1 00:00:02,920 --> 00:00:05,080 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,360 --> 00:00:18,640 Speaker 1: pressing show? All right, who's starting? Well, we all are? 3 00:00:18,520 --> 00:00:21,040 Speaker 1: We are right now officially right now. I was I 4 00:00:21,079 --> 00:00:22,480 Speaker 1: was like caught with my pants down. I was on 5 00:00:22,600 --> 00:00:28,000 Speaker 1: the pay excuse me two times today with your dick out, scary. Hey, 6 00:00:28,000 --> 00:00:32,720 Speaker 1: don't talk about the first one. Okay, So I guess 7 00:00:32,720 --> 00:00:35,199 Speaker 1: it's the fifteen minute morning show podcast. Um, we're down 8 00:00:35,240 --> 00:00:37,559 Speaker 1: a few people. Let's see. I see Date is not 9 00:00:37,600 --> 00:00:40,320 Speaker 1: in his chair, Elvis isn't in his Do we know 10 00:00:40,360 --> 00:00:43,080 Speaker 1: where they went? Are they talking to each other? That's thinking. 11 00:00:43,800 --> 00:00:46,560 Speaker 1: Usually when they both are gone, they're talking behind our back. 12 00:00:46,760 --> 00:00:51,920 Speaker 1: Don't leave scary alone. No, no, don't do that. Not 13 00:00:52,000 --> 00:00:56,560 Speaker 1: if I leave the frame first, we're scaring dude. They 14 00:00:56,600 --> 00:01:00,720 Speaker 1: have fun, stuffy? Can I pitch it topic of what's 15 00:01:00,720 --> 00:01:05,039 Speaker 1: coming through on the text messaging real quick? Well, we 16 00:01:05,200 --> 00:01:08,559 Speaker 1: played the Jermaine Stewart song and the way Back time 17 00:01:08,600 --> 00:01:12,080 Speaker 1: Machine right the whatever, the old school time machine. You 18 00:01:12,120 --> 00:01:13,440 Speaker 1: don't have to take your clothes off to have a 19 00:01:13,480 --> 00:01:17,280 Speaker 1: good time, And everybody's disagreeing with that, saying you absolutely 20 00:01:17,280 --> 00:01:18,680 Speaker 1: have to take your clothes off to have a good time. 21 00:01:19,560 --> 00:01:23,040 Speaker 1: So I'm just wondering if we agree with that or 22 00:01:23,120 --> 00:01:26,240 Speaker 1: disagree with that, I've had good time to close one. 23 00:01:26,600 --> 00:01:28,600 Speaker 1: I think that you don't have to take your clothes 24 00:01:28,600 --> 00:01:30,880 Speaker 1: off to have a good time, but every time you 25 00:01:30,920 --> 00:01:33,160 Speaker 1: take your clothes off, you do have a good time. 26 00:01:33,800 --> 00:01:41,120 Speaker 1: Fair if the lines are on that case. You know 27 00:01:41,160 --> 00:01:43,320 Speaker 1: that in Sleepaway Camp we performed that song and they 28 00:01:43,319 --> 00:01:45,240 Speaker 1: wouldn't let us say cherry wine. We had to say 29 00:01:45,319 --> 00:01:47,640 Speaker 1: cherry coke. But they did let us say you don't 30 00:01:47,640 --> 00:01:50,680 Speaker 1: have to take your clothes off, which insinuates sex. I 31 00:01:50,720 --> 00:01:54,240 Speaker 1: don't know that song was. They were sending out a 32 00:01:54,240 --> 00:01:56,400 Speaker 1: message saying you don't have to have sex to have 33 00:01:56,440 --> 00:01:58,280 Speaker 1: a good time. A right, So it was anti sext 34 00:01:58,320 --> 00:02:00,040 Speaker 1: do you find? But it was still If you a 35 00:02:00,240 --> 00:02:04,680 Speaker 1: picture of Jermaine Stewart, do you know, let me look 36 00:02:04,960 --> 00:02:07,880 Speaker 1: look this guy up. Scotty did Kids, Bobby before Kids, 37 00:02:07,880 --> 00:02:11,639 Speaker 1: bobber of Milli Vanilli and it's like, go away, oh 38 00:02:11,720 --> 00:02:15,639 Speaker 1: my god, oh yeah, keep my clothes on. I interviewed 39 00:02:15,680 --> 00:02:19,000 Speaker 1: him life. He was really weird. Do you see scary? 40 00:02:19,520 --> 00:02:22,160 Speaker 1: Uh No, he went to and I was just in 41 00:02:22,200 --> 00:02:26,799 Speaker 1: there pan and Jim Kerr was in there. So he's back. Yeah, 42 00:02:26,840 --> 00:02:29,240 Speaker 1: he's back. He was pan too, So I left so 43 00:02:29,280 --> 00:02:33,720 Speaker 1: he could have his breasts next to him. Why, Well, 44 00:02:33,720 --> 00:02:35,960 Speaker 1: because I grew up listening to him and it's so weird, 45 00:02:36,040 --> 00:02:40,600 Speaker 1: like almost seeing his penis. Okay, but you have a 46 00:02:40,600 --> 00:02:43,160 Speaker 1: problem peeing next to anybody you go in stall? Yeah? 47 00:02:43,960 --> 00:02:48,280 Speaker 1: Well yeah, yeah. I love when Scotty's in the bathroom 48 00:02:48,440 --> 00:02:50,480 Speaker 1: and I know he's in the stall, I'll shut the 49 00:02:50,560 --> 00:02:54,320 Speaker 1: lights off because there's nothing he can do. Did I 50 00:02:54,360 --> 00:02:59,400 Speaker 1: ever tell you my famous peace story with did he? No? No, no, no? 51 00:02:59,600 --> 00:03:03,280 Speaker 1: Do tell? So I was in the bathroom and did 52 00:03:03,320 --> 00:03:05,160 Speaker 1: he had just stepped by? I think Jim Kerr might 53 00:03:05,200 --> 00:03:07,600 Speaker 1: be coming in? Um? Did he had just stopped by 54 00:03:07,639 --> 00:03:10,120 Speaker 1: for an interview? Hold on this? Just in? Jermaine Stewart 55 00:03:10,320 --> 00:03:20,720 Speaker 1: died of AIDS. I'm sorry, how long? Okay, go ahead 56 00:03:20,760 --> 00:03:23,320 Speaker 1: of your story. Sorry, I can't tell us. I feel 57 00:03:23,320 --> 00:03:25,960 Speaker 1: like I should. I can't tell his story. Now? What 58 00:03:25,960 --> 00:03:30,560 Speaker 1: did I miss? Just making fun of Jermaine Stewart and 59 00:03:30,880 --> 00:03:33,600 Speaker 1: come to come to find out he passed away. I'm sorry. 60 00:03:34,000 --> 00:03:36,000 Speaker 1: We don't mean anything we said. Take it all back 61 00:03:36,200 --> 00:03:38,520 Speaker 1: doesn't doesn't make this song any less silly. It's fine, 62 00:03:39,360 --> 00:03:40,880 Speaker 1: need tell your peace story. Come on, let's go, I 63 00:03:40,920 --> 00:03:42,920 Speaker 1: don't know. Yeah, no, I want to hear the peace story. 64 00:03:43,200 --> 00:03:46,839 Speaker 1: Me tell the story before I tell my story next 65 00:03:46,880 --> 00:03:52,720 Speaker 1: to celebrities. Yeah, why did you guys tell me these things? 66 00:03:53,400 --> 00:04:02,040 Speaker 1: You told us to start start away? Damn all right, Nate, 67 00:04:02,120 --> 00:04:06,480 Speaker 1: tell your peace story. Let's go. Okay, So I we 68 00:04:06,600 --> 00:04:08,440 Speaker 1: had this is when I worked at another show in 69 00:04:08,520 --> 00:04:10,720 Speaker 1: Los Angeles, and we had did. He came in and 70 00:04:10,760 --> 00:04:13,800 Speaker 1: did he did an interview and you know, he rolled deep. 71 00:04:13,880 --> 00:04:15,880 Speaker 1: I think he had like thirty people with him, right. 72 00:04:16,839 --> 00:04:19,440 Speaker 1: So the interview finished and I finally had a chance 73 00:04:19,480 --> 00:04:21,320 Speaker 1: to go to the bathroom. So I run into the bathroom. 74 00:04:21,400 --> 00:04:23,720 Speaker 1: I'm the only one in there. I'm pan and then 75 00:04:23,760 --> 00:04:25,599 Speaker 1: as i'm pean at the urinal, I hear the door 76 00:04:25,680 --> 00:04:29,680 Speaker 1: open and some guy comes in, looks around, and then 77 00:04:29,720 --> 00:04:32,000 Speaker 1: walks back out. And as he's leaving the door, he goes, 78 00:04:32,240 --> 00:04:37,520 Speaker 1: it's okay, it's just a skinny little white guy. Did 79 00:04:37,600 --> 00:04:40,040 Speaker 1: He comes in and stands next to me and starts 80 00:04:40,120 --> 00:04:45,039 Speaker 1: being he feels totally safe. Safe to you a little 81 00:04:45,040 --> 00:04:47,960 Speaker 1: skinny white guy. Well that you feel weird or does 82 00:04:47,960 --> 00:04:50,640 Speaker 1: that make you feel good? I feel good? I mean 83 00:04:50,400 --> 00:04:54,200 Speaker 1: I'm harmless. You know. The whole kind of person would 84 00:04:54,200 --> 00:04:57,760 Speaker 1: have had to be in the bathroom for him. I 85 00:04:57,800 --> 00:05:00,200 Speaker 1: don't know, but I mean, imagine that level of fame 86 00:05:00,200 --> 00:05:02,280 Speaker 1: where you have to have somebody check the bathroom before 87 00:05:02,279 --> 00:05:04,440 Speaker 1: you can use I tell you. And I don't remember 88 00:05:04,480 --> 00:05:08,360 Speaker 1: which artists it was. I was walking down the hall 89 00:05:08,400 --> 00:05:11,520 Speaker 1: towards the studio to interview whoever this was, and the 90 00:05:11,560 --> 00:05:13,279 Speaker 1: guards stopped me and said, you can't go in there. 91 00:05:13,279 --> 00:05:16,520 Speaker 1: And I said, well, I have to go in there, 92 00:05:16,520 --> 00:05:19,520 Speaker 1: that's my show. I'm well, we can't let you in. 93 00:05:19,600 --> 00:05:22,359 Speaker 1: I said, well why because we have we have a 94 00:05:22,400 --> 00:05:25,000 Speaker 1: client in there who we need to we need to 95 00:05:25,080 --> 00:05:26,760 Speaker 1: keep an eye out. We can't. We have to keep 96 00:05:26,800 --> 00:05:29,640 Speaker 1: the number of people down. Who was that? I'm like, 97 00:05:30,200 --> 00:05:35,680 Speaker 1: I gotta go in there. This happened with Madonna and 98 00:05:35,680 --> 00:05:38,280 Speaker 1: at the I Heart Radio Music Awards or whatever. At 99 00:05:38,279 --> 00:05:40,080 Speaker 1: the I Heart Radio whatever it is we had in 100 00:05:40,160 --> 00:05:42,840 Speaker 1: Los Angeles, they wouldn't let me in. I'm I was 101 00:05:42,920 --> 00:05:45,080 Speaker 1: running late for my interview with you can't go in 102 00:05:46,440 --> 00:05:48,160 Speaker 1: you guys got kicked out. They wouldn't let me in. 103 00:05:48,880 --> 00:05:51,040 Speaker 1: I'm supposed to interview Madonna. Well, we've been asked by 104 00:05:51,040 --> 00:05:57,360 Speaker 1: Madonna's people not to let people in about that. Remember 105 00:05:57,400 --> 00:05:59,240 Speaker 1: that when that happened in Miami, they wouldn't let me 106 00:05:59,240 --> 00:06:01,000 Speaker 1: go on stead. I was supposed to go on stage 107 00:06:01,000 --> 00:06:05,040 Speaker 1: to introduce Sierra, and so her bodyguards like nobody can 108 00:06:05,080 --> 00:06:07,280 Speaker 1: go up there, Like, well, I'm the guy that's introducing her. 109 00:06:07,279 --> 00:06:09,640 Speaker 1: It doesn't matter. You can't go, and so I'm like, okay, 110 00:06:09,640 --> 00:06:11,360 Speaker 1: well we got a problem here. So that I got 111 00:06:11,400 --> 00:06:13,480 Speaker 1: really belligerent with him, and I think he was. He 112 00:06:14,000 --> 00:06:15,719 Speaker 1: kept threatening to punch me, and I kept I said 113 00:06:15,720 --> 00:06:17,760 Speaker 1: to him, please, I'm begging you please hit me. I'm 114 00:06:17,839 --> 00:06:22,280 Speaker 1: begging you to please hit me. Yes, yes, I'm like, 115 00:06:22,320 --> 00:06:24,400 Speaker 1: I'm begging you please, I'm going up there. I went 116 00:06:24,480 --> 00:06:25,640 Speaker 1: up there and did it anyway, and then I told 117 00:06:25,720 --> 00:06:29,440 Speaker 1: him what an asshole I thought he was. Remember on 118 00:06:29,480 --> 00:06:34,520 Speaker 1: the beach at Atlantis, they wouldn't let him was Rihanna, Rihanna. 119 00:06:35,400 --> 00:06:40,159 Speaker 1: We went dinner, ye, Elvis was laughed so hard. But 120 00:06:40,240 --> 00:06:42,039 Speaker 1: Elvis was like, what, we're supposed to introduce her. And 121 00:06:42,040 --> 00:06:44,000 Speaker 1: the President was like, well, I'm so sorry, But I 122 00:06:44,080 --> 00:06:48,320 Speaker 1: was okay, we won't dinner. We'll go to dinner. But 123 00:06:48,480 --> 00:06:50,800 Speaker 1: that's the greatest lesson, well, one of the greatest lessons 124 00:06:50,880 --> 00:06:53,160 Speaker 1: I feel like I've learned from you, Elvis, is when 125 00:06:53,240 --> 00:06:55,240 Speaker 1: someone tries to not let you in, just walk away, 126 00:06:55,480 --> 00:06:57,040 Speaker 1: it's so much more powerful. And then all of a 127 00:06:57,080 --> 00:06:58,800 Speaker 1: sudden you have people chasing you down the street because 128 00:06:58,800 --> 00:07:02,720 Speaker 1: they realized, oh it, that was her tour manager and 129 00:07:02,760 --> 00:07:04,760 Speaker 1: she he did start chasing us. I'm like, no, you 130 00:07:04,800 --> 00:07:07,839 Speaker 1: had your chance to have us on stage. People don't 131 00:07:07,839 --> 00:07:10,240 Speaker 1: want to see Yes, they won't see Rihanna anyway. Maybe 132 00:07:10,240 --> 00:07:12,239 Speaker 1: it's best that we just go ahead dinner. Does anybody 133 00:07:12,280 --> 00:07:14,200 Speaker 1: remember was that one of those stories where it's like, 134 00:07:14,240 --> 00:07:16,600 Speaker 1: you cannot say Rihanna is coming on stage right now. 135 00:07:16,680 --> 00:07:18,360 Speaker 1: You have to say coming up in a few minutes 136 00:07:18,400 --> 00:07:25,040 Speaker 1: to build Yeah. Yeah, so bad for Kelly Clarkson. One time, 137 00:07:25,040 --> 00:07:27,200 Speaker 1: it was a Whango Tango in Los Angeles. It was 138 00:07:27,240 --> 00:07:30,480 Speaker 1: the big summer concert that they did, and summer right obviously, 139 00:07:31,040 --> 00:07:34,840 Speaker 1: and so she had just performed, like she had just 140 00:07:34,960 --> 00:07:36,920 Speaker 1: left the stage. She went back to her dressing room 141 00:07:36,960 --> 00:07:39,080 Speaker 1: for a second to I don't go to the bathroom 142 00:07:39,160 --> 00:07:43,320 Speaker 1: or whatever, and then she came back out and tried 143 00:07:43,360 --> 00:07:45,280 Speaker 1: to go to the side of the stage to watch 144 00:07:45,360 --> 00:07:48,320 Speaker 1: whoever was performing next, and the security guard was like, 145 00:07:48,440 --> 00:07:51,000 Speaker 1: I'm sorry, you can't be you up here, and she's like, 146 00:07:51,280 --> 00:07:53,920 Speaker 1: I was just on stage. I just want to see 147 00:07:56,960 --> 00:07:59,360 Speaker 1: you know what they're doing their jobs and they don't. 148 00:07:59,440 --> 00:08:02,960 Speaker 1: But you know what the job well, like the guy 149 00:08:02,960 --> 00:08:07,160 Speaker 1: in the hallway in Miami, which please no tell us 150 00:08:07,280 --> 00:08:10,600 Speaker 1: they I don't want to give the punchline. Oh no, 151 00:08:13,280 --> 00:08:15,840 Speaker 1: that's the guy with the tummy. Yeah. Yeah, was leaving 152 00:08:15,880 --> 00:08:17,760 Speaker 1: at that. That was a punch line. We already the punchline. 153 00:08:19,160 --> 00:08:21,200 Speaker 1: I was at a pool party we were doing not 154 00:08:21,280 --> 00:08:23,360 Speaker 1: too long ago, and they would not let me in 155 00:08:23,840 --> 00:08:26,280 Speaker 1: and I was standing there like, come on, are you serious. 156 00:08:26,280 --> 00:08:28,960 Speaker 1: There were listeners next to me inside the party asking 157 00:08:29,000 --> 00:08:31,000 Speaker 1: if they could take pictures, so I'm like, leaning over 158 00:08:31,040 --> 00:08:33,200 Speaker 1: the railing, try to take pictures with them. The guy 159 00:08:33,280 --> 00:08:35,400 Speaker 1: still wouldn't let me in, and as I was about 160 00:08:35,520 --> 00:08:38,200 Speaker 1: to leave, Froggy saved it. He was like, wait, I 161 00:08:38,240 --> 00:08:42,320 Speaker 1: got you. We're gonna get you with us, like, oh, 162 00:08:43,920 --> 00:08:45,959 Speaker 1: you know who I mean. We really have to have 163 00:08:46,160 --> 00:08:49,160 Speaker 1: egos the size of Mars. If we think that everyone 164 00:08:49,840 --> 00:08:52,320 Speaker 1: in the security world knows who we are, I get 165 00:08:52,360 --> 00:08:55,400 Speaker 1: that right. I'm not I'm not saying this person should 166 00:08:55,400 --> 00:08:58,079 Speaker 1: know who I am. But when you're working inside your 167 00:08:58,080 --> 00:09:01,080 Speaker 1: own radio station in a studio. Oh that's probably the 168 00:09:01,080 --> 00:09:04,040 Speaker 1: size of a box. And a security guard walks in 169 00:09:04,120 --> 00:09:07,040 Speaker 1: with one Mariah carry and she goes this room will do? 170 00:09:07,480 --> 00:09:09,839 Speaker 1: And then I have to leave my room. I'm like, 171 00:09:10,280 --> 00:09:13,280 Speaker 1: I'm in the middle of working right now. But Mariah 172 00:09:13,320 --> 00:09:15,679 Speaker 1: loved the lighting of the room that I was sitting 173 00:09:15,720 --> 00:09:19,120 Speaker 1: in that she wanted to use it. Well, you know, 174 00:09:19,240 --> 00:09:21,480 Speaker 1: looking back on that day, we didn't say she could 175 00:09:21,520 --> 00:09:24,360 Speaker 1: use that room. So sorry, I mean we set her 176 00:09:24,440 --> 00:09:26,720 Speaker 1: up in there, and I think someone forgot to tell you. Oops. 177 00:09:27,720 --> 00:09:30,679 Speaker 1: Do you remember early two thousands, we were doing a 178 00:09:30,720 --> 00:09:35,440 Speaker 1: concert I think in say Nasau Coliseum, and uh, I 179 00:09:35,480 --> 00:09:38,560 Speaker 1: was in the hallway talking to Steven Tyler, who's a major, 180 00:09:38,600 --> 00:09:41,439 Speaker 1: major celebrity, right, and there were other people and all 181 00:09:41,440 --> 00:09:43,800 Speaker 1: the artists were kind of hanging out by their dressing 182 00:09:43,880 --> 00:09:46,000 Speaker 1: room doors and there were people talking to them, and 183 00:09:46,040 --> 00:09:48,800 Speaker 1: all of a sudden, security starts clearing the hallways. Everyone 184 00:09:48,800 --> 00:09:51,600 Speaker 1: has to get out of the hallway, right, Steven Tyler 185 00:09:51,640 --> 00:09:54,160 Speaker 1: was told to go back in his in his his room. 186 00:09:54,160 --> 00:09:57,200 Speaker 1: Everybody would clear the hallway so that Christina Aguilera could 187 00:09:57,200 --> 00:10:00,360 Speaker 1: walk through the hallway. Do you remember that I know 188 00:10:00,440 --> 00:10:02,160 Speaker 1: they do that a lot, and it happened to me 189 00:10:02,240 --> 00:10:04,680 Speaker 1: when I was with Paul Abdul. I was with her 190 00:10:04,720 --> 00:10:06,719 Speaker 1: at an event, like we were at some of the 191 00:10:06,880 --> 00:10:08,800 Speaker 1: New York City and she was about to come and 192 00:10:08,800 --> 00:10:12,800 Speaker 1: they said, part the seas Paul Abduel's coming. I'm like, 193 00:10:12,840 --> 00:10:15,160 Speaker 1: are you fucking kidding me? Right now? You're making us 194 00:10:15,200 --> 00:10:17,439 Speaker 1: walk to once everyone had to get out of the 195 00:10:17,440 --> 00:10:22,120 Speaker 1: way so that down. It's usually not them, it's their people. 196 00:10:22,440 --> 00:10:24,360 Speaker 1: I don't think it was her because she was so nice. 197 00:10:24,640 --> 00:10:26,920 Speaker 1: I really think it was the people. It's the people. 198 00:10:26,960 --> 00:10:29,200 Speaker 1: The people always suck. I went to a concert one 199 00:10:29,240 --> 00:10:31,480 Speaker 1: time with Enrique. He was performing and we were trying 200 00:10:31,520 --> 00:10:33,800 Speaker 1: to get in backstage and the persons like, um, I 201 00:10:33,800 --> 00:10:36,520 Speaker 1: don't see your name on the list. He's like, I'm 202 00:10:36,559 --> 00:10:38,440 Speaker 1: not going to be on the list. I'm performing. She's like, well, 203 00:10:38,480 --> 00:10:40,760 Speaker 1: I need your name. He told her his name was 204 00:10:40,840 --> 00:10:44,400 Speaker 1: Ricky Martin. So she's looking. She's looking down the list 205 00:10:44,880 --> 00:10:48,679 Speaker 1: for Martin and she's like, nope, I don't have Ricky Martin. 206 00:10:48,720 --> 00:10:50,200 Speaker 1: And I'm like, are you gonna tell her? He's like no. 207 00:10:50,760 --> 00:10:53,200 Speaker 1: She's radioing all around. There's no Ricky Martin on the 208 00:10:53,200 --> 00:10:54,920 Speaker 1: list valley. Somebody came out and let us in. But 209 00:10:55,000 --> 00:10:57,760 Speaker 1: it was He's just hilarious like that, Like she didn't 210 00:10:57,960 --> 00:11:00,840 Speaker 1: she had no clue who would Rickey glass? She did not, Well, 211 00:11:01,480 --> 00:11:03,280 Speaker 1: I tell you, And I wrote this about this in 212 00:11:03,320 --> 00:11:07,080 Speaker 1: the book back Being backstage sucks. No one understands unless 213 00:11:07,160 --> 00:11:11,040 Speaker 1: they've gone through it. Being backstage is just because every 214 00:11:11,080 --> 00:11:13,640 Speaker 1: time we have been backstage, we're working and people are 215 00:11:13,679 --> 00:11:15,960 Speaker 1: pushing you around, and that you can't walk there. You 216 00:11:16,000 --> 00:11:18,360 Speaker 1: can't walk there. You'd rather just not be there. But 217 00:11:19,400 --> 00:11:22,600 Speaker 1: my favorite is, okay, clear the hall, Clear the hall. 218 00:11:22,720 --> 00:11:28,720 Speaker 1: We've got blank coming through. I'm like, yeah, you're not 219 00:11:28,760 --> 00:11:31,600 Speaker 1: allowed to breathe the same air, and you can never 220 00:11:31,679 --> 00:11:33,760 Speaker 1: sit down. And Danielle and I are always wearing high 221 00:11:33,760 --> 00:11:35,240 Speaker 1: heels trying to find a place to sit, and as 222 00:11:35,240 --> 00:11:36,880 Speaker 1: soon as we find a place, somebody yells at us 223 00:11:36,920 --> 00:11:38,640 Speaker 1: to get off of that trash can or whatever it 224 00:11:38,760 --> 00:11:42,320 Speaker 1: is backstage. It's not worth it, really, I'd rather be 225 00:11:42,360 --> 00:11:45,600 Speaker 1: out in this in the watching the show. That's the thing. 226 00:11:45,640 --> 00:11:48,120 Speaker 1: We watched so many shows from the side or from 227 00:11:48,120 --> 00:11:50,400 Speaker 1: a monitor in the back. We never we rarely get 228 00:11:50,400 --> 00:11:52,720 Speaker 1: to see a real show. So when shows are back. 229 00:11:53,280 --> 00:11:56,760 Speaker 1: I'm fu it, I'm gonna go watch the show. I'm sorry. 230 00:11:57,080 --> 00:11:58,800 Speaker 1: I'll hit you up next year. I remember one they 231 00:11:58,840 --> 00:12:00,960 Speaker 1: used to say, Oh, people can't go backsage, somebody's gonna 232 00:12:01,000 --> 00:12:02,760 Speaker 1: get injured. I'm like, who fund is going to get hurt? 233 00:12:02,800 --> 00:12:06,960 Speaker 1: Remember the time Lisa broke her toe backstage and Elvis 234 00:12:06,960 --> 00:12:13,680 Speaker 1: her toe was sideways she tripped. Hilarious because it was funny. 235 00:12:13,720 --> 00:12:16,960 Speaker 1: It is dangerous because people because those roadies, man, they'll 236 00:12:17,080 --> 00:12:19,080 Speaker 1: run right over here with a like a piece of 237 00:12:19,120 --> 00:12:22,559 Speaker 1: the speaker or something parents and you're dead. They don't care. 238 00:12:22,559 --> 00:12:24,079 Speaker 1: They're going from point A to point But if you're 239 00:12:24,080 --> 00:12:26,200 Speaker 1: in the way, then you're you're a puddle. They don't care. 240 00:12:26,679 --> 00:12:30,320 Speaker 1: You know. So backstage, does anyone here really enjoy going 241 00:12:30,400 --> 00:12:34,040 Speaker 1: back to hang? No? Not really. My favorite part of 242 00:12:34,040 --> 00:12:36,960 Speaker 1: backstages When somebody tells Elvis he can't stand there, I'm like, yeah, 243 00:12:37,000 --> 00:12:39,280 Speaker 1: I get like I put I rubbed my hands here, like, yes, 244 00:12:39,320 --> 00:12:42,680 Speaker 1: this is gonna be here. We're going to have entertaining. 245 00:12:43,080 --> 00:12:45,640 Speaker 1: What's that? I wanted to tell one more clear. The 246 00:12:45,640 --> 00:12:48,640 Speaker 1: hallway story that got you very upset. It was at 247 00:12:48,640 --> 00:12:51,199 Speaker 1: Madison Square Garden a long time ago, and we were 248 00:12:51,240 --> 00:12:54,000 Speaker 1: bringing on the last act, and the last act at 249 00:12:54,040 --> 00:12:56,120 Speaker 1: that point was an act that had not had a 250 00:12:56,160 --> 00:12:57,760 Speaker 1: lot of hits, but they were put on the bill 251 00:12:58,320 --> 00:13:01,520 Speaker 1: and they cleared the hallway. It was were massive security guards, 252 00:13:02,000 --> 00:13:04,120 Speaker 1: a guard, a band member, a guard, a band member 253 00:13:04,120 --> 00:13:07,320 Speaker 1: of guard, the biggest security guards I've ever seen, and 254 00:13:07,400 --> 00:13:09,320 Speaker 1: we couldn't get near them. They cleared the hallway, we 255 00:13:09,360 --> 00:13:11,920 Speaker 1: went on stage, and then they came on stage with 256 00:13:12,000 --> 00:13:14,600 Speaker 1: their bodyguards, so we were on the back half of 257 00:13:14,600 --> 00:13:17,480 Speaker 1: the stage, like behind the turntable. You couldn't see us, 258 00:13:17,840 --> 00:13:19,640 Speaker 1: and you wanted to say hi to them, and the 259 00:13:19,679 --> 00:13:21,880 Speaker 1: bodyguards stood there and wouldn't let you say hi to them, 260 00:13:22,000 --> 00:13:23,800 Speaker 1: even though we were about to bring them on stage. 261 00:13:23,960 --> 00:13:26,200 Speaker 1: Do you remember who that was? Was that? It was 262 00:13:26,280 --> 00:13:30,319 Speaker 1: boys two Men get out and it was long past 263 00:13:30,360 --> 00:13:32,880 Speaker 1: their hits. It was like they would be happy that 264 00:13:32,920 --> 00:13:37,920 Speaker 1: you wanted to say hi to them, and bodyguards. I 265 00:13:37,960 --> 00:13:40,000 Speaker 1: bet they would have loved to say hi to yeah, 266 00:13:40,040 --> 00:13:41,960 Speaker 1: but their bodyguards wouldn't let us. And they were like 267 00:13:42,080 --> 00:13:43,839 Speaker 1: standing behind the bodyguards like trying to wave and the 268 00:13:43,880 --> 00:13:46,440 Speaker 1: bodyguards are like what here was it? When Boys Men 269 00:13:46,559 --> 00:13:49,200 Speaker 1: closed a show that's been a while, well, that was 270 00:13:49,240 --> 00:13:52,520 Speaker 1: back when the Closer wasn't the highlight. It was back 271 00:13:52,559 --> 00:13:54,520 Speaker 1: when we used to put the Closer when people were 272 00:13:54,559 --> 00:13:57,199 Speaker 1: going home early. Now, when you end the show, it's 273 00:13:57,200 --> 00:13:59,240 Speaker 1: the biggest act. But back then it was like, oh, 274 00:13:59,280 --> 00:14:01,160 Speaker 1: one more, one more act, and we put them on 275 00:14:01,160 --> 00:14:03,360 Speaker 1: at the end. It was two thousand. So I never 276 00:14:03,360 --> 00:14:05,840 Speaker 1: got to say hi to them, I felt and they 277 00:14:05,880 --> 00:14:11,280 Speaker 1: were wavings at you behind the bodyguards. They were afraid 278 00:14:11,320 --> 00:14:13,959 Speaker 1: of the bodyguards. Yeah, we want to say hi, but 279 00:14:14,000 --> 00:14:16,720 Speaker 1: don't kick our ass. So Hi. Oh my gosh. Do 280 00:14:16,760 --> 00:14:18,920 Speaker 1: you remember when I when we were on stage in 281 00:14:18,920 --> 00:14:23,160 Speaker 1: Miami and the the weekend was finishing the show. It 282 00:14:23,280 --> 00:14:26,120 Speaker 1: was closing, and I got closing the show tonight. They 283 00:14:26,280 --> 00:14:30,880 Speaker 1: wanted and Alms was like, um, they don't. They're not 284 00:14:30,960 --> 00:14:33,480 Speaker 1: together anymore. And you mean the weekend. Oh, that's right, 285 00:14:33,560 --> 00:14:38,520 Speaker 1: the weekend. And I had I have a picture of 286 00:14:38,600 --> 00:14:41,720 Speaker 1: me and Carla Murray, who's the work here cracking of 287 00:14:42,160 --> 00:14:45,360 Speaker 1: hysterically when I said that, it's one of my favorite pictures. 288 00:14:45,360 --> 00:14:48,360 Speaker 1: I remember when we were introducing Somebody, we were all 289 00:14:48,400 --> 00:14:51,560 Speaker 1: on stage at jingle Ball and we were introducing an act. 290 00:14:51,600 --> 00:14:54,560 Speaker 1: I got care and so we had everybody and we 291 00:14:54,640 --> 00:15:01,720 Speaker 1: brought Dina chain Smokers, so I think it was you 292 00:15:00,000 --> 00:15:03,960 Speaker 1: and with the bigger whispered in your ear so Dina 293 00:15:04,000 --> 00:15:06,080 Speaker 1: could make the big esment was coming on stage and 294 00:15:06,120 --> 00:15:14,080 Speaker 1: she goes the chain Smokers questioning it and Daniel, here's 295 00:15:14,080 --> 00:15:19,840 Speaker 1: that picture of You're saying next, don't want it. You 296 00:15:19,880 --> 00:15:24,400 Speaker 1: were so excited to even a caption on it. Eventually, 297 00:15:28,720 --> 00:15:31,280 Speaker 1: Oh my god, I have that. I don't know, but 298 00:15:31,360 --> 00:15:34,000 Speaker 1: I do. I will never delete it. I think I 299 00:15:34,120 --> 00:15:36,600 Speaker 1: just donated that dress. By the way, it's one of 300 00:15:36,640 --> 00:15:38,840 Speaker 1: the ones that went well. So I don't know. I 301 00:15:38,840 --> 00:15:40,840 Speaker 1: guess it's just a matter of time until we're back 302 00:15:41,040 --> 00:15:44,720 Speaker 1: stage again. Here we go, except this time they'll have 303 00:15:44,760 --> 00:15:49,120 Speaker 1: the COVID excuse for clearing the hallways, not restrictions, COVID 304 00:15:49,800 --> 00:15:52,760 Speaker 1: watch COVID come into play it. I'm going to use 305 00:15:52,840 --> 00:15:54,120 Speaker 1: the same excuse. So I don't want to be back 306 00:15:54,120 --> 00:15:55,680 Speaker 1: there with He doesn't have to go to the show 307 00:15:57,680 --> 00:16:03,360 Speaker 1: coming through. Everybody has anyone seen Elvis COVID protocol. We 308 00:16:03,400 --> 00:16:05,160 Speaker 1: gotta get out of here, have a beautiful day, and 309 00:16:05,400 --> 00:16:08,560 Speaker 1: uh we'll see you next week with brand new fifteen 310 00:16:08,560 --> 00:16:13,880 Speaker 1: Minute Morning Show podcasts and Uncle Johnny The fifteen Minute 311 00:16:13,920 --> 00:16:14,560 Speaker 1: Morning show