1 00:00:00,240 --> 00:00:03,280 Speaker 1: Hello the Internet, and welcome to Season to sixty seven, 2 00:00:03,279 --> 00:00:07,120 Speaker 1: Episode one of Dirt Daily z guys, but for me, 3 00:00:07,160 --> 00:00:12,039 Speaker 1: it's episode one. It's a production by a Heart Radio 4 00:00:12,240 --> 00:00:14,680 Speaker 1: and also a podcast where we take a deep dive 5 00:00:14,720 --> 00:00:19,600 Speaker 1: into America share consciousness for all you first time listeners. Uh, 6 00:00:19,720 --> 00:00:24,680 Speaker 1: it's Tuesday, December two special Happy Birthday. Shout out to 7 00:00:24,680 --> 00:00:31,240 Speaker 1: my little sister Caitlin for oh birthday. Any any other days, well, 8 00:00:31,280 --> 00:00:34,840 Speaker 1: you know, look obviously respect yeah, respect on Cala's d day. 9 00:00:34,920 --> 00:00:38,080 Speaker 1: And also I just will mention, uh it's it's hot 10 00:00:38,080 --> 00:00:41,239 Speaker 1: Coco Day. Uh. And and one that is weird National 11 00:00:41,400 --> 00:00:45,840 Speaker 1: Day of the Horse. It's like word, it's so fucking 12 00:00:45,880 --> 00:00:49,960 Speaker 1: aggressive the way that is National Day of the Horse, 13 00:00:51,000 --> 00:00:57,480 Speaker 1: which feels like yeah, like Nordic, yeah, Nordic or I 14 00:00:57,520 --> 00:00:59,560 Speaker 1: mean it could also be similar to like the Year 15 00:00:59,640 --> 00:01:02,760 Speaker 1: of a pig, you're of the red day of the 16 00:01:03,000 --> 00:01:06,120 Speaker 1: Day of it just feels like like a terrible like 17 00:01:06,319 --> 00:01:10,360 Speaker 1: Colonizer massacre or something that is like the Day of 18 00:01:10,400 --> 00:01:12,720 Speaker 1: the Horse. But it's just about hey, shout out the 19 00:01:13,319 --> 00:01:19,720 Speaker 1: equine homies. More days, More days should do something like that, 20 00:01:19,880 --> 00:01:22,000 Speaker 1: just like have fun with how you name it. It 21 00:01:22,040 --> 00:01:27,959 Speaker 1: adds some gravity TOAs right, like the annual celebration of 22 00:01:28,080 --> 00:01:31,600 Speaker 1: the commencement of Hot Coco. Imagine if it was the 23 00:01:31,640 --> 00:01:35,800 Speaker 1: horsey instead of the horse, the rational day of the 24 00:01:36,160 --> 00:01:41,119 Speaker 1: undermine really undermine seriousness of the name name National Day 25 00:01:41,120 --> 00:01:43,520 Speaker 1: of the Horse. I didn't even know my horse is 26 00:01:43,520 --> 00:01:46,360 Speaker 1: out in the yard. I didn't even I didn't get anything, 27 00:01:46,600 --> 00:01:50,200 Speaker 1: nothing special. Yeah, get that salt, lick out, get out 28 00:01:50,200 --> 00:01:52,840 Speaker 1: of here. You can't stay inside today. Get your salt, 29 00:01:52,880 --> 00:01:54,400 Speaker 1: I said, Yeah, I just sent a bunch of rude 30 00:01:54,400 --> 00:01:57,720 Speaker 1: shipped to him like usual. I don't know. Yeah, yeah, 31 00:01:57,760 --> 00:01:59,640 Speaker 1: I didn't know it was the horse. I would have 32 00:01:59,640 --> 00:02:02,480 Speaker 1: been like, listen to change your damn you're looking you're 33 00:02:02,520 --> 00:02:06,400 Speaker 1: looking good or whatever. I would have said that to him. Well, 34 00:02:06,400 --> 00:02:10,680 Speaker 1: shout out, shut up, shut out the horse, my horse 35 00:02:10,720 --> 00:02:13,880 Speaker 1: in the yard. My name is the Jack O'Brien a k. 36 00:02:14,440 --> 00:02:17,560 Speaker 1: Check out these pale white plumpers. Yeah, that's what I 37 00:02:17,639 --> 00:02:22,239 Speaker 1: call my legs. My chubby little plumpers are the color 38 00:02:22,400 --> 00:02:26,720 Speaker 1: of nagged eggs. If you hate the term plumpers, well 39 00:02:26,720 --> 00:02:30,960 Speaker 1: you're not the only one. When I call my legs plumpers, 40 00:02:31,320 --> 00:02:34,800 Speaker 1: my dad will not call me son. Then one choog 41 00:02:34,800 --> 00:02:40,520 Speaker 1: ee Christmas Eve, Miles Miles came to say, Jackie with 42 00:02:40,639 --> 00:02:44,680 Speaker 1: your thighs so bright, let's co host the Daily site. 43 00:02:45,120 --> 00:02:48,400 Speaker 1: So now we do some podcasts on things like shock 44 00:02:48,560 --> 00:02:53,079 Speaker 1: in a Tree. You can't catch these old plumpers on site. 45 00:02:53,080 --> 00:03:00,000 Speaker 1: Guy standing on Mad Boom stays shout out to Josiah 46 00:03:00,160 --> 00:03:04,800 Speaker 1: jo z a I y A on Twitter said, accursed 47 00:03:04,880 --> 00:03:08,080 Speaker 1: Daily's like I say, hey, what Blake Wexler birthed into 48 00:03:08,120 --> 00:03:11,720 Speaker 1: existence cannot be undone? We are all so much worse 49 00:03:11,800 --> 00:03:15,440 Speaker 1: off for it. And amen. Yeah, I'm thrilled to be 50 00:03:15,480 --> 00:03:19,239 Speaker 1: joined as always by my co host, Mr Miles. It's 51 00:03:19,320 --> 00:03:22,840 Speaker 1: Miles Gray, lover of Saturday. So he's Miles Gray, a 52 00:03:23,000 --> 00:03:37,120 Speaker 1: k A. Saturday Saturday, Saturday, Saturday, Saturday, Saturday, Saturday, Saturday, Saturday, Saturday, Saturday, Saturday, Saturday, 53 00:03:37,200 --> 00:03:43,120 Speaker 1: Saturday Day, Saturday Day. Okay. Shout out to Locker Ni 54 00:03:43,240 --> 00:03:46,480 Speaker 1: returning every morning by sugarray and just Saturday over and 55 00:03:46,560 --> 00:03:51,840 Speaker 1: over again, because it's just about yelling Saturday Saturday straight, Saturday, 56 00:03:52,160 --> 00:03:59,280 Speaker 1: Saturday Saturday Saturday. Um yeah, somebody's doing that for ten hours. 57 00:03:59,600 --> 00:04:03,200 Speaker 1: Chris Well, who's Chris Um there? You can find just 58 00:04:03,240 --> 00:04:06,560 Speaker 1: a looped version of that part of the song for 59 00:04:06,640 --> 00:04:09,840 Speaker 1: ten hours if you're if you're curious, yes A to you, 60 00:04:10,160 --> 00:04:14,800 Speaker 1: r D A y night, yes to you are only 61 00:04:14,880 --> 00:04:21,080 Speaker 1: said that, Yeah, that's Saturday? Is that basically rollers? Yeah? Yeah? 62 00:04:21,360 --> 00:04:23,240 Speaker 1: They were part of my life when I was like 63 00:04:23,600 --> 00:04:27,640 Speaker 1: in fifth grade. People were like they're the shit man. 64 00:04:28,120 --> 00:04:31,040 Speaker 1: They were like, kids were like, man, you think Zeppe's good, 65 00:04:31,040 --> 00:04:35,160 Speaker 1: you're out of your mind. I'm not kidding. Like, kids 66 00:04:35,160 --> 00:04:38,040 Speaker 1: were dead serious about that band. Like I remember everybody 67 00:04:38,040 --> 00:04:40,240 Speaker 1: just being like, yep, I mean music is pretty much 68 00:04:40,320 --> 00:04:44,200 Speaker 1: topped out. Jesus, we're done here. And I was like 69 00:04:44,320 --> 00:04:47,680 Speaker 1: you more, even the fifth grader, I was like, I 70 00:04:47,760 --> 00:04:49,320 Speaker 1: don't know, I think these guys might be a flash 71 00:04:49,320 --> 00:04:51,920 Speaker 1: in the pan. Right, Oh wait, so you kidding me? 72 00:04:52,120 --> 00:04:54,440 Speaker 1: What's it? I mean, I'm curious too, because when those 73 00:04:54,440 --> 00:04:58,000 Speaker 1: songs are there, so like Sacharin, they're like, like, you know, 74 00:04:58,040 --> 00:05:00,280 Speaker 1: they're just kind of they're like they feel like they 75 00:05:00,279 --> 00:05:03,040 Speaker 1: were whatever the equivalent of like an algorithm is now. 76 00:05:03,560 --> 00:05:06,480 Speaker 1: But when you hear people be like this is it? Well, 77 00:05:06,520 --> 00:05:09,680 Speaker 1: I know you like we're obviously the contrarian child. Were 78 00:05:09,680 --> 00:05:11,680 Speaker 1: you in your mind being like go fucking listen to 79 00:05:11,760 --> 00:05:14,599 Speaker 1: blah blah blah. I mean I wasn't a music snab, 80 00:05:14,680 --> 00:05:16,600 Speaker 1: but I was in fifth grade yet, No, I just 81 00:05:16,760 --> 00:05:19,320 Speaker 1: you know, but that's a funny idea that there was nothing. 82 00:05:19,520 --> 00:05:22,120 Speaker 1: There was nothing I could turn them onto, like you know, 83 00:05:22,160 --> 00:05:24,480 Speaker 1: it would have been like, you know, there are sellouts. 84 00:05:24,520 --> 00:05:26,280 Speaker 1: You should listen to Captain and to Neil, you know 85 00:05:26,279 --> 00:05:29,440 Speaker 1: what I mean. Didn't have any right there. I didn't 86 00:05:29,440 --> 00:05:32,640 Speaker 1: know about anybody with cred. Oh you like this band. 87 00:05:32,800 --> 00:05:36,120 Speaker 1: Check out Casey and the fucking Sunshine. You want to 88 00:05:36,120 --> 00:05:42,279 Speaker 1: hear the real deal? Yeah, five year old or ten 89 00:05:42,360 --> 00:05:45,280 Speaker 1: year old sized Criss Crofton. That looks exactly like the 90 00:05:45,279 --> 00:05:49,000 Speaker 1: current Criss Crofton. It's kind of true. Smoking a cigarette 91 00:05:49,000 --> 00:05:51,960 Speaker 1: and some red hair. I did not smoke cigarettes when 92 00:05:51,960 --> 00:05:53,720 Speaker 1: I was the fifth grade. I was like I was. 93 00:05:54,080 --> 00:05:56,760 Speaker 1: I thought I was gonna be Yeah, well I didn't 94 00:05:56,760 --> 00:05:58,320 Speaker 1: know any better, but I thought I was gonna be 95 00:05:58,360 --> 00:06:00,719 Speaker 1: a lawyer because it was the only job I knew. Hey, 96 00:06:00,720 --> 00:06:04,880 Speaker 1: who's that voice? That voice is someone we are thrilled 97 00:06:05,080 --> 00:06:07,760 Speaker 1: to be joined in in a third seat, a hilarious 98 00:06:07,760 --> 00:06:10,800 Speaker 1: stand up comedian, actor, musician with the seven point six 99 00:06:10,880 --> 00:06:14,360 Speaker 1: rated album on Pitchfork. You can listen to his podcast 100 00:06:14,400 --> 00:06:16,920 Speaker 1: Colebrew got me like anywhere to find. Podcasts are given 101 00:06:16,920 --> 00:06:20,240 Speaker 1: away for free. His new book, The Advice King Anthology 102 00:06:20,360 --> 00:06:24,200 Speaker 1: is available now anywhere fine books are sold. The poetry 103 00:06:24,200 --> 00:06:30,720 Speaker 1: window is open because it's Chris motherfucking Croft. What's up? 104 00:06:31,120 --> 00:06:33,880 Speaker 1: What's up? I'm so happy, I'm so happy to be here. 105 00:06:35,000 --> 00:06:37,280 Speaker 1: I'm gonna clear my throat. Hold on, I know you've 106 00:06:37,320 --> 00:06:41,920 Speaker 1: been saying podcast. I'm not kidding. My Colbrew got me like, 107 00:06:42,240 --> 00:06:46,120 Speaker 1: clear my throat is what would be called and we 108 00:06:46,160 --> 00:06:48,200 Speaker 1: got to do something about it. Question you said, when 109 00:06:48,200 --> 00:06:50,080 Speaker 1: you clear your throat, what is it act? What is 110 00:06:50,120 --> 00:06:52,760 Speaker 1: it achieving? Is it that you're trying to knock something loose? 111 00:06:52,800 --> 00:06:56,359 Speaker 1: It's that you're scratching a throat? It's well, what just 112 00:06:56,360 --> 00:06:59,360 Speaker 1: trying to get the attention of the room. I don't 113 00:06:59,680 --> 00:07:06,360 Speaker 1: start not but I think I don't think that's helping 114 00:07:06,440 --> 00:07:08,640 Speaker 1: the look of like older white men when they do that, 115 00:07:08,680 --> 00:07:11,000 Speaker 1: because it does seem like that's what they're doing. But 116 00:07:11,040 --> 00:07:13,119 Speaker 1: I think most of the time it's just something's fucking 117 00:07:13,200 --> 00:07:17,680 Speaker 1: caught and that sus And yeah, it's not good. It's 118 00:07:17,720 --> 00:07:20,520 Speaker 1: not good on a first date. It's not good. It's 119 00:07:20,520 --> 00:07:22,320 Speaker 1: not good on andy it's not good for a single 120 00:07:22,360 --> 00:07:24,200 Speaker 1: man to be running around clear in his throat. It's 121 00:07:24,200 --> 00:07:27,560 Speaker 1: the opposite of what a woman wants. A woman wants moisture, 122 00:07:29,840 --> 00:07:32,840 Speaker 1: woman wants the woman put on a T shirt. Put 123 00:07:32,960 --> 00:07:36,360 Speaker 1: on a T shirt. Woman wants people to be flexible 124 00:07:36,560 --> 00:07:41,720 Speaker 1: and ready for action, not dried out and stand. You know, 125 00:07:42,160 --> 00:07:44,040 Speaker 1: help me with the stroller. As soon as I'm done 126 00:07:44,080 --> 00:07:46,160 Speaker 1: doing you know, I'll be right there to help you 127 00:07:46,200 --> 00:07:50,840 Speaker 1: with the baby. Why does daddy make a scary noise? 128 00:07:51,000 --> 00:07:52,800 Speaker 1: I don't know, because he's too old that should never 129 00:07:52,840 --> 00:07:57,840 Speaker 1: married him, like an old radiator's daddy trying to command 130 00:07:57,840 --> 00:08:04,280 Speaker 1: the room. Again. I ever fully on the movie Big Fish, 131 00:08:04,560 --> 00:08:07,720 Speaker 1: the Tim Burton movie, like the main character, the dad, 132 00:08:07,880 --> 00:08:12,840 Speaker 1: the legend dead character repeatedly keeps saying as an old man, 133 00:08:13,000 --> 00:08:16,520 Speaker 1: I was just dried out when they would like find 134 00:08:16,600 --> 00:08:18,640 Speaker 1: him in a pond. I don't really remember that movie 135 00:08:18,680 --> 00:08:20,600 Speaker 1: that well, but I remember that line because I was 136 00:08:20,640 --> 00:08:23,600 Speaker 1: so baffled by, like, were they like trying to make 137 00:08:23,600 --> 00:08:26,120 Speaker 1: it a thing like a quote, because he says that 138 00:08:26,240 --> 00:08:30,440 Speaker 1: multiple times, I think, um, yeah, maybe it was just 139 00:08:30,480 --> 00:08:34,280 Speaker 1: a very realistic portrayal of aging, you know, I mean, 140 00:08:34,720 --> 00:08:36,959 Speaker 1: like you can look at the pictures of Miles. I'm 141 00:08:36,960 --> 00:08:39,040 Speaker 1: looking at a screen right now because we're doing this 142 00:08:39,120 --> 00:08:43,840 Speaker 1: via zoom, so I'm looking at two moist dudes, Miles 143 00:08:44,080 --> 00:08:48,040 Speaker 1: over here. Miles and Jack both look like, you know, 144 00:08:48,320 --> 00:08:50,960 Speaker 1: there's not gonna be an emergency situation where they, you know, 145 00:08:51,040 --> 00:08:53,480 Speaker 1: can't get to the fire exit because they're clearing the throat. 146 00:08:53,920 --> 00:08:57,280 Speaker 1: And in the middle there's me and I looked dry 147 00:08:57,800 --> 00:09:00,280 Speaker 1: before we start recording. The last thing, I say, the 148 00:09:00,400 --> 00:09:02,880 Speaker 1: chords are dewey, let's get it, let's get it on. 149 00:09:03,040 --> 00:09:06,840 Speaker 1: Every time it's like, you guys are a couple of 150 00:09:06,880 --> 00:09:13,360 Speaker 1: wet boys, and yeah, so anyway, it's kind of a 151 00:09:13,440 --> 00:09:17,240 Speaker 1: thing like I just do everything sort of like without 152 00:09:17,320 --> 00:09:19,440 Speaker 1: preparation in a way, like I mean, like I just 153 00:09:20,080 --> 00:09:21,960 Speaker 1: it doesn't occur to me, like, oh, you should really 154 00:09:21,960 --> 00:09:24,480 Speaker 1: like clear your throat a bunch before this fucking podcast. 155 00:09:24,520 --> 00:09:26,599 Speaker 1: But then yesterday got out of hand. The one that 156 00:09:26,640 --> 00:09:30,400 Speaker 1: we're putting up tonight, the new episode of which is 157 00:09:30,440 --> 00:09:33,360 Speaker 1: so fucking good, like we really have gotten hit our stride. 158 00:09:33,360 --> 00:09:36,400 Speaker 1: It's funny, man. Today was the most recent one that 159 00:09:36,400 --> 00:09:39,079 Speaker 1: we're putting up tonight is the funniest one I've ever done. Oh, 160 00:09:39,120 --> 00:09:42,320 Speaker 1: it's so funny. I mean it's insane. But the labor 161 00:09:42,480 --> 00:09:44,880 Speaker 1: went that went into a d throat clean. We had 162 00:09:44,880 --> 00:09:46,880 Speaker 1: to like I had to like edit. There's just like 163 00:09:46,920 --> 00:09:48,840 Speaker 1: a lot of noises on there, you know, and I 164 00:09:48,920 --> 00:09:51,520 Speaker 1: was just like that is not you know, like I can't. 165 00:09:51,640 --> 00:09:53,480 Speaker 1: We gotta do something. I don't know if there's a 166 00:09:53,480 --> 00:09:56,480 Speaker 1: filter like called like you know, the old you know, 167 00:09:56,600 --> 00:09:59,720 Speaker 1: young you know, called boy something, Yeah, like a wet boy. 168 00:10:00,240 --> 00:10:01,840 Speaker 1: What are you putting your mic through? You got like 169 00:10:01,880 --> 00:10:03,480 Speaker 1: in a cloud lifter or something. You've got to be 170 00:10:03,480 --> 00:10:06,040 Speaker 1: putting that through a wet boy pedal, Yeah, exactly. Yeah. 171 00:10:06,040 --> 00:10:11,800 Speaker 1: The moisturizer, yeah exactly, I got put a vocal moisturizer. Anyway, 172 00:10:11,840 --> 00:10:14,040 Speaker 1: we're working on it. People are fans of the show, 173 00:10:14,800 --> 00:10:16,760 Speaker 1: you know, and we have a lot of crossover. A 174 00:10:16,760 --> 00:10:19,080 Speaker 1: lot of our fans are fans of you guys, of course, 175 00:10:19,240 --> 00:10:21,440 Speaker 1: and so you know, just we're working on it. Don't 176 00:10:21,480 --> 00:10:25,480 Speaker 1: don't care. Objection was too dry. They were working on them. 177 00:10:25,520 --> 00:10:30,920 Speaker 1: I'm getting I'm getting my neck worked on pre medical 178 00:10:30,960 --> 00:10:35,480 Speaker 1: procedure medical. I mean, it's it's happens pretty quick to like, 179 00:10:35,520 --> 00:10:37,439 Speaker 1: you know, it's just one minute, you're one minute you 180 00:10:37,520 --> 00:10:39,640 Speaker 1: never clear your throat. The next minute you know you're 181 00:10:40,480 --> 00:10:43,920 Speaker 1: clearing your throat. Seriously, there's nothing, you know, I don't 182 00:10:43,920 --> 00:10:47,400 Speaker 1: think unless you're like already famous professor or something, and 183 00:10:47,400 --> 00:10:50,080 Speaker 1: it's like maybe matches. It's like somehow like that could 184 00:10:50,080 --> 00:10:52,880 Speaker 1: be a thing where you're, oh, he's he's got gravitas 185 00:10:52,920 --> 00:10:55,080 Speaker 1: because he clears his throat or something, because he's like 186 00:10:55,160 --> 00:10:57,560 Speaker 1: already an author. I mean, I'm an author, but I 187 00:10:57,679 --> 00:11:01,280 Speaker 1: definitely way more successful author. If you're like Rudyard Kipling 188 00:11:01,280 --> 00:11:03,719 Speaker 1: and you're going around your clearing your throat, then you're 189 00:11:03,720 --> 00:11:06,839 Speaker 1: probably it's a power move. But for me, it's just like, 190 00:11:07,960 --> 00:11:09,760 Speaker 1: I'm on hinge. You don't want to be clear in 191 00:11:09,800 --> 00:11:12,280 Speaker 1: your throat while you're on your wine holiday or whatever 192 00:11:12,320 --> 00:11:15,240 Speaker 1: every fucking basic motherfucker wants to do with their goddamn 193 00:11:15,280 --> 00:11:18,280 Speaker 1: hinge life. You know, Hinge those apps, you know, we've 194 00:11:18,320 --> 00:11:21,400 Speaker 1: talked about that before. Yeah, the last person they want, 195 00:11:21,400 --> 00:11:23,360 Speaker 1: they want to do a selfie with a fucking boat 196 00:11:23,440 --> 00:11:25,240 Speaker 1: and a glass of wine. The last thing they wanted 197 00:11:25,320 --> 00:11:28,280 Speaker 1: some motherfucker clear in their throat, reminding them, reminding them 198 00:11:28,360 --> 00:11:34,280 Speaker 1: their mortality. Yeah, could you stop death rattling on myselfie 199 00:11:35,160 --> 00:11:37,800 Speaker 1: picturing like somebody with a glass of champagne in the 200 00:11:37,840 --> 00:11:40,960 Speaker 1: air boat in the background, like face to the side, 201 00:11:41,040 --> 00:11:43,040 Speaker 1: catching their good face. And then you're in the background 202 00:11:43,040 --> 00:11:46,880 Speaker 1: like you made a cop like just you know, clears 203 00:11:46,880 --> 00:11:50,400 Speaker 1: your their throat less than you. Joe Biden. I was 204 00:11:50,400 --> 00:11:55,120 Speaker 1: gonna say, Joe Biden is wet compared to you. That's right, 205 00:11:55,360 --> 00:11:56,800 Speaker 1: all right, Chris, We're gonna get to know you a 206 00:11:56,840 --> 00:11:58,600 Speaker 1: little bit better in a moment. First, we're gonna tell 207 00:11:58,600 --> 00:12:01,000 Speaker 1: our listeners a couple of the things we might get 208 00:12:01,040 --> 00:12:04,319 Speaker 1: to today. We'll see we might talk about the next 209 00:12:04,360 --> 00:12:08,480 Speaker 1: COVID wave that's coming, uh, and how it coincides with 210 00:12:08,520 --> 00:12:13,200 Speaker 1: Ellen's cool joke about his pronouns. We're gonna talk about 211 00:12:13,240 --> 00:12:17,240 Speaker 1: Tucker Carlson getting up in arms about CBS carrying butt plugs, uh, 212 00:12:17,280 --> 00:12:22,559 Speaker 1: and like how that kind of flow charted through the right. Um, 213 00:12:22,720 --> 00:12:27,720 Speaker 1: some investigations that both new congresses are. You know, both 214 00:12:27,720 --> 00:12:30,280 Speaker 1: parties are talking about like that they're gonna go after 215 00:12:30,440 --> 00:12:34,160 Speaker 1: the new Congress. And of course they have announced the 216 00:12:34,200 --> 00:12:40,079 Speaker 1: Golden Globes and top Gun Maverick got nominated for Best Picture, 217 00:12:40,320 --> 00:12:43,480 Speaker 1: and the Right is celebrating. I guess the right like 218 00:12:44,000 --> 00:12:47,520 Speaker 1: claimed that as their movie. So we'll talk about all 219 00:12:47,559 --> 00:12:50,079 Speaker 1: of that or some of that, maybe none a bit 220 00:12:50,559 --> 00:12:53,199 Speaker 1: uh plenty more though, But first, Chris, we like to 221 00:12:53,200 --> 00:12:57,160 Speaker 1: task our guests. What is something from your search history? Okay, well, 222 00:12:57,200 --> 00:12:59,960 Speaker 1: I don't know if if we're allowed to uh, if 223 00:13:00,040 --> 00:13:03,400 Speaker 1: you've listened to my podcast, you know this story but recently, um, 224 00:13:03,440 --> 00:13:06,720 Speaker 1: I mean it's worth repeating. When I was in the nineties, 225 00:13:06,760 --> 00:13:10,640 Speaker 1: I was working as a production assistant on a pornography 226 00:13:10,720 --> 00:13:15,040 Speaker 1: uh twenty four hour pornography channel, like a like a 227 00:13:15,720 --> 00:13:19,400 Speaker 1: like a satellite channel that showed pornography. I mean Spice. 228 00:13:20,400 --> 00:13:23,360 Speaker 1: I think it was Spice. Why didn't I couldn't remember 229 00:13:23,360 --> 00:13:26,000 Speaker 1: the name of it. Um. I only work the job 230 00:13:26,080 --> 00:13:31,200 Speaker 1: two days, but more than enough, very action packed days 231 00:13:31,200 --> 00:13:34,400 Speaker 1: a month once a month. The Spice channel. I swear 232 00:13:34,400 --> 00:13:37,560 Speaker 1: it was the Spice Channel. I just couldn't think of it. Uh. 233 00:13:37,600 --> 00:13:40,400 Speaker 1: They had a live taping. Everything was like, you know, 234 00:13:40,440 --> 00:13:42,720 Speaker 1: they had a bunch of VCRs running. That's all it 235 00:13:42,880 --> 00:13:45,040 Speaker 1: was at that time, in like ninety seven, was just 236 00:13:45,080 --> 00:13:48,240 Speaker 1: a bank of VCR showing porn movies forever on a loop. 237 00:13:48,440 --> 00:13:51,640 Speaker 1: And my friend friend you know, not a good friend 238 00:13:51,679 --> 00:13:56,320 Speaker 1: but I mean anyway, I'll tell you more about like 239 00:13:56,440 --> 00:14:02,040 Speaker 1: our friendship later. But he's a he was running the VCRs. Basically, 240 00:14:02,040 --> 00:14:04,080 Speaker 1: he was just keeping the VCRs going, and so he 241 00:14:04,160 --> 00:14:05,640 Speaker 1: was like, but he knew me, and he for some 242 00:14:05,679 --> 00:14:07,880 Speaker 1: reason knew that I would like this job, which was 243 00:14:08,040 --> 00:14:11,040 Speaker 1: coming in on the day they had the home shopping 244 00:14:11,160 --> 00:14:15,040 Speaker 1: channel for sex toys, and they had real porn stars, 245 00:14:15,120 --> 00:14:18,240 Speaker 1: like big name porn stars come in and demonstrate the sexes. 246 00:14:18,679 --> 00:14:21,720 Speaker 1: I got to clothed, like pick out what they got 247 00:14:21,720 --> 00:14:24,480 Speaker 1: to wear, and I also got to pair which one 248 00:14:24,560 --> 00:14:26,800 Speaker 1: with which other one, like I got to pick who 249 00:14:26,840 --> 00:14:30,760 Speaker 1: got to be with whoever to demonstrate the products. My 250 00:14:30,840 --> 00:14:32,840 Speaker 1: friend was basically like, this is my gift to you. 251 00:14:34,800 --> 00:14:37,080 Speaker 1: We knew you always wanted to be a stylist for 252 00:14:37,160 --> 00:14:39,840 Speaker 1: porn shoots. I think he just knew I was in 253 00:14:39,880 --> 00:14:42,200 Speaker 1: the porn you know, which is just so sad. You know, 254 00:14:42,240 --> 00:14:45,760 Speaker 1: it's the same that's the same as saying someone's lonely. Lonely, 255 00:14:45,920 --> 00:14:48,440 Speaker 1: I mean, it's not like a quality that you want. Oh, Chris, 256 00:14:48,520 --> 00:14:50,800 Speaker 1: I love this because he loves porn. I just but 257 00:14:50,840 --> 00:14:52,680 Speaker 1: I also loved the idea. That's like also part of 258 00:14:52,720 --> 00:14:54,400 Speaker 1: the gig is you got to figure out what they're 259 00:14:54,400 --> 00:14:56,640 Speaker 1: gonna wear. Crazy, No, it was insane. I was so 260 00:14:56,680 --> 00:14:59,880 Speaker 1: I was like standing around holding like fucking g string 261 00:15:00,040 --> 00:15:05,000 Speaker 1: and just like them up next year. And some of 262 00:15:05,040 --> 00:15:08,920 Speaker 1: the porn stars are board stars that I knew, you know, intimately, 263 00:15:09,400 --> 00:15:13,320 Speaker 1: and um and yeah and and so he keeps clearing 264 00:15:13,360 --> 00:15:15,560 Speaker 1: his throat and ruining the shot. Just told me he 265 00:15:15,640 --> 00:15:18,960 Speaker 1: loves my work. I'm glad I was wet back then. 266 00:15:19,040 --> 00:15:22,240 Speaker 1: I was moys, this is disgusting, this whole thing needs 267 00:15:22,240 --> 00:15:27,640 Speaker 1: to go. Um. So this is back when I was 268 00:15:27,680 --> 00:15:31,680 Speaker 1: a wet boy. So uh. I anyway, at the time 269 00:15:31,680 --> 00:15:34,600 Speaker 1: of my life doing that job because I was just 270 00:15:34,640 --> 00:15:37,960 Speaker 1: like I also got to see, you know, some of 271 00:15:37,960 --> 00:15:41,200 Speaker 1: the porn stars were like just like really sexual and 272 00:15:41,280 --> 00:15:44,080 Speaker 1: like masturbating in the green room and stuff. And I 273 00:15:44,120 --> 00:15:46,560 Speaker 1: was like, wow, this is like the healthy ones. You know, 274 00:15:46,560 --> 00:15:48,240 Speaker 1: they're like can't wait to get in there. I wish 275 00:15:48,280 --> 00:15:50,360 Speaker 1: we were really fucking. We can't fuck on camera, you know, 276 00:15:50,400 --> 00:15:53,080 Speaker 1: we can't funk. It's only we can't show penetration on 277 00:15:53,120 --> 00:15:54,760 Speaker 1: this channel or whatever. So that was like more what 278 00:15:54,840 --> 00:15:56,560 Speaker 1: I was thinking, like that was like the free love 279 00:15:56,680 --> 00:15:59,640 Speaker 1: kind of side of porn like the more healthy, like 280 00:15:59,680 --> 00:16:01,880 Speaker 1: I'm just super horny and I love this industry. But 281 00:16:01,960 --> 00:16:04,960 Speaker 1: then they were like then there was like the pimp side, 282 00:16:05,080 --> 00:16:06,960 Speaker 1: like this this one horn star. I don't know if 283 00:16:06,960 --> 00:16:09,240 Speaker 1: I should say her name, but she's an author, Okay, 284 00:16:10,040 --> 00:16:14,040 Speaker 1: I mean anyway, okay, well, anyway, we'll what you're gonna 285 00:16:14,080 --> 00:16:16,920 Speaker 1: find out what I'll just say, some horn star. It 286 00:16:17,040 --> 00:16:19,360 Speaker 1: was a big porn star at the time. My friend 287 00:16:19,400 --> 00:16:21,800 Speaker 1: who ran the channel was making her say a bunch 288 00:16:21,840 --> 00:16:24,600 Speaker 1: of stuff like for the for the like pitch the 289 00:16:24,680 --> 00:16:27,200 Speaker 1: channel like. He was making her say like spice up 290 00:16:27,200 --> 00:16:29,160 Speaker 1: your living room or whatever. And then but then he 291 00:16:29,520 --> 00:16:31,400 Speaker 1: for fun, he tried to, like, you know, not a 292 00:16:31,520 --> 00:16:34,720 Speaker 1: nice way. He tried to make her say big words purpose. 293 00:16:35,280 --> 00:16:37,480 Speaker 1: He said, turn your living room into adenna debauchery. And 294 00:16:37,520 --> 00:16:39,520 Speaker 1: she'd never heard that word, obviously, and she got very 295 00:16:39,560 --> 00:16:42,680 Speaker 1: angry and her pimp, her pimp husband got very angry 296 00:16:42,720 --> 00:16:44,960 Speaker 1: and said it was a stupid word. I still remember 297 00:16:45,000 --> 00:16:48,320 Speaker 1: that as it was, turned your living room into addenta debauchery, 298 00:16:48,440 --> 00:16:51,120 Speaker 1: and she yea, So so I I helpfully, I just 299 00:16:51,120 --> 00:16:53,640 Speaker 1: want to interact with this horn star because so I 300 00:16:53,680 --> 00:16:55,320 Speaker 1: went over with a piece of paper that I had 301 00:16:55,320 --> 00:16:59,440 Speaker 1: written debauchery, like phonetically on like and I handed it 302 00:16:59,480 --> 00:17:01,680 Speaker 1: to her and her husband was like her, yeah, he 303 00:17:01,760 --> 00:17:04,000 Speaker 1: was like not a nice guy. And he was like, 304 00:17:04,240 --> 00:17:06,760 Speaker 1: she doesn't need to say it. It's a stupid word. 305 00:17:07,560 --> 00:17:10,879 Speaker 1: This whole thing is stupid and like, you know, just 306 00:17:10,920 --> 00:17:13,520 Speaker 1: like that kind of thing. And so anyway, she wrote 307 00:17:13,520 --> 00:17:17,040 Speaker 1: a book years later, and uh, it's called Anatomy of 308 00:17:17,080 --> 00:17:19,360 Speaker 1: an Adult Film. So I just thought, oh my gosh, 309 00:17:19,359 --> 00:17:21,960 Speaker 1: because I was wondering if that woman survived, because that's 310 00:17:22,119 --> 00:17:24,760 Speaker 1: like a shitty relationship between her and her husband. He 311 00:17:24,840 --> 00:17:28,000 Speaker 1: seemed controlling and I didn't like it. Anyway, she survived 312 00:17:28,040 --> 00:17:30,520 Speaker 1: and thrived. I was gonna say, it was your Google 313 00:17:30,560 --> 00:17:34,720 Speaker 1: search history debauchery or was it this person's book? And 314 00:17:34,760 --> 00:17:37,160 Speaker 1: it is the book. It's the book. I just looked 315 00:17:37,160 --> 00:17:38,639 Speaker 1: her up. I just looked her up. I mean, I 316 00:17:38,680 --> 00:17:40,160 Speaker 1: don't I don't think it's a big deal to say 317 00:17:40,160 --> 00:17:42,000 Speaker 1: her name, but you guys, I'm just not gonna say it. 318 00:17:42,040 --> 00:17:43,720 Speaker 1: But anyway, I'll say the name of her co author, 319 00:17:43,760 --> 00:17:45,600 Speaker 1: because this is this is the thing. It's her books, 320 00:17:45,640 --> 00:17:47,600 Speaker 1: you know, not terrible, but just like very boring. It's 321 00:17:47,600 --> 00:17:49,240 Speaker 1: about like how to make it in the porn industry. 322 00:17:49,240 --> 00:17:52,840 Speaker 1: It's actually very technical. It's kind of like just field 323 00:17:52,920 --> 00:17:55,600 Speaker 1: users guide. Yeah, it's like it's like, you know, just 324 00:17:55,640 --> 00:17:58,960 Speaker 1: like pointers for porn stars, like how to like take 325 00:17:59,000 --> 00:18:01,880 Speaker 1: a facial It like that. You know that you can 326 00:18:01,880 --> 00:18:08,600 Speaker 1: cancel this whole episode now. Um. So, anyway, she had 327 00:18:08,600 --> 00:18:11,720 Speaker 1: a co author turns out for this book, and his 328 00:18:11,840 --> 00:18:17,800 Speaker 1: name is Our Richard r Richard Richard interesting and he 329 00:18:18,040 --> 00:18:23,280 Speaker 1: is the most prolific and horrible author there ever was, 330 00:18:24,040 --> 00:18:26,840 Speaker 1: and he has become I'm very interested in this man. 331 00:18:26,920 --> 00:18:29,440 Speaker 1: And I also think that Our Richard is he's obviously 332 00:18:29,840 --> 00:18:33,200 Speaker 1: I don't know, he's like simultaneously like really really convinced 333 00:18:33,200 --> 00:18:35,359 Speaker 1: of his talent, but then also embarrassed enough to call 334 00:18:35,440 --> 00:18:39,520 Speaker 1: himself Our Richard, like the night stalker. What's that like? 335 00:18:39,600 --> 00:18:44,280 Speaker 1: The night stalker? Okay, well I don't know. But Our 336 00:18:44,400 --> 00:18:46,439 Speaker 1: Richard is like not helpful for a search. If you 337 00:18:46,840 --> 00:18:50,080 Speaker 1: are Richard on the internet, you get pretty much every Richard. 338 00:18:50,119 --> 00:18:56,560 Speaker 1: It's like it doesn't like so on her website for 339 00:18:56,640 --> 00:18:59,040 Speaker 1: this book, Anatomy of an Adult Film that she co 340 00:18:59,119 --> 00:19:01,600 Speaker 1: wrote with Our Richard, she wrote nothing, but then Our 341 00:19:01,720 --> 00:19:05,480 Speaker 1: Richard wrote his whole biography. He has an avatar that 342 00:19:05,520 --> 00:19:08,240 Speaker 1: looks like a Dungeons and Dragons person. He talks about 343 00:19:08,240 --> 00:19:11,399 Speaker 1: how he's a Kung Fu uh fighter, and then he 344 00:19:11,440 --> 00:19:14,600 Speaker 1: would lists his books. Okay, so he has written a 345 00:19:14,640 --> 00:19:17,480 Speaker 1: natomy of an adult film, but then he wrote he 346 00:19:17,520 --> 00:19:21,320 Speaker 1: has a series called second Chance. Okay. Second Chance is 347 00:19:21,359 --> 00:19:22,800 Speaker 1: the name of like you know, I guess, like the 348 00:19:23,240 --> 00:19:24,960 Speaker 1: John Wick or something, you know. For him, it's like 349 00:19:25,000 --> 00:19:27,080 Speaker 1: a it's like a series, like I don't know what's 350 00:19:27,119 --> 00:19:30,359 Speaker 1: what's another series, Like I don't know Jack Reacher did 351 00:19:30,440 --> 00:19:34,480 Speaker 1: Jack Reacher book, but this one's called second Chance. He 352 00:19:34,480 --> 00:19:37,360 Speaker 1: has like a million books second Chance and The Lord 353 00:19:37,400 --> 00:19:41,159 Speaker 1: of Yes, except this is called second Chance, which is 354 00:19:41,200 --> 00:19:44,879 Speaker 1: like not very action packed name for a series, you 355 00:19:44,880 --> 00:19:46,680 Speaker 1: know what I mean, Like Lord of the Rings. I'm like, yeah, 356 00:19:46,720 --> 00:19:50,280 Speaker 1: what's that about? Second Chance? Yeah, that sounds like a 357 00:19:50,359 --> 00:19:54,200 Speaker 1: drug and alcohol pamphlet. Listen to this second Chance Colon, 358 00:19:54,600 --> 00:19:58,840 Speaker 1: god Killer, second Chance, sky Pirate, second Chance, scroll Seeker, 359 00:19:59,119 --> 00:20:03,400 Speaker 1: second Chance, King of the Islands, second Chance, King of Ziah, 360 00:20:03,600 --> 00:20:07,240 Speaker 1: second Chance, Duke of Avaron, second Chance, King of Goluman, 361 00:20:07,520 --> 00:20:11,040 Speaker 1: second Chance, King of the Sky, second Chance, war Lord 362 00:20:11,119 --> 00:20:15,000 Speaker 1: of Africa, second Chance, King of Araby, second Chance King 363 00:20:15,040 --> 00:20:19,119 Speaker 1: of Macedonia, Second Chance, King of a Rules Chance. I mean, 364 00:20:19,119 --> 00:20:21,960 Speaker 1: I'm not gonna even do any more of those. Okay, 365 00:20:22,000 --> 00:20:23,760 Speaker 1: there's like a million of them. I just found his 366 00:20:23,800 --> 00:20:27,080 Speaker 1: page on good Reads and it says, uh, popular answered 367 00:20:27,200 --> 00:20:30,160 Speaker 1: questions from him like where where I guess you get 368 00:20:30,200 --> 00:20:32,879 Speaker 1: to do an author interview? And the first one is 369 00:20:32,880 --> 00:20:35,520 Speaker 1: how do you deal with writer's block? Are Richard? I 370 00:20:35,560 --> 00:20:41,880 Speaker 1: have never had writer's not even close, asshole, it's not 371 00:20:42,440 --> 00:20:45,800 Speaker 1: here and the Okay, so Adventurer is another series. He 372 00:20:45,840 --> 00:20:49,800 Speaker 1: has adventure another action packed. Man, you gotta figure out 373 00:20:49,840 --> 00:20:52,520 Speaker 1: what goes before the colon. It's the first thing you see. 374 00:20:52,600 --> 00:21:00,439 Speaker 1: Adventurer plan simulation problem, Adventurer panner problem, and then a 375 00:21:00,760 --> 00:21:09,159 Speaker 1: R Adventurer Sailing Problem. Then just a bunch of stories. 376 00:21:09,440 --> 00:21:10,920 Speaker 1: I'm just going to hit you with some of these 377 00:21:11,040 --> 00:21:14,200 Speaker 1: titles because they're just incredible. Okay, So those are a 378 00:21:14,240 --> 00:21:18,560 Speaker 1: series Adventurer and Second Chance. And then here's just a 379 00:21:18,680 --> 00:21:25,439 Speaker 1: straight up novels right, A Programmer's Gambit, Amateur Stripper, bondage House, 380 00:21:26,000 --> 00:21:32,880 Speaker 1: Corporate Sex, Slaves, Friday Night, that one's intriguing, Go Naked 381 00:21:33,000 --> 00:21:43,480 Speaker 1: in the Software Glasshopper, Winter, Involuntary Nude Layoff, not a hero, 382 00:21:44,440 --> 00:21:50,680 Speaker 1: Pirates of the Keys, Summer of Sex, What the Beach Murders, 383 00:21:51,720 --> 00:21:56,920 Speaker 1: The Beach Dealers, The Secret Life of Wanda Wilson. Did 384 00:21:56,920 --> 00:21:58,640 Speaker 1: you read the one that he just has one book 385 00:21:58,640 --> 00:22:04,440 Speaker 1: called Big Cock? I didn't get that, but it's it's 386 00:22:04,560 --> 00:22:10,600 Speaker 1: it's I think, you know, Grasshopper Winner is my favorite 387 00:22:10,640 --> 00:22:12,560 Speaker 1: because it's just like, I don't know what it's like. 388 00:22:12,640 --> 00:22:14,399 Speaker 1: It's like, you know, it's just like I don't know 389 00:22:14,640 --> 00:22:17,439 Speaker 1: things you don't you know. It's like a very I 390 00:22:17,440 --> 00:22:20,160 Speaker 1: don't know, like I think of like the leather Decision. 391 00:22:21,359 --> 00:22:25,840 Speaker 1: I'm sorry, dude, this description of Big Cock, I'm I 392 00:22:26,280 --> 00:22:28,000 Speaker 1: don't know, I don't even know what I'm reading, and 393 00:22:28,040 --> 00:22:31,040 Speaker 1: I don't know if my intelligence has just drastically gone down. 394 00:22:31,119 --> 00:22:33,400 Speaker 1: It just says Jim McK is an eighteen year old 395 00:22:33,400 --> 00:22:36,639 Speaker 1: man growing up with a very large cock. Hannah is 396 00:22:36,680 --> 00:22:40,520 Speaker 1: a rich lady who owns a near bankrupt factory. Heather 397 00:22:40,680 --> 00:22:43,600 Speaker 1: is Hannah's eighteen year old daughter. Hannah could still be 398 00:22:43,680 --> 00:22:47,359 Speaker 1: a rich lady, but if the factory goes bankrupt, however, 399 00:22:47,520 --> 00:22:50,639 Speaker 1: lots of people this is the description. Yeah, he doesn't 400 00:22:50,680 --> 00:22:54,080 Speaker 1: have writer's block because he's insane. It's just use the 401 00:22:54,240 --> 00:22:58,520 Speaker 1: back backspace key, or the people do not have writer's block. 402 00:22:58,720 --> 00:23:00,639 Speaker 1: The whole thing just goes on to described like just 403 00:23:00,720 --> 00:23:02,679 Speaker 1: very plains like yeah, and then they have to like 404 00:23:02,760 --> 00:23:07,040 Speaker 1: screw the customers for the company survive, and you're like, 405 00:23:07,920 --> 00:23:13,480 Speaker 1: he doesn't do to take part in a customer sex party. Yeah, 406 00:23:13,480 --> 00:23:16,000 Speaker 1: the thing we've all heard of. I read a bunch 407 00:23:16,040 --> 00:23:19,720 Speaker 1: of his stuff and it's like very very well. I 408 00:23:19,720 --> 00:23:21,880 Speaker 1: guess the main thing is his books are twenty six 409 00:23:21,920 --> 00:23:26,040 Speaker 1: pages long between twenty six and that makes sense. I 410 00:23:26,080 --> 00:23:28,639 Speaker 1: think that's long for like college essay. And he is 411 00:23:28,720 --> 00:23:32,399 Speaker 1: so cocky in his like his autobiography and stuff like. 412 00:23:32,680 --> 00:23:35,520 Speaker 1: I mean, I just feel like you should mention that 413 00:23:35,600 --> 00:23:40,359 Speaker 1: his books are like three Yeah, that's not that's cheating me. 414 00:23:40,480 --> 00:23:43,760 Speaker 1: I'm pretty fucking prolific man with my two paragraph books 415 00:23:43,760 --> 00:23:46,920 Speaker 1: I've been working on for Hey, he doesn't decide when 416 00:23:46,920 --> 00:23:50,119 Speaker 1: the book ends. The book decides and he's just there 417 00:23:50,600 --> 00:23:54,920 Speaker 1: he hit the print. And then he also describes like driving, 418 00:23:54,960 --> 00:23:57,160 Speaker 1: like I read a part where he just describes driving 419 00:23:57,200 --> 00:23:58,719 Speaker 1: like way too much. Like he says like I got 420 00:23:58,760 --> 00:24:00,399 Speaker 1: in the car and then I started the car, and 421 00:24:00,480 --> 00:24:02,159 Speaker 1: I drove a car and then I went to this 422 00:24:02,240 --> 00:24:03,880 Speaker 1: other place and then I stopped the car and got 423 00:24:03,880 --> 00:24:08,119 Speaker 1: out of the car. He's focused on like details, don't 424 00:24:08,200 --> 00:24:12,080 Speaker 1: want it's also interesting too. On good good Reads, most 425 00:24:12,119 --> 00:24:16,040 Speaker 1: of his books have five stars with like I would 426 00:24:16,080 --> 00:24:21,280 Speaker 1: say all have just four races, exact accounts that he 427 00:24:21,320 --> 00:24:24,879 Speaker 1: just used to be like, yeah, like, I don't know, 428 00:24:25,080 --> 00:24:26,760 Speaker 1: I want. I just think it'd be fun to get 429 00:24:26,760 --> 00:24:30,600 Speaker 1: the audience, like going on on naming like alternate our 430 00:24:30,720 --> 00:24:32,720 Speaker 1: Richard books, like, you know, I just feel like, you know, 431 00:24:32,880 --> 00:24:38,480 Speaker 1: the double Decker Turtle the the uh double Decker Turtle 432 00:24:38,560 --> 00:24:44,600 Speaker 1: Party Nudetown is one. Um, Newtowntown. I'm not thinking of 433 00:24:44,640 --> 00:24:47,800 Speaker 1: a good one, you know, like the Complicated Badger or 434 00:24:47,840 --> 00:24:54,399 Speaker 1: the the Involuntary Badger. Um, you know, Toy Horrors is 435 00:24:54,440 --> 00:24:57,359 Speaker 1: one of them. Uh. He has another series called Vix 436 00:24:57,440 --> 00:24:59,639 Speaker 1: the Marine and Vix the Force Leader. I can only 437 00:24:59,640 --> 00:25:03,040 Speaker 1: imagine that's like, I mean, hey, Mom, it's it's our Yeah, 438 00:25:03,160 --> 00:25:05,920 Speaker 1: just calling me back because I checked my good Reads 439 00:25:05,960 --> 00:25:09,400 Speaker 1: page again and I noticed that Big Cox still has 440 00:25:09,520 --> 00:25:14,159 Speaker 1: three three five star reviews. I'm still waiting on the 441 00:25:14,200 --> 00:25:17,240 Speaker 1: fourth from you. Uh, just you don't even have to 442 00:25:17,240 --> 00:25:20,080 Speaker 1: read it, Mom, I gave you the synopsis in Painstakes, 443 00:25:21,320 --> 00:25:25,440 Speaker 1: email you and Dad and just do the five stars. Okay, Yeah, 444 00:25:25,520 --> 00:25:27,119 Speaker 1: So anyway, I just think people should be aware of 445 00:25:27,119 --> 00:25:30,040 Speaker 1: our Richard and his work and uh, you know, his 446 00:25:30,040 --> 00:25:33,399 Speaker 1: his autobiographies. He says, I've I've published forty four novels 447 00:25:33,440 --> 00:25:35,840 Speaker 1: in over a hundred and fifty short stories. I spent 448 00:25:35,920 --> 00:25:38,280 Speaker 1: my early years in the part of Los Angeles known 449 00:25:38,280 --> 00:25:40,520 Speaker 1: as South Central. I was known as white Boy, which 450 00:25:40,560 --> 00:25:43,399 Speaker 1: was sufficient to identify me in that place. I'm a 451 00:25:43,440 --> 00:25:47,000 Speaker 1: skilled kung fu player using a system that I learned Korean. 452 00:25:47,119 --> 00:25:50,639 Speaker 1: I knew only his pack. It would be easier to 453 00:25:50,680 --> 00:25:53,560 Speaker 1: tell you the places that Pack wasn't wanted by the police, 454 00:25:53,680 --> 00:25:56,840 Speaker 1: rather than the places where he was wanted by the police. See, 455 00:25:56,840 --> 00:25:59,080 Speaker 1: and that's what that sentence. You get an idea? Here 456 00:25:59,119 --> 00:26:03,359 Speaker 1: eats himself, Like what I mean that rules actually found 457 00:26:03,440 --> 00:26:06,080 Speaker 1: one of our Richard sock puppet accounts that he uses 458 00:26:06,119 --> 00:26:09,320 Speaker 1: to big up his ratings. Al Right, never mind, I'm 459 00:26:09,320 --> 00:26:11,040 Speaker 1: going through you guys would know you guys would know 460 00:26:11,040 --> 00:26:12,840 Speaker 1: how to handle this better than me. I didn't have. 461 00:26:12,920 --> 00:26:16,040 Speaker 1: I don't have the technical ability to exploit our Richard. 462 00:26:16,359 --> 00:26:18,920 Speaker 1: I know, Yes, Chris, you put me on the I'm 463 00:26:18,960 --> 00:26:25,760 Speaker 1: on the set now, and like Sandor has twoty four reviews, 464 00:26:26,040 --> 00:26:28,800 Speaker 1: all of them are Our Richard books. I just feel 465 00:26:28,840 --> 00:26:30,879 Speaker 1: like you should know. Yeah, you should know sand Or. 466 00:26:31,000 --> 00:26:33,000 Speaker 1: Wasn't that the name one of the names in one 467 00:26:33,040 --> 00:26:37,520 Speaker 1: of the titles of his book, like Planet Sandor? Yeah, 468 00:26:38,800 --> 00:26:40,920 Speaker 1: maybe they're just a big fan, you know, I mean 469 00:26:41,880 --> 00:26:45,280 Speaker 1: his his review of Big Cock is him just doing 470 00:26:45,400 --> 00:26:48,840 Speaker 1: like the three paragraph version of the description written by 471 00:26:48,880 --> 00:26:51,920 Speaker 1: our Richard. Like the review by sand Or of Big Cock. 472 00:26:52,080 --> 00:26:54,560 Speaker 1: It says, Jim Mack is growing up with a very 473 00:26:54,640 --> 00:27:01,760 Speaker 1: large cop. This is yeah, like so yeah, it's real dry, 474 00:27:01,840 --> 00:27:04,600 Speaker 1: it's really dry. And his pants were his pants were 475 00:27:04,640 --> 00:27:07,080 Speaker 1: big to accommodate. And then you know, and I love 476 00:27:07,119 --> 00:27:09,080 Speaker 1: the last part says when the staff then screws up, 477 00:27:09,119 --> 00:27:11,280 Speaker 1: Jim arranges a party where the wives of the staff 478 00:27:11,320 --> 00:27:14,600 Speaker 1: get some nude revenge. Last sentence a lot more plot 479 00:27:14,680 --> 00:27:18,440 Speaker 1: than you might think, see, that's yeah, that's that's the goal, 480 00:27:18,560 --> 00:27:22,480 Speaker 1: because no one's ever written that downe's ever written that down. 481 00:27:22,520 --> 00:27:25,960 Speaker 1: A lot, A lot more plot than you might I 482 00:27:26,040 --> 00:27:29,680 Speaker 1: go for the most plot per minute, that's what. Yeah, 483 00:27:29,680 --> 00:27:33,080 Speaker 1: where's your next book? Big plot? Are Richard? We want 484 00:27:33,119 --> 00:27:36,160 Speaker 1: to see that one. That's that's my sister, that's my fuckings, 485 00:27:36,400 --> 00:27:41,160 Speaker 1: that's my latest the internet searge Our Richard, Yeah, good 486 00:27:41,240 --> 00:27:43,840 Speaker 1: luck and just enjoy. I don't know, someone do a 487 00:27:43,840 --> 00:27:47,439 Speaker 1: book report on Second Chance King of Goluman. Yeah, I 488 00:27:47,480 --> 00:27:50,000 Speaker 1: mean we might have to do Our Richard book Club 489 00:27:50,320 --> 00:27:54,000 Speaker 1: at some point, like like uh yeah, the Secret Life 490 00:27:54,000 --> 00:27:58,480 Speaker 1: of Wanda Wilson. There's more, way more. His writing style 491 00:27:58,520 --> 00:28:01,440 Speaker 1: maybe dry, but he a wet boy. That's actually from 492 00:28:01,440 --> 00:28:05,040 Speaker 1: his auto bio. Yes, and his writing style is summed 493 00:28:05,119 --> 00:28:07,520 Speaker 1: up in that sentence where he says like it would 494 00:28:07,560 --> 00:28:10,200 Speaker 1: be easier to describe the places that he is not 495 00:28:10,359 --> 00:28:14,439 Speaker 1: wanted than the places that he is also wanted. Or 496 00:28:14,760 --> 00:28:18,240 Speaker 1: he's just he's very clunky. Yeah that bio. Like this 497 00:28:18,280 --> 00:28:21,080 Speaker 1: guy is a path I mean such a pathological liar 498 00:28:21,200 --> 00:28:23,560 Speaker 1: to there's something. There's so much more going on here 499 00:28:23,560 --> 00:28:26,160 Speaker 1: because like you said, like that bio that you read, Chris, 500 00:28:26,240 --> 00:28:27,959 Speaker 1: or he's like I grew up in the part of 501 00:28:28,000 --> 00:28:31,360 Speaker 1: Los Angeles known as the South Central. Yeah, he's out 502 00:28:31,359 --> 00:28:34,040 Speaker 1: of his mind, I think as a guy like lives 503 00:28:34,080 --> 00:28:37,880 Speaker 1: in his mom's house certainly, and he's not a skilled 504 00:28:37,960 --> 00:28:40,400 Speaker 1: kung fu player because nobody has a skilled kung fu 505 00:28:40,480 --> 00:28:42,600 Speaker 1: player has ever said that, because you would get knocked 506 00:28:42,640 --> 00:28:44,760 Speaker 1: out if you said that to another Yeah, well I 507 00:28:44,800 --> 00:28:47,440 Speaker 1: knew him, this guy, this Korean who trained me. His 508 00:28:47,560 --> 00:28:50,600 Speaker 1: name was Pack. Yeah, and and and it would be 509 00:28:50,640 --> 00:28:52,959 Speaker 1: easier to tell you the places that Pack wasn't wanted 510 00:28:53,000 --> 00:28:55,520 Speaker 1: by that he's rather than the places where he was 511 00:28:55,600 --> 00:28:59,280 Speaker 1: wanted by the police. Yeah, in case you don't think 512 00:28:59,320 --> 00:29:05,600 Speaker 1: I'm real, So anyway, our Richard Man, Yeah, um, all right, Well, 513 00:29:05,680 --> 00:29:08,320 Speaker 1: let's take a quick break. That's been search history. We'll 514 00:29:08,360 --> 00:29:12,360 Speaker 1: be back with overrated, underrated, and maybe one of the 515 00:29:12,440 --> 00:29:25,400 Speaker 1: stories we'll see. We'll be right back and we're back, 516 00:29:25,680 --> 00:29:29,320 Speaker 1: And Chris, you do like taskcre guests, especially you, what 517 00:29:29,520 --> 00:29:33,760 Speaker 1: is something you think is overrated? Um? Overrated? I'm gonna 518 00:29:33,840 --> 00:29:41,400 Speaker 1: say Los Angeles, okay, talking about I've got my dukes up. 519 00:29:41,480 --> 00:29:43,400 Speaker 1: I mean, the listeners can't see it, But do you 520 00:29:43,880 --> 00:29:47,040 Speaker 1: do you really feel like you're defending Los Angeles? Los 521 00:29:47,080 --> 00:29:48,959 Speaker 1: Angeles is so big. Can you feel like you can 522 00:29:49,040 --> 00:29:51,840 Speaker 1: defend part of it but you can't defend the whole thing? Yeah, 523 00:29:52,200 --> 00:29:54,400 Speaker 1: But I'm just trying to cause a little trouble because 524 00:29:54,440 --> 00:29:59,760 Speaker 1: I'm back in mtown. Madison Tennessee down as it's known 525 00:30:00,080 --> 00:30:03,080 Speaker 1: up the street from Nashville. I'm in the real Nashville. 526 00:30:03,200 --> 00:30:05,840 Speaker 1: Hell yeah, Maddie. It's like I was thinking about ways 527 00:30:05,920 --> 00:30:09,440 Speaker 1: to describe where I'm at. Madison is like an informal 528 00:30:10,120 --> 00:30:18,520 Speaker 1: gathering of the Juggalos. Oh or okay, Broke Burbank Oho, Okay, 529 00:30:18,720 --> 00:30:23,040 Speaker 1: that's that picture. It's mostly vape stores. It's almost all 530 00:30:23,280 --> 00:30:27,040 Speaker 1: UD prefer to be at an informal Juggalo gathering than 531 00:30:27,080 --> 00:30:30,280 Speaker 1: any version of Burbank. To be honest, it's it's better 532 00:30:30,320 --> 00:30:33,120 Speaker 1: than Burbank. Did you say that? Because like it is endearing? 533 00:30:33,160 --> 00:30:35,600 Speaker 1: Because when you said informal gathering the Juggalos, I'm like, 534 00:30:35,640 --> 00:30:39,360 Speaker 1: all right, whoa, whoa, Like let's pull up, but what 535 00:30:39,400 --> 00:30:42,720 Speaker 1: are you a Juggalo? Hell yeah, Broke right Malenko, Are 536 00:30:42,720 --> 00:30:45,440 Speaker 1: you serious? I am serious? I don't I didn't know. 537 00:30:45,560 --> 00:30:47,920 Speaker 1: Yeah yeah, man, I've been working with them for for 538 00:30:47,960 --> 00:30:51,960 Speaker 1: a minute. That's cool. I'm not that's really cool. I 539 00:30:52,000 --> 00:30:56,240 Speaker 1: just remember watching that documentary American Juggalo when it came out, 540 00:30:56,440 --> 00:30:59,040 Speaker 1: and like, when you know, the gathering of Juggalos was like, 541 00:30:59,080 --> 00:31:01,320 Speaker 1: oh man, you know kind of wold ship goes on 542 00:31:01,400 --> 00:31:02,960 Speaker 1: and like, oh, these people are just fans of a 543 00:31:03,040 --> 00:31:06,640 Speaker 1: thing and they get picked up. So yeah, this is 544 00:31:06,680 --> 00:31:10,640 Speaker 1: like that. Madison, Tennessee is like that. It's vape stores 545 00:31:11,240 --> 00:31:14,440 Speaker 1: and people looking for groceries, Okay, and that's what happened. 546 00:31:14,640 --> 00:31:16,480 Speaker 1: It's like there's a lot of trouble in the parking 547 00:31:16,520 --> 00:31:18,440 Speaker 1: lots of these vape stores because people don't want a 548 00:31:18,520 --> 00:31:20,360 Speaker 1: vape but they're being forced to vape because there's no 549 00:31:20,400 --> 00:31:23,840 Speaker 1: food available. So there's and everybody's dressed up like they're 550 00:31:23,920 --> 00:31:28,240 Speaker 1: just came from a swingers party or a Craigslist random encounter. Everybody. 551 00:31:28,240 --> 00:31:30,000 Speaker 1: I mean, it's really You see a you see a 552 00:31:30,000 --> 00:31:34,560 Speaker 1: woman that's dressed like Slash from Guns and Roses interacting 553 00:31:34,640 --> 00:31:37,880 Speaker 1: with some hipster are moved here because they can't afford 554 00:31:37,920 --> 00:31:40,120 Speaker 1: the rent because their dad won't give them any more 555 00:31:40,120 --> 00:31:41,719 Speaker 1: money or something, so they had to move to like 556 00:31:41,760 --> 00:31:44,239 Speaker 1: the They couldn't live in East Nahville anymore, so they 557 00:31:44,280 --> 00:31:46,360 Speaker 1: moved up the street, you know. And so there's like 558 00:31:46,680 --> 00:31:49,600 Speaker 1: hipster is interacting with people who want to murder hipsters, 559 00:31:49,640 --> 00:31:54,520 Speaker 1: you know, and like it's really and everything's just everybody's 560 00:31:54,560 --> 00:31:57,320 Speaker 1: wearing the craziest clothes. It kind of makes me happy, 561 00:31:58,080 --> 00:32:00,360 Speaker 1: you know, It kind of makes me happy because everybody 562 00:32:00,360 --> 00:32:03,080 Speaker 1: in Los Angeles, where's those fucking short pants and those 563 00:32:03,120 --> 00:32:07,240 Speaker 1: big white sneakers in the fucking knit hat? Uh and 564 00:32:07,600 --> 00:32:10,240 Speaker 1: everybody here where it's like whatever the funk they found 565 00:32:10,240 --> 00:32:12,160 Speaker 1: on the ground, or you know, whatever they found at 566 00:32:12,200 --> 00:32:14,440 Speaker 1: the you know what I mean, Like they'll wear velvet 567 00:32:14,720 --> 00:32:17,280 Speaker 1: hot pants with a with a with a halter time. 568 00:32:17,320 --> 00:32:19,920 Speaker 1: I don't even know what clothes are. I can't describe. Man, 569 00:32:19,960 --> 00:32:22,400 Speaker 1: don't say that's like yourself off used to style the 570 00:32:22,520 --> 00:32:25,320 Speaker 1: Live Home Shopping Network. Point especially man, you know something 571 00:32:25,360 --> 00:32:27,560 Speaker 1: about garments. First, I'll tell you one of the one 572 00:32:27,560 --> 00:32:29,240 Speaker 1: of the porn stars asked me what I was doing 573 00:32:29,280 --> 00:32:31,240 Speaker 1: that night, and I totally chickened out because I was 574 00:32:31,280 --> 00:32:33,400 Speaker 1: just like such a I could have dated, I could 575 00:32:33,400 --> 00:32:35,800 Speaker 1: have intimidating. I get it, you know what I mean. 576 00:32:35,840 --> 00:32:38,000 Speaker 1: It's such a bad I still it still haunts me, 577 00:32:38,080 --> 00:32:40,440 Speaker 1: like when I'm sleeping, trying to get to sleep. I know. 578 00:32:40,640 --> 00:32:42,600 Speaker 1: And for the listeners out there, this is the seventeenth 579 00:32:42,640 --> 00:32:44,800 Speaker 1: time we've had to edit out that mentioned from Chris 580 00:32:44,840 --> 00:32:47,160 Speaker 1: about the porn star who asked him didn't saying later 581 00:32:47,280 --> 00:32:49,720 Speaker 1: we apologize that one got through, but hey, it's alright, 582 00:32:49,760 --> 00:32:52,880 Speaker 1: It's alright, man. Madison is also like, right across from 583 00:32:53,040 --> 00:32:55,400 Speaker 1: the end of my street is a smeral Those which 584 00:32:55,400 --> 00:32:57,680 Speaker 1: is a closed down club that Johnny Cash used to 585 00:32:57,760 --> 00:33:01,000 Speaker 1: drink at, which is just this just the dump, you know, 586 00:33:01,040 --> 00:33:04,000 Speaker 1: it's like a dumpy nineteen seventies place that he would go. 587 00:33:04,560 --> 00:33:07,600 Speaker 1: It'sn't mentioned in his autobiography, but it's just there. It's 588 00:33:07,640 --> 00:33:09,720 Speaker 1: just a shell of itself. And I've been thinking about 589 00:33:09,760 --> 00:33:12,800 Speaker 1: going down there and trying to metal detect or trying 590 00:33:12,840 --> 00:33:17,280 Speaker 1: to see if he dropped anything, Johnny Cash dropping stuff there. Wait, 591 00:33:17,360 --> 00:33:19,400 Speaker 1: so it is closed down, Oh yeah, and I can 592 00:33:19,640 --> 00:33:21,160 Speaker 1: think about getting in there and maybe, you know, just 593 00:33:21,200 --> 00:33:23,200 Speaker 1: tearing up the carpet and see if anybody left him 594 00:33:24,360 --> 00:33:27,040 Speaker 1: pot pocket watches or whatever. Make sure you have a 595 00:33:27,040 --> 00:33:29,000 Speaker 1: go pro on and put on a YouTube channel, yeah, 596 00:33:29,040 --> 00:33:31,120 Speaker 1: because back then you know you'll have to wait in line. 597 00:33:31,120 --> 00:33:33,480 Speaker 1: Though of course people be like, just like, it's four 598 00:33:33,560 --> 00:33:36,960 Speaker 1: other bloggers ahead of Hey guys here, it's moral does 599 00:33:37,040 --> 00:33:39,520 Speaker 1: Hey guys, here's Moral Doo's You can actually hear the 600 00:33:39,520 --> 00:33:42,160 Speaker 1: other people recording on the back totally, and that happens, 601 00:33:42,200 --> 00:33:45,520 Speaker 1: you know, family, it's your boy here it's moral does now. 602 00:33:45,560 --> 00:33:48,080 Speaker 1: This is a legendary light knife light scene in Nashville 603 00:33:48,120 --> 00:33:51,120 Speaker 1: back in the day. Yeah, Like I gotta wait, I 604 00:33:51,160 --> 00:33:53,840 Speaker 1: gotta wait to look and then and then somebody plants 605 00:33:53,840 --> 00:33:57,360 Speaker 1: a doll like something. You know, I talked like a 606 00:33:57,560 --> 00:34:00,360 Speaker 1: dollar oh ship. There's a weird dollin here. You saw, 607 00:34:00,480 --> 00:34:03,920 Speaker 1: like just sitting in the middle of the dude. You 608 00:34:03,960 --> 00:34:05,720 Speaker 1: just I saw you pull that out of your fucking 609 00:34:05,760 --> 00:34:08,080 Speaker 1: Fannie pack. I hear a ghost in the background. Saw 610 00:34:08,120 --> 00:34:10,880 Speaker 1: you pull that fucking creepy doll out. Haunted dolls is 611 00:34:10,960 --> 00:34:14,040 Speaker 1: big business on the internet. So yeah, I've seen that. 612 00:34:14,040 --> 00:34:17,040 Speaker 1: That's scary. That's not good. I mean the people who 613 00:34:17,080 --> 00:34:18,960 Speaker 1: have that. I've seen that on the internet. Yeah, these 614 00:34:18,960 --> 00:34:20,799 Speaker 1: people who have like a haunted doll collection and they 615 00:34:20,800 --> 00:34:22,839 Speaker 1: sit at their house with a bunch of dolls, And 616 00:34:23,320 --> 00:34:25,400 Speaker 1: that's not good. It's called kicking it with the homies. 617 00:34:25,480 --> 00:34:28,080 Speaker 1: If your neighbors doing that, I imagine behind a drawing curtain. 618 00:34:28,239 --> 00:34:31,200 Speaker 1: What's going on, especially up here in Madison, Madison, Tennessee. 619 00:34:31,200 --> 00:34:33,839 Speaker 1: I'm trying to get it as a major player now 620 00:34:33,880 --> 00:34:37,080 Speaker 1: as a town. Like it's not I'm gonna bring us hometown. Yeah, 621 00:34:37,160 --> 00:34:39,480 Speaker 1: like it's a place to go if you want a vape. 622 00:34:39,760 --> 00:34:43,080 Speaker 1: Madison most foul. Smoke Mountain. There's a place called Smoke 623 00:34:43,120 --> 00:34:50,040 Speaker 1: Mountain right near me. What is it like barbecue? But 624 00:34:50,080 --> 00:34:51,919 Speaker 1: it's kind of incredible. If you want to get food 625 00:34:52,000 --> 00:34:54,120 Speaker 1: up here, you might as well fucking forget it. I 626 00:34:54,120 --> 00:34:56,799 Speaker 1: mean you you know you can have a burger king 627 00:34:56,920 --> 00:35:00,120 Speaker 1: or vape. Hey what about roma pizza ampasta? Right are 628 00:35:00,160 --> 00:35:02,759 Speaker 1: by the walmart? Are you looking at? Are you looking at? 629 00:35:02,800 --> 00:35:06,879 Speaker 1: Are you prowling? Yeah? Oh yeah, oh yeah, yeah, there's 630 00:35:06,920 --> 00:35:08,719 Speaker 1: there's there's a funny thing. There are some l a 631 00:35:08,800 --> 00:35:12,759 Speaker 1: looking people here, um like who wear that knit knit 632 00:35:12,840 --> 00:35:15,520 Speaker 1: cap and those short pants and stuff? How's with barbecue 633 00:35:15,560 --> 00:35:19,880 Speaker 1: across from Smoke Mountain? When you say short pants, are 634 00:35:19,880 --> 00:35:23,440 Speaker 1: you just talking about shorts? No? No, I'm short pants. 635 00:35:23,480 --> 00:35:25,080 Speaker 1: You know what I'm talking about. I was trust fun 636 00:35:25,160 --> 00:35:27,719 Speaker 1: ladies who where the freaking giant white sneakers and the 637 00:35:27,760 --> 00:35:30,640 Speaker 1: freaking short the pants that show their ankles, like you know, 638 00:35:30,680 --> 00:35:33,640 Speaker 1: like they wear socks like yeah, you like a crop 639 00:35:33,920 --> 00:35:37,759 Speaker 1: crop pant with like the big old chunky balenci Yaga sneakers, 640 00:35:37,800 --> 00:35:41,239 Speaker 1: like like a big big sweatshirt or something. It's called 641 00:35:41,280 --> 00:35:43,719 Speaker 1: high low bro it's called high low high fashion with 642 00:35:43,760 --> 00:35:46,160 Speaker 1: some low brow pieces. Dude, just like the juxtaposition of 643 00:35:46,160 --> 00:35:47,920 Speaker 1: the two. You know what I mean, right whatever, But 644 00:35:48,000 --> 00:35:50,680 Speaker 1: in yes, that's you might say that. They might say that. 645 00:35:50,760 --> 00:35:52,120 Speaker 1: I don't know. If you look up the lady who 646 00:35:52,120 --> 00:35:55,440 Speaker 1: did the um there's a boomtown Rats song called I 647 00:35:55,440 --> 00:35:57,680 Speaker 1: Don't Like Monday's that's about a woman who shot a 648 00:35:57,680 --> 00:36:00,160 Speaker 1: bunch of people coming out of school, and she had 649 00:36:00,200 --> 00:36:02,880 Speaker 1: that look going way before all these ladies did. So 650 00:36:02,920 --> 00:36:05,760 Speaker 1: if you want to look at where that knit cap, 651 00:36:05,960 --> 00:36:08,719 Speaker 1: short pants, big white sneakers look came from, it came 652 00:36:08,760 --> 00:36:11,120 Speaker 1: straight out of the shooter. I think her name is 653 00:36:11,160 --> 00:36:14,759 Speaker 1: Brenda something or other. But anyway, so anyway, that's uh, 654 00:36:14,880 --> 00:36:17,319 Speaker 1: Los Angeles is you know, people from Kansas dressing up 655 00:36:17,360 --> 00:36:19,400 Speaker 1: like that, whatever it is. You know, that's what l 656 00:36:19,480 --> 00:36:21,520 Speaker 1: A is. And that's what I'm feeling free now to 657 00:36:21,560 --> 00:36:24,320 Speaker 1: put down l A because I left and so I 658 00:36:24,440 --> 00:36:26,240 Speaker 1: might be back though, so I gotta be a little 659 00:36:26,840 --> 00:36:31,120 Speaker 1: I'm gonna come back. I'll come back. I'll come back also, 660 00:36:31,160 --> 00:36:32,839 Speaker 1: and just pretend I never left, because I never saw 661 00:36:32,840 --> 00:36:35,080 Speaker 1: anybody when I was there. Anyway, nobody knows you left 662 00:36:35,080 --> 00:36:36,960 Speaker 1: in l a. Oh you've been busy and you're just 663 00:36:37,000 --> 00:36:39,200 Speaker 1: like I've been busy. Oh yeah, what you've been doing? 664 00:36:39,280 --> 00:36:41,919 Speaker 1: None of your business? A lot of big time ship. 665 00:36:42,040 --> 00:36:48,560 Speaker 1: Judd Apataw, Judd Apataw. How about that saying his name? 666 00:36:48,960 --> 00:36:51,759 Speaker 1: What about that? Where'd you go? Chris? I don't know 667 00:36:52,000 --> 00:36:58,359 Speaker 1: a little name called Judd Apataw short appage. How hard 668 00:36:58,400 --> 00:37:01,520 Speaker 1: he get that? We didn't even ain't got anything? Just 669 00:37:01,600 --> 00:37:03,920 Speaker 1: said his name three times? Often it's kicking ass. I 670 00:37:04,040 --> 00:37:07,759 Speaker 1: was wondering where Crofton was. He was kicking ass Judd 671 00:37:07,840 --> 00:37:13,319 Speaker 1: hapitaal fuck yeah. So anyway, while all you guys are 672 00:37:13,360 --> 00:37:16,040 Speaker 1: all enjoying your fake it till you make it, I'm 673 00:37:16,080 --> 00:37:18,120 Speaker 1: down here where you make it till you fake it. 674 00:37:18,680 --> 00:37:24,680 Speaker 1: Go your vitamins from fruit flavored vape car Tennessee vape, 675 00:37:24,719 --> 00:37:31,239 Speaker 1: whether you like it or not. Oh man, all right, 676 00:37:31,360 --> 00:37:43,360 Speaker 1: let's take one more break. We'll be right back. And 677 00:37:43,680 --> 00:37:46,360 Speaker 1: we're back, and Chris, we do like to ask, I 678 00:37:46,480 --> 00:37:51,680 Speaker 1: guess what's something you think is just underrated? Underrated? Here 679 00:37:51,760 --> 00:37:56,359 Speaker 1: we go Today's today is underrated? Is uh? I saw 680 00:37:56,480 --> 00:37:58,440 Speaker 1: this movie last night. I don't know if it's underrated 681 00:37:58,560 --> 00:38:00,960 Speaker 1: or not, but that movie, uh, it's called like the 682 00:38:01,040 --> 00:38:03,920 Speaker 1: Blood and the Madness or something like that. It's a 683 00:38:04,000 --> 00:38:09,600 Speaker 1: documentary about um, the Sackler family and Nan Golden, the photographer. 684 00:38:10,080 --> 00:38:12,640 Speaker 1: And I was not ready for what a great movie 685 00:38:12,680 --> 00:38:16,440 Speaker 1: that was, all the beauty and the bloodshed. Yes, that 686 00:38:16,640 --> 00:38:19,920 Speaker 1: movie is a crusher of a movie. It's not just 687 00:38:20,120 --> 00:38:23,160 Speaker 1: about the Sackler family, it's about Nan Golden. Ostensibly, it's 688 00:38:23,200 --> 00:38:27,439 Speaker 1: about a documentary by Laura Poittress, who did forget. She's 689 00:38:27,480 --> 00:38:30,120 Speaker 1: done a couple of some big things. It's just a 690 00:38:30,120 --> 00:38:32,320 Speaker 1: beautiful movie. I recommend it, but I guess what I 691 00:38:32,360 --> 00:38:35,520 Speaker 1: would say is like I forgot this is overrated or underrated, 692 00:38:35,640 --> 00:38:39,520 Speaker 1: But underrated is a uh is going through your childhood 693 00:38:39,560 --> 00:38:42,400 Speaker 1: and like dealing with if you had a difficult childhood, 694 00:38:42,480 --> 00:38:45,759 Speaker 1: like if your household dynamic was was rough, like if 695 00:38:45,840 --> 00:38:49,600 Speaker 1: you're a lot of the movie is about her appraising 696 00:38:49,719 --> 00:38:52,919 Speaker 1: her relationship with her parents, and in a way that's 697 00:38:53,160 --> 00:38:55,360 Speaker 1: really her and her parents are still alive, so she 698 00:38:55,480 --> 00:38:59,000 Speaker 1: pretty fearlessly and I don't think she had a choice 699 00:38:59,040 --> 00:39:01,200 Speaker 1: because her upbring it was so difficult. But it was 700 00:39:01,320 --> 00:39:03,560 Speaker 1: not this the thing it was like in a suburb 701 00:39:03,680 --> 00:39:05,680 Speaker 1: with parents that it was not like she was not 702 00:39:06,040 --> 00:39:09,520 Speaker 1: like abused physically, But she basically comes right out and 703 00:39:09,560 --> 00:39:11,279 Speaker 1: say my parents were not ready to have kids. They 704 00:39:11,280 --> 00:39:14,160 Speaker 1: should not have had kids. Because she doesn't and Nan Golden, 705 00:39:14,160 --> 00:39:15,840 Speaker 1: I don't know. There's something about the way she speaks. 706 00:39:15,880 --> 00:39:18,120 Speaker 1: It's sort of very authoritative, like she was she you 707 00:39:18,200 --> 00:39:21,520 Speaker 1: really know that my parents should not have had kids, 708 00:39:22,480 --> 00:39:24,080 Speaker 1: you know, And she's not kidding, you know what I mean? 709 00:39:24,200 --> 00:39:26,600 Speaker 1: Like and and I she said they were kids themselves, 710 00:39:26,680 --> 00:39:29,160 Speaker 1: and I feel like that about my parents, and I 711 00:39:29,520 --> 00:39:31,120 Speaker 1: you know, they could probably hear the show, and I 712 00:39:31,239 --> 00:39:32,879 Speaker 1: just I think it's the truth. I mean, back then, 713 00:39:33,360 --> 00:39:35,680 Speaker 1: kids married other kids, they had kids because they were 714 00:39:36,160 --> 00:39:39,560 Speaker 1: supposed to, and and and some really crazy ship and 715 00:39:39,680 --> 00:39:42,080 Speaker 1: sued because they did not know how to parent. And 716 00:39:42,239 --> 00:39:44,759 Speaker 1: so we have a whole generation of people that have 717 00:39:44,960 --> 00:39:48,479 Speaker 1: had this kind of parenting where the parents were just kids, 718 00:39:48,560 --> 00:39:50,799 Speaker 1: so they just made everything about themselves in a way, 719 00:39:50,880 --> 00:39:53,920 Speaker 1: so the kids were just there as like little dolls 720 00:39:54,120 --> 00:39:57,160 Speaker 1: or you know, a little just set dressing for nineteen 721 00:39:57,200 --> 00:40:01,200 Speaker 1: fifties or nineteen sixties or nineteen seventies, clear family values 722 00:40:01,320 --> 00:40:03,319 Speaker 1: and the damage that that does to the kid because 723 00:40:03,360 --> 00:40:05,359 Speaker 1: you grow up feeling like you're a fucking side end 724 00:40:05,400 --> 00:40:07,840 Speaker 1: table or something, or you're a lamp. And then you 725 00:40:07,880 --> 00:40:10,359 Speaker 1: grow up and try and have a relationship or something, 726 00:40:10,480 --> 00:40:12,839 Speaker 1: and you realize that you don't know what your own 727 00:40:12,880 --> 00:40:15,200 Speaker 1: feelings mean because you never had a space for them 728 00:40:15,239 --> 00:40:17,160 Speaker 1: as a kid. So as as a kid, like in 729 00:40:17,280 --> 00:40:19,759 Speaker 1: my home, my parents argued so much that I had 730 00:40:19,880 --> 00:40:23,080 Speaker 1: no I just kept quiet. I mean I just kept 731 00:40:23,160 --> 00:40:24,400 Speaker 1: quiet and try to stay out of the way. I 732 00:40:24,480 --> 00:40:27,440 Speaker 1: hid my room. I held myself physically, I mean I 733 00:40:27,680 --> 00:40:29,640 Speaker 1: when I've talked about therapists, I even get deep enough 734 00:40:29,680 --> 00:40:31,960 Speaker 1: into like I would hold myself in physical positions to 735 00:40:32,040 --> 00:40:34,600 Speaker 1: try and make them stop arguing. Like you turn yourself 736 00:40:34,640 --> 00:40:38,720 Speaker 1: into like almost like a totem or or an object 737 00:40:38,840 --> 00:40:41,040 Speaker 1: to try to make a yelling stop. But you can't 738 00:40:41,080 --> 00:40:43,600 Speaker 1: do it because you're a child. So because parents back 739 00:40:43,640 --> 00:40:46,440 Speaker 1: then didn't realize children were like not just miniature adults. 740 00:40:46,960 --> 00:40:49,360 Speaker 1: They didn't know that they were like could get impacted 741 00:40:49,440 --> 00:40:53,400 Speaker 1: like physiologically by all this stress. So you know, you 742 00:40:53,480 --> 00:40:55,719 Speaker 1: grow up and then you turned your feelings off at 743 00:40:55,760 --> 00:40:57,920 Speaker 1: some point as a kid, and then when you try 744 00:40:57,920 --> 00:41:00,200 Speaker 1: and turn it back on, there the thing are the 745 00:41:00,280 --> 00:41:02,680 Speaker 1: least familiar with, and they're pretty much the most important 746 00:41:02,719 --> 00:41:04,600 Speaker 1: thing you need to know, like if you want to 747 00:41:04,680 --> 00:41:09,000 Speaker 1: have friends and relationships, like your self worth. It's very 748 00:41:09,040 --> 00:41:11,480 Speaker 1: difficult for you to determine because you know, it's like 749 00:41:11,600 --> 00:41:14,000 Speaker 1: you you've been you've been sort of in a way 750 00:41:14,080 --> 00:41:16,640 Speaker 1: in that atmosphere devalued or something because you have to 751 00:41:16,719 --> 00:41:19,040 Speaker 1: like just you're just treated like you're something in the 752 00:41:19,160 --> 00:41:22,759 Speaker 1: room that that is not important or something. It's like 753 00:41:23,000 --> 00:41:26,080 Speaker 1: that yeah, or whatever you have to say isn't important, 754 00:41:26,239 --> 00:41:28,239 Speaker 1: and that is like that can play a huge part. 755 00:41:29,440 --> 00:41:30,920 Speaker 1: So when you finally get out of the house and 756 00:41:30,960 --> 00:41:33,319 Speaker 1: you try and speak on a date or something, you realize, oh, 757 00:41:33,320 --> 00:41:34,719 Speaker 1: I think I'm a piece of ship, Like I have 758 00:41:34,800 --> 00:41:36,880 Speaker 1: no self worth because I just I just never have 759 00:41:37,000 --> 00:41:40,040 Speaker 1: had that reflected back at me, like um. So, anyway, 760 00:41:40,080 --> 00:41:42,279 Speaker 1: this movie addresses that in a huge way because her 761 00:41:42,320 --> 00:41:46,120 Speaker 1: parents were so obsessed with appearances that her sister was 762 00:41:46,320 --> 00:41:49,960 Speaker 1: a lesbian and they put her in a mental hospital 763 00:41:50,920 --> 00:41:53,759 Speaker 1: and the mental hospital report and I don't want to 764 00:41:53,800 --> 00:41:55,759 Speaker 1: give too much away, but just because because it is 765 00:41:55,840 --> 00:41:57,960 Speaker 1: like a very interesting movie, It's got a lot going on. 766 00:41:58,200 --> 00:42:00,920 Speaker 1: It's like it's also about the Sacklers and the opioid crisis. 767 00:42:00,960 --> 00:42:05,359 Speaker 1: Because Nan Golden got addicted to oxycont But it's kind 768 00:42:05,400 --> 00:42:07,800 Speaker 1: of about holding your parents accountable, and it's kind of 769 00:42:07,840 --> 00:42:12,279 Speaker 1: about holding the Sacklers accountable and keeping up appearances and 770 00:42:12,400 --> 00:42:15,000 Speaker 1: museums with the Sackler name and then trying to get 771 00:42:15,040 --> 00:42:17,160 Speaker 1: them to take the Sackler name down, and museums being 772 00:42:17,239 --> 00:42:19,760 Speaker 1: very uncomfortable with that because they were worried about the perception, 773 00:42:20,040 --> 00:42:22,080 Speaker 1: just the way her parents were worried about their perception. 774 00:42:22,160 --> 00:42:25,040 Speaker 1: I mean, it's all like very skillful anyway, I recommended. 775 00:42:25,080 --> 00:42:27,439 Speaker 1: I cried my head off, and me and my brother 776 00:42:27,560 --> 00:42:31,320 Speaker 1: talked for an hour and a half afterward about just 777 00:42:31,440 --> 00:42:34,359 Speaker 1: like the whole growing up, you know. And I really 778 00:42:34,400 --> 00:42:37,279 Speaker 1: don't mean that to be harsh on my parents. I 779 00:42:37,360 --> 00:42:39,880 Speaker 1: really don't. They were just following the rules, you know, 780 00:42:40,000 --> 00:42:42,080 Speaker 1: the rules where you get married and then you have 781 00:42:42,200 --> 00:42:45,320 Speaker 1: kids or else you're a freak, you know, and it 782 00:42:45,400 --> 00:42:47,400 Speaker 1: doesn't matter if you're not growing up enough to do that. 783 00:42:47,560 --> 00:42:49,759 Speaker 1: You just do it and it just leads to a 784 00:42:49,840 --> 00:42:51,960 Speaker 1: lot of trouble and and and you know it's still 785 00:42:52,040 --> 00:42:55,239 Speaker 1: going on anyway. That's it. That's my that's my now 786 00:42:55,320 --> 00:42:59,239 Speaker 1: you now, it's did I do a good job? I 787 00:42:59,280 --> 00:43:02,440 Speaker 1: didn't take over always what about big cop by our 788 00:43:02,600 --> 00:43:05,239 Speaker 1: Richard though, well there's that too. You can also just 789 00:43:05,320 --> 00:43:07,480 Speaker 1: like forget about your childhood and read about big cocks. 790 00:43:07,680 --> 00:43:09,879 Speaker 1: Yeah no, but I mean it's it's interesting too many 791 00:43:09,880 --> 00:43:13,960 Speaker 1: because I remember so much, like my parents talking about 792 00:43:14,040 --> 00:43:17,800 Speaker 1: the cycles that they were trying to break, like just 793 00:43:17,920 --> 00:43:20,120 Speaker 1: as adults. I remember, like as I got older and 794 00:43:20,200 --> 00:43:22,600 Speaker 1: like talking to my dad having like more adult conversations 795 00:43:22,640 --> 00:43:26,080 Speaker 1: with him, talking about the pressures of like growing up 796 00:43:26,160 --> 00:43:28,759 Speaker 1: in like the sixties, when people are just like the 797 00:43:28,920 --> 00:43:31,520 Speaker 1: funk mental health is like, look, I just fought in 798 00:43:31,560 --> 00:43:34,680 Speaker 1: the war, I'm black, the world is fucked up. We're 799 00:43:34,719 --> 00:43:37,279 Speaker 1: trying to make the best we can, and so many 800 00:43:37,360 --> 00:43:39,960 Speaker 1: things that get absorbed by like like you know, people 801 00:43:40,080 --> 00:43:43,120 Speaker 1: of my grandparents age their kids. It's interesting to see 802 00:43:43,160 --> 00:43:46,400 Speaker 1: how much how much self awareness it really fucking takes 803 00:43:46,440 --> 00:43:48,839 Speaker 1: to be able to be like fuck, like I could 804 00:43:48,920 --> 00:43:51,719 Speaker 1: do this breathlessly and keep these sort of cycles going, 805 00:43:52,719 --> 00:43:54,799 Speaker 1: or I you know, you need some level of self 806 00:43:54,840 --> 00:43:57,400 Speaker 1: awareness to know like, oh what am I doing this 807 00:43:57,560 --> 00:44:01,080 Speaker 1: thing where like I'm completely disregarding my child because they're 808 00:44:01,120 --> 00:44:03,120 Speaker 1: a child, and what do they know? Because this is 809 00:44:03,200 --> 00:44:05,760 Speaker 1: just how things should be in a house, etcetera, etcetera. 810 00:44:06,400 --> 00:44:08,200 Speaker 1: So it's like it's interesting to just see, like how 811 00:44:08,400 --> 00:44:10,319 Speaker 1: even now, like a documentary like this or a lot 812 00:44:10,360 --> 00:44:13,520 Speaker 1: more media now is about kind of looking at our 813 00:44:13,600 --> 00:44:16,800 Speaker 1: parents and kind of like having a reckoning with that. 814 00:44:16,840 --> 00:44:18,160 Speaker 1: And I think this is obviously in a much more 815 00:44:18,280 --> 00:44:20,719 Speaker 1: like clear eyed documentary way versus like a lot of 816 00:44:20,760 --> 00:44:22,400 Speaker 1: the narrative stuff that's come out the last year and 817 00:44:22,400 --> 00:44:24,680 Speaker 1: a half. Well how having to do it? Also, while 818 00:44:24,760 --> 00:44:27,480 Speaker 1: you don't want to disown your parents and you want 819 00:44:27,480 --> 00:44:29,200 Speaker 1: to love your parents like you know, you where you 820 00:44:29,239 --> 00:44:31,879 Speaker 1: can forgive them, but you also can't on some level 821 00:44:32,000 --> 00:44:34,239 Speaker 1: interact with them in that old way because it makes 822 00:44:34,280 --> 00:44:36,200 Speaker 1: you feel like kids. You know. It's like I just 823 00:44:36,760 --> 00:44:39,080 Speaker 1: when I'm around my parents, they are similar to the 824 00:44:39,120 --> 00:44:40,960 Speaker 1: way they used to be. So I start feeling like 825 00:44:41,080 --> 00:44:43,359 Speaker 1: that trauma because I feel like I'm eight years old again, 826 00:44:43,440 --> 00:44:45,000 Speaker 1: you know, and I feel like i'm because I mean, 827 00:44:45,040 --> 00:44:47,080 Speaker 1: the idea of asking your kid, how do you feel? 828 00:44:47,560 --> 00:44:51,160 Speaker 1: That's the thing was missing from that entire equation. So 829 00:44:51,960 --> 00:44:53,759 Speaker 1: like you know, when the when the parents grew up 830 00:44:53,800 --> 00:44:56,200 Speaker 1: and had kids, they also didn't ever have that question 831 00:44:56,280 --> 00:44:58,439 Speaker 1: asked to them. So like, you know, like the dad 832 00:44:58,560 --> 00:45:00,400 Speaker 1: was still trying to figure out how he felt about 833 00:45:00,400 --> 00:45:01,920 Speaker 1: his kids and stuff like, I mean, just didn't have 834 00:45:01,960 --> 00:45:04,600 Speaker 1: the language or the you know, it's like a learned 835 00:45:05,080 --> 00:45:07,680 Speaker 1: I think we're making progress anyway. I recommend this movie 836 00:45:07,880 --> 00:45:10,640 Speaker 1: very highly. I don't know if it's underrated or not, 837 00:45:10,800 --> 00:45:13,520 Speaker 1: but go see the what's it call again? All the 838 00:45:13,560 --> 00:45:16,160 Speaker 1: Beauty and the Blood? It's hard to remember. It's a 839 00:45:16,200 --> 00:45:20,200 Speaker 1: good it's a good title that. Yeah, I don't know 840 00:45:20,239 --> 00:45:22,920 Speaker 1: if he's quite up to a title like that, but 841 00:45:23,440 --> 00:45:24,880 Speaker 1: he would he would what what would he call it? 842 00:45:25,000 --> 00:45:27,320 Speaker 1: What would he call that movie? All the Beauty and 843 00:45:27,320 --> 00:45:29,080 Speaker 1: the Blood? Said, he would call it like it would 844 00:45:29,120 --> 00:45:31,360 Speaker 1: be called like it would be called like pain pills 845 00:45:31,480 --> 00:45:34,560 Speaker 1: and Naked Parents or something like that, like something like 846 00:45:35,480 --> 00:45:38,359 Speaker 1: worse than that. Yeah, I had heard about that because 847 00:45:38,400 --> 00:45:40,960 Speaker 1: it's on a lot of top ten lists, which actually 848 00:45:41,080 --> 00:45:43,719 Speaker 1: ties right into kind of one of our stories, the 849 00:45:43,800 --> 00:45:47,239 Speaker 1: Top Gun Maverick getting nominated for the Golden Globes, and 850 00:45:48,000 --> 00:45:50,080 Speaker 1: you know, the right is claiming that is like finally 851 00:45:50,520 --> 00:45:55,640 Speaker 1: Emeric is ready to like movies that are cool and 852 00:45:56,120 --> 00:46:01,399 Speaker 1: portray the military is sexy and this past weekend, Ao 853 00:46:01,520 --> 00:46:04,759 Speaker 1: Scott from The New York Times published his top ten 854 00:46:04,880 --> 00:46:07,560 Speaker 1: movies of the year, and All the Beauty and the 855 00:46:07,600 --> 00:46:11,000 Speaker 1: Bloodshed was number nine, but he was bombarded by trolls 856 00:46:11,800 --> 00:46:15,800 Speaker 1: because a self described movie podcaster criticized his list for 857 00:46:15,880 --> 00:46:19,840 Speaker 1: not including Maverick and Elon Musk hopped in and was like, 858 00:46:19,960 --> 00:46:22,360 Speaker 1: that's because the New York Times has gone full woke. 859 00:46:23,440 --> 00:46:26,759 Speaker 1: So that's that's the thing that's happening, Like I'm seeing 860 00:46:26,760 --> 00:46:28,880 Speaker 1: it with people who are fans of everything everywhere all 861 00:46:28,920 --> 00:46:31,400 Speaker 1: at once, are like beerrating people who don't put it 862 00:46:31,520 --> 00:46:33,839 Speaker 1: on the list, and people are like, I've never even 863 00:46:33,960 --> 00:46:37,120 Speaker 1: heard of So that same podcaster devoted a whole episode 864 00:46:37,239 --> 00:46:41,080 Speaker 1: of their show to criticizing Ao Scott's list of movies, 865 00:46:41,480 --> 00:46:44,000 Speaker 1: claiming that no one had ever seen any of them. 866 00:46:44,080 --> 00:46:46,800 Speaker 1: By the way, his number one was nope. Uh. And 867 00:46:47,840 --> 00:46:50,520 Speaker 1: also just like spent all the time talking about how 868 00:46:50,600 --> 00:46:52,840 Speaker 1: like no one had heard of any of these movies, 869 00:46:52,960 --> 00:46:57,200 Speaker 1: and they're a movie podcaster, like spending an hour bragging 870 00:46:57,200 --> 00:47:00,799 Speaker 1: about all the acclaimed movies you've never heard of. It's 871 00:47:00,800 --> 00:47:05,000 Speaker 1: the weird look for a movie podcaster. But I don't know, Yeah, 872 00:47:05,120 --> 00:47:09,840 Speaker 1: just if there's a list of movies that you don't know, 873 00:47:10,200 --> 00:47:12,480 Speaker 1: and people are saying, are good, there's probably a pretty 874 00:47:12,480 --> 00:47:15,040 Speaker 1: good chance that you're going to find some really compelling 875 00:47:15,080 --> 00:47:18,839 Speaker 1: ship on there, and and maybe don't just assume automatically 876 00:47:18,960 --> 00:47:22,279 Speaker 1: that everything that you saw that your must be way 877 00:47:22,400 --> 00:47:25,080 Speaker 1: better than that. Is it that they don't like that 878 00:47:25,239 --> 00:47:27,120 Speaker 1: it was left out of the top films? Are they 879 00:47:27,200 --> 00:47:29,680 Speaker 1: more invested in the narrative that Top Gun is the 880 00:47:29,760 --> 00:47:33,719 Speaker 1: best film of the year because pro military ship like 881 00:47:33,840 --> 00:47:35,840 Speaker 1: this is number one, you know what I mean? Like 882 00:47:36,400 --> 00:47:38,319 Speaker 1: it's not like saying like, well, you know, I feel 883 00:47:38,360 --> 00:47:39,279 Speaker 1: like this is that and the other. I feel like 884 00:47:39,320 --> 00:47:42,080 Speaker 1: it's almost like somebody who's upset that their top ten 885 00:47:42,200 --> 00:47:45,280 Speaker 1: list isn't reinforcing like this broader culture war a message 886 00:47:45,280 --> 00:47:48,279 Speaker 1: of like, dude, ship from the eighties is still fucking cool, 887 00:47:48,320 --> 00:47:53,640 Speaker 1: including our takes on policy and politicians. Right. Yeah, I 888 00:47:53,760 --> 00:47:56,040 Speaker 1: think big picture, they want the middle class back, you know, 889 00:47:56,200 --> 00:47:59,880 Speaker 1: somehow Top Gun represents some like for them, like America, 890 00:48:00,080 --> 00:48:02,840 Speaker 1: you know, like that's America. That's what America's about. Is 891 00:48:02,880 --> 00:48:06,800 Speaker 1: like everybody has a job and they're a pilot, you 892 00:48:06,880 --> 00:48:08,800 Speaker 1: know what I mean, That's what I remember about America. 893 00:48:08,880 --> 00:48:10,920 Speaker 1: Everybody was a pilot. And had a brand new plane 894 00:48:11,000 --> 00:48:13,520 Speaker 1: and plane and everything money in their pocket and did 895 00:48:13,640 --> 00:48:17,000 Speaker 1: karaoke and and had a hot girlfriend. That's what America was. 896 00:48:17,560 --> 00:48:20,400 Speaker 1: I'm a tired of New America. America did have a 897 00:48:20,440 --> 00:48:22,719 Speaker 1: middle class in the eighties. Everybody got a plane. I 898 00:48:22,719 --> 00:48:24,759 Speaker 1: remember when I was growing up. Y'all, everybody got a 899 00:48:24,800 --> 00:48:27,759 Speaker 1: plane that nice hair, everybody nice hair do, and sunglass. 900 00:48:27,800 --> 00:48:31,440 Speaker 1: Motorcycles were faster than fighter jets. Everyone was white. Everybody's 901 00:48:31,480 --> 00:48:35,040 Speaker 1: flying around the planes when I'm I missed that. That's 902 00:48:35,080 --> 00:48:36,640 Speaker 1: what I want to see in movies. I want to 903 00:48:36,640 --> 00:48:39,800 Speaker 1: see movies about when America had more planes in it, 904 00:48:41,080 --> 00:48:43,719 Speaker 1: and fast people and nice people and good people that 905 00:48:43,840 --> 00:48:46,800 Speaker 1: worked hard and had big heads and nice hair dues. 906 00:48:48,000 --> 00:48:51,520 Speaker 1: When Tom Cruise was everybody. I remember when I was 907 00:48:51,520 --> 00:48:54,719 Speaker 1: growing up, everybody looked like Tom Cruise. Everybody and had 908 00:48:54,760 --> 00:48:56,760 Speaker 1: a plane and it went fast, and they were strong 909 00:48:56,920 --> 00:48:59,719 Speaker 1: and fast and good and drank beer and didn't have 910 00:48:59,760 --> 00:49:02,640 Speaker 1: any trouble about it, sliding around houses on the wood 911 00:49:02,719 --> 00:49:06,439 Speaker 1: floors in our underwear, and they still want to work 912 00:49:06,480 --> 00:49:09,040 Speaker 1: even though they had a hangover and their kids or 913 00:49:09,040 --> 00:49:11,040 Speaker 1: their wife or anything. But that's why it was. That's 914 00:49:11,080 --> 00:49:14,480 Speaker 1: how it worked. And there's no such thing as PTSD. Yeah, 915 00:49:14,640 --> 00:49:17,520 Speaker 1: top Con is bringing back jobs to America. If every 916 00:49:17,640 --> 00:49:19,440 Speaker 1: movie is a woke movie, then we're not gonna have 917 00:49:19,440 --> 00:49:22,000 Speaker 1: as many jobs in this country. We need horror movies 918 00:49:22,040 --> 00:49:25,600 Speaker 1: about jobs facts. What's their love? Is it just that 919 00:49:25,719 --> 00:49:28,960 Speaker 1: it's all war like? Yeah? Yeah, yeah, bomb them. Well, 920 00:49:29,080 --> 00:49:32,440 Speaker 1: but it's interesting, right because so breap Bark columnists like 921 00:49:32,480 --> 00:49:35,719 Speaker 1: at the time said top Come Maverick is a masculine, 922 00:49:35,760 --> 00:49:41,440 Speaker 1: pro American, stridently non woke blockbuster. Um, the movie actually did, 923 00:49:41,600 --> 00:49:44,920 Speaker 1: like feature a more diverse cast than the original, and 924 00:49:45,320 --> 00:49:48,400 Speaker 1: if the movie bombed, like brepe Bart definitely would have 925 00:49:48,480 --> 00:49:51,560 Speaker 1: been like this is why it bombed because they had 926 00:49:51,640 --> 00:49:54,919 Speaker 1: the more diverse cast, so, you know, like they did 927 00:49:55,000 --> 00:49:58,800 Speaker 1: with Late Year for instance. Um, people need real like 928 00:49:58,960 --> 00:50:01,160 Speaker 1: they've gone crazy, and they think that movies can like 929 00:50:01,760 --> 00:50:04,040 Speaker 1: they think movies can like bring back the middle class 930 00:50:04,120 --> 00:50:06,640 Speaker 1: or something like we had enough movies about like jobs 931 00:50:06,760 --> 00:50:08,680 Speaker 1: or something. You know, like if we had more movies 932 00:50:08,719 --> 00:50:12,960 Speaker 1: and shown people acting normal like a regular person back 933 00:50:13,000 --> 00:50:15,759 Speaker 1: in the nineteen fifties like we all did, then people 934 00:50:15,800 --> 00:50:18,200 Speaker 1: would stop getting these crazy ideas and they would have 935 00:50:18,360 --> 00:50:22,760 Speaker 1: jobs again. Uh, you know, at the factories right, because 936 00:50:22,800 --> 00:50:28,320 Speaker 1: there's no major party that actually does anything that affects changed. 937 00:50:28,520 --> 00:50:31,319 Speaker 1: They This is the level that it gets fought at 938 00:50:31,560 --> 00:50:35,440 Speaker 1: is in conversations about Yeah, people have gone fucking crazy. 939 00:50:35,560 --> 00:50:38,439 Speaker 1: They've gone fucking crazy because the middle class has gone 940 00:50:38,480 --> 00:50:41,640 Speaker 1: away and and and and that just has led to 941 00:50:41,760 --> 00:50:44,319 Speaker 1: all kinds of trouble because because you know, I mean, 942 00:50:44,360 --> 00:50:46,520 Speaker 1: I don't I don't want to go off about it, 943 00:50:46,600 --> 00:50:49,439 Speaker 1: but but just that I feel like that's what people 944 00:50:49,480 --> 00:50:51,399 Speaker 1: are going crazy and they think things that have nothing 945 00:50:51,440 --> 00:50:54,120 Speaker 1: to do with why they're unhappy can fix why they're unhappy. 946 00:50:54,680 --> 00:50:58,200 Speaker 1: If the movies were just, you know, this way, then 947 00:50:58,360 --> 00:51:00,400 Speaker 1: everything can be fine, and I would be able to 948 00:51:00,440 --> 00:51:03,200 Speaker 1: get a girlfriend without being nice, just the way you 949 00:51:03,360 --> 00:51:05,920 Speaker 1: used to be able to. I wouldn't be an insult. 950 00:51:06,040 --> 00:51:10,160 Speaker 1: There are more movies about plane drivers. Everybody should drive 951 00:51:10,200 --> 00:51:11,640 Speaker 1: a plane and have a nice hair and tow and 952 00:51:11,680 --> 00:51:13,800 Speaker 1: then I can have a girlfriend. I mean, it's nutty 953 00:51:13,920 --> 00:51:18,239 Speaker 1: ship like this movie is taking away my opportunity to 954 00:51:18,320 --> 00:51:21,040 Speaker 1: get laid as a total piece of ship. Well, it's 955 00:51:21,120 --> 00:51:23,719 Speaker 1: this other thing too, or they think that the decisions 956 00:51:23,800 --> 00:51:26,480 Speaker 1: made by like fifteen people on the West side of 957 00:51:26,719 --> 00:51:30,000 Speaker 1: l A. It's like what's determining like the course of 958 00:51:30,440 --> 00:51:33,480 Speaker 1: humanity and our culture. Like I get it, You're like, 959 00:51:33,840 --> 00:51:36,719 Speaker 1: see this thing that did well aligned a little bit 960 00:51:36,800 --> 00:51:40,239 Speaker 1: more with my like raw raw jingleistic bullshit that I'm into. 961 00:51:40,680 --> 00:51:43,080 Speaker 1: But then to be like and because that's there, we're 962 00:51:43,120 --> 00:51:46,160 Speaker 1: winning that fight. When the real reason you're looking at 963 00:51:46,200 --> 00:51:49,120 Speaker 1: people like you know, move into the ideologies they are. 964 00:51:49,200 --> 00:51:51,480 Speaker 1: It's not because the fucking movies, because of what their 965 00:51:51,520 --> 00:51:54,480 Speaker 1: lived experiences are. And I get yeah, Like to everyone's point, 966 00:51:54,520 --> 00:51:56,680 Speaker 1: it's like yeah, but it's easier to be like yeah, yeah, 967 00:51:56,760 --> 00:51:59,040 Speaker 1: top Gun, top Gun, Top Gun. Yea, we just need 968 00:51:59,120 --> 00:52:02,840 Speaker 1: more top guns. We had just movies like The Passion 969 00:52:02,920 --> 00:52:06,120 Speaker 1: of the Christ and Top Gun on the top ten list, 970 00:52:06,680 --> 00:52:09,640 Speaker 1: everyone would have a job in two cars and health 971 00:52:09,680 --> 00:52:12,520 Speaker 1: insurance like they used to. Actually, Chris, I'll go one better. 972 00:52:12,600 --> 00:52:15,319 Speaker 1: No one would even need health insurance because they would 973 00:52:15,320 --> 00:52:17,960 Speaker 1: be imbued with the message of Christ's love. That's how 974 00:52:18,160 --> 00:52:20,359 Speaker 1: I see us getting around this whole health insurance can 975 00:52:20,440 --> 00:52:25,160 Speaker 1: under him honestly. Also, every fucking clunky dude has never 976 00:52:25,280 --> 00:52:27,440 Speaker 1: been seen by his parents, who doesn't know how to 977 00:52:27,480 --> 00:52:29,640 Speaker 1: ask a girl out because he's got no self worth 978 00:52:29,800 --> 00:52:32,280 Speaker 1: because he was treated like a lamp by his goddamn 979 00:52:32,360 --> 00:52:36,080 Speaker 1: religious parents or whatever. He doesn't know how to get 980 00:52:36,160 --> 00:52:38,359 Speaker 1: on a date anymore because no movies are telling him 981 00:52:38,360 --> 00:52:40,080 Speaker 1: how to do it. You know how any fucking people 982 00:52:40,200 --> 00:52:44,320 Speaker 1: must have actually reenacted that you've lost that love and 983 00:52:44,520 --> 00:52:48,080 Speaker 1: feeling and seen from fucking top gun and successfully seduced 984 00:52:48,120 --> 00:52:50,120 Speaker 1: someone because they saw it in a movie. Like how 985 00:52:50,160 --> 00:52:53,160 Speaker 1: many people probably got wives and husbands out of doing 986 00:52:53,239 --> 00:52:57,600 Speaker 1: things they saw movies? Remember like the underwear seen thee 987 00:52:57,800 --> 00:53:00,600 Speaker 1: oh man, I'm married Brad because he impersonated the underwear 988 00:53:00,719 --> 00:53:03,799 Speaker 1: scene from Risky Business perfectly. We dated it on our 989 00:53:03,880 --> 00:53:06,000 Speaker 1: wedding day, came out at our wedding and came out 990 00:53:06,000 --> 00:53:08,520 Speaker 1: of the cake and head underwear on. Miles might remember 991 00:53:09,160 --> 00:53:11,279 Speaker 1: from when we worked in the same office. But I 992 00:53:11,440 --> 00:53:15,680 Speaker 1: don't enter a room to the other way. Hills go 993 00:53:15,800 --> 00:53:18,279 Speaker 1: up my spine when I hear then then then the 994 00:53:19,360 --> 00:53:22,480 Speaker 1: whole personality come from that movie. Apparently I didn't know that. 995 00:53:22,640 --> 00:53:25,359 Speaker 1: But yes, Jack's always sliding and that if there are 996 00:53:25,400 --> 00:53:27,520 Speaker 1: no movies to copy like that, how are we going 997 00:53:27,600 --> 00:53:29,839 Speaker 1: to have a life? Like you know that's true because yeah, 998 00:53:29,920 --> 00:53:32,040 Speaker 1: you think of like people who was like especially like 999 00:53:32,200 --> 00:53:35,839 Speaker 1: the kinds of maga sort of like charismatic figures. They're 1000 00:53:35,840 --> 00:53:37,480 Speaker 1: the kinds of people who could be like, I can 1001 00:53:37,640 --> 00:53:41,680 Speaker 1: fucking quote every Meatballs film and that used to get 1002 00:53:41,719 --> 00:53:44,400 Speaker 1: me jobs. Yeah, and like that made me the funniest 1003 00:53:44,480 --> 00:53:46,839 Speaker 1: fucking person. Now when I say ship like that, I'm 1004 00:53:47,280 --> 00:53:50,719 Speaker 1: a misogynt and no one even knows what it is. Does. 1005 00:53:50,760 --> 00:53:54,600 Speaker 1: Everybody's got different streaming service because the movies are saying 1006 00:53:54,640 --> 00:53:56,520 Speaker 1: that that's not good anymore. And I think that's an 1007 00:53:56,560 --> 00:53:59,560 Speaker 1: interesting point, is like dudes whose whole personality was based 1008 00:53:59,600 --> 00:54:02,000 Speaker 1: on movies are like, well, this ship is getting me 1009 00:54:02,040 --> 00:54:04,279 Speaker 1: in trouble and I don't know any other way. And 1010 00:54:04,400 --> 00:54:07,239 Speaker 1: I would argue that was most of America. Anybody who's 1011 00:54:07,239 --> 00:54:09,640 Speaker 1: ever had a regular job that kept these kind of 1012 00:54:09,680 --> 00:54:12,040 Speaker 1: people occupied. So they wouldn't be yelling at some movie 1013 00:54:12,080 --> 00:54:14,279 Speaker 1: reviewer because they didn't know any of the movies was. 1014 00:54:14,400 --> 00:54:17,560 Speaker 1: They would be too busy getting laid by impersonating Meatballs. 1015 00:54:18,560 --> 00:54:21,840 Speaker 1: And now they're like, oh, like, I can't impersonate anything 1016 00:54:21,840 --> 00:54:24,000 Speaker 1: because you know, another thing about not being seen as 1017 00:54:24,000 --> 00:54:26,400 Speaker 1: a kid is you don't develop a personality. So you 1018 00:54:26,520 --> 00:54:28,719 Speaker 1: develop a pop culture personality. And it used to be 1019 00:54:28,760 --> 00:54:30,600 Speaker 1: in the nineties, you wanted to get laid, you talked 1020 00:54:30,640 --> 00:54:35,080 Speaker 1: about fucking Seinfeld. Everybody wants the same joke. Nobody, nobody 1021 00:54:35,160 --> 00:54:37,640 Speaker 1: can get laid anymore. Who's an idiot? Yeah, you're like, 1022 00:54:37,719 --> 00:54:40,359 Speaker 1: I don't have all the streaming services. If we had, 1023 00:54:40,440 --> 00:54:43,080 Speaker 1: every movie was top Gune, I could impersonate that movie 1024 00:54:43,440 --> 00:54:45,120 Speaker 1: and then I could get laid and then I can 1025 00:54:45,200 --> 00:54:48,520 Speaker 1: have a life. But now people have made it so 1026 00:54:48,680 --> 00:54:54,120 Speaker 1: I gotta know stuff and have a personality. One conservative 1027 00:54:54,160 --> 00:54:57,880 Speaker 1: TV host claimed that back in June, specifically because the 1028 00:54:57,960 --> 00:55:01,440 Speaker 1: box office success of Maverick happened, that that was going 1029 00:55:01,560 --> 00:55:04,640 Speaker 1: to translate into votes for the Republicans in the upcoming 1030 00:55:04,719 --> 00:55:09,240 Speaker 1: midterm election. People are so fucking stupid. Yeah, it's funny 1031 00:55:10,200 --> 00:55:12,840 Speaker 1: doing like people who are like who's whose takes are 1032 00:55:12,880 --> 00:55:17,560 Speaker 1: actually being like considered by like political leadership or like, dude, 1033 00:55:17,600 --> 00:55:20,600 Speaker 1: that movie did well. People will forget that you're taking 1034 00:55:20,640 --> 00:55:24,440 Speaker 1: away human rights and completely ignoring earth death or just 1035 00:55:24,600 --> 00:55:27,880 Speaker 1: like living wages. Yeah, yeah, that'll do it. Top Guns 1036 00:55:27,920 --> 00:55:31,839 Speaker 1: doing well. I think they're ready for the reversus Wade reversal. Yeah, 1037 00:55:32,120 --> 00:55:36,480 Speaker 1: Like I think I've read the room. Oh we were wrong, 1038 00:55:36,880 --> 00:55:42,120 Speaker 1: Oh we were better keep pressing. Samuel Alito probably watches 1039 00:55:42,239 --> 00:55:46,400 Speaker 1: fucking m I can't even imagine. Probably watch the original 1040 00:55:46,480 --> 00:55:50,520 Speaker 1: Top Gun Nonsense. Probably he probably watched soul Man to 1041 00:55:50,680 --> 00:55:54,319 Speaker 1: prepare to like meet Clarence Thomas. Imagine Judge Alito's sense 1042 00:55:54,360 --> 00:55:57,520 Speaker 1: of humor probably total straight up like you lost that 1043 00:55:57,640 --> 00:56:00,520 Speaker 1: love and feeling like assal with assault ship and just 1044 00:56:00,560 --> 00:56:03,600 Speaker 1: always close talking people after a dissenting opinion and saying 1045 00:56:03,680 --> 00:56:06,480 Speaker 1: you can still be my wing man exactly. Yeah, like 1046 00:56:07,040 --> 00:56:10,560 Speaker 1: it's way too close. Yeah, in the lunch room at 1047 00:56:10,600 --> 00:56:13,960 Speaker 1: the fucking Supreme Court. Yeah, the Supreme Court, fucking Commas, 1048 00:56:14,000 --> 00:56:17,360 Speaker 1: Supreme Court. Calf Yeah, he's like, you lost that love 1049 00:56:17,560 --> 00:56:23,520 Speaker 1: and feeling. We have folks, stop gun Goose, stop gun Goose. 1050 00:56:25,800 --> 00:56:29,960 Speaker 1: Have my funny? Uh you some more of a Maverick. Actually, 1051 00:56:30,960 --> 00:56:34,319 Speaker 1: I'll take the Mavericks day. I have ya. I'm talking 1052 00:56:34,320 --> 00:56:37,640 Speaker 1: about the potato. Come on, girl, what do you mean? 1053 00:56:37,719 --> 00:56:44,960 Speaker 1: I ain't cool? How to? What are you so excited about? Alito? 1054 00:56:45,400 --> 00:56:52,399 Speaker 1: I just overturned roversus weight fucking dark Well, Chris as 1055 00:56:52,480 --> 00:56:54,880 Speaker 1: always a true pleasure having you on the dailies, like 1056 00:56:54,960 --> 00:56:59,480 Speaker 1: Geist where some people Yeah, holy god, I funked it 1057 00:56:59,560 --> 00:57:04,919 Speaker 1: up again in one topic that's we did so much 1058 00:57:05,000 --> 00:57:10,320 Speaker 1: more than that. We talked about parenting the relics of 1059 00:57:10,440 --> 00:57:14,279 Speaker 1: eighties films and explaining the situation we're in today. Who 1060 00:57:14,360 --> 00:57:17,400 Speaker 1: the are Richard is Chris? Come on now, baby, you 1061 00:57:17,600 --> 00:57:20,080 Speaker 1: introduced us to our Richard. I'm so glad to be 1062 00:57:20,200 --> 00:57:22,200 Speaker 1: on the show again. I always am. I'm not getting 1063 00:57:22,240 --> 00:57:25,840 Speaker 1: the I really I'm grateful for you guys, and UM, 1064 00:57:26,240 --> 00:57:28,320 Speaker 1: wish you continued success. I don't know why I said 1065 00:57:28,320 --> 00:57:31,280 Speaker 1: that part, but I wish he continued success. That's just 1066 00:57:31,400 --> 00:57:34,760 Speaker 1: straight cold brew. Um. That's everybody when I leave a 1067 00:57:34,880 --> 00:57:40,040 Speaker 1: room success, that's cold brew guy. UM. You can find 1068 00:57:40,080 --> 00:57:43,760 Speaker 1: me at the Crofton Show on Twitter. I've been on 1069 00:57:43,840 --> 00:57:47,280 Speaker 1: there less lately just because I've been having more jobs 1070 00:57:47,680 --> 00:57:50,760 Speaker 1: to do. Uh, but I'll be doing the poetry window 1071 00:57:50,840 --> 00:57:53,480 Speaker 1: on there and Instagram at the Crofton Show as well, 1072 00:57:53,560 --> 00:57:56,959 Speaker 1: and most importantly, go see my show. I'm playing live 1073 00:57:57,040 --> 00:58:01,880 Speaker 1: in Chattanooga this Thursday. Um. I'm reading from a book, 1074 00:58:02,000 --> 00:58:04,479 Speaker 1: I'm playing music, I'm doing stand up, all the same, 1075 00:58:04,800 --> 00:58:07,840 Speaker 1: all the same show like the Criss Crofton Variety our 1076 00:58:08,440 --> 00:58:12,320 Speaker 1: and um, that's in Chattanooga this Thursday night at Lomaine 1077 00:58:12,440 --> 00:58:14,880 Speaker 1: The Bar is called Lomaine and a great comedian named 1078 00:58:14,920 --> 00:58:17,760 Speaker 1: Sam Severan is opening up for me. And then December 1079 00:58:18,400 --> 00:58:20,800 Speaker 1: in um Nashville. I'm also doing a show at the 1080 00:58:20,840 --> 00:58:23,720 Speaker 1: five Spot here in town. And go listen to our 1081 00:58:23,800 --> 00:58:26,520 Speaker 1: podcast and I have a new podcast behind the paywall 1082 00:58:26,640 --> 00:58:28,600 Speaker 1: on Patreon for three bucks a month, you can listen 1083 00:58:28,640 --> 00:58:31,280 Speaker 1: to Colbrew Got Me Listening, where I introduce you to 1084 00:58:31,520 --> 00:58:34,200 Speaker 1: artists that I love and I've done six episodes on 1085 00:58:34,320 --> 00:58:36,840 Speaker 1: that and I've the most recent ones about John Denver. 1086 00:58:38,800 --> 00:58:41,160 Speaker 1: And is there a tweet or some other work of 1087 00:58:41,320 --> 00:58:44,040 Speaker 1: social media you've been enjoying? Oh yeah, I did that again. 1088 00:58:44,120 --> 00:58:48,080 Speaker 1: I always funked that up, you guys go first. Okay, Miles, 1089 00:58:48,160 --> 00:58:51,160 Speaker 1: how about you? Where can people find you with Twitter 1090 00:58:51,200 --> 00:58:54,520 Speaker 1: and Instagram? And you know other play I think how 1091 00:58:55,080 --> 00:59:04,600 Speaker 1: was it? Hive Social? And the Master Master We're gonna 1092 00:59:04,640 --> 00:59:06,880 Speaker 1: call it mastered on though, just so you know officially 1093 00:59:06,920 --> 00:59:10,080 Speaker 1: on this show it's called mastered on. Uh yeah, at 1094 00:59:10,120 --> 00:59:12,880 Speaker 1: Miles of Gray. You want to hear basketball, well, guess 1095 00:59:13,040 --> 00:59:15,280 Speaker 1: what you can check Jack and I out on our 1096 00:59:15,320 --> 00:59:19,320 Speaker 1: basketball podcast, Miles and Jack Got Mad boost these okay 1097 00:59:19,520 --> 00:59:22,760 Speaker 1: every Thursdays talking NBA. And then also if you wanna 1098 00:59:22,760 --> 00:59:25,560 Speaker 1: hear me talk ninety fiance. Check my other podcast out 1099 00:59:25,600 --> 00:59:28,680 Speaker 1: with Sophia Alexandra for twenty day Fiance and a tweet 1100 00:59:29,080 --> 00:59:33,280 Speaker 1: that I like. Man, obviously I like everything that's talking 1101 00:59:33,320 --> 00:59:36,920 Speaker 1: about Elon Musk just getting fucking booed to hell at 1102 00:59:36,960 --> 00:59:40,960 Speaker 1: the Chase Center. But I'll just I'll just like this tweet, 1103 00:59:40,960 --> 00:59:44,480 Speaker 1: which is just very straightforward an article about that event. 1104 00:59:44,560 --> 00:59:48,160 Speaker 1: It's from Dr Angela Rasmussen at Angie Underscore. Rasmuson tweeted 1105 00:59:48,280 --> 00:59:51,160 Speaker 1: new Twitter might be hardcore, but it's got nothing on reality. 1106 00:59:51,320 --> 00:59:54,320 Speaker 1: Quote this is from this Gizmodo album The booing got 1107 00:59:54,400 --> 00:59:57,440 Speaker 1: louder Is Musk wandered around on stage with a microphone 1108 00:59:57,440 --> 01:00:00,520 Speaker 1: in hand. Musk started pacing and waving clear the unsure 1109 01:00:00,640 --> 01:00:04,440 Speaker 1: what to do about such a negative reaction the videos 1110 01:00:04,640 --> 01:00:08,560 Speaker 1: straight into me, veins he deserves every fucking bit of it, 1111 01:00:08,880 --> 01:00:11,120 Speaker 1: although it's not his fault because he shouldn't exist. He 1112 01:00:11,120 --> 01:00:13,840 Speaker 1: should be checked out of existence. Yeah, he should be 1113 01:00:13,920 --> 01:00:16,480 Speaker 1: a regular guy who just wants to be best friends 1114 01:00:16,520 --> 01:00:18,760 Speaker 1: with Dave Chappelle and also Dave Chappelle, My god, would 1115 01:00:18,760 --> 01:00:22,720 Speaker 1: a cell phone that dude? He was doing Buddha lingus 1116 01:00:23,360 --> 01:00:26,880 Speaker 1: On Elon Musk for like five minutes in this Wow, 1117 01:00:26,960 --> 01:00:30,760 Speaker 1: look who I brought up? It was who all kinds think? Yeah, 1118 01:00:31,120 --> 01:00:34,160 Speaker 1: Dave Chappelle brought out Elon Musk for like the last 1119 01:00:34,240 --> 01:00:36,960 Speaker 1: eight ten minutes of his show at the in San Francisco, 1120 01:00:37,080 --> 01:00:40,240 Speaker 1: and he got food to the apps just off the earth, 1121 01:00:40,640 --> 01:00:42,360 Speaker 1: and they both didn't know what to do. Like even 1122 01:00:42,440 --> 01:00:44,920 Speaker 1: Dave Chappelle was like, I thought my cred would at 1123 01:00:45,000 --> 01:00:47,760 Speaker 1: least protect him, and everyone's like, nah, funk all you 1124 01:00:48,480 --> 01:00:52,840 Speaker 1: Jesus at grill Pill. Underscore tweeted, babe, you want to 1125 01:00:52,920 --> 01:00:55,480 Speaker 1: come over and read too far into each other's tone? 1126 01:00:55,880 --> 01:00:58,560 Speaker 1: You do? Why did you say it like that? And 1127 01:00:58,720 --> 01:01:03,120 Speaker 1: then z Emerson World of Echo tweeted blue Read voice, 1128 01:01:04,480 --> 01:01:09,160 Speaker 1: Oh when it's we're at Boys, my wife, Loue Reid, 1129 01:01:09,240 --> 01:01:14,480 Speaker 1: Boys and bon Jovi Voice, it's my life. Um, I've 1130 01:01:14,720 --> 01:01:17,880 Speaker 1: enjoyed that. You can find me on Twitter at Jack 1131 01:01:18,000 --> 01:01:20,720 Speaker 1: Underscore O'Brien. You can find us on Twitter at Daily 1132 01:01:20,840 --> 01:01:23,840 Speaker 1: Zey Guys. We're at the Daily Zyeys on Instagram. We 1133 01:01:23,880 --> 01:01:27,040 Speaker 1: have a Facebook fan page and a website Daily zycheys 1134 01:01:27,120 --> 01:01:30,560 Speaker 1: dot com. We can find our episodes and our footnotes. 1135 01:01:31,440 --> 01:01:34,760 Speaker 1: But before we get to the music recommendation. Chris, did 1136 01:01:34,800 --> 01:01:37,120 Speaker 1: you find a tweet you've been enjoying? I found it tweet, 1137 01:01:37,160 --> 01:01:40,880 Speaker 1: but it's my tweet that's perfect. So it's attention Red 1138 01:01:40,920 --> 01:01:43,280 Speaker 1: Hot Chili Peppers. I just thought of this lyric and 1139 01:01:43,400 --> 01:01:46,440 Speaker 1: you can have it. I put a clam in the 1140 01:01:46,600 --> 01:01:53,919 Speaker 1: file cabinet. I'll put the clam in the file clapt Yeah, yeah, yeah. 1141 01:01:53,960 --> 01:01:55,760 Speaker 1: The first one I ever put up was I hit 1142 01:01:55,920 --> 01:02:00,240 Speaker 1: of Dolphin with the yardstick. So there's a lot of 1143 01:02:00,640 --> 01:02:02,960 Speaker 1: If you like Red Hutchili Peppers, are you you know 1144 01:02:03,120 --> 01:02:07,439 Speaker 1: that's that's what I do? Amazing? Um miles, how about 1145 01:02:07,440 --> 01:02:10,480 Speaker 1: a song? Is their song? Put the plan in the 1146 01:02:10,800 --> 01:02:20,000 Speaker 1: failing cabiness, I put the clan in the funk. I'll 1147 01:02:20,080 --> 01:02:25,440 Speaker 1: go through the shows off my personal life of Dwight Eisenhower. 1148 01:02:25,520 --> 01:02:27,760 Speaker 1: Another one was Dwight Eisenhower with a two can on 1149 01:02:27,840 --> 01:02:36,280 Speaker 1: his shoulder, And then I see I can't even do 1150 01:02:36,360 --> 01:02:39,120 Speaker 1: it with a two can on his shoulder. Okay, I 1151 01:02:39,200 --> 01:02:42,440 Speaker 1: got on your shoulder, girl, What song are we gonna do? Oh? 1152 01:02:42,560 --> 01:02:45,280 Speaker 1: I found this this. I heard this wild mash up 1153 01:02:45,320 --> 01:02:48,440 Speaker 1: on the radio on caser W that was mashing up 1154 01:02:48,560 --> 01:02:54,160 Speaker 1: Portishead with Griselda and it's Mtron's mashed with dr Birds 1155 01:02:54,440 --> 01:02:57,200 Speaker 1: And I could only find this on YouTube, so search 1156 01:02:57,400 --> 01:02:59,640 Speaker 1: cuts so c U T s Oh, it's like this 1157 01:02:59,760 --> 01:03:03,800 Speaker 1: d who does these mashups? And search for Mr Birds 1158 01:03:04,080 --> 01:03:06,560 Speaker 1: M Y S T E r B I r d 1159 01:03:06,960 --> 01:03:10,280 Speaker 1: S mr Birds because it's obviously a commodation of those two. Uh, 1160 01:03:10,560 --> 01:03:12,760 Speaker 1: this kind of a really it's like not the most 1161 01:03:13,000 --> 01:03:15,720 Speaker 1: like complex mash up, but it's nice to see how 1162 01:03:15,880 --> 01:03:18,880 Speaker 1: like the two instrumentals work together. So this is Mr 1163 01:03:19,080 --> 01:03:22,640 Speaker 1: Birds by cuts up. Well the daily is that guys, 1164 01:03:22,680 --> 01:03:24,600 Speaker 1: the production of I Heart Radio. For more podcasts for 1165 01:03:24,680 --> 01:03:27,200 Speaker 1: my heart Radio, visit the heart Radio app, Apple podcast 1166 01:03:27,560 --> 01:03:29,600 Speaker 1: or wherever you listen to your favorite shows. That is 1167 01:03:29,680 --> 01:03:31,800 Speaker 1: going to do it for us this morning, back this 1168 01:03:31,920 --> 01:03:34,520 Speaker 1: afternoon to tell you what it is trending and we'll 1169 01:03:34,560 --> 01:03:36,040 Speaker 1: talk to you all then Bye,