1 00:00:00,240 --> 00:00:03,800 Speaker 1: Hello the Internet, and welcome to season eight, episode two 2 00:00:03,920 --> 00:00:07,880 Speaker 1: of DAR Daily sight Geist. Y'all, apparently that's how you 3 00:00:07,920 --> 00:00:11,479 Speaker 1: actually said. Four November twenty eight, two thousand seventeen. My 4 00:00:11,520 --> 00:00:14,360 Speaker 1: name is Jack O'Brien, a k apple Jack's, and I'm 5 00:00:14,400 --> 00:00:17,279 Speaker 1: joined by my co host, Mr Miles Gray. That's right, 6 00:00:17,320 --> 00:00:21,560 Speaker 1: it's your boy arm In tan Serian principal spinner. Because 7 00:00:21,600 --> 00:00:26,520 Speaker 1: I'm nice with the fidgets, and we're thrilled to be 8 00:00:26,600 --> 00:00:29,840 Speaker 1: joined in our third seat by the hilarious improviser Edgar 9 00:00:29,920 --> 00:00:36,440 Speaker 1: mom plus here. That's right, that's a that's an early catride, 10 00:00:36,760 --> 00:00:38,519 Speaker 1: not even like the biggest fans of the show, no, 11 00:00:39,159 --> 00:00:42,560 Speaker 1: how early Oino boines. So guys, if we were really 12 00:00:42,640 --> 00:00:45,800 Speaker 1: released the lost tapes, you'll know, right the basement tapes, Zagger. 13 00:00:45,960 --> 00:00:49,199 Speaker 1: What's something from your search history that's revealing about who 14 00:00:49,240 --> 00:00:52,080 Speaker 1: you are? As evening, I searched Prince Charles Why will 15 00:00:52,120 --> 00:00:54,520 Speaker 1: he never be king? Because I remember someone told me 16 00:00:54,560 --> 00:00:56,840 Speaker 1: that Prince Charles was never gonna be king, But then 17 00:00:56,840 --> 00:00:58,720 Speaker 1: I googled it and that's not true. He could be 18 00:00:58,840 --> 00:01:02,280 Speaker 1: king this very people think that he's going to abdicate it, 19 00:01:03,080 --> 00:01:04,600 Speaker 1: like they think that he's not going to do it? 20 00:01:05,240 --> 00:01:07,120 Speaker 1: Why why would he do that just because he's like 21 00:01:07,160 --> 00:01:09,600 Speaker 1: he's just like old. Yeah, yeah, he's just old, and 22 00:01:09,640 --> 00:01:11,720 Speaker 1: he's like filled with so much controversy, and I think, 23 00:01:11,760 --> 00:01:14,480 Speaker 1: like everyone since he sucks because like cheat on Diana 24 00:01:14,560 --> 00:01:18,319 Speaker 1: and probably killed her. Depends on who you believe. I 25 00:01:18,319 --> 00:01:20,840 Speaker 1: think the Queen did it. Damn if we're going straight 26 00:01:20,880 --> 00:01:23,320 Speaker 1: off the tabloids, I mean, the tabloids always point to 27 00:01:23,360 --> 00:01:26,480 Speaker 1: finger at Elizabeth. I had a question if Queen Elizabeth 28 00:01:26,520 --> 00:01:28,680 Speaker 1: died within like the week, do you guys think that 29 00:01:28,720 --> 00:01:30,640 Speaker 1: it was because she couldn't handle that Prince Harry was 30 00:01:30,640 --> 00:01:33,320 Speaker 1: married a black woman. I don't know. I don't know, 31 00:01:33,400 --> 00:01:35,480 Speaker 1: Like if she died this week, could that be a reason. 32 00:01:35,600 --> 00:01:37,640 Speaker 1: I think she's bring a black person in here and 33 00:01:37,680 --> 00:01:39,880 Speaker 1: then she died. She's lived through a lot that would 34 00:01:39,920 --> 00:01:44,640 Speaker 1: that would be weird if she died this weird? Um. 35 00:01:45,640 --> 00:01:48,400 Speaker 1: What's something you think is overrated? Pixar movies? I think 36 00:01:48,480 --> 00:01:53,240 Speaker 1: Pixar movies hella overrated. Uh. I was just talking with 37 00:01:53,280 --> 00:01:55,560 Speaker 1: this with my girlfriend. I think that if Pixar made 38 00:01:55,600 --> 00:01:57,640 Speaker 1: a movie with like a black kid and he goes out, 39 00:01:57,680 --> 00:01:59,600 Speaker 1: he has a good day and he's just chilling with 40 00:01:59,600 --> 00:02:01,400 Speaker 1: his friend to them on the walk home, he gets shot. 41 00:02:01,600 --> 00:02:04,560 Speaker 1: Then I would respect Pixar movies, but a house on balloons, 42 00:02:05,160 --> 00:02:10,240 Speaker 1: I'm sorry, House of balloons the weekend, Yeah, the weekend, 43 00:02:10,480 --> 00:02:14,160 Speaker 1: the weekend Pixar man. That would be x raip not 44 00:02:14,240 --> 00:02:21,079 Speaker 1: for kids. Um, so Pixar movies just aren't. I think Station, Yeah, 45 00:02:21,160 --> 00:02:23,960 Speaker 1: I want to prove the Station of Pixar movie. I 46 00:02:24,000 --> 00:02:26,800 Speaker 1: think it's like it just seems like they're pandering now, Like, 47 00:02:26,840 --> 00:02:28,280 Speaker 1: I don't know if this might be fucked up a 48 00:02:28,320 --> 00:02:30,679 Speaker 1: lot of people think Coco's dope because like representation, but 49 00:02:30,840 --> 00:02:32,760 Speaker 1: just like, is it really or is it just like, Yo, 50 00:02:32,840 --> 00:02:34,480 Speaker 1: we're just gonna make one for y'all now because we've 51 00:02:34,480 --> 00:02:36,760 Speaker 1: already made a bunch of like what the motivations are? Yeah, 52 00:02:36,800 --> 00:02:38,760 Speaker 1: it just seems whack to me. It seems corny. Do 53 00:02:38,800 --> 00:02:41,680 Speaker 1: you like any animated movies? I do. What's your favorite 54 00:02:41,720 --> 00:02:45,120 Speaker 1: animated movie? Oh? Right now? Currently is this one I 55 00:02:45,160 --> 00:02:48,560 Speaker 1: saw from this French filmmaker called My or maybe it's 56 00:02:48,560 --> 00:02:52,040 Speaker 1: a Swiss filmmaker, My Life at Zucchini. It's about like 57 00:02:52,080 --> 00:02:54,280 Speaker 1: an orphanage of kids who've all gotten there for like 58 00:02:54,440 --> 00:02:57,120 Speaker 1: very fucked up reason. And they turned to Zucchini's no no, no. 59 00:02:57,240 --> 00:03:00,320 Speaker 1: One of them is called Zucchini. But he accidentally killed 60 00:03:00,400 --> 00:03:03,480 Speaker 1: his mother and he's sent to an orphanage and like 61 00:03:03,560 --> 00:03:06,000 Speaker 1: it's very sad, but it's like heartfelt, Like I like 62 00:03:06,040 --> 00:03:08,320 Speaker 1: those kinds are. This is like, once my son is 63 00:03:08,360 --> 00:03:10,920 Speaker 1: able to start watching movies, I I'm definitely gonna go 64 00:03:10,960 --> 00:03:13,760 Speaker 1: to you for recommendations because it sounds like it sounds 65 00:03:13,760 --> 00:03:20,760 Speaker 1: like you're good with the kids films. Hears um. What's 66 00:03:20,760 --> 00:03:24,480 Speaker 1: something you think is underrated roman from like restaurants, like 67 00:03:24,639 --> 00:03:31,040 Speaker 1: restaurant it's the most popular thing, right, I don't think 68 00:03:31,040 --> 00:03:33,760 Speaker 1: it's as popular as it should be. Like I've been 69 00:03:33,800 --> 00:03:36,800 Speaker 1: handling Robin spots lately. There's really there's one really dope 70 00:03:36,800 --> 00:03:39,920 Speaker 1: one by Garage Pizza and silver Lake, and I was like, ooh, 71 00:03:39,960 --> 00:03:43,360 Speaker 1: this is fucking tight. There's that one. There's another one 72 00:03:43,360 --> 00:03:46,520 Speaker 1: on Hollywood and Normany that's really dope and it's like cheap, 73 00:03:46,680 --> 00:03:49,880 Speaker 1: it's affordable, but it's fucking good. Yeah. So I think 74 00:03:50,040 --> 00:03:52,640 Speaker 1: people aren't respecting ramen Is. Like I think l A 75 00:03:52,760 --> 00:03:56,280 Speaker 1: it's probably properly rated, but across the country, I don't 76 00:03:56,320 --> 00:04:00,720 Speaker 1: think I think what is funny because even when we 77 00:04:00,720 --> 00:04:03,880 Speaker 1: went to Atlanta, we had ramen for lunch, Like ramen 78 00:04:04,000 --> 00:04:07,080 Speaker 1: was it was popular Atlanta, but Atlanta is definitely more metropolitan. 79 00:04:07,120 --> 00:04:09,040 Speaker 1: I mean, look, if it's if it's out in Knoxville, 80 00:04:09,080 --> 00:04:11,760 Speaker 1: if my Jap brethren have made it out to Knoxville, 81 00:04:11,920 --> 00:04:14,160 Speaker 1: you know what I mean, out there moving that noodle, 82 00:04:14,200 --> 00:04:18,159 Speaker 1: work making that tone baby who knows? But yeah it is. 83 00:04:18,320 --> 00:04:21,200 Speaker 1: It's funny only laugh because it's literally the most popular 84 00:04:21,240 --> 00:04:23,000 Speaker 1: food in l A right now. Every like it's like 85 00:04:23,160 --> 00:04:27,920 Speaker 1: it's like, that's like the most popular thing right now, 86 00:04:27,960 --> 00:04:32,039 Speaker 1: Like raw fish is like everyone's on. I don't ask 87 00:04:32,080 --> 00:04:34,720 Speaker 1: me how to pronounce anything. Apparently I was saying Betsy 88 00:04:34,880 --> 00:04:38,839 Speaker 1: Davos and I didn't want to correct you. Did you really? 89 00:04:39,640 --> 00:04:42,960 Speaker 1: M Yeah, yeah. My girlfriend asked me how to pronounce 90 00:04:43,080 --> 00:04:45,520 Speaker 1: beckel this morning, and I feel like that was very problematic. 91 00:04:45,880 --> 00:04:48,000 Speaker 1: Oh yeah, he didn't asked me. Yeah, she's like, how 92 00:04:48,000 --> 00:04:49,360 Speaker 1: do you pronounce this? And I said you should know 93 00:04:50,320 --> 00:04:55,040 Speaker 1: you well. I do think that this is like I 94 00:04:55,040 --> 00:04:57,520 Speaker 1: don't think anybody needs to feel bad about not being 95 00:04:57,560 --> 00:05:02,480 Speaker 1: able to pronounce things anymore, because we just read everything exactly. Yeah, 96 00:05:02,520 --> 00:05:04,400 Speaker 1: we don't even talk to each other. We just sit 97 00:05:04,440 --> 00:05:08,159 Speaker 1: across from each other in text, right, my fellow millennials. Uh, 98 00:05:08,320 --> 00:05:12,320 Speaker 1: that's right, non narc cop Alright, we're gonna go into 99 00:05:12,480 --> 00:05:14,760 Speaker 1: format here on the daily. I guess we're trying to 100 00:05:14,760 --> 00:05:16,280 Speaker 1: take a sample of the ideas that are out there 101 00:05:16,360 --> 00:05:18,839 Speaker 1: changing the world, whether you're looking or not. We talked 102 00:05:18,839 --> 00:05:21,440 Speaker 1: about politics and the president and news, but we also 103 00:05:21,480 --> 00:05:25,400 Speaker 1: talk about movies and supermarket tabloids. Uh. So Yeah, we're 104 00:05:25,400 --> 00:05:28,440 Speaker 1: trying to take the temperature of what is going on 105 00:05:28,520 --> 00:05:33,000 Speaker 1: in the national shared consciousness. And we like to start 106 00:05:33,040 --> 00:05:37,360 Speaker 1: off by asking our guests for a myth, something that 107 00:05:37,960 --> 00:05:43,000 Speaker 1: the national shared consciousness believes in that you know is 108 00:05:43,040 --> 00:05:46,600 Speaker 1: not true based on your personal life experience. Yeah, and 109 00:05:46,600 --> 00:05:53,120 Speaker 1: it's Will Smith is not blackie that and you believe 110 00:05:53,200 --> 00:05:56,359 Speaker 1: this based on my personal experience of what black people 111 00:05:56,480 --> 00:05:59,160 Speaker 1: look and act like. And Will Smith, why is he 112 00:05:59,240 --> 00:06:02,239 Speaker 1: always in movies with a Latina cast member? Huh? Because 113 00:06:02,279 --> 00:06:04,400 Speaker 1: he knows who he is and he knows and we've 114 00:06:04,440 --> 00:06:07,240 Speaker 1: pushed him into this black category, but he's not. Really, 115 00:06:07,560 --> 00:06:10,279 Speaker 1: it's not reluctance of studios to have two black leads 116 00:06:10,279 --> 00:06:14,400 Speaker 1: in the film. By having one black many will Smith comfortable. 117 00:06:15,240 --> 00:06:18,719 Speaker 1: But that isn'tteresting, like until it really really late in 118 00:06:18,800 --> 00:06:22,200 Speaker 1: the game, Like basically a couple of years ago, like 119 00:06:22,240 --> 00:06:24,960 Speaker 1: Hollywood studios still would not have a black man and 120 00:06:25,000 --> 00:06:28,279 Speaker 1: a white woman like kiss on camera. Like the Pelican 121 00:06:28,360 --> 00:06:31,760 Speaker 1: Brief they cast Denzel Washington, who was like the hottest 122 00:06:31,760 --> 00:06:34,360 Speaker 1: actor at the time, and Julia Roberts, the hottest actress 123 00:06:34,400 --> 00:06:36,680 Speaker 1: at the time, and then they refused to have them 124 00:06:36,760 --> 00:06:40,320 Speaker 1: kiss on camera. Actually, Denzel Washington is one who refused 125 00:06:40,360 --> 00:06:44,719 Speaker 1: to kiss Julia Roberts. Apparently, Denzel, according to a superproducer 126 00:06:44,760 --> 00:06:48,880 Speaker 1: Ana Jsnier, has like a personal code where he won't 127 00:06:49,400 --> 00:06:54,000 Speaker 1: kiss white women on camera because, uh, he doesn't want 128 00:06:54,000 --> 00:06:59,080 Speaker 1: to piss off black women. That's I think he's not 129 00:06:59,279 --> 00:07:03,559 Speaker 1: surprised by that, Like I guess woman would be angry women. 130 00:07:03,600 --> 00:07:05,840 Speaker 1: I mean, it is a it's a real force. So 131 00:07:05,920 --> 00:07:08,239 Speaker 1: I got texted on my phone all day about it 132 00:07:08,920 --> 00:07:10,960 Speaker 1: because because you tweeted a picture of you and your girl, 133 00:07:11,160 --> 00:07:13,760 Speaker 1: and they were like, who's this and I said, she's Latina, 134 00:07:13,840 --> 00:07:21,320 Speaker 1: It's okay, and no, it's not okay. Perry movie, the 135 00:07:21,360 --> 00:07:24,080 Speaker 1: man always leaves for a white woman. It's a consistent thing, 136 00:07:24,400 --> 00:07:31,160 Speaker 1: right in Tyler Perry movies. I've heard gold Digger. When 137 00:07:31,240 --> 00:07:34,560 Speaker 1: you get leave, you ask for a white girl. Apparently 138 00:07:34,640 --> 00:07:36,600 Speaker 1: if he plays a bad guy in a movie, that 139 00:07:36,640 --> 00:07:38,320 Speaker 1: bad guy has to die by the end of the 140 00:07:38,320 --> 00:07:41,080 Speaker 1: movie's code. I know, I love the da as a code. 141 00:07:41,200 --> 00:07:43,200 Speaker 1: I've heard of this code because my friend says that 142 00:07:43,240 --> 00:07:45,559 Speaker 1: he gets drunk on like he will only get drunk 143 00:07:45,600 --> 00:07:47,040 Speaker 1: on a boat in the middle of the ocean, and 144 00:07:47,040 --> 00:07:50,680 Speaker 1: he'll wait there until he gets sober. It's true, then 145 00:07:50,760 --> 00:07:54,040 Speaker 1: we come back. Washington doesn't drink on land like he 146 00:07:54,240 --> 00:07:56,120 Speaker 1: like when he's like chilling around people, he's like, no, 147 00:07:56,240 --> 00:07:58,240 Speaker 1: I'm good, I'll have a COPI soda. But when he 148 00:07:58,240 --> 00:08:00,600 Speaker 1: wants to get wasted, he'll go into the ocean and 149 00:08:00,640 --> 00:08:02,840 Speaker 1: he like, you know, it's like like a fucking werewolf. 150 00:08:02,920 --> 00:08:08,160 Speaker 1: It's like nautical alcoholism. Like its like to me, like 151 00:08:08,360 --> 00:08:10,800 Speaker 1: the world things like because I'm a danger to everybody 152 00:08:10,840 --> 00:08:13,360 Speaker 1: around it. The only way to say, say, you put 153 00:08:13,360 --> 00:08:15,040 Speaker 1: me on a boat in the middle of the sea 154 00:08:15,080 --> 00:08:18,520 Speaker 1: where I'm only harmed danger to myself and the boat. Right, Yeah, 155 00:08:18,560 --> 00:08:21,240 Speaker 1: that's like the most dangerous thing. And like like I 156 00:08:21,280 --> 00:08:23,960 Speaker 1: would never get drunk on a boat because I could 157 00:08:23,960 --> 00:08:28,400 Speaker 1: just see my ass like just falling over forward. He's 158 00:08:28,520 --> 00:08:33,880 Speaker 1: have to be chained up and shot a Hennessy go crazy. 159 00:08:33,960 --> 00:08:35,720 Speaker 1: I think Flight is like there's a little bit of 160 00:08:35,720 --> 00:08:37,640 Speaker 1: truth in it, where like Denzel doesn't know what it's 161 00:08:37,679 --> 00:08:41,160 Speaker 1: like to lose yourself and stuff. I have a whole 162 00:08:41,240 --> 00:08:44,520 Speaker 1: I have a whole thing written into Sun into somebody 163 00:08:44,520 --> 00:08:47,880 Speaker 1: else's article cracked about how when you look at movie 164 00:08:47,880 --> 00:08:51,160 Speaker 1: posters for Will Smith, he's looking directly at the camera, 165 00:08:51,280 --> 00:08:54,840 Speaker 1: like accept me, where the same, But when you look 166 00:08:54,840 --> 00:08:57,920 Speaker 1: at Denzel movie posters, he's like looking off to the side, 167 00:08:58,040 --> 00:09:00,920 Speaker 1: always to the same side. I think because he knows 168 00:09:00,960 --> 00:09:04,120 Speaker 1: like that. But yeah, he it's almost like he's he 169 00:09:04,280 --> 00:09:08,760 Speaker 1: recognizes that there's like racism there, whereas Will Smith is like, 170 00:09:08,920 --> 00:09:13,120 Speaker 1: come on, we're like, I'm o J right, yeah, I'm 171 00:09:13,120 --> 00:09:15,840 Speaker 1: not black will Smith. Yeah, I think that comparison is 172 00:09:15,840 --> 00:09:17,559 Speaker 1: so on point and it's gonna make black people mad. 173 00:09:17,600 --> 00:09:21,480 Speaker 1: But Will Smith doesn't care about black people's vocal. I'm 174 00:09:21,520 --> 00:09:24,320 Speaker 1: surprised at how for how intelligent he is that he's 175 00:09:24,400 --> 00:09:26,800 Speaker 1: not taking up more of like a mantle for the 176 00:09:26,880 --> 00:09:30,080 Speaker 1: cause of like because he's really going to the going 177 00:09:30,120 --> 00:09:34,440 Speaker 1: to the comments of the movie, was it focus where 178 00:09:34,480 --> 00:09:38,480 Speaker 1: Will Smith. The main love interest is Margot, Robbie and 179 00:09:38,760 --> 00:09:41,440 Speaker 1: Jesus christ Man. The comments on that trailer when that 180 00:09:41,480 --> 00:09:45,199 Speaker 1: first came out were like insane. He the most racist 181 00:09:45,200 --> 00:09:47,520 Speaker 1: shit ever. Man. He did more than kiss her on 182 00:09:47,559 --> 00:09:50,160 Speaker 1: that movie too. That is is that the onehere? They're 183 00:09:50,160 --> 00:09:53,280 Speaker 1: both scheming, Yeah, they each other. Yeah, yeah, yeah, it's 184 00:09:53,320 --> 00:09:59,800 Speaker 1: like Magic Man except Nicholas Cages having sex with his daughter. Man. Yes, 185 00:10:01,280 --> 00:10:03,680 Speaker 1: thanks for putting that in my head. So we're gonna 186 00:10:03,720 --> 00:10:06,640 Speaker 1: get into the stories that are going on right now. 187 00:10:06,840 --> 00:10:10,920 Speaker 1: And the Grammys were announced, you guys, Yeah, yeah, it's 188 00:10:10,920 --> 00:10:14,920 Speaker 1: a it's a big year for the first time ever. Uh. 189 00:10:15,320 --> 00:10:19,560 Speaker 1: The award for Album of the Year has no white 190 00:10:19,559 --> 00:10:25,559 Speaker 1: men nominated, um which, as our project manager Sophie Lickerman said, 191 00:10:25,559 --> 00:10:27,920 Speaker 1: they'll still probably give it to Beck but it's still 192 00:10:28,360 --> 00:10:32,240 Speaker 1: it's still a cool. Yeah. The albums that are nominated 193 00:10:32,280 --> 00:10:34,680 Speaker 1: Awaken My Love by Childish Gambing, an amazing album for 194 00:10:34,840 --> 00:10:37,240 Speaker 1: forty four jay Z not his best album, but his 195 00:10:37,320 --> 00:10:39,600 Speaker 1: best as we were talking earlier, best latter day jay 196 00:10:39,679 --> 00:10:42,760 Speaker 1: Z album, like most Black album album, Uh Damn by 197 00:10:42,840 --> 00:10:46,960 Speaker 1: Kendrick Lamar of course, Melodrama by Lord. Haven't heard much 198 00:10:47,040 --> 00:10:51,120 Speaker 1: of that album and then Bruno Mars twenty four Carrott Magic, right, 199 00:10:51,160 --> 00:10:55,079 Speaker 1: so they'll give it to Lord obviously. Anyway, what are 200 00:10:55,120 --> 00:11:01,080 Speaker 1: the songs good from the Lord album's? Yeah? Yeah, yeah 201 00:11:01,160 --> 00:11:03,319 Speaker 1: that one? What's that? How do that go? I don't know. 202 00:11:03,960 --> 00:11:05,719 Speaker 1: I just know that that's like on the radio. I'm 203 00:11:05,760 --> 00:11:08,679 Speaker 1: just assuming because they gave Adele the problem of the 204 00:11:08,720 --> 00:11:12,000 Speaker 1: year over. I've never I'm not of a room harder 205 00:11:12,040 --> 00:11:13,920 Speaker 1: than when that should happen. And by room you mean 206 00:11:14,000 --> 00:11:16,880 Speaker 1: like the living room you were watching now I said 207 00:11:16,960 --> 00:11:21,360 Speaker 1: that I was there at the credit, not now. Um, 208 00:11:21,400 --> 00:11:23,000 Speaker 1: but I don't know. I don't know of those albums. 209 00:11:23,080 --> 00:11:24,720 Speaker 1: What do you do? You do? Any of you? What's 210 00:11:24,720 --> 00:11:27,439 Speaker 1: your favorite of those albums on there? To win or 211 00:11:27,559 --> 00:11:31,360 Speaker 1: my personally not not taking out the politics of the Graham, 212 00:11:31,400 --> 00:11:33,240 Speaker 1: he's like My Love Wake and My Love would be 213 00:11:33,280 --> 00:11:36,600 Speaker 1: my favorite. But to win, I think twenty four Carrot 214 00:11:36,600 --> 00:11:39,040 Speaker 1: Magic is gonna win. Man, it's the most pop out 215 00:11:39,040 --> 00:11:41,680 Speaker 1: of all those albums, that's the most commercially successful. I 216 00:11:41,720 --> 00:11:44,839 Speaker 1: think I think twenty four Carrot Magic is gonna win, 217 00:11:44,960 --> 00:11:47,439 Speaker 1: and a dark horse is Damn. I think Damn will win, 218 00:11:47,520 --> 00:11:50,280 Speaker 1: and I think Damn should win. I think Damn will probably, 219 00:11:50,360 --> 00:11:52,640 Speaker 1: I think I don't know. Twenty four Carrot has like 220 00:11:52,679 --> 00:11:55,040 Speaker 1: that wild, like that safe appeal or it's like, look 221 00:11:55,200 --> 00:11:58,439 Speaker 1: he's not white and also we like this, so then 222 00:11:58,480 --> 00:12:01,440 Speaker 1: everybody win with this one. Yeah, But also to me, 223 00:12:01,480 --> 00:12:03,760 Speaker 1: Awakened my Love was the album that I listened to 224 00:12:03,840 --> 00:12:06,280 Speaker 1: that like, I actually like screamed like as I was 225 00:12:06,360 --> 00:12:09,560 Speaker 1: listening to it, because I was so that he made 226 00:12:09,559 --> 00:12:14,600 Speaker 1: like a psych funk album in two thousand sixteen, only unexpected. Yeah, 227 00:12:14,640 --> 00:12:17,120 Speaker 1: and does it really well? Like it doesn't feel forced 228 00:12:17,480 --> 00:12:20,520 Speaker 1: or anything. I mean yes, people were so upset when 229 00:12:20,520 --> 00:12:22,560 Speaker 1: that album dropped though. Yeah, a lot of people were 230 00:12:22,640 --> 00:12:24,600 Speaker 1: like what the fund is this right? Because they wanted 231 00:12:24,640 --> 00:12:28,160 Speaker 1: the Gambino rappers. Dude, he's an artist, you know, this 232 00:12:28,200 --> 00:12:30,120 Speaker 1: is what this is. This is the album he decided 233 00:12:30,160 --> 00:12:31,679 Speaker 1: to make maybe next year that you would like a 234 00:12:32,000 --> 00:12:34,199 Speaker 1: rap out. Don't every needs to work harder? Man, He's 235 00:12:34,200 --> 00:12:38,559 Speaker 1: not doing enough enough out there? Uh he might? He 236 00:12:39,160 --> 00:12:41,880 Speaker 1: like has the potential to win a he got like 237 00:12:41,920 --> 00:12:45,520 Speaker 1: in a single year, just like he really does. And 238 00:12:45,559 --> 00:12:51,120 Speaker 1: the egot is for listeners any Grammy Oscar Tony, That's 239 00:12:51,160 --> 00:12:52,760 Speaker 1: the one that I'm not convinced that he could win 240 00:12:52,840 --> 00:12:55,160 Speaker 1: as Tony that's the only one on this side if 241 00:12:55,160 --> 00:12:59,640 Speaker 1: he wrote a play Okay, Lynn Manuel like called a 242 00:12:59,760 --> 00:13:05,439 Speaker 1: t Yeah. Uh so yeah, I don't know that this 243 00:13:05,520 --> 00:13:08,440 Speaker 1: is a big deal because the Grammys, I don't know 244 00:13:08,480 --> 00:13:11,920 Speaker 1: they have a history. Like I almost never pay attention 245 00:13:11,960 --> 00:13:13,920 Speaker 1: to the Grammys. Even when I got the news alert 246 00:13:14,000 --> 00:13:18,240 Speaker 1: this morning, I was just like ignore because these are 247 00:13:18,320 --> 00:13:22,199 Speaker 1: some things on the Grammys resume. So for Best Rock Song, uh, 248 00:13:22,280 --> 00:13:25,480 Speaker 1: the year that never Mind came out, they gave it 249 00:13:25,559 --> 00:13:28,640 Speaker 1: to instead of smells like teen Spirit, they gave it 250 00:13:28,679 --> 00:13:33,120 Speaker 1: to Eric Clapton's unplugged version of Layla. Uh. In two 251 00:13:33,160 --> 00:13:37,680 Speaker 1: thousand that kid A and Marshall Mathers LP came out, 252 00:13:37,760 --> 00:13:41,640 Speaker 1: they gave it to a Steely dan album, which Steely 253 00:13:41,679 --> 00:13:44,560 Speaker 1: Dan is has made some great music. But I don't 254 00:13:44,600 --> 00:13:47,120 Speaker 1: think they're two thousand their their record they came out 255 00:13:47,120 --> 00:13:50,320 Speaker 1: in two thousand is like what people remember that year for. 256 00:13:50,840 --> 00:13:53,960 Speaker 1: And in nineteen sixty six, the year that eleanor Rigby 257 00:13:54,080 --> 00:13:58,079 Speaker 1: and Good Vibrations came out, Uh, they gave it to 258 00:13:59,040 --> 00:14:02,960 Speaker 1: uh winch Ester Cathedral. What is that like? A church group? 259 00:14:03,040 --> 00:14:04,920 Speaker 1: Come at me on Twitter? But I think that one 260 00:14:05,000 --> 00:14:08,360 Speaker 1: was right, you like Winchester Cathedral. I just think that 261 00:14:08,640 --> 00:14:13,640 Speaker 1: good vibrations in eleanor Rigby are wax Man alright, man, listen, 262 00:14:13,679 --> 00:14:18,400 Speaker 1: beach Boys and the Beatles our ass. I'm so sorry. 263 00:14:20,440 --> 00:14:23,720 Speaker 1: So Winchester Cathedral is a song by the New Vaudeville 264 00:14:23,720 --> 00:14:27,800 Speaker 1: band Everybody. I'll take that, I take that back. Check 265 00:14:27,840 --> 00:14:33,760 Speaker 1: that out on the up break piano and like spoons 266 00:14:33,760 --> 00:14:42,440 Speaker 1: funny Chester um blacket black. Actually, the thing that you 267 00:14:42,600 --> 00:14:46,680 Speaker 1: just made up right there is probably better. Damn where's 268 00:14:46,680 --> 00:14:51,040 Speaker 1: that man man um? So yeah, it'll be interesting to 269 00:14:51,080 --> 00:14:53,400 Speaker 1: see how they managed to sunk this up. One of 270 00:14:53,400 --> 00:14:55,840 Speaker 1: my favorite Best New Artist wins was Boni Vera over 271 00:14:56,000 --> 00:14:58,600 Speaker 1: Frank Ocean because everyone kept tweating, all these black people 272 00:14:58,640 --> 00:15:06,160 Speaker 1: kept tweating whose bodybear? Um? That was over what Orange 273 00:15:06,240 --> 00:15:08,840 Speaker 1: Channel Orange? It was for best new artists, So he 274 00:15:08,360 --> 00:15:12,760 Speaker 1: just one but those It was a versus Channel Orange. 275 00:15:13,480 --> 00:15:16,600 Speaker 1: Great album, both amazing albums. Yeah yeah, yeah, but I 276 00:15:16,880 --> 00:15:21,760 Speaker 1: have man Channel. All right, we're gonna take a quick 277 00:15:21,800 --> 00:15:33,880 Speaker 1: break and we'll be right back. And we're back. So 278 00:15:33,960 --> 00:15:39,480 Speaker 1: we wanted to talk about this big Veritas staying. Uh 279 00:15:39,840 --> 00:15:44,080 Speaker 1: so this dude James O'Keefe, who is um not really 280 00:15:44,120 --> 00:15:48,760 Speaker 1: a journalist. He's more like he is to journalism. What 281 00:15:48,840 --> 00:15:53,720 Speaker 1: those YouTube prank videos are too comedy journalism. I guess 282 00:15:54,560 --> 00:15:57,000 Speaker 1: he's just like a YouTube prank video guys, like what 283 00:15:57,160 --> 00:16:00,640 Speaker 1: Viners are at a comedy right. Yeah, that would have 284 00:16:00,680 --> 00:16:04,040 Speaker 1: been a bit a version. My analogy was not well constructed. 285 00:16:04,040 --> 00:16:05,680 Speaker 1: But that was off top man, and I was I've 286 00:16:05,720 --> 00:16:10,200 Speaker 1: been thinking about it, and uh so what happened Miles? 287 00:16:10,200 --> 00:16:12,720 Speaker 1: You were telling us about this, he tended staying like 288 00:16:12,760 --> 00:16:15,200 Speaker 1: two weeks yo, Okay, Yes, So this guy, James O'Keefe, 289 00:16:15,280 --> 00:16:18,520 Speaker 1: he has this organization called Project Veritas, where their their 290 00:16:18,560 --> 00:16:23,600 Speaker 1: whole thing is to infiltrate liberal groups, media groups, nonprofit 291 00:16:23,680 --> 00:16:28,760 Speaker 1: organizations and try and like do undercover video ship. Yeah, 292 00:16:28,800 --> 00:16:32,560 Speaker 1: and then selectively edit it so to make the organization 293 00:16:32,680 --> 00:16:35,880 Speaker 1: or or entity look as terrible as possible. And it's 294 00:16:35,920 --> 00:16:39,200 Speaker 1: never he's never actually dug up real ship. He's always 295 00:16:39,200 --> 00:16:41,440 Speaker 1: just found sound bites he's able to piece together and 296 00:16:41,440 --> 00:16:43,400 Speaker 1: then be like, oh, look at the New York Times. 297 00:16:43,440 --> 00:16:45,640 Speaker 1: They're in line with James Comey, which is a whole 298 00:16:45,640 --> 00:16:48,600 Speaker 1: other story I can get into later. Because a personal 299 00:16:48,640 --> 00:16:50,560 Speaker 1: friend of mine was caught up in one of James 300 00:16:50,600 --> 00:16:53,240 Speaker 1: O'Keeffe's stings. But anyway, it sounds like this is a 301 00:16:53,280 --> 00:16:57,120 Speaker 1: personal thing to me. Yeah, maybe your seat bolts man, 302 00:16:57,160 --> 00:16:59,080 Speaker 1: because I'm about to air this dude out, so he 303 00:16:59,680 --> 00:17:03,720 Speaker 1: based sickly. The Washington Post broke the most damning Roy 304 00:17:03,760 --> 00:17:07,520 Speaker 1: Moore stories about his you know, alleged pedophilia and sexual assault. 305 00:17:08,040 --> 00:17:11,240 Speaker 1: Um and for the longest time, like we've seen things 306 00:17:11,240 --> 00:17:13,240 Speaker 1: come out that people have been trying to discredit the 307 00:17:13,240 --> 00:17:15,199 Speaker 1: Washington Post. Like there was someone on Twitter who was like, 308 00:17:15,280 --> 00:17:18,280 Speaker 1: my wife was approached and offered a thousand dollars to 309 00:17:18,320 --> 00:17:20,760 Speaker 1: make a false accusation against Roy Moore. And then we 310 00:17:20,960 --> 00:17:22,920 Speaker 1: covered this a couple of weeks ago. There's a really 311 00:17:22,960 --> 00:17:26,080 Speaker 1: bizarre robo call that went into Alabama with like the 312 00:17:26,119 --> 00:17:29,720 Speaker 1: most offensive version of a Jewish guy named Bernie Bernstein 313 00:17:31,040 --> 00:17:34,640 Speaker 1: Bernstein from the Washington Post and I'll give you moneys 314 00:17:34,720 --> 00:17:37,520 Speaker 1: if you lie about Roy Moore. And I'm even doing 315 00:17:37,560 --> 00:17:39,680 Speaker 1: a better version because this guy who was acting couldn't 316 00:17:39,720 --> 00:17:42,480 Speaker 1: even do like a real New York accent. Also, they 317 00:17:42,520 --> 00:17:48,960 Speaker 1: came with the name Bernie, so next level. So this 318 00:17:49,040 --> 00:17:52,840 Speaker 1: is like, so we don't know if those are exactly 319 00:17:53,359 --> 00:17:56,200 Speaker 1: writing exactly that is like they do not put a 320 00:17:56,280 --> 00:17:58,800 Speaker 1: lot of thought into fake names. As we will find out. 321 00:17:59,200 --> 00:18:02,080 Speaker 1: It's like my name is Andy Hanukkah, Like you know, 322 00:18:02,119 --> 00:18:06,000 Speaker 1: it's like what the fuck, Like, okay, sure, so we 323 00:18:06,040 --> 00:18:08,040 Speaker 1: don't know these things are connected, yeah, but we do 324 00:18:08,160 --> 00:18:10,600 Speaker 1: know that there is a push clearly to discredit the 325 00:18:10,600 --> 00:18:13,440 Speaker 1: Washington Post and make Roy Moore look better. Um So 326 00:18:13,480 --> 00:18:18,200 Speaker 1: the latest fuckory from Project Veritas was he basically sent 327 00:18:18,280 --> 00:18:20,720 Speaker 1: in a woman to lie about the fact that she 328 00:18:20,840 --> 00:18:23,359 Speaker 1: had hooked up with Roy Moore and than early nineties 329 00:18:23,400 --> 00:18:25,840 Speaker 1: as a teenager and they were having sexual relationship and 330 00:18:25,840 --> 00:18:28,080 Speaker 1: he made her get an abortion, and so she wanted 331 00:18:28,080 --> 00:18:30,399 Speaker 1: to come out and break that story with the Washington Post. 332 00:18:30,680 --> 00:18:33,360 Speaker 1: And that's like the false pretense that this woman who 333 00:18:33,400 --> 00:18:36,720 Speaker 1: works with Project Veritas under James O'Keefe was sent to do. 334 00:18:37,280 --> 00:18:41,720 Speaker 1: And her you know, her whole story was like you know, obviously, 335 00:18:42,000 --> 00:18:44,359 Speaker 1: if if true, like would have been a bombshell on 336 00:18:44,480 --> 00:18:47,240 Speaker 1: the thing. Um, but she kind of like rubbed the 337 00:18:47,240 --> 00:18:49,200 Speaker 1: Washington Post people the wrong way because like she was 338 00:18:49,240 --> 00:18:51,440 Speaker 1: really adamant. Every time she's talking to she's like, well, 339 00:18:51,760 --> 00:18:54,080 Speaker 1: you guys will do everything, this will end Roy more, right, 340 00:18:54,080 --> 00:18:56,040 Speaker 1: Like I want him out of the race, and being 341 00:18:56,320 --> 00:19:01,879 Speaker 1: very transparent, especially what James o'keith thinks the Washington Post 342 00:19:01,920 --> 00:19:04,359 Speaker 1: would be intil they think, like I think he was 343 00:19:04,400 --> 00:19:06,240 Speaker 1: hoping she would say something like this, will you know 344 00:19:06,280 --> 00:19:08,840 Speaker 1: this will end him? Right? And I think the sexiest 345 00:19:09,160 --> 00:19:11,160 Speaker 1: sound bite he was hoping for was like, yes, because 346 00:19:11,160 --> 00:19:13,639 Speaker 1: it is our mission as a Washington Post to smear 347 00:19:13,760 --> 00:19:15,840 Speaker 1: Roy more in anyway, even if it is a dubious 348 00:19:16,080 --> 00:19:19,520 Speaker 1: accusation or whatever. So but push comes to shove. He 349 00:19:19,560 --> 00:19:22,400 Speaker 1: doesn't realize that the Washington Posts are actual journalis, right, 350 00:19:22,480 --> 00:19:25,520 Speaker 1: So they don't. Yeah, they don't know what actual journalism is. 351 00:19:25,560 --> 00:19:29,000 Speaker 1: So they aren't prepared for this because they think it's checking. 352 00:19:29,119 --> 00:19:31,119 Speaker 1: They think it's easy as going, Hey, a fake robot 353 00:19:31,119 --> 00:19:33,879 Speaker 1: called Bernie Burnstein. Again, not that they're connected, but the thought, 354 00:19:34,160 --> 00:19:36,879 Speaker 1: the the logic being applied by people trying to describe 355 00:19:36,920 --> 00:19:39,959 Speaker 1: the Washington Post like it's that easy, like just tell him. 356 00:19:40,480 --> 00:19:43,600 Speaker 1: And so it's very dangerous because a what in in 357 00:19:43,720 --> 00:19:47,840 Speaker 1: doing so, you're also trying to invalidate credible victims of 358 00:19:47,840 --> 00:19:50,920 Speaker 1: sexual assault, which is like are on its service completely 359 00:19:50,960 --> 00:19:54,600 Speaker 1: fucked up and deranged anyway? But also this guy, he 360 00:19:54,840 --> 00:19:57,480 Speaker 1: is the worst at actually digging any kind of real 361 00:19:57,560 --> 00:20:00,280 Speaker 1: story up, Like he has a pattern of failure we'll 362 00:20:00,280 --> 00:20:04,399 Speaker 1: get into later. So cut to this Washington Post journalist. 363 00:20:05,240 --> 00:20:09,600 Speaker 1: She meets with this woman who calls herself Jamie Phillips, 364 00:20:09,640 --> 00:20:13,240 Speaker 1: who is the accuser. But what this, what this woman 365 00:20:13,280 --> 00:20:15,800 Speaker 1: doesn't realize is that this woman, this other journalists from 366 00:20:15,800 --> 00:20:19,000 Speaker 1: the Post, she came with fucking receipts, Like she didn't 367 00:20:19,040 --> 00:20:20,520 Speaker 1: just go to be like, yeah, let's hear more about 368 00:20:20,520 --> 00:20:22,439 Speaker 1: your story. They're like, hold up, Like in the process 369 00:20:22,480 --> 00:20:24,919 Speaker 1: of talking to someone like, hold on, we found some stuff. 370 00:20:25,080 --> 00:20:27,160 Speaker 1: We found a go fund me page where she was like, Hey, 371 00:20:27,200 --> 00:20:28,639 Speaker 1: I need money to go to New York so I 372 00:20:28,640 --> 00:20:31,840 Speaker 1: can work for the Daily Caller as like a investigative 373 00:20:31,880 --> 00:20:34,879 Speaker 1: journalists to bring down the liberal mainstream media. It is 374 00:20:35,040 --> 00:20:37,479 Speaker 1: literally on her go funding page with her name on it. 375 00:20:38,040 --> 00:20:40,840 Speaker 1: So they're like, okay, this is already weird. They did 376 00:20:40,960 --> 00:20:43,480 Speaker 1: they looked into her, like where she said she worked 377 00:20:43,480 --> 00:20:46,760 Speaker 1: and these other things, and nothing added up. So basically, 378 00:20:46,840 --> 00:20:50,000 Speaker 1: the Washington Post they decided to turn the tables and 379 00:20:50,000 --> 00:20:52,120 Speaker 1: they're like, you know what, let's set up some cameras. 380 00:20:52,320 --> 00:20:55,359 Speaker 1: Let's where Mike. Yeah, because this is what they This 381 00:20:55,400 --> 00:20:59,080 Speaker 1: is what James O'Keeffe project Veritas does to other like, uh, 382 00:20:59,320 --> 00:21:02,040 Speaker 1: news outlets. They're like, you know what, let's turn the 383 00:21:02,080 --> 00:21:04,240 Speaker 1: tables up. So we're about to play the clip, which 384 00:21:04,280 --> 00:21:06,399 Speaker 1: is like this whole interaction with the Washington Post and 385 00:21:06,440 --> 00:21:09,960 Speaker 1: this mole Jamie Phillips really comes to a head um 386 00:21:10,000 --> 00:21:12,639 Speaker 1: and this is right off the heels of the Washington 387 00:21:12,680 --> 00:21:17,080 Speaker 1: Post reporter sliding a like a screen grab of the 388 00:21:17,160 --> 00:21:18,960 Speaker 1: go fund me page and be like, so you want 389 00:21:18,960 --> 00:21:23,040 Speaker 1: to work for conservative undercover guts to journalism. She's like, no, no, 390 00:21:23,560 --> 00:21:25,800 Speaker 1: And she's like, well, who did you interview with over there? 391 00:21:25,920 --> 00:21:28,760 Speaker 1: And she begins to try and explain who she's interviewing with, 392 00:21:28,920 --> 00:21:31,520 Speaker 1: and she comes up with a very generic name. And 393 00:21:31,520 --> 00:21:34,320 Speaker 1: this is the taking place in a public restaurant, which 394 00:21:34,320 --> 00:21:36,080 Speaker 1: is why it's so loud. Like the woman was like, 395 00:21:36,119 --> 00:21:39,240 Speaker 1: I want to meet you, Uh, the person who originally 396 00:21:39,320 --> 00:21:42,359 Speaker 1: reported on Roy Moore in a public restaurant, and the 397 00:21:42,400 --> 00:21:48,040 Speaker 1: Washington Post shows up having actually fact checked her background, okay, 398 00:21:48,520 --> 00:21:50,439 Speaker 1: and uh, and so who was the person that you 399 00:21:50,520 --> 00:21:57,040 Speaker 1: interviewed with? It was a lady needed what was her 400 00:21:57,119 --> 00:22:00,920 Speaker 1: last name? Johnson? Kathy Johnson Kathy Johnson and where was 401 00:22:00,960 --> 00:22:05,800 Speaker 1: it in New York area? Uh? Huh. But I don't 402 00:22:05,960 --> 00:22:09,560 Speaker 1: know why we are ruined into all this. Well I 403 00:22:09,720 --> 00:22:14,560 Speaker 1: haven't even agreed to go through with the story. Yes, yeah, 404 00:22:15,320 --> 00:22:20,240 Speaker 1: Well since you you know, since you contacted us, um, uh, 405 00:22:20,280 --> 00:22:22,919 Speaker 1: you you reached out to us, you know, we you know, 406 00:22:22,960 --> 00:22:25,119 Speaker 1: went ahead and did some background checking, you know what 407 00:22:25,160 --> 00:22:26,760 Speaker 1: I mean on on some of the things that you 408 00:22:26,800 --> 00:22:30,800 Speaker 1: had told Beth about your story, and so this came up. 409 00:22:31,000 --> 00:22:33,200 Speaker 1: And so I just want to understand what that's about 410 00:22:33,240 --> 00:22:35,160 Speaker 1: and why you would want to work for The Daily Caller. 411 00:22:35,320 --> 00:22:38,320 Speaker 1: And I'm also you know, frankly want to know if 412 00:22:38,359 --> 00:22:42,600 Speaker 1: you're who you might be working for now I work, 413 00:22:43,320 --> 00:22:46,919 Speaker 1: I still do morgag work. Well, it's a little bit 414 00:22:46,960 --> 00:22:48,880 Speaker 1: of an issue there, and you know, I just want 415 00:22:48,880 --> 00:22:51,560 Speaker 1: to ask you to explain it because when we called 416 00:22:51,600 --> 00:22:54,560 Speaker 1: the company that you've said that you worked for, um, 417 00:22:54,640 --> 00:22:56,920 Speaker 1: they said they didn't have that you didn't work there. 418 00:22:57,000 --> 00:22:59,600 Speaker 1: So if you're not working for that mortgage company where 419 00:22:59,640 --> 00:23:05,560 Speaker 1: you work, you had a friend, Brandy a brand Maverick 420 00:23:06,040 --> 00:23:10,760 Speaker 1: and where is that? And um it was out of Atlanta. 421 00:23:11,160 --> 00:23:15,119 Speaker 1: It was out of Atlanta. So did your do you 422 00:23:15,160 --> 00:23:18,560 Speaker 1: still have an interest and as this says, combating the 423 00:23:18,600 --> 00:23:20,840 Speaker 1: wise in the state of the liberal m s M, 424 00:23:21,119 --> 00:23:24,399 Speaker 1: you still have an interest in and working in the 425 00:23:24,480 --> 00:23:28,440 Speaker 1: conservative media movement to combat the wise in the seat 426 00:23:28,440 --> 00:23:31,119 Speaker 1: of the liberal m s M. Is that is that 427 00:23:31,280 --> 00:23:37,159 Speaker 1: still your interest? Really? Yeah? At this point No, not 428 00:23:37,320 --> 00:23:45,120 Speaker 1: at this point U Ktherine h what's your last name? Johnson? Okay? Um. 429 00:23:45,200 --> 00:23:48,160 Speaker 1: It's as funny too as it goes on. The woman 430 00:23:48,200 --> 00:23:50,040 Speaker 1: who's trying to push the fake story then goes like, 431 00:23:50,160 --> 00:23:53,840 Speaker 1: you know, can we just cancel this? Like it's like, 432 00:23:54,160 --> 00:23:56,760 Speaker 1: this is not a Columbia house get twelve CDs for 433 00:23:56,800 --> 00:23:58,720 Speaker 1: a penny type of breement. Here, We're like, hey, can 434 00:23:58,760 --> 00:24:02,960 Speaker 1: I cancel this? It's like you open Pandora's box, my lady. 435 00:24:03,240 --> 00:24:08,119 Speaker 1: I mean, they're putting resources into, like, you know, your story, 436 00:24:08,240 --> 00:24:10,840 Speaker 1: checking your story, so it's not your right to be 437 00:24:10,920 --> 00:24:14,520 Speaker 1: like never mind kimming. Which is odd because in his 438 00:24:14,960 --> 00:24:17,959 Speaker 1: most desperate attempts to show that the Washington Post is 439 00:24:18,000 --> 00:24:21,640 Speaker 1: like a half asked journalistic operation where they just they'll 440 00:24:21,640 --> 00:24:25,000 Speaker 1: take hearsay and publish it, he basically just proved that 441 00:24:25,040 --> 00:24:27,520 Speaker 1: they're on their ship and there's no way that you 442 00:24:27,520 --> 00:24:30,080 Speaker 1: could come in there like and not be completely fact 443 00:24:30,160 --> 00:24:32,400 Speaker 1: checked and verified that like what they're going to print 444 00:24:32,520 --> 00:24:35,600 Speaker 1: has some kind of validity to their news organization. Right, 445 00:24:35,640 --> 00:24:37,639 Speaker 1: they're not. They're not a guy with a YouTube channel. 446 00:24:37,720 --> 00:24:39,480 Speaker 1: I think if he had just put that lady what 447 00:24:39,560 --> 00:24:43,119 Speaker 1: was her name, Jamie Phillips through just like one acting class, 448 00:24:43,160 --> 00:24:45,479 Speaker 1: like just anything, like maybe just a stand up class, 449 00:24:45,600 --> 00:24:47,080 Speaker 1: she could have came in there with so much more 450 00:24:47,119 --> 00:24:49,040 Speaker 1: confidence because you could hear it in her voice that 451 00:24:49,160 --> 00:24:52,480 Speaker 1: she had never spoken out loud, you know the internet. 452 00:24:52,520 --> 00:24:58,159 Speaker 1: Like she was like yes, like it was so quiet 453 00:24:58,200 --> 00:25:00,320 Speaker 1: and gentle, was like she was not to be on 454 00:25:00,520 --> 00:25:03,679 Speaker 1: camera and ready to come in there and like just 455 00:25:04,000 --> 00:25:07,840 Speaker 1: give her like lies. And then when the woman came 456 00:25:07,880 --> 00:25:11,280 Speaker 1: at her with when the actual journalist asked her to 457 00:25:11,880 --> 00:25:14,800 Speaker 1: ask her details about her story. Yeah, who was the Yeah, 458 00:25:14,800 --> 00:25:17,120 Speaker 1: the woman that you were hearing, that's Stephanie mccrumbon, who 459 00:25:17,160 --> 00:25:20,200 Speaker 1: works who also helped work on the Roy Moore piece. 460 00:25:21,040 --> 00:25:23,080 Speaker 1: So I mean shout out to Stephanie or crumbon too, 461 00:25:23,080 --> 00:25:26,119 Speaker 1: because she if you watch the video, she is so mad. 462 00:25:26,280 --> 00:25:29,520 Speaker 1: She's like, you are wasting my time. But also I'm 463 00:25:29,560 --> 00:25:33,280 Speaker 1: so glad I'm looking at you because yeah, and it's 464 00:25:33,480 --> 00:25:35,359 Speaker 1: at the ending you just like she's she just like 465 00:25:35,400 --> 00:25:38,480 Speaker 1: storms off by the end, it definitely has the tone 466 00:25:38,480 --> 00:25:42,720 Speaker 1: of the Brendan Dassy interviews from making like the cops 467 00:25:42,800 --> 00:25:46,239 Speaker 1: are interviewing Brendan Dassy and he's like, I don't know, 468 00:25:46,440 --> 00:25:48,600 Speaker 1: I don't know, and the cops are this like so 469 00:25:48,640 --> 00:25:51,080 Speaker 1: excited to this, like please just say that he just 470 00:25:51,119 --> 00:25:52,639 Speaker 1: like grabbed her by the neck and killed her. And 471 00:25:52,680 --> 00:25:57,280 Speaker 1: he's like right and like and it's just like, so 472 00:25:57,440 --> 00:25:59,800 Speaker 1: you are trying to work with the conservative media movement 473 00:25:59,840 --> 00:26:04,200 Speaker 1: to bring down the liberal mainstream media. I don't know, okay, 474 00:26:06,080 --> 00:26:09,399 Speaker 1: exactly equivalently what she was going to do. But James 475 00:26:09,400 --> 00:26:13,400 Speaker 1: O'Keeffe did basically take down Acorn, right he did. Yeah, 476 00:26:13,480 --> 00:26:16,080 Speaker 1: I mean Acorn was a community organizing group that was 477 00:26:16,240 --> 00:26:19,720 Speaker 1: you know, once Obama won office, like a community organizer 478 00:26:19,760 --> 00:26:22,720 Speaker 1: became like a real buzzword amongst like conservatives, because this 479 00:26:22,760 --> 00:26:25,000 Speaker 1: guy was an organized Like it just means you know, 480 00:26:25,040 --> 00:26:27,400 Speaker 1: how to talk to people in areas and like get 481 00:26:27,480 --> 00:26:31,240 Speaker 1: people organized to you know, collectively fight for their own benefit. 482 00:26:31,280 --> 00:26:35,000 Speaker 1: Any black man in his early thirties exactly. Um, And 483 00:26:35,040 --> 00:26:36,880 Speaker 1: so yeah, he went into like his whole his whole 484 00:26:36,880 --> 00:26:38,919 Speaker 1: career was kicked off because he went into ACORN like 485 00:26:38,960 --> 00:26:43,000 Speaker 1: literally dressed like a super fly pimp, like the Association 486 00:26:43,080 --> 00:26:47,760 Speaker 1: of Community Organizations for Reform now um and yeah, they 487 00:26:47,800 --> 00:26:50,800 Speaker 1: just advocate like said for like low moderate income families. 488 00:26:50,840 --> 00:26:53,359 Speaker 1: It's it's it's very on its surface, it's not a 489 00:26:53,400 --> 00:26:56,959 Speaker 1: problematic organization. Um. And so he went into one branch 490 00:26:57,119 --> 00:27:00,600 Speaker 1: dressed as a as like basically if a frat had 491 00:27:00,600 --> 00:27:06,520 Speaker 1: a pimps and hose like he was dressed costume, and 492 00:27:06,600 --> 00:27:08,240 Speaker 1: he was like, what did you say, I have a 493 00:27:08,280 --> 00:27:11,760 Speaker 1: bunch of like prostitute He was trying to basically get 494 00:27:11,920 --> 00:27:14,760 Speaker 1: ACORN to give him advice to like leak legal advice 495 00:27:14,800 --> 00:27:16,840 Speaker 1: if he was trying to, you know, use the proceeds 496 00:27:16,880 --> 00:27:19,439 Speaker 1: from prostitutes. It was like that part doesn't matter as 497 00:27:19,520 --> 00:27:21,600 Speaker 1: much because all he did was go in ask a 498 00:27:21,640 --> 00:27:25,080 Speaker 1: bunch of weird questions. They were not very well trained 499 00:27:25,200 --> 00:27:28,879 Speaker 1: and we're representing the company. They just an undercover video 500 00:27:29,200 --> 00:27:31,720 Speaker 1: and people and he just caught people who yeah, and 501 00:27:31,720 --> 00:27:33,520 Speaker 1: they're like, yeah, I guess you could do that or whatever. 502 00:27:33,560 --> 00:27:35,040 Speaker 1: He's like, you see, this is what ACORN is about, 503 00:27:35,080 --> 00:27:37,359 Speaker 1: and blah blah blah him and when Andrew Breitbart was 504 00:27:37,400 --> 00:27:40,160 Speaker 1: still alive. They were pushing this out to conservative media 505 00:27:40,160 --> 00:27:42,040 Speaker 1: and eventually got to the mainstream where they're like, what's 506 00:27:42,040 --> 00:27:44,520 Speaker 1: going on at Acorn? And everyone got duped. But the 507 00:27:44,520 --> 00:27:46,720 Speaker 1: thing was, the other thing is he wasn't even dressed 508 00:27:46,760 --> 00:27:48,960 Speaker 1: as a pimp, like because they wanted to make you 509 00:27:49,000 --> 00:27:51,600 Speaker 1: believe that he went in their dress like dressed as wasn't. 510 00:27:51,680 --> 00:27:53,760 Speaker 1: But it was just like two separate shots and he 511 00:27:53,880 --> 00:27:56,639 Speaker 1: went and dressed as a law student. And then yeah, 512 00:27:56,760 --> 00:27:59,639 Speaker 1: so um went dressing you know, like I dressed as 513 00:27:59,640 --> 00:28:02,320 Speaker 1: a loss student for Halloween this past year. Yeah, exactly. 514 00:28:02,359 --> 00:28:06,160 Speaker 1: Everybody knows that I'd argue dressed like a lawsuit and everybody, hey, 515 00:28:06,200 --> 00:28:09,240 Speaker 1: fuck you editor, it's not cool, man, he wears like 516 00:28:09,280 --> 00:28:16,400 Speaker 1: a barrister's wig. But so some of James O'Keeffe's greatest 517 00:28:16,440 --> 00:28:20,000 Speaker 1: hits since that time. Uh so he tried to lwer 518 00:28:20,080 --> 00:28:24,400 Speaker 1: a CNN contributor onto a boat that he had stocked 519 00:28:24,400 --> 00:28:28,440 Speaker 1: with dildo's, only to have his plan exposed by one 520 00:28:28,480 --> 00:28:31,919 Speaker 1: of his own staff. I don't know, it was like 521 00:28:33,040 --> 00:28:36,280 Speaker 1: it really is prank video style, like just have too 522 00:28:36,359 --> 00:28:38,600 Speaker 1: much money, and it was I think his CNN was 523 00:28:38,680 --> 00:28:42,360 Speaker 1: like looking at young American conservative activists, and that's how 524 00:28:42,400 --> 00:28:45,640 Speaker 1: he even came into focus of CNN, and he was like, yeah, 525 00:28:45,800 --> 00:28:49,480 Speaker 1: invited this journalist onto this boat. But like a document 526 00:28:49,560 --> 00:28:52,200 Speaker 1: leaked where he was basically talking about what his actual 527 00:28:52,280 --> 00:28:54,680 Speaker 1: plan was. This CNN reporter is like, I'm trying to 528 00:28:54,720 --> 00:28:59,120 Speaker 1: interview young conservative activists people in the Obama era, and 529 00:28:59,160 --> 00:29:01,080 Speaker 1: he was like, this is like I guess from an 530 00:29:01,120 --> 00:29:03,240 Speaker 1: elite email or something. He said, Instead, I've decided to 531 00:29:03,240 --> 00:29:05,560 Speaker 1: have a little fun instead of giving her a serious interview. 532 00:29:05,720 --> 00:29:08,240 Speaker 1: I'm going to punk CNN. He literally uses the word punk. 533 00:29:08,680 --> 00:29:10,840 Speaker 1: He's like, Abby has been trying to seduce me to 534 00:29:11,000 --> 00:29:13,160 Speaker 1: use me. Abby is from CNN, and she wasn't trying 535 00:29:13,160 --> 00:29:15,400 Speaker 1: to seduce him in order to spin a lie about me. 536 00:29:15,440 --> 00:29:17,760 Speaker 1: So I'm going to seduce her on camera to use 537 00:29:17,800 --> 00:29:20,320 Speaker 1: her for a video. She get seduced on camera and 538 00:29:20,360 --> 00:29:23,239 Speaker 1: you get to see the awkwardness and the aftermath, and 539 00:29:23,280 --> 00:29:25,280 Speaker 1: she was just like, now I'm not coming on your boat. Bro. 540 00:29:25,880 --> 00:29:31,360 Speaker 1: It's definitely reminiscent of other conservative men that I've been 541 00:29:31,400 --> 00:29:34,120 Speaker 1: in contact with who are like, yes, trying to seduce me. 542 00:29:34,160 --> 00:29:36,840 Speaker 1: It's like, no, that's just a woman talking to that 543 00:29:36,920 --> 00:29:40,040 Speaker 1: shit's all in your head. Um. So he also tried 544 00:29:40,080 --> 00:29:44,080 Speaker 1: to uh do a sting on a senator from Louisiana 545 00:29:44,160 --> 00:29:47,800 Speaker 1: named mary Landrow in her office, but he ended up 546 00:29:47,840 --> 00:29:52,560 Speaker 1: getting a misdemeanor conviction for trying to do that. D 547 00:29:53,640 --> 00:29:57,000 Speaker 1: he's my he's thirty three, what and he's paying himself. 548 00:29:57,040 --> 00:29:59,080 Speaker 1: Like we'll get to that later. I mean, they've they've 549 00:29:59,080 --> 00:30:00,960 Speaker 1: got a lot of money, this group. But that mary 550 00:30:01,000 --> 00:30:03,400 Speaker 1: Landry thing, he tried to go in too, like bug 551 00:30:03,440 --> 00:30:06,800 Speaker 1: her phones. It was dressed like a fucking phone crew. 552 00:30:06,960 --> 00:30:10,440 Speaker 1: Like he he was really trying to do some like 553 00:30:10,840 --> 00:30:13,680 Speaker 1: they we're coming in and they were like hold up, dude, 554 00:30:13,720 --> 00:30:20,200 Speaker 1: who are yours? So long references if everyone's seen it, yes, 555 00:30:20,600 --> 00:30:24,200 Speaker 1: we're all big fans fans. Um, oh they're they're rocking 556 00:30:24,320 --> 00:30:26,200 Speaker 1: Arsenal gear and that one too, shout out to that movie. 557 00:30:26,560 --> 00:30:31,640 Speaker 1: So he had apparently tried to penetrate like every conservative 558 00:30:31,680 --> 00:30:35,680 Speaker 1: thinks that George Soros is like behind this massive conspiracy. 559 00:30:35,760 --> 00:30:40,520 Speaker 1: He's like the one billionaire who actually like funds liberal causes, 560 00:30:40,640 --> 00:30:45,000 Speaker 1: Like I'm still right, yeah yeah yeah, uh but yeah, 561 00:30:45,080 --> 00:30:48,760 Speaker 1: So George Soros supposedly was paying all the protesters when 562 00:30:49,160 --> 00:30:52,800 Speaker 1: who went to the airports when Trump's ban went into 563 00:30:52,960 --> 00:30:55,880 Speaker 1: effect and social justice wars in general, I think was 564 00:30:56,280 --> 00:31:01,640 Speaker 1: James said responsible for right, So, uh he was trying 565 00:31:01,680 --> 00:31:06,720 Speaker 1: to infiltrate like a George Soros foundation, but he like 566 00:31:06,880 --> 00:31:09,640 Speaker 1: called them and left a voicemail and forgot to hang 567 00:31:09,680 --> 00:31:13,400 Speaker 1: up this phone, so then it kept recording as he 568 00:31:13,520 --> 00:31:17,040 Speaker 1: like then went on to describe the entire sting to 569 00:31:17,160 --> 00:31:21,000 Speaker 1: his staff it's just like cartoon. And also he tried 570 00:31:21,040 --> 00:31:26,080 Speaker 1: to uh impersonate a Hungarian businessman to this group, because 571 00:31:26,120 --> 00:31:28,400 Speaker 1: I think George Soros is Hungarian, and that was his 572 00:31:28,520 --> 00:31:31,360 Speaker 1: clever thing where he's like, I'm gonna do an accent, right. 573 00:31:32,200 --> 00:31:35,760 Speaker 1: His voicemail me so upset. That's why I'm also curious 574 00:31:35,760 --> 00:31:38,360 Speaker 1: because I think he likes the accent to do accents, 575 00:31:38,440 --> 00:31:40,160 Speaker 1: so he may have had it. I mean, look, I 576 00:31:40,200 --> 00:31:41,720 Speaker 1: don't know if he has anything to do with Bernie 577 00:31:41,720 --> 00:31:43,760 Speaker 1: burn Sea, but I think he could also he might 578 00:31:43,800 --> 00:31:46,520 Speaker 1: have a career and doing voice over acting. He'd go 579 00:31:46,600 --> 00:31:48,640 Speaker 1: far man. This is a pure example of just like 580 00:31:48,760 --> 00:31:51,840 Speaker 1: a mediocre white dude who is allowed to keep doing 581 00:31:51,840 --> 00:31:53,440 Speaker 1: this ship and people are giving them money for it. 582 00:31:53,520 --> 00:31:55,560 Speaker 1: If I tried to pitch a prank show right now, 583 00:31:55,880 --> 00:31:57,680 Speaker 1: no one would buy it. But this dude is making 584 00:31:57,720 --> 00:32:00,440 Speaker 1: money off of doing these trash ass We'll say, you 585 00:32:00,440 --> 00:32:03,080 Speaker 1: have to re contextualize it because this could be a 586 00:32:03,080 --> 00:32:05,120 Speaker 1: prank show. But he's like, this is a right wing 587 00:32:05,160 --> 00:32:08,520 Speaker 1: got you investigating. I'm quitting comedy right now and I'm 588 00:32:08,520 --> 00:32:11,320 Speaker 1: gonna become a right wing prankster and make some money 589 00:32:11,360 --> 00:32:12,960 Speaker 1: because I could do this so much better. Well, you 590 00:32:12,960 --> 00:32:14,680 Speaker 1: would have to do the version where you infiltrate like 591 00:32:14,720 --> 00:32:17,360 Speaker 1: a right organizations and you'd be like the new token 592 00:32:17,400 --> 00:32:19,080 Speaker 1: for the all right, and they're they're like, we love 593 00:32:19,120 --> 00:32:21,560 Speaker 1: this guy, Edgar. He's great, he gets it. But yeah, 594 00:32:21,560 --> 00:32:23,920 Speaker 1: the thing is his money. He gets all kinds of money, 595 00:32:23,920 --> 00:32:27,040 Speaker 1: Like I think last year they raised something around like 596 00:32:27,080 --> 00:32:30,520 Speaker 1: four and a half million dollars. What the his organization, yeah, 597 00:32:30,520 --> 00:32:34,480 Speaker 1: Project Veritas, right, because he is doing the work that 598 00:32:34,760 --> 00:32:38,160 Speaker 1: people on the right who are a lot of billionaires 599 00:32:38,160 --> 00:32:42,480 Speaker 1: are you know libertarians and you know radical right. They 600 00:32:42,560 --> 00:32:46,600 Speaker 1: want the you know, mainstream media taken down right and 601 00:32:46,640 --> 00:32:48,520 Speaker 1: the what the interesting thing is the Daily Beast road 602 00:32:48,640 --> 00:32:51,240 Speaker 1: article about like kind of how this is an indicative 603 00:32:51,280 --> 00:32:55,520 Speaker 1: of like what's going on with how wealthy uh conservatives 604 00:32:55,600 --> 00:32:57,840 Speaker 1: use their money because a lot of people think that 605 00:32:58,040 --> 00:33:00,960 Speaker 1: these wealthy billionaire conservatives are like these you know, back 606 00:33:01,080 --> 00:33:03,920 Speaker 1: room like old d C types, drink of whiskey and 607 00:33:03,960 --> 00:33:05,800 Speaker 1: scotch and like planning the end of the world, when 608 00:33:05,800 --> 00:33:08,520 Speaker 1: they're really just like more like the base, just with 609 00:33:08,560 --> 00:33:11,160 Speaker 1: a lot of money. So their ideas to invest in 610 00:33:11,200 --> 00:33:13,840 Speaker 1: things like hey, this young guy who's like crazy enough 611 00:33:13,880 --> 00:33:15,800 Speaker 1: to make a video, like, sure, I'll throw some money 612 00:33:15,800 --> 00:33:18,160 Speaker 1: behind that. Even I'm pretty sure he received money from 613 00:33:18,200 --> 00:33:21,120 Speaker 1: Donald Trump a few years ago too, from Donald Trump's 614 00:33:22,480 --> 00:33:25,440 Speaker 1: because it's a nonprofit. It's a nonprofit. Yeah, and these 615 00:33:25,440 --> 00:33:28,760 Speaker 1: are only these are only the like fucked up stings 616 00:33:28,800 --> 00:33:31,560 Speaker 1: that we found out about because they got like screwed 617 00:33:31,640 --> 00:33:34,040 Speaker 1: up in process. I'm sure like if Donald Trump was 618 00:33:34,080 --> 00:33:36,040 Speaker 1: paying and he was trying to like he like went 619 00:33:36,160 --> 00:33:39,080 Speaker 1: undercover and was like, so, Barack, we all know you're 620 00:33:39,080 --> 00:33:41,800 Speaker 1: actually from Kenya, right, Like yeah, am I right? Brother? 621 00:33:45,520 --> 00:33:47,080 Speaker 1: He's a type of dude who probly roll up in 622 00:33:47,120 --> 00:33:48,640 Speaker 1: black face and go to like an n A c 623 00:33:48,760 --> 00:33:50,280 Speaker 1: V meeting and be like, hey, so how woul them 624 00:33:50,280 --> 00:33:57,080 Speaker 1: bring down the white man? Uh? So, in two thousand 625 00:33:57,040 --> 00:34:01,120 Speaker 1: and seventeen, speaking of their huge budgets. Uh. He was 626 00:34:01,160 --> 00:34:05,520 Speaker 1: trying to his group was trying to infiltrate environmental group. Uh. 627 00:34:05,560 --> 00:34:09,040 Speaker 1: And the environmental group was like, you know, you're clearly 628 00:34:09,520 --> 00:34:13,160 Speaker 1: like doing some sort of undercover ship because one of 629 00:34:13,200 --> 00:34:16,680 Speaker 1: his operatives kept leaving his phone and cuff links on 630 00:34:16,719 --> 00:34:20,400 Speaker 1: the table, like which we're clearly recording devices. He'd be like, 631 00:34:20,520 --> 00:34:23,160 Speaker 1: let me just take these cuff links off and hold on. 632 00:34:23,360 --> 00:34:27,200 Speaker 1: Can I get a light reading stop up to F 633 00:34:27,200 --> 00:34:30,200 Speaker 1: five six? Well, but so the Washington Post article was 634 00:34:30,200 --> 00:34:33,279 Speaker 1: actually saying that Jamie Phillips kept doing the same thing 635 00:34:33,360 --> 00:34:36,480 Speaker 1: with her purse. She would put her purse on the table, 636 00:34:36,840 --> 00:34:39,239 Speaker 1: and then the Washington Post journalists like knew she was 637 00:34:39,280 --> 00:34:41,560 Speaker 1: doing all the record stuff, and so she put her 638 00:34:41,560 --> 00:34:43,760 Speaker 1: purse right in front of it, and then Jamie Phillips 639 00:34:43,920 --> 00:34:50,760 Speaker 1: moved her purse over to the left' So it's it's 640 00:34:51,719 --> 00:34:54,520 Speaker 1: really worth reading about because I don't know, it's just 641 00:34:54,560 --> 00:34:56,399 Speaker 1: a lot of well and but and also this ship 642 00:34:56,520 --> 00:34:58,960 Speaker 1: is dangerous too because there are other videos that he 643 00:34:59,000 --> 00:35:02,680 Speaker 1: puts out that really spreads this kind of misinformation and 644 00:35:02,840 --> 00:35:07,359 Speaker 1: it really has people thinking, like in these alternate realities video, 645 00:35:07,520 --> 00:35:09,000 Speaker 1: Like I was just like, oh, I remember that it 646 00:35:09,120 --> 00:35:12,120 Speaker 1: was man, every news outlet covered it because it like 647 00:35:12,200 --> 00:35:14,400 Speaker 1: it was treated like a scandal, and that was completely 648 00:35:14,440 --> 00:35:16,399 Speaker 1: born out of you know, Bright Bart and this kid 649 00:35:16,480 --> 00:35:19,160 Speaker 1: and back in two thousand nine. So it's like a 650 00:35:19,320 --> 00:35:23,040 Speaker 1: bizarro Adam Davar. Oh. Like one other thing I will 651 00:35:23,040 --> 00:35:26,880 Speaker 1: add is so the prior to this, he like he 652 00:35:26,920 --> 00:35:28,759 Speaker 1: always tries to act like, you know, I brought down 653 00:35:28,840 --> 00:35:30,600 Speaker 1: the New York Times, or I brought down report of 654 00:35:30,600 --> 00:35:32,960 Speaker 1: the New York Times. He brought down a channel manager 655 00:35:33,040 --> 00:35:35,080 Speaker 1: at the New York Times who run the YouTube channel. 656 00:35:35,520 --> 00:35:37,680 Speaker 1: Like he got like a sexy woman to talk to, 657 00:35:37,760 --> 00:35:39,600 Speaker 1: like this guy who worked for the New York Times 658 00:35:39,640 --> 00:35:42,040 Speaker 1: YouTube channel, and like this is the kind of dude. 659 00:35:42,040 --> 00:35:43,560 Speaker 1: When you watch the video, like you can tell he's 660 00:35:43,600 --> 00:35:46,160 Speaker 1: just kind of lying to impress this woman. And the 661 00:35:46,200 --> 00:35:48,360 Speaker 1: guy who uploads videos for the New York Times, he 662 00:35:48,600 --> 00:35:52,080 Speaker 1: doesn't make produced the videos. They're just like, hey, Nick, 663 00:35:52,880 --> 00:35:54,520 Speaker 1: due to a thumbnail and then this is the title, 664 00:35:54,640 --> 00:35:57,200 Speaker 1: and do the tags and so he'll he'll upload it 665 00:35:57,280 --> 00:35:58,880 Speaker 1: and so he does has nothing to do with the content. 666 00:35:58,960 --> 00:36:02,680 Speaker 1: He just manages it. So this woman like infiltrates his 667 00:36:02,800 --> 00:36:05,439 Speaker 1: life or whatever and just asks him like a bunch 668 00:36:05,440 --> 00:36:07,560 Speaker 1: of leading questions, like like in one of their videos, 669 00:36:08,040 --> 00:36:10,360 Speaker 1: I think she actually says align him, like you'll promise 670 00:36:10,400 --> 00:36:12,800 Speaker 1: me you'll bring him down right, like talking about Trump, 671 00:36:12,880 --> 00:36:14,960 Speaker 1: and he's like, oh yeah, but you got to have 672 00:36:15,000 --> 00:36:17,719 Speaker 1: the power to do that. And then also he was like, yeah, 673 00:36:17,760 --> 00:36:19,839 Speaker 1: when the James Comey got fired, like I almost had 674 00:36:19,880 --> 00:36:23,200 Speaker 1: to recuse myself like from uploading YouTube videos. And she's 675 00:36:23,239 --> 00:36:26,279 Speaker 1: like why and he says, oh, James Comey is my godfather. 676 00:36:26,520 --> 00:36:28,879 Speaker 1: And like in their video they really tried to act 677 00:36:28,920 --> 00:36:30,640 Speaker 1: like this kid like he has nothing to do with 678 00:36:30,719 --> 00:36:33,880 Speaker 1: James Comey, but in these projects Veritas videos they presented 679 00:36:33,920 --> 00:36:36,680 Speaker 1: as truth and it really does get people fired up 680 00:36:36,680 --> 00:36:39,400 Speaker 1: thinking that The New York Times is somehow inhos with 681 00:36:39,480 --> 00:36:41,600 Speaker 1: James called me like come on right, And it was 682 00:36:41,640 --> 00:36:44,759 Speaker 1: clearly just a dude who you know, was very susceptible 683 00:36:44,840 --> 00:36:48,400 Speaker 1: to a young woman and you know, like I didn't 684 00:36:48,520 --> 00:36:52,399 Speaker 1: get a lot of like attractive young women talking to him, 685 00:36:52,400 --> 00:36:54,799 Speaker 1: and so like she was able to lead him into 686 00:36:54,920 --> 00:36:57,640 Speaker 1: like whatever she wanted him to say, he would say, 687 00:36:57,760 --> 00:36:59,360 Speaker 1: yeah exactly, And then when it came out the New 688 00:36:59,440 --> 00:37:01,319 Speaker 1: York Times they had to fire him and they were like, 689 00:37:01,360 --> 00:37:03,480 Speaker 1: first of all, this guy has nothing to do with 690 00:37:03,600 --> 00:37:05,480 Speaker 1: how we make the videos. You're not a producer. He's 691 00:37:05,520 --> 00:37:09,760 Speaker 1: not a writer, editor or anything. He just managed channel manager. Yeah. 692 00:37:09,840 --> 00:37:13,359 Speaker 1: So hey, I'm just glad that James O'Keeffe as much 693 00:37:13,400 --> 00:37:15,600 Speaker 1: as you like, say, well, we're trending now, you're trending 694 00:37:15,640 --> 00:37:18,480 Speaker 1: because you took the biggest l of the year in journalism. 695 00:37:18,640 --> 00:37:21,280 Speaker 1: Right if you want to call it journalism, it's James 696 00:37:21,280 --> 00:37:26,000 Speaker 1: Bond who But this is like a video will come 697 00:37:26,040 --> 00:37:28,760 Speaker 1: out of this that will be carefully edited by James 698 00:37:28,760 --> 00:37:31,440 Speaker 1: O'Keeffe to make it seem like they actually caught the 699 00:37:31,480 --> 00:37:33,480 Speaker 1: Washington Post doing something. I'm sure, and then we'll get 700 00:37:33,560 --> 00:37:36,800 Speaker 1: it'll go viral. He tried to fundraise off this yesterday. 701 00:37:36,800 --> 00:37:39,480 Speaker 1: I think he sent a letter out saying, oh, I 702 00:37:39,520 --> 00:37:42,839 Speaker 1: was ambushed by Washington Post reporters because they, like are 703 00:37:42,920 --> 00:37:45,080 Speaker 1: one of our operatives. Cover was blown. He's like, but 704 00:37:45,120 --> 00:37:48,239 Speaker 1: it's fine because we got our story on them coming soon, 705 00:37:48,760 --> 00:37:53,279 Speaker 1: which will probably be pretty big. Nothing. Alright, We're gonna 706 00:37:53,320 --> 00:37:55,239 Speaker 1: go to a quick break and we'll be right back 707 00:38:03,760 --> 00:38:07,399 Speaker 1: and we're back. Um, so we're not going to get 708 00:38:07,440 --> 00:38:11,160 Speaker 1: to the consumer Financial Protection Bureau because we're running out 709 00:38:11,160 --> 00:38:14,640 Speaker 1: of time. But that is a crazy story that people 710 00:38:14,640 --> 00:38:16,560 Speaker 1: should check in on. We'll do it. We'll do a 711 00:38:16,600 --> 00:38:20,319 Speaker 1: whole check in on Trump World tomorrow. But we're we 712 00:38:20,360 --> 00:38:23,040 Speaker 1: are going to talk about the number one movie at 713 00:38:23,040 --> 00:38:26,480 Speaker 1: the box office this past weekend was a Disney movie 714 00:38:26,719 --> 00:38:30,600 Speaker 1: named Coco, uh, which I guess we can mention speaking 715 00:38:30,600 --> 00:38:35,400 Speaker 1: of Disney movies, was it Eric Trump's uh defense of 716 00:38:35,480 --> 00:38:40,520 Speaker 1: his father? Yes? So so what his dad called Elizabeth Warren? 717 00:38:42,040 --> 00:38:46,480 Speaker 1: He referred to Elizabeth while he's honoring that three novel 718 00:38:46,520 --> 00:38:51,080 Speaker 1: hoos who helped the fucking Marines create the secret code 719 00:38:51,360 --> 00:38:54,760 Speaker 1: to use during World War Two. Like he then uses 720 00:38:54,840 --> 00:38:57,439 Speaker 1: that to somehow be like, hey, you know, we've got 721 00:38:57,440 --> 00:39:00,440 Speaker 1: this representative who's like who's been here along time. They 722 00:39:00,440 --> 00:39:03,520 Speaker 1: call her Pokehontas. You know, these dudes were not laughing. 723 00:39:03,880 --> 00:39:07,160 Speaker 1: Went so quiet, dude, it's so quiet, because first of all, 724 00:39:07,400 --> 00:39:09,479 Speaker 1: what the funk are you doing? These are the Native 725 00:39:09,480 --> 00:39:11,600 Speaker 1: American soldiers who put their life on the line for 726 00:39:11,640 --> 00:39:14,959 Speaker 1: a country who has mistreated them since time immemorial. Uh. 727 00:39:15,000 --> 00:39:17,480 Speaker 1: And also on top of that, in front of a 728 00:39:17,520 --> 00:39:21,560 Speaker 1: fucking portrait of Andrew Jackson, Like there is no there's 729 00:39:21,560 --> 00:39:24,480 Speaker 1: no consideration for history or context with this person. And 730 00:39:24,520 --> 00:39:28,160 Speaker 1: then Eric Trump came out, the one who snl makes 731 00:39:28,360 --> 00:39:31,800 Speaker 1: into somebody who like follows any shiny thing that passes 732 00:39:31,880 --> 00:39:36,439 Speaker 1: by him. Uh he uh. He came out and said, 733 00:39:36,480 --> 00:39:39,200 Speaker 1: it's crazy that ABC is getting so mad at my 734 00:39:39,320 --> 00:39:43,879 Speaker 1: dad about calling Elizabeth Warren Pocahonas when ABC is owned 735 00:39:43,880 --> 00:39:47,960 Speaker 1: by Disney and they had a movie called Pocahonas, which 736 00:39:48,280 --> 00:39:50,399 Speaker 1: is just I'm sorry, how does that can you walk 737 00:39:50,440 --> 00:39:53,680 Speaker 1: into amazing uh leave of logic? But so I did 738 00:39:53,719 --> 00:39:57,240 Speaker 1: want to spa which let me just give some context. 739 00:39:57,520 --> 00:39:59,959 Speaker 1: And the thing with Andrew Jackson, for people who aren't 740 00:40:00,200 --> 00:40:02,640 Speaker 1: uh us history buffs, he was the architect of the 741 00:40:02,640 --> 00:40:05,680 Speaker 1: Trail of Tears. Okay, Like this is if there was 742 00:40:05,760 --> 00:40:07,520 Speaker 1: like a super villain you wanted to put in front 743 00:40:07,560 --> 00:40:10,440 Speaker 1: of like Native American people, it would have been Andrew Jackson. 744 00:40:10,680 --> 00:40:13,400 Speaker 1: And so that to add insult to that injury is 745 00:40:13,440 --> 00:40:15,879 Speaker 1: just wild. So if you watch the clip, though, it's 746 00:40:15,920 --> 00:40:17,880 Speaker 1: so clear that he knows what he's saying is offensive 747 00:40:17,880 --> 00:40:20,000 Speaker 1: in real time because he makes the joke and then 748 00:40:20,040 --> 00:40:22,360 Speaker 1: immediately like and now he's just like, but you're a 749 00:40:22,400 --> 00:40:25,800 Speaker 1: good guy, and pulls him in he's like about you. Um, 750 00:40:25,880 --> 00:40:27,400 Speaker 1: but yeah, I think this is all part of his 751 00:40:27,880 --> 00:40:32,439 Speaker 1: uh decision to this is like troll Elizabeth Warren week 752 00:40:32,680 --> 00:40:36,600 Speaker 1: because she is the person who created the Consumer Financial 753 00:40:36,600 --> 00:40:39,680 Speaker 1: Protection Bureau, which he is trying to dismantle. But we 754 00:40:39,719 --> 00:40:43,319 Speaker 1: will talk about that at a later date. But so 755 00:40:43,600 --> 00:40:46,239 Speaker 1: people are flipping out about the number one movie at 756 00:40:46,239 --> 00:40:51,160 Speaker 1: the box office, Coco, which is a Pixar movie. Uh so, Edgar, 757 00:40:51,480 --> 00:40:54,279 Speaker 1: you know, hold your tongue. I'm already been looking at 758 00:40:54,280 --> 00:40:58,279 Speaker 1: my phone being like, funk this com check that you're 759 00:40:58,280 --> 00:41:01,880 Speaker 1: all mad. You thought Coco was about like a black woman, 760 00:41:02,040 --> 00:41:06,960 Speaker 1: the Afro and Cocon oil and Coco Brown. But so apparently, 761 00:41:07,560 --> 00:41:11,200 Speaker 1: uh people, people are mad because there is a short 762 00:41:11,400 --> 00:41:15,040 Speaker 1: at the beginning of this Pixar movie. Uh that is 763 00:41:15,440 --> 00:41:20,280 Speaker 1: incredibly long. And we actually have our super producer Nick Stunf, 764 00:41:20,600 --> 00:41:24,640 Speaker 1: who Nick, you you brought your daughters to uh Coco 765 00:41:24,840 --> 00:41:30,839 Speaker 1: over the weekend and wow already yeah, you see his face. 766 00:41:30,920 --> 00:41:33,960 Speaker 1: He is seething, broke the orange in his hand. I hear, 767 00:41:35,000 --> 00:41:38,160 Speaker 1: I hear nothing but good things about Coco the movie. 768 00:41:38,320 --> 00:41:41,480 Speaker 1: But your daughter walked out right, Yeah, I didn't get 769 00:41:41,480 --> 00:41:44,280 Speaker 1: to see all of Coco because there was an involuntary 770 00:41:44,400 --> 00:41:48,680 Speaker 1: Frozen movie before the film, which exhausted the precious minutes 771 00:41:48,719 --> 00:41:52,600 Speaker 1: of my daughter's attention span. And uh so we didn't 772 00:41:52,600 --> 00:41:55,400 Speaker 1: get all the way through Cocoa. Unfortunately, I liked what 773 00:41:55,440 --> 00:42:00,480 Speaker 1: I saw of it. Right, So the sod the short 774 00:42:01,000 --> 00:42:05,080 Speaker 1: the short film beforehand, because I think there's been quite 775 00:42:05,120 --> 00:42:08,319 Speaker 1: a few Pixar movies that started with Yeah, I think 776 00:42:08,320 --> 00:42:11,200 Speaker 1: it's a tradition. They usually are maybe like two to 777 00:42:11,360 --> 00:42:14,880 Speaker 1: five minutes, but they've been getting longer and longer as time. Right. 778 00:42:15,040 --> 00:42:21,160 Speaker 1: The I think Um Inside Out had a Mowanna sort 779 00:42:21,160 --> 00:42:24,040 Speaker 1: of preview thing that I hated that one. Yeah, it 780 00:42:24,080 --> 00:42:31,080 Speaker 1: was the longest volcanoes volcano? Uh Nick, how long was 781 00:42:31,120 --> 00:42:35,480 Speaker 1: this one? Uh it's seemed like forever. I think it 782 00:42:35,520 --> 00:42:38,440 Speaker 1: was twenty four minutes. Twenty one minutes, sorry, twenty one minutes, 783 00:42:38,560 --> 00:42:40,879 Speaker 1: which is an eternity for something you don't if you're 784 00:42:40,920 --> 00:42:43,600 Speaker 1: not in the mood for right, and for children whose 785 00:42:43,800 --> 00:42:47,520 Speaker 1: attention span is not very long. You can't get children 786 00:42:47,560 --> 00:42:52,160 Speaker 1: to sit still for uh literally anything, So asking them 787 00:42:52,239 --> 00:42:56,320 Speaker 1: to sit still for one movie and then sit still 788 00:42:56,360 --> 00:42:59,439 Speaker 1: for a second movie like after the first one ends. 789 00:43:00,239 --> 00:43:02,879 Speaker 1: And also so I have a problem with all off. 790 00:43:03,000 --> 00:43:06,920 Speaker 1: You guys, don't even get any started on Olaf from Frozen, 791 00:43:07,000 --> 00:43:12,000 Speaker 1: because isn't isn't the movie about Olaf from Frozen, uh, 792 00:43:12,080 --> 00:43:16,960 Speaker 1: which featuring the most irritating character from the most acute right. 793 00:43:17,040 --> 00:43:20,760 Speaker 1: So Frozen is uh, you know, a huge movie because 794 00:43:20,960 --> 00:43:25,439 Speaker 1: Disney accidentally made a movie about two female protagonists. And 795 00:43:25,760 --> 00:43:28,680 Speaker 1: they were like, oh, ship, this isn't the worst thing 796 00:43:28,680 --> 00:43:32,279 Speaker 1: in the world. People are super into this, but they 797 00:43:32,320 --> 00:43:35,239 Speaker 1: thought that it was like a really big mistake to 798 00:43:35,280 --> 00:43:38,320 Speaker 1: have two female protagonists. And so when the Frozen preview 799 00:43:38,400 --> 00:43:41,320 Speaker 1: first came out, it was the Snowman and the reindeer 800 00:43:41,560 --> 00:43:45,120 Speaker 1: like just like fugging around on a frozen pond, like 801 00:43:45,200 --> 00:43:50,200 Speaker 1: just the preview for the actual movie Frozen was essentially 802 00:43:50,239 --> 00:43:52,560 Speaker 1: like a short about Olaf. They were like, man, this 803 00:43:53,040 --> 00:43:56,680 Speaker 1: Snowman character is clearly the best and kids are gonna 804 00:43:56,680 --> 00:44:00,360 Speaker 1: love him, but it's it's like the jar Jar Banks 805 00:44:00,400 --> 00:44:04,759 Speaker 1: of the Disney universe essentially. Yeah he was created by 806 00:44:04,760 --> 00:44:09,080 Speaker 1: the same mind, right, Um. But yeah, so just just 807 00:44:09,320 --> 00:44:12,080 Speaker 1: not a great movie, not a great movie. And and 808 00:44:12,160 --> 00:44:15,400 Speaker 1: just also like you know, fighting against seeing Frozen is 809 00:44:15,440 --> 00:44:18,360 Speaker 1: something that I've I've been trying to very hard to 810 00:44:18,360 --> 00:44:19,920 Speaker 1: do since my kids were born. I was like, I 811 00:44:19,960 --> 00:44:21,600 Speaker 1: knew it was coming, but I was like, I'm gonna 812 00:44:21,600 --> 00:44:27,040 Speaker 1: fight this because I'm gonna fight you know, eventually they're 813 00:44:27,080 --> 00:44:29,160 Speaker 1: gonna see it and they're gonna be talking about Elsa 814 00:44:29,239 --> 00:44:31,759 Speaker 1: and stuff. And sure enough that that did eventually happen. 815 00:44:31,840 --> 00:44:34,080 Speaker 1: But I did a pretty good job holding the line. 816 00:44:34,120 --> 00:44:35,799 Speaker 1: But like when you go to a movie that's not 817 00:44:35,920 --> 00:44:42,880 Speaker 1: Frozen and then yet there you are watching Frozen featuring 818 00:44:42,920 --> 00:44:46,200 Speaker 1: the most annoying an unimaginative character from that, I felt 819 00:44:46,239 --> 00:44:48,560 Speaker 1: like it's interesting too because I I started picking up 820 00:44:48,600 --> 00:44:50,239 Speaker 1: on this because a couple of my friends who have 821 00:44:50,400 --> 00:44:53,520 Speaker 1: young kids were on Twitter saying the same things, like, Hey, 822 00:44:53,640 --> 00:44:55,720 Speaker 1: just the heads up. If you're going to see Cocoa, 823 00:44:55,960 --> 00:44:58,239 Speaker 1: just know they're gonna sit to a twenty minute like 824 00:44:58,440 --> 00:45:01,000 Speaker 1: laughable fucking thing before you actually get to the movie 825 00:45:01,200 --> 00:45:03,600 Speaker 1: you wanted to see. And like, my kid doesn't even 826 00:45:03,600 --> 00:45:06,480 Speaker 1: as confused now because he thinks we're watching Frozen and 827 00:45:06,600 --> 00:45:09,279 Speaker 1: not like yeah. My daughter was like, okay, great, I 828 00:45:09,280 --> 00:45:11,000 Speaker 1: saw my movie. It's like at you know, beginning, middle, 829 00:45:11,000 --> 00:45:12,760 Speaker 1: and end. Then she's like gone up and started tearing 830 00:45:12,800 --> 00:45:14,440 Speaker 1: around the theater. It's like, Okay, well, I guess that's 831 00:45:14,480 --> 00:45:17,040 Speaker 1: it for us. It's like, yeah, the fact that there's 832 00:45:17,080 --> 00:45:19,480 Speaker 1: like end credits like signals to the kid over she 833 00:45:19,560 --> 00:45:22,160 Speaker 1: got her entertainment, And I think y'all got duped by Disney. 834 00:45:22,239 --> 00:45:24,799 Speaker 1: That's what I think. No, for real, here's what it is. 835 00:45:24,880 --> 00:45:28,480 Speaker 1: Coco's a trash movie, but Disney knew and trash, so 836 00:45:28,520 --> 00:45:33,920 Speaker 1: they were just like have you seen But it's one 837 00:45:33,920 --> 00:45:37,000 Speaker 1: of the better reviewed movies of the year from the 838 00:45:37,160 --> 00:45:39,560 Speaker 1: same critics who love that one movie where they use 839 00:45:39,800 --> 00:45:44,160 Speaker 1: rabbits and uh and alligators to talk about racism. What 840 00:45:44,239 --> 00:45:49,800 Speaker 1: was that movie? Yeah? Uh, yeah, that was an important film. 841 00:45:52,520 --> 00:45:54,680 Speaker 1: They put that old off movie in front of Coca 842 00:45:54,719 --> 00:45:56,920 Speaker 1: because look, we got a bad movie. Let's make a 843 00:45:57,000 --> 00:45:59,760 Speaker 1: worst movie and everyone's gonna be like yo. That couple 844 00:45:59,760 --> 00:46:02,040 Speaker 1: movie was so great because it wasn't that old. It 845 00:46:02,120 --> 00:46:08,320 Speaker 1: was next to the like whoever is president? Next? After Trumps? Unreddit. 846 00:46:08,400 --> 00:46:11,279 Speaker 1: A person who works at a movie theater was like, yeah, 847 00:46:11,320 --> 00:46:14,960 Speaker 1: I had about seventy confused customers who thought they were 848 00:46:15,000 --> 00:46:18,120 Speaker 1: in the wrong theater since Disney just decided to start 849 00:46:18,560 --> 00:46:22,120 Speaker 1: their movie with a completely different movie. Um, but they've 850 00:46:22,120 --> 00:46:24,799 Speaker 1: always done this though, Yeah, it's just I think. I 851 00:46:24,840 --> 00:46:28,239 Speaker 1: think once it got to like minute eighteen, they were like, yo, 852 00:46:28,360 --> 00:46:30,680 Speaker 1: this is like the four were watching a different movie. 853 00:46:30,760 --> 00:46:33,000 Speaker 1: Like the fourth musical number happens. You're like, am I 854 00:46:33,080 --> 00:46:37,960 Speaker 1: just watching? They're literally four different songs and then like 855 00:46:38,040 --> 00:46:39,719 Speaker 1: this short, I like the other thing that in like 856 00:46:39,880 --> 00:46:42,560 Speaker 1: theaters in Mexico, Like there were so many complaints from 857 00:46:42,600 --> 00:46:46,160 Speaker 1: patrons that they just removed the short altogether, like it 858 00:46:46,280 --> 00:46:49,080 Speaker 1: was like adding come for this. Yeah, it's also irritating 859 00:46:49,080 --> 00:46:51,640 Speaker 1: because it was like Coco, say what you will about it. 860 00:46:53,040 --> 00:46:54,880 Speaker 1: Who hasn't seen it? You know, it's kind of a 861 00:46:54,880 --> 00:46:56,759 Speaker 1: new thing. They go back and forth between English and 862 00:46:56,760 --> 00:46:59,000 Speaker 1: Spanish with no subtitles, and like I was watching it 863 00:46:59,040 --> 00:47:03,080 Speaker 1: in like a bilingual crowd because like there was jokes 864 00:47:03,120 --> 00:47:05,279 Speaker 1: is fully in Spanish, like somebody says no munches at 865 00:47:05,280 --> 00:47:07,880 Speaker 1: some point and then people and people laugh. Yeah, it 866 00:47:07,960 --> 00:47:09,799 Speaker 1: was pretty cool. You know, there's a lot of things 867 00:47:09,800 --> 00:47:12,040 Speaker 1: that I thought were pretty cool about it. Um, but 868 00:47:12,080 --> 00:47:15,280 Speaker 1: then to have to have this like mandatory like frozen 869 00:47:15,320 --> 00:47:17,520 Speaker 1: experience before, it's just like you can't you It's like 870 00:47:17,560 --> 00:47:21,239 Speaker 1: you can't have anything you can put at the end. Yeah, right, 871 00:47:21,320 --> 00:47:23,440 Speaker 1: or just don't, right, I mean, I don't know. That's 872 00:47:23,480 --> 00:47:25,560 Speaker 1: how I feel about that short dude from the Hobbit 873 00:47:25,640 --> 00:47:29,759 Speaker 1: movies being in Black Panther and not on the short 874 00:47:29,840 --> 00:47:32,479 Speaker 1: dude who plays the Hobbit. What's his name? He's also 875 00:47:32,719 --> 00:47:38,160 Speaker 1: in the in the British Office Tim from the Office. Yeah, 876 00:47:38,200 --> 00:47:40,400 Speaker 1: he's in Black Panther, And I feel like that's our 877 00:47:40,440 --> 00:47:42,319 Speaker 1: roll off, like we have to sit and watch this 878 00:47:42,400 --> 00:47:44,920 Speaker 1: nick in Black Panther when we can't just have that 879 00:47:44,920 --> 00:47:47,759 Speaker 1: movie ourselves. So I understand your point. I think it is. 880 00:47:47,800 --> 00:47:51,520 Speaker 1: That's exactly I think that you've clear connection. Martin Freeman. 881 00:47:51,719 --> 00:47:55,480 Speaker 1: Martin Freeman, Yeah, it's the Hobbit, right, I'm not crazy. 882 00:47:55,480 --> 00:47:58,759 Speaker 1: He's the Hobbit. Yeah, he's Bilbo and yeah, he I 883 00:47:58,800 --> 00:48:02,280 Speaker 1: think plays who's the Hobbit? The Hobbit. There's no character 884 00:48:02,400 --> 00:48:08,879 Speaker 1: named the Hobbit because did you see You're like, hey, man, 885 00:48:08,920 --> 00:48:14,840 Speaker 1: which one the Hobbit? So he none of them was 886 00:48:14,880 --> 00:48:20,160 Speaker 1: the Lord of the Rings. Jesus, I didnt see Michael 887 00:48:20,239 --> 00:48:24,080 Speaker 1: Jordan's the true Lord of the Rings. No, I guess. 888 00:48:24,080 --> 00:48:25,800 Speaker 1: Because the other thing is this short was supposed to 889 00:48:25,800 --> 00:48:28,319 Speaker 1: be like a TV movie that they were just like 890 00:48:28,320 --> 00:48:30,400 Speaker 1: a fuck it we'll just throw this movie. They're going 891 00:48:30,440 --> 00:48:32,359 Speaker 1: to make it a holiday special, and they're like, no, 892 00:48:32,520 --> 00:48:35,319 Speaker 1: this this movie's majic sty needs to be captured on 893 00:48:35,360 --> 00:48:37,920 Speaker 1: the big screen. Do you think it was or do 894 00:48:38,000 --> 00:48:40,400 Speaker 1: you think it was a way to like temper audiences 895 00:48:40,440 --> 00:48:42,560 Speaker 1: who like may have been relucting to take their children 896 00:48:42,600 --> 00:48:46,120 Speaker 1: to like a so like Latin based culture film that 897 00:48:46,160 --> 00:48:49,640 Speaker 1: it's like, hey, let's soften them up with a little snow, 898 00:48:50,000 --> 00:48:55,160 Speaker 1: right Yeah, yeah, snow white audiences to preempt the angry emails. 899 00:48:55,400 --> 00:48:57,080 Speaker 1: Right right, You're like, well you got you got a 900 00:48:57,120 --> 00:48:58,840 Speaker 1: little bit of white culture. I mean, that's totally in 901 00:48:58,960 --> 00:49:01,640 Speaker 1: keeping with what they did with Frozen, because yeah, they 902 00:49:02,120 --> 00:49:04,600 Speaker 1: like the one groundbreaking thing about Frozen is that it 903 00:49:04,719 --> 00:49:07,120 Speaker 1: had two female leads. I think that's what like drove 904 00:49:07,480 --> 00:49:10,360 Speaker 1: its success. But they thought they had to pretend that 905 00:49:10,440 --> 00:49:14,160 Speaker 1: it was about a fucking magical talking snowman because that's 906 00:49:14,160 --> 00:49:17,239 Speaker 1: what about right, Is that how it's marketed. Yeah, the 907 00:49:17,880 --> 00:49:22,720 Speaker 1: first preview was a reindeer and Olaf like just fucking 908 00:49:22,760 --> 00:49:24,920 Speaker 1: around on a on a frozen lake, and it was 909 00:49:24,960 --> 00:49:31,160 Speaker 1: like a goofy like like so it's confusing because if 910 00:49:31,200 --> 00:49:32,480 Speaker 1: that's what they were trying to do. Then you think 911 00:49:32,480 --> 00:49:34,680 Speaker 1: that they'd advertise it like come see Coco and also 912 00:49:34,840 --> 00:49:38,920 Speaker 1: featuring this great short Frozen, but they just sort of 913 00:49:38,960 --> 00:49:41,880 Speaker 1: blindside you with it. I'm gonna see because it's it's interesting, 914 00:49:41,920 --> 00:49:46,240 Speaker 1: like it. Mowanna got pretty decent acceptance from like Pacific 915 00:49:46,280 --> 00:49:49,080 Speaker 1: Islander community, and Coco too seems to have a lot 916 00:49:49,160 --> 00:49:53,000 Speaker 1: of people excited to Yeah, yeah, who aren't offended. I mean, 917 00:49:53,040 --> 00:49:55,920 Speaker 1: I think, like anything, it's not perfect. But even til 918 00:49:56,000 --> 00:49:58,240 Speaker 1: you're a point, like right, maybe they're doing it to pander. 919 00:49:58,920 --> 00:50:01,760 Speaker 1: Even if they're pentering there, you're putting, you're making the product. 920 00:50:02,000 --> 00:50:03,960 Speaker 1: So I don't know, It's it's hard sometimes you like 921 00:50:04,360 --> 00:50:07,000 Speaker 1: to decide if the decision is like a nefarious decision 922 00:50:07,080 --> 00:50:11,000 Speaker 1: to just exploit like a like a Spanish speaking audience. Listen, 923 00:50:11,040 --> 00:50:13,120 Speaker 1: I'm okay with it once they start pandering to us. 924 00:50:13,200 --> 00:50:15,720 Speaker 1: But we haven't gotten our Pixar movie yet, so I'm waiting. 925 00:50:15,880 --> 00:50:19,000 Speaker 1: You know, they got the Pacific Islanders, got the Hispanic people. 926 00:50:19,120 --> 00:50:21,560 Speaker 1: What was the one though? It was in a Pixar movie. 927 00:50:21,640 --> 00:50:24,440 Speaker 1: It was frog. Oh, But so you want to make 928 00:50:24,520 --> 00:50:27,279 Speaker 1: that you want this step to the you want the 929 00:50:27,320 --> 00:50:30,160 Speaker 1: Pixar movie. Yeah, and the hair better looking, already making 930 00:50:30,200 --> 00:50:34,279 Speaker 1: another incredibles. Come on, well here, I mean, look, maybe 931 00:50:34,360 --> 00:50:36,319 Speaker 1: we can wish it. Let's work on the script. Let's 932 00:50:36,320 --> 00:50:38,680 Speaker 1: work the script. And there was gonna be a vacancy 933 00:50:38,719 --> 00:50:41,840 Speaker 1: in the creative Officer department of Pixar. Yeah, right, exactly 934 00:50:41,880 --> 00:50:43,920 Speaker 1: what there is alright, So like, hey, let's get you 935 00:50:44,000 --> 00:50:46,160 Speaker 1: in there. Listen, I already pitched you guys my idea. 936 00:50:46,320 --> 00:50:48,000 Speaker 1: He has a very good day and at the end 937 00:50:48,040 --> 00:50:54,799 Speaker 1: he got shot by okay, well laugh And Edgar has 938 00:50:55,640 --> 00:50:58,320 Speaker 1: been here for two hours now in our office and 939 00:50:58,400 --> 00:51:01,879 Speaker 1: has not sexually harassed anyone. Give me the job. Give 940 00:51:01,920 --> 00:51:05,520 Speaker 1: me a job, Edgar. Where can people follow you? You 941 00:51:05,600 --> 00:51:08,920 Speaker 1: can follow me on Instagram at afa gram, on Twitter 942 00:51:09,120 --> 00:51:11,400 Speaker 1: at Edgar mon plus here and that's m O M 943 00:51:11,560 --> 00:51:14,640 Speaker 1: P L A I S I r uh. You can 944 00:51:14,719 --> 00:51:18,000 Speaker 1: check me out at UCB Theater and performing pretty much 945 00:51:18,120 --> 00:51:20,480 Speaker 1: every day every week. You should be in Los Angeles 946 00:51:20,600 --> 00:51:22,880 Speaker 1: and Los Angeles. But I mean, hey, in June, you 947 00:51:22,920 --> 00:51:25,000 Speaker 1: can check me out there in New York. What are 948 00:51:25,000 --> 00:51:28,080 Speaker 1: you doing? Ad CCM the Dell Close and Marathon for 949 00:51:28,280 --> 00:51:30,839 Speaker 1: the uninitiated. Miles working people follow you, well, you can 950 00:51:30,920 --> 00:51:33,880 Speaker 1: follow me U into an office with Edgar because we're 951 00:51:33,880 --> 00:51:35,960 Speaker 1: about to work on this killer treatment for the new 952 00:51:36,000 --> 00:51:39,120 Speaker 1: Pixar film for the culture. But if you're on looking 953 00:51:39,120 --> 00:51:41,760 Speaker 1: for me on social media Twitter and Instagram at Miles 954 00:51:41,920 --> 00:51:44,879 Speaker 1: of Gray. Yeah, and as we've learned in the Today's show, 955 00:51:44,920 --> 00:51:46,960 Speaker 1: you just need to dress up like a telephone repair 956 00:51:47,040 --> 00:51:49,000 Speaker 1: manning you can get in there to drop the script 957 00:51:49,080 --> 00:51:52,040 Speaker 1: off anywhere exactly. Hi, I'm here to pitch the new 958 00:51:52,160 --> 00:51:56,000 Speaker 1: Pixar film. Uh. And you can follow me at Jack 959 00:51:56,080 --> 00:51:59,080 Speaker 1: Underscore O'Brien on Twitter, and you can follow us at 960 00:51:59,160 --> 00:52:02,560 Speaker 1: the Dailies that guy on Instagram. Uh. We have a 961 00:52:02,719 --> 00:52:05,319 Speaker 1: Facebook fan page that is the Daily Zeitgeist. You can 962 00:52:05,360 --> 00:52:09,719 Speaker 1: follow us at Daily Zeitgeist on Twitter, and we have 963 00:52:10,239 --> 00:52:15,799 Speaker 1: a page on the worldwide Web at daily zeitgeist dot 964 00:52:15,880 --> 00:52:18,480 Speaker 1: com where we put up episodes of the show along 965 00:52:18,560 --> 00:52:23,680 Speaker 1: with Footnope, where you can see sources that we've used 966 00:52:23,760 --> 00:52:27,960 Speaker 1: for today's episode and facts that back up our ship. Uh. 967 00:52:28,960 --> 00:52:33,160 Speaker 1: Because we are more real journalists than James Okie James 968 00:52:33,200 --> 00:52:37,759 Speaker 1: o'kee cuban claim, Yes there will be, will we we'll 969 00:52:37,760 --> 00:52:43,920 Speaker 1: just link to your Twitter. Uh, We're really journalists than 970 00:52:44,000 --> 00:52:47,520 Speaker 1: James O'Keeffe, which means we're not real journalists. We're a 971 00:52:47,520 --> 00:52:51,399 Speaker 1: step of the finders, alright, and uh, we're gonna try 972 00:52:51,480 --> 00:52:54,400 Speaker 1: something out where we go out on new music to 973 00:52:54,640 --> 00:52:58,200 Speaker 1: introduce you guys to Uh. Miles has great taste of music. 974 00:52:58,280 --> 00:53:01,080 Speaker 1: He's always ahead of the curb. But today we wanted 975 00:53:01,200 --> 00:53:04,680 Speaker 1: to go out on a song that has been recommended 976 00:53:04,880 --> 00:53:09,839 Speaker 1: by Edgar. Actually he said that that Winchester Cathedral song 977 00:53:09,920 --> 00:53:13,359 Speaker 1: by the New Vaudeville Band is better than good Vibrations, 978 00:53:14,000 --> 00:53:18,799 Speaker 1: and so we're going to ride out on that once again. 979 00:53:18,840 --> 00:53:22,680 Speaker 1: It is Winchester Cathedral by the New Vaudeville Band, and 980 00:53:23,800 --> 00:53:27,080 Speaker 1: uh yeah, give it a listen. We will be back 981 00:53:27,280 --> 00:53:30,200 Speaker 1: tomorrow because it is a daily podcast. Talk to you guys, 982 00:54:12,000 --> 00:54:20,680 Speaker 1: living a day win Chester Cathedro. You're bringing me down. 983 00:54:23,040 --> 00:54:30,759 Speaker 1: You're starting You watch time my baby, a time you 984 00:54:31,160 --> 00:54:39,320 Speaker 1: could have done something. Why you didn't try, You didn't 985 00:54:39,400 --> 00:54:49,040 Speaker 1: do nothing? You let a walk by everyone? Just how 986 00:54:49,239 --> 00:54:58,120 Speaker 1: much I needed a dime wall and follow away? If 987 00:54:58,200 --> 00:55:05,360 Speaker 1: only you start at ring in your pick when Chester Cathedro, 988 00:55:07,320 --> 00:55:13,280 Speaker 1: you're bringing me down. You stood and you watched time 989 00:55:15,160 --> 00:55:36,200 Speaker 1: my baby left time Oh bonne, oh bon they are 990 00:55:36,320 --> 00:55:39,520 Speaker 1: gone or bony are gone I don't know