WEBVTT - 10 Most Expensive VHS Tapes + The Last Movie Ever Released on VHS + Movie Review: Together Is NOT The Horror Movie of the Year +  Trailer Park: Hoppers and Why Disney is Their Own Villain

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<v Speaker 1>Hello, and welcome back to movie Mike's movie Podcast. I

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<v Speaker 1>am your host Movie Mike. Today we are going full nostalgia.

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<v Speaker 1>I want to talk about the VHS tape, the most

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<v Speaker 1>expensive VHS tapes of all time, and the last movies

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<v Speaker 1>to ever be released on the video home system from

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<v Speaker 1>different genres. Again, nostalgia will be the death of me.

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<v Speaker 1>In the movie review, we'll be talking about together with

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<v Speaker 1>Alison Brie and Dave Franco, It's a new horror movie.

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<v Speaker 1>And in the trailer Park we'll be talking about can

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<v Speaker 1>Pixar comeback with their new movie Hoppers or are they

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<v Speaker 1>destined to fail time and time again. Now, thank you

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<v Speaker 1>for being here, thank you for being subscribed, Shout out

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<v Speaker 1>to the Monday Morning Movie crew. And now let's talk

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<v Speaker 1>movies from the Dustroe Podcast Network. This is Movie Mike

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<v Speaker 1>Movie Podcast. The VHS Tape was developed in Japan and

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<v Speaker 1>released in nineteen seventy one. We got it here in

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<v Speaker 1>the United States in nineteen seventy seven, because we're always

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<v Speaker 1>a little bit behind Japan. They're always limiting in the future.

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<v Speaker 1>But it was dominant in the nineteen eighties, in the

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<v Speaker 1>nineteen nineties and fizzled out right around the mid two thousands.

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<v Speaker 1>I just associate watching VHS tapes with my childhood. It

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<v Speaker 1>all goes back to I didn't have a whole lot

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<v Speaker 1>of friends when I was a kid. My friends were

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<v Speaker 1>the VHS tapes that I would borrow from family and

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<v Speaker 1>friends because again, unless we were buying them at a

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<v Speaker 1>garage sale or the flea market. All talk about my

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<v Speaker 1>favorite place to go as a kid, Traders Village in

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<v Speaker 1>Grand Prairie, Texas. We were there every Sunday, and I

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<v Speaker 1>would always flock to all the people selling VHS tapes

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<v Speaker 1>because that was the only place that we could afford them.

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<v Speaker 1>We weren't affording those Walmart prices because they were overly priced,

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<v Speaker 1>and different movies had different prices. Obviously, a movie like

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<v Speaker 1>The Lion King was going to be more expensive, but

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<v Speaker 1>then a lower tier movie like the straight to VHS

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<v Speaker 1>movies would be a little bit cheaper, like a goofy movie.

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<v Speaker 1>That's why that movie was so accessible is because they

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<v Speaker 1>didn't price that the same as they were pricing a

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<v Speaker 1>Lion King. They priced a little bit cheaper so people

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<v Speaker 1>like me would have access to it. And I love

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<v Speaker 1>going to Traders Village and going to the people who

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<v Speaker 1>were selling used VHS tapes, and I would watch those

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<v Speaker 1>movies all the time at home. I also associate the

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<v Speaker 1>VHS tape with the best day ever at school and

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<v Speaker 1>what day was that? It was movie day. And kids

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<v Speaker 1>today don't have this. They have no idea the joy

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<v Speaker 1>that you would get when your teacher would haul in

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<v Speaker 1>that giant tube television and it was the combo rack

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<v Speaker 1>where you have the huge TV on top and the

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<v Speaker 1>thing was shrapped down. It was on there much like

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<v Speaker 1>you would shrap down cargo now in the back of

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<v Speaker 1>your F one fifty. That is what we were doing

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<v Speaker 1>to these giant Zena TVs or whatever brand your school had,

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<v Speaker 1>probably like a Phillips or something, but they were huge

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<v Speaker 1>and massive. If they were fancy, you'd have the combo

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<v Speaker 1>that on the left side of it had the VHS

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<v Speaker 1>and on the right it would have the DVD slide,

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<v Speaker 1>but that was like a low way. Later oftentimes it'd

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<v Speaker 1>be the big TV on top, and then there'd be

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<v Speaker 1>a middle shelf below it and that where the VHS

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<v Speaker 1>tape would be, well the VCR, and your teacher would

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<v Speaker 1>roll that thing in and you were probably set up

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<v Speaker 1>to watch whatever Disney movie was out, even if it

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<v Speaker 1>was like a really old bad movie, which is where

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<v Speaker 1>I was exposed to some classics. Like the first time

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<v Speaker 1>I ever watched The Sound of Music was in my

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<v Speaker 1>elementary school music class, so I got that too. So

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<v Speaker 1>shout out to the Wakasati Independent School District for really

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<v Speaker 1>helping me shape my taste in movies early on. But

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<v Speaker 1>I truly believe there's something to actually having physical media

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<v Speaker 1>and having to put something into a device to play it.

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<v Speaker 1>Like this sound just brings back a lot of memories

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<v Speaker 1>for me, and we don't have that anymore because we

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<v Speaker 1>just open up a streaming service and hit play. There's

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<v Speaker 1>no rewinding, there's no tracking, there's no having like kind

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<v Speaker 1>of okay picture quality, and there's also just kind of

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<v Speaker 1>a warmth to watching a movie on a VHS tape.

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<v Speaker 1>It kind of has like this warm, fuzzy feel and

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<v Speaker 1>now it just feels like you're thrown on a file,

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<v Speaker 1>which is all fun because it's so much easier. So

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<v Speaker 1>they could take that away at any time, but they

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<v Speaker 1>can't take away your physical media. So let's get into

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<v Speaker 1>this list. It's coming to us from CGC, which is

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<v Speaker 1>a grading company. So if you have comic books. If

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<v Speaker 1>you have sports cards or memorabilia, you send it to

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<v Speaker 1>them to be graded, which I've learned about them through

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<v Speaker 1>some comics that I own. If you watch this show

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<v Speaker 1>on YouTube, you can see I have a couple of

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<v Speaker 1>graded comics on my wall, and you see that CGC

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<v Speaker 1>at the top, letting you know that is legit, that

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<v Speaker 1>somebody looked at it verified it. They verified the condition.

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<v Speaker 1>So you send it in and you get a grade number,

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<v Speaker 1>whether it's all. You very rarely get a ten, but

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<v Speaker 1>you probably get maybe a nine point nine and nine

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<v Speaker 1>point five. And depending on how highly it is rated,

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<v Speaker 1>that is how much you can sell that thing for

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<v Speaker 1>and how much it is valued at. And again these

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<v Speaker 1>are sealed copies. They have to be in pristine condition.

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<v Speaker 1>These are the most expensive ones that have ever been graded.

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<v Speaker 1>At number ten is The Return of the Dead, a

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<v Speaker 1>sealed copy sold on this list at eighteen thousand, seven

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<v Speaker 1>hundred and fifty dollars. Obviously, this movie was very essential

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<v Speaker 1>in the eighties for zombie movies. Not one of my

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<v Speaker 1>favorite zombie movies of all time. When it comes to

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<v Speaker 1>who I like from the early era of zombie movies,

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<v Speaker 1>I'm more of a George a Romero guy from the

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<v Speaker 1>nineteen seventies. But if you can get your hands on

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<v Speaker 1>a sealed copy of this one, it is eighteen thousand,

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<v Speaker 1>seven hundred and fifty dollars in your pocket. At number

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<v Speaker 1>nine is First Blood, which had a graded copy valued

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<v Speaker 1>at twenty two thousand, five hundred dollars. A sealed copy

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<v Speaker 1>of this VHS sold for that price added auction in

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<v Speaker 1>twenty twenty two. This is a movie I associate with

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<v Speaker 1>my childhood because it's one of the only ones that

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<v Speaker 1>my dad and uncles could agree on. This movie came

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<v Speaker 1>out in nineteen eighty two, so anything in that genre

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<v Speaker 1>that is Sylvester Stallone or John Claudevaden dam I feel

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<v Speaker 1>like I watched without even trying as a kid, because

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<v Speaker 1>anytime I would go over to my uncle's house, that

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<v Speaker 1>is what they were watching. Because at that time my

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<v Speaker 1>family was still learning English, and the way we learned

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<v Speaker 1>English was by watching movies. So with a movie like this,

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<v Speaker 1>you don't really have to know the language one hundred

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<v Speaker 1>percent to get what is happening. If you see a

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<v Speaker 1>dude like Sylvester Stallone on screen with a gun shooting

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<v Speaker 1>down people and running and chasing from people and trying

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<v Speaker 1>to kill people. You don't exactly need to know that

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<v Speaker 1>language to understand that concept. So I think that is

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<v Speaker 1>why a lot of my uncles, even my aunts for

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<v Speaker 1>that matter, gravitated towards movies like this. They were also

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<v Speaker 1>just massive in the eighties, and a lot of what

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<v Speaker 1>I was exposed to in the early nineties was a

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<v Speaker 1>lot of things that were kind of left over in

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<v Speaker 1>remnants of the eighties. Because I have two older siblings

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<v Speaker 1>who would be considered an eighties kids, so a lot

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<v Speaker 1>of the things that were essential in their early childhood

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<v Speaker 1>I learned from them. One of those being first Blood.

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<v Speaker 1>At number eight is Ghostbusters, that had a copy cell

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<v Speaker 1>for twenty three thousand, seven hundred and fifty dollars. The

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<v Speaker 1>wild thing about Ghostbusters whenever it was first released on

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<v Speaker 1>VHS back in the eighties, it's sold retail for seventy

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<v Speaker 1>nine to ninety five, And I think we forget that

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<v Speaker 1>sometimes how expensive movies were, because that was the thing

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<v Speaker 1>whenever TV came around, and then whenever VHS came around,

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<v Speaker 1>it was like, oh, now you can watch it at home.

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<v Speaker 1>We have to charge a lot of money for this,

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<v Speaker 1>And at first they were not as accessible as they

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<v Speaker 1>later became. When you could just go to Blockbuster or

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<v Speaker 1>just buy a copy at Walmart, it was seen as

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<v Speaker 1>kind of a luxury, as you see with Ghostbusters being

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<v Speaker 1>eighty dollars. And now when we rent a movie digitally

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<v Speaker 1>at home for twenty dollars, I can't even do that

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<v Speaker 1>because that's like the first run. Whenever a movie finishes

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<v Speaker 1>its theatrical run and then you can own it on

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<v Speaker 1>digital for the first time, it's usually twenty bucks. I

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<v Speaker 1>usually end up waiting until it's like that five six,

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<v Speaker 1>seven dollars range, and then I feel like most people

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<v Speaker 1>now wait until it's on a streaming service that you

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<v Speaker 1>already pay for. But could you imagine going to the

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<v Speaker 1>store now to pay eighty dollars just to watch something

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<v Speaker 1>at home. So that is also how we've seen a

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<v Speaker 1>shift in the movie industry where they could make money

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<v Speaker 1>like this, and a lot of films did see a

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<v Speaker 1>second life from these home video sales because if a

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<v Speaker 1>movie didn't do so well at the box office, but

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<v Speaker 1>then Bam was a hit on VHS tape, it could

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<v Speaker 1>make its money back. Movies now do not have that benefit.

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<v Speaker 1>You can't really make that money back on streaming, because

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<v Speaker 1>in the era of streaming, that throws residuals out of

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<v Speaker 1>the way, that cuts off a lot of that back

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<v Speaker 1>end money. But this is a case where not only

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<v Speaker 1>was Ghostbusters super successful in theaters, I think it made

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<v Speaker 1>almost three hundred million dollars by the end of its

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<v Speaker 1>theatrical run, and then Bam with a eighty dollars VHS

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<v Speaker 1>and then later in twenty twenty two selling a copy

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<v Speaker 1>for twenty three thousand, seven hundred and fifty dollars. This

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<v Speaker 1>is gonna have me by the end of this list,

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<v Speaker 1>going to a good will and see if I can

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<v Speaker 1>just find a sealed copy of anything, But that one

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<v Speaker 1>is at number eight. At number seven, a copy of

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<v Speaker 1>Rocky sold for a record twenty seven thousand, five hundred dollars.

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<v Speaker 1>This was back in February seventeenth, twenty twenty three. This

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<v Speaker 1>was one of the only known factory sealed copies of Rocky.

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<v Speaker 1>And that's the thing you have to do now, if

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<v Speaker 1>you want to make some money like this in twenty

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<v Speaker 1>to thirty years, you have to think what could be

0:09:13.080 --> 0:09:16.360
<v Speaker 1>of value now sealed that I could go back in

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<v Speaker 1>thirty years and take to somebody or put it online.

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<v Speaker 1>At one of these auctions and sell, and you just

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<v Speaker 1>have to buy that thing and have the willpower not

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<v Speaker 1>to open it. Because if you in the eighties went

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<v Speaker 1>and bought this copy of Rocky and just kept it

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<v Speaker 1>in a box anytime you moved houses, you made sure

0:09:34.520 --> 0:09:37.880
<v Speaker 1>you took that, you'd have an easy almost thirty grand

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<v Speaker 1>that is crazy. Next up on the list at number six,

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<v Speaker 1>a copy of The Terminator, So for thirty two thousand,

0:09:44.640 --> 0:09:47.839
<v Speaker 1>five hundred dollars back in February twenty twenty two, you're

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<v Speaker 1>going to see a lot of this stuff happened recently

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<v Speaker 1>because post COVID memorabilia just kind of shot up. Everybody

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<v Speaker 1>realized they had stuff at home, and we got more

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<v Speaker 1>nostalgeric thinking back on good times. This this is now

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<v Speaker 1>would be the time to sell if you had anything

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<v Speaker 1>thirty or forty years old, But again it has to

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<v Speaker 1>be sealed. Terminator was released not only on VHS but

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<v Speaker 1>also on Beta Max in nineteen eighty five, which I

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<v Speaker 1>don't really remember that era. I remember Laser Disc a

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<v Speaker 1>little bit only because I went to a school district

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<v Speaker 1>that was, you know, not the richest of school districts,

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<v Speaker 1>so we never watched anything on beta or laser disc,

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<v Speaker 1>but I did see them because it was so old

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<v Speaker 1>that some people still had them available. I think one

0:10:30.440 --> 0:10:32.640
<v Speaker 1>teacher was like, let me pull out this huge disc

0:10:32.679 --> 0:10:35.520
<v Speaker 1>and like, what is that? That is a giant CD.

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<v Speaker 1>And whenever Terminator first came out back in nineteen eighty four,

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<v Speaker 1>they did not think this movie would be successful, but

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<v Speaker 1>it went on to be a number one movie at

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<v Speaker 1>the box office, made almost eighty million dollars worldwide, and

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<v Speaker 1>then somebody made a lot of money off of it

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<v Speaker 1>in twenty twenty two by selling their sealed copy for

0:10:52.880 --> 0:10:56.520
<v Speaker 1>thirty two thousand, five hundred dollars, getting into the top five.

0:10:56.760 --> 0:11:00.280
<v Speaker 1>Next up is Jaws. A sealed copy from nineteen eighty

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<v Speaker 1>three sold for thirty two thousand, five hundred dollars in

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<v Speaker 1>a heritage auction sale on June ninth, twenty twenty two.

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<v Speaker 1>This movie just celebrated its fifty year anniversary. It was

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<v Speaker 1>the first ever summer blockbuster. The whole reason we have

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<v Speaker 1>big movies come out in the summer like we do

0:11:19.800 --> 0:11:23.560
<v Speaker 1>now is because what Steven Spielberg did with Jaws fifty

0:11:23.679 --> 0:11:26.920
<v Speaker 1>years ago, and since then, it's become my favorite season

0:11:27.400 --> 0:11:30.560
<v Speaker 1>of the entire year. This season, in particular for twenty

0:11:30.600 --> 0:11:35.000
<v Speaker 1>twenty five, has been a fantastic summer blockbuster season, and

0:11:35.040 --> 0:11:40.720
<v Speaker 1>despite everybody loving Jaws, it had great critical response. Jaws

0:11:40.760 --> 0:11:44.520
<v Speaker 1>almost bankrupt Steven Spielberg and his entire crew. The film

0:11:44.559 --> 0:11:48.480
<v Speaker 1>went massively over budget because of the filming issues, because

0:11:48.480 --> 0:11:51.240
<v Speaker 1>of the props, but luckily it all worked out. Why

0:11:51.520 --> 0:11:54.720
<v Speaker 1>because of the back end, because of these VHS sales.

0:11:54.800 --> 0:11:57.840
<v Speaker 1>Because the movie didn't come out on VHS until nineteen

0:11:58.000 --> 0:12:01.520
<v Speaker 1>eighty MCA Home Video put it out so that we

0:12:01.559 --> 0:12:04.520
<v Speaker 1>could finally enjoy this movie at home, because that wasn't

0:12:04.559 --> 0:12:07.120
<v Speaker 1>a thing. Also, back in when movies were coming out

0:12:07.160 --> 0:12:10.800
<v Speaker 1>in the seventies, you couldn't go watch a movie in

0:12:10.840 --> 0:12:13.640
<v Speaker 1>the theater and then eventually in like six months have

0:12:13.720 --> 0:12:15.840
<v Speaker 1>it at home. You had to wait three years to

0:12:15.880 --> 0:12:18.280
<v Speaker 1>watch the Jaws at home. And because of that, Jaws

0:12:18.320 --> 0:12:20.240
<v Speaker 1>has now ended up as one of the top five

0:12:20.320 --> 0:12:24.040
<v Speaker 1>most expensive VHS tapes of all time at number four.

0:12:24.280 --> 0:12:27.640
<v Speaker 1>The Thing, not the Thing from Fantastic Four, No, the

0:12:27.720 --> 0:12:31.560
<v Speaker 1>John Carpenter movie The Thing. It sold a sealed first

0:12:31.720 --> 0:12:35.439
<v Speaker 1>edition copy of the nineteen eighty two movie on October

0:12:35.440 --> 0:12:39.000
<v Speaker 1>thirty first, twenty twenty two, for whopping thirty seven thousand,

0:12:39.360 --> 0:12:43.800
<v Speaker 1>five hundred dollars. The Thing was not a success when

0:12:43.840 --> 0:12:47.160
<v Speaker 1>it came out in theaters. But the thing No pun

0:12:47.200 --> 0:12:50.280
<v Speaker 1>intended that gave it its second live was its home

0:12:50.400 --> 0:12:53.199
<v Speaker 1>video release. And that's what shows you that sometimes when

0:12:53.240 --> 0:12:55.640
<v Speaker 1>people go see a movie in theaters, they can hate it.

0:12:55.679 --> 0:12:59.000
<v Speaker 1>But then when it's released to everybody who can watch

0:12:59.040 --> 0:13:01.400
<v Speaker 1>it at home, maybe you have some people a little

0:13:01.440 --> 0:13:04.280
<v Speaker 1>bit more open minded, maybe they're in a better headspace

0:13:04.280 --> 0:13:06.480
<v Speaker 1>so when they sit down to watch this movie. So

0:13:06.640 --> 0:13:09.280
<v Speaker 1>initially this movie was a bomb and now has turned

0:13:09.280 --> 0:13:11.959
<v Speaker 1>into a cult classic, which has happened with a lot

0:13:12.000 --> 0:13:14.320
<v Speaker 1>of movies. Just because you don't do well in theaters,

0:13:14.720 --> 0:13:18.520
<v Speaker 1>you can find your audience somehow, because sometimes movies are

0:13:18.559 --> 0:13:21.600
<v Speaker 1>just released at the wrong time, or they're put in

0:13:21.640 --> 0:13:23.760
<v Speaker 1>a position to fail where they don't have the promotion,

0:13:24.000 --> 0:13:27.200
<v Speaker 1>or they go up against another really big movie. And

0:13:27.280 --> 0:13:30.199
<v Speaker 1>the Thing now is a classic and a copyfore it's

0:13:30.200 --> 0:13:33.600
<v Speaker 1>sold for a record amount of money at number three.

0:13:34.000 --> 0:13:38.640
<v Speaker 1>Hey you guys, we have the goodies. A sealed and

0:13:38.800 --> 0:13:43.120
<v Speaker 1>certified copy of this movie from nineteen eighty six sold

0:13:43.559 --> 0:13:48.079
<v Speaker 1>for fifty thousand dollars in a heritage auctions on June ninth,

0:13:48.480 --> 0:13:51.080
<v Speaker 1>twenty twenty two. They must have just had a massive

0:13:51.200 --> 0:13:54.839
<v Speaker 1>sale in twenty twenty two. This movie goes beyond classic.

0:13:55.280 --> 0:13:58.440
<v Speaker 1>If you told me The Goonies was your favorite movie

0:13:58.480 --> 0:14:00.760
<v Speaker 1>of all time, I just know we be good friends.

0:14:01.000 --> 0:14:03.480
<v Speaker 1>It's not my favorite of all time. I don't even

0:14:03.480 --> 0:14:05.200
<v Speaker 1>know that I would put it in my top ten.

0:14:05.600 --> 0:14:08.160
<v Speaker 1>But if you love this movie, I probably love you

0:14:08.280 --> 0:14:11.560
<v Speaker 1>because it's just a piece of American history, so much

0:14:11.559 --> 0:14:15.360
<v Speaker 1>so that the Library of Congress preserved this movie in

0:14:15.400 --> 0:14:18.800
<v Speaker 1>the United States Film Registry in twenty seventeen. And that's

0:14:18.800 --> 0:14:21.480
<v Speaker 1>like the biggest honor. Only movies in there that have

0:14:21.640 --> 0:14:26.080
<v Speaker 1>really just etched themselves into American film history belong there.

0:14:26.600 --> 0:14:30.440
<v Speaker 1>And that means maybe nothing on surface level, but that

0:14:30.600 --> 0:14:34.040
<v Speaker 1>means kind of if everything else went away, we lost

0:14:34.120 --> 0:14:36.920
<v Speaker 1>all other movies, but could only hold onto the movies

0:14:36.960 --> 0:14:40.520
<v Speaker 1>in this registry. That is how impactful these movies would be.

0:14:40.640 --> 0:14:43.280
<v Speaker 1>That would be like if we had to leave Earth

0:14:43.600 --> 0:14:46.160
<v Speaker 1>and only take a certain amount of movies with us,

0:14:46.440 --> 0:14:49.520
<v Speaker 1>we would take the movies in this registry to show

0:14:49.560 --> 0:14:52.280
<v Speaker 1>how our culture has evolved over the years in film,

0:14:52.520 --> 0:14:54.680
<v Speaker 1>and The Goonies has it all. It has action, it

0:14:54.720 --> 0:14:58.240
<v Speaker 1>has adventure, it has romance, it has great characters, it

0:14:58.240 --> 0:15:01.880
<v Speaker 1>has great music. Could easily make the argument that the

0:15:01.880 --> 0:15:04.200
<v Speaker 1>Goonies and the movie coming up at number two are

0:15:04.240 --> 0:15:07.400
<v Speaker 1>just perfect movies. And if Aliens came down and said

0:15:07.720 --> 0:15:11.000
<v Speaker 1>show me your best movie, I would say, maybe start

0:15:11.000 --> 0:15:13.240
<v Speaker 1>with the Goonies, or maybe start with number two. Because

0:15:13.240 --> 0:15:17.600
<v Speaker 1>at number two, which sold for seventy five thousand dollars

0:15:17.720 --> 0:15:21.000
<v Speaker 1>at an auction back in twenty twenty two, again it

0:15:21.040 --> 0:15:23.760
<v Speaker 1>was a sealed and graded copy of this movie It

0:15:23.880 --> 0:15:28.440
<v Speaker 1>is Back to the Future Man seventy five thousand dollars.

0:15:28.960 --> 0:15:31.320
<v Speaker 1>That is a lot of money for a VHS tape.

0:15:31.560 --> 0:15:35.240
<v Speaker 1>Just imagine the pressure. I know CGC puts them in cases,

0:15:35.840 --> 0:15:38.840
<v Speaker 1>but just the pressure to even grade something like that

0:15:38.880 --> 0:15:41.360
<v Speaker 1>where you're like, okay, even if I make because you

0:15:41.360 --> 0:15:43.440
<v Speaker 1>know how hard it is to keep shrink wrap on something,

0:15:43.560 --> 0:15:46.480
<v Speaker 1>especially VHS where it has like the corners, it has

0:15:46.560 --> 0:15:50.120
<v Speaker 1>to be perfect. But this movie was not only a

0:15:50.160 --> 0:15:53.040
<v Speaker 1>success in theaters because it made over three hundred and

0:15:53.120 --> 0:15:55.760
<v Speaker 1>eighty million dollars at the box office, it was also

0:15:56.000 --> 0:15:59.840
<v Speaker 1>so successful when it came out on VHS in nineteen

0:15:59.840 --> 0:16:03.960
<v Speaker 1>eighty six. This was another movie that costs seventy nine

0:16:04.000 --> 0:16:07.160
<v Speaker 1>to ninety five whenever it came out, which is one

0:16:07.160 --> 0:16:10.000
<v Speaker 1>of the more higher priced video cassettes. But even though

0:16:10.040 --> 0:16:12.400
<v Speaker 1>it had such a high price point, Back to the

0:16:12.440 --> 0:16:16.640
<v Speaker 1>Future became the first movie to sell four thousand, five

0:16:16.920 --> 0:16:21.640
<v Speaker 1>hundred units almost half a million units at that price point,

0:16:21.680 --> 0:16:25.560
<v Speaker 1>and became the most rented cassette in nineteen eighty six.

0:16:25.600 --> 0:16:27.840
<v Speaker 1>Why do I just love the word cassette? It just

0:16:27.920 --> 0:16:30.520
<v Speaker 1>feels good to me. So not only was it super

0:16:30.640 --> 0:16:33.800
<v Speaker 1>successful and popular when it came out in theaters, but

0:16:33.840 --> 0:16:36.720
<v Speaker 1>then everybody had to own it and watch it at home.

0:16:37.200 --> 0:16:40.080
<v Speaker 1>At number two is Back to the Future, but at

0:16:40.160 --> 0:16:45.320
<v Speaker 1>number one the most expensive VHS tape of all time

0:16:46.080 --> 0:16:50.400
<v Speaker 1>sold back in October twenty ninth, twenty twenty two, when

0:16:50.440 --> 0:16:53.560
<v Speaker 1>somebody found a sealed copy of the first release of

0:16:53.640 --> 0:16:57.280
<v Speaker 1>this movie, which is next to impossible. It was sold

0:16:57.280 --> 0:17:01.400
<v Speaker 1>through Golden for an incredible one one hundred and fourteen

0:17:01.680 --> 0:17:05.720
<v Speaker 1>thousand dollars, the most expensive VHS tape of all time.

0:17:06.080 --> 0:17:08.920
<v Speaker 1>What do you think it is? At? Sci Fi originally

0:17:09.000 --> 0:17:13.200
<v Speaker 1>came out in theaters in nineteen seventy seven, grossed over

0:17:13.400 --> 0:17:17.160
<v Speaker 1>seven hundred and seventy five million dollars at the box office.

0:17:17.240 --> 0:17:19.920
<v Speaker 1>Can you guess it? Well, it is none other than

0:17:20.000 --> 0:17:24.320
<v Speaker 1>Star Wars, a new hope. The unusual thing about Star

0:17:24.400 --> 0:17:28.000
<v Speaker 1>Wars is it didn't have a traditional rollout to home

0:17:28.119 --> 0:17:31.920
<v Speaker 1>video because twentieth Century Fox actually delayed putting it out

0:17:31.960 --> 0:17:34.400
<v Speaker 1>on VHS because they wanted to make more money from

0:17:34.400 --> 0:17:37.840
<v Speaker 1>it in theaters. They were also concerned about the technology

0:17:37.880 --> 0:17:39.720
<v Speaker 1>at the time. They were like, should we focus more

0:17:39.760 --> 0:17:41.479
<v Speaker 1>on laser disc? Is this going to be what the

0:17:41.520 --> 0:17:45.080
<v Speaker 1>future is? So what they did instead was released small

0:17:45.160 --> 0:17:48.000
<v Speaker 1>clips through weird media products. They didn't have a traditional

0:17:48.080 --> 0:17:50.800
<v Speaker 1>VHS release because they were holding out on it, but

0:17:50.880 --> 0:17:53.160
<v Speaker 1>everybody was like, yo, we want to watch Star Wars

0:17:53.200 --> 0:17:57.080
<v Speaker 1>at home. So they finally released it in nineteen eighty one,

0:17:57.280 --> 0:18:01.560
<v Speaker 1>but it was only available for you couldn't buy it yet.

0:18:01.840 --> 0:18:05.359
<v Speaker 1>Obviously that caused chaos because then people would go rent it.

0:18:05.640 --> 0:18:09.160
<v Speaker 1>They wouldn't take it back. You had video rental places

0:18:09.200 --> 0:18:13.080
<v Speaker 1>going rogue and just selling people a lifetime rental for

0:18:13.160 --> 0:18:17.440
<v Speaker 1>one hundred dollars. So it just created this huge mess

0:18:17.760 --> 0:18:22.440
<v Speaker 1>where people were stealing copies, pirting copies, they were going missing.

0:18:22.880 --> 0:18:26.840
<v Speaker 1>And finally they had an official release to Star Wars

0:18:26.920 --> 0:18:31.000
<v Speaker 1>on VHS in nineteen eighty two, and people ate this

0:18:31.119 --> 0:18:33.879
<v Speaker 1>thing up. And if you had a seal copy like

0:18:34.000 --> 0:18:36.280
<v Speaker 1>this person who sold it back in twenty twenty two,

0:18:36.600 --> 0:18:38.720
<v Speaker 1>and if it's in mint condition, but you could make

0:18:38.840 --> 0:18:44.240
<v Speaker 1>one hundred and fourteen thousand dollars the most expensive VHS

0:18:44.240 --> 0:18:47.320
<v Speaker 1>of all time. Star Wars a New Hope. So now

0:18:47.359 --> 0:18:49.679
<v Speaker 1>to close out the episode, let's say goodbye to the

0:18:49.760 --> 0:18:54.920
<v Speaker 1>VHS format and talk about the last ever VHS movie released.

0:18:55.119 --> 0:18:58.240
<v Speaker 1>It was in two thousand and six. The VHS was

0:18:58.280 --> 0:19:01.920
<v Speaker 1>officially dead when A History of Violence came out. Vigo

0:19:02.000 --> 0:19:05.680
<v Speaker 1>Mortensen plays an ex hitman turned quiet town family man.

0:19:05.760 --> 0:19:08.040
<v Speaker 1>The movie also stars Ed Harris in one of his

0:19:08.080 --> 0:19:11.359
<v Speaker 1>more sinister bad guy roles. It was the last ever

0:19:11.600 --> 0:19:15.880
<v Speaker 1>major Hollywood movie to be released in VHS format, even

0:19:16.000 --> 0:19:20.119
<v Speaker 1>though some Disney enthusiasts say that it was actually the

0:19:20.119 --> 0:19:24.120
<v Speaker 1>Disney Pixar movie Cars, because in February of two thousand

0:19:24.160 --> 0:19:27.240
<v Speaker 1>and seven, Disney released a copy, but it was only

0:19:27.320 --> 0:19:30.560
<v Speaker 1>through their Disney Movie Club, so it wasn't available for

0:19:30.640 --> 0:19:36.160
<v Speaker 1>everybody to purchase. But if you're going technically by a technicality, Cars,

0:19:36.280 --> 0:19:41.399
<v Speaker 1>mister Kachow was the real ever last VHS tape made

0:19:41.840 --> 0:19:44.840
<v Speaker 1>came out in two thousand and seven. I also have

0:19:45.480 --> 0:19:48.920
<v Speaker 1>some of the last movies released on VHS from different genres.

0:19:48.960 --> 0:19:52.480
<v Speaker 1>For horror, it was Saw Too Man. Sometimes when I

0:19:52.480 --> 0:19:55.520
<v Speaker 1>think about Saw watching that first one, I think, Man,

0:19:55.520 --> 0:19:57.480
<v Speaker 1>that was only like ten years ago. But the first

0:19:57.480 --> 0:20:00.720
<v Speaker 1>one came out in two thousand and four and came

0:20:00.760 --> 0:20:03.760
<v Speaker 1>out in two thousand and five, twenty years ago. But

0:20:03.800 --> 0:20:06.520
<v Speaker 1>that was the last ever major horror movie to be

0:20:06.600 --> 0:20:10.040
<v Speaker 1>released on VHS tape. For comedy, it was Just Friends,

0:20:10.080 --> 0:20:12.560
<v Speaker 1>which was the movie with Ryan Reynolds, which I remember

0:20:12.600 --> 0:20:14.520
<v Speaker 1>this being one of the movies we rented from our

0:20:14.560 --> 0:20:17.879
<v Speaker 1>local video rental store in Waksahatchie. I think it was

0:20:17.960 --> 0:20:20.199
<v Speaker 1>just called the Video Store, but we didn't rent it

0:20:20.240 --> 0:20:23.359
<v Speaker 1>on VHS. We rented it on DVD. This place was

0:20:23.400 --> 0:20:26.320
<v Speaker 1>so old school. You would walk up and take this

0:20:26.440 --> 0:20:30.080
<v Speaker 1>little almost like a mini poker chip or is this

0:20:30.160 --> 0:20:32.199
<v Speaker 1>mini tab that was hung up on the wall on

0:20:32.240 --> 0:20:35.120
<v Speaker 1>literally a hook, and you would take that tab up

0:20:35.160 --> 0:20:37.720
<v Speaker 1>to the counter and then they would pull that movie.

0:20:38.000 --> 0:20:40.040
<v Speaker 1>And I remember doing that for Just Friends, which is

0:20:40.080 --> 0:20:42.880
<v Speaker 1>the comedy with Ryan Reynolds, back in a pretty good

0:20:43.000 --> 0:20:46.040
<v Speaker 1>era of comedies. But he gets friend zoned and he's

0:20:46.080 --> 0:20:47.960
<v Speaker 1>like a bigger dude and then gets ripped up. I mean,

0:20:47.960 --> 0:20:51.320
<v Speaker 1>it was Ryan Reynolds in a fat suit, and I

0:20:51.320 --> 0:20:54.840
<v Speaker 1>believe he had braces, which I find a fence from

0:20:55.000 --> 0:20:57.640
<v Speaker 1>on multiple levels as being a former big guy and

0:20:57.840 --> 0:21:00.000
<v Speaker 1>a person who wore braces for a very long time.

0:21:00.440 --> 0:21:02.800
<v Speaker 1>Probably couldn't make this movie today, but at the time

0:21:02.920 --> 0:21:05.439
<v Speaker 1>I enjoyed it. He tries to get back with his

0:21:06.119 --> 0:21:08.359
<v Speaker 1>high school crush and then he has his new girl,

0:21:08.359 --> 0:21:11.000
<v Speaker 1>who was played by Anna Faris. Somehow this movie makes

0:21:11.040 --> 0:21:12.720
<v Speaker 1>sense as the last one to be released in the

0:21:12.720 --> 0:21:15.879
<v Speaker 1>comedy genre on VHS. The last war movie released on

0:21:15.960 --> 0:21:19.159
<v Speaker 1>VHS was Jarhead. This was a movie that I should

0:21:19.200 --> 0:21:21.159
<v Speaker 1>not have watched as young as I did. I was

0:21:21.200 --> 0:21:25.600
<v Speaker 1>probably thirteen, maybe twelve years old whenever I watched Jarhead,

0:21:25.960 --> 0:21:28.040
<v Speaker 1>a movie that really doesn't have a whole lot of action.

0:21:28.160 --> 0:21:31.159
<v Speaker 1>It's more about the psychological scars of war, so I

0:21:31.160 --> 0:21:33.440
<v Speaker 1>probably didn't even get it as a kid. The last

0:21:33.520 --> 0:21:37.240
<v Speaker 1>drama romance released on VHS was Pride and Prejudice with

0:21:37.320 --> 0:21:40.400
<v Speaker 1>Kiara Knightley. This was a movie that we read the

0:21:40.440 --> 0:21:45.400
<v Speaker 1>book in probably middle school, maybe junior high, and then

0:21:45.480 --> 0:21:47.639
<v Speaker 1>watched the movie, So this was definitely a movie day

0:21:47.960 --> 0:21:50.800
<v Speaker 1>type film. If there was ever a book turned into

0:21:50.800 --> 0:21:53.920
<v Speaker 1>a movie, that was definitely happening. We were gonna read

0:21:53.920 --> 0:21:56.200
<v Speaker 1>it and we were gonna watch that movie. The last

0:21:56.240 --> 0:21:59.359
<v Speaker 1>sci fi action movie released on VHS was Dwayne the

0:21:59.480 --> 0:22:02.920
<v Speaker 1>Rock Johnson's Doom, and this was in February two thousand

0:22:03.040 --> 0:22:05.560
<v Speaker 1>and six. I never played the video games, so I

0:22:05.600 --> 0:22:08.200
<v Speaker 1>didn't really have a whole lot of attachment to this movie.

0:22:08.280 --> 0:22:09.880
<v Speaker 1>It just seems like one of those in the list

0:22:09.880 --> 0:22:11.639
<v Speaker 1>of mid movies that the Rock did in the two

0:22:11.680 --> 0:22:13.960
<v Speaker 1>thousands before he really found this groove, before he really

0:22:14.040 --> 0:22:17.600
<v Speaker 1>became a famous action star. The last adventure movie released

0:22:17.600 --> 0:22:20.760
<v Speaker 1>on VHS was The Legend of Zoro, and the last

0:22:20.800 --> 0:22:24.560
<v Speaker 1>superhero movie to be released on VHS. This is a

0:22:24.560 --> 0:22:29.720
<v Speaker 1>good one. Fantastic four in two thousand and five, and

0:22:29.760 --> 0:22:32.679
<v Speaker 1>we got a Fantastic four movie in two thousand and five,

0:22:32.760 --> 0:22:35.480
<v Speaker 1>we got one in twenty fifteen, and we just got

0:22:35.480 --> 0:22:38.640
<v Speaker 1>one last month in twenty twenty five. So pretty much

0:22:38.720 --> 0:22:41.720
<v Speaker 1>every ten years we get a new Fantastic Four movie.

0:22:41.800 --> 0:22:44.080
<v Speaker 1>And I'll leave you with this. My favorite thing from

0:22:44.080 --> 0:22:46.600
<v Speaker 1>back in the day of watching a movie on VHS.

0:22:46.840 --> 0:22:49.680
<v Speaker 1>It really goes back to watching Disney movies. I think

0:22:49.720 --> 0:22:52.240
<v Speaker 1>that is what I watched the most, and it was

0:22:52.280 --> 0:22:54.720
<v Speaker 1>whenever all of the trailers play it and they're like, oh,

0:22:54.760 --> 0:22:56.479
<v Speaker 1>come on, I gotta fast forward through all of these,

0:22:56.480 --> 0:22:58.720
<v Speaker 1>which is something we don't have to deal with anymore now.

0:22:58.760 --> 0:23:00.879
<v Speaker 1>Our equivalent of that if you watch on a streaming

0:23:00.920 --> 0:23:02.760
<v Speaker 1>service and you don't pay for the act free version,

0:23:02.800 --> 0:23:05.159
<v Speaker 1>you have to sit through commercials, but you watch all

0:23:05.200 --> 0:23:07.600
<v Speaker 1>the trailers and then Disney finally hits you with this,

0:23:07.800 --> 0:23:11.200
<v Speaker 1>and it just feels magical because you know the show

0:23:11.280 --> 0:23:15.040
<v Speaker 1>is about a start, and no all our feature presentation.

0:23:17.000 --> 0:23:19.119
<v Speaker 1>Take me back for just one day. I'd do it

0:23:19.160 --> 0:23:21.840
<v Speaker 1>all different. I'd watch way more movies. All right, we'll

0:23:21.840 --> 0:23:24.800
<v Speaker 1>come back and give a spoiler free movie review of Together.

0:23:28.320 --> 0:23:30.840
<v Speaker 1>Let's get into it now. A spoiler free movie review

0:23:30.920 --> 0:23:34.760
<v Speaker 1>of Together, starring real life married couple Alison Brie and

0:23:34.840 --> 0:23:37.240
<v Speaker 1>Dave Franco. I'm actually a fan of both of these actors.

0:23:37.280 --> 0:23:40.120
<v Speaker 1>Alison Bree since way back in Community. She was also

0:23:40.160 --> 0:23:43.120
<v Speaker 1>really great and glowed. Dave Franco, have been watching him

0:23:43.160 --> 0:23:45.679
<v Speaker 1>since super Bad, also great in twenty one Jump Street.

0:23:46.080 --> 0:23:49.080
<v Speaker 1>A lot of great twenty tens comedy movies from Dave Franco.

0:23:49.400 --> 0:23:51.560
<v Speaker 1>But what this movie is about. They play a couple

0:23:51.560 --> 0:23:54.560
<v Speaker 1>who has been together for about ten years. He is

0:23:54.600 --> 0:23:58.120
<v Speaker 1>an aspiring musician has been trying ever since they've been

0:23:58.160 --> 0:24:01.480
<v Speaker 1>together to make it big, but he just quite hasn't

0:24:01.600 --> 0:24:04.959
<v Speaker 1>gotten there, just got dropped from his label. She just

0:24:04.960 --> 0:24:07.399
<v Speaker 1>got a job as a small town school teacher. So

0:24:07.440 --> 0:24:10.920
<v Speaker 1>they are moving away from the big city upstate New York.

0:24:11.280 --> 0:24:14.200
<v Speaker 1>He's kind of leaving behind his dreams. They've been kind

0:24:14.200 --> 0:24:17.399
<v Speaker 1>of on the fringes of their relationship, not really connecting

0:24:17.520 --> 0:24:21.920
<v Speaker 1>emotionally or connecting physically, and they're almost hoping that this

0:24:22.080 --> 0:24:25.480
<v Speaker 1>move is going to save everything. But again, he just

0:24:25.520 --> 0:24:28.719
<v Speaker 1>feels like I got a hold on to this career

0:24:28.800 --> 0:24:30.800
<v Speaker 1>that I'm building, and she just wants to move on

0:24:30.960 --> 0:24:33.240
<v Speaker 1>and be with him. So that is kind of the

0:24:33.280 --> 0:24:36.359
<v Speaker 1>premise of this movie. They moved to a small town

0:24:36.400 --> 0:24:39.200
<v Speaker 1>where it seems like everything is quiet and comfortable. It's

0:24:39.200 --> 0:24:42.080
<v Speaker 1>out in the country. The small town vibe is really

0:24:42.119 --> 0:24:45.320
<v Speaker 1>showcasing the cinematography. I love a good aerial shot of

0:24:45.359 --> 0:24:48.119
<v Speaker 1>some trees that really kind of puts you into a

0:24:48.200 --> 0:24:50.520
<v Speaker 1>small town horror movie like this and you just get

0:24:50.560 --> 0:24:52.280
<v Speaker 1>this really grand scope that I was a fan of.

0:24:52.320 --> 0:24:54.320
<v Speaker 1>There were a lot of really great shots that were

0:24:54.359 --> 0:24:57.000
<v Speaker 1>just establishing all the scenes in this movie, a lot

0:24:57.000 --> 0:24:59.840
<v Speaker 1>of big zoomed in moments, especially from like behind them.

0:25:00.160 --> 0:25:01.879
<v Speaker 1>It just kind of gave me feeling of like a

0:25:01.880 --> 0:25:05.119
<v Speaker 1>classic horror movie, which is really what this movie is

0:25:05.160 --> 0:25:08.480
<v Speaker 1>at its core. It is a body horror movie because, well,

0:25:08.720 --> 0:25:10.439
<v Speaker 1>you see it in the poster, you see it in

0:25:10.480 --> 0:25:15.520
<v Speaker 1>the trailer. They encounter something that has this weird curse,

0:25:16.080 --> 0:25:18.679
<v Speaker 1>and then their bodies just kind of keep sticking to

0:25:18.760 --> 0:25:21.480
<v Speaker 1>each other, so it becomes the ultimate thing to bring

0:25:21.520 --> 0:25:25.040
<v Speaker 1>them together and they try to uncover exactly what is

0:25:25.080 --> 0:25:27.840
<v Speaker 1>going on with their bodies and why each of them

0:25:27.880 --> 0:25:30.760
<v Speaker 1>are starting to go crazy. Which this movie sounded like

0:25:30.800 --> 0:25:32.720
<v Speaker 1>it was going to be right up my alley, especially

0:25:32.720 --> 0:25:35.080
<v Speaker 1>coming off of one of the best body horror movies

0:25:35.119 --> 0:25:37.840
<v Speaker 1>of all time last year with The Substance. I wanted

0:25:37.880 --> 0:25:41.360
<v Speaker 1>more of that. I wanted gruesomeness on the poster they

0:25:41.400 --> 0:25:45.440
<v Speaker 1>put Horror Movie of the Year, So my expectations were

0:25:45.480 --> 0:25:48.280
<v Speaker 1>way up there, wanting it to be on the level

0:25:48.359 --> 0:25:51.520
<v Speaker 1>of something like The Substance, and I didn't quite get

0:25:51.560 --> 0:25:54.400
<v Speaker 1>that I really believe this movie stood in its way

0:25:54.520 --> 0:25:58.119
<v Speaker 1>so much, and they were really trying to paint this

0:25:58.359 --> 0:26:02.199
<v Speaker 1>backstory in this mystery read all that was kind of

0:26:02.240 --> 0:26:04.960
<v Speaker 1>hidden in this town and going on. They even opened

0:26:05.080 --> 0:26:06.879
<v Speaker 1>up with that that I felt like it was a

0:26:06.920 --> 0:26:10.080
<v Speaker 1>detriment to the movie because they kept over explaining things,

0:26:10.119 --> 0:26:12.960
<v Speaker 1>which I believe Alison Brie and Dave Franco do have

0:26:13.000 --> 0:26:16.040
<v Speaker 1>great chemistry, obviously being married. I think both of them

0:26:16.080 --> 0:26:18.720
<v Speaker 1>are good actors, but it almost felt like some of

0:26:18.760 --> 0:26:21.720
<v Speaker 1>the dialogue was so forced and their characters were being

0:26:21.760 --> 0:26:25.080
<v Speaker 1>a little bit too analytical at times, trying to just

0:26:25.200 --> 0:26:28.960
<v Speaker 1>paint this backstory where I just wanted them to experience

0:26:29.000 --> 0:26:32.359
<v Speaker 1>these things and show us more of that gruesomeness, because

0:26:32.359 --> 0:26:34.800
<v Speaker 1>that is exactly what was just lacking in this movie,

0:26:35.200 --> 0:26:39.000
<v Speaker 1>more of those moments that were supposed to churn your stomach.

0:26:39.160 --> 0:26:42.800
<v Speaker 1>I wanted to leave this movie disgusted, and I did not.

0:26:43.119 --> 0:26:45.600
<v Speaker 1>I got something different, though, and I don't think that

0:26:45.760 --> 0:26:49.040
<v Speaker 1>is bad. I got a story about two people trying

0:26:49.080 --> 0:26:52.399
<v Speaker 1>to navigate these waters where one of them really wants

0:26:52.440 --> 0:26:55.919
<v Speaker 1>to make this relationship work, and question are they really

0:26:55.960 --> 0:26:58.560
<v Speaker 1>doing the right thing and exactly what are they fighting

0:26:58.600 --> 0:27:01.800
<v Speaker 1>for if you've invested ten year in a relationship, is

0:27:01.840 --> 0:27:04.919
<v Speaker 1>it only worth keeping because you've invested those ten years

0:27:05.359 --> 0:27:07.960
<v Speaker 1>If you were trying just so hard to make things

0:27:07.960 --> 0:27:10.480
<v Speaker 1>work and forcing it, do you really love the other

0:27:10.600 --> 0:27:13.879
<v Speaker 1>person or are you just comfortable? Because this movie is

0:27:13.920 --> 0:27:17.000
<v Speaker 1>about a couple who maybe shouldn't be together, forced to

0:27:17.040 --> 0:27:20.680
<v Speaker 1>come together. So I think the overall metaphor and overarching

0:27:20.720 --> 0:27:23.960
<v Speaker 1>message of what they were trying to say, they got

0:27:23.960 --> 0:27:26.919
<v Speaker 1>that through. But it's a horror movie, and I wanted

0:27:26.960 --> 0:27:29.159
<v Speaker 1>more of the horror elements because that is great. I

0:27:29.240 --> 0:27:31.560
<v Speaker 1>think to make a horror movie that has a little

0:27:31.560 --> 0:27:34.479
<v Speaker 1>bit more substance, I'm all here for it because I

0:27:34.600 --> 0:27:37.320
<v Speaker 1>enjoyed both of these characters. I thought what they were

0:27:37.320 --> 0:27:41.040
<v Speaker 1>going through was really interesting, maybe even relatable to some people.

0:27:41.359 --> 0:27:44.720
<v Speaker 1>It just never really reached its full potential. And the

0:27:44.800 --> 0:27:48.199
<v Speaker 1>horror imagery was fantastic when it was there, but to me,

0:27:48.280 --> 0:27:50.560
<v Speaker 1>it was just few and far between. So for me,

0:27:50.720 --> 0:27:53.800
<v Speaker 1>this was a case of a movie that overpromised and underdelivered,

0:27:54.000 --> 0:27:56.199
<v Speaker 1>and I wouldn't be holding it to that high of

0:27:56.240 --> 0:27:58.800
<v Speaker 1>a standard if they did. Put that at the very

0:27:58.840 --> 0:28:02.560
<v Speaker 1>top of the poster. If you call yourself horror movie

0:28:02.600 --> 0:28:05.280
<v Speaker 1>of the year, and you use that quote. A lot

0:28:05.280 --> 0:28:07.400
<v Speaker 1>of movies have done that in the last couple of years.

0:28:07.440 --> 0:28:10.160
<v Speaker 1>I think Long Legs did it last year. Long Legs

0:28:10.280 --> 0:28:12.240
<v Speaker 1>lived up to that potential now that I think about it.

0:28:12.240 --> 0:28:14.800
<v Speaker 1>They're both neon movies, so maybe they just get any

0:28:14.880 --> 0:28:17.400
<v Speaker 1>review that calls them horror movie of the year. That's

0:28:17.400 --> 0:28:19.240
<v Speaker 1>what I just got to start saying in my reviews,

0:28:19.520 --> 0:28:21.560
<v Speaker 1>horror movie of the year. I'll say that for every

0:28:21.560 --> 0:28:23.480
<v Speaker 1>horror movie. Maybe that's what I need to do to

0:28:23.480 --> 0:28:26.720
<v Speaker 1>get my reviews picked up, because oftentimes I call movies

0:28:26.760 --> 0:28:28.919
<v Speaker 1>butt drenching that are really stressful. But I don't think

0:28:28.960 --> 0:28:30.040
<v Speaker 1>movies to do is I want to put that on

0:28:30.080 --> 0:28:32.560
<v Speaker 1>their posters. Although I would have known what I was

0:28:32.600 --> 0:28:35.160
<v Speaker 1>getting into more if I would have seen together butt

0:28:35.200 --> 0:28:37.840
<v Speaker 1>drenching Movie of the Year, as heard on Movie Mike's

0:28:37.880 --> 0:28:40.640
<v Speaker 1>Movie podcast. Put that on a poster. And I do

0:28:40.760 --> 0:28:43.320
<v Speaker 1>still love Alison Bria Dave Franco. I think they should

0:28:43.320 --> 0:28:45.680
<v Speaker 1>do more movies together. They have worked together in films

0:28:45.720 --> 0:28:48.360
<v Speaker 1>in the past. I think there's an entirely different level

0:28:48.360 --> 0:28:50.760
<v Speaker 1>of chemistry when it's two people who have been together

0:28:51.120 --> 0:28:54.000
<v Speaker 1>and married for so long that that just comes across

0:28:54.040 --> 0:28:57.160
<v Speaker 1>so natural. So even though their characters in this movie

0:28:57.280 --> 0:29:00.280
<v Speaker 1>kind of have conflicting feelings about each other, you can

0:29:00.320 --> 0:29:03.080
<v Speaker 1>still tell how much chemistry they have together naturally, and

0:29:03.120 --> 0:29:06.120
<v Speaker 1>that really sold this story. I'm all for horror movies

0:29:06.160 --> 0:29:08.320
<v Speaker 1>with the message, but you also have to deliver on

0:29:08.400 --> 0:29:11.240
<v Speaker 1>the elements of horror. So for Together, I give it

0:29:11.280 --> 0:29:14.240
<v Speaker 1>three point five out of five Bus Saws because as

0:29:14.240 --> 0:29:16.360
<v Speaker 1>soon as I left the theater, I thought, I have

0:29:16.520 --> 0:29:19.360
<v Speaker 1>never seen a more three point five out of five

0:29:19.480 --> 0:29:22.680
<v Speaker 1>movie because it was so close there it Maybe just

0:29:22.720 --> 0:29:25.280
<v Speaker 1>a couple of more scenes could have made me love

0:29:25.320 --> 0:29:27.520
<v Speaker 1>this movie and reached that four. Because to me, a

0:29:27.600 --> 0:29:30.240
<v Speaker 1>four I have to love parts of it and then

0:29:30.240 --> 0:29:32.880
<v Speaker 1>maybe not like some other parts. Four point five is

0:29:32.920 --> 0:29:35.480
<v Speaker 1>I really love a lot of it, but there are

0:29:35.560 --> 0:29:37.920
<v Speaker 1>just a couple of things that keep me from fully

0:29:37.960 --> 0:29:41.080
<v Speaker 1>committing to a five. A three point five is like

0:29:41.120 --> 0:29:43.640
<v Speaker 1>there was just nothing about it that I completely loved.

0:29:43.920 --> 0:29:46.880
<v Speaker 1>I was so close to being there, but still so strong.

0:29:46.920 --> 0:29:49.240
<v Speaker 1>I've never met a more three point five out of

0:29:49.280 --> 0:29:56.520
<v Speaker 1>five movie than Together. It's time to head down to movie.

0:29:56.560 --> 0:30:01.960
<v Speaker 1>Mike Treylar, Paul is Pixar cook or is there something

0:30:02.000 --> 0:30:06.120
<v Speaker 1>else going on here? Is it a lack of originality?

0:30:06.920 --> 0:30:11.479
<v Speaker 1>Are we tired of the same animation style? Is there

0:30:11.600 --> 0:30:14.920
<v Speaker 1>new movie? Hoppers gonna be the one to get them

0:30:14.960 --> 0:30:17.440
<v Speaker 1>back on top? That is what we are here to

0:30:17.480 --> 0:30:21.200
<v Speaker 1>talk about today. Hoppers is coming out in theaters on

0:30:21.400 --> 0:30:25.520
<v Speaker 1>March twenty six, twenty twenty six. You have Bobby moynihan,

0:30:25.720 --> 0:30:29.080
<v Speaker 1>John Hamm among this cast. What this movie is about.

0:30:29.520 --> 0:30:32.000
<v Speaker 1>It's about a group of scientists who discover a way

0:30:32.040 --> 0:30:36.160
<v Speaker 1>to mind hop into robot animal bodies. So essentially they

0:30:36.160 --> 0:30:39.560
<v Speaker 1>are able to take your mind, or your consciousness at least,

0:30:39.680 --> 0:30:43.040
<v Speaker 1>and put it into a very cute, cuddly creature, and

0:30:43.080 --> 0:30:46.000
<v Speaker 1>then that creature can go out into the world and

0:30:46.040 --> 0:30:48.800
<v Speaker 1>not only interact with these animals, but be able to

0:30:48.840 --> 0:30:51.640
<v Speaker 1>speak their languages. I think this is something we probably

0:30:51.720 --> 0:30:54.440
<v Speaker 1>all thought of as kids, and I think that is

0:30:54.440 --> 0:30:57.480
<v Speaker 1>what Pixar is good about doing. At least they were

0:30:57.560 --> 0:31:01.400
<v Speaker 1>early on of creating ideas like what if you could

0:31:01.440 --> 0:31:05.040
<v Speaker 1>do this? What if toys had feelings? What if cars

0:31:05.080 --> 0:31:09.480
<v Speaker 1>had feelings? And obviously Disney and Pixar are no strangers

0:31:09.520 --> 0:31:13.160
<v Speaker 1>to animal movies, but what if humans could go into

0:31:13.160 --> 0:31:17.120
<v Speaker 1>these bodies and interact with other animals. So that is

0:31:17.200 --> 0:31:19.240
<v Speaker 1>what we are here to talk about. We'll get into

0:31:19.560 --> 0:31:23.080
<v Speaker 1>what Pixar has been doing so far in the twenty twenties.

0:31:23.160 --> 0:31:26.240
<v Speaker 1>I have a theory on who the bad guy is here.

0:31:26.280 --> 0:31:28.680
<v Speaker 1>But before we get into that, here's just a little

0:31:28.680 --> 0:31:32.800
<v Speaker 1>bit of the Hoppers trailer. We've done it, Mabel, after

0:31:33.000 --> 0:31:38.160
<v Speaker 1>years of work. This revolutionary technology gives us unprecedented access

0:31:38.280 --> 0:31:42.120
<v Speaker 1>to the animal world. We put this into this. So

0:31:42.200 --> 0:31:44.920
<v Speaker 1>let me get this straight. You created a fake animal, yes,

0:31:44.960 --> 0:31:48.760
<v Speaker 1>which makes the other animals think you're an animals. Yes, guys,

0:31:49.080 --> 0:31:55.240
<v Speaker 1>this is like Avatar. This is nothing like Avatar. Be careful.

0:31:56.960 --> 0:32:04.680
<v Speaker 1>What hey, how you do? I understand you? So this

0:32:07.200 --> 0:32:09.400
<v Speaker 1>got me there. So this movie is about a character

0:32:09.560 --> 0:32:13.040
<v Speaker 1>named Mabel. She finds out that this construction company wants

0:32:13.040 --> 0:32:15.720
<v Speaker 1>to tear down this local animal habitat, so she uses

0:32:15.760 --> 0:32:18.600
<v Speaker 1>this technology to take over the body of a beaver

0:32:18.760 --> 0:32:21.720
<v Speaker 1>in order to fight back. So Mabel is a huge

0:32:21.800 --> 0:32:25.240
<v Speaker 1>animal lover and wants to use technology to place her

0:32:25.280 --> 0:32:30.000
<v Speaker 1>consciousness into this robotic beaver to uncover the mysteries within

0:32:30.040 --> 0:32:33.160
<v Speaker 1>the animal world and beyond her imagination. So what you

0:32:33.200 --> 0:32:36.240
<v Speaker 1>see in the trailer is she realizes she's a beaver.

0:32:36.840 --> 0:32:39.959
<v Speaker 1>I love the shot of the beaver running and everything

0:32:39.960 --> 0:32:43.120
<v Speaker 1>else kind of going frantic behind her. It feels a

0:32:43.120 --> 0:32:46.120
<v Speaker 1>little bit fresh for Pixar, and aside from the humans,

0:32:46.120 --> 0:32:48.560
<v Speaker 1>which I think Pixar humans are always gonna look like

0:32:48.640 --> 0:32:51.360
<v Speaker 1>Pixar humans, and I think that is just there. This

0:32:51.440 --> 0:32:54.200
<v Speaker 1>is our animation style, this is what characters look like

0:32:54.240 --> 0:32:56.600
<v Speaker 1>in a Pixar world. You're not really going to change

0:32:56.600 --> 0:32:58.800
<v Speaker 1>a whole lot there, because if you do, then it

0:32:58.840 --> 0:33:01.360
<v Speaker 1>doesn't feel like Pixar. But when it comes to the

0:33:01.400 --> 0:33:05.520
<v Speaker 1>animals here, they look fantastic. The fur on the bear,

0:33:05.640 --> 0:33:10.160
<v Speaker 1>the fur on the beavers looks so lifelike. And sometimes

0:33:10.240 --> 0:33:15.040
<v Speaker 1>Pixar isn't as photorealistic as other animated movies. But I

0:33:15.080 --> 0:33:18.440
<v Speaker 1>think the animation team crushed it here because I feel

0:33:18.480 --> 0:33:21.040
<v Speaker 1>like I could jump into this trailer and touch all

0:33:21.080 --> 0:33:23.320
<v Speaker 1>of these animal creatures and they would be as soft

0:33:23.320 --> 0:33:26.080
<v Speaker 1>as they look on screen. So I think that is

0:33:26.120 --> 0:33:28.480
<v Speaker 1>a big win here, because I think something that people

0:33:28.880 --> 0:33:32.080
<v Speaker 1>have been criticizing in these Pixar movies lately is the

0:33:32.120 --> 0:33:34.960
<v Speaker 1>animation just kind of all looks the same. And I

0:33:35.040 --> 0:33:37.720
<v Speaker 1>do think there are some factors here because a lot

0:33:37.760 --> 0:33:41.640
<v Speaker 1>of Pixar animators all went to a very famous art

0:33:41.680 --> 0:33:45.040
<v Speaker 1>school called cal Arts. If you've listened to the episode

0:33:45.080 --> 0:33:47.160
<v Speaker 1>I did with the creator of Lee Low and Stitch,

0:33:47.240 --> 0:33:49.640
<v Speaker 1>Chris Sanders, he went there, he met a lot of

0:33:49.720 --> 0:33:52.360
<v Speaker 1>other famous people, or at least people who went on

0:33:52.400 --> 0:33:55.600
<v Speaker 1>to be famous, and they all learned this cal Arts

0:33:55.640 --> 0:34:00.520
<v Speaker 1>animation style that is very specific. It's very simplistic. I

0:34:00.560 --> 0:34:03.640
<v Speaker 1>would say the best example of that are recent movies

0:34:03.720 --> 0:34:06.800
<v Speaker 1>like Luca and Turning Red, which some people think has

0:34:06.880 --> 0:34:10.040
<v Speaker 1>just kind of simplified the character design and has maybe

0:34:10.080 --> 0:34:12.600
<v Speaker 1>created a little bit too of a unified look where

0:34:12.920 --> 0:34:15.919
<v Speaker 1>none of these movies look as exciting. They look more

0:34:15.960 --> 0:34:18.279
<v Speaker 1>like Disney Plus originals, and they look like something you

0:34:18.280 --> 0:34:20.760
<v Speaker 1>would want to pay money to go see in theaters.

0:34:21.239 --> 0:34:23.520
<v Speaker 1>If you don't have a great character design or a

0:34:23.560 --> 0:34:27.520
<v Speaker 1>boarding character design that doesn't translate into other sales that

0:34:27.560 --> 0:34:30.279
<v Speaker 1>you need for animated movies, it doesn't make people want

0:34:30.280 --> 0:34:32.840
<v Speaker 1>to buy a popcorn bucket, a big old cup in

0:34:32.920 --> 0:34:36.399
<v Speaker 1>the movie theater, or even beyond that, the toys at

0:34:36.400 --> 0:34:39.279
<v Speaker 1>Target and Walmart and t shirts. If you just have

0:34:39.600 --> 0:34:44.000
<v Speaker 1>very unmemorable characters that kids aren't really good to attach

0:34:44.080 --> 0:34:47.240
<v Speaker 1>themselves to, or even adults aren't going to attach themselves

0:34:47.239 --> 0:34:49.640
<v Speaker 1>to And I think that is another issue here. But

0:34:50.320 --> 0:34:53.520
<v Speaker 1>is it the animation style, is it Pixar or is

0:34:53.560 --> 0:34:57.600
<v Speaker 1>it the overarching company of Disney? And I think we

0:34:57.719 --> 0:35:01.800
<v Speaker 1>forgot that. Disney acquired Pixar beat on May fifth, two

0:35:01.840 --> 0:35:05.239
<v Speaker 1>thousand and six. Pixar at the time was valued at

0:35:05.280 --> 0:35:09.720
<v Speaker 1>seven point four billion dollars. The deal made Steve Jobs,

0:35:09.760 --> 0:35:12.960
<v Speaker 1>who he didn't start Pixar, but he did acquire Pixar

0:35:13.000 --> 0:35:15.959
<v Speaker 1>back in nineteen eighty six. In two thousand and six,

0:35:16.000 --> 0:35:19.399
<v Speaker 1>it made him the largest individual shareholder, and that's where

0:35:19.440 --> 0:35:22.040
<v Speaker 1>he made a lot of his money. But if I

0:35:22.080 --> 0:35:26.320
<v Speaker 1>were to make a movie about the downfall of Pixar

0:35:26.520 --> 0:35:29.160
<v Speaker 1>in the twenty twenties, and if I was going to

0:35:29.200 --> 0:35:32.240
<v Speaker 1>have a place of villain, I think it would be Disney,

0:35:32.320 --> 0:35:34.880
<v Speaker 1>not only with Pixar, but also with what we're seeing

0:35:34.920 --> 0:35:38.440
<v Speaker 1>with Marvel, where I feel like they're less focused on

0:35:38.600 --> 0:35:43.960
<v Speaker 1>making things that are dynamic, unique and creative and out

0:35:43.960 --> 0:35:46.560
<v Speaker 1>of the box and more focused on just things that

0:35:46.600 --> 0:35:49.320
<v Speaker 1>are going to make them money, which I get. Movies

0:35:49.360 --> 0:35:51.359
<v Speaker 1>are a business. That is what they are in the

0:35:51.400 --> 0:35:55.360
<v Speaker 1>business of doing, putting out big blockbuster hits that translate

0:35:55.440 --> 0:35:59.680
<v Speaker 1>into ticket sales, translate into merch sales, but most importantly

0:36:00.480 --> 0:36:05.000
<v Speaker 1>into people wanting to visit Disney in California and Florida,

0:36:05.239 --> 0:36:08.799
<v Speaker 1>which is a major thing. Sometimes we forget that as

0:36:08.840 --> 0:36:11.840
<v Speaker 1>people who love movies, that they can oftentimes just be

0:36:11.960 --> 0:36:15.759
<v Speaker 1>commercials for their Disney properties. If we look at all

0:36:15.840 --> 0:36:18.960
<v Speaker 1>the Pixar and Disney movies they put out since twenty twenty,

0:36:18.960 --> 0:36:21.239
<v Speaker 1>which obviously the pandemic is going to throw a lot

0:36:21.280 --> 0:36:26.120
<v Speaker 1>of things off here, they have been very unmemorable. Onward

0:36:26.200 --> 0:36:28.480
<v Speaker 1>came out on March six, twenty twenty. That was the

0:36:28.560 --> 0:36:31.840
<v Speaker 1>last movie in theaters I ever saw that year. Soul

0:36:31.960 --> 0:36:33.960
<v Speaker 1>came out in December of that year, but it was

0:36:34.000 --> 0:36:36.920
<v Speaker 1>a Disney Plus only release, and then the next year,

0:36:36.960 --> 0:36:39.080
<v Speaker 1>this is where they really started to shift and started

0:36:39.160 --> 0:36:41.840
<v Speaker 1>just putting things out on Disney Plus. But I feel

0:36:41.880 --> 0:36:45.080
<v Speaker 1>like this is where their originality just really started to lack,

0:36:45.440 --> 0:36:48.440
<v Speaker 1>and that war on us as Disney and Pixar fans.

0:36:48.640 --> 0:36:51.920
<v Speaker 1>Luca came out in twenty twenty one Disney Plus only.

0:36:52.320 --> 0:36:55.040
<v Speaker 1>I will say I did enjoy Luca, and I think

0:36:55.040 --> 0:36:59.319
<v Speaker 1>the animation style was specific to telling a story like that.

0:36:59.360 --> 0:37:01.839
<v Speaker 1>I think it fit, but overall, when you look at

0:37:01.840 --> 0:37:04.799
<v Speaker 1>the characters and look at the animation design, it's not

0:37:04.960 --> 0:37:07.480
<v Speaker 1>as bright and vibrant as some of the other things

0:37:07.520 --> 0:37:10.839
<v Speaker 1>inside of the Pixar world. Turning Red was also a

0:37:10.840 --> 0:37:13.120
<v Speaker 1>good movie that came out in twenty twenty two, also

0:37:13.280 --> 0:37:15.680
<v Speaker 1>just on Disney Plus and then later they tried to

0:37:15.719 --> 0:37:18.240
<v Speaker 1>push it out in the theaters. Also a great story,

0:37:18.400 --> 0:37:21.120
<v Speaker 1>but I think the animation was just fine, and just

0:37:21.280 --> 0:37:24.279
<v Speaker 1>fine was not good enough to make that movie a hit.

0:37:24.880 --> 0:37:27.839
<v Speaker 1>Light Year came out in June of twenty twenty two,

0:37:28.480 --> 0:37:30.640
<v Speaker 1>which there was a whole other reason that people were

0:37:30.719 --> 0:37:33.759
<v Speaker 1>upset about this movie. I think that maybe was a

0:37:33.840 --> 0:37:37.240
<v Speaker 1>little bit too ambitious, but again, they weren't trying anything

0:37:37.239 --> 0:37:40.160
<v Speaker 1>completely original. They were just trying to make a standalone

0:37:40.200 --> 0:37:43.600
<v Speaker 1>movie still in that toy story world. I just don't

0:37:43.680 --> 0:37:46.879
<v Speaker 1>think light Year was probably the best person to make

0:37:46.920 --> 0:37:49.360
<v Speaker 1>that with. They should have made a woody movie that

0:37:49.400 --> 0:37:51.920
<v Speaker 1>would have crushed. It would have made people happy. It

0:37:51.960 --> 0:37:55.360
<v Speaker 1>would have been less of them having to explain why

0:37:55.400 --> 0:37:57.799
<v Speaker 1>he's not voiced by Tim Allen, why it's not about

0:37:57.800 --> 0:38:01.360
<v Speaker 1>the toy, why it's actually about the person that inspired

0:38:01.440 --> 0:38:04.319
<v Speaker 1>the toy. It was all just confusing for people. But

0:38:04.440 --> 0:38:07.680
<v Speaker 1>that movie did not do well for them. Elemental again

0:38:07.800 --> 0:38:10.200
<v Speaker 1>was just a middle of the road movie, and that

0:38:10.280 --> 0:38:12.440
<v Speaker 1>one just didn't really have a lot of hype going

0:38:12.480 --> 0:38:15.560
<v Speaker 1>into it. The story was fine, and fine again is

0:38:15.640 --> 0:38:18.919
<v Speaker 1>not good enough. I think some people unfairly maybe didn't

0:38:18.960 --> 0:38:20.839
<v Speaker 1>watch that movie or just didn't even know when it

0:38:20.840 --> 0:38:23.520
<v Speaker 1>came out. Did much better when it went to Disney

0:38:23.520 --> 0:38:26.240
<v Speaker 1>Plus than it did in theaters, But I think overall

0:38:26.280 --> 0:38:29.680
<v Speaker 1>that story was just fine at best. Inside out too,

0:38:30.160 --> 0:38:32.399
<v Speaker 1>that's kind of a no brainer, going back to their

0:38:32.440 --> 0:38:35.320
<v Speaker 1>pool of great movies from the twenty tens, that movie

0:38:35.320 --> 0:38:38.359
<v Speaker 1>did well. Was a billion dollar movie for them. And

0:38:38.400 --> 0:38:40.640
<v Speaker 1>the sad thing is to some people who say they

0:38:40.680 --> 0:38:43.719
<v Speaker 1>want to see new original ideas and then they put

0:38:43.719 --> 0:38:48.000
<v Speaker 1>out a sequel to a very beloved movie, then they're like, Okay,

0:38:48.040 --> 0:38:50.080
<v Speaker 1>we're not going to get another original for a while,

0:38:50.320 --> 0:38:52.839
<v Speaker 1>because whenever they make sequels, that's when they're making all

0:38:52.920 --> 0:38:56.360
<v Speaker 1>their money. And then Elio came out earlier this year

0:38:56.440 --> 0:38:59.240
<v Speaker 1>in June. Its numbers were pretty dismal, and that'll probably

0:38:59.280 --> 0:39:02.160
<v Speaker 1>come out on Disney Plus probably towards the end of September,

0:39:02.160 --> 0:39:04.440
<v Speaker 1>even though they haven't announced that yet. But if you

0:39:04.480 --> 0:39:06.919
<v Speaker 1>look at all these movies, you start to see a theme.

0:39:07.000 --> 0:39:09.960
<v Speaker 1>And yes, the pandemic throws off the twenty twenty year,

0:39:10.040 --> 0:39:11.839
<v Speaker 1>the twenty twenty one year a little bit, but that

0:39:11.880 --> 0:39:15.319
<v Speaker 1>bled into twenty twenty two. But what I see is

0:39:15.400 --> 0:39:19.200
<v Speaker 1>not what made Picksar so memorable in the beginning. If

0:39:19.200 --> 0:39:21.319
<v Speaker 1>you think back to the first Toy Story movie, you

0:39:21.360 --> 0:39:23.400
<v Speaker 1>think back to A Bugs Life, you think back to

0:39:23.440 --> 0:39:25.560
<v Speaker 1>the first Cards movie, which was right around the time

0:39:25.560 --> 0:39:29.960
<v Speaker 1>that Disney bought them, Monsters Inc. Finding Nemo, the Incredibles.

0:39:30.360 --> 0:39:34.840
<v Speaker 1>All of these movies had great stories, great character designs

0:39:35.160 --> 0:39:38.560
<v Speaker 1>that all look different from each other. But what does

0:39:38.640 --> 0:39:41.040
<v Speaker 1>Disney like to do. They like to make things that

0:39:41.160 --> 0:39:44.120
<v Speaker 1>feel like they're all a part of the same brand.

0:39:44.120 --> 0:39:47.640
<v Speaker 1>They all have this synergy. So now everything since twenty

0:39:47.680 --> 0:39:50.560
<v Speaker 1>twenty has started to look the same. Out of all

0:39:50.640 --> 0:39:53.560
<v Speaker 1>those movies I mentioned there from the twenty twenties, they

0:39:53.800 --> 0:39:56.120
<v Speaker 1>all look like they could be made by the exact

0:39:56.160 --> 0:39:59.279
<v Speaker 1>same team, by the exact same people, And I think

0:39:59.320 --> 0:40:02.640
<v Speaker 1>that makes a animated movies seem interesting. And then you

0:40:02.719 --> 0:40:05.360
<v Speaker 1>see on the other side of animation, with movies like

0:40:05.400 --> 0:40:09.120
<v Speaker 1>Transformers One, the New Teenage Mutant, Ninja Turtles animated movie

0:40:09.120 --> 0:40:12.239
<v Speaker 1>into the Spider Verse, where they're being so much more

0:40:12.280 --> 0:40:15.280
<v Speaker 1>ambitious with their animation. As you can tell, I love animation,

0:40:16.040 --> 0:40:19.319
<v Speaker 1>and I feel like out of all styles of filmmaking,

0:40:19.360 --> 0:40:22.560
<v Speaker 1>there is a whole other world that we can explore here,

0:40:22.760 --> 0:40:24.879
<v Speaker 1>because I feel that it is a world where there's

0:40:24.960 --> 0:40:28.440
<v Speaker 1>so much room for creativity. We haven't seen the best

0:40:28.520 --> 0:40:31.719
<v Speaker 1>animated movie yet. I think we should be getting the

0:40:31.719 --> 0:40:34.560
<v Speaker 1>best animated movies right now in the twenty twenties, and

0:40:34.640 --> 0:40:37.759
<v Speaker 1>I just haven't seen that because they're relying on their

0:40:37.800 --> 0:40:41.879
<v Speaker 1>properties at work. We're going to get a Toy Story five, six, seven, eight, nine,

0:40:41.880 --> 0:40:46.000
<v Speaker 1>and ten because they continue to do well and we

0:40:46.120 --> 0:40:48.719
<v Speaker 1>still are curious about those movies. I'll still go end

0:40:48.800 --> 0:40:51.600
<v Speaker 1>up seeing those movies, but we're not going to get

0:40:51.640 --> 0:40:56.480
<v Speaker 1>anything completely different as long as Disney says, these are

0:40:56.520 --> 0:40:58.480
<v Speaker 1>the movies we need to make and this is what

0:40:58.520 --> 0:41:00.680
<v Speaker 1>they need to look like, and we're gonna put out

0:41:00.719 --> 0:41:03.439
<v Speaker 1>movies like Ilio, not really market it a whole lot,

0:41:04.080 --> 0:41:07.080
<v Speaker 1>not really give it a fighting chance, and then use

0:41:07.120 --> 0:41:09.399
<v Speaker 1>that as an example of Look, we tried to give

0:41:09.440 --> 0:41:12.040
<v Speaker 1>you an original movie, but you didn't go support it.

0:41:12.280 --> 0:41:14.799
<v Speaker 1>So here you go, here's Car sixty seven, and what

0:41:14.840 --> 0:41:16.520
<v Speaker 1>do you know? We lost Nemo again and we have

0:41:16.600 --> 0:41:19.000
<v Speaker 1>to find him for the sixteenth time. Is there a

0:41:19.040 --> 0:41:23.360
<v Speaker 1>solution here? I don't think so. I think we support

0:41:23.400 --> 0:41:25.680
<v Speaker 1>the things we want to support. I'm never gonna tell

0:41:25.719 --> 0:41:27.840
<v Speaker 1>anybody how to spend your money when it comes to

0:41:27.880 --> 0:41:30.919
<v Speaker 1>watching things in theaters. Go watch the things you want

0:41:30.920 --> 0:41:34.200
<v Speaker 1>to watch, but just know that your money carries a

0:41:34.239 --> 0:41:36.640
<v Speaker 1>lot of way to it in the decision making of

0:41:36.680 --> 0:41:40.520
<v Speaker 1>what gets greenlit, what continues to have SEQL after sequel,

0:41:41.040 --> 0:41:44.640
<v Speaker 1>and what movies and ideas they deem aren't worth the

0:41:44.680 --> 0:41:47.680
<v Speaker 1>time or money. But that being said, I do think

0:41:47.760 --> 0:41:51.080
<v Speaker 1>Hoppers is a step in the right direction. I think

0:41:51.120 --> 0:41:54.279
<v Speaker 1>the story is interesting, and even though there's not one

0:41:54.360 --> 0:41:57.400
<v Speaker 1>character I think will be the new poster child for Pixar.

0:41:58.040 --> 0:42:00.279
<v Speaker 1>I do think it's gonna give people a reason to

0:42:00.320 --> 0:42:02.399
<v Speaker 1>go into the theater and not feel like you could

0:42:02.480 --> 0:42:04.959
<v Speaker 1>just wait and go and watch it on Disney Plus

0:42:05.040 --> 0:42:07.800
<v Speaker 1>whenever it is about three or four months old. And finally,

0:42:07.880 --> 0:42:10.800
<v Speaker 1>just because I've been rattling off all of my passionate

0:42:10.840 --> 0:42:13.919
<v Speaker 1>thoughts about animation, I did wonder if I could put

0:42:13.920 --> 0:42:17.080
<v Speaker 1>my brain into an animal like this and then go

0:42:17.160 --> 0:42:19.920
<v Speaker 1>live in their habitat be able to speak to them.

0:42:19.960 --> 0:42:21.640
<v Speaker 1>I don't want no funny business though. That was the

0:42:21.640 --> 0:42:26.880
<v Speaker 1>one problem I had with picking this animal, because animals,

0:42:26.920 --> 0:42:29.279
<v Speaker 1>well they're animals. They're to do things that you don't

0:42:29.320 --> 0:42:31.440
<v Speaker 1>want them to do, whether you do it or not,

0:42:31.600 --> 0:42:35.040
<v Speaker 1>So no funny business involved. I would want to be

0:42:35.120 --> 0:42:38.560
<v Speaker 1>my favorite animal of all time on Orca. I've loved

0:42:38.680 --> 0:42:41.680
<v Speaker 1>orcas ever since I was a kid. I still want

0:42:41.719 --> 0:42:45.520
<v Speaker 1>to go well watching up in Seattle, the Pacific Northwest.

0:42:45.560 --> 0:42:47.439
<v Speaker 1>I think that would be amazing just to be able

0:42:47.440 --> 0:42:51.000
<v Speaker 1>to see an orca in the wild, not at SeaWorld,

0:42:51.200 --> 0:42:53.640
<v Speaker 1>even though that is where my love of these animals

0:42:53.640 --> 0:42:57.279
<v Speaker 1>did develop. SeaWorld not a great place for them. Ever

0:42:57.320 --> 0:42:59.600
<v Speaker 1>since I saw Blackfish, I was like, I can't support

0:42:59.600 --> 0:43:03.560
<v Speaker 1>the place. That documentary did change me a lot. But

0:43:03.600 --> 0:43:05.960
<v Speaker 1>I've also seen a lot of other great documentaries about

0:43:06.080 --> 0:43:08.640
<v Speaker 1>orcas that do give me hope, and that also just

0:43:08.680 --> 0:43:11.480
<v Speaker 1>show you how smart a animals they are, Like they

0:43:11.640 --> 0:43:16.759
<v Speaker 1>mourn they're dead, and they're just incredibly resourceful. Even that

0:43:16.840 --> 0:43:20.200
<v Speaker 1>one summer where they were crashing boats and terrorizing some humans,

0:43:20.480 --> 0:43:22.640
<v Speaker 1>I was still team Orca because I was like, humans

0:43:22.840 --> 0:43:25.319
<v Speaker 1>had to have done something wrong. Somebody killed an orca

0:43:25.600 --> 0:43:29.440
<v Speaker 1>and they wanted vengeance. Number two would probably be an owl,

0:43:29.920 --> 0:43:33.440
<v Speaker 1>just because I feel like they're very majestic. I identify a

0:43:33.480 --> 0:43:37.720
<v Speaker 1>lot with them being nocturnal. Misunderstood. I didn't get attacked

0:43:37.719 --> 0:43:40.160
<v Speaker 1>by one a couple of years ago on a run

0:43:40.200 --> 0:43:42.600
<v Speaker 1>because I was out very early in the morning. I

0:43:42.640 --> 0:43:45.080
<v Speaker 1>was wearing a white hat, so I was convinced they

0:43:45.080 --> 0:43:47.279
<v Speaker 1>thought I was a rabbit or something. And again, I

0:43:47.280 --> 0:43:49.480
<v Speaker 1>love owl so much, I'll put that blame on me.

0:43:49.640 --> 0:43:53.000
<v Speaker 1>And number three would definitely be a cat, because like cats,

0:43:53.040 --> 0:43:55.959
<v Speaker 1>I am very independent. I will come to you only

0:43:55.960 --> 0:43:58.040
<v Speaker 1>when I need a little bit of love. I may

0:43:58.080 --> 0:44:01.640
<v Speaker 1>bite you, I may scratch you. Ultimately, I do love you,

0:44:01.719 --> 0:44:04.320
<v Speaker 1>even though I probably don't say it every day. Bonus

0:44:04.320 --> 0:44:07.040
<v Speaker 1>points for being able to lock myself. But again, Hoppers

0:44:07.160 --> 0:44:11.479
<v Speaker 1>is coming out in theaters on March sixth, twenty twenty six. Geez,

0:44:11.520 --> 0:44:15.400
<v Speaker 1>And that was this week's edition of Movie Lin Tramer

0:44:15.480 --> 0:44:18.240
<v Speaker 1>Bar and that is gonna do it for another episode

0:44:18.239 --> 0:44:20.680
<v Speaker 1>here of the podcast. But before I go, I gotta

0:44:20.719 --> 0:44:23.560
<v Speaker 1>give my listeners shout out of the week. This week,

0:44:23.680 --> 0:44:27.320
<v Speaker 1>I'm going over to X and shouting out Melody Smith,

0:44:27.400 --> 0:44:30.360
<v Speaker 1>who commented on a post I made about last week's episode.

0:44:30.440 --> 0:44:33.040
<v Speaker 1>Kelsey and I talked about Project Hail Mary. She read

0:44:33.040 --> 0:44:36.000
<v Speaker 1>it for her book club, has now gone and watched

0:44:36.000 --> 0:44:38.240
<v Speaker 1>the trailer in full and looking forward to that movie

0:44:38.239 --> 0:44:42.560
<v Speaker 1>coming out next March. Melody said, I highly recommend listening

0:44:43.000 --> 0:44:47.320
<v Speaker 1>to Project Hail Mary. The audio version is great. Melody,

0:44:47.400 --> 0:44:49.480
<v Speaker 1>I never even thought of that, And to be honest,

0:44:49.560 --> 0:44:53.439
<v Speaker 1>I've never listened to a book on audiobook. I don't

0:44:53.480 --> 0:44:57.000
<v Speaker 1>know why. My brother is super into listening to biographies

0:44:57.000 --> 0:44:59.040
<v Speaker 1>and he tells me about it all the time. I

0:44:59.080 --> 0:45:02.800
<v Speaker 1>guess may maybe it's a time thing for me, because

0:45:03.280 --> 0:45:05.520
<v Speaker 1>when I see that a book is like sixty eight

0:45:05.560 --> 0:45:07.759
<v Speaker 1>hours on an audio book, I don't know if I

0:45:07.760 --> 0:45:10.759
<v Speaker 1>could bring myself to listen to it. And also sometimes

0:45:11.160 --> 0:45:13.319
<v Speaker 1>when I listen to things, I tend to zone out,

0:45:13.400 --> 0:45:15.200
<v Speaker 1>so I feel like I would kind of forget things.

0:45:15.280 --> 0:45:17.200
<v Speaker 1>If I were going on a long road trip, I

0:45:17.239 --> 0:45:20.160
<v Speaker 1>would definitely do that, because I do enjoy listening to

0:45:20.239 --> 0:45:22.080
<v Speaker 1>a bunch of podcasts. When I do that, and I

0:45:22.120 --> 0:45:25.000
<v Speaker 1>really allow myself to get into that world, and that

0:45:25.120 --> 0:45:28.200
<v Speaker 1>is where I do my best listening but Melody, I

0:45:28.200 --> 0:45:31.040
<v Speaker 1>do think that's an interesting thing. But I'm really going

0:45:31.080 --> 0:45:33.560
<v Speaker 1>to push myself to read that book because I am

0:45:33.640 --> 0:45:37.520
<v Speaker 1>determined to read and finish a book and go see

0:45:37.520 --> 0:45:40.320
<v Speaker 1>that movie in theaters. That is my goal. But Melody,

0:45:40.360 --> 0:45:43.359
<v Speaker 1>I appreciate looking out. If it gets grim there and

0:45:43.400 --> 0:45:45.440
<v Speaker 1>I think I'm not going to be able to finish

0:45:45.520 --> 0:45:48.279
<v Speaker 1>this book, we're getting closer to that movie coming out

0:45:48.320 --> 0:45:50.040
<v Speaker 1>in theaters, I'm like, all right, I got to speed

0:45:50.080 --> 0:45:52.319
<v Speaker 1>this thing up and listen to the audiobook. I will

0:45:52.360 --> 0:45:55.280
<v Speaker 1>do that. So I appreciate that message. Thank you, Melody,

0:45:55.400 --> 0:45:58.200
<v Speaker 1>Thank you right now for listening wherever you are in

0:45:58.280 --> 0:46:00.880
<v Speaker 1>your car at the gym. Thank you for not listening

0:46:00.880 --> 0:46:03.960
<v Speaker 1>to an audiobook and listening to this podcast. And until

0:46:04.040 --> 0:46:07.080
<v Speaker 1>next time, go out and watch good movies and I

0:46:07.160 --> 0:46:09.080
<v Speaker 1>will talk to you later