WEBVTT - Rebecca (Part 1)

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<v Speaker 1>Halfy October Popcorn Book Club listeners. We've covered horror and

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<v Speaker 1>monsters and cults of scary white people a few weeks

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<v Speaker 1>ago with our discussion of love Craft Country, and now

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<v Speaker 1>we're covering the other side of the spooky season with

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<v Speaker 1>the gothic thriller Rebecca by Daphne Demurier Moyer. Oh God,

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<v Speaker 1>my French. Soon to be a film on Netflix. Not

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<v Speaker 1>goth in the sense of dressing and all black and

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<v Speaker 1>listening to Bauhaus, but gothic like gothic romance and death,

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<v Speaker 1>you know. Fun. She does not care at all that

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<v Speaker 1>her husband committed cold murder. She's like, but he hated her.

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<v Speaker 1>He killed her because he hated her. Who I was.

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<v Speaker 1>I was hooked in that moment because I'm like, Oh,

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<v Speaker 1>she's going to take us on a ride, because she's

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<v Speaker 1>going to try to explain away or try to reason

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<v Speaker 1>all these very very real red flags. Welcome back to

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<v Speaker 1>Popcorn Book Club. I am Danis Schwartz, joined as always

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<v Speaker 1>by Karamadanqua, Jennifer Wright and Melissa Hunter and Tian tram

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<v Speaker 1>Hi everyone. I am so so excited that we're talking

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<v Speaker 1>about the book Rebecca. I had never read it and

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<v Speaker 1>I feel like once maybe in my childhood, I had

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<v Speaker 1>started the prologue and I got like two pages in

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<v Speaker 1>and I was like, man and put it down. And

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<v Speaker 1>once you sort of get over the hump of like

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<v Speaker 1>the first like pages, this book really takes off. Tim.

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<v Speaker 1>What was your experience. I I absolutely loved it, kind

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<v Speaker 1>of the same though I was like at first, I

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<v Speaker 1>was thinking to myself, I can't wait for this book

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<v Speaker 1>to pick up. Everyone's been talking about it. And then

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<v Speaker 1>when it picks up, Oh baby, it picks up, and

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<v Speaker 1>I thoroughly enjoyed it. All the characters are really fleshed

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<v Speaker 1>out and funny, funny, and the narrator is I don't

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<v Speaker 1>know about you all, but it's hilarious to me, so

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<v Speaker 1>so funny to me. Um. So I'm like super excited

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<v Speaker 1>to watch all the adaptations too, because I like, really

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<v Speaker 1>hope that they stay true to some of the quirks

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<v Speaker 1>and are like personality traits of everyone. Because I really

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<v Speaker 1>really loved it. Uh, Jennifer, you had read this book

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<v Speaker 1>before and you were you were vouching for it for us.

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<v Speaker 1>What is your experience with Rebecca? It was really interesting

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<v Speaker 1>because I read this when I was a teenager, and

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<v Speaker 1>it was around the same time I was reading books

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<v Speaker 1>like Janier and was wearing plights, and this really fits

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<v Speaker 1>into that Gothic romance category. And I feel like I

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<v Speaker 1>had a very different experience with it now as an

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<v Speaker 1>adult then um, when I felt when I was a teenager,

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<v Speaker 1>I definitely had a lot more simply for Rebecca. Now

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<v Speaker 1>as an adult, I still think the second Mrs de Winter,

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<v Speaker 1>who has no name, is incredibly funny and likable. Um,

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<v Speaker 1>I think I had a different perspective on her loyalty

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<v Speaker 1>to Maxim than I do when I was a sixteen

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<v Speaker 1>year old girl. So we can get into that as

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<v Speaker 1>discuss it, I will say she is a ride or die. Yeah, Karama,

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<v Speaker 1>you as you made before we start recording, you mentioned

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<v Speaker 1>that you did not finish this book. Not you care

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<v Speaker 1>to elaborate. Well, first of all, I would just like

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<v Speaker 1>to start by saying I know that I'm going to

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<v Speaker 1>start getting a reputation as the person that doesn't finish

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<v Speaker 1>the book, but I actually so. I was very worry

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<v Speaker 1>about reading it. I was like, this feels boring. I

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<v Speaker 1>don't want to read this, and then everybody was like

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<v Speaker 1>it picks up in and I was like Okay, I

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<v Speaker 1>will read it. And I got more than that far

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<v Speaker 1>and I just felt like it never picked up for me,

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<v Speaker 1>and like, I got almost two hundred pages in before

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<v Speaker 1>I was like, how much time am I going to

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<v Speaker 1>invest in something that is genuinely difficult for me to enjoy?

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<v Speaker 1>And I kind of wanted to have a discussion at

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<v Speaker 1>least at some point during this conversation about when it's

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<v Speaker 1>okay to sort of abandon a book, because I was like, Oh,

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<v Speaker 1>I really really put in the effort, and I've gotten

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<v Speaker 1>to the point where people are like, this is where

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<v Speaker 1>it really starts. And I do think that there are

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<v Speaker 1>good things about it. I don't think that it is

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<v Speaker 1>an irredeemable book, and I just I also have my

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<v Speaker 1>own biases. I don't like romantic Gothic literature. I don't

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<v Speaker 1>I didn't like Wuthering Heights, I never read gene Air.

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<v Speaker 1>I was just like, no, this style is not for me.

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<v Speaker 1>And so I found that revulsion and like sort of

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<v Speaker 1>pushing against it again. Reading this book, I was like,

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<v Speaker 1>oh God, I really don't enjoy anything about this. But

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<v Speaker 1>I'm really excited to watch it as a film because

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<v Speaker 1>I think that the core plot elements really will lend

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<v Speaker 1>themselves to an exciting, thrilling viewing experience. I will say

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<v Speaker 1>I want to go on record as saying I think

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<v Speaker 1>if you're not enjoying a book, you can always abandon it.

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<v Speaker 1>They're like, if you give a book a fair chance,

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<v Speaker 1>life is too short. There's no there's so many good

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<v Speaker 1>books in the world. It's I feel like it's kind

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<v Speaker 1>of like watching the first three episodes of a TV

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<v Speaker 1>show and if it doesn't really like everyone has a

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<v Speaker 1>limit of like how far you commit to a TV show?

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<v Speaker 1>Why not for a book to you know? So, Melissa,

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<v Speaker 1>what was your response to Rebecca? Oh? God, I loved it.

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<v Speaker 1>I mean I had I did have the same experience

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<v Speaker 1>in the beginning where I felt it was very slow.

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<v Speaker 1>I was reading like I couldn't read it at night

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<v Speaker 1>because I kept on falling asleep within a page. Um

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<v Speaker 1>And it reminded me of high school where I was like,

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<v Speaker 1>I have to read this book. But then. But but

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<v Speaker 1>I do think on the flip side of have being

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<v Speaker 1>so happy we are doing this podcast is like normal

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<v Speaker 1>Melissa would just have given up at that point. But

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<v Speaker 1>because we are doing this podcast, and I my main

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<v Speaker 1>motivation is not being publicly shamed. Um, I I'm a

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<v Speaker 1>very I'm very good student in that way, like I

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<v Speaker 1>love deadlines to other people. I pushed through and I

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<v Speaker 1>think it was around like like right after she went

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<v Speaker 1>to Manderley when I was just like when Mrs Danvers

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<v Speaker 1>came in and everything that I was just like, oh,

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<v Speaker 1>there's something going on and I don't quite know what

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<v Speaker 1>it is. And then just like the building tension was

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<v Speaker 1>so much for me, and I just loved the hero

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<v Speaker 1>so much and was so like in on this ride

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<v Speaker 1>with her that I loved it. And so no, no, no, no, no, okay, yeah,

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<v Speaker 1>sorry the narrator, No, that would have been interesting. No

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<v Speaker 1>judgment has been fun. We just would have talked about it. Jen.

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<v Speaker 1>The listeners can't see your face, but I can't. There

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<v Speaker 1>was judgment there. Yeah. I love him every you know.

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<v Speaker 1>He just reminds me of my fiance. I want. I

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<v Speaker 1>want a boy who will bring me to his house

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<v Speaker 1>and then never talk to me like a dog. Yeah, baby,

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<v Speaker 1>like three things on a platter, foods. I'm just like,

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<v Speaker 1>I had a lot of problem with the food waste. Yeah,

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<v Speaker 1>so much food. She never and she was too insecured

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<v Speaker 1>at I also very much related she there's so much

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<v Speaker 1>going around. Yeah, I feel like I think, Danny, you're

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<v Speaker 1>saying too. Like I just related so hard to her,

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<v Speaker 1>like I was hurt eighteen of like just having these

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<v Speaker 1>imagined conversations of what people are saying, with the horrible

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<v Speaker 1>things people are saying about me and like these I

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<v Speaker 1>just called it, like Rebecca the room Nation cycle because

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<v Speaker 1>it just felt like she was just this constant, circular,

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<v Speaker 1>like reaffirming of these beliefs that she was so distracted

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<v Speaker 1>by that she didn't notice that her she finally realized,

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<v Speaker 1>like her sticking point is he never loved her. Oh

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<v Speaker 1>my god, he never loved her. Yeah, it's like the best,

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<v Speaker 1>the best news ever that he killed her. It's that's

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<v Speaker 1>the writer is so funny. She does not care at

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<v Speaker 1>all that her husband committed She's like, but he hated her.

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<v Speaker 1>He killed her because he hated her. It was very

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<v Speaker 1>obvious to me that he killed her, Like I clocked

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<v Speaker 1>that very early on, and I'm like, wait, okay, so

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<v Speaker 1>you don't realize that this dude straight marked his ex wife,

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<v Speaker 1>Like you don't know that lady, Like I before they left,

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<v Speaker 1>what was the kipping point for you? Because I absolutely

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<v Speaker 1>did not know that. I remember that time I read it.

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<v Speaker 1>It came as a real shocked No I knew, and

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<v Speaker 1>I never read this book. I didn't know anything about

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<v Speaker 1>the movie. I didn't know it existed until Jenn suggested

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<v Speaker 1>we read it. So I was reading it and I

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<v Speaker 1>was I remember I was like, on page seventy five

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<v Speaker 1>or something, I was like, Oh, this motherfucker killed his wife.

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<v Speaker 1>I don't remember the exact moment. I think it was, um.

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<v Speaker 1>I think it was when Beatrice first came about. I

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<v Speaker 1>feel like she kind of knew. She didn't know for sure,

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<v Speaker 1>but she was like, oh, well, I hope you guys

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<v Speaker 1>are happy, and I was like, oh, okay, with everything

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<v Speaker 1>else that's been leading up to this, and the way

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<v Speaker 1>that it was talking about Robecca and the way he's like,

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<v Speaker 1>I wish you wish you could bottle your memories and

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<v Speaker 1>I wish that I never had to think of them again.

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<v Speaker 1>And I'm like, oh, she murdered her. Yeah, and he

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<v Speaker 1>tutor twice every year, he uncontrollably exactly, So I he

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<v Speaker 1>was about the Beatrice visit where I was like, oh, okay,

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<v Speaker 1>he killed her. And I think for me also realizing

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<v Speaker 1>that early on it didn't make the book interesting to

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<v Speaker 1>read because I'm think it's taking so long to get

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<v Speaker 1>to the murder. I will say what I found very

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<v Speaker 1>relatable is that as someone who uh does not know

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<v Speaker 1>how to ask for things or or advocate for myself,

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<v Speaker 1>it was very relatable. As we were mentioning with like

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<v Speaker 1>the food waste the second Mrs de Winter clocks like

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<v Speaker 1>there is a ton of food waste in this house,

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<v Speaker 1>and it takes the full arc of the book for

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<v Speaker 1>her to be able to be like, fucking reuse the

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<v Speaker 1>same food, you assholes. But me, I'm like, I do

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<v Speaker 1>not ask for anything, like I have like a manager,

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<v Speaker 1>and I'm always like, can I ask her to I

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<v Speaker 1>don't want to send this thing to her. I don't

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<v Speaker 1>want to bother her. And my friends had to be like,

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<v Speaker 1>she works for you. I loved when she hid the

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<v Speaker 1>cupid that she broke in the and and she had

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<v Speaker 1>to like be like I did it, and I was afraid,

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<v Speaker 1>Like that just felt so like just being a person

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<v Speaker 1>who doesn't feel like they belong in the place that

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<v Speaker 1>they literally are calling home, it feels so And I'm like, Grama,

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<v Speaker 1>I definitely thought from the beginning that he killed his wife,

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<v Speaker 1>like when they first like the Mysterious Widow. And also

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<v Speaker 1>it's a Hitchcock movie, so it's like, okay, there's murder involved. However,

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<v Speaker 1>I felt like the way it was written, you just

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<v Speaker 1>get so sucked into her point of view that like

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<v Speaker 1>end this vision of Rebecca and the jealousy of Rebecca

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<v Speaker 1>and everyone loving Rebecca. That like, to me, it like

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<v Speaker 1>pulled me into a different narrative of hers that by

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<v Speaker 1>the time he actually said it, it wasn't shocking to

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<v Speaker 1>me that he killed her. It was shocking to me

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<v Speaker 1>that he did not love her, because that felt like

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<v Speaker 1>to me, what I thought was, oh, there was like

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<v Speaker 1>they loved each other, but they had these big fights,

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<v Speaker 1>you know, accident And the first twist, Yeah, the first

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<v Speaker 1>twist to me was how when Mrs dan Verse describes

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<v Speaker 1>how Rebecca loved no one and I was like, whoa, okay,

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<v Speaker 1>so she's like an interesting cold bitch, Like that's fun

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<v Speaker 1>and and that was a throw to me. And then

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<v Speaker 1>and then that yeah, that it was like how could

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<v Speaker 1>he do this to to Mr de Winter Like, yes,

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<v Speaker 1>maybe he killed her, but he also like loved her

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<v Speaker 1>and regretted it. I'm not saying that makes him a

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<v Speaker 1>good person, but that that's the narrative that I had.

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<v Speaker 1>And I think that I also kind of clocked early

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<v Speaker 1>that he probably murdered her. It was and I think

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<v Speaker 1>it was when they were on that drive and he

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<v Speaker 1>like stopped on that like cliff and was fucking weird,

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<v Speaker 1>and I was like, oh he he did something like

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<v Speaker 1>just knowing, yeah, yes, something was wrong, something's wrong? Did

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<v Speaker 1>he push a bit off the cliff? Like what's going

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<v Speaker 1>on here? Only because we've all talked about it in like,

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<v Speaker 1>you know, I've I've seen the trailer for the Netflix adaptation,

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<v Speaker 1>and like we know that it's a thriller. We know

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<v Speaker 1>that like something mysterious, like spooky, and there's some sort

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<v Speaker 1>of like we know this woman is dead. So at

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<v Speaker 1>that time, when she's in the car to the cliff

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<v Speaker 1>and she even like I love the way she talks

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<v Speaker 1>about it, she's like so forgiving when he's acting like

0:13:21.880 --> 0:13:25.800
<v Speaker 1>a fucking weirdo. That like I was, I was hooked

0:13:25.800 --> 0:13:27.599
<v Speaker 1>in that moment because I'm like, Oh, she's going to

0:13:27.679 --> 0:13:30.320
<v Speaker 1>take us on a ride, because she's going to try

0:13:30.320 --> 0:13:34.000
<v Speaker 1>to explain away or try to reason all these sort

0:13:34.000 --> 0:13:37.240
<v Speaker 1>of like very very real red flags that any of

0:13:37.360 --> 0:13:39.560
<v Speaker 1>us would hope I would hope that like we would

0:13:39.559 --> 0:13:42.480
<v Speaker 1>be like, oh, that's not a good sign. I will

0:13:42.520 --> 0:13:46.240
<v Speaker 1>also say she was very blind, like I think I

0:13:46.280 --> 0:13:48.560
<v Speaker 1>was with you, Melissa, where I fully would have believed like,

0:13:48.559 --> 0:13:51.000
<v Speaker 1>oh it was if something was weird with the accident,

0:13:51.040 --> 0:13:53.480
<v Speaker 1>but like, oh it was a tragic accident of a

0:13:53.520 --> 0:13:56.880
<v Speaker 1>flight of passion gone gone wrong, of like whatever. But

0:13:56.960 --> 0:14:00.680
<v Speaker 1>I think like the book also establishes really well his

0:14:01.480 --> 0:14:05.679
<v Speaker 1>position and um wealth and age and status, and like

0:14:05.760 --> 0:14:09.680
<v Speaker 1>she has nothing, Like her choices are literally marry him

0:14:10.080 --> 0:14:13.439
<v Speaker 1>or travel as a basically a servant with this insufferable

0:14:13.480 --> 0:14:16.400
<v Speaker 1>American woman. So it's like he is like the prince

0:14:16.520 --> 0:14:20.080
<v Speaker 1>charming narrative, like that was her only choice. She began

0:14:20.120 --> 0:14:22.640
<v Speaker 1>the book being trained to be a companion. I would

0:14:22.640 --> 0:14:27.040
<v Speaker 1>not she ends the book as a companion to an

0:14:27.360 --> 0:14:32.520
<v Speaker 1>older man who is not took down that. The plot

0:14:32.600 --> 0:14:35.160
<v Speaker 1>of this is what if there are the pitches? What

0:14:35.280 --> 0:14:37.640
<v Speaker 1>if there is a sequel to Cinderella where the marriage

0:14:37.680 --> 0:14:43.720
<v Speaker 1>absolutely sucked, because because it does feel like the whisked

0:14:43.720 --> 0:14:47.320
<v Speaker 1>away happily ever after, like she was in poverty and

0:14:47.400 --> 0:14:50.240
<v Speaker 1>this rich, handsome man comes and takes her to this

0:14:50.320 --> 0:14:52.440
<v Speaker 1>date and then it turns out she feels awful all

0:14:52.440 --> 0:14:58.320
<v Speaker 1>the time, and then the husband is a murderer. I thought,

0:14:58.440 --> 0:15:00.680
<v Speaker 1>enough of that murder daddy. Let's take a quick break.

0:15:10.800 --> 0:15:13.520
<v Speaker 1>So we're back with Popcorn Book Club for My Heart Radio.

0:15:17.160 --> 0:15:20.000
<v Speaker 1>I find it so interesting that you all really related

0:15:20.120 --> 0:15:23.400
<v Speaker 1>to the narrator, because I did not at all. And

0:15:23.480 --> 0:15:26.720
<v Speaker 1>I found her deeply annoying a lot of the time,

0:15:27.280 --> 0:15:30.920
<v Speaker 1>And I sorry, Dana, I was like, how are we friends?

0:15:31.960 --> 0:15:34.480
<v Speaker 1>Sometimes I also find you deeply annoying, but I love

0:15:34.520 --> 0:15:39.120
<v Speaker 1>you anyway. I keep reading the book that is you. Um,

0:15:39.160 --> 0:15:43.000
<v Speaker 1>You're welcome, But for me, it was like, why aren't

0:15:43.000 --> 0:15:45.600
<v Speaker 1>you saying things? Why aren't you asking for things? Be

0:15:45.720 --> 0:15:49.640
<v Speaker 1>more assertive? What's your fucking problem? I understand that it

0:15:49.760 --> 0:15:52.880
<v Speaker 1>is the early twentieth century, However, you have way more

0:15:52.920 --> 0:15:55.680
<v Speaker 1>agency than you are allowing yourself. I mean, even at

0:15:55.680 --> 0:15:57.960
<v Speaker 1>the beginning. And I'm also that person at a restaurant

0:15:57.960 --> 0:16:00.760
<v Speaker 1>that will one hundred percent send something act and I'm

0:16:00.800 --> 0:16:02.320
<v Speaker 1>not going to be a bit about it, but if

0:16:02.320 --> 0:16:04.640
<v Speaker 1>it's not what I ordered, I'm going to tell somebody, Hey,

0:16:04.680 --> 0:16:07.440
<v Speaker 1>I'm so sorry. I don't eat nuts. I'm not allergic.

0:16:07.520 --> 0:16:09.200
<v Speaker 1>I just don't eat them, but I don't eat nuts.

0:16:09.240 --> 0:16:11.040
<v Speaker 1>I specifically asked for this not to have nuts. Could

0:16:11.080 --> 0:16:12.760
<v Speaker 1>you bring you back a version that doesn't have nuts?

0:16:12.760 --> 0:16:17.280
<v Speaker 1>Thank you so much? Like you are uncommonly self assured.

0:16:17.480 --> 0:16:20.880
<v Speaker 1>I don't feel that though I don't insecure a lot

0:16:20.920 --> 0:16:24.000
<v Speaker 1>of the time. But I find that like when she

0:16:24.120 --> 0:16:28.680
<v Speaker 1>got that cold ham in the beginning and she's just like, oh, well,

0:16:28.800 --> 0:16:31.120
<v Speaker 1>I guess it's just a reflection of how the staff

0:16:31.160 --> 0:16:34.120
<v Speaker 1>here sees me is lower and lesser, and I'm like,

0:16:34.200 --> 0:16:38.920
<v Speaker 1>bitch asked for warm ham. I don't understand what you're doing. Karama.

0:16:39.000 --> 0:16:41.800
<v Speaker 1>I have to say, as someone who has known you years,

0:16:42.120 --> 0:16:45.320
<v Speaker 1>you are an incredibly self assured person. I remember the

0:16:45.360 --> 0:16:48.280
<v Speaker 1>first time I met you, and like freshman it might

0:16:48.320 --> 0:16:51.160
<v Speaker 1>have been freshman week or whatever my parents were at college,

0:16:51.440 --> 0:16:53.440
<v Speaker 1>and you like extended your hand and you're like, hi,

0:16:53.480 --> 0:16:55.360
<v Speaker 1>I'm Karama Aqua, so nice to meet you, Mr and

0:16:55.440 --> 0:16:58.400
<v Speaker 1>Mrs Schwartz, and like the most self assured way that.

0:16:58.520 --> 0:17:02.520
<v Speaker 1>I was absolutely floored. I was like, oh my god,

0:17:02.680 --> 0:17:10.480
<v Speaker 1>she's so confident. Though you should be common we I didn't.

0:17:10.640 --> 0:17:15.200
<v Speaker 1>I didn't necessarily relate to her, but I just I

0:17:15.280 --> 0:17:18.960
<v Speaker 1>loved her. Growth like she had if we if she

0:17:19.040 --> 0:17:21.639
<v Speaker 1>started out being assertive, she wouldn't have ended up with

0:17:21.720 --> 0:17:27.480
<v Speaker 1>Daddy Maxim Like like we needed her to be kind

0:17:27.480 --> 0:17:30.560
<v Speaker 1>of like diminutive and like kind of like a you know,

0:17:30.960 --> 0:17:35.439
<v Speaker 1>in this sub dumb relationship that is being established, we

0:17:35.480 --> 0:17:38.760
<v Speaker 1>needed her to be kind of like questioning everything so

0:17:38.800 --> 0:17:40.960
<v Speaker 1>that at the end she can finally be like, I

0:17:41.040 --> 0:17:43.880
<v Speaker 1>want a new menu. Like for her, that is such

0:17:43.920 --> 0:17:48.760
<v Speaker 1>a huge moment of asserting herself, which I thought it

0:17:48.960 --> 0:17:51.959
<v Speaker 1>was hilarious, Like I just I thought she was funny,

0:17:52.080 --> 0:17:55.960
<v Speaker 1>Like there's something very funny and charming about her little

0:17:56.040 --> 0:18:01.639
<v Speaker 1>victories being so small, but for her being key Yeah,

0:18:01.720 --> 0:18:06.840
<v Speaker 1>and I mean yeah, I did relate to her. I'm

0:18:06.840 --> 0:18:10.520
<v Speaker 1>not I don't think I'm like her now by any means.

0:18:10.560 --> 0:18:13.720
<v Speaker 1>But I when I was eighteen, I sure and going

0:18:13.760 --> 0:18:17.400
<v Speaker 1>to college, I sure didn't know how to talk to anybody,

0:18:17.640 --> 0:18:20.400
<v Speaker 1>and I like sometimes would think I would, but then

0:18:20.440 --> 0:18:23.120
<v Speaker 1>I would sit and stew about all the stupid things

0:18:23.200 --> 0:18:26.639
<v Speaker 1>I said in my first acting class all night. You know,

0:18:27.160 --> 0:18:29.879
<v Speaker 1>I think this was it's really in. It feels like

0:18:29.920 --> 0:18:34.200
<v Speaker 1>a really perfect portrait of someone who was deeply insecure

0:18:34.320 --> 0:18:38.880
<v Speaker 1>and hasn't come into herself. Um, and someone who suffers

0:18:38.920 --> 0:18:42.920
<v Speaker 1>from anxiety. Uh, like just not knowing what to wear

0:18:43.000 --> 0:18:45.560
<v Speaker 1>to the fancy dress ball and like, girl, I've been

0:18:45.600 --> 0:18:47.800
<v Speaker 1>there so many times. It's like, how far do I

0:18:47.840 --> 0:18:51.280
<v Speaker 1>commit to this Halloween party? Do I really go all in?

0:18:51.520 --> 0:18:54.639
<v Speaker 1>Of course Max doesn't dress up, that's so typical of

0:18:54.720 --> 0:19:01.280
<v Speaker 1>for him, but she perfect Yeah, my god, an impeccable tuxedo.

0:19:01.640 --> 0:19:07.760
<v Speaker 1>You navigate this mine field alone? Um yeah. Anyway, I

0:19:08.119 --> 0:19:11.000
<v Speaker 1>just feel like, to me, I thought she was very

0:19:11.000 --> 0:19:13.080
<v Speaker 1>funny and I wanted her to speak up and that's

0:19:13.080 --> 0:19:16.360
<v Speaker 1>why I did feel so satisfying in the end. Um My. Also,

0:19:16.480 --> 0:19:20.359
<v Speaker 1>big note was I really want a flower room? Yes?

0:19:21.160 --> 0:19:23.520
<v Speaker 1>I think we can all agree upon that everyone deserves

0:19:23.520 --> 0:19:26.639
<v Speaker 1>a flower and in the morning room. I want a

0:19:26.680 --> 0:19:30.040
<v Speaker 1>morning and library and a flower room to put all

0:19:30.080 --> 0:19:31.960
<v Speaker 1>my flowers in. I mean I walked away from there

0:19:32.000 --> 0:19:38.119
<v Speaker 1>being like, should I have tea time? When when they

0:19:38.160 --> 0:19:40.200
<v Speaker 1>go to London, they're like, oh it's five oh seven,

0:19:40.280 --> 0:19:42.159
<v Speaker 1>we should wait for their tea time to be over.

0:19:42.240 --> 0:19:47.160
<v Speaker 1>I'm like, like on the dot these Brits. I Um.

0:19:47.520 --> 0:19:49.440
<v Speaker 1>The thing that I wanted to point out a little

0:19:49.440 --> 0:19:52.000
<v Speaker 1>bit towards what you're saying is like, there is a

0:19:52.119 --> 0:19:57.320
<v Speaker 1>very what's the asymmetrical relationship between Max and the second

0:19:57.359 --> 0:20:00.399
<v Speaker 1>Mrs de Winter that I think, um, the narrator dozen

0:20:00.560 --> 0:20:03.399
<v Speaker 1>very subtle ways, which is what reminded me of Phantom

0:20:03.440 --> 0:20:06.800
<v Speaker 1>Thread because the relationship is uneven. But again in the book,

0:20:07.200 --> 0:20:09.760
<v Speaker 1>she is a teenager or twenty two? Is she? I

0:20:09.760 --> 0:20:15.280
<v Speaker 1>think she's twenty two? They never and specifically say no, no.

0:20:17.080 --> 0:20:18.520
<v Speaker 1>That's why I was like, what's she a teenager? What

0:20:18.640 --> 0:20:21.000
<v Speaker 1>she was talking out? Lad? I know she was not older?

0:20:21.920 --> 0:20:24.040
<v Speaker 1>I think, okay, so nineteen. I think she said she

0:20:24.119 --> 0:20:27.440
<v Speaker 1>was nineteen. Yeah, so she's nineteen. He's in his forties.

0:20:27.840 --> 0:20:30.959
<v Speaker 1>He is of the landed gentry, and she is an

0:20:31.119 --> 0:20:35.640
<v Speaker 1>orphan nobody. So it's like all these factors combined put

0:20:35.680 --> 0:20:38.520
<v Speaker 1>her in a very vulnerable position to not speak up

0:20:38.680 --> 0:20:42.119
<v Speaker 1>in situations where she absolutely should speak up. Well, but

0:20:42.200 --> 0:20:46.040
<v Speaker 1>she has the beginning that she's going she's going to

0:20:46.280 --> 0:20:49.680
<v Speaker 1>Lady House and she's going to entertain people, and people

0:20:49.720 --> 0:20:52.919
<v Speaker 1>will come down from London to see her, and um,

0:20:53.280 --> 0:20:55.560
<v Speaker 1>I don't think she realizes until she gets there that

0:20:55.680 --> 0:20:59.640
<v Speaker 1>she's not in a position in life where the going

0:21:00.440 --> 0:21:04.560
<v Speaker 1>that that is an insurd fantasy, like imagining I'm going

0:21:04.640 --> 0:21:08.639
<v Speaker 1>to build a house on the moon. She just doesn't

0:21:08.720 --> 0:21:11.800
<v Speaker 1>know the details of how to manifest that, even if

0:21:11.840 --> 0:21:15.520
<v Speaker 1>she has the external trappings. Yeah, and it's clear that,

0:21:15.600 --> 0:21:18.080
<v Speaker 1>like Maxim, didn't know how to do that either, Rebecca

0:21:18.280 --> 0:21:23.639
<v Speaker 1>make that house. Rebecca was born with a huge amount

0:21:23.680 --> 0:21:28.840
<v Speaker 1>of confidence, uh, seemingly giving free reign by Danny, who

0:21:28.920 --> 0:21:34.920
<v Speaker 1>raised her and um turned Manderly into this terrific show

0:21:34.960 --> 0:21:40.480
<v Speaker 1>palace with beautiful gardens and amazing parties and interesting people.

0:21:40.720 --> 0:21:43.760
<v Speaker 1>And all she asked for in return was the freedom

0:21:43.800 --> 0:21:48.479
<v Speaker 1>to funk around. They had a very clear arrangement, I

0:21:48.480 --> 0:21:51.119
<v Speaker 1>will give you the most beautiful house in the world,

0:21:51.640 --> 0:21:58.160
<v Speaker 1>let me funk people in London. Yeah. Yeah, my first cousin. Okay,

0:21:57.320 --> 0:22:03.240
<v Speaker 1>really interesting to me because I I had always read

0:22:03.320 --> 0:22:07.639
<v Speaker 1>this assuming that Daphne saw herself as the second Mrs

0:22:07.640 --> 0:22:10.520
<v Speaker 1>the Winter, because all I knew about the author was

0:22:10.720 --> 0:22:14.160
<v Speaker 1>that she was very shy and she ended up buying

0:22:14.200 --> 0:22:17.880
<v Speaker 1>the estate that I think is called Mandabilly that inspired man,

0:22:18.840 --> 0:22:21.000
<v Speaker 1>So good for her. That's all I knew about her

0:22:21.080 --> 0:22:23.720
<v Speaker 1>until I started reading more about her. She was a

0:22:23.800 --> 0:22:28.320
<v Speaker 1>bisexual who had lesbian affairs, and also she fought her

0:22:28.359 --> 0:22:32.120
<v Speaker 1>first cousin so and wrote about it in her memoirs.

0:22:32.640 --> 0:22:35.919
<v Speaker 1>So I did not realize the extent to which the

0:22:36.000 --> 0:22:40.080
<v Speaker 1>author maybe saw herself in Rebecca when certainly when I

0:22:40.119 --> 0:22:45.000
<v Speaker 1>first read this book. Just to be clear, though, Rebecca

0:22:45.160 --> 0:22:48.880
<v Speaker 1>definitely had some sort of sexual experience with Mrs Danver's right.

0:22:49.080 --> 0:22:52.440
<v Speaker 1>Oh yeah, oh yeah, that's that's what I thought to think.

0:22:52.480 --> 0:22:58.160
<v Speaker 1>So I think Mrs has raised her her mom. Yeah,

0:22:58.480 --> 0:23:02.359
<v Speaker 1>I thought she was the mother, like the mother died

0:23:02.440 --> 0:23:08.200
<v Speaker 1>early and she raised her. That's mother daughter thing. Yeah.

0:23:08.240 --> 0:23:11.840
<v Speaker 1>But also like I think, especially when we watched the version,

0:23:12.400 --> 0:23:18.960
<v Speaker 1>the sexual element there, but felt like maybe if they

0:23:18.960 --> 0:23:24.000
<v Speaker 1>didn't sleep together, then Danny Danvers wanted to for sure

0:23:24.240 --> 0:23:29.760
<v Speaker 1>wanted to. Yes, yeah, yeah, I also just love like

0:23:30.240 --> 0:23:32.000
<v Speaker 1>it makes the whole thing makes me really want to

0:23:32.000 --> 0:23:36.760
<v Speaker 1>meet Rebecca because she is such a charming person but

0:23:36.880 --> 0:23:40.720
<v Speaker 1>also clearly a sociopath, Like like the way she's described

0:23:40.760 --> 0:23:44.119
<v Speaker 1>like she's able to reflect back whatever someone is is

0:23:44.920 --> 0:23:47.919
<v Speaker 1>she is telling them and is able to like figure

0:23:47.960 --> 0:23:50.119
<v Speaker 1>out what people want and give it to them and

0:23:50.200 --> 0:23:52.719
<v Speaker 1>has no feeling for anyone. I'm like, oh, there's just

0:23:52.760 --> 0:23:55.199
<v Speaker 1>like this is like a textbook sociopath, and I just

0:23:55.240 --> 0:23:59.680
<v Speaker 1>think it's so like it doesn't make her, it doesn't

0:23:59.680 --> 0:24:02.359
<v Speaker 1>make her villain. It just makes her so interesting to me,

0:24:02.520 --> 0:24:05.159
<v Speaker 1>Like she's just like a very successful sociopath. Okay, I

0:24:05.200 --> 0:24:07.800
<v Speaker 1>don't know that that's necessarily for them, because we're getting

0:24:07.800 --> 0:24:13.480
<v Speaker 1>that whole perspective from maxim shot No, from Danny. Perspective

0:24:15.920 --> 0:24:19.480
<v Speaker 1>is maybe partly she was only ever able to love

0:24:19.520 --> 0:24:21.359
<v Speaker 1>me because I was in love with her and we

0:24:21.359 --> 0:24:23.560
<v Speaker 1>were in love, and she hated all the rest of you,

0:24:23.640 --> 0:24:30.520
<v Speaker 1>and that's what was happening, which is like behavior. Yet

0:24:32.800 --> 0:24:35.800
<v Speaker 1>I think that the book does make it clear, at

0:24:35.840 --> 0:24:40.240
<v Speaker 1>least how I read it, that Rebecca was this fascinating, beautiful,

0:24:41.160 --> 0:24:44.960
<v Speaker 1>brilliant sociopath. Like Also, the way that like details about

0:24:44.960 --> 0:24:47.280
<v Speaker 1>how she would like talk to people and then talk

0:24:47.359 --> 0:24:49.760
<v Speaker 1>about them behind their back was very like that Regina

0:24:49.840 --> 0:24:52.280
<v Speaker 1>George of like, oh my god, I love your skirt

0:24:52.320 --> 0:24:58.520
<v Speaker 1>and it was my mom's in the eighties. It's not

0:24:58.560 --> 0:25:02.440
<v Speaker 1>as far as about defintely like popular mean girl like

0:25:02.640 --> 0:25:07.840
<v Speaker 1>for sure for and I and I questioned taste and

0:25:08.000 --> 0:25:13.880
<v Speaker 1>coolness because Favel sounds like a piece of ship. Oh yeah,

0:25:14.040 --> 0:25:17.200
<v Speaker 1>I fully imagine Favella's Ernie Hammer, like I am very

0:25:17.240 --> 0:25:21.560
<v Speaker 1>surprised because she was in the upcoming person because I

0:25:21.640 --> 0:25:26.639
<v Speaker 1>just don't imagine was like this beefcake an alcoholic because

0:25:26.680 --> 0:25:30.280
<v Speaker 1>he was his first custom and he was like I

0:25:30.320 --> 0:25:36.440
<v Speaker 1>was imagining, Oh no, girls have sweet shops and cinemas

0:25:36.480 --> 0:25:45.680
<v Speaker 1>would be like very excited by his presence. Oh I

0:25:46.040 --> 0:25:48.800
<v Speaker 1>didn't look a sweet shop. I would be excited by

0:25:48.800 --> 0:25:55.960
<v Speaker 1>the presence. I think. I think the way they described

0:25:56.000 --> 0:25:59.240
<v Speaker 1>his drinking and his like sweaty and that he's like

0:25:59.320 --> 0:26:02.119
<v Speaker 1>getting puff be because of all the drinking and smoking.

0:26:02.600 --> 0:26:07.440
<v Speaker 1>I just imagine that kind of very classic British character

0:26:07.520 --> 0:26:10.800
<v Speaker 1>actor who's just like a little bit blustery all the

0:26:10.880 --> 0:26:16.720
<v Speaker 1>time and it's just so angry about everything, tra turgity

0:26:17.040 --> 0:26:22.600
<v Speaker 1>and just like now, like I think I got those

0:26:22.640 --> 0:26:25.959
<v Speaker 1>two people. I have to say before you get your answer, Karama.

0:26:26.080 --> 0:26:32.360
<v Speaker 1>Mine was like very greasy puffy. Colin Paris was like greasy,

0:26:32.600 --> 0:26:36.040
<v Speaker 1>like greasy but hot. Okay. I think it should be

0:26:36.040 --> 0:26:38.199
<v Speaker 1>Stanley Tucci because I think he can do all of

0:26:38.240 --> 0:26:47.000
<v Speaker 1>those things. I think he would be do you guys

0:26:47.000 --> 0:26:48.879
<v Speaker 1>watch The Lovely Bones because he was great in The

0:26:48.920 --> 0:26:52.000
<v Speaker 1>Lovely Bones. He can play yucky people, but also he's

0:26:52.040 --> 0:26:55.879
<v Speaker 1>still very physically attractive, Like I fell in love with

0:26:55.920 --> 0:26:57.960
<v Speaker 1>Stanley Tucci when I was eleven and I watched The

0:26:58.000 --> 0:27:00.840
<v Speaker 1>Midsummer Night's Dream and he was playing Puck and was like, oh,

0:27:01.560 --> 0:27:06.760
<v Speaker 1>Robin good fellow indeed, but but see, I feel like

0:27:07.080 --> 0:27:10.679
<v Speaker 1>his Stanley Tucci's attractiveness is in that he looks so

0:27:10.760 --> 0:27:12.520
<v Speaker 1>classy and you want him in like a button down

0:27:12.560 --> 0:27:15.080
<v Speaker 1>making you a drink where it's like Jack. I imagine

0:27:15.160 --> 0:27:18.439
<v Speaker 1>his attractiveness is that he's like kind of seedy and

0:27:18.640 --> 0:27:22.159
<v Speaker 1>like handrow you a cigarette could do that, you know. Yeah,

0:27:22.280 --> 0:27:24.800
<v Speaker 1>he before he goes on set, let him get a

0:27:24.840 --> 0:27:29.760
<v Speaker 1>little hot and like, yeah, I'm for real, for real.

0:27:29.880 --> 0:27:33.960
<v Speaker 1>So like I think they can do literally anything. I

0:27:34.160 --> 0:27:38.040
<v Speaker 1>didn't understand Armie Hammers casting for me because he and

0:27:38.119 --> 0:27:44.119
<v Speaker 1>Lily James are the same age and I think makes it.

0:27:44.880 --> 0:27:46.840
<v Speaker 1>And so they're both in their mid thirty which is

0:27:47.480 --> 0:27:51.720
<v Speaker 1>which is weird because Hollywood loves casting a very young

0:27:51.760 --> 0:27:53.760
<v Speaker 1>woman against a forty year old man, like that's their

0:27:53.800 --> 0:27:58.040
<v Speaker 1>favorite thing to do. And they had it like it

0:27:58.119 --> 0:28:03.639
<v Speaker 1>was like your guys, yum, yum, here's it's tea time.

0:28:04.440 --> 0:28:08.679
<v Speaker 1>He didn't eaties version for Charles Dance Winter and I

0:28:08.720 --> 0:28:17.360
<v Speaker 1>think it's really good casting. Um, he's on yeah, yeah,

0:28:17.480 --> 0:28:22.000
<v Speaker 1>he just seems really steely and unfeeling, So I don't

0:28:22.600 --> 0:28:25.399
<v Speaker 1>I just looked up Jack Fabel who plays him in

0:28:25.440 --> 0:28:28.639
<v Speaker 1>the New One, and his name is Sam Riley. I

0:28:28.680 --> 0:28:32.240
<v Speaker 1>don't know who he is, but I actually think he

0:28:32.240 --> 0:28:34.600
<v Speaker 1>he's right, he's the right blend of everything. He's younger

0:28:34.640 --> 0:28:38.040
<v Speaker 1>than he's like a young she's a little he looks

0:28:38.360 --> 0:28:41.040
<v Speaker 1>he's like a young good looking guy that looks a

0:28:41.080 --> 0:28:45.560
<v Speaker 1>little like his bangs are sweaty, you know, perfect slutty bangs.

0:28:45.920 --> 0:28:51.560
<v Speaker 1>I would like sweaty, sweaty, not slutty. Would like to

0:28:51.680 --> 0:28:55.560
<v Speaker 1>find a version of Rebecca or Stanley too. She plays

0:28:55.600 --> 0:29:00.960
<v Speaker 1>every role. Okay, I would absolutely I would contribute to

0:29:01.000 --> 0:29:04.800
<v Speaker 1>that fund, thank you. I would say my ideal cast

0:29:05.040 --> 0:29:10.760
<v Speaker 1>is like for Maxim is like a Daniel Craig. Oh, damn,

0:29:12.320 --> 0:29:16.960
<v Speaker 1>Daniel Craig now or removed, But Daniel Craig now he's

0:29:17.080 --> 0:29:20.080
<v Speaker 1>like fifty. You know, he's like a little I don't

0:29:20.080 --> 0:29:23.800
<v Speaker 1>know that he's Do people think he's hot, Yes, they do,

0:29:23.960 --> 0:29:27.000
<v Speaker 1>and it's very odd to me. I think he's kind

0:29:27.000 --> 0:29:30.160
<v Speaker 1>of weird looking. Yeah, I do too. I don't find

0:29:30.200 --> 0:29:34.240
<v Speaker 1>him unattractive, but I am not attracted to him. I'm like, Okay,

0:29:34.240 --> 0:29:36.520
<v Speaker 1>your face has all the things in the places, but

0:29:36.560 --> 0:29:40.360
<v Speaker 1>like your face is just a face to me. It's

0:29:40.400 --> 0:29:44.560
<v Speaker 1>a fine face. It's a face. What Christian bail. Oh,

0:29:44.600 --> 0:29:48.240
<v Speaker 1>he can be weird, but I think he's hotter again.

0:29:48.520 --> 0:29:50.960
<v Speaker 1>I feel like it needs to look. I also think

0:29:51.040 --> 0:29:55.440
<v Speaker 1>that their marriage is unconsummated up until the night before.

0:29:55.880 --> 0:29:58.280
<v Speaker 1>I don't think it is because she says like he

0:29:58.680 --> 0:30:02.479
<v Speaker 1>has a mother on the simon, Yeah, but does that

0:30:03.200 --> 0:30:07.719
<v Speaker 1>does that mean that? Look, I think they're set scene

0:30:07.840 --> 0:30:11.120
<v Speaker 1>right before she thinks he's about to go away to prison,

0:30:11.160 --> 0:30:13.440
<v Speaker 1>when he's told her all about what happened to Rebecca

0:30:13.920 --> 0:30:16.720
<v Speaker 1>confessed the murder, and they talked about how we held

0:30:16.720 --> 0:30:20.200
<v Speaker 1>each other as we never held each other before, like

0:30:20.680 --> 0:30:23.400
<v Speaker 1>plenty to each other in the night, and it feels

0:30:23.520 --> 0:30:27.360
<v Speaker 1>like that's the first time consummate. I think we can

0:30:27.400 --> 0:30:30.200
<v Speaker 1>agree that they never had good sex up until that point.

0:30:30.360 --> 0:30:33.800
<v Speaker 1>I mean, she's pretty sure she's not pregnant. Whenever people after,

0:30:34.080 --> 0:30:38.640
<v Speaker 1>might you be pregnant, She's like, no, that's impossible. I

0:30:38.760 --> 0:30:44.440
<v Speaker 1>have a unnamed narrator pitch for the star for the

0:30:44.480 --> 0:30:50.040
<v Speaker 1>actress is Jessica Burdon. She was at the end of

0:30:50.040 --> 0:30:55.080
<v Speaker 1>the fucking world. She's like, she looks super young, but

0:30:55.160 --> 0:30:59.760
<v Speaker 1>she's like eight and and she and she has something

0:30:59.760 --> 0:31:02.920
<v Speaker 1>that's like she's very pretty, of course, but she just

0:31:03.000 --> 0:31:06.920
<v Speaker 1>looks like she could look very plain if they wanted

0:31:06.960 --> 0:31:09.480
<v Speaker 1>it to. Because I feel like that's that was her

0:31:09.480 --> 0:31:13.240
<v Speaker 1>insecurity the whole time of how like classic and stunning

0:31:13.320 --> 0:31:16.240
<v Speaker 1>Rebecca was and then she couldn't like get her makeup

0:31:16.320 --> 0:31:20.040
<v Speaker 1>right ever and felt invisible anyway. And she's also very good,

0:31:20.960 --> 0:31:27.000
<v Speaker 1>is very completely beautiful. Yeah, she's thirty five. She like

0:31:27.080 --> 0:31:32.280
<v Speaker 1>looks like a stunning woman. The narrator is obsessed with

0:31:32.360 --> 0:31:35.040
<v Speaker 1>being I do love the fact that we're like, this

0:31:35.120 --> 0:31:40.240
<v Speaker 1>woman's too old, which I mean she is for the

0:31:40.360 --> 0:31:42.480
<v Speaker 1>character she is. I just think it's funny that that's

0:31:42.520 --> 0:31:45.360
<v Speaker 1>the conversation character. But I think I think it's like

0:31:45.400 --> 0:31:49.040
<v Speaker 1>because her naivete is like so fundamental to the character.

0:31:49.400 --> 0:31:54.080
<v Speaker 1>But yes, we are. I will I will always argue

0:31:54.240 --> 0:31:59.200
<v Speaker 1>for women to be older in movies. Then like it's like, oh,

0:31:59.240 --> 0:32:02.320
<v Speaker 1>this this a woman who used to be an Ingnue

0:32:02.360 --> 0:32:04.560
<v Speaker 1>two years ago. Now that she's thirty four, is like

0:32:04.640 --> 0:32:07.920
<v Speaker 1>the mother of two eighteen year olds, like that's always

0:32:07.960 --> 0:32:12.200
<v Speaker 1>what happened, and it's like very disappointing. They have to

0:32:12.200 --> 0:32:17.200
<v Speaker 1>get really into vacing that. Just her instagram is just

0:32:17.320 --> 0:32:22.360
<v Speaker 1>I'm all about cooking for my family. Now. Yeah, when

0:32:22.360 --> 0:32:28.120
<v Speaker 1>you turned thirty, you have to be mommy. Now, Okay,

0:32:28.200 --> 0:32:43.120
<v Speaker 1>let's take a brief moment here for an ad break. Okay,

0:32:43.160 --> 0:32:47.600
<v Speaker 1>we're back with Popcorn book Club. I wanted to go

0:32:47.680 --> 0:32:51.560
<v Speaker 1>back to the question of sex. I I do think

0:32:51.600 --> 0:32:53.880
<v Speaker 1>that they had sex over their honeymoon, and he's like,

0:32:54.200 --> 0:32:56.280
<v Speaker 1>I think they had the classic vacation they had like

0:32:56.360 --> 0:32:59.840
<v Speaker 1>the vacation sex, like the the like and the vacation

0:33:00.120 --> 0:33:03.440
<v Speaker 1>love story that when you like get back to your

0:33:03.480 --> 0:33:07.520
<v Speaker 1>regular life, everything is not as what it seemed like.

0:33:07.920 --> 0:33:10.920
<v Speaker 1>Everything is like you were in bliss in your vacation

0:33:11.040 --> 0:33:16.600
<v Speaker 1>in Monte Carlo and Italy and then and then they

0:33:16.640 --> 0:33:21.960
<v Speaker 1>never had sex a Mandy, and that's what's they don't have.

0:33:22.400 --> 0:33:26.560
<v Speaker 1>They don't have to surprise that they shared a bedroom,

0:33:26.560 --> 0:33:28.240
<v Speaker 1>Like I know they had different beds, but I and

0:33:28.360 --> 0:33:30.200
<v Speaker 1>the first part of the book, I just imagined her

0:33:30.280 --> 0:33:33.080
<v Speaker 1>to have her own corridors because it felt she felt

0:33:33.080 --> 0:33:36.200
<v Speaker 1>so isolated to me, didn't they though I thought it

0:33:36.240 --> 0:33:38.200
<v Speaker 1>was like a sweet I thought it was I think

0:33:38.200 --> 0:33:40.640
<v Speaker 1>it well, but I thought it was like in doubt, nay,

0:33:42.520 --> 0:33:47.200
<v Speaker 1>like their attached. Maybe they were like, Oh, we love

0:33:47.240 --> 0:33:49.640
<v Speaker 1>each other so much that we're gonna bunk convention and

0:33:49.720 --> 0:33:55.680
<v Speaker 1>sleep together every night. M wow. Being in the sounds

0:33:55.680 --> 0:34:00.640
<v Speaker 1>exhausting images. Also, all the may it seemed to be

0:34:00.680 --> 0:34:03.800
<v Speaker 1>having a lot of fun, Like every time she was

0:34:03.840 --> 0:34:05.760
<v Speaker 1>looking at the maids and they were all like having

0:34:05.800 --> 0:34:08.640
<v Speaker 1>fun gossiping, and like I was like, this sounds like

0:34:08.640 --> 0:34:11.440
<v Speaker 1>a better time. Oh yeah, every time she sees a

0:34:11.520 --> 0:34:18.600
<v Speaker 1>middle class Oh yeah, when have a picnic with people

0:34:18.640 --> 0:34:21.520
<v Speaker 1>who were vacationing there, she like goes and sees a

0:34:21.600 --> 0:34:23.799
<v Speaker 1>family at the beach. That's just like a normal mom

0:34:24.040 --> 0:34:28.279
<v Speaker 1>with her children and dad, and they're like having an afternoon.

0:34:28.680 --> 0:34:30.520
<v Speaker 1>I just wanted to talk a little bit about like

0:34:30.760 --> 0:34:33.960
<v Speaker 1>the pieces that I loved were like basically when it

0:34:34.080 --> 0:34:37.239
<v Speaker 1>was all the falling action after the ball and the

0:34:37.880 --> 0:34:41.959
<v Speaker 1>constant reveals, and I feel like what I loved about

0:34:42.000 --> 0:34:45.239
<v Speaker 1>the reveals, even if you saw the murder coming, was

0:34:45.280 --> 0:34:49.120
<v Speaker 1>it like it every time re contextualized everything that you've read,

0:34:49.840 --> 0:34:53.360
<v Speaker 1>especially like Mrs Danvers point point of view over and

0:34:53.400 --> 0:34:55.960
<v Speaker 1>over again. I feel like she's the most interesting character

0:34:56.000 --> 0:34:59.839
<v Speaker 1>in the book to me. Um, just like with ends

0:34:59.840 --> 0:35:05.799
<v Speaker 1>with her fucking burning Manderley Down is amazing, but amazing,

0:35:06.480 --> 0:35:10.280
<v Speaker 1>you know, just from Mrs Danverse, that really terrifying scene

0:35:10.280 --> 0:35:13.399
<v Speaker 1>where she explains that you should be dead and tries

0:35:13.480 --> 0:35:18.600
<v Speaker 1>to convince the narrator to kill herself. Yeah, she almost

0:35:18.600 --> 0:35:27.319
<v Speaker 1>does it because classic scorn. You just convinced people from

0:35:27.360 --> 0:35:30.040
<v Speaker 1>just joking, please don't these are not none of these

0:35:31.560 --> 0:35:35.320
<v Speaker 1>And the tricking of the narrator to where that outfit

0:35:35.480 --> 0:35:38.759
<v Speaker 1>was so fucking cruel. But then you realize. At first

0:35:38.760 --> 0:35:41.279
<v Speaker 1>I was like, that was so cruel to do to her,

0:35:41.800 --> 0:35:44.479
<v Speaker 1>and then I realized, oh, she's doing it to him,

0:35:44.960 --> 0:35:47.719
<v Speaker 1>like she's doing it to her, but really it's to him.

0:35:47.840 --> 0:35:51.279
<v Speaker 1>And then you realize, like, oh, because he killed her

0:35:51.360 --> 0:35:55.680
<v Speaker 1>and she knows that like she does, and she can't

0:35:55.719 --> 0:35:58.080
<v Speaker 1>do anything about it, and and so it's just like

0:35:58.120 --> 0:36:02.120
<v Speaker 1>this unraveling and then the body being found and it

0:36:02.280 --> 0:36:06.040
<v Speaker 1>just and and then I mean, I loved the reveal

0:36:06.320 --> 0:36:08.640
<v Speaker 1>that was the one I did not see with the doctor.

0:36:08.680 --> 0:36:10.400
<v Speaker 1>I thought it was going to be that she was pregnant,

0:36:10.800 --> 0:36:13.680
<v Speaker 1>and I think a moment. That's because one and then

0:36:13.719 --> 0:36:16.080
<v Speaker 1>I think they think that you're saying it, and then

0:36:16.120 --> 0:36:18.600
<v Speaker 1>they're like, and that will see all Maxim's fate because

0:36:19.080 --> 0:36:22.400
<v Speaker 1>that's a motive. And I just love that. And every

0:36:22.440 --> 0:36:25.800
<v Speaker 1>turn he gets off and I felt myself, even though

0:36:25.880 --> 0:36:29.120
<v Speaker 1>it's awful, but I felt myself rooting for him to

0:36:29.160 --> 0:36:31.960
<v Speaker 1>get off because I was just on this ride with

0:36:32.080 --> 0:36:35.839
<v Speaker 1>the narrator. But then at the end, when Manderley burns down,

0:36:35.880 --> 0:36:38.879
<v Speaker 1>I was like, fuck, yes, like it was just such

0:36:39.040 --> 0:36:41.560
<v Speaker 1>I I don't know. I love that point. I do

0:36:41.680 --> 0:36:44.239
<v Speaker 1>think that the book like that period where you're we're

0:36:44.239 --> 0:36:51.240
<v Speaker 1>all like rooting for Maxim to get away away. Okay,

0:36:51.280 --> 0:36:56.640
<v Speaker 1>we're not, but the institution of the book is positioning

0:36:56.680 --> 0:37:00.399
<v Speaker 1>with the anticipation and the fear of Maxi, this man

0:37:00.440 --> 0:37:03.759
<v Speaker 1>who actually did murder his wife, whether he had a

0:37:03.800 --> 0:37:06.239
<v Speaker 1>reason or not. You're still not allowed to murder your wife,

0:37:06.280 --> 0:37:09.520
<v Speaker 1>even if she taunts you, sorry that she taunted you.

0:37:09.560 --> 0:37:14.480
<v Speaker 1>Just not shoot someone. You cannot take a joke. You

0:37:14.640 --> 0:37:18.200
<v Speaker 1>literally cannot take a joke with somebody that you have

0:37:18.400 --> 0:37:23.320
<v Speaker 1>complete power over. So, like I said, the whole book

0:37:23.440 --> 0:37:26.719
<v Speaker 1>is structured like I found a very funny way that

0:37:27.040 --> 0:37:30.440
<v Speaker 1>is very true of like the way that the system

0:37:30.680 --> 0:37:34.160
<v Speaker 1>looks out for rich white men. Like the policeman knows

0:37:34.200 --> 0:37:36.160
<v Speaker 1>he did it, but he's on his side. And even

0:37:36.160 --> 0:37:39.040
<v Speaker 1>when Jack is like, no, he did it and you

0:37:39.080 --> 0:37:41.920
<v Speaker 1>actually did it, He's like, okay, ha ha, we'll hear

0:37:41.960 --> 0:37:46.440
<v Speaker 1>you out because we have to. But everyone involved is

0:37:46.480 --> 0:37:50.080
<v Speaker 1>like really hoping we don't have enough evidence that we

0:37:50.160 --> 0:37:53.040
<v Speaker 1>have to deal with this because we want Maxim you

0:37:53.080 --> 0:37:56.480
<v Speaker 1>give charity. No one wants to hold him responsible for

0:37:56.520 --> 0:38:00.759
<v Speaker 1>his actions. They're all actively resisting but look good in

0:38:00.880 --> 0:38:06.520
<v Speaker 1>Maxim's life. Everything makes Maxim an interesting Person's Mandardly. It's

0:38:06.600 --> 0:38:09.280
<v Speaker 1>what he uses as the big to get the second

0:38:09.280 --> 0:38:12.000
<v Speaker 1>Missus de Winter to marry him. That he talks about,

0:38:12.040 --> 0:38:15.000
<v Speaker 1>like how you'll love Mandrely and she's seen it on

0:38:15.040 --> 0:38:18.399
<v Speaker 1>a postcard and she like knows that everybody thinks as

0:38:18.400 --> 0:38:23.600
<v Speaker 1>a status cabulous, that's all Rebecca. Rebecca me that house um,

0:38:24.200 --> 0:38:27.680
<v Speaker 1>and I think maybe it is cly. The fact that

0:38:27.680 --> 0:38:31.080
<v Speaker 1>I'm not reading this book when I'm sixteen anymore, and

0:38:31.880 --> 0:38:34.319
<v Speaker 1>the fact that I am an adult now and we

0:38:34.360 --> 0:38:37.680
<v Speaker 1>had to do renovations and I had to on a

0:38:37.840 --> 0:38:40.759
<v Speaker 1>very very small level fix up my house the way

0:38:40.800 --> 0:38:44.160
<v Speaker 1>Rebecca did. Yeah, Danny should burn that place to the ground.

0:38:44.239 --> 0:38:47.120
<v Speaker 1>That place was Rebecca. She did the work. That's why

0:38:47.120 --> 0:38:50.319
<v Speaker 1>I made her husband a remotely interesting person. I will

0:38:50.320 --> 0:38:54.279
<v Speaker 1>say that matters history. Before Rebecca showed up, I think

0:38:54.280 --> 0:38:58.200
<v Speaker 1>it was shit, and the Maxim makes that clear of

0:38:58.400 --> 0:39:01.800
<v Speaker 1>like this place is dur the garbage. Rebecca maybe spend

0:39:01.840 --> 0:39:05.279
<v Speaker 1>money on it. I never considered that before their furniture,

0:39:05.320 --> 0:39:07.920
<v Speaker 1>like they had nice furniture, but it was all in storage.

0:39:07.960 --> 0:39:15.480
<v Speaker 1>And Rebecca, yeah, she brought around like the Renaissance of

0:39:15.920 --> 0:39:19.160
<v Speaker 1>Manderl like it did have a storied history. It was

0:39:19.200 --> 0:39:22.120
<v Speaker 1>just fallen into disrepair. So I feel like he could

0:39:22.120 --> 0:39:25.239
<v Speaker 1>have let it continue to fester, but she brought it

0:39:25.280 --> 0:39:27.960
<v Speaker 1>back and revived it. And that is what does him

0:39:28.160 --> 0:39:32.160
<v Speaker 1>more interesting as opposed to just posting on family legacy.

0:39:32.520 --> 0:39:38.520
<v Speaker 1>It does. It's not about the winter. I think it's

0:39:38.520 --> 0:39:41.759
<v Speaker 1>a perfect in that way. It's the perfect consequence for

0:39:41.880 --> 0:39:44.560
<v Speaker 1>his actions in so it's just like, well, now they're

0:39:44.600 --> 0:39:47.680
<v Speaker 1>just two boring people living in a mediocre hotel with

0:39:47.719 --> 0:39:51.640
<v Speaker 1>each other's company. And to be clear, I was not

0:39:51.760 --> 0:39:54.120
<v Speaker 1>rooting for Maxim to get away with killing his wife.

0:39:54.360 --> 0:39:56.560
<v Speaker 1>I think it was just it's the ride that you're

0:39:56.600 --> 0:39:59.720
<v Speaker 1>taken on in those scenes where it's like you want

0:39:59.760 --> 0:40:03.040
<v Speaker 1>the tension to be released, and at every point they

0:40:03.040 --> 0:40:05.759
<v Speaker 1>don't let it. Like you think when he comes back

0:40:05.800 --> 0:40:08.759
<v Speaker 1>from the court, he's going to be like I was convicted,

0:40:08.840 --> 0:40:11.880
<v Speaker 1>and then he's not, and then Favel comes over and

0:40:11.920 --> 0:40:13.840
<v Speaker 1>then that doesn't work, and then you go to the

0:40:13.920 --> 0:40:16.319
<v Speaker 1>doctor and then that. So it's just like this this

0:40:16.760 --> 0:40:20.520
<v Speaker 1>sense of dread that I felt in that back third

0:40:20.520 --> 0:40:23.279
<v Speaker 1>of the book that didn't allow me to put it down,

0:40:23.320 --> 0:40:29.560
<v Speaker 1>and that the like in that back half of all

0:40:29.600 --> 0:40:33.320
<v Speaker 1>the descriptions of like the Knowing looks like so much

0:40:33.400 --> 0:40:38.120
<v Speaker 1>of that last half is just like what's her? Um

0:40:38.480 --> 0:40:41.600
<v Speaker 1>Mrs the second Mrs de Winter talking about Frank looking

0:40:41.640 --> 0:40:44.360
<v Speaker 1>at her maximum looking at her, not making eye contect,

0:40:44.440 --> 0:40:48.439
<v Speaker 1>making like he knows, Like I I love that ship. Yeah,

0:40:48.480 --> 0:40:51.239
<v Speaker 1>that scene, it makes so much sense that Hitgecog was like, um,

0:40:51.280 --> 0:40:58.239
<v Speaker 1>excuse me, I will take this one furtive yances. I

0:40:58.760 --> 0:41:02.400
<v Speaker 1>guess I kind of was rooting for Maxim, like I

0:41:02.400 --> 0:41:05.480
<v Speaker 1>find in spite of myself. No no, But then because

0:41:05.480 --> 0:41:07.880
<v Speaker 1>like they make Jack seemed like such a near duell

0:41:07.920 --> 0:41:09.560
<v Speaker 1>and like you don't want him to have his victory.

0:41:09.600 --> 0:41:11.919
<v Speaker 1>He's such a slime bag. Oh my god, he's lover

0:41:12.160 --> 0:41:21.719
<v Speaker 1>he's dead because I'm sorry, Jennifer, he was blackmailing. He

0:41:21.760 --> 0:41:30.560
<v Speaker 1>didn't like. No, I understand. Can both be bad and

0:41:30.640 --> 0:41:34.640
<v Speaker 1>also against each other. That's true. I'm just alcoholic now.

0:41:34.800 --> 0:41:43.680
<v Speaker 1>And it's because he sat. The book clearly frames Jack

0:41:43.840 --> 0:41:47.640
<v Speaker 1>as the antagonist in this scenario, and because we're in

0:41:48.000 --> 0:41:50.840
<v Speaker 1>the second missistant Winter's Head, we are on Max's side.

0:41:51.120 --> 0:41:53.320
<v Speaker 1>And then it takes like a pause. You have to

0:41:53.360 --> 0:41:55.480
<v Speaker 1>read it and then pause and take a minute to

0:41:55.520 --> 0:41:58.319
<v Speaker 1>step back and be Dana again and be like, oh, no,

0:41:58.360 --> 0:42:01.279
<v Speaker 1>I mean he did he murdered his wife. Yeah, for me,

0:42:01.360 --> 0:42:04.160
<v Speaker 1>so that I think the book, the book brings you

0:42:04.200 --> 0:42:07.400
<v Speaker 1>on that ride in her voice and her perspective, and

0:42:07.480 --> 0:42:10.640
<v Speaker 1>she is on. She is Maxims ride or die. She

0:42:10.800 --> 0:42:13.719
<v Speaker 1>finds out that he murdered someone and does not give

0:42:13.760 --> 0:42:16.319
<v Speaker 1>it a moment of critical thought, which is such a

0:42:16.360 --> 0:42:19.160
<v Speaker 1>credit to Daphne Right because I was reading, I was

0:42:19.200 --> 0:42:22.319
<v Speaker 1>looking up some articles and people she in when it

0:42:22.360 --> 0:42:24.759
<v Speaker 1>first came out, was surprised that people thought that this

0:42:24.800 --> 0:42:27.719
<v Speaker 1>was a romantic novel, Like it's such a credit to

0:42:27.840 --> 0:42:30.799
<v Speaker 1>her writing that she was able to make so many

0:42:30.840 --> 0:42:34.719
<v Speaker 1>people kind of lust and also be excited about this

0:42:35.000 --> 0:42:42.160
<v Speaker 1>murder man. Murder man, daddy baby girl so excited about

0:42:42.200 --> 0:42:50.040
<v Speaker 1>those two. Uh well, a lot of people in this

0:42:50.200 --> 0:42:54.720
<v Speaker 1>group have like long term relationships. Um. I have always

0:42:54.760 --> 0:42:57.200
<v Speaker 1>thought that if my husband came home and told me

0:42:57.280 --> 0:42:59.200
<v Speaker 1>that he murdered someone, I would sigret how to get

0:42:59.239 --> 0:43:03.560
<v Speaker 1>him up was the country like like, obviously I would escape.

0:43:03.640 --> 0:43:06.279
<v Speaker 1>I would assume that whoever he murdered there was a

0:43:06.320 --> 0:43:10.560
<v Speaker 1>good reason. And I wonder if the most people feel

0:43:10.600 --> 0:43:18.040
<v Speaker 1>about their partners, and she knows him though you so well,

0:43:21.160 --> 0:43:23.799
<v Speaker 1>would ever do that. Maybe that's why I'm the only

0:43:23.880 --> 0:43:28.120
<v Speaker 1>single person here. But if somebody I was dating came

0:43:28.239 --> 0:43:31.600
<v Speaker 1>home to me and was like, Babe, I killed somebody.

0:43:31.800 --> 0:43:35.160
<v Speaker 1>I swear to you it was completely justified. I would

0:43:35.200 --> 0:43:38.719
<v Speaker 1>be like, okay, sweetheart, that's great. You go pack the suitcases,

0:43:38.760 --> 0:43:41.200
<v Speaker 1>and as soon as they left the room, I would

0:43:41.280 --> 0:43:45.120
<v Speaker 1>call nine one one immediately because I am not going

0:43:48.160 --> 0:43:51.200
<v Speaker 1>so we could escape. But here, but here's the difference.

0:43:51.239 --> 0:43:53.719
<v Speaker 1>I want to say, Jennifer, you and Daniel have known

0:43:53.760 --> 0:43:58.040
<v Speaker 1>each other four years and have had an intimate, close

0:43:58.120 --> 0:44:00.880
<v Speaker 1>relationship in which you are a partner and teammates in

0:44:00.920 --> 0:44:03.439
<v Speaker 1>your life. You know Daniel, and you in your heart

0:44:03.440 --> 0:44:06.000
<v Speaker 1>would know Daniel is a I could speak on behalf

0:44:06.000 --> 0:44:08.920
<v Speaker 1>of me, is a very gentleman. And if he killed someone,

0:44:09.800 --> 0:44:14.080
<v Speaker 1>there would be certain where it's like, I think that

0:44:15.800 --> 0:44:18.279
<v Speaker 1>the book make it. But if the book makes very

0:44:18.400 --> 0:44:21.520
<v Speaker 1>very clear that they don't. She doesn't know Max UM's

0:44:21.600 --> 0:44:26.120
<v Speaker 1>basically strange. That's sorry. And if if it was your

0:44:26.160 --> 0:44:29.359
<v Speaker 1>long term partner, okay, and they came back and they

0:44:29.360 --> 0:44:34.759
<v Speaker 1>were like, I murdered someone because they and because they

0:44:34.880 --> 0:44:37.840
<v Speaker 1>didn't laugh at my joke, I would be like, okay,

0:44:37.880 --> 0:44:43.640
<v Speaker 1>I have to I have to. Especially I think if

0:44:43.640 --> 0:44:47.040
<v Speaker 1>it was a stranger, if I would be and I've

0:44:47.160 --> 0:44:49.399
<v Speaker 1>known Jeremy, you know for a very long time, I'd

0:44:49.400 --> 0:44:52.319
<v Speaker 1>be like, all right, but let's figure this out. But

0:44:52.360 --> 0:44:56.120
<v Speaker 1>if he was like, so, you know my ex how

0:44:56.160 --> 0:44:59.799
<v Speaker 1>she died that was because of me, I'd be like,

0:45:00.000 --> 0:45:05.359
<v Speaker 1>all right, I'm so sorry. You're going to jail looking

0:45:05.440 --> 0:45:07.120
<v Speaker 1>up as you're saying you're going to turn them in.

0:45:07.440 --> 0:45:10.400
<v Speaker 1>You need to make them figure on their side, And

0:45:10.440 --> 0:45:16.160
<v Speaker 1>then I'm with you. I am, and the cops immediately

0:45:16.360 --> 0:45:17.920
<v Speaker 1>like I don't work with the tops. And I was

0:45:18.000 --> 0:45:23.359
<v Speaker 1>still called the top right, God, you're right, this man

0:45:23.480 --> 0:45:26.160
<v Speaker 1>is murdered. He might murder again. I do want to

0:45:26.160 --> 0:45:28.920
<v Speaker 1>say something, um. So we had all talked about sort

0:45:28.960 --> 0:45:30.360
<v Speaker 1>at the beginning of the book, and I would just

0:45:30.400 --> 0:45:32.560
<v Speaker 1>like to say that I think that it could have

0:45:32.600 --> 0:45:37.040
<v Speaker 1>benefited from another edit. Um. The beginning of chapter three

0:45:37.080 --> 0:45:38.640
<v Speaker 1>was where I was like, oh, this book should have

0:45:38.640 --> 0:45:40.680
<v Speaker 1>started here. Like, I didn't want it to start with

0:45:40.719 --> 0:45:43.239
<v Speaker 1>them in the hotel on the lamb, not on the lamb,

0:45:43.280 --> 0:45:45.400
<v Speaker 1>because nobody thinks that he did it, even though he

0:45:45.480 --> 0:45:49.400
<v Speaker 1>did it. But um, I wanted it to start with

0:45:49.480 --> 0:45:51.760
<v Speaker 1>the line I wonder what my life would be today

0:45:52.080 --> 0:45:54.480
<v Speaker 1>if Mrs van Hopper had not been a snob. I

0:45:54.520 --> 0:45:59.319
<v Speaker 1>think that that's such an engaging begin I love the

0:45:59.360 --> 0:46:02.120
<v Speaker 1>witness or it begins, first of all, because I think

0:46:02.160 --> 0:46:05.480
<v Speaker 1>the only two moments of real clarity that this narrators

0:46:05.800 --> 0:46:08.960
<v Speaker 1>has are in her dreams. That the first one is

0:46:08.960 --> 0:46:11.640
<v Speaker 1>about dreaming about returning to Manderley, and the second one

0:46:11.800 --> 0:46:14.680
<v Speaker 1>is in the last chapter where she dreams about Rebecca

0:46:14.840 --> 0:46:19.240
<v Speaker 1>coming through her dreams and Rebecca just destroying everything. Um.

0:46:19.360 --> 0:46:21.279
<v Speaker 1>And I think those are things that she can't think

0:46:21.320 --> 0:46:24.000
<v Speaker 1>about in her waking life, and that's really fascinating. And

0:46:24.040 --> 0:46:26.759
<v Speaker 1>I think the next chapter means that we all know

0:46:26.840 --> 0:46:30.160
<v Speaker 1>how this plays out, Like we're all just waiting to

0:46:30.200 --> 0:46:33.239
<v Speaker 1>see how they go from having this beautiful home in

0:46:33.360 --> 0:46:37.759
<v Speaker 1>Cornwall to living in city hotels. And she begins as

0:46:37.800 --> 0:46:41.879
<v Speaker 1>a paid companion to an older, unpleasant person, and now

0:46:42.000 --> 0:46:45.040
<v Speaker 1>she is a paid companion to an older unpleasant person again,

0:46:45.239 --> 0:46:49.280
<v Speaker 1>and it's her husband. And I think part of what

0:46:49.640 --> 0:46:53.000
<v Speaker 1>makes it such a mystery is how she gets back

0:46:53.040 --> 0:46:56.359
<v Speaker 1>to that place. I'm not a big fan at the end,

0:46:56.360 --> 0:46:58.440
<v Speaker 1>at the beginning most of the time. That's that's I

0:46:58.480 --> 0:47:01.080
<v Speaker 1>think that's a personal thing for me. Also hate very

0:47:01.160 --> 0:47:05.440
<v Speaker 1>vivid descriptions of Flora, and that's like a lot of

0:47:05.480 --> 0:47:07.840
<v Speaker 1>the first two chapters. I think we've talked about that before.

0:47:07.840 --> 0:47:09.520
<v Speaker 1>I'm like, I don't want to hear about plants. I

0:47:09.520 --> 0:47:12.640
<v Speaker 1>don't want to hear about there's a lot of flower talks.

0:47:12.640 --> 0:47:18.759
<v Speaker 1>We gotta we got to know all about the as Ailiens,

0:47:19.080 --> 0:47:22.440
<v Speaker 1>which are blood red at first but then afterward come

0:47:22.520 --> 0:47:32.000
<v Speaker 1>in blue. Yeah again, all her there. Yeah. I love

0:47:32.040 --> 0:47:40.080
<v Speaker 1>that You're I love Jennifer, that you're giving You're You're

0:47:40.120 --> 0:47:43.239
<v Speaker 1>the Danvers of this. I will say that that convicting

0:47:43.280 --> 0:47:47.120
<v Speaker 1>her to wear the costume that Rebecca Laura to her

0:47:47.200 --> 0:47:52.439
<v Speaker 1>last ball is a crazy, I mean, amazing prank move

0:47:52.560 --> 0:47:55.200
<v Speaker 1>like it's so it's evil genius, Like it is so

0:47:55.440 --> 0:47:58.840
<v Speaker 1>evil and and I just wanted. I was like shouting

0:47:58.920 --> 0:48:03.719
<v Speaker 1>in my like the trap don't do? Why why do

0:48:03.760 --> 0:48:08.719
<v Speaker 1>you trust me? I couldn't so so naive, but I

0:48:08.800 --> 0:48:11.960
<v Speaker 1>do look like I crom I agree. Sometimes I don't

0:48:12.000 --> 0:48:14.279
<v Speaker 1>like knowing the ending at the beginning, like I really

0:48:14.280 --> 0:48:17.000
<v Speaker 1>try to avoid spoilers and things, but I think that

0:48:17.320 --> 0:48:19.880
<v Speaker 1>to me the way, like every now and then she

0:48:19.920 --> 0:48:24.600
<v Speaker 1>would like drop in like, uh, you know, the first

0:48:24.640 --> 0:48:28.520
<v Speaker 1>and last my first and last fancy dress ball. Uh,

0:48:28.560 --> 0:48:32.239
<v Speaker 1>you know, just like little things of reminding you of

0:48:32.280 --> 0:48:35.279
<v Speaker 1>the dread. I feel like this book was so much

0:48:35.440 --> 0:48:38.720
<v Speaker 1>dread and I love that ship, and I think there's something.

0:48:39.200 --> 0:48:41.080
<v Speaker 1>If there wasn't that I would be like I don't

0:48:41.120 --> 0:48:44.480
<v Speaker 1>care about the rhododendrons, like I don't because I know

0:48:44.560 --> 0:48:47.120
<v Speaker 1>there's a body coming. I know there's gonna be a

0:48:47.160 --> 0:48:52.640
<v Speaker 1>body human being. When I'm reading something where I and

0:48:52.680 --> 0:48:55.280
<v Speaker 1>I think it's taking too long to get to the murder,

0:48:55.320 --> 0:48:59.560
<v Speaker 1>like I recently was reading Heather Wells Mystery series and

0:49:00.200 --> 0:49:03.319
<v Speaker 1>I think it's the fourth book. In it, you don't

0:49:03.360 --> 0:49:06.400
<v Speaker 1>get to the body until like page fifty, and I

0:49:06.480 --> 0:49:09.200
<v Speaker 1>kept texting people. I was like, I'm reading the next

0:49:09.200 --> 0:49:12.480
<v Speaker 1>Heather Wells book and there's no one dead yet, and

0:49:12.520 --> 0:49:15.600
<v Speaker 1>I'm just like, I'm on page fifteen. Where is the

0:49:15.719 --> 0:49:19.040
<v Speaker 1>dead body? Where it at? Give me the body? I

0:49:19.120 --> 0:49:21.560
<v Speaker 1>want the death, give me the murder. And I'm like,

0:49:21.600 --> 0:49:25.120
<v Speaker 1>it's a murder mystery, I want the murder. This is

0:49:25.160 --> 0:49:29.080
<v Speaker 1>a very atmospheric novel. It's like it's everything is in

0:49:29.160 --> 0:49:33.040
<v Speaker 1>subtle glances and the like arranging flowers and then like

0:49:33.400 --> 0:49:42.160
<v Speaker 1>what time is t again? Like little social conventions. That's

0:49:42.160 --> 0:49:44.520
<v Speaker 1>our show for the week. Thank you so much for listening.

0:49:44.680 --> 0:49:46.840
<v Speaker 1>I'm Danis Schwartz and you can find me on Twitter

0:49:46.920 --> 0:49:49.600
<v Speaker 1>at Danish Schwartz with three z s. You can follow

0:49:49.680 --> 0:49:53.320
<v Speaker 1>Jennifer Wright at jen Ashley Right, Karama down Qua is

0:49:53.360 --> 0:49:57.200
<v Speaker 1>at Karama Drama, Melissa Hunter is at Melissa f t

0:49:57.520 --> 0:50:00.200
<v Speaker 1>W and Tan Tran is smart enough to have and

0:50:00.239 --> 0:50:02.920
<v Speaker 1>off Twitter, but she is on Insta at Hank Tina.

0:50:03.160 --> 0:50:06.360
<v Speaker 1>Our executive producer is Christopher Hessiotis and we're produced and

0:50:06.480 --> 0:50:10.480
<v Speaker 1>edited by Mike John's Special thanks to David Wasserman. Next week,

0:50:10.600 --> 0:50:13.040
<v Speaker 1>after we make sure to print up a bunch of

0:50:13.320 --> 0:50:15.520
<v Speaker 1>give Me the Murder t shirts thank you for EMA,

0:50:15.800 --> 0:50:19.640
<v Speaker 1>we will continue our conversation about Rebecca before we jump

0:50:19.680 --> 0:50:22.600
<v Speaker 1>into the screen time portion of this book and do

0:50:22.719 --> 0:50:28.359
<v Speaker 1>the nineteen forties Alfred Hitchcock adaptation and then the Army

0:50:28.440 --> 0:50:33.359
<v Speaker 1>Hammer Lily James adaptation. Coming to Netflix. Popcorn book Club

0:50:33.400 --> 0:50:34.960
<v Speaker 1>is a production of I Heart Radio.