WEBVTT - TGI - Episode 203 “Notorious”

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<v Speaker 1>Hello everyone. Before we jump into our Pod Meets World

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<v Speaker 1>recap of season two, episode three, Notorious, Um, we wanted

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<v Speaker 1>to briefly mentioned that, Um, boy Meets World and Girl

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<v Speaker 1>Meets World has lost a very special person in our world,

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<v Speaker 1>Matthew Nelson. Um. He was a writer on What's what season?

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<v Speaker 1>Did Matt start season two? Season three, It's a little later,

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<v Speaker 1>three three, Boy Meets World, I think, and then was

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<v Speaker 1>there through the end, and then was there for all

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<v Speaker 1>three seasons of Girl Meets World and became one of

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<v Speaker 1>the central voices of Boymouth World and Girlmate's World. He

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<v Speaker 1>is one of the you know, pillars of the writing

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<v Speaker 1>staff always um and just a break guy and then

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<v Speaker 1>just yeah, I mean beyond the creative input that he had,

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<v Speaker 1>was just like the the nicest, most loving, most most supportive,

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<v Speaker 1>the kindest man. I'm going to miss him like crazy.

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<v Speaker 1>I had no idea he was ill. Um, I didn't.

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<v Speaker 1>I didn't know he was he was that ill. He

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<v Speaker 1>He and I wrote a aspect pilot together right before

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<v Speaker 1>the pandemic a little you know, it was like nineteen

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<v Speaker 1>something like that. And Um, he had mentioned that he

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<v Speaker 1>was ill, but didn't know how badly. Um. And then

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<v Speaker 1>it was it and then you lose touch over the pandemic.

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<v Speaker 1>Everybody kind of goes their own way. We'd finished the

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<v Speaker 1>pilot and then it was you just heard he was gone,

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<v Speaker 1>and it was yes, awful. Yeah. I found out about it.

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<v Speaker 1>I saw someone else that we're close to had posted

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<v Speaker 1>about it on social media, and I reached out to

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<v Speaker 1>Jeff Minnell, who UM listeners of the podcast would obviously

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<v Speaker 1>know too, because he's Jeff Minell, one of the other

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<v Speaker 1>writers who came on, and they were very, very very close.

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<v Speaker 1>Matt Nelson and Jeff Minell were best friends, and UM

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<v Speaker 1>Minnell was very close to him in this this last

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<v Speaker 1>period of his life when he was sick, and I

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<v Speaker 1>reached out to him, and you know, it was a

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<v Speaker 1>little like sent a desperate email, like, please tell me

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<v Speaker 1>it isn't true, and he got back to me saying

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<v Speaker 1>that it is. And UM writer, like you said, as

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<v Speaker 1>far as just being one of the just kindest, most

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<v Speaker 1>generous people, like he was so willing to help any

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<v Speaker 1>one of us with absolutely anything outside of work. And

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<v Speaker 1>Um loved writing, loved comedy, loved people who wanted to write,

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<v Speaker 1>and and was happy to proof read stuff, and and

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<v Speaker 1>and loved our show, loved and loved our characters. There's

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<v Speaker 1>so much commitment to the world of What Meets World

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<v Speaker 1>and eventually gos World. Um yea yeah, you always got

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<v Speaker 1>the sense of Matt just cared above and beyond the job.

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<v Speaker 1>Um cared about us as people, as individuals. Like my

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<v Speaker 1>first episode directing was on Girl Mean World, his episode

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<v Speaker 1>nine three, and he was so happy. First of all

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<v Speaker 1>he did, he was always so gracious and always so supportive,

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<v Speaker 1>and he was so happy. He was like all he

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<v Speaker 1>expressed to me. He was like, I'm so happy you're

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<v Speaker 1>directing my episode. And he just made me feel so good.

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<v Speaker 1>And you know, of course I was nervous as hell,

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<v Speaker 1>and he made me feel so supported and that you know,

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<v Speaker 1>I could do no wrong, and that if anything, he

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<v Speaker 1>was honored that I was directing his episode. Just like,

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<v Speaker 1>oh man, such a bummer. Um wait, and when we

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<v Speaker 1>start getting into boy, when we start getting into his episodes,

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<v Speaker 1>there's you're gonna know what they are. There's a real

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<v Speaker 1>voice to a Nelson episode. We always knew when it

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<v Speaker 1>was in Matt Nelson episode. Well, let let me put

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<v Speaker 1>it this way to our listeners. Um Nelson is the

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<v Speaker 1>person who wrote perhaps the most famous epic lines from

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<v Speaker 1>Boy Me World, which were fine The's last words of advice.

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<v Speaker 1>Those were his um dream try do good. Um. That

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<v Speaker 1>was in his episode, and that was originally in his

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<v Speaker 1>draft of the script. I know because we had a

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<v Speaker 1>whole conversation about it because I told him that there

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<v Speaker 1>were fans out there who had gotten tattoos of that,

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<v Speaker 1>and he was so um so excited. But yeah, so,

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<v Speaker 1>I mean that is like distilled Matt Nelson. Um, just

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<v Speaker 1>such a wonderful soul. Yeah, I mean he will. He

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<v Speaker 1>will be greatly missed and a lot of love to

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<v Speaker 1>his family and everyone who is close to him. All right,

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<v Speaker 1>he's ready to jump into a recap. He would have

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<v Speaker 1>been the first one that would have gone and transition

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<v Speaker 1>to comedy. Optical flip Optical would have been the first

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<v Speaker 1>one to write the perfect line for there. Yeah, there

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<v Speaker 1>you go. Well, welcome to Pod Meets World. I'm Daniel Fishel,

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<v Speaker 1>I'm right or Strong, and I'm Wilfred ll. Here we

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<v Speaker 1>are talking about season two, episode three, Notorious. It originally

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<v Speaker 1>aired October seve The synopsis is that Sean tries to

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<v Speaker 1>make a name for himself by pulling a prank in

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<v Speaker 1>the school newspaper, and then Corey is forced to cover

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<v Speaker 1>for him. Eric also dates a news senior. Eric is

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<v Speaker 1>dating a girl. No, they're a different way. Yeah, it's

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<v Speaker 1>a whole new thing for him. It's a whole new Week's,

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<v Speaker 1>a whole new season, a whole new Eric. We're going

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<v Speaker 1>to try girl crazy. It's funny because a lot of

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<v Speaker 1>the show has chance. It evolved, but not that much.

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<v Speaker 1>Not so much this one. We'll get into it. But

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<v Speaker 1>this one is not only is he going crazy but

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<v Speaker 1>also stupid. It's a combination of the two. Yeah, this

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<v Speaker 1>is true because this is this is one of the first,

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<v Speaker 1>like I noticed, like the real stupid jokes we remember

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<v Speaker 1>it ever starting this early. Neither neither Well, it's the

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<v Speaker 1>stupid in my head that I didn't get. So no, no, no, no,

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<v Speaker 1>what Eric do now? So is the inaugural line like

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<v Speaker 1>our neighbors to the north, because that was the one

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<v Speaker 1>that struck me when you said that line, I was like, oh, Eric, dumb.

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<v Speaker 1>I think it started with the trying to open the door.

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<v Speaker 1>That's what I noticed was but to try and open

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<v Speaker 1>the door happened after writers writers, when you leaving leaving

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<v Speaker 1>the room, and yeah, the neighbors to the north and

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<v Speaker 1>north as while you're starting, So yeah, it really did

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<v Speaker 1>start with like, oh, and yet the way he kind

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<v Speaker 1>of delivered it though, I almost thought, well, at least

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<v Speaker 1>they're our neighbors to the north, seemed like maybe he

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<v Speaker 1>was kind of making a joke. He wasn't, but there

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<v Speaker 1>was at least the hint of like, maybe it's ironic.

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<v Speaker 1>But yeah, um So this episode was directed by David Trayner.

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<v Speaker 1>It was written by Jeff Sherman, and we have a

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<v Speaker 1>lot of guest stars, not me, but we have Jason

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<v Speaker 1>Marsden as No, I'm not I'm not you noticed, writer,

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<v Speaker 1>Thank you. Danny McNulty is back as Harley Kiner, Blake

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<v Speaker 1>Soaper as Joey the ratt, Ethan Supplia is Frankie, and

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<v Speaker 1>Sydney Bennett as Desiree, Jill Novik as Molly, and Bob

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<v Speaker 1>Larkin as Janitor Bud the Larks. I don't know did

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<v Speaker 1>he come back? He came back? Right? Was the only Janitor?

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<v Speaker 1>But I don't remember. I think so well. Janitor Bud

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<v Speaker 1>is also in the Halloween episode, but it's a different

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<v Speaker 1>Janitor Bud. It is is the name Janitor budds say, yeah,

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<v Speaker 1>I think it's Janitor Bud. Yes see, I have this

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<v Speaker 1>whole like character of Janitor Bud looming large in my brain,

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<v Speaker 1>but I couldn't remember if it's the same actor or

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<v Speaker 1>the joke is that we just kept switching it up.

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<v Speaker 1>But I guess it was probably because of this episode, right,

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<v Speaker 1>like this is where we invented remember him killing at

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<v Speaker 1>the table? Read? I remember that people loving his lines

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<v Speaker 1>at the table and I guess that, yeah, I do too,

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<v Speaker 1>And I think that's what it just worked because it

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<v Speaker 1>was so funny that um, because I guess really his

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<v Speaker 1>story function is that he's the witness too, you know

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<v Speaker 1>who was in the newspaper off because when I first started,

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<v Speaker 1>I was like, why is the janitor there? And then

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<v Speaker 1>it came back. Um, But I think I think we

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<v Speaker 1>see him quite a bit through season two and then

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<v Speaker 1>into season three. Yeah, I can't wait. Okay cool? Yeah,

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<v Speaker 1>So we get our quick little cartoon open, and then

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<v Speaker 1>we are in the school newspaper room, the journalism rooms

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<v Speaker 1>of that opening man right right looks like eight BI

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<v Speaker 1>Commodore A Commodore sixty four. Amazing. Uh So Corey and

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<v Speaker 1>Sean come walking out of a room or into a

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<v Speaker 1>room that says journalism, And we hear Eric and a

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<v Speaker 1>girl in the newspaper office making conspicuous sounds. That's a

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<v Speaker 1>good way to put it. Yeah, can starting off off

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<v Speaker 1>the bat off the bats of moans and groans and

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<v Speaker 1>what are they doing there? Season two, the Horny Boy era,

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<v Speaker 1>Uh so truth is Molly new character Alert, who's played

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<v Speaker 1>by Jill Novic is typing on the computer while Eric

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<v Speaker 1>gives her a neck massage. And we started dating after

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<v Speaker 1>this episode? Did you really Jill and I were together

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<v Speaker 1>for a little six seven months if they had a

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<v Speaker 1>crush on you exactly? And we find out about it

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<v Speaker 1>thirty years later about my dating history of Team bat people, Well,

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<v Speaker 1>it was dating everyone who came through the show a while. Really, Yeah,

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<v Speaker 1>that's hilarious. We were together, like legitimately together for a while.

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<v Speaker 1>She played Young Seal Award on Sisters. I loved that show,

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<v Speaker 1>so she was Young Seal Award on that and we

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<v Speaker 1>just we got along. So we we we. I think

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<v Speaker 1>this this point is the fact that you and I

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<v Speaker 1>weren't actually that close big age difference at this time.

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<v Speaker 1>This is and I were really hanging out and we'll

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<v Speaker 1>get we'll get to a funny story a little later.

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<v Speaker 1>But yeah, Jue and I started dating kind of during

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<v Speaker 1>this episode. So Corey and Sean walk in because Eric

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<v Speaker 1>said he would give them a ride home, and Corey

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<v Speaker 1>places a cage with two rats on the desk, which

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<v Speaker 1>scares Molly. They named the rats after themselves, Corey and Sean,

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<v Speaker 1>and they're studying natural selection. Corey holds the rat up

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<v Speaker 1>to kiss Molly and she runs out, leaving Eric to

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<v Speaker 1>run after the brainy girl that's into him. And then

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<v Speaker 1>the janitor warns Eric of a wet floor, but then

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<v Speaker 1>Eric slips and falls off camera. We just get the

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<v Speaker 1>audio of that and then his response the janitor's response

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<v Speaker 1>are just good, good, great, so funny. Um. So, Corey

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<v Speaker 1>and Sean, who are now alone, see the article left

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<v Speaker 1>on the computer and decide to change Mr Feenie's name.

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<v Speaker 1>It's introducing Mr Feenie as the school's new principle, and

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<v Speaker 1>they decide to change the name. Sean changes it to well.

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<v Speaker 1>Corey changes it first to teeny teeny, and then Sean's like,

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<v Speaker 1>let me at it, and he sits down and he

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<v Speaker 1>goes to Beanie Deanie Guinie Genie Leaney and then he

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<v Speaker 1>lands on Weenie. Okay, were you guys bothered by the

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<v Speaker 1>letting in this, like the way that the letters clearly

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<v Speaker 1>didn't work unless it was a W like you did

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<v Speaker 1>like every time it was in F. I was like,

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<v Speaker 1>but it doesn't. The letting is not right, the spacing

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<v Speaker 1>is not right. And then it goes to the W

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<v Speaker 1>and you're like, oh, it's like such old school computer

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<v Speaker 1>graphic design. Yep, I bet you. This was like cutting

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<v Speaker 1>edge to be able to do it was such a

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<v Speaker 1>big deal. And you got a hot in there too.

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<v Speaker 1>There was a hot back the first time in a while,

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<v Speaker 1>which we hadn't seen it. That's that's making its old come.

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<v Speaker 1>They like, we're gonna make this work. We're forcing it

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<v Speaker 1>into season two. And then I mean, before going back

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<v Speaker 1>a second to, I make a joke about cracking my

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<v Speaker 1>mom's back before, Yes, something cracker back before a strange

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<v Speaker 1>series of words in a row. I guess it's kind

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<v Speaker 1>of funny, but it's nice to know that Verna is

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<v Speaker 1>still around? Isn't her name? Verna still around? The joke

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<v Speaker 1>was supposed to be the idea of like, whoa, what

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<v Speaker 1>must his mother be like? If she needs her back

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<v Speaker 1>cracked before American Gladiator, Like it's like it's like this classlessness,

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<v Speaker 1>or if it's that she's so tough, like the the

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<v Speaker 1>image of like cracking a woman's back. I don't know.

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<v Speaker 1>I was trying to think of it, like I'm just

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<v Speaker 1>so curious because we're developing Shawn's home life, but I

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<v Speaker 1>don't know what it's. What is the picture that's developed

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<v Speaker 1>we we've we have established a trailer park, and we've

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<v Speaker 1>established in the first season, I think we established my

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<v Speaker 1>uncle that's a bee's eating Gilbert grape mother. Okay, yeah, yeah, yeah,

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<v Speaker 1>So it's like this sad like maybe she doesn't get

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<v Speaker 1>off the couch or she's sitting sitting around often. Yeah.

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<v Speaker 1>I also think they're going for which was very big

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<v Speaker 1>in the eighties and early nineties. I think they're going

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<v Speaker 1>for a Vera Peterson thing with this so on cheers

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<v Speaker 1>Norm Peterson. You know Norm, Norm, you never saw you

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<v Speaker 1>just writing stories about her and her name's Verna, Vera Verna.

0:12:51.280 --> 0:12:53.320
<v Speaker 1>So I think they were kind of trying to establish

0:12:53.320 --> 0:12:55.720
<v Speaker 1>like we're just gonna have crazy stories because I distinctly

0:12:56.160 --> 0:12:59.760
<v Speaker 1>remember episodes down the line being at the monitors and

0:12:59.760 --> 0:13:02.559
<v Speaker 1>there was another Verna story, and Michael turned to the

0:13:02.640 --> 0:13:04.920
<v Speaker 1>writers and said, we can't do this. We're gonna have

0:13:05.000 --> 0:13:07.440
<v Speaker 1>to meet this woman, right right, right. So my guess

0:13:07.480 --> 0:13:09.680
<v Speaker 1>is they were trying to do like a Vera Peterson

0:13:09.720 --> 0:13:11.520
<v Speaker 1>kind of thing, where there you're going to keep saying that,

0:13:12.559 --> 0:13:15.920
<v Speaker 1>so Sean's home life is just unimaginably crazy and what

0:13:16.200 --> 0:13:18.640
<v Speaker 1>that is, whatever's gonna be weird and funny and like

0:13:18.720 --> 0:13:20.400
<v Speaker 1>sort of thrown away where you're like, what's going on

0:13:20.480 --> 0:13:23.160
<v Speaker 1>with that kid's home life? That's especially what's going on

0:13:23.200 --> 0:13:25.439
<v Speaker 1>with that kid's mom. Right, they were just going to

0:13:25.600 --> 0:13:27.760
<v Speaker 1>Vera Peterson was just going to get crazier and crazier.

0:13:27.800 --> 0:13:29.400
<v Speaker 1>But you were never a great way to put it.

0:13:29.440 --> 0:13:31.559
<v Speaker 1>I think that's exactly what was happening. Yeah, I think

0:13:31.559 --> 0:13:34.080
<v Speaker 1>you're right. That totally makes sense. I wouldn't have thought

0:13:34.080 --> 0:13:35.640
<v Speaker 1>of it until you said it. Well, but you're right

0:13:35.679 --> 0:13:40.840
<v Speaker 1>that that really makes sense. Um, okay, so they've landed

0:13:40.840 --> 0:13:44.960
<v Speaker 1>on Weeny. Corey feels the sting of consciousness, sorry, not consciousness,

0:13:46.920 --> 0:13:58.600
<v Speaker 1>start again, He's conscious that was Eric. Corey feels the

0:13:58.640 --> 0:14:01.959
<v Speaker 1>sting of conscience and changes it back to feeni before

0:14:01.960 --> 0:14:04.760
<v Speaker 1>walking out. But Sean is still at the computer with

0:14:04.800 --> 0:14:07.240
<v Speaker 1>a smirk on how about that look back that I

0:14:07.280 --> 0:14:13.680
<v Speaker 1>guess that is who that is that is making a beat.

0:14:13.679 --> 0:14:16.839
<v Speaker 1>I know, it's like just sort of twirling my lash.

0:14:18.679 --> 0:14:21.160
<v Speaker 1>It is so over the top. Was like Jesus writer,

0:14:21.320 --> 0:14:25.400
<v Speaker 1>to it down, God, to be fair. It is the

0:14:25.440 --> 0:14:27.320
<v Speaker 1>button to a scene. It's the button to the open

0:14:27.360 --> 0:14:30.280
<v Speaker 1>of the show. And you may have been told specifically

0:14:30.840 --> 0:14:32.760
<v Speaker 1>we need something, we need a real we need a

0:14:32.800 --> 0:14:36.240
<v Speaker 1>real button. That was my version of playing look about it,

0:14:36.280 --> 0:14:38.920
<v Speaker 1>thinking about the button of a scene, and it's just subtle.

0:14:38.960 --> 0:14:43.160
<v Speaker 1>What if it had just been you going, yeah, I'm interested.

0:14:43.280 --> 0:14:46.640
<v Speaker 1>See that's that's more because then I'm like, what's going

0:14:46.680 --> 0:14:48.800
<v Speaker 1>to happen? As opposed to me three, You're like, he's

0:14:48.880 --> 0:14:52.560
<v Speaker 1>obviously going to be an evil little kid, the awful thing.

0:14:53.160 --> 0:14:55.560
<v Speaker 1>I see your point, But I will say, and we'll

0:14:55.560 --> 0:14:57.720
<v Speaker 1>talk about it when we get there later. But I

0:14:57.880 --> 0:15:01.040
<v Speaker 1>actually was super invested in what's going to happen in

0:15:01.080 --> 0:15:06.240
<v Speaker 1>this episode, even though I did too. I find we

0:15:06.280 --> 0:15:08.920
<v Speaker 1>will also talk about some over the top. Of course,

0:15:09.560 --> 0:15:14.360
<v Speaker 1>from a little cartoon. We have real cartoony moments because

0:15:14.520 --> 0:15:17.160
<v Speaker 1>we're sitcom. Maybe it's just cartoon. I think it is

0:15:17.480 --> 0:15:22.680
<v Speaker 1>I I finally feel I finally felt settled, and you know,

0:15:22.840 --> 0:15:24.400
<v Speaker 1>maybe it's because I wasn't in it. I don't know.

0:15:24.520 --> 0:15:28.000
<v Speaker 1>I finally felt like, Okay, I'm I'm a little settled.

0:15:28.080 --> 0:15:31.800
<v Speaker 1>I feel like I know these hallways now, I I

0:15:31.840 --> 0:15:34.000
<v Speaker 1>know I know most of these characters. And then the

0:15:34.040 --> 0:15:36.760
<v Speaker 1>new characters aren't out of left field for me. They

0:15:36.800 --> 0:15:40.080
<v Speaker 1>make sense. I felt really comfortable already with Turner. I

0:15:40.160 --> 0:15:43.120
<v Speaker 1>was like, yeah, I'm into this Turner perspective. I felt

0:15:43.160 --> 0:15:45.320
<v Speaker 1>I really liked it a new show, and now that

0:15:45.360 --> 0:15:47.120
<v Speaker 1>we've taken in the fact that it's a new show,

0:15:47.360 --> 0:15:50.280
<v Speaker 1>I'm I'm comfortable with watching it as I'm enjoying the

0:15:50.280 --> 0:15:53.080
<v Speaker 1>new show. I'm letting I'm letting season one go away

0:15:53.080 --> 0:15:55.320
<v Speaker 1>a little bit. Yeah, it's an interesting what it was.

0:15:55.400 --> 0:15:57.320
<v Speaker 1>And then moving forward, So one of the things I

0:15:57.880 --> 0:16:00.280
<v Speaker 1>was wondering, um and we should probably have back on

0:16:00.320 --> 0:16:01.640
<v Speaker 1>the show to ask him, it was like, what's up

0:16:01.640 --> 0:16:04.480
<v Speaker 1>with Jeff Sherman and writing Sean is like getting in trouble,

0:16:04.600 --> 0:16:07.960
<v Speaker 1>Like just like this is a but it also serves

0:16:08.000 --> 0:16:12.480
<v Speaker 1>as an interesting counterpoint to the fugitive and that uh there,

0:16:12.520 --> 0:16:14.880
<v Speaker 1>you know this episode doesn't it does have a hard

0:16:14.920 --> 0:16:18.200
<v Speaker 1>felt moment for Corey, but like Sean, doesn't really you know,

0:16:18.280 --> 0:16:20.800
<v Speaker 1>like I do the thing, but then it becomes not

0:16:21.160 --> 0:16:23.080
<v Speaker 1>it doesn't really have anything to do with me, Like

0:16:23.120 --> 0:16:24.760
<v Speaker 1>I just I was wondering and I don't even know

0:16:24.760 --> 0:16:26.560
<v Speaker 1>how we would figure this out. If this is the

0:16:26.600 --> 0:16:30.440
<v Speaker 1>only episode where a writer actually references one of their

0:16:31.000 --> 0:16:33.560
<v Speaker 1>I know, because he does. You know, ever since last

0:16:33.600 --> 0:16:37.000
<v Speaker 1>year when I blew up the mailbox? Are you kidding me?

0:16:37.080 --> 0:16:40.320
<v Speaker 1>We do that a whole bunch. They referenced their own

0:16:40.360 --> 0:16:49.280
<v Speaker 1>episode because he wrote the Fugitive too, right? Right? Maybe not? Hi, Christy, Hey,

0:16:49.280 --> 0:16:52.280
<v Speaker 1>will I have some unbelievable news. Oh there's a Kim

0:16:52.320 --> 0:16:55.320
<v Speaker 1>Possible roun Stoppable reunion in the works. No, no, no,

0:16:55.440 --> 0:16:57.440
<v Speaker 1>that would be great, But no, I have other big news.

0:16:57.560 --> 0:16:59.840
<v Speaker 1>We just launched the super awesome contest to become the

0:17:00.120 --> 0:17:02.240
<v Speaker 1>X Big Voice Actor. That's right. We want to give

0:17:02.280 --> 0:17:04.680
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0:17:04.800 --> 0:17:07.440
<v Speaker 1>year contract with my voice over agency, c s D.

0:17:07.920 --> 0:17:09.840
<v Speaker 1>They are amazing. I've been with them for over twenty

0:17:09.920 --> 0:17:11.679
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0:17:11.760 --> 0:17:15.719
<v Speaker 1>to meet Will and myself and some amazing prizes as well, yeah, So,

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<v Speaker 1>how do people enter the super awesome contest to become

0:17:17.800 --> 0:17:20.160
<v Speaker 1>the next Big Voice actor Christie. Send a two minute

0:17:20.280 --> 0:17:24.439
<v Speaker 1>or less video or audio file showcasing your best voices. Okay,

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<v Speaker 1>well it's time do your announcer voice for the rest

0:17:26.640 --> 0:17:30.359
<v Speaker 1>Oh yes, no purchase necessary. Submit your entry it I

0:17:30.400 --> 0:17:32.760
<v Speaker 1>Hear Voices that I Hear Radio dot com. Between January

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0:17:35.760 --> 0:17:37.560
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0:17:37.560 --> 0:17:39.679
<v Speaker 1>are eighteen and older. Official rules can be found by

0:17:39.680 --> 0:17:42.280
<v Speaker 1>going to our Instagram page and I Hear Voices podcasts

0:17:42.320 --> 0:17:45.520
<v Speaker 1>for complete details, listen to I Hear Voices on the

0:17:45.560 --> 0:17:48.240
<v Speaker 1>I Heart Radio app or wherever you listen to podcasts.

0:17:53.280 --> 0:17:55.480
<v Speaker 1>We are in the school hallway. A bunch of kids

0:17:55.480 --> 0:17:59.560
<v Speaker 1>are laughing seeing the school newspaper. Harley grabs the paper

0:17:59.600 --> 0:18:02.120
<v Speaker 1>from from some of our background actors that I remembered

0:18:02.240 --> 0:18:06.320
<v Speaker 1>very well and right, Okay, I was like, I know

0:18:06.359 --> 0:18:08.600
<v Speaker 1>all these guys me too. It's like a whole I

0:18:08.600 --> 0:18:10.320
<v Speaker 1>I know them all, I know all their faces. Now

0:18:10.320 --> 0:18:13.359
<v Speaker 1>it's so strange, but I did so. Harley sees that

0:18:13.400 --> 0:18:16.240
<v Speaker 1>they wrote weenie instead of Phoene on the front page,

0:18:16.440 --> 0:18:20.359
<v Speaker 1>and he calmly says, I'm laughing, which I loved. I

0:18:20.400 --> 0:18:23.439
<v Speaker 1>loved this for his character. Harley says he would like

0:18:23.520 --> 0:18:25.560
<v Speaker 1>to meet whoever changed that name because he'd be a

0:18:25.560 --> 0:18:28.760
<v Speaker 1>great addition to the gang. And Sean walks up to

0:18:28.800 --> 0:18:30.520
<v Speaker 1>Harley and tries to tell him that he made the

0:18:30.560 --> 0:18:33.159
<v Speaker 1>headline change, but Harley acts real tough before he can

0:18:33.200 --> 0:18:35.600
<v Speaker 1>get that's great. This speaks exactly too. I feel like,

0:18:35.640 --> 0:18:37.679
<v Speaker 1>Will didn't you bring this up right as we started

0:18:37.720 --> 0:18:40.159
<v Speaker 1>season two where you were like, is there ever when

0:18:40.200 --> 0:18:43.280
<v Speaker 1>Sean like wants to be part of the tough Guys gang? Yeah,

0:18:43.400 --> 0:18:46.560
<v Speaker 1>I mean it happens. You were almost immediately like all

0:18:46.600 --> 0:18:49.359
<v Speaker 1>I want to do is be a part of their gang. Yeah. Yeah,

0:18:49.520 --> 0:18:51.800
<v Speaker 1>And it was it was perfect. It was your your

0:18:51.840 --> 0:18:57.080
<v Speaker 1>intro for walking over. And then I cannot tell you

0:18:57.119 --> 0:19:03.240
<v Speaker 1>how much I laughed at Blake's as Joey his reaction

0:19:03.480 --> 0:19:07.440
<v Speaker 1>and saying because Harley's got a whole locker full of

0:19:07.560 --> 0:19:11.639
<v Speaker 1>ears from guys who done the same thing, they glasses

0:19:11.720 --> 0:19:17.520
<v Speaker 1>hang crooked now because they ain't got no ease. He's

0:19:17.560 --> 0:19:24.119
<v Speaker 1>almost singing it exactly exactly. There's like a song to it,

0:19:24.160 --> 0:19:26.760
<v Speaker 1>which of course we know him as a musician, and

0:19:26.760 --> 0:19:29.320
<v Speaker 1>so it makes sense. But all I could think of

0:19:29.320 --> 0:19:32.040
<v Speaker 1>when I watched it was, we've had this conversation before

0:19:32.160 --> 0:19:34.920
<v Speaker 1>about people who see what's written on the page and

0:19:35.119 --> 0:19:40.119
<v Speaker 1>just turn it into something totally just something magical. I

0:19:40.160 --> 0:19:44.560
<v Speaker 1>guarantee you that was something fairly straightforward on the page

0:19:44.600 --> 0:19:46.879
<v Speaker 1>that I would have never heard the way he did it,

0:19:46.960 --> 0:19:49.280
<v Speaker 1>and yet it was so unbelievably funny to me. So

0:19:49.440 --> 0:19:51.520
<v Speaker 1>I just it stood out to me. There are a

0:19:51.560 --> 0:19:53.640
<v Speaker 1>couple of really funny lines in this episode that really

0:19:53.680 --> 0:19:57.720
<v Speaker 1>stood out to me. You texted me about we will

0:19:57.720 --> 0:20:00.840
<v Speaker 1>get to too, because I love that moment too. To um,

0:20:00.880 --> 0:20:02.720
<v Speaker 1>so we'll get to that. Corey walks over to Sean

0:20:02.760 --> 0:20:04.720
<v Speaker 1>with the paper, and Corey knows he made the change

0:20:04.760 --> 0:20:07.560
<v Speaker 1>after all. Sean says he rules the school because he

0:20:07.560 --> 0:20:10.119
<v Speaker 1>did it, even though no one knows. But that's fine,

0:20:10.200 --> 0:20:12.919
<v Speaker 1>that's totally good enough for him. And then two girls

0:20:12.960 --> 0:20:15.520
<v Speaker 1>walk by and say they would do anything for the

0:20:15.560 --> 0:20:18.520
<v Speaker 1>guy who changed the headline, and Sean now says it's

0:20:18.720 --> 0:20:25.880
<v Speaker 1>killing him that nobody knows. That was a little It's

0:20:26.000 --> 0:20:29.240
<v Speaker 1>very sexual. It's just very sexual. I would do anything

0:20:29.280 --> 0:20:31.639
<v Speaker 1>for the guy. Who was like yikes, well and the

0:20:31.680 --> 0:20:36.480
<v Speaker 1>audience going, it's like, even even if it wasn't supposed

0:20:36.480 --> 0:20:38.160
<v Speaker 1>to be, which it probably was, even if it wasn't

0:20:38.200 --> 0:20:41.240
<v Speaker 1>supposed to be, anytime you throw in ah, it makes

0:20:41.240 --> 0:20:43.960
<v Speaker 1>it that way over the top. Yeah. Yeah. I also

0:20:44.040 --> 0:20:45.960
<v Speaker 1>thought it was a really interesting shot that the way

0:20:46.040 --> 0:20:48.000
<v Speaker 1>you couldn't even see the girl who was talking. You

0:20:48.000 --> 0:20:50.480
<v Speaker 1>couldn't even see her face. She was completely hidden behind

0:20:50.520 --> 0:20:52.439
<v Speaker 1>Ben and so you couldn't even see her until she

0:20:52.480 --> 0:20:54.200
<v Speaker 1>was like rounding the corner. And I was like, that

0:20:54.240 --> 0:20:56.360
<v Speaker 1>must have been the best take we had, but gone

0:20:57.160 --> 0:21:00.240
<v Speaker 1>just use that one. We don't have anything else. Um.

0:21:00.240 --> 0:21:02.640
<v Speaker 1>So then we are in Mr Turner's classroom and Mr

0:21:02.680 --> 0:21:06.040
<v Speaker 1>Turner is teaching the class about the scarlet letter. He

0:21:06.119 --> 0:21:08.800
<v Speaker 1>says it's all scandal and gossip that could have been

0:21:09.400 --> 0:21:11.679
<v Speaker 1>out of today's headlines. And then he holds up the

0:21:11.680 --> 0:21:16.200
<v Speaker 1>school newspaper with Mr Weenye on it, and then Mr

0:21:16.240 --> 0:21:18.880
<v Speaker 1>Feeney walks in and says he's going room to room

0:21:18.960 --> 0:21:23.119
<v Speaker 1>to ask whoever pulled the newspaper prank to confess. And

0:21:23.160 --> 0:21:27.840
<v Speaker 1>I have a really funny admission here, he says. And

0:21:27.920 --> 0:21:33.520
<v Speaker 1>if he or she or they confess and my first

0:21:33.520 --> 0:21:41.640
<v Speaker 1>thought was how progressive I really And then I was like, oh,

0:21:42.000 --> 0:21:46.000
<v Speaker 1>you mean today as in more than one person that

0:21:46.119 --> 0:21:48.280
<v Speaker 1>Sean and Corey at this point. But my first, my

0:21:48.400 --> 0:21:52.240
<v Speaker 1>very first thought was wow, we were so progressive in

0:21:52.359 --> 0:21:55.200
<v Speaker 1>ninety four, But it was actually just can I ask

0:21:55.240 --> 0:21:59.520
<v Speaker 1>a question? And I'm just curious about this. I frankly

0:21:59.560 --> 0:22:02.800
<v Speaker 1>thought the using the scarlet letter for the first time,

0:22:02.920 --> 0:22:04.520
<v Speaker 1>I thought it was a bit of a stretch with

0:22:04.560 --> 0:22:07.399
<v Speaker 1>this storyline. I get the whole gossip thing, but the

0:22:07.440 --> 0:22:12.160
<v Speaker 1>scarlet Letter is very specifically based around a woman. It's

0:22:12.240 --> 0:22:15.240
<v Speaker 1>very specific, like the scarlet letter means something, and it

0:22:15.400 --> 0:22:18.360
<v Speaker 1>seems like just because there's gossip about changing the headline,

0:22:18.440 --> 0:22:21.399
<v Speaker 1>it seemed like a bit of a stretch to correlate

0:22:21.520 --> 0:22:23.720
<v Speaker 1>that to the Scarlet Letter. I don't know, it just

0:22:23.760 --> 0:22:25.399
<v Speaker 1>seemed like they were trying, like there could have been

0:22:25.480 --> 0:22:28.560
<v Speaker 1>better storylines using the scarlet Letter, in my opinion, then

0:22:28.920 --> 0:22:31.320
<v Speaker 1>they change the headline and so people are talking because

0:22:31.359 --> 0:22:33.000
<v Speaker 1>it's as Weeny. It just seemed a bit of a

0:22:33.040 --> 0:22:37.040
<v Speaker 1>stretch for me. So literary, I've never read Scarlet Letter.

0:22:37.640 --> 0:22:41.960
<v Speaker 1>It's locked, but it's good, but so basically ideas that

0:22:42.040 --> 0:22:44.640
<v Speaker 1>she gets branded because she sleeps, she has to walk

0:22:44.680 --> 0:22:47.919
<v Speaker 1>around with the scarlet a on her as for adulteress,

0:22:47.960 --> 0:22:50.240
<v Speaker 1>and there's so it's it's essentially her holding her head

0:22:50.280 --> 0:22:52.360
<v Speaker 1>up high and learning to, you know, to wear it

0:22:53.000 --> 0:22:55.679
<v Speaker 1>proudly if she has to. But it's all gossip and conjecture.

0:22:55.720 --> 0:22:59.360
<v Speaker 1>And but it's a very specific story, and it's not

0:22:59.560 --> 0:23:03.080
<v Speaker 1>just because somebody gossips about somebody. I mean, there's sexual undertones,

0:23:03.119 --> 0:23:05.520
<v Speaker 1>there's there's the rights of a woman. I mean, there's

0:23:05.560 --> 0:23:08.640
<v Speaker 1>a lot of stuff that has nothing to do with

0:23:09.960 --> 0:23:14.640
<v Speaker 1>where where Corey and Tapanga fall asleep in the radio room,

0:23:14.800 --> 0:23:18.160
<v Speaker 1>perfect is a perfect example, where then Corey lets people

0:23:18.240 --> 0:23:23.879
<v Speaker 1>think that something happened between them Perfect Letter, where this

0:23:23.920 --> 0:23:26.720
<v Speaker 1>one it was just like, yeah, just because somebody did

0:23:26.800 --> 0:23:29.720
<v Speaker 1>something and there's some gossip about it doesn't necessarily make

0:23:29.760 --> 0:23:32.560
<v Speaker 1>it the Scarlet Letter. It just we're so usually so

0:23:32.600 --> 0:23:36.040
<v Speaker 1>good with putting in the literary kind of references, whether

0:23:36.080 --> 0:23:38.200
<v Speaker 1>it was what we talked about that, whatever it was,

0:23:38.240 --> 0:23:41.520
<v Speaker 1>it worked and Hamlet and all that, and then it's like, yeah,

0:23:41.640 --> 0:23:44.680
<v Speaker 1>this little bit of a stretch, Yeah, but it didn't

0:23:44.720 --> 0:23:46.399
<v Speaker 1>bump me. It didn't bump me so much that I

0:23:46.480 --> 0:23:48.920
<v Speaker 1>was like it was just like, you're forcing the letter,

0:23:49.160 --> 0:23:51.320
<v Speaker 1>but you know there's something too. I I totally get

0:23:51.320 --> 0:23:53.119
<v Speaker 1>what you're saying well, and I, like I said, I

0:23:53.160 --> 0:23:54.840
<v Speaker 1>didn't read it, but I would. I kind of agree

0:23:54.840 --> 0:23:57.960
<v Speaker 1>because I didn't get the connection necessarily, But there is

0:23:58.000 --> 0:24:01.160
<v Speaker 1>something to be said for a kids show to just

0:24:02.280 --> 0:24:05.359
<v Speaker 1>name check these things is actually valuable in itself, do

0:24:05.359 --> 0:24:08.120
<v Speaker 1>you know what I mean? Like so that a person

0:24:08.160 --> 0:24:11.080
<v Speaker 1>watching TV on Friday night with their family is going

0:24:11.160 --> 0:24:14.640
<v Speaker 1>to maybe remember the Scarlet Letter when they hear about

0:24:14.640 --> 0:24:16.639
<v Speaker 1>that in high school years later or whatever. You know,

0:24:16.680 --> 0:24:20.720
<v Speaker 1>Like that's kind of cool to just just accumulate. Uh,

0:24:20.920 --> 0:24:23.040
<v Speaker 1>Like you know, one of the one of the people

0:24:23.080 --> 0:24:26.240
<v Speaker 1>I love and I've always loved is Van Morrison. He's

0:24:26.240 --> 0:24:29.240
<v Speaker 1>an amazing singer songwriter, and I became obsessed with him

0:24:29.400 --> 0:24:31.680
<v Speaker 1>way back when I was probably like twelve or thirteen.

0:24:32.040 --> 0:24:35.760
<v Speaker 1>And he's infamous for just sort of referencing literary stuff,

0:24:35.800 --> 0:24:40.080
<v Speaker 1>like referencing poems and plays and books all the time

0:24:40.119 --> 0:24:42.560
<v Speaker 1>in all of his songs and so often in my

0:24:42.640 --> 0:24:44.800
<v Speaker 1>life though even and and and it's and in some

0:24:44.840 --> 0:24:47.000
<v Speaker 1>ways he's just like kind of reading the reading list

0:24:47.040 --> 0:24:48.879
<v Speaker 1>of like what he's reading at the time. But it

0:24:49.000 --> 0:24:51.960
<v Speaker 1>served a really cool purpose for me, whereas where later

0:24:52.000 --> 0:24:54.159
<v Speaker 1>on in life when I would encounter those books, I

0:24:54.160 --> 0:24:56.080
<v Speaker 1>would have a familiarity with it just because of the

0:24:56.160 --> 0:24:59.520
<v Speaker 1>Van Morrison song. Like they're just trying to make this

0:25:00.040 --> 0:25:02.359
<v Speaker 1>as if it was the same type of thing. But

0:25:02.440 --> 0:25:04.600
<v Speaker 1>I guess what I'm saying was wearing the scarlet w

0:25:05.680 --> 0:25:07.760
<v Speaker 1>But I guess what I well it is that kind

0:25:07.760 --> 0:25:09.960
<v Speaker 1>of does make sense write a letter. I guess I

0:25:10.240 --> 0:25:12.800
<v Speaker 1>get what they're doing it, but I guess I'm just

0:25:13.119 --> 0:25:17.879
<v Speaker 1>arguing in favor of making a literary historical cultural if

0:25:17.880 --> 0:25:19.840
<v Speaker 1>it doesn't necessarily have to make sense, just for the

0:25:19.960 --> 0:25:23.200
<v Speaker 1>value of, like our our audience just absorbing cool things

0:25:23.200 --> 0:25:25.760
<v Speaker 1>that will pay. And I think what Will is saying

0:25:25.840 --> 0:25:27.679
<v Speaker 1>is he agrees with you, but maybe there could have

0:25:27.680 --> 0:25:29.640
<v Speaker 1>been something that tied in more closely and we could

0:25:29.640 --> 0:25:31.560
<v Speaker 1>have had the best of both worlds. And now you

0:25:31.600 --> 0:25:33.560
<v Speaker 1>know exactly what it's like when we go to dinner.

0:25:35.760 --> 0:25:41.200
<v Speaker 1>It's I think writers saying, I think that Will is

0:25:41.200 --> 0:25:45.720
<v Speaker 1>actually agreeing with you, it's just that Will's perspective. I'd

0:25:45.720 --> 0:25:49.800
<v Speaker 1>like another double vacive rocks. Please think I'll see you

0:25:49.800 --> 0:25:55.840
<v Speaker 1>guys at six six in the morning. Okay, um so yes? Uh.

0:25:56.280 --> 0:25:58.840
<v Speaker 1>Corean Seawn look around in a very guilty manner, while

0:25:58.960 --> 0:26:01.199
<v Speaker 1>Mr Fini is sayingever he she or they if they

0:26:01.240 --> 0:26:03.520
<v Speaker 1>will just confess? And then we are in the Matthews

0:26:03.600 --> 0:26:07.000
<v Speaker 1>kitchen and Eric shows Alan the school newspaper, which Alan

0:26:07.240 --> 0:26:10.280
<v Speaker 1>actually thinks is very funny. Eric reads a letter from

0:26:10.280 --> 0:26:13.400
<v Speaker 1>his girlfriend Molly that says her efforts at journalistic excellence

0:26:13.400 --> 0:26:18.120
<v Speaker 1>have been forever compromised by Eric's limited intellect and profound immaturity.

0:26:18.400 --> 0:26:22.440
<v Speaker 1>She thinks Eric did it. Amy walks in from behind

0:26:22.480 --> 0:26:24.840
<v Speaker 1>Alan and slaps him on the head after he comments

0:26:24.880 --> 0:26:27.240
<v Speaker 1>that marriage is so wonderful and the love bug will

0:26:27.240 --> 0:26:32.080
<v Speaker 1>get you, and she says he forgot to clean the garage.

0:26:32.119 --> 0:26:34.960
<v Speaker 1>Amy sees the paper and wonders, well, how did that happen?

0:26:35.480 --> 0:26:40.440
<v Speaker 1>Morgan keeps yelling it says Wayney, and then Corey walks in.

0:26:41.400 --> 0:26:44.800
<v Speaker 1>Now he is very well dressed, like she's coming from work. Yeah,

0:26:44.840 --> 0:26:55.720
<v Speaker 1>she's the bricks, bright level work. What does Amy do? Yeah?

0:26:55.720 --> 0:26:58.800
<v Speaker 1>I think she looks very professional, and she's she's she

0:26:58.880 --> 0:27:01.840
<v Speaker 1>looks like she's coming from work. He's like home, you know,

0:27:02.000 --> 0:27:05.120
<v Speaker 1>not working. Just I'm so curious, what's happening here. Also

0:27:05.200 --> 0:27:07.400
<v Speaker 1>on the on the board behind Corey when he comes

0:27:07.400 --> 0:27:09.679
<v Speaker 1>in on the board for the for the tou of,

0:27:11.040 --> 0:27:14.680
<v Speaker 1>he's got to call like nine girls. It says, yeah,

0:27:14.720 --> 0:27:17.040
<v Speaker 1>there's like Corey called, Megan called called it. It's like

0:27:17.040 --> 0:27:21.240
<v Speaker 1>what how are all these what? And then yes, I

0:27:21.320 --> 0:27:23.199
<v Speaker 1>was watching it was Sue and I was like, can

0:27:23.240 --> 0:27:26.040
<v Speaker 1>you see what it says in the corner there? She says, yeah,

0:27:26.040 --> 0:27:28.679
<v Speaker 1>it says call the King of Siam. Was like, I

0:27:28.720 --> 0:27:32.960
<v Speaker 1>don't think that's what it says, so like Jesus, yeah,

0:27:33.040 --> 0:27:34.520
<v Speaker 1>you didn't probably see it the same way I did.

0:27:34.520 --> 0:27:37.080
<v Speaker 1>But there's some very strange things. If anybody can tell us.

0:27:37.119 --> 0:27:39.960
<v Speaker 1>What is actually written on the board is a list

0:27:39.960 --> 0:27:42.640
<v Speaker 1>of girls he has to call. I thought it was interesting,

0:27:43.600 --> 0:27:47.640
<v Speaker 1>all right, Yeah, Corey is a ladies man now. Uh So,

0:27:47.760 --> 0:27:50.560
<v Speaker 1>then Eric realizes Corey was the last one in the

0:27:50.600 --> 0:27:53.800
<v Speaker 1>newspaper office before everything went to the printers, and Amy

0:27:53.880 --> 0:27:55.679
<v Speaker 1>asks Corey if he had something to do with it,

0:27:55.720 --> 0:27:59.159
<v Speaker 1>and he says no, and then Morgan yells, Wayney, I

0:27:59.200 --> 0:28:02.720
<v Speaker 1>can read, can read. I had a problem just very quickly,

0:28:02.800 --> 0:28:06.280
<v Speaker 1>and it's just a personal thing. Brother Wise, I didn't

0:28:06.320 --> 0:28:07.840
<v Speaker 1>like and I get why they did it for the story,

0:28:07.840 --> 0:28:11.560
<v Speaker 1>it's not the writing. I didn't like Eric calling Corey

0:28:11.560 --> 0:28:14.600
<v Speaker 1>out in front of his parents, like you don't want

0:28:14.600 --> 0:28:16.800
<v Speaker 1>your brother, You don't want get your brother in trouble.

0:28:16.840 --> 0:28:18.440
<v Speaker 1>You want to pull him aside and be like, dude,

0:28:18.480 --> 0:28:21.280
<v Speaker 1>I know you're in the room. But I get why

0:28:21.320 --> 0:28:23.399
<v Speaker 1>they did it, and I because I also don't. I

0:28:23.400 --> 0:28:25.639
<v Speaker 1>think you just realized it at the in the in

0:28:25.720 --> 0:28:28.680
<v Speaker 1>the moment, and it wasn't even that you were aware. Yeah,

0:28:28.720 --> 0:28:30.480
<v Speaker 1>it was more because I think it was more just

0:28:30.600 --> 0:28:32.240
<v Speaker 1>that was the first time you had the thought. Because

0:28:32.320 --> 0:28:34.240
<v Speaker 1>it was actually very good acting on your part. It

0:28:34.280 --> 0:28:36.879
<v Speaker 1>seemed very much like the idea just came to you.

0:28:36.880 --> 0:28:39.240
<v Speaker 1>You were like, I don't know how this could have happened.

0:28:39.240 --> 0:28:41.320
<v Speaker 1>Molly thinks it's me, and yet there's no way, how

0:28:41.360 --> 0:28:45.600
<v Speaker 1>could it A minute, I didn't like that that. I

0:28:45.680 --> 0:28:46.800
<v Speaker 1>was like, oh, we called him out in front of

0:28:46.800 --> 0:28:48.400
<v Speaker 1>his parents, But I get why they did it. Were

0:28:49.600 --> 0:28:51.880
<v Speaker 1>you were just light bulbs were going off in your head.

0:29:02.120 --> 0:29:04.280
<v Speaker 1>So then we're in the school hallway and Eric and

0:29:04.400 --> 0:29:07.360
<v Speaker 1>Jason Marsden are studying as Molly walks by and tells

0:29:07.480 --> 0:29:10.120
<v Speaker 1>Eric to get out of her sight and calls him vermicular,

0:29:10.240 --> 0:29:14.440
<v Speaker 1>miscreant great words. And this is Jason's first appearance in

0:29:14.480 --> 0:29:18.040
<v Speaker 1>the second season. It is and I forgot that this

0:29:18.160 --> 0:29:21.240
<v Speaker 1>was the desire episode because like you with Trino, where

0:29:21.280 --> 0:29:23.320
<v Speaker 1>you've talked about later, this was the first time they

0:29:23.320 --> 0:29:27.800
<v Speaker 1>actually pulled me into an audition. I read with her

0:29:27.840 --> 0:29:30.160
<v Speaker 1>because she does I think, I don't know, she just

0:29:30.280 --> 0:29:32.120
<v Speaker 1>did this episode or she no, she does more than

0:29:32.160 --> 0:29:34.680
<v Speaker 1>one episode. Um. So they called me in and this

0:29:34.720 --> 0:29:36.320
<v Speaker 1>is the first time I was on the other side

0:29:36.320 --> 0:29:38.720
<v Speaker 1>of of the audition room where I was like, oh man,

0:29:38.960 --> 0:29:40.360
<v Speaker 1>I actually have to read with people. And I read

0:29:40.360 --> 0:29:42.560
<v Speaker 1>with a number of girls, and they talked to me

0:29:42.640 --> 0:29:44.000
<v Speaker 1>about what what did you think of this one and

0:29:44.040 --> 0:29:45.280
<v Speaker 1>what do you think it was. It was the first

0:29:45.280 --> 0:29:46.920
<v Speaker 1>time I got kind of the behind the scenes look

0:29:47.000 --> 0:29:49.760
<v Speaker 1>at what the audition was process was like when you

0:29:49.840 --> 0:29:51.719
<v Speaker 1>leave the room, because then I was there as they

0:29:51.720 --> 0:29:55.200
<v Speaker 1>were discussing everything. Um. But yeah, we ended up Jason

0:29:55.240 --> 0:29:58.480
<v Speaker 1>and I we asked that, you know, the we tried.

0:29:58.520 --> 0:30:00.440
<v Speaker 1>We had a double date, so Jason went out with

0:30:00.480 --> 0:30:02.720
<v Speaker 1>this girl and I went out with Jill, and we

0:30:02.760 --> 0:30:04.320
<v Speaker 1>all went out to dinner one night, the four of us.

0:30:04.680 --> 0:30:07.760
<v Speaker 1>That's so funny. She was very sweet and that was

0:30:07.800 --> 0:30:10.280
<v Speaker 1>my first first time ever seeing that kind of audition process,

0:30:10.280 --> 0:30:14.440
<v Speaker 1>which was interesting, so cool. So uh. Jason asks how

0:30:14.440 --> 0:30:17.120
<v Speaker 1>it's going with Molly, and Eric calls her a man killer,

0:30:17.160 --> 0:30:19.640
<v Speaker 1>and then Jason asks if he can call her, and

0:30:19.680 --> 0:30:25.240
<v Speaker 1>then Eric, while holding your favorite folders Will Folders with

0:30:25.320 --> 0:30:27.840
<v Speaker 1>the random sports on it, says he is done with

0:30:27.880 --> 0:30:30.000
<v Speaker 1>women for his junior year and the next time he

0:30:30.040 --> 0:30:33.000
<v Speaker 1>falls in love, Jason needs to talk him down. Eric

0:30:33.080 --> 0:30:37.600
<v Speaker 1>turns around and it runs into a girl and spills

0:30:37.720 --> 0:30:40.520
<v Speaker 1>red drink. Yeah, I know the red drink. I was

0:30:40.520 --> 0:30:42.280
<v Speaker 1>wondering why I was drinking in the hallway. I was like,

0:30:42.320 --> 0:30:44.400
<v Speaker 1>why did he? Why do I have this in the hallway?

0:30:44.440 --> 0:30:48.480
<v Speaker 1>And then and she also has red drink in her hand.

0:30:48.880 --> 0:30:53.280
<v Speaker 1>You know what's meant to be? This? This felt that,

0:30:53.440 --> 0:30:57.160
<v Speaker 1>this this part felt forced. This this part here with

0:30:57.200 --> 0:31:02.400
<v Speaker 1>the bump and the yeah and shoes and bought in

0:31:02.520 --> 0:31:07.320
<v Speaker 1>New York. My pants, my shoes really are into accents

0:31:07.360 --> 0:31:11.000
<v Speaker 1>this season, like everybody everybody got that New York note

0:31:11.280 --> 0:31:13.480
<v Speaker 1>to be more New York. You got you know, Blake

0:31:13.560 --> 0:31:19.240
<v Speaker 1>doing the ears and everybody's New York Atlanta and from Atlanta,

0:31:21.480 --> 0:31:24.680
<v Speaker 1>and you are wearing will you were wearing the most

0:31:24.840 --> 0:31:28.320
<v Speaker 1>giant pants I've ever said the same thing. She said

0:31:28.440 --> 0:31:31.040
<v Speaker 1>they were made by a tent maker. Yes, yes, they

0:31:31.040 --> 0:31:35.160
<v Speaker 1>are giant pants. And she says, when you say my shoes,

0:31:35.240 --> 0:31:39.440
<v Speaker 1>and she says my shoes, she says, I just bought

0:31:39.600 --> 0:31:45.280
<v Speaker 1>mine New York. I just bought mine New York. She

0:31:45.400 --> 0:31:50.160
<v Speaker 1>was in New York. She may have been saying mine,

0:31:50.800 --> 0:31:53.120
<v Speaker 1>but there is no separate word. I just bought my

0:31:53.560 --> 0:31:59.280
<v Speaker 1>New York. Um. She sounds like a nineteen forties newspaper dame, right,

0:32:01.040 --> 0:32:05.200
<v Speaker 1>she's more like a more like an eighteen fifties plantation owner.

0:32:05.200 --> 0:32:17.440
<v Speaker 1>What maybe maybe it's like Southern Belle. I got the vape.

0:32:18.440 --> 0:32:21.280
<v Speaker 1>So he looks up and she looks up, and they

0:32:21.320 --> 0:32:24.160
<v Speaker 1>appear to like fall in love, and Jason is muttering

0:32:24.200 --> 0:32:26.680
<v Speaker 1>bag of misery, bag of misery to remind Eric not

0:32:26.760 --> 0:32:29.560
<v Speaker 1>to fall for her. Eric says sorry, and he tries

0:32:29.640 --> 0:32:32.120
<v Speaker 1>to walk away, but the girl says her family just

0:32:32.160 --> 0:32:34.320
<v Speaker 1>moved from Atlanta and it's her senior year and a

0:32:34.360 --> 0:32:37.600
<v Speaker 1>brand new school, and she is lost. Eric keeps saying

0:32:37.640 --> 0:32:41.520
<v Speaker 1>senior while Jason keeps saying misery. Bag. Eric throws Jason's

0:32:41.560 --> 0:32:43.680
<v Speaker 1>books down the hall so he can go away, and

0:32:43.720 --> 0:32:49.800
<v Speaker 1>then he walks away with Desiree Emmeline Hollinger Beaumont like

0:32:50.000 --> 0:32:57.840
<v Speaker 1>you do. Yeah, yes, I got nothing, Okay. Sean walks

0:32:57.880 --> 0:32:59.880
<v Speaker 1>by telling Corey that there is a rumor that the

0:33:00.000 --> 0:33:02.880
<v Speaker 1>Whenie headline was just a typo and not his work.

0:33:03.080 --> 0:33:05.560
<v Speaker 1>So he then shows Corey that he changed the name

0:33:05.640 --> 0:33:09.560
<v Speaker 1>on the principal's office to Mr George Weeney. It is

0:33:09.560 --> 0:33:14.320
<v Speaker 1>worth noting here that this is the ever changing door

0:33:16.360 --> 0:33:20.440
<v Speaker 1>bathroom in the first episode, exactly the first two episodes.

0:33:20.480 --> 0:33:22.200
<v Speaker 1>I think it was where Harley was going to beat

0:33:22.280 --> 0:33:24.920
<v Speaker 1>Corey up. And we also in the first episode had

0:33:24.920 --> 0:33:29.520
<v Speaker 1>clearly established Phoene's office when Ben went to it, where

0:33:29.560 --> 0:33:32.960
<v Speaker 1>there was a completely different hallway. Yeah, there was another

0:33:33.000 --> 0:33:36.000
<v Speaker 1>hallway with a whole like a set of offices which

0:33:36.000 --> 0:33:38.880
<v Speaker 1>Phoene's office was off of. So now we just make

0:33:38.920 --> 0:33:42.320
<v Speaker 1>it this door store and it's going to be a

0:33:42.320 --> 0:33:47.440
<v Speaker 1>bunch of other things. It'll be closet. Yeah, it's that

0:33:47.720 --> 0:33:50.960
<v Speaker 1>spot on set was whatever we needed that week. We

0:33:51.000 --> 0:33:53.600
<v Speaker 1>ever make fun of it in a medicine, we must.

0:33:53.600 --> 0:33:55.600
<v Speaker 1>I don't know. I hope we do. I hope I

0:33:55.640 --> 0:33:58.760
<v Speaker 1>hope we do too, because it's ridiculous. It's really ridiculous.

0:33:59.080 --> 0:34:02.360
<v Speaker 1>So you have written Sean has written Weenie in in

0:34:02.480 --> 0:34:06.240
<v Speaker 1>like ink or paint or something on the door and

0:34:06.760 --> 0:34:09.040
<v Speaker 1>Corey ends up reaching up his hand because he says

0:34:09.040 --> 0:34:15.640
<v Speaker 1>there's a drip and he touches it. Uh, yes, gasps,

0:34:15.840 --> 0:34:18.680
<v Speaker 1>I remember him. Yes. I feel like we might have

0:34:18.719 --> 0:34:21.840
<v Speaker 1>done this multiple times or he does that, or we

0:34:21.920 --> 0:34:24.800
<v Speaker 1>all although we have a gasp that we did together.

0:34:24.960 --> 0:34:28.239
<v Speaker 1>Do you guys remember that we brought that back for

0:34:28.320 --> 0:34:30.000
<v Speaker 1>a whole bunch? Yeah, I wonder if that came out

0:34:30.000 --> 0:34:33.440
<v Speaker 1>of this, because this is really funny. Does it like

0:34:33.480 --> 0:34:36.320
<v Speaker 1>three or four times? Is great? Yeah, it is very funny.

0:34:37.080 --> 0:34:39.920
<v Speaker 1>Corey tells Sean that he is out of control, and

0:34:40.280 --> 0:34:43.279
<v Speaker 1>Janitor Bud from earlier walks over with Mr Foenie. As

0:34:43.320 --> 0:34:45.640
<v Speaker 1>Corey is standing in front of the door, thinking Corey

0:34:45.840 --> 0:34:49.160
<v Speaker 1>did the name changing. Phoene says Janitor Bud saw him

0:34:49.200 --> 0:34:51.520
<v Speaker 1>at the scene of the crime with his good eye,

0:34:53.040 --> 0:34:56.560
<v Speaker 1>and Corey denies it. Corey then realizes he has black

0:34:56.600 --> 0:34:58.640
<v Speaker 1>paint on his hand. Phoene. He says, my hands are clean,

0:34:58.680 --> 0:35:00.959
<v Speaker 1>and he holds up his hand. Did anyone else notice

0:35:01.000 --> 0:35:05.000
<v Speaker 1>that it was the wrong finger on the wrong hand. Yeah, yeah,

0:35:05.040 --> 0:35:08.279
<v Speaker 1>he wipes. He wipes the letter with his left hand

0:35:08.360 --> 0:35:13.200
<v Speaker 1>and then turns around left handed, and then when holds

0:35:13.239 --> 0:35:15.239
<v Speaker 1>up the finger, the paint is on his right hand

0:35:15.280 --> 0:35:20.560
<v Speaker 1>and bummed me out. But bummed me out. I was like,

0:35:20.600 --> 0:35:23.759
<v Speaker 1>as a director, You're like, I would never let that fly.

0:35:24.320 --> 0:35:29.600
<v Speaker 1>That would never happen. Um So, Phoene says Corey has

0:35:29.680 --> 0:35:31.839
<v Speaker 1>until the end of the day tomorrow to give him

0:35:31.840 --> 0:35:33.960
<v Speaker 1>the name of the person who did it, or else

0:35:34.200 --> 0:35:41.360
<v Speaker 1>he will be suspended. Don So. Then we're back in

0:35:41.400 --> 0:35:43.959
<v Speaker 1>the Matthews living room. Alan and Amy tell the entering

0:35:44.000 --> 0:35:46.239
<v Speaker 1>Corey that Phoene called to tell them he's meeting with

0:35:46.280 --> 0:35:48.600
<v Speaker 1>Corey in his office tomorrow and that he's they're supposed

0:35:48.640 --> 0:35:51.280
<v Speaker 1>to ask Corey what it's about. Corey tells his parents

0:35:51.280 --> 0:35:53.520
<v Speaker 1>that he has a friend who pulled a major brank

0:35:53.520 --> 0:35:56.800
<v Speaker 1>at school, and Amy keeps saying it's Sean and he

0:35:56.920 --> 0:36:01.520
<v Speaker 1>kep saying no, it was so funny seen. Rusty is

0:36:01.600 --> 0:36:04.040
<v Speaker 1>so good in the show. I don't even know what

0:36:04.080 --> 0:36:06.439
<v Speaker 1>to do with myself. I wish I had known this

0:36:06.480 --> 0:36:10.879
<v Speaker 1>while we were working together. How good. Now he's hysterical yeah,

0:36:11.600 --> 0:36:14.680
<v Speaker 1>so funny. The whole thing with her going Sean, Sean,

0:36:15.320 --> 0:36:17.239
<v Speaker 1>it's Sean, and him going it's not Sean, and then

0:36:17.320 --> 0:36:20.400
<v Speaker 1>Alan saying, no, he's saying it's not Sean. I believe

0:36:20.480 --> 0:36:24.759
<v Speaker 1>him is of course it's Sean. Obviously it's Sean. Yes,

0:36:25.120 --> 0:36:29.440
<v Speaker 1>so good, so good funny, and Alan says, well, Corey

0:36:29.480 --> 0:36:32.560
<v Speaker 1>cannot route out his friend. Amy says, what are you

0:36:32.600 --> 0:36:39.480
<v Speaker 1>in a prison movie? Which is so funny, and she

0:36:39.600 --> 0:36:42.720
<v Speaker 1>says there are consequences in real life, and Amy says

0:36:42.800 --> 0:36:45.520
<v Speaker 1>colleges will see suspended on Corey's record and if he

0:36:45.560 --> 0:36:47.600
<v Speaker 1>doesn't rat, if he doesn't write out Sean. But Alan says,

0:36:47.600 --> 0:36:49.160
<v Speaker 1>colleges will let you in as long as you have

0:36:49.280 --> 0:36:52.440
<v Speaker 1>enough money. Amy asks do we have enough money? And

0:36:52.440 --> 0:36:55.040
<v Speaker 1>then Alan turns to Corey and says, you have to

0:36:55.040 --> 0:36:58.920
<v Speaker 1>write out end because we're poor. This might be my

0:36:58.920 --> 0:37:01.400
<v Speaker 1>favorite boy meant world line of her. I love it.

0:37:01.560 --> 0:37:06.400
<v Speaker 1>I think it's Rusties delivery. It's just just beat turned deliver,

0:37:06.680 --> 0:37:10.280
<v Speaker 1>no inflection perfect, it's a that. Yeah, this whole scene

0:37:10.320 --> 0:37:13.880
<v Speaker 1>is great. I just love like them all sort of

0:37:13.920 --> 0:37:16.680
<v Speaker 1>figuring it out together, you know, like everyone's being smart,

0:37:16.760 --> 0:37:19.680
<v Speaker 1>everyone's being sort of above the dialogue. It's just really

0:37:19.719 --> 0:37:23.280
<v Speaker 1>well written and really well acted. This is like just quality.

0:37:23.680 --> 0:37:26.160
<v Speaker 1>This is kind of what I've been wanting from season two.

0:37:26.239 --> 0:37:28.399
<v Speaker 1>And I hope there's more of this, you know, like

0:37:28.880 --> 0:37:31.680
<v Speaker 1>it's it's it's not any less obvious. It's still very

0:37:31.719 --> 0:37:34.359
<v Speaker 1>much a sitcom. It's still very much set up, set up, joke, joke,

0:37:34.600 --> 0:37:37.719
<v Speaker 1>but it's just has this like effortless sort of intelligence

0:37:37.760 --> 0:37:40.680
<v Speaker 1>to it. Yeah, it's witty, you know, it's very witty,

0:37:40.760 --> 0:37:43.800
<v Speaker 1>and um, I love it. And it has good pace,

0:37:44.080 --> 0:37:47.520
<v Speaker 1>you know how somehow, like Michael was always big on pace,

0:37:47.640 --> 0:37:50.200
<v Speaker 1>paste paste, and sometimes, like especially on Girl Meets World,

0:37:50.200 --> 0:37:53.600
<v Speaker 1>that would feel like we were racing through things. This

0:37:53.680 --> 0:37:56.799
<v Speaker 1>has that good pace where exactly like you said, right,

0:37:56.880 --> 0:37:59.759
<v Speaker 1>or like everyone's just above it. It's well written, it's

0:38:00.160 --> 0:38:06.319
<v Speaker 1>it's it's just great. It's so snappy. Yes, yeah, it's

0:38:06.320 --> 0:38:08.720
<v Speaker 1>really great to write out your friend because we're poor,

0:38:09.239 --> 0:38:12.400
<v Speaker 1>I know, so so good. So Eric walks in and

0:38:12.400 --> 0:38:15.120
<v Speaker 1>says I'm dating a senior. I'm special and says he

0:38:15.160 --> 0:38:17.560
<v Speaker 1>has a newfound sense of self worth and then says

0:38:17.680 --> 0:38:21.560
<v Speaker 1>nothing bad can happen, right, and walks out. It looks

0:38:21.560 --> 0:38:23.200
<v Speaker 1>like Ben's about to break. If you go back and

0:38:23.239 --> 0:38:25.960
<v Speaker 1>you watch as I leave, he's in all the way

0:38:26.000 --> 0:38:27.480
<v Speaker 1>on the side of the couch and you can just

0:38:27.560 --> 0:38:31.840
<v Speaker 1>he's making the bend about to break face you walking in,

0:38:32.080 --> 0:38:35.160
<v Speaker 1>like we're talking about how great this scene until that moment,

0:38:35.200 --> 0:38:38.280
<v Speaker 1>like you walk in and you just literally like declare,

0:38:38.360 --> 0:38:41.880
<v Speaker 1>it's the set of lines, like here's my situation, so

0:38:41.880 --> 0:38:43.400
<v Speaker 1>I could just get it all out really quickly so

0:38:43.400 --> 0:38:47.600
<v Speaker 1>we can move on to the next scene perfectly. Oh

0:38:47.680 --> 0:38:49.680
<v Speaker 1>my god, it's like they just ran out of pages

0:38:49.719 --> 0:38:51.480
<v Speaker 1>and they're like, well, how can we get all of

0:38:51.480 --> 0:38:54.239
<v Speaker 1>Wheel's information or Eric's information just have Will come in

0:38:54.280 --> 0:38:59.000
<v Speaker 1>and tell them for no reason, we declare, it's that's

0:38:59.000 --> 0:39:01.200
<v Speaker 1>like lazy right now. So you go from like this

0:39:01.320 --> 0:39:05.480
<v Speaker 1>elevator witty writing to just like the laziest optical flip

0:39:05.680 --> 0:39:09.240
<v Speaker 1>my life. My life is the best, nothing bad can happen,

0:39:10.080 --> 0:39:14.120
<v Speaker 1>so funny. So we're back at the school hallway. Mr

0:39:14.200 --> 0:39:17.160
<v Speaker 1>Peenie reminds Corey of their meeting, and Corey asks Phoenie

0:39:17.440 --> 0:39:19.880
<v Speaker 1>Um that maybe he's just taking all of this a

0:39:19.880 --> 0:39:23.080
<v Speaker 1>little too seriously. Phoene says, Corey knows who did it,

0:39:23.160 --> 0:39:25.879
<v Speaker 1>and until then he can only talk to Corey about this.

0:39:26.360 --> 0:39:28.600
<v Speaker 1>Sean runs up and asks Corey if he told on him,

0:39:28.600 --> 0:39:32.560
<v Speaker 1>and Corey says no. Sean shows Corey the latest newspaper

0:39:32.600 --> 0:39:35.600
<v Speaker 1>that has a correction notice that his real name. Phoenie's

0:39:35.640 --> 0:39:45.000
<v Speaker 1>real name is Weenie Weenie A Bunch of Weeniees, Pg. Three. Yeah, uh,

0:39:45.200 --> 0:39:48.640
<v Speaker 1>did anybody have any problem with Sean as a character?

0:39:49.080 --> 0:39:52.080
<v Speaker 1>I see what they tried to do. I thought they

0:39:52.080 --> 0:39:55.280
<v Speaker 1>could have gone a little farther with him putting Corey

0:39:55.280 --> 0:39:57.600
<v Speaker 1>in a terrible situation, like he says, hey, ever since I,

0:39:57.760 --> 0:39:59.520
<v Speaker 1>you know, blew up that mailbox, but he doesn't. He

0:39:59.600 --> 0:40:03.080
<v Speaker 1>never dresses at all. Really that he's making his friend

0:40:04.000 --> 0:40:06.399
<v Speaker 1>get suspended, and he seems to kind of not care

0:40:06.440 --> 0:40:08.640
<v Speaker 1>where he's like, hey, thanks man. It's just like, wow,

0:40:08.840 --> 0:40:11.080
<v Speaker 1>I felt like they could have addressed it a little more, like, man,

0:40:11.120 --> 0:40:13.440
<v Speaker 1>you know, my dad's gonna kill you if I can.

0:40:13.520 --> 0:40:16.640
<v Speaker 1>I'm so thank you for doing He doesn't exactly that one.

0:40:16.840 --> 0:40:20.600
<v Speaker 1>He does one time, but a little more with it. Yeah, Well,

0:40:20.600 --> 0:40:21.719
<v Speaker 1>this is kind of what I was saying. It's like

0:40:21.760 --> 0:40:24.200
<v Speaker 1>as opposed to the Fugitive, which really went into the

0:40:24.239 --> 0:40:28.480
<v Speaker 1>depth of the depths of Shawn's mystery. At Home. Like

0:40:28.840 --> 0:40:31.839
<v Speaker 1>and and the struggle that seance, this one is much

0:40:31.880 --> 0:40:34.640
<v Speaker 1>more so. I'm I'm there as a source of pressure

0:40:34.680 --> 0:40:37.360
<v Speaker 1>for Corey, but it's definitely not played for realism or

0:40:37.400 --> 0:40:41.880
<v Speaker 1>played for emotional value at all. That was fugitive Light. Yeah, exactly,

0:40:41.920 --> 0:40:48.080
<v Speaker 1>It's like taking the ideas of the fugitive Yeah. So

0:40:48.640 --> 0:40:51.440
<v Speaker 1>the Weenie Weenie Weenie Weenie Weenie is a new prank,

0:40:51.719 --> 0:40:53.760
<v Speaker 1>but Sean says he didn't do this one and someone

0:40:53.880 --> 0:40:57.080
<v Speaker 1>ripped his idea. Harley, nearby with the gang, says the

0:40:57.080 --> 0:41:00.520
<v Speaker 1>new article has flair and he is rolling on the floor.

0:41:01.160 --> 0:41:03.919
<v Speaker 1>Frankie and Joey admit that they did it for Harley.

0:41:04.000 --> 0:41:06.399
<v Speaker 1>And then Desiree is walking down the hall with Eric

0:41:06.480 --> 0:41:09.920
<v Speaker 1>following behind her holding her books, and she asks Eric's

0:41:09.960 --> 0:41:12.520
<v Speaker 1>to get Eric to get her cat neutered while she

0:41:12.719 --> 0:41:15.560
<v Speaker 1>is at the mall. She seems to be playing him,

0:41:15.600 --> 0:41:17.480
<v Speaker 1>and then she gives him a little kiss on the cheek.

0:41:18.400 --> 0:41:20.680
<v Speaker 1>Jason comes up and by the way he is, did

0:41:20.680 --> 0:41:22.520
<v Speaker 1>anyone else think he looked like he was wearing like

0:41:22.560 --> 0:41:26.480
<v Speaker 1>a striped pajama nightgown, like a tiny Tim's that striped

0:41:26.520 --> 0:41:29.239
<v Speaker 1>shirt reminding me like a tiny Tim nightgown. I wanted

0:41:29.280 --> 0:41:32.080
<v Speaker 1>him to have a little nightgown and holding a little lantern.

0:41:34.600 --> 0:41:37.000
<v Speaker 1>That's literally what I wanted to have a little lantern.

0:41:37.000 --> 0:41:48.400
<v Speaker 1>And like, god, he's he's so comfortable, you know, just yeah,

0:41:48.440 --> 0:41:51.400
<v Speaker 1>he's Jason. Yeah, he really seems like he's like in

0:41:51.640 --> 0:41:53.720
<v Speaker 1>on the joke, in on the writing, like the writing

0:41:53.760 --> 0:41:57.279
<v Speaker 1>is really him. Um. He asks if Eric is getting

0:41:57.320 --> 0:41:59.600
<v Speaker 1>neutered along with the cat a two for one deal,

0:42:00.080 --> 0:42:02.680
<v Speaker 1>and Desire comes back and asks Eric to drive around

0:42:02.760 --> 0:42:04.960
<v Speaker 1>for forty minutes before picking her up to warm up

0:42:04.960 --> 0:42:09.320
<v Speaker 1>the car. Skirts it into doing it by his na sentosty.

0:42:10.239 --> 0:42:14.200
<v Speaker 1>Uh so now his new older pretty girlfriend Um bribes

0:42:14.239 --> 0:42:17.920
<v Speaker 1>him to do that, and Jason teases him even more. Nearby,

0:42:17.960 --> 0:42:20.400
<v Speaker 1>Sean asks Corey if he's playing basketball after school, but

0:42:20.440 --> 0:42:22.719
<v Speaker 1>Corey says he has his meeting with Phoene about a

0:42:22.840 --> 0:42:26.520
<v Speaker 1>prank he didn't do, and Sean thanks Corey for covering

0:42:26.520 --> 0:42:28.480
<v Speaker 1>for him because his dad will ship him off to

0:42:28.560 --> 0:42:31.279
<v Speaker 1>military school if there is one more screw up after

0:42:31.320 --> 0:42:33.239
<v Speaker 1>the mailbox problem from last year. So this is the

0:42:33.239 --> 0:42:36.480
<v Speaker 1>spot where he really does just call it? Were you

0:42:36.840 --> 0:42:38.799
<v Speaker 1>dizzy with how many scenes are going on in one

0:42:39.920 --> 0:42:44.040
<v Speaker 1>like this is This is a classic use of this

0:42:44.080 --> 0:42:47.360
<v Speaker 1>hallway just divide and then suddenly there was this bench

0:42:47.400 --> 0:42:50.160
<v Speaker 1>in the foreground that wasn't there before. It's like so

0:42:50.200 --> 0:42:52.839
<v Speaker 1>many interesting like, you know, this just goes back to

0:42:52.840 --> 0:42:56.279
<v Speaker 1>the theater basis of sitcom. You know, you can have

0:42:56.440 --> 0:43:00.000
<v Speaker 1>like basically five scenes and one all these little groups

0:43:00.040 --> 0:43:02.520
<v Speaker 1>of characters getting their own little corner and their own

0:43:02.560 --> 0:43:05.400
<v Speaker 1>little It's just I was a little overwhelmed with this

0:43:05.400 --> 0:43:08.279
<v Speaker 1>scene in particular, but it is it felt a little

0:43:08.600 --> 0:43:10.480
<v Speaker 1>it didn't feel effortless this time, like I think it

0:43:10.480 --> 0:43:12.520
<v Speaker 1>could have used especially when like Jason and you and

0:43:12.680 --> 0:43:14.640
<v Speaker 1>you're seeing you guys just kind of like split up

0:43:14.640 --> 0:43:17.560
<v Speaker 1>and walk away, just like there was no way to

0:43:17.600 --> 0:43:19.880
<v Speaker 1>like it should have been carried maybe for one scene

0:43:19.920 --> 0:43:23.279
<v Speaker 1>to the other. But super interesting, like how much it

0:43:23.280 --> 0:43:25.279
<v Speaker 1>gets crammed into one scene. I mean, this must have

0:43:25.280 --> 0:43:28.800
<v Speaker 1>been a monster during rehearsal, right, because it essentially becomes vignettes.

0:43:29.000 --> 0:43:34.080
<v Speaker 1>It's just in one giant set. You know, it's very

0:43:34.080 --> 0:43:37.960
<v Speaker 1>strange other and I remember rehearsing these would be some

0:43:38.040 --> 0:43:40.200
<v Speaker 1>of the hardest because you would all be having to

0:43:40.200 --> 0:43:43.240
<v Speaker 1>wait around for your sort of vignette. Do you remember,

0:43:43.320 --> 0:43:45.840
<v Speaker 1>like Ben and I would be like whispering in the corner,

0:43:45.880 --> 0:43:49.000
<v Speaker 1>like laughing, telling in jokes while other actors were trying

0:43:49.040 --> 0:43:51.880
<v Speaker 1>to rehearse their scene. On the other it was always

0:43:52.000 --> 0:43:55.800
<v Speaker 1>like you always be like quiet, were rehearsing over here, right, Yeah,

0:43:55.920 --> 0:43:57.920
<v Speaker 1>you have to sit around and be patient for you're

0:43:57.920 --> 0:44:01.239
<v Speaker 1>a bit big deep set, big wide set. Yeah. This

0:44:01.280 --> 0:44:04.040
<v Speaker 1>was a cavernous kind of place. Yeah, And I didn't

0:44:04.040 --> 0:44:05.879
<v Speaker 1>remember thinking when it came back to you guys sitting

0:44:05.920 --> 0:44:07.360
<v Speaker 1>on the bench, My first thought was like, what have

0:44:07.440 --> 0:44:09.640
<v Speaker 1>they been doing? Like, what were they doing that whole

0:44:09.640 --> 0:44:11.960
<v Speaker 1>time while while that was going having some having some

0:44:12.000 --> 0:44:16.120
<v Speaker 1>red drink, hanging out exactly drink. I can I can

0:44:16.239 --> 0:44:25.399
<v Speaker 1>feel the painful sugar stinger. I can feel. Corey says

0:44:25.440 --> 0:44:27.360
<v Speaker 1>he can only cover for Shawn for so long, and

0:44:27.400 --> 0:44:30.880
<v Speaker 1>Sean asks how long. Phoenie walks by, reading Weenie in

0:44:30.920 --> 0:44:33.120
<v Speaker 1>the paper and reminds Corey they have a meeting at

0:44:33.160 --> 0:44:36.440
<v Speaker 1>three thirty. Mr Turner tells Poenie to go easy on Corey.

0:44:36.440 --> 0:44:38.719
<v Speaker 1>He's at a This is like scene five. Now we're

0:44:38.760 --> 0:44:44.319
<v Speaker 1>in a Turner and Phoenie. Okay, let's talk about Tony's tie. Yeah,

0:44:44.440 --> 0:44:49.720
<v Speaker 1>the time combo that was very strange. So I remember, uh,

0:44:49.840 --> 0:44:52.960
<v Speaker 1>years ago, maybe eight years ago, somebody started a Twitter

0:44:53.280 --> 0:44:54.880
<v Speaker 1>and maybe there was an Instagram too, but it's definitely

0:44:54.880 --> 0:44:56.399
<v Speaker 1>Twitter case. I was only on Twitter at the time

0:44:56.600 --> 0:45:01.840
<v Speaker 1>called Mr Turner's ties was a collection because apparently and

0:45:01.880 --> 0:45:05.760
<v Speaker 1>I didn't know this Tony war crazy ties on our show,

0:45:06.120 --> 0:45:08.560
<v Speaker 1>and I forgot about that whole Twitter feed everything until

0:45:08.600 --> 0:45:10.680
<v Speaker 1>I saw this scene. I was like, look at that tie,

0:45:10.960 --> 0:45:13.560
<v Speaker 1>and then I remembered that. So we're gonna we're gonna

0:45:13.640 --> 0:45:17.399
<v Speaker 1>start keeping track of his ties. This is certainly it's

0:45:17.440 --> 0:45:21.000
<v Speaker 1>a bold tie. So I'm so curious. I know we

0:45:21.000 --> 0:45:23.040
<v Speaker 1>should have we should have. We'll have to ask Tony

0:45:23.040 --> 0:45:24.560
<v Speaker 1>when we bring him back on our show, because I

0:45:24.600 --> 0:45:26.960
<v Speaker 1>wonder how much of this was Tony and then how

0:45:27.000 --> 0:45:29.240
<v Speaker 1>much of this because this also reminded me we should

0:45:29.239 --> 0:45:35.719
<v Speaker 1>talk about Sarah Markowitz, amazing, amazing wardrobe person who had

0:45:35.800 --> 0:45:40.319
<v Speaker 1>costume designer her actual title head of wardrobe essentially, who

0:45:40.360 --> 0:45:43.359
<v Speaker 1>came onto our second season and really defined the look

0:45:43.440 --> 0:45:47.200
<v Speaker 1>of boy Man's. She brought some style, she brought I

0:45:47.360 --> 0:45:49.920
<v Speaker 1>and it's still pretty stylers like she. I remember her

0:45:49.960 --> 0:45:53.880
<v Speaker 1>coming in and she was very stylish herself, like the

0:45:53.920 --> 0:45:56.400
<v Speaker 1>best tradition of great wardrobe people she would wear. Do

0:45:56.400 --> 0:45:58.759
<v Speaker 1>you remember her giant pink coat that she would wear,

0:45:59.320 --> 0:46:02.400
<v Speaker 1>like a giant pink fluffy, fluffy. I don't think it

0:46:02.440 --> 0:46:04.960
<v Speaker 1>was actual, for it was like fake for the giant.

0:46:05.160 --> 0:46:07.600
<v Speaker 1>She was just a character and she had such great style.

0:46:07.760 --> 0:46:09.480
<v Speaker 1>And she was the first person to be like, you

0:46:09.480 --> 0:46:11.560
<v Speaker 1>guys are gonna be wearing bowling shirts and I remember

0:46:11.600 --> 0:46:14.040
<v Speaker 1>being like, what, what's a bowling shirt? She made us

0:46:14.040 --> 0:46:17.440
<v Speaker 1>look so cool? Um, And she really is responsible for

0:46:17.480 --> 0:46:19.879
<v Speaker 1>elevating the game because from season one, you know, we've

0:46:19.920 --> 0:46:21.760
<v Speaker 1>made fun of the too much shirts and the hoods

0:46:21.760 --> 0:46:24.439
<v Speaker 1>and the layers. She was the person who brought this

0:46:24.560 --> 0:46:27.960
<v Speaker 1>new style, this sort of like hipster. I mean, I

0:46:28.000 --> 0:46:29.879
<v Speaker 1>guess it was kind of l a hipster because if

0:46:29.880 --> 0:46:33.319
<v Speaker 1>you watched the movie Swingers which came out, it was

0:46:33.360 --> 0:46:35.520
<v Speaker 1>that style. So she was ahead of the curve on that.

0:46:35.800 --> 0:46:38.000
<v Speaker 1>But we had no I mean personally, I had no style.

0:46:38.200 --> 0:46:40.480
<v Speaker 1>So you could see that she really brought that that

0:46:40.560 --> 0:46:43.680
<v Speaker 1>look to the show. And I'm assuming she brought in

0:46:43.800 --> 0:46:48.239
<v Speaker 1>Tony's ties too. Yeah, I have to Yeah, you have

0:46:48.320 --> 0:46:50.560
<v Speaker 1>to also wonder how long Tony had to sit in

0:46:50.920 --> 0:46:53.360
<v Speaker 1>wardrobe because It must have taken a good hour to

0:46:53.560 --> 0:47:00.360
<v Speaker 1>paint on those jeans. Talk about nothing to the imagine Asian.

0:47:00.760 --> 0:47:04.320
<v Speaker 1>It was like any He must have had to butter

0:47:04.440 --> 0:47:07.400
<v Speaker 1>up his legs to get into those and he's got

0:47:07.640 --> 0:47:11.000
<v Speaker 1>he's got like a cowboy belt, like a nice pell man.

0:47:11.719 --> 0:47:14.560
<v Speaker 1>Just nuts. Yeah, but no, Sarah was great. I remember

0:47:14.560 --> 0:47:21.520
<v Speaker 1>her one time. Just crazy is what I meant. Tony's

0:47:21.560 --> 0:47:26.720
<v Speaker 1>the whole package. Um No, I remember. I remember Sarah

0:47:26.760 --> 0:47:28.799
<v Speaker 1>coming in and telling us she moved into a kind

0:47:28.800 --> 0:47:31.120
<v Speaker 1>of a conservative neighborhood and the first thing she did

0:47:31.160 --> 0:47:34.719
<v Speaker 1>was paint her house bright pink man. She wanted to have.

0:47:34.840 --> 0:47:37.120
<v Speaker 1>That was just her. She just had. How she's doing.

0:47:37.160 --> 0:47:39.600
<v Speaker 1>I wonder what she's working on these days? I such

0:47:39.640 --> 0:47:45.000
<v Speaker 1>a she was really great. All right, we'll find her,

0:47:45.040 --> 0:47:47.000
<v Speaker 1>Sarah marco Witz. We'll go We'll go out there, we'll

0:47:47.160 --> 0:47:50.600
<v Speaker 1>get our sleuthing hats on. Uh So Mr Turner tells

0:47:50.600 --> 0:47:51.920
<v Speaker 1>we need to go easy on Corey because he's at

0:47:51.920 --> 0:47:54.600
<v Speaker 1>a new school, and Phoeny says pointedly, as am I.

0:47:55.760 --> 0:47:57.920
<v Speaker 1>And then we are in Mr Turner's classroom. Sean is

0:47:57.960 --> 0:48:00.560
<v Speaker 1>falling asleep during Turner's lesson, which in per Fickedboy meets

0:48:00.600 --> 0:48:03.760
<v Speaker 1>World Fashion is about the Scarlet Letter again and possibly

0:48:03.760 --> 0:48:06.919
<v Speaker 1>writting on friends. Mr Turner asks Corey, So, I guess

0:48:06.920 --> 0:48:09.720
<v Speaker 1>that's the more that's the more solid threat it's about.

0:48:09.760 --> 0:48:12.280
<v Speaker 1>It's about writing whether or not you rat on your friend,

0:48:12.800 --> 0:48:14.680
<v Speaker 1>but do you a more friend? In the Scarlet Letter

0:48:15.760 --> 0:48:18.520
<v Speaker 1>is about turning people in that Yeah, there's yeah, there's

0:48:18.520 --> 0:48:20.799
<v Speaker 1>a thing about because it's adultery is a thing. So

0:48:20.920 --> 0:48:23.360
<v Speaker 1>you know whether or not you report on the people

0:48:23.400 --> 0:48:25.560
<v Speaker 1>you know who are breaking the law kind of a thing.

0:48:26.040 --> 0:48:28.880
<v Speaker 1>If you say that's something, say something writer when it

0:48:28.880 --> 0:48:34.640
<v Speaker 1>comes to adultery. Okay, everybody knows that. So Mr Turner

0:48:34.680 --> 0:48:36.880
<v Speaker 1>asked Corey to stay back after the bell rings, but

0:48:36.920 --> 0:48:40.160
<v Speaker 1>Corey says he has his Pienie meeting, and Mr Turner says,

0:48:40.160 --> 0:48:43.640
<v Speaker 1>first impressions really stick and can decide your reputation, Like

0:48:43.960 --> 0:48:47.279
<v Speaker 1>if he calls Corey booger to more tomorrow morning, it

0:48:47.320 --> 0:48:49.200
<v Speaker 1>would stay with him all through the rest of high school.

0:48:49.320 --> 0:48:51.880
<v Speaker 1>As a teacher, he can influence others, like if someone

0:48:51.920 --> 0:48:56.040
<v Speaker 1>wrote weenie in a school newspaper, I thought every time

0:48:56.080 --> 0:48:59.080
<v Speaker 1>they were saying booger, I thought he was saying booker.

0:48:59.800 --> 0:49:02.520
<v Speaker 1>And I at the end of the scene. I said

0:49:02.520 --> 0:49:05.439
<v Speaker 1>to Jensen, I'm sorry, I don't understand. Booker is way

0:49:05.480 --> 0:49:15.839
<v Speaker 1>cooler than Corey without your captions. You always as because

0:49:15.840 --> 0:49:19.200
<v Speaker 1>we got a new TV and we got a new

0:49:19.200 --> 0:49:22.040
<v Speaker 1>TV and the and it's not set up right basically,

0:49:22.080 --> 0:49:24.319
<v Speaker 1>and so I'm watching without captions and I was I

0:49:24.360 --> 0:49:26.719
<v Speaker 1>was like Booker Booker both times. And then I said

0:49:26.719 --> 0:49:29.280
<v Speaker 1>that to Jensen goes Booger and I was like, oh,

0:49:29.320 --> 0:49:32.840
<v Speaker 1>oh yeah, that's why that's actually makes sense. Yeah. I

0:49:32.920 --> 0:49:36.480
<v Speaker 1>love that Tony Turner won't give him like the absolute No,

0:49:36.640 --> 0:49:38.359
<v Speaker 1>he's like, well, we'll see how I feel, like whether

0:49:38.400 --> 0:49:41.480
<v Speaker 1>he's gonna actually know that band was worried. Oh it's that.

0:49:41.600 --> 0:49:44.760
<v Speaker 1>That's great dialogue. Yeah, I love that. Like this first

0:49:44.800 --> 0:49:48.480
<v Speaker 1>I think kind of phoene moment for Turner to show

0:49:48.560 --> 0:49:50.200
<v Speaker 1>that he was going to give those kind of in part,

0:49:50.239 --> 0:49:51.960
<v Speaker 1>those words of wisdom, but it was going to be

0:49:51.960 --> 0:49:54.719
<v Speaker 1>different than the way Tony is finally comfortable, like there's

0:49:54.760 --> 0:49:58.680
<v Speaker 1>no more of the yeah you know, yeah, posturing New York.

0:49:59.600 --> 0:50:06.759
<v Speaker 1>Actually it's Mr Turner very comfortable. Yeah. Yeah, he's fantastic

0:50:06.760 --> 0:50:09.879
<v Speaker 1>in this episode. Um, and so Mr Turner says he's

0:50:09.880 --> 0:50:11.840
<v Speaker 1>not telling Shonda rad or not. He hopes that Corey

0:50:11.840 --> 0:50:15.319
<v Speaker 1>would make that decision on his own. So then the

0:50:15.320 --> 0:50:17.680
<v Speaker 1>moment of truth, we're in Mr Feenie's office. Corey walks

0:50:17.719 --> 0:50:20.480
<v Speaker 1>in and apologizes for the headline. Mr Feenie says, it's

0:50:20.560 --> 0:50:23.720
<v Speaker 1>nothing new. We need was his nickname growing up, and

0:50:24.080 --> 0:50:26.680
<v Speaker 1>Pheny says, as the principal, it's his responsibility to keep

0:50:26.800 --> 0:50:29.439
<v Speaker 1>order at the school and he has to control those

0:50:29.520 --> 0:50:31.680
<v Speaker 1>kinds of pranks because they could lead to a level

0:50:31.680 --> 0:50:34.880
<v Speaker 1>of disrespect. Corey says he cannot give the name of

0:50:34.880 --> 0:50:38.480
<v Speaker 1>who pulled the prank, that's his final decision. Corey explains

0:50:38.520 --> 0:50:41.160
<v Speaker 1>that this person did not mean to hurt anyone. He

0:50:41.239 --> 0:50:43.440
<v Speaker 1>just wanted to do something to make him special, to

0:50:43.480 --> 0:50:46.879
<v Speaker 1>make himself feel special. And I wonder if you guys

0:50:46.920 --> 0:50:49.080
<v Speaker 1>are gonna I want to point out something that maybe

0:50:49.120 --> 0:50:51.480
<v Speaker 1>you guys will also remember, or maybe you won't it

0:50:51.560 --> 0:50:54.480
<v Speaker 1>all or if it bumped you, did it bump either

0:50:54.520 --> 0:50:58.239
<v Speaker 1>one of you that Ben or Corey sat back in

0:50:58.320 --> 0:51:02.720
<v Speaker 1>the chair in that moment, I honestly didn't even notice it. Okay,

0:51:02.920 --> 0:51:08.320
<v Speaker 1>what is back? One of the one of the many

0:51:08.600 --> 0:51:11.560
<v Speaker 1>very good lessons or things that I learned from Michael

0:51:11.600 --> 0:51:14.080
<v Speaker 1>Jacobs over the course of doing Boy Meets World, and

0:51:14.080 --> 0:51:17.239
<v Speaker 1>and maybe I learned it very specifically because there were

0:51:17.280 --> 0:51:18.799
<v Speaker 1>a lot of moments that we're supposed to have a

0:51:18.800 --> 0:51:22.000
<v Speaker 1>lot of tension between Corey and Tapanga, specifically that episode

0:51:22.000 --> 0:51:24.320
<v Speaker 1>I mentioned earlier, the radio where we like fall asleep

0:51:24.320 --> 0:51:29.200
<v Speaker 1>in the radio um room. Uh. Michael was very big

0:51:29.280 --> 0:51:33.160
<v Speaker 1>on things that release tension from scene too early and

0:51:33.280 --> 0:51:35.600
<v Speaker 1>not releasing the tension, not you don't release the tension.

0:51:35.640 --> 0:51:37.600
<v Speaker 1>And one of them that he was very big on

0:51:37.719 --> 0:51:41.600
<v Speaker 1>was not exhaling at the start of a line, Yeah,

0:51:41.640 --> 0:51:43.920
<v Speaker 1>because the audience will then exhale with you, and we

0:51:44.000 --> 0:51:46.200
<v Speaker 1>need the audience to be holding their breath the same

0:51:46.239 --> 0:51:48.680
<v Speaker 1>way you should be holding yours. And so in this

0:51:48.760 --> 0:51:51.960
<v Speaker 1>scene when Corey is sitting there talking with Phoenie and

0:51:52.000 --> 0:51:54.799
<v Speaker 1>he's like, I've made my you know, Phenie asks him,

0:51:54.840 --> 0:51:56.839
<v Speaker 1>so that's it, that's your final decision, You've made it,

0:51:57.080 --> 0:51:59.520
<v Speaker 1>and then Ben goes he didn't mean any harm by it,

0:51:59.640 --> 0:52:01.719
<v Speaker 1>you know, just kind of like leans back in the chair,

0:52:02.080 --> 0:52:04.319
<v Speaker 1>and all of a sudden, I was like, Corey's not

0:52:04.360 --> 0:52:08.440
<v Speaker 1>worried anymore. Corey's not I didn't even notice it. I

0:52:08.840 --> 0:52:12.280
<v Speaker 1>felt I felt the tension release, and instead of watching

0:52:12.280 --> 0:52:14.160
<v Speaker 1>it as like an audience member, I was like, I

0:52:14.160 --> 0:52:17.560
<v Speaker 1>can't believe Michael let him do that. I can't believe Michael.

0:52:17.680 --> 0:52:19.600
<v Speaker 1>Was it all over it? Don't sit back in the chair.

0:52:19.640 --> 0:52:23.320
<v Speaker 1>But that was my first thought was that I felt like, Um,

0:52:23.360 --> 0:52:26.080
<v Speaker 1>I did notice, maybe he's sitting back because he's already

0:52:26.080 --> 0:52:28.560
<v Speaker 1>made his decision, you know, like he's going to take

0:52:28.600 --> 0:52:30.920
<v Speaker 1>whatever he gets. So I can see what you're saying though,

0:52:30.960 --> 0:52:33.000
<v Speaker 1>But yeah, but I mean, in a way, it's like

0:52:33.760 --> 0:52:36.960
<v Speaker 1>the tension has been is Corey going to rat him

0:52:36.960 --> 0:52:39.000
<v Speaker 1>his friend or not? So when we know that he's

0:52:39.040 --> 0:52:41.480
<v Speaker 1>not that that part of the scene is over, He's

0:52:41.520 --> 0:52:43.400
<v Speaker 1>now going to sit back and take what what's going

0:52:43.480 --> 0:52:46.640
<v Speaker 1>to come to him. Um, but is that the tension

0:52:46.640 --> 0:52:49.440
<v Speaker 1>in the scene because multiple times Sean has asked throughout

0:52:49.440 --> 0:52:51.439
<v Speaker 1>the episode, did you rat on me? And Corey's answer

0:52:51.520 --> 0:52:54.880
<v Speaker 1>is always what do you think? And we the audience

0:52:54.960 --> 0:52:58.160
<v Speaker 1>are supposed to be with Sean and Corey of going, well,

0:52:58.200 --> 0:53:01.320
<v Speaker 1>Corey's never going to rat on shan On, So I wasn't.

0:53:01.400 --> 0:53:04.800
<v Speaker 1>I wasn't wondering as much whether or not Corey was

0:53:04.840 --> 0:53:06.960
<v Speaker 1>going to turn him in as much as I was wondering,

0:53:07.320 --> 0:53:10.120
<v Speaker 1>is Corey going to have to take suspension, what's the

0:53:10.239 --> 0:53:13.240
<v Speaker 1>what's his what's his punishment going to be for being

0:53:13.239 --> 0:53:16.719
<v Speaker 1>a good friend? So I see your point that, like,

0:53:16.800 --> 0:53:19.160
<v Speaker 1>in some ways, if that's what you're thinking, the tension

0:53:19.239 --> 0:53:20.879
<v Speaker 1>is he's made his decision and he's there to live

0:53:20.920 --> 0:53:22.880
<v Speaker 1>with it. But in my mind, the tension was always

0:53:23.239 --> 0:53:26.960
<v Speaker 1>how will he pay for this? So anyway, that was

0:53:27.000 --> 0:53:30.200
<v Speaker 1>just something I remember those lessons as well. Don't don't

0:53:30.200 --> 0:53:32.560
<v Speaker 1>exhale at the end of the scene, Yeah, because you

0:53:32.560 --> 0:53:34.760
<v Speaker 1>you would do occasionally, you would do something very dramatic

0:53:34.760 --> 0:53:39.600
<v Speaker 1>and you'd want to go like thank you line something

0:53:39.800 --> 0:53:42.480
<v Speaker 1>you feel like you're about to make admission before a monologue,

0:53:42.480 --> 0:53:44.839
<v Speaker 1>before a line. You don't exhale, don't walk and a laugh.

0:53:46.360 --> 0:53:52.719
<v Speaker 1>P words are funny, Yeah, they're always waiting funny. Rule

0:53:52.760 --> 0:54:05.680
<v Speaker 1>of threes ru threes. I thought this was probably my

0:54:05.719 --> 0:54:08.400
<v Speaker 1>favorite episode of the season so far, which is a

0:54:08.680 --> 0:54:13.439
<v Speaker 1>much on the third one. This is quintessential Boy meets

0:54:13.480 --> 0:54:19.640
<v Speaker 1>World in that it creates a dilemma a situation and

0:54:19.680 --> 0:54:24.560
<v Speaker 1>then leaves it like the dilemma remains right, like it's

0:54:24.600 --> 0:54:28.480
<v Speaker 1>not resolved. When the credit came up. I was like that,

0:54:29.080 --> 0:54:32.600
<v Speaker 1>but the well, it's resolved in that Phoenie learned, Like

0:54:32.640 --> 0:54:36.879
<v Speaker 1>Phoenie comes to understand Corey's perspective, right, and and it's

0:54:36.920 --> 0:54:40.759
<v Speaker 1>about Phoenie changing, Phoenie growing, and Phoenie saying, well, I

0:54:40.800 --> 0:54:42.319
<v Speaker 1>know you as as a teacher. I still have to

0:54:42.320 --> 0:54:44.440
<v Speaker 1>punish you, but I know you as a neighbor, and

0:54:44.480 --> 0:54:49.080
<v Speaker 1>I respect your decision. Like that complexity and that willingness

0:54:49.160 --> 0:54:52.839
<v Speaker 1>to just uh sort of let the conflict ring on

0:54:53.160 --> 0:54:55.479
<v Speaker 1>is what makes Boy Meets World special because I feel

0:54:55.480 --> 0:55:00.640
<v Speaker 1>like a lesser show, a more immature know I will say,

0:55:00.719 --> 0:55:03.120
<v Speaker 1>or more sort of kid base show, would resolve the

0:55:03.200 --> 0:55:07.520
<v Speaker 1>conflict with some sort of uh situation, you know, something

0:55:07.520 --> 0:55:10.560
<v Speaker 1>would happen, someone else would like maybe Joey would get

0:55:10.600 --> 0:55:13.520
<v Speaker 1>in trouble for having adjusted the and and take the

0:55:13.520 --> 0:55:15.680
<v Speaker 1>fall for everything, or like there would be some sort

0:55:15.719 --> 0:55:18.480
<v Speaker 1>of D s X mocking a factor that would like

0:55:18.600 --> 0:55:22.800
<v Speaker 1>release the situation and we wouldn't have this problem. And

0:55:22.840 --> 0:55:26.360
<v Speaker 1>instead it leaves. It puts the onus on Phoene to

0:55:26.400 --> 0:55:28.920
<v Speaker 1>have to decide what to do, and he decides to

0:55:29.200 --> 0:55:33.520
<v Speaker 1>still punish Corey, which is great, but also respect Corey's

0:55:33.560 --> 0:55:35.200
<v Speaker 1>decision to not write out his friend. I just love

0:55:35.280 --> 0:55:38.640
<v Speaker 1>that that nothing has actually changed, right like Sean did

0:55:38.680 --> 0:55:41.520
<v Speaker 1>the thing. And then we just spent an entire episode

0:55:42.200 --> 0:55:44.840
<v Speaker 1>discussing it and coming at it from all these different angles,

0:55:44.840 --> 0:55:47.920
<v Speaker 1>and we we've had all these fun conversations and debates

0:55:47.920 --> 0:55:50.000
<v Speaker 1>and the tension is there, but we didn't have to

0:55:50.040 --> 0:55:52.279
<v Speaker 1>resolve it. We could still sort of come at it

0:55:52.719 --> 0:55:55.560
<v Speaker 1>with with complexity. And that that's like the you know,

0:55:56.400 --> 0:55:58.239
<v Speaker 1>I guess that's the best thing about point It's world.

0:55:58.320 --> 0:56:00.279
<v Speaker 1>That's the thing that I'm most proud of you've been

0:56:00.280 --> 0:56:04.399
<v Speaker 1>involved with. It's like that these these these lessons are

0:56:04.400 --> 0:56:06.839
<v Speaker 1>not tidy, they still have value because we still have

0:56:06.880 --> 0:56:09.240
<v Speaker 1>to We can still watch this episode and not feel

0:56:09.480 --> 0:56:13.640
<v Speaker 1>completely comfortable one way or the other. Interesting. Yeah, I

0:56:13.719 --> 0:56:18.239
<v Speaker 1>love it, the nuance, the Yeah, I completely agree with

0:56:18.280 --> 0:56:20.880
<v Speaker 1>you there. It's uh, it's it's Phoenie and Corey the

0:56:20.920 --> 0:56:26.239
<v Speaker 1>relationship at its absolute best. Um. So, Phoenie to your point.

0:56:26.280 --> 0:56:28.839
<v Speaker 1>Phoenie says that being special is equality from within. As

0:56:28.880 --> 0:56:30.920
<v Speaker 1>an example, it's like how Corey is standing up for

0:56:30.960 --> 0:56:34.200
<v Speaker 1>his friend, and Phoenie says Corey um as Corey's teacher

0:56:34.239 --> 0:56:35.879
<v Speaker 1>and someone who has watched him grow up next door.

0:56:35.920 --> 0:56:38.960
<v Speaker 1>He never expected him to rat out his friend, which

0:56:39.200 --> 0:56:41.200
<v Speaker 1>is really great. And then we're in the school hallway.

0:56:41.239 --> 0:56:42.640
<v Speaker 1>I really did think it was gonna end, and I

0:56:42.680 --> 0:56:44.040
<v Speaker 1>was like, oh my gosh, we're not even gonna find

0:56:44.040 --> 0:56:46.520
<v Speaker 1>out what the punishment. But then we do find out

0:56:46.560 --> 0:56:49.160
<v Speaker 1>in the school hallway. Mr Phoenie's Corey is not suspended,

0:56:49.480 --> 0:56:52.560
<v Speaker 1>but he does have detention for five days and one

0:56:53.160 --> 0:56:57.839
<v Speaker 1>for each letter in Weenie and Phoenie closes the door

0:56:57.880 --> 0:57:00.600
<v Speaker 1>to see Sean standing behind it and behind it and

0:57:00.680 --> 0:57:03.879
<v Speaker 1>says Weenie should have been spelled W E and I E.

0:57:04.600 --> 0:57:07.319
<v Speaker 1>Sean assumes Corey ratted him out, but Mr. Phoenie says

0:57:07.320 --> 0:57:09.880
<v Speaker 1>Corey refused to tell on him. Phoeny says the punishment

0:57:09.920 --> 0:57:12.359
<v Speaker 1>for not being caught is way worse than what Corey has,

0:57:12.760 --> 0:57:19.160
<v Speaker 1>So Phoeny says he will be watching. Why are you eating?

0:57:19.360 --> 0:57:24.080
<v Speaker 1>I'm like eating a chocolate par or something. I thought

0:57:24.120 --> 0:57:28.040
<v Speaker 1>you had. Okay, I thought you were changing the door again.

0:57:28.240 --> 0:57:31.040
<v Speaker 1>I thought you had something like a cap or something

0:57:31.200 --> 0:57:34.280
<v Speaker 1>in your mouth. The door was open or I thought, yeah,

0:57:34.320 --> 0:57:38.200
<v Speaker 1>I thought maybe you were were interesting. I thought it

0:57:38.240 --> 0:57:39.440
<v Speaker 1>was like a paint thing. Yeah, I'm gonna have to

0:57:39.480 --> 0:57:41.680
<v Speaker 1>watch that again. I thought I thought it was like

0:57:41.720 --> 0:57:44.840
<v Speaker 1>eating something or like. I don't know, though, I was

0:57:44.880 --> 0:57:47.400
<v Speaker 1>just like, why am I sitting there? Oh? So I

0:57:47.440 --> 0:57:51.080
<v Speaker 1>was adjusting the door? That makes more sense. God, I

0:57:51.080 --> 0:57:53.360
<v Speaker 1>think the door was open. You were hiding behind it,

0:57:53.440 --> 0:57:55.640
<v Speaker 1>and you had like a like the this isn't what

0:57:55.680 --> 0:57:57.040
<v Speaker 1>you have in your mouth because it's bigger than that,

0:57:57.040 --> 0:57:59.439
<v Speaker 1>but like the pen cap in your mouth where you're

0:58:00.520 --> 0:58:04.439
<v Speaker 1>fixing the door. Um. But so, I don't know. Maybe

0:58:04.440 --> 0:58:06.840
<v Speaker 1>it was the scrape like a scraper and a racer.

0:58:06.880 --> 0:58:08.640
<v Speaker 1>I don't know. I will go back and we will

0:58:08.680 --> 0:58:11.160
<v Speaker 1>all go back and figure it out. Um, because that

0:58:11.200 --> 0:58:17.080
<v Speaker 1>will that will send your emails, the emails that are

0:58:17.080 --> 0:58:19.720
<v Speaker 1>about more important things than what was in your email.

0:58:19.800 --> 0:58:22.560
<v Speaker 1>We'll just watch it again. We'll edit it. I promise,

0:58:22.600 --> 0:58:24.120
<v Speaker 1>we'll put it in the caption that we know what

0:58:24.160 --> 0:58:26.960
<v Speaker 1>it is now. Um. So, Phoenie says he's going to

0:58:27.000 --> 0:58:29.880
<v Speaker 1>be watching Shawn's every move for the rest of high school,

0:58:29.880 --> 0:58:34.960
<v Speaker 1>which Phoenie could says could be decades. Um yep, And

0:58:35.000 --> 0:58:38.480
<v Speaker 1>then Sean asks Corey frantically, why didn't you turn me in?

0:58:39.360 --> 0:58:45.200
<v Speaker 1>And that's the end of our episode. I'm glad we

0:58:45.240 --> 0:58:47.600
<v Speaker 1>all felt the same way that this is like Okay,

0:58:47.760 --> 0:58:51.600
<v Speaker 1>I like this, We're here. I feel like, okay, episode three,

0:58:52.200 --> 0:58:54.240
<v Speaker 1>Let's see how this, how this plays out, Let's see

0:58:54.240 --> 0:58:56.200
<v Speaker 1>this how this goes. It's definitely a new show. But

0:58:56.280 --> 0:58:59.080
<v Speaker 1>now I've I have two other episodes before that I've

0:58:59.200 --> 0:59:02.280
<v Speaker 1>like have definitely just plunged us into the cold end

0:59:02.880 --> 0:59:05.200
<v Speaker 1>um and so our next episode that we will be

0:59:05.240 --> 0:59:08.800
<v Speaker 1>recapping a season two episode four. Me and Mr. We

0:59:08.880 --> 0:59:11.080
<v Speaker 1>just got something from super fan Eastern Ally it's a

0:59:11.080 --> 0:59:13.040
<v Speaker 1>candy bar, says it's a candy bar. Yeah, that's what

0:59:13.080 --> 0:59:15.280
<v Speaker 1>I thought. I'm eating a candy bar for no other reason.

0:59:15.320 --> 0:59:17.240
<v Speaker 1>And I think it was maybe funny that I'm like

0:59:18.240 --> 0:59:22.400
<v Speaker 1>caught eating, right, It was so weird. I was just like,

0:59:22.720 --> 0:59:24.520
<v Speaker 1>was that something that would have been in the st

0:59:24.680 --> 0:59:30.040
<v Speaker 1>or like, did they I don't know such a I

0:59:30.040 --> 0:59:32.240
<v Speaker 1>don't think I would have been nervous eating because you

0:59:32.280 --> 0:59:34.760
<v Speaker 1>don't know what's going to happen. But you're nervous eating

0:59:34.800 --> 0:59:36.320
<v Speaker 1>because you don't know if Corey's gonna wrat you out

0:59:36.400 --> 0:59:39.360
<v Speaker 1>or not? Maybe or did did anyone notice when they

0:59:39.400 --> 0:59:41.200
<v Speaker 1>walk out Corey and Feeny when they walk out of

0:59:41.200 --> 0:59:43.360
<v Speaker 1>the office. Does he fly open the door as they

0:59:43.400 --> 0:59:45.240
<v Speaker 1>walk out? Were you supposed to be on the other

0:59:45.280 --> 0:59:47.840
<v Speaker 1>side of the door anxiously waiting for Corey? And then

0:59:47.880 --> 0:59:49.760
<v Speaker 1>he flies open the door and you kind of get

0:59:49.760 --> 0:59:52.000
<v Speaker 1>shoved back there with the candy bar in the bar?

0:59:52.880 --> 0:59:56.480
<v Speaker 1>Is that what we're supposed to have imagined happened? I

0:59:56.560 --> 1:00:02.320
<v Speaker 1>think it's just sugar. I think it's just the like

1:00:02.400 --> 1:00:05.440
<v Speaker 1>emphasize that I've been caught listening or that I've been

1:00:05.480 --> 1:00:08.360
<v Speaker 1>caught doing something, but I'm like halfway eating and I'm,

1:00:08.400 --> 1:00:11.880
<v Speaker 1>you know, stuck with a candy bar in my mouth. Um,

1:00:11.920 --> 1:00:14.800
<v Speaker 1>it's a bizarre I guess it's your version of eating

1:00:14.800 --> 1:00:19.280
<v Speaker 1>popcorn while the dramas going on exactly exactly. M M

1:00:20.040 --> 1:00:24.560
<v Speaker 1>all right, it's probably too late for a note for them.

1:00:24.600 --> 1:00:27.680
<v Speaker 1>But the the funnier joke would have been an empty

1:00:27.680 --> 1:00:29.760
<v Speaker 1>glass against the door, and then when the door opens,

1:00:29.800 --> 1:00:31.880
<v Speaker 1>you pretend to be drinking from the empty glass. That's

1:00:31.920 --> 1:00:34.640
<v Speaker 1>the funnier Like I was listening, but probably too late

1:00:34.680 --> 1:00:39.560
<v Speaker 1>to change that. Now let's just go back we could

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<v Speaker 1>there we go. I'm almost done with that. Thank you

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<v Speaker 1>everyone for joining us for this episode of Pod Meets World.

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<v Speaker 1>As always. You can follow us on Instagram pod Meets

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<v Speaker 1>World Show. You can send us your emails at pod

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<v Speaker 1>Meats World Show at gmail dot com. And we have

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<v Speaker 1>gotten merch. I didn't think you were. I'm going to

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<v Speaker 1>say at this pod meets World Show dot com thank

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<v Speaker 1>you all for joining us. We love you all. Pod dismissed.

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<v Speaker 1>Pod Meets worlds an I heart podcast produced and hosted

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<v Speaker 1>by Danielle Fisher, Wilfred l And Writer Strong Executive producers

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<v Speaker 1>Jensen Carp and Amy Sugarman, Executive in charge of production,

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<v Speaker 1>Danielle Romo, producer and editor, Tara sud Batch, producer, Jackie Rodriguez,

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<v Speaker 1>engineer and Boy Meets World super fan Easton Allen. Our

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<v Speaker 1>theme song is by Kyle Morton of Typhoon. You can

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<v Speaker 1>email us at pod Meets World Show at gmail dot com.