1 00:00:01,920 --> 00:00:13,320 Speaker 1: On this alas good. Hey guys, Keith Urban will be 2 00:00:13,320 --> 00:00:17,319 Speaker 1: on later. Pretty pumped about that morning studio morning. Well, 3 00:00:17,600 --> 00:00:20,720 Speaker 1: I'm surprised to hear this, Raymundo. What do you got 4 00:00:20,760 --> 00:00:23,159 Speaker 1: for me? Yeah, so a lot of people were in 5 00:00:23,200 --> 00:00:25,799 Speaker 1: doubt that money wasn't coming. You placed the bet, you 6 00:00:25,880 --> 00:00:29,200 Speaker 1: won the bet. I owed you several hundreds of dollars 7 00:00:29,840 --> 00:00:32,360 Speaker 1: within three four days. I told you I converted it 8 00:00:32,400 --> 00:00:35,600 Speaker 1: from bitcoin. You have your US dollars, baby, Come on. 9 00:00:37,080 --> 00:00:39,800 Speaker 1: So what happened was a few weeks ago, I said, Raymundo, 10 00:00:40,240 --> 00:00:43,400 Speaker 1: I didn't really bet on sports anymore. What's your lock 11 00:00:43,440 --> 00:00:44,680 Speaker 1: of the week? It goes this is it? So I 12 00:00:44,720 --> 00:00:47,480 Speaker 1: bet and it lost. It's your lock of the week 13 00:00:47,640 --> 00:00:51,040 Speaker 1: only one game I lost. I trust him. I believe 14 00:00:51,080 --> 00:00:55,200 Speaker 1: in second chances. So I doubled up that bet, yes see, 15 00:00:55,240 --> 00:00:57,600 Speaker 1: and said, what's your lock of the week? And it 16 00:00:57,600 --> 00:01:04,480 Speaker 1: goes Troy versus Middle Tennessee State primetime televison. You know what, 17 00:01:04,680 --> 00:01:07,120 Speaker 1: I've watched the game and I bet it and I won. 18 00:01:07,880 --> 00:01:09,880 Speaker 1: Do you have the money now? I got it, baby, 19 00:01:09,959 --> 00:01:12,039 Speaker 1: Let's see it. Let's bring it in. Here is it 20 00:01:12,080 --> 00:01:14,280 Speaker 1: in a briefcase? I hit you on vimo. Oh, oh, 21 00:01:15,520 --> 00:01:17,160 Speaker 1: it's all digital. I mean I could have done it 22 00:01:17,160 --> 00:01:19,600 Speaker 1: so we had it physically. But I mean it's twenty twenty, 23 00:01:19,720 --> 00:01:23,160 Speaker 1: twenty twenty. Did you hit me already? Yeah? If I 24 00:01:23,200 --> 00:01:29,039 Speaker 1: look right now, I have it. I mean I could 25 00:01:29,040 --> 00:01:31,119 Speaker 1: have brought the money here, gonna do like one hundred 26 00:01:31,800 --> 00:01:34,200 Speaker 1: two hundred tru we come in the wee hours of 27 00:01:34,200 --> 00:01:38,640 Speaker 1: the morning. I'm trying to get jacked. Okay, let me 28 00:01:38,680 --> 00:01:43,160 Speaker 1: see here. Hold on there right? Oh no, the numbers 29 00:01:43,200 --> 00:01:47,040 Speaker 1: not right? Know me? Like this mini hundred that's what 30 00:01:47,080 --> 00:01:49,760 Speaker 1: I gave you. It's in two different increments. No, my 31 00:01:49,960 --> 00:01:52,560 Speaker 1: total and my whole thing is been most three hundred 32 00:01:52,560 --> 00:01:54,680 Speaker 1: and twenty six dollars. Well, then you gave some out 33 00:01:54,760 --> 00:01:58,000 Speaker 1: or something. There's proof that I sent you the money. 34 00:01:58,080 --> 00:01:59,840 Speaker 1: He may be right. Let me look, oh boy, I 35 00:02:00,000 --> 00:02:02,120 Speaker 1: do give listeners of money all the time, honestly on Instagram. 36 00:02:04,240 --> 00:02:07,320 Speaker 1: Is this You can continue the narrative, but I pay 37 00:02:07,400 --> 00:02:12,919 Speaker 1: them always something with ray. There's a you know in 38 00:02:12,960 --> 00:02:14,560 Speaker 1: the movies, they're always like you want to count it? 39 00:02:14,560 --> 00:02:16,679 Speaker 1: They're like, no, I trust you, man, you shouldn't. I mean, 40 00:02:16,800 --> 00:02:18,640 Speaker 1: you gotta make them count it. Now I have the 41 00:02:18,680 --> 00:02:26,359 Speaker 1: proof right here, Hold on I see you hold on one. Okay, 42 00:02:26,400 --> 00:02:29,079 Speaker 1: he wrote, okay, okay, here's why it's confusing a little bit, 43 00:02:29,560 --> 00:02:32,560 Speaker 1: because he wrote, what's it for? Once? Is electric? Once 44 00:02:32,600 --> 00:02:37,960 Speaker 1: as rent? Okay, trying to be sly dog. That's how 45 00:02:37,960 --> 00:02:40,480 Speaker 1: you have to do it sometimes, jelly beans, you're talking. 46 00:02:40,720 --> 00:02:43,639 Speaker 1: You only got to say exactly what everything's for. That's 47 00:02:43,720 --> 00:02:46,680 Speaker 1: public information. So is it all their bones? It is 48 00:02:46,680 --> 00:02:51,440 Speaker 1: all there, It's all there. Let's look confused. And I 49 00:02:51,520 --> 00:02:54,680 Speaker 1: was really hoping for some kids cash this morning. That's 50 00:02:54,720 --> 00:02:56,720 Speaker 1: all right, you have another lock of the week this week, 51 00:02:56,880 --> 00:02:59,360 Speaker 1: I do if you want it, don't don't. What do 52 00:02:59,360 --> 00:03:02,799 Speaker 1: you mean the money? And it's a win. It's already guy. 53 00:03:02,960 --> 00:03:04,560 Speaker 1: You know what's the lot of the week. So we're 54 00:03:04,560 --> 00:03:08,120 Speaker 1: gonna cross over into NFL again, and it's Sunday night. 55 00:03:08,160 --> 00:03:11,040 Speaker 1: It's the green Bay Packers. I feel very very confident. 56 00:03:11,120 --> 00:03:14,000 Speaker 1: It's that game. What's what's the point spread right now? 57 00:03:14,160 --> 00:03:16,960 Speaker 1: The green Bay Packers get three, they get a field 58 00:03:17,000 --> 00:03:19,200 Speaker 1: goal in the game, they could end zero zero and 59 00:03:19,240 --> 00:03:21,880 Speaker 1: they win three. They win. They bet who are they playing? 60 00:03:22,080 --> 00:03:25,480 Speaker 1: The green Bay minus three plus three? They get three 61 00:03:25,560 --> 00:03:28,840 Speaker 1: against the Saints. Oh, the Saint's just lost to the Raiders. 62 00:03:28,960 --> 00:03:32,120 Speaker 1: M kind of like that. Bones. Okay, so what are 63 00:03:32,160 --> 00:03:35,600 Speaker 1: you taking? Huh? He just said, you like green Ball? 64 00:03:35,840 --> 00:03:39,680 Speaker 1: What's the lot Green Bay Packers plus three? Okay, I 65 00:03:39,720 --> 00:03:43,360 Speaker 1: actually like that. I may send you some cash over, Bones. 66 00:03:43,360 --> 00:03:45,480 Speaker 1: Are you gonna double double like give them all that 67 00:03:45,520 --> 00:03:48,440 Speaker 1: money back to put on it? Okay, at least be 68 00:03:48,480 --> 00:03:52,640 Speaker 1: smart about lucky. Okay, Okay, I'll pop you over some 69 00:03:52,640 --> 00:03:57,280 Speaker 1: some some digital money. Okay, good, good, good. Yeah. I 70 00:03:57,320 --> 00:04:01,960 Speaker 1: like this. It's stuff early morning. This is gambling, early morning, dude, 71 00:04:02,040 --> 00:04:04,880 Speaker 1: it's dumb. We come in. The thing's confusing to Eddie, 72 00:04:04,880 --> 00:04:06,200 Speaker 1: and I simp. We walk in the studio, we start 73 00:04:06,240 --> 00:04:09,080 Speaker 1: talking about the characters we built on our PlayStation game 74 00:04:09,200 --> 00:04:11,600 Speaker 1: NBA two K twenty one. Yes, it's not real basketball, 75 00:04:11,640 --> 00:04:13,960 Speaker 1: and I'm like, hey, yeah, so just got enrolled at 76 00:04:14,040 --> 00:04:16,960 Speaker 1: UM Oh you it's a freshman. And Amy's like, who 77 00:04:17,000 --> 00:04:19,240 Speaker 1: are you talking about? And I'm like, junior, my guy, 78 00:04:19,279 --> 00:04:23,160 Speaker 1: that's your junior too. Eddie was talking about his girlfriend 79 00:04:23,200 --> 00:04:26,080 Speaker 1: and their Eddie goes, I thought he got my girlfriend pregnant? Yes, 80 00:04:26,120 --> 00:04:29,279 Speaker 1: and I was what, how does that storyline? It's a 81 00:04:29,320 --> 00:04:32,760 Speaker 1: storyline on the video game. But but but did your 82 00:04:32,760 --> 00:04:36,760 Speaker 1: girlfriend digitally on there. Yes, yeah, and that part yet 83 00:04:37,000 --> 00:04:40,160 Speaker 1: you haven't met your girlfriend, had met her and she 84 00:04:40,279 --> 00:04:43,360 Speaker 1: ghosted me because she went on a soccer trip to Mexico. 85 00:04:43,839 --> 00:04:46,240 Speaker 1: And then I'm on the road playing ball for Oklahoma 86 00:04:46,440 --> 00:04:48,760 Speaker 1: and I messaged her and she just started ghosting me. 87 00:04:48,839 --> 00:04:50,280 Speaker 1: That's where I am right now in the story. Did 88 00:04:50,279 --> 00:04:52,200 Speaker 1: you're a prime spot of the story? It's so good. 89 00:04:52,279 --> 00:04:54,480 Speaker 1: Does the same story happen to everybody? Yes, but it's 90 00:04:54,480 --> 00:04:56,800 Speaker 1: like pick your adventure, choose your adventure with your So 91 00:04:57,160 --> 00:04:58,920 Speaker 1: did you have to start over from your last game? 92 00:04:58,920 --> 00:05:00,840 Speaker 1: There's a whole new guy. You were building them up 93 00:05:00,839 --> 00:05:02,839 Speaker 1: because you had you were playing a basketball where you 94 00:05:02,839 --> 00:05:06,839 Speaker 1: had some guy that yeah, Jay was last season, but 95 00:05:07,000 --> 00:05:09,440 Speaker 1: now Junior. It's my name is Bobby Bones on there, 96 00:05:09,760 --> 00:05:12,680 Speaker 1: but junior because my dad was an NBA player and 97 00:05:12,680 --> 00:05:16,240 Speaker 1: people loved him, but he died, right and the duke? Yeah, 98 00:05:16,320 --> 00:05:19,040 Speaker 1: and so I'm playing and Eddie Nett talk about our careers. Correct, 99 00:05:19,120 --> 00:05:23,560 Speaker 1: And you didn't go to Arkansas? Wasn't offered? Wasn't I 100 00:05:23,600 --> 00:05:27,800 Speaker 1: went to Caitlin jealous of your girlfriend. Okay, it's not real. 101 00:05:27,880 --> 00:05:34,400 Speaker 1: I'll talk about that, Okay. I couldn't help it. Doesn't. No, no, no, 102 00:05:34,480 --> 00:05:38,600 Speaker 1: that's why I second, Eddie, where did you go to college? 103 00:05:38,640 --> 00:05:41,920 Speaker 1: I went to Michigan State Spartan that just like the program, 104 00:05:41,920 --> 00:05:44,320 Speaker 1: they're a little better. So that shows them what we 105 00:05:44,360 --> 00:05:47,040 Speaker 1: come in and just dive in and we're really serious. 106 00:05:47,040 --> 00:05:48,640 Speaker 1: Amy walks in. It's like, what are you guys talking about? 107 00:05:48,640 --> 00:05:50,520 Speaker 1: It sounds really We're like, no, no, this is our 108 00:05:50,560 --> 00:05:54,760 Speaker 1: video game because our characters. So Lunchbox has labeled this 109 00:05:54,960 --> 00:05:57,800 Speaker 1: drive through confusion. What did you do? I went to 110 00:05:57,920 --> 00:06:00,360 Speaker 1: different drive throughs sort of like I went to McDonalds, 111 00:06:00,400 --> 00:06:02,440 Speaker 1: but I ordered things from burger Kings, like I pulled 112 00:06:02,480 --> 00:06:04,560 Speaker 1: into the wrong place and I didn't realize it. To 113 00:06:04,600 --> 00:06:07,920 Speaker 1: see how they'd react. Okay, so the first clip, you're 114 00:06:07,960 --> 00:06:10,520 Speaker 1: a McDonald's and you're ordering a bunch of burger king correct. 115 00:06:10,520 --> 00:06:12,960 Speaker 1: All right, here we go. Hi, how are you? I'm great? 116 00:06:12,960 --> 00:06:15,880 Speaker 1: How are you? What can I get for you? I 117 00:06:16,000 --> 00:06:20,200 Speaker 1: need two whoppers, a junior whopper and one beat k broiler. 118 00:06:21,680 --> 00:06:25,039 Speaker 1: This is McDonald Thank you. Oh uh? Do you know 119 00:06:25,040 --> 00:06:27,640 Speaker 1: where the nearest burger king is? I don't know where 120 00:06:27,640 --> 00:06:30,560 Speaker 1: one that? Can you look it up on your phone? No? 121 00:06:34,560 --> 00:06:37,719 Speaker 1: All right, here as Lunchbox he's going to Wendy's, but 122 00:06:37,800 --> 00:06:40,440 Speaker 1: he lists off a bunch of items from Sonics. There 123 00:06:40,440 --> 00:06:46,279 Speaker 1: you go, two cherry lime maid slushes, one chili one 124 00:06:46,400 --> 00:06:55,920 Speaker 1: chili cheese coney dog, two cherry Limemid slushes. Oh no, no, no, no, 125 00:06:56,360 --> 00:06:58,560 Speaker 1: we don't got none of that. Oh, can you give 126 00:06:58,600 --> 00:07:00,719 Speaker 1: me directions to the nearest Sonic Cold go out at 127 00:07:00,760 --> 00:07:02,840 Speaker 1: the south time. You can make a lip and it 128 00:07:02,880 --> 00:07:11,920 Speaker 1: didn't feeling your white anything. Okay, come on, woosses don't 129 00:07:11,960 --> 00:07:16,880 Speaker 1: like that. Okay, So then lunchbox goes to Sonic and 130 00:07:17,080 --> 00:07:20,680 Speaker 1: orders Wendy's. Here you go. Can I get two medium 131 00:07:20,720 --> 00:07:25,400 Speaker 1: chocolate frosties please, frosty. Yeah, we don't have frosties. We 132 00:07:25,480 --> 00:07:29,400 Speaker 1: got like shakes, Blast and Selicius. No, no, Sonic has blasts. 133 00:07:29,440 --> 00:07:35,000 Speaker 1: I need frosties. You know I'm That's what I'm saying. Oh, 134 00:07:35,040 --> 00:07:38,680 Speaker 1: I'm at Sonic. Oh where is Wendy's. I can't help 135 00:07:38,720 --> 00:07:41,720 Speaker 1: you with the direction, sir. Oh, so I'm just gonna 136 00:07:41,720 --> 00:07:45,160 Speaker 1: get lost probably most likely I can't help. I'm not eating. 137 00:07:45,360 --> 00:07:48,200 Speaker 1: You gotta move up so I can take the next customer. Supporter. 138 00:07:48,560 --> 00:07:56,160 Speaker 1: Thanks for nothing, You're welcome. Good fine, Okay, Finally lunchbox 139 00:07:56,200 --> 00:08:01,240 Speaker 1: goes back to McDonald's and order Sonic. Here you go, well, 140 00:08:01,560 --> 00:08:04,080 Speaker 1: McDonald here for you? Oh yeah, I can I get 141 00:08:04,120 --> 00:08:08,840 Speaker 1: one cherry lime made slush? And this well harving either 142 00:08:09,800 --> 00:08:14,920 Speaker 1: that's funny. Oh this is Sonic? No? Oh where Sonic? 143 00:08:15,600 --> 00:08:18,800 Speaker 1: I don't know where? How am I supposed to get 144 00:08:18,800 --> 00:08:20,360 Speaker 1: my cherry lime maide slush? If you don't tell me 145 00:08:20,400 --> 00:08:26,000 Speaker 1: where it is you got? Well, don't you have a phone? No, 146 00:08:26,800 --> 00:08:32,719 Speaker 1: I can't go here. All right, thanks for nothing. I 147 00:08:32,760 --> 00:08:35,840 Speaker 1: don't know what to do. And you know they're just 148 00:08:35,960 --> 00:08:38,480 Speaker 1: working right and they have to go home and be like, 149 00:08:38,559 --> 00:08:40,319 Speaker 1: you'll never guess this idiot came today and try to 150 00:08:40,360 --> 00:08:43,600 Speaker 1: order a lemon berry slush. That's funny. There you go, 151 00:08:43,720 --> 00:08:49,120 Speaker 1: nice shot blush boxing fun fact right. Here are your 152 00:08:49,120 --> 00:08:52,120 Speaker 1: five most fun facts of the week, as found by Amy. 153 00:08:52,840 --> 00:08:56,600 Speaker 1: Number five in seventeen fifty eight, George Washington spent his 154 00:08:56,880 --> 00:09:02,400 Speaker 1: entire campaign budget on liquor and so to voters. Oh 155 00:09:02,480 --> 00:09:04,360 Speaker 1: he then served it to them too. I thought it 156 00:09:04,400 --> 00:09:07,680 Speaker 1: was just for him all that day watch was hitting 157 00:09:07,679 --> 00:09:10,719 Speaker 1: the sauce. That's what he used his campaign budget for. 158 00:09:10,920 --> 00:09:12,640 Speaker 1: Was just if they did that. Now, I think that 159 00:09:12,679 --> 00:09:15,000 Speaker 1: person want to win too. Imagine if they took a 160 00:09:15,000 --> 00:09:17,840 Speaker 1: billion dollars beer for everybody, tell me they won't get 161 00:09:17,840 --> 00:09:20,920 Speaker 1: all the votes. Speaking of politics, I watched that movie Irresistible, 162 00:09:21,240 --> 00:09:24,840 Speaker 1: the Steve Correll. There's also the actress Roseburn in it. 163 00:09:24,840 --> 00:09:28,040 Speaker 1: It's pretty good, so good. Yeah, it's I mean, when 164 00:09:28,080 --> 00:09:30,559 Speaker 1: you first watch it, you don't really see what it's 165 00:09:30,600 --> 00:09:32,680 Speaker 1: where it's gonna go. And then at the end, were 166 00:09:32,679 --> 00:09:35,600 Speaker 1: you just loving it? Yeah? I loved the ending. Yeah, 167 00:09:35,679 --> 00:09:38,000 Speaker 1: me too. Have you seen Aucks? No, but it's kind 168 00:09:38,000 --> 00:09:40,560 Speaker 1: of like Cuties. At the beginning you're like, oh goodness, no, 169 00:09:40,760 --> 00:09:42,319 Speaker 1: you don't know where it's going. At the end you're like, 170 00:09:42,360 --> 00:09:43,880 Speaker 1: I really love this is a hill. He has chose 171 00:09:43,920 --> 00:09:46,160 Speaker 1: to die on the Cuties hill. Why you're the one 172 00:09:46,200 --> 00:09:48,600 Speaker 1: that he was ringing it up. But you can't run 173 00:09:48,640 --> 00:09:49,959 Speaker 1: from the fact that I watched it and it's a 174 00:09:49,960 --> 00:09:52,200 Speaker 1: good movie. You guys were talking about from it, Okay, 175 00:09:52,760 --> 00:09:56,160 Speaker 1: it's part of you watch Cuties, but watch Irresistible. Yeah, 176 00:09:56,160 --> 00:09:59,640 Speaker 1: I watch Irresistance. Yeah that's good. Right. Number four, So 177 00:09:59,800 --> 00:10:02,679 Speaker 1: Lee A Nissan used to be a school teacher. He 178 00:10:02,800 --> 00:10:05,640 Speaker 1: was fired after punching a fifteen year old student who 179 00:10:05,679 --> 00:10:07,959 Speaker 1: pulled a knife on him. I mean, is that shocking. 180 00:10:08,120 --> 00:10:10,520 Speaker 1: I know you don't know your mad I know you 181 00:10:10,520 --> 00:10:12,760 Speaker 1: don't know you're English, But if you don't turn it in, 182 00:10:12,800 --> 00:10:15,520 Speaker 1: I will kill you. I have a certain level of skills. Well, 183 00:10:15,520 --> 00:10:18,480 Speaker 1: if the kid pulls a knife on him, right, yeah, 184 00:10:18,559 --> 00:10:21,400 Speaker 1: you should be able to punch somebody, right. I don't 185 00:10:21,440 --> 00:10:24,320 Speaker 1: know why he got fired. That's probably for the better though, 186 00:10:24,400 --> 00:10:28,439 Speaker 1: look at him now, yeah yeah yeah. Number three so Hannah, 187 00:10:28,440 --> 00:10:31,880 Speaker 1: Montana was originally going to be named Alexis, Texas, but 188 00:10:31,920 --> 00:10:37,040 Speaker 1: the name was already taken by an adult film star. Yeah. 189 00:10:37,080 --> 00:10:39,480 Speaker 1: I've seen this fact before. I believe it to that. 190 00:10:40,080 --> 00:10:44,440 Speaker 1: Number two before hurricane. The two top selling items at 191 00:10:44,480 --> 00:10:48,440 Speaker 1: Walmart are before hurricane. Yeah. Well, if you hear there's 192 00:10:48,440 --> 00:10:50,719 Speaker 1: bad weather coming, everybody runs to the grocery store or 193 00:10:50,720 --> 00:10:53,240 Speaker 1: Walmart or whatever. But Walmart's run the numbers. You're saying 194 00:10:53,360 --> 00:11:00,880 Speaker 1: general general times. Yes, I would say toilet paper. I 195 00:11:00,920 --> 00:11:04,079 Speaker 1: will say you can consume both of these oilet paper. 196 00:11:06,400 --> 00:11:10,599 Speaker 1: I don't know what pop tarts and beerh nice. I 197 00:11:10,640 --> 00:11:13,679 Speaker 1: remember when Klin first came to Nashville, before she had 198 00:11:13,720 --> 00:11:15,280 Speaker 1: moved in, and she was like, if you ever had 199 00:11:15,280 --> 00:11:17,440 Speaker 1: a butter pop tart and that was so controversial for me. 200 00:11:17,480 --> 00:11:19,920 Speaker 1: I was like, who would butter a pop tart? And 201 00:11:19,920 --> 00:11:22,560 Speaker 1: then we did it and it was fantastic, And here 202 00:11:22,559 --> 00:11:25,800 Speaker 1: we go the number one most fun fact. Number one. 203 00:11:26,400 --> 00:11:31,480 Speaker 1: So Amazon holds a patent for underwater warehouses where products 204 00:11:31,480 --> 00:11:36,439 Speaker 1: can be stored in watertight containers. Wow, that's cool. Is 205 00:11:36,480 --> 00:11:41,280 Speaker 1: that fun? The future will go that way? Like warehouses. 206 00:11:41,360 --> 00:11:44,319 Speaker 1: Right now, they're storage places, but I mean they're thinking 207 00:11:44,360 --> 00:11:46,800 Speaker 1: ahead and thinking, well, never, we might need to use 208 00:11:47,200 --> 00:11:50,840 Speaker 1: the water space and store things down there, like oh, 209 00:11:51,000 --> 00:11:52,800 Speaker 1: let me go put on my scuba gear and go 210 00:11:52,840 --> 00:11:55,160 Speaker 1: down and get my Okay, if you think it's fun, 211 00:11:55,200 --> 00:11:56,720 Speaker 1: I think it's fun. There you go. You don't think 212 00:11:56,760 --> 00:11:59,400 Speaker 1: it's not? Really? Yeah, there are more fun ones on 213 00:11:59,440 --> 00:12:01,640 Speaker 1: the lesson. Now, well that's kind of interesting. I'll put 214 00:12:01,640 --> 00:12:05,280 Speaker 1: that at five, and we've already done it. It's here. 215 00:12:05,360 --> 00:12:09,280 Speaker 1: Did you have any backups? No? No, I can't believe 216 00:12:09,280 --> 00:12:11,680 Speaker 1: you don't think that that's fun? Pretty fun, not the 217 00:12:11,760 --> 00:12:14,840 Speaker 1: most fun. What do you think about dogs lining up 218 00:12:14,840 --> 00:12:18,880 Speaker 1: with the Earth's not in field when they poop? They 219 00:12:18,960 --> 00:12:22,000 Speaker 1: usually prefer a north south axis. You know why a 220 00:12:22,080 --> 00:12:24,280 Speaker 1: dog looks at you and looks around when he's pooping. Why, 221 00:12:24,440 --> 00:12:27,720 Speaker 1: because that's their most vulnerable state, Like they're using the bathroom. 222 00:12:27,840 --> 00:12:30,040 Speaker 1: Everything is vulnerable and they're looking out to They're just 223 00:12:30,160 --> 00:12:31,880 Speaker 1: genetically wired now to look out and make sure there 224 00:12:31,880 --> 00:12:34,360 Speaker 1: are no predators. Kind of Oh wow, that was fun. See, 225 00:12:34,480 --> 00:12:44,600 Speaker 1: that's fun. Okay. The latest from Nashville and Tullywood Morgan 226 00:12:44,720 --> 00:12:48,760 Speaker 1: number two, thirty second skinny. Carrie Underwood's new Christmas album, 227 00:12:48,960 --> 00:12:52,080 Speaker 1: My Gift is out today. She also announced that she's 228 00:12:52,080 --> 00:12:55,040 Speaker 1: bringing the new album to life with a Christmas special 229 00:12:55,120 --> 00:12:58,679 Speaker 1: on HBO Max this holiday season. Here's her song, Let 230 00:12:58,720 --> 00:13:04,680 Speaker 1: there be Peace, Let the peace please do every dation 231 00:13:05,080 --> 00:13:13,800 Speaker 1: that they'll be home all love see. Ranger Smith shared 232 00:13:13,880 --> 00:13:17,480 Speaker 1: the first volume of his album called Country Things Volume One. 233 00:13:17,840 --> 00:13:20,200 Speaker 1: Here's a song from the album, Hey like I Love You. 234 00:13:20,520 --> 00:13:23,959 Speaker 1: I'm just trying to like I love you, Watch you 235 00:13:25,679 --> 00:13:35,120 Speaker 1: get you like a miss you, time context, whatever I 236 00:13:35,360 --> 00:13:39,120 Speaker 1: got it. I'm just trying to hate you like I 237 00:13:39,320 --> 00:13:43,079 Speaker 1: love you. Justin Moore put out a live album called 238 00:13:43,240 --> 00:13:58,520 Speaker 1: Live at the Ryben Little Little Crown. I'm Morgan number two. 239 00:13:58,600 --> 00:14:03,079 Speaker 1: That's your skinny hot It's time for the good news. 240 00:14:06,440 --> 00:14:08,760 Speaker 1: How do you homemade ice cream? As an ice cream 241 00:14:08,760 --> 00:14:12,200 Speaker 1: shop in Dallas and it employs special needs people, people 242 00:14:12,240 --> 00:14:14,600 Speaker 1: that can't find jobs. Hey, come work at the ice 243 00:14:14,600 --> 00:14:18,040 Speaker 1: cream shop. Well, with the pandemic, it was struggling, no business. 244 00:14:18,080 --> 00:14:19,840 Speaker 1: That owner was like, Man, I'm gonna have to close. 245 00:14:19,880 --> 00:14:21,560 Speaker 1: I'm gonna put all these people out of the job. 246 00:14:21,880 --> 00:14:24,880 Speaker 1: Some anonymous donor donated one hundred and twenty thousand to 247 00:14:24,960 --> 00:14:29,600 Speaker 1: keep the shop going. Wow, that's awesome. And they were anonymous, 248 00:14:29,640 --> 00:14:32,080 Speaker 1: which is crazy, which is yeah, a weird part of 249 00:14:32,080 --> 00:14:34,640 Speaker 1: the story. Why is that weird? Because when you donate 250 00:14:34,680 --> 00:14:37,120 Speaker 1: money and it makes national news like this, you want 251 00:14:37,160 --> 00:14:38,920 Speaker 1: your name out there. You want the pad on the back. 252 00:14:39,000 --> 00:14:40,680 Speaker 1: Why do you do a good thing to be patted 253 00:14:40,720 --> 00:14:43,440 Speaker 1: on the back. That's why you do good things. You're 254 00:14:43,480 --> 00:14:45,520 Speaker 1: speaking for himself. When you open the door for someone 255 00:14:45,560 --> 00:14:47,880 Speaker 1: at a at a grocery store or a restaurant, you 256 00:14:47,920 --> 00:14:49,600 Speaker 1: want them to say thank you, right because if they 257 00:14:49,640 --> 00:14:51,800 Speaker 1: don't say thank you, you're upset. You do it for 258 00:14:51,840 --> 00:14:54,720 Speaker 1: the recognition, you don't do it for the good deed. Interesting, 259 00:14:55,280 --> 00:14:58,920 Speaker 1: it's I feel like I live my life a slightly 260 00:14:58,960 --> 00:15:03,280 Speaker 1: different way, but I respect you're right to live yours yours? Yeah, 261 00:15:03,360 --> 00:15:05,480 Speaker 1: all right, there you go. That's what it's all about. 262 00:15:05,880 --> 00:15:11,640 Speaker 1: That was tell me something good. Sorry to day. This 263 00:15:11,680 --> 00:15:15,800 Speaker 1: story comes us from Lancaster County, Pennsylvania. A fifty seven 264 00:15:15,840 --> 00:15:18,480 Speaker 1: year old man was all excited. It's his birthday. He 265 00:15:18,600 --> 00:15:22,120 Speaker 1: was expecting a huge birthday dinner from his wife. Instead, 266 00:15:22,200 --> 00:15:25,360 Speaker 1: she heated up leftovers. He got mad and threw the 267 00:15:25,440 --> 00:15:30,160 Speaker 1: leftovers at her, so he got arrested. Yeah, that's rage, 268 00:15:30,360 --> 00:15:33,720 Speaker 1: that's that's ran up stuff. But it was his birthday 269 00:15:33,760 --> 00:15:37,480 Speaker 1: and you made all right? All right, I'm much boxed 270 00:15:37,480 --> 00:15:41,440 Speaker 1: at your bone head story of the day. Nate from 271 00:15:41,480 --> 00:15:44,080 Speaker 1: George's on the phone, Nate, what's going on with you? Man? 272 00:15:44,120 --> 00:15:46,720 Speaker 1: Thanks for calling the show. Oh, good morning, guys, good morning. 273 00:15:46,760 --> 00:15:49,760 Speaker 1: What do you want to say? So, my girlfriend and 274 00:15:49,840 --> 00:15:52,640 Speaker 1: me have been dating small sophomore, our sophomore year at 275 00:15:52,680 --> 00:15:55,000 Speaker 1: high school, and our four years just coming up this week, 276 00:15:55,040 --> 00:15:57,400 Speaker 1: and we just recently moved in, so I wanted to 277 00:15:57,400 --> 00:15:59,720 Speaker 1: do something special for and I was wondering if you 278 00:15:59,760 --> 00:16:02,560 Speaker 1: got that any advice dole that. So it sounds like 279 00:16:02,600 --> 00:16:05,960 Speaker 1: you're twenty one, twenty two years old, just turned twenty okay, 280 00:16:06,080 --> 00:16:07,640 Speaker 1: and you've been dating for four years. Are you thinking 281 00:16:07,640 --> 00:16:11,120 Speaker 1: about getting married? At all. We actually are. We've been 282 00:16:11,120 --> 00:16:14,560 Speaker 1: talking about that recently and it's something we're moving towards. Okay, so, 283 00:16:14,640 --> 00:16:17,200 Speaker 1: but are you ready to propose right now? Because that 284 00:16:17,200 --> 00:16:19,360 Speaker 1: would be the big one, that'd be home run. Home run. 285 00:16:19,360 --> 00:16:21,280 Speaker 1: Now we can take a step back, but are you 286 00:16:21,280 --> 00:16:23,600 Speaker 1: ready to propose her? No? I mean I'm pretty sure 287 00:16:23,640 --> 00:16:27,960 Speaker 1: on her though, I mean I would right now. What 288 00:16:28,280 --> 00:16:32,600 Speaker 1: do it sound a little bit more? And he stretched 289 00:16:32,680 --> 00:16:35,520 Speaker 1: that out. Yeah, I mean he made a lot of 290 00:16:35,520 --> 00:16:37,920 Speaker 1: sounds and said he's pretty sure. It gets no more 291 00:16:38,040 --> 00:16:40,680 Speaker 1: home run than that. Okay, all right, if this is 292 00:16:40,720 --> 00:16:43,960 Speaker 1: how you guys do, Mom loves her, so she's the 293 00:16:44,000 --> 00:16:48,160 Speaker 1: one form is not the one marrying her. Okay, it's perfect. 294 00:16:48,280 --> 00:16:50,160 Speaker 1: Oh go go okay, hold on, so let's take it. 295 00:16:50,200 --> 00:16:52,040 Speaker 1: Let's take the propose a lot, because the proposal would 296 00:16:52,040 --> 00:16:55,280 Speaker 1: be the home run way. If you're ready, that's how 297 00:16:55,320 --> 00:17:00,200 Speaker 1: to celebrate, however, you've been together four years, you know, 298 00:17:00,240 --> 00:17:03,600 Speaker 1: I tell you nate people, and in my experience with women, 299 00:17:04,119 --> 00:17:07,480 Speaker 1: they love surprises. They because it takes effort, It takes planning, 300 00:17:08,800 --> 00:17:11,280 Speaker 1: and that's all people really wants others to care and 301 00:17:11,320 --> 00:17:13,200 Speaker 1: to plan and to have it. If you could plan 302 00:17:13,280 --> 00:17:15,679 Speaker 1: some sort of surprised for her, which is kind of 303 00:17:15,680 --> 00:17:17,600 Speaker 1: my specialty to not get some of these surprises I do. 304 00:17:17,680 --> 00:17:19,960 Speaker 1: For Kitlin, I tried to a lot. I think that 305 00:17:20,040 --> 00:17:23,080 Speaker 1: would kind of make her heart flutter more than I 306 00:17:23,080 --> 00:17:24,880 Speaker 1: would assume. Every year, you guys go out for dinner 307 00:17:24,960 --> 00:17:27,520 Speaker 1: or something, Yes, yeah, we usually go out somewhere nice 308 00:17:27,560 --> 00:17:30,200 Speaker 1: to eat. Or I'll take her out downtown and just 309 00:17:30,320 --> 00:17:32,679 Speaker 1: walk around and see the city at night or something 310 00:17:32,720 --> 00:17:34,520 Speaker 1: like that. I'll tell you what I did for Kaitlin 311 00:17:34,760 --> 00:17:37,639 Speaker 1: in the last few weeks. We were I said, hey, 312 00:17:38,000 --> 00:17:39,320 Speaker 1: we're gonna go for a walk at the park and 313 00:17:39,320 --> 00:17:41,120 Speaker 1: then we try to go to Olive Garden once a week. 314 00:17:41,760 --> 00:17:44,119 Speaker 1: And she was like, all right, so she loves to 315 00:17:44,119 --> 00:17:45,840 Speaker 1: go walking at the park and I said, okay, we'll 316 00:17:45,880 --> 00:17:47,520 Speaker 1: go for a walk first before it gets dark starting 317 00:17:47,520 --> 00:17:50,040 Speaker 1: to get dark lore earlier, and then we'll go eat. 318 00:17:50,600 --> 00:17:53,920 Speaker 1: So we drive up to the park and I opened 319 00:17:53,920 --> 00:17:59,040 Speaker 1: the trunk and I had planned a full picnic basket blanket. 320 00:18:00,040 --> 00:18:01,560 Speaker 1: It was all all of garden food that I just 321 00:18:01,600 --> 00:18:03,240 Speaker 1: had to deliver like five minutes before we left. So 322 00:18:03,280 --> 00:18:07,560 Speaker 1: it was still hot. There was sparkling apple cider because 323 00:18:07,600 --> 00:18:11,560 Speaker 1: neither one of us drink. It was and it wasn't 324 00:18:11,560 --> 00:18:13,080 Speaker 1: the fact that we were sitting on the ground in 325 00:18:13,119 --> 00:18:14,679 Speaker 1: a park. It was the fact that I had planned 326 00:18:14,720 --> 00:18:17,359 Speaker 1: all of this without her knowing, and she was like, Wow, 327 00:18:17,359 --> 00:18:19,119 Speaker 1: this is the coolest thing ever. And then we just 328 00:18:19,160 --> 00:18:21,520 Speaker 1: sat there and talked. So I would encourage you to 329 00:18:21,520 --> 00:18:23,080 Speaker 1: do something like that. It doesn't take a lot of 330 00:18:23,080 --> 00:18:25,000 Speaker 1: money to do something like that. For me, I went 331 00:18:25,040 --> 00:18:27,199 Speaker 1: to Walmart and got a basket for six bucks order 332 00:18:27,200 --> 00:18:28,320 Speaker 1: the same amount of food that I was going to 333 00:18:28,400 --> 00:18:30,520 Speaker 1: order from Olive Garden, and it was just the only 334 00:18:30,600 --> 00:18:32,280 Speaker 1: thing I really spent was effort, and it was a 335 00:18:32,320 --> 00:18:35,000 Speaker 1: wonderful spend. So I would encourage you to do something 336 00:18:35,040 --> 00:18:37,560 Speaker 1: like that. You said, Hey, even if it's the same night, 337 00:18:37,600 --> 00:18:40,160 Speaker 1: you say, hey, let's go for a walk like I did. 338 00:18:40,200 --> 00:18:41,639 Speaker 1: You know? You say, you guys walk and look at 339 00:18:41,640 --> 00:18:43,439 Speaker 1: the city. You do that, but instead of going to 340 00:18:43,480 --> 00:18:45,240 Speaker 1: dinner afterwards, you have something planned for her and you 341 00:18:45,280 --> 00:18:48,960 Speaker 1: pull it out. That's right there in the heart Amy, No, 342 00:18:49,040 --> 00:18:51,160 Speaker 1: I think that sounds pretty good. I'd rather him lean 343 00:18:51,240 --> 00:18:53,719 Speaker 1: into that right now because to me, he doesn't sound 344 00:18:54,440 --> 00:18:58,000 Speaker 1: like it's proposal time for them. Well, he's also twenty 345 00:18:58,280 --> 00:19:00,119 Speaker 1: I know that's true. I know, but there are or 346 00:19:00,200 --> 00:19:02,439 Speaker 1: they've made the decisions to live together. I'm sure he 347 00:19:02,480 --> 00:19:04,960 Speaker 1: does feel like she's the one, But y'all are still 348 00:19:05,040 --> 00:19:08,200 Speaker 1: so very young and got together your sophomore year, which 349 00:19:08,200 --> 00:19:10,960 Speaker 1: is pretty young, so I would maybe hold off on that. 350 00:19:11,040 --> 00:19:14,919 Speaker 1: But Bobby Slean sounds super romantic and not that expensive. Yeah, 351 00:19:15,080 --> 00:19:17,240 Speaker 1: probably less expensive than you would have done anyway, but 352 00:19:17,280 --> 00:19:20,480 Speaker 1: it will mean more to her because love isn't defined 353 00:19:20,520 --> 00:19:22,520 Speaker 1: by the amount of money you spend on someone. It's 354 00:19:22,560 --> 00:19:24,480 Speaker 1: really the amount of time you put into them, in 355 00:19:24,480 --> 00:19:27,440 Speaker 1: the effort you show them, at least all my experience. 356 00:19:27,440 --> 00:19:30,120 Speaker 1: Thank you, guys. Eddie been Mary for a hundred years. 357 00:19:30,160 --> 00:19:32,120 Speaker 1: Oh dude, I'm so bad. I'm so bad to ask 358 00:19:32,119 --> 00:19:34,680 Speaker 1: because I mean, the longer you've been married, the more 359 00:19:34,800 --> 00:19:37,440 Speaker 1: you run out of like ideas, and but you nailed it. 360 00:19:37,440 --> 00:19:40,000 Speaker 1: It's just the effort, my wife says all the time. Really, 361 00:19:40,119 --> 00:19:42,800 Speaker 1: just the effort. Whatever you put into it, it's it's great. 362 00:19:42,800 --> 00:19:44,679 Speaker 1: And surprises are cool. I haven't done that in like 363 00:19:44,720 --> 00:19:48,040 Speaker 1: ten years, so yeah, imagine if you surprised her now, dude, 364 00:19:48,080 --> 00:19:49,520 Speaker 1: That's what I'm saying. And if I did, I'd be 365 00:19:49,520 --> 00:19:51,679 Speaker 1: like I've just been setting you up. Yeah, take her 366 00:19:51,680 --> 00:19:54,000 Speaker 1: on a walk in the park and should we let's 367 00:19:54,000 --> 00:19:55,680 Speaker 1: all do this. Are you going to give us a 368 00:19:55,800 --> 00:20:02,600 Speaker 1: romantic challenge? Yes? Oh, come on, time for that. Listen, 369 00:20:02,720 --> 00:20:07,280 Speaker 1: we're almost into October. Okay, guy with no kids, don't 370 00:20:07,280 --> 00:20:15,240 Speaker 1: be a hater three people. You always have time to try. 371 00:20:15,320 --> 00:20:17,879 Speaker 1: Why don't I know you're right? And these are the 372 00:20:17,880 --> 00:20:20,280 Speaker 1: two guys over here. Should I call my husband? You 373 00:20:20,320 --> 00:20:22,520 Speaker 1: get him on the phone, vie challenge or everyone in 374 00:20:22,560 --> 00:20:25,879 Speaker 1: the room. Well Morgan's single? Still yeah, do you have 375 00:20:25,920 --> 00:20:29,440 Speaker 1: anybody on? No, but I'll be the judge. Well, we're 376 00:20:29,440 --> 00:20:32,120 Speaker 1: not gonna do a competition. But you have until December 377 00:20:32,160 --> 00:20:37,359 Speaker 1: thirty first okay, oh yeah, or before we leave for vacation, 378 00:20:37,440 --> 00:20:39,919 Speaker 1: whatever day that okay, So you have until that, like 379 00:20:40,000 --> 00:20:43,440 Speaker 1: second week in December to surprise your It doesn't have 380 00:20:43,400 --> 00:20:47,560 Speaker 1: to be a big surprise, but a loving surprise, and 381 00:20:47,600 --> 00:20:50,879 Speaker 1: then after you do it, come back and share. But Raymundo, 382 00:20:51,000 --> 00:20:56,639 Speaker 1: you're in Absolutely, I'm down, okay, Mike d Amy Lunchbox Eddie, Yeah, 383 00:20:56,920 --> 00:21:00,720 Speaker 1: I think I got okay, but I really try to 384 00:21:00,760 --> 00:21:04,159 Speaker 1: do something sweet, okay, like a helicopter ran. I'm not 385 00:21:04,200 --> 00:21:07,720 Speaker 1: saying that I was going to take her to a wedding. 386 00:21:08,200 --> 00:21:11,680 Speaker 1: Who but she already knows that's coming. That's not really 387 00:21:11,680 --> 00:21:15,439 Speaker 1: a surprise, all right, Nate. Do you feel like we 388 00:21:15,480 --> 00:21:18,400 Speaker 1: gave you decent advice? Absolutely? I feel like it held 389 00:21:18,440 --> 00:21:20,920 Speaker 1: a lot. Okay, after you're done, call us back in 390 00:21:21,000 --> 00:21:23,159 Speaker 1: up dat. It's okay, okay, I will no problem. All 391 00:21:23,240 --> 00:21:25,360 Speaker 1: right there he is, Nate. Good talk to you, NATEC soon. 392 00:21:25,400 --> 00:21:27,080 Speaker 1: Hopefully talk to you soon. Thank you. I have a 393 00:21:27,080 --> 00:21:33,920 Speaker 1: good one, all right, bye bye, you're Amy's pile of stories. 394 00:21:34,080 --> 00:21:37,800 Speaker 1: So Lauren Elena gave People Magazine online a tour of 395 00:21:37,800 --> 00:21:40,280 Speaker 1: her house in Nashville that she bought earlier this year. 396 00:21:40,800 --> 00:21:44,119 Speaker 1: She decorated during quarantine. It's got four bedrooms, four bats, 397 00:21:44,160 --> 00:21:46,639 Speaker 1: and a rug that used to be a cow that 398 00:21:46,760 --> 00:21:51,560 Speaker 1: was her family's cow. Like, we've got a cow rug, 399 00:21:51,800 --> 00:21:54,320 Speaker 1: But you didn't know that that wasn't all milky? Yeah? 400 00:21:54,359 --> 00:21:56,480 Speaker 1: I know I have one too. I have no idea 401 00:21:56,640 --> 00:21:59,000 Speaker 1: whose it was or didn't have a name, but apparently 402 00:21:59,040 --> 00:22:02,320 Speaker 1: this was her stepdad favorite cow, and when it died, 403 00:22:02,359 --> 00:22:04,480 Speaker 1: he made a rug out of her and then eventually 404 00:22:04,760 --> 00:22:06,720 Speaker 1: it was handed down to Lauren. Here she was talking 405 00:22:06,760 --> 00:22:11,200 Speaker 1: about it this rug was a family cow. She made 406 00:22:11,240 --> 00:22:13,240 Speaker 1: a lot of mouth. Step dad loved her, and when 407 00:22:13,280 --> 00:22:16,200 Speaker 1: she passed away, he made a rug out of her. 408 00:22:16,760 --> 00:22:20,040 Speaker 1: And then when he passed away, I inherited her. I 409 00:22:20,080 --> 00:22:23,560 Speaker 1: guess if the cow died naturally, it doesn't feel as weird, 410 00:22:24,119 --> 00:22:25,679 Speaker 1: like I don't think you kill your favorite cow for 411 00:22:25,720 --> 00:22:27,800 Speaker 1: a rug. Like, you know what, I'm gonna get a 412 00:22:27,880 --> 00:22:32,320 Speaker 1: rug in some beef. Come here, come here, old milky. Yeah? Interesting? 413 00:22:32,320 --> 00:22:35,760 Speaker 1: All right? What else? So? The CDC put out their 414 00:22:35,840 --> 00:22:38,960 Speaker 1: Halloween tips if you plan on celebrating this year. Some 415 00:22:39,080 --> 00:22:44,240 Speaker 1: low risk activities that they recommend include carving pumpkins, decorating 416 00:22:44,320 --> 00:22:48,560 Speaker 1: your house, and then maybe a virtual costume contest with 417 00:22:48,680 --> 00:22:53,480 Speaker 1: people that know boring a virtual costume content, you could 418 00:22:53,800 --> 00:22:58,800 Speaker 1: host a scary movie night with your household, just only 419 00:22:59,119 --> 00:23:01,439 Speaker 1: stay in your house. The situation stinks. I think most 420 00:23:01,440 --> 00:23:03,360 Speaker 1: people are going to go out and do Halloween though. Well, 421 00:23:03,400 --> 00:23:06,919 Speaker 1: I mean, listen, we talk about masks. Most Halloween's in masks. Yeah, correct? 422 00:23:06,920 --> 00:23:10,440 Speaker 1: Oh good love it. Well. There's moderate risk activities, which 423 00:23:10,480 --> 00:23:13,840 Speaker 1: include one way trick or treating. Have you heard of it? No? Okay? 424 00:23:14,359 --> 00:23:17,200 Speaker 1: Well you hey, nobody gonna abide by one way trick 425 00:23:17,240 --> 00:23:20,399 Speaker 1: or treating. You put individual little goodie bags at the 426 00:23:20,560 --> 00:23:22,840 Speaker 1: end of your driveway so that no one has to 427 00:23:22,840 --> 00:23:24,760 Speaker 1: be really all up in your space or the end 428 00:23:24,800 --> 00:23:28,600 Speaker 1: of your yard, and people can go buy and pick 429 00:23:28,680 --> 00:23:31,440 Speaker 1: up the goodie bags. Or you could have a parade 430 00:23:31,440 --> 00:23:34,280 Speaker 1: in your neighborhood that's socially distanced. And then yeah, if 431 00:23:34,280 --> 00:23:36,280 Speaker 1: the candies lined up, say you get everyone in your 432 00:23:36,280 --> 00:23:38,640 Speaker 1: neighborhood in on this, then they just grab a goodie bag, 433 00:23:38,680 --> 00:23:40,520 Speaker 1: put it in there. And then the high risk activities 434 00:23:40,560 --> 00:23:43,520 Speaker 1: that's given they say this should be avoided, door to 435 00:23:43,560 --> 00:23:47,480 Speaker 1: door trick or treating, attending crowded parties or hay rides, 436 00:23:47,560 --> 00:23:49,640 Speaker 1: something like that. It seems like the door to door 437 00:23:49,640 --> 00:23:54,119 Speaker 1: trick or treating isn't as crazy as a Halloween party, correct, 438 00:23:53,640 --> 00:23:56,040 Speaker 1: and where kids are coming and you're wearing masks that 439 00:23:56,280 --> 00:23:58,679 Speaker 1: I feel like, again I'm an expert on this. I 440 00:23:58,720 --> 00:24:01,520 Speaker 1: feel like that's like a low mind honorate one. And 441 00:24:01,560 --> 00:24:05,160 Speaker 1: again he's not the extor guy. So it's official Tom 442 00:24:05,160 --> 00:24:08,600 Speaker 1: Cruise is headed to space. We heard several months ago 443 00:24:09,000 --> 00:24:12,000 Speaker 1: a NASA administrator talking about how it might happen, But 444 00:24:12,480 --> 00:24:15,520 Speaker 1: it's official Tom Cruise is going there. To film a movie. 445 00:24:15,560 --> 00:24:18,919 Speaker 1: He's headed to the International Space Station and a SpaceX 446 00:24:18,920 --> 00:24:21,320 Speaker 1: pilot is going to be taking him there, and there's 447 00:24:21,359 --> 00:24:23,560 Speaker 1: gonna be two tourists on board, and Tom Cruise is 448 00:24:23,600 --> 00:24:25,800 Speaker 1: one of them, and the director of the movie is 449 00:24:25,800 --> 00:24:28,520 Speaker 1: the other. This guy had too much money, too quick. 450 00:24:28,520 --> 00:24:30,919 Speaker 1: Because now he's too bored. He's doing everything he can 451 00:24:30,920 --> 00:24:33,280 Speaker 1: possibly do to get some sort of rush. Now he's 452 00:24:33,280 --> 00:24:37,560 Speaker 1: going to space. What's like, there's a green screen. You 453 00:24:37,640 --> 00:24:40,159 Speaker 1: want a space movie? They've done it many times. You 454 00:24:40,160 --> 00:24:42,439 Speaker 1: can do it in Hollywood. Uh. Good for him. Tho. 455 00:24:42,440 --> 00:24:44,360 Speaker 1: If that's what he wants to do, have at it. 456 00:24:44,760 --> 00:24:50,639 Speaker 1: Tom Cruise annoying or now Helloa? Yes? Okay? Is that 457 00:24:50,760 --> 00:24:54,600 Speaker 1: it Amy? Yeah? Maybe that's my pile. That was Amy's 458 00:24:54,640 --> 00:24:59,840 Speaker 1: pile of stories. It's time for the good news with Amy. 459 00:25:02,359 --> 00:25:05,320 Speaker 1: So this wife and her husband Lee and Chuck, they 460 00:25:05,320 --> 00:25:08,359 Speaker 1: were forced to evacuate their house in Organ because of 461 00:25:08,359 --> 00:25:10,840 Speaker 1: the wildfires, and then they had to go sleep in 462 00:25:10,880 --> 00:25:14,760 Speaker 1: their van with two birds and their black lab. It 463 00:25:14,840 --> 00:25:18,800 Speaker 1: was a really squashed obviously tight quarters in their van. 464 00:25:19,160 --> 00:25:22,360 Speaker 1: But they went to this Oregon State Fairgrounds area and 465 00:25:22,520 --> 00:25:24,840 Speaker 1: they had checked him with the Red Cross. But then 466 00:25:24,880 --> 00:25:27,400 Speaker 1: this other couple who has an RV. They also checked 467 00:25:27,480 --> 00:25:29,439 Speaker 1: him with the Red Cross, but to say, hey, we 468 00:25:29,520 --> 00:25:32,000 Speaker 1: have this RV available if y'all come across anybody that 469 00:25:32,119 --> 00:25:34,359 Speaker 1: needs it. Well, because Lee and Chuck had checked in 470 00:25:34,400 --> 00:25:36,280 Speaker 1: and they knew they were sleeping in their van, they 471 00:25:36,320 --> 00:25:38,040 Speaker 1: were able to hook him up with this couple with 472 00:25:38,119 --> 00:25:40,440 Speaker 1: the RV and now they have a lot of room 473 00:25:40,520 --> 00:25:44,200 Speaker 1: to sleep in and they've become friends. Also really cool 474 00:25:44,240 --> 00:25:47,040 Speaker 1: that couple will just go and volunteer that yes, like 475 00:25:47,080 --> 00:25:48,639 Speaker 1: if you don't, they didn't know how to help, but 476 00:25:48,680 --> 00:25:50,359 Speaker 1: they thought we don't even know where to go or asked, 477 00:25:50,359 --> 00:25:52,159 Speaker 1: so they just reached out to the Red Cross and said, hey, 478 00:25:52,160 --> 00:25:54,479 Speaker 1: head's up if you know anybody, and then boom they 479 00:25:54,480 --> 00:25:56,840 Speaker 1: were like, actually we just met a couple sleeping in 480 00:25:56,880 --> 00:25:59,119 Speaker 1: their van as a verbect. That's pretty cool. That's what 481 00:25:59,160 --> 00:26:02,320 Speaker 1: it's all about right there. That was tell me something good. 482 00:26:04,320 --> 00:26:08,280 Speaker 1: All right, This is Kaylee. Hi, my mom's birthday is 483 00:26:08,280 --> 00:26:10,399 Speaker 1: coming up. I was wondering if you could give her 484 00:26:10,480 --> 00:26:13,119 Speaker 1: birthday shoutou. Her name is Karen and she is the 485 00:26:13,240 --> 00:26:16,639 Speaker 1: Karen that called in about Eddie being a Karen. Thank 486 00:26:16,720 --> 00:26:23,120 Speaker 1: you having a birthday. Karen just from my memory, Eddie, 487 00:26:23,119 --> 00:26:25,680 Speaker 1: Why were you a Karen? Because these kids were making out? 488 00:26:25,840 --> 00:26:27,840 Speaker 1: These teenagers were making out at the Jumpy place, the 489 00:26:27,880 --> 00:26:30,320 Speaker 1: kids place, and I told the employees there to stop that. 490 00:26:30,800 --> 00:26:32,960 Speaker 1: In lunchbox, why are you a Karen? I was a 491 00:26:33,040 --> 00:26:35,879 Speaker 1: Karen because there was a party in my neighborhood. It 492 00:26:35,960 --> 00:26:38,520 Speaker 1: was a graduation party and there was probably fifty people 493 00:26:38,560 --> 00:26:42,760 Speaker 1: there breaking the rules. So I called the police to Karen. 494 00:26:42,840 --> 00:26:46,240 Speaker 1: Sitting next to each other right here, anyone else is 495 00:26:46,640 --> 00:26:49,200 Speaker 1: able to be on the Karen team admit to us 496 00:26:49,680 --> 00:26:52,320 Speaker 1: like they did. If you, if you, Karen, I can 497 00:26:52,359 --> 00:26:54,640 Speaker 1: see one in your future coming gaming. I just feel 498 00:26:54,840 --> 00:26:58,480 Speaker 1: like I feel like there's something. Come on, Karen Nest 499 00:26:58,520 --> 00:27:00,760 Speaker 1: I don't know. Yeah, we're caring about our Let's go 500 00:27:00,760 --> 00:27:07,240 Speaker 1: over and get the Morning Corny. Here we go, Morning Corny. 501 00:27:07,520 --> 00:27:11,720 Speaker 1: What's the last thing Jeff Bezos does before bed? What's 502 00:27:11,760 --> 00:27:16,240 Speaker 1: the last thing Jeff Bezos, the Amazon guy does before bed? 503 00:27:16,800 --> 00:27:22,840 Speaker 1: He puts his Jamazon? Why are you laughing so hard? 504 00:27:23,400 --> 00:27:29,240 Speaker 1: Ja Amazon? Amazon? Jon Jambs, I didn't get that he 505 00:27:29,280 --> 00:27:36,760 Speaker 1: puts his pajam? How would you Jamjamma started before she 506 00:27:36,800 --> 00:27:41,920 Speaker 1: even got it off. I wonder if Jamas heard that's 507 00:27:41,920 --> 00:27:44,080 Speaker 1: a tough one to say, a funny one to write. 508 00:27:44,080 --> 00:27:46,520 Speaker 1: You can follow if Bobby Bones show, if you want 509 00:27:46,560 --> 00:27:48,600 Speaker 1: to see these jokes written, what's that one might be written? 510 00:27:48,760 --> 00:27:50,920 Speaker 1: Is good? But if also, if I ever meet him 511 00:27:50,920 --> 00:27:52,760 Speaker 1: in person, I'm gonna doll him. You won't meet him 512 00:27:52,760 --> 00:27:57,520 Speaker 1: in person. But why did you call Japan? Lunchbox? I 513 00:27:57,560 --> 00:27:59,560 Speaker 1: was talking to Mike Dee and he told me he 514 00:27:59,600 --> 00:28:02,800 Speaker 1: found an article that they are big country music fans 515 00:28:02,840 --> 00:28:05,200 Speaker 1: over in Japan and they listen to it and they 516 00:28:05,200 --> 00:28:07,199 Speaker 1: can sing it. And so I was like, there is 517 00:28:07,240 --> 00:28:09,679 Speaker 1: no way. So I found a country bar in Japan. 518 00:28:10,480 --> 00:28:13,480 Speaker 1: So we got with engineering, had our phones unlocked to 519 00:28:13,560 --> 00:28:17,000 Speaker 1: allow us to call overseas. Lunchbox placed a long distance 520 00:28:17,040 --> 00:28:20,359 Speaker 1: phone call to Japan that's a thing on landlines, and 521 00:28:20,440 --> 00:28:22,760 Speaker 1: talk to the guy who runs a country bar over there. 522 00:28:23,720 --> 00:28:26,399 Speaker 1: He asked him about songs. Here we go. This is 523 00:28:26,520 --> 00:28:28,720 Speaker 1: there's a little bit of a language barrier. Yeah, I 524 00:28:28,720 --> 00:28:30,840 Speaker 1: mean I did try to speak some Japanese. Oh my, 525 00:28:30,920 --> 00:28:34,560 Speaker 1: oh my god, is this offensive? No, No, I haven't 526 00:28:34,600 --> 00:28:38,360 Speaker 1: heard it. Scooba way dem me like no, no, no, no no, 527 00:28:37,800 --> 00:28:40,760 Speaker 1: it's okay. Yeah, And we checked to make sure he 528 00:28:40,760 --> 00:28:43,040 Speaker 1: didn't slip any Japanese curse words. No, I gave him 529 00:28:43,080 --> 00:28:46,040 Speaker 1: all legit Japanese language. Okay, all right, here's lunchbox call 530 00:28:46,080 --> 00:28:54,000 Speaker 1: in Japan. Can Hi. I'm calling from America. Bobby Bone show. 531 00:28:54,040 --> 00:28:58,160 Speaker 1: You know country music? Do you know Garth Brooks? Yeah? Here, 532 00:28:58,240 --> 00:28:59,720 Speaker 1: listen to this. Tell me if you know this one 533 00:29:00,120 --> 00:29:06,720 Speaker 1: was frizing place you swear the whiskey drowns and the 534 00:29:06,880 --> 00:29:10,760 Speaker 1: beard chase. You know that music? Thank you, thank you, 535 00:29:13,560 --> 00:29:20,600 Speaker 1: that's him, boy. I was playing Garth back. Yeah, I 536 00:29:20,680 --> 00:29:24,680 Speaker 1: got one for you. When damn you under on the chant. Dude, 537 00:29:24,760 --> 00:29:27,000 Speaker 1: you never knew how much a muddy water men? Do 538 00:29:27,080 --> 00:29:30,880 Speaker 1: you mean? You know that one? Yeah? But oh do 539 00:29:30,960 --> 00:29:32,560 Speaker 1: you play? How about this one? How about this one? 540 00:29:32,840 --> 00:29:37,920 Speaker 1: You got to do the hole, no whin, the folding, 541 00:29:39,240 --> 00:29:42,440 Speaker 1: no wind, the walk away? You know that one? That's 542 00:29:42,520 --> 00:29:49,240 Speaker 1: my boy, Kenny. What country music do you listen to? And? Okay, 543 00:29:49,320 --> 00:29:59,360 Speaker 1: like this one? Don't let your baby? Don't you like 544 00:29:59,520 --> 00:30:05,280 Speaker 1: that one? I am a busy Do you like Bobby Bones? Yeah? 545 00:30:05,360 --> 00:30:08,680 Speaker 1: Thank you? But good music, bye bye, thank you, thank you. 546 00:30:11,120 --> 00:30:16,600 Speaker 1: He's very busy. All his Japanese was two words, kimi, 547 00:30:16,840 --> 00:30:20,920 Speaker 1: but he said back, I don't feel like I learned 548 00:30:20,920 --> 00:30:23,120 Speaker 1: anything there. No, he liked country music. Did you hear 549 00:30:23,200 --> 00:30:25,520 Speaker 1: him play it back to me? Like he hit whatever? 550 00:30:26,320 --> 00:30:28,800 Speaker 1: He's at a computer or whatever. He played songs back 551 00:30:28,840 --> 00:30:31,160 Speaker 1: to me that he listens to. That was cool. And 552 00:30:31,240 --> 00:30:35,320 Speaker 1: it's a Japanese country bar. Yeah, it's called country bar. Okay, 553 00:30:38,280 --> 00:30:45,960 Speaker 1: that's a good name. The Friday morning conversation with you, know, Keith, 554 00:30:46,000 --> 00:30:49,240 Speaker 1: it's always embarrassing when we're Eddie and I are talking 555 00:30:49,280 --> 00:30:50,920 Speaker 1: about before we go on here, how cool we think 556 00:30:50,960 --> 00:30:52,760 Speaker 1: you are before we talk to you. And I didn't 557 00:30:52,760 --> 00:30:55,120 Speaker 1: know you could hear us? Could you hear that whole conversation? 558 00:30:55,400 --> 00:30:59,000 Speaker 1: Not the whole conversation? Good? Never mind? Then it is 559 00:30:59,040 --> 00:31:04,760 Speaker 1: a normal guy, I would normal guys hanging out. Yeah, okay, 560 00:31:04,920 --> 00:31:08,080 Speaker 1: how are you? I'm good. That's a relative question. I'm good. 561 00:31:08,160 --> 00:31:12,040 Speaker 1: How are you same? You know? Good? Considering it's good 562 00:31:12,040 --> 00:31:13,360 Speaker 1: to talk to you here. I got some stuff to 563 00:31:13,400 --> 00:31:16,000 Speaker 1: ask you about. I was I was looking back. You'll 564 00:31:16,080 --> 00:31:18,680 Speaker 1: just go to dinner here sometimes in Nashville, and sometimes 565 00:31:18,720 --> 00:31:21,959 Speaker 1: people will come up to you before coronavirus obviously, Um, 566 00:31:22,840 --> 00:31:25,440 Speaker 1: you've been at the mall before, walking around If you 567 00:31:25,600 --> 00:31:28,960 Speaker 1: do the same things in America, versus Australia. Where where 568 00:31:29,000 --> 00:31:31,400 Speaker 1: you get hounded the most? Well it's not hounded, but 569 00:31:31,520 --> 00:31:34,120 Speaker 1: I mean I get recognized both places the same. Do 570 00:31:34,160 --> 00:31:38,000 Speaker 1: you ever have it to where somebody comes up to you, know, 571 00:31:38,320 --> 00:31:40,080 Speaker 1: your wife and says something to her and they just 572 00:31:40,160 --> 00:31:43,560 Speaker 1: completely don't even pay attention to you. It's no. I 573 00:31:43,680 --> 00:31:48,400 Speaker 1: mean people are just honestly, people are a nice in general. 574 00:31:48,800 --> 00:31:52,680 Speaker 1: I mean, yeah, they've been our experience. Honestly, they're both 575 00:31:52,760 --> 00:31:55,160 Speaker 1: just so famous. What's it? What's it like to be 576 00:31:55,280 --> 00:31:58,440 Speaker 1: Keith Urvan to wake up and just no one? You're 577 00:31:58,560 --> 00:32:02,000 Speaker 1: super good looking, smell Gray, You're talented, you have a 578 00:32:02,120 --> 00:32:05,960 Speaker 1: great wife. You can smell me right now, Keith, We've 579 00:32:06,080 --> 00:32:09,400 Speaker 1: told you about the smell twenty twenty is just a 580 00:32:09,480 --> 00:32:13,560 Speaker 1: waste of good cologne. Well you were just you were 581 00:32:13,640 --> 00:32:16,200 Speaker 1: voted best Smelling Country Artist of twenty twenty. I mean 582 00:32:16,240 --> 00:32:18,320 Speaker 1: I was the only one who voted. But congratulations there, 583 00:32:20,400 --> 00:32:24,120 Speaker 1: Oh yay, thank you. That's better than the alternative, alight. 584 00:32:24,800 --> 00:32:26,440 Speaker 1: I do want to talk about music for a second. 585 00:32:26,520 --> 00:32:30,280 Speaker 1: Keith Urban's on the Speed of Now Part one is out. 586 00:32:30,520 --> 00:32:33,720 Speaker 1: It was released last Friday. It's your tenth record. I 587 00:32:33,880 --> 00:32:36,520 Speaker 1: was watching that duet at the ACMs with Pink, and 588 00:32:36,600 --> 00:32:38,960 Speaker 1: I got to tell you of all the virtual performances 589 00:32:39,000 --> 00:32:41,840 Speaker 1: I've seen, of all of them, this one was so legit. 590 00:32:41,960 --> 00:32:43,760 Speaker 1: It looked like you guys were in the same spot, 591 00:32:44,000 --> 00:32:45,640 Speaker 1: Like who had the idea for that concept of you 592 00:32:45,680 --> 00:32:47,640 Speaker 1: guys to be on that screen with like the electricity 593 00:32:47,680 --> 00:32:51,600 Speaker 1: in the middle. Ben dew Gleish, who's my sort of 594 00:32:51,680 --> 00:32:57,360 Speaker 1: creative designer partner. We worked together on most things that 595 00:32:57,480 --> 00:33:01,840 Speaker 1: I do. He's got a great team and he's what 596 00:33:01,960 --> 00:33:04,400 Speaker 1: he's really good at, its simple concepts. His idea was 597 00:33:04,440 --> 00:33:07,040 Speaker 1: also for the Global Citizen performance where there was three 598 00:33:07,080 --> 00:33:11,960 Speaker 1: and me doing the split screen with Pink with his idea. 599 00:33:12,160 --> 00:33:14,320 Speaker 1: It's very very simple, but I think it comes off 600 00:33:14,440 --> 00:33:17,280 Speaker 1: quite effective. How do you go and approaching artist like 601 00:33:17,400 --> 00:33:19,239 Speaker 1: Pink with the song because you have the song one 602 00:33:19,280 --> 00:33:21,920 Speaker 1: too many and I'm assuming you wrote it thinking she'd 603 00:33:21,960 --> 00:33:24,640 Speaker 1: be perfect for But how does that process play out? Yeah, 604 00:33:24,680 --> 00:33:28,440 Speaker 1: it was written as a duet. And I just love 605 00:33:28,480 --> 00:33:30,480 Speaker 1: her voice. I've always loved her voice. I loved her 606 00:33:31,200 --> 00:33:35,000 Speaker 1: I love her humanity that I always feel when she sings. 607 00:33:35,080 --> 00:33:36,800 Speaker 1: It's why a lot of people have got great voices, 608 00:33:37,440 --> 00:33:43,400 Speaker 1: but she has this this incredibly strong humanity in her 609 00:33:43,520 --> 00:33:46,320 Speaker 1: voice that I've always felt. So she's a great storyteller 610 00:33:46,720 --> 00:33:50,600 Speaker 1: as well as a great vocalist, and so through a 611 00:33:50,840 --> 00:33:53,520 Speaker 1: mutual sort of acquaintance, I got the song to her 612 00:33:54,040 --> 00:33:58,120 Speaker 1: and was just ecstatic when I got to hear to 613 00:33:58,800 --> 00:34:00,719 Speaker 1: hear her vocal on it, because I mean, we had 614 00:34:00,760 --> 00:34:03,760 Speaker 1: to do it remotely. She recorded her vocals in californiards 615 00:34:03,800 --> 00:34:06,120 Speaker 1: in Nashville, But the day that I was in my 616 00:34:06,200 --> 00:34:08,920 Speaker 1: studio and hit play and heard her voice on it 617 00:34:09,040 --> 00:34:12,239 Speaker 1: for the first time was just amazing. Have you ever 618 00:34:12,320 --> 00:34:13,760 Speaker 1: and am I going to ask you to name anyone 619 00:34:13,920 --> 00:34:16,719 Speaker 1: sent one off to someone and they go, you know what? Nah? 620 00:34:16,920 --> 00:34:20,040 Speaker 1: Not for me, Keith Urban. Yeah, But a lot of 621 00:34:20,080 --> 00:34:23,239 Speaker 1: the time it's because of it's either the song's not 622 00:34:23,400 --> 00:34:27,480 Speaker 1: quite right or what happens. Sometimes you say got they 623 00:34:27,560 --> 00:34:29,560 Speaker 1: got a song coming out at the exact same time, 624 00:34:29,640 --> 00:34:32,279 Speaker 1: and they're like, I can't the timings offs? Can you 625 00:34:32,400 --> 00:34:35,280 Speaker 1: wait a while to put this song out? And sometimes 626 00:34:35,320 --> 00:34:38,440 Speaker 1: you can, some don't, you can't, so but yeah, I mean, 627 00:34:38,840 --> 00:34:42,719 Speaker 1: compatibility is everything, you know. It's a terrible feeling, though, 628 00:34:42,719 --> 00:34:44,320 Speaker 1: when you send a song to someone and they're like, 629 00:34:44,640 --> 00:34:48,359 Speaker 1: you got anything else, I'm going to play a clip 630 00:34:48,440 --> 00:34:49,640 Speaker 1: of that one before I get onto some of these 631 00:34:49,680 --> 00:34:52,680 Speaker 1: other songs. Here is one too many duet with Pink. 632 00:34:52,719 --> 00:35:06,640 Speaker 1: Here's a clip. When you listen to your music, and 633 00:35:06,760 --> 00:35:08,839 Speaker 1: let's say you finish a record, you're you're super pump 634 00:35:08,920 --> 00:35:10,759 Speaker 1: that it's going to get out to the public. Well 635 00:35:10,840 --> 00:35:13,600 Speaker 1: you sit and just blare it and listen to it 636 00:35:13,760 --> 00:35:15,719 Speaker 1: before you finally clear it and go, yep, this is 637 00:35:15,880 --> 00:35:17,480 Speaker 1: this is it? Or do you just kind of hear 638 00:35:17,520 --> 00:35:19,000 Speaker 1: and go, I know it's good? Like do you have 639 00:35:19,120 --> 00:35:20,920 Speaker 1: your moments where you jacked the volume up and just 640 00:35:21,040 --> 00:35:26,320 Speaker 1: let it rip? All the above. Actually, I think turning 641 00:35:26,360 --> 00:35:29,160 Speaker 1: the volume down incredibly low where you can barely hear 642 00:35:29,239 --> 00:35:33,240 Speaker 1: it is more effective because so many songs I discover 643 00:35:33,400 --> 00:35:35,440 Speaker 1: that way. You know, you're in the car driving the 644 00:35:35,560 --> 00:35:37,560 Speaker 1: radios on or something, and it's down low because you're 645 00:35:37,560 --> 00:35:39,719 Speaker 1: all chatting, and then you hear something you're like, what's 646 00:35:39,760 --> 00:35:42,799 Speaker 1: that and you turn it up. So for me, it's 647 00:35:42,840 --> 00:35:45,160 Speaker 1: got to grab you super super quiet. And then there's 648 00:35:45,160 --> 00:35:48,719 Speaker 1: people I play songs for, like you, Bobby to come 649 00:35:48,800 --> 00:35:50,680 Speaker 1: to my house and listen to some songs, and I 650 00:35:50,800 --> 00:35:55,480 Speaker 1: get not only feedback, but I like I love playing 651 00:35:55,520 --> 00:35:58,920 Speaker 1: songs for people because I like to gauge their reaction 652 00:35:58,960 --> 00:36:01,319 Speaker 1: but also my own, like do I feel good playing 653 00:36:01,360 --> 00:36:03,640 Speaker 1: you this song or do I not? You know? And 654 00:36:04,680 --> 00:36:07,239 Speaker 1: so let me just say I appreciate you coming over 655 00:36:07,280 --> 00:36:08,600 Speaker 1: to the studio that day to hear a bunch of 656 00:36:08,680 --> 00:36:11,160 Speaker 1: these songs for everybody else. Did you know I've only 657 00:36:11,239 --> 00:36:13,680 Speaker 1: ever done that with you and a couple of times 658 00:36:13,719 --> 00:36:15,600 Speaker 1: because I just don't go listen to new music for 659 00:36:15,680 --> 00:36:17,960 Speaker 1: people before it comes out. But because you're my guy, 660 00:36:18,400 --> 00:36:21,359 Speaker 1: I've been over to the house twice, and I tell 661 00:36:21,400 --> 00:36:23,279 Speaker 1: you what I like about because sometimes these radio people 662 00:36:23,320 --> 00:36:24,520 Speaker 1: will come in there. They'll be like, let's play your 663 00:36:24,560 --> 00:36:25,800 Speaker 1: song in the room here at their station on it, 664 00:36:25,800 --> 00:36:27,320 Speaker 1: and I'm like, no, because how do you act? You 665 00:36:27,400 --> 00:36:29,400 Speaker 1: have to like bounce your head while you're listening, like 666 00:36:29,480 --> 00:36:31,560 Speaker 1: you have to somehow. But what you do that is 667 00:36:31,760 --> 00:36:34,200 Speaker 1: that's super nice as you turn your back to me 668 00:36:34,480 --> 00:36:37,320 Speaker 1: and you don't watch me listen. And because it's so awkward, 669 00:36:37,360 --> 00:36:39,560 Speaker 1: even if you love it, to have someone watch you 670 00:36:39,640 --> 00:36:42,359 Speaker 1: while you listen to a song, oh yeah, no, I'd 671 00:36:42,360 --> 00:36:45,440 Speaker 1: almost prefer to leave the room, you know, because it 672 00:36:45,600 --> 00:36:47,960 Speaker 1: is it's intimidating to you, and it's awkward to me, 673 00:36:48,120 --> 00:36:51,520 Speaker 1: and I'm like, just just listen to the song. But 674 00:36:51,719 --> 00:36:53,839 Speaker 1: still like, I don't even have to be in the room. 675 00:36:54,200 --> 00:36:56,640 Speaker 1: But if I'm sitting outside and I can hear it 676 00:36:56,719 --> 00:36:59,440 Speaker 1: and I know you're listening to it, I still gauge. 677 00:36:59,560 --> 00:37:02,120 Speaker 1: Do I feel good about this song knowing that you're 678 00:37:02,160 --> 00:37:04,040 Speaker 1: in there listening to a little somebody's in there listening 679 00:37:04,080 --> 00:37:06,640 Speaker 1: to it, that that's really important to me. If I 680 00:37:06,680 --> 00:37:09,560 Speaker 1: feel good about that, then I'm good. I'm good with it. 681 00:37:09,640 --> 00:37:11,960 Speaker 1: I'm gonna play a clip here of Tumbleweed. I really 682 00:37:12,040 --> 00:37:14,040 Speaker 1: liked this song, so I'm gonna play for my listeners. 683 00:37:14,120 --> 00:37:29,320 Speaker 1: Now here is some of Keith Urban Tumbleweed. So with 684 00:37:29,400 --> 00:37:31,360 Speaker 1: a song like this that's just so fast, do you 685 00:37:31,400 --> 00:37:33,759 Speaker 1: ever write a song like this or record a song 686 00:37:33,840 --> 00:37:35,839 Speaker 1: and go, you know what, maybe we should make it faster, 687 00:37:35,960 --> 00:37:37,160 Speaker 1: or maybe you have a song and you make it 688 00:37:37,280 --> 00:37:39,880 Speaker 1: slower than you've originally written it. I just wondered, did 689 00:37:39,920 --> 00:37:43,160 Speaker 1: this song start this fast? This song did start this fast. 690 00:37:43,560 --> 00:37:48,000 Speaker 1: There's a track on the record Coach Superman that not 691 00:37:48,680 --> 00:37:51,520 Speaker 1: When it was about to get released, I was like, man, 692 00:37:51,560 --> 00:37:53,839 Speaker 1: I feel like it should be just like two beat 693 00:37:53,960 --> 00:37:57,560 Speaker 1: two beats faster in tempo. Of course, with technology, you 694 00:37:57,640 --> 00:38:00,239 Speaker 1: can do it without speeding up the singer. Back in 695 00:38:00,280 --> 00:38:01,719 Speaker 1: the day, of course, you'd speed up the tape and 696 00:38:01,760 --> 00:38:03,680 Speaker 1: the thing would speed up. But you can pick up 697 00:38:03,680 --> 00:38:06,520 Speaker 1: the tempo and keep the key, change, keep key the same. 698 00:38:07,600 --> 00:38:10,799 Speaker 1: This is a weird story. So we sped it up. 699 00:38:11,239 --> 00:38:13,560 Speaker 1: That sounds great, fantastic great, and then we had to 700 00:38:13,640 --> 00:38:16,000 Speaker 1: do it properly with the mixing and the whole thing 701 00:38:16,160 --> 00:38:18,640 Speaker 1: and everything, and we sent it out. I didn't listen 702 00:38:18,680 --> 00:38:20,920 Speaker 1: to it before it went out. It's very very rare 703 00:38:20,960 --> 00:38:23,680 Speaker 1: of me to do this. It's not it comes out. 704 00:38:23,760 --> 00:38:26,360 Speaker 1: I listened to it and it gets to the guitar solo, 705 00:38:26,840 --> 00:38:29,520 Speaker 1: and I was like, the guitar solo sounds like it's 706 00:38:29,800 --> 00:38:33,239 Speaker 1: like out of time. The heck. I listened to it 707 00:38:33,320 --> 00:38:36,240 Speaker 1: a bunch of times and like, the guitar solo is slow, 708 00:38:36,360 --> 00:38:38,800 Speaker 1: it's dragging. What the heck? We get in there and 709 00:38:38,920 --> 00:38:42,600 Speaker 1: figure out every part of the track has been picked 710 00:38:42,640 --> 00:38:47,680 Speaker 1: up two beats faster, except the guitar solo, which accidentally 711 00:38:47,719 --> 00:38:52,800 Speaker 1: got left at the old tempo. The solo starts perfect, 712 00:38:53,000 --> 00:38:55,040 Speaker 1: and as it goes on it gets a little slower 713 00:38:55,120 --> 00:38:59,720 Speaker 1: and a little slower, and it was a terrible feeling. 714 00:39:00,239 --> 00:39:02,160 Speaker 1: But we fixed it. Finally, we had to get it. 715 00:39:02,440 --> 00:39:03,759 Speaker 1: We had to figure out how to do that. But 716 00:39:03,840 --> 00:39:06,600 Speaker 1: every now and then things go awry. Here is something 717 00:39:06,680 --> 00:39:09,399 Speaker 1: when you're changing kempos of songs. I'll keep that note. 718 00:39:09,640 --> 00:39:22,960 Speaker 1: Here's a little bit of Superman from Keith Urban's Keith, 719 00:39:22,960 --> 00:39:24,880 Speaker 1: would you ever go back to being a judge on 720 00:39:25,000 --> 00:39:28,640 Speaker 1: a singing competition? I'd be open to it because I 721 00:39:28,840 --> 00:39:31,080 Speaker 1: enjoyed doing Idol. It was good. I enjoyed doing the 722 00:39:31,160 --> 00:39:34,759 Speaker 1: voice when I did that in Australia. Originally, I'd be 723 00:39:34,840 --> 00:39:37,680 Speaker 1: open to it. I like the mentoring side of it 724 00:39:37,880 --> 00:39:41,040 Speaker 1: probably more than anything, being able to genuinely try and 725 00:39:41,160 --> 00:39:44,560 Speaker 1: give advice that can be helpful more than anything else. 726 00:39:45,000 --> 00:39:46,960 Speaker 1: How lucky would they be if it was Keith Urban, Like, 727 00:39:47,040 --> 00:39:48,839 Speaker 1: that's what I do on American Idol, I'm the full 728 00:39:48,880 --> 00:39:51,359 Speaker 1: time mentor. But I don't know crap. Keith's talking about 729 00:39:51,400 --> 00:39:54,120 Speaker 1: bpms for guitar solos and I'm like, do a thong 730 00:39:54,200 --> 00:39:57,560 Speaker 1: that sounds good. There's a big difference in the in 731 00:39:57,640 --> 00:40:01,239 Speaker 1: our mentoring styles. I think you need all you need 732 00:40:01,320 --> 00:40:03,960 Speaker 1: everything Now you need old skill sets for sure. I 733 00:40:04,080 --> 00:40:07,120 Speaker 1: saw on your Instagram that you've been married fourteen years 734 00:40:07,200 --> 00:40:10,680 Speaker 1: you posted back early summer. What do you find for 735 00:40:10,840 --> 00:40:15,160 Speaker 1: you is the key to a successful long term marriage? Well, 736 00:40:15,160 --> 00:40:19,120 Speaker 1: I didn't know about anybody's but my own. Um, I 737 00:40:19,280 --> 00:40:23,440 Speaker 1: just treat Nicholac. She's my girlfriend, right, that's it. I like, 738 00:40:24,280 --> 00:40:26,560 Speaker 1: so I do everything I did when we started dating. 739 00:40:26,680 --> 00:40:29,000 Speaker 1: It's pretty good tip. Huh, it's really good. You have 740 00:40:29,080 --> 00:40:31,200 Speaker 1: to kind of be reminded probably to do that. I mean, 741 00:40:31,440 --> 00:40:34,040 Speaker 1: I've been with my girlfriend ten months now, so so 742 00:40:34,200 --> 00:40:37,279 Speaker 1: now that's still pretty new. But I think that's that's 743 00:40:37,400 --> 00:40:39,000 Speaker 1: that's good. You could put that on your calendar once 744 00:40:39,040 --> 00:40:41,080 Speaker 1: a month. You should see that and let it remind 745 00:40:41,160 --> 00:40:43,520 Speaker 1: you to do something. Hey, pretty good advice, some good. 746 00:40:44,320 --> 00:40:48,840 Speaker 1: That's it. That's it, all right, all right, Keith. I 747 00:40:48,960 --> 00:40:50,800 Speaker 1: think that's it. I think that's everything I wanted to 748 00:40:50,840 --> 00:40:53,200 Speaker 1: ask you. I'm gonna I'm gonna rap with this. It's 749 00:40:53,239 --> 00:40:55,799 Speaker 1: the final question I'm gonna rap with. If they were 750 00:40:55,840 --> 00:40:58,560 Speaker 1: to make a Keith Urban Halloween costume, what are the 751 00:40:58,680 --> 00:41:01,279 Speaker 1: three things they must include to get your look down? 752 00:41:03,239 --> 00:41:07,760 Speaker 1: What do you stay at late nights trying to carve 753 00:41:07,920 --> 00:41:11,320 Speaker 1: these in depth questions. Bobby, how many times have you 754 00:41:11,400 --> 00:41:16,239 Speaker 1: ever been asked that question? You do a thousand interviews generator? 755 00:41:16,480 --> 00:41:18,800 Speaker 1: Okay in your phone, and I was gonna get hassled 756 00:41:18,840 --> 00:41:22,200 Speaker 1: here for okay, answer the question. Here. We got three 757 00:41:22,320 --> 00:41:24,640 Speaker 1: things that people they must include to get your look. 758 00:41:24,719 --> 00:41:29,080 Speaker 1: What is it? Oh my gosh, I don't know. I 759 00:41:29,160 --> 00:41:32,239 Speaker 1: don't know. Maybe I'm just terrifying enough like this. There 760 00:41:32,280 --> 00:41:34,640 Speaker 1: we go. This will be very, very frightening for all 761 00:41:34,640 --> 00:41:37,640 Speaker 1: the children on Halloween to get Okay, let's do it. 762 00:41:37,880 --> 00:41:43,640 Speaker 1: I would say maybe a hair or like a wig. Yeah, 763 00:41:43,680 --> 00:41:49,680 Speaker 1: a wig that has straight hair down, beautiful straight hair. Yes, maybe, um, 764 00:41:50,000 --> 00:41:54,840 Speaker 1: some tattoos nice like coming out of your nice shirt 765 00:41:55,080 --> 00:41:58,799 Speaker 1: neck area and then on your arm, and then yeah, 766 00:41:59,480 --> 00:42:02,520 Speaker 1: colon and probably walk around with clone. I would say 767 00:42:02,520 --> 00:42:06,480 Speaker 1: a guitar. We're probably okay, a guitar for sure. Yeah, 768 00:42:06,800 --> 00:42:10,799 Speaker 1: wouldn't that be good? I was wrong. I have one 769 00:42:10,800 --> 00:42:13,640 Speaker 1: more question. Oh yeah, we read in the news that 770 00:42:13,800 --> 00:42:16,400 Speaker 1: you have a sky garage in New York where if 771 00:42:16,440 --> 00:42:18,719 Speaker 1: you drive your car into this garage and the car 772 00:42:18,880 --> 00:42:21,239 Speaker 1: the garage takes your car to the top level. True 773 00:42:21,320 --> 00:42:26,720 Speaker 1: or false? False? What? What? No? Well? Half true? Okay, 774 00:42:26,840 --> 00:42:29,160 Speaker 1: let's hear some more apartment building. That would be the 775 00:42:29,239 --> 00:42:32,239 Speaker 1: apartment building that we were in. We're not in there 776 00:42:32,239 --> 00:42:35,440 Speaker 1: any mobile, but we were in has a garage in it. 777 00:42:35,960 --> 00:42:38,279 Speaker 1: I don't think anybody actually uses it, so they all 778 00:42:38,320 --> 00:42:41,720 Speaker 1: just build out that space. That's that's what the building 779 00:42:41,840 --> 00:42:45,000 Speaker 1: was built with because there's no parking, so they like 780 00:42:45,160 --> 00:42:48,239 Speaker 1: had cars go to everybody's floor. It's crazy. I don't 781 00:42:48,280 --> 00:42:50,440 Speaker 1: think one person uses it. It made it seem like 782 00:42:50,560 --> 00:42:52,520 Speaker 1: in the news that you had this fancy contraption that 783 00:42:52,600 --> 00:42:54,640 Speaker 1: you pull your car into like an elevator and it 784 00:42:54,760 --> 00:42:57,400 Speaker 1: takes you right up to your basically your bedroom. You 785 00:42:57,440 --> 00:42:58,920 Speaker 1: get out of the car, and then the car goes 786 00:42:58,960 --> 00:43:02,640 Speaker 1: and park somewhere else. Nah. Okay, true. I will say this. 787 00:43:02,760 --> 00:43:04,480 Speaker 1: The last time I saw Keiths driving, he was drowing 788 00:43:04,520 --> 00:43:06,640 Speaker 1: a big old truck. I was behind this guy in 789 00:43:06,719 --> 00:43:08,640 Speaker 1: a big old truck and we were both going to 790 00:43:08,680 --> 00:43:10,279 Speaker 1: the Opry. I host a show. He was playing the 791 00:43:10,280 --> 00:43:12,239 Speaker 1: show out and it was the biggest truck and I 792 00:43:12,400 --> 00:43:15,120 Speaker 1: was like, I wonder what the profession of this man 793 00:43:15,360 --> 00:43:17,440 Speaker 1: in this massive truck is because it was so big. 794 00:43:18,040 --> 00:43:20,319 Speaker 1: And I drive up and I'm in my car. He's 795 00:43:20,320 --> 00:43:22,280 Speaker 1: in this truck. And I look over and it's freaking 796 00:43:22,360 --> 00:43:25,719 Speaker 1: Keith in the in this big truck. That's all. That's 797 00:43:25,800 --> 00:43:28,319 Speaker 1: my story. Well, it's it's big enough to that when 798 00:43:28,400 --> 00:43:31,400 Speaker 1: you're when your electric car runs out of battery, I 799 00:43:31,440 --> 00:43:33,200 Speaker 1: can just pup you your whole car in the back. 800 00:43:33,360 --> 00:43:37,120 Speaker 1: All right with that, we're gonna go. Hey, listen, you 801 00:43:37,239 --> 00:43:39,719 Speaker 1: know we love you. Here, Um, everybody, check out Keiths. 802 00:43:41,360 --> 00:43:44,920 Speaker 1: I thank you. We'll see you soon, you will all right. 803 00:43:45,040 --> 00:43:48,319 Speaker 1: There he is, bye, there he is. There's there's Keith 804 00:43:48,400 --> 00:43:51,399 Speaker 1: urban dang guy. Check out his music. Man, it's so good. 805 00:43:51,680 --> 00:43:55,000 Speaker 1: It's so good. I don't talk about going to his house. 806 00:43:55,719 --> 00:43:57,200 Speaker 1: He brought it up. He did bring it up. And 807 00:43:57,239 --> 00:44:00,279 Speaker 1: I'm always a little bit like, I'm not that cool. 808 00:44:00,760 --> 00:44:02,480 Speaker 1: And Keith and I are buds a little bit outside 809 00:44:02,480 --> 00:44:05,000 Speaker 1: of the show. We still live pretty near each other. 810 00:44:05,040 --> 00:44:06,560 Speaker 1: It's like, hey, come over to the house the first time, 811 00:44:06,560 --> 00:44:09,200 Speaker 1: and I was like, man, I don't know. And he's like, 812 00:44:09,280 --> 00:44:10,600 Speaker 1: just come over to the house and I'll play a 813 00:44:10,640 --> 00:44:12,120 Speaker 1: few songs. And I'm like, I don't listen to song. 814 00:44:12,760 --> 00:44:14,719 Speaker 1: And so I went because I like him, and but 815 00:44:14,840 --> 00:44:16,640 Speaker 1: he never will looked at me. And then he asked 816 00:44:16,640 --> 00:44:18,000 Speaker 1: me again. He say, way, would you come back over? 817 00:44:18,080 --> 00:44:20,000 Speaker 1: And it was during COVID. He's like, we don't touch. 818 00:44:20,920 --> 00:44:23,879 Speaker 1: There's lysaw by the door. Come on in, sit down. 819 00:44:24,200 --> 00:44:26,120 Speaker 1: So I went over and just just the best. It's 820 00:44:26,160 --> 00:44:35,920 Speaker 1: the best guy. It's time for the good news. Justin. 821 00:44:36,120 --> 00:44:39,200 Speaker 1: Gavin teenager, was head of the store in Connecticut to 822 00:44:39,239 --> 00:44:40,800 Speaker 1: pick up some items for a sister when he and 823 00:44:40,840 --> 00:44:42,680 Speaker 1: a bunch of others noticed a car was engulfed in 824 00:44:42,800 --> 00:44:46,120 Speaker 1: flames and driving down the street radically. The car came 825 00:44:46,160 --> 00:44:48,399 Speaker 1: to a stop. Gavin runs over to help the driver 826 00:44:48,480 --> 00:44:50,719 Speaker 1: and the passengers. There's a mother at the wheel, there 827 00:44:50,719 --> 00:44:53,120 Speaker 1: are three young children in the back. Gavin was scared 828 00:44:53,160 --> 00:44:56,000 Speaker 1: the car might explode, but he goes to help. Anyway, 829 00:44:56,239 --> 00:44:58,520 Speaker 1: the door handle on the back was too hot to touch, 830 00:44:58,840 --> 00:45:01,839 Speaker 1: so he quickly asked an year old, Hey, unbuckle your 831 00:45:01,880 --> 00:45:04,000 Speaker 1: younger siblings there were four and one from their seatbelt 832 00:45:04,440 --> 00:45:06,040 Speaker 1: and give them to me and I'll carry him. Then 833 00:45:06,080 --> 00:45:08,520 Speaker 1: he helped them all out of the driver's seat. Everyone 834 00:45:08,680 --> 00:45:11,440 Speaker 1: got out safely. Here's a cup of Justin. Talking about it, 835 00:45:11,840 --> 00:45:14,080 Speaker 1: I was putting everybody at the car that was me 836 00:45:14,160 --> 00:45:16,000 Speaker 1: in that situation. I would definitely want someone to do 837 00:45:16,040 --> 00:45:18,480 Speaker 1: the same thing. So I just did what I thought 838 00:45:18,480 --> 00:45:20,839 Speaker 1: it was right. My heart dropped. I'm not even gonna lie. 839 00:45:21,000 --> 00:45:24,640 Speaker 1: My heart dropped. Waterberry Chief of Police Officer Spagnola rewarded 840 00:45:24,640 --> 00:45:27,080 Speaker 1: Gavin for his heroic act by giving him a challenge 841 00:45:27,120 --> 00:45:29,680 Speaker 1: coin and they had a little ceremony for him. That's 842 00:45:29,719 --> 00:45:32,719 Speaker 1: pretty cool. Good story, man, that's a hero. You rest 843 00:45:32,800 --> 00:45:34,840 Speaker 1: your own life for somebody else. That's what it's all about. 844 00:45:35,600 --> 00:45:39,080 Speaker 1: That was tell me something good. I was reading the 845 00:45:39,120 --> 00:45:42,040 Speaker 1: story this morning about weight loss and they say eating 846 00:45:42,239 --> 00:45:44,960 Speaker 1: super slow maybe the key to losing weight without having 847 00:45:45,000 --> 00:45:48,280 Speaker 1: to change your diet. So people who eat their meals slowly, 848 00:45:48,400 --> 00:45:51,560 Speaker 1: avoid nighttime snacking, and then wait a couple hours before 849 00:45:51,560 --> 00:45:55,160 Speaker 1: they go to bed. It leads to weight loss. The 850 00:45:55,360 --> 00:45:59,320 Speaker 1: fast eaters continue to eat until they feel full, despite 851 00:45:59,360 --> 00:46:02,279 Speaker 1: already having consumed a bunch of calories in record time. 852 00:46:02,880 --> 00:46:04,920 Speaker 1: The combined effect of eating quickly and over eating is 853 00:46:04,920 --> 00:46:07,080 Speaker 1: horrible for your health. It builds up fat. The slower 854 00:46:07,160 --> 00:46:09,560 Speaker 1: you eat, the more fool you'll feel, and you actually 855 00:46:09,600 --> 00:46:16,399 Speaker 1: fill your stomach filling up. I think it's helpful. Fast. 856 00:46:16,560 --> 00:46:18,759 Speaker 1: I have very fast me too. I'm like I could 857 00:46:18,800 --> 00:46:20,480 Speaker 1: never do that. You ever say something and everybody just 858 00:46:20,520 --> 00:46:22,600 Speaker 1: looks at you like you just had the dumbest thing possible. 859 00:46:22,840 --> 00:46:24,719 Speaker 1: It was just a story I thought was interesting, and 860 00:46:24,800 --> 00:46:26,960 Speaker 1: I thought maybe one of you guys will provide some feedback. 861 00:46:27,120 --> 00:46:30,759 Speaker 1: And I look around the room and Amy's like, cool. Well, 862 00:46:30,760 --> 00:46:32,359 Speaker 1: I was trying to think about eat fast or slo 863 00:46:32,480 --> 00:46:34,200 Speaker 1: but when you have kids, you just eat fast. Yeah, 864 00:46:34,440 --> 00:46:36,920 Speaker 1: you have time. And I noticed the other day that 865 00:46:36,960 --> 00:46:38,640 Speaker 1: I don't even chew my food. I just put in 866 00:46:38,719 --> 00:46:42,239 Speaker 1: my mouth shoot it, maybe once or twice in swallow good. 867 00:46:42,560 --> 00:46:44,359 Speaker 1: I might try those bones. I think it's a good story, 868 00:46:45,120 --> 00:46:46,680 Speaker 1: the fact that you say you don't snack, because I 869 00:46:46,719 --> 00:46:49,080 Speaker 1: snack every night after dinner. About an hour later, I'm hungry. 870 00:46:49,160 --> 00:46:51,279 Speaker 1: I just need something sweet at the end of every meal. 871 00:46:51,360 --> 00:46:54,960 Speaker 1: It's a little something sweet too, it doesn't matter. And 872 00:46:55,080 --> 00:46:58,439 Speaker 1: I got in trouble because if there's nothing sweet, I'll 873 00:46:58,480 --> 00:47:02,200 Speaker 1: go and eat cough drops. I know, I know, I 874 00:47:02,280 --> 00:47:06,440 Speaker 1: know you cough drops like I need some sweet, So 875 00:47:06,640 --> 00:47:10,279 Speaker 1: that's medicine. How many are you eating? A few? I 876 00:47:10,400 --> 00:47:14,279 Speaker 1: do a few. They're desperate for the sweet. It is 877 00:47:14,280 --> 00:47:15,759 Speaker 1: a little some sweet, you know, Is it like the 878 00:47:16,040 --> 00:47:19,240 Speaker 1: mental ones? Yeah, I love like they're going on the outside, 879 00:47:19,280 --> 00:47:21,680 Speaker 1: but then when you crack them, it's like, oh, like 880 00:47:21,840 --> 00:47:24,680 Speaker 1: comes out your nose. But I'm okay with that as 881 00:47:24,719 --> 00:47:30,279 Speaker 1: long as I get my lane. I love sugar. I 882 00:47:30,400 --> 00:47:32,480 Speaker 1: hate that. I love it so much, and I try 883 00:47:32,560 --> 00:47:33,680 Speaker 1: not to eat a lot of it, but I love 884 00:47:33,719 --> 00:47:35,840 Speaker 1: sugar where I'm yeah, I'm digging for cough drops. Folks, 885 00:47:36,320 --> 00:47:40,000 Speaker 1: No dessert, don't worry. There's gotta be a menthols uh 886 00:47:40,719 --> 00:47:44,120 Speaker 1: robo TuS. And you know what we got the other 887 00:47:44,200 --> 00:47:45,600 Speaker 1: day and it made me think of you. And they're 888 00:47:45,680 --> 00:47:49,839 Speaker 1: so good. Is the Worthers originals but chewy. Yeah, they're great. 889 00:47:50,680 --> 00:47:53,640 Speaker 1: Love words originals. They're so good. Speaking of food, let's 890 00:47:53,760 --> 00:47:59,400 Speaker 1: do Food Feud Week twelve. Two champions return. Here we 891 00:47:59,480 --> 00:48:05,040 Speaker 1: go to fight. The winner of the shround goes on 892 00:48:05,200 --> 00:48:07,320 Speaker 1: next week to compete in the Final four in the 893 00:48:07,360 --> 00:48:09,640 Speaker 1: Blue corner at previously one with a vote of three 894 00:48:09,640 --> 00:48:12,880 Speaker 1: to two. It's an epic combination of cinnamon and sugar 895 00:48:12,920 --> 00:48:16,960 Speaker 1: blasted on every single square. Just pour a bowl, splash 896 00:48:17,040 --> 00:48:20,359 Speaker 1: on some milk, and enjoy, and don't forget to drink 897 00:48:20,440 --> 00:48:23,520 Speaker 1: the treasured milk found at the bottom of your bowl. 898 00:48:25,080 --> 00:48:27,240 Speaker 1: All of a runge about one hundred and thirty calories. 899 00:48:27,719 --> 00:48:32,759 Speaker 1: It's your friend and mine sending the mintoast cromb and 900 00:48:33,000 --> 00:48:36,360 Speaker 1: that's solid. Huh. That's so good, dude. In the red corner. 901 00:48:36,440 --> 00:48:41,440 Speaker 1: It won last week. This special onion is hand carved, 902 00:48:42,160 --> 00:48:45,440 Speaker 1: cooked until golden, and ready to dip into their spicy 903 00:48:45,560 --> 00:48:49,680 Speaker 1: signature bloom sauce, topped with melted Monterey Jack, cheddar and 904 00:48:49,760 --> 00:48:52,640 Speaker 1: chop bacon with house made ranch dressing. The whole thing 905 00:48:52,719 --> 00:48:56,200 Speaker 1: comes in at iwab in a nineteen hundred calories. It's 906 00:48:56,280 --> 00:49:03,319 Speaker 1: the out back blooming on you, all right, gang. They 907 00:49:03,360 --> 00:49:05,280 Speaker 1: had nothing to do with each other, but we're moving 908 00:49:05,360 --> 00:49:08,759 Speaker 1: on here. It's cinnamon toast crunch, the cereal versus the 909 00:49:08,800 --> 00:49:11,040 Speaker 1: outback blooming onion. Which one you take? An amy centnamon 910 00:49:11,040 --> 00:49:14,799 Speaker 1: toast crunch lunchbox, still in shock. It's in the second round, 911 00:49:14,840 --> 00:49:18,560 Speaker 1: so blooming onions out. Give me cinnamon toast crunch. Whoa quickly? 912 00:49:18,680 --> 00:49:22,640 Speaker 1: Huh ede no brainer, man, It's breakfast for champions, cinnamon 913 00:49:22,680 --> 00:49:25,279 Speaker 1: toast crunch. If I were able to pick my four 914 00:49:25,360 --> 00:49:32,560 Speaker 1: food groups, it will be Cereal, smoothies, soup grab bag. 915 00:49:33,080 --> 00:49:37,759 Speaker 1: But I love Cereal. Just whatever I get to pick 916 00:49:37,840 --> 00:49:41,000 Speaker 1: my own categories. Sure, yeah, I love cereal that much. 917 00:49:41,239 --> 00:49:44,920 Speaker 1: It's easily. Cinnamon toast crust. That's the best cereal, Morgan, 918 00:49:45,680 --> 00:49:51,560 Speaker 1: it's five zero. Wow. Do you want to hear the 919 00:49:51,600 --> 00:49:55,840 Speaker 1: four things that are in the final four? Yes, McDonald's fries, 920 00:49:58,280 --> 00:50:04,239 Speaker 1: waffle House waffles, Krispy Kream donuts, and cinnamon toast crunch. Man, 921 00:50:04,320 --> 00:50:06,640 Speaker 1: those are good. Three of them are breakfast items. I 922 00:50:06,640 --> 00:50:09,839 Speaker 1: wonder which one's battle each other, Michael, tell me next week, 923 00:50:09,960 --> 00:50:12,160 Speaker 1: because they're up in a bracket. There you go. Huh, 924 00:50:12,600 --> 00:50:13,880 Speaker 1: you can let us know which one you like. It's 925 00:50:13,920 --> 00:50:15,839 Speaker 1: not gonna affect our vote. But so one of those 926 00:50:15,880 --> 00:50:19,720 Speaker 1: four is going to be the champion. Yeah, yeah, they should, 927 00:50:19,719 --> 00:50:21,840 Speaker 1: whoever it is, should send us a bunch of it 928 00:50:21,960 --> 00:50:23,719 Speaker 1: for the winner. I agree. I agree with that. I 929 00:50:23,760 --> 00:50:26,799 Speaker 1: have a big party, big waffle party, or a bigger 930 00:50:27,160 --> 00:50:32,759 Speaker 1: drive party. Yeah. On right now is Chad in Indiana? Chad? 931 00:50:32,840 --> 00:50:36,360 Speaker 1: What's going on? Man? Hey? How's it going? Appreciate you listening, 932 00:50:36,480 --> 00:50:39,640 Speaker 1: Thanks for talking with me. You're welcome, Thank you. All right, 933 00:50:39,680 --> 00:50:41,560 Speaker 1: I'm gonna give you a chance here to win a 934 00:50:41,640 --> 00:50:45,279 Speaker 1: one hundred dollars Walmart gift card. Now we're gonna play 935 00:50:45,360 --> 00:50:49,600 Speaker 1: the one Hit Wonder game. Today is National One Hit 936 00:50:49,680 --> 00:50:54,320 Speaker 1: Wonder Day. Yes, sir, so you'll probably know all the songs. 937 00:50:55,880 --> 00:50:59,000 Speaker 1: Who would you like to play for you? Amy, Lunchbox 938 00:50:59,200 --> 00:51:04,320 Speaker 1: or Eddie. Let's go with Amy, she's a fan favorite. 939 00:51:04,520 --> 00:51:06,239 Speaker 1: Now I'll play you a famous one hit wonder you 940 00:51:06,360 --> 00:51:09,200 Speaker 1: just named. The artist will do five of these and Amy. 941 00:51:09,239 --> 00:51:11,640 Speaker 1: If you win, you win him a hundred bucks to 942 00:51:11,960 --> 00:51:15,640 Speaker 1: to Walmart. Okay, okay, all right, here we go. Number one. 943 00:51:15,760 --> 00:51:21,680 Speaker 1: Play this one. This is Don't Worry Be Happy? Do 944 00:51:21,800 --> 00:51:24,000 Speaker 1: you know the artist or this song? I write it down? 945 00:51:32,400 --> 00:51:42,600 Speaker 1: Be happy? Don't worry? Be happy? All right? Amy? Who 946 00:51:42,760 --> 00:51:47,400 Speaker 1: sings don't Worry? Be Happy? No? But interesting? They do 947 00:51:47,560 --> 00:51:50,480 Speaker 1: have that sound a bit lunchbox, My boy Bill Withers. 948 00:51:52,239 --> 00:51:56,200 Speaker 1: Not that sound, Bill, This is a lot of its Eddie, 949 00:51:56,600 --> 00:52:03,400 Speaker 1: Bobby McFerrin, Correct, correct, Oh, I had Philip McFly my head. Philip. 950 00:52:03,480 --> 00:52:09,400 Speaker 1: Marty's dads are pretty good with her. Ain't no sunshine 951 00:52:09,480 --> 00:52:14,560 Speaker 1: where she's gone? Lovely day, lovely day? All right? Next, 952 00:52:14,840 --> 00:52:22,560 Speaker 1: name this one? This song from nineteen ninety nine. It's 953 00:52:22,600 --> 00:52:34,719 Speaker 1: called Mambo number five? Who sings Mambo number five? A 954 00:52:34,880 --> 00:52:42,320 Speaker 1: little make your man? Amy? Ricky Rodger. You guys what 955 00:52:43,400 --> 00:52:45,880 Speaker 1: Oh man, it's not gonna go to the call. I know. 956 00:52:45,960 --> 00:52:48,120 Speaker 1: I'm so sorry to call Jad. She's over to. How 957 00:52:48,120 --> 00:52:53,120 Speaker 1: do you feel about your chances? A Chad? You can. 958 00:52:53,320 --> 00:52:56,800 Speaker 1: I'll give you an option here. You can switch your person, 959 00:52:56,880 --> 00:52:59,520 Speaker 1: but you only win fifty dollars if you win. Do it, 960 00:52:59,640 --> 00:53:04,440 Speaker 1: Chad gonna wins. You're in good zero dude, get it. 961 00:53:04,520 --> 00:53:07,320 Speaker 1: Go to Eddie. Go to Eddie, all right, I'll go 962 00:53:07,440 --> 00:53:13,839 Speaker 1: with Eddie. Alright, switch mid game lunch Bob lou Begas, right, 963 00:53:15,000 --> 00:53:19,560 Speaker 1: Eddie loue Bega lou Bega is a right? Okay, come on, 964 00:53:20,480 --> 00:53:31,440 Speaker 1: I'm died. The song is called Blue Dalby D from 965 00:53:31,600 --> 00:53:35,880 Speaker 1: nineteen ninety eight. Who is the artist that sings that? 966 00:53:44,640 --> 00:53:50,440 Speaker 1: All right? Amy? Who sings Blue Dalby D? Sixty four Lunchbox? 967 00:53:50,560 --> 00:54:01,200 Speaker 1: If sixty five shooting? That's that's Eddie. I put the 968 00:54:01,239 --> 00:54:06,920 Speaker 1: Blue Man Group. Oh no, wet. You can change for 969 00:54:07,040 --> 00:54:11,080 Speaker 1: twenty fah No, you can switch your pick to Lunchbox, 970 00:54:11,239 --> 00:54:15,399 Speaker 1: but for twenty five dollars to wal Mart. I'll stick. 971 00:54:15,480 --> 00:54:19,279 Speaker 1: I'll stick, or you can go back to Amy for 972 00:54:19,360 --> 00:54:24,080 Speaker 1: two hundred. Just like Vegas, she has no points like dude, 973 00:54:24,280 --> 00:54:28,200 Speaker 1: don't know. No, you got sixty four arm Okay. This 974 00:54:28,440 --> 00:54:32,400 Speaker 1: next one, hit Wonder is from nineteen eighty seven. It 975 00:54:32,880 --> 00:54:44,360 Speaker 1: five I'm gonna be five hundred miles. Who sings it? Miles? 976 00:54:44,560 --> 00:54:46,920 Speaker 1: I mean my brain's just not working today because I 977 00:54:47,080 --> 00:54:53,000 Speaker 1: know this group. No, no, remember we made this video. 978 00:55:00,880 --> 00:55:04,279 Speaker 1: All right, let's go. I'm gonna be five hundred miles 979 00:55:04,400 --> 00:55:07,200 Speaker 1: nineteen eighty seven. Amy the artist is the Marchers, the 980 00:55:07,400 --> 00:55:12,359 Speaker 1: Marchers in correct, Lunchbox, Please tell me it's the proclaimer? Yes, 981 00:55:12,680 --> 00:55:15,759 Speaker 1: Oh that's it, Eddie. This is not good for Chad. 982 00:55:16,160 --> 00:55:20,120 Speaker 1: I have the pretenders. Oh that's it. Oh my gosh, 983 00:55:20,200 --> 00:55:25,480 Speaker 1: what I think? You're right? I couldn't hurt in my 984 00:55:25,600 --> 00:55:27,920 Speaker 1: head I wrote it down. I'm going or is it? Pretenders? 985 00:55:28,040 --> 00:55:31,040 Speaker 1: Like I couldn't remember. This is unbelievable. Does anyone want 986 00:55:31,040 --> 00:55:32,600 Speaker 1: to change their answer though, now that they've heard the 987 00:55:32,600 --> 00:55:39,239 Speaker 1: other persons, I'm not changing. I like it's proclaim, Yes, Yes, 988 00:55:39,719 --> 00:55:44,919 Speaker 1: let's go, let's go, Eddie, all right, one more, Sorry, Chad. 989 00:55:45,520 --> 00:55:48,160 Speaker 1: The only person that didn't get picked was Lunchbox. He's 990 00:55:48,160 --> 00:55:50,719 Speaker 1: gonna be the one that went, I'm one hundred dollars. Well, Eddie, 991 00:55:51,280 --> 00:55:53,080 Speaker 1: of course I can't, I can I can't win it. No, 992 00:55:53,320 --> 00:55:54,759 Speaker 1: all right, here we go, Oh you could go? In 993 00:55:54,840 --> 00:55:59,200 Speaker 1: overtime nineteen ninety two, I remember that, hid it damn. 994 00:56:01,239 --> 00:56:07,520 Speaker 1: The song is called What's Up nineteen ninety two? Amy, 995 00:56:07,640 --> 00:56:16,440 Speaker 1: having no points? You're on the board, Amy, step outside? 996 00:56:23,040 --> 00:56:28,279 Speaker 1: What's going on? All right? Everybody's answering lunch botch your 997 00:56:28,280 --> 00:56:32,080 Speaker 1: answer down? My answer is down. It's covered, Amy, Lady Marlowe. 998 00:56:33,480 --> 00:56:36,200 Speaker 1: You're just saying words. Yes, you just you had what words? 999 00:56:36,239 --> 00:56:42,000 Speaker 1: Come up? Pineapple basket jumper. Okay, that's my um lunch 1000 00:56:42,080 --> 00:56:44,200 Speaker 1: box for the win if you get there. Yeah. The 1001 00:56:44,320 --> 00:56:46,920 Speaker 1: first name that popped in my head was Pat Benattard. 1002 00:56:47,600 --> 00:56:49,799 Speaker 1: Don't know who that is or what it is. Pat 1003 00:56:49,840 --> 00:56:56,879 Speaker 1: Benattard is person, it's not well, Benetard is not. Luckily 1004 00:56:56,880 --> 00:56:59,040 Speaker 1: I did not write that name. Now man, he's got it. 1005 00:56:59,160 --> 00:57:03,719 Speaker 1: I wrote down Shenado O'Connor, no, no, no, no, I 1006 00:57:03,840 --> 00:57:06,239 Speaker 1: had that in my head. She has other songs. She 1007 00:57:06,360 --> 00:57:08,440 Speaker 1: does not have other songs. That's all she has done 1008 00:57:08,920 --> 00:57:12,000 Speaker 1: song and the only thing it's not. I had Pat 1009 00:57:12,040 --> 00:57:16,040 Speaker 1: ben a Tard and I wi oh connor. If there's 1010 00:57:16,080 --> 00:57:19,520 Speaker 1: nobody named Pet been a Tard, stop saying, okay, please 1011 00:57:20,120 --> 00:57:23,480 Speaker 1: give me Shenado O'Connor. She has the shaved head, right, Yeah, 1012 00:57:23,720 --> 00:57:27,520 Speaker 1: that's the one. But Eddie, you got wait a minute, 1013 00:57:27,760 --> 00:57:32,720 Speaker 1: I'm hosting the game here. She wants to the way 1014 00:57:32,880 --> 00:57:37,840 Speaker 1: Eddie reacted, I didn't get it right, Shenado O'Connor is 1015 00:57:37,920 --> 00:57:41,000 Speaker 1: not right. Dang it, Eddie, you can tie this and 1016 00:57:41,040 --> 00:57:43,520 Speaker 1: send it to sudden death. If you know who sings 1017 00:57:43,600 --> 00:57:49,200 Speaker 1: what's up from nineteen? I know it, Eddie, what do 1018 00:57:49,240 --> 00:57:53,960 Speaker 1: you have? He's right? Four? Non blonde. Yeah, we're going 1019 00:57:54,040 --> 00:57:58,480 Speaker 1: to sudden death. Let's go. Okay, it just hit me? 1020 00:57:58,960 --> 00:58:02,920 Speaker 1: Can I change my answer? We're talking about Okay, here 1021 00:58:02,960 --> 00:58:06,760 Speaker 1: we go. We're setting death is three three answer, Speed 1022 00:58:06,880 --> 00:58:09,760 Speaker 1: round round. I need the artist. I'm just gonna play 1023 00:58:09,760 --> 00:58:11,800 Speaker 1: the song. You don't even get to the titles. Okay, 1024 00:58:11,880 --> 00:58:14,600 Speaker 1: here we go, speed round. Name the artist of this song? 1025 00:58:15,080 --> 00:58:22,880 Speaker 1: Names yeah, lunchbox closing time, Edwin McCain, incorrect. I need 1026 00:58:22,960 --> 00:58:29,480 Speaker 1: the artist, Eddie. That's semi sonic, closing time, semisonic. Let's go. 1027 00:58:29,960 --> 00:58:32,280 Speaker 1: Here's that song, all right, closing time, just so you 1028 00:58:32,320 --> 00:58:40,120 Speaker 1: can hear it again. Yeah, but you wouldn't have known 1029 00:58:40,120 --> 00:58:43,760 Speaker 1: it if I didn't give your song done? Okay, kids, okay, okay, 1030 00:58:43,800 --> 00:58:50,280 Speaker 1: here we go. The next one. Name this one? Hit 1031 00:58:50,400 --> 00:58:56,480 Speaker 1: wonder artist Eddie, Eddie House of Pain correct Sad you 1032 00:58:56,600 --> 00:59:00,680 Speaker 1: hear that? Hold on, let's do one more? Uh, the 1033 00:59:00,840 --> 00:59:03,200 Speaker 1: next one? Here you go? Would you know this one? 1034 00:59:04,440 --> 00:59:09,400 Speaker 1: Rocket lacker Eddie the tractors? Correct, baby likes to rocket 1035 00:59:09,480 --> 00:59:12,840 Speaker 1: the tractor. Where are you at? Lunch bugs? Eddie? Would 1036 00:59:12,840 --> 00:59:16,240 Speaker 1: you know this one? Though? Come on, dude, fifteen, she's 1037 00:59:16,280 --> 00:59:25,000 Speaker 1: got it, daddy, her mom's good looks comment? Wow, imagination 1038 00:59:26,280 --> 00:59:42,600 Speaker 1: education a dam kisser? Is it Confederate railroad? It's ricochet? Ricochet? Hey, 1039 00:59:43,240 --> 00:59:46,040 Speaker 1: Chad's happy right now? Chad? You know what I'm giving 1040 00:59:46,080 --> 00:59:48,240 Speaker 1: you one hundred bucks because it went down, It went 1041 00:59:48,320 --> 00:59:52,439 Speaker 1: down to the wire. Well, thank you, Thank you. Chad 1042 00:59:52,520 --> 00:59:55,440 Speaker 1: wins one hundred dollars to Walmart to get whatever he wants. 1043 00:59:55,480 --> 00:59:58,320 Speaker 1: But let me remind you. Walmart Photo invite you to 1044 00:59:58,400 --> 01:00:01,000 Speaker 1: stay connected to the ones you love by making beautiful 1045 01:00:01,040 --> 01:00:04,280 Speaker 1: Prince Photo books and walart from your favorite photos taken 1046 01:00:04,360 --> 01:00:06,760 Speaker 1: during your time spent at home. One hundred bucks to you, 1047 01:00:06,880 --> 01:00:10,400 Speaker 1: chat Chat, How do you feel? Awesome? Awesome? Thank you 1048 01:00:10,520 --> 01:00:13,120 Speaker 1: so much. I truly do appreciate it. You're welcome, man, 1049 01:00:13,400 --> 01:00:15,240 Speaker 1: Thank you. Stay on the phone. One day. I want 1050 01:00:15,240 --> 01:00:17,000 Speaker 1: to ask somebody how they feel. It's gonna go back 1051 01:00:17,000 --> 01:00:19,760 Speaker 1: to old school and they're gonna go I feel good. Oh, 1052 01:00:19,920 --> 01:00:23,920 Speaker 1: I feel so good. But I'm gonna keep asking. Eventually 1053 01:00:23,960 --> 01:00:25,920 Speaker 1: someone will do that. All right, we'll put you on hold. Chat. 1054 01:00:26,000 --> 01:00:30,080 Speaker 1: Thank you very much. Have a great day. I hope 1055 01:00:30,120 --> 01:00:32,280 Speaker 1: you guys have a great weekend. Amy, what's going on 1056 01:00:32,360 --> 01:00:34,800 Speaker 1: with you? Well? Today I've got to do some taping 1057 01:00:34,960 --> 01:00:38,080 Speaker 1: for Saint Jude and iHeart Country, So I'll do that 1058 01:00:38,480 --> 01:00:41,240 Speaker 1: and then just roll right into my weekend. My dad 1059 01:00:41,240 --> 01:00:43,280 Speaker 1: will come over. It'll be pretty chill and low key. 1060 01:00:43,440 --> 01:00:45,800 Speaker 1: What about you going to Arkansas? Can you spend the 1061 01:00:46,400 --> 01:00:48,560 Speaker 1: couple of days over to Cavin. So I'm gonna go 1062 01:00:48,600 --> 01:00:50,640 Speaker 1: do that. Looking forward to it. Cool. Need a little break, 1063 01:00:51,000 --> 01:00:56,040 Speaker 1: so gonna go get there, break, get back back at it. 1064 01:00:56,160 --> 01:00:58,880 Speaker 1: No more break, says so yeah, going to Arkansas. Thank 1065 01:00:58,920 --> 01:01:01,280 Speaker 1: you guys, have a great weekend. We'll see you Monday. 1066 01:01:01,320 --> 01:01:04,200 Speaker 1: Follow me on Instagram at mister Bobby Bones by Everybody 1067 01:01:07,080 --> 01:01:08,040 Speaker 1: Show Show h