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Speaker 1: I ain't got time way up in the morning, ain't

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Speaker 1: no where, so I'd rather be. You can be from

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Speaker 1: getting barrels where you come and get the tea. You

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Speaker 1: won't real talk with real people in the whare. You

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Speaker 1: need to go talking real issue, real something. What else

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Speaker 1: you need to know? Shouting been all in the wirehouse.

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Speaker 1: But she can talk to trout. She ain't never left

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Speaker 1: the communion this so she nowhere. It said, I'm talking

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Speaker 1: b K finer. She gonna rep into the grave, and

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Speaker 1: I don't supporting real so I'm gonna tune in the day.

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Speaker 1: Well you want now angel what I call her? Ye?

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Speaker 1: Way up, it's way up with Angela. Yee. It's Angela

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Speaker 1: and Jasmine Brand. Good morning, Happy Tuesday and happy what

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Speaker 1: women's in a nation? To morrow? Oh? Is it shot?

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Speaker 1: It's International Women's Day tomorrow, Jasmine. But to day we

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Speaker 1: do have some events that I heard, so that's why

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Speaker 1: people are confused. I'm not gonna lie. There were people

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Speaker 1: in the hallway like, happy International Women's Day, because we

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Speaker 1: have these events up here today. It's a million people here. Yeah,

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Speaker 1: and shout out to Nikki Sparrow. I'm actually doing a

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Speaker 1: keynote with her. Today. Oh that's exciting. Yeah, so that's

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Speaker 1: for international women. Say I heard for some reason it's

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Speaker 1: the day before, but this whole day I thought it

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Speaker 1: was today. This is how my family celebrates the day before.

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Speaker 1: They do they do everything the day before. So we

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Speaker 1: celebrate Thanksgiving the day before. You know, you celebrate Christmas

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Speaker 1: the day before, and we celebrate international women stay up

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Speaker 1: here that day before. Sorry about that, but you know

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Speaker 1: it is. Um. Tink is going to be joining us today.

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Speaker 1: By the way, Chicago's own Tink. She's so talented, Oh

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Speaker 1: my gosh. And I love her music. It's so raw.

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Speaker 1: So yeah, I can really relate to it right now.

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Speaker 1: Oh you must be going through something girls. Yeah, all right,

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Speaker 1: well that's happening. Um. Yesterday I was at this gala

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Speaker 1: for the Broadcasters Foundation of America. Okay, so it's for

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Speaker 1: men and women in the radio and television broadcast profession.

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Speaker 1: Maybe you know you came across some hard times and

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Speaker 1: slot that O'Brien hosted it, and so there was one

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Speaker 1: woman there. She was talking about how she unfortunately had cancer.

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Speaker 1: The bills from piling up. Sometimes people are out of

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Speaker 1: work and they can't afford things, and the broadcasters Foundation

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Speaker 1: of America steps in and helps you with all of that.

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Speaker 1: So yes, it's really just to help people in um

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Speaker 1: in those fields. So it's a nonprofit. But it was

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Speaker 1: amazing and so it was just nice to be in

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Speaker 1: that room. So I'm Sherry Shepherd there. Okay. Also, how

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Speaker 1: was the food there? Um? I had the vegetarian meal.

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Speaker 1: I don't want to bad talk anything, okay today, I

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Speaker 1: know what that means. I don't think we go to

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Speaker 1: these gallus for the food. You know, I'm always gonna

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Speaker 1: ask you about what you ate. Now. Yeah, it was

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Speaker 1: okay because they had a a red meat dish, they

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Speaker 1: had a seafood dish. I don't eat either one of

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Speaker 1: those things. So I got a vegetarian. Yeah, I had

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Speaker 1: a potato and eggplant meat balls. Okay, meat ball sounds good.

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Speaker 1: All right. Well, you know we start the show every

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Speaker 1: single day with Shining a Light, where you got get

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Speaker 1: to calling shine a light on somebody who is doing

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Speaker 1: something amazing, something positive. It could be a news story

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Speaker 1: that you saw, it could be somebody in your family,

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Speaker 1: it could be somebody you ran across in life, it

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Speaker 1: could be a friend of yours, but anybody doing something

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Speaker 1: positive that you want to give them some recognition, calling

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Speaker 1: shine a light on them. Eight hundred two nine two

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Speaker 1: fifty one fifty is a number, and shine a light

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Speaker 1: on them. On way up with Angela. Yea. Turn your

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Speaker 1: lights on y'all. Shine your lights are spreading love to

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Speaker 1: those who are doing greatness. Shine. It's time to shine

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Speaker 1: a light on them. Yes, it is time to shine

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Speaker 1: a light on them. I'm way up with Angela. Yee.

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Speaker 1: Jasmine brand is here also, good morning, good morning. And

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Speaker 1: you know I love this segment, right Like I always

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Speaker 1: talk about how we start to show off with some positivity.

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Speaker 1: We're showing some love. It's all about the listeners. Was

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Speaker 1: shine a light on them? We want to talk about now?

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Speaker 1: I want to make sure I'm saying his name right. Look,

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Speaker 1: Lucy the barber or Lucie, it's lu Eci. How do

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Speaker 1: you think that is? Lucy or Lucci? Maybe Lucci? All right? Well,

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Speaker 1: Lou Lou the barber. He said the Shina Light segment

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Speaker 1: has been the talk of the city in Savannah. He

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Speaker 1: sent us an email and he said he's been a

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Speaker 1: barber in Savannah over twelve years, serving the ry DC

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Speaker 1: Detention Center and behavioral institutions mentoring and bringing joy to

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Speaker 1: all that surrounds him as a gift. And he has

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Speaker 1: a book that he wrote recently. It's called Relationship Corners

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Speaker 1: and it's a short novella composed of a journey through

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Speaker 1: life and love. So he wants to share a copy

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Speaker 1: and hopefully one day be a guest featured on the show.

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Speaker 1: And so I love that. Yes, he wanted to make

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Speaker 1: sure that we shine a light on lou Ze or

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Speaker 1: Luci the barber, and also shine a light on Savannah. Yes,

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Speaker 1: I love Savannah, Georgia. Have you ever been there. I've

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Speaker 1: never been in Savannah. I've been there one time, and

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Speaker 1: there's like they have a lot of seafood restaurants by

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Speaker 1: the way, which you would love. I stayed like on

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Speaker 1: wherever that strip is or all of that is. But

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Speaker 1: I gotta make it back there. But now it's time

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Speaker 1: for you guys to shine a light. Melissa, Hi, good

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Speaker 1: morning and gratulations. No, thank you, you're welcome. I want

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Speaker 1: to light on my daughter. Her mom is Dianna Walkings.

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Speaker 1: She was accepted at Cornage University, which is of her

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Speaker 1: masters belief. She is such a wonderful just she just

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Speaker 1: a beautiful young lady insiding out getting congratulations? What's she

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Speaker 1: getting her master's in? He's getting it in business um administration. Okay,

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Speaker 1: we love that. All right, well congratulations, let's shine a

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Speaker 1: light on her for real. Yes, thank you, tap you talk.

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Speaker 1: I feared long, but she she's going to get a

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Speaker 1: masters at Cornell University. Okay, Oh, I love that. It's major.

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Speaker 1: Shine a light on her. Thank you, You're welcome. Thank you, Dennis.

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Speaker 1: So do you want to shine a light on I

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Speaker 1: would love to light on on the Greg. It was

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Speaker 1: my trainer, but also my friends from moretra Fitness in

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Speaker 1: const Okay, what's even doing for you? Getting you? Getting

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Speaker 1: you right? I think mostly just inspiration being a physically fit,

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Speaker 1: making sure that I don't end up our catch potato

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Speaker 1: and uh okay, yes, and just it was a lot

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Speaker 1: of fun to chat to on day La Basis. Okay,

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Speaker 1: we'll shining a light on your trainer. Thank you for Colin,

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Speaker 1: Thank you, Connally Angelis. All right, well that was shine

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Speaker 1: a light on. I'm eight hundred two nine fifty one.

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Speaker 1: Fifty is the number. If you ever want to shine

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Speaker 1: a light on somebody, you can also do that on

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Speaker 1: our voicemail and we'll play him during the last word.

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Speaker 1: When we come back, we have yet and Tyler Perry

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Speaker 1: another one. We'll tell you about a purchase that he's

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Speaker 1: planning to make on Way Up with Angela Yee going

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Speaker 1: where with Angela yeep in the room from Industry Shade

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Speaker 1: to all the gossip out. Angela's all right, well, let's

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Speaker 1: way up with they, Angela ye Jasmine Brand is here.

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Speaker 1: I'm here. This is always your wheelhouse right here. This

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Speaker 1: is one of my favorite segments because this is my life,

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Speaker 1: the Jasmine Brand where she does her entertainment reporting. Well,

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Speaker 1: Tyler Perry is looking to buy a majority steak in

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Speaker 1: BT from parent company Paramount Global, and according to reports,

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Speaker 1: according to Variety, has been involved in these discussions. So

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Speaker 1: he already has a minority steak and that includes B

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Speaker 1: t v H One, BT Studios and BT Plus, but

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Speaker 1: he's been exploring a sale of the operation for him

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Speaker 1: to be able to purchase the majority stake. So he

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Speaker 1: has a little bit of it, yeah, but he wants

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Speaker 1: most of it. I wonder how much that would be.

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Speaker 1: M I have no idea what it's valued at. And

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Speaker 1: then also I guess would depend on is he trying

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Speaker 1: to get fifty one percent or is he trying to

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Speaker 1: get more than that? I like, let me just get

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Speaker 1: fifty one percent, please, so I can be majority owner

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Speaker 1: and the end. Yes, but I mean you might want

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Speaker 1: more than that if it's worth you know, if you

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Speaker 1: feel like it's worth more than that, and you can

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Speaker 1: build it. Because he hasn't got a lot of stuff

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Speaker 1: on there already. Anyway he does, it sounds like it

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Speaker 1: really makes sense for him. M he's got it. Yeah,

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Speaker 1: it seemed like he got it right all right, Now

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Speaker 1: trade the truth. He has blasted Houston Airport based officers.

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Speaker 1: He says that he was profiled. He had performed that

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Speaker 1: rolling loud in LA and was coming back and there's

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Speaker 1: an incident that happened yesterday. He went to Instagram and

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Speaker 1: he said, it's crazy. I just landed at six am

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Speaker 1: from LA and out of all the people in the airport,

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Speaker 1: these officers decided to profile me. Like I ain't see

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Speaker 1: what they was doing. First day through a dog toy

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Speaker 1: by my bag so the drug dog can sniff it.

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Speaker 1: Then they say, oh, the dog came by your bag.

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Speaker 1: Then the dog walked off and they asked me, do

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Speaker 1: I got dope in my bag? Out of hundreds of

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Speaker 1: people his ass want to pick me. He got the

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Speaker 1: right one today. He thought it was gonna be gone.

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Speaker 1: It was gonna be his moment to shine. I'm gonna

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Speaker 1: helping get the attention and recognition he needs. Here is

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Speaker 1: the video. Okay, you want to make sure it ain't

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Speaker 1: what ah, because I'm offended. I've just got them doing

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Speaker 1: the concert on tour. You're gonna talk to me about

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Speaker 1: drugs in my life? I wrap my life, all right.

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Speaker 1: So he also said that he was harassed, discriminated against, profiled.

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Speaker 1: He said it has him hot, and he also wants

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Speaker 1: to know if anybody has any information on the officer

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Speaker 1: in the video. And that's that, like, all right, you

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Speaker 1: feel like you've been profiled. No, I don't think, not

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Speaker 1: like that, not with dogs and stuff like that. Yeah,

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Speaker 1: that's not a good feeling, I'm sure, especially getting off

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Speaker 1: a plane. All right now, Young Miami, I guess decided

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Speaker 1: that she wants her next romantic relationship to be exclusive. Okay,

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Speaker 1: she said, I'm not sharing my next n word. And

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Speaker 1: it had been a long week for her. She's just

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Speaker 1: one of her man and I guess he wasn't available,

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Speaker 1: and again, you know, what's so funny about her that

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Speaker 1: she tweets with her thoughts and how she's feeling. And

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Speaker 1: I appreciate this. Yeah, it's been a long week. I

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Speaker 1: just want my man. Yeah, I don't want to share him.

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Speaker 1: I'm tired of it, you know. And I think that's

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Speaker 1: what people like about her though, too, Like if you

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Speaker 1: date her, you cannot be mad when something like this happens,

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Speaker 1: because you already know what it is. She's gonna say

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Speaker 1: what she's feeling. She's gonna tweeted out. Especially, don't let

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Speaker 1: her have a little drink or something. She's really gonna

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Speaker 1: tweet it out. And so have you ever shared a man? Andrew?

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Speaker 1: Not on purpose? That was mine? Yikes, well guess not.

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Speaker 1: I'm laughing so hard because I'm thinking about something. Oh,

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Speaker 1: we'll talk about it all right now. Glorella is heartbroken

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Speaker 1: after a second person has died from a concert stampede

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Speaker 1: that happened in Rochester, New York. Man, that's so sad.

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Speaker 1: So it was a tragedy. It was at the Main

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Speaker 1: Street Armory. Attendees rushed for the exits. Apparently they thought

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Speaker 1: that there was a gun shots being fired inside the venue.

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Speaker 1: There were some unconfirmed reports that there were shots fired.

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Speaker 1: Ten people were injured when the crowd started panicking. One

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Speaker 1: woman and died from her injuries after being transported via

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Speaker 1: ambulance to the hospital, and now the death toll has

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Speaker 1: risen to two. It was a thirty three year old

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Speaker 1: woman named ron Disha Belton and a thirty five year

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Speaker 1: old woman who succumbed to her injuries. Late yesterday, Globrilla

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Speaker 1: tweeted out, I am devastated and heartbroken over the tragic

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Speaker 1: depths that happened after Sunday show. My fans mean the

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Speaker 1: world to me, praying for their families and for a

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Speaker 1: speedy recovery of everyone affected, and our prayers go out

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Speaker 1: to nobody goes to an event like that anticipating something

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Speaker 1: like that could happen, so our prayers go out also

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Speaker 1: for those families. Super said, all right, well that is

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Speaker 1: your yet and when we come back, it's time for

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Speaker 1: about last night. Okay, this is when we talk about

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Speaker 1: whatever we did last night, whether you watched Chris Rocks

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Speaker 1: comedy stand up special, whether you were out and about

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Speaker 1: whether you listen to some new music. Whatever it was

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Speaker 1: it happened last night, We're going to talk about it.

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Speaker 1: On way Up with Angela yee going where with a

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Speaker 1: yee yea? So about last night? Yes, it's way up

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Speaker 1: with Angela yee. Jasmine Brand is here with me, good morning,

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Speaker 1: and it's time for about last night. All right. So

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Speaker 1: here's something that has been a topic of discussion because

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Speaker 1: I know we all do this when we look at

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Speaker 1: our phone and we look at Instagram and we see

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Speaker 1: pictures of our friends. Right, yesterday I had a photo

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Speaker 1: shoot up here at I Heart. Okay, how was the

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Speaker 1: photo shoot? By the way, it was fine. I'm gonna

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Speaker 1: be honest, like the team up here was great. I

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Speaker 1: just personally hate photo shoot why because I just felt awkward.

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Speaker 1: I never know what to do as much direction as

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Speaker 1: they were giving me. The music was good, they were helpful,

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Speaker 1: but I just be feeling awkward, like I don't know

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Speaker 1: what to do with my hands this way, chin up,

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Speaker 1: chinned down? You know what I'm saying. I don't know

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Speaker 1: if you have that same problem, or anybody listening, if

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Speaker 1: you ever are taking pictures and you're like, what am

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Speaker 1: I supposed to do? Now? It's more uncomfortable that all

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Speaker 1: these people are looking at me. It's probably what my

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Speaker 1: thing is, right, and so I told them, I was like, look,

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Speaker 1: just photoshop it, because sometimes you just be feeling like, man,

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Speaker 1: just make it look good, because you know, in pictures

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Speaker 1: you can fix them. You definitely can fix everything in

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Speaker 1: a picture, right, And so I'm just wondering because sometimes

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Speaker 1: we look at stuff, right and how much, like do

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Speaker 1: you filter your pictures? Jasmine? Um? I don't filter them

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Speaker 1: heavily because I want to look like myself when people

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Speaker 1: see me. So if it's a really bad pimple or

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Speaker 1: something like that, like a blemish, then I'll do that.

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Speaker 1: But even then sometimes I just leave it because I'm

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Speaker 1: just so scared that people are gonna see me and

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Speaker 1: they're gonna be like, she does not look like that.

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Speaker 1: Some people filter their pictures so much that all their

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Speaker 1: faces look alike, like I know talking about Yeah, I

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Speaker 1: would love to do that. I just want I don't

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Speaker 1: want people to call me off one, and so I

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Speaker 1: just leave it alone. I'm just like, y'all just don't

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Speaker 1: have to take me the way I look. Now, what

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Speaker 1: about like if you go on Instagram, you know, how

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Speaker 1: like you can go hold on, I'm doing it right now,

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Speaker 1: go on your story, Okay. And then the first thing

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Speaker 1: that shows up is like the purple thing with the stars.

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Speaker 1: Love that filter. Yeah, that's the one that I use

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Speaker 1: because it's like a light filter, and so sometimes I'll

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Speaker 1: use that one. Let me do it right now. He's

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Speaker 1: doing it right now. Yeah, I'm doing it right now.

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Speaker 1: To see the difference. Is what is it called a

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Speaker 1: d It says original on here. How far is too far? Though? Like?

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Speaker 1: Is if you're what's going too far with the filters

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Speaker 1: and the because sometimes you can see when the wall

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Speaker 1: is bending. Yeah, and somebody should really snatch their waist

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Speaker 1: in Is it too far when we're altering our bodies? Yeah?

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Speaker 1: Some people make their butt bigger. Yeah. Actually, there was

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Speaker 1: a makeup artist who did my makeup and then took

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Speaker 1: a picture and then he sent it to me, and

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Speaker 1: I was like, what's my butt look so big? He

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Speaker 1: made my bigger in the picture? I didn't pull that

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Speaker 1: was like, that's embarrassing, right he gave you a dunk? Yeah,

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Speaker 1: because I feel like it's so noticeable. But some people

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Speaker 1: just don't care. Yeah, I mean you could. Sometimes the

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Speaker 1: pictures look like almost cartoonish, you know what I'm saying,

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Speaker 1: because there's no blemishes, no stretched marks on your butt

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Speaker 1: on the beach. Everything is like super perfect and smooth,

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Speaker 1: but we want to look our back. Yeah, that's how

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Speaker 1: I was gonna say. In pictures, I think for so long,

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Speaker 1: photographers magazines have done that that we have this image

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Speaker 1: of this is what women look like, and in real life,

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Speaker 1: no one. Well there's a couple people look pretty perfect,

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Speaker 1: but there are are that's some people that look kind

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Speaker 1: of perfect. But in real life that's a hard thing

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Speaker 1: to be able to achieve. And so do people normally

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Speaker 1: tell you you look better in your pictures are in person.

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Speaker 1: I don't think anybody's gonna tell you in your face

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Speaker 1: you look better in pictures. Okay, you know what I mean. Yeah,

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Speaker 1: because sometimes people come up to me and they're like,

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Speaker 1: oh my god, you look so different in person. You're

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Speaker 1: so small. That's what people say to me all the time,

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Speaker 1: You're smaller in person. Yeah, because I think you know, pictures,

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Speaker 1: camera all that ads weight. Yeah, but um, what do

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Speaker 1: people do people tell you? People say I look better

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Speaker 1: in person. But I feel like people just I don't

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Speaker 1: know if people mean it. You know, I think people

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Speaker 1: just trying to be nice, because then you said, thinking

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Speaker 1: like my pictures to her, like like like I need to.

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Speaker 1: I need to step up my filters on my pictures.

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Speaker 1: And there's guys in the room. They're just gonna nod

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Speaker 1: yes and no. Do y'all filter your pictures? No? No, nothing.

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Speaker 1: You don't even like do a little swipe, you know

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Speaker 1: that one swipe when you swipe and its just they're

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Speaker 1: both shaking their head. No, you don't try like the nothing.

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Speaker 1: Do you know any men that that edit their photos?

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Speaker 1: Do you ever? You know what I gotta pay? Let

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Speaker 1: me go look through my time. I do. I do

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Speaker 1: know a man to edit to photos. Okay, yeah, and

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Speaker 1: sometimes I send my photos to him if I like,

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Speaker 1: can you can you make me not have this big

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Speaker 1: bump on my face right now? Or sometimes people do

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Speaker 1: the videos where they edit and then they move out

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Speaker 1: the frame and then it's gone and you're like, oh right,

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Speaker 1: and they got to move back into the filter. All right. Well,

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Speaker 1: we just want to get your guys thoughts on this

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Speaker 1: because we're in a day and age where anybody can

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Speaker 1: look like anything on social media and so I'm just wondering,

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Speaker 1: do you filter your photos? And have you ever had

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Speaker 1: an experience when you ran across somebody and it was

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Speaker 1: way different than what you anticipated eight hundred two nine

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Speaker 1: two fifty one fifty. This is about last night. I

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Speaker 1: was talking about my photos shoot yesterday. Sometimes you just

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Speaker 1: hate pictures because that's what you really look like. You'd

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Speaker 1: be like, man, this is what right? Yeah, this is

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Speaker 1: what I really look like. Everybody's away. And then sometimes

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Speaker 1: you have friends that you take a picture with them

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Speaker 1: and you can't never post it because they hate every

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Speaker 1: picture and they want to filter everything up, and you

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Speaker 1: gotta send it, they gotta filter it, send it back.

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Speaker 1: Eight hundred two one fifty. We want to hear your

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Speaker 1: experiences on social media. It's way up at angel Ye.

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Speaker 1: What's up? It's way up with Angela Yee. And we

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Speaker 1: are talking about just different things that we do for

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Speaker 1: our pictures so we could look our best. Some people

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Speaker 1: feel like that's cheating. Some places want to make it

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Speaker 1: illegal because some people do make it like it's criminal

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Speaker 1: the way that they change their pictures. I do feel

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Speaker 1: like that, But we want to see what your thoughts are.

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Speaker 1: Eight hundred two ninety Call us up, going where y'all

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Speaker 1: with Angela Yee. We're back with Radio Royalty Award winning

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Speaker 1: host and media personality Angela Ye more Way up with

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Speaker 1: Angela ye on now hey, it's way up with Angela. Yee.

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Speaker 1: Jasmine Brand is here with me. I like that intro?

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Speaker 1: You like that? So my friend I would just be like,

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Speaker 1: I cannot believe she keeps doing this? You could you

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Speaker 1: wearing right? Who this? This This? Who is that popple? Who

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Speaker 1: just wants it's not too much, it's just a little bit. Well,

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Speaker 1: I just think it's sometimes we got we go too

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Speaker 1: far is what it is. So it's just the kind

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Speaker 1: of gauging what is too far and what is not

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Speaker 1: the issue. Yes, well let's see what you guys think.

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Speaker 1: Eight hundred two nine fifty one fifty is a number

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Speaker 1: we're talking about people altering their pictures. Do you do it?

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Speaker 1: And do you know other people who do it? What

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Speaker 1: are your thoughts? Let's talk to cam Hey, how are

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Speaker 1: you doing? What's your thoughts about pictures and photo shoots

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Speaker 1: and people posting things but editing them. Um, I think

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Speaker 1: it's kind of funny, like you know nowaday and everybody's

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Speaker 1: just trying to look good for social media. Like I

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Speaker 1: understand it if you got like a business or like

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Speaker 1: you're doing like a business shoot something like that. But

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Speaker 1: just like if he's like a normal like person, like, oh,

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Speaker 1: make sure you don't get my stomach. I'd be like

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Speaker 1: what summing like I make like jokes of it and

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Speaker 1: stuff like that and make them feel good. Thank you.

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Speaker 1: Do you do any editing to your own photos? No,

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Speaker 1: I don't addit my own photo. I barely call things

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Speaker 1: to myself. But like when I take photos of people,

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Speaker 1: I don't really do like the hard editing, like I'll

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Speaker 1: ddit like the calor and stuff. But I told them so,

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Speaker 1: I don't do the hard editing. So it's something that

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Speaker 1: you don't like. You might just have to think for yourself.

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Speaker 1: But have you ever seen some like have you ever

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Speaker 1: seen some of your work and been like that person

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Speaker 1: like bumping the face for that, Like that's kind of like,

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Speaker 1: I don't know, it's kind of taking the too farking

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Speaker 1: thongs if you do it like that right, Because it

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Speaker 1: said embracing our imperfections. You need to say and I

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Speaker 1: appreciate it. How funny they used a photographer. His name

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Speaker 1: is Cam. That's cute. It's way up with Angela yee

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Speaker 1: about last night and we are talking to Mo. What's up? Mo?

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Speaker 1: Ain't I'm sorry, I'm hey Angela, Hey, mo, what's good?

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Speaker 1: So you know what the eddy um the film is? Right? Yeah,

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Speaker 1: I get it right, but it really made me realize

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Speaker 1: that everybody has their mishapped. But the one thing that

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Speaker 1: kills me is the wife who takes from above their head.

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Speaker 1: Well yeah, you know what. But see Okay, so that's

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Speaker 1: just angles though, right. People try to look different from

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Speaker 1: angles because certain angles make it look thinner, like you said, taller,

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Speaker 1: but they are really picked up. They are really smurked

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Speaker 1: in person, and they make some pictures that make them

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Speaker 1: look like they're so tall, Like come on, man, you

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Speaker 1: know what you're doing. Every picture is from your head.

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Speaker 1: I ever just standing next to anyone. Oh well, now

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Speaker 1: what about what about your pictures? Do you do anything

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Speaker 1: to your own? Well, I will say this, I feel

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Speaker 1: to them when I'm in the house because I'm dark

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Speaker 1: nd so it's not a lot of light behind you

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Speaker 1: for it if you look darker than what I can.

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Speaker 1: So I don't like that I'm lighting it up a

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Speaker 1: little bit. But every time I make it, it's my complexion. Okay,

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Speaker 1: So but you could use a flash m it depends.

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Speaker 1: I feel like that's a good reason for her, that

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Speaker 1: lighting isn't good? Yeah yeah, yeah, yeah, okay, all right,

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Speaker 1: so that's it. Nothing else. I do need lights because

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Speaker 1: I am very sorry. I need that. Okay, you need

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Speaker 1: to make sure you got some light on you so

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Speaker 1: we can see all your beautiful features on your morning.

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Speaker 1: So thank you, mam. I appreciate it. All right, let

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Speaker 1: me take this pictures. I could look tall. Hey, what's up? Josh?

423
00:20:53,160 --> 00:20:56,879
Speaker 1: How are you doing? You? How you doing Josh? How

424
00:20:56,920 --> 00:21:01,240
Speaker 1: you're doing? This is crazy? Because man, I look, I've

425
00:21:01,280 --> 00:21:03,720
Speaker 1: seen the breakfast haf a year. This this is crazy.

426
00:21:04,680 --> 00:21:07,960
Speaker 1: So what are your thoughts about these picture filters? I

427
00:21:08,119 --> 00:21:10,280
Speaker 1: think that people are doing a little bit too much

428
00:21:10,359 --> 00:21:14,120
Speaker 1: with the filters. You know, if you get the right lightning,

429
00:21:14,480 --> 00:21:16,840
Speaker 1: you'll be fine. So you don't do you don't do

430
00:21:16,880 --> 00:21:21,120
Speaker 1: anything pure, nah, not really. IMM doing a little something

431
00:21:21,119 --> 00:21:24,040
Speaker 1: to it, but not too much. I believe that what's

432
00:21:24,080 --> 00:21:27,639
Speaker 1: a little something like, I don't know, I just it

433
00:21:27,720 --> 00:21:30,199
Speaker 1: all depends on the angle, you know. But you might

434
00:21:30,280 --> 00:21:32,480
Speaker 1: lighten you might lighten the picture up a little bit.

435
00:21:33,280 --> 00:21:36,640
Speaker 1: It depends on the person, that skin tone, that whole thing.

436
00:21:36,760 --> 00:21:39,119
Speaker 1: But what do you do exactly? I just lighten it

437
00:21:39,200 --> 00:21:42,199
Speaker 1: up a little bit, okay, A pictures up and then

438
00:21:42,240 --> 00:21:43,920
Speaker 1: he does it from a certain angle, Why so you

439
00:21:43,920 --> 00:21:48,520
Speaker 1: can look taller. Nah, Now, I just I believe that

440
00:21:48,600 --> 00:21:51,040
Speaker 1: angles just it works with pictures. It depends on the

441
00:21:51,080 --> 00:21:54,080
Speaker 1: structure of your face. Little things like that matter when

442
00:21:54,080 --> 00:21:56,240
Speaker 1: you're taking pictures. You know what I mean? Okay, okay,

443
00:21:56,280 --> 00:21:58,040
Speaker 1: all right, see, but we all gotta make sure we

444
00:21:58,119 --> 00:21:59,840
Speaker 1: want to look our best if we're gonna post the picture.

445
00:22:00,000 --> 00:22:02,320
Speaker 1: I want to be a good one, right, yeah, exactly.

446
00:22:02,320 --> 00:22:04,120
Speaker 1: Like I take a picture for like the left side

447
00:22:04,160 --> 00:22:06,479
Speaker 1: of my face, because the left side looks different from

448
00:22:06,480 --> 00:22:09,760
Speaker 1: the right side. Why, I don't know. You gotta ask

449
00:22:09,760 --> 00:22:15,000
Speaker 1: God about that. About that? I love it from the

450
00:22:15,040 --> 00:22:17,720
Speaker 1: west side. It works for me. All right, thank you,

451
00:22:18,160 --> 00:22:20,959
Speaker 1: all right, We're good talking to you you too, all right.

452
00:22:21,040 --> 00:22:22,879
Speaker 1: Well see you guys. Everybody does a little something to

453
00:22:22,920 --> 00:22:27,800
Speaker 1: their pictures, angles, lighting something, that's the point, right, yeah,

454
00:22:27,920 --> 00:22:29,920
Speaker 1: of trying to take the best picture. All right. But

455
00:22:30,000 --> 00:22:32,320
Speaker 1: when we come back, we have yet and we'll talk

456
00:22:32,320 --> 00:22:35,040
Speaker 1: about Marlon Wayans and he has some things to say

457
00:22:35,160 --> 00:22:38,160
Speaker 1: about Jada Pickens Smith and her alopecia and God Loves

458
00:22:38,200 --> 00:22:40,959
Speaker 1: Me his new special on Way Up with Angela. Yee yo.

459
00:22:41,119 --> 00:22:43,160
Speaker 1: She about to blow the lead above this part. Let's

460
00:22:43,160 --> 00:22:48,360
Speaker 1: get it angel Yet, come and get to see all right,

461
00:22:48,400 --> 00:22:51,000
Speaker 1: it's way up with angela ye hey, Jasmine Brand Hey

462
00:22:51,040 --> 00:22:54,240
Speaker 1: angela ye hey girl, Hey, all right, it's time for Yet.

463
00:22:54,560 --> 00:22:57,119
Speaker 1: And first let's talk about Marlon Wayans, because he also

464
00:22:57,240 --> 00:22:59,840
Speaker 1: has his own special God loves Me. It's on a

465
00:23:00,080 --> 00:23:03,040
Speaker 1: bo max okay, And he told The Hollywood Reporter in

466
00:23:03,080 --> 00:23:06,120
Speaker 1: an interview that was published last week, he said that

467
00:23:06,160 --> 00:23:09,840
Speaker 1: one thing that he's not making a punchline is Jada

468
00:23:09,840 --> 00:23:13,360
Speaker 1: Pinkett Smith's journey of living with alopecia. Now, I'm gonna

469
00:23:13,400 --> 00:23:15,399
Speaker 1: tell you this. One time I interviewed Marlon Wayans, and

470
00:23:15,440 --> 00:23:17,280
Speaker 1: he said that anything could be funny. He said that

471
00:23:17,359 --> 00:23:19,439
Speaker 1: him and his brothers be at a funeral making jokes,

472
00:23:19,560 --> 00:23:22,119
Speaker 1: like I've definitely been at a funeral's laughing at jokes, right,

473
00:23:22,119 --> 00:23:24,639
Speaker 1: because the funerals also a celebration of someone's life, right,

474
00:23:24,960 --> 00:23:27,119
Speaker 1: And so when you come from a family like the Waynes,

475
00:23:27,119 --> 00:23:28,800
Speaker 1: I'm sure they could make jokes about anything. But he

476
00:23:28,840 --> 00:23:31,320
Speaker 1: said that's one thing that he would not use as

477
00:23:31,359 --> 00:23:35,760
Speaker 1: a punchline. Now here is from Marlon Wayans, God loves Me, Okay.

478
00:23:35,880 --> 00:23:38,280
Speaker 1: Things about my brother Chris Rock either. He is the

479
00:23:38,359 --> 00:23:44,040
Speaker 1: strongest black man that God ever created. Oh he is

480
00:23:44,240 --> 00:23:53,960
Speaker 1: truly one. Act like he's going to hit him. Just

481
00:23:54,080 --> 00:23:57,320
Speaker 1: took it. The rettle punk was litle screened from his chair.

482
00:23:58,000 --> 00:24:08,480
Speaker 1: Keep my watch man, I'll told that this slap is

483
00:24:08,600 --> 00:24:10,639
Speaker 1: never going How long ago is this now? Is it too?

484
00:24:10,680 --> 00:24:16,159
Speaker 1: Are we going on? It'll because Oscars are Sunday, right

485
00:24:16,280 --> 00:24:18,320
Speaker 1: or the Oscars, So that's always just gonna reignite it

486
00:24:18,359 --> 00:24:20,760
Speaker 1: anytime the Oscars is on every year. I feel like

487
00:24:20,840 --> 00:24:23,640
Speaker 1: this is gonna. Yeah, we're gonna We're gonna RELI relive

488
00:24:23,720 --> 00:24:26,040
Speaker 1: this for a while. All right now. Nick Cannon, speaking

489
00:24:26,040 --> 00:24:27,720
Speaker 1: of things that we're gonna be reliving for a while,

490
00:24:27,960 --> 00:24:30,359
Speaker 1: has teas that he has some big news coming, and

491
00:24:30,440 --> 00:24:32,879
Speaker 1: he put a baby bottle of Moji with two eyes.

492
00:24:33,040 --> 00:24:35,879
Speaker 1: Expect some big news tomorrow. So that's today. Okay. I

493
00:24:35,920 --> 00:24:37,280
Speaker 1: don't think he's happened. I don't think this is how

494
00:24:37,280 --> 00:24:39,120
Speaker 1: he's gonna announce his next kids. I know that would

495
00:24:39,160 --> 00:24:41,760
Speaker 1: feel like weird. A teaser is something else, probably some

496
00:24:41,960 --> 00:24:45,440
Speaker 1: video or something you think, or maybe he um gott

497
00:24:45,440 --> 00:24:49,040
Speaker 1: a vasectomy. He's definite. Yeah, I can't see that. I

498
00:24:49,080 --> 00:24:50,760
Speaker 1: can't I don't know. I don't know what it is.

499
00:24:51,359 --> 00:24:54,159
Speaker 1: He's it's happened, whatever, it's working. What he wanted to

500
00:24:55,920 --> 00:24:58,240
Speaker 1: just BM it just texts him. I miss his show,

501
00:24:58,359 --> 00:25:00,159
Speaker 1: his show. I used to go on his show. I

502
00:25:00,280 --> 00:25:02,280
Speaker 1: know you're like a regular one. I ask him questions

503
00:25:02,320 --> 00:25:04,879
Speaker 1: about himself all the time. He loved it all right now,

504
00:25:04,960 --> 00:25:08,919
Speaker 1: Shaka Khan, she has apologized. And that is an interview

505
00:25:09,000 --> 00:25:12,760
Speaker 1: that she did. She was talking on the Originals podcast

506
00:25:12,960 --> 00:25:16,359
Speaker 1: and she was talking about this Rolling Stones Greatest Singers list,

507
00:25:16,760 --> 00:25:19,040
Speaker 1: the two hundred greatest Singers of all time. Now Here

508
00:25:19,160 --> 00:25:21,560
Speaker 1: is the original of what you had to say about

509
00:25:21,600 --> 00:25:23,800
Speaker 1: some of the greatest singers on that list. I'm Rolling Stone.

510
00:25:24,240 --> 00:25:26,639
Speaker 1: Mariah Kerry number five. That must be pay All or

511
00:25:26,720 --> 00:25:33,080
Speaker 1: something like that. Beyonce eight. I don't have anything to

512
00:25:33,119 --> 00:25:36,639
Speaker 1: say about Beyonce. She's a great singer. She really has

513
00:25:36,760 --> 00:25:39,000
Speaker 1: opportunity to be a great singer. She has what it takes.

514
00:25:39,359 --> 00:25:42,920
Speaker 1: Shosta head of you, Adele at twenty two, Okay, I

515
00:25:43,080 --> 00:25:46,240
Speaker 1: quit give me somebody else. Mary jap Blige number twenty five.

516
00:25:46,520 --> 00:25:49,560
Speaker 1: What wait wait, I'm twenty two when she's twenty five. No,

517
00:25:49,680 --> 00:25:52,120
Speaker 1: you're twenty nine and she's twenty five. Now that's why

518
00:25:52,560 --> 00:25:54,320
Speaker 1: I feel the way I do. You know what he's

519
00:25:54,400 --> 00:25:59,680
Speaker 1: must be the children of Helen Keller. Who shaka kanaka

520
00:25:59,720 --> 00:26:03,200
Speaker 1: kans must be? The children of Helly Keller? Is so

521
00:26:03,600 --> 00:26:07,520
Speaker 1: funny to me. Well, she has since apologized. She said, recently,

522
00:26:07,600 --> 00:26:09,399
Speaker 1: I was asked about a list of the greatest singers

523
00:26:09,440 --> 00:26:11,720
Speaker 1: of all time, and instead of questioning the need for

524
00:26:11,760 --> 00:26:13,600
Speaker 1: such a list, I was pitted against other artists, and

525
00:26:13,640 --> 00:26:16,480
Speaker 1: I took the bait. As artists, we are unfairly put

526
00:26:16,520 --> 00:26:18,840
Speaker 1: into boxes, categories, or on lists. Being an artist or

527
00:26:18,840 --> 00:26:21,080
Speaker 1: a musician is not a competition. It's a gift for

528
00:26:21,160 --> 00:26:23,320
Speaker 1: which I am truly grateful. It was not my intention

529
00:26:23,359 --> 00:26:25,880
Speaker 1: to cause pain or upset anyone. To anyone that felt

530
00:26:25,920 --> 00:26:28,040
Speaker 1: this way, I sincerely apologize. Thank you for all the

531
00:26:28,119 --> 00:26:31,520
Speaker 1: love everyone has shown me. Unconditionally. I've always been about

532
00:26:31,560 --> 00:26:34,359
Speaker 1: empowering others, and I started a foundation for that very purpose.

533
00:26:34,640 --> 00:26:37,800
Speaker 1: I will be announcing soon. Empowering all artists is most

534
00:26:37,840 --> 00:26:40,600
Speaker 1: important because we truly are the architects of change, and

535
00:26:40,760 --> 00:26:42,680
Speaker 1: change begins with the heart. I love you all and

536
00:26:42,720 --> 00:26:46,000
Speaker 1: God blessed Khan. I don't think she wrote that, why

537
00:26:46,040 --> 00:26:47,960
Speaker 1: do you say that because I just I feel like

538
00:26:48,760 --> 00:26:50,280
Speaker 1: I feel like that was her team because they felt

539
00:26:50,280 --> 00:26:52,080
Speaker 1: like it wasn't. There were some not some nice things

540
00:26:52,119 --> 00:26:53,879
Speaker 1: that she said, and I feel like her team was like,

541
00:26:53,920 --> 00:26:55,520
Speaker 1: that's not nice. She shouldn't say that. Let's put this

542
00:26:55,560 --> 00:26:59,040
Speaker 1: statement out. And I don't think she did that. He

543
00:26:59,200 --> 00:27:01,360
Speaker 1: just me, Okay, all right. I don't know if I don't,

544
00:27:01,560 --> 00:27:04,280
Speaker 1: But I love Shakakh and I love when when people

545
00:27:04,280 --> 00:27:07,760
Speaker 1: are really honest, brutally honest. Oh that's your show on Fox.

546
00:27:07,880 --> 00:27:10,600
Speaker 1: Soul Jazz comes out on Monday nights. But I appreciate

547
00:27:10,640 --> 00:27:12,719
Speaker 1: the apology. I don't think she wrote that though. All right,

548
00:27:13,160 --> 00:27:15,480
Speaker 1: fair enough, Well that is your yet And when we

549
00:27:15,520 --> 00:27:17,520
Speaker 1: come back, it's under the radar. It's time for us

550
00:27:17,840 --> 00:27:20,920
Speaker 1: to discuss these stories that should be headline news, but

551
00:27:21,000 --> 00:27:23,879
Speaker 1: they're not. They're flying under the radar. And this is

552
00:27:23,920 --> 00:27:27,200
Speaker 1: a story of four Americans who authorities say were kidnapped

553
00:27:27,280 --> 00:27:30,720
Speaker 1: in Mexico. They were traveling from South Carolina. There's video

554
00:27:30,800 --> 00:27:32,359
Speaker 1: for it. It's too by the way, and we'll talk

555
00:27:32,359 --> 00:27:35,159
Speaker 1: about it our way up with the Angela Yee. I

556
00:27:35,359 --> 00:27:37,680
Speaker 1: got news this in the news that relates to you.

557
00:27:38,119 --> 00:27:41,840
Speaker 1: These stories are flying under the radar. It's way up

558
00:27:41,840 --> 00:27:43,960
Speaker 1: at the Angela Yee. Jasmine Brand is here with me,

559
00:27:44,240 --> 00:27:47,040
Speaker 1: yes and early enough, Jasmine Brand and I both originally

560
00:27:47,119 --> 00:27:49,159
Speaker 1: had this story as our under the radar story. These

561
00:27:49,240 --> 00:27:51,639
Speaker 1: as stories that aren't necessarily headline news, and now this

562
00:27:51,760 --> 00:27:54,280
Speaker 1: it's headline news. But it started off with these four

563
00:27:54,359 --> 00:27:58,320
Speaker 1: Americans who were missing in Mexico. According to authorities, they

564
00:27:58,359 --> 00:28:01,040
Speaker 1: were kidnapped and it was a tight knit group of friends.

565
00:28:01,080 --> 00:28:03,520
Speaker 1: They were traveling from South Carolina, so one of them

566
00:28:03,880 --> 00:28:06,760
Speaker 1: could undergo a medical procedure across the border, according to

567
00:28:06,840 --> 00:28:10,240
Speaker 1: family members. She's also a mother of six, LaTavia Tay

568
00:28:10,400 --> 00:28:13,840
Speaker 1: Washington McGee, thirty three years old. Well, now, the update

569
00:28:13,960 --> 00:28:16,960
Speaker 1: that just happened, and there's actually a press conference happening

570
00:28:17,080 --> 00:28:19,680
Speaker 1: right now as we're on the air. The governor in

571
00:28:19,840 --> 00:28:23,399
Speaker 1: Mexico is scheduled to give this press conference at eleven thirty.

572
00:28:23,400 --> 00:28:27,280
Speaker 1: So currently now two Americans were found dead and two

573
00:28:27,320 --> 00:28:30,120
Speaker 1: were found alive. So out of those four Americans who

574
00:28:30,200 --> 00:28:33,080
Speaker 1: authorities say were kidnapped in Mexico, two of them have

575
00:28:33,240 --> 00:28:38,760
Speaker 1: been found dead. Such unfortunate tragic news. According to reports,

576
00:28:38,800 --> 00:28:42,720
Speaker 1: they were likely mistaken for drug smugglers. I saw that

577
00:28:44,320 --> 00:28:46,960
Speaker 1: and so just I can't even like and there was

578
00:28:47,120 --> 00:28:49,480
Speaker 1: video footage you could see they were placed in a vehicle.

579
00:28:49,600 --> 00:28:52,400
Speaker 1: They were taken from the scene by armed men in

580
00:28:52,480 --> 00:28:55,200
Speaker 1: the border city of Madamotos. I don't know if I'm

581
00:28:55,240 --> 00:28:58,640
Speaker 1: saying that properly, but yeah, So this was the second

582
00:28:58,680 --> 00:29:02,560
Speaker 1: time that LaTavia Hey Washington McGee had gone to Mexico

583
00:29:02,640 --> 00:29:05,440
Speaker 1: for a medical procedure. According to her mother, about two

584
00:29:05,480 --> 00:29:07,880
Speaker 1: to three years ago, she traveled there for a surgery.

585
00:29:07,920 --> 00:29:10,880
Speaker 1: They didn't really want her to go, but receipts that

586
00:29:10,960 --> 00:29:13,080
Speaker 1: were found in their vehicle indicated that they were in

587
00:29:13,160 --> 00:29:17,920
Speaker 1: Mexico for those medical procedures and very very sad situation.

588
00:29:18,000 --> 00:29:19,840
Speaker 1: And they said, out of the two who were found

589
00:29:19,880 --> 00:29:22,440
Speaker 1: a live one of them does have injuries. Yeah, there

590
00:29:22,560 --> 00:29:25,440
Speaker 1: was also an innocent Mexican bystandard that was also killed

591
00:29:25,520 --> 00:29:28,800
Speaker 1: during this encounter. When they first went, oh gosh, it's

592
00:29:28,840 --> 00:29:32,360
Speaker 1: super sad and his story is just developing as we

593
00:29:32,520 --> 00:29:35,080
Speaker 1: you know, as we discuss it now. Yeah, so we're

594
00:29:35,440 --> 00:29:37,680
Speaker 1: gonna keep you guys updated, I know. They said that.

595
00:29:38,560 --> 00:29:43,160
Speaker 1: At two pm Eastern time. Mexico's Public Security minister said

596
00:29:43,200 --> 00:29:45,680
Speaker 1: there will also be another news conference at that time

597
00:29:46,200 --> 00:29:50,040
Speaker 1: as they are still continued continuing to investigate this kidnapping

598
00:29:50,120 --> 00:29:53,080
Speaker 1: and now this has turned into a murder. It's a

599
00:29:53,120 --> 00:29:56,680
Speaker 1: super sad and they're from South Carolina. As you said,

600
00:29:56,760 --> 00:30:00,640
Speaker 1: she's a mother of six. This is super sad. And

601
00:30:00,920 --> 00:30:03,680
Speaker 1: you know she was there for a tummy tuck. Yeah,

602
00:30:03,720 --> 00:30:05,520
Speaker 1: and like we said second time that she was going

603
00:30:06,680 --> 00:30:10,040
Speaker 1: now Zelandria Brown was talking about her brothers Zendel, who

604
00:30:10,080 --> 00:30:11,440
Speaker 1: was there, and she said, to see a member of

605
00:30:11,520 --> 00:30:13,880
Speaker 1: your family thrown in the back of a truck and dragged,

606
00:30:14,280 --> 00:30:17,880
Speaker 1: it is just unbelievable. And the FBI had originally offered

607
00:30:17,920 --> 00:30:20,760
Speaker 1: a fifty thousand dollar reward for the return of the

608
00:30:20,960 --> 00:30:25,560
Speaker 1: Americans LaTavia McGhee, Shaide Woodard, and Eric James Williams. And

609
00:30:25,840 --> 00:30:30,120
Speaker 1: like we just told you, Zendel also but unfortunately, and

610
00:30:30,200 --> 00:30:33,040
Speaker 1: I'm not sure which too. Yeah, they haven't announced that yet.

611
00:30:33,080 --> 00:30:35,120
Speaker 1: But if you look online, you can see the footage

612
00:30:35,160 --> 00:30:37,560
Speaker 1: of them actually being abducted. You see like it looks

613
00:30:37,560 --> 00:30:39,120
Speaker 1: like it was a car accident, and then you can

614
00:30:39,160 --> 00:30:41,440
Speaker 1: see there's a whole line of cars behind them. Yeah,

615
00:30:41,560 --> 00:30:44,440
Speaker 1: you can see like this entire situation unfolding. It's super

616
00:30:44,560 --> 00:30:47,480
Speaker 1: sad and it's alarming. Imagine, you know, seeing this happen,

617
00:30:48,160 --> 00:30:50,400
Speaker 1: you know, seeing this clip on social media and you know,

618
00:30:50,840 --> 00:30:53,200
Speaker 1: in a whole other country. Yeah, and then you haven't

619
00:30:53,240 --> 00:30:56,280
Speaker 1: heard from them at all. Yeah, all right, Well, prayers

620
00:30:56,320 --> 00:30:59,640
Speaker 1: to those families. That is a tragic, tragic story, it is,

621
00:31:00,000 --> 00:31:01,840
Speaker 1: But we just wanted to keep you guys updated. That's

622
00:31:01,840 --> 00:31:04,040
Speaker 1: not necessarily under the radar, but because this is all

623
00:31:04,120 --> 00:31:06,000
Speaker 1: unfolding right now, we do want to make sure that

624
00:31:06,400 --> 00:31:09,200
Speaker 1: we're keeping you guys up on what's happening, right And

625
00:31:09,280 --> 00:31:10,840
Speaker 1: we did think initially we thought it was gonna be

626
00:31:10,880 --> 00:31:12,800
Speaker 1: under the radar. We thought it was something that everyone

627
00:31:12,840 --> 00:31:15,400
Speaker 1: wasn't talking about, and then it just kind of spun

628
00:31:15,560 --> 00:31:18,840
Speaker 1: and became viroling. Now with these updates, it makes it

629
00:31:18,960 --> 00:31:21,719
Speaker 1: like a big story, and we'll keep you guys updated.

630
00:31:21,800 --> 00:31:24,440
Speaker 1: As like we said, the press conference is happening right now. Right,

631
00:31:24,800 --> 00:31:26,520
Speaker 1: all right, Well, when we come back, you know, we

632
00:31:26,640 --> 00:31:28,280
Speaker 1: do still have the way up mix that's going to

633
00:31:28,320 --> 00:31:30,760
Speaker 1: be happening at the top of the hour and Tink

634
00:31:30,880 --> 00:31:32,880
Speaker 1: is going to be joining us. I'm a huge fan

635
00:31:32,960 --> 00:31:36,760
Speaker 1: of Tink. Thanks for Nothing. What a line is the

636
00:31:36,920 --> 00:31:39,320
Speaker 1: name of her album, And let me tell you something.

637
00:31:39,360 --> 00:31:42,360
Speaker 1: The song's definitely reflect that. If they do, the lyrics

638
00:31:42,440 --> 00:31:46,040
Speaker 1: are amazing. Actually, Mayno was here when we interviewed Tink,

639
00:31:46,200 --> 00:31:48,440
Speaker 1: and he enjoyed her music because I had him listening.

640
00:31:48,480 --> 00:31:50,160
Speaker 1: He was like, oh, he wasn't here vibe into it.

641
00:31:50,480 --> 00:31:53,800
Speaker 1: I'm like, man, she's talking about guys like you on

642
00:31:53,920 --> 00:31:58,560
Speaker 1: this album. She's definitely talking about guys like you. But yeah,

643
00:31:58,600 --> 00:32:01,680
Speaker 1: so Tink will be joining us. It's also Women's History month.

644
00:32:01,720 --> 00:32:04,680
Speaker 1: Will be discussing that Tomorrow's International Women's Day, so don't

645
00:32:04,680 --> 00:32:09,560
Speaker 1: forget that either. It's way up with Angela yee. She's

646
00:32:09,600 --> 00:32:13,959
Speaker 1: like to talk like they Angela ye aye. She's spilling

647
00:32:14,000 --> 00:32:20,240
Speaker 1: it all this is yet. Yes, it's way up with

648
00:32:20,360 --> 00:32:23,280
Speaker 1: Angela ye. Jasmine Brand is here at me um here

649
00:32:23,760 --> 00:32:25,960
Speaker 1: and we are giving you just what we give you

650
00:32:26,000 --> 00:32:29,560
Speaker 1: on the Jasmine Brand. Yeah, the tea all right, Well,

651
00:32:29,720 --> 00:32:33,680
Speaker 1: Todd's Jackson and that's Michael Jackson's nephew does not like

652
00:32:33,840 --> 00:32:36,960
Speaker 1: Chris Rock special. If you guys saw the special, selective outrage.

653
00:32:36,960 --> 00:32:39,360
Speaker 1: People are definitely outraged. But Chris Rock one of the

654
00:32:39,440 --> 00:32:41,640
Speaker 1: things that he was saying was that people are selective

655
00:32:41,640 --> 00:32:44,000
Speaker 1: about what they're mad about, Like you won't listen to

656
00:32:44,080 --> 00:32:46,920
Speaker 1: r Kelly, but you listen to Michael Jackson and so

657
00:32:48,000 --> 00:32:50,640
Speaker 1: okay Todd's Jackson took to Twitter. He said, Chris Rock

658
00:32:50,680 --> 00:32:53,440
Speaker 1: has used my family as punching bags for his entire career.

659
00:32:53,920 --> 00:32:55,680
Speaker 1: Yet I am supposed to feel bad for him getting

660
00:32:55,680 --> 00:32:58,400
Speaker 1: slapped and humiliated on the oscars after seeing a new

661
00:32:58,440 --> 00:33:00,240
Speaker 1: clip of him attacking my dead uncle in the first

662
00:33:00,400 --> 00:33:04,480
Speaker 1: minutes of his retaliation, I'm still relevant, special. I have

663
00:33:04,680 --> 00:33:06,760
Speaker 1: three things to say. One, what did my family ever

664
00:33:06,840 --> 00:33:09,080
Speaker 1: do to you to warrant these decades of harassment and

665
00:33:09,120 --> 00:33:13,120
Speaker 1: your constant bullying disguised as jokes too. Just because you

666
00:33:13,160 --> 00:33:14,840
Speaker 1: are bullied early on in life doesn't give you the

667
00:33:15,000 --> 00:33:17,480
Speaker 1: excuse to bully others. Now. Three thank you Will Smith?

668
00:33:18,640 --> 00:33:22,280
Speaker 1: Can he called it a retaliation? I'm still relative special. Yeah,

669
00:33:23,040 --> 00:33:26,880
Speaker 1: I can understand him beat his uncle uncle. And people

670
00:33:26,920 --> 00:33:29,200
Speaker 1: are always kind of going in on Michael Jackson and

671
00:33:29,240 --> 00:33:32,000
Speaker 1: the allegations. Do you think it's a fair comparison MJ

672
00:33:32,160 --> 00:33:35,200
Speaker 1: and Arcall. I mean R. Kelly was convicted, Yeah, and

673
00:33:35,360 --> 00:33:38,160
Speaker 1: he's in jail right now. And yeah, but I understand

674
00:33:38,200 --> 00:33:43,080
Speaker 1: the sensitivity around his um, his late Uh yeah, that's

675
00:33:43,120 --> 00:33:45,880
Speaker 1: your family. Yeah, I mean, look and I'm sure, like

676
00:33:46,000 --> 00:33:48,960
Speaker 1: with Meg and Markle and things that were said there

677
00:33:49,000 --> 00:33:50,880
Speaker 1: and Will Smith's family and Jada pick at Smith when

678
00:33:50,880 --> 00:33:53,200
Speaker 1: you're the butt of the joke, it's not fun. I

679
00:33:53,200 --> 00:33:58,760
Speaker 1: always wonder because um, Jada's mother follows us on Instagram.

680
00:33:58,880 --> 00:34:01,200
Speaker 1: She follows the jazz and brandom Instagram and we post Wilsmith.

681
00:34:01,440 --> 00:34:03,560
Speaker 1: I'm always wondering like what does she think? Or even

682
00:34:03,640 --> 00:34:06,880
Speaker 1: like you know, Beyonce's mom follows us, and I'm just

683
00:34:06,920 --> 00:34:08,759
Speaker 1: always wondering, like what does she think when she sees

684
00:34:08,800 --> 00:34:10,680
Speaker 1: these negative stories, especially like the Will Smith thing is

685
00:34:10,719 --> 00:34:12,960
Speaker 1: something we're talking about NonStop, like right, how does your

686
00:34:13,000 --> 00:34:15,200
Speaker 1: family feel about it? It's hard because sometimes people don't

687
00:34:15,239 --> 00:34:18,960
Speaker 1: look at certain celebrities as human beings. Like you could

688
00:34:19,000 --> 00:34:22,160
Speaker 1: just talk about somebody all the time, NonStop, make jokes,

689
00:34:22,239 --> 00:34:24,880
Speaker 1: do this, do that, and it does affect people and

690
00:34:25,000 --> 00:34:27,080
Speaker 1: their family. I feel like sometimes it affects that people

691
00:34:27,120 --> 00:34:29,719
Speaker 1: around them even more because they get so mad. Yeah,

692
00:34:30,360 --> 00:34:32,319
Speaker 1: they get mad on their behalf well I mean end

693
00:34:32,320 --> 00:34:34,319
Speaker 1: the behalf of yes, somebody they love, not for nothing.

694
00:34:34,360 --> 00:34:36,880
Speaker 1: Will Smith did slap somebody on TV? Right, So I

695
00:34:36,960 --> 00:34:39,600
Speaker 1: mean like all right, all right, now form a b

696
00:34:39,760 --> 00:34:42,960
Speaker 1: et CEO Debora Lee has a new memoir. It's called

697
00:34:43,000 --> 00:34:45,360
Speaker 1: I Am Debora Lee, and she's talking about different valuable

698
00:34:45,440 --> 00:34:47,880
Speaker 1: lessons that she learned, like how to stay firm in

699
00:34:47,960 --> 00:34:54,320
Speaker 1: her decision making even when it meant disappointing, disappointing VIPs. Okay,

700
00:34:54,719 --> 00:34:57,840
Speaker 1: So she talked about saying no to Aretha Franklin and

701
00:34:57,880 --> 00:35:00,480
Speaker 1: Oprah Winfrey at different times in her life. She said

702
00:35:00,520 --> 00:35:02,640
Speaker 1: she didn't have very many female role models. She said,

703
00:35:02,640 --> 00:35:05,400
Speaker 1: I never worked for one. The prominent people in my

704
00:35:05,480 --> 00:35:07,520
Speaker 1: career were always men. So it was great to get

705
00:35:07,560 --> 00:35:09,400
Speaker 1: to know Eretha, and I was a little terrified of

706
00:35:09,480 --> 00:35:12,719
Speaker 1: her at first. She goes on to say that there

707
00:35:12,840 --> 00:35:15,640
Speaker 1: was a benefit concert and there was a series of

708
00:35:15,760 --> 00:35:19,279
Speaker 1: demands that Aretha Franklin had, which included a full winter wardrobe,

709
00:35:19,600 --> 00:35:23,360
Speaker 1: a diamond Harry Winston watch worth fifty thousand dollars. And

710
00:35:23,520 --> 00:35:24,960
Speaker 1: she said she did not agree to all of those

711
00:35:25,080 --> 00:35:28,239
Speaker 1: requests and she would have to negotiate compromises. But she

712
00:35:28,320 --> 00:35:30,239
Speaker 1: said Aretha was a kind of celebrity that would call

713
00:35:30,320 --> 00:35:34,440
Speaker 1: me directly. I could listen her purse on her shoulder

714
00:35:34,480 --> 00:35:36,600
Speaker 1: calling you, I can definitely see you that. Yeah, And

715
00:35:36,680 --> 00:35:38,399
Speaker 1: she said some of the request she just couldn't say

716
00:35:38,480 --> 00:35:40,359
Speaker 1: yes too. That's so funny. I wonder what she told

717
00:35:40,360 --> 00:35:42,400
Speaker 1: open I'm guessing the memoir she'll she'll let us know

718
00:35:42,480 --> 00:35:44,600
Speaker 1: what she told Oprah. Note about I'm gonna tell you

719
00:35:44,680 --> 00:35:47,040
Speaker 1: up here right now, if you asked for a car service,

720
00:35:47,160 --> 00:35:49,279
Speaker 1: we can't do it. We ain't got it. Imagine that's

721
00:35:49,320 --> 00:35:55,680
Speaker 1: it for a diamond crusted Harry Winston. Watch definitely not happening. Hilarious,

722
00:35:55,840 --> 00:35:58,480
Speaker 1: Lucky you get a bagel of here. Let me tell you.

723
00:35:58,520 --> 00:36:00,000
Speaker 1: We'll get you some coffee. It's free. And the kid,

724
00:36:00,239 --> 00:36:02,040
Speaker 1: we will get you some shots on this show. Way

725
00:36:02,239 --> 00:36:05,520
Speaker 1: Angel comes with shots. It does tie I heart. Is

726
00:36:05,640 --> 00:36:07,920
Speaker 1: we do all right? Another thing that she reflects on

727
00:36:08,080 --> 00:36:10,960
Speaker 1: in her memoir is that she was in a relationship

728
00:36:11,360 --> 00:36:14,960
Speaker 1: with Bob Johnson, who was the founder of bat Saw,

729
00:36:15,000 --> 00:36:17,360
Speaker 1: the son of the Jasmine brand. And she also did

730
00:36:17,440 --> 00:36:20,800
Speaker 1: an interview with Good Morning America's Robin Roberts and she

731
00:36:20,920 --> 00:36:25,000
Speaker 1: gave some insight into their relationship. You know, I worked

732
00:36:25,000 --> 00:36:28,120
Speaker 1: for Bob Johnson for ten years before we had a

733
00:36:28,640 --> 00:36:32,840
Speaker 1: personal romantic relationship, and you know, he's responsible for a

734
00:36:32,920 --> 00:36:36,960
Speaker 1: lot of my success. We did have a relationship while

735
00:36:37,000 --> 00:36:39,600
Speaker 1: we were both married. We ended up both divorce, and

736
00:36:39,680 --> 00:36:44,399
Speaker 1: then people knew about the relationship. The downfall a relationship

737
00:36:44,560 --> 00:36:46,600
Speaker 1: like that is if you want to get out of it.

738
00:36:46,760 --> 00:36:49,160
Speaker 1: And I wanted to break up. I saw it wasn't

739
00:36:49,280 --> 00:36:52,640
Speaker 1: a long term relationship, and my job in my career

740
00:36:52,800 --> 00:36:55,440
Speaker 1: was held over my head and it was like, well,

741
00:36:55,480 --> 00:36:57,800
Speaker 1: if you want to break up with me, then you

742
00:36:57,920 --> 00:37:02,960
Speaker 1: can leave tomorrow. Yeah. I'm really surprised that she is

743
00:37:03,040 --> 00:37:05,080
Speaker 1: spilling this tea on herself. I love it. I'm really

744
00:37:05,080 --> 00:37:07,200
Speaker 1: surprised that she's being as honest about her own stuff.

745
00:37:07,280 --> 00:37:09,799
Speaker 1: I think sometimes because you know, she's out of this now,

746
00:37:09,920 --> 00:37:13,160
Speaker 1: she's retired, and she said that she wanted to reveal

747
00:37:13,239 --> 00:37:15,000
Speaker 1: this relationship. She said, we've heard so much about the

748
00:37:15,040 --> 00:37:16,799
Speaker 1: guys who come to the door with their robe open

749
00:37:16,880 --> 00:37:19,120
Speaker 1: and they come out naked. That wasn't the kind of

750
00:37:19,160 --> 00:37:21,279
Speaker 1: experience I had to turned into a situation where my

751
00:37:21,400 --> 00:37:24,480
Speaker 1: job was at issue anytime I thought about breaking up

752
00:37:24,480 --> 00:37:27,320
Speaker 1: the relationship. That's very much sexual harassment, but it's a

753
00:37:27,440 --> 00:37:30,239
Speaker 1: different kind of sexual harassment. I want young women to

754
00:37:30,320 --> 00:37:32,759
Speaker 1: know that if you're in a relationship that's uneven in

755
00:37:32,920 --> 00:37:35,360
Speaker 1: terms of the power structure, that it can turn abusive.

756
00:37:35,600 --> 00:37:38,520
Speaker 1: That's why people don't. They don't like people having relationships

757
00:37:38,560 --> 00:37:40,440
Speaker 1: in the workplace, and especially if you're in a position

758
00:37:40,480 --> 00:37:42,440
Speaker 1: of power. You cannot sleep with the interns. I know

759
00:37:42,600 --> 00:37:45,920
Speaker 1: some people think that's okay, you can't do that the assistant.

760
00:37:46,000 --> 00:37:48,000
Speaker 1: None of that. Just mind of business because you don't

761
00:37:48,000 --> 00:37:49,759
Speaker 1: know what could end up happening. And that's why a

762
00:37:49,800 --> 00:37:52,719
Speaker 1: lot of times businesses do have all these restrictions on

763
00:37:52,800 --> 00:37:54,680
Speaker 1: what you can and can't do. Yes, to protect themselves

764
00:37:54,680 --> 00:37:56,239
Speaker 1: in lawsuits. I'm sure too, but I do want to

765
00:37:56,239 --> 00:37:58,680
Speaker 1: read this book. All right, Well that is you're yet

766
00:37:59,040 --> 00:38:00,800
Speaker 1: and when we come back. You know, it is Women's

767
00:38:00,840 --> 00:38:03,120
Speaker 1: History Month, so of course we're going to be celebrating

768
00:38:03,440 --> 00:38:04,920
Speaker 1: a woman who you should know about. It's a way

769
00:38:05,000 --> 00:38:07,520
Speaker 1: up with the Angela Yee. Lady, when do you ask

770
00:38:07,560 --> 00:38:09,640
Speaker 1: what you bring to the table? Tell them you brought

771
00:38:09,719 --> 00:38:12,520
Speaker 1: the table. What do you up with Angela Yee celebrating

772
00:38:12,520 --> 00:38:15,480
Speaker 1: the ladies doing Women's History Month. Yes, it's a way

773
00:38:15,560 --> 00:38:18,640
Speaker 1: up with the Angela Yee. I'm here with Jazzmine brand here,

774
00:38:18,800 --> 00:38:20,960
Speaker 1: and you know we're celebrating because it's Women's History Month

775
00:38:21,160 --> 00:38:24,280
Speaker 1: all month long. I not asked, right and tomorrow's International

776
00:38:24,320 --> 00:38:26,839
Speaker 1: Women's Day. Can't wait for that. And tomorrow Pinky Cold

777
00:38:26,840 --> 00:38:28,320
Speaker 1: It's going to be joining us. By the way, the

778
00:38:28,520 --> 00:38:32,239
Speaker 1: founder of Slutty Vegans. She's such a boss. Yes, and

779
00:38:32,360 --> 00:38:34,600
Speaker 1: she has a cookbook out it's called Eat Plants, Bitch.

780
00:38:35,320 --> 00:38:37,399
Speaker 1: And then in addition to that, she does these things

781
00:38:37,480 --> 00:38:40,880
Speaker 1: called American Sessions, like a brainstorming sessions with thought leaders

782
00:38:40,960 --> 00:38:44,480
Speaker 1: and different people. So shout out to Pinky who will

783
00:38:44,480 --> 00:38:47,600
Speaker 1: be here to morrow. But today we want to celebrate

784
00:38:47,640 --> 00:38:51,719
Speaker 1: some amazing women. Violet Palmer. Back in nineteen ninety seven,

785
00:38:51,960 --> 00:38:56,279
Speaker 1: she became the first woman to officiate an NBA game. Yes,

786
00:38:56,480 --> 00:38:58,120
Speaker 1: and so that was a huge thing. Before that, you

787
00:38:58,200 --> 00:39:01,160
Speaker 1: had officiated women's Final four w NBA and NBA Summer

788
00:39:01,239 --> 00:39:04,279
Speaker 1: League games. And then she finally made her debut in

789
00:39:04,360 --> 00:39:08,560
Speaker 1: the first NBA regular season game. Years after her debut,

790
00:39:08,680 --> 00:39:10,800
Speaker 1: she told USA Today, I was a number three referee

791
00:39:10,840 --> 00:39:13,160
Speaker 1: in the world for women's basketball. I had everything, the

792
00:39:13,239 --> 00:39:15,919
Speaker 1: final four big TV games, all the limelight I wanted.

793
00:39:16,200 --> 00:39:18,480
Speaker 1: But my personality is if you give me a challenge,

794
00:39:18,480 --> 00:39:20,480
Speaker 1: I'm going to take it. So that was back in

795
00:39:20,600 --> 00:39:23,120
Speaker 1: ninety seven that she did that. Then in twenty fourteen,

796
00:39:23,680 --> 00:39:26,080
Speaker 1: she came out, and so she was the first openly

797
00:39:26,200 --> 00:39:30,960
Speaker 1: gay referee to referee an NBA playoff game. And Charles Barkley,

798
00:39:31,040 --> 00:39:33,560
Speaker 1: he said before her debut, the NBA was a man's game,

799
00:39:34,280 --> 00:39:36,560
Speaker 1: and she said she had just she talked about it too.

800
00:39:36,680 --> 00:39:38,400
Speaker 1: She said it was probably her third or fourth year.

801
00:39:38,520 --> 00:39:40,719
Speaker 1: She was in Houston and had just finished working a

802
00:39:40,760 --> 00:39:43,480
Speaker 1: game with Charles Barkley, and she said, and I'm coming

803
00:39:43,560 --> 00:39:45,000
Speaker 1: up with my partners, and Charles came up to me

804
00:39:45,040 --> 00:39:47,080
Speaker 1: and said, you know what, I was wrong? Okay, I

805
00:39:47,160 --> 00:39:50,759
Speaker 1: can appreciate that. Yeah. So she did retire because of

806
00:39:50,840 --> 00:39:53,240
Speaker 1: a knee injury in twenty sixteen, but she did officiate

807
00:39:53,400 --> 00:39:56,759
Speaker 1: nine hundred and nineteen NBA games before that. And she's

808
00:39:56,760 --> 00:40:00,399
Speaker 1: also a black woman. To Violet Palmer, Yah shout out

809
00:40:00,400 --> 00:40:03,399
Speaker 1: to her. Yes, all right, I know you had somebody too,

810
00:40:04,040 --> 00:40:06,880
Speaker 1: did you? Oh? That was it? This is it? Okay?

811
00:40:06,920 --> 00:40:09,680
Speaker 1: Well I have another person, okay that I wanted to

812
00:40:09,719 --> 00:40:11,680
Speaker 1: talk about. I don't know why, though, you had this

813
00:40:12,200 --> 00:40:17,640
Speaker 1: Queen Latifa. She is highlighting black women in filmmaking. Now

814
00:40:17,680 --> 00:40:20,000
Speaker 1: it's the fourth year of this initiative that she has.

815
00:40:20,360 --> 00:40:23,520
Speaker 1: But she has the Queen Collective and so she's promoting

816
00:40:23,600 --> 00:40:26,880
Speaker 1: diversity in the entertainment industry. And here's what she had

817
00:40:26,920 --> 00:40:30,879
Speaker 1: to say. We had to start with just one specific thing,

818
00:40:31,280 --> 00:40:35,799
Speaker 1: allow a woman of color to tell her story from

819
00:40:36,719 --> 00:40:40,360
Speaker 1: idea to distribution, and it will build from there. What

820
00:40:40,520 --> 00:40:43,440
Speaker 1: P and G is doing is making commitment to equal

821
00:40:43,560 --> 00:40:49,600
Speaker 1: representation throughout the entire creative and media supply chain. Now

822
00:40:49,680 --> 00:40:52,240
Speaker 1: that person that you just heard, he's from Practer and Gambo.

823
00:40:52,800 --> 00:40:56,480
Speaker 1: So she does this initiative with partnership with Practer and Gambo,

824
00:40:56,600 --> 00:41:00,400
Speaker 1: Flavor Unit Entertainment, her company, and Tribeca Studios. Ahead of

825
00:41:00,400 --> 00:41:02,880
Speaker 1: the premiere of two films that were produced under her initiative,

826
00:41:03,080 --> 00:41:06,359
Speaker 1: she actually spoke to Essence about her collaboration with PNG,

827
00:41:06,560 --> 00:41:08,680
Speaker 1: about the different directors that she has involved with this

828
00:41:08,800 --> 00:41:12,800
Speaker 1: initiative and how important and critical it is to uplift

829
00:41:12,960 --> 00:41:15,479
Speaker 1: black women in film. She said, women of color, women

830
00:41:15,600 --> 00:41:20,240
Speaker 1: period and people of color women in non binary are underrepresented, underrepresented,

831
00:41:20,560 --> 00:41:22,920
Speaker 1: hugely underrepresented when it comes to film and when it

832
00:41:23,000 --> 00:41:25,760
Speaker 1: comes to advertisement, in front of and behind the camera.

833
00:41:26,280 --> 00:41:28,360
Speaker 1: And she said after sitting on a panel with Mark Pritchard,

834
00:41:28,400 --> 00:41:30,720
Speaker 1: that's the guy from Procter and Gamble at this women's

835
00:41:30,760 --> 00:41:32,359
Speaker 1: event in New York a few years back. We walked

836
00:41:32,400 --> 00:41:34,080
Speaker 1: up that stage together and we were like, man, we

837
00:41:34,200 --> 00:41:36,440
Speaker 1: gotta do something about this. And that's what I love

838
00:41:36,480 --> 00:41:40,320
Speaker 1: when a conversation you have when you meet somebody sparks

839
00:41:40,400 --> 00:41:42,560
Speaker 1: you wanting to do more, and then you actually end

840
00:41:42,680 --> 00:41:45,840
Speaker 1: up making it happen. And she did. I love Queen Lativa.

841
00:41:45,880 --> 00:41:48,080
Speaker 1: Do you watch The Equalizer? You know she stars in that.

842
00:41:48,360 --> 00:41:50,640
Speaker 1: I've seen a couple of episodes. I didn't coach Jesse,

843
00:41:50,840 --> 00:41:52,680
Speaker 1: who does a lot of our detox stuff from the

844
00:41:52,760 --> 00:41:55,800
Speaker 1: Detox and her daughters in it. Really, yes, that's a

845
00:41:55,880 --> 00:41:57,560
Speaker 1: big deal that come home say, yes, that's a really

846
00:41:57,600 --> 00:41:59,680
Speaker 1: big deal. Yeah, it is a big deal. Did you

847
00:41:59,760 --> 00:42:03,120
Speaker 1: know that Queen Latifa has a note not dying on

848
00:42:03,280 --> 00:42:07,480
Speaker 1: screen clause? Now, who I did a deep dive, I

849
00:42:07,520 --> 00:42:09,960
Speaker 1: did a shallow die. She has this no death clause

850
00:42:10,000 --> 00:42:12,640
Speaker 1: that means her character can't die in the story. And

851
00:42:13,239 --> 00:42:15,279
Speaker 1: that's that's the way it is when you book Queen

852
00:42:15,360 --> 00:42:17,200
Speaker 1: Latiffa on a show or a movie. I don't know

853
00:42:17,239 --> 00:42:19,600
Speaker 1: if that's just for series or if it's for films,

854
00:42:19,640 --> 00:42:23,760
Speaker 1: but she has that not dying on screen clause. That's interesting,

855
00:42:24,000 --> 00:42:26,120
Speaker 1: and you know, it's crazy. I have like the opposite

856
00:42:26,200 --> 00:42:29,680
Speaker 1: thing is on my list of goals, my bucket list. Okay,

857
00:42:30,000 --> 00:42:31,759
Speaker 1: I really want to die in a horror movie. You

858
00:42:31,840 --> 00:42:33,760
Speaker 1: want to die? I know, I know you love horror films.

859
00:42:33,800 --> 00:42:35,680
Speaker 1: You want to die in one? Yes, I love a

860
00:42:35,719 --> 00:42:38,040
Speaker 1: horror film. Well I know that part, but I don't

861
00:42:38,120 --> 00:42:40,560
Speaker 1: understand why you would like to. Yeah, can you act?

862
00:42:40,680 --> 00:42:42,840
Speaker 1: How would you? How would you if you got to choose,

863
00:42:42,880 --> 00:42:44,960
Speaker 1: how would you like to die in a horror film?

864
00:42:45,600 --> 00:42:48,279
Speaker 1: I would like to have some type of chase involved. Okay,

865
00:42:48,320 --> 00:42:50,080
Speaker 1: you're being changed. So first of all, I love in

866
00:42:50,160 --> 00:42:52,680
Speaker 1: horror movies when it's like the anticipation is what really

867
00:42:52,760 --> 00:42:54,759
Speaker 1: kills you. You're like walking down the hallway, it's doc,

868
00:42:54,760 --> 00:42:57,239
Speaker 1: You're hearing noise. You're like, what's what's going on here?

869
00:42:57,719 --> 00:42:59,640
Speaker 1: And then you go like a stupid idiot and it's like,

870
00:42:59,680 --> 00:43:01,320
Speaker 1: oh my god, what are you doing? Why would you go?

871
00:43:01,880 --> 00:43:04,239
Speaker 1: And you know, next thing, you know, you're outside. You're like,

872
00:43:04,280 --> 00:43:07,160
Speaker 1: it's hello, is somebody here? And this is you? Okay,

873
00:43:07,200 --> 00:43:10,000
Speaker 1: go ahead, go ahead, continue and then you're like, I

874
00:43:10,080 --> 00:43:12,160
Speaker 1: guess not, and then somebody runs in the house behind

875
00:43:12,239 --> 00:43:14,480
Speaker 1: you while you're standing outside. Okay, and so then you

876
00:43:14,520 --> 00:43:16,160
Speaker 1: go back in and everybody's watching, like, oh my god,

877
00:43:16,200 --> 00:43:17,960
Speaker 1: the person's in the house. Don't go there. And so

878
00:43:18,080 --> 00:43:20,000
Speaker 1: then maybe you hear a noise and then I would

879
00:43:20,040 --> 00:43:21,560
Speaker 1: like to go on the basement, and you know how

880
00:43:21,600 --> 00:43:23,080
Speaker 1: you turn the light on in the basement and you're like,

881
00:43:23,600 --> 00:43:25,520
Speaker 1: is somebody down there? And then I would go in

882
00:43:25,560 --> 00:43:28,480
Speaker 1: the basement and then somebody would jump out and hack

883
00:43:28,560 --> 00:43:31,640
Speaker 1: me up into pieces. You want to be hacked into pieces?

884
00:43:31,920 --> 00:43:35,560
Speaker 1: That is very weird. Well, here's the problem with that,

885
00:43:35,640 --> 00:43:36,880
Speaker 1: and I know we need to wrap this up. The

886
00:43:36,920 --> 00:43:38,960
Speaker 1: problem with that is when you get killed in these

887
00:43:39,680 --> 00:43:41,600
Speaker 1: these movies, you can never have a sequel, which is why,

888
00:43:41,680 --> 00:43:44,239
Speaker 1: Queen Latifa, you can't come back. What do you think

889
00:43:44,239 --> 00:43:46,200
Speaker 1: happened to Freddy Krueger? He got shoved in the oven,

890
00:43:46,239 --> 00:43:47,840
Speaker 1: he died, and he came back. So if someone if

891
00:43:47,880 --> 00:43:49,799
Speaker 1: you get hack to hir a movie, anything can happen,

892
00:43:50,120 --> 00:43:52,400
Speaker 1: all right, got it, all right? And so anyway that

893
00:43:52,680 --> 00:43:55,560
Speaker 1: was your Woman's History month. Queen Latifa will not dye

894
00:43:55,600 --> 00:43:58,440
Speaker 1: in a movie, but I will, so call me all right.

895
00:43:58,600 --> 00:44:02,040
Speaker 1: Now when we come back, we have Tank joining us,

896
00:44:02,040 --> 00:44:03,800
Speaker 1: and I'm so excited for that. Thanks for nothing is

897
00:44:03,800 --> 00:44:05,719
Speaker 1: a neighbor. Name of her album, It's way Up with

898
00:44:05,760 --> 00:44:16,000
Speaker 1: angela Ye, Hey, bring it, ringing the mic. Yes, it's

899
00:44:16,080 --> 00:44:18,840
Speaker 1: way up with Angela Ye. Jasmine Brand is here with me. Hey,

900
00:44:19,360 --> 00:44:24,840
Speaker 1: Today's a Funday. Tomorrow is gonna be difficult recovery or

901
00:44:24,920 --> 00:44:26,640
Speaker 1: because I'm gonna be out late tonight. I'm gonna tell

902
00:44:26,680 --> 00:44:28,319
Speaker 1: y'all that right now. So I just want to put

903
00:44:28,360 --> 00:44:30,000
Speaker 1: that out there. I'm gonna be out late tonight too,

904
00:44:30,160 --> 00:44:32,920
Speaker 1: and shout out to my guy keV from Kokomo. Okay's

905
00:44:32,960 --> 00:44:35,879
Speaker 1: listening right now. Kokomo is an amazing restaurant in Brooklyn, Oh.

906
00:44:36,840 --> 00:44:39,279
Speaker 1: He said he really enjoyed my horror story. I don't

907
00:44:39,320 --> 00:44:40,800
Speaker 1: know if I enjoyed it. I thought it was a

908
00:44:40,840 --> 00:44:43,960
Speaker 1: little quirky. I wanted to um. I mean, I really

909
00:44:44,000 --> 00:44:45,480
Speaker 1: have other things that I want to do. Like I

910
00:44:45,600 --> 00:44:49,440
Speaker 1: like a movie like Hostile, Okay. I like gory movies

911
00:44:49,480 --> 00:44:51,840
Speaker 1: with horror movies, people get chopped up and things like that.

912
00:44:52,400 --> 00:44:54,440
Speaker 1: But then I also like a movie like The Conjuring

913
00:44:54,480 --> 00:44:57,839
Speaker 1: based on a true story that's more. Yeah, I think

914
00:44:58,040 --> 00:45:01,320
Speaker 1: I'm gonna you wanted to be popped up into little pieces.

915
00:45:01,880 --> 00:45:03,160
Speaker 1: It's kind of where I feel like it goes a

916
00:45:03,200 --> 00:45:07,960
Speaker 1: little overboard. Okay, yeah, that's fine, all right, But say

917
00:45:07,960 --> 00:45:09,480
Speaker 1: I feel like you're gonna die. You gotta die big

918
00:45:09,560 --> 00:45:11,040
Speaker 1: in a movie. Yeah, I don't want I don't mind

919
00:45:11,120 --> 00:45:12,560
Speaker 1: dying big, but I just don't want to get chopped

920
00:45:12,600 --> 00:45:16,040
Speaker 1: up into little pieces. But all right, well, let's you know,

921
00:45:16,200 --> 00:45:18,160
Speaker 1: keep it moving. I'm gonna work on my movie idea

922
00:45:18,239 --> 00:45:20,719
Speaker 1: for you, Okay, ask Ye, it's coming up, So I

923
00:45:20,800 --> 00:45:22,719
Speaker 1: want to make sure that you guys call us up.

924
00:45:22,760 --> 00:45:24,319
Speaker 1: Maybe you want to talk to me about your horror

925
00:45:24,360 --> 00:45:28,279
Speaker 1: movie Lord. But two nine two fifty one fifty for

926
00:45:28,400 --> 00:45:30,279
Speaker 1: ask Ye. If there's any question that you have. We

927
00:45:30,400 --> 00:45:32,399
Speaker 1: are here to help. We've helped a lot of people

928
00:45:32,440 --> 00:45:35,879
Speaker 1: and I enjoy doing that. Yeah we had life experience. Yeah, yeah,

929
00:45:35,960 --> 00:45:38,439
Speaker 1: we do all right. Eight hundred two nine two fifty

930
00:45:38,480 --> 00:45:40,680
Speaker 1: one fifty. Also Tink is joining us now. We did

931
00:45:40,719 --> 00:45:43,040
Speaker 1: this interview last week. Mayno was here. I really did

932
00:45:43,120 --> 00:45:45,319
Speaker 1: what Mayno on this interview. People love Mayno by the way.

933
00:45:45,360 --> 00:45:47,160
Speaker 1: They're like, I think he's doing great. MANO is a

934
00:45:47,239 --> 00:45:50,120
Speaker 1: good time. But there's some songs on this album that

935
00:45:50,280 --> 00:45:52,399
Speaker 1: I felt like he needed to hear. It's called Thanks

936
00:45:52,440 --> 00:45:54,520
Speaker 1: for Nothing by Tink, and she has a song called

937
00:45:54,560 --> 00:46:00,359
Speaker 1: Toxic Trust Issues. I'm the catch okay, also New Word

938
00:46:00,400 --> 00:46:02,319
Speaker 1: and Mayno loved the song New and Words. So if

939
00:46:02,360 --> 00:46:05,279
Speaker 1: you have Tink's album or you haven't listened to it yet,

940
00:46:05,400 --> 00:46:06,840
Speaker 1: let me just tell you you got to listen to

941
00:46:06,960 --> 00:46:08,799
Speaker 1: New n Word. It will put you in a mood

942
00:46:08,840 --> 00:46:12,799
Speaker 1: for sure. It definitely makes some people mad. Some people

943
00:46:13,000 --> 00:46:16,560
Speaker 1: be like, I am him, me, I am him? All right.

944
00:46:16,680 --> 00:46:19,520
Speaker 1: So Tink is coming up and again ask ye eight

945
00:46:19,680 --> 00:46:22,319
Speaker 1: hundred two nine two fifty one fifty carl it sap.

946
00:46:22,480 --> 00:46:24,799
Speaker 1: We are here to help. It's way up with Angela Yee,

947
00:46:25,640 --> 00:46:32,719
Speaker 1: going way with Angela Yee. Angela Yee is way up.

948
00:46:33,600 --> 00:46:37,400
Speaker 1: Still here, Jasmine Brand, I'm still here as well. And

949
00:46:37,600 --> 00:46:41,120
Speaker 1: somebody who I absolutely love is here. Also, Tink is here.

950
00:46:43,440 --> 00:46:46,040
Speaker 1: We got to get into I know it's something of

951
00:46:46,160 --> 00:46:49,800
Speaker 1: us leave always never that, never that. But congratulations. I

952
00:46:49,840 --> 00:46:52,600
Speaker 1: saw everybody giving you your flowers on social media. Took

953
00:46:53,280 --> 00:46:55,800
Speaker 1: thank you. I appreciate it. It's a lot of support.

954
00:46:55,880 --> 00:46:58,480
Speaker 1: The energy is crazy right now. I love that because

955
00:46:58,600 --> 00:47:00,960
Speaker 1: you deserve it so much, because you've been grinding for

956
00:47:01,040 --> 00:47:03,280
Speaker 1: such a long time, and I feel like it's always

957
00:47:03,320 --> 00:47:05,279
Speaker 1: going up, up and up. You know, sometimes I think

958
00:47:05,320 --> 00:47:07,719
Speaker 1: we're artists. It's like a up and down, up and down.

959
00:47:07,760 --> 00:47:09,279
Speaker 1: But I feel like for you it's just been like

960
00:47:09,400 --> 00:47:12,960
Speaker 1: a steady, steady incline. Yes, it's been a journey. Like

961
00:47:13,040 --> 00:47:15,799
Speaker 1: you say, I've been making music for a long time. Um,

962
00:47:15,880 --> 00:47:18,280
Speaker 1: and that's what I'm independent. It's just a different energy

963
00:47:18,480 --> 00:47:21,560
Speaker 1: and every drop it's just crazy and crazy. But I

964
00:47:21,760 --> 00:47:26,439
Speaker 1: want to say Mano has been listening too. Yes, Mayno

965
00:47:26,560 --> 00:47:29,200
Speaker 1: has a very strong perspect let me let me say

966
00:47:29,320 --> 00:47:33,000
Speaker 1: exactly for real, because what I like is the fact

967
00:47:33,040 --> 00:47:35,760
Speaker 1: that you're super honest in the music and you're talking crazy.

968
00:47:36,400 --> 00:47:38,439
Speaker 1: So I want to apologize to you for not really

969
00:47:38,520 --> 00:47:41,160
Speaker 1: being in tune sooner because you don't know where you are.

970
00:47:41,480 --> 00:47:45,359
Speaker 1: But I wasn't really in tune right now all morning.

971
00:47:45,840 --> 00:47:48,560
Speaker 1: Listen when I'm wrong, I'm I want to apologize. But

972
00:47:48,719 --> 00:47:51,160
Speaker 1: the music is crazy. I love it. I love what

973
00:47:51,239 --> 00:47:54,879
Speaker 1: you're talking about talking about having a mum throwing away

974
00:47:54,880 --> 00:47:59,640
Speaker 1: to olver love usually the new So I really I

975
00:47:59,719 --> 00:48:02,520
Speaker 1: did listen to this time, but that is one of

976
00:48:02,600 --> 00:48:04,399
Speaker 1: my favorite songs, and I know it's the last song

977
00:48:04,520 --> 00:48:07,480
Speaker 1: on the new album, but what it's about is look

978
00:48:07,600 --> 00:48:10,520
Speaker 1: you messing up. I got somebody new that's gonna pick

979
00:48:10,600 --> 00:48:12,520
Speaker 1: up the slack. Yes, And that was the whole point

980
00:48:12,560 --> 00:48:14,279
Speaker 1: of this album. It's like, you know, I'm speaking for

981
00:48:14,360 --> 00:48:16,880
Speaker 1: the girls. The ladies. We always hear reckless by the

982
00:48:16,960 --> 00:48:19,400
Speaker 1: man what they kind of like, you know, just kind

983
00:48:19,440 --> 00:48:21,600
Speaker 1: of be a vogar. I wanted to make an album

984
00:48:21,680 --> 00:48:25,000
Speaker 1: for ladies. Were you nervous when you wrote that record?

985
00:48:25,040 --> 00:48:27,160
Speaker 1: Because that's a very strong nervous for a few of

986
00:48:27,239 --> 00:48:30,560
Speaker 1: these records, very strong, and you know how it is.

987
00:48:30,680 --> 00:48:32,600
Speaker 1: It's like the world is so sensitive. Now I'm like,

988
00:48:32,840 --> 00:48:34,800
Speaker 1: you know, do I have to change this lyric? But

989
00:48:34,960 --> 00:48:36,920
Speaker 1: now we let it fly. There was a record I

990
00:48:36,960 --> 00:48:38,359
Speaker 1: don't know the name of it. Were you talking about

991
00:48:38,360 --> 00:48:51,719
Speaker 1: I shouldn't take it back? Yeah, definitely definitely understand that. Yeah, team,

992
00:48:51,760 --> 00:48:54,879
Speaker 1: do you have someone or somebody's that where you feel

993
00:48:54,880 --> 00:48:56,320
Speaker 1: like I wish I was never wish you in that

994
00:48:56,400 --> 00:48:59,279
Speaker 1: way like that that reflects that song. Of course, I

995
00:48:59,360 --> 00:49:01,880
Speaker 1: feel like in my past I gotta feel BitB that

996
00:49:01,920 --> 00:49:04,320
Speaker 1: I just wish I never even touched talk to you.

997
00:49:04,680 --> 00:49:07,080
Speaker 1: And you know that's just a part of life. It's

998
00:49:07,120 --> 00:49:08,800
Speaker 1: worse as you blow up even more people. But like

999
00:49:08,880 --> 00:49:12,480
Speaker 1: you know how used to hit. I'm crying. I don't

1000
00:49:12,480 --> 00:49:15,200
Speaker 1: put me on your list, give me all people. No,

1001
00:49:15,320 --> 00:49:17,480
Speaker 1: that's the problem. You know me don't don't know how

1002
00:49:17,480 --> 00:49:19,840
Speaker 1: to be quiet, and so it's like you have to

1003
00:49:19,880 --> 00:49:23,759
Speaker 1: be selective, careful. Now. You also did this campaign which

1004
00:49:23,760 --> 00:49:28,160
Speaker 1: I enjoyed right where people were donating their excess clothes. Yes,

1005
00:49:28,719 --> 00:49:32,000
Speaker 1: instead of just like throwing them out, putting them on fire,

1006
00:49:32,120 --> 00:49:35,319
Speaker 1: cutting them up, donate them. Yes, I did a thanks

1007
00:49:35,360 --> 00:49:39,160
Speaker 1: for Nothing dry So I love the love that drop

1008
00:49:39,239 --> 00:49:43,520
Speaker 1: off your ex clothes. It's clothes, jens hats, anything old

1009
00:49:43,640 --> 00:49:46,640
Speaker 1: from your ex, get rid of it. But yeah, in

1010
00:49:46,640 --> 00:49:49,200
Speaker 1: Atlanta they're bringing like all the clothes and donating all

1011
00:49:49,280 --> 00:49:52,000
Speaker 1: their old exss stuff. So I'm with that. That's good.

1012
00:49:52,040 --> 00:49:54,480
Speaker 1: Like instead of throwing his clothes out, let's just take

1013
00:49:54,520 --> 00:49:58,320
Speaker 1: these designer cli Jordans said, maybe even like an Xbox

1014
00:49:58,360 --> 00:50:03,319
Speaker 1: and something. One time about you'all drive may Yeah, one

1015
00:50:03,320 --> 00:50:05,239
Speaker 1: time a guy put my clothes in a in a

1016
00:50:05,400 --> 00:50:07,040
Speaker 1: bathtub and said he was gonna set it on fire.

1017
00:50:07,280 --> 00:50:09,239
Speaker 1: Oh my god, how did you do? So? I just

1018
00:50:09,320 --> 00:50:10,800
Speaker 1: came home. I was like, why are my clothes in

1019
00:50:10,840 --> 00:50:13,879
Speaker 1: the bathtub? What did you do that? Man? We don't

1020
00:50:13,880 --> 00:50:19,120
Speaker 1: want to talk about all of our Have you ever

1021
00:50:19,200 --> 00:50:22,359
Speaker 1: had a situation where a guy was super upset about

1022
00:50:22,440 --> 00:50:25,880
Speaker 1: something that you did or something that he discovered? Of course,

1023
00:50:26,040 --> 00:50:29,160
Speaker 1: but that's the most I have my phone smash before phone?

1024
00:50:29,640 --> 00:50:33,160
Speaker 1: Now that's the violation. Did you have a second phone? Eagary?

1025
00:50:33,200 --> 00:50:34,600
Speaker 1: I have to go and get him the phone? Did

1026
00:50:34,640 --> 00:50:38,200
Speaker 1: he pay for it? Um? He did not? Now he

1027
00:50:38,320 --> 00:50:40,600
Speaker 1: was upset. So that's like the most type scene. I go,

1028
00:50:40,760 --> 00:50:43,120
Speaker 1: do that's messed up? Man? Are you smashed the phone

1029
00:50:43,160 --> 00:50:44,960
Speaker 1: before I could look at your face and tel? But

1030
00:50:45,480 --> 00:50:49,000
Speaker 1: because he was at he's like, that's that's light work.

1031
00:50:49,160 --> 00:50:54,839
Speaker 1: Not I would say I have smash a woman's phone,

1032
00:50:56,080 --> 00:50:59,560
Speaker 1: But why, what's the motive behind the angle? What trigger that? Really? Cool?

1033
00:50:59,719 --> 00:51:03,160
Speaker 1: You doing what you did? What? What give me this phone?

1034
00:51:03,160 --> 00:51:06,440
Speaker 1: I'm paying for it? Anyway? Did he go through it?

1035
00:51:06,560 --> 00:51:08,240
Speaker 1: Did he go through your phone and he got upset?

1036
00:51:09,760 --> 00:51:12,040
Speaker 1: Have you went through a band's phone before? I have?

1037
00:51:12,320 --> 00:51:15,279
Speaker 1: But not recently? Y'all that you God will leave you sick.

1038
00:51:15,880 --> 00:51:18,080
Speaker 1: You know, I'm one of those people like man, when

1039
00:51:18,120 --> 00:51:19,960
Speaker 1: I noticed something ain't right, you know, I can't eat,

1040
00:51:20,520 --> 00:51:22,080
Speaker 1: so I'm not trying to see I don't. I don't

1041
00:51:22,120 --> 00:51:25,439
Speaker 1: really want to discover anything. If I said, God showed

1042
00:51:25,480 --> 00:51:28,160
Speaker 1: me cool, Yeah, but I'm not searching the phone. I

1043
00:51:28,239 --> 00:51:30,719
Speaker 1: felt like, you know, it's in here. Sometimes God will

1044
00:51:30,719 --> 00:51:32,920
Speaker 1: be asking for the phone over his face while he's

1045
00:51:32,920 --> 00:51:35,839
Speaker 1: sleeping over Is that what God says? And I never

1046
00:51:36,040 --> 00:51:40,240
Speaker 1: did that. I don't have that? Is that what God times?

1047
00:51:41,920 --> 00:51:44,600
Speaker 1: What the phone about my face? Your eyes have to

1048
00:51:44,640 --> 00:51:46,480
Speaker 1: be open for when God tells you that to put

1049
00:51:46,520 --> 00:51:48,440
Speaker 1: the phone on the I never did it. I learned

1050
00:51:48,480 --> 00:51:50,640
Speaker 1: my lesson from the finger that was done to me.

1051
00:51:50,840 --> 00:51:55,120
Speaker 1: Somebody took your finger passed out. Yes out. Now let's

1052
00:51:55,120 --> 00:51:56,719
Speaker 1: talk about the time of Toxic, because you said even

1053
00:51:56,760 --> 00:52:01,879
Speaker 1: though I knew you was toxic, I still you all right, Yeah,

1054
00:52:01,960 --> 00:52:05,000
Speaker 1: it's honest. This album is so honest, and it's just

1055
00:52:05,160 --> 00:52:07,359
Speaker 1: like you know, I kept it all the way real.

1056
00:52:07,440 --> 00:52:10,440
Speaker 1: So yeah, so it's somebody that you knew. Everybody was

1057
00:52:10,480 --> 00:52:13,120
Speaker 1: like it ain't. Yeah, And that's how we are as women.

1058
00:52:13,160 --> 00:52:15,239
Speaker 1: We always have to kind of test the waters, like

1059
00:52:15,360 --> 00:52:16,799
Speaker 1: I heard about it, but I got to see if

1060
00:52:16,840 --> 00:52:20,839
Speaker 1: it's real. It's right those situations. But sometimes we also

1061
00:52:20,880 --> 00:52:24,120
Speaker 1: think people will be different with us. That's very true,

1062
00:52:24,280 --> 00:52:26,520
Speaker 1: you know, he's like because I'm me and like he

1063
00:52:26,600 --> 00:52:28,200
Speaker 1: went through what he went through and it was who

1064
00:52:28,239 --> 00:52:30,280
Speaker 1: were here. We always think we can change a person,

1065
00:52:30,920 --> 00:52:33,640
Speaker 1: and I believe, you know, the right person will change.

1066
00:52:33,719 --> 00:52:35,799
Speaker 1: But it ain't gonna be because of a woman. It'll

1067
00:52:35,800 --> 00:52:39,600
Speaker 1: be because he was still right, because he was looking

1068
00:52:39,640 --> 00:52:44,319
Speaker 1: for love. Yeah, I am sad them. Maybe you are.

1069
00:52:45,080 --> 00:52:46,879
Speaker 1: You think that a woman can make you change because

1070
00:52:46,880 --> 00:52:49,680
Speaker 1: you had some life life experiences make you change. You

1071
00:52:49,719 --> 00:52:51,480
Speaker 1: gotta get to a place where you want to change, right,

1072
00:52:51,480 --> 00:52:54,399
Speaker 1: Ain't nobody No one person's won't change you. Now, let's

1073
00:52:54,440 --> 00:52:56,319
Speaker 1: talk about this first second though, for the women here

1074
00:52:56,440 --> 00:52:59,440
Speaker 1: taking accountability because we call these guys toxic, but sometimes

1075
00:52:59,440 --> 00:53:02,800
Speaker 1: we're the tax sick once ten times? What have you

1076
00:53:02,880 --> 00:53:06,239
Speaker 1: done that's been toxic? I will say this like not

1077
00:53:06,360 --> 00:53:08,120
Speaker 1: that I like to do it, but women play mind

1078
00:53:08,200 --> 00:53:10,440
Speaker 1: games and I don't want to just you know, make

1079
00:53:10,480 --> 00:53:12,880
Speaker 1: myself sound like a demon or nothing. Man. You know,

1080
00:53:12,960 --> 00:53:14,799
Speaker 1: we know what the trigger words with a man. It's

1081
00:53:14,800 --> 00:53:16,640
Speaker 1: something about a man and you might find us care

1082
00:53:16,800 --> 00:53:19,759
Speaker 1: something you can't like trigger and play prom That's that's

1083
00:53:19,800 --> 00:53:25,359
Speaker 1: to said, going you know, having what happened? Ways? Um,

1084
00:53:25,760 --> 00:53:29,719
Speaker 1: you know, quick quick whatever I get at that time.

1085
00:53:29,800 --> 00:53:32,320
Speaker 1: So you know, when I have my days, damn what

1086
00:53:32,440 --> 00:53:34,200
Speaker 1: I have. And it's a mind game because you know,

1087
00:53:34,400 --> 00:53:36,719
Speaker 1: you know that you're gonna trigger them. So it's like

1088
00:53:36,760 --> 00:53:38,719
Speaker 1: you're just playing with them feeling. But he was in

1089
00:53:38,760 --> 00:53:40,319
Speaker 1: the other day and this is where herd a guy's feeling.

1090
00:53:40,440 --> 00:53:43,160
Speaker 1: She likes um guys who are medium in terms of

1091
00:53:43,239 --> 00:53:45,080
Speaker 1: our parents, and like just you know, like I don't

1092
00:53:45,080 --> 00:53:48,239
Speaker 1: talk about medium. Yeah, like no, medium side. I like

1093
00:53:48,320 --> 00:53:51,600
Speaker 1: medium cute. I like medium side. I like that. I

1094
00:53:51,760 --> 00:53:54,879
Speaker 1: feel that, okay, because the people about the medium guys,

1095
00:53:54,920 --> 00:53:57,640
Speaker 1: it's like, if they're tool fine, you gotta worry about

1096
00:53:58,080 --> 00:54:01,279
Speaker 1: you gotta worry about women. They have HERD. They got

1097
00:54:01,320 --> 00:54:06,160
Speaker 1: too much worried. My rashell is if they are super fine,

1098
00:54:06,280 --> 00:54:08,839
Speaker 1: they were cute in kindergarten. Okay, If they were cute

1099
00:54:08,880 --> 00:54:12,600
Speaker 1: in kindergarten, they always had peers, and the girls in

1100
00:54:12,640 --> 00:54:17,600
Speaker 1: the class, the teachers show them favoritism. That's so we've

1101
00:54:17,640 --> 00:54:22,680
Speaker 1: always been hey, hold you, little Johnny, so cute. I

1102
00:54:22,800 --> 00:54:25,840
Speaker 1: think about dealing with a guy that was that was

1103
00:54:25,920 --> 00:54:28,240
Speaker 1: cute at five years so, and then now he's thirty.

1104
00:54:28,600 --> 00:54:31,399
Speaker 1: He's been cute his whole life. So he's used to being,

1105
00:54:31,640 --> 00:54:34,320
Speaker 1: you know, so you're like, I like Tink, what do

1106
00:54:34,400 --> 00:54:37,520
Speaker 1: you love? I like that too. I think medium is nice.

1107
00:54:37,719 --> 00:54:40,560
Speaker 1: You know, y'all have to worry about too many women chasing.

1108
00:54:41,360 --> 00:54:44,000
Speaker 1: And then he's also still good, you know, still good

1109
00:54:50,640 --> 00:54:53,440
Speaker 1: if you know, you know, it's one guys in the

1110
00:54:53,560 --> 00:54:55,480
Speaker 1: hood that our medium, you know what I mean. They

1111
00:54:55,560 --> 00:54:58,040
Speaker 1: might not be the finest man, but his swag is right.

1112
00:54:58,560 --> 00:55:02,120
Speaker 1: He might dress well and you might smell good. You Medium,

1113
00:55:02,239 --> 00:55:06,360
Speaker 1: now like look good good Medium? All right, Well that

1114
00:55:06,600 --> 00:55:09,239
Speaker 1: is Tink. Thanks for nothing. She is joining us this morning,

1115
00:55:09,239 --> 00:55:10,799
Speaker 1: and when we come back, we'll have some more with her.

1116
00:55:10,880 --> 00:55:12,520
Speaker 1: You know, we love her. It's way up with angela

1117
00:55:12,600 --> 00:55:21,000
Speaker 1: year you up with Angela yea, and we have a

1118
00:55:21,080 --> 00:55:23,960
Speaker 1: lesson on it to have Chicago's own Tink sitting here

1119
00:55:24,000 --> 00:55:26,040
Speaker 1: with us. It isn't hard for guys to talk to

1120
00:55:26,040 --> 00:55:27,879
Speaker 1: you when they listen to your music and they're like, damn,

1121
00:55:27,880 --> 00:55:30,400
Speaker 1: I really gotta come correct, especially with this album. I

1122
00:55:30,480 --> 00:55:32,960
Speaker 1: think I feel like guys have like this opinion about me,

1123
00:55:33,160 --> 00:55:35,319
Speaker 1: and a lot of guys be afraid to or even

1124
00:55:35,360 --> 00:55:38,399
Speaker 1: approach a girl like me because I'm so sure I'm minded.

1125
00:55:39,160 --> 00:55:41,520
Speaker 1: They always have their doubts are they They'll come and

1126
00:55:41,840 --> 00:55:45,480
Speaker 1: think I'm like this mean as stubborn woman, and I'm like, no,

1127
00:55:45,640 --> 00:55:48,239
Speaker 1: I'm just you know, just be speaking truth. So how

1128
00:55:48,320 --> 00:55:50,560
Speaker 1: can a guy approach you if they're listening right now?

1129
00:55:51,000 --> 00:55:53,440
Speaker 1: You seeing yourself. It's it's really what's your relationship? You

1130
00:55:53,520 --> 00:55:56,920
Speaker 1: saying this? I'm figuring things out right now, and um

1131
00:55:57,520 --> 00:56:00,719
Speaker 1: focus on music. Focused on the music. You got to say, girl,

1132
00:56:01,800 --> 00:56:07,719
Speaker 1: all these all these tracks I'm figuring. I'm figuring, save

1133
00:56:07,800 --> 00:56:10,160
Speaker 1: your soul. So if somebody did want to approach you,

1134
00:56:10,560 --> 00:56:13,640
Speaker 1: what is the best way be yourself? Y'all? I'm so

1135
00:56:13,920 --> 00:56:16,719
Speaker 1: I'm so downturf. I like when people are normal, and

1136
00:56:16,960 --> 00:56:18,520
Speaker 1: you know what I mean, when people do the most,

1137
00:56:18,840 --> 00:56:20,520
Speaker 1: that's when you kind of get afraid, like you know,

1138
00:56:20,600 --> 00:56:22,200
Speaker 1: I can't trust or you know what I'm saying, You

1139
00:56:22,280 --> 00:56:24,960
Speaker 1: never know what to expect with you, be yourself, A

1140
00:56:25,120 --> 00:56:29,440
Speaker 1: nice hello, how you feeling? Simple conversations because how can

1141
00:56:29,480 --> 00:56:31,920
Speaker 1: they even get to you? Though? And that's the thing.

1142
00:56:32,000 --> 00:56:34,600
Speaker 1: We kind of have to cross paths. I'm always working,

1143
00:56:34,800 --> 00:56:36,719
Speaker 1: and you know, you get to a certain point. You

1144
00:56:36,840 --> 00:56:39,279
Speaker 1: can't just pop out at every club every you know,

1145
00:56:39,760 --> 00:56:42,400
Speaker 1: I'm always working. I have to have to cross paths

1146
00:56:42,480 --> 00:56:52,160
Speaker 1: with you. Can we see your dms. I have a

1147
00:56:52,280 --> 00:56:55,160
Speaker 1: question a guy that you date or that you the

1148
00:56:55,280 --> 00:56:57,200
Speaker 1: next guy. I don't know what your situation is now,

1149
00:56:57,600 --> 00:57:00,040
Speaker 1: but does he have to be in this industry to

1150
00:57:00,120 --> 00:57:03,759
Speaker 1: be What kind of guy are you open to? Yeah?

1151
00:57:03,800 --> 00:57:05,920
Speaker 1: I was just talking about this. I'm a little afraid

1152
00:57:06,000 --> 00:57:08,880
Speaker 1: of men in the industry right, Okay? Why I'm a

1153
00:57:08,920 --> 00:57:13,560
Speaker 1: little afraid just because of the opinions. You know, you

1154
00:57:13,680 --> 00:57:15,800
Speaker 1: have to deal with a million people watching you and

1155
00:57:16,360 --> 00:57:19,840
Speaker 1: telling you about your relationship. Um, and just also because

1156
00:57:19,880 --> 00:57:23,680
Speaker 1: I know, like man with you know, status, it come

1157
00:57:23,760 --> 00:57:26,880
Speaker 1: with a whole lot of baggage, chap, a whole lot

1158
00:57:26,960 --> 00:57:29,520
Speaker 1: of side women, a whole lot of group bees, and

1159
00:57:30,400 --> 00:57:32,480
Speaker 1: you know, dealing with that you have to be prepared

1160
00:57:32,560 --> 00:57:34,640
Speaker 1: for that and it's a lot. So would you date

1161
00:57:34,680 --> 00:57:37,640
Speaker 1: that a regular guy? I surely would? Now when yeah,

1162
00:57:38,040 --> 00:57:41,040
Speaker 1: making leftist slow songs? Do you play your own music? Ever?

1163
00:57:42,680 --> 00:57:45,600
Speaker 1: I have before? But I didn't like it? Why didn't

1164
00:57:45,600 --> 00:57:48,480
Speaker 1: you like? Because I'm so critical? I went I went

1165
00:57:48,520 --> 00:57:50,880
Speaker 1: into the mindset like a producer or artist, and I

1166
00:57:50,920 --> 00:57:52,919
Speaker 1: started thinking about man, that note should have been longer,

1167
00:57:52,960 --> 00:57:55,520
Speaker 1: and I wish I put a verse a verse at

1168
00:57:55,560 --> 00:58:02,840
Speaker 1: the end, I started critiquing my music. It wasn't hear me. Yeah,

1169
00:58:03,040 --> 00:58:05,640
Speaker 1: it wasn't me, And you're going on to her. I

1170
00:58:05,840 --> 00:58:10,880
Speaker 1: am Angela, thanks for everything. Tour starting in April. In

1171
00:58:10,960 --> 00:58:13,640
Speaker 1: the March. I'm going on tour and I want my

1172
00:58:13,800 --> 00:58:15,480
Speaker 1: you know, my real Day one fans to pop out

1173
00:58:15,480 --> 00:58:17,600
Speaker 1: because this is for y'all. You know, I'm telling everybody

1174
00:58:17,680 --> 00:58:19,840
Speaker 1: thank you for the support. And I'm gonna just go

1175
00:58:19,960 --> 00:58:22,200
Speaker 1: through all my albums, all my records. It's gonna be

1176
00:58:22,240 --> 00:58:24,360
Speaker 1: a big vibe. Then let me get your opinion on

1177
00:58:24,480 --> 00:58:27,280
Speaker 1: something that happened at the Division show. Did you see

1178
00:58:27,320 --> 00:58:29,240
Speaker 1: the girl that got up on the stage and was

1179
00:58:29,400 --> 00:58:32,840
Speaker 1: dancing with Daniel and she was like grinding Hunt the

1180
00:58:32,960 --> 00:58:35,120
Speaker 1: guy that wrote whatever post It wasn't really her man,

1181
00:58:35,160 --> 00:58:37,520
Speaker 1: but let's just say she was in a relationship and

1182
00:58:37,640 --> 00:58:39,560
Speaker 1: she got up on that stage. It was, you know,

1183
00:58:39,720 --> 00:58:42,320
Speaker 1: bending over grinding. And some people are like, she looks

1184
00:58:42,360 --> 00:58:44,120
Speaker 1: she's just living her best life. It's no big deal.

1185
00:58:44,240 --> 00:58:46,360
Speaker 1: But some people were very critical, like, if you're in

1186
00:58:46,440 --> 00:58:48,880
Speaker 1: a relationship, you shouldn't do something like that. What are

1187
00:58:48,880 --> 00:58:51,400
Speaker 1: your thoughts? I mean, if you're in a relationship, you

1188
00:58:51,520 --> 00:58:54,080
Speaker 1: got to respect your man or respect your lady whatever.

1189
00:58:54,760 --> 00:58:57,080
Speaker 1: But at the same time, it's like, y'all, she had

1190
00:58:57,120 --> 00:59:00,040
Speaker 1: a concert, might be you know, this might be the

1191
00:59:00,080 --> 00:59:02,400
Speaker 1: biggest artist to her, she's the biggest fan is And

1192
00:59:02,560 --> 00:59:05,640
Speaker 1: it wasn't serious, was it? No? I don't think so. Yeah,

1193
00:59:05,640 --> 00:59:09,080
Speaker 1: it was entertainment, you know what. I can see it

1194
00:59:09,120 --> 00:59:13,760
Speaker 1: from both Yahn, if we're in a relationship, I just

1195
00:59:13,960 --> 00:59:17,800
Speaker 1: don't think that that would be appropriate being at you

1196
00:59:18,000 --> 00:59:20,520
Speaker 1: in a relationship and then what you gotta come back

1197
00:59:20,600 --> 00:59:23,400
Speaker 1: and just you know, but it's a good topic. There's

1198
00:59:23,400 --> 00:59:27,080
Speaker 1: two different perspectives. There's team who was like, look, she's carefree,

1199
00:59:27,160 --> 00:59:29,720
Speaker 1: she's having a good night. And then there's Mayno, who

1200
00:59:29,880 --> 00:59:41,240
Speaker 1: is that's my woman? I like, if she didn't leave

1201
00:59:41,320 --> 00:59:43,200
Speaker 1: with him, she didn't go home with him that night,

1202
00:59:43,520 --> 00:59:45,880
Speaker 1: she didn't even probably probably didn't even know he was

1203
00:59:45,960 --> 00:59:48,280
Speaker 1: going to do that on stage. I love it. Well,

1204
00:59:48,360 --> 00:59:51,040
Speaker 1: let's get to it. Thanks for everything tour that is

1205
00:59:51,080 --> 00:59:54,520
Speaker 1: happening starting in April, Thank y'all, and like ladies will

1206
00:59:54,600 --> 00:59:56,400
Speaker 1: be there, guys, good place for you to go. Just

1207
00:59:56,480 --> 00:59:59,240
Speaker 1: giving you some friendly advice, right and also make sure

1208
00:59:59,240 --> 01:00:00,960
Speaker 1: you check out that album and again we're giving you

1209
01:00:01,000 --> 01:00:03,640
Speaker 1: your flowers too because you definitely. Thank you, Angela. You

1210
01:00:03,720 --> 01:00:06,880
Speaker 1: have been so supportive of me. I really appreciate you, know,

1211
01:00:07,080 --> 01:00:10,120
Speaker 1: having about lady. I'm sad. Thank you. Anything we could do,

1212
01:00:10,160 --> 01:00:13,400
Speaker 1: We're gonna be there too. Yes, in New York, in

1213
01:00:13,400 --> 01:00:15,800
Speaker 1: New York, all right, way up with Angela Tank, Thank

1214
01:00:15,840 --> 01:00:18,040
Speaker 1: you so much. And when we come back, we have

1215
01:00:18,320 --> 01:00:20,760
Speaker 1: ask ye any question you have. Eight hundred two nine

1216
01:00:20,800 --> 01:00:22,840
Speaker 1: two fifty one fifty is the number, call us up

1217
01:00:22,920 --> 01:00:26,400
Speaker 1: and we got you relationship for career advice, Angela's dropping facts.

1218
01:00:27,640 --> 01:00:30,480
Speaker 1: If this is ask ye, what's up? Is where up

1219
01:00:30,520 --> 01:00:34,400
Speaker 1: with Angela? Ye? And it is ask ye. Eight hundred

1220
01:00:34,440 --> 01:00:36,400
Speaker 1: two nine two fifty one fifty is the number. We'd

1221
01:00:36,440 --> 01:00:38,840
Speaker 1: love to hear from you. And we have Jaalen with

1222
01:00:38,920 --> 01:00:42,400
Speaker 1: a question, Hey Ye, how are you doing? Hey Jayleen?

1223
01:00:42,480 --> 01:00:46,320
Speaker 1: What's your question for? Ask ye? My question is how

1224
01:00:46,360 --> 01:00:51,360
Speaker 1: do you deal with an laws who overstep without offending

1225
01:00:51,440 --> 01:00:55,440
Speaker 1: anyone or coming off as like being disrespectful? Well, tell

1226
01:00:55,480 --> 01:00:58,440
Speaker 1: me what you mean by overstepping? Just overstepping in a

1227
01:00:58,600 --> 01:01:02,360
Speaker 1: sense so very much just getting in business. I feel

1228
01:01:02,400 --> 01:01:04,720
Speaker 1: like you shouldn't be in Can you give us an example?

1229
01:01:05,560 --> 01:01:08,240
Speaker 1: I just feel like a lot of things, like telling

1230
01:01:08,320 --> 01:01:11,960
Speaker 1: me like her my wife, and it's not even really

1231
01:01:12,080 --> 01:01:16,200
Speaker 1: her father, it's a stepfather. He will say things like, oh,

1232
01:01:17,000 --> 01:01:20,480
Speaker 1: you need to there's a bunch of needs or not,

1233
01:01:20,640 --> 01:01:23,240
Speaker 1: instead of telling me what he thinks I should do.

1234
01:01:23,440 --> 01:01:25,480
Speaker 1: Is you need to this or you need to that,

1235
01:01:26,000 --> 01:01:29,480
Speaker 1: instead of just giving me like his opinion, it's more

1236
01:01:29,520 --> 01:01:32,880
Speaker 1: so like an order. Is it possible to just say

1237
01:01:33,040 --> 01:01:35,120
Speaker 1: thank you and keep it moving and not feed into it?

1238
01:01:37,000 --> 01:01:39,960
Speaker 1: I mean, yeah, that's true. I could do that, just

1239
01:01:40,040 --> 01:01:42,760
Speaker 1: say thank you and keep it moving, but it's kind

1240
01:01:42,800 --> 01:01:45,280
Speaker 1: of and he'll also do it like in front of

1241
01:01:45,320 --> 01:01:49,280
Speaker 1: folks too, so it's almost like ego stroking almos, swarm

1242
01:01:49,560 --> 01:01:52,480
Speaker 1: right right and listen, that's not your problem. That sounds

1243
01:01:52,560 --> 01:01:55,440
Speaker 1: more like his problem. And sometimes we feed into things

1244
01:01:56,080 --> 01:01:58,240
Speaker 1: because then that's your ego too, Like why would you

1245
01:01:58,280 --> 01:02:00,880
Speaker 1: do that in front of that when sometimes you're making

1246
01:02:01,040 --> 01:02:03,560
Speaker 1: something maybe a bigger deal. You can't control what someone

1247
01:02:03,640 --> 01:02:06,120
Speaker 1: else does, but what you can control is your reaction, right,

1248
01:02:06,720 --> 01:02:09,320
Speaker 1: that's true, And so what you can say is just

1249
01:02:09,520 --> 01:02:11,880
Speaker 1: be like, all right, thank you. Always love when you

1250
01:02:11,960 --> 01:02:15,240
Speaker 1: tell me what I need to do, thumbs up, you know,

1251
01:02:15,400 --> 01:02:18,520
Speaker 1: because for real because, like you said, it's his ego,

1252
01:02:18,600 --> 01:02:20,880
Speaker 1: so he's doing that and he knows what your reaction

1253
01:02:21,040 --> 01:02:23,640
Speaker 1: is going to be. So sometimes when you don't give

1254
01:02:23,760 --> 01:02:26,880
Speaker 1: people what they're trying to get from you, that's what

1255
01:02:27,000 --> 01:02:29,040
Speaker 1: it'll make them stop, rather than you having to be

1256
01:02:29,160 --> 01:02:31,720
Speaker 1: confrontational because it feels like maybe that's kind of what

1257
01:02:31,840 --> 01:02:35,880
Speaker 1: he wants. Right, Yeah, that's true. That makes perfect sense.

1258
01:02:36,000 --> 01:02:38,800
Speaker 1: I appreciate that because you know, I'm petty. I'll be like, oh,

1259
01:02:38,920 --> 01:02:42,520
Speaker 1: what else do I need to do? Word? Okay, well,

1260
01:02:42,600 --> 01:02:45,080
Speaker 1: coold do me a favor. Can you write all that

1261
01:02:45,240 --> 01:02:51,680
Speaker 1: and send it to me in a text? Yeah? But look,

1262
01:02:51,720 --> 01:02:54,920
Speaker 1: control your own reaction because I feel like things can

1263
01:02:55,040 --> 01:02:57,280
Speaker 1: get blown out of proportion when you have this like

1264
01:02:57,440 --> 01:02:59,320
Speaker 1: kind of building up in you and you can just

1265
01:03:00,120 --> 01:03:02,320
Speaker 1: let it go. I mean, because it sounds and I

1266
01:03:02,400 --> 01:03:04,320
Speaker 1: could be wrong, and I don't want to downplay how

1267
01:03:04,360 --> 01:03:08,360
Speaker 1: you're feeling, but it seems like it is something that

1268
01:03:09,000 --> 01:03:11,720
Speaker 1: bothers you. But if you can learn to just put

1269
01:03:11,760 --> 01:03:15,240
Speaker 1: it into perspective and deal with it differently, than it

1270
01:03:15,320 --> 01:03:17,800
Speaker 1: could be something that doesn't have that same effect on

1271
01:03:17,920 --> 01:03:21,280
Speaker 1: you because you're letting it affect you. Right. Let makes sense,

1272
01:03:21,600 --> 01:03:23,040
Speaker 1: you know, and if you could talk to your wife

1273
01:03:23,040 --> 01:03:24,960
Speaker 1: about it too. I feel like as long as she

1274
01:03:25,120 --> 01:03:27,480
Speaker 1: knows how you feeling, she respects it, then it's always

1275
01:03:27,520 --> 01:03:31,120
Speaker 1: teemed you against them, you know, and she does, she

1276
01:03:31,280 --> 01:03:33,919
Speaker 1: does respect it, but I don't. I don't. I also

1277
01:03:34,000 --> 01:03:35,640
Speaker 1: don't want to put her in a bad spot to

1278
01:03:35,720 --> 01:03:39,000
Speaker 1: where she's having to take a side. Hut. Yeah, well

1279
01:03:39,040 --> 01:03:43,480
Speaker 1: she needs to pick your side, so it's okay, yeah, yeah,

1280
01:03:43,560 --> 01:03:45,680
Speaker 1: that's true. And when he does it, all she gotta

1281
01:03:45,720 --> 01:03:47,640
Speaker 1: do is give you a hug. And every time he

1282
01:03:47,720 --> 01:03:49,520
Speaker 1: does it, and y'all just have your own little inside

1283
01:03:49,600 --> 01:03:53,000
Speaker 1: laugh joke communication about it, and then it could turn

1284
01:03:53,080 --> 01:03:55,080
Speaker 1: into a joke like, okay, when he comes today, let's

1285
01:03:55,120 --> 01:03:57,080
Speaker 1: write down how many times he says what I need

1286
01:03:57,160 --> 01:03:59,640
Speaker 1: to do and I don't tell you. Yeah, I'm gonna

1287
01:03:59,640 --> 01:04:04,320
Speaker 1: trying to and we'll laugh about it exactly, a nice

1288
01:04:04,360 --> 01:04:07,120
Speaker 1: a private joke and let us know how it works here.

1289
01:04:07,360 --> 01:04:09,720
Speaker 1: But listen, anytime you start getting back, just counter ten

1290
01:04:09,800 --> 01:04:14,440
Speaker 1: backwards in your head. That'll calm you right down. Yeah, okay,

1291
01:04:14,560 --> 01:04:17,520
Speaker 1: I'll do that, all right, bye, all right, thank you?

1292
01:04:17,840 --> 01:04:20,760
Speaker 1: All right, Well that was ask ye Jaalen is funny.

1293
01:04:20,800 --> 01:04:22,600
Speaker 1: He sounded like he was a cool guy. Yeah he was.

1294
01:04:22,920 --> 01:04:26,920
Speaker 1: He sounds concerned, but you know reasonable, right, right, all right, well,

1295
01:04:26,960 --> 01:04:28,880
Speaker 1: we have last word when we come back. And that's

1296
01:04:28,920 --> 01:04:30,880
Speaker 1: when you guys, of course, because this is your show,

1297
01:04:31,160 --> 01:04:32,880
Speaker 1: you get to have the last word. Eight hundred two

1298
01:04:32,960 --> 01:04:35,000
Speaker 1: nine two fifty one fifty is a number. At all

1299
01:04:35,080 --> 01:04:37,280
Speaker 1: times you can have the last word. Just call us up.

1300
01:04:37,440 --> 01:04:41,160
Speaker 1: It's way up with Angela Yee. The phone tapping and

1301
01:04:41,200 --> 01:04:44,520
Speaker 1: get your voice heard. What the word gets the last

1302
01:04:44,600 --> 01:04:48,000
Speaker 1: word on Way up with Angela Yee. Who, yes, it

1303
01:04:48,120 --> 01:04:50,600
Speaker 1: is way up with Angela Yee. Jasmine brand is here,

1304
01:04:50,720 --> 01:04:54,120
Speaker 1: who say, yeah, we got this event happening up here.

1305
01:04:54,200 --> 01:04:57,040
Speaker 1: I heard today International Women's Day is tomorrow. So today

1306
01:04:57,080 --> 01:04:59,760
Speaker 1: there's a lot of things happening. It's very busy, very

1307
01:05:00,240 --> 01:05:03,040
Speaker 1: very busy. Here shout out to Nicky Sparrow. We're gonna

1308
01:05:03,040 --> 01:05:06,360
Speaker 1: be having a fun conversation today. Okay, she came in

1309
01:05:06,480 --> 01:05:09,360
Speaker 1: here and she was talking about her pronoun. I can't

1310
01:05:09,400 --> 01:05:13,000
Speaker 1: say it on the air, though, Okay, okay, right, that's fine, okay,

1311
01:05:13,240 --> 01:05:15,240
Speaker 1: all right, but you know this is I know we're

1312
01:05:15,240 --> 01:05:17,520
Speaker 1: both like, okay, all right, well, you know this is

1313
01:05:17,560 --> 01:05:19,640
Speaker 1: the part of the show where we do the last word.

1314
01:05:19,760 --> 01:05:21,479
Speaker 1: And before we do that, I want to thank Tink

1315
01:05:21,560 --> 01:05:24,280
Speaker 1: for coming through her album Thanks for Nothing. Her tour

1316
01:05:24,480 --> 01:05:27,560
Speaker 1: Thanks for Everything is going to be starting to Yeah,

1317
01:05:27,560 --> 01:05:29,560
Speaker 1: and we have to go to the New York too.

1318
01:05:29,560 --> 01:05:31,240
Speaker 1: I think it's on the sixteenth. Yes, we need to

1319
01:05:31,280 --> 01:05:35,919
Speaker 1: go to We need to be there present singing along. Yes, Scott, oh, girl,

1320
01:05:36,320 --> 01:05:39,320
Speaker 1: can't wait. That album is like, that's an amazing one.

1321
01:05:39,360 --> 01:05:42,120
Speaker 1: You know, there's certain albums that you're like, all right,

1322
01:05:42,280 --> 01:05:44,160
Speaker 1: this can be a reflection on what I'm going through

1323
01:05:44,200 --> 01:05:48,800
Speaker 1: in my life. Yeah, for sure. It's very um honest,

1324
01:05:48,880 --> 01:05:51,880
Speaker 1: it feels like for her, Yes, like a certain albums

1325
01:05:51,920 --> 01:05:55,160
Speaker 1: like remember um Mary J. Blige, I was saying my

1326
01:05:55,360 --> 01:06:00,160
Speaker 1: life girl. Yes, maybe the Tony Braxton album may be

1327
01:06:00,200 --> 01:06:04,200
Speaker 1: the Waiting to Exhale Waiting to Exhale soundtrack could be

1328
01:06:04,280 --> 01:06:06,680
Speaker 1: going to do some things. I know we have anything lively.

1329
01:06:06,720 --> 01:06:10,160
Speaker 1: We want to Amy Winehouses back to black Jesus Christ

1330
01:06:11,360 --> 01:06:17,640
Speaker 1: saying okay, enough, don't put me in the hole, come close.

1331
01:06:18,360 --> 01:06:21,000
Speaker 1: But anyway, um again, this is the time for your

1332
01:06:21,080 --> 01:06:23,280
Speaker 1: last word. In the earlier I was detailing to you

1333
01:06:23,480 --> 01:06:25,880
Speaker 1: if I was in a horror movie, to everybody what

1334
01:06:25,960 --> 01:06:27,360
Speaker 1: the plot would be you put me on the spot

1335
01:06:27,400 --> 01:06:30,040
Speaker 1: with that. I'm gonna keep on working on this clot

1336
01:06:30,120 --> 01:06:31,640
Speaker 1: from my horror movie, but I feel like I could

1337
01:06:31,640 --> 01:06:33,200
Speaker 1: write it. I have this house up state in New

1338
01:06:33,280 --> 01:06:35,840
Speaker 1: York that would be the perfect setting for a horror

1339
01:06:35,880 --> 01:06:39,479
Speaker 1: movie because it's gosh nothing around it. Yeah, just just space,

1340
01:06:39,560 --> 01:06:43,760
Speaker 1: an opportunity. Yeah, a lot of land, beautiful views, beautiful house,

1341
01:06:43,840 --> 01:06:48,880
Speaker 1: perfect setting for danger, in, destruction and death. What am

1342
01:06:48,920 --> 01:06:51,880
Speaker 1: I gonna go there now? Better? I mean never going

1343
01:06:51,960 --> 01:06:55,200
Speaker 1: up here? So I'm thinking about that, But I know

1344
01:06:55,320 --> 01:06:56,760
Speaker 1: you guys were calling in and talking about it. We

1345
01:06:56,840 --> 01:06:59,400
Speaker 1: also earlier today talked about filters and how much do

1346
01:06:59,480 --> 01:07:02,280
Speaker 1: you filter yourself? Do you filter yourself? And have you

1347
01:07:02,360 --> 01:07:04,520
Speaker 1: seen some people that look way different in real life?

1348
01:07:04,880 --> 01:07:10,080
Speaker 1: Way different, way up or way down. But again eight

1349
01:07:10,200 --> 01:07:12,320
Speaker 1: hundred two nine two fifty one fifty, we always love

1350
01:07:12,400 --> 01:07:14,400
Speaker 1: hearing from you. We love for you, guys to start

1351
01:07:14,440 --> 01:07:16,040
Speaker 1: the show with shina light. We love for you to

1352
01:07:16,160 --> 01:07:18,880
Speaker 1: close the show out with your last words. And that's

1353
01:07:18,920 --> 01:07:20,560
Speaker 1: when you get to call in and y'all can leave

1354
01:07:20,600 --> 01:07:23,040
Speaker 1: messages even when I'm not here, even when the show

1355
01:07:23,120 --> 01:07:24,680
Speaker 1: is not on. We'd like to hear from you. Eight

1356
01:07:24,800 --> 01:07:26,840
Speaker 1: hundred two nine two fifty one fifty. Let's get into

1357
01:07:26,840 --> 01:07:29,680
Speaker 1: these last words doing. My name is Baron Martis. We

1358
01:07:29,800 --> 01:07:33,320
Speaker 1: come out of Detroit, Michigan d time. So basically I

1359
01:07:33,440 --> 01:07:35,680
Speaker 1: heard Angela, you're talking about, you know, how I feel

1360
01:07:35,680 --> 01:07:37,280
Speaker 1: like to die in the world movie, and I actually

1361
01:07:37,320 --> 01:07:39,800
Speaker 1: have a plot. So I always had this idea in

1362
01:07:39,880 --> 01:07:42,160
Speaker 1: this movie called The rain Man, which basically it would

1363
01:07:42,160 --> 01:07:45,920
Speaker 1: be about life. When the rains heavily, there's puddles everywhere,

1364
01:07:46,000 --> 01:07:47,880
Speaker 1: so there's like the killer coming out of the rain,

1365
01:07:48,320 --> 01:07:50,360
Speaker 1: which the kind of sound crazy, but I think about

1366
01:07:50,400 --> 01:07:52,600
Speaker 1: how my man's looking from my NOI what you did

1367
01:07:52,720 --> 01:07:54,720
Speaker 1: last summer with the hook a guy coming out to

1368
01:07:54,760 --> 01:07:57,640
Speaker 1: puddle of water just playing people. So how I would

1369
01:07:57,680 --> 01:07:59,600
Speaker 1: like to die in the movie is you know I'm

1370
01:07:59,640 --> 01:08:01,800
Speaker 1: that and the person whoo. I come to a town

1371
01:08:01,880 --> 01:08:05,080
Speaker 1: that's unknown about and it's a pot of water, you know,

1372
01:08:05,240 --> 01:08:07,360
Speaker 1: so I'm not thinking things rain. I get up the card,

1373
01:08:07,920 --> 01:08:10,320
Speaker 1: you know, kind of see what's going on man. Her

1374
01:08:10,400 --> 01:08:12,160
Speaker 1: hand come out and kind of connected me in the water.

1375
01:08:12,240 --> 01:08:13,760
Speaker 1: I'm fighting for my life. My man is in the

1376
01:08:13,880 --> 01:08:16,200
Speaker 1: car like oh oh, people going on what's going on?

1377
01:08:16,680 --> 01:08:18,040
Speaker 1: And not going to the water and then the guy

1378
01:08:18,120 --> 01:08:20,160
Speaker 1: come out and then you get to run. So that's

1379
01:08:20,200 --> 01:08:22,400
Speaker 1: kind of like my idea for like a horror movie plot,

1380
01:08:22,479 --> 01:08:24,080
Speaker 1: and it kind of happens to differ from like the

1381
01:08:24,160 --> 01:08:26,880
Speaker 1: guy dad died like after rain or something. Now he

1382
01:08:26,880 --> 01:08:29,200
Speaker 1: got offendis against the town. So I don't know just

1383
01:08:29,280 --> 01:08:30,880
Speaker 1: the idea, you know, but that's how I would like

1384
01:08:30,920 --> 01:08:33,360
Speaker 1: to die for. Shoutotte and Angela. Ye, I'm an advolist,

1385
01:08:33,400 --> 01:08:36,400
Speaker 1: and I appreciate what you're doing, sisters, who I would

1386
01:08:36,439 --> 01:08:39,200
Speaker 1: like the Shannon light on. Darlene Tyler say in power

1387
01:08:39,320 --> 01:08:42,880
Speaker 1: Me of Mama County, New Jersey. She is a Louisiana

1388
01:08:42,960 --> 01:08:48,240
Speaker 1: State University graduate. She has opened up her own executive business,

1389
01:08:48,360 --> 01:08:51,479
Speaker 1: which is called Empowering Me, which has resources in the

1390
01:08:51,640 --> 01:08:55,519
Speaker 1: ferral she had includes housing, food assistants, and social services

1391
01:08:55,600 --> 01:08:59,400
Speaker 1: with the chility's assistants. She has graduated, she has moved

1392
01:08:59,439 --> 01:09:01,439
Speaker 1: on and now I ain't in shining the light on

1393
01:09:01,560 --> 01:09:03,680
Speaker 1: her because I'm very kind of her and that it's

1394
01:09:03,760 --> 01:09:05,719
Speaker 1: my mother, all right, man. I just want to shine

1395
01:09:05,720 --> 01:09:09,599
Speaker 1: a lot on myself. I'm a truck driver. November company

1396
01:09:09,640 --> 01:09:12,280
Speaker 1: went bankrupt, you know what I'm saying, and I just

1397
01:09:12,360 --> 01:09:14,479
Speaker 1: stuck with it found something else. Now I'm back in

1398
01:09:14,600 --> 01:09:16,880
Speaker 1: action and living good man. That's all. I want to

1399
01:09:16,920 --> 01:09:19,120
Speaker 1: shine a lot of myself, say, motivated people. That's it.

1400
01:09:19,680 --> 01:09:23,439
Speaker 1: So I think that the whole filtering thing, it's just

1401
01:09:23,760 --> 01:09:27,479
Speaker 1: like it shouldn't really exist too much. Like it's okay

1402
01:09:27,680 --> 01:09:30,760
Speaker 1: kind of but like the event that people go to,

1403
01:09:31,080 --> 01:09:34,680
Speaker 1: like they make them waste tinier and then they like

1404
01:09:34,840 --> 01:09:36,960
Speaker 1: you see them in person and then they got this

1405
01:09:37,120 --> 01:09:42,320
Speaker 1: big as good like keep it real. Going way out

1406
01:09:42,520 --> 01:09:43,479
Speaker 1: with Angela Yee