1
00:00:00,160 --> 00:00:03,280
Speaker 1: Yo, yo yo. Welcome back to us up there podcasts'

2
00:00:03,360 --> 00:00:06,640
Speaker 1: am your active and attractive hosts Big Loan for another

3
00:00:06,640 --> 00:00:09,960
Speaker 1: episode of Defashion Growing Podcasts on the market right now.

4
00:00:10,240 --> 00:00:12,440
Speaker 1: I want to say thank you to everybody that's tuned in,

5
00:00:12,560 --> 00:00:15,320
Speaker 1: tapped in, you know the vibes. You know what we're doing,

6
00:00:15,440 --> 00:00:22,960
Speaker 1: podcast growing, podcasts growing expeditiously. It's doing a great job, man,

7
00:00:23,000 --> 00:00:25,640
Speaker 1: and we want to thank everybody that's tapped in with us. Dog.

8
00:00:25,680 --> 00:00:28,440
Speaker 1: When I say the love, I can feel it. You know,

9
00:00:28,480 --> 00:00:32,599
Speaker 1: the real is relating. You know, they're grabbing hold to me, um,

10
00:00:33,800 --> 00:00:37,640
Speaker 1: and they're appreciating the game I'm putting down. And I

11
00:00:37,720 --> 00:00:40,879
Speaker 1: just can't thank y'all enough, man, because what y'all are

12
00:00:40,920 --> 00:00:44,080
Speaker 1: effectively doing right, it's by making me stick out in

13
00:00:44,159 --> 00:00:47,320
Speaker 1: the market place. Um. It's so unique to be a

14
00:00:47,400 --> 00:00:51,080
Speaker 1: podcaster that's in the position I mean to be growing

15
00:00:51,080 --> 00:00:53,120
Speaker 1: in the rate that I'm growing, and man, it's just

16
00:00:53,880 --> 00:00:57,160
Speaker 1: the rioters is hell, man. And you know, if if

17
00:00:57,240 --> 00:00:59,440
Speaker 1: I'm gonna be honest with you guys, you know, I

18
00:00:59,560 --> 00:01:03,120
Speaker 1: getting nervous right when they put me in certain situations,

19
00:01:03,120 --> 00:01:05,119
Speaker 1: even though I know I can trust the game I'm

20
00:01:05,160 --> 00:01:09,240
Speaker 1: dealing with the information, right, but it's still you know,

21
00:01:09,280 --> 00:01:13,039
Speaker 1: if your dreams don't scare you, are you dreaming? You

22
00:01:13,080 --> 00:01:16,520
Speaker 1: see what I'm saying, and I think it ain't. It ain't.

23
00:01:17,120 --> 00:01:20,280
Speaker 1: What's scaring me is that the universe and God is

24
00:01:20,319 --> 00:01:24,600
Speaker 1: allowing exactly what I'm asking for to happen right in

25
00:01:24,760 --> 00:01:28,000
Speaker 1: real time. And it's almost like a magic trick or something.

26
00:01:28,080 --> 00:01:31,120
Speaker 1: I don't know. It's weird. Nonetheless, if you're listening to

27
00:01:31,160 --> 00:01:34,000
Speaker 1: the audio version of this podcast, hit hit the link

28
00:01:34,120 --> 00:01:37,720
Speaker 1: somewhere and find a video version. We're gonna stop branding

29
00:01:37,720 --> 00:01:41,800
Speaker 1: the YouTube simply because with the YouTube, or at the

30
00:01:41,880 --> 00:01:44,520
Speaker 1: mercy of YouTube, as we are on our second channel,

31
00:01:45,720 --> 00:01:50,120
Speaker 1: seeing that YouTube has delivery to take you down at

32
00:01:50,160 --> 00:01:54,040
Speaker 1: any time, and trying to navigate around that, right, you

33
00:01:54,120 --> 00:02:01,200
Speaker 1: become powerless because you fail, victim. You're inside of death system.

34
00:02:01,240 --> 00:02:03,680
Speaker 1: So I need people to go through my links, right,

35
00:02:04,080 --> 00:02:08,000
Speaker 1: one of my landing pages or something, so that I

36
00:02:08,040 --> 00:02:11,280
Speaker 1: can get your information and we can communicate. You see

37
00:02:11,280 --> 00:02:14,480
Speaker 1: what I'm saying. And this is what's good about podcasting,

38
00:02:14,560 --> 00:02:16,960
Speaker 1: tu It about it being a weekly thing is because

39
00:02:17,280 --> 00:02:19,760
Speaker 1: you see the ability for someone like me to update

40
00:02:19,840 --> 00:02:23,040
Speaker 1: in real time. Right. You go from having your podcasts

41
00:02:23,080 --> 00:02:28,280
Speaker 1: and branding your YouTube to you know, sitting down and saying, Yo, damn,

42
00:02:28,280 --> 00:02:31,320
Speaker 1: this is our second YouTube. That that hurt us dramatically

43
00:02:32,160 --> 00:02:37,880
Speaker 1: right for us to um, for us to have to

44
00:02:37,919 --> 00:02:41,880
Speaker 1: rebuild another YouTube, which y'all helped us quickly rebuild the YouTube.

45
00:02:41,919 --> 00:02:45,440
Speaker 1: Shout out to y'all. But the thing is is that

46
00:02:45,480 --> 00:02:49,440
Speaker 1: we're at the mercy of them. So I have to

47
00:02:49,480 --> 00:02:52,560
Speaker 1: put place myself as a businessman in a position number one.

48
00:02:52,639 --> 00:02:55,120
Speaker 1: We don't know if YouTube in ten years, what what

49
00:02:55,240 --> 00:02:59,640
Speaker 1: is YouTube staying? Am I creating a job in ten years?

50
00:02:59,680 --> 00:03:02,640
Speaker 1: That now the podcast is doing so well, now I

51
00:03:02,680 --> 00:03:06,360
Speaker 1: have to go and have someone go edit two hundred

52
00:03:06,560 --> 00:03:09,480
Speaker 1: episodes and take the front part out. Why I said

53
00:03:10,040 --> 00:03:12,679
Speaker 1: subscribe to YouTube and this and that, right, you got

54
00:03:12,680 --> 00:03:15,440
Speaker 1: to broaden this thing, begin with the end in the mind.

55
00:03:15,480 --> 00:03:17,760
Speaker 1: And that's what I always try to do, and that's

56
00:03:17,800 --> 00:03:20,079
Speaker 1: what the game I always try to put down is,

57
00:03:21,680 --> 00:03:26,640
Speaker 1: you know, be unique in your perspective, be disruptive, respect

58
00:03:26,639 --> 00:03:31,560
Speaker 1: the game, but be disruptive and also and also be sure,

59
00:03:31,720 --> 00:03:34,360
Speaker 1: be a hundred percent sure and positive. And like I

60
00:03:34,440 --> 00:03:38,720
Speaker 1: tell people, I'm playing confidence man. You know that's what

61
00:03:38,760 --> 00:03:40,640
Speaker 1: it is. I do. You know, what I'm saying now,

62
00:03:42,240 --> 00:03:44,920
Speaker 1: a lot to talk about today in the podcasting world.

63
00:03:45,000 --> 00:03:47,400
Speaker 1: You know, we got a lot going on just in

64
00:03:47,440 --> 00:03:51,520
Speaker 1: the game as a whole. You know, we come off

65
00:03:51,520 --> 00:03:56,160
Speaker 1: the heels and young Dolf being murdered in his hometown.

66
00:03:56,240 --> 00:03:58,640
Speaker 1: For those of you that may not know, wrap a

67
00:03:58,680 --> 00:04:05,120
Speaker 1: young Dolf out of Memphis, Tennessee, was killed going to

68
00:04:05,160 --> 00:04:11,080
Speaker 1: pick up some cookies. He was ambushed. He was ambushed.

69
00:04:13,840 --> 00:04:18,640
Speaker 1: And when you ambushed, number one, that means whoever this

70
00:04:18,920 --> 00:04:23,440
Speaker 1: is is uninterested in any There's no communication, right, That

71
00:04:23,520 --> 00:04:26,159
Speaker 1: means there's no type or give me your chain and

72
00:04:26,200 --> 00:04:28,640
Speaker 1: that's enough in the car and now I'll let you ride.

73
00:04:30,080 --> 00:04:34,440
Speaker 1: Ambush is a different thing that says enough right there. Right,

74
00:04:34,520 --> 00:04:38,560
Speaker 1: So it's rough to handle an ambush. Then they go

75
00:04:38,640 --> 00:04:42,560
Speaker 1: to saying and respect to the family and the people.

76
00:04:43,720 --> 00:04:46,520
Speaker 1: My job is to try to teach the babies how

77
00:04:46,560 --> 00:04:53,960
Speaker 1: to navigate around to ghetto and navigate around providing yourself

78
00:04:54,680 --> 00:05:01,040
Speaker 1: a different lane. Right. And I just want to be

79
00:05:01,120 --> 00:05:04,279
Speaker 1: clear with that, right because you know, I know it's

80
00:05:04,279 --> 00:05:07,440
Speaker 1: a sensitive time, and I got to talk about Soldier boy,

81
00:05:07,600 --> 00:05:11,040
Speaker 1: right and the way that heat handled this and how

82
00:05:11,160 --> 00:05:16,279
Speaker 1: distasteful it is, right and for us. And when I

83
00:05:16,360 --> 00:05:18,679
Speaker 1: say us, you know, you know, if you want to mind,

84
00:05:20,000 --> 00:05:22,080
Speaker 1: you know one of the one of the ones they

85
00:05:22,200 --> 00:05:25,719
Speaker 1: kind of understand the streets and done it they self.

86
00:05:26,960 --> 00:05:32,160
Speaker 1: We're not fucking with you vicariously through niggas, y'all. All

87
00:05:32,200 --> 00:05:36,400
Speaker 1: you niggas this vicariously living your life vicariously through a nigga.

88
00:05:36,640 --> 00:05:39,800
Speaker 1: We're not fucking with you niggas. Right, I'm talking about

89
00:05:39,800 --> 00:05:42,080
Speaker 1: when he comes to being at the top of the

90
00:05:42,160 --> 00:05:44,680
Speaker 1: heel with anybody listening to what you got to say,

91
00:05:44,720 --> 00:05:50,480
Speaker 1: because you've been in the copy machine. See I'm in

92
00:05:50,520 --> 00:05:53,280
Speaker 1: the paper they took over to the copy machine. You've

93
00:05:53,279 --> 00:05:56,800
Speaker 1: been in the copy machine, so your validity is always

94
00:05:56,839 --> 00:05:59,240
Speaker 1: in question. We can't know that you know where you're

95
00:05:59,240 --> 00:06:02,920
Speaker 1: gone when you was behind somebody else that you won't

96
00:06:02,960 --> 00:06:06,440
Speaker 1: give the credit to. You know what I'm saying. But

97
00:06:06,600 --> 00:06:09,400
Speaker 1: all you vicariously through with nigga, And that's what I'm saying.

98
00:06:09,400 --> 00:06:14,200
Speaker 1: Even about Soldier Boy like Big Bank said something profound

99
00:06:14,279 --> 00:06:19,280
Speaker 1: Man Big Bank said that it's cool you're faking it

100
00:06:19,279 --> 00:06:22,640
Speaker 1: and doing whatever you're doing. The problem becomes when you

101
00:06:22,680 --> 00:06:28,000
Speaker 1: start to believe it. Oh now, so now you didn't

102
00:06:28,040 --> 00:06:32,799
Speaker 1: start to believe that you a gangster. You didn't treat

103
00:06:32,920 --> 00:06:35,600
Speaker 1: yourself in the belief, so you didn't treat yourself in

104
00:06:35,640 --> 00:06:40,480
Speaker 1: the believe and you read it for war somewhere along

105
00:06:40,600 --> 00:06:44,760
Speaker 1: the lane. You don't got laws home, and certain things

106
00:06:45,080 --> 00:06:50,880
Speaker 1: you can't clean up, certain things. A conversation ain't enough

107
00:06:50,960 --> 00:06:54,080
Speaker 1: for Luckily, you're dealing with people that are still willing

108
00:06:54,120 --> 00:06:56,760
Speaker 1: to do that. Right, But I'm saying, and we know,

109
00:06:57,080 --> 00:06:59,480
Speaker 1: we know the connections and this and that, but bro,

110
00:07:00,000 --> 00:07:02,200
Speaker 1: at some point then people on your side even got

111
00:07:02,320 --> 00:07:04,679
Speaker 1: to be like, you know, we ran with you because

112
00:07:04,720 --> 00:07:09,679
Speaker 1: you know it is what it is, but you're playing

113
00:07:09,720 --> 00:07:13,360
Speaker 1: a different game. But before I get to that, let

114
00:07:13,360 --> 00:07:16,040
Speaker 1: me deal with let me just deal with with with

115
00:07:16,040 --> 00:07:20,920
Speaker 1: with the um with the circumstances and the death of

116
00:07:21,040 --> 00:07:26,679
Speaker 1: young Dolfs right sitting at the cooking spot, they push

117
00:07:26,800 --> 00:07:32,840
Speaker 1: up and go to spraying um. And then it said

118
00:07:32,880 --> 00:07:35,840
Speaker 1: that someone was in the car with Dolf that got

119
00:07:35,880 --> 00:07:39,600
Speaker 1: out and started I guess shooting or chasing the car

120
00:07:39,760 --> 00:07:43,760
Speaker 1: on the way um as they will pulling off. And

121
00:07:44,840 --> 00:07:48,040
Speaker 1: for Loon, it's always it's always a crazy thing because

122
00:07:48,080 --> 00:07:55,120
Speaker 1: I'm always by myself. I trust me and I may

123
00:07:55,160 --> 00:07:58,080
Speaker 1: have you know, my woman or woman with me. You know,

124
00:07:58,160 --> 00:08:02,360
Speaker 1: they that my expayations of their main don't even it,

125
00:08:02,400 --> 00:08:06,240
Speaker 1: don't even enter into any gangster shit. So I'm also

126
00:08:06,600 --> 00:08:08,840
Speaker 1: when I'm with a woman, I still feel like I'm

127
00:08:08,920 --> 00:08:11,800
Speaker 1: with me when things may have to go that route

128
00:08:11,840 --> 00:08:14,920
Speaker 1: because I'm instantly making them get out the way, get

129
00:08:14,920 --> 00:08:18,040
Speaker 1: weever and let me try to figure this out. You

130
00:08:18,040 --> 00:08:20,240
Speaker 1: see what I'm saying. So I'm still with me. The

131
00:08:20,400 --> 00:08:25,400
Speaker 1: problem happens number one with rappers. Man, we gotta understand

132
00:08:25,480 --> 00:08:30,520
Speaker 1: like that there's no value in the hood. Like when

133
00:08:30,560 --> 00:08:32,719
Speaker 1: I come through the hood, I'm handling shit out. I'm

134
00:08:32,760 --> 00:08:36,280
Speaker 1: giving shit to folk. I'm just moving through, giving shit

135
00:08:36,360 --> 00:08:41,720
Speaker 1: to fold because I understand that that things feel unfair.

136
00:08:44,040 --> 00:08:46,280
Speaker 1: You know. That's that's bro we went to school with.

137
00:08:46,480 --> 00:08:49,480
Speaker 1: That's that's the home man. Now, that's how the fuck

138
00:08:49,559 --> 00:08:54,120
Speaker 1: what just happened? How he and then my lack of

139
00:08:54,120 --> 00:08:57,760
Speaker 1: communication breeds in it. It's something now that I haven't

140
00:08:57,800 --> 00:09:02,080
Speaker 1: had time to look into. But sometimes lack of communication

141
00:09:02,200 --> 00:09:05,480
Speaker 1: breeze even people. People. People hate you because they ain't

142
00:09:05,520 --> 00:09:10,840
Speaker 1: heard from you. People hate you because they ain't hear

143
00:09:10,960 --> 00:09:14,400
Speaker 1: from you. They don't have anything you've done to them.

144
00:09:14,600 --> 00:09:18,080
Speaker 1: You haven't took anything from them. You haven't communicated with them,

145
00:09:18,080 --> 00:09:21,560
Speaker 1: which is bread even to me. That says something about

146
00:09:21,559 --> 00:09:24,560
Speaker 1: how they always felt. Again, I haven't had time to

147
00:09:24,640 --> 00:09:27,520
Speaker 1: look into that. But the thing I'm saying is, in

148
00:09:27,559 --> 00:09:30,160
Speaker 1: the hood, we're dealing with a breath of things. It's

149
00:09:30,200 --> 00:09:32,559
Speaker 1: a in the hood, We're dealing with a whole bunch

150
00:09:32,600 --> 00:09:39,080
Speaker 1: of things. It's no value in the hood. Bro, Once

151
00:09:39,120 --> 00:09:44,240
Speaker 1: you become moti, I've been done, said fuck mohood, and

152
00:09:44,280 --> 00:09:48,560
Speaker 1: I ain't even made it out yet. Right, I'm financially cool.

153
00:09:48,679 --> 00:09:53,000
Speaker 1: But ween, just you know, Ween, just yeah, you understand me.

154
00:09:53,120 --> 00:09:57,920
Speaker 1: We still yeah, so you dig So It's like, but

155
00:09:58,080 --> 00:10:02,760
Speaker 1: it's been fuck monhood. They may not never see me again. Listen,

156
00:10:02,800 --> 00:10:06,280
Speaker 1: I'm a street nigga. I'm I'm me because I'm me. Listen,

157
00:10:06,320 --> 00:10:08,600
Speaker 1: I'm me because I'm me. I don't have to validate

158
00:10:08,640 --> 00:10:12,320
Speaker 1: by showing up to the hood that I'm meet see

159
00:10:12,320 --> 00:10:14,559
Speaker 1: a lot of times too. With the wrap thing, man

160
00:10:15,679 --> 00:10:19,600
Speaker 1: is pausing us. It's pausing in the mind of some

161
00:10:19,720 --> 00:10:22,800
Speaker 1: of us. Right, it got us. It got us doing

162
00:10:22,960 --> 00:10:26,840
Speaker 1: things that don't got no benefit. It got us doing

163
00:10:26,920 --> 00:10:29,959
Speaker 1: obstacles with no reward at the end. Picture of dog

164
00:10:30,080 --> 00:10:33,240
Speaker 1: running through all these mazes and all this for nothing.

165
00:10:33,280 --> 00:10:39,240
Speaker 1: At the end, the music, the soundtrack to these niggas

166
00:10:39,240 --> 00:10:44,960
Speaker 1: lives be in the ghetto. You hit me talk about

167
00:10:45,000 --> 00:10:48,160
Speaker 1: coming down to the ghetto with some information because I

168
00:10:48,280 --> 00:10:50,720
Speaker 1: understand its strength and numbers. The more of us know,

169
00:10:50,840 --> 00:10:54,080
Speaker 1: the more of us can grow. I get that. But

170
00:10:54,160 --> 00:10:57,480
Speaker 1: when I'm telling you, hey, listen, popping up and showing

171
00:10:57,600 --> 00:10:59,880
Speaker 1: up and just being in the hood because I'm just

172
00:11:00,040 --> 00:11:02,160
Speaker 1: sending the hood ain't the thing to do. It would

173
00:11:02,160 --> 00:11:06,000
Speaker 1: never be the thing to do. The problem is you

174
00:11:06,000 --> 00:11:08,839
Speaker 1: can trick people, right, So like if you ain't did

175
00:11:08,880 --> 00:11:13,480
Speaker 1: it yourself, you don't have the information. So he was.

176
00:11:15,080 --> 00:11:19,600
Speaker 1: He was killed inside a cookie shop. I don't know

177
00:11:19,640 --> 00:11:22,400
Speaker 1: the name of the cookie shop because I feel I'd

178
00:11:22,400 --> 00:11:25,920
Speaker 1: be feeling crazy when I mispronounced words. So but I'm

179
00:11:25,920 --> 00:11:28,080
Speaker 1: sure they'll say the name. Here. Let's take a look

180
00:11:28,080 --> 00:11:30,200
Speaker 1: at a little bit of what they had to say.

181
00:11:30,360 --> 00:11:35,400
Speaker 1: Favorite part of Memphis goal blasting his music. Fans of

182
00:11:35,480 --> 00:11:40,120
Speaker 1: Young Dolph gathered outside the now boarded up store less

183
00:11:40,120 --> 00:11:43,520
Speaker 1: than twenty four hours after he was killed. He talked

184
00:11:43,559 --> 00:11:46,720
Speaker 1: about hustling, getting out of Memphis, and giving back, and

185
00:11:46,760 --> 00:11:48,520
Speaker 1: I'm just here to show him my love and support.

186
00:11:49,120 --> 00:11:51,440
Speaker 1: On the day of the shooting, the store owner told

187
00:11:51,600 --> 00:11:55,240
Speaker 1: wreg over the phone the rapper was stopping by the

188
00:11:55,280 --> 00:11:59,720
Speaker 1: location to buy cookies. Memphis police say he was shocked

189
00:12:00,080 --> 00:12:03,520
Speaker 1: while inside the store. Through a statement on Facebook, store

190
00:12:03,600 --> 00:12:07,560
Speaker 1: management says we were heartbroken and saddened by the passing

191
00:12:07,600 --> 00:12:10,959
Speaker 1: of young Dolf. He was a regular customer and loved

192
00:12:11,080 --> 00:12:14,640
Speaker 1: Makita's cookies. Our hearts and condolence says go out to

193
00:12:14,720 --> 00:12:20,640
Speaker 1: his family. As the crowd grew outside the South Memphis

194
00:12:20,679 --> 00:12:24,439
Speaker 1: location Thursday, Memphis police moved in to control the crowd.

195
00:12:24,679 --> 00:12:27,320
Speaker 1: Once a few fans started spray painting the walls of

196
00:12:27,320 --> 00:12:31,320
Speaker 1: the business with the rappers lyrics and his name. Fan

197
00:12:31,440 --> 00:12:35,160
Speaker 1: say Dolf's death now leaves a sad mark not only

198
00:12:35,160 --> 00:12:38,839
Speaker 1: on the business but in the community. This location would

199
00:12:38,840 --> 00:12:41,120
Speaker 1: never be the same, Memphis would never be the same.

200
00:12:41,559 --> 00:12:44,120
Speaker 1: Reporting in South Memphis quam true Wilborn if you are

201
00:12:44,120 --> 00:12:49,800
Speaker 1: eg new Shan three so again. First thing I thought

202
00:12:49,840 --> 00:12:55,199
Speaker 1: about is what's gonna happen with the rest of those

203
00:12:56,600 --> 00:12:58,920
Speaker 1: with the rappers man. First of all, I thought about

204
00:12:59,000 --> 00:13:01,360
Speaker 1: his family as old later in them like yo, that's

205
00:13:02,960 --> 00:13:08,920
Speaker 1: that's heartbreaking. But then I thought about he was at

206
00:13:08,960 --> 00:13:13,160
Speaker 1: the top of he was at the top of that

207
00:13:13,280 --> 00:13:18,880
Speaker 1: situation over there with about fifteen guys abund him, you know,

208
00:13:19,120 --> 00:13:24,760
Speaker 1: and it's just like, damn, dude was like the boss,

209
00:13:24,760 --> 00:13:27,600
Speaker 1: like the head over there. And when you're the head

210
00:13:27,640 --> 00:13:31,959
Speaker 1: and you get took at boy, Man, it's rough on dudes.

211
00:13:32,200 --> 00:13:34,920
Speaker 1: You know, it's rough on thems. Man. I just I

212
00:13:35,000 --> 00:13:36,720
Speaker 1: hate to see that, you know what I'm saying. I

213
00:13:36,760 --> 00:13:39,240
Speaker 1: hate to definitely see that black on black crime, us

214
00:13:39,360 --> 00:13:42,280
Speaker 1: killing us. You know, I understand though, man, being in

215
00:13:42,320 --> 00:13:48,240
Speaker 1: the streets sometimes like unfortunately, man, things happen, man, and

216
00:13:50,559 --> 00:13:53,520
Speaker 1: it's just part of it. Man. You know. I hate

217
00:13:53,559 --> 00:13:56,760
Speaker 1: to say it, and I hate to be the bear

218
00:13:56,920 --> 00:13:59,600
Speaker 1: or bad news to the people. Man, but it's important

219
00:13:59,600 --> 00:14:03,600
Speaker 1: to baby. Know, like, no matter how much money you get,

220
00:14:03,640 --> 00:14:06,560
Speaker 1: no matter how far you go, man, the rules still apply.

221
00:14:07,440 --> 00:14:11,559
Speaker 1: Matter of fact, the rules change for you when you

222
00:14:11,679 --> 00:14:17,320
Speaker 1: beg when you become famous. And seeing then another thing

223
00:14:18,640 --> 00:14:21,440
Speaker 1: about us, right, we get rich and we get us

224
00:14:21,480 --> 00:14:23,280
Speaker 1: a few dollars and then we go to trust in

225
00:14:23,360 --> 00:14:27,440
Speaker 1: our judgment and that's a mistake. But I'm from the

226
00:14:27,520 --> 00:14:30,920
Speaker 1: hood and I've made some money, so I know, I know,

227
00:14:31,200 --> 00:14:33,240
Speaker 1: so I know what it's like. Right, So you go

228
00:14:33,280 --> 00:14:35,920
Speaker 1: to trusting your judgment, right, you go to saying, Dawn,

229
00:14:37,920 --> 00:14:41,040
Speaker 1: I put my life in brother hand. See you move

230
00:14:41,120 --> 00:14:43,160
Speaker 1: different when you don't put your life in No, by

231
00:14:43,200 --> 00:14:46,320
Speaker 1: the hand, you don't even trust brought them, brought them

232
00:14:46,320 --> 00:14:48,920
Speaker 1: talk a good game. But you gotta remember in the hood,

233
00:14:49,200 --> 00:14:52,080
Speaker 1: sometimes it's all we do. It's talk. You know. The

234
00:14:52,200 --> 00:14:55,000
Speaker 1: dudes that be under the tree what the ford is,

235
00:14:55,040 --> 00:14:57,200
Speaker 1: and all that's all they do is sit around and

236
00:14:57,280 --> 00:15:00,000
Speaker 1: talk all day. You know, the sale that can come up.

237
00:15:00,120 --> 00:15:02,840
Speaker 1: He got more game than everybody. He smoked dope, but

238
00:15:02,920 --> 00:15:06,080
Speaker 1: he got more game than everybody because he'd been talking

239
00:15:06,120 --> 00:15:09,680
Speaker 1: the last thirty year while they've been working and raising children,

240
00:15:09,720 --> 00:15:11,880
Speaker 1: and all he doing is talking. So I don't trust

241
00:15:12,000 --> 00:15:16,240
Speaker 1: dudes words. A killer ain't a kill till he then killed.

242
00:15:19,040 --> 00:15:21,280
Speaker 1: A start on a star and a star until it

243
00:15:21,360 --> 00:15:26,920
Speaker 1: get dug right. So so so, but then you say damn.

244
00:15:27,400 --> 00:15:29,400
Speaker 1: But then a niggas say yo. All I had was

245
00:15:29,480 --> 00:15:31,800
Speaker 1: my judgment in the hood. All I had as a

246
00:15:31,840 --> 00:15:34,520
Speaker 1: youngster was thinking like, nah, if I go this way,

247
00:15:34,560 --> 00:15:37,800
Speaker 1: it's gonna happen this way, and that shit working. So

248
00:15:38,000 --> 00:15:40,880
Speaker 1: Brod got with me. Like, nah, I see it in him.

249
00:15:40,880 --> 00:15:46,840
Speaker 1: He gonna go, now, he gonna go. We don't know, though,

250
00:15:49,120 --> 00:15:51,160
Speaker 1: We don't know, though, we gotta know in the hood,

251
00:15:51,280 --> 00:15:56,360
Speaker 1: dudes good at talking. Dudes is good at talking. That's

252
00:15:56,400 --> 00:15:58,800
Speaker 1: one of the Yeah, Man, they're gonna talk to you

253
00:15:58,880 --> 00:16:00,760
Speaker 1: in the believe and they're gonna don't die for you.

254
00:16:02,160 --> 00:16:04,240
Speaker 1: And Bro, they gotta kill me to get to you.

255
00:16:04,400 --> 00:16:07,840
Speaker 1: Loom man, the folk playing with me, I'm a minim.

256
00:16:08,040 --> 00:16:16,120
Speaker 1: Knock on them, nigger head or bout you, but they

257
00:16:16,160 --> 00:16:18,320
Speaker 1: ain't doing them. But they just they think that's the

258
00:16:18,360 --> 00:16:23,360
Speaker 1: interview process. They think I'm hiring for hit man. That's

259
00:16:23,360 --> 00:16:25,720
Speaker 1: the thing about being black too and being in the

260
00:16:25,880 --> 00:16:29,960
Speaker 1: entertainment business or something. They think that. You know, you

261
00:16:30,080 --> 00:16:32,920
Speaker 1: listen home like you don't think if whatever I need,

262
00:16:32,920 --> 00:16:36,960
Speaker 1: I head on the on the walk up that. But

263
00:16:36,960 --> 00:16:39,320
Speaker 1: but every sit I go to, they think I'm hiring

264
00:16:39,360 --> 00:16:42,360
Speaker 1: for hitting man. Hey, Nigga, I'm tellue man, I'm putting

265
00:16:42,400 --> 00:16:45,600
Speaker 1: work in you know, shuding, shuding, I'm yeah, you know

266
00:16:45,600 --> 00:16:47,960
Speaker 1: what I'm saying. That's part of being in this position.

267
00:16:48,800 --> 00:16:52,200
Speaker 1: But I don't ever band to hey man and folk

268
00:16:52,280 --> 00:16:55,320
Speaker 1: gonna die for loon. They're gonna die if I'm watching,

269
00:16:57,280 --> 00:16:59,120
Speaker 1: like if I can call it head and see if

270
00:16:59,160 --> 00:17:01,480
Speaker 1: they're doing it. They gonna die for me that way,

271
00:17:02,440 --> 00:17:05,040
Speaker 1: but spared of the moment drop of the dying me

272
00:17:05,160 --> 00:17:08,600
Speaker 1: of them. Shit, I ain't nobody gonna die for me.

273
00:17:09,040 --> 00:17:13,200
Speaker 1: But see, Loon, look at the hood different. I love

274
00:17:13,320 --> 00:17:16,080
Speaker 1: my town, I love my city, I love my state.

275
00:17:16,160 --> 00:17:19,960
Speaker 1: I love my people, But I'm useless to my people

276
00:17:20,000 --> 00:17:26,760
Speaker 1: in my neighborhood. I'm on a worldwide scale, man. You

277
00:17:26,760 --> 00:17:29,040
Speaker 1: know that. Why you here, dude, talk about getting rich.

278
00:17:29,119 --> 00:17:33,359
Speaker 1: I'm talking about liberation. I know. Liberation mean the money

279
00:17:33,400 --> 00:17:39,680
Speaker 1: and the information go with that, y'all looking to get rich.

280
00:17:39,760 --> 00:17:46,119
Speaker 1: I need to infold with the money, defolk my family,

281
00:17:46,240 --> 00:17:49,200
Speaker 1: Like Wallow said, my family may not never have another

282
00:17:49,200 --> 00:17:54,159
Speaker 1: one of me. It may take a hundred years. I

283
00:17:54,280 --> 00:17:57,200
Speaker 1: need the information to go with it. I'm looking for liberation,

284
00:17:57,920 --> 00:18:02,360
Speaker 1: you know so. But I look at the hood different, yo.

285
00:18:02,400 --> 00:18:05,080
Speaker 1: It ain't no value, man, I don't. I'm not proving

286
00:18:05,160 --> 00:18:09,840
Speaker 1: nothing to the hood, man, nigga. I'm not proving to

287
00:18:09,920 --> 00:18:12,159
Speaker 1: the hood that. Yo. He's still right here. And I

288
00:18:12,320 --> 00:18:15,439
Speaker 1: know what it's like. I know the symbolism. I know

289
00:18:15,520 --> 00:18:17,480
Speaker 1: what it's like. But we got to find a different

290
00:18:17,480 --> 00:18:19,560
Speaker 1: way to do it. I know what we're trying to do.

291
00:18:20,560 --> 00:18:22,960
Speaker 1: Part of it, I think it's ego. Though I think

292
00:18:23,040 --> 00:18:25,440
Speaker 1: part of it is they can't run me from Ryan Hill.

293
00:18:27,160 --> 00:18:31,359
Speaker 1: That's part of it. But there's a saying there, there's

294
00:18:31,359 --> 00:18:34,160
Speaker 1: an old saying to say, hey, don't don't come down

295
00:18:34,160 --> 00:18:38,720
Speaker 1: the mountain. People can't climb up, especially to do no foolishness.

296
00:18:39,359 --> 00:18:42,119
Speaker 1: If you do come down the mountain, come with some porridge.

297
00:18:42,920 --> 00:18:45,440
Speaker 1: They ain't eating weary in there because the food at

298
00:18:45,440 --> 00:18:49,320
Speaker 1: the top. Or come with a rope, come with some strength,

299
00:18:50,320 --> 00:18:53,359
Speaker 1: come with some kind of pay halfway up to the top.

300
00:18:53,560 --> 00:18:56,600
Speaker 1: But don't just come down to the ghetto because you

301
00:18:56,160 --> 00:19:03,119
Speaker 1: you're drinking wine around build people. And the fact of

302
00:19:03,160 --> 00:19:05,359
Speaker 1: the matter is, once they viewed, you see it's a

303
00:19:05,480 --> 00:19:09,679
Speaker 1: contrast that's not acceptable. It's almost like two colors that

304
00:19:09,760 --> 00:19:12,520
Speaker 1: won't go. It's like oil and water. The shit just

305
00:19:12,560 --> 00:19:16,320
Speaker 1: don't mix right. Half for the rappers, whole stick, half

306
00:19:16,320 --> 00:19:19,240
Speaker 1: for the whole vab because how reach they is in

307
00:19:19,320 --> 00:19:22,040
Speaker 1: the bitlet and the lamb and the this said seven

308
00:19:22,160 --> 00:19:26,000
Speaker 1: hundred million in the cut in ten million, right, that's

309
00:19:26,080 --> 00:19:32,280
Speaker 1: part of the stick. But then I see you right there,

310
00:19:34,160 --> 00:19:36,360
Speaker 1: and you said that chain right do? You said, that's

311
00:19:36,359 --> 00:19:38,959
Speaker 1: a five hundred thousand dollars watch and you got it

312
00:19:39,040 --> 00:19:42,840
Speaker 1: on and you said that that chain cut four hundred thousand.

313
00:19:42,840 --> 00:19:45,120
Speaker 1: That caught four hundred thousand, and you at least keep

314
00:19:45,119 --> 00:19:47,679
Speaker 1: a hundred racks on you. That's a million dollars situation

315
00:19:47,840 --> 00:19:51,760
Speaker 1: right there. I love you, Loom, and I know you

316
00:19:51,880 --> 00:19:55,199
Speaker 1: from when we came up with each other. But my

317
00:19:55,320 --> 00:19:57,720
Speaker 1: old ladyman calling me a bit at the house, and

318
00:19:57,800 --> 00:20:00,359
Speaker 1: she's been hard on me. Man, I'm talking about turning

319
00:20:00,440 --> 00:20:04,000
Speaker 1: the TV, y'all talking loud. She ain't passing the blunt

320
00:20:04,000 --> 00:20:07,000
Speaker 1: to him and nothing no more. I'm because I'm ineffective

321
00:20:07,080 --> 00:20:09,840
Speaker 1: in the house. Man, ain't got a dollar. I'm about

322
00:20:09,840 --> 00:20:13,840
Speaker 1: to try this. One thing I got is this big

323
00:20:13,880 --> 00:20:16,040
Speaker 1: old gun brought in them gave me that time when

324
00:20:16,080 --> 00:20:19,000
Speaker 1: they were trying to get it off. They you know, see,

325
00:20:19,280 --> 00:20:21,960
Speaker 1: it's an overflow of guns for the niggas. They got

326
00:20:22,080 --> 00:20:26,920
Speaker 1: money for the most niggas. They really got a sack

327
00:20:27,000 --> 00:20:30,080
Speaker 1: and they really planted in that game. It's an overflow

328
00:20:30,119 --> 00:20:32,160
Speaker 1: of guns. They just had them ships in it where

329
00:20:32,240 --> 00:20:34,640
Speaker 1: that's our guns are starting to get yo, bro, get

330
00:20:34,760 --> 00:20:36,760
Speaker 1: take one of these movie. Y'all take this shit over

331
00:20:36,800 --> 00:20:40,399
Speaker 1: such or such, how nigga's stealing them. Nigga, don't even

332
00:20:40,440 --> 00:20:43,760
Speaker 1: know you got his gun way over here. You on

333
00:20:43,840 --> 00:20:45,760
Speaker 1: the grond with a gun. I don't even know you

334
00:20:45,880 --> 00:20:50,160
Speaker 1: got this post to be overpaym House. You know it's

335
00:20:50,240 --> 00:20:54,600
Speaker 1: it's it's because it's U. It's a diffusion of responsibility

336
00:20:54,720 --> 00:21:01,320
Speaker 1: from the big homers, right, but but I don't but

337
00:21:01,320 --> 00:21:05,120
Speaker 1: but but but dudes being no situations right where they're

338
00:21:05,119 --> 00:21:09,280
Speaker 1: at home and and and and Thein't they ineffective? Right?

339
00:21:09,320 --> 00:21:12,160
Speaker 1: They've made decisions they casting them not to be able

340
00:21:12,200 --> 00:21:15,200
Speaker 1: to get certain jobs. Because I want my black brothers

341
00:21:15,200 --> 00:21:18,520
Speaker 1: to know, right, loone ain't hiring hit me in when

342
00:21:18,560 --> 00:21:20,840
Speaker 1: I come to your town. I know y'all smell it

343
00:21:20,960 --> 00:21:23,400
Speaker 1: on me, you feel it. But I ain't hiring hit

344
00:21:23,520 --> 00:21:26,720
Speaker 1: me And I need small individuals around me build as

345
00:21:26,800 --> 00:21:30,800
Speaker 1: not destroys. We're trying to get information in this ship, bro.

346
00:21:30,880 --> 00:21:34,400
Speaker 1: We're trying to give people a game, right. We're trying

347
00:21:34,400 --> 00:21:36,920
Speaker 1: to let the women know, like YO, respect the guys.

348
00:21:36,960 --> 00:21:39,960
Speaker 1: They got the game right. You know, the money is

349
00:21:40,040 --> 00:21:42,920
Speaker 1: always a byproduct. You know, A nigga with some game,

350
00:21:43,000 --> 00:21:48,960
Speaker 1: gonna get some money hopefully hopefully now hopefully. I ain't

351
00:21:49,000 --> 00:21:52,600
Speaker 1: say knowledge, I say game. Now. It's a difference. Make

352
00:21:52,640 --> 00:21:57,640
Speaker 1: sure you know the difference, right. But there's no value

353
00:21:58,520 --> 00:22:07,680
Speaker 1: in the hood. And sometimes when you're not as solidified

354
00:22:07,720 --> 00:22:11,320
Speaker 1: in your brain, you think that you're being solidified by

355
00:22:11,400 --> 00:22:13,840
Speaker 1: going in the hood and showing that you're not scared.

356
00:22:15,320 --> 00:22:18,200
Speaker 1: I talked about on the other I talked about maybe

357
00:22:18,200 --> 00:22:23,280
Speaker 1: a money go on my podcast about a young brother

358
00:22:23,640 --> 00:22:27,320
Speaker 1: who just for the sake of showing that he not scared,

359
00:22:28,080 --> 00:22:30,800
Speaker 1: he said something to someone that had an aar fifteen

360
00:22:33,080 --> 00:22:35,920
Speaker 1: to me that says, like, yo, when the people when

361
00:22:35,920 --> 00:22:38,080
Speaker 1: people are in a situation of where they didn't come

362
00:22:38,160 --> 00:22:40,480
Speaker 1: up from the hood, they have no understanding on the

363
00:22:40,560 --> 00:22:46,119
Speaker 1: boundaries like they think like yo, they think it's about

364
00:22:46,240 --> 00:22:51,280
Speaker 1: not seeming scared. They don't know that, Yo, you don't

365
00:22:51,320 --> 00:22:54,960
Speaker 1: got to be scared, ain't nobody? That ain't a requirement

366
00:22:55,119 --> 00:22:57,040
Speaker 1: when m see, let me look up what it takes

367
00:22:57,080 --> 00:23:00,600
Speaker 1: to die? Give me a second, Yeah, I don't he's scared.

368
00:23:00,680 --> 00:23:05,720
Speaker 1: On there. It don't take being scared to die, bro,

369
00:23:07,480 --> 00:23:11,160
Speaker 1: it don't take me in spook that or he thought,

370
00:23:11,280 --> 00:23:13,760
Speaker 1: See I remember back in the day, right. See, this

371
00:23:13,800 --> 00:23:15,560
Speaker 1: is what I'm saying. As a young nigga, I always

372
00:23:15,600 --> 00:23:19,439
Speaker 1: been cold, but they didn't know it, and they thought

373
00:23:19,480 --> 00:23:22,280
Speaker 1: I didn't know it, but I played like I didn't know.

374
00:23:22,359 --> 00:23:27,000
Speaker 1: It's a long story, but I remember being a young

375
00:23:27,119 --> 00:23:32,800
Speaker 1: nigga and people that legitimately I found to have fights

376
00:23:32,800 --> 00:23:36,840
Speaker 1: and hit niggas and be fighters in the neighborhood. They

377
00:23:36,840 --> 00:23:39,080
Speaker 1: would come up like, say, we got a problem or

378
00:23:39,119 --> 00:23:41,600
Speaker 1: we slick into it, and they jump at me and

379
00:23:41,640 --> 00:23:45,720
Speaker 1: I jumped. They think that's a whole thing. They thought

380
00:23:45,760 --> 00:23:51,080
Speaker 1: I was scared because I jumped. Number one, I was scared,

381
00:23:51,720 --> 00:23:56,240
Speaker 1: But number two, I ain't never gonna deny my reflexes

382
00:23:56,280 --> 00:23:58,280
Speaker 1: for the sake of See, this is what I'm saying.

383
00:23:58,359 --> 00:24:00,159
Speaker 1: You know how stupid you got to be for me

384
00:24:00,200 --> 00:24:02,520
Speaker 1: to be leaning in with a punch and you're gonna

385
00:24:02,600 --> 00:24:05,119
Speaker 1: stand there for the sake of you don't get nothing

386
00:24:05,160 --> 00:24:07,399
Speaker 1: out of it. I'm gonna knock you out. You're gonna

387
00:24:07,440 --> 00:24:11,280
Speaker 1: get knocked out because all because you don't beat your ego.

388
00:24:11,400 --> 00:24:14,200
Speaker 1: Your ego is telling you I ain't doing no kind

389
00:24:14,200 --> 00:24:17,320
Speaker 1: of flinching or nothing. Because if I don't flinch, that's

390
00:24:17,320 --> 00:24:21,000
Speaker 1: gonna let them know they bid not do it. I

391
00:24:21,040 --> 00:24:23,280
Speaker 1: ain't scared to get hit now. I don't. Won't you

392
00:24:23,359 --> 00:24:26,639
Speaker 1: hitting me a square blind like? I don't you know?

393
00:24:26,680 --> 00:24:28,280
Speaker 1: If you do hit me, I need it to be

394
00:24:28,400 --> 00:24:31,879
Speaker 1: a chip or something, because I'm you're feeling it. But again,

395
00:24:32,040 --> 00:24:35,240
Speaker 1: because I'm I'm results base. A lot of you bitch

396
00:24:35,280 --> 00:24:39,240
Speaker 1: ass niggas is about what you look like. Loon about results.

397
00:24:39,280 --> 00:24:41,600
Speaker 1: If they tell me walk down there for ten meeting,

398
00:24:41,880 --> 00:24:44,760
Speaker 1: I'm out A lot of times. I'm in the stole

399
00:24:44,800 --> 00:24:47,720
Speaker 1: next to people they don't even know. I'm ragly. I'm

400
00:24:47,720 --> 00:24:52,240
Speaker 1: looking ragl hood on ragly. The cop might be high

401
00:24:52,280 --> 00:24:54,320
Speaker 1: priced out there. That's the only way you're gonna figure

402
00:24:54,320 --> 00:24:56,960
Speaker 1: out is me the parking lot in the stole. You

403
00:24:57,040 --> 00:24:59,480
Speaker 1: might be thinking, who is it? Broke ass nigga right here?

404
00:25:01,720 --> 00:25:05,360
Speaker 1: All this shit might be designer though, but it's ragling shit,

405
00:25:05,600 --> 00:25:09,359
Speaker 1: ragling hooded off, white raglar flip flops. I'm in the

406
00:25:09,440 --> 00:25:13,080
Speaker 1: store ragley d or pajama you know. But this shit

407
00:25:13,160 --> 00:25:16,119
Speaker 1: ain't nothing. It's just I'm ragly. I ain't trying to

408
00:25:16,359 --> 00:25:19,040
Speaker 1: because I don't care what nobody thinks. I'm thinking, can

409
00:25:19,080 --> 00:25:20,960
Speaker 1: I get to the store and get this ship for

410
00:25:21,040 --> 00:25:24,440
Speaker 1: a sellout or whatever the case. I'm result bab fuck

411
00:25:24,480 --> 00:25:27,879
Speaker 1: what niggas think. We got to stop worrying about what

412
00:25:28,000 --> 00:25:29,880
Speaker 1: niggas think. Yo. If I show up in the hood,

413
00:25:29,960 --> 00:25:33,880
Speaker 1: d nigga gonna know brought them ain't skid shit, ain't

414
00:25:33,880 --> 00:25:36,600
Speaker 1: got no value to it. We gotta know not to

415
00:25:36,680 --> 00:25:40,520
Speaker 1: trust too. Like I say, the people that talk your

416
00:25:40,560 --> 00:25:42,800
Speaker 1: dude's gonna talk a good game, Loan, I'm gonna knock

417
00:25:42,840 --> 00:25:46,000
Speaker 1: something out for you, Loan, d dude by not play

418
00:25:46,080 --> 00:25:48,359
Speaker 1: with you. I'm about them standing on their business. And

419
00:25:48,480 --> 00:25:52,960
Speaker 1: some people mean that. But what about when the ambush come?

420
00:25:53,520 --> 00:25:55,800
Speaker 1: You're laying your life out there or you want to

421
00:25:55,800 --> 00:26:00,560
Speaker 1: go home? You want to go home? Nigga, You laying

422
00:26:00,560 --> 00:26:03,360
Speaker 1: your life out there? I think you little niggas want

423
00:26:03,359 --> 00:26:08,679
Speaker 1: to go home. I think my niggas want to go home.

424
00:26:10,880 --> 00:26:13,320
Speaker 1: You see what I'm saying. And I think if you've

425
00:26:13,359 --> 00:26:17,320
Speaker 1: been in the street yourself, you think most niggas want

426
00:26:17,359 --> 00:26:19,240
Speaker 1: to go home. You might got one or two that's

427
00:26:19,280 --> 00:26:22,640
Speaker 1: gonna die with you, but you know most niggas want

428
00:26:22,680 --> 00:26:26,000
Speaker 1: to go home. That DRAKEO is for the I hope

429
00:26:26,040 --> 00:26:31,000
Speaker 1: don't nothing never happen. I'm spooked out. I hope thought

430
00:26:31,040 --> 00:26:33,040
Speaker 1: nothing never happened with Bro BROT got me in the

431
00:26:33,080 --> 00:26:37,359
Speaker 1: trenches too, depending on me. He depending on me. And

432
00:26:37,400 --> 00:26:39,679
Speaker 1: I'm popping out with the drake. But I'm I'm praying,

433
00:26:39,680 --> 00:26:43,560
Speaker 1: I don't never had to. I'm slick, gonna hesitate. It's

434
00:26:43,600 --> 00:26:47,240
Speaker 1: certain niggas from my time, they gonna go. They're gonna go.

435
00:26:47,320 --> 00:26:50,879
Speaker 1: If it looks funny, they're going. I'm talking about their selves.

436
00:26:50,920 --> 00:26:54,800
Speaker 1: I ain't you knowin' they're folk going. But sometimes we

437
00:26:54,920 --> 00:26:58,880
Speaker 1: try to open. Sometimes we go to trust in our

438
00:26:59,000 --> 00:27:01,000
Speaker 1: judgment because again, and that's how we had in the

439
00:27:01,119 --> 00:27:04,480
Speaker 1: projects ideas. I mind, I mind said that's how we

440
00:27:04,600 --> 00:27:07,760
Speaker 1: had yo. But if I do a mixtape and what

441
00:27:07,840 --> 00:27:11,320
Speaker 1: if I call it this? This shit work. So you

442
00:27:11,359 --> 00:27:14,560
Speaker 1: look at little Bro and little Brother got convincing with

443
00:27:14,600 --> 00:27:18,600
Speaker 1: this Soldier boys shit. So he didn't convince you he

444
00:27:18,680 --> 00:27:20,720
Speaker 1: gonna die for you. You got him on the passionate

445
00:27:20,800 --> 00:27:22,800
Speaker 1: side with you in the bending, ran through the op

446
00:27:22,920 --> 00:27:26,240
Speaker 1: hood knowing like he gonna go. Ain't your mind and

447
00:27:26,280 --> 00:27:31,720
Speaker 1: he probably he probably ain't gonna go. I was seeing

448
00:27:31,800 --> 00:27:34,720
Speaker 1: Soldier Boy. I noticed something about Soldier Boy, you know,

449
00:27:34,800 --> 00:27:37,320
Speaker 1: because let's speak on that the Soldier Boy ended up

450
00:27:37,359 --> 00:27:40,119
Speaker 1: getting a snatched off the Millennium tool for some things.

451
00:27:40,119 --> 00:27:48,640
Speaker 1: He said about Dolf, He's trolling the death for this dude. Like, yo, bro,

452
00:27:49,440 --> 00:27:53,879
Speaker 1: he trolling the death for this guy. He said, he

453
00:27:53,960 --> 00:27:56,800
Speaker 1: trolling the death for this dude. So for me, it's

454
00:27:56,880 --> 00:28:03,240
Speaker 1: like for me when I look at Soldier Boy because

455
00:28:03,240 --> 00:28:06,720
Speaker 1: I'm noticing something, you know, for those of you that

456
00:28:06,840 --> 00:28:11,840
Speaker 1: may not know, he went live and let me see

457
00:28:11,880 --> 00:28:14,159
Speaker 1: if I can find a clip of it just to

458
00:28:14,160 --> 00:28:16,959
Speaker 1: put it in context. So let me just let me

459
00:28:17,040 --> 00:28:21,240
Speaker 1: just put the framework of what's going on. Before Dolf

460
00:28:22,080 --> 00:28:29,720
Speaker 1: got killed, Key Glock and Soldier Boy got into a

461
00:28:29,840 --> 00:28:34,280
Speaker 1: back and forth about some flying three D bill board. Again,

462
00:28:34,400 --> 00:28:38,520
Speaker 1: this internet, you, Soldier boy is he doesn't morphed into

463
00:28:38,600 --> 00:28:42,200
Speaker 1: some different bro. They didn't let the internet work for him.

464
00:28:42,200 --> 00:28:44,320
Speaker 1: That he doesn't beat this ship, this ship like the

465
00:28:44,440 --> 00:28:48,440
Speaker 1: apple for Eve, like this shit is yo? You seeing

466
00:28:48,520 --> 00:28:53,440
Speaker 1: it like home going wild with it like in real life.

467
00:28:53,480 --> 00:28:57,280
Speaker 1: But that's his business. My my thing is to get

468
00:28:57,480 --> 00:29:00,480
Speaker 1: information to the babies. Again, I need you to know

469
00:29:00,520 --> 00:29:04,880
Speaker 1: what you're looking at and be clearning you understand um.

470
00:29:05,560 --> 00:29:08,720
Speaker 1: But they had a situation where they were this and

471
00:29:08,800 --> 00:29:12,320
Speaker 1: about that video came out with Soldier Boys say any

472
00:29:12,440 --> 00:29:16,120
Speaker 1: want to be like Key glog Um. Soldier Boy goes

473
00:29:16,120 --> 00:29:19,000
Speaker 1: on Breakfast Club speaks about it, say fuck them and this,

474
00:29:19,200 --> 00:29:21,160
Speaker 1: and then the third couple of days later, Dolf end

475
00:29:21,280 --> 00:29:24,920
Speaker 1: ups getting killed. Soldier Boy continues with the roll out

476
00:29:24,920 --> 00:29:29,920
Speaker 1: of his album on the on the back of Dolf's killing,

477
00:29:30,720 --> 00:29:35,719
Speaker 1: interesting thing to do, right, and and so consequently with

478
00:29:35,880 --> 00:29:38,239
Speaker 1: him trolling the death of that dude. They snatched him

479
00:29:38,240 --> 00:29:41,880
Speaker 1: off the Millennium Tour, a tour for Memphis and Saint Louis,

480
00:29:41,880 --> 00:29:43,760
Speaker 1: and he said he still get paid as if the

481
00:29:43,800 --> 00:29:46,080
Speaker 1: money was ever the issue. The money ain't the issue.

482
00:29:46,560 --> 00:29:49,800
Speaker 1: I think the message everyone is getting accept you home,

483
00:29:51,120 --> 00:29:54,840
Speaker 1: and somebody gotta tell you that like everybody around you

484
00:29:54,960 --> 00:29:58,760
Speaker 1: getting the message set you, bro, the business is shutting down.

485
00:29:58,840 --> 00:30:01,240
Speaker 1: Certain shits happened, like you're going too far with this

486
00:30:01,280 --> 00:30:05,360
Speaker 1: one home and you still pressing dying on it, as

487
00:30:05,400 --> 00:30:08,720
Speaker 1: if the game ain't the game, like the game is

488
00:30:08,720 --> 00:30:13,600
Speaker 1: the game? Is the game? My nigga? Like? And then

489
00:30:13,720 --> 00:30:17,120
Speaker 1: this think if see this is what you ain't understanding home?

490
00:30:17,400 --> 00:30:23,440
Speaker 1: Just think if if if, if my opponent is unknown? Right,

491
00:30:23,640 --> 00:30:28,160
Speaker 1: because a lot of people go to um rushing the

492
00:30:28,320 --> 00:30:31,200
Speaker 1: judgment about who did was in a bunch of lives

493
00:30:31,280 --> 00:30:34,240
Speaker 1: come out about this and that happening in response too.

494
00:30:35,320 --> 00:30:38,360
Speaker 1: But let's just say my opponent is unknown, Like, we

495
00:30:38,440 --> 00:30:41,240
Speaker 1: don't think that come from that side. We think this

496
00:30:41,320 --> 00:30:45,440
Speaker 1: is some other thing. And let's just say you claiming

497
00:30:45,520 --> 00:30:48,120
Speaker 1: that my nigga, you don't what you want some Afghanistan

498
00:30:48,240 --> 00:30:52,600
Speaker 1: type of ship. What you're doing about a deaf nigga.

499
00:30:52,680 --> 00:30:56,360
Speaker 1: You're gonna y'all don't respect the dead in this game. Well,

500
00:30:56,400 --> 00:30:58,800
Speaker 1: we come to make you respect the dead in this game.

501
00:30:58,920 --> 00:31:03,680
Speaker 1: We're gonna go broke about it. I don't know what

502
00:31:03,800 --> 00:31:07,000
Speaker 1: y'all doing. And it's like this is a different type

503
00:31:07,000 --> 00:31:10,600
Speaker 1: of thing, but we're gonna play a couple of the clips,

504
00:31:11,080 --> 00:31:13,959
Speaker 1: um and just kind of get some game out about it.

505
00:31:14,080 --> 00:31:36,400
Speaker 1: Let's see, oh h h V Draco to them. For

506
00:31:36,520 --> 00:31:38,800
Speaker 1: those of you looking, he's just standing in the camera.

507
00:31:38,840 --> 00:31:42,520
Speaker 1: I'm not sure why. Draco to the album out right

508
00:31:42,560 --> 00:31:51,000
Speaker 1: now running again again again a rollout, was doing a rollout.

509
00:31:54,720 --> 00:31:58,520
Speaker 1: Nobody's questioning his business, accum, and nobody's saying that he's

510
00:31:58,560 --> 00:32:02,040
Speaker 1: not a smart rapper or he's not somebody that made

511
00:32:02,080 --> 00:32:05,600
Speaker 1: a lot of money in this and that nobody's saying

512
00:32:05,680 --> 00:32:08,520
Speaker 1: in that that. But at some point you gotta know

513
00:32:08,640 --> 00:32:25,640
Speaker 1: when you're going too far. M hm. And they ain't

514
00:32:25,680 --> 00:32:32,120
Speaker 1: post my album, you a bitch, niggah she going involved

515
00:32:32,200 --> 00:32:34,320
Speaker 1: right now, bit Draco to an album, all right. Now,

516
00:32:34,360 --> 00:32:37,440
Speaker 1: you're not saying niggas mad because they broke, niggas mad

517
00:32:37,440 --> 00:32:44,320
Speaker 1: because they fell off. Fuck nigga, fucking nigga. And if

518
00:32:44,320 --> 00:32:48,000
Speaker 1: you're not noticing, look at this, Look at this picture

519
00:32:48,000 --> 00:32:52,400
Speaker 1: around him. If you're not noticing this dude is looking

520
00:32:52,440 --> 00:32:54,960
Speaker 1: in the mirror, I'm gonna mute it and just playing.

521
00:32:57,040 --> 00:33:05,480
Speaker 1: This dude is practicing this shit. Look if you know this,

522
00:33:05,800 --> 00:33:09,360
Speaker 1: all the time he takes he takes his camera into

523
00:33:09,520 --> 00:33:13,120
Speaker 1: somewhere where he can see itself. But the problem is

524
00:33:13,120 --> 00:33:15,480
Speaker 1: you taking this ship too far, like you letting that

525
00:33:15,560 --> 00:33:17,840
Speaker 1: shit do something to you it shouldn't do to you, brother,

526
00:33:18,920 --> 00:33:22,240
Speaker 1: like you letting it get up under you. And I

527
00:33:22,360 --> 00:33:25,720
Speaker 1: think that you're disregarding a lot of things. You know.

528
00:33:25,800 --> 00:33:29,120
Speaker 1: This internet shit, this internet ship make you get yourself

529
00:33:29,160 --> 00:33:30,800
Speaker 1: in things you ain't got nothing to do. And you

530
00:33:30,880 --> 00:33:34,440
Speaker 1: tell me, you tell me that cloud what is cloud? Like? Cloud?

531
00:33:34,520 --> 00:33:38,240
Speaker 1: Make dudes do that like this cloud is a thing

532
00:33:38,360 --> 00:33:41,360
Speaker 1: like that, y'all. Be y'all want to claim depths and murders.

533
00:33:41,440 --> 00:33:45,040
Speaker 1: Y'all ain't handling to do it. So you want me

534
00:33:45,120 --> 00:33:47,520
Speaker 1: to take my frustration out on you because I got

535
00:33:47,520 --> 00:33:50,000
Speaker 1: some money? You know, if it's me like these my

536
00:33:50,160 --> 00:33:55,560
Speaker 1: dead people, bro, like what we're doing, you gotta know

537
00:33:55,640 --> 00:34:00,360
Speaker 1: it's war involved with those things, Bro, It's real war

538
00:34:00,480 --> 00:34:04,200
Speaker 1: involved with dudes names and certain things like that. Again,

539
00:34:04,280 --> 00:34:06,480
Speaker 1: we hate to see that with with with with Dolf.

540
00:34:07,120 --> 00:34:09,520
Speaker 1: We hate to see that with Soldier, you know. We

541
00:34:09,600 --> 00:34:11,680
Speaker 1: hate to see that beef. We even look at God

542
00:34:11,800 --> 00:34:15,640
Speaker 1: and Dolf and we say, damn. You know, on a

543
00:34:15,760 --> 00:34:19,879
Speaker 1: year anniversary of Jez and Gucci, it's like, yo, that's

544
00:34:20,000 --> 00:34:23,480
Speaker 1: big to bear to make it that far and then

545
00:34:23,560 --> 00:34:26,799
Speaker 1: be able to pass that up. Because it's a lot

546
00:34:26,800 --> 00:34:29,360
Speaker 1: of things that can happen on people name, Like you

547
00:34:29,400 --> 00:34:31,279
Speaker 1: know what I'm saying, Certain things can just happen on

548
00:34:31,400 --> 00:34:34,640
Speaker 1: my name. I would dude and them say what about

549
00:34:34,680 --> 00:34:37,280
Speaker 1: when I don't even know I'm way over here somewhere

550
00:34:37,320 --> 00:34:40,520
Speaker 1: it's war gonne And it's like, yo, that can be

551
00:34:40,600 --> 00:34:42,680
Speaker 1: a real thing. And for them to see us piece

552
00:34:42,760 --> 00:34:46,040
Speaker 1: that up, that sent shock waves through the street and

553
00:34:46,200 --> 00:34:52,600
Speaker 1: Tennessee needed them to piece that up. Tennessee needed that

554
00:34:53,719 --> 00:34:57,479
Speaker 1: we were in a good place musically. But that would

555
00:34:57,480 --> 00:35:00,640
Speaker 1: have been big, you know. But again, I don't know

556
00:35:00,719 --> 00:35:04,200
Speaker 1: the particulars of the other situation. But I'm saying from

557
00:35:04,200 --> 00:35:09,080
Speaker 1: a music standpoint, from a musician industry artist standpoint, if

558
00:35:09,080 --> 00:35:12,040
Speaker 1: we could have got gott It Endulf to squash that

559
00:35:13,200 --> 00:35:15,200
Speaker 1: and stand next to each other, that would have been

560
00:35:15,239 --> 00:35:17,600
Speaker 1: a beautiful thing. But I think certain lines may have

561
00:35:17,640 --> 00:35:21,320
Speaker 1: been crossed and may and maybe that was just a

562
00:35:21,440 --> 00:35:26,359
Speaker 1: mute point. I hate that the Internet again crossed God

563
00:35:26,440 --> 00:35:28,680
Speaker 1: in them in that because what if it ain't me?

564
00:35:29,640 --> 00:35:32,279
Speaker 1: Like what y'all be doing with this police ship? Bro,

565
00:35:32,400 --> 00:35:35,080
Speaker 1: what if this ain't me? Then what if they sending

566
00:35:35,200 --> 00:35:37,120
Speaker 1: hits on people? Ain't got nothing to do with it?

567
00:35:37,200 --> 00:35:43,680
Speaker 1: Like what are y'all doing? Like y'all tripping? Like y'all tripping.

568
00:35:44,200 --> 00:35:46,759
Speaker 1: But that's the Internet we're dealing with. We're dealing with

569
00:35:46,800 --> 00:35:48,719
Speaker 1: the Internet. We're gonna take a small break and come

570
00:35:48,760 --> 00:35:51,520
Speaker 1: back right in the game. A lot of people give

571
00:35:51,640 --> 00:35:54,640
Speaker 1: Soldier boy a pass, you know what I'm saying. There'd

572
00:35:54,680 --> 00:35:58,600
Speaker 1: be a lot of front facing going on, and then

573
00:35:58,719 --> 00:36:02,480
Speaker 1: probably behind closed doors. People you know get it together

574
00:36:02,640 --> 00:36:05,200
Speaker 1: because the thing about soldiers, boy, you got a couple

575
00:36:05,200 --> 00:36:10,080
Speaker 1: of real ones, according to people you know, you got

576
00:36:10,160 --> 00:36:13,640
Speaker 1: a couple of real ones that got their arms around them,

577
00:36:14,400 --> 00:36:19,000
Speaker 1: you know what I'm saying. So and sometimes when you

578
00:36:19,120 --> 00:36:22,920
Speaker 1: move up under the protection of niggas, like niggas is

579
00:36:23,000 --> 00:36:26,680
Speaker 1: kind of protecting you to get around and got you confidence.

580
00:36:26,760 --> 00:36:29,160
Speaker 1: Sometimes they rolled off and you go to thinking you

581
00:36:29,280 --> 00:36:32,880
Speaker 1: put some work in. You shot some people in self defense.

582
00:36:32,960 --> 00:36:39,800
Speaker 1: You better have shot that time respectfully. But this Internet,

583
00:36:39,840 --> 00:36:42,560
Speaker 1: like I always tell y'all, this Internet is a weird place.

584
00:36:43,960 --> 00:36:49,880
Speaker 1: Its Internet. It allows for it allows for you to

585
00:36:50,120 --> 00:36:54,759
Speaker 1: get involved in things that just maybe fifteen years ago

586
00:36:54,800 --> 00:36:59,680
Speaker 1: would have a direct response to them right then. Right

587
00:36:59,760 --> 00:37:03,880
Speaker 1: for you to tell me like fuck your home or

588
00:37:03,920 --> 00:37:05,759
Speaker 1: something like that, you would have to be close enough

589
00:37:05,760 --> 00:37:08,160
Speaker 1: for me to hear you without my phone number if

590
00:37:08,200 --> 00:37:10,000
Speaker 1: I didn't know you, So you would have to be

591
00:37:10,120 --> 00:37:12,919
Speaker 1: close enough to what we can chase you down. Then

592
00:37:12,960 --> 00:37:15,879
Speaker 1: you can tell me that over that Internet, and it's like, oh,

593
00:37:15,920 --> 00:37:18,080
Speaker 1: I gotta eat that, like he he would in that

594
00:37:18,160 --> 00:37:20,400
Speaker 1: trouble saying you ny, you could be knicks and this

595
00:37:20,520 --> 00:37:23,000
Speaker 1: and that, like bro we in the ghetto. I don't

596
00:37:23,040 --> 00:37:25,719
Speaker 1: know if we like bro death one my name. Bro,

597
00:37:30,120 --> 00:37:32,560
Speaker 1: you know, took the internet dad father, where you're putting

598
00:37:32,600 --> 00:37:35,880
Speaker 1: death phone nigga's name without no real smoke involved in it.

599
00:37:36,440 --> 00:37:39,880
Speaker 1: See to me, Soldier Boy is the delta variant of

600
00:37:39,960 --> 00:37:45,759
Speaker 1: Takashi six nine. See to me, when you look at

601
00:37:45,800 --> 00:37:49,120
Speaker 1: Soldier Boy right before Takashi blew up, he was looking

602
00:37:49,280 --> 00:37:54,399
Speaker 1: bad home, saw what Takashi done and said, oh man,

603
00:37:54,440 --> 00:37:57,880
Speaker 1: I'm right on the head. Then I think the goal. Yeah, yo, nigga,

604
00:37:57,920 --> 00:38:00,320
Speaker 1: See I know the game. I'm a student of the games.

605
00:38:00,400 --> 00:38:04,280
Speaker 1: Free go, yeah, yo. Gotta talk the bull guy to casino,

606
00:38:04,360 --> 00:38:09,320
Speaker 1: the maw that whole Fort Worth area, that that blonde

607
00:38:09,400 --> 00:38:12,200
Speaker 1: in the hair, that talking loud. I got some questions

608
00:38:12,239 --> 00:38:17,040
Speaker 1: about that. But see, you don't bid into this. You

609
00:38:17,120 --> 00:38:19,719
Speaker 1: don't kind of bid into this right where you you

610
00:38:19,880 --> 00:38:24,560
Speaker 1: running around with the internet shit. You indulphing them ain't

611
00:38:24,719 --> 00:38:28,200
Speaker 1: had no real smoke, man, that were Internet ship. You

612
00:38:28,280 --> 00:38:31,000
Speaker 1: don't took the Internet ship and capitalize on the nigga

613
00:38:31,120 --> 00:38:34,479
Speaker 1: death handy boyd. And I told y'all, I keep telling

614
00:38:34,520 --> 00:38:37,640
Speaker 1: you how the industry, the industry, dude, weird, bro, I

615
00:38:37,800 --> 00:38:40,880
Speaker 1: keep telling y'a'll be thinking, I'd be talking. Man. The

616
00:38:41,200 --> 00:38:44,520
Speaker 1: dude don't escape reality. They living in the metaverse way

617
00:38:44,600 --> 00:38:47,799
Speaker 1: before Facebook done doing what it's doing. A lot of

618
00:38:47,840 --> 00:38:51,080
Speaker 1: the rap dudes is living in the metaverse. Especially. Just

619
00:38:51,160 --> 00:38:54,560
Speaker 1: think you've been popping killer Ship for ten fifteen years.

620
00:38:56,280 --> 00:38:59,080
Speaker 1: You've been popping killer Ship for ten fifteen years and

621
00:38:59,120 --> 00:39:02,520
Speaker 1: ain't none really happen. And then when something did happen,

622
00:39:02,600 --> 00:39:08,120
Speaker 1: you warn because you you know whatever. But it's like, okay,

623
00:39:08,640 --> 00:39:12,359
Speaker 1: because you're dealing with somebody did. And you know they

624
00:39:12,440 --> 00:39:15,800
Speaker 1: say anytime that's not spent, don't love its time wasted.

625
00:39:15,840 --> 00:39:18,480
Speaker 1: Why you can't just say your phone man, that that

626
00:39:18,520 --> 00:39:21,319
Speaker 1: little smoke we had one that wasn't nothing. You gotta

627
00:39:21,400 --> 00:39:25,399
Speaker 1: save face like that brom y'all going that far by

628
00:39:25,440 --> 00:39:29,880
Speaker 1: the internet. I don't confused. If you having money already

629
00:39:29,960 --> 00:39:33,800
Speaker 1: what we're doing, why are we doing? That's something saying,

630
00:39:34,880 --> 00:39:37,400
Speaker 1: if you're such a genius, why you gotta keep putting

631
00:39:37,440 --> 00:39:43,040
Speaker 1: that ingredient in it? Yo? We see the geniuses morphiulding

632
00:39:43,520 --> 00:39:48,000
Speaker 1: and and and bake totally different paths. I'm not with

633
00:39:48,120 --> 00:39:52,880
Speaker 1: the calling niggas geniuses that can only sending shock waves

634
00:39:52,880 --> 00:39:58,640
Speaker 1: through the Internet and seal music or because of their

635
00:39:58,760 --> 00:40:06,719
Speaker 1: music sale these already, yo, spin off nigga genius. Let

636
00:40:06,760 --> 00:40:09,640
Speaker 1: me see some paper come in somewhere else. I know

637
00:40:09,719 --> 00:40:13,000
Speaker 1: about the other games he's doing. I'm dealing with the

638
00:40:13,040 --> 00:40:16,480
Speaker 1: information on how to outsource these little video cartridges and

639
00:40:16,560 --> 00:40:19,760
Speaker 1: things like that. It's all game if you know the game.

640
00:40:19,840 --> 00:40:25,120
Speaker 1: You know. But I'm saying, though, stop yo, bro, we

641
00:40:25,160 --> 00:40:28,080
Speaker 1: gotta stop seeing you with all the great things you did,

642
00:40:28,160 --> 00:40:30,040
Speaker 1: all the things that you brought to the game, with

643
00:40:30,120 --> 00:40:32,840
Speaker 1: the ringtone and being the producer and the writer and

644
00:40:32,920 --> 00:40:35,960
Speaker 1: this and that, all these different things, Bro, you can't

645
00:40:36,000 --> 00:40:40,759
Speaker 1: still be adding this ingredient to mess it Internet shit

646
00:40:41,160 --> 00:40:46,040
Speaker 1: ingredient in there with the come on slam what we're doing,

647
00:40:48,320 --> 00:40:51,960
Speaker 1: you know what I mean? So I just, uh, you know,

648
00:40:52,000 --> 00:40:53,960
Speaker 1: I hate to see it. You know what I'm saying,

649
00:40:54,040 --> 00:40:57,520
Speaker 1: Black dudes, you know, going at each other. You know

650
00:40:57,560 --> 00:41:00,600
Speaker 1: what I'm saying about something that ain't even Friv's frivolous,

651
00:41:01,080 --> 00:41:04,719
Speaker 1: some shit about who had the first what's the name?

652
00:41:04,800 --> 00:41:07,239
Speaker 1: Then a lot of people know when you're running and

653
00:41:07,239 --> 00:41:11,239
Speaker 1: put my dms. That's why I don't even respond a

654
00:41:11,280 --> 00:41:13,839
Speaker 1: little better that that that that that that we had

655
00:41:13,880 --> 00:41:17,520
Speaker 1: at altercation with Don in the A. You know me

656
00:41:17,600 --> 00:41:20,080
Speaker 1: and bank they you know your DM and me. I'm

657
00:41:20,120 --> 00:41:24,279
Speaker 1: not responding. I'm not responding on no gangster shit or

658
00:41:24,320 --> 00:41:26,920
Speaker 1: no listen, bro, A lot of people put this in

659
00:41:26,960 --> 00:41:31,399
Speaker 1: and this shit they know it's insurance, Like why would

660
00:41:31,440 --> 00:41:34,240
Speaker 1: you go take my DM post it on your front page? Nigga,

661
00:41:34,280 --> 00:41:39,600
Speaker 1: it's war dropped. The addy didn't say shooting right here,

662
00:41:39,719 --> 00:41:43,000
Speaker 1: soldier boy studio? Then who who they coming? Again? Like

663
00:41:43,360 --> 00:41:45,600
Speaker 1: a lot of times it ain't. That's why I'll be saying,

664
00:41:45,640 --> 00:41:48,200
Speaker 1: like you could tell man, because I'm gonna come. I'm

665
00:41:48,200 --> 00:41:51,120
Speaker 1: gonna walk over the smiling and whip the knife out

666
00:41:51,120 --> 00:41:53,279
Speaker 1: and get bitched blah blah blah blah bla like I

667
00:41:53,320 --> 00:41:55,799
Speaker 1: don't want to walk over here, mean and looking like

668
00:41:55,880 --> 00:41:58,520
Speaker 1: a crest. A lot of these dudes they trying to

669
00:41:58,520 --> 00:42:02,560
Speaker 1: wolf their way out of some shit, but they wolfing

670
00:42:02,640 --> 00:42:06,520
Speaker 1: their way in some shit. You see what I'm saying, Like, Bro,

671
00:42:06,880 --> 00:42:09,960
Speaker 1: you cannot certain thing. Man, you know what I'm saying.

672
00:42:10,040 --> 00:42:12,680
Speaker 1: But again, we know how this internet is. If you're

673
00:42:12,680 --> 00:42:15,320
Speaker 1: a street dude, you know when dudes won't go to posting,

674
00:42:15,840 --> 00:42:19,239
Speaker 1: you know, conversations about what you and and them went

675
00:42:19,320 --> 00:42:21,640
Speaker 1: through or you might have slipped up and told him

676
00:42:21,680 --> 00:42:24,360
Speaker 1: I'm gonna smack the shit out of you, boy, and

677
00:42:24,560 --> 00:42:26,719
Speaker 1: they dm next thing, you know, they didn't post it

678
00:42:26,760 --> 00:42:29,440
Speaker 1: tagged you. Then well where yet? Then nigga dropped the

679
00:42:29,440 --> 00:42:32,279
Speaker 1: added let's go up. Nigga, you already know how I

680
00:42:32,360 --> 00:42:34,480
Speaker 1: get down this and there you like, damn, you don't

681
00:42:34,520 --> 00:42:37,239
Speaker 1: blew my spot up. I always tell the story when

682
00:42:37,280 --> 00:42:40,840
Speaker 1: I first went to jail that time and my first time,

683
00:42:40,880 --> 00:42:42,920
Speaker 1: and I'm you know, I hear all the stories about

684
00:42:42,960 --> 00:42:45,600
Speaker 1: the dangerous niggas in jail and how they with this

685
00:42:45,680 --> 00:42:48,719
Speaker 1: and that, you know, and so it's a nigga on

686
00:42:48,760 --> 00:42:51,400
Speaker 1: the bus. He gonna just tell me, he gonna probably

687
00:42:51,440 --> 00:42:54,320
Speaker 1: he he said I was a little scrownier too, little

688
00:42:54,320 --> 00:42:57,640
Speaker 1: bit yo, like I was younger. He gonna just tell

689
00:42:57,880 --> 00:43:00,920
Speaker 1: me something. I can't remember number what he said. I

690
00:43:00,960 --> 00:43:03,960
Speaker 1: think it was something like a man nigga won't want

691
00:43:03,960 --> 00:43:07,480
Speaker 1: to hear y'all that it was some gangster, supreme gangster shit.

692
00:43:07,600 --> 00:43:11,480
Speaker 1: He gonna just tell me, man, I told that nigga,

693
00:43:11,520 --> 00:43:16,120
Speaker 1: fuck you so motherfucking fair. And then that nigga tell me, nigga,

694
00:43:16,160 --> 00:43:19,120
Speaker 1: I'm a convict. You must don't know how this go.

695
00:43:19,719 --> 00:43:22,200
Speaker 1: And then right then I did think for a second,

696
00:43:22,280 --> 00:43:25,640
Speaker 1: this nigga here, Okay, then he must he might be

697
00:43:25,719 --> 00:43:29,520
Speaker 1: finn kill me. So I'm ready to do something to him.

698
00:43:29,560 --> 00:43:31,920
Speaker 1: So I'm thinking. And then he let me know when

699
00:43:31,960 --> 00:43:34,360
Speaker 1: we get off the bus because we're coming back from court.

700
00:43:35,200 --> 00:43:37,839
Speaker 1: When we get off the bus, we're going in. Then

701
00:43:38,000 --> 00:43:41,919
Speaker 1: re rumbling, nigga, And I said, what nigga, that's all

702
00:43:42,000 --> 00:43:44,440
Speaker 1: you got to say, Nigga. When we get off the bus,

703
00:43:44,440 --> 00:43:47,319
Speaker 1: we're gonna see what it looked like. Nigga. I'm sitting

704
00:43:47,360 --> 00:43:50,480
Speaker 1: on the bus and Nigga, I'm sure somebody watching this

705
00:43:50,520 --> 00:43:53,560
Speaker 1: was was there when this happened. You know what I'm saying.

706
00:43:54,440 --> 00:43:56,920
Speaker 1: And h we get off the bus, walk into jail.

707
00:43:57,480 --> 00:44:01,480
Speaker 1: This nigga grab and tell the CEO CEO put me in.

708
00:44:01,719 --> 00:44:04,080
Speaker 1: Dude in the said we gotta get to with me

709
00:44:04,160 --> 00:44:06,719
Speaker 1: and dude put me in. Dude, we got the Yeah,

710
00:44:06,840 --> 00:44:09,640
Speaker 1: we're finna get out. Niggas is like, oh, he playing

711
00:44:09,719 --> 00:44:12,359
Speaker 1: police because he know you think, what what the CEO

712
00:44:12,520 --> 00:44:15,080
Speaker 1: gonna say? Oh yeah, grab him man put them to

713
00:44:15,160 --> 00:44:16,759
Speaker 1: in the sail. They got to go ahead and box

714
00:44:16,840 --> 00:44:21,239
Speaker 1: this out. Now you know that that's insurance. You know

715
00:44:21,320 --> 00:44:23,360
Speaker 1: what you're doing when you do that. And it's the

716
00:44:23,400 --> 00:44:25,160
Speaker 1: same with the Internet. A lot of people running the

717
00:44:25,239 --> 00:44:29,279
Speaker 1: internet with certain things knowing this insurance, knowing that they

718
00:44:29,320 --> 00:44:31,560
Speaker 1: they're letting people know that I got an issue with

719
00:44:31,640 --> 00:44:35,200
Speaker 1: this individual. If something happened, then it's probably from these folks.

720
00:44:35,920 --> 00:44:38,920
Speaker 1: You know what I'm saying, So you know we always

721
00:44:39,040 --> 00:44:42,680
Speaker 1: is aware of that. UM. I also want to speak

722
00:44:42,680 --> 00:44:46,600
Speaker 1: about the baby and Danna Lay. I think that's a name,

723
00:44:47,239 --> 00:44:50,239
Speaker 1: the baby and Danna Lay. I think that's how you

724
00:44:50,280 --> 00:44:52,759
Speaker 1: say a name. If I got a name wrong, I apologize.

725
00:44:53,120 --> 00:44:55,920
Speaker 1: Got into an altercation. For those of you don't know,

726
00:44:56,400 --> 00:45:02,360
Speaker 1: that is his UH baby mother M, an alleged girlfriend UM.

727
00:45:02,560 --> 00:45:07,279
Speaker 1: I guess an altercation popped off UM and he requested

728
00:45:07,320 --> 00:45:11,279
Speaker 1: that she leave the premises UM. Following that there was

729
00:45:11,320 --> 00:45:14,640
Speaker 1: some pushback on leaving UM, she she cited that she

730
00:45:14,719 --> 00:45:16,640
Speaker 1: has a three month old baby and know where to

731
00:45:16,680 --> 00:45:20,960
Speaker 1: go at that particular time. UM. Contrary to that people

732
00:45:21,000 --> 00:45:22,920
Speaker 1: are saying or I think the baby came out and

733
00:45:22,920 --> 00:45:26,560
Speaker 1: said that he offered UM for hotel, room or jet

734
00:45:26,640 --> 00:45:30,440
Speaker 1: or whatever the case may be for her to be safe. UM.

735
00:45:32,000 --> 00:45:37,480
Speaker 1: And in the middle of all of this this stuff.

736
00:45:38,360 --> 00:45:42,360
Speaker 1: The uh, these these two turn on their phones and

737
00:45:42,400 --> 00:45:47,080
Speaker 1: they get the internet involved. Um. For me, and before

738
00:45:47,120 --> 00:45:49,360
Speaker 1: we get into some of the video, I'll kind of

739
00:45:49,360 --> 00:45:53,840
Speaker 1: address you know, where I stand in regards to UM

740
00:45:53,880 --> 00:45:56,279
Speaker 1: going live on these kind of things. You know, in

741
00:45:56,320 --> 00:46:01,560
Speaker 1: regards to me UM, I sent apathize mistakes, would love

742
00:46:01,680 --> 00:46:06,160
Speaker 1: attest to it. I sympathize with mistakes, you know, with

743
00:46:06,360 --> 00:46:09,879
Speaker 1: love attest to it. Now, I didn't say, excuse, say

744
00:46:09,920 --> 00:46:14,279
Speaker 1: I do this. I'm very specific with my communication, right,

745
00:46:14,640 --> 00:46:21,239
Speaker 1: but I sympathize with mistakes, would love attest to it? Right. So,

746
00:46:21,320 --> 00:46:24,840
Speaker 1: when you love somebody and because they don't answer the

747
00:46:24,880 --> 00:46:31,080
Speaker 1: phone after eight pm, it didn't register. Or when you

748
00:46:31,160 --> 00:46:35,560
Speaker 1: love somebody because they never really took the time out

749
00:46:35,600 --> 00:46:40,080
Speaker 1: to address things with their family, it didn't register that

750
00:46:40,080 --> 00:46:42,839
Speaker 1: that may be you on the other side, because it's

751
00:46:42,920 --> 00:46:47,120
Speaker 1: love involved. Right when you see your old man a

752
00:46:47,239 --> 00:46:50,000
Speaker 1: snap on anybody, but he hasn't snapped on you because

753
00:46:50,000 --> 00:46:52,239
Speaker 1: his love involved, And then he snap on you, and

754
00:46:52,400 --> 00:46:56,440
Speaker 1: you like, I, how did I miss that? You know?

755
00:46:56,560 --> 00:47:03,080
Speaker 1: Sometimes love puts a blindfold on your common sense, and

756
00:47:03,200 --> 00:47:08,719
Speaker 1: you tend to make certain choices that you must live

757
00:47:08,800 --> 00:47:15,360
Speaker 1: with unfortunately, because although it may have been a mistake

758
00:47:15,840 --> 00:47:20,520
Speaker 1: in regards to how you viewed it, it's still concrete

759
00:47:20,719 --> 00:47:23,799
Speaker 1: in regards to where it sits. It's reality. It's a

760
00:47:23,840 --> 00:47:26,160
Speaker 1: real thing, so you must deal with it. Right. So

761
00:47:26,560 --> 00:47:31,480
Speaker 1: when when I hear people, you know, fall in love

762
00:47:31,520 --> 00:47:34,200
Speaker 1: and they and they with this person, and you know,

763
00:47:34,239 --> 00:47:36,120
Speaker 1: they look over this, and they look over that, and

764
00:47:36,160 --> 00:47:38,120
Speaker 1: they look over this, and they look over that. See.

765
00:47:38,120 --> 00:47:41,520
Speaker 1: One thing they don't know about men is men will

766
00:47:43,239 --> 00:47:45,960
Speaker 1: me and are locking in and no, I first train

767
00:47:46,040 --> 00:47:49,520
Speaker 1: out of here. I'm gone because they don't really really

768
00:47:49,560 --> 00:47:52,319
Speaker 1: examine it. And I'm not sure I had to ask

769
00:47:52,360 --> 00:47:55,840
Speaker 1: a woman, but sometimes me and they examine things so

770
00:47:55,840 --> 00:47:59,040
Speaker 1: so deep with a woman, if they care right to

771
00:47:59,080 --> 00:48:02,200
Speaker 1: the point where they know, oh yo, she at this

772
00:48:02,280 --> 00:48:05,440
Speaker 1: particular time from from where I sit, it doesn't seem

773
00:48:05,480 --> 00:48:10,000
Speaker 1: that she's able to do X, Y and Z. No

774
00:48:10,040 --> 00:48:12,280
Speaker 1: matter what I do, I can be the best dude

775
00:48:12,320 --> 00:48:14,920
Speaker 1: in America. But she just don't have what it takes

776
00:48:14,960 --> 00:48:18,960
Speaker 1: to running this household or or or be with a

777
00:48:19,040 --> 00:48:22,680
Speaker 1: man with this much notoriety, or be what a creative

778
00:48:22,840 --> 00:48:26,000
Speaker 1: or or freethinker or she she needs more so of

779
00:48:26,040 --> 00:48:30,000
Speaker 1: a boxed guy right, And that's no slack to anyone.

780
00:48:30,080 --> 00:48:33,080
Speaker 1: That's just how to cookie crumbles. But you tend, you

781
00:48:33,120 --> 00:48:36,440
Speaker 1: tend to get to learn those things and you sometimes

782
00:48:36,520 --> 00:48:40,160
Speaker 1: ignore those things. But men are internalized that. And no,

783
00:48:40,360 --> 00:48:44,560
Speaker 1: all right, now I don't just dip there, but I

784
00:48:44,680 --> 00:48:52,080
Speaker 1: understand capability, so I put that next to probability, and

785
00:48:52,120 --> 00:48:55,920
Speaker 1: then I make a decision whenever I can see an

786
00:48:55,920 --> 00:49:01,200
Speaker 1: exit route with a better, better scenario or that women, um,

787
00:49:02,239 --> 00:49:06,840
Speaker 1: I tend to hold on a little more, you know,

788
00:49:06,920 --> 00:49:09,359
Speaker 1: they tend to see things and men that men don't

789
00:49:09,400 --> 00:49:13,640
Speaker 1: seeing themselves, like you know what I'm saying, and um,

790
00:49:13,680 --> 00:49:17,080
Speaker 1: and they're they're they're see the same red signs, but

791
00:49:17,200 --> 00:49:22,680
Speaker 1: they're trying to figure way to work around them, you know,

792
00:49:22,840 --> 00:49:24,879
Speaker 1: work around him. Oh, he don't clean up, so I'll

793
00:49:24,920 --> 00:49:26,799
Speaker 1: clean up behind him and take that off the play

794
00:49:26,840 --> 00:49:29,960
Speaker 1: for him. So maybe now he's either perfect man, well

795
00:49:29,960 --> 00:49:32,200
Speaker 1: he also don't do so I'll try to figure out,

796
00:49:32,360 --> 00:49:34,160
Speaker 1: you know. And so they put them on they play

797
00:49:34,239 --> 00:49:36,680
Speaker 1: as they take less off, you know, more off the

798
00:49:36,760 --> 00:49:40,600
Speaker 1: man's play. But any way, mistakes made when those kind

799
00:49:40,600 --> 00:49:46,520
Speaker 1: of with those kind of blindfolds always uh, look at

800
00:49:46,600 --> 00:49:49,880
Speaker 1: through a different lens again, recording. I kind of underlike

801
00:49:50,000 --> 00:49:52,719
Speaker 1: the baby. You come off the rolling loud, you come

802
00:49:52,760 --> 00:49:55,600
Speaker 1: off to see what you're looking at. Don't be confused.

803
00:49:56,239 --> 00:49:59,560
Speaker 1: What you're looking at is an audience and a culture

804
00:49:59,600 --> 00:50:05,840
Speaker 1: of people people that's looking at the baby waiting to

805
00:50:06,120 --> 00:50:10,880
Speaker 1: stop messing with him. He's in that weird place that

806
00:50:10,960 --> 00:50:14,640
Speaker 1: you work yourself in. Some artists, some entertain or some artists,

807
00:50:14,680 --> 00:50:17,840
Speaker 1: they work theirself in this weird place where it's almost

808
00:50:17,920 --> 00:50:20,160
Speaker 1: like at a thriller movie. Everybody on the edge of

809
00:50:20,200 --> 00:50:22,240
Speaker 1: their seat and they can't wait till you do something

810
00:50:22,560 --> 00:50:26,080
Speaker 1: to turn against you. It's kind of like when Jay said, Yo,

811
00:50:26,120 --> 00:50:28,000
Speaker 1: they love me, they hate men, they love me again.

812
00:50:28,360 --> 00:50:31,919
Speaker 1: Some people don't get to that love me again. This

813
00:50:32,000 --> 00:50:36,759
Speaker 1: is a three step process to completion. Some people don't

814
00:50:36,840 --> 00:50:39,520
Speaker 1: complete the process. They get to love, then they get

815
00:50:39,520 --> 00:50:43,000
Speaker 1: to hate, and then that's where they they go down then.

816
00:50:44,600 --> 00:50:46,480
Speaker 1: But those of you that work through the hate and

817
00:50:46,560 --> 00:50:49,040
Speaker 1: get the love again. But the baby is in that

818
00:50:49,200 --> 00:50:52,560
Speaker 1: spot where they're waiting to turn on him. And the

819
00:50:52,640 --> 00:50:55,360
Speaker 1: reason is is because he crossed over the Mideral America

820
00:50:55,400 --> 00:50:57,439
Speaker 1: a little bit. So we grabbed hold to a lot

821
00:50:57,480 --> 00:51:02,360
Speaker 1: of people that ain't us, but they like us. And

822
00:51:02,400 --> 00:51:04,239
Speaker 1: when I say like us, they like to listen to

823
00:51:04,280 --> 00:51:07,360
Speaker 1: our music. They like to engage with us from an

824
00:51:07,400 --> 00:51:10,719
Speaker 1: aerial view, though not from a sit next to us.

825
00:51:12,480 --> 00:51:14,920
Speaker 1: Leah let them come out to speaking out the screen

826
00:51:16,840 --> 00:51:18,560
Speaker 1: and he got a hold of some of them with

827
00:51:18,680 --> 00:51:22,120
Speaker 1: some of the the way he did his videos, the

828
00:51:22,160 --> 00:51:24,560
Speaker 1: way they marketed him. You know, he was able to

829
00:51:24,600 --> 00:51:27,560
Speaker 1: cross that brand over. And that's why he's dealing with

830
00:51:28,960 --> 00:51:31,560
Speaker 1: some of his audience just on the edge of their seat,

831
00:51:31,640 --> 00:51:37,960
Speaker 1: like you know, they cannot wait, they cannot wait, And

832
00:51:38,080 --> 00:51:42,399
Speaker 1: he got a maneuver and understanding that. He gotta know that.

833
00:51:43,160 --> 00:51:44,960
Speaker 1: You know what I'm saying. You know, it's cool to

834
00:51:45,040 --> 00:51:47,080
Speaker 1: have freedom and it's cool to do what you want

835
00:51:47,120 --> 00:51:50,040
Speaker 1: to do, right but you gotta know, homie, they're gunning

836
00:51:50,120 --> 00:51:53,359
Speaker 1: for you right now. They're waiting on a slip right now.

837
00:51:54,480 --> 00:51:56,080
Speaker 1: You know what I'm saying. You really want to be

838
00:51:56,200 --> 00:52:01,600
Speaker 1: showing a different you know, you what I'm saying, if

839
00:52:01,640 --> 00:52:03,719
Speaker 1: you want to play in that arena, and it looked

840
00:52:03,719 --> 00:52:07,680
Speaker 1: like you want to play with the with the Middle America,

841
00:52:07,880 --> 00:52:09,480
Speaker 1: you know, so if you want to play in that

842
00:52:09,600 --> 00:52:12,359
Speaker 1: in that arena, that's certain things that right now they're

843
00:52:12,400 --> 00:52:15,160
Speaker 1: watching and they're waiting, and somebody got to give them

844
00:52:15,160 --> 00:52:17,840
Speaker 1: some game, like yo, be on your p's and ques.

845
00:52:17,920 --> 00:52:20,520
Speaker 1: And for me, when I first saw him and the

846
00:52:20,600 --> 00:52:23,120
Speaker 1: girl go through it, I sit down. They're gonna go

847
00:52:23,160 --> 00:52:29,840
Speaker 1: off on him about postpartum. They're gonna they're gonna get him.

848
00:52:29,920 --> 00:52:33,040
Speaker 1: I didn't see that narrative a lot. Maybe one person

849
00:52:33,120 --> 00:52:36,439
Speaker 1: said that. Two people may have said it, But that's

850
00:52:36,480 --> 00:52:38,839
Speaker 1: the first thing that came to my brain because I'm like,

851
00:52:39,320 --> 00:52:41,960
Speaker 1: all right, so she may be dealing with something right now,

852
00:52:44,160 --> 00:52:46,000
Speaker 1: you see what I'm saying. She may be dealing with

853
00:52:46,000 --> 00:52:49,040
Speaker 1: something after having that baby and not really knowing how

854
00:52:49,120 --> 00:52:53,240
Speaker 1: to communicate a feelings or feeling crazy or whatever. And

855
00:52:53,920 --> 00:52:57,680
Speaker 1: allegedly that's saying that she said that she sent the

856
00:52:57,840 --> 00:53:01,799
Speaker 1: playing b after he you know, squirted in up that night,

857
00:53:02,840 --> 00:53:05,960
Speaker 1: you know, and and he got and he got upset

858
00:53:06,000 --> 00:53:08,080
Speaker 1: about that. Look, I don't know if that's the case.

859
00:53:09,200 --> 00:53:12,080
Speaker 1: I'm not in position to tell you if that's the case.

860
00:53:12,200 --> 00:53:14,200
Speaker 1: My My position is to get a game and try

861
00:53:14,239 --> 00:53:17,040
Speaker 1: to examine the game from what we currently see. Let's

862
00:53:17,040 --> 00:53:19,400
Speaker 1: look at a little bit of one of the lives

863
00:53:19,400 --> 00:53:24,759
Speaker 1: and see how she may a react. I turned out

864
00:53:25,760 --> 00:53:28,640
Speaker 1: one of the a good example of a black father

865
00:53:28,800 --> 00:53:31,960
Speaker 1: being tore down. We ain't doing that. We we ain't

866
00:53:31,960 --> 00:53:34,480
Speaker 1: about to let that be misrepresented out him. You know

867
00:53:34,520 --> 00:53:38,279
Speaker 1: what I'm saying, We're not. We're not doing that. I know.

868
00:53:38,320 --> 00:53:40,920
Speaker 1: It's plenty plenty of niggas to look up to meet.

869
00:53:41,520 --> 00:53:42,880
Speaker 1: You get what I'm saying. They tell me all the

870
00:53:42,920 --> 00:53:45,799
Speaker 1: time as far as like how I deal with what

871
00:53:45,840 --> 00:53:47,560
Speaker 1: I gotta deal with. It's still kind of my business

872
00:53:47,600 --> 00:53:49,440
Speaker 1: to take hire my kids, like how my daddy deal

873
00:53:49,440 --> 00:53:52,320
Speaker 1: with need You see what I'm saying. So ain't the

874
00:53:52,360 --> 00:53:54,920
Speaker 1: way we're going out like that and letting this get misrepresented.

875
00:53:55,000 --> 00:53:57,040
Speaker 1: You know what I'm saying, I ain't. I take pride

876
00:53:57,040 --> 00:53:59,279
Speaker 1: in that we're gonna hold that down. This is what

877
00:53:59,360 --> 00:54:02,560
Speaker 1: it is. I got my personal assistant right here, like

878
00:54:02,719 --> 00:54:05,399
Speaker 1: you know, and I ain't want to brain nobody down

879
00:54:05,560 --> 00:54:07,640
Speaker 1: or none of this ship to lift myself up and

880
00:54:07,680 --> 00:54:10,319
Speaker 1: clear my name. I religious I'm the type of nigga

881
00:54:10,360 --> 00:54:13,000
Speaker 1: like I take my liquor keep my mouth shut. You know.

882
00:54:13,120 --> 00:54:18,520
Speaker 1: But when my carrid, you know, as a father of Montegrity,

883
00:54:18,560 --> 00:54:22,120
Speaker 1: as a father get played with, you know, ms as

884
00:54:22,160 --> 00:54:25,480
Speaker 1: a man, I got to clear it l first of

885
00:54:25,480 --> 00:54:32,640
Speaker 1: the problem me and Danny lay is not together. Do

886
00:54:32,680 --> 00:54:36,200
Speaker 1: I act like we're together? Do I make it openly

887
00:54:36,280 --> 00:54:39,960
Speaker 1: clear that we're not together. We are not going to steady,

888
00:54:40,840 --> 00:54:43,279
Speaker 1: have not been as not what's going on? You know

889
00:54:43,280 --> 00:54:46,919
Speaker 1: what I'm saying, First and foremost, she does not live

890
00:54:46,960 --> 00:54:48,960
Speaker 1: with me. When did she get here the where we

891
00:54:49,000 --> 00:54:52,480
Speaker 1: act a week ago? I see what I'm saying. She

892
00:54:52,560 --> 00:54:55,600
Speaker 1: feel with two suitcases and she does not living. She's

893
00:54:55,680 --> 00:54:58,360
Speaker 1: been supposed to go back, been trying to get her stuff,

894
00:54:58,360 --> 00:55:01,000
Speaker 1: sitting here, trying to move in. You know, Ben made

895
00:55:01,000 --> 00:55:02,600
Speaker 1: a clip and lit the dead in the eyes that

896
00:55:03,760 --> 00:55:06,560
Speaker 1: calm mature conversations. I ain't notice not what we're doing.

897
00:55:07,239 --> 00:55:09,120
Speaker 1: You see what I'm saying, like we we ain't gonna

898
00:55:09,120 --> 00:55:13,640
Speaker 1: do it. Let this ain't I keep about my kids

899
00:55:13,680 --> 00:55:16,319
Speaker 1: for real? My kids ain't no marketing schemes. You don't

900
00:55:16,400 --> 00:55:19,400
Speaker 1: have a baby with me and your plans don't go

901
00:55:19,480 --> 00:55:21,439
Speaker 1: with plan And you're gonna go out with a bang,

902
00:55:21,560 --> 00:55:26,040
Speaker 1: that's cool, be my guests. But when he when you

903
00:55:26,120 --> 00:55:28,160
Speaker 1: get blown all the way up into something like this,

904
00:55:28,400 --> 00:55:30,200
Speaker 1: like you're tripping. You know what I'm saying, I got

905
00:55:30,280 --> 00:55:33,040
Speaker 1: you almost forcing me to why I gotta you know

906
00:55:33,080 --> 00:55:37,640
Speaker 1: what I mean, Well, I gotta potentially put your business

907
00:55:37,640 --> 00:55:40,879
Speaker 1: out there the clear. The bullshit is being thrown out there.

908
00:55:42,000 --> 00:55:44,759
Speaker 1: Ain't been with me for three months, so boom, gonna

909
00:55:44,800 --> 00:55:47,279
Speaker 1: make this ship quick. We don't clear the elway on.

910
00:55:48,160 --> 00:55:51,040
Speaker 1: We donna keep it booling because I got my people.

911
00:55:51,040 --> 00:55:52,920
Speaker 1: They're waking up, putting up on me. My sister, she

912
00:55:53,000 --> 00:55:54,520
Speaker 1: put up on me, like no, you need to say

913
00:55:54,560 --> 00:55:57,960
Speaker 1: something like you gotta say something like this ain't something

914
00:55:58,000 --> 00:55:59,400
Speaker 1: you could just sit back and let you know what

915
00:55:59,440 --> 00:56:01,120
Speaker 1: I'm saying. Let go the way it go because it's

916
00:56:02,040 --> 00:56:04,360
Speaker 1: you gotta say something. And they understand this because they

917
00:56:04,400 --> 00:56:08,920
Speaker 1: didn't go around it, you know. So boom, my baby

918
00:56:08,960 --> 00:56:11,279
Speaker 1: three months here, right when she's about to be born.

919
00:56:11,320 --> 00:56:13,920
Speaker 1: I threw out to do y'all. I ain't put it

920
00:56:13,960 --> 00:56:15,200
Speaker 1: on the internet. I ain't doing none of that. You know.

921
00:56:15,200 --> 00:56:16,680
Speaker 1: What I'm saying is it ain't about there when he's

922
00:56:16,680 --> 00:56:18,680
Speaker 1: about the kid. You know, the kid is supposed to

923
00:56:18,680 --> 00:56:21,600
Speaker 1: be mine. I'm milk. It's just all I know. Stand up,

924
00:56:21,680 --> 00:56:26,319
Speaker 1: Nigga's all I know. So I go out dyall when

925
00:56:26,360 --> 00:56:30,279
Speaker 1: we out in dall, everything everything can get what I'm saying,

926
00:56:30,280 --> 00:56:32,080
Speaker 1: we do what we're doing. I come out, I'm wait

927
00:56:32,120 --> 00:56:33,919
Speaker 1: on the baby be born. I get my mama, flight,

928
00:56:34,000 --> 00:56:36,279
Speaker 1: my mamma getting ready to come out there. So once

929
00:56:36,320 --> 00:56:38,239
Speaker 1: the baby born, my mama can see the baby. When

930
00:56:38,280 --> 00:56:41,239
Speaker 1: she's born. We come out, dear, we see the hot

931
00:56:41,280 --> 00:56:43,799
Speaker 1: spit or we see this, and then I'm already and like, uh,

932
00:56:45,160 --> 00:56:47,200
Speaker 1: you know what I mean, I don't really won't you know,

933
00:56:47,360 --> 00:56:50,759
Speaker 1: no child and you know all that. And then I'm

934
00:56:50,760 --> 00:56:52,799
Speaker 1: making sure that she's sit up with everything she needed.

935
00:56:52,840 --> 00:56:58,560
Speaker 1: I go get everything. I go get everything, you know,

936
00:56:59,200 --> 00:57:01,920
Speaker 1: everything anything a baby could possibly have, I go get it.

937
00:57:02,920 --> 00:57:05,279
Speaker 1: I sitting up at the pahouse down here in the city.

938
00:57:05,400 --> 00:57:09,400
Speaker 1: But I'm making ship clear. I'm making ship clear, and

939
00:57:09,520 --> 00:57:11,640
Speaker 1: you go this cool. But I'm making shit clear that

940
00:57:11,880 --> 00:57:13,960
Speaker 1: I'm making end up. And it's the thing right here.

941
00:57:14,560 --> 00:57:18,520
Speaker 1: And I'm glad, y'all know here here come in and

942
00:57:18,520 --> 00:57:20,400
Speaker 1: I'm black. No, I'm not scared. Look and I'm glad

943
00:57:20,400 --> 00:57:22,240
Speaker 1: she walked out. So as you can see, nobody was

944
00:57:22,280 --> 00:57:26,760
Speaker 1: put out me calling me, calling the police. That's like

945
00:57:26,800 --> 00:57:28,760
Speaker 1: for my safety because this is what I'm because this

946
00:57:28,800 --> 00:57:33,360
Speaker 1: is what I'm dealing with, Like this is a real deal. Cuckoo, cuckoo. Look,

947
00:57:35,720 --> 00:57:38,760
Speaker 1: this is a real deal, like shouted, really cuckoo. And

948
00:57:38,840 --> 00:57:41,880
Speaker 1: she's still here. So nobody was put out. Nobody was

949
00:57:41,920 --> 00:57:43,600
Speaker 1: put out. You know this ain't no We ain't gotta

950
00:57:43,640 --> 00:57:50,320
Speaker 1: make this a sexisting me. Okay, okay, this ain't it

951
00:57:50,440 --> 00:57:52,720
Speaker 1: ain't this ain't nothing new. This is just me. This

952
00:57:52,840 --> 00:57:55,000
Speaker 1: is just me clearing that up because she's not about

953
00:57:55,000 --> 00:57:58,120
Speaker 1: to tell us. I can show you. I could show

954
00:57:58,120 --> 00:58:00,280
Speaker 1: you you begging me to stay here. Shot, it's not

955
00:58:00,440 --> 00:58:03,560
Speaker 1: it's not you missed me, come back all this stuff

956
00:58:03,840 --> 00:58:06,640
Speaker 1: because I left you. As you can see, you can

957
00:58:06,640 --> 00:58:10,560
Speaker 1: see who coop not because I'm talking. But this is

958
00:58:10,600 --> 00:58:13,680
Speaker 1: my thing. This is my thing. They didn't make They

959
00:58:13,680 --> 00:58:16,000
Speaker 1: did not make Shuty leave and somebody need to come

960
00:58:16,040 --> 00:58:20,080
Speaker 1: make shouting. I'm leaving, please, but see what I'm saying.

961
00:58:20,200 --> 00:58:22,560
Speaker 1: Somebody the house to get somebody need to make shouting.

962
00:58:22,920 --> 00:58:24,240
Speaker 1: And I can't go to the house to get my

963
00:58:24,240 --> 00:58:26,440
Speaker 1: baby's clothes because I only have four outfits for her.

964
00:58:26,600 --> 00:58:28,439
Speaker 1: Because I want to leave. He can give a bank

965
00:58:28,520 --> 00:58:32,600
Speaker 1: roll for that if you wanted to get them to

966
00:58:32,600 --> 00:58:35,200
Speaker 1: talk shit and put everybody in our business trying to

967
00:58:35,200 --> 00:58:37,680
Speaker 1: act like we're not. We haven't been together. We haven't

968
00:58:37,680 --> 00:58:42,600
Speaker 1: been together. Okay, okay, Jonathan, we haven't been together. Not.

969
00:58:43,120 --> 00:58:46,320
Speaker 1: You don't know what's going on. I don't know what's

970
00:58:45,760 --> 00:58:47,920
Speaker 1: going on. Oh my god. This is so funny that

971
00:58:48,040 --> 00:58:54,200
Speaker 1: when I'm saying, God, do them with a real nigga,

972
00:58:54,360 --> 00:58:57,160
Speaker 1: it's not they Listen, listen, listen. I'm not gonna come

973
00:58:57,200 --> 00:58:59,520
Speaker 1: out here and talk. Let us see what's going on

974
00:58:59,760 --> 00:59:04,000
Speaker 1: like this. This is my This is my reality, ass man,

975
00:59:04,200 --> 00:59:06,640
Speaker 1: this is my reality. Cav as man. He wants to

976
00:59:06,680 --> 00:59:09,560
Speaker 1: fuck me and fuck his baby mother and suck all

977
00:59:09,600 --> 00:59:12,080
Speaker 1: these Charlotte holes and fuck all this shit, and me

978
00:59:12,160 --> 00:59:14,680
Speaker 1: will be okay with that. Guys, and he comes back

979
00:59:14,720 --> 00:59:19,360
Speaker 1: and living. You stop touching me, cheers. I don't say

980
00:59:20,800 --> 00:59:22,320
Speaker 1: you're trying to kick me out. This is one of

981
00:59:22,360 --> 00:59:24,960
Speaker 1: them real, it's one of them real. It's one of

982
00:59:25,040 --> 00:59:28,000
Speaker 1: them real movies. Man, y'all look to tune in and

983
00:59:28,080 --> 00:59:32,080
Speaker 1: see what we're dealing with. Shouted, really cookoo for Coco,

984
00:59:32,920 --> 00:59:36,439
Speaker 1: real life talking. I'm not going myself because you're calling

985
00:59:36,440 --> 00:59:39,360
Speaker 1: me your thing crazy. I'm this woman. I'm not trying

986
00:59:39,360 --> 00:59:41,400
Speaker 1: to make me look bad because your ass was trying

987
00:59:41,440 --> 00:59:43,320
Speaker 1: to kick me out to go to the hotel without

988
00:59:43,360 --> 00:59:48,200
Speaker 1: three months babies. What listen, what's gonna I got? I

989
00:59:48,280 --> 00:59:54,080
Speaker 1: got any time, I got the entire night to No. No,

990
00:59:55,640 --> 00:59:57,360
Speaker 1: that's why the folks got to come get her out

991
00:59:57,400 --> 00:59:59,640
Speaker 1: of him. Now I'm leaving, trust me, I'm leaving, but

992
00:59:59,680 --> 01:00:03,360
Speaker 1: I need Why do you have Why do you have

993
01:00:03,560 --> 01:00:11,320
Speaker 1: stuff in my house? I've been trying to listen. I

994
01:00:11,440 --> 01:00:14,760
Speaker 1: had a whole closet. I have a sister, asked again, somebody,

995
01:00:14,840 --> 01:00:18,160
Speaker 1: but it don't get this girl room. Stop acting like

996
01:00:18,240 --> 01:00:22,280
Speaker 1: I just came into gether like, oh my god, here's

997
01:00:22,320 --> 01:00:28,400
Speaker 1: some she she said right there I had. I had

998
01:00:28,520 --> 01:00:37,000
Speaker 1: a drawer and something in your bathroom, and um, I

999
01:00:37,160 --> 01:00:40,880
Speaker 1: just don't understand. You know, for me, I'm a boss, right,

1000
01:00:41,200 --> 01:00:44,720
Speaker 1: I don't understand that. Don't make you my girlfriend now.

1001
01:00:46,320 --> 01:00:50,240
Speaker 1: The only thing is that later on I think he

1002
01:00:50,360 --> 01:00:53,400
Speaker 1: called a sad piece. Let's see, how are you going

1003
01:00:53,760 --> 01:00:55,560
Speaker 1: out with any other room thinking I ain't gonna come

1004
01:00:55,600 --> 01:00:57,520
Speaker 1: out and talk. I'm not tripping on you coming out.

1005
01:00:57,520 --> 01:00:59,440
Speaker 1: Why are you still here? You got to leave. This

1006
01:00:59,600 --> 01:01:02,160
Speaker 1: is real life. It's not it's not this ship with

1007
01:01:02,240 --> 01:01:05,440
Speaker 1: your parents. No, let's get you one. Now. Do you

1008
01:01:05,520 --> 01:01:08,320
Speaker 1: need help let's get you a jet at all. You

1009
01:01:08,480 --> 01:01:12,160
Speaker 1: have to leave, Charlie got to go, y'all, Like, what's up?

1010
01:01:12,200 --> 01:01:15,440
Speaker 1: I can't leave. I can't leave. I can't leave. I've

1011
01:01:15,440 --> 01:01:17,400
Speaker 1: been sitting up all that I can't get over to sleep.

1012
01:01:17,560 --> 01:01:21,640
Speaker 1: This is ok this is get out, this is get

1013
01:01:21,760 --> 01:01:28,040
Speaker 1: up mixed me. I'm not trying to be listen. He's

1014
01:01:28,040 --> 01:01:31,320
Speaker 1: a great father. Okay, Okay, he's a great father. Right,

1015
01:01:31,840 --> 01:01:34,280
Speaker 1: he's a great father. Okay, No, he's a great father. Right.

1016
01:01:35,280 --> 01:01:40,040
Speaker 1: She's a crazy bit. He wasn't mind. You wasn't my girl, Dane.

1017
01:01:41,480 --> 01:01:45,520
Speaker 1: You ain't never been my girl, my brother girl all

1018
01:01:45,560 --> 01:01:47,880
Speaker 1: the time. Don't call me a girl all the time.

1019
01:01:50,040 --> 01:01:52,400
Speaker 1: They know me as your what you what you? What

1020
01:01:52,560 --> 01:02:01,400
Speaker 1: you know is what? Bro? Hey? Look r this nigga

1021
01:02:01,440 --> 01:02:04,240
Speaker 1: know they had that photout man he did right. Don't

1022
01:02:04,320 --> 01:02:07,560
Speaker 1: get trying to trap a black nigga. Shit playing going wrong,

1023
01:02:08,560 --> 01:02:11,840
Speaker 1: That's what this is. Yeah, this is trying to travel.

1024
01:02:12,280 --> 01:02:14,480
Speaker 1: I'm just wanting y'all to see what's going on. For

1025
01:02:14,600 --> 01:02:18,160
Speaker 1: those listening, idiot shouted, you begged me, you be you'll

1026
01:02:18,160 --> 01:02:23,000
Speaker 1: be begging somebody. Tell Mary to car baby, man, let

1027
01:02:23,000 --> 01:02:25,600
Speaker 1: me run up a quick ten. Let me run up.

1028
01:02:25,960 --> 01:02:28,000
Speaker 1: Let me run up a quick tending. Somebody tell Mary

1029
01:02:28,000 --> 01:02:31,200
Speaker 1: to commy man. Let's put this ship on March Jordian

1030
01:02:31,280 --> 01:02:34,560
Speaker 1: is March more material? Get about my career? Come on,

1031
01:02:34,640 --> 01:02:38,960
Speaker 1: get off my table. They don't come out here. Get

1032
01:02:39,080 --> 01:02:43,520
Speaker 1: up off my table shouting, Oh no, this shit. They

1033
01:02:43,600 --> 01:02:46,960
Speaker 1: don't call them people to come get shutting about my spot. Please.

1034
01:02:47,160 --> 01:02:50,600
Speaker 1: Third time, my sister asked to turn it off. I

1035
01:02:50,800 --> 01:02:53,280
Speaker 1: just want to be clear for those that try to

1036
01:02:53,320 --> 01:02:56,600
Speaker 1: say that he doesn't have people around him. You know,

1037
01:02:57,360 --> 01:02:59,720
Speaker 1: that's the third time the assistant. For those of you

1038
01:02:59,840 --> 01:03:03,280
Speaker 1: to watching, h we're looking at the baby and I

1039
01:03:03,360 --> 01:03:07,440
Speaker 1: think his condo with Danny um owned live. It's one

1040
01:03:07,480 --> 01:03:10,480
Speaker 1: hundred and thirty three thousand people watching this as they

1041
01:03:10,600 --> 01:03:12,960
Speaker 1: go back and fourth old Live, let's turned back in.

1042
01:03:13,720 --> 01:03:18,440
Speaker 1: My girl. Girl ain't a part of my papacy. You

1043
01:03:18,480 --> 01:03:19,960
Speaker 1: weren't a part of my papacy. You don't need to

1044
01:03:19,960 --> 01:03:22,840
Speaker 1: tell about nothing. She don't want me to put out

1045
01:03:22,840 --> 01:03:24,880
Speaker 1: her real business with her and a family got going on.

1046
01:03:25,040 --> 01:03:27,640
Speaker 1: That's the real issue. That's nothing to do with this girl.

1047
01:03:27,720 --> 01:03:31,120
Speaker 1: Got a real you know, I real matial the story

1048
01:03:31,240 --> 01:03:33,960
Speaker 1: type shit going on? You know, did I try to

1049
01:03:34,040 --> 01:03:37,360
Speaker 1: save my child from She got to save a face

1050
01:03:37,440 --> 01:03:39,320
Speaker 1: of family. Got to save a face of my family's

1051
01:03:39,360 --> 01:03:41,440
Speaker 1: not in the industry me being in the industry that

1052
01:03:41,560 --> 01:03:44,880
Speaker 1: take care of my family. It's a different. I didn't

1053
01:03:44,880 --> 01:03:48,479
Speaker 1: when out a look, yeah I didn't. You know, I didn't.

1054
01:03:48,480 --> 01:03:50,240
Speaker 1: I didn't skeew it in the wrong thing. I got

1055
01:03:50,360 --> 01:03:53,160
Speaker 1: to deal with what come with it. But my last name,

1056
01:03:53,280 --> 01:03:56,360
Speaker 1: kurtis what I do. So I take whatever code with

1057
01:03:56,440 --> 01:03:59,840
Speaker 1: that full responsibility. But Shout it it's cuckoo for Coco.

1058
01:04:02,200 --> 01:04:06,200
Speaker 1: Shouted is cuckoo for Coco pup, and Shout is not

1059
01:04:06,320 --> 01:04:10,960
Speaker 1: my girl, ain't never been my girl. Is my side

1060
01:04:11,000 --> 01:04:19,920
Speaker 1: bitch side Shout is a certified side bitch. SHARTI is

1061
01:04:19,960 --> 01:04:23,760
Speaker 1: a certified side bit just trying to now, let's take

1062
01:04:23,800 --> 01:04:26,960
Speaker 1: it down. Her parents know she's my side this, everybody

1063
01:04:27,040 --> 01:04:31,120
Speaker 1: knows she's a sidebage. She don't want y'all side bitch.

1064
01:04:32,240 --> 01:04:34,000
Speaker 1: She got to save her face. She got to crash

1065
01:04:34,040 --> 01:04:39,440
Speaker 1: all the way out. Call them folks, save me help.

1066
01:04:41,360 --> 01:04:43,360
Speaker 1: You see how Shout went storming off when the truth

1067
01:04:43,440 --> 01:04:45,280
Speaker 1: came out. Listen, so let me finish telling how what

1068
01:04:45,360 --> 01:04:52,240
Speaker 1: I'm telling, how it's Steve with all that I'm not

1069
01:04:52,480 --> 01:04:59,360
Speaker 1: going all right so long again, let me just make

1070
01:04:59,440 --> 01:05:01,760
Speaker 1: clear what what I was speaking on. Again, I hate

1071
01:05:01,800 --> 01:05:05,400
Speaker 1: to see that, you know, I just hate to see

1072
01:05:05,520 --> 01:05:08,840
Speaker 1: how Again, I know, love it's a weird place, I know.

1073
01:05:09,080 --> 01:05:13,360
Speaker 1: I know. Love is just things get blurry, you know,

1074
01:05:13,560 --> 01:05:16,760
Speaker 1: even when you think love is in the building, things

1075
01:05:16,880 --> 01:05:20,760
Speaker 1: tend to get out of your control, you know what

1076
01:05:20,880 --> 01:05:24,760
Speaker 1: I'm saying. And both people are hurt them And again

1077
01:05:24,880 --> 01:05:26,400
Speaker 1: I don't want to you know, I hear a lot

1078
01:05:26,440 --> 01:05:30,800
Speaker 1: of people men in particular, because women see, they know hurt.

1079
01:05:31,400 --> 01:05:36,240
Speaker 1: They they have sympathy, they empathize, so they know that

1080
01:05:36,520 --> 01:05:41,200
Speaker 1: sometimes me and I hurt too. But see, the thing is,

1081
01:05:41,240 --> 01:05:44,160
Speaker 1: what's happening with a lot of men, specially in media right,

1082
01:05:44,760 --> 01:05:48,560
Speaker 1: A lot of these media guys are trying to undo

1083
01:05:48,800 --> 01:05:54,000
Speaker 1: their past on the backs of people's present. Right, So

1084
01:05:54,160 --> 01:05:56,840
Speaker 1: they're trying to wrongs that they may have did in

1085
01:05:56,920 --> 01:06:01,280
Speaker 1: that past with relationships or women, or that played out

1086
01:06:01,320 --> 01:06:04,360
Speaker 1: in the public. They're trying to undo those by being

1087
01:06:04,560 --> 01:06:07,760
Speaker 1: extra hard on me and in the present. My thing is,

1088
01:06:07,840 --> 01:06:11,200
Speaker 1: we don't want to excuse anyone from learning. I think

1089
01:06:11,280 --> 01:06:14,000
Speaker 1: as a family, as a collective, we got learning to

1090
01:06:14,160 --> 01:06:18,320
Speaker 1: due on how to navigate relationships, how to even be

1091
01:06:18,560 --> 01:06:22,240
Speaker 1: with one another, how to feel when my woman is feeling,

1092
01:06:22,320 --> 01:06:25,200
Speaker 1: how to know when my due needs something, how to

1093
01:06:25,360 --> 01:06:28,200
Speaker 1: feel those things, how they interject with each other, how

1094
01:06:28,280 --> 01:06:32,200
Speaker 1: they combine with each other. I think collectively, there's work

1095
01:06:32,320 --> 01:06:36,000
Speaker 1: to be done. But a lot of these media guys,

1096
01:06:36,080 --> 01:06:39,280
Speaker 1: you see them immediately take a position to put the

1097
01:06:39,440 --> 01:06:41,720
Speaker 1: cape on it. Hey, man, the baby should have had

1098
01:06:41,760 --> 01:06:43,680
Speaker 1: her this, He should have had her that, he should

1099
01:06:43,720 --> 01:06:46,400
Speaker 1: have done this, he should have done that. That's opportunity

1100
01:06:46,520 --> 01:06:51,640
Speaker 1: for what he should have done, hundred percent. But there's

1101
01:06:51,680 --> 01:06:57,480
Speaker 1: also opportunity for the boundaries that she should put in place, like, Yo,

1102
01:06:57,680 --> 01:07:03,880
Speaker 1: I'm not coming down there, rope. Basically, yo, if me

1103
01:07:04,080 --> 01:07:08,360
Speaker 1: and baby girl come there, send twenty kate just in case.

1104
01:07:08,760 --> 01:07:11,960
Speaker 1: So you're dealing with a rich individual light right, And

1105
01:07:12,120 --> 01:07:14,200
Speaker 1: that's the only issue I may have had with what

1106
01:07:14,400 --> 01:07:18,040
Speaker 1: the baby said when he called a side piece, because

1107
01:07:18,080 --> 01:07:21,200
Speaker 1: if it ain't an understanding that you family, I do

1108
01:07:21,440 --> 01:07:25,960
Speaker 1: need to provide you some sort of housing. You is

1109
01:07:26,040 --> 01:07:28,880
Speaker 1: on my watch with my child right in my town.

1110
01:07:29,360 --> 01:07:32,360
Speaker 1: I do need to pray. If you is my side piece,

1111
01:07:33,160 --> 01:07:35,880
Speaker 1: if you're my family, I expect us to share the

1112
01:07:35,960 --> 01:07:39,880
Speaker 1: space that I already have in place. So that's why

1113
01:07:39,960 --> 01:07:42,360
Speaker 1: you don't really have anywhere to go. But I'm trying

1114
01:07:42,400 --> 01:07:46,040
Speaker 1: to offer you other options to do what not for

1115
01:07:46,320 --> 01:07:53,240
Speaker 1: us to continue to tear down one another. Not one

1116
01:07:53,320 --> 01:07:56,600
Speaker 1: of these media dudes. Did I hear say, yo, what

1117
01:07:56,760 --> 01:08:01,720
Speaker 1: about the baby mental health? My heart go out to

1118
01:08:01,840 --> 01:08:04,560
Speaker 1: the women that they gotta be involved with some of

1119
01:08:04,680 --> 01:08:09,200
Speaker 1: us creative dudes that been involved with murders and trying

1120
01:08:09,240 --> 01:08:13,520
Speaker 1: to be canceled, and brothers dying and turn mol and

1121
01:08:13,680 --> 01:08:17,560
Speaker 1: trauma and all a lot like what Yo, None of

1122
01:08:17,600 --> 01:08:21,040
Speaker 1: the media dudes because they don't sympathize with that, they're

1123
01:08:21,080 --> 01:08:25,160
Speaker 1: trying to undo their pads. Oh yeah, y'all see me,

1124
01:08:25,320 --> 01:08:28,439
Speaker 1: beat Hall. But I'm totally different now, So I'm gonna

1125
01:08:28,439 --> 01:08:32,519
Speaker 1: take the stands. So if you don't do everything right,

1126
01:08:32,640 --> 01:08:38,920
Speaker 1: you're an asshole like what we're doing. See, I look

1127
01:08:38,960 --> 01:08:41,519
Speaker 1: at it from a holistic standpoint. If that girl is

1128
01:08:41,640 --> 01:08:44,120
Speaker 1: going through some things, I expect her to have a

1129
01:08:44,280 --> 01:08:48,320
Speaker 1: certain level of I want to trust someone. I heard

1130
01:08:48,360 --> 01:08:51,560
Speaker 1: people say, yo, she trophy that dude around again. I

1131
01:08:51,720 --> 01:08:54,320
Speaker 1: told y'all, we're looking at the audience that's ready to

1132
01:08:54,400 --> 01:08:57,280
Speaker 1: flip on the baby and ain't nothing he can do

1133
01:08:57,400 --> 01:08:59,400
Speaker 1: to shake it. At this point, I'm not sure. Maybe

1134
01:08:59,439 --> 01:09:02,560
Speaker 1: he can triple up on the other side and just

1135
01:09:03,360 --> 01:09:05,560
Speaker 1: you know, do a whole bunch of good stuff in

1136
01:09:05,760 --> 01:09:09,200
Speaker 1: people lives, or just organically climb out of that. I

1137
01:09:09,280 --> 01:09:12,400
Speaker 1: don't know because I've never been there. But we're looking

1138
01:09:12,479 --> 01:09:14,439
Speaker 1: at the audience ready to flip on him. When you

1139
01:09:14,560 --> 01:09:18,800
Speaker 1: think about the Danny girl, look at the audience. What

1140
01:09:19,640 --> 01:09:25,960
Speaker 1: eight months ago they locked out at the game my all.

1141
01:09:26,040 --> 01:09:30,040
Speaker 1: The black girl, Hey, what she's doing. She's making sounds

1142
01:09:30,040 --> 01:09:32,320
Speaker 1: about being light skinning. Yo. She had to come out

1143
01:09:32,360 --> 01:09:36,800
Speaker 1: and say something. But the gore gets the baby were

1144
01:09:36,920 --> 01:09:42,240
Speaker 1: riding with her. Although what was happening us tacking and tasteless.

1145
01:09:44,960 --> 01:09:47,840
Speaker 1: But I also think of ingredient that we're dealing with

1146
01:09:48,640 --> 01:09:51,240
Speaker 1: is an audience that's ready to cancel the baby because

1147
01:09:51,280 --> 01:09:57,759
Speaker 1: when we zoom out, the baby didn't put his hands

1148
01:09:57,840 --> 01:10:06,599
Speaker 1: on them. There was no pushing and shoving. He called

1149
01:10:06,640 --> 01:10:09,040
Speaker 1: out a name, which you know that ain't cool, but

1150
01:10:09,360 --> 01:10:15,760
Speaker 1: you know there was no violence there. You know, for

1151
01:10:15,840 --> 01:10:21,760
Speaker 1: the most party keeper monotone. But I do want y'all

1152
01:10:21,800 --> 01:10:24,519
Speaker 1: to know that we slick dudes, is slick. We know

1153
01:10:24,640 --> 01:10:26,920
Speaker 1: how to when that camera come on. You can't give

1154
01:10:27,000 --> 01:10:29,960
Speaker 1: me for nothing, now, nothing in the world you can't

1155
01:10:30,000 --> 01:10:35,719
Speaker 1: give me. I know better, you understand. So sometimes there's

1156
01:10:35,720 --> 01:10:37,960
Speaker 1: some women out there that's dealing with that, right They

1157
01:10:38,080 --> 01:10:40,640
Speaker 1: looking at him being so calm in that moment and

1158
01:10:40,760 --> 01:10:45,200
Speaker 1: they thinking that's a trick. Sometimes we project, but sometimes

1159
01:10:45,280 --> 01:10:49,000
Speaker 1: we write. Who knows. But there was no violence that

1160
01:10:49,160 --> 01:10:54,800
Speaker 1: took place, was not one piece of nothing, you know.

1161
01:10:57,200 --> 01:11:01,920
Speaker 1: But see anybody get a pass against one of us

1162
01:11:02,120 --> 01:11:05,439
Speaker 1: when we won't. Don't let us make a mistake or two.

1163
01:11:07,760 --> 01:11:10,240
Speaker 1: You feel me, Yeah, they're used as the very people

1164
01:11:10,320 --> 01:11:13,880
Speaker 1: that they didn't co saying the gone drill you on down.

1165
01:11:15,320 --> 01:11:18,120
Speaker 1: You know what I'm saying. Um, But prayers go out

1166
01:11:18,200 --> 01:11:22,200
Speaker 1: to both of them. They are family. They are family,

1167
01:11:23,520 --> 01:11:27,160
Speaker 1: you understand, and you gotta understand that, right So you know,

1168
01:11:27,400 --> 01:11:30,080
Speaker 1: I know what it's like for communication to be tore

1169
01:11:30,200 --> 01:11:35,759
Speaker 1: down in the midst of something that you care about

1170
01:11:35,880 --> 01:11:38,880
Speaker 1: more than life itself and you can't even it's it's

1171
01:11:38,960 --> 01:11:42,840
Speaker 1: it's rough to navigate around it because it's constant low vibrations.

1172
01:11:43,640 --> 01:11:49,599
Speaker 1: It's disappointment on somebody's end. That's something there that's uncomfortable, right.

1173
01:11:52,000 --> 01:11:57,200
Speaker 1: The white people have mastered how to faith that you know,

1174
01:11:57,479 --> 01:12:00,719
Speaker 1: and I think what us we were on our sleeve.

1175
01:12:00,760 --> 01:12:03,080
Speaker 1: It's hard for us to get around some of those things.

1176
01:12:04,000 --> 01:12:10,760
Speaker 1: You know, but nobody said. You know the babyhead, you

1177
01:12:10,880 --> 01:12:14,439
Speaker 1: know what's up with the baby mental health? You know

1178
01:12:15,160 --> 01:12:18,599
Speaker 1: his brother, you know the situation with his brother. Prior

1179
01:12:18,680 --> 01:12:22,320
Speaker 1: to that, you're dealing with a murder. You know, you

1180
01:12:22,400 --> 01:12:25,280
Speaker 1: gotta do a murder in front of your daughter, then

1181
01:12:26,840 --> 01:12:35,880
Speaker 1: your dad and you get rich, then your brother. Then

1182
01:12:36,200 --> 01:12:39,479
Speaker 1: you throw a bone to some Canada nigga who ain't

1183
01:12:39,520 --> 01:12:42,240
Speaker 1: who you ain't seen since none of yo. Y'all probably

1184
01:12:42,320 --> 01:12:45,760
Speaker 1: talk behind the scenes, but anything behind the scenes. If

1185
01:12:45,800 --> 01:12:47,560
Speaker 1: that's the case, I should have kept talking to you

1186
01:12:47,720 --> 01:12:51,679
Speaker 1: behind the scene. I brought you out, out, out out,

1187
01:12:51,880 --> 01:12:57,680
Speaker 1: I bought you out and then took some of your

1188
01:12:57,840 --> 01:13:02,280
Speaker 1: energy and inspired some of my shit out of control.

1189
01:13:03,840 --> 01:13:06,280
Speaker 1: And I'm dealing with the rolling loud. I try to

1190
01:13:06,320 --> 01:13:10,160
Speaker 1: bounce back with that because they were they were closing

1191
01:13:10,280 --> 01:13:14,000
Speaker 1: in onman, losing bad, losing back, losing back, losing back,

1192
01:13:14,080 --> 01:13:16,519
Speaker 1: losing the back loop. They were trying to close in

1193
01:13:16,760 --> 01:13:20,600
Speaker 1: omen Then I try to come back with that and

1194
01:13:20,760 --> 01:13:23,559
Speaker 1: put and let people know, Yeah, I'm back. Yeah, Yeah, Yeah,

1195
01:13:23,560 --> 01:13:25,400
Speaker 1: I'm back. Yeah, I ain't cancel. Yeah. They thought this

1196
01:13:25,439 --> 01:13:28,360
Speaker 1: wasn't gonna happen. Yet we're back in the building. Yes lord, yes, Lord,

1197
01:13:28,400 --> 01:13:30,720
Speaker 1: they didn't count. Yes Lord, we out. Chill baby, let's

1198
01:13:30,760 --> 01:13:33,840
Speaker 1: get some paper, let's get it. You try to put

1199
01:13:33,920 --> 01:13:42,880
Speaker 1: the game down. Yeah, let's boom something else. Nobody said, Hey, Yo,

1200
01:13:43,040 --> 01:13:48,680
Speaker 1: the dude mentor Hell what'sover doing? Mentor Hell what I say?

1201
01:13:48,760 --> 01:13:52,080
Speaker 1: Even about the women that you deal with sometime he yo, shout,

1202
01:13:52,280 --> 01:13:54,600
Speaker 1: you gotta know something ain't like. Yo, I'm having a

1203
01:13:54,720 --> 01:14:00,040
Speaker 1: hard time. See y'all judge the time I'm having and

1204
01:14:00,120 --> 01:14:02,360
Speaker 1: by the money that's coming in. I didn't build something

1205
01:14:02,439 --> 01:14:06,559
Speaker 1: that generates money. I'm a cash Kyle. I didn't build

1206
01:14:06,600 --> 01:14:09,679
Speaker 1: some shit degenerate money that don't reflect how I feel,

1207
01:14:10,479 --> 01:14:14,320
Speaker 1: that don't reflect what I'm dealing with. They got to happen. Now,

1208
01:14:14,360 --> 01:14:16,920
Speaker 1: all this shit that's happening on this side, we're talking

1209
01:14:16,920 --> 01:14:20,720
Speaker 1: about how I feel, what I'm dealing with, what's going

1210
01:14:20,840 --> 01:14:27,880
Speaker 1: on with men. But then on the other side, they say, Yo,

1211
01:14:28,000 --> 01:14:30,600
Speaker 1: do you consider the woman. That's why I say, you

1212
01:14:30,680 --> 01:14:35,880
Speaker 1: gotta consider the family. You don't leave either. You try

1213
01:14:35,920 --> 01:14:39,360
Speaker 1: to understand the situation from a holistic because you understand

1214
01:14:39,400 --> 01:14:41,320
Speaker 1: a woman that may or may not be dealing with

1215
01:14:41,439 --> 01:14:45,800
Speaker 1: some family issues. They find a guy that feel like, Yo,

1216
01:14:46,720 --> 01:14:49,160
Speaker 1: this dude is a good one. You're a real one.

1217
01:14:49,160 --> 01:14:52,680
Speaker 1: I'm only saying that because of the way that that

1218
01:14:52,880 --> 01:14:56,360
Speaker 1: she presented it. She was always happy and smiling in

1219
01:14:56,479 --> 01:15:02,160
Speaker 1: those situations and carrying that Again that at songs spiraled

1220
01:15:02,240 --> 01:15:05,960
Speaker 1: off of her saying, yo, he picked me, yellow bone.

1221
01:15:08,200 --> 01:15:10,719
Speaker 1: You know how I always say, yo, dude, some people

1222
01:15:10,800 --> 01:15:14,240
Speaker 1: got range. How you like him and me? I'm broke,

1223
01:15:14,360 --> 01:15:20,719
Speaker 1: he rich, I'm rich, he broke, I'm flying. He came dress.

1224
01:15:22,600 --> 01:15:26,519
Speaker 1: You see what I'm saying. I think going on vacation

1225
01:15:26,600 --> 01:15:30,680
Speaker 1: as friends, Paris, he thinks, Miami, Atlanta. How you like

1226
01:15:30,880 --> 01:15:34,960
Speaker 1: both of us something? It's not registering to me, or

1227
01:15:35,040 --> 01:15:37,920
Speaker 1: you just like anybody. It's cool if you like anybody,

1228
01:15:37,960 --> 01:15:41,679
Speaker 1: if some people like who liked them, or communicate your standards,

1229
01:15:41,760 --> 01:15:44,080
Speaker 1: if you don't mind, because I thought you liked certain

1230
01:15:44,160 --> 01:15:48,200
Speaker 1: kind of individual, right, So it's it's basically when she

1231
01:15:48,360 --> 01:15:51,840
Speaker 1: came with that, it was yo, he picked me. So

1232
01:15:52,040 --> 01:15:55,400
Speaker 1: it was a stunt. And see the thing about about

1233
01:15:55,520 --> 01:16:00,519
Speaker 1: love and and and not having it, you're doing anything for.

1234
01:16:02,439 --> 01:16:06,439
Speaker 1: You'll do anything for the idea of it, right, and

1235
01:16:06,560 --> 01:16:10,240
Speaker 1: the closest see that as long as somebody getting you

1236
01:16:10,360 --> 01:16:16,000
Speaker 1: closer to love than the last person catch you. You

1237
01:16:16,120 --> 01:16:18,519
Speaker 1: know a lot of times people not asking for the

1238
01:16:18,600 --> 01:16:23,439
Speaker 1: whole thing. The expectations is just better than the last one.

1239
01:16:25,280 --> 01:16:28,120
Speaker 1: So you gotta imagine that no matter who you date.

1240
01:16:28,200 --> 01:16:32,200
Speaker 1: If your next boyfriend is a bait the baby type figure,

1241
01:16:32,920 --> 01:16:36,280
Speaker 1: you know, maybe nine figure, nigga or some shit like that,

1242
01:16:36,479 --> 01:16:40,160
Speaker 1: experience is different. You think you're real close to love

1243
01:16:40,320 --> 01:16:44,480
Speaker 1: because again, y'all judge this shit off gifts and prizes

1244
01:16:44,600 --> 01:16:49,200
Speaker 1: like some kind of carnivore. Y'all around here judge and

1245
01:16:49,320 --> 01:16:52,479
Speaker 1: relationships off the prizes at the end of this or

1246
01:16:52,760 --> 01:16:55,479
Speaker 1: what do I get if I do? Like yo, I've

1247
01:16:55,479 --> 01:16:58,320
Speaker 1: been holding it down? Can you like? These things are

1248
01:16:58,479 --> 01:17:02,040
Speaker 1: organically supposed to be the same scenario If you're dealing

1249
01:17:02,120 --> 01:17:04,640
Speaker 1: with a third level a guy, I'm going on vacation

1250
01:17:04,800 --> 01:17:09,280
Speaker 1: like I'm going to Cobo. Let's go, You're going It's simple.

1251
01:17:09,439 --> 01:17:12,800
Speaker 1: It ain't post to be h. I've been sucking a

1252
01:17:12,880 --> 01:17:15,760
Speaker 1: lot of dick can I can? Ain't I posted? You know?

1253
01:17:15,920 --> 01:17:19,360
Speaker 1: Can't you get me the cabo or those kind of things.

1254
01:17:19,439 --> 01:17:23,720
Speaker 1: That's uncomfortable right when you look at these relationships with

1255
01:17:23,840 --> 01:17:27,760
Speaker 1: the baby though, and Danny, you gotta think about a

1256
01:17:27,840 --> 01:17:31,320
Speaker 1: relationship from a holistic standpoint he called a sad piece.

1257
01:17:31,760 --> 01:17:34,960
Speaker 1: If you're in a relationship with someone, you gotta know

1258
01:17:35,080 --> 01:17:40,800
Speaker 1: when to leave it. See, it's a difference between a

1259
01:17:41,000 --> 01:17:47,280
Speaker 1: problem a problematic relationship, and a troubled relationship. See, a

1260
01:17:47,400 --> 01:17:50,840
Speaker 1: problematic relationships is just like bumps in the role. But

1261
01:17:51,120 --> 01:17:55,080
Speaker 1: a lot of these people got troubled situations mean problems

1262
01:17:55,160 --> 01:17:59,120
Speaker 1: for a long amount of time, like y'all been having

1263
01:17:59,200 --> 01:18:04,600
Speaker 1: issues for on y'all shit is troubled, Like it's just

1264
01:18:04,880 --> 01:18:07,560
Speaker 1: it ain't no. So then you gotta figure how do

1265
01:18:07,680 --> 01:18:12,919
Speaker 1: I get out of that? Number One, you provide a housing,

1266
01:18:13,479 --> 01:18:15,439
Speaker 1: you get in that house, and then you don't go

1267
01:18:15,600 --> 01:18:19,120
Speaker 1: over there. I ain't get that show crib. You do

1268
01:18:19,200 --> 01:18:21,080
Speaker 1: what you want to do with it. I ain't mad

1269
01:18:21,160 --> 01:18:23,559
Speaker 1: at you, Like the baby needs something there. We're picking

1270
01:18:23,600 --> 01:18:26,280
Speaker 1: the babe up. But that's how you get around there,

1271
01:18:27,640 --> 01:18:30,240
Speaker 1: you know. But I think dude is recording because it's like, yo,

1272
01:18:30,280 --> 01:18:32,519
Speaker 1: I'm coming out rolling lout. They tried to cancel or

1273
01:18:32,560 --> 01:18:34,439
Speaker 1: they own me if she get this out before me,

1274
01:18:34,760 --> 01:18:38,240
Speaker 1: it's gonna look crazy and they're gonna cancel me, you

1275
01:18:38,320 --> 01:18:40,240
Speaker 1: know what I'm saying. And I think he tried to

1276
01:18:40,280 --> 01:18:43,000
Speaker 1: get ahead of that. But the side piece, the side

1277
01:18:43,080 --> 01:18:49,040
Speaker 1: piece thing means, see, women gotta understand me and play games. Boy,

1278
01:18:49,280 --> 01:18:56,040
Speaker 1: some we play games. We played games. The scenario or change,

1279
01:18:56,080 --> 01:18:59,640
Speaker 1: but the intentions will stay the same. Yeah yeah, I

1280
01:18:59,720 --> 01:19:04,599
Speaker 1: hold you at night, but it ain't that serious. Yeah yeah, yeah, yeah,

1281
01:19:04,640 --> 01:19:07,360
Speaker 1: I hate you women on Valentine Day and took you

1282
01:19:07,479 --> 01:19:10,160
Speaker 1: here and now and gave your massage and did ate

1283
01:19:10,200 --> 01:19:12,280
Speaker 1: your booty and things of that. But it wasn't never

1284
01:19:12,439 --> 01:19:17,719
Speaker 1: like that. The scenario changed their intentions didn't before. Women

1285
01:19:17,800 --> 01:19:20,160
Speaker 1: they can only They base a lot of things on

1286
01:19:20,280 --> 01:19:22,479
Speaker 1: how they feel. So the hold in them is a

1287
01:19:22,640 --> 01:19:25,800
Speaker 1: different signal. That's what you should hit them. Start to

1288
01:19:25,840 --> 01:19:28,639
Speaker 1: talk about mixed signals. I'm holding you, I'm spending these

1289
01:19:28,760 --> 01:19:32,200
Speaker 1: type time doing these type things. Those things are those

1290
01:19:32,320 --> 01:19:38,160
Speaker 1: signals you send into their brain and the communication of

1291
01:19:38,280 --> 01:19:40,519
Speaker 1: stop me. It ain't like the dude. It's gonna keep reiterated.

1292
01:19:40,560 --> 01:19:42,720
Speaker 1: You know, ain't your man now as he holding you?

1293
01:19:43,080 --> 01:19:45,280
Speaker 1: You know, ain't your dude holding it? And now he

1294
01:19:45,320 --> 01:19:49,000
Speaker 1: ain't doing it. He just living, you know, but his

1295
01:19:49,200 --> 01:19:53,720
Speaker 1: intentions he may have communicated at the beginning, but he's

1296
01:19:53,720 --> 01:20:02,640
Speaker 1: starting to exhibit certain things that's confusing. For her to

1297
01:20:02,760 --> 01:20:05,719
Speaker 1: be a side piece to a to a multi media

1298
01:20:06,560 --> 01:20:08,599
Speaker 1: it does need to be a house and for them

1299
01:20:08,680 --> 01:20:14,840
Speaker 1: folk feel unless we family were family, we share this

1300
01:20:14,960 --> 01:20:17,599
Speaker 1: face whatever I got down there, you know, y'all you did.

1301
01:20:18,920 --> 01:20:21,960
Speaker 1: You know what I'm saying, that's the only problem that

1302
01:20:22,120 --> 01:20:25,320
Speaker 1: I saw. You know, relationships get way worse than that.

1303
01:20:25,880 --> 01:20:28,240
Speaker 1: You see how God working. The same week, we see

1304
01:20:28,280 --> 01:20:31,920
Speaker 1: the other football dude. That girl there was just sitting

1305
01:20:31,960 --> 01:20:35,400
Speaker 1: there just basically like yo, hey yo. He grabbed the

1306
01:20:35,439 --> 01:20:39,160
Speaker 1: throw in the TV boom, grab picked up again, throwing

1307
01:20:39,240 --> 01:20:42,040
Speaker 1: her ranch like yo. She not even arguing, and then

1308
01:20:42,120 --> 01:20:45,400
Speaker 1: the audio sound like she's saying please know, like she's

1309
01:20:45,439 --> 01:20:50,880
Speaker 1: not trying to do nothing. That one I'm trying to

1310
01:20:51,000 --> 01:20:54,400
Speaker 1: tell you you could be dealing. Let's see that contrast,

1311
01:20:57,080 --> 01:21:00,240
Speaker 1: and if you know it, just you know something. Times

1312
01:21:00,280 --> 01:21:02,680
Speaker 1: we gotta pray together to stay together, you know what

1313
01:21:02,760 --> 01:21:05,679
Speaker 1: I'm saying. Black men, we gotta be able to lend

1314
01:21:05,840 --> 01:21:09,880
Speaker 1: us some kind of understanding or like we say, mental health.

1315
01:21:11,280 --> 01:21:13,280
Speaker 1: You know, he didn't hit that girl. He didn't do

1316
01:21:14,560 --> 01:21:17,679
Speaker 1: he made a mistake, you know by by saying certain

1317
01:21:17,720 --> 01:21:20,519
Speaker 1: things to it. You know, all of us have done that.

1318
01:21:23,880 --> 01:21:28,040
Speaker 1: But um, you know, hopefully they get through it. They family,

1319
01:21:28,120 --> 01:21:30,960
Speaker 1: they got a kid, y'all. Gotta let them get through that.

1320
01:21:31,520 --> 01:21:38,959
Speaker 1: FIM and we're back. Welcome back to us up that podcast.

1321
01:21:39,040 --> 01:21:41,600
Speaker 1: We're just coming back from break. Um. Of course, the

1322
01:21:41,720 --> 01:21:45,800
Speaker 1: Young Dolph situation is breaking news. Um, it's a situation

1323
01:21:45,920 --> 01:21:50,960
Speaker 1: that is currently unfolding. So, um we see some more updates.

1324
01:21:51,000 --> 01:21:53,400
Speaker 1: I think they have now located the car. I mean

1325
01:21:53,479 --> 01:21:56,400
Speaker 1: in real time as we are recording. Let's go to

1326
01:21:56,760 --> 01:22:01,080
Speaker 1: ABC and see what they had to say. Murder case tonight,

1327
01:22:01,360 --> 01:22:04,040
Speaker 1: police are still searching for those responsible for the death

1328
01:22:04,080 --> 01:22:07,160
Speaker 1: of the Memphis rapper. Police have received a number of tips,

1329
01:22:07,200 --> 01:22:10,040
Speaker 1: and it's this level of community engagement that could be

1330
01:22:10,200 --> 01:22:12,760
Speaker 1: the difference in solving this case. The very gs Jordan

1331
01:22:12,880 --> 01:22:15,760
Speaker 1: James shares why fans say they're beginning to feel optimistic

1332
01:22:19,040 --> 01:22:22,800
Speaker 1: as this makeshift memorial grows by the day, so does

1333
01:22:22,880 --> 01:22:26,040
Speaker 1: the anticipation to find the killers of Young Doll. Somebody

1334
01:22:26,320 --> 01:22:29,880
Speaker 1: please come and talk. Let us know why this young

1335
01:22:30,000 --> 01:22:34,600
Speaker 1: man that in vain surveillance footage outside of mckeiba's captures

1336
01:22:34,640 --> 01:22:38,759
Speaker 1: the gunmen and the getaway vehicle. Since these photos were released,

1337
01:22:39,120 --> 01:22:43,160
Speaker 1: crime Stoppers has received several tips. Fans of Dolf were

1338
01:22:43,200 --> 01:22:47,639
Speaker 1: even using social media to assist investigators. There's a lot

1339
01:22:47,720 --> 01:22:50,599
Speaker 1: of conspiracy going on, especially you know how social media

1340
01:22:50,680 --> 01:22:53,720
Speaker 1: can be. But yeah, I definitely try to say in

1341
01:22:53,800 --> 01:22:57,160
Speaker 1: the lupe and see you know where they are in

1342
01:22:57,240 --> 01:23:00,439
Speaker 1: the cave. While MPD hasn't confirmed any of the tips

1343
01:23:00,479 --> 01:23:04,519
Speaker 1: being passed around on social media, they see investigators are

1344
01:23:04,560 --> 01:23:08,639
Speaker 1: looking into them. Community activists Stevie Moore hopes this trend

1345
01:23:08,760 --> 01:23:14,200
Speaker 1: of supporting law enforcement with criminal investigations continues well beyond

1346
01:23:14,280 --> 01:23:17,519
Speaker 1: this case. And I understand people don't talk cause they're

1347
01:23:17,520 --> 01:23:23,080
Speaker 1: afraid or repercussions spread or somebody gonna spread the house up.

1348
01:23:23,560 --> 01:23:26,000
Speaker 1: But there's other ways out here that you can come.

1349
01:23:26,479 --> 01:23:28,680
Speaker 1: Fans of the thirty six year old rapper have come

1350
01:23:28,800 --> 01:23:32,400
Speaker 1: from near and far to pay their respects. Chelsea made

1351
01:23:32,400 --> 01:23:35,639
Speaker 1: her drove down from Kentucky. As she prepares to head

1352
01:23:35,720 --> 01:23:40,160
Speaker 1: back home, she's leaving Memphis feeling optimistic after hearing about

1353
01:23:40,200 --> 01:23:43,160
Speaker 1: the community engagement. I do hope that this case is

1354
01:23:43,200 --> 01:23:47,160
Speaker 1: brought to justice. So basically, that's just I guess them

1355
01:23:47,240 --> 01:23:55,680
Speaker 1: showing that the people are actively assisting the police in

1356
01:23:55,840 --> 01:23:59,639
Speaker 1: whatever way they can and trying to solve the murder

1357
01:23:59,680 --> 01:24:04,799
Speaker 1: of ap a young dolph out of Memphis. UM. Again,

1358
01:24:05,400 --> 01:24:11,280
Speaker 1: we just saw reports come out saying that the car

1359
01:24:11,479 --> 01:24:15,920
Speaker 1: was found at a house in South Memphis. The unique

1360
01:24:15,960 --> 01:24:18,479
Speaker 1: thing about the internet, See, that's that's what I'm saying, like,

1361
01:24:18,720 --> 01:24:22,040
Speaker 1: this shit can't be considered. And then a lot of times,

1362
01:24:22,120 --> 01:24:25,479
Speaker 1: if you're not a street guy, give me just a second,

1363
01:24:25,560 --> 01:24:29,679
Speaker 1: this is my mother calling. That's just that's just that. Again,

1364
01:24:29,760 --> 01:24:32,920
Speaker 1: they said that the car was found at a house

1365
01:24:33,000 --> 01:24:36,600
Speaker 1: in South Memphis, UM, and that this particular house a

1366
01:24:36,760 --> 01:24:40,160
Speaker 1: video was shot. This is our internet thing. So again

1367
01:24:40,280 --> 01:24:44,240
Speaker 1: we're not sure the validity of any of these things.

1368
01:24:44,360 --> 01:24:48,360
Speaker 1: What I will say is all the rear street niggas

1369
01:24:48,360 --> 01:24:51,320
Speaker 1: trying to get out of the street, like, you don't

1370
01:24:51,320 --> 01:24:54,280
Speaker 1: gotta tear me your background. You don't gotta tell when

1371
01:24:54,320 --> 01:24:56,240
Speaker 1: I push you up on you will bump into you.

1372
01:24:56,400 --> 01:24:59,680
Speaker 1: I can tell I can feel it on you, like yo,

1373
01:25:00,080 --> 01:25:03,200
Speaker 1: loon running from the street. Loon know the street ain't

1374
01:25:03,240 --> 01:25:06,439
Speaker 1: way it said right number one, number two, I know

1375
01:25:06,560 --> 01:25:08,920
Speaker 1: it's a bunch of people in the street that's operating

1376
01:25:08,960 --> 01:25:13,240
Speaker 1: without the rules. They don't adhere to any rules. They

1377
01:25:13,320 --> 01:25:16,599
Speaker 1: don't know that, they don't know right. So what happens

1378
01:25:16,880 --> 01:25:21,639
Speaker 1: is you fall victim to not knowing the rules. It's

1379
01:25:21,680 --> 01:25:25,600
Speaker 1: an old saying like you gotta man, listen, man, you

1380
01:25:25,880 --> 01:25:28,720
Speaker 1: must understand what you up against. When they go to

1381
01:25:28,840 --> 01:25:32,479
Speaker 1: the neighborhood. And now all these fake street dudes they

1382
01:25:32,600 --> 01:25:39,240
Speaker 1: fall victim to. They fall victim to their ego. Again,

1383
01:25:39,360 --> 01:25:44,080
Speaker 1: I'm naturally, I'm naturally that nigga. The vehicle used in

1384
01:25:44,240 --> 01:25:49,839
Speaker 1: the murder allegedly was found that a house in South Memphis,

1385
01:25:49,920 --> 01:25:54,639
Speaker 1: again not dealing with the rules. See, it's a difference

1386
01:25:54,680 --> 01:25:57,640
Speaker 1: between being a street nigga and being dangerous. A lot

1387
01:25:57,720 --> 01:26:00,600
Speaker 1: of you little fuck niggas, it's dangerous, but you're not

1388
01:26:00,800 --> 01:26:04,200
Speaker 1: street niggas. The street nigga know how to He know

1389
01:26:04,360 --> 01:26:06,519
Speaker 1: how to navigate this type of thing. You know how

1390
01:26:06,560 --> 01:26:08,840
Speaker 1: to stay in stealth, mold, You know how to help

1391
01:26:08,920 --> 01:26:11,400
Speaker 1: the old ladies when they need to help. His woman

1392
01:26:11,520 --> 01:26:14,840
Speaker 1: know that, hey, he will Teddy bell with me. His

1393
01:26:15,080 --> 01:26:19,240
Speaker 1: children know dad is he ill he funding? But the

1394
01:26:19,360 --> 01:26:21,840
Speaker 1: streets know that he will step on anything that that

1395
01:26:22,000 --> 01:26:24,880
Speaker 1: come up under his You understand, it's a certain law

1396
01:26:24,960 --> 01:26:29,040
Speaker 1: that that that moves around him. But all the street

1397
01:26:29,120 --> 01:26:31,880
Speaker 1: niggas trying to run from the street. So when I

1398
01:26:31,960 --> 01:26:34,360
Speaker 1: see a rapper, that's go back to the hood, and

1399
01:26:34,800 --> 01:26:37,240
Speaker 1: he bragging I was being posted up in the hood.

1400
01:26:37,520 --> 01:26:41,040
Speaker 1: I know you ain't one of my can I don't

1401
01:26:41,080 --> 01:26:44,120
Speaker 1: did everything I can do in the hood. Now the

1402
01:26:44,240 --> 01:26:46,280
Speaker 1: best thing I can do fud the hood is get

1403
01:26:46,320 --> 01:26:49,160
Speaker 1: out the hood, get some information and bring it back

1404
01:26:49,240 --> 01:26:53,960
Speaker 1: to the village. You niggas is useless in the hood.

1405
01:26:54,040 --> 01:27:00,000
Speaker 1: You multimillion dollars stupid nigga. You useless in the neighborhood. Nigga,

1406
01:27:01,680 --> 01:27:04,640
Speaker 1: you're standing somewhere where they can't do nothing but kill you.

1407
01:27:07,080 --> 01:27:10,320
Speaker 1: You need to be bringing anytime I see a millionaire

1408
01:27:10,360 --> 01:27:12,920
Speaker 1: in the neighborhood, he needs to have a you haul

1409
01:27:13,040 --> 01:27:18,960
Speaker 1: full of shit. It me included. They don't come over

1410
01:27:19,040 --> 01:27:23,040
Speaker 1: here for your photo. Ops. Don't come over here because

1411
01:27:23,080 --> 01:27:26,080
Speaker 1: you like the chips at the stove. Don't come over

1412
01:27:26,200 --> 01:27:33,600
Speaker 1: here unless you got some information. They starving. They starving,

1413
01:27:34,880 --> 01:27:41,479
Speaker 1: and they playing keep up. More importantly, they playing keep up.

1414
01:27:42,640 --> 01:27:46,200
Speaker 1: And the internet has allowed you to fake everything I

1415
01:27:46,360 --> 01:27:48,880
Speaker 1: told you. The only place that these dudes can't fake

1416
01:27:48,960 --> 01:27:53,120
Speaker 1: the money is at these sports events, and not a

1417
01:27:53,240 --> 01:27:56,840
Speaker 1: hometown rapper at his catch your hometown rapper at the

1418
01:27:56,920 --> 01:27:59,799
Speaker 1: super Bowl, or see where he's sitting there at the fights.

1419
01:28:00,240 --> 01:28:03,120
Speaker 1: Way said that certain things like that, and see if

1420
01:28:03,160 --> 01:28:05,080
Speaker 1: he's spending a little money, if he having it, he

1421
01:28:05,200 --> 01:28:08,200
Speaker 1: pulled to be close to the situation. I don't want

1422
01:28:08,240 --> 01:28:11,160
Speaker 1: to hear no excuses because there's a number on everything

1423
01:28:11,600 --> 01:28:15,760
Speaker 1: when you deal with these kind of things, right, But

1424
01:28:15,920 --> 01:28:18,240
Speaker 1: what I'm saying is the Internet has allowed us to

1425
01:28:18,320 --> 01:28:23,720
Speaker 1: fake everything. You got multimillion dollars men posted in the

1426
01:28:23,800 --> 01:28:28,320
Speaker 1: areas around people that can't figure out where they next,

1427
01:28:28,400 --> 01:28:32,679
Speaker 1: fifty dollars coming from, just for the sake of showing

1428
01:28:32,760 --> 01:28:35,960
Speaker 1: I ain't scared. This my hood number one. That's a mistake.

1429
01:28:36,120 --> 01:28:39,240
Speaker 1: This ain't your hood, that's number one. This is where

1430
01:28:39,280 --> 01:28:43,160
Speaker 1: you grew up at. But see, they trick us with words.

1431
01:28:43,200 --> 01:28:46,320
Speaker 1: That's why I'm so big on communication. This my hood

1432
01:28:46,680 --> 01:28:49,880
Speaker 1: speaks to ownership. This is why I grew up, speaks

1433
01:28:49,920 --> 01:28:55,040
Speaker 1: to proximity. This is why I grew up. This ain't

1434
01:28:55,160 --> 01:28:59,920
Speaker 1: my nothing around here. Matter of fact, they won't say,

1435
01:29:00,000 --> 01:29:02,920
Speaker 1: tell me a piece of land around here. I tried

1436
01:29:03,000 --> 01:29:06,519
Speaker 1: to buy the stow up there. They kept raising the

1437
01:29:06,640 --> 01:29:08,880
Speaker 1: number every time they figured out I had something to

1438
01:29:08,960 --> 01:29:11,559
Speaker 1: do with it. I tried to buy the fish place

1439
01:29:11,720 --> 01:29:16,200
Speaker 1: right there on the corner. Next thing, you know, somebody

1440
01:29:16,520 --> 01:29:21,120
Speaker 1: over different ethnicity had it. These things about design, they

1441
01:29:21,200 --> 01:29:27,080
Speaker 1: want me to believe it's by coincidence. See, I'll understand.

1442
01:29:27,120 --> 01:29:29,320
Speaker 1: I got enough knowledge to know when I bump into

1443
01:29:29,400 --> 01:29:32,559
Speaker 1: the CEO of X, Y and Z and they want

1444
01:29:32,600 --> 01:29:35,880
Speaker 1: to tap into my audience. They want to tap into

1445
01:29:36,000 --> 01:29:38,760
Speaker 1: the black folk that listen to me and and and

1446
01:29:39,120 --> 01:29:41,320
Speaker 1: stand next to me because they know it says something

1447
01:29:41,400 --> 01:29:44,439
Speaker 1: to the people that listen to me. They engaged, they

1448
01:29:44,600 --> 01:29:47,000
Speaker 1: involved with it, So they want me to be next

1449
01:29:47,080 --> 01:29:49,559
Speaker 1: to them as some sort of hope for me building

1450
01:29:49,600 --> 01:29:54,040
Speaker 1: their company. That's an old game. That's an old game.

1451
01:29:54,160 --> 01:30:00,400
Speaker 1: You got the update. But when I speak to Dolf,

1452
01:30:00,840 --> 01:30:03,559
Speaker 1: or when I speak about Dolf, and I speak about

1453
01:30:03,680 --> 01:30:10,200
Speaker 1: us falling victim to the neighborhood. See, oftentimes we think

1454
01:30:11,080 --> 01:30:17,479
Speaker 1: standing here, it's strength and a a lot of times

1455
01:30:17,560 --> 01:30:21,120
Speaker 1: it ain't even about the wrapper. A lot of these

1456
01:30:21,280 --> 01:30:24,760
Speaker 1: rap dudes is so corny that they go back to

1457
01:30:24,880 --> 01:30:27,600
Speaker 1: their hood not to help the hood, and not to

1458
01:30:27,760 --> 01:30:30,360
Speaker 1: give them nothing, not to make sure that folks get

1459
01:30:30,560 --> 01:30:34,400
Speaker 1: plugged in with record labels and prs and in public

1460
01:30:34,640 --> 01:30:38,600
Speaker 1: is and companies, in marketing agencies in DJ's not to

1461
01:30:38,720 --> 01:30:40,680
Speaker 1: do none of that. They go to the hood for

1462
01:30:40,920 --> 01:30:47,680
Speaker 1: photo wop for the other rapp niggas. They want the

1463
01:30:47,720 --> 01:30:50,559
Speaker 1: other rap niggas to see. Yo, I'm still in my hood,

1464
01:30:51,160 --> 01:30:56,400
Speaker 1: Big general post it up with a blunt roasted up.

1465
01:30:57,479 --> 01:31:00,479
Speaker 1: They want anybody to see. And it ain't bout the hood.

1466
01:31:01,520 --> 01:31:04,120
Speaker 1: And you think that the universe don't feel that energy.

1467
01:31:05,800 --> 01:31:08,200
Speaker 1: You think the universe don't feel the energy that you

1468
01:31:08,360 --> 01:31:12,040
Speaker 1: come here just to loon got to come through? Which

1469
01:31:12,120 --> 01:31:15,439
Speaker 1: something not because don't nobody scabbed me be because I

1470
01:31:15,640 --> 01:31:20,560
Speaker 1: understand the scenario. I understand how this works. I understand

1471
01:31:20,680 --> 01:31:23,719
Speaker 1: how this thing one hand wash the other both washed

1472
01:31:23,760 --> 01:31:28,040
Speaker 1: the face loften times again, we trust our judgment. We

1473
01:31:28,200 --> 01:31:31,360
Speaker 1: think we gotta figured out. I don't trust myself, let

1474
01:31:31,439 --> 01:31:34,960
Speaker 1: alone one of you people. I know that I'm gonna

1475
01:31:35,000 --> 01:31:41,479
Speaker 1: be I know I'm gonna make mistakes, But like TDJ said,

1476
01:31:41,640 --> 01:31:45,160
Speaker 1: I had to, I gotta have room for expansion. I

1477
01:31:45,280 --> 01:31:48,080
Speaker 1: always begin with the ending their mind and build with that,

1478
01:31:48,320 --> 01:31:51,519
Speaker 1: with that, with that in the forefront of my mind. Right.

1479
01:31:53,800 --> 01:31:56,639
Speaker 1: But in the hood, you dealing with a weird set

1480
01:31:56,720 --> 01:32:00,880
Speaker 1: of rules. You're dealing with a your set of rules.

1481
01:32:00,920 --> 01:32:03,960
Speaker 1: I've been told niggas like in in my song on

1482
01:32:04,120 --> 01:32:07,360
Speaker 1: I was Big Home. And when you mend me, I say, Yo,

1483
01:32:07,920 --> 01:32:11,400
Speaker 1: you mean to tell me I gotta hide the money,

1484
01:32:12,720 --> 01:32:18,719
Speaker 1: doctor fizz, kill the ops and and keep my family

1485
01:32:18,840 --> 01:32:25,479
Speaker 1: safe just for this little shit. It's a weird set

1486
01:32:25,520 --> 01:32:30,639
Speaker 1: of rules in the neighborhood. Multimillion dollar nigga. They want

1487
01:32:30,680 --> 01:32:33,920
Speaker 1: me to come back, and they don't want me to

1488
01:32:34,000 --> 01:32:36,840
Speaker 1: come back because they want the kids to see me,

1489
01:32:36,960 --> 01:32:39,000
Speaker 1: because they can set that up in a way where

1490
01:32:39,040 --> 01:32:41,840
Speaker 1: we don't worry about violence. They don't you know what,

1491
01:32:41,960 --> 01:32:45,120
Speaker 1: the kids can interact, women at the community center, those

1492
01:32:45,200 --> 01:32:47,920
Speaker 1: things can have. They want me to come and post

1493
01:32:48,080 --> 01:32:52,400
Speaker 1: up in the projects. They won't long come post up

1494
01:32:52,439 --> 01:32:56,240
Speaker 1: in the project. Yo, I'm me and it ain't a

1495
01:32:56,400 --> 01:32:59,840
Speaker 1: nigga in this world can take that from me. I

1496
01:33:00,240 --> 01:33:02,880
Speaker 1: don't know him. You don't got to know me. You

1497
01:33:03,080 --> 01:33:06,679
Speaker 1: knowing me don't make me me. Oh man, I ain't

1498
01:33:06,720 --> 01:33:09,040
Speaker 1: never got nothing from bro. You don't got to he

1499
01:33:09,240 --> 01:33:12,080
Speaker 1: getting nothing from me. You getting something from me, don't

1500
01:33:12,120 --> 01:33:15,960
Speaker 1: make me me. Oh, man, I really don't know if

1501
01:33:16,040 --> 01:33:18,960
Speaker 1: you're hey, whatever you time at it, don't make me

1502
01:33:19,160 --> 01:33:21,800
Speaker 1: me cause I'm mek what I've done. And the people

1503
01:33:21,840 --> 01:33:24,640
Speaker 1: that know, no, the people that can, I can. You

1504
01:33:24,680 --> 01:33:27,040
Speaker 1: can tag in the game down the line. It's a

1505
01:33:27,120 --> 01:33:31,559
Speaker 1: whole bunch of niggas. Nah, bro, Yeah, the truth, nah dude,

1506
01:33:31,600 --> 01:33:34,600
Speaker 1: the truth, dude, Yeah nah he the truth. Now, I

1507
01:33:34,680 --> 01:33:37,439
Speaker 1: had four hundred thousand one time I couldn't get great home,

1508
01:33:37,560 --> 01:33:40,599
Speaker 1: got me straight home. The truth in the time when

1509
01:33:40,640 --> 01:33:43,920
Speaker 1: it would dry. He the truth, dude, the truth. It's

1510
01:33:44,000 --> 01:33:46,280
Speaker 1: people that know that. But those of you that don't

1511
01:33:46,320 --> 01:33:48,240
Speaker 1: know that, you ain't want a man. And I ain't

1512
01:33:48,320 --> 01:33:53,240
Speaker 1: trying to convince you in the hood. We got that problem.

1513
01:33:53,280 --> 01:33:56,080
Speaker 1: We want to convince another nigga. Man, I'm not convincing

1514
01:33:56,160 --> 01:34:01,160
Speaker 1: no nigga, nothing, nothing, only thing. I'm gonna convince a

1515
01:34:01,280 --> 01:34:04,439
Speaker 1: nigga he bad not play with this ship if he

1516
01:34:04,600 --> 01:34:06,519
Speaker 1: pushed up on this sh and I ain't gonna convince

1517
01:34:06,560 --> 01:34:11,680
Speaker 1: your prior to Yeah, it's no warning. If you come

1518
01:34:11,800 --> 01:34:14,400
Speaker 1: play with this shit, then I'm gonna convince you right

1519
01:34:14,560 --> 01:34:18,160
Speaker 1: there that you shouldn't have done that. But outside of that,

1520
01:34:18,320 --> 01:34:22,519
Speaker 1: I don't have time convincing nobody nothing. Picture the mindset

1521
01:34:22,560 --> 01:34:25,960
Speaker 1: of a nigga. Right, you done everything in the world.

1522
01:34:26,040 --> 01:34:29,040
Speaker 1: You got every car they won't. You got everything that

1523
01:34:29,200 --> 01:34:31,840
Speaker 1: that that life can give you. You got it all,

1524
01:34:32,040 --> 01:34:36,840
Speaker 1: everything it belonged to you that you won't. You got

1525
01:34:36,960 --> 01:34:41,679
Speaker 1: blue and yellow diamonds and red and orange dime. You don't. Hey, listen,

1526
01:34:42,080 --> 01:34:45,080
Speaker 1: you don't got so much paper, nigga. You don't start

1527
01:34:45,200 --> 01:34:49,320
Speaker 1: yet bad different colored diamonds, nigga. I mean I might

1528
01:34:49,400 --> 01:34:53,400
Speaker 1: show up with some oars shit. Richard Millet played with

1529
01:34:53,640 --> 01:34:59,200
Speaker 1: nothing in it. Buster, the Richard Millet down, Buster ap Down,

1530
01:35:00,160 --> 01:35:05,760
Speaker 1: pete Plane, protect Plane. You don't win, Yeah, you're going up.

1531
01:35:07,280 --> 01:35:11,639
Speaker 1: You got a whole bunch of money. Successful children love you, woman,

1532
01:35:11,760 --> 01:35:17,040
Speaker 1: love You've been with the same like picture that and

1533
01:35:17,240 --> 01:35:20,719
Speaker 1: they some kind of way, don't convince somebody's so small

1534
01:35:20,840 --> 01:35:23,200
Speaker 1: because a lot of our rap dudes that die, like

1535
01:35:23,360 --> 01:35:26,160
Speaker 1: look at Nipsey. A lot of these dudes, some of

1536
01:35:26,240 --> 01:35:32,040
Speaker 1: the smartest dudes that we got. But some of them

1537
01:35:32,160 --> 01:35:35,880
Speaker 1: rules don't. Don't don't convince them, they don't trick them.

1538
01:35:37,000 --> 01:35:41,200
Speaker 1: They don't trick them. Some of them rules say, come

1539
01:35:41,280 --> 01:35:43,640
Speaker 1: to the hood. That's an ingredient of you being a

1540
01:35:43,760 --> 01:35:49,280
Speaker 1: real one. Stand in the hood, make yourself accessible for

1541
01:35:49,400 --> 01:35:52,240
Speaker 1: the hood. That is the last say grab that will

1542
01:35:52,360 --> 01:35:57,040
Speaker 1: separates you. Right there, fam, you got niggas in the

1543
01:35:57,080 --> 01:36:00,640
Speaker 1: hood telling niggas that yo that will separate Luon come

1544
01:36:00,720 --> 01:36:03,559
Speaker 1: through the bridge. Luna posts up in the priory by

1545
01:36:03,720 --> 01:36:08,040
Speaker 1: his cell. He ain't like the other wrapped niggas. They

1546
01:36:08,120 --> 01:36:12,439
Speaker 1: want me to hang my hand on that. I want

1547
01:36:12,479 --> 01:36:15,599
Speaker 1: to tell anybody that listen to the sound of my voice,

1548
01:36:17,360 --> 01:36:20,040
Speaker 1: you got to ignore some of the rules in the neighborhood.

1549
01:36:21,640 --> 01:36:25,200
Speaker 1: Although they work for us. They get us out of jams.

1550
01:36:25,320 --> 01:36:28,160
Speaker 1: They make us cerebral, think us. They make us know

1551
01:36:28,280 --> 01:36:31,880
Speaker 1: how to go from shit. The sugar they some it's

1552
01:36:31,920 --> 01:36:33,800
Speaker 1: some shit you can take from the hood you can't

1553
01:36:33,840 --> 01:36:37,479
Speaker 1: get nowhere else. But some of those rules that come

1554
01:36:37,520 --> 01:36:41,120
Speaker 1: out the hood, and oftentimes it's the ones that's coasting

1555
01:36:41,240 --> 01:36:44,120
Speaker 1: us life. Them We need to get rid of a

1556
01:36:44,240 --> 01:36:47,799
Speaker 1: bunch of them and being in the neighborhood around guys

1557
01:36:48,160 --> 01:36:52,479
Speaker 1: around Listen, we come to the neighborhood in the structure setting.

1558
01:36:55,120 --> 01:36:57,800
Speaker 1: I no longer live in the neighborhood. I no longer

1559
01:36:57,960 --> 01:37:01,200
Speaker 1: understand the ends and outs again in you niggas is

1560
01:37:01,240 --> 01:37:05,800
Speaker 1: good at talking, right, So listen, when you become a

1561
01:37:05,920 --> 01:37:07,960
Speaker 1: nigga like me or a nigga that they're getting a

1562
01:37:08,000 --> 01:37:10,840
Speaker 1: little paper, they're gonna put niggas in position to act

1563
01:37:10,920 --> 01:37:15,040
Speaker 1: like they're gonna keep you plugged into the hood. Man.

1564
01:37:15,120 --> 01:37:17,400
Speaker 1: You know Southern sudden they got robbed over the day,

1565
01:37:17,439 --> 01:37:19,240
Speaker 1: So every time they talk to you, they kind of

1566
01:37:19,320 --> 01:37:24,000
Speaker 1: running ship down. Number one, You gotta trust that they

1567
01:37:24,160 --> 01:37:26,519
Speaker 1: privy to everything in the hood or they even think

1568
01:37:26,640 --> 01:37:30,280
Speaker 1: like you because your eyes show you things when you

1569
01:37:30,479 --> 01:37:33,400
Speaker 1: was there. The shit I learned in the hood. Deep

1570
01:37:33,479 --> 01:37:35,600
Speaker 1: niggas that were standing next to me didn't get the

1571
01:37:35,720 --> 01:37:39,400
Speaker 1: same thing out the hood. We come from the same spot.

1572
01:37:39,720 --> 01:37:43,040
Speaker 1: That's that's sometimes that's what breathed the envy because they

1573
01:37:43,120 --> 01:37:47,040
Speaker 1: think I've been out then't tricked it or been chosen

1574
01:37:47,240 --> 01:37:51,200
Speaker 1: or something because they got something different out the same experiences.

1575
01:37:54,640 --> 01:37:59,040
Speaker 1: So when you see when you see somebody right and

1576
01:37:59,160 --> 01:38:02,360
Speaker 1: they're reporting see you the ends in outside the hood,

1577
01:38:02,439 --> 01:38:07,080
Speaker 1: it's just like, oh, it's just like going on YouTube

1578
01:38:07,160 --> 01:38:10,160
Speaker 1: to put your figerator, your table together that you bought

1579
01:38:10,200 --> 01:38:13,680
Speaker 1: from Amazon at work. For those kind of stepped by

1580
01:38:13,760 --> 01:38:16,920
Speaker 1: step things. But in the hood that don't work. Number One,

1581
01:38:17,040 --> 01:38:20,640
Speaker 1: the players change, and when the players change, those mentalities

1582
01:38:20,760 --> 01:38:24,760
Speaker 1: change other people because everybody's unique in their approach. In

1583
01:38:24,880 --> 01:38:28,080
Speaker 1: that perspective, everybody's unique in some sort of way. So

1584
01:38:28,320 --> 01:38:31,559
Speaker 1: when you when the when the d boy, when when

1585
01:38:31,640 --> 01:38:33,640
Speaker 1: the nigga that ran in the hood was was was

1586
01:38:33,800 --> 01:38:38,240
Speaker 1: Brian O'Neil shi he read he pushed the hard line.

1587
01:38:39,760 --> 01:38:43,439
Speaker 1: But we also knew he a family man, he being

1588
01:38:43,520 --> 01:38:47,599
Speaker 1: the house, he being the house at nine. We also

1589
01:38:47,760 --> 01:38:50,600
Speaker 1: knew that his wife would pull up and when he

1590
01:38:50,760 --> 01:38:54,040
Speaker 1: meets you. I knew a nigga, one of the big

1591
01:38:54,120 --> 01:38:57,560
Speaker 1: time niggas from the city, my city, right when I

1592
01:38:57,680 --> 01:38:59,639
Speaker 1: had to get straight through him. A couple of times

1593
01:38:59,720 --> 01:39:03,040
Speaker 1: he meet me at a motherfucker. His wife would drop

1594
01:39:03,160 --> 01:39:06,240
Speaker 1: him off and pull a call, and me and him

1595
01:39:06,240 --> 01:39:08,160
Speaker 1: would go to, you know, taking care of our business

1596
01:39:08,200 --> 01:39:11,000
Speaker 1: and this thing, you know, she pulled back up. You

1597
01:39:11,080 --> 01:39:14,439
Speaker 1: know what I'm saying, So little shit like that. He

1598
01:39:14,560 --> 01:39:17,600
Speaker 1: would never know the report to me that because he

1599
01:39:17,680 --> 01:39:20,080
Speaker 1: had never getting the call with dude and buy nothing like.

1600
01:39:20,240 --> 01:39:24,040
Speaker 1: It's just it's intail that you can only get with experiences.

1601
01:39:24,120 --> 01:39:28,280
Speaker 1: Something you can get explained to you. Or what I'm

1602
01:39:28,320 --> 01:39:31,479
Speaker 1: saying is now your strength in the hood is some nigga.

1603
01:39:32,000 --> 01:39:34,400
Speaker 1: They're just telling you. Man, you know Charline have been

1604
01:39:34,479 --> 01:39:36,360
Speaker 1: telling They said, So that's a guy called with a

1605
01:39:36,439 --> 01:39:39,840
Speaker 1: head fan like he just he reporting things to you.

1606
01:39:39,960 --> 01:39:44,080
Speaker 1: But your intail could be off. He missed that, he

1607
01:39:44,320 --> 01:39:49,320
Speaker 1: missed that that John them was plodding. He didn't even

1608
01:39:49,400 --> 01:39:51,640
Speaker 1: consider John him, or maybe he did and he just

1609
01:39:51,760 --> 01:39:55,519
Speaker 1: didn't say nothing because his cousins, his cousin married to John,

1610
01:39:55,640 --> 01:40:00,479
Speaker 1: like he got interest in other places. And that's the

1611
01:40:00,640 --> 01:40:03,320
Speaker 1: reason you have to stay away from the hood, not

1612
01:40:03,439 --> 01:40:06,400
Speaker 1: because it ain't where you grew up at. It's because

1613
01:40:06,439 --> 01:40:10,960
Speaker 1: you're intail ain't where it need to be. Niggas like us.

1614
01:40:11,280 --> 01:40:13,960
Speaker 1: We only can trust us. Like yo, I got to

1615
01:40:14,120 --> 01:40:17,920
Speaker 1: see it. Bring it your brain it over here. Let

1616
01:40:17,960 --> 01:40:21,800
Speaker 1: me see what it looked like. You understand me. I

1617
01:40:21,920 --> 01:40:24,080
Speaker 1: can't trust that you now I saw it. Bro, it's

1618
01:40:24,120 --> 01:40:27,599
Speaker 1: the real one. I get what you're saying. You're real

1619
01:40:27,720 --> 01:40:30,080
Speaker 1: and my real is different. Your money and my money

1620
01:40:30,160 --> 01:40:32,800
Speaker 1: is different, your clarity, my clarity is different. What I

1621
01:40:32,960 --> 01:40:36,200
Speaker 1: see and what you see is different. Brain it over here,

1622
01:40:36,320 --> 01:40:40,160
Speaker 1: let me see it. And most niggas there was a

1623
01:40:40,240 --> 01:40:42,960
Speaker 1: boss inighood or a boss of their own situation. They

1624
01:40:43,040 --> 01:40:45,920
Speaker 1: got their mindset right. So it's like it's so it's

1625
01:40:46,000 --> 01:40:50,320
Speaker 1: like it's damn. They're like, you're reporting through a motherfucker

1626
01:40:50,360 --> 01:40:52,560
Speaker 1: who really can't give you the information you need to

1627
01:40:52,640 --> 01:40:56,720
Speaker 1: survive in life and death. We know slippers, we know

1628
01:40:56,800 --> 01:41:03,160
Speaker 1: how they work life and death. You know, Like, let's

1629
01:41:03,200 --> 01:41:05,200
Speaker 1: just say that this little truck that they pointed out,

1630
01:41:05,280 --> 01:41:07,960
Speaker 1: let's just say that is a thing. Had I been

1631
01:41:08,120 --> 01:41:10,519
Speaker 1: still in the hood myself, I would have knew that

1632
01:41:10,720 --> 01:41:13,639
Speaker 1: Shade Shade, fuck with Ron Ron and fuck with Jay

1633
01:41:13,960 --> 01:41:16,040
Speaker 1: and their cuds and drive a truck like that. So

1634
01:41:16,160 --> 01:41:20,080
Speaker 1: that's part of their lineage, that truck right there. But

1635
01:41:20,280 --> 01:41:22,960
Speaker 1: me just coming home from LA, I don't I'm in

1636
01:41:23,040 --> 01:41:28,280
Speaker 1: the hood. I can't be doing that. It's lineage. Its

1637
01:41:28,360 --> 01:41:32,720
Speaker 1: information intailing being there every day, This intail that I

1638
01:41:32,800 --> 01:41:35,000
Speaker 1: can only get from being there every day. I got

1639
01:41:35,080 --> 01:41:38,040
Speaker 1: to walk around here to know this. That black cor

1640
01:41:38,160 --> 01:41:42,720
Speaker 1: pull up in me sharife. That motherfucker only come once

1641
01:41:42,800 --> 01:41:45,240
Speaker 1: a week, though, But that black cock Cor, I ain't

1642
01:41:45,240 --> 01:41:47,360
Speaker 1: never seen that great car. Who is that great car?

1643
01:41:48,040 --> 01:41:52,640
Speaker 1: All that's such as you know, it's intail and the

1644
01:41:52,760 --> 01:41:56,280
Speaker 1: fur of the up you get far as money wise,

1645
01:41:57,560 --> 01:42:00,479
Speaker 1: the further away from the hood you get. So the

1646
01:42:00,680 --> 01:42:03,840
Speaker 1: less information you got about who live right now, oh

1647
01:42:03,960 --> 01:42:05,800
Speaker 1: little bubbing them used to live right there? Who live

1648
01:42:05,920 --> 01:42:08,439
Speaker 1: right there now? Man, it's a nigga named John live

1649
01:42:08,640 --> 01:42:10,759
Speaker 1: right there and there. That nigga. They're pushing the hard

1650
01:42:10,880 --> 01:42:14,800
Speaker 1: line too, Boy, that John nigga. He pushing the hard

1651
01:42:14,920 --> 01:42:18,000
Speaker 1: line I'm talking about. Man. He putting down and said, said, said, said,

1652
01:42:18,200 --> 01:42:20,800
Speaker 1: and he coming through with that bullshit. He doesn't said

1653
01:42:20,880 --> 01:42:23,040
Speaker 1: and said, would do that. And they're telling you things

1654
01:42:23,120 --> 01:42:27,479
Speaker 1: that they know from they perspect them. You gotta get

1655
01:42:27,520 --> 01:42:31,400
Speaker 1: out the hood, bro, Everybody within the sound of my voice.

1656
01:42:32,800 --> 01:42:39,120
Speaker 1: If you become successful in any way, if you find

1657
01:42:39,200 --> 01:42:44,280
Speaker 1: yourself in a situation to be useful to the hood,

1658
01:42:44,840 --> 01:42:49,400
Speaker 1: do that. But just know you useless in the hood.

1659
01:42:51,080 --> 01:42:55,800
Speaker 1: You useless in the hood. Multimillion dollar nigga, Your money

1660
01:42:55,840 --> 01:42:58,719
Speaker 1: good in the hood. Your information is keen getting the hood.

1661
01:42:59,400 --> 01:43:03,519
Speaker 1: But you you, your presence, your body, He's useless in

1662
01:43:03,600 --> 01:43:07,680
Speaker 1: the hood. You gotta go through a structure setting number one.

1663
01:43:07,720 --> 01:43:11,320
Speaker 1: I need to speak to the loss, but y'all gotta

1664
01:43:11,360 --> 01:43:13,920
Speaker 1: make that a situation that makes sense for the for

1665
01:43:14,000 --> 01:43:17,800
Speaker 1: the circumstances. You know, I'm mo time coming down to

1666
01:43:17,920 --> 01:43:23,280
Speaker 1: the ghetto, braining little boys, brain the little girls out

1667
01:43:24,640 --> 01:43:29,160
Speaker 1: and let me touch him. Had his motherfuckers around it.

1668
01:43:29,800 --> 01:43:32,360
Speaker 1: Not because we're scared of nobody, but because we gotta

1669
01:43:32,400 --> 01:43:37,800
Speaker 1: move like the FOI I'm not sure Farakhan ever has

1670
01:43:37,880 --> 01:43:41,720
Speaker 1: anything happened to him, but he's you know, we're moving militant,

1671
01:43:45,320 --> 01:43:48,439
Speaker 1: like I don't listen the old ladies that I'm passing

1672
01:43:48,479 --> 01:43:53,160
Speaker 1: turkeys out with. Y'all got the excuse the aur fifteens, Yo,

1673
01:43:53,280 --> 01:43:55,920
Speaker 1: When I give back bikes back in the hood of

1674
01:43:56,240 --> 01:43:59,280
Speaker 1: the Christmas and close and coach, y'all got excused the

1675
01:43:59,360 --> 01:44:02,240
Speaker 1: aur fits scenes. I apologize, but I got to do

1676
01:44:02,439 --> 01:44:06,400
Speaker 1: this this way. I'm useless around here, and I know

1677
01:44:06,640 --> 01:44:14,559
Speaker 1: that I'm useless. I'm resourceful, but I'm useless my presence here,

1678
01:44:15,840 --> 01:44:18,280
Speaker 1: but I need the people to see me in a

1679
01:44:18,400 --> 01:44:21,960
Speaker 1: structure setting. But I also got to be aware of

1680
01:44:22,120 --> 01:44:27,680
Speaker 1: what's at risk. And a lot of people say, Yo,

1681
01:44:27,760 --> 01:44:31,040
Speaker 1: that's that's dolfhood, Like that's his hood, Like niggas is

1682
01:44:31,080 --> 01:44:33,719
Speaker 1: in the hood. You know how they go. I don't

1683
01:44:33,760 --> 01:44:37,519
Speaker 1: know how they go. Yeah, I don't know how they go.

1684
01:44:38,600 --> 01:44:41,960
Speaker 1: I ride through my hood right now today in cause though,

1685
01:44:42,040 --> 01:44:45,760
Speaker 1: but I'm low. I'm trying to like yo. I don't

1686
01:44:45,760 --> 01:44:49,519
Speaker 1: trust nothing, man, I'm not moving with no level of arrogance.

1687
01:44:50,680 --> 01:44:53,080
Speaker 1: No level of arrogance. It be you little boys that

1688
01:44:53,360 --> 01:44:55,920
Speaker 1: again I come out of the street. I know they've

1689
01:44:55,960 --> 01:44:58,280
Speaker 1: done it to my big cousin. He will big Homan

1690
01:44:58,400 --> 01:45:02,240
Speaker 1: like big Homans. I know they'd n't done it, and

1691
01:45:02,439 --> 01:45:05,280
Speaker 1: we'd undone it, so I know they'll do it. I

1692
01:45:05,400 --> 01:45:08,280
Speaker 1: can't trust it. I just saw the back door be

1693
01:45:08,479 --> 01:45:11,519
Speaker 1: left opened by somebody that ain't never even been to

1694
01:45:11,640 --> 01:45:13,960
Speaker 1: the back door that you got in the house. I

1695
01:45:14,160 --> 01:45:16,800
Speaker 1: just seeing somebody in the house lead a back door open.

1696
01:45:18,000 --> 01:45:21,519
Speaker 1: So I don't play no, I look at things from

1697
01:45:21,560 --> 01:45:26,680
Speaker 1: a different perspective, right and so again, this is an

1698
01:45:26,760 --> 01:45:31,400
Speaker 1: unfolded situation with Dolf, unfolded situation with the rappers, and

1699
01:45:31,520 --> 01:45:34,559
Speaker 1: it's always a thing I think the symbolism for rappers.

1700
01:45:34,600 --> 01:45:36,680
Speaker 1: And let me give you guys an alternative, because I

1701
01:45:36,800 --> 01:45:40,559
Speaker 1: know a lot of you. You don't want to leave

1702
01:45:40,600 --> 01:45:43,479
Speaker 1: your hood, you don't want to separate from the home.

1703
01:45:43,520 --> 01:45:47,120
Speaker 1: And number one, a lot of y'all is up under pressure.

1704
01:45:47,840 --> 01:45:50,479
Speaker 1: Y'all got big homs and things of that nature. That's

1705
01:45:50,800 --> 01:45:56,000
Speaker 1: hard on you. And what you're really saying on your

1706
01:45:56,040 --> 01:45:59,400
Speaker 1: records and the neighborhoods you yelling is in the extension

1707
01:45:59,479 --> 01:46:01,800
Speaker 1: of the big homing. You want him to look at

1708
01:46:01,880 --> 01:46:03,920
Speaker 1: you like, yeah, look what the little home and took it.

1709
01:46:04,040 --> 01:46:06,920
Speaker 1: He took it, though, and I get it. I get that.

1710
01:46:07,080 --> 01:46:09,280
Speaker 1: So let me give you, guys an alternative. What you

1711
01:46:09,479 --> 01:46:12,160
Speaker 1: do is the same thing I was telling Kanye West.

1712
01:46:13,439 --> 01:46:16,280
Speaker 1: We gotta learn now that we gotta deal with symbolism.

1713
01:46:17,640 --> 01:46:23,760
Speaker 1: We gotta remove We gotta affect our people with his

1714
01:46:24,320 --> 01:46:29,880
Speaker 1: little risk as as as we can. And reasking reason

1715
01:46:29,920 --> 01:46:32,519
Speaker 1: why we got to remove risk is it's because some

1716
01:46:32,680 --> 01:46:34,600
Speaker 1: of the people that's doing some of the things that

1717
01:46:34,760 --> 01:46:36,920
Speaker 1: some of us are doing can only be done by

1718
01:46:37,280 --> 01:46:43,240
Speaker 1: those people. Like Kanye can only do what Kanye is doing.

1719
01:46:44,680 --> 01:46:48,040
Speaker 1: Revoke can only do what Revote is doing. Charlemagne can

1720
01:46:48,160 --> 01:46:51,320
Speaker 1: only do what Charlemagne is doing, like certain people can

1721
01:46:51,439 --> 01:46:54,320
Speaker 1: only do what they're doing right, and so we gotta

1722
01:46:54,400 --> 01:46:58,479
Speaker 1: make room for that. We gotta make room for that

1723
01:46:58,920 --> 01:47:02,920
Speaker 1: because without those people, that job wouldn't be done in

1724
01:47:03,040 --> 01:47:06,280
Speaker 1: the same fashion. So we got to remove the ability

1725
01:47:06,360 --> 01:47:13,719
Speaker 1: to you lose you due to anything unwarranted. You understand.

1726
01:47:14,120 --> 01:47:21,880
Speaker 1: So again symbolism, it's important for Charlemagne to brand somebody,

1727
01:47:24,360 --> 01:47:27,160
Speaker 1: Brand somebody as an extension to him and send them

1728
01:47:28,600 --> 01:47:31,519
Speaker 1: because as you don't as you get to where he's at,

1729
01:47:31,680 --> 01:47:34,320
Speaker 1: it's only things that can be done by him. But

1730
01:47:34,439 --> 01:47:37,200
Speaker 1: there's things that can be done from an arm of

1731
01:47:37,400 --> 01:47:40,639
Speaker 1: his like did It. Did It has the right people

1732
01:47:40,720 --> 01:47:45,439
Speaker 1: that Revolte that's doing certain things. That's an extension of

1733
01:47:45,640 --> 01:47:50,559
Speaker 1: what he the vision that he has for revolt. Put

1734
01:47:50,600 --> 01:47:53,880
Speaker 1: the right people in place right but far as where

1735
01:47:53,920 --> 01:47:56,920
Speaker 1: he could take revolt, did It is the only person

1736
01:47:57,000 --> 01:48:00,519
Speaker 1: that can take the brand Revolte in certain building. So

1737
01:48:00,680 --> 01:48:03,920
Speaker 1: we got to remove all risks surrounding did It moving

1738
01:48:03,960 --> 01:48:07,320
Speaker 1: around in any neighborhood and any because it only can

1739
01:48:07,400 --> 01:48:12,760
Speaker 1: be done by him. Only things we gotta understand, like

1740
01:48:12,920 --> 01:48:17,960
Speaker 1: when you become multi media, certain things can only be

1741
01:48:18,080 --> 01:48:20,519
Speaker 1: done by you, and you useless to your neighborhood with

1742
01:48:20,600 --> 01:48:24,400
Speaker 1: your presence in the neighborhood. Send symbolism sign a couple

1743
01:48:24,439 --> 01:48:27,760
Speaker 1: of rappers, sending them through before they blow up and

1744
01:48:27,800 --> 01:48:29,960
Speaker 1: the end they stay. It's a transition time, it's a

1745
01:48:30,040 --> 01:48:33,479
Speaker 1: time where you got to go right. Sign a couple

1746
01:48:33,520 --> 01:48:37,080
Speaker 1: of media people sending them through. Sign some organizations and

1747
01:48:37,280 --> 01:48:40,599
Speaker 1: really embrace them. Don't just sign them for once a year.

1748
01:48:40,920 --> 01:48:44,280
Speaker 1: Sign these boards and hey, yo, they on the breakfast

1749
01:48:44,320 --> 01:48:47,519
Speaker 1: club or they they on tour with us, over and up,

1750
01:48:47,760 --> 01:48:53,080
Speaker 1: but they still is influential in their neighborhood. Get some

1751
01:48:53,160 --> 01:48:59,160
Speaker 1: women on board, some women, symbolism wrapped niggas, wrapped niggas.

1752
01:48:59,360 --> 01:49:03,479
Speaker 1: Get some remember women, symbolism for the neighborhood, and sending

1753
01:49:03,479 --> 01:49:06,519
Speaker 1: the women and people. Don't bother the women. Sending them

1754
01:49:06,560 --> 01:49:10,880
Speaker 1: women with security, send them with and loving energy and

1755
01:49:11,400 --> 01:49:16,560
Speaker 1: hopefully we can change the dynamics of this. But send symbolism,

1756
01:49:17,040 --> 01:49:21,440
Speaker 1: wrap niggas. You're useless with your presence in the neighborhood,

1757
01:49:21,520 --> 01:49:26,280
Speaker 1: but you're resourceful to the neighborhood. Understand that, and never

1758
01:49:26,439 --> 01:49:30,400
Speaker 1: fall victim to the rules of the game. Never fall

1759
01:49:30,600 --> 01:49:34,000
Speaker 1: victim because you don't know the rules of the game.

1760
01:49:35,479 --> 01:49:40,680
Speaker 1: Certain things are unacceptable and slippers do count, you know.

1761
01:49:41,280 --> 01:49:44,040
Speaker 1: I also want to speak about two for get out

1762
01:49:44,080 --> 01:49:51,200
Speaker 1: of here is um. I've seen what academics and say

1763
01:49:51,360 --> 01:49:58,000
Speaker 1: cheese instagrams was too and when I saw that, right

1764
01:49:58,120 --> 01:50:03,200
Speaker 1: the first thing I said was and then it made

1765
01:50:03,240 --> 01:50:09,120
Speaker 1: me think. I said, oh, academics, I think Sean Cotton

1766
01:50:09,160 --> 01:50:14,080
Speaker 1: and Say Cheese may have surpassed impactful wise the academics.

1767
01:50:17,720 --> 01:50:21,439
Speaker 1: And the reason I say that is because say Cheese

1768
01:50:21,520 --> 01:50:23,240
Speaker 1: is gonna get a lot of They're gonna build Say

1769
01:50:23,360 --> 01:50:26,599
Speaker 1: Cheese back up. I'm having a hard time believing if

1770
01:50:26,680 --> 01:50:30,439
Speaker 1: academics lose their YouTube and that Instagram that they're gonna

1771
01:50:30,479 --> 01:50:32,800
Speaker 1: building back up, because it looked like when his ship

1772
01:50:32,960 --> 01:50:38,679
Speaker 1: was gone, it looked like it was quiet. It looked

1773
01:50:38,720 --> 01:50:42,599
Speaker 1: like it was quiet. You gotta think though, academic business

1774
01:50:42,720 --> 01:50:45,559
Speaker 1: model for a long time. Benc this is what y'all

1775
01:50:45,560 --> 01:50:47,519
Speaker 1: don't know about the game. This is what y'all don't

1776
01:50:47,560 --> 01:50:51,840
Speaker 1: know about the business side of this media thing. That's

1777
01:50:51,840 --> 01:50:55,840
Speaker 1: what makes this up their podcast different than every other show.

1778
01:50:56,439 --> 01:50:59,200
Speaker 1: Not every other show, but ninety percent of the shows,

1779
01:50:59,280 --> 01:51:02,519
Speaker 1: is because we start out the conversation. A lot of

1780
01:51:02,600 --> 01:51:06,519
Speaker 1: these brands have been built on the backs of other people.

1781
01:51:06,560 --> 01:51:11,240
Speaker 1: They only kind of repurpose content. Right, Oh Little Baby

1782
01:51:11,320 --> 01:51:17,240
Speaker 1: posted this, Oh Little Dirt posted this. Right, Oh Young

1783
01:51:17,360 --> 01:51:21,240
Speaker 1: Blue says this, Boosey said this, Sweet Sweetie said this.

1784
01:51:22,360 --> 01:51:26,120
Speaker 1: Kanye West said this, drake houses that like, that's how

1785
01:51:26,160 --> 01:51:30,120
Speaker 1: they've made their living. But what they don't understand is

1786
01:51:30,200 --> 01:51:37,200
Speaker 1: that brand. That brand is cool and uh, but don't

1787
01:51:37,240 --> 01:51:40,800
Speaker 1: nobody to listen to you. They know your brand, they

1788
01:51:40,920 --> 01:51:45,559
Speaker 1: know that, oh, that's the page to repost shit. When

1789
01:51:45,600 --> 01:51:47,600
Speaker 1: they come looking for Loon, they say, now that's the

1790
01:51:47,760 --> 01:51:52,960
Speaker 1: dude to be. He'd be kicking that rial ship. And

1791
01:51:53,120 --> 01:51:58,559
Speaker 1: then we're talking about brand impact. It's a difference between

1792
01:51:58,720 --> 01:52:05,000
Speaker 1: brand awareness and brad impact. My brand impact says anybody

1793
01:52:05,040 --> 01:52:07,040
Speaker 1: that post their eyes on me and side and heard

1794
01:52:07,120 --> 01:52:13,320
Speaker 1: him kick some real shit, not that he reports all

1795
01:52:13,360 --> 01:52:15,599
Speaker 1: that's the page to be reposting Ooze and all them.

1796
01:52:15,640 --> 01:52:17,680
Speaker 1: So when I seen acting them go down, and you know,

1797
01:52:17,760 --> 01:52:20,960
Speaker 1: I'm a student of the game, respecting tire game. I

1798
01:52:21,120 --> 01:52:23,160
Speaker 1: respect what act brought to it. I remember when he

1799
01:52:23,240 --> 01:52:26,120
Speaker 1: used to put videos up. Again, you're dealing with a

1800
01:52:26,240 --> 01:52:29,759
Speaker 1: nigga that's dealing with this shit. I'm they can't treating

1801
01:52:29,840 --> 01:52:34,120
Speaker 1: me nothing of them. But and I mean music videos

1802
01:52:34,160 --> 01:52:36,280
Speaker 1: and shit where he was doing this some little thing

1803
01:52:36,400 --> 01:52:43,640
Speaker 1: with music and shit. But anyway, when I've seen this

1804
01:52:43,800 --> 01:52:49,599
Speaker 1: page go down, and I've seen the difference in the two, right,

1805
01:52:49,720 --> 01:52:54,120
Speaker 1: Sean Cotton was on one end saying, Yo, fuck that page.

1806
01:52:54,200 --> 01:52:56,080
Speaker 1: Let's run this up and one up to a million,

1807
01:52:58,800 --> 01:53:03,080
Speaker 1: say Jesus done something with their brand. They've done something

1808
01:53:03,160 --> 01:53:05,400
Speaker 1: with their brand. I think it's because of the interviews

1809
01:53:05,479 --> 01:53:07,200
Speaker 1: and shit that they've been doing for so long. But

1810
01:53:07,360 --> 01:53:10,080
Speaker 1: something with their brand is different. Even though they do

1811
01:53:10,280 --> 01:53:13,920
Speaker 1: repurpose content, I think they do create content too with

1812
01:53:14,040 --> 01:53:17,720
Speaker 1: those interviews. So it separated them and Sean Cotton had

1813
01:53:17,800 --> 01:53:20,639
Speaker 1: stepped out and got into music and management and things

1814
01:53:20,720 --> 01:53:23,680
Speaker 1: like that. So I think their brand stands in a

1815
01:53:23,760 --> 01:53:29,280
Speaker 1: different place than at Academics. His brand and Academics. If

1816
01:53:29,320 --> 01:53:33,960
Speaker 1: you see this had a conversation on your Twitch or whatever,

1817
01:53:34,040 --> 01:53:39,320
Speaker 1: you had a conversation and so um. But yeah, so

1818
01:53:40,000 --> 01:53:44,479
Speaker 1: again academics brand. When you look at this brand, I

1819
01:53:44,640 --> 01:53:50,680
Speaker 1: think before he did the Takashi six nine, like like,

1820
01:53:51,080 --> 01:53:54,519
Speaker 1: uh do what, I think his brand was in a

1821
01:53:54,600 --> 01:53:57,439
Speaker 1: place where it was it was being embraced. I think

1822
01:53:57,520 --> 01:53:59,439
Speaker 1: when he'd done that, he drew a line in the

1823
01:53:59,560 --> 01:54:02,200
Speaker 1: sand that he didn't know he drew in the sand.

1824
01:54:03,000 --> 01:54:06,960
Speaker 1: Brand wise. Now, brand is still powerful from an Instagram standpoint,

1825
01:54:07,000 --> 01:54:09,560
Speaker 1: and he I think that's and you've been hearing me

1826
01:54:09,680 --> 01:54:15,200
Speaker 1: say that you lose that page, what happens do they

1827
01:54:15,320 --> 01:54:21,920
Speaker 1: build you back up? That space isn't avoid anymore. Part

1828
01:54:22,000 --> 01:54:24,960
Speaker 1: of the reason you got the audience on Instagram, not YouTube,

1829
01:54:25,000 --> 01:54:29,200
Speaker 1: because you worked your ass out for your YouTube. But

1830
01:54:29,360 --> 01:54:32,000
Speaker 1: part of the reason you got that Instagram audience is

1831
01:54:32,000 --> 01:54:36,840
Speaker 1: because that was avoided type of market you tapped into

1832
01:54:37,080 --> 01:54:40,080
Speaker 1: right far as like the hip hop news and it

1833
01:54:40,280 --> 01:54:43,240
Speaker 1: was things you was covering that kind of carved out

1834
01:54:43,320 --> 01:54:48,800
Speaker 1: a new media space, like and you want the only one,

1835
01:54:49,000 --> 01:54:51,440
Speaker 1: but you were the only one that started to cover

1836
01:54:51,640 --> 01:54:55,840
Speaker 1: certain people, right, But you guys were covering certain things

1837
01:54:55,960 --> 01:55:00,760
Speaker 1: like what people tweeted and comment cree and shout out

1838
01:55:00,800 --> 01:55:04,200
Speaker 1: ball or shit like that, Like they would show clapbacks

1839
01:55:04,320 --> 01:55:07,160
Speaker 1: from from celebrities and things like. It was just you

1840
01:55:07,240 --> 01:55:10,160
Speaker 1: would document that the as the Internet was new. You

1841
01:55:10,240 --> 01:55:15,160
Speaker 1: would document the interactions with the celebrities and their fans,

1842
01:55:15,400 --> 01:55:18,960
Speaker 1: or the stylus is or a gripe between management or

1843
01:55:19,000 --> 01:55:21,640
Speaker 1: a gripe at the label like you you would cover

1844
01:55:21,800 --> 01:55:24,880
Speaker 1: those things, right, and that was void them. One of

1845
01:55:24,920 --> 01:55:31,440
Speaker 1: those pages are probably boring. Every sixty seconds you got

1846
01:55:31,560 --> 01:55:35,200
Speaker 1: people that's effectively kind of making a living for reposting

1847
01:55:35,320 --> 01:55:39,560
Speaker 1: thing people that's reposting people. That's reposting people. So this

1848
01:55:39,760 --> 01:55:42,360
Speaker 1: is like a four repost thing. And they still are

1849
01:55:42,400 --> 01:55:45,720
Speaker 1: able to monetize some kind of way. They don't create

1850
01:55:45,800 --> 01:55:48,760
Speaker 1: any content, have traction on their Instagram. People come to

1851
01:55:48,840 --> 01:55:51,200
Speaker 1: them instead of they see the tags on the people's ship.

1852
01:55:52,920 --> 01:55:56,280
Speaker 1: But sometimes it's just about curation of the media. Shit.

1853
01:55:57,160 --> 01:56:01,360
Speaker 1: That's also a different job. It's like, yo, what do

1854
01:56:01,640 --> 01:56:04,680
Speaker 1: these kind of people want to see? You know what

1855
01:56:04,720 --> 01:56:07,440
Speaker 1: I mean? Says everything on shade Room. My people don't

1856
01:56:07,480 --> 01:56:09,680
Speaker 1: want to see, but certain things that make shad Room

1857
01:56:09,760 --> 01:56:13,280
Speaker 1: they are interested. Like it's so they carve out the

1858
01:56:13,480 --> 01:56:17,480
Speaker 1: carved out right, So shady rooms audience is already carved

1859
01:56:17,560 --> 01:56:19,520
Speaker 1: out in the grand scheme of things, but then you

1860
01:56:19,640 --> 01:56:22,760
Speaker 1: got um like shady Room and it's on site. You

1861
01:56:22,840 --> 01:56:25,800
Speaker 1: got those that has has a call a neighborhood talk,

1862
01:56:25,880 --> 01:56:29,720
Speaker 1: they have like a carved own audience. But then you

1863
01:56:29,800 --> 01:56:32,760
Speaker 1: got people that a go carve out their audience. So

1864
01:56:32,920 --> 01:56:35,040
Speaker 1: you got people that are take their audience and then

1865
01:56:35,160 --> 01:56:38,240
Speaker 1: carved that down. So and I may be getting too geeky,

1866
01:56:38,320 --> 01:56:40,920
Speaker 1: so I'll get off of that. But that's a different conversation.

1867
01:56:44,320 --> 01:56:47,000
Speaker 1: But when I see academics and say cheeses go down.

1868
01:56:47,440 --> 01:56:51,240
Speaker 1: They're doing something with that's gonna directly affect hip hop

1869
01:56:51,360 --> 01:56:55,800
Speaker 1: here soon and I mean social media period. So there'll

1870
01:56:55,800 --> 01:56:59,440
Speaker 1: be a change in of the guard soon. We really

1871
01:56:59,480 --> 01:57:02,480
Speaker 1: don't know, but we do know there'll be a changing

1872
01:57:02,560 --> 01:57:06,120
Speaker 1: of the guard very very soon because again not because

1873
01:57:07,840 --> 01:57:10,600
Speaker 1: people are not hard working and things like that. It's

1874
01:57:10,640 --> 01:57:13,440
Speaker 1: just because things are about to change in regards to

1875
01:57:13,600 --> 01:57:19,160
Speaker 1: how this game is being consumed, the platforms about to change.

1876
01:57:19,200 --> 01:57:21,600
Speaker 1: Who could be at the forefront what could be said,

1877
01:57:22,000 --> 01:57:24,640
Speaker 1: and some people are already ahead of the curve. Like

1878
01:57:24,760 --> 01:57:27,880
Speaker 1: when you see somebody post something, they scribble out like

1879
01:57:28,040 --> 01:57:30,480
Speaker 1: say little baby post some stuff with some cuss words,

1880
01:57:30,520 --> 01:57:32,680
Speaker 1: and then the people that repost it or scribble over

1881
01:57:32,760 --> 01:57:36,200
Speaker 1: the cuss words. That's because the algorithm now is even

1882
01:57:36,320 --> 01:57:38,680
Speaker 1: reading the words on the screen, and if it's cussing,

1883
01:57:39,040 --> 01:57:41,520
Speaker 1: it may not be friendly to the platform, which you

1884
01:57:42,040 --> 01:57:45,840
Speaker 1: make the algorithm say, yo, this is profanity, So like,

1885
01:57:46,120 --> 01:57:48,040
Speaker 1: don't show a lot of people that. But it's some

1886
01:57:48,160 --> 01:57:51,040
Speaker 1: people that's creating content that's already ahead of their curve,

1887
01:57:51,320 --> 01:57:54,640
Speaker 1: and therefore when the game changes, they'll rise up. As

1888
01:57:54,720 --> 01:57:57,080
Speaker 1: some of these companies going down the other week, if

1889
01:57:57,120 --> 01:57:59,960
Speaker 1: you watch the Joe Buddon podcast. They did a grand

1890
01:58:00,280 --> 01:58:05,320
Speaker 1: of TV shows very interesting things from this I think

1891
01:58:05,400 --> 01:58:08,400
Speaker 1: from the seventies or the eighties to now, and they

1892
01:58:08,480 --> 01:58:11,640
Speaker 1: showed how Cosby's come up, in Seinfield come up, and

1893
01:58:12,000 --> 01:58:14,760
Speaker 1: just the graphs on how people are watching. They didn't

1894
01:58:14,800 --> 01:58:20,200
Speaker 1: take in consideration how the game was changing. Cable become

1895
01:58:20,840 --> 01:58:25,800
Speaker 1: readily available, cable got cheaper, this channel now signed the

1896
01:58:25,880 --> 01:58:29,840
Speaker 1: deal to now be available on print only premium TV.

1897
01:58:30,560 --> 01:58:33,280
Speaker 1: So the numbers go down, but the revenue go up.

1898
01:58:33,720 --> 01:58:37,040
Speaker 1: See again, these things are interpretation. You gotta know what

1899
01:58:37,160 --> 01:58:40,520
Speaker 1: you're looking at because sometimes you will see me at

1900
01:58:40,560 --> 01:58:44,440
Speaker 1: the top spot and me falling down. Ain't an indication

1901
01:58:44,560 --> 01:58:47,080
Speaker 1: that the show isn't doing well. It's because I took

1902
01:58:47,120 --> 01:58:50,280
Speaker 1: a deal. You wouldn't know that without context. Just looking

1903
01:58:50,320 --> 01:58:52,600
Speaker 1: at the graph looks like we fell down. But I

1904
01:58:52,680 --> 01:58:56,800
Speaker 1: took an exclusive deal for ABC in a new spot

1905
01:58:56,920 --> 01:59:01,480
Speaker 1: on a sub channel for three times the money to

1906
01:59:01,680 --> 01:59:05,320
Speaker 1: help build up. Right. So it's just understanding business and

1907
01:59:05,520 --> 01:59:08,360
Speaker 1: understanding that something's about to happen with hip hop rap

1908
01:59:09,160 --> 01:59:14,480
Speaker 1: and these platforms like Instagram, YouTube, social media in which

1909
01:59:14,560 --> 01:59:18,880
Speaker 1: it's gonna make our stuff on the side of violence

1910
01:59:19,080 --> 01:59:22,560
Speaker 1: on the side of they're gonna censor basically a lot

1911
01:59:22,600 --> 01:59:26,080
Speaker 1: of hippop, especially the media side, so you can have

1912
01:59:26,240 --> 01:59:30,000
Speaker 1: to come through them to get the media out there,

1913
01:59:30,080 --> 01:59:32,000
Speaker 1: or at least it buy by their route. We'll see

1914
01:59:33,000 --> 01:59:35,080
Speaker 1: on where that goes. But it's just interesting to see

1915
01:59:35,120 --> 01:59:38,080
Speaker 1: academics page go down, say cheese page go down. A

1916
01:59:38,160 --> 01:59:40,440
Speaker 1: lot of people actually page went down. I'm telling you,

1917
01:59:40,480 --> 01:59:44,120
Speaker 1: Instagram is doing something and they end up getting them back,

1918
01:59:44,640 --> 01:59:47,560
Speaker 1: but I know that a lot of them people were like,

1919
01:59:47,840 --> 01:59:53,600
Speaker 1: oh shit, they won't repost me. I gotta charge these

1920
01:59:53,720 --> 01:59:57,800
Speaker 1: niggas now, because if I fall down, they not act.

1921
01:59:57,880 --> 02:00:01,080
Speaker 1: I'm telling you this, bro, if you fall down, the

1922
02:00:01,280 --> 02:00:04,360
Speaker 1: rap niggas not reposting you. If you get back in

1923
02:00:04,480 --> 02:00:07,080
Speaker 1: that position, you got the wheel your way. But if

1924
02:00:07,120 --> 02:00:11,000
Speaker 1: you lose your Instagram, your YouTube, dee rap, niggas not

1925
02:00:11,120 --> 02:00:13,240
Speaker 1: co saying, and you're getting back in that position, so

1926
02:00:13,360 --> 02:00:16,160
Speaker 1: you better charge d Neil do whatever you're doing at

1927
02:00:16,200 --> 02:00:19,000
Speaker 1: a high level home because d dude it when your

1928
02:00:19,040 --> 02:00:22,640
Speaker 1: Instagram went down, it was quiet for you. Niggas wasn't

1929
02:00:22,680 --> 02:00:26,800
Speaker 1: reposing it. Niggas was not doing nothing. You know what

1930
02:00:26,840 --> 02:00:29,760
Speaker 1: I'm saying. And then you know so it's just understanding

1931
02:00:29,800 --> 02:00:32,960
Speaker 1: the game. So last week you guys heard me report

1932
02:00:33,200 --> 02:00:38,360
Speaker 1: on the Drake and Kanye West situation where Kanye came

1933
02:00:38,440 --> 02:00:42,200
Speaker 1: out with Jay Prince again. I spoke to the South

1934
02:00:42,360 --> 02:00:46,200
Speaker 1: making those things happen again. When you hit me talk,

1935
02:00:46,280 --> 02:00:48,520
Speaker 1: I talked for the South, right, I talked for the

1936
02:00:48,600 --> 02:00:52,200
Speaker 1: hip hop culture as a whole. I know symbolism is important,

1937
02:00:53,200 --> 02:00:57,560
Speaker 1: but I specifically talked for the South because oftentimes we're

1938
02:00:57,680 --> 02:01:00,480
Speaker 1: left out in the conversations. It's a lot of information

1939
02:01:01,840 --> 02:01:04,280
Speaker 1: that's that's null and void when we go to talking

1940
02:01:04,400 --> 02:01:08,080
Speaker 1: documentaries and docuseries and hip hop this and hip hop

1941
02:01:08,200 --> 02:01:11,360
Speaker 1: that we don't see the South. And I listen, I

1942
02:01:11,480 --> 02:01:14,560
Speaker 1: come to change that. I come to change that in

1943
02:01:14,640 --> 02:01:19,320
Speaker 1: bridge together between knowledge and money. Right, So I explained,

1944
02:01:19,400 --> 02:01:25,280
Speaker 1: how listen you think Jay Z respectfully to him. You

1945
02:01:25,400 --> 02:01:29,920
Speaker 1: know them dudes, they probably had an interest in squashing this,

1946
02:01:31,200 --> 02:01:33,680
Speaker 1: like this is Drake and Yay all the black power

1947
02:01:33,680 --> 02:01:35,760
Speaker 1: would talk. I think we should all have an interest

1948
02:01:35,840 --> 02:01:40,000
Speaker 1: in squashing this. But you got to go get somebody

1949
02:01:40,080 --> 02:01:44,280
Speaker 1: from Texas. You know, you gotta get somebody from the

1950
02:01:44,360 --> 02:01:46,680
Speaker 1: South that got the ability to squash something in the

1951
02:01:46,800 --> 02:01:49,120
Speaker 1: new ways, A lot of dudes. Again, Like I said,

1952
02:01:49,160 --> 02:01:52,920
Speaker 1: talk about the dope boy, I talk about the street nigga.

1953
02:01:52,960 --> 02:01:55,160
Speaker 1: I talk about the rapper being useless in to the

1954
02:01:55,240 --> 02:02:00,200
Speaker 1: dove game. You've been compromised. A lot of the the

1955
02:02:00,320 --> 02:02:04,520
Speaker 1: billionaires is useless when he come down to this kind

1956
02:02:04,560 --> 02:02:07,839
Speaker 1: of thing. A lot of the rap pioneers, they're useless

1957
02:02:08,800 --> 02:02:13,600
Speaker 1: when he comes to squatching something or building something. You know,

1958
02:02:13,760 --> 02:02:16,160
Speaker 1: we know who building out there. We know. We're looking

1959
02:02:16,200 --> 02:02:19,080
Speaker 1: at P. We're looking at Jay, We're looking at did

1960
02:02:19,120 --> 02:02:22,720
Speaker 1: and we're looking at Kanye. We're looking at Charlemagne the God.

1961
02:02:25,600 --> 02:02:31,320
Speaker 1: We're looking at j Prince. We're looking at a few

1962
02:02:31,440 --> 02:02:36,680
Speaker 1: guys QC from P, I mean P from QC, coach K.

1963
02:02:36,920 --> 02:02:40,560
Speaker 1: We're looking at a few guys Guchi that building. We

1964
02:02:40,720 --> 02:02:45,240
Speaker 1: know who the builders are. But Inn the South seemed

1965
02:02:45,280 --> 02:02:51,200
Speaker 1: like that. We don't get the same look. I guess

1966
02:02:51,280 --> 02:02:53,920
Speaker 1: nobody didn't hear Q. Didn't hear P say yo, I

1967
02:02:54,040 --> 02:02:57,280
Speaker 1: want to I'm interested in buying three hundred. It was quiet.

1968
02:03:02,200 --> 02:03:05,840
Speaker 1: I wonder if one of our pioneers, like jay Z,

1969
02:03:06,080 --> 02:03:12,200
Speaker 1: tweeted that, how much coverage will it get? Respectfully to

1970
02:03:12,360 --> 02:03:16,840
Speaker 1: jay Z. But again, we gotta let the history be

1971
02:03:17,080 --> 02:03:20,600
Speaker 1: known for what it is, and that's what Loan come

1972
02:03:20,680 --> 02:03:24,600
Speaker 1: in there. That's what Loon come in there. But you

1973
02:03:24,720 --> 02:03:27,360
Speaker 1: look at Jake, I mean you look at ya. Kanye

1974
02:03:27,440 --> 02:03:29,280
Speaker 1: West is one of the biggest robbers in the world,

1975
02:03:29,640 --> 02:03:32,600
Speaker 1: one of the biggest fashion guys in the world. See,

1976
02:03:32,640 --> 02:03:35,920
Speaker 1: I don't take rap out of that. Me and Yaya

1977
02:03:36,000 --> 02:03:38,880
Speaker 1: have a conversation about that one day. I think symbolism

1978
02:03:39,040 --> 02:03:43,280
Speaker 1: is one of the most important things for us. Right,

1979
02:03:43,440 --> 02:03:45,920
Speaker 1: one of the biggest artists in the world, one of

1980
02:03:45,960 --> 02:03:49,720
Speaker 1: the biggest designers in the world, a billion Now we

1981
02:03:49,880 --> 02:03:53,160
Speaker 1: got Drake, one of the most talented artists in the world,

1982
02:03:53,240 --> 02:03:55,840
Speaker 1: one of the best artists in the world from a

1983
02:03:56,000 --> 02:04:02,280
Speaker 1: number standpoint, arguably the greatest of all time. Changed the game,

1984
02:04:02,560 --> 02:04:06,560
Speaker 1: changed the consumption of music, change what music currently sits at.

1985
02:04:07,680 --> 02:04:13,040
Speaker 1: Right went his own way with it. He did. He

1986
02:04:13,160 --> 02:04:16,640
Speaker 1: niver endowed over here, but ultimately I niver end down

1987
02:04:16,800 --> 02:04:18,880
Speaker 1: over here to run back over here with ten percent

1988
02:04:18,960 --> 02:04:23,720
Speaker 1: of that and build this snowball effect that I got

1989
02:04:23,840 --> 02:04:26,240
Speaker 1: going on. Right, So he did a hell of a thing,

1990
02:04:27,800 --> 02:04:30,720
Speaker 1: and we got Jay Prince in the middle of that,

1991
02:04:30,880 --> 02:04:35,120
Speaker 1: squashing it on. Behalf of Lary over the streets That's

1992
02:04:35,120 --> 02:04:37,720
Speaker 1: why I say about a lot of the financial dudes,

1993
02:04:38,320 --> 02:04:40,320
Speaker 1: shout out to earn your leaves. Only a couple of

1994
02:04:40,400 --> 02:04:43,960
Speaker 1: you dudes that I can really even say it's real ones.

1995
02:04:44,640 --> 02:04:49,120
Speaker 1: Shout out to earn your leisure. Shout out to the

1996
02:04:49,240 --> 02:04:56,040
Speaker 1: smartest investor, the master investor, Ian Dunlow, Shout out to Walker.

1997
02:04:58,160 --> 02:05:00,440
Speaker 1: Some of these dudes come down to the ghetto with

1998
02:05:00,520 --> 02:05:03,480
Speaker 1: the information. A lot of you bitch ass financial dudes.

1999
02:05:03,760 --> 02:05:05,920
Speaker 1: Y'all ain't gonna do nothing but call the hood when

2000
02:05:05,960 --> 02:05:08,360
Speaker 1: somebody get on your ass about one of them change

2001
02:05:08,400 --> 02:05:12,320
Speaker 1: you got on first nigga you gonna call is somebody

2002
02:05:12,360 --> 02:05:15,000
Speaker 1: out the projects that don't know that come to risk

2003
02:05:15,080 --> 02:05:18,280
Speaker 1: it all when the niggas get on your ass, because

2004
02:05:18,320 --> 02:05:20,240
Speaker 1: you gotta come through the hood to fake like you

2005
02:05:20,360 --> 02:05:24,480
Speaker 1: give a fuck, nigga, but were dining in the ghetto saying, Yo,

2006
02:05:24,640 --> 02:05:29,720
Speaker 1: bring some information with you. It's seventeen niggas giving turkeys

2007
02:05:29,760 --> 02:05:34,400
Speaker 1: out right now about for the picture. Who got some information?

2008
02:05:37,960 --> 02:05:40,800
Speaker 1: I was just talking to the CEO Revote. I want

2009
02:05:40,800 --> 02:05:42,960
Speaker 1: to bring a TV show over there at the beginning

2010
02:05:43,000 --> 02:05:48,960
Speaker 1: of the year, specifically though for the black people. Nigga,

2011
02:05:49,120 --> 02:05:54,000
Speaker 1: keep the money. We already rich, nigga, keep the paper.

2012
02:05:54,160 --> 02:05:56,440
Speaker 1: We don't care about the money. I'm trying to make

2013
02:05:56,480 --> 02:06:00,560
Speaker 1: sure that the information is funnel down. It's getting stuck, nigga.

2014
02:06:02,400 --> 02:06:07,960
Speaker 1: It's getting stuck, nigga. A lot of these bitch ass niggas,

2015
02:06:08,480 --> 02:06:10,400
Speaker 1: they ain't gonna do number cord the hood when they

2016
02:06:10,480 --> 02:06:13,800
Speaker 1: need help. Oh the nigga, I gotta go to the

2017
02:06:13,840 --> 02:06:17,080
Speaker 1: CCY because this way. You don't understand the warehouses in

2018
02:06:17,160 --> 02:06:21,800
Speaker 1: the ghetto for all this shit that's working, all this shit,

2019
02:06:21,960 --> 02:06:26,120
Speaker 1: this hippop shit, this this uh where they're selling these

2020
02:06:26,280 --> 02:06:29,520
Speaker 1: courses to these folks. All these people come from a

2021
02:06:29,640 --> 02:06:34,680
Speaker 1: certain place and they praying on us in certain that's

2022
02:06:34,840 --> 02:06:37,520
Speaker 1: in certain instances, they don't give a fuck about us.

2023
02:06:39,120 --> 02:06:41,160
Speaker 1: You can't get one of these niggas to do nothing

2024
02:06:41,240 --> 02:06:44,080
Speaker 1: for the hood, like even say, yo yo, come talk

2025
02:06:44,200 --> 02:06:47,080
Speaker 1: to the folks about how to get some money. Nigga.

2026
02:06:49,960 --> 02:06:52,760
Speaker 1: You you keep settling hold on mane. So you just

2027
02:06:52,920 --> 02:06:55,879
Speaker 1: told me you so hold on this Costal's five thousand

2028
02:06:55,960 --> 02:06:59,480
Speaker 1: dollars and because of this weekend, you took it down

2029
02:06:59,560 --> 02:07:02,320
Speaker 1: the four nine ninety nine. You mean to Timmy, you

2030
02:07:02,360 --> 02:07:05,240
Speaker 1: could have been getting forty nine and surviving and you

2031
02:07:05,320 --> 02:07:09,960
Speaker 1: were getting five dollars, nigga. We own't to you niggas

2032
02:07:11,120 --> 02:07:13,400
Speaker 1: the same course. Ain't no way it can be worth

2033
02:07:13,480 --> 02:07:16,320
Speaker 1: for there in five thousand. Ain't no way. I ain't

2034
02:07:16,360 --> 02:07:19,560
Speaker 1: the smartest, sharpest knife in the drawer. Ain't no way

2035
02:07:19,600 --> 02:07:21,960
Speaker 1: it can be worth for the in five thousands. Ain't

2036
02:07:22,000 --> 02:07:25,360
Speaker 1: no way. Some ain't write scam. It's boys some shit.

2037
02:07:25,480 --> 02:07:30,720
Speaker 1: In the middle of that. The nigga won't come to thegether.

2038
02:07:30,880 --> 02:07:35,080
Speaker 1: They're too cute. They're too cute to deal with together.

2039
02:07:36,000 --> 02:07:38,720
Speaker 1: They're too cute to deal with the people have for us.

2040
02:07:38,760 --> 02:07:42,680
Speaker 1: It's broke more than half. I got enough money to

2041
02:07:42,800 --> 02:07:46,080
Speaker 1: right now, never had to see my hood again. But

2042
02:07:46,240 --> 02:07:49,520
Speaker 1: I understand that if it's strength in numbers, we need

2043
02:07:49,640 --> 02:07:53,960
Speaker 1: the information, not loan. We need the information, not loan.

2044
02:07:55,080 --> 02:07:59,000
Speaker 1: We still falling victim of bullshit rules. Nigga were up

2045
02:07:59,080 --> 02:08:02,680
Speaker 1: twenty millions standing in the project something. We need the

2046
02:08:02,800 --> 02:08:06,120
Speaker 1: information down through that. You can't tell me do them that.

2047
02:08:06,280 --> 02:08:09,120
Speaker 1: You can't know what to do, nigga. If you're in

2048
02:08:09,200 --> 02:08:11,280
Speaker 1: the hood and you worth twenty ms, you can't know

2049
02:08:11,440 --> 02:08:13,960
Speaker 1: what you're doing. I don't give a fuck. Go get

2050
02:08:14,080 --> 02:08:17,680
Speaker 1: whoever you want to nigga. I said that you can't

2051
02:08:17,680 --> 02:08:21,120
Speaker 1: be worth twenty ms standing in the neighborhood on doing nothing.

2052
02:08:21,200 --> 02:08:24,000
Speaker 1: I ain't talking about the structure setting. I ain't talking

2053
02:08:24,040 --> 02:08:26,960
Speaker 1: about a party that I got. I ain't talking about

2054
02:08:27,000 --> 02:08:33,440
Speaker 1: a giveaway. I'm talking about I'm just sober hill this mohood,

2055
02:08:33,480 --> 02:08:36,800
Speaker 1: I know its yourwhood. You don't own that home. It's

2056
02:08:36,880 --> 02:08:39,800
Speaker 1: where you grew up at. We gotta be careful with

2057
02:08:39,920 --> 02:08:44,200
Speaker 1: this manifestation and ship this myhood, this my street. D

2058
02:08:44,320 --> 02:08:50,480
Speaker 1: boy betting I play with me, I run this. It's

2059
02:08:50,560 --> 02:08:55,040
Speaker 1: old law, man. I hate to see it. But Kanye

2060
02:08:55,160 --> 02:08:57,040
Speaker 1: West and Drake, let's get back to that. You see,

2061
02:08:57,080 --> 02:09:00,080
Speaker 1: I keep veering off because it's so much game and

2062
02:09:01,000 --> 02:09:03,800
Speaker 1: I gotta get a hood. And the little niggas that

2063
02:09:03,960 --> 02:09:06,680
Speaker 1: think they hood, it's a lot of y'all up under

2064
02:09:06,720 --> 02:09:10,360
Speaker 1: the false pretense. That's what I like to call like

2065
02:09:11,160 --> 02:09:14,600
Speaker 1: niggas just doing all this posting guns on the gram

2066
02:09:14,800 --> 02:09:18,440
Speaker 1: and falling victim to the invisible rules and all of

2067
02:09:18,520 --> 02:09:20,800
Speaker 1: this old boys shit. Then what I like to call

2068
02:09:20,880 --> 02:09:23,400
Speaker 1: you niggas fall up on the false pretense. See, I'm

2069
02:09:23,480 --> 02:09:29,360
Speaker 1: under the old law. I'm under old law. Y'all niggas

2070
02:09:29,400 --> 02:09:32,400
Speaker 1: fall up on the false pretense. You know what I'm saying,

2071
02:09:32,520 --> 02:09:35,040
Speaker 1: be a whole bunch of niggas just running around doing

2072
02:09:35,080 --> 02:09:38,200
Speaker 1: they won two. They dangerous, but they ain't street niggas.

2073
02:09:38,240 --> 02:09:42,680
Speaker 1: It's a difference. Street nigga got the information on how

2074
02:09:42,760 --> 02:09:45,520
Speaker 1: to navigate through the street. Know when it's a real

2075
02:09:45,680 --> 02:09:49,440
Speaker 1: drought versus nigga just saying it's a drow. I remember,

2076
02:09:49,480 --> 02:09:52,520
Speaker 1: I feel victim to my first nigga saying it's a drought.

2077
02:09:52,560 --> 02:09:54,960
Speaker 1: I lowed it up on some shit. It wasn't even undrow.

2078
02:09:57,040 --> 02:09:58,960
Speaker 1: But you gotta go through that to know that some

2079
02:09:59,120 --> 02:10:03,320
Speaker 1: things can be bearing. Something's gonna be explained in the neighborhood.

2080
02:10:03,360 --> 02:10:06,480
Speaker 1: We just got to stop falling victim to the false pretense.

2081
02:10:08,320 --> 02:10:10,680
Speaker 1: Can't nobody to tell me I'm multi mean, I need

2082
02:10:10,720 --> 02:10:13,040
Speaker 1: to be in the neighborhood. My prisons ain't no good

2083
02:10:13,560 --> 02:10:17,640
Speaker 1: if it ain't in the structure setting, nigga. If anything,

2084
02:10:17,760 --> 02:10:21,360
Speaker 1: I'm distracting the folks around here. I'm bringing now, I'm

2085
02:10:21,400 --> 02:10:23,920
Speaker 1: distracting need for I ain't no good to them folks

2086
02:10:24,000 --> 02:10:27,000
Speaker 1: down there doing nothing, standing around smoking in the four

2087
02:10:27,080 --> 02:10:29,840
Speaker 1: hundred thousand dollar car. I ain't no good to them, folks.

2088
02:10:30,720 --> 02:10:32,880
Speaker 1: You don't make it. It ain't naw. You can't tell

2089
02:10:32,960 --> 02:10:36,440
Speaker 1: me that. Cain't nobody, Big Homie. Come big Homie lone

2090
02:10:36,480 --> 02:10:39,240
Speaker 1: and tell him that. Hey, listen, that's the problem too

2091
02:10:39,280 --> 02:10:41,360
Speaker 1: with Loan. They can feel it on me. Your big

2092
02:10:41,480 --> 02:10:45,560
Speaker 1: home and shit is ineffective over here, Homie. I hot

2093
02:10:45,600 --> 02:10:48,200
Speaker 1: that big home and shit is ineffective over here. What

2094
02:10:48,400 --> 02:10:50,600
Speaker 1: you've done in the street, I don't care about it.

2095
02:10:50,880 --> 02:10:53,920
Speaker 1: Who you got killed, I don't care how much money

2096
02:10:53,960 --> 02:10:57,280
Speaker 1: you got. I'm game related. All this shit is out

2097
02:10:57,320 --> 02:11:00,600
Speaker 1: the door for me, Nigga at big home, shit don't

2098
02:11:00,640 --> 02:11:03,240
Speaker 1: work on me, nigga, And it don't work on my

2099
02:11:03,440 --> 02:11:07,400
Speaker 1: children more important than nigga. Yeah, that big home and

2100
02:11:07,480 --> 02:11:11,320
Speaker 1: shit don't work on my children, nigga. And that's where

2101
02:11:11,320 --> 02:11:14,080
Speaker 1: I hang my head at Nigga. That fake is big

2102
02:11:14,160 --> 02:11:16,600
Speaker 1: home and shit they're kicking that shit don't work on

2103
02:11:16,720 --> 02:11:19,360
Speaker 1: my little boys, and the damn show don't work on me.

2104
02:11:19,720 --> 02:11:24,520
Speaker 1: So when they come, it's it's uncomfortable. But when you

2105
02:11:24,680 --> 02:11:27,040
Speaker 1: deal with the real big homies, you feel the energy.

2106
02:11:27,080 --> 02:11:29,320
Speaker 1: It's love it posed to be. I don't know. I

2107
02:11:29,400 --> 02:11:32,160
Speaker 1: don't know because I don't I don't answer to nothing.

2108
02:11:32,360 --> 02:11:34,960
Speaker 1: But when I look at Kanye being worth nine billion

2109
02:11:35,040 --> 02:11:37,400
Speaker 1: standing next to Jay Prince, I say, yo, with some

2110
02:11:37,520 --> 02:11:41,360
Speaker 1: of it's a big Homan energy there. But also you

2111
02:11:41,440 --> 02:11:43,920
Speaker 1: gotta remember the genius of Kanye West. He know he

2112
02:11:44,040 --> 02:11:47,920
Speaker 1: not a street nigga. He'd been told y'all, I ain't

2113
02:11:47,960 --> 02:11:50,000
Speaker 1: the best counter, but I got people that can count.

2114
02:11:50,680 --> 02:11:52,920
Speaker 1: I ain't the best clothes in designer, but I signed

2115
02:11:53,040 --> 02:11:56,480
Speaker 1: Virgil Yo. Ain't the best rapper, but I did all

2116
02:11:56,520 --> 02:12:02,120
Speaker 1: the blueprint, Yo. I bring the right people together them.

2117
02:12:03,880 --> 02:12:06,120
Speaker 1: So if I need to understand something about the streets,

2118
02:12:06,160 --> 02:12:09,840
Speaker 1: who can I expect to be plugged being Prints? Then

2119
02:12:10,000 --> 02:12:12,680
Speaker 1: he's still plugged in President Day. Yeah, you got two children.

2120
02:12:12,720 --> 02:12:15,400
Speaker 1: They still down on the grind like right. So again,

2121
02:12:18,240 --> 02:12:20,879
Speaker 1: if you plugged into the hood, you gotta be plugged

2122
02:12:20,960 --> 02:12:24,320
Speaker 1: in the right way to get the information. Somebody like

2123
02:12:24,480 --> 02:12:27,440
Speaker 1: Prints them, they probably know what to consider. They've been

2124
02:12:27,480 --> 02:12:31,839
Speaker 1: around the block, they've done it themselves. That's a problem.

2125
02:12:32,080 --> 02:12:35,640
Speaker 1: See with the rapt niggas and the media niggas and

2126
02:12:35,760 --> 02:12:38,200
Speaker 1: all the niggas is in this game is you gotta

2127
02:12:38,240 --> 02:12:40,800
Speaker 1: make sure you're getting the information from somebody that done

2128
02:12:40,840 --> 02:12:44,400
Speaker 1: it themselves. Loom done it itself in the street, in

2129
02:12:44,520 --> 02:12:47,920
Speaker 1: the podcast, in the mut Loon, done it itself. I

2130
02:12:48,080 --> 02:12:50,360
Speaker 1: need to be dealing with people that done it they selves.

2131
02:12:52,520 --> 02:12:55,800
Speaker 1: This second, third, fourth, fifth hand information is no good

2132
02:12:55,880 --> 02:12:58,080
Speaker 1: to a nigga they think the way I think. I

2133
02:12:58,200 --> 02:12:59,920
Speaker 1: need to be dealing with the man that is dealing

2134
02:13:00,040 --> 02:13:07,520
Speaker 1: with the specifics. You understand. So when you deal with

2135
02:13:07,640 --> 02:13:11,000
Speaker 1: Jay Prince and Kanye, let's look at how they enter

2136
02:13:11,080 --> 02:13:13,120
Speaker 1: beefing and then we'll be back to speak about it.

2137
02:13:16,120 --> 02:13:19,200
Speaker 1: Back and forth between myself and Drake. Kanye West is

2138
02:13:19,280 --> 02:13:22,520
Speaker 1: making a peace offering to Drake following the ripper's long

2139
02:13:22,640 --> 02:13:25,800
Speaker 1: standing feud. Both me and Drake and taking shots at

2140
02:13:25,840 --> 02:13:27,920
Speaker 1: each other, and it's kind of put it to rest.

2141
02:13:28,240 --> 02:13:31,520
Speaker 1: In this video posted by music executive Jay Prince, who

2142
02:13:31,600 --> 02:13:33,760
Speaker 1: you see on the right, the Donda rapper reads a

2143
02:13:33,840 --> 02:13:37,720
Speaker 1: message off his cell phone directly addressing Drake and acknowledging

2144
02:13:37,800 --> 02:13:41,920
Speaker 1: the success of his most recent album, Certified Loverboy. I'm

2145
02:13:42,000 --> 02:13:44,200
Speaker 1: asking Drake on the seven seven to join me on

2146
02:13:44,240 --> 02:13:46,120
Speaker 1: the stage is a special guest to share the two

2147
02:13:46,200 --> 02:13:49,840
Speaker 1: biggest albums of the year live in Los Angeles, with

2148
02:13:50,080 --> 02:13:53,960
Speaker 1: the ultimate purpose being to free Larry Hoover. Larry Hoover

2149
02:13:54,160 --> 02:13:57,680
Speaker 1: is a co founder of Chicago's Gangster Disciples gang. He's

2150
02:13:57,720 --> 02:14:00,720
Speaker 1: currently serving a life sentence in federal prison after he

2151
02:14:00,880 --> 02:14:04,720
Speaker 1: was found guilty of murder in nineteen seventy three Princess caption,

2152
02:14:04,840 --> 02:14:07,200
Speaker 1: he mentions that he met with Kanye to pass on

2153
02:14:07,280 --> 02:14:10,880
Speaker 1: a message from Hoover. That message to see peace between

2154
02:14:10,880 --> 02:14:13,840
Speaker 1: the two musicians. I believe this event will not only

2155
02:14:13,920 --> 02:14:18,360
Speaker 1: bring awareness to our calls, but prove to people everywhere

2156
02:14:18,880 --> 02:14:21,600
Speaker 1: how much more we get accomplished whom they are, pride

2157
02:14:21,680 --> 02:14:24,560
Speaker 1: to the side and come together. During the forty four

2158
02:14:24,640 --> 02:14:27,680
Speaker 1: year old's recent Drink Champs interview, he talks about his

2159
02:14:27,800 --> 02:14:30,120
Speaker 1: field with Drake and how he believes the nice for

2160
02:14:30,240 --> 02:14:34,320
Speaker 1: what rapper approaches his rat beefs like War. Drake don't

2161
02:14:35,000 --> 02:14:38,000
Speaker 1: do a dislike outright this song Where's the head shot?

2162
02:14:38,360 --> 02:14:42,200
Speaker 1: He's gonna set set it up like War. He gonna

2163
02:14:42,280 --> 02:14:46,520
Speaker 1: do stuff like live five blocks down the street from you. DM.

2164
02:14:48,160 --> 02:14:52,520
Speaker 1: He gonna like go and you know, DM, every single

2165
02:14:53,520 --> 02:14:56,160
Speaker 1: girl in your family, every single girl Arouyan family. On

2166
02:14:56,280 --> 02:15:00,240
Speaker 1: Drake's Certified Loverboy album, he seemingly took shots at Ye

2167
02:15:00,400 --> 02:15:03,600
Speaker 1: and the song seven am on brittle path, stemming from

2168
02:15:03,640 --> 02:15:06,920
Speaker 1: an alleged and now deleted Instagram post in August where

2169
02:15:07,000 --> 02:15:10,200
Speaker 1: Kanye appeared to share Drake's Toronto address. You know the

2170
02:15:10,320 --> 02:15:13,280
Speaker 1: fourth level of jealousies called media? Isn't that an I

2171
02:15:13,440 --> 02:15:16,400
Speaker 1: rode revelation? Get an addressed to your driver making your

2172
02:15:16,480 --> 02:15:19,560
Speaker 1: destination instead of just a post out of desperation. They're

2173
02:15:19,600 --> 02:15:23,160
Speaker 1: ongoing feud, which were speculated to have started around twenty ten,

2174
02:15:23,480 --> 02:15:26,800
Speaker 1: reached a new level in twenty eighteen when Kanye revealed

2175
02:15:26,840 --> 02:15:29,480
Speaker 1: on Instagram that he was upset over Drake's hit in

2176
02:15:29,640 --> 02:15:35,240
Speaker 1: My Feelings, which mentions a woman named Kiki he also

2177
02:15:35,320 --> 02:15:38,760
Speaker 1: happens to be Kanye's now a strange wife, Kim Kardashian's

2178
02:15:38,840 --> 02:15:42,040
Speaker 1: well known nickname. The song sparked rumors that Drake and

2179
02:15:42,160 --> 02:15:44,640
Speaker 1: Kim may have been more than friends at some point,

2180
02:15:44,960 --> 02:15:48,720
Speaker 1: but Kim wasted no time shutting down the speculation on Instagram,

2181
02:15:49,160 --> 02:15:52,960
Speaker 1: writing quote never happened, end of story. I'll voice my

2182
02:15:53,040 --> 02:15:55,720
Speaker 1: opinion when I think that there's something that you know

2183
02:15:56,160 --> 02:15:58,640
Speaker 1: is made me done wrong. Back in twenty eighteen, Eat

2184
02:15:58,800 --> 02:16:01,280
Speaker 1: spoke with a mother of four about the drama that

2185
02:16:01,480 --> 02:16:05,080
Speaker 1: Kanye sometimes finds himself in I've seen him go through

2186
02:16:05,560 --> 02:16:10,600
Speaker 1: a lot and he's just the most genuine person. And

2187
02:16:10,960 --> 02:16:14,480
Speaker 1: you know he might say things that might get misinterpreted

2188
02:16:14,640 --> 02:16:17,160
Speaker 1: and people don't see the context behind that, but I

2189
02:16:17,200 --> 02:16:20,480
Speaker 1: always know his heart. We have different views, sometimes we

2190
02:16:20,560 --> 02:16:31,320
Speaker 1: have different things, but that's my husband, you know. So again,

2191
02:16:33,040 --> 02:16:36,320
Speaker 1: good to see them dudes in that beef. It was

2192
02:16:36,440 --> 02:16:41,359
Speaker 1: never real beef. I think it's more competitive whether than anything.

2193
02:16:41,520 --> 02:16:47,080
Speaker 1: We know Drake is he's disrupted. They hole he's disrupted.

2194
02:16:47,160 --> 02:16:50,320
Speaker 1: See they had they thought they had the Kings. See,

2195
02:16:50,360 --> 02:16:52,560
Speaker 1: this is the problem with the game, the Internet, All

2196
02:16:52,600 --> 02:16:57,000
Speaker 1: this shit is not set in stone. You got a chance,

2197
02:16:57,160 --> 02:17:00,640
Speaker 1: my boy. Any young dude out there looking at me

2198
02:17:00,840 --> 02:17:03,040
Speaker 1: that maybe be trying to you got a chance, bro.

2199
02:17:03,240 --> 02:17:05,280
Speaker 1: I know you think they got the Kings outready. I

2200
02:17:05,280 --> 02:17:06,840
Speaker 1: ain't gonna bear to be a king, but if I

2201
02:17:06,920 --> 02:17:12,560
Speaker 1: can just nah, you see what Drake did in ten years, Man,

2202
02:17:13,600 --> 02:17:16,280
Speaker 1: they meant they gotta mention Drake with the greatest of

2203
02:17:16,440 --> 02:17:21,280
Speaker 1: all time at this point, you feel what I'm saying.

2204
02:17:21,640 --> 02:17:24,160
Speaker 1: He disrupted that whole ship, and you gotta think once,

2205
02:17:24,160 --> 02:17:26,560
Speaker 1: says Kanye, Kanye thought he was the last one to

2206
02:17:26,600 --> 02:17:31,600
Speaker 1: bear to disrupt that ship because if you think about it,

2207
02:17:31,720 --> 02:17:34,360
Speaker 1: Kanye come in and disrupted that ship a little bit.

2208
02:17:35,080 --> 02:17:40,280
Speaker 1: They thought it was Jay Biggie and Nas and Pop

2209
02:17:41,720 --> 02:17:44,120
Speaker 1: and Snoop and you know, it was certain names, which

2210
02:17:44,200 --> 02:17:49,000
Speaker 1: they still there. But these Kanye west Is, these Drakes,

2211
02:17:51,080 --> 02:17:55,080
Speaker 1: these colds, these kindreds they called and not ship, you

2212
02:17:55,120 --> 02:17:59,440
Speaker 1: see what I'm saying. But good to see them do that.

2213
02:17:59,640 --> 02:18:01,440
Speaker 1: It does Let's make me wonder what push your t

2214
02:18:01,680 --> 02:18:06,000
Speaker 1: stands because he pushed the hard line, you know, in

2215
02:18:06,160 --> 02:18:11,760
Speaker 1: regards to their beef, and he didn't he didn't hold

2216
02:18:11,800 --> 02:18:15,480
Speaker 1: any punches. So it's it's it's gonna be crazy to

2217
02:18:15,560 --> 02:18:19,600
Speaker 1: see how that situation kind of subside, subside and they

2218
02:18:19,680 --> 02:18:22,680
Speaker 1: get back, at least on speaking terms. I don't think

2219
02:18:22,760 --> 02:18:27,680
Speaker 1: that Drake be able to forgive him. I'm not sure.

2220
02:18:27,720 --> 02:18:31,119
Speaker 1: That's why, you know, hopefully the culture learned with bird

2221
02:18:31,200 --> 02:18:34,600
Speaker 1: Man and Wayne, you know, and and and to me,

2222
02:18:34,720 --> 02:18:36,720
Speaker 1: when I look at Drake and Kanye, it kind of

2223
02:18:36,760 --> 02:18:39,760
Speaker 1: feels like our culture learned from bird Man and Wayne,

2224
02:18:40,320 --> 02:18:42,760
Speaker 1: like yo, stay out then forbidden and let them work

2225
02:18:42,840 --> 02:18:45,640
Speaker 1: that out, you know, because back in the day it's

2226
02:18:45,720 --> 02:18:49,600
Speaker 1: kind of it's kind of what Buck feel victim too.

2227
02:18:51,080 --> 02:18:55,040
Speaker 1: You know, young Buck from g Unit is that you

2228
02:18:55,160 --> 02:18:58,039
Speaker 1: go to pick, you go to make your side known,

2229
02:18:58,720 --> 02:19:01,760
Speaker 1: or you know, you go to and and it's really like, yo,

2230
02:19:01,879 --> 02:19:05,480
Speaker 1: that's y'all beef. But when you're rocking with fifty, he

2231
02:19:05,640 --> 02:19:08,240
Speaker 1: puts your hard line so you can't he don't. He

2232
02:19:08,360 --> 02:19:12,360
Speaker 1: don't allow you to dance in the middle, you know. Um,

2233
02:19:13,200 --> 02:19:15,440
Speaker 1: but I think had that been now fifty even look

2234
02:19:15,480 --> 02:19:17,640
Speaker 1: at that different that was back then before the Internet

2235
02:19:17,720 --> 02:19:19,360
Speaker 1: or when the Internet was first, say that was a

2236
02:19:19,440 --> 02:19:24,560
Speaker 1: different type of thing as well. Um, but that's another

2237
02:19:24,680 --> 02:19:28,360
Speaker 1: thing with the hood, right. First of all, you gotta think,

2238
02:19:29,280 --> 02:19:34,240
Speaker 1: you know, most niggas, most rappers did die. They die

2239
02:19:34,280 --> 02:19:38,400
Speaker 1: in the South. That's why I'll be telling dudes like

2240
02:19:39,920 --> 02:19:42,640
Speaker 1: you know, Takashier, one of these other dudes in the South.

2241
02:19:42,720 --> 02:19:46,240
Speaker 1: Them little games y'all play in certain spots, they don't work.

2242
02:19:46,320 --> 02:19:49,320
Speaker 1: You die quick dying here. You know what I'm saying.

2243
02:19:49,400 --> 02:19:52,120
Speaker 1: Like the gun laws is too, Like I can have

2244
02:19:52,280 --> 02:19:54,680
Speaker 1: a gun and be right here next to a rapper

2245
02:19:55,240 --> 02:19:58,840
Speaker 1: and it ain't illegal just yet until I pull that

2246
02:19:59,000 --> 02:20:01,200
Speaker 1: motherfucker out and try to takes something like So it's

2247
02:20:01,240 --> 02:20:06,279
Speaker 1: a dangerous game because what's illegal it's still danger involved

2248
02:20:06,360 --> 02:20:08,760
Speaker 1: into it, you know, it ain't they say it ain't

2249
02:20:08,840 --> 02:20:12,640
Speaker 1: danger to its danger. Both of y'all got an a. Y'all,

2250
02:20:13,360 --> 02:20:15,680
Speaker 1: y'all just better hope it ain't a Mexican stand off

2251
02:20:15,840 --> 02:20:17,760
Speaker 1: for some kind of ship to take play out. Better

2252
02:20:17,800 --> 02:20:20,920
Speaker 1: hope it ain't nothing, you know what I'm saying. So

2253
02:20:23,360 --> 02:20:27,360
Speaker 1: um in the South Dog, it's just a different type

2254
02:20:27,400 --> 02:20:32,600
Speaker 1: of game being played. And you know the Rapper two man,

2255
02:20:32,720 --> 02:20:35,040
Speaker 1: he liked the Rapper a lot of times, like to

2256
02:20:35,120 --> 02:20:37,560
Speaker 1: run back to the hood and show the hood what's

2257
02:20:37,600 --> 02:20:41,560
Speaker 1: going on. I think that's something that's some kind of

2258
02:20:41,720 --> 02:20:44,960
Speaker 1: some tool, you know, because they ain't coming back and

2259
02:20:45,080 --> 02:20:47,720
Speaker 1: running back to the hood to to help nobody. They

2260
02:20:47,800 --> 02:20:49,720
Speaker 1: coming to show you. You know, I just about to

2261
02:20:49,800 --> 02:20:52,920
Speaker 1: bid live. Yeah, he got the bid lit the Lambowderari

2262
02:20:53,080 --> 02:20:56,080
Speaker 1: to the Escalade, the new Escalade, the new amg'all that

2263
02:20:56,200 --> 02:20:58,720
Speaker 1: ship parked in the hood up el boy, that boy rich.

2264
02:21:01,000 --> 02:21:04,880
Speaker 1: They hurried up and running back and doing that. And

2265
02:21:05,040 --> 02:21:08,160
Speaker 1: again it's useless over park that shit in Beverly Hills

2266
02:21:09,879 --> 02:21:12,600
Speaker 1: and push up in Beverly Hills on somebody else rich

2267
02:21:12,680 --> 02:21:16,119
Speaker 1: and do that with them. You know what I'm saying.

2268
02:21:16,200 --> 02:21:18,640
Speaker 1: Down here. We need you to show up with some boxes,

2269
02:21:18,720 --> 02:21:22,560
Speaker 1: some bags and some paper. You feel what I'm saying.

2270
02:21:22,720 --> 02:21:24,480
Speaker 1: We need you to show up with something down here.

2271
02:21:24,520 --> 02:21:27,760
Speaker 1: We're starving and not starving like we ain't eating a

2272
02:21:27,879 --> 02:21:30,280
Speaker 1: nothing like that. We eating nigga will be we self

2273
02:21:30,320 --> 02:21:33,080
Speaker 1: sufficient round here. You know that you come from here,

2274
02:21:33,520 --> 02:21:37,440
Speaker 1: We're gonna be I down here. But we came just you.

2275
02:21:37,959 --> 02:21:41,160
Speaker 1: You know what I'm saying. It just it just a again.

2276
02:21:41,879 --> 02:21:44,840
Speaker 1: You gotta understand what you got gone. But I just

2277
02:21:44,959 --> 02:21:48,960
Speaker 1: think the game learned from Birdman and Wayne in regards

2278
02:21:49,000 --> 02:21:52,240
Speaker 1: to when they had their feud, and we see the

2279
02:21:52,360 --> 02:21:55,440
Speaker 1: resemblance of that when we look at Kanye and Drake

2280
02:21:55,520 --> 02:21:57,320
Speaker 1: and what they went through, a lot of people just

2281
02:21:57,520 --> 02:21:59,880
Speaker 1: kind of staying clear they didn't kind of get it

2282
02:22:00,120 --> 02:22:02,240
Speaker 1: too it because we know hopefully at some point they

2283
02:22:02,360 --> 02:22:07,440
Speaker 1: work it out. And then whoever drew a hard line, Now,

2284
02:22:07,720 --> 02:22:10,280
Speaker 1: now what where do you stand? Because they will work

2285
02:22:10,320 --> 02:22:13,600
Speaker 1: it out them too, ain't nobody did or they'll work

2286
02:22:13,640 --> 02:22:17,040
Speaker 1: it out. So now where do you stand? You know? Um?

2287
02:22:18,480 --> 02:22:20,480
Speaker 1: And so good to see the culture learned. I like

2288
02:22:20,600 --> 02:22:22,560
Speaker 1: to always point that out too. You know a lot

2289
02:22:22,600 --> 02:22:25,200
Speaker 1: of times you hit me talk about Um, some of

2290
02:22:25,240 --> 02:22:30,720
Speaker 1: the opportunity that the culture has to see things and

2291
02:22:31,040 --> 02:22:32,879
Speaker 1: kind of trying to learn from things as we all

2292
02:22:32,920 --> 02:22:34,920
Speaker 1: are trying to learn. Me include it like I'm in

2293
02:22:35,000 --> 02:22:38,120
Speaker 1: bluetooth mode. I'm I'm not separated from the pack in

2294
02:22:38,200 --> 02:22:41,200
Speaker 1: that regard, right I I just find myself in a

2295
02:22:41,360 --> 02:22:46,680
Speaker 1: unique position to be able to u oritate some of

2296
02:22:46,760 --> 02:22:50,039
Speaker 1: these things or kind of narrate the process or narrate

2297
02:22:50,160 --> 02:22:53,200
Speaker 1: what we're going through m kind of in real time.

2298
02:22:54,760 --> 02:22:56,960
Speaker 1: Thanks to the universe and guard you know, I've been

2299
02:22:57,000 --> 02:23:00,480
Speaker 1: able to hopefully soon very soon or for myself a

2300
02:23:00,560 --> 02:23:04,600
Speaker 1: good living um off off doing these things, you know.

2301
02:23:04,959 --> 02:23:09,879
Speaker 1: But um, but yeah, I mean, looks like we learned.

2302
02:23:10,040 --> 02:23:12,560
Speaker 1: Looks like we learn We learned from that great, great,

2303
02:23:12,800 --> 02:23:17,600
Speaker 1: great great observation from us. Um. And good to see

2304
02:23:17,640 --> 02:23:20,000
Speaker 1: those two brothers, I know, I mean an album with them.

2305
02:23:20,080 --> 02:23:23,680
Speaker 1: The only thing is we wonder what Kanye flip out again,

2306
02:23:24,920 --> 02:23:27,400
Speaker 1: because we see Kanye, You've done this with Jay, You've

2307
02:23:27,440 --> 02:23:29,960
Speaker 1: done this with all of these petneya flip out again.

2308
02:23:30,560 --> 02:23:33,880
Speaker 1: It's like, yo, bro, if we're gonna be cool, be cool,

2309
02:23:34,600 --> 02:23:39,280
Speaker 1: like you know what I mean, But um, but shout

2310
02:23:39,320 --> 02:23:42,840
Speaker 1: out the ya. He's a genius UM in his own right. Drake,

2311
02:23:42,920 --> 02:23:46,720
Speaker 1: of course, a genius in his own right. Jay Prince UM,

2312
02:23:47,320 --> 02:23:51,280
Speaker 1: one of the most important people in this game. You

2313
02:23:51,440 --> 02:23:55,280
Speaker 1: know what I'm saying. Uh, And and again the South

2314
02:23:55,840 --> 02:24:00,280
Speaker 1: influential in another moment in history and hip hop rap.

2315
02:24:00,560 --> 02:24:03,120
Speaker 1: And I just won't let that continue to go and

2316
02:24:03,280 --> 02:24:06,400
Speaker 1: say shout out there everybody to listen to me from everywhere.

2317
02:24:06,480 --> 02:24:09,879
Speaker 1: But we know, like, this ain't about y'all. This about

2318
02:24:09,920 --> 02:24:12,520
Speaker 1: the media side of this. You know, I don't know

2319
02:24:12,600 --> 02:24:15,080
Speaker 1: who doing the documentaries, you know, and the and the

2320
02:24:15,200 --> 02:24:18,760
Speaker 1: behind the musics and and the things and this and that.

2321
02:24:19,080 --> 02:24:22,240
Speaker 1: Right it's in like, but we're done with that. We're

2322
02:24:22,280 --> 02:24:25,039
Speaker 1: done with that. We need out, we need our presence

2323
02:24:25,080 --> 02:24:27,600
Speaker 1: to be known, and we will do that. So let's

2324
02:24:27,640 --> 02:24:30,800
Speaker 1: continue to build on that. Let's continue to jawing forces

2325
02:24:31,520 --> 02:24:36,920
Speaker 1: UM with like minded individuals. You know, UM, Let's remove

2326
02:24:37,040 --> 02:24:41,480
Speaker 1: the race on that when that's possible, because sometimes we

2327
02:24:41,640 --> 02:24:44,400
Speaker 1: can't remove the race because certain things are only being

2328
02:24:44,520 --> 02:24:48,840
Speaker 1: done because the race has been included and the ingredients

2329
02:24:49,200 --> 02:24:52,000
Speaker 1: UM for you to make that decision. So we just

2330
02:24:52,120 --> 02:24:54,240
Speaker 1: gotta stay what I had on a swivel for that.

2331
02:24:54,600 --> 02:24:56,600
Speaker 1: Let's see if we have any other topics and then

2332
02:24:56,680 --> 02:25:00,560
Speaker 1: we'll get out of here, all right. So m we

2333
02:25:00,720 --> 02:25:04,160
Speaker 1: also have a situation with Stevie J and Faith evans

2334
02:25:05,680 --> 02:25:09,920
Speaker 1: um well allegedly, you know, he called her cheating in

2335
02:25:10,000 --> 02:25:12,080
Speaker 1: the house. There's a video going around. Let's look at

2336
02:25:12,080 --> 02:25:26,920
Speaker 1: the video. Damn you school we just ain't you. He's

2337
02:25:26,959 --> 02:25:32,720
Speaker 1: leave me alone. I hate you. I hate you. Let

2338
02:25:32,760 --> 02:25:38,760
Speaker 1: school ship too. I ain't going alwhere. I hate you

2339
02:25:38,879 --> 02:25:46,280
Speaker 1: soon in business. Leave me alone. Leave me alone in

2340
02:25:46,360 --> 02:26:03,200
Speaker 1: my own house, in my house, I heard you. So

2341
02:26:03,320 --> 02:26:09,560
Speaker 1: you're happy about it? Huh you are? That's what you

2342
02:26:09,680 --> 02:26:13,920
Speaker 1: got to do? How this is like me up? I

2343
02:26:13,959 --> 02:26:16,920
Speaker 1: ain't doing to you. I'm gonna do it. Was love

2344
02:26:17,000 --> 02:26:20,240
Speaker 1: you can you do that to me? How can you

2345
02:26:20,320 --> 02:26:23,040
Speaker 1: do that to me? But how can you do it

2346
02:26:23,080 --> 02:26:24,920
Speaker 1: to me? Though? So? How can you do that to me?

2347
02:26:27,600 --> 02:26:30,520
Speaker 1: Don't tech me? Get your hand off, get your hands

2348
02:26:30,560 --> 02:26:35,000
Speaker 1: talk to me on get your hand when I when

2349
02:26:35,040 --> 02:26:37,720
Speaker 1: I was your hand off, Get your hands off of me.

2350
02:26:37,840 --> 02:26:44,800
Speaker 1: I'm asking me, please, somebody on me. Stop. You can

2351
02:26:44,840 --> 02:26:50,480
Speaker 1: do whatever you can spain as your hands Jesus go somewhere.

2352
02:26:51,680 --> 02:26:53,960
Speaker 1: Fuck no, I ain't going out of here. Here you

2353
02:26:54,080 --> 02:26:57,960
Speaker 1: go with your dumb shit tuk up. This is what

2354
02:26:58,120 --> 02:27:01,800
Speaker 1: I don't want to be. By the way, see that

2355
02:27:02,040 --> 02:27:06,760
Speaker 1: very intense situation to me because I know how fragile

2356
02:27:06,840 --> 02:27:11,200
Speaker 1: me and egos or minds included, as you know, I

2357
02:27:11,320 --> 02:27:14,600
Speaker 1: worked towards trying to get that under control. Just think

2358
02:27:14,640 --> 02:27:19,240
Speaker 1: about if you ask a woman and he shouldn't be

2359
02:27:19,320 --> 02:27:21,880
Speaker 1: asking her that because what's clear's clear. That's sort of

2360
02:27:21,879 --> 02:27:25,080
Speaker 1: another thing I like, I don't get into all of that. Yo.

2361
02:27:25,240 --> 02:27:28,360
Speaker 1: If they're like yo, and they'll tell you people I've

2362
02:27:28,400 --> 02:27:30,760
Speaker 1: been involved with, YO, once I get the resume, if

2363
02:27:30,840 --> 02:27:33,120
Speaker 1: that's if they check out, man, that's that on that

2364
02:27:34,280 --> 02:27:36,640
Speaker 1: ain't no, Hey, meet me at the house. I need

2365
02:27:36,720 --> 02:27:39,200
Speaker 1: to talk to you. So I just found out you've

2366
02:27:39,200 --> 02:27:42,440
Speaker 1: been sleeping with Johnny for six months. And then tell

2367
02:27:42,560 --> 02:27:46,120
Speaker 1: me about what's been going up, like I saw what

2368
02:27:46,240 --> 02:27:50,320
Speaker 1: you did with Like, Yo, that's that facts. Let's move on.

2369
02:27:52,600 --> 02:27:55,640
Speaker 1: And that's just that on that and that's in real life.

2370
02:27:55,720 --> 02:27:57,320
Speaker 1: I don't give a fuck if we've been together a

2371
02:27:57,440 --> 02:28:02,600
Speaker 1: hundred years. Yeah, so up. But anyway, UM, this picture

2372
02:28:03,000 --> 02:28:06,720
Speaker 1: you asking a woman who you know, you you feel

2373
02:28:06,760 --> 02:28:10,199
Speaker 1: as though she, you know, cheated on you or slept

2374
02:28:10,240 --> 02:28:12,800
Speaker 1: with someone in your house and you say you're happy

2375
02:28:12,800 --> 02:28:18,600
Speaker 1: about it, she say, yeah, most men is reacting different

2376
02:28:18,640 --> 02:28:21,840
Speaker 1: than that circumstance. And he probably did off the cameras,

2377
02:28:21,920 --> 02:28:24,840
Speaker 1: don't gon't. I don't know. Most men are smart enough

2378
02:28:24,879 --> 02:28:28,200
Speaker 1: to the why their cameras on to um, you know,

2379
02:28:28,360 --> 02:28:31,720
Speaker 1: make sure that they don't make sure that they don't

2380
02:28:32,480 --> 02:28:36,640
Speaker 1: appear to be in a certain way, you know what

2381
02:28:36,720 --> 02:28:39,280
Speaker 1: I'm saying. So they got that skill set as well.

2382
02:28:39,440 --> 02:28:43,040
Speaker 1: We do, you know. So um. But even when I

2383
02:28:43,120 --> 02:28:45,800
Speaker 1: see the baby go through all of that, and you know,

2384
02:28:46,360 --> 02:28:49,040
Speaker 1: both of them, when he caught a side chick that

2385
02:28:49,200 --> 02:28:51,680
Speaker 1: was she was posted she gonna go most time they're

2386
02:28:51,720 --> 02:28:55,440
Speaker 1: gone for that, you know. But but again, people is

2387
02:28:55,520 --> 02:28:58,280
Speaker 1: understanding that it's a little too much going on, you know,

2388
02:28:58,400 --> 02:29:02,480
Speaker 1: falls to happen. But the idea that you bring somebody

2389
02:29:02,560 --> 02:29:05,080
Speaker 1: in a home, see, some people don't look at home

2390
02:29:05,920 --> 02:29:09,360
Speaker 1: the same as other people, especially if you're if you're

2391
02:29:09,400 --> 02:29:11,560
Speaker 1: in a fake relationship, I don't give a fuck how

2392
02:29:11,640 --> 02:29:15,279
Speaker 1: big the house seals. If you're in a fake relationship,

2393
02:29:15,320 --> 02:29:17,320
Speaker 1: I don't give a fuck high love of the house seals.

2394
02:29:18,320 --> 02:29:21,120
Speaker 1: It's gonna feel like a home in that apartment. If

2395
02:29:21,160 --> 02:29:25,400
Speaker 1: it's love in that apartment. It's gonna feel empty in

2396
02:29:25,480 --> 02:29:29,360
Speaker 1: that mansion if it ain't no love in that mansion. Yeah,

2397
02:29:29,440 --> 02:29:31,720
Speaker 1: you got two people living here, but it ain't no

2398
02:29:31,879 --> 02:29:36,480
Speaker 1: love here. Them two things are different things. And I

2399
02:29:36,600 --> 02:29:40,880
Speaker 1: think um and me and that day as are searching

2400
02:29:40,959 --> 02:29:44,160
Speaker 1: for love too. You know, men want to be loved

2401
02:29:44,200 --> 02:29:46,680
Speaker 1: as they are on a journey, like somebody like me,

2402
02:29:46,840 --> 02:29:49,760
Speaker 1: I'm on a journey, you know, I'm dealing with the

2403
02:29:49,840 --> 02:29:52,560
Speaker 1: specifics of things and happening, and I got to dedicate

2404
02:29:52,680 --> 02:29:55,080
Speaker 1: my life to certain things. I don't have leisure. I

2405
02:29:55,120 --> 02:29:57,480
Speaker 1: don't have time to meet people and do this and

2406
02:29:57,600 --> 02:30:01,120
Speaker 1: do that, Like there's no luxury of time for me.

2407
02:30:01,760 --> 02:30:04,080
Speaker 1: You know, when you're able to share that with someone,

2408
02:30:04,680 --> 02:30:07,480
Speaker 1: that's a powerful thing. And I think dudes are looking

2409
02:30:07,560 --> 02:30:10,400
Speaker 1: to set her down and have one woman and share

2410
02:30:10,480 --> 02:30:13,360
Speaker 1: these experiences and go to Carbo and here and Dad

2411
02:30:13,440 --> 02:30:17,560
Speaker 1: and Dad Brazil and grease and shit and you know

2412
02:30:17,800 --> 02:30:20,640
Speaker 1: with this person and y'all on a certain level and

2413
02:30:20,879 --> 02:30:23,800
Speaker 1: connect in a certain way, like these things are beautiful.

2414
02:30:24,879 --> 02:30:26,680
Speaker 1: And I don't think me and are running from that.

2415
02:30:26,760 --> 02:30:29,760
Speaker 1: And I also want to reject the fact that about

2416
02:30:29,879 --> 02:30:34,879
Speaker 1: dead beat fathers like black me and Dad beat fathers.

2417
02:30:34,959 --> 02:30:37,320
Speaker 1: I think that's another thing that we got to update.

2418
02:30:38,800 --> 02:30:43,600
Speaker 1: I'm not cool with dead beat niggas under no circumstances.

2419
02:30:43,640 --> 02:30:48,960
Speaker 1: I me and a dead beat nigga cool, and I'm

2420
02:30:49,040 --> 02:30:52,440
Speaker 1: aware of it, you know what I mean. And I

2421
02:30:52,480 --> 02:30:55,080
Speaker 1: ain't talking about the ones that you won't get your

2422
02:30:55,120 --> 02:30:57,960
Speaker 1: baby mama, whatever she called for, I ain't talking about that.

2423
02:30:58,440 --> 02:31:01,160
Speaker 1: I'm talking about the dead beat nigga that really ain't

2424
02:31:01,200 --> 02:31:04,640
Speaker 1: there doing nothing on nothing, ain't just he just ain't

2425
02:31:04,720 --> 02:31:08,039
Speaker 1: nothing like. We ain't fucking with that in the coach.

2426
02:31:08,160 --> 02:31:09,960
Speaker 1: We ain't working with that, and we need to be

2427
02:31:10,080 --> 02:31:11,840
Speaker 1: clear with that. And I'm clear with that. We're not

2428
02:31:12,000 --> 02:31:15,320
Speaker 1: fucking with that. And that's on everything, you know what

2429
02:31:15,360 --> 02:31:19,080
Speaker 1: I mean. But crazy to see Stevie J in that

2430
02:31:19,240 --> 02:31:24,240
Speaker 1: situation for real. But yeah, man, so again, m y'all,

2431
02:31:24,280 --> 02:31:28,680
Speaker 1: go grab some merch, man, Go grab some merch right now,

2432
02:31:28,920 --> 02:31:32,800
Speaker 1: Go grab some merch. Go on this up there podcast

2433
02:31:33,320 --> 02:31:38,720
Speaker 1: landing page linkers in Fojil four Underscorlony buyo on Instagram

2434
02:31:39,640 --> 02:31:45,320
Speaker 1: or it's up there podcast Instagram buyo. Go to that page, man,

2435
02:31:46,040 --> 02:31:49,280
Speaker 1: Go find where it says get merged. Go find where

2436
02:31:49,280 --> 02:31:51,879
Speaker 1: it says send donation. Go find where it says book

2437
02:31:51,879 --> 02:31:54,440
Speaker 1: you're one on one whatever you're trying to do, do

2438
02:31:54,640 --> 02:31:57,640
Speaker 1: that for these numbers go up. Um, it's a lot

2439
02:31:57,800 --> 02:31:59,560
Speaker 1: going on with me, man, and we are in a

2440
02:31:59,640 --> 02:32:02,560
Speaker 1: situation right now to be able to be one of

2441
02:32:02,640 --> 02:32:07,480
Speaker 1: the most influential podcasts on the market by myself, independent,

2442
02:32:07,600 --> 02:32:12,720
Speaker 1: one man, one person. See, that's another thing they go to.

2443
02:32:12,840 --> 02:32:15,440
Speaker 1: They go to comparing me to all kinds of people.

2444
02:32:16,959 --> 02:32:20,640
Speaker 1: My podcast against the Joe Button podcast that's three people,

2445
02:32:21,400 --> 02:32:25,160
Speaker 1: My podcast against million dollars worth a game that's two

2446
02:32:25,360 --> 02:32:30,480
Speaker 1: people with interview. I'm one nigga, and just to be

2447
02:32:30,640 --> 02:32:36,160
Speaker 1: in those conversations, just to be in those conversations are

2448
02:32:40,000 --> 02:32:43,280
Speaker 1: the honor to me. Humbling, This an honor to me,

2449
02:32:44,320 --> 02:32:47,879
Speaker 1: you know, because I do all of this by myself.

2450
02:32:49,320 --> 02:32:52,600
Speaker 1: But I'm dealing with enough information to be able to

2451
02:32:52,640 --> 02:32:57,080
Speaker 1: do this by by myself. Again, anybody can try, just try.

2452
02:32:57,240 --> 02:32:59,440
Speaker 1: Cut the lights on, cut the cameras, don't see if

2453
02:32:59,440 --> 02:33:03,200
Speaker 1: you can kick like this by yourself nobody around, there's

2454
02:33:03,240 --> 02:33:07,400
Speaker 1: nobody in here, not one individual. See if you can

2455
02:33:07,480 --> 02:33:09,520
Speaker 1: do it, and then you'll have another respect for what

2456
02:33:09,680 --> 02:33:11,400
Speaker 1: it is that I do and what it is I

2457
02:33:11,520 --> 02:33:14,080
Speaker 1: bring to the game. I want to thank everybody that

2458
02:33:14,200 --> 02:33:19,959
Speaker 1: is tuned then tapped in again support the show. Don't

2459
02:33:20,040 --> 02:33:22,320
Speaker 1: just come soak the game up and don't get a

2460
02:33:22,400 --> 02:33:25,600
Speaker 1: game nothing, you know, sock it to my pocket, you

2461
02:33:25,680 --> 02:33:27,720
Speaker 1: know what I'm saying. Don't just soak out the game

2462
02:33:27,879 --> 02:33:30,959
Speaker 1: up and then run off with the game. That's petty hustling.

2463
02:33:32,480 --> 02:33:35,240
Speaker 1: That's petty hustling. If you fucking with this shit, and

2464
02:33:35,360 --> 02:33:37,040
Speaker 1: if you make it all the way through and this

2465
02:33:37,240 --> 02:33:40,280
Speaker 1: is your shit and you wanna man, you got to

2466
02:33:40,520 --> 02:33:44,920
Speaker 1: sock it. It's a part of the game because ain't

2467
02:33:44,920 --> 02:33:47,879
Speaker 1: nobody else gonna get a game out like this either.

2468
02:33:47,959 --> 02:33:50,000
Speaker 1: They don't know what, they don't know how. It's up

2469
02:33:50,040 --> 02:33:53,200
Speaker 1: there podcast, get it done, Get there and let somebody

2470
02:33:53,320 --> 02:33:58,440
Speaker 1: know about this shit. Next five interviews. It's MASI earn

2471
02:33:58,520 --> 02:34:05,760
Speaker 1: your legion in unlap Walker Flocker bue got a Casino Um,

2472
02:34:07,560 --> 02:34:12,240
Speaker 1: Derek Milano whack one hundred Compton minutes. Stay tuned, you're

2473
02:34:12,280 --> 02:34:15,000
Speaker 1: dealing with the biggest one. It's up that podcast. Let's

2474
02:34:15,080 --> 02:34:15,360
Speaker 1: get it