1 00:00:27,040 --> 00:00:31,600 Speaker 1: This segment is brought to you by Samsung. Gentlemen, It's 2 00:00:31,640 --> 00:00:40,240 Speaker 1: finally happened, my manifesting, my dreams have come true. Well, 3 00:00:40,280 --> 00:00:43,120 Speaker 1: one of them has come true. As you guys know, 4 00:00:44,320 --> 00:00:48,680 Speaker 1: we regularly write down lists of things that we love 5 00:00:49,159 --> 00:00:52,159 Speaker 1: that we would hope to eventually have as a sponsor 6 00:00:52,200 --> 00:00:55,360 Speaker 1: of our podcast. And one of the things I have 7 00:00:55,440 --> 00:00:58,920 Speaker 1: written down for two and a half years is something 8 00:00:59,080 --> 00:01:03,400 Speaker 1: I am a fan of, have been an exclusive user 9 00:01:03,520 --> 00:01:08,240 Speaker 1: of for ten plus years, and that thing is a 10 00:01:08,400 --> 00:01:09,480 Speaker 1: Samsung phone. 11 00:01:10,160 --> 00:01:13,080 Speaker 2: Wow, it's happened, and you're excited. 12 00:01:13,280 --> 00:01:19,400 Speaker 1: Samsung is a I know my dreams are you know, 13 00:01:19,440 --> 00:01:23,480 Speaker 1: my dreams are real, manageable. They're not like I'm not asking. 14 00:01:23,560 --> 00:01:24,840 Speaker 2: By APM. 15 00:01:25,840 --> 00:01:27,320 Speaker 3: With your Samsung phone. 16 00:01:28,120 --> 00:01:33,240 Speaker 1: Slowly mindlessly, Well, nobody talks to me, just leaving me alone. Yeah, 17 00:01:33,319 --> 00:01:38,680 Speaker 1: I'm really excited about it. I always have just sang 18 00:01:38,760 --> 00:01:41,559 Speaker 1: the praises of my Samsung phone. Every time I've ever 19 00:01:41,640 --> 00:01:50,720 Speaker 1: taken a picture in any setting, people always says, are incredible. 20 00:01:51,120 --> 00:01:53,360 Speaker 1: It was my favorite thing that on tour. Two things 21 00:01:53,360 --> 00:01:55,720 Speaker 1: that would happen that always made me laugh. One is 22 00:01:55,720 --> 00:01:57,960 Speaker 1: that when we would take photos with people in the 23 00:01:58,000 --> 00:02:01,040 Speaker 1: meet and greets, we usually get you know, someone turns 24 00:02:01,080 --> 00:02:02,760 Speaker 1: around the photo for us to see, for us to 25 00:02:02,760 --> 00:02:05,600 Speaker 1: give like photo approval, to make sure the guest is 26 00:02:05,640 --> 00:02:09,000 Speaker 1: happy with their picture. And every time there was a 27 00:02:09,040 --> 00:02:12,480 Speaker 1: Samsung photo writer and Will go wow, look at that camera, 28 00:02:12,600 --> 00:02:13,600 Speaker 1: and I go to SAMs on. 29 00:02:14,280 --> 00:02:16,960 Speaker 4: It's starting with Actually Jensen was because you remember like 30 00:02:17,000 --> 00:02:18,239 Speaker 4: one of our first meet and Greece. 31 00:02:18,280 --> 00:02:19,080 Speaker 3: He was saying the photos. 32 00:02:19,120 --> 00:02:19,400 Speaker 1: Yes. 33 00:02:19,400 --> 00:02:20,680 Speaker 5: I just kept seeing his face go. 34 00:02:20,919 --> 00:02:24,519 Speaker 2: Wow, okay, nice, what is what is the deal? What's 35 00:02:24,520 --> 00:02:25,000 Speaker 2: going on? 36 00:02:25,440 --> 00:02:26,720 Speaker 3: And you explained it. Yeah. 37 00:02:27,080 --> 00:02:29,919 Speaker 1: The second thing that happened was one night I said, 38 00:02:30,120 --> 00:02:33,280 Speaker 1: let's try to get us group selfie of the entire 39 00:02:33,400 --> 00:02:37,160 Speaker 1: audience and the three of us on stage, and we 40 00:02:37,200 --> 00:02:39,960 Speaker 1: all turned around and I held up my phone and 41 00:02:40,160 --> 00:02:43,840 Speaker 1: I was able to get every single person in there. 42 00:02:44,000 --> 00:02:47,200 Speaker 1: And now with the new Samsung Galaxy S twenty five Ultra, 43 00:02:47,240 --> 00:02:50,040 Speaker 1: which is the one I have and I love, it 44 00:02:50,160 --> 00:02:53,720 Speaker 1: is an updated camera. There's now fifty megapixels, so the 45 00:02:53,840 --> 00:02:57,040 Speaker 1: detail of a group like ultra wide lens photo is 46 00:02:57,400 --> 00:02:59,760 Speaker 1: truly remarkable. So anyway, I just that's great. 47 00:02:59,880 --> 00:03:02,520 Speaker 6: I remember that night a little differently. I remember you saying, hey, Will, 48 00:03:02,680 --> 00:03:04,040 Speaker 6: can you take a picture of rider? 49 00:03:04,040 --> 00:03:05,160 Speaker 2: And I in the entire audience. 50 00:03:05,200 --> 00:03:06,560 Speaker 6: But it's nice that you thought I was in that 51 00:03:06,560 --> 00:03:10,160 Speaker 6: photo as well, So that's really sweet. Hey, can you 52 00:03:10,360 --> 00:03:14,080 Speaker 6: step back up course and just take a picture of 53 00:03:14,440 --> 00:03:16,280 Speaker 6: Rider and I'm the entire my friend Rider and our 54 00:03:16,280 --> 00:03:16,880 Speaker 6: big audience. 55 00:03:16,880 --> 00:03:17,399 Speaker 2: That'd be great. 56 00:03:17,440 --> 00:03:20,800 Speaker 1: Thanks, Oh my gosh, writer. I also there's a feature 57 00:03:21,200 --> 00:03:24,960 Speaker 1: that I think you might appreciate because I appreciate it. 58 00:03:25,520 --> 00:03:30,840 Speaker 1: They have something called audio Eraser. You can record, like, 59 00:03:31,000 --> 00:03:33,640 Speaker 1: say Indie is in a play and you want to 60 00:03:33,639 --> 00:03:36,560 Speaker 1: record Indie in the play, but somebody next to you 61 00:03:37,120 --> 00:03:40,320 Speaker 1: is playing with their keys, or there's a baby crying. 62 00:03:40,520 --> 00:03:41,800 Speaker 1: There's like six different sounds. 63 00:03:42,040 --> 00:03:43,160 Speaker 3: It like filters them out. 64 00:03:43,320 --> 00:03:46,880 Speaker 1: They're all on their own channel. You can then select 65 00:03:46,920 --> 00:03:49,680 Speaker 1: the one you want to erase and it will remove 66 00:03:49,800 --> 00:03:53,360 Speaker 1: the background noise, so it's actually just the pure audio 67 00:03:53,520 --> 00:03:55,080 Speaker 1: of Indye on stage in the play. 68 00:03:55,240 --> 00:03:55,880 Speaker 3: Pretty crazy? 69 00:03:56,040 --> 00:03:56,720 Speaker 1: Is It's crazy? 70 00:03:56,880 --> 00:03:57,880 Speaker 3: Pretty great science? 71 00:03:58,400 --> 00:04:02,280 Speaker 1: Science man. Anyway, I thought you might appreciate that, And 72 00:04:03,200 --> 00:04:05,120 Speaker 1: from here on out, I would like to be referred 73 00:04:05,160 --> 00:04:08,000 Speaker 1: to as the Queen of Samsung. Is that a problem? 74 00:04:08,960 --> 00:04:11,200 Speaker 2: How many things can you be queen of at one time? 75 00:04:11,560 --> 00:04:12,160 Speaker 2: Is my question? 76 00:04:12,360 --> 00:04:18,200 Speaker 1: Her Highness of Samsung, Welcome upon reads world, I'm Queen 77 00:04:18,240 --> 00:04:19,360 Speaker 1: of Samsung. 78 00:04:19,600 --> 00:04:27,360 Speaker 6: No, don't do, I'm rather strong, and I'm Tapanga. 79 00:04:28,160 --> 00:04:32,080 Speaker 1: Audio eraser is compatible with common video formats accessible in gallery. 80 00:04:32,279 --> 00:04:36,760 Speaker 1: Helps minimize six select sounds results. Very Galaxy AI features 81 00:04:36,800 --> 00:04:39,599 Speaker 1: by Samsung are free through twenty twenty five and require 82 00:04:39,640 --> 00:04:43,039 Speaker 1: Samsung Account login. Get your Galaxy S twenty five Ultra 83 00:04:43,120 --> 00:04:59,520 Speaker 1: now at Samsung dot Com. There are very few crew 84 00:04:59,560 --> 00:05:02,600 Speaker 1: members we have said more times over the first five 85 00:05:02,640 --> 00:05:06,599 Speaker 1: seasons of recaps than Mark Blutman and Howard Buskang, a 86 00:05:06,640 --> 00:05:09,200 Speaker 1: writing team who joined the staff for season two. In 87 00:05:09,240 --> 00:05:12,359 Speaker 1: the Big April Kelly mix up, this pair traveled to 88 00:05:12,400 --> 00:05:16,000 Speaker 1: Hollywood from the Great White North and conquered Boy Meets World, 89 00:05:16,160 --> 00:05:21,280 Speaker 1: unlike any writers before them or after sixteen episodes, the 90 00:05:21,320 --> 00:05:23,920 Speaker 1: most from any writer during the run of the show 91 00:05:24,000 --> 00:05:26,960 Speaker 1: and over only three and a half seasons. Is the 92 00:05:27,040 --> 00:05:29,960 Speaker 1: type of output people fear when they talk about AI, 93 00:05:30,600 --> 00:05:34,360 Speaker 1: and yet these two humans somehow made it happen and 94 00:05:34,560 --> 00:05:38,000 Speaker 1: crafted some classic scripts in the process. We've spoken to 95 00:05:38,000 --> 00:05:40,599 Speaker 1: Blutman on Pod Meets World already, so today we have 96 00:05:40,720 --> 00:05:43,520 Speaker 1: the honor of completing the one two punch as we 97 00:05:43,640 --> 00:05:46,440 Speaker 1: finally sit down with the other B in B and 98 00:05:46,480 --> 00:05:50,279 Speaker 1: B's B and B. Who's afraid of Virginia Wolf Band 99 00:05:50,320 --> 00:05:52,760 Speaker 1: on the Run? Breaking up is really really hard to 100 00:05:52,800 --> 00:05:56,200 Speaker 1: do what I meant to say, This little piggy Happiest 101 00:05:56,200 --> 00:05:59,560 Speaker 1: show on Earth. Long Walk to Pittsburgh Part two, and 102 00:05:59,640 --> 00:06:01,960 Speaker 1: that is is only half of the scripts. 103 00:06:02,160 --> 00:06:04,760 Speaker 5: Howard wrote, you said, Who's afraid of Corey Wolf? 104 00:06:04,800 --> 00:06:04,920 Speaker 6: Right? 105 00:06:05,000 --> 00:06:05,120 Speaker 3: Oh? 106 00:06:05,320 --> 00:06:14,640 Speaker 2: Yeah, he's surprise winning. 107 00:06:15,800 --> 00:06:19,599 Speaker 5: It's great film to Romeo. 108 00:06:19,279 --> 00:06:23,120 Speaker 2: And Juliet. 109 00:06:26,440 --> 00:06:30,440 Speaker 6: Bible Communist Manifesto, some great stuff. 110 00:06:32,240 --> 00:06:35,440 Speaker 2: By by mouth say tong and Howard bust Gang. 111 00:06:35,480 --> 00:06:35,880 Speaker 3: That would be. 112 00:06:37,640 --> 00:06:39,039 Speaker 1: Okay, let me do that again. 113 00:06:39,360 --> 00:06:40,839 Speaker 5: I think we got it. 114 00:06:43,160 --> 00:06:43,440 Speaker 4: War. 115 00:06:49,240 --> 00:06:52,000 Speaker 1: I can say this with all the confidence in the world. 116 00:06:52,160 --> 00:06:55,120 Speaker 1: Boy Meets World is not the show you love without 117 00:06:55,160 --> 00:06:58,680 Speaker 1: the contributions of this writer. Welcome to the podcast. One 118 00:06:58,680 --> 00:07:01,400 Speaker 1: of the two most prolific thick writers in Boy Meets 119 00:07:01,400 --> 00:07:07,839 Speaker 1: World history. It's Howard bust Gang. Yeah there you are lost, 120 00:07:07,880 --> 00:07:11,240 Speaker 1: You there you are guys. Did you see that? Did 121 00:07:11,320 --> 00:07:11,840 Speaker 1: you see that? 122 00:07:13,440 --> 00:07:14,320 Speaker 5: The cool glasses? 123 00:07:14,360 --> 00:07:18,520 Speaker 3: The I am so much cooler now than when you 124 00:07:18,600 --> 00:07:18,960 Speaker 3: knew me. 125 00:07:19,400 --> 00:07:22,560 Speaker 1: Wow, I know we we have talked about. This is 126 00:07:22,600 --> 00:07:25,120 Speaker 1: my These are my dream glasses. And when I need 127 00:07:25,160 --> 00:07:27,320 Speaker 1: glasses that's what I'm doing right. 128 00:07:28,400 --> 00:07:32,280 Speaker 6: Man's something that our lives are so different than they 129 00:07:32,320 --> 00:07:33,240 Speaker 6: used to be when now that. 130 00:07:33,240 --> 00:07:36,040 Speaker 2: We were all like, he's got the whole apart glass. 131 00:07:36,920 --> 00:07:39,160 Speaker 3: Yeah, so I'm selling these on my website. 132 00:07:39,200 --> 00:07:44,760 Speaker 1: That's what were you about, night Grab I'm in. It 133 00:07:44,880 --> 00:07:47,440 Speaker 1: is such a treat to see you again, Howard. Thank 134 00:07:47,480 --> 00:07:48,720 Speaker 1: you so much for being here. 135 00:07:49,400 --> 00:07:52,240 Speaker 3: Well, thank you for having me. I'm so excited to 136 00:07:52,240 --> 00:07:56,360 Speaker 3: be the seven and fifty six guests on yourself. 137 00:07:56,400 --> 00:07:58,000 Speaker 1: It's a very honored position. 138 00:07:58,160 --> 00:08:01,080 Speaker 3: I know, I know listen and if I was you, 139 00:08:01,200 --> 00:08:03,080 Speaker 3: I'd be doing the same thing. I wouldn't have had 140 00:08:03,080 --> 00:08:06,520 Speaker 3: me on for the first six years either, So I 141 00:08:06,680 --> 00:08:09,440 Speaker 3: totally get it. I think Craft Service needed to be 142 00:08:09,520 --> 00:08:10,760 Speaker 3: on first. I get it. 143 00:08:11,880 --> 00:08:15,560 Speaker 2: Oh, we had more interaction with Craft Service. 144 00:08:15,320 --> 00:08:17,960 Speaker 3: Than I'm with you, guys. 145 00:08:18,480 --> 00:08:20,320 Speaker 2: I don't need to know Craig better. 146 00:08:20,360 --> 00:08:26,160 Speaker 1: I mean, I do want to start with one question, 147 00:08:26,400 --> 00:08:30,680 Speaker 1: the amount of scripts you wrote? Did you sleep at 148 00:08:30,720 --> 00:08:33,640 Speaker 1: any point between nineteen ninety four and nineteen ninety six. 149 00:08:34,160 --> 00:08:37,760 Speaker 3: Well, that's great, it's it's uh. First of all, this 150 00:08:37,840 --> 00:08:41,600 Speaker 3: is this has been this little journey like being invited 151 00:08:41,600 --> 00:08:45,360 Speaker 3: on the show has been terrific for me. Because to 152 00:08:45,400 --> 00:08:47,080 Speaker 3: be honest, I don't really live in the like I 153 00:08:47,120 --> 00:08:50,320 Speaker 3: don't visit the past that often. I live in the 154 00:08:50,320 --> 00:08:52,320 Speaker 3: immediate future, like ten minutes. 155 00:08:52,120 --> 00:08:55,520 Speaker 1: Mark, Yeah, ten minutes, Okay, it's great smart. 156 00:08:55,960 --> 00:09:00,240 Speaker 3: Yeah, so I've gotten to Uh. I didn't even realize 157 00:09:00,280 --> 00:09:03,440 Speaker 3: how many we did, Like, I had no idea until 158 00:09:03,480 --> 00:09:07,560 Speaker 3: I kind of looked it up and I listed all 159 00:09:07,600 --> 00:09:09,600 Speaker 3: the shows. I watched a bunch of the shows, and 160 00:09:09,679 --> 00:09:13,280 Speaker 3: I'm not gonna lie. I became very impressed with myself. 161 00:09:13,480 --> 00:09:16,840 Speaker 2: Yes I should, I was. 162 00:09:17,000 --> 00:09:20,240 Speaker 3: I was like, really, I you know, I just didn't 163 00:09:20,400 --> 00:09:25,600 Speaker 3: know that the output. I didn't realize how much output 164 00:09:25,640 --> 00:09:29,120 Speaker 3: we did. Yeah, and I'm going this these these this 165 00:09:29,200 --> 00:09:30,840 Speaker 3: is funny, this is great. 166 00:09:31,559 --> 00:09:35,720 Speaker 1: Yes, unbelievable, more than any other writers on On Boy 167 00:09:35,760 --> 00:09:40,840 Speaker 1: Meets World History, Like sixteen episodes in only three and 168 00:09:40,880 --> 00:09:42,000 Speaker 1: a half seasons. 169 00:09:42,400 --> 00:09:45,200 Speaker 3: Yeah, we were cut short in the in the in 170 00:09:45,240 --> 00:09:48,680 Speaker 3: the youth of our life, we cut it on at beneath. No, 171 00:09:49,080 --> 00:09:53,360 Speaker 3: it's I'm so proud of it and again watching it 172 00:09:53,400 --> 00:09:56,400 Speaker 3: again and seeing that it holds up and it's it's 173 00:09:56,480 --> 00:09:58,719 Speaker 3: funny and it's emotion all the things I'm sure you've 174 00:09:58,720 --> 00:10:01,280 Speaker 3: talked about with the previous seven hundred and forty six guests. 175 00:10:01,360 --> 00:10:02,839 Speaker 1: Yeah, we've talked about all those things. 176 00:10:02,920 --> 00:10:04,040 Speaker 3: Yeah, all those things, so you. 177 00:10:03,960 --> 00:10:05,120 Speaker 1: Don't need to cover those again. 178 00:10:05,240 --> 00:10:06,440 Speaker 5: None. 179 00:10:07,360 --> 00:10:09,880 Speaker 1: Thank you so much for being great. 180 00:10:10,000 --> 00:10:10,760 Speaker 2: Yeah, we get a. 181 00:10:10,720 --> 00:10:14,840 Speaker 6: Deep dive of all your episodes with the Craft Service guy. 182 00:10:15,240 --> 00:10:16,400 Speaker 2: We were really covered everything. 183 00:10:16,400 --> 00:10:20,600 Speaker 1: It was great. So I did ask if you slept 184 00:10:20,600 --> 00:10:23,000 Speaker 1: at all. But on a more serious note, did you 185 00:10:23,120 --> 00:10:26,000 Speaker 1: have much of a personal life during those seasons of 186 00:10:26,000 --> 00:10:28,480 Speaker 1: Boy Meets World or were you just in the room 187 00:10:28,840 --> 00:10:29,480 Speaker 1: all the time? 188 00:10:30,840 --> 00:10:35,760 Speaker 3: You know, when you're on an American sitcom because I 189 00:10:35,800 --> 00:10:38,200 Speaker 3: worked a lot in Canada after that, but when you're 190 00:10:38,240 --> 00:10:41,680 Speaker 3: on American sitcom, your life is the show. Yeah, you 191 00:10:41,720 --> 00:10:44,800 Speaker 3: really give up your life for the show. And I 192 00:10:44,840 --> 00:10:49,080 Speaker 3: think and for me, what made it really wonderful was 193 00:10:49,200 --> 00:10:53,200 Speaker 3: the camaraderie. I mean, you say, you know, in the 194 00:10:53,280 --> 00:10:57,520 Speaker 3: room and with these these these fellow writers and everyone 195 00:10:57,559 --> 00:11:00,319 Speaker 3: on the show, many of which are still in my life. Right. 196 00:11:00,960 --> 00:11:03,760 Speaker 3: We used to say, Uh, Matt Nelson used to say, 197 00:11:03,800 --> 00:11:05,800 Speaker 3: you know, every day we go to war and if 198 00:11:05,840 --> 00:11:08,240 Speaker 3: we only get we were in a minefield, and if 199 00:11:08,240 --> 00:11:10,280 Speaker 3: we only get our leg blown up, it's been a 200 00:11:10,320 --> 00:11:13,800 Speaker 3: great day. So you know, and you're making a sitcom, right, 201 00:11:13,800 --> 00:11:18,920 Speaker 3: you're making but you know what it's like, there's a 202 00:11:18,920 --> 00:11:23,040 Speaker 3: lot of a lot of uh moving parts. So the 203 00:11:23,040 --> 00:11:25,080 Speaker 3: fact that we bonded as a as a group and 204 00:11:25,120 --> 00:11:28,439 Speaker 3: as a team, and we've stayed friends. I think what 205 00:11:28,600 --> 00:11:30,960 Speaker 3: makes the extra special for me? 206 00:11:31,240 --> 00:11:33,520 Speaker 6: You know, I have to ask as a as a 207 00:11:34,520 --> 00:11:39,120 Speaker 6: television officionado and sitcom fan, how does that differ from 208 00:11:39,160 --> 00:11:42,480 Speaker 6: a Canadian sitcom? Is a Canadian sitcom just much more polite? 209 00:11:43,160 --> 00:11:47,760 Speaker 3: Much more polite? Yeah? You camera say we have no conflict, 210 00:11:48,440 --> 00:11:51,479 Speaker 3: so how was your day wonderful? 211 00:11:53,200 --> 00:11:57,679 Speaker 6: And they should walk in if anyone disagrees or right? Yeah, yeah, no, 212 00:11:57,760 --> 00:11:59,680 Speaker 6: I mean is it that is an American sitcom that 213 00:11:59,720 --> 00:12:01,240 Speaker 6: different from a Canadian sitcomer? 214 00:12:01,400 --> 00:12:04,520 Speaker 3: Well, you know here here's yes, it's the Canadian sitcom 215 00:12:04,760 --> 00:12:08,520 Speaker 3: is more like the British sitcom system. You know, you 216 00:12:08,600 --> 00:12:15,520 Speaker 3: do eight right, Okay, you have five writers that kind 217 00:12:15,559 --> 00:12:18,920 Speaker 3: of thing, and you have fourteen dollars to make the shelf, so. 218 00:12:19,440 --> 00:12:21,360 Speaker 2: The right, and it's Canadian dollars. 219 00:12:21,400 --> 00:12:22,559 Speaker 3: So that's not dollars. 220 00:12:22,800 --> 00:12:25,439 Speaker 6: That maple syrup thing is real. I'm sorry, it's a 221 00:12:25,520 --> 00:12:28,960 Speaker 6: twenty dollars bill. That is a real thing. So do 222 00:12:28,960 --> 00:12:32,160 Speaker 6: you guys know about this. No, the Canadian maple, the 223 00:12:32,200 --> 00:12:36,440 Speaker 6: Canadian twenty dollars bill smells like maple syrup. Hmmm, And 224 00:12:36,440 --> 00:12:38,720 Speaker 6: there's a people are saying, Oh, that's it, that's not true, 225 00:12:38,840 --> 00:12:39,880 Speaker 6: or it wasn't done on purpose. 226 00:12:40,000 --> 00:12:42,920 Speaker 2: It absolutely smells maple syrup. 227 00:12:43,040 --> 00:12:44,960 Speaker 3: Yeah, I'm not here to disagree with you. 228 00:12:45,160 --> 00:12:47,280 Speaker 2: Thank you exactly because I'm a Canadian. 229 00:12:47,320 --> 00:12:48,160 Speaker 3: Because I'm Canadian. 230 00:12:48,640 --> 00:12:51,480 Speaker 1: Well, let's start with your origins back in Canada. Most 231 00:12:51,480 --> 00:12:53,880 Speaker 1: of your early work on TV was actually in front 232 00:12:53,880 --> 00:12:55,000 Speaker 1: of the camera. Is that true? 233 00:12:55,640 --> 00:12:57,719 Speaker 3: Yeah, I was a I was a stand up for 234 00:12:57,760 --> 00:13:02,839 Speaker 3: about twenty years, so I I did that. I never 235 00:13:02,920 --> 00:13:06,280 Speaker 3: had a job. I mean that was in college. I 236 00:13:06,360 --> 00:13:11,120 Speaker 3: started doing stand up and started in Montreal, moved to Toronto, 237 00:13:11,640 --> 00:13:14,679 Speaker 3: and actually in Montreal's where I met Mark Bletman, who 238 00:13:14,760 --> 00:13:21,360 Speaker 3: became my writing partner. Yea, and moved to Toronto. You know, 239 00:13:21,400 --> 00:13:24,520 Speaker 3: I had a very respectable career, I'm going to say, 240 00:13:25,000 --> 00:13:31,640 Speaker 3: and that's what brought me to Los Angeles to be 241 00:13:31,679 --> 00:13:35,760 Speaker 3: a sick to be a comic. Okay, yeah, yeah, and 242 00:13:35,840 --> 00:13:38,520 Speaker 3: I did that. I love that. But it was one 243 00:13:38,559 --> 00:13:40,559 Speaker 3: of those things where at the time, even then, I'm 244 00:13:40,640 --> 00:13:43,320 Speaker 3: like an old jew. I was like, already at twenty, 245 00:13:43,360 --> 00:13:45,280 Speaker 3: I'm going, I don't want to do this when I'm forty. 246 00:13:45,360 --> 00:13:49,760 Speaker 3: I got too much already. I couldn't. It was already 247 00:13:49,800 --> 00:13:50,240 Speaker 3: too much. 248 00:13:50,600 --> 00:13:52,559 Speaker 2: Yeah was this the Was this the eighties? 249 00:13:52,600 --> 00:13:54,280 Speaker 6: I'm just curious? Is this the eighties in LA? Like 250 00:13:54,320 --> 00:13:55,920 Speaker 6: that's just my whole kind of stand up scene? 251 00:13:56,240 --> 00:14:00,000 Speaker 3: Yeah? Yeah, I moved in eighty eight to Los Angeles? Okay, yeah? 252 00:14:00,200 --> 00:14:00,480 Speaker 6: Wow? 253 00:14:01,040 --> 00:14:04,320 Speaker 4: Could you describe what your character was or what your angle? 254 00:14:04,440 --> 00:14:06,440 Speaker 4: Did you have like an approach or was it just 255 00:14:06,520 --> 00:14:08,840 Speaker 4: kind of you being you as a stand up? 256 00:14:10,120 --> 00:14:14,480 Speaker 3: Is this not good enough? Like? Is this not? 257 00:14:15,520 --> 00:14:18,720 Speaker 4: I know Bluodman had like a wrestling going and like, 258 00:14:18,840 --> 00:14:21,480 Speaker 4: so I'm very curious how you guys like where you 259 00:14:21,480 --> 00:14:24,920 Speaker 4: were coming from, because I can't imagine you being in 260 00:14:24,960 --> 00:14:26,800 Speaker 4: a wrestling mask or anything of that. 261 00:14:27,080 --> 00:14:27,360 Speaker 1: ILK. 262 00:14:27,520 --> 00:14:30,360 Speaker 3: So yeah, no, but there is there is a There 263 00:14:30,440 --> 00:14:33,120 Speaker 3: was a moment when he was first doing the wrestling thing, 264 00:14:33,280 --> 00:14:35,760 Speaker 3: and I thought, oh, it would be fun. I'll play 265 00:14:35,760 --> 00:14:39,600 Speaker 3: the manager and I you know, whatever a manager wears, 266 00:14:39,640 --> 00:14:43,200 Speaker 3: you know, a bad suit and a big gold chain 267 00:14:43,280 --> 00:14:45,280 Speaker 3: with a probably a thie on it, you know, something 268 00:14:45,400 --> 00:14:48,640 Speaker 3: like and as somebody gave me a cigar and I 269 00:14:48,680 --> 00:14:50,680 Speaker 3: he put this cigar in my mouth and I didn't know. 270 00:14:50,720 --> 00:14:52,640 Speaker 3: You're not supposed to win haal cigars. 271 00:14:52,880 --> 00:14:53,200 Speaker 6: Jesus. 272 00:14:53,360 --> 00:14:55,520 Speaker 3: Yeah, no, you know where this is going. So I 273 00:14:56,760 --> 00:15:00,120 Speaker 3: was inhaling scar and I passed out. So that was 274 00:15:00,120 --> 00:15:04,520 Speaker 3: was my manager rule. That was it. No, No, I 275 00:15:04,520 --> 00:15:07,720 Speaker 3: I did not. I was the I was the I'm 276 00:15:07,760 --> 00:15:11,400 Speaker 3: the lonely jew. I guess as what? Okay, yeah, that 277 00:15:11,480 --> 00:15:11,800 Speaker 3: was good. 278 00:15:12,200 --> 00:15:14,360 Speaker 1: So you co created We Don't Knock, which is a 279 00:15:14,360 --> 00:15:17,360 Speaker 1: prank show for the CBC. I did, and Canadians are known, 280 00:15:17,400 --> 00:15:20,000 Speaker 1: as we talked about, for being wildly polite. So I 281 00:15:20,080 --> 00:15:23,400 Speaker 1: need to know two things. One, what is the craziest 282 00:15:23,480 --> 00:15:27,600 Speaker 1: prank that you pulled off? And did everyone just say sorry, 283 00:15:27,640 --> 00:15:29,720 Speaker 1: sorry sorry once the cameras were revealed. 284 00:15:30,280 --> 00:15:33,360 Speaker 3: Okay, no, that's great question. So two things. First of all, 285 00:15:33,760 --> 00:15:38,160 Speaker 3: it was an incredibly critically acclaimed show for its time, 286 00:15:38,280 --> 00:15:43,640 Speaker 3: and it was a precursor to kind of uh you know, 287 00:15:43,800 --> 00:15:46,320 Speaker 3: kind of these yeah, these barging shows that came later. 288 00:15:46,920 --> 00:15:49,720 Speaker 3: But it was two things that happened. One thing was 289 00:15:49,800 --> 00:15:52,240 Speaker 3: it got It was incredibly acclaimed, but it also got 290 00:15:52,240 --> 00:15:55,840 Speaker 3: pulled off because CBC didn't like the fact that we 291 00:15:55,880 --> 00:15:57,560 Speaker 3: were barging in homes. Even though the name of. 292 00:15:57,560 --> 00:15:59,080 Speaker 1: The show was real No, I don't knock right. 293 00:15:59,160 --> 00:16:02,880 Speaker 3: Yeah, they didn't quite get that, but the title guys. 294 00:16:03,320 --> 00:16:03,600 Speaker 2: Wow. 295 00:16:03,640 --> 00:16:07,160 Speaker 3: But the best one I which was actually the most heartfelt. 296 00:16:07,200 --> 00:16:10,440 Speaker 3: I went to a high school reunion in somewhere in 297 00:16:10,480 --> 00:16:15,080 Speaker 3: Manitoba and everybody who is like their sixtieth reunion and 298 00:16:15,120 --> 00:16:17,640 Speaker 3: they were all, you know, eighty years old, seventy years old, 299 00:16:17,960 --> 00:16:20,400 Speaker 3: and I was thirty years old. And I walked in 300 00:16:20,560 --> 00:16:22,880 Speaker 3: and I pretended to be one of the people who 301 00:16:22,960 --> 00:16:24,080 Speaker 3: was reunion. 302 00:16:24,360 --> 00:16:26,000 Speaker 2: Oh that's kind of great. 303 00:16:26,480 --> 00:16:29,800 Speaker 3: Oh it's so sweet, you know, bow up, how are you? 304 00:16:30,160 --> 00:16:33,560 Speaker 3: It's been so long? My god? Is this erma? You 305 00:16:33,640 --> 00:16:35,720 Speaker 3: guys were dating? This is Oh my god. 306 00:16:35,960 --> 00:16:38,080 Speaker 4: Did you do research ahead of time so you would know, 307 00:16:38,240 --> 00:16:40,720 Speaker 4: like how what they are, who they were, and how 308 00:16:40,720 --> 00:16:41,360 Speaker 4: they were related. 309 00:16:41,440 --> 00:16:44,000 Speaker 3: No, unlike you, I'm not professional, so I could not 310 00:16:44,120 --> 00:16:46,280 Speaker 3: do research. I just went and they had name tags 311 00:16:46,320 --> 00:16:49,800 Speaker 3: so that helped. It was just it was beautiful. So 312 00:16:49,840 --> 00:16:52,400 Speaker 3: that was probably my you know, that was kind of 313 00:16:52,440 --> 00:16:56,280 Speaker 3: a special moment that we all post for a class 314 00:16:56,320 --> 00:16:59,000 Speaker 3: photo at the end. Oh my gosh, it was really. 315 00:16:59,560 --> 00:17:03,640 Speaker 1: Did any one say to you you look amazing or 316 00:17:03,680 --> 00:17:05,960 Speaker 1: did anyone say I don't remember you? 317 00:17:07,080 --> 00:17:10,439 Speaker 3: Sadly, I think they thought I fit in, so I 318 00:17:10,480 --> 00:17:15,159 Speaker 3: don't know I told you. I guess yeah, I. 319 00:17:16,840 --> 00:17:21,359 Speaker 1: Oh my gosh, you get so you mentioned that at twenty, 320 00:17:21,800 --> 00:17:24,080 Speaker 1: being a comic just felt already like I don't want 321 00:17:24,119 --> 00:17:26,080 Speaker 1: to be doing this when I'm forty. When did writing 322 00:17:26,400 --> 00:17:27,440 Speaker 1: become your goal? 323 00:17:28,800 --> 00:17:37,080 Speaker 3: Uh? We we I went to do a showcase stand 324 00:17:37,160 --> 00:17:41,679 Speaker 3: up showcase at the laugh Factory and it was a 325 00:17:41,680 --> 00:17:44,640 Speaker 3: good showcase. But maybe THEE executive saw it and said, 326 00:17:44,680 --> 00:17:48,160 Speaker 3: you know, this guy would make a good writer. I didn't, 327 00:17:48,200 --> 00:17:50,200 Speaker 3: you know, I didn't know that. You know, I didn't 328 00:17:50,480 --> 00:17:52,480 Speaker 3: know how to be writer. I knew how to write jokes, 329 00:17:52,760 --> 00:17:56,359 Speaker 3: but I wrote a quickly. I wrote a script for 330 00:17:56,400 --> 00:17:57,399 Speaker 3: an episode of Coach. 331 00:17:57,480 --> 00:17:59,680 Speaker 1: I don't know if you yes, I loved that show. 332 00:17:59,760 --> 00:18:02,840 Speaker 3: Yeah, yeah, it was fun show to write, but you know, 333 00:18:02,880 --> 00:18:04,720 Speaker 3: not knowing how to be a writer, I probably wrote 334 00:18:04,720 --> 00:18:07,280 Speaker 3: it in six hours, you know, like you don't you 335 00:18:07,359 --> 00:18:09,160 Speaker 3: just start going, oh my god, this is the funniest 336 00:18:09,200 --> 00:18:14,160 Speaker 3: thing ever. And ABC, you know whatever. They it was fine. 337 00:18:14,240 --> 00:18:18,560 Speaker 3: But actually Mark read it, Mark blettmant and he said, 338 00:18:18,640 --> 00:18:21,560 Speaker 3: this is this is really good why don't we write togegether? 339 00:18:21,920 --> 00:18:25,320 Speaker 3: And that's what got us on track to writing. We 340 00:18:25,960 --> 00:18:29,000 Speaker 3: then somehow got on a show called Good Advice was 341 00:18:29,000 --> 00:18:33,960 Speaker 3: Shelley Long, which was her first show after Cheers. Okay, 342 00:18:34,040 --> 00:18:39,280 Speaker 3: and we got on that show, which was amazing for me. 343 00:18:39,880 --> 00:18:42,320 Speaker 3: It was I mean, this was a dream trunk come true. 344 00:18:42,320 --> 00:18:46,120 Speaker 3: At Canaane guy, You're on a sitcom in La. At 345 00:18:46,119 --> 00:18:48,760 Speaker 3: the time, I only had one car, which my wife 346 00:18:48,800 --> 00:18:51,480 Speaker 3: and I split, so I had to take the bus 347 00:18:51,560 --> 00:18:55,719 Speaker 3: down Venture Boulevard to where Mark would pick me up 348 00:18:55,720 --> 00:18:59,320 Speaker 3: and take me down to the studio in Culver City. 349 00:19:00,560 --> 00:19:03,159 Speaker 3: I was probably the only sitcom writer on a bus 350 00:19:03,320 --> 00:19:03,760 Speaker 3: in La. 351 00:19:04,400 --> 00:19:04,840 Speaker 6: Amazing. 352 00:19:04,880 --> 00:19:06,840 Speaker 1: Wow, Mark wouldn't come pick you up. 353 00:19:07,280 --> 00:19:09,440 Speaker 3: He would not. Okay, it was nice, which is probably 354 00:19:09,480 --> 00:19:11,600 Speaker 3: the reason we still don't write. Okay, we don't write 355 00:19:11,840 --> 00:19:13,240 Speaker 3: that does Yeah? 356 00:19:13,280 --> 00:19:16,320 Speaker 6: I again I have to ask as as the television guy. 357 00:19:16,480 --> 00:19:21,040 Speaker 6: So there's famous stories obviously about Shelley Long leaving Cheers, 358 00:19:21,640 --> 00:19:24,880 Speaker 6: how she left everything behind her leaving. What was it 359 00:19:25,080 --> 00:19:27,720 Speaker 6: like working with her on her first show after leaving 360 00:19:28,000 --> 00:19:28,960 Speaker 6: a show like Cheers? 361 00:19:29,280 --> 00:19:37,120 Speaker 3: Okay? So in twelve months we did nine episodes. Ooh, okay, 362 00:19:37,640 --> 00:19:43,720 Speaker 3: they fired everybody several times they kept us because we 363 00:19:43,720 --> 00:19:46,680 Speaker 3: were too we would didn't cost them anything. They called 364 00:19:46,720 --> 00:19:47,760 Speaker 3: us the cockroaches. 365 00:19:48,119 --> 00:19:50,560 Speaker 2: Oh my god, to your face. 366 00:19:51,240 --> 00:19:54,080 Speaker 3: No no, but they didn't call us to our face. 367 00:19:54,119 --> 00:19:56,440 Speaker 3: But we had we had a you know, we had 368 00:19:56,440 --> 00:19:59,000 Speaker 3: an office. I can't believe I'm talking about this. We 369 00:19:59,040 --> 00:20:02,200 Speaker 3: had an office with an adjoining room next to whoever 370 00:20:02,359 --> 00:20:05,360 Speaker 3: was the executive producer. And we okay, this I shouldn't. 371 00:20:05,359 --> 00:20:06,000 Speaker 3: This is horrible. 372 00:20:06,000 --> 00:20:07,560 Speaker 5: Oh please, you. 373 00:20:07,560 --> 00:20:10,399 Speaker 3: Would kind to lie on the floor under the crack 374 00:20:10,680 --> 00:20:13,080 Speaker 3: and listen to what was going on so we can 375 00:20:13,200 --> 00:20:17,320 Speaker 3: hear them talking about us, you know, approaches. And but 376 00:20:17,359 --> 00:20:22,639 Speaker 3: the thing is they were all fired and we stay. 377 00:20:20,760 --> 00:20:25,480 Speaker 2: Yeah they don't. They just they don't die. 378 00:20:25,880 --> 00:20:28,159 Speaker 7: They just they were always there and they're load to 379 00:20:28,200 --> 00:20:29,800 Speaker 7: the ground. 380 00:20:28,680 --> 00:20:34,560 Speaker 2: And that was an experience the show. 381 00:20:35,480 --> 00:20:37,920 Speaker 3: Yeah, we stayed on that show, you know, the whole time, 382 00:20:37,960 --> 00:20:41,920 Speaker 3: even when they were off whole episodes. And it's funny. 383 00:20:41,960 --> 00:20:45,159 Speaker 3: The one time we went out, like somebody said, why 384 00:20:45,160 --> 00:20:47,200 Speaker 3: are you staying in your office? No one's there, go out. 385 00:20:47,200 --> 00:20:48,719 Speaker 3: We went to a movie, like we went to a 386 00:20:48,760 --> 00:20:53,080 Speaker 3: movie in Santa Monica, and I think at the movie 387 00:20:53,119 --> 00:20:57,439 Speaker 3: we ran into the casting director, like what why what 388 00:20:57,480 --> 00:20:59,520 Speaker 3: are you guys doing here? You should be you know, 389 00:20:59,520 --> 00:21:01,200 Speaker 3: I don't know what a cast director was doing. 390 00:21:01,520 --> 00:21:02,480 Speaker 2: Yeah, exactly. 391 00:21:04,000 --> 00:21:06,040 Speaker 3: So that was our first experience. And then we we 392 00:21:06,080 --> 00:21:07,760 Speaker 3: went and did a show in Canada for a year, 393 00:21:07,840 --> 00:21:12,080 Speaker 3: and then we got we we got a call from 394 00:21:12,480 --> 00:21:16,680 Speaker 3: Michael Jacobs and uh I met him and he seems 395 00:21:16,760 --> 00:21:20,120 Speaker 3: somewhat impressed. He clearly had very low standards, and he 396 00:21:20,200 --> 00:21:20,920 Speaker 3: brought us in. 397 00:21:21,400 --> 00:21:22,679 Speaker 5: So what was the connection of Michael. 398 00:21:22,720 --> 00:21:25,520 Speaker 4: Was it just an agent or a manager call, or 399 00:21:25,680 --> 00:21:26,320 Speaker 4: was there somebody? 400 00:21:26,280 --> 00:21:28,880 Speaker 3: I think I don't know. Mark would Mark, Mark would 401 00:21:29,040 --> 00:21:32,080 Speaker 3: no better. He's our, he's our, He's the historian, he's 402 00:21:32,119 --> 00:21:33,960 Speaker 3: the historian of the show. 403 00:21:34,000 --> 00:21:39,400 Speaker 2: He lives ten minutes in the past. Yeah, well yeah, 404 00:21:40,240 --> 00:21:40,800 Speaker 2: the king of him. 405 00:21:40,960 --> 00:21:45,600 Speaker 3: Yeah yeah. I think he knew someone at at at 406 00:21:45,680 --> 00:21:50,800 Speaker 3: Sony and and we we had the meeting and Michael 407 00:21:50,920 --> 00:21:54,959 Speaker 3: was impressed somehow and brought us on, and uh we 408 00:21:55,000 --> 00:21:56,120 Speaker 3: came in in season two. 409 00:21:56,359 --> 00:21:58,760 Speaker 1: Right. I'm assuming you didn't tell him the story about 410 00:21:58,760 --> 00:22:01,240 Speaker 1: being called the correous job. 411 00:22:02,040 --> 00:22:03,719 Speaker 3: I'd like no one to speak of this anymore. 412 00:22:05,400 --> 00:22:09,560 Speaker 8: Drop now, Okay, Now, if memory serves, Mark told us 413 00:22:09,600 --> 00:22:12,480 Speaker 8: that you were actually asked to be on season one 414 00:22:13,000 --> 00:22:15,159 Speaker 8: of Boy but decided against it because you thought it 415 00:22:15,160 --> 00:22:15,840 Speaker 8: was too young a show. 416 00:22:15,880 --> 00:22:17,400 Speaker 2: Am I am I misremembering that. 417 00:22:18,520 --> 00:22:22,119 Speaker 3: I don't think you're misremembering it because I listened to 418 00:22:22,200 --> 00:22:26,399 Speaker 3: that podcast I miss. I do not. I'm not. I 419 00:22:27,640 --> 00:22:31,080 Speaker 3: don't want to be contradictory, But do not remember that, right, Okay? 420 00:22:31,280 --> 00:22:31,600 Speaker 6: I do not. 421 00:22:31,960 --> 00:22:34,120 Speaker 3: Perhaps he was offered the show so he kindly turned 422 00:22:34,119 --> 00:22:35,639 Speaker 3: down because he was waiting for me to show up. 423 00:22:35,720 --> 00:22:36,959 Speaker 1: Right, you wanted to be a partner. 424 00:22:38,160 --> 00:22:38,920 Speaker 3: That's a nice thing. 425 00:22:39,000 --> 00:22:43,639 Speaker 1: That's total okay. So what then when you get your 426 00:22:43,720 --> 00:22:46,560 Speaker 1: start with Boy Meets World in season two? Michael hires you? 427 00:22:46,600 --> 00:22:48,679 Speaker 1: First of all, what was that meeting? Like, Michael seemed 428 00:22:48,680 --> 00:22:50,640 Speaker 1: impressed with you, guys? What else do you remember from 429 00:22:50,640 --> 00:22:52,480 Speaker 1: the meeting? Was it a did it feel positive? 430 00:22:53,200 --> 00:22:56,920 Speaker 3: It was very positive? In fact, I think again, I 431 00:22:57,720 --> 00:23:00,400 Speaker 3: think I brought my daughter at the time time, who 432 00:23:00,440 --> 00:23:02,919 Speaker 3: was like five years old, to the meeting because I 433 00:23:02,920 --> 00:23:06,480 Speaker 3: didn't have a babysitter. I don't know. My wife wasn't 434 00:23:06,680 --> 00:23:08,879 Speaker 3: she didn't want a babysit. I don't remember, but I 435 00:23:08,920 --> 00:23:12,000 Speaker 3: brought her and I think Bonnie, who was working outside, 436 00:23:12,160 --> 00:23:16,240 Speaker 3: watched Alexandra for the meeting. But we went in the meeting. 437 00:23:16,760 --> 00:23:19,840 Speaker 3: It was Bob Young was there, Michael was there, and 438 00:23:19,880 --> 00:23:21,679 Speaker 3: I remember the one thing I remember he said, you 439 00:23:21,680 --> 00:23:26,639 Speaker 3: guys are very facile. Oh, and I remember thinking, what 440 00:23:26,800 --> 00:23:27,400 Speaker 3: is facile? 441 00:23:28,760 --> 00:23:29,399 Speaker 1: Give me addiction? 442 00:23:30,320 --> 00:23:31,000 Speaker 3: Give me addiction here? 443 00:23:31,320 --> 00:23:33,720 Speaker 5: But you don't you could just do it. 444 00:23:33,800 --> 00:23:35,440 Speaker 3: You know, you're going for a writing job. You don't 445 00:23:35,480 --> 00:23:36,960 Speaker 3: really want to say, right, I don't. 446 00:23:36,800 --> 00:23:41,719 Speaker 1: Know what that means. 447 00:23:47,160 --> 00:23:49,760 Speaker 3: No, it was no in so many respects. I mean, 448 00:23:49,880 --> 00:23:52,720 Speaker 3: it was obviously a dream come true and it remains 449 00:23:52,760 --> 00:23:55,600 Speaker 3: to this day, which which a dream come true, which 450 00:23:55,640 --> 00:23:57,760 Speaker 3: I can you know, it's coming back into my life 451 00:23:58,040 --> 00:24:02,200 Speaker 3: in many ways because of what I'm doing now and 452 00:24:03,600 --> 00:24:06,320 Speaker 3: the people. Should I just jump in to tell you 453 00:24:06,359 --> 00:24:07,760 Speaker 3: why it's come into my life? Yes? 454 00:24:07,920 --> 00:24:08,200 Speaker 4: Please? 455 00:24:08,400 --> 00:24:08,680 Speaker 1: Sure? 456 00:24:08,800 --> 00:24:08,960 Speaker 6: Oh? 457 00:24:09,000 --> 00:24:12,480 Speaker 3: Okay, okay, So you know I'm eight years ago I 458 00:24:12,480 --> 00:24:14,199 Speaker 3: moved away from Los Angeles. So I moved to a 459 00:24:14,200 --> 00:24:18,480 Speaker 3: small island to British Columbia, Okay, called Salt Spring, and 460 00:24:19,359 --> 00:24:21,680 Speaker 3: I still write. And my wife and I were looking around. 461 00:24:21,680 --> 00:24:24,760 Speaker 3: We didn't really have a plan, and we saw a 462 00:24:24,800 --> 00:24:29,000 Speaker 3: little shop that was available for a tiny little place, 463 00:24:29,240 --> 00:24:31,280 Speaker 3: and she said, why don't we open a little deli here? 464 00:24:31,320 --> 00:24:33,159 Speaker 3: And if it doesn't work, you'll have an office to 465 00:24:33,160 --> 00:24:38,640 Speaker 3: write in. So we opened a place called Buzzies. 466 00:24:39,160 --> 00:24:40,000 Speaker 1: Oh my gosh. 467 00:24:40,320 --> 00:24:43,879 Speaker 3: Yeah. So it's a Montreal Jewish delhi on an island 468 00:24:43,920 --> 00:24:45,080 Speaker 3: with more Bears than Jews. 469 00:24:45,800 --> 00:24:47,120 Speaker 1: Yes, how's it going? 470 00:24:47,720 --> 00:24:52,440 Speaker 3: No, it's truly. I'm blessed. I'm blessed because we've become 471 00:24:52,480 --> 00:24:55,879 Speaker 3: this destination because people go why, like they just cannot 472 00:24:55,920 --> 00:24:59,760 Speaker 3: believe we're here, right, you know we do. I'm probably 473 00:24:59,760 --> 00:25:03,360 Speaker 3: one of a few restaurantors who had their menu punched up. 474 00:25:03,400 --> 00:25:05,480 Speaker 3: I had writers come in, we punched up the menu. 475 00:25:06,920 --> 00:25:09,359 Speaker 2: Yeah, you know, I have said, can we beat roast beef? 476 00:25:13,119 --> 00:25:16,240 Speaker 3: You know, we have sandwiches like we I make my 477 00:25:16,280 --> 00:25:18,520 Speaker 3: own my trust smoke meat, which is a version of Pistromi. 478 00:25:18,600 --> 00:25:22,879 Speaker 3: It's so our sandwiches. You know. We have the Hungry 479 00:25:22,960 --> 00:25:26,680 Speaker 3: jew we have the the the room the Rubens called 480 00:25:26,680 --> 00:25:32,159 Speaker 3: the Rabinowitz. So but but here's the beautiful thing about it. 481 00:25:32,200 --> 00:25:34,080 Speaker 3: I have you know, it's a good place to put 482 00:25:34,080 --> 00:25:36,840 Speaker 3: stuff that my wife doesn't want in the house. So 483 00:25:36,920 --> 00:25:39,920 Speaker 3: I got Boy Meets World signs, a few things over 484 00:25:40,680 --> 00:25:44,320 Speaker 3: and this is what amazing? What's it just? It's a 485 00:25:44,320 --> 00:25:48,280 Speaker 3: beautiful thing. I cannot believe how many people come in 486 00:25:49,320 --> 00:25:51,480 Speaker 3: and they look around, they look at the sign, they go, 487 00:25:51,640 --> 00:25:54,280 Speaker 3: boy meets World, what what did you do? And I 488 00:25:54,800 --> 00:25:58,160 Speaker 3: you'll work on the ship. And they tell me this 489 00:25:58,280 --> 00:26:01,320 Speaker 3: was not only their favorite show, they tell me how 490 00:26:01,359 --> 00:26:04,919 Speaker 3: important it was to them growing up. Yeah, I mean this, No, 491 00:26:05,040 --> 00:26:10,080 Speaker 3: this happens every day like it's truly. I didn't realize 492 00:26:10,119 --> 00:26:11,720 Speaker 3: at the time. You know, we're making a show. 493 00:26:12,119 --> 00:26:16,320 Speaker 1: Yeah, none of us, none of us us. So we 494 00:26:16,400 --> 00:26:18,720 Speaker 1: know you're telling the truth because we experience it every 495 00:26:18,800 --> 00:26:19,280 Speaker 1: day as. 496 00:26:19,119 --> 00:26:21,639 Speaker 3: Well, every day, right, and it's just beautiful. And I 497 00:26:21,720 --> 00:26:24,640 Speaker 3: had one of my favorite lines from the show is 498 00:26:25,000 --> 00:26:27,600 Speaker 3: that I put in every script I've ever written ever 499 00:26:27,920 --> 00:26:30,600 Speaker 3: was Matt wrote a line called which you know, I'm 500 00:26:30,640 --> 00:26:34,600 Speaker 3: sure life's tough wear a helmet, which I love, and 501 00:26:34,640 --> 00:26:37,440 Speaker 3: I would put that. I would with his permission, Matt, 502 00:26:37,480 --> 00:26:39,960 Speaker 3: the writer, I would put I'd say, I got to 503 00:26:39,960 --> 00:26:42,240 Speaker 3: put this line in the show. So I had someone 504 00:26:42,320 --> 00:26:46,399 Speaker 3: bring me in a poster they made that said Life's tough, 505 00:26:46,640 --> 00:26:52,080 Speaker 3: where life's tough, eat a lutka. Yeah, I have that 506 00:26:52,200 --> 00:26:54,439 Speaker 3: at the show up somebody, I'm sure you get this. Also, 507 00:26:54,680 --> 00:26:57,320 Speaker 3: somebody just texted me a picture of them and their 508 00:26:57,440 --> 00:26:59,119 Speaker 3: and their cat, George Feeney. 509 00:26:59,640 --> 00:27:02,440 Speaker 5: Oh you know that's great. I love that. 510 00:27:02,800 --> 00:27:05,119 Speaker 2: Yeah, we got a lot of dogs named Topanga. 511 00:27:05,320 --> 00:27:07,680 Speaker 6: We got a lot of babies named to Panga, cats 512 00:27:07,760 --> 00:27:08,280 Speaker 6: named Feoenie. 513 00:27:08,320 --> 00:27:10,280 Speaker 2: We get we we hear some some strange stuff. 514 00:27:10,320 --> 00:27:10,560 Speaker 6: Yeah. 515 00:27:10,720 --> 00:27:13,720 Speaker 3: Yeah, so it's uh, it's it's a gift that just 516 00:27:14,280 --> 00:27:17,959 Speaker 3: keeps on giving. It's really true. So kudos to all 517 00:27:17,960 --> 00:27:19,400 Speaker 3: of us. Little pat on the back. 518 00:27:19,280 --> 00:27:23,920 Speaker 1: Right, Yes, absolutely, that's so great. Well, you know we 519 00:27:24,000 --> 00:27:30,240 Speaker 1: need to plan a trip to go visit you. A modern. 520 00:27:31,680 --> 00:27:33,480 Speaker 2: Rub sandwich is my favorite sandwichever. 521 00:27:33,560 --> 00:27:36,880 Speaker 6: Look at Suzy, I gotta try your ruben because. 522 00:27:43,080 --> 00:27:46,639 Speaker 3: He's got tiny he's got a tiny little yamaka on 523 00:27:46,720 --> 00:27:51,000 Speaker 3: the top. Just you know, we still live on island. 524 00:27:51,000 --> 00:27:52,920 Speaker 3: I didn't want them to row me out and throw 525 00:27:52,960 --> 00:27:53,719 Speaker 3: me off the island. 526 00:27:54,720 --> 00:27:56,959 Speaker 2: So how far are you from Vancouver Island. 527 00:27:58,359 --> 00:28:00,399 Speaker 3: We're an hour and a half by ferry from vancous In, 528 00:28:00,400 --> 00:28:01,680 Speaker 3: thirty minutes from Victoria. 529 00:28:02,119 --> 00:28:03,760 Speaker 1: Yeah, so you're in an island, right. 530 00:28:03,920 --> 00:28:06,320 Speaker 3: Run an island island and you can find us at 531 00:28:06,359 --> 00:28:07,119 Speaker 3: Buzzies dot Ca. 532 00:28:07,480 --> 00:28:10,320 Speaker 1: Okay, that's all it, Buzzies dot Ca. Okay, great, I 533 00:28:10,359 --> 00:28:12,960 Speaker 1: can't wait to go. So when you start on Boy 534 00:28:13,000 --> 00:28:16,280 Speaker 1: Meets World in season two, did you catch up by 535 00:28:16,320 --> 00:28:20,200 Speaker 1: watching season one, and if so, what were your thoughts 536 00:28:20,480 --> 00:28:21,639 Speaker 1: of the first season. 537 00:28:22,560 --> 00:28:25,200 Speaker 3: Yeah, no, of course we watched the show and I 538 00:28:25,520 --> 00:28:28,600 Speaker 3: think Mark talked about this it for us and this 539 00:28:28,920 --> 00:28:32,080 Speaker 3: was terrible time. It felt younger than what we were 540 00:28:32,280 --> 00:28:36,680 Speaker 3: used to writing. Yeah, yeah, it felt it felt younger 541 00:28:37,960 --> 00:28:44,280 Speaker 3: and I I feel like part of our job and 542 00:28:44,320 --> 00:28:46,520 Speaker 3: I think he may have talked about it was to 543 00:28:46,800 --> 00:28:51,760 Speaker 3: uh was to I don't know words age up the show. 544 00:28:51,800 --> 00:28:55,960 Speaker 3: I don't know if I like that word, but I 545 00:28:56,440 --> 00:28:59,360 Speaker 3: will say watching the episodes of season two now like 546 00:28:59,400 --> 00:29:05,720 Speaker 3: watching what we did, I I the it didn't feel 547 00:29:05,760 --> 00:29:09,280 Speaker 3: young to me, like it felt the time, the character, 548 00:29:09,440 --> 00:29:12,640 Speaker 3: everything felt right for the time and the place. So 549 00:29:14,720 --> 00:29:16,680 Speaker 3: you know, I don't know if we were there to 550 00:29:17,480 --> 00:29:21,239 Speaker 3: I hate to say the word be funny, but uh, 551 00:29:22,680 --> 00:29:26,680 Speaker 3: I I listen. I was watching it detached, but as 552 00:29:26,680 --> 00:29:29,400 Speaker 3: a fan now and I just got a big kick 553 00:29:29,440 --> 00:29:32,480 Speaker 3: out of it. I can't wait to show my kids 554 00:29:32,480 --> 00:29:37,560 Speaker 3: who have not watched my career. So kids, if you're listening, 555 00:29:37,760 --> 00:29:39,000 Speaker 3: it's hurtful. 556 00:29:38,840 --> 00:29:39,320 Speaker 1: It's time. 557 00:29:39,720 --> 00:29:41,960 Speaker 2: It's time. Yeah, you can also find your dad at 558 00:29:41,960 --> 00:29:42,600 Speaker 2: Buzzies dot C. 559 00:29:46,840 --> 00:29:47,960 Speaker 5: Please call, please call. 560 00:29:49,000 --> 00:29:51,040 Speaker 3: Well, we always need someone on the meat slicer. 561 00:29:51,200 --> 00:29:53,760 Speaker 6: So you know you kidding? You put me in a deli? 562 00:29:53,920 --> 00:29:57,200 Speaker 6: I am all my life, I've all. I want a 563 00:29:57,240 --> 00:30:00,760 Speaker 6: sandwich named after me. Eventually, I want one that that lasts, 564 00:30:00,840 --> 00:30:03,560 Speaker 6: that's named after me, the Fredell, the Freedole, whatever, the 565 00:30:03,600 --> 00:30:05,800 Speaker 6: Wilfrid's or something film Freedole. 566 00:30:05,800 --> 00:30:07,600 Speaker 2: But I need a sandwich named after me. It's kind 567 00:30:07,600 --> 00:30:09,000 Speaker 2: of what I'm I'm I'm going for. 568 00:30:09,000 --> 00:30:10,000 Speaker 5: You're talking to the right guy. 569 00:30:10,200 --> 00:30:12,280 Speaker 3: Yeah, let me get my team to punch that up. 570 00:30:12,320 --> 00:30:12,680 Speaker 3: I'm not sure. 571 00:30:12,720 --> 00:30:15,440 Speaker 2: Yeah, that's right, please please do. I love that. 572 00:30:15,520 --> 00:30:17,480 Speaker 6: And I don't know what's in the sandwich. But there's 573 00:30:17,520 --> 00:30:19,160 Speaker 6: got to be ham. That's all I can. 574 00:30:18,960 --> 00:30:24,160 Speaker 1: Say, because it's got to eat the scenery, my friend. 575 00:30:24,960 --> 00:30:25,520 Speaker 5: That's right. 576 00:30:27,200 --> 00:30:28,160 Speaker 3: And a Jewish deli. 577 00:30:28,240 --> 00:30:32,560 Speaker 6: Okay, but listen and bacon bacon wrapped ham at a 578 00:30:32,600 --> 00:30:33,080 Speaker 6: Jewish telli. 579 00:30:34,520 --> 00:30:36,040 Speaker 3: It okay? 580 00:30:37,000 --> 00:30:40,480 Speaker 2: Damn you joined. 581 00:30:40,600 --> 00:30:43,200 Speaker 1: Season two Boy Meets World was kind of right after 582 00:30:43,640 --> 00:30:47,280 Speaker 1: a big shake up creatively, as April Kelly left after 583 00:30:47,360 --> 00:30:49,920 Speaker 1: season one and her team and they didn't return for 584 00:30:49,960 --> 00:30:52,640 Speaker 1: season two. Was there any talk of that at all? 585 00:30:52,720 --> 00:30:54,640 Speaker 1: Did you. Were you aware of any of that going 586 00:30:54,680 --> 00:30:56,480 Speaker 1: into season two or not at all? 587 00:30:57,520 --> 00:31:01,720 Speaker 3: Uh? All I know is I kept asking whose April? 588 00:31:02,400 --> 00:31:02,720 Speaker 5: Did you? 589 00:31:03,200 --> 00:31:04,080 Speaker 3: Yeah? 590 00:31:04,280 --> 00:31:04,520 Speaker 6: She was? 591 00:31:06,240 --> 00:31:08,720 Speaker 3: No. I know you're wondering, who's this April? And it's 592 00:31:08,800 --> 00:31:13,040 Speaker 3: like the person whose name she'll not be spoken. I 593 00:31:13,040 --> 00:31:15,960 Speaker 3: have nothing, no, no one ever who's April. Why isn't 594 00:31:16,000 --> 00:31:19,640 Speaker 3: she here? So I you know, I'm sure she's a fabulous, creative, 595 00:31:19,640 --> 00:31:23,880 Speaker 3: wonderful human being. I have no I've never met her. 596 00:31:23,880 --> 00:31:26,080 Speaker 1: I don't know anything, right, and no one would tell 597 00:31:26,080 --> 00:31:26,640 Speaker 1: you who she was. 598 00:31:26,840 --> 00:31:30,160 Speaker 3: Ill that's the story I'm sticking to. I don't know. Yeah, no, 599 00:31:30,160 --> 00:31:32,920 Speaker 3: no one they she just left. I don't know under 600 00:31:33,040 --> 00:31:34,760 Speaker 3: what circumstances. I really don't know. 601 00:31:36,560 --> 00:31:38,600 Speaker 1: Do you remember your first impressions of us? 602 00:31:39,240 --> 00:31:42,080 Speaker 3: Uh? Well, you know, I think I think that it's 603 00:31:42,120 --> 00:31:46,360 Speaker 3: funny because now even now, you know, I say the kids, right, 604 00:31:46,400 --> 00:31:51,160 Speaker 3: I talked about you, and clearly you've grown up and 605 00:31:51,680 --> 00:32:01,520 Speaker 3: I've grown down so well. Obviously very impressed. But I 606 00:32:01,560 --> 00:32:04,080 Speaker 3: think at the time, again, this was such a learning 607 00:32:04,160 --> 00:32:07,280 Speaker 3: experience for me and being on a real show, you know, 608 00:32:07,320 --> 00:32:10,560 Speaker 3: a big American sitcom I had. I think that a 609 00:32:10,600 --> 00:32:16,720 Speaker 3: little bit of a Canadian inferiority complex, and I'm sure, 610 00:32:16,800 --> 00:32:18,560 Speaker 3: I know, I'm sure I was more scared of you 611 00:32:18,600 --> 00:32:24,360 Speaker 3: than you were to me. Like bears like bears, Hans, Buzzies, 612 00:32:24,400 --> 00:32:30,880 Speaker 3: dot Ca. I was just in total awe of the 613 00:32:30,920 --> 00:32:35,080 Speaker 3: whole thing, and I and you know, occasionally overwhelmed by 614 00:32:35,120 --> 00:32:38,520 Speaker 3: it because it all moves so fast. It all was 615 00:32:38,600 --> 00:32:44,880 Speaker 3: happening so fast, and I'm a little slow and laborious sometimes. 616 00:32:45,640 --> 00:32:50,640 Speaker 3: But where I love to be was. I just loved 617 00:32:50,680 --> 00:32:53,720 Speaker 3: being in the writer's room. I wasn't so much somebody 618 00:32:53,760 --> 00:32:57,239 Speaker 3: who loved the stage as much because it's hard for 619 00:32:57,280 --> 00:32:59,920 Speaker 3: me to work that fast and figure out now, don't 620 00:33:00,160 --> 00:33:02,960 Speaker 3: this do this? That wasn't that guy. So I've just 621 00:33:03,120 --> 00:33:07,120 Speaker 3: loved it being in that room. That was my safe space. 622 00:33:08,520 --> 00:33:11,600 Speaker 6: When when you came to the show, did you come 623 00:33:11,640 --> 00:33:14,000 Speaker 6: to a show that was in transition or did you 624 00:33:14,080 --> 00:33:16,480 Speaker 6: come to a show and help with the transition? 625 00:33:16,640 --> 00:33:17,160 Speaker 2: Was it kind of? 626 00:33:17,400 --> 00:33:19,720 Speaker 6: Because we noticed such a big changes from season one 627 00:33:19,720 --> 00:33:22,000 Speaker 6: to season two, especially when we go back and watch 628 00:33:22,040 --> 00:33:24,040 Speaker 6: them now after we're now up to about to start 629 00:33:24,040 --> 00:33:26,640 Speaker 6: season six, you know, Lee Norris is no longer. There 630 00:33:26,840 --> 00:33:29,960 Speaker 6: were clearly going into high school. There was obviously some 631 00:33:30,080 --> 00:33:32,800 Speaker 6: kind of of order from somewhere that they wanted to 632 00:33:32,840 --> 00:33:35,320 Speaker 6: age the show up. Was that something that you and 633 00:33:35,360 --> 00:33:38,000 Speaker 6: Mark were responsible for or did you kind of come 634 00:33:38,000 --> 00:33:39,240 Speaker 6: into it as it was happening. 635 00:33:39,360 --> 00:33:41,520 Speaker 3: Well, I don't want I hate these all responsible. It 636 00:33:41,520 --> 00:33:44,480 Speaker 3: sounds because it's such a team effort. But I'd like 637 00:33:44,560 --> 00:33:47,880 Speaker 3: to think that we were integral part of that discussion. 638 00:33:47,960 --> 00:33:51,560 Speaker 3: You know, we certainly involved in that discussion, and so 639 00:33:52,320 --> 00:33:55,960 Speaker 3: I know that we I know there was there certainly 640 00:33:56,040 --> 00:34:00,360 Speaker 3: was that conscious effort. Listen, you were you The fact 641 00:34:00,480 --> 00:34:03,440 Speaker 3: is you were getting older every year, So every year 642 00:34:03,920 --> 00:34:08,000 Speaker 3: there's a transition to be made. Yeah, right, And and 643 00:34:08,040 --> 00:34:10,480 Speaker 3: that's interesting to watch even even now as you go 644 00:34:10,560 --> 00:34:13,800 Speaker 3: back on the episodes, if you're if if you're uh 645 00:34:14,120 --> 00:34:17,400 Speaker 3: binging them and you start watching a Mike season season 646 00:34:17,400 --> 00:34:19,280 Speaker 3: three and then season four and all of a sudden, 647 00:34:19,640 --> 00:34:23,040 Speaker 3: you know, someone's got a beard like it's it's you know, 648 00:34:23,080 --> 00:34:26,080 Speaker 3: it's really interesting to watch. And every year was handled, 649 00:34:26,200 --> 00:34:28,200 Speaker 3: you know, very delicately. What are we going to do? 650 00:34:28,440 --> 00:34:31,680 Speaker 3: These questions were always asked, So I think we were 651 00:34:31,719 --> 00:34:37,920 Speaker 3: we were in an integral part of it. And uh 652 00:34:38,400 --> 00:34:40,360 Speaker 3: and it was a great amazing you know, it's a 653 00:34:40,400 --> 00:34:44,120 Speaker 3: great learning experience. I lot. I obviously, uh learned so 654 00:34:44,280 --> 00:34:46,360 Speaker 3: much from that show. And uh, but I was not. 655 00:34:46,560 --> 00:34:48,360 Speaker 3: I was not the guy who was great on the floor. 656 00:34:48,560 --> 00:34:51,440 Speaker 3: You know, m hm and Mike would say, you know, 657 00:34:51,440 --> 00:34:54,000 Speaker 3: when we'd shoot and Mike would say, we need a line, 658 00:34:54,040 --> 00:34:56,240 Speaker 3: we need a line, we'd all just kind of yell lines. 659 00:34:56,320 --> 00:34:59,359 Speaker 3: It it's you know, it's it's it's It's a very 660 00:34:59,400 --> 00:35:02,960 Speaker 3: intimidating experience because you're still desperately want to, you know, 661 00:35:03,400 --> 00:35:03,960 Speaker 3: get in there. 662 00:35:04,200 --> 00:35:06,360 Speaker 5: You know, Wow, I jump in on that. 663 00:35:06,440 --> 00:35:09,840 Speaker 4: I want to know, do you have a favorite line 664 00:35:09,880 --> 00:35:11,799 Speaker 4: that you pitched, whether it made it to the show 665 00:35:11,880 --> 00:35:13,799 Speaker 4: or not. Do you have a favorite a. 666 00:35:13,719 --> 00:35:17,000 Speaker 5: Moment where you're you're most proud of throwing something out? 667 00:35:17,920 --> 00:35:21,960 Speaker 3: Well, okay, you know, I'm sure other writers have told you. 668 00:35:21,960 --> 00:35:25,400 Speaker 3: You know, we don't like to talk about what lines 669 00:35:25,440 --> 00:35:28,120 Speaker 3: that we came up with, but I will tell you 670 00:35:28,320 --> 00:35:31,239 Speaker 3: things that still make me laugh and I go, oh 671 00:35:31,280 --> 00:35:33,279 Speaker 3: my god, that was mine. And this is not a 672 00:35:33,320 --> 00:35:36,040 Speaker 3: great line. It's not a great mine at all. But 673 00:35:37,000 --> 00:35:41,560 Speaker 3: I was watching the episode where Will is trying to 674 00:35:41,600 --> 00:35:46,759 Speaker 3: win publisher's clearinghouse. Yeah, oh yeah, they're still laughing at it. 675 00:35:47,160 --> 00:35:49,719 Speaker 3: And you know, you pull out the magazine. This is 676 00:35:49,760 --> 00:35:52,440 Speaker 3: not the best line in the show by any means, 677 00:35:52,440 --> 00:35:54,760 Speaker 3: but I just loved it because I remember pitching it. 678 00:35:54,760 --> 00:35:57,120 Speaker 3: It's the magazine when you got to seize. It's the 679 00:35:57,120 --> 00:36:02,560 Speaker 3: magazine Chester for people named Chester. And I actually have 680 00:36:02,680 --> 00:36:05,480 Speaker 3: that magazine at home to keep it. 681 00:36:05,520 --> 00:36:06,480 Speaker 2: I've got to keep it. 682 00:36:06,880 --> 00:36:07,120 Speaker 4: You know. 683 00:36:07,160 --> 00:36:13,359 Speaker 3: It's so dumb, so right, but it's just I can't 684 00:36:13,400 --> 00:36:18,840 Speaker 3: help but smiles, so stupid, and which will delivered brilliantly. 685 00:36:19,040 --> 00:36:19,759 Speaker 2: Oh, thank you. 686 00:36:22,480 --> 00:36:25,279 Speaker 6: So another question I have, I think we all have, 687 00:36:25,360 --> 00:36:29,640 Speaker 6: because we've noticed in some seasons it clearly seems like 688 00:36:30,600 --> 00:36:33,680 Speaker 6: before the season started there was an arc of where 689 00:36:33,719 --> 00:36:36,600 Speaker 6: the season was going to go. You could clearly see 690 00:36:36,600 --> 00:36:38,480 Speaker 6: what was going to happen. Okay, we're starting here, we're 691 00:36:38,560 --> 00:36:40,279 Speaker 6: ending here. As we're getting a little bit later in 692 00:36:40,280 --> 00:36:43,560 Speaker 6: the season, it seems a little less like maybe there 693 00:36:43,640 --> 00:36:48,040 Speaker 6: was an overall plan. Did you always write at the 694 00:36:48,080 --> 00:36:50,920 Speaker 6: beginning before we even got there, before the you know, 695 00:36:50,960 --> 00:36:52,400 Speaker 6: our first script was put in our hand. Did you 696 00:36:52,440 --> 00:36:55,240 Speaker 6: all sit down and and arc out an entire season. 697 00:36:55,239 --> 00:36:56,880 Speaker 6: Here'shere we're going to start, here's what we're going to end, 698 00:36:56,920 --> 00:36:58,640 Speaker 6: and here's how we're going to get to that point 699 00:36:58,760 --> 00:37:00,520 Speaker 6: or was it more just we by week? 700 00:37:01,360 --> 00:37:03,680 Speaker 3: So this is a this is a situation. It's like 701 00:37:03,719 --> 00:37:06,600 Speaker 3: the best laid plans of mice and men, right, you know, 702 00:37:06,680 --> 00:37:08,319 Speaker 3: you would you would argue, you would see how the 703 00:37:08,360 --> 00:37:12,200 Speaker 3: season would go. But as you all know, by you know, 704 00:37:12,400 --> 00:37:18,120 Speaker 3: episode nineteen or something, you know, we're just so struggling 705 00:37:18,239 --> 00:37:21,120 Speaker 3: just to stay awake and survive and get through and 706 00:37:21,480 --> 00:37:25,160 Speaker 3: that we need a script tomorrow. And so that's that's 707 00:37:25,400 --> 00:37:28,160 Speaker 3: and that's no one's fault. It's just the nature of 708 00:37:28,239 --> 00:37:32,120 Speaker 3: the beast. So that's what what wiy. Things can get 709 00:37:32,120 --> 00:37:35,880 Speaker 3: a little messy at the end because you just just 710 00:37:35,920 --> 00:37:38,160 Speaker 3: don't have the time to do it. Yeah, right, Yeah, 711 00:37:38,280 --> 00:37:41,200 Speaker 3: it's just you know, it's nature. And listen, I'm just 712 00:37:41,320 --> 00:37:44,439 Speaker 3: shocked that we anyone's able to do this. I can't 713 00:37:44,480 --> 00:37:46,359 Speaker 3: imagine the old days when they did what thirty nine 714 00:37:46,400 --> 00:37:50,479 Speaker 3: episodes off a show, like really old days. So yeah, 715 00:37:50,600 --> 00:37:54,319 Speaker 3: we just some you know, by the end, we were 716 00:37:54,400 --> 00:37:57,880 Speaker 3: just just just struggling to just get to you know, 717 00:37:57,960 --> 00:38:00,600 Speaker 3: get get those scripts out. So I I I think, 718 00:38:01,080 --> 00:38:04,200 Speaker 3: you know, best intentions sometimes, Yeah. 719 00:38:04,000 --> 00:38:07,280 Speaker 1: Well you had five episodes in season two. Who's afraid 720 00:38:07,320 --> 00:38:09,799 Speaker 1: of Corey? Wolfe band on the Run. Breaking up is 721 00:38:09,880 --> 00:38:12,319 Speaker 1: really really hard to do on the air, and the 722 00:38:12,360 --> 00:38:15,720 Speaker 1: thrilla in Philla band on the Run was a favorite 723 00:38:15,760 --> 00:38:18,400 Speaker 1: one of ours to talk about. Do you remember the 724 00:38:18,440 --> 00:38:21,640 Speaker 1: background on this episode at all? Like it had a 725 00:38:21,640 --> 00:38:25,440 Speaker 1: slew of rock stars, Mickey Dolans, Ricky Nielsen, Billy Vera, Like, 726 00:38:26,160 --> 00:38:28,400 Speaker 1: how did this idea for you? How did the script 727 00:38:28,440 --> 00:38:30,440 Speaker 1: idea come to you? Was it you and Blutman or 728 00:38:30,480 --> 00:38:31,319 Speaker 1: was it handed to you? 729 00:38:32,200 --> 00:38:36,279 Speaker 3: I hate to tell you this, I actually don't do 730 00:38:36,400 --> 00:38:41,040 Speaker 3: not remember how that one came. But we can make 731 00:38:41,080 --> 00:38:41,520 Speaker 3: something up. 732 00:38:41,600 --> 00:38:44,680 Speaker 1: Let's make sense, sure, whatever you want, Let's make something up. 733 00:38:45,320 --> 00:38:47,640 Speaker 3: I know, I you know, I don't. I don't recall 734 00:38:47,719 --> 00:38:52,319 Speaker 3: how that that one came, how that came about. And 735 00:38:52,440 --> 00:38:55,160 Speaker 3: it's funny again watching watching them and I'm seeing these 736 00:38:55,200 --> 00:38:57,760 Speaker 3: moments and suddenly they they come alive to me again, 737 00:38:57,880 --> 00:39:01,480 Speaker 3: like yet back there, you know, And I you know, 738 00:39:01,640 --> 00:39:04,839 Speaker 3: I think Mark talked about this and I think it's 739 00:39:04,840 --> 00:39:08,520 Speaker 3: Breaking up is really really hard to do. Yeah, watching 740 00:39:09,360 --> 00:39:15,360 Speaker 3: uh like Rider and Ben play their ninety year old. 741 00:39:15,200 --> 00:39:17,120 Speaker 1: Selves so fun. 742 00:39:17,880 --> 00:39:21,960 Speaker 3: I'm not gonna like I mean that, Actually, you know, 743 00:39:22,000 --> 00:39:23,960 Speaker 3: I don't. I don't look back like I said a lot. 744 00:39:24,040 --> 00:39:28,239 Speaker 3: I had a big smile from grint Eardia and you 745 00:39:28,280 --> 00:39:33,200 Speaker 3: guys were so funny. It was so funny, and I 746 00:39:33,440 --> 00:39:36,200 Speaker 3: I just I was very yeah, like I said, I 747 00:39:36,520 --> 00:39:39,520 Speaker 3: walked away going, Okay, that's not that's that wasn't that's 748 00:39:39,520 --> 00:39:42,560 Speaker 3: not too horrible. This is really good. It's beautiful. 749 00:39:42,760 --> 00:39:43,360 Speaker 1: It was great. 750 00:39:43,520 --> 00:39:43,960 Speaker 6: It was great. 751 00:39:44,000 --> 00:39:46,080 Speaker 3: Yeah, yeah, yeah, yeah. So you know that's where we 752 00:39:46,120 --> 00:39:48,680 Speaker 3: brought ourselves. Like again, you know, I know how we wrote. 753 00:39:48,840 --> 00:39:53,520 Speaker 3: You know that that scene feels very authentic to who 754 00:39:53,560 --> 00:39:56,520 Speaker 3: I am, but stealing the roles. 755 00:39:56,760 --> 00:39:59,600 Speaker 2: But well that's okay. 756 00:39:59,600 --> 00:40:01,400 Speaker 6: So that's a good question then, because one thing I 757 00:40:01,400 --> 00:40:03,600 Speaker 6: remember is anytime, I well most of the time, when 758 00:40:03,600 --> 00:40:05,359 Speaker 6: we got a script that we saw your names on, 759 00:40:05,800 --> 00:40:08,360 Speaker 6: I knew it was probably gonna be a Corey Sean 760 00:40:08,719 --> 00:40:13,280 Speaker 6: Buddy episode. Yeah, so which which one between you and Bluckman? 761 00:40:13,320 --> 00:40:14,799 Speaker 2: Which one was Corey and which one was Sean? 762 00:40:16,560 --> 00:40:23,239 Speaker 3: Uh? I will tell you this between Okay, I don't 763 00:40:23,280 --> 00:40:26,200 Speaker 3: know that we did. We we were each that character. 764 00:40:26,280 --> 00:40:27,960 Speaker 3: I think we you know, you write, you kind of 765 00:40:28,000 --> 00:40:30,440 Speaker 3: tend to write in your own voice for both, and 766 00:40:30,480 --> 00:40:34,040 Speaker 3: then the actor kind of finds puts their voice on it. Yeah, 767 00:40:35,000 --> 00:40:37,759 Speaker 3: I will say for for you, Will, I felt that 768 00:40:37,880 --> 00:40:39,600 Speaker 3: I had the Will character. 769 00:40:39,960 --> 00:40:42,640 Speaker 2: Oh okay, so you were Eric. Oh that's great. 770 00:40:43,360 --> 00:40:47,160 Speaker 3: Yeah, I felt I had the Eric character down, and 771 00:40:47,560 --> 00:40:51,160 Speaker 3: I you know, everybody was so great. But I used 772 00:40:51,200 --> 00:40:54,399 Speaker 3: to say, you know, Eric is our uh well, Will 773 00:40:54,560 --> 00:40:58,080 Speaker 3: is our Tom Hanks, and that you will give you 774 00:40:58,680 --> 00:41:03,640 Speaker 3: and sometimes overboard. We went overboard a little bit occasionally. 775 00:41:05,520 --> 00:41:08,960 Speaker 3: But what I loved is that you would commit to 776 00:41:09,000 --> 00:41:12,040 Speaker 3: it no matter what mm hmmm, and just you would. 777 00:41:12,080 --> 00:41:14,279 Speaker 3: You would do it, even if you hated it, you 778 00:41:14,320 --> 00:41:18,520 Speaker 3: would do it. And for for us that that just 779 00:41:18,560 --> 00:41:21,560 Speaker 3: meant the world. That just just I love that. And 780 00:41:21,640 --> 00:41:28,280 Speaker 3: you know that sweet thank you something sweet to you? 781 00:41:28,280 --> 00:41:30,160 Speaker 2: You did you did? 782 00:41:30,400 --> 00:41:31,520 Speaker 1: You called them Tom Hanks? 783 00:41:32,120 --> 00:41:34,000 Speaker 2: I mean, my god, Yeah. 784 00:41:33,719 --> 00:41:35,839 Speaker 3: Yeah, I'll find a way to take it back, don't 785 00:41:35,840 --> 00:41:36,160 Speaker 3: we can. 786 00:41:36,239 --> 00:41:37,960 Speaker 2: Well, you'll you'll make my sandwich and you'll call it 787 00:41:38,000 --> 00:41:39,239 Speaker 2: the Tom Hanks. That'll that'll get it. 788 00:41:39,320 --> 00:41:41,719 Speaker 3: Yeah, it's not and there's no bacon, there's. 789 00:41:41,480 --> 00:41:46,480 Speaker 6: No happen It is a very sandwich called sandwich. 790 00:41:46,800 --> 00:41:48,879 Speaker 3: And I'm kind of offended that you actually. 791 00:41:51,600 --> 00:41:51,719 Speaker 6: So. 792 00:41:51,800 --> 00:41:56,080 Speaker 1: Then in season three, you somehow have five more scripts, 793 00:41:56,120 --> 00:42:00,520 Speaker 1: including the iconic Happiest Show on Earth which shot at 794 00:42:00,560 --> 00:42:03,520 Speaker 1: Disney World, and we noticed you and Mark in line 795 00:42:03,600 --> 00:42:07,080 Speaker 1: as a cameo. What was your memory of taping in 796 00:42:07,160 --> 00:42:08,160 Speaker 1: Orlando like that week? 797 00:42:09,480 --> 00:42:14,600 Speaker 3: Uh? Tough, yeah, okay, yeah, no, only because of where 798 00:42:14,600 --> 00:42:16,520 Speaker 3: you're shooting, and you know, you think you're going on 799 00:42:16,520 --> 00:42:17,000 Speaker 3: a vacation. 800 00:42:17,440 --> 00:42:18,400 Speaker 1: Yeah, you're all excited. 801 00:42:18,800 --> 00:42:22,520 Speaker 3: I'm going on vacation. How much fun is this? And 802 00:42:22,520 --> 00:42:25,400 Speaker 3: then you get there crowds and you have you have 803 00:42:25,520 --> 00:42:31,760 Speaker 3: characters and uh so it's it's it just my memory 804 00:42:31,840 --> 00:42:35,160 Speaker 3: is really just it was. It was a challenge and 805 00:42:35,840 --> 00:42:38,640 Speaker 3: I actually I hope the episode turned out. I'm not 806 00:42:38,719 --> 00:42:42,080 Speaker 3: that familiar. I have watched it. Did it turn out? Okay? 807 00:42:42,280 --> 00:42:45,319 Speaker 1: Yeah, yeah, I mean it's not. 808 00:42:46,600 --> 00:42:48,120 Speaker 3: We're not all on the same page. You know. 809 00:42:48,760 --> 00:42:51,360 Speaker 1: What we talked about was that it felt like it 810 00:42:51,360 --> 00:42:55,000 Speaker 1: needed to be two episodes. The idea of of Topanga 811 00:42:55,040 --> 00:42:57,759 Speaker 1: winning this trip and there being a guy the and 812 00:42:57,840 --> 00:43:01,600 Speaker 1: Corey being jealous and then the girl interfering, all of 813 00:43:01,640 --> 00:43:04,560 Speaker 1: it felt like it could have used a two parter, 814 00:43:04,800 --> 00:43:08,080 Speaker 1: especially because it's such a big thing to go to Florida. 815 00:43:08,200 --> 00:43:12,080 Speaker 1: But we understand. Of course, it was one night where 816 00:43:12,120 --> 00:43:14,960 Speaker 1: all the shows did an episode where they were taking 817 00:43:15,000 --> 00:43:19,440 Speaker 1: place in Florida, and so you know, it felt like 818 00:43:19,520 --> 00:43:22,640 Speaker 1: a lot of story for our show to fit into 819 00:43:22,680 --> 00:43:25,560 Speaker 1: one episode. But of course we understand why it had 820 00:43:25,560 --> 00:43:27,440 Speaker 1: that constraint of it needing to be one episode. But 821 00:43:27,719 --> 00:43:30,280 Speaker 1: so it turned out well. Like as far as getting 822 00:43:30,280 --> 00:43:33,239 Speaker 1: the shots, the shots are all great. I mean, Jeff 823 00:43:33,280 --> 00:43:36,279 Speaker 1: McCracken was incredible that we also felt like there was 824 00:43:36,320 --> 00:43:40,319 Speaker 1: an opportunity to use more of the park, but. 825 00:43:40,320 --> 00:43:43,200 Speaker 6: Instead of just the dolphin, behind the scenes of the dolphins, 826 00:43:43,239 --> 00:43:44,160 Speaker 6: the dolphins. 827 00:43:47,040 --> 00:43:50,360 Speaker 3: Anywhere anywhere. Okay, so you're saying I could put it 828 00:43:50,400 --> 00:43:53,200 Speaker 3: on my reel, It's okay, I would, Yes. 829 00:43:53,080 --> 00:43:53,399 Speaker 2: I would. 830 00:43:53,640 --> 00:43:54,120 Speaker 3: Okay, good. 831 00:43:54,520 --> 00:43:58,439 Speaker 1: In season four, you wrote a real sleeper hit for us, 832 00:43:58,640 --> 00:44:01,480 Speaker 1: one of our less predict to Bowl favorites, B and 833 00:44:01,560 --> 00:44:02,640 Speaker 1: B's B and B. 834 00:44:03,080 --> 00:44:07,560 Speaker 3: I love that about it. Tell me you didn't take over. 835 00:44:07,680 --> 00:44:12,200 Speaker 3: pH didn't get there this house, remember, I remember so much, 836 00:44:12,320 --> 00:44:14,960 Speaker 3: but I remember moments, but oh my god. 837 00:44:15,120 --> 00:44:18,000 Speaker 1: He's leaving and he asks Corey to water the plants, 838 00:44:18,160 --> 00:44:21,799 Speaker 1: and Sean steals the key and takes over. He needs 839 00:44:21,840 --> 00:44:24,600 Speaker 1: to make money and so he we You guys, they 840 00:44:24,600 --> 00:44:26,640 Speaker 1: hatched this plan of using Phoene's house like a B 841 00:44:26,719 --> 00:44:31,600 Speaker 1: and B and it's so good. It's really, it's really 842 00:44:31,640 --> 00:44:33,759 Speaker 1: it was a really great episode that we enjoyed. We 843 00:44:33,840 --> 00:44:34,920 Speaker 1: enjoyed many moments in it. 844 00:44:36,120 --> 00:44:38,640 Speaker 2: That's what Lenn Lesser was in this one from Seinfeld. 845 00:44:38,920 --> 00:44:39,759 Speaker 2: He was remember. 846 00:44:39,840 --> 00:44:43,520 Speaker 6: Yeah, and he's singing and all that kind of ya. 847 00:44:44,880 --> 00:44:46,799 Speaker 3: Can't I actually can't wait to watch that. 848 00:44:47,440 --> 00:44:47,880 Speaker 5: You should. 849 00:44:47,920 --> 00:44:49,919 Speaker 6: This is sad when we're the ones who remember stuff, 850 00:44:49,960 --> 00:44:52,440 Speaker 6: by the way, because we just watched it, you know, 851 00:44:52,440 --> 00:44:56,680 Speaker 6: a year on this, because this is episode and fifty six. 852 00:44:59,080 --> 00:45:01,000 Speaker 3: You know, the craft service guy could probably talk about 853 00:45:02,239 --> 00:45:05,280 Speaker 3: Greg remembered this right away. Greg was great in this stuff. 854 00:45:08,160 --> 00:45:10,440 Speaker 3: I love that. What was Eric doing in that episode 855 00:45:10,640 --> 00:45:11,160 Speaker 3: in B and B? 856 00:45:12,520 --> 00:45:13,160 Speaker 1: What is the one? 857 00:45:13,200 --> 00:45:19,400 Speaker 2: What was he was overshadowed by the great A story? 858 00:45:19,440 --> 00:45:22,960 Speaker 2: Is what he was doing. I don't remember what Eric was. 859 00:45:22,920 --> 00:45:24,680 Speaker 6: Doing in B and B's B and B and we 860 00:45:24,800 --> 00:45:28,480 Speaker 6: meet people yelling at their their radios right now because 861 00:45:28,480 --> 00:45:29,480 Speaker 6: they remember, but we don't. 862 00:45:29,480 --> 00:45:30,000 Speaker 2: We'll google. 863 00:45:31,040 --> 00:45:33,040 Speaker 6: But something not as funny as the A story because 864 00:45:33,040 --> 00:45:35,400 Speaker 6: the A story was hysterically funny. 865 00:45:35,719 --> 00:45:40,560 Speaker 4: And again that's when you go to Boston with Phoenie 866 00:45:41,719 --> 00:45:45,479 Speaker 4: B story, that's great B story to where Eric's about 867 00:45:45,480 --> 00:45:45,960 Speaker 4: to get. 868 00:45:45,840 --> 00:45:50,520 Speaker 1: You guys become friends friends. Yeah, is that the one 869 00:45:50,520 --> 00:45:53,000 Speaker 1: where you eat dinner twice or Phoenie eats dinner twice? 870 00:45:53,960 --> 00:45:58,880 Speaker 5: Phner different? 871 00:45:58,960 --> 00:46:01,640 Speaker 6: And then and then he blocks Eric with the with 872 00:46:01,680 --> 00:46:05,480 Speaker 6: the bartender, right, and which is inappropriate to begin with? 873 00:46:05,920 --> 00:46:06,480 Speaker 2: Honesty? 874 00:46:07,040 --> 00:46:08,680 Speaker 6: He was you know, yeah, she knew he was too 875 00:46:08,760 --> 00:46:11,319 Speaker 6: young to serve him alcohol, but apparently not too young 876 00:46:11,360 --> 00:46:12,040 Speaker 6: to take him home. 877 00:46:12,880 --> 00:46:14,759 Speaker 2: Uh so, yeah, it was in it was. It was 878 00:46:14,960 --> 00:46:16,879 Speaker 2: a great episode though, and it was one. 879 00:46:16,840 --> 00:46:19,400 Speaker 3: Out of it. I'm so proud of it. I just 880 00:46:19,480 --> 00:46:20,360 Speaker 3: loved that episode. 881 00:46:20,480 --> 00:46:22,879 Speaker 1: Watch it, Watch it. You're gonna You're gonna enjoy it. 882 00:46:23,040 --> 00:46:25,960 Speaker 2: Another Sean Corey caper that was that was you saw. 883 00:46:26,239 --> 00:46:28,719 Speaker 3: I just love those capers like I just love you know, 884 00:46:28,920 --> 00:46:31,360 Speaker 3: I love the again. Did you talked about band on 885 00:46:31,400 --> 00:46:34,400 Speaker 3: the run or on the air? I just love I 886 00:46:34,680 --> 00:46:38,720 Speaker 3: I I we love the caper. We love putting guys 887 00:46:38,760 --> 00:46:42,960 Speaker 3: in situations that were totally above your head. Yeah. 888 00:46:43,000 --> 00:46:45,120 Speaker 1: I mean, looking at your list of episodes, you guys 889 00:46:45,400 --> 00:46:47,600 Speaker 1: tackled very high concepts. There was never kind of like 890 00:46:47,640 --> 00:46:49,319 Speaker 1: Corey and t Banga just get into a fight. You 891 00:46:49,360 --> 00:46:51,239 Speaker 1: have to, and then we have to deal with the consequences. 892 00:46:51,280 --> 00:46:54,000 Speaker 1: Like it was. Corey thinks he's a werewolf. The boys 893 00:46:54,000 --> 00:46:57,120 Speaker 1: get a pig, the show travels to Disney World, Shawn's 894 00:46:57,160 --> 00:46:59,920 Speaker 1: ex girlfriends kidnap him and plan on killing him in revenge. 895 00:47:00,520 --> 00:47:03,040 Speaker 1: You guys really take some big swings. 896 00:47:03,520 --> 00:47:05,319 Speaker 3: Oh my god, you gotta be careful because you know, 897 00:47:05,360 --> 00:47:07,080 Speaker 3: I'm married. I'm not used to compliments. 898 00:47:07,440 --> 00:47:10,520 Speaker 2: So she didn't say they were good. She said you took. 899 00:47:15,360 --> 00:47:16,160 Speaker 3: I appreciate that. 900 00:47:16,200 --> 00:47:20,160 Speaker 1: Thank you, also married. 901 00:47:25,320 --> 00:47:27,480 Speaker 3: Did anyone ever talk about, by the way, the Boy 902 00:47:27,480 --> 00:47:29,520 Speaker 3: meets World Baseball Team? 903 00:47:30,160 --> 00:47:32,080 Speaker 1: Let's talk about it, please please. 904 00:47:32,320 --> 00:47:35,080 Speaker 2: Daniel's dad, My dad, dad was on it. Yeah, was 905 00:47:35,120 --> 00:47:37,920 Speaker 2: a right, that's what I remember. Your dad was like, you. 906 00:47:37,840 --> 00:47:40,840 Speaker 6: Would get the ball and it was scary, the frozen 907 00:47:41,000 --> 00:47:43,520 Speaker 6: rope from the warning What shows did you guys play? 908 00:47:44,239 --> 00:47:46,840 Speaker 2: Improvement was the was the final? I remember because I 909 00:47:46,880 --> 00:47:48,879 Speaker 2: was there. You're there, so yeah, I. 910 00:47:48,840 --> 00:47:50,880 Speaker 3: Only mention it because I talked about the camaraderie of 911 00:47:50,960 --> 00:47:55,040 Speaker 3: the room. The baseball team was just a pit like 912 00:47:55,120 --> 00:47:58,920 Speaker 3: for us. This was more fun and brought us together 913 00:48:00,200 --> 00:48:03,400 Speaker 3: in the best way possible because we called ourselves the 914 00:48:03,440 --> 00:48:07,759 Speaker 3: bad news bears, right, half of us, didn't half of them. 915 00:48:07,960 --> 00:48:10,520 Speaker 3: I could say I could they They they looked at me. 916 00:48:10,600 --> 00:48:12,960 Speaker 3: I wasn't ahead, and there was no expectation that I 917 00:48:13,000 --> 00:48:16,000 Speaker 3: could play or hit. So when I did, you were yeah, 918 00:48:16,360 --> 00:48:18,600 Speaker 3: they were all like, oh my, like it was. 919 00:48:18,560 --> 00:48:21,440 Speaker 1: Just that good job, good job, good job, honey. 920 00:48:21,680 --> 00:48:26,759 Speaker 3: Yeah, exactly. And they were people who couldn't hit or 921 00:48:26,880 --> 00:48:29,080 Speaker 3: you know, and then there was the regards like like 922 00:48:29,160 --> 00:48:33,920 Speaker 3: Mark or Matt, who were exceptional and always upset about 923 00:48:33,920 --> 00:48:36,480 Speaker 3: the people who couldn't pitch or hit or do anything. 924 00:48:37,239 --> 00:48:40,800 Speaker 3: But we called the bad News Bears. We had no uniforms. 925 00:48:40,840 --> 00:48:45,560 Speaker 3: We played. We played Frasier, yeah, and Home Improvement, and 926 00:48:45,600 --> 00:48:48,640 Speaker 3: they were all in beautiful you know, they had to spend. 927 00:48:48,800 --> 00:48:52,560 Speaker 3: I mean they came out, you know, there was there 928 00:48:52,640 --> 00:48:54,880 Speaker 3: was music playing when they came out, you know. 929 00:48:57,000 --> 00:48:59,240 Speaker 5: So we were just like the scrappy. 930 00:48:58,440 --> 00:49:02,600 Speaker 3: We were challenging the Scrappy's. And somehow, and Barry Safchick 931 00:49:02,760 --> 00:49:03,520 Speaker 3: was our manager. 932 00:49:04,640 --> 00:49:05,920 Speaker 2: Barry was Walter Mathow. 933 00:49:06,480 --> 00:49:09,960 Speaker 3: Barry was Walton Matho and we get, you know, we 934 00:49:10,120 --> 00:49:13,080 Speaker 3: get those those speeches, you know, how we're going to 935 00:49:13,160 --> 00:49:16,600 Speaker 3: do this game, and somehow we just kept winning, right 936 00:49:16,960 --> 00:49:20,880 Speaker 3: and after every game they put on a newsletter about 937 00:49:20,880 --> 00:49:26,080 Speaker 3: how everyone did you know, and somehow we just we 938 00:49:26,239 --> 00:49:28,960 Speaker 3: just kept on winning and winning, and those days were 939 00:49:29,000 --> 00:49:30,960 Speaker 3: so much fun. And then we went to the finals 940 00:49:31,480 --> 00:49:35,560 Speaker 3: and UH played Home Improvement, playing for the fight. It 941 00:49:35,600 --> 00:49:38,520 Speaker 3: was like we were playing, you know, for the World Series. 942 00:49:40,120 --> 00:49:45,560 Speaker 3: It was so important to us, and I was I 943 00:49:45,560 --> 00:49:48,799 Speaker 3: remember one time in that last game and they put me. 944 00:49:48,840 --> 00:49:52,200 Speaker 3: Where do they put the guy they think can't play? 945 00:49:52,360 --> 00:49:54,960 Speaker 3: Although I could in the outfield, in the outfield where 946 00:49:54,960 --> 00:49:59,600 Speaker 3: in the outfield? Right field? 947 00:50:00,080 --> 00:50:00,279 Speaker 6: Right? 948 00:50:01,080 --> 00:50:05,200 Speaker 3: And I remember a ball is hit to right field 949 00:50:05,880 --> 00:50:07,920 Speaker 3: and I could feel the gasp. 950 00:50:09,600 --> 00:50:10,759 Speaker 2: Yeah, yeah, no. 951 00:50:13,000 --> 00:50:17,719 Speaker 9: Anyone but Howard and going back to the fence and 952 00:50:18,239 --> 00:50:21,719 Speaker 9: I can't say my eyes were open or closed, but 953 00:50:21,800 --> 00:50:24,200 Speaker 9: the ball it I caught it. 954 00:50:25,080 --> 00:50:29,520 Speaker 3: Yes, yeah, And this is this is sadly one of 955 00:50:29,560 --> 00:50:32,919 Speaker 3: the great moments of my life that I talked about. 956 00:50:33,040 --> 00:50:38,399 Speaker 6: I remember this game, you winds yet you did didn't 957 00:50:38,880 --> 00:50:40,400 Speaker 6: didn't you know? You lost? 958 00:50:40,480 --> 00:50:41,640 Speaker 2: That's no, that's right. 959 00:50:42,800 --> 00:50:45,120 Speaker 6: But I remember going there like, Okay, it's the it's 960 00:50:45,160 --> 00:50:46,919 Speaker 6: the finals. We're playing Home Improvement. I was like, okay, 961 00:50:46,960 --> 00:50:49,399 Speaker 6: I'm going to go see a nice softball game. And 962 00:50:49,440 --> 00:50:52,080 Speaker 6: then I remember people from Home Improvement striking out, like 963 00:50:52,280 --> 00:50:54,920 Speaker 6: throwing the bat on the ground, and kicking dirt, and 964 00:50:54,960 --> 00:50:57,800 Speaker 6: I was like, oh god, there, everybody's taking this really seriously, 965 00:50:57,880 --> 00:50:58,239 Speaker 6: like it. 966 00:50:58,160 --> 00:51:00,359 Speaker 2: Was this four. 967 00:51:01,360 --> 00:51:03,600 Speaker 1: No, no, you weren't there the first season, so. 968 00:51:06,800 --> 00:51:07,000 Speaker 8: Seven. 969 00:51:07,080 --> 00:51:11,680 Speaker 3: Yeah, yeah, it's a very special time. And uh it was. 970 00:51:11,760 --> 00:51:15,799 Speaker 3: It was. It was so much fun. Uh So years later, 971 00:51:15,920 --> 00:51:19,480 Speaker 3: somebody uh said to me, did you write for It's 972 00:51:19,520 --> 00:51:22,600 Speaker 3: Adam Sandler? Did you write for Adam Sandler? And I know, 973 00:51:22,719 --> 00:51:25,239 Speaker 3: why what are you talking about? He said, there's a 974 00:51:25,480 --> 00:51:28,799 Speaker 3: there's a disc that he put out, a CD. Yeah, 975 00:51:28,880 --> 00:51:32,439 Speaker 3: that's called left Field, and you're listed as a writer 976 00:51:32,880 --> 00:51:35,200 Speaker 3: on this thing. And I go, what do you I 977 00:51:35,239 --> 00:51:37,360 Speaker 3: don't you know. I don't I didn't write it. I 978 00:51:37,360 --> 00:51:40,680 Speaker 3: don't know Adam Sandler. I don't know him. We crossed 979 00:51:40,680 --> 00:51:43,360 Speaker 3: past his comics. Anyways, long story short, I listened to 980 00:51:43,400 --> 00:51:46,320 Speaker 3: c D and he's playing a character in left field 981 00:51:48,239 --> 00:51:50,239 Speaker 3: that's standing out there going please don't hit to me, 982 00:51:50,320 --> 00:51:55,160 Speaker 3: Please don't hit to me. It's the if anyone knows 983 00:51:55,160 --> 00:51:57,320 Speaker 3: Adam Sandler, tell me, I want to know I'm listed 984 00:51:57,320 --> 00:51:59,520 Speaker 3: as a writer and I don't unless he was at 985 00:51:59,560 --> 00:52:07,120 Speaker 3: that game and he saw that moment's. 986 00:52:04,840 --> 00:52:07,560 Speaker 1: Yeah, so funny. He may have been at that game. 987 00:52:07,960 --> 00:52:11,440 Speaker 3: He may have been at that game. Horror on my face. 988 00:52:13,760 --> 00:52:17,799 Speaker 1: That's unbelievable. I want to talk about Long Walk to 989 00:52:17,840 --> 00:52:22,600 Speaker 1: Pittsburgh Part two. It's another big script where Tapega returns 990 00:52:22,640 --> 00:52:25,360 Speaker 1: to the Matthew's house after walking in the rain in 991 00:52:25,400 --> 00:52:28,600 Speaker 1: the rain. Do you remember that tape night and all 992 00:52:28,760 --> 00:52:32,560 Speaker 1: the secrecy around the reveal of Tapega in front of 993 00:52:32,560 --> 00:52:35,480 Speaker 1: the audience, You know, I don't. 994 00:52:36,760 --> 00:52:37,880 Speaker 3: I know, I don't. 995 00:52:38,520 --> 00:52:40,399 Speaker 2: This is why Craig came on before you. 996 00:52:40,480 --> 00:52:43,440 Speaker 3: Now, I know, right. What did he say about it? 997 00:52:44,280 --> 00:52:46,040 Speaker 6: He was amazing, he said it was the biggest, the 998 00:52:46,080 --> 00:52:51,120 Speaker 6: biggest audience reaction we had to that point, and it was, 999 00:52:51,560 --> 00:52:54,439 Speaker 6: you know, it was an episode that we all thought 1000 00:52:54,520 --> 00:52:58,160 Speaker 6: was interesting because it's it was also what's her name 1001 00:52:58,160 --> 00:53:00,960 Speaker 6: who came back who just unfortunately passed away, Olivia Hussey 1002 00:53:02,120 --> 00:53:05,640 Speaker 6: who came on, who was Topanga's aunt. It was a big, 1003 00:53:05,960 --> 00:53:07,920 Speaker 6: very big episode. Is also kind of the thing that 1004 00:53:07,920 --> 00:53:09,880 Speaker 6: we that amazed all of us as we did the 1005 00:53:09,920 --> 00:53:16,359 Speaker 6: rewatch is the fact that the writers very subtly and 1006 00:53:16,480 --> 00:53:21,000 Speaker 6: yet abruptly, if that's possible, went from not using Tapanga 1007 00:53:21,120 --> 00:53:25,080 Speaker 6: enough to her being integral to the show within episodes. 1008 00:53:25,880 --> 00:53:28,000 Speaker 6: So that was one of the Long Walk to Pittsburgh 1009 00:53:28,080 --> 00:53:30,080 Speaker 6: might be one of the ones that really sealed it 1010 00:53:30,160 --> 00:53:34,440 Speaker 6: as Topanga being as important, if not more important, than 1011 00:53:34,440 --> 00:53:35,960 Speaker 6: most of the other characters on the show. 1012 00:53:37,160 --> 00:53:39,120 Speaker 3: Okay, so I've got to put that on my watch 1013 00:53:39,160 --> 00:53:39,600 Speaker 3: list too. 1014 00:53:40,400 --> 00:53:41,239 Speaker 1: Yeah, there you go. 1015 00:53:43,160 --> 00:53:48,040 Speaker 3: Yeah, no, I I I. I did not get to 1016 00:53:48,120 --> 00:53:50,880 Speaker 3: that episode. You have the advantage of having seen it. 1017 00:53:50,880 --> 00:53:52,600 Speaker 2: In the one we did. We just we just watched them. 1018 00:53:52,640 --> 00:53:53,960 Speaker 2: That's why we were just watching them again. 1019 00:53:54,040 --> 00:53:56,520 Speaker 4: Okay, so what is your favorite episode? Do you have 1020 00:53:56,560 --> 00:53:58,680 Speaker 4: one that you remember well. 1021 00:53:58,520 --> 00:54:01,040 Speaker 3: Now that I the now that I've heard the story, 1022 00:54:01,080 --> 00:54:03,800 Speaker 3: it's the B and B s being B and B. Yeah, 1023 00:54:04,480 --> 00:54:07,200 Speaker 3: I know, I already love the setup. I love I'm 1024 00:54:07,239 --> 00:54:09,600 Speaker 3: sure came home too early? 1025 00:54:09,880 --> 00:54:10,520 Speaker 1: Yep, he did. 1026 00:54:10,560 --> 00:54:15,080 Speaker 3: I'm sure you know. I'm already so excited about watching it. 1027 00:54:15,520 --> 00:54:19,080 Speaker 4: There's also a very little what we should do is 1028 00:54:19,120 --> 00:54:21,640 Speaker 4: we should tell Howard one of his own episodes and 1029 00:54:21,680 --> 00:54:26,080 Speaker 4: have him pitch us plots like scenes and see how 1030 00:54:26,160 --> 00:54:28,719 Speaker 4: much they end up being exactly what they actually were 1031 00:54:28,760 --> 00:54:29,760 Speaker 4: because he doesn't remember. 1032 00:54:30,000 --> 00:54:31,680 Speaker 2: That's pretty great, that's funny. 1033 00:54:31,880 --> 00:54:34,000 Speaker 3: I did love. Breaking up is really really hard to 1034 00:54:34,000 --> 00:54:34,359 Speaker 3: do too. 1035 00:54:34,480 --> 00:54:35,080 Speaker 1: We love that. 1036 00:54:37,200 --> 00:54:42,520 Speaker 7: Which one is that one of the Wendy, right, that's 1037 00:54:42,600 --> 00:54:45,759 Speaker 7: that's the love that episode that's to you as the 1038 00:54:45,760 --> 00:54:48,800 Speaker 7: old Men. Yeah, yeah, which I mean you could argue 1039 00:54:49,040 --> 00:54:52,000 Speaker 7: is the best scene in the history of the show. 1040 00:54:52,080 --> 00:54:53,399 Speaker 2: I mean, there really is an. 1041 00:54:53,320 --> 00:54:55,160 Speaker 5: Argument the history of the show. Season two. 1042 00:54:55,280 --> 00:54:58,600 Speaker 6: I mean, but it's just it's so iconic and so good, 1043 00:54:58,719 --> 00:55:01,239 Speaker 6: and you and Ben just so great in it. 1044 00:55:01,680 --> 00:55:02,680 Speaker 5: We're having so much fun. 1045 00:55:02,760 --> 00:55:04,759 Speaker 2: Yeah, it could you could really say that that was 1046 00:55:05,239 --> 00:55:06,960 Speaker 2: arguably the best scene we've ever done. 1047 00:55:07,080 --> 00:55:10,239 Speaker 3: Oh that's very fine, but you know, and I love 1048 00:55:10,280 --> 00:55:13,640 Speaker 3: Wendy and that I love loved it. But there were moments, 1049 00:55:13,800 --> 00:55:16,920 Speaker 3: you know, there's a couple of cringe worthy moments, you know, 1050 00:55:17,680 --> 00:55:21,960 Speaker 3: when they're talking about her, she's she's crazy. 1051 00:55:22,640 --> 00:55:23,640 Speaker 1: Oh yeah, that's. 1052 00:55:23,480 --> 00:55:25,279 Speaker 3: Where I'm like, Okay, maybe we could have been a 1053 00:55:25,320 --> 00:55:29,840 Speaker 3: little more delicate about that, you know, I'm not Yeah, 1054 00:55:29,960 --> 00:55:31,719 Speaker 3: I'm not sure I would do that the same way 1055 00:55:32,280 --> 00:55:35,880 Speaker 3: right now, but but I just can't. I also couldn't 1056 00:55:35,920 --> 00:55:38,319 Speaker 3: believe we went there too, Like, I can't believe we 1057 00:55:38,360 --> 00:55:44,040 Speaker 3: actually went to this, to this place of of pushing 1058 00:55:44,080 --> 00:55:45,279 Speaker 3: Wendy that far. 1059 00:55:45,800 --> 00:55:47,319 Speaker 2: Yes, she was great too. 1060 00:55:47,360 --> 00:55:50,799 Speaker 6: The actress that played her was wonderful, wonderful, wonderful? 1061 00:55:50,880 --> 00:55:53,319 Speaker 2: Right, Yeah, do. 1062 00:55:53,239 --> 00:55:55,640 Speaker 1: You remember I don't remember her name. 1063 00:55:55,719 --> 00:55:58,160 Speaker 3: Now I'm gonna ask you questions that you don't know. 1064 00:55:58,600 --> 00:56:00,440 Speaker 1: Yeah, I don't. I don't remember. We'll find out. 1065 00:56:00,480 --> 00:56:03,239 Speaker 4: Well, well, she played my girlfriend on Home Improvement before 1066 00:56:03,239 --> 00:56:05,640 Speaker 4: the one episode of Home Improvement I've done. 1067 00:56:05,719 --> 00:56:07,440 Speaker 5: It's written by Susan stelle Jensen. 1068 00:56:08,120 --> 00:56:12,000 Speaker 6: Yeah, okay, So how many of or did any of 1069 00:56:12,040 --> 00:56:14,080 Speaker 6: the episodes you write? Did any of the stories that 1070 00:56:14,120 --> 00:56:16,440 Speaker 6: you pitch that made it in did any of them 1071 00:56:16,440 --> 00:56:18,640 Speaker 6: come from your real life experiences? Did any did you 1072 00:56:18,680 --> 00:56:20,520 Speaker 6: have a Wendy or did any of this stuff actually 1073 00:56:20,520 --> 00:56:20,960 Speaker 6: happen to you? 1074 00:56:21,000 --> 00:56:21,640 Speaker 2: Guys? 1075 00:56:22,239 --> 00:56:23,600 Speaker 3: Yeah, I don't know. If you know me, I don't 1076 00:56:23,600 --> 00:56:25,040 Speaker 3: have any real life experiences. 1077 00:56:28,560 --> 00:56:29,920 Speaker 2: I don't think that's accurate. 1078 00:56:30,040 --> 00:56:31,160 Speaker 3: I don't live in the real world. 1079 00:56:32,040 --> 00:56:39,640 Speaker 1: You live in the future. In the future, very very wessondo. 1080 00:56:40,200 --> 00:56:42,160 Speaker 3: I actually looked at it when I watched the episode. 1081 00:56:42,160 --> 00:56:44,759 Speaker 3: When is that el Fanning? Like I thought, she Yeah, 1082 00:56:44,800 --> 00:56:49,680 Speaker 3: she's really good. Yeah, here's here's what. But I do 1083 00:56:49,840 --> 00:56:55,000 Speaker 3: know that we loved, we love coming up with like 1084 00:56:55,040 --> 00:56:58,319 Speaker 3: the BnB episode, or like we love coming up with 1085 00:56:58,800 --> 00:57:04,480 Speaker 3: Corey Sean Capers. That's what's the fun. And you know, 1086 00:57:04,520 --> 00:57:06,839 Speaker 3: I'm sorry at the time, I probably wasn't the best 1087 00:57:06,840 --> 00:57:08,320 Speaker 3: person to write to Panga. 1088 00:57:08,600 --> 00:57:12,040 Speaker 1: You know that's okay. I appreciate you recognizing that. 1089 00:57:13,200 --> 00:57:15,120 Speaker 3: You know, I know, and and I'm sure my wife 1090 00:57:15,160 --> 00:57:18,080 Speaker 3: would tell you that I'm not the guy to write. 1091 00:57:18,440 --> 00:57:20,920 Speaker 1: If you wrote to Pega anything like Wendy, we'd be 1092 00:57:20,960 --> 00:57:22,120 Speaker 1: having a different conversation. 1093 00:57:22,280 --> 00:57:30,360 Speaker 3: You know, we love we love the caper, so that's 1094 00:57:30,360 --> 00:57:32,720 Speaker 3: where you would find those And you know, I'd like 1095 00:57:32,800 --> 00:57:34,880 Speaker 3: to I'd like someone tell me I don't remember the 1096 00:57:34,880 --> 00:57:39,320 Speaker 3: origination of the piggy story, which is insane. I just 1097 00:57:39,520 --> 00:57:41,880 Speaker 3: you know, again, that's a little that's a buddy between 1098 00:57:42,440 --> 00:57:44,800 Speaker 3: you know, a man, a man and a four legged animal, 1099 00:57:44,880 --> 00:57:47,040 Speaker 3: and it's beautiful. Somebody did tell us. 1100 00:57:46,920 --> 00:57:48,520 Speaker 5: To tell us the origin of that. 1101 00:57:48,520 --> 00:57:52,280 Speaker 4: There was an origin somebody, I swear it's one of 1102 00:57:52,280 --> 00:57:54,280 Speaker 4: our interviews, is the one. 1103 00:57:54,240 --> 00:57:57,040 Speaker 1: Where Michael went to go pitch a pilot. Did Jeff 1104 00:57:57,080 --> 00:57:57,840 Speaker 1: McCracken tell us it? 1105 00:57:57,920 --> 00:57:58,080 Speaker 6: Then? 1106 00:57:59,080 --> 00:57:59,680 Speaker 5: Hysterical story? 1107 00:58:00,080 --> 00:58:01,840 Speaker 4: Now I feel like so like blud Man had a story, 1108 00:58:02,160 --> 00:58:04,000 Speaker 4: there was somebody who had a pot belly pig. And 1109 00:58:04,000 --> 00:58:07,439 Speaker 4: that's why our listeners probably will remember everyone's. 1110 00:58:07,120 --> 00:58:08,960 Speaker 1: Yaeling at us and the everyone's yeling at us in 1111 00:58:09,000 --> 00:58:09,400 Speaker 1: their cars. 1112 00:58:09,400 --> 00:58:11,720 Speaker 3: By the way, I just want to the Pig has 1113 00:58:11,760 --> 00:58:12,840 Speaker 3: been on before me too. 1114 00:58:12,760 --> 00:58:16,520 Speaker 2: Right, yes, as our third guest, yea three times. 1115 00:58:16,800 --> 00:58:18,880 Speaker 1: We didn't have much time with the pig and so 1116 00:58:19,000 --> 00:58:22,200 Speaker 1: we thought let's have him on very early. Amazing he 1117 00:58:22,280 --> 00:58:23,080 Speaker 1: lived thirty years. 1118 00:58:23,920 --> 00:58:25,600 Speaker 3: You know, I'm going to have the pig on at 1119 00:58:25,640 --> 00:58:26,120 Speaker 3: my deli. 1120 00:58:26,680 --> 00:58:34,240 Speaker 2: So for the opening of Wilson has excellent for the 1121 00:58:34,280 --> 00:58:37,400 Speaker 2: Tom Hanks Veggie Sandwich on Ham, I want to. 1122 00:58:37,560 --> 00:58:39,560 Speaker 1: I want to talk a little bit about your memories 1123 00:58:39,560 --> 00:58:41,920 Speaker 1: of when you guys left. So from what we've from 1124 00:58:42,000 --> 00:58:44,480 Speaker 1: what we've gathered, you guys were taking over the room 1125 00:58:44,480 --> 00:58:47,200 Speaker 1: in season five, but then Michael's other show got canceled 1126 00:58:47,280 --> 00:58:51,000 Speaker 1: and he returned, and you two were interested in staying 1127 00:58:51,000 --> 00:58:53,840 Speaker 1: head writers, and so you basically left. Is that the 1128 00:58:53,920 --> 00:58:56,120 Speaker 1: gist it was? 1129 00:58:58,880 --> 00:59:03,440 Speaker 3: You know, Michael gave us, it was very generous, gave 1130 00:59:03,480 --> 00:59:06,200 Speaker 3: us our start, did so many great things for him. 1131 00:59:06,560 --> 00:59:08,960 Speaker 3: But you know, I I think I could feel there 1132 00:59:09,040 --> 00:59:12,000 Speaker 3: was an expiration date to how long you know you 1133 00:59:12,040 --> 00:59:14,800 Speaker 3: want to you want to move on and do other things. Sure, 1134 00:59:16,760 --> 00:59:19,640 Speaker 3: and he was very he was very generous, and I'm 1135 00:59:19,760 --> 00:59:23,280 Speaker 3: very grateful for the opportunity. But you know, when he 1136 00:59:23,440 --> 00:59:27,680 Speaker 3: came back, I think we both felt that it was 1137 00:59:27,760 --> 00:59:30,160 Speaker 3: time to kind of just exp or what else we 1138 00:59:30,240 --> 00:59:34,120 Speaker 3: could do. You know, Uh, we got an offer to 1139 00:59:34,160 --> 00:59:36,960 Speaker 3: do and this sounds horrible now because as I look back, 1140 00:59:37,000 --> 00:59:39,480 Speaker 3: it was probably the dumbest thing that we could do. 1141 00:59:40,000 --> 00:59:43,800 Speaker 3: We got an opportunity to be on a Tom Selleck pilot, 1142 00:59:44,720 --> 00:59:48,600 Speaker 3: to do a show with Tom Selleck that was created and. 1143 00:59:49,400 --> 00:59:51,840 Speaker 5: But you never know what television that makes pro you 1144 00:59:51,840 --> 00:59:53,080 Speaker 5: never know that move, you know. 1145 00:59:53,480 --> 00:59:56,120 Speaker 3: Yeah, but on paper, it sounded like this was going 1146 00:59:56,200 --> 00:59:59,120 Speaker 3: to be you know, and a huge actor. With all 1147 00:59:59,200 --> 01:00:02,960 Speaker 3: due respect Tom, maybe not the funniest man. That's a 1148 01:00:02,960 --> 01:00:04,080 Speaker 3: lot of things great. 1149 01:00:03,960 --> 01:00:07,160 Speaker 2: Yeah, an awesome times seek Yeah. 1150 01:00:06,960 --> 01:00:10,400 Speaker 3: Maybe not the leading a sitcom, you know, as I 1151 01:00:10,480 --> 01:00:14,400 Speaker 3: look back, right, So, but you're at the time you're 1152 01:00:14,440 --> 01:00:18,720 Speaker 3: offered the show, it's it's it's an adult show. So 1153 01:00:18,800 --> 01:00:22,840 Speaker 3: to see it, you know, it's it's the version of Oh, 1154 01:00:22,880 --> 01:00:25,400 Speaker 3: a pretty girl just walked by. You know. Kind of 1155 01:00:25,760 --> 01:00:30,320 Speaker 3: horrible again looking back, but uh, it just looked like 1156 01:00:30,360 --> 01:00:33,720 Speaker 3: an amazing opportunity for us, and it all happened very quickly. 1157 01:00:33,800 --> 01:00:35,320 Speaker 3: That was part of the thing. It was like I 1158 01:00:35,320 --> 01:00:37,040 Speaker 3: felt like we were there and then we weren't there. 1159 01:00:37,480 --> 01:00:38,920 Speaker 5: Yeah, it was midweek. 1160 01:00:38,960 --> 01:00:40,560 Speaker 4: I remember saying goodbye to you guys. I think it 1161 01:00:40,600 --> 01:00:43,560 Speaker 4: was during the the Ski Lodge episode. 1162 01:00:43,120 --> 01:00:44,840 Speaker 6: Which is why I didn't get a chance to say goodbye, 1163 01:00:44,840 --> 01:00:46,640 Speaker 6: because I wasn't in that episode and I just came 1164 01:00:46,680 --> 01:00:48,760 Speaker 6: back to do the next episode and they're like, oh, 1165 01:00:48,840 --> 01:00:49,600 Speaker 6: Mark and harradigone. 1166 01:00:50,000 --> 01:00:52,440 Speaker 3: No, I wondered why you didn't say goodbye, And it's 1167 01:00:52,440 --> 01:00:52,880 Speaker 3: bothered me. 1168 01:00:53,080 --> 01:00:56,760 Speaker 2: It's because you didn't say goodbye about that. 1169 01:00:57,120 --> 01:00:58,400 Speaker 3: It stayed with me a long. 1170 01:00:58,240 --> 01:01:00,880 Speaker 6: Time because I was, well, that's that week I was 1171 01:01:00,880 --> 01:01:01,960 Speaker 6: hanging out with Tom Selleck. 1172 01:01:02,240 --> 01:01:04,840 Speaker 2: Yeah, yeah, no, I have picture. 1173 01:01:04,960 --> 01:01:06,520 Speaker 3: I have pictures to you. 1174 01:01:06,760 --> 01:01:08,440 Speaker 6: But it was guy, I just came back and you 1175 01:01:08,520 --> 01:01:11,600 Speaker 6: guys were gone, wait what it happened. 1176 01:01:11,280 --> 01:01:14,120 Speaker 3: Too abruptly, And it's one of those it's you know, 1177 01:01:14,320 --> 01:01:17,200 Speaker 3: I don't want to say a regret. It wasn't maybe 1178 01:01:17,240 --> 01:01:20,400 Speaker 3: a well as well thought out a decision as maybe 1179 01:01:20,440 --> 01:01:23,320 Speaker 3: looking back, I would have liked. Although you know, again. 1180 01:01:24,120 --> 01:01:25,160 Speaker 1: You did the best you could. 1181 01:01:26,800 --> 01:01:29,160 Speaker 3: We did the best we could, but it all happened 1182 01:01:29,200 --> 01:01:31,600 Speaker 3: too quickly, for for for us, for being on a 1183 01:01:31,640 --> 01:01:36,000 Speaker 3: show for three years, four years and suddenly leaving like that. 1184 01:01:36,120 --> 01:01:37,440 Speaker 3: So you know, I guess you know. 1185 01:01:37,440 --> 01:01:39,880 Speaker 1: The baseball team was never the same without baseball. 1186 01:01:39,880 --> 01:01:44,080 Speaker 3: Wasn't the same field. I guarded that, I guarded that fence. 1187 01:01:44,640 --> 01:01:46,840 Speaker 2: You did, okay, golden glove, golden. 1188 01:01:46,560 --> 01:01:50,080 Speaker 3: Gloves and glove, eyes closed, eyes open. I was there. 1189 01:01:52,760 --> 01:01:55,240 Speaker 1: Did you ever think at the time that you were 1190 01:01:55,240 --> 01:01:59,040 Speaker 1: on Boy Meets World that thirty years later we would 1191 01:01:59,080 --> 01:02:00,840 Speaker 1: still be talking about at it and it would still 1192 01:02:00,840 --> 01:02:01,440 Speaker 1: be relevant. 1193 01:02:02,360 --> 01:02:07,120 Speaker 3: No. Yeah, that's the beauty of this. That's the same thing. 1194 01:02:07,240 --> 01:02:10,960 Speaker 3: That's the lesson for you know, for people out there. 1195 01:02:11,120 --> 01:02:13,000 Speaker 3: It's just it's just, you know, we all did our 1196 01:02:13,040 --> 01:02:16,520 Speaker 3: best and it was special because the emotional element, the 1197 01:02:16,600 --> 01:02:20,200 Speaker 3: dramatic element, so we knew we knew it was special. 1198 01:02:20,240 --> 01:02:22,120 Speaker 3: And I'm not gonna lie. I don't know that I 1199 01:02:22,160 --> 01:02:23,480 Speaker 3: appreciated that part of it. 1200 01:02:24,400 --> 01:02:26,760 Speaker 6: I don't think any of us did, to be honest 1201 01:02:26,760 --> 01:02:29,880 Speaker 6: with you, thank you, But it's true, and we talk 1202 01:02:29,920 --> 01:02:30,680 Speaker 6: about that all the time. 1203 01:02:30,680 --> 01:02:32,360 Speaker 2: We didn't. None of us knew what we had. None 1204 01:02:32,400 --> 01:02:34,560 Speaker 2: of us appreciated it as much as we should have. 1205 01:02:35,000 --> 01:02:37,480 Speaker 2: But that's also just being young. When do you appreciate 1206 01:02:37,480 --> 01:02:38,520 Speaker 2: anything when you're that age. 1207 01:02:38,880 --> 01:02:40,000 Speaker 5: Well, Howard, wasn't that young. 1208 01:02:41,520 --> 01:02:44,600 Speaker 3: I've always been this this always. 1209 01:02:44,520 --> 01:02:46,720 Speaker 2: You kind of have you? 1210 01:02:47,720 --> 01:02:50,320 Speaker 3: Yeah, look the same, look the same. I look like this. 1211 01:02:50,400 --> 01:02:53,000 Speaker 3: I've grown into this a little bit more, you know. 1212 01:02:53,080 --> 01:02:55,840 Speaker 3: For those you can't see, it's the silver fox thing 1213 01:02:55,880 --> 01:02:59,080 Speaker 3: is kind of almost yeah, yeah, I like it. 1214 01:02:59,440 --> 01:03:02,560 Speaker 1: Well, Howard, thank you, Thank you so much for being 1215 01:03:02,600 --> 01:03:04,680 Speaker 1: our seven hundred and sixty fifth guest. 1216 01:03:04,960 --> 01:03:06,160 Speaker 3: You know what, it's an honor. 1217 01:03:06,680 --> 01:03:07,720 Speaker 1: You lived up to it. 1218 01:03:08,080 --> 01:03:10,040 Speaker 3: I mean, yeah, it's worth I've been sitting at the 1219 01:03:10,120 --> 01:03:11,960 Speaker 3: zoom for the years. 1220 01:03:13,720 --> 01:03:18,400 Speaker 4: Just waiting for the badly, just waiting for the ball, being. 1221 01:03:18,200 --> 01:03:20,440 Speaker 3: The little pig, and when the little pig got called, 1222 01:03:20,480 --> 01:03:25,720 Speaker 3: it hurt a little bit. I'm here and I appreciate 1223 01:03:25,800 --> 01:03:29,560 Speaker 3: this so much. And you know, if you ever hear 1224 01:03:29,680 --> 01:03:32,400 Speaker 3: little bells going off, it's people talking about you and 1225 01:03:32,480 --> 01:03:33,240 Speaker 3: our little DELI. 1226 01:03:34,440 --> 01:03:37,720 Speaker 1: Can we please come visit you in Buzzy Yes, yes, 1227 01:03:37,880 --> 01:03:39,439 Speaker 1: of course we'd like to come visit. 1228 01:03:40,280 --> 01:03:41,760 Speaker 3: They'll be lining up, are you kidding? 1229 01:03:41,920 --> 01:03:44,080 Speaker 1: It'll be on the front page of Buzzies Dot see. 1230 01:03:46,920 --> 01:03:51,480 Speaker 3: Me and greet me a meet and greet. 1231 01:03:51,840 --> 01:03:54,160 Speaker 2: Thank you, there you go. Thank you guys so much. 1232 01:03:54,200 --> 01:03:57,480 Speaker 3: I really appreciate it. You. This was a lot of 1233 01:03:57,480 --> 01:04:01,160 Speaker 3: fun and continued obviously six. Yes, you guys are great 1234 01:04:01,200 --> 01:04:02,960 Speaker 3: and so much fun to listen to. 1235 01:04:03,120 --> 01:04:05,480 Speaker 1: So thank you, Thank you so much. Howard. It was 1236 01:04:05,520 --> 01:04:07,000 Speaker 1: great to see you. We'll see you at Buzzi's. 1237 01:04:07,680 --> 01:04:07,840 Speaker 4: OK. 1238 01:04:08,600 --> 01:04:09,640 Speaker 1: Bye. 1239 01:04:10,120 --> 01:04:10,440 Speaker 4: Man. 1240 01:04:11,040 --> 01:04:12,000 Speaker 1: He's funny. 1241 01:04:12,280 --> 01:04:13,440 Speaker 3: He is so funny. 1242 01:04:13,560 --> 01:04:16,480 Speaker 6: He's got that kind of dry self deprecating thing that 1243 01:04:16,520 --> 01:04:17,840 Speaker 6: I love, same kind. 1244 01:04:17,680 --> 01:04:20,080 Speaker 1: Of self deprecating, but he's also deprecating. 1245 01:04:22,840 --> 01:04:25,240 Speaker 4: But he's one of those guys like I love I 1246 01:04:25,320 --> 01:04:27,280 Speaker 4: love it when he's like I was more about the 1247 01:04:27,360 --> 01:04:29,720 Speaker 4: room because he did not break. 1248 01:04:29,520 --> 01:04:30,040 Speaker 2: Up that much. 1249 01:04:30,320 --> 01:04:33,160 Speaker 4: He was very unassuming, especially compared to blud Man, because 1250 01:04:33,160 --> 01:04:35,440 Speaker 4: bluff Man was like always hanging out with me, like 1251 01:04:35,520 --> 01:04:38,919 Speaker 4: talking to me and like and you know, just one 1252 01:04:38,960 --> 01:04:41,760 Speaker 4: of us in a way, and Howard was always there. 1253 01:04:42,040 --> 01:04:44,200 Speaker 5: And but I don't I didn't connect with him. 1254 01:04:44,240 --> 01:04:46,240 Speaker 4: And now I'm like, man, I would love to know 1255 01:04:46,400 --> 01:04:49,520 Speaker 4: Howard because I totally missed you know you went with 1256 01:04:49,760 --> 01:04:52,080 Speaker 4: especially at that age is like fifteen, I went to 1257 01:04:52,080 --> 01:04:54,160 Speaker 4: whoever was the biggest personality. 1258 01:04:53,600 --> 01:04:55,000 Speaker 1: Talking totally do you know what I mean? 1259 01:04:55,160 --> 01:04:59,400 Speaker 4: And so somebody like Howard, who's like wit and intelligence. 1260 01:04:58,840 --> 01:05:00,480 Speaker 5: Was sort of more back rounded. 1261 01:05:00,600 --> 01:05:02,080 Speaker 2: I wouldn't have leaned into. 1262 01:05:01,840 --> 01:05:03,280 Speaker 5: Because I just didn't think like that. 1263 01:05:03,320 --> 01:05:04,880 Speaker 4: It was just like, Oh, I just listened to whoever's 1264 01:05:04,880 --> 01:05:08,160 Speaker 4: talking to me, So yeah, I'd love to get up 1265 01:05:08,160 --> 01:05:10,439 Speaker 4: there and have a sandwich at. 1266 01:05:10,360 --> 01:05:14,160 Speaker 5: His deli in that really would be so fun so funny. 1267 01:05:14,280 --> 01:05:17,160 Speaker 1: Geez well, thank you all for listening to this episode 1268 01:05:17,160 --> 01:05:19,080 Speaker 1: of Pod Meets World. As always, you can follow us 1269 01:05:19,080 --> 01:05:21,320 Speaker 1: on Instagram pod Meets World Show. You can send us 1270 01:05:21,320 --> 01:05:24,200 Speaker 1: your emails Podmeets World Show at gmail dot com and 1271 01:05:24,400 --> 01:05:25,440 Speaker 1: we have got merch. 1272 01:05:26,080 --> 01:05:27,640 Speaker 2: Tom Hanks doesn't need a sandwich. 1273 01:05:27,680 --> 01:05:33,120 Speaker 1: March I do meets the World show dot com will 1274 01:05:33,240 --> 01:05:33,840 Speaker 1: send us out. 1275 01:05:34,240 --> 01:05:35,920 Speaker 2: We love you all, pod dismissed. 1276 01:05:37,120 --> 01:05:39,840 Speaker 6: Pod Meets World is nheart podcast producer and hosted by 1277 01:05:39,920 --> 01:05:44,040 Speaker 6: Danielle Fischel, Wilfordell and Ryder Strong Executive producers Jensen Carp 1278 01:05:44,120 --> 01:05:47,400 Speaker 6: and Amy Sugarman. Executive in charge of production, Danielle Romo, 1279 01:05:47,720 --> 01:05:52,000 Speaker 6: producer and editor, Tara sudbachsch producer, Maddy Moore, engineer and 1280 01:05:52,000 --> 01:05:54,680 Speaker 6: boy Meets World super fan Easton Allen. Our theme song 1281 01:05:54,720 --> 01:05:56,760 Speaker 6: is by Kyle Morton of Typhoon, and you can follow 1282 01:05:56,840 --> 01:05:59,560 Speaker 6: us on Instagram at podmeets World Show or email us 1283 01:05:59,560 --> 01:06:03,560 Speaker 6: at Pods World Show at gmail dot com.