WEBVTT - The Voice of Brock Powell

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<v Speaker 1>Hi Christy, Hi Will, how are you? I'm so amped?

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<v Speaker 1>I am too. This is kind of crazy. This has

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<v Speaker 1>been unreal to get to this place where we're at

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<v Speaker 1>in our podcast I Hear Voices Now brought to you

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<v Speaker 1>by I Heart Radio. Isn't that amazing that we are

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<v Speaker 1>part of the I Heart team, which is a pretty

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<v Speaker 1>I have to say, I don't I don't normally like

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<v Speaker 1>to pat on the back, but it's a pretty awesome

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<v Speaker 1>team to be involved with, isn't it. I mean, honestly,

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<v Speaker 1>I'm crushing really hard on them, And I say, your

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<v Speaker 1>other podcast is killing it, um, you know, and I'm

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<v Speaker 1>happy to be a part of that family. Now, I

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<v Speaker 1>am too. And if by other podcast you're talking about

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<v Speaker 1>pod Meats World, check that out. It's another great podcast.

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<v Speaker 1>But no selfless plug. Um. One thing we did want

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<v Speaker 1>to talk about with with our I Hear Voices family

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<v Speaker 1>out there and it's so unbelievably exciting. Um. But it's

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<v Speaker 1>gonna be a little different for the next say four

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<v Speaker 1>or five episodes. Uh. You know that we normally do

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<v Speaker 1>we bring in our special guests, which of course we're

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<v Speaker 1>all going to do because we love learning about voice over.

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<v Speaker 1>In the voiceover world, but then we used to bring in.

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<v Speaker 1>It started with um amateur artists sending us their art

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<v Speaker 1>and then we put some fun voices to the artwork,

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<v Speaker 1>and then it went from there. It grew to Across

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<v Speaker 1>the Garden, which we did every week, where Christy and

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<v Speaker 1>I played the little mice getting across the garden and

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<v Speaker 1>an amateur actor got to come in and join us

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<v Speaker 1>to actually do his own or her own recording session,

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<v Speaker 1>which was a ton of fun. We had a blast.

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<v Speaker 1>But my heart has been able to make our ultimate

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<v Speaker 1>dream come true, which we've now been able to talk

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<v Speaker 1>about a little bit where we are gearing up as

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<v Speaker 1>we speak. Four. I'm sorry, did I should I not

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<v Speaker 1>have done the dunta dada? I feel I should do

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<v Speaker 1>it with you if you want, you want to do it?

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<v Speaker 1>Ready to three? Wow? Wow, we're never never actually in

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<v Speaker 1>sanc is the problem, um, But we are announcing our

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<v Speaker 1>official title of the super Awesome Contest to become the

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<v Speaker 1>Next Big Voice Over Actor. Uh and you've got to

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<v Speaker 1>say that five times fast. Title the joyous title this

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<v Speaker 1>super Awesome Contest to become the next Big voice over Actor.

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<v Speaker 1>And first of all, we should do should like announcer

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<v Speaker 1>voice ready do you want it? Ready? You want me

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<v Speaker 1>to do it? Now? You do it? I always do

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<v Speaker 1>booming voice, you do, but I don't know what you

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<v Speaker 1>wrote in town. Literally, super amazing contest to find you

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<v Speaker 1>really not know the title of our own contest, because

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<v Speaker 1>that's pretty sad you wouldn't. I was just about to

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<v Speaker 1>say if you don't, if you can't say the title,

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<v Speaker 1>you probably won't be the next big voice over actor.

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<v Speaker 1>And you literally can't say the title, which is pretty funny.

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<v Speaker 1>Stop it. Super amazing contest to already got it wrong,

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<v Speaker 1>Super awesome, super awesome contest, Super awesome contest to become

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<v Speaker 1>the next big voice over actor. Yes, yes, yes, I

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<v Speaker 1>love the dramatic pauses that you took. By the way,

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<v Speaker 1>because the stakes are high, people, this is an amazing

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<v Speaker 1>contest with amazing, amazing rewards. I guess yeah, yeah, prizes rewards.

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<v Speaker 1>Would I mean if you want to call the possibility

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<v Speaker 1>of a professional voiceover career a prize, yes, that's literally

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<v Speaker 1>what we're offering. Um, that's what you win. We have

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<v Speaker 1>so many prizes. Were not allowed to talk about a

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<v Speaker 1>lot of them because, as you have to imagine, we're

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<v Speaker 1>we're going nationwide. So because we're going nationwide with the

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<v Speaker 1>power of my heart behind us. There's you know, we're

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<v Speaker 1>not gonna lie to There's a lot of legal stuff

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<v Speaker 1>that has to be worked out. This is where all

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<v Speaker 1>the lawyers get involved, and we're making a full contest,

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<v Speaker 1>like we're making a full idle style voice style contest.

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<v Speaker 1>And some of the things we can talk about because

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<v Speaker 1>we have is we're not allowed to say exactly what

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<v Speaker 1>yet because we're working out all the details. But you

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<v Speaker 1>win a one year contract with one of the biggest

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<v Speaker 1>voiceover agencies in the world, literally, and it's your first

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<v Speaker 1>big break, right, we give you the opportunity. We can

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<v Speaker 1>open the door for you. You then you then have

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<v Speaker 1>to have to run inside. But we can we can

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<v Speaker 1>crack the door, which is often one of the most

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<v Speaker 1>difficult things in this industry to do is actually getting

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<v Speaker 1>an agent. So we're going to take care of that

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<v Speaker 1>for you. We get to meet them. Yeah, they're coming

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<v Speaker 1>to lunch. Well that because we'll have lunch with them

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<v Speaker 1>and their new voiceover agents. So that's gonna be The

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<v Speaker 1>lunch is on you. By the way, when the check comes,

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<v Speaker 1>the winner, we have to pick up the tab. No, no no, no,

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<v Speaker 1>you'll be fine. And by the way, Christie, just I'm

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<v Speaker 1>joking about you're picking up the tab. By the way, hey, Christie,

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<v Speaker 1>just real quick, what was the name of our contest? Again?

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<v Speaker 1>Super awesome contest to become the next big voice so

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<v Speaker 1>at wow. I also love the way you're saying it. Uh.

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<v Speaker 1>In the voice over world, that would be called a

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<v Speaker 1>we need another take of that, but it's pretty genius

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<v Speaker 1>the way that it happened. Um. So yeah, So bear

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<v Speaker 1>with us as we're working out all the details of

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<v Speaker 1>the contest because we're so excited about this. It's gonna

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<v Speaker 1>be an amazing amount of fund we're gonna be doing it,

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<v Speaker 1>you know, not to give too much away, but we're

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<v Speaker 1>gonna be doing it like March Madness style. We're going

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<v Speaker 1>actor against actor. We're gonna weed it down and we're

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<v Speaker 1>going to find the next big voice over talent in

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<v Speaker 1>the country. And we will come at you with all

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<v Speaker 1>of the necessary stuff you're gonna need to enter. It's

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<v Speaker 1>going to be free to enter for everybody over the

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<v Speaker 1>age of eighteen and uh, of course we'll we'll let

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<v Speaker 1>you know what the rules are when you're entering where

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<v Speaker 1>you're going to enter. All that stuff will be coming

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<v Speaker 1>in like the next month. So as we're holding off

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<v Speaker 1>on that, as we're working on that, getting you know,

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<v Speaker 1>a month month and a half, by the way, I

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<v Speaker 1>want to make sure I'm getting that right. But as

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<v Speaker 1>we're getting all of that set up, to make sure

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<v Speaker 1>that it is a completely seamless process so that you

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<v Speaker 1>can go and win a career. Uh, we want to

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<v Speaker 1>make sure that we are focused on that. And while

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<v Speaker 1>we're doing that, we still want to be able to

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<v Speaker 1>meet these awesome voice over actors and talk to these

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<v Speaker 1>awesome voice over actors how they got into the business. Uh. Meanwhile,

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<v Speaker 1>giving the amateur actors that we normally bring on a

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<v Speaker 1>show a break to study up, because yeah, it's about

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<v Speaker 1>to get real up in remember the last last episode, Um,

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<v Speaker 1>I suggested to people, Uh, somebody had asked us, was

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<v Speaker 1>that that the Comic con, because you know, we do

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<v Speaker 1>these really awesome live shows. Now that was at the

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<v Speaker 1>Con fan Expo, and at the cons somebody asked us,

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<v Speaker 1>you know, how do you prepare or something like this,

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<v Speaker 1>And I suggested to deep dive into all of our

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<v Speaker 1>interviews thus far because there are some really good tidbits

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<v Speaker 1>of information. I think the the Andrea Romano episode in particular,

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<v Speaker 1>is probably worn to start with. I would say our

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<v Speaker 1>first episode to the Bows episode where he actually walked

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<v Speaker 1>us through how he created a carrot, like, how he

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<v Speaker 1>got to the voice, like he was like manipulating his instrument.

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<v Speaker 1>You could see how he was working the throat and

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<v Speaker 1>it was so Yeah. And then another great thing we

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<v Speaker 1>talked about at the fan x boat was um improv classes,

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<v Speaker 1>because improv classes are phenomenal to just get the acting

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<v Speaker 1>chops up, get your speed, working on your timing, you

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<v Speaker 1>can workshop characters. It's another great kind of and you

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<v Speaker 1>can find those. Usually in any city around the world

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<v Speaker 1>there's have improv classes, which is really cool. I'm really

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<v Speaker 1>excited about our guest today. I am too. I and

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<v Speaker 1>not only excited about our guests, but I'm excited about

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<v Speaker 1>the show that they're here to plug because there's some

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<v Speaker 1>cool stuff happening. We recently had the show's creator on,

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<v Speaker 1>Dan Povenmeyer. Yeah, and Dan Dan. Actually it hadn't premiered yet,

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<v Speaker 1>so um Brock Powell is our amazing guest today and

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<v Speaker 1>they just recently announced, Hey, hey, how are you here?

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<v Speaker 1>Are you? I'm good, I'm so good. I'm so excited

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<v Speaker 1>to be here. This is like crazy, while thank you

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<v Speaker 1>so much for joining us. This is really cool. Yeah,

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<v Speaker 1>thank you. No, I'm I'm really I mean I feel

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<v Speaker 1>like talking about you know, being on a Disney show

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<v Speaker 1>with Disney Royalty is like, that's something you get to

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<v Speaker 1>do every day, right, are we Disney Royalty? That's so awesome. Yeah,

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<v Speaker 1>just Disney lead you and then there's Disney Royalty. Would you?

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<v Speaker 1>I think you get serious? Is that true? Brock? Welcome

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<v Speaker 1>to Christie Land. Um, we've been, we've been so One

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<v Speaker 1>thing that we love about Christie. Christie is like my sister,

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<v Speaker 1>and she is the most scullable human being on the planet.

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<v Speaker 1>It's so just trust that's probably makes you a really

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<v Speaker 1>good performer and also an interviewer. My fiance is the

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<v Speaker 1>same way, Like I have to actually like I'm joking

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<v Speaker 1>right after. Yeah, it was fun because the first time

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<v Speaker 1>we talked about it, I said, well, you know that

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<v Speaker 1>the reason you're so scullable is because it's a genetic trait.

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<v Speaker 1>And she's like, really, oh my gosh, he's such a jerk.

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<v Speaker 1>And you know, I should that's a genetic trait to

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<v Speaker 1>Christie being a jerk. I actually kind of do believe

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<v Speaker 1>that though see I can treat I can trace that one. Yay.

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<v Speaker 1>So Brock, we were just talking about how you um

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<v Speaker 1>your creator Hamps oh my gosh, Hamster and Gretel's creator,

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<v Speaker 1>Dan Povenmyer was just on our show. Yeah and you yes,

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<v Speaker 1>he was. We got him to come on and it

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<v Speaker 1>was really fun to talk to him. I thought he

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<v Speaker 1>was going on a different show and it was halfway

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<v Speaker 1>through we didn't. He was like oh, and we were like, no,

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<v Speaker 1>you're fine. I reconnected with Dan on TikTok and he's

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<v Speaker 1>you know, he kills in TikTok world, and its way

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<v Speaker 1>to get a hold of him, like if I have

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<v Speaker 1>questions about script and I just I got a question

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<v Speaker 1>about this, so and I just TikTok talk again. Show

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<v Speaker 1>us the napkin that Phineas was on. That was like

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<v Speaker 1>the creation was like it all started on a napkin,

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<v Speaker 1>where as most as most things do. By the way,

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<v Speaker 1>like my favorite fantasy series of all time, the entire

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<v Speaker 1>map was drawn on a napkin in the middle of

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<v Speaker 1>a restaurant. So like my favorite series of all time,

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<v Speaker 1>it's called the Belgaria and the Glorian Series by Dan

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<v Speaker 1>By By David Eddings. It's the one that got me

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<v Speaker 1>into fantasy as a kid. So that's like my that's

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<v Speaker 1>like my my jam So that running this down you

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<v Speaker 1>should Oh, I'll give you a what brock, I'll give

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<v Speaker 1>you a whole list. You have no idea. I'm a

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<v Speaker 1>fantasy nerd. But can we also talk very quickly about

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<v Speaker 1>how Hamster and Gretel might be one of the greatest

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<v Speaker 1>named animated shows ever. It's pretty it's pretty great. I mean,

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<v Speaker 1>Dan definitely has an ability, along with this creative partner

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<v Speaker 1>on Phineas Swampy, to come up with really great names.

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<v Speaker 1>So we have Phineas and Ferb. Then we had Milo

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<v Speaker 1>Murphy's Law, which was the show in between Phineas and

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<v Speaker 1>the one we're on now. Yeah. I don't know how

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<v Speaker 1>they if they sit in a room or they have

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<v Speaker 1>a robot they designed, or like a dufitator to come

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<v Speaker 1>up with the names. But Hamster and Gretel's definitely And

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<v Speaker 1>it's funny too because a lot of people would go like, sorry,

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<v Speaker 1>Hamster and Gretel, and it's it causes people to pause

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<v Speaker 1>because I think it is such a great name, Like

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<v Speaker 1>it's just based on the name, You're like I have

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<v Speaker 1>to watch it is. It's a phenomenal It's a phenomenal name.

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<v Speaker 1>I also, we haven't really brought this up yet. I'm

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<v Speaker 1>going to throw this at the first time, but I

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<v Speaker 1>think we should start a contest where our guest gets

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<v Speaker 1>to pick what's actually behind Christie on the green screen.

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<v Speaker 1>That great idea. I think there's an image that will

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<v Speaker 1>go back behind the green screen there, Yeah, you can.

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<v Speaker 1>I think you can. She's got she's in front of

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<v Speaker 1>a green screen because she normally likes to just do

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<v Speaker 1>it in front of a giant picture, just my old

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<v Speaker 1>head shot. So what do you think, Brock, what do

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<v Speaker 1>you think should be behind Christie at the end of

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<v Speaker 1>the day. I feel like a napkid. I feel like

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<v Speaker 1>it should just be a yes, right, maybe a hand

0:11:39.920 --> 0:11:45.600
<v Speaker 1>drawn Kim Possible. I'm like the nakid. Yeah, I love it. Actually,

0:11:45.640 --> 0:11:48.960
<v Speaker 1>we also saw Steven Silver when we were at Comic Con,

0:11:49.080 --> 0:11:52.760
<v Speaker 1>but we he created Kim Possible. But you we missed

0:11:52.800 --> 0:11:56.720
<v Speaker 1>you and we missed you right. Yeah, we were there.

0:11:56.720 --> 0:11:59.240
<v Speaker 1>The entire cast are a large portion of the cast

0:11:59.320 --> 0:12:03.560
<v Speaker 1>was there. It an amazing panel. It was really really

0:12:03.559 --> 0:12:06.000
<v Speaker 1>cool because this is the first time, you know, we've

0:12:06.000 --> 0:12:09.720
<v Speaker 1>been going through, uh sort of, you know, the animation

0:12:09.800 --> 0:12:14.640
<v Speaker 1>pandemic that the animation and so we all met there

0:12:14.679 --> 0:12:17.480
<v Speaker 1>really for the most part, like at comic Con, which

0:12:17.520 --> 0:12:19.280
<v Speaker 1>is a really it basically it was like camp comic

0:12:19.320 --> 0:12:22.080
<v Speaker 1>Con and we were all hanging out, um, and it's

0:12:22.080 --> 0:12:24.160
<v Speaker 1>really cool to fall in love with your entire cast

0:12:24.200 --> 0:12:28.000
<v Speaker 1>and realizing, oh, you're all amazing people. Like everybody. We're

0:12:28.200 --> 0:12:30.920
<v Speaker 1>literally like we're planning a Disney trip right now. There's

0:12:31.040 --> 0:12:35.880
<v Speaker 1>there's a whole bunch of it's cooling. Doesn't happen with everything, right,

0:12:35.920 --> 0:12:38.160
<v Speaker 1>that doesn't happen with every every show. Now, I have

0:12:38.200 --> 0:12:39.679
<v Speaker 1>a question for you because a lot of what one

0:12:39.720 --> 0:12:41.880
<v Speaker 1>of the things we love about I hear voices is

0:12:41.920 --> 0:12:44.199
<v Speaker 1>we we try to like pull the curtain on all

0:12:44.280 --> 0:12:46.080
<v Speaker 1>of the animation world, and a lot of people don't

0:12:46.440 --> 0:12:50.200
<v Speaker 1>really understand how long the process really takes. So we're

0:12:50.200 --> 0:12:53.200
<v Speaker 1>now hearing about Hamster and Gretel. When's the first time

0:12:53.320 --> 0:12:57.400
<v Speaker 1>you heard the names Hamster and Gretel. That's a really

0:12:57.400 --> 0:12:59.800
<v Speaker 1>great question. I actually might have to look at this.

0:12:59.880 --> 0:13:04.400
<v Speaker 1>I want to say, maybe like the first time I

0:13:04.440 --> 0:13:06.640
<v Speaker 1>heard something regarding Hamster and got it might have been

0:13:06.720 --> 0:13:11.240
<v Speaker 1>late nineteen because I know was when the show got greenlit,

0:13:11.360 --> 0:13:15.160
<v Speaker 1>so that that probably would track um because we wrapped

0:13:15.200 --> 0:13:17.559
<v Speaker 1>Candice against the Universe, which was the Phineas and for

0:13:18.360 --> 0:13:21.440
<v Speaker 1>Um sort of decom Disney Plus movie that we did,

0:13:21.679 --> 0:13:24.360
<v Speaker 1>which was really really cool because being a part of

0:13:24.440 --> 0:13:26.760
<v Speaker 1>a Disney Channel original movies, like you know, a Kid

0:13:26.800 --> 0:13:28.240
<v Speaker 1>of the Nineties dream. I didn't get to do the

0:13:28.320 --> 0:13:30.160
<v Speaker 1>one thing. I didn't get to do the wand but

0:13:30.320 --> 0:13:32.560
<v Speaker 1>I've never done the wand either don't get me started.

0:13:32.600 --> 0:13:34.040
<v Speaker 1>Can we do the wand? Do you want to do

0:13:34.040 --> 0:13:38.040
<v Speaker 1>the wand? Everybody the one? You guys, you've done the

0:13:38.120 --> 0:13:41.640
<v Speaker 1>one having your Tristan, You've done the wand right in

0:13:41.679 --> 0:13:47.720
<v Speaker 1>the middle before brock is after I got in there.

0:13:47.960 --> 0:13:49.760
<v Speaker 1>I got in there, guys. But I don't have any

0:13:49.760 --> 0:13:55.240
<v Speaker 1>outtakes online. Oh you don't. My coast got one. Alexie Schooner,

0:13:55.320 --> 0:13:58.720
<v Speaker 1>who played my supervillain Stibling, obviously got to do that

0:13:58.800 --> 0:14:01.160
<v Speaker 1>a lot. And she just posted a video of her

0:14:01.200 --> 0:14:03.880
<v Speaker 1>recreating it at Disneyland, which people want to check that out.

0:14:03.880 --> 0:14:06.600
<v Speaker 1>I think that's on our Instagram. Love her. Can I

0:14:06.640 --> 0:14:09.240
<v Speaker 1>just tell you, guys, I just want to do a

0:14:09.240 --> 0:14:14.000
<v Speaker 1>little moment for Alison stoner appreciation. Absolutely. She went on

0:14:14.040 --> 0:14:17.600
<v Speaker 1>this other podcast, I Have um Vulnerable, and she was

0:14:17.640 --> 0:14:20.200
<v Speaker 1>exactly that for me. And I just love her so

0:14:20.280 --> 0:14:23.479
<v Speaker 1>much that she popped up with you in those pictures

0:14:24.000 --> 0:14:27.880
<v Speaker 1>at Comic Con and I was just so ecstatic for her.

0:14:27.960 --> 0:14:30.440
<v Speaker 1>I didn't know about you know, I didn't know about it.

0:14:30.520 --> 0:14:32.600
<v Speaker 1>Dan had recently been on her show but hadn't mentioned

0:14:32.600 --> 0:14:35.840
<v Speaker 1>her casting. So it's just so great to see you

0:14:35.880 --> 0:14:38.760
<v Speaker 1>guys together. And that's great that you guys got to

0:14:38.800 --> 0:14:40.480
<v Speaker 1>meet and connect in that way because she's a really

0:14:40.520 --> 0:14:44.400
<v Speaker 1>good person. Uh, Supreme. And what's crazy is so a

0:14:44.400 --> 0:14:47.480
<v Speaker 1>little behind the scenes to your to your point, well, um,

0:14:47.560 --> 0:14:50.560
<v Speaker 1>which so again child the nineties, do most people accidentally

0:14:50.600 --> 0:14:52.480
<v Speaker 1>call you Eric? Because I'm really having a hard time

0:14:52.520 --> 0:14:57.760
<v Speaker 1>not to get yeah. I'll answer to most things, but yes,

0:14:57.760 --> 0:14:59.600
<v Speaker 1>I will occasionally get an Eric and I'll just go yeah,

0:14:59.680 --> 0:15:01.720
<v Speaker 1>see no, but he pronounces for del right anyway, So

0:15:02.240 --> 0:15:04.440
<v Speaker 1>there you go. When somebody throws a sound my way,

0:15:04.440 --> 0:15:06.240
<v Speaker 1>I just go yeah. To me. It's like, it's just

0:15:07.480 --> 0:15:09.840
<v Speaker 1>I'm in the single syllable range to some most things.

0:15:09.960 --> 0:15:11.840
<v Speaker 1>I'm just like, is that my name was saying? There

0:15:11.920 --> 0:15:17.200
<v Speaker 1>you go, Mr Squirrels tell squirrels and speaking of like

0:15:17.280 --> 0:15:19.880
<v Speaker 1>syllables and sounds. I know in your bio it's said

0:15:19.920 --> 0:15:23.960
<v Speaker 1>that you sometimes specialize in creature sounds. Yeah. Yeah, so

0:15:24.040 --> 0:15:27.160
<v Speaker 1>I do a lot of monster creature sounds. On my

0:15:27.240 --> 0:15:29.600
<v Speaker 1>Little Murphy's Law, I was a ton of aliens. I

0:15:29.640 --> 0:15:32.960
<v Speaker 1>did a bunch of aliens in Candace against the Universe, um,

0:15:33.200 --> 0:15:36.680
<v Speaker 1>and then weirdly on Hamster. I'm mostly getting to do

0:15:36.880 --> 0:15:40.840
<v Speaker 1>human villains. I've got a couple other like specialty characters

0:15:40.880 --> 0:15:43.760
<v Speaker 1>that are gonna be coming up in episodes because five

0:15:43.760 --> 0:15:47.640
<v Speaker 1>episodes are out right now and Disney Plus and like,

0:15:47.880 --> 0:15:51.240
<v Speaker 1>my main character is Lyle Fist Puncher, but um, the

0:15:51.280 --> 0:15:53.520
<v Speaker 1>team has been amazingly kind of generous, and I think

0:15:53.640 --> 0:15:56.760
<v Speaker 1>right now I'm at maybe ten different villains on the

0:15:56.800 --> 0:16:02.960
<v Speaker 1>series throughout everything. So it's really I don't how cartoons,

0:16:04.040 --> 0:16:07.760
<v Speaker 1>oh how. I think it's just the picture and the

0:16:07.760 --> 0:16:10.680
<v Speaker 1>physicality and and you know you're talking about Alison Stoner.

0:16:10.800 --> 0:16:14.280
<v Speaker 1>So the character that I do, Fist Puncher, is a

0:16:14.360 --> 0:16:18.720
<v Speaker 1>twin that's younger by three minutes to Alison's character, and

0:16:18.880 --> 0:16:25.000
<v Speaker 1>I believe Alison tracked her portion first, and so that

0:16:25.080 --> 0:16:26.760
<v Speaker 1>made it easier for me because I was like, well,

0:16:26.800 --> 0:16:28.760
<v Speaker 1>if they're twins, they probably would have some sort of

0:16:28.760 --> 0:16:33.280
<v Speaker 1>similar vocal kind of tone and music. Um, so we

0:16:33.440 --> 0:16:37.280
<v Speaker 1>sort of are doing this like Valley siblings things. So

0:16:38.080 --> 0:16:41.160
<v Speaker 1>sort of like Lyle kind of very much like he's

0:16:41.160 --> 0:16:43.360
<v Speaker 1>got it down here voice, but he also goes up

0:16:43.400 --> 0:16:45.400
<v Speaker 1>here when he's talking to his big sister, like because

0:16:45.440 --> 0:16:48.600
<v Speaker 1>he's genuinely kind of concerned. Um, and it kind of

0:16:48.640 --> 0:16:51.680
<v Speaker 1>has that too many vowels Polly Shore diff Tannon sort

0:16:51.680 --> 0:16:55.960
<v Speaker 1>of thing. Um, but Aliston came first. Her her voice

0:16:55.960 --> 0:16:58.080
<v Speaker 1>came first. I heard it in play back and then

0:16:58.120 --> 0:17:00.160
<v Speaker 1>that was kind of how we created it. I then

0:17:00.200 --> 0:17:04.920
<v Speaker 1>for other matched you pretty matched the tone, didn't did

0:17:04.960 --> 0:17:07.000
<v Speaker 1>her voice come first by three minutes? Because if it

0:17:07.359 --> 0:17:09.040
<v Speaker 1>would be pretty yeah, that would be the pretty the

0:17:09.119 --> 0:17:11.560
<v Speaker 1>coolest thing in the world. Did the very efficient with

0:17:11.600 --> 0:17:13.800
<v Speaker 1>the recording timing. So I'd also like to point out

0:17:13.800 --> 0:17:16.920
<v Speaker 1>that Christie actually managed to pull off the line speaking

0:17:17.000 --> 0:17:25.320
<v Speaker 1>of sounds. Uh, It's like I'm a segue master, you

0:17:25.400 --> 0:17:28.720
<v Speaker 1>are you segue? That was genius like as sounds and

0:17:28.840 --> 0:17:32.480
<v Speaker 1>syllables as no as no one as ever said Mr

0:17:32.600 --> 0:17:34.199
<v Speaker 1>might be a Hamster and Rettle Villain. I think we

0:17:34.200 --> 0:17:36.960
<v Speaker 1>should pitch that up. I love that. Okay, still question.

0:17:37.000 --> 0:17:39.640
<v Speaker 1>Then you're you've got a character in front of you.

0:17:39.640 --> 0:17:41.240
<v Speaker 1>You know, it's not gonna have a lot of dialogue.

0:17:41.240 --> 0:17:43.920
<v Speaker 1>It's just going to be an alien sound. Where where

0:17:43.960 --> 0:17:47.000
<v Speaker 1>do you go? I mean like, are you in your throat?

0:17:47.119 --> 0:17:50.760
<v Speaker 1>Are you in your nose? The sounds? Yeah? Yeah? Where

0:17:50.800 --> 0:17:54.280
<v Speaker 1>do you go to find just a sound like that? Yeah?

0:17:54.400 --> 0:17:55.880
<v Speaker 1>I'll show you. There are a couple of different ones.

0:17:56.160 --> 0:17:59.439
<v Speaker 1>Um if it's on Disney Plus. So if people go

0:17:59.480 --> 0:18:01.720
<v Speaker 1>and watch My the Murphy's Law, which the entire series

0:18:01.760 --> 0:18:04.119
<v Speaker 1>is there, you can hear me voicing aliens from the

0:18:04.119 --> 0:18:07.160
<v Speaker 1>pilot episode all the way to the end, and there's

0:18:07.200 --> 0:18:10.159
<v Speaker 1>like twenty different aliens. Some of them speak language, some

0:18:10.240 --> 0:18:15.879
<v Speaker 1>of them don't. Um So, so usually an alien, it

0:18:15.880 --> 0:18:18.840
<v Speaker 1>depends if they're cute or evil. So if it's kind

0:18:18.840 --> 0:18:21.720
<v Speaker 1>of like the friendly et kind of thing without language,

0:18:21.760 --> 0:18:25.240
<v Speaker 1>it'll probably sound like this. Wow, I's a lot of

0:18:25.280 --> 0:18:27.560
<v Speaker 1>that kind of stitch placement, So then you're doing the

0:18:27.640 --> 0:18:31.160
<v Speaker 1>articulators there. Then if it's like a scary like District

0:18:31.240 --> 0:18:37.000
<v Speaker 1>nine kind of buggy alien being more like like that

0:18:37.080 --> 0:18:39.439
<v Speaker 1>kind of thing. So it depends on the size. I

0:18:39.440 --> 0:18:44.119
<v Speaker 1>always start with how big is the character? And um,

0:18:44.440 --> 0:18:47.320
<v Speaker 1>you know, and and then I actually have a technique

0:18:47.320 --> 0:18:49.200
<v Speaker 1>I call the monster mash, which is how I teach

0:18:49.280 --> 0:18:51.960
<v Speaker 1>myself to do creature voices. So please give us the

0:18:52.000 --> 0:18:56.760
<v Speaker 1>monster mash if you don't mind sharing the monster mashed.

0:18:58.320 --> 0:19:03.040
<v Speaker 1>This is brock Palells monster mash. Um the mouth, what

0:19:03.080 --> 0:19:05.600
<v Speaker 1>does the mouth look like? Does the monster alien have

0:19:05.680 --> 0:19:08.760
<v Speaker 1>a mouth? If it's like a gelatinous kind of like

0:19:08.800 --> 0:19:10.959
<v Speaker 1>you have to figure that out right, because aliens may

0:19:11.000 --> 0:19:14.760
<v Speaker 1>not look like us. Then the monster alien is the attitude?

0:19:14.920 --> 0:19:17.520
<v Speaker 1>Is it angry? Is it hungry? And it's always important

0:19:17.520 --> 0:19:20.840
<v Speaker 1>to connect the creature with the human or the those

0:19:20.840 --> 0:19:25.520
<v Speaker 1>primal emotions that we all experience wanting shelter, companionship, um.

0:19:25.600 --> 0:19:29.600
<v Speaker 1>And then the size how actual like how big is

0:19:29.600 --> 0:19:32.960
<v Speaker 1>the actual character? And is it like small dog syndrome

0:19:33.000 --> 0:19:34.960
<v Speaker 1>where it's like a tiny gremlin but it makes it

0:19:35.040 --> 0:19:38.280
<v Speaker 1>meaner um? And then how sacary is at the age.

0:19:38.640 --> 0:19:40.600
<v Speaker 1>So if you're doing something for like I work on

0:19:40.640 --> 0:19:42.720
<v Speaker 1>a lot of the Disney Junior stuff, doing monsters and

0:19:42.760 --> 0:19:46.720
<v Speaker 1>creatures for Mickey Mouse Funhouse, and obviously a dinosaur on

0:19:46.800 --> 0:19:49.639
<v Speaker 1>that show would be very different than something that we

0:19:49.680 --> 0:19:51.440
<v Speaker 1>would do on like hand, you're not going to want

0:19:51.440 --> 0:19:55.760
<v Speaker 1>to scare a little so okay, so you've got the

0:19:55.800 --> 0:19:58.160
<v Speaker 1>monster mash up, which I think is is amazing. First

0:19:58.160 --> 0:20:00.960
<v Speaker 1>of all from an acting standpoint, cool man, I think

0:20:00.960 --> 0:20:03.800
<v Speaker 1>it's kind of amazing that you're putting that. And again,

0:20:04.000 --> 0:20:06.119
<v Speaker 1>this to all the people out there that want to

0:20:06.160 --> 0:20:09.240
<v Speaker 1>do this for a living. Brock is looking at a

0:20:09.359 --> 0:20:12.840
<v Speaker 1>character that has no dialogue, that might be in the background,

0:20:13.160 --> 0:20:18.120
<v Speaker 1>that isn't featured, and is putting a backstory to it, like, well,

0:20:18.240 --> 0:20:20.760
<v Speaker 1>is it hungry, doesn't need companionship. This is that This

0:20:20.840 --> 0:20:24.560
<v Speaker 1>is what differentiates somebody who is really good at this,

0:20:24.680 --> 0:20:26.080
<v Speaker 1>has the talent and it is going to have a

0:20:26.080 --> 0:20:28.400
<v Speaker 1>long career and somebody who's like, oh you you kind

0:20:28.440 --> 0:20:31.600
<v Speaker 1>of do voices. So if you're wondering what the difference is,

0:20:31.760 --> 0:20:34.320
<v Speaker 1>that's one of the differences is putting that amount of

0:20:34.440 --> 0:20:37.720
<v Speaker 1>effort into what is considered Oh, it's just a small

0:20:37.800 --> 0:20:41.040
<v Speaker 1>part for an actor, there's no such thing. So I

0:20:41.080 --> 0:20:43.720
<v Speaker 1>mean that's but it's true. It's like you've gotta you know,

0:20:43.840 --> 0:20:46.119
<v Speaker 1>it's Brock is putting all I look at the picture

0:20:46.119 --> 0:20:49.440
<v Speaker 1>and you put the like, does they want companionship. That's

0:20:49.280 --> 0:20:51.680
<v Speaker 1>the that's what differentiates the talent from the not talented

0:20:53.320 --> 0:20:57.240
<v Speaker 1>hashtag not talent. But there I think there also is

0:20:57.280 --> 0:21:00.320
<v Speaker 1>to like, if I'm not paying at ten, you know

0:21:00.359 --> 0:21:03.080
<v Speaker 1>how I'm sounding, I'm doing something right. So the more

0:21:03.119 --> 0:21:05.560
<v Speaker 1>you do with your body and the more you're in

0:21:05.560 --> 0:21:08.199
<v Speaker 1>the moment, the less you're aware of how especially for

0:21:08.240 --> 0:21:10.680
<v Speaker 1>creature voice, it is absolutely vile. You look like, I

0:21:10.720 --> 0:21:14.879
<v Speaker 1>will leave blobber covered, and it's to make the sounds

0:21:14.920 --> 0:21:17.480
<v Speaker 1>you have to you have to sort of like change

0:21:17.480 --> 0:21:19.919
<v Speaker 1>your change of faceship. And I was lucky because I

0:21:19.920 --> 0:21:23.480
<v Speaker 1>grew up as a benefactor of like Frank Welker's work,

0:21:24.200 --> 0:21:29.040
<v Speaker 1>right and Bradley Baker. Yeah, and it is. It's one

0:21:29.080 --> 0:21:31.320
<v Speaker 1>of those things where you you One of the first

0:21:31.320 --> 0:21:33.520
<v Speaker 1>times I was ever in a booth with Frank Um

0:21:34.040 --> 0:21:35.679
<v Speaker 1>I think it was. It might have been he was

0:21:35.720 --> 0:21:38.240
<v Speaker 1>doing the sounds for it was he was dubbing over

0:21:38.359 --> 0:21:41.480
<v Speaker 1>Ace the bath Hound in Batman Beyond. I think, my child.

0:21:41.520 --> 0:21:45.080
<v Speaker 1>So we're sitting there and I've got my Terry mckinn

0:21:45.080 --> 0:21:47.000
<v Speaker 1>his voice, and I'm just oh, you know, and they're like,

0:21:47.000 --> 0:21:49.320
<v Speaker 1>all right, do Ace, and he starts barking like you know,

0:21:49.720 --> 0:21:52.200
<v Speaker 1>we need a different dog too, can you make it smaller?

0:21:52.400 --> 0:21:54.480
<v Speaker 1>And so he does a smaller dog and then like no,

0:21:54.560 --> 0:21:57.680
<v Speaker 1>it's one pause injured, and he does start to making

0:21:57.680 --> 0:21:59.960
<v Speaker 1>it and you're going, that's a small dog with an

0:22:00.040 --> 0:22:02.360
<v Speaker 1>your Paul like, how is this? How are you even

0:22:02.560 --> 0:22:07.600
<v Speaker 1>contemplating doing these things? He's on another level. Frank is

0:22:07.680 --> 0:22:10.840
<v Speaker 1>just i think, an expert of speaking of dog sounds.

0:22:10.880 --> 0:22:15.159
<v Speaker 1>He was Ku Joe. Yeah, he was Marahote the eagle

0:22:15.359 --> 0:22:18.040
<v Speaker 1>in Rescuers down Under, which is like, yeah, favorites, like

0:22:18.160 --> 0:22:22.159
<v Speaker 1>the dude is from another planet's it's insane. He's an animal.

0:22:22.359 --> 0:22:25.040
<v Speaker 1>It's insane. And yeah we're doing when we're doing Transformers

0:22:25.040 --> 0:22:27.639
<v Speaker 1>and I'm sitting in between him and uh, you know,

0:22:27.840 --> 0:22:30.720
<v Speaker 1>um just the whole original like most of the original

0:22:30.800 --> 0:22:34.320
<v Speaker 1>Gen one cast your It's like, I can't believe this

0:22:34.400 --> 0:22:36.320
<v Speaker 1>is all happening right now. You've got Peter Colin on

0:22:36.320 --> 0:22:38.280
<v Speaker 1>one side, and I'm just like, I'm just gonna keep

0:22:38.320 --> 0:22:40.399
<v Speaker 1>my mouth shut. I'm just there were grown men that

0:22:40.440 --> 0:22:43.520
<v Speaker 1>were we were in our forties trying not to cry.

0:22:44.359 --> 0:22:46.199
<v Speaker 1>So the first time Peter Colin looks at you and

0:22:46.200 --> 0:22:48.880
<v Speaker 1>goes bumblebee, and I was like, you're like, he's talking

0:22:48.880 --> 0:22:50.760
<v Speaker 1>to me. He's like, I have to answer him. He's

0:22:50.800 --> 0:22:53.000
<v Speaker 1>talking is insane. So it's that same thing with the

0:22:53.160 --> 0:22:56.560
<v Speaker 1>because that's a whole Another side of this industry that

0:22:56.720 --> 0:22:59.560
<v Speaker 1>a lot of people don't necessarily talk about is creature sounds.

0:23:00.720 --> 0:23:02.919
<v Speaker 1>I can't do those. I consider myself a pretty good

0:23:02.960 --> 0:23:05.000
<v Speaker 1>voice over actor. I can't do that at all. It's

0:23:05.000 --> 0:23:08.520
<v Speaker 1>a whole different skill set that either you can do

0:23:08.720 --> 0:23:22.040
<v Speaker 1>or you can't. Growing up, did you have one thing

0:23:22.160 --> 0:23:24.440
<v Speaker 1>that you love? I mean, did you start doing funny

0:23:24.480 --> 0:23:26.639
<v Speaker 1>creature sounds or did you do more of kind of

0:23:26.640 --> 0:23:28.760
<v Speaker 1>the animated voices. Yeah. I did a lot of the

0:23:28.880 --> 0:23:31.119
<v Speaker 1>cartoon voices and stuff. That was sort of how I

0:23:31.160 --> 0:23:34.880
<v Speaker 1>made friends. And Um, I was definitely a latchkey kid

0:23:35.000 --> 0:23:38.760
<v Speaker 1>and both my parents worked, and so I watched and

0:23:38.800 --> 0:23:42.159
<v Speaker 1>basically was raised on the Disney Afternoon. So when I

0:23:42.240 --> 0:23:44.200
<v Speaker 1>got out of college and was like trying to figure

0:23:44.200 --> 0:23:46.040
<v Speaker 1>out what I wanted to do with this theater degree,

0:23:46.080 --> 0:23:48.600
<v Speaker 1>which is such an obvious like or just but I

0:23:48.640 --> 0:23:53.680
<v Speaker 1>don't know what it does. I wrote whatever um to

0:23:53.840 --> 0:23:58.600
<v Speaker 1>Bill Farmer, who voices Goofy for Disney, and he was

0:23:58.720 --> 0:24:01.399
<v Speaker 1>my first mentor and showed me the ropes of how

0:24:02.200 --> 0:24:05.640
<v Speaker 1>classic acting and the impressions needed to be merged so

0:24:05.720 --> 0:24:08.880
<v Speaker 1>that like I'm approaching like you mentioned, I'm approaching every

0:24:08.920 --> 0:24:12.320
<v Speaker 1>scene with like it might be a talking ham sandwich

0:24:12.400 --> 0:24:15.280
<v Speaker 1>or snaggle Puss, but they still have what does the

0:24:15.359 --> 0:24:17.680
<v Speaker 1>character want? What's the best case scenario? What's the worst

0:24:17.720 --> 0:24:20.919
<v Speaker 1>case scenario? And I think often and where I was

0:24:21.200 --> 0:24:25.239
<v Speaker 1>fifteen years ago, you're doing impressions that are only the

0:24:25.240 --> 0:24:27.520
<v Speaker 1>things the character has said before. But even just a

0:24:27.520 --> 0:24:29.919
<v Speaker 1>little scene that we were playing earlier that might have

0:24:29.920 --> 0:24:32.760
<v Speaker 1>been excise at this point, being able to pivot in

0:24:32.800 --> 0:24:35.600
<v Speaker 1>the character and put them in circumstances they've never been in.

0:24:36.280 --> 0:24:38.200
<v Speaker 1>I think that's really the test of it is if

0:24:38.240 --> 0:24:40.879
<v Speaker 1>you can Bob Bergen, who voices Porky Pick, says, if

0:24:40.920 --> 0:24:44.520
<v Speaker 1>you can do a Looney Tunes character doing Shakespeare, you

0:24:44.600 --> 0:24:47.240
<v Speaker 1>know that you've got sort of a fleshed out, more

0:24:47.240 --> 0:24:50.800
<v Speaker 1>than two dimensional character because you're putting them into circumstances.

0:24:50.800 --> 0:24:52.600
<v Speaker 1>And that was something that I learned really early on.

0:24:52.960 --> 0:24:54.560
<v Speaker 1>But I still play with voices. I do a ton

0:24:54.600 --> 0:24:56.879
<v Speaker 1>of sound a like Um, I do a lot of

0:24:56.920 --> 0:25:00.280
<v Speaker 1>like impressions now professionally I'll come in and sort of

0:25:00.320 --> 0:25:03.000
<v Speaker 1>be like the vocal stunt double for celebrities, which is

0:25:03.040 --> 0:25:07.200
<v Speaker 1>really really fun. Who's okay, so you know where we're going? Yeah,

0:25:07.240 --> 0:25:09.399
<v Speaker 1>you know the next questions we've got If you're bringing

0:25:09.480 --> 0:25:12.239
<v Speaker 1>up who? So, I mean, who who do you do?

0:25:12.320 --> 0:25:14.040
<v Speaker 1>If it's like, well we can't get X, Y and

0:25:14.119 --> 0:25:16.280
<v Speaker 1>Z go get brock, who who are you doing? Yeah?

0:25:16.400 --> 0:25:20.000
<v Speaker 1>I mean I'm wearing this ironically right now. I have

0:25:20.119 --> 0:25:23.719
<v Speaker 1>done Robert Downey Jr. For stuff, some some things that

0:25:24.400 --> 0:25:26.479
<v Speaker 1>first of all, I can't I can't really go into that,

0:25:26.560 --> 0:25:28.280
<v Speaker 1>but I gotta say there were some things that I did.

0:25:28.920 --> 0:25:32.640
<v Speaker 1>Uh you know here, here's the deal. First of all,

0:25:32.640 --> 0:25:35.840
<v Speaker 1>we have a wholk I know, ms frantas sure Greek um,

0:25:35.880 --> 0:25:38.040
<v Speaker 1>So I've done done a lot of that. I also

0:25:38.119 --> 0:25:40.560
<v Speaker 1>have done sound alike for like some classic characters for

0:25:40.600 --> 0:25:43.600
<v Speaker 1>Disney and Sony UM, which I can't I can't talk

0:25:43.640 --> 0:25:45.560
<v Speaker 1>about those just yet because some of those projects haven't

0:25:45.560 --> 0:25:49.520
<v Speaker 1>been released. And that's fun, I know. And then I

0:25:49.560 --> 0:25:52.400
<v Speaker 1>also did I got to do a huge Ghostbuster fan

0:25:52.600 --> 0:25:55.000
<v Speaker 1>and I got to work with the Ghost Corps team,

0:25:55.280 --> 0:25:59.359
<v Speaker 1>and I did sound alike for um Bill Murray and

0:25:59.440 --> 0:26:02.920
<v Speaker 1>Danak right for a ghost project. For it's like I'm

0:26:03.000 --> 0:26:05.359
<v Speaker 1>kind of like an activation, which was really crazy. It

0:26:05.440 --> 0:26:07.960
<v Speaker 1>was really funny. I gotta hear your Bill Murray Brock Sorry,

0:26:08.119 --> 0:26:10.639
<v Speaker 1>oh god. So you know it's funny because Bill Murray

0:26:10.760 --> 0:26:13.439
<v Speaker 1>and Robert Downey Jr. Are actually not too far apart.

0:26:13.560 --> 0:26:16.399
<v Speaker 1>But you know, like a specific can I curse on

0:26:16.400 --> 0:26:19.280
<v Speaker 1>the show because the quote quote you can, but we will,

0:26:19.280 --> 0:26:22.879
<v Speaker 1>we'll we'll bleep your curse. Okay. It's also in Ghostbusters,

0:26:22.960 --> 0:26:27.199
<v Speaker 1>so if you're fine, but we came, we saw, we

0:26:27.359 --> 0:26:32.160
<v Speaker 1>kicked the tests, so that kind of you know, that's nice. Yeah,

0:26:32.280 --> 0:26:33.760
<v Speaker 1>And it's a lot of that, you know, kind of

0:26:33.760 --> 0:26:36.000
<v Speaker 1>what he does in Caddyshack, like well, you know I'm

0:26:36.040 --> 0:26:40.679
<v Speaker 1>gonna get total enlightenment, so you know said there'll be

0:26:40.720 --> 0:26:44.199
<v Speaker 1>he said there'll be no money. Yeah, you should received

0:26:44.200 --> 0:26:46.640
<v Speaker 1>totally enlightenment. Yes, that's my other podcast. I just sit

0:26:46.680 --> 0:26:48.679
<v Speaker 1>around quote movies. That's like my brothers and I. That's

0:26:48.720 --> 0:26:53.680
<v Speaker 1>all we don't. Uh no, it's fine, We're we're a

0:26:53.680 --> 0:26:55.600
<v Speaker 1>movie quote people. Actually have a bathroom in my house

0:26:55.600 --> 0:26:58.280
<v Speaker 1>where there's just pens and so when you you walk

0:26:58.320 --> 0:27:00.879
<v Speaker 1>in and you just write your movie quotes up on

0:27:00.920 --> 0:27:03.520
<v Speaker 1>the wall. So the walls are just covered with movie

0:27:03.560 --> 0:27:07.399
<v Speaker 1>quotes everywhere. If I ever use if I ever use

0:27:07.480 --> 0:27:10.080
<v Speaker 1>your bathroom, I'm going to write gullible on the ceiling.

0:27:10.119 --> 0:27:12.680
<v Speaker 1>Well I think really it will. We'll be able to notice.

0:27:12.720 --> 0:27:14.600
<v Speaker 1>It will be the only one in the ceiling, which

0:27:14.640 --> 0:27:17.600
<v Speaker 1>will be great. Nice. Thank you. Christie's already talking about

0:27:17.640 --> 0:27:19.679
<v Speaker 1>ruining my bathroom. I love it. I love it. I'm

0:27:19.680 --> 0:27:23.200
<v Speaker 1>going to face your otherwise very autographs. So okay, the

0:27:23.320 --> 0:27:25.680
<v Speaker 1>question we like to ask certain questions. First of all,

0:27:26.000 --> 0:27:29.800
<v Speaker 1>do you remember the first voice you ever did? Mhm,

0:27:31.080 --> 0:27:34.440
<v Speaker 1>I want to stay? Might have been it was either

0:27:34.520 --> 0:27:38.320
<v Speaker 1>gonem oh. That was that was popular when I was

0:27:38.359 --> 0:27:43.200
<v Speaker 1>in middle school. And then Christian Bale's Batman was really big,

0:27:43.240 --> 0:27:45.760
<v Speaker 1>and those were, like I often say, like the lunch

0:27:45.760 --> 0:27:48.880
<v Speaker 1>table in high school was where I socialized a lot

0:27:48.880 --> 0:27:52.480
<v Speaker 1>of my Okay, that's where you work shopped everything because

0:27:52.480 --> 0:27:56.280
<v Speaker 1>you're making everybody laugh and so you're different, you know,

0:27:56.400 --> 0:27:58.639
<v Speaker 1>impressions and stuff, and were you just doing Christian Bale

0:27:58.640 --> 0:28:00.800
<v Speaker 1>at that? You know, like it's what long hot dog

0:28:00.880 --> 0:28:04.440
<v Speaker 1>day like that, like that kind of stuff. You feel

0:28:04.480 --> 0:28:10.160
<v Speaker 1>like it's not a judge, it matters. It's what the head.

0:28:10.640 --> 0:28:17.199
<v Speaker 1>It's just such a great he can't get that vocal

0:28:17.240 --> 0:28:21.520
<v Speaker 1>performance is the most insane choice, and I love well

0:28:21.600 --> 0:28:24.000
<v Speaker 1>it's the same. It's how I look at like, uh,

0:28:24.040 --> 0:28:29.159
<v Speaker 1>you know the Lex Luthor in Superman move in the

0:28:29.160 --> 0:28:31.560
<v Speaker 1>New Superman movies, or if it's like if you're going

0:28:31.600 --> 0:28:34.800
<v Speaker 1>to hit the wall anyway, run into it, full speech,

0:28:35.920 --> 0:28:38.840
<v Speaker 1>swing for the fences. It's either gonna work or it's not.

0:28:39.040 --> 0:28:41.320
<v Speaker 1>But nobody can't say you didn't swing for the And

0:28:41.360 --> 0:28:43.200
<v Speaker 1>that was Christian Bale. It was that, Yeah, that kind

0:28:43.240 --> 0:28:45.000
<v Speaker 1>of but now I just oh, now, I just want

0:28:45.040 --> 0:28:47.400
<v Speaker 1>to see you doing that voice ordering lunch in like

0:28:47.440 --> 0:28:49.160
<v Speaker 1>middle school. I think that would be the greatest thing.

0:28:49.240 --> 0:28:51.040
<v Speaker 1>I know. The next question you're going to ask him?

0:28:51.560 --> 0:28:54.640
<v Speaker 1>What can I ask you? Then you ask it? Okay,

0:28:54.920 --> 0:28:56.920
<v Speaker 1>So we're getting to that place now where we really

0:28:56.960 --> 0:28:58.800
<v Speaker 1>truly are like family, where I can complain. I'm just

0:28:58.800 --> 0:29:00.440
<v Speaker 1>gonna even if it wasn't, the question gonna be like

0:29:00.480 --> 0:29:04.960
<v Speaker 1>you got it? You better Okay. So is there any

0:29:05.280 --> 0:29:10.040
<v Speaker 1>character or voice that you would want to do? You

0:29:10.160 --> 0:29:13.320
<v Speaker 1>got it? Actually you did? Actually you did? That wasn't

0:29:13.400 --> 0:29:15.560
<v Speaker 1>of course that's last because yeah, you get to pick

0:29:15.600 --> 0:29:17.760
<v Speaker 1>who do you want to be. I mean, that's such

0:29:17.800 --> 0:29:20.720
<v Speaker 1>a it's such a tough question because I mean, you

0:29:20.800 --> 0:29:23.760
<v Speaker 1>both know we're such a tight knit community that you

0:29:23.800 --> 0:29:27.880
<v Speaker 1>never want to say like in bad faith or your job,

0:29:28.280 --> 0:29:31.600
<v Speaker 1>like I'm gonna come for your job, ron stoppable. Okay,

0:29:31.680 --> 0:29:34.480
<v Speaker 1>and thanks Brock, thanks for coming on the show. This

0:29:34.600 --> 0:29:38.239
<v Speaker 1>character like Jerry Beginnis anyhow, he's had a big deal. Um,

0:29:39.120 --> 0:29:41.800
<v Speaker 1>I would say my go to answer. And the one

0:29:41.840 --> 0:29:44.640
<v Speaker 1>that really started me on the journey was the first

0:29:44.760 --> 0:29:47.840
<v Speaker 1>character I became aware of, like from youth and who

0:29:47.880 --> 0:29:51.240
<v Speaker 1>the actor was. I have a lot of respect for

0:29:51.280 --> 0:29:54.600
<v Speaker 1>the work of Jim Cummings and say that if there

0:29:54.680 --> 0:29:58.840
<v Speaker 1>was ever an opportunity to to protege or learn from

0:29:58.920 --> 0:30:02.959
<v Speaker 1>or continue a care Poober would probably being the one. Okay.

0:30:04.760 --> 0:30:07.000
<v Speaker 1>And there's just just like and when I do them,

0:30:08.040 --> 0:30:10.360
<v Speaker 1>and I've learned, and I've learned by watching, and I

0:30:10.360 --> 0:30:12.320
<v Speaker 1>think that's one of the things I would encourage people.

0:30:12.400 --> 0:30:15.200
<v Speaker 1>And and also to say, you know, I'm about to

0:30:15.200 --> 0:30:17.400
<v Speaker 1>do the impression, just remember that when you do these

0:30:17.440 --> 0:30:20.840
<v Speaker 1>things to me, it's about a community of respect and admiration.

0:30:21.120 --> 0:30:24.760
<v Speaker 1>And you're never You're never I'm never learning these things

0:30:24.840 --> 0:30:27.360
<v Speaker 1>or putting these tricks in the quiver to take an

0:30:27.360 --> 0:30:31.200
<v Speaker 1>opportunity away from someone or undercut somebody. Um, this is

0:30:31.240 --> 0:30:34.400
<v Speaker 1>all about you know, someday these characters, hopefully you're going

0:30:34.440 --> 0:30:37.080
<v Speaker 1>to outlive all of us. I hope that someday in

0:30:37.080 --> 0:30:39.760
<v Speaker 1>in eighty years. Fist Puncher three is being voiced by

0:30:39.800 --> 0:30:42.080
<v Speaker 1>someone who's like, oh, the original actor was named Brock

0:30:42.200 --> 0:30:45.959
<v Speaker 1>and you know, Um, with all that said, there's something

0:30:46.160 --> 0:30:50.520
<v Speaker 1>very fun about having Rumbly and my Tumbly and being

0:30:50.560 --> 0:30:53.840
<v Speaker 1>able to kind of hear the original Sterling Holloway who

0:30:53.920 --> 0:30:56.200
<v Speaker 1>was the original actor, and then how Jim has sort

0:30:56.240 --> 0:30:59.240
<v Speaker 1>of made it his own role and kind of going

0:30:59.280 --> 0:31:01.960
<v Speaker 1>through like okay, kind of like again, I'm really nerdy

0:31:01.960 --> 0:31:04.920
<v Speaker 1>about the stuff. So like the original guy just sounded

0:31:04.960 --> 0:31:06.959
<v Speaker 1>that way. So you had a guy who kind of

0:31:07.000 --> 0:31:09.120
<v Speaker 1>he was also the Chester Cat on the Disney interviews.

0:31:09.160 --> 0:31:11.280
<v Speaker 1>He was the Stork and dumbbo Sterling had just come

0:31:11.280 --> 0:31:13.719
<v Speaker 1>in and do all this stuff. Lambert the Lion if

0:31:13.720 --> 0:31:18.080
<v Speaker 1>you like those, I love Lambert. He narrates, that's Winnie

0:31:18.080 --> 0:31:20.720
<v Speaker 1>the poo narrating that Lamber the line and he does

0:31:20.800 --> 0:31:23.960
<v Speaker 1>that really soft kind of thing. And so when when

0:31:24.080 --> 0:31:26.280
<v Speaker 1>Jim took over the role. He kind of found a

0:31:26.400 --> 0:31:29.880
<v Speaker 1>very particular placement for it because he was doing Tigger

0:31:30.000 --> 0:31:33.040
<v Speaker 1>and Poo, which means you have to have that. He

0:31:33.120 --> 0:31:37.160
<v Speaker 1>went right to the to the who right yeah, yeah, right, yeah,

0:31:37.240 --> 0:31:40.600
<v Speaker 1>and it was crazy, okay, interesting, So Poo, I have,

0:31:40.760 --> 0:31:42.960
<v Speaker 1>I have. I have a difficult relationship with Winnie the Pool.

0:31:43.120 --> 0:31:45.480
<v Speaker 1>Really is that true? Yeah it is. Yeah, I have

0:31:45.520 --> 0:31:52.840
<v Speaker 1>difficult speak about It's okay, we're gonna talk about you know.

0:31:53.120 --> 0:31:56.640
<v Speaker 1>I when I was nineteen, I wrote the live action

0:31:56.640 --> 0:31:58.920
<v Speaker 1>animation winning the Pooh movie for Disney, the one that

0:31:59.040 --> 0:32:01.440
<v Speaker 1>just came out with with you and McGregor a couple

0:32:01.480 --> 0:32:04.920
<v Speaker 1>of years ago. And that's sad. We'll see. That's the thing.

0:32:05.000 --> 0:32:06.800
<v Speaker 1>It's sat on the shelf for years and years and years,

0:32:06.800 --> 0:32:08.040
<v Speaker 1>and then it went through a whole bunch of other

0:32:08.080 --> 0:32:09.640
<v Speaker 1>hands and so when they finally put it out, it

0:32:09.680 --> 0:32:11.840
<v Speaker 1>was totally different, and I got no credit. So I

0:32:11.880 --> 0:32:13.440
<v Speaker 1>have I have a little bit of an issue with

0:32:13.600 --> 0:32:16.520
<v Speaker 1>cutting this out too. Oh I don't care. Oh, I

0:32:16.560 --> 0:32:19.600
<v Speaker 1>don't care at all. So I've talked about it before.

0:32:19.800 --> 0:32:21.680
<v Speaker 1>I've talked about it before. It was you know, so

0:32:21.720 --> 0:32:24.000
<v Speaker 1>I wrote it twenty five years ago something that was

0:32:24.040 --> 0:32:27.840
<v Speaker 1>my first screenplay that I sold my Actually, I lived

0:32:27.920 --> 0:32:30.520
<v Speaker 1>Winnie the Pooh. I lived Winnie the Pooh for for

0:32:30.560 --> 0:32:33.960
<v Speaker 1>a year when I was writing it. Oh my god, yeah,

0:32:34.160 --> 0:32:37.080
<v Speaker 1>crazy yeah. So that was that's my and again and

0:32:37.160 --> 0:32:39.400
<v Speaker 1>Jim Cummings. I love Jim. I love Jim. Jim is

0:32:39.440 --> 0:32:40.959
<v Speaker 1>one of the nicest people in the world. And by

0:32:40.960 --> 0:32:43.360
<v Speaker 1>the way, you mentioned something that is super important, which

0:32:43.400 --> 0:32:46.440
<v Speaker 1>is also something we're hoping to be able to have

0:32:46.600 --> 0:32:50.560
<v Speaker 1>happened on her voices, is mentorship. Kevin Conroy was my

0:32:50.640 --> 0:32:54.760
<v Speaker 1>mentor in the Voiceover World. Um, you talked about Bill

0:32:54.800 --> 0:32:57.120
<v Speaker 1>Farmer was your who couldn't be a nicer man? By

0:32:57.120 --> 0:32:58.640
<v Speaker 1>the way, you know Jason Mars and my best friend

0:32:58.640 --> 0:33:01.360
<v Speaker 1>was in a good movie, so I've known Bill for

0:33:01.440 --> 0:33:03.920
<v Speaker 1>years too. Couldn't be a nicer man. But you can't

0:33:04.000 --> 0:33:10.400
<v Speaker 1>overstate the benefits of having a mentor who is wants

0:33:10.440 --> 0:33:12.120
<v Speaker 1>to help guide you. And that's one of the things

0:33:12.160 --> 0:33:14.160
<v Speaker 1>when we get to a certain level of the contest,

0:33:14.200 --> 0:33:16.240
<v Speaker 1>which we've talked about on the show. I don't know

0:33:16.240 --> 0:33:17.960
<v Speaker 1>if you're aware of the contest that we're gonna be doing, Brock,

0:33:19.960 --> 0:33:21.720
<v Speaker 1>this is really a thing. So tell you what it's

0:33:21.760 --> 0:33:25.240
<v Speaker 1>called go ahead, go ahead, Christy, can you you just

0:33:25.240 --> 0:33:27.320
<v Speaker 1>put yourself you've forgotten what it's called already, don't you

0:33:27.440 --> 0:33:32.520
<v Speaker 1>already forgot? So we're gonna find American Idol style the

0:33:32.560 --> 0:33:34.720
<v Speaker 1>next big voice over actor, and we're gonna have to

0:33:34.760 --> 0:33:39.360
<v Speaker 1>have you back because we're gonna have judges and mentors

0:33:39.360 --> 0:33:42.960
<v Speaker 1>and creature based person but obviously you do everything well,

0:33:43.000 --> 0:33:45.120
<v Speaker 1>maybe one of the levels one of the things we're

0:33:45.120 --> 0:33:46.760
<v Speaker 1>gonna have to figure out because we're going to find

0:33:46.760 --> 0:33:49.520
<v Speaker 1>the best well rounded actor out there. And maybe we're

0:33:49.560 --> 0:33:51.440
<v Speaker 1>gonna have to Brock come in because one of the

0:33:51.440 --> 0:33:52.680
<v Speaker 1>things we want to do when we get to the

0:33:52.720 --> 0:33:55.560
<v Speaker 1>final four or so is we're going to give them mentors,

0:33:56.200 --> 0:33:59.120
<v Speaker 1>So everybody's going to get a v O v O mentor.

0:33:59.800 --> 0:34:01.600
<v Speaker 1>Uh and Brock, we'd love to have you come and

0:34:01.600 --> 0:34:04.400
<v Speaker 1>help us out because, uh, yeah, we we're going to

0:34:04.520 --> 0:34:07.600
<v Speaker 1>need the best to help find the best. So that's well,

0:34:07.640 --> 0:34:11.239
<v Speaker 1>I'm I'm honored, absolutely, that's awesome. And Christie, can you

0:34:11.239 --> 0:34:12.520
<v Speaker 1>tell us one more time what the name of the

0:34:12.520 --> 0:34:20.280
<v Speaker 1>contest is, please? The Super Amazing Contest to find the

0:34:20.320 --> 0:34:28.000
<v Speaker 1>next best voice actor. Not correct, it is the Super

0:34:28.000 --> 0:34:31.440
<v Speaker 1>Awesome Contest to become the next big verse of over actor. Uh,

0:34:31.880 --> 0:34:34.440
<v Speaker 1>but we love I love that. What's the acronym for that?

0:34:34.520 --> 0:34:40.200
<v Speaker 1>Have you? Have you come up with the sactobe? I

0:34:40.280 --> 0:34:42.080
<v Speaker 1>just think every time we edit it it needs to

0:34:42.080 --> 0:34:44.279
<v Speaker 1>be in like a booming voice though, please please, I

0:34:44.280 --> 0:34:45.799
<v Speaker 1>think we'll do that too. Yeah, we'll make sure that

0:34:45.840 --> 0:34:49.959
<v Speaker 1>there's a there's a boom. Super Hey, can you favor

0:34:50.120 --> 0:34:53.959
<v Speaker 1>bron Could you say the super awesome contest to become

0:34:53.960 --> 0:35:05.040
<v Speaker 1>the next big voice over actor as an alien? Sure? Perfect?

0:35:05.520 --> 0:35:09.720
<v Speaker 1>That was perfect. I was going to give him crazy

0:35:09.719 --> 0:35:11.200
<v Speaker 1>direction I want to hear if I want to make

0:35:11.200 --> 0:35:13.480
<v Speaker 1>it hard for him, what's the crazy direction you want

0:35:13.480 --> 0:35:19.960
<v Speaker 1>to Let's make the monster mash. Let's apply the monster mash. Wow. Oh,

0:35:20.000 --> 0:35:23.120
<v Speaker 1>I like it. Okay, go ahead, describe the alien Christie.

0:35:23.920 --> 0:35:29.520
<v Speaker 1>So the size is uh, it's the size of uh

0:35:29.560 --> 0:35:36.560
<v Speaker 1>this right here like a hale fall hale. Okay, it's

0:35:36.600 --> 0:35:40.640
<v Speaker 1>a furry I'm actually gonna I'm actually going to have

0:35:40.800 --> 0:35:44.959
<v Speaker 1>you voice what I did in a writing workshop, which

0:35:44.960 --> 0:35:49.719
<v Speaker 1>I located as the picture of my inner critic. Okay,

0:35:49.719 --> 0:35:52.120
<v Speaker 1>so no pressure, but you're going to voice my inner

0:35:52.120 --> 0:35:57.120
<v Speaker 1>critic is a fuzzy pink ball that has very cute eyes,

0:35:57.640 --> 0:36:00.480
<v Speaker 1>but when it smiles, it has a razor sharp teeth.

0:36:01.080 --> 0:36:06.879
<v Speaker 1>Love it. Wow, little little insight into Christie. Go there.

0:36:07.520 --> 0:36:10.200
<v Speaker 1>This is like a little insight. There we go interesting

0:36:10.800 --> 0:36:16.080
<v Speaker 1>and we just we're just rolling rest now and it's

0:36:16.120 --> 0:36:21.040
<v Speaker 1>crying tears of acid enjoy. I like that. What do

0:36:21.080 --> 0:36:23.799
<v Speaker 1>you got, brock Well, I'm getting what. I'm actually checking

0:36:23.800 --> 0:36:26.400
<v Speaker 1>the line. I'm more worried about getting the name of

0:36:27.800 --> 0:36:30.160
<v Speaker 1>Christie'll help you. What is it, Christie? What is it? Christie?

0:36:31.360 --> 0:36:36.360
<v Speaker 1>Super awesome contest to find the next nope, big voice

0:36:36.480 --> 0:36:39.560
<v Speaker 1>over a lot more time. It's the super awesome contest

0:36:39.600 --> 0:36:42.400
<v Speaker 1>to become the next big voice actor to become Okay,

0:36:42.440 --> 0:36:45.960
<v Speaker 1>got it? Okay, you got a rock. Here we go,

0:36:46.239 --> 0:36:51.840
<v Speaker 1>uh with Christie's inner critic a pink, fuzzy, cute eyed

0:36:52.040 --> 0:36:55.880
<v Speaker 1>but big sharp teeth when it's upset. So here we go. Actually,

0:36:55.920 --> 0:36:59.600
<v Speaker 1>we'll need a little water to this, and that's lesson one.

0:37:00.280 --> 0:37:02.760
<v Speaker 1>And Christie is doing the doing the putting the razor

0:37:02.800 --> 0:37:04.879
<v Speaker 1>sharp teeth in herself. Ladies and gentlemen. Oh, I can't

0:37:04.880 --> 0:37:06.719
<v Speaker 1>wait to what people are going to do with the

0:37:06.760 --> 0:37:09.680
<v Speaker 1>green screen behind you. Christie, you might have opened up

0:37:09.680 --> 0:37:13.040
<v Speaker 1>a whole can of worms with the green screen. Uh,

0:37:13.560 --> 0:37:31.040
<v Speaker 1>here we go a contest that's big. Yes, I like

0:37:32.239 --> 0:37:34.560
<v Speaker 1>I do too. Your inner critic is great, the razor

0:37:34.600 --> 0:37:38.239
<v Speaker 1>sharp teeth, that's awesome. Rock you get in touch with

0:37:38.280 --> 0:37:39.879
<v Speaker 1>my agent if we want to bring the character back,

0:37:39.960 --> 0:37:41.879
<v Speaker 1>let's do it, and said, no, I'm sorry. We should

0:37:41.880 --> 0:37:43.719
<v Speaker 1>have also told you everything you say on the show

0:37:43.800 --> 0:37:46.520
<v Speaker 1>is owned by us personally, so we've actually already sold

0:37:46.520 --> 0:37:53.480
<v Speaker 1>the rights to that fuzzy critic. Well, and I was

0:37:53.520 --> 0:37:55.520
<v Speaker 1>gonna say, like all things that happened in this in

0:37:55.560 --> 0:37:57.600
<v Speaker 1>this uh, in this industry, we are now looking for

0:37:57.640 --> 0:38:01.920
<v Speaker 1>a brock Powell type to voice it. That's just the

0:38:01.920 --> 0:38:04.120
<v Speaker 1>way it always works out. We all know that I

0:38:04.200 --> 0:38:06.959
<v Speaker 1>got replaced on a movie. I would say what movie?

0:38:07.160 --> 0:38:09.200
<v Speaker 1>But I got replaced on a movie for a large

0:38:09.239 --> 0:38:12.719
<v Speaker 1>streaming service that I worked on for two years, and

0:38:12.760 --> 0:38:15.719
<v Speaker 1>they got David Crossing to replace me. And I wasn't

0:38:15.760 --> 0:38:18.400
<v Speaker 1>even mad like at that. Yeah, and when you're like, okay,

0:38:18.440 --> 0:38:23.000
<v Speaker 1>that's pretty good. And the coolest part was he kept

0:38:23.040 --> 0:38:25.360
<v Speaker 1>my improv choices because there were things that were written

0:38:25.600 --> 0:38:30.000
<v Speaker 1>and it wasn't all quite animated yet, so to hear

0:38:30.800 --> 0:38:33.680
<v Speaker 1>to hear somebody I really think of as a comedy icon.

0:38:34.920 --> 0:38:37.839
<v Speaker 1>Keeping my jokes. I'm like, Okay, that's good. That's a win.

0:38:37.960 --> 0:38:39.879
<v Speaker 1>That's a win. Don't you kind of didn't you kind

0:38:39.880 --> 0:38:42.040
<v Speaker 1>of wish it was still just you though? Yeah, I

0:38:42.040 --> 0:38:44.680
<v Speaker 1>mean it was. You know, I've been replaced. And I

0:38:44.680 --> 0:38:48.600
<v Speaker 1>think that's one of the things that I wish people knew,

0:38:49.680 --> 0:38:53.480
<v Speaker 1>is a really becoming a common thing only because it

0:38:53.560 --> 0:38:56.399
<v Speaker 1>happens a lot. It happens a lot, and I think

0:38:56.440 --> 0:38:58.080
<v Speaker 1>being able to handle it with a certain level of

0:38:58.120 --> 0:39:01.520
<v Speaker 1>grace and understanding and is this is Bill's advice that

0:39:01.600 --> 0:39:04.399
<v Speaker 1>I will not take credit forward, but he says, uh,

0:39:04.680 --> 0:39:06.480
<v Speaker 1>you got to remember you're a plumber and you're there

0:39:06.520 --> 0:39:09.719
<v Speaker 1>to fix a problem, and you know, you've got a

0:39:09.760 --> 0:39:11.480
<v Speaker 1>tool kissed it, got the thing that you do. And

0:39:11.520 --> 0:39:13.640
<v Speaker 1>at the end of the day, if something happens where

0:39:13.680 --> 0:39:16.800
<v Speaker 1>they decide, hey, you know, actually we tried that. And

0:39:16.840 --> 0:39:19.720
<v Speaker 1>there's a hundred of different things. And with vocal instruments,

0:39:19.800 --> 0:39:22.080
<v Speaker 1>you have no idea who they're casting you against. You

0:39:22.160 --> 0:39:25.520
<v Speaker 1>might sound exactly like to other people in the cast

0:39:25.760 --> 0:39:28.759
<v Speaker 1>or um. At the end of the day, we're there

0:39:28.760 --> 0:39:31.279
<v Speaker 1>to serve the to serve the story. And if someone

0:39:31.400 --> 0:39:34.319
<v Speaker 1>decides that your vocal performance isn't the best thing for

0:39:34.360 --> 0:39:36.400
<v Speaker 1>the story, then that that is an easier way. It

0:39:36.400 --> 0:39:38.000
<v Speaker 1>doesn't make it easier to lose it and hear someone

0:39:38.040 --> 0:39:40.279
<v Speaker 1>else do it, but I think it does make it

0:39:40.320 --> 0:39:41.959
<v Speaker 1>easier to go, well, I did, I did my job.

0:39:42.080 --> 0:39:45.160
<v Speaker 1>My job was to serve the story, and ultimately I've sacrificed.

0:39:46.000 --> 0:39:48.440
<v Speaker 1>There's also there's also a thing nowadays which is happening

0:39:48.440 --> 0:39:49.600
<v Speaker 1>more and more, and this is one of the things

0:39:49.600 --> 0:39:51.680
<v Speaker 1>I want I hear voices eventually to do. I have

0:39:51.719 --> 0:39:54.799
<v Speaker 1>a goal to where all actors, even huge like The

0:39:54.920 --> 0:39:59.319
<v Speaker 1>Rock and all these people, when they do exactly when

0:39:59.320 --> 0:40:01.600
<v Speaker 1>they do a voice over film, when they do an

0:40:01.600 --> 0:40:04.200
<v Speaker 1>animated film, and everybody should. Everybody should try it. It's

0:40:04.200 --> 0:40:07.960
<v Speaker 1>so much fun. But you are huge actors, and you

0:40:08.000 --> 0:40:10.600
<v Speaker 1>should insist that at least of the cast is just

0:40:10.680 --> 0:40:14.040
<v Speaker 1>voice over actors. That's my goal. But one of those

0:40:14.120 --> 0:40:16.840
<v Speaker 1>but that's one of those things is sometimes especially nowadays,

0:40:16.880 --> 0:40:19.240
<v Speaker 1>they just want a bigger name, so your performance is fine,

0:40:19.280 --> 0:40:20.719
<v Speaker 1>but then all of a sudden it's like, yeah, but

0:40:20.760 --> 0:40:24.080
<v Speaker 1>now we got David cross Um and that's nothing against you,

0:40:24.160 --> 0:40:25.759
<v Speaker 1>And you're right, David Cross is a comedy. I mean,

0:40:25.840 --> 0:40:28.720
<v Speaker 1>mr show is one of my favorite things ever. Uh

0:40:28.840 --> 0:40:31.120
<v Speaker 1>but it's um, you know it does it still stings,

0:40:31.160 --> 0:40:32.799
<v Speaker 1>But you're right, it's it's more and more common, and

0:40:32.840 --> 0:40:38.120
<v Speaker 1>it's happening a lot people being been replaced will uh

0:40:38.400 --> 0:40:41.480
<v Speaker 1>by an alien, not not on a you know this

0:40:41.560 --> 0:40:43.640
<v Speaker 1>is no longer. No, I think we've all been replaced.

0:40:43.680 --> 0:40:45.680
<v Speaker 1>I was. I don't even remember this show. Of course,

0:40:45.760 --> 0:40:47.480
<v Speaker 1>of course I know. I know what show I was

0:40:47.520 --> 0:40:51.879
<v Speaker 1>replaced on and were replaced on Family Guy, What who

0:40:51.880 --> 0:40:56.400
<v Speaker 1>were you? Unfamily? I was Quagmire's One night Stand and

0:40:56.680 --> 0:41:02.520
<v Speaker 1>I was replaced, and I at the time was in

0:41:02.560 --> 0:41:05.359
<v Speaker 1>contact with Seth McFarland, and he didn't really tell me

0:41:05.719 --> 0:41:09.440
<v Speaker 1>the place. And then finally I found out that I

0:41:09.480 --> 0:41:11.680
<v Speaker 1>was replaced, and I was like, that's oh, that's not me.

0:41:11.719 --> 0:41:14.120
<v Speaker 1>I was replaced, Okay, that's okay. And then I only

0:41:14.160 --> 0:41:16.360
<v Speaker 1>had one line because he had me do two different

0:41:16.440 --> 0:41:18.520
<v Speaker 1>voices and there was another character that had like one

0:41:18.600 --> 0:41:22.759
<v Speaker 1>line ended up one. Okay, so they gave you one thing.

0:41:22.880 --> 0:41:25.360
<v Speaker 1>That's good. Yeah, no again, I think I got the credit.

0:41:25.480 --> 0:41:28.520
<v Speaker 1>I got the credit. I've been replaced on stuff. It

0:41:28.560 --> 0:41:31.200
<v Speaker 1>happens a lot um. And there's also times where it's

0:41:31.200 --> 0:41:33.799
<v Speaker 1>like that's why we talked about like Jason Marsden and

0:41:33.920 --> 0:41:35.840
<v Speaker 1>UH and Josh Keaton and I will never do a

0:41:35.840 --> 0:41:37.879
<v Speaker 1>show called Jason, Josh and Will because we all found

0:41:37.880 --> 0:41:42.120
<v Speaker 1>the same So it's like, you guys do have similar instruments, right,

0:41:42.160 --> 0:41:45.240
<v Speaker 1>so's you know who? I was replaced by Nicole Sullivan.

0:41:46.680 --> 0:41:53.799
<v Speaker 1>She go herself. That's hilarious. Wow. Nicole and I did

0:41:53.880 --> 0:41:55.759
<v Speaker 1>a I don't even remember. It was four. We did

0:41:55.800 --> 0:41:58.400
<v Speaker 1>a commercial together, like a voice of a commercial and

0:41:58.440 --> 0:42:02.560
<v Speaker 1>I didn't and I forget like we I had. We

0:42:02.560 --> 0:42:04.800
<v Speaker 1>were singing into some holiday thing. I can't even remember

0:42:04.840 --> 0:42:08.319
<v Speaker 1>if an error what happened, but we were singing. We

0:42:08.320 --> 0:42:10.680
<v Speaker 1>were singing and next to Nicole, they were like, hey, Brock,

0:42:10.719 --> 0:42:12.600
<v Speaker 1>can you just like riff a little bit into mad Lips?

0:42:12.600 --> 0:42:17.880
<v Speaker 1>And I'm like super aware that imagine the legend. I'm like, yeah, exactly,

0:42:18.400 --> 0:42:21.640
<v Speaker 1>a couple of couple, you know, knock knocks. That's Nicole though.

0:42:21.800 --> 0:42:25.160
<v Speaker 1>That's she's the best. She's great. She's really cool, all right. Rock.

0:42:25.280 --> 0:42:28.600
<v Speaker 1>So as to wrap up here, here's the thing. Uh,

0:42:28.760 --> 0:42:32.680
<v Speaker 1>one piece of advice. So you you Bill Farmers, your

0:42:32.719 --> 0:42:35.000
<v Speaker 1>mentor So now you've got a mentee, what's the first

0:42:35.000 --> 0:42:39.439
<v Speaker 1>piece of advice you would give that person? Uh, well

0:42:40.680 --> 0:42:47.320
<v Speaker 1>to Segway and also truthfully, UM, don't don't post about

0:42:47.360 --> 0:42:51.360
<v Speaker 1>stuff as soon as it happens, because you start to

0:42:51.440 --> 0:42:56.480
<v Speaker 1>get connected. Um, your brain will start to connect social

0:42:56.520 --> 0:42:59.759
<v Speaker 1>media with dopamine. And I think it's important to know

0:43:00.160 --> 0:43:02.640
<v Speaker 1>that the wind isn't talking about the job, it's doing

0:43:02.680 --> 0:43:08.560
<v Speaker 1>the job. I also like to my mentee, I would say,

0:43:09.040 --> 0:43:11.560
<v Speaker 1>don't worry about getting the blue ribbon at the big sale.

0:43:11.840 --> 0:43:13.840
<v Speaker 1>Come up with the best recipe you can for whatever

0:43:14.000 --> 0:43:17.560
<v Speaker 1>whatever it is you do, and hone that recipe. Because

0:43:17.560 --> 0:43:19.640
<v Speaker 1>the people that you're admiring and want to be like

0:43:20.280 --> 0:43:23.520
<v Speaker 1>have been doing this for forty years. I mean we

0:43:23.560 --> 0:43:26.520
<v Speaker 1>talked about Frank Welker, who's been voicing Fred on Scooby

0:43:26.560 --> 0:43:29.239
<v Speaker 1>Doo since nineteen sixty something. Yeah, he's been around since

0:43:29.239 --> 0:43:32.120
<v Speaker 1>it was Old Hampshire. Like, the guy's been here forever.

0:43:33.239 --> 0:43:37.680
<v Speaker 1>So yeah, he's amazing. So just focus on the craft

0:43:37.680 --> 0:43:40.000
<v Speaker 1>of it and don't don't fall for the trap that

0:43:40.040 --> 0:43:42.840
<v Speaker 1>all of us do, which is social media following is

0:43:42.880 --> 0:43:47.960
<v Speaker 1>so important. Um, engaging with fans is important, but you

0:43:48.080 --> 0:43:50.000
<v Speaker 1>got into because you love the work. So don't ever

0:43:50.080 --> 0:43:51.680
<v Speaker 1>trade the love of the work for the love of

0:43:51.680 --> 0:43:55.080
<v Speaker 1>the admiration for the work, because you can't control that. Nice, nice,

0:43:55.120 --> 0:43:59.160
<v Speaker 1>good ad. That's just interesting. Just to piggyback on that. Um,

0:44:00.000 --> 0:44:02.960
<v Speaker 1>I'm I'm now almost three years without social media. Oh

0:44:03.000 --> 0:44:06.040
<v Speaker 1>you are, really and it's the best ever. You don't.

0:44:06.080 --> 0:44:08.760
<v Speaker 1>You don't use it at all at all. Nothing, No Twitter,

0:44:08.880 --> 0:44:12.120
<v Speaker 1>no Instagram, no TikTok, no anything. I have no social

0:44:12.160 --> 0:44:14.840
<v Speaker 1>media presence and it's wonderful. Well, I mean, you know

0:44:14.840 --> 0:44:17.080
<v Speaker 1>what they're saying about me on the internet because I don't,

0:44:17.520 --> 0:44:22.120
<v Speaker 1>and it's the best. Well, but then you're focused on

0:44:22.160 --> 0:44:24.239
<v Speaker 1>this and then you don't have to Yeah, that's cool.

0:44:24.680 --> 0:44:27.319
<v Speaker 1>It's just it's it's for my own mental health. I

0:44:27.360 --> 0:44:29.200
<v Speaker 1>just couldn't do it anymore. I could not do it. It

0:44:29.080 --> 0:44:31.280
<v Speaker 1>It made me anxious every day and I just couldn't

0:44:31.280 --> 0:44:33.400
<v Speaker 1>do it anything. I get that. I get that. I

0:44:33.440 --> 0:44:37.080
<v Speaker 1>don't think people talk about that enough. But I love,

0:44:37.120 --> 0:44:38.840
<v Speaker 1>I love your advice. Focus on the work. At the

0:44:38.880 --> 0:44:41.320
<v Speaker 1>end of the day, we're not voice over actors, were actors,

0:44:41.520 --> 0:44:46.320
<v Speaker 1>So that's that's focus on that. Brock, You're the best.

0:44:45.840 --> 0:44:50.600
<v Speaker 1>This is totally cool and now and now here's a

0:44:50.600 --> 0:44:54.000
<v Speaker 1>bad segue. But we're on social media. Can everybody find

0:44:54.040 --> 0:45:00.560
<v Speaker 1>you hilarious? Well, I'm I'm at Wilfred down because you

0:45:00.600 --> 0:45:12.279
<v Speaker 1>know that domains open Partiday. That's what that voice, you

0:45:12.280 --> 0:45:15.319
<v Speaker 1>know the other I discovered new voices all the time

0:45:15.360 --> 0:45:18.160
<v Speaker 1>through my own anxiety, and so if you're talking about

0:45:18.160 --> 0:45:20.520
<v Speaker 1>your inner critic, that voice is like whenever my my

0:45:20.520 --> 0:45:23.360
<v Speaker 1>fiance is an amazing driver. I have major control issues

0:45:23.400 --> 0:45:25.799
<v Speaker 1>though with road stuff because every accident I've ever been

0:45:25.800 --> 0:45:29.279
<v Speaker 1>in someone else was driving. And so whenever I'm in

0:45:29.320 --> 0:45:33.360
<v Speaker 1>the passenger seat, that's the voice of hello, jeez, I

0:45:33.400 --> 0:45:38.160
<v Speaker 1>don't know where. Slow it down, Slow it down. Your

0:45:38.200 --> 0:45:40.200
<v Speaker 1>fiance will be driving, and then you'll just you'll just

0:45:40.200 --> 0:45:43.960
<v Speaker 1>start to speak like just like that. I think that

0:45:44.000 --> 0:45:54.040
<v Speaker 1>was a yield yellow. I get that. We're there ever, um,

0:45:54.719 --> 0:45:57.560
<v Speaker 1>you can find me on Instagram at Brock Talks, which

0:45:57.600 --> 0:46:00.560
<v Speaker 1>is my name and my occupation, uh, which is b

0:46:00.760 --> 0:46:03.319
<v Speaker 1>R O c K T A l k S. And

0:46:03.400 --> 0:46:06.600
<v Speaker 1>then because there's a really sweet little old lady who

0:46:06.680 --> 0:46:10.800
<v Speaker 1>runs a podcast in Maine, my Twitter handles different because

0:46:10.840 --> 0:46:14.680
<v Speaker 1>she owns brock Talks. Because really is Brock. Everyone go

0:46:14.840 --> 0:46:19.400
<v Speaker 1>listen to Lindsay Brock's podcast. She's a sweet pie, but

0:46:19.480 --> 0:46:21.600
<v Speaker 1>she's yeah, she's holding out the Twitter account. So I'm

0:46:21.680 --> 0:46:24.600
<v Speaker 1>b r O c K t O c k s

0:46:24.680 --> 0:46:29.160
<v Speaker 1>on Twitter. Nice after that, yeah, I like. And then

0:46:29.200 --> 0:46:33.720
<v Speaker 1>of course where can people see you as zyle fist Puncher.

0:46:33.840 --> 0:46:36.480
<v Speaker 1>Oh yeah, well you can check out Hamster Gretel a

0:46:36.600 --> 0:46:40.240
<v Speaker 1>Disney Channel or also like, check us out on Disney Plus.

0:46:40.960 --> 0:46:44.360
<v Speaker 1>Uh that and we air Saturday mornings at nine thirty.

0:46:45.200 --> 0:46:47.680
<v Speaker 1>Check your local listings. And then I think we're dropping

0:46:47.680 --> 0:46:50.239
<v Speaker 1>to Disney Plus incrementally, so just keep you know, keep

0:46:50.320 --> 0:46:53.440
<v Speaker 1>checking that. And we're trending right now on Disney Plus

0:46:53.480 --> 0:46:57.280
<v Speaker 1>as we record, which is crazy. One of the best

0:46:57.280 --> 0:47:01.680
<v Speaker 1>titles Hamster and Gretel ever put out there. Rock you

0:47:01.760 --> 0:47:05.040
<v Speaker 1>made it. You made it to Saturday Morning. Yes, you're

0:47:05.040 --> 0:47:09.160
<v Speaker 1>a Disney You're on Disney Channel on Saturday Morning. My friends,

0:47:09.360 --> 0:47:13.200
<v Speaker 1>you have done it? My friend yeah, Bill, Yeah, you

0:47:13.280 --> 0:47:16.400
<v Speaker 1>had a great time. Is amazing. Brack made it today.

0:47:16.760 --> 0:47:22.560
<v Speaker 1>You'll come back. And now Christie, well that's awesome. Christie.

0:47:22.600 --> 0:47:24.520
<v Speaker 1>Can you take us out by one more time? Telling

0:47:24.600 --> 0:47:27.719
<v Speaker 1>us the title of the contest. Make sure you join

0:47:27.920 --> 0:47:32.040
<v Speaker 1>us on our podcast contest called go ahead. Well, no,

0:47:32.160 --> 0:47:34.239
<v Speaker 1>that's all you Christie take us. Now you do it?

0:47:34.520 --> 0:47:40.200
<v Speaker 1>Oh God, come on, what you got? Super awesome contest

0:47:40.920 --> 0:47:50.960
<v Speaker 1>to fine Nope becoming Nope the next Ironically, folks, we

0:47:51.000 --> 0:47:53.040
<v Speaker 1>are going to have to replace Christie with another actor

0:47:53.120 --> 0:47:56.560
<v Speaker 1>doing it properly. Uh, ladies and gentlemen, thank you so

0:47:56.640 --> 0:47:58.880
<v Speaker 1>much for joining us. Everybody out there, thank you so

0:47:58.960 --> 0:48:01.080
<v Speaker 1>much for joining us. We of you so much, and

0:48:01.239 --> 0:48:05.560
<v Speaker 1>join us because yes, we are going to have our

0:48:05.600 --> 0:48:07.919
<v Speaker 1>super awesome contest to become the next big voice actor.

0:48:08.000 --> 0:48:09.960
<v Speaker 1>And if you can't say the contest, chances are you're

0:48:09.960 --> 0:48:13.040
<v Speaker 1>not gonna be able to win. Christie UH is absolutely

0:48:13.040 --> 0:48:14.719
<v Speaker 1>going to be able to say the contest. Yes you are.

0:48:14.760 --> 0:48:16.600
<v Speaker 1>You know that. We'll rehearse it a little bit and

0:48:16.600 --> 0:48:20.239
<v Speaker 1>you're gonna be able to do it nine different voices. Hey,

0:48:20.280 --> 0:48:21.840
<v Speaker 1>for the record, I've had it written down next to

0:48:21.880 --> 0:48:24.440
<v Speaker 1>me the entire time we've been doing this. So we

0:48:24.480 --> 0:48:26.680
<v Speaker 1>will get to all of you out there with all

0:48:26.760 --> 0:48:28.879
<v Speaker 1>of the contest rules. They're being worked out right now.

0:48:28.880 --> 0:48:31.239
<v Speaker 1>But this is amazing and you're gonna get to not

0:48:31.360 --> 0:48:34.200
<v Speaker 1>only be mentored by people like Brock, but one person

0:48:34.200 --> 0:48:35.480
<v Speaker 1>out there is going to be able to call them

0:48:35.480 --> 0:48:39.160
<v Speaker 1>colleagues because uh, you're gonna have an opportunity to change

0:48:39.160 --> 0:48:42.439
<v Speaker 1>your life. That is not hyperbolee, folks, that is absolutely

0:48:42.440 --> 0:48:46.800
<v Speaker 1>the truth. So yeah, so much fun with you again,

0:48:46.960 --> 0:48:49.040
<v Speaker 1>and uh yeah bear with us over the next few weeks.

0:48:49.040 --> 0:48:51.680
<v Speaker 1>We're lovingly going to be able to just sit here

0:48:51.719 --> 0:48:53.640
<v Speaker 1>and talk to some of the most amazing people before

0:48:53.680 --> 0:48:57.239
<v Speaker 1>the contest rolls out. So use this time to practice, rehearse,

0:48:57.640 --> 0:48:59.880
<v Speaker 1>go do what Brock said, work on your instrument, do

0:49:00.000 --> 0:49:01.600
<v Speaker 1>what you've got to do. Go back and watch some

0:49:01.680 --> 0:49:03.239
<v Speaker 1>of our other actors as they tell us how they

0:49:03.280 --> 0:49:05.440
<v Speaker 1>get into character, how they find the character, do the

0:49:05.480 --> 0:49:10.000
<v Speaker 1>Brock monster mash, because man, it seems like there are

0:49:10.000 --> 0:49:12.560
<v Speaker 1>a thousand things you're going to have to practice to

0:49:12.560 --> 0:49:16.120
<v Speaker 1>to win. But we are so excited, and just remember

0:49:16.719 --> 0:49:19.960
<v Speaker 1>join us once again on I Hear Voices and keep

0:49:20.000 --> 0:49:21.839
<v Speaker 1>your eyes out for all the rules for the super

0:49:21.880 --> 0:49:24.000
<v Speaker 1>awesome contest to become the next big voice over actor.

0:49:24.360 --> 0:49:26.040
<v Speaker 1>And if you think you got what it takes, don't

0:49:26.040 --> 0:49:29.120
<v Speaker 1>ever forget put your voices where your mouth is. Thanks everybody,

0:49:29.160 --> 0:49:31.960
<v Speaker 1>Bye guys. I Hear Voices as hosted by Wilfred l

0:49:32.000 --> 0:49:35.200
<v Speaker 1>and Christy Carlson Romano Executive produced by Wilfred Ll, Brendan Rooney,

0:49:35.200 --> 0:49:38.000
<v Speaker 1>Amy Sugarman and Vicky Ernst Chang. Our executive in charge

0:49:38.000 --> 0:49:40.719
<v Speaker 1>of production is Danielle Romo. Our producer is Lorraine Vera

0:49:40.760 --> 0:49:43.640
<v Speaker 1>Wez and our editor slash engineer is Brian Burton. And

0:49:43.719 --> 0:49:47.240
<v Speaker 1>that was my announcer voice. Some side effects of listening

0:49:47.239 --> 0:49:49.680
<v Speaker 1>to I Hear Voices are sore abs from hilarity falling

0:49:49.680 --> 0:49:52.640
<v Speaker 1>down the Coco melon rabbit hole, sneezing due to mass nostalgia,

0:49:52.719 --> 0:49:55.080
<v Speaker 1>and hugs. Follow I Hear Voices wherever you listen to

0:49:55.080 --> 0:49:57.360
<v Speaker 1>podcasts so you don't miss any of the amazing voices.

0:49:57.440 --> 0:49:59.640
<v Speaker 1>Be sure to follow us on Instagram and TikTok at

0:49:59.680 --> 0:50:02.560
<v Speaker 1>I Hear Voices podcast. To see the video stream, subscribe

0:50:02.600 --> 0:50:04.440
<v Speaker 1>to my YouTube channel. You can also check us out

0:50:04.440 --> 0:50:08.120
<v Speaker 1>on my Space Omigel Vine, Lime Wire. Hey I'm a napster. Okay, well,

0:50:08.200 --> 0:50:09.960
<v Speaker 1>let's teach you about the Internet. The who