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Speaker 1: Too Much Information is a production of iHeartRadio.

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Speaker 2: Hello everyone, and welcome to Too Much Information, the show

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Speaker 2: that brings you nothing that's right. This week, you get

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Speaker 2: nothing and you'll love it.

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Speaker 1: You know.

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Speaker 2: We're in the middle of a heat wave. Aliens are real,

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Speaker 2: WGA Saga is on strike.

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Speaker 1: I stuffed my toe.

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Speaker 2: Jordan stuffed his toe. We're trying something a little different

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Speaker 2: this week. We're stealing a concept that a friend of

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Speaker 2: the pod, David Long, introduced me to by way of

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Speaker 2: Tim Heidecker's Cinema on Cinema show. Stump the Buff is

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Speaker 2: the name of this bit. Jordan and I, it may

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Speaker 2: come as no surprise to you, are trivia dorcs. That's

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Speaker 2: kind of the bit of the show. Yeah, if you've

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Speaker 2: listened to.

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Speaker 1: The priory, welcome, Welcome to the pod, and so we

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Speaker 1: are bringing that to bear with a live trivia show.

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Speaker 1: We are calling Stump the Buff and for.

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Speaker 2: Maximum Patented tm I Cognitive Dissonance. The two topics that

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Speaker 2: we have chosen are horror cinema and the Beatles. And

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Speaker 2: I'll leave it up to you, the listeners, to figure

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Speaker 2: out who's going to be answering those questions, respectively. So

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Speaker 2: welcome to Stump, the Buff, Blood and Beetles, a TMI

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Speaker 2: production executive produced by No One. Jordan, You actually you

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Speaker 2: were a professional triviaist trivia triviist trivia.

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Speaker 1: What's the trivist loser? I think is that's the third term.

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Speaker 1: Oh yeah, I was. It was my summer job all

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Speaker 1: through college.

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Speaker 3: Was I was kind of the the the understudy to

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Speaker 3: He was actually my third grade vice principal, and we

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Speaker 3: became friends years later when I was long out of

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Speaker 3: the school district. He has incredible taste in music. Shouts

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Speaker 3: to DJJBJ was during the summer months. He just was

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Speaker 3: such a passionate music fan that he DJed weddings and

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Speaker 3: retirement parties and bar mitzvahs and all sorts of stuff

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Speaker 3: in central Massachusetts. And he had a weekly standing gig

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Speaker 3: at this pub in Clinton, Massachusetts called the Old Timer.

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Speaker 1: And this place had been there for a million years.

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Speaker 3: There's pictures of like Jack Kennedy going there and the

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Speaker 3: campaign trail and stuff, and it was this Tuesday night

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Speaker 3: tradition at this this local pub.

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Speaker 1: It was the most fun thing.

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Speaker 3: And then whenever he couldn't do it, I filled in

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Speaker 3: for him and it was a blast.

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Speaker 1: It was so funny.

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Speaker 3: It was like sort of a dive kind of It

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Speaker 3: wasn't the kind of place where you'd expect to hear

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Speaker 3: like Gilbert and Sullivan and like all sorts of like

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Speaker 3: really obscure music.

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Speaker 1: Yeah, it was like it was really fun.

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Speaker 3: We'd play a music after we'd asked the question and like,

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Speaker 3: I don't know if the answer was Darryl Strawberry, we'd

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Speaker 3: play Incense and Peppermint by Strawberry alarm clock or something,

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Speaker 3: and like.

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Speaker 1: Try to the more obscure the better.

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Speaker 3: So uh, yeah, and so this was really fun for

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Speaker 3: me putting these questions together.

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Speaker 1: I kind of I did my questions by my group

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Speaker 1: them by theme, oh, which annoyingly yeah, I sort of.

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Speaker 2: Yeah, I didn't actually like put a list together or something.

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Speaker 2: I have a couple of tabs open, so you know,

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Speaker 2: therein lies the difference in our dispositions.

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Speaker 1: Yeah, I got a couple of tabs open. Let's yeah,

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Speaker 1: this goes well.

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Speaker 3: Let me let me ask you, are we keeping score

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Speaker 3: or is this uh this is a gentleman's game among friends.

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Speaker 2: You know, the burning competitor in me, who love loves

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Speaker 2: Thunderdome is inclined to keep score. So I don't care.

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Speaker 1: Yeah you do.

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Speaker 3: Can you say that now? In about ten minutes, that's

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Speaker 3: gonna get on.

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Speaker 2: Get on's the coffee kicks, and I'm gonna be staring

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Speaker 2: daggers at you through the zoom meeting. All right, Well,

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Speaker 2: without further ado, let's get right into it. Jordan as

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Speaker 2: the gentleman between us, I'm gonna let you go first.

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Speaker 3: That's great because my first set of questions is actually

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Speaker 3: uh subtitled First Things First. That's a series about horror movie.

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Speaker 2: First off, I put some poor thought in. I bet

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Speaker 2: you did. This was supposed to be easy.

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Speaker 1: It was for me, for me.

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Speaker 3: All right, your first question in the first Things First category,

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Speaker 3: this is maybe debatable, so I'm very Actually I'm more

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Speaker 3: curious to hear what you have to say about this.

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Speaker 3: What is widely considered to be the first horror movie

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Speaker 3: ever made.

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Speaker 1: If memory it is very old.

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Speaker 2: Yeah, if memory serves it's Meliaise. But I don't remember

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Speaker 2: the friend. Do I have to do it in the

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Speaker 2: original French?

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Speaker 1: No? Absolutely, I think.

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Speaker 2: It's like Devil's It's like Devil's House or the House

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Speaker 2: of the Devil or something.

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Speaker 1: Ding ding ding ding ding ah. Yes, the answer it's

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Speaker 1: a bit.

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Speaker 2: Of a cheat because he almost any what is the

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Speaker 2: first is Melias?

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Speaker 3: Rightow fair? I would also team ninety six. Wow, is

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Speaker 3: did Thomas Edison's Frankenstein come up? Because that's a really

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Speaker 3: interesting one too.

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Speaker 1: I did not check that.

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Speaker 3: No, yeah, Thomas, But I do like all the stuff

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Speaker 3: about how Edison like would literally kill his oppositions, because

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Speaker 3: this is that story about the other not Melia's, but

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Speaker 3: like one of the original developers of film in France,

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Speaker 3: like mysteriously disappeared on a train or.

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Speaker 2: Something that doesn't surprise me. I mean, he killed an elephant,

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Speaker 2: he probably killed Tesla. Well, who who among us? There

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Speaker 2: but for the grace of God, Edison did a silent,

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Speaker 2: a silent treatment of Frankenstein. And it's it's actually it's

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Speaker 2: it's like the first Frankenstein adaptation. That one's from nineteen ten. Yeah, wow, yeah,

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Speaker 2: interesting early interesting early cinema stuff with this.

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Speaker 1: All right, So well, folks, we're gonna be researching a

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Speaker 1: lot of this on the fly. Don't tell them that. Well, no,

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Speaker 1: let me let me ask you what my minor old categories.

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Speaker 1: I gotta ask you all the Oh you want to

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Speaker 1: run a category? Okay, yeah, I gotta run a category.

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Speaker 3: Okay, my next question in the first things, first category,

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Speaker 3: This was the first American film to feature a toilet

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Speaker 3: on film.

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Speaker 1: Uh, it's Psycho, right, WHOA, yes, Wow, I thought I

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Speaker 1: was gonna get to it that one. Nice.

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Speaker 3: Also, I don't know why they shouted this out in

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Speaker 3: the whatever likelistical site. I was looking at questions on

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Speaker 3: Also the first US film to show a toilet flushing.

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Speaker 2: Yeah, and there's a Beatles connection there too, because you know,

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Speaker 2: it was Bernard Hermann's score for a Psycho that inspired

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Speaker 2: eleanor Rigby.

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Speaker 1: Wow, I think it's in Thank you for that. I

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Speaker 1: think it's in isn't it? Isn't it in here? There

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Speaker 1: and everywhere?

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Speaker 2: The Jeff Emery memoir where he talks about to get

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Speaker 2: that sound, he was close miking the strings down by

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Speaker 2: the bridge, which is like it produces a very like

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Speaker 2: a thin, dry, scratchy timbore on a bode instrument. The closest,

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Speaker 2: the closest, the closer you get to the anchor point

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Speaker 2: of any stringed instrument, whether it's guitar or you know,

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Speaker 2: violin or whatever. The less room the string has to vibrate, right,

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Speaker 2: So that's how you get this very tight, dry waveform

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Speaker 2: sound on it, and it's not generally considered a good

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Speaker 2: quote unquote good tone for a stringed instrument. So he

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Speaker 2: talks about he would get real close down there, and

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Speaker 2: the string players would start moving backing away as they

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Speaker 2: were recording eleanor Rigby.

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Speaker 1: I just love that. Here's one just for you. I love.

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Speaker 1: I'm so glad that I have this question. What were

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Speaker 1: the first words spoken in Predator? Oh, fudge, Dave's gonna

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Speaker 1: kill me for this if I can't remember.

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Speaker 2: I want to say sagon, but it's not. That's the

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Speaker 2: other tropical nightmare movie. I is it at the handshake moment?

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Speaker 2: Is it when he says something, you son of a bitch?

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Speaker 1: Yes, close, You're okay? What is there? What is it?

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Speaker 1: You're looking good? Dutch? Ah?

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Speaker 4: All right?

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Speaker 1: Oh man?

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Speaker 2: Who'd have thought that the humble Predator, the humble masterpiece

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Speaker 2: Predator would have given us that the iconic meme of

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Speaker 2: the jacked Caucasian and jacked black arms grasping has taken

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Speaker 2: on such I wonder if people really know that's where

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Speaker 2: that came from.

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Speaker 1: All right, We've got I think four more on this category.

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Speaker 1: All right?

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Speaker 3: What was the first horror film to receive a Best

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Speaker 3: Picture nomination the Academy Awards.

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Speaker 1: Rosemary's Baby. No, no, I was wrong, not Rosemary's Baby.

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Speaker 1: What is Rosemary's Baby? Hmm, it's pretty. When you hear it,

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Speaker 1: you're like, oh, yeah, of course, I mean the birds. No,

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Speaker 1: I don't know, I don't know.

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Speaker 3: A little later, or actually a lot later, pass the Exorcist.

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Speaker 3: Oh dumb, Yeah, okay, first, only I would have thought

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Speaker 3: Rosemary's Baby would have That's like, maybe.

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Speaker 1: It was just too yeah, too weird. It's weird. Yeah,

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Speaker 1: all right, okay.

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Speaker 3: Apparently it's the first of only six horror movies ever

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Speaker 3: nominated for Best Picture, and to date, I believe Silence

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Speaker 3: of the Lambs is the only one that has won

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Speaker 3: that award. Which blockbuster film actor made his film debut

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Speaker 3: in a Nightmare on Elm Street.

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Speaker 1: Oh that's Johnny Depp. J Depp's Yeah, I love the

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Speaker 1: early There's so many of those, man. Paul Rudd is

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Speaker 1: in the Halloween six, pretty widely considered to be one

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Speaker 1: of the worst ones. Jennifer Aniston is in Leprechaun. Adam

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Speaker 1: Scott is in the fourth hell Raiser movie. You know,

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Speaker 1: it's a lot of people's first roles because they're cheap

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Speaker 1: and easy to make, and the easy roles to get

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Speaker 1: a lot of the time. But yeah, Johnny Depp is

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Speaker 1: the one who I think gets sucked into the fountain.

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Speaker 1: He gets sucked into his bed and like an enormous,

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Speaker 1: anatomically incorrect guyser of blood, it rubs. All right? Is

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Speaker 1: that is that my first? Is that my category?

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Speaker 5: Uh?

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Speaker 1: You have two more? Are? Okay?

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Speaker 3: Okay, okay, this isn't really a first, but well, let's slide.

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Speaker 3: Who did Wes Craven originally want to play the lead

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Speaker 3: role as Freddy Krueger?

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Speaker 1: Oh, David Warner?

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Speaker 3: Yes, Yeah, who's best known to me from my beloved

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Speaker 3: large boat movie Titanic as Billy Zane's valet who.

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Speaker 1: Tries to shoot them I believe, No, I guess he

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Speaker 1: has a he isn't try to shoot. Yeah, he's one

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Speaker 1: of those.

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Speaker 2: He's one of those classic British character actors who's kind

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Speaker 2: of just pops up all over the place and you go.

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Speaker 1: That guy love Joy love joys his name. Yeah, yes,

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Speaker 1: I was.

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Speaker 2: You know what, I immediately thought it was just Telly

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Speaker 2: Sovlis Telly Savalis because you sent me that People magazine

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Speaker 2: cover with Telly Sepala's shirtless on the cover, and I

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Speaker 2: was like.

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Speaker 1: No, that's not my gold necklaces.

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Speaker 3: Okay, I lied to you because mostly because I didn't

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Speaker 3: want you to get mad. I have two more questions

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Speaker 3: in this category than I've done.

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Speaker 1: Uh.

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Speaker 3: The Japanese film Ringu from nineteen ninety eight was remade

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Speaker 3: by director Gore Verbinski, who's famous for directing Pirates of

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Speaker 3: the Caribbean as the ring four years later in two

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Speaker 3: thousand and two. In the original Ringo, how did Sadako's

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Speaker 3: real mother meet her untimely?

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Speaker 4: End?

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Speaker 1: Ah? This is tough, man, I'm not a big jay

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Speaker 1: horror guy. Uh. Fire a horse kicked to her? What

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Speaker 1: is fire? You are? Can I have more information? Please?

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Speaker 1: What is a house fire? I'm sorry, we can't accept that.

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Speaker 1: Damn it.

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Speaker 3: She threw herself into a volcano. Threw herself into a volcano.

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Speaker 1: How do you even find one? Then? There's not an archipelago,

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Speaker 1: isn't it? Oh? Yeah, okay, all right, fine? You know,

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Speaker 1: you know God, that's that's commitment to the bit. I mean,

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Speaker 1: does this mean that you feel oppressing need to watch

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Speaker 1: Ringo this weekend?

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Speaker 2: I you know, maybe there's an interesting divide between what

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Speaker 2: people consider like classic Japanese horror and then what people

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Speaker 2: consider jay horror, which I didn't really know because there's

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Speaker 2: the sort of first period of Japanese horr which has

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Speaker 2: stuff like quiet On and uh only Baba is influenced

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Speaker 2: by like traditional Japanese ghost stories and like folk tales,

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Speaker 2: and there's a term for them that I'm forgetting. But

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Speaker 2: so it's almost like they were just I mean, it's

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Speaker 2: not almost. It is like they were just taking stuff

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Speaker 2: that was passed down through their oral history, and that's

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Speaker 2: where you get like a lot of these stereotypes, like

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Speaker 2: the hungry ghost and like different demons and like all

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Speaker 2: that stuff. And then in the nineties you get this

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Speaker 2: wave of what they call jahore, which is like a

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Speaker 2: lot of the stuff that made it over here, like

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Speaker 2: The Ring and the Grudge and the Eye starring Jessica Alba,

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Speaker 2: and that is considered a distinct a genre distinct from

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Speaker 2: that first wave of Japanese horror.

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Speaker 1: A just glasses. What a rap it at Jessica Alba.

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Speaker 2: She's like a billionaire off of her like GMO free

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Speaker 2: health crap, like her line of garbage.

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Speaker 1: Does she still like act no? Because she makes. She's

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Speaker 1: like it's called the Honest Company or something. This company

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Speaker 1: there was some kind of lawsuit with it recently. Wow,

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Speaker 1: you're right.

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Speaker 3: She barely acts. Her most recent movie doesn't have a

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Speaker 3: Wikipedia page. She was in the secret role of Alex

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Speaker 3: mac for three episodes, though I didn't know she.

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Speaker 2: Was in Dark Angel. That's first place I saw and

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Speaker 2: idle hands. Speaking of horror movies starring Devin Sawah, Seth

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Speaker 2: Green and the rest, Yeah, yeah, they were sued. She

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Speaker 2: was sued in twenty sixteen for her stuff had a

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Speaker 2: lot of a lot of stuff that was marketed as

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Speaker 2: not having in it.

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Speaker 1: Yeah, anyway, good for her.

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Speaker 3: And your final question for the first things first category,

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Speaker 3: which horror movie led to the implementation of the npaa's

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Speaker 3: PG thirteen rating.

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Speaker 1: Oh it's Jaws, right, and I feel like we've talked

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Speaker 1: about this on here too. No, was it Exorcist again?

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Speaker 1: There were two? There were two? Generally accept that there

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Speaker 1: are two.

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Speaker 3: Jaws, Temple of Doom. Oh in Gremlins, Yes, Gremlin and

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Speaker 3: Temple of Doom.

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Speaker 2: Yeah, I thought Jaws was in there too, But fine,

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Speaker 2: I still got that right up.

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Speaker 1: Counting that for me? All right, Uh, I'm.

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Speaker 2: Gonna loosely call this, I don't care. Beginning, beginning tools,

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Speaker 2: beginning tools. Yeah, let's we'll do first, we'll do, we'll

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Speaker 2: do like a loose kind of firsts category. So everyone

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Speaker 2: knows that John Lennon's first band was called the Quarrymen,

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Speaker 2: But where did that name come from?

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Speaker 1: His primary school? Cory Bank? Too easy? Too easy, too easy?

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Speaker 2: Okay, all right, so I'm okay, okay, okay. So everyone

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Speaker 2: knows John Lennon and Paul McCartney met at a church party.

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Speaker 1: Yeah, I've been there.

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Speaker 3: A fate is how they call it. It's a British phrase,

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Speaker 3: the fate. I've been to the church, the Woolton village fate.

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Speaker 2: So what song did Paul McCartney play for John Lennon

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Speaker 2: to impress him?

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Speaker 1: Twenty Flight Rock by Eddie Crockeran Cochrane. Excuse me?

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Speaker 3: Who was an early rock and roll hero in kind

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Speaker 3: of that first wave with Buddy Hawley and the Richard

295
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Speaker 3: and Elvis in the.

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Speaker 1: Summertime Blues right and Summertime Blues? Yeah great. I think

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Speaker 1: he did a version of Blue Suede Shoes too.

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Speaker 3: And he died in a car accident in nineteen sixty one.

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Speaker 3: In England on his tour of England. I think it

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Speaker 3: was before some of the I think George might have

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Speaker 3: seen him performed. I think Paul didn't, and he was

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Speaker 3: always like sad about it. And the person driving the

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Speaker 3: car I think, I think, I think was named coincidentally

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Speaker 3: George Martin, who is really of the Beatles producer I believe,

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Speaker 3: so there was a George Martin, no relation to the

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Speaker 3: famous George Martin involved in the car accident.

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Speaker 1: George, but yeah, the relation, no relation, but yeah, Paul.

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Speaker 3: He would always tell us a story about how when

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Speaker 3: he saw John playing on stage, John was singing the

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Speaker 3: Dell Viking song Come and Go with Me, which is

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Speaker 3: an old kind of doo woppy song, and John didn't

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Speaker 3: know the words, so he would make them up on

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Speaker 3: the spot by pulling in things that he'd heard off of,

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Speaker 3: like old blues records by Big Bill Brunsey, so that

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Speaker 3: the lyrics to the song they're supposed to be come

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Speaker 3: Come Baby, come and go with me, something about going

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Speaker 3: beyond the sea.

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Speaker 1: I don't know them either. John would say come come

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Speaker 1: go with me down to the penitentiary, which is a

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Speaker 1: much cooler lyric it is, but it was something that

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Speaker 1: that he'd pulled off of these blues records, and Paul

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Speaker 1: recognized that and he thought, oh, that's that's funny, that's

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Speaker 1: that's pretty cool.

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Speaker 3: And so he went around back after their their gig,

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Speaker 3: as they had a mutual friend that introduced them, and Paul,

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Speaker 3: in a pretty great power move, borrowed John's guitar. Paul's

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Speaker 3: left handed. He flips this right handed guitar up so

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Speaker 3: that he plays it sid down. He plays twenty Flight

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Speaker 3: Rock by Eddie Cochran and he knew all the words,

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Speaker 3: which was like a huge deal for John because that

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Speaker 3: that song, anyone who knows it has a lot of words.

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Speaker 3: It goes a mile a minute, so that I think

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Speaker 3: he also tuned John's guitar too, because John had only

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Speaker 3: learned how to tune it off of old banjo tunings

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Speaker 3: from his mother.

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Speaker 1: So Paul was like, what do you know like and

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Speaker 1: he tuned it normally.

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Speaker 3: So yeah, it made a big impact on John, the

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Speaker 3: fact that he could play this guitar upside down, tune

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Speaker 3: it and was really good with words and he sounded

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Speaker 3: like Paul McCartney.

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Speaker 1: So uh yeah, it was their their first meeting, so uh,

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Speaker 1: you know, I'm gonna have to. I'm gonna have to,

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Speaker 1: you know, turn up the heat. Yeah, I'm gonna have

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Speaker 1: to just on the fly. Here.

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Speaker 2: What is the first book of poetry published by John

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Speaker 2: Lennon called in.

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Speaker 1: His Own Right w R I t E?

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Speaker 3: Oh Wait a minute wait published or that he made

350
00:18:58,600 --> 00:19:01,199
Speaker 3: when he was when he when he was a kid,

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Speaker 3: he had his own little like handwritten newspaper that he

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Speaker 3: called the Daily Howl that he used to just distribute

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Speaker 3: to classmates at school with just like weird little you know,

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Speaker 3: goofy cartoons and stuff. So there was that, but that

355
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Speaker 3: was never published. But in his Own Right w R

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Speaker 3: I T Eve was published.

357
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Speaker 2: Yeah, No, I'm not counting the zine, the proto zine

358
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Speaker 2: that he made.

359
00:19:23,680 --> 00:19:25,600
Speaker 1: Have you do you own a copy? Have you read it?

360
00:19:26,440 --> 00:19:26,800
Speaker 1: I do.

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00:19:26,920 --> 00:19:30,399
Speaker 3: It's he's very into Lewis Carroll, so it's kind of

362
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Speaker 3: has this like jabberwockee on a puns and kind of

363
00:19:33,760 --> 00:19:37,919
Speaker 3: nonsense stuff. I always liked his drawings, his pen in

364
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Speaker 3: ink drawings. He was really into like James Thurber and.

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Speaker 1: Ronald Searle, and it.

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Speaker 3: Kind of actually it looks a lot like a lot

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Speaker 3: of the Ronald Roald Dahl illustrations.

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Speaker 1: They're they're very funny.

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Speaker 3: Actually had briefly in the sixties collaborated with I don't

370
00:19:54,800 --> 00:19:56,199
Speaker 3: know if it was Hallmark or what, but he had

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Speaker 3: a line of greeting cards for a brief period that

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00:19:58,760 --> 00:20:05,800
Speaker 3: were those sketches of like grotesquely overweight people and people

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Speaker 3: with like two noses and birds, and yeah, it was.

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Speaker 1: His drawings are interesting. Look him up if you haven't

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Speaker 1: seen him. Interesting.

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Speaker 2: Okay, So a two part of question, because I the

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Speaker 2: first one is too easy. Part A is too easy,

378
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Speaker 2: and that is which is the first song recorded period

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Speaker 2: to include dispurposeful distortion?

380
00:20:31,280 --> 00:20:36,239
Speaker 1: I Feel fun? Now? Follow up question which string of

381
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Speaker 1: the guitar per day Son of a Bitch?

382
00:20:41,000 --> 00:20:43,520
Speaker 3: So yeah, the story with that was they were, you know,

383
00:20:43,560 --> 00:20:47,400
Speaker 3: I mean the Beatles nineteen sixty four single I Feel Fine.

384
00:20:47,400 --> 00:20:50,919
Speaker 3: It opens with that wow, which is a cool sound.

385
00:20:52,040 --> 00:20:56,600
Speaker 3: That was an accident, according to war I forget it

386
00:20:56,680 --> 00:21:00,480
Speaker 3: was Jona George. One of them lay their acoustic electric

387
00:21:00,680 --> 00:21:03,760
Speaker 3: Gibson jumbo guitars down and we're going to go up

388
00:21:03,800 --> 00:21:05,760
Speaker 3: into the studio control room and go listen to a

389
00:21:05,760 --> 00:21:07,760
Speaker 3: playback or something, and all of a sudden, I guess

390
00:21:07,800 --> 00:21:09,440
Speaker 3: you know, you lay the guitar down and just the

391
00:21:09,520 --> 00:21:12,080
Speaker 3: vibration from it banging against what you just laid it against,

392
00:21:12,480 --> 00:21:16,080
Speaker 3: set one of the strings going, and it was it

393
00:21:16,280 --> 00:21:19,359
Speaker 3: just sort of feeding back and it's.

394
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Speaker 1: A cool sound like it really it was John and

395
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Speaker 1: it was John.

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Speaker 3: Yeah, And I know John was the one who was

397
00:21:25,640 --> 00:21:27,800
Speaker 3: like because he was really into weird sounds, like the

398
00:21:28,400 --> 00:21:32,800
Speaker 3: first reverse tape on I'm Only Sleeping was his idea.

399
00:21:32,880 --> 00:21:36,520
Speaker 3: He liked doing those kind of weird, quirky sonic effects.

400
00:21:36,960 --> 00:21:39,440
Speaker 3: So yeah, he was like, oh my god, that sounds great.

401
00:21:39,480 --> 00:21:41,399
Speaker 3: Can we can we put that on the front? And uh,

402
00:21:41,960 --> 00:21:45,879
Speaker 3: that's what they did. How many was that?

403
00:21:47,119 --> 00:21:48,760
Speaker 1: See? This is the thing. I'm not even keeping track

404
00:21:50,560 --> 00:21:54,880
Speaker 1: three or four I think figures four. Uh okay, trying

405
00:21:54,920 --> 00:21:56,399
Speaker 1: to find harder ones.

406
00:21:57,200 --> 00:22:03,840
Speaker 3: Oh no, yeah, to quote Prince, I can't be played.

407
00:22:05,000 --> 00:22:07,760
Speaker 1: Anyone who tries to play me, he plays themselves. I

408
00:22:07,840 --> 00:22:13,000
Speaker 1: got a lot of hits. Uh, some of these are dubious.

409
00:22:13,000 --> 00:22:15,160
Speaker 1: Like I just found a source that claimed the Beatles

410
00:22:15,200 --> 00:22:18,600
Speaker 1: were the first band to use a drum riser. Can

411
00:22:18,640 --> 00:22:22,120
Speaker 1: you verify that? I that I've never heard that. Yeah,

412
00:22:22,200 --> 00:22:24,200
Speaker 1: I have to think it's I mean, that's that can't

413
00:22:24,240 --> 00:22:24,760
Speaker 1: be No.

414
00:22:25,000 --> 00:22:26,600
Speaker 2: I have to think it's some kind of a yeah,

415
00:22:26,680 --> 00:22:30,359
Speaker 2: some kind of a big band, okay.

416
00:22:31,000 --> 00:22:31,720
Speaker 4: Uh.

417
00:22:32,000 --> 00:22:34,480
Speaker 2: One dubious claim that I've found here that you may

418
00:22:34,840 --> 00:22:36,520
Speaker 2: be in the position to shoot down is that the

419
00:22:36,560 --> 00:22:40,199
Speaker 2: Beatles were the first rock band to perform at a

420
00:22:40,320 --> 00:22:41,560
Speaker 2: classical venue.

421
00:22:41,840 --> 00:22:45,800
Speaker 3: What was that classical venue? I think it was Carnegie Hall.

422
00:22:45,840 --> 00:22:46,760
Speaker 3: I know it was Carnegie Hall.

423
00:22:47,080 --> 00:22:49,440
Speaker 1: I don't know, I've I've heard that too.

424
00:22:50,600 --> 00:22:53,840
Speaker 3: I guess rock versus because I know Joan Biaz performed there.

425
00:22:54,080 --> 00:22:57,159
Speaker 1: Sure, that's not the answer I'm seeing here, though. Is

426
00:22:57,160 --> 00:23:02,080
Speaker 1: it in America or no? Okay, it's not the Royal

427
00:23:02,200 --> 00:23:05,480
Speaker 1: urt At Hall, I guess yeah, I guess Carnegie Hall counts. Okay.

428
00:23:05,480 --> 00:23:10,240
Speaker 1: So this answer is wrong because Carnegie Hall Carnegie Country.

429
00:23:10,240 --> 00:23:11,160
Speaker 1: Tell me about country.

430
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Speaker 2: The answer I'm seeing here is uh Nipon Budaquern Hall

431
00:23:15,640 --> 00:23:16,240
Speaker 2: in Tokyo.

432
00:23:16,520 --> 00:23:19,600
Speaker 3: Oh, that wasn't a classical venue. That was a wrestling Uh.

433
00:23:19,640 --> 00:23:22,760
Speaker 3: That was a wrestling arena, okay. And they got into

434
00:23:22,840 --> 00:23:25,040
Speaker 3: a lot of trouble because it was supposed to be

435
00:23:25,119 --> 00:23:28,040
Speaker 3: reserved for martial arts. And they were the first Western

436
00:23:28,200 --> 00:23:32,480
Speaker 3: pop act to perform there, and a lot of the

437
00:23:32,480 --> 00:23:36,240
Speaker 3: the the elders in Japan were out in the street demonstrating.

438
00:23:36,280 --> 00:23:38,800
Speaker 3: I mean this footage of these these old Japanese men

439
00:23:38,840 --> 00:23:39,520
Speaker 3: with big banners.

440
00:23:39,560 --> 00:23:42,320
Speaker 1: I said, Beatles go home. Hell yeah. And it was

441
00:23:42,359 --> 00:23:48,960
Speaker 1: a big controversy. Yeah, okay, So who was the first

442
00:23:49,000 --> 00:23:57,880
Speaker 1: Beetle to do acid trick? Question? It was John and George.

443
00:23:58,240 --> 00:24:00,680
Speaker 3: They were in to a dinner party for the dentist,

444
00:24:00,760 --> 00:24:03,560
Speaker 3: or at the dentist's house. Which do you have that

445
00:24:03,680 --> 00:24:04,959
Speaker 3: kind of relationship with your dentists?

446
00:24:05,040 --> 00:24:05,680
Speaker 1: I sure don't.

447
00:24:07,000 --> 00:24:09,000
Speaker 3: Yeah, I never really understood that, but I guess he

448
00:24:09,080 --> 00:24:11,760
Speaker 3: was like the kind of dentist to the stars. And

449
00:24:11,800 --> 00:24:14,119
Speaker 3: they went to dinner and then they brought their wives

450
00:24:14,119 --> 00:24:15,760
Speaker 3: and they were like, okay, we're gonna go.

451
00:24:15,840 --> 00:24:16,880
Speaker 1: No, we're going to go to a club.

452
00:24:16,920 --> 00:24:18,479
Speaker 3: I think they had the friend of theirs was like

453
00:24:19,160 --> 00:24:21,320
Speaker 3: opening at one of the local clubs or something, and

454
00:24:21,440 --> 00:24:22,639
Speaker 3: we're going to go see his band.

455
00:24:22,680 --> 00:24:23,439
Speaker 1: And they was like, oh no.

456
00:24:23,480 --> 00:24:25,520
Speaker 3: The dentist was like, oh no, don't leave yet. You

457
00:24:25,600 --> 00:24:29,080
Speaker 3: haven't had your coffee, and so he served them coffee

458
00:24:29,080 --> 00:24:30,360
Speaker 3: with sugar cubes.

459
00:24:31,040 --> 00:24:33,119
Speaker 1: And then after a little.

460
00:24:32,840 --> 00:24:35,800
Speaker 3: While he told John and George and their wives, I

461
00:24:35,840 --> 00:24:39,720
Speaker 3: advise you not to leave you've just had acid and

462
00:24:39,760 --> 00:24:42,840
Speaker 3: they were dosed without their knowledge, and years later they

463
00:24:42,880 --> 00:24:46,600
Speaker 3: speculated that this dentist didn't really know what it was.

464
00:24:46,680 --> 00:24:48,600
Speaker 3: He thought it was maybe an aphrodisiac, and he was

465
00:24:48,640 --> 00:24:50,280
Speaker 3: trying to get an orgy happening.

466
00:24:49,880 --> 00:24:51,040
Speaker 1: In his house.

467
00:24:51,480 --> 00:24:53,879
Speaker 3: And because I think that that this dentist girlfriend who

468
00:24:53,920 --> 00:24:56,320
Speaker 3: was there was like like a playboy playmate or something,

469
00:24:56,840 --> 00:24:58,720
Speaker 3: and he just they all suspected that.

470
00:24:58,720 --> 00:25:01,480
Speaker 1: He had these like really ced ulterior motives.

471
00:25:02,200 --> 00:25:04,960
Speaker 3: And it really obviously deeply creeped them out, and they

472
00:25:05,119 --> 00:25:07,800
Speaker 3: like left and they didn't really know, I mean, they

473
00:25:07,800 --> 00:25:10,479
Speaker 3: were dimly aware of LSD, but they went to this club,

474
00:25:10,840 --> 00:25:14,119
Speaker 3: and John always remembered that, like they went into this

475
00:25:14,200 --> 00:25:16,560
Speaker 3: elevator because the club was up a building, and like

476
00:25:16,600 --> 00:25:18,399
Speaker 3: in the elevator, it felt like they were in like

477
00:25:18,400 --> 00:25:21,640
Speaker 3: an elevator going down to Hell, and like the little

478
00:25:21,680 --> 00:25:23,399
Speaker 3: red light went on when they hit the floor, and

479
00:25:23,440 --> 00:25:25,479
Speaker 3: he thought that the elevators on fire, and they were

480
00:25:25,480 --> 00:25:26,760
Speaker 3: all screaming, and it was.

481
00:25:26,720 --> 00:25:30,000
Speaker 1: This horrible night. And then George is.

482
00:25:30,040 --> 00:25:32,360
Speaker 3: Like driving home after at the end of the night

483
00:25:32,760 --> 00:25:35,760
Speaker 3: on acid, thinking that he's like driving like a big

484
00:25:35,800 --> 00:25:39,399
Speaker 3: submarine or something, and he said, I was driving twenty

485
00:25:39,440 --> 00:25:41,480
Speaker 3: two miles an hour the whole time. For some reason,

486
00:25:41,520 --> 00:25:44,080
Speaker 3: I really remember that I was afraid to go any faster.

487
00:25:44,600 --> 00:25:47,639
Speaker 1: I was I can't believe people used to do that

488
00:25:47,720 --> 00:25:48,680
Speaker 1: in the sixties. Man.

489
00:25:48,800 --> 00:25:51,760
Speaker 2: I was just reading this thing about Carlos Santana talking

490
00:25:51,760 --> 00:25:56,280
Speaker 2: about being extremely un mescaline for his Woodstock performance. And

491
00:25:56,760 --> 00:25:58,960
Speaker 2: in the interview he talks about the dead.

492
00:26:00,560 --> 00:26:02,560
Speaker 1: Man and and.

493
00:26:05,119 --> 00:26:07,159
Speaker 3: He I interviewed him about this, and he told me

494
00:26:07,200 --> 00:26:09,639
Speaker 3: it was like, yeah, I thought my guitar was a snake.

495
00:26:10,000 --> 00:26:12,359
Speaker 3: And I was like, what you could see it in

496
00:26:12,359 --> 00:26:14,400
Speaker 3: his face, like the look of like fear, and he's

497
00:26:14,440 --> 00:26:15,400
Speaker 3: like looking at this thing.

498
00:26:16,119 --> 00:26:19,000
Speaker 2: Well when they talk about uh, he talked about the

499
00:26:19,040 --> 00:26:20,879
Speaker 2: dead playing with the Dead in San Francisco, and he

500
00:26:20,960 --> 00:26:22,640
Speaker 2: was like, And at this point I knew they were

501
00:26:22,640 --> 00:26:25,919
Speaker 2: famous to for dosing people. So I made sure to

502
00:26:26,000 --> 00:26:30,399
Speaker 2: carefully wipe down my my can. But what I didn't

503
00:26:30,480 --> 00:26:33,680
Speaker 2: realize was that they had figured out how to use syringes.

504
00:26:36,440 --> 00:26:36,920
Speaker 1: Jesus.

505
00:26:36,920 --> 00:26:39,359
Speaker 2: When I sneak up behind him, his jab no no

506
00:26:39,480 --> 00:26:41,440
Speaker 2: into the can before it could.

507
00:26:41,280 --> 00:26:43,520
Speaker 1: Even be before it could even be opened.

508
00:26:43,680 --> 00:26:46,639
Speaker 3: Well, I didn't why, I don't understand that, like this

509
00:26:46,760 --> 00:26:48,240
Speaker 3: is the whole Mary pranksters at him.

510
00:26:48,320 --> 00:26:51,639
Speaker 1: Yeah, yeah, exactly. I guess I thought it was like

511
00:26:51,720 --> 00:26:59,960
Speaker 1: good for people with Jesus. I yeah, it's it's horrifying us. Sorry,

512
00:27:00,080 --> 00:27:01,520
Speaker 1: I know this is no fun.

513
00:27:02,359 --> 00:27:05,600
Speaker 2: Well I think like once this it's it's just because

514
00:27:05,640 --> 00:27:07,240
Speaker 2: I'm trying to do firsts now.

515
00:27:08,000 --> 00:27:10,400
Speaker 1: Oh okay, I don't worry about that.

516
00:27:10,800 --> 00:27:15,360
Speaker 2: Who sponsored the Beatles' first professional tour in Scotland?

517
00:27:15,960 --> 00:27:16,520
Speaker 5: Wow?

518
00:27:20,320 --> 00:27:26,200
Speaker 3: They were backing a teen artist named Johnny Gensil correct

519
00:27:26,359 --> 00:27:26,679
Speaker 3: and the.

520
00:27:29,000 --> 00:27:30,120
Speaker 1: Guy who.

521
00:27:31,760 --> 00:27:34,160
Speaker 3: Was sort of his manager, it was this guy Larry Parnes.

522
00:27:35,080 --> 00:27:37,560
Speaker 3: And this guy Larry Parnes, he had a whole stable

523
00:27:37,600 --> 00:27:41,160
Speaker 3: of like Elvis clones, British Elvis clones, and he gave

524
00:27:41,200 --> 00:27:45,240
Speaker 3: them all these very tempestuous names. There was Billy Fury

525
00:27:46,040 --> 00:27:49,800
Speaker 3: and Marty Wild and they had all these like really

526
00:27:49,920 --> 00:27:52,480
Speaker 3: rough and ready names. And the Beatles got stuck with

527
00:27:52,600 --> 00:27:53,480
Speaker 3: Johnny Gentle.

528
00:27:54,240 --> 00:27:57,240
Speaker 1: Remember they were always like, ah, slight disappointment in the

529
00:27:57,320 --> 00:28:00,640
Speaker 1: name department there. Yeah, it was Larry Parnes where that was?

530
00:28:01,200 --> 00:28:04,080
Speaker 1: That was correct. I know.

531
00:28:07,920 --> 00:28:10,840
Speaker 3: I'm trying to drag it out. It's no fun, but

532
00:28:10,920 --> 00:28:12,320
Speaker 3: I was on who wants to be a Millionaire? They

533
00:28:12,359 --> 00:28:14,080
Speaker 3: were like trying to just give the answer right away.

534
00:28:14,119 --> 00:28:16,480
Speaker 3: Try to just like make it like, you know, add

535
00:28:16,520 --> 00:28:21,040
Speaker 3: some drama. Yeah yeah, yeah, Okay. Who was the first

536
00:28:21,200 --> 00:28:22,800
Speaker 3: drummer of the Quarryman?

537
00:28:23,600 --> 00:28:24,040
Speaker 5: Oh?

538
00:28:24,119 --> 00:28:27,840
Speaker 3: That's this is when I I I'm bad with these

539
00:28:27,920 --> 00:28:30,679
Speaker 3: kinds of questions. His name was on the drum. It

540
00:28:30,760 --> 00:28:34,440
Speaker 3: was like Colin something correct. I mean, I'm not going

541
00:28:34,480 --> 00:28:36,520
Speaker 3: to give that something. I'm not going to give you

542
00:28:36,600 --> 00:28:42,680
Speaker 3: to shouldn't it's Colin, I said, I said, Colin Felton.

543
00:28:43,080 --> 00:28:48,640
Speaker 1: By the way, I just incorrect. I have no amusing

544
00:28:48,640 --> 00:28:49,320
Speaker 1: anecdotes about it.

545
00:28:49,360 --> 00:28:52,560
Speaker 2: Can't give it to you. He is still alive, Yeah,

546
00:28:52,840 --> 00:28:57,480
Speaker 2: still gigging plays for a reformed version of The Quarrymen.

547
00:28:57,720 --> 00:28:58,560
Speaker 2: That sounds awful.

548
00:29:02,640 --> 00:29:02,760
Speaker 5: Uh?

549
00:29:03,000 --> 00:29:06,720
Speaker 1: Is that is that enough? I think that. I think

550
00:29:06,720 --> 00:29:09,760
Speaker 1: that's it. Okay, So I have seven out of eight.

551
00:29:09,880 --> 00:29:12,120
Speaker 1: So five out of eight? Oh that's seven. Okay.

552
00:29:12,600 --> 00:29:15,720
Speaker 3: This next category, I think you're either gonna sweep this

553
00:29:15,960 --> 00:29:19,720
Speaker 3: or be like I have no idea. Taglines. Oh you

554
00:29:19,720 --> 00:29:22,080
Speaker 3: need the tagline, you give me the movie.

555
00:29:22,720 --> 00:29:26,320
Speaker 1: Okay, okay, okay. Now I want to preface this.

556
00:29:26,440 --> 00:29:29,040
Speaker 3: My knowledge of horror is so limited that my ability

557
00:29:29,160 --> 00:29:32,720
Speaker 3: to judge difficulty is a little off, so apologies in advance.

558
00:29:33,360 --> 00:29:36,680
Speaker 3: There are one, two, three, four, five, six, six is

559
00:29:36,680 --> 00:29:37,120
Speaker 3: only six?

560
00:29:37,240 --> 00:29:42,600
Speaker 1: Okay your first one? This is great. Please do not

561
00:29:42,680 --> 00:29:47,440
Speaker 1: disserb Evelyn. She already is. Oh man, Now, I just

562
00:29:47,480 --> 00:29:52,920
Speaker 1: want to be like, who is the Evelyn? Who is

563
00:29:52,960 --> 00:29:54,160
Speaker 1: the classic Evelyn?

564
00:29:55,000 --> 00:29:55,080
Speaker 4: Uh?

565
00:29:55,320 --> 00:29:59,040
Speaker 1: In a horror film. I will give it the year, okay, please?

566
00:29:59,560 --> 00:30:02,120
Speaker 1: Nineteen eighty three eighty three.

567
00:30:02,640 --> 00:30:05,960
Speaker 2: I was gonna guess like a sixties one eighty three

568
00:30:06,000 --> 00:30:07,520
Speaker 2: has got to be like a slasher thing.

569
00:30:07,640 --> 00:30:11,840
Speaker 1: I want to say it's jugic from the title. That

570
00:30:11,920 --> 00:30:18,880
Speaker 1: seems right, I said, I've seen the poster. It's not

571
00:30:19,400 --> 00:30:27,520
Speaker 1: motel hell no, because getting there? Yeah, getting there? Is it?

572
00:30:27,720 --> 00:30:32,000
Speaker 3: Motel massacre? I will give that to you. It's mountaintop motels.

573
00:30:32,560 --> 00:30:34,240
Speaker 1: Son of a bitch, I was so close.

574
00:30:35,120 --> 00:30:37,640
Speaker 3: Guests in a mountain lodge owned by a demented old

575
00:30:37,680 --> 00:30:40,600
Speaker 3: woman are dispatched one by one. She uses everything from

576
00:30:40,600 --> 00:30:45,120
Speaker 3: a sickle to cockroaches to murder her helpless guests. Hell yeah,

577
00:30:45,160 --> 00:30:47,520
Speaker 3: good for her. Oh, I'll give you that, all right,

578
00:30:47,560 --> 00:30:52,520
Speaker 3: thank you? Next one, these are all very good. A

579
00:30:52,560 --> 00:30:58,400
Speaker 3: horror film with guts, Ah.

580
00:30:59,160 --> 00:31:02,000
Speaker 1: Horror film with guts. I will give it a year.

581
00:31:02,040 --> 00:31:04,440
Speaker 1: If you want, yeah, eighty nine.

582
00:31:05,200 --> 00:31:09,080
Speaker 2: These are hard because this requires you to know no, no, no, no,

583
00:31:09,120 --> 00:31:11,200
Speaker 2: it's good, but this requires you to know.

584
00:31:13,000 --> 00:31:16,560
Speaker 3: Like posters, some of them you can kind of reverse engineer.

585
00:31:16,600 --> 00:31:17,920
Speaker 3: I think that's the hardest one.

586
00:31:20,840 --> 00:31:25,480
Speaker 1: Horror film with Guts nineteen eighty nine.

587
00:31:25,920 --> 00:31:31,880
Speaker 3: Do you want actors and actresses? Yeah, Robert Saban if

588
00:31:31,920 --> 00:31:32,800
Speaker 3: a lee.

589
00:31:32,600 --> 00:31:38,920
Speaker 1: It's not helpful at all. I don't know. You got me,

590
00:31:39,200 --> 00:31:41,720
Speaker 1: he stumped the buff Slime City.

591
00:31:44,720 --> 00:31:48,480
Speaker 3: Slime City, a student moving into a trashy New York

592
00:31:48,520 --> 00:31:51,720
Speaker 3: apartment complex meets a prostitute. She curses him to turn

593
00:31:51,720 --> 00:31:55,600
Speaker 3: into a homicidal monster. This happens whenever he consumes dairy

594
00:31:55,640 --> 00:31:59,200
Speaker 3: products like yogurt, which swy liquefies him.

595
00:32:00,040 --> 00:32:07,280
Speaker 2: Oh that's amazing. Yeah, it's funny because okay, so you

596
00:32:07,280 --> 00:32:10,160
Speaker 2: know my tangent here is the is that there there

597
00:32:10,240 --> 00:32:14,440
Speaker 2: is a subgenre of horror films called melt films or

598
00:32:14,520 --> 00:32:15,440
Speaker 2: slime films.

599
00:32:17,280 --> 00:32:20,560
Speaker 1: It's just as gross as it sounds. Yeah, probably the

600
00:32:20,600 --> 00:32:22,280
Speaker 1: most famous is The Blob.

601
00:32:21,880 --> 00:32:25,440
Speaker 2: But you would also call the stuff might being included

602
00:32:25,480 --> 00:32:28,560
Speaker 2: in there, the stuff, the stuff.

603
00:32:28,640 --> 00:32:29,920
Speaker 1: Yeah, that's a Larry Cohen film.

604
00:32:29,960 --> 00:32:32,239
Speaker 2: Larry Cohen is like a real garbage human king of

605
00:32:32,280 --> 00:32:37,040
Speaker 2: like New York exploitation films, and this stuff is it's

606
00:32:37,080 --> 00:32:40,520
Speaker 2: basically the Blob if the Blob was like unedible consumer

607
00:32:40,600 --> 00:32:43,600
Speaker 2: good that people were eating and it was driving them evil.

608
00:32:43,960 --> 00:32:47,040
Speaker 2: But the most famous one of probably the most famous

609
00:32:47,080 --> 00:32:51,080
Speaker 2: melt horror is a film called Street Trash, which has

610
00:32:51,600 --> 00:32:56,360
Speaker 2: some of the most unbelievably disgusting awful but also like

611
00:32:56,440 --> 00:33:02,560
Speaker 2: cartoonish because everything's like neon body melting effects and scenes

612
00:33:03,160 --> 00:33:06,440
Speaker 2: that ever committed to screen. And it is notable for

613
00:33:06,600 --> 00:33:11,600
Speaker 2: being set in or filmed partially in Greenpoint, Brooklyn. Whoa yeah,

614
00:33:12,160 --> 00:33:16,760
Speaker 2: but a batch of tainted liquor causes the homeless population

615
00:33:16,880 --> 00:33:20,880
Speaker 2: to begin melting in disgusting ways. It is also notable

616
00:33:20,920 --> 00:33:23,920
Speaker 2: for a film in which a gang of the unhoused

617
00:33:23,960 --> 00:33:27,720
Speaker 2: play keep away with another man's severed penis?

618
00:33:28,000 --> 00:33:30,560
Speaker 1: Are they really not pulling any punches with that? Are they? No?

619
00:33:30,800 --> 00:33:31,160
Speaker 1: Sure not?

620
00:33:32,160 --> 00:33:35,040
Speaker 3: This is the post subtlety movement in film.

621
00:33:35,120 --> 00:33:36,640
Speaker 1: I think that that was one of the ones that

622
00:33:36,760 --> 00:33:40,920
Speaker 1: was included in the British video Nasties era.

623
00:33:42,080 --> 00:33:45,560
Speaker 3: Yeah all right, next tagline, all right, this one's a

624
00:33:45,560 --> 00:33:47,400
Speaker 3: little easier. I think it is the easiest tagline on

625
00:33:47,480 --> 00:33:50,760
Speaker 3: him God, which horror films tagline is we dare you

626
00:33:50,800 --> 00:33:55,160
Speaker 3: to say his name five times? Oh it's candy Man boom, Yeah,

627
00:33:55,160 --> 00:33:59,440
Speaker 3: thank god? Not starring Sammy Davis Jr.

628
00:34:00,120 --> 00:34:03,520
Speaker 1: Yeah, did you ever? Did you ever have that as

629
00:34:03,520 --> 00:34:06,160
Speaker 1: a kid? Like I had like the bloody may of

630
00:34:06,160 --> 00:34:07,120
Speaker 1: the mirror and no.

631
00:34:07,200 --> 00:34:09,680
Speaker 2: Blood bloody Mary was ours? Did you have like a

632
00:34:09,719 --> 00:34:12,200
Speaker 2: regional Boston variant of that the whole like say the

633
00:34:12,280 --> 00:34:14,480
Speaker 2: name in the mirror in the dark bathroom five times?

634
00:34:15,040 --> 00:34:18,239
Speaker 3: That sounds familiar. I feel like it was like it

635
00:34:18,280 --> 00:34:20,680
Speaker 3: wasn't a slender man, because that's a new thing, isn't. Yeah,

636
00:34:21,040 --> 00:34:21,759
Speaker 3: it was like I feel like.

637
00:34:21,760 --> 00:34:30,160
Speaker 2: It's like like like Larry Bird in Boston, right, or.

638
00:34:31,719 --> 00:34:39,000
Speaker 1: Whitey Bulger, Whitey Bulger. All right, it has nine lives,

639
00:34:39,520 --> 00:34:45,560
Speaker 1: you only have one? Well obviously it's a cat themed one.

640
00:34:44,400 --> 00:34:52,200
Speaker 2: Uh huh. So there's a couple that this could be.

641
00:34:55,320 --> 00:34:59,959
Speaker 2: Can I get the year eighty eight eighty eight and.

642
00:35:00,160 --> 00:35:04,520
Speaker 1: Stars or features at least one of your favorites? Oh

643
00:35:04,560 --> 00:35:08,680
Speaker 1: it's the Uninvited? Yeah, okay, what just gave it away?

644
00:35:08,719 --> 00:35:13,040
Speaker 3: George Kennedy? Yeah, okay, that's a classic. That's a that's

645
00:35:13,080 --> 00:35:16,799
Speaker 3: a cat because the other one could have been there's

646
00:35:16,840 --> 00:35:19,839
Speaker 3: a There's there's a Sleepwalkers, which is a weird one.

647
00:35:21,040 --> 00:35:22,240
Speaker 1: I think that's nineteen ninety.

648
00:35:22,280 --> 00:35:24,920
Speaker 2: It's a Stephen King adaptation that has like pseudo cat

649
00:35:25,000 --> 00:35:28,439
Speaker 2: mom that's like very cat themed. Uh, there's a cat

650
00:35:28,560 --> 00:35:33,920
Speaker 2: short one in uh yeah. But the Uninvited is a classic,

651
00:35:34,200 --> 00:35:37,880
Speaker 2: uh not just for cats being a cat being the monster,

652
00:35:38,000 --> 00:35:39,440
Speaker 2: but that it's set on a yacht.

653
00:35:40,080 --> 00:35:40,839
Speaker 1: Yeah. Yeah, yeah.

654
00:35:41,320 --> 00:35:44,399
Speaker 3: The blurb I saw was a gangster invites a group

655
00:35:44,440 --> 00:35:46,960
Speaker 3: of people for a cruise on his yacht. A mutant

656
00:35:47,000 --> 00:35:50,040
Speaker 3: feline escapes from a science lab and attacks the passengers.

657
00:35:50,360 --> 00:35:58,439
Speaker 3: Hell yeah, that's it. Sure, hilarity ensues your next one.

658
00:35:59,239 --> 00:36:03,359
Speaker 3: This tagline is is a vision of beauty made in hell.

659
00:36:03,960 --> 00:36:06,600
Speaker 1: Interesting, it looks good. Whatever it is, I've never heard

660
00:36:06,640 --> 00:36:10,600
Speaker 1: about this. The lead character shares a name with a

661
00:36:10,719 --> 00:36:12,640
Speaker 1: former presidential candidate.

662
00:36:13,600 --> 00:36:17,279
Speaker 3: Ronald Reagan. I don't think it was intentional. It's a

663
00:36:17,280 --> 00:36:18,200
Speaker 3: pretty generic name.

664
00:36:21,360 --> 00:36:25,359
Speaker 1: Can I get the year eighty eight? If it's eighty eight,

665
00:36:25,440 --> 00:36:27,840
Speaker 1: I'm going to guess that's putting it in the maybe

666
00:36:28,560 --> 00:36:34,680
Speaker 1: era of stuff that was ripping off Reanimator. Yeah, so

667
00:36:34,719 --> 00:36:35,760
Speaker 1: it's it's close.

668
00:36:36,040 --> 00:36:44,760
Speaker 2: Yeah, it's some kind of Frankenstein or like respawning situations.

669
00:36:45,239 --> 00:36:49,040
Speaker 2: It's resurrection themed. It's not the resurrection, it's not resurrected.

670
00:36:49,239 --> 00:36:56,279
Speaker 1: It's so close, so swing the resurrector think of think

671
00:36:56,320 --> 00:37:03,680
Speaker 1: of beauty, Monica Balucci, Think what Woman without the Wasp? Oh?

672
00:37:04,280 --> 00:37:11,400
Speaker 1: Oh uh the Rejuvenator? Yes, yes, yeah, Wasp Woman is

673
00:37:11,440 --> 00:37:14,439
Speaker 1: a classic because that's about a makeup executive and that's

674
00:37:14,440 --> 00:37:18,319
Speaker 1: considered a pretty groundbreaking film as far as uh, because

675
00:37:18,320 --> 00:37:22,080
Speaker 1: it's about a woman makeup executive, and like, it's considered

676
00:37:22,080 --> 00:37:27,160
Speaker 1: a pretty proto feminist horror film for having this film

677
00:37:27,160 --> 00:37:29,320
Speaker 1: that explores like what it's like to a be a

678
00:37:29,360 --> 00:37:32,640
Speaker 1: woman in business and b be like you know, aging

679
00:37:32,719 --> 00:37:35,120
Speaker 1: and themes of like beauty and stuff. So that's interesting.

680
00:37:35,480 --> 00:37:37,200
Speaker 1: I can't believe I got Rejuvenator.

681
00:37:37,400 --> 00:37:40,520
Speaker 3: An actress due to her age, hires a scientist working

682
00:37:40,520 --> 00:37:44,160
Speaker 3: on an elixir for everlasting beauty. This elixir has dangerous

683
00:37:44,160 --> 00:37:47,520
Speaker 3: side effects. Besides utilizing fluids from a human brain, it

684
00:37:47,560 --> 00:37:52,240
Speaker 3: turns into a ferocious beast. Vivian lank portrays Elizabeth Warren,

685
00:37:52,560 --> 00:37:57,000
Speaker 3: an aging actress, and the creature. John McKay plays a scientist.

686
00:37:57,200 --> 00:38:00,840
Speaker 1: Yeah, some of these are. Some of these are extremely obscure,

687
00:38:02,120 --> 00:38:03,080
Speaker 1: but go ahead, keep going.

688
00:38:03,719 --> 00:38:06,920
Speaker 3: Ah, your final one. The tag line is it's not

689
00:38:07,120 --> 00:38:16,920
Speaker 3: human and it's got an axe. Can I get the

690
00:38:17,000 --> 00:38:18,520
Speaker 3: year eighty four?

691
00:38:20,360 --> 00:38:26,960
Speaker 1: Oh, it stars or at least features somebody that we've discussed.

692
00:38:27,239 --> 00:38:30,440
Speaker 2: Oh, come on, we've done one hundred plus episodes of

693
00:38:30,480 --> 00:38:31,399
Speaker 2: this show.

694
00:38:31,360 --> 00:38:37,080
Speaker 1: In the in this calendar year. A former child star.

695
00:38:38,000 --> 00:38:40,960
Speaker 1: I don't know. I'll give you a hint. I sued

696
00:38:41,000 --> 00:38:47,919
Speaker 1: my own mother. Oh okay, well that's obviously Jackie Coogan. Yeah,

697
00:38:48,000 --> 00:38:52,680
Speaker 1: what horror movie did Jackie Coogan started in nineteen eighty three?

698
00:38:52,880 --> 00:38:57,480
Speaker 1: Four four? I don't know, man, I pass the prey.

699
00:38:58,840 --> 00:39:00,480
Speaker 1: I don't know that anything.

700
00:39:00,760 --> 00:39:03,759
Speaker 3: A group of campers fall victim into an inhuman mutilated

701
00:39:03,840 --> 00:39:08,840
Speaker 3: man whose motive is affection. Oh, he uses an axe

702
00:39:08,840 --> 00:39:11,560
Speaker 3: to cut into his victims. The film is set in

703
00:39:11,600 --> 00:39:12,399
Speaker 3: the forest at.

704
00:39:12,400 --> 00:39:15,239
Speaker 1: Night, but it says it just said a human mutilated

705
00:39:15,280 --> 00:39:17,600
Speaker 1: man in the tagline is it's not human. I'd like

706
00:39:17,640 --> 00:39:18,960
Speaker 1: to contest that one.

707
00:39:19,080 --> 00:39:23,080
Speaker 3: An inhuman mutilation inhuman. I don't know what makes him inhuman.

708
00:39:23,320 --> 00:39:25,040
Speaker 3: This is where this is my lack of knowledge of

709
00:39:25,080 --> 00:39:31,400
Speaker 3: horror really gets. He's lust for violence, presumably as you

710
00:39:31,480 --> 00:39:33,920
Speaker 3: meditate on that. We'll be right back with more too

711
00:39:34,000 --> 00:39:43,719
Speaker 3: much information after these messages.

712
00:39:47,000 --> 00:39:49,920
Speaker 1: Okay, all right, all right, all right, so back to

713
00:39:50,080 --> 00:39:54,719
Speaker 1: five six. Okay, So I'm I'm getting my ass whipped here.

714
00:39:54,800 --> 00:39:57,520
Speaker 1: I'm gonna just give me anything, give me anything. Yeah,

715
00:39:57,560 --> 00:39:59,759
Speaker 1: I'm gonna stop them in him. I'm gonna stop seeming

716
00:39:59,840 --> 00:40:04,720
Speaker 1: him for what crime was Paul McCartney deported from Germany?

717
00:40:05,000 --> 00:40:08,560
Speaker 1: Arson's He set fire to a condom.

718
00:40:09,360 --> 00:40:13,160
Speaker 3: He was, that is correct, he was working for a

719
00:40:13,560 --> 00:40:15,840
Speaker 3: I feel like that answer requires a bit of an explanation.

720
00:40:15,880 --> 00:40:17,560
Speaker 1: I'll try to go please please.

721
00:40:17,960 --> 00:40:20,440
Speaker 3: They were leaving the club that they had been booked

722
00:40:20,440 --> 00:40:23,239
Speaker 3: to performing in Germany, which was a real dive called

723
00:40:23,239 --> 00:40:26,880
Speaker 3: the Kaiser Killer, and they the guy who ran the

724
00:40:26,920 --> 00:40:32,680
Speaker 3: club housed the band in these two tiny like cinder

725
00:40:32,719 --> 00:40:37,080
Speaker 3: block rooms behind a movie theater, in like a back alleyway,

726
00:40:37,760 --> 00:40:40,920
Speaker 3: no windows. I think they had like mattresses with like

727
00:40:41,080 --> 00:40:44,840
Speaker 3: Union jacks or British flags as like sheets, which seems

728
00:40:44,840 --> 00:40:48,719
Speaker 3: like a veiled like fu after World War two. And

729
00:40:48,760 --> 00:40:50,800
Speaker 3: they didn't even have a bathroom. They it was behind

730
00:40:50,840 --> 00:40:52,879
Speaker 3: a movie theater. It was it was in the back

731
00:40:52,920 --> 00:40:55,000
Speaker 3: of a movie theater, and they just used the movie theater,

732
00:40:55,040 --> 00:40:59,120
Speaker 3: but toilet's talls, and it was just this really horrendous place.

733
00:40:59,520 --> 00:41:03,400
Speaker 3: So they ended up getting booked into another club, a

734
00:41:03,440 --> 00:41:06,280
Speaker 3: better club, and they were moving over to this other place.

735
00:41:06,480 --> 00:41:10,800
Speaker 3: And it had been a little testy with the owner

736
00:41:10,840 --> 00:41:12,840
Speaker 3: of the initial club because he wasn't real happy that

737
00:41:12,880 --> 00:41:16,040
Speaker 3: they were deserting him to his competitor, and so things

738
00:41:16,080 --> 00:41:18,360
Speaker 3: were getting a little little weird between him and Paul.

739
00:41:18,600 --> 00:41:22,479
Speaker 3: Just as like a joke. I don't really understand why

740
00:41:22,520 --> 00:41:24,879
Speaker 3: you would think to do this, but nailed upon them

741
00:41:24,880 --> 00:41:27,360
Speaker 3: to a wall and lit it on fire, just so

742
00:41:27,400 --> 00:41:30,280
Speaker 3: I left a little like scorch mark on the wall.

743
00:41:32,040 --> 00:41:35,680
Speaker 3: Totally concrete room, nothing could have caught fire at all.

744
00:41:36,120 --> 00:41:38,920
Speaker 3: But this guy wasn't pleased that they were leaving anyway,

745
00:41:39,440 --> 00:41:44,920
Speaker 3: so he sicked the Hamburg police on them, and it

746
00:41:44,960 --> 00:41:47,560
Speaker 3: was him and Pete Best actually the Beatles' original drummer

747
00:41:47,800 --> 00:41:49,480
Speaker 3: were thrown into a German jail.

748
00:41:49,800 --> 00:41:53,160
Speaker 1: First time in jail terrified him and I can imagine.

749
00:41:53,200 --> 00:41:56,440
Speaker 3: They were reported sent back to Liverpool and then George

750
00:41:56,480 --> 00:41:59,200
Speaker 3: was deported too for being underage. The club owner that

751
00:41:59,239 --> 00:42:01,600
Speaker 3: they initially been with was happy to turn a blind

752
00:42:01,600 --> 00:42:03,360
Speaker 3: eye to him. When they were working for him, But

753
00:42:03,400 --> 00:42:06,200
Speaker 3: now they're going somewhere else. Oh yeah, this kid's like seventeen.

754
00:42:06,480 --> 00:42:08,600
Speaker 3: And they had like a curfew in the post World

755
00:42:08,600 --> 00:42:12,120
Speaker 3: War two, very strict curfew for anyone under the age

756
00:42:12,120 --> 00:42:16,799
Speaker 3: of eighteen being out after a certain time. George was

757
00:42:16,920 --> 00:42:20,280
Speaker 3: a flouting curfew and so he was deported.

758
00:42:20,719 --> 00:42:22,760
Speaker 1: Didn't have a work perimeter of visa or anything.

759
00:42:23,440 --> 00:42:25,560
Speaker 2: I was gonna make some kind of anti immigrant joke there,

760
00:42:27,120 --> 00:42:33,520
Speaker 2: really trying to court the the Red States across the universe.

761
00:42:33,600 --> 00:42:37,480
Speaker 2: Was originally on a fundraising album for the world Wildlife

762
00:42:37,520 --> 00:42:40,040
Speaker 2: fun which label released it.

763
00:42:41,000 --> 00:42:44,960
Speaker 1: Oh wow, you might have me there it was, Thank God.

764
00:42:45,760 --> 00:42:49,920
Speaker 3: It was the British comedian Spike Milligan, who worked a

765
00:42:49,920 --> 00:42:52,400
Speaker 3: lot with He was one of the Goons, one of

766
00:42:52,440 --> 00:42:55,799
Speaker 3: the on the Goon Show, the famous radio show with

767
00:42:55,880 --> 00:42:59,760
Speaker 3: Peter Sellers. It would go on being the Pink Panther

768
00:43:00,040 --> 00:43:03,240
Speaker 3: and all the Stanley Kubrick movies and stuff. The Beatles

769
00:43:03,280 --> 00:43:07,839
Speaker 3: worshiped those comedians, the Goons, and George Barton had produced them,

770
00:43:07,880 --> 00:43:10,239
Speaker 3: actually done a lot of their their comedy records. So

771
00:43:10,600 --> 00:43:13,400
Speaker 3: I don't know why or how, but Spike Milligan crossed

772
00:43:13,400 --> 00:43:16,160
Speaker 3: their path and asked them to contribute something this World

773
00:43:16,200 --> 00:43:19,000
Speaker 3: Wildlife album that he was doing as a fundraiser, and

774
00:43:19,040 --> 00:43:24,160
Speaker 3: they kicked in across the universe. I I don't know,

775
00:43:24,200 --> 00:43:25,200
Speaker 3: I have no idea.

776
00:43:25,160 --> 00:43:30,440
Speaker 1: Starline Regal star Line, Still have no idea. Wow, yeah,

777
00:43:30,600 --> 00:43:32,640
Speaker 1: a division of them. I They.

778
00:43:34,400 --> 00:43:41,680
Speaker 2: Merger between Colombia and the Gramophone Company. Label was known

779
00:43:41,680 --> 00:43:46,719
Speaker 2: for its releases of Salvation, Army Brass Band music, Jesus

780
00:43:47,920 --> 00:43:50,279
Speaker 2: So that's the first one I met. Oh No no,

781
00:43:50,400 --> 00:43:53,440
Speaker 2: miss oh Oh, and Here you Go, Here you Go.

782
00:43:54,600 --> 00:43:58,319
Speaker 2: This is a tough one for a normal person. They

783
00:43:58,360 --> 00:44:02,840
Speaker 2: are the same label that originally released which nineteen seventy

784
00:44:02,880 --> 00:44:06,839
Speaker 2: seven album by Paul McCartney, released under a pseudonym.

785
00:44:07,320 --> 00:44:13,600
Speaker 3: Percy Thrills Thrillington Correct, which is the orchestral version of Ram,

786
00:44:13,680 --> 00:44:17,239
Speaker 3: nineteen seventy one's Ram, which is my favorite Paul McCartney album.

787
00:44:18,120 --> 00:44:22,120
Speaker 3: It was basically an in joke with himself while recording

788
00:44:22,200 --> 00:44:23,840
Speaker 3: or after having finished Ram.

789
00:44:24,160 --> 00:44:26,440
Speaker 1: He hired an entire orchestra to.

790
00:44:26,400 --> 00:44:28,800
Speaker 3: Do an instrumental version of it, had it all ranged,

791
00:44:29,360 --> 00:44:32,680
Speaker 3: and then he sat on it for six years, and

792
00:44:32,719 --> 00:44:35,360
Speaker 3: then he started taking ads out in like the local

793
00:44:35,440 --> 00:44:39,799
Speaker 3: music papers, putting in like you know, like like in

794
00:44:39,880 --> 00:44:42,319
Speaker 3: like society columns, being like Percy three, he gave this

795
00:44:42,360 --> 00:44:47,880
Speaker 3: guy his fictional alter ego, Verry Sergeant Peppery, Percy Thrills Thrillington,

796
00:44:48,320 --> 00:44:51,520
Speaker 3: this whole backstory of how he, like I forget. But

797
00:44:51,560 --> 00:44:54,719
Speaker 3: he took all these like little like society column blurbs

798
00:44:54,719 --> 00:44:58,520
Speaker 3: out to give this like fictitious orchestra leader a whole

799
00:44:58,520 --> 00:45:02,800
Speaker 3: backstory and then released and I think decades pretended that

800
00:45:02,840 --> 00:45:04,560
Speaker 3: he had nothing to do with it. So it was

801
00:45:04,600 --> 00:45:09,760
Speaker 3: just extremely costly, not very funny joke that Paul McCartney

802
00:45:09,840 --> 00:45:10,759
Speaker 3: had with himself.

803
00:45:13,320 --> 00:45:17,320
Speaker 1: Okay, ping ponging around. Actually no, let's.

804
00:45:17,200 --> 00:45:20,040
Speaker 2: Let's let's let's do uh, let's do a better one

805
00:45:20,239 --> 00:45:24,160
Speaker 2: or a more a more appropriate one. Who was the

806
00:45:24,200 --> 00:45:27,719
Speaker 2: tailor who designed three of the suits on the cover

807
00:45:27,760 --> 00:45:28,480
Speaker 2: of Abbey Road.

808
00:45:28,680 --> 00:45:29,680
Speaker 1: Oh that's good.

809
00:45:31,360 --> 00:45:33,480
Speaker 3: I want to say Dougie Millings, but I think he

810
00:45:33,560 --> 00:45:36,400
Speaker 3: did the earlier, like like the famous beetle suits that

811
00:45:36,440 --> 00:45:39,680
Speaker 3: you think of when they're all dressed identically in like

812
00:45:39,719 --> 00:45:40,759
Speaker 3: A hard Day's Night era.

813
00:45:44,480 --> 00:45:47,799
Speaker 1: Does it look like John Critton? Maybe No, I'm sorry,

814
00:45:47,880 --> 00:45:51,960
Speaker 1: that's incorrect, famous Savile Row Taylor, Tommy Knutter.

815
00:45:52,680 --> 00:45:57,480
Speaker 3: Oh, I yeah, I've heard that name ya salvel Row,

816
00:45:57,520 --> 00:46:00,320
Speaker 3: which is where the Beatles had their their Apple Records

817
00:46:00,360 --> 00:46:03,680
Speaker 3: headquarters and they performed on the roof, which we saw

818
00:46:03,800 --> 00:46:07,719
Speaker 3: for in the Get Back documentary. Savarow was prior to

819
00:46:07,719 --> 00:46:11,160
Speaker 3: their arrival, just Tailor Central. It was all just these

820
00:46:12,000 --> 00:46:14,759
Speaker 3: really high end tailors. A lot of them are still there,

821
00:46:14,760 --> 00:46:18,640
Speaker 3: and it's so funny. You go into these oak paneled

822
00:46:19,040 --> 00:46:22,040
Speaker 3: looks like something from the Titanic, these really old school

823
00:46:22,120 --> 00:46:25,000
Speaker 3: tailor shops at least like fifteen years ago when I

824
00:46:25,080 --> 00:46:28,759
Speaker 3: was there, and they have horse saddles that you can

825
00:46:28,840 --> 00:46:31,520
Speaker 3: sit on so that when they're tailoring your suits it

826
00:46:31,560 --> 00:46:34,799
Speaker 3: looks good when you're like fox hunting or something like

827
00:46:34,960 --> 00:46:36,920
Speaker 3: these dressage outfits.

828
00:46:36,960 --> 00:46:37,760
Speaker 1: It's really funny.

829
00:46:38,719 --> 00:46:44,400
Speaker 2: So, speaking of or Abbey Road and Apple Core, everyone

830
00:46:44,520 --> 00:46:51,520
Speaker 2: knows that Giannis Alexis Martis, also known as Magic Alex

831
00:46:51,840 --> 00:46:58,640
Speaker 2: was a Greek electronics engineer who lost Apple at least

832
00:46:58,680 --> 00:47:04,319
Speaker 2: three hundred thousand pounds with his bullsh schemes. Yes, uh,

833
00:47:04,640 --> 00:47:08,480
Speaker 2: what was the device that got John Lennon to hire him?

834
00:47:10,160 --> 00:47:12,520
Speaker 1: Oh? Man, I don't know if there was one.

835
00:47:13,120 --> 00:47:15,799
Speaker 3: I know that he would do things like convinced John

836
00:47:15,840 --> 00:47:20,239
Speaker 3: and George to give their their very powerful motors from

837
00:47:20,320 --> 00:47:23,360
Speaker 3: like George's Ferrari and John's one of his sports cars,

838
00:47:23,680 --> 00:47:25,680
Speaker 3: that he was going to build them a flying saucer

839
00:47:26,280 --> 00:47:29,759
Speaker 3: that he never did. There was like paint that was

840
00:47:29,800 --> 00:47:34,200
Speaker 3: going to change colors, or like act as a force field.

841
00:47:35,160 --> 00:47:37,080
Speaker 3: He had, Oh my god, he had all sorts of

842
00:47:37,080 --> 00:47:40,919
Speaker 3: these insane ideas that like, you know, there's this great

843
00:47:40,920 --> 00:47:43,480
Speaker 3: bit in the Beatles Anthology documentary where he was like, yeah,

844
00:47:43,480 --> 00:47:45,839
Speaker 3: he thought he could build this a studio, and all

845
00:47:45,840 --> 00:47:48,360
Speaker 3: he ever really did was like, you know, he thought

846
00:47:48,360 --> 00:47:50,040
Speaker 3: he would claim that he was on the cutting edge

847
00:47:50,040 --> 00:47:52,960
Speaker 3: of technology and only did was like build a toilet

848
00:47:53,000 --> 00:47:54,320
Speaker 3: with a radio in it or something.

849
00:47:56,880 --> 00:48:00,680
Speaker 1: It was something with a force field. Close.

850
00:48:01,320 --> 00:48:03,160
Speaker 3: There was a paint job that you could paint your

851
00:48:03,200 --> 00:48:07,440
Speaker 3: car and the faster you went the car would change colors.

852
00:48:07,480 --> 00:48:08,360
Speaker 1: That was one idea.

853
00:48:08,920 --> 00:48:12,160
Speaker 3: There was like wallpaper that was like speakers, I think

854
00:48:12,320 --> 00:48:13,480
Speaker 3: was like another one.

855
00:48:13,680 --> 00:48:16,400
Speaker 2: Actually, so this this, okay, this question is actually a

856
00:48:16,400 --> 00:48:20,440
Speaker 2: complete canard, apparently according to one us. According to The

857
00:48:20,560 --> 00:48:26,120
Speaker 2: Daily Beetle, the answer that I found was the nothing box,

858
00:48:26,560 --> 00:48:27,040
Speaker 2: which was.

859
00:48:27,080 --> 00:48:30,200
Speaker 1: Just a he didn't he didn't make that. Yeah, yeah, okay,

860
00:48:30,280 --> 00:48:31,040
Speaker 1: that is correct.

861
00:48:31,560 --> 00:48:34,759
Speaker 3: Then, the nothing Box was a metal box about the

862
00:48:34,760 --> 00:48:38,680
Speaker 3: size of like a foot square. It was a cube,

863
00:48:38,800 --> 00:48:41,799
Speaker 3: and it had eight lights, two rows of four on

864
00:48:41,840 --> 00:48:44,560
Speaker 3: the front, and they would just flash red and green

865
00:48:45,360 --> 00:48:49,480
Speaker 3: at completely random intervals, and it was just like kind

866
00:48:49,520 --> 00:48:54,319
Speaker 3: of John thought it was like the perfect stoner tool item.

867
00:48:54,640 --> 00:48:56,960
Speaker 3: And he was just so taken with this. I mean,

868
00:48:56,960 --> 00:48:58,879
Speaker 3: that was very John. He loved anything that.

869
00:48:58,920 --> 00:49:01,200
Speaker 1: Was like completely used, it's like that. He thought it

870
00:49:01,239 --> 00:49:03,000
Speaker 1: was funny, and he bought a bunch of them his

871
00:49:03,120 --> 00:49:06,680
Speaker 1: gifts for his friends for like Christmas sixty five. I

872
00:49:06,680 --> 00:49:10,239
Speaker 1: feel like and yeah, I don't think he made that though.

873
00:49:10,239 --> 00:49:11,640
Speaker 1: I don't think Magic Alex made that.

874
00:49:11,920 --> 00:49:16,400
Speaker 2: Okay, So how about this one. Let me pivot, let

875
00:49:16,400 --> 00:49:19,759
Speaker 2: me we'll erase the nothing box question. What was the

876
00:49:20,400 --> 00:49:25,000
Speaker 2: lone Beatles song that Magic Alex was nearly credited as

877
00:49:25,000 --> 00:49:26,160
Speaker 2: a songwriter.

878
00:49:25,760 --> 00:49:30,239
Speaker 3: On, Ooh That's good Baby You're a rich Man.

879
00:49:30,360 --> 00:49:34,960
Speaker 1: Maybe no, but it was. It was. It was supposedly

880
00:49:35,160 --> 00:49:39,080
Speaker 1: supposed to be on White Out. It was supposed to

881
00:49:39,120 --> 00:49:41,640
Speaker 1: be on the white album. Yeah it is on. It

882
00:49:41,760 --> 00:49:47,480
Speaker 1: later surfaced on Anthology three. Okay, what's the new Mary? Jenny?

883
00:49:47,600 --> 00:49:47,799
Speaker 4: Yes?

884
00:49:48,040 --> 00:49:48,520
Speaker 1: Correct?

885
00:49:49,239 --> 00:49:51,960
Speaker 2: In a nineteen sixty nine interview with n Emmy Lennon

886
00:49:52,000 --> 00:49:55,160
Speaker 2: credited Magic Alex with writing half this song, although this

887
00:49:55,239 --> 00:49:57,879
Speaker 2: credit was later revoked without explanation.

888
00:49:59,680 --> 00:50:00,000
Speaker 1: Yeah.

889
00:50:00,360 --> 00:50:04,720
Speaker 3: I mean, for anyone who's not so deeply into Beetle

890
00:50:04,800 --> 00:50:07,080
Speaker 3: Nerdery that they've listened through all six discs of the

891
00:50:07,080 --> 00:50:11,400
Speaker 3: Beatles Anthology set, it's this like it's almost like Revolution

892
00:50:11,560 --> 00:50:15,279
Speaker 3: number nine level, like tape loops and music concrete, and

893
00:50:15,640 --> 00:50:17,280
Speaker 3: it's kind of unlistenable.

894
00:50:20,640 --> 00:50:24,920
Speaker 1: Yeah, it's not that, you know, it's not good. No, no,

895
00:50:25,400 --> 00:50:29,680
Speaker 1: not at all. Ummm, how many was that? I don't know.

896
00:50:29,719 --> 00:50:31,560
Speaker 3: I don't know how many of these You ask them

897
00:50:31,600 --> 00:50:35,040
Speaker 3: and then you're like, oh, wait, maybe not so I

898
00:50:35,080 --> 00:50:35,279
Speaker 3: don't know.

899
00:50:35,880 --> 00:50:40,839
Speaker 1: Because I'm doing this live. I think we'll say one more.

900
00:50:40,880 --> 00:50:42,680
Speaker 1: I feel like I got one wrong in there.

901
00:50:43,120 --> 00:50:48,840
Speaker 2: Okay, which of these was not an actual nineteen sixties

902
00:50:49,040 --> 00:50:49,960
Speaker 2: novelty record?

903
00:50:50,120 --> 00:50:53,879
Speaker 3: Ooh, that's a great question already. I'm okay because they're

904
00:50:53,880 --> 00:50:57,920
Speaker 3: all so outrageous. Share did one under the name I

905
00:50:57,960 --> 00:51:03,000
Speaker 3: think Brenda or Barbara Mason or Barbara Joe Mason or

906
00:51:03,040 --> 00:51:05,680
Speaker 3: something ringo I Love you, And I think it was like,

907
00:51:05,680 --> 00:51:10,239
Speaker 3: okay first or one of the earliest, like featured vocal roles.

908
00:51:10,280 --> 00:51:10,880
Speaker 1: But anyway, go on.

909
00:51:11,400 --> 00:51:13,040
Speaker 2: So I'm in a name for and you're gonna tell

910
00:51:13,080 --> 00:51:16,919
Speaker 2: me which is the fake spot the fake Okay, okay,

911
00:51:16,960 --> 00:51:21,080
Speaker 2: what's wrong with Ringo by the Bond Bonds, stamp Out

912
00:51:21,120 --> 00:51:25,480
Speaker 2: the Beatles by the High Riders, the Beatle Bounce by

913
00:51:25,560 --> 00:51:30,239
Speaker 2: Bobby Comstock and the Counts, and Boom Boom Beatles by

914
00:51:30,280 --> 00:51:31,200
Speaker 2: the Rocketeers.

915
00:51:32,560 --> 00:51:36,520
Speaker 3: Wow, I'm gonna say stamp out the Beatles, because there

916
00:51:36,600 --> 00:51:40,920
Speaker 3: is a sweatshirt or a T shirt that the Beatles

917
00:51:40,920 --> 00:51:44,560
Speaker 3: themselves took to wearing around Sarch of Pepper era that

918
00:51:44,560 --> 00:51:46,600
Speaker 3: that was clearly something that somebody gave to him, that

919
00:51:46,719 --> 00:51:49,399
Speaker 3: some reactionaries in America had made. This said stamp out

920
00:51:49,400 --> 00:51:51,320
Speaker 3: the Beatles, and with the foot and a little beetle

921
00:51:51,400 --> 00:51:54,840
Speaker 3: under it. So I'm guessing that seems if I was

922
00:51:54,840 --> 00:51:57,600
Speaker 3: making up a fake answer or a fake you know,

923
00:51:58,280 --> 00:52:00,360
Speaker 3: a fake Beatles song, I would probably pick that.

924
00:52:00,400 --> 00:52:03,120
Speaker 1: So I'm gonna say that I'm sorry that is incorrect.

925
00:52:03,200 --> 00:52:06,719
Speaker 2: The correct You were correct about the sweatshirt, obviously, but

926
00:52:06,800 --> 00:52:09,680
Speaker 2: the correct answer was Boom Boom Beatles by the Rocketeers,

927
00:52:09,719 --> 00:52:12,400
Speaker 2: which is not a real song. Stamp Out the Beatles

928
00:52:12,400 --> 00:52:16,880
Speaker 2: by the High Riders is a real song. Let's listen

929
00:52:16,920 --> 00:52:18,799
Speaker 2: to Uh, let's listen to a part of it now.

930
00:52:19,120 --> 00:52:22,840
Speaker 1: Uh yeah, I've never heard it. Detroit Band apparently the

931
00:52:22,920 --> 00:52:30,200
Speaker 1: high Riders nineteen sixty four. What's good? It sounds like

932
00:52:30,239 --> 00:52:41,320
Speaker 1: everything else from this era. A group.

933
00:52:42,719 --> 00:52:52,719
Speaker 4: May at all they were known. Anyway, we're going to

934
00:52:52,800 --> 00:53:14,799
Speaker 4: stamp up.

935
00:53:07,320 --> 00:53:12,759
Speaker 1: Weirdly violent. Also, yeah, whip them real good. That's up.

936
00:53:13,080 --> 00:53:15,600
Speaker 1: All right, Okay, we'll call that one question.

937
00:53:15,800 --> 00:53:20,000
Speaker 3: Yeah, all right, Well, your next category in the horror

938
00:53:20,000 --> 00:53:23,560
Speaker 3: department is what's in a name? I'm going to ask

939
00:53:23,600 --> 00:53:26,760
Speaker 3: you for the name of various things from horror movies

940
00:53:29,040 --> 00:53:32,000
Speaker 3: here for us, and we're gonna start easy. What was

941
00:53:32,000 --> 00:53:38,040
Speaker 3: Freddy Krueger's serial killer nickname before he died? I don't

942
00:53:38,080 --> 00:53:40,840
Speaker 3: know that that wasn't you specifically until two thousand and

943
00:53:40,840 --> 00:53:42,520
Speaker 3: threes Freddy versus Jason.

944
00:53:45,160 --> 00:53:52,000
Speaker 1: God, that's a great movie. It is alliterative.

945
00:53:52,640 --> 00:53:54,560
Speaker 2: Yeah, yeah, and it's I'm trying to think of the

946
00:53:54,640 --> 00:53:56,319
Speaker 2: name of the town, because that's what it.

947
00:53:56,400 --> 00:54:03,480
Speaker 1: Is, The Springwood Slasher. Yes, yeah, nicely done.

948
00:54:04,000 --> 00:54:05,600
Speaker 2: I always confuse it with I always want to say

949
00:54:05,600 --> 00:54:08,160
Speaker 2: it's Springfield because the Simpsons, but it is not in

950
00:54:08,200 --> 00:54:12,680
Speaker 2: the sixth one, they visit Springwood. Uh, the awful awful movie. Uh,

951
00:54:12,960 --> 00:54:17,920
Speaker 2: Freddy's Dead and Roseanne Barr and Tom Arnold have cameos

952
00:54:18,200 --> 00:54:22,840
Speaker 2: in that scene, which is a deeply bizarre, deeply bizarre starring.

953
00:54:22,880 --> 00:54:24,360
Speaker 1: And let's bring it back to Titanic.

954
00:54:24,480 --> 00:54:29,879
Speaker 2: Freddy's Dead stars Billy Zane's sister, you were nodding like you,

955
00:54:29,880 --> 00:54:31,200
Speaker 2: you were like, yes, of course.

956
00:54:32,760 --> 00:54:35,799
Speaker 1: No, Billy z Ayine's sister was Billy Zayne ever in

957
00:54:35,840 --> 00:54:39,080
Speaker 1: a horror movie. He was in The Phantom.

958
00:54:39,239 --> 00:54:43,200
Speaker 2: Yeah, well, certain things about the Phantom are horrifying.

959
00:54:43,760 --> 00:54:47,319
Speaker 3: Well, while we're on the the Freddy Krueger category, where

960
00:54:47,320 --> 00:54:49,880
Speaker 3: did was Craven get the idea for the name Freddy Krueger?

961
00:54:53,960 --> 00:54:56,919
Speaker 2: So I know that the origins of Nightmare and Elm

962
00:54:56,920 --> 00:55:00,359
Speaker 2: Street are from a couple of things.

963
00:55:01,040 --> 00:55:02,640
Speaker 1: Uh.

964
00:55:02,760 --> 00:55:04,320
Speaker 2: Now I'm doing the who wants to be a Millionaire

965
00:55:04,360 --> 00:55:11,600
Speaker 2: thing where you just like talk through your entire Well,

966
00:55:11,760 --> 00:55:14,480
Speaker 2: so the concept of it came from this story, this

967
00:55:14,680 --> 00:55:22,480
Speaker 2: series of articles about the Filipino or Tagalog community in

968
00:55:22,800 --> 00:55:27,360
Speaker 2: La uh, who were plagued by recurring nightmares and actually

969
00:55:27,400 --> 00:55:28,360
Speaker 2: died in their sleep.

970
00:55:29,000 --> 00:55:32,880
Speaker 1: So that terrified him.

971
00:55:33,840 --> 00:55:37,319
Speaker 2: And then he also famously talked about the look of

972
00:55:37,360 --> 00:55:40,719
Speaker 2: the sweater and the hat came from like a homeless

973
00:55:40,719 --> 00:55:43,600
Speaker 2: guy that was like walking through his neighborhood and like

974
00:55:43,600 --> 00:55:46,520
Speaker 2: like stared at him through his window as a as

975
00:55:46,560 --> 00:55:47,040
Speaker 2: a kid.

976
00:55:47,920 --> 00:55:53,719
Speaker 1: But the name, hmm, I worry this may be apocryphal.

977
00:55:53,840 --> 00:55:55,759
Speaker 1: But can I get a hint?

978
00:55:56,320 --> 00:56:00,359
Speaker 3: You are on the right track with him remembering that

979
00:56:01,120 --> 00:56:03,239
Speaker 3: person that he saw as a kid.

980
00:56:03,800 --> 00:56:08,400
Speaker 1: Was it like his school janitor or someone figure from

981
00:56:08,440 --> 00:56:12,120
Speaker 1: his school his youth, Not janitor. I'm gonna go ahead

982
00:56:12,120 --> 00:56:17,080
Speaker 1: and say a bully then a classmate. Yeah, okay, school

983
00:56:17,080 --> 00:56:20,839
Speaker 1: bully named Fred Krueger. It's a good name. It's good good,

984
00:56:20,840 --> 00:56:23,839
Speaker 1: It is a good name. Mouth sounds good, strong name,

985
00:56:24,719 --> 00:56:26,560
Speaker 1: good strong aryan name.

986
00:56:30,520 --> 00:56:33,279
Speaker 3: What is the name of the spacecraft the crew is

987
00:56:33,440 --> 00:56:35,480
Speaker 3: bored in Aliens?

988
00:56:35,520 --> 00:56:36,360
Speaker 1: Oh? The Nostromo.

989
00:56:37,200 --> 00:56:41,080
Speaker 2: Yes, yes, I have the I have the hat that

990
00:56:43,480 --> 00:56:46,960
Speaker 2: not the hat, but I have the hat that a

991
00:56:47,000 --> 00:56:50,000
Speaker 2: repo of the hat that Harrydan stands wearing in the

992
00:56:50,040 --> 00:56:53,759
Speaker 2: movie has that the logo of the ship on it. Yes,

993
00:56:53,840 --> 00:56:57,120
Speaker 2: I believe it was mining or transport ship from the

994
00:56:57,120 --> 00:57:03,040
Speaker 2: Wayland Tawny Corporation and UH commonly confused with the USS Sulaco,

995
00:57:03,200 --> 00:57:06,520
Speaker 2: which is the military ship piloted by the Space Marines

996
00:57:06,640 --> 00:57:08,200
Speaker 2: in Aliens.

997
00:57:08,600 --> 00:57:12,560
Speaker 1: What years Alien take place? Oh, that's a good question.

998
00:57:12,719 --> 00:57:13,520
Speaker 1: I thought that was.

999
00:57:13,560 --> 00:57:16,840
Speaker 3: That's if that's from me. That's not a Oh.

1000
00:57:16,920 --> 00:57:20,680
Speaker 1: Uh, I don't know. Let's just find this out live

1001
00:57:21,600 --> 00:57:22,720
Speaker 1: twenty one two.

1002
00:57:23,200 --> 00:57:27,720
Speaker 2: Oh, okay, supposedly maybe I don't know Jesus this yeah,

1003
00:57:27,760 --> 00:57:28,760
Speaker 2: twenty one twenty two.

1004
00:57:29,160 --> 00:57:37,200
Speaker 1: According to the novelization of the film, Yes so Happy.

1005
00:57:37,280 --> 00:57:41,880
Speaker 2: The novelization came back. Okay, so that might be apocripse,

1006
00:57:42,000 --> 00:57:43,040
Speaker 2: it might not be canon.

1007
00:57:43,600 --> 00:57:45,280
Speaker 1: All right, we got all right?

1008
00:57:46,360 --> 00:57:48,680
Speaker 3: What is the name of the killer who possesses the

1009
00:57:48,680 --> 00:57:51,240
Speaker 3: doll that becomes Chucky in Child's Play?

1010
00:57:52,240 --> 00:57:54,560
Speaker 1: Oh? First and last names?

1011
00:57:55,040 --> 00:58:01,120
Speaker 2: Oh man a classic Brad dorrif role. One of my favorites.

1012
00:58:01,360 --> 00:58:01,480
Speaker 1: Uh.

1013
00:58:01,880 --> 00:58:07,400
Speaker 2: That killer's name is I one of the like manson

1014
00:58:07,600 --> 00:58:09,600
Speaker 2: esque combinations of.

1015
00:58:11,400 --> 00:58:11,880
Speaker 1: A triple.

1016
00:58:11,920 --> 00:58:14,800
Speaker 3: They're all triple Lee Harvey Oswald, Mark David Chapman.

1017
00:58:14,880 --> 00:58:17,760
Speaker 2: Yeah, triples make it triples make it safe. The killer's

1018
00:58:17,840 --> 00:58:22,680
Speaker 2: name is Charles Lee Ray, Yes, yeah, as opposed to

1019
00:58:22,840 --> 00:58:26,720
Speaker 2: James Earl Ray and Lee Harvey Oswald and Charles Manson.

1020
00:58:26,800 --> 00:58:27,560
Speaker 1: Is that what that was?

1021
00:58:27,680 --> 00:58:32,200
Speaker 2: I'm gonna go ahead and say yes, okay, yeah, And man,

1022
00:58:32,280 --> 00:58:36,520
Speaker 2: what a what a classic uh reef performance as him, uh,

1023
00:58:37,160 --> 00:58:43,120
Speaker 2: just doing just doing Danny DeVito essentially like a oh Man,

1024
00:58:43,200 --> 00:58:43,760
Speaker 2: Child's plays.

1025
00:58:43,800 --> 00:58:46,000
Speaker 1: Great. All right, that was easy. This one went. When

1026
00:58:46,040 --> 00:58:47,160
Speaker 1: Jessica Walter died.

1027
00:58:47,240 --> 00:58:51,160
Speaker 2: I I interviewed Tom Holland for the Post, the director

1028
00:58:51,200 --> 00:58:55,320
Speaker 2: of Child's Play, about it. And because she was originally

1029
00:58:55,320 --> 00:58:59,440
Speaker 2: the voice of Chucky, uh and she did like a

1030
00:58:59,520 --> 00:59:02,720
Speaker 2: whole day of recording on it, and I think she

1031
00:59:02,800 --> 00:59:04,760
Speaker 2: might have done the whole movie, or at least enough

1032
00:59:04,760 --> 00:59:07,920
Speaker 2: of it to get into test screenings. And because she

1033
00:59:07,960 --> 00:59:11,800
Speaker 2: had just done play Misty for me and Tom Holland,

1034
00:59:11,840 --> 00:59:15,479
Speaker 2: director Tom Holland, not Spider Man actor, Tom Holland saw

1035
00:59:15,520 --> 00:59:17,480
Speaker 2: her in that and cast her in Child's Plays the

1036
00:59:17,560 --> 00:59:20,840
Speaker 2: voice of Chucky, and they did they did it and

1037
00:59:20,880 --> 00:59:24,200
Speaker 2: then went into test screenings and it came back and

1038
00:59:24,240 --> 00:59:26,400
Speaker 2: he just said it came back not good.

1039
00:59:26,560 --> 00:59:34,120
Speaker 1: So they replaced her with Brad do Reef. That's cold. Yeah, yeah, yeah,

1040
00:59:34,480 --> 00:59:34,800
Speaker 1: all right.

1041
00:59:34,840 --> 00:59:37,120
Speaker 3: This one's a little tougher, I think, although I don't know,

1042
00:59:37,160 --> 00:59:39,320
Speaker 3: there's so much low on this movie. Maybe it's not

1043
00:59:39,840 --> 00:59:43,600
Speaker 3: what was Halloween originally going to be. Called maybe Sitter Murders.

1044
00:59:43,800 --> 00:59:47,600
Speaker 1: Yes, yeah, And it's funny because I think they were

1045
00:59:47,640 --> 00:59:50,560
Speaker 1: looking for a title for it and they were like

1046
00:59:51,440 --> 00:59:55,040
Speaker 1: gobsmacked that Halloween hadn't been taken. Ah.

1047
00:59:55,360 --> 00:59:58,200
Speaker 2: And one of the reasons that Friday the Thirteenth sucks

1048
00:59:58,360 --> 01:00:02,280
Speaker 2: so bad is that I hate Friday the thirteenth. I

1049
01:00:02,280 --> 01:00:05,280
Speaker 2: think Jason is like cool, but as a movie franchise

1050
01:00:05,320 --> 01:00:11,600
Speaker 2: it's hot ass, and I hate it specifically because the director,

1051
01:00:12,120 --> 01:00:15,120
Speaker 2: Sean Cunningham of the first one was like a porn

1052
01:00:15,160 --> 01:00:19,120
Speaker 2: director and Halloween was like this enormous financial success. It

1053
01:00:19,160 --> 01:00:21,760
Speaker 2: was like this crazy I think for a time it

1054
01:00:21,800 --> 01:00:25,200
Speaker 2: was the most successful independent film of all time, and

1055
01:00:26,280 --> 01:00:29,720
Speaker 2: he was like from porn, was like, oh, I'm going

1056
01:00:29,800 --> 01:00:32,920
Speaker 2: to get in on that. What other holiday can I do?

1057
01:00:33,160 --> 01:00:36,680
Speaker 2: And he was like again gobsmacked that Friday the thirteenth

1058
01:00:36,720 --> 01:00:41,400
Speaker 2: hadn't been taken, and just took out a full page

1059
01:00:41,440 --> 01:00:46,160
Speaker 2: ad in the trades saying touting this movie Friday the

1060
01:00:46,200 --> 01:00:51,600
Speaker 2: thirteenth that hadn't been made or written yet and was

1061
01:00:51,680 --> 01:00:55,520
Speaker 2: just like in Variety and like you know, deadline or whatever.

1062
01:00:55,560 --> 01:00:58,280
Speaker 2: All the trades was like Friday the thirteenth, a new

1063
01:00:58,360 --> 01:01:01,880
Speaker 2: vision in horror or whatever, and a bunch of distributors

1064
01:01:01,920 --> 01:01:04,720
Speaker 2: where immediately like called the production offices and we're like, oh,

1065
01:01:04,720 --> 01:01:07,160
Speaker 2: get me Friday the thirteenth, And he was like, well,

1066
01:01:07,440 --> 01:01:10,560
Speaker 2: I guess I gotta make a movie now, So.

1067
01:01:11,320 --> 01:01:15,360
Speaker 3: Well, dovetailing with that, I again, I trust you more

1068
01:01:15,440 --> 01:01:18,040
Speaker 3: than these randomisticals I found. But what was almost the

1069
01:01:18,040 --> 01:01:20,200
Speaker 3: title of Friday the thirteenth?

1070
01:01:20,440 --> 01:01:25,960
Speaker 2: Having said that, I have no idea.

1071
01:01:24,400 --> 01:01:29,400
Speaker 3: What I've seen is long Night at Camp Blood. Umm,

1072
01:01:30,280 --> 01:01:31,560
Speaker 3: maybe qualify that.

1073
01:01:32,400 --> 01:01:35,960
Speaker 2: Maybe, yeah, I don't know, Maybe I'm not sure how

1074
01:01:36,000 --> 01:01:36,840
Speaker 2: I feel about that.

1075
01:01:37,480 --> 01:01:40,600
Speaker 3: All right, just qualified on the topic of camps. In

1076
01:01:40,640 --> 01:01:43,800
Speaker 3: the cult classic sleep Away Camp from nineteen eighty three,

1077
01:01:44,480 --> 01:01:46,600
Speaker 3: what's the name of the camp the kids attend?

1078
01:01:47,800 --> 01:01:52,440
Speaker 2: Ooh, that's a good one. Famously transphobic film sleep Away Camp.

1079
01:01:52,680 --> 01:01:55,560
Speaker 1: Uh. You know, obviously the famous one is Crystal Lake

1080
01:01:55,680 --> 01:01:59,680
Speaker 1: in Friday the Thirteenth. Camp It's it's like it's it's

1081
01:01:59,720 --> 01:02:02,400
Speaker 1: like a uh, it's like camp on Ajuana. I was.

1082
01:02:02,640 --> 01:02:04,280
Speaker 1: I was just about to say, it's like a Native

1083
01:02:04,280 --> 01:02:09,960
Speaker 1: American thing camp uh, Arrowwhack Camparauac Campara.

1084
01:02:10,040 --> 01:02:14,320
Speaker 3: Yes, Yes, nicely done. All Right, We've got one, two, three, four,

1085
01:02:14,480 --> 01:02:15,520
Speaker 3: we got five more.

1086
01:02:16,160 --> 01:02:22,360
Speaker 1: Unstated in the movie. What's the name so you know

1087
01:02:22,600 --> 01:02:23,240
Speaker 1: for yourself?

1088
01:02:26,160 --> 01:02:28,640
Speaker 3: What is the name of the demon that possesses Reagan

1089
01:02:28,720 --> 01:02:30,160
Speaker 3: McNeil in The Exorcist?

1090
01:02:30,200 --> 01:02:33,080
Speaker 1: Oh? Did you know that? Oh? That's a classic.

1091
01:02:33,280 --> 01:02:34,800
Speaker 2: In fact, when I was at People, one of the

1092
01:02:34,880 --> 01:02:37,240
Speaker 2: one of the few crime stories I worked on was

1093
01:02:37,480 --> 01:02:40,840
Speaker 2: this horrifying thing down in like North Carolina or something

1094
01:02:40,840 --> 01:02:45,680
Speaker 2: where this guy uh uh it was like I called

1095
01:02:45,720 --> 01:02:47,600
Speaker 2: himself Pazzuzu.

1096
01:02:48,600 --> 01:02:50,920
Speaker 1: Jesus. Yeah.

1097
01:02:50,120 --> 01:02:53,320
Speaker 3: Oh, I should have asked this when we were on

1098
01:02:53,400 --> 01:02:55,480
Speaker 3: the Alien Train. What is the name of the planet

1099
01:02:55,520 --> 01:02:57,360
Speaker 3: where the crew discovered the alien eggs?

1100
01:02:57,400 --> 01:02:57,960
Speaker 1: In Alien?

1101
01:02:59,000 --> 01:02:59,400
Speaker 5: Oh?

1102
01:02:59,520 --> 01:03:02,000
Speaker 1: Is it? Uh?

1103
01:03:02,960 --> 01:03:06,720
Speaker 2: It's a number. It's like a number combination, right. Uh,

1104
01:03:07,560 --> 01:03:13,120
Speaker 2: it's l V because people celebrate it every year in April.

1105
01:03:13,440 --> 01:03:18,120
Speaker 2: It's l V four to six. Yes, nicely done. Yeah,

1106
01:03:18,200 --> 01:03:22,560
Speaker 2: because four twenty six is Alien Day in some circles.

1107
01:03:22,920 --> 01:03:25,200
Speaker 2: But there's a lot because there's different, there's different they

1108
01:03:25,240 --> 01:03:27,480
Speaker 2: do the same designation in like different movies.

1109
01:03:28,720 --> 01:03:30,280
Speaker 1: Yeah, all right, I like this one. This one I

1110
01:03:30,320 --> 01:03:31,320
Speaker 1: won't be able to niche.

1111
01:03:31,320 --> 01:03:34,000
Speaker 3: What is the name of the book that Ash puts

1112
01:03:34,040 --> 01:03:36,920
Speaker 3: on top of the garbage can to trap his several hands?

1113
01:03:37,000 --> 01:03:37,960
Speaker 1: Farewell to arms.

1114
01:03:38,080 --> 01:03:40,880
Speaker 2: Yes, because it's right after he cuts off his own arm.

1115
01:03:41,240 --> 01:03:42,960
Speaker 1: Yes. Nice.

1116
01:03:43,000 --> 01:03:46,400
Speaker 2: Okay, I just rewatched All the Evil deads because because

1117
01:03:47,400 --> 01:03:48,479
Speaker 2: the new one just came out.

1118
01:03:48,720 --> 01:03:49,480
Speaker 1: Funny funny.

1119
01:03:49,520 --> 01:03:52,720
Speaker 2: On the topic of eighties horror movies referencing classic literature,

1120
01:03:53,440 --> 01:03:56,560
Speaker 2: the one of my the few good Friday the Thirteenth

1121
01:03:56,600 --> 01:04:00,360
Speaker 2: movies is I think it's New Blood or.

1122
01:04:00,440 --> 01:04:03,880
Speaker 1: New Beginning of the fourteenth.

1123
01:04:02,960 --> 01:04:06,560
Speaker 2: Friday the Fourteenth, part sixth, and there's a there's a

1124
01:04:06,640 --> 01:04:08,680
Speaker 2: random shot in that film. This is the one that

1125
01:04:08,720 --> 01:04:10,080
Speaker 2: I like because it's got a kind of a sly

1126
01:04:10,200 --> 01:04:12,800
Speaker 2: sense of humor. One of the kids at camp, this

1127
01:04:12,840 --> 01:04:15,680
Speaker 2: little nine year old girl, they like pan over them

1128
01:04:15,760 --> 01:04:17,720
Speaker 2: is they're like going to sleep at night, and the

1129
01:04:17,760 --> 01:04:24,280
Speaker 2: girl is reading Jean Paul Satra's No Exit, which is

1130
01:04:24,400 --> 01:04:29,360
Speaker 2: such a deeply bizarre thing to throw into like a single,

1131
01:04:29,520 --> 01:04:32,919
Speaker 2: like a couple frames of film. So that's the best

1132
01:04:32,920 --> 01:04:35,440
Speaker 2: Friday the thirteenth in my opinion, solely for that bit.

1133
01:04:35,640 --> 01:04:39,040
Speaker 1: All right, Tumar. In Clive Barker's original novel The Hell

1134
01:04:39,120 --> 01:04:43,920
Speaker 1: Bound Heart, what is Pinhead's real name? Uh? I don't

1135
01:04:43,960 --> 01:04:45,600
Speaker 1: think he has a proper name. Isn't his title The

1136
01:04:45,640 --> 01:04:49,360
Speaker 1: Hell Priest? Yes? Yes, yeah.

1137
01:04:49,480 --> 01:04:49,640
Speaker 4: Fun.

1138
01:04:49,720 --> 01:04:51,960
Speaker 2: Also a fun fact they tried to give him the

1139
01:04:52,000 --> 01:04:54,360
Speaker 2: original makeup in that movie was they tried to give

1140
01:04:54,440 --> 01:04:57,160
Speaker 2: him actual pins and they weren't showing up on film,

1141
01:04:57,280 --> 01:05:00,640
Speaker 2: so they had to re sculpt them as like actual nails.

1142
01:05:01,680 --> 01:05:04,640
Speaker 2: But yeah, Clive Barker famously doesn't. He thinks that name

1143
01:05:04,720 --> 01:05:08,480
Speaker 2: is not dignified enough for his hell priest.

1144
01:05:08,760 --> 01:05:12,640
Speaker 3: Okay, and your last question for a clean sweep of

1145
01:05:12,680 --> 01:05:16,720
Speaker 3: this category, what is the name of the giant zombie

1146
01:05:16,760 --> 01:05:19,400
Speaker 3: proof vehicle in Land of the Dead.

1147
01:05:20,760 --> 01:05:23,560
Speaker 1: Oh, damn.

1148
01:05:25,200 --> 01:05:31,160
Speaker 2: Uh not one of my favorite romeros. Actually, I don't

1149
01:05:31,200 --> 01:05:33,040
Speaker 2: know it. I'm not gonna get this. All I know

1150
01:05:33,160 --> 01:05:35,280
Speaker 2: is I think, like the lead zombie in that is

1151
01:05:35,320 --> 01:05:37,000
Speaker 2: this big. I think they don't they call him like

1152
01:05:37,040 --> 01:05:39,120
Speaker 2: big Daddy or something. No, I have no idea what

1153
01:05:39,160 --> 01:05:40,400
Speaker 2: the name of the vehicle is.

1154
01:05:40,440 --> 01:05:40,880
Speaker 1: What is it?

1155
01:05:41,400 --> 01:05:43,720
Speaker 3: Well, you know what, I just I miscounted that this

1156
01:05:43,760 --> 01:05:46,160
Speaker 3: is actually number eleven of this category. I thought it

1157
01:05:46,200 --> 01:05:48,800
Speaker 3: was just a ten. So we're gonna call this We're

1158
01:05:48,800 --> 01:05:51,800
Speaker 3: gonna call this just a bonus farkay, We're gonna say

1159
01:05:51,800 --> 01:05:54,720
Speaker 3: you sweeped it with ten. The name of the giant

1160
01:05:54,800 --> 01:05:58,960
Speaker 3: zombie proof vehicle in Land of the Dead is Dead Reckoning, Okay,

1161
01:05:59,400 --> 01:06:01,880
Speaker 3: all right, I'd records like, yeah, we're gonna call that

1162
01:06:01,960 --> 01:06:04,640
Speaker 3: a perfect score. We're gonna that's ten.

1163
01:06:04,800 --> 01:06:10,200
Speaker 2: I'm creeping back, creeping back, okay. John Lennon played lead

1164
01:06:10,400 --> 01:06:16,280
Speaker 2: guitar on three out of these four songs, m Okay,

1165
01:06:17,200 --> 01:06:22,480
Speaker 2: which is the odd one out, M Honey Pie, get

1166
01:06:22,520 --> 01:06:27,560
Speaker 2: Back you can't do that, and bad.

1167
01:06:27,360 --> 01:06:32,400
Speaker 3: Boy Wow okay, So honey Pie you can hear Paul

1168
01:06:32,560 --> 01:06:34,440
Speaker 3: kind of call off to John in the middle of

1169
01:06:34,440 --> 01:06:37,440
Speaker 3: the solo, and John kind of reacts to playing it,

1170
01:06:37,520 --> 01:06:41,560
Speaker 3: So that's definitely one. Get Back is another one because

1171
01:06:41,840 --> 01:06:43,880
Speaker 3: he would later say something kind of bitchy, and I

1172
01:06:43,880 --> 01:06:45,880
Speaker 3: think it was the Yon winner at Rolling Stone interview

1173
01:06:45,880 --> 01:06:48,720
Speaker 3: in nineteen seventy, right after the breakup, when he hated

1174
01:06:48,720 --> 01:06:49,479
Speaker 3: everybody being.

1175
01:06:49,360 --> 01:06:50,920
Speaker 1: Like, oh yeah, I played lead guitar on that.

1176
01:06:51,240 --> 01:06:53,520
Speaker 3: When Paul was feeling kindly, he would give me a

1177
01:06:53,520 --> 01:06:56,000
Speaker 3: solo to play.

1178
01:06:56,000 --> 01:07:00,800
Speaker 1: So that's that. You can't do that. That was very

1179
01:07:00,880 --> 01:07:04,120
Speaker 1: much a like that, and I feel fine.

1180
01:07:04,280 --> 01:07:07,320
Speaker 3: We're very like riff bassed songs and it's kind of

1181
01:07:07,360 --> 01:07:10,080
Speaker 3: like baked into the song. So I would guess that

1182
01:07:10,240 --> 01:07:15,400
Speaker 3: John played that just because it's so integral to the song,

1183
01:07:16,040 --> 01:07:20,680
Speaker 3: although George came up with the the and I love Her,

1184
01:07:20,760 --> 01:07:24,400
Speaker 3: so I guess that isn't doesn't immediately prove it. I'm

1185
01:07:24,440 --> 01:07:28,800
Speaker 3: gonna say bad Boy sounds like him though, so that's

1186
01:07:28,840 --> 01:07:31,760
Speaker 3: also probably high on the list of the most obscure

1187
01:07:31,800 --> 01:07:34,520
Speaker 3: Beatles songs. Ever, it's a cover of a Chuck Berry song.

1188
01:07:34,560 --> 01:07:37,600
Speaker 3: I think that is not correct.

1189
01:07:38,320 --> 01:07:41,280
Speaker 1: Is a cover? Is a cover of Larry Williams?

1190
01:07:41,440 --> 01:07:45,840
Speaker 3: Yeah, it is, yeah, pro I'm gonna say you you

1191
01:07:45,880 --> 01:07:48,520
Speaker 3: can't do that, because that's just you would have to

1192
01:07:48,560 --> 01:07:51,760
Speaker 3: be playing the riff as you're singing, and John, by

1193
01:07:51,800 --> 01:07:52,240
Speaker 3: his own.

1194
01:07:52,080 --> 01:07:54,360
Speaker 1: Admission, wasn't coordinated enough to do that kind of stuff.

1195
01:07:54,360 --> 01:07:56,680
Speaker 1: I'm gonna say you can't do that. According to this

1196
01:07:56,880 --> 01:08:04,000
Speaker 1: it is bad Boy. Wow. Okay, that's real deep cut there.

1197
01:08:04,040 --> 01:08:07,800
Speaker 1: Although I you know, yeah, that's that's like one of

1198
01:08:07,840 --> 01:08:10,320
Speaker 1: the most obscure. It wasn't It wasn't even released in America.

1199
01:08:10,360 --> 01:08:14,960
Speaker 1: I don't think. Oh no, the am I yet was. Okay,

1200
01:08:15,000 --> 01:08:17,800
Speaker 1: let's see what else we got here, all right, that's

1201
01:08:17,800 --> 01:08:18,920
Speaker 1: a good, good question.

1202
01:08:19,040 --> 01:08:22,200
Speaker 2: I mean, these are insane and and that's the only

1203
01:08:22,240 --> 01:08:25,480
Speaker 2: reason I'm going, uh, I'm going on these.

1204
01:08:27,160 --> 01:08:28,559
Speaker 1: Let's go with another.

1205
01:08:30,240 --> 01:08:32,160
Speaker 2: I don't I have I have no idea what this

1206
01:08:32,200 --> 01:08:37,360
Speaker 2: could be, which Lennon McCartney original was performed by the

1207
01:08:37,400 --> 01:08:42,000
Speaker 2: Beatles for the BBC but never recorded for em.

1208
01:08:41,760 --> 01:08:44,679
Speaker 1: I I'll be on my way, son of a Bitch.

1209
01:08:44,920 --> 01:08:47,559
Speaker 1: That is correct. It's a great song.

1210
01:08:48,040 --> 01:08:49,720
Speaker 3: I don't think it was ever because you know, there

1211
01:08:49,720 --> 01:08:51,800
Speaker 3: are a lot of songs, especially in the early days,

1212
01:08:51,960 --> 01:08:56,400
Speaker 3: pre like you know, pre everything they did being considered

1213
01:08:56,560 --> 01:09:00,280
Speaker 3: art back when they were just jobbing song right is,

1214
01:09:00,360 --> 01:09:04,400
Speaker 3: basically they wrote a lot of songs, especially for other

1215
01:09:04,439 --> 01:09:06,960
Speaker 3: groups that were managed by their manager, Brian Epstein. He

1216
01:09:07,000 --> 01:09:10,120
Speaker 3: had a whole stable of artists and they would give

1217
01:09:10,120 --> 01:09:15,160
Speaker 3: a lot of songs to acts like Stilla Black and

1218
01:09:15,600 --> 01:09:18,479
Speaker 3: I Think the Foremost was another one. And then Paul

1219
01:09:18,520 --> 01:09:21,320
Speaker 3: McCartney was dating this actress Jane Asher, and her brother

1220
01:09:21,360 --> 01:09:24,080
Speaker 3: Peter Asher was in a group called Peter and Gordon

1221
01:09:24,120 --> 01:09:26,120
Speaker 3: and they got really famous doing a bunch of Lennon

1222
01:09:26,160 --> 01:09:29,560
Speaker 3: and McCartney songs, the World Without Love, I Think I

1223
01:09:29,600 --> 01:09:33,160
Speaker 3: Don't want to see You Again as another one. In fact,

1224
01:09:33,200 --> 01:09:35,240
Speaker 3: they were so angry that people just thought that they

1225
01:09:35,240 --> 01:09:38,559
Speaker 3: were getting Lennon and McCartney handoffs that Paul wrote him

1226
01:09:38,560 --> 01:09:41,000
Speaker 3: another song, but he used a pseudonym because he was

1227
01:09:41,040 --> 01:09:44,400
Speaker 3: sick of everybody accusing them of just, you know, being

1228
01:09:44,400 --> 01:09:47,000
Speaker 3: a vehicle for Paul's songwriting side gigs.

1229
01:09:47,000 --> 01:09:50,360
Speaker 1: So a song called Woman. I think they used the

1230
01:09:50,439 --> 01:09:55,320
Speaker 1: name Bernard Webb. The question.

1231
01:09:57,000 --> 01:10:01,519
Speaker 2: This one is insane. I could not even tell you.

1232
01:10:02,080 --> 01:10:03,960
Speaker 2: I couldn't even begin to tell you.

1233
01:10:04,200 --> 01:10:07,639
Speaker 1: Well, don't you have the answer there? No, I'm doing

1234
01:10:07,640 --> 01:10:10,880
Speaker 1: this live. Uh it isn't it is?

1235
01:10:11,040 --> 01:10:15,160
Speaker 2: It's It's okay, all right. Which Beatle narrowly avoided the

1236
01:10:15,240 --> 01:10:19,360
Speaker 2: nineteen sixty seven drug raid on Redlands, the home of

1237
01:10:19,400 --> 01:10:20,120
Speaker 2: the Rolling Stones.

1238
01:10:20,200 --> 01:10:24,120
Speaker 3: Keith Richard, This is embarrassing. I'm actually I feel like

1239
01:10:24,120 --> 01:10:25,800
Speaker 3: it was due to George or Paul. I'm gonna say

1240
01:10:25,840 --> 01:10:26,759
Speaker 3: George correct.

1241
01:10:26,840 --> 01:10:30,200
Speaker 2: It was George Harrison. George and Patty Harrison left the

1242
01:10:30,240 --> 01:10:34,400
Speaker 2: party around eight pm, just as police officers were outside

1243
01:10:34,479 --> 01:10:36,080
Speaker 2: preparing to launch the raid.

1244
01:10:36,439 --> 01:10:38,200
Speaker 3: I mean, the whole thing was set up by the

1245
01:10:38,320 --> 01:10:40,120
Speaker 3: I think it was the News of the World newspaper,

1246
01:10:40,120 --> 01:10:42,120
Speaker 3: which was this tabloid.

1247
01:10:42,160 --> 01:10:44,080
Speaker 1: I think it was one of the Rupert Murdoch tabloyds.

1248
01:10:44,080 --> 01:10:45,360
Speaker 1: I think it just shut.

1249
01:10:45,160 --> 01:10:48,840
Speaker 3: Down recently when they were embroiled in some scandal for

1250
01:10:48,920 --> 01:10:52,040
Speaker 3: tapping people's cell phones I think like maybe ten years ago,

1251
01:10:52,479 --> 01:10:55,320
Speaker 3: And yeah, they'd been just tipped off, like it was

1252
01:10:55,360 --> 01:10:58,519
Speaker 3: a whole hullabaloo. They told the police, and then the

1253
01:10:58,720 --> 01:11:00,720
Speaker 3: police in return like told them wh they were going

1254
01:11:00,760 --> 01:11:02,280
Speaker 3: to show up, and then they were there with like

1255
01:11:02,360 --> 01:11:05,519
Speaker 3: cameras and stuff. It was a whole thing. Like the

1256
01:11:05,560 --> 01:11:07,599
Speaker 3: British press in this era, probably any.

1257
01:11:07,439 --> 01:11:09,799
Speaker 2: Area, any era. They're the worst people in the world.

1258
01:11:09,960 --> 01:11:16,840
Speaker 2: It's insane, Okay. In December of nineteen seventy four, where

1259
01:11:16,840 --> 01:11:20,360
Speaker 2: did John Lennon sign the papers to officially dissolve the

1260
01:11:20,360 --> 01:11:22,439
Speaker 2: Beatles partnership Disney World.

1261
01:11:22,720 --> 01:11:23,280
Speaker 1: Correct.

1262
01:11:23,360 --> 01:11:27,519
Speaker 2: According to May Pang, he finally picked up his pen and,

1263
01:11:28,200 --> 01:11:31,880
Speaker 2: in the unlikely backdrop of the Polynesian Village Hotel at

1264
01:11:31,880 --> 01:11:34,519
Speaker 2: Disney World, ended the greatest rock and roll band in

1265
01:11:34,600 --> 01:11:38,960
Speaker 2: history by scrawling John Lennon at the bottom of the page,

1266
01:11:39,200 --> 01:11:40,760
Speaker 2: I should have gone with them, I should have gone

1267
01:11:40,800 --> 01:11:42,559
Speaker 2: with which hotel at Disney World.

1268
01:11:43,120 --> 01:11:45,080
Speaker 1: Yeah, I know, yeah that I would have. I can

1269
01:11:45,120 --> 01:11:46,920
Speaker 1: see the pictures, pictures of it. I mean.

1270
01:11:46,920 --> 01:11:50,559
Speaker 3: The funny thing with that was, you know, the legal

1271
01:11:51,160 --> 01:11:54,040
Speaker 3: hassles of dissolving the Beatles partnership took years.

1272
01:11:54,040 --> 01:11:56,600
Speaker 1: I mean Paul first filed.

1273
01:11:56,760 --> 01:12:00,519
Speaker 3: Made a legal issue in December of nineteen seven, so

1274
01:12:00,560 --> 01:12:04,439
Speaker 3: it took four years and they got all the paperwork

1275
01:12:04,520 --> 01:12:09,040
Speaker 3: arranged and they John's living in New York, or at

1276
01:12:09,120 --> 01:12:11,040
Speaker 3: least was mostly based in New York at this time,

1277
01:12:11,080 --> 01:12:12,439
Speaker 3: although it might have been when he was in La

1278
01:12:12,560 --> 01:12:15,280
Speaker 3: most of the times, but anyway was New York wasn't

1279
01:12:15,280 --> 01:12:17,840
Speaker 3: hard for him to get to and so they went

1280
01:12:17,920 --> 01:12:22,799
Speaker 3: to the Plaza Hotel and Paul flew in from England,

1281
01:12:23,120 --> 01:12:24,520
Speaker 3: George and Ringo Fluin.

1282
01:12:24,320 --> 01:12:25,240
Speaker 1: From I think England.

1283
01:12:25,880 --> 01:12:28,920
Speaker 3: They came to a place that was very convenient for him,

1284
01:12:29,400 --> 01:12:31,360
Speaker 3: and then he just refused to show up to sign

1285
01:12:31,400 --> 01:12:35,559
Speaker 3: the papers because the numbers weren't right or something. I think, actually,

1286
01:12:35,600 --> 01:12:37,040
Speaker 3: you know what, This was right around when he was

1287
01:12:37,040 --> 01:12:39,000
Speaker 3: getting back together with Yoko, so yeah, I think he

1288
01:12:39,120 --> 01:12:41,320
Speaker 3: was up there and yeah, he was just like, couldn't

1289
01:12:41,360 --> 01:12:47,040
Speaker 3: come across the park to sign these papers. And then eventually, yeah,

1290
01:12:47,120 --> 01:12:50,519
Speaker 3: during a Christmas trip in December nineteen seventy four, and

1291
01:12:50,520 --> 01:12:51,920
Speaker 3: he was one of the few times he was with

1292
01:12:51,960 --> 01:12:55,840
Speaker 3: his first son, Julian, he signed them down there with

1293
01:12:56,800 --> 01:13:00,160
Speaker 3: his girlfriend that he had when he was separated from

1294
01:13:00,200 --> 01:13:04,439
Speaker 3: Yoko Maypang on hand to bear witness. And I think

1295
01:13:04,439 --> 01:13:09,120
Speaker 3: she took some photos too, That is correct. Documentary about

1296
01:13:09,120 --> 01:13:09,840
Speaker 3: her just came out.

1297
01:13:10,000 --> 01:13:15,840
Speaker 2: Uh, all right, this is crazy, which US actress recorded

1298
01:13:16,040 --> 01:13:22,880
Speaker 2: a reaction song to John Lennon's Two Virgins album cover.

1299
01:13:23,439 --> 01:13:25,920
Speaker 2: The name of the song is John You Went Too

1300
01:13:26,000 --> 01:13:29,680
Speaker 2: Far This Time. The pseudonym she recorded it under is

1301
01:13:29,840 --> 01:13:31,760
Speaker 2: Rainbow minus the W.

1302
01:13:32,439 --> 01:13:36,080
Speaker 3: This sounds really familiar and I don't remember. Can you

1303
01:13:36,120 --> 01:13:38,360
Speaker 3: give me the world's smallest hint?

1304
01:13:40,400 --> 01:13:46,560
Speaker 1: Yes? It was written by no completely unhelpful. Uh.

1305
01:13:47,000 --> 01:13:50,080
Speaker 2: One of her most prominent roles is in one of

1306
01:13:50,120 --> 01:13:55,960
Speaker 2: the more famous horror films, Uh that you would you

1307
01:13:55,960 --> 01:14:00,240
Speaker 2: you might be aware of chant Lee no no, no no,

1308
01:14:00,840 --> 01:14:03,080
Speaker 2: if I give you The film was directed by.

1309
01:14:02,920 --> 01:14:11,840
Speaker 1: Brian de Palma. I don't know Mary Elizabeth Sissy spasic wow.

1310
01:14:12,400 --> 01:14:14,599
Speaker 1: I that I had no idea.

1311
01:14:14,920 --> 01:14:17,320
Speaker 2: And that the film I was referencing was Carrie Let's

1312
01:14:17,360 --> 01:14:20,519
Speaker 2: let's take a listen to it. It's called a John

1313
01:14:20,600 --> 01:14:27,080
Speaker 2: You've Gone Too Far This Time? Written by J.

1314
01:14:27,360 --> 01:14:33,160
Speaker 1: Marshall and R. Doltka forty five forty five rpm. Uh,

1315
01:14:34,000 --> 01:14:36,040
Speaker 1: let's see includes the lyrics.

1316
01:14:36,360 --> 01:14:39,599
Speaker 2: Now I gaze in awe. Before that picture, my mind

1317
01:14:39,720 --> 01:14:42,760
Speaker 2: retires to the place it was before you came. I

1318
01:14:42,800 --> 01:14:45,559
Speaker 2: love the things you showed me up till now, but

1319
01:14:45,720 --> 01:14:48,200
Speaker 2: since that picture, I don't think my love will be

1320
01:14:48,280 --> 01:14:52,360
Speaker 2: the same. A response to the Two Virgins album cover.

1321
01:14:52,560 --> 01:14:54,760
Speaker 3: That's a famous naked album cover.

1322
01:14:55,040 --> 01:15:00,200
Speaker 2: Yes, I didn't know Sissy Spacek was such a prude.

1323
01:15:02,200 --> 01:15:06,559
Speaker 4: Everything you asked of me, I did that, John, from

1324
01:15:06,640 --> 01:15:11,160
Speaker 4: holding hands to living in a sunlight sun Lorie, and.

1325
01:15:11,200 --> 01:15:12,760
Speaker 5: You were something special.

1326
01:15:13,240 --> 01:15:17,760
Speaker 4: You said, John, that you had more decidles than a

1327
01:15:17,960 --> 01:15:19,680
Speaker 4: man who was too great.

1328
01:15:23,840 --> 01:15:37,960
Speaker 5: Joch.

1329
01:15:46,479 --> 01:15:51,880
Speaker 2: That is fucking nuts. I feel like I'm about to

1330
01:15:51,960 --> 01:15:53,559
Speaker 2: d m this to you. I feel like I'm on

1331
01:15:53,640 --> 01:15:57,400
Speaker 2: acid now. That sounds like a weird Wes Anderson like

1332
01:15:57,600 --> 01:16:01,480
Speaker 2: Needle Drop and or something from like like a sixties

1333
01:16:01,560 --> 01:16:07,759
Speaker 2: folk horror movie like Wickerman or some good lord that's weird.

1334
01:16:08,280 --> 01:16:12,000
Speaker 1: Who knew Sissy space It kind of had a musical career. Yeah,

1335
01:16:12,080 --> 01:16:15,160
Speaker 1: I didn't know that. Wow, I'll send you a stand.

1336
01:16:15,240 --> 01:16:16,680
Speaker 1: How many weak up to you? You were trying to

1337
01:16:16,720 --> 01:16:19,280
Speaker 1: actively destroy me in this rend. I very much was.

1338
01:16:19,360 --> 01:16:20,759
Speaker 1: I haven't even been paying attention.

1339
01:16:22,600 --> 01:16:25,679
Speaker 2: It's funny that I'm I'm giving you the harder questions

1340
01:16:25,720 --> 01:16:28,760
Speaker 2: and also expecting you to keep score and keep track

1341
01:16:28,800 --> 01:16:29,800
Speaker 2: of all of the questions.

1342
01:16:30,720 --> 01:16:33,680
Speaker 1: I don't know who gives a ship this is? This

1343
01:16:33,720 --> 01:16:38,760
Speaker 1: is this is the feasy one? You want one more?

1344
01:16:38,800 --> 01:16:39,320
Speaker 1: You want more?

1345
01:16:39,640 --> 01:16:44,160
Speaker 2: Oh my god, this is just this is insane. Which

1346
01:16:44,200 --> 01:16:48,679
Speaker 2: of these London addresses was not a home to apple Core?

1347
01:16:49,080 --> 01:16:52,400
Speaker 1: I'll get it. Wait now, don't you don't you know what?

1348
01:16:52,439 --> 01:16:55,240
Speaker 3: Don't don't even say anything. Don't even say anything. Baker

1349
01:16:55,320 --> 01:17:00,479
Speaker 3: Street was one. Savile Row was one. What are there?

1350
01:17:01,000 --> 01:17:09,200
Speaker 2: Twenty seven Ovington Square, thirteen Monmouth Street, ninety five Wigmore Street, Monmouth.

1351
01:17:10,320 --> 01:17:13,240
Speaker 2: I answered it, and then they closed the window.

1352
01:17:15,640 --> 01:17:22,080
Speaker 6: I have to go back. It was the first one

1353
01:17:22,200 --> 01:17:26,559
Speaker 6: I saw. Whatever that was Overton?

1354
01:17:26,840 --> 01:17:28,439
Speaker 1: It was? Was it Overton? That was?

1355
01:17:28,600 --> 01:17:32,639
Speaker 2: That was supposedly the answer? Let me double check. Now

1356
01:17:32,720 --> 01:17:35,040
Speaker 2: having done these, I can go back and get all

1357
01:17:35,040 --> 01:17:40,719
Speaker 2: the answers correct. Beatlesbible dot Com thank you for these.

1358
01:17:41,120 --> 01:17:44,320
Speaker 2: Stump the buff answers, questions and answers.

1359
01:17:44,800 --> 01:17:48,960
Speaker 1: That's a great website. I can't believe you got the

1360
01:17:49,240 --> 01:17:51,760
Speaker 1: I'll be on my way one. That's just insane to me.

1361
01:17:51,920 --> 01:17:53,760
Speaker 3: Oh, it's a great song and it's the only it's

1362
01:17:53,760 --> 01:17:55,680
Speaker 3: a cute little early.

1363
01:17:55,479 --> 01:17:58,640
Speaker 1: Lennon McCartney song. It's the only known recording of it. Okay,

1364
01:17:59,400 --> 01:18:02,640
Speaker 1: did you tell I still? Because I don't remember what

1365
01:18:02,680 --> 01:18:04,760
Speaker 1: all you I don't remember what you have. Yeah, I

1366
01:18:04,800 --> 01:18:05,960
Speaker 1: don't remember what all you.

1367
01:18:06,680 --> 01:18:09,160
Speaker 2: Points are made up and none of this matters. Yes,

1368
01:18:09,280 --> 01:18:12,320
Speaker 2: twenty seven. Oh no it wasn't. It was Monmouth, son

1369
01:18:12,360 --> 01:18:12,599
Speaker 2: of them.

1370
01:18:12,640 --> 01:18:13,880
Speaker 1: No, great MoMath is what I said.

1371
01:18:14,240 --> 01:18:16,240
Speaker 2: Okay, well, all right, so you got that one right,

1372
01:18:16,280 --> 01:18:18,599
Speaker 2: all right, bring it, give me, give me, bring it.

1373
01:18:18,560 --> 01:18:20,080
Speaker 1: Back to me. All right.

1374
01:18:20,160 --> 01:18:22,360
Speaker 3: The name of this category is it's a numbers game.

1375
01:18:23,000 --> 01:18:29,080
Speaker 3: Every answer is a number. A question number one in

1376
01:18:29,120 --> 01:18:29,519
Speaker 3: the ring?

1377
01:18:30,120 --> 01:18:32,919
Speaker 2: How long do people have seven days after watching? Okay,

1378
01:18:33,520 --> 01:18:35,519
Speaker 2: we used to prank people when that movie came out.

1379
01:18:35,560 --> 01:18:37,920
Speaker 2: We would, you know, we would just call random numbers

1380
01:18:37,960 --> 01:18:41,960
Speaker 2: and say seven days. Oh that was the only like

1381
01:18:42,000 --> 01:18:45,000
Speaker 2: prank calling I ever did as a kid. Actually, that

1382
01:18:45,120 --> 01:18:47,480
Speaker 2: surprises me. I thought you would have had like the soundboards.

1383
01:18:47,640 --> 01:18:50,680
Speaker 3: No, no, never got that far. Yeah, here's one just

1384
01:18:50,720 --> 01:18:54,479
Speaker 3: for you. How many times does count Orlock blink throughout

1385
01:18:54,520 --> 01:18:57,080
Speaker 3: the entirety of his appearance in Noasparatu.

1386
01:18:58,320 --> 01:19:04,400
Speaker 1: Oh God, that's tough. I have no idea even or

1387
01:19:04,400 --> 01:19:13,880
Speaker 1: odd single digit? Yes? Seven? Think about no? If?

1388
01:19:14,120 --> 01:19:18,599
Speaker 3: If, what's the most dramatic thing a person who does

1389
01:19:18,640 --> 01:19:19,719
Speaker 3: blink at some point?

1390
01:19:19,920 --> 01:19:24,280
Speaker 1: What's the most dramatic number? I mean one drama? Is

1391
01:19:24,280 --> 01:19:28,080
Speaker 1: it one? Yes? Once? He blinks once? How did they

1392
01:19:28,120 --> 01:19:32,439
Speaker 1: even see that? That film is like grainy as hell?

1393
01:19:32,640 --> 01:19:35,800
Speaker 3: I go, okay, all right, I think this is right,

1394
01:19:35,920 --> 01:19:39,639
Speaker 3: But I feel like you're gonna be like there's something

1395
01:19:39,720 --> 01:19:43,280
Speaker 3: that was done after this question was written? Which horror

1396
01:19:43,360 --> 01:19:45,960
Speaker 3: movie franchise has the most sequels?

1397
01:19:46,400 --> 01:19:50,920
Speaker 1: Uh? Is it Children of the Corn? Not what I'm seeing. Hmmm,

1398
01:19:51,400 --> 01:19:53,280
Speaker 1: it's either Children or the Corn or hell Raiser. I'll

1399
01:19:53,280 --> 01:19:56,040
Speaker 1: say hell Raiser? Is that correct? Also? Not correct? Not

1400
01:19:56,080 --> 01:19:58,599
Speaker 1: what I'm seeing? Damn? What is it? What are they

1401
01:19:58,640 --> 01:20:03,240
Speaker 1: counting I'm seeing? I'm seeing Friday thirteenth with twelve. Uh yeah,

1402
01:20:03,240 --> 01:20:05,200
Speaker 1: but that has a remake in it. I'm not sure

1403
01:20:05,200 --> 01:20:07,760
Speaker 1: if that I guess, I guess if we're counting remakes,

1404
01:20:07,880 --> 01:20:13,280
Speaker 1: yeah then sure sure yeah, so it's yeah.

1405
01:20:13,320 --> 01:20:15,880
Speaker 3: But speaking of Children of the Corn, at what age

1406
01:20:15,960 --> 01:20:19,240
Speaker 3: does the cult consider someone to reach adulthood?

1407
01:20:20,280 --> 01:20:20,719
Speaker 1: Oh?

1408
01:20:20,840 --> 01:20:25,160
Speaker 3: Okay, uh, nineteen, I'm seeing eighteen?

1409
01:20:25,360 --> 01:20:31,599
Speaker 1: Ah so close, son of bitch? How many individuals.

1410
01:20:31,000 --> 01:20:33,519
Speaker 3: Die at the hand of Jason in the First Friday

1411
01:20:33,560 --> 01:20:34,479
Speaker 3: the Thirteenth movie.

1412
01:20:34,600 --> 01:20:40,640
Speaker 1: Trick question zero correct as scream correct as scream indelibly

1413
01:20:40,680 --> 01:20:44,840
Speaker 1: reminded us Pamela of Voorhees is the killer in the

1414
01:20:44,920 --> 01:20:50,040
Speaker 1: First Friday the Thirteenth film, although although it does have

1415
01:20:50,080 --> 01:20:52,200
Speaker 1: one of the more famous horror movie stingers where he

1416
01:20:52,240 --> 01:20:55,439
Speaker 1: pops up at the end and drags the loan survived

1417
01:20:55,479 --> 01:21:01,559
Speaker 1: the final girl into the water, so in theory that

1418
01:21:01,640 --> 01:21:06,400
Speaker 1: you could maybe soft pedal bad as a one. But

1419
01:21:06,520 --> 01:21:08,040
Speaker 1: I'm gonna give you we'll also accept that.

1420
01:21:10,000 --> 01:21:12,280
Speaker 3: The only scenario I can think of where how many

1421
01:21:12,280 --> 01:21:16,080
Speaker 3: people did somebody kill, we would accept none or one.

1422
01:21:18,040 --> 01:21:20,960
Speaker 1: It's another thing ripped Actually it's ripped off from Carrie.

1423
01:21:21,080 --> 01:21:24,240
Speaker 2: It's another reason why that movie's been awful, because they

1424
01:21:24,240 --> 01:21:25,960
Speaker 2: were like, well, we need a stinger, we need to carry.

1425
01:21:25,960 --> 01:21:28,519
Speaker 2: We got to do the carry famous carry jump scares.

1426
01:21:28,560 --> 01:21:30,519
Speaker 2: The nice girl is visiting her grave at the end

1427
01:21:30,560 --> 01:21:32,360
Speaker 2: and the hand pops out. It's great, one of the

1428
01:21:32,360 --> 01:21:35,400
Speaker 2: classic great jump scares. And Uh in Front of the

1429
01:21:35,400 --> 01:21:37,800
Speaker 2: thirteenth was like, ah, yeah, let's do that. Let's have Uh,

1430
01:21:38,560 --> 01:21:40,479
Speaker 2: Let's have Jason pop out of the water at the end.

1431
01:21:41,760 --> 01:21:44,920
Speaker 3: Garbage franchise, uh, speaking of also not a franchise, but

1432
01:21:44,920 --> 01:21:47,800
Speaker 3: speaking of garbage movies. What is used to suppress the

1433
01:21:47,840 --> 01:21:50,680
Speaker 3: evil Leprechaun's powers in the film Leprechaun?

1434
01:21:51,360 --> 01:21:51,599
Speaker 4: Oh?

1435
01:21:51,640 --> 01:21:53,599
Speaker 1: Well, you can trap him with a four leaf clover?

1436
01:21:54,720 --> 01:22:00,799
Speaker 1: Is that the answer? Yeah, that's the answer. Jennifer Andison first,

1437
01:22:02,439 --> 01:22:06,400
Speaker 1: probably first first starring, Yeah.

1438
01:22:05,360 --> 01:22:08,000
Speaker 3: And finally and then on kind of a downer note,

1439
01:22:08,439 --> 01:22:12,320
Speaker 3: how many people involved with the Exorcist film died during production?

1440
01:22:13,479 --> 01:22:17,400
Speaker 2: Oh, that's a good question because this is one of

1441
01:22:17,439 --> 01:22:22,280
Speaker 2: the films that's considered cursed, right because.

1442
01:22:23,760 --> 01:22:28,879
Speaker 1: The set cost fire. If I recall, other people were injured.

1443
01:22:29,600 --> 01:22:34,040
Speaker 1: There were there were like making of injuries. But how

1444
01:22:34,080 --> 01:22:40,920
Speaker 1: many people died? Is it on set people or is

1445
01:22:40,960 --> 01:22:42,479
Speaker 1: it that I don't know.

1446
01:22:42,520 --> 01:22:45,600
Speaker 3: I probably should have looked at the answer with the

1447
01:22:45,640 --> 01:22:46,920
Speaker 3: story behind them.

1448
01:22:47,120 --> 01:22:51,439
Speaker 1: Yeah, now I don't know that. What did they say,

1449
01:22:51,439 --> 01:22:56,080
Speaker 1: I'm seeing nine nine? Yeah? Do you have a do

1450
01:22:56,120 --> 01:22:57,840
Speaker 1: you have concitation? I know?

1451
01:22:58,000 --> 01:23:00,679
Speaker 2: So two actors died because there is like a flu

1452
01:23:00,840 --> 01:23:04,280
Speaker 2: there was like an flu epidemic, and different elderly actors

1453
01:23:04,320 --> 01:23:06,720
Speaker 2: died during production because the thing took almost a year

1454
01:23:06,760 --> 01:23:07,200
Speaker 2: to shoot.

1455
01:23:07,240 --> 01:23:07,880
Speaker 1: But nine.

1456
01:23:08,760 --> 01:23:11,080
Speaker 3: Okay, so here here's I think how they're breaking it down.

1457
01:23:12,920 --> 01:23:14,760
Speaker 3: Fire broke out on the set and led to the

1458
01:23:14,760 --> 01:23:18,240
Speaker 3: death of three workers. Second day of filming, the actor

1459
01:23:18,240 --> 01:23:21,640
Speaker 3: who played father Maren Max fun Siddo had the withdrawal

1460
01:23:21,720 --> 01:23:23,759
Speaker 3: from the set due to the sudden death of his father.

1461
01:23:25,120 --> 01:23:29,360
Speaker 3: Linda Blair's grandfather also died days later before the premiere

1462
01:23:29,400 --> 01:23:34,040
Speaker 3: of The Exorcist, actors Jack McGowan and Liskis.

1463
01:23:34,520 --> 01:23:35,600
Speaker 1: They died of the fluid.

1464
01:23:36,640 --> 01:23:39,360
Speaker 3: One of the technicians from the Exorcist was killed, while

1465
01:23:39,640 --> 01:23:42,439
Speaker 3: night guard was also found on set dead.

1466
01:23:42,920 --> 01:23:46,160
Speaker 1: I'm seeing four in another one of these. But so

1467
01:23:46,280 --> 01:23:49,480
Speaker 1: let's say between between two and nine.

1468
01:23:49,400 --> 01:23:54,120
Speaker 3: Yeah, the grandfather, the grandfather and father thing is maybe.

1469
01:23:53,960 --> 01:23:57,960
Speaker 1: And they bombed the IRA bombed. Oh no, that's the

1470
01:23:57,960 --> 01:24:00,840
Speaker 1: omen I'm thinking of. Oh yeah, that's Richard. It's Richard Donner.

1471
01:24:01,400 --> 01:24:04,519
Speaker 1: That's another supposedly cursed production. And that is the end

1472
01:24:04,560 --> 01:24:10,320
Speaker 1: of It's a numbers game. We're gonna take a quick break,

1473
01:24:10,479 --> 01:24:12,920
Speaker 1: but we'll be right back with more. Too much information

1474
01:24:13,040 --> 01:24:26,400
Speaker 1: in just a moment. Wow, I don't know how many

1475
01:24:26,400 --> 01:24:30,280
Speaker 1: more of these I can pull out. Google very hard

1476
01:24:30,680 --> 01:24:37,439
Speaker 1: Beatles trivia. How well do you know the Beatles' music band.

1477
01:24:38,880 --> 01:24:41,920
Speaker 1: You're the one who told me to pull seventy five questions?

1478
01:24:42,439 --> 01:24:46,680
Speaker 1: Did I? Yes, you said how many questions should we have?

1479
01:24:46,720 --> 01:24:48,639
Speaker 3: And you said seventy five, and I was like, all right,

1480
01:24:48,680 --> 01:24:49,880
Speaker 3: I'll pull fifty five.

1481
01:24:50,520 --> 01:24:52,120
Speaker 1: I was just making fun of you.

1482
01:24:53,720 --> 01:24:57,280
Speaker 2: It's definitely just pulling that number out of my ass.

1483
01:24:58,280 --> 01:25:02,040
Speaker 1: Seventy five. That's like four hours of context. I know.

1484
01:25:02,120 --> 01:25:04,400
Speaker 3: I'm always just like a sprinted fine like I don't

1485
01:25:04,400 --> 01:25:06,000
Speaker 3: really know what this means.

1486
01:25:07,680 --> 01:25:10,800
Speaker 1: I'm so sorry you took me seriously.

1487
01:25:15,080 --> 01:25:18,640
Speaker 2: In an infamous newspaper piece which Beatles song did a

1488
01:25:18,720 --> 01:25:21,960
Speaker 2: journalist praise for its use of the Aolian cadence.

1489
01:25:22,280 --> 01:25:25,960
Speaker 3: That's a great question. I know it was like a

1490
01:25:26,000 --> 01:25:28,240
Speaker 3: sixty four era song. I want to say the things

1491
01:25:28,280 --> 01:25:30,920
Speaker 3: we said today. I don't think it was Maybe it

1492
01:25:31,000 --> 01:25:35,479
Speaker 3: was all my loving no, no, no, no, I want

1493
01:25:35,479 --> 01:25:36,320
Speaker 3: to hold your hand.

1494
01:25:36,520 --> 01:25:40,439
Speaker 1: No, I don't know. Not a second time. Ah. I

1495
01:25:40,520 --> 01:25:43,920
Speaker 1: knew it was like an obscure one like that. But

1496
01:25:44,160 --> 01:25:48,920
Speaker 1: and the journalist was William Mann of the Times. Yes.

1497
01:25:49,160 --> 01:25:51,679
Speaker 3: When Ringo was asked about this, he said, an Aolien

1498
01:25:51,760 --> 01:25:53,160
Speaker 3: cadence sounds like a rare bird.

1499
01:25:54,120 --> 01:25:57,360
Speaker 2: Yeah, noting that the same chord progression appears at the

1500
01:25:57,360 --> 01:26:00,800
Speaker 2: final movement of Mahler's lead von.

1501
01:26:01,880 --> 01:26:05,439
Speaker 1: So there you go. What is Ringo's highest note on

1502
01:26:05,479 --> 01:26:07,280
Speaker 1: a Beatles song? A G four?

1503
01:26:08,040 --> 01:26:10,240
Speaker 3: Probably a little help from my friends, A little help

1504
01:26:10,280 --> 01:26:13,960
Speaker 3: from my friends. That like the end of little help

1505
01:26:14,000 --> 01:26:14,599
Speaker 3: for my friends.

1506
01:26:14,960 --> 01:26:23,200
Speaker 1: Nope, what this says? Carry that weight? Okay, I challenge that.

1507
01:26:23,240 --> 01:26:25,080
Speaker 1: All right, well, no, that's a fun one. That's a

1508
01:26:25,120 --> 01:26:27,160
Speaker 1: fun one. Okay, hang on, let's let's let's.

1509
01:26:27,600 --> 01:26:30,240
Speaker 3: That they made a big deal about him, like he

1510
01:26:30,320 --> 01:26:32,840
Speaker 3: was really nervous when they were when they been, John

1511
01:26:32,840 --> 01:26:35,960
Speaker 3: and Paul made him sing with the help of my friends,

1512
01:26:35,960 --> 01:26:38,639
Speaker 3: and they came down into the studio with him when

1513
01:26:38,840 --> 01:26:41,280
Speaker 3: he tracked the last line of that song, and they

1514
01:26:41,320 --> 01:26:44,240
Speaker 3: were like just off Mike, like big upping him, which

1515
01:26:44,280 --> 01:26:48,640
Speaker 3: is adorable. And that's a hard note to hit, like

1516
01:26:48,680 --> 01:27:00,439
Speaker 3: for anybody. Also, I mean, I'm not even one hundred

1517
01:27:00,439 --> 01:27:01,519
Speaker 3: per centuries in.

1518
01:27:01,320 --> 01:27:03,599
Speaker 1: That chorus, I guess he is.

1519
01:27:04,120 --> 01:27:07,160
Speaker 2: Yeah, I mean, we're out of I'm just kind of

1520
01:27:07,200 --> 01:27:10,679
Speaker 2: tempted to open my copy of the Jeff Emrick book

1521
01:27:10,720 --> 01:27:14,519
Speaker 2: and just start grilling you on studio minutia, which I'm

1522
01:27:14,560 --> 01:27:15,360
Speaker 2: sure you know.

1523
01:27:15,960 --> 01:27:18,639
Speaker 1: I'm not good with tech stuff. What should we do? Gear?

1524
01:27:19,200 --> 01:27:20,200
Speaker 1: Try to do gear? Yeah.

1525
01:27:20,960 --> 01:27:27,280
Speaker 2: Yeah. So the Beatles are famously associated with Gretch Hoffner Rickenbacher.

1526
01:27:27,640 --> 01:27:35,200
Speaker 2: But which seventies weird twelve string acoustic can be seen

1527
01:27:35,240 --> 01:27:38,040
Speaker 2: in the movie Help and Hurt on You've Got to

1528
01:27:38,200 --> 01:27:39,240
Speaker 2: Hide Your Love Away.

1529
01:27:40,000 --> 01:27:42,559
Speaker 3: I have one, actually, my dad was one of his

1530
01:27:42,640 --> 01:27:45,400
Speaker 3: early guitars in the sixties. I don't think it was

1531
01:27:45,439 --> 01:27:47,040
Speaker 3: related to the fact that the Beatles played it.

1532
01:27:47,080 --> 01:27:49,800
Speaker 2: I think it's a Framous, that's correct, the Framous Hooton

1533
01:27:49,880 --> 01:27:57,360
Speaker 2: Anni model, well done? Which Gibson model was given to

1534
01:27:57,560 --> 01:28:01,920
Speaker 2: Bob Dylan by George Harrison, one of the more okay

1535
01:28:01,920 --> 01:28:02,839
Speaker 2: famous models.

1536
01:28:02,960 --> 01:28:08,360
Speaker 1: I imagine it was an acoustic because Hummingbird.

1537
01:28:08,760 --> 01:28:13,080
Speaker 2: No, that Gibson J two hundred Oh okay, that's a

1538
01:28:13,080 --> 01:28:15,040
Speaker 2: tough one. Doesn't have a fun name, doesn't have a

1539
01:28:15,080 --> 01:28:22,160
Speaker 2: fun name. Which George Harrison Gretch model can be seen

1540
01:28:22,200 --> 01:28:25,720
Speaker 2: on the cover of the album Club nine Duo Jet.

1541
01:28:26,240 --> 01:28:26,800
Speaker 1: Correct.

1542
01:28:27,240 --> 01:28:30,519
Speaker 3: You know that was his first like nice because that's

1543
01:28:30,560 --> 01:28:34,519
Speaker 3: a late era solo album. I think it's from eighty seven.

1544
01:28:34,600 --> 01:28:37,280
Speaker 3: That's one of the ones that has got my mind

1545
01:28:37,320 --> 01:28:40,960
Speaker 3: set on you. Yeah, it was last big hit songs,

1546
01:28:41,000 --> 01:28:44,439
Speaker 3: and yeah, he was saying how like he he always

1547
01:28:44,760 --> 01:28:48,080
Speaker 3: treasured it because it was his first English guitars in

1548
01:28:48,080 --> 01:28:50,240
Speaker 3: that era weren't great, and that was his first high

1549
01:28:50,360 --> 01:28:53,120
Speaker 3: quality American guitar, and he always remembered going to get

1550
01:28:53,120 --> 01:28:55,599
Speaker 3: it one night with some enormous amount of cash in

1551
01:28:55,640 --> 01:28:58,120
Speaker 3: his pockets and he was terrified he was gonna get mugged.

1552
01:28:58,720 --> 01:29:00,320
Speaker 1: So yeah, it's cute that he. Uh.

1553
01:29:00,800 --> 01:29:02,800
Speaker 3: They all offer the most, for the most part, held

1554
01:29:02,800 --> 01:29:05,960
Speaker 3: on to their their instruments, which I think is the

1555
01:29:06,000 --> 01:29:06,400
Speaker 3: sign of.

1556
01:29:06,400 --> 01:29:11,040
Speaker 2: A I was just about to say, I'm sorry you

1557
01:29:11,080 --> 01:29:13,439
Speaker 2: just said that, because I was gonna say George Harrison

1558
01:29:13,520 --> 01:29:15,640
Speaker 2: was famed for giving away his instruments.

1559
01:29:15,960 --> 01:29:19,519
Speaker 3: Well yeah he as like, but like as gifts to

1560
01:29:19,640 --> 01:29:21,280
Speaker 3: his likes treasured.

1561
01:29:21,600 --> 01:29:24,640
Speaker 2: Yes, and so so. One of the rarer models of

1562
01:29:24,640 --> 01:29:28,439
Speaker 2: Gibson Electric guitar that George is associated with is a

1563
01:29:28,479 --> 01:29:31,519
Speaker 2: Gibson SG which he can be seen playing in the

1564
01:29:31,560 --> 01:29:35,360
Speaker 2: promotional videos for Paperback Writer Rain and the filming of

1565
01:29:35,360 --> 01:29:37,240
Speaker 2: the recording session to Hey Bulldog.

1566
01:29:37,400 --> 01:29:38,759
Speaker 1: What became of that guitar?

1567
01:29:40,479 --> 01:29:40,639
Speaker 4: Oh?

1568
01:29:40,680 --> 01:29:45,439
Speaker 1: Wow? Who is it? Given to? Closely associated Beatles? Act? Wow?

1569
01:29:45,680 --> 01:29:48,920
Speaker 1: I don't know if I remember I don't know. Pete

1570
01:29:48,920 --> 01:29:57,919
Speaker 1: Ham of Finger, Yes, oh that makes sense. George produced.

1571
01:29:57,960 --> 01:30:01,679
Speaker 3: I think George produced day after day or no, maybe

1572
01:30:01,680 --> 01:30:04,559
Speaker 3: it's no matter what one of the big bad Finger songs.

1573
01:30:04,880 --> 01:30:10,879
Speaker 1: Yeah, day after day okay. Paul McCartney is most famously

1574
01:30:10,920 --> 01:30:14,200
Speaker 1: associated with the Hoffner violin bass, as well as the

1575
01:30:14,280 --> 01:30:20,280
Speaker 1: Rickenbacker Model four thousand and one. Which recording sessions did

1576
01:30:20,320 --> 01:30:24,520
Speaker 1: he deviate from those using a Fender Jazz bass.

1577
01:30:24,800 --> 01:30:26,960
Speaker 3: It was later, I want to say. It was like,

1578
01:30:28,080 --> 01:30:35,439
Speaker 3: come together, you get the album or song albums Abbey

1579
01:30:35,600 --> 01:30:36,840
Speaker 3: Road m h.

1580
01:30:37,479 --> 01:30:40,720
Speaker 1: Correct, and I think a little bit of the White

1581
01:30:40,760 --> 01:30:47,320
Speaker 1: album correct according to Qua, like you've dumped all of

1582
01:30:47,320 --> 01:30:51,720
Speaker 1: your questions to try to get our ones to foil me.

1583
01:30:52,800 --> 01:30:56,080
Speaker 2: Yeah, yeah, I sure did. Uh Well, you were just

1584
01:30:56,479 --> 01:30:58,360
Speaker 2: blowing me out of the water earlier.

1585
01:30:58,760 --> 01:30:59,200
Speaker 1: Okay.

1586
01:30:59,479 --> 01:31:04,280
Speaker 2: Which electric organ is popularly associated with the early Beatles.

1587
01:31:05,439 --> 01:31:07,760
Speaker 3: I don't know if it's popularly associated with but they

1588
01:31:07,880 --> 01:31:11,880
Speaker 3: used a Vox continent all correct, and I'm down yep?

1589
01:31:13,560 --> 01:31:18,160
Speaker 3: Which then the Doors ray manzericuh. I think because the

1590
01:31:18,160 --> 01:31:21,840
Speaker 3: Beatles connection got for all those early Doors records like

1591
01:31:21,920 --> 01:31:23,479
Speaker 3: all the Light My Fire and stuff like that.

1592
01:31:23,560 --> 01:31:25,160
Speaker 1: I don't even want to do drums? Who gives a

1593
01:31:25,160 --> 01:31:31,599
Speaker 1: shit about drums? Uh? Please name the songs on which

1594
01:31:32,000 --> 01:31:35,080
Speaker 1: the moug is it or mogue? I never actually knew.

1595
01:31:35,320 --> 01:31:37,160
Speaker 1: I never knew either. It's mog.

1596
01:31:37,479 --> 01:31:41,799
Speaker 2: Yeah, I always thought of Yeah. Which Abbey Road tracks

1597
01:31:42,320 --> 01:31:45,120
Speaker 2: are mog synthesizer featured.

1598
01:31:44,720 --> 01:31:55,040
Speaker 1: On Maxwell's Silver Hammer and because correct? And I don't know.

1599
01:31:55,120 --> 01:31:58,880
Speaker 1: I think some of the static on I Want You

1600
01:31:58,960 --> 01:31:59,639
Speaker 1: She's So Heavy?

1601
01:31:59,680 --> 01:32:04,160
Speaker 3: Icked? I thought that was his or more Here Comes

1602
01:32:04,200 --> 01:32:08,559
Speaker 3: the Sun? Oh yeah, of course, Yeah, yeah, well done.

1603
01:32:11,160 --> 01:32:15,320
Speaker 2: Everyone knows that the non core four Beatles keyboards parts

1604
01:32:15,560 --> 01:32:19,920
Speaker 2: were played by George Martin, Nikki Hopkins, which I.

1605
01:32:19,920 --> 01:32:20,720
Speaker 1: Didn't actually know.

1606
01:32:21,280 --> 01:32:24,880
Speaker 2: Billy Preston obviously another person popularly credited as being of

1607
01:32:25,080 --> 01:32:27,960
Speaker 2: the Fifth Beatle. I guess mal Evans played keys on

1608
01:32:28,040 --> 01:32:31,760
Speaker 2: something that I think the theory was when they did

1609
01:32:31,920 --> 01:32:32,920
Speaker 2: the ending chord to.

1610
01:32:32,880 --> 01:32:33,920
Speaker 1: A Day and right.

1611
01:32:34,000 --> 01:32:37,320
Speaker 2: He was one of the people who had cord and

1612
01:32:38,120 --> 01:32:41,840
Speaker 2: last Guy on the White album, also played with Pink

1613
01:32:41,840 --> 01:32:45,520
Speaker 2: Floyd or mixed Alan Parsons, Nope.

1614
01:32:45,800 --> 01:32:49,880
Speaker 1: And Bad Finger and the Sex Pistols, not on keys,

1615
01:32:49,960 --> 01:32:53,800
Speaker 1: just recording. I don't know. Chris Thomas, what did he

1616
01:32:53,880 --> 01:32:59,519
Speaker 1: play on harpsichord on piggies. Uh mellotron on continuing story

1617
01:32:59,520 --> 01:33:03,799
Speaker 1: of Bungalow, Bill Piano on Long, Long Long, and Savoyd Truffle.

1618
01:33:04,040 --> 01:33:08,719
Speaker 1: I'm looking that up because he was a producer. Yep.

1619
01:33:08,960 --> 01:33:11,840
Speaker 1: Oh yeah, I'll be damn. I I didn't know that. Wow.

1620
01:33:12,080 --> 01:33:19,360
Speaker 1: Please name the candies name dropped in Savoyd Truffle. There's

1621
01:33:19,400 --> 01:33:28,280
Speaker 1: too many in alphabetical order. No, uh, okay, coconut fudge, cream, tangerine.

1622
01:33:29,800 --> 01:33:32,559
Speaker 2: No, it doesn't that. No, it doesn't count. You're yes,

1623
01:33:32,560 --> 01:33:34,639
Speaker 2: you're getting them. You're getting them, you son of a bitch.

1624
01:33:38,720 --> 01:33:40,599
Speaker 2: I don't want to do mics. That's boring.

1625
01:33:43,160 --> 01:33:48,479
Speaker 1: Which rock and roll phrases appear on George Harrison's hand

1626
01:33:48,680 --> 01:33:54,679
Speaker 1: painted nineteen sixty one Fender stratocaster, Go ceck, go correct

1627
01:33:55,520 --> 01:34:01,160
Speaker 1: and correct wow, as well as what looks like a

1628
01:34:02,080 --> 01:34:07,040
Speaker 1: gnome because of course, and a smiley face. That's a

1629
01:34:07,120 --> 01:34:10,599
Speaker 1: hideous guitar. All right, let's wrap it up.

1630
01:34:11,720 --> 01:34:16,400
Speaker 3: Okay, I will ask you let's say your next category.

1631
01:34:16,400 --> 01:34:19,360
Speaker 3: I will not ask you all of them. I call

1632
01:34:19,439 --> 01:34:22,719
Speaker 3: it rocket in the real world because I was running

1633
01:34:22,720 --> 01:34:27,799
Speaker 3: out of ways to make them. For these are questions

1634
01:34:27,840 --> 01:34:32,320
Speaker 3: about No, I'm not going to explain what band.

1635
01:34:36,080 --> 01:34:40,160
Speaker 1: You haven't earned that. You haven't earned an explanation for this.

1636
01:34:40,280 --> 01:34:44,719
Speaker 3: Getcra What band helped Ridley Scott with lighting for Alien

1637
01:34:44,840 --> 01:34:47,519
Speaker 3: while they were rehearsing a stage show next door to

1638
01:34:47,600 --> 01:34:49,200
Speaker 3: the studio Pink Floyd?

1639
01:34:49,520 --> 01:34:55,560
Speaker 1: No oh, second choice, there's gotta be Was it Genesis?

1640
01:34:56,280 --> 01:35:02,160
Speaker 1: No Oh, I don't know that's wild? Who really? Okay, Okay,

1641
01:35:03,320 --> 01:35:06,400
Speaker 1: that's so funny. I had no idea was it was.

1642
01:35:06,400 --> 01:35:08,479
Speaker 1: Was he was at Elstree. I think it must have been. Yeah,

1643
01:35:08,600 --> 01:35:11,599
Speaker 1: I think that. I think that's where they recorded. Maybe

1644
01:35:11,640 --> 01:35:14,479
Speaker 1: I'm wrong. A lot of the live concert stuff for

1645
01:35:14,520 --> 01:35:16,040
Speaker 1: the kids are all right. Yeah, I was about to

1646
01:35:16,040 --> 01:35:18,040
Speaker 1: say they must have been doing that at that time. Yeah,

1647
01:35:18,439 --> 01:35:22,200
Speaker 1: where Pete tons and punches a hole in a tambourine.

1648
01:35:25,120 --> 01:35:28,519
Speaker 3: Of all the film adaptations that have been made from

1649
01:35:28,520 --> 01:35:32,280
Speaker 3: Stephen King's work, which is the only one that he directed.

1650
01:35:31,920 --> 01:35:36,200
Speaker 1: Himself, oh, Maximum Overdrive, nice a film he does not

1651
01:35:36,400 --> 01:35:43,439
Speaker 1: remember making. Oh yeah, was that pre intervention? Them ticking

1652
01:35:43,520 --> 01:35:46,040
Speaker 1: his waste paperbackskit and dumping it on the floor in

1653
01:35:46,040 --> 01:35:49,200
Speaker 1: front of him and finding the detritus of his drug

1654
01:35:49,200 --> 01:35:52,679
Speaker 1: addiction and alcohol addiction. Yeah, Yeah, it's so funny.

1655
01:35:52,720 --> 01:35:54,680
Speaker 2: The trailer for that one is like, it's just like

1656
01:35:54,760 --> 01:35:57,439
Speaker 2: a shot of it's like him. It's like Stephen King

1657
01:35:57,560 --> 01:36:00,560
Speaker 2: and he's like a lot of people have directed atactations

1658
01:36:00,600 --> 01:36:03,600
Speaker 2: of my films, but they've gotten them all wrong.

1659
01:36:03,920 --> 01:36:06,759
Speaker 1: Like something like that. That's why I'm doing this one.

1660
01:36:07,240 --> 01:36:11,600
Speaker 1: It's just like, oh, buddy, good thing you got help.

1661
01:36:11,880 --> 01:36:15,400
Speaker 1: Which horror adjacent movie was based on an unproduced script

1662
01:36:15,439 --> 01:36:19,360
Speaker 1: for The X Files? Ooh, it's not really, that's kind

1663
01:36:19,360 --> 01:36:22,679
Speaker 1: of horror. Great question, great question. Can I what year?

1664
01:36:26,120 --> 01:36:29,880
Speaker 1: Late nineties, Event Horizon or two thousand? Sorry? Oh no,

1665
01:36:32,760 --> 01:36:36,120
Speaker 1: I wouldn't have been around Event Horizon. That was two

1666
01:36:36,200 --> 01:36:39,960
Speaker 1: thousands horror movies part of a franchise. I'm embarrassed to

1667
01:36:40,000 --> 01:36:46,360
Speaker 1: say I didn't know. Yes, Final Destination, Yes, Classics also

1668
01:36:46,400 --> 01:36:51,920
Speaker 1: starring Devin salah Man. Yeah, okay, two more to end on?

1669
01:36:52,800 --> 01:36:56,879
Speaker 3: Name three horror movies inspired by the serial killer ed Gean.

1670
01:36:57,600 --> 01:37:02,600
Speaker 2: Oh Well, Psycho Texas, Chainsaw Massacre, and Sign So the

1671
01:37:02,680 --> 01:37:04,280
Speaker 2: Lambs Boom?

1672
01:37:04,560 --> 01:37:06,400
Speaker 1: What was he known for? Do you really want me

1673
01:37:06,479 --> 01:37:09,880
Speaker 1: to do this? Okay? Moving on?

1674
01:37:12,240 --> 01:37:16,120
Speaker 3: Finally, what future scream? Queen begged her mother to let

1675
01:37:16,120 --> 01:37:18,280
Speaker 3: her audition for the Exorcist.

1676
01:37:18,360 --> 01:37:24,479
Speaker 1: But was unsuccessful. Oh, Future Scream Queen Exorcist was what

1677
01:37:24,560 --> 01:37:25,639
Speaker 1: seventy three, seventy four?

1678
01:37:25,880 --> 01:37:30,000
Speaker 3: Yeah, so Jamie Lee Curtis, yes, yeah, which is funny

1679
01:37:30,000 --> 01:37:32,599
Speaker 3: because Janet Lee was in.

1680
01:37:32,600 --> 01:37:37,000
Speaker 2: Psycho correct and and uh they actually they were there.

1681
01:37:37,120 --> 01:37:39,479
Speaker 1: They share the screen in Halloween H two oh.

1682
01:37:39,640 --> 01:37:44,760
Speaker 2: And I believe Janet Lee is playing Actually they share

1683
01:37:44,800 --> 01:37:46,400
Speaker 2: the screen in two films.

1684
01:37:46,479 --> 01:37:49,000
Speaker 1: Oh yeah, it's another one too. It's it's the fog,

1685
01:37:50,560 --> 01:37:54,559
Speaker 1: it wasn't it. Actually this is gonna this is gonna

1686
01:37:54,600 --> 01:37:55,400
Speaker 1: stump me. I know.

1687
01:37:57,479 --> 01:38:01,680
Speaker 2: Yes, Janet Lee is in the Fog and as and

1688
01:38:01,760 --> 01:38:04,240
Speaker 2: Jamie Lee Curtis is playing the lead and.

1689
01:38:06,320 --> 01:38:10,320
Speaker 1: Do one of them. When she drives off, they play

1690
01:38:10,400 --> 01:38:13,040
Speaker 1: the stinger. They play like the music from Psycho. And

1691
01:38:13,080 --> 01:38:15,920
Speaker 1: I think she drives off in the car from the film,

1692
01:38:15,920 --> 01:38:20,040
Speaker 1: but that might be H two oh, yes, she, that's

1693
01:38:20,160 --> 01:38:22,880
Speaker 1: so they she she it's in H two O when

1694
01:38:22,920 --> 01:38:27,880
Speaker 1: she drives off in the car the fifty seven Ford Class.

1695
01:38:27,880 --> 01:38:30,360
Speaker 3: Which is the car that Norman Bates drove into the

1696
01:38:30,439 --> 01:38:33,320
Speaker 3: lake or the mud or whatever it was after he

1697
01:38:33,400 --> 01:38:34,200
Speaker 3: kills her in Psycho.

1698
01:38:34,360 --> 01:38:34,759
Speaker 1: Wow.

1699
01:38:35,000 --> 01:38:41,160
Speaker 2: Well, well met sir, hail fellow, son of a bitch?

1700
01:38:41,200 --> 01:38:41,439
Speaker 4: Do I?

1701
01:38:41,520 --> 01:38:45,800
Speaker 1: Okay? All right, all right, all right, we're not doing

1702
01:38:45,840 --> 01:38:47,840
Speaker 1: We're not doing points. It doesn't matter. Yeah, you're right.

1703
01:38:47,840 --> 01:38:49,479
Speaker 2: No, no, no, no, no, let me let me okay, So

1704
01:38:49,720 --> 01:38:54,680
Speaker 2: would that even does that even us up? Okay, So

1705
01:38:54,880 --> 01:39:00,320
Speaker 2: we're gonna call this category something. No, uh, I'm just

1706
01:39:00,360 --> 01:39:03,599
Speaker 2: on their Wikipedia page. Okay, We're going to go into

1707
01:39:03,800 --> 01:39:10,599
Speaker 2: solo territory, solo Beatles territory. What is the name of

1708
01:39:10,960 --> 01:39:13,439
Speaker 2: the Traveling Wilbury's father?

1709
01:39:14,000 --> 01:39:20,519
Speaker 1: Oh, wow, I don't know, Charles True, Scott Wilbury, Redemption, Redemption.

1710
01:39:20,720 --> 01:39:24,800
Speaker 2: What were George Harrison's pseudonyms in The Traveling Wilberry's.

1711
01:39:24,640 --> 01:39:28,840
Speaker 1: Lucky Lefty, Lucky Lefty, Nelson.

1712
01:39:30,240 --> 01:39:37,599
Speaker 3: And Spike Right, Yeah, the Wilbury's I'm not really up there.

1713
01:39:37,600 --> 01:39:43,880
Speaker 1: I didn't think you would be a classic example of

1714
01:39:43,920 --> 01:39:46,320
Speaker 1: the sum not equaling the total of its art's God,

1715
01:39:46,400 --> 01:39:49,080
Speaker 1: not even close. I didn't know this. Did you know?

1716
01:39:49,120 --> 01:39:54,920
Speaker 2: Hollywood Vampires was a club drinking club that Alice Cooper formed.

1717
01:39:55,760 --> 01:39:57,759
Speaker 2: I had no idea that Wils Cooper and Mickey Dolan

1718
01:39:57,880 --> 01:40:01,200
Speaker 2: is Keith Moon, Harry Nilsen, John Lennon Ringo. I had

1719
01:40:01,240 --> 01:40:04,479
Speaker 2: no idea that that band was where that was where

1720
01:40:04,479 --> 01:40:07,920
Speaker 2: that named after Okay that that doesn't count. Which what

1721
01:40:08,439 --> 01:40:11,599
Speaker 2: song did Elton John write for Ringo Elton and Bernie.

1722
01:40:11,760 --> 01:40:13,960
Speaker 2: I have no idea on the nineteen seventy four album

1723
01:40:13,960 --> 01:40:20,479
Speaker 2: good Night Vienna. I don't know Snooker Roo anything now.

1724
01:40:23,920 --> 01:40:27,240
Speaker 3: I think Beatles four or no sorry. Ringo four I

1725
01:40:27,240 --> 01:40:29,600
Speaker 3: think was famous for being like the closest thing to

1726
01:40:29,680 --> 01:40:33,200
Speaker 3: a Beatle reunion that ever happened, because all the Beatles

1727
01:40:33,200 --> 01:40:36,559
Speaker 3: appeared on it because everybody loves Ringo.

1728
01:40:36,880 --> 01:40:38,960
Speaker 1: They do. It's so cute.

1729
01:40:38,960 --> 01:40:42,080
Speaker 3: I mean even like in some of the last recordings

1730
01:40:42,080 --> 01:40:46,400
Speaker 3: that John made you hear him run through songs like

1731
01:40:47,360 --> 01:40:49,960
Speaker 3: I think nobody told me was one and grow old

1732
01:40:50,000 --> 01:40:50,280
Speaker 3: with Me.

1733
01:40:50,400 --> 01:40:52,040
Speaker 1: I think was supposed to be another.

1734
01:40:52,400 --> 01:40:53,920
Speaker 3: Where he would say, Oh, this one's gonna be great

1735
01:40:53,920 --> 01:40:56,760
Speaker 3: for Ringo, Like even years later, he's still like in

1736
01:40:56,800 --> 01:40:59,960
Speaker 3: the back of his mind earmarking stuff for his old friend.

1737
01:41:00,320 --> 01:41:05,080
Speaker 1: Oh here's a great one. Uh. Producer Jack Douglass brought

1738
01:41:05,120 --> 01:41:11,000
Speaker 1: in members of Cheap Trick to play on which John

1739
01:41:11,040 --> 01:41:15,920
Speaker 1: Lennon solo album or solo songs songs? Oh Wow, I'm

1740
01:41:16,000 --> 01:41:21,240
Speaker 1: losing you correct, and well, there's a trick question because

1741
01:41:21,240 --> 01:41:24,880
Speaker 1: the other one is a Yoko Ono song. Yeah, yeah, yeah,

1742
01:41:24,920 --> 01:41:27,960
Speaker 1: it was Double Fancies. Right before he died. The Yoko

1743
01:41:28,000 --> 01:41:29,200
Speaker 1: on A song is I'm Moving on.

1744
01:41:29,760 --> 01:41:32,760
Speaker 3: There's an interesting thing about Jack Douglas. Not to get

1745
01:41:32,760 --> 01:41:36,160
Speaker 3: close to closing out the show on a bomber note,

1746
01:41:36,680 --> 01:41:40,479
Speaker 3: I told a story about how, either the night he died,

1747
01:41:40,600 --> 01:41:42,519
Speaker 3: or like shortly before John died, he was in the

1748
01:41:42,520 --> 01:41:45,439
Speaker 3: studio in the last couple of the nights before he died.

1749
01:41:46,240 --> 01:41:49,480
Speaker 3: He said that John told me something that was so upsetting,

1750
01:41:50,800 --> 01:41:52,800
Speaker 3: And it was in the studio and the MIC's were rolling,

1751
01:41:52,880 --> 01:41:55,280
Speaker 3: it was just the two of us, and it was

1752
01:41:55,320 --> 01:41:57,120
Speaker 3: like it was something that just shook me to my

1753
01:41:57,200 --> 01:42:00,479
Speaker 3: core and was deeply, deeply upsetting. And in the wake

1754
01:42:00,520 --> 01:42:02,720
Speaker 3: of his death, I erased the tapes and I I

1755
01:42:02,760 --> 01:42:05,880
Speaker 3: won't you know, I won't speak about what it was

1756
01:42:05,960 --> 01:42:09,720
Speaker 3: that he told me ever, really, And there's been a

1757
01:42:09,760 --> 01:42:11,600
Speaker 3: lot of yeah, there's been a lot of speculation me.

1758
01:42:11,720 --> 01:42:13,479
Speaker 3: John was very thin by the end of his life,

1759
01:42:13,479 --> 01:42:15,920
Speaker 3: and there's a lot of people who've you know, some

1760
01:42:15,920 --> 01:42:19,080
Speaker 3: people are like, oh, yeah, he was just on macrobiotic

1761
01:42:19,160 --> 01:42:21,679
Speaker 3: diets and you know, the hippie stuff. But some people

1762
01:42:21,720 --> 01:42:25,519
Speaker 3: thought he maybe had cancer. Some people thought he was

1763
01:42:25,760 --> 01:42:29,920
Speaker 3: in the depths of some kind of drug addiction. Yeah,

1764
01:42:29,960 --> 01:42:33,400
Speaker 3: so some people theorized that maybe he confided something about

1765
01:42:33,400 --> 01:42:37,880
Speaker 3: his health to him.

1766
01:42:36,120 --> 01:42:38,040
Speaker 1: But you know, no one, no one knows. Yes, that's

1767
01:42:38,080 --> 01:42:40,240
Speaker 1: my that's my main thought about Jack Douglas.

1768
01:42:40,280 --> 01:42:49,680
Speaker 2: Grim Uh, which iconic UK goth Ish rock band collaborated

1769
01:42:49,880 --> 01:42:54,759
Speaker 2: with Paul McCartney in the nineties, goth rock band post punk,

1770
01:42:55,640 --> 01:42:59,040
Speaker 2: post punk goth rock. One member from this band under

1771
01:42:59,080 --> 01:43:05,080
Speaker 2: a pseudonym that Youth the Fireman, correct Martin Glover of

1772
01:43:05,760 --> 01:43:06,559
Speaker 2: killing joke.

1773
01:43:07,120 --> 01:43:10,080
Speaker 3: Yes, that's actually If you were to ask me my

1774
01:43:10,280 --> 01:43:14,160
Speaker 3: favorite Paul McCartney album of the twenty first century, the

1775
01:43:14,240 --> 01:43:16,280
Speaker 3: album that he had from two thousand and eight called

1776
01:43:16,320 --> 01:43:19,360
Speaker 3: Electric Arguments, which he released under the name of the Fireman,

1777
01:43:20,560 --> 01:43:24,920
Speaker 3: is pretty great. It's the most raw and the most

1778
01:43:25,000 --> 01:43:28,760
Speaker 3: like you could tell he's having fun that i've heard

1779
01:43:28,840 --> 01:43:32,360
Speaker 3: him on record since, like ram Era, he's really because

1780
01:43:32,360 --> 01:43:35,800
Speaker 3: I think the idea behind the album was, in a

1781
01:43:35,920 --> 01:43:37,639
Speaker 3: very Paul way, We're going to come into the studio

1782
01:43:37,680 --> 01:43:40,559
Speaker 3: every day and write and record a song, not spend

1783
01:43:40,560 --> 01:43:41,880
Speaker 3: more than a day on it. We're going to come

1784
01:43:41,880 --> 01:43:43,680
Speaker 3: in with nothing and make it up and then go

1785
01:43:44,360 --> 01:43:48,000
Speaker 3: And that was the result, which is why I think

1786
01:43:48,040 --> 01:43:52,120
Speaker 3: it sounds so fresh. And the opening track is called

1787
01:43:52,200 --> 01:43:55,400
Speaker 3: nothing too much, just out of sight, And that was

1788
01:43:55,400 --> 01:43:59,920
Speaker 3: a phrase that a London percussionist from Nigeria.

1789
01:44:00,080 --> 01:44:00,599
Speaker 1: I believe.

1790
01:44:01,479 --> 01:44:03,799
Speaker 3: I'm embarrassed that I don't remember his name. I'm sorry,

1791
01:44:04,280 --> 01:44:07,160
Speaker 3: uh used to say in the sixties. And this was

1792
01:44:07,200 --> 01:44:10,519
Speaker 3: the same guy that used to say oh blood, oh blood,

1793
01:44:10,720 --> 01:44:11,320
Speaker 3: life goes on.

1794
01:44:11,439 --> 01:44:11,719
Speaker 1: Wow.

1795
01:44:12,080 --> 01:44:14,240
Speaker 3: Paul borrowed it from and then Paul caught him a

1796
01:44:14,320 --> 01:44:15,559
Speaker 3: check after that song came out.

1797
01:44:15,600 --> 01:44:17,640
Speaker 1: I don't remember his name. I feel bad, but that

1798
01:44:17,760 --> 01:44:20,000
Speaker 1: was another phrase from that guy, nothing too much, just

1799
01:44:20,040 --> 01:44:22,960
Speaker 1: out of sight. Wow, it's a good phrase. It is

1800
01:44:23,400 --> 01:44:28,880
Speaker 1: well in that spirit. I gentleman, Lily cancede you the

1801
01:44:29,000 --> 01:44:35,000
Speaker 1: victor of Beatles versus blood. You are truly, you are truly,

1802
01:44:35,080 --> 01:44:41,040
Speaker 1: nothing too far and out of sight ubla dah, trivia

1803
01:44:41,120 --> 01:44:46,080
Speaker 1: goes on. I don't know, dude. If folks like this, well,

1804
01:44:46,080 --> 01:44:47,880
Speaker 1: maybe we'll do another one like this some other time.

1805
01:44:47,920 --> 01:44:50,759
Speaker 1: I believe the other topics fun. The other topics floated

1806
01:44:50,840 --> 01:44:58,479
Speaker 1: were jazz and for me and what was yours makes

1807
01:44:58,520 --> 01:45:01,960
Speaker 1: sense for me. I don't know about you it jazz,

1808
01:45:02,040 --> 01:45:04,400
Speaker 1: I feel what else could could we conceivably do for you.

1809
01:45:04,840 --> 01:45:07,720
Speaker 1: Maybe punk rock? What do you like? Punk rock? Yeah,

1810
01:45:07,800 --> 01:45:14,320
Speaker 1: punk rock words, Yeah, swamp Thing, Alan Morris nineteen eighty's

1811
01:45:14,400 --> 01:45:20,360
Speaker 1: Run on the swamp Thing, wolver Wolverine. Yeah, there's some

1812
01:45:20,400 --> 01:45:28,280
Speaker 1: comics in there. Yeah. Since uh now I'm just looking

1813
01:45:28,320 --> 01:45:35,200
Speaker 1: around my house. Difference, Yeah, Corvid's members of the Corvid family. Yeah. Well, folks,

1814
01:45:35,200 --> 01:45:37,760
Speaker 1: thank you for listening. This has been Too Much Information's

1815
01:45:37,960 --> 01:45:41,320
Speaker 1: first ever installment of Stump the Buff. I'm Alex Hagel

1816
01:45:41,360 --> 01:45:49,120
Speaker 1: and I'm Jordan Runtgg. We'll catch you next time. Too

1817
01:45:49,200 --> 01:45:52,639
Speaker 1: Much Information was a production of iHeartRadio. The show's executive

1818
01:45:52,680 --> 01:45:56,160
Speaker 1: producers are Noel Brown and Jordan Runtalk. The show's supervising

1819
01:45:56,200 --> 01:45:59,799
Speaker 1: producer is Michael Alder June. The show was researched, written

1820
01:45:59,840 --> 01:46:02,960
Speaker 1: and hosted by Jordan Rundogg and Alex Heigel, with original

1821
01:46:03,040 --> 01:46:06,080
Speaker 1: music by Seth Applebaum and the Ghost Funk Orchestra. If

1822
01:46:06,080 --> 01:46:08,120
Speaker 1: you like what you heard, please subscribe and leave us

1823
01:46:08,120 --> 01:46:12,040
Speaker 1: a review. For more podcasts and iHeartRadio, visit the iHeartRadio app,

1824
01:46:12,120 --> 01:46:15,040
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.