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Speaker 1: I am all in again. Oh that's just.

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Speaker 2: Hi, am all in again with Scott Patterson and iHeartRadio Podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, one

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Speaker 1: of them productions. iHeartRadio, I heart Media, iHeart Podcasts. We

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Speaker 1: are doing our breakdown episode with none other than the

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Speaker 1: one the only Maury.

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Speaker 3: Ted Rooney is.

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Speaker 1: Joining us, Ted, how are you? Danielle Romo is joining

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Speaker 1: us for this this breakdown? How you doing, Ted? How's

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Speaker 1: life going?

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Speaker 4: I'm so excited to be here after you ran through

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Speaker 4: all the episodes, right we.

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Speaker 1: Did one time?

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Speaker 4: Yes, you must be so so good at this by now.

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Speaker 1: I'm not really getting that much better at.

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Speaker 3: It, to be honest with you.

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Speaker 2: Guess he is. He's great.

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Speaker 1: I'm not really good at it in the first I

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Speaker 1: but the important part is I enjoy it, and that's

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Speaker 1: all that matters.

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Speaker 3: Okay.

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Speaker 4: Good.

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Speaker 2: The crazy thing Ted is before this Scott and I

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Speaker 2: were both hadn't seen Gilmour Girls. So this is our

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Speaker 2: second take at it now, so.

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Speaker 4: All the episodes. Now you're one of the huge fans

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Speaker 4: out there.

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Speaker 2: That's right.

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Speaker 1: We have joined the legions, okay of worshiping fans. And

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Speaker 1: this is season one episode for The Deer Hunters that

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Speaker 1: aired October twenty six, two thousands. Still struggling to catch up,

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Speaker 1: A Chilton Rory receives the first d of her life

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Speaker 1: on an English assignment, and it's soci umiliated that she

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Speaker 1: plunges into obsessive studying. Directed by Alan Myerson, written by

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Speaker 1: Jed side Dell ted, what's your overall impressions of this

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Speaker 1: episode as you watched it recently?

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Speaker 4: Well, I see the beginnings of a potential relationship with

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Speaker 4: the Max Medina. Yeah, I know that you might find

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Speaker 4: that threatening.

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Speaker 1: I do no longer find that threatening. I find it delightful.

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Speaker 4: You reached the end of the You didn't even know

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Speaker 4: what happened in the end that you guys ended up together.

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Speaker 1: So now you I know I won, So I got

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Speaker 1: not to worry about I won.

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Speaker 4: Any way.

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Speaker 1: I got the girl.

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Speaker 2: Max Medina was a solid threat to your Happily.

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Speaker 1: Ever, I like this guy. I like everything about him.

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Speaker 4: Happened to remember you going on a rant about him

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Speaker 4: touching her elbow or something like that me on a Ramsey.

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Speaker 1: Remember that was I ranting you.

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Speaker 4: Were ripping him.

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Speaker 1: He did, he touched touched her elbow in that first scene.

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Speaker 4: Yeah, that's what I'm saying. See, we're talking about Cinnamon's

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Speaker 4: weight last year or three years ago.

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Speaker 1: Oh my god, honestly, ted when I saw it this time,

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Speaker 1: because I watched it this morning, I did not like it.

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Speaker 2: Yeah, but I'm not going to go on a rant

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Speaker 2: on like the elbow touch again.

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Speaker 1: Okay, look, I got two beefs here, I got, I got,

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Speaker 1: I got, I got a couple of beefs here. He

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Speaker 1: touched the elbow, and then he leaves a message at

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Speaker 1: the end, and he says, and a Laura lies, you're

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Speaker 1: listening really nice singing over there?

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Speaker 3: What a movie? I hope what happens again?

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Speaker 1: I'm like, no, you don't not do that.

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Speaker 2: That is what you call smooth.

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Speaker 4: Face.

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Speaker 2: He was like, okay, then, like I see what you're

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Speaker 2: put it down there.

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Speaker 4: I see went upon first meeting somebody a woman, Uh, Scott,

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Speaker 4: would you touch her elbow to go to the next room. Hey,

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Speaker 4: let's go to the next room and touch because I

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Speaker 4: you know when a woman touches me because that never

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Speaker 4: happens hardly ever. But who I don't really know that's

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Speaker 4: a sign they're touching your body, you know, Yeah?

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Speaker 1: Yeah, that is sure is Yeah. I guess that's what

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Speaker 1: people do when they find somebody attractive. You know, the

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Speaker 1: guy will touch an elbow. And he touched an elbow.

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Speaker 1: There was full contact on the elbow right there. We

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Speaker 1: played it on slow motion replay. There's no disputing it.

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Speaker 1: New York confirmed it, and the flag was honored.

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Speaker 4: Here. You are a new man. You I don't hint,

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Speaker 4: and I don't hear a hint of jealousy in your voice.

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Speaker 2: Now.

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Speaker 1: I like Scott Collin a whole lot. I think the

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Speaker 1: character was smooth and great. I thought it was a

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Speaker 1: I thought their chemistry together was it was fantastic. I

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Speaker 1: really enjoyed watching it this time. I watched enjoyed developing

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Speaker 1: this relationship and the beginnings of it. And I thought

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Speaker 1: he acquitted himself quite masterfully. Actually, I thought he was

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Speaker 1: a pretty Danielle. I agree it was a smooth operator,

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Speaker 1: smooth guy, but genuine you know. I mean, I think

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Speaker 1: he was just not he wasn't being like, he wasn't

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Speaker 1: trying to be somebody else. He was just beating himself

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Speaker 1: and he genuinely kind of like, you know, the thunderbolt

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Speaker 1: struck him and.

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Speaker 4: He was like, oh boy, seems like a really nice guy.

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Speaker 1: Oh he is, he is, he does the character and

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Speaker 1: the man himself a terrific guy.

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Speaker 2: This episode is very not special, but very forthcome. I'm

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Speaker 2: not quite sure what the word I want to say is,

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Speaker 2: but we do see Rory fail for the first time

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Speaker 2: in her life, you know, like she has been put

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Speaker 2: on this massive pedestal and this is the first time

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Speaker 2: we see her, you know.

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Speaker 4: And you're talking about the D right, yeah. Well. One

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Speaker 4: of my favorite quotes of the episode is when she's

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Speaker 4: whining about getting a D to loral I and getting

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Speaker 4: a D is humiliating, she said, And the Lorealis line was, oh, honey,

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Speaker 4: you told me once that you loved watching Saved by

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Speaker 4: the Bell? What could be more humiliating? That one. I

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Speaker 4: don't laugh a lot, and and Gilmore grows Mostly I

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Speaker 4: just smile and wonder how they memorized all those lines

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Speaker 4: and got them up to speed. But that one I

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Speaker 4: laughed out loud.

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Speaker 1: Well, it does set in motion some really great storylines.

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Speaker 1: Max Medina's storyline floor line. It it really, you know,

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Speaker 1: Paris really throws down the gauntlet on Rory.

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Speaker 2: Here you're going down and vice versa.

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Speaker 1: Vice versa, where it was like, you know, knockout.

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Speaker 2: Respect was established, and Rory.

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Speaker 1: Came back with some really crushing right hands and a

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Speaker 1: nice left hook right there and even delivered a knockout

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Speaker 1: blow to Tristan on the way out and screaming her

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Speaker 1: own Ray Ray. You know, it's like, whoa, yeah, you

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Speaker 1: go right.

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Speaker 2: And also, you guys would know her more than I do.

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Speaker 2: But Alexis seems like she is very you know, quiet

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Speaker 2: and sweet and as an actress I could only imagine.

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Speaker 2: But she had it muster up to get it in

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Speaker 2: character in that scene.

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Speaker 1: It's the only time I've ever seen Alexis like that

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Speaker 1: in that state, you know. But she nailed it. I

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Speaker 1: mean it really came from, yeah, a real place, you know.

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Speaker 1: It was like and he and he had it coming

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Speaker 1: to him. I mean, that's smug guy that Chad Michael

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Speaker 1: Murray portrayed so well. He really had to coming to him.

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Speaker 1: So the writing is so good because the writers though

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Speaker 1: when a character, you know, can just light somebody up,

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Speaker 1: and that was perfect. It was perfect.

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Speaker 4: Do they get to become friends later Tristan and Rory.

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Speaker 1: Yeah, there's a there's a moment there at a party

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Speaker 1: and he displays some introspective and displays a little humility,

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Speaker 1: you know, with her, and there's a there's a recognition there. Yeah,

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Speaker 1: but I think I think he quickly reverts back to

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Speaker 1: his old son, Yeah, Tristan. So yeah, So then you know,

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Speaker 1: we get into this you know, this D getting this

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Speaker 1: D drives this episode. This This is a lot of

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Speaker 1: Rory and Laurel I and it's all about you know it,

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Speaker 1: does she have what it takes to get through the

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Speaker 1: curriculum at Chilton and it and it adds this really

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Speaker 1: unexpected tension right away to the show. I mean, here's

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Speaker 1: a girl who was doing so well and everything's so

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Speaker 1: easy for her at Stars Hollow Heights. Then she gets

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Speaker 1: into a situation. Yeah, and then she gets into the big

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Speaker 1: leagues and everybody can hit a fastball. You know, it's like, oh,

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Speaker 1: what do I do now? What were your impressions of this, Ted,

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Speaker 1: did you find that I.

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Speaker 4: See a young girl at the crossroads. My son is

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Speaker 4: at the same age right now, and there's a crossroads.

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Speaker 4: You know, are you going to rise to the occasion

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Speaker 4: of your hopes or are you going to choose the

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Speaker 4: other path, the safer path? And when once she comes

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Speaker 4: out to Laura I about it, that's what they talk about,

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Speaker 4: and Laura I, I'm gonna now, I'm gonna. I'm not

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Speaker 4: sposed to cry. It's so cool how Laura I supports

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Speaker 4: her completely and and says, I got your I know

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Speaker 4: you can do this, but at the same time gives

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Speaker 4: her that out so that she leaves the choice completely.

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Speaker 4: The reason why I'm gonna cry is because that's what

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Speaker 4: i want to do for my son. I want to challenge.

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Speaker 4: It was absolute best and you're in one of your crossroads.

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Speaker 4: You want to take the road less traveled, but it's

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Speaker 4: scary and and so you want to support if the

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Speaker 4: person doesn't do that, and with the hope that eventually

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Speaker 4: they're gonna, you know, on their own figure their own way.

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Speaker 4: But it's tough. It's tough as a parent to to

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Speaker 4: let go and and and trust at the same time,

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Speaker 4: you know, be there for them. So I thought, look,

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Speaker 4: I just did that beautifully.

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Speaker 2: And you felt the support there too, especially when they

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Speaker 2: studied for the test, you know. And later on in

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Speaker 2: this episode you see Lurlai like nope, I'm going to

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Speaker 2: hang in there with you and falls asleep and then

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Speaker 2: joins Rory at the table, who is asleep, like it's

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Speaker 2: just you felt the mother daughter's support in this episode

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Speaker 2: for sure.

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Speaker 1: How could you not love these two? Every parent out

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Speaker 1: there watching this was just like, wow, what a what

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Speaker 1: a relationship, What a great relationship, what a great mom.

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Speaker 1: I mean, we're all parents here and we would do

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Speaker 1: anything for our kids. We would do anything.

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Speaker 3: That's fine.

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Speaker 4: So that first hooked the mother daughters that are out

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Speaker 4: there watching just how how well they operated as friends

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Speaker 4: and parent and child.

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Speaker 1: Yeah, I think the hook was in right away, But

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Speaker 1: now the hook is is all the way in. You know,

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Speaker 1: it's it's like episode four. You know, people are telling

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Speaker 1: their friends to watch this wonderful show now and this

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Speaker 1: it's delightful and it's light and it's funny, but it

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Speaker 1: also deals with real world issues of raising a child

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Speaker 1: as a single.

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Speaker 3: Mother, which is really late.

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Speaker 1: The theme really laid out here and this is the

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Speaker 1: spine of this entire thing. Just beautifully done and just

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Speaker 1: they were in so many scenes. It's like scene after

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Speaker 1: scene after scene with these two. And that's a huge

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Speaker 1: ted you know, that's a huge workload. In an eight

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Speaker 1: day shooting schedule, they're there all day, every day, and

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Speaker 1: it's you know, sixteen eighteen hour days and it's exhausting,

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Speaker 1: and it's amazing the energy that is coming out of

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Speaker 1: the two of them and the work that they're doing

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Speaker 1: just awe inspiring, all inspiring. So we go to the end. Now, okay,

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Speaker 1: and here's another great storyline. Ted, talk a little bit

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Speaker 1: about your impressions of what Suki is going through and

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Speaker 1: how this on the folds.

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Speaker 4: Oh, the the Risotto rise incident, and I honestly there

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Speaker 4: was a scene at the very I want I don't

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Speaker 4: want to jump to the end. I hear you guys

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Speaker 4: wanting to walk through the episode and I want to

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Speaker 4: go to the you know, the parties can do that.

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Speaker 1: Yeah, we can jump around.

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Speaker 4: Suki. She had this great you by the gentleman that

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Speaker 4: wrote for the magazine that came to review, uh, her

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Speaker 4: food at the at the what do you call the place,

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Speaker 4: the hotel or.

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Speaker 1: The Independence end, Lucian Mills, Lucian Mills, the food critic.

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Speaker 4: And it was a great review except he liked the

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Speaker 4: roto risotto was fine, fine, And that word echoed and

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Speaker 4: echoed in Sukie's brain and just got it drove her crazy.

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Speaker 2: Yeah, as as a perfectionist, the word fine is not cool,

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Speaker 2: you know, I can I can resonate with Suki's fire

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Speaker 2: coming out of her.

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Speaker 4: You know, she wasn't crazy. Upset found out on me

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Speaker 4: and she wasn't being crazy because there was something to

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Speaker 4: the risotto that wasn't quite right, and it wasn't her fault.

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Speaker 2: It wasn't her fault.

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Speaker 4: It was the wine that was served. Am I right?

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Speaker 4: That didn't go well with the RESULTA right the wrong?

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Speaker 1: He served her a riseling or gave him a riling

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Speaker 1: the second time around. I don't know something, but yeah,

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Speaker 1: it was the wine.

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Speaker 4: And then and then in the end, Suki brought the

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Speaker 4: risotto to uh the gentleman's door, the reviewer's door, to

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Speaker 4: have him, you know, to rectify the whole situation and

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Speaker 4: show him, even though he loved everything she did, uh

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Speaker 4: that that the risotto was good. Uh. It was a

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Speaker 4: funny scene because I noted that I did not see

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Speaker 4: the reviewer the whole time, and I was wondering, Yeah,

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Speaker 4: like they cast the role, so we had an extra

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Speaker 4: stand there and somebody say the words right.

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Speaker 1: And Suki facing the camera not turning to look at Lucian.

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Speaker 1: We never saw Lucian, so obviously it wasn't an actor.

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Speaker 1: They hired. It was somebody somebody else that filled in,

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Speaker 1: and that's how they had to shoot it, you know,

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Speaker 1: because they didn't they didn't they didn't want to come

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Speaker 1: around and do the coverage on on Suki. They just

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Speaker 1: did like, let's just do this as one shot and

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Speaker 1: do a couple of different sizes.

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Speaker 4: I thought there was like a character reason for that

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Speaker 4: that she wasn't looking and I'm what's going on here? Yeah,

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Speaker 4: that's cool.

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Speaker 2: I didn't you guys that those thoughts didn't even cross

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Speaker 2: my brain. I was just like the risotto. So it's

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Speaker 2: cool that from you guys who are in it, that

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Speaker 2: you can see what actually or you know, guess what

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Speaker 2: actually happened with this guy.

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Speaker 1: Yeah, I think that's probably what happened. And again here

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Speaker 1: we see Laurel I being, you know, this great friend

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Speaker 1: and this great support and tuned with everything that's going

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Speaker 1: on in her life and her concerns and and wants

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Speaker 1: to make it better. She's always wanting to make it better.

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Speaker 1: And that's that's a very nice, warm, cozy relationship she

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Speaker 1: has with Suki. And just these these early scenes in

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Speaker 1: the kitchen are my favorite. They're just my favorite. I

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Speaker 1: just think that the acting is so spectacular and uh,

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Speaker 1: you know, it's it's all so engaging and it's really

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Speaker 1: interesting to see somebody so concerned about And also, these

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Speaker 1: are what I'm trying to say is these are people

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Speaker 1: that are that want to give their best. They're doing

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Speaker 1: their best, and when they feel like they fall in short,

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Speaker 1: they take it to heart. Rory getting the d Suki

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Speaker 1: getting you know, just an okay review on one, you know,

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Speaker 1: a great review, but the risotta was fine. Everybody just

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Speaker 1: wanting to do their best. It's it's it's fun to watch,

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Speaker 1: it's it's it's heartwarming. Jackson comes in. He forgot Suki's

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Speaker 1: porcinis and she didn't even get mad. He tries to

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Speaker 1: cheer up and then they call the waiter in. So really,

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Speaker 1: the bottom line is that Suki is very bothered by

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Speaker 1: Lucian Mills calling her risotto fine, and she takes care

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Speaker 1: of it. She just she has to find out where

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Speaker 1: where Lucian lives because he did say this is a

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Speaker 1: little creepy. She said, like, I don't care, try this

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Speaker 1: with this wine boom. How do you want?

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Speaker 2: I really want? Right?

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Speaker 1: But how do you not love Suki? Saint James, these

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Speaker 1: characters are irresistible.

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Speaker 4: That's I think the keys of the show you're touching

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Speaker 4: on here is that they're all human, right, uh. And

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Speaker 4: they have their you know, their foible, their their issues

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Speaker 4: so to speak, but they they all are good people

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Speaker 4: that are good to each other. And some people talk

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Speaker 4: about the show with me is there it's their comfort food,

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Speaker 4: you know, visual comfort food. And it's because you're seeing humans,

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Speaker 4: you know, do life well. And so it's a little

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Speaker 4: you know, elevated reality. But don't we want to see that?

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Speaker 4: Don't we want that for our life? We see quirky,

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Speaker 4: goofy and fallible people that are good at the core, it's.

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Speaker 1: Right, trying to be the best versions of themselves, you know,

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Speaker 1: trying to do their day as best they can possibly

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Speaker 1: do it. Right. This small town vibe is I'm accountable.

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Speaker 1: I'm going to do the best I can and if

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Speaker 1: I screw up, I'm going to be really sorry.

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Speaker 4: Something else there with with the acting early on in

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Speaker 4: a show, to have seamless acting like that, because I'm

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Speaker 4: not seeing I'm used to seeing, you know, with one

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Speaker 4: character or another. Some tells that they're acting right, you

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Speaker 4: see it. You're like, oh, okay, there's a moment when

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Speaker 4: they didn't quite get their line right or where they

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Speaker 4: just didn't really understand the moment fully. But it's seamless

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Speaker 4: and beautiful. So that pulls your right in because you

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Speaker 4: feel like you're with real people.

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Speaker 2: Mm hmmm, I love that.

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Speaker 1: Yeah, oh true. It's such a lighthearted comedy and I

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Speaker 1: feel I've said this a couple of times. I think

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Speaker 1: that's how it operates best and keeping it light and

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Speaker 1: airy and breezy and quick and funny, and then there's

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Speaker 1: some intense stuff along the way, but not too much,

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Speaker 1: you know, but it's like relatable real world stuff or

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Speaker 1: you know, you can be you know, very concerned about

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Speaker 1: your child. I mean, this is this is universal. Everybody

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Speaker 1: has felt this. That's a parent, right This this terror

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Speaker 1: that that their child isn't going to do well enough

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Speaker 1: or you know, they're gonna and the fear is of

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Speaker 1: how that's how your child's going to feel about themselves

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Speaker 1: and your your job as a parent and not to

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Speaker 1: go too overboard with trying to be overly protective, but

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Speaker 1: still it's like toughest job in the world, and uh

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Speaker 1: to regulate that and to balance that out for the

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Speaker 1: for the benefit of your child. To let them figure

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Speaker 1: it out, you know, to let them, but I mean,

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Speaker 1: you know, throw in when you can, like Lorelei, does

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Speaker 1: you know what. Let's go back to when lorele I

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Speaker 1: came in in the B fifty two's shirt and came

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Speaker 1: in late to the meetings, like Mom's late and then

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Speaker 1: Rory's late for the test. So I thought one of

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Speaker 1: the I think Laura Graham is the best thing to

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Speaker 1: happen to television comedy acting since luci Oeball. I have

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Speaker 1: to put her up there on the pantheon of great

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Speaker 1: television actresses or just great actresses overall, because the things

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Speaker 1: that she's doing and the effortless awkwardness, and that's right,

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Speaker 1: the attraction she has to Max Medina as she comes

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Speaker 1: in late. It's just it's just a masterclass in in

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Speaker 1: in comedic acting. I mean not she's not laying it

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Speaker 1: on too thick anywhere. Everythink's just the transitions are really fast,

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Speaker 1: they're seamless. Everything's very smooth.

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Speaker 2: Can I say one thing about about what you're saying though?

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Speaker 1: It's sure? Sure?

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Speaker 2: So I remember when I watched this this for this

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Speaker 2: episode for the first time, I was like, oh my gosh,

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Speaker 2: Lorelai and Max Medina. This is the thing, YadA, YadA, YadA.

364
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Speaker 2: But watching this episode back twice, Lorlay still is dropping

365
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Speaker 2: hints with Luke. You still see that like connection when

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Speaker 2: they have a scene together. And now that I know

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Speaker 2: what happens and I'm watching this again, I'm like, uh duh,

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Speaker 2: it's there all along. Like even though she st you know,

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Speaker 2: goes off the path for a second with Max Medena

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Speaker 2: and then later on with her other boyfriends, it's still

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Speaker 2: Luke the whole time. And that's the one thing I

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Speaker 2: noticed in this episode. You still see it even though

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Speaker 2: Max Medina is a distraction.

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Speaker 4: I think you're projecting because like us, you just curmudgeon guy.

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Speaker 4: You know, he's not going to give an inch. See

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Speaker 4: you know where it's going. Yeah you're looking or maybe no.

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Speaker 2: I guess I guess I am looking for it. But

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Speaker 2: you still just see it. Like even in the diner scenes,

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Speaker 2: she just the way she looks at Luke is not

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Speaker 2: like the way she looks at other characters in the show.

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Speaker 4: Well, Scott Patterson having a little crash. I don't know.

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Speaker 1: I love it, man, I was just happy to be there. Yeah,

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Speaker 1: all right, this this is good.

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Speaker 4: You weren't series regular at first, right.

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Speaker 1: Yeah, right, just when I shot the pilot, I was

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Speaker 1: just a guest star one episode.

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Speaker 4: Yeah, realized you're in it big time.

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Speaker 1: That's uh, well, I've told you know, I'll tell the

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00:22:33,320 --> 00:22:39,879
Speaker 1: story briefly again. My my manager went to uh Gampolone

390
00:22:39,880 --> 00:22:41,520
Speaker 1: and said, we just go to the network and get

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Speaker 1: him a six year deal, please, you know, if you

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Speaker 1: want them. The chemistry's really good, pilot's really good. These

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Speaker 1: guys belong together, you know, they do, go get him

394
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Speaker 1: a deal, and he did nice. Yeah, she really pushed him.

395
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Speaker 1: She was she was like, you know, I think it

396
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Speaker 1: was like a budgetary they didn't want They had a lot,

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Speaker 1: they had a big cast. You know, they're gonna the show.

398
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Speaker 1: The show becomes a hit, it becomes a problem for

399
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Speaker 1: them because they got to have to pay all these people,

400
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Speaker 1: you know, that kind of thing. So they have budgetary

401
00:23:11,880 --> 00:23:14,560
Speaker 1: concerns and they maybe you know, and they did that

402
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Speaker 1: with Rory's boyfriend, with Milo, and and with Chad and

403
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Speaker 1: with Jared. They were all on. I mean, they were

404
00:23:22,680 --> 00:23:25,959
Speaker 1: like series regular for a year or or two years,

405
00:23:25,960 --> 00:23:28,080
Speaker 1: and then their representatives are like, well, we don't want

406
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Speaker 1: to sign a six year deal because these are young

407
00:23:29,800 --> 00:23:33,119
Speaker 1: guys with big futures and you know they're not going

408
00:23:33,200 --> 00:23:34,960
Speaker 1: to be the lead of this show. We think these

409
00:23:34,960 --> 00:23:39,600
Speaker 1: guys are leading man material, and you know their reps

410
00:23:39,600 --> 00:23:42,600
Speaker 1: were right because they all turned out to have big careers,

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Speaker 1: Matt and all those guys. Uh so, yeah, so they're

412
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Speaker 1: just trying to keep the budgets down. You know, Let's

413
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Speaker 1: let's see if we can get four episodes out of

414
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Speaker 1: this guy, and then we'll off from four more and

415
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Speaker 1: we'll pay him that. We'll pay him the per episode rate,

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Speaker 1: which is, you know, a lot less than being a

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Speaker 1: series regular.

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Speaker 2: Right.

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Speaker 1: So, but I mean, you know, a great manager at

420
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Speaker 1: the time, and we got a six year deal, which

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Speaker 1: is change changed my life. Yeah, I mean that was

422
00:24:12,720 --> 00:24:15,640
Speaker 1: a nice lunch to sit down to receive an envelope

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Speaker 1: and smile on her face and said go ahead and

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Speaker 1: open it. And I said, what's in here? She goes

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Speaker 1: your future.

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Speaker 2: That's awesome.

427
00:24:25,320 --> 00:24:31,320
Speaker 1: Yeah, it's a good day. It's good lunch. Yeah. So yeah, yeah,

428
00:24:31,320 --> 00:24:37,800
Speaker 1: I got lucky. Anyway, so we have established that we

429
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Speaker 1: have these incredibly caring people in this town. We have

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Speaker 1: a mother and a daughter who are attached to hip

431
00:24:46,119 --> 00:24:49,920
Speaker 1: who we are rooting for. And the mom is just spectacular,

432
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Speaker 1: and she's fun and she's loving, and she loves everybody.

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Speaker 1: She's a great friend to everybody. And she wears cool

434
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Speaker 1: clothes and she's kind of hip and and she's sexy,

435
00:25:01,119 --> 00:25:05,400
Speaker 1: and she's smart and she's a little a little wild, right,

436
00:25:05,480 --> 00:25:08,280
Speaker 1: I mean, she's she's she's a fun person. She's a

437
00:25:08,320 --> 00:25:15,120
Speaker 1: fun mom. And she marches into chill dress like that

438
00:25:16,320 --> 00:25:19,840
Speaker 1: the parent teacher meeting all.

439
00:25:19,680 --> 00:25:21,040
Speaker 2: These stuffy people.

440
00:25:21,040 --> 00:25:23,800
Speaker 1: Right, and she's gonna throw down with the lady. And

441
00:25:23,840 --> 00:25:25,800
Speaker 1: she looks at the guy and says, you know you

442
00:25:25,800 --> 00:25:28,720
Speaker 1: play golf. Yeah, well you know that's your world and

443
00:25:28,760 --> 00:25:32,360
Speaker 1: I have mine exactly. You know, it's so good, can

444
00:25:32,640 --> 00:25:37,280
Speaker 1: it was so good, and you know it's it's really

445
00:25:37,400 --> 00:25:40,439
Speaker 1: bending dorms and it's and it's and it's going into

446
00:25:40,440 --> 00:25:44,879
Speaker 1: these places, and you know, she's automatically going to be

447
00:25:44,960 --> 00:25:47,880
Speaker 1: at odds with all of this tradition. And I mean,

448
00:25:47,880 --> 00:25:51,240
Speaker 1: this is what she ran away from and then but

449
00:25:51,480 --> 00:25:56,480
Speaker 1: now this is literally what she ran away from sixteen

450
00:25:56,560 --> 00:25:58,440
Speaker 1: years ago, and now she's back in it, and she's

451
00:25:58,680 --> 00:26:02,040
Speaker 1: back in it with her parents. So she's she's got

452
00:26:02,320 --> 00:26:04,639
Speaker 1: she's got to hold her daughter's hand hand through the

453
00:26:04,680 --> 00:26:07,520
Speaker 1: process because it's what's best for her. But the conflict

454
00:26:07,600 --> 00:26:11,439
Speaker 1: is so thick, it's so great, you know, Ted, what

455
00:26:11,560 --> 00:26:15,040
Speaker 1: a great setup, right for a series, What a great setup.

456
00:26:14,800 --> 00:26:17,359
Speaker 4: Go back and spend time in that whole culture and

457
00:26:17,440 --> 00:26:19,800
Speaker 4: to help me through it, which is the culture she

458
00:26:20,080 --> 00:26:24,359
Speaker 4: just hates. So yeah, it's interesting dynamic, right, right, So

459
00:26:25,880 --> 00:26:29,760
Speaker 4: Sullivan's just congratulations on that, the titular character obviously, And

460
00:26:31,880 --> 00:26:35,680
Speaker 4: we haven't seen you in a while, right, and now

461
00:26:35,880 --> 00:26:38,680
Speaker 4: you're I saw it was like seven point five rating

462
00:26:38,720 --> 00:26:39,320
Speaker 4: on MDB.

463
00:26:40,000 --> 00:26:43,719
Speaker 1: Oh yeah, yeah, you know, people love it. Yeah, it's

464
00:26:43,800 --> 00:26:45,760
Speaker 1: number one in Canada, it's number one in Australia. I

465
00:26:45,800 --> 00:26:49,479
Speaker 1: think it's it's it's doing very well globally. Yeah, it's

466
00:26:49,640 --> 00:26:52,520
Speaker 1: it's a nice, nice little show. It's it's it's kind

467
00:26:52,520 --> 00:26:54,880
Speaker 1: of got that Gilmour vibe too, you know, it's got

468
00:26:54,880 --> 00:26:59,920
Speaker 1: that small town feel and eccentric characters not quite as

469
00:27:00,119 --> 00:27:03,320
Speaker 1: centric is is Gilmour. It's not a comedy, it's not

470
00:27:03,359 --> 00:27:06,600
Speaker 1: a drama. It's it's a drama, but it's yeah, it's

471
00:27:07,119 --> 00:27:18,320
Speaker 1: got some vibes. Let's go to Kim Antiques now we

472
00:27:18,359 --> 00:27:22,560
Speaker 1: see Rory because this is really a big Rory episode.

473
00:27:22,640 --> 00:27:26,359
Speaker 1: It's like we were establishing Rory as the centerpiece here

474
00:27:28,040 --> 00:27:32,360
Speaker 1: of her world, and now we go see her relationships

475
00:27:32,640 --> 00:27:37,200
Speaker 1: a little more. Her relationship with Lane heads on over

476
00:27:37,640 --> 00:27:40,760
Speaker 1: and we see the wacky world of missus Kim's antiques,

477
00:27:40,920 --> 00:27:45,480
Speaker 1: miss Kim's antiques, and they're playing where we're here here

478
00:27:45,680 --> 00:27:49,920
Speaker 1: Marco polo as people like to call it Marco Polo. Okay,

479
00:27:49,960 --> 00:27:52,719
Speaker 1: and Finder has to walk through all the antique stores

480
00:27:52,760 --> 00:27:56,119
Speaker 1: and and missus Kim is making some sales, you know,

481
00:27:56,240 --> 00:27:59,000
Speaker 1: she's like she's selling stuff for you know, at that

482
00:27:59,040 --> 00:28:02,240
Speaker 1: time three hundred seventy five watched for a table not

483
00:28:02,400 --> 00:28:08,560
Speaker 1: bad score. Yeah, man, she's doing well. And uh so

484
00:28:08,600 --> 00:28:13,080
Speaker 1: they discuss the d and gives her a chocolate bar

485
00:28:13,160 --> 00:28:18,960
Speaker 1: and Lane's not permitted to have it twelve calorie rice cake.

486
00:28:19,240 --> 00:28:23,440
Speaker 1: Lane Kim herself, you know, under the watchful eye from

487
00:28:24,160 --> 00:28:28,120
Speaker 1: never having its wix bar or a milky we It's

488
00:28:28,280 --> 00:28:32,560
Speaker 1: chocolate covered death, as she refers to it as as uh.

489
00:28:32,800 --> 00:28:39,120
Speaker 1: An undaunted Rory retorts with a swirl sweet caramel surprise,

490
00:28:39,960 --> 00:28:46,840
Speaker 1: then walks away. So interesting how we see all these

491
00:28:46,920 --> 00:28:51,720
Speaker 1: dynamics feathered in to this one little scene and they're

492
00:28:51,760 --> 00:28:54,640
Speaker 1: sort of telling you the story without telling you the story.

493
00:28:54,720 --> 00:28:58,960
Speaker 1: You just can sit back and watch the little little

494
00:28:58,960 --> 00:29:02,120
Speaker 1: bits of conflict here and there and the problem. And

495
00:29:02,800 --> 00:29:05,920
Speaker 1: but at the end of the Hey, it lands on

496
00:29:05,960 --> 00:29:08,360
Speaker 1: you that this is what friends are for. She's going

497
00:29:08,400 --> 00:29:10,360
Speaker 1: to her friend's house to get support.

498
00:29:10,640 --> 00:29:12,880
Speaker 2: And you also saw that too in the beginning when

499
00:29:12,920 --> 00:29:15,840
Speaker 2: she when Rory's driving to school and she calls Lane,

500
00:29:15,840 --> 00:29:18,760
Speaker 2: and Lane's in her closet and she and she's like, oh,

501
00:29:18,800 --> 00:29:20,800
Speaker 2: let me check, and she opens up her closet and

502
00:29:20,840 --> 00:29:23,160
Speaker 2: that's like the first time you see like, oh, she

503
00:29:23,360 --> 00:29:27,920
Speaker 2: like hides her real self at home, you know, like

504
00:29:28,080 --> 00:29:30,280
Speaker 2: her closet is full of all these neon lights. And

505
00:29:30,280 --> 00:29:34,400
Speaker 2: then she opens up her closet and it's her boring bedroom. Right,

506
00:29:34,440 --> 00:29:36,280
Speaker 2: So that's like the first glimpse you get of Lane

507
00:29:36,320 --> 00:29:40,800
Speaker 2: being different in hiding really who she is, right.

508
00:29:41,840 --> 00:29:43,800
Speaker 4: I mean, she could have been sitting on our front

509
00:29:43,840 --> 00:29:46,360
Speaker 4: front porch and that's it. We knew. We learned nothing

510
00:29:46,400 --> 00:29:50,440
Speaker 4: new about Lane. Yeah, right, it's written that way. It's

511
00:29:50,480 --> 00:29:55,400
Speaker 4: awesome weaving, God said, weaving all this information into the story.

512
00:29:56,280 --> 00:29:56,840
Speaker 1: Isn't it great?

513
00:29:56,880 --> 00:29:57,000
Speaker 2: Hell?

514
00:29:57,080 --> 00:30:02,080
Speaker 1: Amy does that amazing? And you root for Lane because

515
00:30:02,120 --> 00:30:06,040
Speaker 1: she's she's just sort of accepted who her mother is

516
00:30:06,080 --> 00:30:08,160
Speaker 1: and what her life is living with her mother. But

517
00:30:08,240 --> 00:30:12,160
Speaker 1: she figured out a way to not go crazy, you know,

518
00:30:15,520 --> 00:30:18,240
Speaker 1: and she doesn't have to be above board about it,

519
00:30:18,280 --> 00:30:22,400
Speaker 1: because it's like, Mom, I'm doing this. I'm gonna sit

520
00:30:22,440 --> 00:30:26,320
Speaker 1: in my cool plush you know, purple velvet room with

521
00:30:26,880 --> 00:30:32,720
Speaker 1: a strobe light and just chill man, you know, and

522
00:30:32,760 --> 00:30:37,840
Speaker 1: you'll love to see it. And now we we go

523
00:30:37,960 --> 00:30:44,160
Speaker 1: to Luke's and Rory's upset, you know, she's she's struggling

524
00:30:44,240 --> 00:30:50,760
Speaker 1: to keep up the pace at Chilt and we haven't

525
00:30:50,800 --> 00:30:55,640
Speaker 1: seen Rory like this at all. It's good that they're

526
00:30:55,640 --> 00:30:59,960
Speaker 1: giving her this giant obstacle to overcome Paris, those girls

527
00:31:00,080 --> 00:31:01,840
Speaker 1: at that school, the school.

528
00:31:01,960 --> 00:31:04,520
Speaker 2: Also the fact that she can't like walk all over

529
00:31:04,560 --> 00:31:07,479
Speaker 2: the school like she's used to. You know, they're like, no,

530
00:31:07,560 --> 00:31:09,800
Speaker 2: we got very strict rules in line and if you

531
00:31:09,840 --> 00:31:12,680
Speaker 2: can't adhere to them, and if you can't level up,

532
00:31:12,800 --> 00:31:15,400
Speaker 2: then sorry, you fall behind.

533
00:31:15,880 --> 00:31:16,360
Speaker 3: No.

534
00:31:16,480 --> 00:31:21,000
Speaker 1: I was devastating speech that the principal came to Laura,

535
00:31:21,240 --> 00:31:24,960
Speaker 1: maybe she shouldn't be here, She don't have to be here.

536
00:31:25,320 --> 00:31:28,600
Speaker 1: Maybe she doesn't have to go to Harvard. Maybe she shouldn't.

537
00:31:29,320 --> 00:31:32,760
Speaker 1: I mean those are devastating. I mean talk about reverse

538
00:31:32,800 --> 00:31:36,840
Speaker 1: psychology and talk about staying cool under fire. Because you know, Laura,

539
00:31:36,960 --> 00:31:37,920
Speaker 1: I like, well.

540
00:31:37,840 --> 00:31:39,400
Speaker 2: What would you do if somebody told you that about

541
00:31:39,400 --> 00:31:40,160
Speaker 2: your kids?

542
00:31:40,360 --> 00:31:40,600
Speaker 4: Ted?

543
00:31:40,680 --> 00:31:42,520
Speaker 2: You don't know this, but my son is one years old,

544
00:31:42,560 --> 00:31:45,640
Speaker 2: so I haven't gotten into that like that level yet.

545
00:31:45,680 --> 00:31:48,240
Speaker 2: But Scott, your kids in school, and Ted, I'm assuming

546
00:31:48,280 --> 00:31:52,240
Speaker 2: yours are too. Like if somebody told you that about

547
00:31:52,240 --> 00:31:56,640
Speaker 2: your kid, I probably would unleash Mama Bear and the

548
00:31:56,720 --> 00:32:00,080
Speaker 2: school would burn down. Like I wouldn't know how to handle.

549
00:31:59,840 --> 00:32:05,360
Speaker 4: That station about my son last year, his junior year

550
00:32:05,880 --> 00:32:09,200
Speaker 4: in the Prince with the principal. It was a bit

551
00:32:09,320 --> 00:32:16,160
Speaker 4: reversed because nowadays the public schools are just too soft

552
00:32:16,560 --> 00:32:20,760
Speaker 4: and this is a school with a good reputation, and

553
00:32:21,040 --> 00:32:24,920
Speaker 4: we're both Laurie and I are both you got to

554
00:32:25,000 --> 00:32:28,600
Speaker 4: ratchet it up here this kid and he's like, no,

555
00:32:28,680 --> 00:32:31,719
Speaker 4: he's a good kid. So it's like a backwards conversation

556
00:32:31,840 --> 00:32:34,560
Speaker 4: compared to what they were having on the episode. Come on,

557
00:32:34,720 --> 00:32:36,840
Speaker 4: kick him in the butt. He needs a fire under

558
00:32:36,840 --> 00:32:37,200
Speaker 4: his ass.

559
00:32:37,400 --> 00:32:42,760
Speaker 1: All right, right, how about you.

560
00:32:42,640 --> 00:32:45,360
Speaker 2: Scott, how would you handle conversation like that at school.

561
00:32:45,720 --> 00:32:49,640
Speaker 2: You had a smarty pants too, So smarty pants of

562
00:32:49,680 --> 00:32:50,040
Speaker 2: a kid.

563
00:32:51,640 --> 00:32:51,840
Speaker 3: You know.

564
00:32:55,640 --> 00:32:59,880
Speaker 1: The only time I ever went into his elementary school

565
00:33:00,080 --> 00:33:03,960
Speaker 1: principal's office was during you know, it was like right

566
00:33:04,040 --> 00:33:09,520
Speaker 1: after the lockdowns ended, and the kids were really aggressive

567
00:33:09,640 --> 00:33:13,240
Speaker 1: coming out of COVID, like those those kids were super

568
00:33:13,320 --> 00:33:16,200
Speaker 1: aggressive coming out of COVID. So there was a lot

569
00:33:16,240 --> 00:33:19,920
Speaker 1: of bullying and a lot of just wild behavior going on,

570
00:33:20,120 --> 00:33:24,400
Speaker 1: and and you know, Nick was on the other end

571
00:33:24,400 --> 00:33:27,280
Speaker 1: of some of that, and so we had some I

572
00:33:27,320 --> 00:33:30,800
Speaker 1: had some conversations with the teachers, but I think a

573
00:33:30,800 --> 00:33:36,800
Speaker 1: lot of parents did with with uh that school, and

574
00:33:37,360 --> 00:33:41,640
Speaker 1: they solved it pretty pretty quickly. Yeah, they they they

575
00:33:41,720 --> 00:33:44,080
Speaker 1: solved it very very quickly because it was out of

576
00:33:44,120 --> 00:33:46,000
Speaker 1: control coming out of COVID. And I think I took

577
00:33:46,040 --> 00:33:50,000
Speaker 1: everybody by surprise. I mean, nobody could have could have

578
00:33:50,200 --> 00:33:54,760
Speaker 1: predicted how children would come out of COVID and back

579
00:33:54,840 --> 00:33:59,040
Speaker 1: into a social situation. I mean it was just explosive situation. Yeah,

580
00:33:59,320 --> 00:34:04,160
Speaker 1: kids were just like going they were climbing walls with aggression,

581
00:34:06,040 --> 00:34:08,520
Speaker 1: and it was it was bad. It was bad. But

582
00:34:09,040 --> 00:34:12,120
Speaker 1: you know, it calmed down pretty quickly and they actually

583
00:34:12,120 --> 00:34:14,560
Speaker 1: had to them and and and this is like, you know,

584
00:34:14,600 --> 00:34:19,200
Speaker 1: this isn't a a this is a really really great school.

585
00:34:19,320 --> 00:34:23,560
Speaker 1: Reputation of the school is impeccable. But they had some challenges,

586
00:34:23,600 --> 00:34:25,680
Speaker 1: you know, and I think a lot of parents went

587
00:34:25,719 --> 00:34:27,560
Speaker 1: in and helped out. You know. I think I think

588
00:34:27,600 --> 00:34:30,480
Speaker 1: we we sort of put the pedal of the metal,

589
00:34:30,600 --> 00:34:33,560
Speaker 1: as it were. It's like, you know, yeah, we're you know,

590
00:34:33,560 --> 00:34:38,120
Speaker 1: we're not going to tolerate this, and and they responded,

591
00:34:38,160 --> 00:34:40,480
Speaker 1: to their credit, they really responded. And now it's just

592
00:34:40,560 --> 00:34:44,640
Speaker 1: like it's a really nurturing, thriving environment for all the kids.

593
00:34:45,000 --> 00:34:49,439
Speaker 1: Uh COVID. COVID just ripped up a lot of man,

594
00:34:49,520 --> 00:34:52,200
Speaker 1: I mean all over the country and all over the world,

595
00:34:52,680 --> 00:34:56,440
Speaker 1: you know, yeah, really really just affected people. So adversely,

596
00:34:58,040 --> 00:35:00,359
Speaker 1: you know. So that's that's but we have have been

597
00:35:00,360 --> 00:35:02,800
Speaker 1: back in since, you know, we're just we go on

598
00:35:02,880 --> 00:35:04,440
Speaker 1: every once in a while and they give us more

599
00:35:04,480 --> 00:35:05,279
Speaker 1: awards for him.

600
00:35:05,280 --> 00:35:07,279
Speaker 2: So I guess you don't want to be in the

601
00:35:07,360 --> 00:35:10,880
Speaker 2: school in your kid's principal office, like you'd rather not

602
00:35:11,840 --> 00:35:12,640
Speaker 2: stay outside.

603
00:35:13,640 --> 00:35:17,920
Speaker 1: Yeah, yeah, I don't want to go in. There's no reason.

604
00:35:18,840 --> 00:35:21,400
Speaker 2: I feel like we wouldn't be doing our job in

605
00:35:21,440 --> 00:35:24,279
Speaker 2: this episode if we did not discuss the deer of

606
00:35:24,320 --> 00:35:27,080
Speaker 2: it all. That is what the title of the episode is.

607
00:35:27,800 --> 00:35:33,239
Speaker 2: I laughed out loud seeing that scene again, seeing the

608
00:35:33,280 --> 00:35:36,600
Speaker 2: deer just run into good Rory's car, and she's like,

609
00:35:36,719 --> 00:35:40,000
Speaker 2: a deer hit me, and everyone's like, you hit a

610
00:35:40,040 --> 00:35:43,719
Speaker 2: deer and she's like, no, the deer hit me. I

611
00:35:43,880 --> 00:35:47,880
Speaker 2: was laughing so much, so funny.

612
00:35:48,960 --> 00:35:51,359
Speaker 1: What'd you think, ted? It didn't hit me. It wasn't

613
00:35:51,400 --> 00:35:53,080
Speaker 1: a big comedy moment for me. It was just like

614
00:35:53,239 --> 00:35:57,000
Speaker 1: kind of a chuckle, unexpected, last thing you expected.

615
00:35:57,760 --> 00:36:00,760
Speaker 4: I like shaing hit by a deer over and over again,

616
00:36:00,840 --> 00:36:03,160
Speaker 4: people having a reaction to that, people like, no, you

617
00:36:03,200 --> 00:36:05,600
Speaker 4: got it wrong, hit you because no one gets hit

618
00:36:05,640 --> 00:36:08,919
Speaker 4: by a deer. I like like that long that joke

619
00:36:08,960 --> 00:36:12,799
Speaker 4: that kept playing over and over again. But at the

620
00:36:12,800 --> 00:36:14,360
Speaker 4: moment itself, I was terrified.

621
00:36:20,239 --> 00:36:23,960
Speaker 1: Pretty hard hit. I mean she got nail and a

622
00:36:24,040 --> 00:36:29,319
Speaker 1: crunch that door. Pretty good funny scene. I mean she

623
00:36:29,400 --> 00:36:31,480
Speaker 1: did it. She did a great job acting wise with

624
00:36:31,600 --> 00:36:35,920
Speaker 1: the physical comedy part of it's trying to take her

625
00:36:35,520 --> 00:36:39,400
Speaker 1: her her her I guess her pajama bottoms off because

626
00:36:39,400 --> 00:36:42,520
Speaker 1: she had her her chilting uniform on, and then running

627
00:36:42,560 --> 00:36:46,360
Speaker 1: back the car, and you know, the pink pajama bottoms

628
00:36:46,400 --> 00:36:48,560
Speaker 1: are flying around on her foot because they're still stuck

629
00:36:48,600 --> 00:36:52,800
Speaker 1: on her foot. So good, good visuals, you know, funny stuff.

630
00:36:55,400 --> 00:37:02,359
Speaker 1: You know, if shows, if plot emanates from character, this

631
00:37:02,440 --> 00:37:11,279
Speaker 1: show really adheres to that very wise writing advice, you know,

632
00:37:11,440 --> 00:37:15,960
Speaker 1: because when you try to plot something out without the

633
00:37:16,040 --> 00:37:20,680
Speaker 1: consideration of character first, you're in big trouble, big trouble.

634
00:37:20,719 --> 00:37:24,200
Speaker 1: And that's why you get these wooden films and these

635
00:37:24,200 --> 00:37:28,000
Speaker 1: really wooden, horrible TV shows. The ones that really resonate

636
00:37:28,080 --> 00:37:31,279
Speaker 1: have the great characters, and the great character characters you

637
00:37:31,360 --> 00:37:35,480
Speaker 1: follow them around. They make the plot happen. They make

638
00:37:35,560 --> 00:37:40,359
Speaker 1: the story happen. And that's exactly you know, you pick

639
00:37:40,400 --> 00:37:44,239
Speaker 1: a couple of really powerful universal themes and then you

640
00:37:44,320 --> 00:37:47,399
Speaker 1: have these great characters take you through it. And that's

641
00:37:47,440 --> 00:37:50,439
Speaker 1: what we have. So the setup is so beautiful here.

642
00:37:50,480 --> 00:37:53,880
Speaker 1: We know we have a cast of characters. We know

643
00:37:54,000 --> 00:37:58,080
Speaker 1: we have these powerful characters and Lorelei and Rory and

644
00:37:58,160 --> 00:38:04,160
Speaker 1: Suki uh and that we haven't even met really Luke

645
00:38:04,360 --> 00:38:08,000
Speaker 1: very much yet, and we really haven't met Taylor, and

646
00:38:08,200 --> 00:38:11,080
Speaker 1: you know all these other characters that are you know,

647
00:38:11,719 --> 00:38:14,239
Speaker 1: not the main part of it. But you know, kind

648
00:38:14,239 --> 00:38:17,520
Speaker 1: of important aspects of it. But we have we have

649
00:38:17,600 --> 00:38:21,520
Speaker 1: a nice core group of characters here that I think

650
00:38:21,520 --> 00:38:26,759
Speaker 1: we feel very comfortable with and enjoy their company, and

651
00:38:26,800 --> 00:38:29,319
Speaker 1: we think they're kind of funny and smart and heartwarming

652
00:38:29,360 --> 00:38:31,319
Speaker 1: and all that good stuff, which is what you need

653
00:38:31,360 --> 00:38:32,040
Speaker 1: for something like that.

654
00:38:32,719 --> 00:38:34,760
Speaker 4: Yes, a good point.

655
00:38:35,080 --> 00:38:39,680
Speaker 1: You know, after episode four, we're we're in a really comfortable,

656
00:38:39,880 --> 00:38:43,680
Speaker 1: good place. We've got characters that we love, and we've

657
00:38:43,680 --> 00:38:46,279
Speaker 1: got all of this conflict to look forward to. The

658
00:38:46,400 --> 00:38:49,560
Speaker 1: questions are is Rory going to make it? Is laurel

659
00:38:49,680 --> 00:38:52,120
Speaker 1: I going to make it with all the Friday night dinners?

660
00:38:52,200 --> 00:38:54,839
Speaker 1: Or as their head going to explode? Is Laureal I

661
00:38:54,880 --> 00:38:57,759
Speaker 1: going to find love? Is what's going to happen to

662
00:38:57,960 --> 00:39:00,680
Speaker 1: What's going to happen to these two? What's going to

663
00:39:00,719 --> 00:39:03,880
Speaker 1: happen to their relationship? You know, we've only it's and

664
00:39:04,080 --> 00:39:07,040
Speaker 1: we're on the clock too that the you know, the

665
00:39:07,239 --> 00:39:10,960
Speaker 1: the sand is going through the hour glass on Rory

666
00:39:11,000 --> 00:39:13,359
Speaker 1: even being at home anymore. It's a couple of more

667
00:39:13,440 --> 00:39:15,680
Speaker 1: years and she's off to college. You know how they

668
00:39:15,719 --> 00:39:17,399
Speaker 1: going to drag us out. So there's all this sort

669
00:39:17,440 --> 00:39:22,000
Speaker 1: of tension building up with this uh with this series,

670
00:39:22,200 --> 00:39:25,400
Speaker 1: and it's it's just quite compelling. Ted, what what do

671
00:39:25,480 --> 00:39:27,960
Speaker 1: you find? What are you finding about this series so far?

672
00:39:29,320 --> 00:39:33,440
Speaker 4: I have to go back to the crossroads that Rory

673
00:39:33,560 --> 00:39:36,040
Speaker 4: is facing. By the end of the episode, she resolved

674
00:39:36,719 --> 00:39:39,520
Speaker 4: that she's going to hang in there, and again as

675
00:39:39,520 --> 00:39:42,320
Speaker 4: a as a father, just this proud moment that this

676
00:39:42,320 --> 00:39:45,239
Speaker 4: this girl has come to the conclusion on her own.

677
00:39:46,040 --> 00:39:47,760
Speaker 1: Now mm hmmmm hmmm.

678
00:39:48,120 --> 00:39:49,919
Speaker 4: Pick it out and I'm going to fight. I'm going

679
00:39:50,000 --> 00:39:51,320
Speaker 4: to fight it out and I'm going to take the

680
00:39:51,440 --> 00:39:57,719
Speaker 4: road less traveled and proud uh of Rory for doing that. Yeah,

681
00:39:58,040 --> 00:39:59,920
Speaker 4: and it's going to hurt and it's going to be

682
00:40:00,120 --> 00:40:04,080
Speaker 4: art and then she can make up in Max's class.

683
00:40:04,400 --> 00:40:06,400
Speaker 4: The fact she did wasn't able to take the test,

684
00:40:06,800 --> 00:40:10,600
Speaker 4: but the makeup is not going to be easy. I

685
00:40:11,280 --> 00:40:13,600
Speaker 4: just pull out at this point, but she's like, she's

686
00:40:13,640 --> 00:40:14,440
Speaker 4: gonna stick it out.

687
00:40:15,080 --> 00:40:15,279
Speaker 3: Yeah.

688
00:40:16,040 --> 00:40:19,320
Speaker 1: That's a really nice scene when they went and looked

689
00:40:19,520 --> 00:40:21,719
Speaker 1: for the deer at the end to say if it

690
00:40:21,840 --> 00:40:24,919
Speaker 1: was okay, but they had that they had that nice talk,

691
00:40:25,640 --> 00:40:32,560
Speaker 1: and it further establishes Lorelai as like this supreme, sensitive, nurturing,

692
00:40:33,400 --> 00:40:37,600
Speaker 1: smart mom right. She gives Rory the power to make

693
00:40:37,640 --> 00:40:41,160
Speaker 1: a choice whether to go back to Stars Hollow High

694
00:40:41,160 --> 00:40:43,000
Speaker 1: because she wouldn't have a problem with it, you know,

695
00:40:44,600 --> 00:40:48,480
Speaker 1: or stick it out and just perfect and you know,

696
00:40:49,560 --> 00:40:52,680
Speaker 1: not playing games with her daughter, but you know, psychologically,

697
00:40:53,239 --> 00:40:57,520
Speaker 1: but making her perhaps leading her in one direction where

698
00:40:57,600 --> 00:41:00,759
Speaker 1: she knows she doesn't want to give up just yet.

699
00:41:01,520 --> 00:41:05,680
Speaker 1: You know, great scene, great scene. You just you just

700
00:41:05,800 --> 00:41:09,360
Speaker 1: keep falling in love with the characters, and uh, this

701
00:41:09,520 --> 00:41:14,960
Speaker 1: is a very very powerful relationship with These are powerful portrayals,

702
00:41:15,719 --> 00:41:16,200
Speaker 1: I agree.

703
00:41:16,320 --> 00:41:17,879
Speaker 2: Oh no pun intended this point.

704
00:41:17,920 --> 00:41:21,759
Speaker 1: It's just it's just at this point, you're just like

705
00:41:22,239 --> 00:41:26,000
Speaker 1: you're enthralled with this series, and it's you know, for

706
00:41:26,120 --> 00:41:28,719
Speaker 1: a guy, it's not really like the kind of thing

707
00:41:28,800 --> 00:41:31,719
Speaker 1: that honestly that I have ever watched or whatever watch.

708
00:41:34,000 --> 00:41:36,400
Speaker 1: But you know, I'm in the show and I'm watching

709
00:41:36,480 --> 00:41:39,000
Speaker 1: these episodes and I just see how darn good it is,

710
00:41:40,680 --> 00:41:45,279
Speaker 1: and uh, it's kind of magical. And you and and

711
00:41:45,440 --> 00:41:49,359
Speaker 1: and people are celebrating the show still twenty four years

712
00:41:49,440 --> 00:41:54,520
Speaker 1: later and turning to this show as they're they're their

713
00:41:54,920 --> 00:41:58,480
Speaker 1: their support pet or their their comfort animal or their

714
00:41:58,520 --> 00:42:01,520
Speaker 1: comfort show or come for food, whatever you want. It

715
00:42:01,840 --> 00:42:10,319
Speaker 1: It serves many different purposes for people, but support and lightness. Yeah, Ted, I.

716
00:42:10,320 --> 00:42:11,919
Speaker 4: Think one of the keys is what you talked about

717
00:42:11,920 --> 00:42:15,080
Speaker 4: earlier too. There's plenty of it. It's all coming together.

718
00:42:15,480 --> 00:42:19,479
Speaker 4: But the writing. The characters don't just say a joke

719
00:42:19,680 --> 00:42:23,600
Speaker 4: like in crappy sitcoms. It doesn't matter who says the

720
00:42:23,719 --> 00:42:27,080
Speaker 4: joke and which portrays the character. It doesn't matter if

721
00:42:27,080 --> 00:42:29,440
Speaker 4: it betrays the character that they say. It matters that

722
00:42:29,480 --> 00:42:31,960
Speaker 4: the joke gets out there. But Amy, all the humor

723
00:42:32,080 --> 00:42:38,320
Speaker 4: comes out of the characters. She and Dan Sorry it is.

724
00:42:39,040 --> 00:42:41,440
Speaker 4: Any joke that comes out of them is from who

725
00:42:41,560 --> 00:42:45,919
Speaker 4: they are and so, and it's believable, and it also

726
00:42:46,000 --> 00:42:49,600
Speaker 4: helps develop the character rather than just develop another joke.

727
00:42:51,320 --> 00:42:56,320
Speaker 1: Right, everything's organic. It's like they're great dramatists. They write

728
00:42:56,400 --> 00:43:02,120
Speaker 1: great dramas, They write great situations packed with tension and conflict,

729
00:43:02,400 --> 00:43:05,080
Speaker 1: and then they challenge themselves, Let's see how funny we

730
00:43:05,200 --> 00:43:09,080
Speaker 1: can make this without it distracting from what we're trying

731
00:43:09,160 --> 00:43:10,480
Speaker 1: to say here, you know what I mean.

732
00:43:11,120 --> 00:43:13,279
Speaker 3: And they always do it.

733
00:43:13,400 --> 00:43:16,279
Speaker 1: They always do it so well with some all this

734
00:43:16,440 --> 00:43:21,960
Speaker 1: quick humor and quippi stuff. That's why the speed, Because

735
00:43:22,120 --> 00:43:24,879
Speaker 1: we've got eighty pages. Of wonderfulness here for you when

736
00:43:24,960 --> 00:43:28,000
Speaker 1: normally you get fifty five or sixty in an hour show,

737
00:43:28,640 --> 00:43:30,719
Speaker 1: and you're gonna have to talk real fast so we

738
00:43:30,760 --> 00:43:34,839
Speaker 1: can get to the jokes, so the jokes work right faster.

739
00:43:34,960 --> 00:43:37,839
Speaker 4: You see these quippie jokes, the funnier they are.

740
00:43:37,920 --> 00:43:42,319
Speaker 1: It's a weird right, right. And I don't think they

741
00:43:42,480 --> 00:43:45,000
Speaker 1: thought we need to do this so fast and have

742
00:43:45,120 --> 00:43:50,360
Speaker 1: it so dense with humor and cultural references. Is nobody's

743
00:43:50,360 --> 00:43:53,040
Speaker 1: going to get some of the people will get that

744
00:43:53,080 --> 00:43:54,480
Speaker 1: they're gonna have to go back and watch it again.

745
00:43:54,480 --> 00:43:57,000
Speaker 1: I don't think that was their intention, right, but that's

746
00:43:57,040 --> 00:44:01,640
Speaker 1: the way it turned out. I don't think they sat

747
00:44:01,680 --> 00:44:03,520
Speaker 1: around and said, how do we make a show that's

748
00:44:03,640 --> 00:44:07,040
Speaker 1: so addictive that twenty four yearly years later people are

749
00:44:07,120 --> 00:44:09,720
Speaker 1: having it, you know, just on a loop in their homes,

750
00:44:09,760 --> 00:44:13,839
Speaker 1: you know, which is what happened. So anyway, great job,

751
00:44:14,040 --> 00:44:28,680
Speaker 1: great job. Final thoughts A plus, yeah, A plus.

752
00:44:28,760 --> 00:44:31,040
Speaker 4: So far minute for the long haul?

753
00:44:31,440 --> 00:44:37,239
Speaker 1: Yeah, I just four delightful episodes. I think this is

754
00:44:37,400 --> 00:44:40,320
Speaker 1: you know, this is when we started reading all of

755
00:44:40,480 --> 00:44:43,680
Speaker 1: these glowing reviews in the Hollywood Reporter and The Bride,

756
00:44:44,840 --> 00:44:47,839
Speaker 1: and I think Deadline Hollywood and they were talking about

757
00:44:47,880 --> 00:44:50,160
Speaker 1: this very special show. I mean the reviews were just

758
00:44:51,760 --> 00:44:54,919
Speaker 1: there was reviews coming in after the pilot that were off,

759
00:44:55,160 --> 00:44:59,719
Speaker 1: off the chain, great, and we're all real excited about it,

760
00:45:01,920 --> 00:45:05,520
Speaker 1: and they just kept coming. And I can see why

761
00:45:05,640 --> 00:45:10,719
Speaker 1: now because this because remember it was the year two thousand,

762
00:45:11,719 --> 00:45:14,520
Speaker 1: you know, it really wasn't There wasn't a lot of

763
00:45:14,560 --> 00:45:19,239
Speaker 1: stuff on TV like this. This really stood out. And

764
00:45:19,360 --> 00:45:21,560
Speaker 1: I think and I see a lot of shows now

765
00:45:21,760 --> 00:45:25,680
Speaker 1: that are filled with high speed dialogue, and I think

766
00:45:25,760 --> 00:45:29,080
Speaker 1: this might have kicked off and inspired a whole generation

767
00:45:29,200 --> 00:45:31,680
Speaker 1: of writers, because I think a lot of the people

768
00:45:31,719 --> 00:45:34,160
Speaker 1: that are that we're seeing on Netflix now, these these

769
00:45:34,200 --> 00:45:37,839
Speaker 1: great writers. I mean, there's some great shows out there now.

770
00:45:38,000 --> 00:45:41,480
Speaker 1: You know, I was watching The Diplomat last night and

771
00:45:41,480 --> 00:45:45,720
Speaker 1: I'd never seen it before. It blew mots my mind

772
00:45:45,800 --> 00:45:48,759
Speaker 1: how good this is. And other shows, you know, the

773
00:45:48,840 --> 00:45:56,920
Speaker 1: Morning Show, Fantastic, the the Soccer thing, that comedy with

774
00:45:57,360 --> 00:46:03,680
Speaker 1: what's his name, Uh yeah, Ted, Ted Lasso. I mean

775
00:46:03,800 --> 00:46:07,480
Speaker 1: just there's all this terrific writing going, all this terrific stuff,

776
00:46:07,800 --> 00:46:10,840
Speaker 1: and I think some of it it feels like it

777
00:46:10,960 --> 00:46:16,080
Speaker 1: came from Dan and Amy. I think they inspired a

778
00:46:16,239 --> 00:46:21,840
Speaker 1: generation of very gifted writing students in college. You know,

779
00:46:21,960 --> 00:46:23,680
Speaker 1: I think a lot of if you interview a lot

780
00:46:23,719 --> 00:46:25,040
Speaker 1: of these people and they go on to win these

781
00:46:25,080 --> 00:46:26,800
Speaker 1: big awards and say, well, when I was in college,

782
00:46:26,840 --> 00:46:28,560
Speaker 1: or when I was in high school or junior high,

783
00:46:28,960 --> 00:46:31,080
Speaker 1: I was obsessed with Gilmore Girls, and I just thought

784
00:46:31,120 --> 00:46:34,840
Speaker 1: this writing is so fantastic, and that's what made me

785
00:46:35,040 --> 00:46:37,399
Speaker 1: want to be right for television to write for a movie.

786
00:46:38,000 --> 00:46:38,719
Speaker 3: I think you're gonna hear.

787
00:46:38,800 --> 00:46:39,840
Speaker 1: I think you're gonna hear a lot of that.

788
00:46:39,960 --> 00:46:42,040
Speaker 4: If you're a writer, you can imagine the rhythm is

789
00:46:42,120 --> 00:46:45,640
Speaker 4: so consistent and so there. Just by watching it as

790
00:46:45,719 --> 00:46:49,120
Speaker 4: a writer, you absorb that rhythm and so it's going

791
00:46:49,160 --> 00:46:50,400
Speaker 4: to come out of you in your writing.

792
00:46:51,160 --> 00:46:51,279
Speaker 3: Right.

793
00:46:51,719 --> 00:46:54,960
Speaker 1: Yeah. I think they they cracked open the ceiling. I

794
00:46:55,080 --> 00:47:02,000
Speaker 1: think Amy and really they they did something that if

795
00:47:02,040 --> 00:47:03,839
Speaker 1: it had been done before, because I know they were

796
00:47:03,880 --> 00:47:07,880
Speaker 1: inspired by old movies, uh you know, from the forties,

797
00:47:10,360 --> 00:47:12,319
Speaker 1: but they just did it in a fresh new way

798
00:47:13,000 --> 00:47:16,800
Speaker 1: that it was like this this iteration of this style

799
00:47:16,880 --> 00:47:19,120
Speaker 1: of writing that no one had really seen before in

800
00:47:19,280 --> 00:47:22,799
Speaker 1: these situations. And they've seen them in the forties style

801
00:47:22,920 --> 00:47:26,680
Speaker 1: movie situations, but not not like this.

802
00:47:28,160 --> 00:47:33,640
Speaker 4: It's a Denique style, Yeah, basically amalgamation of different styles,

803
00:47:33,719 --> 00:47:37,239
Speaker 4: but it's their own styles. So naturally they stood out

804
00:47:37,400 --> 00:47:40,440
Speaker 4: and it's good, right, and they're they're terrific writers, so

805
00:47:40,520 --> 00:47:41,640
Speaker 4: it was considered right.

806
00:47:42,760 --> 00:47:45,720
Speaker 1: They they they they mashed up a couple of different styles,

807
00:47:45,800 --> 00:47:48,520
Speaker 1: and we're going to set it in this this beautiful

808
00:47:48,520 --> 00:47:50,360
Speaker 1: little town and make it a family friendly show and

809
00:47:50,400 --> 00:47:53,680
Speaker 1: make it about community. But we're going to have all

810
00:47:53,840 --> 00:47:56,680
Speaker 1: this artistic license with the writing and the humor and

811
00:47:56,800 --> 00:48:01,320
Speaker 1: the sarcasm and the snippiness, all this stuff through Lorla.

812
00:48:02,040 --> 00:48:03,439
Speaker 3: I mean, what a role.

813
00:48:04,080 --> 00:48:06,800
Speaker 1: I mean, Lauren Graham, what a role? It was? The

814
00:48:06,920 --> 00:48:10,800
Speaker 1: role of a lifetime. Is It's like the role of

815
00:48:10,920 --> 00:48:15,640
Speaker 1: that era, right, It's the role. There's no other role

816
00:48:15,880 --> 00:48:20,480
Speaker 1: like it. Yeah, Anyway, I'd love to I'd love to

817
00:48:20,760 --> 00:48:23,080
Speaker 1: meet all these new writers and talk to them, see

818
00:48:23,160 --> 00:48:26,040
Speaker 1: who their inspirations were. I'll bet you to a man

819
00:48:26,080 --> 00:48:30,600
Speaker 1: and a woman, they'll say, Amy Sherman, Palladino, Dan Paladina. Yeah,

820
00:48:31,320 --> 00:48:34,440
Speaker 1: they spawned a lot of great stuff mixed uhs.

821
00:48:35,080 --> 00:48:37,399
Speaker 3: Right, Yeah, why right?

822
00:48:38,000 --> 00:48:41,400
Speaker 1: Jesus imagine, like we'll just we'll write a Gilmore Girls

823
00:48:41,480 --> 00:48:43,399
Speaker 1: just sort of home on our craft and then we'll

824
00:48:43,440 --> 00:48:44,839
Speaker 1: go off and write something really good.

825
00:48:47,760 --> 00:48:52,920
Speaker 2: Wow wow, speaking of really good, m hmm, I'm going

826
00:48:53,000 --> 00:48:56,399
Speaker 2: to go a little rogue and make a little announcement

827
00:48:56,800 --> 00:49:00,840
Speaker 2: that Ted is going to be joining us on a

828
00:49:01,000 --> 00:49:02,480
Speaker 2: very special event in December.

829
00:49:06,239 --> 00:49:07,040
Speaker 4: Is that correct? Ted?

830
00:49:07,080 --> 00:49:08,240
Speaker 2: Are we still one hundred percent?

831
00:49:08,800 --> 00:49:11,120
Speaker 4: They handed me an envelope that they said it was

832
00:49:11,160 --> 00:49:12,280
Speaker 4: going to change my sights?

833
00:49:13,120 --> 00:49:18,560
Speaker 2: Ie, Ted, I went bro. We weren't supposed to announce

834
00:49:18,640 --> 00:49:21,279
Speaker 2: this yet, but since you're here, I'm like, we have

835
00:49:21,480 --> 00:49:24,080
Speaker 2: to just say it. We'll announce the rest of the

836
00:49:24,160 --> 00:49:29,960
Speaker 2: guests later on this month. But Ted is joining us

837
00:49:30,040 --> 00:49:32,800
Speaker 2: for our I'm All In event at Warner Brothers Studio

838
00:49:33,960 --> 00:49:37,400
Speaker 2: on December eighteenth. The sad thing is in person tickets

839
00:49:38,000 --> 00:49:42,120
Speaker 2: have been sold out for a long time, but if

840
00:49:42,160 --> 00:49:45,480
Speaker 2: you wanted to stream it you still can so beeps

841
00:49:45,520 --> 00:49:48,000
Speaker 2: dot com slash I'm all in. But Ted, We're super

842
00:49:48,080 --> 00:49:52,640
Speaker 2: excited to have you and our fans and just Gilmore girls.

843
00:49:52,760 --> 00:49:56,040
Speaker 2: Fans are going to freak out when they see what

844
00:49:56,640 --> 00:49:58,760
Speaker 2: they have in store for them on December eighteenth.

845
00:50:00,080 --> 00:50:00,560
Speaker 3: Really cool.

846
00:50:01,640 --> 00:50:04,560
Speaker 4: Yeah, it'll be just great because it's sold out. For

847
00:50:04,680 --> 00:50:09,359
Speaker 4: me to get a ticket in, you know, we'll get

848
00:50:09,400 --> 00:50:09,560
Speaker 4: you in.

849
00:50:09,719 --> 00:50:11,919
Speaker 1: Well, you're going to be a guest.

850
00:50:13,160 --> 00:50:15,680
Speaker 2: It's going to be it's gonna be a good time.

851
00:50:16,120 --> 00:50:16,919
Speaker 1: Yeah, it'll be fun.

852
00:50:17,120 --> 00:50:17,279
Speaker 3: Yeah.

853
00:50:17,320 --> 00:50:21,400
Speaker 1: So go to veeps dot com slash. I'm on to

854
00:50:21,520 --> 00:50:23,560
Speaker 1: get tickets for the streaming ted.

855
00:50:23,680 --> 00:50:26,440
Speaker 2: Have you gone to Warner Brothers during like Christmas time

856
00:50:26,480 --> 00:50:29,400
Speaker 2: when the stars hall is all decked out.

857
00:50:29,920 --> 00:50:32,279
Speaker 4: Only for a Gilmo Girls episode, but other than that,

858
00:50:32,440 --> 00:50:33,279
Speaker 4: I've never known.

859
00:50:33,360 --> 00:50:37,839
Speaker 1: Oh boy, you're going to Oh boy, Warner Brothers doing

860
00:50:37,960 --> 00:50:41,480
Speaker 1: holidays made here from December eighteenth to January fifth, And

861
00:50:41,560 --> 00:50:45,600
Speaker 1: what they've done is they've refurbished and rebuilt Luke Steiner

862
00:50:46,120 --> 00:50:53,080
Speaker 1: Taylor Docy's Market. They have decorated the entire back lot

863
00:50:53,440 --> 00:50:57,640
Speaker 1: at Warner Brothers as it was during Gilmore Girls, but

864
00:50:57,840 --> 00:51:01,080
Speaker 1: enhanced it with lights and Christmas lights and all kinds

865
00:51:01,080 --> 00:51:05,640
Speaker 1: of displays. And Warner Brothers has a massive merch store

866
00:51:05,719 --> 00:51:07,960
Speaker 1: set up inside a Dosie's market, and they're going to

867
00:51:08,000 --> 00:51:10,000
Speaker 1: be fans are going to be coming in be able

868
00:51:10,040 --> 00:51:10,480
Speaker 1: to buy.

869
00:51:10,640 --> 00:51:14,520
Speaker 2: All the food and drinks is girls food and drinks, tards,

870
00:51:14,600 --> 00:51:15,680
Speaker 2: doughnuts like stuff like that.

871
00:51:15,920 --> 00:51:20,160
Speaker 1: That is yeah right, I've I've cought my coffee company

872
00:51:20,200 --> 00:51:22,960
Speaker 1: co branded with Warner Brothers, and we've got we're launching

873
00:51:23,000 --> 00:51:27,560
Speaker 1: our Winter Blend that day. We've got five other blends

874
00:51:27,600 --> 00:51:30,839
Speaker 1: that we're going to be serving there, and also there's

875
00:51:30,880 --> 00:51:33,880
Speaker 1: also a surprise beverage that we're going to be serving

876
00:51:33,920 --> 00:51:37,799
Speaker 1: as well. I believe it starts with Hot and ends

877
00:51:37,840 --> 00:51:42,160
Speaker 1: with cho So we're very excited about that.

878
00:51:43,160 --> 00:51:46,120
Speaker 2: I'm so excited, I like aim counting down the days.

879
00:51:46,160 --> 00:51:47,479
Speaker 2: It's gonna be so much fun.

880
00:51:48,160 --> 00:51:49,440
Speaker 1: Yeah, it's gonna be a blast.

881
00:51:49,840 --> 00:51:50,160
Speaker 4: So time.

882
00:51:50,239 --> 00:51:51,080
Speaker 2: We look forward to seeing you.

883
00:51:52,120 --> 00:51:55,200
Speaker 1: Yes, we do. Thanks for joining us, Ted Rooney, the

884
00:51:55,360 --> 00:51:58,279
Speaker 1: one and only uh much fun.

885
00:51:58,680 --> 00:51:58,960
Speaker 3: Thank you.

886
00:51:59,560 --> 00:52:02,520
Speaker 1: And you keep in touch with Sally much. I know

887
00:52:02,640 --> 00:52:05,399
Speaker 1: she's always out on the road doing a musical theater.

888
00:52:05,520 --> 00:52:08,200
Speaker 1: She's always in Kansas or Missouri and she's doing she's

889
00:52:08,280 --> 00:52:10,240
Speaker 1: lighting it up for those people out in the Midwest

890
00:52:10,239 --> 00:52:16,920
Speaker 1: and they love her yours. Yeah, yeah, she's doing great. Anyway,

891
00:52:17,080 --> 00:52:19,719
Speaker 1: Thanks for coming on. We will see you December eighteenth

892
00:52:20,719 --> 00:52:25,719
Speaker 1: at Warner Brothers. Okay, and we're gonna throw it down, man,

893
00:52:25,760 --> 00:52:26,560
Speaker 1: We're gonna have a good time.

894
00:52:27,120 --> 00:52:30,479
Speaker 4: My son is probably gonna come down with me, so great.

895
00:52:31,640 --> 00:52:33,520
Speaker 2: We can get a ticket for him too, Don't worry.

896
00:52:35,640 --> 00:52:38,600
Speaker 4: Yes, ash okay, now okay.

897
00:52:39,120 --> 00:52:42,000
Speaker 1: Actually a couple of friends flying in from the East

898
00:52:42,000 --> 00:52:44,640
Speaker 1: Coast and bringing their kids, and you know, they're getting

899
00:52:44,640 --> 00:52:47,279
Speaker 1: the VIP treatment, gonna be in the green room and

900
00:52:47,360 --> 00:52:50,319
Speaker 1: we're gonna hang get the tour to get the Warner

901
00:52:50,360 --> 00:52:54,920
Speaker 1: Brothers tour because that's so awesome, you know. Yeah, we'll

902
00:52:54,960 --> 00:52:59,359
Speaker 1: see on the eighteenth. Thanks everybody. Next episode is season one,

903
00:52:59,360 --> 00:53:04,759
Speaker 1: episode five, Cinnamon's Wake, and uh, we got to do

904
00:53:04,800 --> 00:53:06,560
Speaker 1: the new sign off. We have a new sign off now,

905
00:53:06,680 --> 00:53:10,440
Speaker 1: and I keep stumbling on it because I really like

906
00:53:10,560 --> 00:53:12,200
Speaker 1: the old one and I've done it like hundreds and

907
00:53:12,320 --> 00:53:15,160
Speaker 1: hundreds of times now we're actually thousands. But the new

908
00:53:15,200 --> 00:53:18,359
Speaker 1: one is best fans on the planet. I can still

909
00:53:18,480 --> 00:53:21,160
Speaker 1: say that because that's always going to be true. And

910
00:53:21,320 --> 00:53:23,400
Speaker 1: where you lead, we will follow.

911
00:53:23,760 --> 00:53:54,680
Speaker 3: See you next time, everybody, and don't forget Follow

912
00:53:54,760 --> 00:53:58,600
Speaker 1: Us on Instagram at I Am all In podcast and

913
00:53:58,760 --> 00:54:02,960
Speaker 1: email us at Gilmore at iHeartRadio dot com.