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Speaker 1: D Angeli and Charlotte. Ain't the guy congratulate you, Hall

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Speaker 1: of famers. So I had to be in the presence

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Speaker 1: of Radio Royalty to the world's most day this morning show,

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Speaker 1: The Breakfast Club. It's a big deal. I think that

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Speaker 1: y'all have a certain amount of respect for you know

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Speaker 1: what everybody else does, and y'all are just the best

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Speaker 1: of what y'all do. We love y'all, man, thank you

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Speaker 1: for being the people's champs, probably the greatest all thrill y'all,

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Speaker 1: Wake up, wake up, wake y'all. As if you're trying

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Speaker 1: to get it off your chap, your man or blass,

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Speaker 1: we want to hear from you on the Breakfast Club. Hello,

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Speaker 1: this what I doubt? It's Drake Saga mission. All right,

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Speaker 1: what's going on? Brother? I was t me wish my

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Speaker 1: wife first thirty first Firthday, hath Day, Happy birthday. I

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Speaker 1: love you, you quate you because I shout out her

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Speaker 1: old Instagram. Yeah god brother her. It just pays man.

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Speaker 1: Shake to your queen King zero three on one, All right, brother,

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Speaker 1: salute to your queen. Brother. Hello, who's this man's curly

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Speaker 1: Kim bro Tony? What I'll get off your chest? Brother?

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Speaker 1: How are you doing? How are you doing? Solid man?

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Speaker 1: Peace King? How are you? Brother? I'm doing good. I'm

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Speaker 1: doing good, man. I I just want to tell my

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Speaker 1: wife Brittany Blue La man, she's doing real good. She

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Speaker 1: didn't got a master man, she's trying to take her license.

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Speaker 1: And Nancy she started a real hard So I just

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Speaker 1: want to ab salute and oh she's a black woman, queen.

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Speaker 1: That's a black queen. Hey, salute. Tell her. We need

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Speaker 1: more black women in the mental health space. Man, we

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Speaker 1: need more black women therapists, psychiatrist. So salute thor appreciate it,

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Speaker 1: appreciate love Alright, brother, Hello, who's this? What's going on?

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Speaker 1: Breakfast club? It's just for a fan show I got

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Speaker 1: doing this morning. What's going on? I just wanted to

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Speaker 1: command y'all on that interview with dound san Jay Um,

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Speaker 1: not for san Jay, but to do guys, because y'all

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Speaker 1: killed it with questions that was dope and then be

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Speaker 1: chounded more concerned most I've ever heard you quiet. You

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Speaker 1: get your your dad, you know what I'm saying, and

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Speaker 1: great questions doing that. And my thing is Jay he's

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Speaker 1: just a meta doctor, man. I mean as far as

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Speaker 1: a neurosearch and he's really not abouted chemist and he

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Speaker 1: really can't Chelsea and what's going on the back game

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Speaker 1: as far as that, like y' all studies and Charlotte Magne.

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Speaker 1: You based some great questions, obvious questions, and he didn't

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Speaker 1: demand just answer, And it was like I just wanted

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Speaker 1: to concede us out there like this is this is

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Speaker 1: Honds the atenders, Like I'm way too far. He's selling

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Speaker 1: books right now. This isn't about the people. Damn. I

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Speaker 1: just got questions, you know, I got concerned for my kids,

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Speaker 1: that's all some when it comes to my kids. I

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Speaker 1: asked a zillion and one questions. I try to make

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Speaker 1: sure I'm as knowledgeable as as as I can be

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Speaker 1: when it comes to my kids, you know, absolutely, And

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Speaker 1: I heard that. And get where do we go from

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Speaker 1: there now? Because the man names are out there and uh,

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Speaker 1: like you said, medical doctors. If you don't have them,

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Speaker 1: you're firing right now, it's just retalding, like, so who

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Speaker 1: do you listen to? Listen to you guys from the

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Speaker 1: beginning inbite about now it's all confused. I get. I

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Speaker 1: think I think the smartest thing to do is listen

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Speaker 1: to the so called experts. Listen to the experts and

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Speaker 1: just make your own decisions. Brother, that's what I do.

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Speaker 1: You know, absolutely all right? Brother? Thank you man, you

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Speaker 1: got it? Hello? Who's this, Mike? Mike? What's up? Brother? Brother?

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Speaker 1: What's good? Blessed Black and Holly favor? What's happening now,

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Speaker 1: marsh I know you're not supposed to pat yourself on

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Speaker 1: the back too much in this life. You gotta be humble,

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Speaker 1: but I just want to see something about myself. During

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Speaker 1: about the holidays, I was thinking, like, I just think

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Speaker 1: good because I came from like a single mother. I

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Speaker 1: can't two other brothers man and raised them doing what's up?

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Speaker 1: And at this thing? And I want to look at it.

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Speaker 1: I got a CM man, I got I got beautiful kids,

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Speaker 1: I got a beautiful place, and I'm doing really good

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Speaker 1: when kid groom and I thought I was gonna be nothing,

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Speaker 1: But I can't try to be like why real good dude,

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Speaker 1: And you got a good job and I got a

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Speaker 1: good crib and I'm my family and I thank God

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Speaker 1: for that. There you go. That's all that's every brother,

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Speaker 1: and that you should definitely tell yourself that every day.

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Speaker 1: That's not patting yourself on the back end. So and

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Speaker 1: if you are so what, thank God, bro, thank God

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Speaker 1: for it all. I know. I know, man, and I

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Speaker 1: can't believe it. And and and my family like, oh,

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Speaker 1: they're kind of man that I turned out that way.

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Speaker 1: I just thought I was that way, called up because

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Speaker 1: I had my home path. But I'm on a suit

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Speaker 1: to love it and I am doing greed, y'all. I'm

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Speaker 1: telling you, I'm proud of you, kid. I'm proud of you. Crazy,

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Speaker 1: but I'm doing it so good. And I swear to God,

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Speaker 1: I'm proud of you, king. I am proud of you.

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Speaker 1: Keep you keep going and growing, don't stop. Get off

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Speaker 1: your chests. Eight hundred five eight five one to five one.

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Speaker 1: If you need to vent, hit this up now. It's

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Speaker 1: the breakfast club. Good morning. It's your time to get

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Speaker 1: it off your chests, whether you're mad or blessed. So

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Speaker 1: we better have the same anything we want to hear

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Speaker 1: from you on the breakfast club Collorow, who's this? Yeah,

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Speaker 1: good morning, Good morning, breakfast clubs, good morning. Get you

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Speaker 1: off your chess brothers. Yeah, well, I don't really got

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Speaker 1: nothing to get off my chest. I just want to

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Speaker 1: say that, you know, me and my wife. We just

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Speaker 1: close on the house last week. Congratulated. Congratulations King, I appreciated.

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Speaker 1: I appreciate it. I want to give my flowers for

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Speaker 1: all three of y'all. I listened to y'all every morning.

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Speaker 1: I'm a truck driver. A mile hit one of my things.

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Speaker 1: You know, I moved from New York and I lived

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Speaker 1: down in Georgia, now you know, and I listen to

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Speaker 1: you guys have done a lot for the community, for everybody. Charlemagne,

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Speaker 1: you are the man. Thank you, King and angelau Ye

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Speaker 1: you're a beautiful queen. Congratulations like everything you got going on,

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Speaker 1: Thank you, dj Amy. How can a brother get a

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Speaker 1: big truck in the car show? Let's do this? Um,

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Speaker 1: I mean I have a problem putting a big truck

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Speaker 1: in the car show. Is it just is it customized

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Speaker 1: or is it just a regular eighteen wheelow? Yeah, no,

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Speaker 1: it's it's customer. You know. I did my injury, I

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Speaker 1: did my life, you know, running life, all of that.

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Speaker 1: All right, Well we can trying to get it on. Well,

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Speaker 1: I'm glad that I got for Wow, I'm on the radio.

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Speaker 1: Let's do this, all right. Congrass brother piece King. All right, bro, y'all,

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Speaker 1: y'all be going, man, have a great day, got black career,

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Speaker 1: y'all YouTube? Brother? Hello, who's this? Rod? Hey? Rod? What

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Speaker 1: I'm getting off your chest? Um? It's been in much

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Speaker 1: chest for about two months now. I don't want to

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Speaker 1: ask Charlotte made that? Um? Why can't you except listen

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Speaker 1: to right call everything that's better than Michael Jackson? Man,

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Speaker 1: shut your shut up? Have have I'm sending you healing energy,

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Speaker 1: my brother, have a great day. Okay, all right, you're

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Speaker 1: just calling up here to raid my blood case. Why

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Speaker 1: do you think Drake is better than Michael Jackson's not

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Speaker 1: having this conversation? Why how old are you so? You

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Speaker 1: got twenty three? Exactly? Mister Riker everything drink himself as

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Speaker 1: I was the greatest rapper walk? Could you? Could you?

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Speaker 1: Could you like, just you know, go do something with

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Speaker 1: your life, sir, that you don't got nothing you could

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Speaker 1: be doing this morning? You ain't got a job. You

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Speaker 1: can go to something, go help you mama cleaner basement, Like,

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Speaker 1: is there anything you could do? I don't want you.

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Speaker 1: I don't, I don't, I don't. I hate that as

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Speaker 1: I'm not I'm not I'm not I'm not I'm not

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Speaker 1: having this conversation with you on while Michael Jackson is

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Speaker 1: better than Drake? You know about to raid my blood

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Speaker 1: pressure earlier this morning? Okay, And you ever seen the

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Speaker 1: Michael Jackson You ever seen that meme with that old

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Speaker 1: man eating breakfast and the young man asked him a

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Speaker 1: dumb question. He's a man. Just shut the fuck up.

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Speaker 1: I don't even think that Drake would say that he's

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Speaker 1: better than Michael Jackson. You don't think. Now, will you

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Speaker 1: have a good morning? Were you on your way to work?

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Speaker 1: To wre you work? Bro um working Uber? Right now? Always?

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Speaker 1: Let's take you out to the radio every day. I

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Speaker 1: appreciate everybody, love all y'all. Man. I pray to God

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Speaker 1: that I never get into Uber with you. Man. Can

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Speaker 1: you imagine being in the back of the uber and

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Speaker 1: then the Uber driver would be like, hey, man, why

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Speaker 1: do you think Drake better than Michael Jackson? Let me

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Speaker 1: out right and take the long way to his credit

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Speaker 1: one star. Just keep asking and just start playing one

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Speaker 1: star one star over. I man, have a going by

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Speaker 1: the way. Yeah, saluted Drake, But come on, man, stop

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Speaker 1: asking stupid questions. Drinking Michael Jackson. There's only one Michael Jackson. One,

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Speaker 1: one on one, get it off your chest eight hundred

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Speaker 1: five eight five one though five one. It's only one

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Speaker 1: drink too. The Breakfast Club Morning. Everybody is DJ Envy,

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Speaker 1: Angela Yee, Charlemagne the guy. We are the Breakfast Club.

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Speaker 1: We got a special guest in the building. I thought

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Speaker 1: she was up here, so I thought you up here before. No,

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Speaker 1: my first time. I'm like, I'm a breakfast nup version.

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Speaker 1: I just know your face, like I grew up on you,

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Speaker 1: so I just know we just I just thought you

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Speaker 1: were here. You're part of the family. I love it. Well.

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Speaker 1: Now just Johnson, good morning, what's what's up? Good morning? Now.

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Speaker 1: If you don't know who A. J. Johnson is and

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Speaker 1: you don't know her from Life Therapy and all the

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Speaker 1: shows that she did, she was on one of my

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Speaker 1: favorite movies of all time, House Party. You know, I'm

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Speaker 1: surprised you said that. I too. Were gonna say baby

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Speaker 1: boy yeah, that too, well, I was gonna say. Usually

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Speaker 1: usually guys say baby boy yeah, and girls say house

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Speaker 1: party yeah. House Party, you know from New York. So

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Speaker 1: it was like I grew up on it. So I

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Speaker 1: want to start from the beginning. If you don't mind,

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Speaker 1: like how did you get into acting? How did you

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Speaker 1: get the part in the house Party Party, Let's talk

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Speaker 1: about it. Oh my goodness, you don't have enough time Jersey. Yeah, yeah,

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Speaker 1: well yeah, I went just about when I went to

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Speaker 1: school in Atlanta, and the beginning was Spike Lee shooting

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Speaker 1: school days on campus and so um as a premim major,

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Speaker 1: I still put my foot in the arts. Let's go

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Speaker 1: back to the real beginning. So, growing up in Jersey,

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Speaker 1: my parents used to bring me up to the city.

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Speaker 1: So every time I come to New York is real

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Speaker 1: nostalgic for me, because you know, I grew up on

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Speaker 1: alvin Alee Dan's classes and going to see Broadway shows

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Speaker 1: and so that's where I feel like the performance bug

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Speaker 1: got me. But I came from an academic family, so

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Speaker 1: it was like, yeah, you know, that's fun, but you're

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Speaker 1: gonna be a doctor, you're gonna be a lawyer, or

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Speaker 1: you're gonna be an accountant. So I always saw it

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Speaker 1: that's fun until Spike showed up his But he shows

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Speaker 1: up on campus and he's like, you know, I think

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Speaker 1: I want you to be in my movie. I was

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Speaker 1: Miss Moorehouse at the time, you know, yeah, so I

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Speaker 1: was you know, I was kind of doing it at

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Speaker 1: school and he was like, you know, I think I

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Speaker 1: kind of want your presence in the movie. And I

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Speaker 1: was like, yeah, you think I need you to be sure.

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Speaker 1: He was like, see, that's what I'm talking about, that energy.

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Speaker 1: And so God bless him because he put me in

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Speaker 1: school days and that started everything because it gave me

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Speaker 1: my Screen Actors Guild membership, which is what you need.

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Speaker 1: Of course, no, and it's not. And so I loved

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Speaker 1: Spike forever for that because he believed in me enough

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Speaker 1: to finance that, And and the rest took off after

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Speaker 1: about your parents because they everybody wanted you, you know,

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Speaker 1: you were premed. Oh yeah, well I lost my mom

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Speaker 1: my first year at school. But but my dad and

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Speaker 1: the rest of my family was like, no, no, no, no,

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Speaker 1: this is supposed to be fun. And my dad actually

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Speaker 1: didn't speak to me until the house Party premiere because

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Speaker 1: then he wanted tickets for a second line. Did you

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Speaker 1: for a second, say, I don't know, you haven't been

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Speaker 1: talking to me. No, because I knew, I knew, you know,

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Speaker 1: and he knew we were closed. So he said, listen,

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Speaker 1: I'm just scared for you. Like that, life's you know,

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Speaker 1: He's like, you know, I'm from Jersey, I'm an engineer.

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Speaker 1: I don't know nothing about Holloywood and auditions and red carpets.

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Speaker 1: He's like, but now I'm gonna find out because my

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Speaker 1: girl doing it. You know, So breakdown house party. So

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Speaker 1: how did the house party come to you? And what

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Speaker 1: was the vision when you first seen it? Okay, well

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Speaker 1: did you know that I was in Living Color fly

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Speaker 1: girl choreographer? Yes, okay, so actually house party conflicted with

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Speaker 1: in Living Color. So keenan Ivory Wayans was like, you

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Speaker 1: gotta do either. So I was like, okay, so I'm

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Speaker 1: out love, You're just gonna leave it. Living Color one

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Speaker 1: of the biggest shows on TV. But at the time,

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Speaker 1: it was the beginning, it was growing. I was pioneering, correct, right.

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Speaker 1: So I called him Rosie, my girl Rosie Perez. I said, listen,

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Speaker 1: I gotta I gotta take a step back for a second.

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Speaker 1: Go try to do this movie thing. I need you

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Speaker 1: to handle it for me. That's hope that you hooked

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Speaker 1: a friend up, because some people might have been like, oh,

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Speaker 1: I gotta make a choice. I'm out good luck. Oh no,

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Speaker 1: no no, Because Rosie was the you know, at the time,

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Speaker 1: you know, as dancers, it was like Rosie was holding

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Speaker 1: down the East coast. I was holding down the West coast.

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Speaker 1: So we shot and Living Color on the West coast. So,

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Speaker 1: I mean, and Keenan was a friend, so I was like,

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Speaker 1: you know, I'm gonna take this opportunity, but I'm not

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Speaker 1: gonna leave my boy hanging. So I was like, let me,

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Speaker 1: let me go get you the baddest dancer I know,

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Speaker 1: which was Rosie and so cars Rosy and then and

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Speaker 1: you know, Tasha and I were friends because we met

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Speaker 1: doing school days and I so listen, I'm trying to

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Speaker 1: do this movie. I think you know, they came to

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Speaker 1: the location to check me out on Living Color there

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Speaker 1: looking for a brown skin ship who can dance and who?

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Speaker 1: And she's like, oh no, they're looking for a light

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Speaker 1: skin go for another role. I wonder if it's me

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Speaker 1: and you? Well, now you know we don't have to wonder.

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Speaker 1: You know, what do you think that right? Deep? Right?

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Speaker 1: Do you think that you're a training and what you

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Speaker 1: do like for people as a life coach that helps

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Speaker 1: even when you're on set just being there with people,

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Speaker 1: because I can imagine how pleasant it must be to

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Speaker 1: be around you, because you have a lot of the

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Speaker 1: skills and tools to make sure that you know how

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Speaker 1: to treat other people. Some people don't know how to

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Speaker 1: do that. I love you saying that, and because I

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Speaker 1: think that part of my life and personality is what

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Speaker 1: got me to the life coaching. It was like as

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Speaker 1: people as I'm you know, I mean I've been doing

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Speaker 1: it for thirty years, So as as I work with

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Speaker 1: different people, as them around different people, they're the ones saying,

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Speaker 1: can I talk to you? You know, can I get

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Speaker 1: your take on this? You know, I heard you went

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Speaker 1: through a hard time, but you know I can't even

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Speaker 1: you know, you're not wearing your You're you know, you're

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Speaker 1: not wearing your story, Like how how are you so up?

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Speaker 1: And so that's where the life coaching came from. The

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Speaker 1: psychology degree in background, I just started helping people. And

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Speaker 1: before my dad passed, he was like, well, are they

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Speaker 1: paying you for it? And I say no, no, no,

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Speaker 1: I'm helping my friends. He was like, oh, can they

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Speaker 1: pay me? Because I pay for Spellman, so can they

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Speaker 1: pay me that? Right? You know? And so in his

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Speaker 1: passing he said, you know, promise me you'll just try it,

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Speaker 1: because that's part of your gift and your talent, and

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Speaker 1: you know you help people and you're in service as

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Speaker 1: a person, but at the same time that's a job, right,

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Speaker 1: So here we are and TV one. TV one said

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Speaker 1: whoop and said we want you an executive produce. It's

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Speaker 1: your show, eighteen episodes. Show us how you do it,

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Speaker 1: How we got more? With A. J. Johnson, We're getting

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Speaker 1: this free life therapeut this morning, so don't move as

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Speaker 1: the Breakfast Club, Good morning, the Breakfast Club Morning. Everybody

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Speaker 1: is DJ Envy, Angela Yee, Charlemagne, the guy we are

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Speaker 1: the Breakfast Club was still kicking in with AJ Johnson's

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Speaker 1: actress wellness coach. She has a show on TV one

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Speaker 1: Life Therapy. Now ye question, Envy, why did you cheat?

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Speaker 1: A lot of different reasons? Insecurity is the main one.

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Speaker 1: I think one because when I was home, I was

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Speaker 1: a shoe. I was with Shawn Casey. But when I

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Speaker 1: was in the street, I was DJ Envy, So I

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Speaker 1: almost felt like I was a superhero, like I put

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Speaker 1: my k for and I'm a different person. And what

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Speaker 1: part of your life, though, what part of your life

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Speaker 1: did this happen? Because y'all been together a long time.

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Speaker 1: When I started popping. And when was that? I would say,

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Speaker 1: maybe my late was feeling yourself. Yea adeling myself, because

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Speaker 1: you gotta think I was. I hate to say. I

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Speaker 1: was a kid with the glasses, the breast, he had

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Speaker 1: a little tight shorts on, with his sicks up to

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Speaker 1: his the nerd. Yea was DJ shrimp. I was only

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Speaker 1: five foot four. At first I thought it was because

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Speaker 1: it's something else, shut up. But I grew from five

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Speaker 1: to six foot so it was like, you know, as

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Speaker 1: a kid, I was, I was the nerd. I was.

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Speaker 1: Nobody was going me, Nobody's hollered at me. But now

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Speaker 1: I'm six foot. I got lay sick, my braces off,

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Speaker 1: I got lay sicks number two, I got Lai. There

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Speaker 1: was no more metal mouth, it was no more four eyes,

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Speaker 1: it was no more none of that. Listen, now they

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Speaker 1: say it again, that dusted you off right and fixed

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Speaker 1: you up. She dusted me off and fixed me up.

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Speaker 1: And now I'm how you out there? Great? But you

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Speaker 1: know how many how many stories are the same, male

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Speaker 1: and female. You know, the chubby girl in high school

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Speaker 1: who who couldn't make the cheerleading team all of a

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Speaker 1: sudden becomes the beauty queen and she high school, you

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Speaker 1: know what I mean. So I think what's great with

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Speaker 1: you guys is that you have such a history, that's

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Speaker 1: your foundation. You had to know you were going to

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Speaker 1: grow up together, so that that growing years. I mean,

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Speaker 1: most people don't really find their their person, told a

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Speaker 1: good reason person until like thirty. So you have all

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Speaker 1: that rowing and maturing to do before you lock down.

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Speaker 1: If you lock down sooner, you're gonna have those growing pains,

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Speaker 1: as they say, correct, so you have to go through

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Speaker 1: them together. Me and my wife wrote a book during

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Speaker 1: the pandemic, which is which just comes out next year.

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Speaker 1: Next year, show um. But we talked about all that

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Speaker 1: because I was insecure, she was beautiful. I didn't want

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Speaker 1: her to go outside, you know, I didn't want her

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Speaker 1: to wear a form fitting clothes like I was that

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Speaker 1: type of guy, like the guy that if my daughter

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Speaker 1: dated a guy like me, I'd be like, we gotta

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Speaker 1: give it this. I got a question, yes, man, So

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Speaker 1: is there anything from that guy? Because that's a soul.

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Speaker 1: Is there anything from that soul? Although we fixed a

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Speaker 1: lot of the outside, is there anything on the inside

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Speaker 1: that still needs healing? When it comes to that, No,

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Speaker 1: you're absolutely sure. So why do you think you don't

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Speaker 1: want to know her truth if there is something to tell, Well,

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Speaker 1: I don't think about the past. I don't think about anything.

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Speaker 1: He don't want to think about his past. I don't

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Speaker 1: think about anybody's past. But I think I did retain

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Speaker 1: place where I don't want to think about it. Like

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Speaker 1: some people, you know, they drink to forget about things,

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Speaker 1: so they use drugs. For myself, I focused on the future,

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Speaker 1: like I focus on my kids and the future and

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Speaker 1: what's coming on next. I never want to go back

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Speaker 1: to that person. I never want to think you're just

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Speaker 1: because I know who that person is and I don't

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Speaker 1: like talking about that person. I don't like like even

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Speaker 1: with my wife, she got cut in her face, right,

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Speaker 1: she had like sixty stitches. Girls beat her up when

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Speaker 1: she was fifteen, jumped to a cut of face. I

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Speaker 1: never want to think about that again. So every time

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Speaker 1: she she brings that story up, I have to walk

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Speaker 1: out the room. You don't even want to hear abody

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Speaker 1: talking about it more because I dealt with that. I

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Speaker 1: didn't we didn't cry, but he from that, so you're

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Speaker 1: already healed from it. No residual, not that exactly. I would.

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Speaker 1: I would find a person and blow the house up.

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Speaker 1: But I'm healed from it. Well, see that means that

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Speaker 1: you're still not healed because you're telling that you if that,

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Speaker 1: that you have thoughts of if you don't have thoughts

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Speaker 1: about that. If I did, I would, I would, I

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Speaker 1: would have done it. Complicated, I know, But you know

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Speaker 1: this is therapy. This is a great example of what

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Speaker 1: right right. I know it is, it is, and this

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Speaker 1: is what this is what therapy is. I mean, the

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Speaker 1: reason why we're doing the show is to fully show

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Speaker 1: the black and brown community that doesn't necessarily know or

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Speaker 1: go to therapy. We're trying to show and hopefully succeeding

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Speaker 1: that therapy is. This is exactly what we're doing. We're

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Speaker 1: talking things out, looking for solutions in a safe place,

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Speaker 1: you know, where you can feel like like you have

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Speaker 1: no reason to hide your truth and open and honesty

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Speaker 1: because the next step is moving forward in your life.

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Speaker 1: You know, where you are now may not be the

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Speaker 1: relationship you want in two months, three months, right, you

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Speaker 1: know that. That's the one thing too that I love

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Speaker 1: about the timing of life therapy is that we're dealing

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Speaker 1: in a time when the world keeps turning and flipping.

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Speaker 1: You know, we didn't know that we'd be here. You know,

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Speaker 1: this long and a pandemic and it's not going anywhere

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Speaker 1: anytime soon, and we're getting ready to go into another

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Speaker 1: slump in it, right, So our lives, our work, our relationships,

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Speaker 1: our families, everything, everything is affected. Is it draining sometimes

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Speaker 1: when you leave from doing the therapy, because it is

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Speaker 1: it really deep things. Yeah, Like there's one picture I

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Speaker 1: post it on Instagram in the middle of shooting where

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Speaker 1: I was getting like a vitamin ivy because I was

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Speaker 1: so drained. But but the difference for me is this

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Speaker 1: is not a job. For me, I really believe it's

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Speaker 1: a calling. You know, all of it, all of my life,

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Speaker 1: all of my career has led to this. I mean,

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Speaker 1: think about it. When you talk about clients and you

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Speaker 1: talk about Stevie Wondershaka Khan, you know, Beyonce Celo, I

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Speaker 1: mean the list, you know, I've been so blessed to

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Speaker 1: work with so many people and gain their trust, to

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Speaker 1: work with so many people, Tisha, I mean, the list

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Speaker 1: goes on. What I love is that part of the

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Speaker 1: trust comes from I've lived the life I'm in the industry.

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Speaker 1: I have struggles, but they're seeing where I'm managing my life.

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Speaker 1: I'm managing my happy, I'm managing my mental and my stress.

420
00:19:37,600 --> 00:19:40,400
Speaker 1: So basically the business came because they said, you're doing

421
00:19:40,400 --> 00:19:42,600
Speaker 1: a better job at the management than I am. Please

422
00:19:42,600 --> 00:19:47,760
Speaker 1: show me and teach me how you do it. Okay,

423
00:19:47,960 --> 00:19:52,240
Speaker 1: they he said. He just said, no, this is this

424
00:19:52,280 --> 00:19:55,480
Speaker 1: is this is my Christmas game. This is my Christmas again.

425
00:19:55,520 --> 00:19:57,920
Speaker 1: And when I come back and see y'all January, now

426
00:19:57,920 --> 00:20:00,520
Speaker 1: we're gonna start sharing this. This is the first. This

427
00:20:00,600 --> 00:20:02,680
Speaker 1: is a J. Johnson is the Breakfast Club. Good Morning,

428
00:20:03,320 --> 00:20:06,560
Speaker 1: the Breakfast Club. Your morning's will never be the same.

429
00:20:07,480 --> 00:20:10,879
Speaker 1: And here the most star studded black western ever made

430
00:20:11,200 --> 00:20:14,560
Speaker 1: the heart of day Fall, directed by James Samuel, alongside

431
00:20:14,560 --> 00:20:17,280
Speaker 1: a killer soundtrack that features original songs by jay Z,

432
00:20:17,480 --> 00:20:20,520
Speaker 1: Kid Cutty and Moore. Watch now on Netflix and stream

433
00:20:20,560 --> 00:20:30,840
Speaker 1: the soundtrack now on all platforms. It's topic time called

434
00:20:30,840 --> 00:20:32,680
Speaker 1: eight hundred five eight five one oh five. Want to

435
00:20:32,760 --> 00:20:35,160
Speaker 1: join it to the discussion with the Breakfast Club, talk

436
00:20:35,200 --> 00:20:40,440
Speaker 1: about it? Wanting everybody is DJ Envy, Angela Yee, Charlemagne

437
00:20:40,480 --> 00:20:43,000
Speaker 1: the guy. We are the Breakfast Club. Good Morning. If

438
00:20:43,000 --> 00:20:44,879
Speaker 1: you just join us. We're just asking. I'm asking a

439
00:20:44,880 --> 00:20:47,440
Speaker 1: serious question, right, No, I'm asking a serious question. Charlemagne.

440
00:20:47,440 --> 00:20:49,280
Speaker 1: If you listen to the Breakfast Club for the last

441
00:20:49,320 --> 00:20:52,119
Speaker 1: ten years, that is a lie. You notice that. I

442
00:20:52,200 --> 00:20:55,359
Speaker 1: really think he's a little funny and funny as how

443
00:20:55,480 --> 00:20:57,800
Speaker 1: what you mean like ha ha funnier? I don't know

444
00:20:57,880 --> 00:21:00,479
Speaker 1: if it's what you mean. I don't know if it's

445
00:21:00,480 --> 00:21:02,320
Speaker 1: how how funny? Are you serious? When he flirtshed me

446
00:21:02,359 --> 00:21:04,760
Speaker 1: all the time? I'm not flirting with you. The problem

447
00:21:04,760 --> 00:21:08,640
Speaker 1: is all week and being in Angelie been off all week,

448
00:21:09,000 --> 00:21:12,080
Speaker 1: You've been really, really, really flirting in the Finalscraft Music

449
00:21:12,080 --> 00:21:14,360
Speaker 1: when you played trade songs about ten fifteen minutes ago

450
00:21:14,359 --> 00:21:16,080
Speaker 1: and kept looking at me as you were playing the trade.

451
00:21:16,880 --> 00:21:19,439
Speaker 1: I think that's disrespectful to my wife. Let's let's go

452
00:21:19,480 --> 00:21:20,800
Speaker 1: to the phone lines. A lot of people are what

453
00:21:20,880 --> 00:21:22,919
Speaker 1: is the question? What is the question we're asking? The

454
00:21:22,960 --> 00:21:24,719
Speaker 1: way you flirt with me is a disrespect No, if

455
00:21:24,760 --> 00:21:26,920
Speaker 1: the way you flirt with me disrespect without the question

456
00:21:26,920 --> 00:21:30,199
Speaker 1: to me, Hello, who's this? Hello? Hey? This is Brandy.

457
00:21:30,359 --> 00:21:33,320
Speaker 1: Hey Brandy? Is the way that he answer? No, If

458
00:21:33,320 --> 00:21:36,040
Speaker 1: the way that you flirts with me disrespectful? Yes, this

459
00:21:36,200 --> 00:21:39,480
Speaker 1: disrespectful to your wives and to y'allself, because if y'all

460
00:21:39,560 --> 00:21:43,879
Speaker 1: not bisexual, y'all should be flirting with each other. WHOA wow?

461
00:21:43,880 --> 00:21:47,160
Speaker 1: How so we disrespected both our wives? Is what you say? Yes,

462
00:21:47,680 --> 00:21:50,560
Speaker 1: that's not right. You know I was in a relationship

463
00:21:50,640 --> 00:21:53,840
Speaker 1: what the dude was day and was hiding so that

464
00:21:54,160 --> 00:21:56,720
Speaker 1: they don't feel good on the woman's behalf. So you think,

465
00:21:56,720 --> 00:21:58,399
Speaker 1: hold on, so you think that we actually flirt with

466
00:21:58,480 --> 00:22:02,320
Speaker 1: each other? Yeah, I'll be saying what each other everyone

467
00:22:02,400 --> 00:22:05,720
Speaker 1: I don't really so this is like a thing like

468
00:22:05,800 --> 00:22:11,240
Speaker 1: this is really like they don't really think we'll be flirting? Hello?

469
00:22:11,280 --> 00:22:16,080
Speaker 1: Who's this? That's all one wrong for? Manville turns into

470
00:22:16,080 --> 00:22:18,520
Speaker 1: the same face tom So, I need you to answer

471
00:22:18,560 --> 00:22:20,560
Speaker 1: a question for me. Is it disrespectful to my wife?

472
00:22:20,560 --> 00:22:22,159
Speaker 1: The way Nby flirts with me? The way he flirts

473
00:22:22,160 --> 00:22:25,560
Speaker 1: with me? Is it disrespects with It? Is so disrespectful

474
00:22:25,840 --> 00:22:28,640
Speaker 1: NV that you don't accept the love that this man

475
00:22:28,800 --> 00:22:32,240
Speaker 1: is given to you. Wow, No, Rain is showing you

476
00:22:32,320 --> 00:22:35,800
Speaker 1: to love n Take that love. Brope that love. Man.

477
00:22:36,040 --> 00:22:42,520
Speaker 1: I think maybe you understand you know what I mean?

478
00:22:42,680 --> 00:22:48,600
Speaker 1: Let her know that. Let's friend say yo, they'll get

479
00:22:48,600 --> 00:22:52,280
Speaker 1: over it. Boys. They know they poop me boys. Is

480
00:22:52,320 --> 00:22:57,520
Speaker 1: just not on the radio, my goodness combined. Hello, who's this?

481
00:22:57,440 --> 00:23:01,919
Speaker 1: This is Hey Ray from Brook right now Brooklyn now

482
00:23:02,000 --> 00:23:07,800
Speaker 1: Brookno royall royal boy Ya. Can I need to ask

483
00:23:07,800 --> 00:23:09,840
Speaker 1: you a question? Is it disrespect for the way Envy

484
00:23:10,119 --> 00:23:11,840
Speaker 1: flirts with me? The disrespect for to my wife? Is

485
00:23:11,880 --> 00:23:13,399
Speaker 1: it disrespect for the way he flirts with me? To

486
00:23:13,440 --> 00:23:17,479
Speaker 1: my wife? Okay? First of all, uncle Cha, just know

487
00:23:17,640 --> 00:23:21,960
Speaker 1: you talk about Envy but all the time. See, do

488
00:23:22,000 --> 00:23:24,679
Speaker 1: you also want to bring up the butt dough the

489
00:23:24,800 --> 00:23:29,520
Speaker 1: gay dooke to everything when it comes to pause? Djoy me?

490
00:23:30,280 --> 00:23:34,240
Speaker 1: You know what you, uncle Charlock. Every time Envy even

491
00:23:34,680 --> 00:23:37,720
Speaker 1: say anything that may refer to something that's not even

492
00:23:38,040 --> 00:23:42,120
Speaker 1: on topic, you make it that way. That is impossible.

493
00:23:42,600 --> 00:23:46,280
Speaker 1: I did not invent a remix, Thank you so much.

494
00:23:46,280 --> 00:23:48,959
Speaker 1: See it's the truth. He didn't respect for right. So

495
00:23:48,960 --> 00:23:50,920
Speaker 1: you're trying to say, Nvy never flirts with me? No,

496
00:23:51,119 --> 00:23:54,440
Speaker 1: I don't you always flirt with me? Hello? Who's this?

497
00:23:54,440 --> 00:23:57,440
Speaker 1: This is Kim Kim Kim my wife. The way this

498
00:23:57,520 --> 00:23:59,679
Speaker 1: guy Kim is a disrespectful to my wife the way

499
00:23:59,800 --> 00:24:02,840
Speaker 1: Vy with me? Charlomagne, come one, now, I have to

500
00:24:02,880 --> 00:24:06,200
Speaker 1: tell the truth. You are always messing with dj m V.

501
00:24:08,520 --> 00:24:13,520
Speaker 1: I'm poopy fingers. You know, Charlomagne is always messing with you.

502
00:24:13,640 --> 00:24:17,840
Speaker 1: So it's Charlomagne who starting this, doesn't it? Yeah? He does,

503
00:24:17,960 --> 00:24:20,960
Speaker 1: Thank you so much. Ken, This is unfair. Who are

504
00:24:21,080 --> 00:24:25,399
Speaker 1: taking these calls? I'm just I'm just going through random. Wow. Hello,

505
00:24:25,440 --> 00:24:29,360
Speaker 1: who's this? How are you doing? It's grilling Hardis Missouri.

506
00:24:29,440 --> 00:24:31,600
Speaker 1: You see you're talking a little too fast. Slow down?

507
00:24:31,640 --> 00:24:35,160
Speaker 1: What's your name now? Grilling Hardened straight out of Saint Louis, Missouri.

508
00:24:35,240 --> 00:24:38,480
Speaker 1: You see these finding Okay? Do you think it's disrespectful

509
00:24:38,520 --> 00:24:40,879
Speaker 1: the way Envy's wife? I mean? And the way the

510
00:24:40,920 --> 00:24:42,760
Speaker 1: way do you think it's disrespectful to my wife? The

511
00:24:42,800 --> 00:24:44,440
Speaker 1: way Ny flirts with me? Well, my wife the way

512
00:24:44,560 --> 00:24:47,040
Speaker 1: first with me? Hold on even one of yours to

513
00:24:47,160 --> 00:24:49,320
Speaker 1: be flirting with each other? That always gets the rule?

514
00:24:49,760 --> 00:24:56,560
Speaker 1: What rules? No flagment? You know what? That was a

515
00:24:56,640 --> 00:25:00,440
Speaker 1: rule in the fifties and sixty two. I remember basally

516
00:25:00,440 --> 00:25:07,840
Speaker 1: down south all right right now and a lot of

517
00:25:07,840 --> 00:25:11,720
Speaker 1: different neighborhoods. Now that's still in that room, all right?

518
00:25:12,240 --> 00:25:16,760
Speaker 1: I understand you. Hello, who's this? What's going on? Yeah?

519
00:25:16,800 --> 00:25:19,320
Speaker 1: What's up bro with with top? Is it disrespect I

520
00:25:19,320 --> 00:25:25,040
Speaker 1: already know how you feel about this. See he was

521
00:25:25,040 --> 00:25:27,399
Speaker 1: flirting with you? Is it disrespectful the way he flirts

522
00:25:27,440 --> 00:25:32,000
Speaker 1: with me? To my wife? I'm gonna man, both of y'all,

523
00:25:32,160 --> 00:25:38,719
Speaker 1: but you're what do you mean? Heavier? Heavier? Like like

524
00:25:38,760 --> 00:25:43,120
Speaker 1: every morning you noticing something about envy? All I would

525
00:25:43,119 --> 00:25:45,400
Speaker 1: talk about is his beard? How do you not notice

526
00:25:45,400 --> 00:25:50,719
Speaker 1: about paint all time? Him and all that? I ain't say, Poppy,

527
00:25:50,840 --> 00:25:54,480
Speaker 1: that's what he said. I ain't. And you want like

528
00:25:54,560 --> 00:25:56,159
Speaker 1: you want like you look after all of me more

529
00:25:56,200 --> 00:26:00,400
Speaker 1: than finally somebody notices it. I don't look at that. Man.

530
00:26:01,119 --> 00:26:05,199
Speaker 1: It's not my type. Hello, who's this? Hey? What's up?

531
00:26:05,240 --> 00:26:07,720
Speaker 1: My ray? Is it disrespectful to my wife the way

532
00:26:07,760 --> 00:26:09,399
Speaker 1: this man flirts with me? No, the disrepectful to my

533
00:26:09,440 --> 00:26:11,280
Speaker 1: wife the way and be flirts with me. Both of

534
00:26:11,359 --> 00:26:14,320
Speaker 1: you guys are being disrespectful to your wives. Man, you

535
00:26:14,359 --> 00:26:17,040
Speaker 1: guys need to stop. That's here listening to you guys.

536
00:26:17,400 --> 00:26:20,880
Speaker 1: You guys have been a little too suspect with each other. Guys,

537
00:26:23,000 --> 00:26:26,720
Speaker 1: for real, why do you want all that? Who wants that? Well?

538
00:26:26,760 --> 00:26:30,639
Speaker 1: I don't want that, but you guys want that? What's

539
00:26:30,720 --> 00:26:33,600
Speaker 1: up with you man? Y'all gonna use the brothers not

540
00:26:33,640 --> 00:26:37,000
Speaker 1: showing love to each other that you want us to date? Goodness, gracious, hello,

541
00:26:37,040 --> 00:26:41,000
Speaker 1: who's this? Hey, Josha, I'm just asking the question. Is

542
00:26:41,000 --> 00:26:43,359
Speaker 1: it disrespectful to my wife the way this guy flirts?

543
00:26:43,840 --> 00:26:45,760
Speaker 1: The disrespectful to my wife away and be flirts from me?

544
00:26:45,840 --> 00:26:48,119
Speaker 1: Come on now, Honestly, if I would either one of

545
00:26:48,200 --> 00:26:52,080
Speaker 1: your guy's wife, I would finally totally disrespectful the way

546
00:26:52,320 --> 00:26:57,200
Speaker 1: that you guys flirt with each other. What I don't

547
00:26:58,080 --> 00:27:00,520
Speaker 1: you do? Both of you flirt and I'm I'm curious

548
00:27:00,560 --> 00:27:07,680
Speaker 1: to know who started it he did? I mean, it's

549
00:27:07,720 --> 00:27:10,600
Speaker 1: one thing to be cool with your your man's your friend,

550
00:27:10,680 --> 00:27:13,960
Speaker 1: have a bro romance and all that, But the stuff

551
00:27:14,040 --> 00:27:16,720
Speaker 1: y'all say is crazy. I would be like if I

552
00:27:16,760 --> 00:27:19,719
Speaker 1: was married, like what first of all the little booty

553
00:27:19,800 --> 00:27:24,439
Speaker 1: jokes and stuff, Oh, that is like over overboard to

554
00:27:24,520 --> 00:27:29,080
Speaker 1: me the wife And I heard another man comment about

555
00:27:29,119 --> 00:27:31,640
Speaker 1: my other man's but I ain't never commented on him.

556
00:27:31,640 --> 00:27:35,119
Speaker 1: I ain't never comment on his body. Yes, both of

557
00:27:35,160 --> 00:27:38,800
Speaker 1: you have, both of you have, and if I was

558
00:27:38,880 --> 00:27:41,080
Speaker 1: the wife, I know that you guys are just playing.

559
00:27:41,119 --> 00:27:44,280
Speaker 1: But it's like a man. It's so comming, y'all always

560
00:27:44,320 --> 00:27:46,480
Speaker 1: do it. I'm all right, there's no moral of the story.

561
00:27:46,520 --> 00:27:49,840
Speaker 1: Stop starting with me more. The story is, let's get

562
00:27:49,840 --> 00:27:56,879
Speaker 1: a room, guys, crazy. It's the Breakfast Club. Good morning,

563
00:27:57,440 --> 00:28:06,280
Speaker 1: the Breakfast Club. Morning. Everybody's DJ Envy Angela Yee, Charlemagne

564
00:28:06,280 --> 00:28:07,879
Speaker 1: the guy. We are the Breakfast Club. We got a

565
00:28:07,880 --> 00:28:10,840
Speaker 1: special guest in the Mother Legend and his smelling like

566
00:28:10,880 --> 00:28:15,600
Speaker 1: fresh weed and fresh leathers. What what's happening? Yeah, we

567
00:28:15,640 --> 00:28:18,200
Speaker 1: showed we we've been giving the people that we feel

568
00:28:18,200 --> 00:28:20,400
Speaker 1: deserved that flowers, their flowers. So we're giving you your

569
00:28:20,400 --> 00:28:24,480
Speaker 1: flowers today. That there's not enough flowers for you. It's

570
00:28:24,520 --> 00:28:26,399
Speaker 1: really not. We got some liquor for Snoop today to

571
00:28:26,400 --> 00:28:28,879
Speaker 1: get on his side. On my side. They already drunk.

572
00:28:28,880 --> 00:28:34,480
Speaker 1: He's been drinking all night. Some as spades for you. Bottle.

573
00:28:34,800 --> 00:28:39,880
Speaker 1: Y'all gave me an old bottle again, finger prison. I

574
00:28:40,000 --> 00:28:42,800
Speaker 1: really know what it is. We got food over there

575
00:28:42,840 --> 00:28:48,320
Speaker 1: for you, weed for you. I don't think, no, I

576
00:28:48,360 --> 00:28:52,600
Speaker 1: really don't ye what you smoking down to days. Bubba gum.

577
00:28:52,640 --> 00:28:54,400
Speaker 1: We got some bubba gum cush from the Bay Area

578
00:28:54,560 --> 00:29:00,360
Speaker 1: is in the goods. I love my man. Okay, stuff

579
00:29:00,400 --> 00:29:03,800
Speaker 1: that you do, all the businesses, all acting, everything, the music,

580
00:29:03,840 --> 00:29:06,160
Speaker 1: the tours. What made you say you know what you

581
00:29:06,160 --> 00:29:08,880
Speaker 1: want to help death Jam out? Well, first of all,

582
00:29:08,920 --> 00:29:10,920
Speaker 1: I'm a fan of Deaf Jam records, and I just

583
00:29:10,960 --> 00:29:12,960
Speaker 1: feel like I still have a lot in me. I

584
00:29:12,960 --> 00:29:15,640
Speaker 1: feel like I have a lot of information, wisdom, guidance

585
00:29:16,000 --> 00:29:18,240
Speaker 1: and toolg for a lot of these artists. It's not

586
00:29:18,280 --> 00:29:20,520
Speaker 1: so much about me because I'm not signing the Deaf

587
00:29:20,600 --> 00:29:23,400
Speaker 1: Jam as an artist. I'm only creative, consultant, executive, So

588
00:29:23,440 --> 00:29:25,320
Speaker 1: it's not about me as an artist. It's more about

589
00:29:25,360 --> 00:29:28,200
Speaker 1: me helping to develop artists and put the spirit back

590
00:29:28,200 --> 00:29:29,920
Speaker 1: in deaf Jam the way it's supposed to be. Now,

591
00:29:29,960 --> 00:29:32,440
Speaker 1: there was a period when the West Coast saved Death

592
00:29:32,520 --> 00:29:35,640
Speaker 1: Jam before Yeah, warn you yep, And my pian has

593
00:29:35,680 --> 00:29:39,120
Speaker 1: something to do with that as well. Like I said,

594
00:29:39,160 --> 00:29:41,360
Speaker 1: my pian has something to do with that. That's a

595
00:29:41,440 --> 00:29:44,160
Speaker 1: hip hop tidbit we never knew. I mean, because we

596
00:29:44,120 --> 00:29:46,320
Speaker 1: were trying to protect the homie from Sugar. Now at

597
00:29:46,320 --> 00:29:48,600
Speaker 1: the time, Sugar was taking everything, so we wanted to

598
00:29:48,880 --> 00:29:50,960
Speaker 1: make sure Warny had a dope record without him being

599
00:29:50,960 --> 00:29:53,880
Speaker 1: able to get it. So we silently me and corrupting

600
00:29:53,880 --> 00:29:55,720
Speaker 1: a few others went to work for Warngy to make

601
00:29:55,760 --> 00:29:58,560
Speaker 1: sure that his record would be what it was. Wow.

602
00:29:58,920 --> 00:30:00,960
Speaker 1: So y'all didn't mind him signing the def Jam. I

603
00:30:01,000 --> 00:30:03,040
Speaker 1: didn't want wanting him to sign with def Jam. We

604
00:30:03,080 --> 00:30:05,080
Speaker 1: all wanted to be on def Jam. Def Jam was

605
00:30:05,120 --> 00:30:08,840
Speaker 1: a dream label. You gotta understand public Enemy, Slick, Greg

606
00:30:09,360 --> 00:30:12,480
Speaker 1: ll Cool, j epm D. You understand what I'm saying,

607
00:30:12,560 --> 00:30:15,560
Speaker 1: like this is foundation to hip hop for us, and

608
00:30:15,920 --> 00:30:17,880
Speaker 1: def Jam was just the ultimate label. They had the

609
00:30:17,920 --> 00:30:20,440
Speaker 1: best street teams and had units of people that would

610
00:30:20,440 --> 00:30:23,880
Speaker 1: come there. They had Rockefeller murdering rough riders. They just

611
00:30:24,120 --> 00:30:26,920
Speaker 1: everything was attractive to def Jam And I want that

612
00:30:27,000 --> 00:30:28,440
Speaker 1: spirit back. How do you get that back? With so

613
00:30:28,520 --> 00:30:30,800
Speaker 1: many artists wanting to go independent and go to independent

614
00:30:30,880 --> 00:30:32,360
Speaker 1: route and saying they don't need the labels, how do

615
00:30:32,400 --> 00:30:34,080
Speaker 1: you get there? How do you restore the feeling? Well,

616
00:30:34,120 --> 00:30:37,720
Speaker 1: independence is good. I respect that, but there's something called

617
00:30:37,800 --> 00:30:41,080
Speaker 1: global and independence don't give you that global approach that

618
00:30:41,440 --> 00:30:42,960
Speaker 1: you know some of these magics can give you. You

619
00:30:43,200 --> 00:30:45,520
Speaker 1: saw Meek mill Is saying he's never seen a check

620
00:30:45,600 --> 00:30:48,280
Speaker 1: from his record label ever, is that a common thing

621
00:30:48,600 --> 00:30:50,840
Speaker 1: for artists to sign to a label and get your

622
00:30:50,840 --> 00:30:53,640
Speaker 1: advance but then not see any money later. Well, it's

623
00:30:53,680 --> 00:30:56,680
Speaker 1: about that word recoup. See a lot of people don't

624
00:30:56,680 --> 00:30:58,680
Speaker 1: mention that world. When they put the money upfront, that

625
00:30:58,760 --> 00:31:01,040
Speaker 1: means they want money back. And if you had made

626
00:31:01,120 --> 00:31:03,280
Speaker 1: the money based off of your record sales or whatever

627
00:31:03,320 --> 00:31:06,840
Speaker 1: your deal consist of, then you unrecouped and that times

628
00:31:06,920 --> 00:31:09,120
Speaker 1: leads you not to get any more money. That's why

629
00:31:09,160 --> 00:31:11,400
Speaker 1: they like giving you money up front so you can

630
00:31:11,440 --> 00:31:13,440
Speaker 1: owe them. But in the independence world, there's really no

631
00:31:13,520 --> 00:31:15,560
Speaker 1: money up front. It's you taking the risk and you're

632
00:31:15,560 --> 00:31:18,320
Speaker 1: receiving everything. What about you with your first album? Is

633
00:31:18,360 --> 00:31:20,880
Speaker 1: your first album was one of the biggest albums ever

634
00:31:21,040 --> 00:31:23,480
Speaker 1: in the history of life. I was fighting the murder case,

635
00:31:23,520 --> 00:31:26,280
Speaker 1: so I couldn't really financially, you know, game like I

636
00:31:26,400 --> 00:31:29,320
Speaker 1: needed to because my finances were spent on the case

637
00:31:29,400 --> 00:31:31,000
Speaker 1: to make sure that I was gonna have my freedom.

638
00:31:31,040 --> 00:31:34,840
Speaker 1: Do you remember how millions like in the in the

639
00:31:35,000 --> 00:31:37,959
Speaker 1: tens before you know what, we can say happy birthdays

640
00:31:38,400 --> 00:31:42,000
Speaker 1: just turned happy birthdays. How does fifty feel? Man? When

641
00:31:42,000 --> 00:31:43,920
Speaker 1: I see you fifty, I'm like, you know what I

642
00:31:44,440 --> 00:31:46,600
Speaker 1: can do? It. Uh Like I was telling one of

643
00:31:46,640 --> 00:31:48,880
Speaker 1: my homies when I was young, fifty was old. You know,

644
00:31:49,000 --> 00:31:50,959
Speaker 1: when you've seen somebody fifth, they'd be walking with their

645
00:31:51,040 --> 00:31:54,160
Speaker 1: back length over. And now we looked at it like

646
00:31:54,240 --> 00:31:56,520
Speaker 1: fifty is cool. I got six grandkids, I got a

647
00:31:56,520 --> 00:31:59,280
Speaker 1: beautiful wife, some kids at home that love me, and

648
00:32:00,120 --> 00:32:01,720
Speaker 1: still doing what I do. I don't feel like I'm

649
00:32:01,720 --> 00:32:03,720
Speaker 1: getting old. I feel like I'm getting better. I feel

650
00:32:03,760 --> 00:32:06,280
Speaker 1: like the information and the knowledge that I have now

651
00:32:06,760 --> 00:32:09,760
Speaker 1: could be used to spread around to the people who

652
00:32:09,800 --> 00:32:11,600
Speaker 1: call me Uncle Snope. So now I can give them

653
00:32:11,680 --> 00:32:14,400
Speaker 1: real information and treat my nephews and nieces the right

654
00:32:14,480 --> 00:32:16,480
Speaker 1: way by giving them game that they need and edges

655
00:32:16,560 --> 00:32:19,800
Speaker 1: laid like a mother to hair healthy. Come on, charlote,

656
00:32:20,000 --> 00:32:21,360
Speaker 1: you know I come from that side of the family

657
00:32:21,440 --> 00:32:24,280
Speaker 1: where you know, because there's a lot of brothers angle

658
00:32:24,360 --> 00:32:29,000
Speaker 1: saying no name. I'm looking at dredges hanging on. I'm

659
00:32:29,040 --> 00:32:30,800
Speaker 1: looking at it right now. It ain't got no hair

660
00:32:30,960 --> 00:32:41,000
Speaker 1: at another day? What the dependent to teach you? Actually,

661
00:32:41,240 --> 00:32:43,600
Speaker 1: it's what I love because I love being to myself.

662
00:32:43,680 --> 00:32:46,880
Speaker 1: I love being self centered and being able to breathe

663
00:32:46,920 --> 00:32:49,720
Speaker 1: and to thinking to be creative. It taught me that

664
00:32:50,920 --> 00:32:54,520
Speaker 1: people need to understand what life is about and really,

665
00:32:54,680 --> 00:32:57,680
Speaker 1: you know, treasure it and spend time what they loved

666
00:32:57,720 --> 00:33:00,360
Speaker 1: once because you never know when they're gonna leaves. Lost

667
00:33:00,400 --> 00:33:02,600
Speaker 1: my mom a couple of days ago and sorry to

668
00:33:03,360 --> 00:33:04,960
Speaker 1: thank you. It's like it's heavy on my heart, but

669
00:33:05,000 --> 00:33:07,480
Speaker 1: at the same time, I know that these are things

670
00:33:07,560 --> 00:33:10,080
Speaker 1: that she loved for me to do, to make people smile,

671
00:33:10,200 --> 00:33:13,240
Speaker 1: to make people laugh, to spread joy. So the pandemic

672
00:33:13,360 --> 00:33:16,640
Speaker 1: taught me to love people more, to be more close

673
00:33:16,680 --> 00:33:19,320
Speaker 1: and personal, and to be more understanding because it's a

674
00:33:19,360 --> 00:33:21,880
Speaker 1: lot of mental health going on and we all have it,

675
00:33:22,000 --> 00:33:24,480
Speaker 1: but we're just ashamed to say it. So I'm just

676
00:33:24,600 --> 00:33:26,240
Speaker 1: wanting to be up front about it, to say, yeah,

677
00:33:26,280 --> 00:33:29,440
Speaker 1: we all deal with mental health issues, and the pandemic

678
00:33:29,520 --> 00:33:32,200
Speaker 1: showed me how to be a better person when dealing

679
00:33:32,240 --> 00:33:34,600
Speaker 1: with other people and myself. Is that what the song

680
00:33:34,880 --> 00:33:39,800
Speaker 1: I Love Anxiety with Hate Malia Man that anxiety reconsule

681
00:33:40,000 --> 00:33:42,840
Speaker 1: so hard by because we go through that, right, Yeah,

682
00:33:42,840 --> 00:33:45,360
Speaker 1: it feels like we all go through that. But it's

683
00:33:45,360 --> 00:33:47,680
Speaker 1: starting to become cool to talk about. You know, if

684
00:33:47,720 --> 00:33:49,920
Speaker 1: you said it maybe five years ago, people look at

685
00:33:49,960 --> 00:33:52,160
Speaker 1: you like you crazy. No, I just want some help.

686
00:33:52,520 --> 00:33:54,120
Speaker 1: I just want to know what's going on in my head.

687
00:33:54,160 --> 00:33:57,280
Speaker 1: Maybe I'm traumatized from my family from the fifties or

688
00:33:57,320 --> 00:34:00,280
Speaker 1: the forties, from the slavery and the segregation, and it's

689
00:34:00,520 --> 00:34:03,960
Speaker 1: spelling off into my DNA. You never know. Yeah, I've

690
00:34:03,960 --> 00:34:06,200
Speaker 1: been going to therapy once a week for like five years. Man,

691
00:34:06,480 --> 00:34:09,080
Speaker 1: do it work? Yeah? I mean, but you know, it's

692
00:34:09,080 --> 00:34:12,360
Speaker 1: not just therapy. Therapy gives you the language and the

693
00:34:12,520 --> 00:34:14,560
Speaker 1: understanding of what it is you're going through, but then

694
00:34:14,600 --> 00:34:17,479
Speaker 1: you got to actually start doing real processes the heal

695
00:34:17,560 --> 00:34:19,719
Speaker 1: for real, for real, And so it seems like when

696
00:34:19,719 --> 00:34:23,000
Speaker 1: you're getting therapy, the most drama comes your way because

697
00:34:23,000 --> 00:34:24,640
Speaker 1: it's going to test you to see if the therapy

698
00:34:24,719 --> 00:34:27,440
Speaker 1: is actually working. Absolutely, you go up. Me and my

699
00:34:27,480 --> 00:34:30,480
Speaker 1: wife went to therapy about like maybe twelve years ago

700
00:34:30,960 --> 00:34:34,440
Speaker 1: because we was having some rough times and I spoke

701
00:34:34,480 --> 00:34:36,319
Speaker 1: to a couple of friends of mine and it was like, man,

702
00:34:36,400 --> 00:34:37,960
Speaker 1: and ain't gonna get no better of you and her

703
00:34:38,000 --> 00:34:39,480
Speaker 1: just keep arguing and trying to figure it out. You

704
00:34:39,560 --> 00:34:41,919
Speaker 1: need to put somebody in the middle who're gonna play

705
00:34:42,520 --> 00:34:45,680
Speaker 1: no sides. And when we went to go through the therapist,

706
00:34:45,719 --> 00:34:47,360
Speaker 1: it was the best thing that could happen to us

707
00:34:47,440 --> 00:34:49,960
Speaker 1: because we had somebody that wasn't on my side or

708
00:34:50,040 --> 00:34:51,800
Speaker 1: her side. It was just on the truth and it

709
00:34:51,920 --> 00:34:54,080
Speaker 1: helped us become a better, you know, a better family

710
00:34:54,120 --> 00:34:55,759
Speaker 1: to understand how to deal with each other. And then

711
00:34:55,840 --> 00:34:59,040
Speaker 1: condolences too on your queen man, thank you. I heard

712
00:34:59,080 --> 00:35:01,280
Speaker 1: that it was the song, the song with D smoking

713
00:35:01,440 --> 00:35:05,000
Speaker 1: and was Khalifa uh steady trying to deal with this pain. Man.

714
00:35:05,560 --> 00:35:09,520
Speaker 1: When I heard that, I'm like, and that's it doing?

715
00:35:09,640 --> 00:35:12,359
Speaker 1: You know what's crazy? The artist comine of from Mississippi

716
00:35:12,360 --> 00:35:14,879
Speaker 1: shout out to Camino. He was calling me like, don't

717
00:35:14,920 --> 00:35:16,640
Speaker 1: put this album out without me being on it. Let

718
00:35:16,680 --> 00:35:18,160
Speaker 1: me get on it please, And he sent me that

719
00:35:18,280 --> 00:35:20,840
Speaker 1: song and I heard it and I was like, this

720
00:35:21,000 --> 00:35:23,160
Speaker 1: is dope, but I wasn't listening to it for that reason.

721
00:35:23,239 --> 00:35:24,880
Speaker 1: I was just like it. And he was like, I

722
00:35:24,960 --> 00:35:27,879
Speaker 1: want wears on that put Wars and D smoke. Then

723
00:35:27,920 --> 00:35:29,840
Speaker 1: I'm dealing with life. And then my mother passed and

724
00:35:29,880 --> 00:35:32,040
Speaker 1: I'm like, why is this the last song on the album.

725
00:35:32,480 --> 00:35:35,320
Speaker 1: This is God, this is this is what she wanted

726
00:35:35,360 --> 00:35:37,399
Speaker 1: me to see that You're gonna deal with this pain,

727
00:35:37,480 --> 00:35:39,359
Speaker 1: but you gotta push forward, all right, we got more

728
00:35:39,560 --> 00:35:41,799
Speaker 1: Snoop when we come back, don't move. It's the Breakfast Club.

729
00:35:41,840 --> 00:35:48,000
Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomine

730
00:35:48,040 --> 00:35:50,680
Speaker 1: the guy. We are the Breakfast Club. We're still kicking

731
00:35:50,719 --> 00:35:53,000
Speaker 1: it with Snoop. Now, let's talk about this album. Who

732
00:35:53,120 --> 00:35:54,840
Speaker 1: is your mind frame on this album? Because it's some

733
00:35:55,000 --> 00:35:57,000
Speaker 1: songs you're rapping on it, some songs you're just letting

734
00:35:57,000 --> 00:35:59,400
Speaker 1: people go, some songs you're talking. So what was the

735
00:35:59,480 --> 00:36:03,239
Speaker 1: mind frame of doing this album? Algorithm? The algorithm is

736
00:36:03,239 --> 00:36:05,680
Speaker 1: st up right now. It's based off of computers and

737
00:36:06,239 --> 00:36:09,040
Speaker 1: some machine telling you what's hot, what's not more to

738
00:36:09,120 --> 00:36:11,680
Speaker 1: play When it used to be DJ's with field records

739
00:36:11,719 --> 00:36:14,160
Speaker 1: on the streets, come bring them ups in here, break

740
00:36:14,239 --> 00:36:16,960
Speaker 1: that and let it be, with it be. So that's

741
00:36:16,960 --> 00:36:19,000
Speaker 1: what I'm doing with this Algorithm project. I'm just making

742
00:36:19,080 --> 00:36:23,960
Speaker 1: great music with artists myself, established artists, new artists, producers

743
00:36:24,040 --> 00:36:26,160
Speaker 1: that I love, and just trying to put feeling back

744
00:36:26,200 --> 00:36:28,640
Speaker 1: in music. Because music is sound good, it don't feel

745
00:36:28,640 --> 00:36:30,960
Speaker 1: good no more. Noma tell you something. I'm slaps I

746
00:36:31,040 --> 00:36:32,600
Speaker 1: told I came here this morning and said that. But

747
00:36:32,920 --> 00:36:34,920
Speaker 1: it's not a Snoop album. No it's not. Yeah, it's

748
00:36:34,920 --> 00:36:38,040
Speaker 1: a compilation. That's okay. It's just using me as the

749
00:36:38,120 --> 00:36:40,520
Speaker 1: front guy to get the attention to the awareness on

750
00:36:40,680 --> 00:36:43,040
Speaker 1: death Jam and what I plan on doing at Death Jam.

751
00:36:43,440 --> 00:36:45,040
Speaker 1: You put my name out there and say this is

752
00:36:45,040 --> 00:36:47,359
Speaker 1: a Snoop Dogg project, then you start listening like, damn,

753
00:36:47,440 --> 00:36:50,160
Speaker 1: it's it's got to Mary J. Blige songa Usher song,

754
00:36:50,800 --> 00:36:54,480
Speaker 1: new artists here, and man, come on, red Man became.

755
00:36:54,520 --> 00:36:56,640
Speaker 1: I came out here first. That's what people don't know.

756
00:36:57,080 --> 00:36:59,239
Speaker 1: When I first got the Deaf Jam situation, I wasn't

757
00:36:59,239 --> 00:37:01,719
Speaker 1: even signed yet. I flew out here and rented the

758
00:37:01,760 --> 00:37:04,759
Speaker 1: studio and who kid helped me get it together? And

759
00:37:04,800 --> 00:37:06,960
Speaker 1: I wouldn't got Benny the Butcher and a bunch of

760
00:37:07,080 --> 00:37:09,839
Speaker 1: rappers that I knew that was high and pulled them

761
00:37:09,880 --> 00:37:12,800
Speaker 1: all in and was like, I'm gonna save New York first.

762
00:37:13,040 --> 00:37:15,279
Speaker 1: And what I mean by that is it ain't hip

763
00:37:15,320 --> 00:37:17,239
Speaker 1: hop like it used to be out here, and I'm

764
00:37:17,600 --> 00:37:19,799
Speaker 1: from the West Coast saying that, and I won't hip

765
00:37:19,880 --> 00:37:21,600
Speaker 1: hop back in New York. I want the felling back.

766
00:37:21,680 --> 00:37:23,360
Speaker 1: So what I did was grab some artists that I

767
00:37:23,440 --> 00:37:27,440
Speaker 1: knew who represent the Airpop, JD Kiss, rand Man, Method Man,

768
00:37:27,520 --> 00:37:31,200
Speaker 1: Benny the Butcher, Buster runs Fab Daves to put them

769
00:37:31,200 --> 00:37:33,560
Speaker 1: on the project to let New York know that I

770
00:37:33,640 --> 00:37:36,759
Speaker 1: feel the same way y'all feel. Yeah, Buster bustered. Everybody asks,

771
00:37:37,040 --> 00:37:38,719
Speaker 1: I know it's hard to An said that Benny got

772
00:37:38,760 --> 00:37:41,080
Speaker 1: Bissy too and kids, but Buster was really in his

773
00:37:41,239 --> 00:37:44,240
Speaker 1: bag and that on that way. Yeah, but he was last,

774
00:37:44,719 --> 00:37:48,760
Speaker 1: you know when you're the last. And he requested that record.

775
00:37:48,800 --> 00:37:51,640
Speaker 1: I had played a snippet on Instagram and Buster runs

776
00:37:51,680 --> 00:37:56,520
Speaker 1: called me Yo general Yo, sent me that what is that?

777
00:37:56,920 --> 00:37:58,799
Speaker 1: So I had to send him the track? Who would

778
00:37:58,800 --> 00:38:00,640
Speaker 1: you want to see me? Talking? Bust Who would you

779
00:38:00,640 --> 00:38:02,200
Speaker 1: want to see Buster? To go against? All the verses

780
00:38:02,560 --> 00:38:05,440
Speaker 1: Buster rhymes on the verses Damn Me and him was

781
00:38:05,480 --> 00:38:07,480
Speaker 1: just talking the other day. He said, find me a

782
00:38:07,600 --> 00:38:14,719
Speaker 1: worthy opponent, like sounds like a maximums on glad. I

783
00:38:14,760 --> 00:38:18,279
Speaker 1: think that would l would be the thing I wouldn't see.

784
00:38:18,280 --> 00:38:21,440
Speaker 1: I can't see Missy because there's too much respect between

785
00:38:21,480 --> 00:38:24,720
Speaker 1: them two, and there's no disrespect between Llllen and Buster.

786
00:38:24,840 --> 00:38:27,880
Speaker 1: But me and tend to it's a better duel as

787
00:38:27,960 --> 00:38:31,279
Speaker 1: opposed to he's gonna be nice to Missy. He ain't

788
00:38:31,320 --> 00:38:33,400
Speaker 1: gonna be nice to Ll, and LL ain't gonna be

789
00:38:33,480 --> 00:38:36,400
Speaker 1: nice to him. But performance wise, I can see because

790
00:38:36,480 --> 00:38:40,600
Speaker 1: if he brings Splift Stars, a rap brings I'm gonna

791
00:38:40,640 --> 00:38:43,040
Speaker 1: tell you all this. I said this for the past

792
00:38:43,120 --> 00:38:46,960
Speaker 1: twenty years. It's only two mothers. I'm not getting on

793
00:38:47,080 --> 00:38:52,360
Speaker 1: stage after Buster rhymes a splif Star. You thought I

794
00:38:52,440 --> 00:38:56,160
Speaker 1: was gonna say to them too, I will not. I

795
00:38:56,320 --> 00:39:01,000
Speaker 1: refuse to. They are the pitome of showmanship, just energy

796
00:39:01,160 --> 00:39:03,480
Speaker 1: and what a show's supposed to be. I used to

797
00:39:03,520 --> 00:39:04,960
Speaker 1: go on tour with him, right and I used to

798
00:39:05,000 --> 00:39:06,520
Speaker 1: get on after them, and I used to be so

799
00:39:07,040 --> 00:39:09,440
Speaker 1: mad because sometimes the crowd be like, we already out

800
00:39:09,480 --> 00:39:13,000
Speaker 1: of energy, we ain't got nothing left. So as far

801
00:39:13,040 --> 00:39:15,279
Speaker 1: as getting into versus battle with bus garags, if he

802
00:39:15,440 --> 00:39:19,080
Speaker 1: brings splift Star, on the performance side, it's curtains. Tim

803
00:39:19,120 --> 00:39:20,640
Speaker 1: could come out with Missy, they could do the little

804
00:39:20,640 --> 00:39:23,440
Speaker 1: shoulder stuff they used to do in the video accointance.

805
00:39:24,960 --> 00:39:27,799
Speaker 1: The last time, I think two times it's gonna need

806
00:39:27,920 --> 00:39:30,239
Speaker 1: to talk about in top five and you didn't mention him,

807
00:39:30,239 --> 00:39:31,520
Speaker 1: and then we talked about that and he got a

808
00:39:31,560 --> 00:39:33,520
Speaker 1: little upset. But we see you squashed out how was

809
00:39:33,560 --> 00:39:35,759
Speaker 1: that conversation? I know you had that. Man. I love

810
00:39:35,880 --> 00:39:37,920
Speaker 1: him and them, and the thing is that we love

811
00:39:38,040 --> 00:39:40,440
Speaker 1: hip hop so much. Were competitive, we battle rappers, so

812
00:39:41,040 --> 00:39:43,279
Speaker 1: that was supposed to trigger that in him. But we

813
00:39:43,480 --> 00:39:46,799
Speaker 1: brothers and we families, so we learned to appreciate each

814
00:39:46,800 --> 00:39:48,359
Speaker 1: other for what we do when how we get down

815
00:39:48,400 --> 00:39:51,040
Speaker 1: and we had a loan conversation about the respect that

816
00:39:51,120 --> 00:39:53,239
Speaker 1: we have for each other and the way we need

817
00:39:53,320 --> 00:39:56,560
Speaker 1: to talk in public about each other. And I felt

818
00:39:56,600 --> 00:39:58,440
Speaker 1: like I was out of pocket, you know what I'm saying.

819
00:39:58,480 --> 00:40:00,400
Speaker 1: And I apologize to him and I let him and

820
00:40:00,480 --> 00:40:02,000
Speaker 1: I'm just better than myself, you know what I'm saying.

821
00:40:02,000 --> 00:40:04,600
Speaker 1: I make mistakes. I ain't perfect. I'm snooped up to

822
00:40:04,680 --> 00:40:10,520
Speaker 1: the super Bowl halftime show about that. Mary J. Blinde,

823
00:40:11,480 --> 00:40:13,040
Speaker 1: how did you feel when you got that call in

824
00:40:13,280 --> 00:40:17,080
Speaker 1: La Doctor Dre. It's one of my closest associates. So

825
00:40:17,960 --> 00:40:19,759
Speaker 1: when I when I know he got the call, I

826
00:40:19,880 --> 00:40:21,520
Speaker 1: was figuring that I was gonna get a call soon.

827
00:40:22,160 --> 00:40:25,600
Speaker 1: But to add Eminem Kendrick and Mary J. Blige is

828
00:40:25,719 --> 00:40:27,759
Speaker 1: like special? So what kind of dream Snoop, We're gonna

829
00:40:27,760 --> 00:40:29,359
Speaker 1: see now? Because you know it gets it's a lot

830
00:40:29,400 --> 00:40:34,680
Speaker 1: of dream snoops, it is PG thirteen, but remember we

831
00:40:34,760 --> 00:40:37,920
Speaker 1: made clean versions. Okay, okay, okay. I would want to

832
00:40:38,000 --> 00:40:40,839
Speaker 1: hear some death Row, yes, if slide of G thing

833
00:40:41,000 --> 00:40:43,160
Speaker 1: or something there. I mean that just that record, just

834
00:40:43,800 --> 00:40:46,279
Speaker 1: gotta have G thing right. I definitely would want to

835
00:40:46,320 --> 00:40:49,520
Speaker 1: hear still representing for them gangsters all across the world

836
00:40:49,680 --> 00:40:54,719
Speaker 1: and California Love to California love too. Well. Remember it's

837
00:40:54,800 --> 00:40:57,680
Speaker 1: not just me and him. You gotta let Eminem slide

838
00:40:57,719 --> 00:41:00,239
Speaker 1: out and do his uh nowadays, everybody, you know what

839
00:41:00,239 --> 00:41:02,560
Speaker 1: I'm saying. They gotta bop that. Then you gotta let

840
00:41:02,800 --> 00:41:04,560
Speaker 1: Kendrick come out and bop one with him. And then

841
00:41:04,560 --> 00:41:07,440
Speaker 1: I'm sure Mary J. Blige, yeah, gonna pop that thing.

842
00:41:07,560 --> 00:41:10,080
Speaker 1: She got one him. So I'm anxious to see exactly

843
00:41:10,120 --> 00:41:12,200
Speaker 1: what the formatten how it's going to roll out. I'm

844
00:41:12,239 --> 00:41:13,719
Speaker 1: just here to show up and show up and be

845
00:41:13,800 --> 00:41:15,560
Speaker 1: there for my god. You think it was political that

846
00:41:15,640 --> 00:41:19,440
Speaker 1: they had to have five hip hop icons and you know,

847
00:41:19,480 --> 00:41:22,080
Speaker 1: Mary's the queen of hip hop soul on the halftime show,

848
00:41:22,160 --> 00:41:23,440
Speaker 1: just to get it done, because I feel like it

849
00:41:23,440 --> 00:41:25,440
Speaker 1: could have just been you and Dre and y'all could

850
00:41:25,480 --> 00:41:27,920
Speaker 1: have bought everybody out. It could have. But shout out

851
00:41:27,920 --> 00:41:31,120
Speaker 1: to Jay Z for going the war and making that

852
00:41:31,280 --> 00:41:34,160
Speaker 1: thing happen, putting the first hip hop act on the stage.

853
00:41:34,640 --> 00:41:36,480
Speaker 1: And you know, people don't give him credit for a

854
00:41:36,560 --> 00:41:38,200
Speaker 1: lot of things that he do. He moves his hand

855
00:41:38,360 --> 00:41:40,920
Speaker 1: mysteriously behind the scenes, and he does a lot of

856
00:41:40,960 --> 00:41:43,040
Speaker 1: great things for people. And I want to give him

857
00:41:43,080 --> 00:41:45,680
Speaker 1: a shout out for fighting for Doctor Dre because I

858
00:41:45,800 --> 00:41:47,759
Speaker 1: know that that's a part of my legacy that he

859
00:41:47,880 --> 00:41:49,640
Speaker 1: fought for. So I appreciate you. I heard it was

860
00:41:49,719 --> 00:41:52,640
Speaker 1: a fight between you and somebody one other act. They

861
00:41:52,680 --> 00:41:54,239
Speaker 1: didn't want us something there I ain't I don't know

862
00:41:54,239 --> 00:41:55,600
Speaker 1: if they didn't want y'all by this door. It was

863
00:41:55,640 --> 00:41:59,319
Speaker 1: a low they was gonna say either yeah, but come

864
00:41:59,400 --> 00:42:02,080
Speaker 1: on man, It's like, come on man, this ain't made

865
00:42:02,080 --> 00:42:12,240
Speaker 1: no sense. Long Eagle was tell us woun I heeart Awards,

866
00:42:12,280 --> 00:42:14,319
Speaker 1: what's going on and begging Kanye to come out Dan

867
00:42:14,440 --> 00:42:16,520
Speaker 1: Russia on the Kanye, I gotta take it for you

868
00:42:17,280 --> 00:42:19,920
Speaker 1: back open for you, let you no, I'm just playing now.

869
00:42:19,960 --> 00:42:22,920
Speaker 1: You got some really dope women artists on this album.

870
00:42:23,080 --> 00:42:27,360
Speaker 1: Was that intentional, very very intentional, and a lot of

871
00:42:27,440 --> 00:42:29,359
Speaker 1: it just came to me. It just came my way. Um,

872
00:42:29,520 --> 00:42:31,960
Speaker 1: some of the artists just were brought to me. And

873
00:42:32,040 --> 00:42:33,560
Speaker 1: I didn't even have a deal at the time. I

874
00:42:33,640 --> 00:42:35,759
Speaker 1: just was making great music and people was coming to

875
00:42:35,840 --> 00:42:38,600
Speaker 1: the studio and I was like, damn, these females sound

876
00:42:38,719 --> 00:42:41,239
Speaker 1: good and they don't sound like the girls aside right now,

877
00:42:41,280 --> 00:42:43,680
Speaker 1: and they're saying something a little different. So I was like,

878
00:42:44,040 --> 00:42:45,640
Speaker 1: let me go in and make some records for him.

879
00:42:45,880 --> 00:42:48,160
Speaker 1: And we just made records, and like, that's what I'm

880
00:42:48,160 --> 00:42:50,600
Speaker 1: about right now. I'm about just the feeling. If it

881
00:42:50,719 --> 00:42:53,360
Speaker 1: feel good, feel good to you, must be good for you.

882
00:42:53,680 --> 00:42:56,000
Speaker 1: It reminds you to still make music because you know

883
00:42:56,120 --> 00:42:58,240
Speaker 1: you do so much, but you're always in the studio.

884
00:42:58,360 --> 00:43:00,800
Speaker 1: You're always listening. What it spies, you still listening. And

885
00:43:01,440 --> 00:43:03,520
Speaker 1: when I go out, because I'm a DJ too, I

886
00:43:03,600 --> 00:43:06,080
Speaker 1: get that DJ Bread too. Absolutely when I go out,

887
00:43:06,160 --> 00:43:08,800
Speaker 1: no DJ Bread went up after the pandemic, Well you

888
00:43:08,880 --> 00:43:13,880
Speaker 1: better know it, boyci you wrap some of your own songs,

889
00:43:15,719 --> 00:43:20,920
Speaker 1: can you do that? I mean, if I had to choose,

890
00:43:21,040 --> 00:43:25,719
Speaker 1: I mean, dam snoop J Come on, man, you know

891
00:43:25,920 --> 00:43:28,239
Speaker 1: I get both vas open up. You know how I

892
00:43:28,239 --> 00:43:31,239
Speaker 1: represented DJ Snooper delic verse. Snoop though, I feel like

893
00:43:31,320 --> 00:43:33,240
Speaker 1: that wow. So I'm giving you a little bit of everything.

894
00:43:33,520 --> 00:43:35,000
Speaker 1: And then when I'm out there at DJ and I'm

895
00:43:35,040 --> 00:43:37,799
Speaker 1: listening to music right and I'm like, it don't feel

896
00:43:37,800 --> 00:43:39,440
Speaker 1: good when you ain't got no new music and you're

897
00:43:39,440 --> 00:43:41,640
Speaker 1: in the club. You gotta play thirty years ago or

898
00:43:41,760 --> 00:43:43,799
Speaker 1: twenty five years ago. So it makes you want to say,

899
00:43:44,200 --> 00:43:46,080
Speaker 1: I need to get me a hot record right now.

900
00:43:46,520 --> 00:43:48,759
Speaker 1: So when the young rappers call me, if it's NBA

901
00:43:48,880 --> 00:43:51,400
Speaker 1: young Boy or this rapper, I'm quick to get with him.

902
00:43:51,880 --> 00:43:54,799
Speaker 1: Sometimes I don't even charge him because it's about knowing

903
00:43:54,880 --> 00:43:56,640
Speaker 1: what they're about to do for me, but thinking what

904
00:43:56,760 --> 00:43:59,160
Speaker 1: I'm about to do for them. I no movie got

905
00:43:59,200 --> 00:44:00,960
Speaker 1: more with Snoop, But we come back. It's the breakfast

906
00:44:00,960 --> 00:44:06,640
Speaker 1: club wanting everybody's d Charlomagne the gay We are the

907
00:44:06,680 --> 00:44:10,120
Speaker 1: breakfast club. We're still kicking it with Snoop. Charlomagne. You

908
00:44:10,160 --> 00:44:12,080
Speaker 1: know what you ever thought about doing a documentary on

909
00:44:12,239 --> 00:44:14,760
Speaker 1: you and your evolution. I'm talking about from the beginning

910
00:44:14,800 --> 00:44:18,560
Speaker 1: when you first came out wild Snoop. Biggies ain't holding

911
00:44:18,600 --> 00:44:21,160
Speaker 1: tricks to fifty year old grandfather Snoop who has seen

912
00:44:21,239 --> 00:44:23,440
Speaker 1: so much life is evolved as a man, a father,

913
00:44:24,160 --> 00:44:26,600
Speaker 1: a husband. Have you ever thought about that, just showing

914
00:44:26,680 --> 00:44:29,279
Speaker 1: people that growth is possible? Not really, But if I

915
00:44:29,360 --> 00:44:30,880
Speaker 1: do it, I think you should probably interview me. I

916
00:44:30,960 --> 00:44:32,759
Speaker 1: think you gotta be Dope because you would get some

917
00:44:32,840 --> 00:44:35,920
Speaker 1: good insight on your perspective. You're looking in from the outside.

918
00:44:35,960 --> 00:44:37,680
Speaker 1: You know what I'm saying. You've seen the wild Snoop.

919
00:44:37,680 --> 00:44:39,840
Speaker 1: You've seen the one that was on death row and

920
00:44:39,920 --> 00:44:41,680
Speaker 1: one that grew up on no limit, the one that

921
00:44:41,800 --> 00:44:44,640
Speaker 1: came out with for real, that became a father, became

922
00:44:44,719 --> 00:44:47,000
Speaker 1: a football coach to where I'm at now. So you

923
00:44:47,040 --> 00:44:48,719
Speaker 1: would be able to have a different perspective and I

924
00:44:48,760 --> 00:44:51,759
Speaker 1: would like that because it's a different ain'tle absolutely while

925
00:44:51,840 --> 00:44:54,800
Speaker 1: watching you and Fat Joe changing evolved right? And you

926
00:44:54,920 --> 00:44:57,160
Speaker 1: know when most of our evolution came from a Minister

927
00:44:57,239 --> 00:45:01,200
Speaker 1: ferry Cars house. After Biggie got killed, I called mister

928
00:45:01,239 --> 00:45:03,000
Speaker 1: Ferry cutting I wanted to get with all the rappers

929
00:45:03,040 --> 00:45:05,000
Speaker 1: and he helped me put together a day at his

930
00:45:05,120 --> 00:45:08,320
Speaker 1: house and Fat Joe drove on a bus and he

931
00:45:09,160 --> 00:45:11,239
Speaker 1: had some words for Ice Cube about you know, the

932
00:45:11,320 --> 00:45:14,319
Speaker 1: West Side connect as far as like how the East

933
00:45:14,360 --> 00:45:17,560
Speaker 1: Coast loved Ice Cuban protecting him and had his back

934
00:45:18,000 --> 00:45:20,520
Speaker 1: when in Wa went bad on him, and how could

935
00:45:20,560 --> 00:45:22,680
Speaker 1: he do this? But it was just a minor conversation

936
00:45:22,760 --> 00:45:25,480
Speaker 1: that was needed, and it made me respect Fat Joe

937
00:45:25,840 --> 00:45:27,520
Speaker 1: because I've seen he was a real man and he

938
00:45:27,600 --> 00:45:29,640
Speaker 1: really loved Ice Cuban. For him to say that that

939
00:45:29,800 --> 00:45:31,960
Speaker 1: took a lot of love to say that, I'm hurt

940
00:45:32,320 --> 00:45:34,680
Speaker 1: behind you doing that. We love you and spoke for

941
00:45:34,760 --> 00:45:37,000
Speaker 1: New York and me and him got real cool and

942
00:45:37,080 --> 00:45:39,960
Speaker 1: close after that to where I watched him grow, he

943
00:45:40,080 --> 00:45:42,279
Speaker 1: watching me grown, just to be on his podcast, to

944
00:45:42,360 --> 00:45:45,360
Speaker 1: be able to see us both hold that conversation and

945
00:45:45,480 --> 00:45:48,359
Speaker 1: be grown man evolution. How do you and your wife

946
00:45:48,480 --> 00:45:52,920
Speaker 1: managed to separate business from Obviously that's a super personal relationship.

947
00:45:53,000 --> 00:45:55,520
Speaker 1: You're married, but she's your manager. So are there times

948
00:45:55,560 --> 00:45:57,680
Speaker 1: that she can talk you like do things that you

949
00:45:57,719 --> 00:46:02,640
Speaker 1: don't want to do, or your bump heads. Supply she

950
00:46:02,719 --> 00:46:06,120
Speaker 1: had the final say, She got the only say you

951
00:46:06,200 --> 00:46:08,080
Speaker 1: know what I'm saying. But that's what I needed because

952
00:46:08,200 --> 00:46:10,840
Speaker 1: can't nobody else challenge me or you know, put me

953
00:46:10,920 --> 00:46:13,440
Speaker 1: in a level of understanding and respect now, especially in

954
00:46:13,480 --> 00:46:16,640
Speaker 1: the business. I mastered. This is called show business. When

955
00:46:16,680 --> 00:46:18,640
Speaker 1: I was on Death Row Records, I mastered the show

956
00:46:19,040 --> 00:46:21,160
Speaker 1: and I got with master P. I mastered the business.

957
00:46:21,440 --> 00:46:24,279
Speaker 1: And now I'm trying to extend that by bringing my

958
00:46:24,400 --> 00:46:26,640
Speaker 1: family in so I can teach my family to show

959
00:46:26,760 --> 00:46:28,719
Speaker 1: business in case something has to ever happen to me.

960
00:46:29,280 --> 00:46:31,759
Speaker 1: My wife is in control of everything, not some other

961
00:46:32,040 --> 00:46:34,320
Speaker 1: over here that don't know me and my family and

962
00:46:34,440 --> 00:46:37,359
Speaker 1: controlling my whole estate like some of my homies as

963
00:46:37,440 --> 00:46:40,640
Speaker 1: rest in peace, like it's people, it's not even their color,

964
00:46:41,120 --> 00:46:44,960
Speaker 1: running and running it up. I don't want that. I

965
00:46:45,040 --> 00:46:47,600
Speaker 1: want my wife and my grandkids and my family to

966
00:46:47,760 --> 00:46:51,520
Speaker 1: have the rights to Snoop Dog everything. Do you still smoke? Crazy?

967
00:46:51,560 --> 00:46:54,520
Speaker 1: What's the last times? How long can Snoop go without smoking?

968
00:46:54,520 --> 00:46:55,960
Speaker 1: I know you get waiting for you as a hair

969
00:46:56,040 --> 00:46:58,480
Speaker 1: up so I can get back in my man, you're

970
00:46:58,520 --> 00:47:01,200
Speaker 1: on the clock everywhere. You're going to live up in here? Yeah,

971
00:47:01,400 --> 00:47:03,120
Speaker 1: I know, but I would I would never do that again.

972
00:47:03,360 --> 00:47:05,279
Speaker 1: If he said you won't put the way down for

973
00:47:05,360 --> 00:47:07,840
Speaker 1: shooting it, that's that's what he did say. I couldn't

974
00:47:07,880 --> 00:47:10,239
Speaker 1: help it. But when I was Pastor Swift, I did

975
00:47:10,400 --> 00:47:13,360
Speaker 1: you know, give myself a moment to you know, find

976
00:47:13,480 --> 00:47:17,320
Speaker 1: my character. But Pastor Swift is a He's a sinner

977
00:47:17,880 --> 00:47:20,880
Speaker 1: that's changed his life. Okay. You know most preachers are

978
00:47:20,920 --> 00:47:22,440
Speaker 1: like that. They got to come from the world in

979
00:47:22,600 --> 00:47:24,880
Speaker 1: order to express the world to you. He can't be

980
00:47:25,520 --> 00:47:27,640
Speaker 1: flawless and clean. He's got to come from that side

981
00:47:27,680 --> 00:47:29,000
Speaker 1: in order to be able to relate to you, to

982
00:47:29,120 --> 00:47:31,560
Speaker 1: know that he changed his life to help you try

983
00:47:31,600 --> 00:47:33,560
Speaker 1: to change your life. That's every human on this planet.

984
00:47:33,600 --> 00:47:39,400
Speaker 1: That's why I hate this whole cancel cultures because they

985
00:47:40,160 --> 00:47:45,799
Speaker 1: sometimes the least. But what does it mean nothing, that's

986
00:47:45,840 --> 00:47:49,879
Speaker 1: the algorithm. That's the algorithm. That's some computer telling people

987
00:47:49,960 --> 00:47:52,239
Speaker 1: that you don't like this and don't like this. But

988
00:47:52,760 --> 00:47:54,839
Speaker 1: people are people to have their own emotions, they own

989
00:47:54,880 --> 00:47:56,680
Speaker 1: feeling and you should be able to speak for yourself

990
00:47:56,719 --> 00:47:59,520
Speaker 1: and not some majority of people speak for you. And

991
00:47:59,640 --> 00:48:04,600
Speaker 1: we love commentating Olympics and all the fights too many.

992
00:48:04,840 --> 00:48:07,040
Speaker 1: It seems like you enjoy it, that you have so

993
00:48:07,200 --> 00:48:10,600
Speaker 1: much fun. What what can't you do? He can cook

994
00:48:10,640 --> 00:48:14,440
Speaker 1: with Martha Stewart. I want to know what you told

995
00:48:14,520 --> 00:48:20,200
Speaker 1: what you said no to uh bungee jumping? Uh? They

996
00:48:20,239 --> 00:48:22,839
Speaker 1: wanted me to play a woman in uh some kind

997
00:48:22,880 --> 00:48:25,439
Speaker 1: of TV show and they wanted me to wear a dress,

998
00:48:25,880 --> 00:48:32,000
Speaker 1: so I was like, next rapper. You always seem so cool,

999
00:48:32,080 --> 00:48:34,680
Speaker 1: calm and collected. Have you dealt with anxiety your whole life?

1000
00:48:34,840 --> 00:48:37,080
Speaker 1: Is this something you're just noticing? I think I dealt

1001
00:48:37,120 --> 00:48:38,640
Speaker 1: with in my whole life because I grew up in

1002
00:48:38,719 --> 00:48:41,160
Speaker 1: a great neighborhood, but it was so much going on

1003
00:48:41,920 --> 00:48:43,759
Speaker 1: and I was able to be out in the mix.

1004
00:48:43,920 --> 00:48:46,520
Speaker 1: My mother allowed me to go outside and to be

1005
00:48:46,600 --> 00:48:48,440
Speaker 1: a kid, you know what I'm saying, to learn and

1006
00:48:48,480 --> 00:48:50,440
Speaker 1: to grow when I feel like it taught me how

1007
00:48:50,440 --> 00:48:52,759
Speaker 1: to deal with life, because when you see life up

1008
00:48:52,800 --> 00:48:54,560
Speaker 1: close and personal, when you deal with death at an

1009
00:48:54,600 --> 00:48:56,520
Speaker 1: early age, when you deal with life, when you're dealing

1010
00:48:56,560 --> 00:48:59,600
Speaker 1: with mental health, it just prepares you to practice to

1011
00:48:59,640 --> 00:49:01,880
Speaker 1: get for it as an adult. So I feel like

1012
00:49:01,960 --> 00:49:03,839
Speaker 1: all of my things that I learned as a kid

1013
00:49:03,960 --> 00:49:06,480
Speaker 1: prepared me as a man for what I'm dealing with them. Yeah,

1014
00:49:06,480 --> 00:49:08,120
Speaker 1: I don't know how you doing it. This week, my brother,

1015
00:49:08,239 --> 00:49:10,960
Speaker 1: I would have canceled everything, man, I wanted to. I

1016
00:49:11,120 --> 00:49:13,080
Speaker 1: was like, when I got the news, I had like

1017
00:49:13,640 --> 00:49:15,640
Speaker 1: a show that night. I went to my room, I

1018
00:49:15,719 --> 00:49:18,640
Speaker 1: cried a little bit, and I was like, damn, what

1019
00:49:19,000 --> 00:49:21,560
Speaker 1: my mama wanted me to do. She wouldn't want me

1020
00:49:21,600 --> 00:49:22,960
Speaker 1: to get in front of these people and give him

1021
00:49:23,000 --> 00:49:24,399
Speaker 1: a show. And I went out there and I gave

1022
00:49:24,440 --> 00:49:26,719
Speaker 1: it to him. And the last song I played was

1023
00:49:26,840 --> 00:49:29,800
Speaker 1: stand by Me, and it's a particular part of the

1024
00:49:29,880 --> 00:49:32,479
Speaker 1: song where it's saying, I won't cry, I won't cry.

1025
00:49:33,040 --> 00:49:35,080
Speaker 1: I took my glasses off and I didn't cry. In

1026
00:49:35,200 --> 00:49:36,920
Speaker 1: my heart. I wanted to, but I just was like

1027
00:49:37,040 --> 00:49:39,880
Speaker 1: I can't. And they was giving it back to him,

1028
00:49:39,920 --> 00:49:41,600
Speaker 1: and I was like, I gotta keep doing this. My

1029
00:49:41,680 --> 00:49:44,239
Speaker 1: mama talking to me telling me you better not stop.

1030
00:49:44,440 --> 00:49:46,520
Speaker 1: You better keep going, and I'm gonna be with you

1031
00:49:46,600 --> 00:49:48,360
Speaker 1: the whole step of the way. Have you and got

1032
00:49:48,400 --> 00:49:50,480
Speaker 1: a chance to love on each other. Just lost one

1033
00:49:50,520 --> 00:49:52,359
Speaker 1: of his anchors in his life. And that's crazy because

1034
00:49:52,360 --> 00:49:54,680
Speaker 1: I had called him and send him a positive message

1035
00:49:55,480 --> 00:49:58,640
Speaker 1: the day before my mother passed away, just being his friend,

1036
00:49:59,040 --> 00:50:01,279
Speaker 1: you know what I'm saying, and got the message and

1037
00:50:01,360 --> 00:50:03,480
Speaker 1: he hit me back, It's like can I posted. I'm like, yeah,

1038
00:50:03,520 --> 00:50:05,759
Speaker 1: go ahead, cause, like you know, people need to know

1039
00:50:05,880 --> 00:50:08,160
Speaker 1: that how we get down behind closed doors, that we

1040
00:50:08,280 --> 00:50:10,759
Speaker 1: really love each other and he posted in the next day,

1041
00:50:10,800 --> 00:50:12,920
Speaker 1: I get the news about my mama and he hit

1042
00:50:12,960 --> 00:50:15,480
Speaker 1: me on FaceTime. He's like, man, my mom because him

1043
00:50:15,520 --> 00:50:17,799
Speaker 1: and my mom was school, just checking on me, making

1044
00:50:17,800 --> 00:50:20,239
Speaker 1: sure I'm straight. That's what we do as brothers. I

1045
00:50:20,320 --> 00:50:22,120
Speaker 1: got a lot of a lot of positive calls, so

1046
00:50:22,200 --> 00:50:25,520
Speaker 1: that's why my spirit is right. Minister Farry Cohn gave

1047
00:50:25,600 --> 00:50:28,000
Speaker 1: me probably the greatest prayer ever heard in my life

1048
00:50:28,560 --> 00:50:32,040
Speaker 1: to let me know that my mother being out of body,

1049
00:50:32,600 --> 00:50:36,319
Speaker 1: that's her being present what I lied and that's that's

1050
00:50:36,400 --> 00:50:39,759
Speaker 1: the thrill of life to get to that point. We're

1051
00:50:39,760 --> 00:50:42,600
Speaker 1: sending you positive vinergy, loving light always snoop Man, because

1052
00:50:42,600 --> 00:50:44,560
Speaker 1: you're such a light to the world. So we got

1053
00:50:44,680 --> 00:50:46,920
Speaker 1: to make sure that you always are where you need

1054
00:50:47,000 --> 00:50:49,080
Speaker 1: to be. You know, man, I'm just a reflection of

1055
00:50:49,160 --> 00:50:51,440
Speaker 1: my mother. Man. She she taught me everything I know.

1056
00:50:51,640 --> 00:50:53,319
Speaker 1: You know. Shout out to my daddy for being there

1057
00:50:53,440 --> 00:50:55,440
Speaker 1: and teaching me how to be a man. My mother

1058
00:50:55,560 --> 00:50:57,560
Speaker 1: taught me all of the love, the qualities that you

1059
00:50:57,680 --> 00:51:01,319
Speaker 1: see in me, the storytelling that the happiness, to fun

1060
00:51:01,440 --> 00:51:03,879
Speaker 1: and joy that was my mother. She was the life

1061
00:51:03,920 --> 00:51:05,400
Speaker 1: of the party. You know what I'm saying. She was

1062
00:51:05,480 --> 00:51:08,120
Speaker 1: all of that to me. She was my best friend

1063
00:51:08,200 --> 00:51:11,000
Speaker 1: for my first ten years in this world. So my

1064
00:51:11,040 --> 00:51:12,920
Speaker 1: little brother was born, and then you know what I'm saying,

1065
00:51:12,960 --> 00:51:15,239
Speaker 1: You know that go absolutely with the little brother. Little

1066
00:51:15,960 --> 00:51:18,040
Speaker 1: it had to be I got kids. I understand. You

1067
00:51:18,080 --> 00:51:20,080
Speaker 1: know what I'm saying, That's why you're so loving, because

1068
00:51:20,080 --> 00:51:21,560
Speaker 1: you definitely to take to be like man, oh, y'all

1069
00:51:21,600 --> 00:51:24,080
Speaker 1: come eat, man, come in your food over HEADSI weekend

1070
00:51:24,080 --> 00:51:26,680
Speaker 1: out man. My mother, my mother is so special. When

1071
00:51:26,800 --> 00:51:29,480
Speaker 1: my uncle, you know, he was on drugs and he

1072
00:51:29,600 --> 00:51:32,160
Speaker 1: had a son, which was my cousin, and he was

1073
00:51:32,239 --> 00:51:34,919
Speaker 1: in one of those homes. I was like thirteen years old,

1074
00:51:34,960 --> 00:51:36,880
Speaker 1: and my mother talked to me and my brother and

1075
00:51:36,960 --> 00:51:39,200
Speaker 1: she was like, I'm going to adopt Marvin. And she

1076
00:51:39,239 --> 00:51:41,799
Speaker 1: went adopting my little brother and gave him my last name,

1077
00:51:42,440 --> 00:51:44,279
Speaker 1: and his birthday was on the same day as mother.

1078
00:51:44,600 --> 00:51:46,120
Speaker 1: And then it didn't even I didn't even have no

1079
00:51:46,320 --> 00:51:48,120
Speaker 1: envy tours him. I actually loved him, and I loved

1080
00:51:48,120 --> 00:51:49,680
Speaker 1: my mother more. And now as I'm thinking about it,

1081
00:51:50,280 --> 00:51:53,360
Speaker 1: for her looking out for family and adopting him and

1082
00:51:53,440 --> 00:51:55,839
Speaker 1: giving him our last name and just showing that kind

1083
00:51:55,880 --> 00:51:57,400
Speaker 1: of love and that's who I am to this day.

1084
00:51:57,440 --> 00:51:59,960
Speaker 1: I'm like, I'm an exact replication of who she is.

1085
00:52:00,000 --> 00:52:02,160
Speaker 1: It's a beautiful thing that you were able to do

1086
00:52:02,320 --> 00:52:04,080
Speaker 1: great things for her too. For her to see you

1087
00:52:04,560 --> 00:52:07,160
Speaker 1: blossom into who you are, that was the beauty. And

1088
00:52:07,239 --> 00:52:10,080
Speaker 1: she you know what's crazy, she dreamed of me being

1089
00:52:10,120 --> 00:52:12,480
Speaker 1: a preacher. I can still see that happening, right. So,

1090
00:52:12,680 --> 00:52:14,560
Speaker 1: but look at what I'm playing on being matters right

1091
00:52:14,640 --> 00:52:17,560
Speaker 1: before she passed away. It's like, this is the spirit

1092
00:52:17,600 --> 00:52:20,200
Speaker 1: of everything just coming back for a circle. And I

1093
00:52:20,320 --> 00:52:23,040
Speaker 1: made a gospel album, right I made it for my

1094
00:52:23,120 --> 00:52:25,480
Speaker 1: mother and my grandmother. My grandmother passed away, but when

1095
00:52:25,480 --> 00:52:27,680
Speaker 1: I made the record, I had my mother come to

1096
00:52:27,760 --> 00:52:30,080
Speaker 1: the studio and I played it from top to bottom

1097
00:52:30,120 --> 00:52:33,000
Speaker 1: of all of the musicians. And she was so happy

1098
00:52:33,440 --> 00:52:35,719
Speaker 1: because she was fighting for me for so many years

1099
00:52:35,760 --> 00:52:38,319
Speaker 1: in the church, to defend me, and I didn't give

1100
00:52:38,320 --> 00:52:41,239
Speaker 1: her nothing to fight with. Wow, and I finally gave

1101
00:52:41,280 --> 00:52:44,040
Speaker 1: her something. You know what she said, She said, now

1102
00:52:44,080 --> 00:52:45,799
Speaker 1: I don't have to talk no more. You can fight

1103
00:52:45,920 --> 00:52:50,000
Speaker 1: for yourself. That was heavy. I was heavy, you know.

1104
00:52:50,280 --> 00:52:51,839
Speaker 1: I always wanted like you know when you thought about

1105
00:52:51,840 --> 00:52:54,040
Speaker 1: like what see the lords Tucker was doing you back

1106
00:52:54,040 --> 00:52:55,719
Speaker 1: in the day. Did you ever you look back now

1107
00:52:55,760 --> 00:52:57,879
Speaker 1: and say it? Well? Else? She was right, She was right,

1108
00:52:58,120 --> 00:53:00,319
Speaker 1: All of them was right. We was young and dumb,

1109
00:53:00,400 --> 00:53:02,719
Speaker 1: and you know we needed aunties. They just didn't know

1110
00:53:02,760 --> 00:53:05,000
Speaker 1: or to talk. You know, when you're auntie, you got

1111
00:53:05,040 --> 00:53:07,399
Speaker 1: certain aunties that will be like, come over here, boy,

1112
00:53:07,480 --> 00:53:08,560
Speaker 1: let me talk to you. And you got a certain

1113
00:53:08,600 --> 00:53:12,040
Speaker 1: aunt I'm gonna beat your ass come here from them exactly.

1114
00:53:12,239 --> 00:53:14,840
Speaker 1: And that's what it was. And remember we were teenagers

1115
00:53:14,960 --> 00:53:17,040
Speaker 1: or either becoming young adults, so we could use our

1116
00:53:17,120 --> 00:53:19,640
Speaker 1: voice back, like shut up, he talking to me like that.

1117
00:53:20,400 --> 00:53:23,480
Speaker 1: But if you got the right auntie, you respect him

1118
00:53:23,520 --> 00:53:27,799
Speaker 1: and you're like, yeah, Auntie, sure, Maxine. We don't play

1119
00:53:27,840 --> 00:53:30,200
Speaker 1: no games with Maxine. One. He understand what I'm saying

1120
00:53:30,239 --> 00:53:33,840
Speaker 1: because she's a front liner and she's always been our auntie.

1121
00:53:34,080 --> 00:53:36,200
Speaker 1: She's always put her arms around us and not try

1122
00:53:36,239 --> 00:53:39,960
Speaker 1: to scold us. But teachers a big difference. Yeah, we

1123
00:53:40,080 --> 00:53:42,000
Speaker 1: got to do that conversation because I mean, your your

1124
00:53:42,040 --> 00:53:45,040
Speaker 1: evolution alone, it needs to be documented, man, People need

1125
00:53:45,080 --> 00:53:47,920
Speaker 1: to see that. I'm trying every day, Charlotte. Man, I'm

1126
00:53:47,920 --> 00:53:50,800
Speaker 1: just trying to be better every day at master and

1127
00:53:50,920 --> 00:53:53,440
Speaker 1: me and once people understand how to master themselves and

1128
00:53:53,520 --> 00:53:55,400
Speaker 1: we're gonna be a better world instead of trying to

1129
00:53:55,480 --> 00:53:57,960
Speaker 1: duplicate to be like somebody else, be yourself. Well, listen,

1130
00:53:58,000 --> 00:54:00,160
Speaker 1: algorithm is coming out soon. Let let's snoop go never

1131
00:54:01,120 --> 00:54:04,880
Speaker 1: appreciate you. Hey man, y'all got my spirit right. I

1132
00:54:04,920 --> 00:54:06,920
Speaker 1: didn't know how I was gonna be this morning. We

1133
00:54:07,040 --> 00:54:08,840
Speaker 1: love you. You got I love y'all too, man. And

1134
00:54:08,880 --> 00:54:10,400
Speaker 1: this is what I'm this is what I'm supposed to

1135
00:54:10,400 --> 00:54:12,600
Speaker 1: be doing. I'm supposed to be back in front of people,

1136
00:54:12,719 --> 00:54:15,120
Speaker 1: chopped it up, representing my mama through the spirit of

1137
00:54:15,200 --> 00:54:18,160
Speaker 1: who I am, absolutely and being strong and being positive

1138
00:54:18,200 --> 00:54:20,520
Speaker 1: and not being sad and crying and being weak but

1139
00:54:20,680 --> 00:54:23,440
Speaker 1: celebrating the life and just thanking God that I had

1140
00:54:23,440 --> 00:54:27,400
Speaker 1: an angel for a mother. But that's not yourself for

1141
00:54:27,440 --> 00:54:29,799
Speaker 1: a moment to grieve. That ain't weak at all. It's human.

1142
00:54:30,040 --> 00:54:32,120
Speaker 1: That's human. But can we play a record off the

1143
00:54:32,160 --> 00:54:36,279
Speaker 1: album which let's play anxiety ahead? Charlemagne requested Anxiety. I

1144
00:54:36,480 --> 00:54:41,960
Speaker 1: play that anxiety. Anxiety, all right, it's the breakfast joy.

1145
00:54:43,520 --> 00:54:48,440
Speaker 1: This is a miracle. There is no question that there

1146
00:54:48,520 --> 00:54:52,879
Speaker 1: are problems in this country between police and community. Yes,

1147
00:54:53,600 --> 00:54:57,120
Speaker 1: you are a donkey to the latest on that police

1148
00:54:57,200 --> 00:54:59,040
Speaker 1: killing of a black man. Now a new developments in

1149
00:54:59,080 --> 00:55:01,719
Speaker 1: the definitely spotshooting ramphos. It was a really bad day

1150
00:55:01,719 --> 00:55:03,239
Speaker 1: for him and this is what he did, and so

1151
00:55:03,480 --> 00:55:07,879
Speaker 1: we are in a state of emergency. Okay, white supremacist

1152
00:55:07,960 --> 00:55:10,919
Speaker 1: violence it is always have been the number one threat

1153
00:55:10,960 --> 00:55:13,680
Speaker 1: to otracide. But I'm also very proud that my wife

1154
00:55:13,800 --> 00:55:19,120
Speaker 1: was white to practice club bitches. Please tell me why

1155
00:55:19,400 --> 00:55:22,120
Speaker 1: was I your donkey of the day, Hey, donkey, the

1156
00:55:22,200 --> 00:55:24,719
Speaker 1: Dave goes to Abigail Elphick. Boy, when I tell you

1157
00:55:24,760 --> 00:55:26,960
Speaker 1: the mannaidse is heavy on this one, I'm talking helmets

1158
00:55:27,000 --> 00:55:28,759
Speaker 1: on helmets on helmets. I mean. This is a high

1159
00:55:28,880 --> 00:55:32,080
Speaker 1: fat condiment made from egg yolks, vinegan lemon juice if

1160
00:55:32,080 --> 00:55:34,560
Speaker 1: I've ever seen one. If you ever wanted to know why,

1161
00:55:34,680 --> 00:55:37,839
Speaker 1: too much goddamn mayonnaise ruins the dish. This is it now.

1162
00:55:38,120 --> 00:55:40,160
Speaker 1: I am a resident of New Jersey, a native of

1163
00:55:40,200 --> 00:55:42,680
Speaker 1: South Carolina, resident of New Jersey. All my kids of

1164
00:55:42,800 --> 00:55:44,640
Speaker 1: Jersey born, except for my first one. She was born

1165
00:55:44,680 --> 00:55:47,000
Speaker 1: in Manhattan. Here I go over sharing again. I'm saying

1166
00:55:47,080 --> 00:55:49,080
Speaker 1: all that to say in New Jersey. There is a

1167
00:55:49,200 --> 00:55:51,880
Speaker 1: mall that my wife likes to frequent. She used to

1168
00:55:51,960 --> 00:55:54,480
Speaker 1: frequent often, not as much anymore, and that is Short

1169
00:55:54,560 --> 00:55:58,080
Speaker 1: Hills Mall. Angelie. Ye you're a frequent Yes, I am

1170
00:55:58,320 --> 00:56:01,000
Speaker 1: visitor of short Hills Mall just there last week. How

1171
00:56:01,040 --> 00:56:03,680
Speaker 1: would you describe Short Hills Mall? Is it high end? Yes,

1172
00:56:03,719 --> 00:56:07,000
Speaker 1: it's very high. Enda has a Nieman Market, has Chanel.

1173
00:56:07,360 --> 00:56:12,080
Speaker 1: They got the Herms store to the Lewis boutin, the

1174
00:56:12,200 --> 00:56:17,080
Speaker 1: Channel store, restoration hardware, a full storter. Yeah, high end

1175
00:56:17,120 --> 00:56:19,040
Speaker 1: stuff that I can't pronounce, nor do I can't learn

1176
00:56:19,080 --> 00:56:26,160
Speaker 1: they did. I can't pronounce none of that. Okay, I

1177
00:56:26,280 --> 00:56:28,759
Speaker 1: only care to pronounce black owned luxury brands correctly. But

1178
00:56:29,040 --> 00:56:31,200
Speaker 1: Short Hills is a high end mall. But this weekend

1179
00:56:31,239 --> 00:56:33,759
Speaker 1: they were infiltrated by the ghetto. I mean, seriously, they

1180
00:56:33,840 --> 00:56:36,400
Speaker 1: might need to vaccinate the whole mall because Abigail Elphick

1181
00:56:36,480 --> 00:56:40,000
Speaker 1: pulled up and displayed a lack of class education and manners,

1182
00:56:40,040 --> 00:56:43,720
Speaker 1: I mean, just dangerously ratchet ass behavior. I am currently

1183
00:56:43,800 --> 00:56:47,160
Speaker 1: reading a great book called My Grandmother's Hands. Racialized Trauma

1184
00:56:47,200 --> 00:56:49,239
Speaker 1: and the Pathway to Mending Our Hearts and bodies in

1185
00:56:49,320 --> 00:56:52,919
Speaker 1: Chapter seven discusses exactly what we saw on displaying Short

1186
00:56:53,000 --> 00:56:56,080
Speaker 1: Hills Mall. And that's white fragility. Also the title of

1187
00:56:56,160 --> 00:56:58,799
Speaker 1: a great book by Robin D'Angelo. Now, what did Abigail's

1188
00:56:58,800 --> 00:57:03,840
Speaker 1: ghetto ass do? She savagely, ferociously attacked and attempted to

1189
00:57:03,920 --> 00:57:07,800
Speaker 1: maul a black woman. I don't want to miss this

1190
00:57:07,840 --> 00:57:10,279
Speaker 1: sister's name up. Her name looks like a store that's

1191
00:57:10,280 --> 00:57:13,280
Speaker 1: way too expensive, a Short Hills with I Gioma you Kinta,

1192
00:57:13,680 --> 00:57:16,040
Speaker 1: Igioma you Kinta. I think Beyonce got that new you

1193
00:57:16,120 --> 00:57:17,960
Speaker 1: kin too bag, non't she? Oh no, that's to tell

1194
00:57:18,040 --> 00:57:20,320
Speaker 1: far that knew you Kinta not in yet. But Queen

1195
00:57:20,400 --> 00:57:23,520
Speaker 1: you Kinta was just trying to buy some damn clean drawers.

1196
00:57:23,600 --> 00:57:26,919
Speaker 1: All she wanted with some no show cheeky panties. Maybe

1197
00:57:26,960 --> 00:57:29,360
Speaker 1: some corded throng panties. Maybe she was getting the five

1198
00:57:29,440 --> 00:57:32,400
Speaker 1: pack of cotton lace waste cheeky panties. I don't know,

1199
00:57:32,760 --> 00:57:35,960
Speaker 1: because it doesn't seem all. I have a wife. Sorry

1200
00:57:36,160 --> 00:57:41,160
Speaker 1: that you don't, okay, but I don't know what kind

1201
00:57:41,200 --> 00:57:42,960
Speaker 1: of panty she bought, because it doesn't seem like she

1202
00:57:43,000 --> 00:57:45,360
Speaker 1: got the opportunity to do this because she was bombarded

1203
00:57:45,440 --> 00:57:48,920
Speaker 1: by this thug named Abigail Elfick Okay, who was chasing

1204
00:57:48,960 --> 00:57:51,920
Speaker 1: her around the store and then charged her with her

1205
00:57:52,000 --> 00:57:55,600
Speaker 1: hands open, ready to strike. Oh, Abigail chose violence for

1206
00:57:55,720 --> 00:57:58,919
Speaker 1: five hundred alex until she realized that Queen you Kinto

1207
00:57:59,000 --> 00:58:01,520
Speaker 1: was recording, Okay, acording the whole exchange. Now, what happened

1208
00:58:01,680 --> 00:58:06,000
Speaker 1: when Abigail realized Queen you Kent was recording? Manna's all right,

1209
00:58:06,160 --> 00:58:09,360
Speaker 1: that's what happened. Just manas spread all over everything in

1210
00:58:09,560 --> 00:58:11,840
Speaker 1: Victoria's secrets. Would you like to hear the type of

1211
00:58:11,920 --> 00:58:14,600
Speaker 1: white fragility that has been sending black people to early

1212
00:58:14,680 --> 00:58:21,640
Speaker 1: graves for years? Well, listen now you are Oh my god,

1213
00:58:23,120 --> 00:58:26,160
Speaker 1: do you see this? I never thought nothing like this

1214
00:58:26,200 --> 00:58:28,080
Speaker 1: would happen to me. She just tried to run and

1215
00:58:28,240 --> 00:58:33,959
Speaker 1: hit me. And now did you see ya? They all flow.

1216
00:58:34,480 --> 00:58:38,400
Speaker 1: Karl had a breakdown. She tried to hit me. As

1217
00:58:38,520 --> 00:58:45,800
Speaker 1: your workers, she tried to hit me. I just came

1218
00:58:45,840 --> 00:58:47,400
Speaker 1: to get my free panny. You know how you get

1219
00:58:47,440 --> 00:58:50,760
Speaker 1: to keep on in the noil? Yes? No, why don't

1220
00:58:50,760 --> 00:58:56,440
Speaker 1: she walk away from me? We're not doing this. You

1221
00:58:56,600 --> 00:58:58,720
Speaker 1: keep lying saying I'm threatening you. So I'm recording to

1222
00:58:58,760 --> 00:59:09,480
Speaker 1: protect myself. What you look at your y'all bet to

1223
00:59:09,520 --> 00:59:13,320
Speaker 1: get this rating white people. I'm so mad when that

1224
00:59:13,400 --> 00:59:15,520
Speaker 1: coupon expires. And I didn't get my free panties for

1225
00:59:15,640 --> 00:59:19,240
Speaker 1: Victoria's secret because she was willing. She came firmly these panties. Please.

1226
00:59:19,280 --> 00:59:22,040
Speaker 1: I love it, love it. The audio doesn't know justice.

1227
00:59:22,040 --> 00:59:23,560
Speaker 1: She really have to go watch this video to watch

1228
00:59:23,640 --> 00:59:25,960
Speaker 1: how whiteness works. Didn't Dear McKesson used to say something

1229
00:59:26,000 --> 00:59:29,160
Speaker 1: like that, watch whiteness work. This lady's in getleman his

1230
00:59:29,200 --> 00:59:31,160
Speaker 1: white fragility on full display. If you want to know

1231
00:59:31,240 --> 00:59:33,960
Speaker 1: why some people push back on the concept of believe

1232
00:59:34,040 --> 00:59:37,160
Speaker 1: all women, look no further than Abigail Elfick. Okay, those

1233
00:59:37,200 --> 00:59:39,720
Speaker 1: are the same white tears that caused them Ittail to

1234
00:59:39,760 --> 00:59:42,240
Speaker 1: be murdered, all right, because Carolin Bryan, who lied about

1235
00:59:42,280 --> 00:59:44,480
Speaker 1: the matail sexually harassing her in the grocery store. Oh,

1236
00:59:44,520 --> 00:59:46,720
Speaker 1: we talk about black wallscreet being burned to the ground,

1237
00:59:46,760 --> 00:59:48,880
Speaker 1: but do you know why it all started? After an

1238
00:59:48,920 --> 00:59:51,360
Speaker 1: elevator encounter between the seventeen year old white woman named

1239
00:59:51,400 --> 00:59:53,680
Speaker 1: Sarah Page and a nineteen year old black man named

1240
00:59:53,720 --> 00:59:56,520
Speaker 1: Dick Roland. It was alleged that Roland had assaulted Page

1241
00:59:56,560 --> 00:59:59,200
Speaker 1: in the elevator, which he denied. But it didn't matter. Okay,

1242
00:59:59,320 --> 01:00:00,960
Speaker 1: news of a black man's a legend sort of a

1243
01:00:01,000 --> 01:00:04,640
Speaker 1: white woman spread like wildfire throughout the white community of Tulsa.

1244
01:00:04,840 --> 01:00:08,000
Speaker 1: They formed a racial mob and burned black wall, screed down.

1245
01:00:08,080 --> 01:00:11,600
Speaker 1: Abigail Elphick knew exactly what she was doing and why

1246
01:00:11,760 --> 01:00:16,400
Speaker 1: she was doing it, because in America, whiteness means fragility. Okay,

1247
01:00:17,320 --> 01:00:20,840
Speaker 1: white people, listen, only you can prevent forest fires. Okay.

1248
01:00:20,880 --> 01:00:23,160
Speaker 1: I don't believe white people are inherently racist, but I

1249
01:00:23,240 --> 01:00:26,440
Speaker 1: do believe this American system is inherently racist. And when

1250
01:00:26,480 --> 01:00:28,360
Speaker 1: you are a white person who does things like this

1251
01:00:28,880 --> 01:00:31,560
Speaker 1: and you know that this system is inherently racist, then

1252
01:00:31,640 --> 01:00:34,560
Speaker 1: you are weaponizing your whiteness against me. Therefore you are

1253
01:00:34,680 --> 01:00:39,200
Speaker 1: racist too. Now how do we fix this? I don't know. Okay,

1254
01:00:40,760 --> 01:00:42,920
Speaker 1: she laid on the floor like she was dead. I

1255
01:00:43,040 --> 01:00:45,080
Speaker 1: was like, why is she laying on the floor, Because

1256
01:00:45,120 --> 01:00:49,800
Speaker 1: that's how whiteness works. She was weaponizing her whiteness, her

1257
01:00:50,080 --> 01:00:54,400
Speaker 1: white fragility, against you know, this dangerous black skin that

1258
01:00:54,560 --> 01:00:57,480
Speaker 1: this system possessed. Um, well, it's crazy that nobody was

1259
01:00:57,560 --> 01:01:00,200
Speaker 1: doing anything nothing. She was in there for like him,

1260
01:01:00,240 --> 01:01:04,240
Speaker 1: minutes going off and nobody did anything. Nobody intervening secured

1261
01:01:04,280 --> 01:01:07,440
Speaker 1: it in escort the woman out. I don't know how

1262
01:01:07,480 --> 01:01:09,960
Speaker 1: we fix this. I don't know, but my grandmother's hand is.

1263
01:01:10,040 --> 01:01:12,520
Speaker 1: The book that I referenced earlier has some answers what

1264
01:01:12,640 --> 01:01:15,200
Speaker 1: should we do in regards the white fragility? While I

1265
01:01:15,320 --> 01:01:18,560
Speaker 1: have a piece of the audio version courtesy are audible,

1266
01:01:18,600 --> 01:01:20,320
Speaker 1: It's a couple of minutes long. But I want to

1267
01:01:20,360 --> 01:01:23,320
Speaker 1: teach my white brothers insisted this morning. How do we

1268
01:01:23,440 --> 01:01:26,400
Speaker 1: solve white fragility? I don't know, but listen. A common

1269
01:01:26,520 --> 01:01:30,400
Speaker 1: form of white fragility involves a strong and immediate defensive

1270
01:01:30,440 --> 01:01:33,400
Speaker 1: response whenever a white body is challenged on the subject

1271
01:01:33,440 --> 01:01:36,760
Speaker 1: of race and equality, or whenever the topic of race emerges.

1272
01:01:37,120 --> 01:01:40,360
Speaker 1: This has inspired a contorted form of white self talk.

1273
01:01:40,720 --> 01:01:44,440
Speaker 1: We white people are incapable of soothing ourselves and feeling

1274
01:01:44,560 --> 01:01:48,040
Speaker 1: safe in the presence of black bodies. White fragility is

1275
01:01:48,080 --> 01:01:52,000
Speaker 1: a reflexive, protective response, a way for the white body

1276
01:01:52,080 --> 01:01:56,320
Speaker 1: to avoid experiencing the pain of its historical trauma inflicted

1277
01:01:56,400 --> 01:01:59,560
Speaker 1: by other white bodies. Many white Americans need to be

1278
01:01:59,640 --> 01:02:03,960
Speaker 1: con hunted firmly and compassionately on their white fragility. Much

1279
01:02:04,000 --> 01:02:07,840
Speaker 1: of that fragility is a trauma driven lizard brain defensiveness

1280
01:02:08,160 --> 01:02:12,000
Speaker 1: that quickly fights, flees from, or freezes out all such

1281
01:02:12,120 --> 01:02:15,840
Speaker 1: caring confrontation. There is only one way through this stalemate.

1282
01:02:16,240 --> 01:02:20,439
Speaker 1: White Americans must accept, explore, and mend their centuries old

1283
01:02:20,480 --> 01:02:26,320
Speaker 1: trauma around oppression and victimization. Whiteness does not equal fragility. Nope,

1284
01:02:26,720 --> 01:02:30,440
Speaker 1: that's a dodge created by white fragility itself. It's a

1285
01:02:30,520 --> 01:02:34,200
Speaker 1: way for white Americans to avoid the responsibility of soothing themselves,

1286
01:02:34,640 --> 01:02:39,080
Speaker 1: metabolizing their own historical and secondary trauma, accepting and moving

1287
01:02:39,160 --> 01:02:43,720
Speaker 1: through clean pain, and growing up, growing the hell up.

1288
01:02:44,400 --> 01:02:48,960
Speaker 1: Please let Cathy Griffin give Abigail Elphick, Please give this

1289
01:02:49,080 --> 01:02:54,320
Speaker 1: giant jar of male the biggest he ha. Let Chelsea

1290
01:02:54,360 --> 01:02:55,960
Speaker 1: handleging in on this too. I know she got he

1291
01:02:56,120 --> 01:02:59,080
Speaker 1: ha he ha. That is way too much, Dan manne

1292
01:03:00,080 --> 01:03:02,720
Speaker 1: Ron got anything to say? I ask We got more

1293
01:03:02,800 --> 01:03:06,400
Speaker 1: coming up next to don't move, Happy Holidays, don't go anywhere.

1294
01:03:06,480 --> 01:03:14,720
Speaker 1: It's the breakfast club. Good morning, the breakfast club. These

1295
01:03:14,800 --> 01:03:19,320
Speaker 1: relationship advice need personal advice, just the real advice. Haul

1296
01:03:19,440 --> 01:03:25,720
Speaker 1: up now for asking morning. Everybody is DJ Envy, Angela Yee,

1297
01:03:25,840 --> 01:03:28,439
Speaker 1: Charlomne the guy. We are the breakfast club. It's time

1298
01:03:28,520 --> 01:03:33,320
Speaker 1: to ask ye. Hello, who's this? My name is us, Hey, duchess,

1299
01:03:33,360 --> 01:03:36,880
Speaker 1: what's your question for you? So my best friend of

1300
01:03:37,000 --> 01:03:40,400
Speaker 1: twenty years broke up with me because she said that

1301
01:03:40,680 --> 01:03:44,920
Speaker 1: I've changed and I'm high and mighty. So I started

1302
01:03:45,000 --> 01:03:48,920
Speaker 1: a podcast. And when I get invited to things, because

1303
01:03:49,000 --> 01:03:52,320
Speaker 1: I'm a small try, you only get one invitation, or

1304
01:03:52,480 --> 01:03:55,800
Speaker 1: if you get two, I take my husband. And so,

1305
01:03:56,000 --> 01:03:59,440
Speaker 1: like she sees the promo pictures afterwards and she'll be like, oh,

1306
01:04:00,120 --> 01:04:02,560
Speaker 1: you got invited to something. You're too good to me.

1307
01:04:03,040 --> 01:04:05,680
Speaker 1: And I'm like, that's not the case. You know, I

1308
01:04:05,720 --> 01:04:08,240
Speaker 1: would say this. There might be some things going on

1309
01:04:08,360 --> 01:04:11,439
Speaker 1: in her life and she might be projecting that onto you. Yeah,

1310
01:04:12,040 --> 01:04:14,400
Speaker 1: and you're her best friends, so I'm sure you know,

1311
01:04:14,800 --> 01:04:17,640
Speaker 1: it feels like maybe there's some things that she's disappointed

1312
01:04:17,640 --> 01:04:20,160
Speaker 1: about that she doesn't have going on. Maybe things are

1313
01:04:20,520 --> 01:04:23,560
Speaker 1: advancing for you and she doesn't know how to handle it. Yeah.

1314
01:04:23,680 --> 01:04:26,200
Speaker 1: I mean if I was to a point where if

1315
01:04:26,280 --> 01:04:28,760
Speaker 1: I if I got invited to stuff and they're like oh,

1316
01:04:28,920 --> 01:04:32,520
Speaker 1: bring five friends. Absolutely, she would definitely be in the

1317
01:04:32,640 --> 01:04:36,200
Speaker 1: five friends or maybe even the three friends too. But like,

1318
01:04:37,240 --> 01:04:39,080
Speaker 1: when I get invited to stuff, I can't bring an

1319
01:04:39,240 --> 01:04:42,120
Speaker 1: entourage because I just got started in the podcast game,

1320
01:04:42,280 --> 01:04:47,400
Speaker 1: so right, And she doesn't understand that people inviting you

1321
01:04:47,440 --> 01:04:50,320
Speaker 1: to places because you got a podcast. Well, it's like

1322
01:04:50,800 --> 01:04:53,360
Speaker 1: virtual things right now because of KOVID. But I live

1323
01:04:53,400 --> 01:04:55,440
Speaker 1: on the Missippi Gulf Coach. So she wants to be

1324
01:04:55,520 --> 01:04:58,120
Speaker 1: able to come to these virtual events and maybe be

1325
01:04:58,240 --> 01:05:00,920
Speaker 1: supportive of you. Yeah, I mean, I guess so, but

1326
01:05:01,000 --> 01:05:03,480
Speaker 1: I'm at the same time, if if if I have

1327
01:05:03,560 --> 01:05:06,000
Speaker 1: an event didn't buy a take assist, you can't invite

1328
01:05:06,040 --> 01:05:08,640
Speaker 1: me to a Zoom event, I'll beat you up that

1329
01:05:08,760 --> 01:05:12,160
Speaker 1: goddamn link. Hell's wrong with you? I don't say listen.

1330
01:05:12,520 --> 01:05:15,040
Speaker 1: I just want to say that the most amazing friends

1331
01:05:15,040 --> 01:05:17,640
Speaker 1: are the people that support you. And support also doesn't

1332
01:05:17,680 --> 01:05:20,080
Speaker 1: mean I gotta get in free everywhere. That also means

1333
01:05:20,120 --> 01:05:22,520
Speaker 1: maybe I spend a few dollars because I see what

1334
01:05:22,600 --> 01:05:24,760
Speaker 1: it is that you're trying to do. And like speaking

1335
01:05:24,800 --> 01:05:27,560
Speaker 1: of free stuff, like she very seldom does she ever

1336
01:05:27,720 --> 01:05:32,240
Speaker 1: share my podcast, Like, are you really a supporter or

1337
01:05:32,280 --> 01:05:34,120
Speaker 1: you just want to go to these nice things that

1338
01:05:34,240 --> 01:05:38,720
Speaker 1: I get to go through. It's a zoom event. What

1339
01:05:38,800 --> 01:05:40,640
Speaker 1: did she have going on in her? Like things going

1340
01:05:40,720 --> 01:05:43,120
Speaker 1: well for her on her end? I thought that they

1341
01:05:43,400 --> 01:05:47,080
Speaker 1: was like she has like a little cake pop business,

1342
01:05:47,560 --> 01:05:58,720
Speaker 1: and like I'm always sharing her STUFFE a little, I

1343
01:05:58,840 --> 01:06:02,400
Speaker 1: have a little podcasts. WHOA Well, you know, I'm feeling

1344
01:06:02,480 --> 01:06:07,240
Speaker 1: kind of softly because she heard my fo You know,

1345
01:06:07,400 --> 01:06:09,760
Speaker 1: it seems like y'all just had a little blowout and

1346
01:06:09,920 --> 01:06:13,600
Speaker 1: some things have simmered and then it exploded. But I

1347
01:06:13,680 --> 01:06:15,920
Speaker 1: don't feel like this is the end of it for

1348
01:06:16,040 --> 01:06:18,360
Speaker 1: you guys. It just feels like there's some unresolved things

1349
01:06:18,400 --> 01:06:21,200
Speaker 1: that are underlying under this. The best thing you can

1350
01:06:21,240 --> 01:06:22,560
Speaker 1: do is ask her, what do you want us to

1351
01:06:22,600 --> 01:06:24,160
Speaker 1: do moving forward? What can I do to be a

1352
01:06:24,240 --> 01:06:26,520
Speaker 1: better friend? And y'all got to be open and honest

1353
01:06:26,560 --> 01:06:28,240
Speaker 1: and willing to hear each other. And when she tells

1354
01:06:28,280 --> 01:06:30,640
Speaker 1: you how she feels, you have to be willing to

1355
01:06:30,800 --> 01:06:35,000
Speaker 1: listen and be open to receive that. Gotcha. Got maybe now?

1356
01:06:35,080 --> 01:06:37,800
Speaker 1: Sometimes it's very simple. I mean, look, the best thing

1357
01:06:37,840 --> 01:06:39,480
Speaker 1: you could do right now is ordered some items some

1358
01:06:39,560 --> 01:06:45,280
Speaker 1: hell little cake pock business. Y'all, So foulso foun she

1359
01:06:45,480 --> 01:06:47,920
Speaker 1: made me mad. She said some really mean things to

1360
01:06:48,040 --> 01:06:51,760
Speaker 1: me last night, like stuffody you think abroad on the

1361
01:06:51,840 --> 01:06:54,000
Speaker 1: street would say, almost cup. I had to make sure.

1362
01:06:54,040 --> 01:06:56,320
Speaker 1: I had to keep it together. Yeah, you do some

1363
01:06:56,400 --> 01:07:00,479
Speaker 1: really hurtful things to me, and you know, it's really

1364
01:07:00,600 --> 01:07:04,280
Speaker 1: hard on this podcast and building the brand up. What

1365
01:07:04,520 --> 01:07:06,560
Speaker 1: is this podcast? We want to know because you on

1366
01:07:06,960 --> 01:07:08,800
Speaker 1: the breakfast clap and you haven't said the name of

1367
01:07:08,840 --> 01:07:11,640
Speaker 1: it once. Oh the name. It's a podcast. It's called

1368
01:07:11,680 --> 01:07:15,080
Speaker 1: a Cashmere Room. It's like adult story time where I

1369
01:07:15,200 --> 01:07:18,520
Speaker 1: tell sixety stories. Tell us what now? Tell us what now?

1370
01:07:18,600 --> 01:07:22,240
Speaker 1: Tell us what now? Now? So it was the first

1371
01:07:22,440 --> 01:07:25,720
Speaker 1: night of the first full moon of two thousand nineteen,

1372
01:07:25,920 --> 01:07:30,480
Speaker 1: and I decided to touch myself. I touched my arms

1373
01:07:31,200 --> 01:07:36,480
Speaker 1: and my shoulders, my legs. I gave myself some good

1374
01:07:36,840 --> 01:07:41,520
Speaker 1: self love. I turned myself into a goddess right before

1375
01:07:41,600 --> 01:07:46,920
Speaker 1: the moon. You got a podcast about masturbation. Different stories.

1376
01:07:47,000 --> 01:07:49,480
Speaker 1: I see, I see, I see. Your last one was

1377
01:07:49,560 --> 01:07:54,480
Speaker 1: on your submissive persona. You have a submissive persona? Yeah, okay,

1378
01:07:55,120 --> 01:07:59,120
Speaker 1: did I read it? But I tell right up story times.

1379
01:07:59,160 --> 01:08:02,240
Speaker 1: So it's like a poetry. Let me tell you what

1380
01:08:02,640 --> 01:08:05,040
Speaker 1: why don't you do a sexy story involving her little

1381
01:08:05,120 --> 01:08:14,960
Speaker 1: cake pops? Yes, y'all can do something together. Yeah, gotta collaborate.

1382
01:08:15,760 --> 01:08:17,840
Speaker 1: I gave her her a little anal suave with a

1383
01:08:17,960 --> 01:08:21,680
Speaker 1: cake pop. You're so nasty, you got But it's got

1384
01:08:21,800 --> 01:08:24,760
Speaker 1: to be artistically nasty though, But I like it. I like, Yeah,

1385
01:08:24,840 --> 01:08:26,600
Speaker 1: you can't just be shoving a cake pop up your

1386
01:08:28,800 --> 01:08:31,120
Speaker 1: to get lost? How are you gonna get the chocolate

1387
01:08:31,160 --> 01:08:35,400
Speaker 1: in this German cake? Oh? What's throw with you? Man?

1388
01:08:35,479 --> 01:08:37,679
Speaker 1: You've been kinky all more. I'm glad I'm not the studio.

1389
01:08:38,000 --> 01:08:40,679
Speaker 1: You've been kinky all morning long. But man, you definitely

1390
01:08:40,760 --> 01:08:43,599
Speaker 1: need to listen to the video. Listen. You and your

1391
01:08:43,600 --> 01:08:47,200
Speaker 1: best friend should do a podcast episode together. Yeah, why

1392
01:08:47,320 --> 01:08:49,799
Speaker 1: is Charlomagne tin under the desk right now? Look at Charlomagne?

1393
01:08:49,800 --> 01:08:53,880
Speaker 1: Why is his hand just got him going? I got

1394
01:08:54,040 --> 01:08:58,280
Speaker 1: him got him going. I tell stories, so I don't

1395
01:08:58,320 --> 01:09:01,840
Speaker 1: have interviews. But I think you're right if I offer

1396
01:09:01,960 --> 01:09:05,800
Speaker 1: her like a promo commercial in one of my podcasts,

1397
01:09:06,040 --> 01:09:08,560
Speaker 1: I think that, you know, and send her like some

1398
01:09:08,680 --> 01:09:11,800
Speaker 1: flowers or something today, like let's bury the hatchet because

1399
01:09:11,840 --> 01:09:14,599
Speaker 1: we've been friends too long to let get being come

1400
01:09:14,680 --> 01:09:17,240
Speaker 1: between us. Well, I can't let your egos make you

1401
01:09:17,320 --> 01:09:20,000
Speaker 1: guys not be friends anymore. You know, we thought a

1402
01:09:20,040 --> 01:09:21,880
Speaker 1: partner with you and bring you on the black effect.

1403
01:09:24,080 --> 01:09:26,360
Speaker 1: I know, right, I may have to bring await me.

1404
01:09:26,520 --> 01:09:29,479
Speaker 1: I may have to bring await me. We made it

1405
01:09:29,600 --> 01:09:35,040
Speaker 1: when got that kind of budget. Well all right, well

1406
01:09:35,120 --> 01:09:37,840
Speaker 1: you did a good job. You got chanlamine sweat and

1407
01:09:37,880 --> 01:09:40,559
Speaker 1: say you know you did a good job. This is different.

1408
01:09:40,600 --> 01:09:43,360
Speaker 1: I'm looking at it. I like the presentation erotica stories,

1409
01:09:43,479 --> 01:09:47,439
Speaker 1: poems and monologues with duchess casume. Not one coming out

1410
01:09:47,680 --> 01:09:51,519
Speaker 1: very soon. Okay, give me if I can get my

1411
01:09:52,040 --> 01:09:54,200
Speaker 1: me and my best friend back together. But I think

1412
01:09:54,200 --> 01:09:56,200
Speaker 1: that's gonna be a good idea if I just partner

1413
01:09:56,320 --> 01:09:58,599
Speaker 1: with her some kind of way and kind of show

1414
01:09:58,640 --> 01:10:00,680
Speaker 1: I'm not trying to leave her. I'm really not. I'm

1415
01:10:00,720 --> 01:10:02,960
Speaker 1: just trying to take myself up, all right, Kay, Well

1416
01:10:02,960 --> 01:10:04,519
Speaker 1: I like that. See you look at how quickly you

1417
01:10:04,640 --> 01:10:07,400
Speaker 1: tearning that around. We love it. I love her. I

1418
01:10:07,520 --> 01:10:09,840
Speaker 1: hope she's listening, because she listens every morning, so I

1419
01:10:09,920 --> 01:10:13,160
Speaker 1: hope she's listening. Soccer girl, I love you. I want

1420
01:10:13,240 --> 01:10:15,519
Speaker 1: us to be back friends again, Like this is not

1421
01:10:16,120 --> 01:10:18,640
Speaker 1: conducive to you got to write a poem, write a

1422
01:10:18,680 --> 01:10:24,120
Speaker 1: poem called cake pops and really express your I'm serious you. Also,

1423
01:10:24,680 --> 01:10:27,599
Speaker 1: you also did not plug her cake pop business. It's

1424
01:10:27,640 --> 01:10:32,080
Speaker 1: called Paula's Cakes and Corpus Christi Texas. She's gonna love

1425
01:10:32,120 --> 01:10:34,880
Speaker 1: you now, all right, ask Ye eight hundred five eighty

1426
01:10:34,920 --> 01:10:36,800
Speaker 1: five one on five one. If you need relationship advice,

1427
01:10:36,880 --> 01:10:42,599
Speaker 1: hit in the Breakfast Club some real advice with Angela

1428
01:10:42,680 --> 01:10:47,760
Speaker 1: ye gets ask Ye morning, everybody in cdj Envy, Angela Yee,

1429
01:10:47,880 --> 01:10:51,000
Speaker 1: Charlomagne the guy. We are the breakfast club. We're in

1430
01:10:51,040 --> 01:10:56,040
Speaker 1: the middle of asking yee, Hello. Who's this? Hey? What's

1431
01:10:56,040 --> 01:11:02,200
Speaker 1: your question for you? Oh? Angela figure Okay, Well, I

1432
01:11:02,400 --> 01:11:06,160
Speaker 1: am twenty seven and I've been had like this insecurity

1433
01:11:06,280 --> 01:11:09,639
Speaker 1: all my life like this, I've been having sake getting

1434
01:11:11,439 --> 01:11:14,600
Speaker 1: m Okay. I have a boyfriend that I'm with and

1435
01:11:14,680 --> 01:11:17,880
Speaker 1: we've been together for like two years now, and in

1436
01:11:18,040 --> 01:11:21,040
Speaker 1: those years we've done it twice like where I've gotten

1437
01:11:21,120 --> 01:11:23,439
Speaker 1: on top. But like I think it's an insecurity thing

1438
01:11:24,160 --> 01:11:26,920
Speaker 1: and I actually just really don't know how. So I'm

1439
01:11:27,000 --> 01:11:29,439
Speaker 1: just trying to, you know, get some advice on what

1440
01:11:29,520 --> 01:11:32,200
Speaker 1: I need to do is it like a rhythm thing.

1441
01:11:32,360 --> 01:11:34,800
Speaker 1: Or is it being so exposed that you're on top

1442
01:11:34,920 --> 01:11:37,559
Speaker 1: and he's looking at you like everything, he could see

1443
01:11:37,560 --> 01:11:40,680
Speaker 1: you everything and see everything. Honestly, I think that might

1444
01:11:40,800 --> 01:11:43,759
Speaker 1: be what it is, because let me tell you something,

1445
01:11:43,960 --> 01:11:47,320
Speaker 1: he obviously loves what he sees, and I'm sure for him,

1446
01:11:47,680 --> 01:11:50,240
Speaker 1: the visual of seeing you on top is just amazing.

1447
01:11:50,880 --> 01:11:53,160
Speaker 1: And sometimes I think we put too much on ourselves

1448
01:11:53,200 --> 01:11:55,280
Speaker 1: and worry about how he looked. But trust me, guys,

1449
01:11:55,320 --> 01:11:58,320
Speaker 1: seeing his girl naked on top of him, no matter

1450
01:11:58,439 --> 01:12:00,679
Speaker 1: what insecurity you might have about your body, he loves

1451
01:12:00,720 --> 01:12:03,840
Speaker 1: everything about it. He tells me that, and I mean,

1452
01:12:04,000 --> 01:12:06,320
Speaker 1: and I listen to him, and I love him this

1453
01:12:06,520 --> 01:12:09,040
Speaker 1: as a much loves me. It's just I guess, I

1454
01:12:09,080 --> 01:12:11,880
Speaker 1: don't know. I just be I don't know. Sometimes by

1455
01:12:12,000 --> 01:12:14,240
Speaker 1: even like if I'm in the bathroom and stuff like that,

1456
01:12:14,360 --> 01:12:16,840
Speaker 1: I'm covered until we get in the bed, Like, I

1457
01:12:16,880 --> 01:12:18,519
Speaker 1: don't know. It's just I think this is my whole

1458
01:12:18,600 --> 01:12:22,240
Speaker 1: body being like I'm being picture about and he wouldn't

1459
01:12:22,280 --> 01:12:25,639
Speaker 1: be with you. And I'm sure that he Uh, I'm

1460
01:12:25,640 --> 01:12:26,960
Speaker 1: trying to think of the right word to use. Can

1461
01:12:27,000 --> 01:12:30,360
Speaker 1: I say ejaculate? I'm sure that he ejaculates every time. Right, Yeah,

1462
01:12:30,600 --> 01:12:33,640
Speaker 1: he does well, clearly he likes what he sees and

1463
01:12:33,720 --> 01:12:36,400
Speaker 1: he likes how it feels. And you have to trust

1464
01:12:36,439 --> 01:12:39,719
Speaker 1: that he's looking at you and he's seeing something amazing,

1465
01:12:39,760 --> 01:12:42,080
Speaker 1: and you're looking at you and being too critical of yourself.

1466
01:12:42,280 --> 01:12:44,160
Speaker 1: And I will say, if there's things about yourself that

1467
01:12:44,240 --> 01:12:46,160
Speaker 1: you don't like that you feel like, okay, you know,

1468
01:12:46,280 --> 01:12:48,400
Speaker 1: maybe I need to work on this. That's fine. You

1469
01:12:48,439 --> 01:12:50,880
Speaker 1: can work on things on yourself. But he loves you

1470
01:12:50,960 --> 01:12:52,880
Speaker 1: how you are. He wouldn't be with you and he

1471
01:12:52,880 --> 01:12:56,200
Speaker 1: wouldn't want you to be honest, I think it's I

1472
01:12:56,320 --> 01:12:58,559
Speaker 1: think more or less like with my thumb and stuff

1473
01:12:58,600 --> 01:13:00,360
Speaker 1: or whatever. I would talk to him about why boat

1474
01:13:00,680 --> 01:13:03,040
Speaker 1: and he was just like, I would not like that

1475
01:13:03,160 --> 01:13:05,240
Speaker 1: if you wouldn't did that. I think you're fine how

1476
01:13:05,320 --> 01:13:08,519
Speaker 1: you are, and you know it's so yeah, you're right,

1477
01:13:08,680 --> 01:13:12,000
Speaker 1: you're right. I'm doing it. I'm doing the detox. If

1478
01:13:12,040 --> 01:13:13,720
Speaker 1: you want to do the detox with me, and I'll

1479
01:13:13,760 --> 01:13:17,080
Speaker 1: send you the mail plan the detox now. But sometimes

1480
01:13:17,120 --> 01:13:19,280
Speaker 1: it's just little things that can give you some more confidence.

1481
01:13:19,320 --> 01:13:21,160
Speaker 1: But I promise you this is how you start off

1482
01:13:21,160 --> 01:13:22,839
Speaker 1: on top, because that is one of the best positions,

1483
01:13:22,920 --> 01:13:25,400
Speaker 1: and for a lot of women, it's the easiest way

1484
01:13:25,479 --> 01:13:27,520
Speaker 1: for us to have an orgasm because of the positioning.

1485
01:13:28,040 --> 01:13:30,160
Speaker 1: But I will say, maybe you start off on top

1486
01:13:30,240 --> 01:13:32,759
Speaker 1: where you're laying on top of him. You don't necessarily

1487
01:13:32,840 --> 01:13:34,839
Speaker 1: have to be sitting up, and then you can advance

1488
01:13:35,240 --> 01:13:37,600
Speaker 1: to that where you're dropping on him. But maybe you

1489
01:13:37,720 --> 01:13:39,479
Speaker 1: just lay on top so he's not so you're not

1490
01:13:39,560 --> 01:13:41,840
Speaker 1: feeling so self conscious until you feel more confident in

1491
01:13:41,960 --> 01:13:46,720
Speaker 1: that and do it at night. Yeah, yeah, you know,

1492
01:13:46,880 --> 01:13:48,880
Speaker 1: have a little candle lid, so it's just like you

1493
01:13:49,040 --> 01:13:51,920
Speaker 1: just see the silhouette and then and then you'll feel

1494
01:13:51,960 --> 01:13:54,240
Speaker 1: more confidence. But trust and believe you're a man loves

1495
01:13:54,280 --> 01:13:57,160
Speaker 1: what he sees and that's a beautiful thing. And men

1496
01:13:57,280 --> 01:14:01,760
Speaker 1: love confidence too. Yeah they do. When I'm feeling my bed,

1497
01:14:02,360 --> 01:14:05,280
Speaker 1: it makes him happy. And girl, don't be afraid to

1498
01:14:05,320 --> 01:14:10,240
Speaker 1: do that reverse cow girl too, you know, turn around? Okay,

1499
01:14:11,960 --> 01:14:19,400
Speaker 1: then all right, queen, how you have a good night tonight?

1500
01:14:19,439 --> 01:14:23,439
Speaker 1: I think I got tonight? All right, Mama, half fun tonight? Alright?

1501
01:14:23,880 --> 01:14:28,240
Speaker 1: I will alight. Cry baby challenge, y'all? Next? Ask ye

1502
01:14:28,479 --> 01:14:32,160
Speaker 1: eight five one five? Hell is the cry baby challenge?

1503
01:14:32,280 --> 01:14:34,320
Speaker 1: He's done it before for sure? All right, we got more.

1504
01:14:34,360 --> 01:14:36,640
Speaker 1: Don't move. It's the best of the breakfast Club. The

1505
01:14:36,880 --> 01:14:44,160
Speaker 1: breakfast Club. It's that time. Ask Charlomagne a dj Envy

1506
01:14:44,280 --> 01:14:51,799
Speaker 1: anything up? It's time to a morning. Everybody is dj

1507
01:14:52,320 --> 01:14:55,880
Speaker 1: Envy Angela. Yee, Charlomagne the guy. We are the breakfast club.

1508
01:14:56,439 --> 01:14:59,160
Speaker 1: Now it's time for ass and e Angela is out,

1509
01:14:59,200 --> 01:15:01,040
Speaker 1: so Charlomagne and I will be holding it down. So

1510
01:15:01,120 --> 01:15:04,880
Speaker 1: let's go to the callers. Hello, who's this? Hello? There

1511
01:15:05,000 --> 01:15:06,360
Speaker 1: was a bro? What's your question for c and E?

1512
01:15:07,120 --> 01:15:10,040
Speaker 1: Order me something? Man, order me something? Man, give me something,

1513
01:15:10,520 --> 01:15:14,320
Speaker 1: ain't Charlemagne? Yeah, listen, I got a question for you,

1514
01:15:14,320 --> 01:15:16,479
Speaker 1: a real quick like look I got I'll be married

1515
01:15:16,520 --> 01:15:19,360
Speaker 1: for like sow them too many to me? Right, I'm

1516
01:15:19,400 --> 01:15:21,800
Speaker 1: just able military. I got one hundred pers some disabilities.

1517
01:15:22,360 --> 01:15:26,360
Speaker 1: I originally called who say something about my wife? But

1518
01:15:26,680 --> 01:15:28,800
Speaker 1: if this anyway, look, I meet your help. I needed

1519
01:15:28,920 --> 01:15:32,040
Speaker 1: your help like a year there because one of my

1520
01:15:32,120 --> 01:15:35,360
Speaker 1: disabilities is like PC and all the stuff. And I

1521
01:15:35,400 --> 01:15:39,320
Speaker 1: almost cure myself. I got two kids, right, and so resually,

1522
01:15:39,360 --> 01:15:42,320
Speaker 1: why I'm calling me me is because you always speak

1523
01:15:42,360 --> 01:15:45,680
Speaker 1: to our mental health, right, and I'm do Minican. I'm

1524
01:15:45,720 --> 01:15:48,280
Speaker 1: do Milican, right, so we don't believe in that stuff,

1525
01:15:48,320 --> 01:15:50,280
Speaker 1: just like black people. You know what I mean. I

1526
01:15:50,360 --> 01:15:53,720
Speaker 1: can see myself like not that I considered myself black.

1527
01:15:53,840 --> 01:15:56,479
Speaker 1: That's not what I'm saying. But we all know what

1528
01:15:56,479 --> 01:15:59,920
Speaker 1: I'm saying. Okay, that's what I'm don'kay cool. I want

1529
01:16:00,000 --> 01:16:02,080
Speaker 1: you to tell my number because I'm gonna need you.

1530
01:16:02,360 --> 01:16:05,519
Speaker 1: You know what I'm saying, because I'm getting help right

1531
01:16:05,560 --> 01:16:08,400
Speaker 1: now with my mentor you know what I'm saying, and

1532
01:16:08,560 --> 01:16:11,000
Speaker 1: I'm getting better. But what I'm saying is I try

1533
01:16:11,000 --> 01:16:14,000
Speaker 1: to call these ragizations before because I feel like you

1534
01:16:14,080 --> 01:16:16,960
Speaker 1: know how sometime guy tells you to like do something

1535
01:16:17,479 --> 01:16:20,080
Speaker 1: and you you either listening to it or you don't.

1536
01:16:20,160 --> 01:16:22,080
Speaker 1: You know what I'm saying. So I was calling you

1537
01:16:22,200 --> 01:16:24,679
Speaker 1: back then when I was in my darkest place because

1538
01:16:24,720 --> 01:16:27,280
Speaker 1: I feel that you have the answer to help me out. Well,

1539
01:16:27,320 --> 01:16:29,639
Speaker 1: I tell you what, I don't have all the answers.

1540
01:16:29,680 --> 01:16:31,519
Speaker 1: You know what I'm saying. I'm still going on my journey,

1541
01:16:31,600 --> 01:16:33,840
Speaker 1: just like you going on your journey. But I do

1542
01:16:34,040 --> 01:16:35,960
Speaker 1: have a lot of resources and a lot of people

1543
01:16:36,040 --> 01:16:38,160
Speaker 1: that you can talk to, people that you know have

1544
01:16:38,360 --> 01:16:40,599
Speaker 1: have helped me get through, and I have no problem

1545
01:16:40,680 --> 01:16:44,160
Speaker 1: sharing those resources with you, my my Dominican brother. Okay,

1546
01:16:44,560 --> 01:16:46,720
Speaker 1: hold on, hold one second, we're gonna hang up. We're

1547
01:16:46,720 --> 01:16:48,599
Speaker 1: gonna get your information. But I got a real question

1548
01:16:48,680 --> 01:16:52,160
Speaker 1: for the brother though, okhead, go ahead, asked me a question.

1549
01:16:52,560 --> 01:16:55,680
Speaker 1: You're a Dominican, right, yes, sir? How many pair of

1550
01:16:55,720 --> 01:16:57,880
Speaker 1: white jeans do you own? I have you owned? I

1551
01:16:57,960 --> 01:17:01,959
Speaker 1: knew it throughout your life. Seriously, hold on, like seriously,

1552
01:17:02,880 --> 01:17:05,080
Speaker 1: probably like once or twice because there was some white

1553
01:17:05,160 --> 01:17:09,360
Speaker 1: party and I needed to everything white. Okay, okay, all

1554
01:17:09,400 --> 01:17:11,720
Speaker 1: the mini kids don't have white jeans. Show me hold on, man,

1555
01:17:12,720 --> 01:17:14,599
Speaker 1: yes to that man about his white jeans. Man, I'm

1556
01:17:14,600 --> 01:17:16,360
Speaker 1: about to get your I'm gonna get your number. Leave

1557
01:17:16,360 --> 01:17:18,120
Speaker 1: your number with the producer. I'm gonna hit you. I'll

1558
01:17:18,240 --> 01:17:19,639
Speaker 1: hit you in the show over in like an hour.

1559
01:17:19,720 --> 01:17:23,880
Speaker 1: All right, goodness, gracious, hello, who's this? Yo? This magic

1560
01:17:24,280 --> 01:17:28,040
Speaker 1: magic question? Yeo, Man, I got I got some questions. Man,

1561
01:17:28,760 --> 01:17:31,200
Speaker 1: A little relationship problem I got going on right now.

1562
01:17:31,560 --> 01:17:34,439
Speaker 1: Be on my girl for a year. She got three kids,

1563
01:17:34,840 --> 01:17:38,960
Speaker 1: and uh she's pregnant now with the fourth one by me.

1564
01:17:39,280 --> 01:17:42,320
Speaker 1: It is my first one. But it ain't easy she

1565
01:17:42,400 --> 01:17:46,479
Speaker 1: got three from another man. He got three different baby daddy.

1566
01:17:47,360 --> 01:17:49,080
Speaker 1: Well she has four and now four baby daddy in there.

1567
01:17:49,160 --> 01:17:52,320
Speaker 1: Well that okay, yeah, and then it's been rough to me. Man.

1568
01:17:52,360 --> 01:17:56,360
Speaker 1: It's like I go through hell. I do everything she has. Basically,

1569
01:17:56,360 --> 01:17:58,559
Speaker 1: I've been a dude boy for her since she's been pregnant.

1570
01:17:59,160 --> 01:18:03,799
Speaker 1: And she called me selfish just because like I complain

1571
01:18:03,960 --> 01:18:05,679
Speaker 1: or something like that for getting up in the middle

1572
01:18:05,680 --> 01:18:08,080
Speaker 1: of the night doing something for her, like I'm doing

1573
01:18:08,120 --> 01:18:11,639
Speaker 1: it sold shut up. But she don't respect you, bro. Man,

1574
01:18:12,240 --> 01:18:14,320
Speaker 1: it's kind of hard to respect the fourth baby daddy.

1575
01:18:14,560 --> 01:18:16,760
Speaker 1: You know what I'm saying. Yeah, I'm scared for my

1576
01:18:16,840 --> 01:18:20,400
Speaker 1: life though. For real, man, I ain't say she put

1577
01:18:20,479 --> 01:18:26,120
Speaker 1: hands on you. Yeah she has, she has, yeah, yeah, No,

1578
01:18:26,200 --> 01:18:27,639
Speaker 1: I ain't know what I'm saying. It is this one

1579
01:18:27,680 --> 01:18:31,120
Speaker 1: time incident, but that's what she used to in her path.

1580
01:18:31,680 --> 01:18:35,400
Speaker 1: And I'm to woman, I'm not that guy you know

1581
01:18:35,640 --> 01:18:37,559
Speaker 1: from you. I'm not your eggs baby daddy or nothing

1582
01:18:37,640 --> 01:18:39,800
Speaker 1: like that. Want to come home, get drunk and put

1583
01:18:40,000 --> 01:18:41,600
Speaker 1: you know, put my hands on and stuff like that.

1584
01:18:41,840 --> 01:18:44,720
Speaker 1: You know, I communicate, you know, just talk to me.

1585
01:18:45,200 --> 01:18:47,240
Speaker 1: Whatever the problem is. We'll try to thought and instead

1586
01:18:47,280 --> 01:18:49,639
Speaker 1: of this argument back and forth. But like I said,

1587
01:18:49,720 --> 01:18:53,800
Speaker 1: she ain't got there hook and Nazi pregnant now and

1588
01:18:54,080 --> 01:18:56,040
Speaker 1: Nazi time. I she don't want to be me, no mode,

1589
01:18:56,280 --> 01:18:58,000
Speaker 1: And that's not what I wanted on my wife, my

1590
01:18:58,040 --> 01:19:00,280
Speaker 1: first child. I wanted to be old family. Now did

1591
01:19:01,320 --> 01:19:06,880
Speaker 1: I feel bad for your brother with somebody that's toxic man?

1592
01:19:07,280 --> 01:19:09,720
Speaker 1: Are you taking care of other three? I'm thirty one

1593
01:19:09,840 --> 01:19:12,400
Speaker 1: having my first child and it ain't how I wanted

1594
01:19:12,479 --> 01:19:18,080
Speaker 1: to be a boy. If you don't listen to me,

1595
01:19:18,200 --> 01:19:22,360
Speaker 1: are you taking care of others? Three kids? Barely? Are

1596
01:19:22,439 --> 01:19:24,400
Speaker 1: you taking care of them? So you are? You know

1597
01:19:24,439 --> 01:19:26,320
Speaker 1: what I'm saying, Like I'll do what she asked me

1598
01:19:26,400 --> 01:19:30,599
Speaker 1: to do for them or whatnot? Listen if the roads

1599
01:19:30,600 --> 01:19:33,640
Speaker 1: were reversed and you was dating a toxic man with

1600
01:19:33,840 --> 01:19:36,920
Speaker 1: four different baby mamas who put hands on you, what

1601
01:19:37,000 --> 01:19:39,920
Speaker 1: would your girls be telling you to do? Leave? People

1602
01:19:39,960 --> 01:19:42,320
Speaker 1: been telling me to leave, but I just didn't listen.

1603
01:19:42,400 --> 01:19:45,800
Speaker 1: I don't know why I really listen to goddamn girlfriends.

1604
01:19:46,040 --> 01:19:49,840
Speaker 1: Your girlfriends right now, you said you fair for your life.

1605
01:19:49,880 --> 01:19:51,960
Speaker 1: She puts hands on you, she makes you do everything.

1606
01:19:52,160 --> 01:19:54,800
Speaker 1: You sound like you do everything, and you're about to

1607
01:19:54,840 --> 01:19:56,479
Speaker 1: lose it, So you better leave her alone before she

1608
01:19:56,600 --> 01:20:02,519
Speaker 1: hit you with frying pan? Are your girlfriend? I envious,

1609
01:20:02,600 --> 01:20:06,719
Speaker 1: Joan Clayton. We're telling you to leave Maya. Okay, Actually

1610
01:20:06,720 --> 01:20:08,639
Speaker 1: you would be lending a situation like this is something

1611
01:20:08,680 --> 01:20:11,360
Speaker 1: Lynn would get herself into. All right, you got she

1612
01:20:11,680 --> 01:20:14,240
Speaker 1: got three kids already from three different baby daddies. He's

1613
01:20:14,240 --> 01:20:16,080
Speaker 1: got one on the way from you. Be a father

1614
01:20:16,200 --> 01:20:18,960
Speaker 1: to your child. But this sounds like a very toxic

1615
01:20:19,120 --> 01:20:21,320
Speaker 1: human that you're dealing with. And she needs to get

1616
01:20:21,400 --> 01:20:23,559
Speaker 1: some healing. And when she gets some healing, it becomes

1617
01:20:23,640 --> 01:20:25,720
Speaker 1: the woman that you need her to be. Then you

1618
01:20:25,760 --> 01:20:27,760
Speaker 1: can be with her. Told her I told her a

1619
01:20:27,800 --> 01:20:29,920
Speaker 1: few time about getting married and stuff before the baby

1620
01:20:29,960 --> 01:20:31,479
Speaker 1: get here. I told her, you want to do that?

1621
01:20:31,560 --> 01:20:33,280
Speaker 1: We gotta have to go to counsel that Thomas, he

1622
01:20:33,320 --> 01:20:37,479
Speaker 1: don't need that. Really, it's a stressful, man, it's really

1623
01:20:37,479 --> 01:20:39,880
Speaker 1: putting a toll only for real. You know what toxic

1624
01:20:39,960 --> 01:20:43,360
Speaker 1: people do. They never let things go. They can't move forward.

1625
01:20:43,560 --> 01:20:46,280
Speaker 1: They bully, they intimidate, they lie, they create drama, they

1626
01:20:46,320 --> 01:20:48,920
Speaker 1: play the victim, and they act out of fear and insecurity.

1627
01:20:49,120 --> 01:20:51,559
Speaker 1: That's all that person is doing to you. Right now.

1628
01:20:51,840 --> 01:20:53,719
Speaker 1: You gotta go, bro, be a father to your child.

1629
01:20:54,080 --> 01:20:56,360
Speaker 1: That's a very toxic woman. She sounds like the future

1630
01:20:56,439 --> 01:21:00,560
Speaker 1: of females for Pete after me. I am strong. I

1631
01:21:00,680 --> 01:21:03,960
Speaker 1: am strong. I will not let her hit me anymore.

1632
01:21:04,720 --> 01:21:10,320
Speaker 1: I will not let her hit me anymore. What do anymore?

1633
01:21:10,720 --> 01:21:13,120
Speaker 1: That's right? I am strong. I am a good man,

1634
01:21:13,280 --> 01:21:16,000
Speaker 1: and I am a good father. I am strong, I

1635
01:21:16,080 --> 01:21:18,920
Speaker 1: am a good man, and I will be a good father. Yeah,

1636
01:21:18,960 --> 01:21:20,760
Speaker 1: you go when you got that written down at envy

1637
01:21:20,840 --> 01:21:23,680
Speaker 1: and why are you that's your daily affirmation? I'm trying

1638
01:21:23,680 --> 01:21:25,479
Speaker 1: to give him a self esteem to make him feel

1639
01:21:25,520 --> 01:21:27,200
Speaker 1: good this morning. Man. Brother, you go out there, you

1640
01:21:27,280 --> 01:21:29,320
Speaker 1: have a great day, and you take kid business. I brother,

1641
01:21:29,520 --> 01:21:32,120
Speaker 1: eliminate all toxic people from your life. Man, Why we

1642
01:21:32,160 --> 01:21:35,320
Speaker 1: always give people more chances than they deserve? Why do

1643
01:21:35,400 --> 01:21:37,280
Speaker 1: we do that? Man? A little self esteem? All right?

1644
01:21:37,320 --> 01:21:39,559
Speaker 1: We got more coming up next with a breakfast club.

1645
01:21:40,120 --> 01:21:43,360
Speaker 1: So breakfast Club, your morning's will never be the same.

1646
01:21:44,400 --> 01:21:47,719
Speaker 1: It's here. The most star studed black western ever made

1647
01:21:48,120 --> 01:21:51,440
Speaker 1: the heart of day Fall, directed by James Samuel, alongside

1648
01:21:51,479 --> 01:21:54,200
Speaker 1: a killer soundtrack that features original songs by jay Z,

1649
01:21:54,400 --> 01:21:57,439
Speaker 1: kid Cutty and more. Watch now. On Netflix and stream

1650
01:21:57,520 --> 01:22:04,280
Speaker 1: the soundtrack now on all platforms. Listen to positive note

1651
01:22:04,600 --> 01:22:07,280
Speaker 1: comes from Steve Jobs. All Right, your time is limited,

1652
01:22:07,560 --> 01:22:10,120
Speaker 1: so don't waste it living someone else's life. Don't be

1653
01:22:10,240 --> 01:22:14,120
Speaker 1: trapped by dogma, which is living with the results of

1654
01:22:14,280 --> 01:22:18,360
Speaker 1: other people's thinking. Breakfast Club, y'all finish or y'all dumb.