings, 371 00:21:04,680 --> 00:21:08,480 Speaker 1: which were apparently just as good as Dickens, and a 372 00:21:08,480 --> 00:21:10,800 Speaker 1: twelve year old girl chatted with him on a train, 373 00:21:10,880 --> 00:21:13,879 Speaker 1: telling him that she'd read all his books but skipped 374 00:21:13,960 --> 00:21:18,080 Speaker 1: the quote lengthy and dull parts, and she in fact 375 00:21:18,160 --> 00:21:20,639 Speaker 1: grew up to write Rebecca of Sunny Book Farm, so 376 00:21:20,800 --> 00:21:24,639 Speaker 1: a popular children's book there. And then Dr Samuel Gridley 377 00:21:24,680 --> 00:21:28,359 Speaker 1: how of Perkins, who we mentioned, contacted Dickens about publishing 378 00:21:28,359 --> 00:21:32,399 Speaker 1: The Old Curiosity Shop in Braille, and Dickens actually not 379 00:21:32,480 --> 00:21:34,800 Speaker 1: only gave his approval, he put up one thousand, seven 380 00:21:34,880 --> 00:21:38,359 Speaker 1: hundred dollars to have two hundred fifty copies printed, which 381 00:21:38,400 --> 00:21:41,680 Speaker 1: were in turn distributed to all of the blind schools 382 00:21:41,760 --> 00:21:44,920 Speaker 1: in America, something I thought was pretty cool. The lectures 383 00:21:44,960 --> 00:21:47,400 Speaker 1: themselves were a huge hit. I mean, of course, that 384 00:21:47,440 --> 00:21:49,639 Speaker 1: was why he was back in the United States in 385 00:21:49,680 --> 00:21:53,120 Speaker 1: the first place. He made nineteen thousand pounds, and many 386 00:21:53,160 --> 00:21:55,680 Speaker 1: folks couldn't remember the first tour, so there weren't any 387 00:21:55,720 --> 00:21:59,199 Speaker 1: hard feelings there. And even the press took dickens return 388 00:21:59,359 --> 00:22:02,280 Speaker 1: as a sign of goodwill. For instance, the New York 389 00:22:02,280 --> 00:22:07,040 Speaker 1: Tribune wrote, dickens second coming was needed to disperse every 390 00:22:07,080 --> 00:22:10,520 Speaker 1: cloud and every doubt, and to place his name undimmed 391 00:22:10,600 --> 00:22:14,600 Speaker 1: and the silver sunshine of American admiration. Kind of an 392 00:22:14,640 --> 00:22:19,920 Speaker 1: overblown welcome welcome back Dickens, and Dickens himself felt differently too. 393 00:22:19,960 --> 00:22:23,119 Speaker 1: In his farewell speech, he spoke of the quote gigantic 394 00:22:23,200 --> 00:22:26,920 Speaker 1: changes he'd seen in the country, changes, moral changes, physical 395 00:22:27,440 --> 00:22:30,879 Speaker 1: changes in the amount of land subdued and people, changes 396 00:22:30,880 --> 00:22:33,439 Speaker 1: in the rise of vast new cities, changes in the 397 00:22:33,480 --> 00:22:36,919 Speaker 1: growth of older cities almost out of recognition, changes in 398 00:22:36,960 --> 00:22:40,040 Speaker 1: the graces and amenities of life, changes in the press, 399 00:22:40,400 --> 00:22:44,280 Speaker 1: without whose advancement, no advancement can take place anywhere. And 400 00:22:44,320 --> 00:22:46,679 Speaker 1: he asked that the statement be added to every copy 401 00:22:46,800 --> 00:22:49,480 Speaker 1: of American Notes and Martin Chuzzlewitt, and it still is 402 00:22:49,520 --> 00:22:51,800 Speaker 1: there today. Kind of I take it back. You guys 403 00:22:51,800 --> 00:22:55,960 Speaker 1: have mids some improvement. Good job, um, So I think 404 00:22:55,960 --> 00:22:58,919 Speaker 1: it was really interesting to learn about an author so 405 00:22:59,000 --> 00:23:02,800 Speaker 1: associated with England, were really so associated with London in 406 00:23:02,840 --> 00:23:05,359 Speaker 1: a different context, see him out of his element a 407 00:23:05,400 --> 00:23:08,920 Speaker 1: little bit. That was what appealed to me about this story. Yeah, 408 00:23:08,960 --> 00:23:11,880 Speaker 1: I think in a way, it's actually quite a testament 409 00:23:11,920 --> 00:23:15,359 Speaker 1: to travel itself, that you can go abroad and it 410 00:23:15,440 --> 00:23:18,240 Speaker 1: opens your eyes and you just see things in a 411 00:23:18,280 --> 00:23:20,879 Speaker 1: different way. I mean, he obviously didn't work out so 412 00:23:20,920 --> 00:23:23,480 Speaker 1: well the first time because he had a bad experience. 413 00:23:23,480 --> 00:23:26,000 Speaker 1: He was disappointed, and like you said, that was probably 414 00:23:26,440 --> 00:23:28,960 Speaker 1: equal parts his fault and you know, the fault of 415 00:23:29,080 --> 00:23:32,640 Speaker 1: what they saw exactly if people spitting tobacco on the floor. 416 00:23:32,880 --> 00:23:35,680 Speaker 1: But when he came back the next time, it seemed 417 00:23:35,720 --> 00:23:38,320 Speaker 1: like he sort of had a different point of view well, 418 00:23:38,359 --> 00:23:41,760 Speaker 1: and he had definitely learned kind of a lesson about 419 00:23:42,160 --> 00:23:45,040 Speaker 1: maybe being careful when you're traveling to keep some of 420 00:23:45,040 --> 00:23:50,040 Speaker 1: your opinions. Although it's kind of nice to have that, honesty, 421 00:23:50,160 --> 00:23:58,760 Speaker 1: I'm glad looking back on it now. Thank you so 422 00:23:58,840 --> 00:24:01,399 Speaker 1: much for joining us on the Saturday. If you have 423 00:24:01,640 --> 00:24:04,119 Speaker 1: heard an email address or a Facebook you are l 424 00:24:04,200 --> 00:24:07,080 Speaker 1: or something similar over the course of today's episode. Since 425 00:24:07,119 --> 00:24:09,400 Speaker 1: it is from the archive that might be out of date, 426 00:24:09,440 --> 00:24:12,840 Speaker 1: now you can email us at history podcast at how 427 00:24:12,920 --> 00:24:14,960 Speaker 1: stuff works dot com, and you can find us all 428 00:24:15,000 --> 00:24:18,040 Speaker 1: over social media at missed in History. And you can 429 00:24:18,080 --> 00:24:21,720 Speaker 1: subscribe to our show on Apple podcasts, Google podcasts, the 430 00:24:21,800 --> 00:24:25,040 Speaker 1: I Heart Radio app, and wherever else you listen to podcasts. 431 00:24:29,320 --> 00:24:31,840 Speaker 1: For more on this and thousands of other topics, visit 432 00:24:31,880 --> 00:24:38,199 Speaker 1: how stuff works dot com