1 00:00:04,960 --> 00:00:06,519 Speaker 1: Welcome to Money Making Conversations. 2 00:00:06,600 --> 00:00:08,400 Speaker 2: It's to show that she is the secrets of success 3 00:00:08,440 --> 00:00:11,960 Speaker 2: experience firsthand by marketing and Brandon expert Rashan McDonald. I 4 00:00:12,000 --> 00:00:14,440 Speaker 2: will know he's giving me advice on many occasions. And in 5 00:00:14,520 --> 00:00:17,680 Speaker 2: case you didn't notice, I'm not broke. You know he'll 6 00:00:17,720 --> 00:00:21,600 Speaker 2: be interviewing celebrity CEOs, entrepreneurs and industry decision makers. It's 7 00:00:21,640 --> 00:00:23,920 Speaker 2: what he likes to do, it's what he likes to share. 8 00:00:24,320 --> 00:00:27,280 Speaker 2: Now it's time to hear from my man, Rashaan McDonald 9 00:00:27,440 --> 00:00:28,680 Speaker 2: money Making Conversations. 10 00:00:28,960 --> 00:00:29,400 Speaker 1: Here we go. 11 00:00:31,640 --> 00:00:34,479 Speaker 3: Hi, I'm Rashaan McDonald. I host the Money Making Conversation 12 00:00:34,640 --> 00:00:38,239 Speaker 3: Masterclass show. The interviews and information this show provides off 13 00:00:38,320 --> 00:00:41,200 Speaker 3: for everyone. It's time to stop reading other people's success 14 00:00:41,240 --> 00:00:44,240 Speaker 3: stories and start living your own. My guess is George Wallace. 15 00:00:44,280 --> 00:00:46,199 Speaker 3: He is the author one of my favorite books, or 16 00:00:46,280 --> 00:00:49,280 Speaker 3: Twit and Whatnot. We would discuss the current SAG and 17 00:00:49,400 --> 00:00:51,599 Speaker 3: wj's strike and his long term impact. 18 00:00:52,000 --> 00:00:54,240 Speaker 1: George Wallace's laughter has always been. 19 00:00:54,120 --> 00:00:57,280 Speaker 3: The best medicine and he has a small business mindset 20 00:00:57,480 --> 00:01:00,080 Speaker 3: which is giving him a career filled with longeviy. He 21 00:01:00,200 --> 00:01:02,120 Speaker 3: just start you know, we're suppos to be talking about 22 00:01:02,120 --> 00:01:03,840 Speaker 3: the sitcom because of the striker won't be able to 23 00:01:03,840 --> 00:01:04,360 Speaker 3: talk about that. 24 00:01:04,440 --> 00:01:05,520 Speaker 1: Then he just stopped that. 25 00:01:05,640 --> 00:01:09,200 Speaker 3: You called clean slate with normal Leo Laveron Cox. It's 26 00:01:09,200 --> 00:01:11,839 Speaker 3: a very talented brother. Saw him lying out the door 27 00:01:11,920 --> 00:01:14,320 Speaker 3: with my good friend j Anthony Brown, let you know, 28 00:01:14,360 --> 00:01:16,840 Speaker 3: and Myra j would let me know that stand up 29 00:01:16,880 --> 00:01:19,840 Speaker 3: comedy is live and well if you're over sixty. George 30 00:01:19,959 --> 00:01:22,280 Speaker 3: was with Metro Media back in nineteen seventy four, making 31 00:01:22,360 --> 00:01:27,280 Speaker 3: seventy five thousand dollars a year selling Rags Rags, so 32 00:01:27,319 --> 00:01:30,640 Speaker 3: he truly is a Rags the Richest Story. Please welcome 33 00:01:30,680 --> 00:01:35,560 Speaker 3: to Money Making Conversation Masterclass, Doctor George Waller, Doctor George Wallers. 34 00:01:35,640 --> 00:01:37,880 Speaker 4: Who wrote that story for you? That ain't that's not 35 00:01:37,959 --> 00:01:41,720 Speaker 4: you just make up. That's a line to think that 36 00:01:41,920 --> 00:01:43,280 Speaker 4: a big line? How old? 37 00:01:43,880 --> 00:01:45,280 Speaker 5: Thank you for having me today. 38 00:01:45,920 --> 00:01:47,920 Speaker 3: Hey, Jeorge, First of all, you came in my office 39 00:01:48,000 --> 00:01:51,920 Speaker 3: and told this incredible story about rags and that's what 40 00:01:51,960 --> 00:01:54,000 Speaker 3: you was doing in New York City. Can you explain 41 00:01:54,040 --> 00:01:57,640 Speaker 3: to the audience because that really has created that small 42 00:01:57,720 --> 00:02:02,160 Speaker 3: businessman mentalent and you always been a salesman. Talk about 43 00:02:02,360 --> 00:02:04,279 Speaker 3: what you do do for a living before you started 44 00:02:04,280 --> 00:02:05,720 Speaker 3: doing stand up comedy. 45 00:02:06,200 --> 00:02:08,640 Speaker 4: Well, most important, you're talking about being a salesperson. We 46 00:02:08,760 --> 00:02:11,919 Speaker 4: all deal with sales every day. If you're not selling, 47 00:02:11,960 --> 00:02:14,560 Speaker 4: you're not living. You've got to sell you first, and 48 00:02:14,600 --> 00:02:17,120 Speaker 4: you sell your products. And today our product and my 49 00:02:17,160 --> 00:02:19,480 Speaker 4: product is laughter. So I always wanted to be a 50 00:02:19,480 --> 00:02:22,440 Speaker 4: comedian six years old, but I had to find a 51 00:02:22,600 --> 00:02:26,840 Speaker 4: beagle on an avenue to go to find out how 52 00:02:26,880 --> 00:02:28,799 Speaker 4: can I make money so I don't have to starve 53 00:02:29,200 --> 00:02:32,520 Speaker 4: while I'm in show business. Then I studied advertising and 54 00:02:32,639 --> 00:02:34,560 Speaker 4: I found out that to be a good way to 55 00:02:34,560 --> 00:02:36,839 Speaker 4: make a lot of money and no time and being 56 00:02:36,880 --> 00:02:40,880 Speaker 4: a good salesperson. So I did that. I sold rags, 57 00:02:41,760 --> 00:02:45,280 Speaker 4: Cleveland cotton products. I sold the sham Wow back in 58 00:02:45,400 --> 00:02:52,240 Speaker 4: nineteen seventy two. Nineteen seventy two didn't even have a 59 00:02:52,320 --> 00:02:55,040 Speaker 4: sham wow. You know what I'm talking about? Yeah, yeah, 60 00:02:56,840 --> 00:02:58,680 Speaker 4: product from dentist office. 61 00:02:58,680 --> 00:02:59,280 Speaker 5: I used to have. 62 00:03:01,880 --> 00:03:05,760 Speaker 4: A linen cloth, but now you notice it's it's a 63 00:03:05,919 --> 00:03:09,760 Speaker 4: handy white with a plastic backing that will absorb the water. 64 00:03:10,200 --> 00:03:13,600 Speaker 4: So but so real rights to gas stations. You're old 65 00:03:13,680 --> 00:03:15,480 Speaker 4: enough to know you went to the gas station, ding, ding, 66 00:03:15,560 --> 00:03:17,040 Speaker 4: That was what would ring and the guy will come 67 00:03:17,040 --> 00:03:19,799 Speaker 4: out check you all and white people. So those are rags. 68 00:03:19,960 --> 00:03:23,240 Speaker 4: Everybody needs the rags rag. You'd be surprised. The doctors, 69 00:03:23,240 --> 00:03:27,679 Speaker 4: the dentists, the restaurants, stuff their homes, body shops. Everybody 70 00:03:27,720 --> 00:03:29,920 Speaker 4: needs rags. And so I got caught up in that, 71 00:03:30,040 --> 00:03:31,799 Speaker 4: and they told me I can make a lot of money, 72 00:03:31,840 --> 00:03:35,040 Speaker 4: and sure enough I did, and life has just been 73 00:03:35,040 --> 00:03:37,520 Speaker 4: because I sold a lot of rags and rags I 74 00:03:37,520 --> 00:03:41,120 Speaker 4: sold to New York City UH Transit Authority, and then 75 00:03:41,120 --> 00:03:43,680 Speaker 4: I sold. After I sold the rags to them, I 76 00:03:43,720 --> 00:03:46,760 Speaker 4: started selling advertisers on the buses and subways and billboards 77 00:03:46,760 --> 00:03:50,240 Speaker 4: in New York Metromedia to Time. So that's that's how 78 00:03:50,280 --> 00:03:53,480 Speaker 4: I moved from That's how I transitioned. You gotta be 79 00:03:53,960 --> 00:03:57,120 Speaker 4: careful how you use the word transition. Now I transitioned. 80 00:03:59,160 --> 00:04:03,680 Speaker 4: I transitioned from rags to advertising. You gotta be you 81 00:04:03,720 --> 00:04:06,200 Speaker 4: gotta transition. I'm working with wordors and I'm running a 82 00:04:06,200 --> 00:04:08,000 Speaker 4: whole little bit of right. I don't want to tell 83 00:04:08,960 --> 00:04:11,480 Speaker 4: I can tell you this. I'm transitioning aw myself into 84 00:04:11,520 --> 00:04:13,520 Speaker 4: an old man. So you got to be careful how 85 00:04:13,560 --> 00:04:15,160 Speaker 4: you I'm starting to work with one hand. 86 00:04:14,960 --> 00:04:17,520 Speaker 3: But Joy, But Joy, let's slow down to that old 87 00:04:17,520 --> 00:04:21,919 Speaker 3: man talk, because sometimes people do allow age to be 88 00:04:21,960 --> 00:04:24,800 Speaker 3: an excuse, and you've never allowed age to be an 89 00:04:24,839 --> 00:04:27,039 Speaker 3: excuse with you. And I say that because of the 90 00:04:27,080 --> 00:04:29,080 Speaker 3: fact that when I went and saw you and j 91 00:04:29,120 --> 00:04:30,200 Speaker 3: Anthony Brown. 92 00:04:30,400 --> 00:04:32,640 Speaker 1: It was all age groups. 93 00:04:32,880 --> 00:04:35,479 Speaker 3: And in fact, I took a video of the line 94 00:04:35,480 --> 00:04:37,640 Speaker 3: that was down the street and send it to you guys, 95 00:04:37,920 --> 00:04:40,520 Speaker 3: and a photo. Not that I was shocked, It's just 96 00:04:40,600 --> 00:04:44,960 Speaker 3: let you see the diversity of people from gender, to 97 00:04:45,160 --> 00:04:50,159 Speaker 3: age to everything ethnicity that were appealing to your style 98 00:04:50,200 --> 00:04:50,719 Speaker 3: of comedy. 99 00:04:50,800 --> 00:04:52,719 Speaker 1: What is your style of comedy, George Wallace? 100 00:04:54,080 --> 00:04:56,640 Speaker 4: I wish, I wish I can I describe it? I 101 00:04:56,720 --> 00:04:59,360 Speaker 4: know everybody's that your old people, young people, black people, 102 00:04:59,400 --> 00:05:03,799 Speaker 4: white people, hip hopers and gang bangers, preachers, liars, everybody, 103 00:05:04,080 --> 00:05:06,880 Speaker 4: because that's what I do. They you know, I appeal 104 00:05:06,960 --> 00:05:09,839 Speaker 4: to everybody because I just have fun and I love everybody. 105 00:05:09,839 --> 00:05:12,960 Speaker 4: And right now the new thing is young kids. I 106 00:05:12,960 --> 00:05:15,920 Speaker 4: guess you call them Generation x Z. They're bringing their 107 00:05:15,960 --> 00:05:18,799 Speaker 4: parents to the show because they've never seen their parents 108 00:05:18,920 --> 00:05:22,240 Speaker 4: laugh out loud, and so when I go and promote 109 00:05:22,240 --> 00:05:25,000 Speaker 4: the show, because they know me as mister Washing little 110 00:05:25,000 --> 00:05:27,520 Speaker 4: things like that. But these young kids now are bringing 111 00:05:27,560 --> 00:05:30,919 Speaker 4: their parents out to a live show to see George Wallace, 112 00:05:31,120 --> 00:05:32,720 Speaker 4: and I have jokes for the young people. I tell 113 00:05:32,720 --> 00:05:35,480 Speaker 4: the young people the old people don't understand them, and 114 00:05:35,640 --> 00:05:38,040 Speaker 4: I understand them. With the hip hop music and the 115 00:05:38,839 --> 00:05:42,080 Speaker 4: names and just how we all can get together. 116 00:05:42,160 --> 00:05:45,359 Speaker 5: It's a blend of my appeal. That's what it is. 117 00:05:45,680 --> 00:05:49,719 Speaker 4: I just love entertaining everybody, young, old, black and white. 118 00:05:49,880 --> 00:05:53,760 Speaker 4: Diversity is there, and I just love talking because I 119 00:05:53,800 --> 00:05:55,360 Speaker 4: don't really have a show. I just go up there 120 00:05:55,360 --> 00:05:56,120 Speaker 4: and start talking. 121 00:05:57,279 --> 00:06:00,719 Speaker 3: Well, you know, I did tell Orr about Joe Wallace me. 122 00:06:01,160 --> 00:06:03,560 Speaker 3: George Wallers has been in my life over thirty years. 123 00:06:03,680 --> 00:06:06,160 Speaker 3: I met George Wallace when I went up to New 124 00:06:06,240 --> 00:06:08,840 Speaker 3: York City to be a stand up comedian and catch 125 00:06:08,839 --> 00:06:11,480 Speaker 3: a rising star. I was just sitting at the bar 126 00:06:11,880 --> 00:06:14,320 Speaker 3: and he asked me what're doing in there. 127 00:06:15,480 --> 00:06:17,240 Speaker 1: I said, I'm trying to be a That's what That's how. 128 00:06:17,480 --> 00:06:19,840 Speaker 3: That's how I was introduced to George Waller. He walked 129 00:06:19,839 --> 00:06:21,320 Speaker 3: to me at the bar because it wasn't that many 130 00:06:21,360 --> 00:06:21,839 Speaker 3: black people. 131 00:06:21,960 --> 00:06:24,400 Speaker 4: I wasn't I was gonna have to say for nobody 132 00:06:24,400 --> 00:06:26,800 Speaker 4: but me and you. 133 00:06:26,800 --> 00:06:32,200 Speaker 3: You George said, what are you doing in here? 134 00:06:32,279 --> 00:06:32,479 Speaker 4: Boy? 135 00:06:33,080 --> 00:06:34,880 Speaker 3: I said, trying to be a stabish commed and we 136 00:06:35,000 --> 00:06:36,480 Speaker 3: have been us in eighty six. 137 00:06:36,880 --> 00:06:40,080 Speaker 1: That was eighty eight, and we have been friends every since. 138 00:06:40,480 --> 00:06:44,279 Speaker 3: Because a lot of people need to understand that comedy 139 00:06:44,440 --> 00:06:47,400 Speaker 3: was at one time just white comedy clubs to white 140 00:06:47,400 --> 00:06:49,760 Speaker 3: comedy club hit George totally. 141 00:06:52,120 --> 00:06:54,719 Speaker 4: It's almost like that it was so white that they 142 00:06:54,760 --> 00:06:57,800 Speaker 4: didn't even want black comedians in there. To addition to hosting, 143 00:06:57,839 --> 00:06:59,680 Speaker 4: we even put them on the show, even when you 144 00:06:59,760 --> 00:07:01,760 Speaker 4: got to long saying was at the comedy store in 145 00:07:01,880 --> 00:07:04,960 Speaker 4: nineteen eighty nine ninety you would never see more than 146 00:07:05,000 --> 00:07:06,680 Speaker 4: two blacks on a shelf. 147 00:07:07,360 --> 00:07:08,320 Speaker 5: And one time happened. 148 00:07:08,360 --> 00:07:10,920 Speaker 4: I went on with me and Mooney and Richard Pown 149 00:07:11,480 --> 00:07:13,560 Speaker 4: and at the time, the N word was prevalent. 150 00:07:13,680 --> 00:07:15,080 Speaker 5: I was just on three. 151 00:07:15,400 --> 00:07:18,840 Speaker 4: Turner row, three turn and roll. Bet you won't ever 152 00:07:18,920 --> 00:07:21,600 Speaker 4: see that no more three those in a row. 153 00:07:24,040 --> 00:07:25,640 Speaker 3: He's telling the truth, because that's how I met j 154 00:07:25,720 --> 00:07:29,160 Speaker 3: Anthony the Brown by accident, because it was in Mobile, 155 00:07:29,200 --> 00:07:32,200 Speaker 3: Alabama at the Punchline. Because they would never book two 156 00:07:32,320 --> 00:07:35,360 Speaker 3: blacks on the same show, especially a black middle act 157 00:07:35,400 --> 00:07:38,560 Speaker 3: and a headlining that on the same show, and it 158 00:07:38,640 --> 00:07:41,480 Speaker 3: was that transition and what happened to the headline of canceled, 159 00:07:41,760 --> 00:07:43,880 Speaker 3: and that's how Jay got on the show. And that's 160 00:07:43,880 --> 00:07:46,720 Speaker 3: how I met j Anthony Brown. And it's really because 161 00:07:46,760 --> 00:07:48,760 Speaker 3: people I have to bring up that scenario because that 162 00:07:48,800 --> 00:07:52,280 Speaker 3: ain't that long ago that people were booking people like this. 163 00:07:54,720 --> 00:07:56,680 Speaker 1: And what we had to deal with that. And then 164 00:07:56,800 --> 00:07:58,280 Speaker 1: came Death Comedy Jam. 165 00:07:58,880 --> 00:08:01,360 Speaker 5: Wow, damnastic Death coming to town. 166 00:08:01,560 --> 00:08:04,160 Speaker 4: So the young African American kids, they went off and 167 00:08:04,160 --> 00:08:05,360 Speaker 4: did their own thing back. 168 00:08:05,200 --> 00:08:05,760 Speaker 5: In the day. 169 00:08:05,840 --> 00:08:09,720 Speaker 4: The young kids, they could express themselves because at that 170 00:08:09,880 --> 00:08:12,560 Speaker 4: time it was on the ABC, CBS and NBC. 171 00:08:13,160 --> 00:08:13,560 Speaker 1: That's right. 172 00:08:13,640 --> 00:08:17,440 Speaker 4: And I did tonight's show. You couldn't cuss, you couldn't 173 00:08:17,520 --> 00:08:21,800 Speaker 4: express yourself. And then Death Jeff came and that just 174 00:08:21,880 --> 00:08:24,240 Speaker 4: blew up. And that's thank God for Death Jam and 175 00:08:24,520 --> 00:08:26,720 Speaker 4: the comic view and all of the things for the 176 00:08:26,760 --> 00:08:29,120 Speaker 4: young black comedians can go out and work to young 177 00:08:29,160 --> 00:08:31,120 Speaker 4: comedians and they worked at and they were working a 178 00:08:31,240 --> 00:08:33,439 Speaker 4: real good Thank God for that a transition. 179 00:08:34,440 --> 00:08:38,679 Speaker 3: But George, see here's George. See George was controlling all 180 00:08:38,720 --> 00:08:41,679 Speaker 3: the checks, all right. He had the white folks comfortable. 181 00:08:42,160 --> 00:08:44,600 Speaker 3: Then he came over to death Jam and made the 182 00:08:44,640 --> 00:08:48,040 Speaker 3: black folks come. So George was playing the black folks 183 00:08:48,040 --> 00:08:50,840 Speaker 3: and the white folks. That made you unique, George, Because 184 00:08:50,840 --> 00:08:54,160 Speaker 3: I'm gonna tell you this, when I death Jam, because 185 00:08:54,160 --> 00:08:56,560 Speaker 3: I played all white comedy club, they didn't. 186 00:08:56,320 --> 00:08:58,000 Speaker 1: Think I could make black people laugh. Did you ever 187 00:08:58,080 --> 00:08:58,560 Speaker 1: run into that? 188 00:09:00,040 --> 00:09:03,880 Speaker 4: Oh? Because the black people that loved me, they saw 189 00:09:03,880 --> 00:09:05,720 Speaker 4: me also in our senior they knew I could make 190 00:09:05,800 --> 00:09:08,000 Speaker 4: him laugh, right, So that's what happened there. So I 191 00:09:08,040 --> 00:09:10,600 Speaker 4: was transitioning there. And at the time, don't forget now 192 00:09:10,640 --> 00:09:13,839 Speaker 4: it was only the white stations. They were so happy 193 00:09:13,840 --> 00:09:17,920 Speaker 4: to see any black person, the different fun and jokes. 194 00:09:18,160 --> 00:09:19,960 Speaker 4: They loved me from the white shows because they did 195 00:09:20,040 --> 00:09:23,640 Speaker 4: watch them Tonight show. And so the black people always 196 00:09:23,640 --> 00:09:26,280 Speaker 4: followed me from day one. And thank god, I have 197 00:09:26,320 --> 00:09:29,080 Speaker 4: a great crowd. I'm so blessed, you know. And I 198 00:09:29,160 --> 00:09:31,240 Speaker 4: used to be known as clean Christian comedian. 199 00:09:31,400 --> 00:09:32,840 Speaker 5: I'm still Christian. Bla ain't clean. 200 00:09:34,640 --> 00:09:37,920 Speaker 3: I'm about to say, as Wills went on that random 201 00:09:39,080 --> 00:09:41,280 Speaker 3: or that ramble that were viral by. 202 00:09:41,080 --> 00:09:44,280 Speaker 1: Will's men, that wasn't no Christian clean comedy. You did that? 203 00:09:44,440 --> 00:09:45,240 Speaker 5: Brother, Listen to me. 204 00:09:46,000 --> 00:09:49,199 Speaker 4: And the first person that called me was Bishop Blake, 205 00:09:50,400 --> 00:09:52,480 Speaker 4: Bister Blake. He was the first person to call me 206 00:09:52,480 --> 00:09:54,200 Speaker 4: and said, I said, I know I'm in trouble doing that. 207 00:09:54,280 --> 00:09:57,440 Speaker 4: He said, man, do your thing. I laughed my butt off, 208 00:09:57,440 --> 00:09:59,560 Speaker 4: that's what he said. And it's just like it's so good, 209 00:09:59,640 --> 00:10:02,640 Speaker 4: you know. Uh so, But now it's time for me 210 00:10:02,720 --> 00:10:05,200 Speaker 4: to cuss. Let me tell you something. I've been at 211 00:10:05,240 --> 00:10:07,400 Speaker 4: Christian Committee for forty seven years and there's so many 212 00:10:07,440 --> 00:10:09,600 Speaker 4: ways to cuss. Now you got to cuss. You got 213 00:10:09,640 --> 00:10:11,840 Speaker 4: all of these white folks getting on my nerve. Man, 214 00:10:12,040 --> 00:10:14,079 Speaker 4: this let me tip about the white people. I'm talking 215 00:10:14,120 --> 00:10:16,240 Speaker 4: about George Clarence Thomas. Just let me tell you, so 216 00:10:19,520 --> 00:10:24,959 Speaker 4: these white people are getting Curstia Walker hurt. White people 217 00:10:24,960 --> 00:10:26,559 Speaker 4: getting on my nerve. If you understand what I'm saying, 218 00:10:26,600 --> 00:10:29,600 Speaker 4: what's a man named West down in Florida. They're getting 219 00:10:29,640 --> 00:10:30,160 Speaker 4: on my nerve. 220 00:10:31,800 --> 00:10:32,280 Speaker 5: I'm getting. 221 00:10:34,640 --> 00:10:36,960 Speaker 3: Hey, man, you're gonna get my show pulled off stream 222 00:10:36,960 --> 00:10:39,040 Speaker 3: at the top on that. This is the fact that 223 00:10:39,040 --> 00:10:41,319 Speaker 3: we're talking about money. I take everything back. 224 00:10:41,920 --> 00:10:44,559 Speaker 1: Because here's the thing about you, George. This is the 225 00:10:44,679 --> 00:10:46,680 Speaker 1: right George. I'm gonna tell you something about George Wallace. 226 00:10:47,240 --> 00:10:49,880 Speaker 3: I've seen him first of all, he gets reverenced when 227 00:10:49,880 --> 00:10:50,600 Speaker 3: he comes in the room. 228 00:10:50,720 --> 00:10:52,120 Speaker 1: Okay, all comedians go. 229 00:10:52,720 --> 00:10:55,160 Speaker 3: They just stopped talking when George Waller walking on, because 230 00:10:55,360 --> 00:10:58,120 Speaker 3: you're walking in history and you're talking about longevity. 231 00:10:58,240 --> 00:11:00,439 Speaker 1: And that's all we want is business is love jevity. 232 00:11:00,840 --> 00:11:03,440 Speaker 3: And you've been able to accomplish this to because even 233 00:11:03,480 --> 00:11:06,960 Speaker 3: when Hollywood wasn't booking him, guess what he did. He 234 00:11:07,000 --> 00:11:09,800 Speaker 3: went to Las Vegas and full walled his own show. 235 00:11:09,920 --> 00:11:13,800 Speaker 4: Correct, Yes, sir, I went to Las Vegas for thirty 236 00:11:13,880 --> 00:11:17,319 Speaker 4: days and then sixty days and ninety days, and I said, 237 00:11:18,040 --> 00:11:20,160 Speaker 4: you know what, I'm just going to create my own 238 00:11:20,200 --> 00:11:22,320 Speaker 4: market and own the show. 239 00:11:22,360 --> 00:11:23,600 Speaker 5: I never worked for the hotels. 240 00:11:24,080 --> 00:11:27,559 Speaker 4: I full You can explain to them what full warlling. 241 00:11:27,360 --> 00:11:30,439 Speaker 1: Is, which means that you're going in. You say I 242 00:11:30,480 --> 00:11:31,040 Speaker 1: want that room. 243 00:11:31,080 --> 00:11:32,920 Speaker 3: You rent that room, You pay for the talent to 244 00:11:32,960 --> 00:11:34,800 Speaker 3: come in there, You paid for the lights to come on, 245 00:11:34,960 --> 00:11:37,960 Speaker 3: you pay for the staff. Then you all the expenses 246 00:11:38,000 --> 00:11:41,479 Speaker 3: come back, and that's your profit for the advertising. 247 00:11:41,520 --> 00:11:42,960 Speaker 5: You go out and shake hands. You got to do 248 00:11:43,000 --> 00:11:43,680 Speaker 5: your street walk. 249 00:11:43,760 --> 00:11:48,040 Speaker 4: You got it all your work promoting promotions and I 250 00:11:48,120 --> 00:11:49,840 Speaker 4: love that, you know, and I love talking to people 251 00:11:49,840 --> 00:11:52,600 Speaker 4: and going out shaking hands, and I didn't kiss no babies, 252 00:11:52,640 --> 00:11:55,760 Speaker 4: but I did shake hands. And I wound up there 253 00:11:55,760 --> 00:11:59,160 Speaker 4: from thirty days and turned into fifteen years, and so 254 00:11:59,240 --> 00:12:00,280 Speaker 4: I did it on my own. 255 00:12:00,480 --> 00:12:01,840 Speaker 1: It was that long fifteen years. 256 00:12:01,880 --> 00:12:04,000 Speaker 4: I did ten years at the Flamingo, in five years 257 00:12:04,040 --> 00:12:07,880 Speaker 4: at the Westgate Wow, and I did that. I've worked 258 00:12:07,880 --> 00:12:11,400 Speaker 4: Lost Vegas longer than any African American ever, longer than 259 00:12:11,640 --> 00:12:14,439 Speaker 4: I've gone more shows than Red Fox seven, Davis. 260 00:12:14,240 --> 00:12:16,679 Speaker 5: Junior, Diana Ross, Lena Horn. 261 00:12:16,920 --> 00:12:18,680 Speaker 4: And I thank God for those names that I just 262 00:12:18,720 --> 00:12:23,640 Speaker 4: mentioned because they paved the way for me. But I 263 00:12:23,760 --> 00:12:25,640 Speaker 4: really love Las Vegas and I'm going to go back 264 00:12:25,720 --> 00:12:29,920 Speaker 4: next year. I quit Las Vegas because of a pandemic 265 00:12:30,160 --> 00:12:33,280 Speaker 4: in twenty nineteen, right, and I don't want to talk 266 00:12:33,280 --> 00:12:35,080 Speaker 4: about that. I don't know whether I lost five friends 267 00:12:35,160 --> 00:12:38,960 Speaker 4: during the pandemic. And right, they didn't have COVID. They 268 00:12:39,040 --> 00:12:40,920 Speaker 4: just owe me money. And know when you get in 269 00:12:41,000 --> 00:12:43,760 Speaker 4: the money. 270 00:12:43,920 --> 00:12:45,440 Speaker 1: Hey, Joe, let me ask you this, brother. 271 00:12:45,880 --> 00:12:49,800 Speaker 3: When I think about social media, okay, because you know 272 00:12:51,080 --> 00:12:53,240 Speaker 3: you have a lot of comedians out there who are 273 00:12:53,240 --> 00:12:57,240 Speaker 3: really popular. Has social media changed how we look at 274 00:12:57,240 --> 00:13:00,240 Speaker 3: stand up comedians. We're looking at their social media. Uh, 275 00:13:00,600 --> 00:13:04,720 Speaker 3: followers versus the ability to hold an audience with laughter. 276 00:13:05,800 --> 00:13:10,880 Speaker 4: It has changed totally and I've done a little but 277 00:13:11,040 --> 00:13:11,600 Speaker 4: not enough. 278 00:13:12,040 --> 00:13:13,120 Speaker 5: Right now, I'm. 279 00:13:12,920 --> 00:13:18,720 Speaker 4: Engaging into hiring a social media staff, a group to 280 00:13:18,760 --> 00:13:20,040 Speaker 4: help me promote myself. 281 00:13:20,200 --> 00:13:23,240 Speaker 5: I don't do enough tack. I don't see how old 282 00:13:23,280 --> 00:13:24,360 Speaker 5: I am. I don't enough. 283 00:13:26,360 --> 00:13:28,800 Speaker 1: You post on tick tack, I swear you won't get 284 00:13:28,800 --> 00:13:29,280 Speaker 1: a follower. 285 00:13:29,320 --> 00:13:29,719 Speaker 5: I can see. 286 00:13:29,720 --> 00:13:30,560 Speaker 1: I can assure you. 287 00:13:30,440 --> 00:13:32,319 Speaker 4: That I need a tick tack right now. 288 00:13:32,360 --> 00:13:33,959 Speaker 5: You can smell my breath over to TV. 289 00:13:34,920 --> 00:13:37,040 Speaker 1: Yes, sir, yes, sir, yes, sir, yes, sir, yes. 290 00:13:37,280 --> 00:13:37,920 Speaker 4: Breath at night. 291 00:13:38,080 --> 00:13:42,120 Speaker 3: You know that's bad, absolutely, absolutely absolutely. But you know 292 00:13:42,240 --> 00:13:46,000 Speaker 3: the social media though. But George, but you've always been 293 00:13:46,320 --> 00:13:49,280 Speaker 3: ahead of the curve, you know, as far as technology, 294 00:13:49,760 --> 00:13:55,400 Speaker 3: you know, acting stand up, crossover talk shows like I said, 295 00:13:55,600 --> 00:13:57,320 Speaker 3: we would have to say, like you mentioned our Senior 296 00:13:57,360 --> 00:14:00,680 Speaker 3: or Hall earlier man the moment you did so Senior, 297 00:14:00,800 --> 00:14:03,559 Speaker 3: especially when you closed out his show that time, his 298 00:14:03,679 --> 00:14:07,800 Speaker 3: last dal show that was like legendary stand up. When 299 00:14:07,800 --> 00:14:10,920 Speaker 3: he went out, he went on Senior Show last episode 300 00:14:11,000 --> 00:14:13,720 Speaker 3: and put up for sale sign on everything that was 301 00:14:13,760 --> 00:14:15,880 Speaker 3: on the show, including on Senior Hall. 302 00:14:15,679 --> 00:14:21,720 Speaker 4: All this Facale got what We'll be right back with more. 303 00:14:21,800 --> 00:14:25,000 Speaker 4: Money Making Conversations Masterclass. 304 00:14:25,600 --> 00:14:28,600 Speaker 6: Programming is made possible in part by support from thirty 305 00:14:28,640 --> 00:14:32,160 Speaker 6: eight to fifteen Media, led by Emmy and n DOUBLEACP 306 00:14:32,360 --> 00:14:36,760 Speaker 6: Image Award winning television producer Rashaun McDonald. Thirty eight fifteen 307 00:14:36,800 --> 00:14:42,160 Speaker 6: Media offers social media management, podcast production, designs logos, and 308 00:14:42,320 --> 00:14:48,560 Speaker 6: develops websites. Additional services include brand management and career development 309 00:14:48,720 --> 00:14:53,200 Speaker 6: consulting services. More information is available at four seven zero 310 00:14:53,560 --> 00:14:56,960 Speaker 6: six eight eight three eight one five or via email 311 00:14:57,080 --> 00:15:00,800 Speaker 6: at info at thirty eight fifteen Media dot com. 312 00:15:00,880 --> 00:15:01,880 Speaker 4: Keep winning. 313 00:15:03,120 --> 00:15:05,440 Speaker 1: HBCUs represent Black excellence. 314 00:15:05,520 --> 00:15:08,760 Speaker 7: If you attend or are an alumnus of an HBCU, 315 00:15:08,960 --> 00:15:12,119 Speaker 7: we want to hear about your story. The My HBCU 316 00:15:12,240 --> 00:15:16,600 Speaker 7: Story Digital Library will allow current HBCU students and alumni 317 00:15:16,720 --> 00:15:20,840 Speaker 7: to share their stories. More information is available at HBCU 318 00:15:20,920 --> 00:15:22,160 Speaker 7: College day dot com. 319 00:15:22,240 --> 00:15:23,440 Speaker 1: You can upload a photo. 320 00:15:23,560 --> 00:15:26,480 Speaker 7: The photo can be recent or from when you attended 321 00:15:26,520 --> 00:15:31,280 Speaker 7: your HBCU. More information is available at HBCU College day 322 00:15:31,320 --> 00:15:33,200 Speaker 7: dot com. 323 00:15:33,360 --> 00:15:37,160 Speaker 4: Welcome back to the Money Making Conversations Masterclass hosted by 324 00:15:37,240 --> 00:15:38,200 Speaker 4: Rashaan McDonald. 325 00:15:38,840 --> 00:15:41,720 Speaker 3: He went on Senior Whole Show last episode and put 326 00:15:41,760 --> 00:15:44,560 Speaker 3: up for sale sign on everything that was on the show, 327 00:15:44,560 --> 00:15:45,680 Speaker 3: including on Senior Hall. 328 00:15:46,080 --> 00:15:50,560 Speaker 4: All this all this just for sale, dots for the 329 00:15:50,680 --> 00:15:59,120 Speaker 4: job sign. I said, I love you and I got 330 00:15:59,120 --> 00:16:01,800 Speaker 4: to say this your last night and I gotta say this. 331 00:16:02,800 --> 00:16:08,080 Speaker 4: All this suffers for sale, that shares for sale, everything 332 00:16:08,120 --> 00:16:09,000 Speaker 4: in his for sale. 333 00:16:09,320 --> 00:16:10,080 Speaker 5: That was really good. 334 00:16:10,200 --> 00:16:12,880 Speaker 4: But yeah, social media has done amazing for the young 335 00:16:12,920 --> 00:16:15,160 Speaker 4: new comedians. And I love the young comedians. I don't 336 00:16:15,160 --> 00:16:17,440 Speaker 4: care what medium you use. If you can put in 337 00:16:17,480 --> 00:16:20,440 Speaker 4: the seats and make some money, do it, do it, 338 00:16:20,600 --> 00:16:22,280 Speaker 4: do it. That's what I tell the young kids. And 339 00:16:22,320 --> 00:16:25,360 Speaker 4: they're doing a great job. Well you do it? 340 00:16:25,480 --> 00:16:27,280 Speaker 1: How you how you promote yourself? 341 00:16:27,280 --> 00:16:30,960 Speaker 3: Are you promote yourself through through television interviews? 342 00:16:31,080 --> 00:16:32,480 Speaker 1: Radio interview, TV interview? 343 00:16:32,480 --> 00:16:34,320 Speaker 3: Because you was talking about you want to get more 344 00:16:34,320 --> 00:16:36,160 Speaker 3: involved than social media. 345 00:16:36,280 --> 00:16:39,360 Speaker 4: You shall take it the old way, rash And I 346 00:16:39,400 --> 00:16:41,000 Speaker 4: still do it the old way and now I'm doing 347 00:16:41,000 --> 00:16:43,960 Speaker 4: it the new way. I go in and advertise on Facebook. 348 00:16:44,000 --> 00:16:48,640 Speaker 4: I am advertising on TikTok and and Instagram. Now what 349 00:16:48,720 --> 00:16:50,720 Speaker 4: I'm not doing I'm not being on the Instagram every 350 00:16:50,800 --> 00:16:53,240 Speaker 4: day in TikTok. Like I said, all I do is 351 00:16:53,280 --> 00:16:55,760 Speaker 4: talk trash. Why don't I do it and just pick 352 00:16:55,840 --> 00:16:57,400 Speaker 4: up the phone and do it like the other kids do. 353 00:16:58,320 --> 00:17:01,560 Speaker 4: I gotta transcend and transcend and to that person because 354 00:17:01,560 --> 00:17:03,720 Speaker 4: it was very easy for me to do and because 355 00:17:03,840 --> 00:17:06,680 Speaker 4: there's a whole new market out there. Plus my old 356 00:17:06,720 --> 00:17:10,240 Speaker 4: market people my age, they don't use social media as much, 357 00:17:10,440 --> 00:17:12,520 Speaker 4: so you got to create yourself into a new market. 358 00:17:12,880 --> 00:17:14,399 Speaker 5: Get these young kids to come out and see you. 359 00:17:15,400 --> 00:17:15,840 Speaker 5: We know this. 360 00:17:16,119 --> 00:17:19,480 Speaker 3: We're in an interesting period now because of entertainment. You know, 361 00:17:19,680 --> 00:17:22,080 Speaker 3: we survived COVID and now we're in the middle of 362 00:17:22,080 --> 00:17:24,080 Speaker 3: a WGA SAG strike. 363 00:17:24,160 --> 00:17:26,560 Speaker 1: First WGA strike happening, SACKS strike happened. 364 00:17:26,680 --> 00:17:28,959 Speaker 3: And it's really interesting because, like you said earlier, it 365 00:17:29,040 --> 00:17:32,480 Speaker 3: used to be just ABC, NBC, CBS, Fox and we 366 00:17:32,480 --> 00:17:34,680 Speaker 3: were just happen. Then cable came along and we got 367 00:17:34,680 --> 00:17:37,800 Speaker 3: excited because there was a new territories whereas a stand 368 00:17:37,840 --> 00:17:41,280 Speaker 3: up comedian we could actually start remember the HBO specials 369 00:17:41,280 --> 00:17:45,080 Speaker 3: as you got an HBO special your career, sky Rodickan 370 00:17:45,520 --> 00:17:48,960 Speaker 3: and now say something, well, well, it's the. 371 00:17:48,880 --> 00:17:51,520 Speaker 4: Same thing that happened with tonight. When I did that 372 00:17:51,560 --> 00:17:54,359 Speaker 4: Tonight show, I did it on Thursday night and Friday night, 373 00:17:54,440 --> 00:17:57,400 Speaker 4: I was in front of seventeen seventeen thousand people. That's 374 00:17:57,440 --> 00:18:00,400 Speaker 4: what TV did back in the day. Yeah, in the day, 375 00:18:00,400 --> 00:18:04,200 Speaker 4: if you did the Tonight Show, you made it especially black. 376 00:18:04,720 --> 00:18:06,360 Speaker 4: You know, I make a lot of money back then. 377 00:18:06,720 --> 00:18:08,919 Speaker 4: But now these kids that make jone show, look at 378 00:18:08,920 --> 00:18:12,879 Speaker 4: the guy great greatest example is probably Country Wayne as 379 00:18:12,880 --> 00:18:14,159 Speaker 4: a commedian named Country Wayne. 380 00:18:14,560 --> 00:18:15,520 Speaker 5: Right all of the country. 381 00:18:15,600 --> 00:18:17,600 Speaker 4: All of the comedians are learning from him and doing 382 00:18:17,680 --> 00:18:22,320 Speaker 4: it and creating an own market. Laval Walker. Some of 383 00:18:22,359 --> 00:18:24,600 Speaker 4: these comedians got your own TV shows, their own media. 384 00:18:25,160 --> 00:18:26,919 Speaker 4: It's just great and I wish I could keep up 385 00:18:26,960 --> 00:18:29,800 Speaker 4: with these young kids. Let's make it perfectly clear. I 386 00:18:29,880 --> 00:18:32,080 Speaker 4: made a lot of money. I could retire tomorrow. I've 387 00:18:32,119 --> 00:18:34,560 Speaker 4: done my thing, but I'm not in it for money, 388 00:18:34,560 --> 00:18:35,040 Speaker 4: to be honest. 389 00:18:35,080 --> 00:18:38,160 Speaker 3: I just love what I do, right, And that's important 390 00:18:38,200 --> 00:18:40,520 Speaker 3: that you say that because of the fact that as 391 00:18:40,520 --> 00:18:43,879 Speaker 3: we transition to streaming now that's one of the bigger 392 00:18:43,920 --> 00:18:46,520 Speaker 3: complaints now that actors and. 393 00:18:46,800 --> 00:18:48,960 Speaker 1: Look, I'm a member of SAG. You remember of SAG. 394 00:18:49,000 --> 00:18:51,800 Speaker 3: I remember of writers guil so I know that, and 395 00:18:51,880 --> 00:18:53,920 Speaker 3: let me just help everybody educated by a little bit. 396 00:18:54,200 --> 00:18:55,560 Speaker 1: I started writing. 397 00:18:55,280 --> 00:18:58,000 Speaker 3: On TV and eighty ninety three on me and the 398 00:18:58,000 --> 00:19:01,160 Speaker 3: Boy Steve Harris's first show. Yes, yeah, and we used 399 00:19:01,160 --> 00:19:04,199 Speaker 3: to do like twenty two to twenty four episodes, and 400 00:19:04,280 --> 00:19:07,320 Speaker 3: so when we got a writer's job, we clap because 401 00:19:07,520 --> 00:19:10,800 Speaker 3: we start working June and we basically in the first 402 00:19:10,880 --> 00:19:13,720 Speaker 3: week of March, so basically just three months you out 403 00:19:13,720 --> 00:19:17,760 Speaker 3: of work. But now they aredered in eight episodes, ordering 404 00:19:17,840 --> 00:19:21,040 Speaker 3: ten episodes, and then in a certain situations, some production 405 00:19:21,160 --> 00:19:24,760 Speaker 3: companies that do two episodes a day or just run. 406 00:19:24,560 --> 00:19:25,640 Speaker 1: Them and just keep running them. 407 00:19:25,720 --> 00:19:31,440 Speaker 3: So people who will cameraman staff grips, they're losing their 408 00:19:32,320 --> 00:19:33,160 Speaker 3: daily wages. 409 00:19:33,640 --> 00:19:35,800 Speaker 1: So is that the really of the problem, George, with 410 00:19:35,840 --> 00:19:36,720 Speaker 1: the whole strike. 411 00:19:36,640 --> 00:19:39,399 Speaker 4: It's a big problem because now let's just take the 412 00:19:39,440 --> 00:19:42,960 Speaker 4: shows that I just I'm an executive producer, me, Norman 413 00:19:43,040 --> 00:19:46,520 Speaker 4: Lere and Laburne Conx. We're on a side work. We're 414 00:19:46,560 --> 00:19:50,880 Speaker 4: on Amazon. We get paid one time. That's why we're 415 00:19:50,920 --> 00:19:53,399 Speaker 4: on strike. We get paid one time in one lump something, 416 00:19:53,880 --> 00:19:57,800 Speaker 4: as opposed to regular TV you get residuals. So but 417 00:19:57,880 --> 00:20:00,920 Speaker 4: it's still showing, it's still showing a a medium ass TV, 418 00:20:01,280 --> 00:20:02,879 Speaker 4: but you're not getting paid any money for it. 419 00:20:04,280 --> 00:20:07,720 Speaker 3: So, so how do we fix that? Because you know 420 00:20:07,800 --> 00:20:10,320 Speaker 3: you can see you know, because let's just be real, George, 421 00:20:10,400 --> 00:20:13,159 Speaker 3: because I'm not trying to side with them because I 422 00:20:13,160 --> 00:20:15,200 Speaker 3: think they I want my residior checks. 423 00:20:15,200 --> 00:20:17,080 Speaker 1: I've been getting Razil checks for thirty five cents. 424 00:20:17,119 --> 00:20:19,680 Speaker 3: And I'm not joking when I say that, because can't 425 00:20:19,680 --> 00:20:22,720 Speaker 3: nobody tabulate it? Because when it ran on cable TV, 426 00:20:22,760 --> 00:20:23,560 Speaker 3: it got syndicated. 427 00:20:23,600 --> 00:20:24,239 Speaker 1: You could see it. 428 00:20:24,560 --> 00:20:26,960 Speaker 3: Okay, that ran there, ran there, But it's streaming. I 429 00:20:26,960 --> 00:20:29,520 Speaker 3: don't know who's clicking on the episode. How do you 430 00:20:29,600 --> 00:20:30,120 Speaker 3: track that? 431 00:20:30,240 --> 00:20:31,920 Speaker 4: It doesn't matter. You don't track it, but they could 432 00:20:31,960 --> 00:20:34,360 Speaker 4: track it if they needed to. That's that's why we're 433 00:20:34,359 --> 00:20:36,640 Speaker 4: on striketh. They can do anything they want to. They're 434 00:20:36,640 --> 00:20:39,440 Speaker 4: making money because they don't have to track the viewers. 435 00:20:39,520 --> 00:20:41,840 Speaker 4: They know they're getting viewers. They know the money's coming in. 436 00:20:41,880 --> 00:20:45,160 Speaker 4: They're getting the viewers. But in streaming source, you don't 437 00:20:45,200 --> 00:20:47,719 Speaker 4: have to pay for it, so that for the entertainers 438 00:20:47,720 --> 00:20:50,600 Speaker 4: and the writers have to go on strike to get that. 439 00:20:50,600 --> 00:20:54,119 Speaker 4: That's why we're out. We want to get paid because 440 00:20:54,160 --> 00:20:55,880 Speaker 4: they can run in and run it for a thousand years. 441 00:20:55,880 --> 00:20:58,400 Speaker 4: You never get nothing. Like you just said, I've gotten 442 00:20:58,560 --> 00:20:59,400 Speaker 4: a three cent check. 443 00:21:00,119 --> 00:21:03,399 Speaker 5: That's because yeah, and the stamp. 444 00:21:03,280 --> 00:21:05,480 Speaker 3: Is more than than the check to the check in 445 00:21:05,560 --> 00:21:08,840 Speaker 3: the paper and the paper, you know, George, and you know, 446 00:21:09,200 --> 00:21:12,359 Speaker 3: you know, we're defining something that's real serious because you 447 00:21:12,400 --> 00:21:16,200 Speaker 3: know Atlanta Market, they talking about billions of dollars of 448 00:21:16,359 --> 00:21:18,800 Speaker 3: movies that are being shot here annually that are not 449 00:21:18,840 --> 00:21:20,639 Speaker 3: being done right now. So that means a lot of 450 00:21:20,640 --> 00:21:24,560 Speaker 3: people are not working. A lot of impacted restaurants, caterers, uh, 451 00:21:24,960 --> 00:21:28,760 Speaker 3: people in clothing industry, chauffeurs in so many industry. 452 00:21:30,440 --> 00:21:31,120 Speaker 5: It trickles down. 453 00:21:31,440 --> 00:21:34,040 Speaker 4: What about the local restaurants out there that they're working 454 00:21:34,040 --> 00:21:36,920 Speaker 4: for paycheck week the week those restaurants are hurting, they're 455 00:21:36,920 --> 00:21:38,800 Speaker 4: going out of business out by the movie coming in 456 00:21:38,880 --> 00:21:42,200 Speaker 4: Atlanta and Sabavannah and all those surrounding areas and Los Angeles. 457 00:21:42,200 --> 00:21:44,520 Speaker 5: Also, I was very surprised this week. 458 00:21:44,920 --> 00:21:50,040 Speaker 4: Uh once the actor that dresses of What's Billy Porter 459 00:21:51,000 --> 00:21:55,600 Speaker 4: right here to sell his house tany. That's why I 460 00:21:55,640 --> 00:21:58,400 Speaker 4: want to teach the young people, make sure you save 461 00:21:58,480 --> 00:22:01,919 Speaker 4: your money and plan and manage your money right, because 462 00:22:01,920 --> 00:22:03,600 Speaker 4: once you get in the show Buness, you need a 463 00:22:03,720 --> 00:22:09,240 Speaker 4: year's salary in the bank so you can sustain sustainability. 464 00:22:09,680 --> 00:22:11,199 Speaker 5: I don't know. 465 00:22:11,200 --> 00:22:13,399 Speaker 4: Maybe he paid a lot of money for those dresses 466 00:22:13,400 --> 00:22:15,440 Speaker 4: he wears. I don't know what it is you need. 467 00:22:16,840 --> 00:22:18,840 Speaker 4: You have got to save and plan for the future. 468 00:22:18,840 --> 00:22:20,400 Speaker 4: You don't know when you're gonna be out. That's one 469 00:22:20,400 --> 00:22:21,120 Speaker 4: thing you got to do. 470 00:22:21,440 --> 00:22:22,280 Speaker 5: Plan and save. 471 00:22:22,400 --> 00:22:24,639 Speaker 4: You see the the we're talking about money now and 472 00:22:24,680 --> 00:22:26,400 Speaker 4: I so this is a whole different story. You see 473 00:22:26,400 --> 00:22:28,480 Speaker 4: the football players go out there and make twenty million 474 00:22:28,560 --> 00:22:31,040 Speaker 4: dollars one year, sixty million dollars a year, and next 475 00:22:31,040 --> 00:22:33,320 Speaker 4: thing you know, they're broke. Seventy three percent of all 476 00:22:33,359 --> 00:22:35,960 Speaker 4: the football players are broke after they leave the lead. 477 00:22:36,280 --> 00:22:39,080 Speaker 4: How do you do that? You don't do that stupid stuff. 478 00:22:39,240 --> 00:22:41,720 Speaker 4: Save your money. Don't go out there buying a thousand cars. 479 00:22:42,200 --> 00:22:43,920 Speaker 4: Take care of yourself, put your money in the bank, 480 00:22:44,720 --> 00:22:48,240 Speaker 4: a live like a normal person. But don't lose your money. 481 00:22:48,240 --> 00:22:50,360 Speaker 4: Whatever you do, do not lose your money. 482 00:22:50,640 --> 00:22:53,600 Speaker 1: Hey, George, stand up or acting? Which is tougher? 483 00:22:53,680 --> 00:22:57,639 Speaker 4: Stand up? Are you crazy? Stand up? Because all I 484 00:22:57,720 --> 00:22:59,720 Speaker 4: do is lie? I thank God for every day for 485 00:22:59,800 --> 00:23:01,560 Speaker 4: what do I have? The greatest job in the world 486 00:23:01,560 --> 00:23:02,840 Speaker 4: with Sean. I know you love it. 487 00:23:04,040 --> 00:23:08,320 Speaker 3: Joe, I asked you, which is tougher stand up or acting, and. 488 00:23:08,280 --> 00:23:10,040 Speaker 1: Then you said stand up. And then you just said 489 00:23:10,080 --> 00:23:11,960 Speaker 1: I have the greatest job. I can lie. What did 490 00:23:12,000 --> 00:23:13,359 Speaker 1: you misunderstand my question? 491 00:23:13,760 --> 00:23:15,880 Speaker 4: I lie every when I hit that stage, I lie. 492 00:23:15,920 --> 00:23:18,360 Speaker 4: I will tell a lot of minutes. I loved a lot, 493 00:23:18,520 --> 00:23:21,160 Speaker 4: because life is a lot. If you're not lying, you're 494 00:23:21,240 --> 00:23:24,040 Speaker 4: not living. Let's make that perfect your clear. Everything you 495 00:23:24,160 --> 00:23:27,040 Speaker 4: do in life you present every day. Somebody lied to you. 496 00:23:27,880 --> 00:23:30,560 Speaker 4: Every day you go to the Chinese restaurant a fortune cooking. 497 00:23:30,720 --> 00:23:33,080 Speaker 4: Here's a guy in the back of the kitchen thirty 498 00:23:33,160 --> 00:23:35,760 Speaker 4: three hundred years ago for the rag around and says 499 00:23:35,840 --> 00:23:39,040 Speaker 4: swetness soft making fortune cookies, and he knows what the 500 00:23:39,119 --> 00:23:42,120 Speaker 4: lucky numbers are. Everything is a lot. I don't care 501 00:23:42,240 --> 00:23:44,920 Speaker 4: where you go. It's all a lot. These new mattresses 502 00:23:45,000 --> 00:23:47,720 Speaker 4: on TV come in a box. They said, you don't 503 00:23:47,800 --> 00:23:49,800 Speaker 4: like it, you can send it back. You try to 504 00:23:49,800 --> 00:23:52,080 Speaker 4: put the mattress back in the box. One of Day 505 00:23:52,119 --> 00:23:54,960 Speaker 4: Vitamins is a live. One of Day Vitamins says take 506 00:23:55,200 --> 00:23:58,119 Speaker 4: one to day. Read your direction says take two. Everything 507 00:23:58,200 --> 00:24:00,399 Speaker 4: is a lot. I don't care what you do. You 508 00:24:00,440 --> 00:24:02,360 Speaker 4: go to church, the preacher say, I won't be long. 509 00:24:02,720 --> 00:24:05,240 Speaker 4: Everybody a lot of you. I don't give what it is. 510 00:24:05,280 --> 00:24:08,359 Speaker 4: It's a cheesecake factory. That ain't no that's a restaurant. 511 00:24:09,040 --> 00:24:10,680 Speaker 5: And technically it ain't no cake. 512 00:24:10,720 --> 00:24:14,520 Speaker 4: It's a pie and technically there's more sugar in it 513 00:24:14,560 --> 00:24:16,320 Speaker 4: down there. It's cheese. So the ship called the Sugar 514 00:24:16,320 --> 00:24:19,040 Speaker 4: Pie everything. The last time you bought. 515 00:24:18,840 --> 00:24:21,400 Speaker 5: A coat from the Brothers and coat battery, that's a lie. 516 00:24:22,320 --> 00:24:26,840 Speaker 3: Oh my god, Hey, George, your book Bullet Twitt and whatnot? 517 00:24:27,840 --> 00:24:29,760 Speaker 3: It was I got the fairy first one, by the way, 518 00:24:30,560 --> 00:24:32,439 Speaker 3: one of my all time favorite books. Every time I 519 00:24:32,440 --> 00:24:35,520 Speaker 3: bring you up, you said, hey, I got more that book. 520 00:24:36,119 --> 00:24:39,480 Speaker 1: If you haven't bought that book, is it's still available 521 00:24:39,480 --> 00:24:40,040 Speaker 1: on Amazon? 522 00:24:40,040 --> 00:24:44,080 Speaker 3: Correct, Joe, Yes, it is, okay, and you can also. 523 00:24:43,840 --> 00:24:46,359 Speaker 5: Get an on my network on my website. 524 00:24:46,600 --> 00:24:50,199 Speaker 1: George Wallers, was it George Wallers doting that? And you 525 00:24:50,200 --> 00:24:52,520 Speaker 1: can get that more Twitt and whatnot. 526 00:24:52,960 --> 00:24:54,679 Speaker 4: Y'all make more money if you buy it direct from 527 00:24:54,720 --> 00:24:56,680 Speaker 4: make nothing from Amazon. Let's be honest with this. 528 00:24:57,600 --> 00:24:57,840 Speaker 5: Okay. 529 00:24:57,920 --> 00:24:58,120 Speaker 1: Cool? 530 00:24:58,359 --> 00:25:01,879 Speaker 3: Now, as an author, that's a whole new you know, 531 00:25:01,920 --> 00:25:05,280 Speaker 3: because everything's about time and you know that George, that's 532 00:25:05,320 --> 00:25:07,920 Speaker 3: a stand up comedian and so what you can say 533 00:25:07,960 --> 00:25:08,479 Speaker 3: on stage. 534 00:25:08,480 --> 00:25:09,120 Speaker 1: Because you're so. 535 00:25:09,160 --> 00:25:12,560 Speaker 3: Gifted, you could twist that word and make good morning funny, 536 00:25:12,880 --> 00:25:14,000 Speaker 3: make good morning funny. 537 00:25:14,119 --> 00:25:16,840 Speaker 5: Well I'm cussing on regular television. 538 00:25:16,880 --> 00:25:21,439 Speaker 3: Now, well, let's talk about this the book that's really funny. 539 00:25:22,000 --> 00:25:25,679 Speaker 3: How did you trust yourself that you could write something 540 00:25:25,760 --> 00:25:29,840 Speaker 3: down and people will still translate to humor that you 541 00:25:29,920 --> 00:25:31,639 Speaker 3: were expecting them to receive. 542 00:25:33,240 --> 00:25:38,800 Speaker 4: Because it's the way I said, my christ and allows 543 00:25:38,800 --> 00:25:39,240 Speaker 4: me to doing it. 544 00:25:39,320 --> 00:25:40,400 Speaker 5: My personality allows me. 545 00:25:40,359 --> 00:25:42,640 Speaker 4: To talk about blind people, allows me to talking about 546 00:25:42,880 --> 00:25:45,440 Speaker 4: I don't do a PC show, allows me to cuss. 547 00:25:45,560 --> 00:25:47,680 Speaker 4: I would take I would start talking about the rappers 548 00:25:47,680 --> 00:25:51,080 Speaker 4: like Walking Flock and Flame. Right, and now I'm cussing 549 00:25:51,080 --> 00:25:53,199 Speaker 4: in the book books what I'm talking about that? And 550 00:25:53,240 --> 00:25:57,320 Speaker 4: now I can cuss just saying walking flock instead of 551 00:25:57,359 --> 00:25:57,960 Speaker 4: the other word. 552 00:25:59,440 --> 00:26:01,320 Speaker 5: Like I said, there, my preacher walked up in. 553 00:26:01,240 --> 00:26:03,480 Speaker 4: The pool pits. Last time, I said, look at this 554 00:26:03,640 --> 00:26:06,479 Speaker 4: Walker Flocker walking up in here. So that's my customer. 555 00:26:06,640 --> 00:26:10,000 Speaker 4: Now Walker Flocker and I get the same results. I 556 00:26:10,040 --> 00:26:11,679 Speaker 4: get the same results with walker Plocker. 557 00:26:12,400 --> 00:26:15,480 Speaker 3: No, I always so I text you the other day 558 00:26:16,200 --> 00:26:18,280 Speaker 3: George Waller should have a documentary. 559 00:26:19,880 --> 00:26:20,840 Speaker 1: When is that gonna happen. 560 00:26:21,680 --> 00:26:23,720 Speaker 4: Well, we got to put that together because you know 561 00:26:23,960 --> 00:26:26,320 Speaker 4: you're not the first person to say it. Norman Live 562 00:26:26,320 --> 00:26:27,720 Speaker 4: is trying to do it. You want to do it, 563 00:26:27,760 --> 00:26:29,640 Speaker 4: everybody want to do but I've got you do it. 564 00:26:30,119 --> 00:26:32,080 Speaker 4: I have to put it together with you and somebody 565 00:26:32,080 --> 00:26:34,160 Speaker 4: because you don't make better than than Norman does. 566 00:26:34,880 --> 00:26:35,040 Speaker 1: Right. 567 00:26:35,160 --> 00:26:36,720 Speaker 3: Well, you know the thing about it, That's what happened 568 00:26:36,760 --> 00:26:39,439 Speaker 3: with Prime Time when he did that special where he 569 00:26:39,480 --> 00:26:43,040 Speaker 3: played football and baseball in the same day. You know, 570 00:26:43,800 --> 00:26:45,760 Speaker 3: he had to get with the right people that could 571 00:26:45,840 --> 00:26:48,359 Speaker 3: understand the vision. Because everybody wants to do it. Everybody 572 00:26:48,359 --> 00:26:50,399 Speaker 3: wants to do it. But but you know, in me, 573 00:26:50,880 --> 00:26:53,080 Speaker 3: I have a special relationship with you because I always 574 00:26:53,080 --> 00:26:55,960 Speaker 3: go back how you impacted me, and I've seen the journey. 575 00:26:56,000 --> 00:26:56,919 Speaker 1: You saw me in the hospital. 576 00:26:56,960 --> 00:26:59,000 Speaker 3: I'm gonn tell you something, y'all when I was near 577 00:26:59,119 --> 00:27:02,160 Speaker 3: death or nineteen nine, this man, I don't know how 578 00:27:02,280 --> 00:27:04,720 Speaker 3: he knew I was in the hospital came visited me 579 00:27:04,800 --> 00:27:07,280 Speaker 3: in the hospital, and to this day, I always felt 580 00:27:07,280 --> 00:27:10,000 Speaker 3: I was one of the great special moments because in 581 00:27:10,080 --> 00:27:11,720 Speaker 3: eighteen eighty you were pretty famous. 582 00:27:11,720 --> 00:27:12,879 Speaker 1: George Wallace, Well. 583 00:27:13,600 --> 00:27:16,119 Speaker 4: You are such a good person. You know, you have 584 00:27:16,200 --> 00:27:16,560 Speaker 4: to be give. 585 00:27:16,680 --> 00:27:17,760 Speaker 5: What goes around comes around. 586 00:27:17,840 --> 00:27:18,880 Speaker 4: What do they say about that? 587 00:27:19,200 --> 00:27:21,400 Speaker 5: You have got to be nice for me to have come. 588 00:27:21,440 --> 00:27:23,119 Speaker 4: I don't know where I was, but you were in 589 00:27:23,160 --> 00:27:25,600 Speaker 4: the hospital in Los Angeles, baby Houston, wherever you were. 590 00:27:26,000 --> 00:27:27,440 Speaker 5: But I said, I got go see this guy. 591 00:27:27,480 --> 00:27:29,879 Speaker 4: This is a nice guy and I and it was 592 00:27:29,920 --> 00:27:31,840 Speaker 4: only what three of us black people in the business 593 00:27:31,880 --> 00:27:32,240 Speaker 4: back then. 594 00:27:32,520 --> 00:27:34,600 Speaker 5: Yeah, come on it. 595 00:27:35,000 --> 00:27:36,920 Speaker 1: What do you see with the future of comed with AI? 596 00:27:37,320 --> 00:27:40,760 Speaker 3: Do you think AI will impact stand up comedy? 597 00:27:40,880 --> 00:27:43,320 Speaker 4: No matter what, the funny people will always rise to 598 00:27:43,359 --> 00:27:45,000 Speaker 4: the top. The cream will rise at the top. No 599 00:27:45,040 --> 00:27:48,200 Speaker 4: matter what they said television, they said, they said hip 600 00:27:48,240 --> 00:27:49,160 Speaker 4: hop was'm gonna last? 601 00:27:50,440 --> 00:27:51,200 Speaker 5: Where is it now? 602 00:27:51,920 --> 00:27:54,640 Speaker 4: Fifteen year comedy you always got to laugh because when 603 00:27:54,640 --> 00:27:57,879 Speaker 4: you stopped laughing, you stopped living. So comedians were the 604 00:27:57,880 --> 00:27:59,960 Speaker 4: funny people will always be there. AI. 605 00:28:00,000 --> 00:28:01,920 Speaker 5: I can't do nothing without us. 606 00:28:02,160 --> 00:28:06,360 Speaker 4: They can correlate it, put it together, whatever, but they 607 00:28:06,400 --> 00:28:09,200 Speaker 4: cannot do it without us. And the comedians are always 608 00:28:09,200 --> 00:28:11,320 Speaker 4: going to be number one. That's why it's the hardest 609 00:28:11,440 --> 00:28:13,040 Speaker 4: arc form today. 610 00:28:13,280 --> 00:28:14,080 Speaker 1: Ladies and gentlemen. 611 00:28:14,720 --> 00:28:20,200 Speaker 3: He always said, I'm probably do anything yet laughter is 612 00:28:20,320 --> 00:28:22,960 Speaker 3: the best medic of doctor George Wallace. You can find 613 00:28:23,160 --> 00:28:26,159 Speaker 3: all his merchandise all his advance go to George Wallace 614 00:28:26,200 --> 00:28:28,200 Speaker 3: dot net. George Wallace, thank you for coming on Money 615 00:28:28,200 --> 00:28:29,040 Speaker 3: Making Conversations Matter. 616 00:28:29,080 --> 00:28:30,520 Speaker 5: I'll come back with you when I have my show 617 00:28:30,600 --> 00:28:31,800 Speaker 5: day be called clean Slate. 618 00:28:31,840 --> 00:28:34,320 Speaker 4: I appreciate you, I love you, and there's absolutely nothing 619 00:28:34,359 --> 00:28:35,040 Speaker 4: you can do about it. 620 00:28:35,080 --> 00:28:35,800 Speaker 5: God bless us. 621 00:28:36,400 --> 00:28:40,440 Speaker 6: Thank you, brother, thank you for joining us for this 622 00:28:40,640 --> 00:28:43,640 Speaker 6: edition of Money Making Conversations Masterclass. 623 00:28:43,920 --> 00:28:48,560 Speaker 4: Money Making Conversations Masterclass with Roughshan McDonald is produced by 624 00:28:48,600 --> 00:28:52,120 Speaker 4: thirty eight to fifteen Media Inc. More information about thirty 625 00:28:52,160 --> 00:28:55,160 Speaker 4: eight to fifteen Media Inc. Is available at thirty eight 626 00:28:55,200 --> 00:28:59,040 Speaker 4: to fifteen media dot com. And always remember to lead 627 00:28:59,120 --> 00:29:03,160 Speaker 4: with your gifts