WEBVTT - Chris B. Brown and Football Communication

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<v Speaker 1>Welcome to the Solid Verbal.

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<v Speaker 2>Coll that for me, I'm a man, I'm forty.

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<v Speaker 1>I've heard so many players say, well, I want to

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<v Speaker 1>be happy. You want to be happy for Dake Edith

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<v Speaker 1>State is that whoo whoo? And now Dan and.

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<v Speaker 3>Tye welcome back to the Solid Verbal Boys and girls.

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<v Speaker 3>My name is Ty Hildebrand, joining me as always over

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<v Speaker 3>there beautiful New York City.

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<v Speaker 2>Gan Rubinstein, Sir, how are you?

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<v Speaker 1>Oh? Ty?

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<v Speaker 4>I am jumping out of my seat. I am very

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<v Speaker 4>excited for this show. You already know because you've already

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<v Speaker 4>clicked on the episode that Chris B. Brown from Smart

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<v Speaker 4>Football and Smart football dot Com and the books and

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<v Speaker 4>everything is on the show. But what I'm most excited about, Ty,

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<v Speaker 4>and I'm sure you are too, is when we have

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<v Speaker 4>him on generally, it's like, oh, let's ask him a

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<v Speaker 4>question about guarding again, you know, defending the spread. Oh,

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<v Speaker 4>let's ask him a question about outside run contained. Oh,

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<v Speaker 4>let's ask him a question about how you know Auburn

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<v Speaker 4>offense has you know, changed from this coordinator to this coordinator. No, Ty, Today,

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<v Speaker 4>we are extremely excited because we are going to be

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<v Speaker 4>very specific and we want to talk about communication and terminology.

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<v Speaker 3>Is that correct communication terminology language? Dan, Yeah, it's all

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<v Speaker 3>about building a relationship not just with your players, but

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<v Speaker 3>with your coaching staff. And how are we going to

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<v Speaker 3>call the plays? That's the question. How do we call

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<v Speaker 3>the plays that are going to help the team win?

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<v Speaker 4>Sue, And football is no different than any other industry.

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<v Speaker 4>Is you have to know how to speak, you have

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<v Speaker 4>to know how to communicate. You have to know what

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<v Speaker 4>you're doing and how you're doing it. And the only

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<v Speaker 4>way to do that is by teaching and telling people

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<v Speaker 4>what to do in a way that they understand. So

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<v Speaker 4>I am, I am super curious to learn about how

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<v Speaker 4>especially you know, obviously football has gotten a lot faster

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<v Speaker 4>in terms of no huddle and tempo and signaling and

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<v Speaker 4>coaches writing down play cards and what's on those, So

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<v Speaker 4>there's a whole lot to cover, and I am I'm

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<v Speaker 4>very excited to learn about or learn more at least

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<v Speaker 4>about the language of football, if that makes sense.

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<v Speaker 3>It is scheme theme That's why you heard a little

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<v Speaker 3>bit of a different intro track. Scheme Theme Month is

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<v Speaker 2>You're gonna say fifteen percent, Daniel.

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<v Speaker 4>It's a good chunk. I've lived most of, if not all,

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<v Speaker 4>wear to work out in, what I wear sort of

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<v Speaker 4>around the house and you know, around the neighborhood. Whatever

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<v Speaker 4>that is just casual where it's just got to be

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<v Speaker 4>And you don't really understand the difference until you actually

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<v Speaker 4>put on Oliver's super high quality stuff. It is like

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<v Speaker 4>And that like it all adds up when you actually

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<v Speaker 4>invest in high quality workout in casual gear. It's such

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<v Speaker 4>I don't hate that. I don't hate that. So I am.

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<v Speaker 4>I am very excited to be onto this next sort

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<v Speaker 4>of era of my my casual and workout where lifetie.

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<v Speaker 4>I am beaming. I am one hundred percent beaming when

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<v Speaker 4>I wear my Olivers all over short.

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<v Speaker 3>I was up at Mama H's actually she noticed, Yeah,

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<v Speaker 3>she noticed. I was hooking up a soundbar for her television.

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<v Speaker 4>What you got there?

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<v Speaker 2>I told her about Oliver's apparel. She was very impressed.

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<v Speaker 4>So look at you.

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<v Speaker 2>Not only wife approved, but mother approved as well.

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<v Speaker 4>All right, Ty, with that, we are now joined by

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<v Speaker 4>Chris B. Brown aka Chris by Brown aka smart Football

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<v Speaker 4>aka the Art of Smart Football. Go to Amazon aka

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<v Speaker 4>what's the name of the other book.

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<v Speaker 1>Chris Essential Smart Football.

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<v Speaker 4>The Essential Smart Football. You've seen his work on Grant,

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<v Speaker 4>on ESPN, SB Nation everywhere, so much fun nerding out

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<v Speaker 4>over x's and o's and scheme talk and his books

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<v Speaker 4>by the way, and I mean this sincerely, there's no

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<v Speaker 4>better book. If you're just like I want to nerd out,

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<v Speaker 4>but not like spend three weeks. You can breathe through

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<v Speaker 4>his books. There are visual elements, They're wonderful and you

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<v Speaker 4>can get through them in a day or two. So yeah,

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<v Speaker 4>that's my spiel. Ty, How you doing. How you feeling

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<v Speaker 4>about this show?

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<v Speaker 2>I'm doing well.

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<v Speaker 3>The other thing that I would add here if anyone

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<v Speaker 3>out there is wondering how intense our guest is when

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<v Speaker 3>we connected up with him, this is a true story.

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<v Speaker 3>When we connected up with him a few minutes ago,

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<v Speaker 3>he was sort of devising how he would conduct this interview,

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<v Speaker 3>at least on his end, because he wasn't sure if

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<v Speaker 3>he'd need both hands to go through the signal calls

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<v Speaker 3>that we're going to ask came about if the speakerphone

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<v Speaker 3>would be enough for what we require here on the

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<v Speaker 3>verbal So Chris is taking this very seriously, and we

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<v Speaker 3>appreciate that.

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<v Speaker 2>Mister Brown, how.

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<v Speaker 1>Are you good? Good?

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<v Speaker 5>I mean, hey, if you're going to talk about signaling,

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<v Speaker 5>you got to get a little like Nick Saban with

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<v Speaker 5>it and gesticulate and do the hands.

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<v Speaker 1>It's you got to be you know, it's I'm a

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<v Speaker 1>method actor. If we're going to be talking through this.

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<v Speaker 3>We appreciate that. We appreciate. So let's start here. Okay,

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<v Speaker 3>we're talking about communication. You've got a freshman coming into

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<v Speaker 3>a program, you got a transfer of some kind coming

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<v Speaker 3>into a program. What is it that you always hear

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<v Speaker 3>something like, oh, I'm getting he's getting caught up, he's

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<v Speaker 3>learning the terminology. We kind of have an idea what

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<v Speaker 3>that means here, just as two sad podcast hosts. But

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<v Speaker 3>when you hear that, Chris, what what do you hear?

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<v Speaker 3>What exactly does that mean?

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<v Speaker 5>Okay, well, the part of the challenge that means different

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<v Speaker 5>things for different teams. So if you are in it,

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<v Speaker 5>are you a no huddle team? Are you a huddle team?

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<v Speaker 5>And then what what? You obviously have to learn whatever

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<v Speaker 5>language is being spoken to communicate the plays, and then

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<v Speaker 5>you have to figure out what are the features that

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<v Speaker 5>are required to actually relay that information to other players

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<v Speaker 5>to get people going. So just to take you know,

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<v Speaker 5>the simple example, I mean, my high school was like

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<v Speaker 5>the we used the Paul.

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<v Speaker 1>Johnson method when I was in high school, which was.

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<v Speaker 5>You have pretty simple play calls and they were old school.

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<v Speaker 1>If you want to.

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<v Speaker 5>Run the ISO off tackle to the right, it was

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<v Speaker 5>forty two right. I mean literally our play calls were

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<v Speaker 5>I right, iformation right, forty.

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<v Speaker 1>Two ISO right.

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<v Speaker 5>And then in order to get the play in, do

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<v Speaker 5>you have we rotated receivers, was William the Paul Johnson method.

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<v Speaker 1>You'd have a receiver. I did this for a little while.

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<v Speaker 5>Myself was a junior, and then when I wasn't going

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<v Speaker 5>enough to stay on the field the whole game, and

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<v Speaker 5>then the coach would say, you'd hear the office corner

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<v Speaker 5>head coach go, what do we call it?

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<v Speaker 1>Say? I right, forty two and then it's give it

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<v Speaker 1>to you run in and then.

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<v Speaker 5>You're out of breath and you tell the quarterback, you know,

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<v Speaker 5>I write forty two, and then he turns round of

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<v Speaker 5>the huddle and tells everybody, I write forty two and

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<v Speaker 5>that still works, right, and so and that's pretty simple.

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<v Speaker 5>And if you're a new player coming into that system.

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<v Speaker 5>You know, probably in high school or your junior college

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<v Speaker 5>or wherever you ran the off tackle play, and you

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<v Speaker 5>pretty quickly within a couple of days could learn to

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<v Speaker 5>translate whatever you called it at your prior school to

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<v Speaker 5>I write forty two.

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<v Speaker 1>And then the procedures are pretty simple.

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<v Speaker 5>You give it in the huddle and then you line

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<v Speaker 5>up there and you take the snap and you exec

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<v Speaker 5>get the play and I said Paul Johnson, Georgia Tech.

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<v Speaker 5>Does that believe or not. The other system that basically

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<v Speaker 5>the other place that basically does it the same way

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<v Speaker 5>is the NFL in terms of procedures, because they can

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<v Speaker 5>use the communication headset right, so they're just stating in

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<v Speaker 5>the huddle and they just say, hey, go run, I

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<v Speaker 5>write forty two, and then they huddle. You can turn

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<v Speaker 5>around and say I write forty two and then they

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<v Speaker 5>go and do it. Obviously, the difference in the NFL

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<v Speaker 5>is that the play calls are much longer, there's more

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<v Speaker 5>memorization because it's usually broken out into finite parts because

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<v Speaker 5>they're trying to tell each player what to do. But

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<v Speaker 5>in terms of procedurally, it's pretty simple. The problem, I

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<v Speaker 5>would say for the challenge for a lot of these

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<v Speaker 5>college teams is that the terminology is more complex than

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<v Speaker 5>I write forty two. You've got to learn a wider

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<v Speaker 5>variety of formations, you've got to learn a wider variety

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<v Speaker 5>of plays tags on them, and then you have to

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<v Speaker 5>deal with whatever our communication procedures are because it's got

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<v Speaker 5>to get from the coach to the quarterback. Then the

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<v Speaker 5>quarterback has usually some level of responsibility at the line

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<v Speaker 5>to tell the other players what to do. And then,

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<v Speaker 5>especially if you're any kind of no huddle team or

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<v Speaker 5>want to go up tumbo at all, you've got to

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<v Speaker 5>do it quickly or you lose the value of that.

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<v Speaker 5>So I think that's the challenge for a young quarterback

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<v Speaker 5>or a transfer quarterback is you've got to learn the language,

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<v Speaker 5>and you've got to translate all this stuff and some

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<v Speaker 5>learn new concepts and how things alter. But you've got

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<v Speaker 5>to do it in a physical environment where you've got

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<v Speaker 5>to do it quickly and get it related and then

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<v Speaker 5>interpret someone's doing hand signs at you.

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<v Speaker 1>You know, you just got up with the ground.

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<v Speaker 5>You got to find the coach and then turn around

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<v Speaker 5>and communicate or make sure everyone else is, you know,

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<v Speaker 5>on the same page.

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<v Speaker 1>So that's to me as the challenge. I think that's

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<v Speaker 1>and I think that's.

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<v Speaker 5>The underrated part of it, which is it's not just

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<v Speaker 5>learning plays and learning names. It's it's learning multiple communication methods,

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<v Speaker 5>sign language, you know, code words, and then actually doing

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<v Speaker 5>in a physical environment.

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<v Speaker 3>So we're going to dive into a lot of what

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<v Speaker 3>you just mentioned there, but I want to start with

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<v Speaker 3>the composition of a play call. So forty two might

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<v Speaker 3>be some sort of running play in high school, in college,

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<v Speaker 3>you mention. As you go up through the ranks, it

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<v Speaker 3>tends to get a little bit more complicated. I think

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<v Speaker 3>the secret language term that a lot of people. If

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<v Speaker 3>you've watched Monday Night Football, John Gruden, you're used to

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<v Speaker 3>hearing spider too. Why banana? What is the composition of

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<v Speaker 3>the wording of a play called? What other things are

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<v Speaker 3>signaled throughout just that terminology? And is there any kind

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<v Speaker 3>of common convention used to help these guys, whether it's

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<v Speaker 3>players or coaches, get up to speed quicker if they

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<v Speaker 3>move from program to program or team to team.

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<v Speaker 5>Yeah, So there's there's a couple of structural similarities because

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<v Speaker 5>there are just things that are inherent and calling a

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<v Speaker 5>football play, meaning that the first thing you got to

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<v Speaker 5>tell people is where to line up? Right, You got

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<v Speaker 5>to have a formation, and then the second thing is

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<v Speaker 5>are you going to do anything else pre snap before

0:11:25.679 --> 0:11:28.400
<v Speaker 5>the formation, like a motion or a shift. And so

0:11:29.600 --> 0:11:31.360
<v Speaker 5>you can have a whole system of how you call

0:11:31.400 --> 0:11:34.200
<v Speaker 5>your formations and then certainly your motions and shifts. So

0:11:34.520 --> 0:11:38.320
<v Speaker 5>for formations there are I would say two schools of

0:11:38.320 --> 0:11:40.160
<v Speaker 5>thought with this, And actually I used to be more

0:11:40.200 --> 0:11:44.280
<v Speaker 5>of the formal former, but with no how to push

0:11:44.320 --> 0:11:47.600
<v Speaker 5>these towards the ladder, which is I actually would prefer

0:11:47.760 --> 0:11:51.000
<v Speaker 5>a system where you have a handful of base formations,

0:11:51.040 --> 0:11:52.839
<v Speaker 5>meaning that it tells most people where to line up,

0:11:52.880 --> 0:11:55.600
<v Speaker 5>like twins right or left, or you can use colors

0:11:55.640 --> 0:11:59.000
<v Speaker 5>or words, and then you have tags which then tell

0:11:59.520 --> 0:12:03.480
<v Speaker 5>certain where to go, like the H back or the

0:12:03.520 --> 0:12:06.240
<v Speaker 5>full back type player or soft player. And the advantage

0:12:06.240 --> 0:12:08.079
<v Speaker 5>of that is I could have four or five formations

0:12:08.080 --> 0:12:10.960
<v Speaker 5>that tell ten of my players where to line up.

0:12:11.000 --> 0:12:13.640
<v Speaker 5>But then if I've got a second call which tells

0:12:13.640 --> 0:12:15.840
<v Speaker 5>the h back where to go, and I've got six

0:12:15.880 --> 0:12:18.360
<v Speaker 5>options off of that, now I've increased the number of

0:12:18.360 --> 0:12:20.679
<v Speaker 5>formations exponentially.

0:12:21.559 --> 0:12:24.040
<v Speaker 1>And I didn't have to add new words for everybody.

0:12:24.440 --> 0:12:26.880
<v Speaker 1>The problem in a no huddle context is.

0:12:28.720 --> 0:12:32.880
<v Speaker 5>Two concepts takes two signals or two words, so you're

0:12:32.920 --> 0:12:34.920
<v Speaker 5>always trying to fight the urge to make your play

0:12:34.920 --> 0:12:37.360
<v Speaker 5>call longer. And this is where and I'm a big

0:12:37.360 --> 0:12:42.679
<v Speaker 5>fan of simpler shorter, but remember simpler shorter means more memorization.

0:12:43.280 --> 0:12:46.320
<v Speaker 1>Scott Frost did some clinic stuff recently and talked a

0:12:46.320 --> 0:12:46.840
<v Speaker 1>lot about that.

0:12:46.880 --> 0:12:49.320
<v Speaker 5>With formations, they basically if they've added a lot of

0:12:49.360 --> 0:12:51.680
<v Speaker 5>formations to what they did at UCF, and we'll be

0:12:51.679 --> 0:12:54.400
<v Speaker 5>doing it Nebraska compared to even what did it at Oregon.

0:12:54.480 --> 0:12:57.160
<v Speaker 5>But that requires more memorization of players because they're not

0:12:57.200 --> 0:13:01.480
<v Speaker 5>willing to have these multiple word formations, which would give

0:13:01.480 --> 0:13:02.439
<v Speaker 5>you a lot of flexibility.

0:13:02.440 --> 0:13:04.119
<v Speaker 1>And that's one thing the NFL guys.

0:13:03.840 --> 0:13:06.440
<v Speaker 5>Will do because they can give you, you know, one

0:13:06.480 --> 0:13:08.240
<v Speaker 5>way you're going to have hundreds of formations is to

0:13:08.280 --> 0:13:12.319
<v Speaker 5>have twenty formations and then have eight tags on those formations,

0:13:12.320 --> 0:13:13.680
<v Speaker 5>and then that you can just do the math.

0:13:13.720 --> 0:13:15.360
<v Speaker 1>It's an exponential increase.

0:13:16.640 --> 0:13:19.080
<v Speaker 5>And then you get into shifts and motions, which are

0:13:19.080 --> 0:13:21.320
<v Speaker 5>a whole other ball of wax, which is, you know,

0:13:21.559 --> 0:13:23.240
<v Speaker 5>how many different types of motions and then how do

0:13:23.240 --> 0:13:26.320
<v Speaker 5>you designate who's doing what? So those are that's before

0:13:26.400 --> 0:13:30.760
<v Speaker 5>the play even starts, right, So then the question is

0:13:30.760 --> 0:13:33.320
<v Speaker 5>is how do you call the play? And that can

0:13:33.400 --> 0:13:34.880
<v Speaker 5>mean a lot of different things, and there's a lot

0:13:34.880 --> 0:13:38.680
<v Speaker 5>of different ways to do it. You have eleven guys,

0:13:38.760 --> 0:13:40.520
<v Speaker 5>so you need to tell eleven guys what to do.

0:13:40.920 --> 0:13:41.480
<v Speaker 1>You can do.

0:13:41.520 --> 0:13:44.720
<v Speaker 5>It as my high school did, or like a lot

0:13:44.760 --> 0:13:47.120
<v Speaker 5>of teams still, do you have one one word or

0:13:47.160 --> 0:13:50.400
<v Speaker 5>one number that tells all eleven players what to do,

0:13:51.000 --> 0:13:54.319
<v Speaker 5>or you can have it where you have different words

0:13:54.400 --> 0:13:58.320
<v Speaker 5>or codes or signals that tell the different groups what

0:13:58.400 --> 0:14:00.760
<v Speaker 5>to do. It may actually be the same play, or

0:14:00.800 --> 0:14:03.240
<v Speaker 5>as we can get into later, you know package plays

0:14:03.280 --> 0:14:05.559
<v Speaker 5>and things where it allowed and RPOs where allows you

0:14:05.640 --> 0:14:09.200
<v Speaker 5>to actually mix the match a little bit. But that's

0:14:09.200 --> 0:14:12.800
<v Speaker 5>a way to give yourself more flexibility.

0:14:12.440 --> 0:14:12.520
<v Speaker 1>And.

0:14:14.440 --> 0:14:16.000
<v Speaker 5>As we'll see with some of the tempo teams, that

0:14:16.000 --> 0:14:18.840
<v Speaker 5>actually can make you faster because you can have different

0:14:18.880 --> 0:14:22.240
<v Speaker 5>people communicating with different players at the same time to

0:14:22.280 --> 0:14:25.000
<v Speaker 5>make you go a little faster while having more variability.

0:14:25.040 --> 0:14:28.040
<v Speaker 5>So if you just break it down, usually the offensive

0:14:28.080 --> 0:14:29.560
<v Speaker 5>line needs at least one call.

0:14:29.600 --> 0:14:30.440
<v Speaker 1>What are they blocking?

0:14:32.720 --> 0:14:35.120
<v Speaker 5>And then the receivers need some kind of doesn't Are

0:14:35.120 --> 0:14:36.640
<v Speaker 5>they blocking, are they running a pass, or are they

0:14:36.680 --> 0:14:37.320
<v Speaker 5>running a screen?

0:14:38.080 --> 0:14:38.840
<v Speaker 1>Whatever it is?

0:14:38.920 --> 0:14:42.720
<v Speaker 5>And then sometimes it's common to have a base play

0:14:42.920 --> 0:14:45.520
<v Speaker 5>and then you've got to tag on that play. And

0:14:45.600 --> 0:14:48.520
<v Speaker 5>then the last thing that's often overlooked is many plays

0:14:48.560 --> 0:14:52.160
<v Speaker 5>need a directional call just right or left, and so

0:14:52.280 --> 0:14:55.480
<v Speaker 5>there's different ways to do that. But when you have

0:14:55.560 --> 0:14:57.920
<v Speaker 5>to factor that into so you add that up, even

0:14:57.960 --> 0:15:01.120
<v Speaker 5>if you're a no huddle temp, you can wind up

0:15:01.120 --> 0:15:03.800
<v Speaker 5>with six or seven different things that you've got to

0:15:03.800 --> 0:15:07.040
<v Speaker 5>signal or call in. And there's ways to divide and

0:15:07.080 --> 0:15:09.760
<v Speaker 5>conquer on all that, but six or seven different pieces

0:15:09.760 --> 0:15:11.920
<v Speaker 5>that you've got to communicate to get everyone lined up,

0:15:12.680 --> 0:15:13.800
<v Speaker 5>are they emotional shifting?

0:15:13.880 --> 0:15:16.160
<v Speaker 1>And then run whatever the play call is. And then

0:15:16.160 --> 0:15:17.040
<v Speaker 1>the quarterback has.

0:15:16.960 --> 0:15:18.440
<v Speaker 5>To mentally be able to build a picture of that

0:15:18.480 --> 0:15:20.520
<v Speaker 5>in his mind so that he knows what he's supposed

0:15:20.520 --> 0:15:20.720
<v Speaker 5>to do.

0:15:21.680 --> 0:15:24.920
<v Speaker 4>So we know about coaching trees, and I guess let's

0:15:25.000 --> 0:15:27.200
<v Speaker 4>use the example of Scott Frost now that he's been

0:15:27.680 --> 0:15:29.720
<v Speaker 4>at Oregon. I guess Northern iowall be for that. But

0:15:29.840 --> 0:15:33.680
<v Speaker 4>ucf now at Nebraska is there like are there different

0:15:33.800 --> 0:15:37.840
<v Speaker 4>As you mentioned theories of communication that that would travel

0:15:37.920 --> 0:15:41.720
<v Speaker 4>along those same I guess coaching branches. If Chip Kelly

0:15:41.720 --> 0:15:45.560
<v Speaker 4>put on a headset listening to a Nebraska call, would

0:15:45.600 --> 0:15:47.800
<v Speaker 4>he sort of get the sense of what they're trying

0:15:47.840 --> 0:15:51.000
<v Speaker 4>to do because of his own experience, you know, obviously

0:15:51.000 --> 0:15:54.000
<v Speaker 4>putting in his system that Scott Frost learned from at Oregon.

0:15:54.520 --> 0:15:57.440
<v Speaker 4>Is there are there sort of languages or I guess

0:15:57.480 --> 0:16:00.920
<v Speaker 4>dialects within coaching trees that sort of spread through the

0:16:01.120 --> 0:16:01.760
<v Speaker 4>through the sport.

0:16:02.760 --> 0:16:05.520
<v Speaker 5>Yeah, I absolutely, I acsolutely think so. But I actually

0:16:05.520 --> 0:16:08.520
<v Speaker 5>think college probably less so. And I think that's where

0:16:08.560 --> 0:16:12.480
<v Speaker 5>you get into the NFL where team players move around

0:16:12.480 --> 0:16:14.000
<v Speaker 5>a lot and sometimes they'll get it picked up off

0:16:14.000 --> 0:16:15.760
<v Speaker 5>the street and they've got to drop him in. And

0:16:15.800 --> 0:16:18.640
<v Speaker 5>there's definitely differences. The Patriots a little different than the

0:16:18.640 --> 0:16:21.520
<v Speaker 5>West Coast type team and some of these other teams,

0:16:21.560 --> 0:16:24.600
<v Speaker 5>but that's there's a lot of carryover in how NFL

0:16:24.680 --> 0:16:27.280
<v Speaker 5>players they communicate and then there's some translation, but how

0:16:27.280 --> 0:16:32.760
<v Speaker 5>they communicate. You know, your buddy Jeff Schwartz, who's awesome,

0:16:32.960 --> 0:16:35.320
<v Speaker 5>is amazing, and he knows so much football, but he

0:16:35.400 --> 0:16:37.480
<v Speaker 5>will get like in an argument like all day with

0:16:37.560 --> 0:16:40.160
<v Speaker 5>like a fan about like what a concept is called

0:16:40.680 --> 0:16:43.320
<v Speaker 5>and he's definitely right that that's what it's called in

0:16:43.360 --> 0:16:43.960
<v Speaker 5>like the NFL.

0:16:44.040 --> 0:16:44.760
<v Speaker 1>But I know high.

0:16:44.640 --> 0:16:47.720
<v Speaker 5>Schools that will just call it whatever they want because

0:16:48.680 --> 0:16:50.840
<v Speaker 5>a usually there's some up tempo team and they don't

0:16:50.880 --> 0:16:52.400
<v Speaker 5>want the defense and know what it is and then

0:16:52.480 --> 0:16:55.160
<v Speaker 5>be some fifteen year old has no idea that the

0:16:55.240 --> 0:16:59.240
<v Speaker 5>weak side counterplay is typically called stutter, which is sort

0:16:59.280 --> 0:17:02.160
<v Speaker 5>of a you know, a you're anachronistic term. But if

0:17:02.160 --> 0:17:05.720
<v Speaker 5>you ask almost any NFL offensive lineman, they'll they'll, you know, say, oh,

0:17:05.960 --> 0:17:08.800
<v Speaker 5>the weak's side counter is called the stutter. And so

0:17:09.119 --> 0:17:13.080
<v Speaker 5>there are dialects and things that are carryover, but you know,

0:17:13.119 --> 0:17:15.240
<v Speaker 5>and maybe this will change with the grad transfer rules

0:17:15.240 --> 0:17:16.960
<v Speaker 5>and all that. But college that I do find a

0:17:17.000 --> 0:17:21.040
<v Speaker 5>little more provincial. One one dialect that I think is

0:17:21.440 --> 0:17:23.720
<v Speaker 5>easy to start with because it's so simple and it

0:17:23.760 --> 0:17:25.679
<v Speaker 5>can kind of give you some flavors if you want,

0:17:25.920 --> 0:17:26.280
<v Speaker 5>I can.

0:17:26.359 --> 0:17:28.080
<v Speaker 1>I can basically tell you exactly.

0:17:27.680 --> 0:17:30.760
<v Speaker 5>How the old school air raid guys will communicate from

0:17:30.840 --> 0:17:33.280
<v Speaker 5>start to finish, from when a play comes into Mike

0:17:33.359 --> 0:17:35.440
<v Speaker 5>Reach's brain to how he gets into all the players.

0:17:36.200 --> 0:17:37.760
<v Speaker 5>I don't know if that's useful to do, because I

0:17:37.760 --> 0:17:40.359
<v Speaker 5>think they have a really simple system that arguably people

0:17:40.400 --> 0:17:43.200
<v Speaker 5>think they could steal the signals, which is a different problem,

0:17:43.240 --> 0:17:44.040
<v Speaker 5>but it's a good.

0:17:43.840 --> 0:17:45.280
<v Speaker 1>Introduction to like how all these work.

0:17:45.320 --> 0:17:47.920
<v Speaker 5>And then all these air raid guys they've now evolved,

0:17:47.960 --> 0:17:51.520
<v Speaker 5>but they all started basically with the same procedural mechanics.

0:17:51.600 --> 0:17:53.560
<v Speaker 4>What is that root? What is that root system?

0:17:54.119 --> 0:17:55.560
<v Speaker 1>So so here's I mean.

0:17:56.000 --> 0:17:58.280
<v Speaker 5>The two things to know is that they have a

0:17:58.320 --> 0:18:02.840
<v Speaker 5>really simple structure where they have formations most of them

0:18:02.840 --> 0:18:04.960
<v Speaker 5>have one word because they don't want a lot of formations.

0:18:05.080 --> 0:18:05.720
<v Speaker 1>And then most of.

0:18:05.720 --> 0:18:09.359
<v Speaker 5>Their plays are they've got numbers. It's they have a

0:18:09.359 --> 0:18:11.200
<v Speaker 5>system where almost all their pass.

0:18:11.000 --> 0:18:13.400
<v Speaker 1>Plays are numbered, but the numbers really don't mean anything.

0:18:14.720 --> 0:18:18.520
<v Speaker 5>They've vaguely mean something, but but they're kind of it's weird,

0:18:18.600 --> 0:18:22.639
<v Speaker 5>like you know, their five step dropback passes are ninety

0:18:22.880 --> 0:18:25.200
<v Speaker 5>plays like ninety one, two, nine, three, nine, four, ninety

0:18:25.200 --> 0:18:28.360
<v Speaker 5>five and then but there for some reason, they're three

0:18:28.359 --> 0:18:32.280
<v Speaker 5>step quick game. It's like sixty two or six nineteen

0:18:32.600 --> 0:18:35.840
<v Speaker 5>or six seventeen or like or eight. It like doesn't

0:18:35.880 --> 0:18:39.199
<v Speaker 5>make sense, but the point being the players learn it.

0:18:39.280 --> 0:18:41.240
<v Speaker 5>And then it's they've only run some many place that's

0:18:41.240 --> 0:18:45.320
<v Speaker 5>easy enough to learn. So they have pretty simple building blocks.

0:18:45.440 --> 0:18:47.160
<v Speaker 5>So the first thing if you and you can watch

0:18:47.240 --> 0:18:49.600
<v Speaker 5>a Washington State game, and I've been told that Leach,

0:18:49.680 --> 0:18:51.160
<v Speaker 5>I won't tell you what all the signals are because

0:18:51.160 --> 0:18:53.919
<v Speaker 5>I'll get in trouble. But I've been told that Leach's

0:18:53.920 --> 0:18:56.040
<v Speaker 5>signals basically haven't changed since like two thousand and three

0:18:56.040 --> 0:18:59.800
<v Speaker 5>at Texas Tech. But if you watch them, they'll call

0:18:59.880 --> 0:19:02.840
<v Speaker 5>for formations, and so the two formations.

0:19:02.480 --> 0:19:03.240
<v Speaker 1>Probably run the most.

0:19:03.240 --> 0:19:04.720
<v Speaker 5>And if you watch a lot of other area guys,

0:19:04.720 --> 0:19:06.920
<v Speaker 5>they still use the same signals for formations. It's ace,

0:19:07.280 --> 0:19:09.280
<v Speaker 5>which is they're two by two four wives, which is

0:19:09.320 --> 0:19:11.760
<v Speaker 5>you point your finger up in the air, or early,

0:19:11.880 --> 0:19:15.879
<v Speaker 5>which is trips right, which you literally just rub like

0:19:16.000 --> 0:19:18.760
<v Speaker 5>your eyes like you're getting up early, or then late

0:19:18.840 --> 0:19:21.120
<v Speaker 5>which is like tapping your wrists like which is trips left.

0:19:21.160 --> 0:19:23.439
<v Speaker 5>So early has an R in it, so trips right

0:19:23.480 --> 0:19:23.800
<v Speaker 5>and then.

0:19:23.760 --> 0:19:25.639
<v Speaker 1>Late trips left. Really simple stuff.

0:19:26.359 --> 0:19:30.400
<v Speaker 5>And then then each play just has like a one

0:19:30.440 --> 0:19:32.720
<v Speaker 5>hand signal to it. So and it's and one of

0:19:32.720 --> 0:19:35.200
<v Speaker 5>the nice things about studying to get introduced, Like you

0:19:35.280 --> 0:19:37.080
<v Speaker 5>watch Leech, He's the one signaling it. It's not one

0:19:37.080 --> 0:19:39.879
<v Speaker 5>of these teams with five signalers. Signalers on the sideline,

0:19:40.160 --> 0:19:43.960
<v Speaker 5>and so you know what he'll do if he wants

0:19:43.960 --> 0:19:48.960
<v Speaker 5>to call just one play, you know, one.

0:19:48.760 --> 0:19:51.200
<v Speaker 1>Play which is the one I'll give you, which is simple.

0:19:51.240 --> 0:19:53.080
<v Speaker 5>I think everyone knows it, which is their one, their

0:19:53.119 --> 0:19:55.760
<v Speaker 5>snag concept sort of try and go read. The flat

0:19:55.800 --> 0:19:58.520
<v Speaker 5>receiver runs, the corner back runs the flat, and then

0:19:58.840 --> 0:20:00.840
<v Speaker 5>the outside receiver runs like a quick slant or a

0:20:00.840 --> 0:20:03.040
<v Speaker 5>little sit down route. It's eight and so he just

0:20:03.040 --> 0:20:07.359
<v Speaker 5>taps his shoulder and so he can just call that

0:20:07.520 --> 0:20:09.920
<v Speaker 5>and then that goes into the quarterback and everything runs

0:20:09.920 --> 0:20:12.399
<v Speaker 5>to the quarterback. Or the thing Leech likes to do

0:20:12.520 --> 0:20:14.520
<v Speaker 5>is he'll do think about and so you'll see him

0:20:14.560 --> 0:20:17.240
<v Speaker 5>with call formation ACE. Then he'll tap the side of

0:20:17.240 --> 0:20:19.119
<v Speaker 5>his head, which means think about, and he'll give them too,

0:20:19.359 --> 0:20:21.000
<v Speaker 5>like a couple of plays. So then he can just

0:20:21.000 --> 0:20:23.119
<v Speaker 5>signal two different plays. They could be like ACE and

0:20:23.119 --> 0:20:24.679
<v Speaker 5>then like ninety five ninety.

0:20:24.400 --> 0:20:28.840
<v Speaker 1>Five being their their their white cross play which everybody knows.

0:20:29.000 --> 0:20:29.880
<v Speaker 1>And then the quarterback.

0:20:29.920 --> 0:20:31.600
<v Speaker 5>Then I think about that system as the quarterback can

0:20:31.600 --> 0:20:33.800
<v Speaker 5>either call one of those plays or any other play

0:20:33.840 --> 0:20:36.600
<v Speaker 5>he wants, but then at that point attend to the quarterback.

0:20:36.640 --> 0:20:39.280
<v Speaker 5>So if you watched last year. Like Luke Falk, this

0:20:39.320 --> 0:20:41.639
<v Speaker 5>is where the leech has his signals, right, and all

0:20:41.680 --> 0:20:43.359
<v Speaker 5>the area guys they kind of have their signals and

0:20:43.400 --> 0:20:45.360
<v Speaker 5>then but then at that point it becomes the players.

0:20:45.440 --> 0:20:47.119
<v Speaker 1>So they got to they figure out how do.

0:20:47.160 --> 0:20:51.199
<v Speaker 5>They want to communicate and so the and this is

0:20:51.240 --> 0:20:53.760
<v Speaker 5>true for all most tempo teams, though this is changing

0:20:53.760 --> 0:20:55.119
<v Speaker 5>and we can get into Scott frost taw he does

0:20:55.119 --> 0:20:58.920
<v Speaker 5>a little differently, but most tempo teams, the quarterback then

0:20:58.960 --> 0:21:02.160
<v Speaker 5>relays the concept to the offensive line through a code

0:21:02.160 --> 0:21:06.320
<v Speaker 5>word and so which you can guess why. It's a

0:21:06.359 --> 0:21:08.240
<v Speaker 5>little harder for the offensive line to turn and look

0:21:08.240 --> 0:21:11.080
<v Speaker 5>at a signaler on the sideline, or certainly they can't

0:21:11.080 --> 0:21:13.119
<v Speaker 5>turn and look at a signal from the quarterback, So

0:21:13.240 --> 0:21:15.560
<v Speaker 5>you give them a code word. Well, how do you

0:21:15.840 --> 0:21:18.959
<v Speaker 5>You can't just call forty two, right, And so you

0:21:19.040 --> 0:21:21.240
<v Speaker 5>have to have a word that you can call.

0:21:21.280 --> 0:21:22.960
<v Speaker 1>And you can even call the same thing over and over.

0:21:22.880 --> 0:21:25.840
<v Speaker 5>Again, especially with protection schemes where you might change the

0:21:26.640 --> 0:21:27.720
<v Speaker 5>past play.

0:21:27.880 --> 0:21:29.600
<v Speaker 1>But the protection scheme will stay the same.

0:21:30.920 --> 0:21:33.800
<v Speaker 5>And so you use word association every high school the

0:21:33.840 --> 0:21:35.000
<v Speaker 5>college NFL team doesn't.

0:21:35.000 --> 0:21:36.440
<v Speaker 1>So it could be words.

0:21:36.160 --> 0:21:39.280
<v Speaker 5>That star with b you know, you know, Budweiser, Bronco,

0:21:39.440 --> 0:21:41.160
<v Speaker 5>whatever it is, and they all mean the same thing

0:21:41.440 --> 0:21:44.600
<v Speaker 5>or a really common one and give you give you

0:21:44.600 --> 0:21:47.800
<v Speaker 5>one old one from Gus Miles on which sure's changed

0:21:47.800 --> 0:21:51.919
<v Speaker 5>so I won't get in trouble. Which is their their counterplay,

0:21:52.240 --> 0:21:54.480
<v Speaker 5>like the counter blocking play. For a long times called

0:21:54.560 --> 0:21:57.760
<v Speaker 5>cult was one word, but then you could use you

0:21:57.760 --> 0:22:01.200
<v Speaker 5>could call it Indie or luck for Andrew Luck.

0:22:01.280 --> 0:22:03.480
<v Speaker 1>There's a quarterback of the cult. It's really simple stuff,

0:22:03.520 --> 0:22:04.600
<v Speaker 1>not exactly brain surgery.

0:22:04.640 --> 0:22:06.880
<v Speaker 5>But you know, if you're the defense and you've got

0:22:06.880 --> 0:22:09.600
<v Speaker 5>two seconds, you don't necessarily know that there's a luck

0:22:09.640 --> 0:22:11.920
<v Speaker 5>and culture that's necessarly the same thing.

0:22:12.119 --> 0:22:13.880
<v Speaker 1>You might get used. Over time, they change.

0:22:13.720 --> 0:22:16.800
<v Speaker 5>Their calls, and then then the quarterback and the air

0:22:16.880 --> 0:22:19.640
<v Speaker 5>raid system will then signal everything to the receivers, which

0:22:19.680 --> 0:22:22.880
<v Speaker 5>he has his own signal. The receivers and the quarterback

0:22:23.000 --> 0:22:24.600
<v Speaker 5>just make up their own signals a year to year,

0:22:24.720 --> 0:22:25.800
<v Speaker 5>and so that's where they.

0:22:25.680 --> 0:22:27.320
<v Speaker 1>Can kind of take ownership of that stuff.

0:22:28.640 --> 0:22:30.439
<v Speaker 5>And then the nice thing of that system, since everyone's

0:22:30.440 --> 0:22:33.119
<v Speaker 5>looking at the quarterback, if he wants to audible, he

0:22:33.160 --> 0:22:33.800
<v Speaker 5>can make a call.

0:22:33.920 --> 0:22:35.879
<v Speaker 1>Usually it's like easy, easy, easy, and then he just

0:22:35.880 --> 0:22:36.159
<v Speaker 1>sort of.

0:22:36.160 --> 0:22:38.919
<v Speaker 5>Resignals everything and then that's it, and then they get

0:22:39.000 --> 0:22:40.600
<v Speaker 5>up and go. And then the other advantage of that

0:22:40.680 --> 0:22:43.040
<v Speaker 5>is you can call like a block like a run

0:22:43.119 --> 0:22:45.160
<v Speaker 5>play at the line, and then you could call either

0:22:45.200 --> 0:22:48.080
<v Speaker 5>a pass route or a screen to the receivers.

0:22:47.600 --> 0:22:48.719
<v Speaker 1>And it's just done by signal.

0:22:49.640 --> 0:22:51.640
<v Speaker 5>So that's that system, which is really simple, and that's

0:22:51.640 --> 0:22:53.520
<v Speaker 5>been the framework for a lot of those guys. The

0:22:53.600 --> 0:22:55.879
<v Speaker 5>problem with it is, as you can guess, is that

0:22:55.880 --> 0:22:58.320
<v Speaker 5>if you want to go really really fast, it's actually

0:22:58.400 --> 0:23:02.920
<v Speaker 5>kind of slow. Coach the quarterback, quarterback to line, quarterback

0:23:02.960 --> 0:23:07.040
<v Speaker 5>to receivers. So probably you know most tempo teams now

0:23:07.600 --> 0:23:13.680
<v Speaker 5>if you watch them, it's coach the quarterback, quarterback to line, coaches,

0:23:13.760 --> 0:23:17.879
<v Speaker 5>signalers to receivers at the same time and then and

0:23:17.920 --> 0:23:21.360
<v Speaker 5>then that which then you're able to do that simultaneously,

0:23:21.359 --> 0:23:22.760
<v Speaker 5>so you take out that extra step so that you

0:23:22.800 --> 0:23:24.159
<v Speaker 5>shave a few seconds off and you can go a

0:23:24.200 --> 0:23:26.520
<v Speaker 5>little faster. And then the last thing I'll say is

0:23:26.560 --> 0:23:29.760
<v Speaker 5>I think Frost has moved to He's an example, he's

0:23:29.800 --> 0:23:32.720
<v Speaker 5>moved to actually having a different, an entirely different signaler

0:23:32.840 --> 0:23:36.280
<v Speaker 5>for the offensive line. So they're they're not even getting

0:23:36.280 --> 0:23:40.359
<v Speaker 5>that extra step from the quarterback. So it's going skill

0:23:40.640 --> 0:23:42.840
<v Speaker 5>and offensive line, two different signalers. And I don't know

0:23:42.840 --> 0:23:44.840
<v Speaker 5>if they actually have like extra guys in the sidelines

0:23:44.880 --> 0:23:47.199
<v Speaker 5>so they have like live and dead signalers or not.

0:23:47.280 --> 0:23:49.920
<v Speaker 5>But but if you've got multiple signalers, that's able to

0:23:50.000 --> 0:23:52.639
<v Speaker 5>do it more quickly. So that those are those are

0:23:52.680 --> 0:23:54.800
<v Speaker 5>some of the key sort of frameworks, but you can

0:23:55.000 --> 0:23:56.159
<v Speaker 5>can mix and match that stuff.

0:23:57.200 --> 0:23:59.080
<v Speaker 3>Dan, I just wanted to take a quick break to

0:23:59.119 --> 0:24:02.440
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0:24:02.560 --> 0:24:06.119
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0:24:06.240 --> 0:24:08.600
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0:24:18.200 --> 0:24:22.520
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0:24:22.560 --> 0:24:25.480
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0:24:25.480 --> 0:24:28.320
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0:25:43.400 --> 0:25:47.800
<v Speaker 4>Obviously, tempo is a relatively modern concept, especially with what

0:25:47.920 --> 0:25:51.280
<v Speaker 4>it now means and teams going pretty quickly. Who is

0:25:51.640 --> 0:25:53.600
<v Speaker 4>who would you say has done the best job or

0:25:53.640 --> 0:25:57.080
<v Speaker 4>has been the most influential in terms of taking the

0:25:57.160 --> 0:26:00.720
<v Speaker 4>concept of tempo and no huddle and turning it into

0:26:00.840 --> 0:26:04.880
<v Speaker 4>something that's super easily digested. I mean, you mentioned Scott Frost,

0:26:05.720 --> 0:26:09.240
<v Speaker 4>you mentioned Gus Malson obviously the you know, Chad Morris

0:26:09.280 --> 0:26:12.320
<v Speaker 4>did a lot at Clemson with no huddle stuff. Who

0:26:12.400 --> 0:26:17.560
<v Speaker 4>has sort of put the biggest stamp on tempo communication

0:26:17.760 --> 0:26:20.080
<v Speaker 4>in the last I don't know, twelve years or so.

0:26:21.240 --> 0:26:23.000
<v Speaker 5>Yeah, it's hard to say because the thing you have

0:26:23.040 --> 0:26:25.280
<v Speaker 5>to remember, piets of different goals when they want to

0:26:25.359 --> 0:26:28.360
<v Speaker 5>want to what they want to do, so and there's

0:26:28.400 --> 0:26:31.480
<v Speaker 5>a big difference between being a tempo team sometimes and

0:26:31.560 --> 0:26:33.920
<v Speaker 5>being a tempo team all the time, and that has

0:26:33.960 --> 0:26:38.280
<v Speaker 5>significant implications on how you build your communication system. So

0:26:38.560 --> 0:26:42.240
<v Speaker 5>simple example, the New England Patriots, especially if you go

0:26:42.240 --> 0:26:44.919
<v Speaker 5>back a few years, really good tempo team. Actually they

0:26:45.400 --> 0:26:48.480
<v Speaker 5>they can turn on a switch and run tempo and

0:26:48.720 --> 0:26:50.520
<v Speaker 5>they literally started doing.

0:26:50.359 --> 0:26:50.920
<v Speaker 1>And it goes back.

0:26:51.000 --> 0:26:53.080
<v Speaker 5>You know, BILLI Bryan's talked about US a bunch. You know,

0:26:53.119 --> 0:26:56.320
<v Speaker 5>in twenty eleven and twenty twelve, they sort of stole

0:26:56.400 --> 0:26:59.920
<v Speaker 5>the idea from Oregon where they would just have six

0:27:00.080 --> 0:27:02.400
<v Speaker 5>for eight calls in the game plan for that week,

0:27:02.440 --> 0:27:05.280
<v Speaker 5>which were one word calls. And again that goes We

0:27:05.359 --> 0:27:07.560
<v Speaker 5>literally did that in my high school too. It was

0:27:07.600 --> 0:27:10.600
<v Speaker 5>like Orange was like a two minute call. I mean,

0:27:10.600 --> 0:27:14.439
<v Speaker 5>we're not again not like brain surgery here, and you

0:27:14.520 --> 0:27:17.320
<v Speaker 5>just call Orange or you know whatever the term is,

0:27:17.440 --> 0:27:19.520
<v Speaker 5>Patriot or something, and you can go fast and then

0:27:19.560 --> 0:27:21.600
<v Speaker 5>everyone knows what to do. And that includes the formation

0:27:21.880 --> 0:27:23.880
<v Speaker 5>A lows you go really fast, and then the rest

0:27:23.880 --> 0:27:26.679
<v Speaker 5>of the time, the Patriots can signal, they can huddle,

0:27:26.720 --> 0:27:28.800
<v Speaker 5>they can do all those different things. And the idea

0:27:28.800 --> 0:27:30.520
<v Speaker 5>is that you take a piece of your game plan

0:27:30.760 --> 0:27:35.320
<v Speaker 5>and you and you supercharge it. Again to use Frost

0:27:35.440 --> 0:27:37.280
<v Speaker 5>is he talked about that they really started doing that

0:27:37.320 --> 0:27:39.439
<v Speaker 5>at Oregon and they and where it really clicked was

0:27:39.440 --> 0:27:42.120
<v Speaker 5>in twenty ten and the game that Frost will mention

0:27:42.160 --> 0:27:44.720
<v Speaker 5>this when they played Tennessee. I'm sure Dan you well

0:27:44.760 --> 0:27:47.520
<v Speaker 5>remember when when they played Tennessee and they really played

0:27:47.520 --> 0:27:49.159
<v Speaker 5>well early, but they really wore them down and then

0:27:49.160 --> 0:27:51.680
<v Speaker 5>blew them out in the second half. And they that

0:27:51.960 --> 0:27:53.679
<v Speaker 5>was one of the first games where they did that concept.

0:27:53.680 --> 0:27:55.679
<v Speaker 5>And they had like seven plays so they could do

0:27:55.720 --> 0:27:57.879
<v Speaker 5>that fast and in the second half they were just

0:27:57.920 --> 0:28:01.280
<v Speaker 5>doing those over and over and over again. The flip

0:28:01.320 --> 0:28:04.520
<v Speaker 5>side of that is that if you're a team like

0:28:04.960 --> 0:28:07.440
<v Speaker 5>Maleson's team, everything.

0:28:07.040 --> 0:28:10.040
<v Speaker 1>You do is no huddle or built to be no huddle.

0:28:10.119 --> 0:28:11.520
<v Speaker 1>So when you're.

0:28:11.320 --> 0:28:14.199
<v Speaker 5>Teaching on day one, you're not teaching forty two and

0:28:14.200 --> 0:28:17.920
<v Speaker 5>then translating it to here's the no huddle version of

0:28:17.960 --> 0:28:20.439
<v Speaker 5>that in you know, later in the system, you're teaching

0:28:20.480 --> 0:28:22.040
<v Speaker 5>it as this is what we do.

0:28:22.240 --> 0:28:23.520
<v Speaker 1>Everything is being signaled.

0:28:23.640 --> 0:28:27.600
<v Speaker 5>You actually will learn the place in a no huddle context,

0:28:27.720 --> 0:28:30.320
<v Speaker 5>and then you're ready to receive the information that way,

0:28:30.400 --> 0:28:33.640
<v Speaker 5>and that's how the plays are taught, which significantly impacts

0:28:33.680 --> 0:28:36.439
<v Speaker 5>how you set up your offense because one of the

0:28:36.480 --> 0:28:39.959
<v Speaker 5>downsides of being a no huddle up tempo team all

0:28:40.000 --> 0:28:42.320
<v Speaker 5>the time is and this is one reason why the

0:28:42.440 --> 0:28:44.920
<v Speaker 5>NFL is not you know, you don't be rarely. You

0:28:44.960 --> 0:28:47.200
<v Speaker 5>don't see any teams go one hundred percent because it's

0:28:47.280 --> 0:28:51.000
<v Speaker 5>very difficult to tweak and make in game adjustments when

0:28:51.320 --> 0:28:55.080
<v Speaker 5>you've drilled down your play is to just Patriot or whatever,

0:28:55.240 --> 0:28:57.480
<v Speaker 5>because then now the defense is shifted and.

0:28:57.480 --> 0:28:58.560
<v Speaker 1>You want to run it, but you want to do

0:28:58.600 --> 0:29:01.160
<v Speaker 1>it a little differently or out of tag you can't.

0:29:01.240 --> 0:29:03.680
<v Speaker 1>You're just you're in. You run Patriot again and so,

0:29:04.160 --> 0:29:04.480
<v Speaker 1>and then.

0:29:04.400 --> 0:29:05.560
<v Speaker 5>The only way you could also do it is you

0:29:05.560 --> 0:29:07.440
<v Speaker 5>get on the sideline and say, next time we call Patriot,

0:29:07.480 --> 0:29:08.080
<v Speaker 5>we're going to do this.

0:29:08.720 --> 0:29:11.440
<v Speaker 1>So it's it's it's it, you know.

0:29:11.560 --> 0:29:13.680
<v Speaker 5>So, which are not to say that Gus and his

0:29:13.720 --> 0:29:15.200
<v Speaker 5>system they don't have the answers to that, but they

0:29:15.200 --> 0:29:18.400
<v Speaker 5>have to build it within a no huddle framework because

0:29:18.400 --> 0:29:20.760
<v Speaker 5>they can't just go huddle and then make easily call

0:29:20.840 --> 0:29:21.840
<v Speaker 5>a couple extra tags.

0:29:22.040 --> 0:29:23.720
<v Speaker 1>I think Tip Kelly was a big influence.

0:29:23.800 --> 0:29:25.440
<v Speaker 5>I think the air Ray guys is there's so many

0:29:25.480 --> 0:29:27.080
<v Speaker 5>of them, and they've been going no huddle since like

0:29:27.080 --> 0:29:29.680
<v Speaker 5>the nineties, so they've gotten pretty good at it. There's

0:29:29.960 --> 0:29:33.280
<v Speaker 5>a bunch of schools of thought, certainly all the teams

0:29:33.280 --> 0:29:36.320
<v Speaker 5>that started doing the freeze call, where your call formation,

0:29:36.720 --> 0:29:38.800
<v Speaker 5>you fake the snap and then everyone looks at the sideline.

0:29:38.840 --> 0:29:40.600
<v Speaker 5>I mean, there was a time when every team did that,

0:29:40.680 --> 0:29:43.760
<v Speaker 5>So whoever was the first to do that was obviously influential.

0:29:43.760 --> 0:29:45.200
<v Speaker 5>But I think there's just a lot of different ways

0:29:45.200 --> 0:29:46.080
<v Speaker 5>to skin the cat.

0:29:46.800 --> 0:29:49.000
<v Speaker 3>The other thing that comes to mind, Chris, because I'm

0:29:49.000 --> 0:29:51.000
<v Speaker 3>guessing there are people at home listening to this, who

0:29:51.000 --> 0:29:53.880
<v Speaker 3>are blown away by the complexity of it all. But

0:29:54.240 --> 0:29:57.200
<v Speaker 3>we all know those rushed moments in a game where

0:29:57.240 --> 0:30:00.080
<v Speaker 3>it's very apparent that two plays have been called in

0:30:00.080 --> 0:30:03.400
<v Speaker 3>the huddle. How is it possible within the framework of

0:30:03.440 --> 0:30:06.080
<v Speaker 3>all this to do that if maybe you don't have

0:30:06.120 --> 0:30:09.080
<v Speaker 3>a play that's only one word, How do you communicate

0:30:09.800 --> 0:30:13.680
<v Speaker 3>multiple plays at the same time in a situation where

0:30:13.800 --> 0:30:15.360
<v Speaker 3>perhaps you're running a two minute offense.

0:30:15.720 --> 0:30:17.200
<v Speaker 1>Well, I think that's the key.

0:30:17.240 --> 0:30:19.200
<v Speaker 5>You probably wouldn't do it much in a two minute

0:30:19.200 --> 0:30:22.760
<v Speaker 5>offense setting. I thought, we're breaking in a couple categories.

0:30:22.760 --> 0:30:25.840
<v Speaker 5>So one I already touched on, which is the maybe

0:30:25.920 --> 0:30:27.920
<v Speaker 5>most unique. But I do think one of the more

0:30:27.960 --> 0:30:30.160
<v Speaker 5>interesting ones, which is the Mike leachs where he does

0:30:30.160 --> 0:30:31.560
<v Speaker 5>think about and he just sort of gives a couple

0:30:31.560 --> 0:30:34.360
<v Speaker 5>of suggestions and the quarterback just calls one. There's the

0:30:34.400 --> 0:30:37.520
<v Speaker 5>Peyton Manning version, which is where you actually huddle and

0:30:37.560 --> 0:30:39.240
<v Speaker 5>then you lay out like you spill out a.

0:30:39.200 --> 0:30:41.720
<v Speaker 1>Whole long thing, and then you get to the line

0:30:41.840 --> 0:30:42.200
<v Speaker 1>and then.

0:30:42.120 --> 0:30:45.960
<v Speaker 5>You call kill kill kill, which or whatever your term is,

0:30:45.960 --> 0:30:47.920
<v Speaker 5>which basically means run the second.

0:30:47.600 --> 0:30:50.000
<v Speaker 1>Play or the third play or whatever.

0:30:50.040 --> 0:30:53.840
<v Speaker 5>And then everyone in the huddle heard what are the options?

0:30:54.360 --> 0:30:58.360
<v Speaker 1>And then and then most no huddle teams.

0:30:58.040 --> 0:31:03.280
<v Speaker 5>Don't don't don't really call the college no huddle teams

0:31:03.280 --> 0:31:05.680
<v Speaker 5>which you say, don't call multiple plays to the line,

0:31:05.720 --> 0:31:07.280
<v Speaker 5>because it sort of defeats the.

0:31:07.280 --> 0:31:09.800
<v Speaker 1>Purpose of being no huddle. It requires another call.

0:31:09.920 --> 0:31:11.720
<v Speaker 5>So typically what they'll do is we'll either do the

0:31:11.760 --> 0:31:14.120
<v Speaker 5>freeze call, which I said before, which is.

0:31:14.480 --> 0:31:18.400
<v Speaker 1>You don't call a play. You you get lined up,

0:31:18.480 --> 0:31:18.880
<v Speaker 1>you do.

0:31:18.800 --> 0:31:20.760
<v Speaker 5>That, you fake the snap, and then everybody's you know,

0:31:20.760 --> 0:31:22.520
<v Speaker 5>you see what the defense does, and then everybody looks

0:31:22.520 --> 0:31:24.880
<v Speaker 5>to the sideline and then they then then you call

0:31:24.960 --> 0:31:28.240
<v Speaker 5>the play. The other thing to remember is that one

0:31:28.280 --> 0:31:30.120
<v Speaker 5>of the constraints of these no huddle teams, and this

0:31:30.240 --> 0:31:32.040
<v Speaker 5>is one of the problems that Chip Kelly had in

0:31:32.040 --> 0:31:36.920
<v Speaker 5>the NFL, is he had no audible mechanic, which is

0:31:36.960 --> 0:31:38.720
<v Speaker 5>sort of hard to believe for an NFL.

0:31:38.480 --> 0:31:38.920
<v Speaker 1>Team, But.

0:31:41.760 --> 0:31:44.320
<v Speaker 5>You know, by going fast and having multiple signalers for

0:31:44.400 --> 0:31:47.400
<v Speaker 5>multiple positions, you didn't have that central person who could

0:31:47.440 --> 0:31:50.080
<v Speaker 5>then come Peyton Manning or Tom Brady who could then say,

0:31:50.640 --> 0:31:53.240
<v Speaker 5>you know, just change the play. And that was a constraint.

0:31:53.520 --> 0:31:56.680
<v Speaker 5>Now what they had was it one they'd go no

0:31:56.800 --> 0:31:57.240
<v Speaker 5>huddle and.

0:31:57.240 --> 0:31:58.720
<v Speaker 1>They could get the defense lined up.

0:31:59.000 --> 0:32:02.080
<v Speaker 5>And then two, this is where RPOs have come in

0:32:02.560 --> 0:32:04.960
<v Speaker 5>and package plays and all that stuff is the idea

0:32:05.000 --> 0:32:07.720
<v Speaker 5>that you've build or just read options. You build the

0:32:07.760 --> 0:32:10.800
<v Speaker 5>answers into a single play, and now you don't have

0:32:10.880 --> 0:32:13.800
<v Speaker 5>to check to a pass or check to a run.

0:32:14.160 --> 0:32:17.000
<v Speaker 5>It's built into the to the play call and then

0:32:17.000 --> 0:32:19.200
<v Speaker 5>therefore from the and really one of the reasons r

0:32:19.240 --> 0:32:22.040
<v Speaker 5>pos I think exploded is because it fit well within

0:32:22.120 --> 0:32:25.800
<v Speaker 5>the uptempo no huddle framework, because you could call one

0:32:25.840 --> 0:32:29.880
<v Speaker 5>play and then the quarterback without communicating anything, could throw

0:32:29.920 --> 0:32:32.480
<v Speaker 5>it or hand it off, or you read it or whatever.

0:32:32.840 --> 0:32:35.640
<v Speaker 5>So I think there's less of unless you see a

0:32:35.640 --> 0:32:37.640
<v Speaker 5>team huddle. And I'm not saying no one ever does this,

0:32:37.880 --> 0:32:40.360
<v Speaker 5>but unless you see a team huddle, you're not calling

0:32:40.440 --> 0:32:43.080
<v Speaker 5>multiple plays that much. The caveat I'll give to that

0:32:43.280 --> 0:32:46.400
<v Speaker 5>is that you've got to remember the other The secret

0:32:46.400 --> 0:32:49.440
<v Speaker 5>weapon for a lot of coaches is the wristband. And

0:32:49.520 --> 0:32:53.200
<v Speaker 5>so there's a lot of stuff on that wristband that

0:32:53.720 --> 0:32:54.240
<v Speaker 5>and you can.

0:32:54.200 --> 0:32:54.960
<v Speaker 1>Use them different ways.

0:32:55.000 --> 0:32:57.120
<v Speaker 5>You can give them to the quarterback or you'll see

0:32:57.120 --> 0:32:59.160
<v Speaker 5>a lot of teams they give them to everybody, and

0:32:59.240 --> 0:33:04.400
<v Speaker 5>so that allows a little it's slow because you've have

0:33:04.480 --> 0:33:06.440
<v Speaker 5>to call something out and usually it's just a list

0:33:06.480 --> 0:33:09.600
<v Speaker 5>of plays that are that are numbered, so someone can

0:33:09.640 --> 0:33:12.960
<v Speaker 5>either signal or a quarterback could announce twenty five.

0:33:12.800 --> 0:33:15.080
<v Speaker 1>And everybody looks at their wristband. It's he's twenty five.

0:33:15.360 --> 0:33:17.800
<v Speaker 3>Are there any Are there any kind of like situational

0:33:17.880 --> 0:33:21.320
<v Speaker 3>guidelines on those wristbands? How detailed or complex do they get?

0:33:21.920 --> 0:33:23.840
<v Speaker 1>I mean it sort of toy. Depends on who you

0:33:23.920 --> 0:33:25.120
<v Speaker 1>are and what your team is.

0:33:25.120 --> 0:33:28.160
<v Speaker 5>And and what what purpose you're using them for. So

0:33:28.680 --> 0:33:32.040
<v Speaker 5>one example is and Peter King wrote like an mm

0:33:32.120 --> 0:33:35.360
<v Speaker 5>QB piece right after the Super Bowl. Nick Foles wore

0:33:36.280 --> 0:33:40.200
<v Speaker 5>a wristband in the super Bowl and the sort of

0:33:40.200 --> 0:33:42.800
<v Speaker 5>the final touchdowns, I don't know, I to go ahead,

0:33:42.800 --> 0:33:45.920
<v Speaker 5>I can't remember. For just the final touchdown the slant

0:33:45.960 --> 0:33:48.160
<v Speaker 5>passed to Zach Ertz where they ran bunch the right

0:33:48.200 --> 0:33:51.400
<v Speaker 5>and put the back and bullet motion and went the

0:33:51.400 --> 0:33:53.680
<v Speaker 5>four receivers one side and through a slat back side.

0:33:53.800 --> 0:33:55.960
<v Speaker 5>The play called the Nick Foles on his headset was

0:33:56.000 --> 0:33:58.960
<v Speaker 5>wristband one four five, And he looked at his wristband

0:33:59.000 --> 0:34:01.040
<v Speaker 5>and then I think he hudded, but it was just

0:34:01.080 --> 0:34:03.080
<v Speaker 5>on the wristband. And now the reason they did that

0:34:03.160 --> 0:34:05.640
<v Speaker 5>is just a more efficient way to make sure the

0:34:05.680 --> 0:34:08.000
<v Speaker 5>whole play call got in and I had to pull

0:34:08.040 --> 0:34:10.120
<v Speaker 5>it up. But the you know, the play call is

0:34:10.160 --> 0:34:12.279
<v Speaker 5>something like you know whatever protection and it was like

0:34:12.360 --> 0:34:14.600
<v Speaker 5>excellent Z follow or something like that.

0:34:14.800 --> 0:34:16.719
<v Speaker 1>So they had the whole play call which communicated to

0:34:16.760 --> 0:34:19.200
<v Speaker 1>the players. But in that.

0:34:19.040 --> 0:34:21.000
<v Speaker 5>Context, it was just a more efficient way to get

0:34:21.000 --> 0:34:24.160
<v Speaker 5>the concept to the folds. The other thing you'll see

0:34:24.160 --> 0:34:25.800
<v Speaker 5>tempo teams do, and you see a lot at the

0:34:25.840 --> 0:34:29.279
<v Speaker 5>high school level, they'll give everybody risk bands so that

0:34:29.600 --> 0:34:31.560
<v Speaker 5>the coaches when they're doing these signals, they don't have

0:34:31.640 --> 0:34:34.960
<v Speaker 5>to have as we talked about with like the air

0:34:35.040 --> 0:34:37.200
<v Speaker 5>rate system, they have to have a signal for every play.

0:34:37.440 --> 0:34:38.719
<v Speaker 5>But one of the problems is if you want to

0:34:38.760 --> 0:34:41.399
<v Speaker 5>change your plays or have different concepts, or you've got

0:34:41.440 --> 0:34:43.440
<v Speaker 5>tags so you know, meaning that you have three or

0:34:43.480 --> 0:34:45.840
<v Speaker 5>four words to call the play. So you don't have

0:34:45.880 --> 0:34:47.760
<v Speaker 5>to make three or four signals. You could just signal

0:34:47.800 --> 0:34:51.000
<v Speaker 5>everybody twenty two and then the whole team looks at

0:34:51.040 --> 0:34:54.280
<v Speaker 5>their their wristband and then they know what to do.

0:34:55.080 --> 0:34:56.719
<v Speaker 1>To flip to the other side of the ball.

0:34:56.880 --> 0:35:00.319
<v Speaker 5>Good example of this is Gary Patterson at TCU, who

0:35:00.400 --> 0:35:02.040
<v Speaker 5>has to deal a lot of up tempo teams in

0:35:02.080 --> 0:35:07.759
<v Speaker 5>the Big twelve. He's got a very crisp and well

0:35:07.800 --> 0:35:11.160
<v Speaker 5>thought out system for calling his defenses. And I don't

0:35:11.200 --> 0:35:15.120
<v Speaker 5>just mean calling the coverage, but there's what Gary Patterson

0:35:15.160 --> 0:35:15.720
<v Speaker 5>does on defense.

0:35:15.840 --> 0:35:16.640
<v Speaker 1>He'll he calls.

0:35:16.440 --> 0:35:19.240
<v Speaker 5>Different coverages the different sides of the field. He often

0:35:19.280 --> 0:35:22.000
<v Speaker 5>also often calls a trips check, meaning.

0:35:21.760 --> 0:35:23.239
<v Speaker 1>That we'll do this eatside of field.

0:35:23.239 --> 0:35:24.680
<v Speaker 5>But then if the lineup and Trips will call this

0:35:24.760 --> 0:35:28.160
<v Speaker 5>other coverage, and then he's got what he wants the

0:35:28.200 --> 0:35:30.560
<v Speaker 5>front to line up in, meaning where did the defensive

0:35:30.600 --> 0:35:32.640
<v Speaker 5>line and the linebackers line up. And then he'll have

0:35:32.880 --> 0:35:36.680
<v Speaker 5>stunts and blitzes which tell and he can put him

0:35:36.680 --> 0:35:39.080
<v Speaker 5>in combination so that guys can do different things, which

0:35:39.080 --> 0:35:40.920
<v Speaker 5>is a great system, but as you can imagine, it

0:35:41.000 --> 0:35:44.080
<v Speaker 5>can get wordy, and so when you're going against Oklahoma

0:35:44.160 --> 0:35:46.320
<v Speaker 5>or Texas Tech or whoever's going fast, you got to

0:35:46.320 --> 0:35:49.239
<v Speaker 5>communicate it quickly. And Gary Patterson is well known that

0:35:49.640 --> 0:35:53.239
<v Speaker 5>he started having all his defensive players wear wristbands and so,

0:35:53.360 --> 0:35:55.959
<v Speaker 5>which is a great system, but there was a great

0:35:56.000 --> 0:35:58.960
<v Speaker 5>moment on the Coaches Show the Coach's Film Room this

0:35:59.080 --> 0:36:02.120
<v Speaker 5>year for the Rose Bull when Gary Patterson was there,

0:36:02.560 --> 0:36:05.719
<v Speaker 5>and then Dana Holgerson was there, and and Major Apple

0:36:05.719 --> 0:36:07.160
<v Speaker 5>White who used to be in the Big twelve and

0:36:07.160 --> 0:36:09.640
<v Speaker 5>if he was a Texas in a couple of places,

0:36:10.600 --> 0:36:12.800
<v Speaker 5>and they were talking about a player I mentioned earlier

0:36:12.880 --> 0:36:15.240
<v Speaker 5>from air raids to some ninety five with the White

0:36:15.239 --> 0:36:17.640
<v Speaker 5>Cross because Oklahoma ran a few times and all those.

0:36:17.480 --> 0:36:18.400
<v Speaker 1>Air RAA guys know it, and.

0:36:19.280 --> 0:36:23.440
<v Speaker 5>Gary Patterson's offensive corners for air ray guys. But and

0:36:23.480 --> 0:36:25.120
<v Speaker 5>they were joking about, oh, we know the signal for

0:36:25.200 --> 0:36:27.040
<v Speaker 5>ninety five and had to change the signal, and then

0:36:27.120 --> 0:36:28.719
<v Speaker 5>I think it was Major Apple apple White, but it

0:36:28.719 --> 0:36:32.360
<v Speaker 5>could have been. Holgerson turned to Patterson and said, do

0:36:32.440 --> 0:36:34.840
<v Speaker 5>your players all still look at their wristbands whenever you

0:36:34.880 --> 0:36:39.800
<v Speaker 5>call it blitz? And Patterson's face like dropped and everyone

0:36:39.840 --> 0:36:41.759
<v Speaker 5>and like you had like Billima and those guys like

0:36:41.800 --> 0:36:44.000
<v Speaker 5>burst out laughing, uh.

0:36:43.719 --> 0:36:45.239
<v Speaker 1>And it's and and and it was.

0:36:45.719 --> 0:36:49.000
<v Speaker 5>It was funny because Patterson's blitzes are worthier than his

0:36:49.080 --> 0:36:52.399
<v Speaker 5>base calls. So they had picked up on a little tell,

0:36:52.640 --> 0:36:54.759
<v Speaker 5>which is and he said it it's someone. It was

0:36:54.760 --> 0:36:56.560
<v Speaker 5>like it was like that was like Big twelve knowledge.

0:36:56.640 --> 0:36:58.600
<v Speaker 5>It was as like, yeah, you know, you tell your

0:36:58.600 --> 0:37:00.799
<v Speaker 5>players if they look at the wristband, they're bringing the lips.

0:37:00.880 --> 0:37:03.000
<v Speaker 5>That's that's that's a good coaching point you give them

0:37:03.080 --> 0:37:03.600
<v Speaker 5>during the week.

0:37:03.960 --> 0:37:08.360
<v Speaker 3>Well, you you enter into territory that we had planned

0:37:08.360 --> 0:37:11.239
<v Speaker 3>to ask about. And hopefully it's not too CD. But

0:37:11.680 --> 0:37:14.440
<v Speaker 3>of course everyone knows about Spygate and what went on

0:37:14.520 --> 0:37:17.839
<v Speaker 3>in the NFL, And look, it goes on at all

0:37:17.960 --> 0:37:20.960
<v Speaker 3>levels of competitive sports. I don't care if it's baseball

0:37:21.040 --> 0:37:24.840
<v Speaker 3>or basketball or football. There is always some kind of

0:37:24.880 --> 0:37:29.480
<v Speaker 3>operation to break another team's signals. How complex is that

0:37:29.600 --> 0:37:32.759
<v Speaker 3>operation on the college level, How difficult is it to

0:37:32.840 --> 0:37:35.960
<v Speaker 3>actually pick off a tel kind of like you've described

0:37:36.000 --> 0:37:36.800
<v Speaker 3>with Gary Patterson.

0:37:37.760 --> 0:37:40.920
<v Speaker 5>Yeah, I'd say it's not actually that hard to pick up.

0:37:41.400 --> 0:37:43.400
<v Speaker 5>How complex it is is a good question.

0:37:43.440 --> 0:37:46.480
<v Speaker 1>And I don't I don't know. You know, I couldn't

0:37:46.520 --> 0:37:49.120
<v Speaker 1>tell you if you took the SEC.

0:37:49.080 --> 0:37:52.000
<v Speaker 5>Program X, which has a lot of they all have

0:37:52.040 --> 0:37:56.640
<v Speaker 5>a lot of resources and people. Do they have people

0:37:56.680 --> 0:37:58.600
<v Speaker 5>who are just basically trying to crack the code all

0:37:58.640 --> 0:38:01.920
<v Speaker 5>the time. Probably, I'm not sure exactly what they what

0:38:02.040 --> 0:38:04.719
<v Speaker 5>kind of operation they have. I can tell you from

0:38:04.800 --> 0:38:07.759
<v Speaker 5>the other side, there's a couple of different schools of

0:38:07.840 --> 0:38:11.279
<v Speaker 5>thought on it. One is, and I probably lean more

0:38:11.320 --> 0:38:15.400
<v Speaker 5>to this, is that if the other team is spending

0:38:15.440 --> 0:38:18.000
<v Speaker 5>that much time trying to crack your signals, then they

0:38:18.040 --> 0:38:21.960
<v Speaker 5>probably and then trying to actually figure out what that means,

0:38:22.239 --> 0:38:25.160
<v Speaker 5>communicate it, and then and then make it actionable for

0:38:25.280 --> 0:38:27.560
<v Speaker 5>the defense in a way that they could actually do

0:38:27.640 --> 0:38:31.920
<v Speaker 5>something about it. Especially in a world where players can

0:38:32.000 --> 0:38:36.200
<v Speaker 5>check plays and you have you know, RPOs that can

0:38:36.200 --> 0:38:38.640
<v Speaker 5>be different types of plays, it probably.

0:38:38.239 --> 0:38:39.600
<v Speaker 1>Does the more harm than good.

0:38:40.160 --> 0:38:42.120
<v Speaker 5>I was talking to a high school coach recently talked

0:38:42.120 --> 0:38:46.120
<v Speaker 5>about that, you know, the opponent they you know, at halftime,

0:38:46.160 --> 0:38:48.359
<v Speaker 5>he could tell these guys were stealing their signals, but

0:38:48.400 --> 0:38:52.480
<v Speaker 5>they were killing them. And so they they did a

0:38:52.480 --> 0:38:54.400
<v Speaker 5>couple of things where they kind of faked the signal

0:38:54.440 --> 0:38:56.360
<v Speaker 5>and then ran like a faken go or something.

0:38:56.520 --> 0:38:58.560
<v Speaker 1>But then also they just kept doing it. Then after

0:38:58.600 --> 0:38:59.280
<v Speaker 1>the game they.

0:38:59.120 --> 0:39:00.960
<v Speaker 5>Won by like forty point, the other guy was like,

0:39:01.000 --> 0:39:03.400
<v Speaker 5>I was all over your signals, and it was like, okay,

0:39:04.239 --> 0:39:07.200
<v Speaker 5>very helpful and and and actually it could work against

0:39:07.239 --> 0:39:09.439
<v Speaker 5>you because you're you're you know, especially if you're facing

0:39:09.440 --> 0:39:11.520
<v Speaker 5>an up tempo team where you're trying to tell your

0:39:11.520 --> 0:39:13.920
<v Speaker 5>players watch for this or that and they're not bringing.

0:39:13.680 --> 0:39:16.000
<v Speaker 1>Their keys, it could work against you.

0:39:16.080 --> 0:39:18.160
<v Speaker 5>I will say that means if you're not an up

0:39:18.160 --> 0:39:20.399
<v Speaker 5>tempo team, it may not make a lot of sense

0:39:20.440 --> 0:39:22.680
<v Speaker 5>to be saying they're doing your signals to where the

0:39:22.680 --> 0:39:25.359
<v Speaker 5>other team can pick them up, because then it maybe

0:39:25.400 --> 0:39:27.600
<v Speaker 5>becomes a little more actionable. The other thing you think

0:39:27.600 --> 0:39:29.520
<v Speaker 5>about at the college level is and I've talked to

0:39:29.600 --> 0:39:31.400
<v Speaker 5>head coaches about this, and they say that one of

0:39:31.480 --> 0:39:33.160
<v Speaker 5>the bad parts if you're the signaler and you're a

0:39:33.160 --> 0:39:35.920
<v Speaker 5>head coach is the TV cameras always on you. And

0:39:36.000 --> 0:39:39.160
<v Speaker 5>so I know for a fact that that staffs will

0:39:39.440 --> 0:39:43.080
<v Speaker 5>line up the TV the TV broadcast with the All

0:39:43.080 --> 0:39:44.400
<v Speaker 5>twenty two film. I know they do it in the

0:39:44.440 --> 0:39:45.759
<v Speaker 5>off season, and I'm sure some of them do it

0:39:45.840 --> 0:39:47.719
<v Speaker 5>during the season to see if they can pick up

0:39:48.239 --> 0:39:51.239
<v Speaker 5>signals that way and line them up and figure that out.

0:39:52.680 --> 0:39:53.960
<v Speaker 1>So it look it happens.

0:39:54.080 --> 0:39:57.600
<v Speaker 5>It's it's it's a question of how actionable it is

0:39:57.680 --> 0:39:59.200
<v Speaker 5>and is it a problem?

0:39:59.239 --> 0:40:00.400
<v Speaker 1>And then how do you respawn?

0:40:00.520 --> 0:40:03.759
<v Speaker 5>Because the answer from if you're going to keep them

0:40:03.760 --> 0:40:06.560
<v Speaker 5>from cracking the code is to make your system more complex,

0:40:07.719 --> 0:40:09.720
<v Speaker 5>but probably the biggest thing is just to be intelligent

0:40:09.719 --> 0:40:12.239
<v Speaker 5>about it. One of the two I'll mention is one

0:40:12.960 --> 0:40:15.200
<v Speaker 5>is that I've talked to a bunch of coaches about this.

0:40:15.440 --> 0:40:17.440
<v Speaker 1>One of the hardest.

0:40:17.040 --> 0:40:20.000
<v Speaker 5>Things in that if you're going to signal or do

0:40:20.080 --> 0:40:24.160
<v Speaker 5>any kind of up tempo is how do you indicate direction.

0:40:24.520 --> 0:40:26.440
<v Speaker 5>It's it's it's the thing no one thinks about. But

0:40:26.480 --> 0:40:28.719
<v Speaker 5>if you've got to play power or counter or even

0:40:28.760 --> 0:40:32.480
<v Speaker 5>your past protection scheme, right or left can often be

0:40:32.560 --> 0:40:34.680
<v Speaker 5>a it's sort of like cracking these like you know,

0:40:34.800 --> 0:40:36.719
<v Speaker 5>these like World War two codes, like if you can

0:40:36.800 --> 0:40:39.480
<v Speaker 5>find the common link, then you can use that to

0:40:39.520 --> 0:40:42.560
<v Speaker 5>crack the rest of the code. And it's it's very

0:40:42.560 --> 0:40:45.440
<v Speaker 5>often the thing that can be a giveaway, and you

0:40:45.560 --> 0:40:48.239
<v Speaker 5>have to do it one way or the other. If

0:40:48.280 --> 0:40:50.200
<v Speaker 5>you use code words, you see a lot of teams

0:40:50.680 --> 0:40:52.600
<v Speaker 5>try to come up with the two ways.

0:40:52.760 --> 0:40:52.880
<v Speaker 1>One.

0:40:52.960 --> 0:40:54.359
<v Speaker 5>You just have a bunch of different ways, say right

0:40:54.440 --> 0:40:57.239
<v Speaker 5>or left, and then somemes. You you know, if you

0:40:57.320 --> 0:41:01.120
<v Speaker 5>take Auburn, for example, they can say right or left.

0:41:01.120 --> 0:41:05.680
<v Speaker 5>They could say red white, they could say colors differings. Alabama,

0:41:06.280 --> 0:41:08.319
<v Speaker 5>I know for the last few years, they may change

0:41:08.320 --> 0:41:10.399
<v Speaker 5>it for next year. For a lot of their run

0:41:10.400 --> 0:41:12.839
<v Speaker 5>plays use north and south a lot that's a code

0:41:12.840 --> 0:41:15.400
<v Speaker 5>word for right or left. So if they've got a

0:41:15.480 --> 0:41:17.759
<v Speaker 5>run play, they can say it and they say north

0:41:17.840 --> 0:41:20.520
<v Speaker 5>or south that means right or left. The other way

0:41:20.560 --> 0:41:23.560
<v Speaker 5>to do it is to actually combine the substance of

0:41:23.600 --> 0:41:27.960
<v Speaker 5>the play with the directional term. And so a term

0:41:28.000 --> 0:41:30.000
<v Speaker 5>you'll see and like every single playbook, but it has

0:41:30.040 --> 0:41:33.160
<v Speaker 5>different meanings. Is you see a lot of like righty lefty,

0:41:33.400 --> 0:41:37.360
<v Speaker 5>ram lyon rip liz for some reason. Is this football

0:41:37.440 --> 0:41:39.480
<v Speaker 5>term that shows up in every playbook because it's just

0:41:39.520 --> 0:41:40.480
<v Speaker 5>a single syllable that.

0:41:40.440 --> 0:41:42.759
<v Speaker 1>Means right or left. You can also do it with

0:41:43.360 --> 0:41:43.760
<v Speaker 1>I think.

0:41:43.640 --> 0:41:46.720
<v Speaker 5>Alabama for their protection schemes, the jack jill is one,

0:41:47.040 --> 0:41:49.279
<v Speaker 5>so jack being right, Jill being left for a six

0:41:49.360 --> 0:41:52.920
<v Speaker 5>man half live protection. So you just you do it

0:41:52.920 --> 0:41:54.319
<v Speaker 5>that way and then you can also do things the

0:41:54.360 --> 0:41:55.879
<v Speaker 5>other one. You see a lot a lot of teams

0:41:55.920 --> 0:41:57.640
<v Speaker 5>put their Z receiver on the right and their X

0:41:57.719 --> 0:41:59.200
<v Speaker 5>and the left, so you can use X and Z

0:41:59.320 --> 0:42:02.920
<v Speaker 5>words so you know, exceon and zebra stuff like that

0:42:02.960 --> 0:42:03.680
<v Speaker 5>to combine them.

0:42:03.840 --> 0:42:05.319
<v Speaker 1>So you could you can you can do it.

0:42:05.360 --> 0:42:09.960
<v Speaker 5>So the point being, if you've got a robust system,

0:42:10.040 --> 0:42:13.319
<v Speaker 5>that's that's that uses multiple signalers a few different ways

0:42:13.360 --> 0:42:15.040
<v Speaker 5>the signal. You can do some code words or you

0:42:15.040 --> 0:42:19.000
<v Speaker 5>can do signals, and then it's not easy to tell

0:42:19.480 --> 0:42:21.799
<v Speaker 5>at some point it's diminishing returns. She just had to

0:42:21.800 --> 0:42:23.880
<v Speaker 5>try to spend a lot of time on this stuff

0:42:23.920 --> 0:42:25.719
<v Speaker 5>and then really make it actionable. As long as you

0:42:25.800 --> 0:42:29.080
<v Speaker 5>change it somewhat regularly. The challenge is always going to

0:42:29.120 --> 0:42:32.040
<v Speaker 5>be your your in conference, your division opponents, the people

0:42:32.120 --> 0:42:34.359
<v Speaker 5>you play multiple times a year, because those are people

0:42:34.400 --> 0:42:36.640
<v Speaker 5>are going to pick up on it. The last anecdote

0:42:36.640 --> 0:42:39.600
<v Speaker 5>I'll give is a couple of years ago. It was

0:42:39.600 --> 0:42:42.880
<v Speaker 5>a famous sort of tete a tete about this. You know,

0:42:42.880 --> 0:42:44.880
<v Speaker 5>Baker Mayfield of course.

0:42:44.920 --> 0:42:45.640
<v Speaker 1>Had many.

0:42:47.280 --> 0:42:49.600
<v Speaker 5>Many people he wasn't very happy with, especially coming out

0:42:49.600 --> 0:42:51.720
<v Speaker 5>of his recruiting process and his transfer process.

0:42:51.800 --> 0:42:54.680
<v Speaker 1>So I stored a few years ago.

0:42:54.680 --> 0:42:58.279
<v Speaker 5>When the year he sat out at Oklahoma, his quarterback

0:42:58.360 --> 0:43:01.320
<v Speaker 5>coach at Texas Tech when he was freshman with Sonny Comby,

0:43:01.680 --> 0:43:04.840
<v Speaker 5>who went and then after that left and became a

0:43:04.920 --> 0:43:08.280
<v Speaker 5>co offensive coord at TCU, And then of course Baker

0:43:08.400 --> 0:43:12.240
<v Speaker 5>was at Oklahoma and there's a story and Gary Patterson

0:43:12.280 --> 0:43:16.640
<v Speaker 5>after the game said that Baker Mayfield was standing on

0:43:16.680 --> 0:43:18.080
<v Speaker 5>the sideline next to I don't know if it was

0:43:18.200 --> 0:43:21.400
<v Speaker 5>Stoops or some other defensive coach watching Sonny Comby to

0:43:21.800 --> 0:43:24.319
<v Speaker 5>steal their signals and then telling them their signals during

0:43:24.320 --> 0:43:27.719
<v Speaker 5>that whole game. And I think Baker basically was like, yeah,

0:43:28.719 --> 0:43:30.640
<v Speaker 5>you know, like like I knew their signals. They were

0:43:30.719 --> 0:43:32.400
<v Speaker 5>using the same ones with a Texas tech just in

0:43:32.440 --> 0:43:33.799
<v Speaker 5>what I could do. I think they they all made

0:43:33.800 --> 0:43:35.680
<v Speaker 5>the point, didn't make that big of a difference because

0:43:35.680 --> 0:43:38.880
<v Speaker 5>they could only so much they could do. But it

0:43:38.960 --> 0:43:40.560
<v Speaker 5>is something you just had to be intelligent about it.

0:43:41.000 --> 0:43:42.719
<v Speaker 5>You have to have a backup plan. You have to,

0:43:42.880 --> 0:43:44.719
<v Speaker 5>you know, there are I've talked to high school coaches

0:43:44.719 --> 0:43:46.040
<v Speaker 5>where they like I was in the second quarter and

0:43:46.040 --> 0:43:47.600
<v Speaker 5>it was clear the other team knew our signals and

0:43:47.640 --> 0:43:51.000
<v Speaker 5>so we had to do something. And often the other

0:43:51.040 --> 0:43:54.239
<v Speaker 5>thing to remember you can use it to your advantage.

0:43:55.200 --> 0:43:56.359
<v Speaker 1>Saw Peyton Manning.

0:43:56.080 --> 0:43:58.840
<v Speaker 5>Give a talk not that long ago, and actually I

0:43:58.880 --> 0:44:02.799
<v Speaker 5>asked them about this because I remember the play. It

0:44:02.840 --> 0:44:05.760
<v Speaker 5>was like the year he broke like the touchdown record

0:44:05.920 --> 0:44:08.920
<v Speaker 5>and the first game they hit like a like a

0:44:08.920 --> 0:44:10.880
<v Speaker 5>receiver screen. A couple of times, I can't remember the

0:44:10.920 --> 0:44:15.160
<v Speaker 5>code word, but he would often audible the receiver screens

0:44:15.160 --> 0:44:17.360
<v Speaker 5>at the line when he's got a favorable look, and

0:44:17.400 --> 0:44:19.719
<v Speaker 5>then he used a code word. And then in like

0:44:19.760 --> 0:44:22.680
<v Speaker 5>the third or fourth quarter, he used the same word,

0:44:22.840 --> 0:44:25.400
<v Speaker 5>and then they ran the fake pump and go screen.

0:44:25.120 --> 0:44:26.240
<v Speaker 1>And then went for a touchdown.

0:44:26.640 --> 0:44:28.680
<v Speaker 5>And I asked him and he didn't come out to

0:44:28.680 --> 0:44:31.400
<v Speaker 5>say it, but he confirmed that they that was an

0:44:31.400 --> 0:44:34.160
<v Speaker 5>adjustment they made that they thought the other teams, the Ravens,

0:44:34.560 --> 0:44:38.480
<v Speaker 5>were trying to steal the code word, that that was

0:44:38.480 --> 0:44:40.759
<v Speaker 5>the receiver screen. So then they just said, I mean,

0:44:40.800 --> 0:44:43.040
<v Speaker 5>talk about a great fake. Not only do you pump

0:44:43.080 --> 0:44:46.040
<v Speaker 5>and you fake the play, but pre snap you make

0:44:46.080 --> 0:44:48.680
<v Speaker 5>the same whatever he was, you know, you know, like

0:44:48.840 --> 0:44:51.520
<v Speaker 5>rocket screen or something. You say rocket and then everyone's

0:44:51.520 --> 0:44:54.000
<v Speaker 5>from the fake screen. That's really how you fake them out,

0:44:54.080 --> 0:44:57.200
<v Speaker 5>because they actually have they think they're they've caught onto

0:44:57.239 --> 0:44:57.600
<v Speaker 5>your tail.

0:44:57.719 --> 0:45:00.799
<v Speaker 1>So you can use it. You can always break the

0:45:00.800 --> 0:45:01.759
<v Speaker 1>Tennessee and use.

0:45:01.640 --> 0:45:04.480
<v Speaker 5>It offensively to your advantage, even if you think the

0:45:04.480 --> 0:45:05.880
<v Speaker 5>other side stealing your signals.

0:45:06.239 --> 0:45:08.960
<v Speaker 4>Picture boards on the sideline, are they a thing? Are

0:45:08.960 --> 0:45:12.240
<v Speaker 4>they not? A thing. Are they sort of a thing? Uh?

0:45:12.280 --> 0:45:14.600
<v Speaker 5>There, there they are. They are definitely a sort of

0:45:14.640 --> 0:45:18.319
<v Speaker 5>a thing. You know, they're They're actually a surprisingly controversial

0:45:18.400 --> 0:45:22.000
<v Speaker 5>topic in the in the coaching world. In that I've

0:45:22.080 --> 0:45:25.319
<v Speaker 5>I've I'm always surprised, even up Temple people are like, oh,

0:45:25.320 --> 0:45:28.439
<v Speaker 5>those stupid coaching boards or picture boards, Like I hate

0:45:28.440 --> 0:45:31.960
<v Speaker 5>those things. I think the thing to remember about them

0:45:32.040 --> 0:45:35.720
<v Speaker 5>is that unless you have like sixty boards in your sidelines,

0:45:35.760 --> 0:45:39.160
<v Speaker 5>they can only convey so much information because you're gonna

0:45:39.200 --> 0:45:43.040
<v Speaker 5>run a lot of different plays. So there's a lot

0:45:43.040 --> 0:45:44.719
<v Speaker 5>of coaches who will tell you that they'll use them,

0:45:44.719 --> 0:45:46.759
<v Speaker 5>and they literally are just dummies. They just hold them up,

0:45:46.800 --> 0:45:49.400
<v Speaker 5>and then it just it just is a distraction from

0:45:49.640 --> 0:45:52.759
<v Speaker 5>someone actually stealing their real signals, and then there's a

0:45:52.800 --> 0:45:53.239
<v Speaker 5>merit to that.

0:45:53.600 --> 0:45:54.680
<v Speaker 1>I think most.

0:45:54.440 --> 0:45:57.400
<v Speaker 5>Teams that use them use them for some limited purpose,

0:45:58.200 --> 0:45:59.759
<v Speaker 5>and then it's also a way for everyone to have

0:45:59.800 --> 0:46:04.480
<v Speaker 5>fun with it. I think, uh, the most common.

0:46:05.960 --> 0:46:08.800
<v Speaker 1>Way to use them, and there's a couple of sect

0:46:08.920 --> 0:46:10.479
<v Speaker 1>at schools and I know, we'll do it this way.

0:46:10.960 --> 0:46:13.479
<v Speaker 5>They have a couple of different signalers and then which

0:46:13.520 --> 0:46:15.480
<v Speaker 5>boards or which side of the boards you hold up

0:46:15.520 --> 0:46:17.160
<v Speaker 5>basically tells the players which.

0:46:16.960 --> 0:46:18.759
<v Speaker 1>Signaler to look at, which one's.

0:46:18.520 --> 0:46:21.279
<v Speaker 5>Live, and then that's the way to just create some

0:46:21.320 --> 0:46:26.879
<v Speaker 5>confusion around uh, you know, the so the signals can't

0:46:26.880 --> 0:46:29.160
<v Speaker 5>get stolen, and that's something you can change quarter by

0:46:29.239 --> 0:46:32.960
<v Speaker 5>quarter or you know, you know each half of which

0:46:33.000 --> 0:46:34.640
<v Speaker 5>which side of what board is right, and it can

0:46:34.680 --> 0:46:36.920
<v Speaker 5>take a while for the defense to and the coaches

0:46:36.960 --> 0:46:38.840
<v Speaker 5>to figure that out. And then there's other things you

0:46:38.880 --> 0:46:41.200
<v Speaker 5>could use that As I talked about the directional the

0:46:41.280 --> 0:46:44.279
<v Speaker 5>right left, it can solve that problem if you hold

0:46:44.360 --> 0:46:46.160
<v Speaker 5>up you know, whatever side of that that can mean

0:46:46.280 --> 0:46:49.680
<v Speaker 5>right and the other side can mean left. So and

0:46:49.719 --> 0:46:51.759
<v Speaker 5>then and then you can get even more complex with

0:46:52.280 --> 0:46:53.960
<v Speaker 5>if you hold it up and then a certain similar

0:46:54.000 --> 0:46:56.160
<v Speaker 5>is doing this, that means you're running this type of play,

0:46:56.239 --> 0:46:59.239
<v Speaker 5>and then other ones you're getting code words. So you

0:46:59.239 --> 0:47:02.439
<v Speaker 5>know some of the I use Malas on example, because

0:47:02.440 --> 0:47:04.680
<v Speaker 5>I don't really worry about anyone stealing his stuff because

0:47:04.840 --> 0:47:10.160
<v Speaker 5>he has probably the most complex system that I understand

0:47:10.400 --> 0:47:12.239
<v Speaker 5>parts of it, but I certainly don't understand all of it,

0:47:12.280 --> 0:47:14.560
<v Speaker 5>and I'm sure he changes it a lot, where it

0:47:14.640 --> 0:47:17.359
<v Speaker 5>involves the boards and involves signalers and involves code words

0:47:17.400 --> 0:47:21.800
<v Speaker 5>and involves communication, and then different things will mean different different.

0:47:23.160 --> 0:47:23.920
<v Speaker 1>Different things will be.

0:47:23.840 --> 0:47:27.400
<v Speaker 5>Different things depending on what kind of play call he

0:47:27.480 --> 0:47:29.480
<v Speaker 5>uses a lot about series like this will be live

0:47:29.520 --> 0:47:30.600
<v Speaker 5>on pass plays, it's.

0:47:30.440 --> 0:47:32.799
<v Speaker 1>On run plays, I's on specials, that kind of thing.

0:47:32.920 --> 0:47:36.200
<v Speaker 5>So, but the picture boards in his system typically will

0:47:36.239 --> 0:47:38.160
<v Speaker 5>tell you which signal to look at, or it can

0:47:38.200 --> 0:47:39.400
<v Speaker 5>be a directional term.

0:47:39.920 --> 0:47:42.680
<v Speaker 4>We've talked to a couple coaches and players who all

0:47:42.719 --> 0:47:46.279
<v Speaker 4>actually sort of said the same thing about coaches consulting

0:47:46.320 --> 0:47:51.399
<v Speaker 4>players when it comes to favorite plays installation and saying, oh,

0:47:51.480 --> 0:47:54.160
<v Speaker 4>I'm third and seven plus what types of plays do

0:47:54.160 --> 0:47:56.560
<v Speaker 4>you like between the twenties or something like that, and

0:47:56.600 --> 0:47:59.080
<v Speaker 4>across the board, everybody says they, you know, coaches will

0:47:59.120 --> 0:48:01.680
<v Speaker 4>consult players because they want them to run what they're

0:48:01.719 --> 0:48:05.160
<v Speaker 4>most comfortable with. Does that sort of carry over to

0:48:05.560 --> 0:48:10.320
<v Speaker 4>communication methods Coaches sort of taking into account how players

0:48:10.520 --> 0:48:15.640
<v Speaker 4>are best used as communicators that like, sometimes they'll experiment with,

0:48:16.080 --> 0:48:19.280
<v Speaker 4>you know, maybe this quarterback is better with like longer verbage,

0:48:19.320 --> 0:48:21.920
<v Speaker 4>Maybe this quarterback is better with shorter verbage and conveying

0:48:21.920 --> 0:48:24.719
<v Speaker 4>and communicating. Ultimately, these quarterbacks have to be able to

0:48:24.800 --> 0:48:29.400
<v Speaker 4>either quickly or coherently tell everybody or tell some people

0:48:29.400 --> 0:48:34.120
<v Speaker 4>to play. Do communication methods vary based on player or

0:48:34.160 --> 0:48:36.719
<v Speaker 4>quarterback preferences, I'm not.

0:48:36.680 --> 0:48:37.879
<v Speaker 1>Sure if methods do.

0:48:38.000 --> 0:48:40.600
<v Speaker 5>I think that ends up being like a team function,

0:48:41.040 --> 0:48:42.960
<v Speaker 5>and so that a lot a lot goes into it.

0:48:43.000 --> 0:48:44.960
<v Speaker 1>There's obviously other players, there's what.

0:48:44.960 --> 0:48:47.880
<v Speaker 5>Kind of tempo they want to do, what just seems

0:48:47.880 --> 0:48:49.920
<v Speaker 5>most efficient, And I think it's also hard to do

0:48:50.040 --> 0:48:52.000
<v Speaker 5>that sort of in season.

0:48:52.000 --> 0:48:54.759
<v Speaker 1>Those are typically you know, season to season.

0:48:54.600 --> 0:48:57.600
<v Speaker 5>Judgments, and it's often a reaction to, you know, can

0:48:57.640 --> 0:48:59.960
<v Speaker 5>we get faster? Can we get slower? Do we need

0:49:00.040 --> 0:49:03.600
<v Speaker 5>to add more offense to to have a wider variety

0:49:03.600 --> 0:49:05.480
<v Speaker 5>of things like maybe we were really fast, but we

0:49:05.520 --> 0:49:08.919
<v Speaker 5>just couldn't We weren't very flexible. But I do think

0:49:09.160 --> 0:49:11.480
<v Speaker 5>in terms of what the signals are and what the

0:49:11.520 --> 0:49:15.080
<v Speaker 5>code words are, almost every code you talk to will

0:49:15.120 --> 0:49:18.760
<v Speaker 5>tell you. The more you can make the players involved

0:49:18.760 --> 0:49:21.120
<v Speaker 5>in that, the better, because for no other reason, they

0:49:21.160 --> 0:49:24.520
<v Speaker 5>will remember whatever it is. More if if if you

0:49:24.640 --> 0:49:26.399
<v Speaker 5>or I come out there and be like, we're gonna

0:49:26.440 --> 0:49:28.480
<v Speaker 5>run power, We're on an inside zone, we're gonna run

0:49:28.480 --> 0:49:29.919
<v Speaker 5>this pass play, and here are the signals and here's

0:49:29.960 --> 0:49:32.880
<v Speaker 5>the code words. You know that people might retain some

0:49:32.960 --> 0:49:34.480
<v Speaker 5>of that, but it's gonna take more time. But if

0:49:34.480 --> 0:49:37.360
<v Speaker 5>you say you make them take ownership of what the

0:49:37.400 --> 0:49:39.640
<v Speaker 5>signal are, the signals are, they're gonna remember it because

0:49:39.640 --> 0:49:41.040
<v Speaker 5>they came up with it on their own and they'll

0:49:41.040 --> 0:49:42.839
<v Speaker 5>talk about it. You also get the better of them

0:49:42.840 --> 0:49:44.480
<v Speaker 5>talking about it when they're not at practice and in

0:49:44.560 --> 0:49:48.040
<v Speaker 5>the meeting you're actually talking football, so you get a

0:49:48.080 --> 0:49:50.880
<v Speaker 5>lot of benefits of that. I think a lot of

0:49:50.920 --> 0:49:52.239
<v Speaker 5>that stuff gets worked out in the.

0:49:52.200 --> 0:49:56.920
<v Speaker 1>Spring or the summer even And again, the more organic

0:49:56.960 --> 0:49:57.800
<v Speaker 1>you can make it.

0:49:57.680 --> 0:50:01.080
<v Speaker 5>And the more the more ownership the players have, the better.

0:50:01.200 --> 0:50:02.440
<v Speaker 1>And then and that's where.

0:50:05.040 --> 0:50:07.239
<v Speaker 5>Language is dynamic, right, I mean, this is where you

0:50:07.239 --> 0:50:08.719
<v Speaker 5>know our language, English language, you.

0:50:08.719 --> 0:50:09.520
<v Speaker 1>Know all this stuff.

0:50:09.520 --> 0:50:13.640
<v Speaker 5>It's they evolve their dynamic, all that David Foster Wallace

0:50:13.680 --> 0:50:18.239
<v Speaker 5>stuff and linguistics. So it often takes the life of

0:50:18.239 --> 0:50:19.920
<v Speaker 5>its own. I mean you have again, I use like

0:50:19.960 --> 0:50:22.120
<v Speaker 5>mamin Vin has got a very formal, rigid here's this

0:50:22.200 --> 0:50:24.400
<v Speaker 5>and that. But the one reason those air raid guys

0:50:24.520 --> 0:50:26.240
<v Speaker 5>do a pretty good job of it and it actually

0:50:26.239 --> 0:50:28.960
<v Speaker 5>survives even though it's pretty simple, is it's it ends

0:50:29.040 --> 0:50:31.960
<v Speaker 5>up being more like how people communicate and that they

0:50:32.080 --> 0:50:33.480
<v Speaker 5>kind of figure it out and then they're able to

0:50:33.520 --> 0:50:36.160
<v Speaker 5>do really subtle moves that even though you think you

0:50:36.200 --> 0:50:38.319
<v Speaker 5>could pick up on it, it's you know, you just

0:50:38.400 --> 0:50:40.480
<v Speaker 5>miss it, and so it becomes a little more of

0:50:40.680 --> 0:50:43.440
<v Speaker 5>organic and it's, uh, you know it really is.

0:50:43.520 --> 0:50:44.560
<v Speaker 1>It's just learning another language.

0:50:44.600 --> 0:50:46.400
<v Speaker 5>I think Seth La Trail was on there on your

0:50:46.400 --> 0:50:48.200
<v Speaker 5>show talking about that it's just like learning a language.

0:50:48.239 --> 0:50:51.200
<v Speaker 5>I mean, it's it's learning another language, learning sign language.

0:50:51.320 --> 0:50:53.040
<v Speaker 1>I mean, that's all. It is, fair enough.

0:50:53.080 --> 0:50:55.239
<v Speaker 4>And I'm sure you saw the I think it was

0:50:55.239 --> 0:50:58.239
<v Speaker 4>called the Two Bills, Bill Parcels and Bill Belichick, And

0:50:58.400 --> 0:51:01.839
<v Speaker 4>one of those sort of antidotes was anecdotes was Bill

0:51:01.840 --> 0:51:05.919
<v Speaker 4>Parcell's killing Bill Belichick calls. You know, the call would

0:51:05.960 --> 0:51:08.319
<v Speaker 4>come in and as you know, traditionally, you know, a

0:51:08.360 --> 0:51:11.279
<v Speaker 4>head coach would hear the call and either not say

0:51:11.320 --> 0:51:13.799
<v Speaker 4>anything or tweak it or whatever, or say you know,

0:51:14.160 --> 0:51:15.960
<v Speaker 4>no that we're not doing that whatever, we're doing this.

0:51:16.719 --> 0:51:20.000
<v Speaker 4>When now we are in an up tempo age where

0:51:20.400 --> 0:51:24.000
<v Speaker 4>a head coach killing a caller, adjusting a call takes seconds,

0:51:24.040 --> 0:51:27.200
<v Speaker 4>takes time going back and forth with a coordinator. Is

0:51:27.239 --> 0:51:32.319
<v Speaker 4>that dynamic still around where coaches will go and back

0:51:32.360 --> 0:51:34.960
<v Speaker 4>and forth with the coordinator to get the call that

0:51:35.000 --> 0:51:39.440
<v Speaker 4>they want, or are coordinators now more empowered to just

0:51:39.480 --> 0:51:42.040
<v Speaker 4>sort of go go without having torry about a play

0:51:42.080 --> 0:51:42.920
<v Speaker 4>call getting killed.

0:51:44.480 --> 0:51:46.960
<v Speaker 5>I think I think there's not enough time if you're

0:51:47.000 --> 0:51:48.840
<v Speaker 5>if you are a go go, up tembo team to

0:51:48.880 --> 0:51:50.040
<v Speaker 5>do it between plays.

0:51:50.320 --> 0:51:51.520
<v Speaker 1>You know, at most it's.

0:51:51.400 --> 0:51:55.000
<v Speaker 5>Like one word like no, yes, run, you know, and

0:51:55.040 --> 0:51:57.880
<v Speaker 5>then maybe cand blurt out something. I think what it

0:51:57.920 --> 0:52:00.880
<v Speaker 5>does is it one one reason why you see a

0:52:00.920 --> 0:52:03.400
<v Speaker 5>lot of these up tempo play callers or head coaches

0:52:04.160 --> 0:52:07.920
<v Speaker 5>because because they're they're they're they're they're not delegating that stuff.

0:52:07.960 --> 0:52:11.440
<v Speaker 5>They're doing it themselves. And so the second is that

0:52:11.440 --> 0:52:15.520
<v Speaker 5>there's a lot of in between serious communications. So there's

0:52:15.560 --> 0:52:18.000
<v Speaker 5>a lot of between serious saying that work, that didn't

0:52:18.000 --> 0:52:20.440
<v Speaker 5>work this next series? What are your top you know,

0:52:20.520 --> 0:52:22.239
<v Speaker 5>you get a couple of guys, especially the guy in

0:52:22.280 --> 0:52:24.240
<v Speaker 5>the box. There's a lot of these play callers signalers

0:52:24.280 --> 0:52:28.759
<v Speaker 5>on the sidelines, So there's that that kind of communication

0:52:29.000 --> 0:52:31.600
<v Speaker 5>is you know, what are the top three things that

0:52:31.680 --> 0:52:33.520
<v Speaker 5>you that you see, what are they doing to this?

0:52:33.680 --> 0:52:35.520
<v Speaker 5>And then what can we call? And then you kind

0:52:35.520 --> 0:52:36.840
<v Speaker 5>of work out a plan and then you try to

0:52:36.840 --> 0:52:39.120
<v Speaker 5>get the drive started and then that then that's also

0:52:39.160 --> 0:52:43.000
<v Speaker 5>where you've got to have a an organized play call

0:52:43.080 --> 0:52:45.399
<v Speaker 5>sheet because the sort of going back to the old

0:52:45.400 --> 0:52:47.440
<v Speaker 5>Bill Walsh stuff, the goal, the goal is to get

0:52:47.440 --> 0:52:49.040
<v Speaker 5>to the point where all this stuff has been thought

0:52:49.080 --> 0:52:51.920
<v Speaker 5>through during the week, and so you should be able

0:52:51.960 --> 0:52:53.799
<v Speaker 5>to You've coached them on enough, you've seen, they've seen

0:52:53.840 --> 0:52:54.320
<v Speaker 5>the situation.

0:52:54.440 --> 0:52:56.000
<v Speaker 1>You got flexible enough calls.

0:52:55.719 --> 0:52:57.799
<v Speaker 5>With r p O s and whatever it is that

0:52:57.880 --> 0:53:00.759
<v Speaker 5>you can on many situations just look or most you

0:53:00.880 --> 0:53:02.880
<v Speaker 5>just look down at your sheet and call the next

0:53:02.880 --> 0:53:05.120
<v Speaker 5>play on the sheet for that situation. And that should

0:53:05.120 --> 0:53:07.360
<v Speaker 5>be as simple as it is, and if you're not

0:53:07.400 --> 0:53:09.400
<v Speaker 5>having a terrible day, that should be how it works.

0:53:10.120 --> 0:53:12.240
<v Speaker 5>Not to say it works all the way in practice.

0:53:12.280 --> 0:53:13.959
<v Speaker 5>They come up with a different defense. You can't block

0:53:14.000 --> 0:53:16.880
<v Speaker 5>a guy, you know, you have an injury. There's different

0:53:16.880 --> 0:53:20.799
<v Speaker 5>things that tourtally can supersede that. But that that puts

0:53:20.800 --> 0:53:23.640
<v Speaker 5>a lot of pressure actually on your call sheet because

0:53:24.239 --> 0:53:26.960
<v Speaker 5>the best, to me, the best nohel play callers are

0:53:27.000 --> 0:53:28.799
<v Speaker 5>people who aren't really doing a lot of Like I

0:53:28.880 --> 0:53:30.920
<v Speaker 5>just came up with this brilliant call in the moment,

0:53:31.239 --> 0:53:33.120
<v Speaker 5>they're just looking at the call sheet and calling the

0:53:33.120 --> 0:53:33.680
<v Speaker 5>next call.

0:53:34.560 --> 0:53:36.520
<v Speaker 4>So that means, yeah, that was my sort of follow

0:53:36.560 --> 0:53:38.160
<v Speaker 4>up is just sort of tiny. And an extension of

0:53:38.160 --> 0:53:41.760
<v Speaker 4>that is situationally how much is on that call sheet?

0:53:41.800 --> 0:53:44.520
<v Speaker 4>How much is sort of situationally determined ahead of time?

0:53:44.600 --> 0:53:47.560
<v Speaker 4>You know, is it you know every third and third

0:53:47.640 --> 0:53:51.920
<v Speaker 4>down situation distance and place of field? You know, is

0:53:52.000 --> 0:53:56.280
<v Speaker 4>every you know, thirty second offense, two minute offense, goal line,

0:53:56.400 --> 0:54:00.600
<v Speaker 4>red zone? Like how intricate is it situationally pre determined?

0:54:01.600 --> 0:54:03.520
<v Speaker 5>Totally depends on the play caller. I mean we use

0:54:03.680 --> 0:54:05.520
<v Speaker 5>Mike Leads to an example. I mean he's got like

0:54:05.600 --> 0:54:08.920
<v Speaker 5>five categories. It's called she's got openers. There's like twenty plays.

0:54:08.920 --> 0:54:13.719
<v Speaker 5>He's got third and long, third and short coming out,

0:54:13.920 --> 0:54:17.520
<v Speaker 5>going in and specials and screens and then and that's

0:54:17.560 --> 0:54:20.200
<v Speaker 5>like it like right, so, and then you've got the

0:54:20.320 --> 0:54:24.279
<v Speaker 5>NFL type guys where they have you know, very broken out.

0:54:24.320 --> 0:54:26.160
<v Speaker 5>One thing you see a lot of no huddle guys

0:54:26.280 --> 0:54:28.400
<v Speaker 5>is that they like to they'll do it by hash

0:54:28.400 --> 0:54:30.600
<v Speaker 5>mark on the left, hash right, hash midle of the field,

0:54:30.600 --> 0:54:33.000
<v Speaker 5>which I think is a clever thing because you end

0:54:33.080 --> 0:54:34.759
<v Speaker 5>up using the leverage of the field a little better.

0:54:35.760 --> 0:54:37.799
<v Speaker 5>And then and then you also can break it out

0:54:37.840 --> 0:54:39.759
<v Speaker 5>into what part of the field you are and you

0:54:39.880 --> 0:54:41.480
<v Speaker 5>backed up, Are you in the middle or you in

0:54:41.560 --> 0:54:44.359
<v Speaker 5>sort of the outer red zone, the green zone, all

0:54:44.360 --> 0:54:49.000
<v Speaker 5>those different things and so and it's just broken down.

0:54:49.040 --> 0:54:49.200
<v Speaker 1>I mean.

0:54:49.200 --> 0:54:51.080
<v Speaker 5>The other thing you got to you remember is that

0:54:52.040 --> 0:54:54.799
<v Speaker 5>you do it proportionally based on how many of those

0:54:54.840 --> 0:54:56.600
<v Speaker 5>situations you have.

0:54:56.680 --> 0:54:57.240
<v Speaker 1>In a game.

0:54:57.400 --> 0:55:01.560
<v Speaker 5>So most teams go into the under the game, you know,

0:55:01.680 --> 0:55:03.040
<v Speaker 5>with for two point.

0:55:02.760 --> 0:55:05.239
<v Speaker 1>Plays, it's it's.

0:55:04.480 --> 0:55:06.879
<v Speaker 5>One, maybe two, and then often they don't call them

0:55:07.320 --> 0:55:09.239
<v Speaker 5>and they go four weeks and they have the same

0:55:09.320 --> 0:55:13.279
<v Speaker 5>one on that situation for two point plays. The good

0:55:13.320 --> 0:55:17.000
<v Speaker 5>teams only have so many third and long calls because

0:55:17.000 --> 0:55:19.920
<v Speaker 5>there's so many third and lungs you actually really encounter

0:55:20.000 --> 0:55:22.799
<v Speaker 5>in a game. You have a lot of first and

0:55:22.840 --> 0:55:26.680
<v Speaker 5>second down calls, you know, third and short, second and short,

0:55:26.680 --> 0:55:27.239
<v Speaker 5>the sort of things.

0:55:27.239 --> 0:55:30.279
<v Speaker 1>You just have a couple. So it actually works out

0:55:30.400 --> 0:55:32.239
<v Speaker 1>if you do it. You know, you organize it. You

0:55:32.239 --> 0:55:35.719
<v Speaker 1>don't have like ten ten, ten, ten ten for every situation.

0:55:36.760 --> 0:55:39.920
<v Speaker 5>It's proportional, so you know your total is not overwhelming.

0:55:40.640 --> 0:55:42.120
<v Speaker 5>And then it's just the feel of the play caller.

0:55:42.160 --> 0:55:45.400
<v Speaker 5>You know, do they feel like they need more more categories?

0:55:45.440 --> 0:55:46.040
<v Speaker 1>Is that helpful?

0:55:46.680 --> 0:55:49.279
<v Speaker 5>It's also something Kyle Shanahan's you know, call sheet has

0:55:49.360 --> 0:55:52.080
<v Speaker 5>like very intricate. He's got like every situation broken out

0:55:52.080 --> 0:55:55.920
<v Speaker 5>and different things, and that allows him to go to

0:55:56.000 --> 0:55:59.239
<v Speaker 5>the situation more quickly because he's got some complicated calls

0:55:59.239 --> 0:56:00.719
<v Speaker 5>he's trying to get to. Or is again he used

0:56:00.719 --> 0:56:02.760
<v Speaker 5>like a Mike Leach, It's like, just call the next.

0:56:02.520 --> 0:56:03.680
<v Speaker 1>Thing, Chris.

0:56:03.719 --> 0:56:05.640
<v Speaker 3>We're going to get you out here with two quick ones.

0:56:05.840 --> 0:56:08.040
<v Speaker 3>My first, and it's sort of a question we've been

0:56:08.080 --> 0:56:10.239
<v Speaker 3>asking all of our guests here during scheme theme, but

0:56:10.840 --> 0:56:14.279
<v Speaker 3>we talk a lot about emerging trends, about evolutions of

0:56:14.880 --> 0:56:17.200
<v Speaker 3>be it a scheme or some other element of the game.

0:56:18.160 --> 0:56:22.160
<v Speaker 3>Is there any innovation afoot as it relates to communication.

0:56:22.280 --> 0:56:26.000
<v Speaker 3>We talked earlier about technology and the impact perhaps that

0:56:26.080 --> 0:56:28.480
<v Speaker 3>it is having on the way that plays are called.

0:56:29.120 --> 0:56:32.640
<v Speaker 3>Is there anything else that you find particularly interesting about

0:56:33.280 --> 0:56:37.120
<v Speaker 3>the means that teams are using to communicate their plays.

0:56:37.680 --> 0:56:39.680
<v Speaker 5>Yeah, I guess a couple of things, but I think

0:56:39.719 --> 0:56:43.759
<v Speaker 5>the biggest drivers is technology and rule. So it's just

0:56:43.840 --> 0:56:46.000
<v Speaker 5>a different world in the NFL where you've got the.

0:56:46.800 --> 0:56:49.560
<v Speaker 1>Helmet radio, so you can communicate.

0:56:49.600 --> 0:56:51.440
<v Speaker 5>And I think one of the interesting trends you saw,

0:56:52.360 --> 0:56:54.239
<v Speaker 5>actually Chip Kelly was doing this a lot with the

0:56:54.280 --> 0:56:57.040
<v Speaker 5>tempo stuff, but the guy who probably did a better

0:56:57.520 --> 0:56:59.439
<v Speaker 5>Sean McVay there with the rams, is that.

0:56:59.400 --> 0:57:00.839
<v Speaker 1>In the NFL, almost to pick this up.

0:57:01.440 --> 0:57:04.120
<v Speaker 5>They get the play call early and then but trying

0:57:04.120 --> 0:57:06.439
<v Speaker 5>to get lined up quickly so the radio is still

0:57:06.480 --> 0:57:09.400
<v Speaker 5>running and so they can basically have an ongoing dialogue

0:57:09.960 --> 0:57:12.680
<v Speaker 5>quarterback about what they see and then even audible and

0:57:12.800 --> 0:57:15.759
<v Speaker 5>things with you still keep coaching them all the way

0:57:15.800 --> 0:57:17.760
<v Speaker 5>up to that moment by getting lined up more quickly,

0:57:17.880 --> 0:57:19.919
<v Speaker 5>which a big advantage over getting lined up with four

0:57:19.920 --> 0:57:21.560
<v Speaker 5>seconds left and you just have to call to play.

0:57:23.360 --> 0:57:25.920
<v Speaker 1>I think you know you can't do that in college obviously.

0:57:26.080 --> 0:57:29.440
<v Speaker 5>I think one thing you're seeing is that I think

0:57:29.480 --> 0:57:32.280
<v Speaker 5>more teams are moving to almost a pure signaling system

0:57:32.320 --> 0:57:35.600
<v Speaker 5>because I think the fear is that the code words

0:57:35.680 --> 0:57:39.640
<v Speaker 5>are a little bit easier to crack. And then obviously

0:57:39.680 --> 0:57:41.600
<v Speaker 5>you can then run up in a very loud stadium

0:57:41.640 --> 0:57:43.640
<v Speaker 5>and it's hard to communicate and things like that, and

0:57:43.680 --> 0:57:46.720
<v Speaker 5>then obviously signaling to the line and everyone is it

0:57:46.760 --> 0:57:49.600
<v Speaker 5>can be you know a little more efficient. The downside

0:57:49.640 --> 0:57:52.720
<v Speaker 5>of that that I think you wouldn't think about is

0:57:52.920 --> 0:57:55.120
<v Speaker 5>it depends on who your signaling is the offensive line

0:57:55.240 --> 0:57:58.160
<v Speaker 5>is because you have to practice all this stuff, and

0:57:58.200 --> 0:57:59.920
<v Speaker 5>you have to if you're doing it right, you should

0:57:59.920 --> 0:58:02.400
<v Speaker 5>be calling plays in practice the same way you win

0:58:02.440 --> 0:58:05.440
<v Speaker 5>in the games. And if your offensive line coach or

0:58:05.440 --> 0:58:09.120
<v Speaker 5>assistant offensive line coaches signaling the offensive line, they can't

0:58:09.160 --> 0:58:12.040
<v Speaker 5>stand in practice where they would normally stand, which is

0:58:12.040 --> 0:58:14.800
<v Speaker 5>behind the offensive line. So that's one reason why you

0:58:14.800 --> 0:58:17.040
<v Speaker 5>actually have a lot offensive line coaches will resist that,

0:58:17.080 --> 0:58:20.400
<v Speaker 5>and they like the quarterback giving the code word.

0:58:20.480 --> 0:58:22.520
<v Speaker 1>But I do think teams are increasingly.

0:58:22.120 --> 0:58:25.360
<v Speaker 5>Going to signals because I think the thought is that

0:58:25.360 --> 0:58:28.960
<v Speaker 5>the signals are a little harder to crack. But I

0:58:29.000 --> 0:58:32.200
<v Speaker 5>think the only other thing is is that tension of

0:58:33.720 --> 0:58:36.880
<v Speaker 5>how fast can we go versus how much flexibility and

0:58:36.920 --> 0:58:43.960
<v Speaker 5>how much complexity can we add in Because the days

0:58:43.960 --> 0:58:47.760
<v Speaker 5>of just running fifteen plays out of four formations really

0:58:47.800 --> 0:58:51.280
<v Speaker 5>fast and having the defense off kilters is quickly going.

0:58:51.320 --> 0:58:53.960
<v Speaker 5>By the wayside, defenses are too good.

0:58:54.040 --> 0:58:56.000
<v Speaker 1>They're able to react, they.

0:58:55.680 --> 0:58:58.840
<v Speaker 5>Can call complex stuff on defense and sort of shut

0:58:58.840 --> 0:58:59.200
<v Speaker 5>you down.

0:58:59.640 --> 0:59:01.400
<v Speaker 1>So how can we efficiently do that.

0:59:01.400 --> 0:59:04.880
<v Speaker 5>That's why I mentioned you know, Scott Frost, because I

0:59:04.920 --> 0:59:07.600
<v Speaker 5>think he's been He's taken the chip Kelly system and

0:59:07.640 --> 0:59:10.440
<v Speaker 5>has added a wider variety of run schemes, more formations,

0:59:10.520 --> 0:59:15.080
<v Speaker 5>more of things like that I used, you know, not

0:59:15.080 --> 0:59:17.280
<v Speaker 5>that they were Juggernaut this year, but Jeff Brohm there

0:59:17.280 --> 0:59:20.160
<v Speaker 5>at Purdue, but especially when he's at Western Kentucky, he

0:59:20.200 --> 0:59:22.800
<v Speaker 5>took kind of the pro style system they learned in

0:59:22.800 --> 0:59:25.280
<v Speaker 5>the NFL and from Petrino, and he took the whole system,

0:59:25.280 --> 0:59:27.480
<v Speaker 5>but he made it one hundred percent. You can run

0:59:27.480 --> 0:59:29.360
<v Speaker 5>the whole offense of no huddle, which I think has

0:59:29.400 --> 0:59:32.360
<v Speaker 5>interesting implications if you could run a true profile system

0:59:32.680 --> 0:59:36.840
<v Speaker 5>but where everything is signals is in aesthentsics. I should

0:59:36.880 --> 0:59:39.640
<v Speaker 5>say exciting because it gives you a lot more flexibility

0:59:39.640 --> 0:59:42.280
<v Speaker 5>to do a wider variety of things. It could still audible,

0:59:42.760 --> 0:59:44.880
<v Speaker 5>you know the things that that you know, when an

0:59:44.960 --> 0:59:47.040
<v Speaker 5>uptemple offense is rolling, it looks great. But then when

0:59:47.040 --> 0:59:49.960
<v Speaker 5>it gets shut down again us chip Kelly example, you

0:59:49.960 --> 0:59:50.600
<v Speaker 5>can't audible.

0:59:50.680 --> 0:59:53.720
<v Speaker 1>You can't you know, adjust to the defense. You can

0:59:53.720 --> 0:59:56.960
<v Speaker 1>get you can get bogged down. So I think that's

0:59:57.000 --> 0:59:58.600
<v Speaker 1>really where it is is that can you come up

0:59:58.600 --> 0:59:59.720
<v Speaker 1>with simple, easy.

0:59:59.480 --> 1:00:02.480
<v Speaker 5>To learn things that actually give you enough flexibility so

1:00:02.480 --> 1:00:04.720
<v Speaker 5>that when Alabama and Nick Saban show up with a

1:00:04.840 --> 1:00:08.440
<v Speaker 5>thousand defenses, that you're not just stuck running like fourteen plays,

1:00:08.680 --> 1:00:10.280
<v Speaker 5>because all of a sudden you go from looking like

1:00:10.320 --> 1:00:12.440
<v Speaker 5>you're the greatest offense in the world to like you

1:00:12.480 --> 1:00:13.800
<v Speaker 5>no longer have the answers.

1:00:14.200 --> 1:00:15.760
<v Speaker 3>All right, Chris, We're going to get you out of

1:00:15.800 --> 1:00:20.080
<v Speaker 3>here with perhaps the hardest question yet. What is the

1:00:20.160 --> 1:00:24.400
<v Speaker 3>longest play that you can both remember and recite on

1:00:24.440 --> 1:00:25.360
<v Speaker 3>the podcast today?

1:00:25.680 --> 1:00:29.240
<v Speaker 1>Oh? Man, I can't. I'm not doing this. I'm sorry, Like,

1:00:29.320 --> 1:00:31.040
<v Speaker 1>I mean, I can like look them up and all that.

1:00:31.160 --> 1:00:32.760
<v Speaker 5>I mean, it's just sort of a I try to

1:00:32.760 --> 1:00:34.000
<v Speaker 5>block that stuff from my mind.

1:00:34.040 --> 1:00:34.720
<v Speaker 1>I mean, I'm not.

1:00:34.760 --> 1:00:38.000
<v Speaker 5>Trying to do the the Kyle Shanahan John Cruden thing,

1:00:38.080 --> 1:00:42.040
<v Speaker 5>you know, like I write forty two blasts seven z jet.

1:00:42.080 --> 1:00:43.840
<v Speaker 5>I feel like when people do that, they often throw

1:00:43.880 --> 1:00:45.640
<v Speaker 5>in a couple of those as you brought up tize

1:00:46.440 --> 1:00:48.000
<v Speaker 5>like to kill well.

1:00:48.000 --> 1:00:49.880
<v Speaker 1>They like the extra play, so they like it makes

1:00:49.880 --> 1:00:51.080
<v Speaker 1>it sound like really long.

1:00:50.920 --> 1:00:53.280
<v Speaker 5>But really they've called like four plays and then now

1:00:53.280 --> 1:00:55.240
<v Speaker 5>we have like seven unnecessary shifts.

1:00:55.280 --> 1:00:57.840
<v Speaker 1>So if you really want, I can try to dig

1:00:57.880 --> 1:00:58.920
<v Speaker 1>something out. I mean I can.

1:00:58.960 --> 1:01:01.400
<v Speaker 5>We can make it as long as we want. But

1:01:01.720 --> 1:01:04.240
<v Speaker 5>I mean, and I think that's the But that's the

1:01:04.240 --> 1:01:06.960
<v Speaker 5>interesting tension, right is it's you know, do we literally

1:01:07.040 --> 1:01:10.400
<v Speaker 5>need a play where we tell a formation where we

1:01:10.440 --> 1:01:12.680
<v Speaker 5>have five ways to tell everyone where to line up?

1:01:13.240 --> 1:01:14.120
<v Speaker 1>There's just eleven.

1:01:13.840 --> 1:01:15.480
<v Speaker 5>Guys, and then do we need to tell all eleven

1:01:15.520 --> 1:01:17.760
<v Speaker 5>players individually what to do? Or can we try to

1:01:17.960 --> 1:01:20.480
<v Speaker 5>break down in a way that's coherent? But then we're

1:01:20.480 --> 1:01:23.280
<v Speaker 5>not stuck calling forty two blasts over and over again.

1:01:23.440 --> 1:01:27.360
<v Speaker 5>So if someone else has a better answer than me,

1:01:27.440 --> 1:01:28.680
<v Speaker 5>that's that's that's that's fine.

1:01:28.680 --> 1:01:30.160
<v Speaker 1>I'm happy to get with that. Mantle.

1:01:30.520 --> 1:01:31.880
<v Speaker 2>Let's go with forty two blasts.

1:01:32.200 --> 1:01:33.120
<v Speaker 1>Yeah, I'll stick with that.

1:01:33.640 --> 1:01:36.760
<v Speaker 2>Well, I'm fine with that. His name is Chris B. Brown.

1:01:36.840 --> 1:01:39.200
<v Speaker 3>You can find him and all of his fine work

1:01:39.560 --> 1:01:44.240
<v Speaker 3>out on smartfootball dot com. Chris, this was incredible, Dan,

1:01:44.360 --> 1:01:46.400
<v Speaker 3>Is that the right way to characterize illuminating?

1:01:46.520 --> 1:01:48.880
<v Speaker 2>Illuminating? This was tremendous. Thank you so much for all

1:01:48.880 --> 1:01:49.520
<v Speaker 2>your time.

1:01:50.160 --> 1:01:51.160
<v Speaker 1>Trust me, my pleasure.

1:01:51.320 --> 1:01:54.120
<v Speaker 5>And also when you guys get critiques and corrections, silver

1:01:54.280 --> 1:01:55.040
<v Speaker 5>to pass in my way.

1:01:55.360 --> 1:01:57.960
<v Speaker 4>We will, we will get we will add all addendums

1:01:58.000 --> 1:01:59.360
<v Speaker 4>to your inbox.

1:02:00.000 --> 1:02:03.360
<v Speaker 3>All right, Dan, Again, that is Chris B. Brown from

1:02:03.480 --> 1:02:07.520
<v Speaker 3>Smartfootball dot Com. If you've listened to the program, you

1:02:07.560 --> 1:02:10.160
<v Speaker 3>know that we've had Chris on the show over the years,

1:02:10.200 --> 1:02:12.120
<v Speaker 3>again to learn all about the x's and o's of

1:02:12.160 --> 1:02:12.960
<v Speaker 3>college football.

1:02:13.080 --> 1:02:13.320
<v Speaker 1>Yep.

1:02:13.880 --> 1:02:19.840
<v Speaker 3>Today though his insight was particularly tasty, and so tasty

1:02:19.840 --> 1:02:23.000
<v Speaker 3>that he very much earned the moniker Chris by Brown

1:02:23.480 --> 1:02:25.320
<v Speaker 3>that we've given to him over the year. It just

1:02:26.200 --> 1:02:29.480
<v Speaker 3>I am blown away by the complexity of all this.

1:02:29.720 --> 1:02:32.720
<v Speaker 3>I am a nerd at heart, as I know you

1:02:32.800 --> 1:02:36.320
<v Speaker 3>are as well. To hear the thought, to hear the

1:02:36.320 --> 1:02:39.720
<v Speaker 3>fact that they made up their own language, that they

1:02:39.760 --> 1:02:42.080
<v Speaker 3>have to that it requires them to make up their

1:02:42.080 --> 1:02:45.280
<v Speaker 3>own language. That makes my heart smile, Dan. That makes

1:02:45.320 --> 1:02:47.880
<v Speaker 3>me so happy that we do what we do because

1:02:47.920 --> 1:02:49.120
<v Speaker 3>it's just so damn nerdy.

1:02:49.640 --> 1:02:52.720
<v Speaker 4>Yeah, and it's it is kind of crazy that Chris

1:02:52.920 --> 1:02:55.520
<v Speaker 4>is not a full time football writer. He just writes

1:02:55.560 --> 1:02:58.440
<v Speaker 4>books because he loves the stuff, and you know, wrote

1:02:58.440 --> 1:03:01.320
<v Speaker 4>for grant Land, Espiona and all these plays. Is it's

1:03:01.360 --> 1:03:03.480
<v Speaker 4>it's so cool, and that's so the crispiness is that

1:03:03.560 --> 1:03:07.720
<v Speaker 4>the caramelization of knowledge, Tie, Oh yeah, the caramelization. No,

1:03:07.840 --> 1:03:11.000
<v Speaker 4>it's it's all fascinating. I will not watch a football

1:03:11.040 --> 1:03:14.480
<v Speaker 4>game pro, college, high school the same way. There will

1:03:14.480 --> 1:03:16.480
<v Speaker 4>be now certain things I'll be looking for and that

1:03:16.840 --> 1:03:18.280
<v Speaker 4>I'm going to be one hundred percent honest.

1:03:18.320 --> 1:03:18.480
<v Speaker 1>Tie.

1:03:18.840 --> 1:03:21.000
<v Speaker 4>This has made me and I was already excited to

1:03:21.080 --> 1:03:24.680
<v Speaker 4>watch Nebraska football, but I'm actually now like, oh my,

1:03:24.760 --> 1:03:28.040
<v Speaker 4>Nebraska's coming into the modern era and they're going to

1:03:28.120 --> 1:03:30.360
<v Speaker 4>be doing like this is going to be super fun.

1:03:30.480 --> 1:03:35.400
<v Speaker 4>So even if Nebraska year one doesn't, you know, overwhelmingly impressed,

1:03:35.400 --> 1:03:36.920
<v Speaker 4>maybe it takes a year two to get the quarterback

1:03:36.960 --> 1:03:40.360
<v Speaker 4>situation situated. The Scott Frost stuff, you know, Chip Kelly

1:03:40.400 --> 1:03:42.760
<v Speaker 4>at UCLA should be very interesting to Bruins fans, Pack

1:03:42.800 --> 1:03:46.040
<v Speaker 4>twelve fans. You know, Auburn had had a nice bounce

1:03:46.080 --> 1:03:48.480
<v Speaker 4>back year in no small part because of the offense

1:03:48.520 --> 1:03:51.560
<v Speaker 4>getting back to where it should be. And you know,

1:03:51.640 --> 1:03:55.040
<v Speaker 4>Clemson obviously hasn't missed a step running tempo stuff. But

1:03:56.040 --> 1:03:59.000
<v Speaker 4>it's all super fascinating to me. And God, now I'm

1:03:59.000 --> 1:04:01.440
<v Speaker 4>going to watch every ETCU game to see if those

1:04:01.480 --> 1:04:03.920
<v Speaker 4>guys look dowt at their wrisk risk comes.

1:04:03.680 --> 1:04:08.720
<v Speaker 3>After I gotta go load up Madden and see if

1:04:08.760 --> 1:04:11.600
<v Speaker 3>these plays make any more sense now in hindsight, knowing

1:04:12.320 --> 1:04:16.240
<v Speaker 3>the terminology, knowing at least a little bit about the

1:04:16.320 --> 1:04:20.520
<v Speaker 3>convention of the language of football, very insightful. We appreciate

1:04:20.560 --> 1:04:23.960
<v Speaker 3>Chris's time spent like an hour with us talking about

1:04:23.960 --> 1:04:28.880
<v Speaker 3>all things football communications. So Scheme Theme Month rolls on again,

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<v Speaker 3>presented by our good friends over at Oliver's Apparel Oliver'sparel

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<v Speaker 3>dot Com. Use the code Solidy'll knock fifteen percent off

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<v Speaker 3>your order.

1:04:35.640 --> 1:04:38.400
<v Speaker 4>It's getting sunny out ty. You gotta prepare. You're gonna

1:04:38.400 --> 1:04:39.440
<v Speaker 4>be outdoor to prepare.

1:04:39.960 --> 1:04:40.600
<v Speaker 2>Gotta prepare.

1:04:40.640 --> 1:04:45.240
<v Speaker 3>We've got more Scheme Theme Month content ahead, but for

1:04:45.360 --> 1:04:47.200
<v Speaker 3>the interim, Dan, I need to go and catch my breath,

1:04:47.280 --> 1:04:50.000
<v Speaker 3>do it. I need to get some food and recharge

1:04:50.080 --> 1:04:51.880
<v Speaker 3>for another great show that we've got planned a week

1:04:51.880 --> 1:04:52.160
<v Speaker 3>from now.

1:04:52.160 --> 1:04:54.360
<v Speaker 4>Okay, I listen, I'm right there with you. I gotta

1:04:54.400 --> 1:04:56.440
<v Speaker 4>sit down. I gotta take take a breather here. I

1:04:56.440 --> 1:04:58.360
<v Speaker 4>don't want to pull a hammy getting so excited about

1:04:58.400 --> 1:04:59.040
<v Speaker 4>these x's and.

1:04:58.960 --> 1:05:02.960
<v Speaker 3>O's or that guy over there. His name is Dan Rubinstein.

1:05:03.040 --> 1:05:05.200
<v Speaker 3>And of course, for our guest of honor, Chris B.

1:05:05.480 --> 1:05:10.000
<v Speaker 3>Brown from Smartfootball dot com. My name is Ty Hildebrand.

1:05:10.480 --> 1:05:12.880
<v Speaker 3>We'll catch you all in a week. In the meantime,

1:05:13.640 --> 1:05:19.760
<v Speaker 3>stay solid, Hey, today's show is brought to you again

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<v Speaker 3>by our good friends over at Oliver's Apparel. Use the

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<v Speaker 3>offer code solid for fifteen percent off your order. Also,

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<v Speaker 3>today's show brought to you in part by our good

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<v Speaker 3>friends over at proper Cloth, the leader in men's shirts.

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