1 00:00:00,480 --> 00:00:03,400 Speaker 1: Ridiculous Crime is a production of iHeartRadio. 2 00:00:03,640 --> 00:00:05,840 Speaker 2: Saren Elizabeth Brunette. 3 00:00:06,000 --> 00:00:06,960 Speaker 3: Nice to see you, girl. 4 00:00:07,320 --> 00:00:10,039 Speaker 2: So good to see you. It's been such a long time. Yeah, 5 00:00:10,080 --> 00:00:12,960 Speaker 2: I know, like thirty minutes. We got to do this 6 00:00:12,960 --> 00:00:16,279 Speaker 2: more often and it really do listen. Yes, you know 7 00:00:16,320 --> 00:00:17,079 Speaker 2: it's ridiculous. 8 00:00:17,200 --> 00:00:20,120 Speaker 3: Oh my god, yes, actually and. 9 00:00:20,560 --> 00:00:24,040 Speaker 2: It's me yeah, ridiculously awesome. 10 00:00:24,400 --> 00:00:27,319 Speaker 3: No in this case, like as a listener pointed out, 11 00:00:27,680 --> 00:00:30,960 Speaker 3: they sent in a message and they said Melanie was 12 00:00:31,200 --> 00:00:33,640 Speaker 3: her name, and she said she was disappointed because when 13 00:00:33,720 --> 00:00:36,120 Speaker 3: there is a story about Alec Baldwin and no one 14 00:00:36,120 --> 00:00:39,800 Speaker 3: says who knows what evil lies in the hearts of men? 15 00:00:40,320 --> 00:00:43,800 Speaker 3: Alec Baldwin knows. And of course, as they point out 16 00:00:43,840 --> 00:00:47,080 Speaker 3: in their message, this is from the Shadow that from 17 00:00:47,120 --> 00:00:50,120 Speaker 3: the nineties, right, And as Melanie writes, quote, the Shadow 18 00:00:50,159 --> 00:00:52,479 Speaker 3: film was such a flop that no one seems to remember. 19 00:00:52,520 --> 00:00:55,720 Speaker 3: His turn as a superhero. Was especially disappointed when he 20 00:00:55,760 --> 00:00:58,680 Speaker 3: wrote an op ed defending Anthony Wayner the first sex scandal, 21 00:00:58,760 --> 00:01:01,320 Speaker 3: not the one resulting in divorce, and NPR neglected to 22 00:01:01,440 --> 00:01:04,320 Speaker 3: use this line in their coverage. I really thought Elizabeth 23 00:01:04,319 --> 00:01:05,960 Speaker 3: then ZB three would get there. 24 00:01:06,360 --> 00:01:10,720 Speaker 2: And dropped the ball right, I remember the Shadow, right. 25 00:01:10,720 --> 00:01:14,119 Speaker 3: I dude, I remember I watched all of those nineties like, oh, 26 00:01:14,160 --> 00:01:16,360 Speaker 3: we found this character from the thirties. Yeah, bet it 27 00:01:16,360 --> 00:01:19,039 Speaker 3: from the Radio over comics strip and we like Dick 28 00:01:19,080 --> 00:01:21,319 Speaker 3: Tracy that like, and then the made up one dark Man. 29 00:01:21,360 --> 00:01:23,000 Speaker 3: I even made up to watch The dark Man. 30 00:01:23,480 --> 00:01:27,520 Speaker 2: Like crap all over good radio show totally. 31 00:01:27,560 --> 00:01:30,480 Speaker 3: I love the radio show obviously, and uh, you know 32 00:01:30,760 --> 00:01:33,000 Speaker 3: the the old Shadow. That was the line from the 33 00:01:33,080 --> 00:01:36,440 Speaker 3: radio who knows what evil lurks in the hearts of men? 34 00:01:36,720 --> 00:01:41,200 Speaker 3: The Shadow knows? All right, and like, oh, you're right. 35 00:01:41,360 --> 00:01:44,399 Speaker 3: I dropped the ball, so thank you. It was ridiculous. 36 00:01:44,480 --> 00:01:47,480 Speaker 2: We totally dropped it. I love the I hear you 37 00:01:47,560 --> 00:01:50,760 Speaker 2: listening to the One show suspense. 38 00:01:50,320 --> 00:01:54,360 Speaker 3: Yes, yes, the time, yeah, around around headquarters because I'll 39 00:01:54,400 --> 00:01:56,559 Speaker 3: be like writing or returning emails and I just pop 40 00:01:56,640 --> 00:01:58,880 Speaker 3: one on my phone. The best love. 41 00:01:58,920 --> 00:02:02,040 Speaker 2: That is one hundred percent ridiculous, And I'm glad that 42 00:02:02,160 --> 00:02:04,640 Speaker 2: was pointed out. We did we did it. 43 00:02:04,720 --> 00:02:05,640 Speaker 3: Yeah, ridiculous. 44 00:02:05,920 --> 00:02:08,160 Speaker 2: But you want to know what else is ridiculous? Yes, 45 00:02:08,919 --> 00:02:35,640 Speaker 2: getting busted over a salami sandwich. This is ridiculous crime. 46 00:02:35,800 --> 00:02:40,200 Speaker 2: A podcast about absurd and outrageous capers heists and cons 47 00:02:40,600 --> 00:02:44,080 Speaker 2: it is always ninety nine percent murder free and one 48 00:02:44,160 --> 00:02:50,600 Speaker 2: hundred percent ridiculous. You damn right heists heists talking about language, 49 00:02:51,280 --> 00:02:54,000 Speaker 2: It's right in our tagline. Yeah, capers heist. 50 00:02:54,080 --> 00:02:55,880 Speaker 3: One of my three favorite things I love. 51 00:02:56,080 --> 00:02:59,040 Speaker 2: I love a good heist, like, give it to me, 52 00:03:00,040 --> 00:03:03,320 Speaker 2: give it to me. What you say? I what I 53 00:03:03,360 --> 00:03:06,120 Speaker 2: have for you today is a primo heist. You have 54 00:03:06,160 --> 00:03:09,840 Speaker 2: no idea. I can't believe we haven't talked about this before. 55 00:03:09,880 --> 00:03:12,880 Speaker 3: Really, this is like a classic. Oh it's it's top ten. 56 00:03:12,919 --> 00:03:16,200 Speaker 2: It is top ten, easy, top five, top three? What 57 00:03:16,600 --> 00:03:18,000 Speaker 2: this has it all? Zaren? 58 00:03:18,080 --> 00:03:19,119 Speaker 3: Why do we miss a top three? 59 00:03:19,520 --> 00:03:23,440 Speaker 2: I don't know, you know, I'm I'm very lazy, very sloppy. 60 00:03:23,560 --> 00:03:26,000 Speaker 3: Wow, you need to update the big board. 61 00:03:26,400 --> 00:03:31,480 Speaker 2: Oh my god, totally this has it all. Diamonds, italians 62 00:03:31,600 --> 00:03:32,919 Speaker 2: whoa code names? 63 00:03:33,040 --> 00:03:33,200 Speaker 3: Hell? 64 00:03:33,320 --> 00:03:36,000 Speaker 2: Yeah, tools goodness, including a swiffer. 65 00:03:36,160 --> 00:03:37,320 Speaker 3: Did you come up with this list? 66 00:03:37,560 --> 00:03:40,000 Speaker 2: Yeah? And a telltale salami sandwich. 67 00:03:41,440 --> 00:03:44,000 Speaker 3: Come on, every time you get to. 68 00:03:42,880 --> 00:03:47,760 Speaker 2: The sandwich sounds. What do you know about turin. 69 00:03:48,360 --> 00:03:51,720 Speaker 3: The city or the cloth aside from the shroud, I 70 00:03:51,720 --> 00:03:53,080 Speaker 3: know the shroud, and aside from the. 71 00:03:53,000 --> 00:03:57,080 Speaker 2: Two thousand and six I did some investigating. Oh good, 72 00:03:57,280 --> 00:03:59,520 Speaker 2: and it should come as no surprise that I really 73 00:03:59,560 --> 00:04:02,320 Speaker 2: want to vi a this city, you know you. I 74 00:04:02,320 --> 00:04:04,680 Speaker 2: think I've moved it up to like top of my list. 75 00:04:06,360 --> 00:04:08,480 Speaker 2: I've been a lot of places in Italy, but I've 76 00:04:08,520 --> 00:04:14,240 Speaker 2: never been to Turino. It's the home of Fiat Oh 77 00:04:14,320 --> 00:04:21,240 Speaker 2: Fabrica Italian automobile. Too cool, Turin Automobile, Turin Italian Automobiles. Back. 78 00:04:21,360 --> 00:04:22,960 Speaker 3: I did not know that, learned something new. 79 00:04:22,960 --> 00:04:27,360 Speaker 2: Every dentis football, okay, that's there, familiar with that. That's also 80 00:04:27,400 --> 00:04:29,279 Speaker 2: the birthplace of Italian cinema. 81 00:04:30,120 --> 00:04:33,120 Speaker 3: Really terrain pre dating, Uh. 82 00:04:35,400 --> 00:04:39,200 Speaker 2: Yeah, all of that in Turin. Michael Caine drove a 83 00:04:39,240 --> 00:04:42,320 Speaker 2: Mini Cooper in the Italian Job. Oh yes, I mean 84 00:04:42,360 --> 00:04:44,480 Speaker 2: this is like, it's amazing. 85 00:04:44,240 --> 00:04:46,520 Speaker 3: In the classic Italy that we imagine, right. 86 00:04:46,360 --> 00:04:49,080 Speaker 2: And in all my research on this heist, I spent 87 00:04:49,160 --> 00:04:52,040 Speaker 2: an inordinate amount of time, an inappropriate amount of time 88 00:04:52,240 --> 00:04:55,080 Speaker 2: learning about Turin and being like, you know, I want 89 00:04:55,080 --> 00:04:55,880 Speaker 2: to go here anyway? 90 00:04:56,000 --> 00:04:57,560 Speaker 3: Is there ever an inappropriate Do you know. 91 00:04:57,520 --> 00:04:59,440 Speaker 2: There's like a chocolate festival there? 92 00:04:59,640 --> 00:05:01,800 Speaker 3: I didn't. I didn't not spend any inappropriate amount of 93 00:05:01,800 --> 00:05:02,640 Speaker 3: time learning about Terin. 94 00:05:02,640 --> 00:05:03,520 Speaker 2: Have you ever been to Turin. 95 00:05:03,640 --> 00:05:05,920 Speaker 3: No, I've never been there. Yeah, I haven't. I haven't 96 00:05:05,960 --> 00:05:07,119 Speaker 3: been to Venice or Turin. 97 00:05:07,600 --> 00:05:11,279 Speaker 2: Venice is phenomenon. Yeah, okay, so we need to record 98 00:05:11,320 --> 00:05:12,440 Speaker 2: an episode in Venice. 99 00:05:12,520 --> 00:05:14,240 Speaker 3: Come up with a reason press an. 100 00:05:14,080 --> 00:05:17,040 Speaker 2: Episode in Turin, and I'm going to write to Admiral 101 00:05:17,080 --> 00:05:21,640 Speaker 2: iHeart be like, sir, sir, yes, sir, please please for 102 00:05:21,720 --> 00:05:24,279 Speaker 2: the people. Are you familiar with the School of Turin. 103 00:05:25,360 --> 00:05:26,599 Speaker 3: I don't think it sounds like. 104 00:05:26,600 --> 00:05:29,040 Speaker 2: An art movement, but it's not. It's a group of 105 00:05:29,040 --> 00:05:32,640 Speaker 2: professional criminals, criminal really yeah, and each of them have 106 00:05:32,960 --> 00:05:37,680 Speaker 2: fabulous specialties like areas of expertise. So well they're not okay, 107 00:05:37,720 --> 00:05:40,599 Speaker 2: So it's not technically like a gang or organized crime. 108 00:05:40,680 --> 00:05:44,120 Speaker 2: There's no hierarchy. It's just like a pool of skilled 109 00:05:44,680 --> 00:05:45,440 Speaker 2: jewel thieves. 110 00:05:45,720 --> 00:05:49,159 Speaker 3: Oh so it's like the old craftsman level of master apprentices, 111 00:05:49,480 --> 00:05:50,960 Speaker 3: master apprentice completely. 112 00:05:51,880 --> 00:05:55,240 Speaker 2: So they're smarter than other heist crews, Like they see 113 00:05:55,240 --> 00:05:58,839 Speaker 2: their crimes as puzzles to be solved, challenges to be dismantled. 114 00:05:59,080 --> 00:06:02,040 Speaker 2: That non violent. It so like they don't just bust 115 00:06:02,120 --> 00:06:04,480 Speaker 2: in and take things at gunpoint. There's this art to it. 116 00:06:05,000 --> 00:06:09,400 Speaker 2: They would outsmart security, they would use common items to 117 00:06:09,440 --> 00:06:11,880 Speaker 2: take down complex and high tech systems. 118 00:06:12,000 --> 00:06:13,120 Speaker 3: Okay, I love that. 119 00:06:13,360 --> 00:06:16,560 Speaker 2: There's this book Flawless by Scott Selby and Greg Campbell 120 00:06:16,600 --> 00:06:19,560 Speaker 2: as journalists, and this is what they say of the 121 00:06:19,600 --> 00:06:23,360 Speaker 2: school of turin quote. In one famous example, they ditched 122 00:06:23,400 --> 00:06:25,880 Speaker 2: the high tech approach to learning the combination of a 123 00:06:25,920 --> 00:06:29,080 Speaker 2: certain storage safe and instead sent one of their own 124 00:06:29,120 --> 00:06:32,280 Speaker 2: to seduce an employee who proved less than reliable when 125 00:06:32,279 --> 00:06:34,200 Speaker 2: it came to keeping secrets from her lover. 126 00:06:35,440 --> 00:06:38,359 Speaker 3: Yeah, so they're just that's some James Bonds. I liked this. 127 00:06:38,440 --> 00:06:41,760 Speaker 3: He went and seduce the guard essentially, or maybe the executive, the. 128 00:06:41,720 --> 00:06:46,720 Speaker 2: Shop girl girl. He was just like, hey, you know, 129 00:06:48,360 --> 00:06:50,719 Speaker 2: so they would they would case the place with women 130 00:06:50,760 --> 00:06:54,240 Speaker 2: as accomplices. They'd charm the staff and like browse for 131 00:06:54,320 --> 00:06:57,839 Speaker 2: future acquisitions. They would assess the situation and then go 132 00:06:57,920 --> 00:07:00,719 Speaker 2: back to one of their hangouts, like the back rooms 133 00:07:00,720 --> 00:07:04,400 Speaker 2: at bars and cafes, and they would use coded, vague 134 00:07:04,480 --> 00:07:08,000 Speaker 2: language and like to coordinate their best plan of action. 135 00:07:08,640 --> 00:07:10,720 Speaker 2: And then they would farm out the work to the 136 00:07:10,920 --> 00:07:14,600 Speaker 2: particular specialties, like you know, do we need someone who's 137 00:07:14,680 --> 00:07:18,160 Speaker 2: especially talented with disabling high tech security systems? Do we 138 00:07:18,240 --> 00:07:22,680 Speaker 2: need like someone who does lock picking, right, and so 139 00:07:22,720 --> 00:07:25,480 Speaker 2: they would go over who has these skills that they need? 140 00:07:25,520 --> 00:07:27,520 Speaker 2: Which of these dudes would be the best fit for 141 00:07:27,560 --> 00:07:28,040 Speaker 2: that job. 142 00:07:28,120 --> 00:07:29,640 Speaker 3: They had like an Emiliano's list. 143 00:07:29,960 --> 00:07:36,520 Speaker 2: Yes, so then we have like the mastermind of the 144 00:07:36,560 --> 00:07:39,880 Speaker 2: biggest heist any of these guys could ever pull in 145 00:07:39,920 --> 00:07:42,800 Speaker 2: a million years, Leonardo, not of Bertolo. 146 00:07:43,160 --> 00:07:46,560 Speaker 3: Oh you telling me this school of Turin had Leonardo 147 00:07:46,600 --> 00:07:48,800 Speaker 3: as their master h Hell yeah, it's so good. 148 00:07:49,040 --> 00:07:54,440 Speaker 2: So he was born in Palermo, raised in Turin, Yes, 149 00:07:54,520 --> 00:07:58,320 Speaker 2: of course, a son of Torino. Little is known about 150 00:07:58,320 --> 00:07:59,840 Speaker 2: his family life, but he grew up in like this 151 00:08:00,080 --> 00:08:03,880 Speaker 2: modest working class neighborhood. From an early age, he was 152 00:08:04,040 --> 00:08:09,040 Speaker 2: fascinated with mechanics and like intricate systems. He was interested 153 00:08:09,080 --> 00:08:11,120 Speaker 2: in locksmithing and that kind of stuff. 154 00:08:11,160 --> 00:08:11,600 Speaker 3: Interesting. 155 00:08:12,240 --> 00:08:15,400 Speaker 2: As a teenager, he could, like he could open locks 156 00:08:15,400 --> 00:08:17,400 Speaker 2: and crack safes and you know, just. 157 00:08:17,480 --> 00:08:19,800 Speaker 3: Mass safe as a teen Yes, damn. 158 00:08:19,880 --> 00:08:23,880 Speaker 2: So his criminal career began in nineteen seventy one with 159 00:08:24,000 --> 00:08:27,360 Speaker 2: the theft of an Alpha Romeo spider in Paris. Great, 160 00:08:27,600 --> 00:08:31,840 Speaker 2: I mean, are you kidding me? Style points nineteen years old, Yes, 161 00:08:31,880 --> 00:08:34,120 Speaker 2: and he's caught just chilling in the car listening to 162 00:08:34,160 --> 00:08:37,080 Speaker 2: the stereo, so they sent them back to Italy. 163 00:08:39,440 --> 00:08:40,280 Speaker 3: Way to get call oh my. 164 00:08:40,200 --> 00:08:43,320 Speaker 2: God, seriously, like stealing one of the most beautiful cars. 165 00:08:43,080 --> 00:08:44,880 Speaker 3: Taking it for a driving and parking for a moment 166 00:08:44,880 --> 00:08:45,360 Speaker 3: to listen to. 167 00:08:45,360 --> 00:08:48,480 Speaker 2: Listen to the you know, like some like cool you know. 168 00:08:50,679 --> 00:08:51,600 Speaker 3: Music was going on. 169 00:08:52,040 --> 00:08:54,040 Speaker 2: So he gets sent back to Italy. He goes on 170 00:08:54,120 --> 00:08:56,839 Speaker 2: to lead this life of like petty theft minor burglaries 171 00:08:56,880 --> 00:09:00,480 Speaker 2: around Turin. Then he gives this reputation though for being 172 00:09:00,559 --> 00:09:04,640 Speaker 2: really calculated and precise and he's super efficient. So over 173 00:09:04,720 --> 00:09:07,439 Speaker 2: the years his skills are evolving. He starts doing like 174 00:09:07,559 --> 00:09:11,360 Speaker 2: jewelry store heights and high profile burglaries all across Italy 175 00:09:11,400 --> 00:09:13,000 Speaker 2: and like sometimes into Switzerland. 176 00:09:13,160 --> 00:09:14,760 Speaker 3: And he's a safe cracker. So it's mostly like cat 177 00:09:14,800 --> 00:09:16,160 Speaker 3: burglar type stuff. Okay. 178 00:09:16,240 --> 00:09:18,800 Speaker 2: Yeah, And it's interesting though because at the same time 179 00:09:19,520 --> 00:09:21,960 Speaker 2: he's like a really talented jewelry designer. 180 00:09:22,559 --> 00:09:23,439 Speaker 3: He's got to get that. 181 00:09:23,600 --> 00:09:26,240 Speaker 2: Yeah, they called him though, People were calling him the 182 00:09:26,800 --> 00:09:30,000 Speaker 2: lupenn of Italy. Oh because he you know, your dude, 183 00:09:30,000 --> 00:09:33,440 Speaker 2: the famous generalman of course French literature. But so in 184 00:09:33,480 --> 00:09:35,680 Speaker 2: his twenties, so we go back, he's all about cars, 185 00:09:36,480 --> 00:09:39,520 Speaker 2: he gets Italian from Genoa all the way to the 186 00:09:39,559 --> 00:09:43,640 Speaker 2: Adriatic coast. The cars and he's getting pinned for like 187 00:09:43,800 --> 00:09:46,679 Speaker 2: speeding auto theft. If it involves a car, he's doing it. 188 00:09:47,000 --> 00:09:47,040 Speaker 4: That. 189 00:09:47,880 --> 00:09:54,319 Speaker 2: His boyhood nickname was Testa Dino or wooden head, because 190 00:09:54,320 --> 00:09:56,760 Speaker 2: he would head butt people during arguments as a kid, 191 00:09:57,160 --> 00:09:58,640 Speaker 2: which sounds very Glasswegian. 192 00:09:58,800 --> 00:09:59,319 Speaker 3: Totally. 193 00:09:59,360 --> 00:10:03,120 Speaker 2: That makes sense because one of Turin's sister cities is Glasgow. 194 00:10:03,720 --> 00:10:06,720 Speaker 3: There you go. They recognized game, game recognized game exactly. 195 00:10:06,800 --> 00:10:08,959 Speaker 2: But it went beyond the head butt, the glassy kiss. 196 00:10:09,679 --> 00:10:13,520 Speaker 2: He was just straight stubborn when it came to obeying 197 00:10:13,520 --> 00:10:17,439 Speaker 2: the law. I'm just not going to yeah. And so 198 00:10:17,679 --> 00:10:21,600 Speaker 2: he graduates from cars to general thievery. He does little 199 00:10:21,640 --> 00:10:23,640 Speaker 2: stints in jail here and there, but that's just like 200 00:10:23,720 --> 00:10:26,800 Speaker 2: his school, his University of crim Total. So he learns 201 00:10:26,840 --> 00:10:29,720 Speaker 2: these criminal skills and he's networking great. 202 00:10:29,760 --> 00:10:31,679 Speaker 3: You go on a network that you're a young man 203 00:10:31,720 --> 00:10:32,680 Speaker 3: on the go, you have. 204 00:10:32,640 --> 00:10:36,160 Speaker 2: To busy on the go lifestyle. By the late seventies, 205 00:10:36,160 --> 00:10:38,280 Speaker 2: he's on the cusp of his thirties. He EPs his game, 206 00:10:39,120 --> 00:10:41,920 Speaker 2: goes into the diamond business. You know, I've got a 207 00:10:41,920 --> 00:10:45,319 Speaker 2: friend in the Tom Shane of Shane and Company and 208 00:10:45,400 --> 00:10:48,640 Speaker 2: Cooper Tino, San Matteo and Walnut Creek open weekdays till eight, 209 00:10:48,679 --> 00:10:49,960 Speaker 2: Saturdays and Sundays still five. 210 00:10:50,200 --> 00:10:53,319 Speaker 3: Now you have a friend in the diamond business. I've 211 00:10:53,320 --> 00:10:54,160 Speaker 3: heard those as. 212 00:10:53,960 --> 00:10:57,520 Speaker 2: Yeah, oh my god forever. Anyway, Leonardo Diamonds. Like I 213 00:10:57,520 --> 00:11:01,360 Speaker 2: said earlier, he was quite the jewelry designer. He'd sketch 214 00:11:01,360 --> 00:11:04,920 Speaker 2: out pieces like necklaces, rings, bracelets and stuff like that. 215 00:11:05,040 --> 00:11:07,679 Speaker 2: This is a lark. But then he got serious about 216 00:11:07,679 --> 00:11:09,240 Speaker 2: it and he opened a jewelry store. 217 00:11:10,280 --> 00:11:10,520 Speaker 4: Yeah. 218 00:11:10,600 --> 00:11:13,000 Speaker 2: And then he got himself a partner in crime a 219 00:11:13,120 --> 00:11:14,120 Speaker 2: ride or die. 220 00:11:14,040 --> 00:11:14,240 Speaker 3: Yes. 221 00:11:14,360 --> 00:11:18,199 Speaker 2: He married a woman named Audriana Crudo Hell yeah, yeah. 222 00:11:18,240 --> 00:11:20,960 Speaker 2: She was his life and business partner in a total 223 00:11:21,000 --> 00:11:23,000 Speaker 2: badass for both of them. 224 00:11:23,120 --> 00:11:23,320 Speaker 3: Yeah. 225 00:11:23,360 --> 00:11:26,200 Speaker 2: So Leonardo, because he'd like tangled so much with the law, 226 00:11:26,640 --> 00:11:28,320 Speaker 2: it might have looked a little shady for him to 227 00:11:28,360 --> 00:11:31,800 Speaker 2: open up the jewelry store. So Adriana did it, and 228 00:11:31,840 --> 00:11:34,880 Speaker 2: it's in her name, and they they open up this 229 00:11:34,880 --> 00:11:39,120 Speaker 2: this store that's like on this fabulous avenue in Turin, 230 00:11:39,400 --> 00:11:42,439 Speaker 2: and it's right by this big weekend outdoor market. There's 231 00:11:42,480 --> 00:11:46,080 Speaker 2: a lot of foot traffic. Yeah, and it's close to 232 00:11:46,200 --> 00:11:50,960 Speaker 2: like the Juventus football stadium, prime retail location. 233 00:11:51,080 --> 00:11:52,559 Speaker 3: Yeah, a lot of foot traffic, as you said, but 234 00:11:52,640 --> 00:11:54,240 Speaker 3: also I imagine wealthy foot traffic. 235 00:11:54,320 --> 00:11:56,640 Speaker 2: Yeah exactly, and people just looking to, you know, do 236 00:11:56,760 --> 00:12:00,120 Speaker 2: something shopping. So they set up shop. They become well 237 00:12:00,160 --> 00:12:04,000 Speaker 2: known and like beloved business people. They're both super charming 238 00:12:04,160 --> 00:12:06,600 Speaker 2: and kind involved in the community is there, and they're 239 00:12:06,600 --> 00:12:07,280 Speaker 2: good citizens. 240 00:12:07,280 --> 00:12:09,240 Speaker 3: It's almost like they could go straight at this point 241 00:12:09,320 --> 00:12:11,120 Speaker 3: and make a life for themsel and. 242 00:12:11,040 --> 00:12:14,400 Speaker 2: He And yet the thing about Leonardo, he is so charming, 243 00:12:14,880 --> 00:12:17,240 Speaker 2: like he can just talk his way in or out 244 00:12:17,320 --> 00:12:20,000 Speaker 2: of anything. Everybody loves him at the moment they start 245 00:12:20,000 --> 00:12:22,640 Speaker 2: talking to him. He's got these like sparkly blue eyes. 246 00:12:22,679 --> 00:12:26,720 Speaker 2: He can get away with anything. N Yes, So there 247 00:12:26,720 --> 00:12:29,600 Speaker 2: are a lot of jewelry store robberies at the time, Yes, 248 00:12:29,720 --> 00:12:32,360 Speaker 2: non violent and after hours, but like a lot of 249 00:12:32,400 --> 00:12:33,280 Speaker 2: businesses were hit. 250 00:12:33,440 --> 00:12:34,760 Speaker 3: Crime was big in the seventies. 251 00:12:34,920 --> 00:12:35,840 Speaker 2: Not Leonardo's. 252 00:12:36,320 --> 00:12:37,679 Speaker 3: Oh that's all suspicious. 253 00:12:37,679 --> 00:12:40,760 Speaker 2: They're getting suspicious, right, So how did this petty thief 254 00:12:41,080 --> 00:12:43,040 Speaker 2: who used to like just be like I can't pay 255 00:12:43,040 --> 00:12:45,920 Speaker 2: any of these fines and broke. He's running this store 256 00:12:46,040 --> 00:12:49,000 Speaker 2: brimming with fine jewelry. So they get a search warrant 257 00:12:49,000 --> 00:12:51,920 Speaker 2: for his home. There weren't any gems or jewels in there, 258 00:12:52,320 --> 00:12:55,280 Speaker 2: but there was a handgun with a serial number filed off. 259 00:12:55,800 --> 00:12:57,199 Speaker 3: Eh, you know, as a gift. 260 00:12:57,360 --> 00:12:59,520 Speaker 2: That's what he's like, it's for protection from all the 261 00:12:59,600 --> 00:13:03,600 Speaker 2: fee was hitting the jewelry stores all out legitimate. I mean, 262 00:13:03,640 --> 00:13:05,320 Speaker 2: if you guys have been doing your job, I wouldn't 263 00:13:05,360 --> 00:13:08,440 Speaker 2: have to. And so then I should also mention that 264 00:13:08,520 --> 00:13:12,560 Speaker 2: one of his cousins back in Sicily, Benedetto Capizzi, he 265 00:13:12,559 --> 00:13:15,480 Speaker 2: would later be in line to become Copo di Gappi. 266 00:13:15,559 --> 00:13:17,280 Speaker 3: Oh for real Boston. 267 00:13:17,320 --> 00:13:19,320 Speaker 2: Oh yeah, yeah, that's his cousins, his cousin. 268 00:13:20,000 --> 00:13:22,400 Speaker 3: So keep that he didn't have a hard time getting 269 00:13:22,400 --> 00:13:24,520 Speaker 3: the guns with his snif filed off serial number. 270 00:13:24,559 --> 00:13:26,480 Speaker 2: No, not in the least. Oh and the cops when 271 00:13:26,480 --> 00:13:30,680 Speaker 2: the apartment, they also found c four blasting caps. So 272 00:13:31,000 --> 00:13:34,640 Speaker 2: remember the School of Turin As I mentioned earlier, Leonardo 273 00:13:34,679 --> 00:13:37,200 Speaker 2: part of that group, and he came up with a 274 00:13:37,280 --> 00:13:40,000 Speaker 2: corker of a plan that was sort of like presented 275 00:13:40,040 --> 00:13:40,319 Speaker 2: to him. 276 00:13:40,360 --> 00:13:41,960 Speaker 3: Do they have like do you imagine them having like 277 00:13:42,040 --> 00:13:44,599 Speaker 3: guild meetings, you know, and then like somebody presents it. 278 00:13:44,920 --> 00:13:49,599 Speaker 2: They're in these smoky back rooms, and apparently like Leonardo 279 00:13:49,800 --> 00:13:53,360 Speaker 2: hated cigarette smoke, and he didn't gamble or do any 280 00:13:53,400 --> 00:13:54,760 Speaker 2: of that kind of stuff, so he would kind of 281 00:13:54,760 --> 00:13:58,360 Speaker 2: sit there begrudgingly while all these thieves are doing sitting around, 282 00:13:58,480 --> 00:13:58,719 Speaker 2: you know. 283 00:13:59,080 --> 00:14:00,960 Speaker 3: The grubby business of like coming up with like the 284 00:14:01,000 --> 00:14:02,880 Speaker 3: payouts and. 285 00:14:02,280 --> 00:14:03,679 Speaker 2: Like hand gestures galore. 286 00:14:03,800 --> 00:14:06,560 Speaker 3: Yeah, so hands are flying every well, it. 287 00:14:06,480 --> 00:14:11,679 Speaker 2: All starts so with this guy, uh, Ferdinando Finoto, and 288 00:14:11,760 --> 00:14:14,359 Speaker 2: so he's in this crew that's about to get assembled. 289 00:14:14,679 --> 00:14:16,199 Speaker 2: His code name was the Monster. 290 00:14:16,920 --> 00:14:17,319 Speaker 3: Wow. 291 00:14:17,480 --> 00:14:20,560 Speaker 2: Yeah, he had physical strength just like a monster mountain 292 00:14:20,600 --> 00:14:22,920 Speaker 2: of a man. Yeah, but he also like he could 293 00:14:22,920 --> 00:14:24,320 Speaker 2: do brute force when required. 294 00:14:24,400 --> 00:14:27,200 Speaker 3: Yeah, but to get the nickname the Monster, that's extra Well. 295 00:14:27,040 --> 00:14:29,160 Speaker 2: It's because like he could do all this stuff, handle 296 00:14:29,200 --> 00:14:32,720 Speaker 2: heavy equipment, he could like do the security. But he 297 00:14:32,840 --> 00:14:36,160 Speaker 2: was also just really good at everything. Oh he's so 298 00:14:36,200 --> 00:14:37,760 Speaker 2: that was one of the re Like he's not only 299 00:14:37,800 --> 00:14:40,040 Speaker 2: this big man, but he's just he's a monster. He 300 00:14:40,040 --> 00:14:40,360 Speaker 2: can do. 301 00:14:40,360 --> 00:14:43,040 Speaker 3: Anything monstrously good and also us a monster on it. Okay, 302 00:14:43,080 --> 00:14:43,600 Speaker 3: I gotcha. 303 00:14:43,840 --> 00:14:47,400 Speaker 2: So he goes to Antwerp in nineteen ninety five because 304 00:14:47,440 --> 00:14:50,400 Speaker 2: like at that time, the Italian government was cracking down 305 00:14:50,520 --> 00:14:53,760 Speaker 2: on Indragaeda, yes, and then other mafia or. 306 00:14:54,520 --> 00:14:56,040 Speaker 3: They're the big mafia at this point. 307 00:14:56,160 --> 00:15:00,240 Speaker 2: Yeah, all throughout the country. Right, three hundred warrants issue, 308 00:15:00,320 --> 00:15:02,000 Speaker 2: one hundred and fifty arrests. 309 00:15:01,760 --> 00:15:03,400 Speaker 3: The big wharf time when they went and they had 310 00:15:03,440 --> 00:15:05,960 Speaker 3: they were having like the actual fight essentially, but. 311 00:15:05,960 --> 00:15:09,800 Speaker 2: Like in Naples, it really didn't make a dent really. Yeah. 312 00:15:10,320 --> 00:15:12,840 Speaker 2: And so but in what we're referred to as the 313 00:15:12,880 --> 00:15:16,120 Speaker 2: satellite cities like Turin, it really shook things up for 314 00:15:16,200 --> 00:15:20,920 Speaker 2: criminals and including the School of Turin. And it's because 315 00:15:21,080 --> 00:15:26,800 Speaker 2: not because they were involved with in drageda or you know, yeah, No, 316 00:15:26,880 --> 00:15:30,680 Speaker 2: it's because now all like the regular cops have these resources, 317 00:15:30,720 --> 00:15:34,720 Speaker 2: they don't have to go chasing as nationwide thing. They 318 00:15:34,760 --> 00:15:39,040 Speaker 2: can go after non mafia operations. Yes, so a lot 319 00:15:39,080 --> 00:15:41,480 Speaker 2: of the thieves and the criminals in Turin they headed 320 00:15:41,520 --> 00:15:44,280 Speaker 2: north and for the School of Turin. Guys though it 321 00:15:44,320 --> 00:15:46,480 Speaker 2: didn't mean they were like going underground or making a 322 00:15:46,560 --> 00:15:50,320 Speaker 2: run for it. It was like diversification. So the monster 323 00:15:50,600 --> 00:15:52,240 Speaker 2: he figured he was going to go to Antwerp and 324 00:15:52,320 --> 00:15:55,480 Speaker 2: check out the diamond district there and he even set 325 00:15:55,560 --> 00:16:00,760 Speaker 2: up a front company called Max Diamonds so it allowed 326 00:16:00,800 --> 00:16:03,800 Speaker 2: him to open a bank account there at KBC Bank. 327 00:16:04,160 --> 00:16:06,800 Speaker 2: So he and his crew they spent weeks casing the bank. 328 00:16:06,840 --> 00:16:08,640 Speaker 2: They're looking for a way to run a heist on 329 00:16:08,720 --> 00:16:11,880 Speaker 2: the bank, and they're all set up to do the job. 330 00:16:12,320 --> 00:16:15,080 Speaker 2: They're like ready to go, but they tripped the alarm 331 00:16:15,160 --> 00:16:16,480 Speaker 2: as they were trying to disable it. 332 00:16:17,000 --> 00:16:21,160 Speaker 3: Oh, just like first time. They're like, okay, clip and 333 00:16:21,480 --> 00:16:21,800 Speaker 3: roll it. 334 00:16:21,840 --> 00:16:24,200 Speaker 2: Oh no, So the Monster and his crew they book 335 00:16:24,240 --> 00:16:26,080 Speaker 2: it out of there. They ditched their tools at the 336 00:16:26,120 --> 00:16:29,000 Speaker 2: scene and they got away with it though, like no 337 00:16:29,160 --> 00:16:32,480 Speaker 2: link to the attempt. But with that job blown, the 338 00:16:32,480 --> 00:16:34,560 Speaker 2: Monster's like, well, let's go back to Turin for a while. 339 00:16:34,680 --> 00:16:36,640 Speaker 3: I lost all their tools and left fingerprints everywhere. 340 00:16:36,720 --> 00:16:39,520 Speaker 2: Yeah, but he was like, I see the possibilities in Antwerp, 341 00:16:40,520 --> 00:16:43,880 Speaker 2: did so much opportunity. Yeah. Remember he'd rented an office 342 00:16:43,880 --> 00:16:46,240 Speaker 2: in the Diamond Center there in order to like blend 343 00:16:46,240 --> 00:16:49,120 Speaker 2: in at the bank, and he found that they didn't 344 00:16:49,160 --> 00:16:52,160 Speaker 2: really vet him when he got the office. And because 345 00:16:52,200 --> 00:16:54,640 Speaker 2: he's the Monster and he's amazing and everything he does, 346 00:16:55,040 --> 00:16:58,360 Speaker 2: he clocked the security in that building and the layout 347 00:16:58,800 --> 00:17:01,520 Speaker 2: and the faults, like how much went in and out 348 00:17:01,520 --> 00:17:04,040 Speaker 2: of this vault. So by his estimate, there had to 349 00:17:04,040 --> 00:17:06,800 Speaker 2: be hundreds of millions of dollars worth of diamonds in 350 00:17:06,880 --> 00:17:08,000 Speaker 2: the underground vault. 351 00:17:08,320 --> 00:17:11,000 Speaker 3: What at the diamonds side, hundreds of millions in diamonds. 352 00:17:11,280 --> 00:17:13,960 Speaker 2: Diamonds they're harder to move and longer than cash from 353 00:17:14,000 --> 00:17:16,119 Speaker 2: a bank job, sure, which is why he chose to 354 00:17:16,119 --> 00:17:19,000 Speaker 2: do the bank. But they're more valuable by weight, and 355 00:17:19,040 --> 00:17:20,440 Speaker 2: they're harder to trace. 356 00:17:20,320 --> 00:17:23,399 Speaker 3: Yes, and so small, they're just small. 357 00:17:23,520 --> 00:17:26,119 Speaker 2: So the monster he sees an opportunity. He need knows 358 00:17:26,280 --> 00:17:29,720 Speaker 2: just the jeweler to get in on this jeweler Leonardo 359 00:17:30,080 --> 00:17:30,760 Speaker 2: Tom Shaane. 360 00:17:30,800 --> 00:17:31,439 Speaker 3: Oh of course. 361 00:17:32,440 --> 00:17:35,040 Speaker 2: So with the vague notion of a job, Leonardo sets 362 00:17:35,040 --> 00:17:37,880 Speaker 2: out to plan the perfect heist. So first he has 363 00:17:37,880 --> 00:17:40,400 Speaker 2: to gather his crew. Naturally, they all had code names 364 00:17:40,440 --> 00:17:43,159 Speaker 2: and they only used those, they didn't use their real names. 365 00:17:43,600 --> 00:17:48,240 Speaker 2: So obviously there's the monster Ferdinandoo. Then we have the 366 00:17:48,320 --> 00:17:53,080 Speaker 2: genius Eleo Dinario. He is the electronics expert, so he's 367 00:17:53,160 --> 00:17:56,840 Speaker 2: tasked with like disabling the alarm systems, manipulating all the 368 00:17:56,920 --> 00:18:00,959 Speaker 2: technology with the security he could bypass motion detectors and 369 00:18:01,000 --> 00:18:03,840 Speaker 2: like disabled magnetic sensors and all that kind of stuff 370 00:18:04,720 --> 00:18:08,040 Speaker 2: they said he was like James Bond's Q. He's the quartermaster. 371 00:18:08,560 --> 00:18:11,800 Speaker 2: His cover was perfect because he had his own security business. 372 00:18:12,359 --> 00:18:14,760 Speaker 2: So they are like legitimate reasons for him to be 373 00:18:14,880 --> 00:18:16,679 Speaker 2: up to date and have all this equipment and know 374 00:18:16,720 --> 00:18:18,960 Speaker 2: how to override it. And then next up we have 375 00:18:19,119 --> 00:18:25,280 Speaker 2: Speedy and he's the getaway driver, Pietro Tavano River named Speedy. Yeah, 376 00:18:25,320 --> 00:18:29,760 Speaker 2: Pietro Tovano. He's responsible for their safe and rapid exit, right, 377 00:18:30,560 --> 00:18:34,320 Speaker 2: and he's he's an expert in evasion and high speed driving. 378 00:18:35,080 --> 00:18:39,280 Speaker 2: So you he's also a lifelong friend of Leonardo. 379 00:18:40,000 --> 00:18:41,960 Speaker 3: That you want to trust your getaway driver. 380 00:18:42,200 --> 00:18:46,280 Speaker 2: Lastly, we have the King of Keys. What yeah, the 381 00:18:46,400 --> 00:18:50,080 Speaker 2: King of His identity is unknown really, but he was 382 00:18:50,200 --> 00:18:54,000 Speaker 2: a locksmith extraordinary. He's an old man and his job 383 00:18:54,119 --> 00:18:57,879 Speaker 2: was to craft perfect copies of the vaults keys. And 384 00:18:57,920 --> 00:19:00,920 Speaker 2: he was like this master locksmith. He could duplicate any 385 00:19:01,000 --> 00:19:03,960 Speaker 2: lock or key, and for this job he'd have to 386 00:19:03,960 --> 00:19:05,960 Speaker 2: make a foot long key for the vault. 387 00:19:06,160 --> 00:19:08,440 Speaker 3: What yeah, the key. 388 00:19:08,880 --> 00:19:12,760 Speaker 2: Yeah. So with the crew in place, Leonardo starts for. 389 00:19:12,840 --> 00:19:17,960 Speaker 3: Pa Renaissance era bank two foot like. 390 00:19:18,600 --> 00:19:23,760 Speaker 2: Two foot deep door vault and so uh it's a 391 00:19:23,880 --> 00:19:26,960 Speaker 2: two He gets the plan going. It's a two year 392 00:19:27,080 --> 00:19:32,240 Speaker 2: long process to get ready for this incredibly involved designed 393 00:19:32,280 --> 00:19:36,160 Speaker 2: to beat the impossible. Let's take a break after these ads. 394 00:19:36,160 --> 00:19:38,680 Speaker 2: I'm going to tell you about the insane security measures 395 00:19:38,720 --> 00:20:01,959 Speaker 2: that these guys were up against. All right, Sarah, you ready, dude? 396 00:20:02,000 --> 00:20:04,359 Speaker 3: Are you kidding me? I've been champing at the bed. 397 00:20:04,520 --> 00:20:07,760 Speaker 3: They got the Genius, the King of Keys, Monster, the Monster. 398 00:20:08,440 --> 00:20:12,000 Speaker 2: It's so good. Yeah, it's so good and speedy. Let 399 00:20:12,040 --> 00:20:14,679 Speaker 2: us not forget speed. Let us not so I was 400 00:20:14,680 --> 00:20:17,280 Speaker 2: telling you about the crew. Let me tell you about 401 00:20:17,320 --> 00:20:17,800 Speaker 2: the target. 402 00:20:17,960 --> 00:20:18,360 Speaker 3: Okay. 403 00:20:19,040 --> 00:20:21,560 Speaker 2: The vault at the Antwerp Diamond Center is one of 404 00:20:21,600 --> 00:20:24,359 Speaker 2: the most secure facilities in the world. So it's sitting 405 00:20:24,359 --> 00:20:28,159 Speaker 2: in the middle of Belgium's diamond district. The complex is 406 00:20:28,160 --> 00:20:30,919 Speaker 2: made up of three blocks, A, B, and C, and 407 00:20:30,960 --> 00:20:35,160 Speaker 2: it housed billions of dollars worth of diamond gold jewels. 408 00:20:35,200 --> 00:20:36,080 Speaker 3: What's the big beat with? 409 00:20:36,520 --> 00:20:40,080 Speaker 2: We know how much a billion gym dealers from all 410 00:20:40,119 --> 00:20:43,080 Speaker 2: over the world have offices there. The vault has ten 411 00:20:43,200 --> 00:20:47,760 Speaker 2: layers of advanced security measures, which makes it pretty much impenetrable. 412 00:20:48,600 --> 00:20:51,439 Speaker 3: Supposedly, so when they take diamonds out of the congo. 413 00:20:51,560 --> 00:20:52,639 Speaker 3: This is where they deposit them. 414 00:20:53,480 --> 00:20:55,399 Speaker 2: They do the blood diamonds. This is where they go, 415 00:20:55,560 --> 00:20:57,760 Speaker 2: This is where they go. Okay, So, like I said, 416 00:20:57,760 --> 00:21:01,280 Speaker 2: they're ten layers, let's talk about them. Number one the 417 00:21:01,320 --> 00:21:05,240 Speaker 2: thick steel vault door. Right, So it weighs three tons 418 00:21:05,560 --> 00:21:07,560 Speaker 2: and it's two feet thick. That's why you need a 419 00:21:07,640 --> 00:21:08,520 Speaker 2: one foot key. 420 00:21:08,680 --> 00:21:10,919 Speaker 3: Yeah, there's no like thermal lance is going to. 421 00:21:10,920 --> 00:21:13,879 Speaker 2: Cut No, no, no, no no, there's also so you 422 00:21:13,920 --> 00:21:17,280 Speaker 2: have the key and a combination lock, and the combination 423 00:21:17,400 --> 00:21:19,560 Speaker 2: code is only known to authorize personnel. 424 00:21:19,720 --> 00:21:21,760 Speaker 3: Does it like change or something or just like they 425 00:21:21,760 --> 00:21:23,199 Speaker 3: have to actually have it set and everybody knows. 426 00:21:23,320 --> 00:21:23,399 Speaker 5: No. 427 00:21:23,480 --> 00:21:25,480 Speaker 2: Here's the thing with that. This is layer two, the 428 00:21:25,560 --> 00:21:28,440 Speaker 2: lock with one hundred million possible combinations. 429 00:21:28,560 --> 00:21:30,000 Speaker 3: Did you say one hundred millions? 430 00:21:30,080 --> 00:21:33,159 Speaker 2: I just said that. So it's a dial logue. It 431 00:21:33,200 --> 00:21:35,680 Speaker 2: has all those it's designed to prevent an authorized ax. 432 00:21:36,160 --> 00:21:39,480 Speaker 2: So you have to line up four double digits in 433 00:21:39,680 --> 00:21:42,520 Speaker 2: order to get in. Oh crazy, And if the lock 434 00:21:42,560 --> 00:21:46,520 Speaker 2: gets tampered with, the vault goes into lockdown mode. Oh yeah. 435 00:21:47,280 --> 00:21:47,960 Speaker 2: Layer three. 436 00:21:48,080 --> 00:21:50,520 Speaker 3: Can you imagine inventing this thing? I know, it's like 437 00:21:51,800 --> 00:21:54,800 Speaker 3: I've got another one. 438 00:21:55,240 --> 00:21:57,399 Speaker 2: Internal and external surveillance cameras. 439 00:21:57,560 --> 00:21:58,760 Speaker 3: Okay, that makes sense. 440 00:21:59,040 --> 00:22:01,400 Speaker 2: So you know obviously the external is that the perimeter 441 00:22:01,520 --> 00:22:04,399 Speaker 2: internal track the movements inside the vault's corridor and around 442 00:22:04,400 --> 00:22:07,399 Speaker 2: the entrance. Footage is recorded twenty four to seven and 443 00:22:07,440 --> 00:22:12,000 Speaker 2: stored securely. Layer four magnetic sensor on the vault door. 444 00:22:13,040 --> 00:22:16,080 Speaker 2: So this would detect any unauthorized opening of the vault. 445 00:22:15,880 --> 00:22:18,840 Speaker 3: Door if the magnets break exactly. 446 00:22:18,880 --> 00:22:21,199 Speaker 2: So if the vault doors open without disarming, the sensor 447 00:22:21,240 --> 00:22:26,320 Speaker 2: and alarm immediately goes to security. Layer five Heat and 448 00:22:26,440 --> 00:22:31,440 Speaker 2: motion detectors like infrared, So these would detect body heat 449 00:22:31,600 --> 00:22:33,800 Speaker 2: and movement in the vault in the corridor, like. 450 00:22:33,800 --> 00:22:38,920 Speaker 3: The missipible senses yes, ye. 451 00:22:37,640 --> 00:22:43,120 Speaker 2: Yeah, even the slight exactly. Layer six light sensor inside 452 00:22:43,160 --> 00:22:46,520 Speaker 2: the vault, so this detects any sudden changes in light 453 00:22:46,640 --> 00:22:49,920 Speaker 2: within the vault flashlight yeah yeah, so if it's tripped 454 00:22:50,040 --> 00:22:56,080 Speaker 2: in alert Security Layer seven timed relocking mechanism, So if 455 00:22:56,080 --> 00:22:58,760 Speaker 2: the vault is not accessed at the correct time or 456 00:22:58,760 --> 00:23:02,119 Speaker 2: if tampering is detected, the system engages in a fail 457 00:23:02,200 --> 00:23:04,119 Speaker 2: safe lock that prevents the door from opening. 458 00:23:04,520 --> 00:23:05,119 Speaker 3: Wow. 459 00:23:05,480 --> 00:23:13,600 Speaker 2: Layer eight okay, seismic and vibration sensors. So this this 460 00:23:11,880 --> 00:23:18,000 Speaker 2: one any vibrations caused by drilling, cutting or any mechanical interference. 461 00:23:18,760 --> 00:23:22,440 Speaker 2: Super responsive to any disturbances around the vault structures. 462 00:23:22,000 --> 00:23:26,840 Speaker 3: Any vibration, no drilling. 463 00:23:26,240 --> 00:23:29,800 Speaker 2: Layered, nine security guard patrols and on site staff. Then 464 00:23:30,359 --> 00:23:34,280 Speaker 2: hell so regular security patrols are monitoring the premises and 465 00:23:34,320 --> 00:23:37,520 Speaker 2: the vault corridor and security is trained to respond within 466 00:23:37,640 --> 00:23:38,840 Speaker 2: minutes if anything goes on. 467 00:23:38,960 --> 00:23:40,360 Speaker 3: Do they have like killer dogs too? 468 00:23:40,600 --> 00:23:45,879 Speaker 2: On a short layer ten our last layer emergency alarm 469 00:23:45,960 --> 00:23:49,360 Speaker 2: link to police, So any unauthorized attempt, any of these 470 00:23:49,400 --> 00:23:53,080 Speaker 2: alerts they go off, it goes right to the cops 471 00:23:53,359 --> 00:23:56,639 Speaker 2: and Antwerp police. They have a rapid response protocol in 472 00:23:56,680 --> 00:24:00,240 Speaker 2: place to address alarms from the diming disc of You know, 473 00:24:00,280 --> 00:24:01,080 Speaker 2: it's so huge. 474 00:24:01,200 --> 00:24:03,640 Speaker 3: But if there like one guy like Barry who has 475 00:24:03,680 --> 00:24:05,879 Speaker 3: to come back in and like reset all the locks, 476 00:24:05,880 --> 00:24:10,520 Speaker 3: he's like it happened again, very sorry, I'll be. 477 00:24:10,440 --> 00:24:14,280 Speaker 2: There, then someone's stuck in the vault. But it's a lot, 478 00:24:14,440 --> 00:24:16,840 Speaker 2: that's a lot of security, a lot. 479 00:24:16,920 --> 00:24:17,040 Speaker 5: Well. 480 00:24:17,119 --> 00:24:19,280 Speaker 2: They kept mentioning in some of the articles I read 481 00:24:19,320 --> 00:24:21,399 Speaker 2: that there was like a Doppler system and I'm guessing 482 00:24:21,440 --> 00:24:24,159 Speaker 2: that has to do with like the seismic stuff. I 483 00:24:24,200 --> 00:24:26,639 Speaker 2: don't know, but whatever, they got a lot of stuff going. 484 00:24:26,520 --> 00:24:27,960 Speaker 3: On, like the whine of a drill. 485 00:24:28,040 --> 00:24:31,639 Speaker 2: Who knows, I probably so they they have like this 486 00:24:31,760 --> 00:24:35,080 Speaker 2: crazy security and they broadcast that to those who want 487 00:24:35,080 --> 00:24:39,879 Speaker 2: to use their services very upfront. So when Leonardo he 488 00:24:40,000 --> 00:24:43,159 Speaker 2: poses as an Italian diamond merchant and he rents a 489 00:24:43,160 --> 00:24:47,240 Speaker 2: little office there seven hundred bucks a month, he also 490 00:24:47,320 --> 00:24:50,359 Speaker 2: got access to a safe deposit box in the vault 491 00:24:50,359 --> 00:24:53,679 Speaker 2: beneath the building. Like with your office, comes a box 492 00:24:53,720 --> 00:24:54,240 Speaker 2: in the vault. 493 00:24:54,400 --> 00:24:56,800 Speaker 3: Wait a minute, So they go through all the security 494 00:24:56,960 --> 00:24:58,439 Speaker 3: and then all you have to do is just do 495 00:24:58,520 --> 00:25:00,840 Speaker 3: a first in the last and then you get into. 496 00:25:00,600 --> 00:25:01,800 Speaker 2: This bucks a month. 497 00:25:01,920 --> 00:25:05,640 Speaker 3: What Yeah, this is the one system. 498 00:25:05,960 --> 00:25:08,320 Speaker 2: And like bragging about security, and then they give him 499 00:25:08,320 --> 00:25:11,720 Speaker 2: a tenant ID card that provides twenty four hour access 500 00:25:11,760 --> 00:25:12,320 Speaker 2: to the building. 501 00:25:12,880 --> 00:25:15,560 Speaker 3: Wow, okay, but I'm imagining all the other sensors, everything's 502 00:25:15,560 --> 00:25:17,800 Speaker 3: gonna make it hard to get It just means you 503 00:25:17,800 --> 00:25:19,359 Speaker 3: can get to the gate. 504 00:25:19,480 --> 00:25:23,320 Speaker 2: Right, So Leonardo he got to work, right. He secretly 505 00:25:23,359 --> 00:25:26,879 Speaker 2: installed miniature cameras around the vault like he would just 506 00:25:26,960 --> 00:25:30,600 Speaker 2: like yeah he would, and he studied the patterns of 507 00:25:30,640 --> 00:25:35,280 Speaker 2: the guards and the vaults operation. Okayulous, Yeah, he documented 508 00:25:35,320 --> 00:25:38,800 Speaker 2: all the weaknesses in the ten layer system and he 509 00:25:38,920 --> 00:25:42,840 Speaker 2: got into the complex to access his box while carrying 510 00:25:42,960 --> 00:25:45,120 Speaker 2: a man purse that he had like cut a little 511 00:25:45,160 --> 00:25:47,880 Speaker 2: hole and had a camera in it, and he felt 512 00:25:47,920 --> 00:25:51,560 Speaker 2: kind of foolish, like strolling around with a man purse. Yeah, 513 00:25:51,560 --> 00:25:56,040 Speaker 2: he came away with these like crazy detailed observation. So 514 00:25:56,080 --> 00:25:59,399 Speaker 2: he'd stroll all slow to keep the recording smooth. And 515 00:25:59,440 --> 00:26:03,120 Speaker 2: he starts outside the building, swipes his badge to get in, 516 00:26:03,240 --> 00:26:05,199 Speaker 2: and then goes to his office on the fifth floor. 517 00:26:05,560 --> 00:26:08,480 Speaker 2: And after that, then he turns around takes the elevator 518 00:26:08,520 --> 00:26:10,760 Speaker 2: down to the vault. All of this on video, sure, 519 00:26:11,200 --> 00:26:13,600 Speaker 2: and so he gets the specifics of the elevator, the 520 00:26:13,720 --> 00:26:18,040 Speaker 2: vault doors. Yeah, he captured the opening to the safe 521 00:26:18,119 --> 00:26:22,359 Speaker 2: room covered by the daygate. Of course, like security cameras 522 00:26:22,359 --> 00:26:24,280 Speaker 2: are filming him, so he had to look cool and 523 00:26:24,359 --> 00:26:28,240 Speaker 2: like inconspicuous. So he's just an Italian guy's like smooth 524 00:26:28,280 --> 00:26:30,920 Speaker 2: strolling around with clutching his leather man purse. 525 00:26:31,080 --> 00:26:33,680 Speaker 3: It's actually not that on camera works, it works, it's 526 00:26:33,800 --> 00:26:34,520 Speaker 3: very business man. 527 00:26:34,920 --> 00:26:39,199 Speaker 2: Yeah, from that book, flawless quote with his little purse 528 00:26:39,359 --> 00:26:41,919 Speaker 2: cocked under his arm. He was often seen on the 529 00:26:41,920 --> 00:26:45,520 Speaker 2: security cameras tilting his upper body at odd angles, slowly 530 00:26:45,600 --> 00:26:48,760 Speaker 2: turning in circles in the middle of hallways, and walking 531 00:26:48,800 --> 00:26:51,879 Speaker 2: stiffly like he'd pull the muscle. Much later, the police 532 00:26:51,880 --> 00:26:55,480 Speaker 2: would watch the security tapes and laugh humorlessly and how 533 00:26:55,560 --> 00:26:58,439 Speaker 2: in hindsight it was obvious that something was amiss with 534 00:26:58,480 --> 00:27:01,320 Speaker 2: his behavior, but at the time tim is clunky gait 535 00:27:01,359 --> 00:27:05,359 Speaker 2: and what looked like spells of absent mindedness didn't attract attention. Yeah, 536 00:27:05,520 --> 00:27:09,080 Speaker 2: that's also because he's just charming everybody everywhere he goes. 537 00:27:09,280 --> 00:27:11,920 Speaker 2: I love this guy and he's weird, and I love him. 538 00:27:11,960 --> 00:27:13,600 Speaker 3: And I've been thinking a lot of characters too, who 539 00:27:13,640 --> 00:27:16,520 Speaker 3: are like you know, older gem Deelers and so forth, 540 00:27:16,520 --> 00:27:17,800 Speaker 3: who maybe a little absent minded. 541 00:27:17,920 --> 00:27:20,520 Speaker 2: Exactly, it's totally like the right industry to be a 542 00:27:20,560 --> 00:27:23,760 Speaker 2: little quirky. So he made it through the daygate gets 543 00:27:23,800 --> 00:27:27,720 Speaker 2: into the vault. There were very purposeful CCTV blind spots 544 00:27:27,840 --> 00:27:29,960 Speaker 2: in the vault, really because they wanted to give box 545 00:27:29,960 --> 00:27:32,679 Speaker 2: holders some privacy when they're putting stuff in or taking 546 00:27:32,720 --> 00:27:37,120 Speaker 2: it out, like you know, and there are no guards 547 00:27:37,160 --> 00:27:40,320 Speaker 2: in the vault, so that was a relief for him. 548 00:27:40,840 --> 00:27:42,679 Speaker 2: So he stood in the center of the vault and 549 00:27:42,720 --> 00:27:46,359 Speaker 2: he slowly turns to film the interior. He captured the 550 00:27:46,400 --> 00:27:49,360 Speaker 2: motion detector and the light detector and the ceiling. Sure, 551 00:27:49,680 --> 00:27:51,520 Speaker 2: since there's no one in there with him and they're 552 00:27:51,560 --> 00:27:53,879 Speaker 2: all the blind spots, he pulls out a tape measure 553 00:27:54,119 --> 00:27:56,639 Speaker 2: and gets to work. He like gets all the specifics 554 00:27:56,640 --> 00:27:58,400 Speaker 2: for the boxes and the vault door. 555 00:27:58,800 --> 00:28:02,840 Speaker 3: What he doesn't mind that he's on camera filming spots. 556 00:28:02,840 --> 00:28:05,240 Speaker 2: He's in the CCTV blind spots. 557 00:28:05,160 --> 00:28:08,080 Speaker 3: The whole vault extending this. 558 00:28:08,400 --> 00:28:10,680 Speaker 2: Yeah, so when it comes to the giant vault door, 559 00:28:10,800 --> 00:28:14,440 Speaker 2: the video captured something important. There was a logo stamped 560 00:28:14,440 --> 00:28:18,320 Speaker 2: on the doorframe L I P S. I don't know. 561 00:28:18,359 --> 00:28:21,439 Speaker 2: It's all caps. So the School of Turin's locksmiths, they 562 00:28:21,480 --> 00:28:24,200 Speaker 2: went into research mode and they determined what they'd need 563 00:28:24,280 --> 00:28:26,399 Speaker 2: based on the schematics that they could get their hands 564 00:28:26,400 --> 00:28:29,720 Speaker 2: on from like when the building was built, when this 565 00:28:29,840 --> 00:28:32,560 Speaker 2: company was making these kind of vault doors, like they 566 00:28:32,640 --> 00:28:36,760 Speaker 2: hacked it. So at this time, for almost two years, 567 00:28:37,040 --> 00:28:40,400 Speaker 2: Leonardo came and went from the building like he's posted 568 00:28:40,480 --> 00:28:43,800 Speaker 2: up there for two years. Two He timed responses for everything. 569 00:28:43,880 --> 00:28:46,640 Speaker 2: He memorized routines. He used his charm and his wit 570 00:28:46,720 --> 00:28:49,680 Speaker 2: to blend in and become inconspicuous, just like this normal 571 00:28:49,720 --> 00:28:51,360 Speaker 2: gem dealer. Are you used to him? 572 00:28:51,400 --> 00:28:53,000 Speaker 3: I can see where they're called the School of Turin. 573 00:28:53,040 --> 00:28:54,440 Speaker 3: These are some Renaissance masters. 574 00:28:55,200 --> 00:28:56,040 Speaker 2: Meticulousness. 575 00:28:56,120 --> 00:28:56,760 Speaker 3: This is art. 576 00:28:56,920 --> 00:29:00,560 Speaker 2: It completely. So at one point he goes to management, 577 00:29:00,600 --> 00:29:03,760 Speaker 2: He's like, I want to expand out my office. Can 578 00:29:03,760 --> 00:29:06,040 Speaker 2: I see some blueprints to like get an idea of 579 00:29:06,040 --> 00:29:10,560 Speaker 2: what my options are. Knock down this wall, maybe they'll 580 00:29:10,560 --> 00:29:12,560 Speaker 2: give him the fifth floor. They gave him all the 581 00:29:12,560 --> 00:29:15,239 Speaker 2: blueprints to the entire tire building. Yeah, here you go, 582 00:29:15,320 --> 00:29:18,400 Speaker 2: take a look. Let me knock yourself out. So the 583 00:29:18,520 --> 00:29:21,560 Speaker 2: crew they had installed a small camera over the vault door, 584 00:29:21,680 --> 00:29:26,000 Speaker 2: Like he had to stretch and be like, oh oh yeah. 585 00:29:26,080 --> 00:29:29,040 Speaker 2: It would show guards opening the door and record that 586 00:29:29,240 --> 00:29:31,640 Speaker 2: crazy four line double digit combination? 587 00:29:32,160 --> 00:29:32,920 Speaker 3: Are you kidding me? 588 00:29:33,160 --> 00:29:36,360 Speaker 2: Yeah, looking right down on it. So the content from 589 00:29:36,360 --> 00:29:39,800 Speaker 2: that camera was sent to a small secret storage system, 590 00:29:40,280 --> 00:29:43,120 Speaker 2: and that was housed in a fire extinguisher in a 591 00:29:43,160 --> 00:29:46,520 Speaker 2: nearby storage room. What's crazy is it wasn't a dummy 592 00:29:46,520 --> 00:29:50,320 Speaker 2: fire extinguisher. They actually put a watertight chamber that held 593 00:29:50,360 --> 00:29:53,320 Speaker 2: all the tech stuff inside the extinguisher, so it still worked. 594 00:29:53,480 --> 00:30:00,240 Speaker 3: So they replaced the there was a fire, there's take 595 00:30:00,280 --> 00:30:01,640 Speaker 3: out like maybe a little bit. 596 00:30:01,560 --> 00:30:02,720 Speaker 2: Of yep, exactly. 597 00:30:02,880 --> 00:30:05,560 Speaker 3: So that's remarkable. 598 00:30:05,920 --> 00:30:09,200 Speaker 2: And they built the crew built a full scale replica 599 00:30:09,280 --> 00:30:11,200 Speaker 2: of the vault in order to practice in it. 600 00:30:11,480 --> 00:30:13,200 Speaker 3: You got to this is you have to. I mean, 601 00:30:13,200 --> 00:30:15,080 Speaker 3: this is like Tom Cruise would approve of this. This 602 00:30:15,160 --> 00:30:18,920 Speaker 3: is an impossible level preparation with extra time because there's 603 00:30:18,960 --> 00:30:21,320 Speaker 3: no like, oh, a ninety minute movie exactly. 604 00:30:21,440 --> 00:30:24,560 Speaker 2: So we're almost there. Remember this started in early two 605 00:30:24,600 --> 00:30:28,120 Speaker 2: thousand and one. It's now February fourteenth, two thousand and three. 606 00:30:28,280 --> 00:30:30,920 Speaker 2: Day yep, time for the final setup. So the crew 607 00:30:31,240 --> 00:30:35,920 Speaker 2: they assemble their tools, aluminum plates, custom keys, a can 608 00:30:35,920 --> 00:30:40,320 Speaker 2: of hairspray. Leonardo conducted one final check of the security 609 00:30:40,320 --> 00:30:42,720 Speaker 2: system and he verified the Cruise rolls, and then he 610 00:30:42,800 --> 00:30:46,080 Speaker 2: went for one last visit to the vault. Okay, and 611 00:30:46,080 --> 00:30:48,120 Speaker 2: while he was in there, he did this weird stretch 612 00:30:48,360 --> 00:30:51,360 Speaker 2: again and he sprayed women's hair spray on the thermal 613 00:30:51,400 --> 00:30:55,800 Speaker 2: motion sensors. Really yeah, the sensor would only go off 614 00:30:56,080 --> 00:30:59,040 Speaker 2: if it detected both heat and motion and the oil 615 00:30:59,360 --> 00:31:01,280 Speaker 2: from the spray, you know, it's all clear, but it 616 00:31:01,320 --> 00:31:04,440 Speaker 2: would insulate the sensor from heat fluctuations in the room. 617 00:31:05,080 --> 00:31:06,800 Speaker 3: Wow, I didn't even think about. 618 00:31:06,600 --> 00:31:09,800 Speaker 2: That, right, all, So this is s temporary fix. 619 00:31:10,520 --> 00:31:12,440 Speaker 3: The moisture he made any Oh. 620 00:31:12,480 --> 00:31:15,720 Speaker 2: Yeah perhaps, huh. This is like a temporary fix. It's 621 00:31:15,760 --> 00:31:17,520 Speaker 2: gonna last like a day or so, but it would 622 00:31:17,560 --> 00:31:19,840 Speaker 2: allow them to get in there and then actually disable 623 00:31:19,880 --> 00:31:22,080 Speaker 2: the system. So it's kind of like by their way 624 00:31:22,080 --> 00:31:25,000 Speaker 2: in totally. Of course, all this is on CCTV, but 625 00:31:25,280 --> 00:31:28,080 Speaker 2: Leonardo was such a regular and he did such weird 626 00:31:28,120 --> 00:31:30,880 Speaker 2: stuff that security staff didn't even notice when oh he's 627 00:31:30,920 --> 00:31:34,000 Speaker 2: the old guys in their stretching again. Yeah, so they 628 00:31:34,000 --> 00:31:36,800 Speaker 2: had to strike on a weekend when security wasn't in place, 629 00:31:37,360 --> 00:31:40,000 Speaker 2: And I just don't understand that if you're gonna have 630 00:31:40,080 --> 00:31:42,880 Speaker 2: ten layers of security, you go ahead and pay the 631 00:31:42,920 --> 00:31:46,200 Speaker 2: staff and work on the weekends even if it's closed, Like, 632 00:31:46,240 --> 00:31:49,360 Speaker 2: come on, We're charge a little more every month, I mean, 633 00:31:49,440 --> 00:31:53,480 Speaker 2: like come on. So Saturday, February fifteenth, two thousand and three, 634 00:31:53,560 --> 00:31:57,440 Speaker 2: the crew made their initial entry seven pm. Leonardo is 635 00:31:57,480 --> 00:32:01,080 Speaker 2: in a getaway vehicle listening to a police He's ready 636 00:32:01,120 --> 00:32:02,080 Speaker 2: to leave when they're done. 637 00:32:02,160 --> 00:32:02,960 Speaker 3: He doesn't go inside. 638 00:32:03,040 --> 00:32:06,239 Speaker 2: No, he didn't go inside. The crews all gloved up 639 00:32:06,280 --> 00:32:09,640 Speaker 2: so as not to leave fingerprints. Remember the exterior cameras. 640 00:32:10,480 --> 00:32:13,800 Speaker 2: The King of Keys picked the lock of an abandoned 641 00:32:13,880 --> 00:32:16,720 Speaker 2: office building next to the Diamond Center, and there was 642 00:32:16,760 --> 00:32:19,280 Speaker 2: like a shared private garden with the Diamond Center that 643 00:32:19,360 --> 00:32:23,520 Speaker 2: didn't have CCTV. So this gave them access via ladder 644 00:32:23,920 --> 00:32:27,880 Speaker 2: to a balcony in the Diamond Center. And like there 645 00:32:28,240 --> 00:32:31,680 Speaker 2: was an infrared sensor that monitored the area, but the 646 00:32:31,840 --> 00:32:36,600 Speaker 2: genius used a huge homemade polyester shield to hide his 647 00:32:36,840 --> 00:32:40,840 Speaker 2: thermal signature. And so he creeps up to the sensor 648 00:32:40,920 --> 00:32:43,160 Speaker 2: and then puts the shield in front of it. So 649 00:32:43,240 --> 00:32:45,800 Speaker 2: now the crew can walk by, no problem. Yeah, and 650 00:32:45,880 --> 00:32:49,160 Speaker 2: the genius then bypassed the alarm on the balcony windows. 651 00:32:49,520 --> 00:32:51,960 Speaker 2: They covered the security cameras outside of the vault with 652 00:32:52,040 --> 00:32:54,400 Speaker 2: black plastic bags so they could turn on the lights. 653 00:32:54,920 --> 00:32:58,240 Speaker 2: And then once they're inside, they deactivated all the security systems. 654 00:32:58,600 --> 00:33:01,200 Speaker 2: So this was done by spraying hair spray on heat 655 00:33:01,240 --> 00:33:05,880 Speaker 2: and motion sensors to obscure the signature. Yeah, they can 656 00:33:05,920 --> 00:33:09,720 Speaker 2: move freely now, and now we get to jamming the 657 00:33:09,760 --> 00:33:10,520 Speaker 2: magnetical lock. 658 00:33:10,640 --> 00:33:11,960 Speaker 3: That's got to be one of the hardest. I don't 659 00:33:11,960 --> 00:33:12,880 Speaker 3: know how you're going to take that. 660 00:33:13,040 --> 00:33:15,720 Speaker 2: Well, okay, So it's the magnetic lock two plates. When 661 00:33:15,720 --> 00:33:18,880 Speaker 2: the door's closed, there's a magnetic field. Opening the door 662 00:33:18,920 --> 00:33:22,240 Speaker 2: breaks the field triggers the alarm. So the genius lived 663 00:33:22,320 --> 00:33:25,280 Speaker 2: up to his name. He made a special aluminum plate 664 00:33:25,360 --> 00:33:29,000 Speaker 2: with heavy duty double sided tape to one side. He 665 00:33:29,120 --> 00:33:33,480 Speaker 2: stuck it on the two bolts and unscrewed them, keeping 666 00:33:33,480 --> 00:33:37,000 Speaker 2: the two magnetic plates together and maintaining the field. He 667 00:33:37,040 --> 00:33:39,160 Speaker 2: then was able to swing the unit away from the 668 00:33:39,200 --> 00:33:40,640 Speaker 2: door and tape it to the wall. 669 00:33:41,600 --> 00:33:43,600 Speaker 3: WHOA, She's like, we don't need to break the magnets. 670 00:33:43,640 --> 00:33:45,760 Speaker 2: We just need to move the take the magnets off 671 00:33:45,800 --> 00:33:48,880 Speaker 2: the door. So now they're at the moment of truth, 672 00:33:49,160 --> 00:33:51,840 Speaker 2: the vault door. Let's stop here to listen to the 673 00:33:51,880 --> 00:33:54,720 Speaker 2: wonderful goods and services on offer out there in the world. 674 00:33:55,200 --> 00:33:57,920 Speaker 2: When we come back, we're going to tackle this giant door. 675 00:33:58,280 --> 00:34:19,400 Speaker 5: Yeah all right, Zarin. 676 00:34:19,800 --> 00:34:22,160 Speaker 2: Yes, we've made it through a bunch of the. 677 00:34:22,120 --> 00:34:24,640 Speaker 3: Security layers, so many layers. 678 00:34:24,280 --> 00:34:26,440 Speaker 2: And now we're at the vault door. We're at the 679 00:34:26,480 --> 00:34:29,680 Speaker 2: vault door. So the King of Keys spent months in 680 00:34:29,760 --> 00:34:33,440 Speaker 2: his turin studio studying the footage provided by the Mastermind 681 00:34:34,680 --> 00:34:36,919 Speaker 2: in order to make a duplicate key of the key 682 00:34:36,960 --> 00:34:38,920 Speaker 2: in the vault. And the key is supposed to be 683 00:34:38,960 --> 00:34:41,239 Speaker 2: impossible to duplicate. It's a foot long. 684 00:34:41,440 --> 00:34:43,759 Speaker 3: Yeah, and I don't imagine the dude ever saw it, 685 00:34:43,840 --> 00:34:45,799 Speaker 3: but I know the camera is gonna You're gonna see the. 686 00:34:45,760 --> 00:34:49,520 Speaker 2: Video in the video. Yeah, he was successful. He made 687 00:34:49,520 --> 00:34:52,400 Speaker 2: an identical key that would fit the vault door and 688 00:34:52,600 --> 00:34:55,200 Speaker 2: open it for access to untold Richards. 689 00:34:55,280 --> 00:34:58,320 Speaker 3: I wonder what he was using it for. Scale against idea. 690 00:34:58,360 --> 00:35:01,160 Speaker 2: This guy is like a wizard, the King of Keys, Elizabeth. 691 00:35:01,239 --> 00:35:03,560 Speaker 2: He's the King of Keys. He's in the anti chamber 692 00:35:03,719 --> 00:35:06,799 Speaker 2: right at the vault door, and he has this idea. 693 00:35:06,840 --> 00:35:09,640 Speaker 2: Like in all of their recontapes, you could see the 694 00:35:09,680 --> 00:35:13,480 Speaker 2: guard visit a utility room just before opening the vault. 695 00:35:14,160 --> 00:35:16,799 Speaker 2: So the King of Keys signaled the crew to go 696 00:35:16,880 --> 00:35:20,200 Speaker 2: search that room. Right there, hanging on a hook was 697 00:35:20,239 --> 00:35:27,920 Speaker 2: the actual vault key. So the King of Keys took it. 698 00:35:28,360 --> 00:35:31,120 Speaker 2: He didn't want the safe manufacturers to know that they 699 00:35:31,480 --> 00:35:35,400 Speaker 2: could be duplicated, let them think it's impenetrable. So the 700 00:35:35,480 --> 00:35:37,839 Speaker 2: King of Keys he put the original in a key hole, 701 00:35:37,880 --> 00:35:41,160 Speaker 2: and he waited, and the genius dialed in that crazy 702 00:35:41,200 --> 00:35:43,799 Speaker 2: combination that being captured on hidden camera, and then he 703 00:35:43,920 --> 00:35:47,000 Speaker 2: nodded the monster turned off the lights and then that 704 00:35:47,040 --> 00:35:49,000 Speaker 2: way they're not going to trigger the light detector in 705 00:35:49,040 --> 00:35:52,280 Speaker 2: the vault. When the door opens, King of Keys turns 706 00:35:52,320 --> 00:35:57,560 Speaker 2: the key, twists the four prong handle, click, the bolts retract, 707 00:35:57,880 --> 00:36:02,120 Speaker 2: giant door swings open. They're in God. So once inside, 708 00:36:02,280 --> 00:36:05,640 Speaker 2: the monster slowly crept to the middle of the room, 709 00:36:05,920 --> 00:36:09,200 Speaker 2: reaching up to push back a ceiling panel. Remember this 710 00:36:09,239 --> 00:36:11,840 Speaker 2: is in the dark, so above that panel were the 711 00:36:11,880 --> 00:36:16,880 Speaker 2: security system's inbound and outbound wires. If any sensor is 712 00:36:16,880 --> 00:36:18,720 Speaker 2: going to be tripped or broken, it's going to trigger 713 00:36:18,760 --> 00:36:24,160 Speaker 2: the alarm. So slowly, very slowly, the monster delicately stripped 714 00:36:24,200 --> 00:36:27,160 Speaker 2: the wires and put a new piece of wire up 715 00:36:27,160 --> 00:36:29,360 Speaker 2: to the stripped wire, detouring the circuit. 716 00:36:30,239 --> 00:36:30,879 Speaker 3: Wow. 717 00:36:30,920 --> 00:36:33,280 Speaker 2: So this allowed them to trip the circuits without alerting 718 00:36:33,280 --> 00:36:37,920 Speaker 2: the security So now for the heat sensors, they used 719 00:36:38,080 --> 00:36:41,960 Speaker 2: styrofoam boxes that had tape on them to cover the 720 00:36:42,000 --> 00:36:44,400 Speaker 2: heat and the light sensors. How did they get the 721 00:36:44,400 --> 00:36:47,400 Speaker 2: boxes up there? They attached them to the end of 722 00:36:47,440 --> 00:36:51,080 Speaker 2: a swift or dry mop and lifted them up and 723 00:36:51,200 --> 00:36:53,680 Speaker 2: taped them to the wall just above the censer the sensor, 724 00:36:54,239 --> 00:36:57,040 Speaker 2: just dangling it there. This is so something I would do, 725 00:36:58,600 --> 00:37:00,600 Speaker 2: needing to hang something where I can't reach it, so 726 00:37:00,600 --> 00:37:02,120 Speaker 2: I put it on the swiffer and hope I can 727 00:37:02,160 --> 00:37:03,279 Speaker 2: just get to dangle. 728 00:37:03,040 --> 00:37:04,120 Speaker 3: Right a box of you taped. 729 00:37:04,280 --> 00:37:05,960 Speaker 2: I think it looks like I'm a good candidate for 730 00:37:06,000 --> 00:37:06,719 Speaker 2: the School of Turin. 731 00:37:06,960 --> 00:37:08,440 Speaker 3: I'm thinking you should get them an application. 732 00:37:08,760 --> 00:37:13,480 Speaker 2: So there they are, total darkness, moving super slow, silent. 733 00:37:14,080 --> 00:37:17,719 Speaker 2: They had that replica vault right, so they memorized the 734 00:37:17,760 --> 00:37:20,440 Speaker 2: whole layout. They could navigate it with their eyes closed, 735 00:37:20,600 --> 00:37:22,680 Speaker 2: like they knew the number of steps, they knew where 736 00:37:22,719 --> 00:37:25,520 Speaker 2: things were. Every now and then they would like split second, 737 00:37:25,600 --> 00:37:28,440 Speaker 2: hit a flashlight. To get a little burst of light. 738 00:37:28,840 --> 00:37:31,839 Speaker 2: You had to position the drill over the boxes and 739 00:37:31,960 --> 00:37:34,880 Speaker 2: like thanks to the swiffer, the light sensors covered. But 740 00:37:34,920 --> 00:37:36,359 Speaker 2: you don't want to like press your luck and keep 741 00:37:36,400 --> 00:37:39,200 Speaker 2: the lights. So the King of Keys he came up 742 00:37:39,239 --> 00:37:42,439 Speaker 2: with a hand cranked jack that would bust open these 743 00:37:42,480 --> 00:37:46,040 Speaker 2: like really substantial locks on the boxes hand crank. He 744 00:37:46,120 --> 00:37:49,560 Speaker 2: built it himself. See the boxes had a double lock, 745 00:37:49,640 --> 00:37:52,719 Speaker 2: a key in a combination. There's no use trying to 746 00:37:52,719 --> 00:37:54,200 Speaker 2: pick them, so you had to just go with a 747 00:37:54,280 --> 00:37:57,239 Speaker 2: break course. Yeah, and they had a field day. So 748 00:37:57,239 --> 00:38:00,400 Speaker 2: they're just popping, dumping, popping and dumping, and they have 749 00:38:00,560 --> 00:38:02,480 Speaker 2: these all these Duffel bags out on the floor and 750 00:38:02,480 --> 00:38:06,600 Speaker 2: they're just throwing in gold bars like millions in Israeli, Swiss, 751 00:38:06,640 --> 00:38:12,560 Speaker 2: American euro you know, British currency, rough and polished diamonds, 752 00:38:12,600 --> 00:38:15,319 Speaker 2: like everything's just going into the Duffel bags. They broke 753 00:38:15,360 --> 00:38:18,160 Speaker 2: into one hundred and twenty six of one hundred and 754 00:38:18,200 --> 00:38:18,880 Speaker 2: sixty bucks. 755 00:38:19,160 --> 00:38:20,640 Speaker 3: Oh damn. Yeah. 756 00:38:20,760 --> 00:38:22,919 Speaker 2: Then it gets to five thirty in the morning, like okay. 757 00:38:24,560 --> 00:38:24,799 Speaker 3: Yeah. 758 00:38:24,840 --> 00:38:27,520 Speaker 2: So on their way out, they stopped at the security 759 00:38:27,560 --> 00:38:29,880 Speaker 2: office and they stole all the security tapes for the 760 00:38:29,880 --> 00:38:33,279 Speaker 2: previous week. Really yeah, so there's nothing of that. They 761 00:38:33,320 --> 00:38:36,719 Speaker 2: retraced their steps at exactly the same speed, so they 762 00:38:36,719 --> 00:38:39,880 Speaker 2: didn't race out and retrip something. And then they loaded 763 00:38:39,920 --> 00:38:43,319 Speaker 2: everything into Leonardo's car. He drove to his apartment in 764 00:38:43,400 --> 00:38:45,280 Speaker 2: Antwerp while the rest of them just walked. 765 00:38:45,440 --> 00:38:47,880 Speaker 3: I am absolutely wondering what the hell they're doing on 766 00:38:47,920 --> 00:38:50,359 Speaker 3: this show, I you know what I mean, Like, how 767 00:38:50,400 --> 00:38:52,280 Speaker 3: did they ever end up on ridiculous crime. 768 00:38:52,160 --> 00:38:54,799 Speaker 2: You're about to find out. So they go back to 769 00:38:54,840 --> 00:38:57,800 Speaker 2: the apartment. They're sifting through what they had taken, pulling 770 00:38:57,840 --> 00:39:00,840 Speaker 2: out the good stuff. Like as with every safe deposit 771 00:39:01,160 --> 00:39:03,239 Speaker 2: vault heist, the total values just. 772 00:39:03,200 --> 00:39:04,040 Speaker 3: An estimate, yea. 773 00:39:04,640 --> 00:39:07,560 Speaker 2: So like there are those who don't come forward or 774 00:39:07,560 --> 00:39:09,239 Speaker 2: they say they didn't have anything. 775 00:39:09,520 --> 00:39:11,040 Speaker 3: Don't tell the truth about how much was in there. 776 00:39:11,120 --> 00:39:15,320 Speaker 2: Yeah, exactly. And so in all though they stole loose diamonds, gold, silver, 777 00:39:15,400 --> 00:39:18,720 Speaker 2: and random jewelry, valued it more than one hundred million dollars, 778 00:39:19,200 --> 00:39:22,040 Speaker 2: which is one hundred and seventy three million dollars today. 779 00:39:23,520 --> 00:39:25,160 Speaker 2: That's a that's a pretty good haul. 780 00:39:25,400 --> 00:39:28,520 Speaker 3: That's an amazing hall and they got. 781 00:39:28,719 --> 00:39:32,319 Speaker 2: So they decided to celebrate, so one of them they did. 782 00:39:32,480 --> 00:39:35,120 Speaker 2: They had they go. Leonardo is the one. He goes 783 00:39:35,120 --> 00:39:37,920 Speaker 2: to the corner store to get some treats. And for 784 00:39:38,000 --> 00:39:40,359 Speaker 2: these good Italians, it was kind of like a shark 785 00:39:40,400 --> 00:39:43,400 Speaker 2: Houter report. So they get like bread and cheese and 786 00:39:43,400 --> 00:39:47,319 Speaker 2: fruit and salami sandwiches. It's a real party. I need 787 00:39:47,360 --> 00:39:49,520 Speaker 2: to hone a specialty so I could join the School 788 00:39:49,520 --> 00:39:51,840 Speaker 2: of Turin and have a salami sandwich party. So the 789 00:39:51,960 --> 00:39:55,160 Speaker 2: crew they made their way back to Turin, though, which 790 00:39:55,200 --> 00:39:58,360 Speaker 2: means that they had to go through France. So the Genius, 791 00:39:58,400 --> 00:40:00,719 Speaker 2: the Monster, and the King of Keys they get into 792 00:40:00,760 --> 00:40:03,879 Speaker 2: a car with all the gems in the loot. Leonardo 793 00:40:04,360 --> 00:40:06,320 Speaker 2: tells the crew that he and Speedy are going to 794 00:40:06,400 --> 00:40:09,319 Speaker 2: take another car and burn all the evidence, all the 795 00:40:09,360 --> 00:40:12,040 Speaker 2: non loot stuff that they had taken with them from 796 00:40:12,080 --> 00:40:16,160 Speaker 2: the Antwerp apartment. Yeah, when we get to France, we're 797 00:40:16,160 --> 00:40:18,600 Speaker 2: gonna we're gonna burn it all. Wow. And so that'll 798 00:40:18,600 --> 00:40:20,840 Speaker 2: be far enough away and then we'll all rendezvous and 799 00:40:20,880 --> 00:40:22,239 Speaker 2: Milan and divide it up. 800 00:40:22,440 --> 00:40:22,720 Speaker 3: Okay. 801 00:40:23,040 --> 00:40:26,280 Speaker 2: So Speedy though, he's getting anxious, like, I'm with Speedy, 802 00:40:27,400 --> 00:40:31,040 Speaker 2: rid of this stuff as soon as possible. Yeah, he 803 00:40:31,080 --> 00:40:33,839 Speaker 2: wanted all trace of things, the plans, their ephemera out 804 00:40:33,840 --> 00:40:34,279 Speaker 2: of his car. 805 00:40:34,440 --> 00:40:35,520 Speaker 3: I'm with Speedy. Well. 806 00:40:35,560 --> 00:40:39,600 Speaker 2: According to Wired magazine quote, Speedy scanned the traffic behind 807 00:40:39,640 --> 00:40:42,640 Speaker 2: them in the side view mirror and maintained a tense silence. 808 00:40:43,520 --> 00:40:46,520 Speaker 2: Nota Bartolo had worked with him for thirty years. They 809 00:40:46,560 --> 00:40:49,279 Speaker 2: were childhood buddies, but he knew that his friend had 810 00:40:49,280 --> 00:40:51,479 Speaker 2: a habit of coming apart at the end of a job. 811 00:40:51,920 --> 00:40:54,480 Speaker 2: The others on the team hadn't wanted Speedy in on 812 00:40:54,480 --> 00:40:57,440 Speaker 2: this one. They said he was a liability. Not of 813 00:40:57,520 --> 00:41:00,759 Speaker 2: Bartolo could see their point, but out of loyalty, he 814 00:41:00,800 --> 00:41:04,279 Speaker 2: defended his friend. Speedy could handle it, he said, Oh no, 815 00:41:05,719 --> 00:41:11,319 Speaker 2: So they get to the Derna forest. I'm still in 816 00:41:11,400 --> 00:41:14,160 Speaker 2: Belgium and actually just outside of Antwerp, so they didn't 817 00:41:14,160 --> 00:41:18,040 Speaker 2: get far. Yeah, and Speedy couldn't handle it. He convinced 818 00:41:18,040 --> 00:41:19,120 Speaker 2: them all to stop, like he. 819 00:41:19,360 --> 00:41:21,120 Speaker 3: Like, pull over to get out of the car. 820 00:41:21,320 --> 00:41:24,480 Speaker 2: I gotta throw everything away. Oh no, speed, Yeah, so 821 00:41:24,920 --> 00:41:28,120 Speaker 2: he and you know, their car pulls over Leonardo, he 822 00:41:28,160 --> 00:41:30,719 Speaker 2: gets out, fine, Okay, we'll dump it here. He takes 823 00:41:30,760 --> 00:41:32,759 Speaker 2: a bag of like paperwork and other stuff into the 824 00:41:32,760 --> 00:41:34,759 Speaker 2: woods and he sets it on fire. He like makes 825 00:41:34,760 --> 00:41:39,080 Speaker 2: this nice little pyre. Speedy grabs another bag, this one 826 00:41:39,280 --> 00:41:42,879 Speaker 2: containing like security videotapes trash from the apartment. He goes 827 00:41:42,920 --> 00:41:45,800 Speaker 2: to get rid of it, but he couldn't hold it together. 828 00:41:45,920 --> 00:41:48,920 Speaker 2: He's super freaked out, starts having a panic attack and 829 00:41:49,040 --> 00:41:52,000 Speaker 2: just starts tossing the stuff like into this ravine. 830 00:41:52,680 --> 00:41:53,080 Speaker 5: Nos. 831 00:41:53,360 --> 00:41:54,000 Speaker 3: Yeah, speed. 832 00:41:54,239 --> 00:41:59,080 Speaker 2: Leonardo comes running over, freaking out, like he's just scattering it. Yeah, 833 00:41:59,160 --> 00:42:02,160 Speaker 2: and Leonardo's freaking out He's like, you're making this huge mess, 834 00:42:02,520 --> 00:42:04,239 Speaker 2: but it's going to take way too long to go 835 00:42:04,360 --> 00:42:07,400 Speaker 2: all through it and gather everything up and actually destroy 836 00:42:07,440 --> 00:42:10,160 Speaker 2: it rather than just dump it, because he's just spread 837 00:42:10,200 --> 00:42:14,879 Speaker 2: it everywhere. It's like, you know, raccoon's getting into garbage. Yeah, 838 00:42:14,920 --> 00:42:17,719 Speaker 2: so he's looking around and like feeling like, Okay, we're 839 00:42:17,760 --> 00:42:20,400 Speaker 2: in the middle of nowhere. The heck with it. No 840 00:42:20,440 --> 00:42:23,000 Speaker 2: one's going to find this stuff. It's so isolated here. 841 00:42:23,160 --> 00:42:27,080 Speaker 2: We got to just keep moving, Zaren, close your eyes. 842 00:42:29,239 --> 00:42:34,239 Speaker 2: Picture it. You are a retired Belgian grocer and you 843 00:42:34,280 --> 00:42:37,840 Speaker 2: own land in the Derna Forest. For weeks, local teens 844 00:42:37,880 --> 00:42:40,479 Speaker 2: have been glittering on your land. They come and hang 845 00:42:40,520 --> 00:42:42,399 Speaker 2: out and do god knows what and leave all sorts 846 00:42:42,440 --> 00:42:45,920 Speaker 2: of trash behind. You've called the local authorities many times 847 00:42:46,040 --> 00:42:47,680 Speaker 2: asking for them to pick it all up in the 848 00:42:47,760 --> 00:42:49,920 Speaker 2: patrol the area on weekend nights. So try and put 849 00:42:49,960 --> 00:42:53,359 Speaker 2: a stop to this. Today, it's lovely out and you're 850 00:42:53,400 --> 00:42:57,280 Speaker 2: strolling through your property with your bloodhound Rufus. You trapes 851 00:42:57,320 --> 00:43:00,439 Speaker 2: through a meadow towards the ravine. You love the place 852 00:43:00,480 --> 00:43:03,000 Speaker 2: where you're able to do great birding and take in 853 00:43:03,080 --> 00:43:06,160 Speaker 2: the woodpeckers. And the tits. As you go down into 854 00:43:06,200 --> 00:43:09,440 Speaker 2: the ravine, you see a bunch of garbage. Noup te 855 00:43:09,560 --> 00:43:13,680 Speaker 2: kiddn you yell. Rufus begins to bark in all the 856 00:43:13,760 --> 00:43:15,520 Speaker 2: two of you make your way to the trash. You 857 00:43:15,600 --> 00:43:18,279 Speaker 2: poke at the junk with your walking stairs. There are 858 00:43:18,360 --> 00:43:21,960 Speaker 2: unschooled VHS tapes all over the place, a half eaten 859 00:43:21,960 --> 00:43:25,439 Speaker 2: salami sandwich, a piece of an envelope. You lean down 860 00:43:25,440 --> 00:43:27,919 Speaker 2: to get a better look. You're a large man. There's 861 00:43:27,920 --> 00:43:32,040 Speaker 2: a logo Antwerp Diamond Center. Your wife was just telling 862 00:43:32,080 --> 00:43:35,360 Speaker 2: you about the heist there. Apparently yesterday Monday, the place 863 00:43:35,440 --> 00:43:38,759 Speaker 2: opened up and security found the vault totally trashed. They 864 00:43:38,800 --> 00:43:40,840 Speaker 2: said it looked like a bomb went off. Hundreds of 865 00:43:40,840 --> 00:43:44,400 Speaker 2: millions where the gem's gone. And now here's all this mess. 866 00:43:44,640 --> 00:43:47,400 Speaker 2: What if it's from the heist? Zaren, you're a good citizen. 867 00:43:47,840 --> 00:43:50,800 Speaker 2: You shoe Rufus away from the salami sandwich. He's sniffing, 868 00:43:50,800 --> 00:43:53,359 Speaker 2: and you reach for your mobile phone. Time to call 869 00:43:53,400 --> 00:43:55,879 Speaker 2: the cops. You just hope they don't brush you off 870 00:43:55,880 --> 00:43:58,720 Speaker 2: because of all you're complaining about the teens. You dial. 871 00:43:59,040 --> 00:44:03,680 Speaker 2: Here goes nothing, all right, So as soon as the 872 00:44:03,760 --> 00:44:06,520 Speaker 2: dude who found the garbage, called the cops about the 873 00:44:06,560 --> 00:44:10,719 Speaker 2: Antwerp Diamond Center logo on some paper. They sprang into 874 00:44:10,840 --> 00:44:14,160 Speaker 2: action and when they got there, the sandwich allowed them 875 00:44:14,200 --> 00:44:17,759 Speaker 2: to tie it all together. So along with the salami 876 00:44:17,880 --> 00:44:21,640 Speaker 2: sandwich was a receipt for the sandwich. So the police 877 00:44:21,680 --> 00:44:23,319 Speaker 2: they get so it has like the name of the 878 00:44:23,360 --> 00:44:27,200 Speaker 2: store at time, the date. The police pulled the security 879 00:44:27,280 --> 00:44:30,600 Speaker 2: video from the receipt store for that day and time. 880 00:44:30,640 --> 00:44:34,279 Speaker 2: They get Leonardo on camera buying it, and then they 881 00:44:34,400 --> 00:44:37,200 Speaker 2: later tested the sandwich for DNA and it was a 882 00:44:37,200 --> 00:44:40,440 Speaker 2: match to Leonardo. Of course, boom, always finish your sandwich. 883 00:44:41,080 --> 00:44:45,760 Speaker 2: So the cops they honed in on Leonardo and everything 884 00:44:45,840 --> 00:44:48,040 Speaker 2: just starts stacking up, like they find out about his 885 00:44:48,120 --> 00:44:50,719 Speaker 2: office in the center. They also learned that in his 886 00:44:50,880 --> 00:44:53,520 Speaker 2: two years with an office in the Diamond Center, he 887 00:44:53,600 --> 00:44:57,920 Speaker 2: had never once made a sale, not one. And his 888 00:44:58,040 --> 00:44:59,640 Speaker 2: box was one of the ones that didn't get hit 889 00:44:59,640 --> 00:45:02,839 Speaker 2: in the hype. Of course, and they found out, oh, 890 00:45:02,880 --> 00:45:05,400 Speaker 2: he has this extensive criminal history. Okay, now we just 891 00:45:05,400 --> 00:45:09,320 Speaker 2: got to find it. Well, no worries. He came to them, see, 892 00:45:09,600 --> 00:45:11,560 Speaker 2: he thought it would be better to go back to 893 00:45:11,640 --> 00:45:14,359 Speaker 2: work at the Diamond Center. Like nothing happened, just play 894 00:45:14,360 --> 00:45:19,319 Speaker 2: it cool. But instead the police they had everything they 895 00:45:19,360 --> 00:45:21,680 Speaker 2: needed to arrest him right there. The one thing they 896 00:45:21,719 --> 00:45:25,000 Speaker 2: didn't have was the address for his apartment. So he 897 00:45:25,200 --> 00:45:27,640 Speaker 2: like they they get him at the at the office 898 00:45:28,480 --> 00:45:30,479 Speaker 2: and he was like stalling as long as he can. 899 00:45:30,640 --> 00:45:32,880 Speaker 2: But then he finally told him the address of the apartment. 900 00:45:33,360 --> 00:45:37,080 Speaker 2: And he was stalling because while he's being grilled. Audriana, 901 00:45:37,120 --> 00:45:39,640 Speaker 2: his wife, was at the apartment, cleaning it out and 902 00:45:39,640 --> 00:45:42,640 Speaker 2: getting rid of all the traces of everything. Right or 903 00:45:42,680 --> 00:45:46,640 Speaker 2: died to is the cops pulled up to the apartment, 904 00:45:46,719 --> 00:45:49,000 Speaker 2: She and some friends were just walking out of the building. 905 00:45:49,320 --> 00:45:51,240 Speaker 2: They all had like a bunch of bags and ones 906 00:45:51,280 --> 00:45:54,640 Speaker 2: holding a rolled up carpet and like another couple of 907 00:45:54,680 --> 00:45:56,960 Speaker 2: minutes they would have gotten away. Instead they get arrested. 908 00:45:57,960 --> 00:46:02,280 Speaker 2: Saren what was in the bags? According to Wired magazine 909 00:46:02,360 --> 00:46:06,080 Speaker 2: critical evidence quote, the police dug out a series of 910 00:46:06,160 --> 00:46:08,839 Speaker 2: prepaid SIM cards that were linked to cell phones used 911 00:46:08,840 --> 00:46:15,040 Speaker 2: almost exclusively to call three Italians, Elio Durronio aka the Genius, 912 00:46:15,400 --> 00:46:19,680 Speaker 2: Ferdnando Finoto alias the Monster, and the person most likely 913 00:46:19,719 --> 00:46:23,200 Speaker 2: to be Speedy, an anxious, paranoid man named Pietro Tvano, 914 00:46:23,520 --> 00:46:26,880 Speaker 2: a longtime associate of Noto Botolo's. On the night of 915 00:46:26,920 --> 00:46:29,560 Speaker 2: the heist, a cell tower in the Diamond district logged 916 00:46:29,560 --> 00:46:33,720 Speaker 2: the presence of all three plus Nota Battolo. During that time, 917 00:46:33,840 --> 00:46:37,960 Speaker 2: Tavano stayed in constant contact with Nota Battolo. The day 918 00:46:38,040 --> 00:46:41,560 Speaker 2: Noto Battolo was arrested, Italian police broke open the safe 919 00:46:41,560 --> 00:46:45,000 Speaker 2: at his home in Turin. They found seventeen polished diamonds 920 00:46:45,000 --> 00:46:48,759 Speaker 2: attached to certificates that the Belgian diamond detectives traced back 921 00:46:48,800 --> 00:46:51,520 Speaker 2: to the vault. More gems were vacuumed out of the 922 00:46:51,600 --> 00:46:55,719 Speaker 2: rolled up carpet from Nordo Petola's Antwerp apartment, so they 923 00:46:55,760 --> 00:46:57,920 Speaker 2: had spilled so many. There were all these like tiny 924 00:46:57,960 --> 00:47:01,440 Speaker 2: emeralds that are used as like just little accent pieces 925 00:47:01,480 --> 00:47:05,000 Speaker 2: on jewelry that they found in the vault, and then 926 00:47:05,040 --> 00:47:07,319 Speaker 2: they found them also in the carpet. So he's tied 927 00:47:07,360 --> 00:47:08,040 Speaker 2: it all in. 928 00:47:08,120 --> 00:47:12,000 Speaker 3: My goodness, speedy kill You know who didn't have a 929 00:47:12,000 --> 00:47:13,080 Speaker 3: phone on him? Who? 930 00:47:13,360 --> 00:47:14,000 Speaker 2: King of Keys? 931 00:47:14,160 --> 00:47:16,680 Speaker 3: Oh y, we don't know who the wizard. 932 00:47:17,000 --> 00:47:20,600 Speaker 2: Yeah, everyone except for the King of Keys gets arrested 933 00:47:21,200 --> 00:47:25,000 Speaker 2: and the evidence against everyone is like rock solid. So Leonardo. 934 00:47:25,080 --> 00:47:27,200 Speaker 2: He's found guilty of orchestrating the whole thing. 935 00:47:27,360 --> 00:47:29,480 Speaker 3: I get nobody rolls over anybody, because they don't. They 936 00:47:29,560 --> 00:47:31,560 Speaker 3: all use their code names. They can't roll over. 937 00:47:32,000 --> 00:47:34,480 Speaker 2: I don't know. It's just the King of Keys. He gets. 938 00:47:34,520 --> 00:47:37,080 Speaker 2: So Leonardo gets ten years in prison in two thousand 939 00:47:37,080 --> 00:47:38,920 Speaker 2: and five, but he gets released on parole in two 940 00:47:38,960 --> 00:47:42,600 Speaker 2: thousand and nine. In twenty eleven, an arrest warrant was 941 00:47:42,640 --> 00:47:45,480 Speaker 2: issued against him for a parole violation because he was 942 00:47:45,800 --> 00:47:50,080 Speaker 2: supposed to compensate his victim's restitution, but he didn't make 943 00:47:50,120 --> 00:47:53,160 Speaker 2: any effort whatsoever. So he gets re arrested in twenty 944 00:47:53,200 --> 00:47:56,840 Speaker 2: thirteen at Charles Degall Airport in Paris. He's like it 945 00:47:56,880 --> 00:47:59,200 Speaker 2: was in a layover from coming back from the United 946 00:47:59,239 --> 00:48:02,240 Speaker 2: States to go to two. They pick him up in Paris. 947 00:48:02,400 --> 00:48:04,640 Speaker 2: He has to serve the remainder of his prison sentence 948 00:48:04,719 --> 00:48:11,799 Speaker 2: until twenty seventeen. Twenty seventeen, so Tivano Dinio Finoto, they 949 00:48:11,840 --> 00:48:16,680 Speaker 2: each get five years in prison and the lout never recovered. 950 00:48:17,680 --> 00:48:20,520 Speaker 2: It's out there somewhere, almost all of it, because they 951 00:48:20,520 --> 00:48:24,520 Speaker 2: had like a couple of pieces in his apartment. Leonardo 952 00:48:24,920 --> 00:48:27,960 Speaker 2: gave that interviewed Wired magazine, and he said that the 953 00:48:28,000 --> 00:48:30,160 Speaker 2: amount that they took was way below one hundred million, 954 00:48:30,560 --> 00:48:33,080 Speaker 2: It was more like twenty million, and that it wasn't 955 00:48:33,120 --> 00:48:36,600 Speaker 2: his idea. He said that a diamond merchant hired his 956 00:48:36,800 --> 00:48:39,680 Speaker 2: crew for the heist, and it was actually all part 957 00:48:39,719 --> 00:48:43,520 Speaker 2: of an insurance scam so that the right people knew 958 00:48:43,520 --> 00:48:46,080 Speaker 2: it was coming. They filed insurance claims on stuff that 959 00:48:46,480 --> 00:48:49,040 Speaker 2: wasn't there to be geting for real. But the vault 960 00:48:49,239 --> 00:48:52,920 Speaker 2: itself was uninsured and there were never any big insurance 961 00:48:52,960 --> 00:48:56,319 Speaker 2: payouts on it. So he may be full of it 962 00:48:56,600 --> 00:48:57,640 Speaker 2: like it just doesn't act. 963 00:48:58,120 --> 00:48:59,720 Speaker 3: None of this adds out no either way. 964 00:48:59,880 --> 00:49:02,920 Speaker 2: He's the mastermind of an amazing heist, serious, and they 965 00:49:03,120 --> 00:49:06,040 Speaker 2: almost got away with it. I know you're thinking that 966 00:49:06,080 --> 00:49:09,080 Speaker 2: this would make a great movie. Of course, Well, Paramount 967 00:49:09,120 --> 00:49:13,320 Speaker 2: Pictures option the rights, but those rights have since expired. J. J. 968 00:49:13,480 --> 00:49:16,719 Speaker 2: Abrams was attached to produce, but the rights have expired, 969 00:49:16,760 --> 00:49:18,040 Speaker 2: so I called DIBs on. 970 00:49:18,000 --> 00:49:20,759 Speaker 3: It for Thank you, Elizabeth, please please. 971 00:49:20,480 --> 00:49:21,360 Speaker 2: Write the screenplay. 972 00:49:21,440 --> 00:49:22,240 Speaker 3: Could you imagine? 973 00:49:22,239 --> 00:49:25,360 Speaker 2: Oh my god, seriously, this is basically. 974 00:49:24,960 --> 00:49:27,920 Speaker 3: Like a Steven Soderberg's Oceans eleven twelve thirteen, but in 975 00:49:28,040 --> 00:49:31,000 Speaker 3: Europe like it makes it's like from his like imagine 976 00:49:31,000 --> 00:49:33,120 Speaker 3: if he made it in Europe as opposed to like, oh, 977 00:49:33,160 --> 00:49:35,120 Speaker 3: a bunch of American thieves, those. 978 00:49:34,880 --> 00:49:37,960 Speaker 2: Guys when you think about the casting, Yes. 979 00:49:37,800 --> 00:49:39,880 Speaker 3: And also reminds me of Snatch with the whole, like 980 00:49:41,000 --> 00:49:42,680 Speaker 3: at the beginning of Snatch the whole, like goods get 981 00:49:42,680 --> 00:49:45,959 Speaker 3: the diamonds from the diamond center in Antwerps. You coup 982 00:49:46,040 --> 00:49:48,279 Speaker 3: those together and then add in like I don't know, 983 00:49:48,360 --> 00:49:51,360 Speaker 3: like a little love the Sergio Leone, just like passion 984 00:49:51,400 --> 00:49:53,759 Speaker 3: and the silliness of life. 985 00:49:53,840 --> 00:49:55,000 Speaker 2: You have to write the screen. 986 00:49:55,239 --> 00:49:57,800 Speaker 3: And then Speedy breaks your heart. 987 00:49:58,040 --> 00:49:59,560 Speaker 2: King of Keys, Oh no. 988 00:49:59,520 --> 00:50:03,719 Speaker 3: I love King Case Speedy like it unravelers that your takeaway? 989 00:50:03,719 --> 00:50:05,000 Speaker 2: What's your ridiculous takeaway? 990 00:50:05,280 --> 00:50:08,359 Speaker 3: Oh well, my ridiculous takeaway is actually like Leo, when 991 00:50:08,400 --> 00:50:10,560 Speaker 3: you have that feeling and your guys are telling you 992 00:50:10,600 --> 00:50:13,319 Speaker 3: we don't want to bring them, you gotta listen, like you, 993 00:50:13,400 --> 00:50:16,040 Speaker 3: there's nothing he's not gonna be like at the end 994 00:50:16,080 --> 00:50:17,520 Speaker 3: of it, they're all gonna be like, man, you were right, 995 00:50:17,640 --> 00:50:20,040 Speaker 3: and that's gonna be better, Like it'll feel so good 996 00:50:20,080 --> 00:50:20,759 Speaker 3: that you were right. 997 00:50:20,960 --> 00:50:22,040 Speaker 2: Speedy came through. 998 00:50:22,040 --> 00:50:24,839 Speaker 3: Versus like the Speedy got us all busted. Those are 999 00:50:24,880 --> 00:50:25,880 Speaker 3: not comparable. 1000 00:50:26,080 --> 00:50:28,560 Speaker 2: Time loyalties are hard to You. 1001 00:50:28,600 --> 00:50:31,120 Speaker 3: Gotta be real though with your longtime loyal like in 1002 00:50:31,120 --> 00:50:33,320 Speaker 3: that case, minimize his involvement. 1003 00:50:33,440 --> 00:50:34,440 Speaker 2: Yeah, that's the key. 1004 00:50:34,680 --> 00:50:36,520 Speaker 3: Haven't be involved, but minimize it. 1005 00:50:36,560 --> 00:50:37,120 Speaker 2: Poor guys. 1006 00:50:37,440 --> 00:50:39,880 Speaker 3: Yeah, what's yours, Elizabeth? What's your ridiculous takeaway? 1007 00:50:40,000 --> 00:50:41,919 Speaker 2: This needs to be a movie that you write. You 1008 00:50:41,960 --> 00:50:44,319 Speaker 2: have to, like dips, no one else can do it. 1009 00:50:44,520 --> 00:50:47,040 Speaker 3: I don't know about that. Will see. It's a great telling. 1010 00:50:47,080 --> 00:50:47,960 Speaker 3: They're great. Good on you. 1011 00:50:48,160 --> 00:50:51,960 Speaker 2: I just I really they were so close. But since 1012 00:50:52,000 --> 00:50:55,560 Speaker 2: nothing's been recovered, I don't know what everyone's current status is. 1013 00:50:56,480 --> 00:50:58,880 Speaker 2: I think that they all just got away with it 1014 00:50:58,920 --> 00:50:59,359 Speaker 2: quite frank. 1015 00:50:59,480 --> 00:51:02,640 Speaker 3: Kind of feels like and they paid in prison for six. 1016 00:51:02,520 --> 00:51:05,479 Speaker 2: Years I think total, and then you know, you get 1017 00:51:05,680 --> 00:51:06,400 Speaker 2: hundreds of millions. 1018 00:51:06,400 --> 00:51:07,880 Speaker 3: It's kind of one of those like would you be 1019 00:51:07,920 --> 00:51:10,080 Speaker 3: in prison for this long? For these many millions of 1020 00:51:10,120 --> 00:51:12,239 Speaker 3: dollars questions you might No one asked this online. No 1021 00:51:12,239 --> 00:51:13,719 Speaker 3: one ever says, hey, would you be in prison for 1022 00:51:13,760 --> 00:51:15,799 Speaker 3: five years if I gave you twenty million dollars? Yeah, 1023 00:51:15,800 --> 00:51:18,200 Speaker 3: but it kind of is that question, you know, as 1024 00:51:18,239 --> 00:51:19,799 Speaker 3: opposed to like, I'll give you a million dollars if 1025 00:51:19,840 --> 00:51:21,919 Speaker 3: you live on this island for ninety days, and mister 1026 00:51:21,960 --> 00:51:23,400 Speaker 3: Beast like put you there or whatever. 1027 00:51:23,520 --> 00:51:26,160 Speaker 2: Well, and apparently like when Wired went to interview him 1028 00:51:26,239 --> 00:51:29,520 Speaker 2: in the Belgian jail, he's like kind of the boss there. 1029 00:51:29,560 --> 00:51:32,160 Speaker 2: Everyone looks at him with respect. He was weird of Rolex. 1030 00:51:32,239 --> 00:51:36,040 Speaker 3: Yeah, and those Northern European jails do not look that rough. No, 1031 00:51:36,480 --> 00:51:38,920 Speaker 3: I'm not talking Russian jails. I just be in like 1032 00:51:39,000 --> 00:51:40,719 Speaker 3: Belgian Swedish. 1033 00:51:40,200 --> 00:51:45,239 Speaker 2: For profit facility in Atlanta, exactly, super Max. Yeah, I 1034 00:51:45,280 --> 00:51:47,640 Speaker 2: think I need to talk back, right, Hell yeah, let 1035 00:51:47,640 --> 00:51:48,040 Speaker 2: me hit you. 1036 00:51:50,480 --> 00:51:58,000 Speaker 3: Oh my god, I went to get. 1037 00:52:02,320 --> 00:52:06,680 Speaker 4: Hello to all of you ridiculous people at Ridiculous Crime. 1038 00:52:07,600 --> 00:52:13,400 Speaker 4: I absolutely love your podcast. I discovered you after my 1039 00:52:13,600 --> 00:52:16,640 Speaker 4: son was born. I was staying home with him and 1040 00:52:16,880 --> 00:52:19,240 Speaker 4: just had a little bit of partum and your show 1041 00:52:19,360 --> 00:52:23,279 Speaker 4: helped me through that. And I just not to say 1042 00:52:23,320 --> 00:52:26,480 Speaker 4: how much I love it and how amazing you guys are. 1043 00:52:27,040 --> 00:52:29,600 Speaker 4: Keep up the good work. You'll always have an Archipall 1044 00:52:29,680 --> 00:52:31,799 Speaker 4: listener you so much. 1045 00:52:31,960 --> 00:52:35,359 Speaker 2: I love that for you. I find that like we 1046 00:52:35,400 --> 00:52:37,759 Speaker 2: hear from a lot of people that like we help 1047 00:52:38,040 --> 00:52:41,320 Speaker 2: get through stuff, and it's so mutual, like, yes, we. 1048 00:52:41,280 --> 00:52:43,799 Speaker 3: All all you guys help us get through stuff. 1049 00:52:43,480 --> 00:52:45,120 Speaker 2: As rude dudes. We're all helping. 1050 00:52:44,880 --> 00:52:47,080 Speaker 3: Each other, right the community. 1051 00:52:47,200 --> 00:52:49,200 Speaker 2: Yeah, and everyone goes through all sorts of stuff. We 1052 00:52:49,280 --> 00:52:51,520 Speaker 2: all have to look out for each other. So I'm 1053 00:52:51,520 --> 00:52:53,200 Speaker 2: so glad that we could help you out with that. 1054 00:52:53,360 --> 00:52:57,080 Speaker 2: And congrats on the BIBBIS. Totally nice, excellent, Thank you, 1055 00:52:57,160 --> 00:53:00,400 Speaker 2: rude dude. That's all for today. You can find us 1056 00:53:00,400 --> 00:53:04,040 Speaker 2: online at ridiculous Crime dot com. Did you know that 1057 00:53:04,120 --> 00:53:06,800 Speaker 2: there's a button that you push on a secret page 1058 00:53:06,800 --> 00:53:09,040 Speaker 2: on the web page that gets you into the matrix? 1059 00:53:09,400 --> 00:53:12,320 Speaker 3: I did, noting it does. 1060 00:53:12,600 --> 00:53:14,239 Speaker 2: I found it by accident and I had like a 1061 00:53:14,280 --> 00:53:18,399 Speaker 2: really hard time getting out. We're also a Ridiculous Crime 1062 00:53:18,440 --> 00:53:22,040 Speaker 2: on Instagram and blue Sky. You can email us at 1063 00:53:22,120 --> 00:53:26,200 Speaker 2: ridiculous Crime at gmail dot com. Dear producer Dave, And then, 1064 00:53:26,440 --> 00:53:28,960 Speaker 2: as I always say, the most important thing, download the 1065 00:53:29,000 --> 00:53:33,239 Speaker 2: iHeart app. It's free. Leave us a talkback, please reach out. 1066 00:53:38,360 --> 00:53:41,440 Speaker 2: Ridiculous Crime is hosted by Elizabeth Dutton and Zaren Burnett, 1067 00:53:41,600 --> 00:53:46,280 Speaker 2: produced and edited by veteran Salamimonger Dave Cousten, starring Annals 1068 00:53:46,400 --> 00:53:50,320 Speaker 2: Rutger as Judith. Research is by cool Headed Getaway Driver 1069 00:53:50,440 --> 00:53:54,799 Speaker 2: Marissa Brown. The theme song is by Unruly Belgianine Litterbugs, 1070 00:53:54,840 --> 00:53:58,080 Speaker 2: Thomas Lee and Travis Dutton. Post wardrobe is provided by 1071 00:53:58,080 --> 00:54:02,360 Speaker 2: Botany five hundred guest here makeup by Sparkleshot and mister Andre. 1072 00:54:02,920 --> 00:54:05,760 Speaker 2: Executive producers are Vice Principal of the School of Turin 1073 00:54:05,880 --> 00:54:09,160 Speaker 2: Ben Bollen and Apprentice to the King of Keys Noel Brown. 1074 00:54:14,440 --> 00:54:20,160 Speaker 5: Ridicous Crime, Say It One More Timequeous Crime. 1075 00:54:21,160 --> 00:54:24,520 Speaker 1: Ridiculous Crime is a production of iHeartRadio four more podcasts 1076 00:54:24,520 --> 00:54:27,680 Speaker 1: from my heart Radio. Visit the iHeartRadio app, Apple Podcasts, 1077 00:54:27,760 --> 00:54:29,600 Speaker 1: or wherever you listen to your favorite shows.