1 00:00:00,640 --> 00:00:04,360 Speaker 1: Music Saved Me. We're dealing with alchemy here. Alchemy is 2 00:00:04,720 --> 00:00:07,680 Speaker 1: an ancient form of magic, but it can be explained 3 00:00:07,720 --> 00:00:12,000 Speaker 1: in some ways. I would say maybe turning cole into 4 00:00:12,039 --> 00:00:16,320 Speaker 1: a diamond is alchemy. There is a thing that happens 5 00:00:16,600 --> 00:00:20,479 Speaker 1: in music and song that is hard to explain. Why 6 00:00:20,520 --> 00:00:23,880 Speaker 1: does a sad song make you feel happy? That is 7 00:00:25,079 --> 00:00:29,520 Speaker 1: taking darkness and turning it into light. That's alchemy. 8 00:00:29,600 --> 00:00:33,040 Speaker 2: This podcast is called Music Saved Me and on each 9 00:00:33,080 --> 00:00:36,680 Speaker 2: episode we'll look at a musician, will delve into their 10 00:00:36,720 --> 00:00:41,080 Speaker 2: story their deep connection to music, will talk with their 11 00:00:41,120 --> 00:00:44,479 Speaker 2: fans everyday, people with their own story to tell about 12 00:00:44,479 --> 00:00:48,360 Speaker 2: how music has saved them in challenging times. Today, we 13 00:00:48,520 --> 00:00:52,839 Speaker 2: have the privilege of talking with a remarkable artist and author. 14 00:00:53,360 --> 00:00:57,280 Speaker 2: Mary Goche is best known for her soul stirring songs 15 00:00:57,360 --> 00:01:00,560 Speaker 2: that have touched the hearts of so many. Not only 16 00:01:00,640 --> 00:01:04,000 Speaker 2: a talented singer songwriter, but also the author of the 17 00:01:04,040 --> 00:01:07,400 Speaker 2: captivating book Saved by a Song and how perfect for 18 00:01:07,440 --> 00:01:10,839 Speaker 2: her to join us today. In this episode, we'll explore 19 00:01:10,920 --> 00:01:15,319 Speaker 2: the incredible journey of this acclaimed musician, her profound connection 20 00:01:15,520 --> 00:01:20,120 Speaker 2: to songwriting, and the powerful tales of redemption and transformation 21 00:01:20,480 --> 00:01:24,360 Speaker 2: that have shaped her artistry. Mary, Welcome to Music Saved Me. 22 00:01:24,400 --> 00:01:25,720 Speaker 2: It's so great to have you here. 23 00:01:26,319 --> 00:01:27,720 Speaker 1: Oh, I'm excited to be here. 24 00:01:28,560 --> 00:01:31,399 Speaker 2: In your book, Saved by a Song, you talk about 25 00:01:31,440 --> 00:01:35,119 Speaker 2: the profound impact that music has had on your life. 26 00:01:35,280 --> 00:01:37,760 Speaker 2: Can you share with us a specific moment when you 27 00:01:37,880 --> 00:01:39,880 Speaker 2: realized that music saved you? 28 00:01:41,040 --> 00:01:45,640 Speaker 1: Well, honestly, I think it's been more of a process 29 00:01:46,319 --> 00:01:50,040 Speaker 1: than an event. But there came a point as a 30 00:01:50,080 --> 00:01:55,160 Speaker 1: songwriter as I took it more and more seriously and 31 00:01:55,240 --> 00:02:00,120 Speaker 1: decided to really dedicate my life to it as a 32 00:02:00,120 --> 00:02:03,040 Speaker 1: as a person who came to it later in life. 33 00:02:03,520 --> 00:02:06,680 Speaker 1: It wasn't my first career, it's my It wasn't even 34 00:02:06,800 --> 00:02:09,799 Speaker 1: I didn't take it in as a career. Actually, it 35 00:02:10,520 --> 00:02:15,040 Speaker 1: was something I did on the side after I got 36 00:02:15,080 --> 00:02:19,560 Speaker 1: sober and I began to take it more and more seriously. 37 00:02:20,040 --> 00:02:26,400 Speaker 1: So it's my second career. And uh, I guess there 38 00:02:26,480 --> 00:02:31,720 Speaker 1: was a point a couple of records in where I realized, 39 00:02:31,760 --> 00:02:37,160 Speaker 1: my goodness, this is this is more than more than 40 00:02:37,200 --> 00:02:39,200 Speaker 1: what it looks like on the surface. For me, it 41 00:02:39,240 --> 00:02:45,400 Speaker 1: became purpose. It became a way of processing the world 42 00:02:45,440 --> 00:02:50,679 Speaker 1: in my life, became a way of connecting and building empathy, 43 00:02:50,760 --> 00:02:57,880 Speaker 1: building bridges. I'm all about bridges, not walls. I think 44 00:02:57,960 --> 00:03:04,920 Speaker 1: that my awareness of the power of song is continuing. 45 00:03:06,440 --> 00:03:12,280 Speaker 1: The magnitude of the power of song is amazing to 46 00:03:12,320 --> 00:03:16,600 Speaker 1: me what he can do. I was just at a 47 00:03:16,639 --> 00:03:20,080 Speaker 1: thing I'd never done before. It was a storytelling festival, 48 00:03:21,240 --> 00:03:23,880 Speaker 1: and somebody was wearing a shirt and said, the shortest 49 00:03:23,919 --> 00:03:28,600 Speaker 1: distance between two strangers is a story well told. Beautiful. 50 00:03:29,400 --> 00:03:33,640 Speaker 1: I think as a songwriter, I would would certainly agree, 51 00:03:34,200 --> 00:03:38,840 Speaker 1: and I might say the shortest distance between two strangers 52 00:03:39,200 --> 00:03:42,880 Speaker 1: is a story song well told. 53 00:03:43,760 --> 00:03:47,240 Speaker 2: Absolutely absolutely. You were just speaking of the power of music, 54 00:03:47,280 --> 00:03:50,040 Speaker 2: how tremendous it is. I have to ask you, it 55 00:03:50,120 --> 00:03:52,480 Speaker 2: sounds a little weird, but I don't think so. Do 56 00:03:52,560 --> 00:03:56,040 Speaker 2: you feel that music has supernatural healing powers? 57 00:03:56,960 --> 00:04:03,400 Speaker 1: Will yes. I would characterize it like this, we're dealing 58 00:04:03,400 --> 00:04:09,240 Speaker 1: with alchemy here. Alchemy is an ancient form of magic, 59 00:04:11,440 --> 00:04:14,440 Speaker 1: but it can be explained in some ways. I would say, 60 00:04:14,480 --> 00:04:20,720 Speaker 1: maybe turning coal into a diamond is alchemy. It can 61 00:04:20,760 --> 00:04:25,360 Speaker 1: be looked at scientifically. The pressure, the pressure of the 62 00:04:25,400 --> 00:04:29,680 Speaker 1: pressure of the pressure transforms coal into diamonds. There is 63 00:04:29,720 --> 00:04:35,520 Speaker 1: a thing that happens in music and song that's hard 64 00:04:35,520 --> 00:04:38,880 Speaker 1: to explain why does a sad song make you feel happy? 65 00:04:39,839 --> 00:04:43,680 Speaker 1: What is it that this art form brings that allows 66 00:04:44,000 --> 00:04:47,680 Speaker 1: some of the worst things that ever happened to a 67 00:04:47,720 --> 00:04:56,400 Speaker 1: songwriter to be sung and in that interaction or in 68 00:04:56,440 --> 00:05:02,159 Speaker 1: that action, turned into some than beautiful that other people 69 00:05:02,200 --> 00:05:08,680 Speaker 1: will thank us for singing. That is taking darkness and 70 00:05:08,720 --> 00:05:12,400 Speaker 1: turning it into light. That's alchemy. And if you want to 71 00:05:12,400 --> 00:05:16,120 Speaker 1: take it to another level of discussion and call it supernatural, 72 00:05:16,160 --> 00:05:20,160 Speaker 1: I'm not going to say no to it. It's transformative. 73 00:05:20,880 --> 00:05:25,520 Speaker 2: There's songs deal with deeply personal and emotional themes. How 74 00:05:25,520 --> 00:05:28,279 Speaker 2: do you navigate that? It's a fine line between sharing 75 00:05:28,320 --> 00:05:32,440 Speaker 2: your own personal experiences and also making your music and 76 00:05:32,520 --> 00:05:34,839 Speaker 2: songs relatable to a wide audience. 77 00:05:36,240 --> 00:05:40,080 Speaker 1: Good point. Here's what I teach, and here's what I understand. 78 00:05:40,960 --> 00:05:46,320 Speaker 1: The personal is pretty boring. It's just my little life, 79 00:05:46,640 --> 00:05:50,800 Speaker 1: my little diary, my little comings and goings and interactions 80 00:05:50,800 --> 00:05:55,560 Speaker 1: with people that went well or poorly. Nobody cares about 81 00:05:55,640 --> 00:05:59,240 Speaker 1: my personal I mean, I'm I mean, we care about 82 00:05:59,279 --> 00:06:04,599 Speaker 1: celebrities personal just as gawkers. But here's where I can 83 00:06:04,680 --> 00:06:08,880 Speaker 1: get people interested is if I go two or three 84 00:06:08,960 --> 00:06:12,680 Speaker 1: flights down from the personal and enter the deeply personal. 85 00:06:13,560 --> 00:06:16,720 Speaker 1: I think this is where we all meet. We all 86 00:06:16,720 --> 00:06:20,160 Speaker 1: meet at what it means to be human, and that 87 00:06:20,360 --> 00:06:23,320 Speaker 1: deeply personal reality is not something we talk about at 88 00:06:23,360 --> 00:06:26,800 Speaker 1: cocktail parties. Sometimes we never even talk about it with 89 00:06:26,920 --> 00:06:31,240 Speaker 1: our family. And the deeply personal is where we intersect 90 00:06:31,279 --> 00:06:35,480 Speaker 1: in this life. And I think great artists articulate that, 91 00:06:36,880 --> 00:06:41,120 Speaker 1: and people find each other there. That is what's interesting. 92 00:06:41,160 --> 00:06:44,920 Speaker 1: I always say to my students that songs are great 93 00:06:44,960 --> 00:06:49,560 Speaker 1: places to tell your secrets. Not personal secrets, not who 94 00:06:49,640 --> 00:06:54,359 Speaker 1: kiss who or who cheated on who, but what you 95 00:06:54,680 --> 00:07:01,039 Speaker 1: truly genuinely feel about what's transportediring in your life and 96 00:07:01,080 --> 00:07:09,720 Speaker 1: in the world, and your confusion and your alarm, and 97 00:07:09,800 --> 00:07:16,480 Speaker 1: your empathy and and and your your own day to 98 00:07:16,640 --> 00:07:23,040 Speaker 1: day experiences of life. In a way, it's where we 99 00:07:23,600 --> 00:07:27,760 Speaker 1: It's where we go in and take our guard down. 100 00:07:28,800 --> 00:07:29,040 Speaker 1: You know. 101 00:07:29,160 --> 00:07:34,040 Speaker 2: It requires vulnerability, it does and sharing with people, even 102 00:07:34,080 --> 00:07:37,640 Speaker 2: if it's not your specific story, it makes them feel 103 00:07:37,920 --> 00:07:40,440 Speaker 2: that they're not the only one that's it. 104 00:07:40,720 --> 00:07:43,960 Speaker 1: That's the job, the job. The job as a songwriter 105 00:07:44,120 --> 00:07:46,280 Speaker 1: is to get the listener to go Mary, play my 106 00:07:46,520 --> 00:07:50,000 Speaker 1: song and take ownership of the story because it is 107 00:07:50,040 --> 00:07:54,200 Speaker 1: their story. My one of my songwriting heroes and a 108 00:07:54,240 --> 00:07:56,600 Speaker 1: man I traveled with for a bit was a songwriter 109 00:07:56,640 --> 00:07:59,600 Speaker 1: from Texas named Guy Clark, and he used to say, Look, 110 00:07:59,640 --> 00:08:01,280 Speaker 1: we're all live in the same life. We just hit 111 00:08:01,320 --> 00:08:05,280 Speaker 1: the marks at different times, at different points. What it 112 00:08:05,280 --> 00:08:08,520 Speaker 1: means to be human is true for all humans. We 113 00:08:08,600 --> 00:08:09,679 Speaker 1: share the human condition. 114 00:08:10,440 --> 00:08:14,280 Speaker 2: So true. Many people, obviously, as we're talking about this, 115 00:08:14,400 --> 00:08:17,560 Speaker 2: turn to music during difficult times in their life. I 116 00:08:17,640 --> 00:08:20,640 Speaker 2: have everyone I know has at some point in time. 117 00:08:21,000 --> 00:08:23,360 Speaker 2: Can you tell us I think you just did a 118 00:08:23,400 --> 00:08:26,040 Speaker 2: song or a particular artist that has been a saving 119 00:08:26,040 --> 00:08:27,679 Speaker 2: grace for you in your life. 120 00:08:28,160 --> 00:08:32,680 Speaker 1: Oh God, there's a hundred. Yeah, there's us at different 121 00:08:32,720 --> 00:08:39,000 Speaker 1: times in my life. There's so many. And you wouldn't expect, 122 00:08:39,120 --> 00:08:44,559 Speaker 1: like I would say, iggy pop and the Carpenters interesting, 123 00:08:45,160 --> 00:08:48,720 Speaker 1: you wouldn't expect that from folks like me. There's a 124 00:08:48,760 --> 00:08:52,600 Speaker 1: time Green on red iggy pop, the violent films lou Reed. 125 00:08:52,840 --> 00:08:55,280 Speaker 1: I'm listening to that and holding on for dear life. 126 00:08:56,240 --> 00:09:02,280 Speaker 1: There's a time caring. Carpenter's vocals resonated so deeply. Something 127 00:09:02,320 --> 00:09:07,120 Speaker 1: in her voice I felt her. I think her tragedy 128 00:09:07,240 --> 00:09:12,160 Speaker 1: was in her voice, and it resonated her her strength 129 00:09:12,200 --> 00:09:15,920 Speaker 1: and and and her situation. Uh. She was a woman 130 00:09:16,000 --> 00:09:19,520 Speaker 1: trapped in a time that was very very hard to 131 00:09:19,640 --> 00:09:23,480 Speaker 1: be a woman, much less of a woman drummer. You know, 132 00:09:23,640 --> 00:09:30,080 Speaker 1: she she broke a lot of stereotypes. Uh. And uh, 133 00:09:30,160 --> 00:09:33,319 Speaker 1: I think that the pain was in her voice. It 134 00:09:33,400 --> 00:09:37,400 Speaker 1: resonated for me. So so I went through a lot 135 00:09:37,440 --> 00:09:41,920 Speaker 1: with the Carpenters and and those early early punk bands. Uh. 136 00:09:41,960 --> 00:09:46,040 Speaker 1: You know, the clash, the anger of some of the 137 00:09:46,080 --> 00:09:51,000 Speaker 1: iggy stuff in the early days. And I always always 138 00:09:51,120 --> 00:09:55,200 Speaker 1: always turned to John Prime as well, his his sense 139 00:09:55,200 --> 00:09:58,880 Speaker 1: of humor, his ability to see the light inside the darkness. 140 00:09:59,720 --> 00:10:04,480 Speaker 1: So many Leonard Cohen songs, Bob Dylan songs, Bruce Springsteen 141 00:10:05,160 --> 00:10:09,000 Speaker 1: really has been an important artist for me. And then 142 00:10:09,040 --> 00:10:11,800 Speaker 1: people in my own genre, you know, listen to William 143 00:10:11,880 --> 00:10:18,160 Speaker 1: Steve Earle, Emmy, Lou Harris. The younger ones that are 144 00:10:18,200 --> 00:10:24,200 Speaker 1: coming up now speak to me too, Tyler Childers, Stergel Simpson. 145 00:10:24,440 --> 00:10:27,560 Speaker 1: They're a lot younger than me, but they're really resonating. 146 00:10:27,880 --> 00:10:29,800 Speaker 1: The list is endless. It goes on and on and on, 147 00:10:29,920 --> 00:10:33,559 Speaker 1: and we hold on. I hold on to these songwriters 148 00:10:34,280 --> 00:10:39,480 Speaker 1: in their songs with dear life, sometimes for dear life sometimes. 149 00:10:39,000 --> 00:10:41,840 Speaker 2: And still to this day, you'll tap back into that 150 00:10:41,920 --> 00:10:43,240 Speaker 2: one needed for yourself. 151 00:10:44,200 --> 00:10:47,440 Speaker 1: Yeah, Toby Keith got a song I can't stop listening to, 152 00:10:47,720 --> 00:10:49,360 Speaker 1: Don't let the Old Man In. 153 00:10:49,880 --> 00:10:53,280 Speaker 2: That's the best. I love him, Oh my goodness. 154 00:10:53,520 --> 00:10:56,720 Speaker 1: As he battles stomach cancer and fights for his health 155 00:10:56,760 --> 00:11:01,000 Speaker 1: and his life. This is a saying that he he 156 00:11:01,679 --> 00:11:05,559 Speaker 1: picked up on that he wrote a song about. And 157 00:11:05,880 --> 00:11:08,480 Speaker 1: it's a Clint Eastwood like, hey man, you're ninety one 158 00:11:08,559 --> 00:11:10,439 Speaker 1: years old. How the hell do you still make movies? 159 00:11:10,480 --> 00:11:13,319 Speaker 1: And Clint said, I don't let the old man in. 160 00:11:13,640 --> 00:11:17,520 Speaker 1: And it's resonant for me. You know, I'm sixty one 161 00:11:17,559 --> 00:11:19,760 Speaker 1: years old. But sometimes the old man or the old 162 00:11:19,800 --> 00:11:23,400 Speaker 1: woman's comes knocking and you got to answer the door 163 00:11:23,480 --> 00:11:27,480 Speaker 1: and go, we're not doing this today. Yeah, that song 164 00:11:27,679 --> 00:11:31,680 Speaker 1: I'm I'm repeat, repeat, repeat, How old would you be 165 00:11:31,800 --> 00:11:34,280 Speaker 1: if you didn't know the day you were born? What 166 00:11:34,440 --> 00:11:35,040 Speaker 1: a line? 167 00:11:36,080 --> 00:11:36,320 Speaker 2: Power? 168 00:11:36,440 --> 00:11:39,960 Speaker 1: What a line? What a song? It's not just a song, 169 00:11:40,120 --> 00:11:41,160 Speaker 1: it's life instruction. 170 00:11:42,200 --> 00:11:44,680 Speaker 2: And one other little bit of advice is just taking 171 00:11:44,720 --> 00:11:49,920 Speaker 2: down all the mirrors in the house. Tell me Mary 172 00:11:50,040 --> 00:11:55,199 Speaker 2: describe songwriting. Why is it a therapeutic process? 173 00:11:55,280 --> 00:11:57,880 Speaker 1: I like that distinction. You know, a lot of folks say, well, 174 00:11:57,920 --> 00:12:01,400 Speaker 1: you're doing therapy, Like, no, I'm not doing therapy, not 175 00:12:01,480 --> 00:12:06,319 Speaker 1: with songwriting. I do therapy with my therapist. But songwriting 176 00:12:06,440 --> 00:12:11,880 Speaker 1: is therapeutic in that it helps process. There's a processing 177 00:12:11,960 --> 00:12:15,520 Speaker 1: that happens when I write a song that helps bring 178 00:12:15,600 --> 00:12:21,240 Speaker 1: some clarity, but it doesn't free me from having the 179 00:12:21,320 --> 00:12:25,240 Speaker 1: need for therapeutic help. And when I do have that need, 180 00:12:25,559 --> 00:12:28,800 Speaker 1: and I've had it for many, many, many years, I'll 181 00:12:28,880 --> 00:12:32,400 Speaker 1: speed die my therapist and get back in there. I 182 00:12:32,440 --> 00:12:36,240 Speaker 1: don't do it as often as I did, but she's 183 00:12:36,280 --> 00:12:42,360 Speaker 1: there and I know her number. But the process of 184 00:12:42,400 --> 00:12:45,760 Speaker 1: writing a song is trying, for me, trying to find clarity. 185 00:12:46,440 --> 00:12:49,200 Speaker 1: And I think maybe that's what therapy is as well, 186 00:12:49,320 --> 00:12:54,760 Speaker 1: is looking for clarity for persanity and reality and making 187 00:12:54,800 --> 00:13:02,800 Speaker 1: decisions based on solid perception. You know. It's the misperception 188 00:13:03,000 --> 00:13:06,559 Speaker 1: of the world and the misperception of what's happening that 189 00:13:06,640 --> 00:13:13,240 Speaker 1: creates dysfunction and sometimes mental illness. And so the clarifying 190 00:13:13,880 --> 00:13:18,760 Speaker 1: process of songwriting for me is very about therapeutic. Now, 191 00:13:18,840 --> 00:13:21,960 Speaker 1: not everybody writes that way, and they don't see this 192 00:13:22,240 --> 00:13:26,480 Speaker 1: art form as a way of doing that. You know, 193 00:13:26,559 --> 00:13:30,960 Speaker 1: there's so many different approaches, and everybody's welcome and you 194 00:13:31,000 --> 00:13:34,120 Speaker 1: can do it your own way. I'm not endorsing or 195 00:13:34,240 --> 00:13:37,000 Speaker 1: saying this is how it should be done. I'm just 196 00:13:37,040 --> 00:13:38,280 Speaker 1: saying this is how I do it. 197 00:13:39,640 --> 00:13:43,480 Speaker 2: Your song Mercy Now is resonated with countless listeners. Tell 198 00:13:43,559 --> 00:13:46,880 Speaker 2: us about the inspiration behind the powerful song and why 199 00:13:46,960 --> 00:13:49,320 Speaker 2: you think it is connected with so many people on 200 00:13:49,360 --> 00:13:50,720 Speaker 2: such a deep level. 201 00:13:52,240 --> 00:13:54,679 Speaker 1: You know that continues to amaze me. A song that 202 00:13:54,720 --> 00:13:58,120 Speaker 1: I wrote in two thousand and two. People come up 203 00:13:58,280 --> 00:14:00,719 Speaker 1: to me every night when I'll play with tears in 204 00:14:00,760 --> 00:14:06,320 Speaker 1: their eyes and say that song, that song, it keeps 205 00:14:06,400 --> 00:14:10,200 Speaker 1: reinventing itself. That song, it keeps reactivating itself. I wrote 206 00:14:10,200 --> 00:14:13,640 Speaker 1: it in such a way that it didn't intrinsically get 207 00:14:13,679 --> 00:14:18,400 Speaker 1: caught in political events of the year two thousand and two. 208 00:14:19,440 --> 00:14:22,840 Speaker 1: I think it's a good example of getting past the 209 00:14:22,920 --> 00:14:27,160 Speaker 1: personal into the deeply personal so that it doesn't It 210 00:14:27,200 --> 00:14:31,440 Speaker 1: didn't attach it to itself to the specific going ons 211 00:14:31,520 --> 00:14:34,960 Speaker 1: of that time, But what inspired it was was the 212 00:14:35,000 --> 00:14:39,680 Speaker 1: specific going ons of that time. I knew enough about 213 00:14:39,680 --> 00:14:42,160 Speaker 1: songwriting at that point to know that I wanted this 214 00:14:42,240 --> 00:14:46,640 Speaker 1: to be a bigger song than what was what it 215 00:14:46,640 --> 00:14:51,560 Speaker 1: would be if I said exactly what I was referencing. 216 00:14:52,440 --> 00:14:57,600 Speaker 1: It was inspired by the US response to nine to eleven. 217 00:14:58,280 --> 00:15:05,040 Speaker 1: It was inspired by the Spotlight Report reports on the 218 00:15:05,600 --> 00:15:13,000 Speaker 1: rampant child sexual abuse in the parishes of Boston, the 219 00:15:14,120 --> 00:15:19,440 Speaker 1: horrific number of priests in handcuffs being arrested for child abuse. 220 00:15:19,680 --> 00:15:22,119 Speaker 1: I lived in Boston at that time. It was mortifying. 221 00:15:23,320 --> 00:15:27,240 Speaker 1: At the time, the current dictator of North Korea's father 222 00:15:27,360 --> 00:15:29,920 Speaker 1: was testing nuclear weapons. It was inspired by that, but 223 00:15:29,960 --> 00:15:34,160 Speaker 1: I didn't reference that. That was what was happening if 224 00:15:34,160 --> 00:15:36,840 Speaker 1: you opened the newspaper. But what I tried to write about, 225 00:15:36,880 --> 00:15:39,200 Speaker 1: and I think I successfully did, was what was going 226 00:15:39,200 --> 00:15:41,280 Speaker 1: on inside of me as a response to that. 227 00:15:42,480 --> 00:15:46,440 Speaker 2: Yeah, just to let you know, I'm from Boston as well, 228 00:15:46,520 --> 00:15:48,680 Speaker 2: and I was there during that time. So that was 229 00:15:49,840 --> 00:15:55,720 Speaker 2: amazing music and song and just a wonderful thing to 230 00:15:55,720 --> 00:15:57,840 Speaker 2: put out there in terms of being able to help 231 00:15:57,880 --> 00:16:00,440 Speaker 2: people figure out how to deal with all of this stuff. 232 00:16:00,880 --> 00:16:05,200 Speaker 2: It's just it was out of It was an unbelievable time. 233 00:16:06,120 --> 00:16:08,400 Speaker 1: It was an unbelievable time. And what I was doing 234 00:16:08,480 --> 00:16:10,760 Speaker 1: and I didn't know I was doing, and it was 235 00:16:10,800 --> 00:16:12,040 Speaker 1: trying to help me deal with it. 236 00:16:12,400 --> 00:16:16,240 Speaker 2: Yeah, yeah, but don't they always say a lot of times, 237 00:16:16,240 --> 00:16:18,960 Speaker 2: when you try to figure stuff out for yourself, you 238 00:16:18,960 --> 00:16:21,360 Speaker 2: don't even realize that it's going to resonate with so 239 00:16:21,400 --> 00:16:23,920 Speaker 2: many people, Which leads me to my next question. You 240 00:16:23,960 --> 00:16:26,600 Speaker 2: had mentioned about mercy now and people still come to 241 00:16:26,640 --> 00:16:30,080 Speaker 2: you and with tears in their eyes. It has such 242 00:16:30,120 --> 00:16:33,360 Speaker 2: a unique ability music to bring people together. How does 243 00:16:33,400 --> 00:16:37,240 Speaker 2: it make you feel when you see that impact on 244 00:16:37,280 --> 00:16:40,000 Speaker 2: your audience while you're performing, or even after when they 245 00:16:40,040 --> 00:16:41,880 Speaker 2: come to you after. How does that make you feel? 246 00:16:43,080 --> 00:16:49,400 Speaker 1: I feel grateful. I feel deeply connected to purpose. I 247 00:16:49,440 --> 00:16:52,000 Speaker 1: feel as though I'm one of the lucky ones that 248 00:16:52,320 --> 00:16:54,960 Speaker 1: figured out. It took a while. I didn't figure it 249 00:16:54,960 --> 00:16:57,920 Speaker 1: out first first off, right out of the shoot, but 250 00:16:57,920 --> 00:16:59,800 Speaker 1: I figured out what to do with my life that 251 00:16:59,880 --> 00:17:02,840 Speaker 1: I was put here to do, and I'm doing it. 252 00:17:03,760 --> 00:17:07,840 Speaker 1: And it's a real gift to know what to do 253 00:17:07,920 --> 00:17:10,480 Speaker 1: with your life and how to do it and then 254 00:17:10,560 --> 00:17:17,440 Speaker 1: to do it. That really makes me feel, I guess grateful. Overall. 255 00:17:17,640 --> 00:17:21,320 Speaker 1: The over arching experience of my songs resonating with listeners 256 00:17:21,880 --> 00:17:25,159 Speaker 1: in me is gratitude, because it took a lot of 257 00:17:25,160 --> 00:17:29,200 Speaker 1: courage to walk away from my restaurants at forty years 258 00:17:29,200 --> 00:17:31,119 Speaker 1: old and become a songwriter. It took a lot of 259 00:17:31,160 --> 00:17:33,600 Speaker 1: courage for me to say, you know what, I did that, 260 00:17:34,720 --> 00:17:36,919 Speaker 1: and now I'm going to do this and it may 261 00:17:37,000 --> 00:17:40,040 Speaker 1: or may not work, but I'm going to try, and 262 00:17:40,119 --> 00:17:41,760 Speaker 1: I've got to try. I don't want to be on 263 00:17:41,760 --> 00:17:46,360 Speaker 1: my deathbed going I wish I'd tried. So I gave 264 00:17:46,400 --> 00:17:50,520 Speaker 1: it my all, and somehow I crossed the threshold somewhere 265 00:17:50,560 --> 00:17:55,600 Speaker 1: over the first you know, four or five six records 266 00:17:55,720 --> 00:17:59,239 Speaker 1: that gave me this sense that I get to do 267 00:17:59,280 --> 00:18:01,600 Speaker 1: this as long as I want to, that they're not 268 00:18:01,640 --> 00:18:03,399 Speaker 1: going to take it away from me. That it's working. 269 00:18:04,240 --> 00:18:05,959 Speaker 1: And the goal was not to be a star, but 270 00:18:06,240 --> 00:18:10,240 Speaker 1: the goal is to be able to support and sustain 271 00:18:10,320 --> 00:18:13,840 Speaker 1: myself by writing songs, and that has worked out to 272 00:18:13,840 --> 00:18:18,360 Speaker 1: be true. I manifested that and I don't need more. 273 00:18:18,400 --> 00:18:21,639 Speaker 1: I have enough. I'm grateful for that too. I'm not 274 00:18:21,680 --> 00:18:27,000 Speaker 1: always grabbing for more. I'm really really happy with where 275 00:18:27,000 --> 00:18:29,200 Speaker 1: it's taken me and what I do well. 276 00:18:29,240 --> 00:18:32,879 Speaker 2: We are so happy for you and grateful that you 277 00:18:33,760 --> 00:18:37,720 Speaker 2: joined us today to share your story about music and 278 00:18:37,760 --> 00:18:41,280 Speaker 2: how it's impacted your life, and thank you for your 279 00:18:41,320 --> 00:18:45,119 Speaker 2: selflessness of sharing your music with the world and helping 280 00:18:45,160 --> 00:18:49,879 Speaker 2: them during their time as well. You don't mention it enough, 281 00:18:49,960 --> 00:18:52,000 Speaker 2: but you do make a big difference for a lot 282 00:18:52,000 --> 00:18:56,080 Speaker 2: of people, and you're very humble about it. And thank 283 00:18:56,119 --> 00:18:58,720 Speaker 2: you so much for coming on. Music saved me, Mary, 284 00:18:58,920 --> 00:19:01,359 Speaker 2: and good luck with everything you're doing in the future, 285 00:19:01,400 --> 00:19:02,680 Speaker 2: and I hope our paths cross again. 286 00:19:03,480 --> 00:19:05,320 Speaker 1: Hi, thanks for having me on. I appreciate it. 287 00:19:06,080 --> 00:19:09,640 Speaker 2: Musicians on Call is a charity that is perfectly aligned 288 00:19:09,640 --> 00:19:13,399 Speaker 2: with the mission of this podcast, delivering the healing power 289 00:19:13,440 --> 00:19:16,800 Speaker 2: of music since nineteen ninety nine. Why not become a 290 00:19:16,880 --> 00:19:21,160 Speaker 2: volunteer or a supporter by going to musicianson Call dot org.