WEBVTT - With No Will, Prince Estate at Risk (Audio)

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<v Speaker 1>Prince was an icon, one of the best selling artists

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<v Speaker 1>of all time, and many of the songs are part

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<v Speaker 1>of modern culture. But Prince zealously guarded his music. He

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<v Speaker 1>broke with his record label, changed his name to a symbol,

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<v Speaker 1>got back his original master recordings, and pulled his songs

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<v Speaker 1>off streaming music services, all to make sure that only

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<v Speaker 1>he controlled his art. It's a sad irony that Prince

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<v Speaker 1>will have absolutely no say in what happens to his

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<v Speaker 1>music after his death. Though he was quick to hire

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<v Speaker 1>lawyers to protect his music while he was alive, he

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<v Speaker 1>did not hire a lawyer to draw up a will,

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<v Speaker 1>leaving no instructions on how he wanted his music and

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<v Speaker 1>estate handled. My guests are Terence Ross, a partner at

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<v Speaker 1>Captain Euten Rosamond, and Laura's Wicker, a partner at Greenberg Glusker.

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<v Speaker 1>Laura Prince is a state has been said to be

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<v Speaker 1>worth as much as two million dollars, with a catalog

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<v Speaker 1>of about a thousand songs. What's happening now to value

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<v Speaker 1>the estate? Well? Um, his executors will be filing or

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<v Speaker 1>preparing to file with the I R S and a

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<v Speaker 1>state tax return. Um. They'll be working to establish a

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<v Speaker 1>value for his catalog that's in his name and likeness,

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<v Speaker 1>that's reasonable. Um. We've seen in the Michael Jackson estate

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<v Speaker 1>where m his executors valued name and likeness such as

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<v Speaker 1>two thousand dollars, a big blowback from the I R S.

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<v Speaker 1>So I'm sure that Prince's legal advisors or the legal

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<v Speaker 1>advisors for his executors will have their eye on that

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<v Speaker 1>and try to come up with a reasonable but perhaps

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<v Speaker 1>lower number UM for for Prince's name and likeness, his

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<v Speaker 1>music catalog, and the balance of his assets. Terry. Since

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<v Speaker 1>Prince was notoriously protective of his music, is his legacy

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<v Speaker 1>being protected at all? Or is it a dash for cash?

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<v Speaker 1>It really is a dash for cash. From what I've

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<v Speaker 1>read in the popular press. The executors are attempting during

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<v Speaker 1>the period of their administration, are attempting to maximize the

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<v Speaker 1>revenue from both the publishing catalog, the recordings, and his likeness.

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<v Speaker 1>He during his lifetime, Prince did not allow his image

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<v Speaker 1>or likeness or name to be used for commercial purposes,

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<v Speaker 1>and they are now out there trying to do deals

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<v Speaker 1>involving his his likeness, his image, and his name on

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<v Speaker 1>top of licensing UM the catalog of songs, and those

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<v Speaker 1>deals may well be multi year deals that the heirs,

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<v Speaker 1>whoever the air eventually is determined to be, are stuck with. So, Laura,

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<v Speaker 1>since he was protective of is likeness, it doesn't matter

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<v Speaker 1>that everyone knew he was protective of his life likeness.

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<v Speaker 1>Are we still going to see his face on T

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<v Speaker 1>shirts and cups and maybe in ads? Whatever the executors

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<v Speaker 1>determined is in the best interests of the estate, and

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<v Speaker 1>the best interests of the estate are to maximize value.

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<v Speaker 1>So yes. Unfortunately, unless you create an estate plan that

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<v Speaker 1>directs control of your name and likeness as well as

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<v Speaker 1>your other assets UM, your executors are left with a

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<v Speaker 1>fiduciary duty to maximize value for whoever your beneficiaries are.

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<v Speaker 1>And Laura's speaking of beneficiaries, Prince had a sister, a

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<v Speaker 1>half brother, and four step siblings. How will the estate

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<v Speaker 1>be distributed among them? So my understanding of Minnesota law

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<v Speaker 1>is that the step siblings would share as full siblings,

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<v Speaker 1>although I know that there has been UM discover ory

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<v Speaker 1>and is already some dispute about who UM is going

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<v Speaker 1>to take as an heir, And so the probate court

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<v Speaker 1>in Minnesota is going to determine airship in this case,

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<v Speaker 1>because again Prince didn't have a state planning documents that

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<v Speaker 1>set out who he wished to benefit Terry. Can you

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<v Speaker 1>and this is a question that has been asked and

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<v Speaker 1>will never get a real answer, but why someone who

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<v Speaker 1>spent so much money paying lawyers to protect his music

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<v Speaker 1>and his rights wouldn't have a document even indicating what

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<v Speaker 1>he wanted after his death. It's really criminal. And you

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<v Speaker 1>would have thought, because of the good legal representation he

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<v Speaker 1>had in the many UH disputes he had as to

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<v Speaker 1>how his his his music was being used, that one

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<v Speaker 1>of those lawyers would have said, hey, have you done

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<v Speaker 1>any planning with respect here state? UH. And it's not

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<v Speaker 1>like there aren't a lot of examples out there. There

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<v Speaker 1>are a number of bands and artists recording our who

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<v Speaker 1>have paved the way in this area. He could have

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<v Speaker 1>set up a foundation UM, or he could have set

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<v Speaker 1>up a trust and then UM had these assets pour

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<v Speaker 1>into those um upon his death and put in place

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<v Speaker 1>a trustee or somebody in charge of the foundation with

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<v Speaker 1>very explicit instructions as to how to license the works

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<v Speaker 1>and license his likeness. And he didn't do any of that.

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<v Speaker 1>It's just very puzzling. Jim, Laura, have you ever had

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<v Speaker 1>a case you work in a state planning, have you

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<v Speaker 1>ever had a case where someone found it difficult to

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<v Speaker 1>come to an agreement about the state, or you know,

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<v Speaker 1>came to you and then said, well I can't do

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<v Speaker 1>this now. Yeah. Um, I had a client who had

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<v Speaker 1>end stage diabetes and had a very significant estate. UM

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<v Speaker 1>and his wife came in. We created a state planning

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<v Speaker 1>doctor months for them. That would have protected their privacy,

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<v Speaker 1>That would have made um her life after his passing

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<v Speaker 1>really simple. UM. But despite many meetings and many phone

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<v Speaker 1>calls he enjoyed calling to talk, he could not sign

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<v Speaker 1>the documents and so we were left with a very

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<v Speaker 1>significant intestacy. Now, Terry, what happens after whords? It goes

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<v Speaker 1>to the I R s and then Mike. There's still

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<v Speaker 1>funny about Michael Jackson's the state. I believe there are

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<v Speaker 1>I mean, I don't know how many years that's been.

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<v Speaker 1>But part of it is because a state took such

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<v Speaker 1>an aggressive position with respect the valuation of the assets

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<v Speaker 1>that the I R S said, oh, come on, UM,

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<v Speaker 1>We're we're gonna call you on that one and litigated UM.

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<v Speaker 1>Here it sounds like they're doing the exact opposite, that

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<v Speaker 1>they're aggressively maximizing revenue UM and to the extent they

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<v Speaker 1>get these deals done quickly, UM, they'll have a concrete,

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<v Speaker 1>market based valuation of what the assets are worth. But

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<v Speaker 1>at the end of the day, you know, the real

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<v Speaker 1>winner out of all of this is the internal Revenue

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<v Speaker 1>Service Because all of the state planning um that we've

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<v Speaker 1>been talking about did not get done. There are many

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<v Speaker 1>mechanisms where you can avoid big tax bills to the

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<v Speaker 1>i RS. That happened, Laura about thirty seconds left. I

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<v Speaker 1>understand that the taxes are going to be about fifty

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<v Speaker 1>of the estate. Is that about right? Um? About a

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<v Speaker 1>huge chunk. Still, thank you so much for being with us.

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<v Speaker 1>Laura's Wicker. She's a partner at Greenberg Glusker. Terry Ross

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<v Speaker 1>is going to stay with us. As we're talking coming

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<v Speaker 1>up about Paul McCartney suing Sony to gain control of

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<v Speaker 1>the Beatles back catalog of music, and he's using a

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<v Speaker 1>legal tactic that Prince once used. I'm June Grossel. You're

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<v Speaker 1>listening to Bloomberg Law. This is Bloomberg b