WEBVTT - The Post with Lizz Winstead

0:00:00.920 --> 0:00:03.760
<v Speaker 1>On the Beck Dol Cast. The questions asked if movies

0:00:03.800 --> 0:00:07.400
<v Speaker 1>have women and them, are all their discussions just boyfriends

0:00:07.440 --> 0:00:11.640
<v Speaker 1>and husbands, or do they have individualism the patriarchy? Zef

0:00:11.800 --> 0:00:15.920
<v Speaker 1>in best start changing it with the Beck del Cast. Hi,

0:00:16.000 --> 0:00:17.680
<v Speaker 1>welcome to the back Dol Cast. My name is Jamie

0:00:17.760 --> 0:00:20.360
<v Speaker 1>loft Is. My name is Caitlin Dronte. I'm still getting

0:00:20.400 --> 0:00:22.720
<v Speaker 1>used to the last name thing. We started out early

0:00:22.800 --> 0:00:24.840
<v Speaker 1>episodes we were saying our last names, and then we

0:00:24.920 --> 0:00:27.040
<v Speaker 1>dropped and we got really casual, and then I was

0:00:27.080 --> 0:00:29.080
<v Speaker 1>I was about to say, I've got I haven't done

0:00:29.080 --> 0:00:31.000
<v Speaker 1>this in like, I think four or five episodes. Now

0:00:31.080 --> 0:00:34.040
<v Speaker 1>I do have Mix Hard Lemonade with me today. Yes, congratulations,

0:00:34.560 --> 0:00:36.680
<v Speaker 1>thank you so much. I do think this was a

0:00:36.760 --> 0:00:39.240
<v Speaker 1>cute bit when we were recording most of the episode

0:00:39.280 --> 0:00:43.560
<v Speaker 1>that night. However, it's three pm and buying a Mike's

0:00:43.600 --> 0:00:47.840
<v Speaker 1>Hard Lemonade three pm is a bad look. People get worried. Yeah,

0:00:47.880 --> 0:00:50.920
<v Speaker 1>I panics, and I also grabbed oatmeal raising cookies to

0:00:50.920 --> 0:00:53.360
<v Speaker 1>be like no, but I also care about my health. Sure, yeah,

0:00:53.520 --> 0:00:57.000
<v Speaker 1>I balanced lunch, Jamie, great job. Yeah. To address the

0:00:57.040 --> 0:01:00.360
<v Speaker 1>Mike's Hard Lemonade ongoing storyline, on the back to cast.

0:01:00.720 --> 0:01:03.080
<v Speaker 1>They have followed us on Twitter. Have we dem them yet?

0:01:03.160 --> 0:01:06.240
<v Speaker 1>We have not? God, I know, I guess we should

0:01:06.480 --> 0:01:09.319
<v Speaker 1>do that. Mike's Hard lemon that's a full name, right,

0:01:11.080 --> 0:01:16.880
<v Speaker 1>mike Age Lemonade. Yeah. Okay, so that's the state of affairs.

0:01:17.560 --> 0:01:22.800
<v Speaker 1>Our guest is horrified with your choices. I'm just waiting

0:01:22.880 --> 0:01:26.280
<v Speaker 1>to say something about your choices. You want me to.

0:01:26.680 --> 0:01:31.240
<v Speaker 1>So I'm literally sitting only other time I've ever seen

0:01:31.280 --> 0:01:36.880
<v Speaker 1>anyone drink Mike's Hard Lemonade is on Dateline Predator. It's

0:01:37.040 --> 0:01:41.479
<v Speaker 1>literally the drink of Predator's choice every time. Every time

0:01:41.520 --> 0:01:43.080
<v Speaker 1>I used to be assessed with that show, and it

0:01:43.080 --> 0:01:45.280
<v Speaker 1>would be like the fake adult would be like, I'll

0:01:45.319 --> 0:01:47.480
<v Speaker 1>but don in a minute, and then the creepy predator

0:01:47.520 --> 0:01:51.200
<v Speaker 1>would be like, you got some Mark's Hard Lemonade. And

0:01:51.280 --> 0:01:53.600
<v Speaker 1>so I kind of feel like the crew of Dateline

0:01:53.600 --> 0:01:55.600
<v Speaker 1>Predator love Mike's Hard Lemonade. So the way that they

0:01:55.600 --> 0:01:58.640
<v Speaker 1>got it for free was to tell the person posing

0:01:58.800 --> 0:02:01.440
<v Speaker 1>as the person and it was going to be predated,

0:02:02.440 --> 0:02:05.840
<v Speaker 1>they don't have it was gonna be datelined. Um to

0:02:05.880 --> 0:02:08.679
<v Speaker 1>tell that guy that she liked Mike's Hard lemonade. He

0:02:08.800 --> 0:02:10.760
<v Speaker 1>gets hauled off to jail. They're like, here's our Mike's

0:02:10.760 --> 0:02:15.040
<v Speaker 1>Hard Lemonade. Who we are nailing it? That's super sneaky,

0:02:15.440 --> 0:02:18.440
<v Speaker 1>I love. I mean maybe that, maybe it's there's some

0:02:18.520 --> 0:02:21.040
<v Speaker 1>sort of people who love Daateline, people who love Mike's Hard.

0:02:21.080 --> 0:02:24.560
<v Speaker 1>Because I love day Line and BC. I've been known

0:02:24.560 --> 0:02:26.720
<v Speaker 1>to crack a Mike's Hard and enjoy an episode. The

0:02:26.800 --> 0:02:35.000
<v Speaker 1>correlation is obvious. Molesters Mikes It's hard, I know. So

0:02:35.080 --> 0:02:38.320
<v Speaker 1>it's got all of the ingredients of a Dateline predator episode,

0:02:38.720 --> 0:02:42.400
<v Speaker 1>a dude something that's hard, and a non alcoholic beverage

0:02:42.440 --> 0:02:46.400
<v Speaker 1>for your underaged team. But then the hard I don't know,

0:02:46.480 --> 0:02:51.480
<v Speaker 1>you know what, I just ruined your sponsorship to listen

0:02:51.520 --> 0:02:53.440
<v Speaker 1>to the head that would be I would I think

0:02:53.440 --> 0:02:56.680
<v Speaker 1>it would be a wild I mean, if Mike's Hard

0:02:56.720 --> 0:02:58.679
<v Speaker 1>Lemonade WANs to clean up their image a little bit,

0:02:58.880 --> 0:03:03.240
<v Speaker 1>sponsor a feminist podcast, you know, that's how we do

0:03:03.320 --> 0:03:06.519
<v Speaker 1>not have an actual sponsorship. No, we've just been harassing

0:03:06.560 --> 0:03:10.280
<v Speaker 1>them from years. Also predators probably like you know, chocolate

0:03:10.520 --> 0:03:12.919
<v Speaker 1>and and soft pillows too. So it's not like I'm

0:03:12.919 --> 0:03:16.120
<v Speaker 1>not trying to like deem this the beverage of of

0:03:16.280 --> 0:03:26.240
<v Speaker 1>Roy Moore, Mike's Hard, Lemonade, and a goblet. Alright, anyway,

0:03:26.480 --> 0:03:28.960
<v Speaker 1>what's the podcast about? So we are the Bechtel Cast.

0:03:29.000 --> 0:03:32.080
<v Speaker 1>We talked about the portrayal of women in movies. We

0:03:32.200 --> 0:03:35.520
<v Speaker 1>use the Bechtel test, created by cartoonist Alison Bechtel, as

0:03:35.520 --> 0:03:38.160
<v Speaker 1>sort of a yard stick, a jumping off point. The

0:03:38.160 --> 0:03:42.160
<v Speaker 1>Bechtel test requires that two women in a movie have names,

0:03:42.480 --> 0:03:44.840
<v Speaker 1>they talk to each other, and their conversation has to

0:03:44.840 --> 0:03:47.720
<v Speaker 1>be about anything besides a man. Do I do a demo?

0:03:47.880 --> 0:03:50.400
<v Speaker 1>I'd love to. Oh, it's going to bring up Mike's Hard.

0:03:50.520 --> 0:03:54.200
<v Speaker 1>I can't about that oatmeal cookie. The oatmeal cookie is bad.

0:03:54.480 --> 0:03:57.680
<v Speaker 1>We just passed that. Yeah, perfect, Well you've already heard

0:03:57.680 --> 0:04:01.040
<v Speaker 1>her voice. But let us actually give up normal introduction

0:04:01.320 --> 0:04:04.480
<v Speaker 1>to our wonderful guest today. She is the co creator

0:04:04.560 --> 0:04:08.280
<v Speaker 1>of The Daily Show, Ever Heard of It? And she

0:04:08.400 --> 0:04:12.800
<v Speaker 1>is the founder of Lady Parts Justice Liz Winston, I

0:04:13.480 --> 0:04:16.640
<v Speaker 1>don't think. I was also the producer of Dateline Predator.

0:04:17.800 --> 0:04:24.920
<v Speaker 1>It was amazing. Thank you so much for being here.

0:04:24.920 --> 0:04:27.279
<v Speaker 1>Thanks for having me. I'm really excited. Yeah, so you

0:04:27.360 --> 0:04:30.040
<v Speaker 1>brought us the movie The Post I did. Tell us

0:04:30.080 --> 0:04:33.560
<v Speaker 1>why you chose this movie. Well, I um, as you

0:04:33.640 --> 0:04:37.799
<v Speaker 1>would maybe uh guess for my CV that you just said.

0:04:38.400 --> 0:04:41.360
<v Speaker 1>I'm a big political junkie and a media junkie. And

0:04:42.120 --> 0:04:43.720
<v Speaker 1>when I heard there was going to be a movie

0:04:43.920 --> 0:04:47.400
<v Speaker 1>about Katherine Graham's sort of taking over the post from

0:04:47.400 --> 0:04:49.920
<v Speaker 1>her husband in an era where you know, women weren't

0:04:49.960 --> 0:04:53.440
<v Speaker 1>running media anything's and women weren't really even working in

0:04:53.480 --> 0:04:56.880
<v Speaker 1>the media that much, and it was just twenty or

0:04:56.920 --> 0:05:00.560
<v Speaker 1>twenty five years that women even covered Why Shington, you know,

0:05:00.640 --> 0:05:04.320
<v Speaker 1>it was Eleanor Roosevelt who said, when I do press conferences,

0:05:04.360 --> 0:05:06.719
<v Speaker 1>I will only talk to women, which forced every single

0:05:06.760 --> 0:05:09.159
<v Speaker 1>newspaper to have to hire women reporters because they didn't

0:05:09.160 --> 0:05:11.840
<v Speaker 1>have any. And it was genius. And so I figured, yeah,

0:05:11.920 --> 0:05:14.880
<v Speaker 1>that was in like, you know, the late thirties, So

0:05:14.960 --> 0:05:18.320
<v Speaker 1>that means that this was in two I think. And

0:05:18.360 --> 0:05:21.640
<v Speaker 1>so you know, forty years of just having this woman

0:05:21.640 --> 0:05:24.280
<v Speaker 1>take over the paper. It was owned by her family,

0:05:24.320 --> 0:05:27.600
<v Speaker 1>they gave it to her husband, not her, and then

0:05:27.640 --> 0:05:29.719
<v Speaker 1>her husband does it. So and I just love news

0:05:29.720 --> 0:05:31.600
<v Speaker 1>and media and all that stuff, and I really love

0:05:31.839 --> 0:05:35.440
<v Speaker 1>Watergate and the Knicks administration and all that. So it

0:05:35.560 --> 0:05:38.000
<v Speaker 1>was exciting for me to have a story that told

0:05:38.040 --> 0:05:41.120
<v Speaker 1>of how the Pentagon Papers came to be and the

0:05:41.160 --> 0:05:43.120
<v Speaker 1>injunction with the Times, and how the Washington Post kind

0:05:43.120 --> 0:05:45.440
<v Speaker 1>of had to come back. So that's why I picked it,

0:05:45.440 --> 0:05:47.720
<v Speaker 1>because I thought it was going to be really great,

0:05:48.600 --> 0:05:52.840
<v Speaker 1>and I didn't find it really great. I was so

0:05:52.920 --> 0:05:56.279
<v Speaker 1>ready to enjoy this movie. It was because it has

0:05:56.800 --> 0:05:58.480
<v Speaker 1>and this will be I think this is like my

0:05:58.520 --> 0:06:00.240
<v Speaker 1>main thing with it. It's like it had as all

0:06:00.279 --> 0:06:04.200
<v Speaker 1>the ingredients for a great movie, but it's not. It's

0:06:04.240 --> 0:06:06.920
<v Speaker 1>extremely mediocre. It's it was really frustrating because it's like

0:06:06.960 --> 0:06:09.720
<v Speaker 1>they have this it's an amazing story. They've got the

0:06:09.760 --> 0:06:12.520
<v Speaker 1>actor that you would think, but the all star casts,

0:06:12.600 --> 0:06:17.440
<v Speaker 1>you've got Steven Spield this one. Yeah. I just saw

0:06:17.440 --> 0:06:20.159
<v Speaker 1>it about two hours ago, so Jamie, you had already

0:06:20.240 --> 0:06:22.560
<v Speaker 1>seen it, and I only thought today, So it's like

0:06:22.720 --> 0:06:26.000
<v Speaker 1>already switching roles. I was ready. I mean, I I love,

0:06:26.360 --> 0:06:29.680
<v Speaker 1>or I have loved like journalism movies. I think that

0:06:29.720 --> 0:06:33.120
<v Speaker 1>they can be great, very exciting, but this one wasn't. No,

0:06:33.360 --> 0:06:36.040
<v Speaker 1>and it's I was reading that they wanted to get

0:06:36.080 --> 0:06:38.839
<v Speaker 1>it out this year because of the parallels of journalism

0:06:38.880 --> 0:06:43.520
<v Speaker 1>and controversy and government overreach. And all of that, and

0:06:43.800 --> 0:06:48.000
<v Speaker 1>it was so thrown out. And I'm a historian and

0:06:48.080 --> 0:06:51.360
<v Speaker 1>so I knew who all the players were, but I

0:06:51.400 --> 0:06:54.160
<v Speaker 1>can't imagine. And I don't know if you guys are

0:06:54.160 --> 0:06:57.400
<v Speaker 1>like news nerds or anything, but like they didn't really

0:06:57.440 --> 0:07:01.279
<v Speaker 1>tell me enough about who Daniel Ellsberg was is a

0:07:01.320 --> 0:07:05.480
<v Speaker 1>backstory what the Rand Corporation is as a backstory. Um,

0:07:05.520 --> 0:07:07.800
<v Speaker 1>the first time you meet Ben Bradley, you don't even know,

0:07:07.960 --> 0:07:09.680
<v Speaker 1>you know, the guy named Ben, you don't know like

0:07:09.760 --> 0:07:12.400
<v Speaker 1>that he is, you know, running the Washington Post. So

0:07:13.000 --> 0:07:15.840
<v Speaker 1>it was all and even Robert McNamara they kept calling

0:07:15.920 --> 0:07:20.280
<v Speaker 1>him Mr. Secretary in this opening scene that introduces his

0:07:20.560 --> 0:07:24.680
<v Speaker 1>role as the Department of Defense secretary who crafted this

0:07:24.880 --> 0:07:27.880
<v Speaker 1>incredible dossier that we now know as the Pentagon Papers

0:07:28.160 --> 0:07:30.000
<v Speaker 1>that showed that we knew we were losing the war

0:07:30.040 --> 0:07:32.080
<v Speaker 1>and we sent men anyway, and and then our government

0:07:32.080 --> 0:07:35.400
<v Speaker 1>covered it up. But like, you don't learn that he's mcnamarital.

0:07:35.480 --> 0:07:38.440
<v Speaker 1>And so it's to me, I felt like you need

0:07:38.480 --> 0:07:40.680
<v Speaker 1>to give people a context. You know, when All the

0:07:40.720 --> 0:07:43.680
<v Speaker 1>President's Men was made, it was made just under two

0:07:43.760 --> 0:07:47.400
<v Speaker 1>years after Watergate happened, So everybody had the information and

0:07:47.400 --> 0:07:50.720
<v Speaker 1>they knew this is forty five years later cut us

0:07:50.720 --> 0:07:52.400
<v Speaker 1>a break on the story. And then when I saw

0:07:52.720 --> 0:07:55.920
<v Speaker 1>David Cross is in it and Bob Owner Kerk. The

0:07:55.960 --> 0:07:57.840
<v Speaker 1>first time I watched it, I thought that they were

0:07:58.000 --> 0:08:03.240
<v Speaker 1>um Woodward and Bernstein. They're not. They're absolutely that, you know.

0:08:03.360 --> 0:08:04.400
<v Speaker 1>I was like, I thought they were going to be

0:08:04.440 --> 0:08:10.120
<v Speaker 1>Woodward and Burnt. Yeah, why would David Cross and Kirk

0:08:10.560 --> 0:08:13.080
<v Speaker 1>not play wood And I was like that's a failing.

0:08:13.200 --> 0:08:17.040
<v Speaker 1>I'm yeah, yeah, this was tricky. It was like because

0:08:17.080 --> 0:08:20.200
<v Speaker 1>I I am like aware of everything that happened and

0:08:20.200 --> 0:08:23.440
<v Speaker 1>and know all the the main you know players, but

0:08:23.760 --> 0:08:26.160
<v Speaker 1>it was confusing with the way the movie treats a

0:08:26.160 --> 0:08:28.520
<v Speaker 1>lot of the characters like it does. Assume that you're

0:08:28.560 --> 0:08:30.440
<v Speaker 1>going to make a lot of connections that there's no

0:08:30.520 --> 0:08:35.280
<v Speaker 1>reason that you would unlece you knew everything where yeah,

0:08:35.320 --> 0:08:38.199
<v Speaker 1>like that that's the secretary connection took me, I think

0:08:38.280 --> 0:08:40.600
<v Speaker 1>until almost halfway in the movie like, oh that's where

0:08:40.600 --> 0:08:42.959
<v Speaker 1>they're talking. That makes way more sense. Where like that

0:08:43.080 --> 0:08:45.600
<v Speaker 1>sometimes they're using like Mr. So and so, sometimes they're

0:08:45.679 --> 0:08:47.760
<v Speaker 1>using their titles, sometimes they're just using their first name,

0:08:47.800 --> 0:08:51.199
<v Speaker 1>and there's never any connection. And I'm not surprised to

0:08:51.240 --> 0:08:53.560
<v Speaker 1>hear that. There was like a timeliness thing to it

0:08:53.760 --> 0:08:56.200
<v Speaker 1>because that that felt like a little like we're being

0:08:56.440 --> 0:08:58.400
<v Speaker 1>kind of hit over the head with it too. Where

0:08:58.679 --> 0:09:01.160
<v Speaker 1>there were like two scenes I wrote done like Tom

0:09:01.200 --> 0:09:03.640
<v Speaker 1>Hanks may as well break the fourth wall and look

0:09:03.720 --> 0:09:06.840
<v Speaker 1>to camera and like wink of like hear that. Mr

0:09:06.960 --> 0:09:10.160
<v Speaker 1>PRESI like, it's just like it was at getting his

0:09:10.400 --> 0:09:14.280
<v Speaker 1>accent a lot, yes, being like I'm sorry, who are

0:09:14.360 --> 0:09:17.120
<v Speaker 1>you right now? What accent was he meant to be doing? Hey,

0:09:17.160 --> 0:09:20.040
<v Speaker 1>I don't know it sounded but sometimes and other times

0:09:20.080 --> 0:09:23.600
<v Speaker 1>I'm just like what is happening? Also, the protest scenes

0:09:23.800 --> 0:09:27.160
<v Speaker 1>were so cheeseblly, so it looked like they gave every

0:09:27.240 --> 0:09:30.600
<v Speaker 1>extra sharpie and said write something that sounds like it

0:09:30.679 --> 0:09:33.520
<v Speaker 1>was back then. I mean there was so many fringe

0:09:33.600 --> 0:09:37.280
<v Speaker 1>vests and so many dudes of like long hair singing

0:09:37.320 --> 0:09:39.960
<v Speaker 1>like everybody played the guitar. It was like there was

0:09:40.200 --> 0:09:43.000
<v Speaker 1>four people in a pod playing guitar and singing a

0:09:43.040 --> 0:09:45.720
<v Speaker 1>pizze song and other people have like moltough cocktails. It

0:09:45.800 --> 0:09:48.720
<v Speaker 1>was like, is all of the everything that happened happening

0:09:48.760 --> 0:09:51.920
<v Speaker 1>at once? It was so there's a lot of like

0:09:52.080 --> 0:09:55.600
<v Speaker 1>Uncanny Valley qualities to this movie. I'm just like, what

0:09:55.800 --> 0:09:58.200
<v Speaker 1>is it like this? This era had been described to

0:09:58.280 --> 0:10:01.959
<v Speaker 1>the set dresser but not actually heard that Meryl Street

0:10:02.000 --> 0:10:07.120
<v Speaker 1>just kept sleeping in her own in her own paper,

0:10:07.280 --> 0:10:09.880
<v Speaker 1>like she had a notebook, and she every scene of

0:10:09.920 --> 0:10:13.240
<v Speaker 1>her was like waking her up from the narcolepsy moments

0:10:13.280 --> 0:10:15.280
<v Speaker 1>that she was having. And I keep calling her Mery

0:10:15.440 --> 0:10:21.760
<v Speaker 1>from Catherine Graham, the ke I know her as Meryl Street.

0:10:23.160 --> 0:10:26.840
<v Speaker 1>Listener's of the pulp fiction episode might recall that, according

0:10:26.840 --> 0:10:29.440
<v Speaker 1>to me, her name is Meryl Street anyway. And the

0:10:29.440 --> 0:10:32.240
<v Speaker 1>other the other part that I thought was so lame

0:10:32.360 --> 0:10:35.720
<v Speaker 1>is whenever they would cut to the Nixon lookalike on

0:10:36.000 --> 0:10:38.560
<v Speaker 1>my phone, Like you see him through like a window

0:10:38.600 --> 0:10:40.560
<v Speaker 1>of the White House and he's like talking on the phone.

0:10:40.600 --> 0:10:43.920
<v Speaker 1>He's like making these insane hand gestures, not a particularly

0:10:43.920 --> 0:10:46.800
<v Speaker 1>good impression. No, and just like not shot. Well, Like

0:10:46.840 --> 0:10:48.760
<v Speaker 1>I was just like, what is this? I don't know.

0:10:49.320 --> 0:10:52.679
<v Speaker 1>So I I've taken history classes, I've learned about the

0:10:52.760 --> 0:10:56.440
<v Speaker 1>Vietnam War. I read a whole book about it, and

0:10:56.559 --> 0:10:59.880
<v Speaker 1>somehow I don't remember a single thing about it. I

0:11:00.320 --> 0:11:04.520
<v Speaker 1>know almost anything about the historical events that were depicted

0:11:04.559 --> 0:11:08.160
<v Speaker 1>in this movie. For some reason, American history goes in

0:11:08.280 --> 0:11:10.679
<v Speaker 1>one year not the other. I just cannot absorb it

0:11:10.840 --> 0:11:15.400
<v Speaker 1>or remember. That's helpful because it's because this movie must

0:11:15.400 --> 0:11:18.320
<v Speaker 1>have been truly insane to watch. Yeah, yeah, so yeah,

0:11:18.440 --> 0:11:21.080
<v Speaker 1>not not really not knowing any of the major players

0:11:21.120 --> 0:11:24.199
<v Speaker 1>of this story, not remembering or knowing much about it

0:11:24.240 --> 0:11:26.560
<v Speaker 1>to begin with. I would say I was watching the

0:11:26.559 --> 0:11:29.560
<v Speaker 1>movie for about forty five minutes until I even understood

0:11:29.760 --> 0:11:32.680
<v Speaker 1>what was happening. Well, it's true, and that's the part

0:11:32.720 --> 0:11:35.600
<v Speaker 1>that and for somebody who does understand it, all I

0:11:35.679 --> 0:11:38.840
<v Speaker 1>kept doing was getting more frustrated that they weren't filling

0:11:38.880 --> 0:11:41.440
<v Speaker 1>other people in what was happening. And for me, like

0:11:41.559 --> 0:11:44.839
<v Speaker 1>I got so I'm old as fun. So I when

0:11:44.880 --> 0:11:48.280
<v Speaker 1>Watergate was happening, I was around eleven or twelve or

0:11:48.280 --> 0:11:50.800
<v Speaker 1>I don't know. I was like, yeah, but I got

0:11:50.840 --> 0:11:54.760
<v Speaker 1>like preteen chicken pox one summer, so I couldn't go out,

0:11:55.160 --> 0:11:58.520
<v Speaker 1>and I watched the Watergate hearings every day, Like I

0:11:58.640 --> 0:12:01.800
<v Speaker 1>was like a crazy looning kid who watched the Watergate

0:12:01.840 --> 0:12:04.240
<v Speaker 1>hearings every day, and I was sort of fascinated by it.

0:12:04.720 --> 0:12:06.400
<v Speaker 1>So I loved it, and I was kind of like

0:12:06.640 --> 0:12:09.800
<v Speaker 1>I don't know what a nerd, So this life changing

0:12:09.880 --> 0:12:12.440
<v Speaker 1>chicken pox it was, you know. And so I was

0:12:12.480 --> 0:12:14.600
<v Speaker 1>like this eleven year o kid talking about Sam Irvin

0:12:14.800 --> 0:12:16.880
<v Speaker 1>and John Dene and like I kind of knew what

0:12:16.920 --> 0:12:18.280
<v Speaker 1>was happening, and then I would ask my dad to

0:12:18.320 --> 0:12:19.559
<v Speaker 1>kind of fill me in. And then I realized my

0:12:19.640 --> 0:12:22.600
<v Speaker 1>dad was like a total right wing kook, and so

0:12:22.800 --> 0:12:25.640
<v Speaker 1>um that was problematic. And so I had a whole

0:12:25.640 --> 0:12:28.280
<v Speaker 1>bunch of older siblings who were like protesting the war,

0:12:28.440 --> 0:12:30.760
<v Speaker 1>and our dinner was always like a ship show of

0:12:30.800 --> 0:12:33.240
<v Speaker 1>screaming at each other. So I wanted to see this

0:12:33.400 --> 0:12:35.040
<v Speaker 1>part of because we always heard about the New York

0:12:35.080 --> 0:12:36.520
<v Speaker 1>Times and then we saw the Presents Man, and I

0:12:36.559 --> 0:12:38.640
<v Speaker 1>just wanted to hear this like take on what happens

0:12:38.640 --> 0:12:40.960
<v Speaker 1>when a woman takes over a paper. And all I

0:12:41.000 --> 0:12:43.520
<v Speaker 1>did was see somebody going, have me check to Bob?

0:12:43.920 --> 0:12:48.920
<v Speaker 1>What is Bob? Bob, Bob, are you on the phone?

0:12:49.320 --> 0:12:52.560
<v Speaker 1>Where big glasses? That this guy I don't know? And

0:12:52.600 --> 0:12:57.480
<v Speaker 1>it was like, what the well, Meryl is meryling out.

0:12:58.240 --> 0:13:04.840
<v Speaker 1>It's just like Beryl Street, what was happening? She's like

0:13:05.040 --> 0:13:07.880
<v Speaker 1>she's doing like I was. Because I went back and

0:13:07.880 --> 0:13:10.360
<v Speaker 1>watched interviews with Katherine Grandma, was like, why did she

0:13:10.440 --> 0:13:12.600
<v Speaker 1>make these choices that she made? It didn't make like

0:13:12.800 --> 0:13:16.440
<v Speaker 1>she was doing sort of her Julia Child voice, but

0:13:16.480 --> 0:13:20.559
<v Speaker 1>like if Julia Child was very tired, Katherine Grandma was

0:13:20.760 --> 0:13:29.000
<v Speaker 1>asking God blesses. There's a few different times where she

0:13:29.040 --> 0:13:41.280
<v Speaker 1>went ben characters. The was also that was also problems

0:13:41.520 --> 0:13:46.560
<v Speaker 1>too many bends. I would argue that in a cast

0:13:46.600 --> 0:13:49.080
<v Speaker 1>a pretty amazing cast, almost Noah does a good job,

0:13:49.200 --> 0:13:53.520
<v Speaker 1>Like it's it's it's kind of amazing, how how bad

0:13:53.559 --> 0:13:56.600
<v Speaker 1>everybody does. Steven Spielberg, I would say, did a pretty

0:13:56.640 --> 0:14:01.200
<v Speaker 1>horrendous bang up job totally. It just really bothered me

0:14:01.320 --> 0:14:03.760
<v Speaker 1>of like even in the first scene where it's like, okay,

0:14:03.880 --> 0:14:05.840
<v Speaker 1>we start with the flashback and then we go to

0:14:06.440 --> 0:14:08.840
<v Speaker 1>um the story being put together, and it's all this

0:14:09.000 --> 0:14:14.080
<v Speaker 1>it's all like swelling music, cross fading in of headlines,

0:14:14.679 --> 0:14:18.000
<v Speaker 1>spoken exposition. It's like, there has to be a more

0:14:18.120 --> 0:14:20.840
<v Speaker 1>could this scene be faster? Why is this scene slow?

0:14:21.040 --> 0:14:24.800
<v Speaker 1>It's the most important part. It just was driving reenactment.

0:14:24.800 --> 0:14:26.920
<v Speaker 1>I'm gonna say a line and you guys are gonna

0:14:27.040 --> 0:14:30.440
<v Speaker 1>repeat what the next line is? Okay, I have a

0:14:30.480 --> 0:14:35.880
<v Speaker 1>little kid you want some lemonade? What do they like? No?

0:14:36.800 --> 0:14:43.720
<v Speaker 1>How much is it? No? No? Is there von? Okay?

0:14:45.040 --> 0:14:47.920
<v Speaker 1>I'm disappointed in the both of you. We're not like

0:14:48.400 --> 0:14:52.400
<v Speaker 1>taken by the I have a question, was one of

0:14:52.400 --> 0:14:56.440
<v Speaker 1>the female lines, does that counts? The child selling lemonade

0:14:56.480 --> 0:15:00.240
<v Speaker 1>says yeah, is there vodka? Well it is too woman

0:15:00.320 --> 0:15:04.040
<v Speaker 1>talking about so we find out what the kid's name is.

0:15:04.040 --> 0:15:07.200
<v Speaker 1>I think we do, right, No, that was like I

0:15:07.200 --> 0:15:08.840
<v Speaker 1>feel like there's a lot of female characters in this

0:15:08.880 --> 0:15:10.640
<v Speaker 1>movie whose names we do not know. Also, speaking of

0:15:10.760 --> 0:15:14.840
<v Speaker 1>it was confusing. You are drinking lemonade with basically vodka

0:15:14.880 --> 0:15:17.640
<v Speaker 1>in it. You know, who knows what's indence camp could

0:15:17.680 --> 0:15:20.880
<v Speaker 1>be anything, could be anything taking years off my life,

0:15:20.960 --> 0:15:23.400
<v Speaker 1>But I'm not sure what was in it exactly. Couldn't

0:15:23.400 --> 0:15:25.600
<v Speaker 1>tell you no, no, no. In the theater, I saw

0:15:25.640 --> 0:15:28.160
<v Speaker 1>this movie for the first time last week, and so

0:15:28.200 --> 0:15:30.400
<v Speaker 1>we've all seen it in theaters, right, yes, okay and

0:15:30.560 --> 0:15:33.400
<v Speaker 1>my theater. Every time the Nixon impersonator was on screen

0:15:33.520 --> 0:15:37.640
<v Speaker 1>and the movie closes with him too, there was audible laughing.

0:15:38.200 --> 0:15:41.480
<v Speaker 1>There was like what the funk is this like when

0:15:41.520 --> 0:15:44.240
<v Speaker 1>it closed on him, being like, I forget where Like

0:15:44.360 --> 0:15:47.560
<v Speaker 1>the closing line, but he's just like, hopefully nothing else

0:15:47.720 --> 0:15:51.120
<v Speaker 1>bad will happen, and then his little cheek noise like whatever,

0:15:51.160 --> 0:15:55.960
<v Speaker 1>his jowls are clattering together like symbols, and everyone was

0:15:56.000 --> 0:15:58.160
<v Speaker 1>like cackling. And then it was like, oh, the movie

0:15:58.240 --> 0:16:02.520
<v Speaker 1>is over. What great They could have literally cast a

0:16:02.600 --> 0:16:07.640
<v Speaker 1>great Dane to play Nixon and that's how bad so

0:16:08.320 --> 0:16:12.320
<v Speaker 1>and it was shot so lame. It was just like

0:16:12.760 --> 0:16:15.120
<v Speaker 1>and like another part where there was audible laughter in

0:16:15.160 --> 0:16:17.640
<v Speaker 1>the theater was when they cut to the picture of

0:16:17.920 --> 0:16:20.880
<v Speaker 1>Tom Hanks and his wife and the Kennedy's and it

0:16:20.920 --> 0:16:24.760
<v Speaker 1>was a really bad photoshop that frame photo. Everyone was like,

0:16:24.800 --> 0:16:30.840
<v Speaker 1>what the fuck is this? This is so stupid. Also,

0:16:31.240 --> 0:16:34.240
<v Speaker 1>it was for me, I guess you know, this is

0:16:34.320 --> 0:16:36.360
<v Speaker 1>like a marginal detailed drue me in saying. But Ben

0:16:36.360 --> 0:16:40.320
<v Speaker 1>Bradley was married three times and this was his second wife.

0:16:40.680 --> 0:16:45.240
<v Speaker 1>Amazing waste of Sarah Paulson in a roll, and so

0:16:45.480 --> 0:16:49.960
<v Speaker 1>it was like his last wife. Sally Quinn also wrote

0:16:50.000 --> 0:16:52.000
<v Speaker 1>for The Washington Post, and so if you didn't know

0:16:52.080 --> 0:16:54.240
<v Speaker 1>the history, but you maybe knew about her because the

0:16:54.280 --> 0:16:57.000
<v Speaker 1>cool thing about Sally Quinn and Ben Bradley is that

0:16:57.080 --> 0:17:02.520
<v Speaker 1>they bought the Gray Gardens House from Crazy Little from

0:17:02.560 --> 0:17:05.200
<v Speaker 1>the Beals and they redid the whole thing. Oh, I'm

0:17:05.200 --> 0:17:14.160
<v Speaker 1>a treasure trove useless bullshit. That's good, thank you. Yeah. Yeah.

0:17:14.440 --> 0:17:17.199
<v Speaker 1>So I was like, that's not Sally Quinn. That's got

0:17:17.280 --> 0:17:21.640
<v Speaker 1>to be her name was like and Twinette. I think,

0:17:22.119 --> 0:17:24.760
<v Speaker 1>I literally think her name is an. She was like

0:17:26.040 --> 0:17:28.879
<v Speaker 1>teen you know, that's like going like some doing some

0:17:28.960 --> 0:17:31.320
<v Speaker 1>deep cuts. Oh, so I guess we're gonna do the

0:17:31.359 --> 0:17:36.040
<v Speaker 1>research and find out her nickname was teen I. And

0:17:36.080 --> 0:17:38.679
<v Speaker 1>then she's really only and I mean she appears in

0:17:38.720 --> 0:17:42.359
<v Speaker 1>it several times, but usually she's serving food. She's uh,

0:17:42.560 --> 0:17:45.080
<v Speaker 1>you know, facilitating whatever. And then she's in that one

0:17:45.920 --> 0:17:50.359
<v Speaker 1>near the climax of the movie we want some Sandwiches? Yeah, yeah,

0:17:50.560 --> 0:17:52.480
<v Speaker 1>do you want some sandwiches scene, which is all of

0:17:52.520 --> 0:17:55.680
<v Speaker 1>her scenes. Uh, and then the scene where she explains

0:17:56.040 --> 0:17:59.600
<v Speaker 1>to Tom Hanks actually being a woman hard sometimes and

0:17:59.640 --> 0:18:04.639
<v Speaker 1>he goes, oh, never thought about it. Also, her sister

0:18:05.600 --> 0:18:08.560
<v Speaker 1>was having an affair with JFK and so Ben Bradley

0:18:08.680 --> 0:18:12.360
<v Speaker 1>used to be really good friends with James Jesus Engleton,

0:18:12.440 --> 0:18:13.959
<v Speaker 1>who was the head of the CIA then, and they

0:18:13.960 --> 0:18:17.560
<v Speaker 1>did a whole giant investigation because the CIA was trying

0:18:17.600 --> 0:18:20.960
<v Speaker 1>to do all of this crazy much more interesting story

0:18:21.320 --> 0:18:23.680
<v Speaker 1>is this crazy covert operation where the CIA was trying

0:18:23.720 --> 0:18:27.160
<v Speaker 1>to manipulate and control what the media was reporting. So

0:18:27.840 --> 0:18:30.959
<v Speaker 1>they were really good friends. And then when it was

0:18:31.160 --> 0:18:34.399
<v Speaker 1>revealed that his sister in law was having an affair

0:18:34.400 --> 0:18:37.560
<v Speaker 1>with JFK, they had like a big breakup around all

0:18:37.600 --> 0:18:40.320
<v Speaker 1>of it, Like there's a lot of palace intrigue around

0:18:40.359 --> 0:18:44.359
<v Speaker 1>the CIA and Ben Bradley and the Kennedy administration, so

0:18:44.400 --> 0:18:47.880
<v Speaker 1>many interesting things that would have made the movie more fun. Time.

0:18:49.119 --> 0:18:51.680
<v Speaker 1>Ben Bradley's Wives would have been a better movie. They

0:18:51.720 --> 0:18:55.160
<v Speaker 1>cover those three wives and they met in Paris. It's

0:18:55.160 --> 0:18:57.639
<v Speaker 1>like a whole thing, like there's some good ship, but

0:18:57.720 --> 0:19:00.720
<v Speaker 1>we got the garbage heap. Tom Hank, I mean, and

0:19:00.720 --> 0:19:02.680
<v Speaker 1>and maybe there are exceptions to this role that I'm

0:19:02.680 --> 0:19:05.680
<v Speaker 1>not thinking of, but Tom Hanks has like pretty exceptionally

0:19:05.680 --> 0:19:09.480
<v Speaker 1>bad taste in like period movies, because he's in one

0:19:09.520 --> 0:19:12.040
<v Speaker 1>of my least favorite movies of all time, Charlie Wilson's War,

0:19:12.600 --> 0:19:15.000
<v Speaker 1>a movie that is ten years old and yet is

0:19:15.080 --> 0:19:17.479
<v Speaker 1>like how did this movie come out? And people were

0:19:17.520 --> 0:19:20.919
<v Speaker 1>like it's so cute? How this like political effict role

0:19:21.040 --> 0:19:24.320
<v Speaker 1>is harassing women for three hours. It was God, But wait,

0:19:24.320 --> 0:19:27.400
<v Speaker 1>can I just talk about one more thing about the movie? That? Okay,

0:19:27.480 --> 0:19:33.320
<v Speaker 1>So when Bob and Kirk's character Ben goes to me

0:19:35.480 --> 0:19:38.280
<v Speaker 1>Daniel Ellsberg, and it goes to hotel room and there's

0:19:38.320 --> 0:19:41.840
<v Speaker 1>literally thousands and thousands and thousands and thousands of stacks

0:19:41.840 --> 0:19:45.760
<v Speaker 1>of paper everywhere, and then he compiles it into two

0:19:45.760 --> 0:19:49.080
<v Speaker 1>file boxes and brings it on the plane. And I

0:19:49.160 --> 0:19:55.760
<v Speaker 1>was a trailer moment to deliver that trailer moment. Okay,

0:19:55.760 --> 0:20:02.520
<v Speaker 1>trailer guy, easy job for you. We're all laughing. And

0:20:02.600 --> 0:20:05.920
<v Speaker 1>also there's so much weird bumbling for no reason, like

0:20:06.960 --> 0:20:09.960
<v Speaker 1>Ben has to make a phone call every time. He's

0:20:10.000 --> 0:20:13.280
<v Speaker 1>like he drops his notebook and reporters are falling, and

0:20:13.320 --> 0:20:16.320
<v Speaker 1>I was like, why is he bumbling? I do not

0:20:16.440 --> 0:20:18.680
<v Speaker 1>have to do it? Is that a choice? I wrote

0:20:18.680 --> 0:20:20.400
<v Speaker 1>that done? Because every time he's had a pay phone,

0:20:20.400 --> 0:20:22.280
<v Speaker 1>which is like three or four times, there's some sort

0:20:22.280 --> 0:20:24.399
<v Speaker 1>of fit there like let's let out and kirtius and

0:20:24.520 --> 0:20:27.879
<v Speaker 1>physical improv like not, why that's not what this movie is?

0:20:27.920 --> 0:20:31.760
<v Speaker 1>What do you builds the tension of the scene. One

0:20:31.760 --> 0:20:34.680
<v Speaker 1>of my got in a movie full of my least

0:20:34.680 --> 0:20:38.600
<v Speaker 1>favorite scenes. At some point Jesse, Clemens and Zach would

0:20:38.640 --> 0:20:41.400
<v Speaker 1>show up and it's like are they would word in Bernstein,

0:20:41.520 --> 0:20:44.800
<v Speaker 1>No they're not. But there's that scene at the end,

0:20:44.880 --> 0:20:47.280
<v Speaker 1>and this is like another time where I don't know why,

0:20:47.320 --> 0:20:49.440
<v Speaker 1>but in so many recent episodes, like the way music

0:20:49.520 --> 0:20:52.080
<v Speaker 1>is used in movies has really been like bugging me,

0:20:52.359 --> 0:20:54.800
<v Speaker 1>and it's so it's just lazy in this where it's

0:20:54.800 --> 0:20:57.120
<v Speaker 1>just like, yeah, let's just throw in some swelling strings

0:20:57.359 --> 0:20:59.840
<v Speaker 1>and hopefully people won't notice, you know. But there's like

0:20:59.880 --> 0:21:02.480
<v Speaker 1>the scene at the end where a woman in the

0:21:02.480 --> 0:21:05.040
<v Speaker 1>office is getting a call and she's like, oh my gosh,

0:21:05.080 --> 0:21:08.040
<v Speaker 1>it's so and so and the ruling is in and

0:21:08.080 --> 0:21:11.479
<v Speaker 1>they say that journalism is good and journalists are good,

0:21:11.760 --> 0:21:13.800
<v Speaker 1>and then like the music is like do do do

0:21:13.800 --> 0:21:16.080
<v Speaker 1>do do do? I was like, funk this, what do

0:21:16.119 --> 0:21:19.440
<v Speaker 1>you How dumb do you think we are? Exactly not

0:21:19.600 --> 0:21:22.159
<v Speaker 1>to mention like the way that all went down, I

0:21:22.160 --> 0:21:25.320
<v Speaker 1>can't imagine that's how it goes down. For a screamed

0:21:25.359 --> 0:21:31.399
<v Speaker 1>line of exposition, journalism wins. It's like and it's like

0:21:31.440 --> 0:21:35.040
<v Speaker 1>just make eye contact with the camera, like that's oh boy,

0:21:35.320 --> 0:21:38.720
<v Speaker 1>right now? Should I even attempt to recap. I don't

0:21:38.720 --> 0:21:41.440
<v Speaker 1>know if I'm gonna yeah, well, well we can help

0:21:41.520 --> 0:21:43.240
<v Speaker 1>fill in the gaps. This is a tricky this is

0:21:43.240 --> 0:21:48.320
<v Speaker 1>a hard movie to recap. Trure is So it's nineteen swo.

0:21:48.440 --> 0:21:51.280
<v Speaker 1>We're in the middle of the Vietnam War. Nixon, President,

0:21:51.960 --> 0:21:57.119
<v Speaker 1>k Graham, the publisher, I guess the Catherine again, I

0:21:57.119 --> 0:21:58.560
<v Speaker 1>don't even know what The first forty five minutes of

0:21:58.600 --> 0:22:01.959
<v Speaker 1>the movie are like. Oh, opens with this scene in

0:22:02.240 --> 0:22:05.680
<v Speaker 1>the Vietnam War where this journalist he's like observing, he's

0:22:05.840 --> 0:22:09.000
<v Speaker 1>checking things out, and then he reports back to Bob

0:22:09.080 --> 0:22:11.919
<v Speaker 1>McNamara and he's like, actually, things in the war aren't

0:22:12.040 --> 0:22:15.280
<v Speaker 1>really good, and they're like, well, we can't tell anyone this.

0:22:15.440 --> 0:22:19.080
<v Speaker 1>We have to lie. So it becomes this like huge

0:22:19.359 --> 0:22:23.480
<v Speaker 1>study that becomes these talk secret documents, and then Daniel

0:22:23.560 --> 0:22:27.200
<v Speaker 1>Ellsberg is like, why shouldn't I should steal and link them?

0:22:27.640 --> 0:22:30.520
<v Speaker 1>So The New York Times gets hold of them first

0:22:30.640 --> 0:22:33.280
<v Speaker 1>and leaks a little bit of it. But then the

0:22:33.280 --> 0:22:35.600
<v Speaker 1>Supreme Court is like, no, you can't do that. I'm

0:22:35.640 --> 0:22:38.240
<v Speaker 1>sending up for a long week. Well no, no, the

0:22:38.280 --> 0:22:40.200
<v Speaker 1>Spreme Court didn't say you can't do that. What happened

0:22:40.240 --> 0:22:43.040
<v Speaker 1>was there was an injunction because of the White House. Um,

0:22:43.119 --> 0:22:46.000
<v Speaker 1>so the White House tried to get this from not happening,

0:22:46.080 --> 0:22:49.440
<v Speaker 1>saying that it was it would be a national security risk. Right,

0:22:49.520 --> 0:22:55.720
<v Speaker 1>yeah again, I'm going. And meanwhile, Katherine Graham and Ben

0:22:55.880 --> 0:22:59.880
<v Speaker 1>one of the Bends, they're like, wow, crap, like, oh

0:23:00.040 --> 0:23:02.480
<v Speaker 1>this paper, we should take it public and no one

0:23:02.520 --> 0:23:06.080
<v Speaker 1>takes out seriously and they're all upset about that. And

0:23:06.119 --> 0:23:09.280
<v Speaker 1>then the people are like, there's like the implication of like, well,

0:23:09.520 --> 0:23:11.800
<v Speaker 1>we have a woman running a paper. It's a liability

0:23:12.000 --> 0:23:15.679
<v Speaker 1>right exactly. Yeah, No one really is confident in her abilities.

0:23:16.400 --> 0:23:18.399
<v Speaker 1>And she's really good friends with a guy who wrote

0:23:18.440 --> 0:23:23.760
<v Speaker 1>the Pentagon papers, and she fired she fired out friendly

0:23:23.920 --> 0:23:26.159
<v Speaker 1>like they had in such weird specific details. I'm like,

0:23:26.560 --> 0:23:30.240
<v Speaker 1>who is this for? Yeah? Anyways, So the Washington Post,

0:23:30.480 --> 0:23:35.040
<v Speaker 1>via another of the Bends, the Bob Owen Kirkman, gets

0:23:35.160 --> 0:23:38.560
<v Speaker 1>ahold of this huge study the Pentagon Papers as they

0:23:38.640 --> 0:23:41.480
<v Speaker 1>later become to be known all the phone. But he's

0:23:41.480 --> 0:23:45.879
<v Speaker 1>a great journalist. There's this whole sequence about oh do

0:23:45.960 --> 0:23:49.399
<v Speaker 1>we publish these like it's our journalistic responsibility to let

0:23:49.480 --> 0:23:52.720
<v Speaker 1>the American public know that the Vietnam War is actually

0:23:52.760 --> 0:23:55.439
<v Speaker 1>not good, and that the government knew that we couldn't

0:23:55.440 --> 0:23:57.720
<v Speaker 1>win it from the very beginning, but we still keep

0:23:57.760 --> 0:24:00.399
<v Speaker 1>sending soldiers over there to die in this war. And

0:24:00.400 --> 0:24:02.119
<v Speaker 1>then but then they're like, oh, but what will it

0:24:02.160 --> 0:24:05.840
<v Speaker 1>do to our newspaper? It might you know, will collapse

0:24:05.920 --> 0:24:08.439
<v Speaker 1>and all this because of the injunction. So they were

0:24:08.480 --> 0:24:11.200
<v Speaker 1>trying to decide whether or not they would be shut

0:24:11.240 --> 0:24:13.960
<v Speaker 1>down because of whether or not the Supreme Court would

0:24:14.040 --> 0:24:19.080
<v Speaker 1>rule that it was illegal. Do you know, I did

0:24:19.080 --> 0:24:22.359
<v Speaker 1>not check this, but was like the timeline of like

0:24:22.400 --> 0:24:25.080
<v Speaker 1>because the timing of this. Part of the reason that

0:24:25.160 --> 0:24:27.280
<v Speaker 1>she that k is like, I don't know if we

0:24:27.320 --> 0:24:29.600
<v Speaker 1>should lead the papers is because there's some sort of

0:24:29.640 --> 0:24:32.760
<v Speaker 1>like week long thing when they were going public. So

0:24:32.840 --> 0:24:37.080
<v Speaker 1>what happens is the newspaper was was a family owned paper,

0:24:37.359 --> 0:24:40.120
<v Speaker 1>and they were hemorrhaging money and they were in debt.

0:24:40.200 --> 0:24:41.640
<v Speaker 1>So what they were going to do is go public,

0:24:41.720 --> 0:24:44.240
<v Speaker 1>so people go by shares in the newspaper could stay afloat.

0:24:44.840 --> 0:24:47.159
<v Speaker 1>There's a window of time when you go public and

0:24:47.160 --> 0:24:50.280
<v Speaker 1>you have shareholders, there's a window of time where if

0:24:50.320 --> 0:24:54.639
<v Speaker 1>you do something that is highly illegal or unethical, the

0:24:54.720 --> 0:24:57.960
<v Speaker 1>deal can fall through and the shareholders can back out

0:24:58.000 --> 0:25:00.359
<v Speaker 1>of the deal. So that window of time when they

0:25:00.400 --> 0:25:02.840
<v Speaker 1>were deciding whether or not they were going to defy

0:25:02.920 --> 0:25:06.000
<v Speaker 1>what could possibly be a Supreme Court ruling that said

0:25:06.160 --> 0:25:08.800
<v Speaker 1>freedom of the press does not mean that you can

0:25:09.000 --> 0:25:13.840
<v Speaker 1>take government acquired whistleblowing papers and expose them to the public.

0:25:14.000 --> 0:25:15.879
<v Speaker 1>And the Supreme Court ruled that it is in the

0:25:15.920 --> 0:25:19.040
<v Speaker 1>public's good to know that this is happening in the

0:25:19.119 --> 0:25:21.200
<v Speaker 1>in their name. But this was the timeline where this

0:25:21.280 --> 0:25:26.159
<v Speaker 1>was happening during that window where they so after a

0:25:26.160 --> 0:25:29.800
<v Speaker 1>lot of like kathin Kay being like should I publish

0:25:29.840 --> 0:25:31.960
<v Speaker 1>or should we not publish the story? What do we do?

0:25:32.400 --> 0:25:35.960
<v Speaker 1>She finally decides to go ahead and run the story,

0:25:36.080 --> 0:25:41.320
<v Speaker 1>publish and then I'm going to bed. She's sleeping for

0:25:41.359 --> 0:25:45.720
<v Speaker 1>a lot of yess right, She's slow, tired, she's exhausted.

0:25:45.880 --> 0:25:47.879
<v Speaker 1>And so they're like, oh no, what's this going to

0:25:47.960 --> 0:25:51.480
<v Speaker 1>do Because there's another like extra obstacle at the last

0:25:51.560 --> 0:25:54.480
<v Speaker 1>minute where the lawyers were like, oh wait, your source

0:25:54.560 --> 0:25:56.399
<v Speaker 1>was the same source as the New York Times, and

0:25:56.480 --> 0:25:59.359
<v Speaker 1>that could really like you could go to prison for that.

0:25:59.760 --> 0:26:02.720
<v Speaker 1>Like the steaks were very high. Catherine's like fuck it

0:26:03.040 --> 0:26:06.480
<v Speaker 1>published the damn paper and they do and everyone's like,

0:26:06.480 --> 0:26:08.600
<v Speaker 1>oh my god. And then all the other papers follow

0:26:08.640 --> 0:26:11.879
<v Speaker 1>suit and they're like, wait, we saved the world. And

0:26:11.960 --> 0:26:15.000
<v Speaker 1>then there's a forty five minutes sequence of Steven Spielberg

0:26:15.080 --> 0:26:20.679
<v Speaker 1>filming newspaper presses, which I actually kind of liked. That

0:26:20.760 --> 0:26:22.680
<v Speaker 1>was the most visually interesting part of the movie, because

0:26:22.720 --> 0:26:27.280
<v Speaker 1>the rest of it's just toss yeah like that. It

0:26:27.320 --> 0:26:29.320
<v Speaker 1>takes like there's a million I can give you a

0:26:29.359 --> 0:26:31.800
<v Speaker 1>million papers where they spin around. It's the headline, like

0:26:33.680 --> 0:26:36.280
<v Speaker 1>that visual effect that it is not insufferable time you'll

0:26:36.320 --> 0:26:40.439
<v Speaker 1>never get back. It's just like, can we reallocate the

0:26:40.440 --> 0:26:44.199
<v Speaker 1>time spent looking at newspaper presses explaining what's happening in

0:26:44.240 --> 0:26:51.240
<v Speaker 1>the fucking movie? Because actually newspapers that aren't yours and

0:26:51.400 --> 0:26:56.000
<v Speaker 1>we just keep reading the New York too. It was

0:26:56.119 --> 0:27:01.720
<v Speaker 1>smiled the majority of revelations come from the New York Times,

0:27:01.800 --> 0:27:04.119
<v Speaker 1>which is because it's eventually the Washington Post does get

0:27:04.160 --> 0:27:06.720
<v Speaker 1>a story, but that is not really focused on what

0:27:06.840 --> 0:27:09.359
<v Speaker 1>that actually happened. I don't I don't know, I don't know.

0:27:09.720 --> 0:27:12.240
<v Speaker 1>I don't know what is happening in this movie? Uh?

0:27:12.840 --> 0:27:16.600
<v Speaker 1>Is that everything? Though? I mean the Supreme Court rules

0:27:16.640 --> 0:27:21.280
<v Speaker 1>that created the press. Yeah, and then could we have

0:27:21.280 --> 0:27:23.639
<v Speaker 1>seen that instead of hearing someone screaming on to the

0:27:23.720 --> 0:27:26.159
<v Speaker 1>office on a phone. Yeah, that would have probably been

0:27:26.200 --> 0:27:29.719
<v Speaker 1>more appropriate. And then the movie ends with the like

0:27:29.920 --> 0:27:37.080
<v Speaker 1>Watergate scandal robbery thing happening, like, oh wow, is gonna

0:27:37.400 --> 0:27:40.280
<v Speaker 1>not be the president anymore? Yeah, that's why. That's what

0:27:40.440 --> 0:27:43.160
<v Speaker 1>I realized. It wasn't would Ward and Bernstein because they

0:27:43.320 --> 0:27:49.040
<v Speaker 1>have heard yet. It's like, oh, right, they're breaking into

0:27:49.119 --> 0:27:52.879
<v Speaker 1>Daniel Ellsberg's psychiatrists office, is what they did. Yeah, that

0:27:53.000 --> 0:27:57.680
<v Speaker 1>craziness so right, it was. I mean, it was such

0:27:57.680 --> 0:28:02.000
<v Speaker 1>a cheeseball ending to the movie, like yeah, audible laughter,

0:28:02.280 --> 0:28:06.000
<v Speaker 1>you literally don't mean you don't. Yeah, listen, I know

0:28:06.040 --> 0:28:07.919
<v Speaker 1>we've been talking about it for a while now, but

0:28:08.040 --> 0:28:12.280
<v Speaker 1>skip the post. I've got to see its sanator early

0:28:12.320 --> 0:28:16.480
<v Speaker 1>in the podcast there. Well, well, let day with us, though,

0:28:17.240 --> 0:28:19.240
<v Speaker 1>keep listening because we haven't even told you if it

0:28:19.400 --> 0:28:23.879
<v Speaker 1>makes the grade, yeah, it's true. I mean, let's get

0:28:23.920 --> 0:28:27.479
<v Speaker 1>into the female characters discussion, because oh boy, I mean

0:28:28.240 --> 0:28:31.760
<v Speaker 1>boy so much. It's all just missed opportunity after a

0:28:31.800 --> 0:28:35.520
<v Speaker 1>missed opportunity, right, I feel like until the third act

0:28:35.960 --> 0:28:39.160
<v Speaker 1>Katherine Graham is not very much an active character in

0:28:39.240 --> 0:28:41.440
<v Speaker 1>this story. She's not really doing any I mean, she's

0:28:41.520 --> 0:28:45.800
<v Speaker 1>making decisions, but we don't actually see her doing much

0:28:46.280 --> 0:28:48.400
<v Speaker 1>like she's not I mean, I guess, and that's like

0:28:48.480 --> 0:28:51.080
<v Speaker 1>not necessarily her role as the publisher to be like

0:28:51.440 --> 0:28:54.800
<v Speaker 1>like in the middle of the excitement and like reporting

0:28:54.840 --> 0:28:57.880
<v Speaker 1>on stuff. But well, partly part of what bothered me

0:28:58.000 --> 0:29:00.600
<v Speaker 1>from like very early in the movie is that I

0:29:00.680 --> 0:29:03.360
<v Speaker 1>don't even know if, like the way the movie portrays

0:29:03.400 --> 0:29:05.520
<v Speaker 1>her and kind of a little bit the way Meryl

0:29:05.600 --> 0:29:08.360
<v Speaker 1>Street plays her, it's not super clear to me that

0:29:08.480 --> 0:29:12.320
<v Speaker 1>she's extremely competent at her job, which in real life

0:29:12.480 --> 0:29:14.959
<v Speaker 1>she was, And so it was like weird where they

0:29:15.000 --> 0:29:17.160
<v Speaker 1>were just like, well, we don't know if she's able

0:29:17.200 --> 0:29:18.600
<v Speaker 1>to do the job, and I'm like, I don't know

0:29:18.680 --> 0:29:21.000
<v Speaker 1>if I'm I'm sure she's able to do the job

0:29:21.040 --> 0:29:27.600
<v Speaker 1>because she's always just waking up and being liked. But

0:29:28.120 --> 0:29:32.440
<v Speaker 1>but I feel too, it's like this was her family's business, right,

0:29:32.840 --> 0:29:37.520
<v Speaker 1>So you were the newspaper of record through monumental things.

0:29:37.680 --> 0:29:41.200
<v Speaker 1>You grew up in a newspaper family. Do you have

0:29:41.480 --> 0:29:45.040
<v Speaker 1>passion about information? Do you do you have passion about

0:29:45.080 --> 0:29:47.680
<v Speaker 1>freedom of the press, caring about what the public thinks,

0:29:48.280 --> 0:29:52.520
<v Speaker 1>or was your family just like these rich publishing people

0:29:52.880 --> 0:29:56.760
<v Speaker 1>who were hob nobbing around with lb J and all

0:29:56.840 --> 0:29:58.960
<v Speaker 1>the way that they sort of dropped that stuff about

0:29:59.360 --> 0:30:03.600
<v Speaker 1>she and her husband, but forget about the husband. Her

0:30:03.720 --> 0:30:07.960
<v Speaker 1>dad owned the paper, So I was like, do you

0:30:08.080 --> 0:30:10.800
<v Speaker 1>care about this ship? It's not clear. I mean, I

0:30:10.880 --> 0:30:15.080
<v Speaker 1>feel like she is far more like her motivation in

0:30:15.480 --> 0:30:17.960
<v Speaker 1>regards to working for the paper, like her character always

0:30:17.960 --> 0:30:19.880
<v Speaker 1>connects it back to like I want to make my

0:30:20.320 --> 0:30:22.840
<v Speaker 1>dead husband and father proud, Like it never really has

0:30:22.880 --> 0:30:26.760
<v Speaker 1>to do with like journalistic integrity or or breaking stories,

0:30:26.880 --> 0:30:29.640
<v Speaker 1>and and and I haven't done a deep dive on

0:30:30.200 --> 0:30:32.280
<v Speaker 1>kay Graham, and I don't know what her actual you know,

0:30:32.400 --> 0:30:37.880
<v Speaker 1>like interviews. She loved it, I mean, yeah, it was.

0:30:38.280 --> 0:30:40.280
<v Speaker 1>This movie is weird because it made me like her,

0:30:40.600 --> 0:30:43.680
<v Speaker 1>Like I had more like excitement and respect for her

0:30:43.720 --> 0:30:47.080
<v Speaker 1>as like a historical character before I went into the

0:30:47.120 --> 0:30:48.960
<v Speaker 1>movie than when I left. Because the way the movie

0:30:49.040 --> 0:30:51.640
<v Speaker 1>portrays it, it's weird. And there's that scene with her

0:30:51.760 --> 0:30:55.120
<v Speaker 1>and her daughter towards the end of the movie where

0:30:55.440 --> 0:30:58.800
<v Speaker 1>it's like I feel like ka, like the movie sells

0:30:58.800 --> 0:31:01.040
<v Speaker 1>out the character entire really in like one of the

0:31:01.120 --> 0:31:03.680
<v Speaker 1>last scenes where she's just like, you know, she's saying

0:31:03.720 --> 0:31:06.520
<v Speaker 1>like it was very stressful, and but she's only talking

0:31:06.560 --> 0:31:08.479
<v Speaker 1>about I want to make my dad proud. I want

0:31:08.520 --> 0:31:11.640
<v Speaker 1>to make my husband proud. I wanted, and just going

0:31:11.680 --> 0:31:14.000
<v Speaker 1>on and on and to the point where she's saying, oh,

0:31:14.160 --> 0:31:16.920
<v Speaker 1>and when my father wanted to give the paper to

0:31:17.040 --> 0:31:19.720
<v Speaker 1>my husband and not me, I thought that made total sense.

0:31:20.160 --> 0:31:23.240
<v Speaker 1>I was like, what is She also says something weird,

0:31:23.360 --> 0:31:27.080
<v Speaker 1>like people always say that whenever they see a woman

0:31:27.640 --> 0:31:29.840
<v Speaker 1>doing something. I forget what verb she was, but it

0:31:29.920 --> 0:31:31.680
<v Speaker 1>was like, when a woman does this thing, it's like

0:31:31.840 --> 0:31:34.920
<v Speaker 1>seeing a dog walk on its hind legs. It's bad

0:31:35.040 --> 0:31:40.000
<v Speaker 1>and it's weird, and like dog shaming. Don't shame a dog. Well,

0:31:40.080 --> 0:31:42.719
<v Speaker 1>And also it was like when they were going public,

0:31:43.080 --> 0:31:45.040
<v Speaker 1>they were saying, oh, you know, maybe you could try

0:31:45.080 --> 0:31:47.240
<v Speaker 1>to think about expanding and becoming more than just like

0:31:47.320 --> 0:31:49.120
<v Speaker 1>a local paper and the Washington And she was like,

0:31:49.760 --> 0:31:51.520
<v Speaker 1>I don't know, I kind of just want to reach

0:31:51.600 --> 0:31:53.760
<v Speaker 1>for the top shelf. I'm not really reaching for the

0:31:53.840 --> 0:31:55.520
<v Speaker 1>moon of the stars. I know, I just want to

0:31:56.160 --> 0:31:58.840
<v Speaker 1>keep it going and pay people and and even the

0:31:59.000 --> 0:32:03.040
<v Speaker 1>opening scene was just like she was all consumed with

0:32:03.200 --> 0:32:07.040
<v Speaker 1>making sure that the paper was covering Richard Nixon's daughter's wedding.

0:32:09.000 --> 0:32:10.320
<v Speaker 1>That was the hill she was ready to die on

0:32:10.720 --> 0:32:13.320
<v Speaker 1>for some reasons. Die on that hill, girl. Well. Another

0:32:13.360 --> 0:32:15.680
<v Speaker 1>early scene is when I don't know the guy's name,

0:32:15.720 --> 0:32:17.800
<v Speaker 1>but she was kind of being coached by this guy

0:32:18.160 --> 0:32:20.680
<v Speaker 1>of what to say whenever they go into this big

0:32:20.800 --> 0:32:24.960
<v Speaker 1>board meeting about when they're discussing like what the stock

0:32:25.040 --> 0:32:27.000
<v Speaker 1>prices are going to be, breading it down as like

0:32:27.080 --> 0:32:30.040
<v Speaker 1>Meryl Streep's friend. Yeah, I mean he worked for the paper,

0:32:30.120 --> 0:32:31.120
<v Speaker 1>but I don't know what his name is or what

0:32:31.240 --> 0:32:34.680
<v Speaker 1>his role is. Maybe now Bradley Witt for the actor,

0:32:34.760 --> 0:32:39.560
<v Speaker 1>isn't the older guy? Yeah? Maybe? And every role he's

0:32:39.560 --> 0:32:41.520
<v Speaker 1>in recently, I'm just like, wow, that wasn't because he's

0:32:41.560 --> 0:32:43.920
<v Speaker 1>in't get Out too, And I'm like, he was in

0:32:44.080 --> 0:32:46.960
<v Speaker 1>West Wing, Yes, he was in west Wing. West Wing. Yeah,

0:32:47.240 --> 0:32:49.280
<v Speaker 1>that was a west Wing guy, wasn't. Oh my god,

0:32:49.640 --> 0:32:54.080
<v Speaker 1>he wasn't the west Wing guy. So so him, he's

0:32:54.080 --> 0:32:56.920
<v Speaker 1>like coaching Katherine Graham on like what to say, and

0:32:57.040 --> 0:32:59.120
<v Speaker 1>she seems flustered and she's like, I feel like I

0:32:59.160 --> 0:33:01.320
<v Speaker 1>don't know this stuff, and then you see a scene where,

0:33:01.560 --> 0:33:04.200
<v Speaker 1>like immediately following that, she's in the board meeting. She's

0:33:04.240 --> 0:33:07.400
<v Speaker 1>the one woman out of like twenty other men and

0:33:07.880 --> 0:33:10.600
<v Speaker 1>they're all talking about, oh, I thought the shares were

0:33:10.640 --> 0:33:14.360
<v Speaker 1>going to be sear And there's like an opportunity for

0:33:14.440 --> 0:33:17.280
<v Speaker 1>her to reveal the knowledge that she was practicing with

0:33:17.360 --> 0:33:19.440
<v Speaker 1>this guy, and she's going to say, well, you know,

0:33:19.920 --> 0:33:23.520
<v Speaker 1>quality drives profitability, and then she totally chokes and then

0:33:24.000 --> 0:33:27.720
<v Speaker 1>her friend See, I actually kind of liked that scene

0:33:27.760 --> 0:33:30.040
<v Speaker 1>if it were paid off on in any way later on,

0:33:30.280 --> 0:33:31.800
<v Speaker 1>But it's not like if she would like gets a

0:33:31.880 --> 0:33:33.760
<v Speaker 1>chance to redeem herself. Maybe is that what you mean?

0:33:34.040 --> 0:33:35.840
<v Speaker 1>Because I feel like the way that that scene plays out,

0:33:35.920 --> 0:33:38.280
<v Speaker 1>like we as an audience know, it's like what I

0:33:38.520 --> 0:33:41.040
<v Speaker 1>missed chance? And you know, she has in this huge

0:33:41.120 --> 0:33:42.959
<v Speaker 1>room full of men who don't want to listen to her.

0:33:43.160 --> 0:33:45.320
<v Speaker 1>But then the movie kind of, I mean, like sputters

0:33:45.360 --> 0:33:47.960
<v Speaker 1>out in terms of keeping that going, in terms of

0:33:48.080 --> 0:33:51.400
<v Speaker 1>like developing her as someone who you want to see succeeds. Like,

0:33:52.120 --> 0:33:54.040
<v Speaker 1>I don't know, I was hoping that that would come.

0:33:54.160 --> 0:33:55.680
<v Speaker 1>I was hoping we would see her in a meeting

0:33:56.280 --> 0:33:58.440
<v Speaker 1>later where she would, you know, have one of those

0:33:58.720 --> 0:34:01.560
<v Speaker 1>movie moments of like, actually I have something to say,

0:34:01.720 --> 0:34:04.360
<v Speaker 1>and but you know that never happened. We do, well,

0:34:04.440 --> 0:34:07.440
<v Speaker 1>we do. I mean she does and kind of redeem

0:34:07.480 --> 0:34:10.160
<v Speaker 1>herself by the end when she's like, I know the steaks.

0:34:10.360 --> 0:34:12.160
<v Speaker 1>I know I might go to jail over this. I

0:34:12.280 --> 0:34:15.279
<v Speaker 1>know that the paper might totally fail, but I say

0:34:15.360 --> 0:34:20.279
<v Speaker 1>publish anyway, and we're like going to bed. But that

0:34:20.719 --> 0:34:23.759
<v Speaker 1>character arc, we don't see the actual arc happen. Like

0:34:23.920 --> 0:34:26.920
<v Speaker 1>it's just she like flubs up at the beginning and

0:34:27.000 --> 0:34:28.560
<v Speaker 1>then we don't, like you said, yeah, we don't really

0:34:28.560 --> 0:34:31.800
<v Speaker 1>see her character grow and develop and build over the

0:34:31.840 --> 0:34:34.279
<v Speaker 1>course of the story that leads to that point where

0:34:34.360 --> 0:34:38.960
<v Speaker 1>she like suddenly has strong decision making skills. She has

0:34:39.000 --> 0:34:41.279
<v Speaker 1>a few moments that I'm like, you know, there was

0:34:41.360 --> 0:34:45.520
<v Speaker 1>like there's one scene she had with Tom Hanks been

0:34:46.040 --> 0:34:50.560
<v Speaker 1>uh where they're sort of challenging each other on uh

0:34:51.760 --> 0:34:55.359
<v Speaker 1>yeah yeah, and and like the way that Tom Hanks

0:34:55.480 --> 0:35:00.239
<v Speaker 1>character treats Meryl Street is you know, a ma of

0:35:00.440 --> 0:35:03.399
<v Speaker 1>respect and condescension. But I mean there are scenes where

0:35:03.400 --> 0:35:06.160
<v Speaker 1>they're challenging each other and it is like a lively discussion.

0:35:06.239 --> 0:35:08.160
<v Speaker 1>We have no idea. If you don't know the exact

0:35:08.239 --> 0:35:10.160
<v Speaker 1>particulars of the history, you have no idea what the

0:35:10.160 --> 0:35:13.239
<v Speaker 1>funk they're talking about. But they're challenging each other, and

0:35:13.320 --> 0:35:15.000
<v Speaker 1>so she has these few moments of like, oh, she

0:35:15.120 --> 0:35:19.600
<v Speaker 1>does know things, we just don't see her demonstrate knowing

0:35:19.640 --> 0:35:23.000
<v Speaker 1>things in the way she does her job. So also,

0:35:23.080 --> 0:35:24.840
<v Speaker 1>there was a scene, and I'm sure that it was

0:35:25.360 --> 0:35:28.719
<v Speaker 1>put out there for discussion, but it was just angering

0:35:28.920 --> 0:35:32.560
<v Speaker 1>where there's a dinner party and then somebody starts to

0:35:32.680 --> 0:35:35.680
<v Speaker 1>talk about some kind of smart thing, and then a

0:35:35.800 --> 0:35:38.239
<v Speaker 1>woman says, well, that's time for us to move, and

0:35:38.360 --> 0:35:41.239
<v Speaker 1>all the women and Katherine Graham go into one room

0:35:41.400 --> 0:35:44.200
<v Speaker 1>and talk about outfits or some ship, but the men

0:35:44.320 --> 0:35:49.280
<v Speaker 1>talking about politics. Yeah. Yeah, that scene was fucking infuriating,

0:35:49.680 --> 0:35:53.000
<v Speaker 1>And to keep our discussion about Titanic always going from

0:35:53.360 --> 0:35:56.400
<v Speaker 1>I was thinking this far more effectively done in Titanic.

0:35:58.120 --> 0:36:00.840
<v Speaker 1>But there, I mean, but this is sort of you know,

0:36:01.440 --> 0:36:03.480
<v Speaker 1>the women go to one room, the men staying in

0:36:03.520 --> 0:36:05.800
<v Speaker 1>the room and smoke cigars, and you know, what's the

0:36:05.880 --> 0:36:10.640
<v Speaker 1>line politics? Wouldn't it just do anyway? Exactly? The famous

0:36:10.680 --> 0:36:14.680
<v Speaker 1>Billy Zane performance Shout out Billy Zane every day always.

0:36:14.800 --> 0:36:17.520
<v Speaker 1>But the way this knows that to Jack, he's like,

0:36:17.600 --> 0:36:22.480
<v Speaker 1>you're too poor to know about feminist ion. Jack Dawson's like,

0:36:22.680 --> 0:36:25.960
<v Speaker 1>I'm going with the ladies, see you later. I just

0:36:26.000 --> 0:36:29.040
<v Speaker 1>want to watch Titanic again. Um. But in the post,

0:36:29.160 --> 0:36:31.640
<v Speaker 1>the way that rolls out, it challenges nothing. They're like, oh, yeah,

0:36:31.680 --> 0:36:34.000
<v Speaker 1>the women are not going to talk about anything but clothes.

0:36:34.120 --> 0:36:35.920
<v Speaker 1>We don't know what any of their names are. And

0:36:36.000 --> 0:36:39.879
<v Speaker 1>one literally goes like, kay, that that dreadful day job

0:36:40.000 --> 0:36:44.279
<v Speaker 1>of yours, and are you fucking Katie? They are you know,

0:36:44.280 --> 0:36:48.120
<v Speaker 1>according to the post, women are that dumb? I mean, honestly,

0:36:48.160 --> 0:36:51.160
<v Speaker 1>it was just an endless and it felt like they

0:36:51.200 --> 0:36:54.600
<v Speaker 1>were wedging things in to remind people how sexist things

0:36:54.680 --> 0:36:57.480
<v Speaker 1>were by like ship like that, where it's like I

0:36:57.640 --> 0:37:01.399
<v Speaker 1>get that. You can't show me into posortable ways, any

0:37:01.560 --> 0:37:04.800
<v Speaker 1>redemption at all, you know. Even her decision to change

0:37:05.120 --> 0:37:11.759
<v Speaker 1>the course of journalistic history was like are you there?

0:37:11.920 --> 0:37:14.120
<v Speaker 1>Are you on the line? Are you on the line?

0:37:14.280 --> 0:37:17.959
<v Speaker 1>It's everybody on the line of the Russians on the line.

0:37:20.160 --> 0:37:22.520
<v Speaker 1>So many climactic scenes in this movie take place over

0:37:22.600 --> 0:37:26.320
<v Speaker 1>the phone. It's very frustrating. I'm like what's actually happening,

0:37:26.840 --> 0:37:28.919
<v Speaker 1>also to the point of like all the women talking

0:37:28.960 --> 0:37:32.000
<v Speaker 1>about like oh, gowns and whatnot. There's a scene at

0:37:32.040 --> 0:37:35.000
<v Speaker 1>the end after like after the climax, and they're like, wow,

0:37:35.120 --> 0:37:38.560
<v Speaker 1>we won. Journalism saves the day. And there's a group

0:37:38.640 --> 0:37:41.520
<v Speaker 1>of people gathered around a woman's desk in the newsroom

0:37:41.960 --> 0:37:45.360
<v Speaker 1>and she says something like no more articles about dresses

0:37:45.480 --> 0:37:47.680
<v Speaker 1>or shoes, and but it's just like a throw white

0:37:47.719 --> 0:37:52.440
<v Speaker 1>line that like you probably it's just like, oh, subtle,

0:37:52.520 --> 0:37:55.680
<v Speaker 1>great job. But there's also that scene where she goes

0:37:55.760 --> 0:37:59.120
<v Speaker 1>and challenges Robert McNamara and she's just like, how could

0:37:59.160 --> 0:38:02.120
<v Speaker 1>you do this? Like you knew all this stuff, you

0:38:02.239 --> 0:38:07.960
<v Speaker 1>kept it secret, and Bob, could you do my dirty

0:38:08.000 --> 0:38:12.360
<v Speaker 1>Bob so my son, my nephew, Bob. I think I

0:38:12.480 --> 0:38:14.879
<v Speaker 1>might take back what I said about like not really

0:38:14.960 --> 0:38:17.440
<v Speaker 1>seeing her arc because you do see those times where

0:38:17.480 --> 0:38:19.680
<v Speaker 1>she does go and like challenge people, and she seems

0:38:19.680 --> 0:38:22.760
<v Speaker 1>like she's getting more confident in her abilities and decision

0:38:22.800 --> 0:38:25.160
<v Speaker 1>making and whatnot. And I also think it's cool that

0:38:25.560 --> 0:38:28.680
<v Speaker 1>you do see kind of the stakes of the country

0:38:28.760 --> 0:38:31.880
<v Speaker 1>and different parts of the globe kind of resting on

0:38:32.080 --> 0:38:36.280
<v Speaker 1>her shoulders in terms of like do we leak this information?

0:38:36.480 --> 0:38:38.719
<v Speaker 1>Do we let the public know about this like very

0:38:38.760 --> 0:38:41.560
<v Speaker 1>important thing that was happening at the time. I like

0:38:41.680 --> 0:38:44.200
<v Speaker 1>that you get to see a woman in that position

0:38:44.480 --> 0:38:48.239
<v Speaker 1>where she's making such a crucial decision. Was it told

0:38:48.520 --> 0:38:52.560
<v Speaker 1>interestingly in this movie? I felt like this movie was

0:38:53.000 --> 0:38:56.600
<v Speaker 1>not interesting, which is crazy given the story it's telling.

0:38:56.880 --> 0:38:58.279
<v Speaker 1>But I also feel like it just like does a

0:38:58.400 --> 0:39:01.640
<v Speaker 1>huge injustice to the story and its characters. Like it

0:39:01.800 --> 0:39:04.680
<v Speaker 1>just if I knew nothing about depending on Papers or

0:39:04.680 --> 0:39:06.400
<v Speaker 1>any of that going into this movie, I'd be like, oh,

0:39:06.480 --> 0:39:09.719
<v Speaker 1>so this was kind of a drag kind of thing that,

0:39:10.280 --> 0:39:13.440
<v Speaker 1>which is crazy because there's there's so much and they

0:39:13.520 --> 0:39:16.239
<v Speaker 1>just do nothing like they're One of my main things

0:39:16.400 --> 0:39:19.360
<v Speaker 1>with this movie was like I feel like this exact

0:39:19.520 --> 0:39:22.160
<v Speaker 1>movie in every single way could have been made fifteen

0:39:22.239 --> 0:39:25.160
<v Speaker 1>years ago. Like it just feels like it could have

0:39:25.239 --> 0:39:28.320
<v Speaker 1>come out at any time, Like there's no especially because

0:39:28.360 --> 0:39:31.120
<v Speaker 1>they're like, oh, it's a timely movie. It's a timely story.

0:39:31.800 --> 0:39:33.920
<v Speaker 1>If you told me this movie came out in two

0:39:33.960 --> 0:39:36.719
<v Speaker 1>thousand and two, I would believe you because of how

0:39:36.760 --> 0:39:39.279
<v Speaker 1>he treats his characters and how it treats the source

0:39:39.320 --> 0:39:42.320
<v Speaker 1>material it could have come out fucking whenever well, and

0:39:42.440 --> 0:39:46.280
<v Speaker 1>also likes somebody who created a TV show that wanted

0:39:46.320 --> 0:39:49.319
<v Speaker 1>to ship all over the nepotism in the media, which

0:39:49.360 --> 0:39:51.480
<v Speaker 1>is how the Daily Show came to be. It's driving

0:39:51.560 --> 0:39:54.960
<v Speaker 1>force was observing the media and watching, you know, all

0:39:55.000 --> 0:39:58.880
<v Speaker 1>these shows the storylines for me. I literally when Catherine

0:39:58.920 --> 0:40:02.560
<v Speaker 1>Graham is challenged by Ben Bradley, the editor of the paper,

0:40:03.080 --> 0:40:07.239
<v Speaker 1>and he says, wait, Robert McNamara has literally written this

0:40:07.560 --> 0:40:11.920
<v Speaker 1>massive dossier that shows there's election near fraud. We've covered

0:40:11.960 --> 0:40:13.960
<v Speaker 1>up the war where we send people to die knowing

0:40:14.000 --> 0:40:16.080
<v Speaker 1>we were losing. And she goes, oh, do we have

0:40:16.200 --> 0:40:18.920
<v Speaker 1>He said, haven't kind of a bad time lately, you know,

0:40:19.360 --> 0:40:22.160
<v Speaker 1>And it's like so it's like that is the point.

0:40:22.400 --> 0:40:24.680
<v Speaker 1>You know, even the journalism that's supposed to be the

0:40:24.719 --> 0:40:27.640
<v Speaker 1>best journalism we have in this country is so full

0:40:27.800 --> 0:40:30.239
<v Speaker 1>of bullshit. And Tom Hanks started touches on it by

0:40:30.320 --> 0:40:32.360
<v Speaker 1>like everybody wants to go to the same parties with

0:40:32.440 --> 0:40:34.759
<v Speaker 1>this one and that one, and and those stories of

0:40:34.880 --> 0:40:37.800
<v Speaker 1>like of how those things intersect and how people finally

0:40:37.920 --> 0:40:41.040
<v Speaker 1>do the right thing, Like I think that's really important.

0:40:41.160 --> 0:40:44.080
<v Speaker 1>And so it was like a ship bath up until

0:40:44.160 --> 0:40:46.440
<v Speaker 1>she finally pulls the trigger. But like, how much do

0:40:46.480 --> 0:40:49.480
<v Speaker 1>you have to be convinced when there's thousands and thousands

0:40:49.560 --> 0:40:52.520
<v Speaker 1>and thousands of paper and thousands and thousands and thousands

0:40:52.600 --> 0:40:57.359
<v Speaker 1>of dead people and young people and and you're like, oh,

0:40:57.480 --> 0:41:00.400
<v Speaker 1>my friends, I don't know. It's got you know, restless

0:41:00.440 --> 0:41:02.439
<v Speaker 1>leg syndrome and it's just trying to make it work.

0:41:02.520 --> 0:41:07.080
<v Speaker 1>And life and him had a fight, Yeah, a hard time.

0:41:07.160 --> 0:41:10.360
<v Speaker 1>It's so yeah, I mean all of it was just

0:41:10.520 --> 0:41:13.560
<v Speaker 1>sad by and large Yeah, I feel like Kay's character

0:41:14.040 --> 0:41:17.480
<v Speaker 1>is under service and kind of largely just like unexamined

0:41:17.640 --> 0:41:20.279
<v Speaker 1>as a person. It just kind of all over. She

0:41:20.360 --> 0:41:22.839
<v Speaker 1>doesn't get that much screen I mean, this is an

0:41:22.960 --> 0:41:25.120
<v Speaker 1>ensemble cast. I don't really know if we're supposed to

0:41:25.200 --> 0:41:27.839
<v Speaker 1>identify any one character as the protagonist of the movie,

0:41:27.840 --> 0:41:31.680
<v Speaker 1>because it seems like it's her and Tom Hanks's character,

0:41:32.840 --> 0:41:36.080
<v Speaker 1>but she doesn't get that much screen time. Okay, if

0:41:36.160 --> 0:41:40.440
<v Speaker 1>they were doing a movie called the Begdell Cast and

0:41:40.600 --> 0:41:44.320
<v Speaker 1>you were hardly in it, right, that would be weird,

0:41:44.560 --> 0:41:47.360
<v Speaker 1>and they made one of us significantly dumber than we

0:41:47.480 --> 0:41:51.200
<v Speaker 1>were in real life, that would be Yeah. Like it's

0:41:51.280 --> 0:41:55.200
<v Speaker 1>like it's called a post, right, And I don't know.

0:41:55.520 --> 0:41:58.000
<v Speaker 1>I just kind of feel like, I mean, I know that,

0:41:58.160 --> 0:42:00.719
<v Speaker 1>like there's not like two und of people that work

0:42:00.719 --> 0:42:03.759
<v Speaker 1>out your podcast, so I know that's different. How dare

0:42:03.840 --> 0:42:08.799
<v Speaker 1>you that we feel your strength? She's so clearly amazing,

0:42:09.800 --> 0:42:12.000
<v Speaker 1>Um that you don't need to hundred people. That's right,

0:42:12.239 --> 0:42:14.120
<v Speaker 1>That's what I'm saying. That would be funny if there

0:42:14.160 --> 0:42:16.600
<v Speaker 1>was a betel Cast movie and I was in it

0:42:16.800 --> 0:42:20.239
<v Speaker 1>for three minutes and I was only drooling. I feel

0:42:20.280 --> 0:42:22.719
<v Speaker 1>like all you did was strength. I'm just like, um,

0:42:22.800 --> 0:42:25.600
<v Speaker 1>what are we doing? Where are we haming? And my

0:42:25.760 --> 0:42:37.400
<v Speaker 1>name was Bob but all but a stripe? Who else

0:42:37.400 --> 0:42:40.239
<v Speaker 1>do we have for female characters? We have Judith, who

0:42:40.480 --> 0:42:42.719
<v Speaker 1>is the She was the person who was maybe going

0:42:42.800 --> 0:42:44.640
<v Speaker 1>to report on the wedding because they were like, you're

0:42:44.640 --> 0:42:47.960
<v Speaker 1>not allowed, right. She said that Tricia Nixon looked like

0:42:48.000 --> 0:42:50.400
<v Speaker 1>it looks like trash. She said, she looked like a

0:42:50.520 --> 0:42:56.920
<v Speaker 1>vanilla scarpe coat. Sick for DELI get that money, vanilla,

0:42:56.960 --> 0:43:00.120
<v Speaker 1>I screen cop. Oh my god, you're fired. That's too

0:43:00.200 --> 0:43:02.640
<v Speaker 1>sick of burn she is, So she is in it.

0:43:03.480 --> 0:43:06.160
<v Speaker 1>There's another woman who appears to be a journalist or

0:43:06.200 --> 0:43:08.600
<v Speaker 1>reporter of some cod She's the one who at the

0:43:08.880 --> 0:43:11.040
<v Speaker 1>end was on the phone and kind of like dictating

0:43:11.120 --> 0:43:15.279
<v Speaker 1>what the journalist or Tom Hanks's secretary. Oh yeah, I was.

0:43:15.360 --> 0:43:18.160
<v Speaker 1>I'm clear about her role. Yeah, there was the daughter,

0:43:18.600 --> 0:43:20.839
<v Speaker 1>the daughter who did we have a name? I don't

0:43:20.840 --> 0:43:22.680
<v Speaker 1>know if we learned her name. I was struggling with that.

0:43:22.719 --> 0:43:24.200
<v Speaker 1>I was like, did I miss it? Did I miss it?

0:43:24.480 --> 0:43:26.520
<v Speaker 1>Because those were the scenes that I thought like, well

0:43:26.800 --> 0:43:30.040
<v Speaker 1>this and it sucks because there's two extended scenes with

0:43:30.200 --> 0:43:33.560
<v Speaker 1>k Graham and her daughter, and there are some exchanges

0:43:33.640 --> 0:43:35.879
<v Speaker 1>that you're like, this could maybe pass the Backeal test.

0:43:35.920 --> 0:43:38.000
<v Speaker 1>But I'm not sure what her name is. I don't think.

0:43:38.200 --> 0:43:39.960
<v Speaker 1>I mean, from what I could tell, you don't learn

0:43:40.000 --> 0:43:44.600
<v Speaker 1>what we know her Her maiden name is probably miss Graham,

0:43:45.440 --> 0:43:49.839
<v Speaker 1>but we don't. I'm like, I don't think we learned

0:43:49.880 --> 0:43:52.439
<v Speaker 1>her name. And the little daughter's name, did we learned

0:43:52.480 --> 0:43:54.720
<v Speaker 1>her name? I don't think. I don't think so. Also,

0:43:55.320 --> 0:43:57.480
<v Speaker 1>it would be hilarious if this movie passed the back

0:43:57.480 --> 0:44:01.440
<v Speaker 1>to test strictly on that lemonade standing direction. I think

0:44:01.520 --> 0:44:08.799
<v Speaker 1>it might name vodka, Yeah, vodka. And Catherine also has

0:44:09.200 --> 0:44:12.239
<v Speaker 1>an assistant or secretary. She's walking up the steps and

0:44:12.280 --> 0:44:14.880
<v Speaker 1>that's I don't know if we know her name either. No,

0:44:15.160 --> 0:44:17.160
<v Speaker 1>she was like you have to be at this place

0:44:17.200 --> 0:44:21.320
<v Speaker 1>at five, Yeah, thank you. Yeah, there was that scene.

0:44:21.400 --> 0:44:23.320
<v Speaker 1>And then there was the scene with the daughter but

0:44:23.480 --> 0:44:27.000
<v Speaker 1>we don't know, And then was there an exchange between

0:44:27.120 --> 0:44:30.759
<v Speaker 1>to say who wants sandwiches? And there was one woman

0:44:30.840 --> 0:44:33.160
<v Speaker 1>in that room? Was that Judith or not Judith? I

0:44:33.360 --> 0:44:35.680
<v Speaker 1>think it was not? Oh yeah it was Judith? Was

0:44:35.760 --> 0:44:40.200
<v Speaker 1>it Judith? There is this movie so I couldn't tell

0:44:40.239 --> 0:44:42.560
<v Speaker 1>you the name of literally anyone if I didn't pay

0:44:43.640 --> 0:44:49.640
<v Speaker 1>and teen or Tin and Twinette twin Tin. Yeah. Actually

0:44:49.719 --> 0:44:53.839
<v Speaker 1>Tom Hanks being lady not easy. Oh that was Oh

0:44:53.960 --> 0:44:58.719
<v Speaker 1>my day was fine, Thanks for asking um. Feminist icon

0:44:59.360 --> 0:45:01.840
<v Speaker 1>look out. There's a scene where a woman and I

0:45:01.920 --> 0:45:05.839
<v Speaker 1>don't know who it is, says to Okay, I got

0:45:05.920 --> 0:45:09.160
<v Speaker 1>a cake? Is that okay? And Kay says as long

0:45:09.239 --> 0:45:12.240
<v Speaker 1>as no one counts the candles because it's her birthday.

0:45:12.600 --> 0:45:15.880
<v Speaker 1>What's her name? I don't know his name. Am walking

0:45:15.960 --> 0:45:18.520
<v Speaker 1>towards the door to answer it when Ben Bradley is

0:45:18.600 --> 0:45:21.000
<v Speaker 1>there to say, I'm at your part day. Oh my god,

0:45:21.080 --> 0:45:24.080
<v Speaker 1>tell you something, Ben, Bradley comes to her house at

0:45:24.120 --> 0:45:26.920
<v Speaker 1>the beginning of scene to this movie, He's like me again,

0:45:27.360 --> 0:45:29.680
<v Speaker 1>and to the point where the movie even starts calling

0:45:29.719 --> 0:45:31.640
<v Speaker 1>it out of like wow, Ben, you keep showing up

0:45:31.680 --> 0:45:33.640
<v Speaker 1>at my house. It's like yeah, almost like there's a

0:45:33.719 --> 0:45:37.000
<v Speaker 1>more interesting way to do this scene, Like I know

0:45:37.239 --> 0:45:39.520
<v Speaker 1>it's And I also just feel like we have to

0:45:39.560 --> 0:45:42.160
<v Speaker 1>ask some old people if you just went over to

0:45:42.239 --> 0:45:46.480
<v Speaker 1>people's houses on announcement, before the times of phones and things.

0:45:46.840 --> 0:45:49.399
<v Speaker 1>Did people just show up that your house all the time?

0:45:49.800 --> 0:45:51.800
<v Speaker 1>I remember when I was a kid, like my dad's

0:45:51.840 --> 0:45:55.600
<v Speaker 1>friends would just maybe people just came over to your boss.

0:45:55.719 --> 0:45:58.520
<v Speaker 1>I feel like I'm kind of glad that that trend

0:45:58.600 --> 0:46:01.399
<v Speaker 1>has died out when whenever someone is like, hey, I'm

0:46:01.560 --> 0:46:03.120
<v Speaker 1>just popping in, I was like that you have to

0:46:03.239 --> 0:46:05.799
<v Speaker 1>leave my home. I'm not I'm not home, no matter

0:46:05.920 --> 0:46:09.000
<v Speaker 1>of how many clear indicators that I'm home. Yeah, my

0:46:09.360 --> 0:46:11.919
<v Speaker 1>grandfather would do that or a little and it would

0:46:12.000 --> 0:46:13.719
<v Speaker 1>drive maybe than it is like an old person thing,

0:46:13.719 --> 0:46:16.279
<v Speaker 1>because we're drive My mom fucking crazy. She was just like,

0:46:16.360 --> 0:46:19.799
<v Speaker 1>why is he what? He's got a phone, Like, there's

0:46:19.880 --> 0:46:23.600
<v Speaker 1>no need to just show up places. Yeah. Yeah, feminist

0:46:23.640 --> 0:46:27.200
<v Speaker 1>like your grandfather. No, he's actually pretty bad person. So

0:46:27.239 --> 0:46:30.040
<v Speaker 1>we're all my grandparents. Okay. So as far as the

0:46:30.080 --> 0:46:34.120
<v Speaker 1>movie passing the Bechtel test, I don't couldn't identify any

0:46:34.200 --> 0:46:36.680
<v Speaker 1>scene where there were quite a few scenes where women

0:46:36.760 --> 0:46:40.520
<v Speaker 1>were interacting, but they were either talking about men or

0:46:40.640 --> 0:46:44.040
<v Speaker 1>we did not know. It's usually Katherine Graham talking to

0:46:44.120 --> 0:46:46.200
<v Speaker 1>someone else, but I don't think we know the other

0:46:46.320 --> 0:46:50.480
<v Speaker 1>character's name in almost all of those scenes. With I

0:46:50.600 --> 0:46:52.520
<v Speaker 1>don't think I was the same way because I was

0:46:52.600 --> 0:46:55.160
<v Speaker 1>like super because I did the same thing. I watched

0:46:55.200 --> 0:46:57.280
<v Speaker 1>it three weeks ago, and then I watched it again

0:46:58.000 --> 0:47:00.759
<v Speaker 1>for the podcast, and I was really look get through

0:47:00.800 --> 0:47:02.800
<v Speaker 1>the lens right, and I have notes of like this

0:47:02.880 --> 0:47:05.040
<v Speaker 1>happened at this And I took a note of every scene,

0:47:05.640 --> 0:47:07.319
<v Speaker 1>and I was like, do I know that person's name?

0:47:08.040 --> 0:47:09.400
<v Speaker 1>Like do I have to go back and rewind it

0:47:09.440 --> 0:47:10.960
<v Speaker 1>four times to see if maybe? And I was like,

0:47:11.280 --> 0:47:13.680
<v Speaker 1>I don't know any of these people's names, right, and

0:47:13.840 --> 0:47:16.040
<v Speaker 1>this is and and something else that I noticed that

0:47:16.120 --> 0:47:18.480
<v Speaker 1>really bugged me, especially in the second viewing, was how

0:47:18.560 --> 0:47:21.359
<v Speaker 1>many times there are several women in the same room

0:47:21.520 --> 0:47:25.279
<v Speaker 1>and their characters don't interact in any way and that

0:47:25.520 --> 0:47:27.640
<v Speaker 1>to me, it says like, I don't think that was

0:47:27.719 --> 0:47:30.279
<v Speaker 1>done intentionally. But to me, that's even worse of just like, oh,

0:47:30.360 --> 0:47:33.080
<v Speaker 1>this filmmaker, it wouldn't even occur to them to have

0:47:33.400 --> 0:47:37.279
<v Speaker 1>female characters interact like it. Just there's so many scenes

0:47:37.320 --> 0:47:40.399
<v Speaker 1>where Meryl and her secretary are in the same room

0:47:40.640 --> 0:47:42.880
<v Speaker 1>the whole time. They do not speak well and they

0:47:42.920 --> 0:47:45.120
<v Speaker 1>didn't speak to them, but that's it. Well, And there's

0:47:45.160 --> 0:47:47.920
<v Speaker 1>that same when she walks in to talk to all

0:47:47.960 --> 0:47:51.879
<v Speaker 1>the stockholders and she walks up these steps and all

0:47:51.960 --> 0:47:54.000
<v Speaker 1>of these women are standing out there and they open

0:47:54.040 --> 0:47:57.319
<v Speaker 1>the door, and I was like, are they the secretaries

0:47:57.360 --> 0:47:59.640
<v Speaker 1>of all the men in there? Like? Who are all

0:47:59.719 --> 0:48:02.719
<v Speaker 1>those women on the stairs? But yeah, and they all

0:48:02.800 --> 0:48:06.000
<v Speaker 1>have these weird forty yards stairs and what are they?

0:48:06.120 --> 0:48:08.239
<v Speaker 1>Why were they all standing there? For? They were like

0:48:08.400 --> 0:48:12.160
<v Speaker 1>smiling at her to a good job. They're also ladies,

0:48:12.360 --> 0:48:15.239
<v Speaker 1>there's right, it's just like a very vague over like

0:48:15.760 --> 0:48:18.200
<v Speaker 1>women other women, But it's like, why would you know

0:48:18.280 --> 0:48:21.720
<v Speaker 1>who she is? There's that scene I forget why exactly

0:48:21.840 --> 0:48:24.040
<v Speaker 1>she's in court at this point, but there's that scene

0:48:24.080 --> 0:48:27.520
<v Speaker 1>where she's speaking to a young woman and young woman's

0:48:27.560 --> 0:48:30.480
<v Speaker 1>like I hope you in and then she sees that

0:48:30.680 --> 0:48:33.520
<v Speaker 1>woman's boss mistreat her and be like you're late even

0:48:33.600 --> 0:48:36.919
<v Speaker 1>though traffic or something. And that was another weird scene

0:48:36.920 --> 0:48:40.040
<v Speaker 1>that I'm like, I think that Steven Spielberg thought he

0:48:40.239 --> 0:48:43.480
<v Speaker 1>was being a feminist just then, but it was ultimately

0:48:43.560 --> 0:48:45.799
<v Speaker 1>just a weird scene that and it never comes back.

0:48:46.440 --> 0:48:49.239
<v Speaker 1>Oh yeah, she worked for She was like work for

0:48:49.320 --> 0:48:52.000
<v Speaker 1>the one of the judges. Yeah, yeah, yeah, it was.

0:48:52.200 --> 0:48:55.640
<v Speaker 1>I was like, okay, Like that was the one who's like,

0:48:55.719 --> 0:48:58.560
<v Speaker 1>She's like, my brother is still over there, and I

0:48:58.680 --> 0:49:01.360
<v Speaker 1>hope you win, but don't tell my boss I said that,

0:49:01.520 --> 0:49:05.879
<v Speaker 1>or even that I talked to you. I can't. Well,

0:49:07.680 --> 0:49:10.480
<v Speaker 1>I'm really glad that I because I came in here

0:49:10.800 --> 0:49:14.359
<v Speaker 1>fucking hating this movie and I, oh my god, these

0:49:14.480 --> 0:49:16.840
<v Speaker 1>women are like, I'm so happy. You guys were just like,

0:49:17.000 --> 0:49:20.400
<v Speaker 1>oh my god. I was worried that you picked it

0:49:20.520 --> 0:49:23.239
<v Speaker 1>because you liked it. No. I was like, man, this

0:49:23.400 --> 0:49:24.960
<v Speaker 1>is the smartest person in the world. How could she

0:49:25.040 --> 0:49:28.000
<v Speaker 1>like this movie? Oh no, I will never let you

0:49:28.120 --> 0:49:34.320
<v Speaker 1>down by telling you this. Right now, I tell you

0:49:35.520 --> 0:49:41.239
<v Speaker 1>I haven't say Titanic. No, that's that you know you're

0:49:41.239 --> 0:49:44.160
<v Speaker 1>going to have an amazing night. I'm gonna watch it

0:49:44.360 --> 0:49:45.920
<v Speaker 1>and then I'm just gonna call you about the like

0:49:46.000 --> 0:49:48.680
<v Speaker 1>I watched it. It's it's like, I'm really happy. It

0:49:48.760 --> 0:49:50.680
<v Speaker 1>does so much better than you would ever in your

0:49:50.760 --> 0:49:53.319
<v Speaker 1>life think it would do in terms of the way

0:49:53.320 --> 0:49:58.040
<v Speaker 1>it treats female characters. However, it's not necessarily a great movie.

0:49:58.400 --> 0:50:03.319
<v Speaker 1>Hover counterpoint, it is the greatest movie of all time,

0:50:03.760 --> 0:50:06.000
<v Speaker 1>I know, and I haven't seen it. I think it's

0:50:06.040 --> 0:50:08.600
<v Speaker 1>one of those movies where do you ever meet those

0:50:08.600 --> 0:50:11.920
<v Speaker 1>people who like, they didn't have sex in high school,

0:50:12.360 --> 0:50:14.120
<v Speaker 1>and then they didn't have it in college, and then

0:50:14.120 --> 0:50:17.200
<v Speaker 1>their virgins and by accident they're like, now I just

0:50:17.360 --> 0:50:19.359
<v Speaker 1>am keeping it as a point of pride, and maybe

0:50:19.360 --> 0:50:22.279
<v Speaker 1>I'm just And I feel like that way about Titanic,

0:50:22.360 --> 0:50:24.160
<v Speaker 1>where it's like I just didn't see it, and then

0:50:24.200 --> 0:50:26.200
<v Speaker 1>I was gonna and then I haven't, and like do

0:50:26.280 --> 0:50:28.000
<v Speaker 1>I not see it? But I feel like I should

0:50:28.040 --> 0:50:35.480
<v Speaker 1>just funk. Titanic just hasnicually just the Titanic suck the Titanic. Yeah,

0:50:35.920 --> 0:50:38.160
<v Speaker 1>I'm the same way with The Godfather. I've never seen it,

0:50:38.280 --> 0:50:40.759
<v Speaker 1>and then I think it's like extremely cute when I

0:50:40.840 --> 0:50:42.279
<v Speaker 1>tell people I haven't seen it and then they go

0:50:42.760 --> 0:50:46.200
<v Speaker 1>and unhinge their jobs, and like, that's right, it's not

0:50:46.360 --> 0:50:49.080
<v Speaker 1>on purpose, but yeah, it becomes on purpose after a while.

0:50:49.719 --> 0:50:51.400
<v Speaker 1>Let's see how far into my life I can make

0:50:51.440 --> 0:50:53.960
<v Speaker 1>it without seeing The Godfather. Yeah, it's good, you should

0:50:53.960 --> 0:50:56.839
<v Speaker 1>say it. That's kind of an amazing movie. I've heard

0:50:56.880 --> 0:51:02.080
<v Speaker 1>good things, largely considered to be a better movie than

0:51:02.120 --> 0:51:05.160
<v Speaker 1>the first time. Similar with Paddington Too, and how it

0:51:05.520 --> 0:51:08.960
<v Speaker 1>is the other best movie ever made, along with alright,

0:51:09.400 --> 0:51:15.320
<v Speaker 1>Paddington Too. Love it anyway, everyone's upset with me. I'm like,

0:51:15.440 --> 0:51:18.560
<v Speaker 1>I haven't seen even a Paddington one. I think I'm

0:51:18.600 --> 0:51:22.200
<v Speaker 1>a bear. It's a bear with a raincoat. He's got

0:51:22.239 --> 0:51:25.799
<v Speaker 1>a defle coat and a red hat. Yeah. I had

0:51:25.840 --> 0:51:29.520
<v Speaker 1>to kill two hours yesterday and so I saw about

0:51:29.600 --> 0:51:32.480
<v Speaker 1>seventy of Jumanji. Oh, I wouldn't talk to you about that.

0:51:33.560 --> 0:51:36.279
<v Speaker 1>I stayed until Nick Jonas showed up. I'm like, well,

0:51:37.280 --> 0:51:39.080
<v Speaker 1>guess I'm out. I guess I'm fun. I guess I'm good,

0:51:39.280 --> 0:51:40.880
<v Speaker 1>and I'm gonna just go do what I have to do.

0:51:41.520 --> 0:51:45.440
<v Speaker 1>But you know not, Jamie, No, it's no. It's like

0:51:45.520 --> 0:51:48.200
<v Speaker 1>a board and board game. Right. I hadn't seen the first,

0:51:48.719 --> 0:51:53.440
<v Speaker 1>I'm very familiar with Jumanji whatever. I don't know what Jumanji.

0:51:53.600 --> 0:51:56.439
<v Speaker 1>I know something I don't know the new Jumanji. There's

0:51:56.440 --> 0:51:59.120
<v Speaker 1>a lot of colors. It's kind of like a sensory

0:51:59.200 --> 0:52:03.040
<v Speaker 1>overload car tune. No, no, it's a It's Jack Black,

0:52:03.160 --> 0:52:08.080
<v Speaker 1>Kevin Hart, The Rock, The Rock, Nick Jonas Jonas a

0:52:08.160 --> 0:52:12.000
<v Speaker 1>woman from doctor who whose name escapes me. I feel

0:52:12.040 --> 0:52:15.399
<v Speaker 1>like you deserve better. I thank you so much. Your

0:52:15.560 --> 0:52:18.239
<v Speaker 1>time deserves better. I just didn't have enough time to

0:52:18.280 --> 0:52:19.560
<v Speaker 1>go home. So I'm like, I guess I'm going to

0:52:19.640 --> 0:52:23.200
<v Speaker 1>just see part of Jumanji. Did you pay money? I had?

0:52:23.480 --> 0:52:26.840
<v Speaker 1>Used movie Pass? Is that free? So? Yeah? Yeah, So

0:52:26.920 --> 0:52:28.880
<v Speaker 1>it's like you can see one movie a day for

0:52:29.080 --> 0:52:31.960
<v Speaker 1>like ten dollars a month. So it's not free. It's

0:52:32.000 --> 0:52:35.680
<v Speaker 1>not free, but if you go to the movies, movie

0:52:35.719 --> 0:52:37.799
<v Speaker 1>pass is much like freedom. And you know what else

0:52:37.960 --> 0:52:41.840
<v Speaker 1>and that is not granted to everyone. You have to

0:52:42.080 --> 0:52:45.480
<v Speaker 1>ask for him. No one else isn't free? Is the

0:52:45.600 --> 0:52:47.680
<v Speaker 1>press for a little bit in this movie that we're

0:52:47.760 --> 0:52:52.400
<v Speaker 1>talking about, Thankfully they I love trying it back to

0:52:52.840 --> 0:52:57.040
<v Speaker 1>killing the relevant topics. The master you are, so you

0:52:57.120 --> 0:52:59.799
<v Speaker 1>are the seguess, shall we rate the movie on our

0:53:00.000 --> 0:53:03.759
<v Speaker 1>Apple scales, so as we have a scale of zero

0:53:03.840 --> 0:53:06.919
<v Speaker 1>to five nipples by which we rate the movie based

0:53:06.960 --> 0:53:10.759
<v Speaker 1>on its portrayal of women. I'm gonna have to say

0:53:10.840 --> 0:53:13.960
<v Speaker 1>it's not like this isn't the worst one we've ever done,

0:53:14.480 --> 0:53:16.400
<v Speaker 1>but certainly not the best. I'm gonna I'm gonna give

0:53:16.400 --> 0:53:19.839
<v Speaker 1>it like maybe a two and a half nipples. We've

0:53:19.880 --> 0:53:23.920
<v Speaker 1>talked about how disserviced Katherine Graham was in the movie.

0:53:24.920 --> 0:53:27.040
<v Speaker 1>I feel like we're not really ever on board with her,

0:53:27.200 --> 0:53:28.960
<v Speaker 1>and that might be because she doesn't get a lot

0:53:29.000 --> 0:53:31.480
<v Speaker 1>of screen time or opportunity for us to get to

0:53:31.560 --> 0:53:33.960
<v Speaker 1>know her. Um. I feel like the story could have

0:53:34.040 --> 0:53:36.360
<v Speaker 1>just come from a different angle and told her version

0:53:36.400 --> 0:53:39.960
<v Speaker 1>of it much better. Of the other female characters there are,

0:53:40.080 --> 0:53:41.839
<v Speaker 1>we never even get to learn their names. We don't

0:53:41.840 --> 0:53:45.000
<v Speaker 1>even know what their situation is. We see eighty billion

0:53:45.080 --> 0:53:48.520
<v Speaker 1>men on screen at all times, and that's frustrating. I

0:53:48.560 --> 0:53:50.040
<v Speaker 1>don't know it could have done better. I don't know

0:53:50.040 --> 0:53:53.680
<v Speaker 1>what I'm trying to say. Who are you? The most

0:53:53.719 --> 0:53:56.759
<v Speaker 1>important question? But yeah, I'm going to give two of

0:53:56.880 --> 0:54:02.440
<v Speaker 1>them to the Lemonade, and the half nipple will go

0:54:02.560 --> 0:54:06.120
<v Speaker 1>to k Graham. I'm gonna give it to and and

0:54:06.640 --> 0:54:09.160
<v Speaker 1>I would like to see what this movie would look

0:54:09.200 --> 0:54:12.040
<v Speaker 1>like in the hands of a female director, because I

0:54:12.120 --> 0:54:14.319
<v Speaker 1>feel like a lot of missteps would not have been

0:54:14.480 --> 0:54:16.880
<v Speaker 1>But I mean, and I know that we're commenting on

0:54:16.920 --> 0:54:18.520
<v Speaker 1>how women are treated by the movie and not the

0:54:18.600 --> 0:54:22.479
<v Speaker 1>movie itself, but this movie is just so lazily done

0:54:22.640 --> 0:54:24.600
<v Speaker 1>in every single way, and I feel like just the

0:54:24.640 --> 0:54:27.040
<v Speaker 1>way it treats its female characters is one of the

0:54:27.200 --> 0:54:30.719
<v Speaker 1>very lazy components. John Williams composed the music for his

0:54:30.880 --> 0:54:33.000
<v Speaker 1>and it's the worst. Like, it's just no one is

0:54:33.040 --> 0:54:35.600
<v Speaker 1>doing a good job. I think that they give us

0:54:35.640 --> 0:54:39.200
<v Speaker 1>a female protagonist and they're given the source material for

0:54:39.400 --> 0:54:42.640
<v Speaker 1>a very interesting, nuanced character, and we just don't get it.

0:54:43.320 --> 0:54:47.840
<v Speaker 1>Women be servant sandwiches, women be providing exposition, women be

0:54:47.920 --> 0:54:50.800
<v Speaker 1>talking about shoes. It's just like it's just also fucking

0:54:50.920 --> 0:54:55.160
<v Speaker 1>lazy and is a bummer on many levels because there

0:54:55.440 --> 0:54:58.440
<v Speaker 1>is a good movie to be had about the subject

0:54:58.520 --> 0:55:00.800
<v Speaker 1>matter and this was not it. It's like there is

0:55:00.960 --> 0:55:03.480
<v Speaker 1>a movie called The Pentagon Papers, which have you seen it?

0:55:03.680 --> 0:55:07.120
<v Speaker 1>Is there? I haven't seen it years ago? Okay, I

0:55:07.160 --> 0:55:09.080
<v Speaker 1>should have done more research on it. Sorry, everyone. If

0:55:09.120 --> 0:55:12.080
<v Speaker 1>you know about the movie The Pentagon Papers, please twe

0:55:12.600 --> 0:55:16.280
<v Speaker 1>someone's favorite movie. It was the movie was co written

0:55:16.320 --> 0:55:20.960
<v Speaker 1>by a woman, Liz Hannah and Josh Singer, so you

0:55:21.040 --> 0:55:22.800
<v Speaker 1>feel like it would have been a better movie. But

0:55:23.160 --> 0:55:26.080
<v Speaker 1>just kidding, not this time, not this time. But yeah,

0:55:26.120 --> 0:55:28.120
<v Speaker 1>I give it two nipples. I'm going to give one

0:55:28.120 --> 0:55:31.960
<v Speaker 1>of the nipples to Zach Woods because yeah, I like

0:55:32.120 --> 0:55:34.000
<v Speaker 1>him a lot, but he didn't blind this movie. And

0:55:34.040 --> 0:55:36.880
<v Speaker 1>I'm gonna give the other uh nipple to Sarah Paulson

0:55:36.960 --> 0:55:40.279
<v Speaker 1>because she also deserved way better. Yeah, I mean, I

0:55:40.360 --> 0:55:45.440
<v Speaker 1>guess I would give it to grudgingly um, because really,

0:55:45.880 --> 0:55:48.000
<v Speaker 1>what did you want me to walk out of this

0:55:48.160 --> 0:55:51.760
<v Speaker 1>movie knowing and feeling like I don't know the answers

0:55:51.760 --> 0:55:55.000
<v Speaker 1>to those two questions. There's a biography about Katherine Graham

0:55:55.120 --> 0:55:58.280
<v Speaker 1>that I would say we should all probably read because

0:55:58.920 --> 0:56:03.160
<v Speaker 1>if Catherine am was a fraction of how she was

0:56:03.239 --> 0:56:07.240
<v Speaker 1>portrayed in this movie and Bren Bradley saved that paper,

0:56:07.800 --> 0:56:10.279
<v Speaker 1>then that's the movie. And why are you making that

0:56:10.360 --> 0:56:12.320
<v Speaker 1>movie trying to act like she did something if he

0:56:12.440 --> 0:56:15.000
<v Speaker 1>pushed her into everything, you know, I just feel like

0:56:15.160 --> 0:56:19.800
<v Speaker 1>everything about this movie was sexist. If she was not awesome,

0:56:20.200 --> 0:56:24.680
<v Speaker 1>then why did you make the movie? It's like, and

0:56:24.880 --> 0:56:26.959
<v Speaker 1>if you wanted to make a movie that was about

0:56:27.040 --> 0:56:29.280
<v Speaker 1>Ben Bradley and how awesome he was, and that Katherine

0:56:29.320 --> 0:56:32.440
<v Speaker 1>Graham said, I inherited this newspaper. I didn't want to

0:56:32.480 --> 0:56:35.080
<v Speaker 1>be in the newspaper business. But you're really smart, and

0:56:35.160 --> 0:56:37.160
<v Speaker 1>I'm willing to put my family business on the line

0:56:37.200 --> 0:56:40.640
<v Speaker 1>because you are willing to like fight for democracy. That's

0:56:40.640 --> 0:56:43.479
<v Speaker 1>a movie. But like, I don't know what this movie

0:56:43.680 --> 0:56:47.879
<v Speaker 1>was other than I felt insulted by Katherine Graham's ineptitude.

0:56:48.200 --> 0:56:50.160
<v Speaker 1>I felt insulted by the fact that I thought I

0:56:50.239 --> 0:56:51.759
<v Speaker 1>was going into a movie that was going to tell

0:56:51.800 --> 0:56:54.480
<v Speaker 1>me a little bit about her journey in this historical

0:56:54.560 --> 0:56:57.439
<v Speaker 1>context and didn't. And I just feel like every woman

0:56:57.520 --> 0:56:59.840
<v Speaker 1>in it, I don't know who they were. It was

0:57:00.920 --> 0:57:03.600
<v Speaker 1>sometimes you literally cannot tell them apart and you don't

0:57:03.680 --> 0:57:07.200
<v Speaker 1>know their names. So I'm gonna give my two nipples.

0:57:07.239 --> 0:57:11.560
<v Speaker 1>I'm gonna give, I guess one to Judy for wanting

0:57:11.600 --> 0:57:14.840
<v Speaker 1>to have some Mike's hard lemonade. Hell yeah, what it matters.

0:57:15.960 --> 0:57:19.600
<v Speaker 1>And the other nipple I'm gonna give too. I don't

0:57:19.640 --> 0:57:22.800
<v Speaker 1>even know who deserves it. I guess I guess Sarah

0:57:22.840 --> 0:57:27.280
<v Speaker 1>Paulson for having to suffer through that bad photoshop picture. Yeah,

0:57:27.480 --> 0:57:29.040
<v Speaker 1>we all had to. We were right there with her.

0:57:29.360 --> 0:57:32.280
<v Speaker 1>I feel like I feel like Steven Spielberg or you

0:57:32.360 --> 0:57:35.400
<v Speaker 1>know who, whomever tied to him. We're like, we want

0:57:35.440 --> 0:57:37.720
<v Speaker 1>to make a journalism movie. Give me five ideas for

0:57:37.760 --> 0:57:41.520
<v Speaker 1>a journalism movie. And he arbitrarily was like, oh, women

0:57:41.560 --> 0:57:45.080
<v Speaker 1>are hot right now, like the woman journalism movie. And

0:57:45.120 --> 0:57:46.960
<v Speaker 1>it's just like every it's just so thrown together and

0:57:47.040 --> 0:57:49.240
<v Speaker 1>wishy washing, and the movie doesn't know what it thinks

0:57:49.280 --> 0:57:52.720
<v Speaker 1>about itself. And then it ends on that horrendous like

0:57:53.520 --> 0:57:58.000
<v Speaker 1>like a bad SNL sketch of Richard Nixon imprisonator. But like,

0:57:58.240 --> 0:58:00.440
<v Speaker 1>here's the thing that, like, after knowing they made this

0:58:00.600 --> 0:58:02.840
<v Speaker 1>movie because of the parallels of the times, like they

0:58:03.040 --> 0:58:06.920
<v Speaker 1>chose the subject matter but also of the times, is

0:58:07.000 --> 0:58:10.880
<v Speaker 1>now you know, it's like, then, do a movie about

0:58:11.240 --> 0:58:15.280
<v Speaker 1>women in journalism who we don't know about because they

0:58:15.320 --> 0:58:19.800
<v Speaker 1>got sucked over by creepy bosses. Who are the women

0:58:19.880 --> 0:58:24.880
<v Speaker 1>we don't know? Like, where's the journalism version of Hidden Figures?

0:58:25.160 --> 0:58:28.360
<v Speaker 1>Make that movie? Yeah, that's what we need. We need,

0:58:28.760 --> 0:58:32.080
<v Speaker 1>we need the hidden figures version of every everything in

0:58:32.160 --> 0:58:36.320
<v Speaker 1>the world. It's hidden figures of and call me later.

0:58:36.520 --> 0:58:41.320
<v Speaker 1>It's the new hidden figures, extended universe, forgotten women through history.

0:58:42.080 --> 0:58:44.919
<v Speaker 1>I mean, it's just unbelievable. There's like, way too many

0:58:45.040 --> 0:58:48.120
<v Speaker 1>cool people who did really cool ship like that. I

0:58:48.240 --> 0:58:51.920
<v Speaker 1>can't even and we don't know about them because history

0:58:52.000 --> 0:58:55.760
<v Speaker 1>has buried them. The Post has gotta go. Yeah, it's

0:58:55.800 --> 0:58:58.440
<v Speaker 1>gotta go. Don't like it, and it's going to be.

0:58:58.600 --> 0:59:01.439
<v Speaker 1>It's nominated for everything, to the point where I don't

0:59:01.480 --> 0:59:04.120
<v Speaker 1>think that anyone who like nominated the Post for an

0:59:04.160 --> 0:59:06.360
<v Speaker 1>award has actually seen it. No, I don't know, because

0:59:06.400 --> 0:59:09.920
<v Speaker 1>it's not winning no way, didn't win anything. No good. No,

0:59:10.080 --> 0:59:13.120
<v Speaker 1>it's also you have to nominate Meryl Streep or uh,

0:59:13.440 --> 0:59:18.480
<v Speaker 1>Ninja comes after you, Caryl Streets, Ninja, Army Street. I'm sorry,

0:59:18.480 --> 0:59:22.640
<v Speaker 1>You're right, Meryl Street. Well, Liz, thank you so much

0:59:22.680 --> 0:59:26.760
<v Speaker 1>for being This is so much fun. I'm saying I

0:59:26.880 --> 0:59:29.760
<v Speaker 1>loved it. I come back. Are you Do you have

0:59:29.840 --> 0:59:32.480
<v Speaker 1>those one guest rules like the people who like, No,

0:59:32.680 --> 0:59:39.680
<v Speaker 1>you can't five years dad whenever you want? Okay? Policy?

0:59:39.840 --> 0:59:41.760
<v Speaker 1>Where can people find you online? Is there anything you'd

0:59:41.800 --> 0:59:44.360
<v Speaker 1>like to plug? Oh? My gosh. Yes, you can find

0:59:44.440 --> 0:59:47.560
<v Speaker 1>me online at Liz Winstead on all platforms. I spelled

0:59:47.600 --> 0:59:50.960
<v Speaker 1>my name with two z's because I'm an ass whole um.

0:59:51.080 --> 0:59:52.760
<v Speaker 1>And then maybe what you want to do, because this

0:59:52.880 --> 0:59:55.959
<v Speaker 1>is going to be super fun. On February first, Lady

0:59:56.000 --> 0:59:59.640
<v Speaker 1>Parts Justice, which is my reproductive rights crazy comedy organization,

0:59:59.760 --> 1:00:02.840
<v Speaker 1>is to a big livestream telephone at Lady Park Justice

1:00:02.920 --> 1:00:05.280
<v Speaker 1>dot com. It's Rachel Bloom, Sarah Summer and I are

1:00:05.320 --> 1:00:09.600
<v Speaker 1>hosting it and it's a whole fun evening two hour

1:00:10.000 --> 1:00:13.600
<v Speaker 1>broadcasts of comedy and learning about what's happening to reproductive

1:00:13.640 --> 1:00:15.400
<v Speaker 1>rights and abortion access and how you can join in

1:00:15.480 --> 1:00:17.800
<v Speaker 1>and have fun. You can pledge. Mark Hamill is going

1:00:17.840 --> 1:00:20.120
<v Speaker 1>to be sitting for two hours making crafts that are

1:00:20.120 --> 1:00:24.080
<v Speaker 1>going to be auction. It's gonna be Does Mark Hamill

1:00:24.200 --> 1:00:27.440
<v Speaker 1>make craps? Yes, he doodles and he does crafts and

1:00:27.480 --> 1:00:29.280
<v Speaker 1>he's a bunch of stuff like you have me at

1:00:29.320 --> 1:00:33.000
<v Speaker 1>Mark Hamill jass. Go to Lady Parts Justice dot com

1:00:33.120 --> 1:00:37.480
<v Speaker 1>for all the info. It's gonna be a ballas there

1:00:37.520 --> 1:00:39.320
<v Speaker 1>may or may not be a Piniona that is the

1:00:39.360 --> 1:00:44.040
<v Speaker 1>patriarchy with garbage inside. Oh my god, gat my blood

1:00:44.080 --> 1:00:46.880
<v Speaker 1>pressure is rising. Yeah, well hey on that. You can

1:00:47.240 --> 1:00:51.160
<v Speaker 1>follow with the Bechtel Cast on Twitter, Instagram, Facebook, You

1:00:51.160 --> 1:00:53.800
<v Speaker 1>can go to our website backtel cast dot com, tweet

1:00:53.840 --> 1:00:56.840
<v Speaker 1>on US, rate and reviews on iTunes, Pledge to our page.

1:00:58.360 --> 1:01:02.920
<v Speaker 1>Yeah yeah, coming up on the Patreon in February, it's Oscar.

1:01:03.080 --> 1:01:06.600
<v Speaker 1>What did what I call it? You called it biopic March? Okay,

1:01:06.680 --> 1:01:09.240
<v Speaker 1>but it was actually February, and it was actually not

1:01:09.400 --> 1:01:11.840
<v Speaker 1>even biopics. It was it was Oscar Watch February. I

1:01:11.920 --> 1:01:15.600
<v Speaker 1>accidentally called it biopic March about forty sons. But this

1:01:15.720 --> 1:01:17.840
<v Speaker 1>month in the Patreon, we're doing a Tania and the

1:01:17.920 --> 1:01:20.560
<v Speaker 1>Disaster Artists, which are biopics. So I understood your mistake,

1:01:20.680 --> 1:01:23.280
<v Speaker 1>but unfortunately it was not for March. I don't know

1:01:23.360 --> 1:01:25.400
<v Speaker 1>why I spent the whole day thinking it was. But

1:01:25.640 --> 1:01:27.600
<v Speaker 1>subscribe to the patreon five dollars a month gets you

1:01:27.720 --> 1:01:30.280
<v Speaker 1>two extra episodes a month. You bet you pretty good?

1:01:30.440 --> 1:01:36.360
<v Speaker 1>And yeah, journalism is alive and well, especially print journalism swelling.

1:01:36.560 --> 1:01:41.480
<v Speaker 1>John Williams score doing great. All right. Bye by