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Speaker 1: The I am Rappaport Stereo aio podcast live and you're

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Speaker 1: down with rapp Report. Yes I am. I'm a Rapperport.

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Speaker 1: Yes I am a Rapperport. Yes I am a Rapperport.

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Speaker 1: Yes i am better tune in. I am wrapperport dot

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Speaker 1: com because every single podcast, you know, we drops froms.

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Speaker 1: I've seen him on set a season vet with True Town,

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Speaker 1: catch him on his way to course fit rocking the

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Speaker 1: New Balance. He asked me to do the track because

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Speaker 1: you know I round the leak. But I'm just waiting

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Speaker 1: for the Robert the Neural line of the week reference

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Speaker 1: the champions host the bagel, Cream, Cheese and lock. This

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Speaker 1: is I am Rappaport. The show never stopped. Mike catch

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Speaker 1: the Mountain Public stretching his knee. But if you don't

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Speaker 1: listen to the show, yo, we're gonna pleading wire goa

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Speaker 1: please Ipport. This is the Iron Rapport Podcast. I'm here

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Speaker 1: with my sidekick Netti. What's your name, ge mold Nettie.

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Speaker 1: I saw this photograph and and and I said this before. Also,

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Speaker 1: I don't want Hollywood apologizing or explaining themselves about these

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Speaker 1: hacked emails. Stacy Pascal, she's the co chairman of Sony Studios. Listen,

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Speaker 1: my advice to you is to tell everybody to fucking

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Speaker 1: funck off. You don't have to explain yourself for your

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Speaker 1: private emails and your private stuff. If people are offended,

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Speaker 1: you deal with that privately. But as far as apologizing

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Speaker 1: Sony your ship was hacked, it was stolen, I support

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Speaker 1: you a hundred percent. Don't apologize. Don't explain shit. What

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Speaker 1: people say in the privacy of their own ship is

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Speaker 1: the privacy of your own of their own ship. It's

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Speaker 1: it's funked up that it got out there. Don't apologize it,

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Speaker 1: and I would hope that Angelina Jolie doesn't feel offended

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Speaker 1: by that either, because I'm sure with the actors. I'll

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Speaker 1: tell you this for a fact, what the actors say

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Speaker 1: about the studio people's way worse than what the studio

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Speaker 1: people say about the actors. Do you understand I'm not

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Speaker 1: sucking uh privy to what was said about Angela Jolie.

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Speaker 1: What it was? Was there anything about her? It was

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Speaker 1: something to the effect of Angelina Jolie being spoiled or

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Speaker 1: something like this. This is this is a private email, right,

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Speaker 1: that's what she said? YO? Did she say something about

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Speaker 1: them black kids. You know, the black kids should be

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Speaker 1: sucking U adopting this ship like they the accutrements. No, no,

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Speaker 1: she didn't say anything about the CC. I want to

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Speaker 1: get into that ship. What do you want to get into?

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Speaker 1: You in Hollywood? Right? How long you've been making movie?

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Speaker 1: Your first movie Zebrahead? Right? Yeah, I'm in Hollywood since

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Speaker 1: I think you're nineteen. I went out there in eight nine. Actually,

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Speaker 1: and uh, I'm seeing a lot of these these cats.

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Speaker 1: Uh adopted black kids, yes, as if they were Gucci bags. Yo,

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Speaker 1: Wait a minute, what what what do you mean? Like,

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Speaker 1: what's what's wrong with that? They're adopting their adopting kids.

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Speaker 1: When you go on the red carpet, right, and you

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Speaker 1: want to outdo everybody, you don't put a dress on.

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Speaker 1: You get a black kid that way, you fucking one

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Speaker 1: up everybody. Oh fuck, And I find that appalling. Why

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Speaker 1: is that? Because you got white kids in Slovenia and

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Speaker 1: all those war tone countries and fucking a Europe they

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Speaker 1: need help to you coming out here and you're adopting

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Speaker 1: black kids and you putting them in the world. They

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Speaker 1: didn't have no idea what if they want to go

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Speaker 1: to freak nick, What if they want to go to

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Speaker 1: these black things? You got you? You don't even know

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Speaker 1: about this ship. I don't like it. I don't like it.

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Speaker 1: What about I can't adopt. I can't adopt a white

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Speaker 1: motherfucker though you can, I can't. They're gonna turn my

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Speaker 1: ass down. Oh you Gerald Generald is a black man, Sir.

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Speaker 1: You gotta articulate that sometimes because new listeners, some motherfuckers

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Speaker 1: don't know. All right, check this out, black American Brooklyn,

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Speaker 1: New York, Brownsville, Tyson type ship. All right, go ahead,

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Speaker 1: ra Oh that's who you. That's your that's your back,

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Speaker 1: that's your pigree, that's me. Okay, So you think this

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Speaker 1: is this is now, This is an organic conversation that

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Speaker 1: we're having here. I like this. You think that if

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Speaker 1: you try to adopt a white girl you would have trouble? Yeah,

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Speaker 1: considering let's say, let's assume all your paperwork. Let's sume

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Speaker 1: I'm a star. Let's assume you're still Smith. You're Will Smith,

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Speaker 1: non threatening black male. Yes, would they give me Laura Ingles?

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Speaker 1: Would you want Laura Ingles? If you were adopting a kid,

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Speaker 1: you be on straight up if you were adopting a kid? Gerald,

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Speaker 1: would you go? You know, what would you naturally think

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Speaker 1: of or would you think of the kid or the

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Speaker 1: situation like what would you think of me? Like? Yo,

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Speaker 1: you know what, Generald? You everybody must adopt the kid?

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Speaker 1: Would you what would you as a black man or

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Speaker 1: you just as Gerald and a man? Gerald the black man? Yes?

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Speaker 1: Who would you go to adopt? I would go get

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Speaker 1: the kid from uh uh Slovenia, a white kid. Yes?

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Speaker 1: If I'm a star, no you're Gerald? No, I want

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Speaker 1: to be a star, motherfucker. I want to be a star.

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Speaker 1: Okay you so you because Angela Jolie ain't Angelo Jolie.

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Speaker 1: She's a star. She's a ste never no negroes if

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Speaker 1: she wasn't a star. Oh, you're saying she's only adopting

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Speaker 1: acute tremens. What about Madonna? She has some acute tremens.

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Speaker 1: You go to the red carpet, You got that black

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Speaker 1: baby on your arm. You one up everybody. Do you

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Speaker 1: think you can't address now? It's articulate the hair, care

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Speaker 1: for for for for little for little girls. See that's

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Speaker 1: another thing. Break that down. So Angela Jolie, how are

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Speaker 1: you getting that little girl hair? Together. Who are you

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Speaker 1: going to Brad Pitt don't know ship about brady little

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Speaker 1: girl's hair. Brad Pitt don't know shit about black people's hair.

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Speaker 1: You don't know about black people's hair. So how are

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Speaker 1: you going to get that braided? With the beads in it?

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Speaker 1: How are you gonna do it? Where are you gonna go?

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Speaker 1: Where do you know to go? Crash Shaw South Central?

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Speaker 1: Have you ever been there? No? See, that's the problem. See,

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Speaker 1: and you change them all around and they don't know

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Speaker 1: shit about themselves. See terrible. I ain't with it. This

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Speaker 1: is the Iron Rapperboard Podcast, and we're discussing adoption of

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Speaker 1: white children to black parents and black children to white parents. Obviously,

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Speaker 1: adopting any kid is a great It depends on your intentions.

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Speaker 1: If you're a star, why the hell are you just

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Speaker 1: going for black children? You can't get no white motherfucker's

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Speaker 1: out there. You can't get the little white babies. They

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Speaker 1: funked up in Slovenia and what's that other? Oh, they

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Speaker 1: sucked up all over? Why are you only going after

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Speaker 1: the black babies? It's a cute trement. It's like a

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Speaker 1: pocket book, the little Because you're competing with somebody else.

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Speaker 1: So if they got a dress, a dress can't compete

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Speaker 1: with a black child, that's good. That's really good, right.

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Speaker 1: I know, I understand what you're saying. If you got

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Speaker 1: a red dress and I come out there with a

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Speaker 1: fucking black baby, right, TMZ gonna be like, Yo, this

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Speaker 1: is mother gonna did everything. See for. Speaking of TMZ,

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Speaker 1: we were talking the other day about TMZ photographers, TMZ

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Speaker 1: photographers and and and we I was thinking, TMZ needs

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Speaker 1: to hire, needs to hire gangster disciples, which are as photographers. People.

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Speaker 1: Let's say you've got some gangster disciples that are in

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Speaker 1: jail and they look in the fucking uh turn their

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Speaker 1: lives around? When I when? When When I set up

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Speaker 1: a program so where they could be your photographer. And

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Speaker 1: and the benefit of TMZ hiring photographers that could fuck

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Speaker 1: sh it up is that you're never gonna get turned

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Speaker 1: down again. You're never gonna get jumped by a star again.

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Speaker 1: Kanye ain't rushing them. Nobody's rushing them, guys. So TMZ,

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Speaker 1: we're saying, and it'd be good for the community, it's

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Speaker 1: good for the brand. You're helping out of jail people

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Speaker 1: that are looking to turn your job turn their lives fronding.

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Speaker 1: You give him a camera and you say, go fucking

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Speaker 1: chase all the stars, all the stars, and then where

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Speaker 1: where where what you got? We got no fucking uh uniform?

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Speaker 1: Where are your pants down? We're gonna give you the

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Speaker 1: camera and teach you how to do it, but where

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Speaker 1: what you got on? And you think that will be

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Speaker 1: the end of the stars step into the popular they'll

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Speaker 1: they will try to rush them and then they will

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Speaker 1: turn around and be like, oh ship, where them curlers?

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Speaker 1: Like you know in l A they have the curlers

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Speaker 1: in their hairs. Like so you're saying, like straight up

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Speaker 1: eminals like and they're working for the TMZ but exactly,

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Speaker 1: and TMZ is gonna have no problems getting footage anymore

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Speaker 1: everything because they are they're they're they're they're great at

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Speaker 1: photography because you have taught them. But they look the

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Speaker 1: same and they can function up and they take time

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Speaker 1: life quality pictures and they're just out of prisons and

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Speaker 1: you have no fucking problem with them being in jail

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Speaker 1: and them getting rushed and them getting knocked out. Who

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Speaker 1: who's getting knocked out? The photographers that you had prior

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Speaker 1: to the Black Peace stolen rangers. Who the fund is that?

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Speaker 1: I think that's a gang. Oh you're gonna have them

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Speaker 1: be the photographers, anybody who gets out, anybody who can

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Speaker 1: function up and who wants to change and say yo,

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Speaker 1: I'm I'm I think Kanye would go after some rough

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Speaker 1: looking photographers. No, do you think Sean Penn would go

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Speaker 1: after some thuggish, ruggish photographers. If Sean turned around and

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Speaker 1: saw a motherfucker with curl is in his hair photographing

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Speaker 1: him with his pants at his knees, I would think

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Speaker 1: he would think twice right before running, you're gonna give

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Speaker 1: that fucking interview. Yeah, you're gonna get that little anecdote

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Speaker 1: when you're leaving the dentist. I'm gonna say anything to

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Speaker 1: get that guy away from you. Right. That's you know.

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Speaker 1: I think it's a good fucking idea, and I think

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Speaker 1: it's good for TMZ. They're helping folks out. Another thing

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Speaker 1: I wanted to get into ship Latreill Spree. Well, what

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Speaker 1: about him? Where is he? I think Latrell Sprewell is

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Speaker 1: back in Milwaukee. Apparently he's broke. Oh fuck, apparently the

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Speaker 1: trell Sprewell is broke. Now let's examine now, how could

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Speaker 1: this man be possibly broke? He had a max contract

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Speaker 1: for the Knicks, right and they paid him. Yes, you

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Speaker 1: live in fucking Milwaukee. Cost of living is cheap. You

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Speaker 1: can buy a mansion in Milwaukee for five hundred thousand dollars.

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Speaker 1: If I have a MAX contract, that means I make

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Speaker 1: a hundred million dollars. Why isn't that house paid for?

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Speaker 1: They took the fucking house. Why isn't that house paid for?

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Speaker 1: You can pay that ship in the fucking week. Why

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Speaker 1: isn't it paid I don't know. Man. The troll Spreewroll

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Speaker 1: was a great nick. He was beloved in New York.

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Speaker 1: We love him, We love the Braids. Yeah, Trail, come

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Speaker 1: on the come on the show and explain something because

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Speaker 1: I don't want to. I don't tell me that. Maybe

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Speaker 1: your mom dukes her friends. Anybody money the money but yourself.

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Speaker 1: An open invitation to come to the Iron Wrap Ports Show. Please.

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Speaker 1: You could come on here. You could talk about choking

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Speaker 1: out p J. Carl Lissimo, you could talk about I

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Speaker 1: could tell you why he did that? Why do that?

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Speaker 1: For those who don't remember, in the mid nineties, p J.

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Speaker 1: Car Lissimo was the mid nineties, we don't check facts.

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Speaker 1: It could be he could have been. The eighties. Eighties

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Speaker 1: he coached Seaton Hall. No what I'm saying. In the

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Speaker 1: nineties he was coaching the Golden State Warriors. He was

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Speaker 1: a college coach of former college coach, and he's in

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Speaker 1: the pros. And he had an old school way of coaching.

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Speaker 1: He was like a screamer, you know what he was?

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Speaker 1: What he was a no good slave master? Oh shit,

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Speaker 1: you think you can yell at people like they were? Ship?

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Speaker 1: And what happened? We're yelling at grown men who get

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Speaker 1: paid more than you. And Latreille got fed up. So

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Speaker 1: Latrell come on the show and tell us what happened,

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Speaker 1: because no one knows that story. No one knows why

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Speaker 1: you choked the fucking ship out of p J at

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Speaker 1: him and you were ready to fuck him up? Why

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Speaker 1: were you ready at me? Fucking hand on his throat exactly.

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Speaker 1: But afterwards, after he choked him, they couldn't hold him back.

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Speaker 1: He wanted to get more. Yeah, come on the show

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Speaker 1: and explain yourself. You're a nick and this is a

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Speaker 1: Nick broadcast. Is a Nick broadcast? That's right, You're a nick.

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Speaker 1: Come back to New York spree You'll find business in

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Speaker 1: New York. There's there's enough. You have enough fans in

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Speaker 1: New York City to or go to gold and say,

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Speaker 1: get the funk out of Milwaukee. Come to New York.

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Speaker 1: Let me advise you on a few things. People love

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Speaker 1: you in New York. There's money to be made in

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Speaker 1: New York. Spree, trust me, he just has to fucking

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Speaker 1: uh explain himself. All you gotta do is explain herself. Yo.

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Speaker 1: You know what, Spree, fuck the funk the podcast. We

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Speaker 1: could do the thirty for thirty anytime Latrull Spree will

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Speaker 1: anytime you want to do the You know that you

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Speaker 1: know that you have carte blanche, that that is a

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Speaker 1: story that is is uh is dying to be told,

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Speaker 1: and people would be excited to hear you talk. And

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Speaker 1: I'm not saying this is just about the p J.

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Speaker 1: Carl Listeno, you are a heavily influential basketball player. Alan

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Speaker 1: Iverson credits you as being his favorite player. Like, Yo,

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Speaker 1: I'm not just talking about choking out PJ. But of

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Speaker 1: course that's something that we're gonna have to get to.

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Speaker 1: And and how the fuck did you wind up losing

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Speaker 1: your house in Milwaukee? And I say this with all

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Speaker 1: due respect, we need to know we're talking ship because

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Speaker 1: you're not here, and we're kind of talking like making

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Speaker 1: light of it. Obviously we're not. I wouldn't. I'm not

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Speaker 1: making light of it. I am kind of making light

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Speaker 1: of it because you're not here. I wouldn't do that

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Speaker 1: in front of you, because you do have a reputation

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Speaker 1: for getting busy. And he wouldn't talk greasy to the

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Speaker 1: troll spree because you know why he he he choked

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Speaker 1: the fucking coach Old. So the way I'm talking now, Generald,

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Speaker 1: I gotta be honest if we if I was in

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Speaker 1: front of the Troll, I'd be a little bit I'd

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Speaker 1: be a little bit more cautious what I'm saying, because

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Speaker 1: he doesn't play that ship, and he proved that he

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Speaker 1: doesn't play that ship. And he he would be a

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Speaker 1: great guest because he played with my man, Jamore Faulkner. Yes,

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Speaker 1: and you know Latrell Sperry Roll was very, very, very

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Speaker 1: very a great spokesman for the New York Knicks. He

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Speaker 1: he was you know, he was savvy with the media.

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Speaker 1: He was very honest with the media. He was very

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Speaker 1: um you know, I funk with you Latrelle. You're a

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Speaker 1: great nick You're a great player, heavily influential to other players.

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Speaker 1: And you know, I don't like how your career ended.

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Speaker 1: And I don't like that you lost your crib in

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Speaker 1: Milwaukee and Latrell spree roll you now have an open

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Speaker 1: invitation along with the father of the daughter who is

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Speaker 1: trying to sue them in New Jersey, and and and

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Speaker 1: who who we we suggested instead of suing your father

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Speaker 1: and your mother, who you don't speak to, go strip,

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Speaker 1: go strip to pay for your college education. Didn't we

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Speaker 1: say that, go go go, go get on that pole.

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Speaker 1: You don't want to get on that poll and pay

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Speaker 1: for yourself. Yeah, don't sue your parents and not speak

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Speaker 1: to them. I'm on the parents side. You sue your

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Speaker 1: parents and either the peep who gave you life, they

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Speaker 1: wiped your ass. You're you're, you're, you're a piece of ship,

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Speaker 1: and you should be on the pole. I'll give you

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Speaker 1: a dollar. I don't I don't like that girl. And

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Speaker 1: maybe there's more to the story. We don't fact check here.

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Speaker 1: We take everything in phase value. Associated press, Associated press

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Speaker 1: that they fucking give us out news. Yeah, that's how

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Speaker 1: we get it. Anyway, this is the Iron Rapport Podcast.

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Speaker 1: Will be right back after this minute. Damn. That's that

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Speaker 1: that right there is some ship. So that's some good

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Speaker 1: ship right there. That's a fucking nice funky ass. That's

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Speaker 1: some funky ship right there. Ge like that. The organ

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Speaker 1: is something. Listen. I want to ask you guys a question.

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Speaker 1: I've talked about this. It's been a through line. Two

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Speaker 1: of the through lines of the Iron Rapp Report podcast

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Speaker 1: are my loaf or people dropping out there loaf in general.

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Speaker 1: That's a staple of the show. Another staple of the

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Speaker 1: show that something that I'd like to discuss are big asses.

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Speaker 1: Were and and and I say this with all due respects, Okay,

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Speaker 1: I this is not I want this this show to

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Speaker 1: be friendly for men and women, women and men, all

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Speaker 1: of it. I like big butts. And I cannot lie

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Speaker 1: these other these other brothers, they can't deny. I prefer

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Speaker 1: big asses. And I said on an episode before you

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Speaker 1: joined us, Gerald that Kim Kardashian one probably the big

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Speaker 1: ass contest of all time. And it's ironic because she's

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Speaker 1: like the Larry Bird of asses. She's like the fucking

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Speaker 1: Chris Mullen of asses or the Dirk, you get what

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Speaker 1: I'm saying. This is a white girl. I have to

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Speaker 1: disagree with you, my friend. Okay, why you can see

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Speaker 1: ass like that on the train subway Chicago, New York

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Speaker 1: and uh, she puts ship in her ask to get

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Speaker 1: it like that. Oh, I didn't know that. Do you

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Speaker 1: think that that's not her real ass? Because if that's

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Speaker 1: not her real ass, she immediately gets taken off my

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Speaker 1: list because I've never felt a fake ass, and I

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Speaker 1: honestly don't want to. Because the times in my life

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Speaker 1: where I have felt fake breasts on women, ninety nine

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Speaker 1: point nine percent of the time, I did not know

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Speaker 1: they had fake breasts until I felt them. And and

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Speaker 1: how I feel it's alarmingly hard and unnatural. And I

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Speaker 1: have felt the best ones that you could get and

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Speaker 1: the skin and you feel and you can tell artificial

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Speaker 1: that it's fake immediately. And and it's shocking because because

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Speaker 1: if I had a fake loaf, if I had a

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Speaker 1: fake dick or in a dick attachment, it would feel different.

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Speaker 1: So if if I was to take out my loaf

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Speaker 1: a woman and and and then she's like, wow, that

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Speaker 1: looks good because the fake breast, if they're done well

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Speaker 1: they'll look good, but what what once you really see

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Speaker 1: them from all the different angles you see, I don't

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Speaker 1: care that you're always going to tell that they don't

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Speaker 1: look natural, because even the nicest of the nice natural

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Speaker 1: big breast, they have flaws. So if I had a

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Speaker 1: fake dick and and the girl was like, you know,

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Speaker 1: we were we were you know, I don't want to

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Speaker 1: be too vulgar, and she she she touched my my fake,

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Speaker 1: my make dick, how would she know that it was

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Speaker 1: fake because the same way I would know that the

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Speaker 1: breasts are fake, you know immediately? Have you ever touched

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Speaker 1: fake breast? Gerald? Yes? What do you mean? You think so? No?

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Speaker 1: I mean she feel hard. I mean we feel so

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Speaker 1: fast ship you have you or have you ever not

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Speaker 1: felt fake tits? Because I have think so, okay, you

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Speaker 1: think so, But I have no for sure that I

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Speaker 1: have felt fake breast and they are they don't make

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Speaker 1: me comfortable. That's what I'm saying, Okay, and and and

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Speaker 1: and once I touched them once, I never touched them again.

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Speaker 1: So you're saying, wait, what do you mean? I'm saying,

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Speaker 1: I've been with women that I've been with h intimately

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Speaker 1: more than once, and once I feel that you have

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Speaker 1: fake breast. I will not touch them again. Do you

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Speaker 1: understand what I'm saying? Why? Because because they're harder than usual,

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Speaker 1: they don't feel normal. You're you're I feel like the

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Speaker 1: woman is probably always conscious that I am touching a

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Speaker 1: fake breast. And I know I am always conscious that

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Speaker 1: I am touching a fake breast. So so so, so the

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Speaker 1: point being is why can't I get a fake dick?

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Speaker 1: Is that okay? I would think because we're harder than usual. Yeah, right,

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Speaker 1: if you got to grab it right now, it's harder

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Speaker 1: than it's it's it's fake. It's a fake dick. So

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Speaker 1: you're touching fake tits and it's harder than usual. So

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Speaker 1: if you're gonna touch a fake cock, it gotta mean

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Speaker 1: a fake loaf. It gotta be harder than it gotta

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Speaker 1: be harder than usual, So you get you get more problem. Nah, man,

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Speaker 1: they're gonna know it's fake. And once you know what

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Speaker 1: the point of the conversation wasn't supposed to be about

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Speaker 1: fake tits or fake loafs. The point of the conversation

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Speaker 1: was originally about fake which is a whole new phenomenon,

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Speaker 1: and and and and we initially we're talking about Kim

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Speaker 1: Kardashian and her world famous ass. And Gerald is saying

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Speaker 1: that if you go on the subway like the six train,

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Speaker 1: remember Jim, the two train to go up to the

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Speaker 1: Bronx and go through Brooklyn, you can see an ass

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Speaker 1: like that every five seconds, you know. And these motherfucker's

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Speaker 1: is getting all gas stup over this chick. Yo, just

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Speaker 1: fucking ride the train to Chicago. Go to fucking uh

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Speaker 1: this one? Who was going to Dagstinos in New York City.

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Speaker 1: If you go to a supermart called Dakastinos or Pioneer Pioneer.

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Speaker 1: If you want to submit food, if you want to

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Speaker 1: see some of the best asses in New York City,

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Speaker 1: go out of go to those supermarkets and you will see.

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Speaker 1: This is a tip if you like to see beautiful

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Speaker 1: women with nice asses fat assis, but I say fat

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Speaker 1: meaning good like Russell run DMC said bad meaning bad,

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Speaker 1: not bad meaning good fat asses man fat asses meaning

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Speaker 1: fat assis meaning fat assis meaning good, good good. Go

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Speaker 1: to shapely Nice in New York City. Guarantee you this

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Speaker 1: is where you go. Da Gastino's, Fine Fair, met Food, Pioneer,

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Speaker 1: uh Stu Leonards. These are all grocery stores in New

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Speaker 1: York City. They're not like Whole Foods, and they're not

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Speaker 1: like Trader Joe's. They are local supermarkets that are in

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Speaker 1: New York City. That would be what you see when

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Speaker 1: you see them, Kim Kardashian type ask, but you don't

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Speaker 1: see if you see the original and you see the

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Speaker 1: real right where, you'd be like turning. You know, we

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Speaker 1: need to sponsor a ms fat Ass of New York City,

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Speaker 1: Miss Pioneer, Miss Pioneer, Hell you a supermarket ass contest.

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Speaker 1: The guy in Rapp Report is looking for sponsors to

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Speaker 1: do the supermarket Ass contest. And it's gonna be totally

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Speaker 1: dignified and respectful, and we're gonna give away some money

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Speaker 1: to some of these girls, and we're gonna do some

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Speaker 1: other ship. That's a good idea and everybody would love

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Speaker 1: to see it. They would love to see it because

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Speaker 1: God gives them the masses, so and it's for us

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Speaker 1: to look. Why else you gotta ask? It looked like that? Man,

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00:25:30,040 --> 00:25:32,480
Speaker 1: that's a good point. What else do you gotta ask?

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Speaker 1: The shape like that so I could turn around? Yeah,

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Speaker 1: there's no other reason why God would he wants you

398
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Speaker 1: to look at the ass right, he's not doing he's

399
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Speaker 1: not putting those asses on the planet for them not

400
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Speaker 1: to be looked at. It's just like a beautiful sky

401
00:25:47,080 --> 00:25:50,520
Speaker 1: should be looked at, exactly. That's why shape painting should

402
00:25:50,520 --> 00:25:52,520
Speaker 1: be looked at. That's why I shaped like that, or

403
00:25:52,560 --> 00:25:55,200
Speaker 1: a beautiful car, a beautiful piece of art, or a

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00:25:55,240 --> 00:25:59,520
Speaker 1: beautiful building, a beautiful piece of architecture. A fat ass.

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00:26:00,040 --> 00:26:03,600
Speaker 1: So when I highlight it, why not? But you know

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00:26:03,600 --> 00:26:06,800
Speaker 1: why they can't hide high We're gonna highlight in the contest.

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00:26:06,880 --> 00:26:09,560
Speaker 1: We're gon we're gonna do our ship. But they have

408
00:26:09,600 --> 00:26:12,440
Speaker 1: to hide them on the street because guys like us,

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00:26:13,800 --> 00:26:16,600
Speaker 1: it's too much. It's too much. You can't walk around

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Speaker 1: with that ass because you just look at it and

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00:26:18,680 --> 00:26:21,560
Speaker 1: you'd be like, damn word. All you say is word

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Speaker 1: like in your mind used to be like you, we

413
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Speaker 1: don't get Bill Cosby type ship. No, no, no, I'm

414
00:26:30,600 --> 00:26:33,280
Speaker 1: just looking at it like it's like it's like art art.

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Speaker 1: I'm not. I'm not a a fucking animal. I might say,

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Speaker 1: God bless you. That's all I might say is that

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Speaker 1: if you have a really nice ass. At this point

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Speaker 1: in my life, at forty four, I'm gonna be honest.

419
00:26:42,840 --> 00:26:45,360
Speaker 1: I will bless a woman. I will say, she'll walk

420
00:26:45,400 --> 00:26:49,199
Speaker 1: by what I say, and I say, God bless you.

421
00:26:49,560 --> 00:26:52,720
Speaker 1: And what I would say was like I just admiring

422
00:26:52,920 --> 00:27:03,120
Speaker 1: God's design. You would say that, I'm just I kicked

423
00:27:03,119 --> 00:27:05,080
Speaker 1: it to a chick like that. You said, what she said,

424
00:27:05,080 --> 00:27:06,960
Speaker 1: why are you looking at me? Up my ass like that?

425
00:27:07,240 --> 00:27:10,080
Speaker 1: I said, I'm just admiring gaze design because you ain't

426
00:27:10,119 --> 00:27:13,560
Speaker 1: make it? Did You ain't make that ass like that?

427
00:27:14,000 --> 00:27:17,760
Speaker 1: God made that right, and he made it for me

428
00:27:21,760 --> 00:27:37,480
Speaker 1: you specifically Monetti bro ship. That was funny, man, Yo.

429
00:27:38,240 --> 00:27:40,399
Speaker 1: That's it. We're gonna sponsor that contest. This is the

430
00:27:40,440 --> 00:27:51,680
Speaker 1: I m Rapp Podcast. This is the I m Rapp

431
00:27:51,720 --> 00:27:56,520
Speaker 1: Report Stereo podcast. And isn't it nice in here? It's

432
00:27:56,520 --> 00:27:58,960
Speaker 1: neat in here? Right? It's very clean and very clean.

433
00:27:59,000 --> 00:28:03,840
Speaker 1: I keep, I keep, but clean environment. You uh used

434
00:28:03,840 --> 00:28:06,240
Speaker 1: to be a slob. Yeah, you used to be a

435
00:28:06,359 --> 00:28:09,240
Speaker 1: fucking slob, and now you're like a clean guy too.

436
00:28:09,600 --> 00:28:13,560
Speaker 1: It was fucking for you. You called me one time.

437
00:28:13,720 --> 00:28:19,280
Speaker 1: You don't remember this, I gotta refresh your memory. I

438
00:28:19,359 --> 00:28:22,840
Speaker 1: was staying at your house on a twentieth street, I

439
00:28:22,880 --> 00:28:27,280
Speaker 1: think twenty street, first Avenue, eighteen Street. One of those.

440
00:28:27,920 --> 00:28:36,639
Speaker 1: You said, Gerald, you're a fucking pig. And I looked

441
00:28:36,640 --> 00:28:44,440
Speaker 1: around and I had clothes everywhere, and I said, I

442
00:28:44,520 --> 00:28:50,000
Speaker 1: am I am. You said, Gerald, you're a fucking pig.

443
00:28:50,800 --> 00:28:54,880
Speaker 1: You cook. And it was that that made me change

444
00:28:54,960 --> 00:29:01,280
Speaker 1: my whole ship up. Yo, yo, you we are responsible. Then,

445
00:29:01,360 --> 00:29:03,480
Speaker 1: Thank you, Thank you. I appreciate I never knew that

446
00:29:03,520 --> 00:29:07,080
Speaker 1: because you wanted to need this motherfucker's ever. Thank you.

447
00:29:07,400 --> 00:29:09,800
Speaker 1: A lot of people don't know that about me. People

448
00:29:09,880 --> 00:29:14,280
Speaker 1: assume because I have a messy way of presenting myself.

449
00:29:15,360 --> 00:29:18,760
Speaker 1: Although I'm not dirty. I shower once at least twice

450
00:29:18,760 --> 00:29:23,640
Speaker 1: a day. But there's just something about my disposition that

451
00:29:23,720 --> 00:29:27,160
Speaker 1: when people come to my home, they're like, oh ship,

452
00:29:27,320 --> 00:29:29,720
Speaker 1: they expected to be like a fucking zoo haven. You

453
00:29:29,800 --> 00:29:32,760
Speaker 1: made me look at myself and and and this one

454
00:29:32,880 --> 00:29:40,760
Speaker 1: year was this because you you know, no it had

455
00:29:43,360 --> 00:29:46,000
Speaker 1: was I there or was I not? You fucking looked

456
00:29:46,000 --> 00:29:49,560
Speaker 1: at me. You ain't in my fucking eyes. You said, Yo, Gerald,

457
00:29:49,600 --> 00:29:54,800
Speaker 1: you're a fucking pig. Now coming from you, you know

458
00:29:54,800 --> 00:29:57,240
Speaker 1: what I'm saying, Like, like, Yo, I've known you for

459
00:29:57,240 --> 00:30:00,000
Speaker 1: a long time. So I took that ship to heart.

460
00:30:00,000 --> 00:30:02,280
Speaker 1: I looked in the mirror. I said, Yo, this onefuck

461
00:30:02,400 --> 00:30:07,440
Speaker 1: is right. I'm a fucking piece of ship. Why else

462
00:30:07,440 --> 00:30:10,120
Speaker 1: would he be saying that? Yeah, man, it used to

463
00:30:10,120 --> 00:30:16,600
Speaker 1: be sloppy. Yeah, I remember there was a girl you

464
00:30:16,720 --> 00:30:19,920
Speaker 1: told me about. You said she you would go into

465
00:30:20,040 --> 00:30:23,240
Speaker 1: her house and it was like almost she was so

466
00:30:23,960 --> 00:30:30,440
Speaker 1: disgustingly messy that it was almost sexy. Yeah. Yo, I

467
00:30:30,520 --> 00:30:34,320
Speaker 1: went to her crib and it was fucking like uh,

468
00:30:34,880 --> 00:30:40,760
Speaker 1: a train station, like like newspapers in the corner, get

469
00:30:40,800 --> 00:30:44,880
Speaker 1: the funk out of here, fucking ship thrown everywhere. But

470
00:30:46,760 --> 00:30:51,960
Speaker 1: you know she was sexy. Mm hmm. So you take

471
00:30:52,080 --> 00:30:55,440
Speaker 1: you look at all that ship and you just get hyped, right,

472
00:30:55,520 --> 00:30:58,200
Speaker 1: you see that. I'm sorry, I'm sorry, I'm sorry. You

473
00:30:58,240 --> 00:31:00,560
Speaker 1: look at all the dirt and the ash in the

474
00:31:00,600 --> 00:31:03,920
Speaker 1: apartment and you said, you get hype off of that? Yeah,

475
00:31:03,960 --> 00:31:09,320
Speaker 1: because this woman look good. She looked good, but she

476
00:31:09,320 --> 00:31:17,520
Speaker 1: she lived like a like a fucking giraffe. She lived

477
00:31:17,560 --> 00:31:22,240
Speaker 1: like a giraffe. But but but it don't matter. So

478
00:31:22,360 --> 00:31:24,840
Speaker 1: that was at that time because you fucked up too.

479
00:31:25,600 --> 00:31:27,960
Speaker 1: But yeah, you're not in your right mind. You're looking

480
00:31:28,000 --> 00:31:30,280
Speaker 1: at home girl, like, yo, it don't matter, like oh,

481
00:31:30,360 --> 00:31:35,720
Speaker 1: she rolled like that. So you're saying that because she

482
00:31:35,880 --> 00:31:38,880
Speaker 1: was more messy and like the environment was filthy, and

483
00:31:38,920 --> 00:31:41,840
Speaker 1: then and she was she was like a sexual being.

484
00:31:42,280 --> 00:31:46,000
Speaker 1: It just was like some freak off craziness, like like

485
00:31:46,000 --> 00:31:50,440
Speaker 1: like your rocket. And you'll overlook that's no, you don't

486
00:31:50,440 --> 00:31:55,000
Speaker 1: overlook it. It's part of what's making it. It's part

487
00:31:55,000 --> 00:31:58,840
Speaker 1: of the session. Damn, that's that's exotic. I have to

488
00:31:58,880 --> 00:32:02,080
Speaker 1: tell you that I think that probably most people haven't

489
00:32:02,080 --> 00:32:08,560
Speaker 1: experienced that, and and and and secondly, there's some that

490
00:32:08,600 --> 00:32:12,920
Speaker 1: are probably going, yeah, I know what you're talking. Yes,

491
00:32:13,080 --> 00:32:15,960
Speaker 1: but but I would have to say the majority of

492
00:32:16,440 --> 00:32:20,000
Speaker 1: men steer clear those kinds of broads you seem to.

493
00:32:20,640 --> 00:32:22,920
Speaker 1: It depends on if you how fucked up you you

494
00:32:23,000 --> 00:32:26,120
Speaker 1: are in your head? Yeah, when you're saying up, you

495
00:32:26,160 --> 00:32:27,880
Speaker 1: know what I mean? And are you're saying you're drinking?

496
00:32:28,480 --> 00:32:29,920
Speaker 1: Do you have to get your head? Your head? But

497
00:32:29,960 --> 00:32:32,560
Speaker 1: the first time you went over to this this this dump,

498
00:32:32,880 --> 00:32:34,200
Speaker 1: you didn't know it was gonna be like that, Why

499
00:32:34,240 --> 00:32:37,040
Speaker 1: don't you just run out? Then you see when you

500
00:32:37,160 --> 00:32:42,360
Speaker 1: funked up and you're drinking, everything is good, Oh okay,

501
00:32:42,720 --> 00:32:46,000
Speaker 1: you know, so you see him homegirl and homegirl. You

502
00:32:46,000 --> 00:32:50,520
Speaker 1: you're like, yo, some ship wi jump off right right?

503
00:32:51,000 --> 00:32:55,200
Speaker 1: Fuck the hamper, fuck that like, fuck the clothes all

504
00:32:55,200 --> 00:33:00,280
Speaker 1: over the floor, you see. Fuck the toilet over flowing?

505
00:33:00,760 --> 00:33:04,360
Speaker 1: Her toilet was overflowed. Yeah, are you serious? Yeah? You

506
00:33:04,480 --> 00:33:07,760
Speaker 1: closed the door. You know you're funked up. You're not

507
00:33:07,800 --> 00:33:13,160
Speaker 1: in your right mind? You go you gonads right? Your

508
00:33:13,200 --> 00:33:17,160
Speaker 1: gold ads is on fire? Wow? Well back in the days,

509
00:33:17,600 --> 00:33:20,960
Speaker 1: you see. So what it's part of life? Yeah, I

510
00:33:21,040 --> 00:33:25,960
Speaker 1: get it that every now and again. Oh man, he

511
00:33:25,960 --> 00:33:28,160
Speaker 1: he just referred to a woman as a bumass. But

512
00:33:28,280 --> 00:33:31,560
Speaker 1: these are not the feelings, thoughts, or views of the

513
00:33:31,600 --> 00:33:34,080
Speaker 1: Iron wrapper Port podcast. But you know what I want? What?

514
00:33:35,840 --> 00:33:39,800
Speaker 1: I want to bag one of them, um them the

515
00:33:39,840 --> 00:33:45,960
Speaker 1: women that wear them burgers, the Muslim Yeah. I tried

516
00:33:45,960 --> 00:33:48,600
Speaker 1: to bag one on the train. You saw one. Yeah,

517
00:33:48,800 --> 00:33:51,240
Speaker 1: what do you say to her? You know it's hard,

518
00:33:51,360 --> 00:33:55,560
Speaker 1: so it's hard. Did you did you get any conversation? Nah?

519
00:33:55,640 --> 00:33:57,320
Speaker 1: What did you say to her? I said a lot

520
00:33:57,360 --> 00:34:01,920
Speaker 1: of walk bad. It's great you said that to the

521
00:34:01,960 --> 00:34:06,600
Speaker 1: last and she said, what fucking walked away? But you

522
00:34:06,640 --> 00:34:09,640
Speaker 1: know what, if you can get one of them, you

523
00:34:09,640 --> 00:34:14,200
Speaker 1: ain't got no problems, you know why? No fucking problems

524
00:34:14,600 --> 00:34:21,799
Speaker 1: because they fucking know their place. So you're saying, like

525
00:34:21,880 --> 00:34:26,000
Speaker 1: she got her eyes, like her eyes are the only

526
00:34:26,040 --> 00:34:30,360
Speaker 1: thing that's fucking open. Right, She's there just for you,

527
00:34:30,560 --> 00:34:35,160
Speaker 1: right right, and you can bring home. Oh, there's no guarantees.

528
00:34:35,320 --> 00:34:38,799
Speaker 1: There's no guarantees because once she loses the burka, how's

529
00:34:38,800 --> 00:34:41,399
Speaker 1: she gonna lose that? Well, you're gonna have it, keep her,

530
00:34:41,520 --> 00:34:44,520
Speaker 1: keep it. When she had ten wives, she just won.

531
00:34:44,719 --> 00:34:46,879
Speaker 1: Oh you mean if you were one of those guys, yeah,

532
00:34:47,880 --> 00:34:53,400
Speaker 1: not you yourself. Yo. If I could have ten of them,

533
00:34:53,520 --> 00:34:56,759
Speaker 1: they don't wear no Gucci ship right, it's cheap. It's

534
00:34:56,800 --> 00:35:01,400
Speaker 1: fucking cloth, right, that's good f a hundred of them ships, right,

535
00:35:01,480 --> 00:35:03,400
Speaker 1: you can, you could, You could keep her nice and

536
00:35:03,440 --> 00:35:08,239
Speaker 1: it's like a dollar right, yo, I would love. I

537
00:35:08,320 --> 00:35:11,040
Speaker 1: tried to bag on the train. I tried, and she

538
00:35:11,160 --> 00:35:14,880
Speaker 1: said she this is American, motherfucker. This is a Negro,

539
00:35:15,960 --> 00:35:18,880
Speaker 1: this ain't this ain't a Muslim, this is the American.

540
00:35:19,200 --> 00:35:21,920
Speaker 1: But you said a low a walk bar and she

541
00:35:21,920 --> 00:35:24,279
Speaker 1: she was on that bullshit. She wasn't going for it.

542
00:35:25,400 --> 00:35:30,480
Speaker 1: This is Michael Rappaport and we're getting ready to sign off.

543
00:35:30,520 --> 00:35:32,560
Speaker 1: It's been a good episode. Hope to talk to you

544
00:35:32,600 --> 00:35:36,000
Speaker 1: and hear from you and your responses and thoughts soon.

545
00:35:36,560 --> 00:36:00,360
Speaker 1: I Am Rapport podcast