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Speaker 1: So I'm up there doing the Ted talk. Yeah, and

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Speaker 1: they're like, what do you think is smart? And I'm like,

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Speaker 1: I don't know, what do you guys think is smart?

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Speaker 2: Right?

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Speaker 1: You know, it's like you guys are you guys are

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Speaker 1: the smart guys? And they just kind of sat there.

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Speaker 1: They're just like size, It's like, what is this? What

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Speaker 1: did you do? I got out of there?

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Speaker 3: Yeah?

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Speaker 4: I left last year?

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Speaker 5: Uh?

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Speaker 4: What up?

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Speaker 6: What up?

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Speaker 7: What up?

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Speaker 1: What up? Welcome to Hollywood Handbook and Insider's Guide to

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Speaker 1: kicking but dropping names in the red carpet line back

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Speaker 1: hallways of an industry week. Sho Biz. I'm Hayes Davenport.

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Speaker 1: I'm here with Sean Clements.

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Speaker 6: I'm Sean Clemens, and we are counting down the top

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Speaker 6: ten moments of twenty thirteen.

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Speaker 1: It's always exciting to enter a new year, but we

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Speaker 1: also think it's it's healthy to look back and look

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Speaker 1: at all the great things you've accomplished in the year

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Speaker 1: in the year before, and we have.

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Speaker 6: I'll tell you the one tough thing about the new

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Speaker 6: year switchover. I'm still writing a billion bucks on all

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Speaker 6: my checks.

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Speaker 1: Yeah, when you write a check, you're so used to

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Speaker 1: writing a billion bucks.

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Speaker 4: Yeah, but I forgot that my rent goes up at.

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Speaker 1: The end of the year from twenty thirteen. Yeah, but

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Speaker 1: you write you get the year, right, because you know

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Speaker 1: what year it is.

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Speaker 6: Sure, of course it's twenty fourteen. Now, I know that

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Speaker 6: I see that coming from a mile away.

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Speaker 2: Right.

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Speaker 1: There's a lot of fan fair surrounding it, so that's

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Speaker 1: not weird to you. But you accidentally write a billion.

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Speaker 6: Bucks, yeah, when it's actually two billion bucks because of

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Speaker 6: the switchover.

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Speaker 1: I think I was saying that it's nice to look

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Speaker 1: back on the year previously and to take some of

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Speaker 1: our favorite moments from this show and to sort of

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Speaker 1: do a best of twenty thirteen. Clyde on the Forums

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Speaker 1: actually suggested this, and we thought that that might be

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Speaker 1: a fun idea, that might be an interesting thing to do.

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Speaker 6: Back at all the kooky stuff that happened in studio

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Speaker 6: and the moments that really stick out to us as

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Speaker 6: representative of what twenty thirteen on Hollywood Handbook has meant

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Speaker 6: two to America.

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Speaker 1: And so we're going to play some clips, so sort

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Speaker 1: of a highlight reel of the show.

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Speaker 6: What what?

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Speaker 1: What can we start with? What are some of our

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Speaker 1: favorite guests that we've had well.

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Speaker 6: I think a big one was when we finally did

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Speaker 6: nail down a date that worked for us and Julianne Moore,

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Speaker 6: and she came in fresh off of Game Change, and

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Speaker 6: she had started she was sort of doing.

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Speaker 4: Paling at the beginning.

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Speaker 6: Yes, then she dropped out of it, and then we

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Speaker 6: were all doing tequila slammers. That's right, and and she

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Speaker 6: got pretty light.

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Speaker 1: I have it, I have it?

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Speaker 4: Do you have the clip?

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Speaker 1: Oh? Yeah? Why we displayed that this is a this

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Speaker 1: is Julianne Moore on the show with us doing tequila slavers.

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Speaker 7: Oh she Oh god, Julianne, that was.

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Speaker 4: That your tenth Oh god, she's passing out.

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Speaker 1: She's all, she's a whole. She's getting a little red.

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Speaker 6: Oh man, she's red in the face and she's passing out.

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Speaker 4: Okay, Julianne, Juliane, are you okay?

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Speaker 1: Okay? You okay? Do you want us to call somebody?

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Speaker 1: She want us to call Ronnie. Julianne.

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Speaker 4: She nodded, let's call.

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Speaker 1: Ron eyes are open, but it doesn't look like she

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Speaker 1: can you see me, Julianne.

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Speaker 8: Julianne.

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Speaker 1: Julianne.

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Speaker 8: Julianne, Julianne, how are you Julianne. Talk, talk to us,

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Speaker 8: talk to us about Don John. Julianne, Don John, What

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Speaker 8: was it like being on Don John?

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Speaker 1: Wow? What a nice memory. She is really something else.

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Speaker 1: She's a real pro.

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Speaker 4: Yeah, and I'll say this, she sobered up quick.

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Speaker 6: And one of my other favorite memories, yes, from Hollywood

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Speaker 6: Handbook in twenty thirteen, was what happened right after the

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Speaker 6: tequila shooter incident.

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Speaker 1: I actually have that as what are you kidding me?

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Speaker 4: Oh, I'd love to hear I.

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Speaker 1: Think that up. This is sort of the aftermath, Juliet.

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Speaker 1: Are you going to do a backflip right now?

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Speaker 7: Oh?

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Speaker 1: She stuck the landing. I mean, so insane. Only someone

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Speaker 1: who's been doing it as long as she has, I think,

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Speaker 1: would come into our studio and do a bunch of

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Speaker 1: tequila shooters and then a backflip.

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Speaker 6: But you know, I'm hogging the memories, Hayes, what sticks

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Speaker 6: out in your mind?

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Speaker 1: I Am. Something I was really looking forward to and

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Speaker 1: I think really did live up to expectations was when

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Speaker 1: James Cromwell came to sit down with us. He's just

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Speaker 1: a confidential and babe, and all these all these great movies,

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Speaker 1: all these great roles and he was. He was really

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Speaker 1: interesting to talk to. And I may can play something

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Speaker 1: from that.

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Speaker 4: Yeah, I'd love to hear it.

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Speaker 1: Okay, So this is James Cromwell when he when he

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Speaker 1: came on the show. James, thank you. So are you asleep?

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Speaker 7: Is he sleep?

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Speaker 3: I think he's asleep.

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Speaker 6: He's all tuckered out from the good interview he just

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Speaker 6: gave us. I don't want to bother him.

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Speaker 3: He he's smiling where he sleeps. Oh, he must be

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Speaker 3: dreaming about something nice. Oh bye and good nye. Should

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Speaker 3: we gonna have good sleepies? James Cromwell?

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Speaker 1: Should we get he brought a blanket? Should we put

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Speaker 1: that boyket out of it?

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Speaker 4: Let's wrap them up in the blanket.

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Speaker 3: Yeah, there you go.

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Speaker 1: Should we put his little you know that hat? He

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Speaker 1: always wears that hat. He always wears the movies little

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Speaker 1: night hat.

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Speaker 3: Okay, Oh, now now he looks mad.

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Speaker 1: Oh take the hat up. Okay, he's smiling.

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Speaker 4: Happened?

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Speaker 7: Yeah that worked?

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Speaker 4: Now he's smiling. That must be his mad hat.

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Speaker 1: Should we you must lock up?

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Speaker 4: Yeah, let's lock up.

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Speaker 3: I'm gonna leave a little note for him.

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Speaker 1: Okay, what are you writing.

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Speaker 4: Dear Jimmy?

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Speaker 3: I hope you're having the good sleepies. What a nice interview.

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Speaker 4: Please lock the door on your way out and give

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Speaker 4: my best to Julianne.

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Speaker 1: Brett. Is it okay if you you're just gonna hang

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Speaker 1: out here?

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Speaker 3: Yeah, I'll be here because I don't just want to

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Speaker 3: leave him.

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Speaker 9: He's yeah, I'll look go over him when he wakes up.

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Speaker 2: I'll be here.

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Speaker 4: Okay, Well, welcome out. Keep your voice down, Brett.

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Speaker 6: That was really nice. What a fun memory. And that's

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Speaker 6: just what a spontaneous show like this allows for. Is

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Speaker 6: we don't ham our guests in and say don't go

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Speaker 6: to sleep, don't pass out, don't do a backflip, you know,

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Speaker 6: we say come in and do what you feel and

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Speaker 6: give us the real scoop on Hollywood, and the.

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Speaker 4: Truth is stars fall asleep too.

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Speaker 1: Yes, that's what a lot of people don't realize. I

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Speaker 1: think when they listen to a podcast and they're just

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Speaker 1: talking or saying stuff about their careers, they think that, oh,

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Speaker 1: they must not sleep because they're just talking all the time.

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Speaker 1: M No one's ever been brave enough to show that before.

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Speaker 6: Do you remember this must have been in May when

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Speaker 6: our friend Sly came in. I did ate a whole

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Speaker 6: jar of honey.

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Speaker 1: I do remember that.

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Speaker 4: That was wild. Let's play let's play that.

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Speaker 1: Oh, Sly, you seem like you're really a joy that.

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Speaker 1: Oh wow, it's all over your it's all over your hands.

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Speaker 1: You still have a lot of that jar. Are you

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Speaker 1: going to finish the whole thing? You are? You have

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Speaker 1: a spoon. You don't want to use that spoon. You

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Speaker 1: don't know you're holding the wrong way. Oh now your

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Speaker 1: hand is stuck inside the honey jar.

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Speaker 4: I'll help you.

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Speaker 1: I'll help you. I'll help you. Sly talk about is

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Speaker 1: there anything about grudge Match? Working with Robert de Niro?

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Speaker 1: Was there anything like behind the scenes that you trade

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Speaker 1: tips with each other? No, what did you do all all?

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Speaker 1: Pucle You played p Duckle And that was someone who's

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Speaker 1: just like he's been a friend of ours for a lock.

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Speaker 4: Yeah, And that's what's cool.

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Speaker 6: A lot of times we get in these stars who's

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Speaker 6: work we admire or who we've maybe done a project with,

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Speaker 6: but we're not actually good friends with like we.

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Speaker 1: Are with Sly, And there was that we you know,

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Speaker 1: we always like to keep up with current trends on

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Speaker 1: the show and maybe tell people what's going on this year,

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Speaker 1: and we reported on some of the big stories of

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Speaker 1: the There was that time we played the Knockout game

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Speaker 1: in the in the studio. I actually I have that clip.

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Speaker 1: I think we can maybe play that. Do you think

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Speaker 1: we should just play that one?

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Speaker 4: Absolutely?

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Speaker 1: Okay, Hey, Brett, can you come here for one second?

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Speaker 9: Sure?

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Speaker 10: What's going on?

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Speaker 1: Could just come over to this side.

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Speaker 4: I have a.

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Speaker 1: Cool club I want.

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Speaker 3: To show you.

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Speaker 9: Okay, a club.

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Speaker 1: Okay, yeah, just come over to this side.

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Speaker 4: What's one big step to your left?

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Speaker 1: Yeah? Wait, Brett? How how does the sound engineering board work?

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Speaker 9: Basically, there's all these knobs here, but the main one

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Speaker 9: you gotta worry about. It's just like this one.

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Speaker 1: Okay, So you can just say it like that and

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Speaker 1: it's and we can just keep it like that and

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Speaker 1: it's fine.

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Speaker 9: Uh yeah, I mean yeah, technically I could just leave

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Speaker 9: it like here for a while.

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Speaker 1: And okay, can you just come back over to this side?

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Speaker 9: Yeah?

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Speaker 4: Sure, okay, and just one big step to your.

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Speaker 1: Left, oh okay, just a little back to that step

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Speaker 1: was a little bit too big, right, Yeah, it's not

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Speaker 1: that big.

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Speaker 4: I should have said kind of big.

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Speaker 9: Here, like right here?

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Speaker 7: Hi?

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Speaker 1: Yah. What a great year it was to be on

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Speaker 1: the show. Uh, we have a great guest today. Brian

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Speaker 1: Husky is here. He's been in god all kinds of

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Speaker 1: TV and movies, and he's he's going to talk about

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Speaker 1: one of his latest scripts and we're actually going to

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Speaker 1: do a table read of it on the show coming

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Speaker 1: right up on Hollywood Handbook, Hollywood Handbook Weekend six.

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Speaker 4: And he's screaming and like a.

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Speaker 6: Billion John, if you don't want the crowd to be

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Speaker 6: the second half of your concert, don't have we do

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Speaker 6: do it with you in the first house stills.

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Speaker 1: You come out in the second half. It's a build,

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Speaker 1: it's a no breaker. So enough we'll get it.

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Speaker 7: Hey, what up?

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Speaker 1: What up? Welcome back to Hollywood Handbook and Insider's Guide

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Speaker 1: to kicking button dropping names in the red carpet lineback

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Speaker 1: hallways of this industry we call showbiz. We got a great,

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Speaker 1: great guest today. Brian Husky is here. You've seen him

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Speaker 1: in the children's hospital that this is the end. The

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Speaker 1: Step Brothers does a lot of work at the UC

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Speaker 1: Berkeley Theater. Thank you so much for joining us here tonight. Brian.

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Speaker 7: It is, as I've heard said before, pleasure. So this

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Speaker 7: is a pleasure.

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Speaker 1: We especially like having you because this is actually a

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Speaker 1: new thing we're doing on the show. We're really throwing

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Speaker 1: back the curtain on the side of the business you

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Speaker 1: don't really see too often, which is the notes process.

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Speaker 7: Yeah, and I want to thank you guys for sending

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Speaker 7: over the extensive packet sort of laying out what we're

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Speaker 7: going to be doing today. It was a great presentation

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Speaker 7: of your idea. You put a lot of energy into it.

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Speaker 7: We fast tracked it, you know, on my side, and

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Speaker 7: I'm really happy to be participating in it.

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Speaker 1: So thank you our guys.

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Speaker 4: Yeah.

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Speaker 1: I thought it did a good job our packet guys.

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Speaker 6: Yeah, really, Benjamin put together a really beautiful presentation. And

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Speaker 6: if there's one thing this show is not is it's

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Speaker 6: not half assed. We don't throw it together at the

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Speaker 6: last minute.

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Speaker 4: We do a lot of prep and we make sure

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Speaker 4: that our guests are well prepped for what's going to happen. Yeah,

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Speaker 4: I can I ask who who did the lighting for.

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Speaker 1: The video portion of it, Like, was that Blenchie, No, Blenie,

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Speaker 1: Blendie was sick that day.

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Speaker 4: Okay, that was Carmelica And.

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Speaker 6: Oh yeah, yeah, you know you could definitely feel her style, yeah,

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Speaker 6: because it.

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Speaker 7: Was like a little feminine godfather kind of. Yeah, I

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Speaker 7: mean godmother.

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Speaker 4: Yeah. Yeah, that's great. That's great.

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Speaker 1: So what what people might not know about you, Brian,

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Speaker 1: is you off function in Hollywood as sort of they

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Speaker 1: call you like a doctor movies, which is where like

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Speaker 1: they'll send you a script yep, and you'll do notes.

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Speaker 1: And we've gone back and forth on this a couple

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Speaker 1: of times because we've filled that role for each other.

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Speaker 6: The thing that's so important about notes is when you're

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Speaker 6: in the lab plunking out your scripts, sometimes you lose

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Speaker 6: sight of the fact that this whole world lives in

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Speaker 6: your head, right, and the person who's reading it isn't

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Speaker 6: in your head. Yes, so I had I mean yes, uh,

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Speaker 6: I mean I had sent I think a Hustle and Flow.

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Speaker 6: We had sent to well, right, Hustle and Bustle when

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Speaker 6: we had it originally. Yeah, that was the original title,

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Speaker 6: and then we sent it to you. Yeah, and you

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Speaker 6: came up with the nucas flow was like a rap thing. Yeah,

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Speaker 6: because you're.

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Speaker 7: But remember the first I mean even notes back to me,

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Speaker 7: My first was Hustle and then flo. Because I had

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Speaker 7: that character, I was like, let's change it up a

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Speaker 7: little bit and have sort of like.

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Speaker 4: A a saucy waitress. Yeah, like exactly like somebody the people,

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Speaker 4: you know.

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Speaker 7: I mean, I said, like a modern day Hazel, Like,

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Speaker 7: let's bring Hazel back into this kind of world and stuff.

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Speaker 1: So we went through that iteration for she got spun

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Speaker 1: off into the progressive commercials, which was great. That was

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Speaker 1: a happy accident there.

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Speaker 4: And even when I was.

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Speaker 6: Writing those, I remember that you stopped me and you said, Sean,

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Speaker 6: I know you know that your backstory for this progressive

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Speaker 6: woman is that she was the man who falsely confessed

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Speaker 6: to the Jean Brenet Ramsey murders. But the audience doesn't

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Speaker 6: necessarily know that, So don't have her look at the

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Speaker 6: camera and say, hmm, true shades of.

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Speaker 4: Jb are again. Yeah, or it didn't make sense.

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Speaker 7: The one thing that did I was like, well, I

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Speaker 7: have noticed in every single scene she's in, there's a video,

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Speaker 7: there's a TV showing like children's you know, like pageants

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Speaker 7: in the background. But I just thought that that's because

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Speaker 7: that's where you guys were getting the funding from.

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Speaker 1: Right like that.

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Speaker 7: It was sort of like product placement stuff.

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Speaker 1: I think our original name for that character was a

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Speaker 1: john Mark Carr Insurance mmmm, and so we thought you've

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Speaker 1: got all these scripts in the pipeline you're doing, Yeah,

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Speaker 1: a lot of stuff in the works. We take one

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Speaker 1: of our notes meetings where we do a table read

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Speaker 1: of your script before we do notes, and just do

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Speaker 1: it here tonight, and we asked our listeners for some

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Speaker 1: suggestions of it, which of your scripts they'd like us

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Speaker 1: to read? And Toby Keith Sweat gave us a really

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Speaker 1: strong one, I think, which is a teen pope.

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Speaker 4: Oh wow, Okay, that's good.

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Speaker 7: Now did he give any kind of contact information to

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Speaker 7: him as to whether if we take this idea? Because

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Speaker 7: we right now, as he knows you saying that on

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Speaker 7: this podcast, he is out of this process. Yes, because

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Speaker 7: we're in the room when we've made this agreement to

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Speaker 7: flesh this out.

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Speaker 1: Yes, that's implant. We've got all We've got all the

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Speaker 1: papers right here. He's sitting at home in fucking Kansas,

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Speaker 1: like living or something, Yeah, exactly, like like a field

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Speaker 1: or something.

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Speaker 6: Yeah, and it's gonna be such a thrill for him

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Speaker 6: just to have heard Hayes say his name.

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Speaker 4: I don't think he would want any financial companies.

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Speaker 7: Yeah, it's true, I mean, I guess yeah, I mean

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Speaker 7: if you a piece of ship life that this is

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Speaker 7: probably like the biggest thrill for that. So congratulations to him.

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Speaker 1: It's just standing out at Sears or something and playing

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Speaker 1: like our podcast.

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Speaker 4: Yeah in fucking Missouri. He's going to dine out on

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Speaker 4: this for a decade. Yeah.

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Speaker 7: Yeah, it's gonna cover up those scars of what happened

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Speaker 7: to him.

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Speaker 6: Oh and when he dines out, it's sort of like

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Speaker 6: a fucking Applebee's or some ship and that's the truth.

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Speaker 7: Yeah, So congratulations Toby.

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Speaker 4: This is a big moment. All right, Let's let's see

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Speaker 4: what we got.

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Speaker 1: Should we get into teen Pope? I think so? Okay,

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Speaker 1: I think so. I'll just open at the at the

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Speaker 1: top scene. We opened in a teenage bedroom where Jason,

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Speaker 1: added to dude is lying face lying on his stomach

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Speaker 1: on his bed. He's listening to punk music. You have

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Speaker 1: a music you here? I hope that's okay. So Jason

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Speaker 1: attitude is listening to punk music. He's lying on his bed,

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Speaker 1: he's listening to Uh, he's reading a book about girls, right,

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Speaker 1: and he's talking to himself as he as he reads

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Speaker 1: the book.

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Speaker 4: Okay, cool, I'll see knocking the door?

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Speaker 1: What son?

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Speaker 7: Uh, there's some people from the church down here to

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Speaker 7: want to talk to you.

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Speaker 1: Oh man, Jason spits into a spatoon. Uh, skateboards down

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Speaker 1: the stairs. WHOA opens the door. Uh, they're standing There

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Speaker 1: is a father, silvio, a man and old man in

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Speaker 1: long robes and a and a bald.

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Speaker 7: Head is excuse me, are you the young man we

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Speaker 7: are looking for?

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Speaker 4: Uh? Freaking guess?

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Speaker 7: So please, Son, tell me your name?

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Speaker 4: Jason Attitude? Why who wants to know?

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Speaker 7: Well, from now on, you're going to be bullpatitude what

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Speaker 7: And then it says sounds cute?

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Speaker 2: Do we?

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Speaker 11: Oh?

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Speaker 1: Yeah, so cute? What did you have in mind for that?

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Speaker 1: It just says just as cool song?

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Speaker 4: Cool song? Or I was I was thinking.

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Speaker 7: I mean right there, I personally and this is sort

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Speaker 7: of the note thing has already started.

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Speaker 1: I would just do a big bass. Oh okay, that's

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Speaker 1: what you mean by cool? So yeah, okay from now

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Speaker 1: on because it says that a lot in the description

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Speaker 1: from now all, because that is a song. I mean

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Speaker 1: a composer would write that. We would have to get

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Speaker 1: a guy who.

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Speaker 4: It's an instrument and it's playing a note. I mean,

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Speaker 4: that's a song.

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Speaker 7: Well, everybody be like, oh, you're going to get the

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Speaker 7: guy who did this all the Seinfeld stuff is like, no,

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Speaker 7: there's a different way of doing this, and for movies

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Speaker 7: and TV as far as that kind of base sound.

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Speaker 1: Let's let let let's cut to what it does. In

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Speaker 1: the script, cut to interior as Sistine Chapel. Okay, where

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Speaker 1: jason attitude is.

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Speaker 2: Turned.

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Speaker 1: The pages is being given a tour of the Assistine

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Speaker 1: Chapel by Father Sylvia.

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Speaker 7: Wait wait, wait, wait, did you guys see this page

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Speaker 7: with the chase around the fountain sixty two?

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Speaker 4: Okay?

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Speaker 1: Yeah, do you hate action scene?

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Speaker 5: That is such a funny scene. All right, but dude, yeah,

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Speaker 5: let's well great, we'll get you that. We'll get to that,

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Speaker 5: we'll get okay, okay, So this is a this is

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Speaker 5: the Seascine Chapel.

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Speaker 4: Who are those two queerzos on the roof?

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Speaker 1: Man?

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Speaker 4: Those guys are touching each other in their underwear.

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Speaker 7: That c that is a man and the Lord himself.

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Speaker 4: Oh sorry, with a minute.

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Speaker 11: What is the painted on the Lord's crutch? Who put

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Speaker 11: this big fallus upon the Lord's crotch?

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Speaker 6: Hey, man, it's scientifically accurate poptitude.

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Speaker 1: Now I'm angry. The doors to the Sistine Chapel swing open,

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Speaker 1: and hundreds of pope attitudes. A teenage friends storman and

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Speaker 1: they begin having the school dance in the Sistine Chapel.

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Speaker 7: No, no, no, no, that's a relic. No, don't get off

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Speaker 7: of there, Do not scrup on that thing. What are

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Speaker 7: you two doing? Detorted dancing?

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Speaker 4: Check out my twerking? And then it's a month.

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Speaker 7: This is a I will say this about the movie.

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Speaker 7: The fourteenth montage I thought was maybe two too many?

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Speaker 4: Maybe two? Did you feel that way?

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Speaker 1: I thought?

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Speaker 7: I thought the first twelve helped the story enormously, like

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Speaker 7: it moved it along so.

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Speaker 6: Much because first he's not good at doing a lot

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Speaker 6: of the blessings, and then you quickly are able to

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Speaker 6: see him start to learn how to sort of move

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Speaker 6: the smoky lanterny thing.

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Speaker 1: And is the fourteenth one it's just grinding. It's like

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Speaker 1: grinding at the dance. Is at the the Yeah, it's.

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Speaker 4: Grinding at the dance.

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Speaker 6: It's one of the jock spikes the punch and then

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Speaker 6: one of the nerds takes a sip and makes a

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Speaker 6: face like, what.

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Speaker 7: The I guess my problem is all of the other

437
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Speaker 7: twelve montages told us something.

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Speaker 4: About this new world.

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Speaker 7: He was in we get to see how the Pope

440
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Speaker 7: get dressed, how he eats his cereal, how he walks

441
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Speaker 7: down all the hallways, you know, how he that one

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Speaker 7: wretched all the wretched people, that hilarious thing with all

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Speaker 7: the wretched people coming in, and he like peeled off

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Speaker 7: that one guy's skin and held it up and went pu.

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Speaker 4: That was so funny, yes, but at the.

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Speaker 7: Same time so funny but so true to that world,

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Speaker 7: Like it's really you know.

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Speaker 6: Well, a teenager in that situation is not going to

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Speaker 6: have the maturity to handle a man's skin peeling off

450
00:22:58,280 --> 00:22:58,920
Speaker 6: in his hand.

451
00:22:59,119 --> 00:23:01,520
Speaker 4: No, probably wouldn't smell very good.

452
00:23:01,680 --> 00:23:08,800
Speaker 7: Sorry, yeah, well but again, pope attitude's strongest a like thing.

453
00:23:08,840 --> 00:23:11,560
Speaker 7: That's the thing that moves the story is his honesty.

454
00:23:11,760 --> 00:23:15,880
Speaker 7: He's as honest as anyone can be in that situation, you.

455
00:23:15,840 --> 00:23:18,840
Speaker 4: Know, except for all the scenes where he is lying

456
00:23:20,680 --> 00:23:21,600
Speaker 4: because he is leading.

457
00:23:21,800 --> 00:23:26,080
Speaker 6: He has told his crush that he's an atheist prior

458
00:23:26,119 --> 00:23:28,240
Speaker 6: to becoming the pope to seem cool.

459
00:23:28,520 --> 00:23:33,320
Speaker 7: And then they deface that shrine where they they just

460
00:23:33,400 --> 00:23:34,359
Speaker 7: like destroy it.

461
00:23:34,640 --> 00:23:37,160
Speaker 1: She catches him in his pope ropes. Should we catch

462
00:23:37,240 --> 00:23:39,720
Speaker 1: that scene where they deface the shrine? Yes, okay, let's

463
00:23:39,720 --> 00:23:40,000
Speaker 1: do that.

464
00:23:40,560 --> 00:23:41,600
Speaker 4: We'll be her so.

465
00:23:47,119 --> 00:23:47,520
Speaker 7: Well.

466
00:23:48,720 --> 00:23:49,080
Speaker 4: Sorry.

467
00:23:49,240 --> 00:23:49,359
Speaker 9: Uh?

468
00:23:49,720 --> 00:23:51,800
Speaker 4: Oh man, how'd I get these clothes? I guess as

469
00:23:51,840 --> 00:23:52,800
Speaker 4: a goof I put him on.

470
00:23:53,280 --> 00:23:56,520
Speaker 7: Why are you doing? Wow? Hold on a second, are

471
00:23:56,560 --> 00:23:59,919
Speaker 7: you about to take this shrine and fucking fuck it up?

472
00:24:00,920 --> 00:24:01,160
Speaker 2: Oh?

473
00:24:01,280 --> 00:24:04,320
Speaker 6: Yeah, I wasn't gonna be honor it in any way.

474
00:24:05,000 --> 00:24:07,600
Speaker 6: I just wanted to mess it up. Hey, come on.

475
00:24:07,680 --> 00:24:11,280
Speaker 4: Here, help me smear this gloo stick all over it.

476
00:24:11,560 --> 00:24:16,679
Speaker 1: Hells yeah, Father Sylvia suddenly enters wearing his night shirt.

477
00:24:17,080 --> 00:24:19,560
Speaker 7: What's is going on here? I can't believe it in

478
00:24:19,640 --> 00:24:22,159
Speaker 7: a pap altitude? Yeah, pretty girl?

479
00:24:24,800 --> 00:24:27,200
Speaker 4: Who is this old guy? Let's split?

480
00:24:27,760 --> 00:24:29,640
Speaker 7: What do you mean? Who is this old guy? It's

481
00:24:29,680 --> 00:24:31,119
Speaker 7: me Sylvio?

482
00:24:32,040 --> 00:24:33,320
Speaker 4: Why are you acting this way?

483
00:24:33,400 --> 00:24:34,240
Speaker 2: Pop attitude?

484
00:24:35,720 --> 00:24:39,080
Speaker 6: Come on, man, I'm trying to get buried in the peace.

485
00:24:40,520 --> 00:24:43,400
Speaker 2: Oh. I did not know that you had feelings for her, Okay,

486
00:24:43,920 --> 00:24:44,840
Speaker 2: I will play along.

487
00:24:45,680 --> 00:24:50,320
Speaker 11: Hey, eh, I don't know you're so good. But that's okay.

488
00:24:50,520 --> 00:24:55,400
Speaker 11: You guys can mess up this church. It's for everybody. Hey,

489
00:24:55,480 --> 00:24:58,640
Speaker 11: let's stab him.

490
00:24:58,680 --> 00:25:01,679
Speaker 4: So sorry, I have to do this, father Celio, you

491
00:25:01,720 --> 00:25:06,679
Speaker 4: get that poose? Yeah?

492
00:25:06,760 --> 00:25:09,960
Speaker 7: And then and then and then I liked that that

493
00:25:10,040 --> 00:25:12,640
Speaker 7: the blood wash to the next scene.

494
00:25:12,840 --> 00:25:13,520
Speaker 4: Yeah, what a.

495
00:25:13,480 --> 00:25:18,520
Speaker 6: Great transition, just a visually cool, sort of Walter Midti style.

496
00:25:18,640 --> 00:25:21,080
Speaker 7: Yeah, because a lot of times the writer doesn't have

497
00:25:21,160 --> 00:25:23,520
Speaker 7: that doesn't make those choices. But if they put it

498
00:25:23,560 --> 00:25:25,720
Speaker 7: in there, it's you have to sort of say, like, yeah,

499
00:25:25,760 --> 00:25:29,640
Speaker 7: that really does work, because then it goes from that

500
00:25:29,720 --> 00:25:33,199
Speaker 7: to him washing the blood off his hands, well, you know,

501
00:25:33,280 --> 00:25:37,040
Speaker 7: pope attitude washing the blood off off his hands, and uh,

502
00:25:37,640 --> 00:25:40,800
Speaker 7: and then she's I mean I liked that they didn't

503
00:25:40,840 --> 00:25:43,359
Speaker 7: have the sex scene that they showed afterwards and stuff.

504
00:25:43,480 --> 00:25:46,639
Speaker 7: She was fully naked and they said you can fully

505
00:25:46,640 --> 00:25:47,920
Speaker 7: see her, sweet sweet poon.

506
00:25:49,800 --> 00:25:50,880
Speaker 4: Yeah, I know that.

507
00:25:50,640 --> 00:25:53,639
Speaker 6: That that, but it was artistically done because there's no penetration.

508
00:25:53,840 --> 00:25:56,199
Speaker 1: It's just because that would be gay because you'd have

509
00:25:56,240 --> 00:25:58,400
Speaker 1: to see wood and that would be gay.

510
00:26:00,240 --> 00:26:01,280
Speaker 4: Yeah, and so it does.

511
00:26:02,320 --> 00:26:04,679
Speaker 6: It's in keeping, i think, with the church's views, and

512
00:26:04,720 --> 00:26:07,680
Speaker 6: that was important to me about this script that yeah,

513
00:26:07,880 --> 00:26:10,359
Speaker 6: it's not going to offend Catholics. I mean, it's a

514
00:26:10,440 --> 00:26:15,560
Speaker 6: fantasy about becoming the pope and honoring Christianity by not

515
00:26:15,640 --> 00:26:18,800
Speaker 6: looking at another man's would right, But well, you know,

516
00:26:18,880 --> 00:26:21,560
Speaker 6: whatever actress takes this part has got to be a brave,

517
00:26:22,080 --> 00:26:24,920
Speaker 6: committed actress who's willing to spread her.

518
00:26:24,840 --> 00:26:27,280
Speaker 7: Legs as wide as she can go and show every

519
00:26:27,320 --> 00:26:29,760
Speaker 7: single bit of it, because that's exactly where for what

520
00:26:29,840 --> 00:26:32,080
Speaker 7: it says in the action line, and that says.

521
00:26:31,960 --> 00:26:35,040
Speaker 6: The camera goes all the way in, which is a

522
00:26:35,040 --> 00:26:36,960
Speaker 6: cool way to transition to the next scene, which I

523
00:26:36,960 --> 00:26:37,440
Speaker 6: thought was.

524
00:26:37,400 --> 00:26:40,080
Speaker 1: Great, and goes to the tennis tournament.

525
00:26:40,240 --> 00:26:42,800
Speaker 6: Yeah, I'd like to talk about the final scene, the

526
00:26:42,840 --> 00:26:48,800
Speaker 6: big state championship doubles match, where the old Southern judge

527
00:26:48,800 --> 00:26:52,159
Speaker 6: who happens to also be the tennis coach sort of

528
00:26:52,200 --> 00:26:54,040
Speaker 6: pulls Pope attitude aside.

529
00:26:54,080 --> 00:26:56,040
Speaker 4: Yeah, okay, should we cut to that scene? Yeah, I'd

530
00:26:56,119 --> 00:26:56,399
Speaker 4: love to.

531
00:26:57,280 --> 00:26:59,800
Speaker 2: I don't know if you can do it, is if

532
00:26:59,800 --> 00:27:02,399
Speaker 2: you got the stuff from signing here, Nick pulls us off.

533
00:27:04,080 --> 00:27:05,280
Speaker 4: I just don't know what to do.

534
00:27:05,640 --> 00:27:08,240
Speaker 6: It's like, it's such a low percentage shot for me

535
00:27:08,320 --> 00:27:11,199
Speaker 6: to take a backhand down the sideline into the doubles

536
00:27:11,240 --> 00:27:13,679
Speaker 6: alley when we both know that the center of the

537
00:27:13,720 --> 00:27:16,080
Speaker 6: net is a full three inches shorter than either side,

538
00:27:16,160 --> 00:27:18,520
Speaker 6: and also I'm buying myself maybe four feet of space

539
00:27:18,520 --> 00:27:21,440
Speaker 6: by going cross court. But at the same time, that's

540
00:27:21,480 --> 00:27:23,640
Speaker 6: not a clean winner. I mean, I'm just gonna trap

541
00:27:23,720 --> 00:27:26,240
Speaker 6: us in another rally. And this guy's lob is beautiful.

542
00:27:26,359 --> 00:27:28,200
Speaker 6: He's got a ton of topspin on it. I can't

543
00:27:28,280 --> 00:27:28,920
Speaker 6: chase it down.

544
00:27:29,520 --> 00:27:32,640
Speaker 2: Kid, That's not what I'm talking about. I'm talking about

545
00:27:32,680 --> 00:27:35,320
Speaker 2: you pulling it off and being a good pope for once.

546
00:27:35,880 --> 00:27:38,280
Speaker 2: I don't know if you got it in you anyway,

547
00:27:38,800 --> 00:27:39,720
Speaker 2: win the tournament.

548
00:27:40,680 --> 00:27:44,600
Speaker 1: Pope Attitude, it says, here my favorite song swells, so

549
00:27:44,640 --> 00:27:52,720
Speaker 1: let's do that. Pope Attitude strides out onto the core

550
00:27:53,359 --> 00:27:58,119
Speaker 1: and does a flip of his tennis racket. Add in,

551
00:28:00,359 --> 00:28:03,160
Speaker 1: he bounces the ball twice of the on the floor

552
00:28:03,200 --> 00:28:06,040
Speaker 1: of the tennis court. It says, Florida the tennis court,

553
00:28:06,720 --> 00:28:09,240
Speaker 1: and then does the most amazing tennis move.

554
00:28:09,520 --> 00:28:12,480
Speaker 4: I sure hope this is what would Jesus.

555
00:28:12,080 --> 00:28:12,919
Speaker 1: Do, would do?

556
00:28:17,440 --> 00:28:21,760
Speaker 4: He's doing it, and then he cuts the silvie.

557
00:28:22,840 --> 00:28:27,240
Speaker 7: He's doing it. He's doing it.

558
00:28:28,800 --> 00:28:31,080
Speaker 1: The other guy falls down trying to get the ball.

559
00:28:31,680 --> 00:28:33,520
Speaker 1: Pope Attitude wins the tournament.

560
00:28:34,840 --> 00:28:39,120
Speaker 4: Huh, thanks Christ.

561
00:28:40,760 --> 00:28:43,600
Speaker 2: And he don't think Christ, he didn't have anything to

562
00:28:43,640 --> 00:28:47,320
Speaker 2: do with it. This was all you, Attitude. You really

563
00:28:47,360 --> 00:28:51,360
Speaker 2: pull it off this time. Now I'm gonna die of cancer.

564
00:28:51,920 --> 00:28:55,600
Speaker 2: But I'm okay with that because you showed me the way.

565
00:28:56,920 --> 00:29:04,200
Speaker 6: Oh see, in Heaven, coach.

566
00:29:06,000 --> 00:29:09,000
Speaker 1: Pope Attitude's girlfriend runs over and they get married.

567
00:29:12,720 --> 00:29:15,800
Speaker 7: Hey, what's going on here? A tournament or a marriage?

568
00:29:16,520 --> 00:29:20,600
Speaker 6: The Poon's gonna be even sweeter now that we're in

569
00:29:21,080 --> 00:29:24,160
Speaker 6: a blessed union. You mean missus Pope Poon.

570
00:29:24,920 --> 00:29:31,960
Speaker 1: Hey, this screed fades the black. A title card appears

571
00:29:31,960 --> 00:29:33,480
Speaker 1: that reads popes should get.

572
00:29:33,320 --> 00:29:38,400
Speaker 7: Married again, coming back to educating us about the church

573
00:29:38,880 --> 00:29:45,440
Speaker 7: and everything they have. Here's my only note about the tournament.

574
00:29:46,640 --> 00:29:51,240
Speaker 7: There is no mention of it at any point until

575
00:29:51,240 --> 00:29:53,800
Speaker 7: it's in the mood, until we're at that scene. Yes,

576
00:29:54,160 --> 00:29:57,400
Speaker 7: they're just at the tournament. There's no setup. I didn't

577
00:29:57,440 --> 00:30:00,480
Speaker 7: know who his coach was. I didn't know was dying

578
00:30:00,520 --> 00:30:01,080
Speaker 7: of cancer.

579
00:30:02,120 --> 00:30:03,760
Speaker 4: Well you could kind of tell from his voice.

580
00:30:03,800 --> 00:30:04,440
Speaker 1: I think.

581
00:30:05,960 --> 00:30:09,640
Speaker 4: That something that he was definitely sick. That's not a

582
00:30:09,640 --> 00:30:14,080
Speaker 4: healthy man's voice. But it was distracting.

583
00:30:14,120 --> 00:30:16,560
Speaker 6: And did you also did you like because if you

584
00:30:16,680 --> 00:30:19,720
Speaker 6: liked it, I could be persuaded, but that his double

585
00:30:19,960 --> 00:30:21,320
Speaker 6: partner is in a wheelchair.

586
00:30:22,240 --> 00:30:25,760
Speaker 7: Yeah, I like. I liked it in the sense of

587
00:30:26,680 --> 00:30:30,920
Speaker 7: it made me react really strongly both ways that I

588
00:30:31,000 --> 00:30:35,200
Speaker 7: hated it and I liked it. Hmm, but I think

589
00:30:35,240 --> 00:30:40,800
Speaker 7: it's what I've had. You know, Notice why is what

590
00:30:40,880 --> 00:30:45,120
Speaker 7: feedback I've gotten, it's it's a terrible choice. So hmm,

591
00:30:45,600 --> 00:30:48,240
Speaker 7: it's just I guess it comes down to is it

592
00:30:48,320 --> 00:30:50,880
Speaker 7: a choice. If it's a terrible choice, do you stick

593
00:30:50,920 --> 00:30:54,320
Speaker 7: with that choice? And then does it become a great choice?

594
00:30:55,040 --> 00:30:56,560
Speaker 1: So it's about choices.

595
00:30:56,840 --> 00:30:59,360
Speaker 4: Yeah. Yeah.

596
00:30:59,640 --> 00:31:03,479
Speaker 1: One thing highlight A lot of people don't know this. Uh,

597
00:31:04,240 --> 00:31:07,320
Speaker 1: the bloopers that you see in the credits are written

598
00:31:07,360 --> 00:31:11,120
Speaker 1: in the scripted to the script. Uh, and I thought

599
00:31:11,120 --> 00:31:12,880
Speaker 1: these were some of the best bloopers I had seen.

600
00:31:12,880 --> 00:31:17,240
Speaker 4: Should we go to that? Should we do that scene? Yeah? Yeah, okay, yeah,

601
00:31:18,200 --> 00:31:20,120
Speaker 4: I just it says the blooper song plays, let me

602
00:31:20,200 --> 00:31:20,480
Speaker 4: play that?

603
00:31:20,840 --> 00:31:27,680
Speaker 7: And okay, so what do you want to do here?

604
00:31:27,760 --> 00:31:30,600
Speaker 7: This is the holy water? You you poured it into

605
00:31:30,720 --> 00:31:34,480
Speaker 7: the thing? Okay, hold on speeding? Look like, hey, what's

606
00:31:34,560 --> 00:31:35,440
Speaker 7: up budget for water?

607
00:31:36,840 --> 00:31:43,280
Speaker 4: Get all over me? It looks like I peed my pants?

608
00:31:45,640 --> 00:31:45,880
Speaker 1: Did you?

609
00:31:46,520 --> 00:31:48,320
Speaker 4: And then okay, here you.

610
00:31:50,560 --> 00:31:51,520
Speaker 7: You pup attitude?

611
00:31:51,560 --> 00:31:54,440
Speaker 2: You so beautiful. I just want to touch your face.

612
00:31:54,840 --> 00:32:00,440
Speaker 4: Wait, oh, touch your nose by accident? Sorry the hell?

613
00:32:00,720 --> 00:32:01,040
Speaker 7: Sorry?

614
00:32:01,160 --> 00:32:02,880
Speaker 4: It looks like I beed my pants just now.

615
00:32:04,080 --> 00:32:05,800
Speaker 7: Somebody say telling me about beating your pods.

616
00:32:10,640 --> 00:32:12,680
Speaker 4: I don't know if I really cut out to be

617
00:32:12,800 --> 00:32:13,480
Speaker 4: the poop.

618
00:32:13,400 --> 00:32:18,520
Speaker 7: But time mean of the Hey, need somebody be their pods?

619
00:32:23,240 --> 00:32:23,480
Speaker 2: Good?

620
00:32:24,360 --> 00:32:26,920
Speaker 7: I beat my pets.

621
00:32:28,360 --> 00:32:30,040
Speaker 4: Okay, this is this is what's great.

622
00:32:30,360 --> 00:32:31,360
Speaker 1: This is a runner.

623
00:32:31,640 --> 00:32:33,520
Speaker 4: This is what's known as a bloopers runner.

624
00:32:34,200 --> 00:32:37,240
Speaker 7: And that is you get that in Cannonball Run with

625
00:32:37,360 --> 00:32:41,200
Speaker 7: the Hat and Don de Luise and now you know

626
00:32:41,360 --> 00:32:44,120
Speaker 7: you've got this great I peed my pants thing, which is.

627
00:32:44,240 --> 00:32:46,520
Speaker 4: Just like it's like a whole nother movie.

628
00:32:46,760 --> 00:32:49,840
Speaker 7: It is it is And is that is that the

629
00:32:49,960 --> 00:32:54,920
Speaker 7: intention that because we just read a few of them,

630
00:32:54,960 --> 00:32:57,960
Speaker 7: there was another one hundred and twenty pages of bloopers.

631
00:32:57,600 --> 00:32:59,440
Speaker 4: Bloopers much longer than the script.

632
00:32:59,560 --> 00:33:05,480
Speaker 1: Yes, yeah, and how much fun they were having on

633
00:33:05,600 --> 00:33:09,240
Speaker 1: the set. The characters, a lot of new characters, and

634
00:33:09,360 --> 00:33:13,000
Speaker 1: it sort of follows its own plot arc where some

635
00:33:13,120 --> 00:33:15,920
Speaker 1: of the characters of the Bluepers are introduced and die.

636
00:33:16,040 --> 00:33:18,680
Speaker 6: And much bigger stars in the bloopers, like people that

637
00:33:18,760 --> 00:33:21,120
Speaker 6: could you could really sell a movie on, like Donnie

638
00:33:21,160 --> 00:33:22,480
Speaker 6: Junior does a lot of the bloopers.

639
00:33:22,560 --> 00:33:24,240
Speaker 4: Yeah, and there's a whole thing to go to the

640
00:33:24,320 --> 00:33:28,400
Speaker 4: Middle East and it's very expensive set pieces. Yeah, but

641
00:33:28,720 --> 00:33:31,240
Speaker 4: again some choices were made in US. Just what you

642
00:33:31,320 --> 00:33:32,800
Speaker 4: have to do. You have to make choices.

643
00:33:33,120 --> 00:33:37,680
Speaker 1: Where is this at in the in the process, is

644
00:33:37,760 --> 00:33:40,360
Speaker 1: it like through the studios? You taking it out?

645
00:33:40,600 --> 00:33:42,760
Speaker 4: Yeah, I have.

646
00:33:44,440 --> 00:33:48,000
Speaker 7: I've promised it to three studios. And when you do that,

647
00:33:49,160 --> 00:33:53,440
Speaker 7: you just say, you know, I've got a property, you

648
00:33:53,560 --> 00:33:56,000
Speaker 7: can have it. It will make you tons of money.

649
00:33:56,880 --> 00:33:59,080
Speaker 7: You tell that to each studio and then you set

650
00:33:59,160 --> 00:34:01,280
Speaker 7: up what's called a bit a bidding battle.

651
00:34:01,280 --> 00:34:01,880
Speaker 4: It's not a war.

652
00:34:02,000 --> 00:34:05,320
Speaker 7: It's just a battle where they start to make up

653
00:34:05,400 --> 00:34:10,120
Speaker 7: numbers arbitrarily. And then in the meantime you do not

654
00:34:10,200 --> 00:34:12,560
Speaker 7: give it to any of those studios. You go overseas

655
00:34:13,400 --> 00:34:15,239
Speaker 7: because that way where the money, that's where all the

656
00:34:15,280 --> 00:34:15,680
Speaker 7: money is.

657
00:34:16,080 --> 00:34:17,040
Speaker 4: So you go with like.

658
00:34:18,680 --> 00:34:24,160
Speaker 7: Christ Dustin's in Germany, or you go to Lord Flatley,

659
00:34:25,080 --> 00:34:28,279
Speaker 7: the Lord Flatley Production Company, which is a small one

660
00:34:28,360 --> 00:34:31,359
Speaker 7: man operation, but he is a brillionaire.

661
00:34:31,800 --> 00:34:35,680
Speaker 4: Yeah, he's from the River dance stuff. Yeah exactly. So

662
00:34:35,960 --> 00:34:39,600
Speaker 4: he'll just give you all the money. And so I

663
00:34:39,680 --> 00:34:41,440
Speaker 4: don't you know, this is a project. I don't even

664
00:34:41,520 --> 00:34:44,000
Speaker 4: know if we'll make it. But I know I'll make

665
00:34:44,080 --> 00:34:45,160
Speaker 4: a lot of money off of it.

666
00:34:45,320 --> 00:34:45,480
Speaker 1: Yeah.

667
00:34:45,560 --> 00:34:49,000
Speaker 4: Yeah, so and this point everyone is just me.

668
00:34:49,560 --> 00:34:55,800
Speaker 1: So, but you are listed as a lot of different people,

669
00:34:55,920 --> 00:34:57,960
Speaker 1: like as every crew member and things like that, and

670
00:34:58,040 --> 00:35:00,360
Speaker 1: you take the salary for each individual.

671
00:35:00,200 --> 00:35:03,000
Speaker 4: Job on the set. Yeah, would it have gotten made now?

672
00:35:03,160 --> 00:35:05,759
Speaker 7: So the interesting what we just went through, I that

673
00:35:05,960 --> 00:35:09,920
Speaker 7: was myself giving notes. That was a self note self session.

674
00:35:10,040 --> 00:35:12,239
Speaker 6: Sure, you're giving notes on the script you'd written, right,

675
00:35:12,400 --> 00:35:15,880
Speaker 6: sometimes because if you'd never seen the elements of it before,

676
00:35:16,280 --> 00:35:16,680
Speaker 6: which is.

677
00:35:16,680 --> 00:35:19,000
Speaker 4: A great way you remove yourself from the process.

678
00:35:19,000 --> 00:35:20,799
Speaker 7: So that's what you're saying. When you're in the lab,

679
00:35:21,360 --> 00:35:23,839
Speaker 7: you don't have that objectivity you need to the work.

680
00:35:24,400 --> 00:35:26,560
Speaker 7: My only way of getting objective is to when I'm

681
00:35:26,640 --> 00:35:29,439
Speaker 7: done with it, almost going to it like a state

682
00:35:29,480 --> 00:35:31,440
Speaker 7: of amnesia, like I've never seen this, I don't know

683
00:35:31,560 --> 00:35:32,080
Speaker 7: what this is.

684
00:35:32,360 --> 00:35:35,040
Speaker 4: Yeah, and you ask questions about it as if yeah, and.

685
00:35:35,120 --> 00:35:37,440
Speaker 7: You need to be told by people that this was

686
00:35:37,480 --> 00:35:39,799
Speaker 7: a script that you and I kind of blacked out

687
00:35:39,880 --> 00:35:42,920
Speaker 7: and wrote and yeah, yeah and sold and.

688
00:35:42,920 --> 00:35:44,280
Speaker 4: That's the best writing.

689
00:35:44,920 --> 00:35:50,960
Speaker 6: I mean Hemingway said, yes, write drunk, edit sober, and

690
00:35:51,360 --> 00:35:52,759
Speaker 6: we take it one step further.

691
00:35:52,880 --> 00:35:57,080
Speaker 4: I feel like, yeah, and uh, we write drunk. Yeah,

692
00:35:57,160 --> 00:35:58,920
Speaker 4: we are drunk all the time.

693
00:35:59,000 --> 00:36:01,680
Speaker 7: Well that's what Caroac said, be drunk all the time.

694
00:36:02,719 --> 00:36:04,800
Speaker 4: Yeah, he didn't mention writing at all. It was just

695
00:36:04,880 --> 00:36:08,160
Speaker 4: about be drunk. Do drunk is drunk? Yeah?

696
00:36:08,520 --> 00:36:11,440
Speaker 7: Yeah, so but you know, I mean I want to

697
00:36:11,520 --> 00:36:15,120
Speaker 7: know from you guys, you know what do you think?

698
00:36:15,280 --> 00:36:18,080
Speaker 7: I mean, do you and be as harsh as you

699
00:36:18,160 --> 00:36:20,160
Speaker 7: need to be, because that's what the process is.

700
00:36:20,440 --> 00:36:20,600
Speaker 10: Well.

701
00:36:20,760 --> 00:36:23,640
Speaker 6: I wanted to touch on this too for our listeners.

702
00:36:24,400 --> 00:36:27,480
Speaker 6: The way you give a note can be very important, yes,

703
00:36:27,920 --> 00:36:31,239
Speaker 6: because let's say, for example, I thought this thing was

704
00:36:31,280 --> 00:36:32,080
Speaker 6: a piece of junk.

705
00:36:34,080 --> 00:36:34,840
Speaker 1: I don't.

706
00:36:36,320 --> 00:36:36,880
Speaker 7: Don't worry.

707
00:36:37,400 --> 00:36:40,120
Speaker 6: If you could see his face, I know he doesn't

708
00:36:40,120 --> 00:36:46,520
Speaker 6: believe that. So you wouldn't want to say, hey, this

709
00:36:46,640 --> 00:36:50,800
Speaker 6: thing stinks, right. What you might want to do is go, hey, Brian,

710
00:36:51,880 --> 00:36:54,600
Speaker 6: can you speak on this a little bit? Why does

711
00:36:54,680 --> 00:36:56,160
Speaker 6: this part stink so much?

712
00:36:56,600 --> 00:37:01,359
Speaker 4: Right? And that engages the person getting the note. Yeah, yeah, yeah.

713
00:37:02,200 --> 00:37:06,759
Speaker 1: There were moments in the script where I wasn't sure

714
00:37:06,800 --> 00:37:08,399
Speaker 1: how I felt about it. It was starting to lose

715
00:37:08,440 --> 00:37:11,279
Speaker 1: me a little bit. But then when the characters it

716
00:37:11,320 --> 00:37:13,520
Speaker 1: says turned to camera and say, do.

717
00:37:13,640 --> 00:37:14,200
Speaker 10: You like it.

718
00:37:14,560 --> 00:37:18,160
Speaker 4: Yeah, like you like, how am I doing? Yes?

719
00:37:18,880 --> 00:37:23,000
Speaker 1: I felt that really humanized them and I didn't want

720
00:37:23,000 --> 00:37:25,320
Speaker 1: to hurt their feelings. So then I really did.

721
00:37:25,520 --> 00:37:28,359
Speaker 4: Get into it more. And it's something we've all done.

722
00:37:28,520 --> 00:37:32,040
Speaker 4: Oh yeah, totally. Well, what I hope to achieve with

723
00:37:32,160 --> 00:37:32,680
Speaker 4: that is.

724
00:37:34,040 --> 00:37:37,440
Speaker 7: Sort of include the viewer in the process, kind of

725
00:37:37,960 --> 00:37:40,560
Speaker 7: create a movie that's a focus group at the same time,

726
00:37:40,960 --> 00:37:44,840
Speaker 7: so you're getting the feedback on what's already happening. And

727
00:37:46,920 --> 00:37:50,680
Speaker 7: that way you can't lose, you know, because you sort

728
00:37:50,680 --> 00:37:54,520
Speaker 7: of they will either say I don't like it, but

729
00:37:54,600 --> 00:37:56,360
Speaker 7: they're they're going to be honored the next time you

730
00:37:56,440 --> 00:37:57,440
Speaker 7: ask what about now?

731
00:37:58,360 --> 00:38:00,759
Speaker 4: How about now? I'm trying to change this for you?

732
00:38:01,120 --> 00:38:03,680
Speaker 1: For really it's already been made.

733
00:38:03,719 --> 00:38:03,799
Speaker 6: Ye.

734
00:38:03,920 --> 00:38:05,680
Speaker 1: They're stupid to think that we are changing, but they'll

735
00:38:05,719 --> 00:38:08,959
Speaker 1: feel like the movie is happening based on what they said,

736
00:38:09,200 --> 00:38:10,080
Speaker 1: based on their feedback.

737
00:38:10,160 --> 00:38:10,319
Speaker 2: Yeah.

738
00:38:11,200 --> 00:38:13,640
Speaker 7: And again that's just like knowing your audience, knowing how

739
00:38:13,719 --> 00:38:16,640
Speaker 7: to manipulate them, and that they're not as smart as

740
00:38:16,719 --> 00:38:18,879
Speaker 7: you and stuff, and that you can you can help

741
00:38:18,960 --> 00:38:21,640
Speaker 7: them through this experience that otherwise they be just.

742
00:38:21,800 --> 00:38:26,840
Speaker 4: Too stupid and and and just useless.

743
00:38:27,200 --> 00:38:29,560
Speaker 1: You're taking advantage of the fact that it is stupid

744
00:38:29,640 --> 00:38:31,640
Speaker 1: and think think of it, thank you, using the fact

745
00:38:31,640 --> 00:38:33,640
Speaker 1: that they have never seen a movie before, don't know

746
00:38:33,719 --> 00:38:37,120
Speaker 1: what it is, are scared of what they're seeing on

747
00:38:37,200 --> 00:38:38,000
Speaker 1: the screen.

748
00:38:38,239 --> 00:38:39,960
Speaker 7: Or even if they have seen a movie and they

749
00:38:40,040 --> 00:38:42,719
Speaker 7: think that their opinions are right, their opinions are wrong.

750
00:38:43,400 --> 00:38:46,720
Speaker 7: Like however, whether unless they like them film, but otherwise

751
00:38:46,800 --> 00:38:47,719
Speaker 7: their opinions are wrong.

752
00:38:48,280 --> 00:38:51,080
Speaker 1: So just because you paid whatever forty five dollars or

753
00:38:51,120 --> 00:38:55,040
Speaker 1: however much the movie costs, you know some crazy number.

754
00:38:55,200 --> 00:38:57,239
Speaker 4: Yeah, like you think two you own it.

755
00:38:57,320 --> 00:38:58,200
Speaker 1: You don't own it now.

756
00:38:58,600 --> 00:39:02,000
Speaker 6: One thing I love is this movie is what I've

757
00:39:02,040 --> 00:39:05,759
Speaker 6: started to call a genre hopper, and it's and it's

758
00:39:05,800 --> 00:39:08,000
Speaker 6: a couple of things because it's funny, it's a comedy,

759
00:39:09,000 --> 00:39:13,360
Speaker 6: it's got romance because he is fucking that hot girl,

760
00:39:14,200 --> 00:39:18,360
Speaker 6: and uh, it's also got some really heavy religious and

761
00:39:18,440 --> 00:39:21,919
Speaker 6: political themes. So it appeals to an adult crowd as well.

762
00:39:22,560 --> 00:39:24,360
Speaker 6: I would say, you don't have to get down in

763
00:39:24,440 --> 00:39:28,960
Speaker 6: the gutter and have Frankenstein and a Mummy coming break

764
00:39:29,040 --> 00:39:29,759
Speaker 6: dance in the movie.

765
00:39:30,560 --> 00:39:33,439
Speaker 4: But to be fair, that's just in the Bloopers Port.

766
00:39:33,520 --> 00:39:34,719
Speaker 4: The Bloopers movie.

767
00:39:34,719 --> 00:39:37,920
Speaker 6: Even even all the more reason to not have it

768
00:39:38,040 --> 00:39:41,440
Speaker 6: be so scary. I mean, it just is too scary.

769
00:39:41,560 --> 00:39:44,080
Speaker 6: You want to laugh when you're when you're seeing the boys,

770
00:39:44,239 --> 00:39:45,640
Speaker 6: you know what laugh and I and they know where

771
00:39:45,680 --> 00:39:47,840
Speaker 6: to laugh. I need to not be peeking through my

772
00:39:48,000 --> 00:39:48,840
Speaker 6: fingers and that.

773
00:39:49,280 --> 00:39:51,319
Speaker 7: Okay, and well this is this is just a note

774
00:39:51,360 --> 00:39:55,080
Speaker 7: to writers. You were so scared because I put in

775
00:39:55,160 --> 00:40:01,719
Speaker 7: the action line these frank its sides and bampires are

776
00:40:01,880 --> 00:40:02,520
Speaker 7: so scary.

777
00:40:03,800 --> 00:40:13,200
Speaker 4: But in caps that guy you right, yes, oh yeah, lowercase.

778
00:40:14,719 --> 00:40:18,640
Speaker 4: I might keep reading, but when I see it in caps.

779
00:40:19,280 --> 00:40:22,040
Speaker 6: I had to get my girlfriend and ultimately my mommy

780
00:40:22,080 --> 00:40:24,080
Speaker 6: into the room to get the script out of there.

781
00:40:24,239 --> 00:40:24,640
Speaker 4: That's good.

782
00:40:24,719 --> 00:40:26,720
Speaker 7: Okay, well that's good because I am about to write

783
00:40:27,280 --> 00:40:29,520
Speaker 7: a horror thriller and I know that thing is going

784
00:40:29,560 --> 00:40:30,200
Speaker 7: to be pretty.

785
00:40:30,040 --> 00:40:33,560
Speaker 4: Much all caps, all caps, even the dialogue.

786
00:40:34,760 --> 00:40:38,759
Speaker 1: So well, congratulations on this brand. Thank you. But you

787
00:40:38,840 --> 00:40:41,040
Speaker 1: have that moment a lot when you're reading the I

788
00:40:41,120 --> 00:40:44,200
Speaker 1: wish I had done it. Yeah, so congre, you know,

789
00:40:44,480 --> 00:40:46,400
Speaker 1: thank you, thank you so much for you I did.

790
00:40:46,440 --> 00:40:48,440
Speaker 6: I've done stuff this good and I've done stuff better

791
00:40:48,520 --> 00:40:50,360
Speaker 6: as well. But I did read it and go some

792
00:40:50,480 --> 00:40:52,080
Speaker 6: of these ideas I wish I had thought of.

793
00:40:53,040 --> 00:40:55,080
Speaker 1: Is there anything you know, you got a lot of

794
00:40:55,120 --> 00:40:57,280
Speaker 1: stuff coming up. Is there anything you'd like to plug

795
00:40:57,320 --> 00:40:58,040
Speaker 1: any big movies?

796
00:40:58,920 --> 00:40:59,359
Speaker 4: I'll see.

797
00:40:59,480 --> 00:41:04,920
Speaker 7: Well, I'll let you know that Green Fister is getting

798
00:41:04,960 --> 00:41:11,120
Speaker 7: fast tracked. Yeah, I love that script. Yeah, it's a

799
00:41:12,040 --> 00:41:18,719
Speaker 7: it's the first like eco porn thing that I've worked on,

800
00:41:19,160 --> 00:41:21,160
Speaker 7: you know. And I think I sort of hit that

801
00:41:21,239 --> 00:41:26,560
Speaker 7: sweet spot between again educating and and and is Cumberbatch

802
00:41:26,680 --> 00:41:31,600
Speaker 7: locked in for that? Cumberbatch is circling. We've got Cumberbatch merchants,

803
00:41:35,200 --> 00:41:42,440
Speaker 7: Idris is thinking of doing it. Dinklage, Uh, Melissa McCarthy

804
00:41:42,680 --> 00:41:44,640
Speaker 7: are all up for the lead male.

805
00:41:45,400 --> 00:41:49,560
Speaker 1: So Ever since I read that script when I turned

806
00:41:49,600 --> 00:41:51,840
Speaker 1: the lights out, when I read, when I leave the room.

807
00:41:51,800 --> 00:41:55,160
Speaker 7: I come in with it, I can't. I just can't

808
00:41:55,239 --> 00:41:57,320
Speaker 7: help it. Like that script has really stayed with me.

809
00:41:57,360 --> 00:41:59,239
Speaker 7: And yeah, it's a really it's a real cum maker

810
00:41:59,320 --> 00:42:01,120
Speaker 7: of a read. Like when you read that, you're just

811
00:42:01,880 --> 00:42:03,160
Speaker 7: just coming and coming.

812
00:42:03,239 --> 00:42:07,120
Speaker 6: Yeah, and Milkie White to no clear stuff, no, just

813
00:42:07,280 --> 00:42:10,320
Speaker 6: full full reserve reserve.

814
00:42:14,280 --> 00:42:14,920
Speaker 4: Think as can be.

815
00:42:15,160 --> 00:42:15,279
Speaker 7: Uh.

816
00:42:16,920 --> 00:42:19,720
Speaker 1: Well, thanks so much for joining us Bride, Thanks everyone

817
00:42:19,760 --> 00:42:22,880
Speaker 1: for listening. Please rate us on iTunes, Please.

818
00:42:22,719 --> 00:42:25,279
Speaker 4: Rate us on iTunes. Please like our Facebook page.

819
00:42:25,760 --> 00:42:28,279
Speaker 1: And chat with chat with us on the forums. But

820
00:42:29,440 --> 00:42:31,759
Speaker 1: how much you like the show and.

821
00:42:31,880 --> 00:42:37,719
Speaker 7: Guys, keep writing, keep producing, keep acting, keep watching. Never

822
00:42:38,840 --> 00:42:40,680
Speaker 7: just real fit. This is just a real fast thing.

823
00:42:41,400 --> 00:42:44,399
Speaker 7: Find the muse, tackle her ingest her.

824
00:42:45,800 --> 00:42:49,400
Speaker 6: And by the pro version of our Please do buy

825
00:42:49,480 --> 00:42:53,399
Speaker 6: the pro version of course. The latest person to buy

826
00:42:53,440 --> 00:42:59,439
Speaker 6: the pro version via very generous donation was Hunter Stephie's.

827
00:42:58,920 --> 00:43:02,160
Speaker 7: Stepfie's Yeah, do you guys kind of step in for

828
00:43:02,200 --> 00:43:03,799
Speaker 7: a second? Do you want me to say his name?

829
00:43:03,800 --> 00:43:05,279
Speaker 7: Would that'd be a big thrill for him for me

830
00:43:05,360 --> 00:43:05,759
Speaker 7: to be saying.

831
00:43:05,840 --> 00:43:09,200
Speaker 1: That's actually what the prize is for the pro version

832
00:43:09,320 --> 00:43:14,279
Speaker 1: this week, Brian Husky, really making a meal out of

833
00:43:14,360 --> 00:43:18,000
Speaker 1: your name. I'll pass his name over to you as.

834
00:43:18,200 --> 00:43:32,879
Speaker 10: The script, which is the name okay Hunter steph five six'

835
00:43:33,040 --> 00:43:33,840
Speaker 10: Five Hughes.

836
00:43:33,960 --> 00:43:39,040
Speaker 4: Road oh oh it's In.

837
00:43:39,080 --> 00:43:41,360
Speaker 7: Pennsylvania i'll give you most of the numbers of the

838
00:43:41,440 --> 00:43:45,160
Speaker 7: zip code one nine four, oh and then the rest

839
00:43:45,239 --> 00:43:45,360
Speaker 7: is a.

840
00:43:45,400 --> 00:43:47,600
Speaker 4: Mystery the, rest, Guys.

841
00:43:48,040 --> 00:43:51,600
Speaker 1: So that should be a fun voicemail message for, You,

842
00:43:52,120 --> 00:43:55,480
Speaker 1: Hunter thanks again for, Listing thanks so much for buying

843
00:43:55,520 --> 00:44:05,719
Speaker 1: the buying the pro, Version bye bye. Music this has

844
00:44:05,800 --> 00:44:06,680
Speaker 1: been An Earwolf media.

845
00:44:06,719 --> 00:44:09,920
Speaker 4: Production executive Producers Jeff ulrick And Scott. Ackerman for more,

846
00:44:09,960 --> 00:44:11,440
Speaker 4: information visit earwolf dot.

847
00:44:11,320 --> 00:44:11,560
Speaker 6: Com.

848
00:44:16,200 --> 00:44:19,280
Speaker 7: Earwarf, Radio boom dot, Com

849
00:44:26,000 --> 00:44:26,839
Speaker 1: The Worlf dead