1
00:00:00,080 --> 00:00:03,720
Speaker 1: See Hollywood Handbook live in Los Angeles next Wednesday, February

2
00:00:03,720 --> 00:00:07,200
Speaker 1: fifteenth at the Dynasty Typewriter. Tickets for the show and

3
00:00:07,240 --> 00:00:09,040
Speaker 1: for the live stream if you can't make it, are

4
00:00:09,039 --> 00:00:10,680
Speaker 1: available in the episode description.

5
00:00:11,119 --> 00:00:11,760
Speaker 2: Enjoy the show.

6
00:00:16,400 --> 00:00:18,639
Speaker 3: Sometimes I realize with the way that I'm going to

7
00:00:18,680 --> 00:00:22,120
Speaker 3: find out that I have died will just be that

8
00:00:22,160 --> 00:00:23,759
Speaker 3: I'm not hearing the theme song.

9
00:00:24,680 --> 00:00:27,400
Speaker 4: Kevin will say here it comes to what do you

10
00:00:28,760 --> 00:00:32,040
Speaker 4: just white noise? What does yours say? Mark? And John?

11
00:00:33,400 --> 00:00:34,440
Speaker 4: What does your song say?

12
00:00:34,760 --> 00:00:35,520
Speaker 2: Your theme song?

13
00:00:35,920 --> 00:00:36,320
Speaker 4: What was it?

14
00:00:36,840 --> 00:00:38,040
Speaker 2: Here? Comes Hayes and Sean.

15
00:00:38,560 --> 00:00:43,480
Speaker 3: No, that's your your song?

16
00:00:44,440 --> 00:00:44,960
Speaker 2: My god?

17
00:00:45,200 --> 00:00:45,400
Speaker 4: Yeah?

18
00:00:45,479 --> 00:00:51,040
Speaker 5: I one is Mark and John's the other. We're just friends.

19
00:00:51,040 --> 00:00:54,960
Speaker 5: We are not lovers. Sorry, two old.

20
00:00:54,840 --> 00:00:55,960
Speaker 2: Queens, too old queens.

21
00:00:56,000 --> 00:00:57,840
Speaker 5: We sort of wanted to go though, like the Brady

22
00:00:57,840 --> 00:01:02,400
Speaker 5: Bunch Gilligan's Island route of like no matter times.

23
00:01:02,640 --> 00:01:05,160
Speaker 2: Yeah, yeah, it's like right there, the surprise, little context

24
00:01:05,360 --> 00:01:06,640
Speaker 2: and who's recording that?

25
00:01:06,640 --> 00:01:07,360
Speaker 4: That bad bird?

26
00:01:07,400 --> 00:01:09,840
Speaker 2: Who'd you bring in to lay that track down for

27
00:01:10,080 --> 00:01:11,280
Speaker 2: our friend? Danny Cohen?

28
00:01:11,480 --> 00:01:17,280
Speaker 3: Danny Cohen, I knew any I knew it. He's somebody good.

29
00:01:18,520 --> 00:01:19,360
Speaker 4: With the bass.

30
00:01:19,640 --> 00:01:22,040
Speaker 2: He comes in with a lot of synth up right bass.

31
00:01:22,120 --> 00:01:27,399
Speaker 4: Yeah, Danny did every did every piece? Did he farm

32
00:01:27,480 --> 00:01:28,120
Speaker 4: some of it out?

33
00:01:28,400 --> 00:01:28,640
Speaker 6: No?

34
00:01:28,920 --> 00:01:30,880
Speaker 7: All Danny, as far as we know, he might have

35
00:01:30,959 --> 00:01:33,800
Speaker 7: used he's a regular Daniel Johnston.

36
00:01:34,280 --> 00:01:35,760
Speaker 2: We should have Danny on here.

37
00:01:36,360 --> 00:01:37,440
Speaker 4: Yeah, why is it Danny?

38
00:01:37,480 --> 00:01:39,360
Speaker 2: Do you want to do? You want to call for

39
00:01:39,360 --> 00:01:39,800
Speaker 2: it right now?

40
00:01:39,840 --> 00:01:42,640
Speaker 3: It's just we're here talking to you too. And then

41
00:01:42,840 --> 00:01:44,960
Speaker 3: we kind of wanted to talk about your song. It

42
00:01:45,040 --> 00:01:47,600
Speaker 3: seems like everything we ask it's like, well that's really.

43
00:01:47,480 --> 00:01:49,520
Speaker 2: Danny Danny question.

44
00:01:49,800 --> 00:01:54,960
Speaker 3: Yeah, yeah, So I'm just wondering if this something got

45
00:01:55,000 --> 00:01:55,560
Speaker 3: fucked up.

46
00:01:55,680 --> 00:01:57,760
Speaker 2: Basically, we could see if we could reach him, maybe

47
00:01:57,760 --> 00:01:58,559
Speaker 2: he can join the zoom.

48
00:01:58,640 --> 00:02:00,440
Speaker 7: I mean in the email, you never said, hey, we

49
00:02:00,520 --> 00:02:03,360
Speaker 7: love the theme song. We'd love to talk about the

50
00:02:03,360 --> 00:02:04,000
Speaker 7: theme song.

51
00:02:04,840 --> 00:02:05,800
Speaker 2: Oh my god.

52
00:02:06,000 --> 00:02:08,480
Speaker 3: So it's like I have to say the whole show

53
00:02:08,520 --> 00:02:12,119
Speaker 3: in the email. This could have been an email.

54
00:02:12,720 --> 00:02:13,280
Speaker 2: The song.

55
00:02:13,360 --> 00:02:15,480
Speaker 7: It's sort of that, and apparently you've never heard it

56
00:02:15,520 --> 00:02:17,080
Speaker 7: since you had to ask us what it was.

57
00:02:17,680 --> 00:02:20,200
Speaker 3: Yeah, yeah, yeah, but I've heard such good things about it.

58
00:02:20,240 --> 00:02:22,160
Speaker 2: Oh, I see, I see. You can't tell the buzz

59
00:02:22,200 --> 00:02:23,120
Speaker 2: is pretty deafening.

60
00:02:23,800 --> 00:02:26,320
Speaker 4: My feeling, the tension I'm feeling with Danny is that

61
00:02:26,320 --> 00:02:29,520
Speaker 4: that Danny picks up, I'm no longer interested, you know

62
00:02:29,520 --> 00:02:32,120
Speaker 4: what I mean? Yeah, And so if you if you

63
00:02:32,160 --> 00:02:34,920
Speaker 4: call Danny and like and he doesn't pick up, then

64
00:02:34,960 --> 00:02:36,800
Speaker 4: I don't have him on the show. But like, I

65
00:02:36,960 --> 00:02:38,320
Speaker 4: want him to be on the show. That that much.

66
00:02:38,400 --> 00:02:40,480
Speaker 4: But I'm obsessed. Yeah, exactly.

67
00:02:40,560 --> 00:02:44,400
Speaker 3: At that point, Danny has become the only thing that

68
00:02:44,480 --> 00:02:45,320
Speaker 3: matters about.

69
00:02:45,120 --> 00:02:49,040
Speaker 2: You're right, well, yeah, second he answers the phone. Right,

70
00:02:49,200 --> 00:02:50,119
Speaker 2: it's magic's done.

71
00:02:50,200 --> 00:02:50,800
Speaker 4: He's filth.

72
00:02:50,880 --> 00:02:55,920
Speaker 3: Yeah, forget it. We'll just talk to these guys. So

73
00:02:56,600 --> 00:02:59,000
Speaker 3: that is what your theme song says. It says what

74
00:02:59,040 --> 00:03:01,840
Speaker 3: the show is. The show is to old queens. Yeah,

75
00:03:01,919 --> 00:03:04,440
Speaker 3: it's about friends and it's about movies.

76
00:03:04,720 --> 00:03:07,240
Speaker 2: Yeah, pretty much true. How's it going?

77
00:03:09,120 --> 00:03:14,519
Speaker 4: Concepts? Yeah, yeah, you love movies. Two old queens love movies.

78
00:03:15,200 --> 00:03:18,440
Speaker 7: We do do, and we think about Okay, they are

79
00:03:18,639 --> 00:03:20,880
Speaker 7: is the prism we do actually love?

80
00:03:21,480 --> 00:03:22,680
Speaker 2: Are you not a movie person?

81
00:03:23,040 --> 00:03:23,919
Speaker 4: Not all of them?

82
00:03:24,280 --> 00:03:28,360
Speaker 2: I don't know. Some of them are, Okay, there's some

83
00:03:28,440 --> 00:03:31,560
Speaker 2: good ones. Yes, your favorites.

84
00:03:31,600 --> 00:03:33,040
Speaker 5: What do you think is like if you had to

85
00:03:33,040 --> 00:03:35,119
Speaker 5: be like, oh, this is the movie what do you guys?

86
00:03:36,160 --> 00:03:39,320
Speaker 2: Knives out? Okay, what's the gayest movie you think? You've

87
00:03:39,320 --> 00:03:43,960
Speaker 2: ever seen probably knives out? Sure, pretty gay?

88
00:03:44,240 --> 00:03:47,320
Speaker 4: Who do we love a mystery? Yeah, none of these

89
00:03:47,360 --> 00:03:50,680
Speaker 4: have any connection to like my life. None of them

90
00:03:50,680 --> 00:03:54,040
Speaker 4: are about like me doing a podcast with Mark and John,

91
00:03:55,320 --> 00:03:57,760
Speaker 4: no connection to like my experience at all.

92
00:03:58,000 --> 00:03:59,800
Speaker 2: So you basically want to wake me up when they

93
00:03:59,800 --> 00:04:02,320
Speaker 2: tell like a docu. So you like documentaries?

94
00:04:02,440 --> 00:04:05,760
Speaker 4: Is that ideally one about something like before it happens

95
00:04:05,840 --> 00:04:09,080
Speaker 4: to me? So I so I can so then I

96
00:04:09,120 --> 00:04:12,000
Speaker 4: can go into the scenario being like, Okay, I drew

97
00:04:12,120 --> 00:04:14,720
Speaker 4: lessons from this movie about like doing as.

98
00:04:14,520 --> 00:04:15,360
Speaker 2: That in your back back.

99
00:04:15,560 --> 00:04:17,240
Speaker 3: There was part of the movie that I liked. I'll

100
00:04:17,279 --> 00:04:19,240
Speaker 3: do that part again. There was part of the movie

101
00:04:19,240 --> 00:04:21,599
Speaker 3: that felt like it wasn't going well, I'm gonna know

102
00:04:21,720 --> 00:04:22,960
Speaker 3: what to avoid.

103
00:04:22,600 --> 00:04:24,320
Speaker 2: To another pass on that part.

104
00:04:24,600 --> 00:04:27,760
Speaker 4: Now, I you know, I'm going into this podcast armed

105
00:04:27,760 --> 00:04:33,640
Speaker 4: with the ability to solve a Cajun mystery of some kind.

106
00:04:33,839 --> 00:04:38,919
Speaker 4: Mm hmmm, where that it was not that hard to

107
00:04:39,040 --> 00:04:41,600
Speaker 4: solve or like it was both like too hard and

108
00:04:41,680 --> 00:04:43,760
Speaker 4: too easy, you know what I mean.

109
00:04:44,040 --> 00:04:44,320
Speaker 2: Like the.

110
00:04:45,880 --> 00:04:48,320
Speaker 4: Mystery was not like that wasn't like a puzzle that

111
00:04:48,400 --> 00:04:50,720
Speaker 4: I could like figure out during the movie. It was

112
00:04:50,880 --> 00:04:52,919
Speaker 4: just like there were a couple of little clues that

113
00:04:52,960 --> 00:04:55,440
Speaker 4: didn't actually lead to anything, and ultimately they were just like,

114
00:04:55,520 --> 00:04:58,320
Speaker 4: it was that guy. That's the guy who did it,

115
00:04:59,040 --> 00:05:02,159
Speaker 4: And I was like, Okay, my feeling is like, but

116
00:05:02,240 --> 00:05:04,240
Speaker 4: who did who did the other murder? Oh? He did?

117
00:05:04,440 --> 00:05:06,200
Speaker 4: He did that too, Okay.

118
00:05:07,240 --> 00:05:13,040
Speaker 3: We spend so much time off Mike training Kevin to throw.

119
00:05:12,880 --> 00:05:14,000
Speaker 2: Up whenever he lies.

120
00:05:14,240 --> 00:05:18,200
Speaker 3: Yes, yes, but the result has been that he throws

121
00:05:18,279 --> 00:05:22,560
Speaker 3: up like just a lot more. And I don't know

122
00:05:22,560 --> 00:05:24,880
Speaker 3: that it's always related to whether he's lying or telling

123
00:05:24,880 --> 00:05:27,039
Speaker 3: the truth, but I know it will be crucial at

124
00:05:27,040 --> 00:05:30,320
Speaker 3: some point that if he we can develop that trait

125
00:05:30,440 --> 00:05:34,080
Speaker 3: in him, that then we can like use that to

126
00:05:34,160 --> 00:05:36,000
Speaker 3: sort of snuff out the killer.

127
00:05:36,839 --> 00:05:40,080
Speaker 4: Snuff out. That's not right, sniff out, snuff out. I

128
00:05:40,080 --> 00:05:42,920
Speaker 4: think we will be snuffing them out im meeting.

129
00:05:43,400 --> 00:05:45,440
Speaker 3: I'll out their ass out once I know who they

130
00:05:45,440 --> 00:05:47,200
Speaker 3: are them.

131
00:05:47,200 --> 00:05:48,360
Speaker 4: We will be administered.

132
00:05:48,440 --> 00:05:50,560
Speaker 5: Suss out is maybe sus was the word you were

133
00:05:50,560 --> 00:05:52,160
Speaker 5: looking for. Sus could be good.

134
00:05:52,920 --> 00:05:56,400
Speaker 4: Yeah, sus is another fun one, the old suss and

135
00:05:56,480 --> 00:06:03,680
Speaker 4: snuff version. Kevin snuff second administering justice by death.

136
00:06:05,320 --> 00:06:07,400
Speaker 2: So Hollywood Hambook is pro death penalty.

137
00:06:08,200 --> 00:06:11,120
Speaker 4: If we get to do it. Yes, oh yeah, we

138
00:06:11,480 --> 00:06:15,520
Speaker 4: don't think. It is very offensive to me. I should

139
00:06:15,560 --> 00:06:16,160
Speaker 4: get to do it.

140
00:06:16,640 --> 00:06:19,280
Speaker 3: It's disgusting because there's no checks and balances there. I

141
00:06:19,320 --> 00:06:21,880
Speaker 3: have no idea what the criteria is they're basing it on.

142
00:06:22,200 --> 00:06:24,720
Speaker 3: But when I am implementing the death penalty, I am

143
00:06:24,839 --> 00:06:25,839
Speaker 3: quite sure.

144
00:06:25,760 --> 00:06:28,839
Speaker 2: That it is sure you know what you are thinking,

145
00:06:29,000 --> 00:06:34,920
Speaker 2: and then it's humane that I do. It is so tender, Okay,

146
00:06:35,440 --> 00:06:36,000
Speaker 2: keep going.

147
00:06:37,080 --> 00:06:42,599
Speaker 3: It's just it's honestly, it's a big hug around the

148
00:06:42,640 --> 00:06:44,080
Speaker 3: neck with piano wire.

149
00:06:44,520 --> 00:06:51,200
Speaker 2: That does not sound gentle. It takes forever because of

150
00:06:51,240 --> 00:06:52,200
Speaker 2: how gentle I being.

151
00:06:53,040 --> 00:06:54,159
Speaker 4: How would you do it? Then?

152
00:06:54,600 --> 00:06:54,800
Speaker 2: Yeah?

153
00:06:54,839 --> 00:06:59,640
Speaker 3: How are you? How does two old queens experts about.

154
00:07:00,080 --> 00:07:02,120
Speaker 7: Get your dog put down by the vet? The vet

155
00:07:02,120 --> 00:07:05,240
Speaker 7: will come to the house now. Yeah, we'll in a

156
00:07:05,240 --> 00:07:06,919
Speaker 7: living room in front of the fireplace.

157
00:07:07,320 --> 00:07:08,360
Speaker 4: That's really nice.

158
00:07:08,640 --> 00:07:14,160
Speaker 2: You can choose the music, Yeah, maybe it would. That's

159
00:07:14,160 --> 00:07:17,720
Speaker 2: a smooth groove. Yeah, Diamond Life, great album.

160
00:07:18,280 --> 00:07:20,760
Speaker 4: Sean comes over and he garrot you at home.

161
00:07:21,640 --> 00:07:25,240
Speaker 2: Yeah, with like a three inch thing of piano wire

162
00:07:25,280 --> 00:07:25,760
Speaker 2: maybe not.

163
00:07:25,680 --> 00:07:28,920
Speaker 5: Like more like terry cloth like part of a robe.

164
00:07:30,600 --> 00:07:32,360
Speaker 5: So it smells familiar, you know.

165
00:07:34,320 --> 00:07:35,240
Speaker 2: Yeah, I get a.

166
00:07:35,440 --> 00:07:37,360
Speaker 3: I get the tie, I get the belt from like

167
00:07:37,400 --> 00:07:38,440
Speaker 3: a Pendleton robe.

168
00:07:39,440 --> 00:07:42,600
Speaker 2: Perfect, it's very it's very plush, and I wrap it

169
00:07:42,640 --> 00:07:45,200
Speaker 2: around you. I'll pick out a song.

170
00:07:46,200 --> 00:07:50,760
Speaker 4: Mm hmm. What's the gayest movie so far? Female Trouble,

171
00:07:50,800 --> 00:07:55,000
Speaker 4: Female Trouble, John John Waters, Female Trouble, Second.

172
00:07:55,800 --> 00:08:00,400
Speaker 2: Hedwig, Hedwig and the Angry Inch. Okay, mm hmm that

173
00:08:00,520 --> 00:08:01,720
Speaker 2: check out on Cameron Mitchell.

174
00:08:02,720 --> 00:08:05,160
Speaker 4: Oh, eleven eleventh.

175
00:08:05,240 --> 00:08:07,679
Speaker 7: I can tell you I have a spreadsheet open attack

176
00:08:07,880 --> 00:08:08,440
Speaker 7: right now.

177
00:08:09,400 --> 00:08:14,240
Speaker 2: Eleventh is Death becomes Her.

178
00:08:15,080 --> 00:08:18,640
Speaker 4: Sure, ye, yeah, that's good. How many total?

179
00:08:18,760 --> 00:08:24,280
Speaker 7: We are up to around one four and eighty four.

180
00:08:24,640 --> 00:08:27,200
Speaker 2: What's the least gay movie that you've watched so far?

181
00:08:27,800 --> 00:08:30,360
Speaker 7: We just did this over the It's Double Holiday, an

182
00:08:30,400 --> 00:08:35,520
Speaker 7: awful Hallmark Christmas slack Conica movie that's mostly a Christmas movie,

183
00:08:35,559 --> 00:08:36,559
Speaker 7: barely honed out.

184
00:08:36,760 --> 00:08:43,120
Speaker 2: It's rude, very straight, and very antisemitic. Oh no, can

185
00:08:43,160 --> 00:08:47,679
Speaker 2: you imagine? Yeah? That sounds like our show, so.

186
00:08:46,840 --> 00:08:55,160
Speaker 3: Though it does not, I'm what I'm bantering gaye what's

187
00:08:55,559 --> 00:08:59,360
Speaker 3: one forty one?

188
00:09:00,120 --> 00:09:01,240
Speaker 2: Interesting? You should ask?

189
00:09:01,320 --> 00:09:05,719
Speaker 7: One is airbud Airbud is one forty one?

190
00:09:05,720 --> 00:09:08,559
Speaker 4: That seems exactly right. It's not the least, it's not

191
00:09:08,600 --> 00:09:13,719
Speaker 4: the least gay, not even really close. Yes, that's right,

192
00:09:13,960 --> 00:09:17,640
Speaker 4: not at all. Michael Jeter. Weirdly, this was very bizarre casting.

193
00:09:18,000 --> 00:09:22,280
Speaker 4: Michael Jeter is the player that Airbud replaces on.

194
00:09:23,880 --> 00:09:25,880
Speaker 2: The team.

195
00:09:26,480 --> 00:09:30,440
Speaker 4: Was like yeah, and he's like, what's a dog doing?

196
00:09:30,520 --> 00:09:32,520
Speaker 4: Like how dare dog replaced me on this team? And

197
00:09:32,520 --> 00:09:35,719
Speaker 4: everyone's like, well, you really shouldn't be here either, you're

198
00:09:35,760 --> 00:09:37,040
Speaker 4: a pedophile.

199
00:09:36,559 --> 00:09:38,760
Speaker 2: Sir sir.

200
00:09:40,280 --> 00:09:42,560
Speaker 3: Yeah, then the ref goes, ain't no rules' is a

201
00:09:42,559 --> 00:09:44,760
Speaker 3: pedophile can't play basketball?

202
00:09:46,160 --> 00:09:49,400
Speaker 2: Well, abdul a airpad which was the yeah.

203
00:09:49,320 --> 00:09:55,440
Speaker 4: Or oh no, that was about bike prequel. I think

204
00:09:55,440 --> 00:09:56,959
Speaker 4: there are rules about that.

205
00:09:57,800 --> 00:10:02,440
Speaker 3: Yeah, well the yeah, thenther ever he gets arrested.

206
00:10:02,600 --> 00:10:07,680
Speaker 7: That's just even a bad feeling the air with the

207
00:10:07,679 --> 00:10:09,120
Speaker 7: butter Verse, the butter Verse.

208
00:10:10,000 --> 00:10:17,120
Speaker 4: Guess you've got them, so do we? Is it? Is

209
00:10:17,160 --> 00:10:19,840
Speaker 4: it mostly? You know, it's mostly like these talkie guests,

210
00:10:20,120 --> 00:10:23,920
Speaker 4: not these guests that like do movies stuff. We deal

211
00:10:23,960 --> 00:10:25,679
Speaker 4: with this. We struggle with this as well.

212
00:10:26,040 --> 00:10:29,079
Speaker 7: Yeah, like you get people who comment on the things

213
00:10:29,080 --> 00:10:30,200
Speaker 7: and not do the things.

214
00:10:30,559 --> 00:10:33,319
Speaker 3: Yeah, you know, what's a lot of who we can

215
00:10:33,440 --> 00:10:37,000
Speaker 3: access as they go, Well, we'll continue commenting on it

216
00:10:37,000 --> 00:10:37,719
Speaker 3: and we go But what.

217
00:10:37,760 --> 00:10:40,240
Speaker 2: About the people that actually doing you know, actually have

218
00:10:40,280 --> 00:10:42,959
Speaker 2: a skin in the game. They're busy doing it?

219
00:10:44,160 --> 00:10:45,720
Speaker 4: Are they the truth?

220
00:10:46,200 --> 00:10:46,719
Speaker 2: Some of them?

221
00:10:46,760 --> 00:10:48,960
Speaker 5: Someone's got to be doing something. There's too much TV,

222
00:10:49,040 --> 00:10:51,480
Speaker 5: there's too much content. Someone's got to be doing With COVID,

223
00:10:51,600 --> 00:10:54,240
Speaker 5: John especially.

224
00:10:54,080 --> 00:10:57,080
Speaker 4: We missed our window. We missed our window. Yeah.

225
00:10:57,400 --> 00:11:01,520
Speaker 3: I actually gotten some really big elbs during COVID, and

226
00:11:01,559 --> 00:11:05,280
Speaker 3: we were just not focusing our energy in the right directions.

227
00:11:05,480 --> 00:11:08,760
Speaker 2: Yeah. What was Rita Moreno do eight in twenty twenty? Nothing?

228
00:11:09,400 --> 00:11:12,800
Speaker 2: She was getting ready for eighty for Brady for two years.

229
00:11:12,920 --> 00:11:13,600
Speaker 4: She had to prepare.

230
00:11:13,760 --> 00:11:16,760
Speaker 2: Yes, just did jump into it.

231
00:11:17,440 --> 00:11:21,120
Speaker 4: That the that the pandemic is like this officially over,

232
00:11:21,360 --> 00:11:25,679
Speaker 4: and Rita Marino has this ready ready made movie that

233
00:11:26,800 --> 00:11:29,440
Speaker 4: is just like good to go, just like Anna Gates

234
00:11:29,559 --> 00:11:33,760
Speaker 4: for anyone else. She was obviously violating many public color

235
00:11:33,840 --> 00:11:38,560
Speaker 4: codes to make eighty for Brady throughout the three years

236
00:11:38,600 --> 00:11:45,120
Speaker 4: of the pandemic. What a coincidence Tom Brady retires just

237
00:11:45,280 --> 00:11:46,680
Speaker 4: as it did for Brady.

238
00:11:46,280 --> 00:11:50,160
Speaker 2: To pr for the movie The press Star just in time.

239
00:11:50,480 --> 00:11:54,800
Speaker 3: I wonder who's pulling those strings. It's it's interesting that

240
00:11:54,880 --> 00:11:58,000
Speaker 3: we talk about eighty for Brady Hayes and I are

241
00:11:58,120 --> 00:12:03,400
Speaker 3: actually hosting a very special screening of Adie for Brady

242
00:12:03,520 --> 00:12:07,439
Speaker 3: at the New Beverly and we're going to be introducing

243
00:12:07,480 --> 00:12:12,120
Speaker 3: it with like some funny banter and sort of stories

244
00:12:12,120 --> 00:12:14,560
Speaker 3: about what the movie means to us. And ideally we

245
00:12:14,600 --> 00:12:20,160
Speaker 3: would like to get noticed by Quentin Tarantino and you know,

246
00:12:20,320 --> 00:12:23,520
Speaker 3: casting some of his projects. From the way that we

247
00:12:23,640 --> 00:12:25,959
Speaker 3: introduced the movie at the theater and we thought, well,

248
00:12:26,000 --> 00:12:27,320
Speaker 3: these guys know movies.

249
00:12:28,120 --> 00:12:32,600
Speaker 7: Sure, that's maybe it could help us.

250
00:12:32,440 --> 00:12:33,520
Speaker 4: That's how you get plucked.

251
00:12:34,040 --> 00:12:39,760
Speaker 3: Yeah, sort of without seeming too desperate. Let QT know, Hey,

252
00:12:40,040 --> 00:12:44,240
Speaker 3: we're available. We're qt's as well, and uh, we would

253
00:12:44,440 --> 00:12:48,360
Speaker 3: and we would really like to be in some movies.

254
00:12:48,920 --> 00:12:51,520
Speaker 7: Well, I would say, do the presentation with your shoes

255
00:12:51,559 --> 00:12:55,160
Speaker 7: and socks off. I was gonna say, hi, directing chairs

256
00:12:55,960 --> 00:12:57,800
Speaker 7: Totley Wiggy or Little Fat Piggies.

257
00:12:58,520 --> 00:13:02,760
Speaker 4: Can I just say like and this is uh. I

258
00:13:02,800 --> 00:13:04,400
Speaker 4: didn't think I was gonna have to come in here

259
00:13:04,400 --> 00:13:08,760
Speaker 4: and defend Quentin Tarantino. It's not like any foot It's

260
00:13:08,800 --> 00:13:11,400
Speaker 4: not like all feet that he's just like I don't have.

261
00:13:11,800 --> 00:13:16,520
Speaker 4: It's not in any footle do situation, you know, like yes,

262
00:13:17,440 --> 00:13:22,040
Speaker 4: ours ours fit ours are in in consolutely.

263
00:13:22,240 --> 00:13:26,560
Speaker 2: I would have to watch or something first, but yes, yes.

264
00:13:26,640 --> 00:13:30,240
Speaker 5: I would say talk to find out who Brad Pitt's

265
00:13:30,440 --> 00:13:35,120
Speaker 5: foot guy is, Yes, and go to them. Mm hmm

266
00:13:35,240 --> 00:13:36,760
Speaker 5: you know what I mean, like get get the the

267
00:13:37,160 --> 00:13:40,800
Speaker 5: pedicure from him, find out what it is. You know,

268
00:13:40,840 --> 00:13:43,640
Speaker 5: what's the polished Brad used when he was doing you know,

269
00:13:44,480 --> 00:13:46,319
Speaker 5: once upon a time in Hollywood.

270
00:13:46,080 --> 00:13:48,120
Speaker 2: French tips on the on the Piggy's right.

271
00:13:49,840 --> 00:13:53,360
Speaker 4: Come on, Oh, well, so that's two different. I mean

272
00:13:53,400 --> 00:13:56,400
Speaker 4: there's like the like the pedicure guy, but like the

273
00:13:56,400 --> 00:13:59,480
Speaker 4: foot guy is the guy that like got him like his.

274
00:13:59,480 --> 00:14:02,719
Speaker 2: Feet, like who right where he bought his feet at?

275
00:14:02,920 --> 00:14:06,560
Speaker 4: Hit? Like his supplier for you know, you need a

276
00:14:06,559 --> 00:14:07,040
Speaker 4: foot guy.

277
00:14:07,920 --> 00:14:11,600
Speaker 3: Yeah, it's it's funny how this industry changed. When I

278
00:14:11,800 --> 00:14:15,439
Speaker 3: moved here. You didn't necessarily have to have a foot

279
00:14:15,480 --> 00:14:19,840
Speaker 3: guy to get ahead. Yes, and just watching the way

280
00:14:19,920 --> 00:14:23,720
Speaker 3: that it's become, you know, not only encouraged but really

281
00:14:23,920 --> 00:14:28,360
Speaker 3: required to have a really good foot guy who can

282
00:14:28,560 --> 00:14:34,400
Speaker 3: provide you with feet. Uh, it's it's it's different. I'm

283
00:14:34,400 --> 00:14:38,120
Speaker 3: not necessarily saying it's bad, but it's it's not what

284
00:14:38,240 --> 00:14:39,160
Speaker 3: I expected.

285
00:14:39,440 --> 00:14:42,880
Speaker 7: Ryan Reynolds has it on his farm. Has I believe

286
00:14:43,040 --> 00:14:46,840
Speaker 7: twelve preteens is always ready to go. They're all they're

287
00:14:46,920 --> 00:14:50,680
Speaker 7: hunging upside down, always in recliners, so their feet never works.

288
00:14:51,440 --> 00:14:54,920
Speaker 7: They are pristine. He swaps out his feet every nine

289
00:14:54,920 --> 00:14:57,440
Speaker 7: months and look what did gin?

290
00:14:58,240 --> 00:15:00,160
Speaker 3: Yeah, well, they say, what kind of farm is it?

291
00:15:00,240 --> 00:15:03,280
Speaker 2: You know there's no props and it is a foot farm.

292
00:15:03,400 --> 00:15:04,600
Speaker 2: It's a foot farm.

293
00:15:04,960 --> 00:15:08,560
Speaker 4: Your tom cruise, you need to stand next to Katie

294
00:15:08,600 --> 00:15:13,200
Speaker 4: Holmes the events and things like that. It's been a while,

295
00:15:13,200 --> 00:15:16,720
Speaker 4: but yeah, you get an extra set of feet put

296
00:15:16,760 --> 00:15:23,920
Speaker 4: in below your original. M Oh, yeah, you're that's your

297
00:15:23,960 --> 00:15:27,000
Speaker 4: real height. Let me see your feet? Sure, why not?

298
00:15:27,280 --> 00:15:29,200
Speaker 4: You just showed them, You just show them the bottom.

299
00:15:29,040 --> 00:15:30,680
Speaker 2: Was Yeah, that's smarter.

300
00:15:31,280 --> 00:15:33,960
Speaker 3: Probably the most exciting day in the process is when

301
00:15:34,000 --> 00:15:37,560
Speaker 3: your new feet burst out from inside your old feet,

302
00:15:38,920 --> 00:15:43,240
Speaker 3: explode the old foot and you sort of that's when

303
00:15:43,240 --> 00:15:46,440
Speaker 3: you feel the freshest, you know, when it's still kind

304
00:15:46,440 --> 00:15:48,720
Speaker 3: of wet with with ooze.

305
00:15:48,320 --> 00:15:53,640
Speaker 7: Fro like that kind of thing, the new fresh skin.

306
00:15:54,600 --> 00:15:56,680
Speaker 3: No, never have a better foot than then, So we

307
00:15:56,760 --> 00:15:58,400
Speaker 3: are we're trying to time it out so that that

308
00:15:58,520 --> 00:16:00,560
Speaker 3: happens right before we go to enter who is eighty

309
00:16:00,600 --> 00:16:01,680
Speaker 3: for Brady.

310
00:16:02,040 --> 00:16:05,440
Speaker 5: What if in your entrance you are brought down from

311
00:16:05,440 --> 00:16:08,720
Speaker 5: the ceiling so that it's like the spotlight hits your

312
00:16:08,720 --> 00:16:11,960
Speaker 5: feet first, you slowly come down, and then it's like

313
00:16:12,080 --> 00:16:15,640
Speaker 5: the moment you do your feet first touch the ground.

314
00:16:15,640 --> 00:16:17,960
Speaker 5: If you could time that so that it is truly

315
00:16:18,040 --> 00:16:19,240
Speaker 5: that the freshest feet.

316
00:16:20,080 --> 00:16:23,200
Speaker 4: We put mics on the ground to like pick up

317
00:16:23,240 --> 00:16:26,560
Speaker 4: the sound of the skin connecting with yes.

318
00:16:26,520 --> 00:16:29,880
Speaker 7: Yes, m or maybe there's like a little shallow kiddie

319
00:16:29,880 --> 00:16:33,160
Speaker 7: pull of lotion, so then your feet could wriggle around

320
00:16:33,160 --> 00:16:35,360
Speaker 7: in the lotions, so there's like squishy sounds.

321
00:16:36,080 --> 00:16:38,040
Speaker 2: Yeah, omr element.

322
00:16:38,320 --> 00:16:43,680
Speaker 3: Just a nice sorp schlorp sound. Yeah, yeah, that that's interesting.

323
00:16:44,880 --> 00:16:47,640
Speaker 3: I mean, I think we also do we do need

324
00:16:47,680 --> 00:16:51,280
Speaker 3: to be talking. I assume that the feet will be

325
00:16:51,360 --> 00:16:56,760
Speaker 3: miked louder than our voices obviously. Yeah, but we should

326
00:16:56,840 --> 00:17:02,040
Speaker 3: talk a little bit about how for Brady does fulfill

327
00:17:02,320 --> 00:17:05,360
Speaker 3: the grindhouse tradition right.

328
00:17:05,160 --> 00:17:08,359
Speaker 7: Well, yeah, absolutely, you know, the like midnight movie kind

329
00:17:08,400 --> 00:17:12,920
Speaker 7: of edgy. This feels a little dangerous, right right right?

330
00:17:12,920 --> 00:17:20,200
Speaker 5: They do, according to the trailer, drink marijuana Martini's okay.

331
00:17:19,800 --> 00:17:21,840
Speaker 7: And you're also worried that any of them can drop

332
00:17:21,880 --> 00:17:24,320
Speaker 7: dead at any moment. This might turn into a stuff film.

333
00:17:24,320 --> 00:17:25,720
Speaker 7: If there's a loud noise.

334
00:17:25,640 --> 00:17:32,240
Speaker 5: Any one of their legs could be a machee or an.

335
00:17:31,040 --> 00:17:35,639
Speaker 7: Automatic weapon, like a planet terror. I'm the only one

336
00:17:35,680 --> 00:17:37,080
Speaker 7: who saw a planetar.

337
00:17:36,880 --> 00:17:42,679
Speaker 3: Oh, buddy, no, that's I I saw it. I'm just

338
00:17:42,800 --> 00:17:46,520
Speaker 3: trying to think about if I make my leg into

339
00:17:46,600 --> 00:17:48,800
Speaker 3: a machine gun or something.

340
00:17:49,320 --> 00:17:52,080
Speaker 2: What am I doing with my foot? Uh, necklace? What

341
00:17:52,119 --> 00:17:57,720
Speaker 2: I'm gonna do with my foot? Put in someone else's stocking? Hmm,

342
00:17:58,359 --> 00:17:59,159
Speaker 2: make it a lamp.

343
00:18:00,400 --> 00:18:02,600
Speaker 4: It is weird that we put candy and stuff in there.

344
00:18:02,640 --> 00:18:04,040
Speaker 4: It's like that's for feet.

345
00:18:04,640 --> 00:18:11,439
Speaker 2: Right, toothbrush in here. It's not sanitary. Yeah, there's like

346
00:18:11,480 --> 00:18:13,360
Speaker 2: they put that's John, that's what they put.

347
00:18:13,640 --> 00:18:15,080
Speaker 4: That's what you got in your stock.

348
00:18:15,359 --> 00:18:18,359
Speaker 5: You got a toothbrush, well, like in addition to candy,

349
00:18:18,359 --> 00:18:19,960
Speaker 5: but yeah, a fresh.

350
00:18:21,440 --> 00:18:21,840
Speaker 2: Yeah.

351
00:18:21,920 --> 00:18:23,640
Speaker 3: But it's just like it's supposed to be a time

352
00:18:23,720 --> 00:18:27,280
Speaker 3: for candy where we don't think about the responsibility.

353
00:18:26,520 --> 00:18:35,560
Speaker 5: After they can't you want to keep your teeth.

354
00:18:33,040 --> 00:18:34,480
Speaker 2: Your little boy.

355
00:18:34,920 --> 00:18:36,440
Speaker 4: It shouldn't be about brush.

356
00:18:36,760 --> 00:18:39,320
Speaker 2: But it was like a superhero toothbrush. It had like

357
00:18:39,400 --> 00:18:41,040
Speaker 2: Aquaman at the bottom of it.

358
00:18:41,640 --> 00:18:45,200
Speaker 3: Even so, it's like Aquaman is going like, better brush

359
00:18:45,200 --> 00:18:48,359
Speaker 3: your teeth or you'll never get to meet my fish friends.

360
00:18:48,560 --> 00:18:53,240
Speaker 2: Merry Christmas, here's a wrist brace. You guys didn't get

361
00:18:53,240 --> 00:18:59,040
Speaker 2: a spandages for Christmas every year? Huh John? Huh John?

362
00:19:00,200 --> 00:19:06,280
Speaker 3: Yeah, oh wow, I got a skateboard and a free cat.

363
00:19:06,080 --> 00:19:13,040
Speaker 2: Scan a trip to the blood pressure machine. You skate

364
00:19:13,119 --> 00:19:14,720
Speaker 2: easier that way if you know you what, the cat

365
00:19:14,760 --> 00:19:19,760
Speaker 2: scans already paid for life's medicine. I didn't need that. Well,

366
00:19:19,760 --> 00:19:20,960
Speaker 2: you were a ball till you're fourteen.

367
00:19:21,560 --> 00:19:23,760
Speaker 3: Yoh job, oh wow.

368
00:19:23,880 --> 00:19:26,560
Speaker 7: But when it came in then so it feels like

369
00:19:26,640 --> 00:19:31,280
Speaker 7: Ryan Reynolds's new foot coming in first flouted a.

370
00:19:31,359 --> 00:19:35,160
Speaker 3: Dapper new outfit so that I can impress my crush,

371
00:19:35,480 --> 00:19:41,800
Speaker 3: and a prescription for Valtrex. It's just like, I just

372
00:19:42,520 --> 00:19:47,560
Speaker 3: I'm sorry that your family was so intent on you

373
00:19:47,640 --> 00:19:50,800
Speaker 3: being responsible that you didn't get that one moment of

374
00:19:50,920 --> 00:19:53,680
Speaker 3: magic when you pull out the candy and you say,

375
00:19:53,880 --> 00:19:56,320
Speaker 3: I'm not gonna worry about my teeth at all for

376
00:19:56,400 --> 00:19:57,800
Speaker 3: the whole morning.

377
00:19:58,320 --> 00:19:59,760
Speaker 2: There are no tomorrows.

378
00:20:00,560 --> 00:20:01,960
Speaker 4: Yeah.

379
00:20:03,160 --> 00:20:05,960
Speaker 1: This week on the Patreon, Carl continues his journey as

380
00:20:06,000 --> 00:20:09,680
Speaker 1: Akron zips football coach Craig Fizzoli on his new show

381
00:20:09,720 --> 00:20:12,439
Speaker 1: Play No Games on the pro Version, the boys make

382
00:20:12,560 --> 00:20:15,800
Speaker 1: some brand new clothes, and the flager Ones are mostly

383
00:20:15,840 --> 00:20:19,320
Speaker 1: talking all things basketball. Check out all these shows and

384
00:20:19,359 --> 00:20:22,360
Speaker 1: the video for today's episode with John and Mark at

385
00:20:22,359 --> 00:20:24,600
Speaker 1: patreon dot com Slash the flager Ones.

386
00:20:30,280 --> 00:20:34,040
Speaker 4: One thing about this revival that we do sort of

387
00:20:34,040 --> 00:20:37,160
Speaker 4: have to do. So when we were booking the new Beverly, Yeah,

388
00:20:37,840 --> 00:20:40,119
Speaker 4: this was I think a confusion with Kevin that like

389
00:20:41,760 --> 00:20:45,320
Speaker 4: he also assumed that we would want like because it's

390
00:20:45,359 --> 00:20:47,879
Speaker 4: eighty for Brady. He also booked us to be like

391
00:20:48,000 --> 00:20:53,560
Speaker 4: presenting the movie alongside the actress Ancient Beverly.

392
00:20:54,320 --> 00:20:54,760
Speaker 2: Mm hmm.

393
00:20:55,800 --> 00:21:01,439
Speaker 4: So she's amazing and she of course is like the

394
00:21:01,480 --> 00:21:03,959
Speaker 4: fifth person. They're not promoting her in the movie, but

395
00:21:04,040 --> 00:21:05,560
Speaker 4: like it's it's there's.

396
00:21:05,280 --> 00:21:10,399
Speaker 8: Four five surprise, yes, and it's very very She's not

397
00:21:10,480 --> 00:21:12,720
Speaker 8: a name, you know what I mean, She's not marketable,

398
00:21:12,760 --> 00:21:15,280
Speaker 8: but she's incredible in this.

399
00:21:15,560 --> 00:21:22,000
Speaker 3: Her billion is and introducing right, yes, and finally introducing.

400
00:21:21,560 --> 00:21:27,200
Speaker 7: Finally eighty seven, I believe I think it's introducing and

401
00:21:27,240 --> 00:21:29,040
Speaker 7: saying goodbye and saying good bye.

402
00:21:29,119 --> 00:21:29,560
Speaker 2: Yeah and.

403
00:21:32,880 --> 00:21:39,359
Speaker 4: Yes it's about like representation of like there's these four

404
00:21:39,400 --> 00:21:42,760
Speaker 4: women that are very kind of youthful for their age,

405
00:21:42,840 --> 00:21:47,159
Speaker 4: and then there's a fifth who, uh it appears to

406
00:21:47,200 --> 00:21:51,400
Speaker 4: be significantly older than she even is, which is which

407
00:21:51,440 --> 00:21:52,720
Speaker 4: is very very old.

408
00:21:53,880 --> 00:21:57,040
Speaker 3: But it's removing the stigma from seeming old. I feel

409
00:21:57,080 --> 00:21:59,600
Speaker 3: like there's so much tied up in old people being

410
00:21:59,680 --> 00:22:01,400
Speaker 3: like age is just a number, and it's like, well,

411
00:22:01,480 --> 00:22:04,480
Speaker 3: sometimes it is your age, and sometimes that comes along

412
00:22:04,520 --> 00:22:10,239
Speaker 3: with some pretty significant change, you know, challenges, And I

413
00:22:10,280 --> 00:22:13,560
Speaker 3: think it is important to have that on screen as well,

414
00:22:13,680 --> 00:22:14,800
Speaker 3: just even for contract.

415
00:22:14,840 --> 00:22:16,320
Speaker 7: But you got to give it to the director because

416
00:22:16,320 --> 00:22:17,960
Speaker 7: it's hard to frame a shot where there's like four

417
00:22:18,040 --> 00:22:20,240
Speaker 7: or five characters and one of them's in a hospital

418
00:22:20,280 --> 00:22:22,280
Speaker 7: bed the entire time in a stadium.

419
00:22:22,840 --> 00:22:25,560
Speaker 2: That's not easy. No, yeah, it is.

420
00:22:26,440 --> 00:22:28,760
Speaker 3: It's pretty clever the way that they shot it, and

421
00:22:29,359 --> 00:22:31,640
Speaker 3: I think it was obviously with the trailer in mind,

422
00:22:31,680 --> 00:22:34,960
Speaker 3: where they do kind of pan over or widen, you know,

423
00:22:35,160 --> 00:22:37,520
Speaker 3: after the first three seconds of every shot. And I

424
00:22:37,560 --> 00:22:39,760
Speaker 3: have to show ancient Beverly at.

425
00:22:39,640 --> 00:22:40,800
Speaker 2: Someone giving her CPR.

426
00:22:41,000 --> 00:22:45,440
Speaker 4: Most times, I mean, her shots are pretty clearly from

427
00:22:45,520 --> 00:22:49,560
Speaker 4: above and they have like laid out like the set design,

428
00:22:49,800 --> 00:22:52,399
Speaker 4: like you know, like the end table and stuff like

429
00:22:52,480 --> 00:22:56,880
Speaker 4: next to her on its back, and you know, she's

430
00:22:56,920 --> 00:22:59,760
Speaker 4: like lying on like a wallpaper service. So it seems

431
00:22:59,840 --> 00:23:06,080
Speaker 4: like like she's you know, standing up. But she's very

432
00:23:06,119 --> 00:23:08,840
Speaker 4: obviously in the hospital. But I mean just from.

433
00:23:08,640 --> 00:23:11,240
Speaker 3: The she's and she's asking for medicine.

434
00:23:11,600 --> 00:23:13,960
Speaker 7: Yes, but I mean most of the season she is

435
00:23:14,160 --> 00:23:17,440
Speaker 7: asking for medicine, but in a fun wrap, right.

436
00:23:17,880 --> 00:23:20,840
Speaker 3: Oh gosh, yeah, no that I mean that to me

437
00:23:21,240 --> 00:23:24,119
Speaker 3: was like the lightness of Hey, even if you're not

438
00:23:24,520 --> 00:23:29,160
Speaker 3: you know, so spry, it's like still give me a beat,

439
00:23:29,400 --> 00:23:31,560
Speaker 3: and like, let's make this request really fun.

440
00:23:31,600 --> 00:23:34,320
Speaker 2: But saying like I need the medicine. The medicine is, yeah,

441
00:23:34,440 --> 00:23:38,879
Speaker 2: give me a crucial for me. It's an emergency. But

442
00:23:39,040 --> 00:23:44,400
Speaker 2: to do it just like go to the ancient, it's

443
00:23:44,440 --> 00:23:46,240
Speaker 2: your last breath. It's your last breath.

444
00:23:48,760 --> 00:23:51,119
Speaker 4: So the lowering, I worry is going to be an

445
00:23:51,160 --> 00:23:54,439
Speaker 4: issue for Ancient Beverly. The lotion I think would be

446
00:23:54,600 --> 00:23:59,520
Speaker 4: temporarily beneficial and then and then potentially fair and it.

447
00:23:59,480 --> 00:24:01,160
Speaker 2: Will become like a choking hazard.

448
00:24:01,200 --> 00:24:04,119
Speaker 7: Actually, yes, now are you bringing her out before the

449
00:24:04,160 --> 00:24:04,920
Speaker 7: movie starts?

450
00:24:05,680 --> 00:24:08,399
Speaker 4: She has to be part of our like, she is

451
00:24:08,560 --> 00:24:13,440
Speaker 4: locked in to our pre movie introduction, which is our

452
00:24:13,480 --> 00:24:15,800
Speaker 4: only opportunity to kind.

453
00:24:15,640 --> 00:24:18,720
Speaker 3: Of sellin impress Quinton, And so we want to like

454
00:24:19,920 --> 00:24:24,440
Speaker 3: knowledge without yeah, without her taking the spotlight.

455
00:24:24,520 --> 00:24:26,000
Speaker 2: Maybe if you get her to say, like some sort

456
00:24:26,000 --> 00:24:28,000
Speaker 2: of racial slur that might get his attention.

457
00:24:28,480 --> 00:24:32,600
Speaker 4: Yeah, he like, And what's our reaction to that? Are

458
00:24:32,600 --> 00:24:34,640
Speaker 4: we just kind of like, how do I play it?

459
00:24:34,720 --> 00:24:38,000
Speaker 4: We disapprove of it, but but it's.

460
00:24:38,160 --> 00:24:40,760
Speaker 2: She's from a different time, from a different time.

461
00:24:41,440 --> 00:24:45,680
Speaker 3: Say yeah, we say this is appropriate for her character.

462
00:24:48,400 --> 00:24:51,439
Speaker 4: That's what her character would say. M Yeah, that's right.

463
00:24:52,119 --> 00:24:56,640
Speaker 3: It actually would be dishonest and inauthentic for her not

464
00:24:56,760 --> 00:25:00,920
Speaker 3: to use that racial slur even though I her, Well,

465
00:25:01,160 --> 00:25:05,480
Speaker 3: we never get no that's right unless it's in the script, Quentin, Is.

466
00:25:05,440 --> 00:25:09,119
Speaker 4: There a way to tie it like a movie like

467
00:25:09,200 --> 00:25:13,200
Speaker 4: eighty for Brady with just like being able to show

468
00:25:13,280 --> 00:25:19,320
Speaker 4: how much we like, know and appreciate about about film,

469
00:25:19,720 --> 00:25:23,840
Speaker 4: like like with the traditions that drought We talked about Grindhouse,

470
00:25:23,880 --> 00:25:25,159
Speaker 4: but like maybe.

471
00:25:25,119 --> 00:25:27,360
Speaker 3: The American Giallo or.

472
00:25:30,320 --> 00:25:34,320
Speaker 7: Maybe yeah genres, maybe you can find a way to

473
00:25:34,359 --> 00:25:42,199
Speaker 7: compare it to Blacula. Wow, eighty for Blacula huh. You

474
00:25:42,280 --> 00:25:45,960
Speaker 7: pitch a sequel for senior citizens to find their spark,

475
00:25:46,040 --> 00:25:49,600
Speaker 7: go to a rival screening of Blacula.

476
00:25:50,320 --> 00:25:52,280
Speaker 4: I don't know that's that's what we're pitching.

477
00:25:52,320 --> 00:25:55,400
Speaker 5: Maybe they go on a vacation. Yeah, and then they

478
00:25:55,560 --> 00:25:56,600
Speaker 5: unearthed Blacula.

479
00:25:56,680 --> 00:25:58,680
Speaker 2: And you guys are the concerned grandsons.

480
00:25:59,480 --> 00:26:02,040
Speaker 4: We played to concern grandson's grandma.

481
00:26:02,359 --> 00:26:05,800
Speaker 3: Come on, you're too old to go see black Ela

482
00:26:05,920 --> 00:26:07,280
Speaker 3: at a midnight screening.

483
00:26:08,720 --> 00:26:12,840
Speaker 7: There we go watch this right itself, and they have

484
00:26:12,880 --> 00:26:13,920
Speaker 7: to sneak out, you know.

485
00:26:14,359 --> 00:26:18,000
Speaker 3: And we learn, like we learned to have some respect

486
00:26:18,200 --> 00:26:19,600
Speaker 3: for our elders.

487
00:26:19,720 --> 00:26:25,639
Speaker 2: Yeah, you guys are so you know, so fragile about it.

488
00:26:25,640 --> 00:26:27,359
Speaker 5: But I think one of you needs to fall in

489
00:26:27,400 --> 00:26:29,680
Speaker 5: love with one of the other women.

490
00:26:30,600 --> 00:26:33,919
Speaker 2: The other grandma's Yeah, not your own grandma. This is

491
00:26:33,960 --> 00:26:35,720
Speaker 2: a Milf Manor style situation.

492
00:26:36,359 --> 00:26:36,600
Speaker 3: M hm.

493
00:26:37,400 --> 00:26:39,800
Speaker 4: So yeah, Manor.

494
00:26:41,160 --> 00:26:43,920
Speaker 7: Man So it's both of your two grand because you

495
00:26:43,960 --> 00:26:46,000
Speaker 7: both have two grandmas on both so it's those four

496
00:26:46,040 --> 00:26:49,600
Speaker 7: grandmas together. Okay, So maybe it's like there's two thropples

497
00:26:49,640 --> 00:26:53,280
Speaker 7: then or you each end up with one and then

498
00:26:53,280 --> 00:26:54,800
Speaker 7: two of the grandmothers end up together.

499
00:26:54,960 --> 00:26:55,520
Speaker 2: That's cute.

500
00:26:55,720 --> 00:27:00,840
Speaker 5: Well that would and that would shakesperience three marriages at

501
00:27:00,840 --> 00:27:02,320
Speaker 5: the end of the at the plot.

502
00:27:02,119 --> 00:27:04,120
Speaker 2: And Tarantino loves Shakespeare.

503
00:27:04,200 --> 00:27:06,320
Speaker 4: He does, He's obsessed.

504
00:27:07,359 --> 00:27:10,240
Speaker 2: They're always showing Shakespeare in Love New Beverly.

505
00:27:10,920 --> 00:27:14,919
Speaker 4: He has a podcast now, yeah, that's true. H have

506
00:27:15,040 --> 00:27:16,400
Speaker 4: you reached out?

507
00:27:16,760 --> 00:27:19,320
Speaker 2: Have we acquired it? Just to wish him well?

508
00:27:20,880 --> 00:27:23,439
Speaker 7: Good luck, Quentin. We've been doing this for a few years.

509
00:27:23,880 --> 00:27:25,399
Speaker 7: Let us know if you need any tips.

510
00:27:25,600 --> 00:27:27,800
Speaker 2: It takes a while to build your audience. Get that

511
00:27:27,840 --> 00:27:29,960
Speaker 2: tea public account going as soon as you can.

512
00:27:30,800 --> 00:27:33,120
Speaker 4: So you have tea, you have, you have teas.

513
00:27:33,640 --> 00:27:35,240
Speaker 2: We have teas, six ties.

514
00:27:36,280 --> 00:27:40,920
Speaker 3: What's our what's our best selling tea design? And let's

515
00:27:40,920 --> 00:27:43,959
Speaker 3: see if we can steer a little more traffic that way.

516
00:27:44,600 --> 00:27:46,880
Speaker 2: It would probably be the each shit funny girl.

517
00:27:48,680 --> 00:27:50,440
Speaker 4: Okay, that's good.

518
00:27:50,560 --> 00:27:53,720
Speaker 2: Very versatile, very versatile, very of the moment as well.

519
00:27:55,560 --> 00:27:56,320
Speaker 2: Yeah came back.

520
00:27:56,400 --> 00:28:00,240
Speaker 4: Yeah, you can wear that pretty much anywhere. There's no

521
00:28:00,680 --> 00:28:02,280
Speaker 4: inappropriate location.

522
00:28:02,080 --> 00:28:05,520
Speaker 2: There's no wrong word. Yeah, no wrong event. Disneyland you

523
00:28:05,560 --> 00:28:06,119
Speaker 2: could wear it.

524
00:28:06,720 --> 00:28:09,560
Speaker 3: Mm hmm, you wear it to Disneyland. But you can

525
00:28:09,600 --> 00:28:12,320
Speaker 3: wear it to church. You can wear it to a wedding.

526
00:28:14,160 --> 00:28:15,840
Speaker 3: And that's why we do a different church.

527
00:28:16,240 --> 00:28:17,960
Speaker 4: Kevin, do you have the tea public store open?

528
00:28:18,720 --> 00:28:18,920
Speaker 1: Sure?

529
00:28:19,000 --> 00:28:19,520
Speaker 2: Let me get that.

530
00:28:20,680 --> 00:28:22,639
Speaker 4: So the answer was no, it's a yes or and

531
00:28:22,680 --> 00:28:23,359
Speaker 4: it's not a shirt.

532
00:28:24,720 --> 00:28:26,000
Speaker 6: Uh yeah, just give me a second.

533
00:28:26,800 --> 00:28:29,000
Speaker 4: And the shirt is about the movie Funny Girl?

534
00:28:29,720 --> 00:28:32,520
Speaker 2: Correct, because you like is it to the character?

535
00:28:32,960 --> 00:28:34,920
Speaker 4: Is it you like the Baday version?

536
00:28:35,280 --> 00:28:38,120
Speaker 2: We haven't seen it. John's more the Broadway guy than

537
00:28:38,160 --> 00:28:38,440
Speaker 2: I am.

538
00:28:38,720 --> 00:28:41,840
Speaker 5: Yeah, And it was Mark who said each had Funny Girl.

539
00:28:42,080 --> 00:28:45,400
Speaker 5: So that's that's all Mark, Why.

540
00:28:45,200 --> 00:28:45,960
Speaker 2: Do you say that?

541
00:28:46,560 --> 00:28:47,240
Speaker 4: So? Which?

542
00:28:47,320 --> 00:28:49,760
Speaker 3: Actually and John? Are you sharing the problem?

543
00:28:49,840 --> 00:28:50,600
Speaker 4: It's over two.

544
00:28:50,440 --> 00:28:53,560
Speaker 7: Hours long and it's really boring. That's what she did

545
00:28:53,720 --> 00:28:55,680
Speaker 7: two and a half hours of this I need. I

546
00:28:55,680 --> 00:28:56,360
Speaker 7: don't think so.

547
00:28:58,000 --> 00:29:00,880
Speaker 4: Two hours that's what I did you. That's so funny.

548
00:29:00,960 --> 00:29:02,160
Speaker 2: There we go, Here we go.

549
00:29:02,280 --> 00:29:05,719
Speaker 4: I'm pulling the lever. Okay, there's the two of you

550
00:29:05,760 --> 00:29:09,920
Speaker 4: saying hello, why don't we So that one's really nice.

551
00:29:10,600 --> 00:29:15,520
Speaker 4: That's the logo work is really fantastic, and it's got

552
00:29:16,200 --> 00:29:22,240
Speaker 4: it's got our Barbara streisand streisand wow, just right in there,

553
00:29:23,440 --> 00:29:24,200
Speaker 4: no mistaking it.

554
00:29:24,920 --> 00:29:27,160
Speaker 3: Yeah, what so can you talk to me about you

555
00:29:27,200 --> 00:29:30,280
Speaker 3: are not the movie Cruising? I actually watched Cruising recently.

556
00:29:30,600 --> 00:29:31,120
Speaker 2: Oh, you did.

557
00:29:31,640 --> 00:29:35,760
Speaker 4: He actually was. He actually was saying that he is. Yeah,

558
00:29:36,120 --> 00:29:38,640
Speaker 4: I thought I thought I watched the movie. I finished

559
00:29:38,680 --> 00:29:39,040
Speaker 4: watching you.

560
00:29:39,160 --> 00:29:41,360
Speaker 2: I said, hey, I'm the movie cruising.

561
00:29:41,440 --> 00:29:45,800
Speaker 3: Finally somebody got me right. I thought it was interesting.

562
00:29:45,920 --> 00:29:49,800
Speaker 3: Wasn't sure I understood it? Sure, but no, but tell

563
00:29:49,840 --> 00:29:51,920
Speaker 3: me why it says you are not the movie Cruising.

564
00:29:52,920 --> 00:29:55,240
Speaker 7: Well, for the longest time, you would get a penalty

565
00:29:55,320 --> 00:29:57,320
Speaker 7: if you were the movie Cruising, because before we saw it,

566
00:29:57,400 --> 00:29:59,960
Speaker 7: we believed it was a very you know, homophobic, not

567
00:30:00,000 --> 00:30:02,240
Speaker 7: the most fat gay life.

568
00:30:02,240 --> 00:30:04,800
Speaker 2: But then we eventually watched it and it came away.

569
00:30:04,680 --> 00:30:05,480
Speaker 4: It's not that bad.

570
00:30:05,800 --> 00:30:08,480
Speaker 7: It's not the worst, not the worst. So for about

571
00:30:08,520 --> 00:30:10,240
Speaker 7: a year you would get a penalty if you were

572
00:30:10,280 --> 00:30:11,120
Speaker 7: the movie Cruising.

573
00:30:11,560 --> 00:30:13,720
Speaker 2: But then we would be like, you're not the movie Cruising,

574
00:30:13,840 --> 00:30:15,200
Speaker 2: so you're not gonna get penalized.

575
00:30:15,680 --> 00:30:17,120
Speaker 4: Oh so that's a good thing.

576
00:30:17,920 --> 00:30:20,600
Speaker 3: Sure is a fact one not being the movie cruising.

577
00:30:20,680 --> 00:30:22,719
Speaker 3: But then in fact the movie Cruising was not the

578
00:30:22,720 --> 00:30:23,400
Speaker 3: movie cruising.

579
00:30:23,960 --> 00:30:26,480
Speaker 5: Correct, Well, that one was, but yeah, that's the one

580
00:30:26,520 --> 00:30:27,280
Speaker 5: time that it was.

581
00:30:28,200 --> 00:30:32,440
Speaker 3: The movie cruising. Was the movie cruising, even though what

582
00:30:32,480 --> 00:30:34,920
Speaker 3: you were braced for was something much worse than what

583
00:30:34,960 --> 00:30:36,800
Speaker 3: the movie cruising actually was correct.

584
00:30:36,840 --> 00:30:40,280
Speaker 7: We were braced for I now pronounce you chucking Larry,

585
00:30:40,760 --> 00:30:43,000
Speaker 7: but it actually ended up being a little more nuanced

586
00:30:43,000 --> 00:30:43,280
Speaker 7: than that.

587
00:30:43,680 --> 00:30:46,160
Speaker 2: Yeah, far more interesting if.

588
00:30:46,080 --> 00:30:48,080
Speaker 7: You can believe something was more interesting than I now

589
00:30:48,080 --> 00:30:50,280
Speaker 7: pronounce you chuck and Larry.

590
00:30:50,440 --> 00:30:54,440
Speaker 3: And then again, it's all this stuff is is totally subjective.

591
00:30:55,960 --> 00:30:59,240
Speaker 2: Sure, Oh, Kevin, are you in? Are you in the

592
00:30:59,320 --> 00:31:00,520
Speaker 2: United Kingdom right now?

593
00:31:00,720 --> 00:31:02,960
Speaker 6: That's cool that you guys don't do us currency.

594
00:31:03,000 --> 00:31:07,959
Speaker 5: I love that, you know we're supporting forrexit because all

595
00:31:07,960 --> 00:31:09,480
Speaker 5: the prices aren't pounds.

596
00:31:10,800 --> 00:31:12,920
Speaker 4: There's a T shirt of the two of you saying hello,

597
00:31:13,080 --> 00:31:15,320
Speaker 4: would you say at the same time at the beginning

598
00:31:15,320 --> 00:31:19,280
Speaker 4: of every episode? That correct? How's that one doing?

599
00:31:19,960 --> 00:31:20,160
Speaker 2: You know?

600
00:31:20,400 --> 00:31:23,120
Speaker 7: The problem was we introduced all these shirts at the

601
00:31:23,160 --> 00:31:27,400
Speaker 7: same time. We should have done one.

602
00:31:29,520 --> 00:31:31,960
Speaker 3: It's good if people feel like they have no other

603
00:31:32,040 --> 00:31:34,520
Speaker 3: option at any point they're buying a shirt.

604
00:31:34,720 --> 00:31:36,800
Speaker 7: This is the advice I left for Quentin. I said,

605
00:31:36,840 --> 00:31:39,160
Speaker 7: don't put all your merch out at one space.

606
00:31:39,240 --> 00:31:39,760
Speaker 2: It out.

607
00:31:40,280 --> 00:31:42,400
Speaker 7: When there's just one shirt out, people think, oh, I

608
00:31:42,400 --> 00:31:43,400
Speaker 7: gotta get that one.

609
00:31:43,560 --> 00:31:46,320
Speaker 2: But when you do six, it's a you know, fallacy

610
00:31:46,360 --> 00:31:46,840
Speaker 2: of choice.

611
00:31:47,320 --> 00:31:49,560
Speaker 4: There's nothing to stop us from doing a T shirt

612
00:31:49,560 --> 00:31:51,080
Speaker 4: where it's me and Shaun saying hello.

613
00:31:51,800 --> 00:31:52,400
Speaker 2: That is true.

614
00:31:52,640 --> 00:31:55,040
Speaker 4: I'm just I'm just looking at this and like, even

615
00:31:55,080 --> 00:31:59,640
Speaker 4: if it's not doing like huge numbers compared to the

616
00:32:00,080 --> 00:32:04,520
Speaker 4: each ship funny Girl shirt, I am just liking the

617
00:32:04,600 --> 00:32:07,320
Speaker 4: idea of it's me, it's Sean on the T shirt.

618
00:32:07,360 --> 00:32:08,480
Speaker 4: I'm saying hello, We're.

619
00:32:10,000 --> 00:32:12,000
Speaker 2: A lot of the work is done for us. We

620
00:32:12,120 --> 00:32:14,640
Speaker 2: got a little bit of merch. I'd say it's even

621
00:32:14,680 --> 00:32:17,680
Speaker 2: more confusing than the cruising shirt. What we're working with, you.

622
00:32:17,640 --> 00:32:25,120
Speaker 4: Know, Kevin just picks these very strange the inspirations for

623
00:32:27,440 --> 00:32:29,920
Speaker 4: are you cling up our store? Kevin? We have a store,

624
00:32:31,280 --> 00:32:33,680
Speaker 4: Yeah we do. Here's what we're working with.

625
00:32:33,760 --> 00:32:37,800
Speaker 2: Boys, Okay, alrighty, the.

626
00:32:39,520 --> 00:32:43,880
Speaker 4: Lot of sports, it says my Cowboy TV. These are

627
00:32:43,920 --> 00:32:48,240
Speaker 4: all on like the very similar, uh kind of foundation.

628
00:32:48,320 --> 00:32:52,200
Speaker 4: You know. It's like a brightish image on a black background.

629
00:32:53,480 --> 00:32:57,640
Speaker 4: Yours are much more varied in their presentation. I don't know.

630
00:32:57,840 --> 00:33:00,920
Speaker 4: I'm just feeling like we got a we got a

631
00:33:00,960 --> 00:33:05,760
Speaker 4: clean house in this store. You have clearance podcast.

632
00:33:07,720 --> 00:33:11,080
Speaker 6: Let me log in and look behind the curtain in

633
00:33:11,160 --> 00:33:11,800
Speaker 6: the back end.

634
00:33:12,560 --> 00:33:12,920
Speaker 4: Yeah.

635
00:33:13,960 --> 00:33:16,480
Speaker 3: While he's doing that, we do have to deal with Gronk.

636
00:33:16,600 --> 00:33:19,440
Speaker 3: Gronk will be there at the screening. He's gonna want

637
00:33:19,440 --> 00:33:26,320
Speaker 3: to be featured in some way. He wants to, you know,

638
00:33:26,600 --> 00:33:31,360
Speaker 3: feel funny, feel a part of it. But again, we

639
00:33:31,440 --> 00:33:37,960
Speaker 3: don't want Gronk to get discovered. We want to be like, oh, yeah,

640
00:33:38,000 --> 00:33:44,200
Speaker 3: exactly exactly, so you know, is there something funny we

641
00:33:44,200 --> 00:33:44,520
Speaker 3: could do?

642
00:33:44,640 --> 00:33:45,160
Speaker 2: Like could it?

643
00:33:45,200 --> 00:33:47,120
Speaker 3: Would he feel funny if we go, hey, what if

644
00:33:47,120 --> 00:33:52,480
Speaker 3: we we tackle you, you know in the you.

645
00:33:56,480 --> 00:33:59,600
Speaker 2: And he throws a flag strapping guy. Right.

646
00:34:00,240 --> 00:34:02,600
Speaker 4: He pitched a few things he wants because he's got

647
00:34:02,640 --> 00:34:08,040
Speaker 4: all these things that he he sponsors. Yeah, and his

648
00:34:08,120 --> 00:34:10,359
Speaker 4: thing is that he like he spikes the different things.

649
00:34:10,400 --> 00:34:13,960
Speaker 4: So he's he says a deal with Subway. He spikes

650
00:34:14,880 --> 00:34:20,960
Speaker 4: spikes sweet onion, chicken Picada, sub He has a deal

651
00:34:21,000 --> 00:34:24,080
Speaker 4: with US a A. This is the really difficulty he

652
00:34:25,400 --> 00:34:27,719
Speaker 4: for our thing because he works with the USA. He

653
00:34:27,760 --> 00:34:29,240
Speaker 4: wants to spike a marine.

654
00:34:29,840 --> 00:34:33,239
Speaker 3: Yeah, I don't know that that's which we were like

655
00:34:33,320 --> 00:34:35,720
Speaker 3: going to be like a toy marine or something.

656
00:34:35,760 --> 00:34:36,399
Speaker 2: And he was.

657
00:34:36,440 --> 00:34:42,200
Speaker 7: Like uniform, yes, in the dress uniform.

658
00:34:42,960 --> 00:34:46,400
Speaker 4: Yes. He wants the Marines to send them their most

659
00:34:46,560 --> 00:34:48,600
Speaker 4: powerful enlisted marine.

660
00:34:49,520 --> 00:34:51,719
Speaker 2: Okay, I'm glad he's not going to well to read

661
00:34:51,800 --> 00:34:54,000
Speaker 2: then and just pickure the weakest. That would be upsetting.

662
00:34:55,040 --> 00:34:55,840
Speaker 2: So this guy could.

663
00:34:55,719 --> 00:34:59,359
Speaker 3: Take that's right, it is, but he also wants I mean,

664
00:34:59,400 --> 00:35:03,120
Speaker 3: he does want to play ancient beverly Son.

665
00:35:03,440 --> 00:35:05,799
Speaker 2: But what a way to go? What a way to go?

666
00:35:06,440 --> 00:35:10,360
Speaker 4: Yeah, he kissed that he has asked his intention to

667
00:35:10,480 --> 00:35:13,600
Speaker 4: liquefy ancient Beverly So you.

668
00:35:13,600 --> 00:35:15,799
Speaker 2: Got to keep them on opposite side by stage. Then.

669
00:35:16,920 --> 00:35:18,560
Speaker 2: I didn't know. I don't follow sports. I didn't know

670
00:35:18,640 --> 00:35:19,920
Speaker 2: Gronk was old, blood thirsty.

671
00:35:20,600 --> 00:35:22,880
Speaker 3: I don't know that he was when he was in

672
00:35:22,920 --> 00:35:25,360
Speaker 3: the league. But you know these kinds, I don't.

673
00:35:25,200 --> 00:35:29,480
Speaker 7: Know what he will do. It we saw Babylon, I

674
00:35:29,560 --> 00:35:32,600
Speaker 7: know what we're dealing with. Debauchery and outrage.

675
00:35:33,640 --> 00:35:34,839
Speaker 2: That's what happened to you.

676
00:35:34,920 --> 00:35:39,960
Speaker 4: Yeah, did Babylon that's over two hours.

677
00:35:38,920 --> 00:35:40,480
Speaker 2: Three hours and five minutes.

678
00:35:41,080 --> 00:35:43,680
Speaker 4: Did you pull did you pull the lever on that one?

679
00:35:43,719 --> 00:35:47,279
Speaker 4: Send it into the moat? Yeah?

680
00:35:48,600 --> 00:35:49,400
Speaker 2: You got dunked.

681
00:35:49,680 --> 00:35:53,520
Speaker 6: I said, can I tell my Gronk story?

682
00:35:54,280 --> 00:35:59,080
Speaker 4: Please, let's get it. Let's get it. Let's actually like,

683
00:36:00,400 --> 00:36:02,600
Speaker 4: let's actually take a pulse on this, like whether we

684
00:36:02,680 --> 00:36:04,520
Speaker 4: really do want to hear the Gronk story. I've never

685
00:36:04,560 --> 00:36:08,319
Speaker 4: heard it before, and just about everything that's happened in

686
00:36:08,320 --> 00:36:10,400
Speaker 4: his life. I'll be terrible.

687
00:36:11,040 --> 00:36:12,040
Speaker 2: I'll be completely honest.

688
00:36:12,080 --> 00:36:14,520
Speaker 5: I have no idea who Gronky is, so any kind

689
00:36:14,520 --> 00:36:17,319
Speaker 5: of context Claus would be very helpful for me and

690
00:36:17,360 --> 00:36:18,799
Speaker 5: taking part in this conversation.

691
00:36:19,239 --> 00:36:22,560
Speaker 4: Uh, let's pull up one of his ads for John.

692
00:36:22,600 --> 00:36:24,840
Speaker 4: I mean, if John is going to appreciate this story

693
00:36:24,880 --> 00:36:27,279
Speaker 4: at all, we should like at least showhim one commercial

694
00:36:27,360 --> 00:36:30,040
Speaker 4: that has Gronk in it. M hmm.

695
00:36:30,520 --> 00:36:34,480
Speaker 7: Is he an active player He's no longer.

696
00:36:35,480 --> 00:36:38,160
Speaker 5: Yes, didn't play this past, but is that true within

697
00:36:38,239 --> 00:36:39,759
Speaker 5: the world of that.

698
00:36:39,800 --> 00:36:44,520
Speaker 3: Universe Brady and Eddie? For Brady is an active player,

699
00:36:45,400 --> 00:36:46,080
Speaker 3: He's gotta be.

700
00:36:46,560 --> 00:36:48,960
Speaker 7: I thought eighty for Brady took place on September tenth,

701
00:36:49,000 --> 00:36:52,399
Speaker 7: two thousand and one. Yeah, he was playing them.

702
00:36:52,760 --> 00:36:54,720
Speaker 4: And they let it go. They just let it happen.

703
00:36:54,920 --> 00:36:56,280
Speaker 2: Wow, right.

704
00:36:56,800 --> 00:36:59,760
Speaker 3: Yeah, they get a warning and they get a warning

705
00:36:59,760 --> 00:37:03,759
Speaker 3: that if they don't lose the game, that the number

706
00:37:03,800 --> 00:37:06,600
Speaker 3: eleven will take place. And Gronk and Brady look at

707
00:37:06,600 --> 00:37:11,200
Speaker 3: each other and they say, you know what, the game

708
00:37:11,280 --> 00:37:13,319
Speaker 3: is bigger than this country.

709
00:37:13,480 --> 00:37:16,480
Speaker 4: That's true, true, And they make a pretty good case

710
00:37:16,520 --> 00:37:19,640
Speaker 4: that what would have happened if it had been averted

711
00:37:19,640 --> 00:37:22,560
Speaker 4: would have been even worse. And they don't say what

712
00:37:22,640 --> 00:37:25,560
Speaker 4: it was, but it sounds like it would have been

713
00:37:25,600 --> 00:37:26,080
Speaker 4: pretty bad.

714
00:37:26,480 --> 00:37:28,960
Speaker 2: We never would have gotten American Sniper the movie.

715
00:37:29,440 --> 00:37:32,560
Speaker 4: They sort of allude to that being it and one

716
00:37:32,560 --> 00:37:36,799
Speaker 4: of the pluses I know, but that I think if

717
00:37:36,840 --> 00:37:38,960
Speaker 4: they had just said that outright, people would have said

718
00:37:38,960 --> 00:37:40,600
Speaker 4: that that that was actually not worth it.

719
00:37:40,680 --> 00:37:42,560
Speaker 3: I think if you if you put that fine a

720
00:37:42,640 --> 00:37:45,960
Speaker 3: point on it, it becomes open for debate. But they

721
00:37:46,000 --> 00:37:50,920
Speaker 3: do imply that the film American Sniper would not have happened.

722
00:37:50,600 --> 00:37:51,520
Speaker 2: And it's all subjective.

723
00:37:52,160 --> 00:37:57,880
Speaker 5: Oh yeah, okay, momcial for T Mobile not a sponsor

724
00:37:57,880 --> 00:38:00,279
Speaker 5: for this podcast or are they not?

725
00:38:00,680 --> 00:38:04,120
Speaker 2: Yes, we're open each other.

726
00:38:05,120 --> 00:38:07,200
Speaker 6: Uh here it is Ronk.

727
00:38:07,440 --> 00:38:08,160
Speaker 4: What up TV?

728
00:38:08,400 --> 00:38:09,880
Speaker 2: What do you think my next move should be?

729
00:38:10,040 --> 00:38:10,840
Speaker 4: Give it to me straight.

730
00:38:10,920 --> 00:38:12,719
Speaker 2: Maybe it's just time I hang them out. I got

731
00:38:12,719 --> 00:38:14,600
Speaker 2: one word for you, retirement.

732
00:38:14,680 --> 00:38:18,080
Speaker 5: If you retire now, you're gonna be walking on soft sand.

733
00:38:17,920 --> 00:38:18,520
Speaker 4: In a week.

734
00:38:18,800 --> 00:38:21,279
Speaker 2: Just come to Florida and feel the wind in your hair.

735
00:38:21,400 --> 00:38:24,920
Speaker 2: Retirement is like winning another one. Maybe I'll even join.

736
00:38:24,719 --> 00:38:28,160
Speaker 4: You on a Spotty Network. This is what Tom heard.

737
00:38:28,200 --> 00:38:30,920
Speaker 2: If you retire now they're soft and weak.

738
00:38:31,520 --> 00:38:34,200
Speaker 4: Just come to Florida and win another one. Maybe I'll

739
00:38:34,239 --> 00:38:34,840
Speaker 4: even join you.

740
00:38:35,840 --> 00:38:41,160
Speaker 2: Poure like I said, easy krunk. Maybe it is. I

741
00:38:41,200 --> 00:38:43,320
Speaker 2: still feel like I have a lot to accomplish.

742
00:38:43,360 --> 00:38:47,680
Speaker 4: And so Tom Brady unretired. Yeah, and that's how it happens.

743
00:38:47,719 --> 00:38:50,799
Speaker 3: And it's because of this body connection that you like

744
00:38:50,800 --> 00:38:51,520
Speaker 3: a multiverse.

745
00:38:52,200 --> 00:38:54,160
Speaker 7: This is why whenever I have a streaming service, I

746
00:38:54,200 --> 00:38:56,920
Speaker 7: never pay for the ad free. I always like seeing

747
00:38:56,960 --> 00:39:00,120
Speaker 7: these ads. They're funny, They're really funny.

748
00:39:00,640 --> 00:39:03,759
Speaker 3: That ad was very clever and I and when they

749
00:39:04,400 --> 00:39:06,919
Speaker 3: you know, it's it's really a mad fold in, isn't

750
00:39:06,960 --> 00:39:09,560
Speaker 3: it Where you have this one picture, but then you

751
00:39:09,600 --> 00:39:12,400
Speaker 3: get this second picture the edges.

752
00:39:12,600 --> 00:39:14,920
Speaker 2: We realized we were in the hands of Hitchcocky and

753
00:39:15,000 --> 00:39:16,120
Speaker 2: Master the whole time.

754
00:39:16,640 --> 00:39:20,600
Speaker 3: Oh yes, No, the twist had me reeling.

755
00:39:20,800 --> 00:39:23,000
Speaker 2: Good luck knock at the cabin top in the awter.

756
00:39:24,160 --> 00:39:24,359
Speaker 4: Yeah.

757
00:39:24,480 --> 00:39:27,319
Speaker 3: I like looking at Tom Brady because I like to

758
00:39:27,480 --> 00:39:32,399
Speaker 3: know that with enough money, when I reach a certain age,

759
00:39:32,400 --> 00:39:35,839
Speaker 3: I will still be able to appear extremely youthful, but

760
00:39:35,920 --> 00:39:38,040
Speaker 3: I will not know what to do with my mouth.

761
00:39:39,040 --> 00:39:42,640
Speaker 3: Something will be going on with my mouth. Which is

762
00:39:43,480 --> 00:39:44,720
Speaker 3: of which I am not certain.

763
00:39:46,040 --> 00:39:48,240
Speaker 2: He kind of looks like a very healthy ghoul.

764
00:39:50,440 --> 00:39:53,120
Speaker 4: I can either feel my I either can't feel my

765
00:39:53,160 --> 00:39:55,040
Speaker 4: mouth or I can feel it too much.

766
00:39:55,560 --> 00:39:57,719
Speaker 7: He's like it's trying to his lower jaws, trying to

767
00:39:57,880 --> 00:39:58,840
Speaker 7: escape constantly.

768
00:39:59,719 --> 00:40:03,160
Speaker 3: Some thing's going on, and so it'll be moving on.

769
00:40:03,280 --> 00:40:05,759
Speaker 3: I'll be holding it, but you'll be able to tell that.

770
00:40:05,800 --> 00:40:07,240
Speaker 3: I'm thinking, is this normal?

771
00:40:07,320 --> 00:40:10,320
Speaker 2: The way I'm holding it? No matter what else is

772
00:40:10,400 --> 00:40:10,719
Speaker 2: going up?

773
00:40:10,760 --> 00:40:12,000
Speaker 4: But everything else seems fine.

774
00:40:12,360 --> 00:40:15,000
Speaker 2: In eighty for Brady, I believe Sally Field cuts his

775
00:40:15,120 --> 00:40:16,000
Speaker 2: jaw off.

776
00:40:16,440 --> 00:40:18,880
Speaker 3: Really just like I can't take it anymore, and he

777
00:40:18,920 --> 00:40:20,280
Speaker 3: says finally.

778
00:40:20,120 --> 00:40:24,799
Speaker 2: Final, he's free. Last I am free, and just ghosts just.

779
00:40:25,120 --> 00:40:28,040
Speaker 7: Wore out of his mouth like a return of the

780
00:40:28,080 --> 00:40:29,759
Speaker 7: King when that ghost army shows up.

781
00:40:31,640 --> 00:40:34,319
Speaker 4: So that's your context for who Gronk. Gronk is the

782
00:40:34,320 --> 00:40:39,120
Speaker 4: big guy bad bad phone. And it was because of

783
00:40:39,160 --> 00:40:42,360
Speaker 4: the bad phone that that Tom Brady came back to

784
00:40:42,360 --> 00:40:45,160
Speaker 4: play another year and, as Sean said, lost his entire family.

785
00:40:45,200 --> 00:40:46,879
Speaker 2: If he had t mobile, he'd still be married.

786
00:40:46,840 --> 00:40:48,600
Speaker 5: So does that considered to be a bad thing that

787
00:40:48,600 --> 00:40:49,680
Speaker 5: Tom Brady went back.

788
00:40:50,239 --> 00:40:52,840
Speaker 4: It's an interesting question raised by the commercial, isn't it

789
00:40:53,400 --> 00:40:54,280
Speaker 4: they really think.

790
00:40:55,480 --> 00:40:57,359
Speaker 2: It seems like it was one of the.

791
00:40:57,280 --> 00:40:59,839
Speaker 4: Greatest personal errors of his life. He only played one

792
00:40:59,840 --> 00:41:03,400
Speaker 4: more year, and now he did just retire for good

793
00:41:03,640 --> 00:41:05,200
Speaker 4: until I guess this happens again.

794
00:41:05,680 --> 00:41:11,160
Speaker 2: So he's he's like the share of football retiring. I

795
00:41:11,160 --> 00:41:13,920
Speaker 2: think that's a nice way to think about it. It's charitable,

796
00:41:14,160 --> 00:41:16,840
Speaker 2: not nice to share. I feel like she'll be fine.

797
00:41:17,280 --> 00:41:19,680
Speaker 4: And so where are we what are we thinking now

798
00:41:19,760 --> 00:41:23,439
Speaker 4: about Kevin's Kevin is unmuted. I just want to point

799
00:41:23,440 --> 00:41:26,919
Speaker 4: that out. So Kevin is loaded for bear if if

800
00:41:27,040 --> 00:41:29,080
Speaker 4: called upon, he will serve.

801
00:41:30,000 --> 00:41:32,520
Speaker 2: Okay, so do we want to hear more about Gronk?

802
00:41:32,640 --> 00:41:33,200
Speaker 2: Is your question?

803
00:41:33,760 --> 00:41:38,040
Speaker 3: Well, not question, that's not more about Gronk, but Kevin's.

804
00:41:37,640 --> 00:41:41,200
Speaker 2: Gronk story, his take experience.

805
00:41:41,800 --> 00:41:45,399
Speaker 3: Every everything that has ever happened to Kevin he has

806
00:41:45,880 --> 00:41:48,160
Speaker 3: believed to be a story and told me.

807
00:41:48,160 --> 00:41:50,480
Speaker 2: About on the show. Okay, and.

808
00:41:52,160 --> 00:41:56,400
Speaker 3: In the past, I can't remember. I cannot remember a

809
00:41:56,440 --> 00:41:58,600
Speaker 3: single fucking one of them. There was a recent way

810
00:41:58,600 --> 00:42:01,440
Speaker 3: I know that they happened, but they just wash over me.

811
00:42:02,320 --> 00:42:08,239
Speaker 3: Where so you know, we're we're in the in the

812
00:42:08,320 --> 00:42:12,560
Speaker 3: thick of a pre significant business conversation for the podcast

813
00:42:13,320 --> 00:42:18,240
Speaker 3: with with with the Serious X Family and Kevin Texas

814
00:42:18,280 --> 00:42:23,319
Speaker 3: the other day. I just had the craziest morning, all right,

815
00:42:23,360 --> 00:42:27,800
Speaker 3: and I think, like, well, surely this is like I'm

816
00:42:27,960 --> 00:42:31,440
Speaker 3: like interested in what's coming next because we're kind of

817
00:42:31,440 --> 00:42:34,080
Speaker 3: waiting for different pieces of news. It absolutely has to

818
00:42:34,120 --> 00:42:37,640
Speaker 3: affect me the future of the show. You know, My

819
00:42:38,080 --> 00:42:42,160
Speaker 3: finance is my family, like like this guy on the

820
00:42:42,200 --> 00:42:45,239
Speaker 3: heels of us sort of giving him our you know,

821
00:42:45,360 --> 00:42:47,200
Speaker 3: our desires and our marching.

822
00:42:46,920 --> 00:42:47,880
Speaker 2: Orders for the show.

823
00:42:48,280 --> 00:42:50,440
Speaker 3: Is like, I just had the craziest morning, and I

824
00:42:50,520 --> 00:42:54,000
Speaker 3: know that he's been in talks with these different corporate

825
00:42:54,120 --> 00:42:57,200
Speaker 3: entities about the show, so I go, wow, I'm braced

826
00:42:57,239 --> 00:42:58,240
Speaker 3: for this to be crazy.

827
00:42:58,960 --> 00:43:03,719
Speaker 4: And it was the instead the fiftieth sixtieth installment of

828
00:43:03,840 --> 00:43:07,000
Speaker 4: the story of how he burned down the shed in

829
00:43:07,080 --> 00:43:07,960
Speaker 4: his backyard.

830
00:43:09,320 --> 00:43:13,080
Speaker 2: He's like a one man roshaman. How many sheds do

831
00:43:13,080 --> 00:43:14,160
Speaker 2: you have in your backyard?

832
00:43:14,280 --> 00:43:16,319
Speaker 4: No, this is like it's not the same story told

833
00:43:16,320 --> 00:43:18,600
Speaker 4: over and over again. It's like a it's like a

834
00:43:18,840 --> 00:43:22,640
Speaker 4: Dickens like bleak house where you would get like a

835
00:43:22,840 --> 00:43:26,680
Speaker 4: like a chapter at a time in the different publications

836
00:43:26,719 --> 00:43:29,560
Speaker 4: over the course of like many years. That's what the

837
00:43:29,640 --> 00:43:31,000
Speaker 4: funny Girl esque.

838
00:43:31,080 --> 00:43:35,319
Speaker 3: And it's less okay, far beyond the point of it

839
00:43:35,520 --> 00:43:36,800
Speaker 3: having entertainment value.

840
00:43:36,800 --> 00:43:41,319
Speaker 7: It continues to and you're saying Kevin's storytelling prowess might

841
00:43:41,400 --> 00:43:43,080
Speaker 7: not be on the level of Dickens.

842
00:43:43,400 --> 00:43:48,399
Speaker 4: This I don't know. This one was insurance related, and.

843
00:43:48,360 --> 00:43:52,439
Speaker 3: The story was if I could abbreviate the story in Kevin,

844
00:43:52,480 --> 00:43:54,360
Speaker 3: you'll correct me if I'm wrong. The story was that

845
00:43:54,440 --> 00:43:57,360
Speaker 3: he got a phone call from the insurance company that

846
00:43:57,440 --> 00:44:00,560
Speaker 3: was concerning and later that same day he got a

847
00:44:00,600 --> 00:44:05,480
Speaker 3: second phone call that said we were mistaken undoing the

848
00:44:05,520 --> 00:44:06,839
Speaker 3: initial phone I mean, if.

849
00:44:06,760 --> 00:44:09,400
Speaker 6: You want to like boil it down, I guess that's

850
00:44:09,480 --> 00:44:13,399
Speaker 6: the synopsis. Well, I've had two crazy mornings because Sean

851
00:44:13,480 --> 00:44:14,839
Speaker 6: hooked me up this morning too.

852
00:44:16,040 --> 00:44:17,520
Speaker 2: Okay, he called me.

853
00:44:18,400 --> 00:44:20,520
Speaker 3: I call him at I call him at like ten

854
00:44:21,120 --> 00:44:21,800
Speaker 3: forty five.

855
00:44:24,480 --> 00:44:27,640
Speaker 6: It was clear he was as I had to take

856
00:44:27,680 --> 00:44:28,600
Speaker 6: my nightguard out.

857
00:44:29,000 --> 00:44:34,399
Speaker 4: He wow, you for imagine imagine that night guard at

858
00:44:34,440 --> 00:44:37,799
Speaker 4: ten forty five much. I must stay.

859
00:44:40,040 --> 00:44:42,959
Speaker 2: There like food in it, Like do you floss before

860
00:44:43,000 --> 00:44:43,520
Speaker 2: you go to bed?

861
00:44:43,719 --> 00:44:43,919
Speaker 4: Oh?

862
00:44:44,000 --> 00:44:45,200
Speaker 6: Yeah, big floss?

863
00:44:45,480 --> 00:44:47,080
Speaker 2: Big? You got John Stocking.

864
00:44:47,680 --> 00:44:50,640
Speaker 6: So Sean called me, I said hello, He said, did

865
00:44:50,719 --> 00:44:51,719
Speaker 6: I wake you up?

866
00:44:52,719 --> 00:44:56,359
Speaker 3: Kevin said no, No, I haven't spoken yet today, but

867
00:44:56,400 --> 00:44:57,600
Speaker 3: I have been.

868
00:44:57,480 --> 00:45:04,160
Speaker 4: Awake, perfect, even worse. All right, tell the Gronk story.

869
00:45:04,960 --> 00:45:07,400
Speaker 4: Tell Mark and John and let Mark and John like

870
00:45:08,600 --> 00:45:12,759
Speaker 4: curate the story as it's happening, kind of like get

871
00:45:12,800 --> 00:45:13,520
Speaker 4: this thing I do.

872
00:45:13,920 --> 00:45:17,640
Speaker 2: I do a lot of storytelling, so I think I can. Great. Yes, Okay,

873
00:45:17,719 --> 00:45:18,080
Speaker 2: let's go.

874
00:45:18,360 --> 00:45:19,640
Speaker 6: The year is twenty fifteen.

875
00:45:19,960 --> 00:45:23,319
Speaker 2: No tedious facts. I want a motion.

876
00:45:23,719 --> 00:45:27,719
Speaker 6: I just moved to Los Angeles. I get a phone call. Okay,

877
00:45:27,880 --> 00:45:33,400
Speaker 6: it's my old man. Good news. My co worker and

878
00:45:33,480 --> 00:45:35,600
Speaker 6: his family are in Los Angeles and I told them

879
00:45:35,640 --> 00:45:40,920
Speaker 6: you're available to get lunch with them tomorrow at the grove. Okay, okay,

880
00:45:41,920 --> 00:45:43,520
Speaker 6: smash cut to the next day.

881
00:45:43,360 --> 00:45:46,120
Speaker 2: Of Voice for your Dad or something. I think, Yeah,

882
00:45:46,960 --> 00:45:49,600
Speaker 2: smash cut. It feels like you're writing a script.

883
00:45:49,640 --> 00:45:51,960
Speaker 6: But all right, cut to the grove.

884
00:45:53,719 --> 00:45:55,839
Speaker 4: We have a nice regular cut to the.

885
00:45:55,800 --> 00:46:01,000
Speaker 7: Great smash cuts are too jar better? Yeah, oh my god,

886
00:46:01,480 --> 00:46:03,080
Speaker 7: Alex side.

887
00:46:05,000 --> 00:46:08,920
Speaker 3: Swipe to the crow angle on the grove.

888
00:46:09,880 --> 00:46:15,000
Speaker 6: We have a nice lunch with me. My dad's coworker, Anthony,

889
00:46:15,760 --> 00:46:17,200
Speaker 6: his wife and two kids.

890
00:46:18,080 --> 00:46:21,080
Speaker 4: L a pretty cool where.

891
00:46:22,719 --> 00:46:25,680
Speaker 2: Your dad? Who are these friends. Are you impressed?

892
00:46:26,120 --> 00:46:29,240
Speaker 6: No, my dad works in insurance works.

893
00:46:29,440 --> 00:46:34,960
Speaker 5: Okay, so he's the Mofyes, he takes he said, he

894
00:46:35,040 --> 00:46:36,359
Speaker 5: takes care of problems.

895
00:46:36,800 --> 00:46:38,399
Speaker 6: We have big lunch me.

896
00:46:38,480 --> 00:46:41,520
Speaker 4: And where did you eat? You cannot just have lunch.

897
00:46:43,120 --> 00:46:46,520
Speaker 6: Restaurant whatever one has like the two floors, and you're

898
00:46:46,520 --> 00:46:49,040
Speaker 6: on like the second it's across from the American Grot.

899
00:46:49,440 --> 00:46:51,120
Speaker 6: It's across from the American Girl.

900
00:46:50,920 --> 00:46:51,399
Speaker 4: Of the Grove.

901
00:46:52,200 --> 00:46:57,040
Speaker 6: Oh, and it has a second floor. It overlooks.

902
00:46:58,040 --> 00:46:58,439
Speaker 2: This path.

903
00:46:59,080 --> 00:47:04,160
Speaker 6: All right, we have a fantastic lunch. And they say, hey,

904
00:47:04,200 --> 00:47:07,320
Speaker 6: look there's a sign in front of Barnes and Noble.

905
00:47:08,120 --> 00:47:11,600
Speaker 6: Rob Gronkowski is doing a book signing. Oh my god,

906
00:47:12,040 --> 00:47:13,880
Speaker 6: maybe we could go over there and sneak.

907
00:47:13,640 --> 00:47:17,400
Speaker 2: A peek swipe too when he's changing clothes.

908
00:47:18,880 --> 00:47:22,320
Speaker 6: Smash cut two second floor of Barnes and Noble.

909
00:47:23,320 --> 00:47:25,360
Speaker 2: Is there a bridge from the second floor of Barnes

910
00:47:25,360 --> 00:47:26,840
Speaker 2: and Noble from the restaurant that you're at?

911
00:47:27,000 --> 00:47:30,040
Speaker 6: I wish No, we had to go down floor, walk in,

912
00:47:31,000 --> 00:47:34,320
Speaker 6: go up the escalator. We're now in the second floor

913
00:47:34,560 --> 00:47:35,640
Speaker 6: where you.

914
00:47:35,680 --> 00:47:38,719
Speaker 4: Must have really put on a show at this thing.

915
00:47:38,800 --> 00:47:43,279
Speaker 4: They're taking you to a to a second location. Yeah,

916
00:47:45,560 --> 00:47:47,239
Speaker 4: like keep this big.

917
00:47:49,960 --> 00:47:52,160
Speaker 6: We're at Barnes and Noble on the second floor, people

918
00:47:52,239 --> 00:47:57,520
Speaker 6: everywhere so excited to see Gronk. Sure enough, out walks

919
00:47:58,200 --> 00:48:03,399
Speaker 6: five very large men and Gronk and his entourage, his.

920
00:48:03,480 --> 00:48:06,799
Speaker 5: Decoys, like saddam, okay, So wait, what is your like

921
00:48:06,960 --> 00:48:11,200
Speaker 5: relationship to the Gronk before this? Like, are you just like, oh,

922
00:48:11,239 --> 00:48:13,359
Speaker 5: that's some guys, that's some under you idolized?

923
00:48:13,440 --> 00:48:16,480
Speaker 6: Is it like vaguely vaguely know who he is, that

924
00:48:16,480 --> 00:48:20,359
Speaker 6: he's a football player Anthony I think loves sports and

925
00:48:20,880 --> 00:48:22,279
Speaker 6: was very excited to see him.

926
00:48:22,480 --> 00:48:23,880
Speaker 2: So Anthony's Anthony.

927
00:48:24,239 --> 00:48:26,680
Speaker 3: He should know that first, we should know who Anthony is.

928
00:48:26,719 --> 00:48:27,399
Speaker 3: We should know that.

929
00:48:27,360 --> 00:48:30,280
Speaker 2: He likes sports. All about Anthony.

930
00:48:30,360 --> 00:48:33,359
Speaker 7: You're asking for our emotional investment in the story when

931
00:48:33,440 --> 00:48:34,160
Speaker 7: you have none.

932
00:48:34,400 --> 00:48:37,760
Speaker 2: Yeah, all I've heard is like technical terms.

933
00:48:37,440 --> 00:48:41,600
Speaker 6: I'm I'm I'm an path I'm excited.

934
00:48:43,000 --> 00:48:45,839
Speaker 5: This is something, this is something we could have heard beforehand,

935
00:48:46,840 --> 00:48:49,160
Speaker 5: Like are you excited? Like you're giving us facts but

936
00:48:49,239 --> 00:48:50,279
Speaker 5: like we're not feeling as.

937
00:48:51,760 --> 00:48:54,560
Speaker 6: Paths on me and ask if I can get lunch

938
00:48:54,600 --> 00:48:56,879
Speaker 6: with him? We have this fan calls you me no,

939
00:48:57,000 --> 00:49:01,320
Speaker 6: he said, he calls me parentheses his mpath son.

940
00:49:02,120 --> 00:49:05,600
Speaker 4: Okay, keV. Guess what, Kevin's more like a z path.

941
00:49:05,680 --> 00:49:09,120
Speaker 5: Okay, So here's what you're like telling me you're an EmPATH,

942
00:49:09,160 --> 00:49:11,600
Speaker 5: but you're not showing me it. So like I wanted

943
00:49:11,640 --> 00:49:13,600
Speaker 5: you to be, like oh, my dad is excited, so

944
00:49:13,640 --> 00:49:15,280
Speaker 5: suddenly I'm excited.

945
00:49:14,880 --> 00:49:18,440
Speaker 2: Or like this absolutely like I want the beginning of

946
00:49:18,480 --> 00:49:19,880
Speaker 2: the story. We haven't gotten.

947
00:49:20,480 --> 00:49:21,120
Speaker 4: Path, I know.

948
00:49:22,960 --> 00:49:25,759
Speaker 6: I moved to Los Angeles in twenty fifteen. A few

949
00:49:25,760 --> 00:49:28,080
Speaker 6: months later, my dad calls me, how.

950
00:49:27,920 --> 00:49:31,080
Speaker 5: Are you feeling, mister EmPATH? What are you overwhelmed? Being

951
00:49:31,120 --> 00:49:31,520
Speaker 5: in La?

952
00:49:31,640 --> 00:49:35,799
Speaker 2: All these emotions, all this and ambition? Anxiety? Like? What

953
00:49:35,960 --> 00:49:36,200
Speaker 2: is it?

954
00:49:36,320 --> 00:49:36,480
Speaker 4: Oh?

955
00:49:36,520 --> 00:49:40,520
Speaker 6: I'm so scared and stressed? I uh dies on the

956
00:49:40,560 --> 00:49:42,399
Speaker 6: second day, covered in bed.

957
00:49:43,239 --> 00:49:43,680
Speaker 4: Whole story.

958
00:49:43,920 --> 00:49:44,960
Speaker 6: I'm doing horrible.

959
00:49:45,400 --> 00:49:45,800
Speaker 2: Okay.

960
00:49:46,840 --> 00:49:50,040
Speaker 6: My daddy calls me, Hey, I like this guy.

961
00:49:50,800 --> 00:49:53,279
Speaker 4: Hey, guess what great news? Oh?

962
00:49:53,360 --> 00:49:54,600
Speaker 6: I love great news.

963
00:49:55,239 --> 00:49:57,560
Speaker 2: I hate DELK who was talking when you said? Hey,

964
00:49:57,640 --> 00:49:58,120
Speaker 2: I like this.

965
00:50:00,239 --> 00:50:02,440
Speaker 4: That's what you said when you saw your dad.

966
00:50:03,160 --> 00:50:04,080
Speaker 2: I really.

967
00:50:05,280 --> 00:50:09,640
Speaker 6: My phone rings Dad, Hey, I like this guy. Swipe

968
00:50:09,680 --> 00:50:10,240
Speaker 6: to answer.

969
00:50:10,920 --> 00:50:13,279
Speaker 2: You swipe on your phone, Swipe.

970
00:50:12,960 --> 00:50:15,040
Speaker 6: To answer, swipe right to answer.

971
00:50:15,120 --> 00:50:17,440
Speaker 2: He got it, Wipe right to answer. That's true. I'll

972
00:50:17,480 --> 00:50:19,000
Speaker 2: give him that great news.

973
00:50:19,280 --> 00:50:22,440
Speaker 6: My face lights up like a Christmas tree. Who what

974
00:50:23,920 --> 00:50:24,879
Speaker 6: You're gonna get lunch?

975
00:50:25,120 --> 00:50:26,520
Speaker 4: What?

976
00:50:26,520 --> 00:50:30,560
Speaker 6: What You're getting lunch tomorrow with my coworker, Anthony and

977
00:50:30,600 --> 00:50:31,880
Speaker 6: his family at the Grove?

978
00:50:32,920 --> 00:50:35,760
Speaker 4: Is Anthony? His is your dad? Anthony's boss?

979
00:50:36,440 --> 00:50:36,560
Speaker 5: Uh?

980
00:50:36,800 --> 00:50:38,200
Speaker 4: Yes, that makes a.

981
00:50:38,440 --> 00:50:41,240
Speaker 2: Mon okay status is important.

982
00:50:41,640 --> 00:50:43,120
Speaker 4: Yes, he's trying to This.

983
00:50:43,160 --> 00:50:45,200
Speaker 3: Man is being paid to spend time with you.

984
00:50:45,400 --> 00:50:46,440
Speaker 2: That's why they kept.

985
00:50:46,520 --> 00:50:50,399
Speaker 6: On his vacation with his family. Now he's getting lunch

986
00:50:50,440 --> 00:50:53,520
Speaker 6: with me at the Grove. We have a great lunch.

987
00:50:53,600 --> 00:50:56,319
Speaker 6: I get you. Oh, they're so excited for me. I'm

988
00:50:56,320 --> 00:51:01,399
Speaker 6: excited because they're excited for me. Smash what I look

989
00:51:01,400 --> 00:51:03,040
Speaker 6: at you. You moved to Los Angeles.

990
00:51:03,080 --> 00:51:03,560
Speaker 4: You did it.

991
00:51:04,760 --> 00:51:10,120
Speaker 6: You did the impossible. Edit second floor, Barnes and Noble.

992
00:51:10,239 --> 00:51:17,400
Speaker 6: I wish hundreds of people out walks Gronk with his crew.

993
00:51:19,160 --> 00:51:22,319
Speaker 6: They're getting closer and closer to us. My eyes are

994
00:51:22,320 --> 00:51:24,839
Speaker 6: going back and forth between Anthony and Gronk. I can't

995
00:51:24,840 --> 00:51:28,040
Speaker 6: believe this. I'm so happy for him to kind of

996
00:51:28,280 --> 00:51:30,720
Speaker 6: it's a little quiet. There's like hush hush sounds.

997
00:51:38,280 --> 00:51:44,440
Speaker 2: Gronk he's about to conduct an orchestra or something. Yeah,

998
00:51:44,560 --> 00:51:45,240
Speaker 2: very loudly.

999
00:51:46,239 --> 00:51:50,160
Speaker 6: Anthony's wife says as he walks his Gronk's crew walks

1000
00:51:50,160 --> 00:51:54,200
Speaker 6: by us, Oh wow, which one is he? Gronk kind

1001
00:51:54,200 --> 00:51:59,000
Speaker 6: of look over the who said that? Didn't actually say that,

1002
00:51:59,040 --> 00:52:00,640
Speaker 6: but with the side eye you could.

1003
00:52:00,400 --> 00:52:04,520
Speaker 2: See mm hmm. Which that's the whole story?

1004
00:52:04,600 --> 00:52:07,719
Speaker 4: Which you guys think that was the punchline? I could

1005
00:52:07,760 --> 00:52:09,120
Speaker 4: tell that was the punchline.

1006
00:52:09,160 --> 00:52:12,880
Speaker 6: This is a real credits Okay, So what changed for you?

1007
00:52:12,960 --> 00:52:15,400
Speaker 2: How are you different now? Because of this interaction?

1008
00:52:16,040 --> 00:52:17,920
Speaker 6: I just kind of liked that he was humbled.

1009
00:52:18,480 --> 00:52:21,719
Speaker 7: This is really more of a story about your father's

1010
00:52:21,760 --> 00:52:25,240
Speaker 7: employees wife and not a Gronk story.

1011
00:52:25,320 --> 00:52:26,200
Speaker 6: How did I word it?

1012
00:52:26,520 --> 00:52:29,040
Speaker 4: Also, she doesn't get a name of the story.

1013
00:52:29,600 --> 00:52:33,040
Speaker 3: Yeah, we have Anthony and f character. I know all

1014
00:52:33,040 --> 00:52:35,600
Speaker 3: about Anthony. Anthony is a sports nut. I know where

1015
00:52:35,600 --> 00:52:36,480
Speaker 3: he were, he.

1016
00:52:36,520 --> 00:52:40,560
Speaker 6: Went to college, he worked for ye position.

1017
00:52:40,600 --> 00:52:44,680
Speaker 2: Anthony's wife she could be anything and nothing. That's what

1018
00:52:44,719 --> 00:52:47,239
Speaker 2: happens when it can be anything, it ends up being nothing. Wow.

1019
00:52:47,360 --> 00:52:50,279
Speaker 4: All we know about her is she's not sure of

1020
00:52:50,320 --> 00:52:53,160
Speaker 4: who Gronk is among a group of six men.

1021
00:52:53,520 --> 00:52:54,520
Speaker 2: It could have been made.

1022
00:52:55,960 --> 00:53:02,839
Speaker 3: Really, Yeah, something going on that Kevin has never learned

1023
00:53:02,880 --> 00:53:06,839
Speaker 3: about that prevented her from finding out who Gronk was.

1024
00:53:08,200 --> 00:53:10,480
Speaker 5: Yeah, and like again, like, keV, how are you different

1025
00:53:10,520 --> 00:53:12,959
Speaker 5: because of all this? That's what that's what your.

1026
00:53:12,880 --> 00:53:15,920
Speaker 2: Button or your preconsidations of Gronk change.

1027
00:53:16,239 --> 00:53:19,640
Speaker 6: I just like that Anthony's wife kind of rassed him.

1028
00:53:19,880 --> 00:53:23,040
Speaker 2: Anthony's wife she kind of liked again, do you think

1029
00:53:23,040 --> 00:53:23,880
Speaker 2: it was intentional?

1030
00:53:23,920 --> 00:53:24,160
Speaker 4: To me?

1031
00:53:24,239 --> 00:53:27,400
Speaker 5: It came off as just a blissful ignorance, not a

1032
00:53:27,520 --> 00:53:28,280
Speaker 5: sort of digging.

1033
00:53:29,120 --> 00:53:31,000
Speaker 6: That's the question that keeps me up at night, John

1034
00:53:31,120 --> 00:53:38,759
Speaker 6: I says, was that intention Sean wakes me up? I

1035
00:53:38,840 --> 00:53:42,000
Speaker 6: put up since four wondering if Anthony's wife got this intentional,

1036
00:53:42,040 --> 00:53:44,759
Speaker 6: if it was pure bliss keeps my teeth now.

1037
00:53:44,760 --> 00:53:47,080
Speaker 2: I picture when you wake up, you just go which

1038
00:53:47,120 --> 00:53:49,920
Speaker 2: one was it? And then go, oh, Sean's calling me.

1039
00:53:50,640 --> 00:53:54,279
Speaker 3: I mean, I think there is a message here that

1040
00:53:54,400 --> 00:54:00,239
Speaker 3: Kevin has taken away, which is, you know, fame in

1041
00:54:00,280 --> 00:54:02,880
Speaker 3: the eye of the beholder. You can feel like you

1042
00:54:03,000 --> 00:54:06,319
Speaker 3: especially people are here to see me, like I've got

1043
00:54:06,320 --> 00:54:09,080
Speaker 3: my big book reading today. It all takes his one

1044
00:54:09,200 --> 00:54:12,160
Speaker 3: Anthony's wife to snap you back to reality.

1045
00:54:12,200 --> 00:54:14,480
Speaker 7: Maybe you could book her for the eighty for braid

1046
00:54:14,600 --> 00:54:15,880
Speaker 7: like that be a fun reuni.

1047
00:54:15,960 --> 00:54:17,960
Speaker 2: Yeah, I think he's likely to.

1048
00:54:18,080 --> 00:54:20,120
Speaker 3: When I was gonna say that, it did change.

1049
00:54:20,200 --> 00:54:26,680
Speaker 2: Because Spike, he spikes her. How do you like that?

1050
00:54:26,719 --> 00:54:30,759
Speaker 2: Instead of ancient what's her name? Beverly?

1051
00:54:31,320 --> 00:54:34,279
Speaker 3: But we often ask Kevin to like book a celebrity

1052
00:54:34,320 --> 00:54:37,600
Speaker 3: for the show, or like to get us somewhat famous,

1053
00:54:37,920 --> 00:54:38,640
Speaker 3: and I think.

1054
00:54:40,280 --> 00:54:42,960
Speaker 2: Full time, and you to book her.

1055
00:54:45,000 --> 00:54:48,840
Speaker 5: Anthony's wife's numbers and your phone and how many episodes

1056
00:54:48,880 --> 00:54:49,520
Speaker 5: have you guys done?

1057
00:54:49,600 --> 00:54:49,759
Speaker 4: Now?

1058
00:54:51,640 --> 00:54:53,760
Speaker 2: Wow, I hate to think about that.

1059
00:54:54,440 --> 00:54:54,920
Speaker 4: Bye.