WEBVTT - #98 - Dan from Dan + Shay

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<v Speaker 1>All right, Welcome to episode of the Bobby Cast with

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<v Speaker 1>Dan Smiers of Dan and Jay. Do you feel like

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<v Speaker 1>I guess the question I always wondered is do you

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<v Speaker 1>feel like you've lost some of your identity? Because you're

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<v Speaker 1>always known as one of the two people. I do

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<v Speaker 1>lose my last name a little bit. It's Dan of

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<v Speaker 1>Dan and Shay. You know what I mean, because I

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<v Speaker 1>never say is that even how I've never even talked

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<v Speaker 1>to you as Dan Smiers? Is that even how you

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<v Speaker 1>say that this is the first time I like it?

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<v Speaker 1>It's nice. It is how I say it officially. You

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<v Speaker 1>knowed it. Usually it's like Smears or Dan s Myers

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<v Speaker 1>or Dance Myers. I've had people be like, oh, Dance

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<v Speaker 1>Myers d n C. Meyers school because you were Dan

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<v Speaker 1>when you moved down here. You weren't Dan and Jay

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<v Speaker 1>I was. I was. I was like the really poor

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<v Speaker 1>guy who couldn't afford to pay his rent. Dan. It

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<v Speaker 1>was it was rough times for a while. That's gotta

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<v Speaker 1>be frustrating to be one and awesome, because there are

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<v Speaker 1>times two where you can lean on someone and it

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<v Speaker 1>goes back and forth. But to be because you're you're

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<v Speaker 1>a real life human like when you prick you bleed.

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<v Speaker 1>I exist, I'm here, I'm rocking. I was late. I

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<v Speaker 1>was a few minutes later. This traffic, traff traffic gets me. Yeah,

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<v Speaker 1>but it's ice, it's traffic. It's you just can't win.

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<v Speaker 1>It's Tennessee, where we're not used to this. I'm also

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<v Speaker 1>not good at preparing either, so I'll you know, see

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<v Speaker 1>it'says like traffic is light, eleven minutes is your time,

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<v Speaker 1>and I'll leave eleven minutes before I have to leave.

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<v Speaker 1>That would drive me crazy. If it says eleven minutes,

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<v Speaker 1>I'll leave twenty one minutes. Yeah, and prepared. That's why

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<v Speaker 1>you're more successful than I. That's not true. My hill, though,

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<v Speaker 1>to get up here is just treacherous and steep. I

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<v Speaker 1>was wondering was it bad the last few days? Terrible?

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<v Speaker 1>I couldn't. Luckily, I have Jeep, and I put the

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<v Speaker 1>jeep in for we'll drive. I've never driven anything for

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<v Speaker 1>will drive in my life. So I bought the Geep

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<v Speaker 1>because I have this humongous hill that I live on,

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<v Speaker 1>and I knew one day with ice, so I bought

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<v Speaker 1>the jeep off for the big build up in this

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<v Speaker 1>last weekend and it were, and I tried to get

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<v Speaker 1>up in the two well drive first, and I thought,

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<v Speaker 1>this is the least interesting story ever. But in my

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<v Speaker 1>heart it feels good to tell this story. Like I

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<v Speaker 1>bought this jeep for this one thing, and so I

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<v Speaker 1>I put in two well drop and I tried to

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<v Speaker 1>get up the hill and it wouldn't go. I was like, okay, good, good, good,

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<v Speaker 1>good hard. That's brute. And then I put it in

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<v Speaker 1>four wall drive and just dominated the hill and my

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<v Speaker 1>my pecker got a little puffy straight straight to the sky.

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<v Speaker 1>It was good man. I loved it. And then um,

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<v Speaker 1>but just so, there are two sides of this hill

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<v Speaker 1>where I live and this side over here. I don't

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<v Speaker 1>know which side you came up on, but there are

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<v Speaker 1>cars that park on the side of the road, and

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<v Speaker 1>I've seen other cars fall and it's in nail cars

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<v Speaker 1>all the way down because you can't. Once you start sliding,

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<v Speaker 1>you're done. I almost saw it. I was. I was

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<v Speaker 1>working uh on my computer in the front of the house,

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<v Speaker 1>and we've got a window there and there's people were

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<v Speaker 1>flying down on the street. It is completely covered. It's insane.

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<v Speaker 1>I live in East Nashville, so Gallatin is like it

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<v Speaker 1>looks like there was never snow. But at my house

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<v Speaker 1>on my street, it's completely covered. I could ski down it.

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<v Speaker 1>Some guy was cruising down and I mean literally it

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<v Speaker 1>was like fishtail and like going back. I thought he

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<v Speaker 1>was gonna just wreck every car on the street. But

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<v Speaker 1>he made it out alive. But I know that guy

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<v Speaker 1>or or girl whoever was driving that car when they

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<v Speaker 1>put up probably a guy were reckless drivers brought up

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<v Speaker 1>that stop sign. I was like, yeah, I got out

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<v Speaker 1>of that one. That was good. Have you ever been

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<v Speaker 1>in a wreck? I have. I broke my wrist in

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<v Speaker 1>a wreck here actually in town. Were in town. It

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<v Speaker 1>was you know the turnaround down by the convention center. Yes,

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<v Speaker 1>that's a that's the round the circle. Yeah, you're round about.

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<v Speaker 1>It was ridiculous. I was coming around the thing and

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<v Speaker 1>a guy just pulls out right in front of me.

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<v Speaker 1>It was I'd still be driving my car. I had

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<v Speaker 1>the same car for like, you know, fifteen years, the

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<v Speaker 1>same one I moved down here with. And a guy

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<v Speaker 1>came out t bone me. Of course, no insurance, and

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<v Speaker 1>I tried to turn the wheel and I broke my wrist.

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<v Speaker 1>It was you turned it on reaction. I turned it

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<v Speaker 1>on reaction. Yeah, when the guy was pulling out, and

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<v Speaker 1>it was kind of like a blessing in disguise. I

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<v Speaker 1>had never on stage dropped the guitar before. I was

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<v Speaker 1>always like the guy who strump's underwhelming guitar chords on stage.

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<v Speaker 1>But we were on an acoustic tour. We were opening

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<v Speaker 1>up for Hunter Hayes, and I was like, oh, we

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<v Speaker 1>can't miss these shows. We're getting like a hundred dollars

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<v Speaker 1>a night. We don't want to miss out on that money.

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<v Speaker 1>And uh, we didn't cancel them. We had we hired

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<v Speaker 1>a guitar player, got insurance actually to cover for the

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<v Speaker 1>guitar player to come out because otherwise, I mean, I

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<v Speaker 1>wouldn't be able to work. So I was running around

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<v Speaker 1>with Big cast On and we're like, this is kind

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<v Speaker 1>of cool, Like we can entertain twice the amount of

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<v Speaker 1>people in the same amount of time if I don't

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<v Speaker 1>have a guitar are So next is a headset Mike

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<v Speaker 1>m and that, by the way, that guitar player also

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<v Speaker 1>known as Eric Clapton, that's how he got a start.

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<v Speaker 1>It is exactly. It was right, and then you know

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<v Speaker 1>it all happened. It was insane, but I have a

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<v Speaker 1>tea here. So I asked the right question, because so

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<v Speaker 1>when you came in downstairs, my assistant is down there.

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<v Speaker 1>She got into a wreck today. Someone pulled out in

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<v Speaker 1>front of her. Their side window was fully iced over

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<v Speaker 1>and they couldn't see. And she's driving down the road.

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<v Speaker 1>They pull out. There was no ice on the road,

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<v Speaker 1>but because the cars are cold pulled out and boom

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<v Speaker 1>nailed each other. That's brutal. And so she all right,

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<v Speaker 1>I should get on and check on her. Yeah, yeah,

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<v Speaker 1>go down a check on her. Yeah, she's good. She

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<v Speaker 1>didn't talk for a minute. But are you okay? I

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<v Speaker 1>just hurt. They're still recording up there. I just heard

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<v Speaker 1>you had a wreck. Now her she has a suv.

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<v Speaker 1>It's completely smushed. It's crazy when you see metal like

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<v Speaker 1>that go and bend in ways that metal is not

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<v Speaker 1>supposed to be. And then someone just walks out of there.

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<v Speaker 1>And both of them were okay, and it also was

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<v Speaker 1>it I don't know. Yeah, somewhere there are some I'm

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<v Speaker 1>about to throw through our town under the bus. Here

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<v Speaker 1>there are some bad drivers in Nashville. They are bad

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<v Speaker 1>drivers everywhere, It's true, but here is like especially worse.

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<v Speaker 1>I don't know what it is. I think it's a

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<v Speaker 1>combination of the Southern pace and then a lot of transplants,

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<v Speaker 1>like the Southern pace like crazy people like me who

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<v Speaker 1>come in from Pennsylvania and are like, get out of

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<v Speaker 1>the way, get out of the way. Let's like, let's

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<v Speaker 1>pass this guy, let's turn before the light, you know changes,

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<v Speaker 1>and uh, that's funny. The Southern pace. Maybe that's just

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<v Speaker 1>the pace that I live my driving life because I've

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<v Speaker 1>only ever in Arkansas to Austin, which isn't really the South,

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<v Speaker 1>but it's still in the southern part of to Nashville.

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<v Speaker 1>Maybe I only know the Southern pace because I've only

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<v Speaker 1>lived in the South. I do. I am a slow driver,

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<v Speaker 1>though I'm I've knocked on wood. I'm gonna ticket on

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<v Speaker 1>the way home. I've never gotten a ticket in my

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<v Speaker 1>entire life. I've gotten my my parents or somebody must

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<v Speaker 1>be friends with the police or something, because I've gotten

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<v Speaker 1>pulled over, like I don't know five or six times.

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<v Speaker 1>So we're gonna let you off with a warning. I'm

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<v Speaker 1>always like super polite to whenever they pulled me over.

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<v Speaker 1>But somebody out there listening is a police officer. They're like,

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<v Speaker 1>we're gonna get this guy's first ticket today. They're gonna

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<v Speaker 1>be looking for me. I feel like calling one and

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<v Speaker 1>on you're on the way out. He had a little

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<v Speaker 1>to drink at the house and maybe maybe you want

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<v Speaker 1>to check out passion for Lacroix. He's just that's what

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<v Speaker 1>he's drinking. I was like, Hey, you wanta water? You

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<v Speaker 1>definitely want to water. We're gonna go talk for now.

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<v Speaker 1>I was like, I gotta Lacroix. W dude. So I'm

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<v Speaker 1>I guess I'm interested in a lot of this stuff

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<v Speaker 1>that was you before Dan and Shay, and I want

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<v Speaker 1>to get to a lot of this, especially now. And

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<v Speaker 1>people will listen to this for years because with podcasts

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<v Speaker 1>you kind of look through and pick things you like. Um,

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<v Speaker 1>and I think people will like to see your name

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<v Speaker 1>and listen to this. So I want to get to

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<v Speaker 1>Are we gonna listen as Dan of Dan and Shay

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<v Speaker 1>or Dan Smiers Dan Dan, We'll get more hits. I'll

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<v Speaker 1>listen however you want. We can listen to Mr Smiers

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<v Speaker 1>and that's it. That's I like that. Mr Smiers though Pennsylvania,

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<v Speaker 1>Yes so, but when you moved to town, obviously, and

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<v Speaker 1>people may not know the story and you've told on

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<v Speaker 1>the air before, but I'll have you retell it again,

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<v Speaker 1>just briefly. But you met Sha while here. I did,

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<v Speaker 1>But you moved here to do what I moved here

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<v Speaker 1>to be a songwriter and producer. I moved here from Pennsylvania,

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<v Speaker 1>and uh, you know, I grew up listening to all

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<v Speaker 1>kinds of music. I love country music, and I couldn't

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<v Speaker 1>afford LA or New York even if I wanted to

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<v Speaker 1>move there. So I was like Nashville. When I moved

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<v Speaker 1>here was two thousand and ten, it was still affordable.

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<v Speaker 1>Now it's getting a little out of hand. But for

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<v Speaker 1>anybody from l A or New York listening, they're like,

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<v Speaker 1>Nashville is it's so cheap to live there with what

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<v Speaker 1>everybody says. I guess that's so cheap and everybody's so nice.

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<v Speaker 1>But you moved here in two thousand and ten to

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<v Speaker 1>be a producer and a writer. Huh yeah. I moved

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<v Speaker 1>here with my buddy. We were kind of we had

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<v Speaker 1>actually like never really hung out in person. This is

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<v Speaker 1>kind of like this blind dating, let's move to Nashville

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<v Speaker 1>together thing. He's like still one of my best friends.

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<v Speaker 1>Was in my wedding has a couple of cuts that

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<v Speaker 1>are going to be on our upcoming album and he's

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<v Speaker 1>he's killing it now. But it wasn't like that for

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<v Speaker 1>a while. Was his name is Andy Albert. He would

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<v Speaker 1>be an interesting guy to talk to as well, Like

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<v Speaker 1>he's crushing it As a songwriter. He's written a few hits. Uh.

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<v Speaker 1>He wrote She's Got Away with Words for Blake Shelton,

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<v Speaker 1>which was one of my favorite songs Blakes put out. Um,

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<v Speaker 1>I think it ruffled a few feathers when you put

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<v Speaker 1>that song and not to sidetrack, but that was the

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<v Speaker 1>only one of Blake's songs to not go number one.

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<v Speaker 1>It was the first one of like the after thirteen

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<v Speaker 1>in a row because some people were irritated the song. Yeah,

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<v Speaker 1>he was bummed. There were a few lyrics in there

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<v Speaker 1>that were edgy, but it's cool. I mean, Blake Shelton

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<v Speaker 1>is that guy. He can put out edgy lyrics like that,

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<v Speaker 1>and I was so happy for him. We had been

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<v Speaker 1>like really struggling, so we moved here. Uh. We We

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<v Speaker 1>had a mutual friend who his name is Rohan Colie.

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<v Speaker 1>He's now he's actually his his wife's sitting labor like

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<v Speaker 1>right now, he's his kid, first kid. Yeah, and we're

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<v Speaker 1>sitting like trying to pick what songs we're going to

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<v Speaker 1>record next week. Yeah, he's crazy, but he put us together.

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<v Speaker 1>He was like, you guys are both trying to do

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<v Speaker 1>the same thing. You would this dud in Pennsylvania. Are

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<v Speaker 1>you in this dude? He was from Georgia and yeah,

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<v Speaker 1>he's from outside of it. Like, I didn't move together,

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<v Speaker 1>you just got here at the same time. Yeah, exactly.

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<v Speaker 1>So we we connected on you know, a I AM

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<v Speaker 1>was still a thing. You know, we had our screen ms.

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<v Speaker 1>I don't know what mine was like branded BOYD two

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<v Speaker 1>three zero nine because I like you a huge fan

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<v Speaker 1>and uh he's over here laugh and making fun of him.

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<v Speaker 1>But you know, we we kind of connected on the internet.

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<v Speaker 1>Were like, let's send some demos back and forth, and

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<v Speaker 1>we were like this could work. And we moved to Nashville.

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<v Speaker 1>Found this house on Craigslist. I mean literally, this place

0:09:09.280 --> 0:09:11.719
<v Speaker 1>was a disaster. There was no heat, no a c.

0:09:12.559 --> 0:09:14.200
<v Speaker 1>If there was, we couldn't afford to pay for it,

0:09:14.200 --> 0:09:15.679
<v Speaker 1>so we didn't even turn it on. In the summer.

0:09:15.720 --> 0:09:18.360
<v Speaker 1>Would be like people are Everybody's like here to liar,

0:09:18.360 --> 0:09:20.400
<v Speaker 1>you're exaggerating, but anybody who had been to that house

0:09:20.520 --> 0:09:22.760
<v Speaker 1>was like, no, this is it was a pretty bad place.

0:09:23.520 --> 0:09:26.000
<v Speaker 1>Ninety degrees in the summer and forty six in the winter.

0:09:26.160 --> 0:09:28.319
<v Speaker 1>So we were struggling to get by, and we were

0:09:28.360 --> 0:09:31.800
<v Speaker 1>just doing anything we could. Like we would go I've

0:09:31.800 --> 0:09:33.960
<v Speaker 1>got a few funny stories, but we would go and

0:09:34.280 --> 0:09:36.679
<v Speaker 1>do like taste testings and like research groups. You know

0:09:36.720 --> 0:09:39.360
<v Speaker 1>what those things are, like where here's twenty dollars you

0:09:39.400 --> 0:09:41.400
<v Speaker 1>try on like ten Haynes t shirts and get up

0:09:41.400 --> 0:09:43.400
<v Speaker 1>in front of the crowd and tell your thoughts. So

0:09:43.440 --> 0:09:45.880
<v Speaker 1>we would do that or luckily like you were doing that.

0:09:46.240 --> 0:09:48.480
<v Speaker 1>Yeah's how you guys make money. Honestly, I'm still on

0:09:48.520 --> 0:09:50.480
<v Speaker 1>those email lists and I'm like if if it's like

0:09:50.520 --> 0:09:52.640
<v Speaker 1>thirty dollars to go try some pizza, I'm like, yeah,

0:09:52.679 --> 0:09:54.400
<v Speaker 1>I'm gonna go do that. How would you get on

0:09:54.440 --> 0:09:56.440
<v Speaker 1>the list? So you would go to the place. It

0:09:56.520 --> 0:10:00.480
<v Speaker 1>was called Nashville Research and it was like but offer

0:10:00.559 --> 0:10:03.080
<v Speaker 1>Rosa Parks. So anybody out there like struggling to make

0:10:03.120 --> 0:10:05.240
<v Speaker 1>some money, struggling to get by, that's where you go.

0:10:05.400 --> 0:10:07.720
<v Speaker 1>And you get on these lists. You do one trying

0:10:07.720 --> 0:10:10.280
<v Speaker 1>to think we did one. We taste tested hard cider,

0:10:10.360 --> 0:10:13.160
<v Speaker 1>which was pretty cool. And they pay you because they

0:10:13.160 --> 0:10:15.760
<v Speaker 1>want your feedback to either improve the product or improve

0:10:15.840 --> 0:10:18.200
<v Speaker 1>how the marketing the product. Yeah, exactly. So we would

0:10:18.200 --> 0:10:19.920
<v Speaker 1>do pizzas. I mean, you know, we would know that

0:10:19.960 --> 0:10:22.560
<v Speaker 1>it was Domino's pizza, but they would say, here's random

0:10:22.600 --> 0:10:24.640
<v Speaker 1>pizza company, so and so, give your thoughts on this,

0:10:24.720 --> 0:10:27.360
<v Speaker 1>and I would literally take boxes a pizza home. It

0:10:27.440 --> 0:10:30.440
<v Speaker 1>was insane. Another ridiculous. Oh dude, I can go on

0:10:30.480 --> 0:10:32.680
<v Speaker 1>for hours. This is this is crazy. So there's a

0:10:32.679 --> 0:10:36.600
<v Speaker 1>Hampton in across from Vanderbilt, you know that Hampton in like, uh,

0:10:36.720 --> 0:10:39.040
<v Speaker 1>I don't know what. There's like a Kidoba off the

0:10:39.120 --> 0:10:42.000
<v Speaker 1>twenty one over there regardless as a hotel, and there's

0:10:42.000 --> 0:10:44.720
<v Speaker 1>a back parking lot. I would go every single morning

0:10:44.760 --> 0:10:46.520
<v Speaker 1>because I couldn't afford to eat anything. I would go

0:10:46.520 --> 0:10:49.280
<v Speaker 1>in the back parking lot. I would intentionally wear sweatpants

0:10:49.280 --> 0:10:52.040
<v Speaker 1>and like dress like I was actually staying at this hotel,

0:10:52.440 --> 0:10:54.360
<v Speaker 1>wait for somebody to walk out of the back door

0:10:54.440 --> 0:10:57.440
<v Speaker 1>to the parking lot, sneak in like hanging the bathroom

0:10:57.480 --> 0:10:59.560
<v Speaker 1>for a second, then walk in and eat Continental breakfast

0:10:59.559 --> 0:11:02.720
<v Speaker 1>every single morning. Wow. I had this whole plan in

0:11:02.760 --> 0:11:04.640
<v Speaker 1>my head to people like, aren't you afraid you're gonna

0:11:04.640 --> 0:11:06.640
<v Speaker 1>get caught if like the Maids or somebody you know

0:11:06.840 --> 0:11:09.280
<v Speaker 1>is like, hey, we we saw you the last six days.

0:11:09.800 --> 0:11:11.079
<v Speaker 1>I was going to be like, you know what I'm

0:11:11.080 --> 0:11:12.839
<v Speaker 1>in from out of town. I'm a guitar tech for

0:11:12.920 --> 0:11:16.839
<v Speaker 1>Zach Brown Band and our tour manager. Yeah, and our

0:11:16.880 --> 0:11:19.360
<v Speaker 1>tour manager is not here yet. He told us, you know,

0:11:19.440 --> 0:11:21.240
<v Speaker 1>when we arrive off the flight, just to go and

0:11:21.280 --> 0:11:23.360
<v Speaker 1>grab a little breakfast and he's gonna come check us in.

0:11:23.920 --> 0:11:26.320
<v Speaker 1>And luckily it never happened. Everybody was so sweet, They're like, hey,

0:11:26.320 --> 0:11:28.480
<v Speaker 1>good to see you again. You know, the extended stay

0:11:28.480 --> 0:11:31.000
<v Speaker 1>at the Hanton End, and I would take like little

0:11:31.040 --> 0:11:33.480
<v Speaker 1>boxes of rice crispy treats, you know, back to the

0:11:33.520 --> 0:11:36.200
<v Speaker 1>house and survive all day off that. So it was.

0:11:36.880 --> 0:11:39.880
<v Speaker 1>It was rough. We also made fake cupons. I'm rambling

0:11:39.960 --> 0:11:42.400
<v Speaker 1>right now. It's I'm interested in this though. So you

0:11:42.480 --> 0:11:45.959
<v Speaker 1>and him both moved to town. Were you both broke? Oh? Yeah,

0:11:46.200 --> 0:11:49.680
<v Speaker 1>it so? But what are you doing to make money

0:11:49.880 --> 0:11:51.800
<v Speaker 1>or not even make money? What are you doing to

0:11:52.120 --> 0:11:56.920
<v Speaker 1>make a progress creatively? We both, you know, came here

0:11:56.960 --> 0:11:58.960
<v Speaker 1>with probably like a couple of hundred bucks in our

0:11:59.120 --> 0:12:01.440
<v Speaker 1>pockets like nothing thing crazy, but you know, to pay

0:12:01.480 --> 0:12:03.199
<v Speaker 1>whatever rent we could for the first month. I mean

0:12:03.240 --> 0:12:06.760
<v Speaker 1>literally our rent was like hundred or a hundred fifty bucks, nothing,

0:12:06.880 --> 0:12:10.000
<v Speaker 1>nothing insane. And I was producing demos. I you know,

0:12:10.000 --> 0:12:12.160
<v Speaker 1>I was doing Logic then I hadn't even like I

0:12:12.160 --> 0:12:15.120
<v Speaker 1>couldn't afford pro tools. I got a cracked version of Logic,

0:12:15.160 --> 0:12:17.720
<v Speaker 1>which is, you know, an illegal download, and I was

0:12:18.000 --> 0:12:19.720
<v Speaker 1>just rocking on there. Didn't really know what I was doing,

0:12:19.760 --> 0:12:21.800
<v Speaker 1>but you know, writers and stuff would come to town

0:12:21.880 --> 0:12:24.600
<v Speaker 1>or artists and I'd produce a demo form literally like

0:12:24.640 --> 0:12:27.680
<v Speaker 1>thirty dollars a song, and I was spending like, you know,

0:12:27.720 --> 0:12:30.000
<v Speaker 1>the same amount of time I spend making our records now,

0:12:30.400 --> 0:12:33.400
<v Speaker 1>like weeks at a time doing songs and walk away

0:12:33.400 --> 0:12:35.120
<v Speaker 1>with thirty bucks. But hey, you do three or four

0:12:35.120 --> 0:12:36.800
<v Speaker 1>of those and you're paying your rent that month. So

0:12:37.160 --> 0:12:40.000
<v Speaker 1>did anyone back then, did you work with anyone that

0:12:40.040 --> 0:12:43.800
<v Speaker 1>has done anything as far as made a name for

0:12:43.800 --> 0:12:46.600
<v Speaker 1>themself in any capacity I'm trying to think. I mean,

0:12:46.640 --> 0:12:48.960
<v Speaker 1>I knew Cassidy Pope. Cassidy Pope and I kind of

0:12:49.000 --> 0:12:50.680
<v Speaker 1>came from the same world. We had done, like you know,

0:12:50.800 --> 0:12:54.200
<v Speaker 1>rock and pop kind of music in the past, and um,

0:12:54.280 --> 0:12:55.920
<v Speaker 1>we had a lot of mutual friends, so we like

0:12:55.960 --> 0:12:58.439
<v Speaker 1>wrote some songs together into demos and casting still a

0:12:58.440 --> 0:13:00.000
<v Speaker 1>good friend. You knew her before the boy she knew

0:13:00.040 --> 0:13:03.400
<v Speaker 1>her from Monday warped toward days. Yeah, we had a

0:13:03.440 --> 0:13:06.199
<v Speaker 1>lot of mutual friends, and I wrote some songs. I

0:13:06.200 --> 0:13:07.880
<v Speaker 1>got to dig back on the old hard driving and

0:13:07.920 --> 0:13:09.640
<v Speaker 1>see what I could can bring up. I mean, you

0:13:09.720 --> 0:13:12.719
<v Speaker 1>know who else played warp towards Brandon Ray? Did he really? Yeah?

0:13:12.840 --> 0:13:14.560
<v Speaker 1>He hasn't got the energy for it. He has the

0:13:14.559 --> 0:13:18.000
<v Speaker 1>greatest stories about going out and passing out flyers and

0:13:18.040 --> 0:13:21.000
<v Speaker 1>just and he would play at the eleven Am. Dude,

0:13:21.160 --> 0:13:23.840
<v Speaker 1>I've got warped toward stories, so I would go out.

0:13:23.960 --> 0:13:25.840
<v Speaker 1>But who are you playing with? I had a band

0:13:25.880 --> 0:13:28.200
<v Speaker 1>in high school called Transition, and it was like a

0:13:28.240 --> 0:13:31.360
<v Speaker 1>pop punk kind of I don't know, just relad singer.

0:13:31.520 --> 0:13:33.800
<v Speaker 1>I was, I was and I would. I had like

0:13:33.880 --> 0:13:35.600
<v Speaker 1>long emo hair and did the whole thing. I had

0:13:35.600 --> 0:13:37.880
<v Speaker 1>no idea. This is I'm gonna send you some Pectus tonight.

0:13:38.920 --> 0:13:41.040
<v Speaker 1>You knew his pop punk stuff? Have you? Oh? I

0:13:41.120 --> 0:13:43.800
<v Speaker 1>have some here? How about this? Here we go? This

0:13:43.880 --> 0:13:47.880
<v Speaker 1>is a from transition called excusable. Oh no, you got

0:13:47.920 --> 0:13:51.400
<v Speaker 1>pulled up? Yeah yeah, I got that. Every word we

0:13:51.679 --> 0:13:58.160
<v Speaker 1>s you have that, boy, I am so sad today

0:13:58.440 --> 0:14:01.920
<v Speaker 1>and my mama through one magazine away. It's so urgent

0:14:01.960 --> 0:14:03.960
<v Speaker 1>to it's like, right now, you gotta end everything about

0:14:03.960 --> 0:14:12.599
<v Speaker 1>it right now. Look at this. You guys are the

0:14:12.640 --> 0:14:14.760
<v Speaker 1>real deal. I was like fifteen years old when we

0:14:14.760 --> 0:14:16.800
<v Speaker 1>were a cold. Have you ever heard of them? Mike?

0:14:18.480 --> 0:14:20.440
<v Speaker 1>Come on, show that tattoo. You got the tattoo. You

0:14:20.520 --> 0:14:23.000
<v Speaker 1>got my signature tattooed on your arm. That's so funny.

0:14:23.000 --> 0:14:25.480
<v Speaker 1>How about this one we're gonna make called Bonavo? What's

0:14:25.480 --> 0:14:27.440
<v Speaker 1>what's this one? Yeah? That Bonaventure was the band that

0:14:27.520 --> 0:14:29.480
<v Speaker 1>my buddy Andy and I who I moved here with

0:14:29.560 --> 0:14:31.600
<v Speaker 1>at the same time, started and we were trying to

0:14:31.640 --> 0:14:33.920
<v Speaker 1>like you started here. Yeah, we started it here at

0:14:34.120 --> 0:14:36.640
<v Speaker 1>that house in Nashville and we let me hear this one.

0:14:36.640 --> 0:14:39.320
<v Speaker 1>Are you singing in this one? I'm not, I'm singing harmonies? Okay,

0:14:39.320 --> 0:14:46.440
<v Speaker 1>So he's singing this one, you're singing. This is a Bonaventure.

0:14:49.800 --> 0:14:53.040
<v Speaker 1>I think you're a better singer, thanks, dude. Yeah, I

0:14:53.160 --> 0:14:55.720
<v Speaker 1>really enjoy your punk pop. Boy, that's a that's a

0:14:55.760 --> 0:14:58.480
<v Speaker 1>great pop punk boys. I've got some great pop punk

0:14:58.520 --> 0:15:00.640
<v Speaker 1>ideas floating around. We've got like a lot of buddies

0:15:00.640 --> 0:15:03.200
<v Speaker 1>who used to be in that scene, like our buddy

0:15:03.240 --> 0:15:05.320
<v Speaker 1>Paul d. Giovanni. He played guitar in a band called

0:15:05.320 --> 0:15:08.080
<v Speaker 1>Boys Like Girls. He wrote, he wrote our last number

0:15:08.120 --> 0:15:10.080
<v Speaker 1>one song right in a minute, So I mean we're

0:15:10.080 --> 0:15:12.080
<v Speaker 1>going there right now. I see Paul on Twitter all

0:15:12.080 --> 0:15:14.560
<v Speaker 1>the time. Yeah, Paul b LG. I did not know

0:15:15.160 --> 0:15:17.240
<v Speaker 1>that he was the guitar player for Boys Like Girls. Yeah,

0:15:17.240 --> 0:15:22.040
<v Speaker 1>the tall handsome guy. He wrote how Not to our

0:15:22.120 --> 0:15:25.880
<v Speaker 1>latest number one song? Yeah, he wrote Did you write

0:15:25.920 --> 0:15:29.280
<v Speaker 1>that with Adam? He did? Yeah, that's that's crazy to me.

0:15:29.280 --> 0:15:32.040
<v Speaker 1>He was in that band. He's dude, he's like the sickest.

0:15:32.120 --> 0:15:33.960
<v Speaker 1>They call him track guys, you know, and he's doing

0:15:34.000 --> 0:15:36.880
<v Speaker 1>and he's producing Jordan Davis. He's got that singles up

0:15:36.920 --> 0:15:39.080
<v Speaker 1>song on the radio right now. And I don't know.

0:15:39.160 --> 0:15:41.280
<v Speaker 1>I mean, he's honestly getting calls from guys left and right,

0:15:41.360 --> 0:15:43.360
<v Speaker 1>like Keith Urban or whoever, is like, hey, we need

0:15:43.720 --> 0:15:45.800
<v Speaker 1>you to come and make this awesome, and he's just

0:15:45.960 --> 0:15:49.280
<v Speaker 1>crushing it. Did you know simple plan? Hey? Yeah, dude,

0:15:49.320 --> 0:15:52.360
<v Speaker 1>They were awesome. Their music holds up. They were ahead

0:15:52.360 --> 0:15:55.520
<v Speaker 1>of their time. They and they were Canadian. I believe

0:15:55.800 --> 0:15:57.600
<v Speaker 1>they were a Canadian. I used to play then used

0:15:57.600 --> 0:15:59.000
<v Speaker 1>to play all of our radio shows back when I

0:15:59.040 --> 0:16:01.120
<v Speaker 1>was you know, and there's still doing radio shows. I

0:16:01.120 --> 0:16:03.880
<v Speaker 1>think maybe do you remember Bowling for Sup? Hey? Yeah,

0:16:03.960 --> 0:16:06.000
<v Speaker 1>we were talking about them the other day, I said,

0:16:06.240 --> 0:16:08.560
<v Speaker 1>I pulled up on Spotify I was Bowling for Sup.

0:16:08.920 --> 0:16:10.600
<v Speaker 1>I was like, this is the coolest idea. And they

0:16:10.640 --> 0:16:13.600
<v Speaker 1>recorded Stacy's Mom and the album cover for the single

0:16:13.760 --> 0:16:16.840
<v Speaker 1>was because everyone because everyone thought we sang this song,

0:16:16.920 --> 0:16:19.880
<v Speaker 1>we actually sang the song, so they did Stacy's Mom.

0:16:20.280 --> 0:16:22.880
<v Speaker 1>That's funny. I remember Jared Well, the lead singer Bowling

0:16:22.920 --> 0:16:26.600
<v Speaker 1>for Suit, Yeah, because he was from near Dallas, so

0:16:26.640 --> 0:16:28.800
<v Speaker 1>I knew him. But nine Day five was their big song,

0:16:28.960 --> 0:16:31.360
<v Speaker 1>remember it was you knew that song was written by

0:16:31.360 --> 0:16:34.240
<v Speaker 1>It was written by this guy, Mitch Allen, who also

0:16:34.320 --> 0:16:36.880
<v Speaker 1>came from the pop up world. He was in a

0:16:36.880 --> 0:16:39.560
<v Speaker 1>man called SR. Seventy one and he's written like he

0:16:39.600 --> 0:16:42.120
<v Speaker 1>wrote one to Want Me for Jason Derulo. He wrote

0:16:42.200 --> 0:16:44.520
<v Speaker 1>like a bunch of hits for Demilovado. It's crazy look

0:16:44.560 --> 0:16:49.640
<v Speaker 1>at that. Yeah, here's from Bowling Suit. This was a

0:16:51.040 --> 0:16:53.440
<v Speaker 1>for a pop punk song. It became a pretty big

0:16:54.160 --> 0:16:57.640
<v Speaker 1>pop song. Yeah, this was their biggest song. How about

0:16:57.800 --> 0:16:59.720
<v Speaker 1>how about you? And you sound good as a as

0:16:59.720 --> 0:17:02.920
<v Speaker 1>a singer. I've never heard you do straight ahead vocals.

0:17:04.000 --> 0:17:05.680
<v Speaker 1>When I hear you, you're doing homonies for Schet most

0:17:05.680 --> 0:17:07.199
<v Speaker 1>of the time. Yeah, I like me in the background, guy,

0:17:07.240 --> 0:17:09.560
<v Speaker 1>now you do that? Yeah? Being the Dana Danna say,

0:17:09.680 --> 0:17:12.080
<v Speaker 1>it's a little less pressure. But your name's first though, too,

0:17:12.359 --> 0:17:14.159
<v Speaker 1>so people would That's another thing I want to talk

0:17:14.200 --> 0:17:16.280
<v Speaker 1>about that. I just like, how do you decide who

0:17:16.320 --> 0:17:18.280
<v Speaker 1>goes first? Danna is at a coin flip? Is there

0:17:18.280 --> 0:17:21.440
<v Speaker 1>a fight with the order of importance? Yeah, that's a fight.

0:17:21.960 --> 0:17:24.200
<v Speaker 1>You know. There's a lot of other things, you know,

0:17:24.680 --> 0:17:26.879
<v Speaker 1>But how did that? I don't know how that happened?

0:17:26.920 --> 0:17:29.200
<v Speaker 1>Actually it was we were when Sha and I met.

0:17:29.600 --> 0:17:31.600
<v Speaker 1>That's like a lot later in the in the saga there,

0:17:32.480 --> 0:17:35.200
<v Speaker 1>I guess the tragic tale of Dan Smiers in Nashville.

0:17:35.280 --> 0:17:38.200
<v Speaker 1>But whenever we would walk into publishing companies because we

0:17:38.280 --> 0:17:39.719
<v Speaker 1>were just trying to get a publishing deal, we were

0:17:39.800 --> 0:17:41.960
<v Speaker 1>what we just wanted to get paid, right songs? Yeah, yeah,

0:17:41.960 --> 0:17:43.320
<v Speaker 1>we were like, we just want to write songs for

0:17:43.440 --> 0:17:45.760
<v Speaker 1>Rascal Flats or whoever. And we would walk in and

0:17:45.800 --> 0:17:48.520
<v Speaker 1>they're like, Danna chase here again, Dana Sha. And then

0:17:48.560 --> 0:17:51.040
<v Speaker 1>when we became a band, we were searching for band

0:17:51.160 --> 0:17:53.840
<v Speaker 1>names and we we had some band names floating around

0:17:53.920 --> 0:17:55.320
<v Speaker 1>for sure. Let me read this because I want to

0:17:55.400 --> 0:17:57.480
<v Speaker 1>want to get back to that. Uh do this because

0:17:58.080 --> 0:18:01.359
<v Speaker 1>LifeLock is awesome. Sponsor the show researcher do you have?

0:18:01.480 --> 0:18:04.400
<v Speaker 1>Because I have, Um, I'm gonna put it in. It's

0:18:04.400 --> 0:18:07.680
<v Speaker 1>I have a new bb and like a modem, you

0:18:07.760 --> 0:18:11.240
<v Speaker 1>protect your Internet and stuff. See that's that's enough, Like

0:18:11.640 --> 0:18:13.720
<v Speaker 1>you should you should listen to this because Mike and

0:18:13.760 --> 0:18:15.639
<v Speaker 1>I just had a conversation before down. Because I'm putting

0:18:15.640 --> 0:18:17.400
<v Speaker 1>a new one in because people, I read a story.

0:18:17.480 --> 0:18:18.920
<v Speaker 1>This is not part of the commercial. I read a

0:18:18.920 --> 0:18:21.679
<v Speaker 1>story where people are going to hotels and they're sitting

0:18:21.720 --> 0:18:24.800
<v Speaker 1>in parking lots and people on open networks because a

0:18:24.840 --> 0:18:28.280
<v Speaker 1>lot of hotels have open networks. So you pay the

0:18:28.320 --> 0:18:30.040
<v Speaker 1>money or you're you put them the code, and all

0:18:30.040 --> 0:18:31.560
<v Speaker 1>of a sudden you're on the open Internet and they

0:18:31.640 --> 0:18:35.240
<v Speaker 1>can use this little hacking machine and everything that you see,

0:18:35.280 --> 0:18:38.640
<v Speaker 1>they see so you're typing stuff that they can still

0:18:38.680 --> 0:18:40.399
<v Speaker 1>pass all the stuff. That's why I don't only come.

0:18:40.400 --> 0:18:43.200
<v Speaker 1>I'm gona talking about liflight rom so I have life flock.

0:18:43.280 --> 0:18:45.080
<v Speaker 1>One or four people have experience I did any theft.

0:18:45.080 --> 0:18:48.040
<v Speaker 1>If you're only monitoring your credit, your identity can still

0:18:48.080 --> 0:18:51.400
<v Speaker 1>be stolen in ways that you can't detect. Feeds will

0:18:51.400 --> 0:18:53.000
<v Speaker 1>sell your information too, and then all of a sudden

0:18:53.040 --> 0:18:55.720
<v Speaker 1>they have your info. You can get on the dark web.

0:18:56.000 --> 0:18:57.320
<v Speaker 1>That's what I want to do. Like, I want to

0:18:57.320 --> 0:18:59.119
<v Speaker 1>get on the dark web someday and see what they

0:18:59.160 --> 0:19:03.679
<v Speaker 1>have up there. I mean, I shouldn't have you been

0:19:03.680 --> 0:19:06.159
<v Speaker 1>on the No, No, I'm curious about it. Me do.

0:19:07.080 --> 0:19:09.840
<v Speaker 1>It seems like an old Yahoo chat room, but everything

0:19:09.920 --> 0:19:11.840
<v Speaker 1>bad sold there. That's what it seems like to me.

0:19:12.160 --> 0:19:14.440
<v Speaker 1>Life Flock detects a wide range of identity threats. I

0:19:14.560 --> 0:19:17.080
<v Speaker 1>literally have LifeLock, and I've had it way before. They

0:19:17.119 --> 0:19:19.320
<v Speaker 1>become a partner in the show or the podcast. If

0:19:19.320 --> 0:19:21.840
<v Speaker 1>there's a problem, a US based restoration specialist work to

0:19:21.880 --> 0:19:25.679
<v Speaker 1>fix it. Nobody can identify all identity theft martyr all transactions.

0:19:25.720 --> 0:19:27.440
<v Speaker 1>But you can join now and get ten percent off

0:19:27.480 --> 0:19:31.360
<v Speaker 1>by using the promo code boneslock or go to life

0:19:31.359 --> 0:19:34.400
<v Speaker 1>flock dot com. The promo codes bones bones to save

0:19:34.480 --> 0:19:37.680
<v Speaker 1>ten percent and I use it. I love it. Tell

0:19:37.800 --> 0:19:39.560
<v Speaker 1>me once I had a guy. This is not commercial,

0:19:39.640 --> 0:19:42.959
<v Speaker 1>but somebody trying to open a bank account my name, oh,

0:19:43.000 --> 0:19:45.760
<v Speaker 1>I have a my identity attempted to be stolen at

0:19:45.840 --> 0:19:48.560
<v Speaker 1>least ten times. Dude. We had a situation happened to us.

0:19:48.800 --> 0:19:51.600
<v Speaker 1>This is back to good transition. Back to the house.

0:19:51.680 --> 0:19:54.200
<v Speaker 1>We were living in Andy and I we found this

0:19:54.280 --> 0:19:57.200
<v Speaker 1>painting online. It was I don't know, maybe like twenty

0:19:57.240 --> 0:19:59.119
<v Speaker 1>dollars or something like that. We were trying to make

0:19:59.160 --> 0:20:01.760
<v Speaker 1>our decrepit old house look a little better. We found

0:20:01.800 --> 0:20:03.920
<v Speaker 1>this painting and this thing was massive. I mean it

0:20:04.040 --> 0:20:07.160
<v Speaker 1>was like six ft long, like eight ft highs big

0:20:07.240 --> 0:20:09.560
<v Speaker 1>old canvas painting. And we're like, you know what, we

0:20:09.600 --> 0:20:11.879
<v Speaker 1>should like lie about this on Craigslist and put it

0:20:11.960 --> 0:20:14.760
<v Speaker 1>up and be like this is like a famous like painting.

0:20:14.840 --> 0:20:16.840
<v Speaker 1>It's worth you know, fifteen hundred bucks or something like that,

0:20:16.880 --> 0:20:19.440
<v Speaker 1>and see if anybody bites. We put it up on craigslist,

0:20:19.480 --> 0:20:21.800
<v Speaker 1>I could you not. Within like an hour, somebody hits

0:20:21.840 --> 0:20:24.879
<v Speaker 1>back and it's like we want the painting, Like, can

0:20:24.960 --> 0:20:26.840
<v Speaker 1>we email you, and we're like, oh my gosh, this

0:20:27.040 --> 0:20:30.000
<v Speaker 1>is huge, this is massive. And they hit us back

0:20:30.040 --> 0:20:32.800
<v Speaker 1>and they're like, but we want to pay you. We

0:20:32.840 --> 0:20:34.480
<v Speaker 1>want to pay you more than what we asked for.

0:20:35.160 --> 0:20:36.800
<v Speaker 1>But it was like one of those situations where they

0:20:36.840 --> 0:20:39.680
<v Speaker 1>try to scam you. You've gotta like send a check

0:20:39.760 --> 0:20:41.440
<v Speaker 1>so they can cash it and do the whole thing.

0:20:41.800 --> 0:20:43.400
<v Speaker 1>Or no, no, they were they were trying to scam

0:20:43.480 --> 0:20:45.400
<v Speaker 1>the scammera they were trying to scam the scam I'll dude,

0:20:45.440 --> 0:20:48.160
<v Speaker 1>I've been scammed for years. Still did you any money

0:20:48.160 --> 0:20:49.879
<v Speaker 1>out of it? So they sent us a check and

0:20:49.960 --> 0:20:52.000
<v Speaker 1>it was for like, I don't know, seventeen it was.

0:20:52.040 --> 0:20:53.600
<v Speaker 1>It was more than what we asked for. It was

0:20:53.640 --> 0:20:56.280
<v Speaker 1>a lot, like in the thousands, and we took it

0:20:56.359 --> 0:20:57.639
<v Speaker 1>to it. We didn't want to take it to our

0:20:57.680 --> 0:20:59.359
<v Speaker 1>own bank because we were like, this could be like

0:21:00.200 --> 0:21:02.040
<v Speaker 1>we should try to get the cash quick, even if

0:21:02.080 --> 0:21:03.560
<v Speaker 1>we have to pay like a low commission. We took

0:21:03.600 --> 0:21:06.320
<v Speaker 1>it to Advanced Financial, like one of those check cashing

0:21:06.359 --> 0:21:09.040
<v Speaker 1>places on Nolan'sville Road, and you know, it's like a

0:21:09.080 --> 0:21:11.000
<v Speaker 1>glass window and you slip it through like you're paint

0:21:11.040 --> 0:21:13.320
<v Speaker 1>at a gas station, and uh, they look at the

0:21:13.400 --> 0:21:15.280
<v Speaker 1>check and they looked at us and they're like, uh,

0:21:15.800 --> 0:21:17.320
<v Speaker 1>we're gonna have to call the police. This is a

0:21:17.359 --> 0:21:19.960
<v Speaker 1>fraudulent check. And we're like no, no, no, like seriously,

0:21:20.520 --> 0:21:22.520
<v Speaker 1>we we don't know what's happening, Like we just try

0:21:22.560 --> 0:21:25.040
<v Speaker 1>to sell painting on Craigslist and this guy like and

0:21:25.160 --> 0:21:27.720
<v Speaker 1>they're like, Okay, well you need to get out of

0:21:27.760 --> 0:21:30.000
<v Speaker 1>here immediately because this is a frauduct. I guess this

0:21:30.040 --> 0:21:33.399
<v Speaker 1>person had done it before. And uh, we sprinted out

0:21:33.400 --> 0:21:36.960
<v Speaker 1>of there. No, we got the painting, We never sent

0:21:37.080 --> 0:21:40.200
<v Speaker 1>the paint. No, the whole issue. I don't know how

0:21:40.600 --> 0:21:42.520
<v Speaker 1>this scam worked. We figured it out one time, but

0:21:43.040 --> 0:21:46.080
<v Speaker 1>it was yeah, it was we didn't that's what you deserved.

0:21:46.119 --> 0:21:48.960
<v Speaker 1>You were trying to cheat and it was a good painting.

0:21:49.000 --> 0:21:51.040
<v Speaker 1>Though it looks pretty good. You still have it. He

0:21:51.400 --> 0:21:53.480
<v Speaker 1>still has it, honestly, still has it. It's funny, so

0:21:53.520 --> 0:21:55.800
<v Speaker 1>you and him move into this house. Moving to this house,

0:21:55.920 --> 0:21:59.680
<v Speaker 1>you're both what's he doing? You're out cutting demos for

0:21:59.760 --> 0:22:02.520
<v Speaker 1>our what's he doing kind of the same thing. You know,

0:22:02.640 --> 0:22:04.879
<v Speaker 1>he was writing and just like scraping by on what

0:22:05.000 --> 0:22:07.439
<v Speaker 1>he could. We're helping each other. We supportive of each other,

0:22:07.920 --> 0:22:10.200
<v Speaker 1>two guys together. No, we were we were working together.

0:22:10.240 --> 0:22:12.760
<v Speaker 1>We're writing songs together, and you know, putting We started

0:22:12.800 --> 0:22:14.800
<v Speaker 1>putting the Bonaventure band together while we were down there,

0:22:15.200 --> 0:22:17.200
<v Speaker 1>and we were like, you know, we had a little

0:22:17.200 --> 0:22:18.920
<v Speaker 1>bit of stuff going on. We we had connections, I

0:22:18.960 --> 0:22:20.359
<v Speaker 1>guess from what we had done in the past and

0:22:20.400 --> 0:22:23.520
<v Speaker 1>who we knew before we moved to Nashville, and we

0:22:23.720 --> 0:22:25.800
<v Speaker 1>like we saved up our money or I don't know

0:22:25.880 --> 0:22:28.560
<v Speaker 1>how we did, or like borrowed my dad's airline points

0:22:28.640 --> 0:22:31.359
<v Speaker 1>and flew to New York one time and showcase for

0:22:31.440 --> 0:22:36.440
<v Speaker 1>Mercury Records. This guy, David Massey as Bonaventure. So we

0:22:36.520 --> 0:22:38.840
<v Speaker 1>were like, we didn't know whether we were obviously writing

0:22:38.880 --> 0:22:41.199
<v Speaker 1>country songs, but we were just telling people whatever they

0:22:41.240 --> 0:22:44.520
<v Speaker 1>wanted to hear. So this pop label, like I was like, yeah,

0:22:44.600 --> 0:22:46.200
<v Speaker 1>come in and play for the President. I mean, this

0:22:46.280 --> 0:22:49.040
<v Speaker 1>guy signed like Massive Acts, and we go up there.

0:22:49.080 --> 0:22:51.959
<v Speaker 1>I have a banjo, five string banjo and he had

0:22:51.960 --> 0:22:55.720
<v Speaker 1>an acoustic guitar. This was before like the resurgence of

0:22:55.800 --> 0:22:58.160
<v Speaker 1>the banjo and pop music happened. Like Mumford and Sons

0:22:58.240 --> 0:23:01.280
<v Speaker 1>and Imagine Dragons put him handling in their pop track

0:23:01.440 --> 0:23:04.000
<v Speaker 1>this was like before that became cool. And I walk

0:23:04.040 --> 0:23:06.960
<v Speaker 1>into this New York office Mercury Records, and it's the

0:23:07.000 --> 0:23:10.840
<v Speaker 1>two of us singing country songs and they're like, so,

0:23:11.000 --> 0:23:13.640
<v Speaker 1>you guys want to sign this pop label? Huh. We're

0:23:13.720 --> 0:23:16.399
<v Speaker 1>like yeah, we would do anything you want, Like have

0:23:16.440 --> 0:23:18.080
<v Speaker 1>you ever thought about being in a country act? And

0:23:18.119 --> 0:23:20.760
<v Speaker 1>we're like no, no. We just start telling them what

0:23:20.800 --> 0:23:22.520
<v Speaker 1>they wanted to hear, what we thought they wanted to hear,

0:23:22.520 --> 0:23:24.960
<v Speaker 1>and they're like cool, Uh, yeah, we'll be in touch.

0:23:25.040 --> 0:23:26.920
<v Speaker 1>And we went back to Nashville and nothing ever came

0:23:26.960 --> 0:23:29.040
<v Speaker 1>a bit. So did you guys break up the idea

0:23:29.040 --> 0:23:31.399
<v Speaker 1>of Bonaventure after they didn't work? It was kind of

0:23:31.560 --> 0:23:33.960
<v Speaker 1>not immediately there. We were kind of just fizzling out,

0:23:34.080 --> 0:23:36.200
<v Speaker 1>like focusing a little more on the writing thing. We

0:23:36.320 --> 0:23:37.960
<v Speaker 1>I mean, we've been here for like four or five

0:23:38.040 --> 0:23:40.440
<v Speaker 1>years before Shane and I met, and uh, what was

0:23:40.520 --> 0:23:42.520
<v Speaker 1>the big I wouldn't even say break, but what was

0:23:42.600 --> 0:23:45.320
<v Speaker 1>the pop for you? Where you go? Okay? I can

0:23:45.359 --> 0:23:48.840
<v Speaker 1>at least relax a bit on rent. So when I

0:23:49.000 --> 0:23:51.719
<v Speaker 1>signed my publishing video to Warner Chapel, I had sixty

0:23:51.800 --> 0:23:54.760
<v Speaker 1>three dollars in my account, like cold sixty three that

0:23:54.880 --> 0:23:57.080
<v Speaker 1>I know that number for a fact, And I mean

0:23:57.160 --> 0:23:59.000
<v Speaker 1>my rent that month was like a hundred fifty, So

0:23:59.000 --> 0:24:01.240
<v Speaker 1>I was I hadn't figured it out yet what I

0:24:01.320 --> 0:24:03.520
<v Speaker 1>was gonna do, but it was pretty nice. While we

0:24:03.600 --> 0:24:05.920
<v Speaker 1>were like, you know, negotiating deals and with the record

0:24:06.000 --> 0:24:08.720
<v Speaker 1>label and a publishing company, we would we would. There's

0:24:08.760 --> 0:24:11.640
<v Speaker 1>this guy Alex Hedel, he runs he's that big machine publishing.

0:24:12.000 --> 0:24:13.840
<v Speaker 1>He still like gives me a hard time because he

0:24:14.000 --> 0:24:16.000
<v Speaker 1>was like, we wanted to sign you guys, and you

0:24:16.119 --> 0:24:18.840
<v Speaker 1>just like let us on. And we went out to

0:24:18.880 --> 0:24:21.680
<v Speaker 1>soul Shine and spent like fifteen dollars at the bar,

0:24:21.800 --> 0:24:23.520
<v Speaker 1>and like, I'm like, no, we did. We went at

0:24:23.600 --> 0:24:25.080
<v Speaker 1>one time and got a pizza and a beer, but

0:24:25.440 --> 0:24:27.119
<v Speaker 1>we always pike each other a hard time about it.

0:24:27.200 --> 0:24:29.360
<v Speaker 1>So whenever you're doing that, if you're an artist out

0:24:29.359 --> 0:24:32.159
<v Speaker 1>there and like you're you're being courted by labels, if

0:24:32.200 --> 0:24:33.840
<v Speaker 1>they want to buy you a car, if they want

0:24:33.840 --> 0:24:36.080
<v Speaker 1>to buy you, just take it. You know. It's funny.

0:24:36.160 --> 0:24:38.120
<v Speaker 1>How I knew you guys first was not as friends

0:24:38.160 --> 0:24:39.760
<v Speaker 1>who were trying to be artists. I don't think we

0:24:39.800 --> 0:24:41.200
<v Speaker 1>had a deal at that point. You didn't have a no,

0:24:42.280 --> 0:24:44.680
<v Speaker 1>but that's not always like I had these friends then

0:24:44.880 --> 0:24:47.399
<v Speaker 1>we were doing karaoke and I was like Dan and

0:24:47.920 --> 0:24:50.040
<v Speaker 1>she was like, it's Dan and Shay and I was

0:24:50.080 --> 0:24:54.320
<v Speaker 1>like we had demo. Yeah. I was like, okay, cool.

0:24:55.440 --> 0:24:57.359
<v Speaker 1>The artist thing wasn't a thing. It was just not

0:24:57.520 --> 0:25:00.800
<v Speaker 1>as friends, not as friends who like rank other people's

0:25:00.880 --> 0:25:03.600
<v Speaker 1>beer and partied and yeah, this is crazy. I knew

0:25:03.640 --> 0:25:07.679
<v Speaker 1>not a way back. I met her. Uh, she was working.

0:25:08.640 --> 0:25:10.520
<v Speaker 1>I think she was a pop station or doing she

0:25:10.640 --> 0:25:12.960
<v Speaker 1>was for the River, Yes, for the River and Boys

0:25:13.040 --> 0:25:15.360
<v Speaker 1>Like Girls who I I know, and I'd go way

0:25:15.400 --> 0:25:18.080
<v Speaker 1>back with those guys. They were still doing the band,

0:25:18.200 --> 0:25:20.640
<v Speaker 1>and they came and played a show, a Christmas show,

0:25:21.000 --> 0:25:22.879
<v Speaker 1>and I met Nada there. She was like doing promo

0:25:22.960 --> 0:25:25.480
<v Speaker 1>for the station and they did an acoustic radio show.

0:25:25.520 --> 0:25:27.120
<v Speaker 1>And I was hanging with Paul and Martin from Boys

0:25:27.160 --> 0:25:29.720
<v Speaker 1>Like Girls and I met Nada and we became friends.

0:25:29.800 --> 0:25:31.919
<v Speaker 1>And she'd been to that terrible house. She knows all

0:25:31.920 --> 0:25:34.320
<v Speaker 1>about it. That's funny. I just think back because all

0:25:34.359 --> 0:25:36.000
<v Speaker 1>these memories are hitting now, because that's right when I

0:25:36.080 --> 0:25:38.639
<v Speaker 1>moved to town. Is it right about the time you

0:25:38.760 --> 0:25:43.280
<v Speaker 1>guys went on with Warner and became a thing. But again,

0:25:43.359 --> 0:25:46.000
<v Speaker 1>you weren't Dan and Show. You were Dan and Shapes

0:25:46.119 --> 0:25:48.440
<v Speaker 1>to do just to her friends. Still looking for a

0:25:48.480 --> 0:25:52.240
<v Speaker 1>band name, Yeah, that's crazy. We were honestly under SoundCloud.

0:25:52.240 --> 0:25:54.120
<v Speaker 1>I don't know. I hope it's private because somebody's gonna

0:25:54.119 --> 0:25:56.080
<v Speaker 1>go out there and find it. We were on SoundCloud

0:25:56.160 --> 0:25:58.600
<v Speaker 1>as Ragtop Red. That was our name. We were like

0:25:58.840 --> 0:26:00.919
<v Speaker 1>big Tim McGraw fans and we're like, well he has

0:26:00.960 --> 0:26:03.119
<v Speaker 1>red ragtop what if we like flip it ragtop Rad.

0:26:03.160 --> 0:26:06.639
<v Speaker 1>There have been there is one. We were in Austin, Texas.

0:26:06.720 --> 0:26:10.119
<v Speaker 1>We did south By Southwest and uh, we were down there.

0:26:10.160 --> 0:26:13.320
<v Speaker 1>It was I don't remember exactly the timing of this. No,

0:26:13.520 --> 0:26:15.480
<v Speaker 1>this was the first. We've done south By Southwest twice.

0:26:15.520 --> 0:26:17.639
<v Speaker 1>The second time Justin Bieber came out on stage with us.

0:26:17.680 --> 0:26:20.879
<v Speaker 1>It was a whole the whole thing that was crazy.

0:26:21.320 --> 0:26:22.960
<v Speaker 1>The first time we did it. There's a picture of it.

0:26:23.320 --> 0:26:26.040
<v Speaker 1>There was only we played a showcase and like Shay's

0:26:26.080 --> 0:26:28.160
<v Speaker 1>lawyer at the time, this guy Jim's I'm Walt the Man,

0:26:28.359 --> 0:26:30.600
<v Speaker 1>great guy. Uh, he was like, come down to do

0:26:30.680 --> 0:26:32.920
<v Speaker 1>this showcase and we can hang out. And we were like,

0:26:33.000 --> 0:26:35.000
<v Speaker 1>this is awesome, you know, We went down and there

0:26:35.080 --> 0:26:38.800
<v Speaker 1>was literally three people in the crowd, my lawyer Jonathan

0:26:38.880 --> 0:26:41.680
<v Speaker 1>he's the man, Jim's I'm Walt, and Paul d. Giovanni,

0:26:41.720 --> 0:26:43.920
<v Speaker 1>the guy boys like girls keeps coming up in this situation.

0:26:44.000 --> 0:26:45.440
<v Speaker 1>I don't know why he was there. I think he

0:26:45.560 --> 0:26:47.640
<v Speaker 1>was just I think the band was on a break

0:26:47.720 --> 0:26:49.600
<v Speaker 1>or something at that point and he was just hanging out.

0:26:50.119 --> 0:26:51.920
<v Speaker 1>He was literally standing in the crowd and there's We

0:26:52.000 --> 0:26:55.320
<v Speaker 1>watched this the other night. We were cutting together videos

0:26:55.359 --> 0:26:57.600
<v Speaker 1>for Tequila and my buddy Pete Tracy, who does like

0:26:57.640 --> 0:27:00.439
<v Speaker 1>all our content, he found a video that somebody had

0:27:00.480 --> 0:27:02.960
<v Speaker 1>taken and it was showed us like rocking on stage.

0:27:03.000 --> 0:27:05.360
<v Speaker 1>I'm wearing like a Boston Red Sox hat and we're

0:27:05.440 --> 0:27:07.920
<v Speaker 1>dancing around like we've got something going on, and he

0:27:08.040 --> 0:27:11.159
<v Speaker 1>zooms out. Literally no one in the crowd was so embarrassing.

0:27:11.359 --> 0:27:14.040
<v Speaker 1>But what is your name? So we go to p

0:27:14.200 --> 0:27:17.320
<v Speaker 1>F Chains after that little showcase, and Zombie's like, you

0:27:17.400 --> 0:27:19.960
<v Speaker 1>guys are poised to be the next big stars, like whatever,

0:27:20.359 --> 0:27:21.840
<v Speaker 1>we need to come up with a name. So he's

0:27:21.880 --> 0:27:24.680
<v Speaker 1>got his little iPad. We're sitting at the roundtable in

0:27:24.680 --> 0:27:26.720
<v Speaker 1>the corner of PF Chains in Austin and he's like,

0:27:26.960 --> 0:27:28.840
<v Speaker 1>I got it, and we're sitting there like you might

0:27:28.880 --> 0:27:31.160
<v Speaker 1>have it. This is awesome, let's hear him out. He's

0:27:31.200 --> 0:27:33.159
<v Speaker 1>like not showing us. He's got a big surprise and

0:27:33.200 --> 0:27:35.359
<v Speaker 1>he's typing it out on this little iPad and he

0:27:35.400 --> 0:27:37.520
<v Speaker 1>flips it around. And his big pitch to us was

0:27:37.720 --> 0:27:42.119
<v Speaker 1>that the name should be Schools Out. Yeah. So like

0:27:42.400 --> 0:27:44.640
<v Speaker 1>if we ever get big, like Dirk's Bentley or something

0:27:44.680 --> 0:27:51.400
<v Speaker 1>and can do the you know, that's funny. I remember that. Man.

0:27:52.280 --> 0:27:55.440
<v Speaker 1>It's so funny because I think of you guys as

0:27:55.680 --> 0:27:57.840
<v Speaker 1>part of my memory when I first got to town,

0:27:58.400 --> 0:28:00.080
<v Speaker 1>because you guys were being a thing right when I

0:28:00.600 --> 0:28:03.359
<v Speaker 1>whatever I was being and whatever I am, I started

0:28:03.400 --> 0:28:05.239
<v Speaker 1>to be a thing right when you guys were being

0:28:05.280 --> 0:28:07.320
<v Speaker 1>a thing. At the same time, people hated all of us,

0:28:07.440 --> 0:28:09.600
<v Speaker 1>all of us. They we were ruining country music and

0:28:09.640 --> 0:28:12.280
<v Speaker 1>still are, by the way, we're still running country. It's

0:28:12.320 --> 0:28:15.840
<v Speaker 1>a very vocal minority. It's it's insane, it's it's I've

0:28:15.880 --> 0:28:18.840
<v Speaker 1>never seen anything like it. I was talking to someone

0:28:18.920 --> 0:28:20.760
<v Speaker 1>that I do business with the other day and we

0:28:20.840 --> 0:28:24.080
<v Speaker 1>were talking about the people that listen to country music,

0:28:24.720 --> 0:28:26.720
<v Speaker 1>and I said, you can't pay attention to the people

0:28:27.000 --> 0:28:29.520
<v Speaker 1>that talk to you about it, because the people they're

0:28:29.840 --> 0:28:33.080
<v Speaker 1>satisfied and love it. They quiet, They just love it,

0:28:33.160 --> 0:28:35.720
<v Speaker 1>and they consume what they like of it. They don't

0:28:35.720 --> 0:28:37.560
<v Speaker 1>complain about what they don't. They just go to what

0:28:37.680 --> 0:28:40.560
<v Speaker 1>they like. The people that are the ones going this

0:28:40.760 --> 0:28:44.680
<v Speaker 1>sucks that ain't country. They're out there, but they're the loudest,

0:28:45.040 --> 0:28:49.360
<v Speaker 1>and they're a very select minority group. They're aggressive to man.

0:28:49.440 --> 0:28:51.440
<v Speaker 1>They every once in a while when I want to

0:28:51.480 --> 0:28:53.400
<v Speaker 1>like get into it on Twitters, I shouldn't do this.

0:28:53.480 --> 0:28:57.920
<v Speaker 1>I'll like search Dan plus Sha not country, you know.

0:28:58.000 --> 0:29:00.000
<v Speaker 1>And and there's some like really vulgar stuff in there,

0:29:00.000 --> 0:29:03.080
<v Speaker 1>are like really aggressive. It's like, if you don't want

0:29:03.120 --> 0:29:05.760
<v Speaker 1>to listen to our music, just don't listen. Nobody's forcing

0:29:05.880 --> 0:29:09.840
<v Speaker 1>anyone to do anything with anything creative, period. It's it.

0:29:10.320 --> 0:29:13.719
<v Speaker 1>And at this point in my career, I've always been

0:29:13.760 --> 0:29:17.400
<v Speaker 1>hated because again by a vocal minority, because when I

0:29:17.520 --> 0:29:20.960
<v Speaker 1>was doing pop, I was too country. When I do country,

0:29:21.040 --> 0:29:23.680
<v Speaker 1>I'm to pop. When I was doing alternative, I had

0:29:23.720 --> 0:29:26.280
<v Speaker 1>too much of a Southern accent. When I was doing sports,

0:29:26.280 --> 0:29:29.160
<v Speaker 1>I've never been a professional athlete. I just can't I've

0:29:29.240 --> 0:29:32.400
<v Speaker 1>never fit anywhere, but it's thickened my skin so much.

0:29:33.320 --> 0:29:35.320
<v Speaker 1>But it's also made me more like the people that

0:29:35.400 --> 0:29:39.440
<v Speaker 1>actually consume. And that's been what was to me the

0:29:39.520 --> 0:29:42.040
<v Speaker 1>hardest thing in the biggest obstacle was oh, I'm never fitting.

0:29:42.480 --> 0:29:46.680
<v Speaker 1>I actually fit exactly with the people that are consuming it.

0:29:46.880 --> 0:29:50.960
<v Speaker 1>They just don't scream. It's great. It's interesting you say that.

0:29:51.080 --> 0:29:53.240
<v Speaker 1>Do you ever like, are you impacted more by the

0:29:53.320 --> 0:29:56.120
<v Speaker 1>haters than like, there'll be I talked to Thomas read

0:29:56.160 --> 0:29:58.040
<v Speaker 1>about this all the time, and his dad always was like,

0:29:58.160 --> 0:30:00.640
<v Speaker 1>Thomas gets so bent out of shape about the people

0:30:00.680 --> 0:30:03.760
<v Speaker 1>on Twitter, Thomas Rhett and he'll hit people back. I

0:30:03.840 --> 0:30:05.920
<v Speaker 1>see it on his He has so many followers on Instagram,

0:30:06.320 --> 0:30:09.840
<v Speaker 1>He's got millions and millions of people saying, Thomas, you're

0:30:09.880 --> 0:30:12.479
<v Speaker 1>the greatest artist I've ever heard. I like, have your

0:30:12.560 --> 0:30:15.240
<v Speaker 1>lyrics tattooed on myself. And then one guy comes on

0:30:15.320 --> 0:30:17.600
<v Speaker 1>there it's like, why are you wearing those jeans? You

0:30:17.680 --> 0:30:20.280
<v Speaker 1>look like whatever you know and your music is not country.

0:30:20.600 --> 0:30:22.560
<v Speaker 1>He'll reply to him and he'll hit him back and like,

0:30:22.760 --> 0:30:25.200
<v Speaker 1>but you just scroll past. I love your song. I

0:30:25.240 --> 0:30:26.960
<v Speaker 1>love your song. You guys are amazing the show is

0:30:26.960 --> 0:30:29.160
<v Speaker 1>amazing at night, and then there's one hater out there.

0:30:29.200 --> 0:30:32.200
<v Speaker 1>It's like nice haircuts or whatever, and it's like, Oh,

0:30:32.240 --> 0:30:34.360
<v Speaker 1>I'm gonna get that guy. I wanna get that guy,

0:30:35.080 --> 0:30:37.120
<v Speaker 1>you know. I was talking to Kip More about this,

0:30:37.560 --> 0:30:39.920
<v Speaker 1>and Kip More and I had the same management yep,

0:30:40.080 --> 0:30:42.040
<v Speaker 1>and we were sitting in a in a room, and

0:30:42.360 --> 0:30:45.560
<v Speaker 1>he was talking about at times he can be upset

0:30:45.680 --> 0:30:48.520
<v Speaker 1>by people not enjoying the show. He could say, there,

0:30:48.560 --> 0:30:51.200
<v Speaker 1>let's say people just rocking and it keeps intense and

0:30:51.240 --> 0:30:54.680
<v Speaker 1>you're talking about loves his art that he keeps like, Man,

0:30:55.760 --> 0:30:58.360
<v Speaker 1>I have everybody gone, but the one person, not one

0:30:58.360 --> 0:31:00.760
<v Speaker 1>person I'll focus on, is the guy who's just looking

0:31:00.800 --> 0:31:02.239
<v Speaker 1>at the ground. And I'm like, how do I win

0:31:02.360 --> 0:31:05.160
<v Speaker 1>him over? And I can't win him over? And he says,

0:31:05.280 --> 0:31:07.080
<v Speaker 1>he what do you do? Said? Well? When I do

0:31:07.200 --> 0:31:10.520
<v Speaker 1>stand up? Well. I also like to read about really

0:31:10.600 --> 0:31:14.440
<v Speaker 1>good famous people. I'm a B minus comic. I'm funny

0:31:14.480 --> 0:31:15.480
<v Speaker 1>if you want to come to the show. But I'm

0:31:15.520 --> 0:31:17.680
<v Speaker 1>nothing like this. I'm nothing like the people that are

0:31:17.760 --> 0:31:19.720
<v Speaker 1>really good, like it's their profession. I'm a really good

0:31:19.800 --> 0:31:23.840
<v Speaker 1>radio host. I'm an okay comic, but Steve Martin is

0:31:23.880 --> 0:31:26.600
<v Speaker 1>one of my heroes, and before I was born in

0:31:26.640 --> 0:31:28.480
<v Speaker 1>the eighties, so I didn't really get to experience Steve

0:31:28.520 --> 0:31:32.800
<v Speaker 1>Martin as when he was new and it was groundbreaking.

0:31:33.400 --> 0:31:35.160
<v Speaker 1>But he would say, watch the top of their heads,

0:31:35.200 --> 0:31:38.720
<v Speaker 1>don't watch their faces, because everybody experiences joy differently, and

0:31:38.840 --> 0:31:42.600
<v Speaker 1>you're you're projecting how you experienced joy on them, and

0:31:42.680 --> 0:31:46.000
<v Speaker 1>if they're not experiencing joy how you experienced joy, you think, oh,

0:31:46.040 --> 0:31:49.000
<v Speaker 1>they're not enjoying it. So we had that conversation and

0:31:49.280 --> 0:31:51.200
<v Speaker 1>then we talked about why we get effected so much

0:31:51.240 --> 0:31:53.600
<v Speaker 1>by when someone say something bad about us. And I

0:31:53.720 --> 0:31:55.280
<v Speaker 1>tried to go, you know what, I'm better than that,

0:31:55.600 --> 0:31:58.800
<v Speaker 1>and I don't let it get to me. But I

0:31:58.960 --> 0:32:02.000
<v Speaker 1>keep myself the same. He's gonna keep sweet, smart refrigerator.

0:32:02.160 --> 0:32:05.560
<v Speaker 1>I don't go to Facebook. Yeah, the show Facebook, because

0:32:05.560 --> 0:32:08.560
<v Speaker 1>it's people that a lot of people that are just angry.

0:32:08.720 --> 0:32:11.440
<v Speaker 1>But I can't. It drives me so crazy. I just

0:32:11.560 --> 0:32:13.840
<v Speaker 1>know that's my weakness and it hurts my feelings, and

0:32:13.880 --> 0:32:17.200
<v Speaker 1>I'm I'm a sensitive artist. It's tough, dude. We all are.

0:32:17.400 --> 0:32:20.000
<v Speaker 1>We are and honestly, we played a show with Kip More.

0:32:20.200 --> 0:32:21.960
<v Speaker 1>I hope Kip doesn't need this because he kill me.

0:32:22.040 --> 0:32:23.240
<v Speaker 1>You know, he wants to put off the tough guy.

0:32:23.280 --> 0:32:25.920
<v Speaker 1>He's a sensitively I he's like in touch with his

0:32:26.080 --> 0:32:27.920
<v Speaker 1>feelings and his emotions. I mean, you could hear it

0:32:27.920 --> 0:32:30.959
<v Speaker 1>in his music. Is an incredible songwriter. Play this thing

0:32:31.040 --> 0:32:34.400
<v Speaker 1>on the Pepsi golf coast, jam. I believe whoever hears

0:32:34.440 --> 0:32:35.920
<v Speaker 1>this is not gonna ever book us there again. But

0:32:36.680 --> 0:32:38.360
<v Speaker 1>it was it was an interesting show. It was like

0:32:38.560 --> 0:32:40.880
<v Speaker 1>I blame the fact that it was insanely hot. It

0:32:40.960 --> 0:32:43.200
<v Speaker 1>was like a hundred and ten degrees outside. It was

0:32:43.240 --> 0:32:46.440
<v Speaker 1>in Florida, and uh, Kip had just gotten off stage

0:32:46.480 --> 0:32:47.960
<v Speaker 1>and we were on the bus. He's like pounding on

0:32:48.320 --> 0:32:50.880
<v Speaker 1>our bus stories like boys, let me come up there

0:32:50.880 --> 0:32:52.920
<v Speaker 1>and hang out. And he's like he was so bummed

0:32:52.960 --> 0:32:55.280
<v Speaker 1>about there was like the crowd was we saw his show.

0:32:55.360 --> 0:32:57.400
<v Speaker 1>People were throwing beach balls around and like they were

0:32:57.720 --> 0:32:59.120
<v Speaker 1>for the most part, having a good time. But it

0:32:59.280 --> 0:33:00.880
<v Speaker 1>was hot, and it is late in the day. You know,

0:33:01.240 --> 0:33:03.719
<v Speaker 1>it's probably seven thirty or eight at night, and they

0:33:03.760 --> 0:33:05.440
<v Speaker 1>were like a couple of guys down in the front

0:33:05.520 --> 0:33:07.720
<v Speaker 1>row or in the pit who were probably drunk or hungover,

0:33:07.800 --> 0:33:09.680
<v Speaker 1>and they were giving him a hard time and he

0:33:09.840 --> 0:33:12.200
<v Speaker 1>was like, I've bad, dude, I'm done with this, Like

0:33:12.280 --> 0:33:14.760
<v Speaker 1>I'm never playing out. We're like sorry. We we talked

0:33:14.800 --> 0:33:16.920
<v Speaker 1>about but he was emotional about it. And yeah, he's

0:33:16.960 --> 0:33:20.280
<v Speaker 1>a passionate guy. That's awesome though his his true fans

0:33:20.400 --> 0:33:22.520
<v Speaker 1>like can feel that he believes for his art, and

0:33:22.600 --> 0:33:24.520
<v Speaker 1>it's like, that's why he died hard. He has die

0:33:24.560 --> 0:33:27.080
<v Speaker 1>hard fans and he's die hard. And I kept and

0:33:27.120 --> 0:33:29.000
<v Speaker 1>I got into a huge blow up one time because

0:33:29.160 --> 0:33:33.320
<v Speaker 1>I go, well, I'm commentating on what's happening, good or bad.

0:33:33.560 --> 0:33:35.920
<v Speaker 1>I've a one point made friends and enemies at the

0:33:35.960 --> 0:33:38.040
<v Speaker 1>same time of every single art. It's just about because

0:33:38.080 --> 0:33:39.920
<v Speaker 1>where I've said I've really enjoyed them, I've also said

0:33:39.960 --> 0:33:42.200
<v Speaker 1>things I don't like about them, just because if I

0:33:42.280 --> 0:33:44.440
<v Speaker 1>say enough things, eventually they're all not going to be great.

0:33:44.480 --> 0:33:46.840
<v Speaker 1>Of course, so and I can't worry about that. And

0:33:46.920 --> 0:33:49.360
<v Speaker 1>at times it makes an awkward in town. But then

0:33:49.400 --> 0:33:51.280
<v Speaker 1>again it comes back around and we're cool, and then

0:33:51.320 --> 0:33:54.680
<v Speaker 1>we're not cool again. But we kept. One time I said, Kip,

0:33:54.720 --> 0:33:56.360
<v Speaker 1>you gotta relax on the cell phones. This is me

0:33:56.440 --> 0:33:58.400
<v Speaker 1>talking over the year. Stop yelling at people. With their

0:33:58.440 --> 0:34:02.600
<v Speaker 1>cell phones. Everybody uses their phone ones now, yes, But

0:34:02.680 --> 0:34:07.120
<v Speaker 1>he got so pissed at me and we ended up

0:34:07.320 --> 0:34:09.480
<v Speaker 1>three months later after we just wouldn't refuse to talk

0:34:09.480 --> 0:34:11.840
<v Speaker 1>to each other, going to breakfast right after for like

0:34:11.960 --> 0:34:15.080
<v Speaker 1>three hours, we just talked it out and there was

0:34:15.080 --> 0:34:18.160
<v Speaker 1>an understanding that we're both super sensitive in different ways,

0:34:19.239 --> 0:34:21.960
<v Speaker 1>and we're not on the same exact wavelength, but we're

0:34:21.960 --> 0:34:26.279
<v Speaker 1>absolutely on the same highway. And since then it's been fantastic.

0:34:27.280 --> 0:34:29.120
<v Speaker 1>He is, he'll shoot you straight, and I'll still make

0:34:29.160 --> 0:34:31.160
<v Speaker 1>fun of him if I need to. He sent me

0:34:31.160 --> 0:34:33.759
<v Speaker 1>a video I went to Hawaii. I don't know how

0:34:33.840 --> 0:34:36.000
<v Speaker 1>to you know, and I told you this, I don't

0:34:36.040 --> 0:34:38.120
<v Speaker 1>know how to serve. I don't know how to do

0:34:38.239 --> 0:34:40.359
<v Speaker 1>any of the water stuff. You never grew up around

0:34:40.960 --> 0:34:43.920
<v Speaker 1>wavy water. I only grew up around lake water. So

0:34:43.960 --> 0:34:45.600
<v Speaker 1>I can have a post to be a paddle stand

0:34:45.640 --> 0:34:48.800
<v Speaker 1>up paddle boarding. And you take that strap and you

0:34:48.840 --> 0:34:50.120
<v Speaker 1>put it on your ankle, but I put it on

0:34:50.200 --> 0:34:51.880
<v Speaker 1>my wrist because I'm an idiot. I thought you was

0:34:51.920 --> 0:34:54.920
<v Speaker 1>put on your wrist, And so I talked about the

0:34:54.920 --> 0:34:56.600
<v Speaker 1>story I actually talked about with you guys when you

0:34:56.640 --> 0:34:58.640
<v Speaker 1>came on the show and kept heard that segment, and

0:34:58.680 --> 0:35:00.239
<v Speaker 1>he sends me a video of just him over and

0:35:00.320 --> 0:35:03.719
<v Speaker 1>over strapping. I think to his leg that's all the

0:35:03.800 --> 0:35:06.400
<v Speaker 1>video was, with him strapping himself to a board. Over

0:35:07.840 --> 0:35:09.960
<v Speaker 1>keeps a passionate dude, and I like kid. Yeah, I

0:35:10.040 --> 0:35:12.440
<v Speaker 1>like him too. He's a good guy. Okay, let's get

0:35:12.480 --> 0:35:15.640
<v Speaker 1>back to this Wow Warby Parkers back on. Look at that.

0:35:16.360 --> 0:35:18.560
<v Speaker 1>I have so many pair of Worry Parker glasses. I'm

0:35:18.560 --> 0:35:21.480
<v Speaker 1>gonna just do the spot in real Q. Oh, dude,

0:35:21.480 --> 0:35:22.440
<v Speaker 1>you can go in. I don't even know what the

0:35:22.440 --> 0:35:24.640
<v Speaker 1>spot says, because I've looked at it. The Warby Parker

0:35:24.680 --> 0:35:26.759
<v Speaker 1>store is like a candy store. They have so many

0:35:26.800 --> 0:35:33.080
<v Speaker 1>days like over there, and they don't have um brick

0:35:33.120 --> 0:35:34.960
<v Speaker 1>and mortar stores everywhere they do in Austin to do

0:35:35.000 --> 0:35:37.440
<v Speaker 1>in Nashville, and which, by the way, I live right

0:35:37.480 --> 0:35:39.960
<v Speaker 1>near that PF Change where it schools out and awesome. Yeah,

0:35:39.960 --> 0:35:42.799
<v Speaker 1>I live right there by that PF Change. So um,

0:35:43.280 --> 0:35:45.520
<v Speaker 1>war Parker has all these glasses for like a hundred

0:35:45.520 --> 0:35:49.759
<v Speaker 1>bucks and it's like a shopping spree. Okay, there's a

0:35:49.880 --> 0:35:53.040
<v Speaker 1>free home trial program for Warby Parker. I haven't haven't

0:35:53.080 --> 0:35:55.160
<v Speaker 1>pre read this, so I'm just gonna read it, but

0:35:55.280 --> 0:35:56.920
<v Speaker 1>I think I know most of this. Guy bought them

0:35:57.000 --> 0:35:59.040
<v Speaker 1>so many times. Order five pair of glasses and try

0:35:59.080 --> 0:36:01.000
<v Speaker 1>them on for five days. There's no obligation to vibe.

0:36:01.080 --> 0:36:03.560
<v Speaker 1>It's ships for free and it includes a prepaid return

0:36:03.600 --> 0:36:05.879
<v Speaker 1>shiping level. Basically, what happens is they send you these

0:36:05.880 --> 0:36:07.719
<v Speaker 1>five pair of glasses and you you can try them

0:36:07.760 --> 0:36:09.040
<v Speaker 1>all on and see which frames you like and the

0:36:09.120 --> 0:36:11.279
<v Speaker 1>ones you don't you can send them back. Go to

0:36:11.400 --> 0:36:14.680
<v Speaker 1>Warby Parker dot com slash Bobby to order your free

0:36:14.760 --> 0:36:18.480
<v Speaker 1>home tryons today. Glasses started ninety bucks, including prescription lenses.

0:36:18.719 --> 0:36:21.560
<v Speaker 1>Lenses include anti glare and anti scratch coatings. For every

0:36:21.600 --> 0:36:23.640
<v Speaker 1>pair you buy, two Apparents distribute to somebody in need.

0:36:24.160 --> 0:36:29.279
<v Speaker 1>So there's also a Warry Parker iTunes app. The try

0:36:29.320 --> 0:36:31.160
<v Speaker 1>a home kit thing really is fantastic though, because it

0:36:31.160 --> 0:36:33.000
<v Speaker 1>comes right to your house and you put them on,

0:36:33.080 --> 0:36:34.480
<v Speaker 1>and the ones you don't like, you go aoh, these

0:36:34.600 --> 0:36:36.920
<v Speaker 1>don't put my face. You just send them back. And

0:36:37.040 --> 0:36:39.320
<v Speaker 1>so there is there any part of this that I

0:36:39.320 --> 0:36:40.800
<v Speaker 1>don't know about yet, because all that I just know

0:36:40.920 --> 0:36:43.320
<v Speaker 1>from my heart. Uh, if you have an iPhone X,

0:36:43.440 --> 0:36:45.480
<v Speaker 1>you can download the work Parker app and use their

0:36:45.480 --> 0:36:48.480
<v Speaker 1>brand new feature fine your fit. Well, that's interesting. It

0:36:48.640 --> 0:36:50.879
<v Speaker 1>uses the iPhone x is True Depth camera to map

0:36:50.920 --> 0:36:53.680
<v Speaker 1>and measure key facial features. Man, I need that to

0:36:53.719 --> 0:36:56.960
<v Speaker 1>see if I'm ugly even for not the glasses. Uh

0:36:57.560 --> 0:36:59.960
<v Speaker 1>warwy Parker dot com slash Bobby. If your glasses where

0:37:00.440 --> 0:37:02.480
<v Speaker 1>just go to war we Parker dot com slash Bobby.

0:37:02.960 --> 0:37:05.920
<v Speaker 1>That's a pleasant treat having more we parked about This

0:37:06.040 --> 0:37:08.480
<v Speaker 1>podcast has gotten so big and we never expected it.

0:37:08.719 --> 0:37:12.480
<v Speaker 1>It's amazing, dude, it's killing it, I guess. But look

0:37:12.520 --> 0:37:15.400
<v Speaker 1>at this equipment, this equipment that I just bought. It

0:37:15.560 --> 0:37:17.760
<v Speaker 1>might put it together. This is not even a real studio,

0:37:18.320 --> 0:37:23.280
<v Speaker 1>and now we have two million subscribers. It's it's absolutely insane. Cool. Okay,

0:37:23.440 --> 0:37:24.799
<v Speaker 1>So here we are and by the way, I'm trying

0:37:24.800 --> 0:37:26.440
<v Speaker 1>to get you in for months and either you could

0:37:26.440 --> 0:37:27.560
<v Speaker 1>do it and I couldn't, or I could do it

0:37:27.560 --> 0:37:29.200
<v Speaker 1>and you couldn't, And finally we got it. We're here.

0:37:29.239 --> 0:37:30.839
<v Speaker 1>We're hanging I like it. Thanks for having me. Man

0:37:31.120 --> 0:37:34.359
<v Speaker 1>Um story is so ridiculous over the place. I didn't

0:37:34.400 --> 0:37:35.960
<v Speaker 1>know some of this, and a lot of times I

0:37:36.040 --> 0:37:38.840
<v Speaker 1>know everything. I'm gonna I'm gonna keep giving lessons to

0:37:38.960 --> 0:37:40.839
<v Speaker 1>all the struggling artists out there were trying to get by.

0:37:41.200 --> 0:37:44.120
<v Speaker 1>So we had like Microsoft paint on our computers or

0:37:44.200 --> 0:37:46.680
<v Speaker 1>like some some iteration of it, and we would make

0:37:46.920 --> 0:37:49.160
<v Speaker 1>we're scammers. We made like fake coupons, or we would

0:37:49.160 --> 0:37:50.560
<v Speaker 1>find a keep on that it was expired and we

0:37:50.600 --> 0:37:52.360
<v Speaker 1>would change the date, and then we would go to

0:37:52.440 --> 0:37:56.600
<v Speaker 1>CC's Pizza. You know, CC's amazing. So CC's like to

0:37:57.239 --> 0:37:59.839
<v Speaker 1>Buffets four ninety nine, which is out of our price range.

0:38:00.080 --> 0:38:01.520
<v Speaker 1>So what we did is we made it like by

0:38:01.600 --> 0:38:03.360
<v Speaker 1>one game one three secs, because when you're in like

0:38:03.440 --> 0:38:06.279
<v Speaker 1>the two fifty range, it's like it's okay. Not only

0:38:06.360 --> 0:38:08.640
<v Speaker 1>did we do that, we would go with the CC's

0:38:08.719 --> 0:38:11.080
<v Speaker 1>by our house would close at nine pm. We'd go

0:38:11.160 --> 0:38:13.200
<v Speaker 1>at eight forty, and we would order two pizzas like

0:38:13.280 --> 0:38:16.080
<v Speaker 1>customer we back of mac and cheese and Buffalo Chicken

0:38:16.200 --> 0:38:18.480
<v Speaker 1>or something like that, pizzas right off the front, and

0:38:18.560 --> 0:38:20.040
<v Speaker 1>they'd be like cool and they'd make them up and

0:38:20.120 --> 0:38:22.680
<v Speaker 1>then we'd be sitting in there and then they'd be like, gentlemen,

0:38:22.920 --> 0:38:24.880
<v Speaker 1>we're about to close the store. And we'd be like,

0:38:25.560 --> 0:38:27.319
<v Speaker 1>what are all those pizzas up on the thing. Are

0:38:27.320 --> 0:38:29.399
<v Speaker 1>you guys throwing those away? And they'd be like, yeah,

0:38:29.440 --> 0:38:31.000
<v Speaker 1>we have to take him to the dumpster. And we're like,

0:38:31.520 --> 0:38:33.239
<v Speaker 1>if we meet you out back, could we take the

0:38:33.320 --> 0:38:35.600
<v Speaker 1>leftover pizzas? And I mean the people working in SEC's

0:38:35.600 --> 0:38:38.239
<v Speaker 1>were like sure, we don't care. Sure enough. We'd walk

0:38:38.280 --> 0:38:40.040
<v Speaker 1>around the back of the place with the two custom

0:38:40.080 --> 0:38:42.360
<v Speaker 1>pieces that we had just had made, and then we

0:38:42.400 --> 0:38:44.799
<v Speaker 1>would get the like the pizzas they were throwing away,

0:38:44.840 --> 0:38:46.840
<v Speaker 1>and we would literally eat off this pizza for like

0:38:47.400 --> 0:38:50.440
<v Speaker 1>six weeks at a time, and as it became not

0:38:50.840 --> 0:38:52.760
<v Speaker 1>really edible anymore, we would put it on the grill

0:38:52.840 --> 0:38:57.040
<v Speaker 1>out back. It was dark times. So what did your

0:38:57.080 --> 0:39:00.319
<v Speaker 1>parents do? My dad's a chemical engineer, he is. He's

0:39:00.360 --> 0:39:04.680
<v Speaker 1>retired now. He coaches middle school soccer now really yeah? Yeah?

0:39:04.760 --> 0:39:07.160
<v Speaker 1>So was he a soccer player? He was? He played

0:39:07.200 --> 0:39:10.000
<v Speaker 1>in college? And were you an athlete? You're built like

0:39:10.040 --> 0:39:12.839
<v Speaker 1>an athlete? Yeah, you don't mind me noticing you're built

0:39:12.840 --> 0:39:15.520
<v Speaker 1>like a man. Yeah, maybe that speedo I warre in

0:39:15.600 --> 0:39:18.400
<v Speaker 1>here is a bad choice. Uh yeah, So I played

0:39:18.400 --> 0:39:20.480
<v Speaker 1>football for a year in college. I went that's like

0:39:20.560 --> 0:39:23.440
<v Speaker 1>the weird thing about what I'm doing because I graduated

0:39:23.480 --> 0:39:25.600
<v Speaker 1>from college from a great school. I graduated from Carnegie

0:39:25.600 --> 0:39:29.960
<v Speaker 1>Mellon in Pittsburgh, which is I'm playing that theater, Carnegie Theater. Yeah, yeah,

0:39:30.160 --> 0:39:33.520
<v Speaker 1>that's amazing, it's beautiful. That's not Colby kel A play

0:39:33.560 --> 0:39:36.960
<v Speaker 1>there one time and Jimmy World in the Pop Pung days.

0:39:37.040 --> 0:39:39.719
<v Speaker 1>It was killer. I love Colby kel A so good.

0:39:40.280 --> 0:39:43.200
<v Speaker 1>She came through. We went to lunch one time. I

0:39:43.200 --> 0:39:44.920
<v Speaker 1>don't think it was a date. It could have been.

0:39:45.040 --> 0:39:47.280
<v Speaker 1>It could have been a date, though, but she played

0:39:47.440 --> 0:39:49.600
<v Speaker 1>and Amy would know the real story because she's it

0:39:49.640 --> 0:39:52.719
<v Speaker 1>doesn't matter, it's that's for a different day. Yeah, I

0:39:52.800 --> 0:39:54.400
<v Speaker 1>need to hear this story that Yeah, I need I

0:39:54.480 --> 0:39:56.200
<v Speaker 1>need to make sure it's right. Though, before I say

0:39:56.320 --> 0:39:57.920
<v Speaker 1>I need to, I need to, you know, it's been

0:39:57.960 --> 0:39:59.560
<v Speaker 1>so long. You want to talk to the people that

0:39:59.600 --> 0:40:01.480
<v Speaker 1>were also experiencing it with you to make sure it

0:40:01.520 --> 0:40:03.800
<v Speaker 1>didn't turn into some fantasy in my head. Yeah, so

0:40:04.040 --> 0:40:05.920
<v Speaker 1>all these stories are now that we're talking, all these

0:40:06.000 --> 0:40:07.960
<v Speaker 1>like crazy stories I have when I'm of here coming back,

0:40:08.000 --> 0:40:09.440
<v Speaker 1>I had another good one on deck here in a

0:40:09.480 --> 0:40:12.719
<v Speaker 1>few minutes. Whenever you played for one high school, what

0:40:12.760 --> 0:40:15.000
<v Speaker 1>would you plays to play? I played running back, so

0:40:15.080 --> 0:40:17.640
<v Speaker 1>I actually was touring through high school. So I and

0:40:17.719 --> 0:40:20.279
<v Speaker 1>then I played all growing up, and then like the

0:40:20.320 --> 0:40:23.319
<v Speaker 1>band The Transition Man started sort of happening a little bit.

0:40:23.400 --> 0:40:26.239
<v Speaker 1>We were touring on weekends, and then my parents like

0:40:26.400 --> 0:40:28.719
<v Speaker 1>they hated me. We had kind of a weird falling

0:40:28.719 --> 0:40:30.759
<v Speaker 1>out when I was in high school because they were like,

0:40:30.840 --> 0:40:32.719
<v Speaker 1>you're so good at sports, you should play sports, and

0:40:32.760 --> 0:40:35.560
<v Speaker 1>I was like, screw you, mom and dad. I'm playing music.

0:40:35.680 --> 0:40:37.600
<v Speaker 1>Like I want to like drop out of high school

0:40:37.640 --> 0:40:40.319
<v Speaker 1>and go on the Warp Tour, which I wasn't even

0:40:40.360 --> 0:40:42.000
<v Speaker 1>invited on the Warp Tour. We would show up and

0:40:42.040 --> 0:40:44.080
<v Speaker 1>we would build the stages. There was like the Kevin

0:40:44.200 --> 0:40:46.960
<v Speaker 1>Says Stage. Kevin Lyman, who ran the Warp Tour, had

0:40:47.000 --> 0:40:48.800
<v Speaker 1>this thing called Kevin Says Stage, and it would just

0:40:48.800 --> 0:40:51.040
<v Speaker 1>be new and upcoming artists get up at six in

0:40:51.080 --> 0:40:53.560
<v Speaker 1>the morning every day, you know, lee putting like trusts

0:40:53.600 --> 0:40:55.400
<v Speaker 1>and pipes and all that stuff together and build the

0:40:55.440 --> 0:40:58.279
<v Speaker 1>stage and like two of the acts would get to play.

0:40:58.360 --> 0:40:59.960
<v Speaker 1>So there would be days we'd build the whole stage

0:41:00.080 --> 0:41:01.719
<v Speaker 1>right to stage down and not even get to play.

0:41:01.800 --> 0:41:03.800
<v Speaker 1>We were well, it's like an open micare in Nashville

0:41:04.040 --> 0:41:05.719
<v Speaker 1>show up. But maybe you get on maybe, but you

0:41:05.800 --> 0:41:07.719
<v Speaker 1>had to drive the van from city to city. So

0:41:07.920 --> 0:41:09.400
<v Speaker 1>I bet a lot of people did that. You know,

0:41:10.480 --> 0:41:12.440
<v Speaker 1>you're all so young at the time, and I was like,

0:41:12.520 --> 0:41:14.440
<v Speaker 1>this is awesome. Yes, that's how I feel. When I

0:41:14.600 --> 0:41:19.120
<v Speaker 1>was radio, going to school full time, taking twenty hours

0:41:19.640 --> 0:41:22.080
<v Speaker 1>broke as a joke. It was, I think, the happiest

0:41:22.080 --> 0:41:25.200
<v Speaker 1>time in my life, much happier than now because I've

0:41:25.920 --> 0:41:27.719
<v Speaker 1>now put all these problems into my head that really

0:41:27.760 --> 0:41:32.279
<v Speaker 1>don't don't matter. Money is like absolutely unfortunately, it's the

0:41:32.320 --> 0:41:34.800
<v Speaker 1>reality of what we do. I mean, I wish I

0:41:34.880 --> 0:41:36.960
<v Speaker 1>could just like write a million songs and just chill,

0:41:37.080 --> 0:41:39.960
<v Speaker 1>but like we have to go out and play shows

0:41:40.040 --> 0:41:42.359
<v Speaker 1>and you know, travel through the night or take red

0:41:42.400 --> 0:41:44.600
<v Speaker 1>eye fights to play shows, like because we have bills

0:41:44.640 --> 0:41:46.520
<v Speaker 1>to pay and we have to pay our band and

0:41:46.600 --> 0:41:48.359
<v Speaker 1>we have you know what I mean. There's not even

0:41:48.640 --> 0:41:52.560
<v Speaker 1>hard compared to what normal people like my step dad

0:41:52.600 --> 0:41:55.120
<v Speaker 1>worked at the sawmill. Yeah, every day, hated it. That

0:41:55.280 --> 0:41:59.000
<v Speaker 1>was hard work. Absolutely, what we do is not hard work. No,

0:41:59.360 --> 0:42:01.640
<v Speaker 1>it's not. It's we spent a lot of time creatively

0:42:02.320 --> 0:42:06.359
<v Speaker 1>competing against other people. It's exhausting, sometimes we can still

0:42:06.480 --> 0:42:11.440
<v Speaker 1>be mentally exhausted and physically without sleep. Sure, But when

0:42:11.480 --> 0:42:14.680
<v Speaker 1>I was grinding it and actually doing the work, when

0:42:14.719 --> 0:42:16.800
<v Speaker 1>I was getting paid, I was so happy because I

0:42:16.840 --> 0:42:19.680
<v Speaker 1>didn't know any better, and money wasn't a problem because

0:42:19.680 --> 0:42:21.560
<v Speaker 1>I never had there was an option of any Yeah,

0:42:21.680 --> 0:42:24.120
<v Speaker 1>there was no option of money. So I just enjoyed

0:42:24.200 --> 0:42:26.880
<v Speaker 1>the art. I agree with you, that's that's that's so true.

0:42:27.080 --> 0:42:28.919
<v Speaker 1>But yeah, we were we were grinding, we had nothing,

0:42:28.960 --> 0:42:30.759
<v Speaker 1>we were not getting paid. We're doing these shows, and

0:42:31.440 --> 0:42:33.319
<v Speaker 1>like we would have a CD or a demo, we'd

0:42:33.360 --> 0:42:34.880
<v Speaker 1>be selling them to the line. You know, I had

0:42:34.880 --> 0:42:36.720
<v Speaker 1>the whole pitch down. I had like a little headphone

0:42:36.719 --> 0:42:38.920
<v Speaker 1>set and it's like you guys like fall Out Boy

0:42:38.960 --> 0:42:40.840
<v Speaker 1>and they're like, no, we like like hard stuff like

0:42:40.880 --> 0:42:43.800
<v Speaker 1>No Effects or something. We'd like, you're gonna love our stuff,

0:42:43.920 --> 0:42:45.920
<v Speaker 1>And it was otherwise, you know, we'd be like like

0:42:45.960 --> 0:42:47.680
<v Speaker 1>no Effects are like no, we like pop music like

0:42:47.760 --> 0:42:49.800
<v Speaker 1>fault Boy would be like, you're gonna love O Perfect

0:42:50.160 --> 0:42:52.440
<v Speaker 1>just to you. And we would like sell CDs for

0:42:52.520 --> 0:42:54.439
<v Speaker 1>five bucks to get to the next city, and that's

0:42:54.520 --> 0:42:56.799
<v Speaker 1>just what people buy them. They would, yeah, they would.

0:42:56.840 --> 0:42:58.400
<v Speaker 1>I mean people were generous. I don't know if that

0:42:58.640 --> 0:43:01.239
<v Speaker 1>still is a thing, but I'm in that hustle. Like

0:43:02.520 --> 0:43:04.160
<v Speaker 1>all the guys in our band and our tour and

0:43:04.200 --> 0:43:06.080
<v Speaker 1>crew came from that world, so we all kind of

0:43:06.160 --> 0:43:08.440
<v Speaker 1>have that mentality. And I you know, we have an

0:43:08.440 --> 0:43:10.920
<v Speaker 1>amazing team around us. Now, we've got amazing connections at

0:43:10.960 --> 0:43:13.719
<v Speaker 1>country radio, and we have amazing fans. But I try

0:43:13.760 --> 0:43:15.680
<v Speaker 1>to still keep that mentality with what I do. You know,

0:43:15.760 --> 0:43:17.840
<v Speaker 1>here in Nashville, it's like people like, why are you

0:43:17.960 --> 0:43:20.400
<v Speaker 1>doing so many things? Are writing all these songs or

0:43:21.360 --> 0:43:23.799
<v Speaker 1>applying to fans on social media and stuff. But it's

0:43:23.840 --> 0:43:25.560
<v Speaker 1>just what I what I'm used to, what I came

0:43:25.640 --> 0:43:27.279
<v Speaker 1>up on, and it's I mean, now we've got more

0:43:27.280 --> 0:43:29.759
<v Speaker 1>of a platform, there are more fans that will come

0:43:29.800 --> 0:43:31.600
<v Speaker 1>to the shows, you know, without me begging them to

0:43:31.640 --> 0:43:33.759
<v Speaker 1>come to the shows. But I try to keep that

0:43:33.800 --> 0:43:35.600
<v Speaker 1>same mentality. If I work as hard as I did

0:43:35.719 --> 0:43:38.600
<v Speaker 1>when I was building stages at Warp Tour, We're gonna

0:43:38.920 --> 0:43:40.680
<v Speaker 1>have a lot of success. You know. You know that

0:43:40.800 --> 0:43:43.839
<v Speaker 1>there's a parallel that I see between we're talking about kit,

0:43:43.920 --> 0:43:47.640
<v Speaker 1>between Kip and you and Shay, and that you have

0:43:47.800 --> 0:43:56.160
<v Speaker 1>very passionate fans and you guys grind the road hard, hard,

0:43:56.360 --> 0:43:58.040
<v Speaker 1>harder than people give you credit for. But you know what,

0:43:58.080 --> 0:44:01.560
<v Speaker 1>you're not looking for credit. So it's a weird thing

0:44:01.600 --> 0:44:03.040
<v Speaker 1>to say that people don't give you credit for it

0:44:03.040 --> 0:44:05.719
<v Speaker 1>because're not looking for the credit. But you guys just

0:44:05.840 --> 0:44:07.719
<v Speaker 1>from knowing what it's like to tour, because I do

0:44:07.760 --> 0:44:10.920
<v Speaker 1>a little myself and seeing you guys all out, you're

0:44:10.960 --> 0:44:14.719
<v Speaker 1>on the road a lot more than the normal country act. Yeah,

0:44:14.760 --> 0:44:16.200
<v Speaker 1>we are, we are. We did I think a hundred

0:44:16.239 --> 0:44:18.600
<v Speaker 1>and seventy three shows last year, which and just to

0:44:18.640 --> 0:44:22.000
<v Speaker 1>compare most people to do weekends, yeah, most like the

0:44:22.040 --> 0:44:24.319
<v Speaker 1>bigger acts will do eighty five shows a year. Then

0:44:24.400 --> 0:44:26.640
<v Speaker 1>that's a big touring here. But and we try to

0:44:27.360 --> 0:44:30.200
<v Speaker 1>I'm you know, we're with CIA, our agency. And when

0:44:30.239 --> 0:44:32.040
<v Speaker 1>we met for the first time, I was like, I

0:44:32.160 --> 0:44:34.080
<v Speaker 1>come from the you know, the world of warp tour

0:44:34.120 --> 0:44:37.399
<v Speaker 1>where you're playing five six nights a week. Like now,

0:44:37.480 --> 0:44:39.560
<v Speaker 1>I like the country thing. I like doing three nights

0:44:39.600 --> 0:44:41.600
<v Speaker 1>and then coming back to Nashville and resetting the years.

0:44:41.680 --> 0:44:43.759
<v Speaker 1>But we were like, let's just tour like a rock band.

0:44:43.800 --> 0:44:45.719
<v Speaker 1>Let's go out and do we don't need to just

0:44:45.760 --> 0:44:47.960
<v Speaker 1>play Friday and Saturday night. We can play a Tuesday

0:44:48.040 --> 0:44:49.960
<v Speaker 1>night or Wednesday night if you're playing clubs or House

0:44:49.960 --> 0:44:52.120
<v Speaker 1>of Blues or whatever. It is, like we were grinding

0:44:52.160 --> 0:44:53.840
<v Speaker 1>playing every night. We're still doing that. I mean, we

0:44:53.920 --> 0:44:56.279
<v Speaker 1>would go even when we're on tour. We're on tour

0:44:56.320 --> 0:44:58.560
<v Speaker 1>with the Flats this summer, but we're booking our own

0:44:58.600 --> 0:45:01.880
<v Speaker 1>headlining dates in between because our fans are passionate man

0:45:02.680 --> 0:45:04.680
<v Speaker 1>and they they want to see the full set, and

0:45:04.920 --> 0:45:07.600
<v Speaker 1>you know, there's opportunity obviously business wise to go do

0:45:07.719 --> 0:45:09.840
<v Speaker 1>those shows. But it's good for us too to be

0:45:09.880 --> 0:45:12.479
<v Speaker 1>in those cities playing for those fans, not just Okay,

0:45:12.520 --> 0:45:14.719
<v Speaker 1>we're gonna play the major cities you need to. I mean,

0:45:14.760 --> 0:45:17.800
<v Speaker 1>that's the thing about country Their country music fans everywhere,

0:45:17.920 --> 0:45:20.440
<v Speaker 1>So you're not just playing New York and Boston or

0:45:21.120 --> 0:45:24.200
<v Speaker 1>you know, big major cities. You're playing all over the place.

0:45:24.400 --> 0:45:26.880
<v Speaker 1>And sometimes those shows are even crazier because the fans,

0:45:27.520 --> 0:45:29.960
<v Speaker 1>you know, in the middle of nowhere, like no one

0:45:30.000 --> 0:45:33.840
<v Speaker 1>ever comes here. This is as I enjoy going to

0:45:33.880 --> 0:45:37.360
<v Speaker 1>places where they're not huge circles on the map with

0:45:37.440 --> 0:45:39.840
<v Speaker 1>a big city because people are so much more appreciative

0:45:39.840 --> 0:45:42.840
<v Speaker 1>and I may not sell many tickets exactly. But that

0:45:43.040 --> 0:45:45.560
<v Speaker 1>the great thing about what I do so in the radio.

0:45:45.680 --> 0:45:47.880
<v Speaker 1>Most radio people don't do things outside of the radio show, right,

0:45:48.760 --> 0:45:50.839
<v Speaker 1>I do, And I think one of the greatest things

0:45:50.920 --> 0:45:53.000
<v Speaker 1>I get from it is getting to have a dose

0:45:53.080 --> 0:45:58.640
<v Speaker 1>of reality and actually seeing a meeting people because I

0:45:58.680 --> 0:46:00.440
<v Speaker 1>do it every unless I'm sick. I've only ever not

0:46:00.560 --> 0:46:03.040
<v Speaker 1>done it two or three shows ever, unless I'm sick

0:46:03.160 --> 0:46:07.400
<v Speaker 1>or something as went wrong, I always go and that

0:46:07.520 --> 0:46:08.800
<v Speaker 1>the theaters get mad at me for doing it, but

0:46:08.840 --> 0:46:12.239
<v Speaker 1>I go and talk to people, meet people because that

0:46:12.440 --> 0:46:14.600
<v Speaker 1>is important to me to to stay grounded. I can

0:46:14.640 --> 0:46:16.080
<v Speaker 1>be in a room absolutely and just talk to my

0:46:16.160 --> 0:46:17.560
<v Speaker 1>friends and it goes over the air waves, but I

0:46:17.600 --> 0:46:20.680
<v Speaker 1>will lose what's really happening in the world. Yeah. Me

0:46:20.800 --> 0:46:22.279
<v Speaker 1>being able to go out and see people as much

0:46:22.280 --> 0:46:25.400
<v Speaker 1>as I do resets me back to normalcy. Yeah. I

0:46:25.520 --> 0:46:26.880
<v Speaker 1>like that. It gives me out of the bus and

0:46:26.920 --> 0:46:28.320
<v Speaker 1>for you guys to you get out of Nashville. You

0:46:28.320 --> 0:46:31.120
<v Speaker 1>see what's really happening, not what's in this stupid bubble

0:46:31.200 --> 0:46:34.279
<v Speaker 1>of well, what's the coolest thing that's happening right right?

0:46:34.520 --> 0:46:36.120
<v Speaker 1>It is a bubble, And I mean where I grew

0:46:36.160 --> 0:46:37.919
<v Speaker 1>up with a bubble too. It wasn't until I moved

0:46:37.960 --> 0:46:40.919
<v Speaker 1>out and started touring it was like I thought everything

0:46:41.000 --> 0:46:43.200
<v Speaker 1>was perfect. It was awesome. But it's not always like that.

0:46:43.239 --> 0:46:45.040
<v Speaker 1>And you see the way like certain people live, and

0:46:45.840 --> 0:46:48.000
<v Speaker 1>that's why we try to when we're on stage, even

0:46:48.040 --> 0:46:51.399
<v Speaker 1>if there's like technical difficulties, if the venue sucks or whatever,

0:46:51.480 --> 0:46:54.080
<v Speaker 1>it is like give a hundred and ten percent because

0:46:54.120 --> 0:46:57.279
<v Speaker 1>even like if there's five people there, those five people

0:46:57.360 --> 0:46:59.320
<v Speaker 1>don't care that there's not six people there. That was

0:46:59.360 --> 0:47:01.400
<v Speaker 1>a hard thing for me to do. Absolutely right, you

0:47:01.480 --> 0:47:03.440
<v Speaker 1>have to give your all of those people because like

0:47:03.680 --> 0:47:05.960
<v Speaker 1>and and it it's even more impactful than when you

0:47:06.040 --> 0:47:08.680
<v Speaker 1>play for twenty people in an arena because those people

0:47:08.719 --> 0:47:10.960
<v Speaker 1>they feel special. And like I remember being a kid

0:47:11.000 --> 0:47:12.640
<v Speaker 1>going to shows and if an artist got up there

0:47:12.640 --> 0:47:14.480
<v Speaker 1>and phoned it in because the show wasn't sold out,

0:47:14.520 --> 0:47:16.520
<v Speaker 1>it's like, you know what, I don't know if I

0:47:16.600 --> 0:47:18.359
<v Speaker 1>love that artist, But if we go out there and play,

0:47:18.480 --> 0:47:20.879
<v Speaker 1>like you know, in front of five people, like we're

0:47:20.880 --> 0:47:23.120
<v Speaker 1>playing in front of a big festival crowd, it's it's

0:47:23.160 --> 0:47:25.640
<v Speaker 1>gonna go along. We've always had that mentality, so it's

0:47:26.200 --> 0:47:30.319
<v Speaker 1>that took me a while and I somebody wrote a book,

0:47:30.400 --> 0:47:32.680
<v Speaker 1>Charlie Daniel over the books said, uh, don't look at

0:47:32.719 --> 0:47:37.399
<v Speaker 1>the And that's something over the past couple of years

0:47:37.520 --> 0:47:42.120
<v Speaker 1>that I really appreciated is putting forth the effort when

0:47:42.200 --> 0:47:43.840
<v Speaker 1>it when it feels like you should be down, like,

0:47:43.920 --> 0:47:46.839
<v Speaker 1>oh man, this didn't sell out. But again, nobody knows.

0:47:46.840 --> 0:47:48.560
<v Speaker 1>I want to watch Adam Crowla. Here's an example, Mike

0:47:48.560 --> 0:47:52.520
<v Speaker 1>did I want to watch Amla? And yeah, back and

0:47:52.600 --> 0:47:54.040
<v Speaker 1>the places are half full, and I was and I

0:47:54.120 --> 0:47:56.600
<v Speaker 1>was looking around like, wow, why is that full? I

0:47:56.680 --> 0:47:59.359
<v Speaker 1>kind of feel but nobody there was looking behind them

0:47:59.400 --> 0:48:03.200
<v Speaker 1>and anything old seat and it again. Going to shows.

0:48:03.440 --> 0:48:06.719
<v Speaker 1>We set me on how to do shows, absolutely absolutely,

0:48:06.880 --> 0:48:09.040
<v Speaker 1>because you also, you know, on the other on the

0:48:09.080 --> 0:48:10.600
<v Speaker 1>flip side of that, you'll go to shows and see

0:48:10.680 --> 0:48:13.720
<v Speaker 1>artists who do notice those empty seats and are complaining.

0:48:13.800 --> 0:48:15.320
<v Speaker 1>You could tell they're just cutting the set short and

0:48:15.320 --> 0:48:17.600
<v Speaker 1>doing whatever, and you're like, that's the guy. I don't

0:48:17.640 --> 0:48:20.879
<v Speaker 1>want to be so And I was early that guy,

0:48:20.960 --> 0:48:25.520
<v Speaker 1>but now I'm exact opposite. And I appreciate it because

0:48:25.920 --> 0:48:28.880
<v Speaker 1>and I went to John Mayor show in Minneapolis and

0:48:28.960 --> 0:48:31.439
<v Speaker 1>I went through the meet and greet line not as

0:48:32.480 --> 0:48:35.160
<v Speaker 1>later later I went hung out. I was cool later,

0:48:35.239 --> 0:48:38.400
<v Speaker 1>but he was at the beginning. I wanted to go

0:48:38.560 --> 0:48:40.080
<v Speaker 1>through a meet and greet line to see what it's

0:48:40.160 --> 0:48:41.640
<v Speaker 1>like to go through a meet and greet line because

0:48:41.800 --> 0:48:43.640
<v Speaker 1>where I am now, I get a lot of things

0:48:44.320 --> 0:48:46.160
<v Speaker 1>because in my position, people say, hey, don't worry about it.

0:48:46.200 --> 0:48:48.360
<v Speaker 1>And I've known John Mayor for a bit. We've probably

0:48:48.360 --> 0:48:50.520
<v Speaker 1>a ten instance this together, so I don't know him

0:48:50.560 --> 0:48:53.680
<v Speaker 1>know him, but professionally we know each other, and now

0:48:53.760 --> 0:48:55.520
<v Speaker 1>we actually follow each other on social media and stuff,

0:48:55.560 --> 0:48:57.960
<v Speaker 1>so maybe we'd recognize. He'd recognize me, I'd recognize him.

0:48:57.960 --> 0:49:00.399
<v Speaker 1>I'll be like, what so. But I to the meet

0:49:00.400 --> 0:49:02.600
<v Speaker 1>and greet line and it was forty five minutes or

0:49:02.600 --> 0:49:04.320
<v Speaker 1>so when I sat and I just talked to people,

0:49:05.000 --> 0:49:07.160
<v Speaker 1>and it just gave me a new respect for even

0:49:07.200 --> 0:49:09.279
<v Speaker 1>people that come to the meeting. Totally. It was just

0:49:09.680 --> 0:49:11.120
<v Speaker 1>it was it's really good for me to do stuff

0:49:11.160 --> 0:49:13.200
<v Speaker 1>like that. It blows my mind. We were just in Europe,

0:49:13.360 --> 0:49:15.839
<v Speaker 1>or in Europe in December, and it's like we came

0:49:15.840 --> 0:49:17.960
<v Speaker 1>in a long way. We're like really far from where

0:49:18.000 --> 0:49:19.960
<v Speaker 1>she grew up in Arkansas, where I got in Mensylvania,

0:49:20.040 --> 0:49:22.760
<v Speaker 1>where we live now in Nashville, we're an ocean away

0:49:23.239 --> 0:49:26.760
<v Speaker 1>and there are people who like canceled their plans, book flights,

0:49:26.840 --> 0:49:28.960
<v Speaker 1>whatever it is to come see us play. That it

0:49:29.160 --> 0:49:30.919
<v Speaker 1>kind of blows my mind. It doesn't make me feel

0:49:30.920 --> 0:49:32.600
<v Speaker 1>a little guilty. It does to me, it does. I

0:49:32.680 --> 0:49:35.000
<v Speaker 1>feel like when they come to see me, I wouldn't

0:49:35.040 --> 0:49:37.360
<v Speaker 1>go see me. I wouldn't go see me either, And

0:49:37.440 --> 0:49:39.840
<v Speaker 1>I'm so grateful to people that do. But I almost

0:49:39.880 --> 0:49:43.360
<v Speaker 1>want to apologize before the show and say, oh, you

0:49:43.520 --> 0:49:47.759
<v Speaker 1>just spent maybe you know, the thirty bucks, and I

0:49:47.800 --> 0:49:50.239
<v Speaker 1>hope I do good. Yeah, yeah, exactly. I feel like

0:49:50.400 --> 0:49:53.080
<v Speaker 1>we have We're so lucky. Our fans are probably all

0:49:53.120 --> 0:49:55.520
<v Speaker 1>listening right now. But we've got fans. Our friend Kayla,

0:49:55.640 --> 0:49:58.000
<v Speaker 1>she's like our biggest fans. She's so good to us,

0:49:58.040 --> 0:50:00.600
<v Speaker 1>so loyal. We at the halftime show this Steelers game

0:50:00.640 --> 0:50:02.360
<v Speaker 1>the other day and she her and her friend like

0:50:02.960 --> 0:50:04.640
<v Speaker 1>took a flight or drove and came all the way

0:50:04.680 --> 0:50:05.880
<v Speaker 1>to the game to see us play two and have

0:50:06.080 --> 0:50:09.520
<v Speaker 1>songs like die Hard. But last night her and a

0:50:09.600 --> 0:50:12.160
<v Speaker 1>bunch of other fans of ours started gifting, like people

0:50:12.320 --> 0:50:14.560
<v Speaker 1>not just buying our song on iTunes. They were like

0:50:14.680 --> 0:50:16.600
<v Speaker 1>the guys are in the top ten on all genres.

0:50:16.600 --> 0:50:18.840
<v Speaker 1>We should see if we can get them to number one. Literally,

0:50:18.880 --> 0:50:21.200
<v Speaker 1>we're just with their credit card and the thing gifting

0:50:21.239 --> 0:50:24.000
<v Speaker 1>our song to like anybody who d m them on Twitter,

0:50:24.320 --> 0:50:26.919
<v Speaker 1>probably spending a hundred dollars, like gifting the same song

0:50:27.040 --> 0:50:29.600
<v Speaker 1>over and over and that's amazing. And I felt I

0:50:29.800 --> 0:50:32.400
<v Speaker 1>had a message. I was like, look so nice to you.

0:50:32.480 --> 0:50:34.239
<v Speaker 1>You can stop, Like I want to go to number

0:50:34.239 --> 0:50:36.600
<v Speaker 1>one too, but like you're just like too kind and

0:50:36.680 --> 0:50:41.160
<v Speaker 1>I feel guilty. That's yeah, you feel like I do. Anyway.

0:50:41.160 --> 0:50:42.800
<v Speaker 1>I feel like, man, I'm just not worthy of this.

0:50:43.360 --> 0:50:44.960
<v Speaker 1>I feel the same, and I hope I never don't

0:50:45.000 --> 0:50:47.200
<v Speaker 1>feel that way, if that makes sense, because I don't

0:50:47.239 --> 0:50:49.239
<v Speaker 1>ever want to take it for granted. Neither do I.

0:50:49.600 --> 0:50:51.359
<v Speaker 1>That's a good thing about being in a duo if

0:50:51.400 --> 0:50:53.160
<v Speaker 1>we ever one of us ever is like starting to

0:50:53.200 --> 0:50:55.120
<v Speaker 1>get a little bit taking it for granted. It's like

0:50:55.480 --> 0:50:58.120
<v Speaker 1>you need to shape up, like get you know, punch

0:50:58.320 --> 0:51:00.120
<v Speaker 1>the other guy any arm. So when you get has

0:51:00.160 --> 0:51:03.080
<v Speaker 1>finally decided on Dan and Shay the name the name,

0:51:03.200 --> 0:51:06.359
<v Speaker 1>like we're really just gonna it probably had to be like, well,

0:51:06.440 --> 0:51:08.239
<v Speaker 1>we couldn't come up with the name. So we're just

0:51:08.400 --> 0:51:12.600
<v Speaker 1>gonna be Yeah. What was that conversation And who was

0:51:12.680 --> 0:51:14.480
<v Speaker 1>the one that said, okay, we think it just should

0:51:14.480 --> 0:51:16.920
<v Speaker 1>be Dan and Jay? Was it Espo? I don't remember

0:51:17.000 --> 0:51:20.040
<v Speaker 1>exactly how it happened, but we are managers. We we

0:51:20.239 --> 0:51:22.719
<v Speaker 1>work with Scooter braun Um you know which. By the way,

0:51:22.719 --> 0:51:24.719
<v Speaker 1>it is funny because I was a Scooter two weeks

0:51:24.719 --> 0:51:29.399
<v Speaker 1>ago and Scooter goes hold on and facetimes you. He's

0:51:29.400 --> 0:51:31.520
<v Speaker 1>the king of FaceTime. While I'm sitting with Scooter in

0:51:31.560 --> 0:51:33.440
<v Speaker 1>Los Angeles. I don't know where you guys were. You

0:51:33.480 --> 0:51:35.560
<v Speaker 1>were driving, you were driving though we were on the bus.

0:51:35.680 --> 0:51:37.560
<v Speaker 1>I think you're doing or was I at home? I

0:51:37.560 --> 0:51:40.360
<v Speaker 1>don't know, well whatever, I remember it. So Scooter is

0:51:40.400 --> 0:51:43.000
<v Speaker 1>part of the Hey, we're gonna name you guys, Dan

0:51:43.080 --> 0:51:45.000
<v Speaker 1>and Shay. Yeah, he was part of that. He was like,

0:51:45.520 --> 0:51:49.000
<v Speaker 1>you guys are like recognizable by your names because we

0:51:49.200 --> 0:51:51.720
<v Speaker 1>met with Scooter. We'd flown out. We've had like insane

0:51:51.760 --> 0:51:54.200
<v Speaker 1>experiences at Scooter's place. Like Scooter, by the way, it's

0:51:54.239 --> 0:52:00.000
<v Speaker 1>justin Bieber Kanye Carly class manager, like yeah, Sana ground

0:52:00.040 --> 0:52:02.080
<v Speaker 1>name very body and we would like go out and

0:52:02.600 --> 0:52:05.520
<v Speaker 1>jam with Justin Bieber and Selena. We'd be playing guitar

0:52:05.600 --> 0:52:08.200
<v Speaker 1>and singing and doing all the stuff and like crazy

0:52:08.280 --> 0:52:09.880
<v Speaker 1>like these nights that you see and you know at

0:52:10.120 --> 0:52:13.600
<v Speaker 1>HBO series, like crazy stuff. And uh, he was always

0:52:13.640 --> 0:52:15.279
<v Speaker 1>just like everybody knows you guys is Dan and Shay.

0:52:15.320 --> 0:52:18.040
<v Speaker 1>It's cool, like for the branding and instead of having

0:52:18.080 --> 0:52:20.280
<v Speaker 1>some band name that you have to reinvent some new moniker,

0:52:20.400 --> 0:52:22.120
<v Speaker 1>It's like, why not just go buy your names then

0:52:22.560 --> 0:52:24.480
<v Speaker 1>people will know you guys and do whatever. We're like,

0:52:25.080 --> 0:52:27.080
<v Speaker 1>we don't have any other ideas, Sure, let's go with it.

0:52:27.600 --> 0:52:29.719
<v Speaker 1>And then I got with my buddy Pete Tracy. Pete

0:52:29.760 --> 0:52:32.480
<v Speaker 1>Tracy also moved to Nashville with me when I moved here.

0:52:32.520 --> 0:52:35.680
<v Speaker 1>He's from Pittsburgh and like he was on the Dark Time,

0:52:35.800 --> 0:52:37.560
<v Speaker 1>the Dark training with us for a long time. But

0:52:37.840 --> 0:52:40.040
<v Speaker 1>he's he's crushing it now. He's he did Did you

0:52:40.080 --> 0:52:43.560
<v Speaker 1>see Jillian's new video Jillian Jacqueline? I did, Yeah for reasons,

0:52:43.640 --> 0:52:49.280
<v Speaker 1>Yeah amazing, Yeah, just three months she opened for She's fantastic.

0:52:49.320 --> 0:52:51.879
<v Speaker 1>I put her in my class of saw and took

0:52:51.880 --> 0:52:54.000
<v Speaker 1>her out for three months. She opened for it, and

0:52:54.040 --> 0:52:55.920
<v Speaker 1>Brandon is open it for me. Then I just like

0:52:56.400 --> 0:52:59.440
<v Speaker 1>I just love the new artists man fascinate. You're such

0:52:59.440 --> 0:53:01.359
<v Speaker 1>a big part of their careers though and breaking them.

0:53:01.440 --> 0:53:03.319
<v Speaker 1>I mean, they get to a certain level, I mean

0:53:03.360 --> 0:53:05.680
<v Speaker 1>because of the exposure that you give them. So I'll

0:53:05.680 --> 0:53:08.279
<v Speaker 1>play Stoked on Jillian whenever you did that, because I've

0:53:08.360 --> 0:53:10.600
<v Speaker 1>known Jillian since Andy and I moved. We talked about

0:53:10.640 --> 0:53:12.160
<v Speaker 1>this at the Hall of Fame, because you guys came

0:53:12.239 --> 0:53:13.960
<v Speaker 1>up to my radio Hall of Fame and you did,

0:53:14.760 --> 0:53:18.759
<v Speaker 1>didn't We were both there, just checked out. Yeah he was.

0:53:18.880 --> 0:53:21.160
<v Speaker 1>He was physically there. Okay, he was rocking. So you

0:53:21.200 --> 0:53:24.680
<v Speaker 1>and I were talking at a bar in Chicago, and

0:53:24.880 --> 0:53:27.279
<v Speaker 1>it was if I'm stepping out of turn, tell me,

0:53:27.440 --> 0:53:29.399
<v Speaker 1>but you took Devon and Jillian both to the label.

0:53:30.120 --> 0:53:34.359
<v Speaker 1>Yeah right, it's Warner Brothers. You took them, like, yeah,

0:53:34.400 --> 0:53:37.120
<v Speaker 1>I played, Uh, I played Devon's music for our buddy

0:53:37.120 --> 0:53:39.719
<v Speaker 1>who's now he's not at Warner Brothers anymore. And like

0:53:39.800 --> 0:53:43.239
<v Speaker 1>Devin thought Warner Brothers, but our buddy who was had

0:53:43.280 --> 0:53:45.440
<v Speaker 1>a promo over there and played it for him and

0:53:45.760 --> 0:53:47.440
<v Speaker 1>a bunch of people on the label. And you know,

0:53:48.440 --> 0:53:52.120
<v Speaker 1>I have a great relationship with Jonathan and Talent because

0:53:52.120 --> 0:53:55.279
<v Speaker 1>I'm trying they're because they're both fantastic, But are you

0:53:55.360 --> 0:53:57.200
<v Speaker 1>close to that? Are you're closer to Devon though than

0:53:58.040 --> 0:54:00.560
<v Speaker 1>you and another artist? Like? What's that? Was friend Stevin

0:54:00.600 --> 0:54:02.960
<v Speaker 1>saying the first dance at my wedding. He's great, Like

0:54:03.040 --> 0:54:05.279
<v Speaker 1>I believe in Devin so much. That's another talk about

0:54:05.280 --> 0:54:08.720
<v Speaker 1>a guy who's passionate about his art. Yeah, his records

0:54:08.760 --> 0:54:11.000
<v Speaker 1>coming out this week, So I mean, he is just

0:54:11.920 --> 0:54:14.560
<v Speaker 1>he's an amazing songwriter. We met first, we were just

0:54:14.719 --> 0:54:18.480
<v Speaker 1>we were writing songs together, and um, I was just like,

0:54:18.560 --> 0:54:21.360
<v Speaker 1>this guy's prolific, Like his words are insane. His voice,

0:54:21.760 --> 0:54:23.640
<v Speaker 1>his voice to me. When I first heard him, he

0:54:23.760 --> 0:54:25.960
<v Speaker 1>was playing at the basement, not the basement East, but

0:54:26.080 --> 0:54:28.560
<v Speaker 1>the regular the small basement, you know, like basement in

0:54:28.600 --> 0:54:32.720
<v Speaker 1>your house. Yeah, the basement. I don't even have a basement,

0:54:32.800 --> 0:54:34.960
<v Speaker 1>but he was playing at the basement and we had

0:54:35.000 --> 0:54:37.000
<v Speaker 1>written that day, and I told my wife Abbey. I

0:54:37.080 --> 0:54:39.160
<v Speaker 1>was like, you know, she's a huge music fan. Two,

0:54:39.239 --> 0:54:41.080
<v Speaker 1>she's like R, A and R. You know, she knows

0:54:41.160 --> 0:54:44.000
<v Speaker 1>all all the good artists before I do and picks

0:54:44.040 --> 0:54:46.440
<v Speaker 1>our singles and the whole deal. But I was like,

0:54:46.480 --> 0:54:48.160
<v Speaker 1>you gotta go see this guy wrote with today like

0:54:48.239 --> 0:54:50.840
<v Speaker 1>he's insane. We saw him at the basement. I was like,

0:54:50.920 --> 0:54:53.400
<v Speaker 1>this guy's a star, incredible. I mean his voice has

0:54:53.480 --> 0:54:56.160
<v Speaker 1>like a soulful I mean it's like a Gavin de

0:54:56.239 --> 0:54:58.000
<v Speaker 1>Girl kind of sound in his voice. He's got like

0:54:58.080 --> 0:55:00.600
<v Speaker 1>a graspy kind of thing. I don't know. I just

0:55:00.640 --> 0:55:02.400
<v Speaker 1>think that guy. And he's got his old branding and

0:55:02.440 --> 0:55:07.879
<v Speaker 1>the monochromatic vibe. And we told he's spent on people. Mike, Yeah,

0:55:07.920 --> 0:55:11.120
<v Speaker 1>when he was in that scene. She was like, well

0:55:11.480 --> 0:55:14.520
<v Speaker 1>we just spent on people. Yeah. I loved Evan. He's

0:55:14.640 --> 0:55:17.800
<v Speaker 1>he's absolutely incredible. Um, we share a love of tequila.

0:55:18.400 --> 0:55:20.920
<v Speaker 1>He brings nice tequilo bottles over my house and we

0:55:21.040 --> 0:55:23.480
<v Speaker 1>enjoy him. But Jillian is one of my, you know,

0:55:23.680 --> 0:55:26.399
<v Speaker 1>oldest friends here in Nashville. We've been writing songs together

0:55:26.480 --> 0:55:28.400
<v Speaker 1>since that she'd been that bad house that I was

0:55:28.440 --> 0:55:30.840
<v Speaker 1>living in, so I asked her about that place. But

0:55:31.400 --> 0:55:34.760
<v Speaker 1>she's awesome, man, and she's she's so cool. She's amazing.

0:55:35.160 --> 0:55:38.600
<v Speaker 1>She's an amazing songwriter, amazing singer, she's beautiful, has a

0:55:38.640 --> 0:55:41.880
<v Speaker 1>great attitude. She's been in this town. I'd like to

0:55:41.880 --> 0:55:44.200
<v Speaker 1>find that happens, like the people who have the most success,

0:55:44.239 --> 0:55:46.479
<v Speaker 1>have been here like cutting their teeth for a long time,

0:55:46.560 --> 0:55:50.160
<v Speaker 1>like everybody thinks. People people think whenever you announced her

0:55:50.239 --> 0:55:52.080
<v Speaker 1>into that class that she was like, oh this girl

0:55:52.239 --> 0:55:55.040
<v Speaker 1>just like god, it made like Bobby's gonna blow her up.

0:55:55.080 --> 0:55:57.640
<v Speaker 1>Whatever she'd been here for she'd been here longer than me.

0:55:57.800 --> 0:56:00.319
<v Speaker 1>So she's been here for probably ten at least ten years,

0:56:00.320 --> 0:56:02.759
<v Speaker 1>and she's a new artist at the same time, exactly right.

0:56:02.800 --> 0:56:05.319
<v Speaker 1>I mean, we really for new artists that these award shows.

0:56:05.360 --> 0:56:07.480
<v Speaker 1>I'm like, dude, I've been had this thing, but I'll

0:56:07.520 --> 0:56:09.680
<v Speaker 1>take it. It takes forever to be an overnight success.

0:56:09.760 --> 0:56:13.600
<v Speaker 1>It does. So okay, So you're dan Plush and that

0:56:13.680 --> 0:56:14.960
<v Speaker 1>had to be a thing at first because I bet

0:56:15.000 --> 0:56:17.840
<v Speaker 1>everyone's calling you dan Plush. Oh my stay still do

0:56:18.840 --> 0:56:21.600
<v Speaker 1>this is dan Plush with their first single nineteen you

0:56:21.760 --> 0:56:25.640
<v Speaker 1>plus me. It's like, but you know what, to be fair, yeah,

0:56:25.719 --> 0:56:28.360
<v Speaker 1>it is a plus sign. It is it is. And

0:56:28.760 --> 0:56:31.719
<v Speaker 1>we had this like I always am like thinking too

0:56:31.800 --> 0:56:33.839
<v Speaker 1>many steps in advance. I probably should enjoy the moment

0:56:33.880 --> 0:56:36.520
<v Speaker 1>a little more. But Pat and I P Tracy has

0:56:36.719 --> 0:56:38.839
<v Speaker 1>been referring to him like we had this whole vision

0:56:38.960 --> 0:56:41.239
<v Speaker 1>for the brand and you know, we could see like

0:56:41.480 --> 0:56:43.440
<v Speaker 1>Taylor Swift does the heart things at our shows with

0:56:43.480 --> 0:56:45.440
<v Speaker 1>their hands. I was like, I want to make our fans,

0:56:45.520 --> 0:56:47.000
<v Speaker 1>you know if we ever have We didn't have any

0:56:47.040 --> 0:56:48.920
<v Speaker 1>fans at this point. It's like, what if they like

0:56:49.000 --> 0:56:50.640
<v Speaker 1>put their hands up and made It's gonna be hard

0:56:50.680 --> 0:56:52.719
<v Speaker 1>for them to make an ampersand with their hands, so like,

0:56:53.280 --> 0:56:56.719
<v Speaker 1>let's use uh so they're gonna plus signs of their fingers.

0:56:56.760 --> 0:56:59.200
<v Speaker 1>They Yeah, we don't really do it as much anymore.

0:56:59.280 --> 0:57:01.520
<v Speaker 1>Our shows like so full throttle And you know, did

0:57:01.560 --> 0:57:03.200
<v Speaker 1>you used to do that at the plus time every show?

0:57:03.239 --> 0:57:05.120
<v Speaker 1>If you dig back on our Instagram, I should probably

0:57:05.120 --> 0:57:06.920
<v Speaker 1>bring that back. It's kind of a cool thing, like

0:57:07.560 --> 0:57:08.960
<v Speaker 1>you know, I take a picture of the crowd, which

0:57:08.960 --> 0:57:10.879
<v Speaker 1>I stole that from Ed shere and he would take

0:57:10.920 --> 0:57:13.239
<v Speaker 1>pictures of the crowd every single night, you know, like

0:57:13.680 --> 0:57:15.399
<v Speaker 1>even from when he was playing clubs and it's cool

0:57:15.400 --> 0:57:18.000
<v Speaker 1>to watch his progress now he's doing five nights at

0:57:18.000 --> 0:57:20.760
<v Speaker 1>Wembley Stadium, but he would always take a picture of

0:57:20.760 --> 0:57:22.120
<v Speaker 1>the crowd. So we would do that and then we

0:57:22.160 --> 0:57:24.160
<v Speaker 1>would try to do the plus sime thing and we'd

0:57:24.160 --> 0:57:25.840
<v Speaker 1>be like, put your hands up and you'd have to

0:57:25.920 --> 0:57:28.160
<v Speaker 1>explain it. At first, kids are like, why am I doing? Okay,

0:57:28.200 --> 0:57:30.680
<v Speaker 1>I see it now, but we would make them put

0:57:30.720 --> 0:57:32.520
<v Speaker 1>the plus sign up with their fingers and it's a

0:57:32.560 --> 0:57:34.800
<v Speaker 1>cool thing. And nobody does that that that exact thing.

0:57:35.040 --> 0:57:36.960
<v Speaker 1>I haven't seen anyone do the plus sign thing, so

0:57:37.160 --> 0:57:39.160
<v Speaker 1>I haven't seen anybody. You should bring it back. I

0:57:39.200 --> 0:57:41.000
<v Speaker 1>might bring it back. It's hard. It's hard to have

0:57:41.080 --> 0:57:43.720
<v Speaker 1>a thing nowadays because everybody's got a thing totally. So

0:57:43.760 --> 0:57:45.920
<v Speaker 1>it's hard to have a thing when everybody's got a thing. Yep,

0:57:46.240 --> 0:57:48.600
<v Speaker 1>that's the thing. If you don't somebody it did, Like

0:57:48.800 --> 0:57:50.920
<v Speaker 1>at first, it confused a lot of people and are

0:57:51.360 --> 0:57:53.200
<v Speaker 1>like some folks at our record label like we should

0:57:53.200 --> 0:57:55.200
<v Speaker 1>just change it to the end like this. I'm like,

0:57:55.640 --> 0:57:58.520
<v Speaker 1>people will eventually get it. And if they're talking about

0:57:58.600 --> 0:58:01.920
<v Speaker 1>us and they're playing our song, so what, it's fine.

0:58:02.040 --> 0:58:03.600
<v Speaker 1>It's fine. You know, it's just one more thing to

0:58:03.680 --> 0:58:06.480
<v Speaker 1>talk about. So yeah, we we had to grind away

0:58:06.480 --> 0:58:08.000
<v Speaker 1>for a few years with the bus sign thing, but

0:58:08.080 --> 0:58:10.880
<v Speaker 1>there are still a few people Dan blush, you know,

0:58:11.000 --> 0:58:13.960
<v Speaker 1>it's like, all right, we're done here. You bring up

0:58:14.000 --> 0:58:17.120
<v Speaker 1>Abby your wife, So let's tell me about my story.

0:58:17.160 --> 0:58:19.000
<v Speaker 1>Is wrong again. You can just always say, hey, stop talking.

0:58:19.480 --> 0:58:22.000
<v Speaker 1>So she was working at your label, she was, and

0:58:22.120 --> 0:58:24.040
<v Speaker 1>you were dating, So she stopped working at the label

0:58:24.040 --> 0:58:25.680
<v Speaker 1>because she couldn't date you while working at the label.

0:58:25.760 --> 0:58:27.920
<v Speaker 1>Is that true? Kind of Yeah, she was. She was

0:58:28.000 --> 0:58:30.440
<v Speaker 1>working at the label. She was a regional, a promo

0:58:30.720 --> 0:58:33.280
<v Speaker 1>rep of ours, which is like the toughest job in

0:58:33.320 --> 0:58:35.880
<v Speaker 1>the entire world. I mean not the world, but it's

0:58:35.880 --> 0:58:42.640
<v Speaker 1>a tough job. Yeah, I'm a dramatic guy, but in

0:58:42.720 --> 0:58:44.880
<v Speaker 1>the music industry, I think that is the most difficult job.

0:58:45.000 --> 0:58:47.120
<v Speaker 1>They as much as we tour, they're working five or

0:58:47.160 --> 0:58:51.160
<v Speaker 1>six artists simultaneously, and they're out knocking on radio stations

0:58:51.200 --> 0:58:54.320
<v Speaker 1>doors at six am saying, hey, are Danna shaty record

0:58:54.400 --> 0:58:56.400
<v Speaker 1>is looking a little weak that you know right now?

0:58:56.560 --> 0:58:58.400
<v Speaker 1>Like we need to get some spins. And it's just

0:58:58.880 --> 0:59:01.040
<v Speaker 1>it's like a sales job. It's so tough. And then

0:59:01.160 --> 0:59:03.120
<v Speaker 1>when a new artist like us comes out, they go

0:59:03.240 --> 0:59:05.720
<v Speaker 1>on a radio tour and that's like so grueling. We'd

0:59:05.720 --> 0:59:08.080
<v Speaker 1>be doing four stations a day and then you're going

0:59:08.120 --> 0:59:10.160
<v Speaker 1>out to dinner and you're hanging with program directors and

0:59:10.760 --> 0:59:12.280
<v Speaker 1>it all pays off in the end. It's great. You

0:59:12.320 --> 0:59:14.760
<v Speaker 1>need to make those relationships, and country radio is very

0:59:15.440 --> 0:59:19.360
<v Speaker 1>you know, close knit, and it's a relationshipship for sure.

0:59:20.240 --> 0:59:22.320
<v Speaker 1>We've had great luck, you know, people have been so

0:59:22.480 --> 0:59:25.600
<v Speaker 1>kind to us, but it's we guys are nice though. Yeah,

0:59:25.640 --> 0:59:28.080
<v Speaker 1>there's nothing super pretentious about YouTube. When you show up

0:59:28.080 --> 0:59:30.320
<v Speaker 1>in a room and you have Shay who's just like

0:59:31.640 --> 0:59:36.919
<v Speaker 1>you know, he's a good one. Shay is my Amy, yep,

0:59:37.160 --> 0:59:40.120
<v Speaker 1>because I am. When I'm not working, I got nothing

0:59:40.160 --> 0:59:43.040
<v Speaker 1>to say same. I'm quiet. I prefer to be creative

0:59:43.040 --> 0:59:45.240
<v Speaker 1>in my own head, writing on a computer right here,

0:59:45.560 --> 0:59:48.360
<v Speaker 1>and I'm just not that outward. But I can take

0:59:48.440 --> 0:59:51.960
<v Speaker 1>Amy and people will like me because Amy's awesome and

0:59:52.080 --> 0:59:55.280
<v Speaker 1>she's so garious in the room. So but you guys

0:59:55.320 --> 0:59:58.560
<v Speaker 1>are nice to be around. Thank you for saying that. Likewise,

0:59:58.640 --> 1:00:00.320
<v Speaker 1>I never disliked you. I don't know you guys ever

1:00:00.360 --> 1:00:01.720
<v Speaker 1>got mad at me when I was calling you the

1:00:01.920 --> 1:00:04.760
<v Speaker 1>Savage Garden of country radio. I'll take that man again. People,

1:00:04.800 --> 1:00:06.640
<v Speaker 1>somebody's talking about us. You've got a big audience, and

1:00:06.800 --> 1:00:08.320
<v Speaker 1>people were talking, and you guys came in and saying

1:00:08.320 --> 1:00:10.680
<v Speaker 1>Savage Garden and crushed it. And I thought that's when

1:00:10.680 --> 1:00:12.200
<v Speaker 1>I was like Oh, these guys are better than other

1:00:12.240 --> 1:00:15.520
<v Speaker 1>people because to be on a certain level, I mean,

1:00:15.560 --> 1:00:16.880
<v Speaker 1>do you have a deal, you have to be so

1:00:17.120 --> 1:00:20.160
<v Speaker 1>good really, because it's a talent of elite talent and

1:00:20.280 --> 1:00:22.640
<v Speaker 1>the elite of the elite. It's a record deal. And

1:00:22.880 --> 1:00:24.720
<v Speaker 1>then and then it is luck involved too, because there

1:00:24.720 --> 1:00:26.000
<v Speaker 1>are a lot of talented people in this town. They

1:00:26.040 --> 1:00:27.560
<v Speaker 1>don't have record deals. Yeah, but I think you can

1:00:27.600 --> 1:00:30.040
<v Speaker 1>make decisions to change your luck. I'm not a big

1:00:30.120 --> 1:00:32.200
<v Speaker 1>luck guy generally. I'm just not a big luck guy.

1:00:32.280 --> 1:00:33.920
<v Speaker 1>But that being side, I knew you guys would have

1:00:33.960 --> 1:00:35.000
<v Speaker 1>to be good to have a deal. But when you

1:00:35.120 --> 1:00:37.160
<v Speaker 1>came in after, I would say, all these guys are

1:00:37.240 --> 1:00:39.200
<v Speaker 1>like the Savage Guarden of of country radio, and you

1:00:39.280 --> 1:00:43.000
<v Speaker 1>guys sang, I just remember going, oh, they're different, they're

1:00:43.040 --> 1:00:46.560
<v Speaker 1>better than everybody, because you guys weren't around a lot

1:00:46.640 --> 1:00:48.640
<v Speaker 1>because you were touring all the time too. But I

1:00:48.680 --> 1:00:51.040
<v Speaker 1>remember thinking, all, they're better than everybody. They're way better

1:00:51.080 --> 1:00:52.640
<v Speaker 1>than people, and they're not asking for credit, but they're

1:00:52.640 --> 1:00:54.720
<v Speaker 1>way better than people give them credit for. You guys

1:00:54.760 --> 1:00:56.880
<v Speaker 1>did boys the Men, which is how Scooter and I

1:00:56.920 --> 1:00:58.240
<v Speaker 1>got to know each other. Do you know the story

1:00:58.320 --> 1:01:00.720
<v Speaker 1>I don't know the story. Okay, if your boys to yes.

1:01:00.960 --> 1:01:03.160
<v Speaker 1>So you guys came in and you know, I mean,

1:01:03.200 --> 1:01:05.400
<v Speaker 1>I love all formats of music. I think formats are garbage.

1:01:05.440 --> 1:01:08.760
<v Speaker 1>But honestly, and the people who say they don't, all

1:01:08.800 --> 1:01:10.560
<v Speaker 1>the people out there who say I only listen to

1:01:10.560 --> 1:01:12.520
<v Speaker 1>a certain things, they're in their truck or their car

1:01:12.640 --> 1:01:15.000
<v Speaker 1>bumping every kind of music that anything that makes them

1:01:15.040 --> 1:01:17.280
<v Speaker 1>feel something, they're they're listening to it. Even the most

1:01:17.440 --> 1:01:19.040
<v Speaker 1>we won't I will not mention name, but even the

1:01:19.080 --> 1:01:23.360
<v Speaker 1>most country of artists that I know, loves all kinds

1:01:23.400 --> 1:01:29.040
<v Speaker 1>of music. The artists people yell about like that's real country,

1:01:29.240 --> 1:01:32.640
<v Speaker 1>that's that person is probably listening to twenty one Avage

1:01:32.680 --> 1:01:34.720
<v Speaker 1>right now, like I hate to brust bubble, but they

1:01:34.760 --> 1:01:37.040
<v Speaker 1>got yeah yeah. And if you restrict yourself to a

1:01:37.120 --> 1:01:38.960
<v Speaker 1>certain thing because of his genre lines and say I

1:01:39.040 --> 1:01:41.400
<v Speaker 1>can only listen, or you deny yourself from liking a

1:01:41.480 --> 1:01:44.000
<v Speaker 1>certain thing that you actually like, you're just cheating yourself.

1:01:44.320 --> 1:01:46.600
<v Speaker 1>I was doing a YouTube and I'm doing a lot

1:01:46.600 --> 1:01:49.080
<v Speaker 1>of projects with Scooter now on the television side, so

1:01:50.200 --> 1:01:53.280
<v Speaker 1>um working on multiple ones. But the reason is because

1:01:53.280 --> 1:01:55.840
<v Speaker 1>of you guys. Well, what happened was so he's he

1:01:56.040 --> 1:01:58.919
<v Speaker 1>manages you guys, him and Jason Owen at sandbox in town.

1:01:59.200 --> 1:02:01.760
<v Speaker 1>He you guys can amn and we were going back

1:02:01.800 --> 1:02:03.080
<v Speaker 1>and forth and you guys were playing all these songs

1:02:03.120 --> 1:02:04.480
<v Speaker 1>out a format and I'm like, oh, dud this one.

1:02:04.520 --> 1:02:06.520
<v Speaker 1>And I was singing along doing this and he was like, wait,

1:02:06.720 --> 1:02:08.440
<v Speaker 1>you're not the normal country guys, he said, So I

1:02:08.480 --> 1:02:10.720
<v Speaker 1>started going down the rabbit hole of YouTube videos and

1:02:10.800 --> 1:02:13.160
<v Speaker 1>saw that you do all kinds of music and you

1:02:13.280 --> 1:02:16.800
<v Speaker 1>have a different look about you. And he was like,

1:02:16.880 --> 1:02:18.400
<v Speaker 1>So I thought, I'm gonna keep that guy's name and

1:02:18.400 --> 1:02:21.280
<v Speaker 1>when something comes up and then he calls, and then

1:02:21.320 --> 1:02:23.479
<v Speaker 1>that's how we started their business. It was I forgot

1:02:23.520 --> 1:02:25.680
<v Speaker 1>about this. It was you freaking guys. He saw a

1:02:25.760 --> 1:02:29.640
<v Speaker 1>YouTube video of us singing it together. Yeah, look at that.

1:02:30.000 --> 1:02:32.160
<v Speaker 1>So let's fast forward cause I don't know how I've

1:02:32.200 --> 1:02:33.880
<v Speaker 1>been talking. I could do five of these. How long

1:02:33.920 --> 1:02:36.960
<v Speaker 1>we wait? Okay, let's go to right now. Oh you

1:02:37.160 --> 1:02:39.520
<v Speaker 1>and Shay, you plus each other, you met, you had

1:02:39.560 --> 1:02:41.080
<v Speaker 1>a baby. I don't know what happened. Yeah, we we

1:02:41.160 --> 1:02:43.280
<v Speaker 1>got all the comments, Stan Bush, what is that equal?

1:02:44.400 --> 1:02:46.000
<v Speaker 1>I want to tell you about what's happening right now?

1:02:46.040 --> 1:02:47.920
<v Speaker 1>And again people will hear this who knows when, but

1:02:48.080 --> 1:02:51.280
<v Speaker 1>they just put out Dan put out Tequila and what's

1:02:51.320 --> 1:02:53.880
<v Speaker 1>playing over here? Mike hold on, I turned it off.

1:02:53.880 --> 1:02:56.560
<v Speaker 1>I got it. I got it. So you put out

1:02:56.600 --> 1:03:03.360
<v Speaker 1>this song Tequila, it's doing. It has cut through more

1:03:03.440 --> 1:03:05.280
<v Speaker 1>than any other song I feel you guys have put

1:03:05.320 --> 1:03:09.200
<v Speaker 1>out Initially, you guys have had some monster hits that

1:03:09.280 --> 1:03:14.120
<v Speaker 1>have had slow grinds. Yeah, that it's taken people while

1:03:14.240 --> 1:03:16.720
<v Speaker 1>to get to either radio. People are the fans, yea.

1:03:16.960 --> 1:03:19.280
<v Speaker 1>This has been the biggest song for you guys from

1:03:19.320 --> 1:03:23.160
<v Speaker 1>the initial pop. It's been incredible. I've yeah, I've not

1:03:23.320 --> 1:03:25.880
<v Speaker 1>been shy about sharing the numbers or whatever on on

1:03:25.920 --> 1:03:28.280
<v Speaker 1>the internet, but it is incredible. We worked so hard

1:03:28.440 --> 1:03:32.040
<v Speaker 1>on these songs and making the tracks, and people, I

1:03:32.400 --> 1:03:35.400
<v Speaker 1>think a lot of times don't appreciate what goes into

1:03:35.440 --> 1:03:37.240
<v Speaker 1>a song, you know, even if somebody's out there criticizing

1:03:37.280 --> 1:03:39.720
<v Speaker 1>a song and doing whatever, that song had to like

1:03:39.840 --> 1:03:42.240
<v Speaker 1>start with somebody writing it right, maybe on an acoustic guitar,

1:03:42.480 --> 1:03:45.120
<v Speaker 1>you know, and then be demoed and somebody had a

1:03:45.200 --> 1:03:46.400
<v Speaker 1>label how to be like, Yeah, I like that. We

1:03:46.440 --> 1:03:47.880
<v Speaker 1>should go in the studio and pay for that to

1:03:47.920 --> 1:03:50.200
<v Speaker 1>be recorded. We should cut that. Then it gets mixed

1:03:50.200 --> 1:03:52.240
<v Speaker 1>and mastered, and then there's a lot of steps that

1:03:52.280 --> 1:03:54.760
<v Speaker 1>a song goes through, uh, from when it's written to

1:03:54.880 --> 1:03:57.240
<v Speaker 1>when somebody hears it. And to see this song doing

1:03:57.320 --> 1:03:59.840
<v Speaker 1>so well, I start tracing those steps back and it's

1:04:00.000 --> 1:04:02.400
<v Speaker 1>like I spent a lot of time working on that track,

1:04:02.600 --> 1:04:06.320
<v Speaker 1>you know, producing the you know, the drum loops or whatever,

1:04:06.520 --> 1:04:09.040
<v Speaker 1>and editing vocals, and we do it all at my house,

1:04:09.120 --> 1:04:11.120
<v Speaker 1>so it's like a lot of time went into that.

1:04:11.240 --> 1:04:12.920
<v Speaker 1>And I was so nervous before we put it out

1:04:12.920 --> 1:04:15.600
<v Speaker 1>because it starts with the piano and a vocal, which

1:04:16.320 --> 1:04:17.880
<v Speaker 1>you know, for the people out there you don't know,

1:04:18.120 --> 1:04:20.640
<v Speaker 1>is like a little bit risky at country radio or

1:04:20.880 --> 1:04:23.520
<v Speaker 1>radio in general, because it's like ballads are tougher to

1:04:23.600 --> 1:04:26.280
<v Speaker 1>fit into a playlist because it's slowed down the base

1:04:26.320 --> 1:04:28.720
<v Speaker 1>of your radio station. But we're just are in this

1:04:28.760 --> 1:04:31.120
<v Speaker 1>place now where you know, luckily ballots have worked for

1:04:31.200 --> 1:04:33.360
<v Speaker 1>Dan and Shay, we've had success on from the ground up.

1:04:33.440 --> 1:04:39.680
<v Speaker 1>Was our biggest song previously, and that's and this one

1:04:39.760 --> 1:04:43.200
<v Speaker 1>had probably the second biggest. From the from the beginning,

1:04:43.280 --> 1:04:45.040
<v Speaker 1>we felt it this was a big one. It was

1:04:45.080 --> 1:04:47.920
<v Speaker 1>big for us, Yeah, and uh, we've been It's it's

1:04:47.920 --> 1:04:50.760
<v Speaker 1>funny because that this song is our biggest hit, changed

1:04:50.800 --> 1:04:53.400
<v Speaker 1>our lives, changed our career. We've been on a whole

1:04:53.440 --> 1:04:56.720
<v Speaker 1>other level since this song came out, but since Tequila

1:04:56.760 --> 1:04:59.080
<v Speaker 1>came out. That's the stat comparison. So all get emails

1:04:59.120 --> 1:05:01.600
<v Speaker 1>from s BO or you know whoever from the label

1:05:01.600 --> 1:05:04.160
<v Speaker 1>and it says Tequila has sold in the first four

1:05:04.280 --> 1:05:08.240
<v Speaker 1>days it was out, thirty two thousand downloads on iTunes

1:05:08.400 --> 1:05:12.160
<v Speaker 1>versus fifteen thousand of from the ground up, so almost double.

1:05:12.600 --> 1:05:15.240
<v Speaker 1>An additional stat is that the market in general on

1:05:15.320 --> 1:05:18.720
<v Speaker 1>track sales is down. You're going up down, so you

1:05:18.880 --> 1:05:21.320
<v Speaker 1>can hypothetically say it's almost double what it is. So

1:05:21.400 --> 1:05:23.040
<v Speaker 1>it's if you do that in your head, it's like,

1:05:23.520 --> 1:05:25.600
<v Speaker 1>this is so impactful and just to see how that's

1:05:25.680 --> 1:05:28.360
<v Speaker 1>how far that song went for us is insane. And

1:05:28.440 --> 1:05:30.400
<v Speaker 1>this one is, I mean, it's been number one on

1:05:30.440 --> 1:05:32.960
<v Speaker 1>the country chart, which is incredible. But then there's some

1:05:33.040 --> 1:05:35.840
<v Speaker 1>heavy hitters in the all genres chart. There's Bruno, Mars

1:05:35.880 --> 1:05:38.600
<v Speaker 1>has Filthy out right Now are just timber Lake, and

1:05:38.680 --> 1:05:42.240
<v Speaker 1>Bruno has Finesse imagine Dragons Thunder. All these songs are

1:05:42.240 --> 1:05:44.880
<v Speaker 1>in the top ten on the radio at pop, which

1:05:44.960 --> 1:05:48.120
<v Speaker 1>is an insanely big audience and tequila for some reason,

1:05:48.160 --> 1:05:49.560
<v Speaker 1>it is like the little engine that could, and it's

1:05:49.600 --> 1:05:52.240
<v Speaker 1>just camped out in the top five or top ten,

1:05:52.360 --> 1:05:54.200
<v Speaker 1>you know, the last couple of weeks, and it's I

1:05:54.240 --> 1:05:56.560
<v Speaker 1>don't know, it's it's surreal to me to see that

1:05:56.680 --> 1:06:00.200
<v Speaker 1>happen because it's still so early in the radio, you know,

1:06:00.280 --> 1:06:02.560
<v Speaker 1>country radio climb. It's it's a long time for a

1:06:02.600 --> 1:06:06.600
<v Speaker 1>new artist, but it is. And this song could cross

1:06:06.640 --> 1:06:08.560
<v Speaker 1>over a bit. I don't know, you probably thought about that,

1:06:08.640 --> 1:06:10.560
<v Speaker 1>never said it out loud, but this song could cross

1:06:10.600 --> 1:06:14.600
<v Speaker 1>over a bit. Yeah, I think uh on this round,

1:06:14.720 --> 1:06:16.680
<v Speaker 1>we you know, we did face a lot of the haters.

1:06:16.800 --> 1:06:18.960
<v Speaker 1>I think that was kind of our evolution. When we

1:06:19.160 --> 1:06:20.760
<v Speaker 1>first put out our you know, the Where It All

1:06:20.800 --> 1:06:22.680
<v Speaker 1>Began album, we we didn't know what we're doing on

1:06:22.760 --> 1:06:24.400
<v Speaker 1>that album. That was just demos that we were doing

1:06:24.480 --> 1:06:28.400
<v Speaker 1>in my living room or whatever on logic Um and

1:06:28.480 --> 1:06:30.400
<v Speaker 1>we were just kind of like two guys figuring it out.

1:06:30.640 --> 1:06:32.640
<v Speaker 1>In the second record, we kind of were reactive a

1:06:32.680 --> 1:06:35.760
<v Speaker 1>little bit of those people on Twitter at festivals saying like,

1:06:36.360 --> 1:06:39.080
<v Speaker 1>you guys ruining country music with that Myrtle Beach song,

1:06:39.160 --> 1:06:41.080
<v Speaker 1>the nineteen and Me song, you know that you guys

1:06:41.120 --> 1:06:43.040
<v Speaker 1>are so we were like, we should do a little

1:06:43.080 --> 1:06:46.040
<v Speaker 1>bit more of a country thing, and yeah, this is

1:06:46.080 --> 1:06:48.479
<v Speaker 1>the one that ruined country music, I guess, but totally

1:06:48.640 --> 1:06:51.520
<v Speaker 1>use everybody's saying it every time I came on the right.

1:06:51.560 --> 1:06:53.240
<v Speaker 1>You know this now and this is like down the

1:06:53.280 --> 1:06:55.320
<v Speaker 1>middle of country, but at the time it was very

1:06:55.400 --> 1:06:59.160
<v Speaker 1>left the center. Um, but all the artists that break through.

1:06:59.360 --> 1:07:01.440
<v Speaker 1>Sam Hunt, whenever his stuff came out, was like so

1:07:01.760 --> 1:07:05.520
<v Speaker 1>pushing boundaries, or even Kelsey or anybody who's doing their thing.

1:07:05.880 --> 1:07:07.240
<v Speaker 1>But now you listen back to that and you like,

1:07:07.360 --> 1:07:09.920
<v Speaker 1>that sounds like a normal country song, more traditional than

1:07:10.000 --> 1:07:11.959
<v Speaker 1>some stuff on the radio. And what you just talked

1:07:12.000 --> 1:07:14.680
<v Speaker 1>about has been done a thousand times. But just my

1:07:14.840 --> 1:07:17.240
<v Speaker 1>conversation with Garth about this specifically, and I talked Garth

1:07:17.360 --> 1:07:19.040
<v Speaker 1>is the pioneer of that. He said they want to

1:07:19.080 --> 1:07:20.800
<v Speaker 1>run him out of town because what he was doing

1:07:20.840 --> 1:07:23.480
<v Speaker 1>was so different than everybody else that he was running

1:07:23.560 --> 1:07:25.880
<v Speaker 1>country music. And not to compare Kelsey or you or

1:07:25.920 --> 1:07:28.320
<v Speaker 1>Sam to Garth, because everybody's in their own space, but

1:07:28.480 --> 1:07:30.720
<v Speaker 1>it's just the same story. Even from the biggest people

1:07:31.040 --> 1:07:33.240
<v Speaker 1>where you think, oh, that's what country is like. He

1:07:33.400 --> 1:07:36.080
<v Speaker 1>always was No. I sat with Garth and he said,

1:07:36.480 --> 1:07:38.720
<v Speaker 1>they told me that this is not country music. Yeah,

1:07:38.760 --> 1:07:41.760
<v Speaker 1>I should stop making it sure. I mean on this record,

1:07:41.840 --> 1:07:43.800
<v Speaker 1>we were just we're just like, you know what, we love,

1:07:43.880 --> 1:07:45.880
<v Speaker 1>what we love. We take all our influences. Obviously, we

1:07:46.000 --> 1:07:47.760
<v Speaker 1>moved here because we want to write country songs. We

1:07:47.840 --> 1:07:51.280
<v Speaker 1>love country music. But we were just like, we should

1:07:51.320 --> 1:07:54.040
<v Speaker 1>just record what we know how to record and record

1:07:54.120 --> 1:07:56.680
<v Speaker 1>great songs, no matter who writes them. Figured that on

1:07:56.760 --> 1:07:59.120
<v Speaker 1>our last record. We you know, we came here as songwriters,

1:07:59.640 --> 1:08:01.560
<v Speaker 1>but to have a successful artist career, you need to

1:08:01.600 --> 1:08:03.400
<v Speaker 1>always record the best song, whether you write it or

1:08:03.480 --> 1:08:05.960
<v Speaker 1>you don't. Adam Hambrick wrote, how not too. We heard

1:08:05.960 --> 1:08:08.520
<v Speaker 1>that demo come in. That's a funny story too. But

1:08:08.680 --> 1:08:10.200
<v Speaker 1>that song came in and we didn't write it, and

1:08:10.280 --> 1:08:13.880
<v Speaker 1>we were like, you know what this is. You know,

1:08:14.000 --> 1:08:16.919
<v Speaker 1>this isn't even the rest time I heard it. He recorded,

1:08:17.000 --> 1:08:20.920
<v Speaker 1>I think this sounds amazing, you got it. Look at that.

1:08:22.000 --> 1:08:27.760
<v Speaker 1>Here's the work tape. I've never heard this hit though,

1:08:28.200 --> 1:08:33.400
<v Speaker 1>you know. So if we took Adam out with us

1:08:33.439 --> 1:08:36.400
<v Speaker 1>and he played with Raging Idiots for four months, and

1:08:36.479 --> 1:08:39.120
<v Speaker 1>so he would play this song and every every I

1:08:39.200 --> 1:08:40.639
<v Speaker 1>played had a little bit of you guys in a heart.

1:08:40.720 --> 1:08:43.160
<v Speaker 1>I love it. I love it. But the thing is,

1:08:43.200 --> 1:08:45.040
<v Speaker 1>you talk about artists writing for you, you also write

1:08:45.040 --> 1:08:47.200
<v Speaker 1>for other artists. Yeah, we've had a little bit of

1:08:47.400 --> 1:08:49.559
<v Speaker 1>luck with that. We're we're still always it's a little

1:08:49.600 --> 1:08:51.599
<v Speaker 1>bit difficult now that we're doing our own projects, because

1:08:51.640 --> 1:08:54.280
<v Speaker 1>you write, you know, I think I wrote like ninety

1:08:54.320 --> 1:08:57.880
<v Speaker 1>four songs last year or something insane. Uh, But you

1:08:57.960 --> 1:08:59.920
<v Speaker 1>always want to like keep the best songs for yourself,

1:09:00.120 --> 1:09:02.479
<v Speaker 1>you know. Our artist career is obviously the most important thing.

1:09:03.040 --> 1:09:05.439
<v Speaker 1>And then when somebody hears something like that tequila song.

1:09:06.080 --> 1:09:07.840
<v Speaker 1>I wrote it with Nicole Galleon, who I think you've

1:09:07.840 --> 1:09:10.240
<v Speaker 1>talked to her. We talked to days a matter of fact.

1:09:10.800 --> 1:09:13.519
<v Speaker 1>She's brilliant. She's like one step ahead of everybody else

1:09:14.560 --> 1:09:16.479
<v Speaker 1>right now. She's got female from Keith Urban out there.

1:09:16.640 --> 1:09:19.320
<v Speaker 1>She's boy for Lee Bryce, which like some of the

1:09:19.400 --> 1:09:22.920
<v Speaker 1>best most well written songs on country radio. Uh. And

1:09:23.240 --> 1:09:25.880
<v Speaker 1>my friend Jordan Reynolds and uh, what was I talking

1:09:25.880 --> 1:09:27.880
<v Speaker 1>about writing that song? Oh? Yeah, we we wrote that

1:09:27.960 --> 1:09:29.560
<v Speaker 1>song and it was one of the ones from the

1:09:29.600 --> 1:09:31.439
<v Speaker 1>ground up was the same thing where we sat on

1:09:31.479 --> 1:09:33.320
<v Speaker 1>the demo for a little while, sat on it for

1:09:33.360 --> 1:09:35.559
<v Speaker 1>like a year before we recorded it, and it had

1:09:35.600 --> 1:09:38.080
<v Speaker 1>circulated to other artists, you know, publishers and even to

1:09:38.360 --> 1:09:41.040
<v Speaker 1>Tequilacula tequila. Yeah, and it's circulated. I would get text

1:09:41.120 --> 1:09:42.880
<v Speaker 1>from artists and be like, dude, if you guys aren't

1:09:42.880 --> 1:09:45.519
<v Speaker 1>cutting that song, I'm cutting that like I'm gonna put

1:09:45.560 --> 1:09:48.280
<v Speaker 1>it on my record. And then you're like, should I

1:09:48.320 --> 1:09:50.320
<v Speaker 1>get that song away? Because you never know what's gonna

1:09:50.360 --> 1:09:52.559
<v Speaker 1>end up making. That song may never have made our record,

1:09:52.920 --> 1:09:55.599
<v Speaker 1>you know, we may have beat it or written something else,

1:09:55.680 --> 1:09:58.040
<v Speaker 1>like I should have gave that away, But you know,

1:09:58.320 --> 1:10:00.840
<v Speaker 1>it always finds the right home somehow. I don't know,

1:10:01.520 --> 1:10:04.160
<v Speaker 1>or the home that it has is just what you know.

1:10:04.880 --> 1:10:07.920
<v Speaker 1>It's true because there could have been so listen. I'm

1:10:07.960 --> 1:10:12.479
<v Speaker 1>just not I'm just not as a destiny guy. I'm

1:10:13.280 --> 1:10:16.400
<v Speaker 1>but you make your own. I do enjoy tequila the song.

1:10:16.439 --> 1:10:18.479
<v Speaker 1>I've never actually tasted tequila to drink, but I do

1:10:18.760 --> 1:10:28.760
<v Speaker 1>enjoy to kick the vocals on is that I saw

1:10:28.840 --> 1:10:32.080
<v Speaker 1>you post that. I didn't know that. Yeah, like the

1:10:32.200 --> 1:10:36.240
<v Speaker 1>first time ever on the track. We just do all this. Yeah,

1:10:37.640 --> 1:10:39.679
<v Speaker 1>that little Justin Bieber thing in the back. I should

1:10:39.680 --> 1:10:41.600
<v Speaker 1>have pulled up my I saw Zach Rowl was on

1:10:41.720 --> 1:10:43.679
<v Speaker 1>here like soloing out tracks. We'll do that next time.

1:10:43.960 --> 1:10:47.000
<v Speaker 1>It's a kid. So I just took the tequila thing

1:10:47.040 --> 1:10:49.360
<v Speaker 1>and it shifted it up to a sense and it's

1:10:49.520 --> 1:10:53.400
<v Speaker 1>made that little crazy tequila song. And the thing is,

1:10:53.640 --> 1:10:55.960
<v Speaker 1>you're such a pretty like this is you doing this stuff?

1:10:56.520 --> 1:11:01.800
<v Speaker 1>People don't know that you're that. Shay is excellent. It's

1:11:01.840 --> 1:11:05.920
<v Speaker 1>it's such a great team. Yeah, because for the most part,

1:11:05.960 --> 1:11:08.080
<v Speaker 1>you're the brains that's putting these sounds together, and it's

1:11:08.120 --> 1:11:11.479
<v Speaker 1>in a lab and Sha singing his freaking brains out

1:11:11.640 --> 1:11:14.840
<v Speaker 1>on stage. But you're both are doing the other things too.

1:11:15.120 --> 1:11:17.080
<v Speaker 1>For sure. He's literally the best singer I've ever heard.

1:11:17.360 --> 1:11:20.360
<v Speaker 1>It's like insane. It's amazing to watch somebody who's never

1:11:20.400 --> 1:11:23.000
<v Speaker 1>heard him singing person watch their reaction. Oh that's what

1:11:23.000 --> 1:11:24.439
<v Speaker 1>happened to me. When you guys came in the front,

1:11:24.439 --> 1:11:27.080
<v Speaker 1>I was like, oh, yeah, they're the best. Yeah, game over. Ye,

1:11:27.320 --> 1:11:29.280
<v Speaker 1>it's insane. I still get blown away by it. I'm

1:11:29.320 --> 1:11:32.679
<v Speaker 1>like when I when he's in the studio, especially live

1:11:33.400 --> 1:11:35.360
<v Speaker 1>is there's a lot of great live singers, but in

1:11:35.400 --> 1:11:38.519
<v Speaker 1>the studio is like very vulnerable place. And I mean

1:11:38.760 --> 1:11:40.920
<v Speaker 1>just the timing and the tone and like I look

1:11:40.960 --> 1:11:43.200
<v Speaker 1>at you know, I'll pull up you know, a pitch

1:11:43.560 --> 1:11:45.200
<v Speaker 1>thing and look at where he is. I mean, he's

1:11:45.240 --> 1:11:47.840
<v Speaker 1>like spot on. It's it's a gift, it really is.

1:11:48.200 --> 1:11:49.680
<v Speaker 1>I mean it's and he can wake up in the

1:11:49.720 --> 1:11:51.400
<v Speaker 1>morning and sing too. It's like, you know, coming on

1:11:51.479 --> 1:11:53.360
<v Speaker 1>the radio show and sing Boys two Men, which is

1:11:53.439 --> 1:11:56.000
<v Speaker 1>like that's a hard song to sing. Yeah, I didn't

1:11:56.000 --> 1:11:57.680
<v Speaker 1>ask you guys to sing the last time because I

1:11:57.800 --> 1:11:59.240
<v Speaker 1>was like, you know him saying, I was like, no,

1:12:00.160 --> 1:12:02.280
<v Speaker 1>they need they let let's let's have a little time

1:12:02.280 --> 1:12:04.040
<v Speaker 1>there in the middle. You guys have just crushed it

1:12:04.120 --> 1:12:07.800
<v Speaker 1>so many times. So man, I'm happy for you guys.

1:12:08.120 --> 1:12:09.799
<v Speaker 1>Thank you. Man. You you've been there since the beginning.

1:12:09.880 --> 1:12:11.880
<v Speaker 1>So it's been a kind of not really but kind

1:12:11.920 --> 1:12:13.479
<v Speaker 1>of like I mean, I've been I didn't know what

1:12:13.520 --> 1:12:15.439
<v Speaker 1>I was doing when you started. I wish I could

1:12:15.479 --> 1:12:17.439
<v Speaker 1>have been the guy that was like, dnit shade the

1:12:17.439 --> 1:12:18.800
<v Speaker 1>best ever? You should trust me. I don't even know

1:12:18.800 --> 1:12:20.360
<v Speaker 1>I was talking about you know what I think now

1:12:20.520 --> 1:12:22.840
<v Speaker 1>we've settled into our places after we were like kind

1:12:22.880 --> 1:12:24.760
<v Speaker 1>of on the same timeline, and we've settled in and

1:12:24.840 --> 1:12:26.760
<v Speaker 1>we just do us, you know, like you do in

1:12:26.840 --> 1:12:29.160
<v Speaker 1>your thing. If there's a few haters out there, so

1:12:29.320 --> 1:12:31.360
<v Speaker 1>what they don't have to listen, you do your thinking

1:12:31.360 --> 1:12:32.920
<v Speaker 1>and we're making the music we want to make. And

1:12:33.040 --> 1:12:35.479
<v Speaker 1>that's what we did on Tequilo. Like we could have

1:12:35.640 --> 1:12:37.240
<v Speaker 1>went more country, could have went more pop, but we

1:12:37.320 --> 1:12:38.720
<v Speaker 1>just did what we knew how to do. And we're like,

1:12:38.800 --> 1:12:41.479
<v Speaker 1>you know what country music is just about great songs

1:12:41.520 --> 1:12:43.639
<v Speaker 1>and great stories, and that's what we did. And yeah,

1:12:43.640 --> 1:12:46.080
<v Speaker 1>it's maybe about it may be slower than some of

1:12:46.120 --> 1:12:49.360
<v Speaker 1>the other stuff we've recorded. Stuff explained yourself, everybody. I

1:12:50.080 --> 1:12:53.639
<v Speaker 1>feel like you've been built defensive because people have been saying, oh, yeah,

1:12:54.200 --> 1:12:58.320
<v Speaker 1>I'm just being honest. Screw it, don't be defense. We

1:12:58.439 --> 1:13:01.759
<v Speaker 1>just did. Don't explain it, that's right. Just it's awesome,

1:13:02.080 --> 1:13:05.559
<v Speaker 1>Thank you, thank you. That's it. Likewise, no, no, I did.

1:13:05.640 --> 1:13:10.360
<v Speaker 1>It's true though. You're doing your thing definitely Bellerini's album title.

1:13:10.760 --> 1:13:12.479
<v Speaker 1>But it's true. I mean, you're doing your thing and

1:13:13.240 --> 1:13:15.960
<v Speaker 1>you have a huge following and it's massively successful because

1:13:16.000 --> 1:13:17.200
<v Speaker 1>you're doing. I want to talk about me, but you

1:13:17.280 --> 1:13:21.240
<v Speaker 1>gotta shake that explanation. I don't have to explain how

1:13:21.280 --> 1:13:25.240
<v Speaker 1>many number ones you have as an artist, three okay,

1:13:25.320 --> 1:13:29.240
<v Speaker 1>and how many of you written on two? So it's funny.

1:13:29.280 --> 1:13:31.639
<v Speaker 1>The nineteen You and Me was one of our biggest songs,

1:13:32.200 --> 1:13:34.240
<v Speaker 1>went to number eleven on the chart. That's all that

1:13:34.280 --> 1:13:38.439
<v Speaker 1>song went, you know, Keith said to me. I went to, uh,

1:13:38.800 --> 1:13:40.639
<v Speaker 1>it does matter. I was hanging with Keith. I started

1:13:40.720 --> 1:13:42.920
<v Speaker 1>name droping too much, even I know myself. So I

1:13:42.920 --> 1:13:45.040
<v Speaker 1>start I'm hanging with Keith everyone we're talking about songs

1:13:45.320 --> 1:13:47.760
<v Speaker 1>and he's like, man, He's like, I don't know if

1:13:47.800 --> 1:13:51.519
<v Speaker 1>it was stupid Boy or whatever. It was like, it

1:13:51.600 --> 1:13:54.599
<v Speaker 1>wasn't the number one song, and it's what, I don't

1:13:54.640 --> 1:13:57.280
<v Speaker 1>remember which one it was specifically, like our favorite song,

1:13:57.360 --> 1:13:58.519
<v Speaker 1>you know, yes, And he was like, it wasn't the

1:13:58.600 --> 1:14:00.200
<v Speaker 1>number one song, but it's the one that people I

1:14:00.320 --> 1:14:02.200
<v Speaker 1>just want me to play the most. The fans don't know.

1:14:02.880 --> 1:14:04.439
<v Speaker 1>They don't care. If they love a song and it

1:14:04.560 --> 1:14:06.280
<v Speaker 1>hits them like it makes them feel something, they don't

1:14:06.280 --> 1:14:08.320
<v Speaker 1>care where it ends up. We in this town, we care,

1:14:08.360 --> 1:14:10.240
<v Speaker 1>and I everybody out there that I care. I want

1:14:10.320 --> 1:14:12.160
<v Speaker 1>our songs are good at number one, obviously, do you

1:14:12.200 --> 1:14:15.000
<v Speaker 1>want to eat? Yeah, when it is rewarding, I mean,

1:14:15.040 --> 1:14:17.120
<v Speaker 1>it doesn't get any higher than going number one. So

1:14:17.240 --> 1:14:19.639
<v Speaker 1>that's that's a great place except number one for two weeks. Listen,

1:14:19.680 --> 1:14:26.080
<v Speaker 1>there's place I'm gonna but the fans if it connects,

1:14:26.160 --> 1:14:28.479
<v Speaker 1>like we've had stuff Diet thirty five on the chart

1:14:28.560 --> 1:14:30.439
<v Speaker 1>that pop off at our shows. I talked to Thomas

1:14:30.479 --> 1:14:32.920
<v Speaker 1>read about this. He here, I go to name drop vacation,

1:14:33.120 --> 1:14:35.639
<v Speaker 1>vacation that to him get crushed him to the song

1:14:35.800 --> 1:14:38.360
<v Speaker 1>didn't do that well at all. Yeah, and he's like,

1:14:38.400 --> 1:14:40.200
<v Speaker 1>I play it live and people freak out. We were

1:14:40.200 --> 1:14:41.840
<v Speaker 1>in the back of the bus and he he was

1:14:41.880 --> 1:14:43.560
<v Speaker 1>about to go to radio with that song, and he

1:14:43.600 --> 1:14:45.720
<v Speaker 1>said there was like eleven guys that had hit him

1:14:45.800 --> 1:14:47.640
<v Speaker 1>up and said I will never play this song. And

1:14:47.720 --> 1:14:49.000
<v Speaker 1>he was like, you know what, it's so good at

1:14:49.080 --> 1:14:51.640
<v Speaker 1>my show. If we can get any visibility on this song,

1:14:51.720 --> 1:14:53.160
<v Speaker 1>it's going to be even better in the show. So

1:14:53.520 --> 1:14:56.120
<v Speaker 1>screw it. And that was awesome. That was risky. That

1:14:56.200 --> 1:14:57.680
<v Speaker 1>was a bold move of him, and it's I mean,

1:14:57.840 --> 1:14:59.720
<v Speaker 1>we toured with him. It goes off at his show. Yeah,

1:14:59.840 --> 1:15:01.640
<v Speaker 1>he even played it in New Year's Eve and I

1:15:01.840 --> 1:15:03.639
<v Speaker 1>texted him afterward. I was like, dude, it was great.

1:15:03.680 --> 1:15:06.920
<v Speaker 1>I don't care what stupid radio says. And I love

1:15:07.040 --> 1:15:09.720
<v Speaker 1>radio and I hate radio, and I can be both. Now.

1:15:09.840 --> 1:15:12.000
<v Speaker 1>Radio is in country music is the driving forest behind

1:15:12.040 --> 1:15:13.960
<v Speaker 1>what we do. It's like, you want to have hits,

1:15:14.000 --> 1:15:16.080
<v Speaker 1>but I mean it would be a lot tougher for

1:15:16.160 --> 1:15:17.760
<v Speaker 1>Thomas start to put out vacation He do you not

1:15:17.840 --> 1:15:20.720
<v Speaker 1>a die happy man? You know? So you know, and

1:15:20.960 --> 1:15:23.120
<v Speaker 1>we'll end on this. What's frustrating for me is I

1:15:23.200 --> 1:15:26.920
<v Speaker 1>wish there were a way because people aren't buying music

1:15:27.080 --> 1:15:31.320
<v Speaker 1>as much, they're streaming it more. Not totally, but a

1:15:31.439 --> 1:15:34.559
<v Speaker 1>large market share is is streaming music. I wish there

1:15:34.640 --> 1:15:36.519
<v Speaker 1>was a legitimate way to see how many people are

1:15:36.520 --> 1:15:39.960
<v Speaker 1>playing the song because we're not knowing people's algorithms. I've

1:15:40.000 --> 1:15:42.160
<v Speaker 1>said this before Spotify, for example. I have friends that

1:15:42.200 --> 1:15:44.599
<v Speaker 1>have thirteen million plays on a song and they can't

1:15:44.600 --> 1:15:47.200
<v Speaker 1>sell fifty people at a bar. And then I have

1:15:47.320 --> 1:15:49.920
<v Speaker 1>some friends that have three thousand and they can sell

1:15:50.280 --> 1:15:53.320
<v Speaker 1>hard tickets. It's interesting, it's so weird. What's the metric?

1:15:53.400 --> 1:15:55.360
<v Speaker 1>You know? How do you they don't tell us. They

1:15:55.400 --> 1:15:58.679
<v Speaker 1>also Apple also doesn't reveal theirs. No one reveals theirs,

1:15:59.360 --> 1:16:01.640
<v Speaker 1>but I wish to with some kind of real like

1:16:02.080 --> 1:16:04.000
<v Speaker 1>this is how I would do it in a perfect world.

1:16:04.360 --> 1:16:06.080
<v Speaker 1>First of all, there would be legislation, but there should

1:16:06.080 --> 1:16:10.920
<v Speaker 1>be any way for songwriters. But in order to say

1:16:10.920 --> 1:16:12.880
<v Speaker 1>a song played this much because it's used for data,

1:16:13.360 --> 1:16:17.800
<v Speaker 1>it has to actually be played singularly for a certain

1:16:17.800 --> 1:16:20.040
<v Speaker 1>amount of time. We don't know if a song is

1:16:20.040 --> 1:16:21.680
<v Speaker 1>just on a playlist. If one song gets played on

1:16:21.720 --> 1:16:24.760
<v Speaker 1>the place, everybody gets an account of a spin, nobody knows,

1:16:24.800 --> 1:16:27.280
<v Speaker 1>and it probably doesn't, but we don't know. And I

1:16:27.320 --> 1:16:29.760
<v Speaker 1>wish there was a way to quantify that, but since

1:16:29.800 --> 1:16:33.559
<v Speaker 1>it's all private, they don't have to. I just wish

1:16:33.640 --> 1:16:35.679
<v Speaker 1>there were away because it would make my life easier

1:16:35.760 --> 1:16:37.680
<v Speaker 1>to go, oh, that's what people are really listening to,

1:16:38.760 --> 1:16:42.599
<v Speaker 1>because music with Spotify with title that you can't look

1:16:42.640 --> 1:16:45.920
<v Speaker 1>at those numbers because again they're artists. I've never even

1:16:46.000 --> 1:16:49.920
<v Speaker 1>heard of that. And I have no problem with people

1:16:50.000 --> 1:16:53.439
<v Speaker 1>gaming the system, buying YouTube views, buying. That's just part

1:16:53.479 --> 1:16:58.639
<v Speaker 1>of the game, and I've been guilty of it too. Yeah,

1:16:58.720 --> 1:17:03.240
<v Speaker 1>you can't fake having tickets and absolute metric. What I've

1:17:03.280 --> 1:17:05.160
<v Speaker 1>ever used it for when I gained the system is

1:17:05.800 --> 1:17:09.840
<v Speaker 1>two like to get guests. When I was starting off

1:17:09.880 --> 1:17:11.920
<v Speaker 1>in Austin, right, I would do all this stuff to

1:17:11.960 --> 1:17:13.519
<v Speaker 1>make the show look bigger because people didn't know the

1:17:13.520 --> 1:17:15.200
<v Speaker 1>show would see the number. Oh they must be bigger

1:17:16.160 --> 1:17:18.479
<v Speaker 1>the book. It was always for a later habits pressed too.

1:17:18.520 --> 1:17:20.000
<v Speaker 1>We'll get a hit up for an interview. Is like

1:17:20.040 --> 1:17:22.720
<v Speaker 1>this blog gets this many million views or whatever, and

1:17:22.800 --> 1:17:25.000
<v Speaker 1>we're like, it seems like a great opportunity, let's do it.

1:17:25.000 --> 1:17:27.879
<v Speaker 1>And it's like, is that real? I don't know. Nothing

1:17:28.000 --> 1:17:30.240
<v Speaker 1>is real. Yeah, And as long as you know nothing

1:17:30.360 --> 1:17:34.680
<v Speaker 1>is really right now, we might have goggles on. So

1:17:35.200 --> 1:17:37.080
<v Speaker 1>my point is I wish there was some sort of

1:17:37.360 --> 1:17:39.599
<v Speaker 1>thing to look at where they're used to actually beat

1:17:39.600 --> 1:17:41.760
<v Speaker 1>record sales. But even then people would buy it bulk

1:17:41.800 --> 1:17:44.680
<v Speaker 1>records themselves. It was maybe even easier than for just

1:17:44.800 --> 1:17:47.479
<v Speaker 1>a common common artists to do it. Nothing is real.

1:17:48.160 --> 1:17:50.120
<v Speaker 1>The only thing it's real are people's faces that come

1:17:50.160 --> 1:17:52.320
<v Speaker 1>to shows and buy tickets. That's the only real thing.

1:17:52.439 --> 1:17:54.679
<v Speaker 1>Now is a great time to be a new artist, though,

1:17:54.800 --> 1:17:57.479
<v Speaker 1>because there's so many platforms to get your music out there.

1:17:57.520 --> 1:17:59.560
<v Speaker 1>You and you can make music in your bedroom. You

1:17:59.560 --> 1:18:01.439
<v Speaker 1>can blow the laptop. We made our first record on

1:18:01.520 --> 1:18:03.439
<v Speaker 1>my laptop. You know you can with technology. I agree.

1:18:03.479 --> 1:18:07.879
<v Speaker 1>Here's where I disagree. Counterpoint, there's so many new artists

1:18:08.479 --> 1:18:10.920
<v Speaker 1>because it makes your job harder. It makes radio, it

1:18:11.000 --> 1:18:13.360
<v Speaker 1>makes even the artist job harder. But it makes the

1:18:13.560 --> 1:18:16.400
<v Speaker 1>quality better because that many more people are competing. So

1:18:16.479 --> 1:18:20.000
<v Speaker 1>as the consumer, it makes it better for us exactly

1:18:20.080 --> 1:18:22.360
<v Speaker 1>because what we're getting is the best of the best

1:18:22.400 --> 1:18:24.679
<v Speaker 1>of the best. It's really good. Yeah, I mean, there's

1:18:24.760 --> 1:18:27.200
<v Speaker 1>some really good songs on country radio and they're all

1:18:27.280 --> 1:18:28.920
<v Speaker 1>fighting for that same spot. It is hard to get

1:18:28.960 --> 1:18:30.880
<v Speaker 1>a song up the chart and in the charges stupid,

1:18:30.880 --> 1:18:33.800
<v Speaker 1>don't even me start about the charts. There's so many

1:18:33.880 --> 1:18:36.479
<v Speaker 1>songs and they're all great because they're not all great.

1:18:36.520 --> 1:18:41.120
<v Speaker 1>There's big turns at or if you look on YouTube,

1:18:41.160 --> 1:18:43.400
<v Speaker 1>you look up so and so's cover of certain songs,

1:18:43.600 --> 1:18:45.519
<v Speaker 1>like so many of these kids should all have record deals.

1:18:45.760 --> 1:18:48.120
<v Speaker 1>They're all great because are you know most of them

1:18:48.160 --> 1:18:50.800
<v Speaker 1>are great because I don't know, there's other people that

1:18:50.880 --> 1:18:52.760
<v Speaker 1>are doing it. There's just like a lot I don't know.

1:18:52.880 --> 1:18:55.760
<v Speaker 1>The access is there's so much access, and yeah, it's

1:18:55.760 --> 1:18:58.200
<v Speaker 1>a little oversaturated when you're an artist and you're like, crap,

1:18:58.280 --> 1:19:00.360
<v Speaker 1>he's really good too. But for the consumer, you're right.

1:19:00.439 --> 1:19:02.800
<v Speaker 1>There is so much good stuff and it's it's the

1:19:02.840 --> 1:19:06.879
<v Speaker 1>access for it. You can listen anywhere Spotify, Apple Music, Amazon,

1:19:06.960 --> 1:19:09.519
<v Speaker 1>I mean I didn't even mention Amazon, like that's a

1:19:09.600 --> 1:19:15.280
<v Speaker 1>huge infrastructure. Well, uh, tequila is out. While we're looking

1:19:15.320 --> 1:19:18.080
<v Speaker 1>at time frame for a full record, I'm working on

1:19:18.120 --> 1:19:20.400
<v Speaker 1>it tonight. I was working on them today. So we're

1:19:20.439 --> 1:19:23.960
<v Speaker 1>in the process right now. We've recorded maybe like a

1:19:24.080 --> 1:19:28.160
<v Speaker 1>quarter sometime this year the area. Yeah, we'll probably sprinkle

1:19:28.200 --> 1:19:30.840
<v Speaker 1>out a few songs and in the meantime, but pumps

1:19:31.040 --> 1:19:32.479
<v Speaker 1>when we when we hang up here, I'll play you

1:19:32.479 --> 1:19:33.880
<v Speaker 1>a few things. Are we on the phone right now?

1:19:34.880 --> 1:19:37.240
<v Speaker 1>I don't listen. I don't listen to songs. You just

1:19:37.360 --> 1:19:39.639
<v Speaker 1>don't like songs. No, no, no, I don't listen to songs.

1:19:39.720 --> 1:19:42.800
<v Speaker 1>Early I've come from my friends. The only people listen

1:19:42.800 --> 1:19:46.160
<v Speaker 1>to you. And Keith Urban sent you a song once. Yeah,

1:19:46.320 --> 1:19:47.640
<v Speaker 1>he brought you how to listen to I just what

1:19:47.840 --> 1:19:51.840
<v Speaker 1>Keith sends you? This song come on literally blew up

1:19:51.880 --> 1:19:53.600
<v Speaker 1>and it said Keith on it, And I was like,

1:19:53.800 --> 1:19:55.880
<v Speaker 1>Keith who and you're like, you try to play it off,

1:19:55.920 --> 1:19:57.920
<v Speaker 1>and it was Keith Urban sent a new song or

1:19:57.920 --> 1:20:00.160
<v Speaker 1>a demo for some reason. He does, and mean every

1:20:00.280 --> 1:20:02.679
<v Speaker 1>time he sends me new songs, like two or three weeks.

1:20:02.760 --> 1:20:06.280
<v Speaker 1>He's the coolest guy. He is. When he was on

1:20:06.400 --> 1:20:08.080
<v Speaker 1>your show and he was playing the mashup of all

1:20:08.120 --> 1:20:12.120
<v Speaker 1>his hits, I was like, he just wins. He he is.

1:20:12.880 --> 1:20:14.280
<v Speaker 1>I don't want to gush about him too much, but

1:20:14.320 --> 1:20:17.479
<v Speaker 1>he is. He's awesome and as a person even better

1:20:17.520 --> 1:20:21.080
<v Speaker 1>as an artist, insane, just like elevates the game every

1:20:21.120 --> 1:20:23.639
<v Speaker 1>single time, and anybody that works with goes, oh yeah,

1:20:23.680 --> 1:20:25.200
<v Speaker 1>I used to think somebody was good and took Keith

1:20:25.240 --> 1:20:28.760
<v Speaker 1>gut in. It's kind of like humiliating sometimes, you know.

1:20:29.280 --> 1:20:31.720
<v Speaker 1>So I don't listen to music because here's why I

1:20:31.880 --> 1:20:35.720
<v Speaker 1>hate having to do the oh yeah, oh I'm yeah.

1:20:36.680 --> 1:20:38.400
<v Speaker 1>And if I do listen to music, I do it

1:20:38.640 --> 1:20:40.599
<v Speaker 1>and it's so rade. I wouldn't even listen to Stapleton's

1:20:40.640 --> 1:20:42.400
<v Speaker 1>record he sent it to me early said, Chris, I'm

1:20:42.400 --> 1:20:45.200
<v Speaker 1>not gonna listen to it because I want to experience

1:20:45.200 --> 1:20:50.040
<v Speaker 1>it with my people. I like that. So, yeah, I

1:20:50.120 --> 1:20:51.639
<v Speaker 1>probably listen to the kids if it was a single

1:20:51.720 --> 1:20:55.960
<v Speaker 1>over a text. But you and I, as I'm thinking

1:20:55.960 --> 1:20:58.240
<v Speaker 1>about listening to music. We had an early bond over

1:20:58.320 --> 1:21:01.800
<v Speaker 1>Walker Hayes too. Yes, because when I first heard I

1:21:01.840 --> 1:21:03.240
<v Speaker 1>was like oh, and you were like, oh you text

1:21:03.280 --> 1:21:05.120
<v Speaker 1>me like, oh yeah, it's off the wall this' and Halloween. Yeah.

1:21:05.160 --> 1:21:09.160
<v Speaker 1>We took him on tour and yeah, yeah, he's prolific.

1:21:09.280 --> 1:21:12.280
<v Speaker 1>To have your words smith Man, you've written a song

1:21:12.320 --> 1:21:15.000
<v Speaker 1>with the movie. Yes, we wrote Noma Stay Together Sick. Yeah,

1:21:15.160 --> 1:21:18.280
<v Speaker 1>he's brilliant. He's another guy is like one step ahead

1:21:18.320 --> 1:21:20.280
<v Speaker 1>of everybody in the room. You just can't catch up,

1:21:20.400 --> 1:21:21.840
<v Speaker 1>so you just go along for the ride. When he

1:21:21.880 --> 1:21:25.240
<v Speaker 1>starts using words. He's a poet. It's insane. And his flow,

1:21:25.960 --> 1:21:29.360
<v Speaker 1>his jawline go on and gone on, shoulders, shoulders of

1:21:29.439 --> 1:21:34.920
<v Speaker 1>a line. He is pretty. He's insane and he's got

1:21:35.439 --> 1:21:38.120
<v Speaker 1>He had all his kids. We were Amy's. It might

1:21:38.120 --> 1:21:40.040
<v Speaker 1>do three more minutes and I'll be done. I'm here

1:21:40.040 --> 1:21:42.360
<v Speaker 1>all night. We could literally do this three hours and

1:21:42.400 --> 1:21:45.320
<v Speaker 1>just talk about music. But um we went over to

1:21:45.720 --> 1:21:48.880
<v Speaker 1>uh when Amy's kids came in from Haiti. So some

1:21:48.960 --> 1:21:50.760
<v Speaker 1>friends came over to Amy's and it was all just

1:21:50.960 --> 1:21:53.439
<v Speaker 1>people in our circle because it was a very personal

1:21:53.520 --> 1:21:56.599
<v Speaker 1>thing for her and to But in our circle there

1:21:56.640 --> 1:21:59.799
<v Speaker 1>are some artists and it was Walker, it was Eric Passley,

1:22:00.040 --> 1:22:03.599
<v Speaker 1>Steve Mockler. I grew up with Steve. Really my guy. Yeah,

1:22:05.520 --> 1:22:08.639
<v Speaker 1>the best, I mean him a grade so it sound nice,

1:22:09.000 --> 1:22:13.000
<v Speaker 1>the nicest people. So another brilliant songwriter in words Smith.

1:22:13.200 --> 1:22:17.960
<v Speaker 1>Walker had his kids and all uh six of them

1:22:18.000 --> 1:22:19.960
<v Speaker 1>were there and it was the first time I've ever

1:22:20.000 --> 1:22:21.600
<v Speaker 1>seen them all together at one point and it was

1:22:21.760 --> 1:22:26.200
<v Speaker 1>really he's a story, but they're all like they're also

1:22:26.280 --> 1:22:29.320
<v Speaker 1>well behaved. He's so fertile, so fertile. This is so

1:22:29.800 --> 1:22:33.120
<v Speaker 1>buff and fertile. He was out. We were out on tour,

1:22:33.240 --> 1:22:34.880
<v Speaker 1>Thomas Rhett and Walker was on the tour as well,

1:22:34.880 --> 1:22:35.960
<v Speaker 1>and he brought them all out and they were like,

1:22:36.160 --> 1:22:37.760
<v Speaker 1>they would all sit down, they would It was like

1:22:37.920 --> 1:22:41.080
<v Speaker 1>they were so well be Yeah. He showed up and

1:22:41.479 --> 1:22:43.960
<v Speaker 1>we um if we played a show where we didn't fly,

1:22:44.080 --> 1:22:46.040
<v Speaker 1>because he opened for me doing stand up, which he

1:22:46.120 --> 1:22:48.080
<v Speaker 1>was the perfect opener because he had so much energy

1:22:48.400 --> 1:22:51.719
<v Speaker 1>even by himself with the pedal. Yes. So he shows

1:22:51.800 --> 1:22:53.120
<v Speaker 1>up and I said, oh, you got a new bus,

1:22:53.240 --> 1:22:55.320
<v Speaker 1>like a small like sprinter van. Yeah, it's like, hey

1:22:55.360 --> 1:22:57.519
<v Speaker 1>gotta He was, no, no, no, that's just our family car.

1:22:57.960 --> 1:23:00.599
<v Speaker 1>He said, I just drove it. I mean, have six kids,

1:23:00.640 --> 1:23:03.240
<v Speaker 1>you have to have a big They rented like a

1:23:03.320 --> 1:23:05.120
<v Speaker 1>church fan or something. When we were out and he

1:23:05.200 --> 1:23:07.679
<v Speaker 1>had to drive the kids. His wife Liane. He's awesome

1:23:07.680 --> 1:23:09.320
<v Speaker 1>to him. He's a guy that I really root for. Man.

1:23:09.439 --> 1:23:12.160
<v Speaker 1>He obviously loved the music when I heard it online. First,

1:23:12.240 --> 1:23:14.479
<v Speaker 1>that's hit you about it, and we talked about Halloween,

1:23:14.560 --> 1:23:16.880
<v Speaker 1>but getting no him out on the road, like hearing

1:23:16.920 --> 1:23:19.639
<v Speaker 1>his story. And when I heard that, Craig's honestly crowd.

1:23:19.680 --> 1:23:22.680
<v Speaker 1>When I did so, I texted him immediately because I

1:23:22.760 --> 1:23:24.760
<v Speaker 1>wouldn't listen to it earlier. We were crying thinking about it.

1:23:24.840 --> 1:23:27.800
<v Speaker 1>Right now, we're working on my stuff and Walker was

1:23:27.880 --> 1:23:30.160
<v Speaker 1>producing it because we wrote that song together. And then

1:23:30.280 --> 1:23:32.120
<v Speaker 1>I said, Walk, are you produce? He's I never produced anything.

1:23:32.160 --> 1:23:34.599
<v Speaker 1>I was like, it doesn't matter if you have that instinct.

1:23:34.760 --> 1:23:36.759
<v Speaker 1>You have that instinct. So we go on. He's producing

1:23:36.800 --> 1:23:38.160
<v Speaker 1>it because I want you to hear Craig, did you

1:23:38.200 --> 1:23:40.080
<v Speaker 1>do it at the shack? I said, we wrote it

1:23:40.080 --> 1:23:43.800
<v Speaker 1>at the shack. Oh, yeah, we produced at a different place,

1:23:44.400 --> 1:23:46.120
<v Speaker 1>but we did write in the shack, and so then

1:23:47.200 --> 1:23:49.120
<v Speaker 1>I said, I'm not gonna listen to any song with you.

1:23:49.600 --> 1:23:51.960
<v Speaker 1>But then I had it when it came out, and

1:23:52.160 --> 1:23:54.280
<v Speaker 1>I bought the record and I listen to Craig and

1:23:54.320 --> 1:23:56.160
<v Speaker 1>I cried and I don't cry, and I text him,

1:23:56.160 --> 1:23:57.720
<v Speaker 1>I said, dude, I just cried during the song. I

1:23:57.840 --> 1:23:59.320
<v Speaker 1>was so in. We were in Europe and I was

1:23:59.360 --> 1:24:01.639
<v Speaker 1>like on the treadmill and I literally heard him start

1:24:01.800 --> 1:24:03.640
<v Speaker 1>and I had to get off the treadmill and like

1:24:03.720 --> 1:24:05.519
<v Speaker 1>listen to the words, and I broke. It was insane.

1:24:05.560 --> 1:24:08.760
<v Speaker 1>I played it on the show and I played it

1:24:08.880 --> 1:24:11.280
<v Speaker 1>twice and I think I went to number seven. I

1:24:11.320 --> 1:24:14.320
<v Speaker 1>wasn't in the top two. That's how. That's how not

1:24:14.640 --> 1:24:17.439
<v Speaker 1>a mean thing. That's my listeners. It cut through to

1:24:17.560 --> 1:24:20.240
<v Speaker 1>them so hard, so quick. You listen. They're smart and

1:24:20.400 --> 1:24:22.920
<v Speaker 1>they've they've picked songs like I mean, that's kind of

1:24:22.960 --> 1:24:24.800
<v Speaker 1>what we're trying to do with this next record, is

1:24:24.880 --> 1:24:27.639
<v Speaker 1>pick songs that make people feel something, make people react.

1:24:27.680 --> 1:24:30.560
<v Speaker 1>Don't just pick it because it's up tempo and sounds like,

1:24:30.720 --> 1:24:32.439
<v Speaker 1>you know, quote unquote what a hit would sound like

1:24:32.800 --> 1:24:34.600
<v Speaker 1>if somebody, if we had a song like Craig and

1:24:34.640 --> 1:24:36.640
<v Speaker 1>played it for people and they reacted like that. I

1:24:36.680 --> 1:24:38.519
<v Speaker 1>don't know. I hope a guy like Walker Hayes will

1:24:38.560 --> 1:24:40.560
<v Speaker 1>take chances and put songs like that out as his

1:24:40.640 --> 1:24:42.960
<v Speaker 1>singles because like he can change the game with that.

1:24:43.400 --> 1:24:46.680
<v Speaker 1>Yeah he can. Well, we're gonna wrap. This has been

1:24:46.760 --> 1:24:50.120
<v Speaker 1>one of the longer ones in the history because time

1:24:50.240 --> 1:24:52.240
<v Speaker 1>had no measurement as we were talking. That's right. It

1:24:52.320 --> 1:24:54.160
<v Speaker 1>was like one of those first dates we'll know each

1:24:54.160 --> 1:24:55.640
<v Speaker 1>other while one of those first dates where time just

1:24:55.640 --> 1:24:56.920
<v Speaker 1>goes by and you all of the sudden you look

1:24:56.960 --> 1:24:58.400
<v Speaker 1>up at six am and the suns coming out. It's

1:24:58.400 --> 1:25:00.720
<v Speaker 1>send me to hear the Colby Key story. Yeah, yeah,

1:25:00.800 --> 1:25:04.040
<v Speaker 1>next time. We got it. Next time, Okay, Dan smiles.

1:25:04.200 --> 1:25:07.200
<v Speaker 1>From Dan and Shay, we learned which I wanted to

1:25:07.240 --> 1:25:09.040
<v Speaker 1>know a lot of pre Dan and Shay. You can

1:25:09.040 --> 1:25:10.880
<v Speaker 1>find all the Danna Shay stuff online just google it.

1:25:11.960 --> 1:25:13.200
<v Speaker 1>I didn't know a lot. I didn't know you played

1:25:13.240 --> 1:25:14.760
<v Speaker 1>running back in high school. I don't know you played

1:25:14.760 --> 1:25:16.280
<v Speaker 1>college football. I didn't do a lot of stuff I

1:25:16.280 --> 1:25:20.120
<v Speaker 1>didn't know. I know you're stealing from the man. Apologize

1:25:20.160 --> 1:25:22.960
<v Speaker 1>for that. Get back all right, thank you very much.

1:25:23.000 --> 1:25:26.880
<v Speaker 1>What episodes this with Dan Smyers. Thank you very much

1:25:26.880 --> 1:25:30.320
<v Speaker 1>for listening to the Bobycast. And uh Daniel Bradbery should

1:25:30.320 --> 1:25:32.960
<v Speaker 1>be in a couple of days, right, two days. Yeah, yeah,

1:25:33.400 --> 1:25:35.080
<v Speaker 1>we had to postpone that one because of the ice.

1:25:35.800 --> 1:25:37.400
<v Speaker 1>Uh so that would be the next one up. Thank

1:25:37.400 --> 1:25:38.559
<v Speaker 1>you very much. We'll see next time. By