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Speaker 1: It's nine O gen one Legen with Jenny Garth and

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Speaker 1: Tory Spelling.

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Speaker 2: Hey, everybody, look at look at you, Look at you,

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Speaker 2: looking at you, look at you. Here's me looking at you,

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Speaker 2: looking at you. Amy m's you.

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Speaker 3: I'm here. My camera's on, but sometimes I have it's

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Speaker 3: boring that I have a couple of different screens on

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Speaker 3: here to two. You might have to scroll your scrull

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Speaker 3: in your hair.

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Speaker 1: Ye, we are back for another amazing episode of nine

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Speaker 1: O two one. Omg, you guys, and we're so happy

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Speaker 1: to be with you.

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Speaker 2: Oh my gosh. We should think of like our own

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Speaker 2: thing because I mean another episode. Uh, we're on weekly.

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Speaker 2: We're always back. It's a new episode. They just keep

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Speaker 2: going and going and going.

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Speaker 1: So what would what would you like to change that too?

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Speaker 1: Our catch cratchphrase?

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Speaker 2: What do you want to know?

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Speaker 4: Yeah?

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Speaker 2: We need something right right? What makes we're back?

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Speaker 3: I do think it's hilarious that anyone listening that listens

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Speaker 3: to other rewatch podcasts, they're lapping us because most shows

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Speaker 3: have twenty episodes and we're still just.

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Speaker 1: We are friggin ever last Buddies one of those things

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Speaker 1: with the bad energizer.

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Speaker 2: Yeah, that one's you can't keep us down. It is

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Speaker 2: actually Jen, that's so true though, right correct, Yes, it's

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Speaker 2: very true.

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Speaker 3: I mean, if you think about it, you guys did

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Speaker 3: thirty plus episodes a season, so it basically meant you

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Speaker 3: were working year round, going, going.

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Speaker 1: Going, basically. Yeah, I think we had three months off

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Speaker 1: a year.

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Speaker 2: And this episode I could see it. I could see

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Speaker 2: the wear and tear on how tired we were starting

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Speaker 2: to show.

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Speaker 3: I do have an interesting thing on that which I

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Speaker 3: will hold, or I could say now I'll hold for

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Speaker 3: the synopsis and then I will I.

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Speaker 2: Will also I love you.

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Speaker 1: Okay, let's do this because this was a good one

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Speaker 1: you guys, and I got a newfound of faith in

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Speaker 1: the show.

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Speaker 2: I don't know what happened.

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Speaker 5: Ooh, I liked it.

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Speaker 1: First of all, I got confused because we were scheduled

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Speaker 1: to do this podcast a couple of days ago, and

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Speaker 1: then we got some scheduling issues so we had to

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Speaker 1: change it.

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Speaker 2: So I watched it a few days.

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Speaker 1: Ago, and then we were going to do another one,

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Speaker 1: and then I was like, wait, which episode is?

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Speaker 2: I got so confused.

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Speaker 1: Did you rewatch the watch? I did not rewatch it.

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Speaker 1: I just went over my material and then it refreshed me, but.

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Speaker 5: Talk of it.

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Speaker 2: This is why we work so well together, were Yin

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Speaker 2: and Yang. She's supremely organized, which I respect I am

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Speaker 2: not so I love like it. Actually, that's like a

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Speaker 2: turn on when you say things like that and then

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Speaker 2: you went over your material.

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Speaker 1: I'm happy I could turn you on today. Problem Season five,

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Speaker 1: episode nineteen You Guys, Little Monsters aired February first, nineteen

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Speaker 1: ninety five.

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Speaker 2: And I so want to jump in here and just

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Speaker 2: make this fluid, but I got nothing up, no material

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Speaker 2: on brand. I mean, I guess I could do it

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Speaker 2: from memory.

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Speaker 1: Want me to do it? What amy to do the synopsis? Yeah, Jenny,

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Speaker 1: you do because we need a drum roll?

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Speaker 2: Who the director?

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Speaker 6: You guys?

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Speaker 2: Can I say it? Guys? Can I just get it?

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Speaker 2: And can I? May? I please do it? You know

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Speaker 2: I love to do my synopsis.

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Speaker 1: I know you do. It starts with the one that

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Speaker 1: you do not want to speak about synopsis.

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Speaker 2: Aeriel Hunter is back in Spots Ray as her new prey,

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Speaker 2: but Donna tries to warn him. The Professor Finley loses

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Speaker 2: his tenure battle, but wage's war on poor Brandon. Kelly

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Speaker 2: is asked to prove her devotion Dylan makes amends with

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Speaker 2: Jim Walsh and Valerie wants her money. Honey, no money,

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Speaker 2: no honey.

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Speaker 1: Directed by James that House, written by Meredith Stein. Should

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Speaker 1: we do some trivia first or should we get.

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Speaker 2: Into the breakdown? O?

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Speaker 3: Oh, trivia A little bit, little your Man directed you

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Speaker 3: My Baby, My Baby.

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Speaker 2: This is so yeah? This this okay? So here's the

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Speaker 2: first trivia.

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Speaker 1: This is the third and the last episode directed by

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Speaker 1: James Xhouse.

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Speaker 2: Oh wow, yep.

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Speaker 1: He directed Strangers in the Night and Truth and Consequences,

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Speaker 1: and this is it.

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Speaker 2: This is the last one for the whole series or

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Speaker 2: just as because they ship them off to Japan, right.

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Speaker 1: Yeah, because the parents move away and we do have

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Speaker 1: never seen them.

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Speaker 6: I know we forgot about that.

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Speaker 2: We have a rager that last night, No am I?

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Speaker 5: Oh, go ahead.

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Speaker 1: Joe and Jamie Walters performs apparently twice in this episode,

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Speaker 1: neither of which I saw.

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Speaker 2: Nothing and he does.

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Speaker 1: He sings the first song why and Donna watches him

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Speaker 1: perform at the after Dark, and the second song is

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Speaker 1: called I Know the Game. Do you remember watching him

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Speaker 1: perform either of those songs? No?

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Speaker 2: Actually, are you shocked?

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Speaker 3: No?

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Speaker 2: Those two I do not, So I feel like we

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Speaker 2: should have a sash where we get together and just

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Speaker 2: listen to and watch the originals and see his performance.

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Speaker 1: I want to performance.

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Speaker 6: That's a great idea.

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Speaker 1: Talent Ray prou It performance appreciation episode.

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Speaker 2: Yeah, sing a lot, how talented he is, even though

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Speaker 2: I can't remember these two songs in the moment, but

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Speaker 2: we'll go through it.

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Speaker 3: So I have a question if you guys notice this.

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Speaker 3: So this is the first time it really stood out

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Speaker 3: to me that these new.

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Speaker 6: People, Ray Vows, new people, these.

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Speaker 3: New people Ray and Valerie are really having scenes without

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Speaker 3: any of the rest of you. I'm sure it's happened

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Speaker 3: a little bit before, but we saw a lot of

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Speaker 3: Valerie with meaning.

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Speaker 2: Like without a OG cast member.

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Speaker 6: So it's like.

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Speaker 3: Valerie's got scenes with just Jonesy, Ray's got scenes with

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Speaker 3: just Aeriel, and we have a Valerie Ray interaction. So

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Speaker 3: I just stood out to me that, Wow, this episode

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Speaker 3: was very filled with these new cast members really becoming.

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Speaker 2: Opening up some doors.

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Speaker 3: Yeah, like like real, I don't know what the word is.

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Speaker 3: They're out there on their own without you guys.

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Speaker 2: Cool, we need a little break. We're tired. That's so true.

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Speaker 6: But yeah, that sort of it was It didn't bother me.

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Speaker 3: I enjoyed it, but I did note it that it's like,

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Speaker 3: oh wow, they're really giving these people their own storylines.

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Speaker 2: Now it's going to keep happening with more and more

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Speaker 2: and more people.

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Speaker 1: Yeah, yeah, I like it. I am all of a

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Speaker 1: sudden this is my favorite show. I mean, I've kept

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Speaker 1: saying that before. I really love the show, but now

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Speaker 1: that it's honestly it's gotten like a little soapier, I'm

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Speaker 1: so sucked in.

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Speaker 2: Oh my gosh, wait, I just want to hear her

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Speaker 2: say that again. I'm so sucked in.

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Speaker 5: Not that part, Oh.

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Speaker 2: My god it. Oh no, I like.

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Speaker 6: So what do we think of this part?

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Speaker 2: Usually you do not like it?

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Speaker 1: So I know I've changed my ways. People, what do

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Speaker 1: you Okay?

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Speaker 3: So do you want to start with Ray or Valerie?

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Speaker 2: Let's just start the top because I love.

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Speaker 1: This amazing what we're provided with, this amazing episode recap

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Speaker 1: that our team does, and I have never really fully

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Speaker 1: appreciated it until I went through it last night. It's

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Speaker 1: so freaking good. So let's just kind of do the

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Speaker 1: show like that today.

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Speaker 2: Can we do that?

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Speaker 3: Just?

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Speaker 1: Yes, guys, Lorraine, did you do this?

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Speaker 6: Who did this? Lorraine? And Sydney.

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Speaker 2: I think are doing it.

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Speaker 1: Lorraine and Sydney. Props to you because you guys are

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Speaker 1: on fuego.

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Speaker 2: Yes, I can't open it, damn it.

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Speaker 3: Okay, hold on, yeah, Jenny can just walk us through

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Speaker 3: it starting with value.

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Speaker 1: Yeah, and then we'll just talking about Okay, So we

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Speaker 1: opened We opened it. Dylan's house, right, he's back from Hawaii.

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Speaker 1: He left Erica with with Iris. I almost said Iris,

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Speaker 1: I mean, can I immediately throw a flag on the play?

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Speaker 2: Yeah?

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Speaker 3: What world is it that easy for a child to

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Speaker 3: be removed from her parents? I guess, given to her

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Speaker 3: long lost brother whatevs, and then give a woman who

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Speaker 3: is not her mother, is not a relative in any capacity.

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Speaker 2: This is ridiculous.

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Speaker 3: Well, courts are involved. It's just like she just lives

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Speaker 3: in Hawaii with Iris now, and.

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Speaker 1: I was thinking, oh man, what a commitment, Iris, You're

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Speaker 1: taking a teenage girl on.

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Speaker 2: Wow. I feel like someone brought that up. There's got

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Speaker 2: there's always someone.

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Speaker 3: The love child of her ex and a random criminal lady.

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Speaker 2: Right. I feel like there was someone in the spelling

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Speaker 2: team that was like, uh, hold on, there, like we

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Speaker 2: gotta do this, and my dad was like, nah, no

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Speaker 2: one wants to see that, and Al was.

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Speaker 3: Just fine with it. Like I understand her mom is

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Speaker 3: a criminal, right, a terrible criminal, but that's still her daughter.

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Speaker 3: And Eric is just gonna be fine. She seemed way

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Speaker 3: too chill.

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Speaker 2: What else is she gonna do?

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Speaker 1: And hello, she gets to live in Hawaii with uh

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Speaker 1: free to be you and me like hippie mother like

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Speaker 1: I thought.

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Speaker 2: Me, yeah, same, She's at the.

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Speaker 1: Beach every day's complaining, she's thriving, so all right, fine,

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Speaker 1: I'll just roll with it. Valeria asks Dylan for a

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Speaker 1: cup of money since he helped she helped get Erica back.

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Speaker 2: Yeah. Fair. I was super distracted by her outfit though,

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Speaker 2: and I couldn't listen to a word.

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Speaker 6: She was tea.

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Speaker 3: It was not over T shirt.

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Speaker 2: That one didn't work. I didn't. You didn't like it?

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Speaker 2: Knows it got too sweater best over white tea? Yeah

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Speaker 2: yeah it was. Yeah, but it was a rib tea

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Speaker 2: Like maybe if the texture had been different, I would

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Speaker 2: have been okay with it, but it really bothered me.

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Speaker 2: Very very specific about your tea qualities, okay.

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Speaker 6: You know.

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Speaker 3: And she did have some sort of dessert that I

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Speaker 3: thought looked real bad.

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Speaker 5: Oh.

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Speaker 1: She she handmade some chocolate covered strawberries, I think, and

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Speaker 1: they looked so bad.

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Speaker 2: They did look ratchet. Yeah, they did not like the

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Speaker 2: second time they've tried to elude that she's like a

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Speaker 2: di y like baker, right, am I wrong? This is

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Speaker 2: it's true that bitch cannot bake. I'm sorry. But they

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Speaker 2: keep throwing it in there and it's not even well done.

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Speaker 2: So is there a reason, like, oh she truck.

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Speaker 3: Yeah, maybe it's like a bit because those were not

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Speaker 3: Charter gallery.

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Speaker 2: Yeah, I don't see that that cake that threw you

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Speaker 2: over the edge because it was leaning. We didn't like that, Halton.

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Speaker 6: Ferries.

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Speaker 2: Okay.

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Speaker 1: Then we go to the peach pit where Brandon shows

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Speaker 1: Andrea the article that he's writing and support of Professor Finley,

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Speaker 1: and Andrea does not agree with what he's doing.

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Speaker 3: M hm right. I got the vine that she's just like, uh, hey,

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Speaker 3: there are ulterior motives.

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Speaker 1: Right, Well, she's calling him out saying, the only reason

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Speaker 1: you're doing this is to make Kelly happy.

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Speaker 2: Yeah, trying to like, you know what about professor. But

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Speaker 2: he's trying to like buoy up her a little bit

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Speaker 2: in a way, like why are you here with me?

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Speaker 2: Like you know this is happening, like Jesse and you're

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Speaker 2: here with me right now, Like, is he trying to

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Speaker 2: throw that back in her face that she like used

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Speaker 2: to be obsessed with him?

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Speaker 3: Oh, that's interesting, actually, but that's the sort of that's

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Speaker 3: all distraction. Still sprinkle, just sort of that's really a

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Speaker 3: good call out to her because it's a sprinkle that

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Speaker 3: that leads us to what happens in the episode. And

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Speaker 3: you're right, I didn't think of that till you said

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Speaker 3: it right now. He does say that because Jesse's going

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Speaker 3: on the trip, and it is a little illogical that

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Speaker 3: she's like at the peach pit with Brandon when her

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Speaker 3: husband's about to go.

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Speaker 1: Up a little bit for for tell it? What's that

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Speaker 1: so called foreshadowing? Foreshadowing?

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Speaker 6: Yeah, yeah, you.

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Speaker 2: Like foretelling though.

263
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Speaker 6: Feeling by later.

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Speaker 1: Beach House, where Kelly has organized a phone tree in

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Speaker 1: support of Professor Finley. She answers the phone with save

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Speaker 1: Finley and dam are all mad that she can't use

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Speaker 1: the phone.

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Speaker 2: How did sad that your watch was so loose It

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Speaker 2: was like a bracelet and it was just like flipping

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Speaker 2: all around.

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Speaker 1: I don't like tight things around my wrists. I'm sorry more, And.

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Speaker 3: How did you get twenty landlines installed in.

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Speaker 2: The right like that, I set up headquarters.

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Speaker 6: There's no phone guy.

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Speaker 3: Just suddenly you've got many, many phone lines just operating

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Speaker 3: out of the beach house.

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Speaker 1: Is this is this where Kelly says your favorite line, Amy,

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Speaker 1: use my car phone.

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Speaker 3: Like Donna desperately needs to call Ray and you literally

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Speaker 3: just say, use my car phone.

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Speaker 2: It'll be fine, not one of these.

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Speaker 3: Forty two lines I've mysteriously installed in our homes.

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Speaker 1: And don't mind all these random strangers in our house.

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Speaker 2: I believe you had been that interested when we were

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Speaker 2: doing like all our sorority parties, Like I like organizing

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Speaker 2: those parties, and you had no interest in those. But yeah,

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Speaker 2: and you've like made this happen like that.

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Speaker 1: And she's I really appreciate her organizational skills here.

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Speaker 6: Yeah, there's some Jenny coming out.

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Speaker 2: Is it Jenny? Is it Kelly? I don't know who knows?

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Speaker 3: And Donna had a great song that at first I

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Speaker 3: thought was a top and then I recalled, oh no,

293
00:14:03,400 --> 00:14:08,280
Speaker 3: that's a dress. It's that cute sort of metallicy silver

294
00:14:08,480 --> 00:14:12,119
Speaker 3: dress that sort of was a memorable outfit.

295
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Speaker 1: Where are you going in this fancy dress? I think

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Speaker 1: she's going to the peach pit after dark.

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Speaker 2: Yeah, at the time, they were called kimono dresses and

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Speaker 2: they were just coming in. Yes, they used to wear them,

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Speaker 2: like I would say, I don't know, is it the

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Speaker 2: fifties forties, I don't know if they didn't store and

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Speaker 2: then they came in. So yeah, like at Ardvark on Melrose,

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Speaker 2: I used to get them like secretly, like in the

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Speaker 2: late eighties, early nineties. Yeah, you look good, inn't it?

304
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Speaker 1: And I think you wear it to the peach pit

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Speaker 1: after dark, which we don't ever get to see.

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Speaker 6: But I remembered the dress.

307
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Speaker 3: So when I saw the episode this time, I was like,

308
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Speaker 3: oh my god, there's that dress and it imprinted from

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Speaker 3: back in the nineties, I think, as it was like right,

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Speaker 3: very fashion forward, and then I'm assuming possibly became a

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Speaker 3: trend because of nine oh two one oh.

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Speaker 2: So old school. You remember when like men would get

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Speaker 2: like uh tatted up and they would get like sexy

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Speaker 2: girls like and they would have kimono style dresses on.

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Speaker 2: And that's from oh yeah, way back, like yeah, what

316
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Speaker 2: was then?

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Speaker 3: Do it all?

318
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Speaker 2: Right?

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00:15:18,120 --> 00:15:21,479
Speaker 1: So now we are back at Dylan's house. Yes, Valerie

320
00:15:21,640 --> 00:15:26,280
Speaker 1: gets out of bed because apparently the strawberries worked, and

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Speaker 1: she immediately wants her money. Dylan writes her check for

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Speaker 1: ten k, and she thinks that's not enough compared to

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Speaker 1: the millions that he got. Dylan won't budge and Val.

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Speaker 1: He tells Val take it or leave it.

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Speaker 3: Yeah. I kind of liked that he didn't budge, but

326
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Speaker 3: he maybe could have done a little more.

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Speaker 1: What do you think would have been like a correct amount.

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Speaker 1: I mean I would have said, like, let's talk about it.

329
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Speaker 1: I wouldn't have been like, take it or leave it.

330
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Speaker 1: Because she really did.

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Speaker 2: Help him out.

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Speaker 5: She did.

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Speaker 1: She did, I think put herself in harms.

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Speaker 6: Way, say fifty thousand would have.

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Speaker 3: And probably he got four million because there was eight

336
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Speaker 3: million and Jonesy got four million.

337
00:16:05,600 --> 00:16:07,520
Speaker 1: Fifty grand back then in the nineties.

338
00:16:07,560 --> 00:16:12,320
Speaker 3: That's he got four million. Because it doesn't matter. Yeah,

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00:16:12,360 --> 00:16:14,480
Speaker 3: she almost died and got bopped in the face.

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Speaker 2: Okay, okay, Well here's what's really stressing me out. The

341
00:16:19,120 --> 00:16:22,000
Speaker 2: shot of her pulling up her pants, like it took

342
00:16:22,160 --> 00:16:26,400
Speaker 2: so long, but she she I was waiting for it.

343
00:16:26,440 --> 00:16:27,880
Speaker 2: I was like, is she going to do the top button?

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00:16:27,880 --> 00:16:30,000
Speaker 2: Because that was her jam right to leave that top

345
00:16:30,040 --> 00:16:34,080
Speaker 2: button open in the nineties. She did it, She did it.

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Speaker 3: I did not care for his ever growing Go tea

347
00:16:37,400 --> 00:16:39,400
Speaker 3: that was growing more and more each.

348
00:16:39,400 --> 00:16:41,760
Speaker 2: So it's so sketch because those are in now. And

349
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Speaker 2: when guys do it like that, I'm like, it's so

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Speaker 2: like do.

351
00:16:46,040 --> 00:16:47,880
Speaker 1: Yeah, I'm not into a go tea at all.

352
00:16:48,360 --> 00:16:51,640
Speaker 2: No, this is this phrase, you guys, and I'm just

353
00:16:51,680 --> 00:16:55,040
Speaker 2: going to tell you I'm not into it. Like he

354
00:16:55,160 --> 00:16:58,320
Speaker 2: saw her, he rocks at Go Tea for more. Now

355
00:16:58,520 --> 00:17:00,800
Speaker 2: this is the beginning. He's gonna Yeah, he's going to

356
00:17:00,920 --> 00:17:03,440
Speaker 2: keep going. It's that and then the hair and then

357
00:17:03,480 --> 00:17:06,639
Speaker 2: the what is it called the mock one button? You

358
00:17:06,680 --> 00:17:10,840
Speaker 2: guys are talking linen like shirt. He's going to keep

359
00:17:10,920 --> 00:17:14,120
Speaker 2: wearing this stuff. And this is not when I find him.

360
00:17:14,720 --> 00:17:16,159
Speaker 2: That's you know, with you.

361
00:17:16,200 --> 00:17:19,040
Speaker 1: I don't like that collar and shirt, her coat because she.

362
00:17:19,080 --> 00:17:21,120
Speaker 3: Was cold and I think she might borrow his coat

363
00:17:21,160 --> 00:17:24,280
Speaker 3: or it's her coat, very cute coat. And I always.

364
00:17:23,960 --> 00:17:25,359
Speaker 2: Notice when he's saying anything.

365
00:17:26,240 --> 00:17:29,840
Speaker 3: So Dylan Luke is a lefty, which really you notice

366
00:17:29,840 --> 00:17:31,480
Speaker 3: when he's right in the check, which I'm.

367
00:17:31,400 --> 00:17:33,000
Speaker 1: Like, I mean going back to the dollar amount. I

368
00:17:33,040 --> 00:17:35,320
Speaker 1: don't think it has anything to do with what he

369
00:17:35,400 --> 00:17:38,480
Speaker 1: gets what he got, that's his money. That's besides the right.

370
00:17:38,600 --> 00:17:42,280
Speaker 1: Truly hired her as an independent hooker, I mean contractor.

371
00:17:42,520 --> 00:17:45,920
Speaker 2: And she should be paid the going rate for such.

372
00:17:46,320 --> 00:17:48,840
Speaker 3: So I think ten thousand feels low on.

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00:17:48,720 --> 00:17:51,520
Speaker 2: A risk your life. But I'm not going to go

374
00:17:51,600 --> 00:17:54,160
Speaker 2: fifty k for that. Well, I got to go to Mexico.

375
00:17:55,520 --> 00:17:59,399
Speaker 3: I think Jonesy took way too much fifty percent crazy.

376
00:17:59,440 --> 00:18:02,000
Speaker 6: Yeah, that's really like, why does Jonesy.

377
00:18:01,680 --> 00:18:02,800
Speaker 2: Even need to work anymore?

378
00:18:02,880 --> 00:18:08,600
Speaker 1: Jones again should have been paid a smillary a million.

379
00:18:08,920 --> 00:18:11,399
Speaker 3: I would have given a million to Jonesy because he

380
00:18:11,440 --> 00:18:13,320
Speaker 3: came up with the whole plan, and we wouldn't have

381
00:18:13,359 --> 00:18:17,240
Speaker 3: gotten anything without him. Fifty thousand, maybe a hundred.

382
00:18:17,000 --> 00:18:20,760
Speaker 1: A million dollars a million dollars he would have given him,

383
00:18:21,000 --> 00:18:21,879
Speaker 1: we would have had zero.

384
00:18:22,240 --> 00:18:26,480
Speaker 3: Jonesy found them and cocted the plan, knew how to

385
00:18:26,480 --> 00:18:27,439
Speaker 3: get the money.

386
00:18:27,440 --> 00:18:29,200
Speaker 6: There's no money without Jonesy.

387
00:18:29,480 --> 00:18:32,920
Speaker 3: Okay, he deserves a lot of money.

388
00:18:33,000 --> 00:18:37,880
Speaker 2: I think she deserves more though, but whatever, Oh okay,

389
00:18:38,160 --> 00:18:40,879
Speaker 2: she's getting the boy too right, So he's like throwing

390
00:18:40,880 --> 00:18:41,520
Speaker 2: that in like.

391
00:18:42,880 --> 00:18:45,320
Speaker 1: Moving back to the peach pit. Now the peach pit

392
00:18:45,359 --> 00:18:49,320
Speaker 1: after dark, Ariel shows up and David with her new

393
00:18:49,400 --> 00:18:54,560
Speaker 1: new hairdoo, and David is shocked to see her. Ariel

394
00:18:54,560 --> 00:19:00,879
Speaker 1: says she wants to meet Ray Pruett. Ray is on

395
00:19:00,960 --> 00:19:04,800
Speaker 1: the phone with Donna and of course starts misstree dress

396
00:19:04,800 --> 00:19:07,480
Speaker 1: for not being for not bringing him a clean shirt.

397
00:19:08,040 --> 00:19:12,360
Speaker 1: Oh yeah, when Ariel invites Ray to meet her boss.

398
00:19:14,840 --> 00:19:18,359
Speaker 2: You know, I'm puffing fire Storms. So Harry see you're

399
00:19:18,400 --> 00:19:22,520
Speaker 2: getting worked up. I'm getting all did you like her

400
00:19:22,560 --> 00:19:23,960
Speaker 2: new hairdoo? Because I did?

401
00:19:24,200 --> 00:19:24,520
Speaker 5: I did.

402
00:19:25,920 --> 00:19:29,240
Speaker 6: I just thought, Oh, Ariel, up to your old tricks,

403
00:19:29,720 --> 00:19:30,040
Speaker 6: all right?

404
00:19:30,119 --> 00:19:30,800
Speaker 2: Do you have anything else?

405
00:19:30,840 --> 00:19:30,959
Speaker 1: Oh?

406
00:19:31,320 --> 00:19:34,760
Speaker 3: Yeah, because raise a little John Mellencamp and a little

407
00:19:34,920 --> 00:19:35,680
Speaker 3: Joe Cocker.

408
00:19:35,920 --> 00:19:39,480
Speaker 2: Oh he likes name. I was like the classic rockers.

409
00:19:39,560 --> 00:19:44,200
Speaker 3: Yeah yeah, Harry Dixon at Firestorm Record's gonna love him.

410
00:19:44,720 --> 00:19:49,280
Speaker 2: Wait, what about the Is that a real name? Harry Dixon?

411
00:19:49,760 --> 00:19:54,560
Speaker 3: Harry Dixon, No, but it sounds very bad, Harry Dixon.

412
00:19:55,640 --> 00:19:58,840
Speaker 2: Did you guys notice that you make it your new alias?

413
00:20:00,200 --> 00:20:01,240
Speaker 6: When I stayed at a hotel.

414
00:20:01,240 --> 00:20:03,480
Speaker 3: If I was famous, I would totally be like put

415
00:20:03,520 --> 00:20:07,440
Speaker 3: it under Harry Dixon. Ah, she is not going to

416
00:20:07,480 --> 00:20:09,760
Speaker 3: be an an r REP. She's sort of like, I

417
00:20:09,760 --> 00:20:13,120
Speaker 3: don't know I'm not her career path is question mark

418
00:20:13,160 --> 00:20:13,399
Speaker 3: for me.

419
00:20:13,520 --> 00:20:17,920
Speaker 2: But why couldn't she be? I don't know, good, question nothing?

420
00:20:18,000 --> 00:20:19,600
Speaker 2: Why can't she be?

421
00:20:20,600 --> 00:20:22,639
Speaker 1: I think she's doing great. She found David and she

422
00:20:22,680 --> 00:20:26,200
Speaker 1: found Ray. Yeah, let's go to Andrea's house.

423
00:20:26,560 --> 00:20:30,159
Speaker 2: It's like working girl, yep, like using her brain and

424
00:20:30,280 --> 00:20:31,239
Speaker 2: are bot why not?

425
00:20:31,720 --> 00:20:33,400
Speaker 3: She's handed all the big stars.

426
00:20:33,440 --> 00:20:45,560
Speaker 5: Good for her.

427
00:20:46,760 --> 00:20:49,080
Speaker 1: Let's go to Andrea's house where Jesse is going out

428
00:20:49,080 --> 00:20:52,560
Speaker 1: of town, but Hannah is sick, so Jesse tells Andrea

429
00:20:52,600 --> 00:20:57,400
Speaker 1: to call her friend Peter the nurse, the doctor.

430
00:20:57,200 --> 00:20:59,160
Speaker 6: But not a nurse, he's a resident.

431
00:20:59,160 --> 00:21:02,440
Speaker 1: I think, I'm sorry resident, he's a resident And she's like, hmm,

432
00:21:02,520 --> 00:21:03,440
Speaker 1: maybe I will.

433
00:21:03,640 --> 00:21:08,239
Speaker 3: I wrote, uh, and then she immediately calls hello, is

434
00:21:08,280 --> 00:21:09,920
Speaker 3: doctor Peter Tucker on call?

435
00:21:10,400 --> 00:21:11,280
Speaker 6: Oh.

436
00:21:11,320 --> 00:21:13,760
Speaker 2: It's a bummer when you go back in time and

437
00:21:13,800 --> 00:21:16,320
Speaker 2: realize that they kind of set it up for you.

438
00:21:17,119 --> 00:21:20,560
Speaker 3: And it was very sort of, it was very lascivious

439
00:21:20,600 --> 00:21:24,960
Speaker 3: the whole Is that the right word. It's very Yes,

440
00:21:25,520 --> 00:21:30,200
Speaker 3: it's a very intentional sort of inappropriate behavior.

441
00:21:31,880 --> 00:21:37,360
Speaker 2: I like it same, all right?

442
00:21:38,920 --> 00:21:40,639
Speaker 6: Is my favorite moment of Okay.

443
00:21:41,480 --> 00:21:46,600
Speaker 1: Kenny Kelly runs into Brandon and Cindy huh while she's

444
00:21:46,640 --> 00:21:51,160
Speaker 1: with Professor Finley and she is super mean to Brandon.

445
00:21:51,080 --> 00:21:54,040
Speaker 3: Yes, in front of his mother in his very very

446
00:21:54,560 --> 00:22:00,920
Speaker 3: very oversized bomber jacket. I like it, very puffy oversized body.

447
00:22:01,000 --> 00:22:02,760
Speaker 2: Wait, does Cindy still go to college? There is that?

448
00:22:04,040 --> 00:22:06,879
Speaker 1: Because I forgot all about that. I forgot about that,

449
00:22:08,240 --> 00:22:09,600
Speaker 1: or maybe she just brought him lunch.

450
00:22:10,960 --> 00:22:13,440
Speaker 2: No, she's going to school, dude, she's going to class.

451
00:22:13,440 --> 00:22:17,879
Speaker 2: I forgot about that. Yeah, yeah, you're a little frosting,

452
00:22:18,240 --> 00:22:20,160
Speaker 2: like that frostiness from cal cal.

453
00:22:21,880 --> 00:22:24,600
Speaker 1: David tells Donna that the A n R Rep Is aerial,

454
00:22:24,800 --> 00:22:27,560
Speaker 1: and Donna for freaks out.

455
00:22:28,040 --> 00:22:30,159
Speaker 6: Donna with a ponytail. I think I wrote Donna with

456
00:22:30,160 --> 00:22:30,480
Speaker 6: a pone.

457
00:22:30,840 --> 00:22:35,000
Speaker 2: I was not like not that. I honestly cringed in

458
00:22:35,000 --> 00:22:37,800
Speaker 2: my looks this episode. And you know, you, guys, I've

459
00:22:37,800 --> 00:22:40,240
Speaker 2: worked really hard to like be able to watch this

460
00:22:40,440 --> 00:22:42,720
Speaker 2: back and not be like, oh, I don't feel good

461
00:22:42,760 --> 00:22:46,760
Speaker 2: about how I looked in that stuff like that. This

462
00:22:46,800 --> 00:22:50,359
Speaker 2: episode actually took me out. I was like, oh, well.

463
00:22:50,240 --> 00:22:53,719
Speaker 1: Your eyes like puffy, that's natural, that's gonna happen. We

464
00:22:53,760 --> 00:22:56,480
Speaker 1: can't love the way we look all the time.

465
00:22:56,440 --> 00:23:00,439
Speaker 2: Okay, But I was hard I was doing well.

466
00:23:00,320 --> 00:23:06,560
Speaker 1: Though, Remind yourself in those moments of criticizing yourself, you're

467
00:23:06,640 --> 00:23:09,359
Speaker 1: right that you loved think of Yeah.

468
00:23:09,240 --> 00:23:10,720
Speaker 3: You looked great in this episode. By the way, you

469
00:23:10,760 --> 00:23:13,320
Speaker 3: have the iconic dress. What do we think of David

470
00:23:13,400 --> 00:23:16,439
Speaker 3: telling Donna? I thought, good for you, David.

471
00:23:17,840 --> 00:23:20,520
Speaker 1: Oh, now he's gonna be forthcoming with Donna and tell

472
00:23:20,560 --> 00:23:21,080
Speaker 1: her things.

473
00:23:21,359 --> 00:23:24,840
Speaker 3: Yeah, well it's the good point. But I thought, you

474
00:23:24,840 --> 00:23:27,080
Speaker 3: know what, I think he kind of did do the

475
00:23:27,160 --> 00:23:27,520
Speaker 3: right thing.

476
00:23:27,640 --> 00:23:33,520
Speaker 2: This is really setting up their relationship as best friends

477
00:23:33,560 --> 00:23:36,879
Speaker 2: and confidants that goes on for a long time before

478
00:23:36,920 --> 00:23:37,919
Speaker 2: they get back together.

479
00:23:38,160 --> 00:23:38,440
Speaker 3: True.

480
00:23:39,640 --> 00:23:40,000
Speaker 2: True.

481
00:23:41,680 --> 00:23:47,200
Speaker 3: Then at Firestorm Records, Ray in another bomb record there

482
00:23:47,280 --> 00:23:52,119
Speaker 3: was a sale at the bomber Jacket store for this episode.

483
00:23:52,200 --> 00:23:54,439
Speaker 1: Go teas and bomber jackets this.

484
00:23:54,400 --> 00:23:57,399
Speaker 2: Episode fashion wise, I'm sorry, it just lost me. I

485
00:23:57,440 --> 00:24:01,280
Speaker 2: felt like, does someone step in? I don't know. I

486
00:24:01,400 --> 00:24:03,159
Speaker 2: wasn't m.

487
00:24:05,040 --> 00:24:08,240
Speaker 1: Yeah, I wasn't thrilled with it either. There was not

488
00:24:08,280 --> 00:24:09,520
Speaker 1: a lot of consistency.

489
00:24:10,400 --> 00:24:11,120
Speaker 2: I noticed.

490
00:24:11,160 --> 00:24:14,320
Speaker 3: It is this where Ariel says, don't make me beg

491
00:24:14,880 --> 00:24:19,040
Speaker 3: to ray Eh, Yeah, that's not professional.

492
00:24:21,920 --> 00:24:23,800
Speaker 2: So I do have that right, don't make me beg.

493
00:24:24,119 --> 00:24:27,199
Speaker 2: He kind of is turning down her her crap offer,

494
00:24:27,600 --> 00:24:30,320
Speaker 2: which I also thought begged, doesn't he.

495
00:24:32,320 --> 00:24:33,160
Speaker 5: Or is a callback?

496
00:24:34,520 --> 00:24:36,400
Speaker 6: I don't know, But is this where he turns down

497
00:24:36,440 --> 00:24:36,879
Speaker 6: the offer?

498
00:24:37,600 --> 00:24:38,520
Speaker 5: Yep?

499
00:24:38,920 --> 00:24:43,800
Speaker 2: Does he do that for Donna? Donna?

500
00:24:43,800 --> 00:24:45,760
Speaker 6: No, he does it because it was an offer.

501
00:24:45,800 --> 00:24:49,000
Speaker 3: And I was impressed by his smarts because he was like,

502
00:24:49,119 --> 00:24:50,800
Speaker 3: I'm not giving you all the publishing.

503
00:24:51,040 --> 00:24:52,320
Speaker 6: Maybe he loves the girl.

504
00:24:52,600 --> 00:24:56,120
Speaker 3: First of all, it was very savvy. He very very savvy,

505
00:24:56,119 --> 00:24:58,040
Speaker 3: and I'm like, Okay, this guy knows what he's doing.

506
00:24:58,280 --> 00:25:01,639
Speaker 3: He was not going to give up publishing. And it

507
00:25:01,840 --> 00:25:07,000
Speaker 3: was legit, like that was a legit conversation between these people.

508
00:25:07,080 --> 00:25:09,840
Speaker 3: And he was like, I don't I'm not so desperate

509
00:25:10,160 --> 00:25:13,240
Speaker 3: that I'm giving you all the rights to all my songs. Yeah,

510
00:25:13,720 --> 00:25:16,640
Speaker 3: she clearly did not do since we can't even hear

511
00:25:16,720 --> 00:25:17,160
Speaker 3: the song.

512
00:25:18,359 --> 00:25:20,880
Speaker 2: He's clearly a very good businessman in real.

513
00:25:20,720 --> 00:25:25,119
Speaker 6: Life as well. Yeah, So that was it.

514
00:25:25,200 --> 00:25:26,040
Speaker 2: That's good.

515
00:25:26,400 --> 00:25:29,960
Speaker 1: So so then Dylan goes to Jim's office, right yep,

516
00:25:30,440 --> 00:25:34,399
Speaker 1: and he asks Jim to be his business manager again

517
00:25:34,960 --> 00:25:35,920
Speaker 1: not leering.

518
00:25:36,720 --> 00:25:39,320
Speaker 3: Oh, I liked him in the suit. And Jim had

519
00:25:39,320 --> 00:25:40,639
Speaker 3: a computer now on his desk.

520
00:25:41,359 --> 00:25:42,840
Speaker 2: Two boys and you were bored.

521
00:25:44,000 --> 00:25:44,680
Speaker 6: They were just there.

522
00:25:46,840 --> 00:25:49,320
Speaker 1: Whenever you say the words business manager, I'm like, ah,

523
00:25:50,320 --> 00:25:50,800
Speaker 1: but it's.

524
00:25:50,640 --> 00:25:53,159
Speaker 3: Different this time, Jenny. It's not going to be like

525
00:25:53,320 --> 00:25:53,840
Speaker 3: last time.

526
00:25:54,280 --> 00:25:59,480
Speaker 1: Okay, Well, Dylan does tell him that he gave Val

527
00:26:00,119 --> 00:26:02,800
Speaker 1: thousand dollars, but.

528
00:26:02,960 --> 00:26:06,040
Speaker 2: You know, is Jim yeah, because Jim hates him?

529
00:26:06,800 --> 00:26:07,040
Speaker 5: Is there?

530
00:26:07,240 --> 00:26:14,040
Speaker 2: I'm convinced you happened he does. He doesn't seem to

531
00:26:14,040 --> 00:26:14,560
Speaker 2: care for her.

532
00:26:14,800 --> 00:26:18,160
Speaker 1: No, it's like to it a level, something has hate

533
00:26:18,280 --> 00:26:20,760
Speaker 1: in his heart for Val. I feel like he just

534
00:26:20,800 --> 00:26:22,320
Speaker 1: doesn't trust her.

535
00:26:23,640 --> 00:26:28,720
Speaker 2: It's which is something that is not even fair. But

536
00:26:28,880 --> 00:26:31,480
Speaker 2: I don't think it's something that he's even aware of.

537
00:26:31,640 --> 00:26:34,720
Speaker 2: I don't know there's something more than not trusting because

538
00:26:34,880 --> 00:26:37,640
Speaker 2: I see Jim when he doesn't trust people, and he's

539
00:26:37,720 --> 00:26:41,880
Speaker 2: up front, there's something that even like gets She gets

540
00:26:41,920 --> 00:26:45,480
Speaker 2: under his skin in such a weird way or something else.

541
00:26:45,920 --> 00:26:47,960
Speaker 6: That's it. That's also really true.

542
00:26:48,240 --> 00:26:50,639
Speaker 3: She gets under his skin and maybe he just is

543
00:26:50,680 --> 00:26:54,399
Speaker 3: so he doesn't like her behavior. You know, he's a real.

544
00:26:54,400 --> 00:27:02,280
Speaker 4: Honest he's got maybe this is boy yeah, and this

545
00:27:02,400 --> 00:27:04,680
Speaker 4: is and does she can't compare to his Brenda?

546
00:27:05,200 --> 00:27:06,600
Speaker 2: I know exactly what it is.

547
00:27:06,600 --> 00:27:07,240
Speaker 5: It just hit me.

548
00:27:07,280 --> 00:27:11,760
Speaker 2: You guys, because on some level he could never have

549
00:27:11,880 --> 00:27:16,520
Speaker 2: a girl like that. He's in a very controlled relationship,

550
00:27:16,600 --> 00:27:19,400
Speaker 2: not on purpose, and he's great, but it's very structured

551
00:27:19,480 --> 00:27:22,920
Speaker 2: and very and then he's in his business world. So

552
00:27:22,960 --> 00:27:25,560
Speaker 2: a girl like val is something. It rubs him the

553
00:27:25,600 --> 00:27:28,240
Speaker 2: wrong way because he wishes he could have a girl

554
00:27:28,280 --> 00:27:34,040
Speaker 2: like ew. Sorry, I don't know. I'm happy to have

555
00:27:34,080 --> 00:27:37,000
Speaker 2: conversations about me and Jim. No, it's not real. This

556
00:27:37,080 --> 00:27:43,160
Speaker 2: isn't real. It's subliminal. I don't think even anyone out.

557
00:27:43,240 --> 00:27:46,439
Speaker 3: We're fine to think of you and Jim but not

558
00:27:46,800 --> 00:27:48,160
Speaker 3: his not daughter.

559
00:27:48,080 --> 00:27:49,520
Speaker 2: But not Kelly and Jim.

560
00:27:50,280 --> 00:27:53,320
Speaker 3: H true? True? Yeah, what a different show if Jim

561
00:27:53,400 --> 00:27:55,040
Speaker 3: started having an affair with one of them?

562
00:27:55,080 --> 00:27:57,120
Speaker 2: Okay, do you want me to say Tiffany and Jim?

563
00:27:57,160 --> 00:28:00,359
Speaker 2: Does that work better for you? No? No? Doesn't.

564
00:28:01,840 --> 00:28:03,960
Speaker 6: Once again? Can I say one quick thing?

565
00:28:04,160 --> 00:28:04,520
Speaker 2: Yes?

566
00:28:04,680 --> 00:28:05,320
Speaker 6: Once again?

567
00:28:05,520 --> 00:28:08,320
Speaker 3: Because I do read all the comments because I am

568
00:28:08,359 --> 00:28:12,400
Speaker 3: not the biggest Valerie fan, which why would I be?

569
00:28:12,400 --> 00:28:15,960
Speaker 3: Because she's lying and conniving, right, they don't think they're

570
00:28:16,119 --> 00:28:18,240
Speaker 3: like Tiffany and can I just say.

571
00:28:18,200 --> 00:28:20,760
Speaker 2: For once and for all, no, you don't need to

572
00:28:20,760 --> 00:28:22,240
Speaker 2: say it, can I please?

573
00:28:22,560 --> 00:28:23,119
Speaker 3: Okay? Okay?

574
00:28:23,320 --> 00:28:24,440
Speaker 2: She wants to say it. Let her say it.

575
00:28:24,600 --> 00:28:29,160
Speaker 3: Let not only and my friends with Shannon, I am

576
00:28:29,160 --> 00:28:32,360
Speaker 3: friends with Tiffany.

577
00:28:32,520 --> 00:28:32,800
Speaker 2: Yep.

578
00:28:32,920 --> 00:28:35,840
Speaker 3: You guys, you just are sagging me like I don't

579
00:28:35,880 --> 00:28:39,360
Speaker 3: and I it's so fascinating, And I think it's a

580
00:28:39,400 --> 00:28:43,400
Speaker 3: whole thing about this show, because never if I said

581
00:28:43,520 --> 00:28:46,120
Speaker 3: I don't like I don't know some other character on

582
00:28:46,160 --> 00:28:48,640
Speaker 3: TV that I don't like, do I think people would

583
00:28:48,680 --> 00:28:50,080
Speaker 3: think I don't like the actor.

584
00:28:50,960 --> 00:28:53,960
Speaker 1: It's weird because you're coming from a you are a

585
00:28:53,960 --> 00:29:00,000
Speaker 1: true super fan, and you have very distinct opinions about characters,

586
00:29:00,120 --> 00:29:02,959
Speaker 1: and that's your right, and that's what makes you a

587
00:29:02,960 --> 00:29:06,800
Speaker 1: true super fan. And it's very fascinating to me because

588
00:29:06,800 --> 00:29:08,160
Speaker 1: they're getting out at you about it.

589
00:29:08,640 --> 00:29:12,200
Speaker 6: Yep, and change it to the actor.

590
00:29:12,880 --> 00:29:15,080
Speaker 3: So I do find that fascinating because I think if

591
00:29:15,080 --> 00:29:16,440
Speaker 3: I said to you, like, I'm trying to think of

592
00:29:16,480 --> 00:29:21,120
Speaker 3: another TV show, so I'm watching whatever, I.

593
00:29:21,160 --> 00:29:23,200
Speaker 2: Can't wait, can you not say it or are you

594
00:29:23,280 --> 00:29:23,760
Speaker 2: allowed to do it?

595
00:29:23,960 --> 00:29:26,400
Speaker 3: Pretend I'm watching I don't know, I'm watching twenty four,

596
00:29:26,480 --> 00:29:29,320
Speaker 3: rewatching twenty four and say I was like, I do

597
00:29:29,440 --> 00:29:31,120
Speaker 3: not like the character of Chloe. By the way, I

598
00:29:31,120 --> 00:29:33,040
Speaker 3: do love Chloe but say I didn't. I just don't

599
00:29:33,080 --> 00:29:36,760
Speaker 3: think anyone's gonna think I don't like the actor portraying Chloe.

600
00:29:36,920 --> 00:29:39,400
Speaker 2: Yeah, let's go with One Tree Hill. What happens One

601
00:29:39,400 --> 00:29:41,680
Speaker 2: Tree Hill? So they say I was like, I don't

602
00:29:41,760 --> 00:29:42,480
Speaker 2: like Brook.

603
00:29:42,800 --> 00:29:45,200
Speaker 3: I just don't think anyone's gonna think I don't like

604
00:29:45,640 --> 00:29:47,160
Speaker 3: the actor that played Brook.

605
00:29:47,320 --> 00:29:51,800
Speaker 2: Okay, so this isn't about you. This is about people

606
00:29:53,280 --> 00:29:57,880
Speaker 2: relating to our show Like that show. The actors, the characters,

607
00:29:57,920 --> 00:30:02,400
Speaker 2: they all blurt so much that it's just like hold

608
00:30:02,480 --> 00:30:04,320
Speaker 2: them both their hurts so much.

609
00:30:04,440 --> 00:30:07,520
Speaker 1: I mean, I'll speak only for myself, and I know

610
00:30:07,560 --> 00:30:12,080
Speaker 1: you feel the same way I. Jenny was Kelly. Kelly

611
00:30:12,240 --> 00:30:12,760
Speaker 1: was Jenny?

612
00:30:12,920 --> 00:30:13,920
Speaker 2: Like what?

613
00:30:14,480 --> 00:30:18,120
Speaker 1: And that came across through the screen because of the

614
00:30:18,160 --> 00:30:22,920
Speaker 1: way they wrote to our personalities and to the ease

615
00:30:23,080 --> 00:30:26,280
Speaker 1: with which we and the comfort we all felt as

616
00:30:26,360 --> 00:30:31,840
Speaker 1: actors with our characters. So it was so real. I

617
00:30:31,880 --> 00:30:34,280
Speaker 1: feel the same way like I feel like when I

618
00:30:34,320 --> 00:30:38,400
Speaker 1: watch it, it's Donna and Tory are the same person.

619
00:30:38,520 --> 00:30:40,760
Speaker 2: Yeah, I a thousand percent, but you.

620
00:30:40,720 --> 00:30:41,920
Speaker 6: Know it's agree with you.

621
00:30:42,280 --> 00:30:44,920
Speaker 2: But it's also a testament to us as well, not

622
00:30:45,040 --> 00:30:47,880
Speaker 2: just I mean obviously the writers, the producers, and everybody,

623
00:30:49,000 --> 00:30:53,160
Speaker 2: but the fact that we were able to blend us

624
00:30:53,240 --> 00:30:56,720
Speaker 2: and the characters and just be comfortable putting it out there.

625
00:30:57,160 --> 00:31:00,400
Speaker 1: Yeah, I think our our comfort level with each other

626
00:31:00,480 --> 00:31:02,440
Speaker 1: and what our characters really shines through.

627
00:31:02,480 --> 00:31:04,320
Speaker 2: And that's why People really does well.

628
00:31:04,360 --> 00:31:06,320
Speaker 3: And it's so And it's now that you say that,

629
00:31:06,560 --> 00:31:09,160
Speaker 3: because I get upset when I read the comments because

630
00:31:09,680 --> 00:31:13,680
Speaker 3: I'm like, I actually and and now I am friends

631
00:31:13,680 --> 00:31:15,800
Speaker 3: with both of them. I've been I've been friends with

632
00:31:15,800 --> 00:31:18,440
Speaker 3: Tiffany for a long time and I'm friends with Shannon,

633
00:31:18,680 --> 00:31:21,600
Speaker 3: and I get like upset reading it because I start

634
00:31:21,640 --> 00:31:23,680
Speaker 3: to be like, what if Shannon read that and thinks

635
00:31:23,760 --> 00:31:28,120
Speaker 3: I'm not friends with her? And then I'm like, wait, people, yeah,

636
00:31:28,200 --> 00:31:30,640
Speaker 3: people remember Amy Sugarman.

637
00:31:30,440 --> 00:31:36,360
Speaker 1: Is the producer of not only this podcast, but a

638
00:31:36,600 --> 00:31:40,800
Speaker 1: number of podcasts on iHeart, and she.

639
00:31:40,920 --> 00:31:44,680
Speaker 2: Is like a normal number. Yeah, she's a big wig.

640
00:31:44,880 --> 00:31:46,600
Speaker 6: It does not to be about me. It's like, I'm

641
00:31:46,640 --> 00:31:47,440
Speaker 6: so fascinating.

642
00:31:48,640 --> 00:31:51,880
Speaker 3: I get sucked into it too. I'm like, oh my god,

643
00:31:52,280 --> 00:31:55,240
Speaker 3: they think I don't like Tiffany because I don't like Valerie.

644
00:31:54,880 --> 00:31:56,600
Speaker 2: And I'm like falling for it too.

645
00:31:57,080 --> 00:32:00,120
Speaker 3: And I think there is something very unique about the

646
00:32:00,160 --> 00:32:06,120
Speaker 3: show where the actors have melded into the characters, they

647
00:32:06,160 --> 00:32:10,400
Speaker 3: have become synonymous. And maybe it's because and like it's

648
00:32:10,400 --> 00:32:13,240
Speaker 3: the same thing with like I don't know, are they friends?

649
00:32:13,360 --> 00:32:15,400
Speaker 3: People ask me all the time, like are Jenny and

650
00:32:15,480 --> 00:32:20,160
Speaker 3: Tory best friends? And I'm like, yeah, it's just.

651
00:32:20,520 --> 00:32:24,440
Speaker 2: They want to know that it's real they love. Yeah.

652
00:32:24,800 --> 00:32:28,520
Speaker 1: I mean I think about like how that affected I'll

653
00:32:28,520 --> 00:32:35,240
Speaker 1: speak for myself again, me as a human being being

654
00:32:35,280 --> 00:32:38,600
Speaker 1: melded into a character like that, and then when it

655
00:32:38,680 --> 00:32:42,880
Speaker 1: was over being like wait, who am I if I'm

656
00:32:42,880 --> 00:32:47,440
Speaker 1: not Kelly, Like a part of my body just sort

657
00:32:47,480 --> 00:32:48,640
Speaker 1: of stopped living.

658
00:32:48,440 --> 00:32:50,080
Speaker 2: The day that the show ended, you know.

659
00:32:50,040 --> 00:32:51,800
Speaker 6: Oh my god, that's such a good way saying.

660
00:32:51,960 --> 00:32:54,440
Speaker 2: It just gave me such chills. Like it's it's like

661
00:32:54,560 --> 00:32:58,440
Speaker 2: gives like what do they say when kids like push

662
00:32:58,480 --> 00:33:00,600
Speaker 2: them out of the nest, let them flop, I like,

663
00:33:00,720 --> 00:33:05,040
Speaker 2: you know, go off to college. Like yeah, like when

664
00:33:05,040 --> 00:33:09,400
Speaker 2: this ended in two thousand, like whoa, we were just like,

665
00:33:09,440 --> 00:33:12,320
Speaker 2: oh okay, parts just cut off. Yes, you're right by

666
00:33:13,000 --> 00:33:16,720
Speaker 2: by a part of you was just cut off dead done.

667
00:33:17,080 --> 00:33:20,040
Speaker 1: Wow, Okay, okay, who wants to go boot shopping?

668
00:33:20,120 --> 00:33:24,440
Speaker 2: Valerie? Oh I thought you were asking me. I'm like, okay, sure, I'd.

669
00:33:24,280 --> 00:33:27,800
Speaker 1: Love to No, but Ariel takes Ray to buy some

670
00:33:27,960 --> 00:33:31,320
Speaker 1: cowboy boots, which is not his dog.

671
00:33:31,600 --> 00:33:34,120
Speaker 2: Say it like that, you love cowboy boots.

672
00:33:36,360 --> 00:33:38,479
Speaker 1: Yeah, he's more of a like a motorcycle boot guy.

673
00:33:38,600 --> 00:33:41,120
Speaker 3: Yeah, he's like a Doc Martin combat booth.

674
00:33:41,320 --> 00:33:43,080
Speaker 6: Fine motorcycle.

675
00:33:43,120 --> 00:33:46,000
Speaker 2: But who's there, Valerie?

676
00:33:46,360 --> 00:33:54,280
Speaker 3: Of all the gin joints on rodeo for walking, they're

677
00:33:54,320 --> 00:33:55,360
Speaker 3: at the story.

678
00:33:56,720 --> 00:33:59,520
Speaker 2: The symbolism you guys walk all over you. These boots

679
00:33:59,560 --> 00:34:01,840
Speaker 2: are made for walking. Oh yeah.

680
00:34:01,880 --> 00:34:06,760
Speaker 3: I also thought her outfit was extraordinarily expensive for the nineties.

681
00:34:07,160 --> 00:34:09,640
Speaker 3: Nine hundred and sixty five dollars is expensive.

682
00:34:10,040 --> 00:34:14,120
Speaker 2: Now was it leather? What was happening? Like a leather blazer?

683
00:34:14,800 --> 00:34:17,880
Speaker 3: So she was probably buying what a four thousand dollars outfit?

684
00:34:19,120 --> 00:34:21,759
Speaker 2: If it was today, it's like very can't buy me love?

685
00:34:22,200 --> 00:34:22,719
Speaker 6: She left it?

686
00:34:24,440 --> 00:34:26,920
Speaker 1: Or did she go buy it at that what's that

687
00:34:27,040 --> 00:34:29,640
Speaker 1: store on the Melrose corner there that we always.

688
00:34:29,360 --> 00:34:32,719
Speaker 3: Her white white jacket and can't buy me love?

689
00:34:33,040 --> 00:34:37,840
Speaker 2: Fred's Seagull don't spill ready wine, it's gone.

690
00:34:38,320 --> 00:34:40,320
Speaker 1: Yeah, she probably bought that at Fred's Siegel.

691
00:34:52,480 --> 00:34:53,480
Speaker 3: How about Valerie?

692
00:34:53,520 --> 00:34:59,040
Speaker 1: Are putting her claws into another.

693
00:34:57,800 --> 00:35:04,880
Speaker 2: Man, don't we all? I was like, oh, man, here we.

694
00:35:04,160 --> 00:35:08,240
Speaker 1: Go, here we go another bit of for telling.

695
00:35:08,760 --> 00:35:11,319
Speaker 2: Yes, and.

696
00:35:12,760 --> 00:35:14,719
Speaker 3: That doesn't mean I don't love Tiffany, but I sure

697
00:35:14,760 --> 00:35:18,359
Speaker 3: don't like Valerie going on Donna's man like that.

698
00:35:18,719 --> 00:35:21,439
Speaker 2: Hello, what do you mean they all take my man?

699
00:35:21,520 --> 00:35:24,720
Speaker 2: So what is it? It's irrelevant at this point. Kelly

700
00:35:24,760 --> 00:35:31,120
Speaker 2: does not take your man ever. Ever. Wait, whoa real

701
00:35:31,200 --> 00:35:35,919
Speaker 2: friend we except in real life?

702
00:35:35,920 --> 00:35:42,839
Speaker 1: Remember when you told me, O, my god, what is it?

703
00:35:43,320 --> 00:35:44,239
Speaker 6: Oh god, what is it?

704
00:35:44,239 --> 00:35:48,640
Speaker 3: You told this story?

705
00:35:48,920 --> 00:35:50,879
Speaker 2: Oh my god? What is it? So?

706
00:35:51,480 --> 00:35:54,279
Speaker 1: I was leaving to do a movie of the week

707
00:35:55,680 --> 00:35:59,800
Speaker 1: and I was talking to Tory about who was was cast?

708
00:35:59,840 --> 00:36:02,600
Speaker 1: Who do I cast as my love interest?

709
00:36:03,440 --> 00:36:09,560
Speaker 2: And who did you cast? Mister Peter FATCHELLI? Uh huh,

710
00:36:09,320 --> 00:36:13,680
Speaker 2: I like a good timeline though, yah yeah uh.

711
00:36:13,719 --> 00:36:17,000
Speaker 1: And when I said that, I got an unexpected reaction

712
00:36:17,120 --> 00:36:17,400
Speaker 1: from you.

713
00:36:18,080 --> 00:36:20,760
Speaker 6: Wait, Tori, what did you say?

714
00:36:20,960 --> 00:36:26,280
Speaker 2: Cutie? He's a cutie? I said something along the lines

715
00:36:26,400 --> 00:36:28,640
Speaker 2: and best friend world like however it was and it's

716
00:36:28,680 --> 00:36:31,560
Speaker 2: not verbatim, Like no, wait, I've been talking to that

717
00:36:31,600 --> 00:36:34,880
Speaker 2: guy like he likes me, Like, don't don't pick up

718
00:36:34,920 --> 00:36:37,080
Speaker 2: with him. He's mine, he's mine.

719
00:36:37,320 --> 00:36:42,360
Speaker 3: Yes, stop it, stop it, stop it okay, Jen backstory, Okay,

720
00:36:42,480 --> 00:36:44,320
Speaker 3: so I'm gonna get this wrong.

721
00:36:44,880 --> 00:36:49,040
Speaker 2: Stop I won't. So Peter was in a movie for

722
00:36:49,200 --> 00:36:53,960
Speaker 2: Fox that was really clearly well like a male prostitute.

723
00:36:54,040 --> 00:36:57,040
Speaker 2: Uh huh, and that was like his first thing and

724
00:36:57,440 --> 00:37:01,280
Speaker 2: he was getting attention and they had some Fox people

725
00:37:01,719 --> 00:37:05,000
Speaker 2: come and do this like Charity night and thing, and

726
00:37:05,040 --> 00:37:10,320
Speaker 2: Peter and I met and we hit it off and

727
00:37:11,200 --> 00:37:17,040
Speaker 2: I gave him my number and then nothing went after that.

728
00:37:17,480 --> 00:37:22,840
Speaker 2: And then I remember telling jen like, oh, this guy

729
00:37:22,960 --> 00:37:28,520
Speaker 2: he's on Fox, like he's really cute, like nice, cool, funny.

730
00:37:29,680 --> 00:37:32,359
Speaker 2: And then Jenen was like, oh and I cast this guy.

731
00:37:32,400 --> 00:37:34,520
Speaker 2: I was like, no, wait, that's the guy I told

732
00:37:34,560 --> 00:37:38,279
Speaker 2: you about. He's mine. This is happening.

733
00:37:39,080 --> 00:37:44,000
Speaker 3: So wait, Jenny, Peter was cast opposite you, and that

734
00:37:44,160 --> 00:37:45,719
Speaker 3: is how you fell in love.

735
00:37:46,719 --> 00:37:49,279
Speaker 2: Wait hold on, did you hear right when she said

736
00:37:49,400 --> 00:37:52,239
Speaker 2: the first time she cast him?

737
00:37:52,960 --> 00:37:53,280
Speaker 5: Yeah?

738
00:37:54,080 --> 00:37:56,719
Speaker 1: Yeah, I was producing that film and uh.

739
00:37:56,400 --> 00:37:59,680
Speaker 6: What Phil, Well, first of all, what movie was it?

740
00:38:01,160 --> 00:38:03,040
Speaker 2: Oh God, what was the name of it?

741
00:38:05,239 --> 00:38:05,359
Speaker 1: Oh?

742
00:38:05,480 --> 00:38:13,480
Speaker 2: Shoot, Like the funny part is is that shit finished?

743
00:38:14,360 --> 00:38:18,279
Speaker 6: Were you? How did okay? I know we're doing therapy nine?

744
00:38:18,400 --> 00:38:18,680
Speaker 2: Two one.

745
00:38:18,680 --> 00:38:24,680
Speaker 3: Oh, but how did you feel when you realize not

746
00:38:24,719 --> 00:38:28,520
Speaker 3: only did they like each other, but they got married.

747
00:38:29,040 --> 00:38:31,000
Speaker 1: Oh and we didn't get married for a long time.

748
00:38:32,040 --> 00:38:33,120
Speaker 2: It took four years for that.

749
00:38:35,400 --> 00:38:36,720
Speaker 1: I got knocked up, we had a baby.

750
00:38:38,040 --> 00:38:42,600
Speaker 2: This is a great question because to be honest, like

751
00:38:42,680 --> 00:38:46,440
Speaker 2: we flirted, but there was something like and Jen knows this,

752
00:38:46,640 --> 00:38:48,920
Speaker 2: like if I had wanted to go forward, like I

753
00:38:48,960 --> 00:38:52,799
Speaker 2: would have returned his call. I would have there was

754
00:38:52,840 --> 00:38:55,880
Speaker 2: something that didn't mesh for us. But I thought super

755
00:38:55,920 --> 00:38:58,919
Speaker 2: hawk eye, super like. But there was that like best

756
00:38:58,960 --> 00:39:02,920
Speaker 2: friend thing like wait, shoot, you could have anyone you want.

757
00:39:03,120 --> 00:39:07,120
Speaker 2: You're amazing, Like and I know what happens when people

758
00:39:07,160 --> 00:39:10,799
Speaker 2: go away and co stars, right, And she did have

759
00:39:10,880 --> 00:39:13,080
Speaker 2: the power that you know if they're like here there's

760
00:39:13,080 --> 00:39:15,920
Speaker 2: this person, this person, this person, she can be like, Okay,

761
00:39:16,000 --> 00:39:19,279
Speaker 2: she had chemistry read with him, she liked him, and

762
00:39:19,320 --> 00:39:21,560
Speaker 2: she's like that's my top choice and they're gonna cast him.

763
00:39:21,920 --> 00:39:24,640
Speaker 2: So I was just like it was more like, hey, funny,

764
00:39:24,719 --> 00:39:26,680
Speaker 2: like he's mine, put in a good word for me,

765
00:39:27,000 --> 00:39:30,280
Speaker 2: wink wink. But then when I found out, I honestly

766
00:39:30,440 --> 00:39:33,560
Speaker 2: didn't feel anything about it because I didn't feel like

767
00:39:33,760 --> 00:39:37,520
Speaker 2: he was right for me. I think he was cort back.

768
00:39:37,320 --> 00:39:41,439
Speaker 1: And being like, so, remember when you told me stay

769
00:39:41,480 --> 00:39:45,640
Speaker 1: away from him. I I'm sorry.

770
00:39:46,920 --> 00:39:48,279
Speaker 6: This really brings me back.

771
00:39:48,320 --> 00:39:50,680
Speaker 2: I'm sorry he's moving in next week, but he's only

772
00:39:50,680 --> 00:39:54,880
Speaker 2: bringing a TV. Oh my gosh, that's amazing too.

773
00:39:55,120 --> 00:39:56,680
Speaker 6: This brings me back to the whole thing.

774
00:39:56,560 --> 00:40:00,720
Speaker 3: Of why these characters are so blended with real people,

775
00:40:00,840 --> 00:40:06,000
Speaker 3: because it is it's all just one big mess of blur.

776
00:40:06,719 --> 00:40:10,560
Speaker 2: Oh my god, you know what. It actually wasn't weird

777
00:40:10,600 --> 00:40:14,480
Speaker 2: with Jen, like it just I don't know why. I

778
00:40:14,560 --> 00:40:17,400
Speaker 2: am having a flashback right now that I've never remembered

779
00:40:17,760 --> 00:40:21,080
Speaker 2: the first time. Peter though, however, came to see Jen

780
00:40:21,239 --> 00:40:24,200
Speaker 2: on set after the movie Rafter and we were back

781
00:40:24,200 --> 00:40:26,520
Speaker 2: at nine and two. I'm remembering him right now walking

782
00:40:26,560 --> 00:40:29,640
Speaker 2: into the makeup trailer and our eyes met, and I

783
00:40:29,719 --> 00:40:33,000
Speaker 2: did feel like, oh, that's weird, and I think he thought, oh,

784
00:40:33,080 --> 00:40:36,000
Speaker 2: that's weird, and then we're both like whatever, and he

785
00:40:36,160 --> 00:40:42,239
Speaker 2: was awesome, like till yeah, oh my gosh, this is

786
00:40:42,360 --> 00:40:45,520
Speaker 2: Peter was like one of the girls. Remember Jen, Yeah,

787
00:40:46,320 --> 00:40:52,520
Speaker 2: Oh he was Yeah, And I liked it because Jen

788
00:40:52,640 --> 00:40:56,000
Speaker 2: had had some other relationships where I didn't love how

789
00:40:56,040 --> 00:41:01,200
Speaker 2: she was treated and Peter like was doting on her,

790
00:41:01,440 --> 00:41:04,960
Speaker 2: and it was what she deserved at the time. You

791
00:41:05,000 --> 00:41:07,080
Speaker 2: know what I mean? What year was a journey?

792
00:41:08,160 --> 00:41:10,880
Speaker 6: And I really was an un whatever an affair?

793
00:41:11,000 --> 00:41:13,279
Speaker 3: What was it, Randy ninety four?

794
00:41:13,840 --> 00:41:17,000
Speaker 2: Unfinished? An unfinished affair? When was what did you call it?

795
00:41:17,080 --> 00:41:23,480
Speaker 3: An un filtered affair? And it was an un something?

796
00:41:23,880 --> 00:41:24,799
Speaker 6: What year was that?

797
00:41:24,880 --> 00:41:28,160
Speaker 2: Like, is this happening right now? Nineteen ninety four? Oh

798
00:41:28,200 --> 00:41:29,080
Speaker 2: my god, so.

799
00:41:29,040 --> 00:41:30,959
Speaker 3: It's all happening right now, So we're telling the story

800
00:41:31,040 --> 00:41:32,200
Speaker 3: right at the right time.

801
00:41:32,440 --> 00:41:34,200
Speaker 2: It's all happening right now. Yep.

802
00:41:34,239 --> 00:41:43,480
Speaker 1: Oh yeah, that's a that's a good one from the vault.

803
00:41:43,840 --> 00:41:47,719
Speaker 1: I was just really glad you weren't mad at me.

804
00:41:48,239 --> 00:41:51,319
Speaker 2: I wanted you to be happy first of all, and

805
00:41:52,080 --> 00:41:55,720
Speaker 2: you came back beaming and glowing, and it was something

806
00:41:55,719 --> 00:41:58,160
Speaker 2: in you I hadn't seen before. And as a friend,

807
00:41:58,560 --> 00:42:02,719
Speaker 2: you see that and it's like, ooh, it's worth more

808
00:42:02,719 --> 00:42:09,200
Speaker 2: than a guy's so sweet. Yeah, fact, wow, Okay, And

809
00:42:09,280 --> 00:42:14,319
Speaker 2: Jen's not that type, like if it was meant to be,

810
00:42:14,400 --> 00:42:14,920
Speaker 2: do you know.

811
00:42:14,920 --> 00:42:20,560
Speaker 6: What I'm saying? Okay, so we know you know what

812
00:42:20,560 --> 00:42:20,879
Speaker 6: I mean.

813
00:42:21,560 --> 00:42:23,920
Speaker 2: Jenn is never that friend that's ever going to flirt

814
00:42:23,920 --> 00:42:26,439
Speaker 2: with your man ever? And I go on record here

815
00:42:26,760 --> 00:42:31,279
Speaker 2: for lewis you should she I am, she would never

816
00:42:31,360 --> 00:42:33,520
Speaker 2: flirt with your man like you never have to be

817
00:42:33,600 --> 00:42:36,560
Speaker 2: worried about that. Like girls, you're always like, oh, I

818
00:42:36,600 --> 00:42:40,960
Speaker 2: don't know, like is there something ever? And we've known

819
00:42:41,000 --> 00:42:44,200
Speaker 2: each other my friends since we're sixteen and seventeen, and

820
00:42:44,960 --> 00:42:47,359
Speaker 2: never not once. She's not that tight?

821
00:42:48,040 --> 00:42:49,040
Speaker 3: Well, Valerie is.

822
00:42:50,840 --> 00:42:54,560
Speaker 2: This is true? Sorry, thank you so much. I'm bringing

823
00:42:54,560 --> 00:43:02,480
Speaker 2: it all back talking to Ray, so take it away, Ray, Wait,

824
00:43:02,520 --> 00:43:03,239
Speaker 2: where do we see that?

825
00:43:04,000 --> 00:43:06,319
Speaker 1: Donna tells the beach apartment. Yeah, but the beach barmon.

826
00:43:06,400 --> 00:43:08,239
Speaker 1: Donna tells Ray the Ariel was the reason that she

827
00:43:08,320 --> 00:43:11,520
Speaker 1: and David broke up, and she tells Ray to give

828
00:43:11,719 --> 00:43:16,400
Speaker 1: back those boots and stop seeing Ariel, but Ray refuses

829
00:43:16,800 --> 00:43:22,440
Speaker 1: and says his career is his business and his priority.

830
00:43:22,680 --> 00:43:25,320
Speaker 3: Why did I write Donna is cutting? What was she cutting?

831
00:43:25,640 --> 00:43:29,560
Speaker 1: She's dead serious about like, no, yeah.

832
00:43:29,200 --> 00:43:33,200
Speaker 6: She was, which I thought was an overstep of Donna.

833
00:43:33,360 --> 00:43:35,520
Speaker 2: But I liked it. It's one of those times where

834
00:43:35,520 --> 00:43:37,880
Speaker 2: they do that, and I'm sure I felt super uncomfortable

835
00:43:37,880 --> 00:43:39,040
Speaker 2: to saying that word.

836
00:43:39,360 --> 00:43:41,880
Speaker 6: It was very not Tory like to be like, I

837
00:43:42,160 --> 00:43:43,680
Speaker 6: will not take this.

838
00:43:44,120 --> 00:43:46,480
Speaker 2: Yeah, I don't character both of us.

839
00:43:46,920 --> 00:43:50,360
Speaker 3: Yeah, And I thought he made a good point. He's

840
00:43:50,640 --> 00:43:54,960
Speaker 3: his point was number one. It is his career and

841
00:43:55,000 --> 00:43:57,759
Speaker 3: he does need to take it seriously. They do kind

842
00:43:57,800 --> 00:44:02,239
Speaker 3: of buy boots forever everybody, you know, which was I

843
00:44:02,239 --> 00:44:04,719
Speaker 3: don't know. He was sort of saying they sort of

844
00:44:04,880 --> 00:44:11,360
Speaker 3: entice their clients dangle a carrot. She was overstepping, but

845
00:44:11,440 --> 00:44:14,759
Speaker 3: the point was well taken, Like, this is dicey, and

846
00:44:14,800 --> 00:44:16,440
Speaker 3: you should know how dicey this is.

847
00:44:16,840 --> 00:44:18,400
Speaker 2: Yeah.

848
00:44:18,480 --> 00:44:23,640
Speaker 1: So Kelly goes to find Brandon uh in the newspaper

849
00:44:23,680 --> 00:44:25,239
Speaker 1: office I think.

850
00:44:24,880 --> 00:44:27,719
Speaker 2: In a good outfit yeah.

851
00:44:27,040 --> 00:44:29,720
Speaker 1: And says she's happy with the article that he wrote.

852
00:44:30,920 --> 00:44:33,360
Speaker 1: But then she gets upset with him because Brandon asks

853
00:44:33,480 --> 00:44:38,600
Speaker 1: to spend more time with her. So we really feel

854
00:44:38,640 --> 00:44:41,640
Speaker 1: like the rift is developing between them, sort of like.

855
00:44:41,680 --> 00:44:46,840
Speaker 3: Also some foreshadowing because of Finley. What wtf Binley?

856
00:44:47,160 --> 00:44:47,680
Speaker 2: WTF?

857
00:44:47,680 --> 00:44:49,359
Speaker 3: I know I'm getting a little ahead, but you can't

858
00:44:49,360 --> 00:44:51,480
Speaker 3: do that. Yeah, because we're doing it new, I like it.

859
00:44:51,560 --> 00:44:53,600
Speaker 2: Keep it going. Peach Pit after Dark.

860
00:44:53,680 --> 00:44:56,200
Speaker 1: David tries to warn Ray to be careful about Aeryl,

861
00:44:56,239 --> 00:44:58,719
Speaker 1: and Ray says that Ariel wasn't the only one who

862
00:44:58,800 --> 00:44:59,640
Speaker 1: burned Donna.

863
00:45:00,080 --> 00:45:06,080
Speaker 3: Oh yeah, yeah, mic drop, although I did again like David.

864
00:45:06,719 --> 00:45:10,720
Speaker 3: David is really doing sort of the right thing, yes,

865
00:45:10,800 --> 00:45:12,960
Speaker 3: in this episode, and I thought that took some.

866
00:45:13,480 --> 00:45:16,520
Speaker 2: Guts because he's done season.

867
00:45:16,640 --> 00:45:21,960
Speaker 1: So yeah, yeah, it's very feels very inauthentic to me

868
00:45:22,440 --> 00:45:25,279
Speaker 1: now because it's out of nowhere for him to be

869
00:45:25,440 --> 00:45:28,320
Speaker 1: like saying the right thing and thinking about that.

870
00:45:28,520 --> 00:45:30,160
Speaker 2: Yeah, but I'm.

871
00:45:29,920 --> 00:45:31,759
Speaker 1: Gonna go with it and give him the benefit of

872
00:45:31,760 --> 00:45:34,400
Speaker 1: the doubt. And yeah, maybe he's grown, which is awesome.

873
00:45:35,280 --> 00:45:37,719
Speaker 2: Yeah, sorry, you just said a mic drop there, but

874
00:45:38,160 --> 00:45:40,760
Speaker 2: that's irrelevant since we can't hear any of the music

875
00:45:41,920 --> 00:45:43,680
Speaker 2: ever seen. We didn't even hear the mic drops.

876
00:45:43,719 --> 00:45:45,560
Speaker 3: And it's like he's just always at the peach pit

877
00:45:45,719 --> 00:45:49,640
Speaker 3: in our world and after dark, but never actually performing.

878
00:45:50,160 --> 00:45:53,280
Speaker 1: Like hmmm, so back of the peach Pit, Donna complains

879
00:45:53,320 --> 00:45:57,360
Speaker 1: to Claire about Ariel. She also says Kelly is not

880
00:45:57,480 --> 00:46:00,640
Speaker 1: helpful because all she does is talk Finley Psy Go Babbyl.

881
00:46:01,040 --> 00:46:03,840
Speaker 1: Claire tells Donna that Finley's days are numbered.

882
00:46:05,560 --> 00:46:08,799
Speaker 2: It's like a Babbyl at the wash house.

883
00:46:08,880 --> 00:46:11,400
Speaker 1: Dylan is there to have dinner with the Walsh family.

884
00:46:11,840 --> 00:46:13,799
Speaker 1: Cindy asks I like this.

885
00:46:14,239 --> 00:46:14,719
Speaker 2: Yeah.

886
00:46:14,920 --> 00:46:19,960
Speaker 1: Cindy asks him if they should be worried about Valerie,

887
00:46:20,120 --> 00:46:23,920
Speaker 1: and he gives a sort of a this girl, yeah,

888
00:46:24,000 --> 00:46:27,000
Speaker 1: he gives them calls to be concerned.

889
00:46:27,239 --> 00:46:29,440
Speaker 3: Yeah. And this is also where I enjoyed seeing the

890
00:46:29,480 --> 00:46:33,840
Speaker 3: orange lining in Brandon's very large bomber jacket.

891
00:46:34,280 --> 00:46:37,040
Speaker 1: Remember the orange lining in those gym But it was

892
00:46:37,120 --> 00:46:37,920
Speaker 1: so legit.

893
00:46:38,600 --> 00:46:40,160
Speaker 3: That's why I'm like, I don't understand why guys didn't

894
00:46:40,200 --> 00:46:42,440
Speaker 3: love the fashion. You know what it was the girls did.

895
00:46:42,520 --> 00:46:44,880
Speaker 3: Maybe well, Donna had a good dress. I did not

896
00:46:44,960 --> 00:46:48,319
Speaker 3: like the burgundy outfit that Kelly was wearing, but I

897
00:46:48,400 --> 00:46:53,760
Speaker 3: kept noticing the fashion, the boots, the every Valerie's leather

898
00:46:54,520 --> 00:46:55,399
Speaker 3: best whatever that.

899
00:46:55,560 --> 00:46:57,800
Speaker 2: They stood out. You're right, Yeah, it was very almost

900
00:46:58,280 --> 00:47:00,239
Speaker 2: a little way but.

901
00:47:00,480 --> 00:47:02,960
Speaker 3: Yeah, maybe it wasn't like so on point, but it

902
00:47:02,960 --> 00:47:04,480
Speaker 3: was definitely fashion centric.

903
00:47:04,640 --> 00:47:06,879
Speaker 1: And this is the point where what you were talking about,

904
00:47:06,880 --> 00:47:13,640
Speaker 1: where Valerie goes to Jonesy's house hotel, Yeah, and asks

905
00:47:14,040 --> 00:47:15,560
Speaker 1: for money and he says.

906
00:47:15,320 --> 00:47:17,359
Speaker 2: That he will pay her if she agrees to.

907
00:47:17,360 --> 00:47:20,680
Speaker 1: Work quote with him in the future.

908
00:47:20,800 --> 00:47:23,920
Speaker 3: She is just going all over town to get money

909
00:47:24,320 --> 00:47:25,960
Speaker 3: for this gig she did.

910
00:47:26,080 --> 00:47:29,480
Speaker 2: She's got a supporter weed habit double dip.

911
00:47:29,600 --> 00:47:29,719
Speaker 5: Oh.

912
00:47:29,719 --> 00:47:32,680
Speaker 3: I have a funny weed story about this, but we'll

913
00:47:32,680 --> 00:47:48,080
Speaker 3: do it later. Jonesy is creepy and not creepy at

914
00:47:48,080 --> 00:47:51,960
Speaker 3: the same time. For me, I'm like, oh, he's so creepy. Wait,

915
00:47:52,000 --> 00:47:53,880
Speaker 3: maybe he's nice. He's weird.

916
00:47:54,160 --> 00:47:58,040
Speaker 1: Yeah, but there's something like so free about him that's enticing.

917
00:47:58,719 --> 00:48:04,600
Speaker 3: Yeah, he's just like when makes it, I'm not going

918
00:48:04,680 --> 00:48:05,319
Speaker 3: to sleep with you.

919
00:48:05,440 --> 00:48:06,560
Speaker 2: So that was real clear.

920
00:48:06,960 --> 00:48:08,359
Speaker 3: And then he was sort of like, I wasn't even

921
00:48:08,360 --> 00:48:10,840
Speaker 3: gonna ask you that, like it's all they do in

922
00:48:10,840 --> 00:48:13,359
Speaker 3: a little dance. And this is where I noticed, like, Wow,

923
00:48:13,440 --> 00:48:17,200
Speaker 3: there's not a primary nine O two one Oho actor

924
00:48:17,520 --> 00:48:18,320
Speaker 3: in this scene.

925
00:48:18,560 --> 00:48:21,640
Speaker 2: So does does Galary go on to work for Jonesy?

926
00:48:21,640 --> 00:48:25,640
Speaker 1: And is this something we see moving forward? I don't know,

927
00:48:25,760 --> 00:48:27,680
Speaker 1: or is this just like a conversation that never goes

928
00:48:27,920 --> 00:48:29,920
Speaker 1: I think the point more is she's got money.

929
00:48:30,000 --> 00:48:32,720
Speaker 3: Now, she's got money.

930
00:48:33,719 --> 00:48:36,800
Speaker 2: And she's not just a bad baker. She's a clever one.

931
00:48:38,239 --> 00:48:46,520
Speaker 2: She's clever. She she she she outsmarts, not outsmarts these men,

932
00:48:46,760 --> 00:48:49,560
Speaker 2: but she definitely knows what to say or when to

933
00:48:49,600 --> 00:48:51,799
Speaker 2: say and plays accordingly.

934
00:48:52,360 --> 00:48:53,640
Speaker 6: Yeah, she's savvy.

935
00:48:53,800 --> 00:48:56,839
Speaker 2: How did you get savvy? Savvy is my question. She's

936
00:48:56,960 --> 00:49:01,320
Speaker 2: born with it. Yeah, she's kind of she's got it dark.

937
00:49:02,000 --> 00:49:04,439
Speaker 1: Then you guys would get to see the Andrea Peter

938
00:49:05,080 --> 00:49:10,480
Speaker 1: thing on, and Andrea says that her heart is beating

939
00:49:10,680 --> 00:49:13,520
Speaker 1: fast Doctor Tucker and they start kissing.

940
00:49:13,880 --> 00:49:16,960
Speaker 2: Oh my god, it was so in public. It was

941
00:49:17,080 --> 00:49:17,960
Speaker 2: so crazy.

942
00:49:18,000 --> 00:49:20,640
Speaker 3: She was gussied up, she was bared for the she

943
00:49:20,800 --> 00:49:23,359
Speaker 3: was gussied up, and I was like, oh my god,

944
00:49:23,360 --> 00:49:25,400
Speaker 3: there's a hand I think there was a hand touch

945
00:49:25,760 --> 00:49:27,759
Speaker 3: and I was just like, oh my god. And then

946
00:49:27,800 --> 00:49:28,480
Speaker 3: there's a kiss.

947
00:49:28,520 --> 00:49:32,200
Speaker 1: It was just yeah, it's too scary. They're just right

948
00:49:32,239 --> 00:49:33,880
Speaker 1: there at the Equator coffee house.

949
00:49:35,080 --> 00:49:36,680
Speaker 6: I do know as I messed up.

950
00:49:36,760 --> 00:49:40,640
Speaker 3: I think right before this was actually the scene where

951
00:49:40,719 --> 00:49:43,200
Speaker 3: Ray's like, I'm not so dumb for the second rate deal.

952
00:49:43,239 --> 00:49:44,279
Speaker 2: I apologize I did.

953
00:49:45,440 --> 00:49:47,839
Speaker 1: He goes back to the record company says, no, I'm

954
00:49:47,840 --> 00:49:48,640
Speaker 1: not into that deal.

955
00:49:49,160 --> 00:49:50,680
Speaker 2: You guys can't have my publishing rights.

956
00:49:51,239 --> 00:49:53,920
Speaker 1: Then we go on to California University University where Professor

957
00:49:53,960 --> 00:49:56,520
Speaker 1: Finley is talking to the students and he tells that

958
00:49:56,640 --> 00:49:58,840
Speaker 1: he that he is ready for the meeting tonight.

959
00:50:00,719 --> 00:50:05,680
Speaker 2: Okay, big build up there the peach bit.

960
00:50:05,800 --> 00:50:09,520
Speaker 1: Ariel barges in on Donna and Ray's lunch and tells

961
00:50:09,560 --> 00:50:13,800
Speaker 1: Donna to help convince Ray to sign and it's gonna

962
00:50:13,920 --> 00:50:14,399
Speaker 1: work out.

963
00:50:14,560 --> 00:50:15,520
Speaker 6: Ariel correct.

964
00:50:15,520 --> 00:50:19,760
Speaker 3: And I liked having them in a scene together saucy

965
00:50:19,840 --> 00:50:21,080
Speaker 3: when Ray, How was.

966
00:50:21,040 --> 00:50:23,000
Speaker 1: That when you guys film that scene?

967
00:50:23,040 --> 00:50:23,399
Speaker 2: Were you?

968
00:50:23,640 --> 00:50:28,120
Speaker 1: What do you remember the crossover of Donna.

969
00:50:29,400 --> 00:50:35,000
Speaker 2: Tory Ariel? Yeah? Isn't it funny what I remember and

970
00:50:35,080 --> 00:50:37,200
Speaker 2: don't remember? And I remember everything, but when it comes

971
00:50:37,200 --> 00:50:41,120
Speaker 2: to things that are too like emotional and fun, personal

972
00:50:41,400 --> 00:50:44,600
Speaker 2: and intimate, I start to Yeah, I'm like, there's a block.

973
00:50:45,719 --> 00:50:47,560
Speaker 2: That's how PTSD works.

974
00:50:47,360 --> 00:50:52,120
Speaker 3: Okay, perfectly put Donna and Ariel in these scenes. Like

975
00:50:52,320 --> 00:50:54,719
Speaker 3: first of all, this the Limo scene was still kind

976
00:50:54,719 --> 00:50:57,279
Speaker 3: of scarring, and I think we even got a flashback

977
00:50:57,360 --> 00:51:00,480
Speaker 3: to it, like that was rough right when oh yeah,

978
00:51:01,080 --> 00:51:05,160
Speaker 3: flashback because Donna knock knock knocking at the window. And

979
00:51:05,160 --> 00:51:07,359
Speaker 3: then now we've got this sort of like who wants

980
00:51:07,400 --> 00:51:10,560
Speaker 3: to sit down at a booth over a tuna melt

981
00:51:10,600 --> 00:51:13,600
Speaker 3: with the girl that like gave their boyfriend?

982
00:51:14,080 --> 00:51:19,880
Speaker 2: Yeah, some kind of an STD crabs I think God

983
00:51:21,000 --> 00:51:25,160
Speaker 2: say like, yeah, it's virginity and that's something.

984
00:51:25,840 --> 00:51:29,600
Speaker 3: I'm sorry, but the Crabs has scarred me, really scarred.

985
00:51:31,520 --> 00:51:33,920
Speaker 6: I had never heard of anything like it. I know.

986
00:51:33,960 --> 00:51:35,520
Speaker 3: I think I told the story and then when that

987
00:51:35,640 --> 00:51:37,600
Speaker 3: happened on nine on to and I was like, and

988
00:51:37,680 --> 00:51:40,000
Speaker 3: I know I couldn't google it, but somehow I must

989
00:51:40,040 --> 00:51:43,280
Speaker 3: have researched it because I was like, this is something

990
00:51:43,320 --> 00:51:44,120
Speaker 3: I don't want.

991
00:51:44,719 --> 00:51:46,440
Speaker 6: Yeah, and I was right at that age.

992
00:51:46,480 --> 00:51:47,839
Speaker 3: I was at the same age, so I was like,

993
00:51:47,920 --> 00:51:50,880
Speaker 3: if I'm gonna be around boys.

994
00:51:50,960 --> 00:51:52,640
Speaker 2: This is something I want to avoid.

995
00:51:52,840 --> 00:51:54,719
Speaker 3: So what did I get an encyclopedia out?

996
00:51:54,719 --> 00:51:59,719
Speaker 2: I don't know how I read it. I sponsored by RAID,

997
00:52:00,480 --> 00:52:00,880
Speaker 2: just kidding.

998
00:52:01,520 --> 00:52:03,480
Speaker 1: This is also the point where Valorie shows up in

999
00:52:03,520 --> 00:52:06,240
Speaker 1: her sporty new car and Dylan accuses her of acting

1000
00:52:06,360 --> 00:52:07,040
Speaker 1: like a hooker.

1001
00:52:08,080 --> 00:52:11,279
Speaker 3: So I couldn't get the math figured out because we

1002
00:52:11,360 --> 00:52:13,880
Speaker 3: know that Dylan only gave her ten thousand dollars. So

1003
00:52:14,000 --> 00:52:18,560
Speaker 3: let's say Jonesy gave her. I mean, even though I

1004
00:52:18,600 --> 00:52:21,920
Speaker 3: saw the money, I think they were hundreds at most,

1005
00:52:21,960 --> 00:52:24,880
Speaker 3: that was only ten thousand dollars maybe twenty?

1006
00:52:25,040 --> 00:52:27,440
Speaker 2: Right? Just how much was that car? You think? What

1007
00:52:27,640 --> 00:52:30,400
Speaker 2: in the car? She least it? Right? What kind of

1008
00:52:30,440 --> 00:52:31,640
Speaker 2: car was it.

1009
00:52:31,640 --> 00:52:35,680
Speaker 3: It was some sporty thing, right. I just couldn't do

1010
00:52:35,719 --> 00:52:37,520
Speaker 3: the math. It seems like she's blown all her money

1011
00:52:37,560 --> 00:52:38,439
Speaker 3: on the car, so.

1012
00:52:39,160 --> 00:52:41,520
Speaker 1: That's her car for out for the whole show, Like

1013
00:52:41,840 --> 00:52:42,680
Speaker 1: this is a VAL's car?

1014
00:52:43,360 --> 00:52:46,880
Speaker 2: Really, I can't remember. I don't know. It just felt

1015
00:52:46,920 --> 00:52:52,040
Speaker 2: like I thought it was symbolic and making comparison of

1016
00:52:52,080 --> 00:52:57,359
Speaker 2: when men kind of tried to swing their and buy

1017
00:52:57,520 --> 00:53:01,880
Speaker 2: sports cars and like just look like I have big energy,

1018
00:53:01,920 --> 00:53:04,960
Speaker 2: but you really have a small So it felt like that.

1019
00:53:05,120 --> 00:53:07,640
Speaker 2: But it's a female, which I kind of appreciate it.

1020
00:53:07,719 --> 00:53:12,440
Speaker 1: So yeah, and he does have a big I think so.

1021
00:53:12,960 --> 00:53:15,000
Speaker 3: And I think you kind of realize and maybe I'm

1022
00:53:15,040 --> 00:53:19,880
Speaker 3: reading into it. Money is super important to Valerie to

1023
00:53:20,080 --> 00:53:23,759
Speaker 3: feel like she's a part of Beverly Hills or that

1024
00:53:23,880 --> 00:53:27,920
Speaker 3: she can hang right, because it's all about the flash, right.

1025
00:53:27,920 --> 00:53:29,960
Speaker 3: She's not taking the money and high tailing it out

1026
00:53:29,960 --> 00:53:32,640
Speaker 3: of there. She's buying the cars, she's buying the clothes,

1027
00:53:32,760 --> 00:53:35,920
Speaker 3: like you know, it's a status, Like I'm going to

1028
00:53:36,000 --> 00:53:38,359
Speaker 3: have this money because now I have status and I'm

1029
00:53:38,400 --> 00:53:39,960
Speaker 3: going to be sure part of this.

1030
00:53:41,440 --> 00:53:45,719
Speaker 1: And then we finish up at California University again where we.

1031
00:53:45,719 --> 00:53:48,160
Speaker 2: See professor couldn't even stay on the street face no.

1032
00:53:48,360 --> 00:53:53,640
Speaker 1: Like California univers Bad. Professor Finley loses his job, but

1033
00:53:53,760 --> 00:53:57,279
Speaker 1: says he will continue teaching people even from his own

1034
00:53:57,440 --> 00:53:58,160
Speaker 1: living room.

1035
00:53:58,040 --> 00:54:00,560
Speaker 2: If he has to, or his officers bedroom.

1036
00:54:00,760 --> 00:54:06,840
Speaker 1: Or Kelly ditches Brandon for Finley, and Professor Finley tells

1037
00:54:06,920 --> 00:54:10,840
Speaker 1: Kelly to break up with Brandon because he isn't supportive

1038
00:54:10,960 --> 00:54:13,600
Speaker 1: of the new evolution, and.

1039
00:54:13,480 --> 00:54:18,160
Speaker 2: She Freudian slash. Finley slipped and said, Dylan and Brandon,

1040
00:54:18,239 --> 00:54:21,360
Speaker 2: did you guys hear that it was hot?

1041
00:54:22,080 --> 00:54:22,400
Speaker 5: Uh?

1042
00:54:22,480 --> 00:54:24,520
Speaker 2: So, Yeah, this is where.

1043
00:54:26,080 --> 00:54:29,240
Speaker 1: I feel like I'm not on board with this because

1044
00:54:29,280 --> 00:54:35,360
Speaker 1: I don't see how Kelly would be brainwashed to ditch Brandon,

1045
00:54:36,680 --> 00:54:41,479
Speaker 1: who she loves, Who's who's just clearly tried to help

1046
00:54:41,520 --> 00:54:44,200
Speaker 1: her with the article and has asked to spend more

1047
00:54:44,239 --> 00:54:48,000
Speaker 1: time with her. Like, how is she so in this?

1048
00:54:48,160 --> 00:54:53,000
Speaker 1: Finley's like web that she That's what they do.

1049
00:54:53,040 --> 00:54:55,239
Speaker 2: Yes, that's what they do. And may I bring this

1050
00:54:55,360 --> 00:54:59,359
Speaker 2: all back to a story that we told earlier, Jen,

1051
00:55:00,520 --> 00:55:04,520
Speaker 2: what other character did Peter play in a movie?

1052
00:55:05,880 --> 00:55:06,200
Speaker 5: Oh?

1053
00:55:06,200 --> 00:55:07,080
Speaker 2: That's recent, right?

1054
00:55:07,160 --> 00:55:07,600
Speaker 5: He yeah?

1055
00:55:07,640 --> 00:55:12,560
Speaker 1: Played what's that called cult cult guy?

1056
00:55:11,160 --> 00:55:18,520
Speaker 2: H Yes, the guy Peter Fatchinelli played him. There's a movie.

1057
00:55:18,680 --> 00:55:20,680
Speaker 1: There's a doc and there's a movie that was made

1058
00:55:20,680 --> 00:55:23,719
Speaker 1: for TV and scripted. Peter was in it, and Peter

1059
00:55:23,880 --> 00:55:25,800
Speaker 1: was great. I should have seen this coming.

1060
00:55:26,840 --> 00:55:29,200
Speaker 6: Yeah, escaping the cult.

1061
00:55:29,400 --> 00:55:32,480
Speaker 1: I believe that he could have been a really good

1062
00:55:32,560 --> 00:55:33,520
Speaker 1: cult leader.

1063
00:55:34,400 --> 00:55:37,880
Speaker 2: Wait, who are talking about here? Now I'm panicking.

1064
00:55:37,960 --> 00:55:40,000
Speaker 1: I believe that Peter could have been a really good

1065
00:55:40,040 --> 00:55:43,120
Speaker 1: cult leader in real life. Like he's good at that

1066
00:55:43,880 --> 00:55:45,640
Speaker 1: convincing you, he's a good like.

1067
00:55:47,120 --> 00:55:49,680
Speaker 6: This is Josie. I need to watch this.

1068
00:55:50,560 --> 00:55:54,320
Speaker 3: It was Kate. He played Keith Ramier. Keith Ramier.

1069
00:55:54,640 --> 00:55:58,400
Speaker 2: But how interesting that we're talking about this storyline with

1070
00:55:58,640 --> 00:56:01,480
Speaker 2: you which was done nineteen ninety four.

1071
00:56:02,320 --> 00:56:05,719
Speaker 3: Whoa and Kathin Oxenburg bringing it all back to the

1072
00:56:05,760 --> 00:56:10,520
Speaker 3: Aaron Stout world. So Katherin Oxenburg narrates the story.

1073
00:56:10,200 --> 00:56:13,200
Speaker 2: Because it's her daughter was India.

1074
00:56:13,040 --> 00:56:20,360
Speaker 3: That Katherine Oxenberg was on Dynasty. She played Amanda Carrington.

1075
00:56:21,600 --> 00:56:24,520
Speaker 3: Oh she was a Carrington. She must marry something. Oh

1076
00:56:24,560 --> 00:56:27,560
Speaker 3: she married Adam. I think she married Adam Carrid that's right.

1077
00:56:28,000 --> 00:56:30,839
Speaker 2: Yeah, but wasn't she at moult Davie when the whole

1078
00:56:30,840 --> 00:56:31,200
Speaker 2: thing Like.

1079
00:56:31,239 --> 00:56:35,480
Speaker 6: Yeah, that's what I that's why there's some and she

1080
00:56:35,680 --> 00:56:36,600
Speaker 6: is royalty in.

1081
00:56:36,520 --> 00:56:40,600
Speaker 2: Real life, a real princess. Oh oh, let's bring it

1082
00:56:40,680 --> 00:56:44,040
Speaker 2: all back. Who then went on to marry Casper van Deen.

1083
00:56:44,760 --> 00:56:47,600
Speaker 2: Oh my god, it's like six degrees of nine O

1084
00:56:47,719 --> 00:56:50,360
Speaker 2: two and zero. She married Casper. They went on to

1085
00:56:50,400 --> 00:56:53,399
Speaker 2: have children together, do a reality show, do a real

1086
00:56:53,440 --> 00:56:56,040
Speaker 2: handy show, and then they told them married to a

1087
00:56:56,040 --> 00:56:59,160
Speaker 2: famous princess in real life. And yeah, and her book

1088
00:56:59,200 --> 00:57:02,880
Speaker 2: is great. We know Casper played Oh I just blinked

1089
00:57:03,560 --> 00:57:05,440
Speaker 2: right that preppy expression stone.

1090
00:57:05,640 --> 00:57:11,560
Speaker 3: Yeah anyway, okay, wow, so hmm that's what they do.

1091
00:57:12,600 --> 00:57:13,520
Speaker 2: Yeah, okay.

1092
00:57:14,440 --> 00:57:16,560
Speaker 1: I feel like you guys have just brainwashed me, so

1093
00:57:16,840 --> 00:57:17,440
Speaker 1: I believe you.

1094
00:57:18,000 --> 00:57:19,960
Speaker 3: But I do think that is the thing that she

1095
00:57:20,120 --> 00:57:24,320
Speaker 3: has been sucked into this guy, and she's which happens

1096
00:57:24,320 --> 00:57:29,240
Speaker 3: in these situations. She's forgetting everything. And then he does

1097
00:57:29,280 --> 00:57:33,360
Speaker 3: what they do, wants her to break up with Brandon.

1098
00:57:33,560 --> 00:57:38,080
Speaker 2: They isolate you, isolate you from your circle. Hold. She

1099
00:57:38,120 --> 00:57:42,560
Speaker 2: doesn't do this, Oh she does? Oh my god.

1100
00:57:42,760 --> 00:57:47,120
Speaker 1: Wait why was this episode called Little Monsters? Anybody?

1101
00:57:49,120 --> 00:57:49,800
Speaker 2: That's why I was.

1102
00:57:49,720 --> 00:57:51,680
Speaker 1: So confused in the very beginning. I was like, wait,

1103
00:57:51,720 --> 00:57:54,760
Speaker 1: we're going to recap the Monsters. I don't remember watching

1104
00:57:54,800 --> 00:57:55,640
Speaker 1: anything about.

1105
00:57:55,480 --> 00:57:57,680
Speaker 3: Kids stray before Lady Gaga.

1106
00:57:58,760 --> 00:58:03,400
Speaker 2: Yeah, I was confused, what could it be? Just throw spitball.

1107
00:58:03,800 --> 00:58:06,880
Speaker 3: These people are little monsters. I don't know, like Ariel,

1108
00:58:07,000 --> 00:58:07,480
Speaker 3: I don't know.

1109
00:58:07,560 --> 00:58:15,080
Speaker 2: I Burial vow wonder Andrea Philly. This a little monster juicy.

1110
00:58:15,280 --> 00:58:17,000
Speaker 2: It is such a really juicy.

1111
00:58:17,120 --> 00:58:21,040
Speaker 1: It's such a ten ten ten ten ten ten. Oh

1112
00:58:21,120 --> 00:58:24,000
Speaker 1: my god, you guys we agree the first time, maybe

1113
00:58:24,040 --> 00:58:30,400
Speaker 1: a second time Dancing with the Stars, perfect score. Wow. Yeah,

1114
00:58:30,560 --> 00:58:33,320
Speaker 1: longest podcast ever. But I really feel like we covered

1115
00:58:33,360 --> 00:58:36,080
Speaker 1: the shot out of this. I feel really good about this.

1116
00:58:36,320 --> 00:58:38,960
Speaker 1: That was it was.

1117
00:58:39,800 --> 00:58:45,120
Speaker 2: It was Yeah, Well guess what week. We'll be back again.

1118
00:58:44,920 --> 00:58:48,040
Speaker 1: Next week with another new episode and then next week

1119
00:58:48,720 --> 00:58:49,560
Speaker 1: what is our episode?

1120
00:58:49,640 --> 00:58:51,240
Speaker 2: Next week? Let me see you let me see the

1121
00:58:51,320 --> 00:58:54,000
Speaker 2: one that's only on DVD. But oh yeah, that's right.

1122
00:58:54,080 --> 00:58:54,920
Speaker 6: It's a weirdo one.

1123
00:58:55,080 --> 00:58:55,720
Speaker 5: This is the one.

1124
00:58:55,760 --> 00:58:59,040
Speaker 1: You guys have to go, uh get your EVD collection out,

1125
00:58:59,880 --> 00:59:02,840
Speaker 1: or or find a weird creepy bootleg like Amy did.

1126
00:59:03,200 --> 00:59:05,280
Speaker 3: And somebody found their DVD player in the text. Was

1127
00:59:05,320 --> 00:59:07,640
Speaker 3: that you Jenny yeah Ing.

1128
00:59:09,240 --> 00:59:11,600
Speaker 2: Season five, episode twenty You gotta have heart.

1129
00:59:11,800 --> 00:59:12,840
Speaker 6: There must be too many songs.

1130
00:59:12,880 --> 00:59:15,520
Speaker 2: They couldn't even cut them out. Have a great week.

1131
00:59:15,600 --> 00:59:17,000
Speaker 2: You guys, I love you.