1 00:00:00,120 --> 00:00:04,480 Speaker 1: Hi Christy, Hi Will, how are you? I'm so amped? 2 00:00:05,000 --> 00:00:08,000 Speaker 1: I am too. This is kind of crazy. This has 3 00:00:08,039 --> 00:00:10,880 Speaker 1: been unreal to get to this place where we're at 4 00:00:10,880 --> 00:00:14,319 Speaker 1: in our podcast I Hear Voices Now brought to you 5 00:00:14,360 --> 00:00:17,759 Speaker 1: by I Heart Radio. Isn't that amazing that we are 6 00:00:18,160 --> 00:00:20,000 Speaker 1: part of the I Heart team, which is a pretty 7 00:00:20,040 --> 00:00:22,319 Speaker 1: I have to say, I don't I don't normally like 8 00:00:22,440 --> 00:00:24,680 Speaker 1: to pat on the back, but it's a pretty awesome 9 00:00:24,720 --> 00:00:28,080 Speaker 1: team to be involved with, isn't it. I mean, honestly, 10 00:00:28,600 --> 00:00:32,000 Speaker 1: I'm crushing really hard on them, And I say, your 11 00:00:32,000 --> 00:00:36,440 Speaker 1: other podcast is killing it, um, you know, and I'm 12 00:00:36,479 --> 00:00:38,360 Speaker 1: happy to be a part of that family. Now, I 13 00:00:38,400 --> 00:00:40,360 Speaker 1: am too. And if by other podcast you're talking about 14 00:00:40,360 --> 00:00:43,239 Speaker 1: pod Meats World, check that out. It's another great podcast. 15 00:00:43,240 --> 00:00:46,080 Speaker 1: But no selfless plug. Um. One thing we did want 16 00:00:46,080 --> 00:00:48,519 Speaker 1: to talk about with with our I Hear Voices family 17 00:00:48,560 --> 00:00:52,919 Speaker 1: out there and it's so unbelievably exciting. Um. But it's 18 00:00:52,920 --> 00:00:55,279 Speaker 1: gonna be a little different for the next say four 19 00:00:55,320 --> 00:00:58,000 Speaker 1: or five episodes. Uh. You know that we normally do 20 00:00:58,160 --> 00:00:59,920 Speaker 1: we bring in our special guests, which of course we're 21 00:01:00,000 --> 00:01:01,840 Speaker 1: all going to do because we love learning about voice over. 22 00:01:01,880 --> 00:01:04,240 Speaker 1: In the voiceover world, but then we used to bring in. 23 00:01:04,280 --> 00:01:07,480 Speaker 1: It started with um amateur artists sending us their art 24 00:01:07,520 --> 00:01:09,319 Speaker 1: and then we put some fun voices to the artwork, 25 00:01:09,600 --> 00:01:11,880 Speaker 1: and then it went from there. It grew to Across 26 00:01:11,920 --> 00:01:14,800 Speaker 1: the Garden, which we did every week, where Christy and 27 00:01:14,840 --> 00:01:16,640 Speaker 1: I played the little mice getting across the garden and 28 00:01:16,680 --> 00:01:19,560 Speaker 1: an amateur actor got to come in and join us 29 00:01:19,600 --> 00:01:22,399 Speaker 1: to actually do his own or her own recording session, 30 00:01:22,440 --> 00:01:24,200 Speaker 1: which was a ton of fun. We had a blast. 31 00:01:24,520 --> 00:01:28,640 Speaker 1: But my heart has been able to make our ultimate 32 00:01:28,760 --> 00:01:30,640 Speaker 1: dream come true, which we've now been able to talk 33 00:01:30,680 --> 00:01:33,520 Speaker 1: about a little bit where we are gearing up as 34 00:01:33,560 --> 00:01:37,600 Speaker 1: we speak. Four. I'm sorry, did I should I not 35 00:01:37,640 --> 00:01:39,480 Speaker 1: have done the dunta dada? I feel I should do 36 00:01:39,520 --> 00:01:40,880 Speaker 1: it with you if you want, you want to do it? 37 00:01:40,920 --> 00:01:48,360 Speaker 1: Ready to three? Wow? Wow, we're never never actually in 38 00:01:48,440 --> 00:01:52,120 Speaker 1: sanc is the problem, um, But we are announcing our 39 00:01:52,360 --> 00:01:55,880 Speaker 1: official title of the super Awesome Contest to become the 40 00:01:55,880 --> 00:01:58,520 Speaker 1: Next Big Voice Over Actor. Uh and you've got to 41 00:01:58,560 --> 00:02:03,320 Speaker 1: say that five times fast. Title the joyous title this 42 00:02:03,480 --> 00:02:06,160 Speaker 1: super Awesome Contest to become the next Big voice over Actor. 43 00:02:06,160 --> 00:02:10,080 Speaker 1: And first of all, we should do should like announcer 44 00:02:10,200 --> 00:02:12,120 Speaker 1: voice ready do you want it? Ready? You want me 45 00:02:12,160 --> 00:02:13,640 Speaker 1: to do it? Now? You do it? I always do 46 00:02:13,639 --> 00:02:15,400 Speaker 1: booming voice, you do, but I don't know what you 47 00:02:15,440 --> 00:02:19,160 Speaker 1: wrote in town. Literally, super amazing contest to find you 48 00:02:19,280 --> 00:02:22,280 Speaker 1: really not know the title of our own contest, because 49 00:02:22,320 --> 00:02:24,320 Speaker 1: that's pretty sad you wouldn't. I was just about to 50 00:02:24,320 --> 00:02:26,360 Speaker 1: say if you don't, if you can't say the title, 51 00:02:26,520 --> 00:02:28,640 Speaker 1: you probably won't be the next big voice over actor. 52 00:02:28,720 --> 00:02:31,080 Speaker 1: And you literally can't say the title, which is pretty funny. 53 00:02:31,720 --> 00:02:35,839 Speaker 1: Stop it. Super amazing contest to already got it wrong, 54 00:02:35,960 --> 00:02:40,320 Speaker 1: Super awesome, super awesome contest, Super awesome contest to become 55 00:02:40,720 --> 00:02:47,960 Speaker 1: the next big voice over actor. Yes, yes, yes, I 56 00:02:48,000 --> 00:02:51,239 Speaker 1: love the dramatic pauses that you took. By the way, 57 00:02:51,360 --> 00:02:53,760 Speaker 1: because the stakes are high, people, this is an amazing 58 00:02:53,800 --> 00:02:59,360 Speaker 1: contest with amazing, amazing rewards. I guess yeah, yeah, prizes rewards. 59 00:02:59,400 --> 00:03:02,920 Speaker 1: Would I mean if you want to call the possibility 60 00:03:03,040 --> 00:03:07,239 Speaker 1: of a professional voiceover career a prize, yes, that's literally 61 00:03:07,280 --> 00:03:09,520 Speaker 1: what we're offering. Um, that's what you win. We have 62 00:03:09,600 --> 00:03:12,000 Speaker 1: so many prizes. Were not allowed to talk about a 63 00:03:12,000 --> 00:03:14,239 Speaker 1: lot of them because, as you have to imagine, we're 64 00:03:14,280 --> 00:03:17,240 Speaker 1: we're going nationwide. So because we're going nationwide with the 65 00:03:17,280 --> 00:03:19,880 Speaker 1: power of my heart behind us. There's you know, we're 66 00:03:19,880 --> 00:03:21,360 Speaker 1: not gonna lie to There's a lot of legal stuff 67 00:03:21,360 --> 00:03:22,520 Speaker 1: that has to be worked out. This is where all 68 00:03:22,520 --> 00:03:25,040 Speaker 1: the lawyers get involved, and we're making a full contest, 69 00:03:25,080 --> 00:03:29,240 Speaker 1: like we're making a full idle style voice style contest. 70 00:03:29,600 --> 00:03:31,480 Speaker 1: And some of the things we can talk about because 71 00:03:31,520 --> 00:03:33,720 Speaker 1: we have is we're not allowed to say exactly what 72 00:03:33,800 --> 00:03:36,280 Speaker 1: yet because we're working out all the details. But you 73 00:03:36,320 --> 00:03:39,920 Speaker 1: win a one year contract with one of the biggest 74 00:03:40,040 --> 00:03:44,400 Speaker 1: voiceover agencies in the world, literally, and it's your first 75 00:03:44,480 --> 00:03:47,960 Speaker 1: big break, right, we give you the opportunity. We can 76 00:03:47,960 --> 00:03:49,920 Speaker 1: open the door for you. You then you then have 77 00:03:50,000 --> 00:03:51,960 Speaker 1: to have to run inside. But we can we can 78 00:03:52,000 --> 00:03:53,760 Speaker 1: crack the door, which is often one of the most 79 00:03:53,800 --> 00:03:56,520 Speaker 1: difficult things in this industry to do is actually getting 80 00:03:56,840 --> 00:03:58,960 Speaker 1: an agent. So we're going to take care of that 81 00:03:59,000 --> 00:04:00,840 Speaker 1: for you. We get to meet them. Yeah, they're coming 82 00:04:00,880 --> 00:04:02,880 Speaker 1: to lunch. Well that because we'll have lunch with them 83 00:04:03,000 --> 00:04:06,160 Speaker 1: and their new voiceover agents. So that's gonna be The 84 00:04:06,240 --> 00:04:08,200 Speaker 1: lunch is on you. By the way, when the check comes, 85 00:04:08,240 --> 00:04:09,920 Speaker 1: the winner, we have to pick up the tab. No, no no, no, 86 00:04:10,080 --> 00:04:12,520 Speaker 1: you'll be fine. And by the way, Christie, just I'm 87 00:04:12,600 --> 00:04:14,600 Speaker 1: joking about you're picking up the tab. By the way, hey, Christie, 88 00:04:14,800 --> 00:04:16,719 Speaker 1: just real quick, what was the name of our contest? Again? 89 00:04:17,520 --> 00:04:26,479 Speaker 1: Super awesome contest to become the next big voice so 90 00:04:26,839 --> 00:04:31,520 Speaker 1: at wow. I also love the way you're saying it. Uh. 91 00:04:31,560 --> 00:04:33,400 Speaker 1: In the voice over world, that would be called a 92 00:04:33,600 --> 00:04:37,680 Speaker 1: we need another take of that, but it's pretty genius 93 00:04:37,760 --> 00:04:40,840 Speaker 1: the way that it happened. Um. So yeah, So bear 94 00:04:40,920 --> 00:04:42,719 Speaker 1: with us as we're working out all the details of 95 00:04:42,720 --> 00:04:46,000 Speaker 1: the contest because we're so excited about this. It's gonna 96 00:04:46,040 --> 00:04:48,240 Speaker 1: be an amazing amount of fund we're gonna be doing it, 97 00:04:48,720 --> 00:04:50,240 Speaker 1: you know, not to give too much away, but we're 98 00:04:50,240 --> 00:04:52,760 Speaker 1: gonna be doing it like March Madness style. We're going 99 00:04:53,040 --> 00:04:55,400 Speaker 1: actor against actor. We're gonna weed it down and we're 100 00:04:55,400 --> 00:04:58,680 Speaker 1: going to find the next big voice over talent in 101 00:04:58,680 --> 00:05:01,000 Speaker 1: the country. And we will come at you with all 102 00:05:01,040 --> 00:05:03,280 Speaker 1: of the necessary stuff you're gonna need to enter. It's 103 00:05:03,279 --> 00:05:05,000 Speaker 1: going to be free to enter for everybody over the 104 00:05:05,040 --> 00:05:07,880 Speaker 1: age of eighteen and uh, of course we'll we'll let 105 00:05:07,880 --> 00:05:10,280 Speaker 1: you know what the rules are when you're entering where 106 00:05:10,320 --> 00:05:12,040 Speaker 1: you're going to enter. All that stuff will be coming 107 00:05:12,040 --> 00:05:15,279 Speaker 1: in like the next month. So as we're holding off 108 00:05:15,360 --> 00:05:17,200 Speaker 1: on that, as we're working on that, getting you know, 109 00:05:17,200 --> 00:05:18,280 Speaker 1: a month month and a half, by the way, I 110 00:05:18,320 --> 00:05:20,039 Speaker 1: want to make sure I'm getting that right. But as 111 00:05:20,040 --> 00:05:22,240 Speaker 1: we're getting all of that set up, to make sure 112 00:05:22,279 --> 00:05:24,480 Speaker 1: that it is a completely seamless process so that you 113 00:05:24,520 --> 00:05:27,080 Speaker 1: can go and win a career. Uh, we want to 114 00:05:27,120 --> 00:05:28,880 Speaker 1: make sure that we are focused on that. And while 115 00:05:28,880 --> 00:05:30,440 Speaker 1: we're doing that, we still want to be able to 116 00:05:30,440 --> 00:05:32,400 Speaker 1: meet these awesome voice over actors and talk to these 117 00:05:32,400 --> 00:05:35,560 Speaker 1: awesome voice over actors how they got into the business. Uh. Meanwhile, 118 00:05:35,600 --> 00:05:37,560 Speaker 1: giving the amateur actors that we normally bring on a 119 00:05:37,560 --> 00:05:41,680 Speaker 1: show a break to study up, because yeah, it's about 120 00:05:41,680 --> 00:05:46,000 Speaker 1: to get real up in remember the last last episode, Um, 121 00:05:46,160 --> 00:05:49,520 Speaker 1: I suggested to people, Uh, somebody had asked us, was 122 00:05:49,520 --> 00:05:51,000 Speaker 1: that that the Comic con, because you know, we do 123 00:05:51,120 --> 00:05:54,159 Speaker 1: these really awesome live shows. Now that was at the 124 00:05:54,200 --> 00:05:58,880 Speaker 1: Con fan Expo, and at the cons somebody asked us, 125 00:05:58,960 --> 00:06:00,720 Speaker 1: you know, how do you prepare or something like this, 126 00:06:00,880 --> 00:06:05,400 Speaker 1: And I suggested to deep dive into all of our 127 00:06:05,520 --> 00:06:09,440 Speaker 1: interviews thus far because there are some really good tidbits 128 00:06:09,480 --> 00:06:13,800 Speaker 1: of information. I think the the Andrea Romano episode in particular, 129 00:06:15,040 --> 00:06:17,520 Speaker 1: is probably worn to start with. I would say our 130 00:06:17,520 --> 00:06:20,560 Speaker 1: first episode to the Bows episode where he actually walked 131 00:06:20,640 --> 00:06:22,760 Speaker 1: us through how he created a carrot, like, how he 132 00:06:22,839 --> 00:06:26,400 Speaker 1: got to the voice, like he was like manipulating his instrument. 133 00:06:26,440 --> 00:06:28,359 Speaker 1: You could see how he was working the throat and 134 00:06:28,560 --> 00:06:31,359 Speaker 1: it was so Yeah. And then another great thing we 135 00:06:31,400 --> 00:06:35,200 Speaker 1: talked about at the fan x boat was um improv classes, 136 00:06:35,760 --> 00:06:39,080 Speaker 1: because improv classes are phenomenal to just get the acting 137 00:06:39,120 --> 00:06:41,680 Speaker 1: chops up, get your speed, working on your timing, you 138 00:06:41,680 --> 00:06:44,440 Speaker 1: can workshop characters. It's another great kind of and you 139 00:06:44,480 --> 00:06:47,440 Speaker 1: can find those. Usually in any city around the world 140 00:06:47,520 --> 00:07:00,440 Speaker 1: there's have improv classes, which is really cool. I'm really 141 00:07:00,480 --> 00:07:05,719 Speaker 1: excited about our guest today. I am too. I and 142 00:07:05,760 --> 00:07:07,800 Speaker 1: not only excited about our guests, but I'm excited about 143 00:07:07,839 --> 00:07:10,200 Speaker 1: the show that they're here to plug because there's some 144 00:07:10,240 --> 00:07:14,720 Speaker 1: cool stuff happening. We recently had the show's creator on, 145 00:07:15,080 --> 00:07:22,240 Speaker 1: Dan Povenmeyer. Yeah, and Dan Dan. Actually it hadn't premiered yet, 146 00:07:22,320 --> 00:07:28,680 Speaker 1: so um Brock Powell is our amazing guest today and 147 00:07:28,920 --> 00:07:36,560 Speaker 1: they just recently announced, Hey, hey, how are you here? 148 00:07:36,720 --> 00:07:39,920 Speaker 1: Are you? I'm good, I'm so good. I'm so excited 149 00:07:39,960 --> 00:07:42,720 Speaker 1: to be here. This is like crazy, while thank you 150 00:07:42,840 --> 00:07:46,160 Speaker 1: so much for joining us. This is really cool. Yeah, 151 00:07:46,200 --> 00:07:48,720 Speaker 1: thank you. No, I'm I'm really I mean I feel 152 00:07:48,760 --> 00:07:51,440 Speaker 1: like talking about you know, being on a Disney show 153 00:07:51,440 --> 00:07:53,720 Speaker 1: with Disney Royalty is like, that's something you get to 154 00:07:53,720 --> 00:07:58,840 Speaker 1: do every day, right, are we Disney Royalty? That's so awesome. Yeah, 155 00:07:59,160 --> 00:08:01,840 Speaker 1: just Disney lead you and then there's Disney Royalty. Would you? 156 00:08:02,000 --> 00:08:09,760 Speaker 1: I think you get serious? Is that true? Brock? Welcome 157 00:08:09,800 --> 00:08:14,640 Speaker 1: to Christie Land. Um, we've been, we've been so One 158 00:08:14,640 --> 00:08:16,880 Speaker 1: thing that we love about Christie. Christie is like my sister, 159 00:08:17,080 --> 00:08:21,080 Speaker 1: and she is the most scullable human being on the planet. 160 00:08:22,640 --> 00:08:27,680 Speaker 1: It's so just trust that's probably makes you a really 161 00:08:27,720 --> 00:08:30,920 Speaker 1: good performer and also an interviewer. My fiance is the 162 00:08:30,920 --> 00:08:35,360 Speaker 1: same way, Like I have to actually like I'm joking 163 00:08:35,559 --> 00:08:39,760 Speaker 1: right after. Yeah, it was fun because the first time 164 00:08:39,760 --> 00:08:41,040 Speaker 1: we talked about it, I said, well, you know that 165 00:08:41,160 --> 00:08:43,400 Speaker 1: the reason you're so scullable is because it's a genetic trait. 166 00:08:43,480 --> 00:08:48,600 Speaker 1: And she's like, really, oh my gosh, he's such a jerk. 167 00:08:48,840 --> 00:08:50,920 Speaker 1: And you know, I should that's a genetic trait to 168 00:08:51,040 --> 00:08:55,079 Speaker 1: Christie being a jerk. I actually kind of do believe 169 00:08:55,120 --> 00:08:58,160 Speaker 1: that though see I can treat I can trace that one. Yay. 170 00:08:58,240 --> 00:09:01,200 Speaker 1: So Brock, we were just talking about how you um 171 00:09:01,600 --> 00:09:07,880 Speaker 1: your creator Hamps oh my gosh, Hamster and Gretel's creator, 172 00:09:07,960 --> 00:09:12,920 Speaker 1: Dan Povenmyer was just on our show. Yeah and you yes, 173 00:09:13,000 --> 00:09:14,840 Speaker 1: he was. We got him to come on and it 174 00:09:14,880 --> 00:09:17,440 Speaker 1: was really fun to talk to him. I thought he 175 00:09:17,480 --> 00:09:19,320 Speaker 1: was going on a different show and it was halfway 176 00:09:19,320 --> 00:09:21,680 Speaker 1: through we didn't. He was like oh, and we were like, no, 177 00:09:21,760 --> 00:09:26,400 Speaker 1: you're fine. I reconnected with Dan on TikTok and he's 178 00:09:26,720 --> 00:09:30,120 Speaker 1: you know, he kills in TikTok world, and its way 179 00:09:30,160 --> 00:09:31,199 Speaker 1: to get a hold of him, like if I have 180 00:09:31,360 --> 00:09:34,080 Speaker 1: questions about script and I just I got a question 181 00:09:34,120 --> 00:09:43,440 Speaker 1: about this, so and I just TikTok talk again. Show 182 00:09:43,520 --> 00:09:46,920 Speaker 1: us the napkin that Phineas was on. That was like 183 00:09:46,960 --> 00:09:50,559 Speaker 1: the creation was like it all started on a napkin, 184 00:09:50,720 --> 00:09:53,000 Speaker 1: where as most as most things do. By the way, 185 00:09:53,120 --> 00:09:55,480 Speaker 1: like my favorite fantasy series of all time, the entire 186 00:09:55,520 --> 00:09:57,160 Speaker 1: map was drawn on a napkin in the middle of 187 00:09:57,160 --> 00:10:01,160 Speaker 1: a restaurant. So like my favorite series of all time, 188 00:10:01,360 --> 00:10:03,480 Speaker 1: it's called the Belgaria and the Glorian Series by Dan 189 00:10:03,840 --> 00:10:05,480 Speaker 1: By By David Eddings. It's the one that got me 190 00:10:05,520 --> 00:10:08,960 Speaker 1: into fantasy as a kid. So that's like my that's 191 00:10:09,000 --> 00:10:11,520 Speaker 1: like my my jam So that running this down you 192 00:10:11,559 --> 00:10:13,200 Speaker 1: should Oh, I'll give you a what brock, I'll give 193 00:10:13,200 --> 00:10:15,440 Speaker 1: you a whole list. You have no idea. I'm a 194 00:10:15,440 --> 00:10:17,959 Speaker 1: fantasy nerd. But can we also talk very quickly about 195 00:10:17,960 --> 00:10:21,160 Speaker 1: how Hamster and Gretel might be one of the greatest 196 00:10:21,320 --> 00:10:27,200 Speaker 1: named animated shows ever. It's pretty it's pretty great. I mean, 197 00:10:27,559 --> 00:10:31,680 Speaker 1: Dan definitely has an ability, along with this creative partner 198 00:10:31,760 --> 00:10:35,079 Speaker 1: on Phineas Swampy, to come up with really great names. 199 00:10:35,080 --> 00:10:37,880 Speaker 1: So we have Phineas and Ferb. Then we had Milo 200 00:10:37,960 --> 00:10:41,000 Speaker 1: Murphy's Law, which was the show in between Phineas and 201 00:10:41,000 --> 00:10:44,079 Speaker 1: the one we're on now. Yeah. I don't know how 202 00:10:44,120 --> 00:10:45,520 Speaker 1: they if they sit in a room or they have 203 00:10:45,559 --> 00:10:48,640 Speaker 1: a robot they designed, or like a dufitator to come 204 00:10:48,720 --> 00:10:51,720 Speaker 1: up with the names. But Hamster and Gretel's definitely And 205 00:10:51,800 --> 00:10:54,640 Speaker 1: it's funny too because a lot of people would go like, sorry, 206 00:10:54,679 --> 00:10:57,640 Speaker 1: Hamster and Gretel, and it's it causes people to pause 207 00:10:58,080 --> 00:10:59,880 Speaker 1: because I think it is such a great name, Like 208 00:11:00,040 --> 00:11:02,840 Speaker 1: it's just based on the name, You're like I have 209 00:11:02,880 --> 00:11:06,480 Speaker 1: to watch it is. It's a phenomenal It's a phenomenal name. 210 00:11:06,520 --> 00:11:08,839 Speaker 1: I also, we haven't really brought this up yet. I'm 211 00:11:08,880 --> 00:11:10,640 Speaker 1: going to throw this at the first time, but I 212 00:11:10,679 --> 00:11:13,080 Speaker 1: think we should start a contest where our guest gets 213 00:11:13,120 --> 00:11:15,679 Speaker 1: to pick what's actually behind Christie on the green screen. 214 00:11:16,480 --> 00:11:21,240 Speaker 1: That great idea. I think there's an image that will 215 00:11:21,280 --> 00:11:23,560 Speaker 1: go back behind the green screen there, Yeah, you can. 216 00:11:23,640 --> 00:11:25,440 Speaker 1: I think you can. She's got she's in front of 217 00:11:25,440 --> 00:11:27,200 Speaker 1: a green screen because she normally likes to just do 218 00:11:27,240 --> 00:11:29,160 Speaker 1: it in front of a giant picture, just my old 219 00:11:29,200 --> 00:11:32,840 Speaker 1: head shot. So what do you think, Brock, what do 220 00:11:32,880 --> 00:11:35,000 Speaker 1: you think should be behind Christie at the end of 221 00:11:35,000 --> 00:11:37,000 Speaker 1: the day. I feel like a napkid. I feel like 222 00:11:37,000 --> 00:11:39,839 Speaker 1: it should just be a yes, right, maybe a hand 223 00:11:39,920 --> 00:11:45,600 Speaker 1: drawn Kim Possible. I'm like the nakid. Yeah, I love it. Actually, 224 00:11:45,640 --> 00:11:48,960 Speaker 1: we also saw Steven Silver when we were at Comic Con, 225 00:11:49,080 --> 00:11:52,760 Speaker 1: but we he created Kim Possible. But you we missed 226 00:11:52,800 --> 00:11:56,720 Speaker 1: you and we missed you right. Yeah, we were there. 227 00:11:56,720 --> 00:11:59,240 Speaker 1: The entire cast are a large portion of the cast 228 00:11:59,320 --> 00:12:03,560 Speaker 1: was there. It an amazing panel. It was really really 229 00:12:03,559 --> 00:12:06,000 Speaker 1: cool because this is the first time, you know, we've 230 00:12:06,000 --> 00:12:09,720 Speaker 1: been going through, uh sort of, you know, the animation 231 00:12:09,800 --> 00:12:14,640 Speaker 1: pandemic that the animation and so we all met there 232 00:12:14,679 --> 00:12:17,480 Speaker 1: really for the most part, like at comic Con, which 233 00:12:17,520 --> 00:12:19,280 Speaker 1: is a really it basically it was like camp comic 234 00:12:19,320 --> 00:12:22,080 Speaker 1: Con and we were all hanging out, um, and it's 235 00:12:22,080 --> 00:12:24,160 Speaker 1: really cool to fall in love with your entire cast 236 00:12:24,200 --> 00:12:28,000 Speaker 1: and realizing, oh, you're all amazing people. Like everybody. We're 237 00:12:28,200 --> 00:12:30,920 Speaker 1: literally like we're planning a Disney trip right now. There's 238 00:12:31,040 --> 00:12:35,880 Speaker 1: there's a whole bunch of it's cooling. Doesn't happen with everything, right, 239 00:12:35,920 --> 00:12:38,160 Speaker 1: that doesn't happen with every every show. Now, I have 240 00:12:38,200 --> 00:12:39,679 Speaker 1: a question for you because a lot of what one 241 00:12:39,720 --> 00:12:41,880 Speaker 1: of the things we love about I hear voices is 242 00:12:41,920 --> 00:12:44,199 Speaker 1: we we try to like pull the curtain on all 243 00:12:44,280 --> 00:12:46,080 Speaker 1: of the animation world, and a lot of people don't 244 00:12:46,440 --> 00:12:50,200 Speaker 1: really understand how long the process really takes. So we're 245 00:12:50,200 --> 00:12:53,200 Speaker 1: now hearing about Hamster and Gretel. When's the first time 246 00:12:53,320 --> 00:12:57,400 Speaker 1: you heard the names Hamster and Gretel. That's a really 247 00:12:57,400 --> 00:12:59,800 Speaker 1: great question. I actually might have to look at this. 248 00:12:59,880 --> 00:13:04,400 Speaker 1: I want to say, maybe like the first time I 249 00:13:04,440 --> 00:13:06,640 Speaker 1: heard something regarding Hamster and got it might have been 250 00:13:06,720 --> 00:13:11,240 Speaker 1: late nineteen because I know was when the show got greenlit, 251 00:13:11,360 --> 00:13:15,160 Speaker 1: so that that probably would track um because we wrapped 252 00:13:15,200 --> 00:13:17,559 Speaker 1: Candice against the Universe, which was the Phineas and for 253 00:13:18,360 --> 00:13:21,440 Speaker 1: Um sort of decom Disney Plus movie that we did, 254 00:13:21,679 --> 00:13:24,360 Speaker 1: which was really really cool because being a part of 255 00:13:24,440 --> 00:13:26,760 Speaker 1: a Disney Channel original movies, like you know, a Kid 256 00:13:26,800 --> 00:13:28,240 Speaker 1: of the Nineties dream. I didn't get to do the 257 00:13:28,320 --> 00:13:30,160 Speaker 1: one thing. I didn't get to do the wand but 258 00:13:30,320 --> 00:13:32,560 Speaker 1: I've never done the wand either don't get me started. 259 00:13:32,600 --> 00:13:34,040 Speaker 1: Can we do the wand? Do you want to do 260 00:13:34,040 --> 00:13:38,040 Speaker 1: the wand? Everybody the one? You guys, you've done the 261 00:13:38,120 --> 00:13:41,640 Speaker 1: one having your Tristan, You've done the wand right in 262 00:13:41,679 --> 00:13:47,720 Speaker 1: the middle before brock is after I got in there. 263 00:13:47,960 --> 00:13:49,760 Speaker 1: I got in there, guys. But I don't have any 264 00:13:49,760 --> 00:13:55,240 Speaker 1: outtakes online. Oh you don't. My coast got one. Alexie Schooner, 265 00:13:55,320 --> 00:13:58,720 Speaker 1: who played my supervillain Stibling, obviously got to do that 266 00:13:58,800 --> 00:14:01,160 Speaker 1: a lot. And she just posted a video of her 267 00:14:01,200 --> 00:14:03,880 Speaker 1: recreating it at Disneyland, which people want to check that out. 268 00:14:03,880 --> 00:14:06,600 Speaker 1: I think that's on our Instagram. Love her. Can I 269 00:14:06,640 --> 00:14:09,240 Speaker 1: just tell you, guys, I just want to do a 270 00:14:09,240 --> 00:14:14,000 Speaker 1: little moment for Alison stoner appreciation. Absolutely. She went on 271 00:14:14,040 --> 00:14:17,600 Speaker 1: this other podcast, I Have um Vulnerable, and she was 272 00:14:17,640 --> 00:14:20,200 Speaker 1: exactly that for me. And I just love her so 273 00:14:20,280 --> 00:14:23,479 Speaker 1: much that she popped up with you in those pictures 274 00:14:24,000 --> 00:14:27,880 Speaker 1: at Comic Con and I was just so ecstatic for her. 275 00:14:27,960 --> 00:14:30,440 Speaker 1: I didn't know about you know, I didn't know about it. 276 00:14:30,520 --> 00:14:32,600 Speaker 1: Dan had recently been on her show but hadn't mentioned 277 00:14:32,600 --> 00:14:35,840 Speaker 1: her casting. So it's just so great to see you 278 00:14:35,880 --> 00:14:38,760 Speaker 1: guys together. And that's great that you guys got to 279 00:14:38,800 --> 00:14:40,480 Speaker 1: meet and connect in that way because she's a really 280 00:14:40,520 --> 00:14:44,400 Speaker 1: good person. Uh, Supreme. And what's crazy is so a 281 00:14:44,400 --> 00:14:47,480 Speaker 1: little behind the scenes to your to your point, well, um, 282 00:14:47,560 --> 00:14:50,560 Speaker 1: which so again child the nineties, do most people accidentally 283 00:14:50,600 --> 00:14:52,480 Speaker 1: call you Eric? Because I'm really having a hard time 284 00:14:52,520 --> 00:14:57,760 Speaker 1: not to get yeah. I'll answer to most things, but yes, 285 00:14:57,760 --> 00:14:59,600 Speaker 1: I will occasionally get an Eric and I'll just go yeah, 286 00:14:59,680 --> 00:15:01,720 Speaker 1: see no, but he pronounces for del right anyway, So 287 00:15:02,240 --> 00:15:04,440 Speaker 1: there you go. When somebody throws a sound my way, 288 00:15:04,440 --> 00:15:06,240 Speaker 1: I just go yeah. To me. It's like, it's just 289 00:15:07,480 --> 00:15:09,840 Speaker 1: I'm in the single syllable range to some most things. 290 00:15:09,960 --> 00:15:11,840 Speaker 1: I'm just like, is that my name was saying? There 291 00:15:11,920 --> 00:15:17,200 Speaker 1: you go, Mr Squirrels tell squirrels and speaking of like 292 00:15:17,280 --> 00:15:19,880 Speaker 1: syllables and sounds. I know in your bio it's said 293 00:15:19,920 --> 00:15:23,960 Speaker 1: that you sometimes specialize in creature sounds. Yeah. Yeah, so 294 00:15:24,040 --> 00:15:27,160 Speaker 1: I do a lot of monster creature sounds. On my 295 00:15:27,240 --> 00:15:29,600 Speaker 1: Little Murphy's Law, I was a ton of aliens. I 296 00:15:29,640 --> 00:15:32,960 Speaker 1: did a bunch of aliens in Candace against the Universe, um, 297 00:15:33,200 --> 00:15:36,680 Speaker 1: and then weirdly on Hamster. I'm mostly getting to do 298 00:15:36,880 --> 00:15:40,840 Speaker 1: human villains. I've got a couple other like specialty characters 299 00:15:40,880 --> 00:15:43,760 Speaker 1: that are gonna be coming up in episodes because five 300 00:15:43,760 --> 00:15:47,640 Speaker 1: episodes are out right now and Disney Plus and like, 301 00:15:47,880 --> 00:15:51,240 Speaker 1: my main character is Lyle Fist Puncher, but um, the 302 00:15:51,280 --> 00:15:53,520 Speaker 1: team has been amazingly kind of generous, and I think 303 00:15:53,640 --> 00:15:56,760 Speaker 1: right now I'm at maybe ten different villains on the 304 00:15:56,800 --> 00:16:02,960 Speaker 1: series throughout everything. So it's really I don't how cartoons, 305 00:16:04,040 --> 00:16:07,760 Speaker 1: oh how. I think it's just the picture and the 306 00:16:07,760 --> 00:16:10,680 Speaker 1: physicality and and you know you're talking about Alison Stoner. 307 00:16:10,800 --> 00:16:14,280 Speaker 1: So the character that I do, Fist Puncher, is a 308 00:16:14,360 --> 00:16:18,720 Speaker 1: twin that's younger by three minutes to Alison's character, and 309 00:16:18,880 --> 00:16:25,000 Speaker 1: I believe Alison tracked her portion first, and so that 310 00:16:25,080 --> 00:16:26,760 Speaker 1: made it easier for me because I was like, well, 311 00:16:26,800 --> 00:16:28,760 Speaker 1: if they're twins, they probably would have some sort of 312 00:16:28,760 --> 00:16:33,280 Speaker 1: similar vocal kind of tone and music. Um, so we 313 00:16:33,440 --> 00:16:37,280 Speaker 1: sort of are doing this like Valley siblings things. So 314 00:16:38,080 --> 00:16:41,160 Speaker 1: sort of like Lyle kind of very much like he's 315 00:16:41,160 --> 00:16:43,360 Speaker 1: got it down here voice, but he also goes up 316 00:16:43,400 --> 00:16:45,400 Speaker 1: here when he's talking to his big sister, like because 317 00:16:45,440 --> 00:16:48,600 Speaker 1: he's genuinely kind of concerned. Um, and it kind of 318 00:16:48,640 --> 00:16:51,680 Speaker 1: has that too many vowels Polly Shore diff Tannon sort 319 00:16:51,680 --> 00:16:55,960 Speaker 1: of thing. Um, but Aliston came first. Her her voice 320 00:16:55,960 --> 00:16:58,080 Speaker 1: came first. I heard it in play back and then 321 00:16:58,120 --> 00:17:00,160 Speaker 1: that was kind of how we created it. I then 322 00:17:00,200 --> 00:17:04,920 Speaker 1: for other matched you pretty matched the tone, didn't did 323 00:17:04,960 --> 00:17:07,000 Speaker 1: her voice come first by three minutes? Because if it 324 00:17:07,359 --> 00:17:09,040 Speaker 1: would be pretty yeah, that would be the pretty the 325 00:17:09,119 --> 00:17:11,560 Speaker 1: coolest thing in the world. Did the very efficient with 326 00:17:11,600 --> 00:17:13,800 Speaker 1: the recording timing. So I'd also like to point out 327 00:17:13,800 --> 00:17:16,920 Speaker 1: that Christie actually managed to pull off the line speaking 328 00:17:17,000 --> 00:17:25,320 Speaker 1: of sounds. Uh, It's like I'm a segue master, you 329 00:17:25,400 --> 00:17:28,720 Speaker 1: are you segue? That was genius like as sounds and 330 00:17:28,840 --> 00:17:32,480 Speaker 1: syllables as no as no one as ever said Mr 331 00:17:32,600 --> 00:17:34,199 Speaker 1: might be a Hamster and Rettle Villain. I think we 332 00:17:34,200 --> 00:17:36,960 Speaker 1: should pitch that up. I love that. Okay, still question. 333 00:17:37,000 --> 00:17:39,640 Speaker 1: Then you're you've got a character in front of you. 334 00:17:39,640 --> 00:17:41,240 Speaker 1: You know, it's not gonna have a lot of dialogue. 335 00:17:41,240 --> 00:17:43,920 Speaker 1: It's just going to be an alien sound. Where where 336 00:17:43,960 --> 00:17:47,000 Speaker 1: do you go? I mean like, are you in your throat? 337 00:17:47,119 --> 00:17:50,760 Speaker 1: Are you in your nose? The sounds? Yeah? Yeah? Where 338 00:17:50,800 --> 00:17:54,280 Speaker 1: do you go to find just a sound like that? Yeah? 339 00:17:54,400 --> 00:17:55,880 Speaker 1: I'll show you. There are a couple of different ones. 340 00:17:56,160 --> 00:17:59,439 Speaker 1: Um if it's on Disney Plus. So if people go 341 00:17:59,480 --> 00:18:01,720 Speaker 1: and watch My the Murphy's Law, which the entire series 342 00:18:01,760 --> 00:18:04,119 Speaker 1: is there, you can hear me voicing aliens from the 343 00:18:04,119 --> 00:18:07,160 Speaker 1: pilot episode all the way to the end, and there's 344 00:18:07,200 --> 00:18:10,159 Speaker 1: like twenty different aliens. Some of them speak language, some 345 00:18:10,240 --> 00:18:15,879 Speaker 1: of them don't. Um So, so usually an alien, it 346 00:18:15,880 --> 00:18:18,840 Speaker 1: depends if they're cute or evil. So if it's kind 347 00:18:18,840 --> 00:18:21,720 Speaker 1: of like the friendly et kind of thing without language, 348 00:18:21,760 --> 00:18:25,240 Speaker 1: it'll probably sound like this. Wow, I's a lot of 349 00:18:25,280 --> 00:18:27,560 Speaker 1: that kind of stitch placement, So then you're doing the 350 00:18:27,640 --> 00:18:31,160 Speaker 1: articulators there. Then if it's like a scary like District 351 00:18:31,240 --> 00:18:37,000 Speaker 1: nine kind of buggy alien being more like like that 352 00:18:37,080 --> 00:18:39,439 Speaker 1: kind of thing. So it depends on the size. I 353 00:18:39,440 --> 00:18:44,119 Speaker 1: always start with how big is the character? And um, 354 00:18:44,440 --> 00:18:47,320 Speaker 1: you know, and and then I actually have a technique 355 00:18:47,320 --> 00:18:49,200 Speaker 1: I call the monster mash, which is how I teach 356 00:18:49,280 --> 00:18:51,960 Speaker 1: myself to do creature voices. So please give us the 357 00:18:52,000 --> 00:18:56,760 Speaker 1: monster mash if you don't mind sharing the monster mashed. 358 00:18:58,320 --> 00:19:03,040 Speaker 1: This is brock Palells monster mash. Um the mouth, what 359 00:19:03,080 --> 00:19:05,600 Speaker 1: does the mouth look like? Does the monster alien have 360 00:19:05,680 --> 00:19:08,760 Speaker 1: a mouth? If it's like a gelatinous kind of like 361 00:19:08,800 --> 00:19:10,959 Speaker 1: you have to figure that out right, because aliens may 362 00:19:11,000 --> 00:19:14,760 Speaker 1: not look like us. Then the monster alien is the attitude? 363 00:19:14,920 --> 00:19:17,520 Speaker 1: Is it angry? Is it hungry? And it's always important 364 00:19:17,520 --> 00:19:20,840 Speaker 1: to connect the creature with the human or the those 365 00:19:20,840 --> 00:19:25,520 Speaker 1: primal emotions that we all experience wanting shelter, companionship, um. 366 00:19:25,600 --> 00:19:29,600 Speaker 1: And then the size how actual like how big is 367 00:19:29,600 --> 00:19:32,960 Speaker 1: the actual character? And is it like small dog syndrome 368 00:19:33,000 --> 00:19:34,960 Speaker 1: where it's like a tiny gremlin but it makes it 369 00:19:35,040 --> 00:19:38,280 Speaker 1: meaner um? And then how sacary is at the age. 370 00:19:38,640 --> 00:19:40,600 Speaker 1: So if you're doing something for like I work on 371 00:19:40,640 --> 00:19:42,720 Speaker 1: a lot of the Disney Junior stuff, doing monsters and 372 00:19:42,760 --> 00:19:46,720 Speaker 1: creatures for Mickey Mouse Funhouse, and obviously a dinosaur on 373 00:19:46,800 --> 00:19:49,639 Speaker 1: that show would be very different than something that we 374 00:19:49,680 --> 00:19:51,440 Speaker 1: would do on like hand, you're not going to want 375 00:19:51,440 --> 00:19:55,760 Speaker 1: to scare a little so okay, so you've got the 376 00:19:55,800 --> 00:19:58,160 Speaker 1: monster mash up, which I think is is amazing. First 377 00:19:58,160 --> 00:20:00,960 Speaker 1: of all from an acting standpoint, cool man, I think 378 00:20:00,960 --> 00:20:03,800 Speaker 1: it's kind of amazing that you're putting that. And again, 379 00:20:04,000 --> 00:20:06,119 Speaker 1: this to all the people out there that want to 380 00:20:06,160 --> 00:20:09,240 Speaker 1: do this for a living. Brock is looking at a 381 00:20:09,359 --> 00:20:12,840 Speaker 1: character that has no dialogue, that might be in the background, 382 00:20:13,160 --> 00:20:18,120 Speaker 1: that isn't featured, and is putting a backstory to it, like, well, 383 00:20:18,240 --> 00:20:20,760 Speaker 1: is it hungry, doesn't need companionship. This is that This 384 00:20:20,840 --> 00:20:24,560 Speaker 1: is what differentiates somebody who is really good at this, 385 00:20:24,680 --> 00:20:26,080 Speaker 1: has the talent and it is going to have a 386 00:20:26,080 --> 00:20:28,400 Speaker 1: long career and somebody who's like, oh you you kind 387 00:20:28,440 --> 00:20:31,600 Speaker 1: of do voices. So if you're wondering what the difference is, 388 00:20:31,760 --> 00:20:34,320 Speaker 1: that's one of the differences is putting that amount of 389 00:20:34,440 --> 00:20:37,720 Speaker 1: effort into what is considered Oh, it's just a small 390 00:20:37,800 --> 00:20:41,040 Speaker 1: part for an actor, there's no such thing. So I 391 00:20:41,080 --> 00:20:43,720 Speaker 1: mean that's but it's true. It's like you've gotta you know, 392 00:20:43,840 --> 00:20:46,119 Speaker 1: it's Brock is putting all I look at the picture 393 00:20:46,119 --> 00:20:49,440 Speaker 1: and you put the like, does they want companionship. That's 394 00:20:49,280 --> 00:20:51,680 Speaker 1: the that's what differentiates the talent from the not talented 395 00:20:53,320 --> 00:20:57,240 Speaker 1: hashtag not talent. But there I think there also is 396 00:20:57,280 --> 00:21:00,320 Speaker 1: to like, if I'm not paying at ten, you know 397 00:21:00,359 --> 00:21:03,080 Speaker 1: how I'm sounding, I'm doing something right. So the more 398 00:21:03,119 --> 00:21:05,560 Speaker 1: you do with your body and the more you're in 399 00:21:05,560 --> 00:21:08,199 Speaker 1: the moment, the less you're aware of how especially for 400 00:21:08,240 --> 00:21:10,680 Speaker 1: creature voice, it is absolutely vile. You look like, I 401 00:21:10,720 --> 00:21:14,879 Speaker 1: will leave blobber covered, and it's to make the sounds 402 00:21:14,920 --> 00:21:17,480 Speaker 1: you have to you have to sort of like change 403 00:21:17,480 --> 00:21:19,919 Speaker 1: your change of faceship. And I was lucky because I 404 00:21:19,920 --> 00:21:23,480 Speaker 1: grew up as a benefactor of like Frank Welker's work, 405 00:21:24,200 --> 00:21:29,040 Speaker 1: right and Bradley Baker. Yeah, and it is. It's one 406 00:21:29,080 --> 00:21:31,320 Speaker 1: of those things where you you One of the first 407 00:21:31,320 --> 00:21:33,520 Speaker 1: times I was ever in a booth with Frank Um 408 00:21:34,040 --> 00:21:35,679 Speaker 1: I think it was. It might have been he was 409 00:21:35,720 --> 00:21:38,240 Speaker 1: doing the sounds for it was he was dubbing over 410 00:21:38,359 --> 00:21:41,480 Speaker 1: Ace the bath Hound in Batman Beyond. I think, my child. 411 00:21:41,520 --> 00:21:45,080 Speaker 1: So we're sitting there and I've got my Terry mckinn 412 00:21:45,080 --> 00:21:47,000 Speaker 1: his voice, and I'm just oh, you know, and they're like, 413 00:21:47,000 --> 00:21:49,320 Speaker 1: all right, do Ace, and he starts barking like you know, 414 00:21:49,720 --> 00:21:52,200 Speaker 1: we need a different dog too, can you make it smaller? 415 00:21:52,400 --> 00:21:54,480 Speaker 1: And so he does a smaller dog and then like no, 416 00:21:54,560 --> 00:21:57,680 Speaker 1: it's one pause injured, and he does start to making 417 00:21:57,680 --> 00:21:59,960 Speaker 1: it and you're going, that's a small dog with an 418 00:22:00,040 --> 00:22:02,360 Speaker 1: your Paul like, how is this? How are you even 419 00:22:02,560 --> 00:22:07,600 Speaker 1: contemplating doing these things? He's on another level. Frank is 420 00:22:07,680 --> 00:22:10,840 Speaker 1: just i think, an expert of speaking of dog sounds. 421 00:22:10,880 --> 00:22:15,159 Speaker 1: He was Ku Joe. Yeah, he was Marahote the eagle 422 00:22:15,359 --> 00:22:18,040 Speaker 1: in Rescuers down Under, which is like, yeah, favorites, like 423 00:22:18,160 --> 00:22:22,159 Speaker 1: the dude is from another planet's it's insane. He's an animal. 424 00:22:22,359 --> 00:22:25,040 Speaker 1: It's insane. And yeah we're doing when we're doing Transformers 425 00:22:25,040 --> 00:22:27,639 Speaker 1: and I'm sitting in between him and uh, you know, 426 00:22:27,840 --> 00:22:30,720 Speaker 1: um just the whole original like most of the original 427 00:22:30,800 --> 00:22:34,320 Speaker 1: Gen one cast your It's like, I can't believe this 428 00:22:34,400 --> 00:22:36,320 Speaker 1: is all happening right now. You've got Peter Colin on 429 00:22:36,320 --> 00:22:38,280 Speaker 1: one side, and I'm just like, I'm just gonna keep 430 00:22:38,320 --> 00:22:40,399 Speaker 1: my mouth shut. I'm just there were grown men that 431 00:22:40,440 --> 00:22:43,520 Speaker 1: were we were in our forties trying not to cry. 432 00:22:44,359 --> 00:22:46,199 Speaker 1: So the first time Peter Colin looks at you and 433 00:22:46,200 --> 00:22:48,880 Speaker 1: goes bumblebee, and I was like, you're like, he's talking 434 00:22:48,880 --> 00:22:50,760 Speaker 1: to me. He's like, I have to answer him. He's 435 00:22:50,800 --> 00:22:53,000 Speaker 1: talking is insane. So it's that same thing with the 436 00:22:53,160 --> 00:22:56,560 Speaker 1: because that's a whole Another side of this industry that 437 00:22:56,720 --> 00:22:59,560 Speaker 1: a lot of people don't necessarily talk about is creature sounds. 438 00:23:00,720 --> 00:23:02,919 Speaker 1: I can't do those. I consider myself a pretty good 439 00:23:02,960 --> 00:23:05,000 Speaker 1: voice over actor. I can't do that at all. It's 440 00:23:05,000 --> 00:23:08,520 Speaker 1: a whole different skill set that either you can do 441 00:23:08,720 --> 00:23:22,040 Speaker 1: or you can't. Growing up, did you have one thing 442 00:23:22,160 --> 00:23:24,440 Speaker 1: that you love? I mean, did you start doing funny 443 00:23:24,480 --> 00:23:26,639 Speaker 1: creature sounds or did you do more of kind of 444 00:23:26,640 --> 00:23:28,760 Speaker 1: the animated voices. Yeah. I did a lot of the 445 00:23:28,880 --> 00:23:31,119 Speaker 1: cartoon voices and stuff. That was sort of how I 446 00:23:31,160 --> 00:23:34,880 Speaker 1: made friends. And Um, I was definitely a latchkey kid 447 00:23:35,000 --> 00:23:38,760 Speaker 1: and both my parents worked, and so I watched and 448 00:23:38,800 --> 00:23:42,159 Speaker 1: basically was raised on the Disney Afternoon. So when I 449 00:23:42,240 --> 00:23:44,200 Speaker 1: got out of college and was like trying to figure 450 00:23:44,200 --> 00:23:46,040 Speaker 1: out what I wanted to do with this theater degree, 451 00:23:46,080 --> 00:23:48,600 Speaker 1: which is such an obvious like or just but I 452 00:23:48,640 --> 00:23:53,680 Speaker 1: don't know what it does. I wrote whatever um to 453 00:23:53,840 --> 00:23:58,600 Speaker 1: Bill Farmer, who voices Goofy for Disney, and he was 454 00:23:58,720 --> 00:24:01,399 Speaker 1: my first mentor and showed me the ropes of how 455 00:24:02,200 --> 00:24:05,640 Speaker 1: classic acting and the impressions needed to be merged so 456 00:24:05,720 --> 00:24:08,880 Speaker 1: that like I'm approaching like you mentioned, I'm approaching every 457 00:24:08,920 --> 00:24:12,320 Speaker 1: scene with like it might be a talking ham sandwich 458 00:24:12,400 --> 00:24:15,280 Speaker 1: or snaggle Puss, but they still have what does the 459 00:24:15,359 --> 00:24:17,680 Speaker 1: character want? What's the best case scenario? What's the worst 460 00:24:17,720 --> 00:24:20,919 Speaker 1: case scenario? And I think often and where I was 461 00:24:21,200 --> 00:24:25,239 Speaker 1: fifteen years ago, you're doing impressions that are only the 462 00:24:25,240 --> 00:24:27,520 Speaker 1: things the character has said before. But even just a 463 00:24:27,520 --> 00:24:29,919 Speaker 1: little scene that we were playing earlier that might have 464 00:24:29,920 --> 00:24:32,760 Speaker 1: been excise at this point, being able to pivot in 465 00:24:32,800 --> 00:24:35,600 Speaker 1: the character and put them in circumstances they've never been in. 466 00:24:36,280 --> 00:24:38,200 Speaker 1: I think that's really the test of it is if 467 00:24:38,240 --> 00:24:40,879 Speaker 1: you can Bob Bergen, who voices Porky Pick, says, if 468 00:24:40,920 --> 00:24:44,520 Speaker 1: you can do a Looney Tunes character doing Shakespeare, you 469 00:24:44,600 --> 00:24:47,240 Speaker 1: know that you've got sort of a fleshed out, more 470 00:24:47,240 --> 00:24:50,800 Speaker 1: than two dimensional character because you're putting them into circumstances. 471 00:24:50,800 --> 00:24:52,600 Speaker 1: And that was something that I learned really early on. 472 00:24:52,960 --> 00:24:54,560 Speaker 1: But I still play with voices. I do a ton 473 00:24:54,600 --> 00:24:56,879 Speaker 1: of sound a like Um, I do a lot of 474 00:24:56,920 --> 00:25:00,280 Speaker 1: like impressions now professionally I'll come in and sort of 475 00:25:00,320 --> 00:25:03,000 Speaker 1: be like the vocal stunt double for celebrities, which is 476 00:25:03,040 --> 00:25:07,200 Speaker 1: really really fun. Who's okay, so you know where we're going? Yeah, 477 00:25:07,240 --> 00:25:09,399 Speaker 1: you know the next questions we've got If you're bringing 478 00:25:09,480 --> 00:25:12,239 Speaker 1: up who? So, I mean, who who do you do? 479 00:25:12,320 --> 00:25:14,040 Speaker 1: If it's like, well we can't get X, Y and 480 00:25:14,119 --> 00:25:16,280 Speaker 1: Z go get brock, who who are you doing? Yeah? 481 00:25:16,400 --> 00:25:20,000 Speaker 1: I mean I'm wearing this ironically right now. I have 482 00:25:20,119 --> 00:25:23,719 Speaker 1: done Robert Downey Jr. For stuff, some some things that 483 00:25:24,400 --> 00:25:26,479 Speaker 1: first of all, I can't I can't really go into that, 484 00:25:26,560 --> 00:25:28,280 Speaker 1: but I gotta say there were some things that I did. 485 00:25:28,920 --> 00:25:32,640 Speaker 1: Uh you know here, here's the deal. First of all, 486 00:25:32,640 --> 00:25:35,840 Speaker 1: we have a wholk I know, ms frantas sure Greek um, 487 00:25:35,880 --> 00:25:38,040 Speaker 1: So I've done done a lot of that. I also 488 00:25:38,119 --> 00:25:40,560 Speaker 1: have done sound alike for like some classic characters for 489 00:25:40,600 --> 00:25:43,600 Speaker 1: Disney and Sony UM, which I can't I can't talk 490 00:25:43,640 --> 00:25:45,560 Speaker 1: about those just yet because some of those projects haven't 491 00:25:45,560 --> 00:25:49,520 Speaker 1: been released. And that's fun, I know. And then I 492 00:25:49,560 --> 00:25:52,400 Speaker 1: also did I got to do a huge Ghostbuster fan 493 00:25:52,600 --> 00:25:55,000 Speaker 1: and I got to work with the Ghost Corps team, 494 00:25:55,280 --> 00:25:59,359 Speaker 1: and I did sound alike for um Bill Murray and 495 00:25:59,440 --> 00:26:02,920 Speaker 1: Danak right for a ghost project. For it's like I'm 496 00:26:03,000 --> 00:26:05,359 Speaker 1: kind of like an activation, which was really crazy. It 497 00:26:05,440 --> 00:26:07,960 Speaker 1: was really funny. I gotta hear your Bill Murray Brock Sorry, 498 00:26:08,119 --> 00:26:10,639 Speaker 1: oh god. So you know it's funny because Bill Murray 499 00:26:10,760 --> 00:26:13,439 Speaker 1: and Robert Downey Jr. Are actually not too far apart. 500 00:26:13,560 --> 00:26:16,399 Speaker 1: But you know, like a specific can I curse on 501 00:26:16,400 --> 00:26:19,280 Speaker 1: the show because the quote quote you can, but we will, 502 00:26:19,280 --> 00:26:22,879 Speaker 1: we'll we'll bleep your curse. Okay. It's also in Ghostbusters, 503 00:26:22,960 --> 00:26:27,199 Speaker 1: so if you're fine, but we came, we saw, we 504 00:26:27,359 --> 00:26:32,160 Speaker 1: kicked the tests, so that kind of you know, that's nice. Yeah, 505 00:26:32,280 --> 00:26:33,760 Speaker 1: And it's a lot of that, you know, kind of 506 00:26:33,760 --> 00:26:36,000 Speaker 1: what he does in Caddyshack, like well, you know I'm 507 00:26:36,040 --> 00:26:40,679 Speaker 1: gonna get total enlightenment, so you know said there'll be 508 00:26:40,720 --> 00:26:44,199 Speaker 1: he said there'll be no money. Yeah, you should received 509 00:26:44,200 --> 00:26:46,640 Speaker 1: totally enlightenment. Yes, that's my other podcast. I just sit 510 00:26:46,680 --> 00:26:48,679 Speaker 1: around quote movies. That's like my brothers and I. That's 511 00:26:48,720 --> 00:26:53,680 Speaker 1: all we don't. Uh no, it's fine, We're we're a 512 00:26:53,680 --> 00:26:55,600 Speaker 1: movie quote people. Actually have a bathroom in my house 513 00:26:55,600 --> 00:26:58,280 Speaker 1: where there's just pens and so when you you walk 514 00:26:58,320 --> 00:27:00,879 Speaker 1: in and you just write your movie quotes up on 515 00:27:00,920 --> 00:27:03,520 Speaker 1: the wall. So the walls are just covered with movie 516 00:27:03,560 --> 00:27:07,399 Speaker 1: quotes everywhere. If I ever use if I ever use 517 00:27:07,480 --> 00:27:10,080 Speaker 1: your bathroom, I'm going to write gullible on the ceiling. 518 00:27:10,119 --> 00:27:12,680 Speaker 1: Well I think really it will. We'll be able to notice. 519 00:27:12,720 --> 00:27:14,600 Speaker 1: It will be the only one in the ceiling, which 520 00:27:14,640 --> 00:27:17,600 Speaker 1: will be great. Nice. Thank you. Christie's already talking about 521 00:27:17,640 --> 00:27:19,679 Speaker 1: ruining my bathroom. I love it. I love it. I'm 522 00:27:19,680 --> 00:27:23,200 Speaker 1: going to face your otherwise very autographs. So okay, the 523 00:27:23,320 --> 00:27:25,680 Speaker 1: question we like to ask certain questions. First of all, 524 00:27:26,000 --> 00:27:29,800 Speaker 1: do you remember the first voice you ever did? Mhm, 525 00:27:31,080 --> 00:27:34,440 Speaker 1: I want to stay? Might have been it was either 526 00:27:34,520 --> 00:27:38,320 Speaker 1: gonem oh. That was that was popular when I was 527 00:27:38,359 --> 00:27:43,200 Speaker 1: in middle school. And then Christian Bale's Batman was really big, 528 00:27:43,240 --> 00:27:45,760 Speaker 1: and those were, like I often say, like the lunch 529 00:27:45,760 --> 00:27:48,880 Speaker 1: table in high school was where I socialized a lot 530 00:27:48,880 --> 00:27:52,480 Speaker 1: of my Okay, that's where you work shopped everything because 531 00:27:52,480 --> 00:27:56,280 Speaker 1: you're making everybody laugh and so you're different, you know, 532 00:27:56,400 --> 00:27:58,639 Speaker 1: impressions and stuff, and were you just doing Christian Bale 533 00:27:58,640 --> 00:28:00,800 Speaker 1: at that? You know, like it's what long hot dog 534 00:28:00,880 --> 00:28:04,440 Speaker 1: day like that, like that kind of stuff. You feel 535 00:28:04,480 --> 00:28:10,160 Speaker 1: like it's not a judge, it matters. It's what the head. 536 00:28:10,640 --> 00:28:17,199 Speaker 1: It's just such a great he can't get that vocal 537 00:28:17,240 --> 00:28:21,520 Speaker 1: performance is the most insane choice, and I love well 538 00:28:21,600 --> 00:28:24,000 Speaker 1: it's the same. It's how I look at like, uh, 539 00:28:24,040 --> 00:28:29,159 Speaker 1: you know the Lex Luthor in Superman move in the 540 00:28:29,160 --> 00:28:31,560 Speaker 1: New Superman movies, or if it's like if you're going 541 00:28:31,600 --> 00:28:34,800 Speaker 1: to hit the wall anyway, run into it, full speech, 542 00:28:35,920 --> 00:28:38,840 Speaker 1: swing for the fences. It's either gonna work or it's not. 543 00:28:39,040 --> 00:28:41,320 Speaker 1: But nobody can't say you didn't swing for the And 544 00:28:41,360 --> 00:28:43,200 Speaker 1: that was Christian Bale. It was that, Yeah, that kind 545 00:28:43,240 --> 00:28:45,000 Speaker 1: of but now I just oh, now, I just want 546 00:28:45,040 --> 00:28:47,400 Speaker 1: to see you doing that voice ordering lunch in like 547 00:28:47,440 --> 00:28:49,160 Speaker 1: middle school. I think that would be the greatest thing. 548 00:28:49,240 --> 00:28:51,040 Speaker 1: I know. The next question you're going to ask him? 549 00:28:51,560 --> 00:28:54,640 Speaker 1: What can I ask you? Then you ask it? Okay, 550 00:28:54,920 --> 00:28:56,920 Speaker 1: So we're getting to that place now where we really 551 00:28:56,960 --> 00:28:58,800 Speaker 1: truly are like family, where I can complain. I'm just 552 00:28:58,800 --> 00:29:00,440 Speaker 1: gonna even if it wasn't, the question gonna be like 553 00:29:00,480 --> 00:29:04,960 Speaker 1: you got it? You better Okay. So is there any 554 00:29:05,280 --> 00:29:10,040 Speaker 1: character or voice that you would want to do? You 555 00:29:10,160 --> 00:29:13,320 Speaker 1: got it? Actually you did? Actually you did? That wasn't 556 00:29:13,400 --> 00:29:15,560 Speaker 1: of course that's last because yeah, you get to pick 557 00:29:15,600 --> 00:29:17,760 Speaker 1: who do you want to be. I mean, that's such 558 00:29:17,800 --> 00:29:20,720 Speaker 1: a it's such a tough question because I mean, you 559 00:29:20,800 --> 00:29:23,760 Speaker 1: both know we're such a tight knit community that you 560 00:29:23,800 --> 00:29:27,880 Speaker 1: never want to say like in bad faith or your job, 561 00:29:28,280 --> 00:29:31,600 Speaker 1: like I'm gonna come for your job, ron stoppable. Okay, 562 00:29:31,680 --> 00:29:34,480 Speaker 1: and thanks Brock, thanks for coming on the show. This 563 00:29:34,600 --> 00:29:38,239 Speaker 1: character like Jerry Beginnis anyhow, he's had a big deal. Um, 564 00:29:39,120 --> 00:29:41,800 Speaker 1: I would say my go to answer. And the one 565 00:29:41,840 --> 00:29:44,640 Speaker 1: that really started me on the journey was the first 566 00:29:44,760 --> 00:29:47,840 Speaker 1: character I became aware of, like from youth and who 567 00:29:47,880 --> 00:29:51,240 Speaker 1: the actor was. I have a lot of respect for 568 00:29:51,280 --> 00:29:54,600 Speaker 1: the work of Jim Cummings and say that if there 569 00:29:54,680 --> 00:29:58,840 Speaker 1: was ever an opportunity to to protege or learn from 570 00:29:58,920 --> 00:30:02,959 Speaker 1: or continue a care Poober would probably being the one. Okay. 571 00:30:04,760 --> 00:30:07,000 Speaker 1: And there's just just like and when I do them, 572 00:30:08,040 --> 00:30:10,360 Speaker 1: and I've learned, and I've learned by watching, and I 573 00:30:10,360 --> 00:30:12,320 Speaker 1: think that's one of the things I would encourage people. 574 00:30:12,400 --> 00:30:15,200 Speaker 1: And and also to say, you know, I'm about to 575 00:30:15,200 --> 00:30:17,400 Speaker 1: do the impression, just remember that when you do these 576 00:30:17,440 --> 00:30:20,840 Speaker 1: things to me, it's about a community of respect and admiration. 577 00:30:21,120 --> 00:30:24,760 Speaker 1: And you're never You're never I'm never learning these things 578 00:30:24,840 --> 00:30:27,360 Speaker 1: or putting these tricks in the quiver to take an 579 00:30:27,360 --> 00:30:31,200 Speaker 1: opportunity away from someone or undercut somebody. Um, this is 580 00:30:31,240 --> 00:30:34,400 Speaker 1: all about you know, someday these characters, hopefully you're going 581 00:30:34,440 --> 00:30:37,080 Speaker 1: to outlive all of us. I hope that someday in 582 00:30:37,080 --> 00:30:39,760 Speaker 1: in eighty years. Fist Puncher three is being voiced by 583 00:30:39,800 --> 00:30:42,080 Speaker 1: someone who's like, oh, the original actor was named Brock 584 00:30:42,200 --> 00:30:45,959 Speaker 1: and you know, Um, with all that said, there's something 585 00:30:46,160 --> 00:30:50,520 Speaker 1: very fun about having Rumbly and my Tumbly and being 586 00:30:50,560 --> 00:30:53,840 Speaker 1: able to kind of hear the original Sterling Holloway who 587 00:30:53,920 --> 00:30:56,200 Speaker 1: was the original actor, and then how Jim has sort 588 00:30:56,240 --> 00:30:59,240 Speaker 1: of made it his own role and kind of going 589 00:30:59,280 --> 00:31:01,960 Speaker 1: through like okay, kind of like again, I'm really nerdy 590 00:31:01,960 --> 00:31:04,920 Speaker 1: about the stuff. So like the original guy just sounded 591 00:31:04,960 --> 00:31:06,959 Speaker 1: that way. So you had a guy who kind of 592 00:31:07,000 --> 00:31:09,120 Speaker 1: he was also the Chester Cat on the Disney interviews. 593 00:31:09,160 --> 00:31:11,280 Speaker 1: He was the Stork and dumbbo Sterling had just come 594 00:31:11,280 --> 00:31:13,719 Speaker 1: in and do all this stuff. Lambert the Lion if 595 00:31:13,720 --> 00:31:18,080 Speaker 1: you like those, I love Lambert. He narrates, that's Winnie 596 00:31:18,080 --> 00:31:20,720 Speaker 1: the poo narrating that Lamber the line and he does 597 00:31:20,800 --> 00:31:23,960 Speaker 1: that really soft kind of thing. And so when when 598 00:31:24,080 --> 00:31:26,280 Speaker 1: Jim took over the role. He kind of found a 599 00:31:26,400 --> 00:31:29,880 Speaker 1: very particular placement for it because he was doing Tigger 600 00:31:30,000 --> 00:31:33,040 Speaker 1: and Poo, which means you have to have that. He 601 00:31:33,120 --> 00:31:37,160 Speaker 1: went right to the to the who right yeah, yeah, right, yeah, 602 00:31:37,240 --> 00:31:40,600 Speaker 1: and it was crazy, okay, interesting, So Poo, I have, 603 00:31:40,760 --> 00:31:42,960 Speaker 1: I have. I have a difficult relationship with Winnie the Pool. 604 00:31:43,120 --> 00:31:45,480 Speaker 1: Really is that true? Yeah it is. Yeah, I have 605 00:31:45,520 --> 00:31:52,840 Speaker 1: difficult speak about It's okay, we're gonna talk about you know. 606 00:31:53,120 --> 00:31:56,640 Speaker 1: I when I was nineteen, I wrote the live action 607 00:31:56,640 --> 00:31:58,920 Speaker 1: animation winning the Pooh movie for Disney, the one that 608 00:31:59,040 --> 00:32:01,440 Speaker 1: just came out with with you and McGregor a couple 609 00:32:01,480 --> 00:32:04,920 Speaker 1: of years ago. And that's sad. We'll see. That's the thing. 610 00:32:05,000 --> 00:32:06,800 Speaker 1: It's sat on the shelf for years and years and years, 611 00:32:06,800 --> 00:32:08,040 Speaker 1: and then it went through a whole bunch of other 612 00:32:08,080 --> 00:32:09,640 Speaker 1: hands and so when they finally put it out, it 613 00:32:09,680 --> 00:32:11,840 Speaker 1: was totally different, and I got no credit. So I 614 00:32:11,880 --> 00:32:13,440 Speaker 1: have I have a little bit of an issue with 615 00:32:13,600 --> 00:32:16,520 Speaker 1: cutting this out too. Oh I don't care. Oh, I 616 00:32:16,560 --> 00:32:19,600 Speaker 1: don't care at all. So I've talked about it before. 617 00:32:19,800 --> 00:32:21,680 Speaker 1: I've talked about it before. It was you know, so 618 00:32:21,720 --> 00:32:24,000 Speaker 1: I wrote it twenty five years ago something that was 619 00:32:24,040 --> 00:32:27,840 Speaker 1: my first screenplay that I sold my Actually, I lived 620 00:32:27,920 --> 00:32:30,520 Speaker 1: Winnie the Pooh. I lived Winnie the Pooh for for 621 00:32:30,560 --> 00:32:33,960 Speaker 1: a year when I was writing it. Oh my god, yeah, 622 00:32:34,160 --> 00:32:37,080 Speaker 1: crazy yeah. So that was that's my and again and 623 00:32:37,160 --> 00:32:39,400 Speaker 1: Jim Cummings. I love Jim. I love Jim. Jim is 624 00:32:39,440 --> 00:32:40,959 Speaker 1: one of the nicest people in the world. And by 625 00:32:40,960 --> 00:32:43,360 Speaker 1: the way, you mentioned something that is super important, which 626 00:32:43,400 --> 00:32:46,440 Speaker 1: is also something we're hoping to be able to have 627 00:32:46,600 --> 00:32:50,560 Speaker 1: happened on her voices, is mentorship. Kevin Conroy was my 628 00:32:50,640 --> 00:32:54,760 Speaker 1: mentor in the Voiceover World. Um, you talked about Bill 629 00:32:54,800 --> 00:32:57,120 Speaker 1: Farmer was your who couldn't be a nicer man? By 630 00:32:57,120 --> 00:32:58,640 Speaker 1: the way, you know Jason Mars and my best friend 631 00:32:58,640 --> 00:33:01,360 Speaker 1: was in a good movie, so I've known Bill for 632 00:33:01,440 --> 00:33:03,920 Speaker 1: years too. Couldn't be a nicer man. But you can't 633 00:33:04,000 --> 00:33:10,400 Speaker 1: overstate the benefits of having a mentor who is wants 634 00:33:10,440 --> 00:33:12,120 Speaker 1: to help guide you. And that's one of the things 635 00:33:12,160 --> 00:33:14,160 Speaker 1: when we get to a certain level of the contest, 636 00:33:14,200 --> 00:33:16,240 Speaker 1: which we've talked about on the show. I don't know 637 00:33:16,240 --> 00:33:17,960 Speaker 1: if you're aware of the contest that we're gonna be doing, Brock, 638 00:33:19,960 --> 00:33:21,720 Speaker 1: this is really a thing. So tell you what it's 639 00:33:21,760 --> 00:33:25,240 Speaker 1: called go ahead, go ahead, Christy, can you you just 640 00:33:25,240 --> 00:33:27,320 Speaker 1: put yourself you've forgotten what it's called already, don't you 641 00:33:27,440 --> 00:33:32,520 Speaker 1: already forgot? So we're gonna find American Idol style the 642 00:33:32,560 --> 00:33:34,720 Speaker 1: next big voice over actor, and we're gonna have to 643 00:33:34,760 --> 00:33:39,360 Speaker 1: have you back because we're gonna have judges and mentors 644 00:33:39,360 --> 00:33:42,960 Speaker 1: and creature based person but obviously you do everything well, 645 00:33:43,000 --> 00:33:45,120 Speaker 1: maybe one of the levels one of the things we're 646 00:33:45,120 --> 00:33:46,760 Speaker 1: gonna have to figure out because we're going to find 647 00:33:46,760 --> 00:33:49,520 Speaker 1: the best well rounded actor out there. And maybe we're 648 00:33:49,560 --> 00:33:51,440 Speaker 1: gonna have to Brock come in because one of the 649 00:33:51,440 --> 00:33:52,680 Speaker 1: things we want to do when we get to the 650 00:33:52,720 --> 00:33:55,560 Speaker 1: final four or so is we're going to give them mentors, 651 00:33:56,200 --> 00:33:59,120 Speaker 1: So everybody's going to get a v O v O mentor. 652 00:33:59,800 --> 00:34:01,600 Speaker 1: Uh and Brock, we'd love to have you come and 653 00:34:01,600 --> 00:34:04,400 Speaker 1: help us out because, uh, yeah, we we're going to 654 00:34:04,520 --> 00:34:07,600 Speaker 1: need the best to help find the best. So that's well, 655 00:34:07,640 --> 00:34:11,239 Speaker 1: I'm I'm honored, absolutely, that's awesome. And Christie, can you 656 00:34:11,239 --> 00:34:12,520 Speaker 1: tell us one more time what the name of the 657 00:34:12,520 --> 00:34:20,280 Speaker 1: contest is, please? The Super Amazing Contest to find the 658 00:34:20,320 --> 00:34:28,000 Speaker 1: next best voice actor. Not correct, it is the Super 659 00:34:28,000 --> 00:34:31,440 Speaker 1: Awesome Contest to become the next big verse of over actor. Uh, 660 00:34:31,880 --> 00:34:34,440 Speaker 1: but we love I love that. What's the acronym for that? 661 00:34:34,520 --> 00:34:40,200 Speaker 1: Have you? Have you come up with the sactobe? I 662 00:34:40,280 --> 00:34:42,080 Speaker 1: just think every time we edit it it needs to 663 00:34:42,080 --> 00:34:44,279 Speaker 1: be in like a booming voice though, please please, I 664 00:34:44,280 --> 00:34:45,799 Speaker 1: think we'll do that too. Yeah, we'll make sure that 665 00:34:45,840 --> 00:34:49,959 Speaker 1: there's a there's a boom. Super Hey, can you favor 666 00:34:50,120 --> 00:34:53,959 Speaker 1: bron Could you say the super awesome contest to become 667 00:34:53,960 --> 00:35:05,040 Speaker 1: the next big voice over actor as an alien? Sure? Perfect? 668 00:35:05,520 --> 00:35:09,720 Speaker 1: That was perfect. I was going to give him crazy 669 00:35:09,719 --> 00:35:11,200 Speaker 1: direction I want to hear if I want to make 670 00:35:11,200 --> 00:35:13,480 Speaker 1: it hard for him, what's the crazy direction you want 671 00:35:13,480 --> 00:35:19,960 Speaker 1: to Let's make the monster mash. Let's apply the monster mash. Wow. Oh, 672 00:35:20,000 --> 00:35:23,120 Speaker 1: I like it. Okay, go ahead, describe the alien Christie. 673 00:35:23,920 --> 00:35:29,520 Speaker 1: So the size is uh, it's the size of uh 674 00:35:29,560 --> 00:35:36,560 Speaker 1: this right here like a hale fall hale. Okay, it's 675 00:35:36,600 --> 00:35:40,640 Speaker 1: a furry I'm actually gonna I'm actually going to have 676 00:35:40,800 --> 00:35:44,959 Speaker 1: you voice what I did in a writing workshop, which 677 00:35:44,960 --> 00:35:49,719 Speaker 1: I located as the picture of my inner critic. Okay, 678 00:35:49,719 --> 00:35:52,120 Speaker 1: so no pressure, but you're going to voice my inner 679 00:35:52,120 --> 00:35:57,120 Speaker 1: critic is a fuzzy pink ball that has very cute eyes, 680 00:35:57,640 --> 00:36:00,480 Speaker 1: but when it smiles, it has a razor sharp teeth. 681 00:36:01,080 --> 00:36:06,879 Speaker 1: Love it. Wow, little little insight into Christie. Go there. 682 00:36:07,520 --> 00:36:10,200 Speaker 1: This is like a little insight. There we go interesting 683 00:36:10,800 --> 00:36:16,080 Speaker 1: and we just we're just rolling rest now and it's 684 00:36:16,120 --> 00:36:21,040 Speaker 1: crying tears of acid enjoy. I like that. What do 685 00:36:21,080 --> 00:36:23,799 Speaker 1: you got, brock Well, I'm getting what. I'm actually checking 686 00:36:23,800 --> 00:36:26,400 Speaker 1: the line. I'm more worried about getting the name of 687 00:36:27,800 --> 00:36:30,160 Speaker 1: Christie'll help you. What is it, Christie? What is it? Christie? 688 00:36:31,360 --> 00:36:36,360 Speaker 1: Super awesome contest to find the next nope, big voice 689 00:36:36,480 --> 00:36:39,560 Speaker 1: over a lot more time. It's the super awesome contest 690 00:36:39,600 --> 00:36:42,400 Speaker 1: to become the next big voice actor to become Okay, 691 00:36:42,440 --> 00:36:45,960 Speaker 1: got it? Okay, you got a rock. Here we go, 692 00:36:46,239 --> 00:36:51,840 Speaker 1: uh with Christie's inner critic a pink, fuzzy, cute eyed 693 00:36:52,040 --> 00:36:55,880 Speaker 1: but big sharp teeth when it's upset. So here we go. Actually, 694 00:36:55,920 --> 00:36:59,600 Speaker 1: we'll need a little water to this, and that's lesson one. 695 00:37:00,280 --> 00:37:02,760 Speaker 1: And Christie is doing the doing the putting the razor 696 00:37:02,800 --> 00:37:04,879 Speaker 1: sharp teeth in herself. Ladies and gentlemen. Oh, I can't 697 00:37:04,880 --> 00:37:06,719 Speaker 1: wait to what people are going to do with the 698 00:37:06,760 --> 00:37:09,680 Speaker 1: green screen behind you. Christie, you might have opened up 699 00:37:09,680 --> 00:37:13,040 Speaker 1: a whole can of worms with the green screen. Uh, 700 00:37:13,560 --> 00:37:31,040 Speaker 1: here we go a contest that's big. Yes, I like 701 00:37:32,239 --> 00:37:34,560 Speaker 1: I do too. Your inner critic is great, the razor 702 00:37:34,600 --> 00:37:38,239 Speaker 1: sharp teeth, that's awesome. Rock you get in touch with 703 00:37:38,280 --> 00:37:39,879 Speaker 1: my agent if we want to bring the character back, 704 00:37:39,960 --> 00:37:41,879 Speaker 1: let's do it, and said, no, I'm sorry. We should 705 00:37:41,880 --> 00:37:43,719 Speaker 1: have also told you everything you say on the show 706 00:37:43,800 --> 00:37:46,520 Speaker 1: is owned by us personally, so we've actually already sold 707 00:37:46,520 --> 00:37:53,480 Speaker 1: the rights to that fuzzy critic. Well, and I was 708 00:37:53,520 --> 00:37:55,520 Speaker 1: gonna say, like all things that happened in this in 709 00:37:55,560 --> 00:37:57,600 Speaker 1: this uh, in this industry, we are now looking for 710 00:37:57,640 --> 00:38:01,920 Speaker 1: a brock Powell type to voice it. That's just the 711 00:38:01,920 --> 00:38:04,120 Speaker 1: way it always works out. We all know that I 712 00:38:04,200 --> 00:38:06,959 Speaker 1: got replaced on a movie. I would say what movie? 713 00:38:07,160 --> 00:38:09,200 Speaker 1: But I got replaced on a movie for a large 714 00:38:09,239 --> 00:38:12,719 Speaker 1: streaming service that I worked on for two years, and 715 00:38:12,760 --> 00:38:15,719 Speaker 1: they got David Crossing to replace me. And I wasn't 716 00:38:15,760 --> 00:38:18,400 Speaker 1: even mad like at that. Yeah, and when you're like, okay, 717 00:38:18,440 --> 00:38:23,000 Speaker 1: that's pretty good. And the coolest part was he kept 718 00:38:23,040 --> 00:38:25,360 Speaker 1: my improv choices because there were things that were written 719 00:38:25,600 --> 00:38:30,000 Speaker 1: and it wasn't all quite animated yet, so to hear 720 00:38:30,800 --> 00:38:33,680 Speaker 1: to hear somebody I really think of as a comedy icon. 721 00:38:34,920 --> 00:38:37,839 Speaker 1: Keeping my jokes. I'm like, Okay, that's good. That's a win. 722 00:38:37,960 --> 00:38:39,879 Speaker 1: That's a win. Don't you kind of didn't you kind 723 00:38:39,880 --> 00:38:42,040 Speaker 1: of wish it was still just you though? Yeah, I 724 00:38:42,040 --> 00:38:44,680 Speaker 1: mean it was. You know, I've been replaced. And I 725 00:38:44,680 --> 00:38:48,600 Speaker 1: think that's one of the things that I wish people knew, 726 00:38:49,680 --> 00:38:53,480 Speaker 1: is a really becoming a common thing only because it 727 00:38:53,560 --> 00:38:56,399 Speaker 1: happens a lot. It happens a lot, and I think 728 00:38:56,440 --> 00:38:58,080 Speaker 1: being able to handle it with a certain level of 729 00:38:58,120 --> 00:39:01,520 Speaker 1: grace and understanding and is this is Bill's advice that 730 00:39:01,600 --> 00:39:04,399 Speaker 1: I will not take credit forward, but he says, uh, 731 00:39:04,680 --> 00:39:06,480 Speaker 1: you got to remember you're a plumber and you're there 732 00:39:06,520 --> 00:39:09,719 Speaker 1: to fix a problem, and you know, you've got a 733 00:39:09,760 --> 00:39:11,480 Speaker 1: tool kissed it, got the thing that you do. And 734 00:39:11,520 --> 00:39:13,640 Speaker 1: at the end of the day, if something happens where 735 00:39:13,680 --> 00:39:16,800 Speaker 1: they decide, hey, you know, actually we tried that. And 736 00:39:16,840 --> 00:39:19,720 Speaker 1: there's a hundred of different things. And with vocal instruments, 737 00:39:19,800 --> 00:39:22,080 Speaker 1: you have no idea who they're casting you against. You 738 00:39:22,160 --> 00:39:25,520 Speaker 1: might sound exactly like to other people in the cast 739 00:39:25,760 --> 00:39:28,759 Speaker 1: or um. At the end of the day, we're there 740 00:39:28,760 --> 00:39:31,279 Speaker 1: to serve the to serve the story. And if someone 741 00:39:31,400 --> 00:39:34,319 Speaker 1: decides that your vocal performance isn't the best thing for 742 00:39:34,360 --> 00:39:36,400 Speaker 1: the story, then that that is an easier way. It 743 00:39:36,400 --> 00:39:38,000 Speaker 1: doesn't make it easier to lose it and hear someone 744 00:39:38,040 --> 00:39:40,279 Speaker 1: else do it, but I think it does make it 745 00:39:40,320 --> 00:39:41,959 Speaker 1: easier to go, well, I did, I did my job. 746 00:39:42,080 --> 00:39:45,160 Speaker 1: My job was to serve the story, and ultimately I've sacrificed. 747 00:39:46,000 --> 00:39:48,440 Speaker 1: There's also there's also a thing nowadays which is happening 748 00:39:48,440 --> 00:39:49,600 Speaker 1: more and more, and this is one of the things 749 00:39:49,600 --> 00:39:51,680 Speaker 1: I want I hear voices eventually to do. I have 750 00:39:51,719 --> 00:39:54,799 Speaker 1: a goal to where all actors, even huge like The 751 00:39:54,920 --> 00:39:59,319 Speaker 1: Rock and all these people, when they do exactly when 752 00:39:59,320 --> 00:40:01,600 Speaker 1: they do a voice over film, when they do an 753 00:40:01,600 --> 00:40:04,200 Speaker 1: animated film, and everybody should. Everybody should try it. It's 754 00:40:04,200 --> 00:40:07,960 Speaker 1: so much fun. But you are huge actors, and you 755 00:40:08,000 --> 00:40:10,600 Speaker 1: should insist that at least of the cast is just 756 00:40:10,680 --> 00:40:14,040 Speaker 1: voice over actors. That's my goal. But one of those 757 00:40:14,120 --> 00:40:16,840 Speaker 1: but that's one of those things is sometimes especially nowadays, 758 00:40:16,880 --> 00:40:19,240 Speaker 1: they just want a bigger name, so your performance is fine, 759 00:40:19,280 --> 00:40:20,719 Speaker 1: but then all of a sudden it's like, yeah, but 760 00:40:20,760 --> 00:40:24,080 Speaker 1: now we got David cross Um and that's nothing against you, 761 00:40:24,160 --> 00:40:25,759 Speaker 1: And you're right, David Cross is a comedy. I mean, 762 00:40:25,840 --> 00:40:28,720 Speaker 1: mr show is one of my favorite things ever. Uh 763 00:40:28,840 --> 00:40:31,120 Speaker 1: but it's um, you know it does it still stings, 764 00:40:31,160 --> 00:40:32,799 Speaker 1: But you're right, it's it's more and more common, and 765 00:40:32,840 --> 00:40:38,120 Speaker 1: it's happening a lot people being been replaced will uh 766 00:40:38,400 --> 00:40:41,480 Speaker 1: by an alien, not not on a you know this 767 00:40:41,560 --> 00:40:43,640 Speaker 1: is no longer. No, I think we've all been replaced. 768 00:40:43,680 --> 00:40:45,680 Speaker 1: I was. I don't even remember this show. Of course, 769 00:40:45,760 --> 00:40:47,480 Speaker 1: of course I know. I know what show I was 770 00:40:47,520 --> 00:40:51,879 Speaker 1: replaced on and were replaced on Family Guy, What who 771 00:40:51,880 --> 00:40:56,400 Speaker 1: were you? Unfamily? I was Quagmire's One night Stand and 772 00:40:56,680 --> 00:41:02,520 Speaker 1: I was replaced, and I at the time was in 773 00:41:02,560 --> 00:41:05,359 Speaker 1: contact with Seth McFarland, and he didn't really tell me 774 00:41:05,719 --> 00:41:09,440 Speaker 1: the place. And then finally I found out that I 775 00:41:09,480 --> 00:41:11,680 Speaker 1: was replaced, and I was like, that's oh, that's not me. 776 00:41:11,719 --> 00:41:14,120 Speaker 1: I was replaced, Okay, that's okay. And then I only 777 00:41:14,160 --> 00:41:16,360 Speaker 1: had one line because he had me do two different 778 00:41:16,440 --> 00:41:18,520 Speaker 1: voices and there was another character that had like one 779 00:41:18,600 --> 00:41:22,759 Speaker 1: line ended up one. Okay, so they gave you one thing. 780 00:41:22,880 --> 00:41:25,360 Speaker 1: That's good. Yeah, no again, I think I got the credit. 781 00:41:25,480 --> 00:41:28,520 Speaker 1: I got the credit. I've been replaced on stuff. It 782 00:41:28,560 --> 00:41:31,200 Speaker 1: happens a lot um. And there's also times where it's 783 00:41:31,200 --> 00:41:33,799 Speaker 1: like that's why we talked about like Jason Marsden and 784 00:41:33,920 --> 00:41:35,840 Speaker 1: UH and Josh Keaton and I will never do a 785 00:41:35,840 --> 00:41:37,879 Speaker 1: show called Jason, Josh and Will because we all found 786 00:41:37,880 --> 00:41:42,120 Speaker 1: the same So it's like, you guys do have similar instruments, right, 787 00:41:42,160 --> 00:41:45,240 Speaker 1: so's you know who? I was replaced by Nicole Sullivan. 788 00:41:46,680 --> 00:41:53,799 Speaker 1: She go herself. That's hilarious. Wow. Nicole and I did 789 00:41:53,880 --> 00:41:55,759 Speaker 1: a I don't even remember. It was four. We did 790 00:41:55,800 --> 00:41:58,400 Speaker 1: a commercial together, like a voice of a commercial and 791 00:41:58,440 --> 00:42:02,560 Speaker 1: I didn't and I forget like we I had. We 792 00:42:02,560 --> 00:42:04,800 Speaker 1: were singing into some holiday thing. I can't even remember 793 00:42:04,840 --> 00:42:08,319 Speaker 1: if an error what happened, but we were singing. We 794 00:42:08,320 --> 00:42:10,680 Speaker 1: were singing and next to Nicole, they were like, hey, Brock, 795 00:42:10,719 --> 00:42:12,600 Speaker 1: can you just like riff a little bit into mad Lips? 796 00:42:12,600 --> 00:42:17,880 Speaker 1: And I'm like super aware that imagine the legend. I'm like, yeah, exactly, 797 00:42:18,400 --> 00:42:21,640 Speaker 1: a couple of couple, you know, knock knocks. That's Nicole though. 798 00:42:21,800 --> 00:42:25,160 Speaker 1: That's she's the best. She's great. She's really cool, all right. Rock. 799 00:42:25,280 --> 00:42:28,600 Speaker 1: So as to wrap up here, here's the thing. Uh, 800 00:42:28,760 --> 00:42:32,680 Speaker 1: one piece of advice. So you you Bill Farmers, your 801 00:42:32,719 --> 00:42:35,000 Speaker 1: mentor So now you've got a mentee, what's the first 802 00:42:35,000 --> 00:42:39,439 Speaker 1: piece of advice you would give that person? Uh, well 803 00:42:40,680 --> 00:42:47,320 Speaker 1: to Segway and also truthfully, UM, don't don't post about 804 00:42:47,360 --> 00:42:51,360 Speaker 1: stuff as soon as it happens, because you start to 805 00:42:51,440 --> 00:42:56,480 Speaker 1: get connected. Um, your brain will start to connect social 806 00:42:56,520 --> 00:42:59,759 Speaker 1: media with dopamine. And I think it's important to know 807 00:43:00,160 --> 00:43:02,640 Speaker 1: that the wind isn't talking about the job, it's doing 808 00:43:02,680 --> 00:43:08,560 Speaker 1: the job. I also like to my mentee, I would say, 809 00:43:09,040 --> 00:43:11,560 Speaker 1: don't worry about getting the blue ribbon at the big sale. 810 00:43:11,840 --> 00:43:13,840 Speaker 1: Come up with the best recipe you can for whatever 811 00:43:14,000 --> 00:43:17,560 Speaker 1: whatever it is you do, and hone that recipe. Because 812 00:43:17,560 --> 00:43:19,640 Speaker 1: the people that you're admiring and want to be like 813 00:43:20,280 --> 00:43:23,520 Speaker 1: have been doing this for forty years. I mean we 814 00:43:23,560 --> 00:43:26,520 Speaker 1: talked about Frank Welker, who's been voicing Fred on Scooby 815 00:43:26,560 --> 00:43:29,239 Speaker 1: Doo since nineteen sixty something. Yeah, he's been around since 816 00:43:29,239 --> 00:43:32,120 Speaker 1: it was Old Hampshire. Like, the guy's been here forever. 817 00:43:33,239 --> 00:43:37,680 Speaker 1: So yeah, he's amazing. So just focus on the craft 818 00:43:37,680 --> 00:43:40,000 Speaker 1: of it and don't don't fall for the trap that 819 00:43:40,040 --> 00:43:42,840 Speaker 1: all of us do, which is social media following is 820 00:43:42,880 --> 00:43:47,960 Speaker 1: so important. Um, engaging with fans is important, but you 821 00:43:48,080 --> 00:43:50,000 Speaker 1: got into because you love the work. So don't ever 822 00:43:50,080 --> 00:43:51,680 Speaker 1: trade the love of the work for the love of 823 00:43:51,680 --> 00:43:55,080 Speaker 1: the admiration for the work, because you can't control that. Nice, nice, 824 00:43:55,120 --> 00:43:59,160 Speaker 1: good ad. That's just interesting. Just to piggyback on that. Um, 825 00:44:00,000 --> 00:44:02,960 Speaker 1: I'm I'm now almost three years without social media. Oh 826 00:44:03,000 --> 00:44:06,040 Speaker 1: you are, really and it's the best ever. You don't. 827 00:44:06,080 --> 00:44:08,760 Speaker 1: You don't use it at all at all. Nothing, No Twitter, 828 00:44:08,880 --> 00:44:12,120 Speaker 1: no Instagram, no TikTok, no anything. I have no social 829 00:44:12,160 --> 00:44:14,840 Speaker 1: media presence and it's wonderful. Well, I mean, you know 830 00:44:14,840 --> 00:44:17,080 Speaker 1: what they're saying about me on the internet because I don't, 831 00:44:17,520 --> 00:44:22,120 Speaker 1: and it's the best. Well, but then you're focused on 832 00:44:22,160 --> 00:44:24,239 Speaker 1: this and then you don't have to Yeah, that's cool. 833 00:44:24,680 --> 00:44:27,319 Speaker 1: It's just it's it's for my own mental health. I 834 00:44:27,360 --> 00:44:29,200 Speaker 1: just couldn't do it anymore. I could not do it. It 835 00:44:29,080 --> 00:44:31,280 Speaker 1: It made me anxious every day and I just couldn't 836 00:44:31,280 --> 00:44:33,400 Speaker 1: do it anything. I get that. I get that. I 837 00:44:33,440 --> 00:44:37,080 Speaker 1: don't think people talk about that enough. But I love, 838 00:44:37,120 --> 00:44:38,840 Speaker 1: I love your advice. Focus on the work. At the 839 00:44:38,880 --> 00:44:41,320 Speaker 1: end of the day, we're not voice over actors, were actors, 840 00:44:41,520 --> 00:44:46,320 Speaker 1: So that's that's focus on that. Brock, You're the best. 841 00:44:45,840 --> 00:44:50,600 Speaker 1: This is totally cool and now and now here's a 842 00:44:50,600 --> 00:44:54,000 Speaker 1: bad segue. But we're on social media. Can everybody find 843 00:44:54,040 --> 00:45:00,560 Speaker 1: you hilarious? Well, I'm I'm at Wilfred down because you 844 00:45:00,600 --> 00:45:12,279 Speaker 1: know that domains open Partiday. That's what that voice, you 845 00:45:12,280 --> 00:45:15,319 Speaker 1: know the other I discovered new voices all the time 846 00:45:15,360 --> 00:45:18,160 Speaker 1: through my own anxiety, and so if you're talking about 847 00:45:18,160 --> 00:45:20,520 Speaker 1: your inner critic, that voice is like whenever my my 848 00:45:20,520 --> 00:45:23,360 Speaker 1: fiance is an amazing driver. I have major control issues 849 00:45:23,400 --> 00:45:25,799 Speaker 1: though with road stuff because every accident I've ever been 850 00:45:25,800 --> 00:45:29,279 Speaker 1: in someone else was driving. And so whenever I'm in 851 00:45:29,320 --> 00:45:33,360 Speaker 1: the passenger seat, that's the voice of hello, jeez, I 852 00:45:33,400 --> 00:45:38,160 Speaker 1: don't know where. Slow it down, Slow it down. Your 853 00:45:38,200 --> 00:45:40,200 Speaker 1: fiance will be driving, and then you'll just you'll just 854 00:45:40,200 --> 00:45:43,960 Speaker 1: start to speak like just like that. I think that 855 00:45:44,000 --> 00:45:54,040 Speaker 1: was a yield yellow. I get that. We're there ever, um, 856 00:45:54,719 --> 00:45:57,560 Speaker 1: you can find me on Instagram at Brock Talks, which 857 00:45:57,600 --> 00:46:00,560 Speaker 1: is my name and my occupation, uh, which is b 858 00:46:00,760 --> 00:46:03,319 Speaker 1: R O c K T A l k S. And 859 00:46:03,400 --> 00:46:06,600 Speaker 1: then because there's a really sweet little old lady who 860 00:46:06,680 --> 00:46:10,800 Speaker 1: runs a podcast in Maine, my Twitter handles different because 861 00:46:10,840 --> 00:46:14,680 Speaker 1: she owns brock Talks. Because really is Brock. Everyone go 862 00:46:14,840 --> 00:46:19,400 Speaker 1: listen to Lindsay Brock's podcast. She's a sweet pie, but 863 00:46:19,480 --> 00:46:21,600 Speaker 1: she's yeah, she's holding out the Twitter account. So I'm 864 00:46:21,680 --> 00:46:24,600 Speaker 1: b r O c K t O c k s 865 00:46:24,680 --> 00:46:29,160 Speaker 1: on Twitter. Nice after that, yeah, I like. And then 866 00:46:29,200 --> 00:46:33,720 Speaker 1: of course where can people see you as zyle fist Puncher. 867 00:46:33,840 --> 00:46:36,480 Speaker 1: Oh yeah, well you can check out Hamster Gretel a 868 00:46:36,600 --> 00:46:40,240 Speaker 1: Disney Channel or also like, check us out on Disney Plus. 869 00:46:40,960 --> 00:46:44,360 Speaker 1: Uh that and we air Saturday mornings at nine thirty. 870 00:46:45,200 --> 00:46:47,680 Speaker 1: Check your local listings. And then I think we're dropping 871 00:46:47,680 --> 00:46:50,239 Speaker 1: to Disney Plus incrementally, so just keep you know, keep 872 00:46:50,320 --> 00:46:53,440 Speaker 1: checking that. And we're trending right now on Disney Plus 873 00:46:53,480 --> 00:46:57,280 Speaker 1: as we record, which is crazy. One of the best 874 00:46:57,280 --> 00:47:01,680 Speaker 1: titles Hamster and Gretel ever put out there. Rock you 875 00:47:01,760 --> 00:47:05,040 Speaker 1: made it. You made it to Saturday Morning. Yes, you're 876 00:47:05,040 --> 00:47:09,160 Speaker 1: a Disney You're on Disney Channel on Saturday Morning. My friends, 877 00:47:09,360 --> 00:47:13,200 Speaker 1: you have done it? My friend yeah, Bill, Yeah, you 878 00:47:13,280 --> 00:47:16,400 Speaker 1: had a great time. Is amazing. Brack made it today. 879 00:47:16,760 --> 00:47:22,560 Speaker 1: You'll come back. And now Christie, well that's awesome. Christie. 880 00:47:22,600 --> 00:47:24,520 Speaker 1: Can you take us out by one more time? Telling 881 00:47:24,600 --> 00:47:27,719 Speaker 1: us the title of the contest. Make sure you join 882 00:47:27,920 --> 00:47:32,040 Speaker 1: us on our podcast contest called go ahead. Well, no, 883 00:47:32,160 --> 00:47:34,239 Speaker 1: that's all you Christie take us. Now you do it? 884 00:47:34,520 --> 00:47:40,200 Speaker 1: Oh God, come on, what you got? Super awesome contest 885 00:47:40,920 --> 00:47:50,960 Speaker 1: to fine Nope becoming Nope the next Ironically, folks, we 886 00:47:51,000 --> 00:47:53,040 Speaker 1: are going to have to replace Christie with another actor 887 00:47:53,120 --> 00:47:56,560 Speaker 1: doing it properly. Uh, ladies and gentlemen, thank you so 888 00:47:56,640 --> 00:47:58,880 Speaker 1: much for joining us. Everybody out there, thank you so 889 00:47:58,960 --> 00:48:01,080 Speaker 1: much for joining us. We of you so much, and 890 00:48:01,239 --> 00:48:05,560 Speaker 1: join us because yes, we are going to have our 891 00:48:05,600 --> 00:48:07,919 Speaker 1: super awesome contest to become the next big voice actor. 892 00:48:08,000 --> 00:48:09,960 Speaker 1: And if you can't say the contest, chances are you're 893 00:48:09,960 --> 00:48:13,040 Speaker 1: not gonna be able to win. Christie UH is absolutely 894 00:48:13,040 --> 00:48:14,719 Speaker 1: going to be able to say the contest. Yes you are. 895 00:48:14,760 --> 00:48:16,600 Speaker 1: You know that. We'll rehearse it a little bit and 896 00:48:16,600 --> 00:48:20,239 Speaker 1: you're gonna be able to do it nine different voices. Hey, 897 00:48:20,280 --> 00:48:21,840 Speaker 1: for the record, I've had it written down next to 898 00:48:21,880 --> 00:48:24,440 Speaker 1: me the entire time we've been doing this. So we 899 00:48:24,480 --> 00:48:26,680 Speaker 1: will get to all of you out there with all 900 00:48:26,760 --> 00:48:28,879 Speaker 1: of the contest rules. They're being worked out right now. 901 00:48:28,880 --> 00:48:31,239 Speaker 1: But this is amazing and you're gonna get to not 902 00:48:31,360 --> 00:48:34,200 Speaker 1: only be mentored by people like Brock, but one person 903 00:48:34,200 --> 00:48:35,480 Speaker 1: out there is going to be able to call them 904 00:48:35,480 --> 00:48:39,160 Speaker 1: colleagues because uh, you're gonna have an opportunity to change 905 00:48:39,160 --> 00:48:42,439 Speaker 1: your life. That is not hyperbolee, folks, that is absolutely 906 00:48:42,440 --> 00:48:46,800 Speaker 1: the truth. So yeah, so much fun with you again, 907 00:48:46,960 --> 00:48:49,040 Speaker 1: and uh yeah bear with us over the next few weeks. 908 00:48:49,040 --> 00:48:51,680 Speaker 1: We're lovingly going to be able to just sit here 909 00:48:51,719 --> 00:48:53,640 Speaker 1: and talk to some of the most amazing people before 910 00:48:53,680 --> 00:48:57,239 Speaker 1: the contest rolls out. So use this time to practice, rehearse, 911 00:48:57,640 --> 00:48:59,880 Speaker 1: go do what Brock said, work on your instrument, do 912 00:49:00,000 --> 00:49:01,600 Speaker 1: what you've got to do. Go back and watch some 913 00:49:01,680 --> 00:49:03,239 Speaker 1: of our other actors as they tell us how they 914 00:49:03,280 --> 00:49:05,440 Speaker 1: get into character, how they find the character, do the 915 00:49:05,480 --> 00:49:10,000 Speaker 1: Brock monster mash, because man, it seems like there are 916 00:49:10,000 --> 00:49:12,560 Speaker 1: a thousand things you're going to have to practice to 917 00:49:12,560 --> 00:49:16,120 Speaker 1: to win. But we are so excited, and just remember 918 00:49:16,719 --> 00:49:19,960 Speaker 1: join us once again on I Hear Voices and keep 919 00:49:20,000 --> 00:49:21,839 Speaker 1: your eyes out for all the rules for the super 920 00:49:21,880 --> 00:49:24,000 Speaker 1: awesome contest to become the next big voice over actor. 921 00:49:24,360 --> 00:49:26,040 Speaker 1: And if you think you got what it takes, don't 922 00:49:26,040 --> 00:49:29,120 Speaker 1: ever forget put your voices where your mouth is. Thanks everybody, 923 00:49:29,160 --> 00:49:31,960 Speaker 1: Bye guys. I Hear Voices as hosted by Wilfred l 924 00:49:32,000 --> 00:49:35,200 Speaker 1: and Christy Carlson Romano Executive produced by Wilfred Ll, Brendan Rooney, 925 00:49:35,200 --> 00:49:38,000 Speaker 1: Amy Sugarman and Vicky Ernst Chang. Our executive in charge 926 00:49:38,000 --> 00:49:40,719 Speaker 1: of production is Danielle Romo. Our producer is Lorraine Vera 927 00:49:40,760 --> 00:49:43,640 Speaker 1: Wez and our editor slash engineer is Brian Burton. And 928 00:49:43,719 --> 00:49:47,240 Speaker 1: that was my announcer voice. Some side effects of listening 929 00:49:47,239 --> 00:49:49,680 Speaker 1: to I Hear Voices are sore abs from hilarity falling 930 00:49:49,680 --> 00:49:52,640 Speaker 1: down the Coco melon rabbit hole, sneezing due to mass nostalgia, 931 00:49:52,719 --> 00:49:55,080 Speaker 1: and hugs. Follow I Hear Voices wherever you listen to 932 00:49:55,080 --> 00:49:57,360 Speaker 1: podcasts so you don't miss any of the amazing voices. 933 00:49:57,440 --> 00:49:59,640 Speaker 1: Be sure to follow us on Instagram and TikTok at 934 00:49:59,680 --> 00:50:02,560 Speaker 1: I Hear Voices podcast. To see the video stream, subscribe 935 00:50:02,600 --> 00:50:04,440 Speaker 1: to my YouTube channel. You can also check us out 936 00:50:04,440 --> 00:50:08,120 Speaker 1: on my Space Omigel Vine, Lime Wire. Hey I'm a napster. Okay, well, 937 00:50:08,200 --> 00:50:09,960 Speaker 1: let's teach you about the Internet. The who