1
00:00:17,239 --> 00:00:22,840
Speaker 1: Hello everyone. Before we jump into our Pod Meets World

2
00:00:22,920 --> 00:00:28,720
Speaker 1: recap of season two, episode three, Notorious, Um, we wanted

3
00:00:28,760 --> 00:00:33,000
Speaker 1: to briefly mentioned that, Um, boy Meets World and Girl

4
00:00:33,040 --> 00:00:37,839
Speaker 1: Meets World has lost a very special person in our world,

5
00:00:38,240 --> 00:00:44,160
Speaker 1: Matthew Nelson. Um. He was a writer on What's what season?

6
00:00:44,200 --> 00:00:48,239
Speaker 1: Did Matt start season two? Season three, It's a little later,

7
00:00:48,520 --> 00:00:52,800
Speaker 1: three three, Boy Meets World, I think, and then was

8
00:00:52,840 --> 00:00:56,120
Speaker 1: there through the end, and then was there for all

9
00:00:56,200 --> 00:01:00,560
Speaker 1: three seasons of Girl Meets World and became one of

10
00:01:00,600 --> 00:01:03,960
Speaker 1: the central voices of Boymouth World and Girlmate's World. He

11
00:01:04,120 --> 00:01:07,280
Speaker 1: is one of the you know, pillars of the writing

12
00:01:07,400 --> 00:01:11,920
Speaker 1: staff always um and just a break guy and then

13
00:01:12,000 --> 00:01:14,400
Speaker 1: just yeah, I mean beyond the creative input that he had,

14
00:01:14,520 --> 00:01:18,720
Speaker 1: was just like the the nicest, most loving, most most supportive,

15
00:01:19,720 --> 00:01:22,000
Speaker 1: the kindest man. I'm going to miss him like crazy.

16
00:01:22,000 --> 00:01:27,199
Speaker 1: I had no idea he was ill. Um, I didn't.

17
00:01:27,280 --> 00:01:29,960
Speaker 1: I didn't know he was he was that ill. He

18
00:01:30,200 --> 00:01:33,800
Speaker 1: He and I wrote a aspect pilot together right before

19
00:01:33,840 --> 00:01:36,800
Speaker 1: the pandemic a little you know, it was like nineteen

20
00:01:36,880 --> 00:01:40,040
Speaker 1: something like that. And Um, he had mentioned that he

21
00:01:40,120 --> 00:01:43,240
Speaker 1: was ill, but didn't know how badly. Um. And then

22
00:01:43,280 --> 00:01:45,679
Speaker 1: it was it and then you lose touch over the pandemic.

23
00:01:45,720 --> 00:01:47,560
Speaker 1: Everybody kind of goes their own way. We'd finished the

24
00:01:47,560 --> 00:01:50,880
Speaker 1: pilot and then it was you just heard he was gone,

25
00:01:50,960 --> 00:01:54,720
Speaker 1: and it was yes, awful. Yeah. I found out about it.

26
00:01:54,760 --> 00:01:57,520
Speaker 1: I saw someone else that we're close to had posted

27
00:01:57,520 --> 00:01:59,960
Speaker 1: about it on social media, and I reached out to

28
00:02:00,040 --> 00:02:02,960
Speaker 1: Jeff Minnell, who UM listeners of the podcast would obviously

29
00:02:03,040 --> 00:02:05,160
Speaker 1: know too, because he's Jeff Minell, one of the other

30
00:02:05,160 --> 00:02:08,240
Speaker 1: writers who came on, and they were very, very very close.

31
00:02:08,280 --> 00:02:12,160
Speaker 1: Matt Nelson and Jeff Minell were best friends, and UM

32
00:02:12,320 --> 00:02:14,640
Speaker 1: Minnell was very close to him in this this last

33
00:02:14,680 --> 00:02:17,560
Speaker 1: period of his life when he was sick, and I

34
00:02:17,600 --> 00:02:19,720
Speaker 1: reached out to him, and you know, it was a

35
00:02:19,760 --> 00:02:22,120
Speaker 1: little like sent a desperate email, like, please tell me

36
00:02:22,120 --> 00:02:24,360
Speaker 1: it isn't true, and he got back to me saying

37
00:02:24,360 --> 00:02:28,040
Speaker 1: that it is. And UM writer, like you said, as

38
00:02:28,080 --> 00:02:30,119
Speaker 1: far as just being one of the just kindest, most

39
00:02:30,160 --> 00:02:34,840
Speaker 1: generous people, like he was so willing to help any

40
00:02:34,880 --> 00:02:39,839
Speaker 1: one of us with absolutely anything outside of work. And

41
00:02:40,320 --> 00:02:45,639
Speaker 1: Um loved writing, loved comedy, loved people who wanted to write,

42
00:02:45,760 --> 00:02:48,440
Speaker 1: and and was happy to proof read stuff, and and

43
00:02:48,440 --> 00:02:51,799
Speaker 1: and loved our show, loved and loved our characters. There's

44
00:02:51,880 --> 00:02:55,040
Speaker 1: so much commitment to the world of What Meets World

45
00:02:55,080 --> 00:02:59,440
Speaker 1: and eventually gos World. Um yea yeah, you always got

46
00:02:59,440 --> 00:03:01,960
Speaker 1: the sense of Matt just cared above and beyond the job.

47
00:03:02,360 --> 00:03:04,840
Speaker 1: Um cared about us as people, as individuals. Like my

48
00:03:04,880 --> 00:03:08,040
Speaker 1: first episode directing was on Girl Mean World, his episode

49
00:03:08,120 --> 00:03:11,960
Speaker 1: nine three, and he was so happy. First of all

50
00:03:12,160 --> 00:03:15,120
Speaker 1: he did, he was always so gracious and always so supportive,

51
00:03:15,720 --> 00:03:17,280
Speaker 1: and he was so happy. He was like all he

52
00:03:17,360 --> 00:03:19,240
Speaker 1: expressed to me. He was like, I'm so happy you're

53
00:03:19,280 --> 00:03:22,440
Speaker 1: directing my episode. And he just made me feel so good.

54
00:03:22,680 --> 00:03:24,720
Speaker 1: And you know, of course I was nervous as hell,

55
00:03:24,840 --> 00:03:27,200
Speaker 1: and he made me feel so supported and that you know,

56
00:03:27,280 --> 00:03:28,880
Speaker 1: I could do no wrong, and that if anything, he

57
00:03:28,960 --> 00:03:32,040
Speaker 1: was honored that I was directing his episode. Just like,

58
00:03:33,360 --> 00:03:36,720
Speaker 1: oh man, such a bummer. Um wait, and when we

59
00:03:36,760 --> 00:03:39,520
Speaker 1: start getting into boy, when we start getting into his episodes,

60
00:03:40,120 --> 00:03:41,960
Speaker 1: there's you're gonna know what they are. There's a real

61
00:03:42,080 --> 00:03:44,520
Speaker 1: voice to a Nelson episode. We always knew when it

62
00:03:44,560 --> 00:03:46,720
Speaker 1: was in Matt Nelson episode. Well, let let me put

63
00:03:46,760 --> 00:03:49,880
Speaker 1: it this way to our listeners. Um Nelson is the

64
00:03:50,040 --> 00:03:55,200
Speaker 1: person who wrote perhaps the most famous epic lines from

65
00:03:55,240 --> 00:03:57,840
Speaker 1: Boy Me World, which were fine The's last words of advice.

66
00:03:57,920 --> 00:04:02,600
Speaker 1: Those were his um dream try do good. Um. That

67
00:04:02,720 --> 00:04:05,400
Speaker 1: was in his episode, and that was originally in his

68
00:04:05,600 --> 00:04:07,720
Speaker 1: draft of the script. I know because we had a

69
00:04:07,760 --> 00:04:10,400
Speaker 1: whole conversation about it because I told him that there

70
00:04:10,400 --> 00:04:12,440
Speaker 1: were fans out there who had gotten tattoos of that,

71
00:04:12,520 --> 00:04:15,800
Speaker 1: and he was so um so excited. But yeah, so,

72
00:04:15,840 --> 00:04:19,599
Speaker 1: I mean that is like distilled Matt Nelson. Um, just

73
00:04:20,080 --> 00:04:24,599
Speaker 1: such a wonderful soul. Yeah, I mean he will. He

74
00:04:24,640 --> 00:04:28,200
Speaker 1: will be greatly missed and a lot of love to

75
00:04:28,520 --> 00:04:36,039
Speaker 1: his family and everyone who is close to him. All right,

76
00:04:36,960 --> 00:04:39,479
Speaker 1: he's ready to jump into a recap. He would have

77
00:04:39,480 --> 00:04:41,680
Speaker 1: been the first one that would have gone and transition

78
00:04:41,720 --> 00:04:45,360
Speaker 1: to comedy. Optical flip Optical would have been the first

79
00:04:45,400 --> 00:04:48,080
Speaker 1: one to write the perfect line for there. Yeah, there

80
00:04:48,120 --> 00:04:52,240
Speaker 1: you go. Well, welcome to Pod Meets World. I'm Daniel Fishel,

81
00:04:52,600 --> 00:04:55,240
Speaker 1: I'm right or Strong, and I'm Wilfred ll. Here we

82
00:04:55,279 --> 00:04:59,000
Speaker 1: are talking about season two, episode three, Notorious. It originally

83
00:04:59,040 --> 00:05:03,320
Speaker 1: aired October seve The synopsis is that Sean tries to

84
00:05:03,360 --> 00:05:06,039
Speaker 1: make a name for himself by pulling a prank in

85
00:05:06,040 --> 00:05:08,880
Speaker 1: the school newspaper, and then Corey is forced to cover

86
00:05:08,960 --> 00:05:13,479
Speaker 1: for him. Eric also dates a news senior. Eric is

87
00:05:13,560 --> 00:05:17,680
Speaker 1: dating a girl. No, they're a different way. Yeah, it's

88
00:05:17,680 --> 00:05:20,240
Speaker 1: a whole new thing for him. It's a whole new Week's,

89
00:05:20,240 --> 00:05:22,039
Speaker 1: a whole new season, a whole new Eric. We're going

90
00:05:22,080 --> 00:05:25,640
Speaker 1: to try girl crazy. It's funny because a lot of

91
00:05:25,640 --> 00:05:28,560
Speaker 1: the show has chance. It evolved, but not that much.

92
00:05:28,680 --> 00:05:30,400
Speaker 1: Not so much this one. We'll get into it. But

93
00:05:30,440 --> 00:05:32,159
Speaker 1: this one is not only is he going crazy but

94
00:05:32,360 --> 00:05:37,520
Speaker 1: also stupid. It's a combination of the two. Yeah, this

95
00:05:37,600 --> 00:05:39,799
Speaker 1: is true because this is this is one of the first,

96
00:05:39,800 --> 00:05:44,640
Speaker 1: like I noticed, like the real stupid jokes we remember

97
00:05:44,640 --> 00:05:47,680
Speaker 1: it ever starting this early. Neither neither Well, it's the

98
00:05:47,680 --> 00:05:51,240
Speaker 1: stupid in my head that I didn't get. So no, no, no, no,

99
00:05:51,400 --> 00:05:53,839
Speaker 1: what Eric do now? So is the inaugural line like

100
00:05:53,880 --> 00:05:55,520
Speaker 1: our neighbors to the north, because that was the one

101
00:05:55,560 --> 00:05:58,559
Speaker 1: that struck me when you said that line, I was like, oh, Eric, dumb.

102
00:05:58,839 --> 00:06:01,400
Speaker 1: I think it started with the trying to open the door.

103
00:06:01,600 --> 00:06:04,719
Speaker 1: That's what I noticed was but to try and open

104
00:06:04,800 --> 00:06:10,040
Speaker 1: the door happened after writers writers, when you leaving leaving

105
00:06:10,120 --> 00:06:12,960
Speaker 1: the room, and yeah, the neighbors to the north and

106
00:06:13,080 --> 00:06:16,280
Speaker 1: north as while you're starting, So yeah, it really did

107
00:06:16,360 --> 00:06:18,960
Speaker 1: start with like, oh, and yet the way he kind

108
00:06:18,960 --> 00:06:22,520
Speaker 1: of delivered it though, I almost thought, well, at least

109
00:06:22,640 --> 00:06:25,320
Speaker 1: they're our neighbors to the north, seemed like maybe he

110
00:06:25,360 --> 00:06:27,680
Speaker 1: was kind of making a joke. He wasn't, but there

111
00:06:27,720 --> 00:06:31,839
Speaker 1: was at least the hint of like, maybe it's ironic.

112
00:06:31,960 --> 00:06:37,080
Speaker 1: But yeah, um So this episode was directed by David Trayner.

113
00:06:37,160 --> 00:06:39,120
Speaker 1: It was written by Jeff Sherman, and we have a

114
00:06:39,160 --> 00:06:42,560
Speaker 1: lot of guest stars, not me, but we have Jason

115
00:06:42,600 --> 00:06:46,479
Speaker 1: Marsden as No, I'm not I'm not you noticed, writer,

116
00:06:46,600 --> 00:06:51,680
Speaker 1: Thank you. Danny McNulty is back as Harley Kiner, Blake

117
00:06:51,760 --> 00:06:54,880
Speaker 1: Soaper as Joey the ratt, Ethan Supplia is Frankie, and

118
00:06:55,240 --> 00:07:00,480
Speaker 1: Sydney Bennett as Desiree, Jill Novik as Molly, and Bob

119
00:07:00,640 --> 00:07:06,280
Speaker 1: Larkin as Janitor Bud the Larks. I don't know did

120
00:07:06,320 --> 00:07:08,839
Speaker 1: he come back? He came back? Right? Was the only Janitor?

121
00:07:08,880 --> 00:07:11,400
Speaker 1: But I don't remember. I think so well. Janitor Bud

122
00:07:11,400 --> 00:07:13,040
Speaker 1: is also in the Halloween episode, but it's a different

123
00:07:13,120 --> 00:07:16,520
Speaker 1: Janitor Bud. It is is the name Janitor budds say, yeah,

124
00:07:16,560 --> 00:07:18,640
Speaker 1: I think it's Janitor Bud. Yes see, I have this

125
00:07:18,680 --> 00:07:22,160
Speaker 1: whole like character of Janitor Bud looming large in my brain,

126
00:07:22,200 --> 00:07:24,120
Speaker 1: but I couldn't remember if it's the same actor or

127
00:07:24,240 --> 00:07:26,480
Speaker 1: the joke is that we just kept switching it up.

128
00:07:26,600 --> 00:07:29,000
Speaker 1: But I guess it was probably because of this episode, right,

129
00:07:29,080 --> 00:07:33,760
Speaker 1: like this is where we invented remember him killing at

130
00:07:33,760 --> 00:07:36,160
Speaker 1: the table? Read? I remember that people loving his lines

131
00:07:36,200 --> 00:07:40,239
Speaker 1: at the table and I guess that, yeah, I do too,

132
00:07:40,360 --> 00:07:42,040
Speaker 1: And I think that's what it just worked because it

133
00:07:42,080 --> 00:07:44,960
Speaker 1: was so funny that um, because I guess really his

134
00:07:45,040 --> 00:07:48,600
Speaker 1: story function is that he's the witness too, you know

135
00:07:48,640 --> 00:07:51,000
Speaker 1: who was in the newspaper off because when I first started,

136
00:07:51,000 --> 00:07:52,680
Speaker 1: I was like, why is the janitor there? And then

137
00:07:52,880 --> 00:07:55,320
Speaker 1: it came back. Um, But I think I think we

138
00:07:55,360 --> 00:07:57,280
Speaker 1: see him quite a bit through season two and then

139
00:07:57,280 --> 00:08:00,840
Speaker 1: into season three. Yeah, I can't wait. Okay cool? Yeah,

140
00:08:00,960 --> 00:08:04,160
Speaker 1: So we get our quick little cartoon open, and then

141
00:08:04,240 --> 00:08:09,480
Speaker 1: we are in the school newspaper room, the journalism rooms

142
00:08:09,480 --> 00:08:13,800
Speaker 1: of that opening man right right looks like eight BI

143
00:08:14,720 --> 00:08:21,080
Speaker 1: Commodore A Commodore sixty four. Amazing. Uh So Corey and

144
00:08:21,120 --> 00:08:23,360
Speaker 1: Sean come walking out of a room or into a

145
00:08:23,440 --> 00:08:25,560
Speaker 1: room that says journalism, And we hear Eric and a

146
00:08:25,680 --> 00:08:30,360
Speaker 1: girl in the newspaper office making conspicuous sounds. That's a

147
00:08:30,360 --> 00:08:33,760
Speaker 1: good way to put it. Yeah, can starting off off

148
00:08:33,800 --> 00:08:38,800
Speaker 1: the bat off the bats of moans and groans and

149
00:08:38,840 --> 00:08:43,760
Speaker 1: what are they doing there? Season two, the Horny Boy era,

150
00:08:47,240 --> 00:08:51,280
Speaker 1: Uh so truth is Molly new character Alert, who's played

151
00:08:51,320 --> 00:08:53,920
Speaker 1: by Jill Novic is typing on the computer while Eric

152
00:08:54,000 --> 00:08:57,040
Speaker 1: gives her a neck massage. And we started dating after

153
00:08:57,080 --> 00:08:59,480
Speaker 1: this episode? Did you really Jill and I were together

154
00:08:59,520 --> 00:09:03,839
Speaker 1: for a little six seven months if they had a

155
00:09:03,880 --> 00:09:06,320
Speaker 1: crush on you exactly? And we find out about it

156
00:09:06,320 --> 00:09:12,719
Speaker 1: thirty years later about my dating history of Team bat people, Well,

157
00:09:12,760 --> 00:09:18,959
Speaker 1: it was dating everyone who came through the show a while. Really, Yeah,

158
00:09:19,320 --> 00:09:23,000
Speaker 1: that's hilarious. We were together, like legitimately together for a while.

159
00:09:23,040 --> 00:09:27,679
Speaker 1: She played Young Seal Award on Sisters. I loved that show,

160
00:09:27,880 --> 00:09:29,640
Speaker 1: so she was Young Seal Award on that and we

161
00:09:29,760 --> 00:09:33,719
Speaker 1: just we got along. So we we we. I think

162
00:09:33,760 --> 00:09:35,240
Speaker 1: this this point is the fact that you and I

163
00:09:35,280 --> 00:09:39,680
Speaker 1: weren't actually that close big age difference at this time.

164
00:09:39,720 --> 00:09:41,880
Speaker 1: This is and I were really hanging out and we'll

165
00:09:41,880 --> 00:09:43,679
Speaker 1: get we'll get to a funny story a little later.

166
00:09:43,679 --> 00:09:45,720
Speaker 1: But yeah, Jue and I started dating kind of during

167
00:09:45,760 --> 00:09:48,600
Speaker 1: this episode. So Corey and Sean walk in because Eric

168
00:09:48,600 --> 00:09:50,360
Speaker 1: said he would give them a ride home, and Corey

169
00:09:50,400 --> 00:09:53,000
Speaker 1: places a cage with two rats on the desk, which

170
00:09:53,120 --> 00:09:56,600
Speaker 1: scares Molly. They named the rats after themselves, Corey and Sean,

171
00:09:56,679 --> 00:09:59,560
Speaker 1: and they're studying natural selection. Corey holds the rat up

172
00:09:59,600 --> 00:10:02,080
Speaker 1: to kiss Molly and she runs out, leaving Eric to

173
00:10:02,160 --> 00:10:05,040
Speaker 1: run after the brainy girl that's into him. And then

174
00:10:05,080 --> 00:10:07,480
Speaker 1: the janitor warns Eric of a wet floor, but then

175
00:10:07,600 --> 00:10:10,240
Speaker 1: Eric slips and falls off camera. We just get the

176
00:10:10,360 --> 00:10:13,480
Speaker 1: audio of that and then his response the janitor's response

177
00:10:13,520 --> 00:10:20,480
Speaker 1: are just good, good, great, so funny. Um. So, Corey

178
00:10:20,520 --> 00:10:22,960
Speaker 1: and Sean, who are now alone, see the article left

179
00:10:22,960 --> 00:10:26,000
Speaker 1: on the computer and decide to change Mr Feenie's name.

180
00:10:26,000 --> 00:10:30,200
Speaker 1: It's introducing Mr Feenie as the school's new principle, and

181
00:10:30,320 --> 00:10:33,400
Speaker 1: they decide to change the name. Sean changes it to well.

182
00:10:33,480 --> 00:10:37,400
Speaker 1: Corey changes it first to teeny teeny, and then Sean's like,

183
00:10:37,600 --> 00:10:40,080
Speaker 1: let me at it, and he sits down and he

184
00:10:40,120 --> 00:10:45,199
Speaker 1: goes to Beanie Deanie Guinie Genie Leaney and then he

185
00:10:45,320 --> 00:10:49,720
Speaker 1: lands on Weenie. Okay, were you guys bothered by the

186
00:10:49,800 --> 00:10:52,200
Speaker 1: letting in this, like the way that the letters clearly

187
00:10:52,200 --> 00:10:54,640
Speaker 1: didn't work unless it was a W like you did

188
00:10:55,040 --> 00:10:56,400
Speaker 1: like every time it was in F. I was like,

189
00:10:56,440 --> 00:10:58,800
Speaker 1: but it doesn't. The letting is not right, the spacing

190
00:10:58,880 --> 00:11:00,800
Speaker 1: is not right. And then it goes to the W

191
00:11:00,880 --> 00:11:04,000
Speaker 1: and you're like, oh, it's like such old school computer

192
00:11:04,040 --> 00:11:07,679
Speaker 1: graphic design. Yep, I bet you. This was like cutting

193
00:11:07,800 --> 00:11:10,080
Speaker 1: edge to be able to do it was such a

194
00:11:10,080 --> 00:11:12,280
Speaker 1: big deal. And you got a hot in there too.

195
00:11:12,440 --> 00:11:16,760
Speaker 1: There was a hot back the first time in a while,

196
00:11:16,880 --> 00:11:19,400
Speaker 1: which we hadn't seen it. That's that's making its old come.

197
00:11:19,400 --> 00:11:21,840
Speaker 1: They like, we're gonna make this work. We're forcing it

198
00:11:21,840 --> 00:11:26,880
Speaker 1: into season two. And then I mean, before going back

199
00:11:26,920 --> 00:11:29,040
Speaker 1: a second to, I make a joke about cracking my

200
00:11:29,080 --> 00:11:37,040
Speaker 1: mom's back before, Yes, something cracker back before a strange

201
00:11:37,040 --> 00:11:39,839
Speaker 1: series of words in a row. I guess it's kind

202
00:11:39,880 --> 00:11:42,040
Speaker 1: of funny, but it's nice to know that Verna is

203
00:11:42,040 --> 00:11:45,760
Speaker 1: still around? Isn't her name? Verna still around? The joke

204
00:11:45,920 --> 00:11:49,120
Speaker 1: was supposed to be the idea of like, whoa, what

205
00:11:49,240 --> 00:11:51,760
Speaker 1: must his mother be like? If she needs her back

206
00:11:51,800 --> 00:11:59,080
Speaker 1: cracked before American Gladiator, Like it's like it's like this classlessness,

207
00:11:59,200 --> 00:12:02,280
Speaker 1: or if it's that she's so tough, like the the

208
00:12:02,320 --> 00:12:05,560
Speaker 1: image of like cracking a woman's back. I don't know.

209
00:12:05,640 --> 00:12:08,600
Speaker 1: I was trying to think of it, like I'm just

210
00:12:08,600 --> 00:12:11,839
Speaker 1: so curious because we're developing Shawn's home life, but I

211
00:12:11,840 --> 00:12:14,200
Speaker 1: don't know what it's. What is the picture that's developed

212
00:12:14,679 --> 00:12:16,920
Speaker 1: we we've we have established a trailer park, and we've

213
00:12:17,000 --> 00:12:19,480
Speaker 1: established in the first season, I think we established my

214
00:12:19,559 --> 00:12:25,040
Speaker 1: uncle that's a bee's eating Gilbert grape mother. Okay, yeah, yeah, yeah,

215
00:12:25,200 --> 00:12:27,640
Speaker 1: So it's like this sad like maybe she doesn't get

216
00:12:27,640 --> 00:12:31,520
Speaker 1: off the couch or she's sitting sitting around often. Yeah.

217
00:12:31,559 --> 00:12:34,080
Speaker 1: I also think they're going for which was very big

218
00:12:34,080 --> 00:12:36,480
Speaker 1: in the eighties and early nineties. I think they're going

219
00:12:36,600 --> 00:12:41,440
Speaker 1: for a Vera Peterson thing with this so on cheers

220
00:12:41,720 --> 00:12:46,920
Speaker 1: Norm Peterson. You know Norm, Norm, you never saw you

221
00:12:47,000 --> 00:12:50,680
Speaker 1: just writing stories about her and her name's Verna, Vera Verna.

222
00:12:51,280 --> 00:12:53,320
Speaker 1: So I think they were kind of trying to establish

223
00:12:53,320 --> 00:12:55,720
Speaker 1: like we're just gonna have crazy stories because I distinctly

224
00:12:56,160 --> 00:12:59,760
Speaker 1: remember episodes down the line being at the monitors and

225
00:12:59,760 --> 00:13:02,559
Speaker 1: there was another Verna story, and Michael turned to the

226
00:13:02,640 --> 00:13:04,920
Speaker 1: writers and said, we can't do this. We're gonna have

227
00:13:05,000 --> 00:13:07,440
Speaker 1: to meet this woman, right right, right. So my guess

228
00:13:07,480 --> 00:13:09,680
Speaker 1: is they were trying to do like a Vera Peterson

229
00:13:09,720 --> 00:13:11,520
Speaker 1: kind of thing, where there you're going to keep saying that,

230
00:13:12,559 --> 00:13:15,920
Speaker 1: so Sean's home life is just unimaginably crazy and what

231
00:13:16,200 --> 00:13:18,640
Speaker 1: that is, whatever's gonna be weird and funny and like

232
00:13:18,720 --> 00:13:20,400
Speaker 1: sort of thrown away where you're like, what's going on

233
00:13:20,480 --> 00:13:23,160
Speaker 1: with that kid's home life? That's especially what's going on

234
00:13:23,200 --> 00:13:25,439
Speaker 1: with that kid's mom. Right, they were just going to

235
00:13:25,600 --> 00:13:27,760
Speaker 1: Vera Peterson was just going to get crazier and crazier.

236
00:13:27,800 --> 00:13:29,400
Speaker 1: But you were never a great way to put it.

237
00:13:29,440 --> 00:13:31,559
Speaker 1: I think that's exactly what was happening. Yeah, I think

238
00:13:31,559 --> 00:13:34,080
Speaker 1: you're right. That totally makes sense. I wouldn't have thought

239
00:13:34,080 --> 00:13:35,640
Speaker 1: of it until you said it. Well, but you're right

240
00:13:35,679 --> 00:13:40,840
Speaker 1: that that really makes sense. Um, okay, so they've landed

241
00:13:40,840 --> 00:13:44,960
Speaker 1: on Weeny. Corey feels the sting of consciousness, sorry, not consciousness,

242
00:13:46,920 --> 00:13:58,600
Speaker 1: start again, He's conscious that was Eric. Corey feels the

243
00:13:58,640 --> 00:14:01,959
Speaker 1: sting of conscience and changes it back to feeni before

244
00:14:01,960 --> 00:14:04,760
Speaker 1: walking out. But Sean is still at the computer with

245
00:14:04,800 --> 00:14:07,240
Speaker 1: a smirk on how about that look back that I

246
00:14:07,280 --> 00:14:13,680
Speaker 1: guess that is who that is that is making a beat.

247
00:14:13,679 --> 00:14:16,839
Speaker 1: I know, it's like just sort of twirling my lash.

248
00:14:18,679 --> 00:14:21,160
Speaker 1: It is so over the top. Was like Jesus writer,

249
00:14:21,320 --> 00:14:25,400
Speaker 1: to it down, God, to be fair. It is the

250
00:14:25,440 --> 00:14:27,320
Speaker 1: button to a scene. It's the button to the open

251
00:14:27,360 --> 00:14:30,280
Speaker 1: of the show. And you may have been told specifically

252
00:14:30,840 --> 00:14:32,760
Speaker 1: we need something, we need a real we need a

253
00:14:32,800 --> 00:14:36,240
Speaker 1: real button. That was my version of playing look about it,

254
00:14:36,280 --> 00:14:38,920
Speaker 1: thinking about the button of a scene, and it's just subtle.

255
00:14:38,960 --> 00:14:43,160
Speaker 1: What if it had just been you going, yeah, I'm interested.

256
00:14:43,280 --> 00:14:46,640
Speaker 1: See that's that's more because then I'm like, what's going

257
00:14:46,680 --> 00:14:48,800
Speaker 1: to happen? As opposed to me three, You're like, he's

258
00:14:48,880 --> 00:14:52,560
Speaker 1: obviously going to be an evil little kid, the awful thing.

259
00:14:53,160 --> 00:14:55,560
Speaker 1: I see your point, But I will say, and we'll

260
00:14:55,560 --> 00:14:57,720
Speaker 1: talk about it when we get there later. But I

261
00:14:57,880 --> 00:15:01,040
Speaker 1: actually was super invested in what's going to happen in

262
00:15:01,080 --> 00:15:06,240
Speaker 1: this episode, even though I did too. I find we

263
00:15:06,280 --> 00:15:08,920
Speaker 1: will also talk about some over the top. Of course,

264
00:15:09,560 --> 00:15:14,360
Speaker 1: from a little cartoon. We have real cartoony moments because

265
00:15:14,520 --> 00:15:17,160
Speaker 1: we're sitcom. Maybe it's just cartoon. I think it is

266
00:15:17,480 --> 00:15:22,680
Speaker 1: I I finally feel I finally felt settled, and you know,

267
00:15:22,840 --> 00:15:24,400
Speaker 1: maybe it's because I wasn't in it. I don't know.

268
00:15:24,520 --> 00:15:28,000
Speaker 1: I finally felt like, Okay, I'm I'm a little settled.

269
00:15:28,080 --> 00:15:31,800
Speaker 1: I feel like I know these hallways now, I I

270
00:15:31,840 --> 00:15:34,000
Speaker 1: know I know most of these characters. And then the

271
00:15:34,040 --> 00:15:36,760
Speaker 1: new characters aren't out of left field for me. They

272
00:15:36,800 --> 00:15:40,080
Speaker 1: make sense. I felt really comfortable already with Turner. I

273
00:15:40,160 --> 00:15:43,120
Speaker 1: was like, yeah, I'm into this Turner perspective. I felt

274
00:15:43,160 --> 00:15:45,320
Speaker 1: I really liked it a new show, and now that

275
00:15:45,360 --> 00:15:47,120
Speaker 1: we've taken in the fact that it's a new show,

276
00:15:47,360 --> 00:15:50,280
Speaker 1: I'm I'm comfortable with watching it as I'm enjoying the

277
00:15:50,280 --> 00:15:53,080
Speaker 1: new show. I'm letting I'm letting season one go away

278
00:15:53,080 --> 00:15:55,320
Speaker 1: a little bit. Yeah, it's an interesting what it was.

279
00:15:55,400 --> 00:15:57,320
Speaker 1: And then moving forward, So one of the things I

280
00:15:57,880 --> 00:16:00,280
Speaker 1: was wondering, um and we should probably have back on

281
00:16:00,320 --> 00:16:01,640
Speaker 1: the show to ask him, it was like, what's up

282
00:16:01,640 --> 00:16:04,480
Speaker 1: with Jeff Sherman and writing Sean is like getting in trouble,

283
00:16:04,600 --> 00:16:07,960
Speaker 1: Like just like this is a but it also serves

284
00:16:08,000 --> 00:16:12,480
Speaker 1: as an interesting counterpoint to the fugitive and that uh there,

285
00:16:12,520 --> 00:16:14,880
Speaker 1: you know this episode doesn't it does have a hard

286
00:16:14,920 --> 00:16:18,200
Speaker 1: felt moment for Corey, but like Sean, doesn't really you know,

287
00:16:18,280 --> 00:16:20,800
Speaker 1: like I do the thing, but then it becomes not

288
00:16:21,160 --> 00:16:23,080
Speaker 1: it doesn't really have anything to do with me, Like

289
00:16:23,120 --> 00:16:24,760
Speaker 1: I just I was wondering and I don't even know

290
00:16:24,760 --> 00:16:26,560
Speaker 1: how we would figure this out. If this is the

291
00:16:26,600 --> 00:16:30,440
Speaker 1: only episode where a writer actually references one of their

292
00:16:31,000 --> 00:16:33,560
Speaker 1: I know, because he does. You know, ever since last

293
00:16:33,600 --> 00:16:37,000
Speaker 1: year when I blew up the mailbox? Are you kidding me?

294
00:16:37,080 --> 00:16:40,320
Speaker 1: We do that a whole bunch. They referenced their own

295
00:16:40,360 --> 00:16:49,280
Speaker 1: episode because he wrote the Fugitive too, right? Right? Maybe not? Hi, Christy, Hey,

296
00:16:49,280 --> 00:16:52,280
Speaker 1: will I have some unbelievable news. Oh there's a Kim

297
00:16:52,320 --> 00:16:55,320
Speaker 1: Possible roun Stoppable reunion in the works. No, no, no,

298
00:16:55,440 --> 00:16:57,440
Speaker 1: that would be great, But no, I have other big news.

299
00:16:57,560 --> 00:16:59,840
Speaker 1: We just launched the super awesome contest to become the

300
00:17:00,120 --> 00:17:02,240
Speaker 1: X Big Voice Actor. That's right. We want to give

301
00:17:02,280 --> 00:17:04,680
Speaker 1: an amateur voice actor an opportunity to win a one

302
00:17:04,800 --> 00:17:07,440
Speaker 1: year contract with my voice over agency, c s D.

303
00:17:07,920 --> 00:17:09,840
Speaker 1: They are amazing. I've been with them for over twenty

304
00:17:09,920 --> 00:17:11,679
Speaker 1: years and that's not all. A trip to l A

305
00:17:11,760 --> 00:17:15,719
Speaker 1: to meet Will and myself and some amazing prizes as well, yeah, So,

306
00:17:15,760 --> 00:17:17,800
Speaker 1: how do people enter the super awesome contest to become

307
00:17:17,800 --> 00:17:20,160
Speaker 1: the next Big Voice actor Christie. Send a two minute

308
00:17:20,280 --> 00:17:24,439
Speaker 1: or less video or audio file showcasing your best voices. Okay,

309
00:17:24,440 --> 00:17:26,320
Speaker 1: well it's time do your announcer voice for the rest

310
00:17:26,640 --> 00:17:30,359
Speaker 1: Oh yes, no purchase necessary. Submit your entry it I

311
00:17:30,400 --> 00:17:32,760
Speaker 1: Hear Voices that I Hear Radio dot com. Between January

312
00:17:32,840 --> 00:17:35,680
Speaker 1: nine and February nine. Entries will be judged. The contest

313
00:17:35,760 --> 00:17:37,560
Speaker 1: is open to legal residents of the United States who

314
00:17:37,560 --> 00:17:39,679
Speaker 1: are eighteen and older. Official rules can be found by

315
00:17:39,680 --> 00:17:42,280
Speaker 1: going to our Instagram page and I Hear Voices podcasts

316
00:17:42,320 --> 00:17:45,520
Speaker 1: for complete details, listen to I Hear Voices on the

317
00:17:45,560 --> 00:17:48,240
Speaker 1: I Heart Radio app or wherever you listen to podcasts.

318
00:17:53,280 --> 00:17:55,480
Speaker 1: We are in the school hallway. A bunch of kids

319
00:17:55,480 --> 00:17:59,560
Speaker 1: are laughing seeing the school newspaper. Harley grabs the paper

320
00:17:59,600 --> 00:18:02,120
Speaker 1: from from some of our background actors that I remembered

321
00:18:02,240 --> 00:18:06,320
Speaker 1: very well and right, Okay, I was like, I know

322
00:18:06,359 --> 00:18:08,600
Speaker 1: all these guys me too. It's like a whole I

323
00:18:08,600 --> 00:18:10,320
Speaker 1: I know them all, I know all their faces. Now

324
00:18:10,320 --> 00:18:13,359
Speaker 1: it's so strange, but I did so. Harley sees that

325
00:18:13,400 --> 00:18:16,240
Speaker 1: they wrote weenie instead of Phoene on the front page,

326
00:18:16,440 --> 00:18:20,359
Speaker 1: and he calmly says, I'm laughing, which I loved. I

327
00:18:20,400 --> 00:18:23,439
Speaker 1: loved this for his character. Harley says he would like

328
00:18:23,520 --> 00:18:25,560
Speaker 1: to meet whoever changed that name because he'd be a

329
00:18:25,560 --> 00:18:28,760
Speaker 1: great addition to the gang. And Sean walks up to

330
00:18:28,800 --> 00:18:30,520
Speaker 1: Harley and tries to tell him that he made the

331
00:18:30,560 --> 00:18:33,159
Speaker 1: headline change, but Harley acts real tough before he can

332
00:18:33,200 --> 00:18:35,600
Speaker 1: get that's great. This speaks exactly too. I feel like,

333
00:18:35,640 --> 00:18:37,679
Speaker 1: Will didn't you bring this up right as we started

334
00:18:37,720 --> 00:18:40,159
Speaker 1: season two where you were like, is there ever when

335
00:18:40,200 --> 00:18:43,280
Speaker 1: Sean like wants to be part of the tough Guys gang? Yeah,

336
00:18:43,400 --> 00:18:46,560
Speaker 1: I mean it happens. You were almost immediately like all

337
00:18:46,600 --> 00:18:49,359
Speaker 1: I want to do is be a part of their gang. Yeah. Yeah,

338
00:18:49,520 --> 00:18:51,800
Speaker 1: And it was it was perfect. It was your your

339
00:18:51,840 --> 00:18:57,080
Speaker 1: intro for walking over. And then I cannot tell you

340
00:18:57,119 --> 00:19:03,240
Speaker 1: how much I laughed at Blake's as Joey his reaction

341
00:19:03,480 --> 00:19:07,440
Speaker 1: and saying because Harley's got a whole locker full of

342
00:19:07,560 --> 00:19:11,639
Speaker 1: ears from guys who done the same thing, they glasses

343
00:19:11,720 --> 00:19:17,520
Speaker 1: hang crooked now because they ain't got no ease. He's

344
00:19:17,560 --> 00:19:24,119
Speaker 1: almost singing it exactly exactly. There's like a song to it,

345
00:19:24,160 --> 00:19:26,760
Speaker 1: which of course we know him as a musician, and

346
00:19:26,760 --> 00:19:29,320
Speaker 1: so it makes sense. But all I could think of

347
00:19:29,320 --> 00:19:32,040
Speaker 1: when I watched it was, we've had this conversation before

348
00:19:32,160 --> 00:19:34,920
Speaker 1: about people who see what's written on the page and

349
00:19:35,119 --> 00:19:40,119
Speaker 1: just turn it into something totally just something magical. I

350
00:19:40,160 --> 00:19:44,560
Speaker 1: guarantee you that was something fairly straightforward on the page

351
00:19:44,600 --> 00:19:46,879
Speaker 1: that I would have never heard the way he did it,

352
00:19:46,960 --> 00:19:49,280
Speaker 1: and yet it was so unbelievably funny to me. So

353
00:19:49,440 --> 00:19:51,520
Speaker 1: I just it stood out to me. There are a

354
00:19:51,560 --> 00:19:53,640
Speaker 1: couple of really funny lines in this episode that really

355
00:19:53,680 --> 00:19:57,720
Speaker 1: stood out to me. You texted me about we will

356
00:19:57,720 --> 00:20:00,840
Speaker 1: get to too, because I love that moment too. To um,

357
00:20:00,880 --> 00:20:02,720
Speaker 1: so we'll get to that. Corey walks over to Sean

358
00:20:02,760 --> 00:20:04,720
Speaker 1: with the paper, and Corey knows he made the change

359
00:20:04,760 --> 00:20:07,560
Speaker 1: after all. Sean says he rules the school because he

360
00:20:07,560 --> 00:20:10,119
Speaker 1: did it, even though no one knows. But that's fine,

361
00:20:10,200 --> 00:20:12,919
Speaker 1: that's totally good enough for him. And then two girls

362
00:20:12,960 --> 00:20:15,520
Speaker 1: walk by and say they would do anything for the

363
00:20:15,560 --> 00:20:18,520
Speaker 1: guy who changed the headline, and Sean now says it's

364
00:20:18,720 --> 00:20:25,880
Speaker 1: killing him that nobody knows. That was a little It's

365
00:20:26,000 --> 00:20:29,240
Speaker 1: very sexual. It's just very sexual. I would do anything

366
00:20:29,280 --> 00:20:31,639
Speaker 1: for the guy. Who was like yikes, well and the

367
00:20:31,680 --> 00:20:36,480
Speaker 1: audience going, it's like, even even if it wasn't supposed

368
00:20:36,480 --> 00:20:38,160
Speaker 1: to be, which it probably was, even if it wasn't

369
00:20:38,200 --> 00:20:41,240
Speaker 1: supposed to be, anytime you throw in ah, it makes

370
00:20:41,240 --> 00:20:43,960
Speaker 1: it that way over the top. Yeah. Yeah. I also

371
00:20:44,040 --> 00:20:45,960
Speaker 1: thought it was a really interesting shot that the way

372
00:20:46,040 --> 00:20:48,000
Speaker 1: you couldn't even see the girl who was talking. You

373
00:20:48,000 --> 00:20:50,480
Speaker 1: couldn't even see her face. She was completely hidden behind

374
00:20:50,520 --> 00:20:52,439
Speaker 1: Ben and so you couldn't even see her until she

375
00:20:52,480 --> 00:20:54,200
Speaker 1: was like rounding the corner. And I was like, that

376
00:20:54,240 --> 00:20:56,360
Speaker 1: must have been the best take we had, but gone

377
00:20:57,160 --> 00:21:00,240
Speaker 1: just use that one. We don't have anything else. Um.

378
00:21:00,240 --> 00:21:02,640
Speaker 1: So then we are in Mr Turner's classroom and Mr

379
00:21:02,680 --> 00:21:06,040
Speaker 1: Turner is teaching the class about the scarlet letter. He

380
00:21:06,119 --> 00:21:08,800
Speaker 1: says it's all scandal and gossip that could have been

381
00:21:09,400 --> 00:21:11,679
Speaker 1: out of today's headlines. And then he holds up the

382
00:21:11,680 --> 00:21:16,200
Speaker 1: school newspaper with Mr Weenye on it, and then Mr

383
00:21:16,240 --> 00:21:18,880
Speaker 1: Feeney walks in and says he's going room to room

384
00:21:18,960 --> 00:21:23,119
Speaker 1: to ask whoever pulled the newspaper prank to confess. And

385
00:21:23,160 --> 00:21:27,840
Speaker 1: I have a really funny admission here, he says. And

386
00:21:27,920 --> 00:21:33,520
Speaker 1: if he or she or they confess and my first

387
00:21:33,520 --> 00:21:41,640
Speaker 1: thought was how progressive I really And then I was like, oh,

388
00:21:42,000 --> 00:21:46,000
Speaker 1: you mean today as in more than one person that

389
00:21:46,119 --> 00:21:48,280
Speaker 1: Sean and Corey at this point. But my first, my

390
00:21:48,400 --> 00:21:52,240
Speaker 1: very first thought was wow, we were so progressive in

391
00:21:52,359 --> 00:21:55,200
Speaker 1: ninety four, But it was actually just can I ask

392
00:21:55,240 --> 00:21:59,520
Speaker 1: a question? And I'm just curious about this. I frankly

393
00:21:59,560 --> 00:22:02,800
Speaker 1: thought the using the scarlet letter for the first time,

394
00:22:02,920 --> 00:22:04,520
Speaker 1: I thought it was a bit of a stretch with

395
00:22:04,560 --> 00:22:07,399
Speaker 1: this storyline. I get the whole gossip thing, but the

396
00:22:07,440 --> 00:22:12,160
Speaker 1: scarlet Letter is very specifically based around a woman. It's

397
00:22:12,240 --> 00:22:15,240
Speaker 1: very specific, like the scarlet letter means something, and it

398
00:22:15,400 --> 00:22:18,360
Speaker 1: seems like just because there's gossip about changing the headline,

399
00:22:18,440 --> 00:22:21,399
Speaker 1: it seemed like a bit of a stretch to correlate

400
00:22:21,520 --> 00:22:23,720
Speaker 1: that to the Scarlet Letter. I don't know, it just

401
00:22:23,760 --> 00:22:25,399
Speaker 1: seemed like they were trying, like there could have been

402
00:22:25,480 --> 00:22:28,560
Speaker 1: better storylines using the scarlet Letter, in my opinion, then

403
00:22:28,920 --> 00:22:31,320
Speaker 1: they change the headline and so people are talking because

404
00:22:31,359 --> 00:22:33,000
Speaker 1: it's as Weeny. It just seemed a bit of a

405
00:22:33,040 --> 00:22:37,040
Speaker 1: stretch for me. So literary, I've never read Scarlet Letter.

406
00:22:37,640 --> 00:22:41,960
Speaker 1: It's locked, but it's good, but so basically ideas that

407
00:22:42,040 --> 00:22:44,640
Speaker 1: she gets branded because she sleeps, she has to walk

408
00:22:44,680 --> 00:22:47,919
Speaker 1: around with the scarlet a on her as for adulteress,

409
00:22:47,960 --> 00:22:50,240
Speaker 1: and there's so it's it's essentially her holding her head

410
00:22:50,280 --> 00:22:52,360
Speaker 1: up high and learning to, you know, to wear it

411
00:22:53,000 --> 00:22:55,679
Speaker 1: proudly if she has to. But it's all gossip and conjecture.

412
00:22:55,720 --> 00:22:59,360
Speaker 1: And but it's a very specific story, and it's not

413
00:22:59,560 --> 00:23:03,080
Speaker 1: just because somebody gossips about somebody. I mean, there's sexual undertones,

414
00:23:03,119 --> 00:23:05,520
Speaker 1: there's there's the rights of a woman. I mean, there's

415
00:23:05,560 --> 00:23:08,640
Speaker 1: a lot of stuff that has nothing to do with

416
00:23:09,960 --> 00:23:14,640
Speaker 1: where where Corey and Tapanga fall asleep in the radio room,

417
00:23:14,800 --> 00:23:18,160
Speaker 1: perfect is a perfect example, where then Corey lets people

418
00:23:18,240 --> 00:23:23,879
Speaker 1: think that something happened between them Perfect Letter, where this

419
00:23:23,920 --> 00:23:26,720
Speaker 1: one it was just like, yeah, just because somebody did

420
00:23:26,800 --> 00:23:29,720
Speaker 1: something and there's some gossip about it doesn't necessarily make

421
00:23:29,760 --> 00:23:32,560
Speaker 1: it the Scarlet Letter. It just we're so usually so

422
00:23:32,600 --> 00:23:36,040
Speaker 1: good with putting in the literary kind of references, whether

423
00:23:36,080 --> 00:23:38,200
Speaker 1: it was what we talked about that, whatever it was,

424
00:23:38,240 --> 00:23:41,520
Speaker 1: it worked and Hamlet and all that, and then it's like, yeah,

425
00:23:41,640 --> 00:23:44,680
Speaker 1: this little bit of a stretch, Yeah, but it didn't

426
00:23:44,720 --> 00:23:46,399
Speaker 1: bump me. It didn't bump me so much that I

427
00:23:46,480 --> 00:23:48,920
Speaker 1: was like it was just like, you're forcing the letter,

428
00:23:49,160 --> 00:23:51,320
Speaker 1: but you know there's something too. I I totally get

429
00:23:51,320 --> 00:23:53,119
Speaker 1: what you're saying well, and I, like I said, I

430
00:23:53,160 --> 00:23:54,840
Speaker 1: didn't read it, but I would. I kind of agree

431
00:23:54,840 --> 00:23:57,960
Speaker 1: because I didn't get the connection necessarily, But there is

432
00:23:58,000 --> 00:24:01,160
Speaker 1: something to be said for a kids show to just

433
00:24:02,280 --> 00:24:05,359
Speaker 1: name check these things is actually valuable in itself, do

434
00:24:05,359 --> 00:24:08,120
Speaker 1: you know what I mean? Like so that a person

435
00:24:08,160 --> 00:24:11,080
Speaker 1: watching TV on Friday night with their family is going

436
00:24:11,160 --> 00:24:14,640
Speaker 1: to maybe remember the Scarlet Letter when they hear about

437
00:24:14,640 --> 00:24:16,639
Speaker 1: that in high school years later or whatever. You know,

438
00:24:16,680 --> 00:24:20,720
Speaker 1: Like that's kind of cool to just just accumulate. Uh,

439
00:24:20,920 --> 00:24:23,040
Speaker 1: Like you know, one of the one of the people

440
00:24:23,080 --> 00:24:26,240
Speaker 1: I love and I've always loved is Van Morrison. He's

441
00:24:26,240 --> 00:24:29,240
Speaker 1: an amazing singer songwriter, and I became obsessed with him

442
00:24:29,400 --> 00:24:31,680
Speaker 1: way back when I was probably like twelve or thirteen.

443
00:24:32,040 --> 00:24:35,760
Speaker 1: And he's infamous for just sort of referencing literary stuff,

444
00:24:35,800 --> 00:24:40,080
Speaker 1: like referencing poems and plays and books all the time

445
00:24:40,119 --> 00:24:42,560
Speaker 1: in all of his songs and so often in my

446
00:24:42,640 --> 00:24:44,800
Speaker 1: life though even and and and it's and in some

447
00:24:44,840 --> 00:24:47,000
Speaker 1: ways he's just like kind of reading the reading list

448
00:24:47,040 --> 00:24:48,879
Speaker 1: of like what he's reading at the time. But it

449
00:24:49,000 --> 00:24:51,960
Speaker 1: served a really cool purpose for me, whereas where later

450
00:24:52,000 --> 00:24:54,159
Speaker 1: on in life when I would encounter those books, I

451
00:24:54,160 --> 00:24:56,080
Speaker 1: would have a familiarity with it just because of the

452
00:24:56,160 --> 00:24:59,520
Speaker 1: Van Morrison song. Like they're just trying to make this

453
00:25:00,040 --> 00:25:02,359
Speaker 1: as if it was the same type of thing. But

454
00:25:02,440 --> 00:25:04,600
Speaker 1: I guess what I'm saying was wearing the scarlet w

455
00:25:05,680 --> 00:25:07,760
Speaker 1: But I guess what I well it is that kind

456
00:25:07,760 --> 00:25:09,960
Speaker 1: of does make sense write a letter. I guess I

457
00:25:10,240 --> 00:25:12,800
Speaker 1: get what they're doing it, but I guess I'm just

458
00:25:13,119 --> 00:25:17,879
Speaker 1: arguing in favor of making a literary historical cultural if

459
00:25:17,880 --> 00:25:19,840
Speaker 1: it doesn't necessarily have to make sense, just for the

460
00:25:19,960 --> 00:25:23,200
Speaker 1: value of, like our our audience just absorbing cool things

461
00:25:23,200 --> 00:25:25,760
Speaker 1: that will pay. And I think what Will is saying

462
00:25:25,840 --> 00:25:27,679
Speaker 1: is he agrees with you, but maybe there could have

463
00:25:27,680 --> 00:25:29,640
Speaker 1: been something that tied in more closely and we could

464
00:25:29,640 --> 00:25:31,560
Speaker 1: have had the best of both worlds. And now you

465
00:25:31,600 --> 00:25:33,560
Speaker 1: know exactly what it's like when we go to dinner.

466
00:25:35,760 --> 00:25:41,200
Speaker 1: It's I think writers saying, I think that Will is

467
00:25:41,200 --> 00:25:45,720
Speaker 1: actually agreeing with you, it's just that Will's perspective. I'd

468
00:25:45,720 --> 00:25:49,800
Speaker 1: like another double vacive rocks. Please think I'll see you

469
00:25:49,800 --> 00:25:55,840
Speaker 1: guys at six six in the morning. Okay, um so yes? Uh.

470
00:25:56,280 --> 00:25:58,840
Speaker 1: Corean Seawn look around in a very guilty manner, while

471
00:25:58,960 --> 00:26:01,199
Speaker 1: Mr Fini is sayingever he she or they if they

472
00:26:01,240 --> 00:26:03,520
Speaker 1: will just confess? And then we are in the Matthews

473
00:26:03,600 --> 00:26:07,000
Speaker 1: kitchen and Eric shows Alan the school newspaper, which Alan

474
00:26:07,240 --> 00:26:10,280
Speaker 1: actually thinks is very funny. Eric reads a letter from

475
00:26:10,280 --> 00:26:13,400
Speaker 1: his girlfriend Molly that says her efforts at journalistic excellence

476
00:26:13,400 --> 00:26:18,120
Speaker 1: have been forever compromised by Eric's limited intellect and profound immaturity.

477
00:26:18,400 --> 00:26:22,440
Speaker 1: She thinks Eric did it. Amy walks in from behind

478
00:26:22,480 --> 00:26:24,840
Speaker 1: Alan and slaps him on the head after he comments

479
00:26:24,880 --> 00:26:27,240
Speaker 1: that marriage is so wonderful and the love bug will

480
00:26:27,240 --> 00:26:32,080
Speaker 1: get you, and she says he forgot to clean the garage.

481
00:26:32,119 --> 00:26:34,960
Speaker 1: Amy sees the paper and wonders, well, how did that happen?

482
00:26:35,480 --> 00:26:40,440
Speaker 1: Morgan keeps yelling it says Wayney, and then Corey walks in.

483
00:26:41,400 --> 00:26:44,800
Speaker 1: Now he is very well dressed, like she's coming from work. Yeah,

484
00:26:44,840 --> 00:26:55,720
Speaker 1: she's the bricks, bright level work. What does Amy do? Yeah?

485
00:26:55,720 --> 00:26:58,800
Speaker 1: I think she looks very professional, and she's she's she

486
00:26:58,880 --> 00:27:01,840
Speaker 1: looks like she's coming from work. He's like home, you know,

487
00:27:02,000 --> 00:27:05,120
Speaker 1: not working. Just I'm so curious, what's happening here. Also

488
00:27:05,200 --> 00:27:07,400
Speaker 1: on the on the board behind Corey when he comes

489
00:27:07,400 --> 00:27:09,679
Speaker 1: in on the board for the for the tou of,

490
00:27:11,040 --> 00:27:14,680
Speaker 1: he's got to call like nine girls. It says, yeah,

491
00:27:14,720 --> 00:27:17,040
Speaker 1: there's like Corey called, Megan called called it. It's like

492
00:27:17,040 --> 00:27:21,240
Speaker 1: what how are all these what? And then yes, I

493
00:27:21,320 --> 00:27:23,199
Speaker 1: was watching it was Sue and I was like, can

494
00:27:23,240 --> 00:27:26,040
Speaker 1: you see what it says in the corner there? She says, yeah,

495
00:27:26,040 --> 00:27:28,679
Speaker 1: it says call the King of Siam. Was like, I

496
00:27:28,720 --> 00:27:32,960
Speaker 1: don't think that's what it says, so like Jesus, yeah,

497
00:27:33,040 --> 00:27:34,520
Speaker 1: you didn't probably see it the same way I did.

498
00:27:34,520 --> 00:27:37,080
Speaker 1: But there's some very strange things. If anybody can tell us.

499
00:27:37,119 --> 00:27:39,960
Speaker 1: What is actually written on the board is a list

500
00:27:39,960 --> 00:27:42,640
Speaker 1: of girls he has to call. I thought it was interesting,

501
00:27:43,600 --> 00:27:47,640
Speaker 1: all right, Yeah, Corey is a ladies man now. Uh So,

502
00:27:47,760 --> 00:27:50,560
Speaker 1: then Eric realizes Corey was the last one in the

503
00:27:50,600 --> 00:27:53,800
Speaker 1: newspaper office before everything went to the printers, and Amy

504
00:27:53,880 --> 00:27:55,679
Speaker 1: asks Corey if he had something to do with it,

505
00:27:55,720 --> 00:27:59,159
Speaker 1: and he says no, and then Morgan yells, Wayney, I

506
00:27:59,200 --> 00:28:02,720
Speaker 1: can read, can read. I had a problem just very quickly,

507
00:28:02,800 --> 00:28:06,280
Speaker 1: and it's just a personal thing. Brother Wise, I didn't

508
00:28:06,320 --> 00:28:07,840
Speaker 1: like and I get why they did it for the story,

509
00:28:07,840 --> 00:28:11,560
Speaker 1: it's not the writing. I didn't like Eric calling Corey

510
00:28:11,560 --> 00:28:14,600
Speaker 1: out in front of his parents, like you don't want

511
00:28:14,600 --> 00:28:16,800
Speaker 1: your brother, You don't want get your brother in trouble.

512
00:28:16,840 --> 00:28:18,440
Speaker 1: You want to pull him aside and be like, dude,

513
00:28:18,480 --> 00:28:21,280
Speaker 1: I know you're in the room. But I get why

514
00:28:21,320 --> 00:28:23,399
Speaker 1: they did it, and I because I also don't. I

515
00:28:23,400 --> 00:28:25,639
Speaker 1: think you just realized it at the in the in

516
00:28:25,720 --> 00:28:28,680
Speaker 1: the moment, and it wasn't even that you were aware. Yeah,

517
00:28:28,720 --> 00:28:30,480
Speaker 1: it was more because I think it was more just

518
00:28:30,600 --> 00:28:32,240
Speaker 1: that was the first time you had the thought. Because

519
00:28:32,320 --> 00:28:34,240
Speaker 1: it was actually very good acting on your part. It

520
00:28:34,280 --> 00:28:36,879
Speaker 1: seemed very much like the idea just came to you.

521
00:28:36,880 --> 00:28:39,240
Speaker 1: You were like, I don't know how this could have happened.

522
00:28:39,240 --> 00:28:41,320
Speaker 1: Molly thinks it's me, and yet there's no way, how

523
00:28:41,360 --> 00:28:45,600
Speaker 1: could it A minute, I didn't like that that. I

524
00:28:45,680 --> 00:28:46,800
Speaker 1: was like, oh, we called him out in front of

525
00:28:46,800 --> 00:28:48,400
Speaker 1: his parents, But I get why they did it. Were

526
00:28:49,600 --> 00:28:51,880
Speaker 1: you were just light bulbs were going off in your head.

527
00:29:02,120 --> 00:29:04,280
Speaker 1: So then we're in the school hallway and Eric and

528
00:29:04,400 --> 00:29:07,360
Speaker 1: Jason Marsden are studying as Molly walks by and tells

529
00:29:07,480 --> 00:29:10,120
Speaker 1: Eric to get out of her sight and calls him vermicular,

530
00:29:10,240 --> 00:29:14,440
Speaker 1: miscreant great words. And this is Jason's first appearance in

531
00:29:14,480 --> 00:29:18,040
Speaker 1: the second season. It is and I forgot that this

532
00:29:18,160 --> 00:29:21,240
Speaker 1: was the desire episode because like you with Trino, where

533
00:29:21,280 --> 00:29:23,320
Speaker 1: you've talked about later, this was the first time they

534
00:29:23,320 --> 00:29:27,800
Speaker 1: actually pulled me into an audition. I read with her

535
00:29:27,840 --> 00:29:30,160
Speaker 1: because she does I think, I don't know, she just

536
00:29:30,280 --> 00:29:32,120
Speaker 1: did this episode or she no, she does more than

537
00:29:32,160 --> 00:29:34,680
Speaker 1: one episode. Um. So they called me in and this

538
00:29:34,720 --> 00:29:36,320
Speaker 1: is the first time I was on the other side

539
00:29:36,320 --> 00:29:38,720
Speaker 1: of of the audition room where I was like, oh man,

540
00:29:38,960 --> 00:29:40,360
Speaker 1: I actually have to read with people. And I read

541
00:29:40,360 --> 00:29:42,560
Speaker 1: with a number of girls, and they talked to me

542
00:29:42,640 --> 00:29:44,000
Speaker 1: about what what did you think of this one and

543
00:29:44,040 --> 00:29:45,280
Speaker 1: what do you think it was. It was the first

544
00:29:45,280 --> 00:29:46,920
Speaker 1: time I got kind of the behind the scenes look

545
00:29:47,000 --> 00:29:49,760
Speaker 1: at what the audition was process was like when you

546
00:29:49,840 --> 00:29:51,719
Speaker 1: leave the room, because then I was there as they

547
00:29:51,720 --> 00:29:55,200
Speaker 1: were discussing everything. Um. But yeah, we ended up Jason

548
00:29:55,240 --> 00:29:58,480
Speaker 1: and I we asked that, you know, the we tried.

549
00:29:58,520 --> 00:30:00,440
Speaker 1: We had a double date, so Jason went out with

550
00:30:00,480 --> 00:30:02,720
Speaker 1: this girl and I went out with Jill, and we

551
00:30:02,760 --> 00:30:04,320
Speaker 1: all went out to dinner one night, the four of us.

552
00:30:04,680 --> 00:30:07,760
Speaker 1: That's so funny. She was very sweet and that was

553
00:30:07,800 --> 00:30:10,280
Speaker 1: my first first time ever seeing that kind of audition process,

554
00:30:10,280 --> 00:30:14,440
Speaker 1: which was interesting, so cool. So uh. Jason asks how

555
00:30:14,440 --> 00:30:17,120
Speaker 1: it's going with Molly, and Eric calls her a man killer,

556
00:30:17,160 --> 00:30:19,640
Speaker 1: and then Jason asks if he can call her, and

557
00:30:19,680 --> 00:30:25,240
Speaker 1: then Eric, while holding your favorite folders Will Folders with

558
00:30:25,320 --> 00:30:27,840
Speaker 1: the random sports on it, says he is done with

559
00:30:27,880 --> 00:30:30,000
Speaker 1: women for his junior year and the next time he

560
00:30:30,040 --> 00:30:33,000
Speaker 1: falls in love, Jason needs to talk him down. Eric

561
00:30:33,080 --> 00:30:37,600
Speaker 1: turns around and it runs into a girl and spills

562
00:30:37,720 --> 00:30:40,520
Speaker 1: red drink. Yeah, I know the red drink. I was

563
00:30:40,520 --> 00:30:42,280
Speaker 1: wondering why I was drinking in the hallway. I was like,

564
00:30:42,320 --> 00:30:44,400
Speaker 1: why did he? Why do I have this in the hallway?

565
00:30:44,440 --> 00:30:48,480
Speaker 1: And then and she also has red drink in her hand.

566
00:30:48,880 --> 00:30:53,280
Speaker 1: You know what's meant to be? This? This felt that,

567
00:30:53,440 --> 00:30:57,160
Speaker 1: this this part felt forced. This this part here with

568
00:30:57,200 --> 00:31:02,400
Speaker 1: the bump and the yeah and shoes and bought in

569
00:31:02,520 --> 00:31:07,320
Speaker 1: New York. My pants, my shoes really are into accents

570
00:31:07,360 --> 00:31:11,000
Speaker 1: this season, like everybody everybody got that New York note

571
00:31:11,280 --> 00:31:13,480
Speaker 1: to be more New York. You got you know, Blake

572
00:31:13,560 --> 00:31:19,240
Speaker 1: doing the ears and everybody's New York Atlanta and from Atlanta,

573
00:31:21,480 --> 00:31:24,680
Speaker 1: and you are wearing will you were wearing the most

574
00:31:24,840 --> 00:31:28,320
Speaker 1: giant pants I've ever said the same thing. She said

575
00:31:28,440 --> 00:31:31,040
Speaker 1: they were made by a tent maker. Yes, yes, they

576
00:31:31,040 --> 00:31:35,160
Speaker 1: are giant pants. And she says, when you say my shoes,

577
00:31:35,240 --> 00:31:39,440
Speaker 1: and she says my shoes, she says, I just bought

578
00:31:39,600 --> 00:31:45,280
Speaker 1: mine New York. I just bought mine New York. She

579
00:31:45,400 --> 00:31:50,160
Speaker 1: was in New York. She may have been saying mine,

580
00:31:50,800 --> 00:31:53,120
Speaker 1: but there is no separate word. I just bought my

581
00:31:53,560 --> 00:31:59,280
Speaker 1: New York. Um. She sounds like a nineteen forties newspaper dame, right,

582
00:32:01,040 --> 00:32:05,200
Speaker 1: she's more like a more like an eighteen fifties plantation owner.

583
00:32:05,200 --> 00:32:17,440
Speaker 1: What maybe maybe it's like Southern Belle. I got the vape.

584
00:32:18,440 --> 00:32:21,280
Speaker 1: So he looks up and she looks up, and they

585
00:32:21,320 --> 00:32:24,160
Speaker 1: appear to like fall in love, and Jason is muttering

586
00:32:24,200 --> 00:32:26,680
Speaker 1: bag of misery, bag of misery to remind Eric not

587
00:32:26,760 --> 00:32:29,560
Speaker 1: to fall for her. Eric says sorry, and he tries

588
00:32:29,640 --> 00:32:32,120
Speaker 1: to walk away, but the girl says her family just

589
00:32:32,160 --> 00:32:34,320
Speaker 1: moved from Atlanta and it's her senior year and a

590
00:32:34,360 --> 00:32:37,600
Speaker 1: brand new school, and she is lost. Eric keeps saying

591
00:32:37,640 --> 00:32:41,520
Speaker 1: senior while Jason keeps saying misery. Bag. Eric throws Jason's

592
00:32:41,560 --> 00:32:43,680
Speaker 1: books down the hall so he can go away, and

593
00:32:43,720 --> 00:32:49,800
Speaker 1: then he walks away with Desiree Emmeline Hollinger Beaumont like

594
00:32:50,000 --> 00:32:57,840
Speaker 1: you do. Yeah, yes, I got nothing, Okay. Sean walks

595
00:32:57,880 --> 00:32:59,880
Speaker 1: by telling Corey that there is a rumor that the

596
00:33:00,000 --> 00:33:02,880
Speaker 1: Whenie headline was just a typo and not his work.

597
00:33:03,080 --> 00:33:05,560
Speaker 1: So he then shows Corey that he changed the name

598
00:33:05,640 --> 00:33:09,560
Speaker 1: on the principal's office to Mr George Weeney. It is

599
00:33:09,560 --> 00:33:14,320
Speaker 1: worth noting here that this is the ever changing door

600
00:33:16,360 --> 00:33:20,440
Speaker 1: bathroom in the first episode, exactly the first two episodes.

601
00:33:20,480 --> 00:33:22,200
Speaker 1: I think it was where Harley was going to beat

602
00:33:22,280 --> 00:33:24,920
Speaker 1: Corey up. And we also in the first episode had

603
00:33:24,920 --> 00:33:29,520
Speaker 1: clearly established Phoene's office when Ben went to it, where

604
00:33:29,560 --> 00:33:32,960
Speaker 1: there was a completely different hallway. Yeah, there was another

605
00:33:33,000 --> 00:33:36,000
Speaker 1: hallway with a whole like a set of offices which

606
00:33:36,000 --> 00:33:38,880
Speaker 1: Phoene's office was off of. So now we just make

607
00:33:38,920 --> 00:33:42,320
Speaker 1: it this door store and it's going to be a

608
00:33:42,320 --> 00:33:47,440
Speaker 1: bunch of other things. It'll be closet. Yeah, it's that

609
00:33:47,720 --> 00:33:50,960
Speaker 1: spot on set was whatever we needed that week. We

610
00:33:51,000 --> 00:33:53,600
Speaker 1: ever make fun of it in a medicine, we must.

611
00:33:53,600 --> 00:33:55,600
Speaker 1: I don't know. I hope we do. I hope I

612
00:33:55,640 --> 00:33:58,760
Speaker 1: hope we do too, because it's ridiculous. It's really ridiculous.

613
00:33:59,080 --> 00:34:02,360
Speaker 1: So you have written Sean has written Weenie in in

614
00:34:02,480 --> 00:34:06,240
Speaker 1: like ink or paint or something on the door and

615
00:34:06,760 --> 00:34:09,040
Speaker 1: Corey ends up reaching up his hand because he says

616
00:34:09,040 --> 00:34:15,640
Speaker 1: there's a drip and he touches it. Uh, yes, gasps,

617
00:34:15,840 --> 00:34:18,680
Speaker 1: I remember him. Yes. I feel like we might have

618
00:34:18,719 --> 00:34:21,840
Speaker 1: done this multiple times or he does that, or we

619
00:34:21,920 --> 00:34:24,800
Speaker 1: all although we have a gasp that we did together.

620
00:34:24,960 --> 00:34:28,239
Speaker 1: Do you guys remember that we brought that back for

621
00:34:28,320 --> 00:34:30,000
Speaker 1: a whole bunch? Yeah, I wonder if that came out

622
00:34:30,000 --> 00:34:33,440
Speaker 1: of this, because this is really funny. Does it like

623
00:34:33,480 --> 00:34:36,320
Speaker 1: three or four times? Is great? Yeah, it is very funny.

624
00:34:37,080 --> 00:34:39,920
Speaker 1: Corey tells Sean that he is out of control, and

625
00:34:40,280 --> 00:34:43,279
Speaker 1: Janitor Bud from earlier walks over with Mr Foenie. As

626
00:34:43,320 --> 00:34:45,640
Speaker 1: Corey is standing in front of the door, thinking Corey

627
00:34:45,840 --> 00:34:49,160
Speaker 1: did the name changing. Phoene says Janitor Bud saw him

628
00:34:49,200 --> 00:34:51,520
Speaker 1: at the scene of the crime with his good eye,

629
00:34:53,040 --> 00:34:56,560
Speaker 1: and Corey denies it. Corey then realizes he has black

630
00:34:56,600 --> 00:34:58,640
Speaker 1: paint on his hand. Phoene. He says, my hands are clean,

631
00:34:58,680 --> 00:35:00,959
Speaker 1: and he holds up his hand. Did anyone else notice

632
00:35:01,000 --> 00:35:05,000
Speaker 1: that it was the wrong finger on the wrong hand. Yeah, yeah,

633
00:35:05,040 --> 00:35:08,279
Speaker 1: he wipes. He wipes the letter with his left hand

634
00:35:08,360 --> 00:35:13,200
Speaker 1: and then turns around left handed, and then when holds

635
00:35:13,239 --> 00:35:15,239
Speaker 1: up the finger, the paint is on his right hand

636
00:35:15,280 --> 00:35:20,560
Speaker 1: and bummed me out. But bummed me out. I was like,

637
00:35:20,600 --> 00:35:23,759
Speaker 1: as a director, You're like, I would never let that fly.

638
00:35:24,320 --> 00:35:29,600
Speaker 1: That would never happen. Um So, Phoene says Corey has

639
00:35:29,680 --> 00:35:31,839
Speaker 1: until the end of the day tomorrow to give him

640
00:35:31,840 --> 00:35:33,960
Speaker 1: the name of the person who did it, or else

641
00:35:34,200 --> 00:35:41,360
Speaker 1: he will be suspended. Don So. Then we're back in

642
00:35:41,400 --> 00:35:43,959
Speaker 1: the Matthews living room. Alan and Amy tell the entering

643
00:35:44,000 --> 00:35:46,239
Speaker 1: Corey that Phoene called to tell them he's meeting with

644
00:35:46,280 --> 00:35:48,600
Speaker 1: Corey in his office tomorrow and that he's they're supposed

645
00:35:48,640 --> 00:35:51,280
Speaker 1: to ask Corey what it's about. Corey tells his parents

646
00:35:51,280 --> 00:35:53,520
Speaker 1: that he has a friend who pulled a major brank

647
00:35:53,520 --> 00:35:56,800
Speaker 1: at school, and Amy keeps saying it's Sean and he

648
00:35:56,920 --> 00:36:01,520
Speaker 1: kep saying no, it was so funny seen. Rusty is

649
00:36:01,600 --> 00:36:04,040
Speaker 1: so good in the show. I don't even know what

650
00:36:04,080 --> 00:36:06,439
Speaker 1: to do with myself. I wish I had known this

651
00:36:06,480 --> 00:36:10,879
Speaker 1: while we were working together. How good. Now he's hysterical yeah,

652
00:36:11,600 --> 00:36:14,680
Speaker 1: so funny. The whole thing with her going Sean, Sean,

653
00:36:15,320 --> 00:36:17,239
Speaker 1: it's Sean, and him going it's not Sean, and then

654
00:36:17,320 --> 00:36:20,400
Speaker 1: Alan saying, no, he's saying it's not Sean. I believe

655
00:36:20,480 --> 00:36:24,759
Speaker 1: him is of course it's Sean. Obviously it's Sean. Yes,

656
00:36:25,120 --> 00:36:29,440
Speaker 1: so good, so good funny, and Alan says, well, Corey

657
00:36:29,480 --> 00:36:32,560
Speaker 1: cannot route out his friend. Amy says, what are you

658
00:36:32,600 --> 00:36:39,480
Speaker 1: in a prison movie? Which is so funny, and she

659
00:36:39,600 --> 00:36:42,720
Speaker 1: says there are consequences in real life, and Amy says

660
00:36:42,800 --> 00:36:45,520
Speaker 1: colleges will see suspended on Corey's record and if he

661
00:36:45,560 --> 00:36:47,600
Speaker 1: doesn't rat, if he doesn't write out Sean. But Alan says,

662
00:36:47,600 --> 00:36:49,160
Speaker 1: colleges will let you in as long as you have

663
00:36:49,280 --> 00:36:52,440
Speaker 1: enough money. Amy asks do we have enough money? And

664
00:36:52,440 --> 00:36:55,040
Speaker 1: then Alan turns to Corey and says, you have to

665
00:36:55,040 --> 00:36:58,920
Speaker 1: write out end because we're poor. This might be my

666
00:36:58,920 --> 00:37:01,400
Speaker 1: favorite boy meant world line of her. I love it.

667
00:37:01,560 --> 00:37:06,400
Speaker 1: I think it's Rusties delivery. It's just just beat turned deliver,

668
00:37:06,680 --> 00:37:10,280
Speaker 1: no inflection perfect, it's a that. Yeah, this whole scene

669
00:37:10,320 --> 00:37:13,880
Speaker 1: is great. I just love like them all sort of

670
00:37:13,920 --> 00:37:16,680
Speaker 1: figuring it out together, you know, like everyone's being smart,

671
00:37:16,760 --> 00:37:19,680
Speaker 1: everyone's being sort of above the dialogue. It's just really

672
00:37:19,719 --> 00:37:23,280
Speaker 1: well written and really well acted. This is like just quality.

673
00:37:23,680 --> 00:37:26,160
Speaker 1: This is kind of what I've been wanting from season two.

674
00:37:26,239 --> 00:37:28,399
Speaker 1: And I hope there's more of this, you know, like

675
00:37:28,880 --> 00:37:31,680
Speaker 1: it's it's it's not any less obvious. It's still very

676
00:37:31,719 --> 00:37:34,359
Speaker 1: much a sitcom. It's still very much set up, set up, joke, joke,

677
00:37:34,600 --> 00:37:37,719
Speaker 1: but it's just has this like effortless sort of intelligence

678
00:37:37,760 --> 00:37:40,680
Speaker 1: to it. Yeah, it's witty, you know, it's very witty,

679
00:37:40,760 --> 00:37:43,800
Speaker 1: and um, I love it. And it has good pace,

680
00:37:44,080 --> 00:37:47,520
Speaker 1: you know how somehow, like Michael was always big on pace,

681
00:37:47,640 --> 00:37:50,200
Speaker 1: paste paste, and sometimes, like especially on Girl Meets World,

682
00:37:50,200 --> 00:37:53,600
Speaker 1: that would feel like we were racing through things. This

683
00:37:53,680 --> 00:37:56,799
Speaker 1: has that good pace where exactly like you said, right,

684
00:37:56,880 --> 00:37:59,759
Speaker 1: or like everyone's just above it. It's well written, it's

685
00:38:00,160 --> 00:38:06,319
Speaker 1: it's it's just great. It's so snappy. Yes, yeah, it's

686
00:38:06,320 --> 00:38:08,720
Speaker 1: really great to write out your friend because we're poor,

687
00:38:09,239 --> 00:38:12,400
Speaker 1: I know, so so good. So Eric walks in and

688
00:38:12,400 --> 00:38:15,120
Speaker 1: says I'm dating a senior. I'm special and says he

689
00:38:15,160 --> 00:38:17,560
Speaker 1: has a newfound sense of self worth and then says

690
00:38:17,680 --> 00:38:21,560
Speaker 1: nothing bad can happen, right, and walks out. It looks

691
00:38:21,560 --> 00:38:23,200
Speaker 1: like Ben's about to break. If you go back and

692
00:38:23,239 --> 00:38:25,960
Speaker 1: you watch as I leave, he's in all the way

693
00:38:26,000 --> 00:38:27,480
Speaker 1: on the side of the couch and you can just

694
00:38:27,560 --> 00:38:31,840
Speaker 1: he's making the bend about to break face you walking in,

695
00:38:32,080 --> 00:38:35,160
Speaker 1: like we're talking about how great this scene until that moment,

696
00:38:35,200 --> 00:38:38,280
Speaker 1: like you walk in and you just literally like declare,

697
00:38:38,360 --> 00:38:41,880
Speaker 1: it's the set of lines, like here's my situation, so

698
00:38:41,880 --> 00:38:43,400
Speaker 1: I could just get it all out really quickly so

699
00:38:43,400 --> 00:38:47,600
Speaker 1: we can move on to the next scene perfectly. Oh

700
00:38:47,680 --> 00:38:49,680
Speaker 1: my god, it's like they just ran out of pages

701
00:38:49,719 --> 00:38:51,480
Speaker 1: and they're like, well, how can we get all of

702
00:38:51,480 --> 00:38:54,239
Speaker 1: Wheel's information or Eric's information just have Will come in

703
00:38:54,280 --> 00:38:59,000
Speaker 1: and tell them for no reason, we declare, it's that's

704
00:38:59,000 --> 00:39:01,200
Speaker 1: like lazy right now. So you go from like this

705
00:39:01,320 --> 00:39:05,480
Speaker 1: elevator witty writing to just like the laziest optical flip

706
00:39:05,680 --> 00:39:09,240
Speaker 1: my life. My life is the best, nothing bad can happen,

707
00:39:10,080 --> 00:39:14,120
Speaker 1: so funny. So we're back at the school hallway. Mr

708
00:39:14,200 --> 00:39:17,160
Speaker 1: Peenie reminds Corey of their meeting, and Corey asks Phoenie

709
00:39:17,440 --> 00:39:19,880
Speaker 1: Um that maybe he's just taking all of this a

710
00:39:19,880 --> 00:39:23,080
Speaker 1: little too seriously. Phoene says, Corey knows who did it,

711
00:39:23,160 --> 00:39:25,879
Speaker 1: and until then he can only talk to Corey about this.

712
00:39:26,360 --> 00:39:28,600
Speaker 1: Sean runs up and asks Corey if he told on him,

713
00:39:28,600 --> 00:39:32,560
Speaker 1: and Corey says no. Sean shows Corey the latest newspaper

714
00:39:32,600 --> 00:39:35,600
Speaker 1: that has a correction notice that his real name. Phoenie's

715
00:39:35,640 --> 00:39:45,000
Speaker 1: real name is Weenie Weenie A Bunch of Weeniees, Pg. Three. Yeah, uh,

716
00:39:45,200 --> 00:39:48,640
Speaker 1: did anybody have any problem with Sean as a character?

717
00:39:49,080 --> 00:39:52,080
Speaker 1: I see what they tried to do. I thought they

718
00:39:52,080 --> 00:39:55,280
Speaker 1: could have gone a little farther with him putting Corey

719
00:39:55,280 --> 00:39:57,600
Speaker 1: in a terrible situation, like he says, hey, ever since I,

720
00:39:57,760 --> 00:39:59,520
Speaker 1: you know, blew up that mailbox, but he doesn't. He

721
00:39:59,600 --> 00:40:03,080
Speaker 1: never dresses at all. Really that he's making his friend

722
00:40:04,000 --> 00:40:06,399
Speaker 1: get suspended, and he seems to kind of not care

723
00:40:06,440 --> 00:40:08,640
Speaker 1: where he's like, hey, thanks man. It's just like, wow,

724
00:40:08,840 --> 00:40:11,080
Speaker 1: I felt like they could have addressed it a little more, like, man,

725
00:40:11,120 --> 00:40:13,440
Speaker 1: you know, my dad's gonna kill you if I can.

726
00:40:13,520 --> 00:40:16,640
Speaker 1: I'm so thank you for doing He doesn't exactly that one.

727
00:40:16,840 --> 00:40:20,600
Speaker 1: He does one time, but a little more with it. Yeah, Well,

728
00:40:20,600 --> 00:40:21,719
Speaker 1: this is kind of what I was saying. It's like

729
00:40:21,760 --> 00:40:24,200
Speaker 1: as opposed to the Fugitive, which really went into the

730
00:40:24,239 --> 00:40:28,480
Speaker 1: depth of the depths of Shawn's mystery. At Home. Like

731
00:40:28,840 --> 00:40:31,839
Speaker 1: and and the struggle that seance, this one is much

732
00:40:31,880 --> 00:40:34,640
Speaker 1: more so. I'm I'm there as a source of pressure

733
00:40:34,680 --> 00:40:37,360
Speaker 1: for Corey, but it's definitely not played for realism or

734
00:40:37,400 --> 00:40:41,880
Speaker 1: played for emotional value at all. That was fugitive Light. Yeah, exactly,

735
00:40:41,920 --> 00:40:48,080
Speaker 1: It's like taking the ideas of the fugitive Yeah. So

736
00:40:48,640 --> 00:40:51,440
Speaker 1: the Weenie Weenie Weenie Weenie Weenie is a new prank,

737
00:40:51,719 --> 00:40:53,760
Speaker 1: but Sean says he didn't do this one and someone

738
00:40:53,880 --> 00:40:57,080
Speaker 1: ripped his idea. Harley, nearby with the gang, says the

739
00:40:57,080 --> 00:41:00,520
Speaker 1: new article has flair and he is rolling on the floor.

740
00:41:01,160 --> 00:41:03,919
Speaker 1: Frankie and Joey admit that they did it for Harley.

741
00:41:04,000 --> 00:41:06,399
Speaker 1: And then Desiree is walking down the hall with Eric

742
00:41:06,480 --> 00:41:09,920
Speaker 1: following behind her holding her books, and she asks Eric's

743
00:41:09,960 --> 00:41:12,520
Speaker 1: to get Eric to get her cat neutered while she

744
00:41:12,719 --> 00:41:15,560
Speaker 1: is at the mall. She seems to be playing him,

745
00:41:15,600 --> 00:41:17,480
Speaker 1: and then she gives him a little kiss on the cheek.

746
00:41:18,400 --> 00:41:20,680
Speaker 1: Jason comes up and by the way he is, did

747
00:41:20,680 --> 00:41:22,520
Speaker 1: anyone else think he looked like he was wearing like

748
00:41:22,560 --> 00:41:26,480
Speaker 1: a striped pajama nightgown, like a tiny Tim's that striped

749
00:41:26,520 --> 00:41:29,239
Speaker 1: shirt reminding me like a tiny Tim nightgown. I wanted

750
00:41:29,280 --> 00:41:32,080
Speaker 1: him to have a little nightgown and holding a little lantern.

751
00:41:34,600 --> 00:41:37,000
Speaker 1: That's literally what I wanted to have a little lantern.

752
00:41:37,000 --> 00:41:48,400
Speaker 1: And like, god, he's he's so comfortable, you know, just yeah,

753
00:41:48,440 --> 00:41:51,400
Speaker 1: he's Jason. Yeah, he really seems like he's like in

754
00:41:51,640 --> 00:41:53,720
Speaker 1: on the joke, in on the writing, like the writing

755
00:41:53,760 --> 00:41:57,279
Speaker 1: is really him. Um. He asks if Eric is getting

756
00:41:57,320 --> 00:41:59,600
Speaker 1: neutered along with the cat a two for one deal,

757
00:42:00,080 --> 00:42:02,680
Speaker 1: and Desire comes back and asks Eric to drive around

758
00:42:02,760 --> 00:42:04,960
Speaker 1: for forty minutes before picking her up to warm up

759
00:42:04,960 --> 00:42:09,320
Speaker 1: the car. Skirts it into doing it by his na sentosty.

760
00:42:10,239 --> 00:42:14,200
Speaker 1: Uh so now his new older pretty girlfriend Um bribes

761
00:42:14,239 --> 00:42:17,920
Speaker 1: him to do that, and Jason teases him even more. Nearby,

762
00:42:17,960 --> 00:42:20,400
Speaker 1: Sean asks Corey if he's playing basketball after school, but

763
00:42:20,440 --> 00:42:22,719
Speaker 1: Corey says he has his meeting with Phoene about a

764
00:42:22,840 --> 00:42:26,520
Speaker 1: prank he didn't do, and Sean thanks Corey for covering

765
00:42:26,520 --> 00:42:28,480
Speaker 1: for him because his dad will ship him off to

766
00:42:28,560 --> 00:42:31,279
Speaker 1: military school if there is one more screw up after

767
00:42:31,320 --> 00:42:33,239
Speaker 1: the mailbox problem from last year. So this is the

768
00:42:33,239 --> 00:42:36,480
Speaker 1: spot where he really does just call it? Were you

769
00:42:36,840 --> 00:42:38,799
Speaker 1: dizzy with how many scenes are going on in one

770
00:42:39,920 --> 00:42:44,040
Speaker 1: like this is This is a classic use of this

771
00:42:44,080 --> 00:42:47,360
Speaker 1: hallway just divide and then suddenly there was this bench

772
00:42:47,400 --> 00:42:50,160
Speaker 1: in the foreground that wasn't there before. It's like so

773
00:42:50,200 --> 00:42:52,839
Speaker 1: many interesting like, you know, this just goes back to

774
00:42:52,840 --> 00:42:56,279
Speaker 1: the theater basis of sitcom. You know, you can have

775
00:42:56,440 --> 00:43:00,000
Speaker 1: like basically five scenes and one all these little groups

776
00:43:00,040 --> 00:43:02,520
Speaker 1: of characters getting their own little corner and their own

777
00:43:02,560 --> 00:43:05,400
Speaker 1: little It's just I was a little overwhelmed with this

778
00:43:05,400 --> 00:43:08,279
Speaker 1: scene in particular, but it is it felt a little

779
00:43:08,600 --> 00:43:10,480
Speaker 1: it didn't feel effortless this time, like I think it

780
00:43:10,480 --> 00:43:12,520
Speaker 1: could have used especially when like Jason and you and

781
00:43:12,680 --> 00:43:14,640
Speaker 1: you're seeing you guys just kind of like split up

782
00:43:14,640 --> 00:43:17,560
Speaker 1: and walk away, just like there was no way to

783
00:43:17,600 --> 00:43:19,880
Speaker 1: like it should have been carried maybe for one scene

784
00:43:19,920 --> 00:43:23,279
Speaker 1: to the other. But super interesting, like how much it

785
00:43:23,280 --> 00:43:25,279
Speaker 1: gets crammed into one scene. I mean, this must have

786
00:43:25,280 --> 00:43:28,800
Speaker 1: been a monster during rehearsal, right, because it essentially becomes vignettes.

787
00:43:29,000 --> 00:43:34,080
Speaker 1: It's just in one giant set. You know, it's very

788
00:43:34,080 --> 00:43:37,960
Speaker 1: strange other and I remember rehearsing these would be some

789
00:43:38,040 --> 00:43:40,200
Speaker 1: of the hardest because you would all be having to

790
00:43:40,200 --> 00:43:43,240
Speaker 1: wait around for your sort of vignette. Do you remember,

791
00:43:43,320 --> 00:43:45,840
Speaker 1: like Ben and I would be like whispering in the corner,

792
00:43:45,880 --> 00:43:49,000
Speaker 1: like laughing, telling in jokes while other actors were trying

793
00:43:49,040 --> 00:43:51,880
Speaker 1: to rehearse their scene. On the other it was always

794
00:43:52,000 --> 00:43:55,800
Speaker 1: like you always be like quiet, were rehearsing over here, right, Yeah,

795
00:43:55,920 --> 00:43:57,920
Speaker 1: you have to sit around and be patient for you're

796
00:43:57,920 --> 00:44:01,239
Speaker 1: a bit big deep set, big wide set. Yeah. This

797
00:44:01,280 --> 00:44:04,040
Speaker 1: was a cavernous kind of place. Yeah, And I didn't

798
00:44:04,040 --> 00:44:05,879
Speaker 1: remember thinking when it came back to you guys sitting

799
00:44:05,920 --> 00:44:07,360
Speaker 1: on the bench, My first thought was like, what have

800
00:44:07,440 --> 00:44:09,640
Speaker 1: they been doing? Like, what were they doing that whole

801
00:44:09,640 --> 00:44:11,960
Speaker 1: time while while that was going having some having some

802
00:44:12,000 --> 00:44:16,120
Speaker 1: red drink, hanging out exactly drink. I can I can

803
00:44:16,239 --> 00:44:25,399
Speaker 1: feel the painful sugar stinger. I can feel. Corey says

804
00:44:25,440 --> 00:44:27,360
Speaker 1: he can only cover for Shawn for so long, and

805
00:44:27,400 --> 00:44:30,880
Speaker 1: Sean asks how long. Phoenie walks by, reading Weenie in

806
00:44:30,920 --> 00:44:33,120
Speaker 1: the paper and reminds Corey they have a meeting at

807
00:44:33,160 --> 00:44:36,440
Speaker 1: three thirty. Mr Turner tells Poenie to go easy on Corey.

808
00:44:36,440 --> 00:44:38,719
Speaker 1: He's at a This is like scene five. Now we're

809
00:44:38,760 --> 00:44:44,319
Speaker 1: in a Turner and Phoenie. Okay, let's talk about Tony's tie. Yeah,

810
00:44:44,440 --> 00:44:49,720
Speaker 1: the time combo that was very strange. So I remember, uh,

811
00:44:49,840 --> 00:44:52,960
Speaker 1: years ago, maybe eight years ago, somebody started a Twitter

812
00:44:53,280 --> 00:44:54,880
Speaker 1: and maybe there was an Instagram too, but it's definitely

813
00:44:54,880 --> 00:44:56,399
Speaker 1: Twitter case. I was only on Twitter at the time

814
00:44:56,600 --> 00:45:01,840
Speaker 1: called Mr Turner's ties was a collection because apparently and

815
00:45:01,880 --> 00:45:05,760
Speaker 1: I didn't know this Tony war crazy ties on our show,

816
00:45:06,120 --> 00:45:08,560
Speaker 1: and I forgot about that whole Twitter feed everything until

817
00:45:08,600 --> 00:45:10,680
Speaker 1: I saw this scene. I was like, look at that tie,

818
00:45:10,960 --> 00:45:13,560
Speaker 1: and then I remembered that. So we're gonna we're gonna

819
00:45:13,640 --> 00:45:17,399
Speaker 1: start keeping track of his ties. This is certainly it's

820
00:45:17,440 --> 00:45:21,000
Speaker 1: a bold tie. So I'm so curious. I know we

821
00:45:21,000 --> 00:45:23,040
Speaker 1: should have we should have. We'll have to ask Tony

822
00:45:23,040 --> 00:45:24,560
Speaker 1: when we bring him back on our show, because I

823
00:45:24,600 --> 00:45:26,960
Speaker 1: wonder how much of this was Tony and then how

824
00:45:27,000 --> 00:45:29,240
Speaker 1: much of this because this also reminded me we should

825
00:45:29,239 --> 00:45:35,719
Speaker 1: talk about Sarah Markowitz, amazing, amazing wardrobe person who had

826
00:45:35,800 --> 00:45:40,319
Speaker 1: costume designer her actual title head of wardrobe essentially, who

827
00:45:40,360 --> 00:45:43,359
Speaker 1: came onto our second season and really defined the look

828
00:45:43,440 --> 00:45:47,200
Speaker 1: of boy Man's. She brought some style, she brought I

829
00:45:47,360 --> 00:45:49,920
Speaker 1: and it's still pretty stylers like she. I remember her

830
00:45:49,960 --> 00:45:53,880
Speaker 1: coming in and she was very stylish herself, like the

831
00:45:53,920 --> 00:45:56,400
Speaker 1: best tradition of great wardrobe people she would wear. Do

832
00:45:56,400 --> 00:45:58,759
Speaker 1: you remember her giant pink coat that she would wear,

833
00:45:59,320 --> 00:46:02,400
Speaker 1: like a giant pink fluffy, fluffy. I don't think it

834
00:46:02,440 --> 00:46:04,960
Speaker 1: was actual, for it was like fake for the giant.

835
00:46:05,160 --> 00:46:07,600
Speaker 1: She was just a character and she had such great style.

836
00:46:07,760 --> 00:46:09,480
Speaker 1: And she was the first person to be like, you

837
00:46:09,480 --> 00:46:11,560
Speaker 1: guys are gonna be wearing bowling shirts and I remember

838
00:46:11,600 --> 00:46:14,040
Speaker 1: being like, what, what's a bowling shirt? She made us

839
00:46:14,040 --> 00:46:17,440
Speaker 1: look so cool? Um, And she really is responsible for

840
00:46:17,480 --> 00:46:19,879
Speaker 1: elevating the game because from season one, you know, we've

841
00:46:19,920 --> 00:46:21,760
Speaker 1: made fun of the too much shirts and the hoods

842
00:46:21,760 --> 00:46:24,439
Speaker 1: and the layers. She was the person who brought this

843
00:46:24,560 --> 00:46:27,960
Speaker 1: new style, this sort of like hipster. I mean, I

844
00:46:28,000 --> 00:46:29,879
Speaker 1: guess it was kind of l a hipster because if

845
00:46:29,880 --> 00:46:33,319
Speaker 1: you watched the movie Swingers which came out, it was

846
00:46:33,360 --> 00:46:35,520
Speaker 1: that style. So she was ahead of the curve on that.

847
00:46:35,800 --> 00:46:38,000
Speaker 1: But we had no I mean personally, I had no style.

848
00:46:38,200 --> 00:46:40,480
Speaker 1: So you could see that she really brought that that

849
00:46:40,560 --> 00:46:43,680
Speaker 1: look to the show. And I'm assuming she brought in

850
00:46:43,800 --> 00:46:48,239
Speaker 1: Tony's ties too. Yeah, I have to Yeah, you have

851
00:46:48,320 --> 00:46:50,560
Speaker 1: to also wonder how long Tony had to sit in

852
00:46:50,920 --> 00:46:53,360
Speaker 1: wardrobe because It must have taken a good hour to

853
00:46:53,560 --> 00:47:00,360
Speaker 1: paint on those jeans. Talk about nothing to the imagine Asian.

854
00:47:00,760 --> 00:47:04,320
Speaker 1: It was like any He must have had to butter

855
00:47:04,440 --> 00:47:07,400
Speaker 1: up his legs to get into those and he's got

856
00:47:07,640 --> 00:47:11,000
Speaker 1: he's got like a cowboy belt, like a nice pell man.

857
00:47:11,719 --> 00:47:14,560
Speaker 1: Just nuts. Yeah, but no, Sarah was great. I remember

858
00:47:14,560 --> 00:47:21,520
Speaker 1: her one time. Just crazy is what I meant. Tony's

859
00:47:21,560 --> 00:47:26,720
Speaker 1: the whole package. Um No, I remember. I remember Sarah

860
00:47:26,760 --> 00:47:28,799
Speaker 1: coming in and telling us she moved into a kind

861
00:47:28,800 --> 00:47:31,120
Speaker 1: of a conservative neighborhood and the first thing she did

862
00:47:31,160 --> 00:47:34,719
Speaker 1: was paint her house bright pink man. She wanted to have.

863
00:47:34,840 --> 00:47:37,120
Speaker 1: That was just her. She just had. How she's doing.

864
00:47:37,160 --> 00:47:39,600
Speaker 1: I wonder what she's working on these days? I such

865
00:47:39,640 --> 00:47:45,000
Speaker 1: a she was really great. All right, we'll find her,

866
00:47:45,040 --> 00:47:47,000
Speaker 1: Sarah marco Witz. We'll go We'll go out there, we'll

867
00:47:47,160 --> 00:47:50,600
Speaker 1: get our sleuthing hats on. Uh So Mr Turner tells

868
00:47:50,600 --> 00:47:51,920
Speaker 1: we need to go easy on Corey because he's at

869
00:47:51,920 --> 00:47:54,600
Speaker 1: a new school, and Phoeny says pointedly, as am I.

870
00:47:55,760 --> 00:47:57,920
Speaker 1: And then we are in Mr Turner's classroom. Sean is

871
00:47:57,960 --> 00:48:00,560
Speaker 1: falling asleep during Turner's lesson, which in per Fickedboy meets

872
00:48:00,600 --> 00:48:03,760
Speaker 1: World Fashion is about the Scarlet Letter again and possibly

873
00:48:03,760 --> 00:48:06,919
Speaker 1: writting on friends. Mr Turner asks Corey, So, I guess

874
00:48:06,920 --> 00:48:09,720
Speaker 1: that's the more that's the more solid threat it's about.

875
00:48:09,760 --> 00:48:12,280
Speaker 1: It's about writing whether or not you rat on your friend,

876
00:48:12,800 --> 00:48:14,680
Speaker 1: but do you a more friend? In the Scarlet Letter

877
00:48:15,760 --> 00:48:18,520
Speaker 1: is about turning people in that Yeah, there's yeah, there's

878
00:48:18,520 --> 00:48:20,799
Speaker 1: a thing about because it's adultery is a thing. So

879
00:48:20,920 --> 00:48:23,360
Speaker 1: you know whether or not you report on the people

880
00:48:23,400 --> 00:48:25,560
Speaker 1: you know who are breaking the law kind of a thing.

881
00:48:26,040 --> 00:48:28,880
Speaker 1: If you say that's something, say something writer when it

882
00:48:28,880 --> 00:48:34,640
Speaker 1: comes to adultery. Okay, everybody knows that. So Mr Turner

883
00:48:34,680 --> 00:48:36,880
Speaker 1: asked Corey to stay back after the bell rings, but

884
00:48:36,920 --> 00:48:40,160
Speaker 1: Corey says he has his Pienie meeting, and Mr Turner says,

885
00:48:40,160 --> 00:48:43,640
Speaker 1: first impressions really stick and can decide your reputation, Like

886
00:48:43,960 --> 00:48:47,279
Speaker 1: if he calls Corey booger to more tomorrow morning, it

887
00:48:47,320 --> 00:48:49,200
Speaker 1: would stay with him all through the rest of high school.

888
00:48:49,320 --> 00:48:51,880
Speaker 1: As a teacher, he can influence others, like if someone

889
00:48:51,920 --> 00:48:56,040
Speaker 1: wrote weenie in a school newspaper, I thought every time

890
00:48:56,080 --> 00:48:59,080
Speaker 1: they were saying booger, I thought he was saying booker.

891
00:48:59,800 --> 00:49:02,520
Speaker 1: And I at the end of the scene. I said

892
00:49:02,520 --> 00:49:05,439
Speaker 1: to Jensen, I'm sorry, I don't understand. Booker is way

893
00:49:05,480 --> 00:49:15,839
Speaker 1: cooler than Corey without your captions. You always as because

894
00:49:15,840 --> 00:49:19,200
Speaker 1: we got a new TV and we got a new

895
00:49:19,200 --> 00:49:22,040
Speaker 1: TV and the and it's not set up right basically,

896
00:49:22,080 --> 00:49:24,319
Speaker 1: and so I'm watching without captions and I was I

897
00:49:24,360 --> 00:49:26,719
Speaker 1: was like Booker Booker both times. And then I said

898
00:49:26,719 --> 00:49:29,280
Speaker 1: that to Jensen goes Booger and I was like, oh,

899
00:49:29,320 --> 00:49:32,840
Speaker 1: oh yeah, that's why that's actually makes sense. Yeah. I

900
00:49:32,920 --> 00:49:36,480
Speaker 1: love that Tony Turner won't give him like the absolute No,

901
00:49:36,640 --> 00:49:38,359
Speaker 1: he's like, well, we'll see how I feel, like whether

902
00:49:38,400 --> 00:49:41,480
Speaker 1: he's gonna actually know that band was worried. Oh it's that.

903
00:49:41,600 --> 00:49:44,760
Speaker 1: That's great dialogue. Yeah, I love that. Like this first

904
00:49:44,800 --> 00:49:48,480
Speaker 1: I think kind of phoene moment for Turner to show

905
00:49:48,560 --> 00:49:50,200
Speaker 1: that he was going to give those kind of in part,

906
00:49:50,239 --> 00:49:51,960
Speaker 1: those words of wisdom, but it was going to be

907
00:49:51,960 --> 00:49:54,719
Speaker 1: different than the way Tony is finally comfortable, like there's

908
00:49:54,760 --> 00:49:58,680
Speaker 1: no more of the yeah you know, yeah, posturing New York.

909
00:49:59,600 --> 00:50:06,759
Speaker 1: Actually it's Mr Turner very comfortable. Yeah. Yeah, he's fantastic

910
00:50:06,760 --> 00:50:09,879
Speaker 1: in this episode. Um, and so Mr Turner says he's

911
00:50:09,880 --> 00:50:11,840
Speaker 1: not telling Shonda rad or not. He hopes that Corey

912
00:50:11,840 --> 00:50:15,319
Speaker 1: would make that decision on his own. So then the

913
00:50:15,320 --> 00:50:17,680
Speaker 1: moment of truth, we're in Mr Feenie's office. Corey walks

914
00:50:17,719 --> 00:50:20,480
Speaker 1: in and apologizes for the headline. Mr Feenie says, it's

915
00:50:20,560 --> 00:50:23,720
Speaker 1: nothing new. We need was his nickname growing up, and

916
00:50:24,080 --> 00:50:26,680
Speaker 1: Pheny says, as the principal, it's his responsibility to keep

917
00:50:26,800 --> 00:50:29,439
Speaker 1: order at the school and he has to control those

918
00:50:29,520 --> 00:50:31,680
Speaker 1: kinds of pranks because they could lead to a level

919
00:50:31,680 --> 00:50:34,880
Speaker 1: of disrespect. Corey says he cannot give the name of

920
00:50:34,880 --> 00:50:38,480
Speaker 1: who pulled the prank, that's his final decision. Corey explains

921
00:50:38,520 --> 00:50:41,160
Speaker 1: that this person did not mean to hurt anyone. He

922
00:50:41,239 --> 00:50:43,440
Speaker 1: just wanted to do something to make him special, to

923
00:50:43,480 --> 00:50:46,879
Speaker 1: make himself feel special. And I wonder if you guys

924
00:50:46,920 --> 00:50:49,080
Speaker 1: are gonna I want to point out something that maybe

925
00:50:49,120 --> 00:50:51,480
Speaker 1: you guys will also remember, or maybe you won't it

926
00:50:51,560 --> 00:50:54,480
Speaker 1: all or if it bumped you, did it bump either

927
00:50:54,520 --> 00:50:58,239
Speaker 1: one of you that Ben or Corey sat back in

928
00:50:58,320 --> 00:51:02,720
Speaker 1: the chair in that moment, I honestly didn't even notice it. Okay,

929
00:51:02,920 --> 00:51:08,320
Speaker 1: what is back? One of the one of the many

930
00:51:08,600 --> 00:51:11,560
Speaker 1: very good lessons or things that I learned from Michael

931
00:51:11,600 --> 00:51:14,080
Speaker 1: Jacobs over the course of doing Boy Meets World, and

932
00:51:14,080 --> 00:51:17,239
Speaker 1: and maybe I learned it very specifically because there were

933
00:51:17,280 --> 00:51:18,799
Speaker 1: a lot of moments that we're supposed to have a

934
00:51:18,800 --> 00:51:22,000
Speaker 1: lot of tension between Corey and Tapanga, specifically that episode

935
00:51:22,000 --> 00:51:24,320
Speaker 1: I mentioned earlier, the radio where we like fall asleep

936
00:51:24,320 --> 00:51:29,200
Speaker 1: in the radio um room. Uh. Michael was very big

937
00:51:29,280 --> 00:51:33,160
Speaker 1: on things that release tension from scene too early and

938
00:51:33,280 --> 00:51:35,600
Speaker 1: not releasing the tension, not you don't release the tension.

939
00:51:35,640 --> 00:51:37,600
Speaker 1: And one of them that he was very big on

940
00:51:37,719 --> 00:51:41,600
Speaker 1: was not exhaling at the start of a line, Yeah,

941
00:51:41,640 --> 00:51:43,920
Speaker 1: because the audience will then exhale with you, and we

942
00:51:44,000 --> 00:51:46,200
Speaker 1: need the audience to be holding their breath the same

943
00:51:46,239 --> 00:51:48,680
Speaker 1: way you should be holding yours. And so in this

944
00:51:48,760 --> 00:51:51,960
Speaker 1: scene when Corey is sitting there talking with Phoenie and

945
00:51:52,000 --> 00:51:54,799
Speaker 1: he's like, I've made my you know, Phenie asks him,

946
00:51:54,840 --> 00:51:56,839
Speaker 1: so that's it, that's your final decision, You've made it,

947
00:51:57,080 --> 00:51:59,520
Speaker 1: and then Ben goes he didn't mean any harm by it,

948
00:51:59,640 --> 00:52:01,719
Speaker 1: you know, just kind of like leans back in the chair,

949
00:52:02,080 --> 00:52:04,319
Speaker 1: and all of a sudden, I was like, Corey's not

950
00:52:04,360 --> 00:52:08,440
Speaker 1: worried anymore. Corey's not I didn't even notice it. I

951
00:52:08,840 --> 00:52:12,280
Speaker 1: felt I felt the tension release, and instead of watching

952
00:52:12,280 --> 00:52:14,160
Speaker 1: it as like an audience member, I was like, I

953
00:52:14,160 --> 00:52:17,560
Speaker 1: can't believe Michael let him do that. I can't believe Michael.

954
00:52:17,680 --> 00:52:19,600
Speaker 1: Was it all over it? Don't sit back in the chair.

955
00:52:19,640 --> 00:52:23,320
Speaker 1: But that was my first thought was that I felt like, Um,

956
00:52:23,360 --> 00:52:26,080
Speaker 1: I did notice, maybe he's sitting back because he's already

957
00:52:26,080 --> 00:52:28,560
Speaker 1: made his decision, you know, like he's going to take

958
00:52:28,600 --> 00:52:30,920
Speaker 1: whatever he gets. So I can see what you're saying though,

959
00:52:30,960 --> 00:52:33,000
Speaker 1: But yeah, but I mean, in a way, it's like

960
00:52:33,760 --> 00:52:36,960
Speaker 1: the tension has been is Corey going to rat him

961
00:52:36,960 --> 00:52:39,000
Speaker 1: his friend or not? So when we know that he's

962
00:52:39,040 --> 00:52:41,480
Speaker 1: not that that part of the scene is over, He's

963
00:52:41,520 --> 00:52:43,400
Speaker 1: now going to sit back and take what what's going

964
00:52:43,480 --> 00:52:46,640
Speaker 1: to come to him. Um, but is that the tension

965
00:52:46,640 --> 00:52:49,440
Speaker 1: in the scene because multiple times Sean has asked throughout

966
00:52:49,440 --> 00:52:51,439
Speaker 1: the episode, did you rat on me? And Corey's answer

967
00:52:51,520 --> 00:52:54,880
Speaker 1: is always what do you think? And we the audience

968
00:52:54,960 --> 00:52:58,160
Speaker 1: are supposed to be with Sean and Corey of going, well,

969
00:52:58,200 --> 00:53:01,320
Speaker 1: Corey's never going to rat on shan On, So I wasn't.

970
00:53:01,400 --> 00:53:04,800
Speaker 1: I wasn't wondering as much whether or not Corey was

971
00:53:04,840 --> 00:53:06,960
Speaker 1: going to turn him in as much as I was wondering,

972
00:53:07,320 --> 00:53:10,120
Speaker 1: is Corey going to have to take suspension, what's the

973
00:53:10,239 --> 00:53:13,240
Speaker 1: what's his what's his punishment going to be for being

974
00:53:13,239 --> 00:53:16,719
Speaker 1: a good friend? So I see your point that, like,

975
00:53:16,800 --> 00:53:19,160
Speaker 1: in some ways, if that's what you're thinking, the tension

976
00:53:19,239 --> 00:53:20,879
Speaker 1: is he's made his decision and he's there to live

977
00:53:20,920 --> 00:53:22,880
Speaker 1: with it. But in my mind, the tension was always

978
00:53:23,239 --> 00:53:26,960
Speaker 1: how will he pay for this? So anyway, that was

979
00:53:27,000 --> 00:53:30,200
Speaker 1: just something I remember those lessons as well. Don't don't

980
00:53:30,200 --> 00:53:32,560
Speaker 1: exhale at the end of the scene, Yeah, because you

981
00:53:32,560 --> 00:53:34,760
Speaker 1: you would do occasionally, you would do something very dramatic

982
00:53:34,760 --> 00:53:39,600
Speaker 1: and you'd want to go like thank you line something

983
00:53:39,800 --> 00:53:42,480
Speaker 1: you feel like you're about to make admission before a monologue,

984
00:53:42,480 --> 00:53:44,839
Speaker 1: before a line. You don't exhale, don't walk and a laugh.

985
00:53:46,360 --> 00:53:52,719
Speaker 1: P words are funny, Yeah, they're always waiting funny. Rule

986
00:53:52,760 --> 00:54:05,680
Speaker 1: of threes ru threes. I thought this was probably my

987
00:54:05,719 --> 00:54:08,400
Speaker 1: favorite episode of the season so far, which is a

988
00:54:08,680 --> 00:54:13,439
Speaker 1: much on the third one. This is quintessential Boy meets

989
00:54:13,480 --> 00:54:19,640
Speaker 1: World in that it creates a dilemma a situation and

990
00:54:19,680 --> 00:54:24,560
Speaker 1: then leaves it like the dilemma remains right, like it's

991
00:54:24,600 --> 00:54:28,480
Speaker 1: not resolved. When the credit came up. I was like that,

992
00:54:29,080 --> 00:54:32,600
Speaker 1: but the well, it's resolved in that Phoenie learned, Like

993
00:54:32,640 --> 00:54:36,879
Speaker 1: Phoenie comes to understand Corey's perspective, right, and and it's

994
00:54:36,920 --> 00:54:40,759
Speaker 1: about Phoenie changing, Phoenie growing, and Phoenie saying, well, I

995
00:54:40,800 --> 00:54:42,319
Speaker 1: know you as as a teacher. I still have to

996
00:54:42,320 --> 00:54:44,440
Speaker 1: punish you, but I know you as a neighbor, and

997
00:54:44,480 --> 00:54:49,080
Speaker 1: I respect your decision. Like that complexity and that willingness

998
00:54:49,160 --> 00:54:52,839
Speaker 1: to just uh sort of let the conflict ring on

999
00:54:53,160 --> 00:54:55,479
Speaker 1: is what makes Boy Meets World special because I feel

1000
00:54:55,480 --> 00:55:00,640
Speaker 1: like a lesser show, a more immature know I will say,

1001
00:55:00,719 --> 00:55:03,120
Speaker 1: or more sort of kid base show, would resolve the

1002
00:55:03,200 --> 00:55:07,520
Speaker 1: conflict with some sort of uh situation, you know, something

1003
00:55:07,520 --> 00:55:10,560
Speaker 1: would happen, someone else would like maybe Joey would get

1004
00:55:10,600 --> 00:55:13,520
Speaker 1: in trouble for having adjusted the and and take the

1005
00:55:13,520 --> 00:55:15,680
Speaker 1: fall for everything, or like there would be some sort

1006
00:55:15,719 --> 00:55:18,480
Speaker 1: of D s X mocking a factor that would like

1007
00:55:18,600 --> 00:55:22,800
Speaker 1: release the situation and we wouldn't have this problem. And

1008
00:55:22,840 --> 00:55:26,360
Speaker 1: instead it leaves. It puts the onus on Phoene to

1009
00:55:26,400 --> 00:55:28,920
Speaker 1: have to decide what to do, and he decides to

1010
00:55:29,200 --> 00:55:33,520
Speaker 1: still punish Corey, which is great, but also respect Corey's

1011
00:55:33,560 --> 00:55:35,200
Speaker 1: decision to not write out his friend. I just love

1012
00:55:35,280 --> 00:55:38,640
Speaker 1: that that nothing has actually changed, right like Sean did

1013
00:55:38,680 --> 00:55:41,520
Speaker 1: the thing. And then we just spent an entire episode

1014
00:55:42,200 --> 00:55:44,840
Speaker 1: discussing it and coming at it from all these different angles,

1015
00:55:44,840 --> 00:55:47,920
Speaker 1: and we we've had all these fun conversations and debates

1016
00:55:47,920 --> 00:55:50,000
Speaker 1: and the tension is there, but we didn't have to

1017
00:55:50,040 --> 00:55:52,279
Speaker 1: resolve it. We could still sort of come at it

1018
00:55:52,719 --> 00:55:55,560
Speaker 1: with with complexity. And that that's like the you know,

1019
00:55:56,400 --> 00:55:58,239
Speaker 1: I guess that's the best thing about point It's world.

1020
00:55:58,320 --> 00:56:00,279
Speaker 1: That's the thing that I'm most proud of you've been

1021
00:56:00,280 --> 00:56:04,399
Speaker 1: involved with. It's like that these these these lessons are

1022
00:56:04,400 --> 00:56:06,839
Speaker 1: not tidy, they still have value because we still have

1023
00:56:06,880 --> 00:56:09,240
Speaker 1: to We can still watch this episode and not feel

1024
00:56:09,480 --> 00:56:13,640
Speaker 1: completely comfortable one way or the other. Interesting. Yeah, I

1025
00:56:13,719 --> 00:56:18,239
Speaker 1: love it, the nuance, the Yeah, I completely agree with

1026
00:56:18,280 --> 00:56:20,880
Speaker 1: you there. It's uh, it's it's Phoenie and Corey the

1027
00:56:20,920 --> 00:56:26,239
Speaker 1: relationship at its absolute best. Um. So, Phoenie to your point.

1028
00:56:26,280 --> 00:56:28,839
Speaker 1: Phoenie says that being special is equality from within. As

1029
00:56:28,880 --> 00:56:30,920
Speaker 1: an example, it's like how Corey is standing up for

1030
00:56:30,960 --> 00:56:34,200
Speaker 1: his friend, and Phoenie says Corey um as Corey's teacher

1031
00:56:34,239 --> 00:56:35,879
Speaker 1: and someone who has watched him grow up next door.

1032
00:56:35,920 --> 00:56:38,960
Speaker 1: He never expected him to rat out his friend, which

1033
00:56:39,200 --> 00:56:41,200
Speaker 1: is really great. And then we're in the school hallway.

1034
00:56:41,239 --> 00:56:42,640
Speaker 1: I really did think it was gonna end, and I

1035
00:56:42,680 --> 00:56:44,040
Speaker 1: was like, oh my gosh, we're not even gonna find

1036
00:56:44,040 --> 00:56:46,520
Speaker 1: out what the punishment. But then we do find out

1037
00:56:46,560 --> 00:56:49,160
Speaker 1: in the school hallway. Mr Phoenie's Corey is not suspended,

1038
00:56:49,480 --> 00:56:52,560
Speaker 1: but he does have detention for five days and one

1039
00:56:53,160 --> 00:56:57,839
Speaker 1: for each letter in Weenie and Phoenie closes the door

1040
00:56:57,880 --> 00:57:00,600
Speaker 1: to see Sean standing behind it and behind it and

1041
00:57:00,680 --> 00:57:03,879
Speaker 1: says Weenie should have been spelled W E and I E.

1042
00:57:04,600 --> 00:57:07,319
Speaker 1: Sean assumes Corey ratted him out, but Mr. Phoenie says

1043
00:57:07,320 --> 00:57:09,880
Speaker 1: Corey refused to tell on him. Phoeny says the punishment

1044
00:57:09,920 --> 00:57:12,359
Speaker 1: for not being caught is way worse than what Corey has,

1045
00:57:12,760 --> 00:57:19,160
Speaker 1: So Phoeny says he will be watching. Why are you eating?

1046
00:57:19,360 --> 00:57:24,080
Speaker 1: I'm like eating a chocolate par or something. I thought

1047
00:57:24,120 --> 00:57:28,040
Speaker 1: you had. Okay, I thought you were changing the door again.

1048
00:57:28,240 --> 00:57:31,040
Speaker 1: I thought you had something like a cap or something

1049
00:57:31,200 --> 00:57:34,280
Speaker 1: in your mouth. The door was open or I thought, yeah,

1050
00:57:34,320 --> 00:57:38,200
Speaker 1: I thought maybe you were were interesting. I thought it

1051
00:57:38,240 --> 00:57:39,440
Speaker 1: was like a paint thing. Yeah, I'm gonna have to

1052
00:57:39,480 --> 00:57:41,680
Speaker 1: watch that again. I thought I thought it was like

1053
00:57:41,720 --> 00:57:44,840
Speaker 1: eating something or like. I don't know, though, I was

1054
00:57:44,880 --> 00:57:47,400
Speaker 1: just like, why am I sitting there? Oh? So I

1055
00:57:47,440 --> 00:57:51,080
Speaker 1: was adjusting the door? That makes more sense. God, I

1056
00:57:51,080 --> 00:57:53,360
Speaker 1: think the door was open. You were hiding behind it,

1057
00:57:53,440 --> 00:57:55,640
Speaker 1: and you had like a like the this isn't what

1058
00:57:55,680 --> 00:57:57,040
Speaker 1: you have in your mouth because it's bigger than that,

1059
00:57:57,040 --> 00:57:59,439
Speaker 1: but like the pen cap in your mouth where you're

1060
00:58:00,520 --> 00:58:04,439
Speaker 1: fixing the door. Um. But so, I don't know. Maybe

1061
00:58:04,440 --> 00:58:06,840
Speaker 1: it was the scrape like a scraper and a racer.

1062
00:58:06,880 --> 00:58:08,640
Speaker 1: I don't know. I will go back and we will

1063
00:58:08,680 --> 00:58:11,160
Speaker 1: all go back and figure it out. Um, because that

1064
00:58:11,200 --> 00:58:17,080
Speaker 1: will that will send your emails, the emails that are

1065
00:58:17,080 --> 00:58:19,720
Speaker 1: about more important things than what was in your email.

1066
00:58:19,800 --> 00:58:22,560
Speaker 1: We'll just watch it again. We'll edit it. I promise,

1067
00:58:22,600 --> 00:58:24,120
Speaker 1: we'll put it in the caption that we know what

1068
00:58:24,160 --> 00:58:26,960
Speaker 1: it is now. Um. So, Phoenie says he's going to

1069
00:58:27,000 --> 00:58:29,880
Speaker 1: be watching Shawn's every move for the rest of high school,

1070
00:58:29,880 --> 00:58:34,960
Speaker 1: which Phoenie could says could be decades. Um yep, And

1071
00:58:35,000 --> 00:58:38,480
Speaker 1: then Sean asks Corey frantically, why didn't you turn me in?

1072
00:58:39,360 --> 00:58:45,200
Speaker 1: And that's the end of our episode. I'm glad we

1073
00:58:45,240 --> 00:58:47,600
Speaker 1: all felt the same way that this is like Okay,

1074
00:58:47,760 --> 00:58:51,600
Speaker 1: I like this, We're here. I feel like, okay, episode three,

1075
00:58:52,200 --> 00:58:54,240
Speaker 1: Let's see how this, how this plays out, Let's see

1076
00:58:54,240 --> 00:58:56,200
Speaker 1: this how this goes. It's definitely a new show. But

1077
00:58:56,280 --> 00:58:59,080
Speaker 1: now I've I have two other episodes before that I've

1078
00:58:59,200 --> 00:59:02,280
Speaker 1: like have definitely just plunged us into the cold end

1079
00:59:02,880 --> 00:59:05,200
Speaker 1: um and so our next episode that we will be

1080
00:59:05,240 --> 00:59:08,800
Speaker 1: recapping a season two episode four. Me and Mr. We

1081
00:59:08,880 --> 00:59:11,080
Speaker 1: just got something from super fan Eastern Ally it's a

1082
00:59:11,080 --> 00:59:13,040
Speaker 1: candy bar, says it's a candy bar. Yeah, that's what

1083
00:59:13,080 --> 00:59:15,280
Speaker 1: I thought. I'm eating a candy bar for no other reason.

1084
00:59:15,320 --> 00:59:17,240
Speaker 1: And I think it was maybe funny that I'm like

1085
00:59:18,240 --> 00:59:22,400
Speaker 1: caught eating, right, It was so weird. I was just like,

1086
00:59:22,720 --> 00:59:24,520
Speaker 1: was that something that would have been in the st

1087
00:59:24,680 --> 00:59:30,040
Speaker 1: or like, did they I don't know such a I

1088
00:59:30,040 --> 00:59:32,240
Speaker 1: don't think I would have been nervous eating because you

1089
00:59:32,280 --> 00:59:34,760
Speaker 1: don't know what's going to happen. But you're nervous eating

1090
00:59:34,800 --> 00:59:36,320
Speaker 1: because you don't know if Corey's gonna wrat you out

1091
00:59:36,400 --> 00:59:39,360
Speaker 1: or not? Maybe or did did anyone notice when they

1092
00:59:39,400 --> 00:59:41,200
Speaker 1: walk out Corey and Feeny when they walk out of

1093
00:59:41,200 --> 00:59:43,360
Speaker 1: the office. Does he fly open the door as they

1094
00:59:43,400 --> 00:59:45,240
Speaker 1: walk out? Were you supposed to be on the other

1095
00:59:45,280 --> 00:59:47,840
Speaker 1: side of the door anxiously waiting for Corey? And then

1096
00:59:47,880 --> 00:59:49,760
Speaker 1: he flies open the door and you kind of get

1097
00:59:49,760 --> 00:59:52,000
Speaker 1: shoved back there with the candy bar in the bar?

1098
00:59:52,880 --> 00:59:56,480
Speaker 1: Is that what we're supposed to have imagined happened? I

1099
00:59:56,560 --> 01:00:02,320
Speaker 1: think it's just sugar. I think it's just the like

1100
01:00:02,400 --> 01:00:05,440
Speaker 1: emphasize that I've been caught listening or that I've been

1101
01:00:05,480 --> 01:00:08,360
Speaker 1: caught doing something, but I'm like halfway eating and I'm,

1102
01:00:08,400 --> 01:00:11,880
Speaker 1: you know, stuck with a candy bar in my mouth. Um,

1103
01:00:11,920 --> 01:00:14,800
Speaker 1: it's a bizarre I guess it's your version of eating

1104
01:00:14,800 --> 01:00:19,280
Speaker 1: popcorn while the dramas going on exactly exactly. M M

1105
01:00:20,040 --> 01:00:24,560
Speaker 1: all right, it's probably too late for a note for them.

1106
01:00:24,600 --> 01:00:27,680
Speaker 1: But the the funnier joke would have been an empty

1107
01:00:27,680 --> 01:00:29,760
Speaker 1: glass against the door, and then when the door opens,

1108
01:00:29,800 --> 01:00:31,880
Speaker 1: you pretend to be drinking from the empty glass. That's

1109
01:00:31,920 --> 01:00:34,640
Speaker 1: the funnier Like I was listening, but probably too late

1110
01:00:34,680 --> 01:00:39,560
Speaker 1: to change that. Now let's just go back we could

1111
01:00:40,520 --> 01:00:44,920
Speaker 1: there we go. I'm almost done with that. Thank you

1112
01:00:44,960 --> 01:00:47,600
Speaker 1: everyone for joining us for this episode of Pod Meets World.

1113
01:00:47,680 --> 01:00:49,760
Speaker 1: As always. You can follow us on Instagram pod Meets

1114
01:00:49,800 --> 01:00:51,960
Speaker 1: World Show. You can send us your emails at pod

1115
01:00:51,960 --> 01:00:55,080
Speaker 1: Meats World Show at gmail dot com. And we have

1116
01:00:55,200 --> 01:01:00,280
Speaker 1: gotten merch. I didn't think you were. I'm going to

1117
01:01:00,360 --> 01:01:09,640
Speaker 1: say at this pod meets World Show dot com thank

1118
01:01:09,680 --> 01:01:13,400
Speaker 1: you all for joining us. We love you all. Pod dismissed.

1119
01:01:15,160 --> 01:01:18,200
Speaker 1: Pod Meets worlds an I heart podcast produced and hosted

1120
01:01:18,200 --> 01:01:21,920
Speaker 1: by Danielle Fisher, Wilfred l And Writer Strong Executive producers

1121
01:01:22,000 --> 01:01:25,080
Speaker 1: Jensen Carp and Amy Sugarman, Executive in charge of production,

1122
01:01:25,280 --> 01:01:30,080
Speaker 1: Danielle Romo, producer and editor, Tara sud Batch, producer, Jackie Rodriguez,

1123
01:01:30,200 --> 01:01:33,520
Speaker 1: engineer and Boy Meets World super fan Easton Allen. Our

1124
01:01:33,600 --> 01:01:36,320
Speaker 1: theme song is by Kyle Morton of Typhoon. You can

1125
01:01:36,360 --> 01:01:39,040
Speaker 1: follow us on Instagram at Pod Meets World Show or

1126
01:01:39,120 --> 01:01:42,520
Speaker 1: email us at pod Meets World Show at gmail dot com.