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Speaker 1: I saw something I wanted to buy you, but then

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Speaker 1: I thought Casey said there was a moratorium unbuying you

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Speaker 1: anything Star Wars.

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Speaker 2: Okay, so here's the thing.

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Speaker 1: I just want to know if I had permission to

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Speaker 1: buy you this cool thing I saw.

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Speaker 2: It depends on what it is.

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Speaker 3: If it's something to be turned into a set prop, no, absolutely.

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Speaker 1: It's something you can hang on your wall.

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Speaker 2: Oh, if it's like a vintage poster.

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Speaker 1: Should I tell you? And if you like it, it

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Speaker 1: could be your Christmas present.

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Speaker 3: No, because I want my Christmas present. I want you

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Speaker 3: to think like you would buy something that you would

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Speaker 3: buy for yourself for Christmas. Because I've really gotten into

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Speaker 3: lenses and.

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Speaker 1: I'm not buying you a camera. Well, I'll just tell

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Speaker 1: you because I don't think Casey's going to allow it.

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Speaker 1: But I stumbled across this amazing Italian poster for the

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Speaker 1: original Star Wars that it's uh, it's original. It was

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Speaker 1: the original Star Wars poster. You guys should google this.

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Speaker 1: But it was almost it was like done like a cartoon,

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Speaker 1: like they didn't take the exact art of the movie.

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Speaker 1: The Italians, I guess in seventy five was it sort

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Speaker 1: of did an interpretation of it, and it was it's

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Speaker 1: really cool.

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Speaker 4: Is it this one?

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Speaker 1: Get Ustelardi? Yes, hold that up. Look Donald, it's so Goodol,

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Speaker 1: it's beautiful. You're raising her hand. Allowed to buy you

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Speaker 1: the Italian Star Wars?

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Speaker 2: Why would Casey say that couldn't be bought?

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Speaker 1: I thought that Casey was like, please, no more Star

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Speaker 1: Wars ship on our walls.

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Speaker 2: Please please. She sounds like a prospector Still.

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Speaker 1: I feel like the last time I brought up something

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Speaker 1: like this, she was like, I'm begging you.

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Speaker 5: I need some nice art nothing Star Wars.

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Speaker 4: Please.

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Speaker 2: Your Casey comm impersonation is spot on. Bro.

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Speaker 1: Yeah, I'm begging you.

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Speaker 5: Please.

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Speaker 1: We got enough.

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Speaker 2: I'm begging they got enough.

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Speaker 5: If we have one more Star Wars thing, I'm moving out.

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Speaker 1: We already got tach Twin in the Garral She liked

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Speaker 1: the indie poster I Got You, though, I got you,

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Speaker 1: I Got you the UK the original UK Indiana Jones

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Speaker 1: poster where he has a blue T shirt.

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Speaker 2: Where he has a blue shirt on instead.

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Speaker 1: Of I saw it in a movie, in a movie

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Speaker 1: that took p in a movie theater. In that era,

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Speaker 1: there was this in the UK, there was this gorgeous

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Speaker 1: horizontal og Indiana Jones poster and I was like, I

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Speaker 1: quickly googled there because I knew that must be original.

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Speaker 1: They're not going to put the fake thing up. And

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Speaker 1: then I found it. I tracked one down and I

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Speaker 1: had it put on linen and I had it framed

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Speaker 1: for Donald.

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Speaker 3: Let me ask you a question, when was It's an

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Speaker 3: amazing poster, first of all, and it made me think

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Speaker 3: of this, and I've been wanting to talk about it

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Speaker 3: on the podcast for a long time, and I keep

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Speaker 3: forgetting because I smoked so much weed. But when was

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Speaker 3: the last time? But they can it'll It'll happen eventually.

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Speaker 3: When was the last time that you watched Raiders of

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Speaker 3: the Lost Ark? All of you are masking all.

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Speaker 1: Of them, I mean decades, long time, last year. Nice.

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Speaker 3: It really is a classic movie, now, you know what

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Speaker 3: I mean? Like when you look at the way it shot,

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Speaker 3: the film stock, the sound, all of that stuff, it

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Speaker 3: really is a classic movie. Like it looks like more

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Speaker 3: like Lawrence of Arabia than it does.

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Speaker 2: Than it does the movies that are out now.

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Speaker 3: When it gets to Temple of Doom and everything like that,

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Speaker 3: somehow it switches over and it's digital and all of

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Speaker 3: that stuff and we can go on with Last Crusade,

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Speaker 3: but Raiders of the Lost Dark and my from what

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Speaker 3: I can imagine, is the last film that I watched

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Speaker 3: where I was like, wow, I can I can honestly

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Speaker 3: tell there was a difference. There was a split. This

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Speaker 3: is where this is the last time George Lucas, in

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Speaker 3: my opinion, he split this was it no more film,

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Speaker 3: We're gonna move towards digital. And you can see the

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Speaker 3: progression in in uh from that moment on it was.

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Speaker 3: It's really interesting, like it even the sound, the way

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Speaker 3: the the the punches, everything, it just sounds like, uh,

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Speaker 3: did you do you guys remember Annie?

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Speaker 2: The movie Annie?

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Speaker 1: Yeah? Did you ever watch and Yeah?

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Speaker 2: With pun job pun jab and all that stuff. Do

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Speaker 2: you remember when they went to the movies? Let's go

92
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Speaker 2: to the movie and they're watching the movie and how old.

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Speaker 3: That movie felt? Yes, that's what that was raised at

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Speaker 3: a loss start, that's what it feels.

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Speaker 1: Like now you want to revisit it.

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Speaker 2: It's pretty good. It's really when you're seen alone, Oh

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Speaker 2: my gosh, just everything.

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Speaker 1: Don't I tell you guys to watch Strange Darlings that

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Speaker 1: I mentioned that I don't recall my darlings. It's a

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Speaker 1: movie that's out that I really highly recommend. You can

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Speaker 1: get it on your your streaming services. But it's I

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Speaker 1: really really recommend that I did watch something that you recommended.

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Speaker 1: Finally ahead, what was it, Danel? It was chimp crazy amazing, Right,

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Speaker 1: You're welcome. You were not kidding at all. It was

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Speaker 1: that JINX level reveal at the end of episode two. Yeah, spoilers, Danel,

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Speaker 1: No spoilers. I was reeling, reeling because I was. I was,

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Speaker 1: you know, you're watching it and you're thinking, no, way

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Speaker 1: does certain thing happen. And even though I was kind

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Speaker 1: of way a certain thing happened, even though I was

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Speaker 1: kind of expecting it, the way that it reveals itself

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Speaker 1: is so mind boggling.

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Speaker 4: I was.

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Speaker 1: I was sitting up in my seat, I was leaning forward.

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Speaker 1: I was like yelling at the TV. That was such

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Speaker 1: a good watch.

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Speaker 4: That's good.

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Speaker 1: I want to talk about something else I watched that.

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Speaker 1: Donald will appreciate because I don't usually watch animated movies.

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Speaker 1: I don't have children.

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Speaker 3: I wanted you to watch something else, but I appreciate

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Speaker 3: I do appreciate you watching this.

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Speaker 1: I watched this movie and it was so amazing. If

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Speaker 1: you have kids, especially watch this, but even if you don't,

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Speaker 1: The Wild Robot. Yeah, so dude, that must be. That's

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Speaker 1: one of the best movies of the year.

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Speaker 3: Wow, dude, my kids and my wife watched that shit.

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Speaker 3: I passed out in the middle of it.

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Speaker 2: I liked it.

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Speaker 1: You didn't go back and finish it.

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Speaker 3: I got the gist. But I'm crying with them in

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Speaker 3: the end. All right, I'm crying with them in the end.

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Speaker 3: All right, let's just put it down.

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Speaker 2: Let's this way.

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Speaker 1: You fell asleep, woke up, and then still cry and

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Speaker 1: still Yeah.

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Speaker 3: That's funny, yo, But for real, man, that movie is

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Speaker 3: that from what I saw and the way my kids

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Speaker 3: responded to it, Like, my son really responded to it.

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Speaker 2: He turned to my wife and was like.

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Speaker 6: Mom, I know sometimes I don't act like I don't

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Speaker 6: appreciate you. I know I sometimes act like that, but

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Speaker 6: I really do appreciate everything you do.

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Speaker 1: From men, God, that's so sweet.

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Speaker 3: I was like, I fucking love this movie. Yeah, this

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Speaker 3: is the best movie ever. My wife never felt more

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Speaker 3: appreciated ever like it.

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Speaker 1: But it's beautiful.

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Speaker 2: It is beautiful, man, keep it one hund.

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Speaker 1: It's beautiful, and you know, my mom, as you guys

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Speaker 1: know because she came on the podcast, is an adoption

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Speaker 1: specialist who was a psychologist specializing in adoption and birth

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Speaker 1: mothers her whole career. And I had this just realization

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Speaker 1: while I was watching it. It's also just it's such

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Speaker 1: a beautiful adoption story. If you have adopted kids, and

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Speaker 1: I mean all children will appreciate it, but if you

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Speaker 1: happen to have adoption in your life, it really is

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Speaker 1: about this robot adopting this baby bird and learning how

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Speaker 1: to parent. I mean, I don't want to ruin anything.

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Speaker 1: It's just so moving to me. I clutched my pearls

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Speaker 1: for most of it.

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Speaker 2: It's a good movie. A good movie.

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Speaker 1: Okay, I want to see a Nora that's the one.

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Speaker 2: Yeah, dude, I want you to watch Running Scared. Man,

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Speaker 2: I think.

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Speaker 1: We should remake Running Scared. I have never seen Running Scared.

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Speaker 2: It's so good, and not the one with Paul Walker.

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Speaker 3: I feel like where every a lot of the young

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Speaker 3: audience is gonna go for.

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Speaker 1: Oh is that did Paul Walker remake the movie?

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Speaker 2: No, there was a movie called similarly.

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Speaker 3: Okay, similarly, we're talking about the one with Gregory Hines

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Speaker 3: and Billy Crystal this movie.

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Speaker 2: I'm telling you, just give it a one.

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Speaker 1: Did you watch it? I said, caseld me up, Casey

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Speaker 1: told me you were rewatching it.

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Speaker 3: It still holds up, you know what I mean. It's

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Speaker 3: like the jokes are the jokes are of the time, obviously.

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Speaker 3: But dude, man, it's Billy Crystal and Gregory Hines and Jimmy.

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Speaker 1: Jimmy SMI what yeah, bad guy right, yeah?

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Speaker 2: Man, and freaking Joey Pants is in it. Like, dude,

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Speaker 2: it's a good movie.

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Speaker 1: We could still have Jimmy young Joey Pants too. We

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Speaker 1: can have Jimmy Smith's come back and be the bad

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Speaker 1: guy again.

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Speaker 7: Amazing.

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Speaker 2: Yeah, man, but that would be that would be pretty cool.

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Speaker 2: But I mean, I'm not I'm not going to ruin

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Speaker 2: this by saying this, but he dies in the end.

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Speaker 1: Oh spoilers, Donald, that's not.

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Speaker 2: A first the nineties. It's an eighties movie.

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Speaker 4: Man.

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Speaker 2: They all all the bad guys die in the Internet.

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Speaker 7: Ship, which he said it in Chicago, Donald, keep it

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Speaker 7: the same city.

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Speaker 2: So here's the thing. I'm not from Chicago.

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Speaker 3: I couldn't necessarily portray the Chicago cop as well as

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Speaker 3: to take it to someone from Chicago.

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Speaker 2: I would want to do it in New York.

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Speaker 3: But you know, hey, I mean I was just in

200
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Speaker 3: New York at a police station.

201
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Speaker 2: I didn't get arrested. I lost my wallet.

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Speaker 1: It was about you know, what's the dance movie with

203
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Speaker 1: Gregory Hines and Barishnakough. Why don't we remake that White Knights.

204
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Speaker 1: Let's remake White Knights?

205
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Speaker 2: Say you say?

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Speaker 1: Say it together? Say it for all the loved White

207
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Speaker 1: Knights when I was a kid, which is weird because

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Speaker 1: it's by no means a kid's movie.

209
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Speaker 2: And but it's about breaking down the walls between America

210
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Speaker 2: and Russia, like they.

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Speaker 1: I know, swap swap. Do you remember? Do you all?

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Speaker 2: Have you seen this movie Defector?

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Speaker 7: We have it?

214
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Speaker 1: Watch it isn't this It's amazing. And it's about a

215
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Speaker 1: Russian ballet dancer who wants to defect from Russia and

216
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Speaker 1: Gregory Hines, who plays an insane tap dancer.

217
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Speaker 2: I forget it, like a dancer in Russia. He defected

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Speaker 2: to Russia.

219
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Speaker 1: Why did he even defect to Russia?

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Speaker 2: Yes?

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Speaker 1: Why did he go to Russia?

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Speaker 2: I don't know. That's the movie, man, Like that's what

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Speaker 2: I remember it as.

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Speaker 7: When plane makes an allergency landing in Siberia, ballet dancer

225
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Speaker 7: Nikolay is recognized as a defector and brought into custody,

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00:11:36,480 --> 00:11:39,600
Speaker 7: so he doesn't defect, but he's recognized as a defector

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Speaker 7: after an emergency landing.

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Speaker 1: Oh I see, but then there is a big tap scene,

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Speaker 1: isn't it dond But the Phil Collins song? Was that

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Speaker 1: an original Phil Collins song from the movie say.

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Speaker 2: You He's not Phil Collins? Brought up? It was Lionel

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00:12:00,600 --> 00:12:02,640
Speaker 2: Ritchie line.

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Speaker 1: Now isn't there a full Colin song in the movie too?

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Speaker 3: No, you're thinking of, You're thinking of against all odds.

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Speaker 3: And take a look at me.

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Speaker 1: Now, that's such a bop.

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Speaker 3: Because there's just an empty place space. You're coming back

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Speaker 3: to me. It's against it's a chance I take.

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Speaker 1: That's a bop. Take a look at me now. My

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Speaker 1: doctor scared the ship out of me this morning. I

241
00:12:34,280 --> 00:12:39,800
Speaker 1: didn't like it. I went and had this body scan. Donald,

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Speaker 1: you would like this. As someone who's in a hypochondriac

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Speaker 1: You go in this MRI machine and they search your

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Speaker 1: entire body for any tumors. And I just did it

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Speaker 1: because like you told me to do it. And I

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Speaker 1: think when you leave, they're like Okay, it's going to

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Speaker 1: be two weeks, you'll hear. So this morning I get

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Speaker 1: a text it's like, the doctor would like to discuss

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Speaker 1: your m Ariah results with you. And then and then

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Speaker 1: the text was like, how's the seventh how's like the

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Speaker 1: seventeenth of November? It's the seventh today. I'm like, what

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Speaker 1: you're telling me that he got the results instantaneously, he

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Speaker 1: wants to discuss them in person, but he wants to

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Speaker 1: wait till this for ten days.

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Speaker 7: Mm hmmm.

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Speaker 1: So I called that motherfucker up real quick.

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Speaker 2: That's hold up. That's usually a good sign. No, hold up,

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Speaker 2: that's good.

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00:13:43,559 --> 00:13:45,000
Speaker 1: Why what do we have to talk about in person?

260
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Speaker 1: Do I have cancer or not?

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Speaker 3: If you did, he would want to talk to you

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Speaker 3: right away to get you on into of course.

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Speaker 1: But like, why are we? Why are we talking about anything?

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Speaker 1: Why are we talking about anything? And why are we

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Speaker 1: waiting ten days?

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Speaker 7: Shoot me?

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00:13:59,720 --> 00:14:02,920
Speaker 1: And I can't exactly what. I don't know either, so

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Speaker 1: let's go. I texted him. I was like, what the fuck?

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Speaker 4: What are you doing?

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00:14:06,720 --> 00:14:09,079
Speaker 1: You're gonna ruin my whole day. I'm too neurotic for this.

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Speaker 2: What do you saying?

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Speaker 1: He goes, it's it's standard procedure when you have an MRI,

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00:14:13,760 --> 00:14:17,080
Speaker 1: you discuss it. I go, well, now you got me scared.

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Speaker 1: He goes, oh, no, everything's fine. You worry about Like,

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Speaker 1: what the fuck did you text me that for. I

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00:14:24,320 --> 00:14:25,200
Speaker 1: don't need to come out.

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Speaker 7: And lead with that. Everything's fine.

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Speaker 2: I just want to go over. I'm not coming in.

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Speaker 1: I'm not coming in in ten days to look at nothing.

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Speaker 5: I'm busy.

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Speaker 1: Oh my gosh. But for a solid twenty minutes, I

282
00:14:42,520 --> 00:14:45,720
Speaker 1: was like, I'm dying. I'm dying. Start giving away shit,

283
00:14:47,240 --> 00:14:52,200
Speaker 1: you start giving away, start giving away clothes. Donald can

284
00:14:52,240 --> 00:14:53,000
Speaker 1: have these sucks.

285
00:14:54,120 --> 00:15:03,320
Speaker 3: I want the money I've left you no money.

286
00:15:02,480 --> 00:15:04,840
Speaker 1: My mom gets all my money.

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00:15:05,000 --> 00:15:05,600
Speaker 2: There it is.

288
00:15:05,720 --> 00:15:08,160
Speaker 1: I'm taking my mom to the baby, to baby gallap.

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00:15:08,160 --> 00:15:10,920
Speaker 1: I guess you're not coming Donald, you know what? Like

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00:15:11,000 --> 00:15:14,160
Speaker 1: once again Donald and Casey have bailed on something we

291
00:15:14,160 --> 00:15:15,040
Speaker 1: were going to do together.

292
00:15:15,240 --> 00:15:18,800
Speaker 2: Here is the thing, bro, keeping it one hundred with you.

293
00:15:19,840 --> 00:15:22,880
Speaker 3: I respect the gala and I'm really down to go,

294
00:15:23,600 --> 00:15:27,040
Speaker 3: but it is on a weekend. I do have time

295
00:15:27,080 --> 00:15:30,240
Speaker 3: to myself on these days, and I don't want to

296
00:15:30,280 --> 00:15:30,880
Speaker 3: spend it.

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00:15:33,320 --> 00:15:35,440
Speaker 7: I actually understand it. It's usually Donald, I'm like, get

298
00:15:35,440 --> 00:15:38,240
Speaker 7: out but lately I've been creating so much alone time.

299
00:15:39,600 --> 00:15:40,720
Speaker 2: Fine. Fine.

300
00:15:40,800 --> 00:15:43,120
Speaker 1: The point is that once a year there's this very

301
00:15:43,120 --> 00:15:48,280
Speaker 1: big gala in LA and it's all for impoverished children,

302
00:15:48,440 --> 00:15:53,280
Speaker 1: and it's a big deal and we often go. Donald

303
00:15:53,440 --> 00:15:55,680
Speaker 1: Casey and I have gone. I've taken my mom a

304
00:15:55,720 --> 00:15:57,440
Speaker 1: few times. Has been a few years since I've taken

305
00:15:57,480 --> 00:16:00,360
Speaker 1: my mom, but I'm taking her this year. And Donald

306
00:16:00,360 --> 00:16:02,120
Speaker 1: and Casey and I had all discussed going.

307
00:16:03,040 --> 00:16:04,880
Speaker 2: Here's the thing. I want to sit on the table

308
00:16:04,960 --> 00:16:05,880
Speaker 2: with you, though. Bro.

309
00:16:06,520 --> 00:16:08,840
Speaker 3: It is a big fundraiser and it's a great fundraiser,

310
00:16:08,880 --> 00:16:11,720
Speaker 3: and it does things like gives gives diapers to to

311
00:16:12,040 --> 00:16:14,520
Speaker 3: This is the one of the most important things that

312
00:16:14,640 --> 00:16:16,000
Speaker 3: parents need, young parents need.

313
00:16:16,200 --> 00:16:17,840
Speaker 2: It gives diapers to children.

314
00:16:17,560 --> 00:16:19,840
Speaker 1: It gives a lot of money for a great cause.

315
00:16:19,880 --> 00:16:22,240
Speaker 1: And you also run into people you have seen in

316
00:16:22,240 --> 00:16:25,600
Speaker 1: a while. And I was excited, and Donald and Casey

317
00:16:25,640 --> 00:16:28,760
Speaker 1: had said they were going, and I invited my mom

318
00:16:28,840 --> 00:16:32,120
Speaker 1: and she's she went and got a beautiful gown and

319
00:16:32,160 --> 00:16:34,800
Speaker 1: it's black tigh. And then I check in with Casey

320
00:16:34,840 --> 00:16:35,240
Speaker 1: and Donald.

321
00:16:35,320 --> 00:16:37,720
Speaker 2: You are a fucking asshole. Fuck you dude, don't even

322
00:16:37,760 --> 00:16:38,160
Speaker 2: try this.

323
00:16:38,600 --> 00:16:41,240
Speaker 1: Don't even what is false. What have I said false

324
00:16:41,280 --> 00:16:41,640
Speaker 1: thus far?

325
00:16:41,760 --> 00:16:45,120
Speaker 2: It's you're just misleading. It's not false. You're saying everything

326
00:16:45,240 --> 00:16:48,560
Speaker 2: is true, but you are misleading. Pressure.

327
00:16:49,240 --> 00:16:52,440
Speaker 1: I haven't any pressure. Hold on pressure to go to

328
00:16:52,480 --> 00:16:53,280
Speaker 1: a charity event.

329
00:16:53,760 --> 00:16:56,960
Speaker 2: You were like, Yo, hold on, this shit costs money.

330
00:16:56,960 --> 00:16:58,640
Speaker 2: Hold on it is a charity event.

331
00:16:59,240 --> 00:17:01,920
Speaker 1: Yeah, yeah, you can afford it. You donate to a charity,

332
00:17:02,000 --> 00:17:04,639
Speaker 1: you can afford a ticket. That's why you give charity.

333
00:17:04,760 --> 00:17:05,640
Speaker 2: Pear pressure again.

334
00:17:06,960 --> 00:17:10,640
Speaker 1: So then I check in with and Donald, and Casey's like, oh,

335
00:17:10,720 --> 00:17:15,199
Speaker 1: we ain't going no more. And I'm like what we

336
00:17:15,440 --> 00:17:16,119
Speaker 1: never got a.

337
00:17:16,200 --> 00:17:20,120
Speaker 5: Sitter and and I if we ain't gonna be able

338
00:17:20,119 --> 00:17:23,120
Speaker 5: to sit next to you, We're just not don't do it.

339
00:17:24,400 --> 00:17:28,399
Speaker 5: I never did get a gown. I don't have to

340
00:17:28,400 --> 00:17:34,280
Speaker 5: get hair and make up. Please, no more Star Wars

341
00:17:34,440 --> 00:17:36,280
Speaker 5: things on the walls.

342
00:17:38,840 --> 00:17:41,080
Speaker 2: Oh man, you do her dirty.

343
00:17:43,040 --> 00:17:47,040
Speaker 1: Well, I guess y'all ain't going, But I'm taking my mom.

344
00:17:47,080 --> 00:17:49,359
Speaker 1: My mom's so cute. My mom this morning texted me.

345
00:17:49,400 --> 00:17:52,840
Speaker 1: She she I set up with a stylist and everything,

346
00:17:52,880 --> 00:17:56,200
Speaker 1: and she's so cute. She's she's like family dressed, and

347
00:17:56,240 --> 00:17:58,239
Speaker 1: she's sent me all these cute pictures of her in

348
00:17:58,280 --> 00:18:01,240
Speaker 1: her dress and I'm just gonna be so sweet. It's

349
00:18:01,400 --> 00:18:05,680
Speaker 1: Saturday night. Yeah. Anyway, Donald, I'm sorry that you don't

350
00:18:05,800 --> 00:18:08,240
Speaker 1: like giving to a good cause. But to each their own.

351
00:18:08,200 --> 00:18:11,119
Speaker 3: That's some bullshit, bro, I do like giving too a

352
00:18:11,160 --> 00:18:13,639
Speaker 3: good cause. I just I'm gonna be honest with you.

353
00:18:13,720 --> 00:18:17,800
Speaker 2: Man. Look, you know me. You don't like to know

354
00:18:17,880 --> 00:18:18,400
Speaker 2: how I am.

355
00:18:18,480 --> 00:18:21,000
Speaker 1: Youse, I got it.

356
00:18:21,000 --> 00:18:21,879
Speaker 2: It's just what it is.

357
00:18:22,200 --> 00:18:25,040
Speaker 1: There's no judgment. Some people don't like to leave the house.

358
00:18:25,400 --> 00:18:26,960
Speaker 3: I like to leave the house, but I like to

359
00:18:27,040 --> 00:18:29,320
Speaker 3: leave the house and do Look. Man, the last time

360
00:18:29,359 --> 00:18:30,919
Speaker 3: I went, we had such a good time. But we

361
00:18:31,040 --> 00:18:34,400
Speaker 3: sat together, we drank together, we laughed together. I don't

362
00:18:34,400 --> 00:18:36,280
Speaker 3: want to sit at a table with people I don't know.

363
00:18:36,600 --> 00:18:38,919
Speaker 3: I don't want to freaking I mean, it just sounds

364
00:18:38,920 --> 00:18:42,760
Speaker 3: like an asshole thing to say. But like, yo, what

365
00:18:42,840 --> 00:18:46,119
Speaker 3: if I get sat at a table with an asshole

366
00:18:46,440 --> 00:18:49,119
Speaker 3: and that's gonna suck and it can happen, and so

367
00:18:50,000 --> 00:18:50,320
Speaker 3: you know.

368
00:18:50,240 --> 00:18:51,959
Speaker 1: Well, I think at these type of things, you're not

369
00:18:52,000 --> 00:18:55,280
Speaker 1: like stuck at your table. You're mingling, you're talking to friends.

370
00:18:55,359 --> 00:18:56,480
Speaker 1: You know so many people.

371
00:18:56,560 --> 00:18:59,680
Speaker 3: No, there's a cop, there's a meal that's served all

372
00:18:59,680 --> 00:19:02,560
Speaker 3: types says ship man, I want to sit with you.

373
00:19:02,800 --> 00:19:03,600
Speaker 2: I want to go with you.

374
00:19:04,400 --> 00:19:05,600
Speaker 1: I want to be with you, guys.

375
00:19:05,960 --> 00:19:07,320
Speaker 2: I want to be with you guys.

376
00:19:07,400 --> 00:19:09,040
Speaker 1: Do you know the movie, Danie. Let's see if Daniel

377
00:19:09,040 --> 00:19:09,520
Speaker 1: knows the movie.

378
00:19:09,560 --> 00:19:10,440
Speaker 2: It has no clue.

379
00:19:10,560 --> 00:19:13,119
Speaker 1: I want to be with you guys. The first thing

380
00:19:13,160 --> 00:19:14,920
Speaker 1: that came to mind was Goonies. But I think I'm wrong.

381
00:19:15,000 --> 00:19:19,439
Speaker 3: It's close, No, it has it has not one person.

382
00:19:19,480 --> 00:19:20,720
Speaker 2: And Goonies is in that movie.

383
00:19:20,760 --> 00:19:24,200
Speaker 1: Well, it's not cast close, it's Era close. I don't

384
00:19:24,240 --> 00:19:28,359
Speaker 1: know what I want to be with Candles. It's sixteen Candles. Oh,

385
00:19:28,400 --> 00:19:30,479
Speaker 1: I love that movie. It's a scene at the prom

386
00:19:30,520 --> 00:19:33,000
Speaker 1: and there's a nerdy kid and his parents are forcing

387
00:19:33,080 --> 00:19:34,720
Speaker 1: him to go to the prom and they push him

388
00:19:34,720 --> 00:19:37,040
Speaker 1: into the gym and they close the doors and he goes.

389
00:19:37,080 --> 00:19:38,480
Speaker 1: But I want to be with you, guys.

390
00:19:38,480 --> 00:19:40,600
Speaker 2: I want to say, I want to be with you guys.

391
00:19:40,840 --> 00:19:47,560
Speaker 1: That's funny, all right, Donald. So I'll let the charity

392
00:19:47,640 --> 00:19:49,080
Speaker 1: know that you're not charitable.

393
00:19:49,880 --> 00:19:52,359
Speaker 3: It's not that I'm not charitable. I'll totally give money

394
00:19:52,359 --> 00:19:53,080
Speaker 3: to a charity.

395
00:19:53,080 --> 00:19:55,560
Speaker 1: To the charity, Oh, really, do you plan to give

396
00:19:55,600 --> 00:19:56,439
Speaker 1: money to the charity?

397
00:19:57,080 --> 00:19:59,399
Speaker 3: Not really, but I will put me on the spot

398
00:19:59,520 --> 00:20:02,080
Speaker 3: ship if that's what it takes.

399
00:20:01,800 --> 00:20:02,680
Speaker 2: To fucking.

400
00:20:03,840 --> 00:20:05,919
Speaker 1: God, You're hilarious.

401
00:20:08,880 --> 00:20:11,720
Speaker 2: Hilarious, This whole court's hilarious.

402
00:20:11,760 --> 00:20:15,000
Speaker 1: My mom and I will will represent for for the

403
00:20:15,040 --> 00:20:16,000
Speaker 1: fase On family.

404
00:20:16,359 --> 00:20:18,320
Speaker 2: You guys won't dance like we dance when we're at

405
00:20:18,320 --> 00:20:18,680
Speaker 2: that thing.

406
00:20:19,359 --> 00:20:22,240
Speaker 1: No, we're probably not going to dance. I believe they're

407
00:20:22,240 --> 00:20:26,200
Speaker 1: honoring Charlie's throne. Oh we should go.

408
00:20:26,480 --> 00:20:27,959
Speaker 2: That's a buddy, we should go.

409
00:20:28,480 --> 00:20:30,240
Speaker 1: Yeah, that's a shame. You could still go.

410
00:20:30,320 --> 00:20:33,040
Speaker 2: I don't know. I know we text her, let me text.

411
00:20:33,119 --> 00:20:36,879
Speaker 1: I just don't understand why. You know, there's so many

412
00:20:36,920 --> 00:20:39,520
Speaker 1: things that get promised and then not fulfilled upon.

413
00:20:40,760 --> 00:20:41,720
Speaker 2: Did we go to Vegas?

414
00:20:42,920 --> 00:20:44,359
Speaker 1: Yeah, because Casey thought you did.

415
00:20:44,359 --> 00:20:46,400
Speaker 2: We have a good time. Did we have a good

416
00:20:46,400 --> 00:20:48,280
Speaker 2: time in Vegas? Do you want to discuss Do you

417
00:20:48,320 --> 00:20:50,720
Speaker 2: want to discuss what you guys said about me last week?

418
00:20:52,400 --> 00:20:53,840
Speaker 1: Do you want to Can we talk about can we

419
00:20:53,880 --> 00:20:55,280
Speaker 1: talk about how you got in your feelings?

420
00:20:55,600 --> 00:20:56,639
Speaker 2: We could totally discuss.

421
00:20:57,119 --> 00:20:58,919
Speaker 1: We missed the weeks, so we haven't been able to

422
00:20:58,960 --> 00:21:01,280
Speaker 1: talk about that. Oh my god, this is the funniest

423
00:21:01,320 --> 00:21:03,440
Speaker 1: thing in the world. So I'm talking.

424
00:21:03,440 --> 00:21:04,920
Speaker 2: I don't know if it's funny, but I do want

425
00:21:04,920 --> 00:21:05,560
Speaker 2: to discuss it.

426
00:21:06,640 --> 00:21:10,880
Speaker 1: Casey. I was facetiming Casey and she said that Donald

427
00:21:11,000 --> 00:21:14,680
Speaker 1: got in his feelings about something that happened on the podcast.

428
00:21:15,040 --> 00:21:17,800
Speaker 1: And I'm like, what could possibly have put Donald in

429
00:21:17,840 --> 00:21:22,239
Speaker 1: his feelings? And she said that when you said that

430
00:21:22,400 --> 00:21:24,840
Speaker 1: no one would subscribe to his only fans?

431
00:21:31,520 --> 00:21:35,520
Speaker 3: No, because first it started off as no woman would subscribe,

432
00:21:35,840 --> 00:21:38,119
Speaker 3: No woman, no young woman.

433
00:21:38,320 --> 00:21:39,840
Speaker 1: Because I don't think of women.

434
00:21:40,080 --> 00:21:44,320
Speaker 3: And then you said and then you said no gay man. No, No,

435
00:21:44,400 --> 00:21:46,280
Speaker 3: you said yes, you guys.

436
00:21:46,320 --> 00:21:47,600
Speaker 2: Said say that.

437
00:21:47,800 --> 00:21:49,919
Speaker 1: I said, I said, gay man.

438
00:21:49,800 --> 00:21:52,400
Speaker 2: Would love your Who was a guest that day?

439
00:21:52,920 --> 00:21:55,440
Speaker 1: It was Michael Yury, don't remember Michael Urry.

440
00:21:55,600 --> 00:21:59,560
Speaker 3: Yeah, Michael Yury, a gay man said that no gay

441
00:21:59,560 --> 00:22:00,320
Speaker 3: man would ever.

442
00:22:00,760 --> 00:22:02,719
Speaker 1: No, I think you may kid subscribe.

443
00:22:03,160 --> 00:22:06,040
Speaker 2: That's not what I sound. Cut to the tape right here,

444
00:22:06,119 --> 00:22:06,719
Speaker 2: all I know.

445
00:22:07,440 --> 00:22:12,520
Speaker 1: Cut to it, Okay, cut to the section right here. Daniel. Yeah,

446
00:22:12,520 --> 00:22:14,200
Speaker 1: I don't think you're gonna make that much. I think

447
00:22:14,200 --> 00:22:15,440
Speaker 1: it's a niche mark.

448
00:22:15,560 --> 00:22:18,480
Speaker 2: You dude, Fuck you, dude. My ass is fucking beautiful.

449
00:22:18,520 --> 00:22:20,840
Speaker 2: And I'm sure so it's beautiful.

450
00:22:21,040 --> 00:22:22,840
Speaker 1: I'm sure there's a lot of gay men that would

451
00:22:22,880 --> 00:22:24,200
Speaker 1: be intrigued.

452
00:22:24,400 --> 00:22:25,399
Speaker 2: And straight women.

453
00:22:25,800 --> 00:22:27,520
Speaker 1: I don't know how many straight women want to see

454
00:22:27,560 --> 00:22:30,119
Speaker 1: your balls for money, but maybe I can, Dannel, what

455
00:22:30,119 --> 00:22:32,639
Speaker 1: are your thoughts. It's certainly possible, I mean.

456
00:22:32,560 --> 00:22:36,480
Speaker 2: Survey says, Survey says, Dan. How much money do you

457
00:22:36,680 --> 00:22:37,960
Speaker 2: drin get women out there?

458
00:22:38,280 --> 00:22:40,280
Speaker 1: I'm sure there's plenty of people who would want to

459
00:22:40,320 --> 00:22:42,160
Speaker 1: see Donald's balls.

460
00:22:42,400 --> 00:22:42,600
Speaker 4: Yeah.

461
00:22:42,720 --> 00:22:45,520
Speaker 2: No, he's saying there's no women that want to see I'm.

462
00:22:45,359 --> 00:22:46,840
Speaker 1: Sure some women or people.

463
00:22:46,920 --> 00:22:49,119
Speaker 2: I'm sure no, no, no, he said, no women.

464
00:22:49,240 --> 00:22:51,280
Speaker 1: I'm sureing for ten bucks, there's women who'd be like,

465
00:22:51,280 --> 00:22:52,160
Speaker 1: I'm curious.

466
00:22:51,840 --> 00:22:54,320
Speaker 2: He said. He said, only gay men would want to

467
00:22:54,320 --> 00:22:55,080
Speaker 2: see my balls.

468
00:22:55,240 --> 00:22:56,680
Speaker 1: I'm sure there are women as well.

469
00:22:56,760 --> 00:22:56,960
Speaker 4: Yeah.

470
00:22:56,960 --> 00:22:58,800
Speaker 1: But Daniel, do you think the biggest percentage of the

471
00:22:58,880 --> 00:23:01,960
Speaker 1: of the pie chart be would be gay men? I

472
00:23:01,960 --> 00:23:05,680
Speaker 1: think the biggest patriot would be a straight Scrubs fans man.

473
00:23:09,800 --> 00:23:12,159
Speaker 2: I mean, I mean I think the curiosity would probably

474
00:23:12,240 --> 00:23:15,240
Speaker 2: get them. Yeah, yeah, absolutely absolutely.

475
00:23:15,280 --> 00:23:20,080
Speaker 3: And you know, like like mid forties women who love clueless.

476
00:23:19,560 --> 00:23:23,560
Speaker 2: Probably thank you, thank you, thank you. Yes, I don't

477
00:23:23,560 --> 00:23:25,639
Speaker 2: know about gay men. I'm not sure. If I don't know,

478
00:23:27,119 --> 00:23:28,680
Speaker 2: what are you talking about? I wouldn't get gay. Man,

479
00:23:29,000 --> 00:23:31,720
Speaker 2: if you listen, if you're not into this, you don't,

480
00:23:31,720 --> 00:23:33,800
Speaker 2: you don't deserve it anyway. Then how about that. If

481
00:23:33,880 --> 00:23:37,240
Speaker 2: y'all ain't into this, then you don't deserve it. That's universal.

482
00:23:37,400 --> 00:23:38,840
Speaker 2: That's for everybody out there.

483
00:23:39,480 --> 00:23:40,280
Speaker 4: I'll tell the games.

484
00:23:40,359 --> 00:23:41,080
Speaker 2: I'll let them know.

485
00:23:42,600 --> 00:23:45,400
Speaker 1: All right now that we're back, that we've watched that.

486
00:23:45,560 --> 00:23:48,760
Speaker 1: I want to clarify something I didn't mean to get

487
00:23:48,800 --> 00:23:51,840
Speaker 1: you and your feelings about no one subscribing to your

488
00:23:51,920 --> 00:23:52,320
Speaker 1: only fan.

489
00:23:52,400 --> 00:23:55,919
Speaker 3: You said, no one would want to freaking subscribe.

490
00:23:56,280 --> 00:23:59,680
Speaker 1: No, here's what I mentioned, my only fan. Here's because

491
00:24:00,280 --> 00:24:05,479
Speaker 1: and dude, but too well, Joelle, he wasn't kidding. Casey

492
00:24:05,640 --> 00:24:08,639
Speaker 1: was like yo, yo. Donald got in his feelings about

493
00:24:08,640 --> 00:24:10,640
Speaker 1: what you said that no one would watch his only.

494
00:24:11,680 --> 00:24:13,640
Speaker 7: He said, I still have sexual powers, and I want

495
00:24:13,680 --> 00:24:15,320
Speaker 7: my best friend to acknowledge it.

496
00:24:15,920 --> 00:24:18,959
Speaker 1: No, listen, Donald, I want you to know I would subscribe.

497
00:24:19,040 --> 00:24:19,840
Speaker 1: I would watch the fun.

498
00:24:20,160 --> 00:24:22,760
Speaker 2: That's that's not what I'm asking for, all right, that's

499
00:24:22,800 --> 00:24:24,360
Speaker 2: not and I'm.

500
00:24:24,240 --> 00:24:28,120
Speaker 1: Sure listen, I don't know what I don't know, Joelle.

501
00:24:28,600 --> 00:24:31,119
Speaker 1: Do you think Let's ask Joelle a question, Joelle, do

502
00:24:31,160 --> 00:24:38,080
Speaker 1: you think straight women are subscribing to sexy men's only fans?

503
00:24:38,440 --> 00:24:45,040
Speaker 1: Is that something that straight women do.

504
00:24:43,200 --> 00:24:46,600
Speaker 7: I think in a far lower percentage ry than straight

505
00:24:47,560 --> 00:24:48,240
Speaker 7: or gay men.

506
00:24:49,960 --> 00:24:50,160
Speaker 1: Right.

507
00:24:50,200 --> 00:24:50,440
Speaker 2: I can't.

508
00:24:50,880 --> 00:24:54,680
Speaker 7: None of my friends to me that they subscribe to OnlyFans.

509
00:24:54,840 --> 00:24:57,359
Speaker 7: But I'm sure at least I.

510
00:24:57,320 --> 00:24:59,320
Speaker 1: Was saying to you, Donald, is what I was saying

511
00:24:59,320 --> 00:25:01,720
Speaker 1: to you, Donald, is I think that when I think

512
00:25:01,720 --> 00:25:05,400
Speaker 1: of OnlyFans, it's men watching women. I imagine gay men

513
00:25:05,600 --> 00:25:09,639
Speaker 1: watching men. I don't. I don't think of it as

514
00:25:09,680 --> 00:25:12,159
Speaker 1: a site, And I could be totally wrong. Where straight

515
00:25:12,200 --> 00:25:14,800
Speaker 1: women are going on to look at men beating off

516
00:25:14,960 --> 00:25:17,320
Speaker 1: or showing their balls or whatever.

517
00:25:18,720 --> 00:25:20,680
Speaker 2: But would they go to a site to watch a

518
00:25:20,800 --> 00:25:23,080
Speaker 2: straight man do stop motion animation?

519
00:25:23,280 --> 00:25:25,399
Speaker 1: No? Absolutely not, absolutely not.

520
00:25:25,800 --> 00:25:29,760
Speaker 2: I don't want you to disagree, homeboy, but I don't disagree, homeboy.

521
00:25:30,359 --> 00:25:32,240
Speaker 1: I just don't always want you to know that I

522
00:25:32,280 --> 00:25:33,000
Speaker 1: would watch.

523
00:25:32,760 --> 00:25:38,600
Speaker 3: Your own doing stop motion animation. Absolutely, somebody's watching.

524
00:25:39,640 --> 00:25:42,840
Speaker 1: I think I go back to what Michael. I think

525
00:25:42,960 --> 00:25:45,960
Speaker 1: nobody what Michael Uri said, and the bulk of the

526
00:25:46,520 --> 00:25:49,159
Speaker 1: subscribers would be curious Scrubs fans.

527
00:25:49,440 --> 00:25:51,040
Speaker 2: No, that was what Daniel said.

528
00:25:51,400 --> 00:25:55,680
Speaker 1: Oh, yeah, Daniel said that. Yeah, straight Scrubs fans. I

529
00:25:55,680 --> 00:25:56,920
Speaker 1: don't want you. I don't want you to be in

530
00:25:56,960 --> 00:25:57,800
Speaker 1: your feelings about it.

531
00:25:57,840 --> 00:25:59,600
Speaker 2: I would love anymore.

532
00:25:59,520 --> 00:26:01,600
Speaker 3: Are you guys are just assholes and don't know anything

533
00:26:01,600 --> 00:26:02,280
Speaker 3: about anything.

534
00:26:02,920 --> 00:26:05,720
Speaker 1: Casey said that. I was like, oh, Ship, what did

535
00:26:05,760 --> 00:26:08,679
Speaker 1: I say? And she was like, he's all upset in

536
00:26:08,760 --> 00:26:12,280
Speaker 1: his feelings that y'all wouldn't watch his only fans.

537
00:26:12,320 --> 00:26:14,480
Speaker 2: That's not that you wouldn't watch my only fantas that

538
00:26:14,560 --> 00:26:15,080
Speaker 2: you think that?

539
00:26:15,240 --> 00:26:17,800
Speaker 1: No one, Well, I think you've got to watch thinking that.

540
00:26:18,119 --> 00:26:20,320
Speaker 1: What I was saying was that women don't find you

541
00:26:20,359 --> 00:26:21,000
Speaker 1: attracted with.

542
00:26:20,960 --> 00:26:23,240
Speaker 3: You and then and then the gay man said, and

543
00:26:23,359 --> 00:26:25,200
Speaker 3: gay men don't find you attractive either.

544
00:26:25,320 --> 00:26:27,640
Speaker 1: No, no, no, I don't think that's what happened.

545
00:26:29,080 --> 00:26:33,040
Speaker 7: Bagir Energy Donald and I'm sure yeah, Donald.

546
00:26:33,320 --> 00:26:36,240
Speaker 1: Bear energy to come on and the Straight Scrubs fans.

547
00:26:36,280 --> 00:26:39,560
Speaker 1: If you're gay and you would like to watch Donald's

548
00:26:39,600 --> 00:26:41,840
Speaker 1: only fans, let us let us know, let us.

549
00:26:41,800 --> 00:26:43,600
Speaker 2: Send send the emails to Joel.

550
00:26:43,920 --> 00:26:48,080
Speaker 1: Yes, actually, actually, why don't we have If you're a

551
00:26:48,080 --> 00:26:52,160
Speaker 1: gay person, who would who would subscribe to Donald Faison,

552
00:26:52,280 --> 00:26:54,040
Speaker 1: we'd love to have you on the show as a guest.

553
00:26:54,240 --> 00:26:57,320
Speaker 1: And Joelle, what's the email to have them, come on,

554
00:27:00,920 --> 00:27:05,080
Speaker 1: scrubs rubs right? Wait, can I get a guess? Absolutely,

555
00:27:05,119 --> 00:27:06,359
Speaker 1: it's not gonna be a We don't want to do

556
00:27:06,400 --> 00:27:08,399
Speaker 1: a whole hour with you. We would just like to

557
00:27:08,520 --> 00:27:10,639
Speaker 1: if you could send us a quick, thirty second video

558
00:27:11,320 --> 00:27:14,159
Speaker 1: letting us know what you would like to see on

559
00:27:14,320 --> 00:27:20,320
Speaker 1: Donald's only words with words, use your words, don't be shy,

560
00:27:20,520 --> 00:27:23,280
Speaker 1: and don't and don't censor yourself, Like, really, you would

561
00:27:23,320 --> 00:27:25,720
Speaker 1: like a guest who really can articulate what they'd like

562
00:27:25,760 --> 00:27:26,159
Speaker 1: to see.

563
00:27:26,040 --> 00:27:27,920
Speaker 2: Your clothes listen, don't go.

564
00:27:31,480 --> 00:27:35,920
Speaker 1: Yes, yes, YouTube appropiate, but you can don't censor yourself.

565
00:27:35,960 --> 00:27:38,200
Speaker 1: If you're like, I want to see Donald fist himself

566
00:27:38,280 --> 00:27:40,600
Speaker 1: whatever it is, let us know.

567
00:27:41,720 --> 00:27:42,159
Speaker 2: I don't know.

568
00:27:43,119 --> 00:27:43,959
Speaker 7: I was not prepared.

569
00:27:44,000 --> 00:27:46,960
Speaker 2: I know that my moms are long enough to do.

570
00:27:47,560 --> 00:27:49,280
Speaker 1: You don't know if you could fist yourself. You could

571
00:27:49,320 --> 00:27:51,040
Speaker 1: fist yourself if.

572
00:27:53,200 --> 00:27:55,760
Speaker 2: The money is right, If the money is right. I

573
00:27:55,760 --> 00:27:56,480
Speaker 2: don't know if you.

574
00:27:59,359 --> 00:28:03,919
Speaker 1: Could build the whole Star Wars universe in your garage,

575
00:28:04,240 --> 00:28:06,360
Speaker 1: but it would be my fist, right fist, Yeah, it's

576
00:28:06,400 --> 00:28:09,919
Speaker 1: your fist. It's not the guest fist unless that's what

577
00:28:09,960 --> 00:28:11,600
Speaker 1: the guest wants.

578
00:28:11,640 --> 00:28:12,600
Speaker 7: What have we got Brett in.

579
00:28:12,640 --> 00:28:16,199
Speaker 1: Here is Brett here? Yeah, all right, everybody, we have

580
00:28:16,280 --> 00:28:20,560
Speaker 1: Brett Goldstein on the program. He is the hottest star

581
00:28:20,720 --> 00:28:22,880
Speaker 1: of the moment. We're very lucky to have him. He's

582
00:28:22,880 --> 00:28:25,440
Speaker 1: a wonderful mention of a human being. Donald count Sen.

583
00:28:25,760 --> 00:28:29,160
Speaker 2: I've got many questions. Seven eight stories.

584
00:28:29,840 --> 00:28:34,159
Speaker 1: I'm not sure we made about a bunch of docs

585
00:28:34,160 --> 00:28:34,800
Speaker 1: and nurses.

586
00:28:36,920 --> 00:28:43,880
Speaker 2: I said, he's a story natural, so YadA around here,

587
00:28:44,880 --> 00:28:46,240
Speaker 2: yeada round here.

588
00:28:46,880 --> 00:28:58,920
Speaker 8: But oh under his applause, Daniel, ladies and gentlemen, the

589
00:28:59,720 --> 00:29:01,360
Speaker 8: Legen and Jerry Gret Goldstein.

590
00:29:01,720 --> 00:29:04,320
Speaker 2: We did it big, you guys, we did it.

591
00:29:04,440 --> 00:29:04,800
Speaker 1: Listen.

592
00:29:04,880 --> 00:29:07,400
Speaker 2: I think we got a fucking real a listener.

593
00:29:07,520 --> 00:29:08,680
Speaker 1: We got a big star.

594
00:29:09,600 --> 00:29:13,000
Speaker 2: Were just got to cut right to it. No offense, no,

595
00:29:13,120 --> 00:29:14,160
Speaker 2: let's get into it.

596
00:29:14,320 --> 00:29:14,680
Speaker 4: Listen.

597
00:29:14,760 --> 00:29:15,320
Speaker 1: Calm down.

598
00:29:15,400 --> 00:29:17,200
Speaker 2: I noticed that you've been lifting weights.

599
00:29:17,520 --> 00:29:21,480
Speaker 1: Calm down, Okay, Donald's very excited you're here, Brett, Brett.

600
00:29:21,520 --> 00:29:25,800
Speaker 1: That's These are our our support team, our producer Joe Well,

601
00:29:25,880 --> 00:29:27,520
Speaker 1: our engineer Daniel Hey.

602
00:29:27,760 --> 00:29:30,200
Speaker 4: Big big fan of of your work. I'm a big

603
00:29:30,240 --> 00:29:33,160
Speaker 4: fan of the podcast. I've been listening since the beginning.

604
00:29:34,880 --> 00:29:39,600
Speaker 4: Honored to do this. It's so nice and we've done.

605
00:29:38,920 --> 00:29:41,200
Speaker 1: It It's so nice to have you on the show

606
00:29:41,320 --> 00:29:43,720
Speaker 1: because we've been wanting to have you. We have so

607
00:29:43,840 --> 00:29:45,600
Speaker 1: many things to talk to you about. We don't even

608
00:29:45,640 --> 00:29:48,080
Speaker 1: know where to begin because we have so many questions

609
00:29:48,080 --> 00:29:49,080
Speaker 1: for you.

610
00:29:49,360 --> 00:29:53,840
Speaker 4: But can we talk listen, I want to start.

611
00:29:54,280 --> 00:29:55,080
Speaker 1: What do you want to talk about?

612
00:29:55,120 --> 00:29:58,800
Speaker 4: You can talk about my experience working We've donal because

613
00:29:59,080 --> 00:30:03,120
Speaker 4: it was one of my it was like my most

614
00:30:03,160 --> 00:30:07,640
Speaker 4: exciting first sort of time in Hollywood where I was like,

615
00:30:07,760 --> 00:30:11,880
Speaker 4: holy ship. I did this pilot with this how all

616
00:30:11,920 --> 00:30:14,520
Speaker 4: of this began as I did this pilot with Bill

617
00:30:14,600 --> 00:30:16,640
Speaker 4: Lawrence and it was called space.

618
00:30:16,720 --> 00:30:21,000
Speaker 3: Based out Yeah out, And I remember and it was

619
00:30:21,000 --> 00:30:23,200
Speaker 3: about going to Mars, about going to Mars.

620
00:30:23,680 --> 00:30:30,760
Speaker 1: Oh my god, Oh my god, Bill Lawrence. Everybody crashing

621
00:30:30,800 --> 00:30:36,400
Speaker 1: the podcast behind bred Goldstein really heard he can't hear

622
00:30:36,440 --> 00:30:45,200
Speaker 1: anything because he doesn't have he's doing finger countdown on

623
00:30:45,240 --> 00:30:46,600
Speaker 1: his fingers.

624
00:30:46,640 --> 00:30:49,960
Speaker 2: Phil, do we do we even have an opening?

625
00:30:50,160 --> 00:30:57,880
Speaker 4: Like a they're being so sorry. I realized, Okay, they're

626
00:30:58,000 --> 00:30:59,640
Speaker 4: very excited to see it, but they able to hear

627
00:30:59,640 --> 00:31:00,200
Speaker 4: me scream five.

628
00:31:00,960 --> 00:31:04,440
Speaker 1: Yeah, you were able to hear that you're doing it

629
00:31:04,480 --> 00:31:05,040
Speaker 1: whenever I want.

630
00:31:05,040 --> 00:31:09,760
Speaker 4: For the rest of the interview, they said Brett.

631
00:31:10,800 --> 00:31:26,160
Speaker 1: Brett work in five up off, turn it off? Thank you,

632
00:31:26,560 --> 00:31:28,600
Speaker 1: all right, get him out of there, get him out

633
00:31:28,600 --> 00:31:32,200
Speaker 1: of there, Brett, all right, all right, so you guys,

634
00:31:32,520 --> 00:31:36,160
Speaker 1: thank you. Get him out of there. Breath. I I

635
00:31:36,200 --> 00:31:38,280
Speaker 1: don't want this. I don't want the audience to think

636
00:31:38,280 --> 00:31:41,840
Speaker 1: that Brett and Bill live together. Brett is currently writing

637
00:31:41,880 --> 00:31:44,920
Speaker 1: his show Shrinking with Bill, and they work in the

638
00:31:44,960 --> 00:31:45,640
Speaker 1: same office.

639
00:31:45,920 --> 00:31:50,560
Speaker 4: Okay, but we also do live together. So I so

640
00:31:50,680 --> 00:31:53,000
Speaker 4: I get Hi. I'm a big Scrubs fan. I got

641
00:31:53,040 --> 00:31:56,520
Speaker 4: hired to do this pilot and then Bill says, oh,

642
00:31:56,560 --> 00:31:58,760
Speaker 4: we're going to bring in Donald and I was like,

643
00:31:58,800 --> 00:31:59,800
Speaker 4: what the fuck?

644
00:32:01,680 --> 00:32:06,800
Speaker 2: Yeah, I remember, I remember making that pilot. I remember

645
00:32:07,040 --> 00:32:07,760
Speaker 2: you being.

646
00:32:07,600 --> 00:32:12,480
Speaker 3: The sweetest person on the planet. You hugged a lot.

647
00:32:12,600 --> 00:32:18,560
Speaker 3: I remember you hugging me. Hug he is Brett is

648
00:32:18,560 --> 00:32:20,240
Speaker 3: a Brett is a great hugger.

649
00:32:20,120 --> 00:32:22,360
Speaker 1: Because he's very muscular. So when you hug him, you

650
00:32:22,360 --> 00:32:23,880
Speaker 1: get a lot of muscles in your hug.

651
00:32:24,160 --> 00:32:24,800
Speaker 2: I squeeze.

652
00:32:24,960 --> 00:32:26,680
Speaker 1: I like to see, were you always musk Were you

653
00:32:26,680 --> 00:32:29,920
Speaker 1: always a fit person? I don't mean in the British sense,

654
00:32:30,160 --> 00:32:34,480
Speaker 1: in the American sense? You were you always a muscular fellow?

655
00:32:34,520 --> 00:32:35,920
Speaker 1: Into ship into being in shape.

656
00:32:36,960 --> 00:32:39,200
Speaker 4: I always did. I always did push ups like us

657
00:32:39,240 --> 00:32:39,719
Speaker 4: in prison.

658
00:32:40,240 --> 00:32:42,360
Speaker 2: Mm hm, nice.

659
00:32:42,960 --> 00:32:46,320
Speaker 1: Let's go back. I want to go back to when

660
00:32:46,440 --> 00:32:53,520
Speaker 1: I met you, I Bred Goldstein. I met you on

661
00:32:53,560 --> 00:32:56,400
Speaker 1: a show called Ted Lasso. I was directing the second

662
00:32:56,480 --> 00:32:57,840
Speaker 1: episode of the series.

663
00:32:58,120 --> 00:32:59,440
Speaker 2: He's under s applause down.

664
00:33:01,200 --> 00:33:03,040
Speaker 1: Yeah, it was called Biscuits. It was the one about

665
00:33:03,080 --> 00:33:07,280
Speaker 1: the biscuits. And I thought, I think our audience would

666
00:33:07,280 --> 00:33:10,000
Speaker 1: love to know this unique story about how you got cast, because,

667
00:33:10,040 --> 00:33:12,040
Speaker 1: for those of you who don't know, Brett was hired

668
00:33:12,120 --> 00:33:14,400
Speaker 1: by Bill because they had this relationship you just mentioned

669
00:33:14,440 --> 00:33:17,960
Speaker 1: as a writer on Ted last. So Bill really thought

670
00:33:18,520 --> 00:33:21,360
Speaker 1: Brett was very talented as a writer, and he wanted

671
00:33:21,400 --> 00:33:26,400
Speaker 1: obviously some English perspective on the story. So Brett, tell us,

672
00:33:26,400 --> 00:33:29,480
Speaker 1: how tell the audience how that happened? Because you were

673
00:33:29,480 --> 00:33:33,040
Speaker 1: not in any way up for the part of Roy Kent,

674
00:33:33,280 --> 00:33:35,920
Speaker 1: and you did something that I think is really courageous

675
00:33:35,920 --> 00:33:39,720
Speaker 1: and ballsy and an inspiration to other creative people out there.

676
00:33:41,160 --> 00:33:44,640
Speaker 4: What happened was we were writing the show and I

677
00:33:44,680 --> 00:33:49,120
Speaker 4: sort of secretly thought about episode five, randomisode five. I

678
00:33:49,160 --> 00:33:51,920
Speaker 4: was like, oh, I think I know Roy Kent. I

679
00:33:51,960 --> 00:33:55,080
Speaker 4: know what I really felt a cooling, like I think

680
00:33:55,120 --> 00:33:57,240
Speaker 4: I'm meant to be Roy Kent, but I also know

681
00:33:57,360 --> 00:33:59,320
Speaker 4: no one's thinking of me for this, and it is

682
00:33:59,360 --> 00:34:02,080
Speaker 4: an embarrassing thing to ask in the writer's room, and

683
00:34:02,120 --> 00:34:05,000
Speaker 4: if I ask to even audition, it's going to make

684
00:34:05,000 --> 00:34:08,200
Speaker 4: everyone uncomfortable. Whatever's going to feel embarrassed and awkward because

685
00:34:08,239 --> 00:34:10,799
Speaker 4: also no one's thinking of me in this way. So

686
00:34:10,880 --> 00:34:13,640
Speaker 4: when we finished the writers room, I did a self tape.

687
00:34:13,640 --> 00:34:16,560
Speaker 4: I filmed five scenes and I was flying back to

688
00:34:16,640 --> 00:34:21,000
Speaker 4: England and I emailed Bill and I said, look, I

689
00:34:21,120 --> 00:34:23,960
Speaker 4: secretly think I could be Roy Kent, but I know

690
00:34:24,080 --> 00:34:27,319
Speaker 4: this is really awkward. Here's a tape. If it's shit,

691
00:34:27,880 --> 00:34:29,840
Speaker 4: pretend you never got it. I will never ask you

692
00:34:29,880 --> 00:34:34,799
Speaker 4: about it. This is between us. But if it's good

693
00:34:35,280 --> 00:34:39,600
Speaker 4: here at Peguy. And when I landed in London, I

694
00:34:39,640 --> 00:34:41,359
Speaker 4: had an email from Bill saying this.

695
00:34:41,400 --> 00:34:45,160
Speaker 1: Is fucking brilliant and oh my god. It was very exciting,

696
00:34:45,680 --> 00:34:48,359
Speaker 1: very but that was so that was so vulnerable and

697
00:34:48,440 --> 00:34:51,520
Speaker 1: ballsy of you, because you know it could have gone

698
00:34:51,560 --> 00:34:53,799
Speaker 1: the other way where he was like, oh great, and

699
00:34:53,840 --> 00:34:56,040
Speaker 1: then you then somebody else gets the part and you're

700
00:34:56,080 --> 00:34:58,160
Speaker 1: there and you feel like you put yourself out there,

701
00:34:58,160 --> 00:34:59,040
Speaker 1: but it didn't pay off.

702
00:34:59,800 --> 00:35:02,560
Speaker 4: Well, well, it was like, what's the worst case. The

703
00:35:02,600 --> 00:35:05,840
Speaker 4: worst cause scenario is the worst guy scenario because I

704
00:35:05,840 --> 00:35:08,319
Speaker 4: thought it for it is that he feels so uncomfortable

705
00:35:08,840 --> 00:35:11,280
Speaker 4: that if there's a season two I don't get asked

706
00:35:11,320 --> 00:35:12,920
Speaker 4: back to write on it because he doesn't want to

707
00:35:13,000 --> 00:35:16,560
Speaker 4: ever see me again. Yeah, that was the worst case.

708
00:35:17,160 --> 00:35:20,320
Speaker 4: But then on the other hand, I always think of

709
00:35:20,400 --> 00:35:22,640
Speaker 4: these things, well, have you got to lose? It doesn't matter,

710
00:35:22,760 --> 00:35:25,399
Speaker 4: nothing matters. It may as well, you know what I mean.

711
00:35:25,520 --> 00:35:28,239
Speaker 1: But that attitude, which I think is an inspiration to

712
00:35:28,280 --> 00:35:30,680
Speaker 1: people out there listening, whether they're going to make that

713
00:35:30,719 --> 00:35:35,279
Speaker 1: courageous choice or not, changed your entire life. I mean,

714
00:35:35,280 --> 00:35:37,840
Speaker 1: the decision of you to really send on that email

715
00:35:38,280 --> 00:35:41,000
Speaker 1: which was ballsy and which was vulnerable, and which was

716
00:35:41,520 --> 00:35:45,600
Speaker 1: courageous and to chutzpah changed your entire life, which I

717
00:35:45,640 --> 00:35:47,320
Speaker 1: just think is so inspirational on the people.

718
00:35:48,120 --> 00:35:50,640
Speaker 4: I mean, you don't know, you didn't. I didn't know that.

719
00:35:50,840 --> 00:35:54,759
Speaker 4: Like I said, that's the other thing. Is the reality, true, true,

720
00:35:54,800 --> 00:35:57,840
Speaker 4: true reality. I've made loads of stuff, I've made this pilot,

721
00:35:57,880 --> 00:35:59,960
Speaker 4: We've done it honestly, honestly, the pilot that me and

722
00:36:00,360 --> 00:36:03,480
Speaker 4: did was brilliant, Like I thought that was going to

723
00:36:03,520 --> 00:36:05,640
Speaker 4: be Remember when we like it was.

724
00:36:05,840 --> 00:36:08,360
Speaker 3: We got close. Yeah, we got so close. It was

725
00:36:08,400 --> 00:36:10,560
Speaker 3: on the bubble of it looked like it was going

726
00:36:10,640 --> 00:36:10,880
Speaker 3: to go.

727
00:36:11,440 --> 00:36:12,600
Speaker 2: I mean Rubin.

728
00:36:12,239 --> 00:36:17,640
Speaker 3: Directed it too, you know it was. And we had

729
00:36:17,719 --> 00:36:21,200
Speaker 3: Rubin directing, bill writing, and then the cast was like

730
00:36:22,000 --> 00:36:29,200
Speaker 3: a bunch of young comedian type uh uh sketch so

731
00:36:29,360 --> 00:36:31,640
Speaker 3: funny like some of yes, some of the guys were

732
00:36:32,040 --> 00:36:34,880
Speaker 3: influencers and stuff, and we're doing things online and stuff

733
00:36:34,920 --> 00:36:35,200
Speaker 3: like that.

734
00:36:35,280 --> 00:36:38,200
Speaker 2: Like it was really ahead of its time, and I

735
00:36:38,200 --> 00:36:39,839
Speaker 2: thought it was going to go. Man, it was like

736
00:36:39,880 --> 00:36:43,040
Speaker 2: scrubs and space to keep it one hundred with you, scrubs.

737
00:36:42,640 --> 00:36:46,239
Speaker 4: And nastas and scrubs in a rocket factory. And when

738
00:36:46,280 --> 00:36:48,759
Speaker 4: we remember when on that last day we filmed over

739
00:36:48,800 --> 00:36:50,640
Speaker 4: a week and on the last day, I remember side

740
00:36:50,640 --> 00:36:52,600
Speaker 4: the city because I was like, I guess.

741
00:36:52,360 --> 00:36:52,839
Speaker 2: This is it.

742
00:36:52,920 --> 00:36:56,359
Speaker 4: Boys definitely shook my hand and he said see you

743
00:36:56,360 --> 00:36:58,680
Speaker 4: in August because we're going to be making this thing.

744
00:36:58,719 --> 00:37:00,960
Speaker 4: And I went back to England, you know, pack it

745
00:37:01,040 --> 00:37:04,400
Speaker 4: up my house. I guess I'm moving to Hollywood. Baby.

746
00:37:04,800 --> 00:37:07,400
Speaker 1: Yeah, I never know, You never know.

747
00:37:08,040 --> 00:37:10,560
Speaker 4: So my point is when I did the boy Ken thing,

748
00:37:10,920 --> 00:37:12,640
Speaker 4: there wasn't a part of me if if you put

749
00:37:12,680 --> 00:37:15,800
Speaker 4: all the pressure on of like this is the life change.

750
00:37:15,880 --> 00:37:18,080
Speaker 4: It was like by that stage, I didn't think anything

751
00:37:18,200 --> 00:37:20,200
Speaker 4: was going to happen, as in I thought would make

752
00:37:20,239 --> 00:37:21,920
Speaker 4: a good show and no one would see it. Well

753
00:37:22,040 --> 00:37:23,800
Speaker 4: you know what I mean, Like I didn't expect.

754
00:37:24,680 --> 00:37:27,520
Speaker 1: I just think it's good to have the balls and

755
00:37:27,560 --> 00:37:30,440
Speaker 1: the courage to try. I wrote, I don't know, you

756
00:37:30,440 --> 00:37:32,799
Speaker 1: don't know this story, Brett, but the audience I've told

757
00:37:32,800 --> 00:37:34,560
Speaker 1: this story, but I'll tell it quickly. I wrote a

758
00:37:35,160 --> 00:37:37,680
Speaker 1: first season of Scrubs. I wrote a spec script for scrub.

759
00:37:38,440 --> 00:37:39,960
Speaker 1: Do you know the story? You know the story.

760
00:37:40,000 --> 00:37:41,160
Speaker 4: It's one of my favorite stories.

761
00:37:42,400 --> 00:37:45,120
Speaker 1: I'll tell it quickly for audience that doesn't know the story.

762
00:37:45,200 --> 00:37:47,680
Speaker 1: But I had such balls, I had such courage. I

763
00:37:47,680 --> 00:37:51,239
Speaker 1: had such I did such I don't know.

764
00:37:51,840 --> 00:37:54,040
Speaker 2: You were a naive man, but.

765
00:37:54,040 --> 00:37:57,560
Speaker 1: I was also no but I was very driven. I

766
00:37:57,600 --> 00:37:59,880
Speaker 1: didn't pay off. I didn't pay off that day, but

767
00:38:00,200 --> 00:38:02,200
Speaker 1: it would pay off in other ways throughout the course

768
00:38:02,239 --> 00:38:05,600
Speaker 1: of my career. But I wrote a whole episode of Scrubs,

769
00:38:05,680 --> 00:38:07,520
Speaker 1: and I had the balls to give it to Bill

770
00:38:07,560 --> 00:38:09,520
Speaker 1: and go, I would really like to write an episode

771
00:38:09,520 --> 00:38:09,879
Speaker 1: of the show.

772
00:38:09,920 --> 00:38:10,160
Speaker 8: Mind you.

773
00:38:10,239 --> 00:38:12,760
Speaker 1: This is season one and.

774
00:38:12,800 --> 00:38:18,480
Speaker 2: So three bro. Yes, it was. It was pretty early.

775
00:38:18,760 --> 00:38:20,799
Speaker 2: It was pretty No, you know what it couldn't been.

776
00:38:20,840 --> 00:38:21,200
Speaker 4: It wasn't.

777
00:38:22,960 --> 00:38:27,279
Speaker 1: It wasn't but uh. I gave it to Bill and

778
00:38:27,440 --> 00:38:31,040
Speaker 1: he this is non exaggeration. It's gonna sound like the

779
00:38:31,080 --> 00:38:32,600
Speaker 1: cartoon movie version of this.

780
00:38:33,520 --> 00:38:34,000
Speaker 2: A p A.

781
00:38:34,719 --> 00:38:36,480
Speaker 1: I gave it to Bill, and a PA brought it

782
00:38:36,520 --> 00:38:41,440
Speaker 1: to me the next morning and said, hey, I found

783
00:38:41,520 --> 00:38:44,000
Speaker 1: this on the in the parking lot and it's got

784
00:38:44,000 --> 00:38:46,360
Speaker 1: your name on it, and it had a tire track

785
00:38:46,600 --> 00:38:54,080
Speaker 1: over the title page of the of the screen and

786
00:38:54,360 --> 00:38:58,080
Speaker 1: Bill Bill Bill claims that he must have left it

787
00:38:58,120 --> 00:39:01,759
Speaker 1: on the rumor's car because he drove over it.

788
00:39:02,200 --> 00:39:04,479
Speaker 3: I think he was making a point. I think Bill

789
00:39:04,520 --> 00:39:08,280
Speaker 3: loves you so much. I think Bill put the tire

790
00:39:08,400 --> 00:39:11,400
Speaker 3: mark over it. No, he did, and freaking I mean.

791
00:39:11,480 --> 00:39:13,200
Speaker 1: He read it. He ultimately.

792
00:39:13,239 --> 00:39:16,160
Speaker 3: I think he read it and said, wow, really cool.

793
00:39:16,760 --> 00:39:20,680
Speaker 3: This kid's got fucking huge balls. I got to teach

794
00:39:20,760 --> 00:39:21,400
Speaker 3: him a lesson.

795
00:39:22,840 --> 00:39:24,840
Speaker 1: I don't think I don't think he purposely drove over it.

796
00:39:24,880 --> 00:39:27,640
Speaker 1: I think he It shows how he felt about it. Like, oh,

797
00:39:27,719 --> 00:39:29,839
Speaker 1: this fucking kid, and then forgot it on his roof.

798
00:39:31,040 --> 00:39:32,840
Speaker 1: But he did ultimately read it and he gave me

799
00:39:32,920 --> 00:39:34,719
Speaker 1: notes on it, so and then, and you know, it

800
00:39:34,760 --> 00:39:38,000
Speaker 1: did lay some foundation for what was to come, but

801
00:39:38,440 --> 00:39:42,920
Speaker 1: he wasn't ready to take me seriously at that point

802
00:39:43,239 --> 00:39:43,759
Speaker 1: as a writer.

803
00:39:45,000 --> 00:39:47,160
Speaker 3: I mean, some of the best stories are when people

804
00:39:47,239 --> 00:39:52,279
Speaker 3: take control of their destiny and take a leap, you know.

805
00:39:52,400 --> 00:39:52,959
Speaker 2: I think that's.

806
00:39:53,160 --> 00:39:57,000
Speaker 1: Yes, that's what I'm trying to highlight about Brett Goldstein.

807
00:39:56,480 --> 00:40:01,080
Speaker 2: I say that ship, then, man, your dad around it, like, yo,

808
00:40:01,160 --> 00:40:04,200
Speaker 2: you got balls, Brett, that's the dopest ship we've heard

809
00:40:04,280 --> 00:40:05,799
Speaker 2: man to take.

810
00:40:06,080 --> 00:40:10,439
Speaker 3: To take a page out of out of Zach's book,

811
00:40:10,600 --> 00:40:14,160
Speaker 3: out of all of the really dope creators, you did

812
00:40:14,200 --> 00:40:17,960
Speaker 3: something that we all admire, and that is you took

813
00:40:18,400 --> 00:40:23,080
Speaker 3: control of your destiny and fucking made something happens.

814
00:40:23,880 --> 00:40:25,279
Speaker 4: Thank you very much, Thank you.

815
00:40:25,320 --> 00:40:29,480
Speaker 1: And I just think that's I think that's an inspiration. Now,

816
00:40:29,520 --> 00:40:32,440
Speaker 1: how did Jason? You know, Jason was your another co

817
00:40:32,560 --> 00:40:35,600
Speaker 1: creator and and you obviously you dipped your toe in

818
00:40:35,640 --> 00:40:38,520
Speaker 1: the water with Bill. How did Jason? I mean obviously

819
00:40:38,600 --> 00:40:40,160
Speaker 1: he loved it too, or he wouldn't have cast you

820
00:40:40,160 --> 00:40:41,600
Speaker 1: but how did they go with Jason?

821
00:40:42,400 --> 00:40:42,560
Speaker 2: Oh?

822
00:40:42,600 --> 00:40:44,600
Speaker 4: Well, I believe because I wasn't there then because I

823
00:40:44,640 --> 00:40:47,000
Speaker 4: was backing on this, so I believe. Then Bill took

824
00:40:47,040 --> 00:40:50,480
Speaker 4: it to Jason, and then Jason liked it, and then

825
00:40:50,560 --> 00:40:53,920
Speaker 4: they showed all the writers in the writer's room. They

826
00:40:54,000 --> 00:40:55,200
Speaker 4: went are we wrong?

827
00:40:55,360 --> 00:40:58,120
Speaker 1: Is this good?

828
00:40:58,440 --> 00:41:00,520
Speaker 4: And then I had to and then got said to

829
00:41:00,560 --> 00:41:03,880
Speaker 4: Apple and the thing that was the truth is that

830
00:41:03,920 --> 00:41:07,160
Speaker 4: I forget this bit. Is that actually the self tape

831
00:41:07,160 --> 00:41:11,400
Speaker 4: I've done, You know, if you like, My managers have

832
00:41:11,560 --> 00:41:13,440
Speaker 4: like a self tape room in their office. So I've

833
00:41:13,520 --> 00:41:16,000
Speaker 4: just gone to their office and they will have a

834
00:41:16,480 --> 00:41:18,960
Speaker 4: whoever's like an intern, they will have an intern read

835
00:41:19,040 --> 00:41:22,000
Speaker 4: in with you. But the intern that they had was

836
00:41:22,040 --> 00:41:25,799
Speaker 4: this Swedish guy. So I was doing my scenes with

837
00:41:25,920 --> 00:41:32,839
Speaker 4: Keeley the off camera was a Swedish man doing so

838
00:41:32,880 --> 00:41:35,440
Speaker 4: Apple eventually asked, just in case, could you do it

839
00:41:35,440 --> 00:41:37,920
Speaker 4: with a woman, just to see this sounds right? So

840
00:41:37,960 --> 00:41:38,960
Speaker 4: I had to redo it.

841
00:41:39,120 --> 00:41:41,560
Speaker 1: I always think that's important to tell actors that I

842
00:41:41,600 --> 00:41:43,759
Speaker 1: know it's not always possible, but try and try and

843
00:41:43,800 --> 00:41:48,080
Speaker 1: read with someone who's at least a decent actor or

844
00:41:48,080 --> 00:41:49,920
Speaker 1: an ideally the right sex.

845
00:41:51,160 --> 00:41:52,000
Speaker 2: Don't do it with your.

846
00:41:51,960 --> 00:41:55,239
Speaker 4: Wife though, well, really, isn't your wife now?

847
00:41:55,600 --> 00:41:57,520
Speaker 3: My wife tries to support me, and all I get is,

848
00:41:57,520 --> 00:42:00,839
Speaker 3: you're gonna do it like that.

849
00:41:59,200 --> 00:42:04,279
Speaker 1: Oh, that's your unique situation. I just think it's when

850
00:42:04,320 --> 00:42:06,080
Speaker 1: when I when I as a director, when I watch

851
00:42:06,120 --> 00:42:08,600
Speaker 1: tapes and the person off camera is like, but there's

852
00:42:08,640 --> 00:42:10,640
Speaker 1: a fire in the house and we need to get

853
00:42:10,680 --> 00:42:13,160
Speaker 1: out as soon as possible. It's very distracting, and you're like,

854
00:42:14,520 --> 00:42:16,319
Speaker 1: you know, sometimes you can't avoid it because that's all

855
00:42:16,360 --> 00:42:16,719
Speaker 1: you got.

856
00:42:16,760 --> 00:42:19,960
Speaker 4: But but sometimes, you know, when you watch celtices, you

857
00:42:20,040 --> 00:42:23,000
Speaker 4: know when the person off camera wants apart, when they're

858
00:42:23,040 --> 00:42:27,520
Speaker 4: really when they're like you can hear them cry really,

859
00:42:28,760 --> 00:42:35,080
Speaker 4: and you're like, we know what you do. I was ahead, No,

860
00:42:35,239 --> 00:42:37,440
Speaker 4: I was just making observation as a fan of the podcast.

861
00:42:37,480 --> 00:42:41,880
Speaker 4: I've never seen it, and I just Joel, do you

862
00:42:41,880 --> 00:42:44,600
Speaker 4: do you look so lovingly at the screen at all times?

863
00:42:44,760 --> 00:42:47,360
Speaker 1: Yeah, Joel's our supports system. She's like a big hug.

864
00:42:47,560 --> 00:42:50,560
Speaker 1: She just supports us so comfortable, and then she only

865
00:42:50,600 --> 00:42:53,080
Speaker 1: she only pipes in when we've said something inappropriate that

866
00:42:53,160 --> 00:42:53,480
Speaker 1: we need.

867
00:42:53,560 --> 00:42:55,400
Speaker 2: That's not true, that's not true.

868
00:42:55,440 --> 00:42:58,719
Speaker 4: You really you really look like you you really if

869
00:42:58,719 --> 00:43:05,040
Speaker 4: I may say, you really like you love these guys.

870
00:43:10,400 --> 00:43:12,520
Speaker 1: We love Joel. We couldn't make the show without her.

871
00:43:12,560 --> 00:43:15,280
Speaker 1: Bro she makes the whole thing run.

872
00:43:15,360 --> 00:43:18,799
Speaker 3: Look, Daniel and Joel when we first started this show,

873
00:43:18,840 --> 00:43:21,719
Speaker 3: they were not supposed to be on the show. They

874
00:43:21,800 --> 00:43:26,080
Speaker 3: were just supposed to be producers. And we just had

875
00:43:26,120 --> 00:43:28,759
Speaker 3: so much fun talking to them. And also it was

876
00:43:28,840 --> 00:43:30,919
Speaker 3: during COVID and everything like that, so it like kind

877
00:43:30,920 --> 00:43:33,839
Speaker 3: of forced us all to really express what we were

878
00:43:33,880 --> 00:43:36,680
Speaker 3: going through and you know, what what our lives were

879
00:43:36,760 --> 00:43:39,800
Speaker 3: like at that moment, and it just made for good podcasts.

880
00:43:40,520 --> 00:43:42,520
Speaker 2: I can't see the podcast without them. Now.

881
00:43:42,680 --> 00:43:45,759
Speaker 1: Well, we just enjoy talking to them so much, and

882
00:43:46,239 --> 00:43:48,719
Speaker 1: we're a family here, so we we love having them

883
00:43:48,719 --> 00:43:50,799
Speaker 1: be a part of it. Even though Daniel's probably off

884
00:43:50,880 --> 00:43:56,319
Speaker 1: camera playing a video game right now. They played they

885
00:43:56,320 --> 00:44:00,279
Speaker 1: played the Twitch Yeah, Zach.

886
00:44:00,320 --> 00:44:03,560
Speaker 4: You Then Zach then directed to Lasso and I was

887
00:44:03,600 --> 00:44:05,319
Speaker 4: a very big fan of Scrubs and I was really

888
00:44:06,040 --> 00:44:09,359
Speaker 4: nervous of meeting Zach as I was when I met

889
00:44:09,360 --> 00:44:13,759
Speaker 4: you Donald and Zach. I didn't realize it was very

890
00:44:14,400 --> 00:44:18,799
Speaker 4: very charming. It's very tall and very charming and very charismatic,

891
00:44:18,920 --> 00:44:21,799
Speaker 4: like in real life he's like you sort of, he's

892
00:44:21,880 --> 00:44:26,400
Speaker 4: very impressive, he's about very charming, and we're in the

893
00:44:26,400 --> 00:44:28,960
Speaker 4: middle of nowhere in England in this sort of quite

894
00:44:29,920 --> 00:44:32,360
Speaker 4: it's not like very nice where we filmed Richmond, and

895
00:44:32,400 --> 00:44:35,879
Speaker 4: it was like here comes Hollywood talking and we were

896
00:44:35,920 --> 00:44:37,799
Speaker 4: all all of us, the whole cast, were quite like,

897
00:44:38,200 --> 00:44:40,520
Speaker 4: we're really self conscious because we were doing read through

898
00:44:40,800 --> 00:44:43,960
Speaker 4: it's like read through episodes and suddenly there's fucking Zach

899
00:44:44,000 --> 00:44:47,160
Speaker 4: Braff from Scrubs and Garden State and everyone, all of

900
00:44:47,160 --> 00:44:50,320
Speaker 4: the cast kept nudging each other like's you is it?

901
00:44:50,640 --> 00:44:54,320
Speaker 4: And how are we going to work with this guy?

902
00:44:54,560 --> 00:44:58,440
Speaker 1: It was that's very it's very sweet of you say.

903
00:44:58,480 --> 00:45:03,160
Speaker 1: But I I met this cat asked who you know

904
00:45:03,239 --> 00:45:05,640
Speaker 1: became global sensations.

905
00:45:05,040 --> 00:45:06,840
Speaker 2: About to say, did you know when you met this

906
00:45:06,920 --> 00:45:10,040
Speaker 2: cast like this get any monster?

907
00:45:10,320 --> 00:45:13,040
Speaker 1: I really didn't. I thought, listen, you have to understand

908
00:45:13,040 --> 00:45:18,359
Speaker 1: that other than Jason, no one was a household name.

909
00:45:19,200 --> 00:45:23,879
Speaker 1: And I thought that it was very funny. I thought

910
00:45:23,880 --> 00:45:28,040
Speaker 1: they were all super talented. I thought the show was good.

911
00:45:28,160 --> 00:45:31,000
Speaker 1: I I just didn't have any any guests at the

912
00:45:31,120 --> 00:45:33,600
Speaker 1: audience for it. I thought, you know, people who love

913
00:45:33,840 --> 00:45:37,279
Speaker 1: soccer will love this Obviously, Jason's hilarious and he's got

914
00:45:37,280 --> 00:45:41,479
Speaker 1: a huge fan base. But and I was really proud

915
00:45:41,520 --> 00:45:43,440
Speaker 1: of the way that episode came out. I thought it

916
00:45:43,480 --> 00:45:46,200
Speaker 1: was really special and and and and it had the

917
00:45:46,200 --> 00:45:49,719
Speaker 1: Bill Lawrence special, which is you're laughing and then it

918
00:45:49,719 --> 00:45:54,640
Speaker 1: breaks your heart a little. But I would never have

919
00:45:54,719 --> 00:45:57,920
Speaker 1: guessed that ted Lassa would become the global sensation that

920
00:45:58,000 --> 00:45:58,800
Speaker 1: it became.

921
00:45:59,360 --> 00:46:02,680
Speaker 3: But when you look at it now, it really was

922
00:46:03,040 --> 00:46:05,440
Speaker 3: not only to jump off for all of the cast members,

923
00:46:05,520 --> 00:46:08,600
Speaker 3: like everybody's gone on to do great things and stuff,

924
00:46:09,000 --> 00:46:13,319
Speaker 3: but it's also like Ryan Reynolds and his partner, they

925
00:46:13,440 --> 00:46:19,200
Speaker 3: kind of owe you guys a fucking a hat or something, man,

926
00:46:19,680 --> 00:46:23,120
Speaker 3: because like they took the they took the sensation, the

927
00:46:23,160 --> 00:46:26,080
Speaker 3: global sensation that Ted last one. People who had never

928
00:46:26,200 --> 00:46:29,640
Speaker 3: watched soccer in their or sorry, football in their life

929
00:46:30,239 --> 00:46:34,319
Speaker 3: were all of a sudden watching We're watching it and

930
00:46:34,560 --> 00:46:37,480
Speaker 3: trying to understand it because they loved the characters on

931
00:46:37,560 --> 00:46:40,839
Speaker 3: ted Lasso and Ryan and his partner. They took that

932
00:46:41,000 --> 00:46:43,800
Speaker 3: momentum and that motherfucker is rich.

933
00:46:44,640 --> 00:46:47,239
Speaker 2: He is a wealthy motherfucker now because of it.

934
00:46:47,480 --> 00:46:49,440
Speaker 1: I don't think that's I don't think I don't think

935
00:46:49,440 --> 00:46:51,200
Speaker 1: it's the only thing that's made him very ready.

936
00:46:51,560 --> 00:46:54,680
Speaker 2: But that thing has. He was doing fine without it, sure,

937
00:46:54,719 --> 00:46:56,440
Speaker 2: I'm sure, but that thing has.

938
00:46:57,719 --> 00:47:00,880
Speaker 1: So Brett so tell us about like, so we're shooting

939
00:47:00,880 --> 00:47:02,759
Speaker 1: this little thing, and he's right, it's you know, the

940
00:47:02,880 --> 00:47:05,279
Speaker 1: sound stages aren't fancy. It's a it's a bit of

941
00:47:05,320 --> 00:47:08,400
Speaker 1: a there was nothing glamorous about the shoot.

942
00:47:09,800 --> 00:47:14,840
Speaker 4: I also episode two you because Zach invented a camera.

943
00:47:15,120 --> 00:47:17,239
Speaker 4: I don't know if this is boring, but part of

944
00:47:17,239 --> 00:47:19,319
Speaker 4: the way the ted lights it looks is defined by

945
00:47:19,440 --> 00:47:22,240
Speaker 4: Zach Braff because O thank you. It was the episode

946
00:47:22,280 --> 00:47:24,480
Speaker 4: two is the first time you see a football scene.

947
00:47:25,200 --> 00:47:27,600
Speaker 4: And we were told suddenly on the day, oh, you're

948
00:47:27,600 --> 00:47:30,719
Speaker 4: not allowed to put any equipment on the pitch. And

949
00:47:30,840 --> 00:47:34,680
Speaker 4: it was like, oh shit. So Zach built a rig

950
00:47:35,760 --> 00:47:38,799
Speaker 4: with some of the guys that's these giants with the.

951
00:47:39,040 --> 00:47:41,279
Speaker 1: Grip, with the key grip and and the DP. We

952
00:47:41,360 --> 00:47:43,040
Speaker 1: had to come up with a unique way to shoot

953
00:47:43,280 --> 00:47:47,640
Speaker 1: the soccer because they they the field is so special

954
00:47:47,760 --> 00:47:49,600
Speaker 1: and that the pitch as they call it. That the

955
00:47:49,680 --> 00:47:52,160
Speaker 1: greensmen were like, you're not putting any gear on this?

956
00:47:52,320 --> 00:47:54,920
Speaker 1: What the hell you think? And and soccer moved so

957
00:47:55,080 --> 00:47:57,239
Speaker 1: fast that you couldn't have some of the traditional ways

958
00:47:57,280 --> 00:47:59,440
Speaker 1: we would have shot something, and normally here in the

959
00:47:59,480 --> 00:48:02,160
Speaker 1: stage probably we'd use an electric card of some kind

960
00:48:02,320 --> 00:48:05,120
Speaker 1: or something. Anyway, so we came up with this rig

961
00:48:05,200 --> 00:48:07,760
Speaker 1: that had these big tires and it was a remote

962
00:48:07,840 --> 00:48:10,000
Speaker 1: head so the DP could operate it from the side,

963
00:48:10,080 --> 00:48:12,560
Speaker 1: and it was really fun and it was like a

964
00:48:13,239 --> 00:48:15,920
Speaker 1: unique assignment for this particular show, and then it became

965
00:48:16,080 --> 00:48:18,360
Speaker 1: one of the main tools they used to shoot the.

966
00:48:18,880 --> 00:48:21,879
Speaker 4: Same thing season three. Yeah, and it's literally a guy

967
00:48:22,080 --> 00:48:25,360
Speaker 4: like with a sort of what do you call it? Wheelbarrow?

968
00:48:26,000 --> 00:48:29,040
Speaker 1: Well, what's cool is the run they run. It became

969
00:48:29,080 --> 00:48:30,439
Speaker 1: I can see a picture of it because I haven't

970
00:48:30,440 --> 00:48:33,040
Speaker 1: saved in my favorites because it's a it's a favorite.

971
00:48:33,440 --> 00:48:37,280
Speaker 1: But they the grips would then put on soccer cleats

972
00:48:37,440 --> 00:48:40,560
Speaker 1: and run with it so that they because obviously that

973
00:48:40,719 --> 00:48:43,040
Speaker 1: was allowed, and then it would enable it would enable

974
00:48:43,239 --> 00:48:46,320
Speaker 1: us to get amazing shots and was completely remote. The

975
00:48:46,440 --> 00:48:48,759
Speaker 1: head of the camera was completely remote controlled from the

976
00:48:49,719 --> 00:48:52,560
Speaker 1: from the side. You invented this bro Well, we have

977
00:48:52,600 --> 00:48:54,200
Speaker 1: a key grip. I don't want to take full credit

978
00:48:54,280 --> 00:48:58,680
Speaker 1: with the hold on. I'm trying to get focus for y'all.

979
00:48:58,719 --> 00:49:03,000
Speaker 2: Hold on, you are, yeah, man, you are a part

980
00:49:03,120 --> 00:49:07,160
Speaker 2: of u uh cinematic history.

981
00:49:09,280 --> 00:49:11,320
Speaker 1: Well, if there's a special award, I'll take it.

982
00:49:12,200 --> 00:49:15,959
Speaker 2: That's pretty dope this, especially if it's was used after

983
00:49:16,080 --> 00:49:16,600
Speaker 2: you left.

984
00:49:16,800 --> 00:49:18,319
Speaker 1: Oh yeah, they used it the whole run of the show.

985
00:49:18,920 --> 00:49:21,000
Speaker 2: Interesting, do they still use it on other shows?

986
00:49:21,680 --> 00:49:25,280
Speaker 1: Well, if anyone is shooting on a pitch in England

987
00:49:25,320 --> 00:49:28,359
Speaker 1: and needs our help, please contact the show and we'll

988
00:49:28,400 --> 00:49:28,959
Speaker 1: help you build.

989
00:49:29,200 --> 00:49:31,399
Speaker 2: Did they use it on like Game Time or whatever?

990
00:49:31,480 --> 00:49:33,040
Speaker 2: That ship was winning time or.

991
00:49:35,160 --> 00:49:36,520
Speaker 1: I wasn't on a football field.

992
00:49:37,040 --> 00:49:39,120
Speaker 2: Ye, let's take a break.

993
00:49:39,200 --> 00:49:48,720
Speaker 1: We'll be right back after these fine words, all right, Brett,

994
00:49:49,160 --> 00:49:51,120
Speaker 1: So what I want to talk about is, so you

995
00:49:51,200 --> 00:49:57,160
Speaker 1: shoot season one and you feel good about it, then

996
00:49:57,880 --> 00:50:00,319
Speaker 1: when does it start to This is during COVID right

997
00:50:00,640 --> 00:50:04,040
Speaker 1: when did When did it did? It wasn't an instant hit?

998
00:50:04,120 --> 00:50:04,920
Speaker 1: Am I Am? I rain?

999
00:50:05,120 --> 00:50:07,239
Speaker 4: No, it was a slow it was how did you

1000
00:50:07,360 --> 00:50:07,680
Speaker 4: roll out?

1001
00:50:07,760 --> 00:50:10,239
Speaker 1: How did you start to feel that it was catching on?

1002
00:50:11,360 --> 00:50:13,919
Speaker 4: It was sort of like I've talked about this before,

1003
00:50:13,960 --> 00:50:16,160
Speaker 4: But the thing I think is interesting about ted LASSA

1004
00:50:16,239 --> 00:50:18,560
Speaker 4: and its success is that I don't think there is

1005
00:50:18,640 --> 00:50:20,919
Speaker 4: anything to be learned from it, as in I don't

1006
00:50:20,920 --> 00:50:23,680
Speaker 4: think you can. You know how Hollywood always tries to

1007
00:50:23,840 --> 00:50:26,320
Speaker 4: repeat They were like, well Ted Lasser works and we

1008
00:50:26,320 --> 00:50:28,759
Speaker 4: should do that. But it's like I think it's kind

1009
00:50:28,800 --> 00:50:32,520
Speaker 4: of a miracle, like as in it it didn't have

1010
00:50:33,200 --> 00:50:37,120
Speaker 4: huge marketing behind it. I don't think it didn't have

1011
00:50:37,719 --> 00:50:40,879
Speaker 4: It was on a new stream. Apple TV was very new,

1012
00:50:41,560 --> 00:50:43,520
Speaker 4: so it wasn't like everyone had it and it was

1013
00:50:43,640 --> 00:50:46,239
Speaker 4: just everywhere. It was like you had to make an

1014
00:50:46,280 --> 00:50:50,440
Speaker 4: effort to find it, and it came out and it

1015
00:50:50,640 --> 00:50:53,359
Speaker 4: just slowly. But it was a genuine word of mouth hit,

1016
00:50:53,600 --> 00:50:59,400
Speaker 4: which is rare. It wasn't you know, pushed by It

1017
00:50:59,560 --> 00:51:02,160
Speaker 4: was people who made that a hit, and there's no

1018
00:51:02,960 --> 00:51:05,160
Speaker 4: nothing you can replicate about that. It just happened to

1019
00:51:05,400 --> 00:51:08,719
Speaker 4: touch people at the right time. And people say, maybe

1020
00:51:08,760 --> 00:51:10,600
Speaker 4: it was because of COVID and maybe at the time

1021
00:51:11,239 --> 00:51:13,360
Speaker 4: the political landscape, all the reasons you can think of,

1022
00:51:13,520 --> 00:51:17,040
Speaker 4: but there were so many other shows that exist at

1023
00:51:17,080 --> 00:51:22,080
Speaker 4: that time, and it's just out of a you know, like.

1024
00:51:23,760 --> 00:51:26,200
Speaker 2: I think it was. I looked at it as a

1025
00:51:26,719 --> 00:51:27,759
Speaker 2: huge hit when it started.

1026
00:51:27,760 --> 00:51:30,520
Speaker 3: I felt like it launched Apple TV kind of also

1027
00:51:30,760 --> 00:51:34,160
Speaker 3: like didn't it help Apple TV all of a sudden because.

1028
00:51:35,880 --> 00:51:37,319
Speaker 1: By far ever still like.

1029
00:51:39,640 --> 00:51:44,759
Speaker 3: I remember, I remember, I remember somebody saying, you watching

1030
00:51:44,840 --> 00:51:46,320
Speaker 3: Ted Last, So I was like, you know, my my

1031
00:51:46,640 --> 00:51:50,360
Speaker 3: my old boss he created the show with and they

1032
00:51:50,400 --> 00:51:51,759
Speaker 3: were like, well, have you watched it? I was like,

1033
00:51:51,840 --> 00:51:54,080
Speaker 3: I haven't watched it. I don't watch much TV. And

1034
00:51:54,120 --> 00:51:56,400
Speaker 3: they were like, yo, you should watch it. And then

1035
00:51:56,640 --> 00:52:00,440
Speaker 3: I remember being so stuck on that fucking show, like

1036
00:52:00,600 --> 00:52:04,200
Speaker 3: I watched every episode from season one to season three.

1037
00:52:06,800 --> 00:52:09,279
Speaker 3: That's shit, like it was. It was one of those things.

1038
00:52:09,360 --> 00:52:11,200
Speaker 3: And the great thing was that I knew you also,

1039
00:52:11,400 --> 00:52:13,399
Speaker 3: and it was like, wow, look at.

1040
00:52:13,320 --> 00:52:14,719
Speaker 2: Fucking Brent dude.

1041
00:52:15,120 --> 00:52:19,560
Speaker 3: This dude was fucking flying back to fucking England, wherever

1042
00:52:19,640 --> 00:52:22,279
Speaker 3: the fuck you, wherever you live, you were flying back

1043
00:52:22,480 --> 00:52:25,280
Speaker 3: like you know, well this is it, Well i'll.

1044
00:52:25,120 --> 00:52:25,759
Speaker 5: See you soon.

1045
00:52:27,560 --> 00:52:31,719
Speaker 2: And I didn't see you for years, and all of

1046
00:52:31,719 --> 00:52:32,960
Speaker 2: a sudden, he's on Ted Last Morning.

1047
00:52:32,960 --> 00:52:35,600
Speaker 3: It's a fucking hit, and he's good on it too,

1048
00:52:36,040 --> 00:52:37,759
Speaker 3: and not only not only is it a hit, he's

1049
00:52:37,840 --> 00:52:38,480
Speaker 3: fucking good.

1050
00:52:38,920 --> 00:52:40,759
Speaker 2: And then all of a sudden, that fucking you know,

1051
00:52:41,600 --> 00:52:44,200
Speaker 2: you know, things start happening when you're good, things start

1052
00:52:44,239 --> 00:52:46,239
Speaker 2: happening people start talking when you're good, and it was

1053
00:52:46,320 --> 00:52:47,400
Speaker 2: just so good to see.

1054
00:52:48,640 --> 00:52:50,680
Speaker 1: Well, and not only I felt like it was a hug,

1055
00:52:50,920 --> 00:52:54,360
Speaker 1: you know, everyone was so down and COVID was so horrible,

1056
00:52:54,560 --> 00:52:57,319
Speaker 1: and it just felt wholesome, and it felt like maybe

1057
00:52:57,719 --> 00:53:00,280
Speaker 1: the world would not have been so open to something

1058
00:53:00,400 --> 00:53:04,960
Speaker 1: so wholesome and sentimental if it weren't for those conditions.

1059
00:53:05,239 --> 00:53:07,680
Speaker 1: Who knows, but I do feel like I do feel

1060
00:53:07,719 --> 00:53:11,520
Speaker 1: like the culture around the earth was ready for what

1061
00:53:11,719 --> 00:53:13,160
Speaker 1: ted Lasso was serving.

1062
00:53:14,200 --> 00:53:18,680
Speaker 4: Yeah, And there's something I think. What's funny about ted Lasso,

1063
00:53:18,840 --> 00:53:22,480
Speaker 4: and I think about it is that people feel about

1064
00:53:22,600 --> 00:53:26,239
Speaker 4: it like it's a really wholesome show and that it's

1065
00:53:26,320 --> 00:53:28,839
Speaker 4: sort of kind and it's a warm hug and all

1066
00:53:28,880 --> 00:53:32,839
Speaker 4: these things. And what's interesting about it is it's also

1067
00:53:32,920 --> 00:53:35,319
Speaker 4: a show that has so much wearing in it. It's

1068
00:53:35,360 --> 00:53:39,800
Speaker 4: got so much darkness in it. It's got severe mental

1069
00:53:39,960 --> 00:53:44,840
Speaker 4: health problems in it, Like it's there's actually for a

1070
00:53:44,920 --> 00:53:47,040
Speaker 4: show that I think people watch with their families and

1071
00:53:47,080 --> 00:53:49,080
Speaker 4: people talk about it like it's a family show, and

1072
00:53:49,160 --> 00:53:51,960
Speaker 4: I think it is. But what's unusual about it is

1073
00:53:52,000 --> 00:53:55,239
Speaker 4: that I say fuck every other word, and there's a

1074
00:53:55,320 --> 00:53:57,279
Speaker 4: cunny lingers scene, and there's you.

1075
00:53:57,320 --> 00:54:00,279
Speaker 1: Know, I think people get over that though, because of

1076
00:54:00,400 --> 00:54:03,880
Speaker 1: because of the overall, because it feels it just feels

1077
00:54:03,920 --> 00:54:05,799
Speaker 1: like it feels like Rudy every week.

1078
00:54:06,760 --> 00:54:08,479
Speaker 4: You know, that's nice.

1079
00:54:09,440 --> 00:54:12,440
Speaker 1: I remember crying. You were so good in that scene.

1080
00:54:12,520 --> 00:54:15,239
Speaker 1: I think it's the end of season one when you're

1081
00:54:15,280 --> 00:54:18,520
Speaker 1: in the locker room and Keely comes in and you're like,

1082
00:54:18,600 --> 00:54:21,960
Speaker 1: don't come in here. I just thought that your performance

1083
00:54:22,200 --> 00:54:24,920
Speaker 1: was so wonderful, and I remember I remember crying and

1084
00:54:25,040 --> 00:54:26,440
Speaker 1: being like, this motherfucker got me.

1085
00:54:27,360 --> 00:54:29,759
Speaker 4: You were very nice, well coming, saying nice things about

1086
00:54:29,800 --> 00:54:30,240
Speaker 4: you instead.

1087
00:54:30,320 --> 00:54:32,400
Speaker 2: No, no, no, no, no no, Brad, you came on

1088
00:54:32,560 --> 00:54:34,799
Speaker 2: this podcast. Come on you. We're not on your show,

1089
00:54:35,160 --> 00:54:35,800
Speaker 2: You're on ours.

1090
00:54:36,320 --> 00:54:37,600
Speaker 1: This is how it works, Bratt.

1091
00:54:37,640 --> 00:54:38,359
Speaker 4: You won the Emmy.

1092
00:54:38,480 --> 00:54:40,120
Speaker 1: You won the Emmy for season one? Did you not?

1093
00:54:40,640 --> 00:54:40,960
Speaker 4: I did?

1094
00:54:41,440 --> 00:54:41,640
Speaker 7: Yeah?

1095
00:54:41,680 --> 00:54:43,359
Speaker 1: And did you win the Emmy for season two?

1096
00:54:43,880 --> 00:54:44,239
Speaker 4: I did?

1097
00:54:44,600 --> 00:54:46,920
Speaker 2: And did you? And Tony shalout that motherfucker?

1098
00:54:47,200 --> 00:54:49,080
Speaker 1: And did you win the Emmy for season three?

1099
00:54:49,520 --> 00:54:49,960
Speaker 8: I did? Know?

1100
00:54:50,440 --> 00:54:52,560
Speaker 1: Okay, Well, two in a row is pretty damn good.

1101
00:54:53,480 --> 00:54:54,640
Speaker 2: So you didn't, Tony Shalu?

1102
00:54:54,760 --> 00:54:56,040
Speaker 1: Where'd your camera go? Donald?

1103
00:54:56,080 --> 00:54:58,279
Speaker 2: I'm trying to fix it now, Hold on he's mad about.

1104
00:54:59,360 --> 00:55:03,160
Speaker 1: Yeah, wh two Emmys in a row is a pretty

1105
00:55:03,200 --> 00:55:06,920
Speaker 1: big deal and you, especially when you consider all the

1106
00:55:07,320 --> 00:55:09,719
Speaker 1: extreme talent that you're up against, it's it's quite a

1107
00:55:09,840 --> 00:55:11,200
Speaker 1: quite a statement about you.

1108
00:55:11,560 --> 00:55:12,479
Speaker 2: Three would have been better.

1109
00:55:13,200 --> 00:55:16,680
Speaker 4: But I think if you do three then people start

1110
00:55:16,719 --> 00:55:18,080
Speaker 4: to hate you. It's probably for the best.

1111
00:55:18,640 --> 00:55:22,200
Speaker 3: Three they're start no doubt and then you can't be Wait,

1112
00:55:22,280 --> 00:55:24,200
Speaker 3: but then you can't be Hercules if you get three.

1113
00:55:24,600 --> 00:55:29,120
Speaker 1: Yeah, exactly, can you talk about before we go to

1114
00:55:29,840 --> 00:55:32,680
Speaker 1: before we go to Hercules, Let's just finish the ted

1115
00:55:32,760 --> 00:55:36,320
Speaker 1: last thing out because I'm sure, I'm I'm pretty confident

1116
00:55:36,400 --> 00:55:38,359
Speaker 1: that I know what you're going to say, but I'm

1117
00:55:38,400 --> 00:55:42,080
Speaker 1: sure people listening will want to know. There's rumors of

1118
00:55:42,200 --> 00:55:48,239
Speaker 1: season four? Is anything? Is there anything you can say? Well,

1119
00:55:48,280 --> 00:55:49,759
Speaker 1: you can you at least say that you'll be a

1120
00:55:49,840 --> 00:55:52,359
Speaker 1: part of that or is there absolutely nothing you can say?

1121
00:55:53,080 --> 00:55:55,520
Speaker 4: I can't say anything. I've had the same room as

1122
00:55:55,600 --> 00:56:01,040
Speaker 4: you've had, I read the same press series.

1123
00:56:01,440 --> 00:56:04,160
Speaker 1: Okay, I knew you were gonna be I knew you're

1124
00:56:04,160 --> 00:56:05,759
Speaker 1: gonna be cryptic, but I had to ask for the

1125
00:56:05,880 --> 00:56:07,160
Speaker 1: fans because I'm a good host.

1126
00:56:07,400 --> 00:56:08,160
Speaker 4: Brett, but he's not.

1127
00:56:08,200 --> 00:56:10,000
Speaker 2: Gonna be cryptic about Hercules.

1128
00:56:10,800 --> 00:56:14,160
Speaker 1: I have a feeling he'll be cryptic about Hercules as well, Brett,

1129
00:56:14,239 --> 00:56:16,839
Speaker 1: for those for those people who care about Hercules, will

1130
00:56:16,880 --> 00:56:19,200
Speaker 1: you give them some sentences about Hercules. Some people care

1131
00:56:19,239 --> 00:56:19,759
Speaker 1: about that, like.

1132
00:56:20,120 --> 00:56:22,400
Speaker 4: I have nothing to Secret Wars.

1133
00:56:22,520 --> 00:56:26,120
Speaker 3: It's important Secret Wars. I know you've gotten the call

1134
00:56:26,239 --> 00:56:29,080
Speaker 3: from Figy. I know he called you because Hercules is

1135
00:56:29,160 --> 00:56:31,600
Speaker 3: a big, big, big, big big part of that.

1136
00:56:32,040 --> 00:56:34,560
Speaker 1: What you can say, Brett is that what you can

1137
00:56:34,680 --> 00:56:37,480
Speaker 1: say is that how good you are keeping a secret?

1138
00:56:37,520 --> 00:56:39,880
Speaker 1: I read that that little I should say. For those

1139
00:56:39,960 --> 00:56:43,000
Speaker 1: people who aren't mega Marvel fans, Brett did a credits

1140
00:56:43,239 --> 00:56:47,759
Speaker 1: scene in which Marvel movie Thunder and thor Love and

1141
00:56:47,840 --> 00:56:50,880
Speaker 1: Thunder where he was gonna play Hercules, and so people

1142
00:56:51,000 --> 00:56:53,879
Speaker 1: like Donald who are very into this are like, when

1143
00:56:54,000 --> 00:56:54,959
Speaker 1: is Hercules coming?

1144
00:56:55,440 --> 00:56:56,279
Speaker 2: He has to come soon.

1145
00:56:56,360 --> 00:56:59,640
Speaker 3: It has to be Secret Wars or before, because I mean, sorry,

1146
00:57:00,320 --> 00:57:03,240
Speaker 3: this is a very big important part of the Secret

1147
00:57:03,320 --> 00:57:04,040
Speaker 3: Wars uh.

1148
00:57:05,800 --> 00:57:06,040
Speaker 5: War.

1149
00:57:07,120 --> 00:57:10,440
Speaker 2: Like Eddie Murphy in the movie, I'm trying to get

1150
00:57:10,480 --> 00:57:11,239
Speaker 2: real dirty on you.

1151
00:57:11,360 --> 00:57:14,520
Speaker 1: Know what's Eddie Murphy. Yeah, you look like Figure right now.

1152
00:57:14,600 --> 00:57:18,400
Speaker 2: You're doing great.

1153
00:57:20,360 --> 00:57:23,520
Speaker 4: Nothing to report on that case. I'm afraid and kept that.

1154
00:57:23,640 --> 00:57:23,960
Speaker 2: Well.

1155
00:57:24,000 --> 00:57:25,880
Speaker 1: You can talk about is how you managed to keep

1156
00:57:25,960 --> 00:57:28,000
Speaker 1: that secret from everyone, including your mom.

1157
00:57:28,160 --> 00:57:32,320
Speaker 4: I read, Oh yeah, that's true. I have told that

1158
00:57:32,400 --> 00:57:34,320
Speaker 4: story before, but not all.

1159
00:57:34,240 --> 00:57:36,800
Speaker 1: Of our listeners listen to every interview you do, Bro.

1160
00:57:36,800 --> 00:57:39,160
Speaker 4: No, no, no, But I just always want to preface

1161
00:57:39,200 --> 00:57:40,840
Speaker 4: it in case people are like, oh, yeah, fucking know

1162
00:57:41,000 --> 00:57:41,440
Speaker 4: this again.

1163
00:57:42,240 --> 00:57:45,200
Speaker 1: But one thing you have to learn is that, uh,

1164
00:57:45,840 --> 00:57:50,560
Speaker 1: you know, our audience hasn't necessarily heard every bread golds

1165
00:57:50,560 --> 00:57:52,320
Speaker 1: the interview, some of them, some of them have seen

1166
00:57:52,360 --> 00:57:55,880
Speaker 1: them all. I'm sure I'm furious to discover.

1167
00:57:58,240 --> 00:57:58,280
Speaker 8: This.

1168
00:57:59,400 --> 00:58:02,080
Speaker 1: How did you How did you keep it in your mom?

1169
00:58:02,600 --> 00:58:04,400
Speaker 4: I'll tell you what I well, because they I'll tell

1170
00:58:04,400 --> 00:58:10,439
Speaker 4: you how because they make it so scary when when

1171
00:58:10,720 --> 00:58:13,800
Speaker 4: I went to film it, when you God, I probably

1172
00:58:13,800 --> 00:58:14,520
Speaker 4: can't even say.

1173
00:58:14,400 --> 00:58:16,640
Speaker 1: This man.

1174
00:58:19,600 --> 00:58:21,040
Speaker 2: Because he signed that n d A.

1175
00:58:21,240 --> 00:58:22,640
Speaker 1: Bro. I think everybody knows.

1176
00:58:23,320 --> 00:58:26,200
Speaker 4: But what they what I will say is the Marvel

1177
00:58:26,280 --> 00:58:32,400
Speaker 4: security certainly make it sound like if you speak you

1178
00:58:32,520 --> 00:58:33,480
Speaker 4: will be killed.

1179
00:58:35,800 --> 00:58:40,040
Speaker 1: Why Kevin Faggy himself, that would be the worst day ever.

1180
00:58:40,160 --> 00:58:41,920
Speaker 2: Figgy just shows up at your house and he's like,

1181
00:58:42,000 --> 00:58:44,560
Speaker 2: you know why I'm here, and you know what this means?

1182
00:58:46,520 --> 00:58:49,040
Speaker 1: There's this new show Franchise. Have you seen any of that?

1183
00:58:49,160 --> 00:58:51,439
Speaker 4: Bro? Yes, I saw the first episode. It's great.

1184
00:58:51,680 --> 00:58:54,360
Speaker 1: Donald. You know, Donald, you don't watch things. But it's

1185
00:58:54,400 --> 00:58:56,800
Speaker 1: about behind the scenes of the making of a of

1186
00:58:56,880 --> 00:58:59,760
Speaker 1: a superhero movie, and it's from the perspective of the

1187
00:58:59,800 --> 00:59:02,520
Speaker 1: first ad and all the mayhem that goes on behind

1188
00:59:02,520 --> 00:59:03,600
Speaker 1: the scenes. It's pretty funny.

1189
00:59:03,960 --> 00:59:06,480
Speaker 2: I would like to watch that show Franchise.

1190
00:59:06,560 --> 00:59:09,440
Speaker 4: It's on Branchise. Can we oh, yeah, yeah, what do

1191
00:59:09,480 --> 00:59:11,760
Speaker 4: you want? Yeah? So basically, so I did this this

1192
00:59:12,000 --> 00:59:16,320
Speaker 4: hecles thing, and I text my mom because sometimes I'll

1193
00:59:18,200 --> 00:59:20,880
Speaker 4: recommend to my mom and dad films. They don't go

1194
00:59:20,960 --> 00:59:22,920
Speaker 4: a lot to cinema, but there's stuff I know they're like,

1195
00:59:22,960 --> 00:59:24,520
Speaker 4: and I'll go, you should see this film is really good.

1196
00:59:24,880 --> 00:59:26,520
Speaker 4: And I text my mom and I go, I know

1197
00:59:26,640 --> 00:59:30,440
Speaker 4: it's not normally your sort of thing, but you should

1198
00:59:30,480 --> 00:59:33,360
Speaker 4: go and see thor Love and Thunder. I saw it.

1199
00:59:33,600 --> 00:59:35,800
Speaker 4: It's really funny. I think you'd find it really funny.

1200
00:59:36,160 --> 00:59:37,960
Speaker 4: And she goes, I don't know if that's for us,

1201
00:59:38,040 --> 00:59:41,840
Speaker 4: and I go, no, trust me, I feel like I

1202
00:59:41,920 --> 00:59:44,439
Speaker 4: feel like this is a good one, and she goes.

1203
00:59:44,760 --> 00:59:46,240
Speaker 4: I watched the trailer and I don't think it's so

1204
00:59:46,680 --> 00:59:49,400
Speaker 4: I go, you know, I love films, like I wouldn't

1205
00:59:49,440 --> 00:59:50,880
Speaker 4: send you something I didn't think you did joy and

1206
00:59:50,960 --> 00:59:53,040
Speaker 4: they go. She goes, o'h fine, So they go and

1207
00:59:53,160 --> 00:59:58,000
Speaker 4: see Thor. She's texting me through the film and she's

1208
00:59:58,040 --> 01:00:02,400
Speaker 4: sort of going, oh, Russell Crows and I go, I go, mom,

1209
01:00:02,600 --> 01:00:04,680
Speaker 4: turn off your phone. You're at the cinema. And then

1210
01:00:04,720 --> 01:00:07,040
Speaker 4: she text me a few more times. This is quite entertaining.

1211
01:00:07,120 --> 01:00:09,280
Speaker 4: I go, yes, well, why are you texting me? Anyway?

1212
01:00:09,320 --> 01:00:11,360
Speaker 4: So I'm in the credits. So it gets to the end,

1213
01:00:12,120 --> 01:00:15,160
Speaker 4: so it's now the end. She texts me, well, that

1214
01:00:15,400 --> 01:00:19,360
Speaker 4: was fun credits and then she goes, oh, because what

1215
01:00:19,400 --> 01:00:21,280
Speaker 4: happens at the very end Russell Crowe appears and then

1216
01:00:21,320 --> 01:00:23,080
Speaker 4: it pans around it it's me and she goes, oh,

1217
01:00:23,480 --> 01:00:26,960
Speaker 4: Russell Crow's back, and I and I'm thinking she's going

1218
01:00:27,040 --> 01:00:29,200
Speaker 4: to fucking miss me. She's looking down at her phone

1219
01:00:30,040 --> 01:00:34,680
Speaker 4: and I and I look at the fucking screen. And

1220
01:00:34,840 --> 01:00:44,000
Speaker 4: then seconds later she wrote, she writes, what, that's amazing.

1221
01:00:45,560 --> 01:00:46,880
Speaker 2: Thank god she didn't message.

1222
01:00:47,040 --> 01:00:48,520
Speaker 4: I mean, it's like she's going to look down and

1223
01:00:49,240 --> 01:00:50,600
Speaker 4: I don't even know what you said it to that.

1224
01:00:52,520 --> 01:00:55,120
Speaker 1: So now I want to pivot to shrinking.

1225
01:00:55,200 --> 01:00:57,080
Speaker 4: You get let's talk about your directing.

1226
01:00:57,480 --> 01:00:59,640
Speaker 1: Well, well we can, but I want to talk about

1227
01:01:00,440 --> 01:01:03,480
Speaker 1: this amazing show that what's horrible?

1228
01:01:03,960 --> 01:01:05,720
Speaker 4: Just do you say nice things make me come to

1229
01:01:05,800 --> 01:01:07,000
Speaker 4: I mean they just making me sweat?

1230
01:01:07,280 --> 01:01:10,680
Speaker 1: Okay, well that's something you should work on in therapy.

1231
01:01:10,720 --> 01:01:12,680
Speaker 1: But English people don't go to therapy either, right.

1232
01:01:14,120 --> 01:01:15,880
Speaker 4: Okay, carry on, carry on.

1233
01:01:18,120 --> 01:01:23,760
Speaker 1: So you create this brilliant show Shrinking with Bill Lawrence

1234
01:01:23,920 --> 01:01:27,440
Speaker 1: and Jason Siegel? How did it come about? How did that?

1235
01:01:27,960 --> 01:01:30,280
Speaker 1: Obviously at this point, we know Bill loves your writing,

1236
01:01:30,440 --> 01:01:32,480
Speaker 1: we know that he wants to work with Jason. How

1237
01:01:32,520 --> 01:01:34,560
Speaker 1: did How did Shrinking get born?

1238
01:01:35,560 --> 01:01:39,640
Speaker 4: Shrinking happened because Bill and I were talking a lot

1239
01:01:39,720 --> 01:01:42,800
Speaker 4: and hanging out, and he said we should I'd like

1240
01:01:42,800 --> 01:01:44,320
Speaker 4: to do something else with you. And he said have

1241
01:01:44,440 --> 01:01:47,440
Speaker 4: you Is there anything you've been working on? And I

1242
01:01:47,640 --> 01:01:51,040
Speaker 4: told him I had this treatment for a show that

1243
01:01:51,520 --> 01:01:57,000
Speaker 4: was about a therapist, but it was about grief, but

1244
01:01:57,160 --> 01:02:01,120
Speaker 4: it was a much darker version of what shrinking ends

1245
01:02:01,200 --> 01:02:03,280
Speaker 4: up being. And then he said, that's interesting. I have

1246
01:02:03,400 --> 01:02:06,160
Speaker 4: a similar thing, but it's a different tone, and his

1247
01:02:06,320 --> 01:02:09,560
Speaker 4: thing was much lighter and the more we talked about

1248
01:02:09,560 --> 01:02:11,960
Speaker 4: it was like, actually, if you put these two together,

1249
01:02:12,160 --> 01:02:15,240
Speaker 4: the middle ground is shrinking, and that is actually the

1250
01:02:15,360 --> 01:02:18,440
Speaker 4: best version of this show. And so that's sort of

1251
01:02:18,600 --> 01:02:23,200
Speaker 4: what happened. And then we we wanted Jason always because

1252
01:02:23,240 --> 01:02:26,440
Speaker 4: he was just because Jason Seagle is the perfect man

1253
01:02:26,560 --> 01:02:30,439
Speaker 4: for it, because he is he has that thing where

1254
01:02:31,120 --> 01:02:33,480
Speaker 4: you just love him, so he can be a bit

1255
01:02:33,560 --> 01:02:35,240
Speaker 4: of a dick. You can write a character that makes

1256
01:02:35,280 --> 01:02:37,920
Speaker 4: mistakes and does bad things, and you can push it

1257
01:02:38,040 --> 01:02:40,240
Speaker 4: quite far because you're always going to love Jason Seagule,

1258
01:02:40,320 --> 01:02:43,840
Speaker 4: I think. And we got on a zoom with Jason

1259
01:02:44,000 --> 01:02:47,720
Speaker 4: and we pitched him the show. And I had a

1260
01:02:47,800 --> 01:02:51,200
Speaker 4: Muppets poster his movie behind me because I genuinely.

1261
01:02:50,960 --> 01:02:53,080
Speaker 1: Had that on my will and I genuinely love the

1262
01:02:53,160 --> 01:02:54,680
Speaker 1: Muppets and I genuinely love.

1263
01:02:54,640 --> 01:02:55,320
Speaker 4: His movie.

1264
01:02:57,080 --> 01:03:03,720
Speaker 2: Songs. You know, life's happy song when there's someone by

1265
01:03:03,760 --> 01:03:11,240
Speaker 2: your side to sing along. Yeah, I walked down the

1266
01:03:11,240 --> 01:03:17,080
Speaker 2: aisle to that. I've got everything that I need right

1267
01:03:17,320 --> 01:03:24,440
Speaker 2: in front of it, no stopping, nothing, I can't be.

1268
01:03:25,120 --> 01:03:27,720
Speaker 1: It wasn't next to me, and it was sung by

1269
01:03:27,720 --> 01:03:28,560
Speaker 1: a gospel choir.

1270
01:03:28,920 --> 01:03:34,440
Speaker 2: Yeah, life happy song, Life, life fishes.

1271
01:03:35,280 --> 01:03:36,320
Speaker 4: Yes, it is yes, it is.

1272
01:03:39,320 --> 01:03:43,040
Speaker 2: Someone that had life. Oh man. I used to listen

1273
01:03:43,080 --> 01:03:44,240
Speaker 2: to that ship, like, if you got.

1274
01:03:44,120 --> 01:03:46,280
Speaker 4: A video that goes I can't believe anything.

1275
01:03:46,280 --> 01:03:48,120
Speaker 2: I'd like, I bet you I probably do. I bet

1276
01:03:48,160 --> 01:03:50,200
Speaker 2: you if we look, I mean we got.

1277
01:03:50,360 --> 01:03:53,040
Speaker 1: I was in my backyard and I remember, I remember

1278
01:03:54,240 --> 01:03:57,160
Speaker 1: I was so nervous about my neighbors because there had

1279
01:03:57,200 --> 01:03:59,760
Speaker 1: been some commotion about me having a one hundred person

1280
01:04:00,200 --> 01:04:03,880
Speaker 1: in my backyard and uh. And then the gospel choir

1281
01:04:03,920 --> 01:04:07,160
Speaker 1: showed up and then they had microphones and I was like, roll.

1282
01:04:07,280 --> 01:04:14,360
Speaker 2: And it's such a everything is great. Literally, well they're

1283
01:04:14,400 --> 01:04:16,280
Speaker 2: playing it. I could tell that the audience was like,

1284
01:04:16,440 --> 01:04:18,120
Speaker 2: what the fuck is this?

1285
01:04:18,480 --> 01:04:21,760
Speaker 1: It was very sweet, it was very Romantic's so great,

1286
01:04:22,080 --> 01:04:24,720
Speaker 1: all right, So so you''re so he sees your muppet

1287
01:04:24,760 --> 01:04:26,040
Speaker 1: poster and and go on.

1288
01:04:26,880 --> 01:04:28,760
Speaker 4: And then we and we pitched it to him. And

1289
01:04:28,880 --> 01:04:32,560
Speaker 4: it's funny because he we didn't think it had gone great,

1290
01:04:32,560 --> 01:04:35,400
Speaker 4: because Jason, he was very lovely, but he just sort

1291
01:04:35,440 --> 01:04:38,480
Speaker 4: of went he sort of went, okay, thank you, let

1292
01:04:38,560 --> 01:04:40,120
Speaker 4: me think about it. And we were like okay, and

1293
01:04:40,240 --> 01:04:43,520
Speaker 4: we hung out thinking, oh, that seemed quite sure. And

1294
01:04:43,600 --> 01:04:45,960
Speaker 4: then I think that very day he called and said

1295
01:04:46,000 --> 01:04:48,200
Speaker 4: let's do it, and we're like, oh great, oh fantastic,

1296
01:04:48,800 --> 01:04:50,960
Speaker 4: and yeah, and that was it.

1297
01:04:51,080 --> 01:04:51,400
Speaker 1: That was it.

1298
01:04:52,000 --> 01:04:52,720
Speaker 2: Let's take a break.

1299
01:04:52,800 --> 01:04:55,200
Speaker 1: We'll be right back after these fine words.

1300
01:04:58,280 --> 01:05:03,200
Speaker 2: So how'd you get Harrison Ford?

1301
01:05:03,320 --> 01:05:05,560
Speaker 1: Yeah? What was your You had a meeting with Harrison Ford?

1302
01:05:06,040 --> 01:05:06,360
Speaker 2: Weren't you?

1303
01:05:06,520 --> 01:05:06,640
Speaker 8: There?

1304
01:05:06,800 --> 01:05:07,720
Speaker 1: Wasn't he in England?

1305
01:05:07,760 --> 01:05:07,960
Speaker 8: And you?

1306
01:05:08,360 --> 01:05:11,120
Speaker 4: Yes, I was in England. I was in England filming

1307
01:05:11,160 --> 01:05:16,439
Speaker 4: Ted Lasso and everyone else was here. And I get

1308
01:05:16,520 --> 01:05:21,520
Speaker 4: a basically, Harrison Ford's agent has read it. We want him,

1309
01:05:21,560 --> 01:05:23,960
Speaker 4: but we never think we're going to get him obviously,

1310
01:05:24,080 --> 01:05:26,440
Speaker 4: so it's sort of like a Harrison Ford type and

1311
01:05:26,640 --> 01:05:29,760
Speaker 4: then the agent goes, this is actually very good, sends

1312
01:05:29,800 --> 01:05:35,320
Speaker 4: it to him. I basically he says, I think. What's

1313
01:05:35,400 --> 01:05:38,880
Speaker 4: happened is the agent says, well, you need to talk

1314
01:05:39,000 --> 01:05:42,280
Speaker 4: to Harrison. And Bill's like, but I'm not. Harrison's in

1315
01:05:42,360 --> 01:05:45,800
Speaker 4: London making Indiana Jans and he Bill says, well, Brett's

1316
01:05:45,840 --> 01:05:48,400
Speaker 4: in London, he can meet Harrison. I get a missed

1317
01:05:48,520 --> 01:05:52,040
Speaker 4: call on my phone. I still have the voicemail and

1318
01:05:52,240 --> 01:05:59,240
Speaker 4: it's and the voicemail goes, Brad, it's Harrison Ford. I'm like,

1319
01:05:59,320 --> 01:06:01,120
Speaker 4: what the fuck. And he goes give me a call,

1320
01:06:01,160 --> 01:06:04,120
Speaker 4: and I'm like, fuck, and I'm thinking if I if

1321
01:06:04,160 --> 01:06:06,720
Speaker 4: I wait five minutes, I'm going to freak myself out

1322
01:06:06,720 --> 01:06:10,720
Speaker 4: and not. So I just immediately called him. Hi, Harison,

1323
01:06:11,000 --> 01:06:13,320
Speaker 4: and I say, how's it going. He goes, yeah, I'm

1324
01:06:13,360 --> 01:06:15,320
Speaker 4: at work and I say what are you working on?

1325
01:06:15,440 --> 01:06:22,440
Speaker 4: He goes of Indiana Jones. I'm like, yeah, yeah, and

1326
01:06:22,640 --> 01:06:26,880
Speaker 4: he says he says, He says, can you meet on

1327
01:06:28,280 --> 01:06:31,880
Speaker 4: Saturday for dinner? And I had a gig on Saturday,

1328
01:06:32,440 --> 01:06:35,040
Speaker 4: stand up gig booked and I said, I'm really sorry,

1329
01:06:35,120 --> 01:06:37,880
Speaker 4: I can't. I have a gig, and he goes, oh,

1330
01:06:38,000 --> 01:06:41,040
Speaker 4: and he seems quite shocked, and we sort of. He says, well,

1331
01:06:41,200 --> 01:06:42,360
Speaker 4: let me go back to you, and he hangs up

1332
01:06:42,360 --> 01:06:44,400
Speaker 4: with a cool Bill and I go, well, he wanted

1333
01:06:44,440 --> 01:06:46,000
Speaker 4: to meet on Saturday, but I've got a gig and

1334
01:06:46,040 --> 01:06:47,959
Speaker 4: Bill goes, you fucking idiot.

1335
01:06:47,720 --> 01:06:48,640
Speaker 2: Canceled the gig.

1336
01:06:49,560 --> 01:06:52,920
Speaker 4: It's Harrison Ford. It's Harrison Ford. You have to cancel

1337
01:06:52,920 --> 01:06:55,160
Speaker 4: the gig. I was like, but people have bought it,

1338
01:06:55,360 --> 01:06:59,560
Speaker 4: like twelve people have bought I can't let them down.

1339
01:07:00,240 --> 01:07:01,320
Speaker 1: And so I.

1340
01:07:02,800 --> 01:07:05,640
Speaker 4: Text Harrison. I go, is there any chance you're pre

1341
01:07:05,840 --> 01:07:07,920
Speaker 4: on Friday after work, I could come meet you, and

1342
01:07:08,120 --> 01:07:12,760
Speaker 4: he says, come to my house, come to my place

1343
01:07:12,760 --> 01:07:16,400
Speaker 4: at like six forty five to seven thirty or something.

1344
01:07:16,440 --> 01:07:18,040
Speaker 4: So I was like, oh, I've been downgraded, like he

1345
01:07:18,120 --> 01:07:20,600
Speaker 4: must he must, maybe not, maybe's upset.

1346
01:07:20,640 --> 01:07:21,000
Speaker 2: I don't know.

1347
01:07:21,320 --> 01:07:23,360
Speaker 4: I've been downgraded to a short window, you know what

1348
01:07:23,360 --> 01:07:27,439
Speaker 4: I mean. So everyone, Jeff, Bill, everyone, Jason like, don't

1349
01:07:27,520 --> 01:07:30,040
Speaker 4: fuck this up. Collect you know, make sure this goes well.

1350
01:07:30,080 --> 01:07:33,760
Speaker 4: It's like so much pressure. Drive to Harson Ford's place,

1351
01:07:33,800 --> 01:07:36,560
Speaker 4: get a lift, and I get out to come. Really know,

1352
01:07:36,640 --> 01:07:38,320
Speaker 4: it's like what the fuck? I don't know what to expect.

1353
01:07:38,720 --> 01:07:45,080
Speaker 4: And I ring the doorbell and fucking you know, hand

1354
01:07:45,160 --> 01:07:49,520
Speaker 4: Solo answers the door like he harrdon Ford answers the door,

1355
01:07:50,280 --> 01:07:53,120
Speaker 4: and he looks amazing and he says hey, and he

1356
01:07:53,200 --> 01:07:54,720
Speaker 4: shakes men and I go in and he sort of

1357
01:07:54,760 --> 01:07:56,400
Speaker 4: walks up these stairs and I follow him up the stairs.

1358
01:07:57,040 --> 01:07:58,840
Speaker 4: He hasn't really said anything yet. And then we walk

1359
01:07:58,880 --> 01:08:02,240
Speaker 4: into his apartment and he goes best script I've ever read?

1360
01:08:02,920 --> 01:08:05,280
Speaker 2: And I go what?

1361
01:08:05,800 --> 01:08:08,520
Speaker 4: And he goes best scripts I've ever read? And I

1362
01:08:08,880 --> 01:08:11,080
Speaker 4: see on his table he's got loads of scripts. He's

1363
01:08:11,080 --> 01:08:15,320
Speaker 4: obviously reading lots of things. So I'm like, oh, you poor,

1364
01:08:15,440 --> 01:08:16,880
Speaker 4: I feel bad for it. I'm like, you've got the

1365
01:08:16,920 --> 01:08:20,479
Speaker 4: wrong obviously means something else. And so I look at

1366
01:08:20,520 --> 01:08:22,240
Speaker 4: the scripts and I see the shrinking script and I go,

1367
01:08:22,520 --> 01:08:25,639
Speaker 4: I go shrinking and he goes, yeah, best dialog I've

1368
01:08:25,640 --> 01:08:30,280
Speaker 4: ever read. And I went oh, and I said do

1369
01:08:30,360 --> 01:08:32,519
Speaker 4: you want to do it then? And he went yeah,

1370
01:08:32,760 --> 01:08:36,640
Speaker 4: and I went okay then and he said, is that

1371
01:08:36,760 --> 01:08:39,160
Speaker 4: business done? And I said looks like it and he said,

1372
01:08:39,280 --> 01:08:42,599
Speaker 4: let's eat and then and then we had the whole

1373
01:08:43,320 --> 01:08:46,960
Speaker 4: the whole evening. It's just brilliant and he was so

1374
01:08:47,920 --> 01:08:51,880
Speaker 4: wonderful and so like he really got it. And also,

1375
01:08:51,920 --> 01:08:53,519
Speaker 4: you know what was like, I don't know I've ever

1376
01:08:53,600 --> 01:08:56,040
Speaker 4: told this before. I hope he doesn't mind me saying

1377
01:08:56,040 --> 01:08:58,599
Speaker 4: this because it's sort of heartbreaking and like so lovely

1378
01:08:59,120 --> 01:09:02,360
Speaker 4: is he was dressed a certain way and he said,

1379
01:09:02,680 --> 01:09:05,160
Speaker 4: how do you how do you see the character sort

1380
01:09:05,160 --> 01:09:08,439
Speaker 4: of dressing? And I said, well, honestly, sort of like this,

1381
01:09:08,800 --> 01:09:09,439
Speaker 4: like what you wear.

1382
01:09:09,360 --> 01:09:11,320
Speaker 2: And he went, yeah, that's why I dressed like this.

1383
01:09:15,920 --> 01:09:16,920
Speaker 4: It was really amazing.

1384
01:09:17,280 --> 01:09:20,960
Speaker 1: He was additioning for Yeah, he went on an outfit.

1385
01:09:21,479 --> 01:09:23,920
Speaker 2: It was I'm gonna nail this. I'm gonna get this.

1386
01:09:23,920 --> 01:09:25,720
Speaker 2: I'm gonna get this. They probably don't think I'm good.

1387
01:09:26,200 --> 01:09:29,040
Speaker 2: I'm gonna get this. I'm gonna get He's such and

1388
01:09:29,120 --> 01:09:29,680
Speaker 2: he really is.

1389
01:09:29,800 --> 01:09:31,840
Speaker 4: You know, you've wrote with him. He is what he

1390
01:09:32,000 --> 01:09:33,920
Speaker 4: says he is and what you read about, Like if

1391
01:09:33,920 --> 01:09:38,800
Speaker 4: you read Mike Nichols's biography biography, which is amazing, when

1392
01:09:38,840 --> 01:09:41,479
Speaker 4: he talks about working with Arison Ford, Harrison Ford is like,

1393
01:09:41,800 --> 01:09:44,519
Speaker 4: I'm here to service the story. I am an actor

1394
01:09:44,680 --> 01:09:48,040
Speaker 4: in this film. I'm not the star. I'm here to

1395
01:09:48,800 --> 01:09:51,160
Speaker 4: tell him show me that, use me in the best

1396
01:09:51,200 --> 01:09:53,600
Speaker 4: way to tell this story. And he is like that,

1397
01:09:53,720 --> 01:09:56,240
Speaker 4: this is an ensemble show. And as incredible as he is,

1398
01:09:56,320 --> 01:09:59,160
Speaker 4: and he's fucking incredible, he is part of the ensemble.

1399
01:09:59,240 --> 01:10:04,120
Speaker 4: And yeah, and he you know, Zach, this is I

1400
01:10:04,360 --> 01:10:08,479
Speaker 4: find it so like moving, like he loves it. And

1401
01:10:08,600 --> 01:10:11,920
Speaker 4: I also go like I get why he wanted to

1402
01:10:12,000 --> 01:10:15,840
Speaker 4: do it, because he's fucking funny and vulnerable. He gets

1403
01:10:15,880 --> 01:10:17,799
Speaker 4: to do so much in this part that he hasn't

1404
01:10:18,120 --> 01:10:22,720
Speaker 4: been able to show. I think, and I think, and

1405
01:10:23,520 --> 01:10:25,360
Speaker 4: this it's really not me being like, oh, we write

1406
01:10:25,360 --> 01:10:27,040
Speaker 4: such great science. What I mean is like, I think

1407
01:10:27,080 --> 01:10:31,000
Speaker 4: it's an opportunity for him that he has really embraced

1408
01:10:31,080 --> 01:10:33,679
Speaker 4: because he hasn't. He's wanted to do this, He's wanted

1409
01:10:33,720 --> 01:10:35,840
Speaker 4: to show all these signs of himself that he gets

1410
01:10:35,880 --> 01:10:38,519
Speaker 4: to show in this part. And I think people are

1411
01:10:38,520 --> 01:10:40,439
Speaker 4: always like, God, he's so funny. He's so funny in it,

1412
01:10:40,479 --> 01:10:43,040
Speaker 4: and he is so funny, but he's also so vulnerable

1413
01:10:43,120 --> 01:10:45,200
Speaker 4: in it in a way that I don't think we've

1414
01:10:45,240 --> 01:10:46,120
Speaker 4: ever seen before.

1415
01:10:46,200 --> 01:10:48,760
Speaker 3: And he's just amazing, you know, Yeah, I agree with

1416
01:10:49,120 --> 01:10:52,560
Speaker 3: He's been the tough guy in so many freaking projects

1417
01:10:52,600 --> 01:10:54,840
Speaker 3: and he's you know, and to see him cry, and

1418
01:10:54,960 --> 01:10:59,080
Speaker 3: to see him not only cry, but freaking uncontrollably cry, like,

1419
01:10:59,200 --> 01:11:04,000
Speaker 3: I can't fucking hate this. It's really really as a

1420
01:11:04,120 --> 01:11:07,840
Speaker 3: fan of his, as somebody who's watched him pretty much

1421
01:11:08,240 --> 01:11:11,280
Speaker 3: since I was three years old, it really is refreshing.

1422
01:11:11,320 --> 01:11:14,160
Speaker 3: I've seen every form, every form of him, and to

1423
01:11:14,240 --> 01:11:16,840
Speaker 3: see him like this, I've never seen him like this,

1424
01:11:17,360 --> 01:11:20,519
Speaker 3: and that's that's that's saying something because he's been in

1425
01:11:20,640 --> 01:11:22,560
Speaker 3: everything and he's never been this.

1426
01:11:22,960 --> 01:11:26,360
Speaker 1: I think he really loves being funny. I see I

1427
01:11:26,560 --> 01:11:29,120
Speaker 1: see that, I see on set that he I see

1428
01:11:29,200 --> 01:11:32,720
Speaker 1: that he's loving making everyone laugh.

1429
01:11:33,160 --> 01:11:34,400
Speaker 2: Yeah, and uh.

1430
01:11:34,720 --> 01:11:38,160
Speaker 1: And he said to me that it's it's he loves

1431
01:11:38,360 --> 01:11:40,720
Speaker 1: it's one of his favorite jobs. He just loves the

1432
01:11:40,920 --> 01:11:42,080
Speaker 1: environment of the set.

1433
01:11:43,040 --> 01:11:46,200
Speaker 4: And he's he's always generous to the writers and he'll

1434
01:11:46,240 --> 01:11:49,439
Speaker 4: always after receiving his shot, he'll come over and thank

1435
01:11:49,479 --> 01:11:53,280
Speaker 4: the writers and like he's he's really good and he's

1436
01:11:53,479 --> 01:11:57,560
Speaker 4: and he's also a generous actor like he because I

1437
01:11:57,640 --> 01:12:00,680
Speaker 4: think he knows, he knows people are into that they're

1438
01:12:00,720 --> 01:12:02,400
Speaker 4: working for. The people very excited to work with him.

1439
01:12:02,400 --> 01:12:04,559
Speaker 4: There was a very nervous like fuck, I've got if

1440
01:12:04,560 --> 01:12:07,280
Speaker 4: they've got just one scene with him, and he'll he'll

1441
01:12:07,439 --> 01:12:09,479
Speaker 4: he'll do something to put them at ease, and he'll say,

1442
01:12:09,600 --> 01:12:10,920
Speaker 4: like this is gonna be great.

1443
01:12:11,680 --> 01:12:11,840
Speaker 8: You know.

1444
01:12:11,960 --> 01:12:14,559
Speaker 4: It's just a little gesture to show to them, Yeah,

1445
01:12:14,720 --> 01:12:16,280
Speaker 4: I'm here with you with doing this together.

1446
01:12:16,680 --> 01:12:20,400
Speaker 1: The biggest obstacle is for the other people, including herself,

1447
01:12:20,720 --> 01:12:23,120
Speaker 1: to get over to get over it the fact that

1448
01:12:23,240 --> 01:12:26,719
Speaker 1: you're sitting with Yeah, you have to sitting with it's

1449
01:12:26,760 --> 01:12:31,240
Speaker 1: your own ship. Yeah, it's your own ship, because if

1450
01:12:31,280 --> 01:12:33,920
Speaker 1: you bring that to the table, you're never going to

1451
01:12:34,000 --> 01:12:35,840
Speaker 1: be able to be good. Whether you're an actor or

1452
01:12:35,840 --> 01:12:38,559
Speaker 1: a writer or director, you have to sort of well,

1453
01:12:38,600 --> 01:12:41,080
Speaker 1: I can only speak for myself, give yourself a little

1454
01:12:41,120 --> 01:12:44,200
Speaker 1: pep talk, like get rid of all that bullshit. You know,

1455
01:12:44,320 --> 01:12:46,439
Speaker 1: he's a regular, he's an actor, just like everyone else

1456
01:12:46,560 --> 01:12:47,000
Speaker 1: is an actor.

1457
01:12:47,120 --> 01:12:50,040
Speaker 2: And and you know, I think I think they're there

1458
01:12:50,080 --> 01:12:51,000
Speaker 2: to make you look good too.

1459
01:12:51,120 --> 01:12:53,800
Speaker 3: Elizabeth Banks said it also, you know, she You know

1460
01:12:54,040 --> 01:12:57,519
Speaker 3: everybody when when you're working, everybody wants the scene to

1461
01:12:57,600 --> 01:12:59,960
Speaker 3: be good. Everybody wants what you know, we all say

1462
01:13:00,240 --> 01:13:02,640
Speaker 3: going to do something because we believed in it and

1463
01:13:02,720 --> 01:13:04,639
Speaker 3: we want it to work, you know what I mean.

1464
01:13:04,760 --> 01:13:08,519
Speaker 3: And there's no difference between him and anyone else in

1465
01:13:08,680 --> 01:13:11,559
Speaker 3: that situation. He wants this to be just as good

1466
01:13:11,600 --> 01:13:13,560
Speaker 3: as you want it to be. He wants you to

1467
01:13:13,640 --> 01:13:15,680
Speaker 3: be as good as you want to be. And so

1468
01:13:16,000 --> 01:13:18,720
Speaker 3: you know, yeah, it is a hard thing for you,

1469
01:13:19,200 --> 01:13:24,880
Speaker 3: but it takes a really good actor one and master

1470
01:13:25,040 --> 01:13:27,679
Speaker 3: of the craft to put you at ease and relax

1471
01:13:27,800 --> 01:13:31,840
Speaker 3: you so that you can be what you can be

1472
01:13:31,960 --> 01:13:33,880
Speaker 3: the best version of yourself in that scene.

1473
01:13:34,240 --> 01:13:36,200
Speaker 1: I'd say, the first time I ever met him, he said,

1474
01:13:36,479 --> 01:13:38,679
Speaker 1: what's going on? I think I've told this on the podcast,

1475
01:13:38,760 --> 01:13:41,960
Speaker 1: but in case, I'll tell Brett. He said, let's go

1476
01:13:42,000 --> 01:13:45,400
Speaker 1: on a ride in my golf cart. So I've been

1477
01:13:45,560 --> 01:13:47,680
Speaker 1: with him for thirty seconds and he's taking me on

1478
01:13:47,760 --> 01:13:51,280
Speaker 1: a Indiana Jones is driving me around the back lot

1479
01:13:51,560 --> 01:13:55,240
Speaker 1: on his golf cart. And there's these little trams that

1480
01:13:55,400 --> 01:13:58,519
Speaker 1: go by for the tours on Warner Brothers. It's not

1481
01:13:58,600 --> 01:14:00,519
Speaker 1: as big as Universal, but they they have a lot

1482
01:14:00,600 --> 01:14:03,559
Speaker 1: of these little tour buses that are constantly going around

1483
01:14:04,280 --> 01:14:07,840
Speaker 1: and one is approaching us and I and I noticed

1484
01:14:07,840 --> 01:14:11,600
Speaker 1: that he just so suddenly just looks away for his privacy.

1485
01:14:12,439 --> 01:14:15,000
Speaker 1: And I say to him, do you ever turn and

1486
01:14:15,080 --> 01:14:16,679
Speaker 1: wave to the tours?

1487
01:14:16,800 --> 01:14:18,920
Speaker 4: And he goes, no, I look away.

1488
01:14:19,960 --> 01:14:21,240
Speaker 1: But I do feel bad about it.

1489
01:14:32,080 --> 01:14:35,760
Speaker 2: You know how he would freaking they would jump off

1490
01:14:35,840 --> 01:14:36,240
Speaker 2: the tour.

1491
01:14:36,920 --> 01:14:41,080
Speaker 3: Yes, I mean that's there's no Well, also, if he

1492
01:14:41,160 --> 01:14:43,400
Speaker 3: works on it doesn't have like the button the press

1493
01:14:43,520 --> 01:14:43,720
Speaker 3: to be.

1494
01:14:44,840 --> 01:14:46,439
Speaker 1: Also, if you work on the Warner Brothers a lot,

1495
01:14:46,479 --> 01:14:48,880
Speaker 1: they go buy every ten seconds, So it wouldn't be

1496
01:14:48,880 --> 01:14:50,799
Speaker 1: a very fun environment for him to be working.

1497
01:14:51,560 --> 01:14:52,880
Speaker 2: It would oh my gosh.

1498
01:14:54,160 --> 01:14:56,720
Speaker 1: All right, so shrinking is a hit. And uh so

1499
01:14:57,120 --> 01:14:59,519
Speaker 1: then you decide, you know what I'm gonna do? I'm

1500
01:14:59,600 --> 01:15:03,479
Speaker 1: gonna once again say that I should play a pivotal

1501
01:15:03,720 --> 01:15:05,240
Speaker 1: role in this show.

1502
01:15:07,120 --> 01:15:07,280
Speaker 2: Too.

1503
01:15:08,520 --> 01:15:10,439
Speaker 4: It was actually Jason that said this.

1504
01:15:10,720 --> 01:15:13,400
Speaker 1: No, I'm just doing a bit. I'm just trying to

1505
01:15:13,439 --> 01:15:16,960
Speaker 1: make fun of you for writing yourself another sorry again,

1506
01:15:18,600 --> 01:15:19,960
Speaker 1: let me get a take to let me get it.

1507
01:15:20,000 --> 01:15:23,160
Speaker 2: Take up, dude, I was I was a long foot

1508
01:15:23,160 --> 01:15:26,840
Speaker 2: a ride too. I'm uncomfortable. Now, hold on, I'm just

1509
01:15:26,960 --> 01:15:27,200
Speaker 2: doing it.

1510
01:15:27,400 --> 01:15:30,439
Speaker 1: I'm doing a bit ready, I'll do it better. So

1511
01:15:30,600 --> 01:15:33,040
Speaker 1: then you decide to take three?

1512
01:15:33,560 --> 01:15:34,360
Speaker 4: What am I to do?

1513
01:15:35,960 --> 01:15:38,599
Speaker 1: No exactly, something like that. Like you're like embarrassed and defensive.

1514
01:15:39,360 --> 01:15:40,160
Speaker 4: I feel that anyway.

1515
01:15:40,200 --> 01:15:44,360
Speaker 1: Okay, So then, because it worked the first time, you

1516
01:15:44,520 --> 01:15:47,240
Speaker 1: decided that as a writer, you should write yourself one

1517
01:15:47,280 --> 01:15:47,839
Speaker 1: of the leads.

1518
01:15:47,880 --> 01:16:04,240
Speaker 4: I guess, oh man, all right.

1519
01:16:04,120 --> 01:16:06,320
Speaker 1: We don't want to spoil it for the audience for

1520
01:16:06,400 --> 01:16:09,000
Speaker 1: what you what you play, but you now are really

1521
01:16:10,080 --> 01:16:15,240
Speaker 1: you're acting on this season of shrinking and spectacular. I

1522
01:16:15,320 --> 01:16:18,840
Speaker 1: got to direct you, I think in your very easy Hercules.

1523
01:16:18,880 --> 01:16:20,559
Speaker 2: Did you see his arm when he put his hands up?

1524
01:16:21,000 --> 01:16:25,479
Speaker 2: Did you see his fucking arm? That's that, Hercules. I

1525
01:16:25,600 --> 01:16:28,519
Speaker 2: told you, motherfuckers, we were going to get something for you.

1526
01:16:32,280 --> 01:16:34,320
Speaker 1: He's always been. He's always been pretty ripped. I don't

1527
01:16:34,360 --> 01:16:38,519
Speaker 1: think it's Hercules, all right, go ahead, Zach.

1528
01:16:38,880 --> 01:16:42,280
Speaker 4: Zach, So, I play a very serious part in this show.

1529
01:16:42,479 --> 01:16:45,200
Speaker 4: It is not a fun part. There are no jokes

1530
01:16:45,280 --> 01:16:49,280
Speaker 4: for me. And my very first day filming on this

1531
01:16:49,439 --> 01:16:54,080
Speaker 4: show was with Zach Breath directing, and he was brilliant

1532
01:16:54,120 --> 01:16:57,720
Speaker 4: and I really, really, really genuinely appreciate him and it

1533
01:16:57,960 --> 01:17:01,600
Speaker 4: because it's scary of first stayed filming scary you have

1534
01:17:01,680 --> 01:17:03,000
Speaker 4: an idea in your head how you're going to do

1535
01:17:03,040 --> 01:17:05,640
Speaker 4: it with it, but you don't know if that's going

1536
01:17:05,720 --> 01:17:08,240
Speaker 4: to be, you know, especially with Bill. Bill's taking a

1537
01:17:08,280 --> 01:17:12,160
Speaker 4: big gamble on me playing this part, and I wanted

1538
01:17:12,280 --> 01:17:14,400
Speaker 4: him he wasn't sure about it, and I wanted him

1539
01:17:14,439 --> 01:17:17,120
Speaker 4: to feel good day one and not getting a panic like,

1540
01:17:17,200 --> 01:17:18,559
Speaker 4: oh shit, I don't know if this is gonna work,

1541
01:17:18,560 --> 01:17:20,760
Speaker 4: you know what I mean. And Zach was so it

1542
01:17:20,880 --> 01:17:24,479
Speaker 4: was a very serious scene and Zach was so brilliant

1543
01:17:24,520 --> 01:17:28,280
Speaker 4: on sex. He really created the vibe of like a

1544
01:17:28,400 --> 01:17:30,360
Speaker 4: safe space, you know what I mean, Like everyone's kind

1545
01:17:30,400 --> 01:17:32,960
Speaker 4: of kept everything kind of contained. It's like, let's very

1546
01:17:33,040 --> 01:17:34,840
Speaker 4: quietly try this thing and then we're going to quietly

1547
01:17:34,920 --> 01:17:37,240
Speaker 4: be over here and between takes kept it all sort

1548
01:17:37,280 --> 01:17:40,880
Speaker 4: of low key, and it was really great. And I

1549
01:17:40,920 --> 01:17:44,880
Speaker 4: think Bill came to visit and you we'd done a

1550
01:17:44,960 --> 01:17:46,719
Speaker 4: thing and he looked and he was like, okay, great.

1551
01:17:47,000 --> 01:17:48,920
Speaker 4: And it was such a sort of relief because then

1552
01:17:48,960 --> 01:17:50,960
Speaker 4: it was like, okay, we're fine. There was no sort

1553
01:17:51,000 --> 01:17:53,240
Speaker 4: of panic of is this gonna? Is this right? Does

1554
01:17:53,280 --> 01:17:53,800
Speaker 4: this feel right?

1555
01:17:54,280 --> 01:17:57,040
Speaker 1: Was some of that pressure? I wonder just as an actor,

1556
01:17:57,320 --> 01:18:01,160
Speaker 1: because you become, you know, in an un natural, unusual

1557
01:18:01,280 --> 01:18:07,160
Speaker 1: way globally famous as this very specific character, were you

1558
01:18:07,360 --> 01:18:11,679
Speaker 1: worried or concerned or anxious about like, hey, I also

1559
01:18:11,760 --> 01:18:14,120
Speaker 1: want to show everyone I'm not just roy Ken and

1560
01:18:14,200 --> 01:18:16,600
Speaker 1: this is my first big chance to do that. Was

1561
01:18:16,680 --> 01:18:17,360
Speaker 1: that on your mind?

1562
01:18:20,040 --> 01:18:24,400
Speaker 4: It's sort of I mean, as in, you always want

1563
01:18:24,439 --> 01:18:27,439
Speaker 4: to not be boxed in and be able to do

1564
01:18:27,960 --> 01:18:31,960
Speaker 4: other things, but that is out of my That's the

1565
01:18:32,080 --> 01:18:34,120
Speaker 4: same as making said, the same as any of it.

1566
01:18:34,600 --> 01:18:37,719
Speaker 4: All you can do is try and enjoy the making

1567
01:18:37,800 --> 01:18:39,920
Speaker 4: of the thing because beyond that is out of your control,

1568
01:18:40,479 --> 01:18:42,439
Speaker 4: Like as in, I don't if people don't like it,

1569
01:18:43,040 --> 01:18:46,120
Speaker 4: or they don't go for it, or they whatever doesn't

1570
01:18:46,120 --> 01:18:47,439
Speaker 4: that I can do about that. All I can do

1571
01:18:47,600 --> 01:18:52,960
Speaker 4: is do the thing. So I don't know that. I

1572
01:18:53,040 --> 01:18:58,719
Speaker 4: think in my anxiety waste of time thoughts that would

1573
01:18:58,760 --> 01:19:01,879
Speaker 4: take up some space. But when you're actually working, Yeah.

1574
01:19:02,400 --> 01:19:04,519
Speaker 1: I thought you were. I thought you were spectacular and

1575
01:19:05,280 --> 01:19:08,120
Speaker 1: and I really loved you. Thank you.

1576
01:19:08,439 --> 01:19:10,960
Speaker 4: I I it's a pleasure to drama with you. I

1577
01:19:11,040 --> 01:19:12,559
Speaker 4: think you're very I mean, you're very good at coming

1578
01:19:12,560 --> 01:19:14,439
Speaker 4: to you, but it was really nice to drama scenes you.

1579
01:19:14,880 --> 01:19:15,160
Speaker 1: Thank you.

1580
01:19:15,840 --> 01:19:18,040
Speaker 3: He's a better director than he is an actor, and

1581
01:19:18,080 --> 01:19:23,519
Speaker 3: I think I think he's a pretty good actor. But

1582
01:19:23,640 --> 01:19:24,880
Speaker 3: he's a better director than.

1583
01:19:25,960 --> 01:19:27,280
Speaker 1: I feel about that.

1584
01:19:27,360 --> 01:19:27,680
Speaker 4: I don't know.

1585
01:19:29,040 --> 01:19:31,519
Speaker 1: There's a compliment in there, but there's also a dish.

1586
01:19:31,360 --> 01:19:35,800
Speaker 2: And I don't know how it all is. It's all love.

1587
01:19:35,880 --> 01:19:38,320
Speaker 2: I said, I think you're a very good pretty good actor.

1588
01:19:38,479 --> 01:19:42,240
Speaker 4: He said pretty good, said very good. Let me rephrase

1589
01:19:42,320 --> 01:19:43,040
Speaker 4: that pretty good.

1590
01:19:43,200 --> 01:19:44,800
Speaker 2: Well, because they could go back to the tape and

1591
01:19:44,880 --> 01:19:47,160
Speaker 2: be like, no, nigga, you said pretty good, So I

1592
01:19:47,240 --> 01:19:51,240
Speaker 2: said pretty good. I said pretty good.

1593
01:19:51,280 --> 01:19:54,560
Speaker 3: But I also think that as a director, I you know,

1594
01:19:55,040 --> 01:19:56,879
Speaker 3: you're one of my favorite directors.

1595
01:19:57,120 --> 01:19:57,400
Speaker 2: Thank you.

1596
01:19:57,600 --> 01:19:59,760
Speaker 1: I love I love directing, and thank you for both

1597
01:19:59,760 --> 01:20:04,320
Speaker 1: of you. Now, Brett. Yeah, my next question for you.

1598
01:20:04,360 --> 01:20:06,040
Speaker 1: I know we we got to wrap up soon, but

1599
01:20:06,080 --> 01:20:09,479
Speaker 1: I wanted to ask you how season three, Yeah, Season

1600
01:20:09,560 --> 01:20:13,479
Speaker 1: three of Shrinking everybody fucking ship dude being written by

1601
01:20:13,520 --> 01:20:14,400
Speaker 1: Brett as we speak.

1602
01:20:15,280 --> 01:20:17,439
Speaker 2: Did they give you? Didn't they give you? Did they

1603
01:20:17,520 --> 01:20:18,000
Speaker 2: give you four?

1604
01:20:18,280 --> 01:20:18,320
Speaker 8: No?

1605
01:20:18,439 --> 01:20:20,360
Speaker 1: They just picked up three, I believe, and they're going

1606
01:20:20,400 --> 01:20:22,439
Speaker 1: to pick up I hope they pick up four. So Brett,

1607
01:20:22,439 --> 01:20:23,720
Speaker 1: you have a lot going on. I just want to

1608
01:20:23,720 --> 01:20:26,719
Speaker 1: get through the Brett also tours as a standard comedian.

1609
01:20:26,760 --> 01:20:28,240
Speaker 1: You can see and how do people find out if

1610
01:20:28,240 --> 01:20:29,200
Speaker 1: you're coming to their city?

1611
01:20:29,320 --> 01:20:29,400
Speaker 2: Bro?

1612
01:20:30,479 --> 01:20:34,599
Speaker 4: Well, just well I just finished sort of officially finished

1613
01:20:34,600 --> 01:20:36,240
Speaker 4: the tour, but I will be doing some more dates.

1614
01:20:36,479 --> 01:20:40,160
Speaker 4: So keep an eye on Breconstein Tour dot com, space.

1615
01:20:39,920 --> 01:20:42,519
Speaker 1: Brett Goldstein Tour, or follow Brett on Instagram. Right, you

1616
01:20:42,600 --> 01:20:47,960
Speaker 1: have the Instagram, mister Brett Goldstein. And then you also,

1617
01:20:48,120 --> 01:20:50,880
Speaker 1: this is very exciting. I read in my research that

1618
01:20:51,080 --> 01:20:54,720
Speaker 1: you have always had a crush on Jennifer Lopez, who

1619
01:20:54,920 --> 01:20:59,160
Speaker 1: hasn't and that you wrote a movie which I've read

1620
01:20:59,200 --> 01:21:01,519
Speaker 1: and it's brilliantly funny, and it's it's like a it's

1621
01:21:01,600 --> 01:21:04,280
Speaker 1: like a fairly Brothers movie in the best sense in

1622
01:21:04,400 --> 01:21:08,200
Speaker 1: my mind, very funny comedy with some very funny physical comedy.

1623
01:21:08,920 --> 01:21:13,680
Speaker 1: And I I I this isn't It's been out on

1624
01:21:13,720 --> 01:21:16,440
Speaker 1: the news, so I can say that you have secured

1625
01:21:16,800 --> 01:21:19,479
Speaker 1: j Lo to play opposite you in a rom com?

1626
01:21:19,720 --> 01:21:20,519
Speaker 1: Is that true? Breath?

1627
01:21:21,200 --> 01:21:21,920
Speaker 4: That is true?

1628
01:21:22,720 --> 01:21:24,639
Speaker 2: I'm just gonna put it out there. She's also single.

1629
01:21:24,720 --> 01:21:27,320
Speaker 1: She's also single. Broad What are your thoughts on that set?

1630
01:21:27,760 --> 01:21:30,840
Speaker 2: There's a behavior thing on set, but once you guys

1631
01:21:30,880 --> 01:21:33,360
Speaker 2: are not on set, do you think it should happen?

1632
01:21:33,520 --> 01:21:35,599
Speaker 1: Do you have it in your mind when you heard

1633
01:21:35,640 --> 01:21:46,080
Speaker 1: that j Lot, don't don't be fooled by the rocks

1634
01:21:46,080 --> 01:21:54,160
Speaker 1: that she's got. Broait before you go, Now, before you go,

1635
01:21:55,040 --> 01:21:58,040
Speaker 1: it's pretty exciting. You are j Loo? You are? You

1636
01:21:58,120 --> 01:21:59,880
Speaker 1: always had a crush from j Loo. She's gonna play

1637
01:22:00,000 --> 01:22:03,800
Speaker 1: opposite you in your movie. Are you excited? What's the

1638
01:22:03,960 --> 01:22:04,960
Speaker 1: how are you feeling?

1639
01:22:05,560 --> 01:22:05,720
Speaker 8: Uh?

1640
01:22:06,600 --> 01:22:09,240
Speaker 4: I'm yes, I'm excited. I mean we won't make it

1641
01:22:09,400 --> 01:22:12,760
Speaker 4: for some time, but uh, do you think.

1642
01:22:12,680 --> 01:22:14,880
Speaker 1: That you should make it? Do you think that she should?

1643
01:22:15,000 --> 01:22:17,919
Speaker 1: You should make it before she has another boyfriend?

1644
01:22:31,720 --> 01:22:34,360
Speaker 2: But what a great guess, what an amazing guest.

1645
01:22:35,000 --> 01:22:36,519
Speaker 1: He does not want to talk about his love of

1646
01:22:36,600 --> 01:22:38,280
Speaker 1: j Loo though he doesn't want.

1647
01:22:38,200 --> 01:22:39,040
Speaker 2: To talk about anything.

1648
01:22:39,120 --> 01:22:39,320
Speaker 1: Really.

1649
01:22:39,360 --> 01:22:40,880
Speaker 2: We had to freaking prize so much.

1650
01:22:40,920 --> 01:22:43,080
Speaker 1: Well, no, he did a good job. But he's very

1651
01:22:43,360 --> 01:22:46,560
Speaker 1: very private with his life. He won't you know, you

1652
01:22:46,640 --> 01:22:48,719
Speaker 1: and I talked very openly about a lot of stuff.

1653
01:22:49,600 --> 01:22:52,120
Speaker 2: He didn't want to talk about marble. I wouldn't want to.

1654
01:22:53,080 --> 01:22:55,240
Speaker 1: Dad.

1655
01:22:55,240 --> 01:22:55,640
Speaker 4: The man is.

1656
01:22:55,720 --> 01:22:57,880
Speaker 1: The man is papered in nd as. He can't talk

1657
01:22:57,920 --> 01:23:00,360
Speaker 1: about a lot of stuff. Something.

1658
01:23:00,439 --> 01:23:03,840
Speaker 3: They're scary. I want to be scared by freaking my

1659
01:23:04,080 --> 01:23:07,439
Speaker 3: Disney figgy. You could come to my house and say,

1660
01:23:07,560 --> 01:23:10,440
Speaker 3: you better not tell nobody about this because.

1661
01:23:10,120 --> 01:23:10,560
Speaker 2: You're in it.

1662
01:23:11,600 --> 01:23:15,080
Speaker 1: I don't so Hollywood. Donald wishes he had more n

1663
01:23:15,160 --> 01:23:15,559
Speaker 1: d as.

1664
01:23:16,439 --> 01:23:17,000
Speaker 4: I want to do.

1665
01:23:17,240 --> 01:23:19,160
Speaker 2: I wish I wish I had a star Wars n

1666
01:23:19,240 --> 01:23:21,920
Speaker 2: d A. I wish I had a fucking Marvel n

1667
01:23:22,000 --> 01:23:24,200
Speaker 2: d A and a d C n d A. I

1668
01:23:24,280 --> 01:23:26,240
Speaker 2: wish I had a fucking what else is there?

1669
01:23:26,320 --> 01:23:26,880
Speaker 4: What else is that?

1670
01:23:26,920 --> 01:23:27,479
Speaker 2: I wish I had a.

1671
01:23:27,560 --> 01:23:28,439
Speaker 4: Dune n d A.

1672
01:23:30,160 --> 01:23:32,160
Speaker 1: Well, we got a lot of We got a lot

1673
01:23:32,240 --> 01:23:36,080
Speaker 1: out of them. He just won't talk about. Uh, you know,

1674
01:23:36,200 --> 01:23:38,280
Speaker 1: you and I talk about how you got you got

1675
01:23:38,360 --> 01:23:39,879
Speaker 1: in your feelings about only the only.

1676
01:23:39,800 --> 01:23:42,400
Speaker 2: Person that got more n d as than me is Momoa.

1677
01:23:42,680 --> 01:23:45,120
Speaker 2: I mean that him is Momoa. Momoa is the only

1678
01:23:45,200 --> 01:23:47,240
Speaker 2: other person that got more n das than that dude.

1679
01:23:47,320 --> 01:23:50,120
Speaker 1: Yo, Florence Pugh has a lot of n d as.

1680
01:23:51,600 --> 01:23:55,160
Speaker 2: I take it back, flow flow flow got a flow,

1681
01:23:55,240 --> 01:24:00,280
Speaker 2: got a lot of nbas. She wins the most NDA's.

1682
01:24:00,680 --> 01:24:06,559
Speaker 1: Easily, and she jumps from Marvel to Dune. What else

1683
01:24:06,600 --> 01:24:07,920
Speaker 1: do we want to say? What a great guest, What

1684
01:24:08,000 --> 01:24:08,719
Speaker 1: a nice man.

1685
01:24:09,240 --> 01:24:12,320
Speaker 2: What a nice man? And we can say that genuinely

1686
01:24:12,400 --> 01:24:13,200
Speaker 2: because we know him.

1687
01:24:13,479 --> 01:24:16,479
Speaker 1: Yeah, he is that sweet in real life everybody he's Uh,

1688
01:24:16,800 --> 01:24:19,280
Speaker 1: he's such a gentleman, and he's very kind, and he's

1689
01:24:19,360 --> 01:24:21,080
Speaker 1: very soft spoken, and he's.

1690
01:24:21,040 --> 01:24:23,840
Speaker 2: Until he's not until you you know, you don't cross

1691
01:24:24,240 --> 01:24:25,760
Speaker 2: the motherfucker. But you know, I'm.

1692
01:24:27,760 --> 01:24:31,920
Speaker 1: A good story because I know he's all right. Well, Joelle,

1693
01:24:31,960 --> 01:24:34,560
Speaker 1: any final thoughts as our producer, Princess.

1694
01:24:35,000 --> 01:24:37,719
Speaker 7: Oh man, what a guy got? Brett was a sweetie?

1695
01:24:37,920 --> 01:24:41,840
Speaker 7: Y'all are super funny? Uh, everyone get a full body scan.

1696
01:24:41,960 --> 01:24:43,360
Speaker 7: I guess that's the new wave.

1697
01:24:43,800 --> 01:24:46,960
Speaker 1: Yeah, get a full body scatter. I really wanted to

1698
01:24:47,000 --> 01:24:50,280
Speaker 1: ask him if he would watch Donald's OnlyFans, we never

1699
01:24:50,479 --> 01:24:55,560
Speaker 1: around him. A good question, but I'm excited to have

1700
01:24:55,760 --> 01:24:59,559
Speaker 1: this fan uh come on the show and talk about

1701
01:25:01,479 --> 01:25:03,400
Speaker 1: what he or she By the way, he or she,

1702
01:25:03,560 --> 01:25:06,360
Speaker 1: I don't know why. I'm assuming it's a man I would.

1703
01:25:06,240 --> 01:25:10,439
Speaker 7: Like specifically, but women also if you watch that in

1704
01:25:10,520 --> 01:25:11,160
Speaker 7: the beginning.

1705
01:25:10,960 --> 01:25:12,840
Speaker 1: Yeah, by the way, I want to just reiterate, this

1706
01:25:13,000 --> 01:25:16,519
Speaker 1: isn't open to just the gaze. It could be a

1707
01:25:16,640 --> 01:25:19,040
Speaker 1: woman too. I think it's actually more interesting if it's

1708
01:25:19,080 --> 01:25:21,800
Speaker 1: a woman talking about what she'd like to see Donald do.

1709
01:25:21,880 --> 01:25:23,600
Speaker 1: But either way, I'm down. I think it could be

1710
01:25:23,640 --> 01:25:25,920
Speaker 1: a running It could be a running series. If it

1711
01:25:25,960 --> 01:25:29,080
Speaker 1: goes well, we can call it Dicks Your Life.

1712
01:25:30,600 --> 01:25:33,040
Speaker 3: I will fucking get an only fans and make it happen.

1713
01:25:33,240 --> 01:25:35,920
Speaker 3: It means I get subscribers that'll pay that money.

1714
01:25:36,160 --> 01:25:39,719
Speaker 1: I would like to uh make it an ongoing series

1715
01:25:40,120 --> 01:25:42,519
Speaker 1: where and we could be a reality. Someone says what

1716
01:25:42,680 --> 01:25:46,120
Speaker 1: they'd like Donald to do on his on his supposed OnlyFans.

1717
01:25:47,040 --> 01:25:48,479
Speaker 2: Oh, I don't get a real only fans.

1718
01:25:49,000 --> 01:25:51,360
Speaker 1: You can, Hey, I don't want to do that. You

1719
01:25:51,439 --> 01:25:52,160
Speaker 1: can do whatever you want.

1720
01:25:52,280 --> 01:25:53,800
Speaker 3: I'm gonna be honest with you. I don't want to

1721
01:25:53,840 --> 01:25:55,559
Speaker 3: do that I was trying to be funny. I don't

1722
01:25:55,600 --> 01:25:57,280
Speaker 3: want to get an only fans, but I would love

1723
01:25:57,360 --> 01:25:59,840
Speaker 3: to hear what people would want me to do on.

1724
01:26:00,479 --> 01:26:02,040
Speaker 2: I would like it just in case.

1725
01:26:02,640 --> 01:26:06,080
Speaker 1: Well, make sure that you keep track of all the submissions.

1726
01:26:06,640 --> 01:26:09,960
Speaker 2: I'll be right. Freaky ship, I don't want somebody to

1727
01:26:10,000 --> 01:26:11,519
Speaker 2: be like I just want to see his toes?

1728
01:26:11,720 --> 01:26:13,040
Speaker 1: Yeah, please please?

1729
01:26:14,760 --> 01:26:17,800
Speaker 2: Oh god? Okay, well it was a freaky Some people

1730
01:26:17,960 --> 01:26:19,200
Speaker 2: like that ship, but I don't want to just hear

1731
01:26:19,640 --> 01:26:21,840
Speaker 2: I want to see his toes. I think that's going

1732
01:26:21,880 --> 01:26:22,720
Speaker 2: to get you on the show.

1733
01:26:23,000 --> 01:26:25,320
Speaker 1: Please not to do it. Please don't come on with

1734
01:26:25,560 --> 01:26:29,040
Speaker 1: something basic. We want, we want, we want to feel uncomfortable.

1735
01:26:30,120 --> 01:26:38,320
Speaker 7: Okay, a challenge, friend, let's see if we can freaking test.

1736
01:26:38,560 --> 01:26:40,400
Speaker 2: iHeart stand there.

1737
01:26:41,160 --> 01:26:44,439
Speaker 1: And I had a friend telling me stuff I didn't

1738
01:26:44,520 --> 01:26:47,479
Speaker 1: know about being a homosexual recently.

1739
01:26:48,200 --> 01:26:48,960
Speaker 2: Wait what happened?

1740
01:26:49,360 --> 01:26:51,920
Speaker 1: Like a gay friend of mine was telling me that

1741
01:26:52,439 --> 01:26:58,760
Speaker 1: certain cities are known for being more bottom heavy than

1742
01:26:58,920 --> 01:27:03,960
Speaker 1: top heavy. Said, for example that I think he said

1743
01:27:04,040 --> 01:27:08,479
Speaker 1: that West Hollywood is very bottom. I think it's.

1744
01:27:08,479 --> 01:27:18,840
Speaker 7: Bottom bottom heavy. That's the energy, bottom heavy, bottom down.

1745
01:27:19,240 --> 01:27:23,280
Speaker 1: Yeah, well, I just didn't know that was a thing.

1746
01:27:23,520 --> 01:27:27,880
Speaker 1: He was really educating me on on things. He said,

1747
01:27:27,920 --> 01:27:32,559
Speaker 1: there's a lot of tops in New York because he said,

1748
01:27:32,600 --> 01:27:36,080
Speaker 1: bottoms in New York have to really compete because there's

1749
01:27:37,000 --> 01:27:40,080
Speaker 1: there's more. This is what he told me.

1750
01:27:41,760 --> 01:27:43,640
Speaker 2: Ship squats.

1751
01:27:44,920 --> 01:27:46,439
Speaker 7: The show educate.

1752
01:27:47,800 --> 01:27:51,479
Speaker 1: If you want to hear someone who will tell you

1753
01:27:51,680 --> 01:27:56,040
Speaker 1: some crazy, intense, uncensored ship, yes, I'll have him on.

1754
01:27:56,400 --> 01:27:58,519
Speaker 1: He would have it. We have to definitely do a

1755
01:27:58,600 --> 01:28:01,080
Speaker 1: parental warning on the head of that one because was

1756
01:28:01,120 --> 01:28:07,280
Speaker 1: on the floor. Want to ask him to come on.

1757
01:28:08,400 --> 01:28:10,479
Speaker 1: He could be anonymous, although he probably would want to

1758
01:28:10,479 --> 01:28:15,400
Speaker 1: throw out his grinder handle. I need to have to

1759
01:28:15,439 --> 01:28:18,519
Speaker 1: come on the show now, No listen, I'm I I.

1760
01:28:18,800 --> 01:28:20,920
Speaker 1: I thought I knew everything there was to know, but

1761
01:28:21,080 --> 01:28:24,759
Speaker 1: he was telling me things that that were like really intense.

1762
01:28:27,720 --> 01:28:28,680
Speaker 2: Guys that.

1763
01:28:30,400 --> 01:28:35,599
Speaker 1: Stories about the show We made about a bunch.

1764
01:28:35,400 --> 01:28:36,840
Speaker 4: Of talks and nurses, and.

1765
01:28:38,800 --> 01:28:45,760
Speaker 2: I said, he's the stories nets. So gada rab here,

1766
01:28:46,760 --> 01:28:48,080
Speaker 2: YadA here.