WEBVTT - An OMG Bombshell!!

0:00:00.280 --> 0:00:04.600
<v Speaker 1>It's nine O gen one Legen with Jenny Garth and

0:00:04.720 --> 0:00:05.520
<v Speaker 1>Tory Spelling.

0:00:09.600 --> 0:00:13.640
<v Speaker 2>Hey, everybody, look at look at you, Look at you,

0:00:13.760 --> 0:00:16.920
<v Speaker 2>looking at you, look at you. Here's me looking at you,

0:00:17.000 --> 0:00:18.919
<v Speaker 2>looking at you. Amy m's you.

0:00:20.120 --> 0:00:23.639
<v Speaker 3>I'm here. My camera's on, but sometimes I have it's

0:00:23.680 --> 0:00:26.600
<v Speaker 3>boring that I have a couple of different screens on

0:00:26.640 --> 0:00:29.320
<v Speaker 3>here to two. You might have to scroll your scrull

0:00:29.440 --> 0:00:29.880
<v Speaker 3>in your hair.

0:00:30.520 --> 0:00:37.800
<v Speaker 1>Ye, we are back for another amazing episode of nine

0:00:37.840 --> 0:00:39.960
<v Speaker 1>O two one. Omg, you guys, and we're so happy

0:00:40.000 --> 0:00:40.559
<v Speaker 1>to be with you.

0:00:41.000 --> 0:00:43.160
<v Speaker 2>Oh my gosh. We should think of like our own

0:00:43.240 --> 0:00:47.640
<v Speaker 2>thing because I mean another episode. Uh, we're on weekly.

0:00:47.800 --> 0:00:50.160
<v Speaker 2>We're always back. It's a new episode. They just keep

0:00:50.200 --> 0:00:52.040
<v Speaker 2>going and going and going.

0:00:53.800 --> 0:00:57.240
<v Speaker 1>So what would what would you like to change that too?

0:00:57.480 --> 0:00:58.800
<v Speaker 1>Our catch cratchphrase?

0:00:58.840 --> 0:00:59.440
<v Speaker 2>What do you want to know?

0:00:59.480 --> 0:00:59.680
<v Speaker 4>Yeah?

0:00:59.680 --> 0:01:06.880
<v Speaker 2>We need something right right? What makes we're back?

0:01:07.400 --> 0:01:10.080
<v Speaker 3>I do think it's hilarious that anyone listening that listens

0:01:10.080 --> 0:01:15.360
<v Speaker 3>to other rewatch podcasts, they're lapping us because most shows

0:01:15.440 --> 0:01:18.039
<v Speaker 3>have twenty episodes and we're still just.

0:01:18.360 --> 0:01:21.640
<v Speaker 1>We are friggin ever last Buddies one of those things

0:01:21.640 --> 0:01:23.840
<v Speaker 1>with the bad energizer.

0:01:23.440 --> 0:01:28.560
<v Speaker 2>Yeah, that one's you can't keep us down. It is

0:01:28.640 --> 0:01:31.720
<v Speaker 2>actually Jen, that's so true though, right correct, Yes, it's

0:01:31.840 --> 0:01:32.360
<v Speaker 2>very true.

0:01:32.400 --> 0:01:33.920
<v Speaker 3>I mean, if you think about it, you guys did

0:01:34.040 --> 0:01:38.200
<v Speaker 3>thirty plus episodes a season, so it basically meant you

0:01:38.280 --> 0:01:42.240
<v Speaker 3>were working year round, going, going.

0:01:42.040 --> 0:01:44.840
<v Speaker 1>Going, basically. Yeah, I think we had three months off

0:01:44.840 --> 0:01:45.319
<v Speaker 1>a year.

0:01:45.840 --> 0:01:47.840
<v Speaker 2>And this episode I could see it. I could see

0:01:47.840 --> 0:01:51.559
<v Speaker 2>the wear and tear on how tired we were starting

0:01:51.600 --> 0:01:52.000
<v Speaker 2>to show.

0:01:52.520 --> 0:01:54.680
<v Speaker 3>I do have an interesting thing on that which I

0:01:54.760 --> 0:01:57.440
<v Speaker 3>will hold, or I could say now I'll hold for

0:01:57.480 --> 0:01:59.040
<v Speaker 3>the synopsis and then I will I.

0:01:58.960 --> 0:02:00.760
<v Speaker 2>Will also I love you.

0:02:00.920 --> 0:02:03.880
<v Speaker 1>Okay, let's do this because this was a good one

0:02:03.920 --> 0:02:07.600
<v Speaker 1>you guys, and I got a newfound of faith in

0:02:08.040 --> 0:02:08.440
<v Speaker 1>the show.

0:02:08.600 --> 0:02:09.800
<v Speaker 2>I don't know what happened.

0:02:09.919 --> 0:02:10.760
<v Speaker 5>Ooh, I liked it.

0:02:11.120 --> 0:02:13.720
<v Speaker 1>First of all, I got confused because we were scheduled

0:02:13.760 --> 0:02:15.680
<v Speaker 1>to do this podcast a couple of days ago, and

0:02:15.720 --> 0:02:18.360
<v Speaker 1>then we got some scheduling issues so we had to

0:02:18.440 --> 0:02:18.800
<v Speaker 1>change it.

0:02:18.840 --> 0:02:20.280
<v Speaker 2>So I watched it a few days.

0:02:20.080 --> 0:02:22.320
<v Speaker 1>Ago, and then we were going to do another one,

0:02:22.760 --> 0:02:24.480
<v Speaker 1>and then I was like, wait, which episode is?

0:02:24.520 --> 0:02:25.560
<v Speaker 2>I got so confused.

0:02:25.760 --> 0:02:29.960
<v Speaker 1>Did you rewatch the watch? I did not rewatch it.

0:02:30.040 --> 0:02:33.200
<v Speaker 1>I just went over my material and then it refreshed me, but.

0:02:35.240 --> 0:02:35.799
<v Speaker 5>Talk of it.

0:02:36.280 --> 0:02:38.799
<v Speaker 2>This is why we work so well together, were Yin

0:02:38.919 --> 0:02:43.960
<v Speaker 2>and Yang. She's supremely organized, which I respect I am

0:02:44.040 --> 0:02:47.600
<v Speaker 2>not so I love like it. Actually, that's like a

0:02:47.639 --> 0:02:50.079
<v Speaker 2>turn on when you say things like that and then

0:02:50.080 --> 0:02:51.640
<v Speaker 2>you went over your material.

0:02:51.960 --> 0:02:56.280
<v Speaker 1>I'm happy I could turn you on today. Problem Season five,

0:02:56.360 --> 0:03:00.400
<v Speaker 1>episode nineteen You Guys, Little Monsters aired February first, nineteen

0:03:00.480 --> 0:03:01.080
<v Speaker 1>ninety five.

0:03:02.919 --> 0:03:04.760
<v Speaker 2>And I so want to jump in here and just

0:03:04.840 --> 0:03:12.800
<v Speaker 2>make this fluid, but I got nothing up, no material

0:03:13.560 --> 0:03:15.640
<v Speaker 2>on brand. I mean, I guess I could do it

0:03:15.680 --> 0:03:16.320
<v Speaker 2>from memory.

0:03:16.520 --> 0:03:20.440
<v Speaker 1>Want me to do it? What amy to do the synopsis? Yeah, Jenny,

0:03:20.480 --> 0:03:21.919
<v Speaker 1>you do because we need a drum roll?

0:03:21.960 --> 0:03:22.959
<v Speaker 2>Who the director?

0:03:23.440 --> 0:03:23.800
<v Speaker 6>You guys?

0:03:23.840 --> 0:03:26.240
<v Speaker 2>Can I say it? Guys? Can I just get it?

0:03:26.280 --> 0:03:28.520
<v Speaker 2>And can I? May? I please do it? You know

0:03:28.840 --> 0:03:30.600
<v Speaker 2>I love to do my synopsis.

0:03:30.760 --> 0:03:33.360
<v Speaker 1>I know you do. It starts with the one that

0:03:33.440 --> 0:03:36.320
<v Speaker 1>you do not want to speak about synopsis.

0:03:36.440 --> 0:03:42.600
<v Speaker 2>Aeriel Hunter is back in Spots Ray as her new prey,

0:03:43.000 --> 0:03:46.840
<v Speaker 2>but Donna tries to warn him. The Professor Finley loses

0:03:46.880 --> 0:03:51.160
<v Speaker 2>his tenure battle, but wage's war on poor Brandon. Kelly

0:03:51.240 --> 0:03:54.920
<v Speaker 2>is asked to prove her devotion Dylan makes amends with

0:03:55.080 --> 0:03:59.840
<v Speaker 2>Jim Walsh and Valerie wants her money. Honey, no money,

0:04:00.120 --> 0:04:00.680
<v Speaker 2>no honey.

0:04:01.400 --> 0:04:05.160
<v Speaker 1>Directed by James that House, written by Meredith Stein. Should

0:04:05.200 --> 0:04:08.200
<v Speaker 1>we do some trivia first or should we get.

0:04:08.080 --> 0:04:09.880
<v Speaker 2>Into the breakdown? O?

0:04:10.280 --> 0:04:16.479
<v Speaker 3>Oh, trivia A little bit, little your Man directed you

0:04:16.920 --> 0:04:21.039
<v Speaker 3>My Baby, My Baby.

0:04:22.800 --> 0:04:25.640
<v Speaker 2>This is so yeah? This this okay? So here's the

0:04:25.640 --> 0:04:26.200
<v Speaker 2>first trivia.

0:04:26.279 --> 0:04:29.200
<v Speaker 1>This is the third and the last episode directed by

0:04:29.279 --> 0:04:29.960
<v Speaker 1>James Xhouse.

0:04:30.279 --> 0:04:31.599
<v Speaker 2>Oh wow, yep.

0:04:31.680 --> 0:04:34.360
<v Speaker 1>He directed Strangers in the Night and Truth and Consequences,

0:04:34.480 --> 0:04:35.120
<v Speaker 1>and this is it.

0:04:35.200 --> 0:04:38.080
<v Speaker 2>This is the last one for the whole series or

0:04:38.120 --> 0:04:40.560
<v Speaker 2>just as because they ship them off to Japan, right.

0:04:40.520 --> 0:04:43.760
<v Speaker 1>Yeah, because the parents move away and we do have

0:04:43.920 --> 0:04:44.440
<v Speaker 1>never seen them.

0:04:44.600 --> 0:04:45.960
<v Speaker 6>I know we forgot about that.

0:04:46.520 --> 0:04:50.560
<v Speaker 2>We have a rager that last night, No am I?

0:04:51.080 --> 0:04:51.520
<v Speaker 5>Oh, go ahead.

0:04:51.600 --> 0:04:56.240
<v Speaker 1>Joe and Jamie Walters performs apparently twice in this episode,

0:04:56.600 --> 0:04:58.000
<v Speaker 1>neither of which I saw.

0:04:59.400 --> 0:05:01.280
<v Speaker 2>Nothing and he does.

0:05:01.360 --> 0:05:04.720
<v Speaker 1>He sings the first song why and Donna watches him

0:05:04.720 --> 0:05:07.320
<v Speaker 1>perform at the after Dark, and the second song is

0:05:07.360 --> 0:05:10.640
<v Speaker 1>called I Know the Game. Do you remember watching him

0:05:10.680 --> 0:05:14.960
<v Speaker 1>perform either of those songs? No?

0:05:15.240 --> 0:05:16.880
<v Speaker 2>Actually, are you shocked?

0:05:16.920 --> 0:05:17.080
<v Speaker 3>No?

0:05:18.000 --> 0:05:21.359
<v Speaker 2>Those two I do not, So I feel like we

0:05:21.400 --> 0:05:24.000
<v Speaker 2>should have a sash where we get together and just

0:05:24.120 --> 0:05:28.280
<v Speaker 2>listen to and watch the originals and see his performance.

0:05:28.480 --> 0:05:29.640
<v Speaker 1>I want to performance.

0:05:30.200 --> 0:05:31.640
<v Speaker 6>That's a great idea.

0:05:32.760 --> 0:05:36.799
<v Speaker 1>Talent Ray prou It performance appreciation episode.

0:05:37.040 --> 0:05:42.680
<v Speaker 2>Yeah, sing a lot, how talented he is, even though

0:05:42.680 --> 0:05:45.640
<v Speaker 2>I can't remember these two songs in the moment, but

0:05:46.080 --> 0:05:47.200
<v Speaker 2>we'll go through it.

0:05:47.640 --> 0:05:50.440
<v Speaker 3>So I have a question if you guys notice this.

0:05:50.800 --> 0:05:53.160
<v Speaker 3>So this is the first time it really stood out

0:05:53.240 --> 0:05:55.839
<v Speaker 3>to me that these new.

0:05:55.760 --> 0:05:59.520
<v Speaker 6>People, Ray Vows, new people, these.

0:05:59.360 --> 0:06:03.640
<v Speaker 3>New people Ray and Valerie are really having scenes without

0:06:03.720 --> 0:06:06.080
<v Speaker 3>any of the rest of you. I'm sure it's happened

0:06:06.160 --> 0:06:08.919
<v Speaker 3>a little bit before, but we saw a lot of

0:06:09.000 --> 0:06:10.760
<v Speaker 3>Valerie with meaning.

0:06:10.520 --> 0:06:13.360
<v Speaker 2>Like without a OG cast member.

0:06:13.720 --> 0:06:14.280
<v Speaker 6>So it's like.

0:06:14.760 --> 0:06:20.039
<v Speaker 3>Valerie's got scenes with just Jonesy, Ray's got scenes with

0:06:20.279 --> 0:06:25.599
<v Speaker 3>just Aeriel, and we have a Valerie Ray interaction. So

0:06:25.680 --> 0:06:27.960
<v Speaker 3>I just stood out to me that, Wow, this episode

0:06:28.000 --> 0:06:33.000
<v Speaker 3>was very filled with these new cast members really becoming.

0:06:33.560 --> 0:06:34.920
<v Speaker 2>Opening up some doors.

0:06:35.240 --> 0:06:37.680
<v Speaker 3>Yeah, like like real, I don't know what the word is.

0:06:37.720 --> 0:06:41.000
<v Speaker 3>They're out there on their own without you guys.

0:06:41.760 --> 0:06:48.039
<v Speaker 2>Cool, we need a little break. We're tired. That's so true.

0:06:48.200 --> 0:06:50.159
<v Speaker 6>But yeah, that sort of it was It didn't bother me.

0:06:50.720 --> 0:06:53.280
<v Speaker 3>I enjoyed it, but I did note it that it's like,

0:06:53.440 --> 0:06:56.680
<v Speaker 3>oh wow, they're really giving these people their own storylines.

0:06:56.720 --> 0:06:59.320
<v Speaker 2>Now it's going to keep happening with more and more

0:06:59.360 --> 0:07:01.040
<v Speaker 2>and more people.

0:07:01.880 --> 0:07:06.600
<v Speaker 1>Yeah, yeah, I like it. I am all of a

0:07:06.640 --> 0:07:09.800
<v Speaker 1>sudden this is my favorite show. I mean, I've kept

0:07:09.840 --> 0:07:12.600
<v Speaker 1>saying that before. I really love the show, but now

0:07:12.640 --> 0:07:16.560
<v Speaker 1>that it's honestly it's gotten like a little soapier, I'm

0:07:16.840 --> 0:07:17.760
<v Speaker 1>so sucked in.

0:07:18.600 --> 0:07:20.400
<v Speaker 2>Oh my gosh, wait, I just want to hear her

0:07:20.440 --> 0:07:23.080
<v Speaker 2>say that again. I'm so sucked in.

0:07:23.560 --> 0:07:24.840
<v Speaker 5>Not that part, Oh.

0:07:24.760 --> 0:07:26.560
<v Speaker 2>My god it. Oh no, I like.

0:07:26.520 --> 0:07:28.200
<v Speaker 6>So what do we think of this part?

0:07:28.400 --> 0:07:30.600
<v Speaker 2>Usually you do not like it?

0:07:30.760 --> 0:07:34.720
<v Speaker 1>So I know I've changed my ways. People, what do

0:07:34.760 --> 0:07:35.080
<v Speaker 1>you Okay?

0:07:35.120 --> 0:07:36.960
<v Speaker 3>So do you want to start with Ray or Valerie?

0:07:37.080 --> 0:07:39.840
<v Speaker 2>Let's just start the top because I love.

0:07:42.960 --> 0:07:47.280
<v Speaker 1>This amazing what we're provided with, this amazing episode recap

0:07:48.000 --> 0:07:52.120
<v Speaker 1>that our team does, and I have never really fully

0:07:52.240 --> 0:07:55.920
<v Speaker 1>appreciated it until I went through it last night. It's

0:07:55.960 --> 0:07:59.680
<v Speaker 1>so freaking good. So let's just kind of do the

0:07:59.680 --> 0:08:01.480
<v Speaker 1>show like that today.

0:08:01.480 --> 0:08:02.000
<v Speaker 2>Can we do that?

0:08:02.160 --> 0:08:02.240
<v Speaker 3>Just?

0:08:03.080 --> 0:08:07.200
<v Speaker 1>Yes, guys, Lorraine, did you do this?

0:08:07.280 --> 0:08:09.320
<v Speaker 6>Who did this? Lorraine? And Sydney.

0:08:09.400 --> 0:08:10.560
<v Speaker 2>I think are doing it.

0:08:10.480 --> 0:08:12.960
<v Speaker 1>Lorraine and Sydney. Props to you because you guys are

0:08:13.080 --> 0:08:13.679
<v Speaker 1>on fuego.

0:08:14.480 --> 0:08:18.160
<v Speaker 2>Yes, I can't open it, damn it.

0:08:18.320 --> 0:08:21.160
<v Speaker 3>Okay, hold on, yeah, Jenny can just walk us through

0:08:21.200 --> 0:08:22.280
<v Speaker 3>it starting with value.

0:08:22.360 --> 0:08:23.760
<v Speaker 1>Yeah, and then we'll just talking about Okay, So we

0:08:23.840 --> 0:08:27.480
<v Speaker 1>opened We opened it. Dylan's house, right, he's back from Hawaii.

0:08:27.520 --> 0:08:30.360
<v Speaker 1>He left Erica with with Iris. I almost said Iris,

0:08:30.640 --> 0:08:34.840
<v Speaker 1>I mean, can I immediately throw a flag on the play?

0:08:35.000 --> 0:08:35.200
<v Speaker 2>Yeah?

0:08:35.640 --> 0:08:38.840
<v Speaker 3>What world is it that easy for a child to

0:08:38.880 --> 0:08:42.160
<v Speaker 3>be removed from her parents? I guess, given to her

0:08:42.240 --> 0:08:48.680
<v Speaker 3>long lost brother whatevs, and then give a woman who

0:08:48.760 --> 0:08:52.920
<v Speaker 3>is not her mother, is not a relative in any capacity.

0:08:53.040 --> 0:08:53.920
<v Speaker 2>This is ridiculous.

0:08:53.920 --> 0:08:57.839
<v Speaker 3>Well, courts are involved. It's just like she just lives

0:08:57.840 --> 0:08:59.760
<v Speaker 3>in Hawaii with Iris now, and.

0:08:59.840 --> 0:09:03.320
<v Speaker 1>I was thinking, oh man, what a commitment, Iris, You're

0:09:03.320 --> 0:09:04.880
<v Speaker 1>taking a teenage girl on.

0:09:05.160 --> 0:09:09.000
<v Speaker 2>Wow. I feel like someone brought that up. There's got

0:09:09.040 --> 0:09:10.479
<v Speaker 2>there's always someone.

0:09:10.720 --> 0:09:16.800
<v Speaker 3>The love child of her ex and a random criminal lady.

0:09:17.040 --> 0:09:19.880
<v Speaker 2>Right. I feel like there was someone in the spelling

0:09:19.920 --> 0:09:22.920
<v Speaker 2>team that was like, uh, hold on, there, like we

0:09:23.000 --> 0:09:25.679
<v Speaker 2>gotta do this, and my dad was like, nah, no

0:09:25.720 --> 0:09:28.160
<v Speaker 2>one wants to see that, and Al was.

0:09:28.160 --> 0:09:31.199
<v Speaker 3>Just fine with it. Like I understand her mom is

0:09:31.240 --> 0:09:35.320
<v Speaker 3>a criminal, right, a terrible criminal, but that's still her daughter.

0:09:35.800 --> 0:09:39.040
<v Speaker 3>And Eric is just gonna be fine. She seemed way

0:09:39.080 --> 0:09:39.840
<v Speaker 3>too chill.

0:09:40.400 --> 0:09:41.360
<v Speaker 2>What else is she gonna do?

0:09:41.440 --> 0:09:43.800
<v Speaker 1>And hello, she gets to live in Hawaii with uh

0:09:44.240 --> 0:09:47.120
<v Speaker 1>free to be you and me like hippie mother like

0:09:47.520 --> 0:09:48.079
<v Speaker 1>I thought.

0:09:47.960 --> 0:09:51.960
<v Speaker 2>Me, yeah, same, She's at the.

0:09:51.840 --> 0:09:56.760
<v Speaker 1>Beach every day's complaining, she's thriving, so all right, fine,

0:09:56.800 --> 0:10:00.640
<v Speaker 1>I'll just roll with it. Valeria asks Dylan for a

0:10:00.679 --> 0:10:04.520
<v Speaker 1>cup of money since he helped she helped get Erica back.

0:10:04.880 --> 0:10:07.880
<v Speaker 2>Yeah. Fair. I was super distracted by her outfit though,

0:10:07.920 --> 0:10:09.360
<v Speaker 2>and I couldn't listen to a word.

0:10:09.240 --> 0:10:10.800
<v Speaker 6>She was tea.

0:10:11.200 --> 0:10:12.400
<v Speaker 3>It was not over T shirt.

0:10:12.679 --> 0:10:14.600
<v Speaker 2>That one didn't work. I didn't. You didn't like it?

0:10:14.840 --> 0:10:18.480
<v Speaker 2>Knows it got too sweater best over white tea? Yeah

0:10:18.559 --> 0:10:21.000
<v Speaker 2>yeah it was. Yeah, but it was a rib tea

0:10:21.120 --> 0:10:23.560
<v Speaker 2>Like maybe if the texture had been different, I would

0:10:23.600 --> 0:10:25.360
<v Speaker 2>have been okay with it, but it really bothered me.

0:10:25.480 --> 0:10:28.280
<v Speaker 2>Very very specific about your tea qualities, okay.

0:10:28.040 --> 0:10:28.280
<v Speaker 6>You know.

0:10:29.040 --> 0:10:30.560
<v Speaker 3>And she did have some sort of dessert that I

0:10:30.559 --> 0:10:31.679
<v Speaker 3>thought looked real bad.

0:10:32.200 --> 0:10:32.400
<v Speaker 5>Oh.

0:10:32.440 --> 0:10:36.360
<v Speaker 1>She she handmade some chocolate covered strawberries, I think, and

0:10:36.400 --> 0:10:37.520
<v Speaker 1>they looked so bad.

0:10:38.080 --> 0:10:41.120
<v Speaker 2>They did look ratchet. Yeah, they did not like the

0:10:41.240 --> 0:10:44.679
<v Speaker 2>second time they've tried to elude that she's like a

0:10:44.800 --> 0:10:48.320
<v Speaker 2>di y like baker, right, am I wrong? This is

0:10:48.520 --> 0:10:52.400
<v Speaker 2>it's true that bitch cannot bake. I'm sorry. But they

0:10:52.480 --> 0:10:55.040
<v Speaker 2>keep throwing it in there and it's not even well done.

0:10:55.120 --> 0:10:57.160
<v Speaker 2>So is there a reason, like, oh she truck.

0:10:57.280 --> 0:10:59.760
<v Speaker 3>Yeah, maybe it's like a bit because those were not

0:11:00.280 --> 0:11:01.640
<v Speaker 3>Charter gallery.

0:11:01.720 --> 0:11:03.680
<v Speaker 2>Yeah, I don't see that that cake that threw you

0:11:03.720 --> 0:11:07.320
<v Speaker 2>over the edge because it was leaning. We didn't like that, Halton.

0:11:11.640 --> 0:11:12.199
<v Speaker 6>Ferries.

0:11:12.360 --> 0:11:12.640
<v Speaker 2>Okay.

0:11:12.640 --> 0:11:15.360
<v Speaker 1>Then we go to the peach pit where Brandon shows

0:11:15.400 --> 0:11:18.880
<v Speaker 1>Andrea the article that he's writing and support of Professor Finley,

0:11:18.880 --> 0:11:21.679
<v Speaker 1>and Andrea does not agree with what he's doing.

0:11:22.040 --> 0:11:26.360
<v Speaker 3>M hm right. I got the vine that she's just like, uh, hey,

0:11:26.360 --> 0:11:28.440
<v Speaker 3>there are ulterior motives.

0:11:28.400 --> 0:11:31.160
<v Speaker 1>Right, Well, she's calling him out saying, the only reason

0:11:31.200 --> 0:11:33.000
<v Speaker 1>you're doing this is to make Kelly happy.

0:11:33.880 --> 0:11:39.640
<v Speaker 2>Yeah, trying to like, you know what about professor. But

0:11:39.679 --> 0:11:42.000
<v Speaker 2>he's trying to like buoy up her a little bit

0:11:42.120 --> 0:11:44.120
<v Speaker 2>in a way, like why are you here with me?

0:11:44.520 --> 0:11:47.960
<v Speaker 2>Like you know this is happening, like Jesse and you're

0:11:47.960 --> 0:11:49.760
<v Speaker 2>here with me right now, Like, is he trying to

0:11:49.760 --> 0:11:51.600
<v Speaker 2>throw that back in her face that she like used

0:11:51.600 --> 0:11:52.800
<v Speaker 2>to be obsessed with him?

0:11:53.400 --> 0:11:57.360
<v Speaker 3>Oh, that's interesting, actually, but that's the sort of that's

0:11:57.360 --> 0:12:03.280
<v Speaker 3>all distraction. Still sprinkle, just sort of that's really a

0:12:03.320 --> 0:12:06.040
<v Speaker 3>good call out to her because it's a sprinkle that

0:12:06.040 --> 0:12:08.640
<v Speaker 3>that leads us to what happens in the episode. And

0:12:08.679 --> 0:12:11.080
<v Speaker 3>you're right, I didn't think of that till you said

0:12:11.080 --> 0:12:13.920
<v Speaker 3>it right now. He does say that because Jesse's going

0:12:13.960 --> 0:12:16.200
<v Speaker 3>on the trip, and it is a little illogical that

0:12:16.280 --> 0:12:20.120
<v Speaker 3>she's like at the peach pit with Brandon when her

0:12:20.160 --> 0:12:21.360
<v Speaker 3>husband's about to go.

0:12:21.559 --> 0:12:26.200
<v Speaker 1>Up a little bit for for tell it? What's that

0:12:26.280 --> 0:12:28.160
<v Speaker 1>so called foreshadowing? Foreshadowing?

0:12:28.360 --> 0:12:29.880
<v Speaker 6>Yeah, yeah, you.

0:12:30.120 --> 0:12:31.280
<v Speaker 2>Like foretelling though.

0:12:33.200 --> 0:12:35.480
<v Speaker 6>Feeling by later.

0:12:36.000 --> 0:12:39.040
<v Speaker 1>Beach House, where Kelly has organized a phone tree in

0:12:39.120 --> 0:12:43.520
<v Speaker 1>support of Professor Finley. She answers the phone with save

0:12:43.640 --> 0:12:47.000
<v Speaker 1>Finley and dam are all mad that she can't use

0:12:47.000 --> 0:12:47.520
<v Speaker 1>the phone.

0:12:47.840 --> 0:12:50.000
<v Speaker 2>How did sad that your watch was so loose It

0:12:50.040 --> 0:12:52.040
<v Speaker 2>was like a bracelet and it was just like flipping

0:12:52.080 --> 0:12:52.679
<v Speaker 2>all around.

0:12:53.280 --> 0:12:56.720
<v Speaker 1>I don't like tight things around my wrists. I'm sorry more, And.

0:12:57.280 --> 0:13:00.400
<v Speaker 3>How did you get twenty landlines installed in.

0:13:00.320 --> 0:13:03.120
<v Speaker 2>The right like that, I set up headquarters.

0:13:03.440 --> 0:13:05.160
<v Speaker 6>There's no phone guy.

0:13:05.760 --> 0:13:10.040
<v Speaker 3>Just suddenly you've got many, many phone lines just operating

0:13:10.080 --> 0:13:11.840
<v Speaker 3>out of the beach house.

0:13:12.600 --> 0:13:16.599
<v Speaker 1>Is this is this where Kelly says your favorite line, Amy,

0:13:17.080 --> 0:13:18.319
<v Speaker 1>use my car phone.

0:13:18.320 --> 0:13:24.439
<v Speaker 3>Like Donna desperately needs to call Ray and you literally

0:13:24.480 --> 0:13:25.760
<v Speaker 3>just say, use my car phone.

0:13:26.080 --> 0:13:27.720
<v Speaker 2>It'll be fine, not one of these.

0:13:27.640 --> 0:13:31.600
<v Speaker 3>Forty two lines I've mysteriously installed in our homes.

0:13:31.920 --> 0:13:34.439
<v Speaker 1>And don't mind all these random strangers in our house.

0:13:35.080 --> 0:13:37.400
<v Speaker 2>I believe you had been that interested when we were

0:13:37.400 --> 0:13:40.679
<v Speaker 2>doing like all our sorority parties, Like I like organizing

0:13:40.720 --> 0:13:44.120
<v Speaker 2>those parties, and you had no interest in those. But yeah,

0:13:44.840 --> 0:13:46.679
<v Speaker 2>and you've like made this happen like that.

0:13:47.160 --> 0:13:50.920
<v Speaker 1>And she's I really appreciate her organizational skills here.

0:13:51.480 --> 0:13:53.240
<v Speaker 6>Yeah, there's some Jenny coming out.

0:13:55.320 --> 0:13:57.720
<v Speaker 2>Is it Jenny? Is it Kelly? I don't know who knows?

0:13:57.800 --> 0:14:01.000
<v Speaker 3>And Donna had a great song that at first I

0:14:01.000 --> 0:14:03.160
<v Speaker 3>thought was a top and then I recalled, oh no,

0:14:03.400 --> 0:14:08.280
<v Speaker 3>that's a dress. It's that cute sort of metallicy silver

0:14:08.480 --> 0:14:12.119
<v Speaker 3>dress that sort of was a memorable outfit.

0:14:12.400 --> 0:14:14.640
<v Speaker 1>Where are you going in this fancy dress? I think

0:14:14.679 --> 0:14:16.240
<v Speaker 1>she's going to the peach pit after dark.

0:14:16.559 --> 0:14:19.320
<v Speaker 2>Yeah, at the time, they were called kimono dresses and

0:14:19.360 --> 0:14:22.640
<v Speaker 2>they were just coming in. Yes, they used to wear them,

0:14:22.800 --> 0:14:24.320
<v Speaker 2>like I would say, I don't know, is it the

0:14:24.360 --> 0:14:28.240
<v Speaker 2>fifties forties, I don't know if they didn't store and

0:14:28.280 --> 0:14:31.600
<v Speaker 2>then they came in. So yeah, like at Ardvark on Melrose,

0:14:31.640 --> 0:14:34.280
<v Speaker 2>I used to get them like secretly, like in the

0:14:34.360 --> 0:14:36.960
<v Speaker 2>late eighties, early nineties. Yeah, you look good, inn't it?

0:14:37.400 --> 0:14:39.080
<v Speaker 1>And I think you wear it to the peach pit

0:14:39.080 --> 0:14:41.240
<v Speaker 1>after dark, which we don't ever get to see.

0:14:41.000 --> 0:14:42.520
<v Speaker 6>But I remembered the dress.

0:14:42.560 --> 0:14:46.480
<v Speaker 3>So when I saw the episode this time, I was like,

0:14:46.520 --> 0:14:49.640
<v Speaker 3>oh my god, there's that dress and it imprinted from

0:14:50.320 --> 0:14:52.360
<v Speaker 3>back in the nineties, I think, as it was like right,

0:14:52.680 --> 0:14:56.120
<v Speaker 3>very fashion forward, and then I'm assuming possibly became a

0:14:56.160 --> 0:14:58.880
<v Speaker 3>trend because of nine oh two one oh.

0:14:59.720 --> 0:15:04.000
<v Speaker 2>So old school. You remember when like men would get

0:15:04.040 --> 0:15:08.120
<v Speaker 2>like uh tatted up and they would get like sexy

0:15:08.240 --> 0:15:11.400
<v Speaker 2>girls like and they would have kimono style dresses on.

0:15:11.600 --> 0:15:16.440
<v Speaker 2>And that's from oh yeah, way back, like yeah, what

0:15:16.640 --> 0:15:16.800
<v Speaker 2>was then?

0:15:16.920 --> 0:15:17.680
<v Speaker 3>Do it all?

0:15:17.800 --> 0:15:18.000
<v Speaker 2>Right?

0:15:18.120 --> 0:15:21.479
<v Speaker 1>So now we are back at Dylan's house. Yes, Valerie

0:15:21.640 --> 0:15:26.280
<v Speaker 1>gets out of bed because apparently the strawberries worked, and

0:15:26.520 --> 0:15:29.160
<v Speaker 1>she immediately wants her money. Dylan writes her check for

0:15:29.240 --> 0:15:32.600
<v Speaker 1>ten k, and she thinks that's not enough compared to

0:15:32.640 --> 0:15:36.640
<v Speaker 1>the millions that he got. Dylan won't budge and Val.

0:15:37.920 --> 0:15:39.840
<v Speaker 1>He tells Val take it or leave it.

0:15:40.160 --> 0:15:42.640
<v Speaker 3>Yeah. I kind of liked that he didn't budge, but

0:15:42.720 --> 0:15:44.760
<v Speaker 3>he maybe could have done a little more.

0:15:44.800 --> 0:15:47.200
<v Speaker 1>What do you think would have been like a correct amount.

0:15:47.640 --> 0:15:49.480
<v Speaker 1>I mean I would have said, like, let's talk about it.

0:15:49.520 --> 0:15:51.240
<v Speaker 1>I wouldn't have been like, take it or leave it.

0:15:52.840 --> 0:15:53.800
<v Speaker 1>Because she really did.

0:15:53.680 --> 0:15:54.280
<v Speaker 2>Help him out.

0:15:55.000 --> 0:15:55.480
<v Speaker 5>She did.

0:15:55.640 --> 0:15:58.400
<v Speaker 1>She did, I think put herself in harms.

0:15:58.120 --> 0:15:59.920
<v Speaker 6>Way, say fifty thousand would have.

0:16:00.080 --> 0:16:03.880
<v Speaker 3>And probably he got four million because there was eight

0:16:03.880 --> 0:16:05.880
<v Speaker 3>million and Jonesy got four million.

0:16:05.600 --> 0:16:07.520
<v Speaker 1>Fifty grand back then in the nineties.

0:16:07.560 --> 0:16:12.320
<v Speaker 3>That's he got four million. Because it doesn't matter. Yeah,

0:16:12.360 --> 0:16:14.480
<v Speaker 3>she almost died and got bopped in the face.

0:16:15.000 --> 0:16:19.080
<v Speaker 2>Okay, okay, Well here's what's really stressing me out. The

0:16:19.120 --> 0:16:22.000
<v Speaker 2>shot of her pulling up her pants, like it took

0:16:22.160 --> 0:16:26.400
<v Speaker 2>so long, but she she I was waiting for it.

0:16:26.440 --> 0:16:27.880
<v Speaker 2>I was like, is she going to do the top button?

0:16:27.880 --> 0:16:30.000
<v Speaker 2>Because that was her jam right to leave that top

0:16:30.040 --> 0:16:34.080
<v Speaker 2>button open in the nineties. She did it, She did it.

0:16:34.200 --> 0:16:37.280
<v Speaker 3>I did not care for his ever growing Go tea

0:16:37.400 --> 0:16:39.400
<v Speaker 3>that was growing more and more each.

0:16:39.400 --> 0:16:41.760
<v Speaker 2>So it's so sketch because those are in now. And

0:16:41.800 --> 0:16:44.400
<v Speaker 2>when guys do it like that, I'm like, it's so

0:16:44.560 --> 0:16:45.240
<v Speaker 2>like do.

0:16:46.040 --> 0:16:47.880
<v Speaker 1>Yeah, I'm not into a go tea at all.

0:16:48.360 --> 0:16:51.640
<v Speaker 2>No, this is this phrase, you guys, and I'm just

0:16:51.680 --> 0:16:55.040
<v Speaker 2>going to tell you I'm not into it. Like he

0:16:55.160 --> 0:16:58.320
<v Speaker 2>saw her, he rocks at Go Tea for more. Now

0:16:58.520 --> 0:17:00.800
<v Speaker 2>this is the beginning. He's gonna Yeah, he's going to

0:17:00.920 --> 0:17:03.440
<v Speaker 2>keep going. It's that and then the hair and then

0:17:03.480 --> 0:17:06.639
<v Speaker 2>the what is it called the mock one button? You

0:17:06.680 --> 0:17:10.840
<v Speaker 2>guys are talking linen like shirt. He's going to keep

0:17:10.920 --> 0:17:14.120
<v Speaker 2>wearing this stuff. And this is not when I find him.

0:17:14.720 --> 0:17:16.159
<v Speaker 2>That's you know, with you.

0:17:16.200 --> 0:17:19.040
<v Speaker 1>I don't like that collar and shirt, her coat because she.

0:17:19.080 --> 0:17:21.120
<v Speaker 3>Was cold and I think she might borrow his coat

0:17:21.160 --> 0:17:24.280
<v Speaker 3>or it's her coat, very cute coat. And I always.

0:17:23.960 --> 0:17:25.359
<v Speaker 2>Notice when he's saying anything.

0:17:26.240 --> 0:17:29.840
<v Speaker 3>So Dylan Luke is a lefty, which really you notice

0:17:29.840 --> 0:17:31.480
<v Speaker 3>when he's right in the check, which I'm.

0:17:31.400 --> 0:17:33.000
<v Speaker 1>Like, I mean going back to the dollar amount. I

0:17:33.040 --> 0:17:35.320
<v Speaker 1>don't think it has anything to do with what he

0:17:35.400 --> 0:17:38.480
<v Speaker 1>gets what he got, that's his money. That's besides the right.

0:17:38.600 --> 0:17:42.280
<v Speaker 1>Truly hired her as an independent hooker, I mean contractor.

0:17:42.520 --> 0:17:45.920
<v Speaker 2>And she should be paid the going rate for such.

0:17:46.320 --> 0:17:48.840
<v Speaker 3>So I think ten thousand feels low on.

0:17:48.720 --> 0:17:51.520
<v Speaker 2>A risk your life. But I'm not going to go

0:17:51.600 --> 0:17:54.160
<v Speaker 2>fifty k for that. Well, I got to go to Mexico.

0:17:55.520 --> 0:17:59.399
<v Speaker 3>I think Jonesy took way too much fifty percent crazy.

0:17:59.440 --> 0:18:02.000
<v Speaker 6>Yeah, that's really like, why does Jonesy.

0:18:01.680 --> 0:18:02.800
<v Speaker 2>Even need to work anymore?

0:18:02.880 --> 0:18:08.600
<v Speaker 1>Jones again should have been paid a smillary a million.

0:18:08.920 --> 0:18:11.399
<v Speaker 3>I would have given a million to Jonesy because he

0:18:11.440 --> 0:18:13.320
<v Speaker 3>came up with the whole plan, and we wouldn't have

0:18:13.359 --> 0:18:17.240
<v Speaker 3>gotten anything without him. Fifty thousand, maybe a hundred.

0:18:17.000 --> 0:18:20.760
<v Speaker 1>A million dollars a million dollars he would have given him,

0:18:21.000 --> 0:18:21.879
<v Speaker 1>we would have had zero.

0:18:22.240 --> 0:18:26.480
<v Speaker 3>Jonesy found them and cocted the plan, knew how to

0:18:26.480 --> 0:18:27.439
<v Speaker 3>get the money.

0:18:27.440 --> 0:18:29.200
<v Speaker 6>There's no money without Jonesy.

0:18:29.480 --> 0:18:32.920
<v Speaker 3>Okay, he deserves a lot of money.

0:18:33.000 --> 0:18:37.880
<v Speaker 2>I think she deserves more though, but whatever, Oh okay,

0:18:38.160 --> 0:18:40.879
<v Speaker 2>she's getting the boy too right, So he's like throwing

0:18:40.880 --> 0:18:41.520
<v Speaker 2>that in like.

0:18:42.880 --> 0:18:45.320
<v Speaker 1>Moving back to the peach pit. Now the peach pit

0:18:45.359 --> 0:18:49.320
<v Speaker 1>after dark, Ariel shows up and David with her new

0:18:49.400 --> 0:18:54.560
<v Speaker 1>new hairdoo, and David is shocked to see her. Ariel

0:18:54.560 --> 0:19:00.879
<v Speaker 1>says she wants to meet Ray Pruett. Ray is on

0:19:00.960 --> 0:19:04.800
<v Speaker 1>the phone with Donna and of course starts misstree dress

0:19:04.800 --> 0:19:07.480
<v Speaker 1>for not being for not bringing him a clean shirt.

0:19:08.040 --> 0:19:12.360
<v Speaker 1>Oh yeah, when Ariel invites Ray to meet her boss.

0:19:14.840 --> 0:19:18.359
<v Speaker 2>You know, I'm puffing fire Storms. So Harry see you're

0:19:18.400 --> 0:19:22.520
<v Speaker 2>getting worked up. I'm getting all did you like her

0:19:22.560 --> 0:19:23.960
<v Speaker 2>new hairdoo? Because I did?

0:19:24.200 --> 0:19:24.520
<v Speaker 5>I did.

0:19:25.920 --> 0:19:29.240
<v Speaker 6>I just thought, Oh, Ariel, up to your old tricks,

0:19:29.720 --> 0:19:30.040
<v Speaker 6>all right?

0:19:30.119 --> 0:19:30.800
<v Speaker 2>Do you have anything else?

0:19:30.840 --> 0:19:30.959
<v Speaker 1>Oh?

0:19:31.320 --> 0:19:34.760
<v Speaker 3>Yeah, because raise a little John Mellencamp and a little

0:19:34.920 --> 0:19:35.680
<v Speaker 3>Joe Cocker.

0:19:35.920 --> 0:19:39.480
<v Speaker 2>Oh he likes name. I was like the classic rockers.

0:19:39.560 --> 0:19:44.200
<v Speaker 3>Yeah yeah, Harry Dixon at Firestorm Record's gonna love him.

0:19:44.720 --> 0:19:49.280
<v Speaker 2>Wait, what about the Is that a real name? Harry Dixon?

0:19:49.760 --> 0:19:54.560
<v Speaker 3>Harry Dixon, No, but it sounds very bad, Harry Dixon.

0:19:55.640 --> 0:19:58.840
<v Speaker 2>Did you guys notice that you make it your new alias?

0:20:00.200 --> 0:20:01.240
<v Speaker 6>When I stayed at a hotel.

0:20:01.240 --> 0:20:03.480
<v Speaker 3>If I was famous, I would totally be like put

0:20:03.520 --> 0:20:07.440
<v Speaker 3>it under Harry Dixon. Ah, she is not going to

0:20:07.480 --> 0:20:09.760
<v Speaker 3>be an an r REP. She's sort of like, I

0:20:09.760 --> 0:20:13.120
<v Speaker 3>don't know I'm not her career path is question mark

0:20:13.160 --> 0:20:13.399
<v Speaker 3>for me.

0:20:13.520 --> 0:20:17.920
<v Speaker 2>But why couldn't she be? I don't know, good, question nothing?

0:20:18.000 --> 0:20:19.600
<v Speaker 2>Why can't she be?

0:20:20.600 --> 0:20:22.639
<v Speaker 1>I think she's doing great. She found David and she

0:20:22.680 --> 0:20:26.200
<v Speaker 1>found Ray. Yeah, let's go to Andrea's house.

0:20:26.560 --> 0:20:30.159
<v Speaker 2>It's like working girl, yep, like using her brain and

0:20:30.280 --> 0:20:31.239
<v Speaker 2>are bot why not?

0:20:31.720 --> 0:20:33.400
<v Speaker 3>She's handed all the big stars.

0:20:33.440 --> 0:20:45.560
<v Speaker 5>Good for her.

0:20:46.760 --> 0:20:49.080
<v Speaker 1>Let's go to Andrea's house where Jesse is going out

0:20:49.080 --> 0:20:52.560
<v Speaker 1>of town, but Hannah is sick, so Jesse tells Andrea

0:20:52.600 --> 0:20:57.400
<v Speaker 1>to call her friend Peter the nurse, the doctor.

0:20:57.200 --> 0:20:59.160
<v Speaker 6>But not a nurse, he's a resident.

0:20:59.160 --> 0:21:02.440
<v Speaker 1>I think, I'm sorry resident, he's a resident And she's like, hmm,

0:21:02.520 --> 0:21:03.440
<v Speaker 1>maybe I will.

0:21:03.640 --> 0:21:08.239
<v Speaker 3>I wrote, uh, and then she immediately calls hello, is

0:21:08.280 --> 0:21:09.920
<v Speaker 3>doctor Peter Tucker on call?

0:21:10.400 --> 0:21:11.280
<v Speaker 6>Oh.

0:21:11.320 --> 0:21:13.760
<v Speaker 2>It's a bummer when you go back in time and

0:21:13.800 --> 0:21:16.320
<v Speaker 2>realize that they kind of set it up for you.

0:21:17.119 --> 0:21:20.560
<v Speaker 3>And it was very sort of, it was very lascivious

0:21:20.600 --> 0:21:24.960
<v Speaker 3>the whole Is that the right word. It's very Yes,

0:21:25.520 --> 0:21:30.200
<v Speaker 3>it's a very intentional sort of inappropriate behavior.

0:21:31.880 --> 0:21:37.360
<v Speaker 2>I like it same, all right?

0:21:38.920 --> 0:21:40.639
<v Speaker 6>Is my favorite moment of Okay.

0:21:41.480 --> 0:21:46.600
<v Speaker 1>Kenny Kelly runs into Brandon and Cindy huh while she's

0:21:46.640 --> 0:21:51.160
<v Speaker 1>with Professor Finley and she is super mean to Brandon.

0:21:51.080 --> 0:21:54.040
<v Speaker 3>Yes, in front of his mother in his very very

0:21:54.560 --> 0:22:00.920
<v Speaker 3>very oversized bomber jacket. I like it, very puffy oversized body.

0:22:01.000 --> 0:22:02.760
<v Speaker 2>Wait, does Cindy still go to college? There is that?

0:22:04.040 --> 0:22:06.879
<v Speaker 1>Because I forgot all about that. I forgot about that,

0:22:08.240 --> 0:22:09.600
<v Speaker 1>or maybe she just brought him lunch.

0:22:10.960 --> 0:22:13.440
<v Speaker 2>No, she's going to school, dude, she's going to class.

0:22:13.440 --> 0:22:17.879
<v Speaker 2>I forgot about that. Yeah, yeah, you're a little frosting,

0:22:18.240 --> 0:22:20.160
<v Speaker 2>like that frostiness from cal cal.

0:22:21.880 --> 0:22:24.600
<v Speaker 1>David tells Donna that the A n R Rep Is aerial,

0:22:24.800 --> 0:22:27.560
<v Speaker 1>and Donna for freaks out.

0:22:28.040 --> 0:22:30.159
<v Speaker 6>Donna with a ponytail. I think I wrote Donna with

0:22:30.160 --> 0:22:30.480
<v Speaker 6>a pone.

0:22:30.840 --> 0:22:35.000
<v Speaker 2>I was not like not that. I honestly cringed in

0:22:35.000 --> 0:22:37.800
<v Speaker 2>my looks this episode. And you know, you, guys, I've

0:22:37.800 --> 0:22:40.240
<v Speaker 2>worked really hard to like be able to watch this

0:22:40.440 --> 0:22:42.720
<v Speaker 2>back and not be like, oh, I don't feel good

0:22:42.760 --> 0:22:46.760
<v Speaker 2>about how I looked in that stuff like that. This

0:22:46.800 --> 0:22:50.359
<v Speaker 2>episode actually took me out. I was like, oh, well.

0:22:50.240 --> 0:22:53.719
<v Speaker 1>Your eyes like puffy, that's natural, that's gonna happen. We

0:22:53.760 --> 0:22:56.480
<v Speaker 1>can't love the way we look all the time.

0:22:56.440 --> 0:23:00.439
<v Speaker 2>Okay, But I was hard I was doing well.

0:23:00.320 --> 0:23:06.560
<v Speaker 1>Though, Remind yourself in those moments of criticizing yourself, you're

0:23:06.640 --> 0:23:09.359
<v Speaker 1>right that you loved think of Yeah.

0:23:09.240 --> 0:23:10.720
<v Speaker 3>You looked great in this episode. By the way, you

0:23:10.760 --> 0:23:13.320
<v Speaker 3>have the iconic dress. What do we think of David

0:23:13.400 --> 0:23:16.439
<v Speaker 3>telling Donna? I thought, good for you, David.

0:23:17.840 --> 0:23:20.520
<v Speaker 1>Oh, now he's gonna be forthcoming with Donna and tell

0:23:20.560 --> 0:23:21.080
<v Speaker 1>her things.

0:23:21.359 --> 0:23:24.840
<v Speaker 3>Yeah, well it's the good point. But I thought, you

0:23:24.840 --> 0:23:27.080
<v Speaker 3>know what, I think he kind of did do the

0:23:27.160 --> 0:23:27.520
<v Speaker 3>right thing.

0:23:27.640 --> 0:23:33.520
<v Speaker 2>This is really setting up their relationship as best friends

0:23:33.560 --> 0:23:36.879
<v Speaker 2>and confidants that goes on for a long time before

0:23:36.920 --> 0:23:37.919
<v Speaker 2>they get back together.

0:23:38.160 --> 0:23:38.440
<v Speaker 3>True.

0:23:39.640 --> 0:23:40.000
<v Speaker 2>True.

0:23:41.680 --> 0:23:47.200
<v Speaker 3>Then at Firestorm Records, Ray in another bomb record there

0:23:47.280 --> 0:23:52.119
<v Speaker 3>was a sale at the bomber Jacket store for this episode.

0:23:52.200 --> 0:23:54.439
<v Speaker 1>Go teas and bomber jackets this.

0:23:54.400 --> 0:23:57.399
<v Speaker 2>Episode fashion wise, I'm sorry, it just lost me. I

0:23:57.440 --> 0:24:01.280
<v Speaker 2>felt like, does someone step in? I don't know. I

0:24:01.400 --> 0:24:03.159
<v Speaker 2>wasn't m.

0:24:05.040 --> 0:24:08.240
<v Speaker 1>Yeah, I wasn't thrilled with it either. There was not

0:24:08.280 --> 0:24:09.520
<v Speaker 1>a lot of consistency.

0:24:10.400 --> 0:24:11.120
<v Speaker 2>I noticed.

0:24:11.160 --> 0:24:14.320
<v Speaker 3>It is this where Ariel says, don't make me beg

0:24:14.880 --> 0:24:19.040
<v Speaker 3>to ray Eh, Yeah, that's not professional.

0:24:21.920 --> 0:24:23.800
<v Speaker 2>So I do have that right, don't make me beg.

0:24:24.119 --> 0:24:27.199
<v Speaker 2>He kind of is turning down her her crap offer,

0:24:27.600 --> 0:24:30.320
<v Speaker 2>which I also thought begged, doesn't he.

0:24:32.320 --> 0:24:33.160
<v Speaker 5>Or is a callback?

0:24:34.520 --> 0:24:36.400
<v Speaker 6>I don't know, But is this where he turns down

0:24:36.440 --> 0:24:36.879
<v Speaker 6>the offer?

0:24:37.600 --> 0:24:38.520
<v Speaker 5>Yep?

0:24:38.920 --> 0:24:43.800
<v Speaker 2>Does he do that for Donna? Donna?

0:24:43.800 --> 0:24:45.760
<v Speaker 6>No, he does it because it was an offer.

0:24:45.800 --> 0:24:49.000
<v Speaker 3>And I was impressed by his smarts because he was like,

0:24:49.119 --> 0:24:50.800
<v Speaker 3>I'm not giving you all the publishing.

0:24:51.040 --> 0:24:52.320
<v Speaker 6>Maybe he loves the girl.

0:24:52.600 --> 0:24:56.120
<v Speaker 3>First of all, it was very savvy. He very very savvy,

0:24:56.119 --> 0:24:58.040
<v Speaker 3>and I'm like, Okay, this guy knows what he's doing.

0:24:58.280 --> 0:25:01.639
<v Speaker 3>He was not going to give up publishing. And it

0:25:01.840 --> 0:25:07.000
<v Speaker 3>was legit, like that was a legit conversation between these people.

0:25:07.080 --> 0:25:09.840
<v Speaker 3>And he was like, I don't I'm not so desperate

0:25:10.160 --> 0:25:13.240
<v Speaker 3>that I'm giving you all the rights to all my songs. Yeah,

0:25:13.720 --> 0:25:16.640
<v Speaker 3>she clearly did not do since we can't even hear

0:25:16.720 --> 0:25:17.160
<v Speaker 3>the song.

0:25:18.359 --> 0:25:20.880
<v Speaker 2>He's clearly a very good businessman in real.

0:25:20.720 --> 0:25:25.119
<v Speaker 6>Life as well. Yeah, So that was it.

0:25:25.200 --> 0:25:26.040
<v Speaker 2>That's good.

0:25:26.400 --> 0:25:29.960
<v Speaker 1>So so then Dylan goes to Jim's office, right yep,

0:25:30.440 --> 0:25:34.399
<v Speaker 1>and he asks Jim to be his business manager again

0:25:34.960 --> 0:25:35.920
<v Speaker 1>not leering.

0:25:36.720 --> 0:25:39.320
<v Speaker 3>Oh, I liked him in the suit. And Jim had

0:25:39.320 --> 0:25:40.639
<v Speaker 3>a computer now on his desk.

0:25:41.359 --> 0:25:42.840
<v Speaker 2>Two boys and you were bored.

0:25:44.000 --> 0:25:44.680
<v Speaker 6>They were just there.

0:25:46.840 --> 0:25:49.320
<v Speaker 1>Whenever you say the words business manager, I'm like, ah,

0:25:50.320 --> 0:25:50.800
<v Speaker 1>but it's.

0:25:50.640 --> 0:25:53.159
<v Speaker 3>Different this time, Jenny. It's not going to be like

0:25:53.320 --> 0:25:53.840
<v Speaker 3>last time.

0:25:54.280 --> 0:25:59.480
<v Speaker 1>Okay, Well, Dylan does tell him that he gave Val

0:26:00.119 --> 0:26:02.800
<v Speaker 1>thousand dollars, but.

0:26:02.960 --> 0:26:06.040
<v Speaker 2>You know, is Jim yeah, because Jim hates him?

0:26:06.800 --> 0:26:07.040
<v Speaker 5>Is there?

0:26:07.240 --> 0:26:14.040
<v Speaker 2>I'm convinced you happened he does. He doesn't seem to

0:26:14.040 --> 0:26:14.560
<v Speaker 2>care for her.

0:26:14.800 --> 0:26:18.160
<v Speaker 1>No, it's like to it a level, something has hate

0:26:18.280 --> 0:26:20.760
<v Speaker 1>in his heart for Val. I feel like he just

0:26:20.800 --> 0:26:22.320
<v Speaker 1>doesn't trust her.

0:26:23.640 --> 0:26:28.720
<v Speaker 2>It's which is something that is not even fair. But

0:26:28.880 --> 0:26:31.480
<v Speaker 2>I don't think it's something that he's even aware of.

0:26:31.640 --> 0:26:34.720
<v Speaker 2>I don't know there's something more than not trusting because

0:26:34.880 --> 0:26:37.640
<v Speaker 2>I see Jim when he doesn't trust people, and he's

0:26:37.720 --> 0:26:41.880
<v Speaker 2>up front, there's something that even like gets She gets

0:26:41.920 --> 0:26:45.480
<v Speaker 2>under his skin in such a weird way or something else.

0:26:45.920 --> 0:26:47.960
<v Speaker 6>That's it. That's also really true.

0:26:48.240 --> 0:26:50.639
<v Speaker 3>She gets under his skin and maybe he just is

0:26:50.680 --> 0:26:54.399
<v Speaker 3>so he doesn't like her behavior. You know, he's a real.

0:26:54.400 --> 0:27:02.280
<v Speaker 4>Honest he's got maybe this is boy yeah, and this

0:27:02.400 --> 0:27:04.680
<v Speaker 4>is and does she can't compare to his Brenda?

0:27:05.200 --> 0:27:06.600
<v Speaker 2>I know exactly what it is.

0:27:06.600 --> 0:27:07.240
<v Speaker 5>It just hit me.

0:27:07.280 --> 0:27:11.760
<v Speaker 2>You guys, because on some level he could never have

0:27:11.880 --> 0:27:16.520
<v Speaker 2>a girl like that. He's in a very controlled relationship,

0:27:16.600 --> 0:27:19.400
<v Speaker 2>not on purpose, and he's great, but it's very structured

0:27:19.480 --> 0:27:22.920
<v Speaker 2>and very and then he's in his business world. So

0:27:22.960 --> 0:27:25.560
<v Speaker 2>a girl like val is something. It rubs him the

0:27:25.600 --> 0:27:28.240
<v Speaker 2>wrong way because he wishes he could have a girl

0:27:28.280 --> 0:27:34.040
<v Speaker 2>like ew. Sorry, I don't know. I'm happy to have

0:27:34.080 --> 0:27:37.000
<v Speaker 2>conversations about me and Jim. No, it's not real. This

0:27:37.080 --> 0:27:43.160
<v Speaker 2>isn't real. It's subliminal. I don't think even anyone out.

0:27:43.240 --> 0:27:46.439
<v Speaker 3>We're fine to think of you and Jim but not

0:27:46.800 --> 0:27:48.160
<v Speaker 3>his not daughter.

0:27:48.080 --> 0:27:49.520
<v Speaker 2>But not Kelly and Jim.

0:27:50.280 --> 0:27:53.320
<v Speaker 3>H true? True? Yeah, what a different show if Jim

0:27:53.400 --> 0:27:55.040
<v Speaker 3>started having an affair with one of them?

0:27:55.080 --> 0:27:57.120
<v Speaker 2>Okay, do you want me to say Tiffany and Jim?

0:27:57.160 --> 0:28:00.359
<v Speaker 2>Does that work better for you? No? No? Doesn't.

0:28:01.840 --> 0:28:03.960
<v Speaker 6>Once again? Can I say one quick thing?

0:28:04.160 --> 0:28:04.520
<v Speaker 2>Yes?

0:28:04.680 --> 0:28:05.320
<v Speaker 6>Once again?

0:28:05.520 --> 0:28:08.320
<v Speaker 3>Because I do read all the comments because I am

0:28:08.359 --> 0:28:12.400
<v Speaker 3>not the biggest Valerie fan, which why would I be?

0:28:12.400 --> 0:28:15.960
<v Speaker 3>Because she's lying and conniving, right, they don't think they're

0:28:16.119 --> 0:28:18.240
<v Speaker 3>like Tiffany and can I just say.

0:28:18.200 --> 0:28:20.760
<v Speaker 2>For once and for all, no, you don't need to

0:28:20.760 --> 0:28:22.240
<v Speaker 2>say it, can I please?

0:28:22.560 --> 0:28:23.119
<v Speaker 3>Okay? Okay?

0:28:23.320 --> 0:28:24.440
<v Speaker 2>She wants to say it. Let her say it.

0:28:24.600 --> 0:28:29.160
<v Speaker 3>Let not only and my friends with Shannon, I am

0:28:29.160 --> 0:28:32.360
<v Speaker 3>friends with Tiffany.

0:28:32.520 --> 0:28:32.800
<v Speaker 2>Yep.

0:28:32.920 --> 0:28:35.840
<v Speaker 3>You guys, you just are sagging me like I don't

0:28:35.880 --> 0:28:39.360
<v Speaker 3>and I it's so fascinating, And I think it's a

0:28:39.400 --> 0:28:43.400
<v Speaker 3>whole thing about this show, because never if I said

0:28:43.520 --> 0:28:46.120
<v Speaker 3>I don't like I don't know some other character on

0:28:46.160 --> 0:28:48.640
<v Speaker 3>TV that I don't like, do I think people would

0:28:48.680 --> 0:28:50.080
<v Speaker 3>think I don't like the actor.

0:28:50.960 --> 0:28:53.960
<v Speaker 1>It's weird because you're coming from a you are a

0:28:53.960 --> 0:29:00.000
<v Speaker 1>true super fan, and you have very distinct opinions about characters,

0:29:00.120 --> 0:29:02.959
<v Speaker 1>and that's your right, and that's what makes you a

0:29:02.960 --> 0:29:06.800
<v Speaker 1>true super fan. And it's very fascinating to me because

0:29:06.800 --> 0:29:08.160
<v Speaker 1>they're getting out at you about it.

0:29:08.640 --> 0:29:12.200
<v Speaker 6>Yep, and change it to the actor.

0:29:12.880 --> 0:29:15.080
<v Speaker 3>So I do find that fascinating because I think if

0:29:15.080 --> 0:29:16.440
<v Speaker 3>I said to you, like, I'm trying to think of

0:29:16.480 --> 0:29:21.120
<v Speaker 3>another TV show, so I'm watching whatever, I.

0:29:21.160 --> 0:29:23.200
<v Speaker 2>Can't wait, can you not say it or are you

0:29:23.280 --> 0:29:23.760
<v Speaker 2>allowed to do it?

0:29:23.960 --> 0:29:26.400
<v Speaker 3>Pretend I'm watching I don't know, I'm watching twenty four,

0:29:26.480 --> 0:29:29.320
<v Speaker 3>rewatching twenty four and say I was like, I do

0:29:29.440 --> 0:29:31.120
<v Speaker 3>not like the character of Chloe. By the way, I

0:29:31.120 --> 0:29:33.040
<v Speaker 3>do love Chloe but say I didn't. I just don't

0:29:33.080 --> 0:29:36.760
<v Speaker 3>think anyone's gonna think I don't like the actor portraying Chloe.

0:29:36.920 --> 0:29:39.400
<v Speaker 2>Yeah, let's go with One Tree Hill. What happens One

0:29:39.400 --> 0:29:41.680
<v Speaker 2>Tree Hill? So they say I was like, I don't

0:29:41.760 --> 0:29:42.480
<v Speaker 2>like Brook.

0:29:42.800 --> 0:29:45.200
<v Speaker 3>I just don't think anyone's gonna think I don't like

0:29:45.640 --> 0:29:47.160
<v Speaker 3>the actor that played Brook.

0:29:47.320 --> 0:29:51.800
<v Speaker 2>Okay, so this isn't about you. This is about people

0:29:53.280 --> 0:29:57.880
<v Speaker 2>relating to our show Like that show. The actors, the characters,

0:29:57.920 --> 0:30:02.400
<v Speaker 2>they all blurt so much that it's just like hold

0:30:02.480 --> 0:30:04.320
<v Speaker 2>them both their hurts so much.

0:30:04.440 --> 0:30:07.520
<v Speaker 1>I mean, I'll speak only for myself, and I know

0:30:07.560 --> 0:30:12.080
<v Speaker 1>you feel the same way I. Jenny was Kelly. Kelly

0:30:12.240 --> 0:30:12.760
<v Speaker 1>was Jenny?

0:30:12.920 --> 0:30:13.920
<v Speaker 2>Like what?

0:30:14.480 --> 0:30:18.120
<v Speaker 1>And that came across through the screen because of the

0:30:18.160 --> 0:30:22.920
<v Speaker 1>way they wrote to our personalities and to the ease

0:30:23.080 --> 0:30:26.280
<v Speaker 1>with which we and the comfort we all felt as

0:30:26.360 --> 0:30:31.840
<v Speaker 1>actors with our characters. So it was so real. I

0:30:31.880 --> 0:30:34.280
<v Speaker 1>feel the same way like I feel like when I

0:30:34.320 --> 0:30:38.400
<v Speaker 1>watch it, it's Donna and Tory are the same person.

0:30:38.520 --> 0:30:40.760
<v Speaker 2>Yeah, I a thousand percent, but you.

0:30:40.720 --> 0:30:41.920
<v Speaker 6>Know it's agree with you.

0:30:42.280 --> 0:30:44.920
<v Speaker 2>But it's also a testament to us as well, not

0:30:45.040 --> 0:30:47.880
<v Speaker 2>just I mean obviously the writers, the producers, and everybody,

0:30:49.000 --> 0:30:53.160
<v Speaker 2>but the fact that we were able to blend us

0:30:53.240 --> 0:30:56.720
<v Speaker 2>and the characters and just be comfortable putting it out there.

0:30:57.160 --> 0:31:00.400
<v Speaker 1>Yeah, I think our our comfort level with each other

0:31:00.480 --> 0:31:02.440
<v Speaker 1>and what our characters really shines through.

0:31:02.480 --> 0:31:04.320
<v Speaker 2>And that's why People really does well.

0:31:04.360 --> 0:31:06.320
<v Speaker 3>And it's so And it's now that you say that,

0:31:06.560 --> 0:31:09.160
<v Speaker 3>because I get upset when I read the comments because

0:31:09.680 --> 0:31:13.680
<v Speaker 3>I'm like, I actually and and now I am friends

0:31:13.680 --> 0:31:15.800
<v Speaker 3>with both of them. I've been I've been friends with

0:31:15.800 --> 0:31:18.440
<v Speaker 3>Tiffany for a long time and I'm friends with Shannon,

0:31:18.680 --> 0:31:21.600
<v Speaker 3>and I get like upset reading it because I start

0:31:21.640 --> 0:31:23.680
<v Speaker 3>to be like, what if Shannon read that and thinks

0:31:23.760 --> 0:31:28.120
<v Speaker 3>I'm not friends with her? And then I'm like, wait, people, yeah,

0:31:28.200 --> 0:31:30.640
<v Speaker 3>people remember Amy Sugarman.

0:31:30.440 --> 0:31:36.360
<v Speaker 1>Is the producer of not only this podcast, but a

0:31:36.600 --> 0:31:40.800
<v Speaker 1>number of podcasts on iHeart, and she.

0:31:40.920 --> 0:31:44.680
<v Speaker 2>Is like a normal number. Yeah, she's a big wig.

0:31:44.880 --> 0:31:46.600
<v Speaker 6>It does not to be about me. It's like, I'm

0:31:46.640 --> 0:31:47.440
<v Speaker 6>so fascinating.

0:31:48.640 --> 0:31:51.880
<v Speaker 3>I get sucked into it too. I'm like, oh my god,

0:31:52.280 --> 0:31:55.240
<v Speaker 3>they think I don't like Tiffany because I don't like Valerie.

0:31:54.880 --> 0:31:56.600
<v Speaker 2>And I'm like falling for it too.

0:31:57.080 --> 0:32:00.120
<v Speaker 3>And I think there is something very unique about the

0:32:00.160 --> 0:32:06.120
<v Speaker 3>show where the actors have melded into the characters, they

0:32:06.160 --> 0:32:10.400
<v Speaker 3>have become synonymous. And maybe it's because and like it's

0:32:10.400 --> 0:32:13.240
<v Speaker 3>the same thing with like I don't know, are they friends?

0:32:13.360 --> 0:32:15.400
<v Speaker 3>People ask me all the time, like are Jenny and

0:32:15.480 --> 0:32:20.160
<v Speaker 3>Tory best friends? And I'm like, yeah, it's just.

0:32:20.520 --> 0:32:24.440
<v Speaker 2>They want to know that it's real they love. Yeah.

0:32:24.800 --> 0:32:28.520
<v Speaker 1>I mean I think about like how that affected I'll

0:32:28.520 --> 0:32:35.240
<v Speaker 1>speak for myself again, me as a human being being

0:32:35.280 --> 0:32:38.600
<v Speaker 1>melded into a character like that, and then when it

0:32:38.680 --> 0:32:42.880
<v Speaker 1>was over being like wait, who am I if I'm

0:32:42.880 --> 0:32:47.440
<v Speaker 1>not Kelly, Like a part of my body just sort

0:32:47.480 --> 0:32:48.640
<v Speaker 1>of stopped living.

0:32:48.440 --> 0:32:50.080
<v Speaker 2>The day that the show ended, you know.

0:32:50.040 --> 0:32:51.800
<v Speaker 6>Oh my god, that's such a good way saying.

0:32:51.960 --> 0:32:54.440
<v Speaker 2>It just gave me such chills. Like it's it's like

0:32:54.560 --> 0:32:58.440
<v Speaker 2>gives like what do they say when kids like push

0:32:58.480 --> 0:33:00.600
<v Speaker 2>them out of the nest, let them flop, I like,

0:33:00.720 --> 0:33:05.040
<v Speaker 2>you know, go off to college. Like yeah, like when

0:33:05.040 --> 0:33:09.400
<v Speaker 2>this ended in two thousand, like whoa, we were just like,

0:33:09.440 --> 0:33:12.320
<v Speaker 2>oh okay, parts just cut off. Yes, you're right by

0:33:13.000 --> 0:33:16.720
<v Speaker 2>by a part of you was just cut off dead done.

0:33:17.080 --> 0:33:20.040
<v Speaker 1>Wow, Okay, okay, who wants to go boot shopping?

0:33:20.120 --> 0:33:24.440
<v Speaker 2>Valerie? Oh I thought you were asking me. I'm like, okay, sure, I'd.

0:33:24.280 --> 0:33:27.800
<v Speaker 1>Love to No, but Ariel takes Ray to buy some

0:33:27.960 --> 0:33:31.320
<v Speaker 1>cowboy boots, which is not his dog.

0:33:31.600 --> 0:33:34.120
<v Speaker 2>Say it like that, you love cowboy boots.

0:33:36.360 --> 0:33:38.479
<v Speaker 1>Yeah, he's more of a like a motorcycle boot guy.

0:33:38.600 --> 0:33:41.120
<v Speaker 3>Yeah, he's like a Doc Martin combat booth.

0:33:41.320 --> 0:33:43.080
<v Speaker 6>Fine motorcycle.

0:33:43.120 --> 0:33:46.000
<v Speaker 2>But who's there, Valerie?

0:33:46.360 --> 0:33:54.280
<v Speaker 3>Of all the gin joints on rodeo for walking, they're

0:33:54.320 --> 0:33:55.360
<v Speaker 3>at the story.

0:33:56.720 --> 0:33:59.520
<v Speaker 2>The symbolism you guys walk all over you. These boots

0:33:59.560 --> 0:34:01.840
<v Speaker 2>are made for walking. Oh yeah.

0:34:01.880 --> 0:34:06.760
<v Speaker 3>I also thought her outfit was extraordinarily expensive for the nineties.

0:34:07.160 --> 0:34:09.640
<v Speaker 3>Nine hundred and sixty five dollars is expensive.

0:34:10.040 --> 0:34:14.120
<v Speaker 2>Now was it leather? What was happening? Like a leather blazer?

0:34:14.800 --> 0:34:17.880
<v Speaker 3>So she was probably buying what a four thousand dollars outfit?

0:34:19.120 --> 0:34:21.759
<v Speaker 2>If it was today, it's like very can't buy me love?

0:34:22.200 --> 0:34:22.719
<v Speaker 6>She left it?

0:34:24.440 --> 0:34:26.920
<v Speaker 1>Or did she go buy it at that what's that

0:34:27.040 --> 0:34:29.640
<v Speaker 1>store on the Melrose corner there that we always.

0:34:29.360 --> 0:34:32.719
<v Speaker 3>Her white white jacket and can't buy me love?

0:34:33.040 --> 0:34:37.840
<v Speaker 2>Fred's Seagull don't spill ready wine, it's gone.

0:34:38.320 --> 0:34:40.320
<v Speaker 1>Yeah, she probably bought that at Fred's Siegel.

0:34:52.480 --> 0:34:53.480
<v Speaker 3>How about Valerie?

0:34:53.520 --> 0:34:59.040
<v Speaker 1>Are putting her claws into another.

0:34:57.800 --> 0:35:04.880
<v Speaker 2>Man, don't we all? I was like, oh, man, here we.

0:35:04.160 --> 0:35:08.240
<v Speaker 1>Go, here we go another bit of for telling.

0:35:08.760 --> 0:35:11.319
<v Speaker 2>Yes, and.

0:35:12.760 --> 0:35:14.719
<v Speaker 3>That doesn't mean I don't love Tiffany, but I sure

0:35:14.760 --> 0:35:18.359
<v Speaker 3>don't like Valerie going on Donna's man like that.

0:35:18.719 --> 0:35:21.439
<v Speaker 2>Hello, what do you mean they all take my man?

0:35:21.520 --> 0:35:24.720
<v Speaker 2>So what is it? It's irrelevant at this point. Kelly

0:35:24.760 --> 0:35:31.120
<v Speaker 2>does not take your man ever. Ever. Wait, whoa real

0:35:31.200 --> 0:35:35.919
<v Speaker 2>friend we except in real life?

0:35:35.920 --> 0:35:42.839
<v Speaker 1>Remember when you told me, O, my god, what is it?

0:35:43.320 --> 0:35:44.239
<v Speaker 6>Oh god, what is it?

0:35:44.239 --> 0:35:48.640
<v Speaker 3>You told this story?

0:35:48.920 --> 0:35:50.879
<v Speaker 2>Oh my god? What is it? So?

0:35:51.480 --> 0:35:54.279
<v Speaker 1>I was leaving to do a movie of the week

0:35:55.680 --> 0:35:59.800
<v Speaker 1>and I was talking to Tory about who was was cast?

0:35:59.840 --> 0:36:02.600
<v Speaker 1>Who do I cast as my love interest?

0:36:03.440 --> 0:36:09.560
<v Speaker 2>And who did you cast? Mister Peter FATCHELLI? Uh huh,

0:36:09.320 --> 0:36:13.680
<v Speaker 2>I like a good timeline though, yah yeah uh.

0:36:13.719 --> 0:36:17.000
<v Speaker 1>And when I said that, I got an unexpected reaction

0:36:17.120 --> 0:36:17.400
<v Speaker 1>from you.

0:36:18.080 --> 0:36:20.760
<v Speaker 6>Wait, Tori, what did you say?

0:36:20.960 --> 0:36:26.280
<v Speaker 2>Cutie? He's a cutie? I said something along the lines

0:36:26.400 --> 0:36:28.640
<v Speaker 2>and best friend world like however it was and it's

0:36:28.680 --> 0:36:31.560
<v Speaker 2>not verbatim, Like no, wait, I've been talking to that

0:36:31.600 --> 0:36:34.880
<v Speaker 2>guy like he likes me, Like, don't don't pick up

0:36:34.920 --> 0:36:37.080
<v Speaker 2>with him. He's mine, he's mine.

0:36:37.320 --> 0:36:42.360
<v Speaker 3>Yes, stop it, stop it, stop it okay, Jen backstory, Okay,

0:36:42.480 --> 0:36:44.320
<v Speaker 3>so I'm gonna get this wrong.

0:36:44.880 --> 0:36:49.040
<v Speaker 2>Stop I won't. So Peter was in a movie for

0:36:49.200 --> 0:36:53.960
<v Speaker 2>Fox that was really clearly well like a male prostitute.

0:36:54.040 --> 0:36:57.040
<v Speaker 2>Uh huh, and that was like his first thing and

0:36:57.440 --> 0:37:01.280
<v Speaker 2>he was getting attention and they had some Fox people

0:37:01.719 --> 0:37:05.000
<v Speaker 2>come and do this like Charity night and thing, and

0:37:05.040 --> 0:37:10.320
<v Speaker 2>Peter and I met and we hit it off and

0:37:11.200 --> 0:37:17.040
<v Speaker 2>I gave him my number and then nothing went after that.

0:37:17.480 --> 0:37:22.840
<v Speaker 2>And then I remember telling jen like, oh, this guy

0:37:22.960 --> 0:37:28.520
<v Speaker 2>he's on Fox, like he's really cute, like nice, cool, funny.

0:37:29.680 --> 0:37:32.359
<v Speaker 2>And then Jenen was like, oh and I cast this guy.

0:37:32.400 --> 0:37:34.520
<v Speaker 2>I was like, no, wait, that's the guy I told

0:37:34.560 --> 0:37:38.279
<v Speaker 2>you about. He's mine. This is happening.

0:37:39.080 --> 0:37:44.000
<v Speaker 3>So wait, Jenny, Peter was cast opposite you, and that

0:37:44.160 --> 0:37:45.719
<v Speaker 3>is how you fell in love.

0:37:46.719 --> 0:37:49.279
<v Speaker 2>Wait hold on, did you hear right when she said

0:37:49.400 --> 0:37:52.239
<v Speaker 2>the first time she cast him?

0:37:52.960 --> 0:37:53.280
<v Speaker 5>Yeah?

0:37:54.080 --> 0:37:56.719
<v Speaker 1>Yeah, I was producing that film and uh.

0:37:56.400 --> 0:37:59.680
<v Speaker 6>What Phil, Well, first of all, what movie was it?

0:38:01.160 --> 0:38:03.040
<v Speaker 2>Oh God, what was the name of it?

0:38:05.239 --> 0:38:05.359
<v Speaker 1>Oh?

0:38:05.480 --> 0:38:13.480
<v Speaker 2>Shoot, Like the funny part is is that shit finished?

0:38:14.360 --> 0:38:18.279
<v Speaker 6>Were you? How did okay? I know we're doing therapy nine?

0:38:18.400 --> 0:38:18.680
<v Speaker 2>Two one.

0:38:18.680 --> 0:38:24.680
<v Speaker 3>Oh, but how did you feel when you realize not

0:38:24.719 --> 0:38:28.520
<v Speaker 3>only did they like each other, but they got married.

0:38:29.040 --> 0:38:31.000
<v Speaker 1>Oh and we didn't get married for a long time.

0:38:32.040 --> 0:38:33.120
<v Speaker 2>It took four years for that.

0:38:35.400 --> 0:38:36.720
<v Speaker 1>I got knocked up, we had a baby.

0:38:38.040 --> 0:38:42.600
<v Speaker 2>This is a great question because to be honest, like

0:38:42.680 --> 0:38:46.440
<v Speaker 2>we flirted, but there was something like and Jen knows this,

0:38:46.640 --> 0:38:48.920
<v Speaker 2>like if I had wanted to go forward, like I

0:38:48.960 --> 0:38:52.799
<v Speaker 2>would have returned his call. I would have there was

0:38:52.840 --> 0:38:55.880
<v Speaker 2>something that didn't mesh for us. But I thought super

0:38:55.920 --> 0:38:58.919
<v Speaker 2>hawk eye, super like. But there was that like best

0:38:58.960 --> 0:39:02.920
<v Speaker 2>friend thing like wait, shoot, you could have anyone you want.

0:39:03.120 --> 0:39:07.120
<v Speaker 2>You're amazing, Like and I know what happens when people

0:39:07.160 --> 0:39:10.799
<v Speaker 2>go away and co stars, right, And she did have

0:39:10.880 --> 0:39:13.080
<v Speaker 2>the power that you know if they're like here there's

0:39:13.080 --> 0:39:15.920
<v Speaker 2>this person, this person, this person, she can be like, Okay,

0:39:16.000 --> 0:39:19.279
<v Speaker 2>she had chemistry read with him, she liked him, and

0:39:19.320 --> 0:39:21.560
<v Speaker 2>she's like that's my top choice and they're gonna cast him.

0:39:21.920 --> 0:39:24.640
<v Speaker 2>So I was just like it was more like, hey, funny,

0:39:24.719 --> 0:39:26.680
<v Speaker 2>like he's mine, put in a good word for me,

0:39:27.000 --> 0:39:30.280
<v Speaker 2>wink wink. But then when I found out, I honestly

0:39:30.440 --> 0:39:33.560
<v Speaker 2>didn't feel anything about it because I didn't feel like

0:39:33.760 --> 0:39:37.520
<v Speaker 2>he was right for me. I think he was cort back.

0:39:37.320 --> 0:39:41.439
<v Speaker 1>And being like, so, remember when you told me stay

0:39:41.480 --> 0:39:45.640
<v Speaker 1>away from him. I I'm sorry.

0:39:46.920 --> 0:39:48.279
<v Speaker 6>This really brings me back.

0:39:48.320 --> 0:39:50.680
<v Speaker 2>I'm sorry he's moving in next week, but he's only

0:39:50.680 --> 0:39:54.880
<v Speaker 2>bringing a TV. Oh my gosh, that's amazing too.

0:39:55.120 --> 0:39:56.680
<v Speaker 6>This brings me back to the whole thing.

0:39:56.560 --> 0:40:00.720
<v Speaker 3>Of why these characters are so blended with real people,

0:40:00.840 --> 0:40:06.000
<v Speaker 3>because it is it's all just one big mess of blur.

0:40:06.719 --> 0:40:10.560
<v Speaker 2>Oh my god, you know what. It actually wasn't weird

0:40:10.600 --> 0:40:14.480
<v Speaker 2>with Jen, like it just I don't know why. I

0:40:14.560 --> 0:40:17.400
<v Speaker 2>am having a flashback right now that I've never remembered

0:40:17.760 --> 0:40:21.080
<v Speaker 2>the first time. Peter though, however, came to see Jen

0:40:21.239 --> 0:40:24.200
<v Speaker 2>on set after the movie Rafter and we were back

0:40:24.200 --> 0:40:26.520
<v Speaker 2>at nine and two. I'm remembering him right now walking

0:40:26.560 --> 0:40:29.640
<v Speaker 2>into the makeup trailer and our eyes met, and I

0:40:29.719 --> 0:40:33.000
<v Speaker 2>did feel like, oh, that's weird, and I think he thought, oh,

0:40:33.080 --> 0:40:36.000
<v Speaker 2>that's weird, and then we're both like whatever, and he

0:40:36.160 --> 0:40:42.239
<v Speaker 2>was awesome, like till yeah, oh my gosh, this is

0:40:42.360 --> 0:40:45.520
<v Speaker 2>Peter was like one of the girls. Remember Jen, Yeah,

0:40:46.320 --> 0:40:52.520
<v Speaker 2>Oh he was Yeah, And I liked it because Jen

0:40:52.640 --> 0:40:56.000
<v Speaker 2>had had some other relationships where I didn't love how

0:40:56.040 --> 0:41:01.200
<v Speaker 2>she was treated and Peter like was doting on her,

0:41:01.440 --> 0:41:04.960
<v Speaker 2>and it was what she deserved at the time. You

0:41:05.000 --> 0:41:07.080
<v Speaker 2>know what I mean? What year was a journey?

0:41:08.160 --> 0:41:10.880
<v Speaker 6>And I really was an un whatever an affair?

0:41:11.000 --> 0:41:13.279
<v Speaker 3>What was it, Randy ninety four?

0:41:13.840 --> 0:41:17.000
<v Speaker 2>Unfinished? An unfinished affair? When was what did you call it?

0:41:17.080 --> 0:41:23.480
<v Speaker 3>An un filtered affair? And it was an un something?

0:41:23.880 --> 0:41:24.799
<v Speaker 6>What year was that?

0:41:24.880 --> 0:41:28.160
<v Speaker 2>Like, is this happening right now? Nineteen ninety four? Oh

0:41:28.200 --> 0:41:29.080
<v Speaker 2>my god, so.

0:41:29.040 --> 0:41:30.959
<v Speaker 3>It's all happening right now, So we're telling the story

0:41:31.040 --> 0:41:32.200
<v Speaker 3>right at the right time.

0:41:32.440 --> 0:41:34.200
<v Speaker 2>It's all happening right now. Yep.

0:41:34.239 --> 0:41:43.480
<v Speaker 1>Oh yeah, that's a that's a good one from the vault.

0:41:43.840 --> 0:41:47.719
<v Speaker 1>I was just really glad you weren't mad at me.

0:41:48.239 --> 0:41:51.319
<v Speaker 2>I wanted you to be happy first of all, and

0:41:52.080 --> 0:41:55.720
<v Speaker 2>you came back beaming and glowing, and it was something

0:41:55.719 --> 0:41:58.160
<v Speaker 2>in you I hadn't seen before. And as a friend,

0:41:58.560 --> 0:42:02.719
<v Speaker 2>you see that and it's like, ooh, it's worth more

0:42:02.719 --> 0:42:09.200
<v Speaker 2>than a guy's so sweet. Yeah, fact, wow, Okay, And

0:42:09.280 --> 0:42:14.319
<v Speaker 2>Jen's not that type, like if it was meant to be,

0:42:14.400 --> 0:42:14.920
<v Speaker 2>do you know.

0:42:14.920 --> 0:42:20.560
<v Speaker 6>What I'm saying? Okay, so we know you know what

0:42:20.560 --> 0:42:20.879
<v Speaker 6>I mean.

0:42:21.560 --> 0:42:23.920
<v Speaker 2>Jenn is never that friend that's ever going to flirt

0:42:23.920 --> 0:42:26.439
<v Speaker 2>with your man ever? And I go on record here

0:42:26.760 --> 0:42:31.279
<v Speaker 2>for lewis you should she I am, she would never

0:42:31.360 --> 0:42:33.520
<v Speaker 2>flirt with your man like you never have to be

0:42:33.600 --> 0:42:36.560
<v Speaker 2>worried about that. Like girls, you're always like, oh, I

0:42:36.600 --> 0:42:40.960
<v Speaker 2>don't know, like is there something ever? And we've known

0:42:41.000 --> 0:42:44.200
<v Speaker 2>each other my friends since we're sixteen and seventeen, and

0:42:44.960 --> 0:42:47.359
<v Speaker 2>never not once. She's not that tight?

0:42:48.040 --> 0:42:49.040
<v Speaker 3>Well, Valerie is.

0:42:50.840 --> 0:42:54.560
<v Speaker 2>This is true? Sorry, thank you so much. I'm bringing

0:42:54.560 --> 0:43:02.480
<v Speaker 2>it all back talking to Ray, so take it away, Ray, Wait,

0:43:02.520 --> 0:43:03.239
<v Speaker 2>where do we see that?

0:43:04.000 --> 0:43:06.319
<v Speaker 1>Donna tells the beach apartment. Yeah, but the beach barmon.

0:43:06.400 --> 0:43:08.239
<v Speaker 1>Donna tells Ray the Ariel was the reason that she

0:43:08.320 --> 0:43:11.520
<v Speaker 1>and David broke up, and she tells Ray to give

0:43:11.719 --> 0:43:16.400
<v Speaker 1>back those boots and stop seeing Ariel, but Ray refuses

0:43:16.800 --> 0:43:22.440
<v Speaker 1>and says his career is his business and his priority.

0:43:22.680 --> 0:43:25.320
<v Speaker 3>Why did I write Donna is cutting? What was she cutting?

0:43:25.640 --> 0:43:29.560
<v Speaker 1>She's dead serious about like, no, yeah.

0:43:29.200 --> 0:43:33.200
<v Speaker 6>She was, which I thought was an overstep of Donna.

0:43:33.360 --> 0:43:35.520
<v Speaker 2>But I liked it. It's one of those times where

0:43:35.520 --> 0:43:37.880
<v Speaker 2>they do that, and I'm sure I felt super uncomfortable

0:43:37.880 --> 0:43:39.040
<v Speaker 2>to saying that word.

0:43:39.360 --> 0:43:41.880
<v Speaker 6>It was very not Tory like to be like, I

0:43:42.160 --> 0:43:43.680
<v Speaker 6>will not take this.

0:43:44.120 --> 0:43:46.480
<v Speaker 2>Yeah, I don't character both of us.

0:43:46.920 --> 0:43:50.360
<v Speaker 3>Yeah, And I thought he made a good point. He's

0:43:50.640 --> 0:43:54.960
<v Speaker 3>his point was number one. It is his career and

0:43:55.000 --> 0:43:57.759
<v Speaker 3>he does need to take it seriously. They do kind

0:43:57.800 --> 0:44:02.239
<v Speaker 3>of buy boots forever everybody, you know, which was I

0:44:02.239 --> 0:44:04.719
<v Speaker 3>don't know. He was sort of saying they sort of

0:44:04.880 --> 0:44:11.360
<v Speaker 3>entice their clients dangle a carrot. She was overstepping, but

0:44:11.440 --> 0:44:14.759
<v Speaker 3>the point was well taken, Like, this is dicey, and

0:44:14.800 --> 0:44:16.440
<v Speaker 3>you should know how dicey this is.

0:44:16.840 --> 0:44:18.400
<v Speaker 2>Yeah.

0:44:18.480 --> 0:44:23.640
<v Speaker 1>So Kelly goes to find Brandon uh in the newspaper

0:44:23.680 --> 0:44:25.239
<v Speaker 1>office I think.

0:44:24.880 --> 0:44:27.719
<v Speaker 2>In a good outfit yeah.

0:44:27.040 --> 0:44:29.720
<v Speaker 1>And says she's happy with the article that he wrote.

0:44:30.920 --> 0:44:33.360
<v Speaker 1>But then she gets upset with him because Brandon asks

0:44:33.480 --> 0:44:38.600
<v Speaker 1>to spend more time with her. So we really feel

0:44:38.640 --> 0:44:41.640
<v Speaker 1>like the rift is developing between them, sort of like.

0:44:41.680 --> 0:44:46.840
<v Speaker 3>Also some foreshadowing because of Finley. What wtf Binley?

0:44:47.160 --> 0:44:47.680
<v Speaker 2>WTF?

0:44:47.680 --> 0:44:49.359
<v Speaker 3>I know I'm getting a little ahead, but you can't

0:44:49.360 --> 0:44:51.480
<v Speaker 3>do that. Yeah, because we're doing it new, I like it.

0:44:51.560 --> 0:44:53.600
<v Speaker 2>Keep it going. Peach Pit after Dark.

0:44:53.680 --> 0:44:56.200
<v Speaker 1>David tries to warn Ray to be careful about Aeryl,

0:44:56.239 --> 0:44:58.719
<v Speaker 1>and Ray says that Ariel wasn't the only one who

0:44:58.800 --> 0:44:59.640
<v Speaker 1>burned Donna.

0:45:00.080 --> 0:45:06.080
<v Speaker 3>Oh yeah, yeah, mic drop, although I did again like David.

0:45:06.719 --> 0:45:10.720
<v Speaker 3>David is really doing sort of the right thing, yes,

0:45:10.800 --> 0:45:12.960
<v Speaker 3>in this episode, and I thought that took some.

0:45:13.480 --> 0:45:16.520
<v Speaker 2>Guts because he's done season.

0:45:16.640 --> 0:45:21.960
<v Speaker 1>So yeah, yeah, it's very feels very inauthentic to me

0:45:22.440 --> 0:45:25.279
<v Speaker 1>now because it's out of nowhere for him to be

0:45:25.440 --> 0:45:28.320
<v Speaker 1>like saying the right thing and thinking about that.

0:45:28.520 --> 0:45:30.160
<v Speaker 2>Yeah, but I'm.

0:45:29.920 --> 0:45:31.759
<v Speaker 1>Gonna go with it and give him the benefit of

0:45:31.760 --> 0:45:34.400
<v Speaker 1>the doubt. And yeah, maybe he's grown, which is awesome.

0:45:35.280 --> 0:45:37.719
<v Speaker 2>Yeah, sorry, you just said a mic drop there, but

0:45:38.160 --> 0:45:40.760
<v Speaker 2>that's irrelevant since we can't hear any of the music

0:45:41.920 --> 0:45:43.680
<v Speaker 2>ever seen. We didn't even hear the mic drops.

0:45:43.719 --> 0:45:45.560
<v Speaker 3>And it's like he's just always at the peach pit

0:45:45.719 --> 0:45:49.640
<v Speaker 3>in our world and after dark, but never actually performing.

0:45:50.160 --> 0:45:53.280
<v Speaker 1>Like hmmm, so back of the peach Pit, Donna complains

0:45:53.320 --> 0:45:57.360
<v Speaker 1>to Claire about Ariel. She also says Kelly is not

0:45:57.480 --> 0:46:00.640
<v Speaker 1>helpful because all she does is talk Finley Psy Go Babbyl.

0:46:01.040 --> 0:46:03.840
<v Speaker 1>Claire tells Donna that Finley's days are numbered.

0:46:05.560 --> 0:46:08.799
<v Speaker 2>It's like a Babbyl at the wash house.

0:46:08.880 --> 0:46:11.400
<v Speaker 1>Dylan is there to have dinner with the Walsh family.

0:46:11.840 --> 0:46:13.799
<v Speaker 1>Cindy asks I like this.

0:46:14.239 --> 0:46:14.719
<v Speaker 2>Yeah.

0:46:14.920 --> 0:46:19.960
<v Speaker 1>Cindy asks him if they should be worried about Valerie,

0:46:20.120 --> 0:46:23.920
<v Speaker 1>and he gives a sort of a this girl, yeah,

0:46:24.000 --> 0:46:27.000
<v Speaker 1>he gives them calls to be concerned.

0:46:27.239 --> 0:46:29.440
<v Speaker 3>Yeah. And this is also where I enjoyed seeing the

0:46:29.480 --> 0:46:33.840
<v Speaker 3>orange lining in Brandon's very large bomber jacket.

0:46:34.280 --> 0:46:37.040
<v Speaker 1>Remember the orange lining in those gym But it was

0:46:37.120 --> 0:46:37.920
<v Speaker 1>so legit.

0:46:38.600 --> 0:46:40.160
<v Speaker 3>That's why I'm like, I don't understand why guys didn't

0:46:40.200 --> 0:46:42.440
<v Speaker 3>love the fashion. You know what it was the girls did.

0:46:42.520 --> 0:46:44.880
<v Speaker 3>Maybe well, Donna had a good dress. I did not

0:46:44.960 --> 0:46:48.319
<v Speaker 3>like the burgundy outfit that Kelly was wearing, but I

0:46:48.400 --> 0:46:53.760
<v Speaker 3>kept noticing the fashion, the boots, the every Valerie's leather

0:46:54.520 --> 0:46:55.399
<v Speaker 3>best whatever that.

0:46:55.560 --> 0:46:57.800
<v Speaker 2>They stood out. You're right, Yeah, it was very almost

0:46:58.280 --> 0:47:00.239
<v Speaker 2>a little way but.

0:47:00.480 --> 0:47:02.960
<v Speaker 3>Yeah, maybe it wasn't like so on point, but it

0:47:02.960 --> 0:47:04.480
<v Speaker 3>was definitely fashion centric.

0:47:04.640 --> 0:47:06.879
<v Speaker 1>And this is the point where what you were talking about,

0:47:06.880 --> 0:47:13.640
<v Speaker 1>where Valerie goes to Jonesy's house hotel, Yeah, and asks

0:47:14.040 --> 0:47:15.560
<v Speaker 1>for money and he says.

0:47:15.320 --> 0:47:17.359
<v Speaker 2>That he will pay her if she agrees to.

0:47:17.360 --> 0:47:20.680
<v Speaker 1>Work quote with him in the future.

0:47:20.800 --> 0:47:23.920
<v Speaker 3>She is just going all over town to get money

0:47:24.320 --> 0:47:25.960
<v Speaker 3>for this gig she did.

0:47:26.080 --> 0:47:29.480
<v Speaker 2>She's got a supporter weed habit double dip.

0:47:29.600 --> 0:47:29.719
<v Speaker 5>Oh.

0:47:29.719 --> 0:47:32.680
<v Speaker 3>I have a funny weed story about this, but we'll

0:47:32.680 --> 0:47:48.080
<v Speaker 3>do it later. Jonesy is creepy and not creepy at

0:47:48.080 --> 0:47:51.960
<v Speaker 3>the same time. For me, I'm like, oh, he's so creepy. Wait,

0:47:52.000 --> 0:47:53.880
<v Speaker 3>maybe he's nice. He's weird.

0:47:54.160 --> 0:47:58.040
<v Speaker 1>Yeah, but there's something like so free about him that's enticing.

0:47:58.719 --> 0:48:04.600
<v Speaker 3>Yeah, he's just like when makes it, I'm not going

0:48:04.680 --> 0:48:05.319
<v Speaker 3>to sleep with you.

0:48:05.440 --> 0:48:06.560
<v Speaker 2>So that was real clear.

0:48:06.960 --> 0:48:08.359
<v Speaker 3>And then he was sort of like, I wasn't even

0:48:08.360 --> 0:48:10.840
<v Speaker 3>gonna ask you that, like it's all they do in

0:48:10.840 --> 0:48:13.359
<v Speaker 3>a little dance. And this is where I noticed, like, Wow,

0:48:13.440 --> 0:48:17.200
<v Speaker 3>there's not a primary nine O two one Oho actor

0:48:17.520 --> 0:48:18.320
<v Speaker 3>in this scene.

0:48:18.560 --> 0:48:21.640
<v Speaker 2>So does does Galary go on to work for Jonesy?

0:48:21.640 --> 0:48:25.640
<v Speaker 1>And is this something we see moving forward? I don't know,

0:48:25.760 --> 0:48:27.680
<v Speaker 1>or is this just like a conversation that never goes

0:48:27.920 --> 0:48:29.920
<v Speaker 1>I think the point more is she's got money.

0:48:30.000 --> 0:48:32.720
<v Speaker 3>Now, she's got money.

0:48:33.719 --> 0:48:36.800
<v Speaker 2>And she's not just a bad baker. She's a clever one.

0:48:38.239 --> 0:48:46.520
<v Speaker 2>She's clever. She she she she outsmarts, not outsmarts these men,

0:48:46.760 --> 0:48:49.560
<v Speaker 2>but she definitely knows what to say or when to

0:48:49.600 --> 0:48:51.799
<v Speaker 2>say and plays accordingly.

0:48:52.360 --> 0:48:53.640
<v Speaker 6>Yeah, she's savvy.

0:48:53.800 --> 0:48:56.839
<v Speaker 2>How did you get savvy? Savvy is my question. She's

0:48:56.960 --> 0:49:01.320
<v Speaker 2>born with it. Yeah, she's kind of she's got it dark.

0:49:02.000 --> 0:49:04.439
<v Speaker 1>Then you guys would get to see the Andrea Peter

0:49:05.080 --> 0:49:10.480
<v Speaker 1>thing on, and Andrea says that her heart is beating

0:49:10.680 --> 0:49:13.520
<v Speaker 1>fast Doctor Tucker and they start kissing.

0:49:13.880 --> 0:49:16.960
<v Speaker 2>Oh my god, it was so in public. It was

0:49:17.080 --> 0:49:17.960
<v Speaker 2>so crazy.

0:49:18.000 --> 0:49:20.640
<v Speaker 3>She was gussied up, she was bared for the she

0:49:20.800 --> 0:49:23.359
<v Speaker 3>was gussied up, and I was like, oh my god,

0:49:23.360 --> 0:49:25.400
<v Speaker 3>there's a hand I think there was a hand touch

0:49:25.760 --> 0:49:27.759
<v Speaker 3>and I was just like, oh my god. And then

0:49:27.800 --> 0:49:28.480
<v Speaker 3>there's a kiss.

0:49:28.520 --> 0:49:32.200
<v Speaker 1>It was just yeah, it's too scary. They're just right

0:49:32.239 --> 0:49:33.880
<v Speaker 1>there at the Equator coffee house.

0:49:35.080 --> 0:49:36.680
<v Speaker 6>I do know as I messed up.

0:49:36.760 --> 0:49:40.640
<v Speaker 3>I think right before this was actually the scene where

0:49:40.719 --> 0:49:43.200
<v Speaker 3>Ray's like, I'm not so dumb for the second rate deal.

0:49:43.239 --> 0:49:44.279
<v Speaker 2>I apologize I did.

0:49:45.440 --> 0:49:47.839
<v Speaker 1>He goes back to the record company says, no, I'm

0:49:47.840 --> 0:49:48.640
<v Speaker 1>not into that deal.

0:49:49.160 --> 0:49:50.680
<v Speaker 2>You guys can't have my publishing rights.

0:49:51.239 --> 0:49:53.920
<v Speaker 1>Then we go on to California University University where Professor

0:49:53.960 --> 0:49:56.520
<v Speaker 1>Finley is talking to the students and he tells that

0:49:56.640 --> 0:49:58.840
<v Speaker 1>he that he is ready for the meeting tonight.

0:50:00.719 --> 0:50:05.680
<v Speaker 2>Okay, big build up there the peach bit.

0:50:05.800 --> 0:50:09.520
<v Speaker 1>Ariel barges in on Donna and Ray's lunch and tells

0:50:09.560 --> 0:50:13.800
<v Speaker 1>Donna to help convince Ray to sign and it's gonna

0:50:13.920 --> 0:50:14.399
<v Speaker 1>work out.

0:50:14.560 --> 0:50:15.520
<v Speaker 6>Ariel correct.

0:50:15.520 --> 0:50:19.760
<v Speaker 3>And I liked having them in a scene together saucy

0:50:19.840 --> 0:50:21.080
<v Speaker 3>when Ray, How was.

0:50:21.040 --> 0:50:23.000
<v Speaker 1>That when you guys film that scene?

0:50:23.040 --> 0:50:23.399
<v Speaker 2>Were you?

0:50:23.640 --> 0:50:28.120
<v Speaker 1>What do you remember the crossover of Donna.

0:50:29.400 --> 0:50:35.000
<v Speaker 2>Tory Ariel? Yeah? Isn't it funny what I remember and

0:50:35.080 --> 0:50:37.200
<v Speaker 2>don't remember? And I remember everything, but when it comes

0:50:37.200 --> 0:50:41.120
<v Speaker 2>to things that are too like emotional and fun, personal

0:50:41.400 --> 0:50:44.600
<v Speaker 2>and intimate, I start to Yeah, I'm like, there's a block.

0:50:45.719 --> 0:50:47.560
<v Speaker 2>That's how PTSD works.

0:50:47.360 --> 0:50:52.120
<v Speaker 3>Okay, perfectly put Donna and Ariel in these scenes. Like

0:50:52.320 --> 0:50:54.719
<v Speaker 3>first of all, this the Limo scene was still kind

0:50:54.719 --> 0:50:57.279
<v Speaker 3>of scarring, and I think we even got a flashback

0:50:57.360 --> 0:51:00.480
<v Speaker 3>to it, like that was rough right when oh yeah,

0:51:01.080 --> 0:51:05.160
<v Speaker 3>flashback because Donna knock knock knocking at the window. And

0:51:05.160 --> 0:51:07.359
<v Speaker 3>then now we've got this sort of like who wants

0:51:07.400 --> 0:51:10.560
<v Speaker 3>to sit down at a booth over a tuna melt

0:51:10.600 --> 0:51:13.600
<v Speaker 3>with the girl that like gave their boyfriend?

0:51:14.080 --> 0:51:19.880
<v Speaker 2>Yeah, some kind of an STD crabs I think God

0:51:21.000 --> 0:51:25.160
<v Speaker 2>say like, yeah, it's virginity and that's something.

0:51:25.840 --> 0:51:29.600
<v Speaker 3>I'm sorry, but the Crabs has scarred me, really scarred.

0:51:31.520 --> 0:51:33.920
<v Speaker 6>I had never heard of anything like it. I know.

0:51:33.960 --> 0:51:35.520
<v Speaker 3>I think I told the story and then when that

0:51:35.640 --> 0:51:37.600
<v Speaker 3>happened on nine on to and I was like, and

0:51:37.680 --> 0:51:40.000
<v Speaker 3>I know I couldn't google it, but somehow I must

0:51:40.040 --> 0:51:43.280
<v Speaker 3>have researched it because I was like, this is something

0:51:43.320 --> 0:51:44.120
<v Speaker 3>I don't want.

0:51:44.719 --> 0:51:46.440
<v Speaker 6>Yeah, and I was right at that age.

0:51:46.480 --> 0:51:47.839
<v Speaker 3>I was at the same age, so I was like,

0:51:47.920 --> 0:51:50.880
<v Speaker 3>if I'm gonna be around boys.

0:51:50.960 --> 0:51:52.640
<v Speaker 2>This is something I want to avoid.

0:51:52.840 --> 0:51:54.719
<v Speaker 3>So what did I get an encyclopedia out?

0:51:54.719 --> 0:51:59.719
<v Speaker 2>I don't know how I read it. I sponsored by RAID,

0:52:00.480 --> 0:52:00.880
<v Speaker 2>just kidding.

0:52:01.520 --> 0:52:03.480
<v Speaker 1>This is also the point where Valorie shows up in

0:52:03.520 --> 0:52:06.240
<v Speaker 1>her sporty new car and Dylan accuses her of acting

0:52:06.360 --> 0:52:07.040
<v Speaker 1>like a hooker.

0:52:08.080 --> 0:52:11.279
<v Speaker 3>So I couldn't get the math figured out because we

0:52:11.360 --> 0:52:13.880
<v Speaker 3>know that Dylan only gave her ten thousand dollars. So

0:52:14.000 --> 0:52:18.560
<v Speaker 3>let's say Jonesy gave her. I mean, even though I

0:52:18.600 --> 0:52:21.920
<v Speaker 3>saw the money, I think they were hundreds at most,

0:52:21.960 --> 0:52:24.880
<v Speaker 3>that was only ten thousand dollars maybe twenty?

0:52:25.040 --> 0:52:27.440
<v Speaker 2>Right? Just how much was that car? You think? What

0:52:27.640 --> 0:52:30.400
<v Speaker 2>in the car? She least it? Right? What kind of

0:52:30.440 --> 0:52:31.640
<v Speaker 2>car was it.

0:52:31.640 --> 0:52:35.680
<v Speaker 3>It was some sporty thing, right. I just couldn't do

0:52:35.719 --> 0:52:37.520
<v Speaker 3>the math. It seems like she's blown all her money

0:52:37.560 --> 0:52:38.439
<v Speaker 3>on the car, so.

0:52:39.160 --> 0:52:41.520
<v Speaker 1>That's her car for out for the whole show, Like

0:52:41.840 --> 0:52:42.680
<v Speaker 1>this is a VAL's car?

0:52:43.360 --> 0:52:46.880
<v Speaker 2>Really, I can't remember. I don't know. It just felt

0:52:46.920 --> 0:52:52.040
<v Speaker 2>like I thought it was symbolic and making comparison of

0:52:52.080 --> 0:52:57.359
<v Speaker 2>when men kind of tried to swing their and buy

0:52:57.520 --> 0:53:01.880
<v Speaker 2>sports cars and like just look like I have big energy,

0:53:01.920 --> 0:53:04.960
<v Speaker 2>but you really have a small So it felt like that.

0:53:05.120 --> 0:53:07.640
<v Speaker 2>But it's a female, which I kind of appreciate it.

0:53:07.719 --> 0:53:12.440
<v Speaker 1>So yeah, and he does have a big I think so.

0:53:12.960 --> 0:53:15.000
<v Speaker 3>And I think you kind of realize and maybe I'm

0:53:15.040 --> 0:53:19.880
<v Speaker 3>reading into it. Money is super important to Valerie to

0:53:20.080 --> 0:53:23.759
<v Speaker 3>feel like she's a part of Beverly Hills or that

0:53:23.880 --> 0:53:27.920
<v Speaker 3>she can hang right, because it's all about the flash, right.

0:53:27.920 --> 0:53:29.960
<v Speaker 3>She's not taking the money and high tailing it out

0:53:29.960 --> 0:53:32.640
<v Speaker 3>of there. She's buying the cars, she's buying the clothes,

0:53:32.760 --> 0:53:35.920
<v Speaker 3>like you know, it's a status, Like I'm going to

0:53:36.000 --> 0:53:38.359
<v Speaker 3>have this money because now I have status and I'm

0:53:38.400 --> 0:53:39.960
<v Speaker 3>going to be sure part of this.

0:53:41.440 --> 0:53:45.719
<v Speaker 1>And then we finish up at California University again where we.

0:53:45.719 --> 0:53:48.160
<v Speaker 2>See professor couldn't even stay on the street face no.

0:53:48.360 --> 0:53:53.640
<v Speaker 1>Like California univers Bad. Professor Finley loses his job, but

0:53:53.760 --> 0:53:57.279
<v Speaker 1>says he will continue teaching people even from his own

0:53:57.440 --> 0:53:58.160
<v Speaker 1>living room.

0:53:58.040 --> 0:54:00.560
<v Speaker 2>If he has to, or his officers bedroom.

0:54:00.760 --> 0:54:06.840
<v Speaker 1>Or Kelly ditches Brandon for Finley, and Professor Finley tells

0:54:06.920 --> 0:54:10.840
<v Speaker 1>Kelly to break up with Brandon because he isn't supportive

0:54:10.960 --> 0:54:13.600
<v Speaker 1>of the new evolution, and.

0:54:13.480 --> 0:54:18.160
<v Speaker 2>She Freudian slash. Finley slipped and said, Dylan and Brandon,

0:54:18.239 --> 0:54:21.360
<v Speaker 2>did you guys hear that it was hot?

0:54:22.080 --> 0:54:22.400
<v Speaker 5>Uh?

0:54:22.480 --> 0:54:24.520
<v Speaker 2>So, Yeah, this is where.

0:54:26.080 --> 0:54:29.240
<v Speaker 1>I feel like I'm not on board with this because

0:54:29.280 --> 0:54:35.360
<v Speaker 1>I don't see how Kelly would be brainwashed to ditch Brandon,

0:54:36.680 --> 0:54:41.479
<v Speaker 1>who she loves, Who's who's just clearly tried to help

0:54:41.520 --> 0:54:44.200
<v Speaker 1>her with the article and has asked to spend more

0:54:44.239 --> 0:54:48.000
<v Speaker 1>time with her. Like, how is she so in this?

0:54:48.160 --> 0:54:53.000
<v Speaker 1>Finley's like web that she That's what they do.

0:54:53.040 --> 0:54:55.239
<v Speaker 2>Yes, that's what they do. And may I bring this

0:54:55.360 --> 0:54:59.359
<v Speaker 2>all back to a story that we told earlier, Jen,

0:55:00.520 --> 0:55:04.520
<v Speaker 2>what other character did Peter play in a movie?

0:55:05.880 --> 0:55:06.200
<v Speaker 5>Oh?

0:55:06.200 --> 0:55:07.080
<v Speaker 2>That's recent, right?

0:55:07.160 --> 0:55:07.600
<v Speaker 5>He yeah?

0:55:07.640 --> 0:55:12.560
<v Speaker 1>Played what's that called cult cult guy?

0:55:11.160 --> 0:55:18.520
<v Speaker 2>H Yes, the guy Peter Fatchinelli played him. There's a movie.

0:55:18.680 --> 0:55:20.680
<v Speaker 1>There's a doc and there's a movie that was made

0:55:20.680 --> 0:55:23.719
<v Speaker 1>for TV and scripted. Peter was in it, and Peter

0:55:23.880 --> 0:55:25.800
<v Speaker 1>was great. I should have seen this coming.

0:55:26.840 --> 0:55:29.200
<v Speaker 6>Yeah, escaping the cult.

0:55:29.400 --> 0:55:32.480
<v Speaker 1>I believe that he could have been a really good

0:55:32.560 --> 0:55:33.520
<v Speaker 1>cult leader.

0:55:34.400 --> 0:55:37.880
<v Speaker 2>Wait, who are talking about here? Now I'm panicking.

0:55:37.960 --> 0:55:40.000
<v Speaker 1>I believe that Peter could have been a really good

0:55:40.040 --> 0:55:43.120
<v Speaker 1>cult leader in real life. Like he's good at that

0:55:43.880 --> 0:55:45.640
<v Speaker 1>convincing you, he's a good like.

0:55:47.120 --> 0:55:49.680
<v Speaker 6>This is Josie. I need to watch this.

0:55:50.560 --> 0:55:54.320
<v Speaker 3>It was Kate. He played Keith Ramier. Keith Ramier.

0:55:54.640 --> 0:55:58.400
<v Speaker 2>But how interesting that we're talking about this storyline with

0:55:58.640 --> 0:56:01.480
<v Speaker 2>you which was done nineteen ninety four.

0:56:02.320 --> 0:56:05.719
<v Speaker 3>Whoa and Kathin Oxenburg bringing it all back to the

0:56:05.760 --> 0:56:10.520
<v Speaker 3>Aaron Stout world. So Katherin Oxenburg narrates the story.

0:56:10.200 --> 0:56:13.200
<v Speaker 2>Because it's her daughter was India.

0:56:13.040 --> 0:56:20.360
<v Speaker 3>That Katherine Oxenberg was on Dynasty. She played Amanda Carrington.

0:56:21.600 --> 0:56:24.520
<v Speaker 3>Oh she was a Carrington. She must marry something. Oh

0:56:24.560 --> 0:56:27.560
<v Speaker 3>she married Adam. I think she married Adam Carrid that's right.

0:56:28.000 --> 0:56:30.839
<v Speaker 2>Yeah, but wasn't she at moult Davie when the whole

0:56:30.840 --> 0:56:31.200
<v Speaker 2>thing Like.

0:56:31.239 --> 0:56:35.480
<v Speaker 6>Yeah, that's what I that's why there's some and she

0:56:35.680 --> 0:56:36.600
<v Speaker 6>is royalty in.

0:56:36.520 --> 0:56:40.600
<v Speaker 2>Real life, a real princess. Oh oh, let's bring it

0:56:40.680 --> 0:56:44.040
<v Speaker 2>all back. Who then went on to marry Casper van Deen.

0:56:44.760 --> 0:56:47.600
<v Speaker 2>Oh my god, it's like six degrees of nine O

0:56:47.719 --> 0:56:50.360
<v Speaker 2>two and zero. She married Casper. They went on to

0:56:50.400 --> 0:56:53.399
<v Speaker 2>have children together, do a reality show, do a real

0:56:53.440 --> 0:56:56.040
<v Speaker 2>handy show, and then they told them married to a

0:56:56.040 --> 0:56:59.160
<v Speaker 2>famous princess in real life. And yeah, and her book

0:56:59.200 --> 0:57:02.880
<v Speaker 2>is great. We know Casper played Oh I just blinked

0:57:03.560 --> 0:57:05.440
<v Speaker 2>right that preppy expression stone.

0:57:05.640 --> 0:57:11.560
<v Speaker 3>Yeah anyway, okay, wow, so hmm that's what they do.

0:57:12.600 --> 0:57:13.520
<v Speaker 2>Yeah, okay.

0:57:14.440 --> 0:57:16.560
<v Speaker 1>I feel like you guys have just brainwashed me, so

0:57:16.840 --> 0:57:17.440
<v Speaker 1>I believe you.

0:57:18.000 --> 0:57:19.960
<v Speaker 3>But I do think that is the thing that she

0:57:20.120 --> 0:57:24.320
<v Speaker 3>has been sucked into this guy, and she's which happens

0:57:24.320 --> 0:57:29.240
<v Speaker 3>in these situations. She's forgetting everything. And then he does

0:57:29.280 --> 0:57:33.360
<v Speaker 3>what they do, wants her to break up with Brandon.

0:57:33.560 --> 0:57:38.080
<v Speaker 2>They isolate you, isolate you from your circle. Hold. She

0:57:38.120 --> 0:57:42.560
<v Speaker 2>doesn't do this, Oh she does? Oh my god.

0:57:42.760 --> 0:57:47.120
<v Speaker 1>Wait why was this episode called Little Monsters? Anybody?

0:57:49.120 --> 0:57:49.800
<v Speaker 2>That's why I was.

0:57:49.720 --> 0:57:51.680
<v Speaker 1>So confused in the very beginning. I was like, wait,

0:57:51.720 --> 0:57:54.760
<v Speaker 1>we're going to recap the Monsters. I don't remember watching

0:57:54.800 --> 0:57:55.640
<v Speaker 1>anything about.

0:57:55.480 --> 0:57:57.680
<v Speaker 3>Kids stray before Lady Gaga.

0:57:58.760 --> 0:58:03.400
<v Speaker 2>Yeah, I was confused, what could it be? Just throw spitball.

0:58:03.800 --> 0:58:06.880
<v Speaker 3>These people are little monsters. I don't know, like Ariel,

0:58:07.000 --> 0:58:07.480
<v Speaker 3>I don't know.

0:58:07.560 --> 0:58:15.080
<v Speaker 2>I Burial vow wonder Andrea Philly. This a little monster juicy.

0:58:15.280 --> 0:58:17.000
<v Speaker 2>It is such a really juicy.

0:58:17.120 --> 0:58:21.040
<v Speaker 1>It's such a ten ten ten ten ten ten. Oh

0:58:21.120 --> 0:58:24.000
<v Speaker 1>my god, you guys we agree the first time, maybe

0:58:24.040 --> 0:58:30.400
<v Speaker 1>a second time Dancing with the Stars, perfect score. Wow. Yeah,

0:58:30.560 --> 0:58:33.320
<v Speaker 1>longest podcast ever. But I really feel like we covered

0:58:33.360 --> 0:58:36.080
<v Speaker 1>the shot out of this. I feel really good about this.

0:58:36.320 --> 0:58:38.960
<v Speaker 1>That was it was.

0:58:39.800 --> 0:58:45.120
<v Speaker 2>It was Yeah, Well guess what week. We'll be back again.

0:58:44.920 --> 0:58:48.040
<v Speaker 1>Next week with another new episode and then next week

0:58:48.720 --> 0:58:49.560
<v Speaker 1>what is our episode?

0:58:49.640 --> 0:58:51.240
<v Speaker 2>Next week? Let me see you let me see the

0:58:51.320 --> 0:58:54.000
<v Speaker 2>one that's only on DVD. But oh yeah, that's right.

0:58:54.080 --> 0:58:54.920
<v Speaker 6>It's a weirdo one.

0:58:55.080 --> 0:58:55.720
<v Speaker 5>This is the one.

0:58:55.760 --> 0:58:59.040
<v Speaker 1>You guys have to go, uh get your EVD collection out,

0:58:59.880 --> 0:59:02.840
<v Speaker 1>or or find a weird creepy bootleg like Amy did.

0:59:03.200 --> 0:59:05.280
<v Speaker 3>And somebody found their DVD player in the text. Was

0:59:05.320 --> 0:59:07.640
<v Speaker 3>that you Jenny yeah Ing.

0:59:09.240 --> 0:59:11.600
<v Speaker 2>Season five, episode twenty You gotta have heart.

0:59:11.800 --> 0:59:12.840
<v Speaker 6>There must be too many songs.

0:59:12.880 --> 0:59:15.520
<v Speaker 2>They couldn't even cut them out. Have a great week.

0:59:15.600 --> 0:59:17.000
<v Speaker 2>You guys, I love you.