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Speaker 1: Mmm.

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Speaker 2: So I'm in there with.

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Speaker 3: Gordon Ramsey and uh Tony Rock Chris Rock's brother. Yeah,

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Speaker 3: and we're just making chop suey out of stuff we

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Speaker 3: find around the house. Uh, you know, whatever's left over. Yes,

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Speaker 3: there's fruit rolls, and then there's some old oatmeal, and

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Speaker 3: we find there's like a bag of like milk, yes,

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Speaker 3: in a bag, and we're going, uh, hey, you know here,

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Speaker 3: put this in the chop suey, and uh and Tony's

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Speaker 3: chopping away and I'm sort of on the ones and

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Speaker 3: two's on the skillet, you know, just mixing up moving yes, exactly, yeah,

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Speaker 3: crab scratching the skillet, and uh, Gordon all of a

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Speaker 3: sudden starts like, you know he can be a little condescending.

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Speaker 4: Yeah, sometimes and.

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Speaker 3: He starts like kind of saying what to.

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Speaker 2: Do right, but in a way that's like, oh, what

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Speaker 2: I do just like the way I do it, the

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Speaker 2: way I sketch to scale.

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Speaker 3: It Like oh so so cool.

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Speaker 2: He's like, that's great.

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Speaker 1: You know.

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Speaker 3: When I'm doing the skillet sometimes I find, yeah, that

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Speaker 3: the chop suey comes out a lot tastier if I

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Speaker 3: mash the fruit roll ups in with my fists.

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Speaker 4: Uh huh into the hot.

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Speaker 3: Skillet, and I'm going like, well, that's very interesting, that's great.

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Speaker 2: It's interesting that you do at your house. This is

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Speaker 2: I don't know whose house this is, No, no one did. Yeah, yeah,

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Speaker 2: so it's prob I don't think it's your house.

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Speaker 3: Yeah, for whoever's house it is, let's not talk about

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Speaker 3: that because if they get home, we're gonna be in

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Speaker 3: big trouble. And then so I'm yeah, so I'm obviously

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Speaker 3: very pissed and smash him in the head with skillet

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Speaker 3: and he then.

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Speaker 2: Calls me donkey. You know he plays soccer. Yeah, so

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Speaker 2: he give me with it. And what he says that

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Speaker 2: you're a donkey. It's for a second you probably are

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Speaker 2: gonna think he is Shrek, oh God, which is gonna

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Speaker 2: freak you out even more.

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Speaker 3: Well, yeah, so I'm already like disoriented, upset. Tony always

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Speaker 3: the peacemaker, Oh yes, takes his chopping machine and puts

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Speaker 3: it between us and goes, hey, no suey for anybody

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Speaker 3: unless you two sort it out and we hug it out, bitch.

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Speaker 3: We do hug it out, bitch. Yeah. Uh. And it's

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Speaker 3: technically okay between us, but it does all this is

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Speaker 3: just to say. That's why I'm kind of nervous about

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Speaker 3: this kington Or tonight because I haven't seen him since.

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Speaker 2: Hey, welcome to Hollywood Handbook and Insiders.

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Speaker 4: Guy dropping names in the stories.

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Speaker 3: In the in the Stories of the Business, Joe Joe Joe,

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Speaker 3: Mandy uk as a guest. I'm a podcast.

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Speaker 4: What is that?

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Speaker 1: Mm hmm?

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Speaker 3: What's that song? I don't know.

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Speaker 4: I don't know.

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Speaker 3: We collect these things these there's a.

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Speaker 2: Song called Mandy, but I don't know how that one

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Speaker 2: goes old song there. I just know that it's called that.

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Speaker 1: I known't of Mandy Moore, right, that might be.

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Speaker 2: Probably is about her her first song introducing herself.

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Speaker 1: Nice to do, I'm Mandy.

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Speaker 3: Joe Many, Yeah, that sounds good. I think that is

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Speaker 3: probably Mandy Moore's song. Do we want to talk about

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Speaker 3: Mandy Moore's career a little bit or her love life?

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Speaker 2: You probably know a lot more about that than I do.

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Speaker 3: M mmmmm, well, let's just say, uh, Mandy Moore should

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Speaker 3: uh talk a little Mandy.

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Speaker 4: Less, okay, because whenever we're good. That was the thing

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Speaker 4: about her love life. She would talk too.

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Speaker 3: Much to talk all about it to me, like I'm

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Speaker 3: a Uber Driver like she She has a program.

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Speaker 2: Called Uber Select where you can select any person to

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Speaker 2: drive your car.

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Speaker 3: Yes, a specific driver, and they don't have to drive

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Speaker 3: for Uber necessarily, and so.

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Speaker 2: My phone will get but they have to if they

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Speaker 2: if you get paid, suddenly you have to drive.

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Speaker 3: M Yeah, and so I will have to go and

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Speaker 3: pick her up. And it's always like, and I loved

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Speaker 3: you know, uh Andy roddick, but Andy and Mandy rhyme

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Speaker 3: and that didn't work out. Yeah, and then Ryan Adams.

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Speaker 2: Like some very juicy stuff. Yeah, you're getting here.

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Speaker 3: Yeah, it was all like all this stuff, and then

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Speaker 3: Vince watched our date. Vince, Yeah, should I be sharing it?

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Speaker 2: I don't know. It's just so juicy.

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Speaker 3: Is it against the terms of Uber? Is there an

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Speaker 3: Uber Select confidentiality clause?

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Speaker 4: I'm asking you?

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Speaker 3: Okay, well no that's not what you asked me. You said,

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Speaker 3: should you be sharing that? And then I and then okay,

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Speaker 3: and and Joe yeah, yeah right, you're right, so you.

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Speaker 2: Joe. I can't believe it. We've been doing this show

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Speaker 2: for so long and now we have Shoe the heck.

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Speaker 2: I know, it's okay, so crazy.

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Speaker 1: I know, I'm very busy, but still it's busyness too long.

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Speaker 2: Well, show busyness. Yeah, that's why they call it that.

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Speaker 2: It's not called show free.

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Speaker 4: Time, it's called busyness.

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Speaker 3: We obviously, when we even conceived of doing a show,

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Speaker 3: one of the first things that came up was we

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Speaker 3: have to do it with Joe.

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Speaker 1: Yeah, yeah, I could imagine.

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Speaker 3: And then life got so crazy and you were doing

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Speaker 3: what just insanity?

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Speaker 1: Yeah, I've been all over the place, Uh Japan, I

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Speaker 1: didn't went to uh Japan.

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Speaker 3: Yes, well, go on, he's in a kimono, that's uh.

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Speaker 1: Yeah, I did a full stand of tour of Japan

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Speaker 1: in a kimono. Though.

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Speaker 2: I remember you saying you were going to go to

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Speaker 2: Japan to like get a suit made, and then it

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Speaker 2: was a kimono.

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Speaker 1: Ultimately, it's technically it's technically a suit, right, that's what. Yeah,

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Speaker 1: I did get a kimono made. Uh. It's great because

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Speaker 1: it fits my body precisely. It's not like a loose Yeah.

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Speaker 2: I think.

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Speaker 3: People picture this sort of flow silky, but this is

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Speaker 3: a leather fitted kimona.

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Speaker 4: It's tight.

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Speaker 1: You can you can really see definition.

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Speaker 3: All your curves are. Yeah, just look absolutely delicious in

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Speaker 3: this thing. And so obviously you were in Japan, and

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Speaker 3: it was hard for us. We couldn't really figure out

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Speaker 3: the time difference trying to do this.

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Speaker 2: Never never did crack that.

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Speaker 4: It seemed to keep moving on us.

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Speaker 1: You would think that it's like basic math, but.

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Speaker 2: Yeah, no, it changes like every day.

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Speaker 3: Yeah, because it's so far away. Yeah. And then when

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Speaker 3: you finally got back from Japan, guess what we were traveling.

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Speaker 2: Yeah, which is part.

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Speaker 3: Of this industry.

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Speaker 4: Mm hmmm mm hmm.

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Speaker 3: We went to do just for last Dubai Yes, which

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Speaker 3: obviously uh was.

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Speaker 2: Funny, but oh yeah, it was too hot. I thought

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Speaker 2: it was very hot. And they don't let you do

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Speaker 2: like every joke there, which I love. I think it's great.

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Speaker 1: Oh it's good to be restricted, I think. Yes, then

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Speaker 1: you have to find what what's funny without like looking

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Speaker 1: at a woman or like drinking alcohol.

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Speaker 3: Well, think about the think about some of the lyrics

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Speaker 3: of these songs these is and how much more creative they.

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Speaker 2: Used to be when they would sing. That's an example

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Speaker 2: of the kind of joke that we could do.

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Speaker 3: We could we'd be allowed to say this if we

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Speaker 3: couldn't give the examples of the modern lyrics. We couldn't

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Speaker 3: say what they think we could go. They used to

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Speaker 3: do some of these songs.

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Speaker 2: Yeah, and instead of laughing there they say thank you.

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Speaker 2: Every one of the audience says thank you at the

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Speaker 2: same time.

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Speaker 3: Uh huh, once or over and over again.

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Speaker 1: Just is it one finds well you're doing.

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Speaker 4: Yes, Yes, that's right.

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Speaker 3: I think one night I feel like we crushed and

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Speaker 3: we must have gotten six or seven thank you. And

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Speaker 3: then there was another night where we didn't get a

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Speaker 3: single thing. No, but we but we did get a

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Speaker 3: a nod and then sort of a hand signal.

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Speaker 1: Yeah, uh did you guys, was Tyree's there that while

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Speaker 1: you were there the at the festival in Dubai.

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Speaker 4: Yes, he was.

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Speaker 2: He had a few different things going. He was shooting

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Speaker 2: fast Dubai.

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Speaker 1: Uh.

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Speaker 2: And at the same time he was also em seeing

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Speaker 2: all the proceedings.

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Speaker 3: Yeah. So anyway, now we're all finally back here straight side. Yeah,

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Speaker 3: feels good to be on solid ground again.

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Speaker 2: Yes, and but let's talk about killing and if Joe's here,

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Speaker 2: that was what we absolutely have to discuss. Yeah, your

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Speaker 2: stand up career is blowing up insane to the planet Mars, yes,

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Speaker 2: outer space.

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Speaker 3: All the way through the stars and in the Solar System,

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Speaker 3: and you and yes, yeah, you're murdering whole families with

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Speaker 3: your ruthless brand of comedy.

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Speaker 1: Like a like a precisions drone Yes, m hmm yeah,

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Speaker 1: laser guided missiles comedy, drone strike. Uh you know, no

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Speaker 1: one is spared.

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Speaker 3: Talk a little bit about the psychotic mindset you need

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Speaker 3: to get into in order to make people laugh without

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Speaker 3: even considering their feelings.

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Speaker 2: Right.

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Speaker 1: Uh, well, you know everyone likes to choke a little

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Speaker 1: bit just to get the ideas flowing.

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Speaker 3: Oh, we're going there. Sorry, I don't know. Am I

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Speaker 3: allowed to talk about dude?

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Speaker 4: Yeah?

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Speaker 3: Here? Uh yeah, I think we'd be upset if you

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Speaker 3: didn't know. We're total chiba hawks.

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Speaker 1: We love getting I'm talking about methamphetamines.

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Speaker 4: Yes, exactly. We also love to do that.

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Speaker 2: Yes, we will do anything a tweet that is a drug.

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Speaker 2: As long as it's a drug, then I will do it.

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Speaker 3: Hey, it's all anti me medication, baby exactly.

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Speaker 1: So that's I mean, that's to get into the mindset

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Speaker 1: of a psychopath. So there I get these ideas. I'm

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Speaker 1: watching the news, I'm I'm reading magazines.

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Speaker 3: I'm eating them. Wow, eating magazines. Yep, And that will

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Speaker 3: help you some times. Decode the messages, and that's kind

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Speaker 3: of the meth munchies.

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Speaker 2: Really, it really is, as you very shortly after you

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Speaker 2: do it, you have to eat a lot of paper,

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Speaker 2: whether it's a magazine or a dictionary.

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Speaker 1: You're it's like it's greedy for your brain to consume

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Speaker 1: all these ideas and that your body should have some

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Speaker 1: of that.

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Speaker 3: I noticed a lot of your bits lately are about

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Speaker 3: how license plates are actually secret messages to you.

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Speaker 1: Yeah, it's so weird that I feel like I started

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Speaker 1: writing this stuff, I was like, am I Am?

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Speaker 2: I really the first? Nobody else, or at least maybe

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Speaker 2: they're scared to talk about it.

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Speaker 3: But it's some of the most relatable stuff for a

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Speaker 3: true tweaker like me to just go, yeah, hello, I

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Speaker 3: mean you think these are just random letters and numbers

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Speaker 3: or they may.

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Speaker 1: Be aimed at me?

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Speaker 2: Yeah?

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Speaker 3: Can we talk about this special least? Oh, and this

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Speaker 3: one actually is special. Sometimes people say I have a special.

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Speaker 4: Yeah, it's actually a normal regular.

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Speaker 3: Yeah, yeah, you have a comedy regular coming out. This

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Speaker 3: one's a special. I appreciate that. Yeah.

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Speaker 4: If we settled on a title.

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Speaker 1: Uh for the next one, for.

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Speaker 2: Yes, for the one that we want to talk about.

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Speaker 3: Well this, yes, this is this one has been out

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Speaker 3: in video form, yes, but this is the album form

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Speaker 3: now yes, okay, right yeah right, yeah, I mean you

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Speaker 3: tell me. I don't know what's going I see it.

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Speaker 3: Yeah yeah, uh yeah.

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Speaker 1: My the special, which is a special yea, will soon

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Speaker 1: be released in an audio form. Yeah, and it'll be

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Speaker 1: called Joe Mandy's album or something.

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Speaker 2: Ah cool, very oh and so freaking so basic whatever.

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Speaker 3: Yeah, that's what I'm going for.

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Speaker 4: It's Joe's album or even who cares.

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Speaker 3: Gives a show? Yeah, Joe Man's or whoever is freaking.

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Speaker 2: Die some dude?

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Speaker 3: Have you? Have you really thought that is actually true?

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Speaker 3: And you can say it to anything, Like, anytime you

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Speaker 3: catch somebody caring about something or talking about something, you

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Speaker 3: can go'n. We're all freaking worm food babies. That's my

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Speaker 3: whole thing right now. Yeah, you can try all day

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Speaker 3: and you're still gonna die.

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Speaker 1: Yeah. Uh, because it's you. It's good to tell that

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Speaker 1: to people, to.

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Speaker 3: Knock them out.

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Speaker 1: Yeah, that's my tactic here in Hollywood. Yeah, I say,

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Speaker 1: like your worm food, they get distracted, they get sad,

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Speaker 1: and then uh oh I got your.

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Speaker 4: Job, that's right.

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Speaker 2: And then anything you're not doing feels like it could

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Speaker 2: be a choice that you're making because you don't give

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Speaker 2: a ship.

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Speaker 3: Of course, I'm not doing that. I'm going to die,

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Speaker 3: and I'm the one who knows that. Instead, I like

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Speaker 3: my brain is I'm the person who is aware of debt.

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Speaker 2: Right.

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Speaker 4: And then people get.

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Speaker 2: To say like, oh, it's not that he's not good

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Speaker 2: at it and that he intentionally doesn't care is not

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Speaker 2: doing it because he knows more than everyone else and

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Speaker 2: he is good at it.

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Speaker 3: Yeah, could could be good at it, but just has

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Speaker 3: too clear perspective.

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Speaker 2: Yeah, yeah, where did we tape this.

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Speaker 1: New York?

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Speaker 2: The New York theater so fake they managed to book it?

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Speaker 1: Yeah, it was crazy they I got an email from

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Speaker 1: my manager one of them, and she said, we got

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Speaker 1: we got the new theater.

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Speaker 3: I'm performing here. Yeah, what the heck?

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Speaker 2: That?

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Speaker 3: It was crazy? It was crazy?

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Speaker 1: Uh and I felt like I really fed off the

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Speaker 1: New York energy. Yeah you could tell in the performance.

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Speaker 4: Yeah, pacing a lot of a lot.

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Speaker 1: Of eating those nuts that smell good nuts?

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Speaker 3: Yes, oh so roasted?

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Speaker 2: Yeah did you.

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Speaker 3: Piss off the freaks and free good squares?

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Speaker 1: I mean, you tell me, man, I don't want to

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Speaker 1: be braggadocious, but it felt like it.

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Speaker 4: Right, we should, I guess, just play it.

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Speaker 3: Well, let's talk a little bit because obviously you know

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Speaker 3: better than anyone that this show is about translucency. Yeah,

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Speaker 3: not quite transparency, but showing people some of what goes

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Speaker 3: out behind the scenes, sort of almost as if it's

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Speaker 3: through like a viz queen sheet, right, And so we

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Speaker 3: like to let people press their face up against the

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Speaker 3: podcast and see a little bit of the process, but

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Speaker 3: not all of it. And we want to get the

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Speaker 3: secrets away we were hoping. We want yes, we want

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Speaker 3: to give it a lot of hints, sure, but we

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Speaker 3: don't want to come right out and say it. So

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Speaker 3: I think what we want to do is play a

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Speaker 3: little bit of this stand up special you have, which

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Speaker 3: is very special, and just talk to you about, like, Hey,

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Speaker 3: where'd some of this come from? I love it?

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Speaker 1: Yeah, I want to tell people about my process.

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Speaker 4: Let's do this the opening bit of Joe Mandy's.

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Speaker 2: Album or or whatever, go fuck yourself. Yeah, yes, here

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Speaker 2: comes Joe. Okay, and people are liking sort of marching

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Speaker 2: out there.

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Speaker 3: The horse cops are claughing.

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Speaker 2: Nice to thank everybody.

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Speaker 3: Yeah, oh yeah, Dubai would love that.

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Speaker 4: Yeah, oh to think them. Yeah, they never get that.

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Speaker 5: Thank you very much, thank you. I'm a modern man.

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Speaker 3: Okay, so right off the rip, you let people know, hey,

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Speaker 3: this ain't your granddad stand up like this is gonna

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Speaker 3: get pretty edgy and interesting.

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Speaker 2: Also to just to go right into it, not to

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Speaker 2: be like thanks, how is everyone doing, just to be like,

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Speaker 2: I'm a modern man.

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Speaker 1: Okay this you know, it's weird to hear your own

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Speaker 1: stand up plate for you, this is all it sounds

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Speaker 1: like new to me.

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Speaker 4: You don't remember, you don't know.

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Speaker 1: Yeah, you taped it too, so yeah, I was so

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Speaker 1: in the moment that I kind of forget how it started.

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Speaker 1: It's weird, okay, yeah, yeah.

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Speaker 5: Man for the millennium, digital and smoke free, a diversified, multicultural,

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Speaker 5: postmodern g strung politically, anatomically and ecologically incorrect.

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Speaker 4: Well I'm back there, geez.

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Speaker 3: So basically you're like, okay, I'm politically incorrect. Sorry freaking millennials, right, yeah,

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Speaker 3: But you then said you are a millennial before that,

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Speaker 3: so it's like, holy shit, this guy's freaking putting me

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Speaker 3: in my safe space. But then he's also you know,

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Speaker 3: maybe needs a safe space, which, by the way is

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Speaker 3: freaking six feet underground.

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Speaker 2: Oh okakay, So I thought you.

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Speaker 4: Would just.

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Speaker 1: It I oh yeah, we're just trying to promote, like.

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Speaker 2: We want people to listen to this and be like, oh,

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Speaker 2: this is good, this is for you that we're doing

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Speaker 2: this instead of doing like the.

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Speaker 3: We listen to some of your stuff and we were like,

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Speaker 3: and it's fun, You're so funny. Yeah, but we didn't

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Speaker 3: think that if we're just playing a clip to like

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Speaker 3: promote it, that there was really anything that was gonna kind.

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Speaker 2: Of grab Yeah.

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Speaker 3: Yeah, okay, no, no I get it. No, sorry, yeah

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Speaker 3: yeah yeah. Yeah.

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Speaker 1: So I'm like, say, I'm a millennial.

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Speaker 2: You say you're a man for the millennium, man for

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Speaker 2: the millennium before the term millennial.

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Speaker 4: Yeah, I guess it was right.

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Speaker 2: Uh, And you're politically anatomically ecologically do we want to

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Speaker 2: hear exactly what.

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Speaker 5: Let's get modern deconstruction is politically anatomically and ecologically incorrect.

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Speaker 2: Anatomically incorrect and ecologically incorrect. Talk about some of those

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Speaker 2: words and your process and where you were when you

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Speaker 2: wrote this.

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Speaker 1: I think I was in the library. It would have

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Speaker 1: to be learning, yeah, and I just was My goal

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Speaker 1: was just to cram as many words.

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Speaker 3: Yeah, so just adverbs is what you need, and really

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Speaker 3: the whole run of them. Yeah, that's dope. So it

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Speaker 3: did it start from knowing that politically incorrect was a

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Speaker 3: term and then going, maybe if I put to other

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Speaker 3: words next to that, it'll sound like one thing.

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Speaker 1: Yeahs than just being politically incorrect. That was That's what

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Speaker 1: I was thinking. I was like, yeah, know, why just

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Speaker 1: stay politically incorrect? I could be anatomically incorrect right, ecologically

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Speaker 1: there's so many collees.

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Speaker 2: Yes, and even though those aren't necessarily existing terms, anatomically

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Speaker 2: incorrect or ecologically incorrect, now they are.

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Speaker 1: Yeah, well yes, and that's at heart.

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Speaker 3: You've always said that a comedian is really just an

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Speaker 3: inventor and a tinkerer, a wordsmith.

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Speaker 1: It's like I take words and then try to make

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Speaker 1: an alloy, a new word.

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00:19:38,160 --> 00:19:42,080
Speaker 3: A new concept. A rube gold word machine is what

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Speaker 3: you've called yourself before.

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Speaker 1: I have just right before the show.

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Speaker 3: Yeah.

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00:19:45,640 --> 00:19:49,200
Speaker 5: Yeah, I've been uplanked and downloaded. I've been input in

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Speaker 5: and outsourced and all the upside of downsizing on know

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Speaker 5: the downside of upgrading. I'm a high tech, low life,

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Speaker 5: a cutting edge, date of the art bike coastal multitasker,

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Speaker 5: and I can give you a gigabyte in a nanosecond.

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Speaker 3: WHOA, Okay, So I guess we're off to the races here, Joe.

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00:20:06,440 --> 00:20:08,239
Speaker 2: Yeah, I know it's gonna be hard to keep up

388
00:20:08,440 --> 00:20:11,639
Speaker 2: because you did not actually say, and this is you know,

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Speaker 2: this is Carlin, this is like the best this is

390
00:20:14,200 --> 00:20:15,960
Speaker 2: do you ever do the height.

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Speaker 3: Of comedy achievement? Like dude is a fucking monster.

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Speaker 2: And a guy who's this was lake career Carlin and

393
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Speaker 2: the guy whose powers are just growing stronger and strong

394
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Speaker 2: professor yes, uh, and do we want to listen to

395
00:20:30,640 --> 00:20:33,119
Speaker 2: that part one more time? I guess for you to

396
00:20:33,240 --> 00:20:35,240
Speaker 2: like process that's a UK pretend it's.

397
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Speaker 5: Here atomically and ecologically incorrect.

398
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Speaker 2: I have an uplinked that. Yeah, that guy is with

399
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Speaker 2: it before everyone else in the he can.

400
00:20:44,040 --> 00:20:45,000
Speaker 3: Just feel.

401
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Speaker 1: I feel like he maybe makes uplinks for a living.

402
00:20:50,040 --> 00:20:53,199
Speaker 2: So he was just like so saying here we go.

403
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Speaker 5: And downloaded up an input in and outsourced and all

404
00:20:55,080 --> 00:20:57,760
Speaker 5: the upside of downsizing on all the downside of upgrading.

405
00:20:58,040 --> 00:21:00,560
Speaker 5: I'm a high tech, low life, cutting edge, date of

406
00:21:00,560 --> 00:21:02,800
Speaker 5: the art bike coastal multitasker, and I can give you

407
00:21:02,800 --> 00:21:04,480
Speaker 5: a gigabyte in a nanosecond.

408
00:21:04,880 --> 00:21:08,080
Speaker 2: Oh wow, is that all true?

409
00:21:08,760 --> 00:21:13,480
Speaker 3: It is true? Yeah. So what is the upside of downsizing?

410
00:21:14,200 --> 00:21:14,520
Speaker 2: Uh?

411
00:21:15,080 --> 00:21:18,960
Speaker 1: I think it's just to streamline one's business okay, yeah,

412
00:21:19,320 --> 00:21:20,119
Speaker 1: or redundancy.

413
00:21:20,240 --> 00:21:22,600
Speaker 3: What's the downside of upgrading?

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00:21:23,560 --> 00:21:23,879
Speaker 6: Uh?

415
00:21:24,040 --> 00:21:29,200
Speaker 1: That maybe that you lose the the passion, the you know,

416
00:21:29,280 --> 00:21:32,880
Speaker 1: like when when something's updated, you lose the like.

417
00:21:33,160 --> 00:21:35,639
Speaker 3: Well, it's like it's like listening on vinyl or something

418
00:21:36,359 --> 00:21:40,920
Speaker 3: and the warmth instead of you know, upgrading to these

419
00:21:41,000 --> 00:21:42,000
Speaker 3: freaking you know.

420
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Speaker 1: That's exactly what I was thinking. That's that, that's what

421
00:21:44,160 --> 00:21:46,200
Speaker 1: that gigabyte in a nanoseconda.

422
00:21:47,680 --> 00:21:51,040
Speaker 2: What's the thinking about being able to give someone a

423
00:21:51,080 --> 00:21:53,840
Speaker 2: gigabyte in a nanosecond? Yeah?

424
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Speaker 4: How can you do that?

425
00:21:56,520 --> 00:22:00,000
Speaker 3: I think it's with really just like a thumb Yeah okay,

426
00:22:00,200 --> 00:22:02,520
Speaker 3: I was gonna say, are you handing them like a thumb?

427
00:22:02,600 --> 00:22:02,760
Speaker 1: Drive?

428
00:22:03,000 --> 00:22:06,920
Speaker 4: But that's such a fast hand handing? Can give it

429
00:22:06,960 --> 00:22:07,800
Speaker 4: to him that fast?

430
00:22:07,880 --> 00:22:10,520
Speaker 3: I mean, I guess he's just the literal moment where

431
00:22:10,560 --> 00:22:12,159
Speaker 3: his hand comes off in their hands.

432
00:22:12,240 --> 00:22:13,600
Speaker 2: Yeah, that's exactly fast.

433
00:22:15,200 --> 00:22:15,640
Speaker 1: Wow.

434
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Speaker 5: I'm a new waves but I'm old school and my

435
00:22:18,480 --> 00:22:20,800
Speaker 5: inner child is outward bound. I'm a hot wire.

436
00:22:24,800 --> 00:22:28,720
Speaker 2: That's such an amazing idea to take the concept of

437
00:22:28,840 --> 00:22:33,720
Speaker 2: outward bound, which of course is on everybody's whips, but

438
00:22:33,840 --> 00:22:36,159
Speaker 2: to apply it to the inner child.

439
00:22:36,400 --> 00:22:39,639
Speaker 3: Wait a minute, Yes, because we're all talking, let's phase it.

440
00:22:39,640 --> 00:22:40,560
Speaker 4: We're all in therapy.

441
00:22:42,480 --> 00:22:44,600
Speaker 3: Yeah, you know, I mean, you don't get into this

442
00:22:44,640 --> 00:22:49,000
Speaker 3: business without wanting to be in therapy. And so you're

443
00:22:49,000 --> 00:22:50,840
Speaker 3: getting in touch with your inner child and.

444
00:22:50,800 --> 00:22:52,080
Speaker 4: It's taking them on out.

445
00:22:52,119 --> 00:22:55,439
Speaker 2: We're go outward bound. It just like a field trip.

446
00:22:55,920 --> 00:22:58,160
Speaker 2: It's a trip that's fucked up.

447
00:22:58,320 --> 00:23:01,000
Speaker 3: I mean, that's some of that I'm freaking crazy stuff

448
00:23:01,000 --> 00:23:03,520
Speaker 3: you're smoking. It is, it is, and it you know.

449
00:23:04,520 --> 00:23:06,360
Speaker 1: It's so funny listening the ones that made it, because

450
00:23:06,359 --> 00:23:07,640
Speaker 1: there's so many that I had to take.

451
00:23:07,880 --> 00:23:10,119
Speaker 3: I was curious how many ended up on the cutting

452
00:23:10,160 --> 00:23:10,680
Speaker 3: room floor.

453
00:23:10,960 --> 00:23:13,600
Speaker 1: Kind of one that was like, I you know, I'm

454
00:23:13,640 --> 00:23:17,800
Speaker 1: not about westward expansion, I'm eastward in spansion.

455
00:23:18,320 --> 00:23:19,639
Speaker 4: Oh that wow good?

456
00:23:20,000 --> 00:23:21,919
Speaker 1: And then it just you know, I think it was

457
00:23:21,960 --> 00:23:23,359
Speaker 1: just kind of so meanful.

458
00:23:23,520 --> 00:23:27,760
Speaker 2: Yeah, too smart, too smart, I think for this audience.

459
00:23:28,240 --> 00:23:29,920
Speaker 3: Yeah, what did he say?

460
00:23:29,920 --> 00:23:30,880
Speaker 2: It was a high.

461
00:23:30,720 --> 00:23:34,800
Speaker 3: Flying low life Yes, yes, yeah, I mean wow, because

462
00:23:34,840 --> 00:23:38,200
Speaker 3: that's real. Yeah. Yeah, but I was asking, Hayes, Yeah

463
00:23:38,240 --> 00:23:41,480
Speaker 3: I had. I had heard one of yours that I was,

464
00:23:42,359 --> 00:23:45,000
Speaker 3: you know, upset that it didn't make it. But I

465
00:23:45,040 --> 00:23:47,000
Speaker 3: believe you said that you had oral sex in a

466
00:23:47,080 --> 00:23:49,560
Speaker 3: rural area and anal sex and a penal colony.

467
00:23:50,440 --> 00:23:56,679
Speaker 2: Yeah, yeah, yeah, very real concepts there to think about.

468
00:23:57,280 --> 00:24:00,320
Speaker 1: Oh gosh, I it's funny and bring the want to

469
00:24:00,359 --> 00:24:03,520
Speaker 1: because I was I spent weeks in the library trying

470
00:24:03,520 --> 00:24:05,520
Speaker 1: to think of something that was oral sex, like with

471
00:24:05,800 --> 00:24:07,000
Speaker 1: with your ears.

472
00:24:07,600 --> 00:24:08,920
Speaker 2: But ultimately quite get that.

473
00:24:09,080 --> 00:24:10,960
Speaker 3: I just realized that if you said it, no one

474
00:24:10,960 --> 00:24:15,280
Speaker 3: would realize because it's yeah, like that's a that's some

475
00:24:15,359 --> 00:24:16,120
Speaker 3: of these jokes.

476
00:24:15,880 --> 00:24:19,679
Speaker 1: Are just slicing them out book brain droppings, that's like,

477
00:24:19,720 --> 00:24:21,080
Speaker 1: that's that goes into.

478
00:24:20,840 --> 00:24:25,879
Speaker 2: That Yeah, pile, and you did brain droppings as well. Yes, tired.

479
00:24:25,920 --> 00:24:30,359
Speaker 5: He's taking warm hearted, cool customer, voice activated and biodegradable.

480
00:24:30,920 --> 00:24:35,200
Speaker 2: Those ideas together. Don't see voice activated biodegradable.

481
00:24:35,400 --> 00:24:36,040
Speaker 4: It seems like.

482
00:24:36,000 --> 00:24:41,600
Speaker 2: You're you are, I guess in drifting. Yeah it doesn't

483
00:24:41,720 --> 00:24:44,440
Speaker 2: rhyme and there's no opposite.

484
00:24:44,200 --> 00:24:46,320
Speaker 3: Right, But you can't come up with a million of

485
00:24:46,359 --> 00:24:49,040
Speaker 3: these things. I mean, that's the issue is sometimes you

486
00:24:49,080 --> 00:24:52,000
Speaker 3: have to take a short cut because they're just hard.

487
00:24:52,960 --> 00:24:56,320
Speaker 1: You guys are familiar with, uh, the sport of boxing, right,

488
00:24:56,680 --> 00:24:58,359
Speaker 1: A famous.

489
00:24:58,080 --> 00:25:00,840
Speaker 4: Queen's favorite games sweet.

490
00:25:00,560 --> 00:25:05,080
Speaker 1: Chess, And there's a I forget which match it was,

491
00:25:05,119 --> 00:25:09,080
Speaker 1: but someone famously did something called a rope adope.

492
00:25:09,280 --> 00:25:13,280
Speaker 3: Oh okay, yeah, yeah it was. I remember the match.

493
00:25:13,400 --> 00:25:15,040
Speaker 3: It was Shandling versus Peteburg.

494
00:25:18,720 --> 00:25:23,960
Speaker 1: Yeah, famously Shandling did the rope adope. And what the

495
00:25:24,040 --> 00:25:27,119
Speaker 1: strategy is is you make Peteburg think like, oh, I

496
00:25:27,119 --> 00:25:28,560
Speaker 1: got this guy. He's losing it.

497
00:25:28,600 --> 00:25:30,560
Speaker 2: And he's so he's so much older than me, he's

498
00:25:30,680 --> 00:25:32,040
Speaker 2: like not in his good shape.

499
00:25:32,119 --> 00:25:34,399
Speaker 4: I'm going to annihilate. Yeah, dude.

500
00:25:34,560 --> 00:25:39,840
Speaker 1: And much like my good friend Gary, I, I let

501
00:25:39,880 --> 00:25:42,199
Speaker 1: the audience think like, oh, he's losing the threat. This

502
00:25:42,440 --> 00:25:46,159
Speaker 1: will he can't continue this. He just said the opposite

503
00:25:46,200 --> 00:25:48,520
Speaker 1: of voice activation is bio.

504
00:25:49,920 --> 00:25:50,440
Speaker 3: Goods.

505
00:25:50,480 --> 00:25:52,600
Speaker 1: And then you know, just keep listening. I got I

506
00:25:53,000 --> 00:25:54,720
Speaker 1: hit them right back with an uppercut.

507
00:25:54,840 --> 00:25:55,639
Speaker 3: Okay.

508
00:25:55,680 --> 00:25:58,400
Speaker 5: Interface of my data base, my data bases in cyberspace.

509
00:25:58,520 --> 00:26:02,080
Speaker 5: So I'm interactive. I'm hyperactive from time to time, I'm radioactive.

510
00:26:05,440 --> 00:26:05,880
Speaker 4: Yeah.

511
00:26:05,960 --> 00:26:07,440
Speaker 3: I think he knew what he was doing.

512
00:26:07,240 --> 00:26:07,840
Speaker 4: The whole time.

513
00:26:07,920 --> 00:26:14,399
Speaker 2: Applause break behind you. Wait, wow, okay, your database is

514
00:26:14,400 --> 00:26:17,560
Speaker 2: at cyber you interface with your database. Your database is

515
00:26:17,600 --> 00:26:19,399
Speaker 2: in cyberspace.

516
00:26:18,760 --> 00:26:20,760
Speaker 1: Which is just a dropbox account.

517
00:26:21,119 --> 00:26:23,719
Speaker 2: Sure, I guess that is that makes sense, and that's

518
00:26:23,760 --> 00:26:25,600
Speaker 2: where it would be good to be honest.

519
00:26:26,400 --> 00:26:29,400
Speaker 3: What one of the things I know that you wound

520
00:26:29,480 --> 00:26:31,560
Speaker 3: up cutting just because of the change in the political

521
00:26:31,640 --> 00:26:36,680
Speaker 3: landscape was that you were a rout and Tutin six

522
00:26:36,760 --> 00:26:41,600
Speaker 3: shooting uh free pollutant friend of Putin.

523
00:26:43,080 --> 00:26:44,040
Speaker 4: And I think.

524
00:26:43,840 --> 00:26:46,640
Speaker 3: That that had a different context when you were initially

525
00:26:46,640 --> 00:26:47,240
Speaker 3: writing it.

526
00:26:47,720 --> 00:26:50,400
Speaker 1: It did, and then it just is in these politically

527
00:26:50,520 --> 00:26:52,919
Speaker 1: charged times to say I was a friend of Putin,

528
00:26:53,080 --> 00:26:54,280
Speaker 1: it just threw everything off.

529
00:26:54,440 --> 00:26:56,840
Speaker 3: Yea, who is this guy? What side is it? And

530
00:26:56,840 --> 00:26:58,919
Speaker 3: then for a while you were working on just changing

531
00:26:58,960 --> 00:27:03,040
Speaker 3: it to like motor scutin or or or even boot

532
00:27:03,080 --> 00:27:05,360
Speaker 3: scootin and then maybe getting into some sort.

533
00:27:05,200 --> 00:27:08,639
Speaker 2: Of boogy area. Yeah, but then you just forgot to

534
00:27:08,720 --> 00:27:09,440
Speaker 2: do that. I guess.

535
00:27:09,680 --> 00:27:12,840
Speaker 3: I know. I wrote it for fully, it's you know,

536
00:27:13,160 --> 00:27:13,800
Speaker 3: it's out there.

537
00:27:13,920 --> 00:27:17,920
Speaker 1: Might you know, you know, maybe next year I'll do.

538
00:27:17,880 --> 00:27:19,480
Speaker 2: A bonus material.

539
00:27:19,680 --> 00:27:23,040
Speaker 3: Yeah you have to, Yeah, mixtape type thing.

540
00:27:23,200 --> 00:27:23,400
Speaker 4: Yeah.

541
00:27:23,960 --> 00:27:26,719
Speaker 1: Yogo is a huge inspiration for me. Was actually Yosemite. Sam.

542
00:27:27,080 --> 00:27:30,200
Speaker 2: Oh. Yeah, you can kind of tell and feel it

543
00:27:30,280 --> 00:27:34,480
Speaker 2: the gravel in your voice and the inflections in the

544
00:27:34,560 --> 00:27:36,680
Speaker 2: rhyme at yeah and.

545
00:27:38,240 --> 00:27:39,240
Speaker 4: Sam.

546
00:27:39,720 --> 00:27:43,639
Speaker 2: Back then, the like the Vice Squad would show up

547
00:27:43,640 --> 00:27:44,200
Speaker 2: at his sets.

548
00:27:44,280 --> 00:27:46,600
Speaker 4: Please, I like shut the whole thing down.

549
00:27:46,720 --> 00:27:48,520
Speaker 2: But I think he did pay the way for a

550
00:27:48,520 --> 00:27:51,320
Speaker 2: lot of you guys that are that are working now.

551
00:27:51,760 --> 00:27:56,439
Speaker 3: That's why I have a back tattoo devoted because he

552
00:27:56,520 --> 00:28:00,359
Speaker 3: had a back tattoo as well, so I guess, and

553
00:28:00,480 --> 00:28:02,000
Speaker 3: his fact they do is on yours.

554
00:28:02,000 --> 00:28:04,240
Speaker 2: So I guess. It's just kind of like a hall

555
00:28:04,280 --> 00:28:09,600
Speaker 2: of mirrors of yeah, back to like, Yeah, you could

556
00:28:09,600 --> 00:28:10,440
Speaker 2: get lost in it.

557
00:28:11,040 --> 00:28:13,800
Speaker 1: I do often I'll just stare in I'll put two

558
00:28:13,840 --> 00:28:17,400
Speaker 1: mirrors up wow, and then I'll just look down that

559
00:28:17,840 --> 00:28:18,760
Speaker 1: infinite corridor.

560
00:28:19,240 --> 00:28:21,800
Speaker 2: To be on Infinity Wars, to be doing that would

561
00:28:21,800 --> 00:28:24,400
Speaker 2: be so scary. It's basically having an Infinity war.

562
00:28:24,520 --> 00:28:26,280
Speaker 3: Yeah, that's the original Infinity Wars.

563
00:28:28,920 --> 00:28:31,280
Speaker 5: Behind the eight ball, ahead of the curve, riding a wave,

564
00:28:31,359 --> 00:28:33,880
Speaker 5: dodging a bullet, pushing the envelope.

565
00:28:34,240 --> 00:28:37,439
Speaker 2: So those are five things for sure. Yeah, it's just

566
00:28:37,880 --> 00:28:40,880
Speaker 2: phrases and they all have its verbs within.

567
00:28:41,880 --> 00:28:42,440
Speaker 1: Yeah.

568
00:28:42,640 --> 00:28:46,000
Speaker 2: Yeah, and some of them are I guess none of

569
00:28:46,000 --> 00:28:47,680
Speaker 2: them are really like recent.

570
00:28:47,520 --> 00:28:51,800
Speaker 3: Dodging modern pushing the envelope. That's oh but no. But

571
00:28:51,800 --> 00:28:54,960
Speaker 3: but don't you agree that a modern man would do

572
00:28:55,200 --> 00:28:57,840
Speaker 3: those things? I mean, I think that was something.

573
00:28:57,760 --> 00:29:00,320
Speaker 4: It was a modern man would definitely be doing that.

574
00:29:00,440 --> 00:29:03,680
Speaker 3: I'm surrounded by envelopes? Is there anything more modern than

575
00:29:03,840 --> 00:29:05,200
Speaker 3: knowing old phrases?

576
00:29:08,960 --> 00:29:11,880
Speaker 5: Messaging off drugs? I got no need for coc and speed.

577
00:29:11,880 --> 00:29:14,000
Speaker 5: I got no urge to binge and purge. I'm in

578
00:29:14,080 --> 00:29:16,080
Speaker 5: the moment, on the edge, over the top, but under

579
00:29:16,120 --> 00:29:19,680
Speaker 5: the radar. A high concept, low profile, medium range ballistic missionary,

580
00:29:19,800 --> 00:29:22,600
Speaker 5: a street wise smart bomb, a top gun, bottom feeder.

581
00:29:22,680 --> 00:29:25,760
Speaker 5: Iowtize tell power lives, I take power naps. I run

582
00:29:25,840 --> 00:29:26,520
Speaker 5: victory laps.

583
00:29:27,600 --> 00:29:31,320
Speaker 2: Can you just repeat that whole secon so we could

584
00:29:31,400 --> 00:29:32,160
Speaker 2: understand that?

585
00:29:32,320 --> 00:29:35,840
Speaker 1: Yeah, you know, I think I I just as a

586
00:29:35,920 --> 00:29:39,840
Speaker 1: modern man's just like, I'm actually poking fun at those

587
00:29:39,880 --> 00:29:43,480
Speaker 1: who take power net to do those things, and I

588
00:29:43,560 --> 00:29:46,000
Speaker 1: feel the need to run a victory lap. It's like,

589
00:29:46,040 --> 00:29:48,680
Speaker 1: what have you? What have you actually done? But then

590
00:29:48,880 --> 00:29:51,120
Speaker 1: when I really think about it, I am that guy

591
00:29:51,160 --> 00:29:53,960
Speaker 1: in a certain way do those things, And I guess

592
00:29:54,000 --> 00:29:55,160
Speaker 1: you can see I'm wearing.

593
00:29:56,200 --> 00:30:04,040
Speaker 3: Talk a little bit about power lives, power lies. Yeah,

594
00:30:04,240 --> 00:30:07,800
Speaker 3: because power lines is right there for you. There's something

595
00:30:07,840 --> 00:30:10,440
Speaker 3: that phrase we know secret.

596
00:30:10,560 --> 00:30:13,880
Speaker 1: Yeah, I just committed to it. I was written down

597
00:30:13,880 --> 00:30:17,640
Speaker 1: as power lines wrong, and then I was like, it's

598
00:30:17,680 --> 00:30:22,960
Speaker 1: actually more poetic, yeah, rhymes, and and I think it's

599
00:30:23,280 --> 00:30:27,440
Speaker 1: it's like a you know, like a good Steely Dan lyric.

600
00:30:27,520 --> 00:30:30,200
Speaker 1: It's like, well, what does he mean by power lies? Well,

601
00:30:30,240 --> 00:30:31,960
Speaker 1: and just it's literature.

602
00:30:31,640 --> 00:30:34,840
Speaker 3: Just using power lies in a group of phrases that

603
00:30:34,960 --> 00:30:37,400
Speaker 3: are all actual phrases. Is it in a way a

604
00:30:37,440 --> 00:30:38,000
Speaker 3: power lie?

605
00:30:38,120 --> 00:30:38,480
Speaker 4: It is?

606
00:30:38,800 --> 00:30:41,040
Speaker 3: Yea, So that's kind of cool. And and then.

607
00:30:40,960 --> 00:30:43,120
Speaker 1: You have to wonder like was that a mistake or

608
00:30:43,320 --> 00:30:46,960
Speaker 1: was my like a part of my brain forcing my

609
00:30:47,080 --> 00:30:51,280
Speaker 1: mouth and tongue to eliminate the N from that word.

610
00:30:51,400 --> 00:30:55,880
Speaker 1: So something else more powerful and deep? Now that's that's

611
00:30:55,920 --> 00:30:59,240
Speaker 1: just something that happens when you're truly comfortable on stage.

612
00:31:00,040 --> 00:31:02,680
Speaker 3: And I asked, like, only maybe forty seconds ago you

613
00:31:02,720 --> 00:31:05,160
Speaker 3: did high flying low life, and now you have gone

614
00:31:05,280 --> 00:31:09,280
Speaker 3: back to the well of high low. I think he said,

615
00:31:09,320 --> 00:31:15,000
Speaker 3: like high frequency something you're talking about something. Yeah, I'm

616
00:31:15,040 --> 00:31:16,960
Speaker 3: right here, No, I'm talking to Hayes.

617
00:31:17,080 --> 00:31:21,160
Speaker 2: Yeah, I know, I do remember hearing something like that. Yeah,

618
00:31:21,320 --> 00:31:25,239
Speaker 2: I mean it's yeah, okay, yeah.

619
00:31:24,920 --> 00:31:27,240
Speaker 5: Off drugs. I got no need for coc and speed.

620
00:31:27,280 --> 00:31:30,440
Speaker 5: I got nowhere from below. I'm on point, on task

621
00:31:30,520 --> 00:31:33,160
Speaker 5: on messaging off drugs. I got no need for coc

622
00:31:33,240 --> 00:31:35,480
Speaker 5: and speed. I got no urge to binge and purge.

623
00:31:35,560 --> 00:31:37,440
Speaker 5: I'm in the moment, on the edge, over the top,

624
00:31:37,480 --> 00:31:40,480
Speaker 5: but under the radar. A high concept, low profile, medium range.

625
00:31:40,560 --> 00:31:45,080
Speaker 2: Yes, high concept, high concept, low profile. And also I

626
00:31:45,120 --> 00:31:49,640
Speaker 2: guess it's intentionally. People know your background. It is a

627
00:31:49,680 --> 00:31:52,000
Speaker 2: power line that you have no need for coke and speed.

628
00:31:52,240 --> 00:31:54,840
Speaker 1: It is yeah, because it's exactly what I need to

629
00:31:54,880 --> 00:31:57,200
Speaker 1: get to the point where, yeah, exactly what produced this?

630
00:31:57,360 --> 00:31:59,040
Speaker 2: And you do have an urge to binge.

631
00:31:58,960 --> 00:32:00,600
Speaker 1: And I feel like I'm pretty high profile.

632
00:32:01,080 --> 00:32:03,920
Speaker 3: Yeah, And when you got booed for saying you were

633
00:32:03,960 --> 00:32:07,200
Speaker 3: off drugs, I feel like that guy probably didn't get

634
00:32:07,240 --> 00:32:08,600
Speaker 3: it and what he should have been saying.

635
00:32:08,640 --> 00:32:10,560
Speaker 1: No, it's funny now that I remember it was the

636
00:32:10,680 --> 00:32:11,320
Speaker 1: uplink guy.

637
00:32:11,800 --> 00:32:14,800
Speaker 3: Oh wow, So he just wanted he thought it was

638
00:32:14,840 --> 00:32:15,800
Speaker 3: going to be all a blank.

639
00:32:15,840 --> 00:32:17,640
Speaker 1: I gave him. I shot him a look. I was

640
00:32:17,840 --> 00:32:21,200
Speaker 1: like calm down, man, there's there's another fifty five minutes.

641
00:32:21,240 --> 00:32:22,040
Speaker 1: I'm going to get.

642
00:32:21,880 --> 00:32:25,040
Speaker 2: Back focus on the technology.

643
00:32:24,760 --> 00:32:27,320
Speaker 4: Yeah yeah, yeah.

644
00:32:26,880 --> 00:32:30,160
Speaker 5: A smart bomb, a top gun, bottom feeder, I wowtized

645
00:32:30,520 --> 00:32:33,480
Speaker 5: power take powering up, they run victory laps. I'm a

646
00:32:33,520 --> 00:32:37,360
Speaker 5: totally ongoing big Foot slam Dunk rain maker with a proactive.

647
00:32:36,840 --> 00:32:43,520
Speaker 3: Outreach Bigfoot slam Dunk rang, totally ongoing, and so that

648
00:32:43,600 --> 00:32:45,800
Speaker 3: power Tiz power Lized thing. Just to double back, John,

649
00:32:45,920 --> 00:32:48,280
Speaker 3: you had such a rhythm to the way you it

650
00:32:48,360 --> 00:32:51,680
Speaker 3: was almost like a scattering did do you have a

651
00:32:51,760 --> 00:32:52,520
Speaker 3: musical background?

652
00:32:52,520 --> 00:32:54,640
Speaker 4: I feel like rap on this stage.

653
00:32:54,800 --> 00:32:57,000
Speaker 1: Well, it's I don't. I wouldn't dare to call myself

654
00:32:57,000 --> 00:32:59,520
Speaker 1: a rapper, but you know, I did spend years in

655
00:32:59,600 --> 00:33:02,120
Speaker 1: the slam poetry circuit, and I think this is kind

656
00:33:02,200 --> 00:33:03,320
Speaker 1: of revealing itself.

657
00:33:03,520 --> 00:33:06,200
Speaker 2: Well, it's like, honestly, a lot of these words in

658
00:33:06,320 --> 00:33:10,600
Speaker 2: these rap songs don't even rhyme, though rhyme like Gucci

659
00:33:10,760 --> 00:33:14,320
Speaker 2: with Gucci. Yeah, and it's like the same word, but

660
00:33:14,560 --> 00:33:18,400
Speaker 2: like you are actually doing real rhymes up here, and

661
00:33:18,560 --> 00:33:22,720
Speaker 2: you have real ideas. That's not just like popping bottles.

662
00:33:22,480 --> 00:33:24,040
Speaker 1: Yea, yeah, no it's not.

663
00:33:24,160 --> 00:33:25,520
Speaker 3: And this is some of the stuff we couldn't talk

664
00:33:25,520 --> 00:33:27,760
Speaker 3: about in Dubai, but these lyrics that they put in

665
00:33:27,800 --> 00:33:30,560
Speaker 3: the songs, now you can't talk about Gucci and Dubaibe

666
00:33:30,680 --> 00:33:35,280
Speaker 3: no and it's it's popping bottles and it's and it's

667
00:33:35,360 --> 00:33:40,400
Speaker 3: women and they don't use that word no and someone

668
00:33:40,440 --> 00:33:42,800
Speaker 3: what they're talking about doing with these people and the

669
00:33:42,960 --> 00:33:46,520
Speaker 3: places they're talking about being the club. Yeah, I'm sorry.

670
00:33:46,720 --> 00:33:48,760
Speaker 2: The reason we couldn't talk about this at dubias because

671
00:33:48,800 --> 00:33:49,520
Speaker 2: you can't use the.

672
00:33:49,480 --> 00:33:50,920
Speaker 4: Word women either. Yeah.

673
00:33:51,000 --> 00:33:52,920
Speaker 2: Right, So it was just like too hard to get

674
00:33:52,960 --> 00:33:56,360
Speaker 2: this bit across.

675
00:33:54,800 --> 00:33:58,120
Speaker 1: That I haven't gone to that festival yet, just because

676
00:33:58,160 --> 00:34:01,040
Speaker 1: it's like, how do I translate this particular bit?

677
00:34:01,840 --> 00:34:02,880
Speaker 4: Right, well, why don't you?

678
00:34:02,920 --> 00:34:05,360
Speaker 3: Why don't people rap about something I can relate to,

679
00:34:05,720 --> 00:34:10,080
Speaker 3: like like being a bigfoot or like just there being

680
00:34:10,120 --> 00:34:12,960
Speaker 3: too long a line at the Delhi. I mean, just

681
00:34:13,080 --> 00:34:17,239
Speaker 3: something that I've experienced, like uh, like being a high

682
00:34:17,320 --> 00:34:19,040
Speaker 3: flying lowlife.

683
00:34:20,400 --> 00:34:23,279
Speaker 5: A raging workaholic, a working rage of hallock, out of

684
00:34:23,320 --> 00:34:25,160
Speaker 5: rehab and in denial.

685
00:34:30,200 --> 00:34:33,880
Speaker 2: I asked what was happening that made all those people

686
00:34:33,920 --> 00:34:36,680
Speaker 2: applaud in that moment? I assumed there was something else

687
00:34:36,719 --> 00:34:37,920
Speaker 2: happening in the theater.

688
00:34:38,400 --> 00:34:45,120
Speaker 1: Did like, yeah, no, the thing is uh, it's hard

689
00:34:45,160 --> 00:34:48,400
Speaker 1: to convey in audio. But there was a screen behind me,

690
00:34:48,600 --> 00:34:51,400
Speaker 1: and it was so funny. It was a photoshop picture

691
00:34:51,440 --> 00:34:56,560
Speaker 1: of me waist deep in the Nile River. So I

692
00:34:56,680 --> 00:34:59,640
Speaker 1: was in denial and people were like, that's cool.

693
00:35:00,880 --> 00:35:02,440
Speaker 4: I really wish we could see that.

694
00:35:02,520 --> 00:35:05,319
Speaker 1: I know it was. It was a magical moment because

695
00:35:05,320 --> 00:35:08,280
Speaker 1: it was the only image I played the whole show,

696
00:35:08,440 --> 00:35:10,640
Speaker 1: so it was just it was nothing but my words

697
00:35:10,840 --> 00:35:13,200
Speaker 1: and then in denial, and I could see it for

698
00:35:13,239 --> 00:35:14,920
Speaker 1: a Swiss second. The whole crowd be like, what does

699
00:35:14,920 --> 00:35:18,319
Speaker 1: that have to do with anything? Yeah, you'll say, we're

700
00:35:18,400 --> 00:35:20,160
Speaker 1: getting there screens up.

701
00:35:20,520 --> 00:35:23,560
Speaker 2: Okay, because they have this log at applause break for

702
00:35:23,719 --> 00:35:26,040
Speaker 2: just saying that you're in denial psychotic.

703
00:35:27,080 --> 00:35:29,920
Speaker 1: So you have to know that in the actuality there

704
00:35:30,040 --> 00:35:32,759
Speaker 1: was a picture of the Nile and that you had

705
00:35:32,800 --> 00:35:36,280
Speaker 1: planned it. Yeah.

706
00:35:36,880 --> 00:35:38,840
Speaker 5: I got a personal trainer, a personal shop or a

707
00:35:38,880 --> 00:35:42,640
Speaker 5: personal assistant, and a personal agenda. You can't shut me up,

708
00:35:42,800 --> 00:35:45,960
Speaker 5: you can't dumb me down because I'm tireless and I'm wireless.

709
00:35:46,000 --> 00:35:49,840
Speaker 5: I'm an alpha male on beta blockers. Yeah, I'm a

710
00:35:49,880 --> 00:35:54,040
Speaker 5: non believer in an overachiever, laid back but fashion forward, upfront,

711
00:35:54,080 --> 00:35:57,880
Speaker 5: down home, low rent, high maintenance, supersized, long lasting, high definition,

712
00:35:57,960 --> 00:35:59,920
Speaker 5: fast acting, oven ready and built to last.

713
00:36:00,640 --> 00:36:02,160
Speaker 4: Now this is getting so long.

714
00:36:03,239 --> 00:36:06,840
Speaker 2: It was there ever any thought to not doing it anymore?

715
00:36:06,880 --> 00:36:09,160
Speaker 4: After a certain you know.

716
00:36:09,280 --> 00:36:12,040
Speaker 1: I might have you think like, oh, I should probably

717
00:36:12,080 --> 00:36:14,160
Speaker 1: stop when I get this huge applause it denial.

718
00:36:14,440 --> 00:36:15,640
Speaker 2: Yeah, And I was like, I got this.

719
00:36:15,600 --> 00:36:18,800
Speaker 1: Whole Greek alphabet thing ready to go, and then I

720
00:36:19,640 --> 00:36:20,640
Speaker 1: cut its way down.

721
00:36:21,000 --> 00:36:21,520
Speaker 4: Oh okay.

722
00:36:22,600 --> 00:36:26,160
Speaker 1: Also Omega watch and I eat.

723
00:36:25,960 --> 00:36:31,080
Speaker 4: Pie, Gamma rays ray. That's good. Was there a theta thing?

724
00:36:32,400 --> 00:36:33,040
Speaker 3: No?

725
00:36:33,360 --> 00:36:38,840
Speaker 2: Ultimately, yeah, okay, let's keep going. Do you want to

726
00:36:38,920 --> 00:36:39,400
Speaker 2: keep going?

727
00:36:39,640 --> 00:36:40,000
Speaker 3: Yeah?

728
00:36:40,360 --> 00:36:40,719
Speaker 5: I do.

729
00:36:41,120 --> 00:36:42,160
Speaker 3: I do want to keep going.

730
00:36:42,239 --> 00:36:45,239
Speaker 5: Most knee jerk, headcase, prematurely post traumatic. And I have

731
00:36:45,280 --> 00:36:46,919
Speaker 5: a love child who sends me hate mail?

732
00:36:49,120 --> 00:36:49,720
Speaker 2: Is that true?

733
00:36:50,280 --> 00:36:51,239
Speaker 3: It's true.

734
00:36:51,400 --> 00:36:52,560
Speaker 4: They shouldn't have laughed at that.

735
00:36:53,560 --> 00:36:56,279
Speaker 1: I was trying to reveal something real.

736
00:36:56,719 --> 00:36:59,080
Speaker 2: Now you've made these friends, and now you can actually

737
00:36:59,160 --> 00:37:00,120
Speaker 2: say because it's.

738
00:37:00,160 --> 00:37:02,919
Speaker 3: I'm not a clown. But that's the curse. But that's

739
00:37:02,920 --> 00:37:05,960
Speaker 3: the curse of the funnness. Yeah, is that even when

740
00:37:05,960 --> 00:37:08,799
Speaker 3: you're not clowning, that people are just like oh, here's

741
00:37:08,840 --> 00:37:09,359
Speaker 3: the funny guy.

742
00:37:09,440 --> 00:37:10,799
Speaker 2: And it is true that it happens to have the

743
00:37:10,840 --> 00:37:14,840
Speaker 2: same structure like opposite words. I know, was that an accident?

744
00:37:14,960 --> 00:37:17,560
Speaker 1: It was an accident, and that was the end of

745
00:37:17,600 --> 00:37:20,239
Speaker 1: the bit. I stormed off the stage. When when this

746
00:37:20,480 --> 00:37:23,680
Speaker 1: when this? Uh? When the taping ended, I stormed off

747
00:37:23,680 --> 00:37:26,120
Speaker 1: and I yelled, I I just reamed my manager out,

748
00:37:26,160 --> 00:37:28,560
Speaker 1: my other one of my other managers, and I said, like,

749
00:37:28,880 --> 00:37:32,080
Speaker 1: we we only had the Nile photo. We should have

750
00:37:32,120 --> 00:37:34,000
Speaker 1: had a photo of the actual hate mail for my

751
00:37:34,040 --> 00:37:40,000
Speaker 1: love child. People understand instead of where I'm class. Oh wow,

752
00:37:40,160 --> 00:37:41,080
Speaker 1: I'm not just a clown.

753
00:37:42,280 --> 00:37:44,880
Speaker 3: That love child hate mail thing was supposed to be

754
00:37:44,960 --> 00:37:48,479
Speaker 3: you transitioning into a whole new section. And I think

755
00:37:48,560 --> 00:37:51,600
Speaker 3: that just the timing of it somehow made it feel

756
00:37:51,640 --> 00:37:52,440
Speaker 3: like it was part of it.

757
00:37:52,680 --> 00:37:55,680
Speaker 1: And then once I realized, like, oh, they they don't

758
00:37:55,800 --> 00:38:02,200
Speaker 1: care about my internal life. M hmm, I couldn't trust

759
00:38:02,200 --> 00:38:04,600
Speaker 1: them as an audience. And I just kept going, you know, and.

760
00:38:04,640 --> 00:38:07,440
Speaker 2: Said you had to keep going, yeah, for a long

761
00:38:07,560 --> 00:38:08,160
Speaker 2: time more.

762
00:38:08,840 --> 00:38:12,840
Speaker 5: But I'm feeling, I'm caring, I'm healing, I'm sharing the supportive, bonding,

763
00:38:12,920 --> 00:38:16,080
Speaker 5: nurturing primary caregiver. My output is down, but my income

764
00:38:16,160 --> 00:38:17,360
Speaker 5: is up. I take a short.

765
00:38:17,960 --> 00:38:22,279
Speaker 2: Back to the output in structure. Again, that must have

766
00:38:22,400 --> 00:38:24,960
Speaker 2: been it feels like you are running out of words.

767
00:38:24,960 --> 00:38:27,839
Speaker 1: Basically you'd think so, but there are a lot of

768
00:38:28,320 --> 00:38:30,560
Speaker 1: a lot more Okay, yeah.

769
00:38:31,080 --> 00:38:33,319
Speaker 5: Position on the long bond and my revenue stream has

770
00:38:33,360 --> 00:38:36,279
Speaker 5: its own cash flow. Are you junk male junk food

771
00:38:36,280 --> 00:38:38,320
Speaker 5: about junk bonds? To watch trash sports?

772
00:38:39,040 --> 00:38:42,560
Speaker 2: What are some of your favorite trash sports? Uh?

773
00:38:42,719 --> 00:38:45,400
Speaker 1: You know, I like like when you play basketball with

774
00:38:45,480 --> 00:38:48,600
Speaker 1: like a like away basket. Yeah yeah, well, well that's

775
00:38:48,640 --> 00:38:50,840
Speaker 1: the poop and then it's just like an old melon,

776
00:38:51,520 --> 00:38:53,399
Speaker 1: the old melons the ball.

777
00:38:53,560 --> 00:38:53,799
Speaker 2: Yeah.

778
00:38:53,920 --> 00:38:56,880
Speaker 3: I play trash sports. Yeah okay, yeah, that was wire

779
00:38:56,960 --> 00:39:01,160
Speaker 3: to me. He watches junk mail junk food, I watch

780
00:39:01,320 --> 00:39:06,360
Speaker 3: trash sports. Yeah, well, and it's it's interesting because you

781
00:39:06,440 --> 00:39:09,360
Speaker 3: obviously there's nothing else that has junk in it. I

782
00:39:09,360 --> 00:39:11,240
Speaker 3: think he said there's nothing else that is trashing.

783
00:39:11,440 --> 00:39:15,520
Speaker 1: Yeah, it's true. And then just I do watch trash sports.

784
00:39:15,600 --> 00:39:19,200
Speaker 1: That's the thing is like, uh like a stinky football,

785
00:39:19,560 --> 00:39:19,920
Speaker 1: like what.

786
00:39:20,400 --> 00:39:24,239
Speaker 3: This is so annoying, but just to me, I would

787
00:39:24,239 --> 00:39:26,000
Speaker 3: almost if I was writing this, And this is why

788
00:39:26,000 --> 00:39:26,600
Speaker 3: I don't.

789
00:39:26,360 --> 00:39:27,040
Speaker 2: Do this stuff.

790
00:39:27,600 --> 00:39:30,440
Speaker 3: I would feel like I could say, you know, I'm

791
00:39:30,440 --> 00:39:32,520
Speaker 3: the junk Bonds, I got junk mail, and if I

792
00:39:32,520 --> 00:39:35,640
Speaker 3: wanted to go into trash, I go like I got

793
00:39:35,640 --> 00:39:37,520
Speaker 3: a trash can, I'm the trash man or.

794
00:39:37,440 --> 00:39:40,359
Speaker 1: What you know, like that that would be so I'd see,

795
00:39:40,719 --> 00:39:43,600
Speaker 1: I see why you don't do this, and I just

796
00:39:43,640 --> 00:39:44,640
Speaker 1: go because.

797
00:39:44,360 --> 00:39:49,440
Speaker 3: It's all fucking just random shit, like just make it

798
00:39:49,520 --> 00:39:53,440
Speaker 3: sound good at least, because trash sports hits my ear

799
00:39:53,560 --> 00:39:56,360
Speaker 3: in such a strange way, kind of against the grain.

800
00:39:56,680 --> 00:39:58,840
Speaker 1: It seems like you just don't you're not familiar with

801
00:39:58,960 --> 00:39:59,640
Speaker 1: trash sports.

802
00:39:59,640 --> 00:39:59,880
Speaker 3: It's not.

803
00:40:00,000 --> 00:40:02,480
Speaker 1: That's one part of it. It's a growing industry. It

804
00:40:02,520 --> 00:40:06,080
Speaker 1: really something people want, you know. I'm trying to there

805
00:40:06,320 --> 00:40:10,600
Speaker 1: there is a trash sports uh minor league here in

806
00:40:10,719 --> 00:40:14,279
Speaker 1: Los Angeles. I'm trying to like get they like the

807
00:40:14,440 --> 00:40:17,759
Speaker 1: LA Football Club. I'm trying to do similarly, bring a

808
00:40:17,800 --> 00:40:18,480
Speaker 1: new team to.

809
00:40:20,239 --> 00:40:22,720
Speaker 3: Football, yeah football.

810
00:40:22,320 --> 00:40:27,440
Speaker 2: Club and getting kids to play too, some of these

811
00:40:27,480 --> 00:40:31,120
Speaker 2: kids that don't necessarily have all the stinky equipment.

812
00:40:34,400 --> 00:40:36,600
Speaker 1: Yeah, you have to go to there's a lot of

813
00:40:36,640 --> 00:40:39,839
Speaker 1: kids who are too uh their hygiene is too good.

814
00:40:40,120 --> 00:40:42,560
Speaker 3: Yeah, And we and we are hopefully going to find

815
00:40:42,560 --> 00:40:45,359
Speaker 3: a sanitary way to make this stuff stinky because.

816
00:40:45,239 --> 00:40:49,279
Speaker 1: You know there's injury. Is everyone's familiar with pee wee football, Yeah,

817
00:40:49,440 --> 00:40:53,280
Speaker 1: but there this is for younger kids. It's peepee stinky

818
00:40:53,600 --> 00:40:54,680
Speaker 1: peepe sticky football.

819
00:40:54,800 --> 00:40:58,759
Speaker 3: Yeah. I just think injury is such a risk in

820
00:40:58,800 --> 00:41:01,440
Speaker 3: so many sports, but in this sport, illness is just

821
00:41:01,480 --> 00:41:05,000
Speaker 3: a bigger risk because you are, of course often putting

822
00:41:05,040 --> 00:41:06,400
Speaker 3: a peep football in your mouth.

823
00:41:07,880 --> 00:41:09,960
Speaker 2: I don't know why the mouth is such a huge

824
00:41:10,040 --> 00:41:10,959
Speaker 2: part of the game.

825
00:41:12,680 --> 00:41:17,160
Speaker 1: I yeah, there's you like closees pins on your nose.

826
00:41:17,440 --> 00:41:20,360
Speaker 1: That's a real issue that's getting hurt that.

827
00:41:20,440 --> 00:41:23,200
Speaker 3: Yeah, well, benches it so much. It's harder to breathe

828
00:41:24,000 --> 00:41:25,240
Speaker 3: pep football, and that's.

829
00:41:25,080 --> 00:41:27,200
Speaker 4: Why your mouth has to be open.

830
00:41:27,280 --> 00:41:28,759
Speaker 2: But yeah, yeah, it's harder to.

831
00:41:28,719 --> 00:41:33,000
Speaker 3: Brea well, jamming it in your opponent's mouth can be

832
00:41:33,440 --> 00:41:36,160
Speaker 3: I mean it's a turnover, but ultimately by the end

833
00:41:36,200 --> 00:41:37,120
Speaker 3: of the game, I.

834
00:41:37,040 --> 00:41:41,319
Speaker 1: Mean your you're slowly breaking down their immune system. It's

835
00:41:41,360 --> 00:41:42,280
Speaker 1: just a smart tactic.

836
00:41:43,880 --> 00:41:48,399
Speaker 5: I'm gender specific, capital intensive, user friendly, and lectose intolerance.

837
00:41:48,680 --> 00:41:59,200
Speaker 1: Yeah, dude, it's funny, like we're all uping. I know,

838
00:41:59,440 --> 00:42:00,839
Speaker 1: I heard it such a long time.

839
00:42:00,880 --> 00:42:02,520
Speaker 3: I know. I'm really proud of this.

840
00:42:03,280 --> 00:42:07,319
Speaker 2: Those are truly for unrelated things. I guess the two

841
00:42:07,360 --> 00:42:08,719
Speaker 2: word phrases.

842
00:42:08,320 --> 00:42:13,160
Speaker 3: None of them rhyme at all, gender specific and lactose

843
00:42:14,360 --> 00:42:15,240
Speaker 3: user friendly.

844
00:42:16,920 --> 00:42:21,600
Speaker 2: That's kind of modern, that's kind of technology ish. But boy,

845
00:42:21,760 --> 00:42:26,200
Speaker 2: how did you even think of those four things? Where

846
00:42:26,200 --> 00:42:28,520
Speaker 2: were you when you thought of those four things at.

847
00:42:28,440 --> 00:42:32,800
Speaker 1: The library and the sorriest section. Yeah, and I remember

848
00:42:32,920 --> 00:42:35,560
Speaker 1: I how much of this was written at the library?

849
00:42:36,640 --> 00:42:37,440
Speaker 3: All of it?

850
00:42:37,520 --> 00:42:42,480
Speaker 1: Okay, yeah, I.

851
00:42:39,880 --> 00:42:41,840
Speaker 2: I have an Internet connection.

852
00:42:41,960 --> 00:42:45,560
Speaker 1: Yeah, so I would use up my time looking at

853
00:42:45,800 --> 00:42:48,400
Speaker 1: pornography and then once they told me that wasn't allowed,

854
00:42:48,400 --> 00:42:50,000
Speaker 1: I would be like, okay, you're any I need to

855
00:42:50,000 --> 00:42:55,120
Speaker 1: focus anyway. I'm lactose intolerant. So that's where that came from.

856
00:42:55,480 --> 00:42:57,719
Speaker 3: Yeah, some of the porno stuff was taken out of it.

857
00:42:57,880 --> 00:43:00,360
Speaker 3: I know you were talking about like double penetrate on

858
00:43:00,440 --> 00:43:03,920
Speaker 3: single pair of healthcare and stuff like that. Yeah.

859
00:43:04,000 --> 00:43:06,880
Speaker 2: I heard you were able to print out the website

860
00:43:06,960 --> 00:43:09,400
Speaker 2: rhyme zone dot com.

861
00:43:08,680 --> 00:43:09,399
Speaker 3: The whole thing.

862
00:43:09,520 --> 00:43:13,200
Speaker 4: Yeah, that was that was now it is a book. Yeah, it's.

863
00:43:15,160 --> 00:43:19,160
Speaker 1: That was helpful because you I can rhyme anything. Yeah,

864
00:43:19,280 --> 00:43:21,239
Speaker 1: with this and then but the most fun about that

865
00:43:21,280 --> 00:43:23,480
Speaker 1: one is like none of those things you just played

866
00:43:23,560 --> 00:43:25,160
Speaker 1: rhyme no really.

867
00:43:25,080 --> 00:43:25,680
Speaker 2: No, no.

868
00:43:25,800 --> 00:43:30,400
Speaker 3: At a certain point you abandoned that aspect of it,

869
00:43:30,440 --> 00:43:31,279
Speaker 3: which is such a.

870
00:43:31,280 --> 00:43:33,440
Speaker 1: Cool you know what it's because like I could tell

871
00:43:33,560 --> 00:43:35,600
Speaker 1: that the audience. I was like, they're gonna be on

872
00:43:35,600 --> 00:43:40,960
Speaker 1: my side. I'm gonna I'm gonna throw these lactose intolerance people's,

873
00:43:41,640 --> 00:43:43,160
Speaker 1: including myself, under the bus.

874
00:43:44,040 --> 00:43:46,880
Speaker 2: Now, one thing about this set I do notice is

875
00:43:46,920 --> 00:43:51,719
Speaker 2: that you are surrounded by graves as part of the

876
00:43:51,760 --> 00:43:55,080
Speaker 2: design of the right. Was that to sort of be like,

877
00:43:56,200 --> 00:43:58,600
Speaker 2: maybe give me a little leeway on this because I

878
00:43:58,640 --> 00:44:01,560
Speaker 2: am going to be in one of these very soon.

879
00:44:02,000 --> 00:44:04,840
Speaker 3: Or was it just a nod to Nick Nulty's show Graves.

880
00:44:06,840 --> 00:44:18,600
Speaker 1: You know, he gave me the idea, did and of Graves? Like, yeah,

881
00:44:18,840 --> 00:44:20,480
Speaker 1: so I thought it would be I thought it'd be

882
00:44:20,520 --> 00:44:24,160
Speaker 1: a little ghost to actually just promote the show itself.

883
00:44:24,640 --> 00:44:30,360
Speaker 1: People know you're having oblique reference to it, would be good? Yeah, okay, cool, Yeah.

884
00:44:30,440 --> 00:44:31,560
Speaker 3: Let's play more of it.

885
00:44:33,800 --> 00:44:36,200
Speaker 5: I like rough sex. I like rough sex.

886
00:44:36,239 --> 00:44:37,360
Speaker 3: I like tough Love.

887
00:44:41,239 --> 00:44:44,160
Speaker 2: Arrived or were you just worried they didn't hear.

888
00:44:45,480 --> 00:44:46,440
Speaker 3: Just sort of had to get.

889
00:44:46,320 --> 00:44:50,600
Speaker 1: Your place against Yeah, Well that's also what that's what

890
00:44:50,760 --> 00:44:53,280
Speaker 1: I was looking up at the library.

891
00:44:53,560 --> 00:44:56,560
Speaker 3: That's sure. Sure.

892
00:44:58,719 --> 00:45:01,400
Speaker 5: I like rough sex. I like rough sex, I like

893
00:45:01,480 --> 00:45:03,560
Speaker 5: tough love. I use the F word in my email

894
00:45:03,600 --> 00:45:06,000
Speaker 5: and the software and my hard drive is hardcore, no

895
00:45:06,120 --> 00:45:06,800
Speaker 5: soft born.

896
00:45:08,120 --> 00:45:08,799
Speaker 3: Yeah, there you go.

897
00:45:09,080 --> 00:45:11,960
Speaker 4: F word in email. Oh yeah, those are ladders, they are.

898
00:45:12,080 --> 00:45:12,319
Speaker 1: Yeah.

899
00:45:12,680 --> 00:45:15,040
Speaker 5: Bought a microwave at a mini mall. I bought a minivan

900
00:45:15,120 --> 00:45:17,239
Speaker 5: in a mega store. I eat fast food in the

901
00:45:17,239 --> 00:45:20,000
Speaker 5: slow lane. I'm told free bite signs ready to wear

902
00:45:20,040 --> 00:45:23,840
Speaker 5: an icon in all sizes, A fully equipped, factory authorized

903
00:45:23,840 --> 00:45:27,280
Speaker 5: hospital test had clinically proven, scientifically formulated medical miracle.

904
00:45:28,520 --> 00:45:35,160
Speaker 6: Okay, hospital tested, all right, the pre watched, pre cooked, preheated,

905
00:45:35,160 --> 00:45:38,279
Speaker 6: pre screen, pre approved, prepackaged, postated, freeze, drive, double wrap,

906
00:45:38,360 --> 00:45:39,000
Speaker 6: vacuum packed.

907
00:45:39,040 --> 00:45:42,279
Speaker 5: And I have an unlimited broadband capacity.

908
00:45:45,120 --> 00:45:47,320
Speaker 1: At the library.

909
00:45:49,000 --> 00:45:53,880
Speaker 3: Yeah, okay, unlimited broadband capacity.

910
00:45:53,480 --> 00:45:56,960
Speaker 2: And all the other stuff begins with pre I love PreO.

911
00:45:58,360 --> 00:46:01,080
Speaker 2: You don't have to play with the words that have there,

912
00:46:01,320 --> 00:46:04,400
Speaker 2: and I guess there are a lot of those words

913
00:46:05,120 --> 00:46:12,920
Speaker 2: in these modern times. So wow, it has to pause.

914
00:46:15,160 --> 00:46:17,760
Speaker 5: I'm a rude dude, but I'm the real deal, lean

915
00:46:18,000 --> 00:46:21,040
Speaker 5: and mean, cock lock and ready to rock, rough, tough,

916
00:46:21,080 --> 00:46:23,120
Speaker 5: and hard to bluff. I take it slow, I go

917
00:46:23,200 --> 00:46:24,879
Speaker 5: with the flow. I ride with the tide. I got

918
00:46:24,880 --> 00:46:27,920
Speaker 5: glining in my stride, driving and moving, sailing and spending,

919
00:46:28,080 --> 00:46:31,040
Speaker 5: driving and grooving, whiling and winning. Don't snooze so I

920
00:46:31,040 --> 00:46:33,000
Speaker 5: don't lose. Get the pedal to the metal and the

921
00:46:33,080 --> 00:46:36,280
Speaker 5: rubber on the road. Party hardy, and lunchtime is crunch

922
00:46:36,360 --> 00:46:39,600
Speaker 5: time to hang in, right, no doubt. And I'm hanging

923
00:46:39,640 --> 00:46:41,040
Speaker 5: tough over and out.

924
00:46:44,080 --> 00:46:48,839
Speaker 2: Amazing bow that you took when it was to show

925
00:46:48,840 --> 00:46:50,120
Speaker 2: that it was at last over.

926
00:46:50,840 --> 00:46:56,880
Speaker 3: Uh So, just let's just talk about lunchtime. I'm so

927
00:46:57,000 --> 00:47:00,520
Speaker 3: glad you focused on that. Yeah, yeah, I know that

928
00:47:00,960 --> 00:47:06,000
Speaker 3: you for so long were looking for the big punch.

929
00:47:06,640 --> 00:47:10,120
Speaker 3: You know what is gonna close and obviously over and out,

930
00:47:10,160 --> 00:47:12,480
Speaker 3: that's sort of the day neumon, right, But what is

931
00:47:12,520 --> 00:47:17,040
Speaker 3: the climax of this thing gonna be? And if I'm

932
00:47:17,040 --> 00:47:20,000
Speaker 3: not mistaken, I remember being on the phone with you

933
00:47:20,040 --> 00:47:22,279
Speaker 3: when you were working some of this out at the library.

934
00:47:23,120 --> 00:47:29,319
Speaker 3: You started from crunch time. You had crunch time already. Yeah,

935
00:47:29,360 --> 00:47:31,560
Speaker 3: talk about getting to lunchtime. Tell me that journey.

936
00:47:31,600 --> 00:47:34,920
Speaker 1: It's so funny because I toured for months saying brunch

937
00:47:35,000 --> 00:47:38,720
Speaker 1: time is crunched and it just wasn't working.

938
00:47:39,080 --> 00:47:41,080
Speaker 4: Yeah, and it was.

939
00:47:41,400 --> 00:47:43,399
Speaker 1: Again it was Nick Nolty who was just like.

940
00:47:43,440 --> 00:47:44,640
Speaker 3: That's not correct.

941
00:47:44,880 --> 00:47:46,680
Speaker 1: Yeah, a modern man.

942
00:47:47,520 --> 00:47:48,960
Speaker 3: Nick is so generous with that.

943
00:47:49,160 --> 00:47:53,040
Speaker 1: He really is, because he said, think about when you're

944
00:47:53,080 --> 00:47:53,920
Speaker 1: actually crunching.

945
00:47:54,960 --> 00:47:56,759
Speaker 4: Wow, it's lunchtime.

946
00:47:57,080 --> 00:48:00,960
Speaker 1: It's lunchtime, lunchtime, Yeah, exactly, So I can't do it.

947
00:48:00,960 --> 00:48:02,560
Speaker 1: I don't do any impersonation.

948
00:48:03,000 --> 00:48:05,000
Speaker 3: Yeah, yeah, I know, I know, I just do Curmit

949
00:48:05,080 --> 00:48:12,279
Speaker 3: the frog better than his. But but yeah, I love

950
00:48:12,360 --> 00:48:16,640
Speaker 3: that you would think maybe that you started from lunchtime

951
00:48:17,719 --> 00:48:19,800
Speaker 3: just hearing it because it comes first.

952
00:48:20,160 --> 00:48:23,600
Speaker 1: But what well, that's what touring's for. Yeah, this was

953
00:48:23,719 --> 00:48:27,360
Speaker 1: I mean, this whole segment was easily five times longer.

954
00:48:27,440 --> 00:48:31,200
Speaker 3: And then it's just about yeah, pruning, taking exactly what works,

955
00:48:31,239 --> 00:48:33,360
Speaker 3: the stuff that's total slam duck material.

956
00:48:33,560 --> 00:48:35,640
Speaker 2: Yeah, and making sure you don't take anything out that

957
00:48:35,680 --> 00:48:39,439
Speaker 2: would make for example, like rude dude, right not work.

958
00:48:41,320 --> 00:48:44,239
Speaker 2: You know, things that like a modern man would say,

959
00:48:44,320 --> 00:48:46,320
Speaker 2: I wouldn't say, you are, of course a rude dude.

960
00:48:46,440 --> 00:48:48,520
Speaker 1: This is not a slam dunk to me. This is

961
00:48:48,560 --> 00:48:53,879
Speaker 1: a big break maker. Yeah that's right.

962
00:48:54,920 --> 00:48:55,200
Speaker 4: Wow.

963
00:48:55,320 --> 00:48:58,160
Speaker 2: So and how do you go forward? With a set

964
00:48:58,320 --> 00:49:00,839
Speaker 2: after that, I guess you talk about this mm hmm.

965
00:49:01,320 --> 00:49:04,320
Speaker 1: It's a Q and A after this for about forty

966
00:49:04,440 --> 00:49:05,120
Speaker 1: minutes or so.

967
00:49:05,320 --> 00:49:10,040
Speaker 3: Just people, and it's people asking about specific plays on words,

968
00:49:10,120 --> 00:49:14,200
Speaker 3: but also just yeah, you know, how do you black

969
00:49:14,280 --> 00:49:16,480
Speaker 3: stuff out? Like? Yeah, say, like, can we see the

970
00:49:16,560 --> 00:49:19,400
Speaker 3: rude dude and all the rude dude character, right, the

971
00:49:19,480 --> 00:49:20,680
Speaker 3: rude dude like ordering a.

972
00:49:21,680 --> 00:49:25,120
Speaker 1: Foot behind the graves hiding now.

973
00:49:25,040 --> 00:49:29,120
Speaker 2: Engineers saying you had a little like sample of that

974
00:49:29,239 --> 00:49:33,680
Speaker 2: was inspired by this that you wanted to do for Joe,

975
00:49:34,320 --> 00:49:35,719
Speaker 2: right for him to give notes on.

976
00:49:36,040 --> 00:49:36,120
Speaker 1: Ye?

977
00:49:36,520 --> 00:49:37,719
Speaker 2: Is that right? You ready?

978
00:49:37,800 --> 00:49:38,640
Speaker 3: I'm happy? Yeah?

979
00:49:38,680 --> 00:49:42,080
Speaker 4: Like rough sex that sounds what like, what was.

980
00:49:42,040 --> 00:49:44,120
Speaker 3: It the I mean that was in it? That was

981
00:49:44,160 --> 00:49:45,239
Speaker 3: in it? Yeah?

982
00:49:45,440 --> 00:49:49,239
Speaker 2: Is the rest of it different? Yeah? Yeah, okay, like

983
00:49:49,360 --> 00:49:54,880
Speaker 2: hard sex, okay, Like intense sex. Okay, that's like a strong,

984
00:49:55,160 --> 00:49:56,120
Speaker 2: forceful sex.

985
00:49:56,480 --> 00:49:57,359
Speaker 4: Okay, this is.

986
00:49:58,920 --> 00:50:01,040
Speaker 2: I was starting with hearts. The next thing you're gonna

987
00:50:01,040 --> 00:50:03,840
Speaker 2: want to do is to say you like a white meal.

988
00:50:04,320 --> 00:50:06,879
Speaker 3: Yeah, or possibly I like soft serve.

989
00:50:07,239 --> 00:50:10,879
Speaker 2: Yeah, soft, that's right, you guys.

990
00:50:10,920 --> 00:50:12,840
Speaker 3: You should probably steer away from you to let me

991
00:50:12,880 --> 00:50:14,960
Speaker 3: get to the rhyming pattern part of it.

992
00:50:15,160 --> 00:50:18,960
Speaker 4: Okay, I'm sorry. Like heart, I like strong sex, I

993
00:50:19,080 --> 00:50:24,759
Speaker 4: like choke sex. Okay, like strangle sex. Okay, this is

994
00:50:25,280 --> 00:50:27,360
Speaker 4: none of that rhymes. I guess it does.

995
00:50:27,680 --> 00:50:32,480
Speaker 1: I mean, I mean it's it's much like you're saying, little.

996
00:50:32,800 --> 00:50:33,880
Speaker 2: But Sam's all younger.

997
00:50:33,960 --> 00:50:36,960
Speaker 4: Yeah, well so that's it.

998
00:50:37,480 --> 00:50:41,520
Speaker 3: Yeah, okay, Well you want to give him notes or

999
00:50:42,000 --> 00:50:44,120
Speaker 3: this could be helpful for everybody, Like.

1000
00:50:44,080 --> 00:50:49,600
Speaker 1: Sam's more of a postmodern man. Oh wow, he's not

1001
00:50:49,640 --> 00:50:51,799
Speaker 1: adhering to these rules like you're saying, like I keep

1002
00:50:51,800 --> 00:50:55,919
Speaker 1: waiting for like, well, what's the light? Yeah, what's the

1003
00:50:56,120 --> 00:51:00,360
Speaker 1: what's the release? If you're into choke, what do you release?

1004
00:51:00,560 --> 00:51:01,600
Speaker 4: Or you just is that it?

1005
00:51:02,440 --> 00:51:02,600
Speaker 1: Then?

1006
00:51:03,920 --> 00:51:05,600
Speaker 4: Does anyone have any questions?

1007
00:51:06,320 --> 00:51:10,920
Speaker 3: Okay, well that's yeah, okay, so it's okay. I like this.

1008
00:51:11,160 --> 00:51:14,520
Speaker 2: Wow that okay. Nice to see the next generation taking

1009
00:51:14,520 --> 00:51:16,319
Speaker 2: some of the stuff. Right that you're done.

1010
00:51:16,400 --> 00:51:21,200
Speaker 1: It's funny because what that bit was is basically how

1011
00:51:21,440 --> 00:51:22,640
Speaker 1: I use the Internet.

1012
00:51:23,520 --> 00:51:27,799
Speaker 3: I go to a search engine and I rev it up.

1013
00:51:28,760 --> 00:51:33,160
Speaker 2: Yeah you really gotta wind it forget.

1014
00:51:33,719 --> 00:51:37,840
Speaker 1: Yeah, and I'll just type in like I like choke sucks,

1015
00:51:37,880 --> 00:51:41,320
Speaker 1: for example, I mean in the search bar, seems like

1016
00:51:41,360 --> 00:51:41,960
Speaker 1: we have a lot.

1017
00:51:42,080 --> 00:51:44,640
Speaker 2: In the search bar you you start your search with

1018
00:51:44,760 --> 00:51:46,520
Speaker 2: I like, well.

1019
00:51:46,560 --> 00:51:49,080
Speaker 1: I don't want you know, I don't want to get anti.

1020
00:51:50,000 --> 00:51:52,799
Speaker 1: I feel like I'm letting the search engine know I

1021
00:51:52,920 --> 00:51:55,719
Speaker 1: like this thing, So don't show me anything saying this

1022
00:51:55,760 --> 00:51:56,160
Speaker 1: is bad.

1023
00:51:56,280 --> 00:52:00,319
Speaker 3: How helpful were lists of antonyms when you were doing

1024
00:52:00,360 --> 00:52:04,520
Speaker 3: this huge? Ye have to be, have to be. I

1025
00:52:04,600 --> 00:52:07,200
Speaker 3: mean that's I think that's kind of the secret sauce

1026
00:52:07,239 --> 00:52:07,680
Speaker 3: to the thing.

1027
00:52:08,280 --> 00:52:10,319
Speaker 1: Yeah, I can write a million things, but it's like

1028
00:52:10,600 --> 00:52:13,640
Speaker 1: it's an interesting unless I think of an immediate Yeah, you.

1029
00:52:13,640 --> 00:52:16,359
Speaker 3: Can start from anywhere, as long as you can find

1030
00:52:16,400 --> 00:52:18,240
Speaker 3: the opposite, so you can go. I picked a sweet

1031
00:52:18,239 --> 00:52:23,640
Speaker 3: potato from a sour patch exactly. That's good.

1032
00:52:24,000 --> 00:52:29,719
Speaker 2: It's so funny. So this will be huge for you.

1033
00:52:30,520 --> 00:52:32,640
Speaker 3: Well yeah, because everyone's gonna want to buy the album.

1034
00:52:32,719 --> 00:52:36,840
Speaker 3: Try to memorize this, so I don't see the strategy

1035
00:52:36,840 --> 00:52:41,359
Speaker 3: because this is not special. They will once they buy it,

1036
00:52:41,560 --> 00:52:43,880
Speaker 3: that's right. Yeah, then it's just they're just going, okay,

1037
00:52:43,960 --> 00:52:45,799
Speaker 3: I guess this was a different special. What might happen

1038
00:52:45,840 --> 00:52:47,960
Speaker 3: is they might go and buy another one. Tell them

1039
00:52:48,000 --> 00:52:50,600
Speaker 3: to buy my other album. Yeah, they must have got

1040
00:52:50,600 --> 00:52:50,960
Speaker 3: the wrong.

1041
00:52:50,880 --> 00:52:53,600
Speaker 2: Oh yeah, you thought it was that one. It's actually

1042
00:52:53,719 --> 00:52:56,279
Speaker 2: this other thing, and then they just keep looking at it,

1043
00:52:56,600 --> 00:52:59,960
Speaker 2: and then eventually you put this on one of your albums.

1044
00:53:00,400 --> 00:53:04,440
Speaker 2: Was he going to assume? Yeah, he's in the Graves he's.

1045
00:53:04,280 --> 00:53:04,800
Speaker 3: On that show.

1046
00:53:05,160 --> 00:53:09,520
Speaker 4: Yes, yeah, he plays the like the vice.

1047
00:53:09,280 --> 00:53:12,840
Speaker 2: President or something. I guess because Graves is the president.

1048
00:53:12,880 --> 00:53:16,440
Speaker 3: I think Graves is the president, and he plays like

1049
00:53:16,640 --> 00:53:20,120
Speaker 3: the I think he's the president's speech writer.

1050
00:53:20,680 --> 00:53:24,839
Speaker 1: Oh cool, yeah, oh wow, imagine it's kind of like that.

1051
00:53:25,120 --> 00:53:28,720
Speaker 3: Well imagine, yeah, the state of the Union is strong

1052
00:53:30,320 --> 00:53:32,040
Speaker 3: and something is weak.

1053
00:53:32,080 --> 00:53:34,279
Speaker 1: I mean, I don't know, you don't have it, don't

1054
00:53:34,280 --> 00:53:36,279
Speaker 1: have Yeah, yeah, yeah, I should just watch the show.

1055
00:53:36,920 --> 00:53:39,919
Speaker 3: Well, yeah, you'll love it because so much, so much

1056
00:53:39,960 --> 00:53:42,880
Speaker 3: of the president's speech is just doing sort of like

1057
00:53:43,000 --> 00:53:44,680
Speaker 3: opposite and terms.

1058
00:53:46,239 --> 00:53:52,640
Speaker 2: So thanks for coming on the show, h leaving h

1059
00:53:53,400 --> 00:53:57,200
Speaker 2: Las Vegas. It's like the opposite of coming I guess.

1060
00:53:57,400 --> 00:54:02,080
Speaker 3: Huh yeah, well yeah, I'm working now in my head

1061
00:54:02,120 --> 00:54:05,560
Speaker 3: on these president's speeches. You know that, Like an episode

1062
00:54:05,600 --> 00:54:07,680
Speaker 3: of Graves would be Nick Nolty coming out being.

1063
00:54:07,480 --> 00:54:10,480
Speaker 4: Like, I'm a big chief with a small queeth.

1064
00:54:12,719 --> 00:54:15,680
Speaker 3: I got a tall hat, but I'm short and fat.

1065
00:54:16,120 --> 00:54:18,560
Speaker 4: I got that's like leaked.

1066
00:54:19,000 --> 00:54:26,239
Speaker 2: Yeah, okay, cool Bye.

1067
00:54:28,880 --> 00:54:32,440
Speaker 3: This has been an Earwolf production, executive produced by Scott Ackerman,

1068
00:54:32,680 --> 00:54:36,280
Speaker 3: Chris Bannon, and Colin Anderson. For more information and content,

1069
00:54:36,480 --> 00:54:42,440
Speaker 3: visit earwolf dot com