WEBVTT - Estelle

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<v Speaker 1>Money. We are thank take we are the authority. And

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<v Speaker 1>ladies and gentlemen, my name is Tank. This it's the

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<v Speaker 1>R and B Money Podcast, the authority on all things

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<v Speaker 1>R and B. See you think you think R and

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<v Speaker 1>B is local, local joker? You you think it's local?

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<v Speaker 1>Huh RB a local today tonight. I don't know what

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<v Speaker 1>time it is where you watching it? Arms got international,

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<v Speaker 1>huh just elevated. Yeah, it's not just no American thing. No,

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<v Speaker 1>it's not just no American thing. I mean there was

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<v Speaker 1>there was an American boy of all. But it's just

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<v Speaker 1>American thing, you know that. See what I'm saying. We

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<v Speaker 1>have a love one in the building, a superstar in

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<v Speaker 1>the building. She does it all man makes an Yeah,

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<v Speaker 1>thank you. How you doing? I'm doing awesome? Girls, It's great.

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<v Speaker 1>Just going to the access beginning. Just talk you know

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<v Speaker 1>the way I normally talk right now, you know, try

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<v Speaker 1>to make you know, accommodate. Sure he feels what is happening.

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<v Speaker 1>This guy, you know, he's from the hood, so I

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<v Speaker 1>have to make what I have to make sure he's

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<v Speaker 1>you know, accommodated. But now it's about it's not terrible,

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<v Speaker 1>but it's just like a boy. Oh my gosh, and

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<v Speaker 1>it's a new They keep me here and how you doing?

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<v Speaker 1>I'm here amongst the madness and King George? What are

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<v Speaker 1>you both good? Great? We are good. We are happy

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<v Speaker 1>to have you. I love I mean, you know you're dope.

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<v Speaker 1>Thank you. I think you're I think you know, talent

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<v Speaker 1>wise and all of the cool things, like all that

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<v Speaker 1>is cool. But you know, your energy has been a

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<v Speaker 1>thousand percent consistent and on just a godly angelic level

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<v Speaker 1>since the first day I met you. And that's that's

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<v Speaker 1>really cool and rare. Yeah. Now, you genuinely are a sweetheart.

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<v Speaker 1>Thank you. Yeah, I've always felt that every time I'm

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<v Speaker 1>in your presence, like this is just a sweet person,

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<v Speaker 1>and it's tough to remain that way. Yeah, Like you

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<v Speaker 1>may start off, you know what I'm saying, and then

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<v Speaker 1>you really get into this ship. Yeah, and you really

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<v Speaker 1>start to go through some things. You start really seeing

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<v Speaker 1>the colors and the skins on these people, and it

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<v Speaker 1>can turn you, it can turn you different. Well, I

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<v Speaker 1>have been there, you know, like, and I always say that,

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<v Speaker 1>well I've said recently you have to go there to

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<v Speaker 1>know that you want to stay sweet and you want

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<v Speaker 1>to stay cool, you know, because it's this, this whole world,

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<v Speaker 1>not just the industry, is designed to make you realize

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<v Speaker 1>and see and face your shadow side, which is to me,

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<v Speaker 1>the mean side. You know, once you get cool with it,

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<v Speaker 1>I would say, I play nice with my shadows. I'm

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<v Speaker 1>clear where they are, I know what they look like.

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<v Speaker 1>I choose not to go there frequently, you know, And

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<v Speaker 1>and I don't take a lot of stuff personal anymore. Yeah,

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<v Speaker 1>you know, so that helps me stay Yeah, all right, man,

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<v Speaker 1>you're just probably having a bad day. I might be

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<v Speaker 1>having a bad day. I'll give myself grace. I think

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<v Speaker 1>the personal part of it is a tough bar because

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<v Speaker 1>as an artist, everything feels like an attack on you personally.

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<v Speaker 1>Sometimes it's all an attacks that's just not good? What

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<v Speaker 1>do you mean? It's not good? And you'd be like,

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<v Speaker 1>you don't know why I went through? How dare you now?

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<v Speaker 1>But maybe sometimes it ain't and and it's okay for

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<v Speaker 1>it not to be. Sometimes it's just a fact, you know,

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<v Speaker 1>it's okay, it's okay that not everybody feels the way you. Yeah,

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<v Speaker 1>that's totally fine. And so then you just start to

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<v Speaker 1>you start to zero in on the people who do

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<v Speaker 1>that part. And I believe what you put your energies.

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<v Speaker 1>Who was multiplies and so like, I worry about the

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<v Speaker 1>people worry about me in the greatest of ways, and

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<v Speaker 1>anybody else who doesn't or just just doesn't for the

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<v Speaker 1>sake of doesn't. Maybe that's I'm not your vibe. Maybe

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<v Speaker 1>we ain't in the same energy feel Maybe you're there

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<v Speaker 1>to let me know that there's harmony in the world,

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<v Speaker 1>and that's okay. It took me a minute to even

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<v Speaker 1>get that though, you know, because social media really had

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<v Speaker 1>a good hold on me. Um, just in terms of

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<v Speaker 1>these negative conversations. Oh yeah, I wanted to I wanted

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<v Speaker 1>to talk back. Sometimes you have to do it, though,

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<v Speaker 1>It's okay, all right, up, like A in the morning said,

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<v Speaker 1>can you please stop arguing with with girl forty eight

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<v Speaker 1>nine not a real girl. You're literally you're literally fighting goes.

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<v Speaker 1>It takes up to me. It takes like a big

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<v Speaker 1>amount of personal presence or just being like here right

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<v Speaker 1>to like even walk yourself off that ledge. Yeah, I

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<v Speaker 1>hate I used to never be this person to be

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<v Speaker 1>like nah f concastle like out here. So I'm up

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<v Speaker 1>and then and it was just like, is it changing

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<v Speaker 1>the price of my mortgage is it coloring my days?

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<v Speaker 1>Is it? Is it protecting my mom more? Is it?

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<v Speaker 1>None of that? None of it. I don't care about

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<v Speaker 1>you none, none of it. Like I had to say

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<v Speaker 1>it out, I don't care about you people, and move

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<v Speaker 1>along because I have drafts some days these thumbs yeah

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<v Speaker 1>what yeah? And then then some days when I was like,

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<v Speaker 1>all right, now, what's your mouth? Like be careful? And

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<v Speaker 1>sometimes the statement is what's your mouth? That's it? And

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<v Speaker 1>that's it. Yeah, And I always I always wonder, and

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<v Speaker 1>I guess it's because I've just been on the other

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<v Speaker 1>side of it for so long. At this point with

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<v Speaker 1>the business side, is you know, I'm gonna step away

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<v Speaker 1>from being a creative. You guys are here, but you're

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<v Speaker 1>a creative too, Yes, but I'm going to step out.

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<v Speaker 1>I'm gonna step out and step out of the circle

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<v Speaker 1>and ask a question, would it just take too much

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<v Speaker 1>time to reply to all the love? Because y'all find

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<v Speaker 1>the hate hate hate finds out. I'm literally just I'm

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<v Speaker 1>generally just asking that question because there will be so

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<v Speaker 1>much love blah blah blah blah blah blah blah. Oh

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<v Speaker 1>my god, the one thing, but you hate it, see it?

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<v Speaker 1>Like I'm going to cut your ass out. No, see

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<v Speaker 1>it as a party, right, See it as it's almost

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<v Speaker 1>a celebration you're hosting. It's your party. You're in the

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<v Speaker 1>party and you're dancing, see everybody, everybody stinks up a

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<v Speaker 1>good time and you point the finger in you may

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<v Speaker 1>and then that's that one person comes up and completely

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<v Speaker 1>stops the record, grabs the DJ's mind said, this is

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<v Speaker 1>a bunch of bullshit. It should ain't even hot like that. Now.

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<v Speaker 1>I was like, so, in the in the midst of

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<v Speaker 1>enjoying all the love, that negative comment or whatever completely

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<v Speaker 1>interrupts the party. Okay, and pay attention to it more

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<v Speaker 1>because of that, because we're having such a good time

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<v Speaker 1>in these comments, such a great time. But then there's

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<v Speaker 1>also the perspective of like you give them the power

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<v Speaker 1>to stop the party? Is that Is that that big

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<v Speaker 1>of a deal what they said, right? Not that not

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<v Speaker 1>that some of the things ain't real. And before you

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<v Speaker 1>reply to it, to me, it's kind of like the

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<v Speaker 1>way you read it, I was like, I've had to

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<v Speaker 1>actively do this, like give it empathy, right that person

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<v Speaker 1>I go down there pay for response sometimes and I'm like,

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<v Speaker 1>you're just having a bad week, or you just feel

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<v Speaker 1>like this is your emo. I don't. I'm not allowing

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<v Speaker 1>you to be that big of a deal in my

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<v Speaker 1>day this week. So no, I'm not even responding to it.

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<v Speaker 1>I won't let you stop the record. You should refer

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<v Speaker 1>to your third post before you continue. You want me

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<v Speaker 1>to repost that for you. I really, I really be

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<v Speaker 1>laughing better, you know, don't even but like I'll see

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<v Speaker 1>something that somebody says about I'll be laughing at it,

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<v Speaker 1>laugh well, and it's and it also like it also

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<v Speaker 1>like I had to think about, like before it even

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<v Speaker 1>got to this point, and things that I would hear

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<v Speaker 1>about people that I knew it. I was like, that's

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<v Speaker 1>not true. Yeah, it's not the stuff they're doing, right,

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<v Speaker 1>I'm just hanging out. Everybody's going an opinion and everybody

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<v Speaker 1>I tried to give us money empathy because guess what,

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<v Speaker 1>ever be a day when I get it completely wrong

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<v Speaker 1>and I just want empathy. Yes, So I try my hardest,

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<v Speaker 1>like I have to like concertedly do it. I say,

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<v Speaker 1>because I'm on look, you say I'm sweet every day,

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<v Speaker 1>and I'm just like it's a concerned effort to make

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<v Speaker 1>sure that my spirit and everything stays in the right space.

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<v Speaker 1>I self correct as quick as I can. You know, like,

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<v Speaker 1>I'm not owed it. I didn't. I didn't. I worked

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<v Speaker 1>for this life. But there's there's God too, and he

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<v Speaker 1>gave me this, and I don't play about it, and

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<v Speaker 1>he doesn't play about me. So I'm more beholden to

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<v Speaker 1>God than I am to anybody and anything else. Like no,

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<v Speaker 1>so serious. So I like, it's a conscious thing. You know,

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<v Speaker 1>it's a real morning, middle of the day, you know,

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<v Speaker 1>and so the stuff, I'm human, Yeah, I go through it.

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<v Speaker 1>But the empathy part for me helps me to let

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<v Speaker 1>me just see what you going through this week. Look

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<v Speaker 1>at what you said on your Instagram pick. Someone told

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<v Speaker 1>me I pose like an old lady, and I went

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<v Speaker 1>to custom out and then I went down his page

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<v Speaker 1>and I was like, this is a twelve year old,

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<v Speaker 1>so of course I'm old. Yeah, it's about right. I

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<v Speaker 1>want to be like I wanted to be like, yeah,

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<v Speaker 1>your mom. You know I'm probably your mom, so you

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<v Speaker 1>probably think, yeah, it's about right before we move on,

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<v Speaker 1>because I was about to move on, but then you

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<v Speaker 1>said old and old used to bother me so bad,

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<v Speaker 1>you used to I'm with it, though, like i'd rather

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<v Speaker 1>get old than die like that old ass nigga. You ain't. No,

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<v Speaker 1>I'm appreciative when they call me up. No, no, I'm

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<v Speaker 1>not unk, old ass nigga and the negative derogatory clap

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<v Speaker 1>at me, old ass nigga. What you're doing commenting here?

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<v Speaker 1>What you're doing here in the shade? Run? No, Uncle's different,

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<v Speaker 1>Uncle's reverence, respectful, old nigga Like whatever you're like, calm down, same,

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<v Speaker 1>are the same? Rung calmed out? How you taking a

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<v Speaker 1>picture like that? You old ass nigga? Like, well, I'm

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<v Speaker 1>Richelia Rachel all right. Still. Yeah, we like to we

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<v Speaker 1>like to start the beginning. Yeah, we like to go

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<v Speaker 1>all the way back to the uk UK. We like

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<v Speaker 1>to know when first time, first time someone saw it,

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<v Speaker 1>or first time you felt it. I got something, discovered

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<v Speaker 1>that gift. Oh when I was like all right, when

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<v Speaker 1>I was like nine or something, at church and I

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<v Speaker 1>sang this song called Makeway for Love, I think like

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<v Speaker 1>it was a cover of a choir song, um, some

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<v Speaker 1>gospel choir and I didn't think I was good because

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<v Speaker 1>my friend you had the better voice, the gospel voice, right,

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<v Speaker 1>And I was like they were like, yeah, you're gonna

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<v Speaker 1>sing it, and I was like, I practiced so hard,

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<v Speaker 1>so hard, and Sunday morning I went and I sang it,

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<v Speaker 1>and everyone stood up and collapped, and it was like,

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<v Speaker 1>yeahin't I was like, and you know, and then build

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<v Speaker 1>it from there, you know, every I realized that, you know,

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<v Speaker 1>I was in quiet. So I learned I'm a natural

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<v Speaker 1>alto and I could. I'm really good at it. And

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<v Speaker 1>then I started learning how to sing all the different

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<v Speaker 1>ranges and all the different things, and and it was

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<v Speaker 1>just from there. And then I realized that like no

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<v Speaker 1>one could really sing as deep as I could sing

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<v Speaker 1>at the time, um for like a twelve year old,

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<v Speaker 1>thirteen year old, And like I learned all the rangers,

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<v Speaker 1>and I would start arranging with my cousins and my

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<v Speaker 1>nieces and my cousins and my sisters. It's nine of us. Um,

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<v Speaker 1>it's nine of us. Told all the time as three

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<v Speaker 1>girls in the group. And then my cousin and my

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<v Speaker 1>little friend from down the street and was in the group.

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<v Speaker 1>We thought, we're Black Street and Joe the season, Wily,

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<v Speaker 1>where do you fit in the number, my oldest girl,

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<v Speaker 1>You're the oldest girl's second oldest, second oldest. So it

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<v Speaker 1>starts off with just you and your big brother. No,

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<v Speaker 1>it starts off with me and my two younger sisters

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<v Speaker 1>and then my cousin. You know, I'm saying as far

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<v Speaker 1>as in the family. So it starts out with your

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<v Speaker 1>big brother than you. Yeah, big brother than me, and

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<v Speaker 1>then right behind me was my two year little sisters.

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<v Speaker 1>And so it was like one year, two years apart,

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<v Speaker 1>one year apart, two years apart to me and my brother.

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<v Speaker 1>I was cracking in your house. Yeah. My mom is

0:13:20.559 --> 0:13:25.800
<v Speaker 1>a g I do not aspire. She's just amazing. Yeah,

0:13:27.000 --> 0:13:33.679
<v Speaker 1>I'll get my dad is incredible to um. They're like

0:13:34.440 --> 0:13:36.559
<v Speaker 1>they inspire me in a whole different way. The story there,

0:13:36.760 --> 0:13:40.000
<v Speaker 1>that's what I wrote Love is rock about um. But

0:13:40.480 --> 0:13:42.559
<v Speaker 1>at the time, she was married to my stepdad for

0:13:42.920 --> 0:13:46.240
<v Speaker 1>much of my childhood and that's when we were in church. Um.

0:13:46.280 --> 0:13:48.760
<v Speaker 1>They break up when I was nineteen, and they get

0:13:48.800 --> 0:13:51.280
<v Speaker 1>back together when I was twenty three. Um, my mom

0:13:51.320 --> 0:13:52.760
<v Speaker 1>and my real dad get back together when I was

0:13:52.800 --> 0:13:58.120
<v Speaker 1>twenty three. Wow. And then they have stories they did,

0:14:00.120 --> 0:14:06.079
<v Speaker 1>Yeah I missed you, We got all the sys. What

0:14:06.200 --> 0:14:12.840
<v Speaker 1>we're gonna do? Mom? Dad, d you see the sere

0:14:14.679 --> 0:14:18.000
<v Speaker 1>But no, they their story was they met had me

0:14:18.080 --> 0:14:20.960
<v Speaker 1>and my three sisters. Two sisters split up when I

0:14:21.040 --> 0:14:23.120
<v Speaker 1>was three, got back together when I was twenty three.

0:14:23.960 --> 0:14:27.200
<v Speaker 1>I got mad when I'll stay three. Wow. So it's

0:14:27.320 --> 0:14:30.800
<v Speaker 1>been a right, it's been a riding. Yeah. Yeah, it

0:14:30.880 --> 0:14:33.480
<v Speaker 1>spend the time. But we were allays just it was

0:14:33.520 --> 0:14:35.880
<v Speaker 1>always church, it was always reggae music, it was always so,

0:14:36.040 --> 0:14:38.000
<v Speaker 1>it was always African. It was always all the things,

0:14:38.920 --> 0:14:45.320
<v Speaker 1>y'all just mixing it. Yeah, yeah, like church, reggae, gospel, gospel, pop,

0:14:47.000 --> 0:14:51.480
<v Speaker 1>all of it. So so in the UK is that

0:14:51.600 --> 0:14:54.920
<v Speaker 1>a thing though? For like for black families there, we're

0:14:55.000 --> 0:14:56.960
<v Speaker 1>just like we're mixing all of it. Yeah, Like you're

0:14:57.040 --> 0:14:59.480
<v Speaker 1>in the house and you're playing all the gospel, all

0:14:59.520 --> 0:15:02.400
<v Speaker 1>the solo, the reggae or the dance or or whatever.

0:15:02.560 --> 0:15:04.560
<v Speaker 1>And then you go to school and it's like spanned

0:15:04.600 --> 0:15:10.280
<v Speaker 1>out ballet and like Yaz and like wherever, pop group,

0:15:10.600 --> 0:15:13.800
<v Speaker 1>Spice Girls, whoever. And then you come go to church

0:15:13.880 --> 0:15:17.120
<v Speaker 1>and it's Karen Clark and it's you know, Donald Lawrence

0:15:17.200 --> 0:15:22.680
<v Speaker 1>and all of them, and my favorite rates like she like,

0:15:22.880 --> 0:15:24.760
<v Speaker 1>oh gosh, I got to interview them and I was

0:15:24.800 --> 0:15:29.560
<v Speaker 1>just like um, and then you know, and then so

0:15:29.760 --> 0:15:32.120
<v Speaker 1>like all of that just mixes up. It's just it's

0:15:32.160 --> 0:15:36.840
<v Speaker 1>just whatever was good stuck. Yeah, you know that's crazy. Yeah, yeah,

0:15:36.840 --> 0:15:39.960
<v Speaker 1>I mean because I find I'm fine, Like I find

0:15:40.080 --> 0:15:47.880
<v Speaker 1>like the traditional roots still exist in the UK, you

0:15:47.920 --> 0:15:49.800
<v Speaker 1>know what I mean, especially for R and B music.

0:15:49.960 --> 0:15:53.440
<v Speaker 1>Yea so army. It would be like you hear the

0:15:53.480 --> 0:15:55.600
<v Speaker 1>story and I guess the idea is that R and

0:15:55.640 --> 0:15:59.120
<v Speaker 1>B artists will get like extradited or they were going

0:15:59.200 --> 0:16:02.080
<v Speaker 1>tour and be famous in Europe. In the UK, yeah,

0:16:02.160 --> 0:16:04.840
<v Speaker 1>and so our appreciation for them was different because we

0:16:04.920 --> 0:16:08.240
<v Speaker 1>saw them far more often and in more celebrated ways

0:16:08.800 --> 0:16:12.360
<v Speaker 1>back in the day than they were celebrated in the US. Right.

0:16:12.440 --> 0:16:15.880
<v Speaker 1>So yeah, for instance, when I know that when he

0:16:15.960 --> 0:16:18.360
<v Speaker 1>first came out, someone like music Soul Child would be

0:16:18.440 --> 0:16:20.720
<v Speaker 1>in the UK regularly. Yeah, And it was the same

0:16:20.760 --> 0:16:22.480
<v Speaker 1>for hip hop groups, and it was the same for

0:16:22.840 --> 0:16:25.880
<v Speaker 1>you know, like just R and B legends. They're always

0:16:25.960 --> 0:16:29.880
<v Speaker 1>they tore consistently in the UK, all the festivals, all

0:16:29.920 --> 0:16:35.440
<v Speaker 1>the soul beaches, whatevers. It's made up of legendary American artists.

0:16:35.680 --> 0:16:40.320
<v Speaker 1>So we saw them like when I was twelve, fifteen, sixteen, seventeen,

0:16:40.360 --> 0:16:43.680
<v Speaker 1>eighteen nineteen, I was like glad as night and you know,

0:16:43.960 --> 0:16:48.960
<v Speaker 1>like seeing real music regular day. I used to be

0:16:49.120 --> 0:16:52.240
<v Speaker 1>jealous about that because all of my from genuine my

0:16:52.280 --> 0:16:54.640
<v Speaker 1>first overseas tour was with him in ninety eight. Yeah,

0:16:54.880 --> 0:16:58.120
<v Speaker 1>and I used to see Joe going over there like

0:16:58.240 --> 0:17:01.720
<v Speaker 1>crazy of course you said music soul Child, Carl Thomas,

0:17:01.760 --> 0:17:06.800
<v Speaker 1>all these guys going over there. I'd be like, I

0:17:06.800 --> 0:17:09.400
<v Speaker 1>don't want to go do that. And I never got

0:17:09.440 --> 0:17:14.359
<v Speaker 1>an opportunity to really build a touring base, you know, overseas.

0:17:14.400 --> 0:17:18.520
<v Speaker 1>But I mean I do, I do well now, but

0:17:18.640 --> 0:17:21.440
<v Speaker 1>I'm still like, like, take Joe for instance, Yes, like

0:17:21.600 --> 0:17:23.440
<v Speaker 1>most times when I go on like I'm on his ticket,

0:17:23.920 --> 0:17:25.639
<v Speaker 1>you know what I'm saying, because Joe over there is.

0:17:26.359 --> 0:17:28.840
<v Speaker 1>But he had the opportunity of course. Yeah, he really

0:17:28.880 --> 0:17:35.000
<v Speaker 1>got dug in. Yeah Joe, it's Joe. Yeah, like not again, yeah, yeah,

0:17:35.840 --> 0:17:40.760
<v Speaker 1>Joe jacketed like John b like those guys, like guys

0:17:40.840 --> 0:17:44.280
<v Speaker 1>over there. You know, I remember a TDT went over there,

0:17:44.760 --> 0:17:46.680
<v Speaker 1>and we have been doing our thing over here in

0:17:46.720 --> 0:17:48.720
<v Speaker 1>the States, and you know, the screams are great in

0:17:48.760 --> 0:17:52.080
<v Speaker 1>the States. It's exciting. Yeah, but we walked out on

0:17:52.200 --> 0:17:57.920
<v Speaker 1>that hammer Smith Apolo. States different, it's different. Yourself was like, listen,

0:17:58.320 --> 0:18:01.640
<v Speaker 1>it was so different that before we were walking out

0:18:01.680 --> 0:18:06.320
<v Speaker 1>on stage, me and Genuine had damn, they're cussed out

0:18:06.400 --> 0:18:10.439
<v Speaker 1>Tyrese and had went upstairs and made our own dressing

0:18:10.520 --> 0:18:14.360
<v Speaker 1>room in another room, left him downstairs, right like we're

0:18:14.359 --> 0:18:17.600
<v Speaker 1>always about to fight. And we come downstairs, they playing

0:18:17.640 --> 0:18:20.119
<v Speaker 1>the intro music, were all about to go on stage.

0:18:20.400 --> 0:18:22.840
<v Speaker 1>Tyres is standing right there, me and Genuine is standing

0:18:22.920 --> 0:18:28.000
<v Speaker 1>over here like this, standing on Twitter. Go we on tour.

0:18:28.200 --> 0:18:30.000
<v Speaker 1>I do something to him. No, I do something to

0:18:30.080 --> 0:18:32.720
<v Speaker 1>him to have a Tyres question, all right, sorry to

0:18:32.760 --> 0:18:35.560
<v Speaker 1>cut you, Okay, No, what what's this? What's this like?

0:18:35.680 --> 0:18:38.480
<v Speaker 1>Coming off? This was coming off with a black tie era, right, yes?

0:18:38.680 --> 0:18:40.760
<v Speaker 1>So was it just like could it have been remnants

0:18:40.800 --> 0:18:43.960
<v Speaker 1>of the black tie energy? No, it's just m So

0:18:46.880 --> 0:18:49.159
<v Speaker 1>that's my brother. I love him. It's just Tyres. It No,

0:18:49.640 --> 0:18:53.720
<v Speaker 1>no remnants of nothing. It's just I can tell you sorry.

0:18:54.480 --> 0:18:59.480
<v Speaker 1>So we are literally about to walk on stage, divided,

0:19:00.040 --> 0:19:02.800
<v Speaker 1>not even talking to each other, like on some like

0:19:03.160 --> 0:19:07.040
<v Speaker 1>beef real beef. Yeah. And we start walking out on

0:19:07.080 --> 0:19:12.280
<v Speaker 1>that stage and the building starts to shake and we

0:19:12.400 --> 0:19:16.160
<v Speaker 1>just all look at each other like like a five

0:19:16.240 --> 0:19:28.680
<v Speaker 1>heartbeat and it's that moment, you know, for me in

0:19:28.840 --> 0:19:34.080
<v Speaker 1>London that always gives me hope for you know, for

0:19:34.680 --> 0:19:37.480
<v Speaker 1>of course our group, but just R and B period,

0:19:37.520 --> 0:19:40.640
<v Speaker 1>because I know there's a place like I know there's

0:19:40.720 --> 0:19:44.000
<v Speaker 1>I know there are places they really love this R

0:19:44.080 --> 0:19:49.040
<v Speaker 1>and B music. Yeah, yeah, it's it's like that. It's

0:19:49.160 --> 0:19:52.320
<v Speaker 1>it's unexplainable. It's unexplainable, and I love seeing it every

0:19:52.320 --> 0:19:54.440
<v Speaker 1>single time I see like an artis school women and

0:19:54.600 --> 0:19:58.120
<v Speaker 1>like look at this Hampson Apolo, Brixton Academy, whatever, whatever,

0:19:58.119 --> 0:20:01.520
<v Speaker 1>and I'm just like, yeah, we love it, like this

0:20:01.720 --> 0:20:03.800
<v Speaker 1>is this is it. And so there's a certain amount

0:20:03.840 --> 0:20:05.480
<v Speaker 1>of truth that you're forced to do if you're coming

0:20:05.560 --> 0:20:07.320
<v Speaker 1>up as an R and B artist in the UK.

0:20:08.359 --> 0:20:10.840
<v Speaker 1>There's no version of this that that we're going to

0:20:10.880 --> 0:20:13.240
<v Speaker 1>allow you to kind of she mean, shake your way

0:20:13.280 --> 0:20:15.800
<v Speaker 1>into it and just kind of be okay, like they're

0:20:15.800 --> 0:20:17.800
<v Speaker 1>gonna drew you down. Let me he's seeing a Cappello

0:20:18.359 --> 0:20:20.359
<v Speaker 1>over and over again. I mean when you said in

0:20:20.440 --> 0:20:22.879
<v Speaker 1>the lyrics, let me see what you look like consistently

0:20:23.040 --> 0:20:25.919
<v Speaker 1>and are you real? And do we know your family?

0:20:26.040 --> 0:20:28.399
<v Speaker 1>And how far back into the island seat. People just

0:20:28.440 --> 0:20:31.840
<v Speaker 1>want to know everybody because your journey, yeah, your musical journey,

0:20:31.960 --> 0:20:37.360
<v Speaker 1>having to prove and show up and show out, yes, consistently.

0:20:37.560 --> 0:20:40.080
<v Speaker 1>So it's not it's not a thought in my head

0:20:40.160 --> 0:20:42.720
<v Speaker 1>to pop out and have to do something, you know,

0:20:42.920 --> 0:20:45.080
<v Speaker 1>like I'm convicted. I know what I'm walking with and

0:20:45.200 --> 0:20:57.359
<v Speaker 1>I'm good so when I do call up. No. I

0:20:57.560 --> 0:21:00.800
<v Speaker 1>was with the crew Black Fang and he's an artist

0:21:00.840 --> 0:21:03.080
<v Speaker 1>in the UK and he had me come and wrap

0:21:03.520 --> 0:21:05.440
<v Speaker 1>on one of his records. This is the short version,

0:21:06.000 --> 0:21:11.119
<v Speaker 1>and I think at the time and the error it

0:21:11.280 --> 0:21:13.640
<v Speaker 1>was Miss Dynamite who was out and I was doing

0:21:13.680 --> 0:21:16.040
<v Speaker 1>my thing on the underground. I wasn't you know, everyone

0:21:16.160 --> 0:21:18.720
<v Speaker 1>knew me but hadn't had a record out. And I

0:21:18.840 --> 0:21:20.879
<v Speaker 1>kept going to the labels and kept having records and

0:21:20.920 --> 0:21:26.239
<v Speaker 1>they kept like self produced, I self distributed all well.

0:21:26.320 --> 0:21:32.160
<v Speaker 1>I was singing still with an apostrophe in the middle

0:21:32.160 --> 0:21:36.239
<v Speaker 1>of I don't know, um, that's nonsense, but here we are.

0:21:37.520 --> 0:21:39.320
<v Speaker 1>And so he put me on it. It was like yo,

0:21:39.480 --> 0:21:43.440
<v Speaker 1>just rap and so I wrapped on it and people

0:21:43.480 --> 0:21:46.800
<v Speaker 1>started knowing me around the UK and Europe as this girl,

0:21:47.080 --> 0:21:48.760
<v Speaker 1>and I took every opportunity to go on the road

0:21:48.800 --> 0:21:51.040
<v Speaker 1>with him. But that was the moment when people were like, oh,

0:21:51.359 --> 0:21:53.600
<v Speaker 1>and then it was me. I didn't look like. I

0:21:53.720 --> 0:21:56.880
<v Speaker 1>wasn't trying to be I wasn't putting myself in any

0:21:56.960 --> 0:21:59.000
<v Speaker 1>other lane that they thought I should look like, be

0:21:59.160 --> 0:22:01.399
<v Speaker 1>like feel like. I was just like, this is me.

0:22:01.480 --> 0:22:04.959
<v Speaker 1>I'm gonna wrap like how I rap. And people were like, yo,

0:22:05.440 --> 0:22:10.680
<v Speaker 1>this this girl. They was feeling it. So and from

0:22:10.720 --> 0:22:13.200
<v Speaker 1>there on, age just kind of like doors were opened.

0:22:13.280 --> 0:22:15.200
<v Speaker 1>Doors were opened, doors are open. But we were working

0:22:15.240 --> 0:22:17.159
<v Speaker 1>at the same time, you know. Every time he was

0:22:17.240 --> 0:22:20.000
<v Speaker 1>like come to Europe, come to wherever, Come do the

0:22:20.040 --> 0:22:22.800
<v Speaker 1>show in Germany, Come do this tour in Spain, come

0:22:22.880 --> 0:22:25.840
<v Speaker 1>do this stuff I was doing that, I would move out.

0:22:25.880 --> 0:22:27.640
<v Speaker 1>I would go do it, and then I would also

0:22:27.720 --> 0:22:29.600
<v Speaker 1>be producing my own records. I would also be like

0:22:30.000 --> 0:22:32.680
<v Speaker 1>doing my own records like China Work. Yeah. I was

0:22:33.119 --> 0:22:36.919
<v Speaker 1>all of the things independently, read the books, figured out

0:22:36.960 --> 0:22:41.800
<v Speaker 1>I needed a distributor, got a distribute, recorded demos that

0:22:41.920 --> 0:22:47.239
<v Speaker 1>sounded ridiculously terrible, putting them on this mixtape, put them

0:22:47.280 --> 0:22:51.359
<v Speaker 1>out like moved, you know, and this point I'm like,

0:22:51.840 --> 0:22:55.679
<v Speaker 1>at this point, I'm like twenty but one, twenty one,

0:22:55.760 --> 0:22:58.720
<v Speaker 1>twenty but I've been doing it since I was seventeen. Yeah,

0:22:58.840 --> 0:23:03.159
<v Speaker 1>producing your own stuff. Yeah, just trying to find a way, Yes,

0:23:03.440 --> 0:23:06.200
<v Speaker 1>figuring it out. My mom's girl. So was there ever

0:23:06.320 --> 0:23:12.240
<v Speaker 1>a time where you thought about going to school, I'm

0:23:12.320 --> 0:23:15.400
<v Speaker 1>done with this, No, I did. I did. So our

0:23:15.480 --> 0:23:19.520
<v Speaker 1>high school is college. Um so sixteen eighteen, so I was.

0:23:19.600 --> 0:23:22.360
<v Speaker 1>I went to college for journalism. So the whole time.

0:23:22.400 --> 0:23:24.920
<v Speaker 1>At the same time, I'm like working a day job,

0:23:25.240 --> 0:23:28.879
<v Speaker 1>like several day jobs. So I had work in my

0:23:29.000 --> 0:23:32.280
<v Speaker 1>suspenses grocery store, and then I worked to a company

0:23:32.280 --> 0:23:35.399
<v Speaker 1>called Darker than Blue, which was a early in the

0:23:35.480 --> 0:23:39.480
<v Speaker 1>game website about black music. So, okay player or yeah

0:23:39.600 --> 0:23:43.760
<v Speaker 1>you know here we call it blue black Yeah, dark blue. Yeah.

0:23:44.040 --> 0:23:46.240
<v Speaker 1>It was named after the Curse may Full song were

0:23:46.240 --> 0:23:51.000
<v Speaker 1>the people that are dark and and he they had

0:23:51.080 --> 0:23:53.800
<v Speaker 1>me hide as the gigs that I wanted to be

0:23:53.880 --> 0:23:56.040
<v Speaker 1>a writer. I wanted to just figure out how to

0:23:56.119 --> 0:23:58.200
<v Speaker 1>be in music, how to be in this thing that

0:23:58.280 --> 0:24:01.440
<v Speaker 1>I love so much. And my friend Fusion was like,

0:24:02.080 --> 0:24:03.920
<v Speaker 1>do you know how to write reviews? I was like, well,

0:24:03.960 --> 0:24:06.240
<v Speaker 1>I've write I've written all these stories. I was a

0:24:06.359 --> 0:24:09.159
<v Speaker 1>usually creative kid. I had this folder full of stories

0:24:09.840 --> 0:24:11.119
<v Speaker 1>and he was like, come on work for me. I

0:24:11.240 --> 0:24:13.359
<v Speaker 1>was like, okay, cool. It was a gigs at it.

0:24:13.600 --> 0:24:15.520
<v Speaker 1>So I would go to gigs and review him, and

0:24:15.520 --> 0:24:19.600
<v Speaker 1>I would also be on stage at the gigs. Right,

0:24:19.680 --> 0:24:28.040
<v Speaker 1>it was like yeah, like they But then it was

0:24:28.040 --> 0:24:31.119
<v Speaker 1>also like parties too, so I had I built up

0:24:31.119 --> 0:24:33.159
<v Speaker 1>a beautiful network of knowing all the parties, all the

0:24:33.200 --> 0:24:35.639
<v Speaker 1>promoters and all the things. So it was a lot

0:24:35.680 --> 0:24:38.359
<v Speaker 1>of love and ground swell when my first album came up,

0:24:38.400 --> 0:24:41.240
<v Speaker 1>because people really knew me, you know, it was outside.

0:24:41.520 --> 0:24:43.639
<v Speaker 1>They were happy for you. They were very happy. And

0:24:44.440 --> 0:24:47.639
<v Speaker 1>that's still like that's the foundation of my career to

0:24:47.760 --> 0:24:49.800
<v Speaker 1>a degree. You know, it's a lot of real love.

0:24:50.200 --> 0:24:53.640
<v Speaker 1>You know, people saw me really working. Yeah, like going out,

0:24:53.960 --> 0:24:56.080
<v Speaker 1>do the day job, go to the gig, go to

0:24:56.119 --> 0:24:58.119
<v Speaker 1>sleep at like five in the morning, wake up at

0:24:58.200 --> 0:25:00.720
<v Speaker 1>nine am, go back to work again every day. I

0:25:00.800 --> 0:25:02.639
<v Speaker 1>love it. I love it. Was like they like the

0:25:02.800 --> 0:25:07.960
<v Speaker 1>UK is a very territorial kind of place, like if

0:25:08.560 --> 0:25:10.919
<v Speaker 1>if you have the back, they'll give you their backing

0:25:10.960 --> 0:25:13.560
<v Speaker 1>and their blessing. Like they want to own they want

0:25:13.880 --> 0:25:17.119
<v Speaker 1>this us, you know what I'm saying, Like like how

0:25:17.200 --> 0:25:20.800
<v Speaker 1>Callie is or how New York Atlanta is like it's

0:25:20.840 --> 0:25:23.800
<v Speaker 1>this very thing where it's like very much, this is

0:25:23.840 --> 0:25:27.000
<v Speaker 1>ours Like people in my DMS and mentions all now,

0:25:27.040 --> 0:25:29.320
<v Speaker 1>like when you're coming home and I'm like, I don't

0:25:29.320 --> 0:25:33.320
<v Speaker 1>even know you. What do you talk? Like? Why are

0:25:33.400 --> 0:25:38.720
<v Speaker 1>you you never met? What are you saying? I missed

0:25:38.760 --> 0:25:40.639
<v Speaker 1>your skinny man? Stop looking at that page? It's like,

0:25:40.720 --> 0:25:43.560
<v Speaker 1>who is this akin? Maybe I know? Maybe I know

0:25:43.760 --> 0:25:46.440
<v Speaker 1>he was he was two when I was moving around?

0:25:46.600 --> 0:25:49.280
<v Speaker 1>What are you saying? But I appreciate it? So what

0:25:49.560 --> 0:25:54.679
<v Speaker 1>was what was the breakout moment? Do you feel um

0:25:57.359 --> 0:25:59.919
<v Speaker 1>in the world or just from there? Like I mean

0:26:00.040 --> 0:26:01.720
<v Speaker 1>it starts there, but then I mean, I guess it'll

0:26:01.760 --> 0:26:03.879
<v Speaker 1>translate to the world can do it? And the breakout

0:26:03.920 --> 0:26:06.359
<v Speaker 1>moment for the world is or there was tricks to

0:26:06.920 --> 0:26:10.920
<v Speaker 1>the world American boy had to be right? And so

0:26:11.040 --> 0:26:17.359
<v Speaker 1>how do we get flight? Like why are we taking

0:26:17.440 --> 0:26:22.840
<v Speaker 1>this flight from the UK? So tricks that happens. I'm building,

0:26:22.880 --> 0:26:24.600
<v Speaker 1>I'm moving, I'm moving. I go to a label they

0:26:24.640 --> 0:26:27.280
<v Speaker 1>say no, eventually end up signing to the same label

0:26:27.400 --> 0:26:30.720
<v Speaker 1>via production company. Um, it's always a matter. It just

0:26:30.840 --> 0:26:34.720
<v Speaker 1>becomes this repeating story of like, hey, I'm really good. Nah,

0:26:35.280 --> 0:26:40.360
<v Speaker 1>somebody else brings me in. Oh she's good, right, sign Yeah,

0:26:42.080 --> 0:26:44.120
<v Speaker 1>got that understood. It didn't quite get it the second

0:26:44.160 --> 0:26:45.639
<v Speaker 1>time it happened, and this is all in the UK.

0:26:45.760 --> 0:26:48.400
<v Speaker 1>Still though this is in the UK. UM I asked

0:26:48.440 --> 0:26:52.040
<v Speaker 1>to be let go from the label because when we

0:26:52.480 --> 0:26:56.280
<v Speaker 1>top twenties everything, everything's going great. Nineteen eighties record I

0:26:56.359 --> 0:26:58.879
<v Speaker 1>have comes out and they don't believe it's going to

0:26:58.960 --> 0:27:02.160
<v Speaker 1>do so well, but it does better than expected. We recoup.

0:27:02.240 --> 0:27:05.920
<v Speaker 1>We're good, right. Second album comes around and I'm like,

0:27:06.080 --> 0:27:08.600
<v Speaker 1>John Legend wants to help me work on this album?

0:27:08.760 --> 0:27:10.879
<v Speaker 1>Is that produce it? Do you meet him somewhere in

0:27:10.960 --> 0:27:13.280
<v Speaker 1>this time? So, in this period of time before I

0:27:13.400 --> 0:27:15.640
<v Speaker 1>even sign the Steel and get out there, I'm still

0:27:15.640 --> 0:27:20.000
<v Speaker 1>working on my mixtapes, doing stuff independently. I'm just convicted.

0:27:20.080 --> 0:27:22.120
<v Speaker 1>I'm like, I need to meet this guy, John Legend.

0:27:22.200 --> 0:27:24.520
<v Speaker 1>I heard all his records on this Kanye mixtape. I

0:27:24.600 --> 0:27:27.560
<v Speaker 1>need to meet him. And that's when I go to La. Well,

0:27:27.920 --> 0:27:30.440
<v Speaker 1>I pray God, I need two thousand dollars to get

0:27:30.440 --> 0:27:33.720
<v Speaker 1>to La. I get I get a cool like within

0:27:34.119 --> 0:27:36.600
<v Speaker 1>twenty four or forty eight hours, saying yo, go on

0:27:36.680 --> 0:27:38.840
<v Speaker 1>tour with this girl jam media and do Rad Diggers

0:27:38.880 --> 0:27:41.680
<v Speaker 1>parts on this guest record that she has with rad Digga. Cool.

0:27:41.760 --> 0:27:44.320
<v Speaker 1>How much they pay in two thousand hounds? Right? Cool?

0:27:44.400 --> 0:27:48.000
<v Speaker 1>So two thousands and this is when I'm like, no

0:27:48.080 --> 0:27:51.160
<v Speaker 1>one can tell me. Nobody can tell me nothing about God. Okay,

0:27:51.960 --> 0:27:54.280
<v Speaker 1>So go on this tour, get this two thousand pounds,

0:27:54.760 --> 0:27:57.879
<v Speaker 1>go to America and I'm in LA and I'm working

0:27:57.920 --> 0:28:00.720
<v Speaker 1>on more demos, and I would on the street. I'm

0:28:00.720 --> 0:28:03.760
<v Speaker 1>just this is I'm playing this mixtape in the hotel

0:28:03.840 --> 0:28:06.000
<v Speaker 1>room to the point my friend that come with me

0:28:06.160 --> 0:28:08.520
<v Speaker 1>just rolling with me. He's like, oh, and I'm just like, nah,

0:28:08.560 --> 0:28:10.440
<v Speaker 1>I feel something with this. I feel that I feel it.

0:28:11.080 --> 0:28:14.960
<v Speaker 1>Walked down the street to Rusco's and Kanye's in there.

0:28:15.600 --> 0:28:17.760
<v Speaker 1>I don't see John at all. I just thought Kanye

0:28:18.400 --> 0:28:21.240
<v Speaker 1>for John, like, Yo, you're great, you know some of

0:28:21.240 --> 0:28:23.720
<v Speaker 1>the same people I know. Listen, listen, listen. Can you

0:28:23.960 --> 0:28:27.119
<v Speaker 1>are John? Yeah? I was like no, because I need

0:28:27.200 --> 0:28:29.760
<v Speaker 1>to meet John. I have this song. I'm prepared. I

0:28:29.880 --> 0:28:33.160
<v Speaker 1>have it on my dad tape. Right, I wasn't seeding

0:28:33.200 --> 0:28:37.440
<v Speaker 1>the small CDs. It's like two thousand and two, two

0:28:37.480 --> 0:28:40.560
<v Speaker 1>thousand and three, and we go to studio and meet John.

0:28:41.000 --> 0:28:44.280
<v Speaker 1>He just takes you immediately. No, he um like this even.

0:28:44.360 --> 0:28:46.000
<v Speaker 1>He's like, come to studio later. And I was like, okay,

0:28:46.200 --> 0:28:49.040
<v Speaker 1>you've never met this man in your life. No, You're like,

0:28:49.120 --> 0:28:50.720
<v Speaker 1>but we know a couple of the same people. Yeah,

0:28:50.720 --> 0:28:53.480
<v Speaker 1>And then we just started talking like this is this

0:28:53.680 --> 0:28:56.640
<v Speaker 1>is God. He don't play about me, so don't play

0:28:56.640 --> 0:29:01.040
<v Speaker 1>with so we're taught. Like He's like, comes to you.

0:29:01.120 --> 0:29:02.960
<v Speaker 1>I was like, cool, I don't really think he's gonna.

0:29:03.880 --> 0:29:06.200
<v Speaker 1>I'm thinking this gonna right. Yeah, he's not. He's not.

0:29:06.240 --> 0:29:09.280
<v Speaker 1>It's probably a wrong number. He's like, yeah, come to Recomplant.

0:29:09.720 --> 0:29:13.560
<v Speaker 1>So we'll go to Recomplant and I'm there freezing thinking

0:29:13.600 --> 0:29:15.440
<v Speaker 1>this la. I didn't bring no co weather clothes, so

0:29:15.520 --> 0:29:17.640
<v Speaker 1>it's cold by the time I get to the studio

0:29:18.320 --> 0:29:19.880
<v Speaker 1>and I'm just want to go home. I don't like

0:29:20.000 --> 0:29:24.640
<v Speaker 1>coal weather. And John's in the studio. Met John said hey,

0:29:25.200 --> 0:29:28.000
<v Speaker 1>here's the song. Um, listen to it in your own

0:29:28.040 --> 0:29:30.400
<v Speaker 1>time because I don't even know if it's like the

0:29:30.480 --> 0:29:34.920
<v Speaker 1>snuff right now, and I'm all nervous. He's like cool, cool, cool. Um.

0:29:35.720 --> 0:29:38.520
<v Speaker 1>A couple days later, he calls and he says, yeah,

0:29:38.600 --> 0:29:40.600
<v Speaker 1>Kanye lights it says I can do it, so let

0:29:40.640 --> 0:29:43.040
<v Speaker 1>me just do it, and then me and John get

0:29:43.120 --> 0:29:47.200
<v Speaker 1>really cool, like he's like, yo, like you just your ballsy,

0:29:47.920 --> 0:29:51.640
<v Speaker 1>like you got guts. I'm just like what we else?

0:29:51.960 --> 0:29:54.560
<v Speaker 1>Like I'm supposed to be scared. I don't that gene

0:29:54.600 --> 0:29:58.480
<v Speaker 1>doesn't exist. I don't know what that means. Um, I'm

0:29:58.520 --> 0:30:00.480
<v Speaker 1>just like, thank you, cool, cool do the He comes

0:30:00.520 --> 0:30:02.840
<v Speaker 1>to London, we build up a report and he sees

0:30:02.880 --> 0:30:04.960
<v Speaker 1>me really working. He sees me like putting my money

0:30:04.960 --> 0:30:07.080
<v Speaker 1>where my mouth is, and he says, come on the

0:30:07.160 --> 0:30:08.760
<v Speaker 1>road with me. Because every time he comes on the

0:30:08.880 --> 0:30:11.360
<v Speaker 1>road or goes on the road in the UK, we're

0:30:11.440 --> 0:30:13.960
<v Speaker 1>promoting my album, which has since come out. He's done

0:30:14.000 --> 0:30:16.960
<v Speaker 1>the record, it's come out, his album's gold, and he's

0:30:16.960 --> 0:30:19.360
<v Speaker 1>winning all the Grammy's and doing it staying and he's touring,

0:30:19.400 --> 0:30:23.280
<v Speaker 1>but he's taking me with him, and everybody's like, like,

0:30:23.760 --> 0:30:26.640
<v Speaker 1>who is this? So when I go to the label

0:30:27.200 --> 0:30:28.880
<v Speaker 1>at the end of this and everything's a success on

0:30:28.960 --> 0:30:32.480
<v Speaker 1>our end and he's gold and they're like, who's John Legend?

0:30:32.520 --> 0:30:34.920
<v Speaker 1>And I just want to punch a wall because I

0:30:35.040 --> 0:30:36.560
<v Speaker 1>want it. Because he was like I was like, he's

0:30:36.600 --> 0:30:39.240
<v Speaker 1>gonna Zet produce this album for me, which becomes Shine

0:30:40.360 --> 0:30:42.560
<v Speaker 1>and has an American boy in it, and they're like,

0:30:42.600 --> 0:30:44.200
<v Speaker 1>who's he? And I was just like, let me go?

0:30:44.720 --> 0:30:47.520
<v Speaker 1>Can you? Can you drop me? Please? Drop me? This

0:30:47.720 --> 0:30:50.680
<v Speaker 1>is nonsense. I was genuinely like, now, let me go, please,

0:30:51.200 --> 0:30:53.640
<v Speaker 1>please let me go. It took them three years, so

0:30:53.920 --> 0:30:56.920
<v Speaker 1>two thousand and four, five, six seven. It took them

0:30:57.000 --> 0:31:01.800
<v Speaker 1>to two thousand and seven two A sign off Atlantica

0:31:01.920 --> 0:31:04.880
<v Speaker 1>in I'm signed to John's label, the Atlantica Just like,

0:31:05.600 --> 0:31:08.840
<v Speaker 1>what are this label doing? What the heck to the

0:31:08.880 --> 0:31:10.320
<v Speaker 1>point where they were just like, we'll buy you out.

0:31:10.360 --> 0:31:13.160
<v Speaker 1>We're good. Just it's twenty thousand dollars. Just we'll get

0:31:13.200 --> 0:31:16.440
<v Speaker 1>it done right, Yeah yeah, And they buy me out

0:31:16.480 --> 0:31:20.400
<v Speaker 1>the deal and I was like cool, And I come

0:31:20.400 --> 0:31:23.080
<v Speaker 1>to the US. I've already been back and forth so much.

0:31:23.080 --> 0:31:25.320
<v Speaker 1>I'm already pretty much in my deal and I'm moving

0:31:25.520 --> 0:31:28.880
<v Speaker 1>and start from scratch because no one here knows me.

0:31:29.200 --> 0:31:34.680
<v Speaker 1>Yeah whatever. That was weird because you know, I'm already

0:31:34.760 --> 0:31:38.840
<v Speaker 1>me in London, I was Christian Luvertanz before they knew

0:31:38.840 --> 0:31:44.760
<v Speaker 1>what luvertizer look out, look out. Yeah, I come here

0:31:44.800 --> 0:31:49.160
<v Speaker 1>and I'm like, whoa baby if person. This is this

0:31:49.280 --> 0:31:54.400
<v Speaker 1>gonna be just you, says just you John, John John's

0:31:54.400 --> 0:31:58.040
<v Speaker 1>you know, John's coming. So I was, I wait. I

0:31:58.120 --> 0:32:00.240
<v Speaker 1>used to wait for Jamie to give the club on

0:32:00.320 --> 0:32:02.520
<v Speaker 1>the way, so he told me to check out the section.

0:32:02.560 --> 0:32:05.280
<v Speaker 1>I wait, Okay, I wait, I wait. I love that.

0:32:06.400 --> 0:32:10.160
<v Speaker 1>I wait, like whole soul, the same security that used

0:32:10.160 --> 0:32:12.880
<v Speaker 1>to work for me too. So but anyway, another story.

0:32:13.360 --> 0:32:15.720
<v Speaker 1>Look at that the calm of the journey. Yeah yeah,

0:32:16.080 --> 0:32:18.320
<v Speaker 1>so you're brand new in the US. I'm brand new,

0:32:19.160 --> 0:32:21.960
<v Speaker 1>but again I've been moving around with John to a

0:32:22.040 --> 0:32:25.960
<v Speaker 1>degree and building my own relationships, and so time American

0:32:26.000 --> 0:32:29.760
<v Speaker 1>Boy comes around, we record that maybe the first week,

0:32:30.440 --> 0:32:33.479
<v Speaker 1>first few months of being fully for real sign, I mean,

0:32:34.320 --> 0:32:39.280
<v Speaker 1>Miami having a good sign. Come on, come on, come on.

0:32:39.760 --> 0:32:49.520
<v Speaker 1>She stopped, she acted out. No, it was. It was

0:32:49.600 --> 0:32:53.120
<v Speaker 1>beautiful like Miami's one of my Miami's separate from Florida.

0:32:53.240 --> 0:32:57.840
<v Speaker 1>Just this is my personal perception of Miami's separate from Florida. Um.

0:32:58.520 --> 0:33:00.640
<v Speaker 1>But I had a good time, and I was we

0:33:00.720 --> 0:33:04.120
<v Speaker 1>were out there recording with John and I had the

0:33:04.200 --> 0:33:07.000
<v Speaker 1>chance to go with where I am. I'm just all hyped,

0:33:07.040 --> 0:33:09.400
<v Speaker 1>like I ain't worried. That's gonna be good. I thought,

0:33:09.400 --> 0:33:12.360
<v Speaker 1>we care, We're just gonna have fun. My cousin kept

0:33:12.400 --> 0:33:17.000
<v Speaker 1>sending me CDs and I was like, I was bubbling.

0:33:17.040 --> 0:33:18.800
<v Speaker 1>I was listening to all the house, all the soul

0:33:18.920 --> 0:33:21.840
<v Speaker 1>or the garage from home and this is guy with

0:33:21.920 --> 0:33:26.720
<v Speaker 1>super ds and mixtape DJ Okay so cuberd mixtapes, and

0:33:26.760 --> 0:33:31.600
<v Speaker 1>I'm out here like hey said, no, I'm out here bubbling,

0:33:31.920 --> 0:33:35.320
<v Speaker 1>like this is my in my in Miami, right, So

0:33:35.600 --> 0:33:38.560
<v Speaker 1>you know it's similar in the in the energy, having

0:33:38.600 --> 0:33:40.960
<v Speaker 1>a good time in Miami. And we go into studio.

0:33:41.080 --> 0:33:42.480
<v Speaker 1>John's like, what you want to ride about? I was like,

0:33:42.560 --> 0:33:44.320
<v Speaker 1>whoa is? Like what you've been doing? I was like,

0:33:45.160 --> 0:33:51.960
<v Speaker 1>I've been out here outside outside, outside, let's try about

0:33:52.000 --> 0:33:54.040
<v Speaker 1>these boys. And he's like, well, let's try about the

0:33:54.080 --> 0:33:55.680
<v Speaker 1>boys then, and I was like, I don't mean to

0:33:55.840 --> 0:33:58.880
<v Speaker 1>be fair. Outside outside, I wasn't doing too much. I

0:33:59.000 --> 0:34:04.520
<v Speaker 1>was just being time. Everybody's version outside, every different. Some

0:34:04.640 --> 0:34:08.399
<v Speaker 1>people in capital letters, okay, mom was I was all

0:34:08.880 --> 0:34:13.560
<v Speaker 1>all small. No, it wasn't a couple of capitals, but

0:34:14.080 --> 0:34:22.640
<v Speaker 1>outside outside caps one outside. I was hard enough to

0:34:22.719 --> 0:34:30.040
<v Speaker 1>write about it. Yes, the outside. I don't know what

0:34:30.160 --> 0:34:33.640
<v Speaker 1>he's talking about. No, it was. It was just fun

0:34:33.800 --> 0:34:35.920
<v Speaker 1>and for me it was just looking at different types

0:34:35.960 --> 0:34:38.840
<v Speaker 1>of it was Cuban boys and Spanish man and I

0:34:38.920 --> 0:34:44.160
<v Speaker 1>was just like, what is this, you know, like it's

0:34:44.200 --> 0:34:46.719
<v Speaker 1>my end the UK like that, and so it was fun.

0:34:46.800 --> 0:34:49.399
<v Speaker 1>It was just a different energy. So when I'm thinking

0:34:49.480 --> 0:34:52.320
<v Speaker 1>everyone things about American boys, I'm just like, well, technically,

0:34:57.520 --> 0:34:59.920
<v Speaker 1>I don't think. I didn't know the difference really was.

0:35:00.040 --> 0:35:09.120
<v Speaker 1>That's it. I have a cop from there. You know.

0:35:09.200 --> 0:35:11.759
<v Speaker 1>They had a little white cars. Look at you, look

0:35:11.800 --> 0:35:16.400
<v Speaker 1>at you, right back to the play hold up. Um.

0:35:16.920 --> 0:35:18.759
<v Speaker 1>So I was just I was just having a good time.

0:35:18.840 --> 0:35:20.279
<v Speaker 1>A couple of my homies are out there. It was

0:35:20.280 --> 0:35:22.799
<v Speaker 1>just a fun time and that was it. We wrote

0:35:22.840 --> 0:35:25.480
<v Speaker 1>about it. Didn't think about it. It's an hour, a

0:35:25.520 --> 0:35:29.040
<v Speaker 1>couple of hours in the studio. Um who produced that? Well,

0:35:29.080 --> 0:35:32.120
<v Speaker 1>I am his peeping him in his people wow. And

0:35:32.360 --> 0:35:34.799
<v Speaker 1>they had that beat sitting and they didn't really think

0:35:34.800 --> 0:35:36.960
<v Speaker 1>it was gonna do much. I remember him saying, I

0:35:37.000 --> 0:35:39.279
<v Speaker 1>don't think it's the hit. I said, well, if it's not,

0:35:39.560 --> 0:35:42.000
<v Speaker 1>we're going to I be far and it's gonna be

0:35:42.040 --> 0:35:47.120
<v Speaker 1>a white label. That's how you say it. Yeah, Okay,

0:35:47.239 --> 0:35:48.640
<v Speaker 1>that's how you say it. That's how I said. I

0:35:48.680 --> 0:35:57.200
<v Speaker 1>thought it was, yeah, because when you went you told me, yeah,

0:35:57.239 --> 0:35:58.960
<v Speaker 1>that's what I thought it was. That's what I heard.

0:35:59.239 --> 0:36:05.080
<v Speaker 1>I be for I'm back. Oh god, yeah, don't hate it,

0:36:05.760 --> 0:36:15.480
<v Speaker 1>don't happy? Is it the real? The Hurricanes back? So

0:36:15.600 --> 0:36:20.120
<v Speaker 1>you're like, I'm going there anyway, so it's whatever, It's fine,

0:36:20.200 --> 0:36:24.760
<v Speaker 1>like it'll be whatever. And that's literally. I just was like, look, people,

0:36:24.920 --> 0:36:27.959
<v Speaker 1>I love it. I'm dancing to it. I'm happy. Yeah,

0:36:29.160 --> 0:36:32.440
<v Speaker 1>and the label go ahead and they started playing it

0:36:33.000 --> 0:36:35.120
<v Speaker 1>to everyone and it was like I played this to

0:36:35.200 --> 0:36:37.759
<v Speaker 1>my little nephew and I played to my kids and

0:36:37.840 --> 0:36:40.600
<v Speaker 1>I played it to him and everybody was just like

0:36:41.239 --> 0:36:43.200
<v Speaker 1>it was that vibe to me. It's the baseline on

0:36:43.280 --> 0:36:54.320
<v Speaker 1>that record. Yeah, yeah, exactly. It's happy though, exactly, but

0:36:54.520 --> 0:36:57.319
<v Speaker 1>it's kind of aggressive but it's happy though it's kind

0:36:57.360 --> 0:37:02.560
<v Speaker 1>of blah blah blah. That was on purpose. That was

0:37:02.600 --> 0:37:08.719
<v Speaker 1>on purpose, blah blah, like you on purpose. The frequencies

0:37:08.760 --> 0:37:13.600
<v Speaker 1>are really really like happy. Where were you going for happy?

0:37:13.800 --> 0:37:15.239
<v Speaker 1>You were going for that, you were going for this,

0:37:15.600 --> 0:37:17.800
<v Speaker 1>I'm making a happy record. I was no. I was

0:37:18.120 --> 0:37:21.480
<v Speaker 1>like this, I just feel like I'm dancing right, now

0:37:21.719 --> 0:37:23.880
<v Speaker 1>this makes me feel of joyful times. I feel like

0:37:23.960 --> 0:37:28.120
<v Speaker 1>joyful times in London and I was channeling this girl,

0:37:28.239 --> 0:37:31.000
<v Speaker 1>this lady from Heidi High, Um. I think her name

0:37:31.000 --> 0:37:33.719
<v Speaker 1>was sup Pollard and she was the dizziest, happiest person

0:37:33.800 --> 0:37:37.000
<v Speaker 1>that ever was. Um, we were singing it. I went

0:37:37.120 --> 0:37:39.240
<v Speaker 1>to Elephant Jerald in my hage, one of my favorite

0:37:39.280 --> 0:37:43.200
<v Speaker 1>jazz musicians. She's the bible for me. Um, and I

0:37:43.360 --> 0:37:45.680
<v Speaker 1>was like, Ella was singing this, where would she go?

0:37:46.560 --> 0:37:49.560
<v Speaker 1>I kept going all these deep notes and like and

0:37:49.680 --> 0:37:52.480
<v Speaker 1>John was just like, you know, like so me and

0:37:52.560 --> 0:37:55.839
<v Speaker 1>him sat there and taught music because at this point,

0:37:55.920 --> 0:38:00.840
<v Speaker 1>me and I'm like we're musical partners. You know, we

0:38:00.880 --> 0:38:03.640
<v Speaker 1>could just go back and forth about things. And he

0:38:03.800 --> 0:38:05.640
<v Speaker 1>was like, you know, like how back in he was

0:38:05.680 --> 0:38:08.160
<v Speaker 1>just I'd be singing something, he'd be like, you know,

0:38:08.239 --> 0:38:10.880
<v Speaker 1>like how back in the day, when go for that,

0:38:11.280 --> 0:38:15.440
<v Speaker 1>I'd be like cool, and you know, translate immediately immediately.

0:38:15.480 --> 0:38:18.640
<v Speaker 1>It's easy with him. Um. And so he was like,

0:38:18.680 --> 0:38:21.600
<v Speaker 1>you know, like how Diana Rust and Supremes where they

0:38:21.640 --> 0:38:24.000
<v Speaker 1>were like take the base out of your voice kind

0:38:24.040 --> 0:38:26.840
<v Speaker 1>of thing and just sing like go for that. And

0:38:26.880 --> 0:38:34.239
<v Speaker 1>I was like suppllowed Tae just happy when you sing it,

0:38:39.239 --> 0:38:41.719
<v Speaker 1>so and to me, I smiled little way through it,

0:38:41.760 --> 0:38:44.960
<v Speaker 1>and I was like, people are gonna energy people, you know,

0:38:45.040 --> 0:38:48.640
<v Speaker 1>when you're really channeling what you're singing, people feel it.

0:38:49.160 --> 0:38:52.280
<v Speaker 1>And to me, that's just a consistent response to that record.

0:38:52.320 --> 0:38:54.560
<v Speaker 1>People just get happy when they hear it. It's the spirit,

0:38:54.640 --> 0:38:57.960
<v Speaker 1>it's not you know. So that was that and we

0:38:58.080 --> 0:39:00.480
<v Speaker 1>just as left. It didn't take too long in that overthink,

0:39:00.520 --> 0:39:03.200
<v Speaker 1>it just sang it. How long did it take to

0:39:03.280 --> 0:39:06.399
<v Speaker 1>come out before you are after you recorded? Full year?

0:39:06.840 --> 0:39:09.279
<v Speaker 1>He said a year, A full year. I say a

0:39:09.360 --> 0:39:11.320
<v Speaker 1>full year because the days were it was just like,

0:39:11.880 --> 0:39:16.759
<v Speaker 1>oh my god, you yeah, well yeah, it's feeling you

0:39:16.840 --> 0:39:19.280
<v Speaker 1>get when you got a record. Yeah, and you're ready

0:39:19.360 --> 0:39:23.360
<v Speaker 1>to Man at this point, I'm like, there are some

0:39:23.440 --> 0:39:26.279
<v Speaker 1>beautiful heart Fall records on this album. I just want

0:39:26.360 --> 0:39:29.560
<v Speaker 1>to have fun though, you know, this one makes me

0:39:29.920 --> 0:39:35.200
<v Speaker 1>happy and also makes atlantic really happy. Yeah, let's just

0:39:35.440 --> 0:39:39.359
<v Speaker 1>go like took Kanye a good eight months to get

0:39:39.400 --> 0:39:44.360
<v Speaker 1>to it. Yeah, that happens, but he did it. But

0:39:44.680 --> 0:39:47.279
<v Speaker 1>with without the record is just joy, yes, you know,

0:39:47.560 --> 0:39:50.600
<v Speaker 1>and that's I'm happy. So that was the world wide breakout.

0:39:50.680 --> 0:39:53.880
<v Speaker 1>It did exactly what we wanted and what I wanted

0:39:54.600 --> 0:40:04.360
<v Speaker 1>for it to do. I wanted people to feel joy alright,

0:40:04.400 --> 0:40:05.920
<v Speaker 1>So we got some other segments to get to right

0:40:05.960 --> 0:40:09.680
<v Speaker 1>before we do um you diverse five, you move into

0:40:09.760 --> 0:40:14.200
<v Speaker 1>other things. Yeah, you know what I'm saying. Talk talk

0:40:14.200 --> 0:40:20.120
<v Speaker 1>to me about your progressions. Apple Music. Yeah, and this

0:40:20.280 --> 0:40:27.200
<v Speaker 1>is the blessing of life when I love it there,

0:40:27.280 --> 0:40:31.160
<v Speaker 1>I love it. It's a good time listen. I had

0:40:31.200 --> 0:40:35.280
<v Speaker 1>the idea a few years back to like twenty sixteen

0:40:35.320 --> 0:40:37.800
<v Speaker 1>to do a show a podcast, and I was like,

0:40:37.880 --> 0:40:39.560
<v Speaker 1>we should just go to Apple and asome about it.

0:40:39.719 --> 0:40:42.200
<v Speaker 1>At the time, they were switching over and doing some things.

0:40:42.239 --> 0:40:43.879
<v Speaker 1>They didn't have the space for it. I was like, cool,

0:40:43.960 --> 0:40:46.720
<v Speaker 1>first for meant to be will come back. Around twenty eighteen,

0:40:46.800 --> 0:40:49.600
<v Speaker 1>we went back to them off of Lover's Drop. One

0:40:49.640 --> 0:40:51.680
<v Speaker 1>of our friends was like, I'm going to stay over

0:40:51.800 --> 0:40:53.759
<v Speaker 1>this right, A couple of writers and they were like,

0:40:53.840 --> 0:40:55.600
<v Speaker 1>you should have a show because you just know too

0:40:55.680 --> 0:40:58.400
<v Speaker 1>much music. How all the people that you know come

0:40:58.440 --> 0:41:00.839
<v Speaker 1>on the show. And I was just like, I wasn't

0:41:00.880 --> 0:41:04.440
<v Speaker 1>even thinking that. I send them an email. We send

0:41:04.480 --> 0:41:07.000
<v Speaker 1>them an email, I my team, we send them an

0:41:07.000 --> 0:41:09.840
<v Speaker 1>email about this years ago. So let's send it again,

0:41:10.400 --> 0:41:12.600
<v Speaker 1>you know, let's just send them an email, knock them

0:41:13.000 --> 0:41:18.440
<v Speaker 1>they got space for They came back and said, it's

0:41:18.480 --> 0:41:20.160
<v Speaker 1>a great idea for a podcast. How about you come

0:41:20.200 --> 0:41:22.880
<v Speaker 1>on and do a radio show and be with us

0:41:22.920 --> 0:41:24.600
<v Speaker 1>five days a week. And yeah, yeah. Then I was

0:41:24.640 --> 0:41:31.239
<v Speaker 1>just like, for sure, absolutely, yes, let's do that to

0:41:31.360 --> 0:41:33.640
<v Speaker 1>be fun. And then I start going and we can

0:41:33.760 --> 0:41:43.120
<v Speaker 1>have and but they are they are solid partner. They

0:41:43.280 --> 0:41:45.960
<v Speaker 1>support a lot of things we do, and they're like

0:41:46.280 --> 0:41:48.640
<v Speaker 1>very much like, whatever you do, we want to be

0:41:48.719 --> 0:41:51.319
<v Speaker 1>a part of it. Whatever you whatever you think is great,

0:41:51.440 --> 0:41:54.359
<v Speaker 1>let's be you know. And so it's myself and two

0:41:54.400 --> 0:41:56.600
<v Speaker 1>other main co host angers, Jasen Strombo, and we're the

0:41:56.640 --> 0:42:00.439
<v Speaker 1>main on Apple Music Kids, which is contemporary or urban

0:42:00.480 --> 0:42:03.040
<v Speaker 1>contemporary music. I get to do the R and B

0:42:03.160 --> 0:42:04.879
<v Speaker 1>side of it. I get to do the soul side

0:42:04.920 --> 0:42:06.600
<v Speaker 1>of it. I get to do the reggae side, whatever

0:42:06.719 --> 0:42:08.839
<v Speaker 1>music on one side of it. And so I play

0:42:08.840 --> 0:42:10.560
<v Speaker 1>a bunch of records. I love to hear it. I

0:42:10.640 --> 0:42:14.680
<v Speaker 1>know people who I messed with personal it really is.

0:42:14.800 --> 0:42:17.480
<v Speaker 1>And I interview all the heroes and greats and you know,

0:42:17.600 --> 0:42:19.439
<v Speaker 1>y'a't have to at this point come on the show.

0:42:20.480 --> 0:42:23.600
<v Speaker 1>But it's very like people. I like people. I love

0:42:24.280 --> 0:42:27.400
<v Speaker 1>musicians I've grown up with. We've been interviewed Al Green

0:42:27.600 --> 0:42:32.520
<v Speaker 1>and Eddie Laverte and and Jimmy Cliff and you know,

0:42:33.080 --> 0:42:36.520
<v Speaker 1>down to JT from you know, seeing you girls like

0:42:36.680 --> 0:42:38.359
<v Speaker 1>I just I love what I love and I talked

0:42:38.400 --> 0:42:41.399
<v Speaker 1>to who I love. And again this is the more

0:42:41.440 --> 0:42:44.120
<v Speaker 1>I say, and the more I realize it's God is

0:42:44.160 --> 0:42:47.160
<v Speaker 1>just like, do what you want. You're good. I gave

0:42:47.200 --> 0:42:49.160
<v Speaker 1>you all these things. I gave you all these dreams

0:42:49.320 --> 0:42:54.479
<v Speaker 1>to them and I'm to day job, I doing music,

0:42:54.640 --> 0:42:58.200
<v Speaker 1>and or I should said it best right. I was

0:42:58.400 --> 0:43:01.919
<v Speaker 1>interviewing him, Yeah, throw the flows out there. It's fine

0:43:02.520 --> 0:43:06.400
<v Speaker 1>because he's supposed to be there. I was, okay, he

0:43:06.480 --> 0:43:09.080
<v Speaker 1>fixed my posture. But for Your Style show we interviewed

0:43:09.160 --> 0:43:12.520
<v Speaker 1>him and his residency and we were talking and he said,

0:43:12.840 --> 0:43:14.759
<v Speaker 1>I'm doing this if it doesn't mean I can't do

0:43:14.960 --> 0:43:17.960
<v Speaker 1>That doesn't mean if I'm doing a residency, but I

0:43:18.000 --> 0:43:19.800
<v Speaker 1>can still don't on a roll when I'm ready, and

0:43:19.880 --> 0:43:22.040
<v Speaker 1>I can still go make an album and already this

0:43:22.200 --> 0:43:25.560
<v Speaker 1>doesn't mean that I'm stuck here. And just reinforce my

0:43:25.800 --> 0:43:27.480
<v Speaker 1>thought process of like you can do what you want.

0:43:27.920 --> 0:43:30.240
<v Speaker 1>You really can't do what you want, and you should

0:43:30.239 --> 0:43:33.200
<v Speaker 1>all just do what we want, like as artists expand

0:43:33.320 --> 0:43:36.560
<v Speaker 1>you're here doing this. You know this. I love this show.

0:43:36.600 --> 0:43:39.520
<v Speaker 1>It's TV show to me, so that it's a weekly watch,

0:43:40.600 --> 0:43:43.680
<v Speaker 1>you know, I watched the show like I'm catching up

0:43:43.680 --> 0:43:46.680
<v Speaker 1>on the older episode. I'm just it's it's a necessary

0:43:46.760 --> 0:43:50.600
<v Speaker 1>platform and it's really the idea of do what you want.

0:43:50.960 --> 0:43:53.400
<v Speaker 1>You know, do exactly what you want, don't worry about it.

0:43:54.239 --> 0:43:56.640
<v Speaker 1>If you're in alignment, it will be celebrated that we

0:43:56.760 --> 0:44:01.040
<v Speaker 1>lifted up. Now you're doing you're doing is amazing. That

0:44:01.120 --> 0:44:07.520
<v Speaker 1>transition has been amazing. And you you're so knowledgeable. Thank

0:44:07.560 --> 0:44:10.440
<v Speaker 1>you about what we all do. And well, you know

0:44:10.440 --> 0:44:12.439
<v Speaker 1>what I mean, like you got it. Thank you guys.

0:44:12.480 --> 0:44:14.920
<v Speaker 1>It just makes sense, you know what I mean, Like

0:44:15.600 --> 0:44:18.320
<v Speaker 1>you're supposed to be where you're at. I believe it.

0:44:18.400 --> 0:44:19.719
<v Speaker 1>Thank you, you know what I mean. And the music

0:44:19.880 --> 0:44:22.080
<v Speaker 1>is you know, you're a stale you know, you know,

0:44:23.000 --> 0:44:25.759
<v Speaker 1>at the end of the day, music come in, you know,

0:44:26.560 --> 0:44:28.320
<v Speaker 1>we have records come in and features and yeah, the

0:44:28.400 --> 0:44:36.280
<v Speaker 1>other so again under the due I wanted to top five, Okay,

0:44:36.840 --> 0:44:43.760
<v Speaker 1>already you're top five, my top five stales, top five.

0:44:45.760 --> 0:44:56.279
<v Speaker 1>Oh my word, you're top five? Okay, song, oh wow

0:44:59.320 --> 0:45:04.759
<v Speaker 1>thing freath Yeah but you know, oh god, but you know,

0:45:06.600 --> 0:45:17.480
<v Speaker 1>you know my cheek. Why do I feel like I'm

0:45:17.600 --> 0:45:21.600
<v Speaker 1>watching a movie where like a Midwest team white girl

0:45:21.640 --> 0:45:35.439
<v Speaker 1>gets pregnant on that's to your to juggle deal Lord deal,

0:45:35.480 --> 0:45:47.920
<v Speaker 1>old Jesus, hallelujah, hallelujah. Stills topic, I would like to

0:45:48.000 --> 0:45:55.360
<v Speaker 1>know the breathe out on the five. Still your top

0:45:55.560 --> 0:46:00.640
<v Speaker 1>five R and b artists? How well, this is hard

0:46:00.680 --> 0:46:05.719
<v Speaker 1>because female female, because and it's gonna it's gonna go

0:46:05.880 --> 0:46:14.480
<v Speaker 1>into sub genres. Still nothing, I'm right, okay, so top

0:46:14.560 --> 0:46:16.919
<v Speaker 1>top because this is like first pivotal point in my life.

0:46:17.400 --> 0:46:20.439
<v Speaker 1>Um eliphate Gerald. Yes, I was thirteen years old sitting

0:46:20.440 --> 0:46:24.359
<v Speaker 1>in the bus going, yes, my little woman, like, how

0:46:24.440 --> 0:46:27.520
<v Speaker 1>do you sound like this? Lost my mind. Stole the

0:46:27.560 --> 0:46:31.719
<v Speaker 1>tape from my friend Natalie, her granddad's UM tape. I

0:46:31.840 --> 0:46:34.719
<v Speaker 1>stole it from them. It was good times. Um so

0:46:34.960 --> 0:46:38.359
<v Speaker 1>yeah Elephis. Sheerald to another pivotal point for me. Joe

0:46:38.520 --> 0:46:43.360
<v Speaker 1>see and just just would you all to see and

0:46:43.600 --> 0:46:45.560
<v Speaker 1>more and I and the more of their more growing

0:46:45.640 --> 0:46:47.040
<v Speaker 1>I get, the more I'm like, give it to Casey

0:46:47.120 --> 0:46:51.360
<v Speaker 1>and Jojo because you're not screaming harmonies like that and

0:46:51.840 --> 0:46:54.920
<v Speaker 1>making a sing along under the direction. I knew you're

0:46:54.920 --> 0:47:03.440
<v Speaker 1>gonna come on tut Okay, okay, he told Okay. Davante

0:47:03.640 --> 0:47:10.120
<v Speaker 1>was a g Remember that Joe, Joe and Ksey were

0:47:10.160 --> 0:47:15.200
<v Speaker 1>courtet singers. So all of those harmonies, most of them

0:47:15.239 --> 0:47:17.840
<v Speaker 1>are aggressive until they break it down. You know what

0:47:17.840 --> 0:47:23.080
<v Speaker 1>I'm saying, God call it you you. Yeah, most times

0:47:23.239 --> 0:47:27.640
<v Speaker 1>you are to be its most time? Is that hard? Yeah?

0:47:27.840 --> 0:47:33.240
<v Speaker 1>So that combination of them and then intricacy, it's beautiful.

0:47:34.960 --> 0:47:37.799
<v Speaker 1>So I love I love Joe to see just down

0:47:37.920 --> 0:47:42.120
<v Speaker 1>down the line, Um, Karen clock Ship and the sisters.

0:47:43.400 --> 0:47:46.120
<v Speaker 1>It's uncle Angel. When I was growing up, and it

0:47:46.320 --> 0:47:49.359
<v Speaker 1>was just like it taught me like how to individually sing,

0:47:49.880 --> 0:47:51.759
<v Speaker 1>but also singing the choiet or in a group with

0:47:51.920 --> 0:47:55.160
<v Speaker 1>my sisters and that. So when I realized I could

0:47:55.239 --> 0:47:59.200
<v Speaker 1>do something sing a little bit, I was like, I'm

0:47:59.239 --> 0:48:11.560
<v Speaker 1>the group arranged. Okay. Yeah. She was like yeah, yeah,

0:48:11.600 --> 0:48:15.080
<v Speaker 1>this is that's what we're gonna do. And so for me,

0:48:15.160 --> 0:48:17.880
<v Speaker 1>it was just like hearing all these different sounds and

0:48:17.960 --> 0:48:24.000
<v Speaker 1>all these like singing again, like Josie like just go

0:48:24.239 --> 0:48:26.319
<v Speaker 1>in and like you hearing all the notes and then

0:48:26.400 --> 0:48:29.200
<v Speaker 1>like they were singing around sometimes. But Angels for me

0:48:29.400 --> 0:48:33.520
<v Speaker 1>was the one that stuck in my soul, like the words,

0:48:33.600 --> 0:48:35.960
<v Speaker 1>the lyrics that I really felt like I felt Angels like,

0:48:36.239 --> 0:48:38.920
<v Speaker 1>you know, like so Karen Clouds, she and the Clouds Sisters,

0:48:40.080 --> 0:48:43.319
<v Speaker 1>Misia Paris. She doesn't get taught about it enough. She's

0:48:43.320 --> 0:48:45.560
<v Speaker 1>a British She's a British artist. She's one of the

0:48:45.640 --> 0:48:49.359
<v Speaker 1>original the ogs, the reasons why I could stand here. Um,

0:48:49.480 --> 0:48:51.920
<v Speaker 1>she's a song called you on My One Temptation and

0:48:52.080 --> 0:48:54.400
<v Speaker 1>she was coming off with the back of shade. She

0:48:54.600 --> 0:48:57.040
<v Speaker 1>was brown skin, she's a she was a woman. She

0:48:57.160 --> 0:48:59.279
<v Speaker 1>looked like a woman, you know, like and she just

0:48:59.560 --> 0:49:02.160
<v Speaker 1>looked like me, like like if I grew up, I

0:49:02.200 --> 0:49:06.080
<v Speaker 1>could be her. And she was. She was singing though

0:49:06.160 --> 0:49:09.680
<v Speaker 1>she wasn't up there like giving Yeah, Mesha Paris, she

0:49:09.840 --> 0:49:13.000
<v Speaker 1>wasn't up there giving gentle and just like you know

0:49:13.160 --> 0:49:20.080
<v Speaker 1>an m I a c A Paris, and she she

0:49:20.320 --> 0:49:23.239
<v Speaker 1>was singing. She was up there predecessing all of us.

0:49:24.000 --> 0:49:31.040
<v Speaker 1>No one gets her enough props, you know, so Mesha Paris. Yeah, Okay,

0:49:31.120 --> 0:49:37.840
<v Speaker 1>it's a combination. Don't know Lawrence roncan On League and

0:49:38.000 --> 0:49:42.879
<v Speaker 1>Daryl Coley. Wow you went there, dear God, dear guy,

0:49:44.480 --> 0:49:51.359
<v Speaker 1>because because because I'm a Rocket League, I don't even

0:49:51.400 --> 0:49:54.239
<v Speaker 1>know what a version of gospel people consider him. But

0:49:54.560 --> 0:50:00.160
<v Speaker 1>he's highly underrated. And I just feel like, I it's

0:50:00.160 --> 0:50:02.120
<v Speaker 1>not a song of his that I don't know by

0:50:02.239 --> 0:50:06.359
<v Speaker 1>memory now still as a whole grown that wasn't singing

0:50:06.400 --> 0:50:09.000
<v Speaker 1>when I was like twelve to fifteen. You know, you're

0:50:10.680 --> 0:50:13.360
<v Speaker 1>just like I bust into it like it's real. Like

0:50:14.640 --> 0:50:18.799
<v Speaker 1>I learned about Abraham the Boreal, the world's greatest bass player, um,

0:50:19.200 --> 0:50:21.799
<v Speaker 1>and I learned about him from watching runkin Only Live,

0:50:22.160 --> 0:50:24.880
<v Speaker 1>you know, And to me it was just like that

0:50:25.120 --> 0:50:27.239
<v Speaker 1>moved my childhood in a certain way. You know. I

0:50:27.360 --> 0:50:29.480
<v Speaker 1>learned how to again, how to direct, how to move

0:50:29.560 --> 0:50:32.200
<v Speaker 1>and you know all that stuff. Don't know Lawrence because

0:50:32.239 --> 0:50:34.160
<v Speaker 1>I didn't even and I didn't even know that he'd

0:50:34.160 --> 0:50:37.560
<v Speaker 1>had such a hand in so many different gospel artists

0:50:38.680 --> 0:50:42.919
<v Speaker 1>careers until I interviewed him. But just what the hell

0:50:43.480 --> 0:50:47.120
<v Speaker 1>you know? Like where you hearing from God? Yes, consistently?

0:50:48.120 --> 0:50:50.600
<v Speaker 1>And then Daryl Coley because it didn't make sense. It

0:50:50.760 --> 0:50:56.879
<v Speaker 1>still don't make sense's special. I don't know him, i've

0:50:56.880 --> 0:50:58.480
<v Speaker 1>never met him. I just hear his voice, and I'm

0:50:58.480 --> 0:51:06.319
<v Speaker 1>always very much like just a standalone vocal. Just don't

0:51:06.400 --> 0:51:10.239
<v Speaker 1>need a capella. I don't want to practice to him.

0:51:10.280 --> 0:51:12.120
<v Speaker 1>I just hear it. I listened to him to feel good.

0:51:13.360 --> 0:51:15.040
<v Speaker 1>I don't know where you're going at any given time,

0:51:15.120 --> 0:51:17.920
<v Speaker 1>and I'm fine with that. Just sing and it feels good,

0:51:17.960 --> 0:51:20.040
<v Speaker 1>and that's okay, thank you. I'm going to go about

0:51:20.040 --> 0:51:22.640
<v Speaker 1>my day and listen to wherever trap music I was

0:51:22.680 --> 0:51:26.400
<v Speaker 1>on this week. I just needed to hear this to

0:51:26.520 --> 0:51:29.480
<v Speaker 1>make me jump up a little. Yeah. Now I'm back

0:51:29.520 --> 0:51:32.160
<v Speaker 1>to I might learn tomorrow, but you know, like this

0:51:32.440 --> 0:51:35.040
<v Speaker 1>is he's one of the ones that change the switch

0:51:35.120 --> 0:51:37.560
<v Speaker 1>for me, as far as in the same vein as

0:51:37.600 --> 0:51:40.480
<v Speaker 1>Elephantz Jerold, you can do anything. Yeah, your voice, our voices,

0:51:40.520 --> 0:51:43.879
<v Speaker 1>our instruments, train it, work with it. He's for sure

0:51:43.920 --> 0:51:50.279
<v Speaker 1>the pioneer foundational brick. Yeah, I'm gonna give you your

0:51:50.320 --> 0:51:51.960
<v Speaker 1>flowers because I know that's what you do here. But

0:51:52.080 --> 0:51:56.480
<v Speaker 1>like I'm gonna tell you this, Um, you've been so

0:51:56.880 --> 0:52:00.400
<v Speaker 1>you've been moving for I'm changing. I'm saying that this

0:52:00.600 --> 0:52:02.360
<v Speaker 1>like this, I don't ways think I'm dating you, but

0:52:02.480 --> 0:52:05.120
<v Speaker 1>like you we know your foundation is your foundation. No,

0:52:06.200 --> 0:52:09.680
<v Speaker 1>you know, you know you're still You're good. But it's

0:52:09.719 --> 0:52:12.120
<v Speaker 1>just very much like it's it's a blessing to see

0:52:12.200 --> 0:52:16.200
<v Speaker 1>somebody just get better and just leaps and bows get

0:52:16.239 --> 0:52:17.440
<v Speaker 1>But I remember I feel like the first time I

0:52:17.480 --> 0:52:19.520
<v Speaker 1>saw you before and I'm it's gonna make you laugh.

0:52:20.560 --> 0:52:24.600
<v Speaker 1>It was with Jamie in London at Kathy to Parry

0:52:25.160 --> 0:52:27.719
<v Speaker 1>and Jamie pulled me on stage, but I was I

0:52:27.920 --> 0:52:31.200
<v Speaker 1>was I was front row because i was studying, all right,

0:52:31.239 --> 0:52:33.680
<v Speaker 1>I'm looking at these guys come over and sing R

0:52:33.719 --> 0:52:36.839
<v Speaker 1>and B and I'm like, well, this is just great.

0:52:36.920 --> 0:52:38.759
<v Speaker 1>I'm having a time and I'm a still in the

0:52:38.920 --> 0:52:41.359
<v Speaker 1>UK at this point. No one knows me here, right

0:52:41.960 --> 0:52:44.000
<v Speaker 1>but I'm studying and he pulls me, but I'm watching

0:52:44.040 --> 0:52:46.839
<v Speaker 1>the background singers. I'm watching you sing and I can't

0:52:46.840 --> 0:52:49.160
<v Speaker 1>remember who else was there, but I just remember thinking,

0:52:50.880 --> 0:52:53.439
<v Speaker 1>I was just like that's Tank. Like in my head,

0:52:53.480 --> 0:52:55.680
<v Speaker 1>I'm like, it's I feel like I deserve like your

0:52:55.680 --> 0:52:58.560
<v Speaker 1>Americans are out and I'm just like that's Tank, and

0:52:58.680 --> 0:53:01.560
<v Speaker 1>they sounds so like I'm just giving all the like

0:53:01.800 --> 0:53:05.400
<v Speaker 1>there's no differentiation of respect. Well it's Jamie Watson. It's like, no,

0:53:05.560 --> 0:53:09.319
<v Speaker 1>that's like my whole head is just like at this time.

0:53:09.440 --> 0:53:12.319
<v Speaker 1>And I don't know. I wasn't even paying attention when

0:53:12.320 --> 0:53:13.640
<v Speaker 1>he called me up because I didn't think he was

0:53:13.680 --> 0:53:16.560
<v Speaker 1>talking to me. But I was very like, I was

0:53:16.640 --> 0:53:19.320
<v Speaker 1>just stunning. I was like just happy and amazed to

0:53:19.400 --> 0:53:23.120
<v Speaker 1>see you know, like singing just period in that period

0:53:23.160 --> 0:53:25.040
<v Speaker 1>of time on stage, you know, and then so like

0:53:25.320 --> 0:53:29.759
<v Speaker 1>just watching you just consistently just it's it's it's it's

0:53:29.840 --> 0:53:32.520
<v Speaker 1>a note to longevity, and it's a note to just

0:53:33.360 --> 0:53:36.080
<v Speaker 1>somebody said this to me. Bebbie Smith said it to me.

0:53:36.160 --> 0:53:39.200
<v Speaker 1>It gets greater later. You know. With capricorns, we tend

0:53:39.239 --> 0:53:41.359
<v Speaker 1>to sit in our skin and it just gets good

0:53:41.560 --> 0:53:43.840
<v Speaker 1>when it gets good as we get grown because we

0:53:43.960 --> 0:53:45.920
<v Speaker 1>just sit, you know, we get more seasons than the

0:53:46.040 --> 0:53:48.359
<v Speaker 1>last stuff. And it's just like watching you here now

0:53:49.160 --> 0:53:50.640
<v Speaker 1>this is what I want to see, you know, this

0:53:50.840 --> 0:53:53.960
<v Speaker 1>is it. So I love I love your journey. It's inspiring,

0:53:54.160 --> 0:53:57.400
<v Speaker 1>it's beautiful and just keep me in you man, Wollah,

0:53:57.440 --> 0:54:01.400
<v Speaker 1>thank you. That's crazy. That was a compliment. That was

0:54:02.920 --> 0:54:08.279
<v Speaker 1>like like to find to to receive a compliment in

0:54:08.560 --> 0:54:12.600
<v Speaker 1>that moment because that was a tough moment for me. Yeah,

0:54:13.000 --> 0:54:16.480
<v Speaker 1>that was like, that was not Tank at its height.

0:54:16.719 --> 0:54:20.520
<v Speaker 1>That was Tank, you know, having to completely humble himself

0:54:21.000 --> 0:54:24.440
<v Speaker 1>and say, hey, man, I need a job, I need

0:54:24.480 --> 0:54:28.279
<v Speaker 1>to kids, I gotta pay for my kids. My career

0:54:28.400 --> 0:54:31.000
<v Speaker 1>is not cracking. Can I come on the road and

0:54:31.080 --> 0:54:33.400
<v Speaker 1>help you with yours? But the blessing in it is

0:54:33.440 --> 0:54:35.319
<v Speaker 1>that you blessed me, like you have me out here,

0:54:35.400 --> 0:54:37.520
<v Speaker 1>like I'm still up here studying, Like how do they

0:54:37.600 --> 0:54:40.319
<v Speaker 1>sound so good? Yeah? And I got my backgrounds. I'm

0:54:40.360 --> 0:54:44.279
<v Speaker 1>out here like, well, you don't sound good type of

0:54:44.320 --> 0:54:49.000
<v Speaker 1>people like that sounds. I learn how to. I learned

0:54:49.000 --> 0:54:51.359
<v Speaker 1>how to. I learned how to from watching. I learned

0:54:51.360 --> 0:54:54.520
<v Speaker 1>how to manage, you know, like what I wanted to hear,

0:54:54.560 --> 0:54:56.839
<v Speaker 1>what it should sound like, what it should be like. Yeah,

0:54:56.920 --> 0:55:01.320
<v Speaker 1>there's no formal education for this. I you're a prival singer.

0:55:01.440 --> 0:55:04.279
<v Speaker 1>You should you should sing, you should. You're good at

0:55:04.320 --> 0:55:07.960
<v Speaker 1>what you do, like you you know, half faster, you

0:55:08.080 --> 0:55:11.200
<v Speaker 1>go with it with excellence, you know, and the people

0:55:11.280 --> 0:55:13.560
<v Speaker 1>you support and the artists that you big up and

0:55:13.880 --> 0:55:18.440
<v Speaker 1>people that you they're excellent. They're out here doing halfway

0:55:18.560 --> 0:55:21.480
<v Speaker 1>music or I'm kind of sure about who they are,

0:55:21.960 --> 0:55:25.040
<v Speaker 1>like the quality of guests. You know, you guys out here,

0:55:25.320 --> 0:55:29.040
<v Speaker 1>it's R and B. It's real, thank you, So it's fine.

0:55:29.080 --> 0:55:32.719
<v Speaker 1>It's good. Man's cool to Johnny, thank you. Come on,

0:55:32.800 --> 0:55:35.759
<v Speaker 1>let's get to that real thing, that real thing. Come

0:55:35.800 --> 0:55:40.880
<v Speaker 1>to list for you, man. Top five Okay, Army songs,

0:55:43.000 --> 0:55:50.680
<v Speaker 1>Army songs, songs in jams and jams, jam and see

0:55:50.719 --> 0:55:55.160
<v Speaker 1>yours can be different because like you your yeah, her

0:55:55.239 --> 0:56:01.919
<v Speaker 1>information is so different. So cool, okay, okay, okay, okay, okay, okay,

0:56:01.920 --> 0:56:03.640
<v Speaker 1>because I had a different list, but like we're gonna

0:56:03.640 --> 0:56:13.040
<v Speaker 1>go with this, Okay, Marvin and Tammy pick any um,

0:56:14.320 --> 0:56:19.880
<v Speaker 1>you're not living into your loving mm hmm. Yeah, my

0:56:20.080 --> 0:56:23.920
<v Speaker 1>mind was blown when I heard that record. Yea words,

0:56:24.120 --> 0:56:27.040
<v Speaker 1>the lyrics are true, but my mind was blown when

0:56:27.040 --> 0:56:29.880
<v Speaker 1>I heard them sing that. I heard the vinyl of

0:56:29.960 --> 0:56:34.880
<v Speaker 1>it first, and and I listened to it as I'm

0:56:34.920 --> 0:56:37.120
<v Speaker 1>recording albums that you go through your phases of listening

0:56:37.160 --> 0:56:40.319
<v Speaker 1>to different arts, and I had heard it one time

0:56:40.360 --> 0:56:42.000
<v Speaker 1>in one frame of mind, and I was just like,

0:56:42.840 --> 0:56:46.439
<v Speaker 1>I believe that they hadn't they were they were in love? Yeah,

0:56:46.600 --> 0:56:49.680
<v Speaker 1>I believe there was some form of soulmates to these two,

0:56:50.840 --> 0:56:52.600
<v Speaker 1>because you don't sing at each other like that if

0:56:52.640 --> 0:56:56.280
<v Speaker 1>you don't believe what you're singing. There's just different energy

0:56:56.320 --> 0:57:02.000
<v Speaker 1>and different conviction with them. Nothing. Yeah, and just to me, this,

0:57:02.360 --> 0:57:04.759
<v Speaker 1>as much as the technicality with some songs, to me

0:57:04.920 --> 0:57:07.880
<v Speaker 1>is the feeling, it's the emotion. And that song to me,

0:57:07.960 --> 0:57:12.560
<v Speaker 1>it was just like whoa like, never tell you nothing.

0:57:16.760 --> 0:57:19.120
<v Speaker 1>I was like, I'm right, I see why your heart

0:57:19.200 --> 0:57:22.200
<v Speaker 1>was broken. So I get it. I understand when she paused,

0:57:22.240 --> 0:57:27.560
<v Speaker 1>I get it, you know. So that's one um so

0:57:27.720 --> 0:57:33.080
<v Speaker 1>blessed m and and it's again it's related to the

0:57:33.200 --> 0:57:35.560
<v Speaker 1>period of time I was going through, and she's like

0:57:35.720 --> 0:57:38.800
<v Speaker 1>literally detailing her life and why she's so blessed. Wake

0:57:38.880 --> 0:57:40.520
<v Speaker 1>up in the morning for them fresh to death. I'm

0:57:40.560 --> 0:57:43.000
<v Speaker 1>so blessed, so blessed. You know. We went to sleep,

0:57:43.080 --> 0:57:47.120
<v Speaker 1>stress refreshed. I'm so blessed. Yes, yes, she's kind of

0:57:47.200 --> 0:57:48.800
<v Speaker 1>rapping on that record, so I kind of like it.

0:57:49.800 --> 0:57:51.760
<v Speaker 1>But it's the intention in the words and it just

0:57:51.880 --> 0:57:55.640
<v Speaker 1>makes it just it's like a It's like Vibratian for me,

0:57:56.680 --> 0:58:04.439
<v Speaker 1>powers me up, you know, Anita Baker give you though.

0:58:04.520 --> 0:58:12.880
<v Speaker 1>That's that got baby I can't wait for that tour

0:58:13.160 --> 0:58:16.440
<v Speaker 1>my baby face and Anita Baker that you're kidding me, man,

0:58:16.680 --> 0:58:19.640
<v Speaker 1>I'm just gonna I'm just gonna breathe out and get

0:58:19.680 --> 0:58:22.200
<v Speaker 1>my singing and shoes ready, get my singing pants on.

0:58:22.680 --> 0:58:31.840
<v Speaker 1>I'm ready. I'm wearing flip flops, the bad time flop.

0:58:33.160 --> 0:58:36.920
<v Speaker 1>I need you a Baker best, I go How did

0:58:36.960 --> 0:58:44.520
<v Speaker 1>your video? How did you do it? To about his foot?

0:58:45.840 --> 0:58:50.840
<v Speaker 1>Go for it? Go for it, Desiree, gotta be Yeah.

0:58:51.480 --> 0:58:54.480
<v Speaker 1>I love that song. Yeah, it's good, ain't it. It's

0:58:54.560 --> 0:58:57.360
<v Speaker 1>simple in the same way that don't worry be happy,

0:58:57.920 --> 0:59:00.000
<v Speaker 1>just the two of us, don't you worry about it.

0:59:00.040 --> 0:59:06.520
<v Speaker 1>I think it's simple like that and American Boy just

0:59:06.640 --> 0:59:09.840
<v Speaker 1>to feel good records feels good and the words at

0:59:10.000 --> 0:59:12.720
<v Speaker 1>the words are true. I'm a big words and make

0:59:12.760 --> 0:59:17.520
<v Speaker 1>it makes sense person two people? All this fair love.

0:59:17.640 --> 0:59:24.200
<v Speaker 1>Stevie wonders, Well we live in Legend wrapping him in bubbles,

0:59:26.040 --> 0:59:35.560
<v Speaker 1>So grateful for him another again, John Legend, mha, because goddamn.

0:59:36.440 --> 0:59:38.800
<v Speaker 1>And I heard the very first aeration of that record,

0:59:39.400 --> 0:59:42.560
<v Speaker 1>like whatever he did, like I feel like there was

0:59:42.600 --> 0:59:44.000
<v Speaker 1>a version of it, or maybe there was like a

0:59:44.440 --> 0:59:47.760
<v Speaker 1>mix is different, something but hearing him play it, it

0:59:47.880 --> 0:59:52.040
<v Speaker 1>was just like, who are you showing whose who feelings

0:59:52.120 --> 0:59:56.320
<v Speaker 1>and whose hearts and and it's it's I'm not placing

0:59:56.360 --> 0:59:59.560
<v Speaker 1>them together at all, but all this fair love Stevie Wonders.

0:59:59.640 --> 1:00:14.240
<v Speaker 1>Just man, I we know that comes from God. You're

1:00:14.240 --> 1:00:17.760
<v Speaker 1>Annie Boltryn. Okay, I want to know who you're gonna

1:00:17.760 --> 1:00:20.720
<v Speaker 1>get the vocal from. Who are you gonna get here? Yeah?

1:00:20.760 --> 1:00:25.240
<v Speaker 1>The performance style, from the styling from and the passion

1:00:25.360 --> 1:00:28.920
<v Speaker 1>of the artists. Okay, I'm gonna build it who you're

1:00:28.920 --> 1:00:34.680
<v Speaker 1>grabbing the vocal from? The vocal shells go. She could

1:00:34.680 --> 1:00:38.800
<v Speaker 1>do anything, anything, She could do anything. She's not even

1:00:39.000 --> 1:00:43.160
<v Speaker 1>trying effortless. It feels good just to get cush you out.

1:00:43.640 --> 1:00:46.000
<v Speaker 1>And I will and I will take it with a smile.

1:00:47.080 --> 1:00:57.400
<v Speaker 1>Maybe I deserved. How would you saying, she she's so cold,

1:00:58.320 --> 1:01:03.200
<v Speaker 1>just press just standing there, just cold. That's that's tough, okay,

1:01:03.400 --> 1:01:11.400
<v Speaker 1>Jill Scott performance style. Yeah, I'm a I'm a new

1:01:11.680 --> 1:01:15.320
<v Speaker 1>renewed pure fan from the Vegas Residency. You've seen the

1:01:15.360 --> 1:01:19.800
<v Speaker 1>first show of the second show, second show, Monster show. Jesus,

1:01:20.520 --> 1:01:24.640
<v Speaker 1>he's in skates, he's skates. I can barely breathe it, like,

1:01:27.400 --> 1:01:29.520
<v Speaker 1>what are we doing? Like I can't breathe it. I

1:01:29.560 --> 1:01:31.960
<v Speaker 1>can't breathe sing and be on skates like pick one

1:01:32.080 --> 1:01:34.800
<v Speaker 1>or the two. I can normally appreciate a great performance,

1:01:34.880 --> 1:01:42.000
<v Speaker 1>but I can't do that. I can not even close that.

1:01:42.320 --> 1:01:47.800
<v Speaker 1>It made me do more push ups. I'm saying, yeah,

1:01:49.120 --> 1:01:51.840
<v Speaker 1>the next thing, but you gotta like sing the very doing. Yeah,

1:01:52.400 --> 1:01:54.760
<v Speaker 1>that would be you can do that something the Agelo

1:01:54.840 --> 1:01:57.520
<v Speaker 1>did that, you could do it. I gotta he did it,

1:01:57.560 --> 1:02:02.840
<v Speaker 1>all right, he did damn that in Lon do pull ups? Well,

1:02:02.880 --> 1:02:06.360
<v Speaker 1>I'm saying, easy muscle ups. You know what I do

1:02:06.440 --> 1:02:09.880
<v Speaker 1>a muscle up to the mic. People, y'all gonna start this, okay,

1:02:11.400 --> 1:02:13.560
<v Speaker 1>all right? Who we got? We got vocal Jill Scott,

1:02:14.160 --> 1:02:22.560
<v Speaker 1>performance style ussure um, the drip, the styling of okay,

1:02:23.440 --> 1:02:30.200
<v Speaker 1>okay now because okay, I can't see myself, no joking,

1:02:31.200 --> 1:02:34.680
<v Speaker 1>yea in my bag, I see myself. But like, also,

1:02:34.760 --> 1:02:37.480
<v Speaker 1>you know another artist, I appreciate their style and people

1:02:38.200 --> 1:02:40.680
<v Speaker 1>like and she pops out, she pops out, and she

1:02:40.760 --> 1:02:45.600
<v Speaker 1>looks good every time. Santi Gold flies here, Lie, she

1:02:45.880 --> 1:02:49.040
<v Speaker 1>flies here. Lie on a lot of people's vision boards, yeah,

1:02:49.160 --> 1:02:53.160
<v Speaker 1>a lot of people's boys they're taken. They're taking taking

1:02:53.240 --> 1:02:55.760
<v Speaker 1>from that. Santi Gold. She's one of the ones people

1:02:55.840 --> 1:03:02.880
<v Speaker 1>need to stop watch her um passion, the heart of

1:03:02.920 --> 1:03:09.440
<v Speaker 1>the artist, the soul any A Baker down, I might

1:03:09.520 --> 1:03:12.360
<v Speaker 1>cry Anya Baker. It was gonna be an A Baker,

1:03:12.400 --> 1:03:16.720
<v Speaker 1>always gonna be Marvin and Temmy. It's either I heard

1:03:16.760 --> 1:03:20.800
<v Speaker 1>a need to sing a piece of Happy Birthday? How

1:03:20.840 --> 1:03:24.040
<v Speaker 1>did you feel? That gave me chills, And he called

1:03:24.080 --> 1:03:26.720
<v Speaker 1>me about her singing Happy Birthday. It's just a piece.

1:03:27.240 --> 1:03:30.280
<v Speaker 1>It ran to do my soul. Yeah, I didn't know

1:03:30.320 --> 1:03:33.400
<v Speaker 1>what to do with myself. Yeah, it's about right. Yeah.

1:03:33.480 --> 1:03:34.640
<v Speaker 1>And I was like, I don't know what I'm gonna

1:03:34.680 --> 1:03:37.120
<v Speaker 1>do at a full concert. No, I know what I'm

1:03:37.160 --> 1:03:39.520
<v Speaker 1>gonna do. I just want you to film yourself and

1:03:39.560 --> 1:03:42.920
<v Speaker 1>I'll feel myself too. He definitely gonna be feeling Okay,

1:03:43.200 --> 1:03:54.560
<v Speaker 1>look at this punk Ye gods, that's a dope bull man.

1:03:54.600 --> 1:03:59.440
<v Speaker 1>You kidding me? Yeah, Passion, that's how that's that. That

1:04:00.160 --> 1:04:03.160
<v Speaker 1>her music, that's that's what taught me R and B music.

1:04:03.760 --> 1:04:05.320
<v Speaker 1>And I love you know what I love about her?

1:04:05.360 --> 1:04:07.360
<v Speaker 1>What I relate the most, Like you don't have to

1:04:07.400 --> 1:04:10.400
<v Speaker 1>go it's hard all the time. Her tone is her

1:04:10.440 --> 1:04:12.960
<v Speaker 1>tone like she floats. Betty White said that to me too.

1:04:13.000 --> 1:04:17.160
<v Speaker 1>She's like, you don't have to holler. She did. She

1:04:17.240 --> 1:04:20.840
<v Speaker 1>told me I could just bet Ever tell you anything nothing. Wow.

1:04:21.240 --> 1:04:26.880
<v Speaker 1>So Betty White tell Betty right, no, right, very right.

1:04:27.000 --> 1:04:28.800
<v Speaker 1>She said to me. She was like, we did a

1:04:28.800 --> 1:04:30.320
<v Speaker 1>Black Girls talking and the next day she's like, I

1:04:30.400 --> 1:04:33.280
<v Speaker 1>saw you singing Conqueror and your voice is your tone

1:04:33.400 --> 1:04:36.560
<v Speaker 1>is beautiful? Just you know. She didn't say like as much.

1:04:36.640 --> 1:04:38.200
<v Speaker 1>She's like you. I love that you don't like have

1:04:38.280 --> 1:04:42.120
<v Speaker 1>to holler. You can just give and that's that's your

1:04:42.160 --> 1:04:46.800
<v Speaker 1>superpower essentially within your Sean told me that one day,

1:04:46.960 --> 1:04:49.720
<v Speaker 1>me and me and Sean were doing We're doing that record.

1:04:50.280 --> 1:04:52.160
<v Speaker 1>She's both y'all flexing on me at the point, what

1:04:52.320 --> 1:04:59.560
<v Speaker 1>Sean are you talking about? Stanos Menka, Honey, let's get out.

1:05:00.040 --> 1:05:02.480
<v Speaker 1>This is Capricorn and he was he was talking about that.

1:05:03.560 --> 1:05:06.400
<v Speaker 1>He was he was doing it my Michael Jackson. You

1:05:06.520 --> 1:05:18.200
<v Speaker 1>know what, Yeah, there's the big space. But he was like,

1:05:18.600 --> 1:05:20.160
<v Speaker 1>he's like, yeah, think I don't sing Cloud. I was like,

1:05:20.240 --> 1:05:22.800
<v Speaker 1>what do you mean? I just this is how I sing,

1:05:23.160 --> 1:05:25.080
<v Speaker 1>how I talk? Are you that's how I think? And

1:05:25.400 --> 1:05:29.480
<v Speaker 1>I just sing like that. I was like, uh, it works, Okay,

1:05:30.080 --> 1:05:31.880
<v Speaker 1>got you. And then I was having a conversation with

1:05:32.040 --> 1:05:34.439
<v Speaker 1>my kid, kid the kid Darryl Walls from Walls Group,

1:05:34.760 --> 1:05:37.200
<v Speaker 1>and he was like, he's like, I gotta get out

1:05:37.240 --> 1:05:40.280
<v Speaker 1>of screaming, man. I was like, I'm trying to figure

1:05:40.280 --> 1:05:42.400
<v Speaker 1>out how to get out of it too. Yeah, because

1:05:42.440 --> 1:05:45.560
<v Speaker 1>I just have this the space of aggression that I

1:05:45.640 --> 1:05:48.160
<v Speaker 1>love to go to and and and that's always been

1:05:48.280 --> 1:05:52.320
<v Speaker 1>me emulating John p Key. Yeah, it's always been me

1:05:52.440 --> 1:05:54.960
<v Speaker 1>trying to live in that heavy space when I'm naturally

1:05:55.640 --> 1:06:00.360
<v Speaker 1>a cross between baby Face and Brian Knight. That's where

1:06:00.360 --> 1:06:03.280
<v Speaker 1>I naturally live. Yeah. Right, It's just like how do

1:06:03.400 --> 1:06:06.200
<v Speaker 1>I how do I dial it back? What I mean,

1:06:06.440 --> 1:06:09.880
<v Speaker 1>get present and just and even explore more of my

1:06:10.000 --> 1:06:12.520
<v Speaker 1>lower register which I never use, Like I can sign

1:06:12.640 --> 1:06:18.720
<v Speaker 1>down here. I'm saying, who's very white right now? Can we?

1:06:19.240 --> 1:06:22.560
<v Speaker 1>You'll never find we need more? No, Barry White is listen,

1:06:22.640 --> 1:06:27.600
<v Speaker 1>Barry White is underrated. That's brilliant. He's he was a monster,

1:06:27.720 --> 1:06:32.000
<v Speaker 1>but brilliant. He used to take his time and and

1:06:32.240 --> 1:06:35.920
<v Speaker 1>spawned so many groups and just musical album like Understand

1:06:36.920 --> 1:06:47.000
<v Speaker 1>for Fun. Yeah, hey, listen, the most urgent. He sound

1:06:47.200 --> 1:06:52.720
<v Speaker 1>was like, what's the world? Boom boom boom boom boom

1:06:52.760 --> 1:07:01.560
<v Speaker 1>boom boom. What's that? Yeah, yeah, yeah, I love you

1:07:01.680 --> 1:07:11.160
<v Speaker 1>just a little bit more, Yeah, exactly, singing hard my

1:07:11.320 --> 1:07:18.640
<v Speaker 1>first everything everything, Yeah, given, give me Yeah, exploring that

1:07:19.520 --> 1:07:24.440
<v Speaker 1>that that balance, that's just graceful space in your register

1:07:24.560 --> 1:07:27.280
<v Speaker 1>and in your tone, like it's a love internal Yeah,

1:07:27.600 --> 1:07:30.520
<v Speaker 1>like calming it down, it's it's got to be. It's

1:07:30.560 --> 1:07:32.840
<v Speaker 1>really got to be on purpose for me because I

1:07:32.960 --> 1:07:39.640
<v Speaker 1>get hype. Just you got it. I want to hear more.

1:07:40.000 --> 1:07:50.880
<v Speaker 1>I want to hear it there. Okay, I'm saying no

1:07:51.080 --> 1:07:57.000
<v Speaker 1>names name. Ain't saying no names, no name, who you with,

1:07:58.200 --> 1:08:04.760
<v Speaker 1>where you was, what you did? Who your friend? No name?

1:08:07.480 --> 1:08:21.840
<v Speaker 1>Not say no name. Yeah, I like that, like that movie. Yeah,

1:08:23.800 --> 1:08:26.040
<v Speaker 1>so you know we had that, We had that part

1:08:26.080 --> 1:08:29.599
<v Speaker 1>of the show. We're here, you know, you know little

1:08:29.640 --> 1:08:40.880
<v Speaker 1>see more from Yeah, leave me shop my hearts. So

1:08:41.200 --> 1:08:44.160
<v Speaker 1>this segment of the show, it's caught. I ain't saying

1:08:44.240 --> 1:08:49.479
<v Speaker 1>on that. Will you tell us your story? God? Funnier

1:08:49.600 --> 1:08:53.559
<v Speaker 1>fucked up and the Travels of a Stale and Steale

1:08:53.720 --> 1:08:56.600
<v Speaker 1>is from you know, she's from across the water. So

1:08:56.680 --> 1:08:58.320
<v Speaker 1>it could be a story from across the Waters if

1:08:58.360 --> 1:09:03.320
<v Speaker 1>you want to, you know, pond the river, our pondi

1:09:03.479 --> 1:09:08.519
<v Speaker 1>river if you want to, Yeah, only ruling the story.

1:09:08.680 --> 1:09:13.480
<v Speaker 1>Oh God. In the segment, you can't say the names,

1:09:13.880 --> 1:09:20.559
<v Speaker 1>no names, all right? Can I say what they do? Yes? Yes, yes,

1:09:20.800 --> 1:09:23.360
<v Speaker 1>yes you can. You can. You can explain the things

1:09:23.439 --> 1:09:28.479
<v Speaker 1>around it. You can't explain the characteristics. You can't say

1:09:28.520 --> 1:09:35.040
<v Speaker 1>their name? Are they aliases? He can't say none of

1:09:35.120 --> 1:09:38.360
<v Speaker 1>that's all right? I have one Oh yeah, and I'm

1:09:38.400 --> 1:09:41.240
<v Speaker 1>gonna presee this with this person's like hold on, hold on,

1:09:41.880 --> 1:09:46.559
<v Speaker 1>hold on, hold on, because right now today are tonight,

1:09:46.720 --> 1:09:52.880
<v Speaker 1>if it's overseas, we are going to a stale. I

1:09:52.880 --> 1:09:58.280
<v Speaker 1>ain't saying no name. Ain't saying no names, all right?

1:10:00.000 --> 1:10:02.479
<v Speaker 1>This person is like we love to say that, you know,

1:10:02.560 --> 1:10:05.760
<v Speaker 1>like Wayne Brady was in Dave Chappelle's like he just

1:10:05.840 --> 1:10:09.760
<v Speaker 1>pops up and the weirdest shit. Okay, A person's like

1:10:09.840 --> 1:10:15.320
<v Speaker 1>that to me, very smooth R and B singer, really cool.

1:10:16.600 --> 1:10:20.200
<v Speaker 1>So we have this show for a really well known publication,

1:10:20.680 --> 1:10:25.480
<v Speaker 1>and we're in the middle of like, oh my Hartebraska

1:10:25.680 --> 1:10:31.400
<v Speaker 1>something like that, Like somewhere we're literally in cornfields and

1:10:32.720 --> 1:10:34.920
<v Speaker 1>I fly in and I'm just like, they give me

1:10:35.040 --> 1:10:39.840
<v Speaker 1>this like really small like backstage eariot, like a little

1:10:40.920 --> 1:10:44.800
<v Speaker 1>the Winnebagoes yeah, and I'm like, oh, I'm thinking it's

1:10:44.840 --> 1:10:46.720
<v Speaker 1>just whatever, and I'm not really looking around when I

1:10:46.800 --> 1:10:48.400
<v Speaker 1>go to do my shows. I going to do my

1:10:48.479 --> 1:10:51.080
<v Speaker 1>thing and leave. I go in and I'm like, okay,

1:10:51.120 --> 1:10:52.680
<v Speaker 1>well this is I had to quick. We're only here

1:10:52.680 --> 1:10:54.880
<v Speaker 1>for a couple of hours. It is I don't even

1:10:54.960 --> 1:10:57.240
<v Speaker 1>know what this thing is. I step in, I look

1:10:57.320 --> 1:10:59.559
<v Speaker 1>at I step outside and it was like, well, I'll

1:10:59.560 --> 1:11:02.360
<v Speaker 1>just wait out here. This is not cute at all.

1:11:02.960 --> 1:11:06.760
<v Speaker 1>This is not cute. Put put my shoes in the bag,

1:11:07.080 --> 1:11:10.680
<v Speaker 1>in the trunk, changing the truck, it'd be fine. Um.

1:11:11.760 --> 1:11:14.479
<v Speaker 1>And we're standing outside. It's me, my DJ, my role manager,

1:11:15.400 --> 1:11:18.479
<v Speaker 1>and it's quiet. But I looked to my left and

1:11:18.520 --> 1:11:22.759
<v Speaker 1>it's beautiful Winnebagol. This thing is like four yard blocks.

1:11:23.160 --> 1:11:25.880
<v Speaker 1>This thing is just big Winnebago is going for like

1:11:25.960 --> 1:11:29.439
<v Speaker 1>half the field and I'm here like who is this for?

1:11:29.760 --> 1:11:32.320
<v Speaker 1>And I'm really not paying any mind. Didn't look at

1:11:32.640 --> 1:11:35.360
<v Speaker 1>the set list or nothing, and it's the artists. When

1:11:35.439 --> 1:11:37.880
<v Speaker 1>a baby go I'm not fast. I don't go in there.

1:11:37.920 --> 1:11:40.120
<v Speaker 1>I'm trying to be respect for Oh it's cute. They

1:11:40.200 --> 1:11:42.320
<v Speaker 1>probably never gonna use it, but it's probably like mad

1:11:42.400 --> 1:11:47.720
<v Speaker 1>things in there, but whatever, mad like cool war like

1:11:48.160 --> 1:11:51.479
<v Speaker 1>I had like a trade like with a with a

1:11:51.640 --> 1:11:54.639
<v Speaker 1>water and a croak. Okay, It's like it was terrible.

1:11:54.680 --> 1:11:58.280
<v Speaker 1>It's just very opposite. We're standing there and we're just

1:11:58.360 --> 1:12:00.840
<v Speaker 1>out here talking me my DJ I'm a manager, and

1:12:01.000 --> 1:12:05.679
<v Speaker 1>we're just standing there. All of a sudden, hear down

1:12:05.720 --> 1:12:11.559
<v Speaker 1>the field a out it just ain't and they ain't

1:12:11.600 --> 1:12:16.640
<v Speaker 1>saying that Abby's in't that track blaring. This suv is

1:12:16.720 --> 1:12:21.639
<v Speaker 1>like moving down this cornfield and I'm like having the time, like, who,

1:12:21.920 --> 1:12:24.519
<v Speaker 1>what is happening? What is what's going on? Because it's

1:12:24.680 --> 1:12:29.600
<v Speaker 1>very it's very quiet, it's very chill. And then the

1:12:29.760 --> 1:12:32.519
<v Speaker 1>arm recing pops up and he's like hey, he's like

1:12:32.880 --> 1:12:35.920
<v Speaker 1>shirts and whoever, and he's going for it, and I'm

1:12:35.960 --> 1:12:39.120
<v Speaker 1>just like my head is doing the whole swivel, like

1:12:39.360 --> 1:12:44.680
<v Speaker 1>what is going on now? I'm I am just consistently

1:12:44.960 --> 1:12:48.759
<v Speaker 1>just what is happening. He's like pulls up with the skirt,

1:12:49.439 --> 1:12:51.599
<v Speaker 1>his driver pulls up with the skirt and he pops

1:12:51.640 --> 1:12:54.240
<v Speaker 1>out and he's like barely got a shot. And he's like, hey, yo,

1:12:54.400 --> 1:12:56.280
<v Speaker 1>just come come in, come in the trailer, and so

1:12:56.479 --> 1:12:59.160
<v Speaker 1>I'm like, I'm already just mind blowing that he's wrapping

1:12:59.240 --> 1:13:03.719
<v Speaker 1>NICKI minar. I'm realistic bees in the track, I'm realistic

1:13:03.800 --> 1:13:10.519
<v Speaker 1>deserbels pulling through this cornfield. And I'm just like, oh okay.

1:13:10.680 --> 1:13:13.880
<v Speaker 1>So then we go into we all go into the

1:13:13.960 --> 1:13:17.479
<v Speaker 1>mansion of this Winnebago. It's beautiful Winnebago, and I'm just

1:13:17.520 --> 1:13:21.839
<v Speaker 1>looking at my Winnebegel going this is whole soul store confused,

1:13:22.080 --> 1:13:25.840
<v Speaker 1>and he's like, oh, how are you getting back to

1:13:25.880 --> 1:13:27.120
<v Speaker 1>how you get back to New York. I's living in

1:13:27.120 --> 1:13:29.160
<v Speaker 1>New York at the time, hanging back to New York. Oh,

1:13:29.280 --> 1:13:31.720
<v Speaker 1>fly back tomorrow. Just come to me on the jet.

1:13:32.560 --> 1:13:34.479
<v Speaker 1>My whole soul is just having a time because you guys,

1:13:34.479 --> 1:13:37.040
<v Speaker 1>this beautiful Winnebago, they flay you here on the jet like,

1:13:37.400 --> 1:13:38.880
<v Speaker 1>and he's just like, just come to me on the jet,

1:13:38.920 --> 1:13:42.200
<v Speaker 1>and I'm just like, I have people with me, Oh okay,

1:13:42.680 --> 1:13:45.280
<v Speaker 1>And he's just very much like it's just like it is.

1:13:45.320 --> 1:13:48.280
<v Speaker 1>He's living a completely different reality than me, and it's

1:13:48.360 --> 1:13:51.040
<v Speaker 1>it's same music. It's all turned. It's just vibes up

1:13:51.080 --> 1:13:54.040
<v Speaker 1>in this in this Winnebago, and when I tell you,

1:13:54.120 --> 1:13:56.960
<v Speaker 1>he sings the smoothest of music. So it's just blowing

1:13:57.080 --> 1:13:59.200
<v Speaker 1>my mind that this is all the way turned up.

1:14:00.280 --> 1:14:03.080
<v Speaker 1>And so I go and I perform, and then I

1:14:03.160 --> 1:14:04.439
<v Speaker 1>get off and I'm just like, I don't want to go,

1:14:04.479 --> 1:14:06.880
<v Speaker 1>and I was like, wait and see what this artist does.

1:14:07.479 --> 1:14:11.719
<v Speaker 1>It's dusk, and he damn near turns into Marvin Gay

1:14:11.840 --> 1:14:15.799
<v Speaker 1>on stage and he's just it's just our and beer.

1:14:16.880 --> 1:14:20.280
<v Speaker 1>And I'm just like looking at him going forty five

1:14:20.360 --> 1:14:26.160
<v Speaker 1>minutes ago. You was bes in the track what is going?

1:14:27.439 --> 1:14:29.560
<v Speaker 1>So like it just lets me know. And and this

1:14:29.760 --> 1:14:32.720
<v Speaker 1>just keeps happening. Every time I see him in random circumstances,

1:14:32.800 --> 1:14:36.840
<v Speaker 1>it'd be some very wild like I'm standing there going okay, well,

1:14:37.520 --> 1:14:39.400
<v Speaker 1>I don't know, I don't know what's about to happen.

1:14:39.600 --> 1:14:42.439
<v Speaker 1>This is nuts. We might another time we ended up

1:14:42.720 --> 1:14:46.800
<v Speaker 1>he ended up wrapping Rick Ross outside of a walk

1:14:46.840 --> 1:14:50.639
<v Speaker 1>through and I sat there like this one is joining,

1:14:50.760 --> 1:14:53.479
<v Speaker 1>but just sat still because I wasn't sure. I didn't

1:14:53.479 --> 1:14:56.360
<v Speaker 1>know what was going to happen. Man, I just didn't know.

1:14:56.479 --> 1:14:58.479
<v Speaker 1>It was just and he's just the very the exact

1:14:58.600 --> 1:15:00.680
<v Speaker 1>opposite of all of this as a person, as an

1:15:00.800 --> 1:15:03.320
<v Speaker 1>artist that we know him to be in real life.

1:15:03.360 --> 1:15:08.080
<v Speaker 1>It's very don't more than more than more than me

1:15:08.600 --> 1:15:12.000
<v Speaker 1>when I'm in my vibe, it's quite interesting. So it's

1:15:12.120 --> 1:15:14.639
<v Speaker 1>very it's just a very like what the hell is happening?

1:15:15.280 --> 1:15:18.880
<v Speaker 1>R and B will surprise you. We will surprise you, man.

1:15:19.640 --> 1:15:23.000
<v Speaker 1>And you know you feel like the artist follows, you know,

1:15:23.120 --> 1:15:26.800
<v Speaker 1>their personals follow their outside na never this R and

1:15:26.880 --> 1:15:30.679
<v Speaker 1>B thing. It's differ it's very very strange. It's different. Yeah,

1:15:31.120 --> 1:15:33.000
<v Speaker 1>it was very weird. So that's that's my like, what

1:15:33.160 --> 1:15:37.200
<v Speaker 1>the hell? People people crazy? And they have beautiful Winne

1:15:37.240 --> 1:15:41.080
<v Speaker 1>bagels and jets and window bagos and jets and jets.

1:15:41.120 --> 1:15:42.400
<v Speaker 1>I was tired though, because I was just like, the

1:15:42.479 --> 1:15:45.320
<v Speaker 1>thing is beautiful, Look it's clean, look at the floors,

1:15:45.479 --> 1:15:51.840
<v Speaker 1>like I've been some of those not so nice tidy winnebagels,

1:15:52.200 --> 1:15:53.760
<v Speaker 1>and you just have to hold it kind of thing

1:15:53.960 --> 1:15:56.080
<v Speaker 1>to a degree. You're just like, you know, what, it'll

1:15:56.120 --> 1:16:01.000
<v Speaker 1>be fun today, you know, for two hours, I'll just

1:16:01.080 --> 1:16:05.519
<v Speaker 1>sit in the cart sitting. We'll just go from the spring.

1:16:06.040 --> 1:16:08.160
<v Speaker 1>What I'm saying will be But I think it's so

1:16:08.360 --> 1:16:12.439
<v Speaker 1>different for for for female artists. I think, you know,

1:16:12.800 --> 1:16:15.680
<v Speaker 1>even though you know when females are on the come up,

1:16:15.800 --> 1:16:17.760
<v Speaker 1>I get it, you know what I'm saying. The accommodations

1:16:17.800 --> 1:16:19.960
<v Speaker 1>aren't always going to be the greatest for new artists,

1:16:20.320 --> 1:16:22.639
<v Speaker 1>but a female has to get ready a different kind

1:16:22.680 --> 1:16:25.880
<v Speaker 1>of way. Yeah, and I wish, I wish, I wish

1:16:25.960 --> 1:16:31.120
<v Speaker 1>promoters would be more mindful of that. It comes to

1:16:31.200 --> 1:16:33.320
<v Speaker 1>your boundary so too. You have to tell them from

1:16:33.360 --> 1:16:36.200
<v Speaker 1>the rip, I don't do that. It's not how I move.

1:16:36.840 --> 1:16:38.240
<v Speaker 1>You have to get the thing. It's like, oh yeah,

1:16:38.280 --> 1:16:41.599
<v Speaker 1>we got it, get and then you and then then

1:16:41.640 --> 1:16:43.120
<v Speaker 1>it's also up to you as an artist to know

1:16:43.200 --> 1:16:46.040
<v Speaker 1>what you're walking into sometimes like uh no, you don't

1:16:46.160 --> 1:16:47.880
<v Speaker 1>like you got it. I'm going to change the hotel.

1:16:48.200 --> 1:16:50.360
<v Speaker 1>I'll be there when I'll bet I'm there. There's a

1:16:50.560 --> 1:16:53.320
<v Speaker 1>there's a certain fee, a certain fee in the rider.

1:16:54.520 --> 1:16:57.000
<v Speaker 1>You know, if you don't meet the need to require

1:16:58.040 --> 1:17:01.040
<v Speaker 1>it's gonna cost you because because if you miss out

1:17:01.080 --> 1:17:05.960
<v Speaker 1>on the food, yeah right there with that, that so

1:17:06.200 --> 1:17:09.360
<v Speaker 1>twelve hundred, Yeah, you miss out do this wrong. It

1:17:09.560 --> 1:17:22.240
<v Speaker 1>is tears of wrongdoing. It's gonna cost James two times,

1:17:26.960 --> 1:17:29.360
<v Speaker 1>um stale, thank you so much for just giving us

1:17:29.400 --> 1:17:33.600
<v Speaker 1>your time, you know, giving us good energy, blessing us.

1:17:33.640 --> 1:17:35.479
<v Speaker 1>You know what I'm saying, like blessing us, Like you're

1:17:35.560 --> 1:17:39.240
<v Speaker 1>always you're always dope to be around. Thank you, And

1:17:39.400 --> 1:17:42.720
<v Speaker 1>I hope you know that. You know your name is

1:17:42.720 --> 1:17:47.400
<v Speaker 1>associated with all good things, all good energy, all good vibes.

1:17:47.520 --> 1:17:53.439
<v Speaker 1>There's nobody in this world I know. I was like,

1:17:53.520 --> 1:17:57.040
<v Speaker 1>I know that somebody, but like, because you probably get

1:17:57.080 --> 1:18:02.599
<v Speaker 1>to the ship if you're going, you want look about. Yeah,

1:18:03.240 --> 1:18:05.960
<v Speaker 1>I'm sure doing your outside outside day, you know, saying

1:18:06.160 --> 1:18:11.360
<v Speaker 1>we're good. Nobody, I really, I really don't like I

1:18:12.280 --> 1:18:16.000
<v Speaker 1>try and standing up on my stuff, somebody walking up.

1:18:16.479 --> 1:18:19.200
<v Speaker 1>You seen it there, let me know you see it.

1:18:20.560 --> 1:18:23.120
<v Speaker 1>You see that. I try to stand in my world

1:18:23.160 --> 1:18:25.280
<v Speaker 1>as much as I can. And if you have beef

1:18:25.320 --> 1:18:28.200
<v Speaker 1>with me, um say it. And if you don't think

1:18:28.200 --> 1:18:30.600
<v Speaker 1>you don't know me, well, yeah we're good. And if

1:18:30.640 --> 1:18:32.639
<v Speaker 1>you do, it's harmony. Sorry, but your name is good

1:18:32.680 --> 1:18:35.840
<v Speaker 1>on every month. Luther can't have been so you loved here, Yeah,

1:18:35.920 --> 1:18:37.960
<v Speaker 1>you love And I promise I would start running up

1:18:38.000 --> 1:18:40.479
<v Speaker 1>on you coming on the podcast. And now you've come,

1:18:42.400 --> 1:18:48.040
<v Speaker 1>I'm walking out of places. So you coming. I know

1:18:48.160 --> 1:18:50.000
<v Speaker 1>you're trying to enjoy yourself in here and I'm trying

1:18:50.000 --> 1:18:51.360
<v Speaker 1>to leave, but I just want to make sure you're

1:18:51.400 --> 1:18:54.320
<v Speaker 1>gonna pull up. Everybody was looking forward to you to come.

1:18:54.360 --> 1:18:56.320
<v Speaker 1>My daughters. I was like this this stell here, yeah

1:18:58.040 --> 1:19:02.240
<v Speaker 1>listening still Zion has everybody Yo, what beautiful family so

1:19:02.360 --> 1:19:05.160
<v Speaker 1>grown like I was like, I see and I look

1:19:05.200 --> 1:19:07.000
<v Speaker 1>out for them like they my kids. By the way,

1:19:07.000 --> 1:19:09.519
<v Speaker 1>I was last I see yeah concert. I was like, yeah,

1:19:09.560 --> 1:19:13.640
<v Speaker 1>all right, I tell you, I see her. I see her.

1:19:13.720 --> 1:19:16.840
<v Speaker 1>She would probably be we good, okay, But we are

1:19:16.880 --> 1:19:20.479
<v Speaker 1>appreciative of your energy. I'm appreciative of your contributions. Thank

1:19:20.520 --> 1:19:24.480
<v Speaker 1>you for having just to the universe overall. Nice personale.

1:19:26.320 --> 1:19:28.680
<v Speaker 1>This is developed by me in the COVID and I'm

1:19:28.720 --> 1:19:32.280
<v Speaker 1>just continuing the vibe roses. Keep the vibes going. Thank you.

1:19:32.720 --> 1:19:36.000
<v Speaker 1>We like roses. I'm on entrepreneurship. What's the name of it?

1:19:36.640 --> 1:19:40.479
<v Speaker 1>Est nineteen eighty a home clothes, home close home clothes.

1:19:41.400 --> 1:19:43.759
<v Speaker 1>Can you go online if you look on at Instagram?

1:19:43.920 --> 1:19:46.080
<v Speaker 1>Is at Est nineteen eighty eight. I just do sweats,

1:19:46.120 --> 1:19:48.720
<v Speaker 1>I do comfey clothing and you know, stuff to make

1:19:48.720 --> 1:19:53.479
<v Speaker 1>you feel good and comfortable in your skin. Um, I'm

1:19:53.560 --> 1:19:56.120
<v Speaker 1>taking im Jay Valentine and this has been the RMB

1:19:56.200 --> 1:20:01.320
<v Speaker 1>Money podcast, the authority on all things ARB and Pat

1:20:01.400 --> 1:20:09.400
<v Speaker 1>Royalty Field just the greatest energy ever. That's it. We're

1:20:09.439 --> 1:20:12.880
<v Speaker 1>gonna continue to vibes, but I love one to step Yeah.

1:20:18.200 --> 1:20:19.960
<v Speaker 1>R and B Money is a production of the Black

1:20:20.000 --> 1:20:24.760
<v Speaker 1>Effect Podcast Network. For more podcasts from iHeartRadio, visit the

1:20:24.880 --> 1:20:28.720
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:20:28.800 --> 1:20:32.639
<v Speaker 1>favorite shows. Don't forget to subscribe to and rate our show,

1:20:32.960 --> 1:20:35.559
<v Speaker 1>and you can connect with us on social media at

1:20:35.680 --> 1:20:39.880
<v Speaker 1>Jay Valentine and at the Real Tank. For the extended episode,

1:20:40.040 --> 1:20:44.200
<v Speaker 1>subscribe to YouTube dot com, forward Slash, R and B

1:20:44.360 --> 1:20:44.599
<v Speaker 1>Money