1
00:00:00,400 --> 00:00:07,200
Speaker 1: Ollian and we are back top of the week. Who's excited?

2
00:00:07,720 --> 00:00:10,280
Speaker 1: October is flying by. I cannot believe we already halfway

3
00:00:10,320 --> 00:00:12,440
Speaker 1: through this month, my favorite month, might.

4
00:00:12,320 --> 00:00:14,000
Speaker 2: I add your baby?

5
00:00:14,640 --> 00:00:17,160
Speaker 1: Well, No, I was born in May, but October tends

6
00:00:17,200 --> 00:00:18,320
Speaker 1: to have my favorite weather.

7
00:00:18,360 --> 00:00:20,400
Speaker 2: You look like you took your first steps in fold though.

8
00:00:20,960 --> 00:00:24,840
Speaker 3: Oh May, May, Now you're walking by that.

9
00:00:24,960 --> 00:00:29,320
Speaker 1: I mean, I appreciate the confidence. Six months in Nomar

10
00:00:29,480 --> 00:00:32,280
Speaker 1: was like nine or ten months. She was early, so

11
00:00:32,440 --> 00:00:34,920
Speaker 1: I mean, I appreciate that, But no, I was probably

12
00:00:34,960 --> 00:00:38,120
Speaker 1: still crawling, but like through the leaves because I love

13
00:00:38,159 --> 00:00:41,159
Speaker 1: the fall. Folios It's actually we've actually gotten some good weather.

14
00:00:41,200 --> 00:00:42,680
Speaker 1: I feel like in October.

15
00:00:42,479 --> 00:00:45,519
Speaker 2: It's been nice out. I can't complain about the Weather's sunny,

16
00:00:45,560 --> 00:00:48,000
Speaker 2: but you know, a little breezy. That was so insensitive,

17
00:00:48,159 --> 00:00:49,040
Speaker 2: that was so local?

18
00:00:50,040 --> 00:00:50,440
Speaker 4: Was it?

19
00:00:50,479 --> 00:00:53,279
Speaker 5: There's been awful weather for the past I know, like

20
00:00:53,400 --> 00:00:56,000
Speaker 5: five weeks. A third of this country's underwater right now.

21
00:00:56,840 --> 00:00:59,320
Speaker 5: Such a selfish fuck sweater weather up here though.

22
00:01:00,120 --> 00:01:04,520
Speaker 1: Yeah, I've had my my pumpkins splice outside digging flicks.

23
00:01:05,280 --> 00:01:09,240
Speaker 2: How was your weekend? It was good, it was cool, quiet, calm.

24
00:01:09,280 --> 00:01:11,840
Speaker 1: I was in a family mode. Had everyone in my

25
00:01:11,880 --> 00:01:13,800
Speaker 1: house did painted pumpkins.

26
00:01:15,240 --> 00:01:15,959
Speaker 2: You know that's nice.

27
00:01:16,000 --> 00:01:18,040
Speaker 3: What's she paint her face?

28
00:01:19,560 --> 00:01:21,040
Speaker 1: Amara completely missed the pumpkins.

29
00:01:21,080 --> 00:01:22,640
Speaker 4: Oh thank god you were talking about Amara.

30
00:01:22,800 --> 00:01:25,120
Speaker 1: Oh where is your mind going? I said, it was

31
00:01:25,160 --> 00:01:28,720
Speaker 1: a family weekend where we were painting. Oh you you're nasty.

32
00:01:29,200 --> 00:01:31,440
Speaker 1: Stop listening that Glrilla album.

33
00:01:31,640 --> 00:01:33,640
Speaker 6: You just said nothing. We didn't really do nothing, like

34
00:01:33,680 --> 00:01:35,200
Speaker 6: I just painted. And he was like, what did you paint?

35
00:01:35,200 --> 00:01:36,800
Speaker 6: You said her face you never mentioned?

36
00:01:37,080 --> 00:01:39,720
Speaker 2: Was asking, like, Whatamara painted on the pumpkin? Is what

37
00:01:39,840 --> 00:01:41,120
Speaker 2: I never mentioned? Amara?

38
00:01:41,319 --> 00:01:42,160
Speaker 4: You just said painted.

39
00:01:42,440 --> 00:01:44,479
Speaker 1: You think me and my mom just painted pumpkins.

40
00:01:44,520 --> 00:01:47,520
Speaker 5: Oh my god, you're making it weirder. Painting face, that's

41
00:01:47,520 --> 00:01:49,480
Speaker 5: what she's She's not referring to pumpkins.

42
00:01:49,760 --> 00:01:52,120
Speaker 1: There's nothing sexual about this conversation. I was with my

43
00:01:52,200 --> 00:01:56,640
Speaker 1: family over the weekend. It's around Halloween. We painted pumpkins

44
00:01:57,240 --> 00:02:01,160
Speaker 1: with the children in our family painted pumpkins, and Amara

45
00:02:01,480 --> 00:02:06,000
Speaker 1: the paint brush and instead of painting any pumpkins or

46
00:02:06,000 --> 00:02:09,320
Speaker 1: any markers on any paper, completely covered her face.

47
00:02:10,040 --> 00:02:11,440
Speaker 3: Like was it paint black?

48
00:02:11,840 --> 00:02:15,280
Speaker 1: It was very close to it, but she was really good.

49
00:02:15,320 --> 00:02:17,359
Speaker 1: It almost like she put blue lipstick on.

50
00:02:17,560 --> 00:02:18,600
Speaker 2: It was very creepy.

51
00:02:18,760 --> 00:02:20,600
Speaker 1: I can't lie like I saw a demon child and

52
00:02:20,639 --> 00:02:21,520
Speaker 1: I got really nervous.

53
00:02:21,600 --> 00:02:22,560
Speaker 4: Did you take a picture?

54
00:02:22,720 --> 00:02:24,400
Speaker 1: I do have a picture. I mean, obviously we're not

55
00:02:24,400 --> 00:02:27,120
Speaker 1: gonna put it on the screen, but yeah it was.

56
00:02:27,360 --> 00:02:29,959
Speaker 2: The internet found it in twenty years. Show her black.

57
00:02:29,720 --> 00:02:36,960
Speaker 7: Face, Yeah, big red lips, they'll find it.

58
00:02:36,960 --> 00:02:38,320
Speaker 2: It's on your phone now, but it'll be on the

59
00:02:38,320 --> 00:02:39,360
Speaker 2: internet in twenty years.

60
00:02:39,520 --> 00:02:42,040
Speaker 1: Would you consider that black face? That was just the beginning.

61
00:02:42,080 --> 00:02:42,720
Speaker 1: It's more joker.

62
00:02:43,120 --> 00:02:45,000
Speaker 2: Yeah, that's more joker. That's not black face.

63
00:02:45,680 --> 00:02:47,480
Speaker 1: You should have seen the end result. When I was done, though,

64
00:02:48,680 --> 00:02:51,440
Speaker 1: I then, oh I put for her Halloween costume?

65
00:02:51,520 --> 00:02:52,880
Speaker 2: Oh okay, yeah, oh yeah?

66
00:02:52,880 --> 00:02:55,440
Speaker 1: What you DeLand on ahead of her cancelation?

67
00:02:55,880 --> 00:02:56,120
Speaker 3: Roy?

68
00:02:56,120 --> 00:02:58,040
Speaker 1: Do you have a doesn't everyone from Facebook have a

69
00:02:58,040 --> 00:02:59,560
Speaker 1: black face photo when they were in high school?

70
00:02:59,600 --> 00:02:59,960
Speaker 2: Of course?

71
00:03:00,480 --> 00:03:02,679
Speaker 3: Do you guys have a group costing me at this year? Yeah?

72
00:03:02,720 --> 00:03:04,880
Speaker 1: I think we're gonna go. We did Ghostbusters last year

73
00:03:04,880 --> 00:03:08,560
Speaker 1: because she's Marshmellow, but she's really obsessed with Mickey Mouse

74
00:03:08,600 --> 00:03:11,000
Speaker 1: Club now, so I think she's gonna be Mini Mouse.

75
00:03:11,160 --> 00:03:14,720
Speaker 1: We're not gonna go overthink it. So who should I be?

76
00:03:14,720 --> 00:03:16,679
Speaker 1: Though I haven't ordered mine yet?

77
00:03:16,960 --> 00:03:17,680
Speaker 2: Go straight as.

78
00:03:17,600 --> 00:03:25,560
Speaker 1: Mickey or no, you should be the I like how

79
00:03:25,600 --> 00:03:27,960
Speaker 1: you're thinking out of the box. I never even considered

80
00:03:28,000 --> 00:03:29,640
Speaker 1: that you should be Walt Disney. Keia can go be

81
00:03:29,720 --> 00:03:32,760
Speaker 1: Donald Duck and I'll be Walt Disney, especially with the

82
00:03:32,800 --> 00:03:33,720
Speaker 1: times exactly.

83
00:03:33,840 --> 00:03:40,320
Speaker 2: Walter Disney, Walter Walter. All right, we're back.

84
00:03:40,320 --> 00:03:43,080
Speaker 1: We considered that I was gonna be Walt Disney and

85
00:03:43,120 --> 00:03:46,040
Speaker 1: I will just get just a regular old man suit.

86
00:03:46,120 --> 00:03:48,160
Speaker 3: Yeah that's a Hugo boss jacket.

87
00:03:48,720 --> 00:03:51,360
Speaker 1: Yeah. And Kia, she can figure it out. But yeah,

88
00:03:51,360 --> 00:03:55,640
Speaker 1: what about you guys Halloween? That's too cool for Halloween.

89
00:03:55,680 --> 00:03:56,880
Speaker 1: People don't dress up anymore.

90
00:03:56,960 --> 00:03:59,120
Speaker 2: Well, I thought about it, but I don't know. I

91
00:03:59,120 --> 00:04:01,040
Speaker 2: don't know what I would want to be folloween or

92
00:04:01,040 --> 00:04:04,400
Speaker 2: who I would want to be. I want to be somebody. Question.

93
00:04:04,480 --> 00:04:09,720
Speaker 2: I think like a like a a current I guess

94
00:04:09,720 --> 00:04:12,040
Speaker 2: figure in a movie or something. I was thinking, like that,

95
00:04:12,120 --> 00:04:13,600
Speaker 2: you should go as Kendrick. It's too many, it's too

96
00:04:13,600 --> 00:04:17,720
Speaker 2: many serial killers. It's Kendrick Lamar. Yeah, no, okay, why

97
00:04:17,760 --> 00:04:18,920
Speaker 2: would I do that? He's a boogeyman?

98
00:04:21,520 --> 00:04:23,720
Speaker 1: All right, my bet, why are you guys giving me

99
00:04:23,800 --> 00:04:26,680
Speaker 1: bad looks? I'm in a good mood today, Okay, what

100
00:04:26,720 --> 00:04:27,880
Speaker 1: would you guys be for Halloween?

101
00:04:28,839 --> 00:04:30,480
Speaker 3: I've shot, don't I plans.

102
00:04:30,640 --> 00:04:32,400
Speaker 6: I want to be a Game of Thrones character, but

103
00:04:32,480 --> 00:04:35,000
Speaker 6: I don't have the patience in the time to really curate,

104
00:04:35,279 --> 00:04:38,400
Speaker 6: like people really be out here curating looks for Halloween,

105
00:04:38,440 --> 00:04:40,520
Speaker 6: and I don't have the patience at the time for

106
00:04:40,600 --> 00:04:43,360
Speaker 6: that ship. So I'm just gonna be a horass bunny

107
00:04:43,760 --> 00:04:44,640
Speaker 6: at the Lotto concert.

108
00:04:45,120 --> 00:04:48,760
Speaker 1: Just put on loge ree and some years keep it simple.

109
00:04:48,760 --> 00:04:50,080
Speaker 1: But I thought everyone in Game of Thrones like as

110
00:04:50,240 --> 00:04:51,920
Speaker 1: naked the whole time. Anyways, No are they all?

111
00:04:51,960 --> 00:04:55,000
Speaker 4: They have clothes on, mad clothes on.

112
00:04:55,800 --> 00:04:57,560
Speaker 3: Yea. That's why me those sex scene so awkward.

113
00:04:57,680 --> 00:05:00,640
Speaker 5: They have to take off like fifty layers.

114
00:05:00,920 --> 00:05:02,960
Speaker 6: They weren't watching this one dude take off armor like

115
00:05:03,040 --> 00:05:05,800
Speaker 6: piece by Pieceta, have sext like bro pussy dried up

116
00:05:05,839 --> 00:05:06,560
Speaker 6: by now I'm not.

117
00:05:06,440 --> 00:05:08,360
Speaker 1: Going That's why I used to hate like those Kapa

118
00:05:08,440 --> 00:05:11,120
Speaker 1: cruises and like the formal events because like, I'm not

119
00:05:11,160 --> 00:05:12,320
Speaker 1: good at taking buttons off.

120
00:05:12,400 --> 00:05:13,680
Speaker 2: That would be a lot o.

121
00:05:13,760 --> 00:05:15,720
Speaker 1: Tide and that top one because it would always be

122
00:05:15,760 --> 00:05:17,000
Speaker 1: too like slimmer around my neck.

123
00:05:17,640 --> 00:05:19,640
Speaker 2: That was always awkward. We would be in a Kapa

124
00:05:19,680 --> 00:05:20,440
Speaker 2: at a Halloween board.

125
00:05:20,920 --> 00:05:23,680
Speaker 1: We would do like formal parties, like you actually dress

126
00:05:23,760 --> 00:05:27,599
Speaker 1: up and you know, people would consentually fornicate afterwards. And

127
00:05:27,680 --> 00:05:29,520
Speaker 1: to get out of all of that stuff is tough,

128
00:05:30,600 --> 00:05:32,600
Speaker 1: but that's usually the pussy might be dry when I

129
00:05:32,720 --> 00:05:34,359
Speaker 1: have to go back into the bathroom in the mirror

130
00:05:34,360 --> 00:05:35,080
Speaker 1: and try to take.

131
00:05:34,960 --> 00:05:39,359
Speaker 3: Off this crazy No, just leave it on.

132
00:05:39,440 --> 00:05:40,240
Speaker 2: Let me choke you with it.

133
00:05:41,279 --> 00:05:44,000
Speaker 4: Sorry, it's Monday, Happy Monday.

134
00:05:45,080 --> 00:05:45,320
Speaker 3: Bad.

135
00:05:45,440 --> 00:05:46,839
Speaker 1: Did you guys do anything over the weekend?

136
00:05:47,560 --> 00:05:51,200
Speaker 5: Yeah, I had a great weekend. By Bos was in

137
00:05:51,200 --> 00:05:55,200
Speaker 5: town and they did a Pseudonese fundraiser, which is incredible nice.

138
00:05:55,480 --> 00:05:58,080
Speaker 5: There's an amazing group of women put it together. Who

139
00:05:58,120 --> 00:06:01,360
Speaker 5: was at this amazing events face in Brooklyn moment. DJ

140
00:06:01,520 --> 00:06:03,440
Speaker 5: Boss performed like five or six records. They raised a

141
00:06:03,440 --> 00:06:06,880
Speaker 5: sh a ton of money. It's really really fun and

142
00:06:07,000 --> 00:06:10,839
Speaker 5: educational and they were selling paintings and photographs from Sudanese artists.

143
00:06:10,839 --> 00:06:13,200
Speaker 3: It was like very informative. I learned a lot, danced

144
00:06:13,200 --> 00:06:14,680
Speaker 3: a lot. It was fun. Yeah.

145
00:06:14,680 --> 00:06:17,000
Speaker 1: I saw the stuff on your ig look really cool too.

146
00:06:17,800 --> 00:06:18,279
Speaker 3: They Yeah.

147
00:06:18,360 --> 00:06:20,640
Speaker 5: So the I think the women that were hosting it

148
00:06:20,680 --> 00:06:23,760
Speaker 5: either either they made it or they had other Sudanese

149
00:06:23,839 --> 00:06:25,760
Speaker 5: people in the community make it, but it was all

150
00:06:25,800 --> 00:06:29,480
Speaker 5: homemade Sudanese food in the line. The entire event was

151
00:06:30,320 --> 00:06:32,440
Speaker 5: wrapped around like it was. They I don't know how

152
00:06:32,480 --> 00:06:34,600
Speaker 5: much food they made, but they fed hundreds of people.

153
00:06:34,640 --> 00:06:35,080
Speaker 3: It was great.

154
00:06:35,320 --> 00:06:35,760
Speaker 2: I love that.

155
00:06:35,880 --> 00:06:38,000
Speaker 1: Yeah, after you guys did all the good deeds, what

156
00:06:38,360 --> 00:06:39,680
Speaker 1: function did you get into after that?

157
00:06:40,320 --> 00:06:43,440
Speaker 3: There were there were plans because.

158
00:06:43,279 --> 00:06:44,599
Speaker 1: There's a work life balance there.

159
00:06:44,680 --> 00:06:46,680
Speaker 3: Yeah, that ended it. Two which we stayed to the

160
00:06:46,760 --> 00:06:47,160
Speaker 3: to the end.

161
00:06:47,200 --> 00:06:49,760
Speaker 5: We were hanging out like downstairs, but before like the letout,

162
00:06:49,839 --> 00:06:52,440
Speaker 5: and then there was we were either going to go

163
00:06:52,480 --> 00:06:54,839
Speaker 5: to Disclosure, which was at the Knockdown Center.

164
00:06:55,720 --> 00:06:57,760
Speaker 3: Know any of these words or Disclosure is a big

165
00:06:57,880 --> 00:06:59,960
Speaker 3: like DJ group. They're great.

166
00:07:00,120 --> 00:07:02,120
Speaker 2: They were talking about the group. Yeah, that was the venue.

167
00:07:02,200 --> 00:07:03,760
Speaker 2: No Disclosure is the group.

168
00:07:03,839 --> 00:07:05,800
Speaker 5: Yeah, and then there was another thing but that was

169
00:07:06,040 --> 00:07:08,760
Speaker 5: further away. And then that's why I love about this crew.

170
00:07:08,839 --> 00:07:10,560
Speaker 5: We dubbed both of them and just went to a

171
00:07:10,560 --> 00:07:12,600
Speaker 5: dive bar until they shut down until four in the morning.

172
00:07:12,880 --> 00:07:13,160
Speaker 2: Nice.

173
00:07:13,800 --> 00:07:16,240
Speaker 3: It was very nice. It was a good weekend. Means yeah,

174
00:07:16,320 --> 00:07:17,040
Speaker 3: fiend ship.

175
00:07:17,520 --> 00:07:20,080
Speaker 1: De Marris you meal prepped. Thank you for bringing food today.

176
00:07:20,120 --> 00:07:20,920
Speaker 4: Did you enjoy it.

177
00:07:21,000 --> 00:07:22,640
Speaker 1: I loved it was great. I mean, when ed you're

178
00:07:22,640 --> 00:07:23,800
Speaker 1: cooking in a very long time.

179
00:07:23,800 --> 00:07:27,440
Speaker 6: Red beans and rice, I yeah, I cooked. I vlogged,

180
00:07:27,720 --> 00:07:28,920
Speaker 6: got my vlogging shit off.

181
00:07:29,240 --> 00:07:30,440
Speaker 4: You know. I stay in the house.

182
00:07:30,440 --> 00:07:32,560
Speaker 6: I didn't leave rather than going to the gym and

183
00:07:33,760 --> 00:07:34,560
Speaker 6: Whole Foods.

184
00:07:34,800 --> 00:07:36,120
Speaker 4: Yeah, I was in the house this weekend.

185
00:07:36,520 --> 00:07:38,120
Speaker 3: Oh and I went to the Knicks yesterday.

186
00:07:38,400 --> 00:07:41,480
Speaker 4: Oh yeah, we saw that we looked good. Feet were

187
00:07:41,520 --> 00:07:43,280
Speaker 4: touching the floor.

188
00:07:43,640 --> 00:07:44,400
Speaker 3: I was ro five.

189
00:07:45,680 --> 00:07:47,720
Speaker 1: Could you hear what Devincenzo really said at the line,

190
00:07:47,760 --> 00:07:53,880
Speaker 1: So yes, yeah, he was just traded, yeah to the Timberwolves.

191
00:07:53,920 --> 00:07:55,160
Speaker 2: The timber Wolves were playing the Knicks.

192
00:07:55,400 --> 00:07:57,960
Speaker 1: Devincenzo yelled something to the next bench while he was

193
00:07:57,960 --> 00:07:58,920
Speaker 1: shooting a free throw.

194
00:07:58,880 --> 00:08:02,040
Speaker 5: And Julius he didn't play, but it was cool. What

195
00:08:02,080 --> 00:08:04,600
Speaker 5: I love about Julius was like he was all the

196
00:08:04,920 --> 00:08:07,240
Speaker 5: old Knick's staff, you know, like the people that really

197
00:08:07,280 --> 00:08:10,600
Speaker 5: are running the show behind the scenes were all coming

198
00:08:10,680 --> 00:08:12,440
Speaker 5: up to him, and he was like so happy to

199
00:08:12,560 --> 00:08:14,440
Speaker 5: like reunite and see everyone again. It was like cool

200
00:08:14,480 --> 00:08:16,640
Speaker 5: to see them interact with people that they clearly, you know,

201
00:08:16,680 --> 00:08:20,160
Speaker 5: had form relationships with over the years. Even Genzo was

202
00:08:20,200 --> 00:08:22,960
Speaker 5: ready for the spotlight man. He was talking shit all game.

203
00:08:23,080 --> 00:08:25,840
Speaker 5: Him and Edwards were running the devo is pretty much

204
00:08:25,880 --> 00:08:26,360
Speaker 5: running the point.

205
00:08:26,440 --> 00:08:27,520
Speaker 3: Edwards was kind of playing.

206
00:08:27,320 --> 00:08:31,160
Speaker 5: The two, and I mean Edwards is a fucking Jesus Christ.

207
00:08:31,200 --> 00:08:33,679
Speaker 5: He's gonna dominate the league. But it was a really

208
00:08:33,720 --> 00:08:35,719
Speaker 5: good game. They did not play like a preseason game.

209
00:08:35,720 --> 00:08:40,079
Speaker 5: They were all very competitive. Kat he'll get like he's

210
00:08:40,200 --> 00:08:42,360
Speaker 5: there's still flashes of him being a little too soft

211
00:08:42,360 --> 00:08:42,920
Speaker 5: for my liking.

212
00:08:42,960 --> 00:08:45,480
Speaker 3: But he hit some big threes. We're good.

213
00:08:45,520 --> 00:08:47,360
Speaker 5: The Knicks are gonna be great this year. I can

214
00:08:47,400 --> 00:08:49,160
Speaker 5: go on and on about them. But you didn't go

215
00:08:49,160 --> 00:08:52,560
Speaker 5: to the game, to the next game. Yeah, no, okay,

216
00:08:52,920 --> 00:08:54,240
Speaker 5: that's fuck the Knicks.

217
00:08:54,640 --> 00:08:59,520
Speaker 2: Well, but the timmer Wolves were there, Julius, No tim

218
00:08:59,559 --> 00:08:59,960
Speaker 2: Wolves man.

219
00:09:02,240 --> 00:09:07,480
Speaker 7: Loyalty Still the Lakers, Yeah, still Lakers fan, absolutely stuck.

220
00:09:07,360 --> 00:09:10,120
Speaker 1: To Brodny and lebron played together. I did not watch

221
00:09:10,120 --> 00:09:12,000
Speaker 1: it at all, and we can get out sports now.

222
00:09:12,200 --> 00:09:14,120
Speaker 2: Yeah. I watched some of that the first game that

223
00:09:14,160 --> 00:09:16,720
Speaker 2: they played together. It was cool to just see that.

224
00:09:17,600 --> 00:09:19,920
Speaker 2: But Bronnie, you know, he has he has a long

225
00:09:19,960 --> 00:09:22,560
Speaker 2: way to go, and hopefully he'll he'll get there, but

226
00:09:22,559 --> 00:09:24,520
Speaker 2: he'll have all the support and all the access to

227
00:09:24,520 --> 00:09:27,120
Speaker 2: get better and train and things like that. But right

228
00:09:27,160 --> 00:09:28,840
Speaker 2: now he's you know, he can tell he's still trying

229
00:09:28,840 --> 00:09:32,000
Speaker 2: to catch up with the NBA game. But you know,

230
00:09:32,040 --> 00:09:34,800
Speaker 2: give him grace. He had a health scared just a

231
00:09:34,880 --> 00:09:38,360
Speaker 2: year ago. Yeah, where he didn't you know, basketball aside,

232
00:09:38,440 --> 00:09:41,840
Speaker 2: just making sure he's he's okay health wise. But you

233
00:09:41,840 --> 00:09:43,360
Speaker 2: know he'll get there though. But he has a long

234
00:09:43,400 --> 00:09:44,719
Speaker 2: way to go because I'm looking at some of the

235
00:09:44,720 --> 00:09:48,920
Speaker 2: other teams, other rookies that are playing, and you know,

236
00:09:48,920 --> 00:09:50,599
Speaker 2: they look good. So Bronnie has a he has he

237
00:09:50,600 --> 00:09:52,319
Speaker 2: has a ways to go. But it was cool to

238
00:09:52,360 --> 00:09:56,400
Speaker 2: see first father son teammates in the NBA on the

239
00:09:56,400 --> 00:09:57,520
Speaker 2: floor together. So that was cool.

240
00:09:57,679 --> 00:09:57,760
Speaker 3: Ye.

241
00:09:58,400 --> 00:10:02,000
Speaker 5: Over the weekend, after we left the studio on Thursday,

242
00:10:02,240 --> 00:10:04,960
Speaker 5: Rory texted me a conversation that we were meant to

243
00:10:05,000 --> 00:10:07,880
Speaker 5: have on that last Friday episode, but we're going to

244
00:10:07,920 --> 00:10:11,800
Speaker 5: have now. The idea that the Big three Cole, Kendrick,

245
00:10:11,840 --> 00:10:14,720
Speaker 5: and Drake have all been putting out their last few

246
00:10:14,760 --> 00:10:17,280
Speaker 5: releases have all not been on proper DSP releases, but

247
00:10:17,440 --> 00:10:21,320
Speaker 5: doing so on either Twitter or Instagram, kind of releasing

248
00:10:21,360 --> 00:10:23,360
Speaker 5: it on their own terms on their own pages. Which

249
00:10:23,440 --> 00:10:25,800
Speaker 5: Rory put into this tweet here if you want to

250
00:10:26,080 --> 00:10:27,200
Speaker 5: read it, Rory, it's your words.

251
00:10:27,400 --> 00:10:29,719
Speaker 1: Uh yeah, I mean again, we didn't get around to

252
00:10:29,800 --> 00:10:32,320
Speaker 1: this last week, but this was a conversation that I

253
00:10:32,360 --> 00:10:34,760
Speaker 1: wanted to have and have been noticing outside of like

254
00:10:34,840 --> 00:10:37,760
Speaker 1: the regular rap beef shit, these guys being the three

255
00:10:38,280 --> 00:10:40,760
Speaker 1: most important rappers period right now, with the most power,

256
00:10:40,760 --> 00:10:43,880
Speaker 1: the most leverage, the most everything. I think we should

257
00:10:43,880 --> 00:10:47,280
Speaker 1: also note while we're gossiping about everything else, that the

258
00:10:47,360 --> 00:10:50,760
Speaker 1: last releases from Cole and Kendrick aren't on DSPs. Drake's

259
00:10:50,800 --> 00:10:53,839
Speaker 1: last few drops were released on his website first. Even

260
00:10:53,880 --> 00:10:56,240
Speaker 1: if the three biggest rappers aren't getting along, they're all

261
00:10:56,240 --> 00:10:58,400
Speaker 1: on the same page as far as testing the waters

262
00:10:58,679 --> 00:10:59,080
Speaker 1: on how.

263
00:10:59,000 --> 00:10:59,760
Speaker 2: We receive music.

264
00:11:00,600 --> 00:11:04,240
Speaker 1: Even the Kyll of Green Daylight and J Cole record,

265
00:11:05,160 --> 00:11:07,559
Speaker 1: I saw the ad it said available on all DSPs,

266
00:11:07,559 --> 00:11:10,600
Speaker 1: couldn't find it on a single fucking DSP. Everything is

267
00:11:10,640 --> 00:11:14,320
Speaker 1: being released away from the machine, and I think that's

268
00:11:15,240 --> 00:11:19,360
Speaker 1: noteworthy but also important in what they're doing here with

269
00:11:19,440 --> 00:11:21,920
Speaker 1: everything that's going on, not like us, of course eventually

270
00:11:21,920 --> 00:11:23,440
Speaker 1: had to get put up there as well as all

271
00:11:23,480 --> 00:11:27,640
Speaker 1: these other records, but them doing it this way, I

272
00:11:27,679 --> 00:11:30,160
Speaker 1: think is a way to collect data. I think all

273
00:11:30,160 --> 00:11:33,400
Speaker 1: of them are going to go different routes come released

274
00:11:33,400 --> 00:11:35,319
Speaker 1: time with their albums too. I don't know if we're

275
00:11:35,360 --> 00:11:38,920
Speaker 1: going to get Kendrick's album immediately on DSPs. I don't

276
00:11:38,920 --> 00:11:40,400
Speaker 1: know if we're going to get the next Drake release

277
00:11:40,520 --> 00:11:43,680
Speaker 1: not on one hundred gigs Cole I can almost guarantee

278
00:11:43,679 --> 00:11:45,880
Speaker 1: the way they roll out music that's not going straight

279
00:11:45,920 --> 00:11:46,920
Speaker 1: to DSPs right away.

280
00:11:47,600 --> 00:11:48,719
Speaker 2: I think we're going.

281
00:11:49,120 --> 00:11:52,920
Speaker 1: Back to more of that SoundCloud mixtape wave that was

282
00:11:53,080 --> 00:11:55,520
Speaker 1: of ten years ago before we were forced to have

283
00:11:55,559 --> 00:11:58,840
Speaker 1: to put every last fucking thing onto DSPs, and I

284
00:11:58,880 --> 00:12:02,360
Speaker 1: think that's gonna make shit a lot more fun. There's

285
00:12:02,440 --> 00:12:05,960
Speaker 1: less clearance, samples, there's there's less politics. When you go

286
00:12:06,080 --> 00:12:09,079
Speaker 1: that route, you can figure out what works and then

287
00:12:09,120 --> 00:12:12,160
Speaker 1: put some of the records on DSPs. I think this

288
00:12:12,200 --> 00:12:14,240
Speaker 1: will make rap fun again if we can go this

289
00:12:14,320 --> 00:12:14,880
Speaker 1: route as well.

290
00:12:15,760 --> 00:12:19,079
Speaker 2: Still God he released his last album on His Way.

291
00:12:18,920 --> 00:12:20,760
Speaker 1: And Rob Marciano has been doing this forever. I was

292
00:12:21,320 --> 00:12:24,200
Speaker 1: I wasn't suggesting that these guys, and like Drake is

293
00:12:24,200 --> 00:12:25,760
Speaker 1: the first one to put a website up.

294
00:12:25,720 --> 00:12:27,760
Speaker 2: And be like saying if they're doing it and clear.

295
00:12:27,920 --> 00:12:30,280
Speaker 1: This is the three biggest rappers that you would think,

296
00:12:30,320 --> 00:12:32,160
Speaker 1: no matter what, have to put their music up on

297
00:12:32,240 --> 00:12:37,320
Speaker 1: DSPs like they have steak within DSPs, majors everything, the

298
00:12:37,360 --> 00:12:39,600
Speaker 1: biggest moment in hip hop, and god knows how long

299
00:12:39,920 --> 00:12:43,160
Speaker 1: none of it has been part of DSPs, to the

300
00:12:43,200 --> 00:12:46,200
Speaker 1: point that we have heard rumors of Spotify trying to

301
00:12:46,200 --> 00:12:50,080
Speaker 1: make not like Us on every playlist and adding it

302
00:12:50,120 --> 00:12:52,720
Speaker 1: to everyone's algorithms, like they're trying to make themselves part

303
00:12:52,720 --> 00:12:57,120
Speaker 1: of this moment. I know every Apple title, everyone is like,

304
00:12:57,320 --> 00:12:58,839
Speaker 1: what the fuck the biggest moment of hip hop?

305
00:12:58,840 --> 00:12:59,679
Speaker 2: We had nothing to do with it.

306
00:13:00,200 --> 00:13:03,080
Speaker 1: Yeah, it changes the tide of bit I think that's

307
00:13:03,120 --> 00:13:05,160
Speaker 1: the most noteworthy thing from this entire battle.

308
00:13:06,120 --> 00:13:08,000
Speaker 2: What do you think it does to the industry as

309
00:13:08,000 --> 00:13:12,160
Speaker 2: far as if there the three guys are releasing the

310
00:13:12,240 --> 00:13:13,600
Speaker 2: music the way they are, what does that mean for

311
00:13:13,640 --> 00:13:16,880
Speaker 2: the rest of the artists? Do they follow suit? Can

312
00:13:16,960 --> 00:13:19,560
Speaker 2: they follow suit? There's a lot of people. That's my thing.

313
00:13:19,640 --> 00:13:23,760
Speaker 1: I don't know if anyone can shift it in hip hop,

314
00:13:23,800 --> 00:13:27,000
Speaker 1: it would be these three obviously, But I don't know

315
00:13:27,000 --> 00:13:29,720
Speaker 1: if that trickles down to the rest of the music

316
00:13:29,800 --> 00:13:33,520
Speaker 1: industry because everyone else in the music industry needs the community.

317
00:13:33,840 --> 00:13:37,719
Speaker 1: Like it's tough to put out one hundred gigs, dotvo

318
00:13:37,840 --> 00:13:41,640
Speaker 1: dot blog spot and have the traffic that Drake has.

319
00:13:42,080 --> 00:13:45,600
Speaker 1: You're going to miss out, Like just because I'm on

320
00:13:45,600 --> 00:13:47,320
Speaker 1: this podcast, I'll bring in my album. I know there's

321
00:13:47,320 --> 00:13:49,320
Speaker 1: nothing to do with this. I wanted to just put

322
00:13:49,360 --> 00:13:51,839
Speaker 1: my album out without putting out singles. They said you

323
00:13:51,840 --> 00:13:53,920
Speaker 1: will reach maybe twenty percent of your audience if you

324
00:13:53,960 --> 00:13:57,480
Speaker 1: do it that way, and that's me going to the community.

325
00:13:58,240 --> 00:14:01,600
Speaker 1: The DSPs still allow you to put eyes on your

326
00:14:01,720 --> 00:14:04,680
Speaker 1: music that no one else would see unless it was

327
00:14:04,920 --> 00:14:07,760
Speaker 1: direct to consumer. So I don't know if everyone can

328
00:14:07,800 --> 00:14:09,320
Speaker 1: do this. I'm just glad to see the people with

329
00:14:09,440 --> 00:14:11,640
Speaker 1: power are starting to do it.

330
00:14:11,720 --> 00:14:13,640
Speaker 5: And not only that, and this is something we had

331
00:14:13,640 --> 00:14:16,720
Speaker 5: mentioned when we spoke about this before. These guys are

332
00:14:16,720 --> 00:14:19,160
Speaker 5: also in a very unique situation obviously with their reach,

333
00:14:19,240 --> 00:14:22,680
Speaker 5: but also they all don't have labeled deals. They're working

334
00:14:22,680 --> 00:14:24,960
Speaker 5: for themselves, so they also don't owe it to a

335
00:14:25,000 --> 00:14:28,960
Speaker 5: major or you know, anybody else outside of themselves and

336
00:14:29,000 --> 00:14:32,920
Speaker 5: their teams to service their music anywhere. So the difference is,

337
00:14:32,920 --> 00:14:34,800
Speaker 5: like with Rory is saying, even if you're a successful

338
00:14:35,000 --> 00:14:37,800
Speaker 5: like a theater touring artist, you still don't have the

339
00:14:37,840 --> 00:14:39,840
Speaker 5: agency to be like, I don't want to put this

340
00:14:39,960 --> 00:14:42,080
Speaker 5: out on Apple Spot if I want to put this

341
00:14:42,160 --> 00:14:45,480
Speaker 5: out independently without your label intervening, being like, that's that

342
00:14:45,640 --> 00:14:46,080
Speaker 5: You're just.

343
00:14:45,960 --> 00:14:47,640
Speaker 3: Not going to do that. We're not going to let

344
00:14:47,640 --> 00:14:48,640
Speaker 3: you have that moment.

345
00:14:49,600 --> 00:14:51,360
Speaker 5: So these guys are operating on a different level in

346
00:14:51,440 --> 00:14:53,440
Speaker 5: terms of they can kind of move how they please.

347
00:14:53,800 --> 00:14:57,200
Speaker 2: We've talked about it before, Rory. If an artist caliber

348
00:14:57,320 --> 00:15:03,160
Speaker 2: of a Drake decided to go independent, what does that

349
00:15:03,280 --> 00:15:07,200
Speaker 2: do due to the DSPs? First of all, because we

350
00:15:07,280 --> 00:15:11,560
Speaker 2: know how much he generates to DSPs, whether it's features,

351
00:15:11,560 --> 00:15:14,920
Speaker 2: whether it's his own music. He's one of the most

352
00:15:14,920 --> 00:15:19,760
Speaker 2: monthly listener listen to artists on ESPs. If he decides

353
00:15:20,600 --> 00:15:24,920
Speaker 2: to go independent, does that cripple the music industry? Does

354
00:15:24,960 --> 00:15:31,520
Speaker 2: that cripple the DSPs because we're already seen.

355
00:15:33,120 --> 00:15:38,040
Speaker 1: Not immediately whatsoever, but I think in time, if everyone's

356
00:15:38,080 --> 00:15:40,640
Speaker 1: stuck to that, yes, it would cripple. Because if we

357
00:15:40,720 --> 00:15:44,000
Speaker 1: go back to our TikTok and universal conversation where we've

358
00:15:44,040 --> 00:15:47,360
Speaker 1: seen every tech company fold to the music industry because

359
00:15:47,360 --> 00:15:51,320
Speaker 1: they're in the catalog and TikTok said, Okay, we don't

360
00:15:51,320 --> 00:15:53,400
Speaker 1: give a fuck. We don't need the Universal catalog, which

361
00:15:53,400 --> 00:15:56,720
Speaker 1: includes Drake and Taylor Swift. Let's point out two of

362
00:15:56,760 --> 00:16:00,000
Speaker 1: the biggest artists. A tech company said, we don't need you.

363
00:16:00,440 --> 00:16:04,320
Speaker 1: If the biggest artists move forward in this trend, yes,

364
00:16:04,400 --> 00:16:07,360
Speaker 1: it would change over time where tech companies wouldn't need

365
00:16:07,440 --> 00:16:09,720
Speaker 1: to go to DSPs or majors to get anything cleared.

366
00:16:09,760 --> 00:16:12,240
Speaker 1: They can go direct to an artist because they would

367
00:16:12,240 --> 00:16:15,400
Speaker 1: have their catalogs to sell, so in time, but that

368
00:16:15,440 --> 00:16:18,280
Speaker 1: would take like twenty thirty years, I feel like, but

369
00:16:18,320 --> 00:16:20,680
Speaker 1: I think this is a cool step because, like Julian said,

370
00:16:20,800 --> 00:16:23,400
Speaker 1: this is the first time all three of them are

371
00:16:23,480 --> 00:16:25,800
Speaker 1: out of a major deal and in a licensing deal.

372
00:16:25,960 --> 00:16:27,640
Speaker 1: And I'm not going to pretend like I know anything

373
00:16:27,640 --> 00:16:31,760
Speaker 1: about their licensing deal. But I think even with when

374
00:16:31,760 --> 00:16:34,120
Speaker 1: the party's over, that was the name of the Kendrick

375
00:16:34,160 --> 00:16:37,560
Speaker 1: song with the sample clearance there, I don't think anyone

376
00:16:37,600 --> 00:16:40,600
Speaker 1: that at Universal with his licensing deal wanted to touch it.

377
00:16:40,720 --> 00:16:42,600
Speaker 1: We can't really profit off it as too many samples,

378
00:16:42,920 --> 00:16:46,000
Speaker 1: but it still went out sell to impact. Same thing

379
00:16:46,000 --> 00:16:49,400
Speaker 1: with six sixteen that never hit DSPs. Too many samples

380
00:16:49,440 --> 00:16:51,800
Speaker 1: on that. I know his licensing deal probably sat there

381
00:16:51,800 --> 00:16:53,560
Speaker 1: and said, I'm not clearing that shit. What would be

382
00:16:53,560 --> 00:16:55,480
Speaker 1: the point. I'm not dealing with this back and forth shit.

383
00:16:55,560 --> 00:16:58,320
Speaker 1: Put it up on Instagram, put it on YouTube, and

384
00:16:58,360 --> 00:17:00,720
Speaker 1: let someone else have to deal with it. I think

385
00:17:00,720 --> 00:17:05,760
Speaker 1: now the licensing companies within Universal are now scrambling to

386
00:17:05,800 --> 00:17:08,000
Speaker 1: figure out what they would do if artists decide to

387
00:17:08,000 --> 00:17:11,320
Speaker 1: go this route, even within their licensing deals. If they're

388
00:17:11,320 --> 00:17:13,640
Speaker 1: not coming out ready to clear it with this budget

389
00:17:14,000 --> 00:17:17,840
Speaker 1: no sample music, what's your point here, I don't need

390
00:17:17,880 --> 00:17:18,879
Speaker 1: you to distribute anything.

391
00:17:19,280 --> 00:17:20,040
Speaker 2: Fuck, I need a license.

392
00:17:20,320 --> 00:17:22,480
Speaker 5: In the value of an artist, traditionally, at least for

393
00:17:22,520 --> 00:17:26,600
Speaker 5: the majors, the value is always in catalog. So the

394
00:17:26,680 --> 00:17:29,240
Speaker 5: major labels make like some add eighty something, if not

395
00:17:29,280 --> 00:17:32,719
Speaker 5: one more percent of their revenue from back catalog. So

396
00:17:32,760 --> 00:17:35,880
Speaker 5: you're very often like with these guys, even if it's

397
00:17:35,880 --> 00:17:38,320
Speaker 5: these new one off singles, you're the money's coming from

398
00:17:38,320 --> 00:17:40,400
Speaker 5: the project Drake dropped ten years ago?

399
00:17:40,560 --> 00:17:42,520
Speaker 3: Really yeah, which you know so.

400
00:17:42,600 --> 00:17:44,120
Speaker 5: Even I'm just looking at it, pulled ups some quick

401
00:17:44,200 --> 00:17:47,880
Speaker 5: data of the twenty tens from twenty ten to twenty

402
00:17:47,600 --> 00:17:51,159
Speaker 5: twenty nineteen. Pardon me, Drake was the number one streamed

403
00:17:51,240 --> 00:17:56,479
Speaker 5: artist with thirty six points three billion streams. Number two

404
00:17:56,600 --> 00:17:59,280
Speaker 5: being post Alone with eighteen point nine billion. So we're

405
00:17:59,320 --> 00:18:02,600
Speaker 5: looking at, you know, a line share of revenue in

406
00:18:02,680 --> 00:18:06,520
Speaker 5: streaming from DSPs just coming from Drake alone.

407
00:18:08,880 --> 00:18:10,320
Speaker 3: That I mean, I just wanted to put that out there.

408
00:18:10,760 --> 00:18:15,640
Speaker 6: So just to clarify, how are the artists benefiting from

409
00:18:15,760 --> 00:18:17,399
Speaker 6: or how do you think the artists will end up

410
00:18:17,440 --> 00:18:21,160
Speaker 6: benefiting from this? Because yes, obviously the data, but what else,

411
00:18:22,440 --> 00:18:23,280
Speaker 6: how else are they.

412
00:18:23,160 --> 00:18:25,400
Speaker 1: Like currently with what they're doing right now? I think

413
00:18:25,400 --> 00:18:28,040
Speaker 1: the only thing is straight up testing the waters to

414
00:18:28,080 --> 00:18:31,360
Speaker 1: see how it's received, how many people see it, if

415
00:18:31,359 --> 00:18:34,520
Speaker 1: it affects the casual fan, if they see it.

416
00:18:34,520 --> 00:18:35,359
Speaker 2: It's really about eyes.

417
00:18:35,400 --> 00:18:37,560
Speaker 1: I think at this point what age groups are going

418
00:18:37,600 --> 00:18:39,879
Speaker 1: after it's I think it's just data collecting. And what

419
00:18:39,960 --> 00:18:42,119
Speaker 1: a perfect time to use a rap beef where everyone's

420
00:18:42,119 --> 00:18:44,640
Speaker 1: clicking everything because they want to see the next gossipy

421
00:18:44,680 --> 00:18:48,080
Speaker 1: fucking bar. So it's a perfect time to at least

422
00:18:48,400 --> 00:18:50,639
Speaker 1: with the most traffic, figure out if this is something

423
00:18:50,640 --> 00:18:53,679
Speaker 1: that can work, and to have conversations with Instagram, have

424
00:18:53,760 --> 00:18:57,120
Speaker 1: conversations with Twitter. Elon's putting up full fucking episodes. He's

425
00:18:57,119 --> 00:19:00,320
Speaker 1: a whole news network with the Tucker or else and

426
00:19:00,359 --> 00:19:02,159
Speaker 1: puts his shit out on Twitter. Yeah, you put a

427
00:19:02,160 --> 00:19:04,640
Speaker 1: whole album out on Twitter right now. I think everything

428
00:19:04,680 --> 00:19:07,919
Speaker 1: is just shifting once you get out of these slave deals,

429
00:19:07,920 --> 00:19:11,360
Speaker 1: that you can just try shit to see what happens.

430
00:19:12,160 --> 00:19:17,600
Speaker 1: And I think they're already talking to tech companies. I

431
00:19:17,600 --> 00:19:20,919
Speaker 1: could see TikTok has exclusive rights to use my sounds

432
00:19:20,960 --> 00:19:24,440
Speaker 1: for this album and no one else. You may not

433
00:19:24,520 --> 00:19:26,720
Speaker 1: actually receive the album on there, but that's the only

434
00:19:26,760 --> 00:19:29,240
Speaker 1: app that where you can use on your video for

435
00:19:29,359 --> 00:19:33,240
Speaker 1: Jco's new album. I think that's where things are shifting.

436
00:19:33,400 --> 00:19:35,800
Speaker 2: It's gonna be interesting to see you talk about licensing.

437
00:19:35,840 --> 00:19:39,119
Speaker 2: It's gonna be interesting to see how they integrate AI

438
00:19:39,480 --> 00:19:42,840
Speaker 2: into these deals moving forward, Like we're an artist, you

439
00:19:42,880 --> 00:19:46,360
Speaker 2: can use his likeness or you can license his likeness

440
00:19:46,400 --> 00:19:49,160
Speaker 2: where he's not even They say, oh, we're gonna put

441
00:19:49,200 --> 00:19:51,200
Speaker 2: you on this song with this artist, but you don't

442
00:19:51,200 --> 00:19:52,840
Speaker 2: have to come to the studio. You don't have to,

443
00:19:52,920 --> 00:19:55,320
Speaker 2: like we got a writer, you know. I mean, well,

444
00:19:55,359 --> 00:19:57,639
Speaker 2: we're gonna use your likeness. We're gonna're gonna brand it

445
00:19:57,680 --> 00:20:00,320
Speaker 2: as it being you it's gonna sound just like you.

446
00:20:00,720 --> 00:20:02,480
Speaker 2: Because I think that's where a lot of this shit

447
00:20:02,560 --> 00:20:02,880
Speaker 2: is going.

448
00:20:03,080 --> 00:20:06,640
Speaker 1: And I think that's like a separate licensing deal in itself,

449
00:20:07,240 --> 00:20:10,000
Speaker 1: like all right, you can license my music and my

450
00:20:10,119 --> 00:20:12,080
Speaker 1: catalog to do with what you want if you want

451
00:20:12,119 --> 00:20:14,680
Speaker 1: to be able to sell that to TikTok, if you

452
00:20:14,680 --> 00:20:16,680
Speaker 1: want to be able to sell that to other apps.

453
00:20:17,840 --> 00:20:20,560
Speaker 1: I think there will be a whole AI licensing agreement

454
00:20:20,600 --> 00:20:23,199
Speaker 1: to you can use my voice with these writers, and

455
00:20:23,240 --> 00:20:25,560
Speaker 1: I get to approve this song this verse and it

456
00:20:25,600 --> 00:20:29,320
Speaker 1: can say featuring my name, which I don't know what

457
00:20:29,359 --> 00:20:32,359
Speaker 1: that looks like. I'm not that deep in the music

458
00:20:32,440 --> 00:20:35,359
Speaker 1: industry to know what they're going through right now with that,

459
00:20:35,400 --> 00:20:36,440
Speaker 1: because that has to be a thing.

460
00:20:37,359 --> 00:20:38,800
Speaker 2: Yeah, of course we're hearing it.

461
00:20:38,840 --> 00:20:40,720
Speaker 1: I'm just curious if that's going to be folded into

462
00:20:40,760 --> 00:20:43,000
Speaker 1: a regular deal. Is that a whole new publishing company,

463
00:20:43,440 --> 00:20:45,960
Speaker 1: Like that's another part of it. Like, if I'm in

464
00:20:46,000 --> 00:20:47,480
Speaker 1: a pub deal which has to do with what I

465
00:20:47,560 --> 00:20:51,359
Speaker 1: write in my music, what's this AI deal where you're

466
00:20:51,480 --> 00:20:54,960
Speaker 1: using my name in my voice as likeness and someone

467
00:20:54,960 --> 00:20:58,440
Speaker 1: else is writing it and you're pushing it through your program.

468
00:20:58,480 --> 00:21:00,520
Speaker 1: That has to be that's a whole new publishing company. Me.

469
00:21:00,800 --> 00:21:02,920
Speaker 2: I think that it Uh, you know, a couple of

470
00:21:02,960 --> 00:21:05,760
Speaker 2: years ago when everybody started to sell their catalogs, and

471
00:21:05,800 --> 00:21:07,800
Speaker 2: I remember we were we were talking, were like why

472
00:21:07,880 --> 00:21:10,199
Speaker 2: why is everybody doing this? And that made sense to

473
00:21:10,359 --> 00:21:12,520
Speaker 2: sell your catalog so that you know, you can only

474
00:21:12,640 --> 00:21:14,200
Speaker 2: you don't have to do with one person that owns

475
00:21:14,240 --> 00:21:16,359
Speaker 2: all of it if you ever want to do anything

476
00:21:16,359 --> 00:21:18,879
Speaker 2: with the music that was a part of it. But

477
00:21:18,920 --> 00:21:22,760
Speaker 2: I also feel like, uh, even coming up to you know,

478
00:21:22,840 --> 00:21:25,240
Speaker 2: the ds the way artists are not released on DSPs

479
00:21:25,280 --> 00:21:27,960
Speaker 2: right away, they have their websites or whatever. I think

480
00:21:28,000 --> 00:21:30,640
Speaker 2: all of this is connected somehow. I think it's tied

481
00:21:30,680 --> 00:21:33,119
Speaker 2: in some way. Obviously there's things that we're not privy

482
00:21:33,160 --> 00:21:35,920
Speaker 2: to yet, but I do think it's interesting to watch

483
00:21:36,000 --> 00:21:39,080
Speaker 2: these things happen in real time and then connect them

484
00:21:39,080 --> 00:21:41,480
Speaker 2: to what has already happened. Because they tried the AI

485
00:21:41,560 --> 00:21:44,320
Speaker 2: thing with that artist that was what was the White

486
00:21:44,440 --> 00:21:47,240
Speaker 2: White Rapper. Yes, I remember they tried that years ago.

487
00:21:47,280 --> 00:21:50,119
Speaker 2: They tried that. Everybody kind of like frowned at that,

488
00:21:50,200 --> 00:21:52,639
Speaker 2: like that's a little weird, you know, but they're already

489
00:21:52,680 --> 00:21:55,120
Speaker 2: showing us like by the time we see it. They've

490
00:21:55,160 --> 00:21:57,760
Speaker 2: already had these meetings, in these conversations for at least

491
00:21:57,760 --> 00:22:00,800
Speaker 2: two three years or so. Whatever what is happening now,

492
00:22:00,840 --> 00:22:03,199
Speaker 2: whatever's going on in those rooms now, I think that

493
00:22:03,240 --> 00:22:06,760
Speaker 2: we're just starting to see some of the break crumbs

494
00:22:06,880 --> 00:22:09,680
Speaker 2: of a change coming in the way artists release music,

495
00:22:09,920 --> 00:22:12,359
Speaker 2: the way artists create music, and the way we have

496
00:22:12,400 --> 00:22:13,240
Speaker 2: to go and receive.

497
00:22:13,160 --> 00:22:15,320
Speaker 1: Me And again, I'm really not trying to have a

498
00:22:15,560 --> 00:22:19,480
Speaker 1: specific artist conversation or who's charting more or whatever, but

499
00:22:19,520 --> 00:22:23,359
Speaker 1: that's kind of my point. Like Circadian Rhythm. That's the

500
00:22:23,440 --> 00:22:24,320
Speaker 1: name of the Drake song.

501
00:22:24,160 --> 00:22:25,200
Speaker 2: Right, Circadian Rhythm.

502
00:22:25,240 --> 00:22:29,560
Speaker 1: Yeah, I see everyone on the timeline saying, yo, it's

503
00:22:30,160 --> 00:22:33,440
Speaker 1: number seventy five on the chart. I don't think he

504
00:22:33,480 --> 00:22:36,280
Speaker 1: gives a single fuck. I don't think Kendrick gives a

505
00:22:36,320 --> 00:22:39,960
Speaker 1: single fuck that y'all think that let the party die flopped.

506
00:22:40,520 --> 00:22:43,359
Speaker 1: I don't think Cole is looking at a single number

507
00:22:43,440 --> 00:22:45,679
Speaker 1: of where Port's gonna end up. This is all to

508
00:22:45,720 --> 00:22:48,760
Speaker 1: see how people are receiving music and how people are

509
00:22:48,800 --> 00:22:51,120
Speaker 1: clicking to listen to it. I don't think they give

510
00:22:51,240 --> 00:22:53,360
Speaker 1: a fuck with charts, and what doesn't right now.

511
00:22:54,160 --> 00:22:57,840
Speaker 2: Charts might not necessarily matter in the game that they're playing.

512
00:22:58,920 --> 00:23:03,040
Speaker 1: Because I mean charts are attached to DSPs and physicals,

513
00:23:03,440 --> 00:23:07,159
Speaker 1: you two, et cetera. That's not the game I think

514
00:23:07,200 --> 00:23:08,280
Speaker 1: they're looking into right now.

515
00:23:08,359 --> 00:23:12,199
Speaker 5: Whatsoever that stuff matters to again, like too more so

516
00:23:12,280 --> 00:23:15,600
Speaker 5: to playlisting. So okay, this charts, this is number one

517
00:23:15,640 --> 00:23:18,760
Speaker 5: on what's it Today's top hits or like rap Nation,

518
00:23:19,000 --> 00:23:20,920
Speaker 5: then it matters. But when you're not playing those games,

519
00:23:20,920 --> 00:23:24,639
Speaker 5: when you remove yourself from those games, then charts become

520
00:23:25,600 --> 00:23:27,800
Speaker 5: null and void. Like it doesn't. It's a it's a

521
00:23:27,840 --> 00:23:30,720
Speaker 5: stat it's a measure. It's a measure that holds no

522
00:23:30,880 --> 00:23:33,000
Speaker 5: value because we're not playing those games anymore.

523
00:23:33,000 --> 00:23:34,920
Speaker 1: It's a measure they made up exactly.

524
00:23:35,000 --> 00:23:37,960
Speaker 5: Yeah, it's it's something to really make them feel important

525
00:23:38,000 --> 00:23:41,760
Speaker 5: to Bolden, like their hold in the whole culture, like

526
00:23:42,480 --> 00:23:45,480
Speaker 5: a p excuse me. A playlist is really a DSP's

527
00:23:45,520 --> 00:23:48,560
Speaker 5: way of saying, this is what we deem to be

528
00:23:48,600 --> 00:23:51,480
Speaker 5: the culture. It's them trying to create the culture and

529
00:23:51,520 --> 00:23:54,679
Speaker 5: control some sort of a narrative. But fuck the narrative

530
00:23:54,680 --> 00:23:56,600
Speaker 5: that they created, We'll just do it on our own.

531
00:23:56,840 --> 00:23:59,040
Speaker 1: It's the bank setting the price of the dollar. It's

532
00:23:59,040 --> 00:24:01,920
Speaker 1: the cops investigating themselves after they commit a crime. It's

533
00:24:01,960 --> 00:24:05,679
Speaker 1: the same shit as far as Billboard and artists, and

534
00:24:05,720 --> 00:24:08,600
Speaker 1: it's attached to everything that the industry controls and owns,

535
00:24:08,640 --> 00:24:11,240
Speaker 1: which is DSPs, because the majors have percentage of all that.

536
00:24:11,760 --> 00:24:14,040
Speaker 1: I think they're all playing a completely different game, and

537
00:24:14,080 --> 00:24:16,520
Speaker 1: I think it affects everyone. I'm not sure it's going

538
00:24:16,560 --> 00:24:18,720
Speaker 1: to be a major effect anytime soon, but I see

539
00:24:18,720 --> 00:24:21,560
Speaker 1: the breadcrumbs that are being laid by the three biggest

540
00:24:21,600 --> 00:24:23,880
Speaker 1: artists in the biggest moment in hip hop that we've had,

541
00:24:24,359 --> 00:24:26,720
Speaker 1: and I think it's noteworthy, and I think it's something

542
00:24:26,800 --> 00:24:30,280
Speaker 1: they all notice. Within the three of them, I think

543
00:24:30,320 --> 00:24:32,919
Speaker 1: they probably all have some disdain for each other, but

544
00:24:33,080 --> 00:24:37,159
Speaker 1: I think they've been following suit with each one. All Right,

545
00:24:37,200 --> 00:24:39,000
Speaker 1: you're doing just YouTube for this one, all right, I'll

546
00:24:39,000 --> 00:24:42,440
Speaker 1: put this up on IG. I think they're subconsciously playing

547
00:24:42,440 --> 00:24:42,920
Speaker 1: the same game.

548
00:24:43,680 --> 00:24:45,800
Speaker 2: Yeah, I mean they would have to be. I mean,

549
00:24:46,080 --> 00:24:50,800
Speaker 2: three of the biggest artists, so they have the same

550
00:24:50,840 --> 00:24:53,400
Speaker 2: information when it comes to certain things. I'm sure. Yeah,

551
00:24:53,400 --> 00:24:55,439
Speaker 2: they have relationships with some of the people that are

552
00:24:55,440 --> 00:24:58,199
Speaker 2: controlling all of these platforms and things like that, so

553
00:24:58,200 --> 00:25:01,080
Speaker 2: they prove you to the information. But again, I do

554
00:25:01,119 --> 00:25:04,560
Speaker 2: think that it probably is a way to test see

555
00:25:05,240 --> 00:25:07,320
Speaker 2: what their audience is doing and if their audience is

556
00:25:07,600 --> 00:25:10,680
Speaker 2: gravitating towards whatever platforms that they choose to release the

557
00:25:10,760 --> 00:25:13,639
Speaker 2: music on. But the bottom line I thing here is

558
00:25:13,680 --> 00:25:15,880
Speaker 2: that we can clearly see that there is a change

559
00:25:16,560 --> 00:25:19,359
Speaker 2: that is now here as far as the way artists

560
00:25:19,359 --> 00:25:21,399
Speaker 2: are choosing to put their music up.

561
00:25:21,560 --> 00:25:23,680
Speaker 1: It's also well, actually, let me not say safe, because

562
00:25:23,680 --> 00:25:27,720
Speaker 1: it's definitely the least safe option as possible, but I

563
00:25:27,720 --> 00:25:32,440
Speaker 1: think it's the safest option for optics because we've seen

564
00:25:32,480 --> 00:25:35,639
Speaker 1: that fans just pick a side. And the Internet was

565
00:25:35,640 --> 00:25:37,960
Speaker 1: always weird, but this battle has made the Internet weirder

566
00:25:38,000 --> 00:25:39,760
Speaker 1: than I've ever seen in my entire life. People that

567
00:25:39,840 --> 00:25:42,240
Speaker 1: never even really liked hip hop to begin with are

568
00:25:42,280 --> 00:25:45,920
Speaker 1: now completely choosing their alliance to a side of an artist,

569
00:25:46,200 --> 00:25:49,600
Speaker 1: which is nuts to me. If you go the different

570
00:25:49,640 --> 00:25:53,440
Speaker 1: route through your website or through another channel like Instagram

571
00:25:53,520 --> 00:25:57,280
Speaker 1: or something along those lines, you're not going to come

572
00:25:57,320 --> 00:25:59,720
Speaker 1: back with big numbers whatsoever. I don't care who you are,

573
00:26:00,040 --> 00:26:02,359
Speaker 1: because it's in a new way for people to count

574
00:26:02,440 --> 00:26:06,280
Speaker 1: music or receive it. That whole who went number one,

575
00:26:06,359 --> 00:26:08,359
Speaker 1: who sold more than who is out the conversation with

576
00:26:08,400 --> 00:26:12,960
Speaker 1: the Big three. Now, to me, we're getting away from

577
00:26:13,000 --> 00:26:17,560
Speaker 1: that whole numbers and statistics bullshit that everyone keeps bringing

578
00:26:17,640 --> 00:26:19,879
Speaker 1: up in this battle, like, oh, it doesn't matter if

579
00:26:19,960 --> 00:26:21,760
Speaker 1: Drake replies, look at all these number ones. Oh it

580
00:26:21,800 --> 00:26:25,399
Speaker 1: doesn't matter if they need him. Kendrick So went on

581
00:26:25,480 --> 00:26:28,000
Speaker 1: tour and sold this much? And who gives a fuck?

582
00:26:28,760 --> 00:26:30,600
Speaker 1: Cole sold four in thousand first week, that was the

583
00:26:30,600 --> 00:26:31,200
Speaker 1: most that year.

584
00:26:31,359 --> 00:26:32,520
Speaker 2: Who gives a fuck?

585
00:26:33,480 --> 00:26:37,639
Speaker 1: It now becomes those about the music, and it becomes

586
00:26:37,680 --> 00:26:41,280
Speaker 1: about new ways to change the music industry for real,

587
00:26:41,760 --> 00:26:44,760
Speaker 1: not just who has the best music. Now we're getting

588
00:26:44,760 --> 00:26:48,880
Speaker 1: into Prince's territory. Now you're really a legend. Now you're

589
00:26:48,880 --> 00:26:52,679
Speaker 1: really changing how artists behind you will be able to

590
00:26:52,720 --> 00:26:55,680
Speaker 1: benefit off the risks that you take. At that point,

591
00:26:55,800 --> 00:26:57,640
Speaker 1: who gives a fuck? Out of the Big three? Who's

592
00:26:57,720 --> 00:27:02,239
Speaker 1: number one, two or three? That takes away everything. So,

593
00:27:02,280 --> 00:27:03,880
Speaker 1: even though it's not the safest, but I think it's

594
00:27:03,880 --> 00:27:06,359
Speaker 1: the safest for the gossipy hip hop bullshit that's been

595
00:27:06,400 --> 00:27:07,120
Speaker 1: going on this year.

596
00:27:07,560 --> 00:27:11,560
Speaker 2: It's done now, but it's only two, it's not Big three. Fair.

597
00:27:11,840 --> 00:27:15,840
Speaker 1: Yeah, I was so did y'all look at any comments

598
00:27:15,840 --> 00:27:18,240
Speaker 1: over the weekend? I was too scared after that that episode?

599
00:27:19,040 --> 00:27:20,639
Speaker 2: Why why are we scared? I don't know?

600
00:27:21,520 --> 00:27:25,359
Speaker 1: I was Payton punkin scared comments. No, I couldn't sleep.

601
00:27:26,920 --> 00:27:28,600
Speaker 1: I actually got the best two nights of sleep I've

602
00:27:28,600 --> 00:27:30,840
Speaker 1: gotten probably this year, this past weekend.

603
00:27:31,280 --> 00:27:32,399
Speaker 2: Do we scared of them comments?

604
00:27:32,440 --> 00:27:35,640
Speaker 1: Man, I've never been scared at the comments. I laugh

605
00:27:35,680 --> 00:27:39,159
Speaker 1: at them at this point. But how did people receive

606
00:27:39,280 --> 00:27:40,919
Speaker 1: are our debate?

607
00:27:42,320 --> 00:27:44,240
Speaker 2: You ask me, I don't. I'm asking the room. I don't.

608
00:27:44,280 --> 00:27:47,119
Speaker 2: I don't. I definitely don't. I'm not in comments like that, Okay, No,

609
00:27:47,320 --> 00:27:48,920
Speaker 2: I look for you to tell me, like what they're

610
00:27:48,920 --> 00:27:52,000
Speaker 2: saying in them streets and read it ready when last time.

611
00:27:51,880 --> 00:27:52,399
Speaker 3: He was going read it.

612
00:27:53,080 --> 00:27:54,639
Speaker 1: It's been a really long time. I used to be

613
00:27:54,680 --> 00:27:56,240
Speaker 1: heavy in the streets, but I have not opened that

614
00:27:56,280 --> 00:27:57,560
Speaker 1: app months.

615
00:27:58,359 --> 00:28:00,480
Speaker 2: A few people like stop me, like you know, in

616
00:28:00,480 --> 00:28:03,520
Speaker 2: the streets and was talking about the the whole back

617
00:28:03,560 --> 00:28:05,040
Speaker 2: and forth that you know, it was cool. It was

618
00:28:05,080 --> 00:28:09,320
Speaker 2: interesting to hear people's perspectives on it. It's always fun

619
00:28:09,320 --> 00:28:11,160
Speaker 2: when people are talking about a lot of people talking

620
00:28:11,200 --> 00:28:13,680
Speaker 2: about the same thing. But it's also cool to hear

621
00:28:13,680 --> 00:28:18,120
Speaker 2: people's perspectives and their point of view on ship. It's

622
00:28:18,119 --> 00:28:20,080
Speaker 2: all in fun, man, I have fun, have fun with

623
00:28:20,320 --> 00:28:23,080
Speaker 2: those type of conversations. Whenever you actual might pick a side,

624
00:28:23,920 --> 00:28:26,359
Speaker 2: you can start stuttering, yell about it. Yeah, big a

625
00:28:26,440 --> 00:28:27,280
Speaker 2: side and yell about it.

626
00:28:27,320 --> 00:28:27,760
Speaker 8: I don't.

627
00:28:29,359 --> 00:28:31,200
Speaker 1: All right, where's the side for the people that don't

628
00:28:31,240 --> 00:28:31,800
Speaker 1: have a side?

629
00:28:33,080 --> 00:28:34,720
Speaker 2: Where's the side for people that don't get like?

630
00:28:34,720 --> 00:28:36,159
Speaker 1: What part of the school dance is that in?

631
00:28:37,080 --> 00:28:43,640
Speaker 2: Uh? I mean you probably in the raptors bleaches, that's cool, yeah, starting, Yeah,

632
00:28:43,920 --> 00:28:47,320
Speaker 2: sitting bleaches. Man, you got you gotta make a lot

633
00:28:47,320 --> 00:28:49,600
Speaker 2: of noise in the bleachers, those the cheap seats. Oh yeah,

634
00:28:49,600 --> 00:28:51,040
Speaker 2: you got to let people know you in the building.

635
00:28:51,040 --> 00:28:52,960
Speaker 1: I think those are the most important people for sure.

636
00:28:53,000 --> 00:28:55,240
Speaker 1: I'm a returning customer for all the artists here.

637
00:28:55,320 --> 00:28:57,160
Speaker 2: Yea, what happens.

638
00:28:58,280 --> 00:29:00,600
Speaker 1: Russ was in the Twitter streets over the weekend as well.

639
00:29:00,640 --> 00:29:03,320
Speaker 1: Shut out the Russ Man coming to the streets from Russ.

640
00:29:04,880 --> 00:29:07,360
Speaker 1: Russ is one of those guys that he has. He

641
00:29:07,360 --> 00:29:09,920
Speaker 1: he's somebody to talk to about all this DSP ship

642
00:29:10,800 --> 00:29:12,720
Speaker 1: because he's been doing He's been playing a different game

643
00:29:12,720 --> 00:29:14,840
Speaker 1: for a long time as well. He's been playing an

644
00:29:14,840 --> 00:29:18,360
Speaker 1: independent game, doing a lot of the lifting himself with

645
00:29:18,400 --> 00:29:22,000
Speaker 1: his label and things like that. So yeah, I saw

646
00:29:22,040 --> 00:29:25,280
Speaker 1: him in the streets, well, in the tweets talking to

647
00:29:25,280 --> 00:29:27,640
Speaker 1: people back and forth. That's the streets, that's the social

648
00:29:27,640 --> 00:29:31,120
Speaker 1: media streets, Jolane, you want to read the tweet that

649
00:29:31,320 --> 00:29:33,320
Speaker 1: I feel like this was the conclusion of the whole

650
00:29:33,320 --> 00:29:35,240
Speaker 1: back and forth with what was yeah on.

651
00:29:35,640 --> 00:29:37,280
Speaker 5: Yeah, it was a back and forth Rush was having

652
00:29:37,360 --> 00:29:41,000
Speaker 5: with the journalists and the tweet her last tweet before

653
00:29:41,040 --> 00:29:44,080
Speaker 5: his response that went viral was Russ is tweeting and

654
00:29:44,160 --> 00:29:45,120
Speaker 5: me like he's talented.

655
00:29:45,560 --> 00:29:47,760
Speaker 3: I have to I have to laugh. What journalists is

656
00:29:47,800 --> 00:29:48,480
Speaker 3: rushing to interview?

657
00:29:48,520 --> 00:29:48,640
Speaker 9: Right?

658
00:29:48,800 --> 00:29:50,720
Speaker 2: Wait, wait, wait, wait, slow down. First of all, who

659
00:29:50,760 --> 00:29:51,840
Speaker 2: is this that's saying this?

660
00:29:52,000 --> 00:29:53,640
Speaker 1: It was just a random person on Twitter?

661
00:29:53,680 --> 00:29:54,840
Speaker 2: That see, that's my thing.

662
00:29:54,920 --> 00:29:57,440
Speaker 5: She's a journalist that I don't want to discredit her profession.

663
00:29:57,480 --> 00:29:59,320
Speaker 2: She's a discrediting question.

664
00:29:59,520 --> 00:30:03,880
Speaker 5: Yeah, well no, I know, I mean, but she is

665
00:30:03,920 --> 00:30:06,800
Speaker 5: an actual She's not a random person on Twitter.

666
00:30:06,920 --> 00:30:09,280
Speaker 2: Let me let me correct her. Russ is he is talented.

667
00:30:09,360 --> 00:30:12,000
Speaker 2: He is talented. So she's saying, Russ is tweeting at

668
00:30:12,000 --> 00:30:14,320
Speaker 2: me like he's talented. What does that mean Russ isn't talented.

669
00:30:14,800 --> 00:30:16,800
Speaker 2: That can't be what she's alluding to. That's what she says,

670
00:30:16,920 --> 00:30:20,200
Speaker 2: that is what That is absolutely fucking crazy. Russ is talented.

671
00:30:20,240 --> 00:30:21,840
Speaker 2: You can say you don't like Russ, you don't like

672
00:30:21,880 --> 00:30:24,760
Speaker 2: his music, that's your opinion, but you can't say Russ

673
00:30:24,840 --> 00:30:28,920
Speaker 2: isn't talented. Russ is definitely a talented artist. Well she

674
00:30:29,000 --> 00:30:29,520
Speaker 2: had to laugh.

675
00:30:31,320 --> 00:30:35,720
Speaker 5: Yeah, so Russ uh just ethered her with he replied,

676
00:30:35,880 --> 00:30:38,160
Speaker 5: and said, you are a journalist. Your career does not

677
00:30:38,240 --> 00:30:40,440
Speaker 5: exist without artists or athletes or whoever it is. You

678
00:30:40,520 --> 00:30:43,440
Speaker 5: journal about my life and all artists, and career exists

679
00:30:43,480 --> 00:30:45,840
Speaker 5: without y'all. Y'all get too bold on here and forget

680
00:30:45,840 --> 00:30:47,720
Speaker 5: what role you actually even play in the grand scheme

681
00:30:47,760 --> 00:30:50,000
Speaker 5: of things. Your job is to stand on the sideline

682
00:30:50,000 --> 00:30:51,960
Speaker 5: and wait for other people to do shit in order

683
00:30:51,960 --> 00:30:53,040
Speaker 5: for you to even have a job.

684
00:30:53,200 --> 00:30:59,560
Speaker 10: Relax, mmm, I'm saying, Russ, and this was I don't

685
00:30:59,600 --> 00:31:02,880
Speaker 10: I don't know if you were with us at Manny's

686
00:31:02,880 --> 00:31:04,760
Speaker 10: birthday at that time when we were having a conversation

687
00:31:05,480 --> 00:31:08,440
Speaker 10: that a lot of streamers, media people.

688
00:31:09,920 --> 00:31:11,719
Speaker 1: Now, it's not a new thing. It's been going on

689
00:31:11,760 --> 00:31:14,600
Speaker 1: for a long time start to feel like they're above

690
00:31:14,640 --> 00:31:16,880
Speaker 1: the artist, or bigger than the artist, or bigger than

691
00:31:16,920 --> 00:31:19,479
Speaker 1: the genre, or bigger than anything we talk about. And

692
00:31:19,480 --> 00:31:23,640
Speaker 1: that's where I think the decline starts to happen, once

693
00:31:23,680 --> 00:31:26,400
Speaker 1: you feel like you're bigger than what you discuss. Because

694
00:31:26,480 --> 00:31:29,240
Speaker 1: Russ nailed it, and I don't take a fence to

695
00:31:29,280 --> 00:31:31,520
Speaker 1: anything that he said. If you take offense to what

696
00:31:31,600 --> 00:31:34,040
Speaker 1: Russ said, you're part of the problem. You do think

697
00:31:34,080 --> 00:31:36,920
Speaker 1: you're bigger than the genre you talk about, which is

698
00:31:36,960 --> 00:31:39,120
Speaker 1: a weird, narcissistic thing, but he's correct.

699
00:31:39,320 --> 00:31:41,480
Speaker 2: He don't move unless they do something. If you took

700
00:31:41,480 --> 00:31:44,120
Speaker 2: offense to what Russ said, you're who he's talking about.

701
00:31:44,120 --> 00:31:47,160
Speaker 5: Oh, she had an awful reply. Sorry, I'm just backlogging

702
00:31:47,160 --> 00:31:49,880
Speaker 5: the information. Jesus, I forgot my tweet.

703
00:31:50,000 --> 00:31:50,960
Speaker 3: She said to Russ, this.

704
00:31:50,960 --> 00:31:53,400
Speaker 5: Is an incredible This is an an incorrect statement, Babe.

705
00:31:53,440 --> 00:31:55,280
Speaker 5: I could fart out a think piece tomorrow and it

706
00:31:55,280 --> 00:31:58,320
Speaker 5: would make this entire app shake. No music you make

707
00:31:58,360 --> 00:32:01,560
Speaker 5: will ever have that impact. Let's not on me like that, lmfao.

708
00:32:01,920 --> 00:32:05,120
Speaker 1: And I'm also not saying that there aren't streamers, podcasters,

709
00:32:05,200 --> 00:32:08,760
Speaker 1: radio hosts, whatever in media that can just off the cuff,

710
00:32:08,880 --> 00:32:11,080
Speaker 1: entertain people and talk about shit that has nothing to

711
00:32:11,080 --> 00:32:14,200
Speaker 1: do with music and still be okay. But let's not

712
00:32:14,280 --> 00:32:18,360
Speaker 1: all pretend like within hip hop media, music media, this

713
00:32:18,520 --> 00:32:23,120
Speaker 1: culture as a whole, that our biggest moments, in biggest

714
00:32:23,120 --> 00:32:27,320
Speaker 1: discussions don't come off what the artists are doing in

715
00:32:27,360 --> 00:32:30,480
Speaker 1: the music that's coming out. Those are our most important conversations.

716
00:32:30,680 --> 00:32:34,520
Speaker 1: Those are conversations that get the most clicks. That's what

717
00:32:34,600 --> 00:32:37,400
Speaker 1: matters the most. And I'm not saying media needs to

718
00:32:37,440 --> 00:32:39,440
Speaker 1: bow down to artists or look at them like gods,

719
00:32:39,520 --> 00:32:41,719
Speaker 1: or they can do whatever the fuck they want. It

720
00:32:41,800 --> 00:32:44,520
Speaker 1: is a two way street. Artists also need media people

721
00:32:44,520 --> 00:32:49,520
Speaker 1: to push their music. But to shit on artists and

722
00:32:49,640 --> 00:32:52,400
Speaker 1: like pretend like they're not a huge reason on why

723
00:32:52,440 --> 00:32:55,080
Speaker 1: we even exist is insane to me. I get Russ's

724
00:32:55,080 --> 00:32:59,560
Speaker 1: frustration here. We really exist based off what they do.

725
00:33:00,840 --> 00:33:03,600
Speaker 1: We are a huge part of promoting what they do

726
00:33:05,080 --> 00:33:09,680
Speaker 1: and keeping that momentum. But no, this is because we

727
00:33:09,720 --> 00:33:11,920
Speaker 1: all love music. At least I can speak for me.

728
00:33:11,960 --> 00:33:12,440
Speaker 2: I'm sorry.

729
00:33:12,520 --> 00:33:15,040
Speaker 1: I got into this shit because I love music, and

730
00:33:15,120 --> 00:33:17,640
Speaker 1: I think that's the root of some of the greatest

731
00:33:17,680 --> 00:33:21,840
Speaker 1: media people and greatest journalists from inception they got into

732
00:33:21,840 --> 00:33:24,840
Speaker 1: this shit because they loved hip hop. Yeah, so I

733
00:33:24,920 --> 00:33:25,920
Speaker 1: see what he's saying.

734
00:33:26,120 --> 00:33:28,320
Speaker 2: I think the problem is when you talk about, you know,

735
00:33:28,360 --> 00:33:31,440
Speaker 2: this day and age now, with so many platforms and people,

736
00:33:31,560 --> 00:33:34,320
Speaker 2: you know, having cameras and mics in their faces, people

737
00:33:34,360 --> 00:33:36,960
Speaker 2: start to feel like they're something that they're not. People

738
00:33:36,960 --> 00:33:38,480
Speaker 2: start to feel like they're on the same level as

739
00:33:38,520 --> 00:33:42,479
Speaker 2: these artists. They're as important as these artists are. And

740
00:33:42,520 --> 00:33:44,880
Speaker 2: I think that's you know, what Russ was speaking to

741
00:33:45,680 --> 00:33:48,080
Speaker 2: here is that, you know, you're here to talk about

742
00:33:48,080 --> 00:33:50,480
Speaker 2: what it is that the creators are creating and putting

743
00:33:50,480 --> 00:33:55,000
Speaker 2: out things like that. First and foremost, we're all consumers. Yeah,

744
00:33:55,080 --> 00:33:58,800
Speaker 2: even if you're a creative, you consume, you know, other art,

745
00:33:58,840 --> 00:34:02,960
Speaker 2: You consume, you know, something that somebody else creates and

746
00:34:03,000 --> 00:34:06,640
Speaker 2: puts out. So start there. We're all consumers. I just

747
00:34:06,680 --> 00:34:09,480
Speaker 2: think that, you know, Russ is speaking to more of

748
00:34:10,320 --> 00:34:12,480
Speaker 2: this what this young lady was saying. As far as

749
00:34:12,480 --> 00:34:15,400
Speaker 2: you know, she could make the app shake if she

750
00:34:15,560 --> 00:34:19,480
Speaker 2: creates a think piece, and Russ's music could never do that. Like,

751
00:34:20,320 --> 00:34:22,040
Speaker 2: I think she's just a little out of touch with

752
00:34:22,080 --> 00:34:25,640
Speaker 2: that remark right there, But you know, I like her confidence.

753
00:34:25,320 --> 00:34:27,759
Speaker 1: And misguided and what Russ is saying like, let's not

754
00:34:27,760 --> 00:34:32,240
Speaker 1: even just put music Like Stephen A. Smith is bigger

755
00:34:32,280 --> 00:34:36,880
Speaker 1: than certain athletes. He's more famous, he's richer, has more power,

756
00:34:36,960 --> 00:34:39,240
Speaker 1: more recognizable than a lot of athletes.

757
00:34:39,600 --> 00:34:40,279
Speaker 2: But is Steven A.

758
00:34:40,360 --> 00:34:43,799
Speaker 1: Smith bigger than the NBA and the NFL, no, and

759
00:34:43,920 --> 00:34:44,920
Speaker 1: athletics as a whole.

760
00:34:45,040 --> 00:34:45,960
Speaker 2: No, absolutely not.

761
00:34:46,160 --> 00:34:49,080
Speaker 1: And I think that's what Russ was really trying to

762
00:34:49,120 --> 00:34:52,880
Speaker 1: get out get at initially, like he's not saying journalists

763
00:34:52,920 --> 00:34:55,759
Speaker 1: exists because Russ makes music right because of this shit

764
00:34:55,840 --> 00:34:59,799
Speaker 1: that we all love, which starts with the artists. Is

765
00:35:00,480 --> 00:35:02,959
Speaker 1: you guys have a job, yea, And why you guys

766
00:35:03,000 --> 00:35:03,720
Speaker 1: talk about shit.

767
00:35:03,680 --> 00:35:06,399
Speaker 2: And and not saying that you know, well, I don't

768
00:35:06,400 --> 00:35:08,759
Speaker 2: believe that Russ was trying to allude to her being

769
00:35:08,800 --> 00:35:11,480
Speaker 2: a journalist is not an important role. I think that's

770
00:35:11,480 --> 00:35:13,480
Speaker 2: what he was alluding to. I think he was more

771
00:35:13,560 --> 00:35:15,759
Speaker 2: so saying like, yo, I think that you know, there

772
00:35:15,800 --> 00:35:19,759
Speaker 2: are lines here, there are levels here, and again you

773
00:35:19,760 --> 00:35:22,080
Speaker 2: should kind of like stay in your lane. But when

774
00:35:22,080 --> 00:35:26,560
Speaker 2: you start saying things like Russ isn't talented, I mean

775
00:35:26,640 --> 00:35:29,600
Speaker 2: that's your opinion. Is she's entitled to that like everybody

776
00:35:29,600 --> 00:35:32,279
Speaker 2: else is. But I think in this conversation, in this

777
00:35:32,400 --> 00:35:36,480
Speaker 2: back and forth, that was that was a shot, you

778
00:35:36,560 --> 00:35:38,360
Speaker 2: know what I mean that she was trying to demean Russy.

779
00:35:38,480 --> 00:35:41,839
Speaker 1: You're focused on that response, I'm focused on Russ. This

780
00:35:41,920 --> 00:35:43,120
Speaker 1: is an incorrect statement.

781
00:35:43,120 --> 00:35:43,359
Speaker 2: Babe.

782
00:35:43,360 --> 00:35:45,320
Speaker 1: First of all, don't call me babe. We're not babes.

783
00:35:45,880 --> 00:35:48,200
Speaker 1: I could fart out a think piece tomorrow and it

784
00:35:48,239 --> 00:35:52,600
Speaker 1: would make this entire app shack elon, put out robots

785
00:35:52,640 --> 00:35:54,200
Speaker 1: and it didn't really even shake like that. Yeah, and

786
00:35:54,239 --> 00:35:57,879
Speaker 1: it's his app. Yeah, no music you make will ever

787
00:35:57,960 --> 00:36:00,919
Speaker 1: have that impact. Let's not lie on me like that.

788
00:36:01,920 --> 00:36:04,080
Speaker 1: I'm not here to I don't know much about this

789
00:36:04,360 --> 00:36:04,880
Speaker 1: young lady.

790
00:36:04,920 --> 00:36:05,440
Speaker 2: She could be.

791
00:36:05,600 --> 00:36:08,280
Speaker 1: Extremely important and amazing journalist. I'm not here to discredit

792
00:36:08,280 --> 00:36:11,600
Speaker 1: her with whatever. Has you Has your work ever sold

793
00:36:11,640 --> 00:36:13,560
Speaker 1: out Radio City two nights in a row?

794
00:36:14,239 --> 00:36:16,920
Speaker 2: I mean, you gotta you gotta check. She may have

795
00:36:16,920 --> 00:36:20,040
Speaker 2: had a think piece and move some tickets at Radio City.

796
00:36:20,080 --> 00:36:20,480
Speaker 2: You don't know.

797
00:36:20,760 --> 00:36:22,920
Speaker 6: I mean, but I feel like that's not an equal comparison,

798
00:36:22,960 --> 00:36:24,680
Speaker 6: because journalists don't sell out.

799
00:36:24,920 --> 00:36:26,560
Speaker 2: She compared it. She says, she can make a think

800
00:36:26,560 --> 00:36:28,479
Speaker 2: piece that will make this whole app shape. Your music

801
00:36:28,480 --> 00:36:30,200
Speaker 2: could never do that. She made the comparison.

802
00:36:30,239 --> 00:36:34,160
Speaker 6: She's saying that on a platform where media is important,

803
00:36:34,200 --> 00:36:36,800
Speaker 6: and she's also in media, I could do. I could

804
00:36:37,120 --> 00:36:40,080
Speaker 6: make a bigger media impact in media than you can.

805
00:36:40,239 --> 00:36:45,320
Speaker 1: Fair okay off that sentence. Yes, comparison, But the music

806
00:36:45,360 --> 00:36:50,080
Speaker 1: that Russ has released, mainly through Twitter SoundCloud, has gotten

807
00:36:50,080 --> 00:36:52,759
Speaker 1: to a point where people will pay to sell out

808
00:36:52,840 --> 00:36:54,040
Speaker 1: Radio City to see him.

809
00:36:54,280 --> 00:36:55,799
Speaker 2: That's making shit shake.

810
00:36:56,040 --> 00:36:59,080
Speaker 1: When you post something on Twitter, the response is selling

811
00:36:59,080 --> 00:36:59,839
Speaker 1: out Radio City.

812
00:37:00,080 --> 00:37:01,520
Speaker 2: Yeah, yeah, for sure.

813
00:37:02,000 --> 00:37:05,120
Speaker 1: And let's not act like Russ doesn't make this app

814
00:37:05,160 --> 00:37:09,759
Speaker 1: quote unquote shake once a month. Russ always has a

815
00:37:09,880 --> 00:37:13,120
Speaker 1: take that either pisses people off or has people talking.

816
00:37:13,160 --> 00:37:16,959
Speaker 1: Once a month, he makes this hip hop Twitter app

817
00:37:17,000 --> 00:37:21,239
Speaker 1: shake non fucking stop. So I don't know, maybe maybe

818
00:37:21,239 --> 00:37:22,000
Speaker 1: I have her fucked up.

819
00:37:22,120 --> 00:37:24,680
Speaker 5: Oh well, and we can also not to be the

820
00:37:25,000 --> 00:37:28,879
Speaker 5: guy that falls from metrics. But just comparatively, She's got

821
00:37:28,920 --> 00:37:31,800
Speaker 5: forty three and a half thousand followers to Russ's two million.

822
00:37:32,080 --> 00:37:33,919
Speaker 1: I mean people with ten followers make the app shake

823
00:37:34,200 --> 00:37:35,359
Speaker 1: with crazy takes.

824
00:37:36,920 --> 00:37:40,520
Speaker 3: You never shook that before, Julian, I've shaken the app.

825
00:37:41,400 --> 00:37:42,400
Speaker 2: Something wrong with the pussy?

826
00:37:42,800 --> 00:37:45,160
Speaker 5: Check the shit out this app? Probably more than her

827
00:37:45,200 --> 00:37:46,000
Speaker 5: biggest piece.

828
00:37:45,760 --> 00:37:46,520
Speaker 3: Of word and I'm not.

829
00:37:49,920 --> 00:37:50,960
Speaker 2: You know, his captions on.

830
00:37:52,560 --> 00:37:56,160
Speaker 3: Never Invisible Lens.

831
00:37:55,480 --> 00:37:58,400
Speaker 1: Those Invisible Lens captions shake Thista gram app.

832
00:37:59,600 --> 00:38:02,520
Speaker 4: What was it original point that she was counter acting?

833
00:38:02,680 --> 00:38:03,759
Speaker 2: Like, what was this was?

834
00:38:03,800 --> 00:38:06,920
Speaker 5: This is the initial tweet that sparked the entire It

835
00:38:07,000 --> 00:38:10,239
Speaker 5: was basically him kind of reiterating what the structure of

836
00:38:11,360 --> 00:38:14,880
Speaker 5: a journalist's integrity should be in hip hop media.

837
00:38:15,360 --> 00:38:20,200
Speaker 2: Journalists want interviews with artists and things like that, but

838
00:38:20,280 --> 00:38:24,160
Speaker 2: he basically broke down a reason why some journalists don't

839
00:38:24,160 --> 00:38:26,560
Speaker 2: get interviews. He said, Number one, most journalists don't have

840
00:38:26,560 --> 00:38:29,760
Speaker 2: their own platform, so that's some So that somewhat forces

841
00:38:29,800 --> 00:38:32,400
Speaker 2: the artists to fund and produce the interview themselves. He

842
00:38:32,440 --> 00:38:34,759
Speaker 2: said he's done it because he sees the value in it,

843
00:38:34,800 --> 00:38:37,000
Speaker 2: but he understands if an artist doesn't want to pay

844
00:38:37,000 --> 00:38:39,600
Speaker 2: for their own interview. Number two, Naturally, as artists, we

845
00:38:39,640 --> 00:38:42,360
Speaker 2: have shit to say, and we want what we have

846
00:38:42,840 --> 00:38:45,200
Speaker 2: to say to reach the most amount of people. So

847
00:38:45,320 --> 00:38:47,840
Speaker 2: going to with the majority of people's eyes are streamers,

848
00:38:47,880 --> 00:38:51,320
Speaker 2: et cetera is attractive. Number Three, nobody cares about reading

849
00:38:51,760 --> 00:38:55,200
Speaker 2: interviews on magazine outlets anymore. Video interviews are king and

850
00:38:55,320 --> 00:38:58,600
Speaker 2: video interviews costs money. Ce point number one and number four,

851
00:38:58,640 --> 00:39:02,560
Speaker 2: he said. Really, the only as journalists, just like everyone else,

852
00:39:03,160 --> 00:39:05,279
Speaker 2: have to build up their brand, fan base and name

853
00:39:05,360 --> 00:39:08,920
Speaker 2: themselves so that they can attract artists to their platform.

854
00:39:09,120 --> 00:39:12,120
Speaker 2: Or artists just invest money in producing their own interviews

855
00:39:12,320 --> 00:39:15,120
Speaker 2: with respected journalists and putting it on their own platform,

856
00:39:15,520 --> 00:39:18,040
Speaker 2: which Russ has done with b dot a few times.

857
00:39:18,080 --> 00:39:21,080
Speaker 1: I don't see anything wrong that he said in that whatsoever?

858
00:39:21,600 --> 00:39:22,640
Speaker 2: And what did she just take?

859
00:39:22,840 --> 00:39:25,120
Speaker 1: No, one's trying to go to rust for an interview.

860
00:39:25,480 --> 00:39:27,479
Speaker 1: I understand how she read all that and had that reply.

861
00:39:27,640 --> 00:39:31,120
Speaker 6: Okay, so she said, paying someone to interview you isn't journalism,

862
00:39:31,160 --> 00:39:33,760
Speaker 6: it's marketing. You want journalists to function as your pr

863
00:39:34,120 --> 00:39:36,920
Speaker 6: hier A better publicist maybe, so I get she should

864
00:39:36,960 --> 00:39:39,759
Speaker 6: she should have worded that better, but I understood where

865
00:39:39,760 --> 00:39:42,840
Speaker 6: she's coming from with that. With that response, paying somebody

866
00:39:42,840 --> 00:39:45,840
Speaker 6: to interview you isn't journalism because journalism is supposed to

867
00:39:45,880 --> 00:39:47,400
Speaker 6: be objection like.

868
00:39:47,680 --> 00:39:49,760
Speaker 1: Oh, then she doesn't know aboutjournal objective.

869
00:39:49,800 --> 00:39:54,000
Speaker 6: Yip, But traditionally real journalism is supposed to be objective.

870
00:39:54,000 --> 00:39:56,200
Speaker 6: If you pay me for an interview, then I'm not

871
00:39:56,280 --> 00:39:58,319
Speaker 6: being objective because there are certain things that I'm going

872
00:39:58,400 --> 00:40:02,600
Speaker 6: to you can pay me not to ask you. So

873
00:40:02,640 --> 00:40:04,560
Speaker 6: if you're paying for your own interview, that's kind of

874
00:40:04,600 --> 00:40:05,120
Speaker 6: like PR.

875
00:40:06,280 --> 00:40:09,880
Speaker 1: I mean, Paul interviews. Are PR politicians do that? I

876
00:40:09,880 --> 00:40:12,279
Speaker 1: was gonna say, that's that's been the source double XL,

877
00:40:12,640 --> 00:40:17,160
Speaker 1: Like there's the journalistic version of payola exists for sure,

878
00:40:17,320 --> 00:40:19,760
Speaker 1: favor for a favor, Yo, if you put this artist

879
00:40:19,760 --> 00:40:23,120
Speaker 1: on the cover the source, I'll guarantee you three interviews

880
00:40:23,120 --> 00:40:24,880
Speaker 1: with these artists that are also on our label. Like

881
00:40:25,120 --> 00:40:27,799
Speaker 1: it's been a bartering system in journalism, not just hip

882
00:40:27,800 --> 00:40:29,200
Speaker 1: hop period forever.

883
00:40:29,520 --> 00:40:32,120
Speaker 6: Yes, but you can't get mad at her for saying, Hey,

884
00:40:32,200 --> 00:40:34,640
Speaker 6: this is when I go to journalism school. This is

885
00:40:34,680 --> 00:40:37,800
Speaker 6: what they teach you journalism. Real journalism is to be objective.

886
00:40:38,680 --> 00:40:42,600
Speaker 1: That's what if somebody pays for an interview. Let's say

887
00:40:42,600 --> 00:40:45,719
Speaker 1: a label pays a platform to have their artist on there.

888
00:40:47,080 --> 00:40:51,600
Speaker 1: What makes it not objective? Well, because there's been plenty

889
00:40:51,719 --> 00:40:53,600
Speaker 1: of times when artists have come on the platforms for

890
00:40:53,680 --> 00:40:55,719
Speaker 1: free and then PR will hand them a list of

891
00:40:55,719 --> 00:40:58,120
Speaker 1: shit they can't talk about. Why does a money exchange

892
00:40:58,160 --> 00:41:00,759
Speaker 1: have to matter in that? Because if everything is is

893
00:41:01,400 --> 00:41:03,880
Speaker 1: nothing's off limits, but they pay for the interview, and

894
00:41:03,920 --> 00:41:06,279
Speaker 1: I can ask whatever the fuck I want? Why is

895
00:41:06,280 --> 00:41:07,080
Speaker 1: that non journalism?

896
00:41:07,400 --> 00:41:10,640
Speaker 6: Because for example, with the Tailat interview, let's say, bring

897
00:41:10,760 --> 00:41:12,759
Speaker 6: up the Tile interview when they asked her about being black,

898
00:41:12,800 --> 00:41:15,759
Speaker 6: being colored whatever, right, being that they didn't they I

899
00:41:15,760 --> 00:41:17,400
Speaker 6: think it was the Breakfast club, being that they didn't

900
00:41:17,400 --> 00:41:21,000
Speaker 6: pay the Breakfast club for that interview. That footage still

901
00:41:21,000 --> 00:41:23,200
Speaker 6: comes out of her just not answering the question, her

902
00:41:23,239 --> 00:41:25,719
Speaker 6: shaking her head, her looking back at her pr for help,

903
00:41:25,920 --> 00:41:28,839
Speaker 6: because the breakfast club owns that footage because they were

904
00:41:28,880 --> 00:41:31,920
Speaker 6: not paid for that footage. Now, for example, if they

905
00:41:31,960 --> 00:41:34,240
Speaker 6: were paid for that interview, and that interview was funded,

906
00:41:34,480 --> 00:41:39,040
Speaker 6: then that they the people who pay, have complete complete control,

907
00:41:39,400 --> 00:41:42,240
Speaker 6: Like they have control of what comes out, how it's released,

908
00:41:42,320 --> 00:41:43,239
Speaker 6: or what gets cut out.

909
00:41:43,239 --> 00:41:44,640
Speaker 4: All of that they don't. You don't have that if

910
00:41:44,640 --> 00:41:45,600
Speaker 4: you don't pay for the interview.

911
00:41:45,600 --> 00:41:48,840
Speaker 1: There was plenty of labels that paid for the mics

912
00:41:48,840 --> 00:41:51,359
Speaker 1: and the source for album reviews, and the source still

913
00:41:51,360 --> 00:41:52,000
Speaker 1: own their content.

914
00:41:52,880 --> 00:41:53,560
Speaker 2: I think everyone.

915
00:41:53,600 --> 00:41:57,200
Speaker 1: I think she's very confused on what actually happens in journalism.

916
00:41:57,360 --> 00:41:59,600
Speaker 6: That's it happens, but it doesn't mean, it doesn't mean

917
00:41:59,600 --> 00:42:01,400
Speaker 6: that every body does that, and it doesn't mean that

918
00:42:01,400 --> 00:42:03,759
Speaker 6: that's the way it's supposed to happen. It's like saying

919
00:42:03,760 --> 00:42:06,160
Speaker 6: there's a crooked cops. Yes, there are crooked cops, but

920
00:42:06,200 --> 00:42:07,640
Speaker 6: it's not supposed to be like that.

921
00:42:07,960 --> 00:42:12,719
Speaker 1: With the Breakfast example, that there's kind of like the unwritten,

922
00:42:13,160 --> 00:42:16,520
Speaker 1: untalked about rule that if we bring in what is

923
00:42:16,719 --> 00:42:24,640
Speaker 1: Tyler Atlantic the Creator, Tyler Tyler, Oh, Tyler Tyler, Tyler,

924
00:42:24,920 --> 00:42:28,200
Speaker 1: Tyler the Creator, he took.

925
00:42:28,040 --> 00:42:30,000
Speaker 4: The hard er offuse.

926
00:42:30,800 --> 00:42:34,560
Speaker 1: Okay, there's an unwritten rule with Epic being under Sony

927
00:42:35,239 --> 00:42:36,840
Speaker 1: that they will continue to bring their artists to the

928
00:42:36,840 --> 00:42:39,400
Speaker 1: Breakfast Club and vice versa. Not trying to belittle the

929
00:42:39,440 --> 00:42:41,640
Speaker 1: Breakfast Club, but they all they have relationships with every

930
00:42:41,680 --> 00:42:44,719
Speaker 1: single label. Some of them have even worked for labels

931
00:42:44,880 --> 00:42:48,120
Speaker 1: while they were on the Breakfast Club. There's an unwritten rule,

932
00:42:48,440 --> 00:42:52,080
Speaker 1: don't ask these questions and will continue to bring our

933
00:42:52,200 --> 00:42:55,359
Speaker 1: artists in for safer interviews. Again, not discrediting the Breakfast Club,

934
00:42:55,360 --> 00:42:57,200
Speaker 1: because Charlamage did a great job his whole career of

935
00:42:57,239 --> 00:42:59,560
Speaker 1: asking the questions we really wanted to hear. But let's

936
00:42:59,600 --> 00:43:04,480
Speaker 1: say any radio station, there's no currency exchanged with that.

937
00:43:04,480 --> 00:43:07,759
Speaker 1: That's just a relationship moving forward. Don't go against the

938
00:43:07,840 --> 00:43:11,040
Speaker 1: rules that are pr at our label told you, and

939
00:43:11,080 --> 00:43:14,560
Speaker 1: we'll continue to bring artists to you. There's no currency

940
00:43:14,560 --> 00:43:15,200
Speaker 1: exchange there.

941
00:43:16,040 --> 00:43:18,480
Speaker 6: Okay, there is a current. You just name the currency.

942
00:43:18,560 --> 00:43:22,200
Speaker 6: The relationship is currency. There's not money, but the relationship

943
00:43:22,280 --> 00:43:25,360
Speaker 6: is currency. You're giving something for getting something and getting something.

944
00:43:25,480 --> 00:43:29,360
Speaker 6: But that does not make it objective journalism. That's I

945
00:43:29,360 --> 00:43:32,520
Speaker 6: think that's why you missed the objective journalist. There's plenty

946
00:43:32,560 --> 00:43:34,560
Speaker 6: of it. That's what I'm trying to do, like just

947
00:43:34,880 --> 00:43:37,560
Speaker 6: maybe not always in the hip hop space, but journalism

948
00:43:37,560 --> 00:43:40,600
Speaker 6: as a whole. We're not only talking about journalism in music,

949
00:43:41,160 --> 00:43:44,040
Speaker 6: Like journalism as a whole is supposed to be objective. Yes,

950
00:43:44,080 --> 00:43:46,080
Speaker 6: like I said, there are crookeet cops and there are

951
00:43:46,120 --> 00:43:48,400
Speaker 6: people who skate around the rules to get you know, obviously,

952
00:43:48,440 --> 00:43:50,319
Speaker 6: to do what you have to do to get shit done.

953
00:43:50,320 --> 00:43:52,759
Speaker 6: There's been questions we haven't asked that we should have,

954
00:43:53,320 --> 00:43:56,120
Speaker 6: But it doesn't mean that that's always the right thing

955
00:43:56,200 --> 00:43:58,120
Speaker 6: to do, and that it was made to be like that.

956
00:43:58,200 --> 00:44:00,239
Speaker 4: Journalism was not created to be like that.

957
00:44:00,280 --> 00:44:02,200
Speaker 6: And I think that that was her point where It's like,

958
00:44:02,200 --> 00:44:05,560
Speaker 6: if you're paying for an interview, that's not journalism.

959
00:44:05,080 --> 00:44:08,719
Speaker 1: But okay to that conversation. There's also been times we've

960
00:44:08,719 --> 00:44:11,640
Speaker 1: gotten lists and said no to interviews because we don't

961
00:44:11,680 --> 00:44:13,640
Speaker 1: want to interview that person if we can't talk about.

962
00:44:13,440 --> 00:44:15,360
Speaker 4: That, Yes, thank you for your integrity.

963
00:44:15,719 --> 00:44:16,000
Speaker 2: Cool.

964
00:44:17,120 --> 00:44:21,799
Speaker 1: But there's also been times where they won't give us

965
00:44:21,840 --> 00:44:23,919
Speaker 1: a list and we can just say whatever the fuck

966
00:44:24,000 --> 00:44:26,279
Speaker 1: we want. So I don't really see what do you

967
00:44:26,280 --> 00:44:26,759
Speaker 1: mean where you.

968
00:44:27,120 --> 00:44:29,320
Speaker 6: Can say whatever you want because you aren't being paid

969
00:44:29,440 --> 00:44:30,360
Speaker 6: for the interview.

970
00:44:30,400 --> 00:44:32,760
Speaker 4: Are you seeing what I'm saying? No one's paying you.

971
00:44:32,760 --> 00:44:34,719
Speaker 1: You said currency was taken out, it's relationships.

972
00:44:34,800 --> 00:44:40,000
Speaker 6: Yeah, I'm confused about what you're confused about, so maybe

973
00:44:40,040 --> 00:44:42,200
Speaker 6: I'm missing it. I'm confused about how you don't understand

974
00:44:42,239 --> 00:44:44,120
Speaker 6: her point, even if you don't agree with it. I'm

975
00:44:44,120 --> 00:44:46,759
Speaker 6: confused on how you don't understand her point. Just off

976
00:44:46,760 --> 00:44:48,680
Speaker 6: the simple of if you are paying for an interview

977
00:44:49,440 --> 00:44:53,280
Speaker 6: that is not an objective interview period you have creative

978
00:44:53,320 --> 00:44:54,080
Speaker 6: control of the interview.

979
00:44:54,160 --> 00:44:55,480
Speaker 3: That is not always the case.

980
00:44:55,520 --> 00:44:58,000
Speaker 1: And name one interview that there was not some form

981
00:44:58,040 --> 00:45:01,480
Speaker 1: of relationship or actual currency exchanged, whether it be the

982
00:45:01,480 --> 00:45:05,320
Speaker 1: conglomerate that the interviewers working for production crew every Like,

983
00:45:05,360 --> 00:45:09,640
Speaker 1: what is she talking about? It's it's a remediable point.

984
00:45:09,719 --> 00:45:12,600
Speaker 5: And that's not true because the same way in which

985
00:45:12,680 --> 00:45:14,960
Speaker 5: artists pay to get on Instagram pages to have their

986
00:45:15,000 --> 00:45:17,680
Speaker 5: music promoted, they'll pay to sit down on camera just

987
00:45:17,680 --> 00:45:20,200
Speaker 5: to be seen, say, like with a vlad, Like I

988
00:45:20,239 --> 00:45:21,920
Speaker 5: always wanted to get a lad interview of Lad's Like,

989
00:45:21,960 --> 00:45:24,480
Speaker 5: all right, caught me a check for X amount of money.

990
00:45:24,880 --> 00:45:27,279
Speaker 5: Bet here's that money. You don't just you're paid to

991
00:45:27,280 --> 00:45:29,279
Speaker 5: get on the platform. You don't own the content. You

992
00:45:29,400 --> 00:45:31,000
Speaker 5: just wanted to be seen in front of.

993
00:45:30,960 --> 00:45:31,520
Speaker 3: This other game.

994
00:45:31,920 --> 00:45:32,920
Speaker 4: No, but see that's different.

995
00:45:32,960 --> 00:45:36,600
Speaker 6: That's me paying the vlads like whatever his prices, to

996
00:45:36,680 --> 00:45:39,480
Speaker 6: get on his platform. That's not me paying the engineer,

997
00:45:39,520 --> 00:45:42,239
Speaker 6: paying for the engineer and paying for the studio time,

998
00:45:42,360 --> 00:45:45,200
Speaker 6: which is what Russ is referring to, paying for the engineer,

999
00:45:45,239 --> 00:45:47,800
Speaker 6: paying for the studio time, paying for it to be edited.

1000
00:45:48,040 --> 00:45:50,760
Speaker 6: That's what he's referring to. At that point, Russ owns

1001
00:45:50,800 --> 00:45:53,440
Speaker 6: the content. The content creator or the journalist does not

1002
00:45:53,440 --> 00:45:54,040
Speaker 6: mean the contest.

1003
00:45:54,040 --> 00:45:55,160
Speaker 1: So all right, so where do we draw the line.

1004
00:45:55,200 --> 00:45:58,480
Speaker 1: Let's say there is no relationship or currency exchange happening, whatsoever.

1005
00:45:58,960 --> 00:46:01,640
Speaker 1: And an artist comes here and says, there's one particular

1006
00:46:01,680 --> 00:46:03,600
Speaker 1: thing they don't want to talk about, but everything else

1007
00:46:03,960 --> 00:46:07,040
Speaker 1: is on the table. We have an incredible two hour interview.

1008
00:46:07,040 --> 00:46:09,840
Speaker 1: We get to so much stuff, but because we're respectful people,

1009
00:46:10,960 --> 00:46:14,040
Speaker 1: we just leave that one topic over here. Is that

1010
00:46:14,080 --> 00:46:15,400
Speaker 1: now a compromised interview.

1011
00:46:15,800 --> 00:46:18,360
Speaker 6: No, it's not a compromised interview, and it's not a

1012
00:46:18,360 --> 00:46:22,720
Speaker 6: compromised interview unless that there's something there's a morality clause

1013
00:46:22,719 --> 00:46:25,080
Speaker 6: in that. Are you asking because they have a rape case, Oh,

1014
00:46:25,360 --> 00:46:26,960
Speaker 6: you're not asking they have a rape case open and

1015
00:46:26,960 --> 00:46:29,160
Speaker 6: you're not asking them about that. Or they're accused of

1016
00:46:29,160 --> 00:46:30,560
Speaker 6: beating a woman and you don't want to ask them

1017
00:46:30,560 --> 00:46:33,360
Speaker 6: about that, that's different. But if they don't want to

1018
00:46:33,400 --> 00:46:36,440
Speaker 6: talk about their relationship, then that I was more getting

1019
00:46:36,600 --> 00:46:39,680
Speaker 6: as that, Yeah, rape, But that's what I'm saying as

1020
00:46:39,760 --> 00:46:43,760
Speaker 6: far as an interview being compromising, if that's their personal

1021
00:46:43,840 --> 00:46:46,839
Speaker 6: business that isn't old to the public, that's different. But

1022
00:46:46,920 --> 00:46:48,759
Speaker 6: some answers that are old to the public that you're

1023
00:46:48,880 --> 00:46:52,200
Speaker 6: not going to ask even though the public is expecting

1024
00:46:52,239 --> 00:46:53,280
Speaker 6: you to ask those questions.

1025
00:46:53,360 --> 00:46:55,600
Speaker 4: Again, that's something different. I just me personally.

1026
00:46:55,800 --> 00:46:58,120
Speaker 6: I don't agree with the way that she came at Russ,

1027
00:46:58,160 --> 00:47:01,080
Speaker 6: but her response to that, I understand her point.

1028
00:47:01,320 --> 00:47:02,040
Speaker 4: That's all I was saying.

1029
00:47:02,040 --> 00:47:04,080
Speaker 6: I understand her point and saying if you are, if

1030
00:47:04,080 --> 00:47:07,000
Speaker 6: you are creating an interview, then it's not journalism.

1031
00:47:07,040 --> 00:47:09,560
Speaker 4: That's not an objective interview. That's all I'm saying.

1032
00:47:10,400 --> 00:47:12,920
Speaker 1: And I think that's a very remedial point.

1033
00:47:12,719 --> 00:47:16,080
Speaker 2: I don't think that's just because you're not listening, because

1034
00:47:16,080 --> 00:47:20,280
Speaker 2: somebody's paying for the interview, i e. You know, the equipment, editing,

1035
00:47:20,600 --> 00:47:23,400
Speaker 2: things like that. I don't think that doesn't mean that

1036
00:47:23,400 --> 00:47:24,400
Speaker 2: they can't be objective.

1037
00:47:24,920 --> 00:47:25,560
Speaker 4: It can be.

1038
00:47:25,760 --> 00:47:27,160
Speaker 2: I mean if you go in and say, nah, don't

1039
00:47:27,200 --> 00:47:28,880
Speaker 2: ask me about this, and it's like okay. I mean,

1040
00:47:29,239 --> 00:47:31,480
Speaker 2: some journalists just won't do it. They're like, all right,

1041
00:47:31,520 --> 00:47:33,719
Speaker 2: well if we can't talk about that, Me sitting here

1042
00:47:33,760 --> 00:47:35,920
Speaker 2: talking to you is like people are going to be.

1043
00:47:36,280 --> 00:47:39,080
Speaker 2: If an artist has something major going on and they

1044
00:47:39,160 --> 00:47:43,080
Speaker 2: choose their choosing not to talk about it publicly, journalists

1045
00:47:43,080 --> 00:47:45,080
Speaker 2: probably wouldn't take the interview because it's like, well, if

1046
00:47:45,080 --> 00:47:48,240
Speaker 2: we can't talk about the thing and what's happening right now,

1047
00:47:48,560 --> 00:47:51,160
Speaker 2: what's the point of us sitting here talking about whatever

1048
00:47:51,160 --> 00:47:53,360
Speaker 2: else you got going on like that would just the

1049
00:47:53,480 --> 00:47:56,400
Speaker 2: journalist now looks like he or she didn't do a

1050
00:47:56,440 --> 00:47:59,120
Speaker 2: good job because it's like you didn't ask about obviously

1051
00:47:59,200 --> 00:48:02,120
Speaker 2: what everyone is gonna run to the interview to hear.

1052
00:48:02,000 --> 00:48:02,839
Speaker 3: About and.

1053
00:48:04,800 --> 00:48:08,799
Speaker 1: Off the record conversation. Because I accused Elliott Wilson of

1054
00:48:08,840 --> 00:48:12,640
Speaker 1: doing that with his Drake interview, would beat because that

1055
00:48:12,760 --> 00:48:16,440
Speaker 1: ended up on Ovio's YouTube page. It was directed by

1056
00:48:16,520 --> 00:48:19,040
Speaker 1: THEO Drake's man. So I said to him, I was like,

1057
00:48:19,719 --> 00:48:22,359
Speaker 1: he definitely did the questions. He definitely edited out some shit.

1058
00:48:22,440 --> 00:48:22,920
Speaker 2: He said.

1059
00:48:23,200 --> 00:48:25,239
Speaker 1: No, Drake is just in the business of owning his

1060
00:48:25,320 --> 00:48:29,560
Speaker 1: content like a smart artist should smilar what Russ is saying.

1061
00:48:30,360 --> 00:48:32,880
Speaker 1: He wanted to shoot it and own the content. Didn't

1062
00:48:32,920 --> 00:48:35,920
Speaker 1: cut one fucking question out of that shit. Didn't say

1063
00:48:35,920 --> 00:48:39,640
Speaker 1: there's nothing we can't talk about. It was an objective interview.

1064
00:48:40,680 --> 00:48:44,959
Speaker 1: Didn't cut anything out. So to me, where's the problem

1065
00:48:45,840 --> 00:48:47,719
Speaker 1: if Drake chopped down a whole bunch of shit that

1066
00:48:47,760 --> 00:48:50,600
Speaker 1: Elliott and Bedott asked at that point. Yeah, but now

1067
00:48:50,600 --> 00:48:53,800
Speaker 1: we're getting into spooky waters of artists are owning the content.

1068
00:48:54,000 --> 00:48:57,000
Speaker 1: The journalists can't ask certain things. If they asked, that is.

1069
00:48:56,960 --> 00:48:59,400
Speaker 2: Going to cut it out and manipulating the content exactly.

1070
00:48:59,440 --> 00:49:00,520
Speaker 4: You bring that up.

1071
00:49:00,560 --> 00:49:04,200
Speaker 6: But he was interviewing with Elliott, and Elliott who is

1072
00:49:04,280 --> 00:49:06,600
Speaker 6: respected in the journalistic space, especially when.

1073
00:49:06,480 --> 00:49:07,760
Speaker 2: It comes to journalists.

1074
00:49:08,560 --> 00:49:10,880
Speaker 6: But we had a whole episode, not a whole episode,

1075
00:49:10,920 --> 00:49:12,640
Speaker 6: but we had an episode where we came on here

1076
00:49:12,640 --> 00:49:15,399
Speaker 6: talking about when he also owned the content with that

1077
00:49:15,560 --> 00:49:18,120
Speaker 6: white girl that went viral and that interview was now

1078
00:49:18,200 --> 00:49:20,120
Speaker 6: missing from the internet. Do we remember that we had

1079
00:49:20,120 --> 00:49:24,920
Speaker 6: that conversation, No white girl, Damn Bobby, remember that how

1080
00:49:24,960 --> 00:49:26,840
Speaker 6: we all talked about how that interview is not missing

1081
00:49:26,840 --> 00:49:28,160
Speaker 6: from the interview because he took it down.

1082
00:49:28,400 --> 00:49:29,399
Speaker 2: But he didn't.

1083
00:49:30,120 --> 00:49:34,880
Speaker 1: That wasn't on Drake's Vivo page. That was unheard.

1084
00:49:35,360 --> 00:49:36,640
Speaker 3: That was unheard thing.

1085
00:49:37,000 --> 00:49:38,840
Speaker 2: I still don't know what happened with that. Wasn't it

1086
00:49:38,880 --> 00:49:41,279
Speaker 2: a music thing? Wasn't like a song played? Was it

1087
00:49:41,360 --> 00:49:44,400
Speaker 2: a Tiger song or something? I think that was like

1088
00:49:44,440 --> 00:49:45,640
Speaker 2: the rumor, But I don't think that.

1089
00:49:45,760 --> 00:49:49,200
Speaker 3: I can't see univers I think that was the public cover.

1090
00:49:49,239 --> 00:49:51,279
Speaker 1: That probably boosted Tiger's streams.

1091
00:49:51,880 --> 00:49:53,239
Speaker 2: I mean, he may have, he may have. You know,

1092
00:49:53,280 --> 00:49:56,839
Speaker 2: it may have been the thing where he told them

1093
00:49:56,840 --> 00:49:58,480
Speaker 2: that there was only the interview was only allowed to

1094
00:49:58,480 --> 00:49:59,560
Speaker 2: be up for a certain amount of time.

1095
00:50:00,360 --> 00:50:01,719
Speaker 5: I was gonna say it could have also just been

1096
00:50:01,719 --> 00:50:03,839
Speaker 5: over Yeah, a clause on.

1097
00:50:05,480 --> 00:50:09,000
Speaker 3: Because it exists on YouTube, just not on her page.

1098
00:50:09,480 --> 00:50:11,600
Speaker 1: And I'm saying the difference is this was on Bobby's

1099
00:50:11,640 --> 00:50:14,200
Speaker 1: page originally she paid for it.

1100
00:50:15,560 --> 00:50:19,360
Speaker 5: The well, remember they shot this at Drake's house. Yeah,

1101
00:50:19,640 --> 00:50:22,080
Speaker 5: this is on his home.

1102
00:50:22,440 --> 00:50:24,120
Speaker 1: No, I know, it's at his house. But like when

1103
00:50:24,120 --> 00:50:28,160
Speaker 1: he did the Caleb interview, that's owned by Barstool, Like

1104
00:50:28,520 --> 00:50:32,160
Speaker 1: even though it's at Drake's house, it's still owned by Barstool.

1105
00:50:33,040 --> 00:50:35,120
Speaker 1: I'm saying the difference with the rap Radar one was

1106
00:50:35,560 --> 00:50:38,480
Speaker 1: it's on Drake's YouTube page, shot by his director and

1107
00:50:38,640 --> 00:50:42,959
Speaker 1: edited by his director, and he didn't cut anything out.

1108
00:50:43,239 --> 00:50:46,160
Speaker 1: But Drake was seeing the change as other artists were

1109
00:50:46,280 --> 00:50:47,880
Speaker 1: and wanted to own his own content. If I'm doing

1110
00:50:47,880 --> 00:50:50,520
Speaker 1: an interview and I'm this big, I'm owning that fucking interview,

1111
00:50:50,520 --> 00:50:52,799
Speaker 1: crazy for sure. But there was nothing that they weren't

1112
00:50:52,800 --> 00:50:55,200
Speaker 1: allowed to talk about that could be different.

1113
00:50:55,239 --> 00:50:55,359
Speaker 8: Now.

1114
00:50:55,360 --> 00:50:58,600
Speaker 1: I'm just talking about that example, but we've also discussed

1115
00:50:58,719 --> 00:51:02,640
Speaker 1: Russ's fourth point. It's not the journalist's fault. No one

1116
00:51:02,640 --> 00:51:06,040
Speaker 1: cares about journalism anymore. Yeah, artists are running and this

1117
00:51:06,120 --> 00:51:08,560
Speaker 1: is not a shot at Kai or any of the streamers.

1118
00:51:09,239 --> 00:51:11,840
Speaker 1: All the artists are going there for promo because the

1119
00:51:11,880 --> 00:51:14,120
Speaker 1: fans aren't looking for deep dives. Some of us are,

1120
00:51:14,120 --> 00:51:17,440
Speaker 1: but it's a very miniscule part of the fan base.

1121
00:51:18,000 --> 00:51:21,279
Speaker 1: Everyone want to see them dancing Kai's basement, So she's

1122
00:51:21,280 --> 00:51:24,560
Speaker 1: misguided in her anger. Her anger should be that fans

1123
00:51:24,560 --> 00:51:27,440
Speaker 1: don't care about journalism anymore. It's not the artist fault.

1124
00:51:27,600 --> 00:51:29,960
Speaker 1: If an artist is trying to sell music, they're supposed

1125
00:51:29,960 --> 00:51:32,000
Speaker 1: to care about journalistic integrity, or they're supposed to care

1126
00:51:32,000 --> 00:51:36,239
Speaker 1: about promoting their album. Fans don't want this depth, in depth,

1127
00:51:36,280 --> 00:51:38,520
Speaker 1: sit down print interview with Elliott Wilson right now.

1128
00:51:38,760 --> 00:51:39,279
Speaker 2: They want to go.

1129
00:51:39,480 --> 00:51:42,400
Speaker 1: They want to see their favorite artists dance with cock. Yeah,

1130
00:51:42,480 --> 00:51:43,600
Speaker 1: go do a Drewskie sketch.

1131
00:51:44,320 --> 00:51:47,440
Speaker 5: Literally, Offset having a sleepover at Kies did more for

1132
00:51:47,520 --> 00:51:49,520
Speaker 5: his career than like doing an interview run.

1133
00:51:49,920 --> 00:51:52,320
Speaker 1: And I think it's great. I think that content is amazing.

1134
00:51:52,360 --> 00:51:54,799
Speaker 1: It humanizes the artist. I think it's really cool. I've

1135
00:51:54,840 --> 00:51:56,920
Speaker 1: always asked for balance. I would like that plus a

1136
00:51:56,960 --> 00:52:00,279
Speaker 1: really in depth musical interview. But if I'm an artists

1137
00:52:00,280 --> 00:52:01,840
Speaker 1: and only have so much time and money to go

1138
00:52:01,880 --> 00:52:04,160
Speaker 1: promote my album, I'm going to go after the thing

1139
00:52:04,280 --> 00:52:06,200
Speaker 1: that gets the most eyes and people care the most

1140
00:52:06,239 --> 00:52:09,360
Speaker 1: about And it's not journalism. So she's not mad at Russ.

1141
00:52:09,560 --> 00:52:12,719
Speaker 1: She's mad at the people that care about her her occupation.

1142
00:52:13,640 --> 00:52:15,520
Speaker 1: Nobody gives a fuck about that, And that's really what

1143
00:52:15,600 --> 00:52:18,080
Speaker 1: Russ is saying in all four of these points. I

1144
00:52:18,080 --> 00:52:19,759
Speaker 1: think that's why her response is misguided.

1145
00:52:19,840 --> 00:52:21,759
Speaker 2: I think another thing that people don't talk about enough

1146
00:52:21,800 --> 00:52:24,880
Speaker 2: when they talk about artists or celebrities doing interviews with journalists.

1147
00:52:24,960 --> 00:52:29,239
Speaker 2: I think that it's just smarter for sometimes these journalists,

1148
00:52:29,280 --> 00:52:32,080
Speaker 2: you know, to have a certain type of relationship with

1149
00:52:32,160 --> 00:52:34,480
Speaker 2: the person that they're talking with. Like I think it's

1150
00:52:34,520 --> 00:52:37,160
Speaker 2: awkward to just sit in front of somebody and you

1151
00:52:37,200 --> 00:52:39,920
Speaker 2: don't this your first time meeting them, Like you know

1152
00:52:39,960 --> 00:52:41,759
Speaker 2: nothing about this person, and then you expect to have

1153
00:52:41,840 --> 00:52:44,400
Speaker 2: an in depth conversation on camera on mic. It's like,

1154
00:52:44,960 --> 00:52:46,799
Speaker 2: why would the artists give you that they don't even

1155
00:52:46,840 --> 00:52:48,799
Speaker 2: really have a rapport with you, yet.

1156
00:52:48,680 --> 00:52:50,880
Speaker 1: You think you think Gail and r Kelly should have

1157
00:52:50,920 --> 00:52:51,919
Speaker 1: kicked it for like a week.

1158
00:52:52,600 --> 00:52:54,879
Speaker 2: I mean, I don't I know where she was going

1159
00:52:54,880 --> 00:53:00,120
Speaker 2: at again, and she got it, did get home. I'm

1160
00:53:00,120 --> 00:53:01,960
Speaker 2: saying that that was a she got what she wanted.

1161
00:53:02,560 --> 00:53:05,440
Speaker 2: That was some journalism. Yeah, like I see, anybody just

1162
00:53:05,440 --> 00:53:08,400
Speaker 2: sit there, Robert. Anybody could have gotten Bobby calmed the

1163
00:53:08,400 --> 00:53:10,759
Speaker 2: funk down, Like anybody could have got that type of

1164
00:53:10,840 --> 00:53:13,239
Speaker 2: response from me. He was just under a different type

1165
00:53:13,239 --> 00:53:15,279
Speaker 2: of pressure at that time. You could put anybody a

1166
00:53:15,480 --> 00:53:18,040
Speaker 2: pressure Bobby alltof would have got that response out of

1167
00:53:18,400 --> 00:53:21,640
Speaker 2: that crazy that was just gonna happen. Can he pay

1168
00:53:21,640 --> 00:53:22,080
Speaker 2: my bills?

1169
00:53:22,120 --> 00:53:22,319
Speaker 8: Then?

1170
00:53:22,480 --> 00:53:24,440
Speaker 2: Yeah, like it was. It was just that time. But

1171
00:53:24,520 --> 00:53:27,799
Speaker 2: I do think that sometimes artists shy away from doing

1172
00:53:27,840 --> 00:53:30,720
Speaker 2: these interviews because it's like they really don't know the person.

1173
00:53:31,160 --> 00:53:32,839
Speaker 2: It's like, well, we're really gonna sit here like I'm

1174
00:53:32,840 --> 00:53:34,960
Speaker 2: not going to open up to this person like that,

1175
00:53:35,000 --> 00:53:35,879
Speaker 2: I don't know them.

1176
00:53:36,040 --> 00:53:39,479
Speaker 1: Well, some I feel like some fans, myself included, don't

1177
00:53:39,520 --> 00:53:41,759
Speaker 1: always want that interview is great, don't get me wrong.

1178
00:53:43,120 --> 00:53:45,600
Speaker 1: Back to Elliott and Drake, they had a relationship at

1179
00:53:45,600 --> 00:53:46,759
Speaker 1: that time, and I think they had a great in

1180
00:53:46,800 --> 00:53:49,799
Speaker 1: depth interview. Most of my questions were answered. Thought that

1181
00:53:49,920 --> 00:53:52,120
Speaker 1: was cool. Because they had a relationship. He opened up.

1182
00:53:52,719 --> 00:53:56,520
Speaker 1: Sometimes I want the cold interview. There's no relationship. Here's

1183
00:53:56,600 --> 00:53:59,600
Speaker 1: the question. I do not care about your feelings. I'm

1184
00:53:59,600 --> 00:54:02,879
Speaker 1: not saying all the way old Charlemagne where he would

1185
00:54:02,880 --> 00:54:05,800
Speaker 1: say shit to like really just be mean and belittle someone,

1186
00:54:06,120 --> 00:54:08,520
Speaker 1: which is an art in itself, not discrediting it. I

1187
00:54:08,600 --> 00:54:12,279
Speaker 1: laugh to but someone that's just gonna straight up some

1188
00:54:12,480 --> 00:54:14,959
Speaker 1: Chris Waller shit. This is my question. I'm not gonna

1189
00:54:15,040 --> 00:54:17,640
Speaker 1: let you get off this question with your answer. I'm

1190
00:54:17,640 --> 00:54:19,560
Speaker 1: not going to give in. We're not friends. I don't

1191
00:54:19,560 --> 00:54:22,200
Speaker 1: care about us after this, I think that type of

1192
00:54:22,239 --> 00:54:24,000
Speaker 1: respectful interview is still needed.

1193
00:54:23,719 --> 00:54:26,400
Speaker 2: To I mean, if you're if you're good at what

1194
00:54:26,440 --> 00:54:28,120
Speaker 2: you're doing, you know how to ask the question without

1195
00:54:28,160 --> 00:54:30,600
Speaker 2: asking it as well too. I mean that's where Gale

1196
00:54:30,600 --> 00:54:32,840
Speaker 2: got kelts Well. I mean exactly, you just have to

1197
00:54:32,880 --> 00:54:34,480
Speaker 2: know what you're doing. But I can understand how some

1198
00:54:34,560 --> 00:54:37,000
Speaker 2: artists shy away from it because you know, a lot

1199
00:54:37,040 --> 00:54:38,640
Speaker 2: of people just want to ask you questions just for

1200
00:54:38,680 --> 00:54:40,799
Speaker 2: clicks and shit like that and try to get some

1201
00:54:40,800 --> 00:54:42,799
Speaker 2: shit to go viral. But it's like, I don't really

1202
00:54:42,960 --> 00:54:44,560
Speaker 2: know you like that, so why would I sit here

1203
00:54:44,560 --> 00:54:47,839
Speaker 2: and have this intimate, in depth conversation with that.

1204
00:54:47,960 --> 00:54:52,080
Speaker 1: And that is where the press run kind of fucked

1205
00:54:52,120 --> 00:54:55,320
Speaker 1: everything up. And that's just a result of the Internet

1206
00:54:55,440 --> 00:54:58,080
Speaker 1: and needing so much content. Like artists will stop and

1207
00:54:58,120 --> 00:55:00,560
Speaker 1: go to twenty two different outlets when they're York, another

1208
00:55:00,600 --> 00:55:03,400
Speaker 1: twenty two in LA. They talk to everyone, so you

1209
00:55:03,440 --> 00:55:05,640
Speaker 1: never even really get a moment to have it in

1210
00:55:05,719 --> 00:55:08,439
Speaker 1: depth interview or even one of those one on one

1211
00:55:08,440 --> 00:55:11,200
Speaker 1: cold interviews. They're just on to the next shit. They're

1212
00:55:11,239 --> 00:55:14,879
Speaker 1: answering the same question. Bigger artists. Back in the day,

1213
00:55:14,880 --> 00:55:19,080
Speaker 1: you went to one magazine, one video, one TRL or

1214
00:55:19,080 --> 00:55:21,359
Speaker 1: one O six and you'd get You'd get your one

1215
00:55:21,400 --> 00:55:24,759
Speaker 1: magazine six pages right, and that would be the end

1216
00:55:24,800 --> 00:55:26,520
Speaker 1: depth one. You go to one on six in park,

1217
00:55:26,520 --> 00:55:30,359
Speaker 1: get some laughs off, have fun and move on. Now

1218
00:55:30,400 --> 00:55:33,279
Speaker 1: it's just a bunch of quick hit bullshit. We have

1219
00:55:33,320 --> 00:55:36,560
Speaker 1: fifteen minutes with you, and then we have another same

1220
00:55:36,600 --> 00:55:39,239
Speaker 1: interview to the two blocks down the way.

1221
00:55:39,320 --> 00:55:42,440
Speaker 6: The big artists are still doing that though. I and

1222
00:55:43,000 --> 00:55:44,879
Speaker 6: if you are a big enough artist, you can make

1223
00:55:44,920 --> 00:55:47,320
Speaker 6: people read. I sat there and read a whole Beyonce.

1224
00:55:47,560 --> 00:55:49,880
Speaker 6: Beyonce just did an interview. I care I don't know

1225
00:55:49,880 --> 00:55:51,960
Speaker 6: who it was with, but she did a whole interview

1226
00:55:51,960 --> 00:55:54,600
Speaker 6: where she talked about her album, She talked about where

1227
00:55:54,640 --> 00:55:56,719
Speaker 6: she is in her forties right now, she talked about

1228
00:55:56,719 --> 00:55:59,000
Speaker 6: the kids, she talked about her work. The crazy is

1229
00:55:59,040 --> 00:56:01,120
Speaker 6: she did it over email because she's Beyonce and I'm

1230
00:56:01,120 --> 00:56:02,640
Speaker 6: busy and I'm not gonna sit down with you.

1231
00:56:02,719 --> 00:56:04,279
Speaker 4: But people read it.

1232
00:56:04,280 --> 00:56:06,719
Speaker 6: It was going viral on TikTok and I mean not

1233
00:56:06,760 --> 00:56:09,920
Speaker 6: TikTok Twitter, And I feel like if you have the

1234
00:56:10,040 --> 00:56:12,279
Speaker 6: talent in the pull, you can make people do that.

1235
00:56:12,719 --> 00:56:17,280
Speaker 5: If Beyonce is GQ GQ, yeah, this was a hilarious

1236
00:56:17,320 --> 00:56:19,000
Speaker 5: title an email interview with GQ.

1237
00:56:20,200 --> 00:56:21,879
Speaker 6: But I feel like Drake could do that as well.

1238
00:56:21,920 --> 00:56:24,040
Speaker 6: I think that because of what Drake's personality is, he

1239
00:56:24,120 --> 00:56:24,880
Speaker 6: might not want to.

1240
00:56:25,120 --> 00:56:26,120
Speaker 2: He would get killed for that.

1241
00:56:26,360 --> 00:56:30,840
Speaker 1: Beyonce is different in that regard, like there's not so

1242
00:56:31,000 --> 00:56:34,520
Speaker 1: much controversy just circling around her. If Drake did a

1243
00:56:34,600 --> 00:56:35,920
Speaker 1: GQ email.

1244
00:56:35,719 --> 00:56:38,280
Speaker 6: Well not the email, but just a GQ interview period

1245
00:56:38,360 --> 00:56:40,439
Speaker 6: something that you have to read, you think you would

1246
00:56:40,440 --> 00:56:42,520
Speaker 6: get smoked for doing a paper interview.

1247
00:56:42,520 --> 00:56:43,040
Speaker 4: I don't think so.

1248
00:56:43,120 --> 00:56:45,400
Speaker 1: Everyone would accuse him of having someone else type it

1249
00:56:45,480 --> 00:56:47,799
Speaker 1: and like it depends on it'd be safe when and

1250
00:56:47,840 --> 00:56:51,279
Speaker 1: how it comes out. Can't catch him in the middle

1251
00:56:51,280 --> 00:56:53,240
Speaker 1: of a conversation like, well.

1252
00:56:53,120 --> 00:56:55,640
Speaker 6: I feel like right now, I feel like the beef

1253
00:56:55,680 --> 00:56:57,919
Speaker 6: is a weird time. We're wearing a very weird time

1254
00:56:58,000 --> 00:57:00,960
Speaker 6: right now. But outside of the beef, before the beef,

1255
00:57:01,000 --> 00:57:02,640
Speaker 6: I feel like he could have done that.

1256
00:57:02,680 --> 00:57:05,840
Speaker 1: I feel like, when you guys are in Toronto this week,

1257
00:57:06,160 --> 00:57:10,560
Speaker 1: Maul should hit Drake to see if you do an interview?

1258
00:57:10,800 --> 00:57:12,040
Speaker 2: Is not doing an interview?

1259
00:57:21,280 --> 00:57:23,960
Speaker 5: Well, Maul mentioned earlier, and I think this is a

1260
00:57:24,000 --> 00:57:27,720
Speaker 5: good segue the whole thing with journalists becoming friends with

1261
00:57:27,760 --> 00:57:31,440
Speaker 5: the artists and then creating relationships and having you know,

1262
00:57:31,680 --> 00:57:34,040
Speaker 5: not only does that relationship end with them being friends

1263
00:57:34,040 --> 00:57:36,480
Speaker 5: with the artists, but it also can go into the

1264
00:57:36,600 --> 00:57:40,360
Speaker 5: artist making money from the journalists making money from these artists,

1265
00:57:40,440 --> 00:57:42,840
Speaker 5: whether they you know, are hosting something at a festival

1266
00:57:42,840 --> 00:57:46,000
Speaker 5: that they're hosting or you know, hosting this pop up thing,

1267
00:57:46,160 --> 00:57:47,520
Speaker 5: or conducting interviews on.

1268
00:57:47,520 --> 00:57:48,480
Speaker 3: Behalf of this artist.

1269
00:57:48,520 --> 00:57:52,160
Speaker 5: Because I'm friends with them and I'm speaking more directly

1270
00:57:52,160 --> 00:57:54,640
Speaker 5: to Wayno, he hit a clip going around about him

1271
00:57:55,240 --> 00:57:58,600
Speaker 5: kind of exposing some information that he you know, experience

1272
00:57:58,680 --> 00:58:01,320
Speaker 5: he had at dream bill Fest where he was basically

1273
00:58:01,320 --> 00:58:04,440
Speaker 5: saying Dreamville artists were saying Kendrick ain't even like that

1274
00:58:04,520 --> 00:58:08,200
Speaker 5: he's overrated and bashing Kendrick. But he's, you know, sharing

1275
00:58:08,920 --> 00:58:12,040
Speaker 5: thoughts and conversations with people that are involved with the

1276
00:58:12,080 --> 00:58:14,840
Speaker 5: festival that he was doing an activation with and just

1277
00:58:14,920 --> 00:58:18,360
Speaker 5: kind of exposing stuff that wasn't you know, meant or

1278
00:58:18,440 --> 00:58:21,960
Speaker 5: supposed to be said on a platform allegedly by the way.

1279
00:58:21,920 --> 00:58:24,560
Speaker 2: So Aleno said that people at Dreamville was telling cold

1280
00:58:24,600 --> 00:58:26,760
Speaker 2: that Kendrick A and all that, yeah, I'll play the club.

1281
00:58:26,760 --> 00:58:29,640
Speaker 2: I didn't even say that. I mean, of course we

1282
00:58:29,680 --> 00:58:30,560
Speaker 2: know that that's it's crue.

1283
00:58:30,640 --> 00:58:35,000
Speaker 11: But y'all Dreamville niggas, man, y'all gas hold up because listen,

1284
00:58:35,080 --> 00:58:37,280
Speaker 11: I was having sideline conversations with a lot of the

1285
00:58:37,280 --> 00:58:40,720
Speaker 11: homies and a lot of my Dreamville homies was basically

1286
00:58:40,720 --> 00:58:44,520
Speaker 11: saying that Kendrick was, you know, that he's overrated and

1287
00:58:44,520 --> 00:58:47,800
Speaker 11: that what has he done? And I'm like, yo, are

1288
00:58:47,880 --> 00:58:51,480
Speaker 11: y'all serious? So all this camaraderie that y'all made it

1289
00:58:51,560 --> 00:58:55,480
Speaker 11: seem like with the TDE and in Dreamville and how

1290
00:58:55,520 --> 00:58:57,320
Speaker 11: they was locked in and this that and the third

1291
00:58:57,560 --> 00:58:58,280
Speaker 11: is all fake.

1292
00:59:00,160 --> 00:59:01,840
Speaker 4: I have so many things to say about that, and

1293
00:59:01,840 --> 00:59:03,280
Speaker 4: it's not even in defense to Cole.

1294
00:59:03,800 --> 00:59:04,920
Speaker 1: It's objective journalism.

1295
00:59:05,000 --> 00:59:08,080
Speaker 6: No, that's not objective journalism because you not chilling with

1296
00:59:08,360 --> 00:59:11,360
Speaker 6: my Dreamville homies and saying that it's objective journalism.

1297
00:59:11,440 --> 00:59:13,600
Speaker 2: That's number one thing. It was number two.

1298
00:59:13,920 --> 00:59:15,840
Speaker 6: Who do you when you're saying that and you have

1299
00:59:15,920 --> 00:59:18,040
Speaker 6: a you're on a platform and you know everything that's

1300
00:59:18,080 --> 00:59:20,960
Speaker 6: going on. When you say Dreamville homies, what do you

1301
00:59:21,040 --> 00:59:23,040
Speaker 6: mean by that? Are you talking about Ari Lennox? Are

1302
00:59:23,080 --> 00:59:26,120
Speaker 6: you talking about Julian? Who the fuck are you talking about?

1303
00:59:26,120 --> 00:59:27,760
Speaker 6: When you say Dreamville homies?

1304
00:59:27,760 --> 00:59:30,400
Speaker 5: And when that name is said, most people automatically think

1305
00:59:30,120 --> 00:59:32,160
Speaker 5: it is cold. So it just kind of sounds like

1306
00:59:32,160 --> 00:59:33,640
Speaker 5: you're putting words in Cole's mouth.

1307
00:59:34,040 --> 00:59:34,320
Speaker 3: You're not.

1308
00:59:34,920 --> 00:59:38,000
Speaker 5: If you're gonna say something like this, which I don't

1309
00:59:38,040 --> 00:59:40,360
Speaker 5: agree with ever, But if you're going to and you

1310
00:59:40,400 --> 00:59:42,880
Speaker 5: feel how bold enough to say something like this, then

1311
00:59:42,960 --> 00:59:47,040
Speaker 5: be specific. Don't throw the whole crew or like the

1312
00:59:47,080 --> 00:59:50,520
Speaker 5: whole operation under the bus. Don't allude to half of

1313
00:59:50,640 --> 00:59:52,760
Speaker 5: the truth, So just throw one person. Well, I'm just saying,

1314
00:59:52,800 --> 00:59:54,600
Speaker 5: if you if you feel like you have you're in

1315
00:59:54,640 --> 00:59:56,640
Speaker 5: bold enough to say something like this, which you should

1316
00:59:56,640 --> 00:59:58,640
Speaker 5: never say. I don't think anything like this should say.

1317
00:59:58,760 --> 01:00:00,600
Speaker 5: I have relationships with artists. I'm not a lot of

1318
01:00:00,640 --> 01:00:03,600
Speaker 5: the conversations we have. You say stuff that you've spoken

1319
01:00:03,600 --> 01:00:06,040
Speaker 5: about with Drake that would never touch this microphone. That's

1320
01:00:06,040 --> 01:00:09,000
Speaker 5: the fact, and that's that's how I feel about relationships

1321
01:00:09,000 --> 01:00:11,000
Speaker 5: that I have with artists as well. It's like some

1322
01:00:11,120 --> 01:00:14,760
Speaker 5: things are meant to be personal to the people that

1323
01:00:14,840 --> 01:00:15,720
Speaker 5: you have as friends.

1324
01:00:15,760 --> 01:00:18,200
Speaker 3: Not everything is for the journalist moment, for the click.

1325
01:00:18,360 --> 01:00:20,000
Speaker 2: Yeah, but he didn't make it personal. He didn't put

1326
01:00:20,040 --> 01:00:22,080
Speaker 2: no names on it. But that said he was at Dreamville,

1327
01:00:22,080 --> 01:00:25,120
Speaker 2: he was having conversations to me. That's that's where it is.

1328
01:00:25,880 --> 01:00:26,080
Speaker 11: I think.

1329
01:00:27,360 --> 01:00:31,080
Speaker 1: I think it's unfair because we know Weno has done

1330
01:00:31,560 --> 01:00:35,360
Speaker 1: stuff with Amazon for Dreamville Fest, has done interviews for years,

1331
01:00:35,760 --> 01:00:39,040
Speaker 1: and there's that artist village and people just talk shit

1332
01:00:39,160 --> 01:00:43,040
Speaker 1: as friends, and especially at that heightened time seven minute

1333
01:00:43,080 --> 01:00:46,880
Speaker 1: Drill had just came out, just off Kendrick saying what

1334
01:00:46,960 --> 01:00:50,160
Speaker 1: Kendrick said. Of course, people be hyped up and having

1335
01:00:50,280 --> 01:00:54,240
Speaker 1: passionate rap arguments the way we have them are off

1336
01:00:54,280 --> 01:00:57,439
Speaker 1: mic the conversation sometimes have not even made it over here.

1337
01:00:57,760 --> 01:00:59,919
Speaker 1: If I'm having a conversation with my quote unquote friend

1338
01:01:00,560 --> 01:01:03,800
Speaker 1: during a heightened time. Six months later, you're getting on

1339
01:01:03,840 --> 01:01:06,880
Speaker 1: the mic and say, we all discredited Kendrick. You guys

1340
01:01:06,920 --> 01:01:08,720
Speaker 1: were never friends with TD. That was some weird fake

1341
01:01:08,760 --> 01:01:11,120
Speaker 1: shit that YA had. That's odd to me.

1342
01:01:11,200 --> 01:01:13,880
Speaker 2: He's questioning it if that was No.

1343
01:01:13,880 --> 01:01:16,360
Speaker 4: He's saying straight that Thedn't he just say straight?

1344
01:01:16,680 --> 01:01:19,080
Speaker 2: No, he's questioning he was like, yo, so that was fake,

1345
01:01:19,120 --> 01:01:19,560
Speaker 2: like y'all don't.

1346
01:01:19,600 --> 01:01:22,160
Speaker 5: He's saying the relations He's saying that the public relationship

1347
01:01:22,200 --> 01:01:26,240
Speaker 5: of the Dreamville tde being good together was fake based

1348
01:01:26,280 --> 01:01:28,800
Speaker 5: on what he's saying he was told at Dreamville Fest

1349
01:01:28,960 --> 01:01:30,200
Speaker 5: by people in Dreamville.

1350
01:01:30,800 --> 01:01:32,760
Speaker 2: Okay, but he's not. Again. You you saying that it

1351
01:01:32,760 --> 01:01:35,000
Speaker 2: would have been better to name names. I'm saying there's

1352
01:01:35,000 --> 01:01:36,360
Speaker 2: no way that would have been better than name.

1353
01:01:36,400 --> 01:01:39,000
Speaker 5: But my point is, I don't think this said ever. Yeah,

1354
01:01:39,240 --> 01:01:41,120
Speaker 5: I don't think this should be said ever. But instead

1355
01:01:41,120 --> 01:01:44,160
Speaker 5: of if you feel that confident to say something that

1356
01:01:44,240 --> 01:01:46,680
Speaker 5: you know was never supposed to be repeated in public,

1357
01:01:47,280 --> 01:01:50,160
Speaker 5: then don't throw it on the whole operation. Don't throw

1358
01:01:50,200 --> 01:01:53,680
Speaker 5: the whole label. Yeah, if you feel like you can

1359
01:01:53,720 --> 01:01:56,800
Speaker 5: confidently say this person you're talking about crazy.

1360
01:01:56,840 --> 01:02:00,000
Speaker 1: If there's if there's twenty five people in Dreamville, let's

1361
01:02:00,120 --> 01:02:02,720
Speaker 1: say ten of them. I'm not even saying artists ten

1362
01:02:02,760 --> 01:02:05,120
Speaker 1: that are like notable within the music industry, that people

1363
01:02:05,120 --> 01:02:08,080
Speaker 1: actually know their names. And you say the Dreamville homies,

1364
01:02:08,480 --> 01:02:10,640
Speaker 1: and you were talking to two people in the corner

1365
01:02:10,920 --> 01:02:13,320
Speaker 1: that were drunk at Dreamville Fest and was like, man,

1366
01:02:13,360 --> 01:02:15,840
Speaker 1: fuck Kendrick cole rodding, like seven minute drill came out.

1367
01:02:16,040 --> 01:02:16,760
Speaker 2: Fuck Kendrick.

1368
01:02:17,360 --> 01:02:19,680
Speaker 1: Yeah, but why are you getting on a mike six

1369
01:02:19,720 --> 01:02:23,840
Speaker 1: months later saying yo, dreams Dreamville was saying that Kendrick

1370
01:02:23,880 --> 01:02:24,760
Speaker 1: never even did shit.

1371
01:02:24,680 --> 01:02:26,920
Speaker 2: But why are you going straight to some two random

1372
01:02:27,000 --> 01:02:27,800
Speaker 2: dreams you think.

1373
01:02:27,640 --> 01:02:30,400
Speaker 1: He was sitting with. It was a convention of just

1374
01:02:30,520 --> 01:02:31,840
Speaker 1: the whole Dreamville set right there.

1375
01:02:31,920 --> 01:02:35,800
Speaker 2: I think, I think, I think, I think Wayne knows

1376
01:02:35,880 --> 01:02:37,760
Speaker 2: the same people you know at Dreamville for sure, and

1377
01:02:37,800 --> 01:02:39,760
Speaker 2: has a relationship with the same people you do at Dreamville.

1378
01:02:39,760 --> 01:02:41,640
Speaker 2: I agree, So I think that's exactly who he's talking about.

1379
01:02:41,640 --> 01:02:44,160
Speaker 2: I don't think he's talking about some random Dreamville fest

1380
01:02:44,160 --> 01:02:45,880
Speaker 2: go where that was just standing in the corner talking

1381
01:02:45,880 --> 01:02:49,680
Speaker 2: about Kendrick and TD. But he's not gonna name the names,

1382
01:02:49,720 --> 01:02:52,400
Speaker 2: like I think naming the name is crazy, but he's

1383
01:02:52,440 --> 01:02:55,160
Speaker 2: staying at He was there, he was having a conversation

1384
01:02:55,320 --> 01:02:58,000
Speaker 2: with the Dreamville crew, and that he was saying, Yo,

1385
01:02:58,040 --> 01:03:00,480
Speaker 2: y'all gassed him. Y'all was saying, kid Drick ain't and

1386
01:03:00,480 --> 01:03:03,560
Speaker 2: all of that, he's overrated, which is I could definitely

1387
01:03:03,600 --> 01:03:06,440
Speaker 2: that's what CRU's doing in the battle your homiey trash.

1388
01:03:06,480 --> 01:03:07,520
Speaker 2: We'll go at that.

1389
01:03:07,520 --> 01:03:10,560
Speaker 1: That's what the real crew will give you the realistic

1390
01:03:10,600 --> 01:03:13,560
Speaker 1: of what's going on. Because even though I like seven

1391
01:03:13,600 --> 01:03:16,520
Speaker 1: minute drill calling ka dot shit and doing that jay

1392
01:03:16,600 --> 01:03:18,400
Speaker 1: Z scheme like all your second one was mid this

1393
01:03:18,480 --> 01:03:20,880
Speaker 1: and that, I think that was bad information to give

1394
01:03:21,240 --> 01:03:23,120
Speaker 1: to your friend. If that's what Wayne was saying here

1395
01:03:23,440 --> 01:03:25,200
Speaker 1: to gas up to say Kendrick never did you. I'm

1396
01:03:25,200 --> 01:03:27,280
Speaker 1: not even going I'm not like that's like when the

1397
01:03:27,360 --> 01:03:29,880
Speaker 1: OVO team gassed up Drake to say that Kendrick was

1398
01:03:29,920 --> 01:03:31,919
Speaker 1: molested when he clearly didn't say that in the song.

1399
01:03:32,480 --> 01:03:34,320
Speaker 2: I'm not even going that route what you're saying. I'm

1400
01:03:34,360 --> 01:03:36,600
Speaker 2: speaking more to you saying that you're making it, you

1401
01:03:36,680 --> 01:03:38,480
Speaker 2: alluding it to it, like WAYNEO was just talking to

1402
01:03:38,560 --> 01:03:42,720
Speaker 2: some random person at Dreamville. That's not even connected to

1403
01:03:42,800 --> 01:03:43,440
Speaker 2: Colon anymore.

1404
01:03:43,520 --> 01:03:45,760
Speaker 1: I think anyone in the Dreamville crew that I'm talking

1405
01:03:45,760 --> 01:03:46,520
Speaker 1: about is connected.

1406
01:03:46,600 --> 01:03:48,120
Speaker 2: Okay, so I'm not talking about a fan.

1407
01:03:48,000 --> 01:03:50,880
Speaker 6: But Dreamville is huge. But the thing is Dreamville is huge,

1408
01:03:51,040 --> 01:03:53,320
Speaker 6: so big crew. It's a big crew. So it's like

1409
01:03:53,360 --> 01:03:57,520
Speaker 6: when you say Dreamville, people automatically assume Cole. He knew

1410
01:03:57,520 --> 01:03:59,320
Speaker 6: that when he said this, or if he was thinking

1411
01:03:59,320 --> 01:04:02,280
Speaker 6: at all that people would associate that with like Cole

1412
01:04:02,400 --> 01:04:05,080
Speaker 6: and like his closest homies, when it could have been

1413
01:04:05,080 --> 01:04:07,200
Speaker 6: the nigga that they like signed and like shelved, like

1414
01:04:07,200 --> 01:04:08,200
Speaker 6: it could have been anybody.

1415
01:04:08,240 --> 01:04:09,640
Speaker 4: You're not being specifically enough.

1416
01:04:09,680 --> 01:04:11,760
Speaker 6: So I think what Julian was saying is, either don't

1417
01:04:11,760 --> 01:04:13,680
Speaker 6: say this because this is just bad bad.

1418
01:04:14,000 --> 01:04:15,920
Speaker 3: I think the best option was never to say.

1419
01:04:15,960 --> 01:04:18,200
Speaker 2: You don't repeat they.

1420
01:04:17,640 --> 01:04:20,120
Speaker 3: Because come on, man, we've we've said stuff.

1421
01:04:20,160 --> 01:04:23,200
Speaker 2: What is wrong was saying yo yoo, your crew gassed

1422
01:04:23,240 --> 01:04:26,320
Speaker 2: you and and downplayed Kendrick, and I was looking at

1423
01:04:26,400 --> 01:04:28,560
Speaker 2: y'all like, yo, y'all, seriously, what are you'all talking about this?

1424
01:04:29,240 --> 01:04:30,480
Speaker 3: Because here's the other thing you're saying.

1425
01:04:30,520 --> 01:04:33,360
Speaker 1: They was backstage saying Kendrick had not done anything.

1426
01:04:33,640 --> 01:04:35,880
Speaker 2: Right, and he's saying like he and he said, like, Yo,

1427
01:04:35,880 --> 01:04:37,400
Speaker 2: what are you'all talking about? Why would y'll say that?

1428
01:04:37,560 --> 01:04:39,720
Speaker 1: Really, they didn't gas Cole because he went on stage

1429
01:04:39,720 --> 01:04:42,040
Speaker 1: and said the complete opposite, Kendrick, you're the fucking greatest.

1430
01:04:42,040 --> 01:04:45,920
Speaker 1: I bow out, So they didn't gas him at all.

1431
01:04:45,920 --> 01:04:50,640
Speaker 1: They're talking about private conversations backstage, right, nobody gassed Cold

1432
01:04:50,680 --> 01:04:52,640
Speaker 1: coded the opposite if somebody gassed him, right. But what

1433
01:04:52,680 --> 01:04:54,640
Speaker 1: I'm saying is if the gas and then he would

1434
01:04:54,640 --> 01:04:56,360
Speaker 1: have went on stage and said, fuck Kendrick Lamar.

1435
01:04:57,080 --> 01:05:00,360
Speaker 2: We know that Wayneo has that access, which means means

1436
01:05:00,680 --> 01:05:04,040
Speaker 2: anybody that's close to Cold could have said that. And wayno,

1437
01:05:04,240 --> 01:05:08,640
Speaker 2: not naming no names to me, says I'm not gonna

1438
01:05:08,640 --> 01:05:11,560
Speaker 2: put Homie's name out there like that. This ain't no

1439
01:05:11,760 --> 01:05:15,600
Speaker 2: Rando that he's talking about. This is somebody directly affiliated

1440
01:05:16,280 --> 01:05:19,160
Speaker 2: in close proximity to the artists that we're talking.

1441
01:05:19,240 --> 01:05:22,960
Speaker 5: You don't see the problem with someone that would pressure

1442
01:05:23,480 --> 01:05:25,920
Speaker 5: would call weyo, not only you know, a colleague, but

1443
01:05:25,960 --> 01:05:29,160
Speaker 5: a friend telling him that information in confidence and then

1444
01:05:29,160 --> 01:05:30,720
Speaker 5: for him to turn around and say it into a

1445
01:05:30,760 --> 01:05:32,680
Speaker 5: microphone and project it onto a platform.

1446
01:05:32,760 --> 01:05:33,000
Speaker 2: Yeah.

1447
01:05:33,040 --> 01:05:33,320
Speaker 3: Cool.

1448
01:05:33,360 --> 01:05:34,439
Speaker 4: And now everybody's sitting around.

1449
01:05:35,520 --> 01:05:37,880
Speaker 5: But the important part about that is I'm not saying

1450
01:05:37,920 --> 01:05:39,160
Speaker 5: what Weayno's saying is a lie.

1451
01:05:39,240 --> 01:05:40,720
Speaker 2: I'm not saying you saying I don't think it should

1452
01:05:40,720 --> 01:05:42,400
Speaker 2: never have been repeating. I'm not saying you saying that

1453
01:05:42,480 --> 01:05:45,000
Speaker 2: and cool, you're entitled to that. What I'm saying is

1454
01:05:45,120 --> 01:05:47,720
Speaker 2: you then said or say a name, and I'm like,

1455
01:05:47,840 --> 01:05:49,440
Speaker 2: that's absolutely.

1456
01:05:48,800 --> 01:05:51,320
Speaker 5: Because when you did Maul. If someone says, oh h

1457
01:05:53,440 --> 01:05:55,440
Speaker 5: exactly like if I have if we have beef with

1458
01:05:55,480 --> 01:05:59,640
Speaker 5: someone in podcasting individual, irrespective of everyone in the room,

1459
01:05:59,640 --> 01:06:02,120
Speaker 5: If I say, you know, it's it's fucked so and so,

1460
01:06:02,840 --> 01:06:04,680
Speaker 5: and then someone hears that, it says the Rory and

1461
01:06:04,720 --> 01:06:07,120
Speaker 5: Maul crew really fucking they're they're capping because I saw

1462
01:06:07,520 --> 01:06:09,360
Speaker 5: Rory at the show at Homeboy last week, but then

1463
01:06:09,400 --> 01:06:11,640
Speaker 5: I heard the crew like they were shipping on him.

1464
01:06:11,720 --> 01:06:14,560
Speaker 5: Then it's like you're speaking on behalf of a crew.

1465
01:06:14,920 --> 01:06:17,440
Speaker 5: Each of us have individual relationships with everybody in this

1466
01:06:17,560 --> 01:06:20,640
Speaker 5: media space in the game are My relationship with an

1467
01:06:20,720 --> 01:06:23,200
Speaker 5: artists could be drastically different than your relationship with the artists,

1468
01:06:23,240 --> 01:06:25,720
Speaker 5: even though we both know them. So my point is,

1469
01:06:25,720 --> 01:06:29,160
Speaker 5: don't speak, don't group speak. Don't say something that represents

1470
01:06:29,160 --> 01:06:31,200
Speaker 5: everybody that could be involved with that, with the with

1471
01:06:31,240 --> 01:06:34,600
Speaker 5: the Dreamville team, especially with that big espressure with But

1472
01:06:35,400 --> 01:06:37,240
Speaker 5: but what did Wayno say that was so bad that

1473
01:06:37,280 --> 01:06:38,600
Speaker 5: you like, Yo, you shouldn't have repeated that.

1474
01:06:39,360 --> 01:06:40,280
Speaker 4: We're in the heat?

1475
01:06:41,000 --> 01:06:44,400
Speaker 2: What are you? And I'm and I'm not yelling because

1476
01:06:44,400 --> 01:06:46,360
Speaker 2: I don't want nobody anything. I'm mad at no artists.

1477
01:06:46,360 --> 01:06:48,200
Speaker 2: I'm not mad at non truth me to I don't

1478
01:06:48,240 --> 01:06:50,160
Speaker 2: care about enough of this ship to be mad at anymore.

1479
01:06:50,560 --> 01:06:53,280
Speaker 2: I'm just trying to get your thought process on. How

1480
01:06:53,400 --> 01:06:54,840
Speaker 2: is what Waynos said an issue?

1481
01:06:54,880 --> 01:06:58,920
Speaker 5: Because that let Dreamville speak about it? If Dreamville, Dreams.

1482
01:06:58,680 --> 01:07:02,800
Speaker 2: Field speak bigcause don't to speak about him, don't.

1483
01:07:02,680 --> 01:07:04,800
Speaker 3: Talk the record out, he replied to it.

1484
01:07:04,920 --> 01:07:07,200
Speaker 2: He replied to it, what was eve reply?

1485
01:07:07,800 --> 01:07:12,720
Speaker 1: It's something cloud chasy, I said, do something. But first

1486
01:07:12,720 --> 01:07:14,520
Speaker 1: of all, I don't think Wayano is cloud chasing. And

1487
01:07:14,560 --> 01:07:17,560
Speaker 1: Wayne was in front of the show get thirsty for clicks,

1488
01:07:19,440 --> 01:07:21,280
Speaker 1: And I'm also with you. I don't care that much, but.

1489
01:07:22,400 --> 01:07:24,880
Speaker 4: I think so he's a Wayno is an example.

1490
01:07:25,000 --> 01:07:27,560
Speaker 6: I think the conversation overall, we're never talking about a

1491
01:07:27,600 --> 01:07:31,600
Speaker 6: specific person, but overall it's just like, okay there, like

1492
01:07:31,720 --> 01:07:34,120
Speaker 6: he said, there's, first of all, the reason why he said,

1493
01:07:34,160 --> 01:07:35,919
Speaker 6: don't name names like you just use the new Royan

1494
01:07:36,000 --> 01:07:39,000
Speaker 6: Mall example, you're putting other people in the mix when

1495
01:07:39,080 --> 01:07:41,280
Speaker 6: like j Cole is the head of Dreamville. Right, we're

1496
01:07:41,320 --> 01:07:43,360
Speaker 6: all important on this podcast, but when it comes to

1497
01:07:43,400 --> 01:07:46,880
Speaker 6: this podcast and the crew, y'all are the figureheads for this.

1498
01:07:47,120 --> 01:07:49,280
Speaker 6: So anything that we do when it comes to y'all

1499
01:07:49,280 --> 01:07:51,280
Speaker 6: that anybody says, oh, the new Rory and Mall Clue

1500
01:07:51,320 --> 01:07:53,480
Speaker 6: crew reflects on y'all. So it might not even be

1501
01:07:53,520 --> 01:07:55,400
Speaker 6: a point of view that y'all agree with.

1502
01:07:55,520 --> 01:07:57,560
Speaker 3: You might not even be aware of what's even happening.

1503
01:07:57,560 --> 01:08:00,400
Speaker 1: There's been times Julianus posted stuff and the entire internet

1504
01:08:00,480 --> 01:08:02,200
Speaker 1: said I sent him out to post that, and we

1505
01:08:02,200 --> 01:08:03,440
Speaker 1: hadn't even spoken in days.

1506
01:08:03,960 --> 01:08:05,920
Speaker 3: That's a fact I get.

1507
01:08:06,240 --> 01:08:07,840
Speaker 5: And I'm sitting there like I never even what the

1508
01:08:07,840 --> 01:08:09,800
Speaker 5: fuck People like damn Rory Mas send you on a

1509
01:08:09,840 --> 01:08:12,280
Speaker 5: dummy mission. I'm like, I don't even Also, what I'm

1510
01:08:12,400 --> 01:08:14,440
Speaker 5: saying has nothing to do with our show. I'm just

1511
01:08:14,440 --> 01:08:16,840
Speaker 5: like posting or tweeting something. They think everything I say

1512
01:08:16,880 --> 01:08:17,960
Speaker 5: is a fucking sub.

1513
01:08:17,960 --> 01:08:20,080
Speaker 2: Okay, So all right, So because we're going into some

1514
01:08:20,120 --> 01:08:21,879
Speaker 2: whole other shit and I'm just trying to my ADHD

1515
01:08:21,960 --> 01:08:23,559
Speaker 2: is kicking it. That's what I'm So. What I'm trying

1516
01:08:23,560 --> 01:08:25,559
Speaker 2: to ask you is what is the issue you had

1517
01:08:25,600 --> 01:08:27,160
Speaker 2: with what Wayne said? Exactly?

1518
01:08:27,400 --> 01:08:30,080
Speaker 1: I will answer directly and let me not say issue

1519
01:08:30,080 --> 01:08:31,360
Speaker 1: because I honestly don't care.

1520
01:08:31,439 --> 01:08:32,479
Speaker 2: And again in front of the.

1521
01:08:32,479 --> 01:08:37,800
Speaker 1: Show, my problem with it was the angle as if

1522
01:08:38,000 --> 01:08:40,760
Speaker 1: they were bad for I thought those were y'all friends.

1523
01:08:41,120 --> 01:08:43,280
Speaker 1: Because Cole already said on that record on seven minute

1524
01:08:43,320 --> 01:08:47,280
Speaker 1: dro before the conversation backstage, that his catalog wasn't all

1525
01:08:47,280 --> 01:08:49,679
Speaker 1: that and that he was overrated. We already knew that

1526
01:08:49,720 --> 01:08:53,439
Speaker 1: the Dreamville camp felt that way according to Cole. Don't

1527
01:08:53,439 --> 01:08:56,680
Speaker 1: come back here and say they're saying shady shit and

1528
01:08:56,720 --> 01:08:59,400
Speaker 1: they're bad friends. I thought TD was your friends.

1529
01:08:59,439 --> 01:08:59,599
Speaker 2: Dan.

1530
01:08:59,640 --> 01:09:01,920
Speaker 1: Why are you speaking that way now? You're making it

1531
01:09:01,920 --> 01:09:06,280
Speaker 1: seem like every business dealing or conversation they've had with

1532
01:09:06,439 --> 01:09:09,960
Speaker 1: Punch with everyone over there has been some fake situation.

1533
01:09:10,320 --> 01:09:13,880
Speaker 1: Because you happen to talk to two people backstage at

1534
01:09:13,880 --> 01:09:16,919
Speaker 1: a concert, you're erasing fifteen years of friendship.

1535
01:09:17,240 --> 01:09:20,479
Speaker 2: Yeah, I just okay, So I think what I'm seeing it,

1536
01:09:20,520 --> 01:09:22,639
Speaker 2: I'm just I'm just concerned that why y'all keep trying

1537
01:09:22,680 --> 01:09:25,479
Speaker 2: to make it seem like Wayne Ol just heard this

1538
01:09:25,520 --> 01:09:27,120
Speaker 2: from some random dude that dreams.

1539
01:09:27,600 --> 01:09:31,040
Speaker 1: I don't think anyone in it was random, but like,

1540
01:09:31,160 --> 01:09:36,120
Speaker 1: not directly, not directly co Ebe or the higher ups

1541
01:09:36,120 --> 01:09:39,160
Speaker 1: in that regard that actually have a real relationship with

1542
01:09:39,360 --> 01:09:41,719
Speaker 1: TD where you could say to them, yo, I thought

1543
01:09:42,080 --> 01:09:45,080
Speaker 1: TD was yall friends, because I think Ebe right now

1544
01:09:45,120 --> 01:09:49,560
Speaker 1: today would say, yeah, TD is still my friends.

1545
01:09:48,280 --> 01:09:49,960
Speaker 4: And TD and that's another thing.

1546
01:09:50,080 --> 01:09:52,800
Speaker 1: And no, I was not talking about them behind their back.

1547
01:09:52,920 --> 01:09:56,360
Speaker 6: When it comes to this whole crew thing. Crews are

1548
01:09:56,400 --> 01:09:59,160
Speaker 6: all different and they all feel different ways. We all

1549
01:09:59,200 --> 01:10:01,920
Speaker 6: feel differently at different people. I'm sure there's all people

1550
01:10:01,920 --> 01:10:05,200
Speaker 6: in TDE that feel differently about different Dreamville people. Like

1551
01:10:05,600 --> 01:10:08,280
Speaker 6: it's not just like it's weird, it's TDE.

1552
01:10:08,080 --> 01:10:09,320
Speaker 4: And we're beefing with Dreamville.

1553
01:10:09,360 --> 01:10:13,040
Speaker 6: It's people who have their own interpersonal relationships this person,

1554
01:10:13,120 --> 01:10:15,160
Speaker 6: this rapper might be cool with this singer this.

1555
01:10:15,640 --> 01:10:17,040
Speaker 4: They're all individual people.

1556
01:10:17,240 --> 01:10:19,200
Speaker 6: So you can say, oh, yeah, the crew is going

1557
01:10:19,240 --> 01:10:22,080
Speaker 6: at each other or my Dreamville homies, but they might

1558
01:10:22,120 --> 01:10:24,519
Speaker 6: not share the same sentiments as other people and their

1559
01:10:24,560 --> 01:10:27,040
Speaker 6: crew about certain people like, it's just too many players

1560
01:10:27,080 --> 01:10:29,479
Speaker 6: involved for you to sit up here and say, oh,

1561
01:10:29,520 --> 01:10:31,840
Speaker 6: they're beefing with TD, they're being fake to TD. Who

1562
01:10:31,880 --> 01:10:34,240
Speaker 6: do you mean by TD? Do you mean Kendrick? Do

1563
01:10:34,320 --> 01:10:36,960
Speaker 6: you mean Sizza? Do you who do you mean by that?

1564
01:10:37,200 --> 01:10:40,519
Speaker 1: And also I forgot the engineer's name, forgive me, and

1565
01:10:40,560 --> 01:10:43,080
Speaker 1: I'm not discrediting him. Remember when the entire thing happened

1566
01:10:43,280 --> 01:10:46,439
Speaker 1: when they were airing out us, A bunch of people

1567
01:10:46,520 --> 01:10:49,280
Speaker 1: that were talking after Cole went on stage and said

1568
01:10:49,360 --> 01:10:52,080
Speaker 1: he was bowing out, and we all replied. All the

1569
01:10:52,120 --> 01:10:56,520
Speaker 1: headlines based off that engineer's tweet that engineers for Dreamville,

1570
01:10:56,680 --> 01:10:58,960
Speaker 1: when he was saying, fuck all these artists. We put

1571
01:10:59,040 --> 01:11:01,040
Speaker 1: y'all on, and now you're talking about us. The pool

1572
01:11:01,160 --> 01:11:02,960
Speaker 1: was closed, all that shit kid took a shit in

1573
01:11:02,960 --> 01:11:03,240
Speaker 1: the pool.

1574
01:11:03,280 --> 01:11:04,960
Speaker 3: All all of.

1575
01:11:04,880 --> 01:11:08,479
Speaker 1: The headlines was dream veiled ships on industry and Dreamville

1576
01:11:08,520 --> 01:11:10,720
Speaker 1: says we can't work with y'all no more. It was

1577
01:11:10,760 --> 01:11:14,960
Speaker 1: one engineer that works with Dreamville. They was acting like

1578
01:11:15,000 --> 01:11:21,120
Speaker 1: even Cole said it, so do you see the point

1579
01:11:21,120 --> 01:11:26,559
Speaker 1: at all? And yeah, we're taking this too far that

1580
01:11:26,560 --> 01:11:27,040
Speaker 1: it needs to be.

1581
01:11:27,080 --> 01:11:27,479
Speaker 3: That's fine.

1582
01:11:27,479 --> 01:11:31,040
Speaker 1: I really don't give Wayne shout out to said.

1583
01:11:30,880 --> 01:11:32,519
Speaker 2: It was fine. I don't think it was anything wrong

1584
01:11:32,560 --> 01:11:35,040
Speaker 2: with what he said. I think wanted him to put

1585
01:11:35,080 --> 01:11:37,080
Speaker 2: a name to it or not say anything is crazy.

1586
01:11:37,640 --> 01:11:39,640
Speaker 2: Putting a name to that would have been wild.

1587
01:11:39,640 --> 01:11:42,240
Speaker 5: But you can but you can see why though to

1588
01:11:42,280 --> 01:11:45,160
Speaker 5: the examples that we know exactly what was behalf of

1589
01:11:45,240 --> 01:11:46,360
Speaker 5: nearly fifty people.

1590
01:11:46,520 --> 01:11:49,240
Speaker 2: Yeah, but I know again WAYNEO was just saying that

1591
01:11:49,240 --> 01:11:51,280
Speaker 2: that's what was said from the camp. He wasn't putting

1592
01:11:51,280 --> 01:11:53,559
Speaker 2: no names on it, but he just found it awkward

1593
01:11:53,600 --> 01:11:56,160
Speaker 2: because he was like, I thought those were y'all homies,

1594
01:11:56,200 --> 01:11:58,519
Speaker 2: Like I thought y'all fucked with him, like y'all back here.

1595
01:11:59,160 --> 01:12:01,800
Speaker 2: It sounds like the tune sounds a little different, and

1596
01:12:01,880 --> 01:12:05,240
Speaker 2: understandably why. It's a moment. It's a battle happening, so

1597
01:12:05,720 --> 01:12:08,280
Speaker 2: you know that's part of the crew what they're supposed

1598
01:12:08,280 --> 01:12:10,000
Speaker 2: to do. They're supposed to rally each other up, and

1599
01:12:10,120 --> 01:12:12,479
Speaker 2: you know it's us or nobody like that type of thing.

1600
01:12:12,640 --> 01:12:15,840
Speaker 1: And I'm not saying Wayne said anything disrespectful or super

1601
01:12:15,880 --> 01:12:18,560
Speaker 1: over the line, but it kind of goes back to

1602
01:12:18,600 --> 01:12:24,040
Speaker 1: your point of journalists should be friends with artists, and

1603
01:12:24,439 --> 01:12:25,320
Speaker 1: I do agree with that.

1604
01:12:25,360 --> 01:12:26,559
Speaker 2: To get a good interview.

1605
01:12:26,560 --> 01:12:29,600
Speaker 1: But in the art of I'm sorry, the times of

1606
01:12:29,640 --> 01:12:34,720
Speaker 1: clicks and gotcha moments, fans don't want to hear a

1607
01:12:34,720 --> 01:12:38,080
Speaker 1: good interview. They want to hear the gotcha shit. So

1608
01:12:38,360 --> 01:12:40,960
Speaker 1: it pays not to be friends with people.

1609
01:12:41,640 --> 01:12:48,000
Speaker 2: Oh hold on, Wayo's calling me. Okay, my good brother,

1610
01:12:50,479 --> 01:12:52,720
Speaker 2: ain't nothing man. First of all, you're on the air

1611
01:12:52,800 --> 01:12:54,559
Speaker 2: right now, we're recording, so I don't want you to.

1612
01:12:54,600 --> 01:12:55,559
Speaker 2: I don't want you to, you know what I mean,

1613
01:12:55,640 --> 01:12:57,240
Speaker 2: just jump out there and say some shit. You ain't

1614
01:12:57,240 --> 01:12:58,479
Speaker 2: supposed to say so.

1615
01:12:58,680 --> 01:13:00,280
Speaker 1: And if you did, we tell the Internet that you

1616
01:13:00,320 --> 01:13:00,680
Speaker 1: said it.

1617
01:13:00,800 --> 01:13:02,400
Speaker 2: So so let me hold on.

1618
01:13:02,680 --> 01:13:04,519
Speaker 11: Let me tell you something. I never say nothing, and

1619
01:13:04,600 --> 01:13:06,320
Speaker 11: I ain't supposed to say. I say what I mean,

1620
01:13:06,360 --> 01:13:07,200
Speaker 11: and I mean what I say.

1621
01:13:07,680 --> 01:13:10,280
Speaker 2: Hmmm. Other, that's that Harlem talk great bottom.

1622
01:13:10,320 --> 01:13:10,679
Speaker 8: I hear.

1623
01:13:12,320 --> 01:13:12,879
Speaker 4: The speakers.

1624
01:13:13,120 --> 01:13:16,840
Speaker 2: The bottom ain't nothing. So yo, So quick quickly, your

1625
01:13:17,080 --> 01:13:19,400
Speaker 2: your post came up and you know it made it

1626
01:13:19,400 --> 01:13:21,840
Speaker 2: made some noise out there. You said, uh, you know

1627
01:13:21,880 --> 01:13:26,160
Speaker 2: you mentioned in response to the latest j Cole effort,

1628
01:13:27,280 --> 01:13:32,000
Speaker 2: you said that Dreamville affiliates feel like Kendrick Lamar isn't uh,

1629
01:13:32,479 --> 01:13:36,800
Speaker 2: he's overrated, he's you know, he's not all that. So

1630
01:13:36,840 --> 01:13:38,040
Speaker 2: we brought it up in the room when we were

1631
01:13:38,040 --> 01:13:40,800
Speaker 2: talking about it, and the consensus in the room was

1632
01:13:40,960 --> 01:13:44,120
Speaker 2: you shouldn't have said what you said because it kind

1633
01:13:44,160 --> 01:13:48,960
Speaker 2: of throws the camp under the bus, to which I said,

1634
01:13:49,000 --> 01:13:51,960
Speaker 2: I didn't see nothing wrong. And then the other feeling

1635
01:13:52,080 --> 01:13:53,880
Speaker 2: was it would have been if you're gonna say what

1636
01:13:53,960 --> 01:13:56,240
Speaker 2: you said, you should have said who said it, which

1637
01:13:56,240 --> 01:14:00,840
Speaker 2: I thought was absolutely crazy. I'm right here, Roy, let

1638
01:14:01,120 --> 01:14:02,000
Speaker 2: talk to you with you.

1639
01:14:02,120 --> 01:14:03,560
Speaker 11: I know I ain't got so much time, but I

1640
01:14:03,680 --> 01:14:05,559
Speaker 11: want to know what you thought, because you my.

1641
01:14:05,560 --> 01:14:08,000
Speaker 1: Dog, and I respect you, uh and vice versa.

1642
01:14:08,080 --> 01:14:09,000
Speaker 2: You want to know what I thought.

1643
01:14:13,840 --> 01:14:18,640
Speaker 1: So so my thing with the clip because again I

1644
01:14:18,680 --> 01:14:21,800
Speaker 1: didn't see the entire thing, but you, but you, but

1645
01:14:21,920 --> 01:14:24,400
Speaker 1: you having that angle more or less and to your

1646
01:14:24,400 --> 01:14:27,240
Speaker 1: point now saying it was barbershop talk and y'all was

1647
01:14:27,320 --> 01:14:31,920
Speaker 1: just having fun talk behind the scenes. To then say

1648
01:14:32,040 --> 01:14:35,400
Speaker 1: that and angle it as yo, I thought y'all was

1649
01:14:35,439 --> 01:14:38,760
Speaker 1: friends with TD puts a different type of sauce on

1650
01:14:38,840 --> 01:14:42,120
Speaker 1: top of it. That was my feeling with the entire thing, like,

1651
01:14:42,160 --> 01:14:44,479
Speaker 1: all right, now you're making it seem like, Yo, we've

1652
01:14:44,479 --> 01:14:46,880
Speaker 1: been bad friends to these guys and we've been talking

1653
01:14:46,920 --> 01:14:49,799
Speaker 1: behind their back the entire time. That was my issue

1654
01:14:49,800 --> 01:14:51,639
Speaker 1: with it, And that's why I said put a name

1655
01:14:51,680 --> 01:14:54,280
Speaker 1: on a bullet because at that point, like who in

1656
01:14:54,360 --> 01:14:57,760
Speaker 1: Dreamville you you talking to? Who's really been shady to

1657
01:14:57,840 --> 01:14:59,080
Speaker 1: TDE So.

1658
01:14:59,160 --> 01:15:01,280
Speaker 11: I get, I get with you're saying. I get what

1659
01:15:01,280 --> 01:15:03,760
Speaker 11: you're saying from that perspective, right, Like I do. I

1660
01:15:03,800 --> 01:15:06,320
Speaker 11: can understand that I'm a man, right, so I can

1661
01:15:06,439 --> 01:15:09,200
Speaker 11: understand how now because I didn't look at it like that,

1662
01:15:09,240 --> 01:15:11,920
Speaker 11: I can understand where you're coming from. My thing was

1663
01:15:12,080 --> 01:15:14,479
Speaker 11: is like it's just like if we have in general,

1664
01:15:14,520 --> 01:15:18,320
Speaker 11: if you if you're talking with somebody and they like, now,

1665
01:15:18,320 --> 01:15:21,880
Speaker 11: nobody said that, Like it's not a general thing about

1666
01:15:21,920 --> 01:15:25,200
Speaker 11: everybody saying thing. This is just a conversation I'm having

1667
01:15:25,200 --> 01:15:27,559
Speaker 11: with somebody who I thought I was cool with, right,

1668
01:15:27,720 --> 01:15:31,559
Speaker 11: and we're having general rap conversation. Niggas debate all the time,

1669
01:15:31,640 --> 01:15:34,040
Speaker 11: like we debate about rap all the time. That's why

1670
01:15:34,040 --> 01:15:36,280
Speaker 11: we on these cameras because we talk about stuff, right.

1671
01:15:36,680 --> 01:15:41,320
Speaker 11: So I wasn't trying to form it as like, oh, TD,

1672
01:15:41,520 --> 01:15:43,960
Speaker 11: I mean Dreamville hates on Kendrick. I'm just saying, like, yo,

1673
01:15:44,360 --> 01:15:48,160
Speaker 11: y'allah y'all saying that one person says, right, he's overrated.

1674
01:15:48,400 --> 01:15:51,320
Speaker 11: So for me, again, my assumption is maybe you had

1675
01:15:51,320 --> 01:15:54,200
Speaker 11: a conversation with call one time and maybe he might

1676
01:15:54,200 --> 01:15:55,680
Speaker 11: have you might have gotten into his ear. That was

1677
01:15:55,680 --> 01:15:57,599
Speaker 11: the whole The whole thing I took was this because

1678
01:15:57,640 --> 01:15:58,479
Speaker 11: you said you didn't see.

1679
01:15:58,360 --> 01:15:58,760
Speaker 3: The whole thing.

1680
01:15:58,920 --> 01:16:02,799
Speaker 11: I said, yo Ja, don't let people bully you into

1681
01:16:03,960 --> 01:16:06,479
Speaker 11: what's the name into to making a decision. So then

1682
01:16:06,520 --> 01:16:07,080
Speaker 11: I get.

1683
01:16:06,920 --> 01:16:08,639
Speaker 2: All of this J cole On have it like.

1684
01:16:08,640 --> 01:16:10,760
Speaker 11: The young Doug means he don't have internet, you know

1685
01:16:10,800 --> 01:16:11,240
Speaker 11: what I'm saying.

1686
01:16:11,720 --> 01:16:13,599
Speaker 3: So it's like, now all.

1687
01:16:13,520 --> 01:16:15,920
Speaker 11: These people is making it seem like I like I'm

1688
01:16:15,920 --> 01:16:19,000
Speaker 11: a part of the dreamville in some sort of way,

1689
01:16:19,040 --> 01:16:21,519
Speaker 11: and I like spread these secrets Like that's not the

1690
01:16:21,520 --> 01:16:24,160
Speaker 11: case at all. This is just general conversation that if

1691
01:16:24,200 --> 01:16:26,479
Speaker 11: you man enough, nigga, I don't have to say you

1692
01:16:26,520 --> 01:16:29,280
Speaker 11: said it, say it yourself if you if you're not scared,

1693
01:16:29,360 --> 01:16:29,800
Speaker 11: you feel me.

1694
01:16:30,040 --> 01:16:32,720
Speaker 1: But now, not everyone's a media person that has a

1695
01:16:32,720 --> 01:16:35,400
Speaker 1: platform where they just spew opinions. Some people are behind

1696
01:16:35,400 --> 01:16:37,360
Speaker 1: the scenes and happen to be an artist village and

1697
01:16:37,439 --> 01:16:39,000
Speaker 1: just say some shit to people.

1698
01:16:39,000 --> 01:16:41,760
Speaker 2: That I think are friends. Man, Wait, no, where you

1699
01:16:41,840 --> 01:16:43,599
Speaker 2: was that when you heard that? Because these niggas saying

1700
01:16:43,600 --> 01:16:46,200
Speaker 2: you was at the fucking bathroom and heard a nigga

1701
01:16:46,200 --> 01:16:49,360
Speaker 2: with a ga wrisk band say that shit. No, no,

1702
01:16:49,600 --> 01:16:51,519
Speaker 2: So look again, I get.

1703
01:16:51,560 --> 01:16:53,639
Speaker 11: I think it's two things. I think on one side,

1704
01:16:53,680 --> 01:16:56,760
Speaker 11: it's like what it seems and what my intent was.

1705
01:16:57,080 --> 01:17:00,640
Speaker 11: What my intent was to just give context until onto

1706
01:17:01,479 --> 01:17:04,120
Speaker 11: what people say about the battle. Right when it came

1707
01:17:04,160 --> 01:17:06,920
Speaker 11: to j Cole, I thought that he shouldn't have said nothing.

1708
01:17:06,960 --> 01:17:08,120
Speaker 11: That's the whole point I made.

1709
01:17:08,200 --> 01:17:09,479
Speaker 4: I thought he should have said nothing.

1710
01:17:09,800 --> 01:17:13,639
Speaker 11: And my assessment was like, bro, don't let your homies

1711
01:17:13,680 --> 01:17:15,960
Speaker 11: gash you up because niggas think that he's trash.

1712
01:17:16,000 --> 01:17:16,599
Speaker 2: You know what I'm saying.

1713
01:17:16,800 --> 01:17:19,439
Speaker 11: Now, If nobody said that to him and you came

1714
01:17:19,520 --> 01:17:21,439
Speaker 11: up with these bars about how your first ship was

1715
01:17:21,479 --> 01:17:24,200
Speaker 11: classic your second ship was tragic, then that's fine. But

1716
01:17:24,240 --> 01:17:26,280
Speaker 11: then don't take that back after you said it. Because

1717
01:17:26,320 --> 01:17:28,519
Speaker 11: that's why I gave the analogy. If you step on

1718
01:17:28,600 --> 01:17:31,280
Speaker 11: my foot and you made a mistake and you say sorry,

1719
01:17:31,280 --> 01:17:33,960
Speaker 11: that still don't mean that it didn't hurt you, feel me,

1720
01:17:34,000 --> 01:17:37,880
Speaker 11: So my intent my intent wasn't to like stir up

1721
01:17:37,920 --> 01:17:41,320
Speaker 11: some shit. My intent was just to be honest about

1722
01:17:41,320 --> 01:17:44,639
Speaker 11: my approach and say, yo, like I had like arguments

1723
01:17:44,640 --> 01:17:49,040
Speaker 11: with niggas regarding these battles. I'm thinking that Kendrick is

1724
01:17:49,080 --> 01:17:50,960
Speaker 11: going to do his thing, other people don't. And that's

1725
01:17:51,800 --> 01:17:53,720
Speaker 11: the thing that I was trying to get across. It

1726
01:17:53,760 --> 01:17:56,200
Speaker 11: came across the wrong way to an extent, but ultimately

1727
01:17:56,240 --> 01:17:57,559
Speaker 11: I ain't taking what I said back.

1728
01:17:57,800 --> 01:17:59,920
Speaker 2: You feel me like I respect that you ain't so

1729
01:18:00,080 --> 01:18:01,040
Speaker 2: on the dream bale.

1730
01:18:02,560 --> 01:18:04,120
Speaker 1: And again I mean we we agree with you on

1731
01:18:04,160 --> 01:18:07,479
Speaker 1: that front. Our conversation more was being in these artist

1732
01:18:07,600 --> 01:18:10,120
Speaker 1: villages and being around these artists and their team. And

1733
01:18:11,640 --> 01:18:13,240
Speaker 1: that's the name of it. That's the name of what

1734
01:18:13,280 --> 01:18:15,080
Speaker 1: it's called. You know, it's called the artist village. I

1735
01:18:15,080 --> 01:18:18,960
Speaker 1: didn't name the village village. I'm not saying you part

1736
01:18:19,000 --> 01:18:21,519
Speaker 1: of their team. I'm saying that's what it's called. And

1737
01:18:21,560 --> 01:18:24,360
Speaker 1: I'm saying some of the conversations that we have, especially

1738
01:18:24,400 --> 01:18:27,000
Speaker 1: at the height of that beef, like you brought up

1739
01:18:27,000 --> 01:18:30,439
Speaker 1: before barbershop talk, some of that is not meant to

1740
01:18:30,479 --> 01:18:33,320
Speaker 1: go out because people's emotions were heightened and the crew

1741
01:18:33,400 --> 01:18:36,320
Speaker 1: is so big that could now be put on cold

1742
01:18:36,360 --> 01:18:38,640
Speaker 1: or Eve or someone else, like it could have just

1743
01:18:38,680 --> 01:18:39,559
Speaker 1: been a casual combo.

1744
01:18:40,520 --> 01:18:41,559
Speaker 11: It don't like the.

1745
01:18:41,760 --> 01:18:43,920
Speaker 3: End of the day, Bro, is like end of the day, Bro.

1746
01:18:44,000 --> 01:18:46,440
Speaker 11: Like I look at it from this perspective. I understand

1747
01:18:46,720 --> 01:18:49,640
Speaker 11: every standpoint, every every point that you're making, right like

1748
01:18:49,680 --> 01:18:53,360
Speaker 11: I understand every point that you're making. Ultimately, Bro, if

1749
01:18:53,400 --> 01:18:55,880
Speaker 11: I had something that rough feathers stopped being.

1750
01:18:55,800 --> 01:18:57,920
Speaker 3: A bird, I like it.

1751
01:18:58,720 --> 01:19:01,760
Speaker 1: Well, we respect and love you. Thank you for calling

1752
01:19:01,840 --> 01:19:03,200
Speaker 1: in and hope to see you soon.

1753
01:19:03,680 --> 01:19:05,600
Speaker 4: I love y'all, brothers to man, keep doing your thing,

1754
01:19:05,680 --> 01:19:05,960
Speaker 4: all right?

1755
01:19:06,000 --> 01:19:06,200
Speaker 2: Peace?

1756
01:19:08,280 --> 01:19:11,320
Speaker 1: M well shout out again. Uh to Wayne O Man,

1757
01:19:11,600 --> 01:19:14,200
Speaker 1: I'm staying on music. I listened to the glow Realer

1758
01:19:14,240 --> 01:19:16,000
Speaker 1: album over the weekend. I don't know if anyone else

1759
01:19:16,080 --> 01:19:18,840
Speaker 1: heard it. It's been a very pro Glowiller podcast. But

1760
01:19:19,479 --> 01:19:23,240
Speaker 1: Glorious is great. It's a it's a great gym album

1761
01:19:23,560 --> 01:19:24,960
Speaker 1: for men, because you know how we always have that

1762
01:19:25,040 --> 01:19:27,840
Speaker 1: debate like some of this music isn't for us that

1763
01:19:27,960 --> 01:19:30,320
Speaker 1: ship I'm sorry music, how do you say it? Remember

1764
01:19:31,680 --> 01:19:34,360
Speaker 1: there's so many added rs to this album that I

1765
01:19:34,439 --> 01:19:38,360
Speaker 1: didn't know needed ours. But she hard art a lot

1766
01:19:38,400 --> 01:19:41,320
Speaker 1: of hard rs. You got away from that I know,

1767
01:19:41,439 --> 01:19:43,120
Speaker 1: but this is where I can add hard rs because

1768
01:19:43,120 --> 01:19:44,719
Speaker 1: she doesn't put it on the N word. She puts

1769
01:19:44,760 --> 01:19:46,920
Speaker 1: ours in every word that doesn't need a R. I

1770
01:19:46,920 --> 01:19:49,679
Speaker 1: didn't even know there's an R in music any anything

1771
01:19:49,960 --> 01:19:52,840
Speaker 1: with a U in it, she puts the RN. It's

1772
01:19:52,880 --> 01:19:57,320
Speaker 1: great though, beat selection, perfect for the gym. A Lotto

1773
01:19:57,400 --> 01:19:58,439
Speaker 1: made me clutch my pearls.

1774
01:19:58,560 --> 01:19:59,240
Speaker 4: What does she say?

1775
01:20:00,080 --> 01:20:03,320
Speaker 1: She said in her verse, I'm gonna show you where

1776
01:20:03,360 --> 01:20:05,000
Speaker 1: to shoot. I want to lick the gooch.

1777
01:20:05,200 --> 01:20:07,640
Speaker 4: I was in the gym, like, damn you, what's fell

1778
01:20:07,680 --> 01:20:08,040
Speaker 4: off the trap?

1779
01:20:08,080 --> 01:20:08,280
Speaker 3: Moont.

1780
01:20:09,280 --> 01:20:11,280
Speaker 1: I'm so used to Lotto just saying like he ate

1781
01:20:11,360 --> 01:20:13,360
Speaker 1: my pussy and I left. I didn't know she was

1782
01:20:13,439 --> 01:20:16,000
Speaker 1: like returning the favor and returning it like that.

1783
01:20:16,360 --> 01:20:17,639
Speaker 2: She seems like a very given.

1784
01:20:17,880 --> 01:20:20,080
Speaker 1: She says, I'll show you where to shoot. They Don'm

1785
01:20:20,120 --> 01:20:20,800
Speaker 1: gonna lick the gooch.

1786
01:20:21,040 --> 01:20:24,639
Speaker 3: After I met after then, well that's follow through.

1787
01:20:25,200 --> 01:20:28,080
Speaker 2: Somebody don't play it, but god.

1788
01:20:29,560 --> 01:20:31,400
Speaker 3: Pain sound. I'm interested in that pretty good.

1789
01:20:31,760 --> 01:20:34,599
Speaker 6: There's controversy going on because it was originally the record

1790
01:20:34,680 --> 01:20:36,640
Speaker 6: was originally for Erica Banks. I think they gave it

1791
01:20:36,720 --> 01:20:38,759
Speaker 6: to and they snatched it from her, gave it to Glorilla,

1792
01:20:38,960 --> 01:20:39,639
Speaker 6: but I mean.

1793
01:20:39,720 --> 01:20:42,560
Speaker 1: Duh, I mean, I don't know the politics of that.

1794
01:20:42,640 --> 01:20:44,680
Speaker 1: All I know is Glow got off on that.

1795
01:20:44,960 --> 01:20:45,200
Speaker 4: Yeah.

1796
01:20:45,600 --> 01:20:48,400
Speaker 1: No, it's actually this is for men to this project.

1797
01:20:48,640 --> 01:20:51,000
Speaker 2: I like Glorilla every time I hear her, every time

1798
01:20:51,000 --> 01:20:53,439
Speaker 2: about she an interview with her, her personality, she seems

1799
01:20:53,479 --> 01:20:54,880
Speaker 2: like a really cool person, So I like, I like

1800
01:20:54,960 --> 01:20:55,200
Speaker 2: it real.

1801
01:20:55,520 --> 01:20:59,439
Speaker 6: I like how Glow has her her thing, like her

1802
01:20:59,520 --> 01:21:03,160
Speaker 6: shtick has kind of become and stayed like uplifting music.

1803
01:21:03,560 --> 01:21:06,400
Speaker 6: Most of her singles and everything is like really like uplifting,

1804
01:21:06,600 --> 01:21:09,920
Speaker 6: like you that bitch affirmations, like that type of music

1805
01:21:10,439 --> 01:21:12,280
Speaker 6: and not in a corny way, And I really like,

1806
01:21:12,439 --> 01:21:14,920
Speaker 6: I appreciate that. And I also like, I really like

1807
01:21:15,000 --> 01:21:16,880
Speaker 6: this song with her and Money Long, where it's basically

1808
01:21:16,960 --> 01:21:20,320
Speaker 6: about that nigga's The chorus is that nigga don't deserve

1809
01:21:20,400 --> 01:21:21,600
Speaker 6: my friend, like he don't know what to do with

1810
01:21:21,640 --> 01:21:23,880
Speaker 6: a bad bitch. I always advocate for my bitches leaving

1811
01:21:23,920 --> 01:21:27,520
Speaker 6: their aint shit niggas. So her making a whole song about.

1812
01:21:27,240 --> 01:21:27,640
Speaker 8: That, love it.

1813
01:21:27,880 --> 01:21:29,000
Speaker 1: Yeah, she smoked that hook too.

1814
01:21:29,200 --> 01:21:32,479
Speaker 2: Does she holding women accountable? I mean, it's not that song,

1815
01:21:32,760 --> 01:21:33,080
Speaker 2: It's not.

1816
01:21:33,320 --> 01:21:35,640
Speaker 4: It's the song is about you getting beated on and

1817
01:21:35,720 --> 01:21:36,120
Speaker 4: cheated on.

1818
01:21:36,280 --> 01:21:39,160
Speaker 1: So no, she's not holding Yeah, it's it's a It's

1819
01:21:39,280 --> 01:21:42,280
Speaker 1: Eve Love is Blind Part two a different way okay,

1820
01:21:42,439 --> 01:21:45,120
Speaker 1: DV Yeah, got you, But.

1821
01:21:45,200 --> 01:21:46,200
Speaker 2: No, it's it's great.

1822
01:21:46,360 --> 01:21:51,080
Speaker 1: And I will say she's a good example of artist

1823
01:21:51,160 --> 01:21:53,320
Speaker 1: development that we haven't seen in like a really long time.

1824
01:21:53,760 --> 01:21:55,800
Speaker 1: From what Glow really was in the beginning to now,

1825
01:21:56,120 --> 01:21:58,519
Speaker 1: you could actually see the artist development and like what

1826
01:21:58,600 --> 01:22:01,880
Speaker 1: they worked on, what she worked on. We rarely see

1827
01:22:01,920 --> 01:22:05,040
Speaker 1: that anymore. It's like, oh, you have YouTube streams, here's

1828
01:22:05,080 --> 01:22:06,639
Speaker 1: a record deal, and we throw you out there.

1829
01:22:06,840 --> 01:22:07,400
Speaker 2: Yeah, like THEA.

1830
01:22:07,760 --> 01:22:10,800
Speaker 1: We watched her have a failed single, we watched her

1831
01:22:10,840 --> 01:22:13,360
Speaker 1: come back from that, like she's had two or three

1832
01:22:13,400 --> 01:22:16,479
Speaker 1: great singles from this. I've enjoyed watching her journey. That's

1833
01:22:16,560 --> 01:22:17,400
Speaker 1: all I'm really getting at.

1834
01:22:17,840 --> 01:22:20,080
Speaker 4: And like I've said before, I personally think that Glorilla

1835
01:22:20,160 --> 01:22:23,240
Speaker 4: when it comes to the women and just the party scene,

1836
01:22:23,280 --> 01:22:25,800
Speaker 4: I think Glorilla owned the summer with her songs because

1837
01:22:25,840 --> 01:22:29,679
Speaker 4: that fucking is seven pm Friday is ninety five degree.

1838
01:22:29,800 --> 01:22:31,920
Speaker 4: That was like in every party who had to hear

1839
01:22:32,000 --> 01:22:32,360
Speaker 4: that song.

1840
01:22:32,960 --> 01:22:35,599
Speaker 1: So I wasn't even mad at her and Sexy Red

1841
01:22:35,640 --> 01:22:39,200
Speaker 1: doing the white me down flip. I usually hate flips,

1842
01:22:39,600 --> 01:22:42,080
Speaker 1: and wipe me down is sacred to the noops, so

1843
01:22:42,640 --> 01:22:43,759
Speaker 1: you know i'd be very critical.

1844
01:22:44,000 --> 01:22:46,040
Speaker 2: I like the flip. I think they did it well.

1845
01:22:46,280 --> 01:22:47,960
Speaker 2: So you shout out to Gloria.

1846
01:22:48,240 --> 01:22:51,479
Speaker 1: Hallelujah, Glorilla, glor big Glow.

1847
01:22:53,080 --> 01:22:56,880
Speaker 2: Do we have voicemails? Though you've got mail, we do.

1848
01:22:57,320 --> 01:22:58,400
Speaker 3: I have a fun one to start with.

1849
01:22:58,720 --> 01:22:59,080
Speaker 4: Here we go.

1850
01:22:59,320 --> 01:23:08,200
Speaker 9: Ready, Hey, Rory, Maul de Maris, and Julius. I said, Julius,

1851
01:23:08,479 --> 01:23:14,599
Speaker 9: I'm fucking weak, Julian, Oh my god, Orange, Julius. Sorry,

1852
01:23:15,920 --> 01:23:22,880
Speaker 9: I needed some advice. By the way, this is anonymous,

1853
01:23:23,520 --> 01:23:29,880
Speaker 9: but I am a married mother of one and I

1854
01:23:30,040 --> 01:23:34,720
Speaker 9: love my husband to the death of me. But I

1855
01:23:35,040 --> 01:23:38,519
Speaker 9: also am still secretly in love with my ex.

1856
01:23:39,560 --> 01:23:43,719
Speaker 2: This it's my bag, yeah, Glow.

1857
01:23:45,560 --> 01:23:49,760
Speaker 9: To keep it brief. My ex and I we were

1858
01:23:50,479 --> 01:23:54,800
Speaker 9: in a relationship for maybe three ish years on and off,

1859
01:23:55,920 --> 01:24:00,040
Speaker 9: but I was also interacting with my current husband and

1860
01:24:01,120 --> 01:24:03,040
Speaker 9: for that same duration of time, and then we ended

1861
01:24:03,160 --> 01:24:07,080
Speaker 9: up locking in getting married and having a baby.

1862
01:24:08,040 --> 01:24:10,080
Speaker 2: So I've been wants you.

1863
01:24:11,760 --> 01:24:17,400
Speaker 9: Postpartum and new wifehood. But I also still just have

1864
01:24:17,520 --> 01:24:22,559
Speaker 9: those thoughts of my ex, and of course I mean,

1865
01:24:22,560 --> 01:24:25,519
Speaker 9: if I could turn it off, I would, but here

1866
01:24:25,640 --> 01:24:29,280
Speaker 9: we are, so give me some advice. Also, demeris, I

1867
01:24:29,400 --> 01:24:32,240
Speaker 9: love you so much. You're beautiful, you look like you

1868
01:24:32,400 --> 01:24:32,960
Speaker 9: smell good.

1869
01:24:33,880 --> 01:24:35,120
Speaker 4: Rory if I.

1870
01:24:38,120 --> 01:24:38,640
Speaker 2: Wud that mean?

1871
01:24:38,880 --> 01:24:40,479
Speaker 5: Oh it just it got caught. I don't think she

1872
01:24:40,600 --> 01:24:42,040
Speaker 5: understood there was a time limit. But that was just

1873
01:24:42,080 --> 01:24:43,920
Speaker 5: a really awkward podcast my dad.

1874
01:24:44,080 --> 01:24:45,559
Speaker 1: Now I'm not going to sleep tonight. Now I need

1875
01:24:45,600 --> 01:24:49,519
Speaker 1: to know what if what if she would also cheated

1876
01:24:49,600 --> 01:24:49,920
Speaker 1: be with me.

1877
01:24:51,040 --> 01:24:52,519
Speaker 5: I don't think that was what she was gonna say,

1878
01:24:52,600 --> 01:24:54,800
Speaker 5: but I thought she was. I an't think that what's

1879
01:24:54,880 --> 01:24:56,840
Speaker 5: the deal? Is the grass greener? Or how should she

1880
01:24:56,880 --> 01:24:57,240
Speaker 5: handle this?

1881
01:24:57,439 --> 01:25:00,599
Speaker 1: I think it's the complete opposite. In your most partum,

1882
01:25:01,560 --> 01:25:03,720
Speaker 1: it's shitty and you're a new wife and you had

1883
01:25:03,760 --> 01:25:06,040
Speaker 1: some fun with your ex, but there's no real structure there.

1884
01:25:06,160 --> 01:25:08,280
Speaker 1: Clearly he didn't want to be with you, and you

1885
01:25:08,320 --> 01:25:10,880
Speaker 1: settled for your husband and you have a beautiful life

1886
01:25:10,960 --> 01:25:14,479
Speaker 1: because of it. Going back to some unstable fun bullshit,

1887
01:25:15,400 --> 01:25:17,599
Speaker 1: the grass is not greener. It's gonna stretch you out

1888
01:25:17,680 --> 01:25:18,160
Speaker 1: even more.

1889
01:25:19,800 --> 01:25:23,600
Speaker 2: I think that she well. First of all, salute to

1890
01:25:23,640 --> 01:25:25,800
Speaker 2: her for admitting that she's still in love with her

1891
01:25:25,880 --> 01:25:28,080
Speaker 2: as Yeah, lots of people have a hard time even

1892
01:25:28,120 --> 01:25:33,200
Speaker 2: admitting that part. A few questions though, like what was

1893
01:25:33,280 --> 01:25:36,519
Speaker 2: it that drew her more to the current husband.

1894
01:25:38,120 --> 01:25:40,600
Speaker 1: He was and probably the only one that wanted to

1895
01:25:40,720 --> 01:25:43,960
Speaker 1: actually have a relationship, and so she sound he probably

1896
01:25:44,000 --> 01:25:45,400
Speaker 1: was the only one that was treating her good.

1897
01:25:45,880 --> 01:25:48,280
Speaker 2: Yeah, and we all know how that can go sometimes

1898
01:25:48,280 --> 01:25:50,480
Speaker 2: in relationship. Women come from a lot of toxic relationships

1899
01:25:50,520 --> 01:25:52,960
Speaker 2: and then when they get a good, healthy relationship, it's

1900
01:25:53,040 --> 01:25:54,960
Speaker 2: not quote unquote exciting fun.

1901
01:25:55,960 --> 01:25:59,280
Speaker 1: They're board or whatever let's call space. But a lot

1902
01:25:59,320 --> 01:26:01,240
Speaker 1: of women don't want to be with the guy that

1903
01:26:01,280 --> 01:26:04,559
Speaker 1: will treat them better. They are attracted to the bullsh

1904
01:26:04,600 --> 01:26:06,240
Speaker 1: People love toxic toxicity.

1905
01:26:06,320 --> 01:26:08,559
Speaker 2: People love that people they need that in their lives.

1906
01:26:08,640 --> 01:26:11,720
Speaker 2: But you know, I think again, you know, you got

1907
01:26:11,760 --> 01:26:13,599
Speaker 2: your family, you got too much to lose, You got

1908
01:26:13,640 --> 01:26:17,400
Speaker 2: your family, now you know your baby. It sounds like

1909
01:26:17,479 --> 01:26:22,280
Speaker 2: he's providing a home for his family. Didn't give much

1910
01:26:22,320 --> 01:26:25,960
Speaker 2: detail about the situation with the ex, so I don't

1911
01:26:25,960 --> 01:26:27,680
Speaker 2: know where he's at in his life, if you know,

1912
01:26:27,800 --> 01:26:28,560
Speaker 2: he's stable or not.

1913
01:26:29,520 --> 01:26:31,240
Speaker 1: But he didn't want to be with her when she

1914
01:26:31,400 --> 01:26:34,200
Speaker 1: was single without a baby. You think he's gonna swoop

1915
01:26:34,200 --> 01:26:36,320
Speaker 1: in and be like, now let's be together.

1916
01:26:36,960 --> 01:26:37,160
Speaker 11: Yeah.

1917
01:26:37,160 --> 01:26:40,160
Speaker 1: I'm not saying stay in your your marriage, your marriage,

1918
01:26:40,520 --> 01:26:42,400
Speaker 1: divorce him, but don't go with your ex he didn't want.

1919
01:26:42,439 --> 01:26:44,160
Speaker 2: I'm just trying to figure out why they didn't make

1920
01:26:44,200 --> 01:26:46,639
Speaker 2: it because he didn't want her. He ain't want that girl.

1921
01:26:46,720 --> 01:26:48,880
Speaker 6: And I mean that lovingly because I love you too,

1922
01:26:49,000 --> 01:26:51,200
Speaker 6: but I know that situation from am all away. He

1923
01:26:51,240 --> 01:26:53,240
Speaker 6: didn't want to be with her, hen't want to be

1924
01:26:53,400 --> 01:26:56,960
Speaker 6: You don't love her, don't You're talking like, are you

1925
01:26:57,040 --> 01:26:59,080
Speaker 6: the I love people who show me love, and I

1926
01:26:59,160 --> 01:26:59,920
Speaker 6: do love our support.

1927
01:27:00,240 --> 01:27:02,320
Speaker 4: I mean, if y'all don't love the people.

1928
01:27:02,160 --> 01:27:05,680
Speaker 1: That don't money, our supporters and listeners are smarter than that,

1929
01:27:05,800 --> 01:27:06,639
Speaker 1: That's not what we're saying.

1930
01:27:06,680 --> 01:27:12,320
Speaker 12: Okay, right, gas she keep a gas taining Oh damn

1931
01:27:12,439 --> 01:27:13,000
Speaker 12: quick pivot.

1932
01:27:13,080 --> 01:27:14,840
Speaker 5: There was a poll going around on who's the biggest

1933
01:27:14,840 --> 01:27:16,479
Speaker 5: gas lighter on the podcast and you two.

1934
01:27:16,400 --> 01:27:18,080
Speaker 6: Were going neck and that we were not neck, and

1935
01:27:18,160 --> 01:27:20,599
Speaker 6: that Maul was like seventy five percent. I was twenty

1936
01:27:20,640 --> 01:27:21,160
Speaker 6: percent and you.

1937
01:27:21,200 --> 01:27:24,200
Speaker 2: And we don't know where that isact. People don't know

1938
01:27:24,240 --> 01:27:26,559
Speaker 2: what gaslightning is. If they think of if they think

1939
01:27:26,600 --> 01:27:28,600
Speaker 2: I'm a gas lighter. I don't think people don't know

1940
01:27:28,640 --> 01:27:33,240
Speaker 2: a gaslights the biggest gaslight on the show, do y'all?

1941
01:27:33,880 --> 01:27:36,400
Speaker 2: She starts everything with. So what you're saying is no, that's.

1942
01:27:36,320 --> 01:27:37,400
Speaker 3: Not what I said.

1943
01:27:37,439 --> 01:27:41,719
Speaker 6: What I said, that's not gaslight specifically, universe, what is gaslighting?

1944
01:27:41,800 --> 01:27:43,320
Speaker 4: What is the Can you give me a definition of

1945
01:27:43,360 --> 01:27:43,760
Speaker 4: gas lighting?

1946
01:27:43,920 --> 01:27:44,360
Speaker 2: The marriage?

1947
01:27:45,880 --> 01:27:50,439
Speaker 1: That was my point, thank you for Gaslighting is a

1948
01:27:50,560 --> 01:27:53,680
Speaker 1: form of psychological abuse where a person causes someone to

1949
01:27:53,800 --> 01:27:57,439
Speaker 1: question their sanity, memories, or perception of reality.

1950
01:27:57,560 --> 01:27:58,920
Speaker 4: So what the fuck are we talking about?

1951
01:27:58,960 --> 01:28:01,400
Speaker 2: What are we even talking about? Well, there's example one.

1952
01:28:02,880 --> 01:28:05,240
Speaker 4: What are we even talking about? That's small? Every time

1953
01:28:05,280 --> 01:28:06,000
Speaker 4: you say anything to.

1954
01:28:06,000 --> 01:28:07,559
Speaker 2: Him, what the fuck are we talking about?

1955
01:28:07,880 --> 01:28:10,000
Speaker 6: Y'all are fucking is saying, y'all are crazy? You just

1956
01:28:10,120 --> 01:28:11,799
Speaker 6: read that definition because.

1957
01:28:12,760 --> 01:28:15,160
Speaker 2: A crazy You sat here and gave me an excuse

1958
01:28:15,200 --> 01:28:16,760
Speaker 2: why you thought Quavo was hotting Chris Brown?

1959
01:28:16,800 --> 01:28:19,600
Speaker 4: That made no sense, And that's gaslighting because that's not

1960
01:28:19,720 --> 01:28:20,120
Speaker 4: what we said.

1961
01:28:20,120 --> 01:28:23,840
Speaker 1: Wait, what is gaslight against? That's not what we said.

1962
01:28:23,880 --> 01:28:28,160
Speaker 2: That's not what we said. What did you say? Don't say?

1963
01:28:28,160 --> 01:28:29,280
Speaker 2: What what did you say?

1964
01:28:29,560 --> 01:28:31,479
Speaker 6: What I said was in First of all, I didn't

1965
01:28:31,479 --> 01:28:32,960
Speaker 6: bring up the point. Rory brought up the point, but

1966
01:28:33,000 --> 01:28:35,960
Speaker 6: I supported him and saying in younger people and a

1967
01:28:36,040 --> 01:28:39,800
Speaker 6: younger demographic at the specific time that we were in

1968
01:28:40,240 --> 01:28:43,439
Speaker 6: talking about a street wear show that Chris Brown and

1969
01:28:43,840 --> 01:28:46,880
Speaker 6: meet and the whatever Migo was, Quavo might be on

1970
01:28:46,960 --> 01:28:49,240
Speaker 6: the same level. Chris Brown is not just eating him up.

1971
01:28:49,360 --> 01:28:51,679
Speaker 6: And we never talked about talent. Nobody was talking about talent.

1972
01:28:51,760 --> 01:28:54,519
Speaker 6: Nobody was talking about fame, nobody talking about being a

1973
01:28:54,560 --> 01:28:55,040
Speaker 6: bigger star.

1974
01:28:55,439 --> 01:28:56,160
Speaker 2: We were talking.

1975
01:28:57,600 --> 01:28:59,880
Speaker 4: Show hip pop and younger kid.

1976
01:29:00,040 --> 01:29:03,040
Speaker 2: That is exactly what That's not what you said, y'all.

1977
01:29:03,680 --> 01:29:07,639
Speaker 2: Y'all said that Quavo was hotter than Chris.

1978
01:29:07,840 --> 01:29:11,880
Speaker 1: In that room, in a streetwear brand, that in that one.

1979
01:29:13,680 --> 01:29:17,240
Speaker 2: But he's and you can in no time and no room.

1980
01:29:17,320 --> 01:29:20,720
Speaker 2: That's what I'm saying. What I was proven, But don't

1981
01:29:21,240 --> 01:29:24,360
Speaker 2: what we were wrong. We're wrong, were wrong, wrong.

1982
01:29:24,280 --> 01:29:24,360
Speaker 1: But.

1983
01:29:26,200 --> 01:29:30,439
Speaker 2: That's not I know. I admitted like admitting that I'm wrong,

1984
01:29:30,600 --> 01:29:33,960
Speaker 2: So I feel gasling. I'm speaking to the marriage being

1985
01:29:33,960 --> 01:29:35,719
Speaker 2: a bigger gas lighter. That's all I'm saying.

1986
01:29:36,760 --> 01:29:38,840
Speaker 6: And I'm speaking to you not understanding what gas it

1987
01:29:38,880 --> 01:29:41,439
Speaker 6: means because you just literally get the entire room.

1988
01:29:41,760 --> 01:29:45,439
Speaker 1: How did I guess I don't think that conversation anything

1989
01:29:45,479 --> 01:29:45,880
Speaker 1: to do with gas?

1990
01:29:46,120 --> 01:29:46,479
Speaker 3: Yeah, what is?

1991
01:29:47,120 --> 01:29:47,880
Speaker 2: What are you talking about?

1992
01:29:48,960 --> 01:29:51,519
Speaker 1: What I'm saying the example period of Quavo and Chris Brown?

1993
01:29:51,600 --> 01:29:52,080
Speaker 2: What did that to do?

1994
01:29:52,120 --> 01:29:55,920
Speaker 1: A gas mean a form of psychological abuse where a

1995
01:29:55,920 --> 01:29:58,920
Speaker 1: person causes someone to question their sanity, memory, or perception

1996
01:29:59,000 --> 01:29:59,519
Speaker 1: of reality.

1997
01:30:00,120 --> 01:30:02,679
Speaker 5: She would is a difference of opinion. That's a different

1998
01:30:02,760 --> 01:30:04,600
Speaker 5: Yet it's just you guys, weren't like that wasn't a

1999
01:30:04,720 --> 01:30:06,800
Speaker 5: gas Like, No, that's not y'all got to go back

2000
01:30:06,840 --> 01:30:08,320
Speaker 5: and listen to that. And that's why I was sitting

2001
01:30:08,360 --> 01:30:10,760
Speaker 5: here like so when I said, what are you'all talking about?

2002
01:30:10,840 --> 01:30:11,320
Speaker 3: What I said?

2003
01:30:11,800 --> 01:30:13,240
Speaker 2: So when I say what are y'all talking about?

2004
01:30:13,360 --> 01:30:14,040
Speaker 3: That's what that is.

2005
01:30:14,080 --> 01:30:15,760
Speaker 2: It's like, are y'all do y'all hear what y'all saying?

2006
01:30:15,800 --> 01:30:16,080
Speaker 4: Right now?

2007
01:30:16,840 --> 01:30:18,960
Speaker 2: You're trying to change the perception of what reality is

2008
01:30:19,000 --> 01:30:22,080
Speaker 2: by saying Quavo's hotter than Christmas? No nigga on the planet?

2009
01:30:22,160 --> 01:30:22,400
Speaker 3: Whatever?

2010
01:30:22,439 --> 01:30:25,160
Speaker 4: You keep you gas like, that's not what we said.

2011
01:30:25,560 --> 01:30:27,439
Speaker 2: You didn't say Quavo was hotter than Chris Brown?

2012
01:30:28,120 --> 01:30:29,720
Speaker 4: Didn't we just explain this five minutes ago?

2013
01:30:29,760 --> 01:30:32,479
Speaker 2: Am I living in the I'm asking you're living in reality.

2014
01:30:32,840 --> 01:30:35,080
Speaker 2: You're living in reality. You're trying to change the reality

2015
01:30:35,080 --> 01:30:36,920
Speaker 2: of what you said clips of that's not what we said.

2016
01:30:37,120 --> 01:30:39,560
Speaker 2: We were talking about saying. We start saying what you

2017
01:30:39,720 --> 01:30:42,200
Speaker 2: say me me, The mayor says, you gets calm, that's

2018
01:30:42,240 --> 01:30:44,680
Speaker 2: not what I said. It's on YouTube. That's so you

2019
01:30:45,000 --> 01:30:47,320
Speaker 2: said that Chris Brown. You didn't say that Chris Brown.

2020
01:30:47,360 --> 01:30:49,439
Speaker 2: What I said you just say right now, in terms

2021
01:30:49,479 --> 01:30:51,680
Speaker 2: of whatever you said that Quavo is a hotter name

2022
01:30:51,880 --> 01:30:53,040
Speaker 2: than Chris Brown. You didn't say that.

2023
01:30:53,800 --> 01:30:56,000
Speaker 6: You keep saying Quavo. Did you say Cravo is bigger

2024
01:30:56,000 --> 01:30:57,880
Speaker 6: than Chris Brown. No, I didn't say that. I didn't

2025
01:30:57,880 --> 01:30:58,120
Speaker 6: say that.

2026
01:30:58,280 --> 01:31:01,240
Speaker 2: I said you said hotter than Chris Brown in a

2027
01:31:01,320 --> 01:31:04,600
Speaker 2: specific room, and I said, in no room in the

2028
01:31:04,760 --> 01:31:05,519
Speaker 2: world ever.

2029
01:31:05,920 --> 01:31:10,640
Speaker 1: And that's how the name than Christopher bout thanksgiving his

2030
01:31:10,720 --> 01:31:11,240
Speaker 1: grandmother what.

2031
01:31:11,320 --> 01:31:13,640
Speaker 2: She's talking about. How am I? How is that not

2032
01:31:13,720 --> 01:31:15,880
Speaker 2: what you said? That's exactly what you said. And that's

2033
01:31:15,920 --> 01:31:17,800
Speaker 2: my point of you saying, you don't guessate because now

2034
01:31:17,840 --> 01:31:20,080
Speaker 2: you're saying, that's not even what you said, and that's

2035
01:31:20,120 --> 01:31:21,120
Speaker 2: exactly what you say.

2036
01:31:21,360 --> 01:31:23,320
Speaker 4: I've come to realize that nuance is not really your

2037
01:31:23,360 --> 01:31:24,360
Speaker 4: best friend. That's fine.

2038
01:31:24,520 --> 01:31:25,439
Speaker 2: Nuance is not my best.

2039
01:31:25,920 --> 01:31:29,120
Speaker 6: Nuance is not your best friend. Every conversation has nuance

2040
01:31:29,240 --> 01:31:31,080
Speaker 6: to it. You ignored nuance.

2041
01:31:32,120 --> 01:31:34,479
Speaker 2: Everything you say, I don't repeat it. Everything you said

2042
01:31:34,680 --> 01:31:37,080
Speaker 2: on that date, whatever date that was in March April,

2043
01:31:37,360 --> 01:31:39,479
Speaker 2: Quavo was not hotter in any room on the planet

2044
01:31:39,560 --> 01:31:42,240
Speaker 2: than Chris Brown. Okay, And you sat here and broke

2045
01:31:42,280 --> 01:31:44,240
Speaker 2: it down, like, as far as household name is that,

2046
01:31:44,680 --> 01:31:47,360
Speaker 2: you said a bunch of shit, that meant nothing. That's

2047
01:31:47,360 --> 01:31:50,240
Speaker 2: your opinion, that's a fact. What are you talking about.

2048
01:31:50,920 --> 01:31:53,120
Speaker 2: Everybody that heard that clip agreed, like, what are you're

2049
01:31:53,160 --> 01:31:53,639
Speaker 2: talking about?

2050
01:31:53,720 --> 01:31:54,599
Speaker 4: And that's your opinion?

2051
01:31:55,000 --> 01:31:56,680
Speaker 2: She fuck her X or what?

2052
01:31:57,800 --> 01:32:04,280
Speaker 6: It's definitely stay far and stay far away from that.

2053
01:32:04,360 --> 01:32:06,040
Speaker 6: If you were still single and you still wanted to

2054
01:32:06,120 --> 01:32:07,800
Speaker 6: explore that, then you have every right too. But you

2055
01:32:07,920 --> 01:32:09,880
Speaker 6: signed on that dotted line. And not only did you

2056
01:32:09,880 --> 01:32:11,800
Speaker 6: sign on that dead line, you put put a child

2057
01:32:11,880 --> 01:32:13,760
Speaker 6: into this world and promise to give it the best

2058
01:32:13,800 --> 01:32:16,040
Speaker 6: life you can. You need to get over it. It's

2059
01:32:16,120 --> 01:32:18,120
Speaker 6: the grass is not greener and you're remembering all the

2060
01:32:18,160 --> 01:32:20,160
Speaker 6: good times and conveniently forgetting the best.

2061
01:32:20,200 --> 01:32:22,840
Speaker 1: She's gaslighting herself into thinking because she had fun with

2062
01:32:22,960 --> 01:32:24,559
Speaker 1: him for a few times, that that would.

2063
01:32:24,320 --> 01:32:25,240
Speaker 2: Be the better relationship.

2064
01:32:25,280 --> 01:32:27,080
Speaker 1: You never had a real relationship with him, or you'd

2065
01:32:27,080 --> 01:32:30,160
Speaker 1: be in one stop gaslighting yourself. He's not the one.

2066
01:32:30,360 --> 01:32:32,560
Speaker 1: If you have a fucked up marriage, divorce him and

2067
01:32:32,600 --> 01:32:33,320
Speaker 1: go find someone else.

2068
01:32:33,400 --> 01:32:34,880
Speaker 6: And she didn't even say the marriage was fucked up

2069
01:32:34,880 --> 01:32:37,879
Speaker 6: though she probably just also doesn't feel like herself.

2070
01:32:38,280 --> 01:32:41,439
Speaker 1: She and respectfully to her if it's gotten to a

2071
01:32:41,479 --> 01:32:44,519
Speaker 1: point that she called into a podcast for advice, that

2072
01:32:44,640 --> 01:32:45,680
Speaker 1: marriage is not a great place.

2073
01:32:45,720 --> 01:32:47,840
Speaker 4: But it's not even just that could she's probably not

2074
01:32:47,920 --> 01:32:49,639
Speaker 4: in a good place. It doesn't seem as the marriage.

2075
01:32:49,880 --> 01:32:50,160
Speaker 4: You can.

2076
01:32:50,320 --> 01:32:51,960
Speaker 1: You can be in a bad somebody's in a bad

2077
01:32:52,000 --> 01:32:54,479
Speaker 1: place in a relationship. The relationships in a bad place

2078
01:32:54,960 --> 01:32:57,320
Speaker 1: as someone that's been through bad ones. Yes, if one

2079
01:32:57,400 --> 01:33:00,640
Speaker 1: person is not present or around, that relationship is not

2080
01:33:00,680 --> 01:33:01,160
Speaker 1: in a good place.

2081
01:33:03,520 --> 01:33:04,519
Speaker 4: I mean, I'm not dissing.

2082
01:33:04,560 --> 01:33:07,160
Speaker 3: I'm not I found the clip. I was going to

2083
01:33:07,240 --> 01:33:07,800
Speaker 3: replay it, and.

2084
01:33:07,920 --> 01:33:10,040
Speaker 6: I don't see the clip is awful because it's a

2085
01:33:10,120 --> 01:33:12,000
Speaker 6: minute of a bunch of different conversations.

2086
01:33:12,640 --> 01:33:14,120
Speaker 4: How many clips have we put out you.

2087
01:33:14,200 --> 01:33:16,360
Speaker 1: And you be like, oh, that's not the full Anonymous

2088
01:33:16,560 --> 01:33:20,439
Speaker 1: go fuck your your ex boyfriend. It should just be

2089
01:33:20,520 --> 01:33:23,280
Speaker 1: so we're in a simulation. Go do whatever makes you

2090
01:33:23,320 --> 01:33:27,639
Speaker 1: happy for him. Fuck your ex boyfriend, fuck him, forget

2091
01:33:27,720 --> 01:33:29,960
Speaker 1: about logic perception for him.

2092
01:33:30,000 --> 01:33:32,400
Speaker 2: That's what I said. I said same, you.

2093
01:33:32,439 --> 01:33:34,720
Speaker 1: Want to start this evandually I want to.

2094
01:33:34,800 --> 01:33:36,479
Speaker 3: Yeah, I'm curious to see how it was cut.

2095
01:33:36,680 --> 01:33:38,280
Speaker 2: So you got to move somebody. Guess what they moving

2096
01:33:38,320 --> 01:33:38,719
Speaker 2: that person?

2097
01:33:39,080 --> 01:33:41,360
Speaker 3: You think if they told them they have to move Queva, they.

2098
01:33:41,320 --> 01:33:42,799
Speaker 2: Move one hundred.

2099
01:33:43,120 --> 01:33:45,400
Speaker 1: That's Chris Brown nigga at the root of that though,

2100
01:33:45,439 --> 01:33:47,800
Speaker 1: and Rude being probably one of the biggest brands within

2101
01:33:47,880 --> 01:33:48,360
Speaker 1: the culture.

2102
01:33:48,439 --> 01:33:53,560
Speaker 2: They kind of have the same social status. Is he

2103
01:33:53,600 --> 01:33:56,680
Speaker 2: a biggest start in quavo in the world? Obviously? All right,

2104
01:33:56,720 --> 01:34:00,120
Speaker 2: so what are we talking about? But that cu that

2105
01:34:00,160 --> 01:34:03,600
Speaker 2: ain't play man. Let want to her right, yeah, let

2106
01:34:03,720 --> 01:34:09,720
Speaker 2: it just make it play. This is a social event. Okay, Look,

2107
01:34:09,760 --> 01:34:12,000
Speaker 2: this is a social event. This is a fast ship.

2108
01:34:13,479 --> 01:34:17,720
Speaker 1: Quote unquote hotter he is, Yes, that's that happens with

2109
01:34:17,800 --> 01:34:18,639
Speaker 1: every artist ever.

2110
01:34:18,960 --> 01:34:21,439
Speaker 6: Based off of what Cuevo and the Migos are bigger

2111
01:34:21,560 --> 01:34:23,479
Speaker 6: than Chris Brown when it comes to a name and

2112
01:34:23,880 --> 01:34:25,960
Speaker 6: name recognition different in any room.

2113
01:34:26,040 --> 01:34:30,719
Speaker 1: Chris Brown, what does that mean he's also cut around

2114
01:34:31,000 --> 01:34:32,160
Speaker 1: that rude part he cut out?

2115
01:34:32,280 --> 01:34:35,160
Speaker 2: At what we heard what she said? What does that

2116
01:34:35,400 --> 01:34:39,000
Speaker 2: mean that Quavo is a hotter name? As far as

2117
01:34:39,080 --> 01:34:42,120
Speaker 2: what does that mean? Because kave amgos and not how

2118
01:34:42,439 --> 01:34:45,680
Speaker 2: a bigger name to Chris Brown in any scenario. We

2119
01:34:45,920 --> 01:34:48,360
Speaker 2: know that for a fact. That's not me guessing that

2120
01:34:48,520 --> 01:34:50,560
Speaker 2: is a fact. Chris Brown is bigger than all of

2121
01:34:50,600 --> 01:34:51,280
Speaker 2: these niggas whatever.

2122
01:34:51,400 --> 01:34:53,759
Speaker 3: Disagreeing with you, But that wasn't the argument.

2123
01:34:53,920 --> 01:34:54,680
Speaker 2: So what does she say?

2124
01:34:54,840 --> 01:34:55,560
Speaker 3: She just said it?

2125
01:34:55,760 --> 01:34:57,559
Speaker 6: Well, you won't know because it's a one minute clip

2126
01:34:57,640 --> 01:34:59,479
Speaker 6: that was cut in peach cut with the what did.

2127
01:34:59,400 --> 01:35:00,240
Speaker 3: You say there?

2128
01:35:00,280 --> 01:35:02,639
Speaker 1: Great way to cut right there? Didn't number you act

2129
01:35:02,680 --> 01:35:03,200
Speaker 1: like you act?

2130
01:35:03,280 --> 01:35:05,120
Speaker 2: What did you say? Right there? Literally cuts?

2131
01:35:05,120 --> 01:35:05,320
Speaker 4: Again?

2132
01:35:05,400 --> 01:35:07,559
Speaker 2: Okay, but arguing, so how come I right? So? How

2133
01:35:07,600 --> 01:35:09,519
Speaker 2: come it's only cut? So how come everything I'm saying

2134
01:35:09,560 --> 01:35:11,080
Speaker 2: in the cut makes sense? But what you said in

2135
01:35:11,120 --> 01:35:11,760
Speaker 2: the cut don't make.

2136
01:35:12,479 --> 01:35:12,840
Speaker 4: I don't know.

2137
01:35:13,840 --> 01:35:17,439
Speaker 1: Oh no, I figured that it's sold like that. I

2138
01:35:17,520 --> 01:35:19,280
Speaker 1: appreciate that. I was giving you props.

2139
01:35:19,680 --> 01:35:21,320
Speaker 2: It's right here, we're looking at it.

2140
01:35:21,840 --> 01:35:24,680
Speaker 4: I was looking bitterally. I literally, okay, you can't cut

2141
01:35:24,760 --> 01:35:25,080
Speaker 4: and clip?

2142
01:35:25,160 --> 01:35:26,840
Speaker 2: What you don't say she said it.

2143
01:35:27,040 --> 01:35:28,960
Speaker 3: Okay, all right, there's a little.

2144
01:35:28,800 --> 01:35:29,160
Speaker 6: Bit more.

2145
01:35:30,560 --> 01:35:32,360
Speaker 2: A girl sweet sixteen in quaver right now.

2146
01:35:33,960 --> 01:35:36,639
Speaker 1: That was quaking hollttle boy sweet sixteen.

2147
01:35:36,720 --> 01:35:40,080
Speaker 2: No, niggas don't have sweet sixteen? Went to a boy.

2148
01:35:41,800 --> 01:35:44,120
Speaker 2: You're not trying to change my perception reality, saying though

2149
01:35:44,360 --> 01:35:46,519
Speaker 2: boy don't know what the word I do? What boy

2150
01:35:46,600 --> 01:35:49,120
Speaker 2: has a sweet sixteen? That's not changing my perception of reality.

2151
01:35:49,479 --> 01:35:51,519
Speaker 1: L A Reed's son. That's what I saw it on MTV.

2152
01:35:53,439 --> 01:35:54,479
Speaker 2: Yo, y'all look crazy.

2153
01:35:54,560 --> 01:35:57,040
Speaker 3: There was a lot of boys that one was eighteen.

2154
01:35:57,080 --> 01:36:01,080
Speaker 1: Though I wish I would have went that was my

2155
01:36:01,160 --> 01:36:02,839
Speaker 1: mom and said, can I have a sweet sixteen?

2156
01:36:04,160 --> 01:36:06,519
Speaker 2: What does that mean? At a boy sweet sixteen? What

2157
01:36:06,640 --> 01:36:07,280
Speaker 2: boy has the sweet?

2158
01:36:07,720 --> 01:36:11,759
Speaker 1: If I remember correctly, that got brought into the new generation,

2159
01:36:11,960 --> 01:36:15,400
Speaker 1: and we were suggesting that when it came to sweet sixteen's.

2160
01:36:15,080 --> 01:36:19,439
Speaker 6: Today that they may want to go boy's birthday birthday

2161
01:36:19,479 --> 01:36:23,320
Speaker 6: parties or girls too, yeah, girls too, Yeah, just birthday parties.

2162
01:36:23,400 --> 01:36:27,120
Speaker 1: They may choose Quavo because of the age gay story.

2163
01:36:27,240 --> 01:36:31,320
Speaker 2: Shut up, no fucking girl, no little girl on this planet.

2164
01:36:31,360 --> 01:36:33,799
Speaker 2: It's gonna be happier to see Quavo at her birthday

2165
01:36:33,840 --> 01:36:34,799
Speaker 2: party than Chris.

2166
01:36:34,960 --> 01:36:36,600
Speaker 1: I'm never gonna pull it talking about you.

2167
01:36:37,439 --> 01:36:38,920
Speaker 2: Of course you're not gonna pull it because.

2168
01:36:38,720 --> 01:36:40,880
Speaker 1: You know that, you know, you know we have to

2169
01:36:40,920 --> 01:36:42,080
Speaker 1: get their consent.

2170
01:36:42,200 --> 01:36:45,280
Speaker 2: Cut this ship man, stop stop Quevo eight. No, we

2171
01:36:45,680 --> 01:36:47,720
Speaker 2: ain't even know his nigg in his group, I know

2172
01:36:47,840 --> 01:36:48,720
Speaker 2: how than Chris Brown?

2173
01:36:48,760 --> 01:36:49,479
Speaker 3: What are we talking about?

2174
01:36:49,520 --> 01:36:52,240
Speaker 1: I just don't know if sixteen year old girls are

2175
01:36:52,240 --> 01:36:53,160
Speaker 1: just running to Chris Brown.

2176
01:36:53,160 --> 01:36:56,960
Speaker 2: I don't know. I don't know. Yeah, now you don't know.

2177
01:36:57,040 --> 01:36:58,840
Speaker 2: Sixty year old girls are running to see Chris Brown.

2178
01:36:59,080 --> 01:36:59,800
Speaker 3: No, I don't know.

2179
01:37:00,360 --> 01:37:01,000
Speaker 4: Rory stopped this.

2180
01:37:01,240 --> 01:37:01,880
Speaker 2: What's up with you?

2181
01:37:01,960 --> 01:37:02,280
Speaker 3: What's up?

2182
01:37:02,360 --> 01:37:02,479
Speaker 8: Man?

2183
01:37:02,720 --> 01:37:03,120
Speaker 3: I don't know.

2184
01:37:03,280 --> 01:37:04,800
Speaker 2: You say you was wrong? Though you could just say

2185
01:37:04,840 --> 01:37:05,200
Speaker 2: you was wrong.

2186
01:37:05,240 --> 01:37:06,880
Speaker 1: I did before, and you gas let me and wouldn't

2187
01:37:06,920 --> 01:37:07,720
Speaker 1: let me to say it.

2188
01:37:07,760 --> 01:37:09,800
Speaker 2: I'm not letting you mean to me when I said, yeah,

2189
01:37:09,800 --> 01:37:12,080
Speaker 2: I'm wrong, I'm saying right now you're saying that you

2190
01:37:12,120 --> 01:37:12,400
Speaker 2: don't know.

2191
01:37:12,600 --> 01:37:15,160
Speaker 1: There's been about five episodes after that clip that I

2192
01:37:15,240 --> 01:37:16,960
Speaker 1: have said to you to your face, looked you dead

2193
01:37:16,960 --> 01:37:18,720
Speaker 1: and eyes and said I was wrong and you will

2194
01:37:18,760 --> 01:37:19,840
Speaker 1: never let me just be wrong?

2195
01:37:19,920 --> 01:37:22,559
Speaker 2: Cool? Speaking to what you just said, you say you don't.

2196
01:37:22,439 --> 01:37:25,240
Speaker 1: You're looking like kea right. You said, I've said I

2197
01:37:25,400 --> 01:37:25,719
Speaker 1: was wrong.

2198
01:37:26,200 --> 01:37:26,560
Speaker 9: Let it go.

2199
01:37:26,840 --> 01:37:29,240
Speaker 2: So you just said you just said you don't know

2200
01:37:29,360 --> 01:37:32,120
Speaker 2: if little girls were running. I don't know anything little

2201
01:37:32,160 --> 01:37:35,840
Speaker 2: girls are doing. Sixteen year old girls. I have no clue.

2202
01:37:36,600 --> 01:37:36,960
Speaker 3: Girls.

2203
01:37:40,720 --> 01:37:43,360
Speaker 2: But but I'm crazy.

2204
01:37:43,439 --> 01:37:46,280
Speaker 1: Though I don't think you're I don't think anyone do

2205
01:37:46,360 --> 01:37:46,840
Speaker 1: you see?

2206
01:37:47,120 --> 01:37:49,320
Speaker 6: Do y'all see the point? He's improving the point for

2207
01:37:49,400 --> 01:37:54,519
Speaker 6: the bad Timm. Nobody said you were crazy. Nobody. I

2208
01:37:54,640 --> 01:37:57,040
Speaker 6: said ten minutes ago that I agree with you. You

2209
01:37:57,160 --> 01:37:58,080
Speaker 6: proved us all wrong.

2210
01:37:58,200 --> 01:37:58,840
Speaker 3: Yes, you were right.

2211
01:37:58,880 --> 01:38:01,360
Speaker 6: I said that mad long. But in the moment, in

2212
01:38:01,400 --> 01:38:04,400
Speaker 6: the moment, no, I wasn't gaslighting. I had a difference

2213
01:38:04,439 --> 01:38:05,960
Speaker 6: of opinion. People are allowed to have different to that.

2214
01:38:06,080 --> 01:38:09,960
Speaker 2: That's usually. It's not gas changing the perception of reality

2215
01:38:10,000 --> 01:38:12,479
Speaker 2: by saying that, you know, I'm giving my opinion. That's

2216
01:38:12,560 --> 01:38:15,000
Speaker 2: not But that's not that's not what you did. You said,

2217
01:38:15,560 --> 01:38:19,840
Speaker 2: you down the conversation. You're broken down. You said, household name,

2218
01:38:20,000 --> 01:38:20,880
Speaker 2: we stood on the opinion.

2219
01:38:20,960 --> 01:38:23,360
Speaker 6: But when I supported his opinion with okay, well this

2220
01:38:23,520 --> 01:38:24,920
Speaker 6: is how break it down like this?

2221
01:38:25,200 --> 01:38:26,200
Speaker 4: Then somehow it's you.

2222
01:38:26,479 --> 01:38:28,320
Speaker 6: You were saying this. You were saying this when that's

2223
01:38:28,360 --> 01:38:29,920
Speaker 6: not what I said. I just saw you say it,

2224
01:38:30,520 --> 01:38:31,760
Speaker 6: and I'm not going to go off of the fact

2225
01:38:31,760 --> 01:38:33,839
Speaker 6: that Peach clipped it up like that to get reactions

2226
01:38:33,880 --> 01:38:34,920
Speaker 6: because he's good at his job.

2227
01:38:35,640 --> 01:38:38,800
Speaker 2: Job. It was a great clip. But everything in my

2228
01:38:39,120 --> 01:38:40,720
Speaker 2: everything that he clipped to me was me being right

2229
01:38:40,760 --> 01:38:47,439
Speaker 2: though okay, he does me, Okay, all right. I didn't

2230
01:38:47,439 --> 01:38:48,360
Speaker 2: know that that's what was happening.

2231
01:38:48,840 --> 01:38:50,080
Speaker 1: So who's the biggest gas letter?

2232
01:38:50,760 --> 01:38:53,679
Speaker 4: Like I said, let the room decide. Let the people

2233
01:38:53,880 --> 01:38:55,320
Speaker 4: listen and vote in.

2234
01:38:55,320 --> 01:39:00,479
Speaker 5: The comments, Manu, right now our discord, vote in the

2235
01:39:00,520 --> 01:39:01,400
Speaker 5: YouTube comments.

2236
01:39:01,720 --> 01:39:03,479
Speaker 1: We'll see what was the final poll on this cord?

2237
01:39:04,120 --> 01:39:05,880
Speaker 1: It was Mall, I know what, Like, what were the

2238
01:39:05,920 --> 01:39:08,320
Speaker 1: percentages I saw that they were doing it. I didn't

2239
01:39:08,320 --> 01:39:10,320
Speaker 1: see the final because it doesn't take like twenty four hours.

2240
01:39:10,400 --> 01:39:12,799
Speaker 2: People thinking I'm a gas lighter is fucking insane.

2241
01:39:13,280 --> 01:39:16,200
Speaker 12: That's the peak gas lighter answer rate their response, you

2242
01:39:16,280 --> 01:39:17,160
Speaker 12: think I'm a gas lighter.

2243
01:39:17,920 --> 01:39:20,800
Speaker 3: I can see the point Like with that, Demerius is making.

2244
01:39:20,800 --> 01:39:23,880
Speaker 6: What's the point sixty eight percent, Mall twenty three percent, me,

2245
01:39:24,160 --> 01:39:26,240
Speaker 6: Rory five percent, Julian five percent.

2246
01:39:26,320 --> 01:39:27,639
Speaker 2: He's the first of all. He might be the biggest

2247
01:39:27,640 --> 01:39:30,040
Speaker 2: gas light I've ever met in my life. What in

2248
01:39:30,160 --> 01:39:30,679
Speaker 2: real life?

2249
01:39:31,360 --> 01:39:35,320
Speaker 6: I r l definitely what were you gaslight a little

2250
01:39:35,360 --> 01:39:37,320
Speaker 6: bit too, and so I don't think we fucking them

2251
01:39:37,360 --> 01:39:37,840
Speaker 6: all though.

2252
01:39:37,760 --> 01:39:40,639
Speaker 2: But you you gassed like too. You think I'm gaslighting

2253
01:39:40,720 --> 01:39:43,360
Speaker 2: by saying, what are we talking about? That's gaslight? And

2254
01:39:43,400 --> 01:39:45,439
Speaker 2: what are we talking about if I'm speaking facts?

2255
01:39:46,840 --> 01:39:49,479
Speaker 1: Wait, okay, now I'm wondering how I'm a gas letter?

2256
01:39:51,000 --> 01:39:53,360
Speaker 2: What funk all the other shiit? Im happy to be here.

2257
01:39:54,360 --> 01:39:56,479
Speaker 2: I mean you literally admitted to being a gas lighter

2258
01:39:56,520 --> 01:39:57,160
Speaker 2: before you.

2259
01:39:57,240 --> 01:40:00,160
Speaker 1: Got gas litting situations for fun. Absolutely care.

2260
01:40:00,160 --> 01:40:01,080
Speaker 2: I'm not saying you're doing it for.

2261
01:40:01,160 --> 01:40:03,599
Speaker 1: Like you've been in a relationships you get in real life.

2262
01:40:03,680 --> 01:40:05,439
Speaker 1: I thought you meant like I'm really out in these streets.

2263
01:40:05,760 --> 01:40:08,599
Speaker 1: I guess like for fun. No, here, for sure, that's

2264
01:40:08,600 --> 01:40:11,200
Speaker 1: what I'm only talking about for him. I completely make

2265
01:40:11,280 --> 01:40:12,559
Speaker 1: up things you say for for fun.

2266
01:40:12,680 --> 01:40:14,479
Speaker 2: That's what I'm saying. That's what I'm speaking to.

2267
01:40:16,240 --> 01:40:19,599
Speaker 4: Was saying, No, you've gasolin relationships before. That's oh yeah,

2268
01:40:19,760 --> 01:40:20,960
Speaker 4: we're humans, like we all.

2269
01:40:21,200 --> 01:40:23,320
Speaker 2: I think every man has done that before. But like,

2270
01:40:23,400 --> 01:40:25,920
Speaker 2: I'm not like a serial gas lighter. I see I

2271
01:40:25,960 --> 01:40:27,599
Speaker 2: didn't put cereal in front of it. See I never

2272
01:40:27,640 --> 01:40:31,040
Speaker 2: said that. I just said you are the big gaslighting

2273
01:40:31,080 --> 01:40:33,560
Speaker 2: right now. Yeah, it might be depends on what the

2274
01:40:33,600 --> 01:40:36,720
Speaker 2: definition is. What does it read it and put it

2275
01:40:36,760 --> 01:40:37,439
Speaker 2: into a sentence.

2276
01:40:40,000 --> 01:40:43,040
Speaker 6: Gaslighting is if you sent it there telling somebody like

2277
01:40:43,200 --> 01:40:45,280
Speaker 6: if somebody if you're cheating and your girlfriend comes to

2278
01:40:45,360 --> 01:40:46,920
Speaker 6: you like I know you're cheating, I just can't prove it.

2279
01:40:46,960 --> 01:40:49,120
Speaker 4: I know you're cheating. It's like you know I'm cheating.

2280
01:40:49,160 --> 01:40:51,600
Speaker 6: You're crazy and that's your problem because your mother, you

2281
01:40:51,680 --> 01:40:53,479
Speaker 6: didn't stay with your father, and now you don't.

2282
01:40:53,280 --> 01:40:54,920
Speaker 2: Believe real life. I've never learned that before.

2283
01:40:55,000 --> 01:40:55,800
Speaker 4: That's gas.

2284
01:40:56,280 --> 01:40:57,080
Speaker 2: That's a form of gas.

2285
01:40:57,360 --> 01:40:58,560
Speaker 3: Make sure what was that?

2286
01:40:58,680 --> 01:41:02,000
Speaker 2: Let me write that one down. So mother wasn't with father?

2287
01:41:04,000 --> 01:41:04,759
Speaker 2: D e's that tonight?

2288
01:41:06,080 --> 01:41:08,560
Speaker 6: Or saying some ship like I know, you know you

2289
01:41:08,640 --> 01:41:10,880
Speaker 6: don't remember that happened, And it's like, no, I don't

2290
01:41:10,920 --> 01:41:13,240
Speaker 6: remember that happened. I'm telling you that happened. Like it's like, no,

2291
01:41:13,400 --> 01:41:15,760
Speaker 6: it didn't happen, Like what just didn't me? It got

2292
01:41:15,840 --> 01:41:18,679
Speaker 6: me looking like damn, did that happen? It's like questioning

2293
01:41:18,720 --> 01:41:20,160
Speaker 6: your own sanity in real life.

2294
01:41:20,240 --> 01:41:21,880
Speaker 2: Out of a few relationships. I don't.

2295
01:41:21,920 --> 01:41:27,200
Speaker 1: I don't feel personally that I'm part of the gaslight community.

2296
01:41:28,280 --> 01:41:30,639
Speaker 2: Them won't I saying I'm the biggest gas lighter is wow,

2297
01:41:34,479 --> 01:41:36,120
Speaker 2: well yeah, definitely another one.

2298
01:41:36,120 --> 01:41:40,599
Speaker 3: I don't know I am.

2299
01:41:40,960 --> 01:41:42,439
Speaker 5: First of all, we can all agree I am an

2300
01:41:42,479 --> 01:41:45,040
Speaker 5: awful liar. I can't lie. That's why I suck at

2301
01:41:45,040 --> 01:41:47,000
Speaker 5: gaslight based off.

2302
01:41:47,840 --> 01:41:50,200
Speaker 3: Yes, not always.

2303
01:41:51,600 --> 01:41:54,760
Speaker 6: When you're gaslighting, well, not always full lies, but yeah,

2304
01:41:55,439 --> 01:41:56,760
Speaker 6: but it's manipulation for sure.

2305
01:41:56,880 --> 01:41:57,760
Speaker 3: I can't lie for ship.

2306
01:41:58,479 --> 01:42:00,240
Speaker 4: Manipulate you you're kind of suck it up care of

2307
01:42:00,280 --> 01:42:00,519
Speaker 4: all that.

2308
01:42:01,479 --> 01:42:07,720
Speaker 2: A manipulating You're great at that. Manipulate who I've seen

2309
01:42:07,760 --> 01:42:10,559
Speaker 2: you manipulate things. Don't do that where you're like doctor.

2310
01:42:10,640 --> 01:42:11,840
Speaker 2: You're like doctor strange when.

2311
01:42:11,680 --> 01:42:14,040
Speaker 3: It comes to manipulation, it's explained.

2312
01:42:14,680 --> 01:42:16,479
Speaker 2: I mean, I've seen you do certain things where it

2313
01:42:16,600 --> 01:42:19,000
Speaker 2: was like, okay, you manipulated that situation. But it's not

2314
01:42:19,080 --> 01:42:21,760
Speaker 2: nothing crazy. But you can't say you're not a manipulator

2315
01:42:21,800 --> 01:42:25,120
Speaker 2: though I've seen you manipulate. Now, I'm not saying that

2316
01:42:25,160 --> 01:42:27,439
Speaker 2: you move through life trying to manipulate rooms and shit

2317
01:42:27,520 --> 01:42:27,640
Speaker 2: like that.

2318
01:42:27,800 --> 01:42:30,880
Speaker 1: No, but if you've done it all right, so it's

2319
01:42:30,880 --> 01:42:36,400
Speaker 1: like forty Eight Laws of power. Machiavelli like, are those scriptures?

2320
01:42:36,439 --> 01:42:40,640
Speaker 1: Are those gaslighting? Because they don't really necessarily tell you

2321
01:42:40,720 --> 01:42:45,040
Speaker 1: to lie per se. The artists teach you how to manipulate.

2322
01:42:45,080 --> 01:42:46,879
Speaker 4: And the truth, well, not all manipulate.

2323
01:42:46,960 --> 01:42:49,640
Speaker 6: Gaslighting is a form of manipulation, but not all manipulation

2324
01:42:49,800 --> 01:42:53,519
Speaker 6: is gaslighting. So there's manipulation, and then gaslighting is one

2325
01:42:53,520 --> 01:42:54,679
Speaker 6: of the umbrellas under.

2326
01:42:54,520 --> 01:42:59,160
Speaker 2: Gosh, all right, the subgenre it's like universal and then

2327
01:42:59,280 --> 01:42:59,840
Speaker 2: like death jam.

2328
01:43:00,720 --> 01:43:03,120
Speaker 1: All I know is you saying me being the biggest

2329
01:43:03,520 --> 01:43:06,840
Speaker 1: gas letter you ever met in your life is hilarious.

2330
01:43:07,520 --> 01:43:08,400
Speaker 2: Knowing the people we know.

2331
01:43:09,680 --> 01:43:17,320
Speaker 3: You know, Diddy, that's that spectrum, Yo, He's conn d

2332
01:43:18,720 --> 01:43:19,160
Speaker 3: you call it?

2333
01:43:19,200 --> 01:43:24,320
Speaker 2: Did Now that I think about it, I think Puff

2334
01:43:24,400 --> 01:43:27,920
Speaker 2: did gaslight me once. He was trying to do something else.

2335
01:43:28,600 --> 01:43:35,040
Speaker 1: I'm thinking about it. He did fire and design myself after.

2336
01:43:36,360 --> 01:43:37,120
Speaker 2: He's just sick.

2337
01:43:39,840 --> 01:43:41,920
Speaker 1: Definitely gas lip me once and I felt good about myself.

2338
01:43:41,920 --> 01:43:42,920
Speaker 1: But we have another voicemail.

2339
01:43:42,960 --> 01:43:46,080
Speaker 2: Let's let's go there. Oh you was ready, No, not

2340
01:43:46,200 --> 01:43:46,400
Speaker 2: for that.

2341
01:43:46,640 --> 01:43:48,080
Speaker 1: I didn't know he was doing that. But see I

2342
01:43:48,080 --> 01:43:49,960
Speaker 1: didn't even see the bread crumbs he was laying.

2343
01:43:49,840 --> 01:43:50,479
Speaker 2: Did you douche?

2344
01:43:50,920 --> 01:43:51,040
Speaker 3: Oh?

2345
01:43:51,040 --> 01:43:55,200
Speaker 2: You to see the oil so good?

2346
01:43:55,680 --> 01:43:57,479
Speaker 1: Yo? Why were they so mean to bow on Twitter

2347
01:43:57,600 --> 01:43:58,240
Speaker 1: over the weekend?

2348
01:43:59,560 --> 01:44:02,559
Speaker 4: I got bow Wow's point, but he needed ship all.

2349
01:44:02,439 --> 01:44:05,240
Speaker 1: Right, say Cheese. I don't know if Sa Cheese misquoted him, but.

2350
01:44:07,640 --> 01:44:08,320
Speaker 2: Probably didn't.

2351
01:44:08,479 --> 01:44:10,360
Speaker 1: That's why I'm saying. I don't know if it's fair

2352
01:44:10,439 --> 01:44:13,599
Speaker 1: for bow Wow. But they had posted something a quote

2353
01:44:13,640 --> 01:44:16,120
Speaker 1: from bow Wow saying your sense like puff got locked up.

2354
01:44:16,360 --> 01:44:18,760
Speaker 1: All the parties been dead like after BT weekend and

2355
01:44:18,920 --> 01:44:19,439
Speaker 1: nowhere to go.

2356
01:44:19,720 --> 01:44:23,519
Speaker 2: Like, nah, he didn't say that. Wait, bow Wow said that.

2357
01:44:24,240 --> 01:44:26,360
Speaker 2: Sat Cheese posted it, So I don't know. Bow Wow

2358
01:44:26,400 --> 01:44:27,679
Speaker 2: said that like on a mic.

2359
01:44:27,640 --> 01:44:31,080
Speaker 1: But somebody said he's been so freaked out he's having withdrawals.

2360
01:44:34,439 --> 01:44:35,760
Speaker 2: I was like, Yo, this is fun. I don't do

2361
01:44:35,840 --> 01:44:37,559
Speaker 2: bow Wow like that. Man, don't do that man.

2362
01:44:37,680 --> 01:44:39,320
Speaker 3: Yeah he did it barely say uh.

2363
01:44:41,479 --> 01:44:43,360
Speaker 6: Bruh Okay, so he said Bruh's supposed to be on

2364
01:44:43,400 --> 01:44:45,120
Speaker 6: a two hundred and fifty foot yeat with his wife

2365
01:44:45,240 --> 01:44:47,680
Speaker 6: legs up chilling. It seems unreal at times. Me and

2366
01:44:47,760 --> 01:44:49,280
Speaker 6: Jermaine spoke about it, and I was like, I never

2367
01:44:49,320 --> 01:44:51,040
Speaker 6: thought we would see him in this position. Ever, He's

2368
01:44:51,240 --> 01:44:53,080
Speaker 6: he's like the gate keeper to the game to the

2369
01:44:53,120 --> 01:44:55,280
Speaker 6: point where BT Awards weekend in the past two they

2370
01:44:55,360 --> 01:44:57,280
Speaker 6: just didn't feel right because there was no motion, no parties.

2371
01:44:57,320 --> 01:44:58,040
Speaker 4: There was nowhere to go.

2372
01:44:59,000 --> 01:45:01,759
Speaker 6: He was he's clarified that he didn't mean the freak offs,

2373
01:45:02,200 --> 01:45:03,960
Speaker 6: and he was like, there's just no parties. You feel

2374
01:45:03,960 --> 01:45:05,639
Speaker 6: like it's a whole. He was everything in hip hop.

2375
01:45:05,680 --> 01:45:07,240
Speaker 6: For that to die out, you just would have never thought.

2376
01:45:07,240 --> 01:45:09,040
Speaker 6: It's sad and it's mess up that we gotta witness this.

2377
01:45:09,360 --> 01:45:11,160
Speaker 6: I don't blame him for what he said.

2378
01:45:11,240 --> 01:45:11,439
Speaker 3: I do.

2379
01:45:12,040 --> 01:45:16,040
Speaker 6: I don't I get what he's don't get it's always

2380
01:45:16,040 --> 01:45:17,640
Speaker 6: definitely a bad time. He shouldn't have said it, but

2381
01:45:17,720 --> 01:45:20,880
Speaker 6: I understood where he was coming from. Like, find another promoter,

2382
01:45:22,280 --> 01:45:24,200
Speaker 6: Colin Diddy a promoter is funny.

2383
01:45:24,320 --> 01:45:27,040
Speaker 1: It's never that serious. That's how puff started, I know.

2384
01:45:27,200 --> 01:45:30,519
Speaker 4: But that's that's funny. Yes, he shouldn't.

2385
01:45:30,520 --> 01:45:32,800
Speaker 1: He should someone else can throw b two weekend parties

2386
01:45:32,840 --> 01:45:33,400
Speaker 1: in Atlanta.

2387
01:45:35,080 --> 01:45:40,360
Speaker 2: Word, that's a little powder puff. You're gonna fight you

2388
01:45:41,400 --> 01:45:42,680
Speaker 2: Sean got to shoot him.

2389
01:45:43,200 --> 01:45:49,639
Speaker 4: That was wild. Powder Puff is really really puff.

2390
01:45:50,680 --> 01:45:57,880
Speaker 13: It could be like that's very funny, shout out going on. Yeah,

2391
01:45:57,880 --> 01:46:00,240
Speaker 13: of course they moved it the They gotta to make

2392
01:46:00,320 --> 01:46:02,680
Speaker 13: us one know everything. Yeah, I don't think that was

2393
01:46:02,720 --> 01:46:04,920
Speaker 13: officially announced, but that's gonna be.

2394
01:46:04,920 --> 01:46:11,080
Speaker 2: A thing different showings, still in the same Yeah, I

2395
01:46:11,680 --> 01:46:13,760
Speaker 2: see how the moon and the stars lined up. Man,

2396
01:46:14,600 --> 01:46:16,360
Speaker 2: go ahead and take that take that lane, lead it,

2397
01:46:16,439 --> 01:46:18,560
Speaker 2: you know the other shop alone. Yeah, No, just have

2398
01:46:18,680 --> 01:46:21,479
Speaker 2: like the parties, just just regular you know, good night,

2399
01:46:21,600 --> 01:46:23,559
Speaker 2: go away by, go home like that type of there's

2400
01:46:23,600 --> 01:46:26,120
Speaker 2: I've been to a million parties that nothing nasty happened.

2401
01:46:26,160 --> 01:46:27,800
Speaker 2: It was just a good time and then everyone went home.

2402
01:46:28,479 --> 01:46:29,080
Speaker 2: Those are okay.

2403
01:46:29,280 --> 01:46:33,640
Speaker 1: Next voicemail, Yeah, cheat on your husband to conclude the

2404
01:46:33,680 --> 01:46:34,080
Speaker 1: other one.

2405
01:46:34,240 --> 01:46:36,000
Speaker 4: I am man might that's how you get at his head.

2406
01:46:37,800 --> 01:46:39,760
Speaker 3: All right, this thing sucks a lot of refreshers.

2407
01:46:39,840 --> 01:46:40,519
Speaker 2: You get the herpaes.

2408
01:46:43,200 --> 01:46:46,719
Speaker 8: Okay, what's up, y'all. I'm not really asking for advice.

2409
01:46:46,800 --> 01:46:49,760
Speaker 8: I'm more just sharing a funny story. But I also

2410
01:46:49,880 --> 01:46:52,040
Speaker 8: could use advice, so you know, let me know what

2411
01:46:52,120 --> 01:46:55,559
Speaker 8: y'all think. So, when I'm not living on Whoror Island

2412
01:46:55,640 --> 01:46:58,000
Speaker 8: waiting for the nuclear bomb, I'm a teacher, as y'all know,

2413
01:46:58,040 --> 01:46:58,559
Speaker 8: It's Maddie.

2414
01:46:58,560 --> 01:46:58,920
Speaker 3: What's up.

2415
01:46:59,840 --> 01:47:02,720
Speaker 8: And one of the ways that I keep kids from

2416
01:47:02,800 --> 01:47:06,120
Speaker 8: being absolutely annoying or just wilding out in the classroom

2417
01:47:06,240 --> 01:47:09,599
Speaker 8: is by being incredibly cringe in my classroom management.

2418
01:47:09,720 --> 01:47:11,720
Speaker 2: So when pushing P.

2419
01:47:11,880 --> 01:47:15,000
Speaker 8: Came out and my ninth graders wouldn't shut up about

2420
01:47:15,000 --> 01:47:17,599
Speaker 8: pushing P, I read the lyrics to them the style

2421
01:47:17,640 --> 01:47:21,479
Speaker 8: of masterpiece theater. I'm also, you know, catastrophically Caucasian. So

2422
01:47:21,600 --> 01:47:23,960
Speaker 8: they hated this. They stopped saying pushing P in my

2423
01:47:24,080 --> 01:47:28,760
Speaker 8: class So this is like my general like method, say

2424
01:47:28,840 --> 01:47:31,800
Speaker 8: the sling back to them, make it immediately not cool.

2425
01:47:32,960 --> 01:47:35,840
Speaker 8: It stopped being said in my classroom. The problem is

2426
01:47:35,920 --> 01:47:39,479
Speaker 8: that the students have really become attached to the phrase glazing,

2427
01:47:40,520 --> 01:47:44,760
Speaker 8: and I just cannot use that term back at them,

2428
01:47:47,120 --> 01:47:50,600
Speaker 8: you know, because I'm trying to put genitalia and me

2429
01:47:50,800 --> 01:47:53,920
Speaker 8: or them in the same sentence, right, But like they

2430
01:47:54,280 --> 01:47:56,439
Speaker 8: love saying it, like oh, mister glazing, you're glazing. And

2431
01:47:56,520 --> 01:47:58,200
Speaker 8: it got really bad because they said I was glazing

2432
01:47:58,280 --> 01:48:00,920
Speaker 8: the assistant principle and I was like, okay, we need

2433
01:48:01,040 --> 01:48:03,800
Speaker 8: to stop. But if you tell the students to stop,

2434
01:48:03,960 --> 01:48:05,840
Speaker 8: they're just going to keep doing it. So I'm you know,

2435
01:48:06,120 --> 01:48:07,800
Speaker 8: just laugh at my pain, I guess. And if you

2436
01:48:07,880 --> 01:48:11,040
Speaker 8: have any suggestions, I'd love to hear them, thanks.

2437
01:48:11,000 --> 01:48:11,679
Speaker 3: Stop glazing.

2438
01:48:12,640 --> 01:48:15,760
Speaker 1: Yeah, sounds like you're too much of a glazer. I mean,

2439
01:48:16,320 --> 01:48:19,360
Speaker 1: is Julian you've worked as a teacher. Can she just

2440
01:48:19,400 --> 01:48:22,080
Speaker 1: get the glazing shit off? Or will she be thrown out?

2441
01:48:22,120 --> 01:48:22,320
Speaker 3: Yeah?

2442
01:48:22,320 --> 01:48:24,040
Speaker 5: I was gonna say that's that's a weird one, because

2443
01:48:24,040 --> 01:48:25,479
Speaker 5: I really did try to think about how I would

2444
01:48:25,479 --> 01:48:27,920
Speaker 5: handle that. In her defense, there were some things that

2445
01:48:28,040 --> 01:48:31,200
Speaker 5: my students would say. I'm trying to remember I can't

2446
01:48:31,200 --> 01:48:34,400
Speaker 5: remember what the things that, but I would intentionally use

2447
01:48:34,439 --> 01:48:36,479
Speaker 5: them out of context or like fuck it up and

2448
01:48:36,520 --> 01:48:38,280
Speaker 5: make a sound lame so they would stop saying it.

2449
01:48:38,680 --> 01:48:41,479
Speaker 3: That is a classic strategy, the stuff the glazing one

2450
01:48:41,560 --> 01:48:42,080
Speaker 3: you can't.

2451
01:48:41,920 --> 01:48:44,519
Speaker 1: Work, tell me how you may Yo, that's on gd

2452
01:48:44,720 --> 01:48:45,200
Speaker 1: sound lame.

2453
01:48:45,840 --> 01:48:51,280
Speaker 5: Luckily they weren't saying that, but it was just like, yeah,

2454
01:48:51,360 --> 01:48:54,200
Speaker 5: like typical you know, rap lyrics or insults, and I

2455
01:48:54,240 --> 01:48:56,439
Speaker 5: would just purposely use them out of context or just

2456
01:48:56,520 --> 01:48:58,479
Speaker 5: like refer to myself as it and I'm like now

2457
01:48:58,520 --> 01:49:00,439
Speaker 5: what And they're like, well, that's not fun if you

2458
01:49:00,520 --> 01:49:03,440
Speaker 5: just call yourself that, So they would just stop Glazing's

2459
01:49:03,479 --> 01:49:06,160
Speaker 5: tough because in her, to your point, it is inherently sexual.

2460
01:49:06,760 --> 01:49:07,599
Speaker 3: That's weird to say.

2461
01:49:08,000 --> 01:49:10,240
Speaker 5: Like I taught middle schoolers, I wouldn't be like, stop

2462
01:49:10,360 --> 01:49:12,800
Speaker 5: glazing another ten year old or it.

2463
01:49:12,840 --> 01:49:15,240
Speaker 1: Was clear you've been glazing those books. You need to

2464
01:49:15,280 --> 01:49:19,680
Speaker 1: glaze that homework. No, see, but it sounds lame. I

2465
01:49:19,800 --> 01:49:21,680
Speaker 1: wasn't trying to sound cool. Yeah, yeah, I think my

2466
01:49:21,800 --> 01:49:23,040
Speaker 1: point came across there, right.

2467
01:49:23,120 --> 01:49:25,280
Speaker 3: Yeah. The angle is to make it sound like fucking lame.

2468
01:49:25,720 --> 01:49:29,519
Speaker 4: So I think I think, I don't know.

2469
01:49:29,600 --> 01:49:31,479
Speaker 6: I don't know the school rules are how you I

2470
01:49:31,520 --> 01:49:33,840
Speaker 6: would say, still use it, like use it to the

2471
01:49:33,880 --> 01:49:36,240
Speaker 6: point where it's annoying and nauseating to them. And if

2472
01:49:36,479 --> 01:49:38,400
Speaker 6: the school board just comes to you say it's something

2473
01:49:38,479 --> 01:49:41,040
Speaker 6: like you're putting extra sauce on something like just lie like, oh,

2474
01:49:41,080 --> 01:49:42,920
Speaker 6: you're putting extra sauce on, like like a don't like

2475
01:49:42,960 --> 01:49:44,200
Speaker 6: a glaze donut, you're putting extras.

2476
01:49:44,479 --> 01:49:47,320
Speaker 1: Maybe bring in some glazed donuts or that dare you

2477
01:49:47,360 --> 01:49:48,759
Speaker 1: get away with all the glazed comments.

2478
01:49:49,000 --> 01:49:53,760
Speaker 3: Another thing, too, is like this is there? You know

2479
01:49:53,920 --> 01:49:55,599
Speaker 3: this that the slang the kids slang.

2480
01:49:55,720 --> 01:49:57,760
Speaker 5: So it's like all right, So if you don't draw

2481
01:49:57,760 --> 01:49:59,200
Speaker 5: attention to it, or if you don't make it a

2482
01:49:59,240 --> 01:50:01,400
Speaker 5: big deal, I'm not going to say it'll go away,

2483
01:50:01,640 --> 01:50:03,360
Speaker 5: but just don't make it a thing when you hear it.

2484
01:50:03,439 --> 01:50:05,320
Speaker 5: Don't try to call it out, because they'll then they'll

2485
01:50:05,360 --> 01:50:07,280
Speaker 5: start saying intentionally to get a reaction or a rise

2486
01:50:07,320 --> 01:50:09,880
Speaker 5: out of you. So if a kid like raises their

2487
01:50:09,920 --> 01:50:12,439
Speaker 5: hand and gets like a question, right, and they're like yes,

2488
01:50:12,680 --> 01:50:14,800
Speaker 5: and then someone from across rooms like stop glazing or

2489
01:50:14,800 --> 01:50:16,280
Speaker 5: whatever the fuck, then just ignore it.

2490
01:50:16,439 --> 01:50:18,519
Speaker 3: Just pretend like you didn't hear it, let them move on.

2491
01:50:19,040 --> 01:50:20,880
Speaker 5: And then if you don't give it attention, they're more

2492
01:50:20,960 --> 01:50:22,840
Speaker 5: than less likely to say it or do it.

2493
01:50:23,120 --> 01:50:25,040
Speaker 6: And these kids come up with this fucking generation of

2494
01:50:25,120 --> 01:50:27,760
Speaker 6: kids comes up with so much slang so often, like

2495
01:50:28,040 --> 01:50:30,320
Speaker 6: then it would be a new word on TikTok by tomorrow,

2496
01:50:30,520 --> 01:50:31,400
Speaker 6: Like just wait it out.

2497
01:50:33,000 --> 01:50:35,439
Speaker 1: I know we brought it up on the show already,

2498
01:50:35,560 --> 01:50:37,600
Speaker 1: but it could be a fun time to revisit it,

2499
01:50:38,280 --> 01:50:40,600
Speaker 1: type in teacher n word. You could go all the

2500
01:50:40,680 --> 01:50:42,920
Speaker 1: way with it if you want to, because that was

2501
01:50:42,960 --> 01:50:45,760
Speaker 1: a great strategy for teachers trying to get students to

2502
01:50:45,800 --> 01:50:47,080
Speaker 1: stop saying curse words.

2503
01:50:47,200 --> 01:50:48,040
Speaker 3: Can I get a pencil?

2504
01:50:48,200 --> 01:50:48,320
Speaker 2: Oh?

2505
01:50:48,720 --> 01:50:51,320
Speaker 4: Y'all played that on here before, like over a year ago.

2506
01:50:53,600 --> 01:50:57,280
Speaker 1: This could be the best strategy, because then you'll get

2507
01:50:57,280 --> 01:50:57,880
Speaker 1: on the news too.

2508
01:50:59,360 --> 01:51:01,479
Speaker 3: That's like, really shake the room. Let's take the timeline

2509
01:51:01,479 --> 01:51:04,720
Speaker 3: in a frenzy and the word get away from the

2510
01:51:04,840 --> 01:51:06,000
Speaker 3: door nigga.

2511
01:51:07,200 --> 01:51:09,919
Speaker 1: And he said this was his training to I repeated,

2512
01:51:10,200 --> 01:51:13,720
Speaker 1: why why is this word used so frequently?

2513
01:51:13,960 --> 01:51:19,360
Speaker 9: So I just I just don't understand it, and I'm

2514
01:51:19,479 --> 01:51:20,840
Speaker 9: trying to understand it.

2515
01:51:21,400 --> 01:51:22,320
Speaker 8: I need help.

2516
01:51:22,560 --> 01:51:29,200
Speaker 2: Yes, I I've used it. I admit it.

2517
01:51:29,720 --> 01:51:35,320
Speaker 12: I put the H on it to emphasize it's, you know, nigga, nigga,

2518
01:51:35,360 --> 01:51:36,280
Speaker 12: this nigga, nigga.

2519
01:51:36,360 --> 01:51:38,800
Speaker 3: Please nigga? You know?

2520
01:51:39,400 --> 01:51:40,960
Speaker 9: Can you lend the nigga a pencil?

2521
01:51:41,960 --> 01:51:44,639
Speaker 1: So I think what she should do is maybe bring

2522
01:51:44,760 --> 01:51:48,800
Speaker 1: in two pieces of paper with glaze and what the

2523
01:51:48,880 --> 01:51:50,960
Speaker 1: real definition of it is, and then glaze and what

2524
01:51:51,040 --> 01:51:54,040
Speaker 1: their definition of and then maybe form a line of

2525
01:51:54,040 --> 01:51:55,200
Speaker 1: who's glazed and who hasn't.

2526
01:51:57,439 --> 01:52:00,599
Speaker 2: You'll be glazing summer school this year? Oh yeah, you start.

2527
01:52:01,080 --> 01:52:02,880
Speaker 2: Wait till summer time and you still in this class.

2528
01:52:03,000 --> 01:52:03,920
Speaker 2: You're gonna be glazing me?

2529
01:52:04,960 --> 01:52:09,080
Speaker 3: Wait fired fired the end of your tenures.

2530
01:52:09,200 --> 01:52:13,120
Speaker 1: Now, now we wearing clothes, teachers can say as long

2531
01:52:13,120 --> 01:52:13,759
Speaker 1: as she's wearing.

2532
01:52:13,600 --> 01:52:15,360
Speaker 2: Loose smitting clothes. She can get that off.

2533
01:52:15,439 --> 01:52:18,320
Speaker 6: You got it, Maddy being tight ass jeans ass poking

2534
01:52:19,160 --> 01:52:20,400
Speaker 6: probably Yeah, you know that.

2535
01:52:20,920 --> 01:52:22,600
Speaker 4: Yeah, she posted when we had that who argument she

2536
01:52:22,600 --> 01:52:23,519
Speaker 4: said Rory was an idiot?

2537
01:52:24,640 --> 01:52:24,760
Speaker 3: Uh.

2538
01:52:24,840 --> 01:52:27,439
Speaker 1: Do we have another voicemail or should we wrap up?

2539
01:52:27,760 --> 01:52:29,240
Speaker 3: Let's let's rad let's wrap up.

2540
01:52:29,680 --> 01:52:30,280
Speaker 2: This was fun.

2541
01:52:31,560 --> 01:52:35,639
Speaker 1: We are in Toronto this Thursday. Yes, wait to see

2542
01:52:35,680 --> 01:52:40,639
Speaker 1: you guys in the sixth wait in t dot Yes,

2543
01:52:41,080 --> 01:52:42,400
Speaker 1: all the cool names that you guys have.

2544
01:52:42,560 --> 01:52:45,840
Speaker 2: Tickets available now at New roryanmall dot com. We will

2545
01:52:45,880 --> 01:52:48,439
Speaker 2: be in Atlanta November twenty second, and then finish out

2546
01:52:48,439 --> 01:52:50,200
Speaker 2: the year here home in New York City at the

2547
01:52:50,200 --> 01:52:54,200
Speaker 2: Gramite Theater December third, fourteenth. Yes, get your tickets now.

2548
01:52:54,240 --> 01:52:57,920
Speaker 2: Tickets availapment at New roryin mall dot com. Thank you

2549
01:52:58,000 --> 01:53:01,720
Speaker 2: to Wayne No for calling in. We appreciate that. Alright, man,

2550
01:53:01,800 --> 01:53:03,760
Speaker 2: So let's go get these lighters and gaslights some shit

2551
01:53:04,080 --> 01:53:06,760
Speaker 2: the rest of the day. Man agreed. Everybody, have a

2552
01:53:06,840 --> 01:53:08,400
Speaker 2: safe week. We'll be back in a couple of days

2553
01:53:08,400 --> 01:53:10,080
Speaker 2: to kick it with y'all. Be safe, be blessed. I'm

2554
01:53:10,120 --> 01:53:11,519
Speaker 2: that nigga. He's just ginger peace.

2555
01:53:12,360 --> 01:53:13,840
Speaker 3: No worrying now,