WEBVTT - #518 - Brother Ali 

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<v Speaker 1>Peace and love. This is brother a Lei checking out

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<v Speaker 1>the Bootleg cav Podcast, one of my favorites.

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<v Speaker 2>Stay right here, all right, y'all Before we get into

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<v Speaker 3>Let's get into the next one right now. Come on,

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<v Speaker 3>Bootleg cam Podcast special guests in here, Brother Ali the Legend.

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<v Speaker 3>Good to see you, man.

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<v Speaker 1>I'm happy to be with you. Man.

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<v Speaker 3>Thank you for doing yes, sir for.

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<v Speaker 1>People who don't know.

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<v Speaker 3>I mean I interviewed you one time backstage after your tour.

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<v Speaker 3>You and Evidence were on tour YEP in Boise, Idaho

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<v Speaker 3>in two thousand and nine or ten?

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<v Speaker 1>What year?

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<v Speaker 3>What of that been?

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<v Speaker 1>That was two thousand and nine and Evidence was just

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<v Speaker 1>coming over to Rhyme Sayers And that was an amazing run.

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<v Speaker 1>Every show sold out, fifty shows in sixty days, all

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<v Speaker 1>of them sold out. Yeah, that was a good time,

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<v Speaker 1>had crazy times.

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<v Speaker 3>Man. It's it's wild too, because I feel like, what,

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<v Speaker 3>oh you want to put you want to down? Yeah?

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<v Speaker 1>Down, got it?

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<v Speaker 3>Got it? Got it?

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<v Speaker 1>Okay.

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<v Speaker 3>How do you feel, man, because obviously, you know, you've

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<v Speaker 3>had an amazing career as an independent artist somebody who

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<v Speaker 3>you know, I guess would be considered quote unquote underground.

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<v Speaker 3>When I was growing up, we had underground hip hop. Yeah,

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<v Speaker 3>the game has changed a lot, and for you kind

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<v Speaker 3>of being like an OG at this point, somebody who's

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<v Speaker 3>kind of had a bunch of different errors of your

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<v Speaker 3>own career, How do you feel, just like with today's

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<v Speaker 3>climate in terms of like being an independent artist and

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<v Speaker 3>making the kind of music that is not low hanging fruit,

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<v Speaker 3>if you will.

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<v Speaker 1>Yeah, it's really challenging, you know, but it's always been challenging.

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<v Speaker 1>Like that's part of the fun of it, and that's

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<v Speaker 1>part of the freedom of it. It's like, man, I'm

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<v Speaker 1>going to make music about my secrets and you're not

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<v Speaker 1>supposed to really do that. You know, I'm going to

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<v Speaker 1>make secret music about things that aren't what everybody wants

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<v Speaker 1>to necessarily hear right now, but there's something inside me

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<v Speaker 1>that makes it. This is very true what I'm going

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<v Speaker 1>to say, and to make the music that we want

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<v Speaker 1>to make. And you know, if you're able to, then

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<v Speaker 1>the struggle is to find the people that want to

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<v Speaker 1>hear that secret and want to celebrate whatever that is.

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<v Speaker 1>So and I mean, then that's true for everybody across

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<v Speaker 1>the board. It's no different than like, you know, kids

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<v Speaker 1>in New York that are caught up in like neighborhood

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<v Speaker 1>beef and it's like, no, this is how we really live,

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<v Speaker 1>and like, yeah, we're rough around the edges and we're violent,

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<v Speaker 1>that's how we you know what I mean. And some

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<v Speaker 1>of us are on drugs and whatever. But there's a

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<v Speaker 1>certain like true lived human experience that they're putting in

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<v Speaker 1>their music. And when it first happens, people are like, uh,

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<v Speaker 1>I don't what is this? Their community right away is

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<v Speaker 1>going to be like, yes, somebody's speaking for me. It's

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<v Speaker 1>not easy living like this, you know what I mean?

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<v Speaker 1>Everybody has something like that. And then once that actually

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<v Speaker 1>starts to catch on the artists, once they get that space,

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<v Speaker 1>they start to say more and we get a window

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<v Speaker 1>into their world and we start getting contacts and then

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<v Speaker 1>it makes sense. But you have to fight, and that's

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<v Speaker 1>part of the beautiful struggle of it all. So you know,

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<v Speaker 1>there was a period when we first came out where

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<v Speaker 1>it's like when you said there was the underground thing.

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<v Speaker 1>So when Papen Big died, it was like, okay, these

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<v Speaker 1>are the first time the most respectable MC's, the most

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<v Speaker 1>respected mcs in the culture were also crossover mainstream. It

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<v Speaker 1>wasn't never like that before, Like we all love Tone

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<v Speaker 1>and Young MC. They were never the top tier MC school,

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<v Speaker 1>Yeah exactly. So you know, the other people had to fight.

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<v Speaker 1>So then it was a weird thing that happened where

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<v Speaker 1>all the great MC's were like, oh, we can be mainstream.

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<v Speaker 1>And so for people where this was always a counterculture thing,

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<v Speaker 1>it's just like, wait, what part is this? What part

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<v Speaker 1>are we just so we're just like jumping in bed

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<v Speaker 1>with the oppressors now because we because you can get

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<v Speaker 1>rich doing it. That's strange to a lot of us.

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<v Speaker 1>And so there was like a whole movement of most

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<v Speaker 1>Death and the Roots.

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<v Speaker 3>And the whole rockets hair, the roots hair. Yeah, yeah,

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<v Speaker 3>definitely Common early Common.

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<v Speaker 1>Shit, absolutely and you know Common's music is still that

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<v Speaker 1>way dilated, you know, yeah, yeah, definitely dilated. People's was

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<v Speaker 1>a huge part of that, and M F. Doom and

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<v Speaker 1>Little Brother and like there's this like this whole thing,

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<v Speaker 1>and we in a lot of ways were saying, like, Okay,

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<v Speaker 1>the music industry has never been for us, so we're

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<v Speaker 1>gonna go do our own thing. So you know what

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<v Speaker 1>we did at Rhyme Shares and in Minneapolis and the

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<v Speaker 1>mid we was to start going to all kinds of

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<v Speaker 1>places where they never had hip hop before and like

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<v Speaker 1>you know, going in and performing and you know, word

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<v Speaker 1>of mouth and all that stuff. And then just every era,

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<v Speaker 1>we've had to figure out what's the space that we

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<v Speaker 1>can authentically engage. So you know, it was Napster and

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<v Speaker 1>all that, and then it was MySpace and all that,

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<v Speaker 1>and then it was the blogs and all that, and

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<v Speaker 1>now with social media and so it's always a tremendous challenge,

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<v Speaker 1>but that's part of the freedom of it all for sure.

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<v Speaker 3>Yeah, I think too, like we're kind of in this

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<v Speaker 3>weird space, which is positive where I think somehow this

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<v Speaker 3>Kendrick Lamar beef has like brought like attention to lyricism

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<v Speaker 3>again in a way that it might have been missing

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<v Speaker 3>for however you feel about the beef, But I feel

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<v Speaker 3>like people were paying attention to like bars again, which

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<v Speaker 3>I feel like had been kind of missing for a while.

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<v Speaker 3>And then you got to go, like Dochi who wins

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<v Speaker 3>best rap album? Her album was incredible. I feel like

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<v Speaker 3>there might be a page being turned where people want

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<v Speaker 3>more substance in their music and maybe more you know,

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<v Speaker 3>I feel like there might be an appetite for that

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<v Speaker 3>because we've had I mean, we're going on damn near

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<v Speaker 3>ten years of it being very like you know, like

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<v Speaker 3>you said, we had Biggie, we had even Nas, you know,

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<v Speaker 3>like you know, obviously Kendrick Cole all those guys are

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<v Speaker 3>very high, high frequency artists. But I feel like, you know,

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<v Speaker 3>in terms of what the kids are looking for, Like,

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<v Speaker 3>my son is eleven, and he's like in the like

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<v Speaker 3>rap music that I wouldn't think eleven year oldl be into. Yeah,

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<v Speaker 3>which is a good thing, you know, because that's what

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<v Speaker 3>I was into when I was eleven, you know. So

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<v Speaker 3>I think I think I think there's a there's a

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<v Speaker 3>culture shift happening. I hope so especially with just the

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<v Speaker 3>younger because obviously guys like me and you know my age,

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<v Speaker 3>we're gonna listen, We're gonna listen to. But it's like,

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<v Speaker 3>what are the thirteen fourteen year olds listening to, you know, yeah,

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<v Speaker 3>and what are they kind of inputting? Is it like

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<v Speaker 3>op killing music or is it you know, Kendrick, you know,

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<v Speaker 3>like and it's jope to see like Kendrick getting like

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<v Speaker 3>I guess that because you know, now you've got people

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<v Speaker 3>diving into Pimpa Butterfly, yeah, you know.

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<v Speaker 1>Yeah, So we just put it on my It was

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<v Speaker 1>number nine on the Hip Hop iTunes chart, and everything

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<v Speaker 1>else in the top ten was Glorilla. It was like

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<v Speaker 1>one through eight was Kendrick was like different Kendrick albums,

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<v Speaker 1>and it's like, oh, okay, those are people that saw

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<v Speaker 1>him on the super Bowl. And I think it was

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<v Speaker 1>like a lot of like middle white America that was

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<v Speaker 1>like Kendrick Lamar gentleman seems to have something to say.

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<v Speaker 1>He might be as good as Eminem. Yeah, you know

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<v Speaker 1>what I mean.

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<v Speaker 3>And then Glorilla and then like me in the middle

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<v Speaker 3>of it, me just chilling at number nine.

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<v Speaker 1>It's weird.

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<v Speaker 2>Men.

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<v Speaker 1>So the Muslims call this realm the Dunya. It was

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<v Speaker 1>like we were somewhere before we were here, and that

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<v Speaker 1>was all true and beautiful. That's not where we are now.

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<v Speaker 1>And then after this we have the life of the grave,

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<v Speaker 1>We've got the judgment, we got the afterlife. But this

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<v Speaker 1>place is a mixture of good and bad. It's a

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<v Speaker 1>mixture of true and false. It's a mixture of things

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<v Speaker 1>change and they say the same and everything is that way,

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<v Speaker 1>you know what I mean. So, yeah, I love Kendrick obviously,

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<v Speaker 1>Like you know what I mean. I met Kendrick when

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<v Speaker 1>he was coming up and he was like yo, like

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<v Speaker 1>we were you know, And I love Kendrick. It's also

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<v Speaker 1>true that, you know, historically, white America has always accepted

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<v Speaker 1>certain things, like all the culture comes from black for people,

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<v Speaker 1>and all the cultural genius, all the culture export everything.

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<v Speaker 1>But it's like there are some things that are not accepted.

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<v Speaker 1>There are some things that are accepted. There are some

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<v Speaker 1>things that are celebrated, and then there are some things

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<v Speaker 1>that are mega celebrated. A critique what's not accepted is

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<v Speaker 1>a critique of the power structure. So you know, what

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<v Speaker 1>is accepted is just cultural genius that seems to not

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<v Speaker 1>be harming it.

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<v Speaker 3>Yeah, that's not like stirring the pot of too much.

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<v Speaker 3>You know.

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<v Speaker 1>What's always celebrated is black people fighting each other, especially

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<v Speaker 1>great black people destroying each other. So that's not Kendrick's fault,

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<v Speaker 1>you know what I mean. And that's and people who

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<v Speaker 1>aren't black. Is like, there are certain conversations. It's like

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<v Speaker 1>I don't have an opinion about that, you know what

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<v Speaker 1>I mean, It's not my.

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<v Speaker 3>Place to have it.

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<v Speaker 1>But what I do know is what the white mainstream

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<v Speaker 1>power structure does, which is they love to celebrate powerful

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<v Speaker 1>black men destroying each other. You know what I mean,

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<v Speaker 1>Because I mean Kendrick's last album, there's so much to

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<v Speaker 1>break down.

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<v Speaker 3>Oh yeah, I mean, it's it's a real like think

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<v Speaker 3>piece on like self reflection, mental help, like so much,

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<v Speaker 3>and it went over everybody's head and it wasn't celebrated

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<v Speaker 3>in the same way.

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<v Speaker 1>Now it's celebrated on a certain level. I mean, he

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<v Speaker 1>did get a Politzer Prize in terms of culture, like

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<v Speaker 1>hours and hours of people breaking down on YouTube every

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<v Speaker 1>possible triple entendra of a Kendrick. And then for black women,

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<v Speaker 1>it's everybody's right decision to do whatever they want with

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<v Speaker 1>their image and their body and everything. But black women

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<v Speaker 1>don't really get celebrated unless they're like.

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<v Speaker 3>Rhap City is not going to be celebrated like sexy

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<v Speaker 3>red too much close right, too black, too black, too strong,

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<v Speaker 3>too much close, little, too dignified.

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<v Speaker 1>You gotta be if you're a black woman. For the

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<v Speaker 1>mainstream to accept you, we have to have sexual access

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<v Speaker 1>to you because we used to own you, you know

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<v Speaker 1>what I'm saying. So even be been married to Jay

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<v Speaker 1>Z for twenty years, you still got to be in

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<v Speaker 1>your underwear otherwise you're not going to bank it.

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<v Speaker 3>That's why I was good to see Rhapsody win a

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<v Speaker 3>Grammy this year. Man, Look, I felt like I want

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<v Speaker 3>a Grammy. First Killer Mike won it. Oh when Killer

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<v Speaker 3>Mike won it, I.

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<v Speaker 1>Was like, yeah, man, you know, killing Mike at LP

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<v Speaker 1>is like for somebody like me. So that's our era.

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<v Speaker 1>Those guys that came up.

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<v Speaker 3>When we came up and they just did what they've

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<v Speaker 3>always done.

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<v Speaker 1>There was zero according this, there was zero.

0:10:27.040 --> 0:10:29.400
<v Speaker 3>Is like, man, it's also just good to know, like

0:10:30.000 --> 0:10:31.800
<v Speaker 3>for like aging hip hop, Its like it's good to

0:10:31.800 --> 0:10:33.719
<v Speaker 3>know I'm not a hater a hundred percent, Like I'm

0:10:33.760 --> 0:10:37.160
<v Speaker 3>happy when somebody succeeds being true. Yeah. When Killer Mike won,

0:10:37.280 --> 0:10:39.160
<v Speaker 3>I was it was to me because I mean he

0:10:39.240 --> 0:10:40.959
<v Speaker 3>had the album of the Year. I'm like, yes, he

0:10:42.240 --> 0:10:44.560
<v Speaker 3>I'm just glad they got it right. He wanted he

0:10:44.640 --> 0:10:46.800
<v Speaker 3>wanted it, he said it. When he came in, it

0:10:46.880 --> 0:10:48.960
<v Speaker 3>was like Babe Ruth or whoever pointing into the thing

0:10:49.240 --> 0:10:51.600
<v Speaker 3>or Muhammad Ali and what round I'm gonn knock him

0:10:51.600 --> 0:10:53.120
<v Speaker 3>out in he came out, he said.

0:10:52.960 --> 0:10:55.840
<v Speaker 1>I want the album off the year, my mama, dad,

0:10:56.160 --> 0:10:57.959
<v Speaker 1>And it's just like, yeah, man, get that album of

0:10:58.040 --> 0:11:02.240
<v Speaker 1>the year man. Yeah, beautiful so rahapsity man, Like she's amazing.

0:11:02.320 --> 0:11:07.400
<v Speaker 3>Man, She's incredible. Yeah, it's been fun you're bringing up

0:11:07.400 --> 0:11:09.280
<v Speaker 3>the Super Bowl thing and just some of the it

0:11:09.360 --> 0:11:15.200
<v Speaker 3>has been funny to watch like the far Rights, like

0:11:16.440 --> 0:11:20.040
<v Speaker 3>inner conflict on how they feel about Kendrick's halftime show,

0:11:20.559 --> 0:11:21.839
<v Speaker 3>because I've seen them be like.

0:11:23.000 --> 0:11:27.240
<v Speaker 1>Well it was patriotic, you know, it wasn't woke. And

0:11:27.280 --> 0:11:29.199
<v Speaker 1>then the other part we're like, yo, there wasn't any

0:11:29.200 --> 0:11:31.160
<v Speaker 1>white people. It was just so funny.

0:11:31.240 --> 0:11:33.160
<v Speaker 3>If you look at the twitter, like back and forth,

0:11:34.080 --> 0:11:36.240
<v Speaker 3>it's so funny, like they don't know what to think

0:11:36.240 --> 0:11:38.160
<v Speaker 3>of the halftime show, And to me, that's what's so

0:11:38.320 --> 0:11:42.600
<v Speaker 3>brilliant about Like however that halftime show played out, was

0:11:42.679 --> 0:11:47.439
<v Speaker 3>like no one's too sure on like some people think

0:11:47.440 --> 0:11:48.560
<v Speaker 3>they got to figure it out, right.

0:11:49.679 --> 0:11:53.000
<v Speaker 1>Yeah, I was just happy to see Kendrick be a

0:11:53.080 --> 0:11:55.760
<v Speaker 1>free black man that expressed what he wanted to express.

0:11:55.920 --> 0:11:58.040
<v Speaker 3>Like Samuel Jackson was like, all of you, you can have

0:11:58.280 --> 0:12:00.240
<v Speaker 3>a story in the halftime show. It's like, yes, it was.

0:12:00.280 --> 0:12:00.920
<v Speaker 3>It was amazing.

0:12:01.000 --> 0:12:04.640
<v Speaker 1>Yeah. And then also that it was real art, yes,

0:12:04.920 --> 0:12:07.959
<v Speaker 1>like art, that was art, Like you know what I mean,

0:12:08.000 --> 0:12:10.640
<v Speaker 1>there's no denying the fact that you know, I've got

0:12:10.679 --> 0:12:12.920
<v Speaker 1>my own opinion. We all have opinions, but I'm saying, like, man,

0:12:13.559 --> 0:12:15.520
<v Speaker 1>that was him saying what he wanted to say, making

0:12:15.520 --> 0:12:17.280
<v Speaker 1>the statement he wanted to make. He made it in

0:12:17.320 --> 0:12:20.240
<v Speaker 1>a grand way that was fitting for that stage. But

0:12:20.320 --> 0:12:23.920
<v Speaker 1>it was it was art art man, Like, yeah, so

0:12:24.360 --> 0:12:26.440
<v Speaker 1>those are those are all amazing things. And that's why

0:12:26.480 --> 0:12:29.079
<v Speaker 1>I say, like the Dunya is always good and bad.

0:12:29.559 --> 0:12:31.520
<v Speaker 1>The more things change, the more they stay the same.

0:12:32.240 --> 0:12:38.200
<v Speaker 3>You know, So talk to me. Uh you left Rhyme

0:12:38.200 --> 0:12:39.480
<v Speaker 3>Sayers a few years ago? Was it?

0:12:39.679 --> 0:12:42.760
<v Speaker 1>I went independent four years ago? Yeah?

0:12:43.000 --> 0:12:43.080
<v Speaker 2>What?

0:12:43.280 --> 0:12:46.520
<v Speaker 3>Obviously? You you know brother Ali and Rhyme Sais, you

0:12:46.559 --> 0:12:48.040
<v Speaker 3>guys are very synonymous. Yeah.

0:12:48.120 --> 0:12:50.080
<v Speaker 1>I was a company man. They talking about drinking the

0:12:50.120 --> 0:12:51.920
<v Speaker 1>kool aid. I was the kool aid. I was busting

0:12:51.960 --> 0:12:54.080
<v Speaker 1>through the wall like with the kool aid out. Oh yeah,

0:12:54.120 --> 0:12:55.400
<v Speaker 1>because I love those people.

0:12:55.160 --> 0:12:57.000
<v Speaker 3>I mean love. Yeah. Rhyme Saiers is obviously, you know,

0:12:57.000 --> 0:12:59.880
<v Speaker 3>one of the craziest success stories. And when it comes

0:12:59.880 --> 0:13:02.000
<v Speaker 3>to just an independent hip hop label, like fuck man,

0:13:02.040 --> 0:13:06.079
<v Speaker 3>the atmosphere yourself, I mean, the festivals were crazy. What

0:13:06.280 --> 0:13:08.880
<v Speaker 3>for you was was the main? You know, why did

0:13:08.880 --> 0:13:10.800
<v Speaker 3>you break away and decide to do your own things? Man?

0:13:11.000 --> 0:13:14.600
<v Speaker 1>It's just you know, you grow and you start to

0:13:14.800 --> 0:13:17.360
<v Speaker 1>have your own ways that you the more you learn,

0:13:17.600 --> 0:13:19.760
<v Speaker 1>the more you have certain things that you want to

0:13:19.800 --> 0:13:21.840
<v Speaker 1>do and ways that you want to do things, and

0:13:21.880 --> 0:13:24.319
<v Speaker 1>more so just like how you want to feel. And

0:13:24.960 --> 0:13:27.720
<v Speaker 1>you know, I realized that the things that I wanted

0:13:27.720 --> 0:13:32.720
<v Speaker 1>to do, like I've grown as a person and like

0:13:32.720 --> 0:13:34.960
<v Speaker 1>what I offer the world, So like, not only do

0:13:35.080 --> 0:13:37.640
<v Speaker 1>I do these like sold out tours across the country,

0:13:37.880 --> 0:13:41.080
<v Speaker 1>I also delivered the Nobel Peace Prize form like keynote

0:13:41.080 --> 0:13:43.880
<v Speaker 1>address at the Nobel Peace Prize. Wow, I've like lectured

0:13:44.040 --> 0:13:47.080
<v Speaker 1>at Harvard and Princeton, you know what I mean. I

0:13:47.120 --> 0:13:50.439
<v Speaker 1>also am a like a like I have leader in

0:13:50.480 --> 0:13:52.960
<v Speaker 1>a Muslim community. I also want to write and do

0:13:53.040 --> 0:13:55.559
<v Speaker 1>podcasts and all these kind of things. And then also

0:13:55.800 --> 0:13:57.680
<v Speaker 1>I want, like I said, I want things to feel

0:13:57.720 --> 0:14:00.440
<v Speaker 1>a certain way, and I just realized, like the things

0:14:00.440 --> 0:14:02.400
<v Speaker 1>that I want to do, for them to build those,

0:14:02.520 --> 0:14:04.720
<v Speaker 1>it wouldn't even be responsible for them to build those

0:14:04.720 --> 0:14:08.200
<v Speaker 1>into that label because it would just be me. Like

0:14:08.240 --> 0:14:11.120
<v Speaker 1>the things that I was requiring was that. And then

0:14:11.320 --> 0:14:15.200
<v Speaker 1>also there was also some you know, when you're building something,

0:14:15.240 --> 0:14:18.240
<v Speaker 1>as you go, you have certain ideas about what this

0:14:18.480 --> 0:14:21.600
<v Speaker 1>is and things like that, and so you know, I

0:14:21.680 --> 0:14:25.360
<v Speaker 1>discovered over time they're like, oh, I don't own this

0:14:25.480 --> 0:14:29.440
<v Speaker 1>label and I don't have really a vote in it.

0:14:29.440 --> 0:14:31.720
<v Speaker 1>It's not mine. I always kind of felt like it

0:14:31.760 --> 0:14:32.400
<v Speaker 1>was mine.

0:14:32.200 --> 0:14:33.680
<v Speaker 3>Even though you kind of felt that way because you

0:14:33.720 --> 0:14:35.760
<v Speaker 3>were there, you know, because we all love each other

0:14:35.840 --> 0:14:38.280
<v Speaker 3>and we're all family. But when it really comes to

0:14:38.400 --> 0:14:41.080
<v Speaker 3>the decisions that are made, when it really comes to

0:14:41.120 --> 0:14:42.960
<v Speaker 3>the moves that are made, when it really comes to

0:14:43.480 --> 0:14:45.640
<v Speaker 3>you know, even things like hey, I don't think this

0:14:45.720 --> 0:14:49.120
<v Speaker 3>particular situation is working. This particular situation is not working

0:14:49.120 --> 0:14:51.360
<v Speaker 3>for me. There were years where it did not work

0:14:51.400 --> 0:14:53.960
<v Speaker 3>for me and I was in a bad space, and

0:14:54.200 --> 0:14:56.640
<v Speaker 3>what I would have needed to do would be to

0:14:56.760 --> 0:15:01.320
<v Speaker 3>ask them to basically develop new departments just for me.

0:15:00.960 --> 0:15:04.040
<v Speaker 1>And to do. And it's like that's at a certain point,

0:15:04.160 --> 0:15:07.040
<v Speaker 1>like I went from saying like, hey, we're all family,

0:15:07.080 --> 0:15:09.320
<v Speaker 1>let's work this out to like I'm just upset and

0:15:09.360 --> 0:15:11.600
<v Speaker 1>there's nothing I can do about it, So like why.

0:15:13.480 --> 0:15:15.760
<v Speaker 3>Build up that resentment?

0:15:16.560 --> 0:15:18.760
<v Speaker 1>Yeah, so it's like, you know what, let me take

0:15:18.800 --> 0:15:21.440
<v Speaker 1>the ultimate lesson from all of you that have invested

0:15:21.440 --> 0:15:24.040
<v Speaker 1>so much in me and gained a lot from me too. Sure,

0:15:25.080 --> 0:15:28.320
<v Speaker 1>everything I did was was very successful and nothing ever

0:15:28.480 --> 0:15:30.880
<v Speaker 1>lost money. Everything I did was successful there, so it's

0:15:30.920 --> 0:15:34.080
<v Speaker 1>like this was a great run together. The main thing

0:15:34.080 --> 0:15:36.560
<v Speaker 1>that I can learn from you is that what you

0:15:36.600 --> 0:15:38.520
<v Speaker 1>did is when you wanted things to be a certain way,

0:15:38.560 --> 0:15:41.920
<v Speaker 1>you built something that was yours. So it hurt to

0:15:41.960 --> 0:15:44.760
<v Speaker 1>do that, you know, because there's no scandal, there's no beef.

0:15:45.080 --> 0:15:49.800
<v Speaker 1>Still love everybody, you know. But to step away, Now,

0:15:49.840 --> 0:15:52.480
<v Speaker 1>what was beautiful is that right away when I did that,

0:15:52.560 --> 0:15:56.240
<v Speaker 1>I started my podcast. Slug came out to one of

0:15:56.240 --> 0:15:58.200
<v Speaker 1>the shows so we could do a podcast together on

0:15:58.240 --> 0:16:02.920
<v Speaker 1>stage immediately, like my first time back out after stepping away.

0:16:03.160 --> 0:16:05.040
<v Speaker 1>And then me and Aunt just made this album together

0:16:05.080 --> 0:16:08.080
<v Speaker 1>and he came on tour with me in between Atmosphere tours,

0:16:08.080 --> 0:16:10.920
<v Speaker 1>like instead of going home for five weeks, he came

0:16:10.960 --> 0:16:14.360
<v Speaker 1>on tour with me. So it's like, man, the music

0:16:14.480 --> 0:16:17.560
<v Speaker 1>is true, the love is true, the business is the

0:16:17.600 --> 0:16:19.960
<v Speaker 1>corniest part of it. And so the business wasn't working.

0:16:19.960 --> 0:16:21.920
<v Speaker 1>So now I'm doing something that does work, Like now

0:16:21.960 --> 0:16:25.520
<v Speaker 1>I'm healthy, I'm well, you know what I'm saying. So

0:16:26.280 --> 0:16:28.800
<v Speaker 1>I was terrified to do that, and I mourned it

0:16:28.880 --> 0:16:31.560
<v Speaker 1>like I mourned it like a death because that's where

0:16:31.600 --> 0:16:35.120
<v Speaker 1>I became me. I'm part They're part of me becoming me,

0:16:35.160 --> 0:16:37.880
<v Speaker 1>and I'm part of them becoming them. And so to

0:16:37.920 --> 0:16:41.960
<v Speaker 1>step away business wise, the main concern is like can

0:16:42.040 --> 0:16:46.000
<v Speaker 1>we keep the friendships intact and obviously that's happened for

0:16:46.040 --> 0:16:48.520
<v Speaker 1>the most part. Yeah, there's a couple of people that,

0:16:50.160 --> 0:16:52.880
<v Speaker 1>you know, there's a few situations that are like, you know,

0:16:52.960 --> 0:16:55.200
<v Speaker 1>we haven't really got back on the same page yet.

0:16:55.440 --> 0:16:56.880
<v Speaker 1>But those things take time, for sure.

0:16:57.080 --> 0:16:59.560
<v Speaker 3>Yeah. Yeah, So with anything you're handling, there's you know,

0:17:00.600 --> 0:17:01.720
<v Speaker 3>you gotta let stuff settle.

0:17:01.840 --> 0:17:04.680
<v Speaker 1>But those people are good people, so you know. Yeah, seen,

0:17:04.720 --> 0:17:07.280
<v Speaker 1>Bay and me are really dear friends. And he opened

0:17:07.320 --> 0:17:09.480
<v Speaker 1>your album. Yeah, and he came to me and said,

0:17:09.720 --> 0:17:12.479
<v Speaker 1>we're thinking about doing the Black Star vinyl on rhyme sayers.

0:17:13.400 --> 0:17:15.000
<v Speaker 1>I know that you used to be there and you're

0:17:15.000 --> 0:17:16.719
<v Speaker 1>not anymore. Is there anything you want to tell me?

0:17:17.040 --> 0:17:21.080
<v Speaker 1>I said. Those people are honest people, but don't assume anything.

0:17:21.119 --> 0:17:22.919
<v Speaker 1>That's the only thing. If you want to know something,

0:17:23.080 --> 0:17:26.520
<v Speaker 1>ask it. If you assume something, asked directly. But they

0:17:26.560 --> 0:17:28.560
<v Speaker 1>will never cheat you. They will never lie to you.

0:17:29.040 --> 0:17:32.600
<v Speaker 1>They managed Doom's affairs, which weren't or it wasn't easy.

0:17:32.640 --> 0:17:35.879
<v Speaker 1>Are they still doing that? Yes, Yes, Doom was happy

0:17:35.920 --> 0:17:38.160
<v Speaker 1>with them. His wife is, as far as I understand,

0:17:38.240 --> 0:17:38.720
<v Speaker 1>is happy with you.

0:17:38.840 --> 0:17:41.840
<v Speaker 3>I think they're they're like his licensing and everything. They're manager.

0:17:41.960 --> 0:17:45.800
<v Speaker 1>Yes, yeah, they're not there's there's no there's nothing. People

0:17:45.920 --> 0:17:48.359
<v Speaker 1>want there to be a scandal, you know what I'm saying,

0:17:48.400 --> 0:17:50.639
<v Speaker 1>And it's like, sorry, I can't do that. Sometimes you

0:17:50.680 --> 0:17:51.040
<v Speaker 1>just grow.

0:17:51.160 --> 0:17:53.080
<v Speaker 3>I mean like when you think of Rhyme Saiers, I

0:17:53.119 --> 0:17:55.640
<v Speaker 3>mean obviously they give Atmosphere, but then I think you're

0:17:55.720 --> 0:17:58.160
<v Speaker 3>the flag bearer of the company for.

0:17:58.480 --> 0:18:01.200
<v Speaker 1>And in the more traditional space, is I'm the more known.

0:18:01.440 --> 0:18:04.400
<v Speaker 3>Right, especially with the label, Like I think of Rhymes Sties,

0:18:04.440 --> 0:18:05.840
<v Speaker 3>I think of you, you know for sure?

0:18:06.000 --> 0:18:08.879
<v Speaker 1>Yeah? And I mean you know, so Atmosphere built their

0:18:08.880 --> 0:18:11.600
<v Speaker 1>own world completely separate, which is what's so amazing. No,

0:18:11.720 --> 0:18:14.800
<v Speaker 1>well like separate from like within hip hop. So like

0:18:14.880 --> 0:18:17.960
<v Speaker 1>Tech nine and Rhymes Staries did an atmosphere. Both were

0:18:17.960 --> 0:18:21.000
<v Speaker 1>like nobody except us, very build my own, very on

0:18:21.040 --> 0:18:21.400
<v Speaker 1>their own.

0:18:21.600 --> 0:18:25.680
<v Speaker 3>That's that's a good Obviously different sonically, but very similar

0:18:25.720 --> 0:18:27.840
<v Speaker 3>in terms of their approach to the industry and hip hop.

0:18:27.920 --> 0:18:29.840
<v Speaker 1>Yes, and they built their own worlds. I'm not opening

0:18:29.880 --> 0:18:32.600
<v Speaker 1>for people. No, the people can open for me. I

0:18:32.600 --> 0:18:34.679
<v Speaker 1>don't open for people. I do my own show. It's

0:18:34.680 --> 0:18:36.880
<v Speaker 1>Atmosphere show. It's a Tech nine show. And I learned

0:18:36.920 --> 0:18:39.359
<v Speaker 1>a lot from that. But that's what they built but

0:18:39.440 --> 0:18:43.840
<v Speaker 1>when I came along, I mean the you know, Public

0:18:43.920 --> 0:18:46.920
<v Speaker 1>Enemy and Rock Kim took me on tour, ghost Face

0:18:46.960 --> 0:18:48.680
<v Speaker 1>took me on tour, jiz It took me on tour.

0:18:49.040 --> 0:18:51.240
<v Speaker 1>Brand Nubian took me on tour. Big Daddy Kane took

0:18:51.280 --> 0:18:55.120
<v Speaker 1>me on tour. I was working with you know, Joe

0:18:55.119 --> 0:18:57.359
<v Speaker 1>Budden and like so, I was in a I was

0:18:57.400 --> 0:19:00.240
<v Speaker 1>out of our early roster. I was the one was

0:19:00.280 --> 0:19:01.600
<v Speaker 1>known in hip hop spaces.

0:19:01.640 --> 0:19:03.840
<v Speaker 3>Yeah you were working Yeah, yeah, you were, like you

0:19:03.880 --> 0:19:07.159
<v Speaker 3>said you were in that. I just remember one of

0:19:07.200 --> 0:19:10.400
<v Speaker 3>my favorite records ever was the record that you Freeway

0:19:10.440 --> 0:19:14.040
<v Speaker 3>and Jake One did The Truth, which was so crazy.

0:19:14.080 --> 0:19:15.080
<v Speaker 3>I hadn't I don't know if you ever saw I

0:19:15.080 --> 0:19:17.840
<v Speaker 3>had Nipsey Hustle freestyle over that beating Oh yes, yes.

0:19:18.440 --> 0:19:21.520
<v Speaker 1>Yeah, yeah, Rest in peace, nip I was just with

0:19:21.560 --> 0:19:24.280
<v Speaker 1>some people yesterday for you.

0:19:24.320 --> 0:19:27.240
<v Speaker 3>Man, I want to I want to talk to you

0:19:27.280 --> 0:19:32.119
<v Speaker 3>about obviously being Muslim in the music industry. You know,

0:19:32.520 --> 0:19:34.760
<v Speaker 3>I feel like we're in a really really strange place

0:19:35.040 --> 0:19:41.399
<v Speaker 3>society wise, where you can't really be too honest about

0:19:41.520 --> 0:19:44.680
<v Speaker 3>what's happening in the world. Uh. And you know, I've

0:19:44.760 --> 0:19:46.959
<v Speaker 3>used my platform to be as honest as possible, you know,

0:19:47.040 --> 0:19:47.680
<v Speaker 3>in terms.

0:19:47.480 --> 0:19:49.200
<v Speaker 1>Of what do you mean, because I'm a I'm gonna

0:19:49.200 --> 0:19:50.760
<v Speaker 1>take your lead on what we're saying. What I'm saying,

0:19:52.080 --> 0:19:53.600
<v Speaker 1>you know, because I'll say, I'll say a lot, but

0:19:53.600 --> 0:19:54.440
<v Speaker 1>I want to be respectful.

0:19:54.520 --> 0:19:56.879
<v Speaker 3>Well, I'm talking about in terms of what's happening in

0:19:56.960 --> 0:20:00.119
<v Speaker 3>Gaza in the West Bank, and uh, you know, you

0:20:00.280 --> 0:20:04.160
<v Speaker 3>have a situation where you can't, necessarily, like I said,

0:20:04.200 --> 0:20:08.120
<v Speaker 3>be too honest about certain what It's almost like you're

0:20:08.119 --> 0:20:09.840
<v Speaker 3>seeing with your own eyes what's happening. But if you

0:20:09.840 --> 0:20:12.760
<v Speaker 3>call it what it is, you know, you you there's

0:20:12.840 --> 0:20:14.720
<v Speaker 3>labels that can put on your lack anti Semitic, you

0:20:14.800 --> 0:20:14.919
<v Speaker 3>know what.

0:20:14.960 --> 0:20:17.800
<v Speaker 1>I mean, My man, there's go ahead, go ahead, man,

0:20:17.840 --> 0:20:18.480
<v Speaker 1>go ahead. Brothers.

0:20:18.600 --> 0:20:20.399
<v Speaker 3>Well, I feel like it's like it's interesting to me

0:20:20.440 --> 0:20:21.960
<v Speaker 3>that like we live in a space where two things

0:20:21.960 --> 0:20:25.160
<v Speaker 3>can't beat you at the same time. It's like, even

0:20:25.160 --> 0:20:30.119
<v Speaker 3>if you're a Zionist, whatever, cool, but you can't not

0:20:30.359 --> 0:20:33.080
<v Speaker 3>be honest about what's happening at the same Like it's

0:20:33.080 --> 0:20:35.679
<v Speaker 3>almost like those two things are exclusive to each other.

0:20:35.760 --> 0:20:37.959
<v Speaker 3>However you feel about Zionism or whatever the case is.

0:20:38.720 --> 0:20:40.919
<v Speaker 3>But like, I have friends in my life who are Jewish,

0:20:41.040 --> 0:20:44.200
<v Speaker 3>who are Zionists, but also are very honest about there

0:20:44.200 --> 0:20:47.240
<v Speaker 3>being a genocide and ethnic cleansing and what's happening in

0:20:47.280 --> 0:20:52.400
<v Speaker 3>the West Bank is super fucked. But in the music industry,

0:20:53.080 --> 0:20:57.080
<v Speaker 3>you know, I haven't seen anyone necessarily on the super

0:20:57.080 --> 0:21:02.760
<v Speaker 3>commercial side outside of Maclamore Lannie. You know, there's not

0:21:03.000 --> 0:21:08.520
<v Speaker 3>really a lot of big artist kind of speaking out

0:21:08.560 --> 0:21:11.280
<v Speaker 3>like I feel like that'd be none, that'd be none. Yeah.

0:21:11.600 --> 0:21:13.399
<v Speaker 1>So one of the things that's you know, somebody I

0:21:13.440 --> 0:21:15.359
<v Speaker 1>was just with Gabriel Tiodro shout out to him. I

0:21:15.359 --> 0:21:17.920
<v Speaker 1>think he was quoting somebody, but he said, so part

0:21:17.920 --> 0:21:19.399
<v Speaker 1>of what we're talking about with this Kendrick thing is

0:21:19.400 --> 0:21:23.600
<v Speaker 1>he can call Drake a colonizer and that's celebrated, right,

0:21:23.800 --> 0:21:26.080
<v Speaker 1>But where's the part where Benjamin Nett and Yahoo is

0:21:26.080 --> 0:21:28.560
<v Speaker 1>a war criminal. Where's the part where because the hip

0:21:28.600 --> 0:21:31.320
<v Speaker 1>hop we come from is it's like there was public

0:21:31.640 --> 0:21:34.399
<v Speaker 1>in peace, the resident I'm President pulling out my ray gun,

0:21:35.160 --> 0:21:40.240
<v Speaker 1>you know, like there was very direct like they're the enemy.

0:21:40.720 --> 0:21:43.199
<v Speaker 1>Like what we come from is they're banging on the system.

0:21:43.240 --> 0:21:46.280
<v Speaker 1>They're banging on white supremacy, they're banging on colonialism, they're

0:21:46.280 --> 0:21:48.960
<v Speaker 1>banging on. Yeah, man, and what you say is completely true.

0:21:49.520 --> 0:21:52.320
<v Speaker 1>And so yeah, last year I made an album with

0:21:52.400 --> 0:21:55.920
<v Speaker 1>a Jewish anti Zionist producer named Unjusts. He's done on

0:21:56.000 --> 0:22:00.000
<v Speaker 1>hieroglyphics and he's amazing and he's also an animator. Illus

0:22:00.640 --> 0:22:03.439
<v Speaker 1>we made a beautiful album called Love and Service. The

0:22:03.520 --> 0:22:05.240
<v Speaker 1>whole thing is really beautiful.

0:22:07.200 --> 0:22:07.439
<v Speaker 3>You know.

0:22:07.520 --> 0:22:09.280
<v Speaker 1>When we got to the end of the project was

0:22:09.359 --> 0:22:13.320
<v Speaker 1>right when the big Day in October happened, and we said, man,

0:22:13.720 --> 0:22:16.200
<v Speaker 1>we knew that we had this in common. We knew

0:22:16.200 --> 0:22:18.560
<v Speaker 1>it was a Muslim and a Jewish guy, and I mean,

0:22:18.600 --> 0:22:20.600
<v Speaker 1>he's a Jewish guy, got the beard, went to birthright,

0:22:20.680 --> 0:22:24.080
<v Speaker 1>mirrored a Jewish woman, he's a Jewish man, he's anti Zionist.

0:22:24.200 --> 0:22:27.399
<v Speaker 1>He's also very you know, and we knew that we

0:22:27.440 --> 0:22:29.040
<v Speaker 1>had this in common, but it was like not real.

0:22:29.080 --> 0:22:30.680
<v Speaker 1>It was just kind of a detail. We don't think

0:22:30.680 --> 0:22:31.440
<v Speaker 1>we're making music.

0:22:31.640 --> 0:22:33.200
<v Speaker 3>Yeah, Like it was like, yeah, we're making music. Is

0:22:33.240 --> 0:22:36.040
<v Speaker 3>we're making music. And this also is like a cool tidbit. Hey,

0:22:36.200 --> 0:22:38.919
<v Speaker 3>so Muslim, you're Jewish. When that happened, that makes it

0:22:38.960 --> 0:22:41.200
<v Speaker 3>way a whole other. It's like, oh, this just took

0:22:41.240 --> 0:22:45.560
<v Speaker 3>a different turn. So we made a song called the Collapse, you.

0:22:45.520 --> 0:22:50.639
<v Speaker 1>Know, and he animated it and he animated some stuff

0:22:50.680 --> 0:22:54.080
<v Speaker 1>he went in. And I respect people that critique their

0:22:54.080 --> 0:22:56.480
<v Speaker 1>own community, especially if you come from the people that

0:22:56.560 --> 0:22:58.639
<v Speaker 1>are in power with the money and the guns. So

0:22:58.680 --> 0:23:00.600
<v Speaker 1>people see the way that I talk about whiteness, and

0:23:00.600 --> 0:23:03.080
<v Speaker 1>they're like, well, you're the whitest guy ever, you know

0:23:03.119 --> 0:23:05.560
<v Speaker 1>what I mean. That's what Chappelle always says. Brother is

0:23:05.600 --> 0:23:08.120
<v Speaker 1>the whitest of all the whites. He's a white man

0:23:08.160 --> 0:23:11.040
<v Speaker 1>and he's out bino. God can't get much whiter than that.

0:23:11.040 --> 0:23:15.160
<v Speaker 3>But somehow the blackest mother for God, Pale Mooney, he said.

0:23:15.240 --> 0:23:18.879
<v Speaker 1>But that's funny. But it's like, man, I respect that.

0:23:19.320 --> 0:23:23.280
<v Speaker 1>I respect minister Farakhon, Minister Farakhan. Most of what he's

0:23:23.320 --> 0:23:26.080
<v Speaker 1>talking about and critiques is telling black people how to

0:23:26.400 --> 0:23:27.560
<v Speaker 1>regain greatness.

0:23:27.720 --> 0:23:29.280
<v Speaker 3>Yeah. I just had a conversation with you know who

0:23:29.320 --> 0:23:31.840
<v Speaker 3>nineteen Keys is. Of course, So me and nineteen Keys

0:23:31.920 --> 0:23:34.280
<v Speaker 3>had a three hour interview a couple of weeks ago,

0:23:34.280 --> 0:23:37.160
<v Speaker 3>and I mean it's he's like, yo, save yourself.

0:23:37.680 --> 0:23:38.160
<v Speaker 1>That's the thing.

0:23:38.200 --> 0:23:40.399
<v Speaker 3>It's like, yo, like you know, if there's anything that

0:23:40.560 --> 0:23:44.160
<v Speaker 3>like this last political psychle however you feel about who

0:23:44.200 --> 0:23:48.200
<v Speaker 3>won and whatever. It's like, Yo, the Nigerian president came

0:23:48.240 --> 0:23:51.199
<v Speaker 3>out and said something that nineteen Keys pointed out, and

0:23:51.200 --> 0:23:54.399
<v Speaker 3>he was like they were talking about cutting cutting aid

0:23:55.080 --> 0:23:57.840
<v Speaker 3>from the US to there, and the Nigerian president was like,

0:23:57.840 --> 0:24:00.720
<v Speaker 3>why are we worried about this, Like we're Nigeria, Like yeah,

0:24:00.840 --> 0:24:05.439
<v Speaker 3>we got us, Like let's not depend on the US.

0:24:05.560 --> 0:24:08.760
<v Speaker 3>And I think metaphorically that's you know what nineteen Keys

0:24:08.800 --> 0:24:10.639
<v Speaker 3>has been saying for a while, like, Yo, we gotta,

0:24:10.760 --> 0:24:12.760
<v Speaker 3>we gotta we had our own infrastructure.

0:24:12.880 --> 0:24:15.920
<v Speaker 1>I mean, that's Elijah Muhamma's message, that's Marcus Garvey's message.

0:24:16.000 --> 0:24:18.160
<v Speaker 1>That's you know. And those aren't those aren't the figures

0:24:18.200 --> 0:24:20.600
<v Speaker 1>that get celebrated, but those are folks that are those

0:24:20.760 --> 0:24:25.080
<v Speaker 1>So those great leaders are deeply critical of within the community,

0:24:25.160 --> 0:24:26.680
<v Speaker 1>like we got it to get it together, you know

0:24:26.720 --> 0:24:29.399
<v Speaker 1>what I mean. But for a Jewish person or for

0:24:29.480 --> 0:24:32.240
<v Speaker 1>a white person to say like, okay, we have an

0:24:32.240 --> 0:24:36.159
<v Speaker 1>added thing because as a as a as a group,

0:24:37.320 --> 0:24:39.520
<v Speaker 1>we have the power and the guns and the money

0:24:39.600 --> 0:24:42.159
<v Speaker 1>and the force and the might. So you have to

0:24:42.200 --> 0:24:46.120
<v Speaker 1>be particularly but there but a voice from within celebrate

0:24:46.280 --> 0:24:49.480
<v Speaker 1>like talking about taking self to account like we could

0:24:49.480 --> 0:24:51.320
<v Speaker 1>do better than this. We have to be better than this.

0:24:51.640 --> 0:24:54.919
<v Speaker 1>You know, uh, those you will not be appreciated for that.

0:24:54.960 --> 0:24:57.520
<v Speaker 1>So we put this album out, and I'm telling you

0:24:57.600 --> 0:25:01.240
<v Speaker 1>it got buried you when you saw me. You know,

0:25:01.240 --> 0:25:03.040
<v Speaker 1>I've always done one hundred and fifty plus shows a

0:25:03.119 --> 0:25:06.119
<v Speaker 1>year LA and for a calendar year, I had not

0:25:06.280 --> 0:25:10.040
<v Speaker 1>one show, wow, not one paid gig for a year.

0:25:10.760 --> 0:25:13.560
<v Speaker 1>My booking agent, who's a Jewish lady, couldn't get me

0:25:13.600 --> 0:25:15.880
<v Speaker 1>a single paid show for a full year. Even during

0:25:15.880 --> 0:25:20.080
<v Speaker 1>the pandemic. I performed in parking lots with people in

0:25:20.119 --> 0:25:23.080
<v Speaker 1>their cars, and Dave Chappelle had us do this thing outdoors.

0:25:23.640 --> 0:25:25.879
<v Speaker 1>Like man, I've never had a year with no shows

0:25:25.960 --> 0:25:29.480
<v Speaker 1>in twenty two years of touring. We put this album

0:25:29.520 --> 0:25:31.760
<v Speaker 1>out and we hired a very expensive and so for

0:25:31.800 --> 0:25:34.840
<v Speaker 1>people hearing this story, I don't name names. It was

0:25:34.880 --> 0:25:39.200
<v Speaker 1>supposed to be distributed by a big distributor. After the

0:25:39.240 --> 0:25:41.200
<v Speaker 1>big day in October happened. I mean, we had everything

0:25:41.200 --> 0:25:44.240
<v Speaker 1>but a signed contract. We had budgets. I spent a

0:25:44.280 --> 0:25:47.440
<v Speaker 1>lot of money promoting the record, manufacturing the record. They

0:25:47.520 --> 0:25:49.879
<v Speaker 1>just slowly ghosted us and walked away and then posted

0:25:49.920 --> 0:25:55.040
<v Speaker 1>a bunch of Zionist stuff. The biggest promoters in my

0:25:55.080 --> 0:25:57.760
<v Speaker 1>biggest markets that I've known for years, I know them.

0:25:58.119 --> 0:25:59.840
<v Speaker 1>I know they love me. They bring their kids to

0:25:59.840 --> 0:26:02.159
<v Speaker 1>talk to me. Wouldn't book me for anything.

0:26:02.800 --> 0:26:02.919
<v Speaker 3>Uh.

0:26:03.240 --> 0:26:06.040
<v Speaker 1>There, we hired a big press agent. I know the

0:26:06.160 --> 0:26:09.600
<v Speaker 1>names of all the people at the big uh outlets.

0:26:09.840 --> 0:26:12.280
<v Speaker 1>The biggest magazine is the biggest, all of that stuff.

0:26:12.560 --> 0:26:14.800
<v Speaker 1>I know their names. They've written about me everything that

0:26:14.840 --> 0:26:17.480
<v Speaker 1>I've done for years. We didn't go from the biggest

0:26:17.480 --> 0:26:20.920
<v Speaker 1>outlets like Rolling Stone to smaller ones. We went from

0:26:21.040 --> 0:26:25.200
<v Speaker 1>Rolling Stone to nothing. Not a single blog except for one.

0:26:26.000 --> 0:26:26.800
<v Speaker 3>Uh.

0:26:26.920 --> 0:26:30.560
<v Speaker 1>There was one place in Palestine actually that covered us.

0:26:30.880 --> 0:26:34.159
<v Speaker 1>Chuck D played US. Amy Goodman on Democracy Now played us.

0:26:34.840 --> 0:26:37.360
<v Speaker 1>That's it. But I'm saying so we went from from

0:26:37.920 --> 0:26:41.360
<v Speaker 1>I'm a very reliable entity in the music Well, well,

0:26:41.359 --> 0:26:44.040
<v Speaker 1>for sure, I'm not big and famous. You're not gonna

0:26:44.080 --> 0:26:46.879
<v Speaker 1>make millions, but you will always make thousands of dollars.

0:26:46.920 --> 0:26:49.760
<v Speaker 3>You're gonna, you're gonna, You're always gonna sell your tickets.

0:26:50.280 --> 0:26:53.520
<v Speaker 1>And I'm never a messy My fans aren't messy. I'm

0:26:53.520 --> 0:26:56.240
<v Speaker 1>somebody that promoters are just like, Hey, it's brother Harley Day.

0:26:56.359 --> 0:27:00.480
<v Speaker 1>Of course it's happy for everybody. Nothing, no press on nothing.

0:27:00.640 --> 0:27:03.760
<v Speaker 1>And then also shadow band on social media from making

0:27:03.800 --> 0:27:06.960
<v Speaker 1>a project with an anti Zionist Jewish homie where called

0:27:07.000 --> 0:27:09.480
<v Speaker 1>Love and Service, which is about United War, where one

0:27:09.520 --> 0:27:13.680
<v Speaker 1>of the songs is a critique of a Jewish American

0:27:14.040 --> 0:27:16.280
<v Speaker 1>and what Chappelle calls the whitest of all the whites

0:27:16.720 --> 0:27:21.400
<v Speaker 1>with a critique about our own power structure. So yeah, man,

0:27:21.440 --> 0:27:23.560
<v Speaker 1>it's real, and you know, shout out to the people

0:27:23.560 --> 0:27:25.320
<v Speaker 1>that have said it. I mean, Maclamore is in a

0:27:25.400 --> 0:27:28.639
<v Speaker 1>unique position where he already got his money, his millions

0:27:28.680 --> 0:27:30.679
<v Speaker 1>and his grands. Oh yeah, he's chilling, He's yeah. But

0:27:30.720 --> 0:27:34.760
<v Speaker 1>what Maclamore wants is to be respected, and he's going

0:27:34.800 --> 0:27:38.240
<v Speaker 1>about it the right way. Maclamore also, I've known him.

0:27:38.400 --> 0:27:40.440
<v Speaker 1>I knew him long before he was famous. He also

0:27:40.560 --> 0:27:44.199
<v Speaker 1>was a super underground cat for years. You know, like

0:27:44.520 --> 0:27:47.120
<v Speaker 1>the one critique that I have of my brother, who

0:27:47.240 --> 0:27:49.240
<v Speaker 1>I love, who is a very nice person, a very

0:27:49.280 --> 0:27:51.960
<v Speaker 1>talented person. He's a husband and a dad. He's got

0:27:51.960 --> 0:27:55.200
<v Speaker 1>a lot to say. He's a Maclamore learned a lot

0:27:55.720 --> 0:28:01.000
<v Speaker 1>from the Rhyme series movement and from us, and when

0:28:01.040 --> 0:28:04.440
<v Speaker 1>he made his assent. He was very careful to cover

0:28:04.600 --> 0:28:06.480
<v Speaker 1>up the people that he learned a lot of what

0:28:06.520 --> 0:28:09.600
<v Speaker 1>he learned, so he would he was and I know

0:28:09.800 --> 0:28:14.560
<v Speaker 1>his his manager was my booking agent. I was very

0:28:14.680 --> 0:28:17.320
<v Speaker 1>like close on the inside of what was happening there.

0:28:17.680 --> 0:28:21.080
<v Speaker 1>And they were very careful to not shed light on

0:28:21.160 --> 0:28:23.040
<v Speaker 1>the people that they learned a lot of what they

0:28:23.080 --> 0:28:26.320
<v Speaker 1>did from. So you know, if you listen to his music,

0:28:26.359 --> 0:28:29.280
<v Speaker 1>he'll credit Wu Tang and all this other stuff, but

0:28:29.359 --> 0:28:32.160
<v Speaker 1>he sounds more like Sainte Francis and me in Atmosphere

0:28:32.200 --> 0:28:34.200
<v Speaker 1>and you know what I mean. And also there's a

0:28:34.280 --> 0:28:36.560
<v Speaker 1>lot of very very direct connections. They brought him to

0:28:36.640 --> 0:28:39.840
<v Speaker 1>Rhyme Saies to try to sign him. They manufactured the

0:28:40.400 --> 0:28:43.120
<v Speaker 1>deal that they had to distribute that album, which is

0:28:43.160 --> 0:28:45.160
<v Speaker 1>called The Heist, which is interesting.

0:28:45.880 --> 0:28:48.640
<v Speaker 3>They had he had the it was essentially like a

0:28:48.680 --> 0:28:51.040
<v Speaker 3>label services thing with Warner.

0:28:50.920 --> 0:28:54.240
<v Speaker 1>Which was found which was developed by Rhyme Sayers. That

0:28:54.360 --> 0:28:57.479
<v Speaker 1>was the Rhyme Sayers deal that they took. You know,

0:28:58.520 --> 0:29:02.520
<v Speaker 1>it was a directly from the blueprint. And so the

0:29:02.560 --> 0:29:04.800
<v Speaker 1>only critique that I've ever had of him, and it's

0:29:04.800 --> 0:29:07.080
<v Speaker 1>not a hateful one, but it is a true one,

0:29:07.320 --> 0:29:10.120
<v Speaker 1>is that when he made that assent, there was an

0:29:10.120 --> 0:29:13.880
<v Speaker 1>opportunity to tell the truth about he got credit for

0:29:13.920 --> 0:29:15.720
<v Speaker 1>a lot of things that were developed by people who

0:29:15.760 --> 0:29:18.320
<v Speaker 1>never got a chance to be famous, right and so,

0:29:18.640 --> 0:29:20.560
<v Speaker 1>and you know, and that's a historical thing in the

0:29:20.640 --> 0:29:21.520
<v Speaker 1>music business.

0:29:22.160 --> 0:29:24.280
<v Speaker 3>Yeah, I think with Mac man, I mean obviously, you know,

0:29:24.520 --> 0:29:27.520
<v Speaker 3>I'm cool with Mac. I think he's first of all.

0:29:27.520 --> 0:29:33.280
<v Speaker 3>That whole thing happened really fast, the heists, I mean

0:29:33.480 --> 0:29:35.480
<v Speaker 3>one hip Hop Album of the Year. You know, a

0:29:35.480 --> 0:29:36.920
<v Speaker 3>lot of people think Kendrick should have won it, but

0:29:37.520 --> 0:29:39.240
<v Speaker 3>I think I don't know, man, I just I know

0:29:39.320 --> 0:29:41.080
<v Speaker 3>him to be a very good guy, you know. And

0:29:41.320 --> 0:29:45.080
<v Speaker 3>and I'm not sure, you know, I'm not too hip

0:29:45.120 --> 0:29:48.960
<v Speaker 3>to or educated on. Like I haven't watched every interview

0:29:49.000 --> 0:29:50.360
<v Speaker 3>that he's done, so I don't know who he gives

0:29:50.400 --> 0:29:52.440
<v Speaker 3>love to and who doesn't give love to. But I

0:29:52.440 --> 0:29:54.479
<v Speaker 3>do know like he was like a like you said,

0:29:54.520 --> 0:29:57.640
<v Speaker 3>like he was very much like a blog era, like

0:29:58.360 --> 0:30:01.600
<v Speaker 3>kind of like, you know, outside of the mainstream of

0:30:01.640 --> 0:30:04.240
<v Speaker 3>hip hop for a long time, meeting up in the Northwest,

0:30:03.680 --> 0:30:06.800
<v Speaker 3>and then he caught a wave, you know, Like.

0:30:06.720 --> 0:30:10.040
<v Speaker 1>Well, yes, and like I said in the Dunya, two

0:30:10.120 --> 0:30:12.560
<v Speaker 1>things are true two things can be true. Two things

0:30:12.560 --> 0:30:14.720
<v Speaker 1>can be true, and so we're dealing with a very good,

0:30:14.840 --> 0:30:17.960
<v Speaker 1>very talented, very hard work and deserving person who also

0:30:18.120 --> 0:30:22.120
<v Speaker 1>was very calculated about employing things that it didn't happen fast.

0:30:22.360 --> 0:30:23.840
<v Speaker 1>It happened very slow.

0:30:23.840 --> 0:30:26.360
<v Speaker 3>Right, I mean in terms of just the like it

0:30:26.440 --> 0:30:28.240
<v Speaker 3>felt like if you were not if you didn't know

0:30:28.280 --> 0:30:32.760
<v Speaker 3>who Maclamore was before twenty twelve, and then all of

0:30:32.760 --> 0:30:33.600
<v Speaker 3>a sudden.

0:30:33.360 --> 0:30:35.080
<v Speaker 1>It seems like it was out of nowhere.

0:30:34.920 --> 0:30:37.280
<v Speaker 3>Right, That's what I mean, like from like a generic music.

0:30:37.320 --> 0:30:39.960
<v Speaker 1>But then there's also there's been many years where this

0:30:40.960 --> 0:30:43.680
<v Speaker 1>you know, it could have there. I know this situation

0:30:43.840 --> 0:30:45.760
<v Speaker 1>very well, know him very well. I've had a converse,

0:30:45.800 --> 0:30:49.840
<v Speaker 1>I've had conversations with him about this. I will just

0:30:49.880 --> 0:30:54.560
<v Speaker 1>say the only unfortunate thing is that he benefited a

0:30:54.600 --> 0:30:57.760
<v Speaker 1>lot from underground. And that's usually the case where there's

0:30:57.760 --> 0:31:01.120
<v Speaker 1>an underground movement. So we all know Nirvana, but in

0:31:01.160 --> 0:31:04.200
<v Speaker 1>the Pacific Northwest, it's like, no, we were all grinding

0:31:04.280 --> 0:31:05.800
<v Speaker 1>like this and then they made it, you know what

0:31:05.840 --> 0:31:09.400
<v Speaker 1>I mean. So sometimes you'll have a situation where people

0:31:10.040 --> 0:31:13.640
<v Speaker 1>really want you to know, they want to also allow

0:31:13.720 --> 0:31:16.480
<v Speaker 1>their success to be helpful to the people who's grind

0:31:16.720 --> 0:31:19.880
<v Speaker 1>helped them. So like when Eminem got his first Grammy,

0:31:20.240 --> 0:31:22.640
<v Speaker 1>Eminem stood up there and he knew that white America

0:31:22.680 --> 0:31:26.080
<v Speaker 1>had never heard intricate rhyming like this before, because before him,

0:31:26.320 --> 0:31:27.920
<v Speaker 1>you could only be on a radio if it was

0:31:28.040 --> 0:31:30.840
<v Speaker 1>funky colpe Medina again not justice to tone look, but

0:31:30.920 --> 0:31:32.480
<v Speaker 1>like you had to be simple to be on the radio.

0:31:32.640 --> 0:31:35.000
<v Speaker 1>White people did not want to hear intricate rapping. When

0:31:35.000 --> 0:31:40.040
<v Speaker 1>Eminem came along. He knows white America doesn't know broader America,

0:31:40.120 --> 0:31:43.640
<v Speaker 1>mainstream America doesn't know who I'm on the shoulders of.

0:31:43.880 --> 0:31:46.160
<v Speaker 1>So he took out a list and he said, coogi

0:31:46.280 --> 0:31:49.000
<v Speaker 1>rap And he read this whole list of artists that

0:31:49.080 --> 0:31:53.719
<v Speaker 1>he knew weren't known because he benefited from them, and

0:31:53.760 --> 0:31:56.200
<v Speaker 1>then he also wanted his success to benefit them. So

0:31:56.320 --> 0:31:59.440
<v Speaker 1>every day he's got a T shirt on with these

0:31:59.560 --> 0:32:03.040
<v Speaker 1>artists that people don't yeah and so to Yeah. So

0:32:03.200 --> 0:32:06.240
<v Speaker 1>just the one critique about our dear brother, and I'm

0:32:06.280 --> 0:32:09.840
<v Speaker 1>saying I'm not I'm not just being polite when I

0:32:09.840 --> 0:32:12.640
<v Speaker 1>say the other side really hard work and beautiful guy,

0:32:12.720 --> 0:32:14.600
<v Speaker 1>done a lot of great things. And this Gadza thing

0:32:15.240 --> 0:32:18.440
<v Speaker 1>is like, man, it's beautiful, you know. But there's another

0:32:18.520 --> 0:32:20.800
<v Speaker 1>chance when they say you're the only rapper saying anything

0:32:21.600 --> 0:32:24.320
<v Speaker 1>he knows, also, that's not true, Like you know what

0:32:24.360 --> 0:32:26.960
<v Speaker 1>I mean. So if somebody says to me, brother, Ali,

0:32:27.120 --> 0:32:28.720
<v Speaker 1>you did this and this and this and this and this,

0:32:28.960 --> 0:32:30.560
<v Speaker 1>I'm going to say, yes, I learned a lot of

0:32:30.600 --> 0:32:33.400
<v Speaker 1>from from my mortal technique. I also I'm going to

0:32:33.440 --> 0:32:35.280
<v Speaker 1>shout out all the people that came before me that

0:32:35.320 --> 0:32:35.920
<v Speaker 1>aren't known.

0:32:36.240 --> 0:32:38.280
<v Speaker 3>I say that too all the time you bring it

0:32:38.320 --> 0:32:43.680
<v Speaker 3>up a mortal technique, I'm like, yeo, Like there's obviously

0:32:43.760 --> 0:32:46.360
<v Speaker 3>you touched on what's going on in your music. But

0:32:46.680 --> 0:32:50.960
<v Speaker 3>you know, when I was sixteen, like a mortal technique

0:32:51.040 --> 0:32:55.520
<v Speaker 3>was like you would learn like yeah about shit, you

0:32:55.560 --> 0:32:56.920
<v Speaker 3>never even heard of it. I just don't know who

0:32:56.960 --> 0:32:59.560
<v Speaker 3>the young generation's version of a mortal tech is anymore.

0:32:59.640 --> 0:33:01.200
<v Speaker 3>I don't think that. I don't know if it exists.

0:33:01.200 --> 0:33:03.520
<v Speaker 1>Well, I don't think they're rapping. I think I think

0:33:03.560 --> 0:33:03.960
<v Speaker 1>it is.

0:33:03.880 --> 0:33:07.440
<v Speaker 3>Like or nineteen Keys or a podcast or something. But yes,

0:33:07.520 --> 0:33:09.360
<v Speaker 3>like when I was growing up, like dude, you were

0:33:09.400 --> 0:33:10.080
<v Speaker 3>learning about.

0:33:09.920 --> 0:33:12.760
<v Speaker 1>All kinds of CIA. Did you see him once?

0:33:12.840 --> 0:33:15.480
<v Speaker 3>Way he just freached out like he sent me his

0:33:15.560 --> 0:33:18.400
<v Speaker 3>albums albums dope amazing. No, but yeah, but I'm sure

0:33:18.400 --> 0:33:20.440
<v Speaker 3>it's like it's like we had immortal tech and and

0:33:20.520 --> 0:33:22.920
<v Speaker 3>certain artists where you would be like you would learn shit,

0:33:23.360 --> 0:33:25.560
<v Speaker 3>yes and make you questions.

0:33:25.640 --> 0:33:29.120
<v Speaker 1>You could actually develop a political lens by listening to

0:33:29.160 --> 0:33:30.400
<v Speaker 1>your favorite artists.

0:33:30.120 --> 0:33:33.360
<v Speaker 3>Yes, or at least have nuance or have like perspective

0:33:33.360 --> 0:33:35.600
<v Speaker 3>and at least open up your viewpoint a little bit,

0:33:35.640 --> 0:33:35.840
<v Speaker 3>you know.

0:33:35.880 --> 0:33:39.000
<v Speaker 1>And now that's not Now that's not the case. Yeah,

0:33:39.240 --> 0:33:41.440
<v Speaker 1>And you know, and I've been thinking about this and

0:33:41.480 --> 0:33:43.640
<v Speaker 1>talking about it a lot. And that's why I also think,

0:33:43.680 --> 0:33:46.400
<v Speaker 1>like whatever people's nuanced opinions of the Kendrick thing are,

0:33:47.080 --> 0:33:50.200
<v Speaker 1>Kendrick re established that hip hop is that voice. And

0:33:50.240 --> 0:33:51.920
<v Speaker 1>in a lot of ways you mentioned Islam, and then

0:33:51.960 --> 0:33:54.080
<v Speaker 1>in a lot of ways Islam has been that voice.

0:33:54.480 --> 0:33:56.920
<v Speaker 1>You know, you think about the first time that this

0:33:57.000 --> 0:34:01.960
<v Speaker 1>person got elected. You know, they they brought I'm getting

0:34:02.040 --> 0:34:04.320
<v Speaker 1>chills thinking about this, but they brought Dave Chappelle and

0:34:04.400 --> 0:34:08.640
<v Speaker 1>tribe called Quest on Saturday Night Live. And they're all Muslim,

0:34:08.719 --> 0:34:11.359
<v Speaker 1>Like everybody on the stage is Muslim. And those are

0:34:11.360 --> 0:34:15.160
<v Speaker 1>the people that those are the people that are gonna

0:34:15.160 --> 0:34:20.680
<v Speaker 1>get the worst of whatever. This is comforting America basically, right,

0:34:20.800 --> 0:34:23.120
<v Speaker 1>And it just happened too, And it just happened to just

0:34:23.200 --> 0:34:26.120
<v Speaker 1>did was it right after the election?

0:34:26.600 --> 0:34:30.560
<v Speaker 3>Yeah? So they just and again it's like it's something

0:34:30.560 --> 0:34:31.759
<v Speaker 3>about Dave's voice.

0:34:31.840 --> 0:34:34.920
<v Speaker 1>During those monologues. It just it just feels like and

0:34:34.920 --> 0:34:37.720
<v Speaker 1>and you know, and that's the that's the big lie

0:34:37.920 --> 0:34:41.360
<v Speaker 1>of American life that just constantly gets repeated, is like

0:34:41.719 --> 0:34:44.279
<v Speaker 1>we we cannot live without black people, but we hate

0:34:44.320 --> 0:34:46.799
<v Speaker 1>being compared to them. And it's like, well, we can't

0:34:46.800 --> 0:34:50.160
<v Speaker 1>deny you physically and talent wise, so what we're gonna

0:34:50.160 --> 0:34:52.360
<v Speaker 1>do is create these narratives that you're not as human

0:34:52.440 --> 0:34:54.680
<v Speaker 1>and you're not nuanced, and you're not dynamic, and you're

0:34:54.719 --> 0:34:58.319
<v Speaker 1>not sensitive, and you're not you know, you're you're you're

0:34:58.440 --> 0:35:01.640
<v Speaker 1>just a very talented, mega souper hero brute. You're not

0:35:01.719 --> 0:35:05.279
<v Speaker 1>really fully human. But what happens over and over and

0:35:05.320 --> 0:35:08.200
<v Speaker 1>over again is whenever we're in a jam, we go

0:35:08.320 --> 0:35:12.120
<v Speaker 1>back to black voices to help us make sense of

0:35:12.160 --> 0:35:14.080
<v Speaker 1>this mess that we made. That's that you're going to

0:35:14.120 --> 0:35:18.000
<v Speaker 1>catch the worst brunt of again, and it's always there.

0:35:18.239 --> 0:35:21.560
<v Speaker 1>You know, you're dealing with their mother and father of humanity.

0:35:21.560 --> 0:35:24.960
<v Speaker 1>You're dealing with the original people. So it's like every

0:35:25.000 --> 0:35:27.919
<v Speaker 1>great thing is from them, you know what I mean.

0:35:28.000 --> 0:35:30.760
<v Speaker 1>And there's nothing self deprecating about that. It's like saying

0:35:30.760 --> 0:35:33.560
<v Speaker 1>my grandparents are amazing, my mom is amazing, you know

0:35:33.600 --> 0:35:33.920
<v Speaker 1>what I mean.

0:35:33.960 --> 0:35:35.320
<v Speaker 3>It's like we are all.

0:35:35.080 --> 0:35:38.719
<v Speaker 1>In one way or another, the inheritors and the recipients

0:35:38.719 --> 0:35:40.399
<v Speaker 1>of that. And that's what I mean when I say

0:35:40.440 --> 0:35:43.879
<v Speaker 1>that to be connected culturally is to have no problem given,

0:35:44.360 --> 0:35:46.160
<v Speaker 1>to take pride in giving it up to who did

0:35:46.200 --> 0:35:49.640
<v Speaker 1>I learn from? Who came along when there were no

0:35:49.719 --> 0:35:53.359
<v Speaker 1>Grammys for this stuff, and who put in the who

0:35:53.400 --> 0:35:56.120
<v Speaker 1>destroyed their voices and maybe their families and maybe they're

0:35:56.200 --> 0:36:00.560
<v Speaker 1>whatever to build this thing so that someone like Maclamore

0:36:00.600 --> 0:36:03.120
<v Speaker 1>could learn all of that, And then to be asked

0:36:03.280 --> 0:36:06.719
<v Speaker 1>and to not and to deny even you know what

0:36:06.760 --> 0:36:09.840
<v Speaker 1>I mean, to deny that that there's any influence.

0:36:09.920 --> 0:36:11.960
<v Speaker 3>I don't listen to them. I heard scapegoat and I

0:36:12.000 --> 0:36:14.040
<v Speaker 3>never heard I never listened to anything. I didn't see that.

0:36:14.280 --> 0:36:16.879
<v Speaker 1>So yeah, or when people are when or when people

0:36:16.920 --> 0:36:20.000
<v Speaker 1>would ask, to always push it away and downplay it.

0:36:20.440 --> 0:36:22.799
<v Speaker 1>That was a very conscious decision that was made by

0:36:22.800 --> 0:36:24.880
<v Speaker 1>a person who's otherwise very beautiful.

0:36:24.960 --> 0:36:26.759
<v Speaker 3>You know, yeah, I mean I feel like, you know,

0:36:27.280 --> 0:36:30.240
<v Speaker 3>there's if you've heard, like you said, the Sage Francis

0:36:30.280 --> 0:36:31.680
<v Speaker 3>of the world, what you guys have been doing over

0:36:31.719 --> 0:36:32.520
<v Speaker 3>I mean, obviously.

0:36:32.200 --> 0:36:33.800
<v Speaker 1>There's something you hear Sage Francis.

0:36:33.960 --> 0:36:36.480
<v Speaker 3>There's definitely there has to be some sort of influence there.

0:36:36.520 --> 0:36:38.960
<v Speaker 1>It's absolutely. I mean, he's so. On his first album

0:36:39.000 --> 0:36:42.760
<v Speaker 1>before he got famous, there's a song called Contradiction Maclamore.

0:36:42.840 --> 0:36:46.120
<v Speaker 1>This is this Maclamore song called Contradiction. He's saying, I

0:36:46.160 --> 0:36:48.120
<v Speaker 1>say I'm about this, but I really do this. He's like,

0:36:48.160 --> 0:36:50.600
<v Speaker 1>I say I'm sober, but sometimes I smoke weed. I

0:36:50.640 --> 0:36:54.120
<v Speaker 1>say I'm this, but sometimes I'm not. He ends the

0:36:54.440 --> 0:36:58.359
<v Speaker 1>He ends the song by saying, I bought fifty cent

0:36:58.760 --> 0:36:59.799
<v Speaker 1>and burned Brother Ali.

0:37:00.040 --> 0:37:01.040
<v Speaker 3>What does that say about me?

0:37:01.760 --> 0:37:05.040
<v Speaker 1>So, by his own admission, he's saying what I am

0:37:05.120 --> 0:37:08.560
<v Speaker 1>about is Brother Ali, but I didn't. But I did

0:37:08.600 --> 0:37:11.640
<v Speaker 1>not buy Brother Ali's album. I bought the fifty cent album,

0:37:11.640 --> 0:37:13.959
<v Speaker 1>which is the antithesis of what my music is about.

0:37:14.600 --> 0:37:16.680
<v Speaker 1>This is the contradiction I'm He also shouted a soap

0:37:16.760 --> 0:37:19.040
<v Speaker 1>rock out when he's got a song about being white

0:37:19.080 --> 0:37:21.440
<v Speaker 1>and white thing and he's like a soop rock is

0:37:21.480 --> 0:37:25.919
<v Speaker 1>the great, you know. So these are choices that are made,

0:37:26.080 --> 0:37:29.200
<v Speaker 1>and it's like, if we're going to be truthful, that's

0:37:29.200 --> 0:37:30.920
<v Speaker 1>that's all it is, you know what I mean. So,

0:37:31.840 --> 0:37:34.239
<v Speaker 1>and this is the only reason I'm saying this because

0:37:34.239 --> 0:37:37.200
<v Speaker 1>I never spoke about against him ever, even when he

0:37:37.280 --> 0:37:39.680
<v Speaker 1>was coming out. When he was successful, it made me

0:37:39.719 --> 0:37:42.640
<v Speaker 1>happy that he was successful, and it you know, it

0:37:42.680 --> 0:37:44.920
<v Speaker 1>makes me more happy that LP is successful because I

0:37:45.000 --> 0:37:47.680
<v Speaker 1>P was in those trenches, deaf jucks baby, LP was

0:37:47.680 --> 0:37:51.160
<v Speaker 1>in those trenches for years. But I'm saying for somebody

0:37:51.200 --> 0:37:55.040
<v Speaker 1>to learn from those trenches and also learn how to

0:37:55.239 --> 0:37:59.759
<v Speaker 1>carry oneself in a way that's respectable. It's not just

0:37:59.840 --> 0:38:02.160
<v Speaker 1>the so there's musical styles like if you listen to

0:38:02.200 --> 0:38:05.879
<v Speaker 1>the way the atmosphere songs are constructed and Ryan Lewis now,

0:38:05.960 --> 0:38:08.360
<v Speaker 1>I know that Ryan Lewis had an hour long conversation

0:38:08.440 --> 0:38:12.480
<v Speaker 1>with Joe Mabbitt, our mix engineer, about how are you

0:38:12.520 --> 0:38:15.640
<v Speaker 1>mixing these brother Ali records so that we focus on

0:38:15.680 --> 0:38:19.279
<v Speaker 1>this type of very intimate personal thing. I know all

0:38:19.320 --> 0:38:21.880
<v Speaker 1>of those stories. I know that the album was manufactured

0:38:21.880 --> 0:38:24.000
<v Speaker 1>in Minnesota, where the rhyme says, albums are I know

0:38:24.040 --> 0:38:29.359
<v Speaker 1>all those details, but there's something about also benefiting from

0:38:29.360 --> 0:38:32.359
<v Speaker 1>someone who came alone, and like, what does it look

0:38:32.440 --> 0:38:35.720
<v Speaker 1>like for a European American person, white person, caucazoid whatever

0:38:37.880 --> 0:38:39.839
<v Speaker 1>to be on stage with rock Kim and Rock Kim

0:38:39.880 --> 0:38:42.120
<v Speaker 1>hands him the mic and it's like, this is the guy,

0:38:42.200 --> 0:38:43.680
<v Speaker 1>you know what I'm saying. But then you look at

0:38:43.680 --> 0:38:46.080
<v Speaker 1>Marlon Kraft. So Marlon Kraft just had that moment with

0:38:46.640 --> 0:38:50.239
<v Speaker 1>uh with Harland's amazing with method Man. I'm getting tales

0:38:50.239 --> 0:38:52.520
<v Speaker 1>thinking about this because Method Man just did a song

0:38:52.560 --> 0:38:54.680
<v Speaker 1>with Marlon Kraft, did not charge him a penny, No

0:38:54.800 --> 0:38:57.080
<v Speaker 1>Marlin Martin, and then he got he's a friend of

0:38:57.080 --> 0:38:58.080
<v Speaker 1>the show, and then he got it.

0:38:58.200 --> 0:39:00.680
<v Speaker 3>And then he did the video with Marlin and would

0:39:00.680 --> 0:39:03.520
<v Speaker 3>not take money. Then he came to Marlon Craft is

0:39:03.600 --> 0:39:06.279
<v Speaker 3>curating a weekly or like a night in New York

0:39:06.320 --> 0:39:08.799
<v Speaker 3>with a band. Methan Man comes out to the thing

0:39:08.840 --> 0:39:11.279
<v Speaker 3>and says, I want everybody to know I love this dude.

0:39:11.280 --> 0:39:14.240
<v Speaker 1>I rock with this dude. But if you ask Marlon Craft,

0:39:15.320 --> 0:39:16.560
<v Speaker 1>where are you learning this from?

0:39:16.680 --> 0:39:17.319
<v Speaker 3>You know what I mean?

0:39:17.600 --> 0:39:20.120
<v Speaker 1>Marlon Craft came out on tour with me in Evidence

0:39:20.280 --> 0:39:21.759
<v Speaker 1>with me and Evidence to it again. We made an

0:39:21.760 --> 0:39:25.080
<v Speaker 1>album together, will always give it up. Marlon Craft is

0:39:25.120 --> 0:39:27.640
<v Speaker 1>a little different guy. He comes from the culture in

0:39:29.440 --> 0:39:32.480
<v Speaker 1>a way that I think. Or if you talk to Evidence,

0:39:32.520 --> 0:39:34.960
<v Speaker 1>you know and you say Evidence will say I could

0:39:35.040 --> 0:39:37.400
<v Speaker 1>only be in the room a lot of times. Because

0:39:37.520 --> 0:39:40.120
<v Speaker 1>he's from Venice. A lot of people think FS Puerto Rican.

0:39:40.120 --> 0:39:41.560
<v Speaker 1>A lot of people are like that. There's no way

0:39:41.600 --> 0:39:46.040
<v Speaker 1>that soul for man. Michael Peret White, he's Italian, but

0:39:46.120 --> 0:39:50.920
<v Speaker 1>he says, Roka taught me RockA Irish sirens taught me

0:39:51.000 --> 0:39:54.319
<v Speaker 1>how to be in these rooms. RockA took me to

0:39:54.320 --> 0:39:55.960
<v Speaker 1>somebody's house and just got home from prison. This is

0:39:55.960 --> 0:39:59.759
<v Speaker 1>evidence telling a story. And I ask him what you do?

0:40:01.160 --> 0:40:02.920
<v Speaker 1>Rock opulls me in the other room and says, here, we

0:40:02.920 --> 0:40:04.480
<v Speaker 1>don't say what you do, We say what they get

0:40:04.520 --> 0:40:04.839
<v Speaker 1>you for.

0:40:05.520 --> 0:40:07.920
<v Speaker 3>You know what I mean. This is like to be

0:40:08.040 --> 0:40:11.400
<v Speaker 3>taught and to be to be instructed, whether it's direct

0:40:11.480 --> 0:40:14.040
<v Speaker 3>or whether it's just from watching it. What you do

0:40:14.080 --> 0:40:17.799
<v Speaker 3>in culture is you you benefit from people who don't

0:40:17.800 --> 0:40:20.480
<v Speaker 3>get the recognition, and then you allow your recognition to

0:40:20.520 --> 0:40:22.480
<v Speaker 3>also benefit them that didn't happen.

0:40:23.160 --> 0:40:25.920
<v Speaker 1>That's all I'm saying, Okay, have you guys ever talked yes,

0:40:26.280 --> 0:40:30.239
<v Speaker 1>like in the last like recently, not recently recently, but

0:40:30.280 --> 0:40:34.480
<v Speaker 1>we talked about this, so so you guys have this conversation. Okay, yeah,

0:40:34.560 --> 0:40:37.359
<v Speaker 1>And I'm saying and it's interesting because so many people

0:40:37.360 --> 0:40:39.239
<v Speaker 1>in the music industry asked me about it. Why does

0:40:39.280 --> 0:40:41.040
<v Speaker 1>he sound like you? Why is this so much like you?

0:40:41.080 --> 0:40:42.799
<v Speaker 1>Why does this sound so much like atmosphere?

0:40:43.040 --> 0:40:45.279
<v Speaker 3>Why does this? And why don't you ask him?

0:40:45.320 --> 0:40:49.640
<v Speaker 1>But they don't, But Tyler Quality asked him on the podcast,

0:40:50.280 --> 0:40:52.719
<v Speaker 1>and I can let people watch it.

0:40:52.719 --> 0:40:53.600
<v Speaker 3>It was unfortunate.

0:40:54.480 --> 0:40:57.799
<v Speaker 1>Michael Moore said, I think that my success has really

0:40:57.840 --> 0:41:00.440
<v Speaker 1>had an impact on and it's not his success, happy

0:41:00.440 --> 0:41:04.680
<v Speaker 1>for his success. It's the it's there there there. There's

0:41:04.719 --> 0:41:09.960
<v Speaker 1>a history of lies of omission where you know, a

0:41:10.000 --> 0:41:12.719
<v Speaker 1>lot of people for a long time didn't know that

0:41:12.960 --> 0:41:15.040
<v Speaker 1>you ain't nothing but a hound dog isn't an Elvis

0:41:15.120 --> 0:41:17.279
<v Speaker 1>Presley song. It's a big Mama Thornton song. Right. A

0:41:17.320 --> 0:41:19.560
<v Speaker 1>lot of people don't know that. And so you say,

0:41:19.760 --> 0:41:21.560
<v Speaker 1>even if you go back and say, okay, we're gonna

0:41:21.560 --> 0:41:25.680
<v Speaker 1>pay her royalties, she taught you how that, how to

0:41:26.200 --> 0:41:28.840
<v Speaker 1>present that, how to phrase it, how to you know,

0:41:31.200 --> 0:41:36.239
<v Speaker 1>you know, you hear, you hear It's it's a historical thing.

0:41:36.440 --> 0:41:39.720
<v Speaker 1>It's a historical thing that happens that when somebody gets

0:41:40.000 --> 0:41:44.160
<v Speaker 1>recognized for something, you have the choice to either shed

0:41:44.200 --> 0:41:45.759
<v Speaker 1>the light on the people that you learned from, whether

0:41:45.800 --> 0:41:48.200
<v Speaker 1>he likes us the best or not. I know I'm

0:41:48.200 --> 0:41:50.359
<v Speaker 1>one of his favorites or I was at some point,

0:41:51.120 --> 0:41:53.880
<v Speaker 1>but he learned a lot from that group of people,

0:41:54.040 --> 0:41:56.160
<v Speaker 1>and he's not the only one. And it's interesting because

0:41:56.239 --> 0:42:00.200
<v Speaker 1>other people that also had that that booking agent that

0:42:00.600 --> 0:42:02.719
<v Speaker 1>I was like one of his first artists. A lot

0:42:02.800 --> 0:42:04.880
<v Speaker 1>of the things that Maclamore did he wanted me to do.

0:42:05.640 --> 0:42:07.560
<v Speaker 1>So I had said the F word about gay people

0:42:07.600 --> 0:42:10.880
<v Speaker 1>on my first album, and then I realized how that

0:42:11.000 --> 0:42:11.920
<v Speaker 1>was a cruel thing to do.

0:42:12.120 --> 0:42:15.239
<v Speaker 3>Yeah, I mean times change. That word obviously has not

0:42:15.360 --> 0:42:16.000
<v Speaker 3>aged the best.

0:42:16.040 --> 0:42:17.799
<v Speaker 1>But I was wrong when I said it, the fact

0:42:17.840 --> 0:42:20.319
<v Speaker 1>that everybody else said it, I was wrong. So I

0:42:20.360 --> 0:42:23.600
<v Speaker 1>made a song where I said something correcting that. And

0:42:23.840 --> 0:42:26.160
<v Speaker 1>Zach Quillin, who is Maclamore's manager, comes to me and says,

0:42:26.200 --> 0:42:28.680
<v Speaker 1>you just made the first ever pro gay hip hop song.

0:42:29.160 --> 0:42:31.480
<v Speaker 1>You need to be the first rapper on Ellen. We

0:42:31.520 --> 0:42:35.799
<v Speaker 1>need to make a campaign out of this, and I said, nah,

0:42:35.800 --> 0:42:38.879
<v Speaker 1>that's corny to me because it's not my issue. I'm

0:42:38.920 --> 0:42:41.120
<v Speaker 1>just correcting a bad thing that I did, Like I

0:42:41.120 --> 0:42:42.680
<v Speaker 1>did a cruel thing. I don't want to be a

0:42:42.680 --> 0:42:45.600
<v Speaker 1>cruel person. I need to take myself to account. And

0:42:45.640 --> 0:42:48.600
<v Speaker 1>he said, man, you're missing a big opportunity. So he

0:42:48.640 --> 0:42:50.919
<v Speaker 1>took that and applied it to Maclamore. But you got

0:42:50.920 --> 0:42:52.640
<v Speaker 1>to make the song that's going to be the thing,

0:42:52.640 --> 0:42:54.359
<v Speaker 1>and you're going to be the first. So now here

0:42:54.360 --> 0:42:56.480
<v Speaker 1>he is on stage, this is the first pro gay

0:42:56.560 --> 0:42:59.200
<v Speaker 1>hip hop song. He's from a city where there are

0:42:59.280 --> 0:43:02.920
<v Speaker 1>gay there's a there's a women of color that are

0:43:03.160 --> 0:43:07.520
<v Speaker 1>LGBT called the Satisfaction Dreamampton did a video for them.

0:43:07.719 --> 0:43:10.760
<v Speaker 1>They're down with Ish from Diggable Planets in Shabbad's Palace.

0:43:11.040 --> 0:43:15.000
<v Speaker 1>It's well known. But also this is a story taking.

0:43:15.280 --> 0:43:17.200
<v Speaker 1>This is something that I thought was corny for me

0:43:17.280 --> 0:43:19.479
<v Speaker 1>to do. It's like, okay, we'll just take an apply

0:43:19.560 --> 0:43:21.799
<v Speaker 1>it there. So when you're on that stage, it's like,

0:43:21.840 --> 0:43:23.839
<v Speaker 1>you know, I'm not the first to do this. There

0:43:23.840 --> 0:43:26.480
<v Speaker 1>are others that have done it, you know what I mean.

0:43:27.200 --> 0:43:29.520
<v Speaker 1>I mean merce made a video where he kissed a

0:43:29.560 --> 0:43:31.720
<v Speaker 1>dude in the video. I remember that it's called animal

0:43:31.760 --> 0:43:34.560
<v Speaker 1>style because Merce is really with the ish at all times.

0:43:34.719 --> 0:43:38.279
<v Speaker 1>Sure Merce is, you know, he's from Miss City for sure.

0:43:38.320 --> 0:43:40.359
<v Speaker 1>And he's like, hey, if you're gonna if you don't

0:43:40.400 --> 0:43:41.960
<v Speaker 1>like them, don't like me either. What's up?

0:43:42.280 --> 0:43:42.799
<v Speaker 3>You know what I mean?

0:43:42.960 --> 0:43:44.880
<v Speaker 1>Mrse is a straight man, married, got a bunch of kids,

0:43:45.080 --> 0:43:47.320
<v Speaker 1>married a beautiful Brazilian lady, got a bunch of babies.

0:43:47.880 --> 0:43:49.560
<v Speaker 1>But he's like, hey, man, you want to fight gay people,

0:43:49.600 --> 0:43:51.640
<v Speaker 1>here's me kissing a dude on a thing. I wouldn't

0:43:51.640 --> 0:43:55.080
<v Speaker 1>have done it exactly that way. But Merce is one

0:43:55.160 --> 0:43:57.239
<v Speaker 1>thousand with whatever he's doing, for sure, you know what

0:43:57.280 --> 0:43:59.840
<v Speaker 1>I mean. That's one of my dearest friends. So it's like, man,

0:44:00.719 --> 0:44:03.680
<v Speaker 1>you know all this right, So it's like, you know,

0:44:03.800 --> 0:44:06.040
<v Speaker 1>along with being a beautiful person, along with all the

0:44:06.080 --> 0:44:08.480
<v Speaker 1>good he's done. He also paid Grandmaster kas And and

0:44:08.640 --> 0:44:13.480
<v Speaker 1>uh And and Grandmaster Cas Melly mel and Kolmo d

0:44:14.200 --> 0:44:15.759
<v Speaker 1>a bunch of money to be in it.

0:44:15.840 --> 0:44:16.799
<v Speaker 3>He made a video.

0:44:16.680 --> 0:44:20.080
<v Speaker 1>Called uh uh It's about motor scooters.

0:44:20.400 --> 0:44:22.880
<v Speaker 3>Oh yeah, that song's hard too. Fuck I forget the

0:44:22.960 --> 0:44:25.240
<v Speaker 3>name he made the song. He wanted an old school

0:44:25.520 --> 0:44:27.200
<v Speaker 3>in it. Yeah, he reached out to Big Daddy Kane.

0:44:27.200 --> 0:44:29.520
<v Speaker 3>Big Daddy Can is a mentor of mine. He said, Cain,

0:44:29.520 --> 0:44:31.320
<v Speaker 3>who should I get in this? He said, if you

0:44:31.400 --> 0:44:33.320
<v Speaker 3>really want to get legends, who you got to get?

0:44:33.680 --> 0:44:36.040
<v Speaker 3>And he put them on Macklamore put him in the video.

0:44:36.200 --> 0:44:36.839
<v Speaker 3>He paid them.

0:44:36.880 --> 0:44:40.600
<v Speaker 1>He's done a lot of good things. That's one area

0:44:40.640 --> 0:44:43.640
<v Speaker 1>where he didn't And so I wasn't planning on talking

0:44:43.640 --> 0:44:46.720
<v Speaker 1>about this today. But he's done so many good things.

0:44:46.719 --> 0:44:49.560
<v Speaker 1>He is a good person. I think he and he's

0:44:49.600 --> 0:44:51.880
<v Speaker 1>good with me and what he's he told quality that

0:44:52.160 --> 0:44:54.640
<v Speaker 1>was confusing to him is like, Ali is so loving

0:44:54.680 --> 0:44:57.240
<v Speaker 1>to me, but then he then he also has feelings

0:44:57.239 --> 0:44:59.080
<v Speaker 1>about whatever. And I'm like, yes, I'm loving to you

0:44:59.160 --> 0:45:03.040
<v Speaker 1>because I love you. You're very lovable, like undeniable you. Right,

0:45:03.560 --> 0:45:05.920
<v Speaker 1>if you're in a room with this person, it's just like, man, oh,

0:45:05.960 --> 0:45:08.600
<v Speaker 1>come on, man, look you know what I mean? Sure, yeah,

0:45:08.640 --> 0:45:11.560
<v Speaker 1>but that's not that is a but when there's an

0:45:11.560 --> 0:45:15.799
<v Speaker 1>injustice we have to tell the truth about that's an injustice.

0:45:16.520 --> 0:45:18.920
<v Speaker 1>That's an injustice that in the time that it could

0:45:19.080 --> 0:45:22.880
<v Speaker 1>something could have happened, it didn't. So he's got the

0:45:22.920 --> 0:45:25.319
<v Speaker 1>Grammy he's got money. What he wants now is to

0:45:25.360 --> 0:45:30.560
<v Speaker 1>be respected, and so Gaza is one of those things

0:45:30.600 --> 0:45:36.600
<v Speaker 1>where he is really genuinely speaking about stuff, even though

0:45:36.880 --> 0:45:38.879
<v Speaker 1>he's not as connected to it, you know what I mean,

0:45:39.080 --> 0:45:42.239
<v Speaker 1>But he is speaking. There are people that there are

0:45:42.280 --> 0:45:44.640
<v Speaker 1>sponsorships that he probably could have gotten that will walk

0:45:44.680 --> 0:45:46.840
<v Speaker 1>away from him. He's making real sacrifice.

0:45:46.880 --> 0:45:48.960
<v Speaker 3>He's definitely made some sacrifices because I know it's like

0:45:49.120 --> 0:45:52.480
<v Speaker 3>doing a lot of the protests and stuff and performing

0:45:52.520 --> 0:45:55.000
<v Speaker 3>at him like I mean, it's kind of crazy to

0:45:55.040 --> 0:45:58.280
<v Speaker 3>think that, like people are losing verses and the idea

0:45:58.400 --> 0:46:02.080
<v Speaker 3>of like people being kicked out of school for protesting,

0:46:02.160 --> 0:46:05.200
<v Speaker 3>and I mean, it's like the opposite of freedom.

0:46:05.360 --> 0:46:07.560
<v Speaker 1>I've had a file with the Department of Homeland Security

0:46:07.600 --> 0:46:09.920
<v Speaker 1>since Uncle Sam goddamn came out. They took money from

0:46:09.960 --> 0:46:13.160
<v Speaker 1>me when I was on tour. They seized my tour money.

0:46:14.120 --> 0:46:16.040
<v Speaker 1>They came to my house and banged on my door

0:46:16.080 --> 0:46:17.920
<v Speaker 1>on my birthday and scared my daughters and tried to

0:46:17.920 --> 0:46:21.200
<v Speaker 1>cut the FBI tried to come into my house. I've

0:46:21.200 --> 0:46:25.400
<v Speaker 1>had you know, I've been strip searched, I've been harassed,

0:46:25.400 --> 0:46:27.839
<v Speaker 1>I've been pulled off airplanes, I've been I've been going

0:46:27.880 --> 0:46:28.600
<v Speaker 1>through all of this.

0:46:28.640 --> 0:46:30.719
<v Speaker 3>For a very long time, you know what I mean.

0:46:32.040 --> 0:46:34.560
<v Speaker 1>But to see somebody like that step in in the

0:46:34.600 --> 0:46:36.160
<v Speaker 1>way that he can this thing is this is a

0:46:36.200 --> 0:46:38.080
<v Speaker 1>conversation about him now, which is which is not what

0:46:38.200 --> 0:46:42.640
<v Speaker 1>I attended. But we're in a very interesting place in

0:46:42.680 --> 0:46:46.080
<v Speaker 1>the world, and so when people make the decision to

0:46:46.200 --> 0:46:49.759
<v Speaker 1>try to say something, it's admirable by all counts, no

0:46:49.800 --> 0:46:50.400
<v Speaker 1>doubt about it.

0:46:50.760 --> 0:46:52.359
<v Speaker 3>Yeah, I think it's you know, I think we're just gonna,

0:46:52.400 --> 0:46:53.920
<v Speaker 3>like you said, we're in a weird place in the world, man,

0:46:53.920 --> 0:46:56.440
<v Speaker 3>where it's like sometimes I'll read stuff out loud and

0:46:56.440 --> 0:47:00.640
<v Speaker 3>I'll be like, this is a thing like you can

0:47:00.960 --> 0:47:04.480
<v Speaker 3>you like, if we're supposed to be in America where like,

0:47:04.560 --> 0:47:08.440
<v Speaker 3>you know, you're supposed to have freedom to protest, and

0:47:08.640 --> 0:47:11.000
<v Speaker 3>you know, the First Amendment is supposed to be the

0:47:11.360 --> 0:47:15.040
<v Speaker 3>one thing we hold above all. But if there's just

0:47:15.280 --> 0:47:19.160
<v Speaker 3>one thing right that mark up out of here.

0:47:19.200 --> 0:47:22.520
<v Speaker 1>For Mark Lamont Hill wrote a book called Everything Except Palestine.

0:47:23.040 --> 0:47:27.000
<v Speaker 3>Yeah, and it's so crasho out to him, by the way, amazing,

0:47:27.200 --> 0:47:30.759
<v Speaker 3>But it's just it's just interesting because you know, I

0:47:30.800 --> 0:47:33.000
<v Speaker 3>think about uh, I can't think of the guy's name,

0:47:33.040 --> 0:47:36.920
<v Speaker 3>the journalist. I've watched him for years. He ended up

0:47:37.000 --> 0:47:40.399
<v Speaker 3>leaving at MSNBC when all this happened because he's fuck

0:47:40.520 --> 0:47:44.760
<v Speaker 3>what's his name. You might know he's he's Middle Eastern.

0:47:44.840 --> 0:47:48.880
<v Speaker 3>He had a show on MSNBC, and when all this

0:47:48.920 --> 0:47:51.439
<v Speaker 3>shit happened, he left, he had to leave. It's almost

0:47:51.480 --> 0:47:54.720
<v Speaker 3>like it's just crazy. It's like I said, right, yeah,

0:47:54.760 --> 0:47:57.120
<v Speaker 3>that's him. But we're living in like the upside down world.

0:47:57.120 --> 0:47:59.040
<v Speaker 3>But it's not necessarily the upside down world. I feel

0:47:59.040 --> 0:48:00.520
<v Speaker 3>like it's always kind of been the world. It's just

0:48:00.600 --> 0:48:04.640
<v Speaker 3>now it's a little bit more. Now it's with TikTok

0:48:04.880 --> 0:48:09.760
<v Speaker 3>and social media, you can't hide from what's happening.

0:48:10.080 --> 0:48:11.319
<v Speaker 1>Yeah, and even they.

0:48:11.239 --> 0:48:13.000
<v Speaker 3>Try to get TikTok up out of here, you know.

0:48:13.000 --> 0:48:15.480
<v Speaker 1>What I'm saying. It was while at the same time

0:48:15.560 --> 0:48:18.560
<v Speaker 1>saying we're gonna, we're gonna clamp down less on Facebook,

0:48:18.960 --> 0:48:21.359
<v Speaker 1>which is like, we know who's on Facebook, right, but

0:48:21.400 --> 0:48:23.560
<v Speaker 1>we're gonna, But but TikTok has to be and we

0:48:23.600 --> 0:48:26.640
<v Speaker 1>know who's on TikTok. And that's the thing because if

0:48:26.640 --> 0:48:28.560
<v Speaker 1>the it's like is it free speech or is it

0:48:28.719 --> 0:48:29.240
<v Speaker 1>just a speech?

0:48:29.280 --> 0:48:32.320
<v Speaker 3>I like exactly. And that's the one thing where it's like, okay,

0:48:32.400 --> 0:48:35.239
<v Speaker 3>like you know, we're getting to this point where both

0:48:35.280 --> 0:48:37.919
<v Speaker 3>sides are trying to act like their free speech absolutists,

0:48:37.920 --> 0:48:40.120
<v Speaker 3>but they're both very full of shit in terms of

0:48:40.160 --> 0:48:43.919
<v Speaker 3>like what they're what they cherry pick, you know. Yeah,

0:48:44.360 --> 0:48:47.959
<v Speaker 3>And that is the one thing about X is there's

0:48:48.000 --> 0:48:51.239
<v Speaker 3>some crazy shit on X. But on X at the

0:48:51.360 --> 0:48:55.080
<v Speaker 3>very least, like it seems as if unless you like

0:48:55.239 --> 0:48:57.360
<v Speaker 3>talk about Elon Musk in a negative way, he'll block you.

0:48:57.800 --> 0:48:59.879
<v Speaker 3>But I see a lot like Sean kings still thought

0:49:00.160 --> 0:49:02.520
<v Speaker 3>on X, you know, like they got Sean King the

0:49:02.600 --> 0:49:05.279
<v Speaker 3>fuck up out of here. Sean King had the like

0:49:05.320 --> 0:49:08.600
<v Speaker 3>on Instagram. I feel like on IG at least Sean

0:49:08.680 --> 0:49:13.560
<v Speaker 3>King was showing everybody what was happening in Gaza and

0:49:13.600 --> 0:49:18.000
<v Speaker 3>then with like a Thanos finger snap, he was just

0:49:18.160 --> 0:49:21.920
<v Speaker 3>gone from the Internet. And I'm like, what this is crazy? Yeah,

0:49:22.160 --> 0:49:24.239
<v Speaker 3>you know, but he was still at least on X.

0:49:24.280 --> 0:49:26.239
<v Speaker 3>But like, but TikTok, I'm not big on TikTok, but

0:49:26.280 --> 0:49:29.880
<v Speaker 3>I know that was It was interesting that the conversation

0:49:30.000 --> 0:49:35.160
<v Speaker 3>went from all of these people were against banning TikTok.

0:49:36.320 --> 0:49:37.440
<v Speaker 1>And then a few years.

0:49:37.239 --> 0:49:39.160
<v Speaker 3>Passed, the probably two years past or whatever, and then

0:49:39.200 --> 0:49:43.560
<v Speaker 3>all of a sudden, it's conveniently everybody's in unison that

0:49:43.640 --> 0:49:46.239
<v Speaker 3>TikTok should be banned. Yeah, And it was like, well,

0:49:46.239 --> 0:49:49.680
<v Speaker 3>what changed October seventh happened, which obviously, you know, how

0:49:49.719 --> 0:49:52.000
<v Speaker 3>do you feel about what happened on October seventh? It

0:49:52.080 --> 0:49:53.880
<v Speaker 3>was you know, a lot of people died. It was

0:49:54.040 --> 0:49:56.760
<v Speaker 3>very sad. It was a situation that nobody would condone.

0:49:57.160 --> 0:49:59.480
<v Speaker 3>But when you look at the full context and nuance

0:49:59.520 --> 0:50:04.279
<v Speaker 3>of the last you know, one hundred years, however many years, right,

0:50:05.080 --> 0:50:07.920
<v Speaker 3>it's it's it's it's a full picture thing. And the

0:50:08.080 --> 0:50:12.720
<v Speaker 3>propaganda and a lot of the misleading of what actually

0:50:12.800 --> 0:50:15.120
<v Speaker 3>happened that day and whether or not it was purposely

0:50:15.160 --> 0:50:18.000
<v Speaker 3>allowed to happen. Man, And there was an incredible amount

0:50:18.040 --> 0:50:21.080
<v Speaker 3>of lives told, a lot of lies, and a lot

0:50:21.080 --> 0:50:25.480
<v Speaker 3>of a lot of it would seem that it was

0:50:26.320 --> 0:50:29.520
<v Speaker 3>allowed to happen because I mean, listen, not to get

0:50:29.560 --> 0:50:33.480
<v Speaker 3>too deep into the weeds of conspiracy theorists, but you know,

0:50:34.360 --> 0:50:36.960
<v Speaker 3>you needed a really big excuse to have to go

0:50:37.040 --> 0:50:40.680
<v Speaker 3>in and take Gaza, right, because that's always been that

0:50:40.760 --> 0:50:42.839
<v Speaker 3>There've never it's never been a secret that that's that's

0:50:42.880 --> 0:50:45.279
<v Speaker 3>what they want, you know, especially with the West Bank.

0:50:46.239 --> 0:50:48.120
<v Speaker 3>And so now you have the biggest excuse you you

0:50:48.160 --> 0:50:48.879
<v Speaker 3>can you can do.

0:50:48.800 --> 0:50:49.399
<v Speaker 1>Whatever you want.

0:50:49.440 --> 0:50:52.319
<v Speaker 3>And for the most part, people are gonna you know,

0:50:52.560 --> 0:50:54.839
<v Speaker 3>but the thing is and then social media comes in,

0:50:54.880 --> 0:50:58.160
<v Speaker 3>so for the most part, people aren't the younger generations

0:50:58.160 --> 0:51:00.400
<v Speaker 3>like now this is some this is crazy, and so

0:51:00.400 --> 0:51:02.279
<v Speaker 3>that's my thing. It's like, at the end of the day,

0:51:02.480 --> 0:51:04.160
<v Speaker 3>how do you feel about Israel is a country? How

0:51:04.160 --> 0:51:06.560
<v Speaker 3>do you feel about what happened on October seven? If

0:51:06.600 --> 0:51:09.080
<v Speaker 3>you could be honest about what's happening in guys in

0:51:09.080 --> 0:51:13.360
<v Speaker 3>the West Bank? Yeah, and you know, you want to

0:51:13.400 --> 0:51:14.759
<v Speaker 3>be on the right side of history or not. I mean,

0:51:14.760 --> 0:51:17.439
<v Speaker 3>why do we respect Muhammad Ali so much? It's like, yeah,

0:51:17.480 --> 0:51:19.720
<v Speaker 3>he was the greatest boxer of all time, no doubt,

0:51:20.160 --> 0:51:22.360
<v Speaker 3>and he was very handsome and charismatic and smart and

0:51:22.360 --> 0:51:23.160
<v Speaker 3>all that kind of stuff.

0:51:23.160 --> 0:51:26.080
<v Speaker 1>But he stood on something. We respect Muhammad Ali because

0:51:26.120 --> 0:51:27.959
<v Speaker 1>at the height and he did this more than once,

0:51:28.000 --> 0:51:29.640
<v Speaker 1>by the way, but at the height of that man's

0:51:29.800 --> 0:51:34.160
<v Speaker 1>success career, physical prowess, they said, yeah, fine, you can

0:51:34.200 --> 0:51:37.120
<v Speaker 1>be you can be with with Elijah Muhammada all you want,

0:51:37.680 --> 0:51:39.960
<v Speaker 1>but we're gonna induct you into the army and put

0:51:39.960 --> 0:51:43.200
<v Speaker 1>a uniform on you, and we're basically going to we're

0:51:43.239 --> 0:51:45.120
<v Speaker 1>basically gonna stop. You don't have to. They weren't even

0:51:45.120 --> 0:51:47.160
<v Speaker 1>gonna make them go fight because we could propagandize that

0:51:47.239 --> 0:51:49.880
<v Speaker 1>we're gonna put a uniform on you and let everybody

0:51:49.880 --> 0:51:52.080
<v Speaker 1>know who's boss. And he said, no, you're very not actually,

0:51:52.760 --> 0:51:57.319
<v Speaker 1>And you know, so he gave up his success at

0:51:57.320 --> 0:52:00.480
<v Speaker 1>the at the height of his physical prowess for years,

0:52:00.520 --> 0:52:03.560
<v Speaker 1>for several years, he went broke doing it, similar to

0:52:03.600 --> 0:52:06.919
<v Speaker 1>Colin Kaepernick, similar to Dave Chappelle when he walked away

0:52:06.960 --> 0:52:09.960
<v Speaker 1>from all that money. Yeah, similar to what you know,

0:52:10.920 --> 0:52:15.239
<v Speaker 1>and you know, that's a there's just there's just no

0:52:15.360 --> 0:52:17.400
<v Speaker 1>way around that. But that's why we love and admire

0:52:17.480 --> 0:52:19.600
<v Speaker 1>and respect that man so much. And the way that

0:52:19.640 --> 0:52:22.280
<v Speaker 1>people felt about him at that time was not different

0:52:22.320 --> 0:52:25.040
<v Speaker 1>than somebody speaking out against Gaza. Right now, there's somebody

0:52:25.040 --> 0:52:28.719
<v Speaker 1>speaking against Vietnam at that time in that place, and

0:52:29.080 --> 0:52:31.120
<v Speaker 1>people hated him for it.

0:52:31.239 --> 0:52:34.680
<v Speaker 3>And now and now we look back time, yeah exactly,

0:52:34.760 --> 0:52:37.040
<v Speaker 3>Time tilles the truth, right, So it's like, I don't

0:52:37.080 --> 0:52:38.919
<v Speaker 3>know what's going to happen. But it's like interesting because,

0:52:38.920 --> 0:52:41.520
<v Speaker 3>like you know, I was like very much a part

0:52:41.520 --> 0:52:45.840
<v Speaker 3>of the political spectrum where I couldn't bring myself to

0:52:45.920 --> 0:52:48.560
<v Speaker 3>vote for Kamala Harris because of her involvement. It's tough, man,

0:52:48.719 --> 0:52:50.799
<v Speaker 3>And I was I looked at Joe Stein and I

0:52:50.840 --> 0:52:53.480
<v Speaker 3>was like, I feel good about the vote. I mean,

0:52:53.520 --> 0:52:55.359
<v Speaker 3>I know she's not gonna win, but I feel good

0:52:55.400 --> 0:52:58.480
<v Speaker 3>about the vote. And in my head, I'm like, well,

0:52:59.200 --> 0:53:03.799
<v Speaker 3>nobody can do worse than what the last few couple

0:53:03.800 --> 0:53:05.279
<v Speaker 3>of years have been. And how do you feel now?

0:53:06.040 --> 0:53:08.719
<v Speaker 3>And now, I mean, look, this is I hate when

0:53:08.719 --> 0:53:09.919
<v Speaker 3>people say that, now, how do you feel?

0:53:10.320 --> 0:53:10.440
<v Speaker 2>What?

0:53:10.440 --> 0:53:13.239
<v Speaker 3>I mean, the ceasefire obviously happened, and I'm like, okay,

0:53:13.239 --> 0:53:16.839
<v Speaker 3>at least something cool. But now with this go, oh

0:53:16.880 --> 0:53:24.759
<v Speaker 3>my god, it's like I think this could be We

0:53:24.840 --> 0:53:28.960
<v Speaker 3>all were worried about the Russia Ukrainian War and the

0:53:29.000 --> 0:53:32.840
<v Speaker 3>war with Israel and Hamas kind of sparking World War three.

0:53:33.400 --> 0:53:36.120
<v Speaker 3>I think there's a serious chance that US trying to

0:53:36.160 --> 0:53:39.600
<v Speaker 3>bully our way into Gaza. I don't know if the

0:53:39.640 --> 0:53:41.120
<v Speaker 3>rest of the world's going to stand for that. And

0:53:41.160 --> 0:53:43.440
<v Speaker 3>by the rest of the world, I mean, you know,

0:53:43.520 --> 0:53:45.680
<v Speaker 3>I don't know if China is standing for us taking

0:53:45.719 --> 0:53:48.239
<v Speaker 3>over Gaza. I don't know, if you know, like it's

0:53:48.280 --> 0:53:51.200
<v Speaker 3>pretty crazy when you say it out loud and like

0:53:51.440 --> 0:53:53.400
<v Speaker 3>it's kind of become it's just wild, man.

0:53:53.640 --> 0:53:56.359
<v Speaker 1>I mean it's also I mean it's it's it's on

0:53:56.440 --> 0:53:59.000
<v Speaker 1>TikTok now to the difference is TikTok. But I mean

0:53:59.480 --> 0:54:02.160
<v Speaker 1>it's not different from what that. I mean, the entire

0:54:02.239 --> 0:54:06.319
<v Speaker 1>continent of Australia didn't have a single white person on it.

0:54:06.840 --> 0:54:11.640
<v Speaker 1>There was like a multitude of thriving peoples on that island,

0:54:11.880 --> 0:54:16.160
<v Speaker 1>Turtle Island, what we called America now was an entire

0:54:16.760 --> 0:54:20.439
<v Speaker 1>civilization of all these different beautiful tribes and all these

0:54:20.440 --> 0:54:23.680
<v Speaker 1>people that didn't have a single Africans were here before

0:54:23.840 --> 0:54:29.000
<v Speaker 1>Europeans came here. I mean, and you know, this is

0:54:29.040 --> 0:54:31.799
<v Speaker 1>the same thing that's happened. We're living in what used

0:54:31.840 --> 0:54:35.279
<v Speaker 1>to be Gaza to the Native Americans, you know what

0:54:35.360 --> 0:54:37.399
<v Speaker 1>I mean, Like when we go to these like it's

0:54:37.400 --> 0:54:39.720
<v Speaker 1>still striking when we go to like these beautiful sites,

0:54:39.880 --> 0:54:42.560
<v Speaker 1>you go to the Grand Canyon and like I'm crying

0:54:42.600 --> 0:54:45.239
<v Speaker 1>because it's beautiful, but I'm also crying because I know

0:54:45.360 --> 0:54:47.040
<v Speaker 1>what this meant to a group of people who had

0:54:47.040 --> 0:54:50.360
<v Speaker 1>a spiritual bond with this place, and how many of

0:54:50.400 --> 0:54:52.520
<v Speaker 1>their women had to be raped and their children to

0:54:52.560 --> 0:54:55.480
<v Speaker 1>be killed, and their leaders to be killed and hung

0:54:55.600 --> 0:54:57.960
<v Speaker 1>up in public in front of everybody. And I know

0:54:58.080 --> 0:55:01.320
<v Speaker 1>what had to happen for that to for this to

0:55:01.480 --> 0:55:02.880
<v Speaker 1>just now it's a national park.

0:55:03.120 --> 0:55:06.399
<v Speaker 3>Yeah, I feel like And so it's it's it's it's

0:55:06.440 --> 0:55:11.160
<v Speaker 3>interesting because back then when there was settlements and settlers

0:55:11.200 --> 0:55:15.600
<v Speaker 3>and people being you know, cleansed off their land and

0:55:15.719 --> 0:55:18.280
<v Speaker 3>all of the murder, and there was no social media.

0:55:18.360 --> 0:55:22.120
<v Speaker 3>This was this was a new frontier. Now we see

0:55:22.160 --> 0:55:24.200
<v Speaker 3>it all. So it's like now it's like it's it's

0:55:24.200 --> 0:55:25.960
<v Speaker 3>it's almost like a like that's the thing with the

0:55:26.000 --> 0:55:29.800
<v Speaker 3>Goaza situation. It's like, yo, like I just don't understand,

0:55:29.840 --> 0:55:33.160
<v Speaker 3>like I've I've unfollowed people because however you feel about

0:55:33.880 --> 0:55:37.359
<v Speaker 3>Israel and it's right to exist, that's one thing.

0:55:37.680 --> 0:55:38.399
<v Speaker 1>But that's try.

0:55:39.000 --> 0:55:47.080
<v Speaker 3>Lack empathy, yeah, or or at the very least try

0:55:47.080 --> 0:55:49.440
<v Speaker 3>to tell yourself what you're seeing isn't what you're seeing

0:55:50.280 --> 0:55:51.879
<v Speaker 3>to me, it's just crazy.

0:55:52.400 --> 0:55:54.520
<v Speaker 1>Also not new brother, So I mean you know, no,

0:55:54.560 --> 0:55:56.359
<v Speaker 1>you're right, you think about like, well, what was book

0:55:56.400 --> 0:55:59.920
<v Speaker 1>or two. Washington booker T. Washington wrote The Slave there

0:56:00.440 --> 0:56:05.360
<v Speaker 1>because you know, he he he was the child of

0:56:06.080 --> 0:56:09.440
<v Speaker 1>a white slave owner who raped a black, black enslaved person,

0:56:10.120 --> 0:56:12.840
<v Speaker 1>and then he was sent away to a new family

0:56:12.920 --> 0:56:15.880
<v Speaker 1>to be split up from his family. The woman took

0:56:16.640 --> 0:56:18.879
<v Speaker 1>a certain amount of sympathy on him and loved him,

0:56:19.160 --> 0:56:21.360
<v Speaker 1>the white woman, and she taught him to read, and

0:56:21.400 --> 0:56:24.560
<v Speaker 1>the husband tortured her for that. Crazy and yeah, and

0:56:24.600 --> 0:56:27.239
<v Speaker 1>then she actually became as evil as any slave owned

0:56:27.239 --> 0:56:29.960
<v Speaker 1>because she was tortured for teaching him to read and

0:56:29.960 --> 0:56:32.080
<v Speaker 1>for thinking he was a human being, and for loving

0:56:32.120 --> 0:56:35.000
<v Speaker 1>him and treating him like a child. The husband tortured

0:56:35.000 --> 0:56:37.880
<v Speaker 1>her and to the point that she became cruel. But

0:56:38.000 --> 0:56:40.040
<v Speaker 1>because he Washington, but now he knows how to read,

0:56:40.080 --> 0:56:42.440
<v Speaker 1>he knows how to write, and he's actually brilliant, and

0:56:42.520 --> 0:56:46.000
<v Speaker 1>he escapes and he gets north and he realizes, oh,

0:56:46.040 --> 0:56:48.759
<v Speaker 1>the white people here don't know what slavery actually is.

0:56:49.440 --> 0:56:53.080
<v Speaker 1>If they knew what slavery was, everybody, everybody would be

0:56:53.080 --> 0:56:56.040
<v Speaker 1>against it. So he wrote a slave narrative and they said,

0:56:56.520 --> 0:56:59.080
<v Speaker 1>there's no way, there's no way, well, there's no way

0:56:59.080 --> 0:57:02.080
<v Speaker 1>that this that this black man, even though he's light skin.

0:57:02.160 --> 0:57:04.759
<v Speaker 1>There's no way he actually wrote this because they can't

0:57:04.760 --> 0:57:08.440
<v Speaker 1>write like this. That became the conversation. Did he plagiarize it?

0:57:08.719 --> 0:57:11.880
<v Speaker 1>Did somebody white write it for him? That became the conversation.

0:57:12.640 --> 0:57:16.600
<v Speaker 1>So it's like in the Dunya there's good mix with bad.

0:57:17.480 --> 0:57:20.440
<v Speaker 1>In ourselves there's good mix with bad. That's the human condition.

0:57:20.560 --> 0:57:22.720
<v Speaker 1>And also in Nidunia, the more things change, the more

0:57:22.760 --> 0:57:24.720
<v Speaker 1>they stay the same. So I mean that was the

0:57:24.760 --> 0:57:29.280
<v Speaker 1>TikTok of its time. We're powerless pamphlets, more to mouths,

0:57:29.280 --> 0:57:33.880
<v Speaker 1>paper going around and making speeches and you know what

0:57:34.040 --> 0:57:34.760
<v Speaker 1>is I think.

0:57:34.720 --> 0:57:38.600
<v Speaker 3>Now the visual aspect of it is just it's like undeniable.

0:57:38.760 --> 0:57:41.480
<v Speaker 1>You know, there were postcards during that time. So it's

0:57:41.520 --> 0:57:43.280
<v Speaker 1>funny when I talk to people about racing and they're like,

0:57:43.280 --> 0:57:45.040
<v Speaker 1>I know what happened to black people? No, you don't.

0:57:45.560 --> 0:57:47.200
<v Speaker 1>I've been studying this since I was eight years old,

0:57:47.200 --> 0:57:49.640
<v Speaker 1>and I'm still learning something new every day about people

0:57:49.680 --> 0:57:53.640
<v Speaker 1>whose skins were used to make furniture, Like you learn

0:57:53.720 --> 0:57:56.600
<v Speaker 1>something new every day. It's an ocean without a shore

0:57:57.600 --> 0:57:59.960
<v Speaker 1>during that time. People excuse me if this is true

0:58:00.320 --> 0:58:04.040
<v Speaker 1>for people Melah and no Wu, but uh, you know,

0:58:04.080 --> 0:58:06.640
<v Speaker 1>they would hang people. They would hang black men and

0:58:06.640 --> 0:58:09.200
<v Speaker 1>castrate them, and they would cut off their ears and

0:58:09.240 --> 0:58:11.479
<v Speaker 1>they would you know, save them as trinkets and things

0:58:11.520 --> 0:58:15.960
<v Speaker 1>like that, and they made postcards and they sent the

0:58:16.040 --> 0:58:18.880
<v Speaker 1>postcards to their family members, you know what I mean.

0:58:19.800 --> 0:58:21.400
<v Speaker 1>And this is not a this is not a made

0:58:21.440 --> 0:58:23.280
<v Speaker 1>up thing like you can go to certain museums and

0:58:23.320 --> 0:58:26.040
<v Speaker 1>places like that and see these postcards. These postcards were

0:58:26.080 --> 0:58:30.800
<v Speaker 1>sent all over America. There were physical pictures. People have

0:58:30.960 --> 0:58:34.520
<v Speaker 1>denied this type of brutality the whole time that this

0:58:34.680 --> 0:58:36.840
<v Speaker 1>part of the world has been this part of the world, right,

0:58:36.880 --> 0:58:39.840
<v Speaker 1>we've been denying this. It's it's in our it's who

0:58:39.880 --> 0:58:43.200
<v Speaker 1>we are now. It's not how it's not This isn't

0:58:43.280 --> 0:58:45.000
<v Speaker 1>how it is. This is what it is. Right.

0:58:46.240 --> 0:58:50.520
<v Speaker 3>What was your inspiration to, I guess discover Islam and

0:58:50.760 --> 0:58:54.440
<v Speaker 3>be so I guess a separate question would be just

0:58:54.440 --> 0:58:56.200
<v Speaker 3>I just kind of be so engaged in trying to

0:58:56.320 --> 0:58:58.440
<v Speaker 3>educate yourself on this this stuff.

0:58:58.640 --> 0:59:01.040
<v Speaker 1>So it started because of hip hop man. One of

0:59:01.040 --> 0:59:04.080
<v Speaker 1>my first memories was, like that really sticks with me

0:59:04.200 --> 0:59:08.720
<v Speaker 1>is seeing Minister Fara Khan on Donahue. Okay, the first

0:59:08.760 --> 0:59:11.280
<v Speaker 1>time he was on there, twice. It's masterful, and everybody

0:59:11.280 --> 0:59:13.360
<v Speaker 1>should go on YouTube and look watch both of those.

0:59:13.760 --> 0:59:17.800
<v Speaker 1>It's one of the most even just as an oratorical display,

0:59:18.040 --> 0:59:20.040
<v Speaker 1>it's one of the most amazing things ever. But as

0:59:20.040 --> 0:59:23.640
<v Speaker 1>a little kid, I was always really deeply troubled, like, man,

0:59:23.760 --> 0:59:26.560
<v Speaker 1>America is lying about black people. I didn't know the

0:59:26.600 --> 0:59:29.400
<v Speaker 1>whole history. I didn't know why. But I'm like and

0:59:29.440 --> 0:59:33.120
<v Speaker 1>so seeing Farra Kahn on TV with Phil Donahue and like,

0:59:33.240 --> 0:59:36.560
<v Speaker 1>I look more like Donahue than I do, and man,

0:59:37.240 --> 0:59:39.320
<v Speaker 1>I'm just like, this is incredible. So that was my

0:59:39.360 --> 0:59:41.480
<v Speaker 1>first time I've been then hearing it in hip hop

0:59:41.480 --> 0:59:43.440
<v Speaker 1>and things like that. And then when I was thirteen

0:59:43.480 --> 0:59:45.400
<v Speaker 1>years old, I went and saw keras One give a

0:59:45.480 --> 0:59:48.080
<v Speaker 1>lecture and he brought me on stage. I asked a question.

0:59:48.120 --> 0:59:50.760
<v Speaker 1>He brought me on stage, and he told me I

0:59:50.800 --> 0:59:52.480
<v Speaker 1>should read the autobiography of Malcolm X.

0:59:53.080 --> 0:59:56.120
<v Speaker 3>And I read that book when I was like twelve, yeah, thirteen.

0:59:55.880 --> 0:59:58.360
<v Speaker 1>Same, and then the movie came out. But like we

0:59:58.400 --> 1:00:01.200
<v Speaker 1>grew up in hip hop us, Malcolm X is like

1:00:01.280 --> 1:00:02.880
<v Speaker 1>the Jesus Christ of hip hop yo.

1:00:02.920 --> 1:00:04.560
<v Speaker 3>But then you start to like, you're like, yo, Malcolm

1:00:04.640 --> 1:00:06.440
<v Speaker 3>X is like a player the Detroit red Air of

1:00:06.480 --> 1:00:06.880
<v Speaker 3>his life.

1:00:06.920 --> 1:00:09.280
<v Speaker 1>He was like, yeah, a gangster period, Yeah, for sure.

1:00:09.480 --> 1:00:11.200
<v Speaker 1>So the whole time I'm reading this book, I'm like,

1:00:11.520 --> 1:00:13.400
<v Speaker 1>this is the most like yeah, so he's such a

1:00:13.400 --> 1:00:16.240
<v Speaker 1>great book. He's dope. Oh he was a street guy,

1:00:16.320 --> 1:00:20.640
<v Speaker 1>he was whatever. And he's also like an urban guy

1:00:20.760 --> 1:00:22.720
<v Speaker 1>and a city guy at the same time, and like

1:00:23.160 --> 1:00:27.240
<v Speaker 1>he's everything. And so I'm like, I'm not allowed to

1:00:27.240 --> 1:00:30.680
<v Speaker 1>be in this movement, but I'm just gonna imitate them.

1:00:31.000 --> 1:00:33.439
<v Speaker 1>I believe in what they believe in gonna I'm gonna

1:00:33.480 --> 1:00:34.800
<v Speaker 1>do what they do, even though I'm not allowed to

1:00:34.840 --> 1:00:38.320
<v Speaker 1>join it. So then Malcolm goes to Mecca and he's like, oh,

1:00:38.360 --> 1:00:40.960
<v Speaker 1>there are people here that in America would be called white,

1:00:41.520 --> 1:00:43.760
<v Speaker 1>but they're not white. He's like, white is a mentality.

1:00:43.880 --> 1:00:46.400
<v Speaker 1>Just like for years they would say to black people,

1:00:46.680 --> 1:00:49.560
<v Speaker 1>we are the so called negro, just because everybody says

1:00:49.600 --> 1:00:52.960
<v Speaker 1>that's what we are. We existed before anybody else, So like,

1:00:53.560 --> 1:00:56.240
<v Speaker 1>what is this title now Nigro? The same is true

1:00:56.280 --> 1:00:59.240
<v Speaker 1>for European people. It's only been a couple hundred years

1:00:59.240 --> 1:01:01.640
<v Speaker 1>that there was an idea of somebody called white, and

1:01:01.680 --> 1:01:05.840
<v Speaker 1>that was a very specific branding thing that was done

1:01:06.240 --> 1:01:08.800
<v Speaker 1>to try to unite all of the European peasants to

1:01:09.280 --> 1:01:13.920
<v Speaker 1>stop fighting the landowners and the oppressors in Europe and

1:01:14.000 --> 1:01:16.560
<v Speaker 1>to be on the same team. That like, we're going

1:01:16.640 --> 1:01:18.200
<v Speaker 1>to be on the same team. We're all going to

1:01:18.240 --> 1:01:20.880
<v Speaker 1>be white. And trust me, you're part of it. You're

1:01:21.160 --> 1:01:22.720
<v Speaker 1>at least you're not going to be at the bottom

1:01:22.720 --> 1:01:26.320
<v Speaker 1>of the social order and all. And you know, so

1:01:26.360 --> 1:01:29.000
<v Speaker 1>we're on hundreds of years of that lie. So the

1:01:29.040 --> 1:01:31.600
<v Speaker 1>first thing was that Islam addressed that lie. Malcolm said,

1:01:32.080 --> 1:01:35.640
<v Speaker 1>these people, they're not white in how they are, and

1:01:35.680 --> 1:01:39.280
<v Speaker 1>he said if white Americans would learn Islam, study Islam,

1:01:39.560 --> 1:01:43.280
<v Speaker 1>it would help them become human again. And I was like, Okay,

1:01:43.800 --> 1:01:45.760
<v Speaker 1>that's all I've been waiting for. Then I had to

1:01:45.800 --> 1:01:47.880
<v Speaker 1>like learn and figure it out and find a community

1:01:47.880 --> 1:01:49.880
<v Speaker 1>and blah blah blah blah blah. So it's been a

1:01:49.960 --> 1:01:52.040
<v Speaker 1>journey like that ever since. And now my family, like

1:01:52.040 --> 1:01:54.240
<v Speaker 1>we've lived in is Dambul, Turkey for the last four years.

1:01:54.240 --> 1:01:58.439
<v Speaker 1>My wife's also a convert. And the more I learned,

1:01:58.440 --> 1:02:00.880
<v Speaker 1>the more I love it. So you're in Turk, I lived.

1:02:00.920 --> 1:02:02.560
<v Speaker 1>I've been living in is Stumble four years. I do

1:02:02.640 --> 1:02:03.680
<v Speaker 1>not live in this country?

1:02:03.920 --> 1:02:04.880
<v Speaker 3>How is it out there?

1:02:05.120 --> 1:02:07.160
<v Speaker 1>Dope and difficult?

1:02:07.200 --> 1:02:08.560
<v Speaker 3>When you fight home.

1:02:10.200 --> 1:02:12.000
<v Speaker 1>Or rather when you which one is home? Which home?

1:02:12.200 --> 1:02:14.240
<v Speaker 3>Okay? When you when you okay? When you're flying out

1:02:14.240 --> 1:02:19.360
<v Speaker 3>of Turkey? How many guys have the the head rap

1:02:19.400 --> 1:02:25.000
<v Speaker 3>because they had their I know so many, it's insane. Yeah,

1:02:25.120 --> 1:02:26.880
<v Speaker 3>they go out there, they get I guess like they

1:02:27.040 --> 1:02:29.800
<v Speaker 3>the I mean, obviously it's like the world leader for

1:02:30.440 --> 1:02:32.720
<v Speaker 3>scalp surgery or whatever. But my boy went out there,

1:02:32.760 --> 1:02:34.760
<v Speaker 3>He's like, Yo, they got the hotel on lock it's

1:02:34.760 --> 1:02:37.760
<v Speaker 3>like five star service. They take you to it from. Yeah,

1:02:37.800 --> 1:02:39.200
<v Speaker 3>but I heard Turkey is beautiful.

1:02:39.640 --> 1:02:41.600
<v Speaker 1>Well, yeah, if you're in it's like any other place.

1:02:41.640 --> 1:02:44.040
<v Speaker 1>Like if you go to the tourist location, there's only

1:02:44.080 --> 1:02:44.640
<v Speaker 1>tourists there.

1:02:44.760 --> 1:02:47.000
<v Speaker 3>I'm friend with a lot of Armenians. Man, they got that.

1:02:47.120 --> 1:02:50.320
<v Speaker 3>You know that? Uh, the Turkey vers Armenia thing is

1:02:50.520 --> 1:02:51.520
<v Speaker 3>in La. It's a big.

1:02:51.760 --> 1:02:55.360
<v Speaker 1>It is a big specifically in LA for sure, for sure. Yeah,

1:02:55.400 --> 1:02:58.760
<v Speaker 1>And so people ask me about that. And my critique

1:02:58.760 --> 1:03:02.480
<v Speaker 1>has always been of groups that I'm in places where

1:03:02.520 --> 1:03:05.600
<v Speaker 1>I have influences and where I pay my taxes. I'm

1:03:05.640 --> 1:03:07.680
<v Speaker 1>not a Turk. I'm not a citizen of Turkey. I

1:03:07.720 --> 1:03:13.400
<v Speaker 1>don't vote for I don't have any power in Turkey.

1:03:13.920 --> 1:03:16.240
<v Speaker 1>My audience is not a Turkish audience. I don't have

1:03:16.320 --> 1:03:20.280
<v Speaker 1>influence in Turkey, and I don't pay my taxes in Turkey.

1:03:20.760 --> 1:03:24.880
<v Speaker 1>My influence, my taxes, and my voting are here, and

1:03:24.960 --> 1:03:28.120
<v Speaker 1>so I am critical of groups that I'm in for

1:03:28.160 --> 1:03:29.480
<v Speaker 1>sure and people that listen to me.

1:03:29.600 --> 1:03:32.439
<v Speaker 3>So you know what inspired you to go out there?

1:03:32.960 --> 1:03:35.720
<v Speaker 1>So my wife actually studied in Turkey for a summer.

1:03:36.920 --> 1:03:39.360
<v Speaker 1>There's like these like intensives when you become a Muslim.

1:03:39.400 --> 1:03:41.680
<v Speaker 1>You can go and spend a whole summer and they

1:03:41.720 --> 1:03:44.680
<v Speaker 1>just bombard you with learning. It's more than you can

1:03:44.680 --> 1:03:47.080
<v Speaker 1>possibly take in. But you get a lay of the land.

1:03:47.400 --> 1:03:49.840
<v Speaker 1>And she came back and she was like, Yo, Okay,

1:03:50.000 --> 1:03:52.600
<v Speaker 1>this is the specific type of practice that we're going

1:03:52.680 --> 1:03:55.240
<v Speaker 1>to start doing going forward, and someday we're going to

1:03:55.240 --> 1:03:57.440
<v Speaker 1>live in is Stumbul. She's like, you need to live

1:03:57.440 --> 1:03:59.720
<v Speaker 1>in is Stumbul. And so she told me that like

1:03:59.720 --> 1:04:02.120
<v Speaker 1>ten years ago, and I was like, okay, Like her

1:04:02.240 --> 1:04:05.880
<v Speaker 1>instincts are undefeated. I know if she's if she's serious

1:04:05.920 --> 1:04:08.640
<v Speaker 1>about something, it's there's truth there. So I'm like, okay,

1:04:08.680 --> 1:04:11.960
<v Speaker 1>all right, so I started visiting, and then during the pandemic,

1:04:12.000 --> 1:04:13.959
<v Speaker 1>it's like, yeah, now might as well be the time.

1:04:14.120 --> 1:04:16.920
<v Speaker 3>That's dope, man, Yeah was it. I always feel like

1:04:18.200 --> 1:04:20.520
<v Speaker 3>That's why I always tell tell people like I always

1:04:20.520 --> 1:04:22.520
<v Speaker 3>will talk to like people who I've only lived in

1:04:22.560 --> 1:04:24.120
<v Speaker 3>one city or one area in their life. I'm like,

1:04:24.160 --> 1:04:27.120
<v Speaker 3>sometimes you just gotta Obviously, being in radio, I've lived

1:04:27.120 --> 1:04:29.800
<v Speaker 3>all over the country, and I feel like just traveling

1:04:29.840 --> 1:04:32.240
<v Speaker 3>in general, obviously being a touring artist, you get to

1:04:32.640 --> 1:04:35.040
<v Speaker 3>have a lot of nuance in perspective you've been all

1:04:35.040 --> 1:04:37.240
<v Speaker 3>over the world, you know. But a lot of people

1:04:37.480 --> 1:04:41.040
<v Speaker 3>lack that because they just know where they're at, and

1:04:41.240 --> 1:04:43.480
<v Speaker 3>it's so hard. It's easy to tell somebody to travel

1:04:43.480 --> 1:04:45.439
<v Speaker 3>if they're fucking that they've got a full time job,

1:04:45.560 --> 1:04:47.640
<v Speaker 3>you know, and they only have two weeks a year

1:04:47.680 --> 1:04:50.640
<v Speaker 3>of vacation. You know. But just think it's so important man,

1:04:50.680 --> 1:04:52.439
<v Speaker 3>to get nuanced in perspective of the world.

1:04:52.520 --> 1:04:55.600
<v Speaker 1>Well, especially if you're in the dominant group, and people

1:04:55.640 --> 1:04:57.800
<v Speaker 1>in the dominant group don't realize they're in the dominant group.

1:04:57.840 --> 1:04:59.240
<v Speaker 3>Like that's ultimately, you know.

1:04:59.440 --> 1:05:01.880
<v Speaker 1>Unless you grow up in hip hop and you're the

1:05:01.880 --> 1:05:03.440
<v Speaker 1>only person that looks like you're in a room and

1:05:03.440 --> 1:05:05.600
<v Speaker 1>you're like, oh, this is actually the reality. I'm trying

1:05:05.600 --> 1:05:08.200
<v Speaker 1>to see what's up with this? Sure, but for most people,

1:05:08.360 --> 1:05:12.200
<v Speaker 1>if you're an American, even if you don't have money,

1:05:12.320 --> 1:05:15.120
<v Speaker 1>even if you're like the world media is telling your

1:05:15.200 --> 1:05:18.200
<v Speaker 1>story and projecting your culture and you don't realize that

1:05:18.280 --> 1:05:21.960
<v Speaker 1>unless you're not from that, and so yeah, it's like

1:05:22.000 --> 1:05:25.080
<v Speaker 1>it's very difficult to get like, we don't know ourselves

1:05:25.160 --> 1:05:28.080
<v Speaker 1>until we know what the alternate version of us is.

1:05:28.520 --> 1:05:31.160
<v Speaker 1>Like you have a doctorate degree in the English language,

1:05:32.040 --> 1:05:34.800
<v Speaker 1>until you learn another language that's very different from English,

1:05:35.040 --> 1:05:37.720
<v Speaker 1>you don't really know your language because you only know

1:05:37.720 --> 1:05:40.120
<v Speaker 1>it as an insider. Yeah, it's like if you go

1:05:40.200 --> 1:05:42.600
<v Speaker 1>visit a culture and like they only know each other,

1:05:43.000 --> 1:05:45.080
<v Speaker 1>You're like, oh, you guys do this differently and they're

1:05:45.120 --> 1:05:45.800
<v Speaker 1>like no, what do you mean?

1:05:45.880 --> 1:05:48.200
<v Speaker 3>Like this is what's different? Yeah, no, is what everybody does.

1:05:48.280 --> 1:05:51.720
<v Speaker 1>Yes, So for Americans it's like yeah, man, and it's

1:05:51.760 --> 1:05:54.880
<v Speaker 1>one it's fine, go to Europe, that's cool, But like, man,

1:05:55.520 --> 1:05:58.960
<v Speaker 1>see what's up with Ethiopia, See what's up with the Gambia,

1:05:59.120 --> 1:06:04.560
<v Speaker 1>See what's up with Lebanon, See what's up with you know,

1:06:05.360 --> 1:06:06.120
<v Speaker 1>Vietnam and.

1:06:06.040 --> 1:06:07.400
<v Speaker 3>Go away Asia is crazy.

1:06:07.680 --> 1:06:10.280
<v Speaker 1>Go away from where the tourists are for sure. Don't

1:06:10.320 --> 1:06:11.840
<v Speaker 1>don't be in a tourist area. Go in a place

1:06:11.880 --> 1:06:13.840
<v Speaker 1>of like, well, we don't speak the language. Yes, that's

1:06:13.880 --> 1:06:15.320
<v Speaker 1>the point. That's where you want to be. We don't

1:06:15.320 --> 1:06:18.440
<v Speaker 1>know anybody here, that's the point. And watch how beautiful

1:06:18.480 --> 1:06:21.880
<v Speaker 1>people are to you wherever you go, like man, people

1:06:21.880 --> 1:06:24.160
<v Speaker 1>will help you, they will feed you, they'll smile at you,

1:06:24.240 --> 1:06:27.360
<v Speaker 1>they will welcome you, they will wherever you go. And

1:06:27.360 --> 1:06:30.240
<v Speaker 1>you just start really realizing, like there is a common

1:06:30.320 --> 1:06:33.280
<v Speaker 1>human thing. That's what you get to when you start

1:06:33.320 --> 1:06:34.880
<v Speaker 1>with you. But you got to know different types of

1:06:34.960 --> 1:06:38.920
<v Speaker 1>humans to learn what's my culture, what's our thing? And

1:06:38.960 --> 1:06:41.960
<v Speaker 1>then what part is the human thing? Because so much

1:06:41.960 --> 1:06:45.960
<v Speaker 1>of what we talk about is just the American thing, Yes.

1:06:45.880 --> 1:06:48.920
<v Speaker 3>The American perspective. You brought d One out on the

1:06:49.000 --> 1:06:50.680
<v Speaker 3>road with you. D One is one of my favorite

1:06:50.680 --> 1:06:53.560
<v Speaker 3>guys man such as sweet Dude. He's been grinding for

1:06:53.680 --> 1:06:59.120
<v Speaker 3>years too, yes, but he's like an outlier in today's

1:06:59.240 --> 1:07:03.800
<v Speaker 3>landscape where he's he's got, you know, such a pure

1:07:03.800 --> 1:07:06.720
<v Speaker 3>heart and a message that I feel like rubs the

1:07:06.800 --> 1:07:10.440
<v Speaker 3>establishment the wrong way sometimes, but talk about like your guys'

1:07:10.560 --> 1:07:11.440
<v Speaker 3>friendship and you.

1:07:11.400 --> 1:07:14.800
<v Speaker 1>Know, yeah, so I've known d for over ten years because.

1:07:14.560 --> 1:07:17.560
<v Speaker 3>He's a hard I mean, yeah, he's obviously dropped album mers,

1:07:17.800 --> 1:07:18.040
<v Speaker 3>but you.

1:07:18.040 --> 1:07:22.200
<v Speaker 1>Know he's a he's a Christian Christian Christians. Yeah, and

1:07:22.320 --> 1:07:25.240
<v Speaker 1>matter of fact, you know, we were bonding over that.

1:07:25.360 --> 1:07:28.280
<v Speaker 1>I have his child's book, his children's books over Okay,

1:07:28.320 --> 1:07:30.760
<v Speaker 1>that children's book was the number one selling item on

1:07:30.800 --> 1:07:33.160
<v Speaker 1>my tour. He came out and opened for me and

1:07:33.240 --> 1:07:36.120
<v Speaker 1>made the most of that. You know, I loved it.

1:07:36.640 --> 1:07:39.080
<v Speaker 1>He had a forty five minute set. He did seven songs.

1:07:39.200 --> 1:07:42.600
<v Speaker 1>It was mostly him talking about his message, his book,

1:07:43.080 --> 1:07:46.440
<v Speaker 1>the whole thing, and man, he won over every single person.

1:07:46.560 --> 1:07:47.160
<v Speaker 3>It's amazing.

1:07:47.280 --> 1:07:51.120
<v Speaker 1>And he is who he says he is, yes, and

1:07:52.480 --> 1:07:54.800
<v Speaker 1>what I have to be we were talking is like,

1:07:54.840 --> 1:07:57.760
<v Speaker 1>you know, we both have stood so hard. When I

1:07:57.800 --> 1:08:00.840
<v Speaker 1>first came in as an MC, I was not as

1:08:00.880 --> 1:08:03.560
<v Speaker 1>true to Islam as he has been to Christianity. I

1:08:03.640 --> 1:08:06.040
<v Speaker 1>used to curse like crazy, I used to talk crazy. Well,

1:08:06.040 --> 1:08:08.240
<v Speaker 1>he's had his own evolution as well, you know, to

1:08:08.320 --> 1:08:12.240
<v Speaker 1>a degree. Yeah, but I respect him in my room.

1:08:13.040 --> 1:08:17.160
<v Speaker 1>And when he said those things, it's like, I didn't

1:08:17.160 --> 1:08:19.400
<v Speaker 1>plan here coming to talk about anybody. He went to

1:08:19.439 --> 1:08:22.000
<v Speaker 1>Sway one time, not planning to talk about anybody, but

1:08:22.280 --> 1:08:25.360
<v Speaker 1>Sway was like, he was talking about glorifying violence, and

1:08:25.400 --> 1:08:28.240
<v Speaker 1>Sway was like, what do you mean? And he's so

1:08:28.439 --> 1:08:31.720
<v Speaker 1>d had just given out shoes. He does all kind

1:08:31.760 --> 1:08:33.519
<v Speaker 1>of giveaways in New Orleans. He had just given out

1:08:33.560 --> 1:08:36.559
<v Speaker 1>shoes that said reform on the bottom. They were Meek

1:08:36.600 --> 1:08:40.040
<v Speaker 1>Mills prison reform shoes. He's like, I just promoted this

1:08:40.080 --> 1:08:41.800
<v Speaker 1>because I was so happy that Meek Mills talking my

1:08:41.880 --> 1:08:44.360
<v Speaker 1>prison reform. But he just made a song with Rick

1:08:44.479 --> 1:08:46.559
<v Speaker 1>Ross and Jim Jones where they're talking about killing people.

1:08:47.560 --> 1:08:50.360
<v Speaker 1>So he's like, are what are we doing? Are we

1:08:50.400 --> 1:08:52.760
<v Speaker 1>trying to reform prison but also encourage people to do

1:08:52.800 --> 1:08:56.559
<v Speaker 1>things to go to prison. So he said, Meek Mills,

1:08:56.600 --> 1:08:58.400
<v Speaker 1>you could do better. Brother. I love you too much

1:08:58.479 --> 1:09:01.200
<v Speaker 1>not to be honest with you. He said, Rick Ross,

1:09:01.200 --> 1:09:04.120
<v Speaker 1>you could do better. Jim Jones, you could do They

1:09:04.160 --> 1:09:06.479
<v Speaker 1>threatened his life. Two of the three of those people

1:09:06.479 --> 1:09:08.000
<v Speaker 1>threatened his life. And it's not a joke.

1:09:08.760 --> 1:09:09.760
<v Speaker 3>Like if.

1:09:11.080 --> 1:09:14.519
<v Speaker 1>A head person that's deeply entrenched in the street in

1:09:14.640 --> 1:09:19.639
<v Speaker 1>Harlem come They went back to sway a few days

1:09:19.720 --> 1:09:22.920
<v Speaker 1>later and said, I might not touch you, but I

1:09:22.960 --> 1:09:26.000
<v Speaker 1>can't stop you know, my little one of my nephews,

1:09:26.160 --> 1:09:28.240
<v Speaker 1>of one of the young guys on the block from

1:09:28.280 --> 1:09:30.000
<v Speaker 1>putting in work for you just because they know you're

1:09:30.000 --> 1:09:32.559
<v Speaker 1>trying to get cloud off me. That's a green light

1:09:32.600 --> 1:09:35.439
<v Speaker 1>on your head at that point. Now he has me

1:09:35.600 --> 1:09:37.280
<v Speaker 1>made peace with two of the.

1:09:37.240 --> 1:09:37.599
<v Speaker 3>Three of them.

1:09:37.680 --> 1:09:39.400
<v Speaker 1>Rick Ross is the only one that he hasn't. But

1:09:39.479 --> 1:09:42.200
<v Speaker 1>I just saw he had pictures with Meek Mill, he

1:09:42.320 --> 1:09:46.000
<v Speaker 1>got with Jim Jones. They threatened him and it wasn't

1:09:46.040 --> 1:09:50.439
<v Speaker 1>a joke. And you know, these are the people that

1:09:50.479 --> 1:09:53.519
<v Speaker 1>it's like when you look back, you say, like that

1:09:53.720 --> 1:09:56.479
<v Speaker 1>is a person that really you talking about standing on business.

1:09:57.000 --> 1:09:59.960
<v Speaker 1>Everybody wants to have nice things. Everybody wants to secces.

1:10:00.720 --> 1:10:04.000
<v Speaker 1>That's not special. If you achieve it, it is special

1:10:04.080 --> 1:10:06.880
<v Speaker 1>and we're happy for you. But that's what everybody. It's

1:10:06.920 --> 1:10:10.439
<v Speaker 1>a special person though that says, I will, I will

1:10:11.120 --> 1:10:14.040
<v Speaker 1>relinquish some of my success for what's right, if that's

1:10:14.080 --> 1:10:16.280
<v Speaker 1>what it means. Some people pay the ultimate price, and

1:10:16.320 --> 1:10:18.479
<v Speaker 1>we talk about Malcolm and Martin. Neither one of them

1:10:18.520 --> 1:10:22.280
<v Speaker 1>saw their fortieth birthday. They paid the ultimate price, you know,

1:10:22.479 --> 1:10:24.719
<v Speaker 1>And then you talk about Muhammad Ali didn't pay that price,

1:10:24.720 --> 1:10:26.920
<v Speaker 1>but he paid a price. You talk about, you know,

1:10:27.040 --> 1:10:28.920
<v Speaker 1>I didn't pay the ultimate, but I paid a price.

1:10:29.439 --> 1:10:32.439
<v Speaker 1>You talk about our guy Mackelmore's paying a price, and

1:10:32.720 --> 1:10:34.760
<v Speaker 1>you know, and d one is that dude. And it's like,

1:10:36.760 --> 1:10:40.320
<v Speaker 1>ultimately we're going to die, like we're all going to

1:10:40.360 --> 1:10:43.040
<v Speaker 1>be there's a place in the earth where we will

1:10:43.080 --> 1:10:45.920
<v Speaker 1>be buried or burned and scattered or one hundred percent.

1:10:46.360 --> 1:10:48.000
<v Speaker 1>And it's like, what kind of person do you want

1:10:48.040 --> 1:10:49.559
<v Speaker 1>to be when you die? What do you want to

1:10:49.600 --> 1:10:54.160
<v Speaker 1>be the story of you? And nobody ever regretted giving

1:10:54.240 --> 1:10:57.680
<v Speaker 1>up status, fame, all that for what's right, because when

1:10:57.720 --> 1:11:00.679
<v Speaker 1>you die, your status is gone. Nobody knows you. There's

1:11:00.680 --> 1:11:02.759
<v Speaker 1>no you to know, you know what I mean. Nobody

1:11:02.760 --> 1:11:05.479
<v Speaker 1>recognizes you, nobody celebrates you. You don't have things that

1:11:05.520 --> 1:11:07.760
<v Speaker 1>other people. Your grave could be bigger than somebody else,

1:11:07.800 --> 1:11:11.240
<v Speaker 1>it doesn't matter. But if it's like that person in

1:11:11.320 --> 1:11:16.519
<v Speaker 1>that hole stood for something, they served others, They told

1:11:16.520 --> 1:11:18.320
<v Speaker 1>the truth when it was dangerous to do it because

1:11:18.360 --> 1:11:20.200
<v Speaker 1>they cared about the people that were being armed.

1:11:20.840 --> 1:11:23.760
<v Speaker 3>Like that's different, Yeah, that's different for sure. And like

1:11:23.800 --> 1:11:26.680
<v Speaker 3>you said, we think back to the Muhammad Ali thing

1:11:27.400 --> 1:11:31.120
<v Speaker 3>like history, you know, like at that time, people didn't

1:11:31.160 --> 1:11:31.920
<v Speaker 3>like what was going on.

1:11:32.160 --> 1:11:35.000
<v Speaker 1>Yeah, and all those people that were just sitting there, like,

1:11:35.040 --> 1:11:38.080
<v Speaker 1>how dare you change your name? How dare you become

1:11:38.080 --> 1:11:40.800
<v Speaker 1>a Muslim? How dare you walk away from these white

1:11:40.840 --> 1:11:43.720
<v Speaker 1>men that invested this money in your how dare you

1:11:43.800 --> 1:11:47.040
<v Speaker 1>say that you won't go in the military. Who are

1:11:47.080 --> 1:11:49.800
<v Speaker 1>you to do any of that? And he's saying, I'm

1:11:49.840 --> 1:11:52.439
<v Speaker 1>a man, That's who I am, and God made me,

1:11:52.479 --> 1:11:55.720
<v Speaker 1>You didn't make me. We're here together, and I just

1:11:55.840 --> 1:11:58.320
<v Speaker 1>I have just as much right as anybody else to

1:11:58.479 --> 1:12:01.120
<v Speaker 1>say what I think is true, and whatever I have,

1:12:01.240 --> 1:12:03.040
<v Speaker 1>I'll lose it all. But he did that before they

1:12:03.040 --> 1:12:05.120
<v Speaker 1>gave him a gold medal in nineteen sixty when he

1:12:05.160 --> 1:12:08.280
<v Speaker 1>was eighteen in Rome. He wore his gold medal back

1:12:08.280 --> 1:12:11.080
<v Speaker 1>in Louisville, Kentucky, and him and his mom and his

1:12:11.120 --> 1:12:14.280
<v Speaker 1>family and everybody went to the segregated restaurants. But then

1:12:14.320 --> 1:12:16.280
<v Speaker 1>his mom tried to go back without him and they said,

1:12:16.320 --> 1:12:19.080
<v Speaker 1>we don't serve colored people here. So Muhammad Ali is like,

1:12:19.120 --> 1:12:21.639
<v Speaker 1>if this just means that I'm free, but my people aren't.

1:12:21.640 --> 1:12:22.160
<v Speaker 3>I don't want it.

1:12:22.160 --> 1:12:25.679
<v Speaker 1>He threw his gold medal in the Ohio River, crazy eighteen.

1:12:25.760 --> 1:12:27.080
<v Speaker 1>He didn't know he was going to be the most

1:12:27.080 --> 1:12:28.960
<v Speaker 1>famous man on earth. He didn't know he'd be the

1:12:29.000 --> 1:12:31.880
<v Speaker 1>greatest champion ever. He did that because he believed in it.

1:12:32.360 --> 1:12:34.640
<v Speaker 1>And I had I'm friends with his daughter and I

1:12:34.680 --> 1:12:37.200
<v Speaker 1>was like, did he really throw that? She said, I

1:12:37.240 --> 1:12:39.200
<v Speaker 1>don't know, brother Ali, if he really threw that metal.

1:12:39.439 --> 1:12:42.120
<v Speaker 1>But nobody ever found or where's it at? Yeah, they

1:12:42.200 --> 1:12:45.679
<v Speaker 1>went through every single thing that man owned. There's there's

1:12:45.720 --> 1:12:47.599
<v Speaker 1>like a state sales where you can buy his dishes.

1:12:48.200 --> 1:12:50.840
<v Speaker 1>Nobody found the gold medal. I think that gold medals

1:12:50.880 --> 1:12:53.920
<v Speaker 1>in the Ohio River. Let's get to this album, Man

1:12:54.200 --> 1:12:58.439
<v Speaker 1>Satisfied Soul. You and aunt Aunt delivered on a production,

1:13:00.040 --> 1:13:02.439
<v Speaker 1>credible body work. How how long were you guys working

1:13:02.439 --> 1:13:02.640
<v Speaker 1>on this?

1:13:02.720 --> 1:13:05.200
<v Speaker 3>Like? What what's give me the timeline short? It's the

1:13:05.320 --> 1:13:08.400
<v Speaker 3>easiest record we ever made. So it wasn't like over

1:13:08.479 --> 1:13:10.400
<v Speaker 3>some like like like how long would you say was

1:13:10.400 --> 1:13:11.879
<v Speaker 3>the overall recording process?

1:13:12.040 --> 1:13:13.960
<v Speaker 1>So I've made a couple of trips to Minneapolis. When

1:13:13.960 --> 1:13:15.760
<v Speaker 1>I would go back to America, I would go just

1:13:15.760 --> 1:13:18.759
<v Speaker 1>to see Ant And we made a couple of songs.

1:13:19.960 --> 1:13:21.400
<v Speaker 1>But then I said, all right, I'm gonna come back

1:13:21.400 --> 1:13:23.600
<v Speaker 1>here for a month and we'll start working on it.

1:13:23.720 --> 1:13:25.519
<v Speaker 1>We made almost the whole record in that month.

1:13:25.720 --> 1:13:26.559
<v Speaker 3>Wow yeah.

1:13:26.640 --> 1:13:29.120
<v Speaker 1>And then some of the things I had to rewrite

1:13:29.400 --> 1:13:31.680
<v Speaker 1>and then he went in with musicians and things like that,

1:13:31.760 --> 1:13:34.680
<v Speaker 1>and so you know, but the bulk of like this

1:13:34.720 --> 1:13:36.639
<v Speaker 1>is the beat, this is the rhyme, this is the song.

1:13:37.040 --> 1:13:39.680
<v Speaker 1>The bulk of it was in a month. Wow yeah.

1:13:39.720 --> 1:13:42.639
<v Speaker 1>But it's like a lot of a lot of living,

1:13:42.760 --> 1:13:44.479
<v Speaker 1>a lot of hurting, and a lot of healing. Like

1:13:44.520 --> 1:13:46.520
<v Speaker 1>I was in a place where when I left Minneapolis,

1:13:46.560 --> 1:13:48.600
<v Speaker 1>I was at a low point in my life. I

1:13:48.600 --> 1:13:52.439
<v Speaker 1>felt really bad about a lot of stuff, and I

1:13:52.640 --> 1:13:55.040
<v Speaker 1>just had several years of like healing and growing.

1:13:55.160 --> 1:13:57.280
<v Speaker 3>And I'm sure when you're in that position, there's it

1:13:57.439 --> 1:13:59.000
<v Speaker 3>just the pen just is fluid.

1:13:59.280 --> 1:14:01.080
<v Speaker 1>Yeah, because it's like we got all this stuff to say,

1:14:01.120 --> 1:14:03.400
<v Speaker 1>I already know how to make it all round. Like

1:14:03.439 --> 1:14:06.120
<v Speaker 1>I've made so much music. We've made so much music together.

1:14:06.840 --> 1:14:07.639
<v Speaker 1>That's the other part.

1:14:07.720 --> 1:14:09.880
<v Speaker 3>So like, yeah, it's not like you were working with

1:14:09.920 --> 1:14:12.280
<v Speaker 3>someone you you had no chemistry with or yeah, yeah,

1:14:12.280 --> 1:14:13.719
<v Speaker 3>you guys know each other's creative process.

1:14:14.040 --> 1:14:15.600
<v Speaker 1>It takes thirty years to be able to make an

1:14:15.600 --> 1:14:17.360
<v Speaker 1>album in a month, and some people make an album

1:14:17.400 --> 1:14:17.880
<v Speaker 1>in a week, you.

1:14:17.880 --> 1:14:20.200
<v Speaker 3>Know what I mean. Sure, but usually they're not very good.

1:14:20.720 --> 1:14:21.960
<v Speaker 1>The albums that get made a week.

1:14:22.640 --> 1:14:25.600
<v Speaker 3>Yeah, but no, but no, I mean it's it's it's

1:14:25.360 --> 1:14:29.599
<v Speaker 3>for me, man. I feel like, uh, you know, it's

1:14:29.640 --> 1:14:32.639
<v Speaker 3>just good when brother Ali's putting out music and hitting

1:14:32.680 --> 1:14:34.880
<v Speaker 3>the man, I appreciate that a lot because I know

1:14:34.920 --> 1:14:38.559
<v Speaker 3>you're always on the road. I'm actually gonna you're doing.

1:14:38.880 --> 1:14:43.240
<v Speaker 3>I just saw you're doing a festival in Phoenix from from.

1:14:43.080 --> 1:14:47.640
<v Speaker 1>Yeah, I'm doing with Whiz the Yele. Yeah, Damni and

1:14:47.640 --> 1:14:51.040
<v Speaker 1>Marley Dilated will be there, and I'm about to do

1:14:51.080 --> 1:14:53.040
<v Speaker 1>a tour with DJ Abilities DJing for me.

1:14:53.240 --> 1:14:53.679
<v Speaker 3>Oh wow.

1:14:53.680 --> 1:14:56.800
<v Speaker 1>So like DMC champion. So anybody that so Idea is

1:14:56.840 --> 1:15:00.439
<v Speaker 1>one of these people that like great, amazing, tremendous. See

1:15:00.479 --> 1:15:02.599
<v Speaker 1>one of the most beautiful people we ever knew. He

1:15:02.640 --> 1:15:05.120
<v Speaker 1>died young, and he never got his flowers except for

1:15:05.160 --> 1:15:08.320
<v Speaker 1>in our world. Her people got his face tattooed on him,

1:15:08.320 --> 1:15:10.400
<v Speaker 1>but like he never got Those are the kind of

1:15:10.400 --> 1:15:12.240
<v Speaker 1>people that if you win a Grammy and your your

1:15:12.280 --> 1:15:16.880
<v Speaker 1>and your you're you learned from them. You say his name,

1:15:18.000 --> 1:15:21.000
<v Speaker 1>you say idea. Sometimes you say even if he wasn't

1:15:21.000 --> 1:15:23.519
<v Speaker 1>your favorite, even if he wasn't your friend. Those are

1:15:23.560 --> 1:15:25.280
<v Speaker 1>the kind of things that I would respect, you know.

1:15:26.479 --> 1:15:28.960
<v Speaker 1>But so this was a group of these two amazing

1:15:28.960 --> 1:15:32.000
<v Speaker 1>white dudes. A super nerdy white dude rapper that like

1:15:32.040 --> 1:15:36.559
<v Speaker 1>won the Blaze Battle on HBO and beat Puffies guys

1:15:36.560 --> 1:15:39.000
<v Speaker 1>and all this kind of stuff, and KRS one had

1:15:39.000 --> 1:15:41.559
<v Speaker 1>to give him, gave him a trophy. And then his

1:15:41.720 --> 1:15:44.720
<v Speaker 1>DJ is a movie star looking white dude like he

1:15:44.720 --> 1:15:46.479
<v Speaker 1>looks like Keanu Reeves is something buff and he's a

1:15:46.560 --> 1:15:50.240
<v Speaker 1>yoga teacher and stuff. Amazing turntable list. So these dudes

1:15:50.280 --> 1:15:53.720
<v Speaker 1>were like child prodigies, idea passed away abilities is going

1:15:53.800 --> 1:15:55.600
<v Speaker 1>to be my DJ on the next upcoming tour. So

1:15:55.640 --> 1:15:58.080
<v Speaker 1>it's like having that level of DJ. I don't even

1:15:58.080 --> 1:16:00.000
<v Speaker 1>know what to do. I don't even know where to start.

1:16:00.040 --> 1:16:01.800
<v Speaker 3>You gotta give him, you got to give him a little, like,

1:16:01.800 --> 1:16:03.920
<v Speaker 3>you know, a little five minutes to go crazy, like

1:16:03.920 --> 1:16:06.240
<v Speaker 3>a Babboo, a Batboo type interlude.

1:16:06.600 --> 1:16:09.080
<v Speaker 1>Yeah, I'm thinking that, you know what, that's the that's

1:16:09.120 --> 1:16:11.240
<v Speaker 1>the one to follow. Baboo would dilate.

1:16:11.400 --> 1:16:13.720
<v Speaker 3>Dilated would like take a break and let Baboo just

1:16:13.760 --> 1:16:15.960
<v Speaker 3>go crazy. Yeah, man, fucking sick.

1:16:16.080 --> 1:16:20.040
<v Speaker 1>Yeah, or you know. Also nowadays we have a Z

1:16:20.160 --> 1:16:20.840
<v Speaker 1>Trip in ll.

1:16:21.080 --> 1:16:23.720
<v Speaker 3>Oh. Yeah, it's so dope to see Z Trip doing

1:16:23.760 --> 1:16:26.800
<v Speaker 3>it with ll because he's from my hometown. So it's like, oh,

1:16:26.840 --> 1:16:29.000
<v Speaker 3>you guys are from the same town. Yeah, we're from Arizona.

1:16:29.040 --> 1:16:30.760
<v Speaker 1>Yeah, I didn't know. I knew you're both for Arizona, Yeah,

1:16:30.760 --> 1:16:33.640
<v Speaker 1>but I didn't. It's like, yeah, and Mellow Music the

1:16:34.040 --> 1:16:36.559
<v Speaker 1>we're partnering with Mellow Music on this album. Mellow Musics

1:16:36.560 --> 1:16:37.280
<v Speaker 1>in Arizona too.

1:16:37.320 --> 1:16:40.000
<v Speaker 3>Yeah, shot to U, Z Trips go man. Z Trip

1:16:40.040 --> 1:16:40.840
<v Speaker 3>is a beautiful guy.

1:16:42.120 --> 1:16:42.360
<v Speaker 1>Yeah.

1:16:42.400 --> 1:16:46.040
<v Speaker 3>So with this project, man, what for you like give

1:16:46.080 --> 1:16:49.880
<v Speaker 3>me kind of like your because you have it's it's

1:16:49.920 --> 1:16:52.640
<v Speaker 3>easy to say, like, uh, the latest shit is your

1:16:52.640 --> 1:16:56.639
<v Speaker 3>favorite shit, but this stacks up amongst some of your

1:16:56.640 --> 1:16:59.840
<v Speaker 3>best work. Would you say us is like commercially you're

1:17:00.000 --> 1:17:01.040
<v Speaker 3>big album.

1:17:01.479 --> 1:17:06.000
<v Speaker 1>It's hard so from so basically I did my demo

1:17:06.040 --> 1:17:09.679
<v Speaker 1>tape in two thousand. I did my first like album

1:17:09.720 --> 1:17:12.679
<v Speaker 1>album in two thousand and three that was like underground

1:17:12.680 --> 1:17:16.719
<v Speaker 1>classic before there was before there was distribution or anything.

1:17:16.760 --> 1:17:20.040
<v Speaker 1>Like that was like one of the It's underground platinum,

1:17:20.160 --> 1:17:24.040
<v Speaker 1>you know what I mean. Shadows of the Sun, right,

1:17:24.040 --> 1:17:24.800
<v Speaker 1>Shadows of the Sun.

1:17:24.880 --> 1:17:25.120
<v Speaker 3>Yeah.

1:17:25.280 --> 1:17:28.639
<v Speaker 1>So then the next one that I did was Undisputed Truth,

1:17:29.360 --> 1:17:32.400
<v Speaker 1>and that one was the beginning of that Warner Brothers deal.

1:17:32.920 --> 1:17:34.479
<v Speaker 1>So that was the first one to come out on

1:17:34.520 --> 1:17:37.639
<v Speaker 1>that thing. And so when that, yeah, when that came out,

1:17:37.640 --> 1:17:38.240
<v Speaker 1>I was on.

1:17:38.320 --> 1:17:41.160
<v Speaker 3>The main stage at Coachella. That did Conan O'Brien.

1:17:40.760 --> 1:17:43.080
<v Speaker 1>And all that kind Like there was a time when

1:17:43.120 --> 1:17:46.320
<v Speaker 1>the music industry was like, this is what I'm saying.

1:17:46.360 --> 1:17:48.479
<v Speaker 1>Also that there was times where the music industry when

1:17:48.520 --> 1:17:52.000
<v Speaker 1>they were looking for a new white guy that wasn't eminem.

1:17:52.120 --> 1:17:55.400
<v Speaker 1>That was like they were looking for a positive eminem, right.

1:17:55.479 --> 1:17:57.800
<v Speaker 1>They wanted Slug to be that. Slug chose not to

1:17:57.840 --> 1:18:00.439
<v Speaker 1>be that. From atmosphere, I was in the room when

1:18:00.600 --> 1:18:03.120
<v Speaker 1>MTV was trying to do that. Rick Rubin tried to

1:18:03.160 --> 1:18:06.080
<v Speaker 1>recruit him. They all tried to sign him, and Slug said,

1:18:06.080 --> 1:18:07.559
<v Speaker 1>I never want to blow up because I never want

1:18:07.600 --> 1:18:10.040
<v Speaker 1>to fall off. He said, I if I let you

1:18:11.160 --> 1:18:12.880
<v Speaker 1>make me a star, then you get to decide when

1:18:12.880 --> 1:18:15.680
<v Speaker 1>I'm done being a star. If I stay building my

1:18:15.720 --> 1:18:17.360
<v Speaker 1>own world. I do it as long as I want,

1:18:17.360 --> 1:18:20.160
<v Speaker 1>and he's still doing it. Yo. That's you know what

1:18:20.520 --> 1:18:21.120
<v Speaker 1>that that.

1:18:21.160 --> 1:18:25.599
<v Speaker 3>Is very that's one of my I just met Slug

1:18:25.640 --> 1:18:26.280
<v Speaker 3>for the first time.

1:18:26.640 --> 1:18:30.000
<v Speaker 1>Really, yeah, man, I figured you had been thoughing Slug

1:18:30.040 --> 1:18:32.040
<v Speaker 1>now I'm a big fan, but I met him.

1:18:33.040 --> 1:18:35.040
<v Speaker 3>I had evidence walk me into their trailer. They had

1:18:35.040 --> 1:18:38.280
<v Speaker 3>a show out here last year with the headlined it

1:18:38.320 --> 1:18:41.439
<v Speaker 3>was Damn Dilated Living Legends Rhyme Fest. Yeah at the

1:18:41.960 --> 1:18:46.000
<v Speaker 3>LA Yeah, Rhymefest, the Homie Rymefest. Yeah, he's the homie

1:18:46.280 --> 1:18:49.439
<v Speaker 3>throws it. He's doing it again this year too. But

1:18:50.120 --> 1:18:53.280
<v Speaker 3>Scooby and two mechs Yes, yeah man. But it was

1:18:53.520 --> 1:18:58.040
<v Speaker 3>It's funny because I was like, yo, man, I was like,

1:18:58.800 --> 1:19:02.439
<v Speaker 3>I remember, like they're playing on alternative radio, yes, which

1:19:02.479 --> 1:19:06.280
<v Speaker 3>was so crazy because like I remember, yeah, like you know,

1:19:06.439 --> 1:19:08.000
<v Speaker 3>in Phoenix we had the Edge and I remember they'd

1:19:08.000 --> 1:19:08.880
<v Speaker 3>be playing Atmosphere.

1:19:08.920 --> 1:19:10.880
<v Speaker 1>But I'm like, this is this is some hip hop

1:19:10.880 --> 1:19:11.400
<v Speaker 1>shit for this.

1:19:12.520 --> 1:19:14.439
<v Speaker 3>And it was just dope to me because I feel like,

1:19:14.439 --> 1:19:20.240
<v Speaker 3>like when we think about the you mentioned Tech nine earlier,

1:19:20.720 --> 1:19:25.519
<v Speaker 3>I feel like Tech nine and Strange Music they got

1:19:25.560 --> 1:19:28.720
<v Speaker 3>so much like and rightfully so they got a lot

1:19:28.720 --> 1:19:32.800
<v Speaker 3>of credit for kind of being like independent pioneers. I

1:19:32.800 --> 1:19:35.240
<v Speaker 3>remember Double XL went out and did a tour of

1:19:35.280 --> 1:19:37.479
<v Speaker 3>their headquarters and it like broke a lot of people's

1:19:37.520 --> 1:19:38.519
<v Speaker 3>brains because they're.

1:19:38.280 --> 1:19:40.400
<v Speaker 1>Like, this is how does this exist? How do we

1:19:40.439 --> 1:19:41.120
<v Speaker 1>not know about this?

1:19:41.240 --> 1:19:44.080
<v Speaker 3>Yeah, and that's when Little Wayne shout o out tech

1:19:44.120 --> 1:19:45.000
<v Speaker 3>when he was in jail.

1:19:46.000 --> 1:19:46.639
<v Speaker 1>I feel like.

1:19:47.720 --> 1:19:50.840
<v Speaker 3>We don't look at in the hip hop world in

1:19:50.880 --> 1:19:55.439
<v Speaker 3>the hip hop bubble, atmosphere and rhyme sayers don't get

1:19:55.479 --> 1:19:57.800
<v Speaker 3>the same they accolades.

1:19:57.280 --> 1:19:59.960
<v Speaker 1>And the respect and part of the reason for that.

1:20:00.080 --> 1:20:02.599
<v Speaker 1>So first of all, yeah, so Tech nine Atmosphere came

1:20:02.680 --> 1:20:06.760
<v Speaker 1>up around the same time. So Tech nine learned a

1:20:06.760 --> 1:20:09.760
<v Speaker 1>lot of the things that they do from insane clown

1:20:09.800 --> 1:20:12.080
<v Speaker 1>posse yes for sure, and they went on to it

1:20:12.160 --> 1:20:13.719
<v Speaker 1>with the I mean they're.

1:20:13.640 --> 1:20:16.320
<v Speaker 3>Kind of like some godfathers of this independent raption for real,

1:20:16.560 --> 1:20:19.160
<v Speaker 3>to talk about the way they monetize their merch fan

1:20:19.200 --> 1:20:19.800
<v Speaker 3>base and all that.

1:20:19.880 --> 1:20:22.519
<v Speaker 1>Yeah, yeah, so they went So he learned from them,

1:20:22.720 --> 1:20:24.519
<v Speaker 1>and he told the truth about it, you know what

1:20:24.560 --> 1:20:30.439
<v Speaker 1>I mean. But his ability to rhyme just far surpasses them.

1:20:30.439 --> 1:20:33.040
<v Speaker 1>No dis to them, They're just not top tier lyricists,

1:20:33.439 --> 1:20:36.559
<v Speaker 1>where Tech nine is a technician, like there's a reason

1:20:36.640 --> 1:20:39.519
<v Speaker 1>he's an alien level rapper. I mean, he really truly is,

1:20:40.000 --> 1:20:42.920
<v Speaker 1>and he built it independently. Live show is incredible. Live

1:20:42.920 --> 1:20:46.200
<v Speaker 1>show is incredible, the everything that they did, like, no

1:20:46.240 --> 1:20:48.439
<v Speaker 1>one is more dedicated to their craft than Tech nine.

1:20:48.680 --> 1:20:51.760
<v Speaker 1>So the difference though, between Atmosphere and Tech nine is

1:20:51.800 --> 1:20:54.760
<v Speaker 1>that Tech nine decided, no, y'all are going to y'all

1:20:54.760 --> 1:20:57.639
<v Speaker 1>are going to recognize he cared, he said, and so

1:20:57.720 --> 1:21:00.040
<v Speaker 1>he went out and fought for that. Atmosphere is like,

1:21:00.080 --> 1:21:02.240
<v Speaker 1>I don't care who recognizes me. No, you're right about that.

1:21:02.640 --> 1:21:04.120
<v Speaker 1>We don't care how we don't care who you think.

1:21:04.160 --> 1:21:06.840
<v Speaker 3>That's it because tech really gave a fuck. And I

1:21:06.840 --> 1:21:10.880
<v Speaker 3>remember there was like that point in time where Tech

1:21:11.000 --> 1:21:17.320
<v Speaker 3>nine was on the Carter four yep, and you would

1:21:17.360 --> 1:21:19.320
<v Speaker 3>see like, oh, he's doing a record. I mean, and

1:21:19.400 --> 1:21:21.960
<v Speaker 3>Tech was always doing records with like forty and Cube

1:21:22.000 --> 1:21:25.160
<v Speaker 3>and like certain like, but it was like.

1:21:25.200 --> 1:21:26.640
<v Speaker 1>I think he has a I feel like he has

1:21:26.640 --> 1:21:27.320
<v Speaker 1>a record with Pop.

1:21:28.880 --> 1:21:31.000
<v Speaker 3>He might. I know they were on the same soundtrack

1:21:31.040 --> 1:21:33.400
<v Speaker 3>back in the day, Okay, but I remember he had

1:21:33.400 --> 1:21:33.920
<v Speaker 3>a an.

1:21:33.800 --> 1:21:35.960
<v Speaker 1>Now Roger Troutman. He's got like early.

1:21:36.200 --> 1:21:38.080
<v Speaker 3>Well, he had an album called All Sixes and Sevens

1:21:38.400 --> 1:21:41.280
<v Speaker 3>that dropped in twenty twelve, but that was the album

1:21:41.320 --> 1:21:44.320
<v Speaker 3>that came out that there was the Wayne hype. Wayne

1:21:44.360 --> 1:21:47.040
<v Speaker 3>shouted him out while Wayne was incarcerated, and then all

1:21:47.080 --> 1:21:49.040
<v Speaker 3>these like you would just like like he was fighting.

1:21:49.040 --> 1:21:50.760
<v Speaker 3>He was like, no, young motherfuckers are gonna give me.

1:21:50.760 --> 1:21:52.559
<v Speaker 3>You might just do and then you know shit. However,

1:21:52.640 --> 1:21:55.160
<v Speaker 3>many platinum and gold records later, like shout out, shout

1:21:55.200 --> 1:21:57.080
<v Speaker 3>out to tech Man. But I think I think we

1:21:57.120 --> 1:22:00.640
<v Speaker 3>got to give Atmosphere and Slug and and and and

1:22:00.680 --> 1:22:03.360
<v Speaker 3>what y'all boys are doing in Minneapolis, like real, like.

1:22:03.840 --> 1:22:07.000
<v Speaker 1>I believe the Atmosphere is one of the greatest and

1:22:07.160 --> 1:22:10.080
<v Speaker 1>the most the greatest, most unsung group in hip hop.

1:22:10.600 --> 1:22:12.720
<v Speaker 1>No one's made more music than them, no one has

1:22:12.720 --> 1:22:16.320
<v Speaker 1>toured more than them, and what they to and including

1:22:16.439 --> 1:22:18.320
<v Speaker 1>you know this conversation where I'm like people that come

1:22:18.400 --> 1:22:21.760
<v Speaker 1>later and benefit that don't give credit. Slug couldn't care less.

1:22:21.760 --> 1:22:23.519
<v Speaker 1>He's like, I don't care nobody exactly. He's like, oh

1:22:23.560 --> 1:22:25.320
<v Speaker 1>two O one O two oh two. Yeah.

1:22:25.560 --> 1:22:26.080
<v Speaker 3>Yeah.

1:22:26.160 --> 1:22:28.759
<v Speaker 1>So they came out for the first time in ninety seven,

1:22:29.680 --> 1:22:31.599
<v Speaker 1>but that was the first official release, but they've been

1:22:31.640 --> 1:22:32.400
<v Speaker 1>doing stuff before.

1:22:32.400 --> 1:22:35.240
<v Speaker 3>That's gotta be double triple platinum, you would think, I

1:22:35.240 --> 1:22:37.839
<v Speaker 3>don't know. That just feels like one of those albums

1:22:37.840 --> 1:22:40.439
<v Speaker 3>that like we'll live on, Like they could do it

1:22:40.520 --> 1:22:43.080
<v Speaker 3>every every five years. They could do an anniversary vinyl

1:22:43.160 --> 1:22:46.120
<v Speaker 3>every it'll sell out every year. It's twenty fifth anniversary,

1:22:46.120 --> 1:22:49.320
<v Speaker 3>it's a twenty anniversary, it's the twenty six exactly, yeah,

1:22:49.360 --> 1:22:52.680
<v Speaker 3>twenty third. Yeah, so yeah, God loves Ugly Seven's travels.

1:22:52.760 --> 1:22:55.280
<v Speaker 3>They just did an anniversary for You can't imagine how

1:22:55.320 --> 1:22:57.479
<v Speaker 3>much fun we're having, which is my personal favorite one.

1:22:57.760 --> 1:22:59.599
<v Speaker 3>But in that period, like I think I'm the biggest

1:22:59.600 --> 1:23:02.600
<v Speaker 3>Atmosphere fan or Earth Out Fight anybody about it. And

1:23:02.680 --> 1:23:05.240
<v Speaker 3>let's not forget about Slug and Merse two well three

1:23:05.240 --> 1:23:08.120
<v Speaker 3>classic albums. I'd like the first two, but yes, I

1:23:08.160 --> 1:23:09.559
<v Speaker 3>mean Felt Shit was amazing.

1:23:09.640 --> 1:23:13.040
<v Speaker 1>Oh yeah, yeah, yeah, I mean, you know, and what

1:23:13.080 --> 1:23:16.800
<v Speaker 1>they inspired. So their way of doing things inspired a

1:23:16.840 --> 1:23:19.840
<v Speaker 1>whole movement from whether they know it directly or not.

1:23:19.920 --> 1:23:21.360
<v Speaker 1>And I've talked to a bunch of these people, but

1:23:22.439 --> 1:23:25.080
<v Speaker 1>kind of what happened started happening independently in the blog era,

1:23:25.960 --> 1:23:28.120
<v Speaker 1>you know, even to a certain degree, like Whiz Khalifa,

1:23:28.439 --> 1:23:31.639
<v Speaker 1>and you know, there was a lot of inspiration from

1:23:31.680 --> 1:23:34.519
<v Speaker 1>I mean, Dame Dash was mentoring people at that time.

1:23:34.640 --> 1:23:36.320
<v Speaker 1>There was a lot of things going on at that time.

1:23:36.360 --> 1:23:39.519
<v Speaker 1>But those guys booking agent was this person I'm talking

1:23:39.520 --> 1:23:42.479
<v Speaker 1>about named Zach Quillen who I was his first. I was,

1:23:42.640 --> 1:23:46.519
<v Speaker 1>I was his first very serious like sine as his

1:23:46.720 --> 1:23:49.960
<v Speaker 1>as a booking agent, and he really fought for me,

1:23:50.000 --> 1:23:52.240
<v Speaker 1>and he also really fought for this approach to music.

1:23:52.680 --> 1:23:56.320
<v Speaker 1>And so who's don't make me go pop? The trunk

1:23:56.640 --> 1:23:59.920
<v Speaker 1>on a yellow Wolf? Yellow Wolf was was was his sign.

1:24:00.479 --> 1:24:03.040
<v Speaker 1>A lot of those people that came out around that,

1:24:03.200 --> 1:24:06.320
<v Speaker 1>like that era of like twenty two thousand and nine,

1:24:06.360 --> 1:24:07.200
<v Speaker 1>twenty ten.

1:24:07.120 --> 1:24:10.000
<v Speaker 3>Yeah, that blog era, that real. That was like the

1:24:10.479 --> 1:24:11.760
<v Speaker 3>meat and potatoes the blog era.

1:24:11.960 --> 1:24:14.120
<v Speaker 1>Yeah, their touring career was in a lot of ways

1:24:14.160 --> 1:24:17.160
<v Speaker 1>inspired indirectly from Atmosphere.

1:24:17.560 --> 1:24:19.759
<v Speaker 3>Yeah, someone like Yellow's done a good job of building

1:24:19.760 --> 1:24:21.800
<v Speaker 3>his own world that he could just exist in forever

1:24:21.840 --> 1:24:23.160
<v Speaker 3>if he wants, you know, he.

1:24:23.439 --> 1:24:25.480
<v Speaker 1>Tour forever, he could drop albums forever.

1:24:25.320 --> 1:24:29.040
<v Speaker 3>And you know, obviously on a different, different thing than

1:24:29.040 --> 1:24:31.120
<v Speaker 3>obviously what we're talking about with Atmosphere, because I feel

1:24:31.160 --> 1:24:34.320
<v Speaker 3>like Rhyme Sayers is a company. I wish they would

1:24:34.360 --> 1:24:37.320
<v Speaker 3>have kept the festival going. J Cole did it one year, right,

1:24:37.960 --> 1:24:39.680
<v Speaker 3>Cold did it. Kendrick did it.

1:24:40.040 --> 1:24:41.679
<v Speaker 1>And one of the things is that they were really

1:24:41.720 --> 1:24:43.720
<v Speaker 1>good at calling it early on people, so a lot

1:24:43.720 --> 1:24:45.439
<v Speaker 1>of people did it right before they blew up.

1:24:45.560 --> 1:24:48.080
<v Speaker 3>Yeah, the year before they blew up. Yeah, my boy

1:24:48.080 --> 1:24:51.479
<v Speaker 3>Peter Parker was out. I was just texting in Peter Parker,

1:24:51.560 --> 1:24:52.400
<v Speaker 3>great guy. Yeah.

1:24:52.520 --> 1:24:52.760
<v Speaker 1>Yeah.

1:24:52.920 --> 1:24:56.000
<v Speaker 3>Also that's my I always give him his flowers because

1:24:56.080 --> 1:24:58.560
<v Speaker 3>I I he was the first radio person outy I

1:24:58.600 --> 1:25:02.280
<v Speaker 3>saw on YouTube, like in like full B ninety.

1:25:02.040 --> 1:25:03.240
<v Speaker 1>Six was it B ninety six?

1:25:03.760 --> 1:25:03.920
<v Speaker 2>Uh?

1:25:03.960 --> 1:25:06.200
<v Speaker 3>And Go ninety five? No, No, Go ninety I'm talking

1:25:06.200 --> 1:25:09.000
<v Speaker 3>about back in the day. Go ninety five was more recent. Yeah,

1:25:09.040 --> 1:25:11.880
<v Speaker 3>but he had like the full YouTube the whole video

1:25:11.960 --> 1:25:14.920
<v Speaker 3>camera set up in their studio. So I'd be like, yeah, oh,

1:25:14.960 --> 1:25:17.599
<v Speaker 3>they're doing fucking YouTube videos with their.

1:25:17.439 --> 1:25:20.320
<v Speaker 1>Streams and she was having freestyles all that stuff. Yeah.

1:25:20.360 --> 1:25:23.160
<v Speaker 3>He was just stuck in Minnesota withple what to do. Yeah,

1:25:23.200 --> 1:25:25.320
<v Speaker 3>and then they did a dope thing with Go. It

1:25:25.360 --> 1:25:28.200
<v Speaker 3>didn't work out long term, but they had a new

1:25:28.200 --> 1:25:29.960
<v Speaker 3>approach to radio where they were just like, we're just

1:25:30.000 --> 1:25:31.559
<v Speaker 3>gonna play this shit we want to play and it

1:25:31.680 --> 1:25:34.400
<v Speaker 3>was cool and uh, you know, shout out to Yeah.

1:25:34.400 --> 1:25:36.599
<v Speaker 3>Minneapolis has always kind of been like that cool city

1:25:36.640 --> 1:25:39.360
<v Speaker 3>that like flies under the radar, but it's like it's

1:25:39.360 --> 1:25:40.360
<v Speaker 3>a great music town.

1:25:41.040 --> 1:25:43.840
<v Speaker 1>Great I mean, fucking Prince. What are we talking about, Prince?

1:25:43.920 --> 1:25:47.280
<v Speaker 1>I mean Mint Condition. Yeah, and Jimmy jam and Terry Lewis.

1:25:47.880 --> 1:25:49.519
<v Speaker 1>Like Jimmy, jim and Terry Lewis, I'm of the greatest

1:25:49.520 --> 1:25:52.840
<v Speaker 1>producers of Lizzo has roots in Minneapolis. Lizzo made her

1:25:53.040 --> 1:25:55.760
<v Speaker 1>her thing happen in Minneapolis. Like I was there for

1:25:55.840 --> 1:25:58.880
<v Speaker 1>all of that. Yeah, I saw all of that. Yeah,

1:25:59.040 --> 1:26:03.439
<v Speaker 1>Lizzo is she's from Texas, but where Minneapolis where she cracked.

1:26:03.479 --> 1:26:06.800
<v Speaker 3>Minneapolis where she learned how to do what she did,

1:26:07.240 --> 1:26:09.600
<v Speaker 3>Not that she owes it to anybody in particular.

1:26:09.880 --> 1:26:11.080
<v Speaker 1>Her thing is a lot more.

1:26:11.920 --> 1:26:12.120
<v Speaker 3>You know.

1:26:12.360 --> 1:26:15.160
<v Speaker 1>It's interesting though, that her whole like I'm big and

1:26:15.200 --> 1:26:19.479
<v Speaker 1>I love myself anyway. You know, the song that did

1:26:19.479 --> 1:26:22.120
<v Speaker 1>it for me was called Forrest Whitaker, which is basically

1:26:22.120 --> 1:26:24.680
<v Speaker 1>like I'm albino and I love myself anyway. It's a

1:26:24.800 --> 1:26:26.960
<v Speaker 1>very similar kind of thing, but it's not.

1:26:27.040 --> 1:26:29.479
<v Speaker 3>She wasn't up in our mix like learned studying everything

1:26:29.600 --> 1:26:31.240
<v Speaker 3>and that, but she was in she was a.

1:26:31.160 --> 1:26:34.000
<v Speaker 1>Part of that world. Yeah, sure, yeah, she was part

1:26:34.000 --> 1:26:36.840
<v Speaker 1>of that world. And she did a project with one

1:26:36.920 --> 1:26:40.320
<v Speaker 1>of the other labels. It's called Doom Tree and there's

1:26:40.320 --> 1:26:42.640
<v Speaker 1>a guy on that producer on that label, kind of.

1:26:42.680 --> 1:26:46.680
<v Speaker 3>Like the aunt of their from out there too. Yeah.

1:26:46.760 --> 1:26:49.919
<v Speaker 3>And Minneapolis is like fucking just the backpack paradise.

1:26:51.840 --> 1:26:54.240
<v Speaker 1>It really is, and I mean for everybody, and also

1:26:54.280 --> 1:26:59.080
<v Speaker 1>every touring band or comedian knows that, Like when we

1:26:59.080 --> 1:27:00.599
<v Speaker 1>get to Minneapolis, we're have a good night.

1:27:00.760 --> 1:27:04.360
<v Speaker 3>That's everybody's I always feel like it's Minneapolis and Denver.

1:27:04.520 --> 1:27:07.320
<v Speaker 1>Oh yeah, Denver is Denver is rich now though, so

1:27:07.520 --> 1:27:09.120
<v Speaker 1>there's Denver got big time on everybody.

1:27:09.160 --> 1:27:12.840
<v Speaker 3>Denver's like a great just you have to go to Denver,

1:27:12.880 --> 1:27:15.120
<v Speaker 3>You have to go to Minneapolis so many venues, and

1:27:15.160 --> 1:27:16.960
<v Speaker 3>I feel like fans show up in those cities for

1:27:17.000 --> 1:27:18.160
<v Speaker 3>some reason. They just show up.

1:27:18.160 --> 1:27:21.599
<v Speaker 1>There's a culture of like okay, man there, Yeah, they're

1:27:21.640 --> 1:27:23.840
<v Speaker 1>making music like we gotta all go be part of it,

1:27:24.280 --> 1:27:26.320
<v Speaker 1>and like they know how to be an audience. They

1:27:26.320 --> 1:27:29.920
<v Speaker 1>also expect a good show, have you done Red Rocks, Yeah,

1:27:29.960 --> 1:27:30.559
<v Speaker 1>many times.

1:27:30.720 --> 1:27:34.240
<v Speaker 3>How amazing is Red Rocks? I've never been. I'm gonna

1:27:34.280 --> 1:27:37.559
<v Speaker 3>try to go soon. I think Wiz is doing something

1:27:37.560 --> 1:27:38.799
<v Speaker 3>at Red Rocks on four.

1:27:38.920 --> 1:27:41.080
<v Speaker 1>You know, and profits from Minneapolis.

1:27:41.280 --> 1:27:43.840
<v Speaker 3>Prof shout, it's a prop man prophets, you know.

1:27:43.880 --> 1:27:44.320
<v Speaker 1>It's funny.

1:27:44.360 --> 1:27:45.880
<v Speaker 3>There's two or three times he was supposed to come

1:27:45.880 --> 1:27:49.040
<v Speaker 3>on the pod and then ended up getting rescheduled or

1:27:49.080 --> 1:27:53.600
<v Speaker 3>I just didn't end up working out. But Profits another prolific.

1:27:53.479 --> 1:27:57.479
<v Speaker 1>Very talented person, very hard working guy. He's another one

1:27:57.479 --> 1:28:00.280
<v Speaker 1>that like everyone that knows him loves him. I don't

1:28:00.280 --> 1:28:02.639
<v Speaker 1>know him like that, but there's definitely a mutual respect

1:28:02.920 --> 1:28:04.559
<v Speaker 1>every time I see him as like, I know what

1:28:04.600 --> 1:28:06.400
<v Speaker 1>it means to work as hard as you're working and

1:28:06.439 --> 1:28:11.040
<v Speaker 1>to be as dedicated and man extremely And he's another

1:28:11.040 --> 1:28:13.360
<v Speaker 1>one that he had a period where he was connected

1:28:13.400 --> 1:28:14.120
<v Speaker 1>to rhymes all.

1:28:14.040 --> 1:28:20.880
<v Speaker 3>Time, great white rapper city ever in Minneapolis. Well I

1:28:20.960 --> 1:28:26.080
<v Speaker 3>never thought about that before. It's true though, Yo, So

1:28:26.680 --> 1:28:28.519
<v Speaker 3>you said, so you already planning the next tour, then

1:28:28.560 --> 1:28:30.559
<v Speaker 3>if you already got abilities locked in.

1:28:30.560 --> 1:28:32.960
<v Speaker 1>And yeah, so the tour that tour is announced, that'll

1:28:33.000 --> 1:28:35.640
<v Speaker 1>be April and May, and then I just announced I'm

1:28:35.640 --> 1:28:38.000
<v Speaker 1>going to do a week in the UK and we

1:28:38.040 --> 1:28:41.120
<v Speaker 1>have other European stuff coming and Australia will be coming

1:28:41.160 --> 1:28:43.080
<v Speaker 1>soon announcing soon.

1:28:43.320 --> 1:28:46.519
<v Speaker 3>That's dope, man, Are you? Are you? Like? For you

1:28:47.040 --> 1:28:49.519
<v Speaker 3>is the when you put an album out like this

1:28:49.600 --> 1:28:52.880
<v Speaker 3>and you get so much off your chest? Right? Are

1:28:52.920 --> 1:28:54.599
<v Speaker 3>you the type of person that needs some more living

1:28:54.920 --> 1:28:57.320
<v Speaker 3>to be inspired for the next thing? It's great I

1:28:57.400 --> 1:28:59.280
<v Speaker 3>used to be or do you still have like some

1:28:59.320 --> 1:29:02.280
<v Speaker 3>more like obviously it's what about four years since the

1:29:02.320 --> 1:29:02.840
<v Speaker 3>last album.

1:29:03.080 --> 1:29:04.640
<v Speaker 1>Well, so we did the Love and Service album that

1:29:04.680 --> 1:29:06.200
<v Speaker 1>nobody knew about that was just a year ago.

1:29:06.240 --> 1:29:07.000
<v Speaker 3>Okay, that was a year ago.

1:29:07.160 --> 1:29:11.400
<v Speaker 1>Yeah, so but yeah, my last like major release was

1:29:12.400 --> 1:29:15.440
<v Speaker 1>twenty nineteen Crazy.

1:29:14.479 --> 1:29:17.559
<v Speaker 3>And is that your last album with yep?

1:29:17.720 --> 1:29:21.280
<v Speaker 1>Yeah, yeah, And so I've done some projects in between them,

1:29:21.320 --> 1:29:24.559
<v Speaker 1>but like, yeah, this is the first like main release.

1:29:24.880 --> 1:29:27.320
<v Speaker 1>But yeah, I don't think it's going to be as

1:29:27.720 --> 1:29:30.479
<v Speaker 1>long now because of the fact that I have my

1:29:30.520 --> 1:29:33.160
<v Speaker 1>own outlet, like now, I control my own so like

1:29:33.200 --> 1:29:34.240
<v Speaker 1>I can literally.

1:29:33.960 --> 1:29:35.439
<v Speaker 3>Yeah, like if you get inspired and want to drop

1:29:35.479 --> 1:29:37.240
<v Speaker 3>an EP in six months, so you could just like

1:29:37.240 --> 1:29:37.960
<v Speaker 3>we're gonna do it.

1:29:38.280 --> 1:29:41.200
<v Speaker 1>And then also I know that I will see every

1:29:41.240 --> 1:29:44.000
<v Speaker 1>sale come in and it will all go directly to

1:29:44.040 --> 1:29:45.800
<v Speaker 1>me and my partner. So bk One, who is the

1:29:45.880 --> 1:29:48.320
<v Speaker 1>DJ you saw with us back then. H He DJ'ed

1:29:48.360 --> 1:29:50.720
<v Speaker 1>for me and Evidence back then. So he was my

1:29:50.760 --> 1:29:54.360
<v Speaker 1>first DJ and he comes from radio. He is the

1:29:54.400 --> 1:29:56.920
<v Speaker 1>one that introduced me to rhyme. Sayers like the closest

1:29:56.920 --> 1:29:58.880
<v Speaker 1>thing I got to a Day one and he was

1:29:58.920 --> 1:30:00.400
<v Speaker 1>with me in a rhyme series Days. He made a

1:30:00.400 --> 1:30:04.479
<v Speaker 1>really dope record called Radio Da Kinaball with Brazilian samples

1:30:04.520 --> 1:30:10.960
<v Speaker 1>and Man Doom and Black Thought and Scarfacer on it.

1:30:10.960 --> 1:30:13.439
<v Speaker 1>It's a dope album. So he did that and then

1:30:13.479 --> 1:30:16.120
<v Speaker 1>he left the road and he started an anti racist

1:30:16.200 --> 1:30:19.000
<v Speaker 1>radio station, Low Watt radio station in Minneapolis. This guy

1:30:19.080 --> 1:30:21.439
<v Speaker 1>is dope. So when I stepped away from rhyme stares

1:30:21.439 --> 1:30:22.920
<v Speaker 1>and moved to Turkey, I just let him know. I

1:30:22.960 --> 1:30:24.920
<v Speaker 1>was like, I'm going to start my own podcast. I'm

1:30:24.920 --> 1:30:27.200
<v Speaker 1>gonna start my own operations. I want to write, I

1:30:27.200 --> 1:30:28.599
<v Speaker 1>want to teach, I want to do so and so.

1:30:29.080 --> 1:30:31.800
<v Speaker 1>And he's like, yeah, I'll do that with you. Like

1:30:31.840 --> 1:30:33.599
<v Speaker 1>what you mean, like along with your He's like, no,

1:30:33.640 --> 1:30:36.519
<v Speaker 1>I'm leaving the radio station anyway. I'm going to dedicate

1:30:36.560 --> 1:30:39.600
<v Speaker 1>my life to this again. Oh yeah, man, So you

1:30:39.640 --> 1:30:43.799
<v Speaker 1>guys are together. So now it's different when you release

1:30:43.920 --> 1:30:46.000
<v Speaker 1>music and you put it out and you go on

1:30:46.040 --> 1:30:48.800
<v Speaker 1>Spotify for artists and you watch the streams, and then

1:30:48.800 --> 1:30:50.600
<v Speaker 1>you go on destroy Kid on your phone and you

1:30:50.640 --> 1:30:54.000
<v Speaker 1>watch the money, and then you go on Shopify and

1:30:54.040 --> 1:30:56.760
<v Speaker 1>you watch the merch and then you go on your

1:30:56.800 --> 1:30:58.559
<v Speaker 1>website and you watch the thing, and then you go

1:30:58.600 --> 1:31:01.960
<v Speaker 1>to your bank account and it all it's all there. Yeah,

1:31:02.000 --> 1:31:04.880
<v Speaker 1>and then you split it with one person who is

1:31:04.960 --> 1:31:07.240
<v Speaker 1>dedicating his life to this work the same as you are.

1:31:08.080 --> 1:31:11.559
<v Speaker 1>It's just clean, it's nice. It's you know. And shoutut

1:31:11.600 --> 1:31:15.439
<v Speaker 1>to Alchemist because when I told Alchemists I was thinking

1:31:15.439 --> 1:31:18.320
<v Speaker 1>about doing that, he was like, call me and he

1:31:18.360 --> 1:31:20.519
<v Speaker 1>sat on the phone with me for an hour. Just

1:31:20.880 --> 1:31:22.599
<v Speaker 1>try to do that. Don't don't, don't don't do this.

1:31:22.680 --> 1:31:26.360
<v Speaker 3>Yeah, look quietest, cap Al's been running it up with alc.

1:31:26.760 --> 1:31:29.759
<v Speaker 3>Whether it's the I mean on the Vinyl front ols

1:31:29.920 --> 1:31:32.439
<v Speaker 3>killing it man. You know, obviously I don't know if

1:31:32.479 --> 1:31:34.000
<v Speaker 3>you hear I mean the new two chains Larry june

1:31:34.000 --> 1:31:35.680
<v Speaker 3>aut Me put out. It's incredible. I think it might

1:31:35.720 --> 1:31:37.479
<v Speaker 3>have came out the same day. Your album dropped a

1:31:37.479 --> 1:31:40.000
<v Speaker 3>week before. H Yeah, yeah, I came out the same

1:31:40.080 --> 1:31:42.240
<v Speaker 3>day as Westside Gun. Yeah. Shout out to Al though.

1:31:42.360 --> 1:31:46.000
<v Speaker 3>Al is uh Man just the just the best.

1:31:45.800 --> 1:31:51.120
<v Speaker 1>And he has an album coming with yam Bay. I've

1:31:51.120 --> 1:31:53.320
<v Speaker 1>not heard it. I've never heard anything. Yeah, I've heard

1:31:53.320 --> 1:31:55.080
<v Speaker 1>it though, is it crazy? Yeah?

1:31:55.080 --> 1:31:55.400
<v Speaker 3>Man?

1:31:55.720 --> 1:31:57.400
<v Speaker 1>Yeah, Seen was sending me the songs as they were

1:31:57.400 --> 1:31:59.479
<v Speaker 1>making them. Oh man, and so yeah, I mean they

1:31:59.479 --> 1:32:01.400
<v Speaker 1>did a black Blackstar album. You know.

1:32:01.479 --> 1:32:02.920
<v Speaker 3>I know a lot of people didn't get to hear

1:32:02.960 --> 1:32:05.839
<v Speaker 3>it because it wasn't on DSPs. But the Lives Blackstar.

1:32:05.920 --> 1:32:09.760
<v Speaker 3>I'm a solid man, but I love man. If I

1:32:09.760 --> 1:32:12.759
<v Speaker 3>could get Yasine Bay what the Alchemist for a whole album,

1:32:12.840 --> 1:32:14.360
<v Speaker 3>I will pay any amount of money.

1:32:14.200 --> 1:32:16.800
<v Speaker 1>For that when you're about to and yeah yeah, and

1:32:17.120 --> 1:32:19.560
<v Speaker 1>I mean yah, Seen is really against DSPs.

1:32:19.640 --> 1:32:21.800
<v Speaker 3>He's like that is I get it, though, I get it,

1:32:21.960 --> 1:32:23.800
<v Speaker 3>And I think, you know, you want to give a

1:32:23.840 --> 1:32:26.280
<v Speaker 3>shout out to Larussell. L Russell's doing a good job

1:32:26.280 --> 1:32:28.760
<v Speaker 3>of kind of rethinking, like I guess, kind of the

1:32:28.840 --> 1:32:31.360
<v Speaker 3>business model approach to like music. It's like, hey, like

1:32:32.640 --> 1:32:35.719
<v Speaker 3>you know you can buy it or wait a while

1:32:35.760 --> 1:32:37.920
<v Speaker 3>and then it'll end up on DSPs. You know.

1:32:39.160 --> 1:32:42.680
<v Speaker 1>Yeah, rock Marcy did that. Yeah, is another person that

1:32:42.720 --> 1:32:44.559
<v Speaker 1>does not. I mean, for as much as we love

1:32:44.640 --> 1:32:46.519
<v Speaker 1>him he is, he doesn't get the credit. He's the

1:32:46.560 --> 1:32:50.200
<v Speaker 1>goat in a certain sure, sure, you know he's not struggling,

1:32:50.200 --> 1:32:52.760
<v Speaker 1>he's doing very well. But man, rock Marcy is another

1:32:52.760 --> 1:32:55.960
<v Speaker 1>one of those guys that like, man, let's tell the truth.

1:32:56.200 --> 1:32:59.800
<v Speaker 1>Let's tell the truth about I love Griselda, but it's

1:32:59.840 --> 1:33:03.479
<v Speaker 1>like when Griselda gets your shine, you have to you

1:33:03.640 --> 1:33:05.679
<v Speaker 1>have to tell you have to talk about rock Marcy.

1:33:05.760 --> 1:33:08.920
<v Speaker 1>Don't try to hide that, ye don't hide that. That's

1:33:08.920 --> 1:33:12.640
<v Speaker 1>what colonialism is, That's what slavery is about. That's what

1:33:13.280 --> 1:33:15.680
<v Speaker 1>the culture is. Where you love the people you come

1:33:15.680 --> 1:33:20.280
<v Speaker 1>from and learn from their grind helps you, Your shine

1:33:20.320 --> 1:33:20.800
<v Speaker 1>helps them.

1:33:21.240 --> 1:33:23.439
<v Speaker 3>Don't talk to Conway a lot about I know Conway's

1:33:23.439 --> 1:33:25.280
<v Speaker 3>giving it up to Uh.

1:33:25.400 --> 1:33:27.640
<v Speaker 1>Maybe they have and then forgive me if I don't mean,

1:33:27.640 --> 1:33:28.160
<v Speaker 1>I'm not trying to.

1:33:28.160 --> 1:33:30.600
<v Speaker 3>But no, but rock Marcy's kind of the goat of

1:33:30.600 --> 1:33:33.160
<v Speaker 3>that world in terms of especially in terms of just

1:33:33.280 --> 1:33:37.760
<v Speaker 3>kind of just cultivating like fans and turning that into monetization, merch,

1:33:37.760 --> 1:33:41.479
<v Speaker 3>et cetera. Like obviously Griselda has built their own world,

1:33:41.680 --> 1:33:41.840
<v Speaker 3>you know.

1:33:41.880 --> 1:33:44.640
<v Speaker 1>And then you see that like man Ca died and

1:33:44.880 --> 1:33:48.520
<v Speaker 1>kr was another one of those voices. That's like anybody

1:33:48.560 --> 1:33:51.479
<v Speaker 1>getting shine in that world, especially if you came after

1:33:51.520 --> 1:33:54.519
<v Speaker 1>the ten years of work that that Rock Marcy and

1:33:54.600 --> 1:33:58.559
<v Speaker 1>Cod did, like man Car worked a regular job, right

1:33:58.720 --> 1:34:02.240
<v Speaker 1>so that he could make that type of music. It's like, dude, that,

1:34:02.360 --> 1:34:05.559
<v Speaker 1>like you can't take that away from each other. Like, Okay, Elvis,

1:34:05.760 --> 1:34:08.040
<v Speaker 1>you're great, you shake your butt. You're white and you

1:34:08.040 --> 1:34:10.559
<v Speaker 1>can still shake your butt. Great, right, great, none wrong

1:34:10.600 --> 1:34:13.240
<v Speaker 1>with that. That doesn't make you a bad guy. But

1:34:13.280 --> 1:34:15.680
<v Speaker 1>Big Mama Thornton had to be black in America in

1:34:15.720 --> 1:34:18.760
<v Speaker 1>the nineteen twenties and that's why. And like she's sang

1:34:18.880 --> 1:34:22.559
<v Speaker 1>like that. So just when somebody is saying, hey, you

1:34:22.560 --> 1:34:24.400
<v Speaker 1>ain't in, but a hound dog is dope, be like yeah,

1:34:24.400 --> 1:34:27.320
<v Speaker 1>shot out to Big Mama Thornton, Like that's it. What's

1:34:27.360 --> 1:34:29.320
<v Speaker 1>wrong with that? What the hell is wrong with that?

1:34:29.640 --> 1:34:32.639
<v Speaker 1>And then the whole time that Rock Marcy is like man,

1:34:32.680 --> 1:34:35.360
<v Speaker 1>people are writing him off and counting him out, and

1:34:35.640 --> 1:34:37.120
<v Speaker 1>I mean he says it all the time, and he's

1:34:37.120 --> 1:34:39.320
<v Speaker 1>got the right to talk like that. Because like, yeah,

1:34:39.360 --> 1:34:41.439
<v Speaker 1>when people are putting shakers and cow bells in their

1:34:41.439 --> 1:34:44.559
<v Speaker 1>beats trying to be the Neptunes, He's like, Yo, I'm

1:34:44.600 --> 1:34:47.360
<v Speaker 1>looping this and I'm rapping over it. Yeah, and it's

1:34:47.640 --> 1:34:52.400
<v Speaker 1>no drums fifteen bpm slower than what everybody's doing. And

1:34:52.439 --> 1:34:54.320
<v Speaker 1>they're like, yo, you, but you could have a record deal,

1:34:54.600 --> 1:34:56.599
<v Speaker 1>not if I got to make music like I don't.

1:34:56.400 --> 1:34:56.960
<v Speaker 3>Want to make that.

1:34:57.120 --> 1:34:59.360
<v Speaker 1>Yeah, I don't want to I don't want to make

1:34:59.400 --> 1:35:02.639
<v Speaker 1>the Neptunes, but I want to do this. And then

1:35:02.720 --> 1:35:04.479
<v Speaker 1>kay is doing that, and he's got to work a

1:35:04.600 --> 1:35:07.960
<v Speaker 1>job and so that he can be that free. Kle's like, look,

1:35:08.120 --> 1:35:09.720
<v Speaker 1>you're not gonna tell me. I'm not doing this for

1:35:09.840 --> 1:35:12.240
<v Speaker 1>my fans. I'm doing this because it's the music in

1:35:12.280 --> 1:35:15.160
<v Speaker 1>my heart. If KAYI has to work a job and

1:35:15.240 --> 1:35:19.160
<v Speaker 1>do all of that, then when we benefit from that,

1:35:19.200 --> 1:35:21.600
<v Speaker 1>we just got to say we got to make that

1:35:21.680 --> 1:35:24.639
<v Speaker 1>a part of it. Every time I'm rhyman is Ka.

1:35:26.600 --> 1:35:28.400
<v Speaker 1>You know, I love Action Bronson. It's like when he

1:35:28.439 --> 1:35:31.040
<v Speaker 1>got angry when people kept telling him ghost face. Yeah

1:35:31.160 --> 1:35:31.599
<v Speaker 1>I remember.

1:35:31.640 --> 1:35:36.680
<v Speaker 3>I think he probably regrets again beautiful because he was

1:35:36.720 --> 1:35:38.679
<v Speaker 3>it on ESPN or say it was all somewhere random.

1:35:38.680 --> 1:35:42.040
<v Speaker 1>But I feel like he probably he got tired of

1:35:42.080 --> 1:35:44.880
<v Speaker 1>hearing it. But it's like, Okay, your voices are the

1:35:44.880 --> 1:35:47.360
<v Speaker 1>same register. He's not faking his voice when you hear

1:35:47.400 --> 1:35:48.599
<v Speaker 1>him talk, He's amazing.

1:35:48.600 --> 1:35:49.960
<v Speaker 3>For yourself.

1:35:50.000 --> 1:35:52.960
<v Speaker 1>I'm eating schnail pigeons with sew and so like I'm saying, like,

1:35:53.000 --> 1:35:56.160
<v Speaker 1>he's amazing. And he's a nice person, hard working person,

1:35:56.520 --> 1:35:59.840
<v Speaker 1>talented person. He's not a punk. He's a beautiful dude. Nothing.

1:36:00.439 --> 1:36:02.679
<v Speaker 1>But it's like, Okay, yes, you have the same register.

1:36:03.360 --> 1:36:06.920
<v Speaker 1>Ghost Face came up for all these years showing you

1:36:07.000 --> 1:36:10.360
<v Speaker 1>how to use a voice that sounds like that. So

1:36:10.800 --> 1:36:13.639
<v Speaker 1>and if you're gonna sound that much like him, then yeah,

1:36:13.680 --> 1:36:16.080
<v Speaker 1>you're gonna hear his name a lot. And you can't

1:36:16.400 --> 1:36:18.880
<v Speaker 1>be mad about that. Like that you got you gotta

1:36:18.880 --> 1:36:21.519
<v Speaker 1>discipline the ego to win, you know what I'm saying.

1:36:21.600 --> 1:36:23.120
<v Speaker 1>When I came out, people told me I sound like

1:36:23.160 --> 1:36:26.679
<v Speaker 1>Pharaoh Munch. And then one day I'm sitting there rapping

1:36:27.479 --> 1:36:29.280
<v Speaker 1>on the wake up show and I'm going in and

1:36:29.320 --> 1:36:30.720
<v Speaker 1>da da da da da. I opened my eyes and

1:36:30.760 --> 1:36:33.200
<v Speaker 1>there's Pharaoh Monch And I said, oh, man, I said

1:36:33.240 --> 1:36:34.800
<v Speaker 1>on the white people, man people have been telling me

1:36:34.840 --> 1:36:36.880
<v Speaker 1>I sound like you. I love you. I said, do

1:36:36.960 --> 1:36:39.080
<v Speaker 1>I sound like you? He said, Man, somebody showed me

1:36:39.080 --> 1:36:43.120
<v Speaker 1>your picture and said, this guy sounds like you. And

1:36:43.120 --> 1:36:45.080
<v Speaker 1>I was like, all right, now, I don't know about

1:36:45.080 --> 1:36:47.280
<v Speaker 1>all that, but he's but then he's like, then I

1:36:47.320 --> 1:36:49.880
<v Speaker 1>heard you. And we're friends now. And to this day,

1:36:49.920 --> 1:36:52.840
<v Speaker 1>if anybody ever asked me, I'm not I don't have

1:36:52.920 --> 1:36:56.400
<v Speaker 1>I'm not more famous than him either. But it's like, man,

1:36:56.479 --> 1:36:58.760
<v Speaker 1>any white person that doesn't know Pharaoh Monch, it's like

1:36:58.800 --> 1:37:01.439
<v Speaker 1>you don't get to say, man, you're so soulful in

1:37:01.479 --> 1:37:03.320
<v Speaker 1>the sing song y Da Da Da da da, Well

1:37:03.320 --> 1:37:07.240
<v Speaker 1>that's cause of Pharaoh, Munch and Chuck d and y'all

1:37:07.240 --> 1:37:11.639
<v Speaker 1>seen and Kwali and common and you know what I mean.

1:37:12.120 --> 1:37:14.680
<v Speaker 1>If there's ever anybody that celebrates me, and I know

1:37:14.760 --> 1:37:18.640
<v Speaker 1>that you're also celebrating my lineage, I'm proud to be

1:37:18.680 --> 1:37:21.200
<v Speaker 1>from a lineage. I hope I'm worthy of that lineage.

1:37:21.280 --> 1:37:22.720
<v Speaker 1>I hope I'm worthy of you know what I mean.

1:37:23.520 --> 1:37:26.519
<v Speaker 1>Those people seem to approve of me, for sure, you

1:37:26.520 --> 1:37:28.559
<v Speaker 1>know what I mean. And if they didn't, I would

1:37:28.600 --> 1:37:32.840
<v Speaker 1>be I would be not just seeking approval for the

1:37:32.880 --> 1:37:38.720
<v Speaker 1>approvals sake, But it's like if these are people's real life, Like,

1:37:38.920 --> 1:37:41.200
<v Speaker 1>if you're really an artist, you know the blood, sweat

1:37:41.200 --> 1:37:43.920
<v Speaker 1>and tears you're pouring to figuring out how to make

1:37:44.000 --> 1:37:46.920
<v Speaker 1>it sound like this, And so if somebody else has

1:37:46.960 --> 1:37:49.439
<v Speaker 1>done that work, it's like, man, I will never be

1:37:49.520 --> 1:37:52.519
<v Speaker 1>out here gallivat and taking shine that from stuff I

1:37:52.600 --> 1:37:56.080
<v Speaker 1>learned from you. And if you are an artist, you

1:37:56.160 --> 1:37:58.880
<v Speaker 1>know what you added. So Eminem is like, yeah, play

1:38:00.200 --> 1:38:02.280
<v Speaker 1>play Tretch from Naughty by Nature, not the hits, play

1:38:02.280 --> 1:38:05.920
<v Speaker 1>Wickedest Man, Alive by Trench, and play anything from a

1:38:05.960 --> 1:38:08.720
<v Speaker 1>g rap and Red Man. You're gonna hear what I

1:38:08.760 --> 1:38:11.400
<v Speaker 1>learned from them. You're also gonna hear what Eminem brought

1:38:11.439 --> 1:38:14.719
<v Speaker 1>because he also brought something, so he's comfortable and confident.

1:38:15.160 --> 1:38:17.519
<v Speaker 1>He's like, yes, red Man on my T shirt, Go

1:38:17.560 --> 1:38:19.240
<v Speaker 1>listen to Red Man, go listen a month.

1:38:19.280 --> 1:38:20.800
<v Speaker 3>Well, I think even on like eminem show where he

1:38:20.840 --> 1:38:24.840
<v Speaker 3>listed uh uh he had that line was it until

1:38:24.840 --> 1:38:29.160
<v Speaker 3>I Collapse where he mentioned like the best of like

1:38:29.240 --> 1:38:31.320
<v Speaker 3>the greatest of all time list and then and then

1:38:31.360 --> 1:38:33.599
<v Speaker 3>he said and he mentioned all these rappers and then

1:38:33.600 --> 1:38:35.880
<v Speaker 3>put himself at the end, and then me, I think

1:38:35.880 --> 1:38:37.479
<v Speaker 3>it was like corrupt red Man.

1:38:38.320 --> 1:38:38.920
<v Speaker 1>But but he.

1:38:38.880 --> 1:38:40.559
<v Speaker 3>Always I think Eminem has always did a good job

1:38:40.560 --> 1:38:42.360
<v Speaker 3>of paying homage. And if you know anything about Eminem,

1:38:42.400 --> 1:38:44.519
<v Speaker 3>like literally his entire come up is like that of

1:38:44.520 --> 1:38:47.160
<v Speaker 3>like a backpack rapper for real, like fucking.

1:38:47.080 --> 1:38:48.920
<v Speaker 1>He comes from the culture and this there's he was

1:38:48.920 --> 1:38:51.479
<v Speaker 1>on Soundbomban too, you know, like there's a difference with

1:38:51.800 --> 1:38:54.320
<v Speaker 1>any man great with people. Yeah, any man that jump

1:38:54.360 --> 1:38:57.160
<v Speaker 1>in front of a mini band, he's on the.

1:38:57.439 --> 1:38:59.599
<v Speaker 3>It's funny because he was on the cover of Soundbomban too,

1:38:59.600 --> 1:39:01.679
<v Speaker 3>like there was like an illustrated picture of him. Yes,

1:39:01.720 --> 1:39:04.280
<v Speaker 3>that's right, yeah, right, Oh my god, one of the

1:39:04.280 --> 1:39:06.320
<v Speaker 3>best mixtapes ever. Shout out to fucking Jay rock and

1:39:06.479 --> 1:39:09.960
<v Speaker 3>uh bat boo absolutely man, that was shout to be

1:39:10.080 --> 1:39:13.519
<v Speaker 3>junkies down by the Lyricist Lounge, good time. All right,

1:39:13.560 --> 1:39:16.879
<v Speaker 3>So you got the albums out? Uh, you're doing a podcast?

1:39:16.880 --> 1:39:18.320
<v Speaker 3>How often you dropping on the on.

1:39:18.240 --> 1:39:20.960
<v Speaker 1>The podcast every week except for when we don't Okay,

1:39:21.200 --> 1:39:25.400
<v Speaker 1>that's a good answer. Almost every week? Okay, cool? And

1:39:25.800 --> 1:39:27.639
<v Speaker 1>you know all of it's at brother Aley dot com.

1:39:27.680 --> 1:39:29.960
<v Speaker 3>Hitting and hitting the road in a couple of months, uh,

1:39:30.040 --> 1:39:33.320
<v Speaker 3>doing some festivals and obviously the tour with abilities, so

1:39:33.400 --> 1:39:33.920
<v Speaker 3>that'll be dope.

1:39:33.920 --> 1:39:34.040
<v Speaker 2>Man.

1:39:34.040 --> 1:39:36.880
<v Speaker 3>I appreciate you pulling up the album is incredible, Thank you.

1:39:37.320 --> 1:39:39.040
<v Speaker 1>It is and I love the title.

1:39:39.080 --> 1:39:43.120
<v Speaker 3>It felt like it and I'm really proud of you.

1:39:44.080 --> 1:39:44.759
<v Speaker 1>Thank you.

1:39:44.920 --> 1:39:45.880
<v Speaker 3>I appreciate that, man.

1:39:46.040 --> 1:39:49.320
<v Speaker 1>Yeah, the way that you the way that you engage artists,

1:39:49.320 --> 1:39:51.519
<v Speaker 1>the way you talk to them.

1:39:51.560 --> 1:39:51.720
<v Speaker 3>You know.

1:39:51.760 --> 1:39:53.880
<v Speaker 1>Of course there's viral moments with you said he got

1:39:53.920 --> 1:39:56.680
<v Speaker 1>a million dollars scholarship or something to play like. That

1:39:56.800 --> 1:40:01.200
<v Speaker 1>was great, But I was just like you you there's

1:40:01.200 --> 1:40:03.680
<v Speaker 1>something that seems so simple. It seems like why you fit.

1:40:04.080 --> 1:40:08.559
<v Speaker 1>There's just something about people that come from, you know,

1:40:08.600 --> 1:40:12.400
<v Speaker 1>the dominant culture and care about the humanity of the

1:40:12.479 --> 1:40:15.160
<v Speaker 1>artists that they're talking to and the artistry. You know

1:40:15.200 --> 1:40:16.800
<v Speaker 1>what I mean. And that's obvious. It's always been I

1:40:16.880 --> 1:40:18.599
<v Speaker 1>knew that. Yeah. For me, I'm just a fan dude,

1:40:18.640 --> 1:40:18.800
<v Speaker 1>you know.

1:40:18.880 --> 1:40:21.680
<v Speaker 3>So it's like I'm a fan first and and you know,

1:40:22.120 --> 1:40:25.200
<v Speaker 3>like you said, something that you said about Atmosphere resonated

1:40:25.240 --> 1:40:30.559
<v Speaker 3>with me. I could chase virality more because I could

1:40:30.600 --> 1:40:32.720
<v Speaker 3>live in the trenches of like.

1:40:32.880 --> 1:40:37.040
<v Speaker 1>You're not messing, yes, but I'm good, and you don't

1:40:37.160 --> 1:40:41.920
<v Speaker 1>encourage the the the what you're focusing on with these

1:40:41.920 --> 1:40:44.880
<v Speaker 1>mostly black artists that you talk to, is their life,

1:40:44.880 --> 1:40:48.680
<v Speaker 1>their humanity, their genius. You're not a person who is

1:40:48.720 --> 1:40:52.439
<v Speaker 1>looking for them to be to be a lesser version

1:40:52.479 --> 1:40:55.960
<v Speaker 1>of themselves because it'll benefit your platform, not naming names,

1:40:55.960 --> 1:40:57.000
<v Speaker 1>but there are people that that.

1:40:57.080 --> 1:40:59.160
<v Speaker 3>Yeah, I just I just you know, I'm also like

1:41:00.200 --> 1:41:02.120
<v Speaker 3>that's the other thing. There's just certain certain stuff I

1:41:02.120 --> 1:41:04.400
<v Speaker 3>can't do because just of how I live, where I'm who.

1:41:04.320 --> 1:41:06.439
<v Speaker 1>I'm with, and it's natural and it's natural to It's

1:41:06.520 --> 1:41:07.040
<v Speaker 1>very natural.

1:41:07.160 --> 1:41:10.080
<v Speaker 3>So I appreciate that. Love Man, Thank You album is incredible.

1:41:10.280 --> 1:41:11.959
<v Speaker 3>Vinyls available yep.

1:41:11.840 --> 1:41:13.640
<v Speaker 1>And start shipping in like a week or something. We

1:41:13.760 --> 1:41:16.599
<v Speaker 1>just just came in from Czech Republic. Brent Rollins did

1:41:16.600 --> 1:41:19.719
<v Speaker 1>the design. Legendary Guy did the Boys in the Hood logo.

1:41:20.120 --> 1:41:23.880
<v Speaker 1>B Plus from out Here shot the photos. So like Man,

1:41:23.920 --> 1:41:27.640
<v Speaker 1>the art is like a real, like tactile experience, Like

1:41:27.680 --> 1:41:29.840
<v Speaker 1>that feels a certain way, and I really dope.

1:41:29.840 --> 1:41:31.439
<v Speaker 3>I love the man, So go go support and I

1:41:31.479 --> 1:41:33.760
<v Speaker 3>appreciate you pulling up man father Ali. There it is