WEBVTT - INTERVIEW: Little Brother Speaks On Early Beginnings, 9th Wonder, Documentary + More

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<v Speaker 1>Wait till answer up in the morning, The Breakfast Club Morning.

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<v Speaker 2>Everybody's thej Envy Jess Hilarious, Charlamage, the guy. We are

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<v Speaker 2>the Breakfast Club. We got some special guests in the building.

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<v Speaker 1>Yes, indeed we got Little brother absolutely.

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<v Speaker 3>Big Pool.

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<v Speaker 4>How y'all brother's feeling Man good Man were alive, so

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<v Speaker 4>you can afore thankful, thankful they got the new documentary,

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<v Speaker 4>Made a Lord Watch the Little Brother's Story.

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<v Speaker 1>Why that title, I mean, first it we started this

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<v Speaker 1>when we were making the album Made a Little Watch

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<v Speaker 1>twenty eighteen, twenty eighteen, So this was kind of like

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<v Speaker 1>to bring into that era and it just made sense.

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<v Speaker 1>It just really made sense, like thinking about everything that

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<v Speaker 1>we kind of went through and survived, the Lord had

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<v Speaker 1>to be watching over us. There was no other fucking explanation.

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<v Speaker 1>I So no, man, that was just kind of felt

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<v Speaker 1>just felt like a conclusion of that chapter. And yeah,

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<v Speaker 1>five years in the making. Man. So it's out now

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<v Speaker 1>on YouTube.

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<v Speaker 2>But let's let's talk from the begin and for people

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<v Speaker 2>that don't know who Little Brothers and how you got

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<v Speaker 2>together and how you met, which is pretty dope.

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<v Speaker 1>You your brothers met at HBCU. Absolutely Carolina unc University.

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<v Speaker 1>Shout out Eagle pride, This Durma Carolina nineteen Well, I

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<v Speaker 1>came in ninety seven. I came in ninety eight. We

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<v Speaker 1>met in ninety eight. In ninety eight where we met.

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<v Speaker 2>You're from Rialley, Virginia. From Virginia to Old Diminion's supposed

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<v Speaker 2>to go to. My wife went to Older Minion. She

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<v Speaker 2>graduated mo Old Dominion. That's that's how I know I.

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<v Speaker 1>Still got my ID from when I went to orientation.

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<v Speaker 1>You still got the ID.

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<v Speaker 3>I want to tell your mama though, why you why

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<v Speaker 3>you waited till the day.

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<v Speaker 1>Before exaggerated fam. It wasn't the day before, it was

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<v Speaker 1>a week before. Nah, I mean that was that was

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<v Speaker 1>my first big decision, as you know, an eighteen year

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<v Speaker 1>old was was making that decision. And I mean she

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<v Speaker 1>let me make the decision for myself. But it's still

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<v Speaker 1>my mom, you know what I mean. Like I don't

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<v Speaker 1>cuss in front of my mama to this day, you

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<v Speaker 1>know what I mean. But nah, I mean, but still

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<v Speaker 1>it's just it's one of the things like I have

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<v Speaker 1>a healthy fear. My mom is so.

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<v Speaker 5>Healthy healthy fear.

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<v Speaker 1>My mom got Napoleon complex man, She not.

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<v Speaker 2>Like HBCUs because I mean, you go to it was free.

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<v Speaker 1>It wasn't the HBCU thing. It was the I was

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<v Speaker 1>gonna be staying with living with my uncle, so her brother.

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<v Speaker 1>So she knew, like, Yo, you're good, good, You're down

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<v Speaker 1>there with family. None of us had been to Durham,

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<v Speaker 1>North Carolina. None of us had heard of North Carolina Central.

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<v Speaker 1>So for her it was just a shock, like what

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<v Speaker 1>what where you going? I thought you was gonna be

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<v Speaker 1>you know where I had a hand on you. So

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<v Speaker 1>she went to that. Nah, my mom didn't go to college.

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<v Speaker 1>She went to she went to nursing school, go to college.

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<v Speaker 1>But so yeah, so it was just one of the

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<v Speaker 1>things where it happened. I literally got in Central. It

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<v Speaker 1>happened in like a week, you know what I'm saying.

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<v Speaker 1>Like the whole process from asking to do you want

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<v Speaker 1>to go to me doing paperwork and it happened in

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<v Speaker 1>like a week. So it was just moving and I

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<v Speaker 1>was like, oh, ship, I'm in there. I'm going Okay,

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<v Speaker 1>now I gotta tell me mom.

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<v Speaker 3>I would think she'd be happy.

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<v Speaker 1>She was happy, that's the thing, Like she was happy

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<v Speaker 1>for me. But it was just the thing of this

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<v Speaker 1>isn't where we thought you were. This wasn't plan I had,

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<v Speaker 1>this is this is your plan now now I think

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<v Speaker 1>it was the realization of it goes from my plan

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<v Speaker 1>for you to your plan for you control anymore. And

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<v Speaker 1>I'm her you know, I'm her youngest son. So it

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<v Speaker 1>was just one of the things of like ship, I

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<v Speaker 1>gotta let go now, and so that's what it was.

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<v Speaker 2>So he got to college and you guys met each other.

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<v Speaker 2>So talk about that process. How you guys met. I

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<v Speaker 2>know a lot of this is actually domary, but how

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<v Speaker 2>you guys met and what attracted you guys together and

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<v Speaker 2>then you started this rap group that became underground Legends.

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<v Speaker 1>Man, it was, uh, it was very organic. I met

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<v Speaker 1>pool well first, I met ninth. We met uh what

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<v Speaker 1>we I think I met? We met first ninety eight? Yeah,

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<v Speaker 1>we met night. Yeah, so yeah, we met through a

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<v Speaker 1>mutual friend. Uh nine was on campus and and he

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<v Speaker 1>was we was moving in the dorm. Like we saw

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<v Speaker 1>each other from the dorm and uh over Source magazine

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<v Speaker 1>we started chopping up all this is in the dock.

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<v Speaker 1>But long story short, we basically just kind of started,

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<v Speaker 1>you know, working together. This was at a time when

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<v Speaker 1>you know, it was at the time this is like

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<v Speaker 1>ninety eight, So this is when no limit is like

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<v Speaker 1>killing everything, especially up. Yeah, so hbce you no limit

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<v Speaker 1>at Like the Ghetto d album dropped my freshman year,

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<v Speaker 1>that was all you heard in every room, like we

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<v Speaker 1>was bumping that shit. Nonock body listen what listen man?

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<v Speaker 1>We ran ghetto dope. So but so everybody was pumping that.

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<v Speaker 1>So if you were a kid that was into like

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<v Speaker 1>raucous or soundbomb, like, you know, meeting someone else that

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<v Speaker 1>was into that that was kind of rare, you know

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<v Speaker 1>what I mean. So when you met somebody that was

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<v Speaker 1>on that same wave, if it's like, oh shit, I

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<v Speaker 1>found my people. So we just kind of linked up

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<v Speaker 1>and just started making records and people are out there.

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<v Speaker 2>When he said Ruckus Ruckus record, you got to tell

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<v Speaker 2>him because somebody potentializing because this was the label that

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<v Speaker 2>you know, I would lyrical, miracle, spiritual.

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<v Speaker 1>Very criminal, umbilical, that type of thing.

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<v Speaker 3>You can't help it break down, they said, rockets.

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<v Speaker 1>Somebody might not know what it was. You know, it

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<v Speaker 1>was very much. They were like it was an underground label,

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<v Speaker 1>but it was you know, I mean most quality. You know,

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<v Speaker 1>it was like pretty much all Eminem was on Rocket

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<v Speaker 1>sound Bomb. Yeah. So so they were just you know,

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<v Speaker 1>putting out amazing stuff that we really enjoyed, and so

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<v Speaker 1>we just kind of started making records, put some stuff

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<v Speaker 1>up on the internet, and uh, you.

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<v Speaker 6>Just sounds like today. I don't know, how would you

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<v Speaker 6>describe it sound today like now?

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<v Speaker 1>It's not the same, it's not the same, but it's

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<v Speaker 1>still us. It's still us. It's weird, it's like our

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<v Speaker 1>sound has evolved musically, but it's still sound like Little Brothers,

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<v Speaker 1>like one I had after our last album came out

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<v Speaker 1>maylod Watch and then we just put out two singles

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<v Speaker 1>last October October with Wish Me Well in Glory, Glory

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<v Speaker 1>September September, September I'm Bad. And one of the biggest

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<v Speaker 1>compliments we got was that somebody said, Yo, I can

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<v Speaker 1>make an LB playlist from y'all stuff twenty years ago

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<v Speaker 1>to now, and it sounds like y'all haven't missed a beat.

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<v Speaker 1>I can't tell that it's dated. It doesn't sound it

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<v Speaker 1>still sounds timeless, and that was something I think we

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<v Speaker 1>always strive for. So that's if I had describe it,

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<v Speaker 1>I would just say it's timeless.

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<v Speaker 4>Can I ask you a question about just being from

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<v Speaker 4>the South. When you first it is random. When you

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<v Speaker 4>first heard Ghetto Dope, right then, you think it was

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<v Speaker 4>kind of blaspheming.

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<v Speaker 3>It's just a little bit, just a little yo. I

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<v Speaker 3>love the song.

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<v Speaker 1>I was yelling too hard man, right right, dude, man man,

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<v Speaker 1>I played man ghetto Dope that I played. We ran

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<v Speaker 1>that whole album trying to do something that Moby Dick

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<v Speaker 1>was doing all the hooks I could. I was the rappers.

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<v Speaker 3>You paused worthy people, this is the album.

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<v Speaker 1>Oh no, that's explainable with bourbons and lax uh weak

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<v Speaker 1>man comment. We ran the album left the right man,

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<v Speaker 1>So nah, it was we didn't really. I didn't think

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<v Speaker 1>of it as blasphemous. I just thought it was I

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<v Speaker 1>looked at his peep paying homage to that era, you

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<v Speaker 1>know what I'm saying, paying homage to Ride and all

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<v Speaker 1>of them. So I love that album.

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<v Speaker 2>But you guys also came out in the era where

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<v Speaker 2>the DJ and the producer was part of the group, right, yeah, yeah, sure,

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<v Speaker 2>whether it was of course running m c J J,

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<v Speaker 2>Fresh Prince and Jazzy Jeff step Ninth Wonder was part

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<v Speaker 2>of Little Brother in the beginning. Yeah, he's not here now,

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<v Speaker 2>So what's the relationship with ninth wonders? They're no more relationship.

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<v Speaker 1>There's no more relationship. But there's no no. I mean

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<v Speaker 1>we talked about it in the dot, but no, we're

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<v Speaker 1>just separate entities, you know what I'm saying. That we

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<v Speaker 1>came in the game together, but we're little brother, he's

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<v Speaker 1>ninth one, and we're just separate entity that we coexist peacefully,

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<v Speaker 1>you know what I mean. And that's just what it is.

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<v Speaker 4>But I didn't participate in the doctor because I mean,

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<v Speaker 4>this is the little brother's story.

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<v Speaker 1>That's a question for him.

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<v Speaker 4>Yeah, yeah, you know, but like I would like to

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<v Speaker 4>have heard his perspective of it now as what did

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<v Speaker 4>y'all reach out to it?

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<v Speaker 1>We absolutely, yeah, we reached out, you know what I'm saying.

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<v Speaker 1>Made it clear that you know, it wasn't this wasn't

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<v Speaker 1>gonna be a hit piece. We wasn't coming for nobody next.

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<v Speaker 1>You know, we're just telling our story in just a beautiful,

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<v Speaker 1>honest way, and he just shows me how to participate,

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<v Speaker 1>and that's his right too.

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<v Speaker 4>I feel like y'all set them up nights, especially when

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<v Speaker 4>you first told the early story about I forgot what

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<v Speaker 4>album it was. But it was an album I think

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<v Speaker 4>it was awful rock, yeah, right, produced by DJ Premier,

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<v Speaker 4>and he was like, yo, that's what I want to

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<v Speaker 4>be in one of y'all encourage him, like, yo, you can.

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<v Speaker 1>Be that absolutely absolutely. Yeah. Man, we were always I mean,

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<v Speaker 1>we're coming up. I mean, you gotta keep in mind, like, dude,

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<v Speaker 1>we like nineteen twenty years old. You know what I'm saying.

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<v Speaker 1>I mean we you know, we're just trying to figure

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<v Speaker 1>out let alone, trying to figure out how to be artists,

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<v Speaker 1>I figure out how to be men. Yeah, you know

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<v Speaker 1>what I mean. Like, so, you know, trying to figure

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<v Speaker 1>out all that stuff at the same time. I mean, man,

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<v Speaker 1>it's you know, it's it's tough. So but yeah, but

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<v Speaker 1>we tried to tell the story just as honestly as

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<v Speaker 1>you as we could. And but you know, we can't

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<v Speaker 1>speak for another person. We can only tell our experience,

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<v Speaker 1>and so he chose not to And that's is right.

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<v Speaker 6>What made y'all want to do the documentary right now?

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<v Speaker 6>Is it anything other than the fact that y'all.

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<v Speaker 1>Years in the game, I mean twenty years but uh now,

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<v Speaker 1>I mean we talked about it. We just wanted to

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<v Speaker 1>tell our story, our way. You know. We didn't want

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<v Speaker 1>it to be uh, you know, unsung or told by

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<v Speaker 1>somebody else, you know what I mean, or you know,

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<v Speaker 1>so they can pick their angle, their slant or whatever.

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<v Speaker 1>And we wanted to be our story, our voices, our way,

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<v Speaker 1>and so we said, let's do it, and we just

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<v Speaker 1>started the journey. We didn't know what we was doing,

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<v Speaker 1>but we started the journey twenty eighteen, and it just

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<v Speaker 1>took us time to kind of figure out the story

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<v Speaker 1>we wanted to tell and how we wanted to tell it.

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<v Speaker 1>And I think the pandemic actually helped us trum endlessly

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<v Speaker 1>because that version of the movie now is that's the

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<v Speaker 1>third version trying to try to knock it down, and

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<v Speaker 1>it's just very It's something that you know, with documentaries,

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<v Speaker 1>I mean, they're tough, and I think a lot of

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<v Speaker 1>filmmakers they would try to do docs because they think

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<v Speaker 1>that it's easier because you're telling a factual story, you

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<v Speaker 1>know what I mean. But it's like, even if you're

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<v Speaker 1>telling a factual story, it still has to be compelling

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<v Speaker 1>and you still have to arrange those facts in a

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<v Speaker 1>compelling way, because if you're just telling facts, that's not

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<v Speaker 1>a movie that's a fucking book report, Like nobody wants

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<v Speaker 1>to see that, you know what I mean, You have

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<v Speaker 1>to give a story. And so our partners on it,

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<v Speaker 1>Holland Gallagher who's our director, and jo Phillips who's our writer,

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<v Speaker 1>they really were our partners in it, and they're younger

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<v Speaker 1>than us, and so we thought it was important to

0:10:48.880 --> 0:10:52.000
<v Speaker 1>have people who were from a different generation to kind

0:10:52.000 --> 0:10:53.800
<v Speaker 1>of catch a lot of the blind spots that we

0:10:54.040 --> 0:10:57.600
<v Speaker 1>make not have solved, and we thought that was important,

0:10:57.640 --> 0:11:00.240
<v Speaker 1>and so they came in and they really helped kind

0:11:00.240 --> 0:11:02.440
<v Speaker 1>of shape the narrative because they were looking at this

0:11:02.559 --> 0:11:04.480
<v Speaker 1>they weren't super fans of us, and that was something

0:11:04.480 --> 0:11:07.320
<v Speaker 1>that we did not want. We didn't want someone that

0:11:07.559 --> 0:11:11.200
<v Speaker 1>was the ultimate Little Brother fan making this movie because

0:11:11.240 --> 0:11:14.000
<v Speaker 1>they feel like they already know the story and if they,

0:11:14.280 --> 0:11:16.360
<v Speaker 1>you know, you you dead in the water then and

0:11:16.440 --> 0:11:19.200
<v Speaker 1>that's just not the way documentary works. So they really

0:11:19.240 --> 0:11:21.480
<v Speaker 1>came in and were able to just you know, tell,

0:11:21.600 --> 0:11:24.160
<v Speaker 1>We told our stories, We did our interviews, the interviews,

0:11:24.160 --> 0:11:28.280
<v Speaker 1>we shot our personal interviews everyone else. We gave the

0:11:28.360 --> 0:11:31.760
<v Speaker 1>questions beforehand, like cause you know, it's you know, my

0:11:31.800 --> 0:11:35.319
<v Speaker 1>grandmother rest in peace. Our mother's homies. You know what

0:11:35.320 --> 0:11:37.160
<v Speaker 1>I'm saying. It's not like you're working with actors. You

0:11:37.240 --> 0:11:39.319
<v Speaker 1>working with people, you know what I mean. So you

0:11:39.400 --> 0:11:41.640
<v Speaker 1>got to give them time to kind of think what

0:11:41.679 --> 0:11:43.680
<v Speaker 1>you want to say. So we gave them all the

0:11:43.960 --> 0:11:46.320
<v Speaker 1>questions beforehand, and then when it came time for me

0:11:46.320 --> 0:11:49.040
<v Speaker 1>in Pooh interview, we told Holland and Yo, like, yo, bro,

0:11:49.400 --> 0:11:51.920
<v Speaker 1>we don't want nothing, just get in get in here.

0:11:52.080 --> 0:11:55.560
<v Speaker 1>Whatever you ask one take one shot. That's what it is.

0:11:55.720 --> 0:11:58.120
<v Speaker 1>And so that's that's that's what y'all got.

0:11:58.160 --> 0:12:00.640
<v Speaker 2>You see evolution in it. I mean you see dark

0:12:00.720 --> 0:12:03.800
<v Speaker 2>skinning Leonard in there, absolutely.

0:12:04.559 --> 0:12:10.959
<v Speaker 1>Living with the hair like that sounds like he was

0:12:11.760 --> 0:12:12.040
<v Speaker 1>like look.

0:12:12.120 --> 0:12:13.240
<v Speaker 5>I was like, oh my god, you look like one

0:12:13.240 --> 0:12:13.559
<v Speaker 5>of the kids.

0:12:13.760 --> 0:12:21.839
<v Speaker 1>Lean on me. What's the club? What year was that too?

0:12:22.640 --> 0:12:25.719
<v Speaker 1>That was as show? That was a five five? It

0:12:25.840 --> 0:12:27.840
<v Speaker 1>was five, I remember it was a five. That was

0:12:27.840 --> 0:12:29.880
<v Speaker 1>the on We talked about it briefly on q LS,

0:12:30.000 --> 0:12:33.400
<v Speaker 1>but yeah, that was the only interview that I missed

0:12:33.640 --> 0:12:36.199
<v Speaker 1>because when we had to do that that run, I

0:12:36.240 --> 0:12:38.079
<v Speaker 1>think your son, Yeah, that was when my son, the

0:12:38.160 --> 0:12:40.040
<v Speaker 1>son was born. So it was just me and Knife

0:12:40.720 --> 0:12:43.240
<v Speaker 1>on that run every time I see that, I think

0:12:43.280 --> 0:12:46.080
<v Speaker 1>about it, because I wouldn't as polished as I am

0:12:46.120 --> 0:12:56.600
<v Speaker 1>now doing interviews. I was like, b T, I.

0:12:56.559 --> 0:12:59.559
<v Speaker 2>Don't know I'm gonna work there, irying to dance around.

0:13:01.040 --> 0:13:07.280
<v Speaker 1>I ain't worked there. What it was like? Nah no, No,

0:13:07.440 --> 0:13:09.120
<v Speaker 1>that was that was funny. That was that was blast

0:13:09.160 --> 0:13:12.600
<v Speaker 1>from the past. It was five. It was on five.

0:13:12.880 --> 0:13:14.600
<v Speaker 2>So when ninth one that got the call from Hole

0:13:14.679 --> 0:13:17.480
<v Speaker 2>to work with him and Hope started doing production, do

0:13:17.520 --> 0:13:21.280
<v Speaker 2>you think that production area kind of dismantled the group

0:13:21.320 --> 0:13:21.559
<v Speaker 2>a lot?

0:13:21.800 --> 0:13:25.520
<v Speaker 1>Absolutely not. Nah No, Man, like we we we was happy.

0:13:25.520 --> 0:13:27.160
<v Speaker 1>We was excited for him, you know, I mean, like

0:13:27.720 --> 0:13:29.840
<v Speaker 1>ship we got to go to baseline and hear it

0:13:29.840 --> 0:13:32.079
<v Speaker 1>before it came out there with Hole and all that.

0:13:32.120 --> 0:13:35.360
<v Speaker 1>But nah, we was we knew it. That's a big opportunity.

0:13:35.400 --> 0:13:37.160
<v Speaker 1>It is fucking jay z, you know what I mean, Like,

0:13:37.520 --> 0:13:40.040
<v Speaker 1>come on, man, you want stuff for your team like

0:13:40.080 --> 0:13:42.480
<v Speaker 1>you want you know, if you know, studying hip hop,

0:13:42.520 --> 0:13:45.000
<v Speaker 1>most of the big producers they get their starting groups.

0:13:45.400 --> 0:13:47.560
<v Speaker 1>So we just saw it's just a natural progression, you

0:13:47.559 --> 0:13:49.400
<v Speaker 1>know what I mean. So yeah, it was amazing just

0:13:49.400 --> 0:13:52.840
<v Speaker 1>to know that, you know, one of your homies can

0:13:53.080 --> 0:13:55.680
<v Speaker 1>make a beat. On his laptop and it ends up

0:13:56.160 --> 0:13:58.360
<v Speaker 1>with jay Z rapping over. I mean that ship was like,

0:13:58.360 --> 0:14:00.360
<v Speaker 1>oh my, like what you know what I'm saying, And

0:14:00.400 --> 0:14:04.440
<v Speaker 1>it really it really for us was for me, it

0:14:04.520 --> 0:14:07.720
<v Speaker 1>was a sign of the kind of the changing of

0:14:07.760 --> 0:14:12.520
<v Speaker 1>the guard in terms of what constituted studio quality, you know,

0:14:12.520 --> 0:14:14.320
<v Speaker 1>because for a long time, you know, you had to

0:14:14.440 --> 0:14:17.280
<v Speaker 1>have When people thought of a studio, they thought of

0:14:17.280 --> 0:14:19.520
<v Speaker 1>it as like, okay, it's this big, the big boards

0:14:19.560 --> 0:14:22.200
<v Speaker 1>and like these big you know, big consoles and big

0:14:22.240 --> 0:14:26.240
<v Speaker 1>speakers and everything, and beat makers were pretty much thought

0:14:26.280 --> 0:14:30.040
<v Speaker 1>of as you know, like hardware. But for him to

0:14:30.120 --> 0:14:32.640
<v Speaker 1>make something, you know, on a laptop, I mean that

0:14:32.760 --> 0:14:35.760
<v Speaker 1>was the beginning of software. You know. He really pioneered that,

0:14:35.840 --> 0:14:38.040
<v Speaker 1>you know what I mean. So now with him with

0:14:38.080 --> 0:14:40.520
<v Speaker 1>fruity loops and now, I mean that's pretty much kind

0:14:40.520 --> 0:14:43.400
<v Speaker 1>of the standard with cats making records on machine and

0:14:43.840 --> 0:14:46.960
<v Speaker 1>ableton and stuff like that, and so it really was

0:14:47.560 --> 0:14:49.480
<v Speaker 1>it was validation for us. I mean, we made our

0:14:49.520 --> 0:14:52.920
<v Speaker 1>first album literally in you know, a friend's apartment, you

0:14:52.960 --> 0:14:54.600
<v Speaker 1>know what I'm saying with the mic, like the mic

0:14:54.640 --> 0:14:56.480
<v Speaker 1>we recorded listening, it wasn't as good as this mike.

0:14:56.560 --> 0:14:59.680
<v Speaker 1>It wasn't even this. It was like a little like

0:14:59.680 --> 0:15:02.920
<v Speaker 1>a little three hundred dollars carnival. Yeah, yeah, we had

0:15:02.920 --> 0:15:06.280
<v Speaker 1>like a little little joint on it, but described yeah,

0:15:06.440 --> 0:15:08.200
<v Speaker 1>that was what it was. And you know what I mean.

0:15:08.240 --> 0:15:11.080
<v Speaker 1>And so but we did it. And I guess the

0:15:11.320 --> 0:15:13.760
<v Speaker 1>lesson for me was just that, you know, as long

0:15:13.800 --> 0:15:15.760
<v Speaker 1>as you have a taste, there is there aren't really

0:15:15.800 --> 0:15:17.600
<v Speaker 1>no rules in music. You just have to have a

0:15:17.600 --> 0:15:20.600
<v Speaker 1>degree of taste that can translate to an audience and

0:15:20.640 --> 0:15:22.440
<v Speaker 1>if you can make it make sense to them and

0:15:22.480 --> 0:15:24.840
<v Speaker 1>they get it, and that's really all you need. And

0:15:25.080 --> 0:15:27.000
<v Speaker 1>we were able to do that with very limited means.

0:15:27.080 --> 0:15:29.920
<v Speaker 1>And so I'm just I'm just thankful. Why why why?

0:15:30.000 --> 0:15:30.440
<v Speaker 3>YouTube?

0:15:30.560 --> 0:15:32.000
<v Speaker 4>That was the other thing I was wondering, Like, you know,

0:15:32.000 --> 0:15:34.800
<v Speaker 4>did y'all even try to shop into like who Netflix?

0:15:34.800 --> 0:15:40.080
<v Speaker 1>Anybodyuh? The writers of Stranger Things were on strike, nah,

0:15:40.080 --> 0:15:44.360
<v Speaker 1>I mean in love Craft Countries on TV absolutely today.

0:15:44.440 --> 0:15:49.560
<v Speaker 1>Yeah you know what I mean. I did Apollott Marathon

0:15:49.600 --> 0:15:53.520
<v Speaker 1>the other night, like straight out of comptent on TV. Yeah.

0:15:54.120 --> 0:15:56.800
<v Speaker 1>I think for us because people always ask that question, right,

0:15:57.320 --> 0:16:00.360
<v Speaker 1>and first to start off as a joke like this

0:16:00.400 --> 0:16:03.000
<v Speaker 1>shit up on YouTube, but then we start thinking about

0:16:03.000 --> 0:16:05.240
<v Speaker 1>it like, that's exactly that's what it's going.

0:16:05.320 --> 0:16:05.400
<v Speaker 3>Like.

0:16:06.000 --> 0:16:08.920
<v Speaker 1>I know seven year olds who stay on YouTube. I

0:16:08.960 --> 0:16:11.440
<v Speaker 1>know sixty nine year olds who stay on YouTube. So

0:16:11.520 --> 0:16:13.560
<v Speaker 1>for us, it was just like, all this shit is

0:16:13.600 --> 0:16:16.320
<v Speaker 1>on the internet. It's all the same the internet to

0:16:16.360 --> 0:16:19.840
<v Speaker 1>the same Internet. So the objective here was I was

0:16:19.840 --> 0:16:22.520
<v Speaker 1>talking to a homier mine. I was just like, you know,

0:16:22.600 --> 0:16:24.240
<v Speaker 1>He's like, yo, I got this project. I don't know

0:16:24.280 --> 0:16:26.480
<v Speaker 1>what I should do. I said, listen, what's your objective?

0:16:26.840 --> 0:16:29.680
<v Speaker 1>Are you trying to be validated by one of these companies?

0:16:30.080 --> 0:16:32.440
<v Speaker 1>Are you looking for the bag? Or do you want

0:16:32.480 --> 0:16:35.080
<v Speaker 1>people to see this shit? We wanted people to see

0:16:35.080 --> 0:16:38.880
<v Speaker 1>our documentary. So the easiest way is you can anybody

0:16:38.880 --> 0:16:40.480
<v Speaker 1>can go up on YouTube. You can watch You don't

0:16:40.520 --> 0:16:42.800
<v Speaker 1>gotta watch it in one seton and explain how my

0:16:42.880 --> 0:16:45.760
<v Speaker 1>mama had a log into YouTube. Everybody knows how to

0:16:45.800 --> 0:16:46.440
<v Speaker 1>go on YouTube.

0:16:46.480 --> 0:16:50.080
<v Speaker 5>You can watch it on the phone, our path.

0:16:50.160 --> 0:16:54.440
<v Speaker 1>Any anywhere. And then also what we saw because we

0:16:54.640 --> 0:16:58.640
<v Speaker 1>came into the industry of three when we signed the Atlantic,

0:16:59.000 --> 0:17:02.800
<v Speaker 1>we saw how the music industry was changing real time.

0:17:02.960 --> 0:17:05.520
<v Speaker 1>We was part of it. We're seeing the same thing

0:17:05.560 --> 0:17:08.960
<v Speaker 1>happen right now for film and television. Ain't nobody trying

0:17:08.960 --> 0:17:11.159
<v Speaker 1>to get caught up in that bullshit? Nah? Now, so

0:17:11.240 --> 0:17:13.080
<v Speaker 1>I'm not trying to be banging trying to get the

0:17:13.119 --> 0:17:15.960
<v Speaker 1>masters for my movie back in ten years, like getting

0:17:15.960 --> 0:17:17.800
<v Speaker 1>the fuck out of here, you know what i mean. So, yeah,

0:17:17.880 --> 0:17:21.760
<v Speaker 1>it was really you know, YouTube was it was the

0:17:21.800 --> 0:17:24.919
<v Speaker 1>only platform that spoke directly to the Little Brother's story,

0:17:25.040 --> 0:17:26.840
<v Speaker 1>you know what I'm saying. You know, we were one

0:17:26.840 --> 0:17:29.919
<v Speaker 1>of the first rap groups to go viral at a

0:17:29.960 --> 0:17:32.399
<v Speaker 1>time when no one even knew what that was or

0:17:32.440 --> 0:17:34.120
<v Speaker 1>even how to monetize it, you know what I'm saying,

0:17:34.119 --> 0:17:36.080
<v Speaker 1>because it was just so early, you know what I mean.

0:17:36.240 --> 0:17:38.679
<v Speaker 1>And so a big part of that had to do

0:17:38.720 --> 0:17:41.199
<v Speaker 1>with people being able to freely access our music, and

0:17:41.240 --> 0:17:44.040
<v Speaker 1>it was something that was shared. And we just thought

0:17:44.080 --> 0:17:47.240
<v Speaker 1>that our movie, you know, about our music and about

0:17:47.280 --> 0:17:50.160
<v Speaker 1>our lives, it had to be experienced in that same way.

0:17:50.320 --> 0:17:52.399
<v Speaker 1>You know. We put it out and you know, we

0:17:52.480 --> 0:17:54.879
<v Speaker 1>dropped it on Black Friday on YouTube, and you know,

0:17:54.920 --> 0:17:57.760
<v Speaker 1>we did the premiere on YouTube and my man shot,

0:17:57.840 --> 0:18:00.600
<v Speaker 1>my man, Devin Morrison, he hit me was like, yo, bro,

0:18:00.920 --> 0:18:02.800
<v Speaker 1>I'm about to stream this join on my Twitch channel.

0:18:02.800 --> 0:18:05.480
<v Speaker 1>Pull up, I said, helly, your nigga, let's go, you

0:18:05.520 --> 0:18:07.119
<v Speaker 1>know what I mean. So I jumped on this Twitch

0:18:07.200 --> 0:18:08.720
<v Speaker 1>you know what I mean, he's screening it. I'm in

0:18:08.800 --> 0:18:10.760
<v Speaker 1>the chat like knowledge is in the chat shot to

0:18:10.840 --> 0:18:13.840
<v Speaker 1>him like we all just chopping it up. And you know,

0:18:14.040 --> 0:18:16.520
<v Speaker 1>that was just a kind of communal experience that we

0:18:16.600 --> 0:18:18.560
<v Speaker 1>would not have been able to have had we tried

0:18:18.600 --> 0:18:20.240
<v Speaker 1>to do it in a traditional way, you know what

0:18:20.280 --> 0:18:22.960
<v Speaker 1>I mean Like that, you know that just really it

0:18:23.080 --> 0:18:25.479
<v Speaker 1>just felt true to who we were and who we are,

0:18:25.760 --> 0:18:28.000
<v Speaker 1>and so that was that was why we decided to

0:18:28.040 --> 0:18:28.520
<v Speaker 1>go with YouTube.

0:18:28.880 --> 0:18:30.880
<v Speaker 3>Even getting introduced to y'all via the internet.

0:18:30.960 --> 0:18:33.600
<v Speaker 4>You know, South Carolina was right there by North Carolina,

0:18:33.720 --> 0:18:36.919
<v Speaker 4>but I heard about y'all be online. People don't not

0:18:37.520 --> 0:18:43.920
<v Speaker 4>understand how big All hip Hop dot Com was. Listen listens, yes, man,

0:18:44.760 --> 0:18:46.239
<v Speaker 4>not realize how big that ship was?

0:18:46.400 --> 0:18:49.840
<v Speaker 1>Nah man, All hip Hop s o hh okay players.

0:18:49.960 --> 0:18:53.399
<v Speaker 1>I mean that really was just kind of your really

0:18:53.520 --> 0:18:56.000
<v Speaker 1>just you know, where you found out about music, you

0:18:56.080 --> 0:18:57.760
<v Speaker 1>know what I'm saying, Just where all the stuff you

0:18:57.760 --> 0:18:59.639
<v Speaker 1>can kind of see on the come up, that was

0:18:59.680 --> 0:19:03.360
<v Speaker 1>where you found it. And you know, back to the film, Yeah,

0:19:03.400 --> 0:19:05.840
<v Speaker 1>we just kind of saw like, now we have the

0:19:05.880 --> 0:19:08.679
<v Speaker 1>opportunity to go direct to consumer in a way that

0:19:08.720 --> 0:19:10.800
<v Speaker 1>we didn't have in two thousand and three. Like if

0:19:10.880 --> 0:19:13.000
<v Speaker 1>I mean shit, if man we would have had band

0:19:13.040 --> 0:19:14.720
<v Speaker 1>Camp in two thousand and three, I wouldn't sign no

0:19:14.760 --> 0:19:16.720
<v Speaker 1>fucking regularly in a rap What would have made Little

0:19:16.760 --> 0:19:17.679
<v Speaker 1>Brother bigger? Though? Right?

0:19:17.680 --> 0:19:21.600
<v Speaker 2>Because you talked to rappers, and for most rappers, some

0:19:21.640 --> 0:19:23.520
<v Speaker 2>of them will say you're one of their favorite groups, right,

0:19:24.080 --> 0:19:25.720
<v Speaker 2>But a lot of the fans, a lot of the

0:19:25.760 --> 0:19:28.160
<v Speaker 2>people that listen might not have heard Little Brother, Right,

0:19:28.440 --> 0:19:30.480
<v Speaker 2>What do you think would have made Little Brother bigger?

0:19:30.480 --> 0:19:32.280
<v Speaker 2>If it would have been maybe signing to a Ruckus

0:19:32.359 --> 0:19:36.560
<v Speaker 2>that concentrates directly on underground music, it would have been,

0:19:36.560 --> 0:19:38.800
<v Speaker 2>you know, a Cotch Records that's definitely under Like, what

0:19:38.840 --> 0:19:40.720
<v Speaker 2>do you think would have made it made you guys bigger?

0:19:42.280 --> 0:19:45.280
<v Speaker 1>I don't know. It's that's a tricky question because, like

0:19:45.320 --> 0:19:47.520
<v Speaker 1>I said, the industry was changing at the time. So,

0:19:48.520 --> 0:19:51.960
<v Speaker 1>you know, for us, I always say we was we

0:19:52.000 --> 0:19:56.840
<v Speaker 1>was after the rockous era, but we was before you

0:19:56.880 --> 0:20:00.280
<v Speaker 1>know whatever. We were the bridge the bridge from from

0:20:00.320 --> 0:20:02.719
<v Speaker 1>that to you know, like the Colds and the Kindreds

0:20:02.720 --> 0:20:05.959
<v Speaker 1>and all of them. So I don't know if it

0:20:06.040 --> 0:20:08.000
<v Speaker 1>was in the cars for us to be bigger. Honestly,

0:20:08.080 --> 0:20:10.919
<v Speaker 1>I think we are. Yeah, we was the lead blockers,

0:20:10.960 --> 0:20:12.719
<v Speaker 1>you know what I mean, Like you know, we was,

0:20:12.840 --> 0:20:15.119
<v Speaker 1>you know, we was to take out the linebacker like

0:20:15.160 --> 0:20:17.760
<v Speaker 1>it wasn't necessarily you're not gonna get the glory. You're

0:20:17.760 --> 0:20:20.879
<v Speaker 1>not gonna get the touchdown. You're not gonna you gotta

0:20:20.920 --> 0:20:25.040
<v Speaker 1>do your job, do your job well, and you'll be remembered, rewarded,

0:20:25.359 --> 0:20:27.720
<v Speaker 1>honored for that, you know what I mean, respected for that.

0:20:27.880 --> 0:20:30.000
<v Speaker 1>And so yeah, I don't I don't know if bigger

0:20:30.080 --> 0:20:33.000
<v Speaker 1>was in the cars for us, honestly because I know

0:20:33.040 --> 0:20:36.320
<v Speaker 1>who we are, you know what I mean, and you

0:20:36.400 --> 0:20:39.280
<v Speaker 1>know and I know who we are is I don't

0:20:39.320 --> 0:20:41.879
<v Speaker 1>know if that's conducive. No, it wasn't like I remember

0:20:41.920 --> 0:20:46.080
<v Speaker 1>having I remember Minister Show came out and we did. Uh,

0:20:46.200 --> 0:20:47.600
<v Speaker 1>I think what was the first week. It was like

0:20:47.680 --> 0:20:49.920
<v Speaker 1>eighteen eighteen and something like that, you know what I mean,

0:20:50.040 --> 0:20:52.760
<v Speaker 1>eighteen thousand records and you know back then that was

0:20:52.840 --> 0:20:57.879
<v Speaker 1>just your worst Yeah, straight up, but you said eighteen

0:20:57.960 --> 0:21:03.439
<v Speaker 1>thousand now, like thank you man. But I remember like

0:21:03.520 --> 0:21:05.639
<v Speaker 1>we did it and it came out and I remember

0:21:05.960 --> 0:21:08.600
<v Speaker 1>talking to a mirror shout shouts to the mirror, man,

0:21:08.600 --> 0:21:11.240
<v Speaker 1>that's that's big bro for real. And you know, he

0:21:11.320 --> 0:21:13.680
<v Speaker 1>was saying, he was like, listen, man, y'all gonna have

0:21:13.720 --> 0:21:16.080
<v Speaker 1>to go crazy, like y'all gonna have to perform at

0:21:16.080 --> 0:21:18.600
<v Speaker 1>the label. Y'all gonna have to do this, like y'all

0:21:18.640 --> 0:21:20.639
<v Speaker 1>gonna have to you know, even in the lobby, like

0:21:20.680 --> 0:21:22.760
<v Speaker 1>y'all gonna have to do this, do this. And the

0:21:22.840 --> 0:21:25.879
<v Speaker 1>thing was he was right, he was absolutely right. And

0:21:26.280 --> 0:21:28.239
<v Speaker 1>I just talked to I remember, had a conversation. We

0:21:28.240 --> 0:21:31.359
<v Speaker 1>were just like, we ain't doing that ship. I'm like,

0:21:31.680 --> 0:21:33.400
<v Speaker 1>I just made an album called The Mistress. You think

0:21:33.400 --> 0:21:34.760
<v Speaker 1>I'm about to be in a label dance.

0:21:36.920 --> 0:21:37.280
<v Speaker 3>I'm not.

0:21:37.680 --> 0:21:40.479
<v Speaker 1>You know, that's just not who we all up at

0:21:40.520 --> 0:21:44.639
<v Speaker 1>your label in the video. Nah. So you know, it

0:21:44.720 --> 0:21:47.800
<v Speaker 1>was just one of those things. And it's really just

0:21:47.840 --> 0:21:50.920
<v Speaker 1>as an artist, you know, throughout our journey, you really

0:21:51.000 --> 0:21:53.800
<v Speaker 1>just have to decide what's for you and what's not

0:21:54.160 --> 0:21:56.480
<v Speaker 1>and the things that are for you. You know, I

0:21:56.520 --> 0:21:58.159
<v Speaker 1>tell her all the time, you can't ever look at

0:21:58.160 --> 0:22:01.880
<v Speaker 1>someone's success and and you know think that, Okay, that's

0:22:01.920 --> 0:22:04.000
<v Speaker 1>what I want because you don't know the price that

0:22:04.000 --> 0:22:05.920
<v Speaker 1>they paid for that success, you know what I mean,

0:22:05.960 --> 0:22:07.919
<v Speaker 1>You don't you know, that may not be something that

0:22:07.960 --> 0:22:10.160
<v Speaker 1>you're willing to do, or it just may not be

0:22:10.680 --> 0:22:12.399
<v Speaker 1>it may not align with who you are as a person.

0:22:12.760 --> 0:22:15.440
<v Speaker 1>And so I think the biggest lesson for us, which

0:22:15.480 --> 0:22:17.640
<v Speaker 1>is the beauty of this era now, which I think

0:22:17.680 --> 0:22:20.200
<v Speaker 1>a lot of artists don't get. You know, they're frustrated

0:22:20.200 --> 0:22:22.200
<v Speaker 1>because it's like, man, it's just so much content, is

0:22:22.320 --> 0:22:24.960
<v Speaker 1>so much to compete with everything. But the beautiful thing

0:22:25.000 --> 0:22:27.919
<v Speaker 1>about it for us is that you have the ability

0:22:28.000 --> 0:22:30.399
<v Speaker 1>to go direct the consumer and whatever it is that

0:22:30.440 --> 0:22:32.800
<v Speaker 1>you're into, you can just find an audience around that.

0:22:32.840 --> 0:22:35.480
<v Speaker 1>It's like the difference between you know, in our era,

0:22:35.680 --> 0:22:38.199
<v Speaker 1>it was trying to hit a moving target. It was

0:22:38.200 --> 0:22:41.760
<v Speaker 1>trying to hit a moving bullseye, and this era is

0:22:41.840 --> 0:22:44.000
<v Speaker 1>just you fire a shot and wherever it lands, you

0:22:44.040 --> 0:22:46.000
<v Speaker 1>just paint the target around that bullet. You know what

0:22:46.000 --> 0:22:48.680
<v Speaker 1>I'm saying. You just you know, and that's what we've

0:22:48.680 --> 0:22:52.200
<v Speaker 1>been able to do. And it just makes for in us,

0:22:52.240 --> 0:22:53.960
<v Speaker 1>you know, it makes for better art and just mix

0:22:54.040 --> 0:22:55.600
<v Speaker 1>for happier people.

0:22:56.200 --> 0:23:00.440
<v Speaker 4>Also stopped when the game shifted to every then y'all

0:23:00.480 --> 0:23:03.640
<v Speaker 4>already was on like like, y'all, it was like nine

0:23:03.680 --> 0:23:08.359
<v Speaker 4>years between projects, right. Twenty ten is when you really

0:23:08.359 --> 0:23:11.440
<v Speaker 4>got introduced to the Kendricks and the Coles and the Drakes.

0:23:11.760 --> 0:23:12.359
<v Speaker 1>That was y'all.

0:23:12.359 --> 0:23:13.240
<v Speaker 3>That's y'all energy.

0:23:13.240 --> 0:23:15.640
<v Speaker 4>Like you said, y'all, they all was inspired by you

0:23:16.119 --> 0:23:16.840
<v Speaker 4>what y'all was doing.

0:23:17.320 --> 0:23:18.160
<v Speaker 3>But y'all stopped.

0:23:19.280 --> 0:23:21.399
<v Speaker 1>Yeah, I mean that was that was That was definitely

0:23:21.440 --> 0:23:24.360
<v Speaker 1>a frustration of mine. Was just like we fought so

0:23:24.400 --> 0:23:26.760
<v Speaker 1>hard to get up that proverbial heel and we got

0:23:26.800 --> 0:23:29.560
<v Speaker 1>up there, it was like, all right, we're done. It

0:23:29.600 --> 0:23:31.520
<v Speaker 1>was yeah, because you had that moment like you just

0:23:31.560 --> 0:23:32.840
<v Speaker 1>you know there moment.

0:23:33.000 --> 0:23:36.120
<v Speaker 3>Brot this night show.

0:23:36.520 --> 0:23:39.320
<v Speaker 1>Yeah, I know this audience, My audience is laughing with me.

0:23:39.359 --> 0:23:40.680
<v Speaker 1>They're not laughing at me, you know what I mean.

0:23:40.880 --> 0:23:42.800
<v Speaker 1>But no, it was very much that. I remember we

0:23:42.840 --> 0:23:46.679
<v Speaker 1>did a show, our last LA show. This is what

0:23:46.800 --> 0:23:51.159
<v Speaker 1>before we broke official. This was twenty teeny Yeah, twenty Kendrick.

0:23:51.760 --> 0:23:54.480
<v Speaker 1>Kendrick is in the doc It's a Sexual with Me,

0:23:54.640 --> 0:23:57.080
<v Speaker 1>Kendrick and ap So that was from that show. We

0:23:57.160 --> 0:24:00.560
<v Speaker 1>had Kendrick opening on that show. It open, and that

0:24:00.760 --> 0:24:04.080
<v Speaker 1>was like we were in the worst shape ever, we

0:24:04.080 --> 0:24:07.040
<v Speaker 1>were like we weren't even talking. We wasn't even it

0:24:07.080 --> 0:24:09.199
<v Speaker 1>was the energy was just it was just foul. And

0:24:09.400 --> 0:24:12.040
<v Speaker 1>I remember like Kendrick coming up afterwards and he was like, Yo, man,

0:24:12.080 --> 0:24:13.960
<v Speaker 1>I fuck with y'all. I'm a big fan, Like let's

0:24:14.000 --> 0:24:16.680
<v Speaker 1>link whatever. I'm like, yeah, bro, like cool, you know,

0:24:16.840 --> 0:24:18.479
<v Speaker 1>DApp him up, game home. I'm like, love what you do.

0:24:18.960 --> 0:24:21.080
<v Speaker 1>And like that was it. But I really know, we

0:24:21.080 --> 0:24:24.000
<v Speaker 1>look back on it now and it was really you know,

0:24:24.080 --> 0:24:26.000
<v Speaker 1>I just hate that. I wish they could have seen

0:24:26.080 --> 0:24:28.400
<v Speaker 1>us in a better place because by that time twenty ten,

0:24:29.000 --> 0:24:31.040
<v Speaker 1>we was just over like this shit. We ain't like

0:24:31.040 --> 0:24:33.000
<v Speaker 1>each other. We was side of the game and everything.

0:24:33.040 --> 0:24:34.600
<v Speaker 1>It was like, gotch What got you to.

0:24:34.600 --> 0:24:36.520
<v Speaker 2>The point where the group boys cool anymore?

0:24:36.600 --> 0:24:39.439
<v Speaker 1>Weren't communicating? Yeah, we had different goals. We didn't know

0:24:39.480 --> 0:24:42.159
<v Speaker 1>how to communicate. I'll say that, like, you know, we

0:24:42.200 --> 0:24:44.800
<v Speaker 1>didn't have the tools or at the time. I mean,

0:24:44.840 --> 0:24:48.000
<v Speaker 1>look yeah, because I mean you got to think about it,

0:24:48.040 --> 0:24:49.720
<v Speaker 1>and I and I think about this for all the time,

0:24:49.800 --> 0:24:52.560
<v Speaker 1>Like with artists like now, like the younger generation, they

0:24:52.640 --> 0:24:54.800
<v Speaker 1>keep thinking of, Okay, I want to go viral, like

0:24:54.880 --> 0:24:58.080
<v Speaker 1>going viral and like dude, A lot of times that

0:24:58.160 --> 0:25:00.280
<v Speaker 1>shit is not what you think it is. It's like,

0:25:00.440 --> 0:25:02.240
<v Speaker 1>you know what I'm saying. It really it can be

0:25:02.280 --> 0:25:03.960
<v Speaker 1>the kiss of death sometimes, you know what I mean.

0:25:04.040 --> 0:25:07.440
<v Speaker 1>And so for us, you know, back then, this is

0:25:07.480 --> 0:25:11.200
<v Speaker 1>two thousand and two, you know whatever. You know, we

0:25:11.240 --> 0:25:15.440
<v Speaker 1>went viral and so your music goes further and faster

0:25:16.000 --> 0:25:18.359
<v Speaker 1>than you have the time to develop as a person,

0:25:18.960 --> 0:25:22.400
<v Speaker 1>you know what I mean. And so it's like, bruh,

0:25:22.800 --> 0:25:25.399
<v Speaker 1>this again. Me and Pool knew each other a grand

0:25:25.440 --> 0:25:29.080
<v Speaker 1>total of probably what two years before we got signed,

0:25:29.440 --> 0:25:31.560
<v Speaker 1>So we didn't know each other, you know what I mean.

0:25:31.680 --> 0:25:34.480
<v Speaker 1>And again, it's one thing to be like, this is

0:25:34.480 --> 0:25:36.800
<v Speaker 1>my man, like we in the calf, we kicking it,

0:25:36.840 --> 0:25:39.440
<v Speaker 1>we in the room, freestyling. But to go from this

0:25:39.520 --> 0:25:42.080
<v Speaker 1>is my man to now this is my business partner

0:25:42.320 --> 0:25:47.520
<v Speaker 1>and we are contractually bound together. That sucks, dude, you

0:25:47.560 --> 0:25:50.320
<v Speaker 1>know what I meant. I mean, looking back, you didn't

0:25:50.359 --> 0:25:53.520
<v Speaker 1>realize it then when you in it, But looking back,

0:25:53.560 --> 0:25:57.439
<v Speaker 1>you're like, yo, that was a fucking lot. Like that

0:25:57.600 --> 0:26:00.840
<v Speaker 1>was a lot. We was trying to navigate together. We

0:26:00.880 --> 0:26:04.679
<v Speaker 1>didn't know each other really honestly, and we didn't know

0:26:04.760 --> 0:26:06.520
<v Speaker 1>the game. We didn't know shit.

0:26:06.600 --> 0:26:08.640
<v Speaker 5>And personal lives y'all.

0:26:09.960 --> 0:26:12.560
<v Speaker 1>Yeah, I had two kids. Yeah my boys were young

0:26:12.720 --> 0:26:14.919
<v Speaker 1>at the time, but yeah, it was we was a

0:26:14.960 --> 0:26:17.600
<v Speaker 1>lot were trying to figure out. So we just didn't

0:26:17.640 --> 0:26:20.639
<v Speaker 1>have the time the tools to really know how to

0:26:21.280 --> 0:26:23.840
<v Speaker 1>communicate with each other to understand what was going on.

0:26:23.960 --> 0:26:26.359
<v Speaker 1>Like shit, we didn't know each other. So like even now,

0:26:27.200 --> 0:26:29.880
<v Speaker 1>my big thing is I need to understand why right

0:26:30.480 --> 0:26:33.320
<v Speaker 1>your answer is your answer. But if I understand you,

0:26:33.480 --> 0:26:35.439
<v Speaker 1>I know why you answered that way, So now I

0:26:35.560 --> 0:26:37.440
<v Speaker 1>know ship he going to say and why he gonna

0:26:37.440 --> 0:26:40.359
<v Speaker 1>say it before I even asked the question. But I

0:26:40.400 --> 0:26:42.919
<v Speaker 1>didn't know that then, so he didn't know that about me.

0:26:43.040 --> 0:26:45.800
<v Speaker 1>So to be things where in the doc we talk

0:26:45.880 --> 0:26:49.280
<v Speaker 1>about to learn each other, Yeah, it's like doing the labels.

0:26:49.359 --> 0:26:52.600
<v Speaker 1>So when we got off Atlantic, we had Capitol Records,

0:26:52.600 --> 0:26:56.679
<v Speaker 1>one of the signers, I was talking with Shaka Zulu's assistance.

0:26:56.800 --> 0:26:59.280
<v Speaker 1>We were supposed to met with Shaka, so we had

0:26:59.280 --> 0:27:03.080
<v Speaker 1>all these things moving after we got off Atlantic. But

0:27:04.200 --> 0:27:06.399
<v Speaker 1>he don't understand why I'm like, shit, let's give it

0:27:06.400 --> 0:27:08.520
<v Speaker 1>another go. And I don't understand why he like, fuck

0:27:08.560 --> 0:27:11.000
<v Speaker 1>that shit, I'm off that Like I do my own thing.

0:27:11.440 --> 0:27:14.239
<v Speaker 1>So just not having that understanding and not knowing how

0:27:14.240 --> 0:27:16.520
<v Speaker 1>to talk to each other. Man, that was I tell

0:27:16.520 --> 0:27:18.639
<v Speaker 1>people all the time. And it's not just in a

0:27:19.080 --> 0:27:23.480
<v Speaker 1>relationship with a partner's spouse, significant other, it's all your relationships.

0:27:23.480 --> 0:27:26.159
<v Speaker 1>If you don't know how to communicate and talk and

0:27:26.280 --> 0:27:31.200
<v Speaker 1>actually listen, because communication listening, if you don't know how

0:27:31.240 --> 0:27:34.399
<v Speaker 1>to do that, that shit gonna it's not gonna end

0:27:34.480 --> 0:27:36.399
<v Speaker 1>up well. And that's kind of where we was.

0:27:36.480 --> 0:27:38.720
<v Speaker 3>We can't be afraid to talk though, like you got to.

0:27:38.800 --> 0:27:41.480
<v Speaker 4>You gotta know, you can fix your phone up to

0:27:41.480 --> 0:27:44.520
<v Speaker 4>all your people say what you need to say, and

0:27:44.600 --> 0:27:46.280
<v Speaker 4>even if they feel a way, that's still gonna be

0:27:46.320 --> 0:27:47.480
<v Speaker 4>a people.

0:27:48.280 --> 0:27:50.479
<v Speaker 1>And I think this generation now, you know, like I mean,

0:27:50.480 --> 0:27:53.199
<v Speaker 1>it's my boys, my sons are. They're twenty three and

0:27:53.840 --> 0:27:56.440
<v Speaker 1>I was at twenty three and eighteen. And the thing

0:27:56.480 --> 0:27:59.960
<v Speaker 1>I noticed to their generation, they are they're far more

0:28:00.119 --> 0:28:03.520
<v Speaker 1>emotionally uh intelligent than we are, in tune than we are,

0:28:03.640 --> 0:28:06.000
<v Speaker 1>you know what I mean, Like they got they got

0:28:06.040 --> 0:28:08.680
<v Speaker 1>all the TikTok terms and the therapy term like these

0:28:08.720 --> 0:28:10.280
<v Speaker 1>niggas know all that shit, you know what I mean.

0:28:10.440 --> 0:28:14.800
<v Speaker 1>So yeah, they're they're far more emotionally. Uh, you know,

0:28:15.200 --> 0:28:18.960
<v Speaker 1>avaible to gotta remember we came up off the a

0:28:19.040 --> 0:28:21.640
<v Speaker 1>man gotta be a man and you don't show your

0:28:21.640 --> 0:28:27.359
<v Speaker 1>feelings and you don't cry. Do that work? That is

0:28:27.440 --> 0:28:29.879
<v Speaker 1>not that don't work? That don't work. And know what

0:28:29.880 --> 0:28:32.120
<v Speaker 1>you was saying, Sean, like about the just that time,

0:28:32.119 --> 0:28:34.160
<v Speaker 1>like you said, we left kind of before that wave.

0:28:34.560 --> 0:28:37.119
<v Speaker 1>You know that nine year span that span from twenty

0:28:37.119 --> 0:28:39.640
<v Speaker 1>ten to twenty nineteen. You know when we came back.

0:28:39.960 --> 0:28:41.520
<v Speaker 1>You know, that just gave us time to grow up.

0:28:41.680 --> 0:28:44.440
<v Speaker 1>You know what I'm saying. And you know it's it

0:28:44.480 --> 0:28:46.320
<v Speaker 1>was a bill that was gonna it was comeing, do

0:28:46.720 --> 0:28:49.040
<v Speaker 1>you know what I mean? So it's like we paid

0:28:49.040 --> 0:28:51.600
<v Speaker 1>it then. You know we needed those nine years because

0:28:51.600 --> 0:28:54.760
<v Speaker 1>we had such a quick kind of ascension. But yeah,

0:28:54.760 --> 0:28:56.280
<v Speaker 1>we just needed that time to just grow up.

0:28:56.360 --> 0:29:00.280
<v Speaker 4>I saw Donald Glover say recently that all new, most

0:29:00.280 --> 0:29:02.320
<v Speaker 4>most new rappers now, and I think he's kind of

0:29:02.360 --> 0:29:05.200
<v Speaker 4>meant like that generation that started in twenty ten. Yeah,

0:29:05.800 --> 0:29:08.920
<v Speaker 4>we're because of Kanye. I would say, Kanye and little brother.

0:29:08.960 --> 0:29:11.920
<v Speaker 1>Absolutely what I would absolutely yeah, man, Kanye was Uh,

0:29:12.400 --> 0:29:17.320
<v Speaker 1>we had got Kanye. He first came to Durham two

0:29:17.400 --> 0:29:20.120
<v Speaker 1>thousand and four. Three four, yeah, three or four. It

0:29:20.160 --> 0:29:24.080
<v Speaker 1>was before uh I think College Dropout came out. It

0:29:24.120 --> 0:29:32.160
<v Speaker 1>was because get oh yeah, yea, yeah, that might have

0:29:32.200 --> 0:29:35.040
<v Speaker 1>been two three something. It might have been three then yeah,

0:29:35.040 --> 0:29:38.040
<v Speaker 1>three he it was before College Dropout. The Yeah, and

0:29:38.360 --> 0:29:40.400
<v Speaker 1>he had at the time the records that was bubbling.

0:29:40.440 --> 0:29:43.880
<v Speaker 1>He had the stand up by Ludicros that was out,

0:29:43.920 --> 0:29:46.520
<v Speaker 1>and he was about to put out the dis Way

0:29:46.600 --> 0:29:49.280
<v Speaker 1>record he had did with Dilated People's but he was

0:29:49.320 --> 0:29:51.640
<v Speaker 1>in Durham doing some kind of like conference or whatever,

0:29:51.760 --> 0:29:54.120
<v Speaker 1>and so he was there and you know, this is

0:29:54.160 --> 0:29:57.440
<v Speaker 1>before anything. Like he's just you know, chilling, and he

0:29:57.600 --> 0:30:01.600
<v Speaker 1>just would walk around just like wrapping out of nowhere. Okay,

0:30:01.680 --> 0:30:05.280
<v Speaker 1>my knig you find Kanye and Fonte is like like

0:30:05.320 --> 0:30:08.160
<v Speaker 1>he would just be rather like bro. But and I

0:30:08.200 --> 0:30:11.280
<v Speaker 1>thought he was you know, acting, you know what I mean.

0:30:11.720 --> 0:30:15.000
<v Speaker 1>But now you know, twenty plus years later, it's claim like, yeah,

0:30:15.000 --> 0:30:18.560
<v Speaker 1>that wasn't an act. He's the same. It's just on

0:30:18.600 --> 0:30:21.360
<v Speaker 1>a higher platform exactly. But he's the same he's always been.

0:30:21.440 --> 0:30:24.040
<v Speaker 1>But yeah, but back then, we you know, we did shows,

0:30:24.080 --> 0:30:26.040
<v Speaker 1>you know, we toured with him. Uh you know, we

0:30:26.320 --> 0:30:29.720
<v Speaker 1>opened up and everything and Yeah, man, it was a

0:30:30.200 --> 0:30:32.280
<v Speaker 1>it was a fun time, you know what I mean.

0:30:32.440 --> 0:30:35.880
<v Speaker 1>You know you could kind of see just him putting

0:30:35.880 --> 0:30:39.680
<v Speaker 1>the pieces together, and you could see him also really

0:30:39.800 --> 0:30:44.040
<v Speaker 1>kind of struggling with fame to some degree. Like I

0:30:44.080 --> 0:30:49.440
<v Speaker 1>remember we were at man, this was like south Beat.

0:30:49.000 --> 0:30:52.360
<v Speaker 1>It was on the billboard hip hip hop boys. Yeah,

0:30:52.360 --> 0:30:54.240
<v Speaker 1>we were in like southeast. He was in Miami for

0:30:54.280 --> 0:30:57.400
<v Speaker 1>like a weekend whatever, and he had his Rockefeller chain

0:30:57.680 --> 0:31:00.239
<v Speaker 1>and he was we was going to a club. We

0:31:00.240 --> 0:31:01.920
<v Speaker 1>were going to club, and he would take his chain

0:31:01.960 --> 0:31:03.680
<v Speaker 1>out and you know, have his chain out in the club,

0:31:03.800 --> 0:31:06.200
<v Speaker 1>but then the minute we left, he would tuck it

0:31:06.240 --> 0:31:09.480
<v Speaker 1>back in. And that was just something that I always saw,

0:31:09.560 --> 0:31:11.880
<v Speaker 1>you know, when you speak, you know, you ask about

0:31:11.920 --> 0:31:15.800
<v Speaker 1>you know, why weren't we bigger? I think one of

0:31:15.800 --> 0:31:17.560
<v Speaker 1>the things, Well, first of all, it was a choice.

0:31:18.320 --> 0:31:20.800
<v Speaker 1>It definitely was a choice. And that was something that

0:31:20.800 --> 0:31:24.120
<v Speaker 1>we really want to make clear in the documentary that

0:31:24.440 --> 0:31:26.560
<v Speaker 1>the Little Brother story is not a sad story at all,

0:31:26.640 --> 0:31:28.560
<v Speaker 1>you know what I'm saying. You know, it was really

0:31:28.680 --> 0:31:31.680
<v Speaker 1>you know, choices that we made, and I think for me,

0:31:32.320 --> 0:31:35.720
<v Speaker 1>I kind of had my you know, ghost of Christmas

0:31:35.760 --> 0:31:38.480
<v Speaker 1>past present screwage kind of thing. And that I saw

0:31:38.800 --> 0:31:40.920
<v Speaker 1>a lot of these guys when they were kind of

0:31:40.920 --> 0:31:43.560
<v Speaker 1>on the come up and was able to kind of

0:31:43.600 --> 0:31:46.800
<v Speaker 1>see what fame if they did to him. Yeah, it

0:31:46.840 --> 0:31:48.720
<v Speaker 1>did to him or and I just you know, like

0:31:48.800 --> 0:31:50.720
<v Speaker 1>they were just you know, prisoners or some of me.

0:31:50.840 --> 0:31:53.360
<v Speaker 1>But to see the effect that had on their lives

0:31:53.440 --> 0:31:56.600
<v Speaker 1>and how they had to really live. It wasn't just yeah,

0:31:56.960 --> 0:32:00.840
<v Speaker 1>everyone wants the money, everyone wants that, but that ain't

0:32:00.840 --> 0:32:01.479
<v Speaker 1>all it come with.

0:32:03.080 --> 0:32:04.800
<v Speaker 3>You know, being scared of fame is just not wanting

0:32:04.800 --> 0:32:05.360
<v Speaker 3>to get robbed.

0:32:05.760 --> 0:32:07.400
<v Speaker 1>Well, I mean it was probably a little bit.

0:32:09.840 --> 0:32:11.640
<v Speaker 5>Like he wasn't an image that you have to have

0:32:11.680 --> 0:32:12.560
<v Speaker 5>in certain places.

0:32:13.720 --> 0:32:17.560
<v Speaker 1>Leave that it's over. And because I mean because when

0:32:17.600 --> 0:32:19.360
<v Speaker 1>we was when he was like kicking it with us,

0:32:19.400 --> 0:32:21.400
<v Speaker 1>I mean we just we just kicked it. We're just

0:32:21.480 --> 0:32:24.040
<v Speaker 1>kicking it. But when the camera's on, he knew how

0:32:24.080 --> 0:32:28.560
<v Speaker 1>to become Kanye. I gotta I gotta be me a

0:32:28.600 --> 0:32:32.640
<v Speaker 1>different way, much a different way. Yeah, amplified version of

0:32:32.680 --> 0:32:34.920
<v Speaker 1>who I am without the lights in the camera. The

0:32:34.960 --> 0:32:38.680
<v Speaker 1>little brother wasn't willing to perform nah nah man, because

0:32:38.680 --> 0:32:41.400
<v Speaker 1>that's not that's not you know, this is a long game.

0:32:41.440 --> 0:32:46.080
<v Speaker 1>First of all. That's just exhausting, fam and unsustainable, very unsustainable.

0:32:46.480 --> 0:32:47.360
<v Speaker 1>You burn out quick.

0:32:47.520 --> 0:32:50.320
<v Speaker 3>But y'all have always shown y'all humor, especially in video.

0:32:50.440 --> 0:32:54.320
<v Speaker 1>But that's who we are naturally. Like who I am

0:32:54.480 --> 0:32:56.959
<v Speaker 1>in this interview is who I am when his interview

0:32:57.040 --> 0:32:59.080
<v Speaker 1>is over, is who I am when I get on

0:32:59.080 --> 0:33:00.800
<v Speaker 1>this plane to go home. It is who I am

0:33:00.800 --> 0:33:03.560
<v Speaker 1>when I get home, Like I am who I am.

0:33:03.760 --> 0:33:07.520
<v Speaker 1>And it's not, well, I talk to people when the

0:33:07.600 --> 0:33:09.240
<v Speaker 1>lights come on. I don't really talk to people when

0:33:09.240 --> 0:33:12.480
<v Speaker 1>the lights go off. But that's the difference. So I

0:33:12.520 --> 0:33:13.120
<v Speaker 1>don't like people.

0:33:13.160 --> 0:33:15.640
<v Speaker 3>That's why would you be in the room, dark room

0:33:15.640 --> 0:33:16.760
<v Speaker 3>with strangers.

0:33:16.360 --> 0:33:22.680
<v Speaker 1>That that that not the conversation having not the conversations.

0:33:26.080 --> 0:33:28.880
<v Speaker 1>It's not the conversation. We're here for, no, man, I mean,

0:33:28.920 --> 0:33:30.960
<v Speaker 1>we just you know, I just saw, like when I

0:33:31.000 --> 0:33:32.760
<v Speaker 1>looked at a lot of the people that you know,

0:33:32.840 --> 0:33:34.440
<v Speaker 1>I looked up to in the game and looked at

0:33:34.520 --> 0:33:37.080
<v Speaker 1>the people that were able to have that longevity, that

0:33:37.240 --> 0:33:39.160
<v Speaker 1>was something that was always important to me, you know

0:33:39.200 --> 0:33:41.000
<v Speaker 1>what I'm saying, Really being able to stand the test

0:33:41.000 --> 0:33:43.400
<v Speaker 1>of time and be in the game. And you know,

0:33:43.560 --> 0:33:46.360
<v Speaker 1>this is a game where with music and just entertainment

0:33:46.400 --> 0:33:48.800
<v Speaker 1>just art in general. I really do believe that it's

0:33:48.800 --> 0:33:52.000
<v Speaker 1>a game that the longer you play, the luckier you get.

0:33:52.160 --> 0:33:53.719
<v Speaker 1>You know what I'm saying, the longer you stay in it.

0:33:53.760 --> 0:33:55.760
<v Speaker 1>But you're only going to stay in it for a

0:33:55.800 --> 0:33:58.920
<v Speaker 1>long time if you're doing things that you enjoy, you

0:33:59.000 --> 0:34:01.680
<v Speaker 1>know what I mean? You otherwise and like I don't

0:34:01.720 --> 0:34:04.920
<v Speaker 1>care like people they say, you know, looking from the outstanding, like,

0:34:05.000 --> 0:34:07.800
<v Speaker 1>oh man, if I had that opportunity, I would do anything.

0:34:07.840 --> 0:34:09.680
<v Speaker 1>I would do whatever I would And it's like.

0:34:09.840 --> 0:34:11.720
<v Speaker 3>Nah, says.

0:34:20.160 --> 0:34:24.239
<v Speaker 1>Yo, listen man, seriously, and you have to you have

0:34:24.280 --> 0:34:26.440
<v Speaker 1>to make those choice because it's this game like me

0:34:26.440 --> 0:34:28.680
<v Speaker 1>and Pool, like we was talking, you know in you know,

0:34:28.760 --> 0:34:31.319
<v Speaker 1>in the in the break room. You know, man, this

0:34:31.400 --> 0:34:33.560
<v Speaker 1>game it don't know what to do with niggas that

0:34:33.640 --> 0:34:36.759
<v Speaker 1>ain't thirsty, Like they don't know what to do with that.

0:34:36.880 --> 0:34:38.719
<v Speaker 1>Like when you are not you know, the whole thing,

0:34:39.360 --> 0:34:42.160
<v Speaker 1>just oh yo, you do whatever. You know what I'm saying,

0:34:42.200 --> 0:34:45.000
<v Speaker 1>that's hungry. That's hungry. You gotta be hungry. That's not

0:34:45.200 --> 0:34:48.800
<v Speaker 1>I'll do whatever. That's not hunger. That's thirst You should

0:34:48.880 --> 0:34:49.520
<v Speaker 1>never be thirsty.

0:34:49.520 --> 0:34:51.279
<v Speaker 4>And what you're saying is so true, because when you

0:34:51.280 --> 0:34:54.360
<v Speaker 4>talk about these recording contracts or just contracts people be signing.

0:34:54.440 --> 0:34:57.440
<v Speaker 4>In general, you can't get somebody to sign some bullshit

0:34:57.480 --> 0:35:00.840
<v Speaker 4>if they're not extra thirsty, Like if they our leverage

0:35:00.920 --> 0:35:04.080
<v Speaker 4>and you know they don't need it, they'll negotiate what

0:35:04.120 --> 0:35:04.560
<v Speaker 4>they want.

0:35:05.280 --> 0:35:07.680
<v Speaker 1>People will negotiate with you, But that's if they have leverage.

0:35:07.840 --> 0:35:10.120
<v Speaker 2>But most of these contracts, especially back in the day,

0:35:10.160 --> 0:35:12.080
<v Speaker 2>you find somebody that got a little spark that wants

0:35:12.080 --> 0:35:15.319
<v Speaker 2>to be the next artist. They feel like that'll be

0:35:15.320 --> 0:35:17.480
<v Speaker 2>an opportunity for them, and they'll feel like, you know what,

0:35:17.560 --> 0:35:19.520
<v Speaker 2>I'll get to that opportunity and then I'll make it right.

0:35:19.680 --> 0:35:20.440
<v Speaker 1>But then they don't.

0:35:20.239 --> 0:35:23.360
<v Speaker 2>Realize they signed for ten years.

0:35:24.960 --> 0:35:31.160
<v Speaker 1>Take advantage, take advantage of that naive man. There's a

0:35:31.200 --> 0:35:34.520
<v Speaker 1>story here. I feel like I feel like there's a story.

0:35:34.640 --> 0:35:38.759
<v Speaker 5>Here's who I am.

0:35:38.840 --> 0:35:40.400
<v Speaker 6>But they don't have nothing to do with what I'm

0:35:41.440 --> 0:35:44.320
<v Speaker 6>So I'm about to ask right now, what how important?

0:35:44.360 --> 0:35:47.040
<v Speaker 6>With all that being said, how important is like awards?

0:35:47.280 --> 0:35:50.319
<v Speaker 6>So you like, because you guys are very very very

0:35:50.480 --> 0:35:52.960
<v Speaker 6>stern on who y'all are, know that and like you

0:35:53.000 --> 0:35:55.960
<v Speaker 6>said earlier, you don't know who you are?

0:35:56.040 --> 0:35:57.239
<v Speaker 5>Is conducive to some.

0:35:57.239 --> 0:36:00.440
<v Speaker 6>Ship like this or you know, especially nowadays and the

0:36:00.520 --> 0:36:02.239
<v Speaker 6>thirst and universus hunger.

0:36:02.360 --> 0:36:06.000
<v Speaker 5>So how important are shows and like getting.

0:36:05.719 --> 0:36:10.560
<v Speaker 1>Awards to man, I was I'll go first. I was

0:36:10.640 --> 0:36:13.840
<v Speaker 1>nominated my other group, the Foreign Exchange R and B group,

0:36:14.160 --> 0:36:18.120
<v Speaker 1>we were nominated for a Grammy in twenty ten, and

0:36:18.280 --> 0:36:20.600
<v Speaker 1>I had the opportunity to go to the Grammys and

0:36:20.640 --> 0:36:23.479
<v Speaker 1>really see what that experience was. And I think having

0:36:23.520 --> 0:36:29.319
<v Speaker 1>that experience just showed me like, yeah, this is kind

0:36:29.320 --> 0:36:31.919
<v Speaker 1>of a racket. Basically, I'm just keeping in a band.

0:36:32.000 --> 0:36:33.680
<v Speaker 1>Like that shit was. I mean, it was, you know,

0:36:33.680 --> 0:36:36.319
<v Speaker 1>it was great to be honored. But again this is

0:36:36.360 --> 0:36:38.560
<v Speaker 1>just the behind the scenes stuff that people don't get,

0:36:38.640 --> 0:36:40.680
<v Speaker 1>you know what I mean. You know, when you go

0:36:40.760 --> 0:36:43.919
<v Speaker 1>to these shows first and foremost, you know, at least

0:36:43.920 --> 0:36:47.040
<v Speaker 1>at that time, you know, you still gotta buy tickets,

0:36:47.080 --> 0:36:50.000
<v Speaker 1>you still gotta pay for like this shit don't come

0:36:50.000 --> 0:36:51.879
<v Speaker 1>with a check at all. You can get out there

0:36:51.880 --> 0:36:53.520
<v Speaker 1>and you can try to make something shake on your

0:36:53.520 --> 0:36:54.880
<v Speaker 1>own if you want to do like I know, the

0:36:54.960 --> 0:36:58.280
<v Speaker 1>Routs they do their Grammy Jam session every year whatever,

0:36:58.560 --> 0:37:00.560
<v Speaker 1>So if you want to kind of do that, you can.

0:37:00.719 --> 0:37:04.279
<v Speaker 1>But generally speaking, just as a nominee, like everything is

0:37:04.280 --> 0:37:06.800
<v Speaker 1>on you. So this is you know, you gotta.

0:37:06.560 --> 0:37:08.160
<v Speaker 2>Pay to go to the Grammys if you're nominated.

0:37:08.400 --> 0:37:14.359
<v Speaker 1>Yeah, like tickets once you get buy a ticket there,

0:37:14.640 --> 0:37:16.600
<v Speaker 1>you get tickets for you. So at the time and

0:37:16.600 --> 0:37:18.960
<v Speaker 1>when they get some discount tickets, right, So it's like

0:37:19.000 --> 0:37:20.799
<v Speaker 1>so if it's me and you were me and him

0:37:20.840 --> 0:37:24.000
<v Speaker 1>just Grammy nominated, it's like, Okay, y'all get free tickets

0:37:24.000 --> 0:37:27.319
<v Speaker 1>to the show, but anyone you want to bring to pay,

0:37:27.360 --> 0:37:29.080
<v Speaker 1>y'all gotta pay, and we'll let you get it for

0:37:29.160 --> 0:37:32.080
<v Speaker 1>half off. But you still got to pay half off still,

0:37:32.120 --> 0:37:34.600
<v Speaker 1>like one hundred dollars. Oh no, no, no, that not at

0:37:34.600 --> 0:37:37.160
<v Speaker 1>the time. But I did it well, I know when

0:37:37.400 --> 0:37:39.080
<v Speaker 1>when I don't know what it is. When dream Bill

0:37:39.200 --> 0:37:42.840
<v Speaker 1>was nominated and Luke when he got a ticket. I

0:37:42.880 --> 0:37:45.520
<v Speaker 1>think dog got a ticket, And I think any extra

0:37:45.560 --> 0:37:47.920
<v Speaker 1>tickets would have been like one hundred dollars or something.

0:37:48.080 --> 0:37:49.320
<v Speaker 1>It might have been more. I don't remember.

0:37:49.440 --> 0:37:53.400
<v Speaker 6>I know it was tickets even for the b tables

0:37:53.400 --> 0:37:55.359
<v Speaker 6>at some point, like you had to pay. Imber wanted

0:37:55.400 --> 0:37:57.400
<v Speaker 6>to go one year and I had to pay, like

0:37:57.440 --> 0:37:58.759
<v Speaker 6>it was like three forty or something like that.

0:37:58.840 --> 0:38:01.880
<v Speaker 1>I didn't pay. Yeah, so we might've been getting a

0:38:01.920 --> 0:38:04.520
<v Speaker 1>super dupe you know at the time when I went

0:38:04.560 --> 0:38:07.280
<v Speaker 1>at the time when we went the tickets for the Grammys,

0:38:07.320 --> 0:38:09.040
<v Speaker 1>and again this is twenty ten, so you know, I

0:38:09.040 --> 0:38:11.160
<v Speaker 1>don't know what is now, but yeah, it's twenty ten.

0:38:11.200 --> 0:38:13.279
<v Speaker 1>Like tickets for the Grammys, this was twelve hundred dollars

0:38:13.280 --> 0:38:15.920
<v Speaker 1>a piece. And so in order for us to go,

0:38:16.320 --> 0:38:17.960
<v Speaker 1>you know what I mean, we met me and Nick

0:38:18.160 --> 0:38:20.520
<v Speaker 1>Nicko l in my partner shops to him. We went

0:38:20.600 --> 0:38:23.680
<v Speaker 1>into Our tickets were free. But then everyone else, like

0:38:23.719 --> 0:38:27.480
<v Speaker 1>we brought you know, family, everybody, that was six hundred

0:38:27.480 --> 0:38:29.160
<v Speaker 1>dollars a pop, you know what I'm saying. So that's

0:38:29.200 --> 0:38:32.880
<v Speaker 1>twelve hundred one tickets. Then you got you know, hotels, flights,

0:38:32.920 --> 0:38:34.960
<v Speaker 1>like you know, we got bout clothes everything we had

0:38:34.960 --> 0:38:37.640
<v Speaker 1>to pay like a pr person, you know what I'm saying.

0:38:38.400 --> 0:38:41.040
<v Speaker 1>To like to talk about to walk through the red carpet,

0:38:41.040 --> 0:38:44.880
<v Speaker 1>to talk up your nomination and everything, and you know,

0:38:44.960 --> 0:38:47.319
<v Speaker 1>and I've never like we never talked about it. You know,

0:38:47.520 --> 0:38:48.920
<v Speaker 1>it was something that we didn't just have time to

0:38:48.920 --> 0:38:50.839
<v Speaker 1>get into the dock. But like, man, after I came

0:38:50.880 --> 0:38:53.200
<v Speaker 1>back from the Grammys, like Nigga had to take out

0:38:53.200 --> 0:38:56.399
<v Speaker 1>a loan. Yeah, I had to take out like a person. Alan,

0:38:56.480 --> 0:38:58.520
<v Speaker 1>I'm like, god, damn, I just spent by damn eight

0:38:58.560 --> 0:39:00.600
<v Speaker 1>thousand dollars at this bitch, you know what I'm saying.

0:39:01.040 --> 0:39:03.399
<v Speaker 1>And so so for me so to rig a question

0:39:03.480 --> 0:39:08.360
<v Speaker 1>with the Awards, I think that and just in my

0:39:08.520 --> 0:39:11.480
<v Speaker 1>experience it was I was glad I got to see it,

0:39:12.239 --> 0:39:16.560
<v Speaker 1>but ultimately I'm just like, nah, I don't Yeah, I'm good,

0:39:16.600 --> 0:39:21.080
<v Speaker 1>I don't care and its yeah, And I mean, listen,

0:39:21.120 --> 0:39:23.320
<v Speaker 1>it's all, you know, to be nominated for a Grammy,

0:39:23.480 --> 0:39:25.960
<v Speaker 1>like to be you know, amongst you know, to sit

0:39:26.000 --> 0:39:28.279
<v Speaker 1>amongst you know, be in that room and see it.

0:39:28.360 --> 0:39:31.560
<v Speaker 1>Like I'm watching the show and it's like Kenny g

0:39:31.800 --> 0:39:34.680
<v Speaker 1>Is like standing right there like same hair, like say everything.

0:39:35.040 --> 0:39:38.040
<v Speaker 1>And that's another thing too with the Grammys, dude specifically,

0:39:38.560 --> 0:39:41.080
<v Speaker 1>like y'all watch it on TV at home and it's

0:39:41.120 --> 0:39:42.839
<v Speaker 1>that ship like three hours, you know what I'm saying,

0:39:42.880 --> 0:39:47.920
<v Speaker 1>It's longer, it's longer and with no and you it

0:39:47.920 --> 0:39:50.440
<v Speaker 1>ain't no. At the time when we went, the Staples

0:39:50.440 --> 0:39:54.080
<v Speaker 1>Center was like closing down, so like they have like

0:39:54.120 --> 0:39:57.319
<v Speaker 1>the pre Grammy brunch before and you know, you get

0:39:57.320 --> 0:39:59.160
<v Speaker 1>a little food whatever, and then they take you over

0:39:59.200 --> 0:40:02.879
<v Speaker 1>to the main hall to the Grammy ceremony, and all

0:40:02.920 --> 0:40:05.600
<v Speaker 1>the vendors in the Staples Center they shutting down. So

0:40:06.160 --> 0:40:09.200
<v Speaker 1>it's no food like it's niggas, Like it's niggas the

0:40:09.800 --> 0:40:11.920
<v Speaker 1>for real. For hours. It was like one dude we

0:40:12.040 --> 0:40:14.840
<v Speaker 1>caught that had like the little uh he had like

0:40:14.920 --> 0:40:17.040
<v Speaker 1>some candy and ship. He had like you know, little

0:40:17.239 --> 0:40:21.040
<v Speaker 1>snicker bars and damn Eminem's and ship. So we bought

0:40:21.080 --> 0:40:22.960
<v Speaker 1>like a couple, like a bag of eminems and some

0:40:23.040 --> 0:40:25.080
<v Speaker 1>snickers and ship were sitting in that bitch got damn

0:40:25.280 --> 0:40:27.759
<v Speaker 1>taking the eminem's, passing the ship down. And I'm like,

0:40:27.840 --> 0:40:29.640
<v Speaker 1>niggas is supposed to be music great this night and

0:40:29.640 --> 0:40:33.400
<v Speaker 1>don't even got them eminem's in the Staples Center, not

0:40:33.480 --> 0:40:36.200
<v Speaker 1>when we went. I'm just telling I've never been to

0:40:36.239 --> 0:40:38.480
<v Speaker 1>the Grammars, but I've been to a BT Hip Hop

0:40:38.480 --> 0:40:43.240
<v Speaker 1>Awards and it was about damn recording. That was about

0:40:43.280 --> 0:40:48.160
<v Speaker 1>five hours and I was like.

0:40:45.840 --> 0:40:47.040
<v Speaker 3>No food.

0:40:47.800 --> 0:40:48.480
<v Speaker 1>We went.

0:40:48.680 --> 0:40:49.160
<v Speaker 3>I walked out.

0:40:49.200 --> 0:40:53.279
<v Speaker 4>I left taking too long, man, Oh my god, he

0:40:53.360 --> 0:40:54.560
<v Speaker 4>really left like we supposed present.

0:40:54.760 --> 0:40:58.200
<v Speaker 2>He was like, I'm giving y'all ten minutes there all

0:40:58.280 --> 0:40:59.720
<v Speaker 2>day like, nah, that's.

0:40:59.600 --> 0:41:03.960
<v Speaker 4>Really I I'm like, you know, love, I'm like, yeah,

0:41:04.080 --> 0:41:05.960
<v Speaker 4>I'm not beating for none of that stuff, no, man.

0:41:07.000 --> 0:41:09.239
<v Speaker 1>And I mean like for me, you know, yeah, it'd

0:41:09.239 --> 0:41:11.279
<v Speaker 1>be cool to be nominated for a Grammy. I ain't

0:41:11.280 --> 0:41:13.680
<v Speaker 1>never been nominated. But at the end of the day,

0:41:13.880 --> 0:41:19.080
<v Speaker 1>it's hey, look, I'm I can't be somewhere too long

0:41:19.360 --> 0:41:21.040
<v Speaker 1>and not just say what the fuck I need to say.

0:41:21.640 --> 0:41:24.960
<v Speaker 1>So listen, I just don't go to places where I'm

0:41:24.960 --> 0:41:26.560
<v Speaker 1>going to be there a long time because.

0:41:26.360 --> 0:41:27.239
<v Speaker 3>You might have to say something.

0:41:27.280 --> 0:41:29.600
<v Speaker 1>It might have to say something and let me tell

0:41:29.600 --> 0:41:32.480
<v Speaker 1>you the truth. Yeah, and then learning kind of learning

0:41:32.520 --> 0:41:34.359
<v Speaker 1>what all this is, you know what I mean, Like

0:41:34.480 --> 0:41:37.160
<v Speaker 1>it's a campaign. It's a campaign. It's not a meritocracy.

0:41:37.280 --> 0:41:39.000
<v Speaker 1>Like the minute you and that was I guess the

0:41:39.040 --> 0:41:41.080
<v Speaker 1>thing for me. But once I saw that, you know,

0:41:41.239 --> 0:41:45.000
<v Speaker 1>it was really you know, it's super political, it's super

0:41:45.280 --> 0:41:47.320
<v Speaker 1>you know who you know, like it's a lot of

0:41:47.360 --> 0:41:50.680
<v Speaker 1>those things. But you know, for for for me, all

0:41:50.719 --> 0:41:53.319
<v Speaker 1>I cared about was just making the music. And you know,

0:41:53.400 --> 0:41:56.640
<v Speaker 1>if my music is standing up against somebody, you know,

0:41:56.840 --> 0:41:58.799
<v Speaker 1>just judging on the basis of the music. Once you're

0:41:58.800 --> 0:42:01.000
<v Speaker 1>getting all this other shit. It's just like again it

0:42:01.080 --> 0:42:04.000
<v Speaker 1>was educational. It's like, okay, I know that's what it is. Now,

0:42:04.360 --> 0:42:05.920
<v Speaker 1>all right, cool, I'm good on it, you know what

0:42:05.920 --> 0:42:07.640
<v Speaker 1>I mean. And that's the thing I want to make clear.

0:42:07.719 --> 0:42:11.040
<v Speaker 1>It's not that we don't care. We just understand what

0:42:11.080 --> 0:42:12.600
<v Speaker 1>it is and what it's going to take if you

0:42:12.640 --> 0:42:14.800
<v Speaker 1>want to make that run. It's like running for president,

0:42:14.840 --> 0:42:15.359
<v Speaker 1>you know what I mean.

0:42:15.680 --> 0:42:18.080
<v Speaker 4>I don't understand why don't Like, I know y'all got

0:42:18.080 --> 0:42:20.839
<v Speaker 4>to go, but why why couldn't y'all just consistently be y'all?

0:42:21.200 --> 0:42:22.879
<v Speaker 4>Like I said, you can watch the doc and see

0:42:22.880 --> 0:42:24.240
<v Speaker 4>the finality, see the humor.

0:42:24.520 --> 0:42:26.120
<v Speaker 3>I was watching the old video that I don't even

0:42:26.120 --> 0:42:26.719
<v Speaker 3>know why I just went.

0:42:26.760 --> 0:42:28.879
<v Speaker 4>I was watching old videos this weekend and the video

0:42:28.880 --> 0:42:30.680
<v Speaker 4>where you let your mom speak the verse.

0:42:32.239 --> 0:42:34.719
<v Speaker 3>I like, y'all do stuff like y'all do your own thing.

0:42:34.840 --> 0:42:36.040
<v Speaker 3>That's personality driven.

0:42:36.200 --> 0:42:40.560
<v Speaker 1>Why not? We're not thirsty, That's the key. We're not

0:42:41.040 --> 0:42:44.160
<v Speaker 1>because it's been things people like yo, you want to

0:42:44.200 --> 0:42:47.000
<v Speaker 1>do this and be like nah, you know like you

0:42:47.400 --> 0:42:49.560
<v Speaker 1>as how pr got be like yo, I got I

0:42:49.600 --> 0:42:51.880
<v Speaker 1>got I got this. We can do this. We can

0:42:51.920 --> 0:42:53.439
<v Speaker 1>do this and we would go right through the list.

0:42:53.480 --> 0:42:57.319
<v Speaker 1>No no, yeah, no, no no, and like anybody else

0:42:57.320 --> 0:42:59.759
<v Speaker 1>will be like, oh, ship, I'm doing all that we like,

0:42:59.760 --> 0:43:02.839
<v Speaker 1>Like it's far more intentional, you know, curate it, Yeah,

0:43:03.719 --> 0:43:05.920
<v Speaker 1>to curate the kind of experience that you want to

0:43:05.960 --> 0:43:08.680
<v Speaker 1>give your fans. So like come in to breakfast club,

0:43:08.719 --> 0:43:11.719
<v Speaker 1>like you know, we both Carolina, Like there's a connection there,

0:43:11.800 --> 0:43:14.360
<v Speaker 1>you know what I mean. So it's like you don't

0:43:14.440 --> 0:43:17.560
<v Speaker 1>just do everything. It's not just you know, coming in

0:43:17.600 --> 0:43:21.000
<v Speaker 1>with a oozy and just like nah, very targeted shots

0:43:21.000 --> 0:43:22.960
<v Speaker 1>because at this point in the game, you know, we're

0:43:22.960 --> 0:43:26.120
<v Speaker 1>twenty year vets, and you know, the energy that you have,

0:43:26.520 --> 0:43:28.919
<v Speaker 1>you know, you really have to conserve and you only

0:43:28.960 --> 0:43:31.120
<v Speaker 1>got to use it on the ship. That really fucking matters,

0:43:31.440 --> 0:43:33.000
<v Speaker 1>you know what I mean. You can't just be out here,

0:43:33.480 --> 0:43:35.799
<v Speaker 1>in my opinion, you can't just be out here just

0:43:35.840 --> 0:43:39.080
<v Speaker 1>moving crazy and just you know, expending all your energy

0:43:39.120 --> 0:43:42.680
<v Speaker 1>and your time on not half an unlimited amount of

0:43:42.680 --> 0:43:48.160
<v Speaker 1>bullets in the chamber at forty forty five years old.

0:43:48.120 --> 0:43:54.240
<v Speaker 4>I don't believe that's no, no, no, you mean time

0:43:54.400 --> 0:43:57.839
<v Speaker 4>like physically, how we feel about doing things, because yeah, okay,

0:43:57.840 --> 0:43:58.600
<v Speaker 4>because I feel.

0:43:58.400 --> 0:44:01.120
<v Speaker 1>Like you can do whatever you can. You can do it.

0:44:01.200 --> 0:44:02.880
<v Speaker 1>I mean you see, like someone like nas is on

0:44:02.880 --> 0:44:09.839
<v Speaker 1>a run right now performance a sweet Absolutely you can.

0:44:09.880 --> 0:44:12.359
<v Speaker 1>You can do whatever you want to do. What we

0:44:12.480 --> 0:44:16.239
<v Speaker 1>what I'm saying is you gotta be very you gotta

0:44:16.280 --> 0:44:19.839
<v Speaker 1>be strategic about what you're doing, because the energy like

0:44:20.080 --> 0:44:22.640
<v Speaker 1>just putting energy into things that don't make no sense.

0:44:23.760 --> 0:44:25.520
<v Speaker 1>You know, when you're twenty, you got all the fucking

0:44:25.640 --> 0:44:28.319
<v Speaker 1>energy in the world. Forty you like, hold up now,

0:44:28.520 --> 0:44:30.640
<v Speaker 1>and you have to be specific and strategic like you

0:44:30.640 --> 0:44:33.520
<v Speaker 1>were saying, because I'm a firm believer that the work

0:44:33.560 --> 0:44:35.719
<v Speaker 1>you do is the work that you're gonna create more

0:44:35.880 --> 0:44:38.600
<v Speaker 1>for yourself. So if you start doing sucker ship, you

0:44:38.760 --> 0:44:41.160
<v Speaker 1>just gonna get more sucker opportunities, you know. I mean,

0:44:41.520 --> 0:44:43.919
<v Speaker 1>so I'm like, nah, like we're just gone to set

0:44:43.920 --> 0:44:45.759
<v Speaker 1>this ship up off break like this. What we're doing

0:44:45.880 --> 0:44:48.760
<v Speaker 1>is what we're not doing and just hold that boundary

0:44:48.840 --> 0:44:51.319
<v Speaker 1>and uh again it just speaks to just I think

0:44:51.440 --> 0:44:53.879
<v Speaker 1>just the sustainability of it. You know, we really wanted

0:44:53.920 --> 0:44:56.520
<v Speaker 1>to do this for a long time and uh you know,

0:44:56.600 --> 0:44:59.840
<v Speaker 1>we knew we wasn't gonna do that just doing moving

0:44:59.880 --> 0:45:01.719
<v Speaker 1>like how we saw a lot of other rappers were

0:45:01.760 --> 0:45:04.120
<v Speaker 1>moving and just a lot of just entertainment was moving.

0:45:04.400 --> 0:45:06.480
<v Speaker 1>We had to kind of come and do something that

0:45:06.560 --> 0:45:09.920
<v Speaker 1>was very specific to who we were, and we kind

0:45:09.960 --> 0:45:14.040
<v Speaker 1>of had a chance to go through that again with Luke.

0:45:14.280 --> 0:45:17.759
<v Speaker 1>You know, absolutely, you know, but yeah, it's working with

0:45:17.840 --> 0:45:22.120
<v Speaker 1>Luke signed to Dreatville and just doing his album, and

0:45:22.160 --> 0:45:25.960
<v Speaker 1>he was very adamant, like I'm gonna do me like

0:45:25.960 --> 0:45:28.800
<v Speaker 1>like I'm not. I'm not you know, yes, I want things,

0:45:28.880 --> 0:45:32.439
<v Speaker 1>but I'm gonna do what's comfortable for me, like who

0:45:33.400 --> 0:45:36.080
<v Speaker 1>It was a key point conversation we had and he

0:45:36.200 --> 0:45:37.680
<v Speaker 1>was like, yo, I want to be able to be

0:45:37.800 --> 0:45:42.279
<v Speaker 1>me everywhere. And I said, well, if that's what you

0:45:42.360 --> 0:45:44.160
<v Speaker 1>want to do, this is this is kind of the

0:45:44.239 --> 0:45:47.839
<v Speaker 1>road map for it. And and that's just who he is,

0:45:47.880 --> 0:45:51.799
<v Speaker 1>Like he's not a big mixy person. He's not you know,

0:45:51.880 --> 0:45:54.160
<v Speaker 1>he deals with anxiety. He talks about it, and so

0:45:55.120 --> 0:45:57.160
<v Speaker 1>we have to be very strategic and how we move

0:45:57.200 --> 0:45:59.399
<v Speaker 1>with him, and it's just traces of how we move

0:45:59.480 --> 0:46:02.320
<v Speaker 1>and who we are. I see that and him and

0:46:02.480 --> 0:46:05.480
<v Speaker 1>so I was kind of perfect for that because I'm like,

0:46:05.520 --> 0:46:08.239
<v Speaker 1>I know what this is, don Bro. And it was

0:46:08.320 --> 0:46:09.759
<v Speaker 1>just one of the things where it was like, yo,

0:46:09.920 --> 0:46:11.800
<v Speaker 1>this is this is day ja vu like a muff

0:46:12.200 --> 0:46:14.520
<v Speaker 1>because you can't because the thing is like and that's

0:46:14.520 --> 0:46:17.080
<v Speaker 1>again with the artists. Now, I just kind of treat

0:46:17.280 --> 0:46:19.200
<v Speaker 1>kind of keep telling them like, bro y'a don't understand.

0:46:19.280 --> 0:46:22.200
<v Speaker 1>I know this shit is crazy, but whatever it is

0:46:22.239 --> 0:46:25.160
<v Speaker 1>you're into, you can find an audience for that, Like

0:46:25.239 --> 0:46:29.160
<v Speaker 1>you know, in particular cars and he's the cars painting.

0:46:29.680 --> 0:46:31.719
<v Speaker 1>It's like, dude, if you if you don't want to

0:46:31.760 --> 0:46:33.640
<v Speaker 1>do breakfast club, like if you if that's not your

0:46:33.719 --> 0:46:35.680
<v Speaker 1>thing and you just want to get your Bob bross

0:46:35.760 --> 0:46:38.600
<v Speaker 1>on and do little Instagram snippers and you paint, you

0:46:38.640 --> 0:46:40.600
<v Speaker 1>can do that and that shitll go off. You'll find

0:46:40.600 --> 0:46:42.960
<v Speaker 1>a community people that are into it. There's a market

0:46:43.000 --> 0:46:45.400
<v Speaker 1>for it, and you can go directly to them. And

0:46:45.440 --> 0:46:49.000
<v Speaker 1>that was just something that wasn't really you know, back

0:46:49.080 --> 0:46:50.920
<v Speaker 1>you know to your original question earlier about you know,

0:46:50.960 --> 0:46:53.800
<v Speaker 1>why we weren't bigger. I just think at that time

0:46:54.400 --> 0:46:56.640
<v Speaker 1>there were choices, definite choices that we made. But also

0:46:56.680 --> 0:47:01.360
<v Speaker 1>it was very much marketing back then wasn't really tailored

0:47:01.400 --> 0:47:03.239
<v Speaker 1>to the artist. It was just kind of a one

0:47:03.280 --> 0:47:07.920
<v Speaker 1>size fits all. This is album coming, This is what

0:47:08.040 --> 0:47:08.600
<v Speaker 1>needs to happen.

0:47:08.719 --> 0:47:11.400
<v Speaker 3>Hold his bottle knowledge you going to this radio.

0:47:11.280 --> 0:47:14.000
<v Speaker 1>Station and it's like bru, Like we don't even drink

0:47:14.080 --> 0:47:16.320
<v Speaker 1>like that, Like this doesn't make sense. You know what

0:47:16.360 --> 0:47:18.480
<v Speaker 1>I'm saying, don't you know, no moral objection to it,

0:47:18.520 --> 0:47:21.640
<v Speaker 1>but I'm like, this doesn't translate. And you just didn't

0:47:21.680 --> 0:47:23.960
<v Speaker 1>really have the latitude to figure that out back then

0:47:24.200 --> 0:47:26.200
<v Speaker 1>in a way the artists do now, and so it

0:47:26.280 --> 0:47:28.720
<v Speaker 1>really is a beautiful time. And that's why we wanted

0:47:28.719 --> 0:47:31.160
<v Speaker 1>to take advantage now of just being able to go

0:47:31.239 --> 0:47:34.239
<v Speaker 1>direct to consumer, go directly to our audience with the documentary,

0:47:34.680 --> 0:47:37.160
<v Speaker 1>and it's just been it's been a beautiful experience.

0:47:37.880 --> 0:47:42.120
<v Speaker 5>How many young boys are like just like this, like

0:47:42.360 --> 0:47:43.200
<v Speaker 5>we don't want to change.

0:47:43.200 --> 0:47:44.560
<v Speaker 6>We don't want to I don't want it to do

0:47:44.880 --> 0:47:46.840
<v Speaker 6>all of this that X Y Z is doing to

0:47:46.960 --> 0:47:48.640
<v Speaker 6>get where X Y and Z is at.

0:47:48.680 --> 0:47:50.280
<v Speaker 5>And you know if I never get there, I never get.

0:47:50.120 --> 0:47:54.000
<v Speaker 6>There, Like this interview and your documentary is definitely gonna

0:47:54.080 --> 0:47:56.880
<v Speaker 6>like that. That's good for people because other guys like

0:47:56.920 --> 0:47:59.759
<v Speaker 6>you out there, young boys who like underground Wrap and

0:47:59.800 --> 0:48:01.400
<v Speaker 6>they have about things that they feel like won't be

0:48:01.400 --> 0:48:04.719
<v Speaker 6>accepted or conducive to what today's hip hop is or

0:48:04.760 --> 0:48:07.680
<v Speaker 6>today's rap or whatever, and it's his inspirational to a

0:48:07.719 --> 0:48:09.239
<v Speaker 6>lot of boys in a lot of.

0:48:09.800 --> 0:48:12.439
<v Speaker 1>Roman Thank you. That was that was part of the hope,

0:48:12.600 --> 0:48:15.520
<v Speaker 1>was that people can hear our story and see some

0:48:15.600 --> 0:48:18.000
<v Speaker 1>of themselves in our story, and that's that's something we

0:48:18.840 --> 0:48:22.160
<v Speaker 1>have that we didn't have that rop. Yeah, yeah, it

0:48:22.200 --> 0:48:25.400
<v Speaker 1>was like, hey man, it's the way you gotta do it.

0:48:26.480 --> 0:48:26.719
<v Speaker 1>Do it.

0:48:26.760 --> 0:48:28.399
<v Speaker 4>I got too more questions because I know jefs hungry

0:48:28.400 --> 0:48:33.120
<v Speaker 4>and she want to go. But one hundred three thousand

0:48:33.840 --> 0:48:36.759
<v Speaker 4>said he doesn't rap anymore because he's forty eight and

0:48:36.760 --> 0:48:39.520
<v Speaker 4>he has nothing to talk about it being ol g's

0:48:39.560 --> 0:48:40.320
<v Speaker 4>and y'all forties.

0:48:40.360 --> 0:48:42.000
<v Speaker 3>How did that statement make you feel?

0:48:43.239 --> 0:48:45.160
<v Speaker 1>We talked about it on something else. Man. It's like,

0:48:45.760 --> 0:48:48.880
<v Speaker 1>we look at ourselves as writers and you don't have

0:48:48.920 --> 0:48:51.640
<v Speaker 1>an a's limit. You know, we're not athletes. We're not

0:48:51.920 --> 0:48:54.359
<v Speaker 1>you know, out there trying to dunk, and we're right,

0:48:54.640 --> 0:48:57.719
<v Speaker 1>you should be getting better with time or even to

0:48:57.760 --> 0:48:59.719
<v Speaker 1>your point about killing Mike and just you know what

0:48:59.760 --> 0:49:01.799
<v Speaker 1>I mean, your head, you know when you get old.

0:49:01.840 --> 0:49:04.040
<v Speaker 1>There was a there's an arc I read like years

0:49:04.040 --> 0:49:09.320
<v Speaker 1>ago that talked about how most creative breakthroughs were artists.

0:49:09.360 --> 0:49:13.200
<v Speaker 1>Most creative breakthroughs happened in like your late thirties early forties,

0:49:13.239 --> 0:49:15.200
<v Speaker 1>because that's when both sides of your brain learned to

0:49:15.239 --> 0:49:17.279
<v Speaker 1>talk to each other, you know what I mean. And

0:49:17.320 --> 0:49:20.880
<v Speaker 1>so that just I was like, damn, that's right. And so,

0:49:21.080 --> 0:49:23.279
<v Speaker 1>you know, it really is a thing where in this

0:49:23.440 --> 0:49:27.400
<v Speaker 1>business again, it just goes against everything because if you

0:49:27.440 --> 0:49:30.560
<v Speaker 1>ain't owned by twenty five, you know, you you done

0:49:30.600 --> 0:49:33.440
<v Speaker 1>lost it. And you know a lot of you know,

0:49:33.600 --> 0:49:35.680
<v Speaker 1>labels and just you know, a lot of industry people

0:49:35.680 --> 0:49:39.239
<v Speaker 1>they're reluctant to work with older talent, what they perceive

0:49:39.320 --> 0:49:42.600
<v Speaker 1>as older talent, when that's the time when you know

0:49:42.880 --> 0:49:45.360
<v Speaker 1>you're at your best, you know what I'm saying, because

0:49:45.400 --> 0:49:47.680
<v Speaker 1>you've lived a life. I remember we interviewed Chris Rock

0:49:47.800 --> 0:49:51.160
<v Speaker 1>on QLs sometime back, and he was talking about how

0:49:51.280 --> 0:49:54.320
<v Speaker 1>Supreme Quest of Supreme. Here I'm just talking another iHeart

0:49:54.480 --> 0:49:57.480
<v Speaker 1>property but yeah shouts the Quest Love and my people's

0:49:57.480 --> 0:50:00.200
<v Speaker 1>team Supreme. But yeah, we was he was interview Chris

0:50:00.280 --> 0:50:02.120
<v Speaker 1>Rock and he was talking about how, you know, in

0:50:02.160 --> 0:50:04.960
<v Speaker 1>the early days of his stand up, he didn't really

0:50:05.000 --> 0:50:06.800
<v Speaker 1>have shit to talk about He was like, you know,

0:50:06.840 --> 0:50:08.719
<v Speaker 1>your early age stand up, it's just it's just dick

0:50:08.840 --> 0:50:11.120
<v Speaker 1>jokes shit, because it's like, what do you have? But

0:50:11.160 --> 0:50:13.319
<v Speaker 1>it's not until you go and you live and you

0:50:13.360 --> 0:50:16.719
<v Speaker 1>get divorced, you have kids, you damn like, you know,

0:50:16.760 --> 0:50:19.319
<v Speaker 1>you really have things to talk about. And so that

0:50:19.520 --> 0:50:21.800
<v Speaker 1>was kind of for us, you know, with the Andre statement,

0:50:21.960 --> 0:50:25.080
<v Speaker 1>we talked about it, but yeah, I mean, it's kind

0:50:25.120 --> 0:50:26.759
<v Speaker 1>of all in the eye to be holder. If he

0:50:26.840 --> 0:50:29.799
<v Speaker 1>feels that he doesn't have anything to say at forty eight,

0:50:30.360 --> 0:50:32.719
<v Speaker 1>that's his creative journey. That's how he feels, you know

0:50:32.719 --> 0:50:35.600
<v Speaker 1>what I mean it and it takes time to figure out.

0:50:35.719 --> 0:50:38.440
<v Speaker 1>You know. With Johnwick rap, we've heard so long that

0:50:38.520 --> 0:50:41.879
<v Speaker 1>rap is a young man's game and who you are

0:50:42.719 --> 0:50:44.360
<v Speaker 1>you know when you're young, so much of that is

0:50:44.440 --> 0:50:47.640
<v Speaker 1>driven by hunger and like anger and just trying to

0:50:47.680 --> 0:50:51.120
<v Speaker 1>make it. You know, nigga, what what do you rap

0:50:51.160 --> 0:50:52.759
<v Speaker 1>about that? After you done sold ten million records and

0:50:52.800 --> 0:50:54.160
<v Speaker 1>he ain't struggling no more, And it's.

0:50:54.000 --> 0:50:56.080
<v Speaker 3>All about what you are willing to share, right like that?

0:50:56.480 --> 0:50:58.160
<v Speaker 4>Absolutely, I don't we don't have to get on this

0:50:58.239 --> 0:50:59.520
<v Speaker 4>radio and talk about our family. We don't have to

0:50:59.520 --> 0:51:01.319
<v Speaker 4>talk about our kids. We do, but we don't have to.

0:51:01.360 --> 0:51:03.080
<v Speaker 4>I don't got to talk about mental health and going

0:51:03.120 --> 0:51:06.120
<v Speaker 4>to therapy. But it's about what you are willing to share.

0:51:06.680 --> 0:51:06.879
<v Speaker 1>Share.

0:51:08.080 --> 0:51:12.359
<v Speaker 3>And my last question is what does twenty years feel like? Ya?

0:51:12.760 --> 0:51:16.520
<v Speaker 1>Like a good night's sleep? Absolutely, like legit, A lot

0:51:16.560 --> 0:51:19.600
<v Speaker 1>of this feels like a year ago, two years ago.

0:51:19.600 --> 0:51:22.320
<v Speaker 1>I mean we lost two years, but with the pandemic

0:51:23.280 --> 0:51:25.359
<v Speaker 1>we lost a little bit of the time. But nah,

0:51:25.600 --> 0:51:27.759
<v Speaker 1>it don't feel it don't feel like twenty years at all.

0:51:27.840 --> 0:51:30.480
<v Speaker 1>Like it's it's one of them things where you look

0:51:30.520 --> 0:51:32.960
<v Speaker 1>back and be like, shit, like I'm about to be

0:51:33.000 --> 0:51:36.279
<v Speaker 1>forty four, man, I was just twenty one, Brian like

0:51:37.040 --> 0:51:40.040
<v Speaker 1>walking around like what's going on here? And so it's

0:51:40.320 --> 0:51:41.839
<v Speaker 1>and that's a blessing, you know what I mean. Like

0:51:41.960 --> 0:51:44.399
<v Speaker 1>it ain't been a hard twenty for us. I mean,

0:51:44.640 --> 0:51:47.440
<v Speaker 1>we've been through our share of things, but you know

0:51:47.480 --> 0:51:50.759
<v Speaker 1>we ain't have you know, no overdoses, no nah man,

0:51:51.239 --> 0:51:53.399
<v Speaker 1>you know, nobody locked up. You know what I'm saying,

0:51:53.440 --> 0:51:55.120
<v Speaker 1>We ain't had none of them type of issue. So

0:51:55.800 --> 0:51:58.280
<v Speaker 1>it's just one of them things, you know, you blessed

0:51:58.280 --> 0:52:00.680
<v Speaker 1>that it feels like it only been a short amount

0:52:00.719 --> 0:52:04.520
<v Speaker 1>of time because that means we got twenty more plus

0:52:05.040 --> 0:52:08.000
<v Speaker 1>to go. It's just gratitude. I think that's what it

0:52:08.040 --> 0:52:10.719
<v Speaker 1>feels like for me. It's just gratitude just looking at

0:52:10.880 --> 0:52:12.319
<v Speaker 1>you know a lot of cats that we came in

0:52:12.360 --> 0:52:15.080
<v Speaker 1>the game with that you know, didn't make it for whatever,

0:52:15.120 --> 0:52:18.239
<v Speaker 1>for various reasons, you know what I'm saying. And you know,

0:52:18.320 --> 0:52:21.920
<v Speaker 1>and guys that were and that were like crazy talented,

0:52:22.000 --> 0:52:23.759
<v Speaker 1>you know what I'm saying, It's just like, oh my god,

0:52:23.800 --> 0:52:26.840
<v Speaker 1>why didn't this person get this? And you know, it

0:52:26.920 --> 0:52:29.040
<v Speaker 1>really is just a lesson. You know, Man, the race

0:52:29.080 --> 0:52:30.719
<v Speaker 1>ain't always to the swift, you know what I mean,

0:52:30.800 --> 0:52:33.760
<v Speaker 1>it really is. You know, when you see somebody that's

0:52:33.920 --> 0:52:37.760
<v Speaker 1>on or popping or whatever, there are a million different

0:52:37.760 --> 0:52:41.200
<v Speaker 1>factors that play into that person having that platform, the

0:52:41.280 --> 0:52:43.880
<v Speaker 1>least of which is probably their talent. Yeah you know

0:52:43.880 --> 0:52:46.120
<v Speaker 1>what I'm saying, Talent, don't. I mean that shit is

0:52:47.400 --> 0:52:49.880
<v Speaker 1>oh yeah, you know, so so for us to just

0:52:49.920 --> 0:52:52.319
<v Speaker 1>you know, still be here and you know, twenty years

0:52:52.400 --> 0:52:55.360
<v Speaker 1>later and just to be not just still here and

0:52:55.480 --> 0:52:59.360
<v Speaker 1>still like revelepment, but just sharper mentally, Like I really,

0:52:59.480 --> 0:53:01.720
<v Speaker 1>I really feel like as a writer I'm just getting started.

0:53:01.760 --> 0:53:04.200
<v Speaker 1>Like there's just things and that you know as an

0:53:04.320 --> 0:53:07.360
<v Speaker 1>MC and you know, just as a creator. There's just

0:53:07.440 --> 0:53:09.799
<v Speaker 1>tools in my toolbox that I have now that I

0:53:09.840 --> 0:53:13.319
<v Speaker 1>didn't have twenty years ago. And uh it just I

0:53:13.400 --> 0:53:15.439
<v Speaker 1>just feel reinvigorated, you know what I mean? And even

0:53:15.480 --> 0:53:18.480
<v Speaker 1>to that point for me, like people told me my

0:53:18.600 --> 0:53:23.360
<v Speaker 1>best two albums writing has been my last two? You

0:53:25.520 --> 0:53:26.200
<v Speaker 1>like wine?

0:53:26.680 --> 0:53:29.520
<v Speaker 3>Will we ever get a Fonte Pool Knife one?

0:53:29.600 --> 0:53:34.719
<v Speaker 1>Dude? Nah, damn. I didn't even think about it.

0:53:34.840 --> 0:53:37.600
<v Speaker 2>It was like maybe there was a possibility a couple

0:53:37.600 --> 0:53:37.959
<v Speaker 2>of years.

0:53:38.680 --> 0:53:41.680
<v Speaker 5>Why, Like they don't know, they don't understand.

0:53:43.160 --> 0:53:46.120
<v Speaker 1>You know what is we gotta.

0:53:45.920 --> 0:53:46.440
<v Speaker 3>Watch the die?

0:53:46.520 --> 0:53:49.080
<v Speaker 1>Yeah, it's in the doc. I mean, we talked about everything.

0:53:48.719 --> 0:53:52.120
<v Speaker 3>But it don't seem like it's none of y'all can't recordize.

0:53:52.200 --> 0:53:53.680
<v Speaker 2>It seems like they could be like at least maybe

0:53:54.960 --> 0:53:55.640
<v Speaker 2>it's it's.

0:53:56.200 --> 0:53:59.799
<v Speaker 1>Not as y'all. It's not everything about reconciling anything. It's

0:53:59.840 --> 0:54:05.399
<v Speaker 1>just live. It's just that's just not what it's gonna be. Yeah,

0:54:05.600 --> 0:54:08.040
<v Speaker 1>you know little brothers Fante and Pool and Knife Wonder

0:54:08.120 --> 0:54:10.040
<v Speaker 1>is nfe Wonder and you know, we wish him all

0:54:10.080 --> 0:54:13.719
<v Speaker 1>the best and you know whatever, all his endeavors and

0:54:13.719 --> 0:54:17.160
<v Speaker 1>we're gonna keep doing us and that's just what it is.

0:54:18.960 --> 0:54:23.480
<v Speaker 6>You Beyonce, what's up with Michelle and Kelly and Farah and.

0:54:24.960 --> 0:54:37.480
<v Speaker 1>Come on, like she said, Pharah, that ain't might got

0:54:37.600 --> 0:54:43.440
<v Speaker 1>a shot? You know.

0:54:43.600 --> 0:54:44.360
<v Speaker 3>They started with.

0:54:46.560 --> 0:54:48.680
<v Speaker 5>Yes, they say no, you're gonna be like damn for real.

0:54:51.200 --> 0:54:52.040
<v Speaker 1>Nigga said no.

0:54:52.160 --> 0:54:55.120
<v Speaker 4>But it's it's not the same because definitely, child, we

0:54:55.120 --> 0:54:56.920
<v Speaker 4>we got like it felt like we.

0:54:56.880 --> 0:55:00.520
<v Speaker 3>Got closure with that. You know, I don't we got

0:55:00.520 --> 0:55:01.760
<v Speaker 3>closure with Little Brother.

0:55:01.920 --> 0:55:08.279
<v Speaker 1>The documentary is closure documentary. It's all sometimes we're not

0:55:08.880 --> 0:55:12.520
<v Speaker 1>we're not afforded the closure we want. I'm a girl,

0:55:12.840 --> 0:55:17.640
<v Speaker 1>get the closure you get. Check out the documentary. Learn

0:55:17.680 --> 0:55:18.359
<v Speaker 1>about Little Brother.

0:55:18.480 --> 0:55:19.879
<v Speaker 3>Made the Lord watch the Little Brother.

0:55:22.520 --> 0:55:24.520
<v Speaker 4>That was fun that that that took me like watching

0:55:24.560 --> 0:55:26.359
<v Speaker 4>videos because you know, we weren't even thinking about video.

0:55:26.360 --> 0:55:28.319
<v Speaker 3>I wasn't see that.

0:55:28.400 --> 0:55:31.000
<v Speaker 1>I was like, damn and were surprised we even had that.

0:55:32.480 --> 0:55:34.440
<v Speaker 5>Yeah, hell know, he wasn't think an't you know who

0:55:34.440 --> 0:55:35.319
<v Speaker 5>he was?

0:55:34.719 --> 0:55:39.960
<v Speaker 1>And I was not.

0:55:40.800 --> 0:55:42.440
<v Speaker 3>He ran over there and got some cream for.

0:55:45.040 --> 0:55:49.200
<v Speaker 1>I said, yeah, I was, he was. You got you

0:55:49.280 --> 0:55:56.799
<v Speaker 1>got three three it's Little Brother. Thank you for having

0:55:56.880 --> 0:56:01.120
<v Speaker 1>us congratulations than I love the Baltimore. I was hearing

0:56:01.320 --> 0:56:06.960
<v Speaker 1>to tears and I was like yes, so congratulations, Breakfast Club.

0:56:06.960 --> 0:56:10.800
<v Speaker 1>Good morning. Wake that ass up in the morning. Breakfast

0:56:10.800 --> 0:56:11.160
<v Speaker 1>Club