WEBVTT - Babyface

0:00:02.000 --> 0:00:13.160
<v Speaker 1>And Money. We all take val. We are the authority

0:00:15.520 --> 0:00:21.279
<v Speaker 1>R and B. I'm just starting off with the closs clap,

0:00:21.880 --> 0:00:26.600
<v Speaker 1>starting off with the class. We don't started show off

0:00:26.640 --> 0:00:28.520
<v Speaker 1>with the clown. I don't know, we don't do it,

0:00:28.560 --> 0:00:32.960
<v Speaker 1>but talking to didn't clap. But my name is Dank,

0:00:33.360 --> 0:00:36.320
<v Speaker 1>I'm Jay Valentine and this is R and B Money,

0:00:36.640 --> 0:00:41.960
<v Speaker 1>The arm by Money Podcast is the authority kind nobody

0:00:42.000 --> 0:00:45.920
<v Speaker 1>say say, nobody saying that, but we are no the

0:00:46.040 --> 0:00:53.680
<v Speaker 1>official authority on all things. Are in a god boy,

0:00:54.480 --> 0:00:58.720
<v Speaker 1>we would. We're having a building um, and I'm not

0:00:58.760 --> 0:01:03.480
<v Speaker 1>gonna labor long the intro. I'm just gonna say, the

0:01:03.640 --> 0:01:12.920
<v Speaker 1>greatest singer, songwriter producer of all times, all times, all times,

0:01:14.080 --> 0:01:20.959
<v Speaker 1>it's the Kinneth baby Face Edmonds in the building. Thank you.

0:01:22.000 --> 0:01:25.880
<v Speaker 1>I like who y'all talking about. You know who we're

0:01:25.880 --> 0:01:28.520
<v Speaker 1>talking about. You're walking here with that kind of sweater,

0:01:28.560 --> 0:01:34.480
<v Speaker 1>and I know who got label owner label Yeah, you

0:01:34.520 --> 0:01:40.000
<v Speaker 1>gotta gotta. It's gotta sound better than the Lady Mogul.

0:01:40.360 --> 0:01:46.240
<v Speaker 1>I mean we are, we are following in giant footsteps.

0:01:47.080 --> 0:01:50.280
<v Speaker 1>You understand what I'm saying. And so this moment right

0:01:50.320 --> 0:01:54.680
<v Speaker 1>here is like um surreal and in real life and

0:01:54.760 --> 0:01:57.960
<v Speaker 1>we've we've we've we've had our moments in our relationship

0:01:58.000 --> 0:02:00.440
<v Speaker 1>for a long time. But um, for you to come

0:02:00.440 --> 0:02:03.520
<v Speaker 1>here and sit with us, man, we are I mean

0:02:03.560 --> 0:02:06.320
<v Speaker 1>truly beyond honored. Well, I was honored to come and

0:02:06.320 --> 0:02:09.200
<v Speaker 1>see with you guys. Thank you, bank you. Why why

0:02:09.240 --> 0:02:13.680
<v Speaker 1>wouldn't I I'm a major fan so and have been

0:02:13.760 --> 0:02:16.799
<v Speaker 1>for years. But you know that, sir, So it's a

0:02:18.240 --> 0:02:21.040
<v Speaker 1>I think it's wonderful what you guys are doing and

0:02:21.080 --> 0:02:23.600
<v Speaker 1>what you do and what you bring to the culture

0:02:24.120 --> 0:02:25.960
<v Speaker 1>and to R and B and keeping in your lives.

0:02:26.040 --> 0:02:29.760
<v Speaker 1>It's it never died in the first place. So and

0:02:29.880 --> 0:02:32.600
<v Speaker 1>uh so I'm honored to be here. I want to

0:02:32.600 --> 0:02:36.200
<v Speaker 1>start off with a story and then we'll come we'll

0:02:36.200 --> 0:02:38.519
<v Speaker 1>get into the the nuts and bolts and the nicks

0:02:38.520 --> 0:02:43.600
<v Speaker 1>and crannies. Um, you called me one day and you said, Tank,

0:02:44.680 --> 0:02:49.680
<v Speaker 1>I'm doing a Christmas party pretty you know, pretty huge

0:02:49.680 --> 0:02:52.679
<v Speaker 1>deal for some cool people, and I'm going to play

0:02:52.720 --> 0:02:55.680
<v Speaker 1>and sing, and I'd like you to play for me

0:02:56.040 --> 0:03:01.720
<v Speaker 1>and sing as well. And excuse me. The way I

0:03:01.760 --> 0:03:07.720
<v Speaker 1>translated that to my mom was baby Face just called me.

0:03:08.160 --> 0:03:11.560
<v Speaker 1>He said, I'm the greatest. He said, I'm the most

0:03:11.560 --> 0:03:15.040
<v Speaker 1>special artist, singer, songwriter, producer he's ever seen in his life.

0:03:15.440 --> 0:03:18.440
<v Speaker 1>And he can't do this without me. That's how it translated.

0:03:18.560 --> 0:03:24.360
<v Speaker 1>Don't or if that um And he's the baby, I'm

0:03:24.440 --> 0:03:30.880
<v Speaker 1>the face. That's basically what he said. And that's you know,

0:03:31.200 --> 0:03:35.360
<v Speaker 1>that's the that's the story I told. And so we

0:03:35.440 --> 0:03:38.280
<v Speaker 1>get into rehearsal over at the amazing studio that we

0:03:38.280 --> 0:03:41.600
<v Speaker 1>should have a room in and we should have a

0:03:41.680 --> 0:03:45.360
<v Speaker 1>room there, and and and I don't know why. I'm

0:03:45.400 --> 0:03:48.280
<v Speaker 1>a pocket I'm a pocket player when it comes to,

0:03:48.520 --> 0:03:50.760
<v Speaker 1>you know, being a musician playing people. I'm a pocket guy.

0:03:50.920 --> 0:03:52.800
<v Speaker 1>I'm the guy that holds down the fort. It's always

0:03:52.800 --> 0:03:55.800
<v Speaker 1>been my role in a in a band since I

0:03:55.840 --> 0:03:58.920
<v Speaker 1>was a kid. And for some reason, I just felt

0:03:58.960 --> 0:04:04.120
<v Speaker 1>the need to dazzle you with my with my piano

0:04:04.760 --> 0:04:08.480
<v Speaker 1>and takes and my dexterity and all of my information

0:04:08.560 --> 0:04:10.880
<v Speaker 1>within the one key you had me playing it. And

0:04:10.920 --> 0:04:14.880
<v Speaker 1>I'm just I'm just tickling the ivory while you're you're singing,

0:04:14.920 --> 0:04:16.719
<v Speaker 1>and you're just kind of looking like, you know, I'm

0:04:16.720 --> 0:04:19.159
<v Speaker 1>thinking it's like, yeah, he's killing it. I'm thinking that's

0:04:19.160 --> 0:04:21.719
<v Speaker 1>the look you're giving me. And then finally you're like, God,

0:04:22.080 --> 0:04:27.440
<v Speaker 1>we said bah, right, right, do the whole thing. And

0:04:27.520 --> 0:04:30.480
<v Speaker 1>then you look at me You're like, yeah, yeah, I

0:04:30.520 --> 0:04:40.040
<v Speaker 1>think I think less of you more of me. And

0:04:40.080 --> 0:04:44.799
<v Speaker 1>I said, yeah, yeah, that's the that's a that's about rights.

0:04:46.080 --> 0:04:51.240
<v Speaker 1>That's what you heard. Remember that, those those were the

0:04:51.240 --> 0:04:57.279
<v Speaker 1>real words. But even in that moment, man, it was

0:04:57.360 --> 0:04:59.920
<v Speaker 1>like you know, it was school was in session pretty much,

0:05:00.440 --> 0:05:03.240
<v Speaker 1>and we got there and we did that event, man,

0:05:03.279 --> 0:05:05.920
<v Speaker 1>and I think I saw Dustin Hoffman. I was like,

0:05:06.080 --> 0:05:10.200
<v Speaker 1>where are we? And I appreciate you, but just even

0:05:10.240 --> 0:05:13.520
<v Speaker 1>thinking of me in that moment, man, and not firing

0:05:13.600 --> 0:05:18.760
<v Speaker 1>me that you weren't fired. There were that night. There

0:05:18.839 --> 0:05:23.440
<v Speaker 1>was Warren Batty, there was a Barbra Streis saying, uh,

0:05:23.480 --> 0:05:25.880
<v Speaker 1>everybody was in that audience. And I have to tell

0:05:25.920 --> 0:05:28.440
<v Speaker 1>you that, um, because I've done it a couple of

0:05:28.480 --> 0:05:31.000
<v Speaker 1>times with them, because I'm a friend of Carol Bear Sager,

0:05:31.080 --> 0:05:34.240
<v Speaker 1>that's who we did the party for it. So but

0:05:34.320 --> 0:05:38.880
<v Speaker 1>I have to tell you that to this day, Um,

0:05:38.920 --> 0:05:43.160
<v Speaker 1>they still talk about that night that you performed and

0:05:43.200 --> 0:05:48.320
<v Speaker 1>how beautiful your rendition of the Christmas song that we

0:05:48.480 --> 0:05:54.479
<v Speaker 1>don't remember which Christmas song we did, but um, they

0:05:54.480 --> 0:05:58.440
<v Speaker 1>still Carol still talks about whoever that guy was, he

0:05:58.560 --> 0:06:02.160
<v Speaker 1>had the most amazing voice, and I said, that's why

0:06:02.160 --> 0:06:07.880
<v Speaker 1>I brought him, because the emotion that these things with,

0:06:08.600 --> 0:06:11.840
<v Speaker 1>it's not just not just moving the notes, but it's

0:06:11.880 --> 0:06:16.640
<v Speaker 1>how you approach it. And from from being able to

0:06:16.640 --> 0:06:20.800
<v Speaker 1>say sing any word or or any lyric, if the

0:06:20.880 --> 0:06:23.400
<v Speaker 1>melody and the emotions out there, then you can just

0:06:23.440 --> 0:06:27.040
<v Speaker 1>write right, you know, go right back by you. And

0:06:27.640 --> 0:06:30.480
<v Speaker 1>you did not disappoint that night. I still get browning

0:06:30.560 --> 0:06:33.640
<v Speaker 1>points from years ago from bringing you to that spot,

0:06:34.520 --> 0:06:38.680
<v Speaker 1>so I appreciate a little more you. It's about you.

0:06:38.800 --> 0:06:41.520
<v Speaker 1>I don't remember saying those works more me. That's not

0:06:41.560 --> 0:06:45.839
<v Speaker 1>even in my vocabulary more me. But that's how you

0:06:45.920 --> 0:06:48.680
<v Speaker 1>heard it. I probably I probably just said maybe don't

0:06:48.680 --> 0:06:53.160
<v Speaker 1>play as much, and you took it as like you no,

0:06:53.240 --> 0:06:56.560
<v Speaker 1>brother face, you definitely say no, that's how you remember those.

0:06:56.760 --> 0:07:01.280
<v Speaker 1>Those words aren't in my vocabulary more me. We were

0:07:01.279 --> 0:07:06.680
<v Speaker 1>in a very complied face. I understand, I understand, but

0:07:08.839 --> 0:07:13.840
<v Speaker 1>more met. So again, when I tell this story, he's

0:07:13.880 --> 0:07:18.480
<v Speaker 1>the baby on the face. I'm the greatest ever. Um

0:07:18.600 --> 0:07:20.680
<v Speaker 1>we we we we love to we love to start

0:07:20.680 --> 0:07:23.120
<v Speaker 1>at the beginning, face like we love to say or

0:07:23.240 --> 0:07:28.239
<v Speaker 1>love to ask, when was the first time someone said

0:07:28.240 --> 0:07:33.760
<v Speaker 1>to you or that you realized that you had something special,

0:07:35.280 --> 0:07:42.960
<v Speaker 1>something special? The gift. I don't know if I ever

0:07:43.120 --> 0:07:46.400
<v Speaker 1>thought of it as a gift. It's just something that

0:07:46.480 --> 0:07:49.480
<v Speaker 1>you do in terms of like even just picking up

0:07:49.480 --> 0:07:53.240
<v Speaker 1>a guitar and then and then kind of singing and

0:07:53.280 --> 0:07:57.400
<v Speaker 1>doing it kind of just what comes natural, not necessarily

0:07:57.400 --> 0:08:01.200
<v Speaker 1>being a piano star guitarist, just kind of like learning

0:08:01.280 --> 0:08:06.520
<v Speaker 1>enough to play to accompany myself. UM, singing in um

0:08:06.600 --> 0:08:10.000
<v Speaker 1>m hm um in high school, like when I was

0:08:10.000 --> 0:08:14.040
<v Speaker 1>in sixth grade, we had a singing group in sixth grade. Um,

0:08:14.080 --> 0:08:16.560
<v Speaker 1>nobody else could sing, but she still had a group.

0:08:16.640 --> 0:08:22.640
<v Speaker 1>It was like give me in the hole still, Michael Trust,

0:08:22.680 --> 0:08:29.160
<v Speaker 1>Teddy Gaines and um, um McClure something Larry McLure and uh,

0:08:29.720 --> 0:08:35.200
<v Speaker 1>and we sung. We sung Smokey Robinson's uh saw you

0:08:35.280 --> 0:08:41.760
<v Speaker 1>there m in front of our our class and um

0:08:41.800 --> 0:08:44.800
<v Speaker 1>and I'm a Girl Watcher and those were two songs

0:08:44.800 --> 0:08:49.720
<v Speaker 1>that we were singing right there and exactly. Yeah. Yeah.

0:08:50.240 --> 0:08:52.200
<v Speaker 1>We tried to get We tried to get Kim Cunningham

0:08:52.200 --> 0:08:53.640
<v Speaker 1>to walk by when you do the whistle farce, She

0:08:53.640 --> 0:08:56.160
<v Speaker 1>wouldn't do that. I still remember these names. I know

0:08:56.240 --> 0:08:58.760
<v Speaker 1>the names are there. But so that was the first

0:08:58.760 --> 0:09:00.720
<v Speaker 1>time we stood in front of the I stood in

0:09:00.720 --> 0:09:06.160
<v Speaker 1>front of the crowd, the class, and they thought we sucked,

0:09:07.240 --> 0:09:10.439
<v Speaker 1>So I won't say that. I felt like I had

0:09:10.440 --> 0:09:14.120
<v Speaker 1>a gift at that point. Um. And then the second

0:09:14.160 --> 0:09:17.520
<v Speaker 1>time that I remember standing in front of an actual

0:09:17.520 --> 0:09:23.839
<v Speaker 1>audience was at my brother's high school. Melvin he was

0:09:23.920 --> 0:09:25.440
<v Speaker 1>he had a group at the time called the Soul

0:09:25.440 --> 0:09:30.880
<v Speaker 1>Innovations and they were there was a good band, and uh,

0:09:30.920 --> 0:09:33.120
<v Speaker 1>they were going to do this homecoming thing and right

0:09:33.480 --> 0:09:35.760
<v Speaker 1>the Jackson five had just come out, so you had

0:09:35.760 --> 0:09:37.360
<v Speaker 1>I Want You Back and Who's Loving You? And they

0:09:37.400 --> 0:09:39.240
<v Speaker 1>wanted to do one of those songs, but nobody had

0:09:39.240 --> 0:09:43.840
<v Speaker 1>the voice, so we had to. So Melan brought myself

0:09:43.920 --> 0:09:48.200
<v Speaker 1>and Kevin in the living room two you know, go

0:09:48.320 --> 0:09:52.800
<v Speaker 1>for who could sing Mike's part, Michael's part, and so

0:09:52.840 --> 0:09:55.800
<v Speaker 1>we had to sing Who's Loving You? And Cavn sing first,

0:09:55.880 --> 0:09:58.160
<v Speaker 1>and he walked out room and I came and sang,

0:09:59.480 --> 0:10:04.360
<v Speaker 1>and unbeknownst to me, I won. And I would not

0:10:04.360 --> 0:10:07.960
<v Speaker 1>win with giving on today period because given voices, crazy

0:10:08.200 --> 0:10:14.840
<v Speaker 1>super high, super high, crazy and um but um, I won,

0:10:15.679 --> 0:10:17.240
<v Speaker 1>and so I got to go sing at the home

0:10:17.240 --> 0:10:19.640
<v Speaker 1>coming and I got to sing Who's Loving You? And

0:10:19.679 --> 0:10:22.280
<v Speaker 1>this was like, I'm in sixth grade at this point,

0:10:22.320 --> 0:10:25.240
<v Speaker 1>we sing my high school girl. High school girls were

0:10:25.240 --> 0:10:28.600
<v Speaker 1>scared to death. But um but I I know. They

0:10:28.679 --> 0:10:32.080
<v Speaker 1>used to play I want you back. When I walked

0:10:32.160 --> 0:10:33.880
<v Speaker 1>up to the stage, they would play I want you back.

0:10:34.520 --> 0:10:37.080
<v Speaker 1>And I remember just being so nervous and so scared

0:10:37.120 --> 0:10:39.520
<v Speaker 1>that when I hear when I would hear that and

0:10:40.080 --> 0:10:43.000
<v Speaker 1>walking up there. And I walked up there and sung

0:10:43.120 --> 0:10:47.280
<v Speaker 1>the song, and you know, people gave me love and

0:10:47.280 --> 0:10:49.360
<v Speaker 1>and I can't believe that I actually did that because

0:10:49.400 --> 0:10:52.679
<v Speaker 1>I was way too shy to everything. I could do

0:10:52.720 --> 0:10:55.640
<v Speaker 1>anything like that and to this. For the longest time,

0:10:55.679 --> 0:10:57.600
<v Speaker 1>every time I would hear I Want you Back, I

0:10:57.640 --> 0:11:02.600
<v Speaker 1>get nervous again. Nervous. It's like, you know, just this thing.

0:11:02.640 --> 0:11:05.040
<v Speaker 1>They would kick you off, like oh, and then your

0:11:05.040 --> 0:11:07.480
<v Speaker 1>heart starts going. And every now and then, if it

0:11:07.520 --> 0:11:09.840
<v Speaker 1>hits me right, you could do the same thing. But

0:11:09.920 --> 0:11:11.560
<v Speaker 1>that first time, I'm just getting on the stage. So

0:11:11.760 --> 0:11:15.520
<v Speaker 1>did I feel special? I don't know that I felt

0:11:15.520 --> 0:11:20.840
<v Speaker 1>special yet then neither um until a couple of years later,

0:11:20.920 --> 0:11:23.960
<v Speaker 1>this kid I'm named Emmanuel came up to my house

0:11:24.040 --> 0:11:25.520
<v Speaker 1>knocking on the door. I asked, my mom, just a

0:11:25.600 --> 0:11:28.319
<v Speaker 1>kid that sounds just like Michael Jackson, but only better

0:11:28.360 --> 0:11:31.360
<v Speaker 1>live here and live here in this house. Because he

0:11:31.400 --> 0:11:33.840
<v Speaker 1>was trying to start a band. And so the rumor

0:11:33.960 --> 0:11:36.960
<v Speaker 1>was there was his kid that sung just like Michael Jackson,

0:11:37.000 --> 0:11:40.800
<v Speaker 1>but only a little better, you know, and was out,

0:11:40.880 --> 0:11:44.000
<v Speaker 1>and so he came to see if, you know, maybe

0:11:44.040 --> 0:11:46.400
<v Speaker 1>I could join the group. At that point, my voice

0:11:46.400 --> 0:11:49.760
<v Speaker 1>had changed, you know, and I couldn't sing like Michael anymore.

0:11:50.360 --> 0:11:53.000
<v Speaker 1>And uh, I went an audition for them, and they

0:11:53.080 --> 0:11:55.720
<v Speaker 1>laughed at me because I had and had the voice anymore.

0:11:56.040 --> 0:11:58.520
<v Speaker 1>But I could write songs. And I had a little

0:11:58.559 --> 0:12:00.200
<v Speaker 1>song that I wrote, and I started singing this when

0:12:00.240 --> 0:12:03.200
<v Speaker 1>I wrote, And then the dad came down upstairs and said,

0:12:03.200 --> 0:12:06.679
<v Speaker 1>who's that singing? And he goes up, whoever that is,

0:12:06.800 --> 0:12:09.480
<v Speaker 1>y'all need to y'all need to get him, because he

0:12:09.600 --> 0:12:12.600
<v Speaker 1>better than all y'all. So then I got in the group.

0:12:12.800 --> 0:12:19.400
<v Speaker 1>At that point, to the father, sometimes you ain't got it,

0:12:19.520 --> 0:12:27.200
<v Speaker 1>he got maybe you can manage you. So, but all throughout,

0:12:29.040 --> 0:12:31.000
<v Speaker 1>when you sit there and ask the question when you

0:12:31.040 --> 0:12:34.000
<v Speaker 1>feel like you have a gift, I don't know that

0:12:35.520 --> 0:12:39.240
<v Speaker 1>when when your basic personality is being humble and not

0:12:39.240 --> 0:12:41.920
<v Speaker 1>not not being about you, you don't ever think of

0:12:41.960 --> 0:12:44.480
<v Speaker 1>it as a gift till till much later to where

0:12:44.520 --> 0:12:47.120
<v Speaker 1>you where everybody recognizes what you've done and you and

0:12:47.200 --> 0:12:49.600
<v Speaker 1>you look back at and you say, Okay, you know,

0:12:49.800 --> 0:12:52.679
<v Speaker 1>I thank God that I had this gift. But I

0:12:52.720 --> 0:12:55.560
<v Speaker 1>wasn't walking around thinking that I had something. I just

0:12:55.600 --> 0:12:58.719
<v Speaker 1>was doing what I love to do. Um, and it

0:12:58.760 --> 0:13:00.719
<v Speaker 1>was and it came natural for me to do it,

0:13:00.920 --> 0:13:03.040
<v Speaker 1>and I always wanted to be better. I didn't never

0:13:03.040 --> 0:13:06.360
<v Speaker 1>felt like I was the best at everything. Uh. I

0:13:06.360 --> 0:13:08.480
<v Speaker 1>always felt like I had to work harder. I didn't

0:13:08.520 --> 0:13:11.240
<v Speaker 1>try to be you know, to to compete with other people.

0:13:11.520 --> 0:13:13.520
<v Speaker 1>But I never felt like I was like the best

0:13:13.520 --> 0:13:20.120
<v Speaker 1>one in the room. Wow. So so you're going through

0:13:20.200 --> 0:13:24.240
<v Speaker 1>high school and are you are you making records at

0:13:24.240 --> 0:13:26.000
<v Speaker 1>this time that you you know, you can write, you

0:13:26.080 --> 0:13:28.640
<v Speaker 1>know you can sing, you got the instrumentation. See that's

0:13:28.640 --> 0:13:32.280
<v Speaker 1>a different time. That's like, you know, um, back then

0:13:32.320 --> 0:13:34.800
<v Speaker 1>when I was going to you weren't really making records

0:13:34.800 --> 0:13:37.120
<v Speaker 1>at that point, and you weren't even doing demos. You

0:13:37.120 --> 0:13:39.319
<v Speaker 1>had to get in the studio, and that was a

0:13:39.400 --> 0:13:44.160
<v Speaker 1>real unreally, that wasn't reality to get in this to

0:13:44.280 --> 0:13:46.240
<v Speaker 1>you know, you could you you could write songs and

0:13:46.240 --> 0:13:49.480
<v Speaker 1>put them on a little tape recorder, you know, little cassette.

0:13:49.520 --> 0:13:51.880
<v Speaker 1>And I had a lot of little ideas on cassettes,

0:13:52.440 --> 0:13:54.480
<v Speaker 1>you know that I would do write songs. But yeah,

0:13:54.480 --> 0:13:57.600
<v Speaker 1>I was writing songs throughout high schooling, you know, because

0:13:57.840 --> 0:13:59.760
<v Speaker 1>I kept on falling in love and then write a song.

0:13:59.840 --> 0:14:06.680
<v Speaker 1>But the girl on you know about that all the time.

0:14:07.240 --> 0:14:08.800
<v Speaker 1>I used to always fall in love in the strip club.

0:14:08.840 --> 0:14:10.920
<v Speaker 1>That was where I fell in love. I wasn't falling

0:14:10.920 --> 0:14:15.280
<v Speaker 1>in love though I was falling I mean, like, so

0:14:15.360 --> 0:14:18.600
<v Speaker 1>T Payne wrote Your Life, he wrote My Life? Are

0:14:18.640 --> 0:14:23.320
<v Speaker 1>you kidding me? I would fall in love? When does

0:14:23.360 --> 0:14:28.160
<v Speaker 1>the professional call come? The professional professional call? Where somebody

0:14:29.000 --> 0:14:34.040
<v Speaker 1>became somebody you know somewhere A and R somebody this point,

0:14:34.080 --> 0:14:38.320
<v Speaker 1>you're still in Indian app I'm Indian, I'm they're in Indie.

0:14:38.320 --> 0:14:41.040
<v Speaker 1>But here's the thing. There were so many little things

0:14:41.640 --> 0:14:45.360
<v Speaker 1>that happened that are kind of hard to believe that

0:14:45.400 --> 0:14:47.760
<v Speaker 1>they happened. Even in that time period where you would

0:14:47.840 --> 0:14:51.160
<v Speaker 1>meet somebody or like Um. I told this story once before,

0:14:51.200 --> 0:14:54.040
<v Speaker 1>but when I was in eighth grade, UM, I met Michael,

0:14:54.120 --> 0:14:58.160
<v Speaker 1>I met the Jackson five. But I made that happen, um,

0:14:58.160 --> 0:15:00.840
<v Speaker 1>because they come to town and I saw them when

0:15:00.840 --> 0:15:02.320
<v Speaker 1>I was in sixth grade. I saw them do that

0:15:02.640 --> 0:15:04.800
<v Speaker 1>going back to Indiana concerts and saw them. I was

0:15:04.840 --> 0:15:08.280
<v Speaker 1>at that at that concert and blew my mind, and

0:15:08.320 --> 0:15:10.160
<v Speaker 1>that's what I knew that that's what I wanted to do,

0:15:10.200 --> 0:15:13.040
<v Speaker 1>because I could see these kids on stage doing music

0:15:13.080 --> 0:15:14.960
<v Speaker 1>and it was crazy. I had a terrible seat. I

0:15:15.000 --> 0:15:16.400
<v Speaker 1>was sitting in the back. I could only see their

0:15:16.440 --> 0:15:19.360
<v Speaker 1>face with if they spend other than that, and I

0:15:19.600 --> 0:15:22.680
<v Speaker 1>missed it off. I saw afros the whole time. But

0:15:22.960 --> 0:15:26.240
<v Speaker 1>it blew me away that that they could do that,

0:15:26.360 --> 0:15:28.920
<v Speaker 1>and so in my head I thought, one day I

0:15:28.960 --> 0:15:31.520
<v Speaker 1>want to meet them. And so a couple of years later,

0:15:33.160 --> 0:15:35.960
<v Speaker 1>this thing popped up where they were coming to town again,

0:15:36.920 --> 0:15:38.720
<v Speaker 1>and I was talking to myself, I gotta meet him,

0:15:39.280 --> 0:15:43.120
<v Speaker 1>and so I saw it in the newspaper where they

0:15:43.120 --> 0:15:46.560
<v Speaker 1>were coming to the State Fairgrounds and the promoter's name

0:15:46.600 --> 0:15:48.360
<v Speaker 1>was Charles Williams. So I looked in the phone book

0:15:48.400 --> 0:15:51.960
<v Speaker 1>up very Charles Williams that I could call. And I

0:15:52.000 --> 0:15:55.800
<v Speaker 1>called Charles and I put on this voice like I

0:15:55.880 --> 0:15:59.520
<v Speaker 1>was an adult. I used to have this. I don't

0:15:59.520 --> 0:16:02.760
<v Speaker 1>know if you knew this actor named Jimmy Stewart. I

0:16:02.840 --> 0:16:07.000
<v Speaker 1>used to have a Jimmy Stewart. UM used to impersonate

0:16:07.000 --> 0:16:10.280
<v Speaker 1>his voice, and so I used his voice as my

0:16:10.520 --> 0:16:15.480
<v Speaker 1>adult voice and called, uh, called Charles and told him that,

0:16:15.520 --> 0:16:18.160
<v Speaker 1>you know, my name was Mr Clayton. I'm a journalist

0:16:18.160 --> 0:16:22.760
<v Speaker 1>teacher at Westland Junior High School. And uh, I heard

0:16:22.840 --> 0:16:28.920
<v Speaker 1>that you have some checks and kids some kind of

0:16:29.200 --> 0:16:30.760
<v Speaker 1>play like you don't even know who you took the

0:16:30.760 --> 0:16:35.320
<v Speaker 1>whole thing totally. They're coming to town and and uh,

0:16:35.840 --> 0:16:38.000
<v Speaker 1>and I wanted to know if uh I thought it

0:16:38.040 --> 0:16:40.680
<v Speaker 1>was I'm gonna have a journalist class and I want

0:16:40.680 --> 0:16:44.720
<v Speaker 1>to have some kids, so my kids interview your kids.

0:16:44.920 --> 0:16:47.840
<v Speaker 1>And he goes he said that's a great idea. Um, so,

0:16:49.160 --> 0:16:51.240
<v Speaker 1>Mr Clayton, so how do I how do I reach you?

0:16:51.360 --> 0:16:52.960
<v Speaker 1>And I said, well, no, I don't want you to

0:16:53.040 --> 0:16:55.400
<v Speaker 1>do it that way. I said, I one of my students,

0:16:55.520 --> 0:16:57.760
<v Speaker 1>Kenny Etmond's I want to give you his phone number.

0:16:57.800 --> 0:17:00.720
<v Speaker 1>I want you to call him and and he will

0:17:00.760 --> 0:17:02.080
<v Speaker 1>do the interview. I want him to do it like

0:17:02.080 --> 0:17:05.000
<v Speaker 1>he's a real reporter. And he said, okay, that sounds great.

0:17:05.040 --> 0:17:08.159
<v Speaker 1>So you know, he took my number down. He hung up,

0:17:08.160 --> 0:17:10.000
<v Speaker 1>and he called me about five minutes at my house.

0:17:10.240 --> 0:17:12.160
<v Speaker 1>I picked up the phone because if my mom had

0:17:12.359 --> 0:17:14.600
<v Speaker 1>got that, that would have been in trouble. So just

0:17:14.600 --> 0:17:16.840
<v Speaker 1>from Lions and she just would have got me and

0:17:16.920 --> 0:17:19.960
<v Speaker 1>so um I picked up the phone. He goes, uh,

0:17:20.080 --> 0:17:21.639
<v Speaker 1>can you EV's place? Says this is He says, this

0:17:21.680 --> 0:17:26.360
<v Speaker 1>is Charles Williams. I said yes. He goes, so I

0:17:26.440 --> 0:17:32.000
<v Speaker 1>talked to you, Yes, Charles, Charles, Charles, Charles doesn't bring

0:17:32.000 --> 0:17:36.720
<v Speaker 1>a Charles. Yes, and he goes, So, I just talked

0:17:36.720 --> 0:17:39.240
<v Speaker 1>to your teacher, Mr Clayton, I said, Mr Clayton. Yes,

0:17:39.560 --> 0:17:41.040
<v Speaker 1>he goes, yeah, I just talked to me. He talked

0:17:41.080 --> 0:17:45.360
<v Speaker 1>about you interviewing the Jackson Pie. Are you serious? Oh

0:17:45.400 --> 0:17:49.000
<v Speaker 1>my god, are you really? He said, yes, this is good.

0:17:49.080 --> 0:17:50.760
<v Speaker 1>This gonna happen. I'm gonna I'm gonna check with it,

0:17:51.080 --> 0:17:52.800
<v Speaker 1>the security and check with everybody, see if we can

0:17:52.840 --> 0:17:54.320
<v Speaker 1>make it happen. I'm gonna call you back in about

0:17:54.359 --> 0:17:56.320
<v Speaker 1>a week. I'll let you know whether it can happen.

0:17:56.920 --> 0:17:59.600
<v Speaker 1>And UH. A week later he called me and said,

0:18:00.040 --> 0:18:02.679
<v Speaker 1>you got an interview with the Jackson five. And so

0:18:02.760 --> 0:18:06.199
<v Speaker 1>in eighth grade, I went down to uh the Hilton

0:18:06.280 --> 0:18:10.560
<v Speaker 1>Hotel on Swealth floor and walked in and interviewed Michael

0:18:10.600 --> 0:18:14.119
<v Speaker 1>Jackson and the brothers were all there. And I actually

0:18:14.160 --> 0:18:21.240
<v Speaker 1>walked in there in eighth grade. Wow. I couldn't believe it. Scammers,

0:18:25.320 --> 0:18:30.800
<v Speaker 1>one could see it. We don't we don't have baby

0:18:30.800 --> 0:18:34.359
<v Speaker 1>face if you don't do that, get it. Yeah. So

0:18:34.400 --> 0:18:36.679
<v Speaker 1>I figured out how to get in there, and it

0:18:36.760 --> 0:18:38.919
<v Speaker 1>was just to just to be in the in their space.

0:18:38.960 --> 0:18:42.919
<v Speaker 1>And um, and I couldn't even believe I did it. Um,

0:18:42.960 --> 0:18:47.399
<v Speaker 1>but I did it, and um it was it was

0:18:47.480 --> 0:18:50.160
<v Speaker 1>just all part of the whole journey. Because the thing

0:18:50.280 --> 0:18:55.000
<v Speaker 1>is what was special about Indianapolis. There was so much

0:18:55.080 --> 0:18:57.840
<v Speaker 1>music around and there's so many bands. They were like

0:18:57.880 --> 0:19:01.760
<v Speaker 1>a thousand bands, and so there was always someone to

0:19:01.840 --> 0:19:04.440
<v Speaker 1>play with, someone, some band that you could join. At

0:19:04.480 --> 0:19:06.879
<v Speaker 1>even at a very young age in high school, junior

0:19:06.920 --> 0:19:10.480
<v Speaker 1>high school, we had bands you know that doesn't exist

0:19:10.520 --> 0:19:14.240
<v Speaker 1>today whatsoever at all, um, in any kind of even

0:19:14.240 --> 0:19:16.000
<v Speaker 1>when they were doing you know, like the Voice Men

0:19:16.080 --> 0:19:18.359
<v Speaker 1>where people are doing groups, we had bands. Everybody was

0:19:18.359 --> 0:19:25.280
<v Speaker 1>playing you know um yeah so um, and that was

0:19:25.480 --> 0:19:28.000
<v Speaker 1>so even with that, in ninth grade, I had a

0:19:28.000 --> 0:19:33.280
<v Speaker 1>band called The Elements and we auditioned for this concert

0:19:33.320 --> 0:19:35.520
<v Speaker 1>that was coming in town that they were laying all

0:19:35.560 --> 0:19:37.760
<v Speaker 1>the local bands figure out who could open up for

0:19:38.080 --> 0:19:40.399
<v Speaker 1>this big concert that was coming in town. And that

0:19:40.440 --> 0:19:45.439
<v Speaker 1>concert was Curtis Mayfield when he had super flyouts. And

0:19:45.480 --> 0:19:47.520
<v Speaker 1>we're kids. So I'm in ninth grade and we opened

0:19:47.600 --> 0:19:52.119
<v Speaker 1>up for curs Mayfield. I played some originals, playing original songs,

0:19:52.240 --> 0:19:54.720
<v Speaker 1>not original songs, but playing X. I think we played

0:19:54.760 --> 0:19:58.240
<v Speaker 1>for once in my life Steve Wonder um. And so

0:19:58.640 --> 0:20:00.879
<v Speaker 1>there were moments of things that would happened. We think, Okay,

0:20:00.880 --> 0:20:03.800
<v Speaker 1>this is it. We're gonna make it, you know, and

0:20:03.880 --> 0:20:07.600
<v Speaker 1>everybody in music business we've all experienced that. Yeah, So

0:20:07.680 --> 0:20:09.480
<v Speaker 1>there were there were so many moments and so and

0:20:09.640 --> 0:20:11.520
<v Speaker 1>we so bad wanted to make it. I remember we

0:20:11.600 --> 0:20:14.359
<v Speaker 1>used to Um, We'd be walking down the street and

0:20:14.480 --> 0:20:17.480
<v Speaker 1>say they'd be like a stop side. So if everybody

0:20:17.560 --> 0:20:21.440
<v Speaker 1>runs goes, if this car gets if this, if you don't,

0:20:21.480 --> 0:20:23.200
<v Speaker 1>if you don't hit that stop side before this car hits,

0:20:23.200 --> 0:20:26.159
<v Speaker 1>you ain't gonna never make it. So we run with

0:20:26.200 --> 0:20:28.000
<v Speaker 1>our life, you know, to get there, so we make it.

0:20:28.040 --> 0:20:32.119
<v Speaker 1>But what it making it mean? Making it at that

0:20:32.200 --> 0:20:35.720
<v Speaker 1>point meant that you that your record was on the

0:20:35.800 --> 0:20:39.640
<v Speaker 1>radio and that people knew that you you know, that

0:20:39.720 --> 0:20:43.240
<v Speaker 1>you were on it. It didn't mean buying a big

0:20:43.240 --> 0:20:46.600
<v Speaker 1>counsel or getting a car or anything else like that,

0:20:46.640 --> 0:20:48.680
<v Speaker 1>because we didn't know that you really made money at it.

0:20:49.160 --> 0:20:51.680
<v Speaker 1>We just wanted to be on the radio and recognized

0:20:51.720 --> 0:20:54.600
<v Speaker 1>for your organized and that was that was making it. Um.

0:20:54.920 --> 0:20:57.720
<v Speaker 1>Didn't know anything else about it other than just wanting

0:20:57.760 --> 0:21:03.040
<v Speaker 1>to be no, have a herd out and and be

0:21:03.119 --> 0:21:14.639
<v Speaker 1>on radio, be on the radio, on radio. So it

0:21:14.680 --> 0:21:19.080
<v Speaker 1>was a different time there, you know, UM, music didn't

0:21:19.080 --> 0:21:25.480
<v Speaker 1>necessarily mean money, and that was probably probably something that

0:21:25.520 --> 0:21:31.240
<v Speaker 1>we should have known would have helped later it always

0:21:31.920 --> 0:21:38.600
<v Speaker 1>but but there's something kind of nice about the the

0:21:38.640 --> 0:21:41.840
<v Speaker 1>innocence of it at that point that it wasn't about

0:21:41.840 --> 0:21:47.439
<v Speaker 1>anything but the music. UM. And where that's become a

0:21:47.440 --> 0:21:52.080
<v Speaker 1>different thing today, I think, completely different. I literally have

0:21:52.200 --> 0:21:55.280
<v Speaker 1>had to have the conversation with my son about they're

0:21:55.320 --> 0:21:59.239
<v Speaker 1>not that rich because you know, it's it's this is

0:21:59.680 --> 0:22:03.640
<v Speaker 1>it's part of that the promotion. I'm like deuce. They're

0:22:03.680 --> 0:22:06.360
<v Speaker 1>showing you this so that they that you can help

0:22:06.400 --> 0:22:09.680
<v Speaker 1>them eventually get that if you can get a whole

0:22:09.680 --> 0:22:12.640
<v Speaker 1>bunch of your friends to believe that this guy has

0:22:12.640 --> 0:22:14.840
<v Speaker 1>a watch on that's worth three hundred and seventy five

0:22:14.880 --> 0:22:16.560
<v Speaker 1>tho hollars and it's only three of them made in

0:22:16.600 --> 0:22:22.640
<v Speaker 1>the world, but he has one. Yeah out making Georgia

0:22:23.200 --> 0:22:25.000
<v Speaker 1>this new rap kid, right, you know what I mean?

0:22:25.040 --> 0:22:27.000
<v Speaker 1>But you know I get it, and that's part of

0:22:27.000 --> 0:22:31.240
<v Speaker 1>the promotion. And obviously those things didn't exist at that point.

0:22:31.720 --> 0:22:34.760
<v Speaker 1>And like you said, that making it was turning that

0:22:34.880 --> 0:22:40.320
<v Speaker 1>radio down and hearing your song. So does the Elements

0:22:40.920 --> 0:22:45.879
<v Speaker 1>does that lead to the deal. There's so many little groups.

0:22:45.880 --> 0:22:49.239
<v Speaker 1>I was in. The first group was five, second was UM,

0:22:50.040 --> 0:22:53.200
<v Speaker 1>Jim and I eight. Jim and I eight. We performed

0:22:53.320 --> 0:22:58.160
<v Speaker 1>one UM a local TV show called Clover Power, which

0:22:58.359 --> 0:23:02.520
<v Speaker 1>David Letterman was the host. He was the guest host.

0:23:02.720 --> 0:23:09.840
<v Speaker 1>That was like in eighth grade. UM. From there, UH,

0:23:10.040 --> 0:23:13.280
<v Speaker 1>Jim and I ate two LC so unlimited. Then there

0:23:13.320 --> 0:23:16.520
<v Speaker 1>was the Elements, and then it was Tarnish Silver and

0:23:16.560 --> 0:23:21.240
<v Speaker 1>then I joined UM Tarnish Silver Turn Silver. That was

0:23:21.280 --> 0:23:23.240
<v Speaker 1>the high school band. We played all the all the

0:23:23.240 --> 0:23:25.680
<v Speaker 1>gigs in high school, so we went did colleges as well.

0:23:26.200 --> 0:23:28.600
<v Speaker 1>Um yeah, I didn't want to be silid go no

0:23:29.680 --> 0:23:35.200
<v Speaker 1>tarnish Silver, that's gonna kill. What about this we're walking

0:23:35.320 --> 0:23:42.919
<v Speaker 1>on buffed buff It's gonna be a problem. Thank you

0:23:42.960 --> 0:23:52.480
<v Speaker 1>for that. Gotta come from somewhere. Yeah, um no. But

0:23:52.560 --> 0:23:54.960
<v Speaker 1>Turn we we did well. We you know, I from

0:23:55.000 --> 0:23:59.840
<v Speaker 1>like my high school years, from like through um eleventh

0:23:59.840 --> 0:24:02.439
<v Speaker 1>g you know, to Turn through my senior year. We

0:24:02.520 --> 0:24:05.880
<v Speaker 1>played all the gigs there. And the cool thing about

0:24:05.880 --> 0:24:07.880
<v Speaker 1>when you're playing in those bands, that's the whole things

0:24:07.880 --> 0:24:12.600
<v Speaker 1>that it's, um, it's preparing you for later, preparing you

0:24:12.640 --> 0:24:17.000
<v Speaker 1>for his shows and you know, um and the things

0:24:17.040 --> 0:24:19.080
<v Speaker 1>that you things that you think you know, like when

0:24:19.080 --> 0:24:21.280
<v Speaker 1>we were when we were in Turning Silver, we played

0:24:21.320 --> 0:24:24.320
<v Speaker 1>our own original songs, we played stuff on the radio,

0:24:25.119 --> 0:24:26.840
<v Speaker 1>but it was mostly we are the school that was

0:24:26.880 --> 0:24:29.119
<v Speaker 1>mostly white, so it was probably tempercent black people and

0:24:29.200 --> 0:24:31.720
<v Speaker 1>mostly white. So a lot of the shows that we

0:24:32.160 --> 0:24:34.359
<v Speaker 1>as you go to North Central High School because my

0:24:34.400 --> 0:24:37.240
<v Speaker 1>brothers went to Arlington. Yeah we lived out there for

0:24:37.320 --> 0:24:41.920
<v Speaker 1>a high second. Yeah yeah, North Central was that street

0:24:42.000 --> 0:24:45.840
<v Speaker 1>at that time, and uh so most of the gigs

0:24:45.840 --> 0:24:48.320
<v Speaker 1>we would playing when we go to colleges. We were

0:24:48.320 --> 0:24:52.320
<v Speaker 1>playing like our original songs and and playing maybe the

0:24:52.400 --> 0:24:56.639
<v Speaker 1>b GS and you know, um the blackest thing we

0:24:56.680 --> 0:25:01.119
<v Speaker 1>would play with the Earth Went Fire and um. I

0:25:01.160 --> 0:25:06.800
<v Speaker 1>remember the first time we actually played for um it

0:25:06.960 --> 0:25:11.520
<v Speaker 1>wasn't Arlington, but I'm forget something like Arlington. Uh check,

0:25:13.040 --> 0:25:15.320
<v Speaker 1>I'm getting the name right now. But we played for

0:25:15.480 --> 0:25:22.840
<v Speaker 1>their homecoming All Black UH school, and we went out

0:25:22.840 --> 0:25:26.080
<v Speaker 1>there and start playing our stuff because we always you know,

0:25:26.560 --> 0:25:30.920
<v Speaker 1>we would always be great people. They'd be dancing right

0:25:31.040 --> 0:25:34.720
<v Speaker 1>right right, always doing the double class different way different,

0:25:35.040 --> 0:25:37.560
<v Speaker 1>And so we got out there started playing and they

0:25:37.600 --> 0:25:41.720
<v Speaker 1>were just looking at us like that. I remember I

0:25:41.760 --> 0:25:44.760
<v Speaker 1>had one friend from Pambrewer, she was from North Central.

0:25:45.000 --> 0:25:46.600
<v Speaker 1>She was up there looking like and she was like, oh,

0:25:46.760 --> 0:25:51.399
<v Speaker 1>that's had embarrassment. It was like I could see that

0:25:51.400 --> 0:25:54.760
<v Speaker 1>share looking like I'm so sorry. Yeah. I asked y'all

0:25:54.800 --> 0:25:57.159
<v Speaker 1>to do this because we were just they just did

0:25:57.280 --> 0:25:59.560
<v Speaker 1>not care. Because as we stopped playing in the then

0:25:59.600 --> 0:26:05.320
<v Speaker 1>the uh they put on record and then we go

0:26:05.400 --> 0:26:11.359
<v Speaker 1>back up and and then so I remember me and

0:26:11.440 --> 0:26:16.000
<v Speaker 1>Daryl and our conversation it was like we ain't black enough.

0:26:16.640 --> 0:26:19.439
<v Speaker 1>We just you know, we don't know nothing. This is

0:26:19.560 --> 0:26:22.639
<v Speaker 1>terrible and and they and we knew the songs, but

0:26:22.720 --> 0:26:26.000
<v Speaker 1>we didn't play any of those songs. Uh, so we're like,

0:26:26.200 --> 0:26:28.080
<v Speaker 1>we knew we had to start changing the game because

0:26:28.280 --> 0:26:31.680
<v Speaker 1>we thought we was on killing with earth Fire. We

0:26:31.880 --> 0:26:36.240
<v Speaker 1>played Devotion earth Wing Fire wasn't black enough yet, so

0:26:36.840 --> 0:26:41.439
<v Speaker 1>killing with Devotion it wasn't. They wasn't inis different. That's crazy.

0:26:41.600 --> 0:26:43.480
<v Speaker 1>You have to be like you have to be funk

0:26:43.680 --> 0:26:46.720
<v Speaker 1>yeah different. Yeah, I mean you know that because you've

0:26:46.720 --> 0:26:51.200
<v Speaker 1>been through there. But I'm just saying it's black. It's

0:26:51.200 --> 0:26:56.080
<v Speaker 1>black not yet, not yet. They hadn't until Reasons came

0:26:56.200 --> 0:27:00.240
<v Speaker 1>from birth. Fire didn't really kick in, you know, till

0:27:00.440 --> 0:27:03.439
<v Speaker 1>Reasons happen. But other than that, it was like but

0:27:03.520 --> 0:27:06.680
<v Speaker 1>not like it wasn't enough. Wasn't enough for us that night,

0:27:07.359 --> 0:27:10.879
<v Speaker 1>and uh but we failed. We learned from it. And

0:27:10.920 --> 0:27:15.199
<v Speaker 1>then um, when you said Darryl Simmons, yeah, because that's

0:27:15.200 --> 0:27:19.280
<v Speaker 1>what I'm absolutely know who that is. You just said

0:27:19.280 --> 0:27:21.359
<v Speaker 1>the first name, so something like, wait, you're in a

0:27:21.440 --> 0:27:24.040
<v Speaker 1>high school band. Yeah yeah, okay, okay, so me and

0:27:24.119 --> 0:27:28.680
<v Speaker 1>Darryl Simpson and then um, in Turning Silver, we got

0:27:28.760 --> 0:27:33.000
<v Speaker 1>this opportunity to go to this club called the in Crowd,

0:27:33.720 --> 0:27:35.800
<v Speaker 1>and we opened up for this group called man Child

0:27:36.880 --> 0:27:43.159
<v Speaker 1>and Man Child was like the funkiest group ever and

0:27:43.200 --> 0:27:45.520
<v Speaker 1>they were they look like giants and they and they

0:27:45.520 --> 0:27:49.280
<v Speaker 1>were also um very talented where they played Return to

0:27:49.359 --> 0:27:53.080
<v Speaker 1>Forever and they and they could play they could play jazz,

0:27:53.119 --> 0:27:55.840
<v Speaker 1>they could play funk, they could play everything. They could

0:27:55.840 --> 0:28:01.040
<v Speaker 1>play Teddy Pendergras. It was like, let me, what's the maybe, No,

0:28:01.200 --> 0:28:04.879
<v Speaker 1>that was oh, Jess, I think so it was like

0:28:05.480 --> 0:28:10.640
<v Speaker 1>und nothing. Yeah, So they was they was killing and

0:28:10.640 --> 0:28:12.960
<v Speaker 1>and so once again we went in there thinking that

0:28:13.080 --> 0:28:16.000
<v Speaker 1>we was gonna like kill it because we learned a

0:28:16.040 --> 0:28:20.320
<v Speaker 1>couple more earth win Fire songs um and they were

0:28:20.400 --> 0:28:22.600
<v Speaker 1>very kind to us. That audience was very kind to us.

0:28:22.600 --> 0:28:25.240
<v Speaker 1>And like I said, okay, we thought we won until

0:28:25.920 --> 0:28:29.360
<v Speaker 1>Man Shot came out. There was smoke and they came

0:28:29.400 --> 0:28:35.040
<v Speaker 1>out uh doing uh Checkerkan song I'm a I'm a woman,

0:28:35.320 --> 0:28:38.120
<v Speaker 1>but they call I'm a man Shot. Yeah, they was

0:28:38.160 --> 0:28:42.040
<v Speaker 1>already doing the remixed ye with the name and yeah,

0:28:42.080 --> 0:28:44.479
<v Speaker 1>I'm a man Shot and I'm a motherfucker. That's what

0:28:44.520 --> 0:28:47.680
<v Speaker 1>they were and that's what that's what followed up they

0:28:47.760 --> 0:28:52.040
<v Speaker 1>came after us and just killed us, and exactly that

0:28:52.080 --> 0:28:54.520
<v Speaker 1>is what it felt like. And but it was a

0:28:54.600 --> 0:28:59.160
<v Speaker 1>learning experience, and it was like, Okay, I gotta I

0:28:59.200 --> 0:29:01.600
<v Speaker 1>gotta start learning some other stuff. I gotta, you know,

0:29:02.120 --> 0:29:04.640
<v Speaker 1>because I, you know, I would play my coustal guitar

0:29:04.680 --> 0:29:06.959
<v Speaker 1>and played pretty songs and and that's kind of like

0:29:07.080 --> 0:29:09.480
<v Speaker 1>that was my whole thing. And then from watching that,

0:29:09.520 --> 0:29:10.960
<v Speaker 1>I said, I need to learn how to, you know,

0:29:11.000 --> 0:29:13.120
<v Speaker 1>play some funk. I need to learn how to do

0:29:13.200 --> 0:29:15.200
<v Speaker 1>do those other things. And because I loved it when

0:29:15.200 --> 0:29:17.200
<v Speaker 1>I heard it, but I just had never heard it

0:29:18.000 --> 0:29:22.440
<v Speaker 1>in that way. And so, um, when I finished high school,

0:29:23.320 --> 0:29:26.280
<v Speaker 1>just before I graduated, I got a call to join

0:29:26.360 --> 0:29:31.120
<v Speaker 1>Manschoud really so that funk group that I that blew

0:29:31.160 --> 0:29:34.120
<v Speaker 1>me away. I actually joined that band right out of

0:29:34.200 --> 0:29:37.760
<v Speaker 1>high school. And that was my learning ground for so

0:29:37.800 --> 0:29:42.600
<v Speaker 1>many things, um, in terms of musically, um, being able

0:29:42.600 --> 0:29:45.240
<v Speaker 1>to learn to so many different genres. So I would

0:29:45.760 --> 0:29:49.840
<v Speaker 1>preparing me for today and for the rest of you know,

0:29:49.840 --> 0:29:52.200
<v Speaker 1>the rest of my life in music, all those things.

0:29:52.240 --> 0:29:54.680
<v Speaker 1>And then out of Man Child Man shot and lasted

0:29:54.640 --> 0:29:56.840
<v Speaker 1>for a while. Then I ended up leaving Manshot and

0:29:56.840 --> 0:30:00.040
<v Speaker 1>I joined this group called the Crowd Pleaser just and

0:30:00.080 --> 0:30:03.040
<v Speaker 1>the Crowd Pleas was strictly a Top forty band playing

0:30:03.040 --> 0:30:06.480
<v Speaker 1>out of Michigan most of the time, and we played

0:30:06.520 --> 0:30:09.520
<v Speaker 1>all these places in Michigan just playing Top forty, which

0:30:09.600 --> 0:30:13.920
<v Speaker 1>was like the best. That was the best education I

0:30:13.960 --> 0:30:17.360
<v Speaker 1>could get because when every when you're playing these Top

0:30:17.400 --> 0:30:22.560
<v Speaker 1>forty songs nightly, you're learning how songs are supposed to feel,

0:30:23.000 --> 0:30:25.880
<v Speaker 1>and you're you're learning watching the crowd what they react

0:30:25.880 --> 0:30:27.800
<v Speaker 1>to and when you hit hit the right kind of hook,

0:30:28.440 --> 0:30:31.600
<v Speaker 1>the versus everything that she is helping your songwriting and

0:30:31.720 --> 0:30:35.160
<v Speaker 1>songwriting completely. I'm able to learned so much more from

0:30:35.200 --> 0:30:38.320
<v Speaker 1>that thing how songs actually work, you know, you know

0:30:38.480 --> 0:30:40.760
<v Speaker 1>where you're actually applying them in front of people to

0:30:40.800 --> 0:30:43.400
<v Speaker 1>see it. So that was like the best learning ground

0:30:43.400 --> 0:30:47.000
<v Speaker 1>and from there that was right after that is when

0:30:47.000 --> 0:30:50.800
<v Speaker 1>I ultimately joined the deal because I had written this

0:30:50.880 --> 0:30:56.160
<v Speaker 1>song uh slow Jam and slow Jam Um Midnight Start.

0:30:56.240 --> 0:30:58.280
<v Speaker 1>I kind of had met Midnight Ster before Midnight Star

0:30:58.400 --> 0:31:00.800
<v Speaker 1>wanted to record the song slow Jam. So when I

0:31:00.840 --> 0:31:04.040
<v Speaker 1>went down to kind of help them demo the song,

0:31:04.640 --> 0:31:07.040
<v Speaker 1>that's when I ran into l a read for the

0:31:07.080 --> 0:31:12.120
<v Speaker 1>second time, and uh l a um we met at

0:31:12.160 --> 0:31:13.920
<v Speaker 1>that point, and that's when they decided that, you know,

0:31:14.200 --> 0:31:16.520
<v Speaker 1>I should maybe kind of help out with the help

0:31:16.560 --> 0:31:18.840
<v Speaker 1>out make some demos for the deal. Play another slow

0:31:18.960 --> 0:31:25.920
<v Speaker 1>jam is your first placement? Yes, wow, oh man, that's

0:31:25.960 --> 0:31:31.160
<v Speaker 1>lost Champagne West this time, make it sweet, that's out

0:31:31.200 --> 0:31:39.520
<v Speaker 1>of control. That's amazing that you kick all this off

0:31:40.200 --> 0:31:44.479
<v Speaker 1>with a smash. How does that work for you like

0:31:45.480 --> 0:31:48.520
<v Speaker 1>at that time, because obviously, like you said earlier, you

0:31:48.560 --> 0:31:51.320
<v Speaker 1>didn't understand the business share. You weren't fully doing it

0:31:51.360 --> 0:31:53.880
<v Speaker 1>for that yet when you write a record like that,

0:31:55.880 --> 0:31:57.320
<v Speaker 1>when you write a record like that, you don't you

0:31:57.360 --> 0:32:00.200
<v Speaker 1>still don't the weather. It's a smash and it wasn't

0:32:00.200 --> 0:32:02.680
<v Speaker 1>necessarily single and it was it was something that was

0:32:03.320 --> 0:32:06.120
<v Speaker 1>that midnight start did and and mind you so at

0:32:06.120 --> 0:32:12.640
<v Speaker 1>this point twenty something, and I've been in been in

0:32:12.680 --> 0:32:15.240
<v Speaker 1>it for a while at this point, you know, was

0:32:15.280 --> 0:32:17.640
<v Speaker 1>in another group. Man. We had a regional record out

0:32:17.680 --> 0:32:20.080
<v Speaker 1>and it did okay, especially for you with the with

0:32:20.240 --> 0:32:23.640
<v Speaker 1>the song and so where we thought we were gonna

0:32:23.640 --> 0:32:25.360
<v Speaker 1>make it and it was gonna happen, but it didn't.

0:32:25.960 --> 0:32:29.400
<v Speaker 1>So you have all these points where you think it's

0:32:29.400 --> 0:32:32.800
<v Speaker 1>gonna happen in the bam and and and it's a road.

0:32:33.040 --> 0:32:35.360
<v Speaker 1>It's a rocky road the whole way. It's never just

0:32:35.680 --> 0:32:39.480
<v Speaker 1>straight up. Um. So when when they ultimately did the song,

0:32:41.160 --> 0:32:43.080
<v Speaker 1>you didn't know what's gonna happen with it. And I

0:32:43.120 --> 0:32:44.720
<v Speaker 1>was just a writer, one of the writers on the

0:32:44.760 --> 0:32:46.280
<v Speaker 1>song goes by the time my hand didn't, then the

0:32:46.400 --> 0:32:48.200
<v Speaker 1>other people wrote on it. You know how that story goes,

0:32:48.960 --> 0:32:54.040
<v Speaker 1>and so um the only thing I can remember about

0:32:54.080 --> 0:32:59.200
<v Speaker 1>Slow Jam is hearing from Solo Records that, um, I

0:32:59.240 --> 0:33:01.920
<v Speaker 1>was gonna get a check it and they called me

0:33:01.920 --> 0:33:03.520
<v Speaker 1>and told me that I was going to like get

0:33:03.520 --> 0:33:07.400
<v Speaker 1>a check for five grands. I said, what you actually

0:33:07.400 --> 0:33:10.440
<v Speaker 1>get paid for this stuff, you know? And I was

0:33:10.480 --> 0:33:11.960
<v Speaker 1>like so excited. And I went out and got me

0:33:12.000 --> 0:33:14.440
<v Speaker 1>a Shield of Toast card and got me an American

0:33:14.520 --> 0:33:17.800
<v Speaker 1>Express card, and you just start ordering credit card. I

0:33:17.800 --> 0:33:23.360
<v Speaker 1>got some credit cards. I've never heard what do you

0:33:23.400 --> 0:33:25.440
<v Speaker 1>do with your first check? I got ten credit cards

0:33:27.040 --> 0:33:29.400
<v Speaker 1>with the check I got. I got the credit cards.

0:33:29.440 --> 0:33:31.400
<v Speaker 1>But the problem is I spent on the credit cards

0:33:31.880 --> 0:33:34.600
<v Speaker 1>before that check ever came, because they said that check

0:33:34.680 --> 0:33:36.600
<v Speaker 1>was coming, and they check that check didn't come for

0:33:36.680 --> 0:33:40.239
<v Speaker 1>about eight months. Take a minute, mom, They told me

0:33:40.280 --> 0:33:41.800
<v Speaker 1>it was coming in and took eight months before I

0:33:41.840 --> 0:33:44.440
<v Speaker 1>got it. Should have got to me sooner than but

0:33:44.480 --> 0:33:49.120
<v Speaker 1>I was. But it sound of Los Angeles Records. I

0:33:49.200 --> 0:33:51.480
<v Speaker 1>was already you know, so my creator was already messed

0:33:51.560 --> 0:33:54.960
<v Speaker 1>up at the early age um, you know. And but

0:33:55.280 --> 0:33:59.000
<v Speaker 1>I saw that there was there was that you could make,

0:33:59.200 --> 0:34:02.120
<v Speaker 1>you know, some money, and that was a great check

0:34:02.720 --> 0:34:07.640
<v Speaker 1>at first, you know, thinking that was amazing, and and

0:34:07.680 --> 0:34:10.839
<v Speaker 1>all those things that happened before you know, it's it's

0:34:10.840 --> 0:34:13.480
<v Speaker 1>a long journey that that gets you there, and all

0:34:13.480 --> 0:34:16.280
<v Speaker 1>the other songwriting and all the playing in the bands

0:34:16.320 --> 0:34:20.040
<v Speaker 1>and all that stuff is what helps make the difference.

0:34:20.080 --> 0:34:21.600
<v Speaker 1>It makes a difference in terms of even to this

0:34:21.680 --> 0:34:25.000
<v Speaker 1>day for when I do a show, you know, everything

0:34:26.560 --> 0:34:29.160
<v Speaker 1>I can pull on to pull from all those things

0:34:29.200 --> 0:34:32.080
<v Speaker 1>to you know, figure out from in front of a

0:34:32.160 --> 0:34:35.480
<v Speaker 1>crowd that's kind of funny. Then I know how to

0:34:35.520 --> 0:34:38.560
<v Speaker 1>work it to when a mover call that audible, you

0:34:38.600 --> 0:34:40.799
<v Speaker 1>gotta work you gotta call the audible. I've been in

0:34:40.840 --> 0:34:43.799
<v Speaker 1>front of a crowd where you know, there's some nice

0:34:43.840 --> 0:34:47.080
<v Speaker 1>looking young ladies in the front, and I was doing

0:34:47.120 --> 0:34:50.840
<v Speaker 1>what was supposed to be my hit record at the

0:34:50.880 --> 0:34:52.520
<v Speaker 1>time when I was on a hit, but I thought

0:34:52.520 --> 0:34:54.160
<v Speaker 1>it was gonna be hit. And they looked at each

0:34:54.200 --> 0:34:58.759
<v Speaker 1>other and said whack. And it was that tape at

0:34:58.760 --> 0:35:02.600
<v Speaker 1>the time can't audible on the Dad and I still

0:35:02.680 --> 0:35:05.080
<v Speaker 1>had a verse, two hooks and a bridge, and the

0:35:05.080 --> 0:35:09.040
<v Speaker 1>hook should kicked over the speaker. He should have kicked

0:35:09.040 --> 0:35:11.080
<v Speaker 1>over with his speaker. Four valley state of coming back

0:35:11.120 --> 0:35:15.040
<v Speaker 1>to redeem myself. I gotta come back to you. But

0:35:15.600 --> 0:35:18.960
<v Speaker 1>you know, a growing pain of learning how to figure

0:35:18.960 --> 0:35:22.920
<v Speaker 1>out how to make those audibles depending on what kind

0:35:22.920 --> 0:35:25.640
<v Speaker 1>of crowd you're I'm a church kid, so I'm coming

0:35:25.719 --> 0:35:28.200
<v Speaker 1>from you know, you know what all church and what

0:35:28.239 --> 0:35:29.840
<v Speaker 1>I'm saying, I know what to do in that space,

0:35:30.440 --> 0:35:33.680
<v Speaker 1>but now thrust it into this R and B space

0:35:34.239 --> 0:35:38.319
<v Speaker 1>on a Dirty South show. Yeah I didn't win that one,

0:35:38.360 --> 0:35:42.399
<v Speaker 1>he was, Yeah, I didn't win that. Yeah, you figured

0:35:42.440 --> 0:35:44.839
<v Speaker 1>out how to win it. Oh you damn right? Yeah,

0:35:47.160 --> 0:35:50.600
<v Speaker 1>two girls, I need your front row when I come

0:35:50.640 --> 0:35:55.440
<v Speaker 1>to somebody, mama alone, man, come on out. I wanted to.

0:35:55.600 --> 0:35:58.840
<v Speaker 1>I want to see you. I got audibles like a motherfucker.

0:35:59.160 --> 0:36:06.879
<v Speaker 1>So you right, mhm, slow jam And then is the

0:36:06.920 --> 0:36:11.240
<v Speaker 1>next Bachelor of Records? Is that sweet? November and two

0:36:11.280 --> 0:36:15.960
<v Speaker 1>occasions and yeah shoot him Up movies like those came

0:36:16.000 --> 0:36:20.200
<v Speaker 1>a little bit later. But Sweet November was, um, it

0:36:20.320 --> 0:36:23.880
<v Speaker 1>ended up being part of the Deal second album. But

0:36:23.880 --> 0:36:29.520
<v Speaker 1>I actually had written that, Um, I've written that almost

0:36:29.560 --> 0:36:34.200
<v Speaker 1>right out of high school. Um, and before I even

0:36:34.239 --> 0:36:35.840
<v Speaker 1>got there. So that song was sitting around for a

0:36:35.880 --> 0:36:39.120
<v Speaker 1>while before I actually did that. And so that's after

0:36:39.200 --> 0:36:41.120
<v Speaker 1>a while before I got to the Deal, sitting around

0:36:41.120 --> 0:36:44.520
<v Speaker 1>on the cassette cassette and you know, I just remember

0:36:44.600 --> 0:36:47.880
<v Speaker 1>something I didn't I never recorded other than just you know,

0:36:48.640 --> 0:36:51.200
<v Speaker 1>just playing the piano and just kinda during that week

0:36:51.200 --> 0:36:54.600
<v Speaker 1>because I hadn't for some no, I think I did

0:36:54.680 --> 0:36:58.240
<v Speaker 1>ultimately record that on my fortress because I got really

0:36:58.280 --> 0:37:00.799
<v Speaker 1>good on the Ford track. And that's kind of like

0:37:00.880 --> 0:37:02.880
<v Speaker 1>what also got me the job with the Deal, because

0:37:03.200 --> 0:37:06.040
<v Speaker 1>I figured out how to do really good backgrounds on

0:37:06.080 --> 0:37:10.440
<v Speaker 1>the four track by yourself and um from bouncing and everything.

0:37:10.480 --> 0:37:14.600
<v Speaker 1>And so Jeff Cooper from Midnight Start he asked me

0:37:14.640 --> 0:37:18.840
<v Speaker 1>to come and helped the Deal to the to the demos.

0:37:19.360 --> 0:37:23.840
<v Speaker 1>And I actually had talked to l A before I

0:37:23.960 --> 0:37:27.880
<v Speaker 1>got down there because there was a guy named Hollywood.

0:37:28.160 --> 0:37:30.719
<v Speaker 1>He was in the crowd pleases and Hollywood was good

0:37:30.800 --> 0:37:33.600
<v Speaker 1>keyboard player. And Hollywood was talking to l A on

0:37:33.600 --> 0:37:38.520
<v Speaker 1>the phone one day and uh um. I had met

0:37:38.640 --> 0:37:43.279
<v Speaker 1>l A at the Soda Club a couple of years ago,

0:37:44.160 --> 0:37:46.279
<v Speaker 1>maybe a year or so before that, And this was

0:37:46.320 --> 0:37:49.080
<v Speaker 1>before I was in the Cry of Pleasers. And when

0:37:49.120 --> 0:37:52.560
<v Speaker 1>I met them, they had already done the switch over

0:37:52.560 --> 0:37:54.800
<v Speaker 1>where they were already getting like turning like the time

0:37:54.840 --> 0:37:57.200
<v Speaker 1>and stuff. And so they had and prince. They had

0:37:57.239 --> 0:38:00.719
<v Speaker 1>like leggings and makeup and and they was like they

0:38:00.800 --> 0:38:04.000
<v Speaker 1>was all the way in and I was like, wow, Nick,

0:38:06.800 --> 0:38:08.040
<v Speaker 1>and they were a little freer than make it. But

0:38:10.080 --> 0:38:13.320
<v Speaker 1>but but it was like and this was in the zodiac,

0:38:13.360 --> 0:38:16.279
<v Speaker 1>and I was like, dang, they bowled, you know, but

0:38:16.400 --> 0:38:18.279
<v Speaker 1>they had all the girls was there and they was

0:38:18.320 --> 0:38:21.640
<v Speaker 1>like they was with them. So I was like, that's

0:38:21.640 --> 0:38:23.640
<v Speaker 1>pretty cool. And then I met l A then, And

0:38:23.680 --> 0:38:26.160
<v Speaker 1>when l A met me, I was probably a member's

0:38:26.239 --> 0:38:30.120
<v Speaker 1>only jacket. So you know, I had no vibe whatsoever

0:38:30.160 --> 0:38:32.560
<v Speaker 1>I was from Man. You know, I wasn't vibeing anymore.

0:38:32.600 --> 0:38:36.239
<v Speaker 1>So I met them and he said hey, and uh

0:38:36.320 --> 0:38:39.160
<v Speaker 1>but he had no not knowing me being in man shot.

0:38:39.200 --> 0:38:40.759
<v Speaker 1>At least he had saw me playing with man Shot,

0:38:41.040 --> 0:38:43.920
<v Speaker 1>so he knew I had some talent. But when I

0:38:43.960 --> 0:38:47.680
<v Speaker 1>saw them, I said, it's a great group. And then

0:38:48.239 --> 0:38:51.920
<v Speaker 1>when I was in Michigan much later with Hollywood, Hollywood

0:38:51.960 --> 0:38:55.080
<v Speaker 1>goes up. He's on the phone with him and he says,

0:38:55.120 --> 0:38:58.319
<v Speaker 1>listen to this because l A's playing in the music

0:38:58.320 --> 0:39:02.200
<v Speaker 1>and it was some song called in it up Um

0:39:02.280 --> 0:39:06.360
<v Speaker 1>and it was ko is Ko playing a lick Doom

0:39:06.800 --> 0:39:10.320
<v Speaker 1>Doom Do Doom Doom Doom dig. I still remember the

0:39:10.360 --> 0:39:12.719
<v Speaker 1>lick and I was like, oh my god when the

0:39:12.880 --> 0:39:14.719
<v Speaker 1>singing on the air, but the track was just like

0:39:15.560 --> 0:39:17.520
<v Speaker 1>just so hard and so like it was like the

0:39:17.560 --> 0:39:20.279
<v Speaker 1>Time and French mixed together. And I was like, oh shit,

0:39:20.400 --> 0:39:22.520
<v Speaker 1>I would I'd love to be a part of that

0:39:22.560 --> 0:39:24.920
<v Speaker 1>because I'm like in a group the crowd pleasers, and

0:39:24.920 --> 0:39:27.640
<v Speaker 1>they were cool, but they were all older guys. I

0:39:27.680 --> 0:39:30.080
<v Speaker 1>mean even at that time, they was sixty something years old,

0:39:30.120 --> 0:39:32.760
<v Speaker 1>and I was, you know, so it wasn't ever gonna

0:39:33.040 --> 0:39:35.640
<v Speaker 1>be anything else but the top forty bands and me

0:39:36.360 --> 0:39:41.080
<v Speaker 1>and so I asked Hollywood said, asked them if they

0:39:41.360 --> 0:39:43.719
<v Speaker 1>need a guitar player, if they need to need somebody else,

0:39:44.480 --> 0:39:46.799
<v Speaker 1>you know, to play with them, and Hollywood said he

0:39:46.800 --> 0:39:49.600
<v Speaker 1>would ask. So I wasn't sure Hollywood asked, because I

0:39:49.680 --> 0:39:52.120
<v Speaker 1>never heard anything. Then I finally asked, Hollywood said, so

0:39:52.160 --> 0:39:54.719
<v Speaker 1>did you ever ask l A if I could join

0:39:54.760 --> 0:39:57.799
<v Speaker 1>the band? And he said yeah. I talked to him

0:39:57.800 --> 0:40:00.000
<v Speaker 1>about that and he said, you can't join the band.

0:40:00.000 --> 0:40:03.239
<v Speaker 1>And I said why. He said, because you're not breed enough.

0:40:04.360 --> 0:40:07.680
<v Speaker 1>And so being breed enough was you know, having the look,

0:40:07.840 --> 0:40:11.799
<v Speaker 1>having having the whole Prince looking the whole time. It

0:40:11.880 --> 0:40:14.960
<v Speaker 1>was breed because Prince had a song called the New Breed,

0:40:15.320 --> 0:40:19.480
<v Speaker 1>So um, it was. It was all about being breed enough.

0:40:19.520 --> 0:40:22.480
<v Speaker 1>But they didn't know I had already gonne breathe. I

0:40:22.640 --> 0:40:24.640
<v Speaker 1>breed it myself up while I was in the crowd

0:40:28.320 --> 0:40:30.279
<v Speaker 1>and I was totally breathed. I might have been more

0:40:30.280 --> 0:40:33.319
<v Speaker 1>breathed than them because I think I had a coat,

0:40:33.520 --> 0:40:35.759
<v Speaker 1>had I had a you know coat, and everything. The

0:40:35.840 --> 0:40:40.080
<v Speaker 1>hair was dripping, and you know it was it wasn't

0:40:40.160 --> 0:40:42.680
<v Speaker 1>Jerry curl because Jerry curls go back. Um, it was

0:40:44.960 --> 0:40:50.720
<v Speaker 1>California curls. Thank you California. The differences with the Jerry

0:40:50.719 --> 0:40:53.160
<v Speaker 1>curl they dry up really quickly and your hair goes bad.

0:40:53.200 --> 0:40:55.000
<v Speaker 1>California girl, you don't have to put as much so

0:40:55.040 --> 0:40:57.000
<v Speaker 1>it doesn't look greasy. He was much smoother that That's

0:40:57.040 --> 0:41:02.600
<v Speaker 1>the whole idea about California Girl. Thank you. That is

0:41:03.320 --> 0:41:07.880
<v Speaker 1>the difference in a whole another thing, that whole other thing.

0:41:07.920 --> 0:41:11.799
<v Speaker 1>That's a whole another thing. The the California Girl did

0:41:11.840 --> 0:41:15.839
<v Speaker 1>not require as much liquids. So that's the bottom line.

0:41:15.880 --> 0:41:18.720
<v Speaker 1>So it looked natural, looked like you was born there.

0:41:22.960 --> 0:41:26.920
<v Speaker 1>We was trying were It should be good for you

0:41:26.960 --> 0:41:30.759
<v Speaker 1>to know that we was all trying to look like you.

0:41:31.280 --> 0:41:37.959
<v Speaker 1>I'm breathe, I put my rag on face. I'm gonna

0:41:37.960 --> 0:41:40.759
<v Speaker 1>get these j ways. I promise you that I'm gonna

0:41:40.760 --> 0:41:45.160
<v Speaker 1>get them. So did he? So he did he? Ever?

0:41:45.719 --> 0:41:47.759
<v Speaker 1>Did he really say that to him? Yeah? He said

0:41:48.040 --> 0:41:50.799
<v Speaker 1>so really did? It was true? I wasn't I wasn't

0:41:50.840 --> 0:41:52.799
<v Speaker 1>pretty enough. And I understood because the last time he

0:41:52.800 --> 0:41:54.600
<v Speaker 1>saw me, I was in the Member's only Jackie, So

0:41:55.000 --> 0:41:58.520
<v Speaker 1>it was fair. But wile Hollywood was saying that, but

0:41:58.560 --> 0:42:01.480
<v Speaker 1>I'm breathe now and uh, but he didn't know that.

0:42:02.160 --> 0:42:06.840
<v Speaker 1>And so when I went down to Cincinnati, I was

0:42:06.880 --> 0:42:10.560
<v Speaker 1>inside the booth singing slow jam, putting the demo down.

0:42:11.040 --> 0:42:13.920
<v Speaker 1>So l A come there because Midnight Star was producing

0:42:14.600 --> 0:42:17.200
<v Speaker 1>their their demos to try to get them a record there.

0:42:18.080 --> 0:42:20.680
<v Speaker 1>And so I was in the booths singing. Then l

0:42:20.760 --> 0:42:22.680
<v Speaker 1>A walked in and he goes, so, who is that

0:42:22.880 --> 0:42:25.560
<v Speaker 1>in the booth? He said, this Kenny Evos? Is that

0:42:25.680 --> 0:42:30.720
<v Speaker 1>Kenny Evans? Really he sounds good? And then I walked

0:42:30.760 --> 0:42:38.040
<v Speaker 1>out and I was so brief. Well he's breathed now.

0:42:38.239 --> 0:42:41.319
<v Speaker 1>And so that's when Jeff Cooper asked if I would

0:42:41.360 --> 0:42:44.000
<v Speaker 1>stay because the four tracks I would do, And he said,

0:42:44.000 --> 0:42:46.320
<v Speaker 1>can you just come down and help put the demos together?

0:42:47.040 --> 0:42:51.200
<v Speaker 1>And Uh, that's where songs like just My Luck and um,

0:42:51.200 --> 0:42:54.000
<v Speaker 1>crazy about You. I had already written those songs before

0:42:54.040 --> 0:42:56.160
<v Speaker 1>you even gotten the group. Before I had even got

0:42:56.480 --> 0:43:01.600
<v Speaker 1>those songs were already written um um before at least

0:43:01.600 --> 0:43:05.319
<v Speaker 1>the tracks were no. Actually like crazy Bouts I was

0:43:05.360 --> 0:43:08.759
<v Speaker 1>written and then I got down there. Then D helped

0:43:08.760 --> 0:43:13.120
<v Speaker 1>me finish writing them, and that's how I played songs

0:43:13.120 --> 0:43:16.239
<v Speaker 1>on the deal. So initially I placed the songs. I

0:43:16.280 --> 0:43:18.399
<v Speaker 1>wasn't in the group when they went to get their deal.

0:43:19.600 --> 0:43:24.440
<v Speaker 1>Um here in l A. I wasn't in the group.

0:43:25.040 --> 0:43:27.600
<v Speaker 1>I had gone back to Michigan. I was back in

0:43:27.600 --> 0:43:32.680
<v Speaker 1>the crowd pleasers and uh, then I got in a call.

0:43:32.760 --> 0:43:34.839
<v Speaker 1>I was there for about a month or so and

0:43:34.960 --> 0:43:36.239
<v Speaker 1>I got in a call from l A and then

0:43:36.320 --> 0:43:38.960
<v Speaker 1>I called to say, hey, just once you know that,

0:43:39.239 --> 0:43:42.440
<v Speaker 1>you know, we got a record deal. We end up

0:43:42.440 --> 0:43:45.160
<v Speaker 1>getting a record here. And I was like, good for y'all.

0:43:46.440 --> 0:43:57.080
<v Speaker 1>I'm so happy for you. That's amazing. Um and uh

0:43:57.160 --> 0:43:58.719
<v Speaker 1>and you know, at least I got a couple of

0:43:58.760 --> 0:44:01.799
<v Speaker 1>songs placed in there, you know. And I was kind

0:44:01.800 --> 0:44:03.560
<v Speaker 1>of like, you know, happy, and then he said, also

0:44:03.680 --> 0:44:06.319
<v Speaker 1>one other thing. Talked to the guys and they want

0:44:06.320 --> 0:44:08.560
<v Speaker 1>to know if you want to, we'd like you to

0:44:08.640 --> 0:44:11.920
<v Speaker 1>join the group. And it's it's saved my life at

0:44:11.960 --> 0:44:14.960
<v Speaker 1>that point, and that's why that's how I joined the deal.

0:44:27.440 --> 0:44:31.920
<v Speaker 1>Were you singing on the demos? The uh? No? I

0:44:32.719 --> 0:44:36.120
<v Speaker 1>I was not. Um. I might have the backgrounds, but

0:44:36.200 --> 0:44:39.960
<v Speaker 1>I wasn't there to be a singer. And I was

0:44:40.960 --> 0:44:45.120
<v Speaker 1>asked to join to be guitar and man help write songs,

0:44:45.440 --> 0:44:49.239
<v Speaker 1>but I was there to be a musician. Carol was

0:44:49.280 --> 0:44:52.359
<v Speaker 1>the least singer not a singer. Uh. Um. The least

0:44:52.320 --> 0:44:56.080
<v Speaker 1>singer was was d and Carlos Carlocolos, d and Carlos,

0:44:56.120 --> 0:44:59.360
<v Speaker 1>and that's how it was supposed to be. And I

0:44:59.360 --> 0:45:01.759
<v Speaker 1>didn't sing to the second album, and that almost didn't

0:45:01.800 --> 0:45:08.759
<v Speaker 1>happen because we ultimately we're supposed to um. Our second

0:45:08.800 --> 0:45:11.400
<v Speaker 1>album was supposed to be produced by Reggie Callaway, but

0:45:12.719 --> 0:45:15.000
<v Speaker 1>some things went wrong with their management, and you know,

0:45:16.400 --> 0:45:21.200
<v Speaker 1>so our management and which was Pablo Davis at the time,

0:45:21.360 --> 0:45:23.800
<v Speaker 1>he was managing Midnight Star and they had some problems

0:45:24.200 --> 0:45:26.239
<v Speaker 1>and we got caught up in the middle of it,

0:45:26.520 --> 0:45:30.080
<v Speaker 1>and so Reggie uh decided that he was not going

0:45:30.120 --> 0:45:32.960
<v Speaker 1>to produce our second album, and so we were like,

0:45:33.280 --> 0:45:35.680
<v Speaker 1>what are we gonna do? Then did Griffy called and

0:45:35.719 --> 0:45:38.840
<v Speaker 1>said you and l A should produce it, you know,

0:45:39.440 --> 0:45:43.960
<v Speaker 1>so we were like, I don't know, but we're kind

0:45:43.960 --> 0:45:48.160
<v Speaker 1>of scared because hadn't done it before, and this time

0:45:48.160 --> 0:45:50.160
<v Speaker 1>we were in like real studios, you know, going there

0:45:50.200 --> 0:45:53.040
<v Speaker 1>to do it. But I always written these songs, and

0:45:53.360 --> 0:45:55.719
<v Speaker 1>that's when I had Sweet November that I dimm well

0:45:55.760 --> 0:46:00.040
<v Speaker 1>and so I had actually done Sweet November by I

0:46:00.160 --> 0:46:04.120
<v Speaker 1>sent Sweet November in for the Whispers. I was hoping

0:46:04.120 --> 0:46:06.920
<v Speaker 1>that the Whispers would do that song, and Dick Griffy

0:46:07.000 --> 0:46:11.319
<v Speaker 1>heard the demo and he goes, why aren't the deal

0:46:11.400 --> 0:46:14.600
<v Speaker 1>doing this song? Why don't y'all do this song? And uh,

0:46:16.520 --> 0:46:18.200
<v Speaker 1>it goes because we don't have anybody that can sing it,

0:46:19.520 --> 0:46:23.200
<v Speaker 1>and he goes, well, who's singing this? He said, well,

0:46:23.280 --> 0:46:25.680
<v Speaker 1>Kenny singing And he said, well why why how come

0:46:25.719 --> 0:46:27.799
<v Speaker 1>he's not singing? He said, because he's not one of

0:46:27.800 --> 0:46:30.479
<v Speaker 1>the singers in the band. He said, well, that doesn't

0:46:30.520 --> 0:46:34.680
<v Speaker 1>make sense, so why ain't he singing it? Because that's

0:46:34.760 --> 0:46:36.360
<v Speaker 1>that's not it. I'll have to talk to the guys

0:46:36.360 --> 0:46:39.839
<v Speaker 1>and see whether that's okay. So he said, we need

0:46:39.880 --> 0:46:42.880
<v Speaker 1>to talk to the guys. So, um, we were in Columbus, Ohio,

0:46:42.920 --> 0:46:44.799
<v Speaker 1>and he had a meeting with the guys about it

0:46:44.840 --> 0:46:47.160
<v Speaker 1>whether I should sing, and they voted me not to sing.

0:46:48.840 --> 0:46:50.759
<v Speaker 1>And mind you, I didn't have a problem with it

0:46:50.840 --> 0:46:54.120
<v Speaker 1>because I wasn't trying to sing. I didn't. That was

0:46:54.200 --> 0:46:56.000
<v Speaker 1>not my thing. I was. He was good with just

0:46:56.080 --> 0:46:59.640
<v Speaker 1>being playing guitar and writing songs. That was that was

0:46:59.680 --> 0:47:04.160
<v Speaker 1>fine me. Um, but Dick took a position, well, you know,

0:47:04.200 --> 0:47:06.680
<v Speaker 1>if he don't sing, then you don't have a record deal.

0:47:07.560 --> 0:47:12.000
<v Speaker 1>So um, so Dick forced it and forced it so

0:47:12.120 --> 0:47:14.000
<v Speaker 1>that I hope to me end up being having a

0:47:14.080 --> 0:47:16.600
<v Speaker 1>chance to sing on the album. Some people see the future.

0:47:17.000 --> 0:47:20.680
<v Speaker 1>Is that crazy? And he also pushed the fact for

0:47:20.719 --> 0:47:22.319
<v Speaker 1>me to be an artist in the first place. He's

0:47:22.320 --> 0:47:25.640
<v Speaker 1>the one that suggested that I do a solo album.

0:47:25.719 --> 0:47:28.040
<v Speaker 1>It wasn't me. I wouldn't. This was not something that

0:47:28.080 --> 0:47:31.040
<v Speaker 1>I was ever trying to go out to be, you know,

0:47:31.200 --> 0:47:34.080
<v Speaker 1>as a solo artist. It just kind of all happened

0:47:34.920 --> 0:47:37.600
<v Speaker 1>with the journey. It wasn't something that I was like,

0:47:38.200 --> 0:47:40.680
<v Speaker 1>one day, I want to be that guy. You know.

0:47:41.480 --> 0:47:45.160
<v Speaker 1>Everything was always for me, always about the song. If

0:47:45.200 --> 0:47:47.120
<v Speaker 1>I could place the song, if I had to sing it, whatever,

0:47:47.120 --> 0:47:49.520
<v Speaker 1>then that's fine. But I just wanted the songs to

0:47:49.560 --> 0:47:53.000
<v Speaker 1>come out. So did Robert Townsend right the duck character

0:47:53.040 --> 0:47:58.640
<v Speaker 1>after you? Then? Was it just about the music? Was up?

0:47:58.760 --> 0:48:05.960
<v Speaker 1>He's a crumpled up paper mess up music. Yeah, So

0:48:06.280 --> 0:48:11.160
<v Speaker 1>it was that was always my thing. And I might

0:48:11.320 --> 0:48:15.960
<v Speaker 1>maybe it was security blanket so I wouldn't have to

0:48:15.960 --> 0:48:17.800
<v Speaker 1>be up in front of everybody and stuff, you know.

0:48:18.080 --> 0:48:21.319
<v Speaker 1>Wressure it was. It was easy, and so how I

0:48:21.400 --> 0:48:25.200
<v Speaker 1>justified doing the album myself? I said, well, this is

0:48:25.239 --> 0:48:27.399
<v Speaker 1>just I'm a songwriter first. Any if it don't work,

0:48:27.400 --> 0:48:30.279
<v Speaker 1>so what I'm doing everything else, you know, so I

0:48:30.280 --> 0:48:34.920
<v Speaker 1>could always I feel like I didn't fail, you know. So,

0:48:34.920 --> 0:48:39.680
<v Speaker 1>so is that the introduction to you as a solo artist,

0:48:40.680 --> 0:48:42.880
<v Speaker 1>or within that same time frame you in l A

0:48:43.160 --> 0:48:48.520
<v Speaker 1>figuring out how to be partners into what becomes one

0:48:48.520 --> 0:48:55.359
<v Speaker 1>of the greatest labels ever. The beginning of that was

0:48:55.400 --> 0:48:58.640
<v Speaker 1>it was a little bit of that, but the whole

0:48:58.800 --> 0:49:02.799
<v Speaker 1>label idea, yeah. And I can't say whether l A

0:49:02.800 --> 0:49:06.840
<v Speaker 1>always had it, that dream of owning a label, of

0:49:06.880 --> 0:49:09.360
<v Speaker 1>being a Berry Gordy. I don't know that for sure,

0:49:10.320 --> 0:49:15.560
<v Speaker 1>but I know that what gave him the confidence was

0:49:15.640 --> 0:49:21.360
<v Speaker 1>that when we were doing this early stuff and placing

0:49:21.360 --> 0:49:25.839
<v Speaker 1>these songs on we start with start with the Whispers,

0:49:25.840 --> 0:49:29.080
<v Speaker 1>and then we went to Karen White, and then we

0:49:29.160 --> 0:49:32.360
<v Speaker 1>had he had Pebbles, and we had Um the Boys.

0:49:32.760 --> 0:49:36.879
<v Speaker 1>So you guys aren't Lafacia. So all these things that

0:49:36.880 --> 0:49:39.680
<v Speaker 1>that's what gave us, gave us the confidence. And I

0:49:39.719 --> 0:49:41.799
<v Speaker 1>know what's that's what put the idea and LA said,

0:49:42.080 --> 0:49:44.120
<v Speaker 1>if we can do all this here, why can't we

0:49:44.160 --> 0:49:47.879
<v Speaker 1>do this ourselves? You know, because we had had such

0:49:47.920 --> 0:49:52.080
<v Speaker 1>success with Bobby Brown and with Johnny gil and with Pebbles,

0:49:52.120 --> 0:49:56.439
<v Speaker 1>and with um all these artists that beforehand that we're

0:49:56.760 --> 0:50:03.120
<v Speaker 1>having success the MacMan, everything kind of happened before, but

0:50:03.640 --> 0:50:06.799
<v Speaker 1>no true ownership in it. No ownership, just just you

0:50:06.800 --> 0:50:10.160
<v Speaker 1>know as a as a producer or a songwriter, you know.

0:50:10.239 --> 0:50:13.080
<v Speaker 1>So it was it was that and I think for

0:50:13.360 --> 0:50:17.319
<v Speaker 1>l A not necessary being the song writer. He was like,

0:50:17.719 --> 0:50:19.919
<v Speaker 1>let me figure this out, you know, we should have

0:50:20.200 --> 0:50:23.120
<v Speaker 1>more ownership. And and so l A was definitely an

0:50:23.239 --> 0:50:25.680
<v Speaker 1>entrepreneur in that way, trying to figure out how do

0:50:25.719 --> 0:50:30.319
<v Speaker 1>we make this so this is this is ours, you know,

0:50:30.840 --> 0:50:37.000
<v Speaker 1>And that hence came the moved to Atlanta, you know,

0:50:37.040 --> 0:50:40.120
<v Speaker 1>to try to search for that, try to make at

0:50:41.880 --> 0:50:43.399
<v Speaker 1>We had looked at a couple of points. We looked

0:50:43.400 --> 0:50:46.200
<v Speaker 1>at Uh, we looked at New York, thought about New York,

0:50:46.200 --> 0:50:50.080
<v Speaker 1>We thought about Houston. UM, we were in l A

0:50:50.080 --> 0:50:52.799
<v Speaker 1>at the time. And the whole idea was that we

0:50:52.840 --> 0:50:55.600
<v Speaker 1>didn't want to be um little fish in a big

0:50:55.840 --> 0:50:58.000
<v Speaker 1>you know, in the sea. We wanted to be a

0:50:58.000 --> 0:51:01.520
<v Speaker 1>big fish in a little pond. And that's it. That's

0:51:01.520 --> 0:51:05.839
<v Speaker 1>what Atlanta represented. And also UM, when we looked at

0:51:05.880 --> 0:51:11.640
<v Speaker 1>what the affordability that we get nice homes for far

0:51:11.760 --> 0:51:15.799
<v Speaker 1>less and too, um, you know to start down there

0:51:15.800 --> 0:51:19.520
<v Speaker 1>and try to figure it out down there. Um and

0:51:19.560 --> 0:51:22.719
<v Speaker 1>we just we just kind of went for it. So

0:51:22.840 --> 0:51:25.239
<v Speaker 1>just to touch on that backtrack just a little bit,

0:51:26.760 --> 0:51:29.960
<v Speaker 1>did you realize that you guys were the go to

0:51:30.120 --> 0:51:38.040
<v Speaker 1>guys for big records, life changing records before or just

0:51:38.160 --> 0:51:44.400
<v Speaker 1>like it was going on, is it's happening, like what record?

0:51:44.440 --> 0:51:49.600
<v Speaker 1>So here the landscape was this Jimmy jam and Terry

0:51:49.640 --> 0:51:53.279
<v Speaker 1>Lewis were in control, you know, cooking, you know. So

0:51:54.960 --> 0:52:00.080
<v Speaker 1>we when we first started producing, we were trying to

0:52:00.160 --> 0:52:02.799
<v Speaker 1>be Jimmy and Terry. We imagine we were Jimmy and Terry.

0:52:02.800 --> 0:52:04.920
<v Speaker 1>Remember the first time we got on a flight to

0:52:05.000 --> 0:52:08.360
<v Speaker 1>come out to l a um To for a producing thing,

0:52:08.480 --> 0:52:11.440
<v Speaker 1>it was for carry Lucas, which was Dick Griffy's wife.

0:52:11.680 --> 0:52:13.920
<v Speaker 1>It didn't matter that it was her, is the fact

0:52:13.960 --> 0:52:15.760
<v Speaker 1>that we was on a plane going to go produce.

0:52:16.160 --> 0:52:21.560
<v Speaker 1>So we Jimmy and Terry now so yeah, so flying coach,

0:52:21.920 --> 0:52:24.960
<v Speaker 1>it didn't matter. It was like you know, we were rolling,

0:52:25.280 --> 0:52:29.000
<v Speaker 1>we jet set us um and it was the feeling

0:52:29.040 --> 0:52:33.600
<v Speaker 1>of producing and doing something other than just yourself with

0:52:34.040 --> 0:52:38.920
<v Speaker 1>doing someone else. So our whole that whole movement at

0:52:38.920 --> 0:52:41.279
<v Speaker 1>that point it was something that we didn't know that

0:52:41.320 --> 0:52:44.520
<v Speaker 1>we could really do. We were just kind of in it.

0:52:44.600 --> 0:52:49.880
<v Speaker 1>Everything was was um. There's a learning curve to everything

0:52:49.920 --> 0:52:52.960
<v Speaker 1>that you do, UM, and you get, you get, you

0:52:53.000 --> 0:52:55.160
<v Speaker 1>get better as it goes. Initially, when we came out

0:52:55.160 --> 0:53:00.120
<v Speaker 1>to l A, which was in five, you know, to

0:53:00.120 --> 0:53:04.759
<v Speaker 1>think about eighty five, wasn't until seven that anything started happening.

0:53:04.760 --> 0:53:06.160
<v Speaker 1>So it was a couple of years here trying to

0:53:06.320 --> 0:53:10.120
<v Speaker 1>play songs, trying to be stuff done, and nothing was happening. UM.

0:53:10.160 --> 0:53:14.319
<v Speaker 1>I remember sitting um at Warner Brothers, saying for an

0:53:14.320 --> 0:53:17.560
<v Speaker 1>hour waiting for Benny Medina so that he would just

0:53:17.600 --> 0:53:20.720
<v Speaker 1>listen to one of the you know, some of my tracks,

0:53:20.719 --> 0:53:22.839
<v Speaker 1>and and then the guy coming out, he's not gonna

0:53:22.840 --> 0:53:25.399
<v Speaker 1>be able to see you today, after you waited, After

0:53:25.440 --> 0:53:27.200
<v Speaker 1>I waited an hour, and then I left and night

0:53:27.239 --> 0:53:29.439
<v Speaker 1>that I came back another day. I think I did

0:53:29.440 --> 0:53:31.279
<v Speaker 1>that three times and finally he came to listen, and

0:53:31.360 --> 0:53:32.920
<v Speaker 1>he listened and he said, no, I don't hear anything,

0:53:33.680 --> 0:53:38.080
<v Speaker 1>and so walked away. So there was so many more

0:53:38.080 --> 0:53:41.239
<v Speaker 1>times of placing music that you you know that you

0:53:41.360 --> 0:53:44.719
<v Speaker 1>that people weren't weren't taken and some of those things

0:53:44.719 --> 0:53:48.759
<v Speaker 1>were things that ultimately got placed later. Um. They might

0:53:48.800 --> 0:53:51.040
<v Speaker 1>not have been all the way ready yet could have

0:53:51.080 --> 0:53:54.440
<v Speaker 1>been tracks that were almost there. Are songs that were

0:53:54.440 --> 0:53:56.080
<v Speaker 1>almost there but not all the way there. You you

0:53:56.080 --> 0:53:58.719
<v Speaker 1>tweak them when you get in the studio. Um. And

0:53:58.760 --> 0:54:02.600
<v Speaker 1>that's all stuff that you learned in the process. But UM,

0:54:02.640 --> 0:54:05.880
<v Speaker 1>that's why I never had an ego about somebody that

0:54:06.160 --> 0:54:08.600
<v Speaker 1>if they turned the song down, you know, then then

0:54:08.640 --> 0:54:10.200
<v Speaker 1>you'd be mad at him, like, all right, you ain't

0:54:10.200 --> 0:54:12.120
<v Speaker 1>gonna get none of my songs. It wasn't that because

0:54:12.120 --> 0:54:14.440
<v Speaker 1>I always felt like, well, probably they probably could have

0:54:14.480 --> 0:54:18.080
<v Speaker 1>been better. We probably could have you know, for some reason,

0:54:18.200 --> 0:54:21.120
<v Speaker 1>they didn't hit you because we didn't do something right

0:54:21.160 --> 0:54:25.759
<v Speaker 1>about it. So um. And you feel that when you're

0:54:25.800 --> 0:54:27.600
<v Speaker 1>sitting inside of the the room and you're listening to people.

0:54:27.640 --> 0:54:30.400
<v Speaker 1>When you watch people listen to something, you hear it

0:54:30.440 --> 0:54:34.759
<v Speaker 1>a lot differently than when you're listening to yourself. So um.

0:54:34.840 --> 0:54:36.879
<v Speaker 1>And that's you gotta watch the body language. You gotta

0:54:36.880 --> 0:54:39.920
<v Speaker 1>watch everything. So that's how you produce. Many times as

0:54:39.960 --> 0:54:41.840
<v Speaker 1>you play for other people and see how they're reacting.

0:54:41.920 --> 0:54:45.520
<v Speaker 1>If they're not giving you the right reaction, Okay, that

0:54:46.239 --> 0:54:49.160
<v Speaker 1>even if they're saying yeah, I like that, Nah, your

0:54:49.200 --> 0:54:52.600
<v Speaker 1>body wasn't saying you like so I gotta way because

0:54:52.600 --> 0:54:55.000
<v Speaker 1>you can't control yourself when it's when it's that and

0:54:55.120 --> 0:54:58.520
<v Speaker 1>you hear it, you can't control yourself. So you're still

0:54:58.600 --> 0:55:04.240
<v Speaker 1>going through this after writing ultimately and performing a smash

0:55:04.320 --> 0:55:06.560
<v Speaker 1>like two occasions, you're still happen to go through the

0:55:06.600 --> 0:55:09.000
<v Speaker 1>same process even with two occasions. Even even once you

0:55:09.080 --> 0:55:13.399
<v Speaker 1>head it out, you still understand that it doesn't matter

0:55:13.400 --> 0:55:17.040
<v Speaker 1>how big you are, songs still have to make people,

0:55:17.280 --> 0:55:19.719
<v Speaker 1>have to move people because they can think that you're

0:55:19.719 --> 0:55:23.160
<v Speaker 1>just giving them a crap song. And that's the last

0:55:23.160 --> 0:55:24.840
<v Speaker 1>thing I would ever want to do is give somebody

0:55:24.880 --> 0:55:28.040
<v Speaker 1>something that they're not happy with. I don't want to

0:55:28.040 --> 0:55:31.839
<v Speaker 1>do it. Then I'd rather not I'd rather not work.

0:55:32.440 --> 0:55:34.839
<v Speaker 1>And that's in that case, when you're giving away, giving

0:55:34.880 --> 0:55:39.200
<v Speaker 1>somebody something that they don't like, it's then that's not

0:55:39.239 --> 0:55:43.160
<v Speaker 1>a fun process. And sometimes you might give someone something

0:55:43.200 --> 0:55:47.279
<v Speaker 1>that they might not like, but well you should like

0:55:47.360 --> 0:55:50.439
<v Speaker 1>this one. You know, this one, this one is actually good,

0:55:50.560 --> 0:55:53.239
<v Speaker 1>and especially if you know the people that are saying it.

0:55:53.560 --> 0:55:55.440
<v Speaker 1>And there's been a couple of times there were things

0:55:55.480 --> 0:56:00.600
<v Speaker 1>like that. Not a lot, but a couple of times. Yeah. Um,

0:56:02.920 --> 0:56:04.799
<v Speaker 1>can I skipped the Tender Lover? Is that? Is? Am

0:56:04.800 --> 0:56:07.919
<v Speaker 1>I moving too fast? If I skipped a Tender Lover,

0:56:08.960 --> 0:56:14.280
<v Speaker 1>the Tender Lover album can for sure go straight to it. Um. Please,

0:56:14.320 --> 0:56:18.080
<v Speaker 1>I'm a church kid church and you know I'm in

0:56:18.160 --> 0:56:23.520
<v Speaker 1>high school and and the women folk are are taking

0:56:23.520 --> 0:56:28.560
<v Speaker 1>a liking to me. Um because I can sing. Yes, Um,

0:56:28.640 --> 0:56:32.160
<v Speaker 1>I'm not sure if my outfits were really lining up. Um,

0:56:32.200 --> 0:56:35.040
<v Speaker 1>I wasn't breed. I wasn't breed. Probably worked out for

0:56:35.040 --> 0:56:41.239
<v Speaker 1>you that um. And as a church kid, girls would

0:56:41.280 --> 0:56:46.200
<v Speaker 1>say sing something, and I would sing church songs because

0:56:46.200 --> 0:56:52.040
<v Speaker 1>that's all I knew. Tender Lover album drops. Yeah, and

0:56:52.120 --> 0:56:57.759
<v Speaker 1>now this church kid has songs to sing. So what

0:56:57.800 --> 0:57:02.120
<v Speaker 1>do you sing? I'm singing Sunshine, I'm singing where would

0:57:02.160 --> 0:57:06.480
<v Speaker 1>You Go? I'm singing all of it. And at this

0:57:06.600 --> 0:57:10.640
<v Speaker 1>time now my mom has brought me this synthesizer, this

0:57:10.840 --> 0:57:14.280
<v Speaker 1>p v D p M four, and so I'm trying

0:57:14.320 --> 0:57:18.800
<v Speaker 1>to emulate all of the tracks and the feeling. I

0:57:18.840 --> 0:57:22.480
<v Speaker 1>only have eight tracks, eight music tracks. I'm trying to

0:57:22.600 --> 0:57:25.880
<v Speaker 1>emulate the feeling of what I hear of the Tender

0:57:25.920 --> 0:57:30.120
<v Speaker 1>Lover album. That's my start in trying to figure out

0:57:30.440 --> 0:57:35.000
<v Speaker 1>how to produce and write good songs. So that was

0:57:35.040 --> 0:57:42.200
<v Speaker 1>like my formula. What do you feel about? What did

0:57:42.240 --> 0:57:45.640
<v Speaker 1>you feel about when the Tender Lover album dropped? Where

0:57:45.640 --> 0:57:52.640
<v Speaker 1>were you the Tender Lover album was? I did an

0:57:52.640 --> 0:57:56.480
<v Speaker 1>album before that, I thing. It was just called Lovers,

0:57:56.880 --> 0:58:02.240
<v Speaker 1>and it was all over the place, trying to figure

0:58:02.280 --> 0:58:04.680
<v Speaker 1>out who I could be as an artist because I

0:58:04.720 --> 0:58:08.240
<v Speaker 1>didn't because I didn't believe I was an artist. So

0:58:08.280 --> 0:58:10.640
<v Speaker 1>I did the song called I Love You Babe, and

0:58:10.640 --> 0:58:12.680
<v Speaker 1>then there was a song called if We Try, and

0:58:13.600 --> 0:58:17.080
<v Speaker 1>there was a bunch of things. That's even a song

0:58:17.160 --> 0:58:18.720
<v Speaker 1>called take Your Time that probably should have been for

0:58:18.880 --> 0:58:21.480
<v Speaker 1>like a new edition, a very young new edition. It

0:58:21.600 --> 0:58:27.160
<v Speaker 1>was everywhere and hadn't figured out who baby Face is,

0:58:27.360 --> 0:58:32.160
<v Speaker 1>who baby Face should be. And then on the Tender

0:58:32.240 --> 0:58:37.320
<v Speaker 1>Level album, somewhere I started to get the sense of,

0:58:37.400 --> 0:58:44.120
<v Speaker 1>okay it was, it was a thing of after two occasions,

0:58:46.680 --> 0:58:48.520
<v Speaker 1>it was starting to figure out, Okay, so this is

0:58:48.520 --> 0:58:55.880
<v Speaker 1>who they think baby faces um and so kind of cool,

0:58:56.000 --> 0:59:01.600
<v Speaker 1>suave and romantic and and so these are the kind

0:59:01.600 --> 0:59:05.640
<v Speaker 1>of things that I can do and and probably make

0:59:05.680 --> 0:59:10.760
<v Speaker 1>a becoming an artist in that way. But initially some

0:59:10.800 --> 0:59:13.400
<v Speaker 1>of those songs like Tender Lover. Initially when I wrote it,

0:59:14.440 --> 0:59:19.520
<v Speaker 1>Dick Griffy tried to give it to um, um Monel

0:59:19.560 --> 0:59:23.920
<v Speaker 1>Richie m hmm, and Linel Linel turns it down. Um,

0:59:23.960 --> 0:59:28.760
<v Speaker 1>but I wrote it for Linel Richie and I got

0:59:28.800 --> 0:59:31.800
<v Speaker 1>a lot of turned downs like that. So um, that's

0:59:31.800 --> 0:59:37.440
<v Speaker 1>a very fun fact. And um, so end up doing

0:59:37.520 --> 0:59:39.840
<v Speaker 1>it anyway, and then it's no crime. I was figuring

0:59:39.840 --> 0:59:42.720
<v Speaker 1>out how could I do How could I do a tempo,

0:59:44.000 --> 0:59:48.800
<v Speaker 1>you know? And so that was like I was trying

0:59:48.800 --> 0:59:51.360
<v Speaker 1>to figure out that thing because I couldn't do I

0:59:51.400 --> 0:59:53.800
<v Speaker 1>couldn't do any funk up temples, not with my voice.

0:59:53.840 --> 0:59:57.480
<v Speaker 1>I had to figure out something. And um, and Crime

0:59:57.640 --> 1:00:02.640
<v Speaker 1>was the one that you know that Okay, it was different,

1:00:03.840 --> 1:00:06.680
<v Speaker 1>you know, on a different program that drum track, on

1:00:06.720 --> 1:00:08.640
<v Speaker 1>the drum track that it would have been l A.

1:00:09.040 --> 1:00:13.520
<v Speaker 1>I would do. I would write every thing first, I'd

1:00:13.560 --> 1:00:15.200
<v Speaker 1>have the drum tracks down and stuff like could then

1:00:15.320 --> 1:00:17.439
<v Speaker 1>l A would come down and come and then add

1:00:17.480 --> 1:00:20.360
<v Speaker 1>up the rest of the percussion stuff and make that happen.

1:00:20.400 --> 1:00:22.960
<v Speaker 1>And Jill Simmons was writing with you, Darryl Simmons what

1:00:23.040 --> 1:00:25.360
<v Speaker 1>he was writing, not on everything, but some things that

1:00:25.520 --> 1:00:30.440
<v Speaker 1>I would pull him in on. Um. Most in most cases,

1:00:30.480 --> 1:00:35.520
<v Speaker 1>I was like I was the songwriter. I started out

1:00:35.520 --> 1:00:40.720
<v Speaker 1>and then I would pull somebody in, you know. Um,

1:00:40.760 --> 1:00:42.320
<v Speaker 1>I don't know if it's a question that I needed help,

1:00:42.360 --> 1:00:44.800
<v Speaker 1>but just it's just you know, you wanna write this

1:00:44.800 --> 1:00:48.120
<v Speaker 1>with me. Um. That's kind of how I get on

1:00:48.160 --> 1:00:52.440
<v Speaker 1>all the songs and Tank it's just like get finished here,

1:00:53.840 --> 1:00:58.919
<v Speaker 1>glad you guys, buddy, right, thank you for that. So

1:00:59.680 --> 1:01:02.320
<v Speaker 1>but so for the most part, I would just kind

1:01:02.320 --> 1:01:03.720
<v Speaker 1>of the songs will kind of be there, and then

1:01:03.720 --> 1:01:06.960
<v Speaker 1>I kind of finish it out. And usually if it

1:01:07.080 --> 1:01:10.400
<v Speaker 1>was co writing, it would be Darrel that would come

1:01:10.400 --> 1:01:12.919
<v Speaker 1>in help with whether it's a melody or a lyric

1:01:12.960 --> 1:01:15.640
<v Speaker 1>called idea, and that would be there. On and l

1:01:15.720 --> 1:01:21.040
<v Speaker 1>A was strictly really about the production music side, production

1:01:21.080 --> 1:01:25.520
<v Speaker 1>and with the drums, and and I'll give it like

1:01:25.560 --> 1:01:28.920
<v Speaker 1>credit in terms of for the whole the production side,

1:01:29.040 --> 1:01:32.400
<v Speaker 1>because by the time him and John Gass finished mixing it,

1:01:32.560 --> 1:01:35.160
<v Speaker 1>they take it to another level. So John Gass was

1:01:35.200 --> 1:01:37.680
<v Speaker 1>a bad bad boy, and so that was as much

1:01:37.680 --> 1:01:43.400
<v Speaker 1>as the sound, no question. Um. And so but I

1:01:43.440 --> 1:01:46.520
<v Speaker 1>think that ultimately when when I think of Tender Lover

1:01:48.000 --> 1:01:50.560
<v Speaker 1>and I think about that, that whole album, I mean

1:01:50.600 --> 1:01:53.360
<v Speaker 1>certain songs that happened, you know, from whip Appeal to

1:01:53.360 --> 1:01:57.120
<v Speaker 1>to Sunshine to where will You Go? Um to give

1:01:57.160 --> 1:02:03.080
<v Speaker 1>it a chance. The album is perfection to me, they don't.

1:02:06.880 --> 1:02:10.960
<v Speaker 1>That album is absolute a couple of things, and I

1:02:11.000 --> 1:02:14.560
<v Speaker 1>have a question, I'd have to not me, we'd have

1:02:14.600 --> 1:02:19.240
<v Speaker 1>to go through it. But um, but I mean my

1:02:19.360 --> 1:02:22.400
<v Speaker 1>kind of girl. Um, Yeah, they were good. There are

1:02:22.400 --> 1:02:24.160
<v Speaker 1>things that felt good. I was at it. I was

1:02:24.200 --> 1:02:27.280
<v Speaker 1>at a space where I was it was I was

1:02:27.320 --> 1:02:30.320
<v Speaker 1>trying to just make this whole feeling of love on

1:02:30.360 --> 1:02:34.120
<v Speaker 1>a whole the whole whole album just feel like love,

1:02:35.160 --> 1:02:37.520
<v Speaker 1>you know, from a happy experience to sad to wherever

1:02:38.200 --> 1:02:44.520
<v Speaker 1>and um, and those songs were. It wasn't from personal

1:02:44.560 --> 1:02:46.480
<v Speaker 1>experience or anything. It was just me just kind of

1:02:46.480 --> 1:02:49.760
<v Speaker 1>get into that whole love zone, you know. And from

1:02:49.800 --> 1:02:55.919
<v Speaker 1>Whipper Phil, Whipperhill being really just the idea coming coach

1:02:56.000 --> 1:02:59.080
<v Speaker 1>PEPs mentioned Whipperphil one day. I said, oh, that's a

1:02:59.080 --> 1:03:02.720
<v Speaker 1>good title, and I went and wrote it. And because

1:03:02.760 --> 1:03:07.160
<v Speaker 1>she said it, I gave her a percentage. Winding about

1:03:07.160 --> 1:03:09.680
<v Speaker 1>that did they gotta start. I gotta start just throwing

1:03:09.720 --> 1:03:20.200
<v Speaker 1>words out it at you more airport Feakase. Here's a question, right,

1:03:20.280 --> 1:03:23.800
<v Speaker 1>just real quick, whipper Peel comes out. Um, I'm not

1:03:23.840 --> 1:03:26.800
<v Speaker 1>sure how sexy you were before then, but when Whooper

1:03:26.800 --> 1:03:30.640
<v Speaker 1>Pip comes out, you're extremely sexy. Okay, how do you

1:03:30.680 --> 1:03:36.320
<v Speaker 1>handle that? Here's the thing? I missed that whole section? Um,

1:03:36.480 --> 1:03:43.200
<v Speaker 1>what do you mean? See? See I was I was

1:03:43.280 --> 1:03:47.920
<v Speaker 1>around people that were blowing up, like crazy Bobby Brown.

1:03:48.640 --> 1:03:50.920
<v Speaker 1>This is on the same time period, So I'm watching

1:03:51.000 --> 1:03:54.040
<v Speaker 1>Bobby Who where Bobby? We do this record of Bobby

1:03:54.040 --> 1:03:57.480
<v Speaker 1>and I watched Bobby who was you know what? What?

1:03:57.600 --> 1:03:59.880
<v Speaker 1>May be interested in Bobby in the first place because

1:04:00.120 --> 1:04:04.200
<v Speaker 1>he was crazy and I heard Bobby on the Uh.

1:04:04.360 --> 1:04:07.280
<v Speaker 1>We had met with Little Silas and something you should

1:04:07.320 --> 1:04:09.880
<v Speaker 1>do yes, no question, and we we said, he said

1:04:09.880 --> 1:04:12.440
<v Speaker 1>you can do uh, you can do the um Bobby

1:04:12.480 --> 1:04:16.640
<v Speaker 1>Brown and uh. And then Cheryl Dickerson, she said, you

1:04:16.920 --> 1:04:19.280
<v Speaker 1>should go meet Pebbles and you should meet um and

1:04:19.320 --> 1:04:22.160
<v Speaker 1>looking through the boys and but check out Bobby too.

1:04:22.640 --> 1:04:24.600
<v Speaker 1>And we were unsure about Bobby because he had that

1:04:24.640 --> 1:04:30.200
<v Speaker 1>song called girlfriend. Yeah did you right? Now? He started

1:04:30.200 --> 1:04:34.560
<v Speaker 1>with a spot and so wasn't. I didn't love that song.

1:04:34.840 --> 1:04:38.160
<v Speaker 1>But I remember riding the car and listening to the radio.

1:04:39.840 --> 1:04:42.200
<v Speaker 1>Driving the car, listen to the radio, and then Bobby goes,

1:04:43.120 --> 1:04:46.960
<v Speaker 1>he's he's on their live and he's he's doing girlfriend,

1:04:47.360 --> 1:04:50.000
<v Speaker 1>and he goes for the note that he wouldn't go

1:04:50.320 --> 1:04:52.560
<v Speaker 1>and he didn't get it, and then he goes, I

1:04:52.600 --> 1:04:57.000
<v Speaker 1>didn't want to saying that song anyway on the radio.

1:04:57.640 --> 1:05:02.040
<v Speaker 1>I said, whoa, I love it. I don't want to

1:05:02.080 --> 1:05:04.440
<v Speaker 1>say that song in the first place. And so it

1:05:04.560 --> 1:05:07.040
<v Speaker 1>was amazing and I thought, yeah, we need to work

1:05:07.120 --> 1:05:10.680
<v Speaker 1>with him because his energy. I felt that. I felt

1:05:10.720 --> 1:05:14.720
<v Speaker 1>that energy and so and so from these songs from

1:05:14.760 --> 1:05:17.280
<v Speaker 1>Don't Be Cruel to Every Little Step to Rock with

1:05:17.400 --> 1:05:22.520
<v Speaker 1>You and and um and roni um those songs. You know,

1:05:23.120 --> 1:05:26.600
<v Speaker 1>they found a home with him, and we watched him

1:05:26.680 --> 1:05:32.920
<v Speaker 1>go from here. Oh unbelievable. It was like his performing

1:05:33.280 --> 1:05:37.440
<v Speaker 1>hit him on stage. Nobody could touch him. Nobody to

1:05:37.560 --> 1:05:40.800
<v Speaker 1>this day, I don't know that anybody still had that energy.

1:05:40.880 --> 1:05:43.640
<v Speaker 1>They might be better dancers, that may be all those things.

1:05:43.720 --> 1:05:47.440
<v Speaker 1>But Bobby Brown in his prime, when he's honest, he

1:05:47.640 --> 1:05:55.920
<v Speaker 1>was untouchable and so so to be around that and

1:05:56.040 --> 1:06:00.880
<v Speaker 1>also to be around other stars that were clearly bigger.

1:06:01.080 --> 1:06:03.720
<v Speaker 1>I felt like I was okay. You know, I didn't

1:06:03.720 --> 1:06:06.280
<v Speaker 1>feel like I didn't ever have that moment where I

1:06:06.560 --> 1:06:09.800
<v Speaker 1>felt like that. There were moments where it started. I

1:06:09.920 --> 1:06:13.640
<v Speaker 1>do remember doing whip a Pill we did. I did

1:06:13.680 --> 1:06:17.240
<v Speaker 1>a couple of dates with with Pebs because I did

1:06:17.320 --> 1:06:18.880
<v Speaker 1>a do it with her, and then I do whipper

1:06:18.960 --> 1:06:21.400
<v Speaker 1>Pill right after. And I have this actually on video

1:06:22.160 --> 1:06:26.600
<v Speaker 1>uh at the time doing some butd fest And so

1:06:26.960 --> 1:06:31.840
<v Speaker 1>sometime in nine doing whipper Pill with this crowd, and

1:06:32.160 --> 1:06:34.360
<v Speaker 1>I looked at that like, damn, I messed up. I

1:06:34.360 --> 1:06:37.360
<v Speaker 1>should have kept going or something, because it was it

1:06:37.520 --> 1:06:40.920
<v Speaker 1>was huge. It was like and and I had an

1:06:41.000 --> 1:06:45.640
<v Speaker 1>experience it before, except you know, the only time I've

1:06:45.680 --> 1:06:47.360
<v Speaker 1>seen that like it was when when we were out

1:06:47.440 --> 1:06:49.720
<v Speaker 1>with the barge and the bars was killing us nightly.

1:06:50.480 --> 1:06:53.520
<v Speaker 1>You know, with Luther, we just died every night. You know,

1:06:54.240 --> 1:06:59.800
<v Speaker 1>it was death. It was I mean, we only time

1:06:59.840 --> 1:07:01.680
<v Speaker 1>we at at that time was body talking that and

1:07:01.800 --> 1:07:05.000
<v Speaker 1>that was good, but you know, we do body talk.

1:07:05.080 --> 1:07:07.840
<v Speaker 1>And then as soon as we finished, then you know,

1:07:08.240 --> 1:07:11.520
<v Speaker 1>next s up is the bars place be rumbling, and

1:07:12.080 --> 1:07:13.760
<v Speaker 1>and then we just had to put our heads down

1:07:13.800 --> 1:07:18.400
<v Speaker 1>in warfack, you know, and and we had never experienced that.

1:07:19.440 --> 1:07:22.840
<v Speaker 1>And the first time we experienced that was when UM,

1:07:23.560 --> 1:07:25.600
<v Speaker 1>I know, we're running out of time, but I just

1:07:25.880 --> 1:07:28.920
<v Speaker 1>have to tell that the creation, this is what I

1:07:29.000 --> 1:07:32.920
<v Speaker 1>believe with the creation of baby Face, where it happened. Um,

1:07:35.000 --> 1:07:38.800
<v Speaker 1>we were doing we were on tour. Uh this time,

1:07:39.520 --> 1:07:42.600
<v Speaker 1>I forget who we were with, but um, at this

1:07:42.840 --> 1:07:45.560
<v Speaker 1>point we had two occasions out and we were doing

1:07:45.600 --> 1:07:47.640
<v Speaker 1>body talk and we were we were doing the tour

1:07:47.760 --> 1:07:51.840
<v Speaker 1>and everything was going okay. And then um, we played

1:07:51.880 --> 1:07:57.960
<v Speaker 1>Indianapolis and my wisdom teeth started acting up and I

1:07:58.040 --> 1:08:00.640
<v Speaker 1>went to they were like really hurting, and so I

1:08:01.040 --> 1:08:05.120
<v Speaker 1>went to the Dennis and then it says, oh, they

1:08:05.200 --> 1:08:07.760
<v Speaker 1>looked like impacted, so we're gonna have to take them out.

1:08:08.440 --> 1:08:11.040
<v Speaker 1>So they took out two and they said we might

1:08:11.040 --> 1:08:13.200
<v Speaker 1>as well take them all take them out. So I

1:08:13.360 --> 1:08:16.320
<v Speaker 1>ended up getting four Wisdom to Youth taken out, and

1:08:16.560 --> 1:08:19.160
<v Speaker 1>I was like, so the next night we had a show.

1:08:20.400 --> 1:08:22.679
<v Speaker 1>He showed two nights and they asked me to performer.

1:08:23.040 --> 1:08:26.479
<v Speaker 1>There's no way I can perform, So I didn't perform,

1:08:27.160 --> 1:08:30.040
<v Speaker 1>and my brother Melvin took my place that night. Um,

1:08:30.680 --> 1:08:32.479
<v Speaker 1>and they did a show. And then so the next

1:08:33.080 --> 1:08:34.680
<v Speaker 1>show that we had that I could do was in

1:08:35.160 --> 1:08:39.040
<v Speaker 1>New Orleans and at the what's the big building Superdome,

1:08:39.280 --> 1:08:42.800
<v Speaker 1>super Dome. Everybody's there and so and it's a big

1:08:42.880 --> 1:08:46.960
<v Speaker 1>show and I'm still messed up. I can't even when

1:08:46.960 --> 1:08:51.439
<v Speaker 1>I walk it hurts, you know. And so but we decided,

1:08:51.800 --> 1:08:54.080
<v Speaker 1>you know, we can't go to the Superdome and you

1:08:54.160 --> 1:08:56.400
<v Speaker 1>can't not you need to be up there to do

1:08:56.520 --> 1:09:01.640
<v Speaker 1>two occasions. So everybody they did the whole show, and

1:09:01.680 --> 1:09:03.280
<v Speaker 1>then when they got to the end, before they did

1:09:03.280 --> 1:09:07.160
<v Speaker 1>two occasions, they said, look, guys, you know, um my

1:09:07.320 --> 1:09:09.960
<v Speaker 1>brother baby Face, he's been sick and he's not feeling

1:09:10.000 --> 1:09:12.439
<v Speaker 1>well at all, but he didn't want to disappoint you guys.

1:09:12.760 --> 1:09:15.360
<v Speaker 1>So he's gonna come out here and try its best

1:09:15.520 --> 1:09:18.720
<v Speaker 1>to perform for you anyway. And they give me, give

1:09:18.720 --> 1:09:20.920
<v Speaker 1>me a little bit of love. And I started. I

1:09:21.080 --> 1:09:24.439
<v Speaker 1>put on this white suit and I walk across the

1:09:24.520 --> 1:09:27.400
<v Speaker 1>stage and I'm actually in pain at this point, walking

1:09:27.439 --> 1:09:31.800
<v Speaker 1>across the slates ship was hurting bad. I'm like barely

1:09:31.840 --> 1:09:34.000
<v Speaker 1>open my mouth. So I go and I sit at

1:09:34.040 --> 1:09:41.479
<v Speaker 1>the piano and I go Boom doom, doom, doom, the

1:09:41.640 --> 1:09:45.760
<v Speaker 1>place goes crazy. I'm feeling like Elder Barge for the

1:09:45.880 --> 1:09:53.720
<v Speaker 1>first time. It's like, I'm like, what the and so?

1:09:54.040 --> 1:09:57.920
<v Speaker 1>And then because every time I close the eyes, I

1:09:58.120 --> 1:10:05.360
<v Speaker 1>think they go and the bed, everybody in the bed

1:10:05.479 --> 1:10:10.720
<v Speaker 1>is that point. They were like what and we do

1:10:10.880 --> 1:10:15.920
<v Speaker 1>the song the place loses it and um, so the

1:10:16.000 --> 1:10:18.400
<v Speaker 1>rest of the tour I was sick. Um that was

1:10:18.520 --> 1:10:20.560
<v Speaker 1>the I wasn't but I was sick the rest of

1:10:20.640 --> 1:10:25.840
<v Speaker 1>the and then everybody's like, now he needs to do

1:10:25.920 --> 1:10:29.880
<v Speaker 1>the whole show? Was it now? I got it was

1:10:29.960 --> 1:10:32.080
<v Speaker 1>a moment and it kept on being a moment, and

1:10:32.240 --> 1:10:37.920
<v Speaker 1>but it was. It was what finally, Um, it's it's

1:10:38.400 --> 1:10:41.240
<v Speaker 1>shed a light put a light on baby Face in

1:10:41.320 --> 1:10:45.040
<v Speaker 1>a different way. Um that made it look like, okay,

1:10:45.080 --> 1:10:48.519
<v Speaker 1>there's a career here. People actually people actually like you,

1:10:49.160 --> 1:10:51.720
<v Speaker 1>you know, and they like what you do and they

1:10:51.800 --> 1:10:55.519
<v Speaker 1>like what you bring to the table. So it became, um,

1:10:57.280 --> 1:10:59.479
<v Speaker 1>it became a moment that helped me figure out how

1:10:59.520 --> 1:11:02.160
<v Speaker 1>to do to the lover, help me figure out how

1:11:02.280 --> 1:11:08.479
<v Speaker 1>to um craft that for the artist baby Face, that

1:11:09.360 --> 1:11:11.320
<v Speaker 1>the person that didn't really want to be an artist,

1:11:11.479 --> 1:11:13.920
<v Speaker 1>but a little by little was figuring out how to

1:11:14.040 --> 1:11:17.840
<v Speaker 1>be because of the kind of songs that I could

1:11:17.840 --> 1:11:19.560
<v Speaker 1>do and songs that came natural for me to do.

1:11:20.640 --> 1:11:22.600
<v Speaker 1>The biggest thing is being an artist. You got you

1:11:22.680 --> 1:11:26.559
<v Speaker 1>want to do something that feels organic, and when you're

1:11:26.600 --> 1:11:30.040
<v Speaker 1>doing something that's not, they figure it out and it's

1:11:30.040 --> 1:11:32.519
<v Speaker 1>not gonna last long. So if you can do something

1:11:32.600 --> 1:11:34.800
<v Speaker 1>that's really close to you and it comes from you

1:11:35.320 --> 1:11:38.519
<v Speaker 1>then and they love it, then you have a chance

1:11:38.600 --> 1:11:41.160
<v Speaker 1>of having a career and people will follow you. But

1:11:41.280 --> 1:11:45.000
<v Speaker 1>the moment they why would you feel fake, then that's

1:11:45.040 --> 1:11:48.840
<v Speaker 1>the moment they'll they'll probably dismiss you. Well, thank you

1:11:48.960 --> 1:11:53.240
<v Speaker 1>for being an artist, man, Thank you for being an artist.

1:11:53.560 --> 1:11:57.400
<v Speaker 1>Thank that Dennis for putting out your wisdom to stars

1:11:57.520 --> 1:12:03.400
<v Speaker 1>born moments. Star is born like this is because if

1:12:03.439 --> 1:12:05.760
<v Speaker 1>that doesn't happen, like you said, you may never walk

1:12:05.840 --> 1:12:09.720
<v Speaker 1>into that and then I have a confidence to do it. Yeah,

1:12:10.320 --> 1:12:12.960
<v Speaker 1>you never know. I just love the fact that you

1:12:13.040 --> 1:12:17.680
<v Speaker 1>also spoke about the journey and about not being an

1:12:17.760 --> 1:12:20.439
<v Speaker 1>overnight success because a lot of the new artists don't

1:12:20.520 --> 1:12:26.280
<v Speaker 1>understand what it takes to where you are. Songwriters, producers,

1:12:26.439 --> 1:12:29.479
<v Speaker 1>artists like you've lived at all, executives I'm sure you

1:12:29.680 --> 1:12:31.320
<v Speaker 1>know what I mean. You have you have your bumps

1:12:31.320 --> 1:12:34.720
<v Speaker 1>in the rotors and all of those things. It's, um,

1:12:35.880 --> 1:12:39.560
<v Speaker 1>it does happen fast for some and and and it

1:12:39.760 --> 1:12:42.720
<v Speaker 1>is sometimes that's a blessing, but most of the time

1:12:42.800 --> 1:12:50.080
<v Speaker 1>not because they don't they don't realize that this isn't forever.

1:12:51.320 --> 1:12:53.760
<v Speaker 1>You know, um, it can come and it can go.

1:12:54.920 --> 1:13:01.000
<v Speaker 1>And UM, my blessing has been is that I didn't

1:13:01.000 --> 1:13:03.720
<v Speaker 1>have depend depend on just myself as an artist, but

1:13:03.840 --> 1:13:07.120
<v Speaker 1>my artistry is through um writing music for other people

1:13:07.280 --> 1:13:10.360
<v Speaker 1>where they could have my artists lived, my my art

1:13:10.439 --> 1:13:15.040
<v Speaker 1>lived through them. So when people are singing, when I

1:13:15.120 --> 1:13:17.880
<v Speaker 1>hear can we talking? Thank you for that? By the way,

1:13:21.840 --> 1:13:27.400
<v Speaker 1>that was that was amazing and and um it you

1:13:27.479 --> 1:13:30.519
<v Speaker 1>know it's shined the light on songs that can you

1:13:30.600 --> 1:13:33.400
<v Speaker 1>know that I had no idea that it had touched

1:13:33.479 --> 1:13:39.840
<v Speaker 1>people that way, you know, And that was that was

1:13:39.920 --> 1:13:42.759
<v Speaker 1>the best gift you could ever give me, was showing

1:13:43.200 --> 1:13:46.320
<v Speaker 1>showing me that people loved something that I did like

1:13:46.439 --> 1:13:49.160
<v Speaker 1>that that much. I had no idea. And so when

1:13:49.200 --> 1:13:52.160
<v Speaker 1>you when you're sitting and watching you know, schools, and

1:13:52.240 --> 1:13:55.759
<v Speaker 1>everybody's singing that sing that lyric and and and that melody.

1:13:56.320 --> 1:13:58.280
<v Speaker 1>You know, when I wrote that, I didn't think of

1:13:58.400 --> 1:14:03.479
<v Speaker 1>it as being that incredible. I thought it was good,

1:14:03.600 --> 1:14:05.240
<v Speaker 1>this is this is nice, just feels good. But not

1:14:07.080 --> 1:14:10.559
<v Speaker 1>I don't think you know when you write one of those.

1:14:11.080 --> 1:14:14.800
<v Speaker 1>I don't either. Yeah, I agree, I haven't written, but

1:14:17.400 --> 1:14:23.200
<v Speaker 1>I've written, but that for sure, and a bunch of

1:14:23.280 --> 1:14:27.240
<v Speaker 1>others which we could really and literally talk about for

1:14:27.280 --> 1:14:32.960
<v Speaker 1>the next five days. Um have just lasted and will

1:14:33.080 --> 1:14:36.759
<v Speaker 1>last forever stand in real test of time, real music,

1:14:37.040 --> 1:14:43.080
<v Speaker 1>real feeling, real lyrics, um, real vocals, real musicianship, like

1:14:43.200 --> 1:14:46.479
<v Speaker 1>the chords, like y'all y'all wouldn't you weren't staying safe?

1:14:47.320 --> 1:14:49.880
<v Speaker 1>Some real stuff happening that we would use in church too,

1:14:50.040 --> 1:14:53.559
<v Speaker 1>We would Still, I didn't. I didn't know that. I mean,

1:14:53.680 --> 1:14:56.320
<v Speaker 1>I went to church, but I wasn't a church boy,

1:14:56.680 --> 1:15:00.519
<v Speaker 1>so to say. And so you're proba like the first

1:15:00.520 --> 1:15:02.240
<v Speaker 1>guy that sits on this side of the room with me,

1:15:02.240 --> 1:15:05.280
<v Speaker 1>because everybody else can bring on here full church. Well tank,

1:15:05.520 --> 1:15:10.720
<v Speaker 1>and I'd be like, yeah, so what's your do to church? No,

1:15:11.680 --> 1:15:14.800
<v Speaker 1>I'm right on your side. Watch it a little bit.

1:15:14.920 --> 1:15:19.000
<v Speaker 1>And I watched and listen to the choir, and then well,

1:15:19.120 --> 1:15:20.960
<v Speaker 1>then I go to the car and listen to you know,

1:15:21.520 --> 1:15:27.280
<v Speaker 1>listen to the radio. Well, but a go ahead. But

1:15:27.680 --> 1:15:32.320
<v Speaker 1>I think just in general, I always played the chords

1:15:32.360 --> 1:15:37.040
<v Speaker 1>I can figure out, and like, I'm not the kind

1:15:37.080 --> 1:15:40.160
<v Speaker 1>of uh keyboard player where I can sit down and

1:15:40.240 --> 1:15:42.600
<v Speaker 1>just start playing. I have to remind myself and go

1:15:42.680 --> 1:15:46.720
<v Speaker 1>through it again. And because I'm it's pretty simple, I

1:15:46.760 --> 1:15:49.479
<v Speaker 1>can usually figure it out once I start playing. Then

1:15:49.520 --> 1:15:52.360
<v Speaker 1>the then the muscle memory comes back. But it's not

1:15:52.520 --> 1:15:54.960
<v Speaker 1>like I'm not really a keyboard player. I'm more of

1:15:55.000 --> 1:15:57.040
<v Speaker 1>a guitar player than a keyboard player. So everything that

1:15:57.120 --> 1:15:59.320
<v Speaker 1>I that I figured out it was it was just

1:15:59.439 --> 1:16:01.680
<v Speaker 1>kind of like I'm a keyboard player. No, I'm not.

1:16:02.280 --> 1:16:05.240
<v Speaker 1>I just playing all of that stuff you produced. No,

1:16:05.720 --> 1:16:08.240
<v Speaker 1>it was no because because if I was a real

1:16:08.320 --> 1:16:09.920
<v Speaker 1>keyboard player, I could sit down there and play it

1:16:09.960 --> 1:16:12.200
<v Speaker 1>for you right now. I'd have to sit there and

1:16:12.360 --> 1:16:15.320
<v Speaker 1>figure it out again and go again. Because I wrote,

1:16:15.600 --> 1:16:18.360
<v Speaker 1>I was I was a writer, so I was writing

1:16:18.479 --> 1:16:22.240
<v Speaker 1>for that moment to do it. And and even even

1:16:22.280 --> 1:16:23.760
<v Speaker 1>at the time, I could learn it right there and

1:16:23.760 --> 1:16:26.280
<v Speaker 1>then I'd forget it exactly of what I would do.

1:16:27.120 --> 1:16:31.439
<v Speaker 1>But at the same time, what's interesting is that there

1:16:31.479 --> 1:16:34.519
<v Speaker 1>are certain things like with roni Um, the way that

1:16:35.160 --> 1:16:40.439
<v Speaker 1>is played. Real keyboard players could not I didn't have

1:16:40.560 --> 1:16:44.719
<v Speaker 1>the feel that that that was for this non keyboard

1:16:44.760 --> 1:16:48.240
<v Speaker 1>player because you would either do too much or not enough.

1:16:48.400 --> 1:16:57.400
<v Speaker 1>It's yeah, exactly, okay if you ever learned anything, because yeah,

1:16:58.120 --> 1:17:02.200
<v Speaker 1>I'm learning. I'm still learning that because your your and

1:17:02.439 --> 1:17:04.840
<v Speaker 1>and we're gonna get these other things real, real fast.

1:17:05.080 --> 1:17:11.000
<v Speaker 1>Your keyboard playing was about voicings. It wasn't about being

1:17:11.120 --> 1:17:14.000
<v Speaker 1>the best keyboard player in terms of putting ten fingers

1:17:14.040 --> 1:17:17.120
<v Speaker 1>on the keyboard. It was about the voicings that you

1:17:17.200 --> 1:17:21.360
<v Speaker 1>would choose, Like your voicings were a highlight for me

1:17:21.479 --> 1:17:31.800
<v Speaker 1>before the music even started. Dude, do like what that's

1:17:32.040 --> 1:17:34.599
<v Speaker 1>that's monstrous for you to say you're not already player.

1:17:34.720 --> 1:17:37.360
<v Speaker 1>I'm already yeah, and we're gonna play it in church

1:17:38.360 --> 1:17:44.960
<v Speaker 1>right before offre um. Your your history is fast, bro um,

1:17:45.479 --> 1:17:51.320
<v Speaker 1>your success is I mean, it's it's endless. With all

1:17:51.400 --> 1:17:55.560
<v Speaker 1>of that, we have a couple of questions and we're

1:17:55.560 --> 1:17:58.080
<v Speaker 1>not gonna take up too much of your time, Mr Face,

1:17:58.200 --> 1:18:02.759
<v Speaker 1>Mr baby face, but have questions for you. First question

1:18:02.840 --> 1:18:10.080
<v Speaker 1>being top five R and B artists male or female

1:18:10.600 --> 1:18:24.240
<v Speaker 1>anytime my top five top five it's very hard, um,

1:18:26.479 --> 1:18:32.000
<v Speaker 1>because I'm it's at different periods when I was growing up.

1:18:39.200 --> 1:18:41.760
<v Speaker 1>Here's the thing when you're when you're a songwriter, you

1:18:41.840 --> 1:18:44.680
<v Speaker 1>have people you choose people based off because they're songwriters,

1:18:45.240 --> 1:18:47.360
<v Speaker 1>and some people just from the voices. If we're talking

1:18:47.360 --> 1:18:51.160
<v Speaker 1>about voices alone. It's so hard because I know, because

1:18:51.200 --> 1:18:54.920
<v Speaker 1>I know so much about music everywhere, So like, um,

1:18:58.160 --> 1:19:00.759
<v Speaker 1>what things that blew me people that blew me away?

1:19:01.680 --> 1:19:06.080
<v Speaker 1>James Brown blew me away because because he could actually

1:19:06.160 --> 1:19:12.120
<v Speaker 1>sing to and and um. And then of course Stevie wondered,

1:19:12.160 --> 1:19:21.519
<v Speaker 1>that goes without saying Donny Hathaway. Um, Aretha Franklin, Uh,

1:19:23.439 --> 1:19:29.040
<v Speaker 1>clearly the best, Clearly Aretha Franklin, clearly the best of

1:19:29.080 --> 1:19:33.559
<v Speaker 1>all time. UM. I was able to be in room

1:19:33.640 --> 1:19:36.360
<v Speaker 1>with her and work with her and and see her

1:19:36.439 --> 1:19:39.960
<v Speaker 1>genius and and hear her genius and to be there

1:19:40.000 --> 1:19:45.080
<v Speaker 1>and um, even when she was you know, before she

1:19:45.240 --> 1:19:47.080
<v Speaker 1>left us, you know it was I was. I had

1:19:47.240 --> 1:19:49.120
<v Speaker 1>for farm with her, actually did a concert with her

1:19:49.160 --> 1:19:52.800
<v Speaker 1>in Oakland. I I opened up for Aretha Franklin, and

1:19:52.920 --> 1:19:55.400
<v Speaker 1>I was like, WHOA, I never saw that coming in

1:19:56.160 --> 1:19:58.080
<v Speaker 1>And I opened up for her and she knew me.

1:19:58.320 --> 1:20:01.000
<v Speaker 1>She like, you know, face, come on back here, I

1:20:01.080 --> 1:20:04.880
<v Speaker 1>want to talk to you. And I'm like, Rita Franklin

1:20:04.880 --> 1:20:06.439
<v Speaker 1>has called me in her dress and men to talk

1:20:06.520 --> 1:20:08.400
<v Speaker 1>to her. Just and what you want to talk to me?

1:20:08.640 --> 1:20:10.639
<v Speaker 1>She said, I saw you upon that face, I saw

1:20:10.680 --> 1:20:12.360
<v Speaker 1>you doing whip a pill you had you had that

1:20:12.479 --> 1:20:15.720
<v Speaker 1>crowd going all right, all right? And I'm like, she

1:20:15.880 --> 1:20:18.560
<v Speaker 1>just said, all right, all right in my head, you know.

1:20:19.160 --> 1:20:23.000
<v Speaker 1>And then she's and and and then she talks to

1:20:23.000 --> 1:20:24.840
<v Speaker 1>me face coming, I'm gonna talk to you about something.

1:20:24.880 --> 1:20:29.599
<v Speaker 1>I said, So what's up? She goes, So, I'm dating

1:20:29.640 --> 1:20:34.040
<v Speaker 1>this guy. Come on, and I want to I'm gonna

1:20:34.080 --> 1:20:35.600
<v Speaker 1>tell you the story about him because I want to

1:20:35.640 --> 1:20:38.640
<v Speaker 1>know if you think he's serious or not. So she was.

1:20:38.800 --> 1:20:40.320
<v Speaker 1>She was giving me this whole story what he does

1:20:40.360 --> 1:20:42.200
<v Speaker 1>and everything he asked me. You know, so, what do

1:20:42.240 --> 1:20:44.720
<v Speaker 1>you think is this? Is he? Is he for real?

1:20:44.800 --> 1:20:46.200
<v Speaker 1>And then I said, I don't think he's for real.

1:20:46.600 --> 1:20:48.040
<v Speaker 1>I'm gonna let you know. I'm gonna let you know.

1:20:48.479 --> 1:20:49.960
<v Speaker 1>Then I talked to her another time. You know, he

1:20:50.080 --> 1:20:56.040
<v Speaker 1>was right, he wasn't serious, but she was already whatever

1:20:56.560 --> 1:20:59.040
<v Speaker 1>eight or you know, she was she was still living

1:21:00.280 --> 1:21:02.160
<v Speaker 1>and at the point she had cancer at that point,

1:21:02.240 --> 1:21:06.639
<v Speaker 1>but she was still living her life and and still

1:21:06.920 --> 1:21:12.960
<v Speaker 1>singing and still um, just not giving up. She if

1:21:13.000 --> 1:21:17.759
<v Speaker 1>anybody can inspire you, you know, in terms of people

1:21:17.880 --> 1:21:21.680
<v Speaker 1>that don't give up and and keep going or read

1:21:21.720 --> 1:21:24.000
<v Speaker 1>the Franklin. There's no better story than to read the Franklin.

1:21:24.400 --> 1:21:27.840
<v Speaker 1>So when I say Franklin, RUTHA Franklin in the top five,

1:21:27.920 --> 1:21:29.800
<v Speaker 1>I put her at number one because of how she

1:21:29.960 --> 1:21:33.800
<v Speaker 1>lived her life and how she and she lived to sing,

1:21:34.520 --> 1:21:37.360
<v Speaker 1>and that was it that it was all about. She

1:21:37.520 --> 1:21:40.439
<v Speaker 1>was a queen because she was queen worthy, you know,

1:21:40.720 --> 1:21:46.040
<v Speaker 1>um and uh and and everything that she did. So

1:21:48.600 --> 1:21:50.519
<v Speaker 1>there was a point, if I'm if I'm being honest,

1:21:50.560 --> 1:21:52.120
<v Speaker 1>there was a point where I had Whitney above her

1:21:53.400 --> 1:21:55.760
<v Speaker 1>because when I when I was Whitney, and Whitney was

1:21:55.800 --> 1:21:58.080
<v Speaker 1>because Whitney moved me so much. That's like Whitney, no

1:21:58.240 --> 1:22:03.200
<v Speaker 1>question the best. But I M hmm, but I hadn't

1:22:03.200 --> 1:22:06.280
<v Speaker 1>listened to the old stuff, the Writha did you know,

1:22:06.640 --> 1:22:14.080
<v Speaker 1>the older songs and listening to the young Aritha untouchable nobody.

1:22:14.240 --> 1:22:18.439
<v Speaker 1>So then Whitney rounds out the five then yeah, Whitney

1:22:19.560 --> 1:22:24.240
<v Speaker 1>G five. Okay, al right, okay, this was gonna be

1:22:24.320 --> 1:22:28.000
<v Speaker 1>tough for you. Oh man, it's gonna be tough for

1:22:28.120 --> 1:22:29.519
<v Speaker 1>him not to name it. I'm not to get in

1:22:29.600 --> 1:22:34.799
<v Speaker 1>his own band. Your top five R and B songs, songs, songs,

1:22:35.479 --> 1:22:41.559
<v Speaker 1>I'm not gonna forget your mind. Um, I don't want to, Okay, Um.

1:22:52.840 --> 1:22:54.960
<v Speaker 1>I can only name them based off of how they

1:22:55.080 --> 1:22:59.400
<v Speaker 1>hit me, and they're the top five at this moment

1:23:01.240 --> 1:23:05.680
<v Speaker 1>you asked me tomorrow it might be you know. Um,

1:23:10.040 --> 1:23:16.000
<v Speaker 1>When I first heard Luther Superstar mm hmm, and it

1:23:16.120 --> 1:23:17.840
<v Speaker 1>wasn't just hearing it, but when I heard him do

1:23:17.920 --> 1:23:26.120
<v Speaker 1>it on stage and how he um, how how he

1:23:26.280 --> 1:23:29.320
<v Speaker 1>did that, I thought that was the one for me

1:23:31.120 --> 1:23:34.360
<v Speaker 1>until I heard Houses Not at Home mm hmm. And

1:23:34.439 --> 1:23:37.680
<v Speaker 1>then I was confused about which one it was, and

1:23:37.880 --> 1:23:41.200
<v Speaker 1>ultimately it was which Your House Is Not at Home

1:23:41.320 --> 1:23:43.760
<v Speaker 1>is not necessarily an R and B song, but it

1:23:44.000 --> 1:23:49.960
<v Speaker 1>is by Tip Luther finished, um, and it was the

1:23:50.120 --> 1:23:55.600
<v Speaker 1>set up doom Doom, Doom, doom doom. And when he

1:23:55.720 --> 1:24:00.280
<v Speaker 1>do that live, they're losing, losing. It's a it's a

1:24:00.400 --> 1:24:09.360
<v Speaker 1>round and Carl, So for Luther, House is Not at

1:24:09.400 --> 1:24:21.760
<v Speaker 1>Home um, elder barge time where reveel? I heard that

1:24:22.240 --> 1:24:28.920
<v Speaker 1>in Cincinnati? Uh, I heard the same time I heard

1:24:29.040 --> 1:24:34.040
<v Speaker 1>Chaka Khan. Ain't nobody? Um? And then we were in

1:24:34.080 --> 1:24:35.800
<v Speaker 1>a in a club and I never went to clubs.

1:24:35.840 --> 1:24:39.519
<v Speaker 1>While was at the club and and ain't nobody almost

1:24:39.560 --> 1:24:42.280
<v Speaker 1>got me on the dance floor. I almost did, but

1:24:42.320 --> 1:24:45.320
<v Speaker 1>I never get on the dance floor. And so at

1:24:45.360 --> 1:24:46.720
<v Speaker 1>the end of it, this girl grabs me. Come on,

1:24:47.479 --> 1:24:50.040
<v Speaker 1>and so all of a sudden, I'm out there dancing.

1:24:50.680 --> 1:24:54.000
<v Speaker 1>Ain't nobody, look like, why am I here? And then

1:24:55.600 --> 1:25:00.200
<v Speaker 1>doo doo doo doo dude, and I was like old

1:25:00.240 --> 1:25:08.200
<v Speaker 1>ship And the first first time I'm dancing, I'm slow down. Yeah, yeah, yeah, yeah.

1:25:08.479 --> 1:25:11.040
<v Speaker 1>I didn't know what a hunt she was, but I

1:25:11.200 --> 1:25:15.680
<v Speaker 1>was more like this. Um. But no, I didn't hunt,

1:25:15.680 --> 1:25:19.639
<v Speaker 1>so I didn't know, you know, I needed I needed

1:25:19.680 --> 1:25:25.719
<v Speaker 1>young Jerry Kurl back there. Um. But but that song,

1:25:27.760 --> 1:25:30.759
<v Speaker 1>I was just the chords and and the voice and everything.

1:25:30.920 --> 1:25:35.120
<v Speaker 1>I was just I was flabbergasted. And the whole time

1:25:35.200 --> 1:25:39.880
<v Speaker 1>we were doing the tour with oh, I kept on

1:25:40.000 --> 1:25:42.439
<v Speaker 1>trying to go up to him and tell him with

1:25:42.600 --> 1:25:47.439
<v Speaker 1>that song, many how did you do that? And um,

1:25:49.200 --> 1:25:51.519
<v Speaker 1>and I never got the chance to go up to

1:25:51.600 --> 1:25:53.240
<v Speaker 1>him while he was onto because he would always I

1:25:53.360 --> 1:25:55.880
<v Speaker 1>was like I was a hood and walking really fast

1:25:56.000 --> 1:25:58.240
<v Speaker 1>making sure people like me couldn't come up and talk

1:25:58.320 --> 1:26:03.840
<v Speaker 1>to him. But I was. I was just blown away

1:26:03.920 --> 1:26:06.320
<v Speaker 1>by that. And that sounds to this day every time

1:26:06.360 --> 1:26:09.439
<v Speaker 1>I hear it's still it still touches me that way. UM.

1:26:11.920 --> 1:26:13.840
<v Speaker 1>I can't really think of much more, to be honest,

1:26:13.840 --> 1:26:15.200
<v Speaker 1>I'm just gonna give you talk two because like I

1:26:15.280 --> 1:26:18.519
<v Speaker 1>can there there aren't songs right at the moment that

1:26:18.600 --> 1:26:22.400
<v Speaker 1>I think that just kind of like blew me away. UM,

1:26:23.120 --> 1:26:25.479
<v Speaker 1>like those at at the moment that unless we're going

1:26:25.560 --> 1:26:28.000
<v Speaker 1>back even back further to where we go back to

1:26:28.120 --> 1:26:36.560
<v Speaker 1>the um the Jackson five and one that hit me

1:26:36.640 --> 1:26:39.760
<v Speaker 1>there isn't there isn't one of the popular songs, but um,

1:26:40.479 --> 1:26:42.160
<v Speaker 1>but it meant something to me the end of the time,

1:26:42.200 --> 1:26:46.439
<v Speaker 1>which was looking through the windows, Um, looking through the

1:26:46.520 --> 1:26:50.599
<v Speaker 1>windows Maybe tomorrow. I think it's called maybe tomorrow. Look

1:26:50.640 --> 1:26:54.360
<v Speaker 1>it up and they're like, what's that one? Um? But

1:26:55.479 --> 1:26:59.320
<v Speaker 1>it what hit me about that is how musical it was.

1:27:00.400 --> 1:27:03.640
<v Speaker 1>And and you know, there's always I'll be There and

1:27:03.880 --> 1:27:07.920
<v Speaker 1>all the other ones, but for me. What what I

1:27:08.120 --> 1:27:10.559
<v Speaker 1>love so much about the Jackson five are the producers

1:27:10.600 --> 1:27:14.200
<v Speaker 1>of them that they were. They were taking them everywhere musically,

1:27:14.840 --> 1:27:18.760
<v Speaker 1>and and that gave me ideas that I could two

1:27:18.840 --> 1:27:25.760
<v Speaker 1>songs are freedoms go beyond you know. Um there, Um,

1:27:27.280 --> 1:27:30.120
<v Speaker 1>it's an easy one top R and B. It's R

1:27:30.160 --> 1:27:32.200
<v Speaker 1>and B, but it's not R and B but it's

1:27:32.640 --> 1:27:34.840
<v Speaker 1>but it's and put it. We put it in so

1:27:35.040 --> 1:27:41.160
<v Speaker 1>food because it's the best wedding summer uh summer song,

1:27:41.880 --> 1:27:49.880
<v Speaker 1>um barbecue song. Uh, it's just the best black celebrated

1:27:50.000 --> 1:27:53.840
<v Speaker 1>celebratory song ever. No, not celebration from cooling the game,

1:27:54.160 --> 1:28:00.760
<v Speaker 1>but um, September, September. It's it's like a perfect song. Yeah,

1:28:01.320 --> 1:28:04.320
<v Speaker 1>And I think I copied that song a million times.

1:28:04.360 --> 1:28:06.160
<v Speaker 1>I must have written that song so many times back

1:28:06.200 --> 1:28:08.640
<v Speaker 1>in the day where I copied it and wrote me,

1:28:08.920 --> 1:28:11.680
<v Speaker 1>you know a few September songs, just trying to get

1:28:11.720 --> 1:28:18.240
<v Speaker 1>that filled in. Um, where's that three four four? Good? Um?

1:28:23.840 --> 1:28:33.640
<v Speaker 1>I think, Uh, trying to pick a funk song one

1:28:33.680 --> 1:28:38.640
<v Speaker 1>of the funkiest songs that um not not with p

1:28:38.800 --> 1:28:47.560
<v Speaker 1>funk with cameo ummed contumed. I can't even think of that.

1:28:47.880 --> 1:28:52.240
<v Speaker 1>I only know the lick gumed. I guess I like

1:28:52.680 --> 1:28:59.800
<v Speaker 1>what you do, dude. Mm hm mum mum m mmmmm

1:29:00.120 --> 1:29:08.240
<v Speaker 1>m So I can't think you know, somebody will let

1:29:08.320 --> 1:29:14.920
<v Speaker 1>us know. But I can't think of its title of

1:29:15.000 --> 1:29:17.360
<v Speaker 1>it right now either. Uh feels like it starts with

1:29:17.400 --> 1:29:25.160
<v Speaker 1>the K. But but funkiness, you know, just when I

1:29:25.240 --> 1:29:28.720
<v Speaker 1>saw Cameo, the first time I saw Cameo, and and

1:29:29.000 --> 1:29:33.679
<v Speaker 1>for for a funk group, they were just the funkiest

1:29:33.720 --> 1:29:38.479
<v Speaker 1>group ever. They used to they walked like they intimidated you.

1:29:39.320 --> 1:29:43.360
<v Speaker 1>You know, they're very great. You know, they walk into

1:29:43.439 --> 1:29:47.360
<v Speaker 1>the walk into the arena were like it was wearing

1:29:47.360 --> 1:29:55.120
<v Speaker 1>athletic cups over the pa and this was and but

1:29:55.240 --> 1:29:57.560
<v Speaker 1>they carried it, you know, and so like and you

1:29:57.600 --> 1:29:59.719
<v Speaker 1>didn't want to play a show with them because because

1:29:59.760 --> 1:30:04.280
<v Speaker 1>they they kill you know. Um. And and that was

1:30:05.400 --> 1:30:07.800
<v Speaker 1>so you know for me coming from that world and

1:30:07.960 --> 1:30:11.479
<v Speaker 1>learning it, it was it's something that I respected. So

1:30:11.880 --> 1:30:13.559
<v Speaker 1>asked me a getting tomorrow gonna be a different type

1:30:13.560 --> 1:30:19.080
<v Speaker 1>of fair. Um, We're gonna build your R and B

1:30:19.200 --> 1:30:23.120
<v Speaker 1>singer called it R and B Voltron. Where do you

1:30:23.200 --> 1:30:27.560
<v Speaker 1>get the vocals, the performance style, the styling, and the

1:30:27.680 --> 1:30:30.800
<v Speaker 1>heart the passion who do you get your vocals from?

1:30:30.880 --> 1:30:35.519
<v Speaker 1>For this artist? I don't understand what you're saying. So

1:30:36.840 --> 1:30:40.200
<v Speaker 1>out of all the vocalists you know, all the vocalists

1:30:40.200 --> 1:30:43.840
<v Speaker 1>you've heard, whose vocal would you use to build the

1:30:43.880 --> 1:30:52.200
<v Speaker 1>perfect R and B singer? Pick It'll be a combination. Face. Yeah,

1:30:52.240 --> 1:30:53.680
<v Speaker 1>you can do whatever you want. We're not fighting you

1:30:53.760 --> 1:30:56.479
<v Speaker 1>on nothing. Usually I'll be over here going crazy. People

1:30:56.880 --> 1:31:09.320
<v Speaker 1>observe the rule. M Um, it's still not It's so

1:31:09.560 --> 1:31:23.720
<v Speaker 1>easy somebody, um mm hmm. I don't know. That's a

1:31:23.840 --> 1:31:25.760
<v Speaker 1>very hard one to pick because there's a lot of

1:31:25.840 --> 1:31:31.519
<v Speaker 1>people in terms of today, even with kids today. That

1:31:32.000 --> 1:31:34.240
<v Speaker 1>voice of voices that I love, some voices that I

1:31:34.320 --> 1:31:37.880
<v Speaker 1>think are are great. That really blown smoke. But you

1:31:38.000 --> 1:31:41.720
<v Speaker 1>have a great voice, tank Uh. You have a smoothness

1:31:43.000 --> 1:31:47.040
<v Speaker 1>um to your voice. I love the love the smoothness

1:31:47.120 --> 1:31:53.639
<v Speaker 1>of it. Um. I think sometimes I think range is important,

1:31:53.640 --> 1:31:57.040
<v Speaker 1>but then not always because it depends on how you

1:31:57.160 --> 1:32:09.240
<v Speaker 1>use it. Um. I love um. I'm putting all these

1:32:09.320 --> 1:32:13.040
<v Speaker 1>voices together. But I love Daniel Caesar's voice. Kyle, I

1:32:13.160 --> 1:32:18.320
<v Speaker 1>love um. He's Kyle. You're different. Huh, He's different. Yeah,

1:32:18.439 --> 1:32:23.600
<v Speaker 1>And and he's he's own. He's his own difference, you know. So,

1:32:24.680 --> 1:32:28.240
<v Speaker 1>and I wonder where he gets where, where that happened

1:32:28.280 --> 1:32:33.040
<v Speaker 1>for him. Um. I love the uniqueness of Gibeon, of

1:32:33.520 --> 1:32:40.040
<v Speaker 1>his voice. I think there's something that's not it's not traditional.

1:32:40.640 --> 1:32:43.600
<v Speaker 1>So I'm into this. He's like a he's like a

1:32:44.520 --> 1:32:51.960
<v Speaker 1>he's looking the new evolution of Keith Staton. Yes, um,

1:32:53.360 --> 1:32:58.479
<v Speaker 1>almost a little jazzy. You know. You can move from

1:32:58.760 --> 1:33:06.960
<v Speaker 1>very but but identific and identifiable these guys a little

1:33:06.960 --> 1:33:15.599
<v Speaker 1>bit of a little bit but but emotion though, for sure.

1:33:15.960 --> 1:33:21.160
<v Speaker 1>So I leaned towards voices that are emotional. Um, I'm

1:33:21.200 --> 1:33:24.160
<v Speaker 1>not so. I used to be really into the movement

1:33:24.960 --> 1:33:28.200
<v Speaker 1>how much you can do that, But I don't know

1:33:28.400 --> 1:33:33.519
<v Speaker 1>that that's important anymore. He used to impress me. But

1:33:33.640 --> 1:33:35.120
<v Speaker 1>it's not what I look for at this point. I

1:33:35.200 --> 1:33:37.880
<v Speaker 1>look for emotion. I look for even if it's a

1:33:37.920 --> 1:33:40.000
<v Speaker 1>holding a note and if it's crack at the right place,

1:33:40.640 --> 1:33:44.200
<v Speaker 1>that it's something that we were delivers this. The main

1:33:44.320 --> 1:33:47.320
<v Speaker 1>thing that we want that I think that we need

1:33:47.439 --> 1:33:52.000
<v Speaker 1>is just emotion. Um, so that you can sing something

1:33:52.080 --> 1:33:58.200
<v Speaker 1>that that connects and it's not about Um, it's not

1:33:58.280 --> 1:34:00.760
<v Speaker 1>about so much about church anymore. Because I used to me,

1:34:01.160 --> 1:34:05.000
<v Speaker 1>hands down, if your church, if you could go like,

1:34:06.720 --> 1:34:08.439
<v Speaker 1>so that's what that's the thing. I know, I'm jumping

1:34:08.439 --> 1:34:10.280
<v Speaker 1>around and moving around like that. But one voice I've

1:34:10.280 --> 1:34:13.519
<v Speaker 1>always said I wanted if I had that voice. Uh,

1:34:13.600 --> 1:34:16.080
<v Speaker 1>if I had that voice, I'd be a hell of

1:34:16.160 --> 1:34:18.960
<v Speaker 1>a R and B dude. If I had BB whinding voice.

1:34:19.840 --> 1:34:24.439
<v Speaker 1>You know, he can say anything if I had his voice.

1:34:24.479 --> 1:34:26.800
<v Speaker 1>Like It's like I used to say that to Johnny

1:34:26.840 --> 1:34:30.360
<v Speaker 1>if I had your voice, boy, and he's not know

1:34:30.439 --> 1:34:32.600
<v Speaker 1>what to do. You only knew what you could do,

1:34:33.240 --> 1:34:36.600
<v Speaker 1>you know. Um. But it's a little hard for me

1:34:36.720 --> 1:34:39.240
<v Speaker 1>to build the the R and B singer that you

1:34:39.280 --> 1:34:42.000
<v Speaker 1>want to go because I'm everywhere. You know, I'm not

1:34:43.840 --> 1:34:49.280
<v Speaker 1>because who got styled? Who's performance style? Did you? Performance style?

1:34:49.320 --> 1:34:57.120
<v Speaker 1>Performance style? When you look on stage? Who Who's that today?

1:34:57.160 --> 1:34:58.880
<v Speaker 1>A lot of the in terms of R and B

1:34:59.040 --> 1:35:02.880
<v Speaker 1>is is it's more about the females. They're the ones

1:35:02.920 --> 1:35:07.640
<v Speaker 1>that have this flavor. They're cooking us. Um. You know,

1:35:07.800 --> 1:35:12.720
<v Speaker 1>from from Jasmine Too to Summer to a lot of

1:35:12.760 --> 1:35:15.200
<v Speaker 1>the girls that I've worked with on this album for

1:35:16.280 --> 1:35:19.000
<v Speaker 1>Girls Night Out talking about it, it is like, um,

1:35:20.479 --> 1:35:22.880
<v Speaker 1>people that I have was surprised with because I didn't know.

1:35:23.200 --> 1:35:26.479
<v Speaker 1>So Rica had introduced me to a lot of these

1:35:26.520 --> 1:35:29.479
<v Speaker 1>girls that I wasn't really aware of, and like one

1:35:29.520 --> 1:35:32.360
<v Speaker 1>of them being Tiana Major nine. Oh we love her.

1:35:32.720 --> 1:35:40.160
<v Speaker 1>And I had no idea that she had the presence,

1:35:40.479 --> 1:35:42.960
<v Speaker 1>Oh my God in her vocal and she I had

1:35:43.040 --> 1:35:44.560
<v Speaker 1>no idea. And when when we got her in and

1:35:44.600 --> 1:35:49.160
<v Speaker 1>she started saying said, whoa men you you really you know?

1:35:49.439 --> 1:35:53.920
<v Speaker 1>And then um, another pleasant surprise. I mean, look, we

1:35:54.000 --> 1:35:59.360
<v Speaker 1>at our Lennox come on special. What can I say? Um?

1:36:00.080 --> 1:36:02.400
<v Speaker 1>And you know the Queen, I call her the Queen.

1:36:02.520 --> 1:36:08.439
<v Speaker 1>Kailani has always the most recognizable just feel good ship period.

1:36:08.600 --> 1:36:11.960
<v Speaker 1>She's just she just lands what what she lands. And

1:36:12.040 --> 1:36:16.000
<v Speaker 1>I love the career that she's built for herself. She

1:36:16.080 --> 1:36:18.360
<v Speaker 1>don't care about what nobody else but what she does

1:36:18.439 --> 1:36:22.000
<v Speaker 1>and how she roseen and she's selling out places everywhere,

1:36:22.000 --> 1:36:24.599
<v Speaker 1>and I love that. I love that she didn't care

1:36:24.640 --> 1:36:28.040
<v Speaker 1>about radio. She ain't gotta care about radio because their

1:36:28.080 --> 1:36:33.839
<v Speaker 1>fans love her and that's very pure. So, um, another

1:36:34.280 --> 1:36:38.360
<v Speaker 1>voice somebody like that threw me? That didn't throw me,

1:36:38.439 --> 1:36:43.760
<v Speaker 1>But I was just so impressed. Coco Jones. I had

1:36:43.840 --> 1:36:47.360
<v Speaker 1>no idea we got she did a song simple on

1:36:47.439 --> 1:36:52.519
<v Speaker 1>the album. Ain't that simple about that? Um? So, so

1:36:52.760 --> 1:36:57.519
<v Speaker 1>I feel like for this record that I've worked on

1:36:58.000 --> 1:36:59.720
<v Speaker 1>and these artists that I've been working with, I've been

1:37:00.200 --> 1:37:03.720
<v Speaker 1>I've been inspired to see that these young girls, they

1:37:03.760 --> 1:37:07.200
<v Speaker 1>can sing, and they're also very independent in the sense

1:37:07.360 --> 1:37:10.800
<v Speaker 1>that they like to When when we worked on this record,

1:37:10.840 --> 1:37:14.040
<v Speaker 1>we wrote this together. It wasn't like xl UM where

1:37:14.080 --> 1:37:17.400
<v Speaker 1>I wrote everything, handed it over. We wrote it all together,

1:37:17.640 --> 1:37:21.880
<v Speaker 1>so we have one day to sing it, to write

1:37:21.920 --> 1:37:25.680
<v Speaker 1>it and sing it on this whole album, and and

1:37:25.800 --> 1:37:27.680
<v Speaker 1>so everybody came to the table and we and we

1:37:27.760 --> 1:37:29.960
<v Speaker 1>only did it if we did it together. And so

1:37:30.200 --> 1:37:36.080
<v Speaker 1>it was it was impressive to see their independence and

1:37:36.280 --> 1:37:39.920
<v Speaker 1>see um independence in the sense like they it had

1:37:39.960 --> 1:37:43.080
<v Speaker 1>to be had to mean something to them. Um. They

1:37:43.120 --> 1:37:45.880
<v Speaker 1>weren't just gonna sing anything that you gave to them. Um.

1:37:46.600 --> 1:37:50.439
<v Speaker 1>And they had a you know, had an opinion. And

1:37:51.160 --> 1:37:53.320
<v Speaker 1>that wasn't always the case before and in all the

1:37:53.400 --> 1:37:55.439
<v Speaker 1>years I've been doing it, somebody they just whatever you got,

1:37:55.560 --> 1:38:00.280
<v Speaker 1>just give it to And that's cool, but it's always

1:38:00.360 --> 1:38:03.960
<v Speaker 1>nice when someone is invested in it. And uh, and

1:38:04.040 --> 1:38:07.280
<v Speaker 1>they kind of know themselves and I think that's there.

1:38:07.479 --> 1:38:11.000
<v Speaker 1>There was. The surprise is that most of these are

1:38:11.200 --> 1:38:14.160
<v Speaker 1>all the artists that they did know themselves. It's different

1:38:14.160 --> 1:38:16.280
<v Speaker 1>when you get with one that wants to be something,

1:38:16.360 --> 1:38:19.200
<v Speaker 1>but it's not that. But they actually knew themselves, so

1:38:19.280 --> 1:38:23.439
<v Speaker 1>it made the process easier. Since you know, the name

1:38:23.479 --> 1:38:25.320
<v Speaker 1>of the album is Girls Not Out, Girls Night Out,

1:38:26.920 --> 1:38:29.519
<v Speaker 1>So you're gonna do a male version for the guys too,

1:38:30.280 --> 1:38:32.320
<v Speaker 1>You're gonna do a series. Come on, man, you only

1:38:32.360 --> 1:38:35.599
<v Speaker 1>the young fellas being with the young fellas. The young

1:38:36.240 --> 1:38:45.120
<v Speaker 1>right there were available. It's something, it's something that you know,

1:38:45.600 --> 1:38:47.880
<v Speaker 1>I could say, we'll see, we'll see with this rose.

1:38:48.600 --> 1:38:50.960
<v Speaker 1>I had had a good time doing this and it

1:38:51.080 --> 1:38:53.599
<v Speaker 1>was fun too, as I say, work with these girls,

1:38:53.840 --> 1:38:58.559
<v Speaker 1>and I've always traditionally just worked better with the women. Women. Yeah,

1:38:59.240 --> 1:39:04.479
<v Speaker 1>amazing success. So don't forget about Bobby Brown Camble. I

1:39:04.560 --> 1:39:11.320
<v Speaker 1>mean it happened. They were there up. I guess they

1:39:11.360 --> 1:39:14.120
<v Speaker 1>were the end of the road. Hey, man, go ahead

1:39:14.200 --> 1:39:17.200
<v Speaker 1>and do another challenge to make him do the album

1:39:17.360 --> 1:39:21.280
<v Speaker 1>with the young man I got you. Yeah, start some

1:39:21.320 --> 1:39:29.200
<v Speaker 1>ship off tomorrow. He likes to go into that. Um,

1:39:29.560 --> 1:39:33.040
<v Speaker 1>you messed up my whole voltron. You just yeah, no,

1:39:33.160 --> 1:39:35.400
<v Speaker 1>you you've talked about all the things I wanted to

1:39:35.439 --> 1:39:40.160
<v Speaker 1>talk about, putting so many artists, I talk a lot something. No,

1:39:40.360 --> 1:39:44.439
<v Speaker 1>it's I love it. We need we needed that held vote.

1:39:44.920 --> 1:39:48.120
<v Speaker 1>But speaking of of you know what, we got got

1:39:48.160 --> 1:39:51.760
<v Speaker 1>a segment of the show for brother Face. Come. It's

1:39:51.800 --> 1:39:54.360
<v Speaker 1>called I ain't saying on that sing and we need

1:39:54.400 --> 1:39:59.280
<v Speaker 1>a baby Face version because we've had today. We've had

1:39:59.280 --> 1:40:03.040
<v Speaker 1>all versions of our questions and are you know what

1:40:03.120 --> 1:40:06.120
<v Speaker 1>I mean in our list? Baby Face? We know you.

1:40:06.280 --> 1:40:09.240
<v Speaker 1>We you're gonna give us your versions. You're gonna remix

1:40:09.320 --> 1:40:11.960
<v Speaker 1>all of our stuff, even though on the verses you

1:40:12.000 --> 1:40:14.160
<v Speaker 1>said you didn't do remixes. That what your thing? Because

1:40:14.200 --> 1:40:17.120
<v Speaker 1>you know, baby you ain't got do remixes. It's a

1:40:17.160 --> 1:40:20.360
<v Speaker 1>great stunt. I was at the house cracking up. Oh

1:40:20.479 --> 1:40:26.160
<v Speaker 1>so we're doing remixes, got it? Oh my god? I

1:40:26.280 --> 1:40:28.439
<v Speaker 1>can't say that to Riley. But did you do y'all

1:40:28.479 --> 1:40:31.680
<v Speaker 1>think I was like really going after him? Well I

1:40:31.840 --> 1:40:37.559
<v Speaker 1>know you, so, yes, yeah, I wasn't. Okay, you're touching him?

1:40:39.080 --> 1:40:43.800
<v Speaker 1>Sound like it wasn't full left hooks. What's the first job?

1:40:43.920 --> 1:40:46.519
<v Speaker 1>What's the first job y'all think I did to me?

1:40:46.680 --> 1:40:49.720
<v Speaker 1>The job, like I said, that's the job for me.

1:40:49.840 --> 1:40:52.920
<v Speaker 1>Is that like remixing baby face something? I mean, you

1:40:52.960 --> 1:40:54.800
<v Speaker 1>didn't have to say the full thing, but it's like

1:40:54.960 --> 1:41:01.920
<v Speaker 1>we knew what it was. I have originals. Honestly, God,

1:41:02.160 --> 1:41:06.360
<v Speaker 1>you how didn't do that? But it wasn't me. It

1:41:06.560 --> 1:41:09.000
<v Speaker 1>wasn't meant that way. It was like because when he

1:41:10.200 --> 1:41:13.439
<v Speaker 1>it felt like the rules changed suddenly because when he

1:41:13.560 --> 1:41:17.760
<v Speaker 1>played the one song that it wasn't remix that wasn't

1:41:17.760 --> 1:41:21.000
<v Speaker 1>something he produced. I was like, are we doing remixes?

1:41:21.400 --> 1:41:23.280
<v Speaker 1>Because I was thinking, all right, but that's Jimmy and

1:41:23.400 --> 1:41:28.519
<v Speaker 1>Terry so and then I said, well that's I don't

1:41:28.560 --> 1:41:31.040
<v Speaker 1>do remixes. So I don't know if that but that

1:41:31.240 --> 1:41:33.120
<v Speaker 1>came off like I was like, I don't even do

1:41:33.240 --> 1:41:36.040
<v Speaker 1>remixes yea or no. That came off like I don't

1:41:36.120 --> 1:41:38.360
<v Speaker 1>need to do right well, and that was not what

1:41:38.680 --> 1:41:42.000
<v Speaker 1>it was. Honest answer, I don't do remixes because I

1:41:42.080 --> 1:41:44.240
<v Speaker 1>didn't do remixes. It was it was back to the

1:41:45.000 --> 1:41:50.360
<v Speaker 1>bless you more. Me commented, you didn't listen, man, you

1:41:50.520 --> 1:41:56.120
<v Speaker 1>got your way of pooring champagoe. That brand is way

1:41:56.160 --> 1:42:02.320
<v Speaker 1>wall playing on the wall inspiration is what I call

1:42:03.400 --> 1:42:06.120
<v Speaker 1>all right, you got your way upoint Champagne. I'm just

1:42:06.160 --> 1:42:10.519
<v Speaker 1>gonna stop what you are. There was no harm in anyway.

1:42:12.120 --> 1:42:15.920
<v Speaker 1>So this was baby faces. I ain't saying names, ain't

1:42:15.920 --> 1:42:18.880
<v Speaker 1>saying Oh this gotta could. The story can be funny

1:42:19.120 --> 1:42:22.560
<v Speaker 1>or fucked up. Are funny and fucked up. I just

1:42:22.640 --> 1:42:34.519
<v Speaker 1>can't say their names. Um, somebody tore up. I can't

1:42:34.520 --> 1:42:38.599
<v Speaker 1>do that. You can't. You can't do it. You can

1:42:38.680 --> 1:42:47.520
<v Speaker 1>do it? Can we could tell him you could do it? Um? Somebody,

1:42:48.960 --> 1:42:59.519
<v Speaker 1>I heard somebody tore up a hotel room because I

1:42:59.640 --> 1:43:07.519
<v Speaker 1>left the message to say congrats, and because they left

1:43:07.600 --> 1:43:11.320
<v Speaker 1>them because I left that message to say congrats. The

1:43:11.439 --> 1:43:15.439
<v Speaker 1>person tore up the room because they thought something was

1:43:15.479 --> 1:43:21.000
<v Speaker 1>going on with that someone. You left congratulations to somebody

1:43:21.080 --> 1:43:27.320
<v Speaker 1>getting married. No, that's all I'm saying. And you said

1:43:27.640 --> 1:43:33.000
<v Speaker 1>still say no names them? Congratulations is different. I wish

1:43:33.200 --> 1:43:36.759
<v Speaker 1>baby Face would wish me a congratulations on my whatever,

1:43:37.160 --> 1:43:40.720
<v Speaker 1>because he don't want to tell us what whatever is. Hey, girl,

1:43:41.560 --> 1:43:44.880
<v Speaker 1>you know him with your woman? Hey, you know sorry

1:43:44.920 --> 1:43:50.320
<v Speaker 1>we didn't work out. I'm sorry we didn't work out.

1:43:50.360 --> 1:43:54.719
<v Speaker 1>Looks like you really found love because it just wasn't

1:43:54.760 --> 1:43:59.360
<v Speaker 1>just so congratulations. We hm it was a congratus. It

1:43:59.400 --> 1:44:00.720
<v Speaker 1>should have been us. But I just want to let

1:44:00.720 --> 1:44:06.160
<v Speaker 1>you know I'll always love you and if you ever

1:44:06.240 --> 1:44:10.400
<v Speaker 1>need a home, I have plenty. Where would you go?

1:44:10.600 --> 1:44:12.479
<v Speaker 1>You will come to me because I thought only thought

1:44:12.520 --> 1:44:14.960
<v Speaker 1>you with my sunshine. You remember the Whipperfield, don't you

1:44:17.040 --> 1:44:27.840
<v Speaker 1>signed the ps? Don't forget about those two occasions. Now

1:44:27.880 --> 1:44:33.400
<v Speaker 1>that we've come to the end of the room, we

1:44:33.520 --> 1:44:40.160
<v Speaker 1>could go all night, ladies and gentlemen. Um man um uh.

1:44:40.560 --> 1:44:44.400
<v Speaker 1>One of the biggest inspirations for me and my career

1:44:45.200 --> 1:44:48.760
<v Speaker 1>um from singing, songwriting to producing and now to us

1:44:49.520 --> 1:44:52.840
<v Speaker 1>building a label, um and taking those steps. We are,

1:44:53.360 --> 1:44:56.720
<v Speaker 1>like I said, we're following in some big footsteps and

1:44:56.960 --> 1:44:59.719
<v Speaker 1>we are we're doing our best to make you proud.

1:45:01.479 --> 1:45:04.560
<v Speaker 1>You've already may be proud, no, and we just in

1:45:04.720 --> 1:45:10.840
<v Speaker 1>it you coming here and being on the podcast. For

1:45:11.000 --> 1:45:13.360
<v Speaker 1>both of us, it's just like I said, this is

1:45:13.400 --> 1:45:16.519
<v Speaker 1>a full circle moment. You might not even know it,

1:45:16.600 --> 1:45:18.639
<v Speaker 1>but you're the first person that I worked or when

1:45:18.640 --> 1:45:21.920
<v Speaker 1>I came here. Obviously you know I was working with

1:45:22.040 --> 1:45:23.519
<v Speaker 1>Damon Thomas and you know what I mean. But like

1:45:23.640 --> 1:45:28.120
<v Speaker 1>as far as like an artist, producer, writer, just the

1:45:28.200 --> 1:45:30.720
<v Speaker 1>whole thing. And I never had a chance to tell

1:45:30.760 --> 1:45:32.560
<v Speaker 1>you back then. I'm young and I'm just you know,

1:45:32.680 --> 1:45:36.040
<v Speaker 1>boisterous and the whole thing. But you've been my favorite

1:45:36.160 --> 1:45:40.400
<v Speaker 1>artist since I was a little kid. Thank you. I

1:45:40.479 --> 1:45:45.439
<v Speaker 1>had a natural crack in my voice, something like alay.

1:45:51.560 --> 1:45:56.080
<v Speaker 1>But you coming here today it means the world to us, man,

1:45:56.680 --> 1:46:02.200
<v Speaker 1>because we truly celebrate a people who have inspired us

1:46:02.920 --> 1:46:05.680
<v Speaker 1>and people who have continued to do it. Just like

1:46:05.840 --> 1:46:10.640
<v Speaker 1>you said with your conversation with Aretha Franklin. Yeah, us

1:46:10.680 --> 1:46:14.280
<v Speaker 1>seeing you still have a putting out more projects. You

1:46:14.360 --> 1:46:16.960
<v Speaker 1>gotta put out nothing. You can do whatever you want.

1:46:17.760 --> 1:46:19.840
<v Speaker 1>You've earned that in this in this life and in

1:46:19.960 --> 1:46:22.559
<v Speaker 1>this business. Your success have put you in a position

1:46:22.960 --> 1:46:25.040
<v Speaker 1>to do whatever you want. But the fact that you

1:46:25.120 --> 1:46:29.280
<v Speaker 1>will still give back to the culture and still make

1:46:29.360 --> 1:46:32.640
<v Speaker 1>these albums and still I know you don't like to

1:46:32.720 --> 1:46:36.519
<v Speaker 1>say this, but give us your gift that means the

1:46:36.560 --> 1:46:40.200
<v Speaker 1>world to us, man, And thank you, Thank you, Thank you,

1:46:42.760 --> 1:46:46.160
<v Speaker 1>ladies and gentlemen. I'm tanking. I'm Jay Valentine and this

1:46:46.320 --> 1:46:50.439
<v Speaker 1>has been, um, in my opinion, the most special Army

1:46:50.479 --> 1:46:55.240
<v Speaker 1>Money Podcasts episode today. UM, I love everybody who's been on.

1:46:55.720 --> 1:47:00.599
<v Speaker 1>But the God it here, so man for get its

1:47:00.600 --> 1:47:17.200
<v Speaker 1>baby face, Okay. R and B Money. R and B

1:47:17.320 --> 1:47:20.439
<v Speaker 1>Money is the production of the Black Effect podcast Network.

1:47:20.680 --> 1:47:23.639
<v Speaker 1>For more podcasts from I Heart Radio, visit the ir

1:47:23.720 --> 1:47:26.760
<v Speaker 1>heart Radio app, Apple podcast, or wherever you're listening to

1:47:26.840 --> 1:47:30.200
<v Speaker 1>your favorite shows, don't forget to subscribe to and rate

1:47:30.320 --> 1:47:32.920
<v Speaker 1>our show, and you can connect with us on social

1:47:33.040 --> 1:47:36.720
<v Speaker 1>media via at R and B Money podcast or at

1:47:36.760 --> 1:47:38.880
<v Speaker 1>the Real Tank or at j Valentine