1 00:00:00,760 --> 00:00:03,640 Speaker 1: Welcome in everybody to the third hour of the Clay 2 00:00:03,720 --> 00:00:08,600 Speaker 1: Travis and Buck Bexton Show. Just a news update here 3 00:00:08,680 --> 00:00:10,240 Speaker 1: for you as we are live. 4 00:00:10,280 --> 00:00:11,920 Speaker 2: We are real time, not like some. 5 00:00:11,920 --> 00:00:14,960 Speaker 1: Of these podcasts that people put out, mister Clay or 6 00:00:15,000 --> 00:00:17,599 Speaker 1: they like tape it on their way to their beach 7 00:00:17,720 --> 00:00:20,560 Speaker 1: vacation and then play it a week later or something. 8 00:00:20,560 --> 00:00:23,439 Speaker 1: We're live, baby, We're doing it here for all of you, 9 00:00:23,680 --> 00:00:29,320 Speaker 1: with you three hours a day, the beauty of radio 10 00:00:29,480 --> 00:00:32,040 Speaker 1: and are almost six hundred affiliates the beauty of the 11 00:00:32,080 --> 00:00:34,440 Speaker 1: iHeart app. We are here, we are with you, We 12 00:00:34,479 --> 00:00:36,960 Speaker 1: are taking your calls, and we are bringing you the 13 00:00:37,080 --> 00:00:40,440 Speaker 1: latest up to the minute, saying I gotta say, there's 14 00:00:40,479 --> 00:00:41,520 Speaker 1: no craziness here. 15 00:00:41,960 --> 00:00:42,560 Speaker 2: We're live. 16 00:00:42,680 --> 00:00:45,720 Speaker 1: These are the value propositions who bring you. We're live, 17 00:00:46,120 --> 00:00:49,360 Speaker 1: We tell you the truth, and we're not nuts like 18 00:00:49,440 --> 00:00:51,880 Speaker 1: some of the folks out there who are building audiences, 19 00:00:52,240 --> 00:00:53,760 Speaker 1: including on the right, who. 20 00:00:54,600 --> 00:00:59,000 Speaker 2: Probably should spend a little time getting some help looking inward. 21 00:01:00,040 --> 00:01:02,640 Speaker 2: 'resting some of their demons, just saying. 22 00:01:02,840 --> 00:01:04,679 Speaker 1: I'm here to help. I'm here to help everybody on 23 00:01:04,720 --> 00:01:09,440 Speaker 1: the team. Now, us Drone, I'm sorry. Us rather has 24 00:01:09,480 --> 00:01:13,399 Speaker 1: shot down a suspected Iranian drone on approach to an 25 00:01:13,400 --> 00:01:17,880 Speaker 1: aircraft carrier. That is the breaking news in this moment. 26 00:01:18,000 --> 00:01:22,520 Speaker 1: Nothing too big, but just note I've ben an aircraft carrier, Clay. 27 00:01:22,600 --> 00:01:24,280 Speaker 1: I had a lot of these discussions when I was 28 00:01:24,319 --> 00:01:27,440 Speaker 1: in Taiwan with the President and National Security Advisor of 29 00:01:27,520 --> 00:01:34,199 Speaker 1: Taiwan Vice President. The world of surface naval surface warfare 30 00:01:34,440 --> 00:01:41,480 Speaker 1: is changing very rapidly, and the projection of force that 31 00:01:41,600 --> 00:01:47,160 Speaker 1: is possible aircraft carriers is something that is variable insofar 32 00:01:47,319 --> 00:01:52,040 Speaker 1: as ship killing missiles and the technology hypersonic missiles and 33 00:01:52,080 --> 00:01:55,720 Speaker 1: the technology that is developing very rapidly could turn aircraft 34 00:01:55,720 --> 00:02:00,080 Speaker 1: carriers into multi billion dollar targets. Well they're already targets, 35 00:02:00,120 --> 00:02:03,120 Speaker 1: but target practice. A lot of stuff to look at 36 00:02:03,160 --> 00:02:06,720 Speaker 1: here in the in the years ahead. But instead of 37 00:02:06,760 --> 00:02:10,120 Speaker 1: talking about or going deeper into my analysis of this 38 00:02:10,200 --> 00:02:13,840 Speaker 1: national security threat, I don't want to forget that Clay, 39 00:02:13,840 --> 00:02:16,160 Speaker 1: who now has two things going form. One a brand 40 00:02:16,200 --> 00:02:19,560 Speaker 1: new mustache and two thinks Taylor Swift is the new Beatles. 41 00:02:20,080 --> 00:02:21,639 Speaker 1: Do you wish to tell us the greatest? 42 00:02:21,840 --> 00:02:24,040 Speaker 3: Yes me, hold on, let me tell you that. But 43 00:02:24,200 --> 00:02:27,280 Speaker 3: first serious news we tease that we can't go to 44 00:02:27,560 --> 00:02:31,040 Speaker 3: I'm talking your mustache and I'm going from a serious 45 00:02:31,240 --> 00:02:36,799 Speaker 3: you can't pivot my pivot. Okay, So we don't know 46 00:02:36,880 --> 00:02:39,680 Speaker 3: what happened to Nancy Guthrie. I told you that they 47 00:02:39,680 --> 00:02:42,120 Speaker 3: were going to have a press conference. This is the 48 00:02:42,200 --> 00:02:47,320 Speaker 3: number one story on every newscast. Nancy Guthrie, mother of 49 00:02:48,280 --> 00:02:52,160 Speaker 3: Savannah Guthrie. We have a huge audience in Arizona. She 50 00:02:52,400 --> 00:02:55,440 Speaker 3: was taken against her will. There is no surveillance video. 51 00:02:55,520 --> 00:02:58,360 Speaker 3: They basically have no idea where she is. The FBI 52 00:02:58,600 --> 00:03:02,960 Speaker 3: is asking if you have tips on this. One eight hundred, 53 00:03:03,400 --> 00:03:08,720 Speaker 3: call FBI. The FBI is now involved. This is in Tucson, Arizona, 54 00:03:09,240 --> 00:03:12,280 Speaker 3: and basically no one has any idea what happened to 55 00:03:12,960 --> 00:03:16,160 Speaker 3: Nancy Guthrie. They believe she was taken against her will. 56 00:03:16,560 --> 00:03:19,960 Speaker 3: And that's it. I mean, it's it's a huge mystery. 57 00:03:20,000 --> 00:03:22,280 Speaker 3: So there's a lot of interest here. One eight hundred 58 00:03:22,280 --> 00:03:24,600 Speaker 3: at call FBI. So I wanted to make sure, I mean, 59 00:03:24,800 --> 00:03:26,800 Speaker 3: I thought maybe we would get info because they had 60 00:03:26,840 --> 00:03:29,679 Speaker 3: a press conference schedule. But the press conference was to 61 00:03:29,760 --> 00:03:32,600 Speaker 3: let us know that basically they knew nothing. I'm leaving 62 00:03:32,639 --> 00:03:34,320 Speaker 3: it to you to how you transition back to Taylor 63 00:03:34,360 --> 00:03:36,600 Speaker 3: Swift now, because that's a very sad, serious story. So 64 00:03:36,800 --> 00:03:39,520 Speaker 3: I this is all on you, buddy. Now I have 65 00:03:39,600 --> 00:03:45,080 Speaker 3: to pivot back from a serious story to the story 66 00:03:45,120 --> 00:03:47,880 Speaker 3: that By the way, producer Ali, come up here for 67 00:03:47,880 --> 00:03:50,760 Speaker 3: a sec. We just talked about Jeffrey Epstein. We gave 68 00:03:50,800 --> 00:03:54,480 Speaker 3: a huge take on Jeffrey Epstein, everything related to Epstein. 69 00:03:55,200 --> 00:03:58,480 Speaker 3: You are telling me that my take on Taylor Swift 70 00:03:58,680 --> 00:04:02,960 Speaker 3: has been considered more controversial, more controversial by this audience 71 00:04:03,560 --> 00:04:06,840 Speaker 3: than everything we said about Jeffrey Epps. If you wondered 72 00:04:06,840 --> 00:04:09,720 Speaker 3: whether the Jeffrey Epstein story is over, you guys are 73 00:04:09,800 --> 00:04:11,760 Speaker 3: angrier about my Taylor Swift take. 74 00:04:11,840 --> 00:04:12,480 Speaker 2: Is that correct? 75 00:04:12,680 --> 00:04:12,800 Speaker 4: Uh? 76 00:04:13,880 --> 00:04:17,159 Speaker 3: Yes, there is a waterfall of emails on your Taylor 77 00:04:17,240 --> 00:04:20,480 Speaker 3: Swift and overall music take coming in pouring in. All right, 78 00:04:20,520 --> 00:04:24,000 Speaker 3: the people have spoken and the people are correct. Okay, 79 00:04:24,560 --> 00:04:29,039 Speaker 3: I'm about to turn that deluge. What's more than a deluge? 80 00:04:29,600 --> 00:04:33,000 Speaker 3: What would be bigger than a deluge? The the cavalcade 81 00:04:33,000 --> 00:04:37,760 Speaker 3: of emails I'm about I think that's right. I'm about 82 00:04:37,760 --> 00:04:41,560 Speaker 3: to turn the delusion into a tsunami. Taylor Swift is 83 00:04:42,320 --> 00:04:46,359 Speaker 3: the Beatles of our time. Buck is totally wrong that 84 00:04:46,440 --> 00:04:48,680 Speaker 3: twenty or thirty years from now, no one will care 85 00:04:49,160 --> 00:04:53,000 Speaker 3: Taylor Swift buck get ready, twenty or thirty years from now, 86 00:04:53,200 --> 00:04:56,000 Speaker 3: flag this. I hope I'm alive to take my victory lap. 87 00:04:56,600 --> 00:04:59,760 Speaker 3: Twenty or thirty years from now, Taylor Swift will be 88 00:05:00,240 --> 00:05:05,080 Speaker 3: more popular than she is now. Her music, much like 89 00:05:05,160 --> 00:05:09,200 Speaker 3: the Beatles, music is going to endure, and she will 90 00:05:09,240 --> 00:05:13,400 Speaker 3: be touring much like the Rolling Stones. As long as 91 00:05:13,440 --> 00:05:15,880 Speaker 3: she's like Mick Jagger and can still walk out there 92 00:05:15,880 --> 00:05:19,320 Speaker 3: and kick her legs, She's going to be touring until 93 00:05:19,400 --> 00:05:22,559 Speaker 3: she's eighty five or ninety if she lives that long, 94 00:05:23,120 --> 00:05:24,440 Speaker 3: singing all these songs. 95 00:05:24,920 --> 00:05:27,039 Speaker 2: This is a take that's going to go down in history. 96 00:05:27,640 --> 00:05:30,680 Speaker 3: Like whoever said that the Internet is going to be 97 00:05:30,680 --> 00:05:32,280 Speaker 3: as important as the fax machine? 98 00:05:32,320 --> 00:05:34,680 Speaker 2: I mean, this is this is an all timer for you, 99 00:05:34,800 --> 00:05:38,000 Speaker 2: Clay all right, Taylor Swift, you know who, you know who. 100 00:05:38,000 --> 00:05:40,159 Speaker 3: People would have said this about like the the icon 101 00:05:40,200 --> 00:05:44,640 Speaker 3: of teenage girls when we were growing up. Oh my gosh, 102 00:05:45,000 --> 00:05:48,040 Speaker 3: in thirty years, everyone's going to be listening to the 103 00:05:48,120 --> 00:05:52,200 Speaker 3: Backstreet Boys. Oh, the Backstreet Boys were huge, The Backstreet 104 00:05:52,240 --> 00:05:54,839 Speaker 3: Boys in sync, all those boy bands could even you 105 00:05:54,839 --> 00:05:58,200 Speaker 3: could even put them all together, and you would have thought, 106 00:05:58,240 --> 00:06:01,279 Speaker 3: oh my gosh, there's such a global phenomena on non 107 00:06:01,360 --> 00:06:01,920 Speaker 3: no one listens to. 108 00:06:02,000 --> 00:06:03,919 Speaker 2: In fact, hold on, you're. 109 00:06:03,800 --> 00:06:08,520 Speaker 3: Wrong about this. They sell out tours like crazy. 110 00:06:08,560 --> 00:06:08,800 Speaker 4: Now. 111 00:06:09,520 --> 00:06:12,560 Speaker 3: There are fifty year old women right now who are 112 00:06:12,680 --> 00:06:16,279 Speaker 3: throwing their radios if they're physical across the room that 113 00:06:16,400 --> 00:06:20,200 Speaker 3: spent one thousand dollars with their girlfriends to get good 114 00:06:20,240 --> 00:06:22,520 Speaker 3: seats to the Backstreet single. 115 00:06:22,800 --> 00:06:25,080 Speaker 2: We do not have a single person. We have millions 116 00:06:25,080 --> 00:06:25,480 Speaker 2: of people. 117 00:06:25,520 --> 00:06:28,600 Speaker 3: We have a We have like the city the size 118 00:06:28,640 --> 00:06:31,440 Speaker 3: of Chicago of listeners right now listening to us. 119 00:06:31,560 --> 00:06:33,320 Speaker 1: Not a single one of them paid a thousand dollars 120 00:06:33,320 --> 00:06:35,880 Speaker 1: in the last year for a Backstreet Boys taking oh 121 00:06:35,960 --> 00:06:37,159 Speaker 1: talking crazy talk. 122 00:06:37,520 --> 00:06:40,160 Speaker 3: I'm saying with her girlfriends, they might have spent two 123 00:06:40,240 --> 00:06:42,520 Speaker 3: hundred and fifty dollars each for four of them. 124 00:06:42,880 --> 00:06:44,039 Speaker 2: If you went to. 125 00:06:43,920 --> 00:06:48,040 Speaker 3: The Backstreet Boys at buck Sexton right now, get your 126 00:06:48,080 --> 00:06:51,520 Speaker 3: phones out on Twitter at Clay Travis too. 127 00:06:51,680 --> 00:06:53,240 Speaker 2: I want you to let me know. I bet there's 128 00:06:53,640 --> 00:06:54,280 Speaker 2: I bet I can. 129 00:06:54,240 --> 00:06:56,480 Speaker 1: Get you guys to tell Clay to put the whispering 130 00:06:56,520 --> 00:06:58,800 Speaker 1: angel down and get with reality here for a second. 131 00:06:58,839 --> 00:07:03,120 Speaker 2: Okay, I don't know if this is crazy or your 132 00:07:03,160 --> 00:07:04,400 Speaker 2: wife right because we got them. 133 00:07:04,640 --> 00:07:07,440 Speaker 3: I think it's seventy percent mail if your wife did 134 00:07:07,640 --> 00:07:11,440 Speaker 3: or you did Backstreet Boy tickets at buck Sexton at 135 00:07:11,440 --> 00:07:14,400 Speaker 3: Clay Travis all right loves to tell me that I'm wrong, 136 00:07:14,480 --> 00:07:16,280 Speaker 3: which is why we've been such good friends now for 137 00:07:16,320 --> 00:07:17,040 Speaker 3: over a decade. 138 00:07:17,480 --> 00:07:17,600 Speaker 5: Uh. 139 00:07:18,240 --> 00:07:20,320 Speaker 1: He says, the Backstreet Boys have a residency at the 140 00:07:20,360 --> 00:07:22,400 Speaker 1: Sphere in Vegas that is selling out every night. 141 00:07:23,240 --> 00:07:26,200 Speaker 2: And it's just crazy. That's Vegas. That's not that's not like. 142 00:07:26,200 --> 00:07:29,120 Speaker 3: It's crazy expensive. They just had a tour. They were 143 00:07:29,160 --> 00:07:32,600 Speaker 3: selling out arenas everywhere. All these women talking about something 144 00:07:32,600 --> 00:07:34,880 Speaker 3: on the scale of the Beatles, Okay, which is what 145 00:07:35,040 --> 00:07:35,400 Speaker 3: you are. 146 00:07:35,920 --> 00:07:36,960 Speaker 2: This is a this is. 147 00:07:36,960 --> 00:07:42,640 Speaker 1: A global cultural musical phenomenon that is timeless and has 148 00:07:42,720 --> 00:07:45,480 Speaker 1: lasted for decades. To say that the Backstreet Boys selling 149 00:07:45,520 --> 00:07:49,720 Speaker 1: out a venue in Vegas, although it does sound kind 150 00:07:49,760 --> 00:07:51,440 Speaker 1: of cool, Actually, I might have to go, cha. I 151 00:07:51,560 --> 00:07:52,400 Speaker 1: kind of want to see. 152 00:07:52,200 --> 00:07:55,080 Speaker 2: The Sphere so here, by the way, is Carrie there. 153 00:07:55,160 --> 00:07:58,000 Speaker 3: Carrie's gonna spend a thousand dollars on these tickets, which 154 00:07:58,080 --> 00:07:59,440 Speaker 3: she when she finds out about it. 155 00:07:59,440 --> 00:08:00,920 Speaker 2: All right, I'm about to do. 156 00:08:01,000 --> 00:08:02,280 Speaker 3: I ever tell you this that I that I hooked 157 00:08:02,280 --> 00:08:04,160 Speaker 3: a buddy of mine up you know, I'm gonna digress 158 00:08:04,200 --> 00:08:05,080 Speaker 3: who we're talking music. 159 00:08:06,080 --> 00:08:09,040 Speaker 1: I was at a birthday party. Was that a birthday 160 00:08:09,080 --> 00:08:13,960 Speaker 1: party for as my brother? And we went to Atlantic City, 161 00:08:13,960 --> 00:08:16,239 Speaker 1: which is the New York City kid version of Vegas, 162 00:08:16,280 --> 00:08:20,720 Speaker 1: Baby Vegas last minute. We go to Atlantic City and Clay, 163 00:08:20,760 --> 00:08:23,160 Speaker 1: we're at the Borgotta, which I think is the nicest 164 00:08:23,160 --> 00:08:25,560 Speaker 1: property in Atlantic City. We probably have the manager, I'm 165 00:08:25,600 --> 00:08:27,800 Speaker 1: probably the manager of the Borgota probably listens to this show. 166 00:08:27,840 --> 00:08:29,480 Speaker 1: Like we got a lot of a lot of people 167 00:08:29,480 --> 00:08:31,200 Speaker 1: that you know, run businesses that listen to the show. 168 00:08:31,400 --> 00:08:32,960 Speaker 1: I think it's the nicest in Atlantic City. We're at 169 00:08:32,960 --> 00:08:34,720 Speaker 1: the Borgoda and we're at their club. I don't remember 170 00:08:34,720 --> 00:08:37,040 Speaker 1: the name of the club, but their nightclub there and 171 00:08:37,080 --> 00:08:39,400 Speaker 1: I'm telling you it is. There are tumbleweeds blowing through. 172 00:08:39,960 --> 00:08:43,640 Speaker 1: It is a sad, sad night at the Borgotta at 173 00:08:43,679 --> 00:08:46,800 Speaker 1: like ten o'clock at night for this birthday night. And 174 00:08:47,920 --> 00:08:51,000 Speaker 1: out of nowhere, when I tell you, there was an 175 00:08:51,080 --> 00:08:56,040 Speaker 1: influx of twenty five year old to thirty five year 176 00:08:56,040 --> 00:09:00,600 Speaker 1: old girls, women and nothing. 177 00:09:00,679 --> 00:09:03,840 Speaker 3: But I've never seen anything like this in my life. 178 00:09:03,920 --> 00:09:06,440 Speaker 3: I was just like, this is We're there, We're a 179 00:09:06,440 --> 00:09:08,400 Speaker 3: table of guys we had no women with us. 180 00:09:08,440 --> 00:09:10,080 Speaker 1: We're hoping to meet some ladies. By the way, one 181 00:09:10,080 --> 00:09:13,319 Speaker 1: of my friends met his wife this night table. Yeah, 182 00:09:13,360 --> 00:09:17,160 Speaker 1: and I introduced them. We're a table by Influx. 183 00:09:17,200 --> 00:09:17,800 Speaker 2: We are the I was. 184 00:09:17,840 --> 00:09:19,720 Speaker 3: There were some guys there, but we were the only 185 00:09:19,840 --> 00:09:22,280 Speaker 3: straight guys in this nightclub. 186 00:09:22,280 --> 00:09:24,040 Speaker 2: Pretty much. There are a lot of guys, but they 187 00:09:24,080 --> 00:09:24,640 Speaker 2: were not straight. 188 00:09:24,640 --> 00:09:29,840 Speaker 3: From my understanding, Madonna had just finished a show at 189 00:09:29,880 --> 00:09:32,720 Speaker 3: like eleven o'clock at night, a Madonna show got out 190 00:09:33,240 --> 00:09:36,000 Speaker 3: and flooded, flooded the. 191 00:09:36,000 --> 00:09:37,720 Speaker 2: Place with chicks. It was. 192 00:09:37,920 --> 00:09:40,320 Speaker 3: It was incredible. It was honestly like Manna from Heaven. 193 00:09:40,520 --> 00:09:44,960 Speaker 3: I've never because no dudes, because what show totally not 194 00:09:45,040 --> 00:09:49,960 Speaker 3: straight dudes. Eight two two eight a two. By the way, 195 00:09:50,000 --> 00:09:52,120 Speaker 3: Clay was about to pivot back to like whether we're 196 00:09:52,120 --> 00:09:55,920 Speaker 3: not the federal government is back open to extend anybody cared. 197 00:09:57,040 --> 00:10:02,679 Speaker 3: All right, here's my songs, Uh Bad Blood, Love Story, 198 00:10:02,840 --> 00:10:06,480 Speaker 3: you Belong with Me, I Knew you were trouble and 199 00:10:06,679 --> 00:10:10,920 Speaker 3: Wildest Dreams is my power five in no particular order 200 00:10:10,960 --> 00:10:12,319 Speaker 3: for Taylor Swift. 201 00:10:12,400 --> 00:10:14,640 Speaker 2: Other can you repeat this? Can you repeat this? 202 00:10:15,240 --> 00:10:19,800 Speaker 3: My top five? My top five of the modern day beatle. 203 00:10:20,080 --> 00:10:23,360 Speaker 3: Taylor Swift, And I'll say this, Buck, I think Taylor 204 00:10:23,400 --> 00:10:27,200 Speaker 3: Swift has a more substantial catalog of good songs in 205 00:10:27,240 --> 00:10:29,200 Speaker 3: the decades ahead than the Beatles. 206 00:10:29,240 --> 00:10:31,640 Speaker 1: Doe, all right, your top five again, just because I 207 00:10:31,800 --> 00:10:33,600 Speaker 1: want to make bad and I don't actually know any 208 00:10:33,600 --> 00:10:36,800 Speaker 1: of these songs because no one cares. Go ahead, bad Blood, 209 00:10:37,440 --> 00:10:41,480 Speaker 1: love Story, you Belong with Me, I knew you were Trouble, 210 00:10:41,679 --> 00:10:46,600 Speaker 1: and Wildest Dreams. My power five to the songs that 211 00:10:46,640 --> 00:10:49,000 Speaker 1: I know that you've just mentioned is the number five song. 212 00:10:49,080 --> 00:10:50,400 Speaker 1: The rest of those songs, I don't even know what 213 00:10:50,440 --> 00:10:50,800 Speaker 1: they are. 214 00:10:51,240 --> 00:10:54,320 Speaker 3: You I knew you were Trouble, you Belong with Me, 215 00:10:54,520 --> 00:10:56,839 Speaker 3: love Story or bad Blood? Now we got bad Blood. 216 00:10:56,880 --> 00:10:57,679 Speaker 3: You've never heard that song. 217 00:10:57,840 --> 00:10:59,680 Speaker 1: I might hear them if they came on. But Clay, 218 00:10:59,679 --> 00:11:02,880 Speaker 1: to speak about these in the same breath as the Beatles, 219 00:11:02,880 --> 00:11:04,199 Speaker 1: I would even say, to speak about this in the 220 00:11:04,240 --> 00:11:07,560 Speaker 1: same breath as like Aerosmith, It's just insane, just insane. 221 00:11:08,520 --> 00:11:14,000 Speaker 3: And table two honorable mentions. Shake it off. Clay shaves's 222 00:11:14,000 --> 00:11:15,800 Speaker 3: beard off, he goes mustache, and all of a sudden, 223 00:11:15,840 --> 00:11:17,280 Speaker 3: he's like Taylor Swift number one fan. 224 00:11:17,360 --> 00:11:19,320 Speaker 2: Something's happened here. I don't know going on. 225 00:11:19,679 --> 00:11:23,360 Speaker 3: Mean, which my wife likes because she says I am 226 00:11:23,400 --> 00:11:26,160 Speaker 3: the mean person in the song mean, Why you got 227 00:11:26,160 --> 00:11:29,800 Speaker 3: to be so mean? So that is my top five 228 00:11:29,840 --> 00:11:33,559 Speaker 3: and then two honorable mentions and I'm right And thirty 229 00:11:33,640 --> 00:11:36,800 Speaker 3: years from now, if you're still alive, everyone out there listening, 230 00:11:37,240 --> 00:11:39,840 Speaker 3: you're gonna have to recognize, you know what, Clay Travis 231 00:11:39,960 --> 00:11:43,640 Speaker 3: nailed this. Taylor Swift is the modern day Beatles and 232 00:11:43,760 --> 00:11:47,560 Speaker 3: she's going to continue to sell out places forever. I 233 00:11:47,559 --> 00:11:49,600 Speaker 3: don't know if this is your most wrong take ever, 234 00:11:49,840 --> 00:11:52,360 Speaker 3: because that's going to require some digging, but this. 235 00:11:52,400 --> 00:11:54,480 Speaker 2: Is definitely like I would. I would say that this. 236 00:11:54,480 --> 00:11:57,719 Speaker 3: Is getting You're getting close to your your craziest Klay 237 00:11:57,800 --> 00:12:00,280 Speaker 3: Travis take off the show. A lot of people are 238 00:12:00,320 --> 00:12:02,840 Speaker 3: going to react to her politics, and I am not 239 00:12:03,080 --> 00:12:06,640 Speaker 3: endorsing that. I think Taylor Swift is a moron when 240 00:12:06,679 --> 00:12:10,480 Speaker 3: it comes to her political knowledge, but I'm sure the Beatles, 241 00:12:10,480 --> 00:12:14,240 Speaker 3: by the way, often had political takes that many people. 242 00:12:14,800 --> 00:12:16,440 Speaker 2: I mean, Lenin was a comedy he might as well 243 00:12:16,480 --> 00:12:17,840 Speaker 2: have been Lenin. He was a commedist. 244 00:12:17,960 --> 00:12:20,520 Speaker 3: Doesn't mean they're not still talented guys, but yeah, I 245 00:12:20,559 --> 00:12:25,240 Speaker 3: think Taylor Swift twenty first century the most in the 246 00:12:25,320 --> 00:12:27,800 Speaker 3: twenty first century since two thousand, the biggest star. 247 00:12:28,280 --> 00:12:30,079 Speaker 1: I'm excited that on this and this hour of the 248 00:12:30,160 --> 00:12:31,920 Speaker 1: Clay Travis and Bucks Exton Show, we can all just 249 00:12:31,920 --> 00:12:35,959 Speaker 1: sit back, relax, and enjoy Clay getting dragged over the 250 00:12:36,000 --> 00:12:39,600 Speaker 1: metaphorical broken glass of this audience for the next forty 251 00:12:39,600 --> 00:12:40,120 Speaker 1: five minutes. 252 00:12:41,000 --> 00:12:42,760 Speaker 2: They are gonna come. 253 00:12:43,679 --> 00:12:45,840 Speaker 3: What I think is really funny is we've talked about 254 00:12:45,880 --> 00:12:50,599 Speaker 3: the Save Act, We've talked about Epstein, all these stories. 255 00:12:51,200 --> 00:12:55,120 Speaker 3: Epstein is the most controversial story in years. Everybody's like, yeah, 256 00:12:55,160 --> 00:12:57,600 Speaker 3: Clay and Buck, you guys nailed that. My take on 257 00:12:57,679 --> 00:13:00,080 Speaker 3: Taylor Swift is the one that people are upset the. 258 00:13:00,120 --> 00:13:02,600 Speaker 1: Stuff that people write about you online that is the meanest, 259 00:13:02,720 --> 00:13:04,959 Speaker 1: which I do see sometimes and I'm always like, I'll 260 00:13:05,000 --> 00:13:05,400 Speaker 1: fight them. 261 00:13:05,440 --> 00:13:06,240 Speaker 2: It makes me sad. 262 00:13:06,400 --> 00:13:08,640 Speaker 3: But the meanest are always the people are mad at 263 00:13:08,640 --> 00:13:10,400 Speaker 3: you over sports, which I find so funny. 264 00:13:10,480 --> 00:13:11,400 Speaker 2: Oh they are. 265 00:13:11,760 --> 00:13:14,280 Speaker 3: That's why the politics thing doesn't It doesn't impact me 266 00:13:14,320 --> 00:13:16,480 Speaker 3: because if you pick a winner of Alabama Auburn and 267 00:13:16,480 --> 00:13:19,640 Speaker 3: it's the other side or Ohio State Michigan, like, politics 268 00:13:19,720 --> 00:13:22,679 Speaker 3: is small stakes compared to the anger of sports fans. 269 00:13:23,000 --> 00:13:25,400 Speaker 3: They get they get very angry at you. I was like, wow, 270 00:13:26,080 --> 00:13:29,360 Speaker 3: the sports ball very passionate the sports ball fans. All right, 271 00:13:29,800 --> 00:13:31,360 Speaker 3: come back into this year in a second. If someone 272 00:13:31,360 --> 00:13:33,000 Speaker 3: broke into your home, would you be prepared? I mean 273 00:13:33,120 --> 00:13:36,600 Speaker 3: right now, would you be ready for it? This is 274 00:13:36,600 --> 00:13:38,360 Speaker 3: something you got to do in advance. You can't wait 275 00:13:38,440 --> 00:13:40,959 Speaker 3: until the moment and then fire up your laptop and 276 00:13:41,000 --> 00:13:43,720 Speaker 3: try to get what you need. Then you want to 277 00:13:43,760 --> 00:13:47,280 Speaker 3: take action today with Sabers Home Defense Launcher, powerful protection 278 00:13:47,800 --> 00:13:50,080 Speaker 3: design to keep you safe. I have this at home, 279 00:13:50,120 --> 00:13:52,319 Speaker 3: so does Clay. They're easy to use. 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Don't wait for a 289 00:14:21,360 --> 00:14:24,680 Speaker 3: close call get protection now at saber radio dot com. 290 00:14:24,920 --> 00:14:28,800 Speaker 3: That's sab R radio dot com, or call eight four 291 00:14:28,880 --> 00:14:31,280 Speaker 3: four eight two four Safe. 292 00:14:31,720 --> 00:14:36,480 Speaker 6: Clay, Travis and Buck Sexton mic drops that never sounded 293 00:14:36,640 --> 00:14:40,520 Speaker 6: so good. Find them on the free iHeartRadio app or 294 00:14:40,600 --> 00:14:42,480 Speaker 6: wherever you get your podcasts. 295 00:14:42,880 --> 00:14:47,240 Speaker 3: Welcome back in Clay Travis Buck Sexton show. A ton 296 00:14:47,440 --> 00:14:51,560 Speaker 3: of reaction pouring in on a variety of different topics. 297 00:14:52,720 --> 00:14:55,360 Speaker 3: We make sure that I get everything in front of 298 00:14:55,360 --> 00:15:00,960 Speaker 3: me right now. A lot of emails. I'm I don't 299 00:15:00,960 --> 00:15:04,040 Speaker 3: want to read that one. Where are the rest of 300 00:15:04,120 --> 00:15:06,400 Speaker 3: all the emails that came in? There's so many different 301 00:15:06,440 --> 00:15:10,640 Speaker 3: text threads. Now for the show, here we go Aaron 302 00:15:10,800 --> 00:15:15,400 Speaker 3: from Milwaukee. Uh see, Uh, let's listen to him. 303 00:15:15,920 --> 00:15:19,720 Speaker 7: Hey, clan Buck, this is Aaron, a heterosexual male in Minnesota. 304 00:15:20,320 --> 00:15:23,840 Speaker 7: Taylor Swift's best song is blank Space, and in second 305 00:15:23,840 --> 00:15:25,960 Speaker 7: place would be you Belong with Me? 306 00:15:27,560 --> 00:15:30,600 Speaker 3: All right, there's a positive Buck vip email Bruce. No 307 00:15:30,680 --> 00:15:33,600 Speaker 3: one will remember a Taylor Swift song in ten years. 308 00:15:33,640 --> 00:15:36,880 Speaker 3: You are clearly insane. You must have shaved off your 309 00:15:36,920 --> 00:15:41,200 Speaker 3: brain cells when you shave your beard. Uh. Steve says, 310 00:15:41,360 --> 00:15:43,960 Speaker 3: no way in any universe is Taylor Swift in the 311 00:15:43,960 --> 00:15:45,200 Speaker 3: same league as the Beatles. 312 00:15:45,240 --> 00:15:48,360 Speaker 2: She's a pop sensation, but she is. 313 00:15:48,400 --> 00:15:52,000 Speaker 3: Not not met or the I can read all these 314 00:15:52,080 --> 00:15:53,000 Speaker 3: I can't even keep up. 315 00:15:53,040 --> 00:15:54,280 Speaker 2: I will say that. 316 00:15:54,560 --> 00:15:57,520 Speaker 3: I will say the number of you that have gone 317 00:15:57,600 --> 00:16:00,960 Speaker 3: to see and are going to see the boy bands, 318 00:16:01,000 --> 00:16:03,920 Speaker 3: the Backstreet Boys in particular, that buck you sign off 319 00:16:03,920 --> 00:16:06,000 Speaker 3: on this. There are a lot of people tweeting that 320 00:16:06,240 --> 00:16:09,560 Speaker 3: either they or their wives have been going to these 321 00:16:09,560 --> 00:16:10,880 Speaker 3: and paying a lot of money for them. 322 00:16:10,920 --> 00:16:13,200 Speaker 1: Look, that's a pure nostalgia play. And I will tell 323 00:16:13,240 --> 00:16:19,080 Speaker 1: you the you know, I would go see. I almost 324 00:16:19,080 --> 00:16:21,960 Speaker 1: got tickets for Carrie and me to go see the 325 00:16:21,960 --> 00:16:24,120 Speaker 1: Goo Goo Dolls because I actually think they're the most 326 00:16:24,240 --> 00:16:26,600 Speaker 1: Oh that's a grated band of the nineties. I think 327 00:16:26,600 --> 00:16:29,640 Speaker 1: Google Dolls are fantastic, Like they're good. Songs, are just great, 328 00:16:29,880 --> 00:16:32,560 Speaker 1: great tunes out of Buffalo, New York. 329 00:16:32,600 --> 00:16:36,960 Speaker 2: By the way, Yeah, you know they that's Gavin Rossdale, right, Oh, 330 00:16:36,960 --> 00:16:40,720 Speaker 2: that's Bush. Wow. You just look at this, it's like 331 00:16:40,800 --> 00:16:41,920 Speaker 2: me talking stuff. 332 00:16:44,840 --> 00:16:48,520 Speaker 3: You just oh Clay the nineties called they want their 333 00:16:48,760 --> 00:16:53,280 Speaker 3: their dignity back. Well, Gavin Rossdale was with Gwenn Gwen Stefani. Right, 334 00:16:53,360 --> 00:16:56,320 Speaker 3: that's kind of a powered nineties. That's a different guy. 335 00:16:56,600 --> 00:17:02,080 Speaker 3: That's right, That's right, Yes, yes, you're you're getting lit 336 00:17:02,160 --> 00:17:04,480 Speaker 3: up on these comments that I'm I'm enjoying every second 337 00:17:04,480 --> 00:17:04,679 Speaker 3: of it. 338 00:17:04,800 --> 00:17:06,040 Speaker 2: I would just say, I'm right. 339 00:17:06,119 --> 00:17:07,919 Speaker 3: Sometimes you get lit up and you're right. You just 340 00:17:07,960 --> 00:17:10,560 Speaker 3: have to take the You just have to take the. 341 00:17:09,640 --> 00:17:10,399 Speaker 8: The you know. 342 00:17:10,440 --> 00:17:12,360 Speaker 1: The the great thing about Clay is he'll he'll make 343 00:17:12,400 --> 00:17:14,720 Speaker 1: these He'll he'll take these stances. 344 00:17:14,800 --> 00:17:15,000 Speaker 2: You know. 345 00:17:15,080 --> 00:17:17,919 Speaker 3: So when he refers to Britney's, uh, when when he 346 00:17:18,000 --> 00:17:21,040 Speaker 3: refers to Mozart as the Britney Spears of his time, 347 00:17:21,560 --> 00:17:24,440 Speaker 3: you know he doesn't care what you say. He's gonna 348 00:17:24,440 --> 00:17:25,119 Speaker 3: stand behind that. 349 00:17:26,840 --> 00:17:26,959 Speaker 8: Uh. 350 00:17:27,080 --> 00:17:29,359 Speaker 3: We will take your calls. By the way, producer Greg 351 00:17:30,160 --> 00:17:32,159 Speaker 3: is dealing with a lot right now. Eight hundred and 352 00:17:32,160 --> 00:17:35,520 Speaker 3: two A two two eight A two producer Greg big Beatle, 353 00:17:35,600 --> 00:17:37,920 Speaker 3: I mean big Taylor Swift fan because he's got daughters. 354 00:17:38,320 --> 00:17:40,679 Speaker 3: And I will say, you know, sometimes you gotta be 355 00:17:40,760 --> 00:17:43,720 Speaker 3: ahead of the curve. That's you'll lean forward, you look 356 00:17:43,760 --> 00:17:47,280 Speaker 3: around the edge of the doorway and you see where 357 00:17:47,320 --> 00:17:49,840 Speaker 3: we're headed, not where we are. And thirty years from now, 358 00:17:49,840 --> 00:17:51,920 Speaker 3: you're all gonna say, damn McLay Travis wasn't one hundred 359 00:17:51,920 --> 00:17:53,480 Speaker 3: percent right, and you know what else, I'm gonna be 360 00:17:53,480 --> 00:17:55,679 Speaker 3: one hundred percent right about way's to win money in 361 00:17:55,720 --> 00:17:59,080 Speaker 3: the Super Bowl thanks to prize Picks, Drake May more 362 00:17:59,160 --> 00:18:02,520 Speaker 3: than one half passing yard it's a free square. Drake 363 00:18:02,600 --> 00:18:07,359 Speaker 3: May more than one half passing touchdown, Jackson Smith and 364 00:18:07,480 --> 00:18:11,680 Speaker 3: jigbub more than ninety three and a half receiving yards, 365 00:18:11,720 --> 00:18:15,360 Speaker 3: and Sam Darnold more than one and a half passing touchdowns. 366 00:18:15,400 --> 00:18:18,320 Speaker 3: That pays out at nearly four to one. You can 367 00:18:18,359 --> 00:18:20,400 Speaker 3: get hooked up right now if you go to prizpicks 368 00:18:20,400 --> 00:18:23,119 Speaker 3: dot com use code Clay. You can also download the 369 00:18:23,160 --> 00:18:26,720 Speaker 3: price picks app. You get fifty dollars deposited in your 370 00:18:26,760 --> 00:18:31,480 Speaker 3: account when you play five dollars. It's awesome. You're gonna 371 00:18:31,560 --> 00:18:35,800 Speaker 3: love it. Prizepicks dot Com Code Clay. That is pricepicks 372 00:18:35,800 --> 00:18:39,760 Speaker 3: dot Com Code Clay. Get hooked up now. That pick 373 00:18:39,800 --> 00:18:43,199 Speaker 3: will be up at Clayandbuck dot Com pays out at 374 00:18:43,240 --> 00:18:45,359 Speaker 3: four to one. Fingers crossed. Let's see if we can 375 00:18:45,400 --> 00:18:48,880 Speaker 3: hit it again. That's pricepicks dot Com Code Clay. All 376 00:18:49,000 --> 00:18:51,919 Speaker 3: fifty states, go play. Let's have some fun, all right. 377 00:18:51,960 --> 00:18:55,919 Speaker 1: Welcome back in to Clay and Buck. So we're following 378 00:18:55,920 --> 00:18:58,600 Speaker 1: this news. We've got two news stories that are in 379 00:18:58,680 --> 00:19:04,000 Speaker 1: the true crime and very sad categories of things that 380 00:19:04,040 --> 00:19:08,920 Speaker 1: are breaking today. One is the disappearance it seems likely 381 00:19:09,160 --> 00:19:13,360 Speaker 1: abduction of Savannah Guthrie's mother. Some of you've been asking us, 382 00:19:13,800 --> 00:19:15,879 Speaker 1: I see on Twitter, why aren't you talking about this? 383 00:19:15,920 --> 00:19:18,160 Speaker 2: We've talked about it. We know that she was abducted. 384 00:19:18,480 --> 00:19:22,760 Speaker 2: We know nothing else. We're not doing a like who 385 00:19:22,800 --> 00:19:24,120 Speaker 2: done it? Show here? We don't. 386 00:19:24,160 --> 00:19:26,280 Speaker 1: All we know is she's been taken. We put out 387 00:19:26,320 --> 00:19:28,920 Speaker 1: that the FBI is asking for help because it's an abduction, 388 00:19:29,520 --> 00:19:33,720 Speaker 1: and we hope that she's returns as soon as possible, unharmed, 389 00:19:33,840 --> 00:19:34,480 Speaker 1: and everything else. 390 00:19:35,119 --> 00:19:37,040 Speaker 3: We know nothing else. There's nothing else to say about 391 00:19:37,040 --> 00:19:39,040 Speaker 3: the story of them. Is we do this for a living. 392 00:19:39,119 --> 00:19:41,160 Speaker 3: Let me tell you when there's things to talk about 393 00:19:41,200 --> 00:19:41,680 Speaker 3: with the story. 394 00:19:41,720 --> 00:19:43,919 Speaker 1: That's what we do. Nothing else to say about this. 395 00:19:43,960 --> 00:19:47,280 Speaker 1: We don't have anything else beyond that. Something else that 396 00:19:47,440 --> 00:19:50,680 Speaker 1: is a story that also falls into this more the 397 00:19:50,840 --> 00:19:57,760 Speaker 1: true crime, but I think worth noting Jill Biden, known 398 00:19:57,760 --> 00:20:03,360 Speaker 1: to some as doctor Jill Biden's ex husband, has been 399 00:20:03,480 --> 00:20:08,399 Speaker 1: charged with murder. Not only has he been charged with murder, 400 00:20:09,160 --> 00:20:13,800 Speaker 1: but Jill Biden's ex husband has been charged with murdering 401 00:20:14,280 --> 00:20:19,560 Speaker 1: his second wife. Clay, you see this, Yeah, that. 402 00:20:19,520 --> 00:20:25,320 Speaker 3: Ish TMZ reporting on this. There was a report of 403 00:20:25,359 --> 00:20:30,639 Speaker 3: a domestic dispute. Linda Stevenson, sixty four, pronounced dead at 404 00:20:30,640 --> 00:20:36,920 Speaker 3: the scene. Newcastle County Police unsuccessfully administered aid causing manner 405 00:20:36,920 --> 00:20:39,919 Speaker 3: of the death. Not we're not released, but this guy's 406 00:20:39,960 --> 00:20:45,879 Speaker 3: been arrested. I mean, what a interesting change in life path. 407 00:20:45,920 --> 00:20:49,160 Speaker 3: You go from married to a guy who would eventually 408 00:20:49,160 --> 00:20:53,240 Speaker 3: be charged with murdering his wife, charged with and eston 409 00:20:53,320 --> 00:20:55,280 Speaker 3: until proven guilty. We know all that applies, but he 410 00:20:55,320 --> 00:20:58,840 Speaker 3: has been charged with that to marrying the guy who 411 00:20:58,920 --> 00:21:01,359 Speaker 3: become president after being vice president for eight years of 412 00:21:01,400 --> 00:21:04,960 Speaker 3: the United States. The choices we make, my friends, can 413 00:21:05,000 --> 00:21:09,160 Speaker 3: have massive ramifications. Dare I say what we do in life? 414 00:21:09,960 --> 00:21:14,199 Speaker 3: Echoes in eternity? Ah, very good gladiator reference. You're not 415 00:21:14,200 --> 00:21:17,199 Speaker 3: supposed to say it, Clay, I apologize. It's such a Oh, 416 00:21:17,920 --> 00:21:20,720 Speaker 3: I didn't know I was an unk move right there. 417 00:21:20,840 --> 00:21:23,159 Speaker 3: Don't worry, I'll get more references in this week. Clay, 418 00:21:23,840 --> 00:21:27,080 Speaker 3: I apologize. Pretend you didn't hear me. Give you the 419 00:21:27,200 --> 00:21:30,919 Speaker 3: indication of where that came from, I will say the 420 00:21:31,040 --> 00:21:35,239 Speaker 3: Biden family. Jill was supposed to be one of the 421 00:21:35,520 --> 00:21:39,800 Speaker 3: stabilizing aspects of this family. And obviously she's not married 422 00:21:39,800 --> 00:21:42,919 Speaker 3: to this guy anymore, but her first husband being charged 423 00:21:42,960 --> 00:21:46,080 Speaker 3: with murder. I was watching he's smiling in his mugshot. 424 00:21:46,440 --> 00:21:50,240 Speaker 3: To your point, you know, he's presumed innocent. But that's 425 00:21:50,280 --> 00:21:54,359 Speaker 3: pretty crazy that she went from a guy who is 426 00:21:55,600 --> 00:21:58,120 Speaker 3: an alleged murderer to Joe Biden. And then you look 427 00:21:58,119 --> 00:22:01,040 Speaker 3: at everything having to be done with Hunter and everything having 428 00:22:01,080 --> 00:22:03,320 Speaker 3: to do with the Biden family in general, and it's 429 00:22:03,440 --> 00:22:08,080 Speaker 3: just what a mess that entire family has been. And 430 00:22:08,280 --> 00:22:13,760 Speaker 3: uh yeah, unless unless he was involved in the trials 431 00:22:13,800 --> 00:22:17,480 Speaker 3: of a pharmaceutical drug and there was a security chief 432 00:22:17,520 --> 00:22:20,240 Speaker 3: who was a one armed man, I think he's in 433 00:22:20,240 --> 00:22:20,879 Speaker 3: a lot of trouble. 434 00:22:21,640 --> 00:22:23,120 Speaker 2: I won't give that reference either. 435 00:22:23,680 --> 00:22:26,880 Speaker 3: All right, Uh we got we got these unplayed talkbacks. 436 00:22:26,920 --> 00:22:31,040 Speaker 2: Here we go, David. This is number D David from Pennsylvania. 437 00:22:31,200 --> 00:22:36,040 Speaker 2: Hit it please. 438 00:22:38,280 --> 00:22:44,760 Speaker 9: I just cannot believe Clay, just the bare tailor sweat. 439 00:22:44,400 --> 00:22:45,359 Speaker 2: With the Beatles. 440 00:22:45,880 --> 00:22:50,920 Speaker 3: He has no clue about music and all no clue. 441 00:22:51,440 --> 00:22:53,240 Speaker 2: My god, Clay. 442 00:22:53,920 --> 00:22:55,840 Speaker 3: I'm afraid to get on the bad side of that guy. 443 00:22:55,880 --> 00:22:58,159 Speaker 3: He sounds like he's at a good fella's diner. I 444 00:22:58,200 --> 00:22:59,760 Speaker 3: woulda have made that my I'm gonna make that guy 445 00:22:59,880 --> 00:23:05,679 Speaker 3: my ringtone. Clay has no idea about newsic Andrew in 446 00:23:05,800 --> 00:23:08,600 Speaker 3: New Jersey Triple R Radio. What you got for us? 447 00:23:08,600 --> 00:23:11,879 Speaker 4: E Clay and Bucket's Andrew. Listen this thing about Billy 448 00:23:12,400 --> 00:23:16,600 Speaker 4: English whatever her name. Yeah, she says she's on stolen land, 449 00:23:16,880 --> 00:23:20,800 Speaker 4: so that means she's in possession of stolen property, so 450 00:23:20,880 --> 00:23:24,320 Speaker 4: that means she could go to JEL correct. I'm just 451 00:23:24,359 --> 00:23:27,800 Speaker 4: taking a while, guess anyway, great show, guys, take care. 452 00:23:28,760 --> 00:23:31,560 Speaker 2: These emails are great, by the way, Jay says, So 453 00:23:31,800 --> 00:23:35,040 Speaker 2: we're not on stolen lands, all right, We're on conquered lands. 454 00:23:35,680 --> 00:23:37,080 Speaker 2: To the victor goes to spoils. 455 00:23:37,080 --> 00:23:41,240 Speaker 3: Too bad, sorry, Jay says Clay. Either you had one 456 00:23:41,280 --> 00:23:43,840 Speaker 3: too many espresso martinis. I'm gonna have a couple of 457 00:23:43,920 --> 00:23:47,800 Speaker 3: espresso martinis potentially tonight with my buddy Alexio Wallis in 458 00:23:47,840 --> 00:23:50,720 Speaker 3: Los Angeles. We got dinner, or you have completely lost 459 00:23:50,720 --> 00:23:53,680 Speaker 3: your freaking mind. Taylor cannot even come close to holding 460 00:23:53,720 --> 00:23:55,600 Speaker 3: a candle to the Beatles. I said she's the twenty 461 00:23:55,640 --> 00:23:58,080 Speaker 3: first century version of the Beatles, and we'll have their 462 00:23:58,119 --> 00:24:00,520 Speaker 3: same longevity. And I've tweeted it. If you want to 463 00:24:00,520 --> 00:24:02,640 Speaker 3: get in a fight online getting the mentions, it's gonna 464 00:24:02,680 --> 00:24:06,560 Speaker 3: be a it's gonna be a mess. Jim and Oh, 465 00:24:06,600 --> 00:24:10,480 Speaker 3: I'm Tim, and Tucson says Taylor is more like this guy. 466 00:24:10,760 --> 00:24:14,359 Speaker 10: F Hey, guys, this is ten and two soon. I 467 00:24:14,400 --> 00:24:17,680 Speaker 10: am a straight forty seven year old guy, and I'll 468 00:24:17,680 --> 00:24:21,520 Speaker 10: admit I love Taylor Swift's music. But Clay is a 469 00:24:21,520 --> 00:24:24,720 Speaker 10: little bit mistaken. She's not the Beatles of our time. 470 00:24:25,080 --> 00:24:28,199 Speaker 10: She is the Elvis of our time because she is 471 00:24:28,280 --> 00:24:31,600 Speaker 10: a solo performer backed up by a band, whereas the 472 00:24:31,640 --> 00:24:35,480 Speaker 10: Beatles were four guys who were the band together. So 473 00:24:35,560 --> 00:24:36,280 Speaker 10: there's a difference. 474 00:24:37,119 --> 00:24:39,359 Speaker 3: That's an interesting take. But what do you think about 475 00:24:39,359 --> 00:24:41,560 Speaker 3: that she's the modern day Elvis. That's not gonna make 476 00:24:41,560 --> 00:24:43,679 Speaker 3: you any happier now. People out there mad about the 477 00:24:43,680 --> 00:24:45,840 Speaker 3: Beatles comparison aren't gonna be like, yeah, you know what, 478 00:24:45,920 --> 00:24:49,000 Speaker 3: She's more like Elvis. I'm not an Elvis guy, so 479 00:24:49,040 --> 00:24:50,879 Speaker 3: I'm gonna stay out of this one. Not an Elvis, 480 00:24:50,840 --> 00:24:54,280 Speaker 3: Oh wow, not an Elvis guy. I know. Josh, I 481 00:24:54,720 --> 00:24:56,960 Speaker 3: call balls and strikes here. I will not bend the 482 00:24:57,000 --> 00:24:58,840 Speaker 3: knee to public opinion on. 483 00:24:58,800 --> 00:25:03,359 Speaker 2: The music stuff. I'm sorry, Josh in Ohio, ge. 484 00:25:03,920 --> 00:25:06,240 Speaker 5: Hey, Clay and Buck, I just want to say Clay 485 00:25:06,320 --> 00:25:06,720 Speaker 5: is wrong. 486 00:25:07,240 --> 00:25:07,640 Speaker 2: And Buck. 487 00:25:07,640 --> 00:25:09,720 Speaker 5: I think Clay just came out of the closet because 488 00:25:10,000 --> 00:25:14,199 Speaker 5: Taylor Swift is a ten thumbed tone deaf, talentless noise polluter, 489 00:25:14,560 --> 00:25:16,600 Speaker 5: always has been and always will be. 490 00:25:17,560 --> 00:25:19,920 Speaker 3: Why would I come out of the closet to be 491 00:25:20,160 --> 00:25:23,800 Speaker 3: praising a heterosexual woman. It seems like if I were 492 00:25:23,840 --> 00:25:25,560 Speaker 3: in the closet, I'd be like, you know, I don't 493 00:25:25,600 --> 00:25:28,639 Speaker 3: know who's Enrique Iglesias man. Have you seen his hips lately? 494 00:25:28,880 --> 00:25:30,879 Speaker 3: I don't know who's a good looking guy that does music. 495 00:25:31,400 --> 00:25:36,360 Speaker 3: He married Anna Cornicova, I think, right, yeah, I mean yes, 496 00:25:36,359 --> 00:25:38,280 Speaker 3: that's right. He married Ana Quarnakova. I think they're actually 497 00:25:38,320 --> 00:25:41,280 Speaker 3: expecting a child soon, So fourth fourth child. I think 498 00:25:41,280 --> 00:25:44,000 Speaker 3: that kid has got some good genes. Kurt and Iowa, 499 00:25:44,080 --> 00:25:45,520 Speaker 3: Buck h. 500 00:25:46,920 --> 00:25:52,080 Speaker 8: Clay, I didn't know we spelt gay. Clay listening to 501 00:25:52,200 --> 00:25:56,640 Speaker 8: a thirty something about singing breakup songs and if she's 502 00:25:56,680 --> 00:25:59,640 Speaker 8: gonna stay with Kelsey, if that's gonna be the end 503 00:26:00,080 --> 00:26:04,240 Speaker 8: there's no more songs, there's no song factory there, give 504 00:26:04,280 --> 00:26:04,960 Speaker 8: me a break. 505 00:26:05,560 --> 00:26:08,760 Speaker 3: Need we need to keep the opening of We now 506 00:26:08,800 --> 00:26:11,360 Speaker 3: spell Clay gay Clay. 507 00:26:11,760 --> 00:26:13,520 Speaker 2: We can keep that one. Roll it over? 508 00:26:14,200 --> 00:26:17,240 Speaker 3: Is this the part of animal House where you've been 509 00:26:17,280 --> 00:26:19,359 Speaker 3: paddled enough that you will no longer say thank you? 510 00:26:19,400 --> 00:26:19,560 Speaker 2: Sir? 511 00:26:19,680 --> 00:26:22,000 Speaker 3: May have another like are you done? Are you have 512 00:26:22,080 --> 00:26:23,760 Speaker 3: you taken enough abuse on this one? Or do we 513 00:26:23,800 --> 00:26:26,720 Speaker 3: want to keep the talkbacks? Clay are are coming in 514 00:26:26,800 --> 00:26:27,320 Speaker 3: left your eye? 515 00:26:27,359 --> 00:26:27,439 Speaker 4: Then? 516 00:26:27,480 --> 00:26:31,240 Speaker 3: I feel like these are epic Jeff and Utah. I 517 00:26:31,920 --> 00:26:32,879 Speaker 3: he's got good taste. 518 00:26:33,560 --> 00:26:35,800 Speaker 9: Hey, guys, I just want to say that Clay Travis 519 00:26:35,840 --> 00:26:39,840 Speaker 9: is correct. I am bucks age and my wife is 520 00:26:39,880 --> 00:26:42,520 Speaker 9: seven years younger than me. She dragged me to see 521 00:26:42,840 --> 00:26:46,600 Speaker 9: the Backstreet Boys during their residency in Las Vegas, and 522 00:26:46,720 --> 00:26:48,959 Speaker 9: we also had to go to Comic Con just to 523 00:26:49,000 --> 00:26:51,399 Speaker 9: meet two of the Backstreet Boys. There were tons of 524 00:26:51,400 --> 00:26:55,240 Speaker 9: people on the line. Girls in their twenties were still coming. 525 00:26:56,400 --> 00:26:57,280 Speaker 2: Can we cut him off? 526 00:26:57,359 --> 00:26:57,479 Speaker 7: Oh? 527 00:26:57,680 --> 00:26:59,199 Speaker 2: Big Big Backstreet took him out. 528 00:26:59,359 --> 00:26:59,479 Speaker 7: Uh. 529 00:27:00,000 --> 00:27:03,400 Speaker 3: People are saying that their wives or girlfriends have spent 530 00:27:03,480 --> 00:27:05,879 Speaker 3: an embarrassing amount of money to go see the Backstreet Boys, 531 00:27:05,960 --> 00:27:07,760 Speaker 3: and some of those tickets are going in the Sphere 532 00:27:07,800 --> 00:27:11,080 Speaker 3: for a thousand dollars buck, what would you say again, 533 00:27:10,840 --> 00:27:16,000 Speaker 3: I'm dropping a grand The Sphere is a particularly unique venue. 534 00:27:16,000 --> 00:27:17,919 Speaker 1: I've never been, but I've obviously seen it. Everyone who 535 00:27:17,920 --> 00:27:19,960 Speaker 1: goes to Vegas. You see it if you're in that city. 536 00:27:20,400 --> 00:27:23,000 Speaker 1: Uh So, I think they're benefiting from that at some level. 537 00:27:23,000 --> 00:27:26,200 Speaker 1: But these nostalgia band But here's here's my thesis for you, though, Clay. 538 00:27:26,680 --> 00:27:31,119 Speaker 1: The nostalgia bands are so big because there aren't enough 539 00:27:31,800 --> 00:27:36,000 Speaker 1: good contemporary music acts that people want to go see. 540 00:27:37,840 --> 00:27:40,639 Speaker 1: That's why I think all these I think there's some 541 00:27:40,640 --> 00:27:42,560 Speaker 1: truth to that. I mean, you see the Rolling Stones, 542 00:27:42,600 --> 00:27:45,159 Speaker 1: I said, like, they're these guys are practically in their 543 00:27:45,200 --> 00:27:47,560 Speaker 1: eighties now. I mean the Rolling Stones come out on stage, 544 00:27:47,960 --> 00:27:50,760 Speaker 1: you know you're wondering if they need to keep catheters 545 00:27:50,800 --> 00:27:54,240 Speaker 1: nearby and one of those like electrodes for your chest 546 00:27:54,280 --> 00:27:55,840 Speaker 1: and everything else. I mean, these guys are old. They 547 00:27:55,920 --> 00:27:58,000 Speaker 1: might as well be walking out there with nineteen elevens 548 00:27:58,040 --> 00:27:58,600 Speaker 1: on their hips. 549 00:28:00,840 --> 00:28:02,240 Speaker 2: Buck, going after the gun guys. 550 00:28:04,359 --> 00:28:06,320 Speaker 3: I just I just love causeell of them gets so 551 00:28:06,400 --> 00:28:08,640 Speaker 3: bad at you. I'm like, that's right, that's right. They're 552 00:28:08,680 --> 00:28:11,360 Speaker 3: like you with your little tiny hands in your glock. Yeah, 553 00:28:11,440 --> 00:28:14,400 Speaker 3: I got small hands. What can you do that? 554 00:28:15,160 --> 00:28:15,320 Speaker 2: No? 555 00:28:15,400 --> 00:28:18,360 Speaker 3: I mean, I do think there is an argument that 556 00:28:18,880 --> 00:28:22,520 Speaker 3: a couple of things. One, the superstar impact is such 557 00:28:22,600 --> 00:28:26,199 Speaker 3: that if you're Morgan Wallen or your Taylor Swift, the 558 00:28:26,240 --> 00:28:29,199 Speaker 3: impact of being able to sell out stadiums and be 559 00:28:29,280 --> 00:28:33,320 Speaker 3: a modern musician, you're more famous maybe than in the past, 560 00:28:33,359 --> 00:28:35,639 Speaker 3: because I don't think selling out stadiums used to happen. 561 00:28:36,880 --> 00:28:39,640 Speaker 3: But on the flip side, I think there is a 562 00:28:39,800 --> 00:28:43,760 Speaker 3: dearth of really popular modern day musicians. I think since 563 00:28:43,920 --> 00:28:47,040 Speaker 3: I'm not enough of a music person, but I think synthesizing, 564 00:28:47,160 --> 00:28:50,960 Speaker 3: not needing bands, the rapidity with which music can be created, 565 00:28:51,320 --> 00:28:53,960 Speaker 3: and the lack of effort that is required to create 566 00:28:54,000 --> 00:28:57,200 Speaker 3: a hit, I think it's led to a lot of slop. 567 00:28:57,640 --> 00:29:02,120 Speaker 3: And the enduring power of music is to evoke reactions 568 00:29:02,160 --> 00:29:04,520 Speaker 3: for decades, which is what Taylor Swift's gonna be doing 569 00:29:04,560 --> 00:29:08,360 Speaker 3: as a modern day beatle. I again, I think it's great, 570 00:29:08,400 --> 00:29:10,160 Speaker 3: you know, I actually I know what I think the most. 571 00:29:11,120 --> 00:29:15,520 Speaker 3: The best comparison with Taylor Swift would be. Now I'm 572 00:29:15,520 --> 00:29:18,840 Speaker 3: not saying they're similar artists, but in terms of their place, 573 00:29:19,520 --> 00:29:22,640 Speaker 3: I would be Madonna in the eighties. For for young 574 00:29:22,800 --> 00:29:25,120 Speaker 3: Madonna was huge among among women in the eighties. It 575 00:29:25,200 --> 00:29:28,200 Speaker 3: kind of transitioned a bit to being Madonna very popular 576 00:29:28,240 --> 00:29:32,000 Speaker 3: among the LGBTQ community as we got older, as well 577 00:29:32,040 --> 00:29:36,440 Speaker 3: as girls, you know, you know, younger girls. But Madonna 578 00:29:36,480 --> 00:29:39,840 Speaker 3: was an icon in the eighties, and you really don't 579 00:29:39,840 --> 00:29:43,800 Speaker 3: hear Madonna songs anymore. So that's my That's where I 580 00:29:43,880 --> 00:29:45,640 Speaker 3: that's where I would come down on this one. And 581 00:29:45,680 --> 00:29:47,800 Speaker 3: we did have the conversation before not to take this 582 00:29:47,880 --> 00:29:52,880 Speaker 3: into a kind of a rough direction, but I think 583 00:29:52,920 --> 00:29:56,520 Speaker 3: that I just just my sense of the atmospherics on this. 584 00:29:56,600 --> 00:29:59,200 Speaker 3: I could be wrong, and I get it. 585 00:29:59,240 --> 00:30:01,880 Speaker 1: I feel this same way, and I know people also 586 00:30:02,160 --> 00:30:05,600 Speaker 1: sometimes feel very passionate about this. Michael Jackson, I think 587 00:30:05,680 --> 00:30:08,320 Speaker 1: was the pop music catalog, one of the greatest pop music, 588 00:30:09,640 --> 00:30:13,280 Speaker 1: pop music catalogs in all maybe the greatest pop music 589 00:30:13,320 --> 00:30:15,480 Speaker 1: catalog in history, but one of the greatest, to be sure, 590 00:30:15,560 --> 00:30:16,800 Speaker 1: pop music, I'm saying. 591 00:30:17,240 --> 00:30:19,640 Speaker 2: And people don't really listen to Michael Jackson. 592 00:30:20,720 --> 00:30:22,520 Speaker 1: It's less and less you hear it, you know, it 593 00:30:22,640 --> 00:30:25,600 Speaker 1: used to be just like the safe choice any party, anywhere, 594 00:30:25,760 --> 00:30:28,200 Speaker 1: any store, anywhere in the world. Something you could put 595 00:30:28,200 --> 00:30:30,360 Speaker 1: on Michael Jackson and everybody liked it. I think you 596 00:30:30,400 --> 00:30:32,080 Speaker 1: hear a lot less Michael Jackson. 597 00:30:32,120 --> 00:30:33,040 Speaker 2: Now that's interesting. 598 00:30:33,280 --> 00:30:36,120 Speaker 3: I don't know what ties them together. By the way, 599 00:30:36,240 --> 00:30:38,680 Speaker 3: do you know who owned the Beatles catalog? 600 00:30:39,240 --> 00:30:40,160 Speaker 2: Michael Jackson? 601 00:30:40,520 --> 00:30:43,200 Speaker 3: Yes, and one of the ways that his estate became 602 00:30:43,320 --> 00:30:45,800 Speaker 3: So it was kicked off about that, by the way, 603 00:30:45,920 --> 00:30:49,800 Speaker 3: big time. But Michael Jackson was such an astute businessman 604 00:30:50,000 --> 00:30:52,520 Speaker 3: or the people around him were, that he had the 605 00:30:52,520 --> 00:30:55,000 Speaker 3: Beatles catalog and then he compared it with the Michael 606 00:30:55,080 --> 00:30:59,840 Speaker 3: Jackson catalog, and that's interesting. I still hear I feel 607 00:30:59,880 --> 00:31:04,600 Speaker 3: like Michael Jackson a lot, but I'm kind of thinking 608 00:31:04,640 --> 00:31:07,560 Speaker 3: through it. Have the plays of Michael Jackson songs, and 609 00:31:07,600 --> 00:31:11,160 Speaker 3: certainly people are going to say that's partly connected to 610 00:31:11,440 --> 00:31:16,200 Speaker 3: the overall crisis of gisonte is super popular. The data, 611 00:31:16,320 --> 00:31:18,520 Speaker 3: the data will I will admit taking an l on 612 00:31:18,560 --> 00:31:18,920 Speaker 3: this one. 613 00:31:19,000 --> 00:31:19,440 Speaker 2: Interesting. 614 00:31:19,960 --> 00:31:24,320 Speaker 1: Radio airplay has dropped considerably. You don't hear it just 615 00:31:24,360 --> 00:31:28,600 Speaker 1: on the radio anymore, but streaming way up in the 616 00:31:28,680 --> 00:31:33,320 Speaker 1: last few years. I'm wrong on that. On Michael Jackson songs, I'm. 617 00:31:33,800 --> 00:31:36,160 Speaker 3: You don't find that surprise when from four point seven 618 00:31:36,200 --> 00:31:39,240 Speaker 3: billion in twenty twenty one to six point five billion 619 00:31:39,280 --> 00:31:42,640 Speaker 3: in twenty twenty three. I mean, really up, I'm not 620 00:31:42,720 --> 00:31:46,000 Speaker 3: surprised by it because my wife loves Michael Jackson, and 621 00:31:46,040 --> 00:31:49,720 Speaker 3: she got our kids all as big Michael Jackson fans too, 622 00:31:49,920 --> 00:31:53,440 Speaker 3: So in the Travis Family playlist, Michael Jackson is still popular, 623 00:31:53,960 --> 00:31:58,600 Speaker 3: and so I'm not surprised. I did wonder what the 624 00:31:58,640 --> 00:32:01,600 Speaker 3: impact of the allegations against him were, but I think 625 00:32:01,640 --> 00:32:04,680 Speaker 3: he's so popular and his songs were so talented that 626 00:32:04,760 --> 00:32:06,720 Speaker 3: a lot of people just say he was never convicted 627 00:32:06,720 --> 00:32:11,240 Speaker 3: of anything, and he is the nineteen eighties. I'd fair 628 00:32:11,280 --> 00:32:13,240 Speaker 3: to say the most popular artist of the nineteen eighties. 629 00:32:13,280 --> 00:32:15,840 Speaker 3: I don't think even there's a close second. You could argue, yeah, 630 00:32:15,880 --> 00:32:18,040 Speaker 3: I mean would I would think so, Yeah, I would 631 00:32:18,040 --> 00:32:18,800 Speaker 3: think so for sure. 632 00:32:19,080 --> 00:32:21,000 Speaker 1: All Right, there's a never ending list of reasons why 633 00:32:21,000 --> 00:32:23,720 Speaker 1: the value of gold has risen as much as it has, 634 00:32:23,760 --> 00:32:26,720 Speaker 1: more than seventy percent over the last year, last twelve months, 635 00:32:26,720 --> 00:32:29,120 Speaker 1: over seven hundred percent though in the last twenty years. 636 00:32:29,120 --> 00:32:32,240 Speaker 1: So there's a clear trend here. Price of gold increases 637 00:32:32,240 --> 00:32:36,440 Speaker 1: when investors, central banks, and countless individuals understand what's happening 638 00:32:36,480 --> 00:32:41,560 Speaker 1: with central bank printing of money, inflation, international disputes. A 639 00:32:41,560 --> 00:32:44,280 Speaker 1: lot of Americans are realizing that diversifying a portion of 640 00:32:44,280 --> 00:32:47,120 Speaker 1: their savings into precious metals like gold with Birch Gold 641 00:32:47,120 --> 00:32:50,240 Speaker 1: Group makes sense. Owning gold gives you peace of mind 642 00:32:50,320 --> 00:32:53,120 Speaker 1: given all the events that are impacting the US economy 643 00:32:53,120 --> 00:32:56,840 Speaker 1: and driving the dollar to be pushed down over time, 644 00:32:57,400 --> 00:33:00,640 Speaker 1: So holding gold in a tax sheltered requirement tirement account 645 00:33:00,680 --> 00:33:03,320 Speaker 1: could be a great move for you. Birch Gold can 646 00:33:03,400 --> 00:33:05,680 Speaker 1: help you convert an existing IRA or four oh one 647 00:33:05,760 --> 00:33:08,240 Speaker 1: k into an IRA in gold, no matter how many 648 00:33:08,320 --> 00:33:11,000 Speaker 1: years you've had that account established. Text my name Buck 649 00:33:11,040 --> 00:33:13,120 Speaker 1: to ninety eight ninety eight ninety eight to receive your 650 00:33:13,200 --> 00:33:16,680 Speaker 1: free info kit on gold. No obligation, just useful information. 651 00:33:17,120 --> 00:33:20,360 Speaker 1: Text my name Buck to ninety eight ninety eight ninety 652 00:33:20,360 --> 00:33:21,280 Speaker 1: eight Today. 653 00:33:21,280 --> 00:33:26,560 Speaker 3: Welcome back in Clay Travis buck Sexton Show. The production 654 00:33:26,720 --> 00:33:32,280 Speaker 3: staff is overwhelmed by the tsunami of reactions that are 655 00:33:32,280 --> 00:33:37,080 Speaker 3: pouring in from so many different of you, many of 656 00:33:37,120 --> 00:33:41,840 Speaker 3: them very funny, including let's see this one from I 657 00:33:41,840 --> 00:33:44,400 Speaker 3: Want to make Sure I get it Jay. This is 658 00:33:44,520 --> 00:33:45,560 Speaker 3: I'm told, very funny. 659 00:33:46,200 --> 00:33:46,760 Speaker 2: Hit it with. 660 00:33:48,480 --> 00:33:52,480 Speaker 11: Yeah Day from Carrie North Carolina, And I just want 661 00:33:52,520 --> 00:33:55,320 Speaker 11: to ask Clay, if you had the choice between going 662 00:33:55,360 --> 00:33:58,600 Speaker 11: to a Taylor Swift concert or spending an evening with 663 00:33:58,640 --> 00:34:03,400 Speaker 11: Bill illusion, which would he take? Thanks, guys bye. 664 00:34:04,160 --> 00:34:05,160 Speaker 2: I would combine them. 665 00:34:05,360 --> 00:34:08,200 Speaker 3: I would take Bill Malugin to the Taylor Swift concert. 666 00:34:08,320 --> 00:34:11,319 Speaker 3: Why would I pick one or the other? Can you imagine? 667 00:34:11,360 --> 00:34:14,640 Speaker 3: I think Bill Malugin is married. I'm not sure that 668 00:34:14,760 --> 00:34:19,160 Speaker 3: there is a more fertile opportunity to meet young attractive women. 669 00:34:19,760 --> 00:34:22,080 Speaker 3: You were talking about Buck, when you went and Madonna 670 00:34:22,080 --> 00:34:24,720 Speaker 3: had the concert in Atlantic City and you're with your brother, 671 00:34:25,239 --> 00:34:28,400 Speaker 3: I bet if you are a single guy. And I 672 00:34:28,440 --> 00:34:31,400 Speaker 3: just remember seeing all the girls walking around downtown Nashville 673 00:34:31,400 --> 00:34:34,400 Speaker 3: when Taylor Swift had the multiple studio shows. It is 674 00:34:34,600 --> 00:34:39,359 Speaker 3: ninety percent young women in that in that stadium. I'm 675 00:34:39,400 --> 00:34:43,280 Speaker 3: not sure there's a more fertile environment, literally a fertile 676 00:34:43,400 --> 00:34:47,920 Speaker 3: environment for a single guy than the Taylor Swift concert. Counterpoint, 677 00:34:48,560 --> 00:34:53,480 Speaker 3: all those young ladies are listening to songs about how 678 00:34:53,719 --> 00:34:57,680 Speaker 3: bad the ex boyfriends were, and there's like a weird 679 00:34:57,840 --> 00:35:00,120 Speaker 3: girl power vibe to all this Taylor Swift up. 680 00:35:00,160 --> 00:35:02,120 Speaker 2: It's all about her breakup. 681 00:35:01,760 --> 00:35:06,759 Speaker 3: The entire purpose of Taylor Swift's professional career is to 682 00:35:06,920 --> 00:35:11,200 Speaker 3: find the right guy, and it's just a tumultuous, sordid, 683 00:35:11,560 --> 00:35:14,000 Speaker 3: what you know, walk to try to find the right guy. 684 00:35:14,080 --> 00:35:17,920 Speaker 3: There's something, there's something about you doing analysis of Taylor 685 00:35:17,920 --> 00:35:21,920 Speaker 3: Scrift's whole career and about young women walking around Nashville. 686 00:35:21,960 --> 00:35:24,239 Speaker 3: They're all looking at the right guy with this mustache 687 00:35:24,239 --> 00:35:29,400 Speaker 3: that you have, and it's just I can't explain it. 688 00:35:29,640 --> 00:35:32,440 Speaker 3: Do more Taylor Scrift analysis with your mustache, but I 689 00:35:32,520 --> 00:35:34,520 Speaker 3: just love it. The mustache is going to break in 690 00:35:34,560 --> 00:35:36,480 Speaker 3: on TV soon and I don't know that the TV 691 00:35:36,600 --> 00:35:37,759 Speaker 3: audience is prepared for this. 692 00:35:37,800 --> 00:35:39,240 Speaker 2: We'll have more fun with you all tomorrow