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Speaker 1: And just reminded us, damn, we got a hillbilly bam

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Speaker 1: back there. Let's go bang that again, because that really

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Speaker 1: was fun. You know, Let's get over our bs.

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Speaker 2: And we tried to blow it.

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Speaker 3: Welcome to episode five twenty one with Brooks and Dunn

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Speaker 3: and then also some of the lesser known behind the

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Speaker 3: scenes stories from the music industry that I think you

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Speaker 3: might find surprising. So we're gonna spend some time with

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Speaker 3: Brooks and Dunn and then we're gonna talk music after that.

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Speaker 3: But let's get to Brooks and Done first. They've got

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Speaker 3: twenty number ones stretching all the way back to nineteen

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Speaker 3: ninety one. They have two Grammy Awards, dozens of ACMs

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Speaker 3: and CMA honors. I went to the Country Music Hall

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Speaker 3: of Fame. I took my family through it, and it

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Speaker 3: was when they had the Brooks and Done exhibit with

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Speaker 3: all of their ACMs and cmas. And it looked like

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Speaker 3: you walked into Scrooge McDuck's gold mine, you know, hit

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Speaker 3: the vault when he just jumps in and there's a.

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Speaker 4: Golt like a swimm. That's what it looked like.

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Speaker 3: It looked like he was in his vault with all

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Speaker 3: that there was, There're so many and twenty nineteen they

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Speaker 3: were inducted into the Country Music Hall of Fame in

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Speaker 3: the Modern Era Artist category. Their number one streaming song

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Speaker 3: ever is Neon Moon number two, Boots Scooting Boogie, number three,

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Speaker 3: Red Dirt Road, and here they are my friends, Brooks

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Speaker 3: and Duns.

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Speaker 5: It still seems like you guys like each other in

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Speaker 5: what way get along that? I don't know.

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Speaker 3: We're all just sitting or talking and everybody laughs. You've

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Speaker 3: been together a long time. I got friends I work

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Speaker 3: for like fifteen years. Sometimes we're like, we've done this

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Speaker 3: long enough. At this point, you guys have been doing

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Speaker 3: it for a long time.

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Speaker 2: I went through that stage, you know. But was it

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Speaker 2: because that you know, we're just go ahead? How about

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Speaker 2: liking oner brother?

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Speaker 5: What stick we like?

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Speaker 4: We do?

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Speaker 2: We do like one brother?

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Speaker 6: Did you getting along?

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Speaker 5: Did you have to learn that? Did you have to

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Speaker 5: learn to like each other?

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Speaker 2: By?

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Speaker 5: Do you love each other? Then? How to like each

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Speaker 5: other again?

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Speaker 1: Uh?

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Speaker 5: Just over time?

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Speaker 2: I mean to move or thrown together, you know, nineteen

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Speaker 2: ninety and just told to go write songs. We don't

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Speaker 2: know what we're doing for what project? And it was

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Speaker 2: in this room a different form of this room, and

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Speaker 2: we did it over a weekend and took a few

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Speaker 2: of the songs back to a brand new man and

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Speaker 2: an next spoken heart back to Tim dy Bough, who

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Speaker 2: was starting to arist the records with Clive Davis at

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Speaker 2: the time.

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Speaker 6: I had some and some boot scoog and boogie some

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Speaker 6: of lost and found.

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Speaker 5: What I heard, though, was like an arranged marriage. It

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Speaker 5: feels like a musically arranged marriage. But you didn't know

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Speaker 5: it was, no, not a clue.

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Speaker 2: We were thinking if worst case scenario. We were thinking

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Speaker 2: one thing would lead to another and we'd go out

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Speaker 2: and find other jobs or get record deals or whatever.

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Speaker 2: But it took off like immediately, you know, I don't

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Speaker 2: I don't know what.

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Speaker 6: I don't know what that answer in ninety I mean

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Speaker 6: thirty five years. Yeah, a lot of ebb and flow

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Speaker 6: for sure.

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Speaker 1: And I went through that period of we've both been

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Speaker 1: doing this a long time without a whole lot to

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Speaker 1: show for it, honestly, and all of a sudden, number one,

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Speaker 1: number one, number one, number one, Like what in the hell?

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Speaker 5: You know? It's just weird.

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Speaker 1: When you beat up bars and you work so hard

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Speaker 1: and you feel like you're every bit is good, then

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Speaker 1: as you are now.

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Speaker 4: But what just happened?

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Speaker 5: Well, what did happen? Because again you're both doing it individually.

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Speaker 6: Yeah, you get together.

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Speaker 5: So what's the difference, Like, what was the alchemy? What

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Speaker 5: was the combination that you think.

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Speaker 2: Worked within the group? We don't know. We still wonder

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Speaker 2: about that. Just put one foot in front of the

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Speaker 2: other and do what we're told, are not told. But

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Speaker 2: there was just a lot going on. I mean, there's

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Speaker 2: that's such a such a broad reference to two different

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Speaker 2: circumstances that are happening at the time. You know, timing

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Speaker 2: has something to do with it. I'm sure politics on

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Speaker 2: the record labels and the business, you know. I think

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Speaker 2: the country singer thing to say is gosh, darm, we're

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Speaker 2: just glad to be here, you know.

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Speaker 5: Three chords and the truth.

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Speaker 2: I think we did he hits. Yeah, we're not here now.

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Speaker 1: And I think we have some pretty good songs. But

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Speaker 1: I think we had absolutely nothing in common. We had

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Speaker 1: nothing in common on stage. We came from totally different

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Speaker 1: backgrounds as far as performing went. And I think it

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Speaker 1: was kind of a NASCAR race. It's like there's a wreck,

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Speaker 1: there's a wreck on the way, you know, so let's

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Speaker 1: watch this for a while and see how they hit

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Speaker 1: the wall, you know, and we did plenty of times.

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Speaker 1: But I think I think there was some nervous, nervous

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Speaker 1: energy between the two of us.

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Speaker 6: Kind of always has been that we didn't know.

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Speaker 2: We didn't know that when you start at that level

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Speaker 2: where you don't even know who's going to be the

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Speaker 2: lead singer, I mean, or if there is going to

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Speaker 2: be a lead singer.

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Speaker 3: That feels honestly awkward. I'm just saying it to you guys,

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Speaker 3: and both of you guys are great singers. That feels

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Speaker 3: awkward that you have to have that discussion.

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Speaker 2: I don't know that we ever had the discussion.

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Speaker 1: We just went, yeah, Ronnie was singing hits right off

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Speaker 1: the bat. Even though we wrote next Broken Heart and

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Speaker 1: Brand New Man, he grabbed on it. I couldn't have

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Speaker 1: sung either one of those songs in here that well.

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Speaker 1: It's easy for me to look back on it. I

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Speaker 1: think we're both trying so hard with our egos involved,

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Speaker 1: not knowing how it's gonna go, you know. But it

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Speaker 1: shook out to me realizing really what a great singer

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Speaker 1: he is. And I don't have any trouble saying that

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Speaker 1: now after thirty five years.

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Speaker 6: We've been through freaking.

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Speaker 1: Miles of up and down and mud and running through

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Speaker 1: the freaking Daisy's out there.

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Speaker 4: You know.

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Speaker 1: It's just it's crazy to look back on, even going

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Speaker 1: through twenty ten when we quit minute, you know, but

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Speaker 1: it didn't take but a couple of years and a

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Speaker 1: couple of gigs showed up and we never really lost

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Speaker 1: that whatever it is that happens on stage, and especially

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Speaker 1: when Reba got involved.

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Speaker 6: You know, we'd done a couple of big tours with.

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Speaker 1: Her, and she drug us into Vegas and then we're

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Speaker 1: doing a two and a half hour show just shooting

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Speaker 1: the bull and singing the songs. We both had a

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Speaker 1: pretty good handful of hits, and I'm like, damn, this

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Speaker 1: is fun, and just reminded us this is great.

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Speaker 6: And we put this thing together with Riba, But damn,

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Speaker 6: we got a hillbilly band back there.

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Speaker 1: That's a honkey tong Band's the truth and and let's

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Speaker 1: go bang that again, because that really was fun.

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Speaker 6: You know, let's get over our bs.

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Speaker 2: And we tried to blow it real hard.

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Speaker 5: Who do you credit as to keeping it from being blown?

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Speaker 2: Uh? Our manager Clarence s. Yeah, especially with this sudden

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Speaker 2: resurgence of things with the reboot projects and stuff. I

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Speaker 2: can remember in bending Cancun, Ribbon Norble's place and we

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Speaker 2: were we were all like like out facing the ocean

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Speaker 2: in the pool, you know, there's rockstar Reba's house, and

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Speaker 2: kick it back and going, you know, I don't I

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Speaker 2: don't care, Norvel if I never seen again. I said,

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Speaker 2: I'm good, I'm good, right right here, right now. He goes, well,

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Speaker 2: just just be still for a minute, let things let

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Speaker 2: things pan out. Well, it wasn't two weeks probably after

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Speaker 2: that that he he and Clarence came to us and said,

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Speaker 2: you don't want to do Vegas. I thought, well, sure,

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Speaker 2: I don't care how much?

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Speaker 4: How much?

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Speaker 2: And it just, you know, it just everything snowball from

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Speaker 2: there again. Kind of that was the catalyst.

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Speaker 5: So much of art is product you make, but also

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Speaker 5: the timing when you make it.

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Speaker 3: And you had mentioned politics earlier, and I don't know

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Speaker 3: the politics then on solo band duos.

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Speaker 5: Was there a lack of duos at the time? Is

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Speaker 5: that was that part of the reason they put you

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Speaker 5: guys together.

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Speaker 2: I think that was part of the formula, not lack

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Speaker 2: of duos, but just part of the formula that Tim

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Speaker 2: was putting the label with. I mean he had Alan Jackson, so.

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Speaker 5: Okay, so he needed one for his team a group.

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Speaker 6: He signed the boys singer.

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Speaker 5: He needed a point guard. He had a center in

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Speaker 5: a forward so.

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Speaker 6: THEO had Pam Tills. He had one of everything.

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Speaker 1: But he needed to do And I think the juds

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Speaker 1: were breaking up at that point, so for whatever reason.

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Speaker 2: We were aware of it. Yeah, on the way back

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Speaker 2: to Oklahoma, I kind of heard the announcement on the

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Speaker 2: road that the judge are breaking up, but that was no. Again,

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Speaker 2: I never remembered thinking, hey, that's that's this is going

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Speaker 2: to be the the catalyst or the you know, the

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Speaker 2: big diving board into the deep water.

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Speaker 6: This is the truth.

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Speaker 4: Though.

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Speaker 1: I remember the first duo of the year that we

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Speaker 1: won at the ACMs. We were leaving, had our families

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Speaker 1: there and we were excited and whatever, and walking out

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Speaker 1: the door and and uh one of the concierge came

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Speaker 1: up and said, said, would you mind coming with me?

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Speaker 1: Said Naomi Judd would like to have a word with you,

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Speaker 1: And okay, i'd met Naomi. We didn't really know. He

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Speaker 1: showed other so we go down. So when it was

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Speaker 1: at Universal and she was down underneath the stands. There

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Speaker 1: was like a you know, grand stand you would have

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Speaker 1: like a temporary kind of stand set up at Universal,

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Speaker 1: the way it was when in there she stood under

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Speaker 1: there in her beautiful evening ground was gown. It was

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Speaker 1: like this thing out of a movie and said, hey, hey,

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Speaker 1: nailed me. She goes, I just wanted you to come down.

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Speaker 1: I just want to let you know that we're passing

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Speaker 1: the torch to you guys tonight. I'm like, okay, I

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Speaker 1: don't know if we're really torch passing or anything.

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Speaker 2: That.

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Speaker 6: She was a pretty dramatic personality, you know, and that was.

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Speaker 5: That would be awesome and awkward at the same time.

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Speaker 1: It was I didn't really have a good response for

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Speaker 1: her other than I appreciate you feeling that way. But

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Speaker 1: you know, there's a lot of great duos out there, and.

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Speaker 5: She owned the torch. She gets to like, that's awesome

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Speaker 5: if you get pass it to me.

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Speaker 2: Might have been a power power plug. I don't know.

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Speaker 2: You come and walking up all the bus. We were

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Speaker 2: hated for some bar I got all award. You do

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Speaker 2: what you're gonna do, and you take coffin, you know,

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Speaker 2: end up in Fresno tomorrow. But because I guess you

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Speaker 2: don't believe just what happened, they told the story.

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Speaker 6: I haven't told that story a lot, but it was

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Speaker 6: a very surreal moment, you know, just.

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Speaker 5: Under the bleachers and now we're just getting the torch path.

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Speaker 6: We're only a couple of years in.

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Speaker 1: This isn't like, you know, yeah, we're really comfortable in

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Speaker 1: our skis here that first year.

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Speaker 5: I was my TikTok is.

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Speaker 3: Honestly, I watch a lot of seventies and eighties country

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Speaker 3: music award shows. They it's just clips of them, right,

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Speaker 3: and I want and if I'm right, that same year

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Speaker 3: you won Best New Duo and Best Duo the same year.

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Speaker 5: Does that sound right that you won them most?

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Speaker 6: I think that maybe we had two?

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Speaker 2: Yeah, I think that was it.

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Speaker 6: Yeah, and we were new.

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Speaker 3: It wouldn't it kind of be weird if you won

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Speaker 3: Best Duo but didn't win the Best New Duo, Like

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Speaker 3: that's the kind of stuff.

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Speaker 5: That pops on my head, like there's a lot of

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Speaker 5: room for awkwardness here.

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Speaker 3: But you win to that night, did you feel then like, hey,

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Speaker 3: we got a few years now and not a career,

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Speaker 3: But did it feel like we got a few years.

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Speaker 2: Now, not one time, as it fell that way.

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Speaker 1: I'll tell you when I failed it. It was the

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Speaker 1: first show we had after that. That was when I

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Speaker 1: realized the power of an award show because our fans,

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Speaker 1: it was there was an energy that hadn't been there

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Speaker 1: the show before the awards.

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Speaker 6: So they really they really got it, you.

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Speaker 2: Know, and a shelf life, which is interesting looking back.

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Speaker 6: And you saw it back then in the CD world.

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Speaker 1: You saw a fifteen to twenty percent bump in your

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Speaker 1: sales too if you want an award.

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Speaker 3: So really from the immediate effects of the awards show?

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Speaker 3: What about doing did you guys do any of the

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Speaker 3: late night shows back in the day?

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Speaker 5: Yeah, Letterman, would you see effects from that back then

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Speaker 5: as well?

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Speaker 2: Yeah, there'll be a bump not as not as not

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Speaker 2: as deep when you.

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Speaker 3: Go to New York or LA to play these shows

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Speaker 3: and they don't have a lot of country acts on

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Speaker 3: Leno Letterman like Letterman is my heroes.

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Speaker 2: Yeah, that letter of them was the big fun way

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Speaker 2: to get got the hot band all that stuff.

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Speaker 5: Freezing Cold Band's awesome fish forty degrees? How did it

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Speaker 5: feel go taking what then became massive?

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Speaker 3: Because what you guys were a part of and lead

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Speaker 3: in the nineties became pop culture. But how did that

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Speaker 3: feel taking that to those places at the time didn't

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Speaker 3: have it? New York LA and those crowds.

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Speaker 2: Well then, I don't know if that was really on

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Speaker 2: our minds other than just you know, getting up there

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Speaker 2: like it wouldn't be today and give me a good performance.

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Speaker 5: It's doing a TV show. Yeah, you didn't have what

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Speaker 5: country music? Yeah, I mean, honestly, like you're going to

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Speaker 5: do Letterman Lendl. They don't have a lot of country

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Speaker 5: on there to begin with.

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Speaker 3: And you're in cities where the movement hadn't quite happened

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Speaker 3: yet when you guys started, because you guys were the

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Speaker 3: catalysts of it, And I wonder what it was like

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Speaker 3: to play New York LA at a time when country

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Speaker 3: music was kind of foreign to this.

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Speaker 2: We were flabbergasted and a lot of other ways I

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Speaker 2: can remember.

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Speaker 1: And there, Yeah, honestly, like Ronnie said, great band, I mean, Paul,

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Speaker 1: And then they light it up and they treat you

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Speaker 1: like or somebody. You know, they weren't acting like We're

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Speaker 1: just like, okay, how are we.

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Speaker 6: Going to do this?

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Speaker 5: I like that.

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Speaker 6: That's a cool dude, love that song.

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Speaker 5: You know.

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Speaker 1: It's just those guys to really give you a pat

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Speaker 1: on the back and make you feel like, Okay, you

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Speaker 1: don't have a hate bail here.

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Speaker 4: This feels good.

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Speaker 2: Were trying to get away from that.

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Speaker 5: You know, this is gonna be hopefully a beautifully odd question.

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Speaker 3: I like an answer for both of you. But when

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Speaker 3: you think about the best picture that you guys have together,

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Speaker 3: and I'd like a different answer for both of you.

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Speaker 3: So I want to give you a few seconds. But

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Speaker 3: somewhere in a house or warehouse, what's the best picture

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Speaker 3: the picture that you can think of of a moment,

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Speaker 3: of a place, of a show of YouTube together.

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Speaker 6: What is that picture?

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Speaker 2: Hm? Hmm, that runs deep. I guess there's two pictures.

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Speaker 6: So I was gonna let you pick. You you might

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Speaker 6: pick the same one one of our album covers where

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Speaker 6: I just got my I got a leg stretched out.

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Speaker 1: We're in a we're in an adobe, you know, doorway,

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Speaker 1: and Ronnie's just standing there and I just got my

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Speaker 1: boot heel up on the doorway and it's I think

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Speaker 1: it's waiting on sundown, you know, but it's just a

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Speaker 1: good you know, it's one of those long days when

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Speaker 1: you just keep me and him standing together going yeah, yeah,

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Speaker 1: you know, we don't really like that, but it was

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Speaker 1: just I remember it was at the end of a long,

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Speaker 1: tired one and I just threw my leg up went

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Speaker 1: could God please take a picture and please let it

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Speaker 1: be okay, you know, and and it was.

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Speaker 6: That was pretty cool. It was a pretty good one.

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Speaker 2: It's just finding those moments where you like exactly what

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Speaker 2: you're describing, where you just here, your defenses are down,

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Speaker 2: you just stand there and you're like, okay, we're not

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Speaker 2: We're relaxed. That's that.

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Speaker 4: This is it.

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Speaker 2: Another one was another cover was the one in La

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Speaker 2: under some Bridge and they had taken like Latino feed

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Speaker 2: Ye had done the Billy Deluxe. Yeah yeah, that uh

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Speaker 2: that cover. Same thing. It's kind of like long day,

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Speaker 2: you know, stretch your foot out and you know, we

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Speaker 2: were just comfortable together.

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Speaker 1: The one we used the most, shot all night long.

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Speaker 1: Two photographers on stage, great photographers, shot a million freaking pictures,

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Speaker 1: got nothing. We walked walked as the elevator door was closing,

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Speaker 1: one of the guys walked up and shot us.

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Speaker 6: We've used that picture for like.

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Speaker 1: Eight years, just both of us up against the wall,

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Speaker 1: in the elevator and it was just right. It's like

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Speaker 1: we'd posed and shot at a thousand times. But yeah,

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Speaker 1: that's the one that.

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Speaker 2: Workd You hear those stories with with Cash, like with

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Speaker 2: you know, photographers coming in young guys want to come

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Speaker 2: and go because you got to he's in the dressing room.

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Speaker 2: You got to shot, and you walk in and go.

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Speaker 2: You got two minutes minutes.

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Speaker 7: Let's take a quick pause for a message from our sponsor,

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Speaker 7: and we're back on the Bobby Cast.

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Speaker 3: What's the most accidental, random part of all of this

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Speaker 3: success when you go, holy Coop and can't believe that

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Speaker 3: happened because this happened.

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Speaker 1: I think probably the fact that actually in two thousand,

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Speaker 1: there was a real good chance we were sick of

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Speaker 1: each other to the point that we were really talking

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Speaker 1: about we've had enough. You know, we were using different

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Speaker 1: producers whatever, sending files back and forth.

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Speaker 2: We kind of I don't think it was sick of

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Speaker 2: which you might you might have to me for interrupting.

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Speaker 6: I'm glad to hear you say that.

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Speaker 2: No, it was all about about the music we were

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Speaker 2: trying to find. We were trying to find it hit

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Speaker 2: a wall, and we were trying to find something. It

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Speaker 2: was a little different, had a little little more different

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Speaker 2: twist or they could punch through. At the time, it

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Speaker 2: wasn't the same old sambo and I think we just,

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Speaker 2: you know, we're hard headed button his but nothing. I

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Speaker 2: didn't feel any real tension.

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Speaker 1: No, I mean, other than you know, we never raised

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Speaker 1: our voices to get each other in thirty five years.

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Speaker 2: It was just a search the rot music.

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Speaker 1: We'll turn our back on each other and come back

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Speaker 1: when we're done poutin and Joe Glani came in at

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Speaker 1: that point and said, guys, I just got back to town.

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Speaker 1: Will you make one album for me? And we said okay,

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Speaker 1: and made what we thought was a pretty good record.

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Speaker 1: He had a song or I guess Ronnie said he

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Speaker 1: might might have come to him first. I don't know,

380
00:17:39,280 --> 00:17:41,919
Speaker 1: but whatever the song called, Nothing About You showed up

381
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Speaker 1: and I finished Only in America the night before we

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Speaker 1: were going to record, and we cut those two songs.

383
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Speaker 1: Nothing about You was number one for six weeks after

384
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Speaker 1: having an album that was basically didn't do anything, and

385
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Speaker 1: Only in America was number one. And in the time

386
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Speaker 1: it was a real dark time because of the towers

387
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Speaker 1: coming down and both things.

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Speaker 6: Had nothing about you state, but I don't know, so

389
00:18:06,800 --> 00:18:10,240
Speaker 6: it just kind of everything changed. We're back on back

390
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Speaker 6: in the saddle. Here we go again, you know.

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Speaker 2: Which takes us back to it's all about the song.

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Speaker 2: And you're right about timing. You know that you're guru.

393
00:18:18,960 --> 00:18:20,480
Speaker 2: You've been around this. You've been around it.

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Speaker 5: Still waiting on the time. That's all doing and catch

395
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Speaker 5: a break.

396
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Speaker 2: Probably probably one of the most miraculous things to come

397
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Speaker 2: out of all this chaos along the way is that

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Speaker 2: here we sit right now.

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Speaker 5: Why do you say that.

400
00:18:31,040 --> 00:18:33,080
Speaker 6: Because we get to do Bobby bone for your kidding

401
00:18:33,240 --> 00:18:36,240
Speaker 6: all this time.

402
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Speaker 2: It's just, hey, here we are.

403
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Speaker 5: You know, your dream as young children was the worker

404
00:18:39,840 --> 00:18:40,520
Speaker 5: with me. I get it.

405
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Speaker 6: We're all that a penacle.

406
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Speaker 3: It's like my grandma before she died, she said she

407
00:18:44,160 --> 00:18:45,760
Speaker 3: my grandma said be careful on TikTok.

408
00:18:46,040 --> 00:18:48,440
Speaker 5: Yeah, and that hasn't been avantage your.

409
00:18:48,359 --> 00:18:52,160
Speaker 2: Grandma, my grandmothers is just going in there. There will

410
00:18:52,280 --> 00:18:54,960
Speaker 2: there will come from the from the woods of Arkansas.

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Speaker 5: Young man, you will know him. Buy his glasses.

412
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Speaker 2: In Arkansas.

413
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Speaker 6: No, it's not Buddy, Allie. No, remember Bobby this, it's

414
00:19:04,920 --> 00:19:06,280
Speaker 6: not Buddy, it's Bobby.

415
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Speaker 2: This room.

416
00:19:07,560 --> 00:19:09,639
Speaker 3: This space that's changed. The walls are a bit different,

417
00:19:09,720 --> 00:19:14,000
Speaker 3: but there's a recording studio. What happened here with you guys,

418
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Speaker 3: Brand new Man.

419
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Speaker 1: First song and a ton of stuff, so much freaking

420
00:19:20,680 --> 00:19:25,040
Speaker 1: music history, from good God Almighty, from Roger Miller to

421
00:19:25,240 --> 00:19:29,280
Speaker 1: you could Merle Haggard, everybody you can think of that's

422
00:19:29,320 --> 00:19:32,639
Speaker 1: famous in country music, Carlen Howard and all, just the

423
00:19:32,720 --> 00:19:37,760
Speaker 1: greatest guitar players, the greatest songwriter certainly you know Curly Putman,

424
00:19:37,840 --> 00:19:39,359
Speaker 1: Green Green Grass a home all this.

425
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Speaker 2: This was the most single, most impactful, largest publishing company

426
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Speaker 2: in the world.

427
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Speaker 6: And the studios where everybody demoed that stuff.

428
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Speaker 3: Was there a respect, a creative respect within yourselves when

429
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Speaker 3: you're working in a place that has all that history.

430
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Speaker 2: Yeah. Yeah. June Carter, like before I even really came

431
00:19:59,240 --> 00:20:02,560
Speaker 2: to town, was telling me. She said, well, Cook, you

432
00:20:02,680 --> 00:20:04,960
Speaker 2: don't need a writing deal first. Well, here's how we

433
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Speaker 2: can we build it. And she said, I'd already been

434
00:20:08,840 --> 00:20:11,399
Speaker 2: to every publishing company in town, Donna Hilly at the

435
00:20:11,440 --> 00:20:15,480
Speaker 2: time with Buddy Killing which owned us so many time,

436
00:20:15,520 --> 00:20:19,200
Speaker 2: but Donna was running called uh and she was the

437
00:20:19,280 --> 00:20:22,280
Speaker 2: last publisher that we had gone to call me in

438
00:20:22,320 --> 00:20:27,320
Speaker 2: Oklahoma and said, uh, would you take what was it

439
00:20:27,480 --> 00:20:29,440
Speaker 2: six hundred dollars a week or something, which is a

440
00:20:29,520 --> 00:20:30,040
Speaker 2: lot of money?

441
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Speaker 4: Uh, to.

442
00:20:33,040 --> 00:20:36,119
Speaker 2: A retainer to write And he kicks him in here

443
00:20:36,160 --> 00:20:38,280
Speaker 2: and it's like you just kind of solidified. Oh man,

444
00:20:38,520 --> 00:20:42,280
Speaker 2: you know, do you come into the biggest, baddest professional

445
00:20:42,400 --> 00:20:43,240
Speaker 2: song publish.

446
00:20:43,359 --> 00:20:43,560
Speaker 5: Yeah.

447
00:20:44,320 --> 00:20:46,800
Speaker 3: The three of us come from similar backgrounds, rural area,

448
00:20:46,880 --> 00:20:51,240
Speaker 3: small towns. I'm gonna ask questions. Kind of weird to ask,

449
00:20:51,400 --> 00:20:53,760
Speaker 3: but do you remember when you become a millionaire?

450
00:20:55,400 --> 00:20:57,840
Speaker 2: I remember asking kicks on the bus. We got royalty

451
00:20:57,960 --> 00:20:59,920
Speaker 2: checks like the same day.

452
00:21:00,000 --> 00:21:02,159
Speaker 6: I only came in the mail with two commas on

453
00:21:02,240 --> 00:21:03,399
Speaker 6: it and a number in front of it.

454
00:21:03,440 --> 00:21:04,600
Speaker 5: Like you had a paper check.

455
00:21:04,720 --> 00:21:04,920
Speaker 1: Yeah.

456
00:21:06,000 --> 00:21:07,439
Speaker 6: Nothing more fun than in the.

457
00:21:07,480 --> 00:21:11,160
Speaker 1: Mail, broke on your ass, your whole life, and walking

458
00:21:12,400 --> 00:21:14,800
Speaker 1: paper check with two commas on it.

459
00:21:15,080 --> 00:21:17,240
Speaker 6: There, you know? Excuse me how you need to go

460
00:21:17,359 --> 00:21:18,119
Speaker 6: talk to a manager?

461
00:21:18,240 --> 00:21:18,440
Speaker 1: Yeah?

462
00:21:18,640 --> 00:21:19,720
Speaker 6: I might want to go do that.

463
00:21:19,880 --> 00:21:20,240
Speaker 2: I guess.

464
00:21:20,560 --> 00:21:22,879
Speaker 6: I don't know what I was thinking my checking account, though,

465
00:21:22,920 --> 00:21:23,800
Speaker 6: I got some ideas.

466
00:21:24,119 --> 00:21:26,760
Speaker 2: So we get we get these checks. I opened mine first,

467
00:21:26,800 --> 00:21:28,359
Speaker 2: I don't know for whatever, I didn't know what it

468
00:21:28,520 --> 00:21:30,520
Speaker 2: was and turn up and oh, I said, he kicks

469
00:21:30,560 --> 00:21:36,040
Speaker 2: I just came a millionaire. And he's like, okay. He

470
00:21:36,200 --> 00:21:38,920
Speaker 2: tears his his opening goes, yeah, me too.

471
00:21:41,160 --> 00:21:44,040
Speaker 5: So I'm scared. If I'm holding that paper, you know,

472
00:21:44,200 --> 00:21:45,880
Speaker 5: sign the back of it, then get it to a bank.

473
00:21:46,320 --> 00:21:46,720
Speaker 4: I did it.

474
00:21:47,000 --> 00:21:49,320
Speaker 2: I did it in Brentwood. I said. It's the first

475
00:21:49,359 --> 00:21:51,560
Speaker 2: time and probably last time I walked in the bank

476
00:21:51,760 --> 00:21:54,480
Speaker 2: to do that. And I said, I just got to

477
00:21:54,520 --> 00:21:55,119
Speaker 2: see what they do.

478
00:21:55,960 --> 00:21:56,080
Speaker 4: You know.

479
00:21:56,119 --> 00:22:00,520
Speaker 2: If I had the teller a million dollar check, I

480
00:22:00,640 --> 00:22:03,880
Speaker 2: hand it to her and she's looking looking down doing something.

481
00:22:03,960 --> 00:22:06,040
Speaker 2: She looked on and she goes, okay, she said, you

482
00:22:06,080 --> 00:22:08,040
Speaker 2: need to sign the sign of back, sweetie. So I

483
00:22:08,160 --> 00:22:12,120
Speaker 2: signed it and away it went. And then she hands

484
00:22:12,160 --> 00:22:14,159
Speaker 2: me the receipt and I went home and told Janine,

485
00:22:14,440 --> 00:22:16,560
Speaker 2: living right down the road. I told her, I said,

486
00:22:16,760 --> 00:22:18,680
Speaker 2: I went in and put a million dollars in the back.

487
00:22:19,160 --> 00:22:20,800
Speaker 2: It's like I was even there.

488
00:22:22,280 --> 00:22:24,080
Speaker 5: What you gotta do? Everybody does?

489
00:22:24,280 --> 00:22:25,840
Speaker 2: I guess build away. Sorrys has just been in there.

490
00:22:25,840 --> 00:22:28,000
Speaker 2: Wh they keep breaking hard for twelve million or something.

491
00:22:28,040 --> 00:22:31,159
Speaker 2: I don't know what fine I have.

492
00:22:35,240 --> 00:22:40,159
Speaker 5: This is the this is the original ACM. So is

493
00:22:40,200 --> 00:22:42,760
Speaker 5: this the one you guys got first? This is the

494
00:22:42,880 --> 00:22:46,320
Speaker 5: style bring back any memories at all?

495
00:22:47,240 --> 00:22:49,000
Speaker 2: Yeah, yeah, a lot of memories.

496
00:22:49,480 --> 00:22:51,240
Speaker 6: The fun thing was you got to take them with you,

497
00:22:51,880 --> 00:22:53,000
Speaker 6: no way, Yeah, yeah, no.

498
00:22:53,240 --> 00:22:55,600
Speaker 2: We we had to worry about packing them in your bag,

499
00:22:55,920 --> 00:22:57,959
Speaker 2: you know, to fly out with them from la.

500
00:22:58,119 --> 00:22:59,719
Speaker 5: It takes like eight weeks to get them in the mail. Now.

501
00:23:00,440 --> 00:23:03,320
Speaker 1: I remember waking up with a slide hangover after that

502
00:23:03,920 --> 00:23:06,080
Speaker 1: night you're talking about when we won two of them,

503
00:23:06,160 --> 00:23:08,120
Speaker 1: and going, god.

504
00:23:08,040 --> 00:23:08,719
Speaker 4: What happened?

505
00:23:09,240 --> 00:23:12,000
Speaker 6: Oh man? Are those things? Did I make it home

506
00:23:12,040 --> 00:23:12,800
Speaker 6: with those things?

507
00:23:13,640 --> 00:23:14,080
Speaker 4: Sure enough?

508
00:23:14,200 --> 00:23:16,920
Speaker 6: They were sitting on a bedside table. No, thank god,

509
00:23:17,000 --> 00:23:19,000
Speaker 6: because I didn't really remember a lot of.

510
00:23:19,000 --> 00:23:21,440
Speaker 2: What a few of them got back A little slight thing.

511
00:23:21,560 --> 00:23:23,840
Speaker 6: Yeah, some of them are kind of pretty much good.

512
00:23:23,960 --> 00:23:25,440
Speaker 3: Went to the country, to the Hall of Fame and

513
00:23:25,960 --> 00:23:29,040
Speaker 3: saw all them together. I mean, it's like you're walking

514
00:23:29,080 --> 00:23:34,800
Speaker 3: into freaking jewelry store. Where were they before you allowed

515
00:23:34,840 --> 00:23:35,520
Speaker 3: them to hold them?

516
00:23:36,240 --> 00:23:36,280
Speaker 1: Like?

517
00:23:36,359 --> 00:23:37,359
Speaker 5: Where did you keep them all?

518
00:23:38,359 --> 00:23:42,000
Speaker 2: Just what I just sent home with Janie and half

519
00:23:42,080 --> 00:23:43,600
Speaker 2: the time we get on the bus or playing and

520
00:23:45,119 --> 00:23:45,800
Speaker 2: yours with Barbara?

521
00:23:46,160 --> 00:23:47,080
Speaker 6: Where are they stored?

522
00:23:47,840 --> 00:23:50,159
Speaker 5: I don't know. There's so many. Do you storm them?

523
00:23:50,200 --> 00:23:51,199
Speaker 5: Do you put some on the toilet?

524
00:23:51,280 --> 00:23:53,879
Speaker 1: Do you put some like I got a home theater,

525
00:23:54,040 --> 00:23:56,200
Speaker 1: you know, at home, and it's got it's kind of

526
00:23:56,359 --> 00:23:58,160
Speaker 1: set up when I built it just kind of had,

527
00:23:58,520 --> 00:24:00,200
Speaker 1: you know, shelves with lighting.

528
00:24:00,040 --> 00:24:02,880
Speaker 5: And stuff, all them all images there.

529
00:24:02,960 --> 00:24:03,720
Speaker 6: They're just kind of.

530
00:24:05,320 --> 00:24:07,840
Speaker 2: Studio. They kind of they were all over the place,

531
00:24:07,880 --> 00:24:12,400
Speaker 2: but they're scattered all over over. That's that's that's the change.

532
00:24:12,480 --> 00:24:13,119
Speaker 5: That's the change.

533
00:24:13,359 --> 00:24:16,240
Speaker 3: Yeah, you know what I I don't mean, but I

534
00:24:16,280 --> 00:24:17,800
Speaker 3: have a bunch of my self, you know, I just

535
00:24:17,960 --> 00:24:20,439
Speaker 3: whatever for different reasons for being good.

536
00:24:20,480 --> 00:24:21,280
Speaker 4: Look, thank you.

537
00:24:22,400 --> 00:24:24,560
Speaker 5: It took me a minute to catch the cowboy hat.

538
00:24:24,720 --> 00:24:28,520
Speaker 2: Just a minute, though, that is art.

539
00:24:28,880 --> 00:24:31,399
Speaker 5: Did you know that was a cowboy hat? Okay, get it?

540
00:24:31,440 --> 00:24:33,320
Speaker 3: Back then, I thought, I like discovered something a few

541
00:24:33,359 --> 00:24:35,600
Speaker 3: years ago and apparently everybody already knew that.

542
00:24:35,800 --> 00:24:36,680
Speaker 5: Was that was that?

543
00:24:37,520 --> 00:24:40,400
Speaker 4: Did you see that cowboy hat?

544
00:24:41,040 --> 00:24:44,080
Speaker 5: I thought it was a seagull. A couple a sum

545
00:24:44,200 --> 00:24:45,960
Speaker 5: questions as we're getting into it.

546
00:24:46,840 --> 00:24:49,040
Speaker 3: When you get up and you win your award, do

547
00:24:49,119 --> 00:24:52,200
Speaker 3: you have prepared who you're going to think and who's

548
00:24:52,200 --> 00:24:53,480
Speaker 3: going to say who you're going to think?

549
00:24:53,640 --> 00:24:55,399
Speaker 2: Is that even No, it's one of one of my

550
00:24:55,680 --> 00:24:58,240
Speaker 2: my biggest regrets. I think it's like I'll get up

551
00:24:58,240 --> 00:25:00,040
Speaker 2: there and stumb around. You guys come on, well, like

552
00:25:00,119 --> 00:25:03,119
Speaker 2: a good, good line, and I should just do what

553
00:25:03,160 --> 00:25:04,920
Speaker 2: I'm an dude, get out of your way. Not true,

554
00:25:05,320 --> 00:25:09,000
Speaker 2: and uh uh yeah, I never think about it. I

555
00:25:09,080 --> 00:25:13,480
Speaker 2: just think it's it's superstitious, bad, don't expect it. You know,

556
00:25:14,520 --> 00:25:15,840
Speaker 2: you're setting yourself up.

557
00:25:16,280 --> 00:25:19,520
Speaker 5: Did you feel that way with music though? Superstitious in

558
00:25:19,640 --> 00:25:20,000
Speaker 5: what way?

559
00:25:20,240 --> 00:25:20,560
Speaker 4: I don't know.

560
00:25:20,680 --> 00:25:23,880
Speaker 5: Songs number three? Do you talk about it being number one? Oh?

561
00:25:24,000 --> 00:25:29,000
Speaker 2: Yeah, yeah. You radio guys were of course, calls a

562
00:25:29,040 --> 00:25:30,480
Speaker 2: lot of don't you don't.

563
00:25:30,280 --> 00:25:32,840
Speaker 5: Can mine world. I don't get mine with any of that, Like,

564
00:25:32,960 --> 00:25:34,560
Speaker 5: I have nothing to do with that.

565
00:25:34,920 --> 00:25:37,160
Speaker 2: No, that's the monthing. Finally, I just had to turn

566
00:25:37,240 --> 00:25:38,879
Speaker 2: that off, you know, because the buddies jump up on

567
00:25:38,920 --> 00:25:40,680
Speaker 2: the bus or you know, co riders or something and go,

568
00:25:40,760 --> 00:25:42,800
Speaker 2: hey man, this songe's the top five right now. It's like,

569
00:25:43,119 --> 00:25:44,000
Speaker 2: I don't know what it's like.

570
00:25:44,640 --> 00:25:46,640
Speaker 6: There's so many charts. If you look at the right one,

571
00:25:46,720 --> 00:25:49,119
Speaker 6: it's number one somewhere. If it makes it to two

572
00:25:49,240 --> 00:25:51,280
Speaker 6: or three, it's number one somewhere.

573
00:25:51,680 --> 00:25:53,199
Speaker 5: I want to ask you about Entertainer of the Year,

574
00:25:53,320 --> 00:25:55,040
Speaker 5: because you got it three times.

575
00:25:55,760 --> 00:25:55,879
Speaker 2: Uh.

576
00:25:56,119 --> 00:26:01,600
Speaker 3: Now you don't see any non singular artist when entertainer

577
00:26:01,640 --> 00:26:02,000
Speaker 3: of the year.

578
00:26:02,680 --> 00:26:02,800
Speaker 1: Uh.

579
00:26:03,280 --> 00:26:05,000
Speaker 3: You guys want it back to back years and then

580
00:26:05,080 --> 00:26:08,879
Speaker 3: again like a few years later, and mostly want to

581
00:26:08,880 --> 00:26:10,159
Speaker 3: talk about the first time in the last time. But

582
00:26:10,240 --> 00:26:12,600
Speaker 3: let's do the first time they call your name as

583
00:26:12,680 --> 00:26:13,400
Speaker 3: entertainer of the year.

584
00:26:14,320 --> 00:26:18,639
Speaker 2: What does that feel like, big, big boom, big Shot?

585
00:26:19,680 --> 00:26:20,240
Speaker 5: Was it a shock?

586
00:26:20,520 --> 00:26:21,359
Speaker 2: Yeah, big Shot?

587
00:26:21,880 --> 00:26:24,520
Speaker 6: I mean, you know, I don't remember who else, but

588
00:26:24,640 --> 00:26:25,600
Speaker 6: I know Garth.

589
00:26:25,440 --> 00:26:29,760
Speaker 2: Was center sitting right there, you know, just gone out

590
00:26:29,800 --> 00:26:30,760
Speaker 2: and romped.

591
00:26:30,560 --> 00:26:33,639
Speaker 6: On the world, and uh we and Alan was generally

592
00:26:33,760 --> 00:26:35,080
Speaker 6: in there, and.

593
00:26:38,320 --> 00:26:40,480
Speaker 2: But I remember looking directly when I got up to

594
00:26:40,480 --> 00:26:42,080
Speaker 2: the second I did and Garth were talking about it too.

595
00:26:42,560 --> 00:26:44,560
Speaker 2: He said we made ee contact and I was like,

596
00:26:44,880 --> 00:26:48,840
Speaker 2: I'm up there and with like an oath whatever that means.

597
00:26:49,600 --> 00:26:55,520
Speaker 2: And I went, sorry, man, I'm sorry. We're gonna take

598
00:26:55,560 --> 00:26:56,040
Speaker 2: it anyway.

599
00:26:56,800 --> 00:26:59,240
Speaker 3: Let's talk about the third time that you won, because

600
00:26:59,280 --> 00:27:01,280
Speaker 3: there was a few gap years in between.

601
00:27:01,960 --> 00:27:03,400
Speaker 5: You go, bang bang, back to back years.

602
00:27:04,240 --> 00:27:07,239
Speaker 3: Me my brain, I would go, why I don't want

603
00:27:07,240 --> 00:27:08,840
Speaker 3: the last few I'm kind of over That's what I

604
00:27:08,880 --> 00:27:09,520
Speaker 3: would be thinking.

605
00:27:09,840 --> 00:27:12,560
Speaker 5: When it came to that. I wonder with you guys,

606
00:27:12,800 --> 00:27:16,080
Speaker 5: you won, did you think your minute at that that

607
00:27:16,320 --> 00:27:16,920
Speaker 5: part was over?

608
00:27:17,200 --> 00:27:17,400
Speaker 2: Yeah?

609
00:27:18,400 --> 00:27:24,240
Speaker 1: And I think that it's sort of like the one

610
00:27:24,280 --> 00:27:30,600
Speaker 1: way one recently. It it's you feel like you kind

611
00:27:30,640 --> 00:27:33,719
Speaker 1: of deserved it. Maybe you know, we never had I mean,

612
00:27:33,880 --> 00:27:35,960
Speaker 1: we've always been scared and we've always.

613
00:27:35,840 --> 00:27:38,879
Speaker 5: I feel like we're really both pretty.

614
00:27:38,680 --> 00:27:39,800
Speaker 6: Damn humble at heart.

615
00:27:40,480 --> 00:27:43,040
Speaker 1: Though you've got to have some got to have some

616
00:27:43,200 --> 00:27:46,640
Speaker 1: confidence about what you're doing. But entertainer, you know, it's

617
00:27:46,720 --> 00:27:49,840
Speaker 1: like when you win it it's like, okay, that was

618
00:27:49,920 --> 00:27:51,920
Speaker 1: that a pat on the back or what or what?

619
00:27:52,200 --> 00:27:52,399
Speaker 5: You know?

620
00:27:52,640 --> 00:27:55,560
Speaker 1: But then the third time, after a couple of years,

621
00:27:55,640 --> 00:28:00,720
Speaker 1: it's like, maybe maybe that's the one. They're going, Okay, you're.

622
00:28:00,640 --> 00:28:03,080
Speaker 6: For real that I get out of here.

623
00:28:04,400 --> 00:28:08,520
Speaker 5: Yeah, that's just one song. Play them out, boys, entertain

624
00:28:08,640 --> 00:28:09,639
Speaker 5: that's it.

625
00:28:10,480 --> 00:28:11,200
Speaker 2: You entertained.

626
00:28:11,240 --> 00:28:16,120
Speaker 3: Nowt's taken care of you. Let's talk about Riba. How

627
00:28:16,200 --> 00:28:18,320
Speaker 3: did that relationship become so strong?

628
00:28:18,960 --> 00:28:21,320
Speaker 2: They were when we when we first started went out

629
00:28:21,840 --> 00:28:25,200
Speaker 2: early nineties, ninety one, ninety two, whatever, there were only

630
00:28:25,520 --> 00:28:30,040
Speaker 2: I think five major tours out there, so it would

631
00:28:30,080 --> 00:28:38,800
Speaker 2: be straight Garth uh events Uhlan in Riba. Yeah, but

632
00:28:39,000 --> 00:28:43,800
Speaker 2: we're all up in roll In Alabama. Yeah, and we

633
00:28:43,920 --> 00:28:47,240
Speaker 2: got we got picked up by to open you be

634
00:28:47,520 --> 00:28:51,080
Speaker 2: the first act of three, uh by by RIBA's Camp

635
00:28:52,320 --> 00:28:55,400
Speaker 2: and uh you get what I think maybe twenty minutes.

636
00:28:55,280 --> 00:28:56,320
Speaker 5: In a small part of the stage.

637
00:28:56,840 --> 00:28:57,080
Speaker 6: That's it.

638
00:28:57,280 --> 00:28:58,880
Speaker 2: She even talked about it. She came back and said,

639
00:28:58,920 --> 00:29:00,400
Speaker 2: you know, when I first started, I was opening for

640
00:29:00,520 --> 00:29:02,720
Speaker 2: Charlie Daniels and he said, I wore high heels and

641
00:29:02,760 --> 00:29:04,760
Speaker 2: there was grapes right there. I had to walk through

642
00:29:04,880 --> 00:29:05,600
Speaker 2: my toes.

643
00:29:05,320 --> 00:29:05,720
Speaker 4: All the time.

644
00:29:06,200 --> 00:29:09,640
Speaker 2: But uh so, yeah, I mean she just kind of

645
00:29:10,600 --> 00:29:15,520
Speaker 2: she and Norvel and that bunch, uh kind of you know,

646
00:29:16,400 --> 00:29:18,120
Speaker 2: drag us, drug us along for a while.

647
00:29:18,200 --> 00:29:20,760
Speaker 1: I'll tell you what was cool though, when we started

648
00:29:20,840 --> 00:29:23,120
Speaker 1: hitting a lick, you know, the first couple of songs

649
00:29:23,160 --> 00:29:25,000
Speaker 1: took off and whatever, and we were out there and

650
00:29:25,080 --> 00:29:29,920
Speaker 1: we were had a fairly extended deal with them and Norvel.

651
00:29:30,000 --> 00:29:32,280
Speaker 1: We became the dressing room one night and said, guys,

652
00:29:33,480 --> 00:29:35,480
Speaker 1: y'all are going to be around for a while and

653
00:29:36,200 --> 00:29:37,360
Speaker 1: we don't want you to hate us.

654
00:29:37,560 --> 00:29:40,000
Speaker 6: And anyway, they doubled what they were paying us at

655
00:29:40,000 --> 00:29:41,440
Speaker 6: the time. I won't say what that was.

656
00:29:41,560 --> 00:29:44,640
Speaker 2: But it was like what a million.

657
00:29:47,320 --> 00:29:51,160
Speaker 1: The record company gave us that one. But anyway, it

658
00:29:51,240 --> 00:29:53,400
Speaker 1: was pretty cool that they said, you know, we just

659
00:29:54,400 --> 00:29:59,320
Speaker 1: you know, you guys are legit and we definitely got

660
00:29:59,360 --> 00:30:02,160
Speaker 1: a good deal, too good of a deal. So you know,

661
00:30:03,000 --> 00:30:03,840
Speaker 1: here's a little kiss.

662
00:30:04,080 --> 00:30:05,320
Speaker 2: That's a class move.

663
00:30:06,000 --> 00:30:07,320
Speaker 5: What's the human riba like?

664
00:30:08,800 --> 00:30:11,200
Speaker 2: She's a she's she's a lot like what you see

665
00:30:11,440 --> 00:30:17,360
Speaker 2: she is. That's pretty much. She's a cowgirl. She's never

666
00:30:17,440 --> 00:30:22,440
Speaker 2: sit still. Her mother set calls for that. She bounce her.

667
00:30:23,520 --> 00:30:26,720
Speaker 2: She just doesn't stop. She's relentless that what she does.

668
00:30:27,240 --> 00:30:27,440
Speaker 5: You know.

669
00:30:27,800 --> 00:30:31,160
Speaker 6: She's funny too, and loves to play board games.

670
00:30:31,280 --> 00:30:33,600
Speaker 1: I mean literally we're in Vegas, you know, to go

671
00:30:33,680 --> 00:30:35,720
Speaker 1: on top of the stage waving at the crowd, goodbao

672
00:30:35,840 --> 00:30:38,240
Speaker 1: on their feet whatever. As soon as that curtain comes together,

673
00:30:38,280 --> 00:30:42,560
Speaker 1: he goes, y'all want to play Ruby cueb tonight? Okay,

674
00:30:43,320 --> 00:30:46,240
Speaker 1: So because she knows, she plays it every night, So

675
00:30:46,440 --> 00:30:50,040
Speaker 1: you can half ass play Ruby Cube unless you're something wrong.

676
00:30:49,840 --> 00:30:52,040
Speaker 2: With It's like Trivia Pursuit when you played fifty thousand

677
00:30:52,080 --> 00:30:54,360
Speaker 2: times in you all the answers, Yeah, like a long

678
00:30:54,520 --> 00:30:55,800
Speaker 2: day for the side of the table.

679
00:30:56,160 --> 00:30:57,560
Speaker 3: I want to ask you about two legacies, and I

680
00:30:57,600 --> 00:31:01,160
Speaker 3: would wrap this up, the Brooks and Dunn legacy.

681
00:31:02,040 --> 00:31:03,960
Speaker 5: What's it going to be? What did you want it

682
00:31:04,040 --> 00:31:04,160
Speaker 5: to be?

683
00:31:06,400 --> 00:31:12,080
Speaker 2: Uh? A series of good songs, lasting songs that are

684
00:31:12,120 --> 00:31:14,440
Speaker 2: classics that you can listen to. You know, we all

685
00:31:14,560 --> 00:31:16,400
Speaker 2: us it used to say that, use the word longevity,

686
00:31:16,640 --> 00:31:20,200
Speaker 2: you know, but just that kind of the music. Let

687
00:31:20,360 --> 00:31:23,400
Speaker 2: the music define you. You know, there's there's I mean,

688
00:31:23,440 --> 00:31:26,479
Speaker 2: we work on image and stuff like that just as

689
00:31:26,600 --> 00:31:27,440
Speaker 2: crazy as anybody.

690
00:31:27,520 --> 00:31:27,640
Speaker 4: You know.

691
00:31:27,720 --> 00:31:29,840
Speaker 2: We took everything west of Mississippi, went to the desert,

692
00:31:29,960 --> 00:31:33,360
Speaker 2: you know, and chased all that that look. But at

693
00:31:33,400 --> 00:31:35,760
Speaker 2: the at the end of the day, it's it's the

694
00:31:35,880 --> 00:31:38,360
Speaker 2: songs blat out is Yeah.

695
00:31:38,800 --> 00:31:42,720
Speaker 1: The thing that's craziest to me at this point with

696
00:31:43,080 --> 00:31:47,360
Speaker 1: sort of this here we go again, you know, and

697
00:31:47,720 --> 00:31:51,360
Speaker 1: I've said it for lack of a better description, when

698
00:31:51,400 --> 00:31:53,080
Speaker 1: people go, what do you think is happening with you

699
00:31:53,200 --> 00:31:55,560
Speaker 1: guys right now? And you know you're selling everything out

700
00:31:55,600 --> 00:31:58,600
Speaker 1: and that it really feels like because I didn't find

701
00:31:58,680 --> 00:32:02,240
Speaker 1: Willie Nelson till I was in college, when he'd already

702
00:32:02,280 --> 00:32:05,440
Speaker 1: had a really cool career in Nashville and written a

703
00:32:05,480 --> 00:32:08,680
Speaker 1: lot of classic songs that are still there. I didn't

704
00:32:08,760 --> 00:32:11,800
Speaker 1: know I hadn't really heard of Willie Nelson. I like

705
00:32:11,880 --> 00:32:16,240
Speaker 1: Merle Haggard and George Jones, but I was real close

706
00:32:16,320 --> 00:32:19,520
Speaker 1: to the Willie Picnics when him and Whalen came went

707
00:32:19,600 --> 00:32:22,440
Speaker 1: and kicked the door down. I'm like, that was We're

708
00:32:22,520 --> 00:32:24,920
Speaker 1: taking road trips down to Austin and getting in the

709
00:32:25,000 --> 00:32:28,440
Speaker 1: middle of it with another forty thousand drunks, going this

710
00:32:28,600 --> 00:32:30,320
Speaker 1: is the funnest stuff in the world, and that guy

711
00:32:30,440 --> 00:32:31,880
Speaker 1: is so freaking cool.

712
00:32:32,080 --> 00:32:33,640
Speaker 6: Not to compare us or our.

713
00:32:33,680 --> 00:32:36,840
Speaker 1: Music to Willie and Whalen in any way other than

714
00:32:37,400 --> 00:32:41,560
Speaker 1: I think a young group of music listeners found him

715
00:32:41,560 --> 00:32:44,440
Speaker 1: and thought that was cool and started sharing that, you know,

716
00:32:44,720 --> 00:32:46,000
Speaker 1: and I think it's.

717
00:32:46,000 --> 00:32:51,440
Speaker 5: Just it's really it feels great that I look.

718
00:32:51,320 --> 00:32:53,320
Speaker 6: Out in the audience and every night go how many

719
00:32:53,400 --> 00:32:55,600
Speaker 6: auire at your first bricks and doune shows? And watching

720
00:32:55,640 --> 00:32:56,520
Speaker 6: those hands go up?

721
00:32:56,840 --> 00:32:59,600
Speaker 2: Uh, not before last? Was it not for last? Yeah,

722
00:33:00,120 --> 00:33:03,600
Speaker 2: we're at the Houston Rodeo seventy one and thirty six people.

723
00:33:05,400 --> 00:33:07,520
Speaker 2: I know because we're all always competing to who has

724
00:33:07,600 --> 00:33:12,560
Speaker 2: the biggest crowd of the rodeo, and so you ask

725
00:33:12,680 --> 00:33:15,040
Speaker 2: them in the middle of the show. He goes, how

726
00:33:15,120 --> 00:33:17,080
Speaker 2: many of you, is this your first Brooks and Done

727
00:33:17,120 --> 00:33:18,920
Speaker 2: show and it's the Houston Rodeo. We've been there, like

728
00:33:18,960 --> 00:33:23,080
Speaker 2: in the Hall of Fame there and I swear the

729
00:33:23,120 --> 00:33:24,080
Speaker 2: whole place erupted.

730
00:33:24,680 --> 00:33:28,600
Speaker 4: It was like what what so?

731
00:33:28,960 --> 00:33:31,320
Speaker 3: And that's the legacy that you wanted, the legacy and

732
00:33:31,400 --> 00:33:35,040
Speaker 3: you get to live it now, which is so rare it.

733
00:33:35,200 --> 00:33:38,160
Speaker 1: I think the legacy is what Ronnie was saying, because

734
00:33:38,800 --> 00:33:42,160
Speaker 1: every year we did the craziest stuff we could think

735
00:33:42,240 --> 00:33:45,320
Speaker 1: of on stage, you know, inspired by zz Top and

736
00:33:45,400 --> 00:33:47,520
Speaker 1: a lot of rock bands that were doing you know,

737
00:33:47,680 --> 00:33:50,880
Speaker 1: Garth picked up on that too, but man, a lot

738
00:33:50,960 --> 00:33:53,040
Speaker 1: of a lot of things that we stole from rock

739
00:33:53,080 --> 00:33:56,040
Speaker 1: bands that had done this, from the Stones to zz Top,

740
00:33:56,720 --> 00:33:59,680
Speaker 1: stuff I had seen coming up, going oh we ought

741
00:33:59,720 --> 00:34:02,040
Speaker 1: to do this something like and I won't even get

742
00:34:02,080 --> 00:34:04,560
Speaker 1: into all that, but just we tore up stuff and

743
00:34:04,680 --> 00:34:07,760
Speaker 1: just spent all this money just to see how freaking

744
00:34:07,920 --> 00:34:11,560
Speaker 1: crazy we could be on stage in terms of sets

745
00:34:11,680 --> 00:34:14,320
Speaker 1: and things we could do. Ronnie was always somewhat reserved,

746
00:34:14,400 --> 00:34:17,400
Speaker 1: thank God, or you know, we'd lost completely lost our minds.

747
00:34:17,880 --> 00:34:19,719
Speaker 6: But I really enjoyed that part of it.

748
00:34:20,400 --> 00:34:22,880
Speaker 1: And at the same time, with all the stupid clothes

749
00:34:22,920 --> 00:34:25,719
Speaker 1: I was wearing and coming up with, and all that.

750
00:34:26,440 --> 00:34:30,239
Speaker 1: The fact that now I don't hear anybody talking about it.

751
00:34:30,560 --> 00:34:33,200
Speaker 1: It's like we had these giant inflatable women that took

752
00:34:33,320 --> 00:34:36,080
Speaker 1: four crew guys behind shaking them on stage because I'd

753
00:34:36,120 --> 00:34:37,440
Speaker 1: seen the Stones do that.

754
00:34:37,520 --> 00:34:40,200
Speaker 6: It's it's the coolest thing I ever saw us. Probably

755
00:34:40,280 --> 00:34:42,040
Speaker 6: not so much, but we did it well.

756
00:34:42,080 --> 00:34:44,120
Speaker 2: That was a result. All this crazy stuff was a

757
00:34:44,200 --> 00:34:47,880
Speaker 2: result of, like you said earlier, County Country, like it

758
00:34:48,000 --> 00:34:53,560
Speaker 2: got to that rock status level. We would play Friday night.

759
00:34:53,719 --> 00:34:57,359
Speaker 2: Erolsmith would play near Chicago. We'd played right behind him

760
00:34:57,680 --> 00:35:00,319
Speaker 2: next night. So you're coming in, you're gonna go. Uh,

761
00:35:00,920 --> 00:35:03,600
Speaker 2: we need a few more trucks with stuff.

762
00:35:04,000 --> 00:35:07,520
Speaker 5: One more legacy question. What's Reba's legacy?

763
00:35:08,920 --> 00:35:13,520
Speaker 1: Oh gosh, you know, she has done everything. I think,

764
00:35:13,760 --> 00:35:18,200
Speaker 1: just just to me, it's just an amazing entertainer. And

765
00:35:18,400 --> 00:35:20,360
Speaker 1: I think what you see is what you get is

766
00:35:20,480 --> 00:35:23,520
Speaker 1: probably why your TV shows are still back to back

767
00:35:23,560 --> 00:35:27,120
Speaker 1: to back to back on some cable network somewhere.

768
00:35:27,800 --> 00:35:27,960
Speaker 4: You know.

769
00:35:28,120 --> 00:35:31,640
Speaker 6: I think it's just really as smart as she is.

770
00:35:31,840 --> 00:35:35,840
Speaker 6: Smart she is, you know, but it's small time ranch girl.

771
00:35:35,680 --> 00:35:39,520
Speaker 2: Who knows no fear, no fear.

772
00:35:39,480 --> 00:35:44,520
Speaker 1: Own Broadway great singer, tons of records, tons of number

773
00:35:44,600 --> 00:35:49,400
Speaker 1: ones I mean, and television icon from now the voice

774
00:35:49,440 --> 00:35:51,440
Speaker 1: to shows she's made herself.

775
00:35:51,800 --> 00:35:51,960
Speaker 5: You know.

776
00:35:52,840 --> 00:35:55,480
Speaker 3: To end this will I want to indulge myself. It's

777
00:35:55,520 --> 00:35:58,719
Speaker 3: talking for a second and giving my favorite version of

778
00:35:58,760 --> 00:35:59,120
Speaker 3: each of you.

779
00:35:59,400 --> 00:36:01,239
Speaker 5: And you're not gonna remember this.

780
00:36:01,560 --> 00:36:05,040
Speaker 3: But at the Grand Ole Operate the door stay open

781
00:36:06,120 --> 00:36:08,080
Speaker 3: unless you're like you're in your underwere the door stay open.

782
00:36:08,600 --> 00:36:11,160
Speaker 3: And it was my first time performing doing stand up

783
00:36:11,200 --> 00:36:13,279
Speaker 3: at the Opry and I was fanning you guys, but

784
00:36:13,360 --> 00:36:14,920
Speaker 3: I had never met you guys and.

785
00:36:16,680 --> 00:36:17,000
Speaker 2: Kicks.

786
00:36:17,000 --> 00:36:19,200
Speaker 5: Walked in the room and was like hey, and like

787
00:36:19,239 --> 00:36:20,680
Speaker 5: gave me a pep talk. I didn't even know. You

788
00:36:20,719 --> 00:36:22,480
Speaker 5: probably knew how I was. You probably thought I was

789
00:36:22,480 --> 00:36:24,880
Speaker 5: cleaning up the place, like hey, you do. But but

790
00:36:25,320 --> 00:36:28,520
Speaker 5: but literally like you were like this is such a

791
00:36:28,560 --> 00:36:29,160
Speaker 5: special place.

792
00:36:29,239 --> 00:36:32,360
Speaker 3: Congratulations, you're gonna do great, and like it makes it

793
00:36:32,440 --> 00:36:34,920
Speaker 3: emotionally even thinking about that you would take thirty seconds

794
00:36:35,000 --> 00:36:40,160
Speaker 3: to do that at that time, at that place, and

795
00:36:40,360 --> 00:36:42,120
Speaker 3: like that'll be something that when I'm a hundred I

796
00:36:42,239 --> 00:36:46,759
Speaker 3: remember like vividly, so like I appreciate that, and I

797
00:36:46,920 --> 00:36:49,719
Speaker 3: tell that story underneath the microphone and camera so people

798
00:36:49,760 --> 00:36:51,600
Speaker 3: can hear that you're not just a couple of funny

799
00:36:51,600 --> 00:36:54,400
Speaker 3: guys that are acting nice on camera, that you do

800
00:36:54,680 --> 00:36:58,720
Speaker 3: treat people the way that it seems like you treat people,

801
00:36:58,960 --> 00:37:02,200
Speaker 3: and that's rare in this sense. Tree Uh with Ronnie, Uh,

802
00:37:02,520 --> 00:37:04,840
Speaker 3: you sang at my wedding and we didn't eve know.

803
00:37:04,800 --> 00:37:05,160
Speaker 4: You were coming.

804
00:37:05,160 --> 00:37:06,719
Speaker 5: You didn't get invited, and you just still showed up

805
00:37:06,760 --> 00:37:07,240
Speaker 5: and saying.

806
00:37:07,080 --> 00:37:07,760
Speaker 2: And that was awesome.

807
00:37:08,239 --> 00:37:11,560
Speaker 5: You wore me out, Yeah but you did. But I'm

808
00:37:11,600 --> 00:37:12,160
Speaker 5: being excited. You did.

809
00:37:12,320 --> 00:37:15,120
Speaker 3: You did, you did sing and I will forever be

810
00:37:15,200 --> 00:37:18,399
Speaker 3: grateful And it was AWESO loved both of you guys

811
00:37:18,480 --> 00:37:25,080
Speaker 3: together and separately. And to conclude, my favorite favorite favorite moment,

812
00:37:25,400 --> 00:37:28,080
Speaker 3: it's me and my wife and Ronnie and his wife

813
00:37:28,120 --> 00:37:29,880
Speaker 3: were having dinner and someone comes up and wants a

814
00:37:29,920 --> 00:37:30,520
Speaker 3: picture of court.

815
00:37:30,560 --> 00:37:33,600
Speaker 2: I mean, it's freaking oh oh, let me tell that.

816
00:37:34,600 --> 00:37:36,600
Speaker 5: You want to tell my story, go ahead, well and

817
00:37:36,640 --> 00:37:38,240
Speaker 5: then you can tell, but I'll tell it together.

818
00:37:38,320 --> 00:37:40,080
Speaker 6: What happened? Of course I want to hear.

819
00:37:40,120 --> 00:37:43,719
Speaker 5: Of course it's it's a superstar. Someone comes up and

820
00:37:43,760 --> 00:37:45,960
Speaker 5: wants a picture, and I'm like, I get it. I

821
00:37:46,000 --> 00:37:47,000
Speaker 5: would want a picture.

822
00:37:46,800 --> 00:37:49,560
Speaker 2: Too, and and so they're like, they had me the

823
00:37:49,600 --> 00:37:50,680
Speaker 2: camera take his picture.

824
00:37:53,200 --> 00:37:54,239
Speaker 6: Don't you hate it when they do.

825
00:37:56,440 --> 00:37:59,160
Speaker 5: Good ones? It was the top three greatest moments. And

826
00:37:59,200 --> 00:38:01,520
Speaker 5: then Ronnie took the pictre the fan.

827
00:38:01,960 --> 00:38:04,960
Speaker 1: And uh more than once and somebody's could can we

828
00:38:05,040 --> 00:38:07,080
Speaker 1: get a picture? I'm like, yeah, sure, and they hand

829
00:38:07,160 --> 00:38:09,040
Speaker 1: me the camera and they put their arm around each other.

830
00:38:09,239 --> 00:38:12,879
Speaker 1: That's happened to be several showbiz show minis. I love

831
00:38:12,920 --> 00:38:15,560
Speaker 1: you guys, thank you for doing this. Congratulations on all

832
00:38:15,600 --> 00:38:20,480
Speaker 1: your success, but I think the success that I hear

833
00:38:20,600 --> 00:38:24,160
Speaker 1: from you is how your music has affected many people

834
00:38:24,200 --> 00:38:24,879
Speaker 1: for many years.

835
00:38:24,960 --> 00:38:25,480
Speaker 4: That was the goal.

836
00:38:25,600 --> 00:38:28,520
Speaker 3: That was a dream, and you guys are living it still.

837
00:38:29,239 --> 00:38:32,759
Speaker 3: Seventy thousand people still coming to shows. It's awesome to see.

838
00:38:33,040 --> 00:38:34,600
Speaker 3: Congratulations and thank you for the time.

839
00:38:34,680 --> 00:38:37,239
Speaker 2: Yeah cool, Thanks Flobby lock Pok Pobby, thank you Mane.

840
00:38:38,120 --> 00:38:50,520
Speaker 8: The Bobby Cast will be right back. This is the

841
00:38:50,600 --> 00:38:51,320
Speaker 8: Bobby Cast.

842
00:38:51,840 --> 00:38:55,239
Speaker 3: So here are some possibly lesser known, but while behind

843
00:38:55,280 --> 00:38:57,719
Speaker 3: the scenes stories from the music industry that you may

844
00:38:57,760 --> 00:39:00,480
Speaker 3: find surprising. And haven't gone over these with you, but

845
00:39:00,719 --> 00:39:02,319
Speaker 3: I'll read you these.

846
00:39:02,360 --> 00:39:04,480
Speaker 4: Tell me how much you know? Okay Fleetwood.

847
00:39:04,560 --> 00:39:08,440
Speaker 3: Max Rumors was basically a musical soap opera because of

848
00:39:08,520 --> 00:39:11,239
Speaker 3: everything happening in the band at the time it came out.

849
00:39:11,360 --> 00:39:12,439
Speaker 4: Oh no, I had no idea.

850
00:39:13,680 --> 00:39:17,800
Speaker 3: I think you will a little bit like, uh, gosh,

851
00:39:17,880 --> 00:39:19,359
Speaker 3: what's the what's the guy's name?

852
00:39:19,719 --> 00:39:23,960
Speaker 4: Mick, Mick Fleetwood and the Lindsey Buckingham and Stevie Nicks.

853
00:39:24,040 --> 00:39:26,319
Speaker 4: A lot of drama there. Yeah, that's that's three of them. Okay,

854
00:39:26,360 --> 00:39:28,200
Speaker 4: you know the other one one died. No clue.

855
00:39:28,400 --> 00:39:30,279
Speaker 3: The band members were breaking up with each other while

856
00:39:30,280 --> 00:39:33,440
Speaker 3: they were recording the album. Stevie Nicks and Lindsay Buckingham

857
00:39:33,480 --> 00:39:38,239
Speaker 3: were ending their relationship because they were together John and

858
00:39:38,560 --> 00:39:39,520
Speaker 3: Christina mcvii.

859
00:39:40,320 --> 00:39:44,200
Speaker 4: She was the keyboard player. I guess. Yeah, they were divorcing. Oh,

860
00:39:44,239 --> 00:39:45,360
Speaker 4: I didn't know they were together.

861
00:39:45,160 --> 00:39:46,920
Speaker 3: And Mick Fleetwood was going through a divorce of his

862
00:39:47,040 --> 00:39:50,080
Speaker 3: own then later had an affair with Stevie Nicks.

863
00:39:50,880 --> 00:39:51,320
Speaker 6: Drama.

864
00:39:51,640 --> 00:39:53,920
Speaker 3: Despite all the chaos, they made it into one of

865
00:39:53,920 --> 00:39:55,399
Speaker 3: the most successful albums of all time.

866
00:39:55,480 --> 00:39:57,560
Speaker 4: Wow. Crazy, that is crazy.

867
00:39:57,640 --> 00:40:03,279
Speaker 3: There was that much inner turmoil or just drama and

868
00:40:03,400 --> 00:40:05,480
Speaker 3: they were still able to make such good music. What

869
00:40:05,680 --> 00:40:08,240
Speaker 3: I hear is a great producer keeping them all together,

870
00:40:08,880 --> 00:40:11,680
Speaker 3: like somebody that's not in the band. Who was producing

871
00:40:11,719 --> 00:40:15,920
Speaker 3: that album was having to put bumpers like in bowling

872
00:40:16,600 --> 00:40:19,960
Speaker 3: on the gun on the freaking band and like control

873
00:40:20,040 --> 00:40:22,439
Speaker 3: them to focus on music because everybody was going through crap,

874
00:40:22,480 --> 00:40:23,800
Speaker 3: and a lot of them were going through crap together.

875
00:40:23,880 --> 00:40:25,680
Speaker 4: Oh, that's the perfect recipe for a band to be like,

876
00:40:25,719 --> 00:40:26,600
Speaker 4: we're done, We're not doing this.

877
00:40:26,719 --> 00:40:28,239
Speaker 3: You know, it's the perfect recipe to write a bunch

878
00:40:28,280 --> 00:40:30,400
Speaker 3: of great songs if it's not about with people in

879
00:40:30,480 --> 00:40:30,799
Speaker 3: the band.

880
00:40:31,080 --> 00:40:31,680
Speaker 4: You're going through.

881
00:40:31,560 --> 00:40:34,839
Speaker 3: Divorces and breakups and all music, great music comes from

882
00:40:34,880 --> 00:40:35,439
Speaker 3: all that pain.

883
00:40:35,680 --> 00:40:37,480
Speaker 4: But when it's with people in the band, it's weird.

884
00:40:37,520 --> 00:40:39,200
Speaker 4: They can make that good of music. Do you do

885
00:40:39,280 --> 00:40:42,000
Speaker 4: you know offhand what's on that record? Like what songs?

886
00:40:42,080 --> 00:40:45,239
Speaker 3: Yeah, I mean most of their massive song really, Like

887
00:40:46,000 --> 00:40:49,440
Speaker 3: I think if I were guessing based on just the

888
00:40:49,600 --> 00:40:53,880
Speaker 3: rumor's lore, that's the album with him standing up and

889
00:40:54,239 --> 00:40:55,600
Speaker 3: her sitting on a chair.

890
00:40:55,920 --> 00:40:57,680
Speaker 4: It's kind of in black and white. You know, I

891
00:40:57,760 --> 00:40:58,959
Speaker 4: know exactly what you're talking about.

892
00:40:59,400 --> 00:41:02,480
Speaker 3: Dreams is on it, Okay, Jam their biggest song, right,

893
00:41:02,960 --> 00:41:04,799
Speaker 3: and I say their biggest because I think it got

894
00:41:04,960 --> 00:41:08,680
Speaker 3: refamous again on TikTok Massive Back in the seventies, but

895
00:41:10,600 --> 00:41:13,440
Speaker 3: recool again to twenty and thirty year olds. Like ten

896
00:41:13,520 --> 00:41:15,799
Speaker 3: years ago, it had kind of a queen Bohemian raps

897
00:41:15,840 --> 00:41:17,040
Speaker 3: and renaissance.

898
00:41:18,080 --> 00:41:18,560
Speaker 4: Is that the one?

899
00:41:18,760 --> 00:41:18,960
Speaker 5: Yeah?

900
00:41:19,080 --> 00:41:19,560
Speaker 4: What's on it?

901
00:41:19,800 --> 00:41:23,480
Speaker 5: Go your own way, your your wrong way? Yep, never

902
00:41:23,560 --> 00:41:24,319
Speaker 5: going back again.

903
00:41:25,920 --> 00:41:28,200
Speaker 4: The chain's awesome. What's never going back again? I don't know.

904
00:41:30,040 --> 00:41:30,640
Speaker 5: The chain is.

905
00:41:33,280 --> 00:41:37,920
Speaker 4: It's so hard to do multiple what else? Don't stop? Youngbird?

906
00:41:38,280 --> 00:41:39,279
Speaker 4: You make loving fun?

907
00:41:39,680 --> 00:41:41,000
Speaker 5: Oh daddy, gold dust woman?

908
00:41:41,880 --> 00:41:45,040
Speaker 4: Oh okay, all right, there you go. You want to

909
00:41:45,040 --> 00:41:47,719
Speaker 4: hear I listened to when I do do research, what

910
00:41:47,920 --> 00:41:49,960
Speaker 4: is that low fi hip hop beats on YouTube?

911
00:41:50,200 --> 00:41:52,040
Speaker 3: And there's like some Asian girl that's doing her homework.

912
00:41:52,080 --> 00:41:52,680
Speaker 3: It's like a cartoon.

913
00:41:52,760 --> 00:41:54,399
Speaker 5: I what's that same one? Yes?

914
00:41:54,600 --> 00:41:56,080
Speaker 4: Yeah, Where do you guys find this?

915
00:41:56,920 --> 00:41:59,160
Speaker 3: It was suggested like a live alive when I was

916
00:41:59,200 --> 00:42:01,680
Speaker 3: on YouTube, and so when I when I prepare notes

917
00:42:01,719 --> 00:42:03,480
Speaker 3: in the morning, that's what I listened to.

918
00:42:03,680 --> 00:42:05,200
Speaker 4: That's awesome. I mean, that's very well.

919
00:42:05,239 --> 00:42:08,040
Speaker 3: I I was wondering, why Mike is it this one specifically.

920
00:42:07,640 --> 00:42:08,279
Speaker 5: With anime girl?

921
00:42:08,400 --> 00:42:08,560
Speaker 4: Yep?

922
00:42:08,600 --> 00:42:09,200
Speaker 5: Card again yep?

923
00:42:09,719 --> 00:42:11,879
Speaker 4: What is having Mike? Do you do that while you're

924
00:42:11,920 --> 00:42:12,359
Speaker 4: working too?

925
00:42:12,560 --> 00:42:12,719
Speaker 5: Yes?

926
00:42:13,760 --> 00:42:15,680
Speaker 4: You guys are the same person. The only reason this

927
00:42:15,800 --> 00:42:18,719
Speaker 4: comes up is because I had it on before I

928
00:42:18,800 --> 00:42:20,479
Speaker 4: came in and did this, and I guess I forgot

929
00:42:20,480 --> 00:42:22,600
Speaker 4: to X out of it, and I was like, what's playing?

930
00:42:22,680 --> 00:42:25,080
Speaker 4: Because I was gonna go track Fleetwood Mac. So who's

931
00:42:25,160 --> 00:42:26,400
Speaker 4: producing that music? Do you know?

932
00:42:26,560 --> 00:42:28,400
Speaker 3: Or is it just kind of it's somebody?

933
00:42:28,760 --> 00:42:28,960
Speaker 6: Yeah?

934
00:42:29,120 --> 00:42:31,360
Speaker 4: And then just the screen is just an animation of

935
00:42:31,400 --> 00:42:31,880
Speaker 4: a girl and.

936
00:42:31,920 --> 00:42:33,120
Speaker 3: It's all low fi hip hop.

937
00:42:33,160 --> 00:42:35,520
Speaker 4: It is always on and some yeah, and sometimes I'll

938
00:42:35,600 --> 00:42:38,719
Speaker 4: just freestyle with it, like terribly uh, just to kind of.

939
00:42:38,680 --> 00:42:41,000
Speaker 3: Give him a mind going, yeah, that's pretty funny, all right.

940
00:42:41,080 --> 00:42:42,840
Speaker 3: Number one, that's Umber one, By the way, I have.

941
00:42:44,320 --> 00:42:44,920
Speaker 4: I think eight of these.

942
00:42:45,000 --> 00:42:47,359
Speaker 3: Number two. Rick James kidnapped someone.

943
00:42:47,600 --> 00:42:50,000
Speaker 4: Oh no, what are you talking about?

944
00:42:50,160 --> 00:42:52,880
Speaker 3: In nineteen ninety one, funk Legend Rick James and his

945
00:42:52,960 --> 00:42:56,120
Speaker 3: girlfriend were arrested for kidnapping and assaulting a woman during

946
00:42:56,160 --> 00:42:57,560
Speaker 3: a week long drug binge.

947
00:42:57,719 --> 00:42:57,959
Speaker 1: Whoa.

948
00:42:58,239 --> 00:43:00,320
Speaker 3: He was eventually convicted and served two years in prison.

949
00:43:00,680 --> 00:43:00,960
Speaker 5: WHOA.

950
00:43:01,520 --> 00:43:04,080
Speaker 3: Wildly this did not kill his career. He even had

951
00:43:04,080 --> 00:43:06,239
Speaker 3: a later resurgence on Chapelle Show.

952
00:43:06,360 --> 00:43:08,759
Speaker 4: That's a bigger Whoa. But you can do that and

953
00:43:08,800 --> 00:43:11,560
Speaker 4: you still keep going. I don't know enough about this,

954
00:43:11,840 --> 00:43:14,200
Speaker 4: as in I didn't live it because it was before

955
00:43:14,360 --> 00:43:15,359
Speaker 4: US NAK eighty one.

956
00:43:15,840 --> 00:43:19,680
Speaker 3: But there's no social media. You got four channels. If

957
00:43:19,719 --> 00:43:21,000
Speaker 3: you didn't catch it when it was on the news,

958
00:43:21,080 --> 00:43:22,880
Speaker 3: you didn't catch it unless you saw in the newspaper.

959
00:43:22,920 --> 00:43:25,520
Speaker 3: Then it was here and then gone. So there's like

960
00:43:25,600 --> 00:43:27,439
Speaker 3: a brief period of time where all the bad craft

961
00:43:27,480 --> 00:43:31,839
Speaker 3: that had happened. People got away with all kinds of stuff. Yeah, good, wild, yeah,

962
00:43:31,880 --> 00:43:34,759
Speaker 3: and now no one can do anything right. If you

963
00:43:34,800 --> 00:43:37,080
Speaker 3: do something mild, it stays up there. Forever you look

964
00:43:37,080 --> 00:43:40,440
Speaker 3: at donut, everyone knows exactly exactly. For those who don't

965
00:43:40,440 --> 00:43:43,400
Speaker 3: get the reference, Ariana Grand that's right, that's Eddy's favorite reference.

966
00:43:43,400 --> 00:43:47,240
Speaker 3: In the past, like six months, Prince recorded a song.

967
00:43:47,200 --> 00:43:50,440
Speaker 4: Every day for years. I feel like I've heard that

968
00:43:50,760 --> 00:43:53,080
Speaker 4: Prince's legendary vault is not just a myth.

969
00:43:54,040 --> 00:43:56,560
Speaker 3: Engineers who worked with him report he would often write, record,

970
00:43:56,600 --> 00:43:59,680
Speaker 3: and produce a full song every single day, many of

971
00:43:59,719 --> 00:44:02,160
Speaker 3: which which no one has still ever heard, because he

972
00:44:02,200 --> 00:44:04,520
Speaker 3: would do it all by himself. He even had the

973
00:44:04,560 --> 00:44:07,920
Speaker 3: whole albums created, he then would shelve them purely because

974
00:44:07,920 --> 00:44:10,640
Speaker 3: he changed his mind. Not because he was doing it

975
00:44:10,760 --> 00:44:13,560
Speaker 3: to put in a vault to have this library after

976
00:44:13,680 --> 00:44:16,200
Speaker 3: he died. But he would finish it and go. Prince

977
00:44:16,239 --> 00:44:19,719
Speaker 3: does not like that. Prince will put this away. Nobody

978
00:44:19,760 --> 00:44:24,120
Speaker 3: gets to hear it. David Bowie and his Thin White

979
00:44:24,200 --> 00:44:28,360
Speaker 3: Duke era was fueled by milk, peppers and cocaine.

980
00:44:28,560 --> 00:44:30,000
Speaker 4: Whoa, and he had different eras.

981
00:44:30,040 --> 00:44:32,040
Speaker 3: And I was never a big Bowie guy because I

982
00:44:32,200 --> 00:44:35,120
Speaker 3: was born after Bowie and I never really got into

983
00:44:35,200 --> 00:44:37,960
Speaker 3: Bowie same. I did have a Queen phase because they

984
00:44:38,000 --> 00:44:39,239
Speaker 3: were such a freaking good band.

985
00:44:40,200 --> 00:44:42,719
Speaker 4: Oh and of course Wayne's World brought him back the

986
00:44:42,800 --> 00:44:44,960
Speaker 4: resurgence we mentioned earlier. Sure for all of us to

987
00:44:45,320 --> 00:44:46,600
Speaker 4: understand how good Queen was.

988
00:44:46,719 --> 00:44:48,680
Speaker 3: I think as I get older, I can appreciate David

989
00:44:48,719 --> 00:44:50,880
Speaker 3: Bowie for what he was doing and for what he

990
00:44:50,960 --> 00:44:52,959
Speaker 3: was attempting to do, and they can be seen together

991
00:44:53,080 --> 00:44:57,719
Speaker 3: or separate. But he had these different eras, Like I

992
00:44:57,800 --> 00:45:00,880
Speaker 3: can think of Ziggy Stardust, the makeup that was.

993
00:45:00,880 --> 00:45:01,680
Speaker 4: A specific era.

994
00:45:01,840 --> 00:45:07,440
Speaker 3: Yeah, I can think of like his eighties with Mick Jagger, flamboyant,

995
00:45:07,680 --> 00:45:11,840
Speaker 3: tight col He just had different version yeah, as an artist,

996
00:45:12,160 --> 00:45:14,840
Speaker 3: and Thin White Duke was a version in the seventies,

997
00:45:15,560 --> 00:45:17,920
Speaker 3: He was in such a deep cocaine spiral that he

998
00:45:18,000 --> 00:45:22,440
Speaker 3: reportedly lived on milk, red peppers, and cigarettes only. He

999
00:45:22,600 --> 00:45:25,560
Speaker 3: was also so obsessed with the occult and feared witches

1000
00:45:25,600 --> 00:45:28,840
Speaker 3: were stealing his semen. But who doesn't. That's one of

1001
00:45:28,840 --> 00:45:29,120
Speaker 3: those we.

1002
00:45:29,120 --> 00:45:30,640
Speaker 5: All kind of relate to, right, Yeah, all the time?

1003
00:45:30,760 --> 00:45:32,880
Speaker 4: Are these girls that he'd hook up with and be like,

1004
00:45:33,280 --> 00:45:36,440
Speaker 4: that's a witch, She's stole my semen. He was on

1005
00:45:36,600 --> 00:45:37,480
Speaker 4: so many drugs.

1006
00:45:38,360 --> 00:45:44,000
Speaker 3: Possibly he later claimed he barely remembered recording Station to Station,

1007
00:45:44,239 --> 00:45:46,239
Speaker 3: the very famous album because he was so messed up.

1008
00:45:46,280 --> 00:45:47,640
Speaker 4: Wow, yeah, that's crazy.

1009
00:45:48,080 --> 00:45:52,880
Speaker 3: Van Halen's Brown Eminem's claus was not deva behavior. Now

1010
00:45:52,920 --> 00:45:53,880
Speaker 3: you've heard the Eminem's.

1011
00:45:54,040 --> 00:45:56,640
Speaker 4: Sure, this is for the writer. They're backstage writer. Yeah,

1012
00:45:56,840 --> 00:45:58,960
Speaker 4: what do you know about the story? Nothing? I mean,

1013
00:45:59,000 --> 00:46:01,719
Speaker 4: I don't know anything. I've heard that they requested brown

1014
00:46:01,760 --> 00:46:05,520
Speaker 4: Eminem's removed, oh, out of every so they would get

1015
00:46:05,560 --> 00:46:07,640
Speaker 4: a bunch of Eminems and remove the brown Eminems.

1016
00:46:07,680 --> 00:46:10,480
Speaker 3: They demanded they'd be removed in their rider. And the

1017
00:46:10,520 --> 00:46:12,440
Speaker 3: writer is in the contract the list of things you

1018
00:46:12,520 --> 00:46:14,479
Speaker 3: need to have to do to the show backstage. Okay,

1019
00:46:14,840 --> 00:46:17,320
Speaker 3: some people do couches. Some people do food, you know,

1020
00:46:17,440 --> 00:46:20,560
Speaker 3: for us, I mostly requested you to have the local

1021
00:46:20,840 --> 00:46:24,319
Speaker 3: IPA correct and me to have limes, lemons and lime.

1022
00:46:24,400 --> 00:46:25,160
Speaker 4: Yeah, just to suck on.

1023
00:46:25,320 --> 00:46:27,799
Speaker 5: No cocaine and peppers for us.

1024
00:46:28,600 --> 00:46:30,640
Speaker 4: Yeah, a long side ago, man, we don't do that anymore.

1025
00:46:31,200 --> 00:46:33,520
Speaker 3: The band infamously demanded a bowl of Eminem's with all

1026
00:46:33,560 --> 00:46:36,200
Speaker 3: the brown ones removed. People thought it was just them

1027
00:46:36,280 --> 00:46:39,319
Speaker 3: being over the top rock star excess, but the real

1028
00:46:39,440 --> 00:46:41,480
Speaker 3: reason was to check to see if promoters read their

1029
00:46:41,520 --> 00:46:44,640
Speaker 3: contracts carefully. Wow, because if they read it, saw it,

1030
00:46:44,760 --> 00:46:47,280
Speaker 3: and then did it, they knew that the other technical

1031
00:46:47,360 --> 00:46:49,000
Speaker 3: agreements would be done right as well.

1032
00:46:49,840 --> 00:46:51,560
Speaker 4: I'll be honest with you, I didn't think Van Healen

1033
00:46:51,560 --> 00:46:54,840
Speaker 4: would be a business savvy kind of check on the

1034
00:46:55,080 --> 00:46:56,120
Speaker 4: contract kind of people.

1035
00:46:56,680 --> 00:46:59,440
Speaker 3: I don't know that Van Halen that they were, But

1036
00:46:59,600 --> 00:47:01,759
Speaker 3: you are if the people you hire are yeah, yeah,

1037
00:47:01,880 --> 00:47:04,440
Speaker 3: And I'm sure they had great management. And I know,

1038
00:47:04,760 --> 00:47:07,520
Speaker 3: I mean I know their management. Now who is their

1039
00:47:07,560 --> 00:47:09,239
Speaker 3: management then? Because they're here tell you?

1040
00:47:09,480 --> 00:47:12,200
Speaker 4: Yeah? Really? Yeah, so they were their management like at

1041
00:47:12,239 --> 00:47:15,920
Speaker 4: the height of Van Healen. Wow, Yeah, that's crazy, it's

1042
00:47:15,920 --> 00:47:16,359
Speaker 4: pretty cool.

1043
00:47:16,760 --> 00:47:21,480
Speaker 3: So for example, people will give Taylor Swift a hard

1044
00:47:21,480 --> 00:47:23,440
Speaker 3: time because she does all these really nice things and

1045
00:47:23,480 --> 00:47:25,040
Speaker 3: send all these notes and sends all these gifts, and

1046
00:47:25,040 --> 00:47:27,759
Speaker 3: people are like, well, that's her management. Your management is

1047
00:47:27,880 --> 00:47:30,080
Speaker 3: part of you. That's like if you were to pick

1048
00:47:30,120 --> 00:47:31,279
Speaker 3: up a piece of garbage, you go like, no, no,

1049
00:47:31,440 --> 00:47:33,239
Speaker 3: that's your arm that did that, not your brain. I No,

1050
00:47:33,280 --> 00:47:35,840
Speaker 3: your arm is an extension of all of you. And

1051
00:47:36,000 --> 00:47:38,680
Speaker 3: so Van Halen, they may not have been someone who

1052
00:47:38,760 --> 00:47:41,920
Speaker 3: demanded all those things, all the technical things be looked at,

1053
00:47:41,960 --> 00:47:44,640
Speaker 3: all the safety, but somebody in their team.

1054
00:47:44,600 --> 00:47:47,360
Speaker 4: Was What happens more you telling the artists telling the

1055
00:47:47,400 --> 00:47:49,840
Speaker 4: management what to do, or management telling the artists what

1056
00:47:49,960 --> 00:47:53,160
Speaker 4: they should do. And I'm sure there's there's you know,

1057
00:47:53,239 --> 00:47:56,399
Speaker 4: give and take right, but like what happens more more likely?

1058
00:47:56,680 --> 00:48:00,319
Speaker 3: So artists can fire managers at any time. That mean

1059
00:48:00,360 --> 00:48:02,480
Speaker 3: they don't have to pay them because you have what's

1060
00:48:02,480 --> 00:48:06,240
Speaker 3: called a sunset clause. So let's say my management company,

1061
00:48:06,280 --> 00:48:10,040
Speaker 3: which is Red Light Management, I have Morgan number one,

1062
00:48:10,080 --> 00:48:11,960
Speaker 3: who is my day to day manager, and I have

1063
00:48:12,280 --> 00:48:18,879
Speaker 3: Tom Lord who oversees me and some other artists. If

1064
00:48:18,880 --> 00:48:21,000
Speaker 3: I were to go to them and say hey, I

1065
00:48:21,080 --> 00:48:24,160
Speaker 3: want out, there are certain deals that we've already agreed

1066
00:48:24,200 --> 00:48:25,960
Speaker 3: to and are doing. They've already put their time in

1067
00:48:26,000 --> 00:48:29,759
Speaker 3: that I have to pay that out. However, anything beyond that,

1068
00:48:29,920 --> 00:48:32,279
Speaker 3: I don't, but I can fire them at any time.

1069
00:48:32,680 --> 00:48:36,760
Speaker 3: In the end, the artist holds really all the power.

1070
00:48:37,600 --> 00:48:39,920
Speaker 3: But if you use that power and you're kind of

1071
00:48:39,960 --> 00:48:42,680
Speaker 3: a dumb dumb you will lose any power to do anything.

1072
00:48:43,280 --> 00:48:46,440
Speaker 3: So the artist has to hire the right team and

1073
00:48:46,560 --> 00:48:48,719
Speaker 3: listen to the right team, and has to kind of

1074
00:48:48,960 --> 00:48:52,040
Speaker 3: have give them autonomy to make decisions, because you really

1075
00:48:52,080 --> 00:48:57,400
Speaker 3: don't see super successful artists without great managers slash agents,

1076
00:48:57,719 --> 00:48:59,560
Speaker 3: and some agents will do the manager role a bit

1077
00:48:59,560 --> 00:49:01,640
Speaker 3: as well, And there are two different roles. But like

1078
00:49:01,800 --> 00:49:04,080
Speaker 3: even bad even I see bad ones, even ones that

1079
00:49:04,160 --> 00:49:07,920
Speaker 3: seemed evil. Look at Elvis, Colonel Parker Colonel Yeah, he

1080
00:49:08,080 --> 00:49:08,759
Speaker 3: got a bad rap.

1081
00:49:09,040 --> 00:49:10,960
Speaker 4: Well he also was like kind of shady, but he

1082
00:49:11,080 --> 00:49:13,160
Speaker 4: was a good manager and probably made him a lot

1083
00:49:13,200 --> 00:49:14,680
Speaker 4: of money, probably.

1084
00:49:14,320 --> 00:49:16,719
Speaker 3: Made Elvis the star that he ended up being, making

1085
00:49:16,760 --> 00:49:20,400
Speaker 3: those strategic decisions, right, So the power is with the artist. However,

1086
00:49:20,640 --> 00:49:25,200
Speaker 3: the artist, if you're a good artist, you allow autonomy.

1087
00:49:26,200 --> 00:49:27,239
Speaker 4: Within your team, and.

1088
00:49:27,280 --> 00:49:29,120
Speaker 3: A lot of that decision making comes for management or

1089
00:49:29,160 --> 00:49:32,560
Speaker 3: agents def Leppard's drummer lost his arm and came back stronger.

1090
00:49:32,600 --> 00:49:35,400
Speaker 4: I heard of that. Yeah, I think everyone's heard of

1091
00:49:35,480 --> 00:49:35,799
Speaker 4: that one.

1092
00:49:36,000 --> 00:49:37,759
Speaker 3: Rick Allen lost his arm in a car accident in

1093
00:49:37,840 --> 00:49:41,120
Speaker 3: nineteen eighty four. Instead of quitting, he had a custom

1094
00:49:41,360 --> 00:49:44,480
Speaker 3: electronic drum kit built and then he relearned how to

1095
00:49:44,520 --> 00:49:47,560
Speaker 3: play it using his feet in one arm. Amazing the

1096
00:49:47,680 --> 00:49:49,600
Speaker 3: band did not replace him. Also shout out to the band.

1097
00:49:50,560 --> 00:49:52,920
Speaker 4: Yep, I'm sure they thought immediately, guess he's gonna suck,

1098
00:49:52,920 --> 00:49:53,839
Speaker 4: We're gonna have to replace him.

1099
00:49:53,920 --> 00:49:56,560
Speaker 3: Well, they also had to wait for him, for him

1100
00:49:56,600 --> 00:49:59,359
Speaker 3: to get better. Yeah, yeah, because they're missing time touring. Sure,

1101
00:49:59,440 --> 00:50:02,920
Speaker 3: that's money, this was early though, that's still money. That's

1102
00:50:02,920 --> 00:50:05,160
Speaker 3: still I get it. But it was still momentum. More

1103
00:50:05,200 --> 00:50:07,759
Speaker 3: than more than money. It's momentum. Yeah, you're a young

1104
00:50:07,880 --> 00:50:10,040
Speaker 3: band trying to make it and you have to pull

1105
00:50:10,120 --> 00:50:11,719
Speaker 3: off the road when all you had was the road.

1106
00:50:11,719 --> 00:50:13,799
Speaker 3: Because there was no social media. It wasn't like they're

1107
00:50:13,800 --> 00:50:15,880
Speaker 3: getting to do Fallon or Kimmel. Those guys weren't even

1108
00:50:15,880 --> 00:50:17,879
Speaker 3: born yet. Yeah, maybe they were born.

1109
00:50:17,880 --> 00:50:19,640
Speaker 4: But yeah, it's gonna sound twisted, but I mean and

1110
00:50:19,880 --> 00:50:22,840
Speaker 4: the marketing tool now after the fact like wait, what

1111
00:50:22,960 --> 00:50:24,800
Speaker 4: the drummer has one arm? I need to see this,

1112
00:50:25,640 --> 00:50:27,960
Speaker 4: you know, And like, really, I think I don't know

1113
00:50:28,040 --> 00:50:29,680
Speaker 4: that that was a thing, not not that they made

1114
00:50:29,719 --> 00:50:31,120
Speaker 4: it a thing, but I think a lot of people

1115
00:50:31,160 --> 00:50:33,560
Speaker 4: were like have you heard of the deaf Lopper drummer?

1116
00:50:34,080 --> 00:50:35,600
Speaker 4: I think it got a lot of attention to the

1117
00:50:35,680 --> 00:50:39,080
Speaker 4: band just because he had one arm. I know I

1118
00:50:39,200 --> 00:50:40,160
Speaker 4: felt like that as a kid.

1119
00:50:40,440 --> 00:50:43,320
Speaker 3: I'm gonna say I don't think so really, okay, because

1120
00:50:43,320 --> 00:50:46,080
Speaker 3: there really wasn't avenues for those secondary type stories to

1121
00:50:46,200 --> 00:50:48,560
Speaker 3: exist unless you were a massive fan and you were

1122
00:50:48,560 --> 00:50:51,280
Speaker 3: on the def lepperd newsletter, like it was a passing story.

1123
00:50:51,640 --> 00:50:54,640
Speaker 3: David rig James kidnapped somebody was like a.

1124
00:50:54,680 --> 00:50:57,040
Speaker 4: Minute, never heard of that. Maybe it was MTV time,

1125
00:50:57,120 --> 00:50:57,480
Speaker 4: I don't know.

1126
00:50:57,680 --> 00:50:59,920
Speaker 3: Well later and Bloodhound Gang had the drummer from Developpers

1127
00:51:00,000 --> 00:51:02,760
Speaker 3: only got one arm. So I do think it was something,

1128
00:51:02,800 --> 00:51:04,359
Speaker 3: and I do think it when Behind the Music came out,

1129
00:51:04,360 --> 00:51:06,279
Speaker 3: it's when I learned about it, and like the nineties.

1130
00:51:06,040 --> 00:51:08,040
Speaker 4: Really that's when you'd learned it. You didn't know before

1131
00:51:08,120 --> 00:51:11,040
Speaker 4: then that he had one arm? No, wow, okay, But.

1132
00:51:11,400 --> 00:51:13,600
Speaker 3: I think also your brother was probably a death Leopard

1133
00:51:13,640 --> 00:51:14,200
Speaker 3: fan nailed it.

1134
00:51:14,560 --> 00:51:16,160
Speaker 4: He's an eighties, eighties rock fan.

1135
00:51:16,280 --> 00:51:18,040
Speaker 5: Yeah, says that happened in eighty four, and he came

1136
00:51:18,120 --> 00:51:19,600
Speaker 5: back within three months of the accident.

1137
00:51:19,719 --> 00:51:21,919
Speaker 4: Wow, three months, that's quick.

1138
00:51:23,120 --> 00:51:25,640
Speaker 3: Axl Rose delayed the concert because he was watching Ninja Turtles.

1139
00:51:27,239 --> 00:51:30,160
Speaker 4: I think we're learning that that that dude is a mess.

1140
00:51:30,280 --> 00:51:33,759
Speaker 3: That era is a mess, but we're also learning guns

1141
00:51:33,840 --> 00:51:36,360
Speaker 3: and roads. The show started hours late. In the early nineties,

1142
00:51:36,719 --> 00:51:38,880
Speaker 3: axel Rose refused to go on stage until he finished

1143
00:51:38,920 --> 00:51:40,600
Speaker 3: watching Teenage Mutant Ninja Turtles two.

1144
00:51:40,840 --> 00:51:41,719
Speaker 4: The Secret of the Us.

1145
00:51:42,160 --> 00:51:42,879
Speaker 5: That's a good movie.

1146
00:51:43,600 --> 00:51:44,600
Speaker 3: Was Vanilla Ice in that one?

1147
00:51:44,760 --> 00:51:44,960
Speaker 2: Yeah?

1148
00:51:45,160 --> 00:51:45,879
Speaker 3: Was that Ninja Rapp?

1149
00:51:45,960 --> 00:51:46,759
Speaker 5: Thats Ninja Rapp?

1150
00:51:46,800 --> 00:51:47,640
Speaker 4: Yeah, that's good.

1151
00:51:47,880 --> 00:51:49,480
Speaker 3: Go Ninja Go, Ninja Go.

1152
00:51:50,239 --> 00:51:50,799
Speaker 4: That was a good one.

1153
00:51:51,480 --> 00:51:55,200
Speaker 3: Bob Dylan almost wrote an Elvis song Elvis Presley's team

1154
00:51:55,360 --> 00:51:56,920
Speaker 3: as I want to ask Bob Dylan to write a

1155
00:51:56,960 --> 00:52:00,640
Speaker 3: song for Elvis, and Bob Dylan wrote one and then

1156
00:52:00,640 --> 00:52:02,440
Speaker 3: he never sent it. He said later he was too

1157
00:52:02,440 --> 00:52:04,000
Speaker 3: intimidated by Elvis to follow through.

1158
00:52:05,239 --> 00:52:09,080
Speaker 4: Intimidated. Wow, that's crazy. You wouldn't think Bob Dylan would

1159
00:52:09,080 --> 00:52:09,960
Speaker 4: be intimidated of anyone.

1160
00:52:11,280 --> 00:52:13,800
Speaker 3: Yeah, But talking about Elvis and you may remember Dolly

1161
00:52:13,880 --> 00:52:19,560
Speaker 3: telling us this that, oh Colonel, Colonel Tom Parker. It's like, hey, Dolly,

1162
00:52:19,600 --> 00:52:22,000
Speaker 3: Elvis is going to record your song. I will, I

1163
00:52:22,000 --> 00:52:24,000
Speaker 3: will always love, but he's gonna take fifty percent ownership

1164
00:52:24,120 --> 00:52:26,080
Speaker 3: and he's gonna be fifty percent of a writer on it.

1165
00:52:26,200 --> 00:52:30,080
Speaker 4: Yeah, And Dolly's like, I don't think so right, where

1166
00:52:30,160 --> 00:52:31,800
Speaker 4: most people would be like, Elvis take it.

1167
00:52:32,040 --> 00:52:34,279
Speaker 3: Yeah, it could have been a situation like that too,

1168
00:52:34,600 --> 00:52:37,160
Speaker 3: and Bob Dylan just being nice and you know Elvis,

1169
00:52:37,280 --> 00:52:40,719
Speaker 3: he wanted me to write a song and I wrote

1170
00:52:40,760 --> 00:52:43,200
Speaker 3: it and I was intimidating. But the real version is,

1171
00:52:43,400 --> 00:52:45,279
Speaker 3: you know, Elvis wonted eighty percent of it after I

1172
00:52:45,400 --> 00:52:47,239
Speaker 3: wrote it in that and I wasn't gonna give him that.

1173
00:52:50,160 --> 00:52:51,359
Speaker 3: So those are some fun little stories.

1174
00:52:51,440 --> 00:52:52,919
Speaker 4: That's cool. Thank you guys.

1175
00:52:52,960 --> 00:52:56,600
Speaker 3: If you don't mind, go subscribe to the Bobby Cash channel.

1176
00:52:56,719 --> 00:52:59,040
Speaker 3: We appreciate you listening. You know, for the most part,

1177
00:52:59,080 --> 00:53:02,080
Speaker 3: we do music. I did it or to two episodes back,

1178
00:53:02,080 --> 00:53:04,200
Speaker 3: one episode back where I just answered a bunch of

1179
00:53:04,320 --> 00:53:07,440
Speaker 3: questions that I get asked all the time about music

1180
00:53:07,880 --> 00:53:10,600
Speaker 3: or about some of our old school career stuff too.

1181
00:53:10,920 --> 00:53:11,040
Speaker 4: You know.

1182
00:53:11,120 --> 00:53:13,640
Speaker 3: One of those stories involved me trying to convince Eddie

1183
00:53:13,719 --> 00:53:16,279
Speaker 3: to move to Nashville. One of those stories, which I

1184
00:53:16,320 --> 00:53:18,600
Speaker 3: haven't told in forever, was about me secretly going on

1185
00:53:18,680 --> 00:53:20,160
Speaker 3: the air in Little Rock while I also worked in

1186
00:53:20,200 --> 00:53:22,160
Speaker 3: Hot Springs under a fake name, so my boss wouldn't

1187
00:53:22,200 --> 00:53:24,520
Speaker 3: know that I was auditioning for.

1188
00:53:24,600 --> 00:53:25,439
Speaker 4: The Little Rock job.

1189
00:53:25,840 --> 00:53:27,439
Speaker 3: Man, I didn't forgot. I didn't remember that in forever

1190
00:53:27,719 --> 00:53:29,680
Speaker 3: I told that story. Yeah, it was the one time

1191
00:53:29,719 --> 00:53:32,640
Speaker 3: my name was Robert Johnson.

1192
00:53:33,560 --> 00:53:37,080
Speaker 4: Okay, think Robert Johnson. Yeah, I blues player, No, because

1193
00:53:37,120 --> 00:53:38,600
Speaker 4: it was Bobby Bones and I was going to do

1194
00:53:38,719 --> 00:53:41,320
Speaker 4: Robert Jones and then I thought, well, that's two on

1195
00:53:41,360 --> 00:53:43,040
Speaker 4: the nose, and I ended up I'm pretty sure it

1196
00:53:43,160 --> 00:53:45,000
Speaker 4: being Robert Robert Johnson, Robert Jones.

1197
00:53:45,160 --> 00:53:47,919
Speaker 3: Yeah, it was something, and it was a killed usen

1198
00:53:47,920 --> 00:53:48,279
Speaker 3: to the story.

1199
00:53:49,719 --> 00:53:51,759
Speaker 4: I was such an idiot. I never I'd never heard

1200
00:53:51,800 --> 00:53:52,759
Speaker 4: that one. I thought you were going to tell the

1201
00:53:52,800 --> 00:53:54,560
Speaker 4: one where you broke into the other studio or you

1202
00:53:54,760 --> 00:53:56,560
Speaker 4: wrote that in a book. Yeah, I wrote that my

1203
00:53:56,560 --> 00:53:57,759
Speaker 4: first book, Bare Bones. Check it out.

1204
00:53:57,800 --> 00:53:59,160
Speaker 3: You get it on Amazon for like one dollar around.

1205
00:53:59,320 --> 00:53:59,919
Speaker 4: I've heard of that book.

1206
00:54:00,640 --> 00:54:05,480
Speaker 3: This other one was I had to audition, which looking back,

1207
00:54:05,520 --> 00:54:07,000
Speaker 3: I'm kind of irritated that they would put me in

1208
00:54:07,040 --> 00:54:09,120
Speaker 3: that situation for a job in Little Rock that I

1209
00:54:09,200 --> 00:54:12,600
Speaker 3: ended up getting. But I was so close to Little Rock,

1210
00:54:12,680 --> 00:54:14,720
Speaker 3: being in Hot Springs an hour away.

1211
00:54:14,719 --> 00:54:16,200
Speaker 4: You could hear both stations, oh wow.

1212
00:54:17,040 --> 00:54:18,560
Speaker 3: And they wanted me to audition on like, I can't

1213
00:54:18,560 --> 00:54:20,239
Speaker 3: because I'll lose my other job if they hear me

1214
00:54:20,360 --> 00:54:23,320
Speaker 3: on your station whole different company. Yeah, and so I secretly,

1215
00:54:23,360 --> 00:54:24,680
Speaker 3: in the middle of the night went and audition under

1216
00:54:24,680 --> 00:54:25,640
Speaker 3: the name Robert Johnson.

1217
00:54:27,000 --> 00:54:29,320
Speaker 4: That's great, and you got it. I don't want to

1218
00:54:29,320 --> 00:54:30,640
Speaker 4: tell you any of that. Okay, I'll go I'll go

1219
00:54:30,680 --> 00:54:32,640
Speaker 4: listen to the Bodycat or when the mics go off,

1220
00:54:32,680 --> 00:54:35,080
Speaker 4: I can tell you how to Oka check out the Bobbycast.

1221
00:54:35,120 --> 00:54:35,600
Speaker 4: Thank you guys.

1222
00:54:35,680 --> 00:54:37,440
Speaker 3: Coming up, we have some big episodes. We have Dolly

1223
00:54:37,520 --> 00:54:39,719
Speaker 3: coming up. We have Mark Cuban coming up. We have

1224
00:54:39,760 --> 00:54:43,840
Speaker 3: Trisha Eearwood coming up, the Pope, and we have a

1225
00:54:44,120 --> 00:54:47,480
Speaker 3: Trump and Obama panel where they're both sitting here and

1226
00:54:47,520 --> 00:54:49,000
Speaker 3: we're only talking about things.

1227
00:54:48,840 --> 00:54:50,239
Speaker 4: That we agree on, and that one that one gets

1228
00:54:50,239 --> 00:54:53,239
Speaker 4: heated up. It does, but it's all agreeance this all right?

1229
00:54:53,280 --> 00:54:54,399
Speaker 4: Thank you guys. We'll see you next time.

1230
00:54:55,440 --> 00:54:57,880
Speaker 8: Thanks for listening to a Bobby Cast production