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Speaker 1: Presenting to you America's favorite black television show that's not

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Speaker 1: on television. Your bitch, to everybody who's been watching this

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Speaker 1: on YouTube, you've been doing your motherfucking things. Yes, bit you.

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Speaker 1: And when you got company and you turn on the

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Speaker 1: eighty five South show and you're letting that play in

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Speaker 1: the background, just to keep the tone of the ambiance

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Speaker 1: of the vibe that you created with this individual in

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Speaker 1: such a spectacular fashion. Just know that we are appreciating

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Speaker 1: your appreciation of the greatness that's being bestowed in front

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Speaker 1: of your eyes. Appreciate it. Now check this out. Y'all

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Speaker 1: have helped us so a hole of the tone and

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Speaker 1: the other week and god, this astronatic. Now you might

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Speaker 1: think you bullsh it said, but I ain't got no

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Speaker 1: a lot to tell you. Man. Let me just take

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Speaker 1: a moment to shoot you and tell you the places

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Speaker 1: that this shirt and this merchant guys right here behind

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Speaker 1: me has gone. Niggers have set me pictures at the

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Speaker 1: hear of me is wearing this ship. Come on, niggas,

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Speaker 1: all that friends with funny looking pig doing a stupid

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Speaker 1: little day. Every other chance this ship swait a minute.

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Speaker 1: I'm get so excited I just can't hide it. Did

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Speaker 1: you see the new shirts we got for the women

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Speaker 1: with the big teas. We got to the shirts you asked,

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Speaker 1: and we listen, look at that. Ain't no rock going

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Speaker 1: under that. It's just gonna be tittied west that aerial

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Speaker 1: unimple area we're about to set because the summer is comfort.

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Speaker 1: They need them to be free. Little women, big women.

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Speaker 1: Women would lose big titty if women with big little tennis.

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Speaker 1: I don't look that minute I'm talking about when she

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Speaker 1: lay now, they're still gonna be. They ain't gonna phone.

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Speaker 1: Even if she got the big, big areas they're supposed

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Speaker 1: to come at the bottom of everything, she would not

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Speaker 1: them because they stretched at the bottom. Chico back, Yeah,

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Speaker 1: they're going back tone. You know what I'm saying That

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Speaker 1: he's been over for family reasons and things of that nation.

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Speaker 1: But don't gonna let him tell you a back there

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Speaker 1: when it's his turning to tell you about there. I

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Speaker 1: got a lot of kitchen shout out to all the

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Speaker 1: people in the comments set that begetting people right when

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Speaker 1: they had the wrong information. Yeah, yeah, but them eighty

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Speaker 1: five percent, and do not play about this show man,

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Speaker 1: not at all because they've been here. They won't let

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Speaker 1: and they keep saying Nils be that every episode and

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Speaker 1: they got in the blue. If I won't come to work,

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Speaker 1: won't nobody else comes? That's true. Hey man, you ain't

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Speaker 1: got to work on you just got to be there.

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Speaker 1: If you be here, you're gonna be to care Bubba school,

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Speaker 1: Come on, man, shootmaking old school. Come on, man, we're

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Speaker 1: about to take this ship. I don't know what level

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Speaker 1: they think this is on. We're about to set. If

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Speaker 1: we're on level ninety nine, we go on to a no, yes,

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Speaker 1: the funk we all. I think we gotta switch the degree.

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Speaker 1: I think we're about to go to the upper number.

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Speaker 1: So we need higher numbers. We need to be celsius.

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Speaker 1: Don't water start boiling it like one thirty fahrenheit. Yeah, okay,

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Speaker 1: so it celsius. It's got to be like two something.

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Speaker 1: I think the scale need to be bigger. You understand

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Speaker 1: what nigga conversation going on? Wherever it is, we're trying

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Speaker 1: to get nigga conversation going on. We read the kind

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Speaker 1: We know who they want to see on the show.

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Speaker 1: What they're gonna set, who available. We've been to set

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Speaker 1: the tone. We got a schedule, get so get them,

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Speaker 1: Go get them, same people they've been telling me to

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Speaker 1: go get need the same people. They'll be scared to

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Speaker 1: come talking. Come on, go get it. They got people

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Speaker 1: scared to get them because I don't nobody like criticism.

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Speaker 1: But we don't even hear the criticize. We never criticize

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Speaker 1: nobody on the we're not critics. But you know, for

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Speaker 1: a lot of people, it's never criticized. No, you know

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Speaker 1: what this show is. This show is the incident of

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Speaker 1: the streets. Y'all might need this. You know they need it.

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Speaker 1: You can't do nothing without the You might need it.

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Speaker 1: You're gonna pass out. You might need high or your

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Speaker 1: sugar load. This your show. We keep this ship with black.

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Speaker 1: We have dropped the show at every time slot on

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Speaker 1: Freddy were the king of times. Lines be asking me

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Speaker 1: from midnight to midnight, when is it coming on? We

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Speaker 1: don't know. It's not my department to come on be

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Speaker 1: a show when it won't show. Yeah, that's up to

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Speaker 1: the engineers. We got an engineering department. They got a

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Speaker 1: lot of engineer and you loop this funk up jail.

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Speaker 1: When you got to loop that again, give us something else,

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Speaker 1: you pumped it up. He's just been slacking like he's

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Speaker 1: been holding all the good shop. He was looking as

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Speaker 1: he went, Yeah, I know he was. He think he

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Speaker 1: got to with us because with him now he thinks

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Speaker 1: I don't know him and little Yah they're working on

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Speaker 1: some ship. You see how you're only giving me like

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Speaker 1: three beats. How ain't gonna cut me off? And I

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Speaker 1: then that nigger cut us all he cut That nigger

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Speaker 1: cut us Ali, Yeah he cut us. That nigger cut

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Speaker 1: us aft loid he cut Damn j Win. I thought

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Speaker 1: you was my friend. You gonna bring the ship in

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Speaker 1: for me and my nigga off to what then do

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Speaker 1: We'd be spitting ship for years? Then? Niggas don't know

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Speaker 1: you for real. I remember when he first came around.

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Speaker 1: He used to go down. You had a good talk

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Speaker 1: and you don't even play that bitch. Now you just

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Speaker 1: give me about half a beat, like two of a week.

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Speaker 1: I'll be like, Damn jr Win, is everything sweet? Is

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Speaker 1: it be? Or is it be? Is he beef? Niggas

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Speaker 1: sound like he made this bitch with his feet. Damn

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Speaker 1: you gotta bring you know what we do to them?

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Speaker 1: Jr Win tracks, We're gonna Mack every time he was

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Speaker 1: playing some ship that was hard. I was like, ship,

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Speaker 1: Oh my god. He cut it off like, no, that

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Speaker 1: ain't for you. I got some ship that you're gonna live.

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Speaker 1: Wait till you hear food. I'm like we And he

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Speaker 1: never played that ship, like get goddamn jail win, goddamn

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Speaker 1: jail win. Then this nag stopped playing some ships from

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Speaker 1: a White Church revival. I like that. That's something I'm

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Speaker 1: into now, ship don't nobody else won't. Kanye World was

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Speaker 1: working with the intro part though, with the little jingles.

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Speaker 1: What do you see that man Clayton sit up? And

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Speaker 1: then you're playing a jug on this bit. Bro. This

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Speaker 1: is a revival in the Mountain naked. This is when

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Speaker 1: you put this is when you go see trouble on

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Speaker 1: grant their potto or you gotta do that first mission.

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Speaker 1: In the name of Jesus, You're going to hell. You're

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Speaker 1: going to hell. Everybody's going to hell. The world's an

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Speaker 1: abomination right now. Like snakes were snakes, Bring the snakes out?

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Speaker 1: What made you make this lo? What was you watching

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Speaker 1: and made you make this one? Jail a dress called man?

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Speaker 1: The nigga woke up into it's a blurred of an

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Speaker 1: ex pill. He just took the dust and wrote it

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Speaker 1: on his teeth. He was probably this makes me made

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Speaker 1: this ship with a pink takes chatted you to a dude.

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Speaker 1: This is the you know when niggas drive a cross

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Speaker 1: country right and they show you how far they're going

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Speaker 1: to map? Right? Play this ship this right? You know

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Speaker 1: what this ship sounds like. This ship sounds like this

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Speaker 1: town ain't big enough for the both of us. It's Arizona, Texas,

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Speaker 1: missip ain't big enough for the both of us. Then

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Speaker 1: for real, Johnny Casher, this up, for real, bro, this

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Speaker 1: this one who we're gonna get up here? I don't

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Speaker 1: know who we got about. We made our right back

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Speaker 1: east ring through so many trials and tribulations along the way,

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Speaker 1: the longest way possible. And they showed him, showed the

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Speaker 1: nigga stopping the horse sleep and they're grilling that meat.

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Speaker 1: That monthize when they showed the cowboys getting good at everything. Yeah,

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Speaker 1: he's shooting all the cast sinking now the bottle shooting right.

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Speaker 1: The Indian nigga showed him how to shoot off the horse.

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Speaker 1: He hanging off the side of the show, just walking

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Speaker 1: regular with the horse behind the merry. Time to stop

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Speaker 1: the horse, stop trying to get the little Indian vicious.

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Speaker 1: Sorry with him in the bot fight when he's punched

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Speaker 1: one time and knock and they go over the box.

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Speaker 1: You can drink all right. Wouldn't be a Cowboy movie

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Speaker 1: if you ain't heard at least one scene with somebody

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Speaker 1: was throwing a knife like that nigger clothing, right, Learn

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Speaker 1: everything from one Indian chief strong Boat, chiefs strong. He

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Speaker 1: wasn't Chief strong Boat. This is smart the Indians being

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Speaker 1: the Cowboy movie. The train three white boys to be

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Speaker 1: ready for battle as soon as the night before. That's

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Speaker 1: when they break the news. I'm not going with you, chief,

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Speaker 1: I mean everything he taught me. You're ready to go alone?

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Speaker 1: Did he rush show the nigger forehead said that ship

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Speaker 1: from the mountains, from the mountains, He hit him with

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Speaker 1: some real ship. The test of a warrior is what

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Speaker 1: he does alone. The test of the warriors what he did.

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Speaker 1: The test of a true wolf is how he behaves

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Speaker 1: outside the pack. These motherfucker's wake up the next morning.

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Speaker 1: He gonna got at what time they wake up? Like

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Speaker 1: you still in the tree, like just like And then

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Speaker 1: he got their Peanuts, watching that I got there, somebody's

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Speaker 1: gonna buy his beat jail and watch they're gonna go past.

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Speaker 1: It's coming on the New Redemption. Yeah, the New red Redemption.

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Speaker 1: This is the intro intro when you first learned how

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Speaker 1: when they're still putting up for sprint. We need to

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Speaker 1: redo the game, the tritorial screen. We need to redo

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Speaker 1: the whole game in black. Let's do it. Remption the

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Speaker 1: black black that we don't get the credit. Buffalo Soldiers

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Speaker 1: was real, was really out there. They won't make no

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Speaker 1: game about boys with us. With us. You've seen the

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Speaker 1: pictures of the niggas and that mother just yep. Because

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Speaker 1: if it wouldn't us, they would have said, cow men,

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Speaker 1: that's how racist there was. Cow men. It's a horse,

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Speaker 1: so you look like a goddamn horse. Your black ass

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Speaker 1: off that cow? How did you get that horse and

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Speaker 1: let you ride? And I've been hitting this one every

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Speaker 1: goddamn day in the face and it won't let me

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Speaker 1: get on its back. Well, look over, damn name you

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Speaker 1: ever seen it? Mon, you're out in the hors motherfucker

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Speaker 1: say some real ration ship was guess one, Jim, I

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Speaker 1: got me a horse. That's a nigger lover. I think

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Speaker 1: you better sell that horse. I won't get rid of it.

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Speaker 1: It's a really good horse. But I came outside the

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Speaker 1: other day and I mean this kid was just a

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Speaker 1: ride my horse all around, I mean, doing tricks on

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Speaker 1: him and everything. He loved him probably, and you know

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Speaker 1: it was a nigger. The nigg the first nigger they

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Speaker 1: rode the horse got in trouble, yeah, because Massive heard

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Speaker 1: Massive had horses, but wasn't nobody riding Ma's. So I

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Speaker 1: don't mean to be the bad bad news, but Jesse's

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Speaker 1: can ride that horse. Shut your mouth, Go get Jesse,

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Speaker 1: because could nobody else ride. They don't know Mark get

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Speaker 1: up there and ride that horse. No shaw, But you

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Speaker 1: know Jess was talking ship when it was just the nigger.

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Speaker 1: But that no, they don't know what the he doing

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Speaker 1: up there on that nad I showed him how to

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Speaker 1: ride that something bit right there. He's like, you ain't

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Speaker 1: gonna do it, goddamn thing. Jesse showed his watch. Should

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Speaker 1: I get my shot, I'm shure him. I'm the badest

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Speaker 1: man on the plantation. On That was a hell of

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Speaker 1: a day on the plantation because that was the first

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Speaker 1: time a white woman seen a niggle with his shirt off.

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Speaker 1: He had to have a shirt off. Nick. He was

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Speaker 1: outside with the horses. That's when she saw what it was,

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Speaker 1: the way you take that horse. The white lady was

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Speaker 1: on them and then on out, and then we knew

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Speaker 1: how to deal with ship me and think it is

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Speaker 1: a nigga had to teach white people how to rad

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Speaker 1: horses without touching them. We had to teach you, imagine

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Speaker 1: knowing how to ride a board perfectly right, but you

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Speaker 1: gotta tell a mother of it, but you can't tell

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Speaker 1: you can't touch them. Niggas had to know how to

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Speaker 1: go places without being able to read. That's some cold ship.

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Speaker 1: When you got to go somewhere and just know how

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Speaker 1: to get there because you can't show that you know

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Speaker 1: what that side and say, nigga, how much pressure with that?

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Speaker 1: Nigga don't get enough credit out here. Man, we're the

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Speaker 1: most magical motherfucker's that ever exist. You think white people

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Speaker 1: ever go home after being around some cool as Black

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Speaker 1: people would just be like, oh wish we just still

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Speaker 1: by them? Yes, yes, love Carlos God, I don't give it.

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Speaker 1: It costs to live with us. You can leave when

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Speaker 1: you leave, but well even let you drive the test,

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Speaker 1: look to live with just you get your own guest

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Speaker 1: house and everything like with please just live with us.

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Speaker 1: I want my mom my, mom my, dad, love you,

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Speaker 1: love you? How much a year a year? How much

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Speaker 1: brit doesn't take to anyone the way it takes to you. Listen,

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Speaker 1: I'm not asking, I'm not asking. It's not offensive, rights defensive.

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Speaker 1: I was watching the toy the other day with Richard Pryor,

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Speaker 1: and I think it's a new Richard Pryor. And this

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Speaker 1: the question, This the question, how much do you think

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Speaker 1: white people like black people? On the lope, on the lope,

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Speaker 1: on the long On the lope, you can tell how

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Speaker 1: much they hate you. How much do you think on

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Speaker 1: the lope top you can tell how much they like

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Speaker 1: us from TikTok. When you look at TikTok, you can

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Speaker 1: see just how much they love black people. Range of

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Speaker 1: white people don't. I'm talking about. That's the whole app Like, listen,

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Speaker 1: they got they made stop Stallion song. They ain't made

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Speaker 1: no TikTok, no black influences made no tiktoks. And you

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Speaker 1: should see these white people trying to figure out what

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Speaker 1: to do to this day. They're waiting on the moment

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Speaker 1: I'm talking about. They got this song saying hands on

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Speaker 1: your knees, shaking asks on your thosth. These motherfuckers got

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Speaker 1: their hands in the head. It's like when they don't

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Speaker 1: know what to do. You're like, hands on my knees?

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Speaker 1: Am I supposed to touch my knees? Or do you

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Speaker 1: put your hands on my knees? Or do I put

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Speaker 1: my hands on my knees or what like? Low they

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Speaker 1: love us if we don't show. But but think about this,

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Speaker 1: I'll take it even further. Think about the white kids,

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Speaker 1: the head the shoe box, all his black shitty fun

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Speaker 1: with up on this bed and he's sneaking, sneaking in

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Speaker 1: the rap all the way back. Hands on listening to

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Speaker 1: round cause you imagine that that first parent that heard that,

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Speaker 1: that they's son Like I'm talking about the real little Walkers.

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Speaker 1: There's three six Mafia nigga. I'm talking about the remember

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Speaker 1: they did with in w A Like the first motherfucker

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Speaker 1: they walked in the room and her suck the pol

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Speaker 1: nice coming straight from Come on, what did what did

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Speaker 1: your uncle drew to you? Come on? What is that's

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Speaker 1: an officer? Jesse? Your grandfather's you're officer, so you want

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Speaker 1: to fu fuck dad mom, coming straight from the underground.

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Speaker 1: A young niggers got it bad because I'm brown, brown, brown,

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Speaker 1: brown on the inside, sucking brown hat it here when there?

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Speaker 1: Did you ever like do a show like we're talking

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Speaker 1: to this type of ship and then white people hit you? Ever?

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Speaker 1: Then explained like dude, not me. I'm just saying some

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Speaker 1: cool ones out here. Everyone come to Colorado. Oh yeah,

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Speaker 1: get some posts, some good weed. Bro. When I was

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Speaker 1: in Colorado, when I put I put the post up

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Speaker 1: to say that I got the spot when I was

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Speaker 1: at the airport and uh and uh was that not Colorado? Utah?

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Speaker 1: And uh utah And I I got in spied to

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Speaker 1: write a song called only in the Airport and uh,

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Speaker 1: like white people just hit me, Like, bro, there's so

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Speaker 1: many more, like it's when it works. It's one that

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Speaker 1: works down at the Burt Like you're not the only one, Chico,

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Speaker 1: but I promise there's plenty of you guys here. I'm like, okay,

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Speaker 1: by that, well, I didn't see anything, but bro, if

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Speaker 1: did you catch your flight yet? Because I can interview

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Speaker 1: bring them there and like this is telling you, man,

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00:18:31,760 --> 00:18:34,800
Speaker 1: they don't want to critical racist theory, like like what

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00:18:35,080 --> 00:18:37,080
Speaker 1: you ever thought about this? Like what do you think

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Speaker 1: like a full day as a white man? Like I'm

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Speaker 1: talking about the full twenty four hours as a white man.

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Speaker 1: Feel like in America, not nowhere else in in the

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Speaker 1: in the world, but in the United States of America.

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Speaker 1: To wake up pure a hundred percent Caucasian male, it's

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Speaker 1: gotta be like when they win the NBA Championship, like

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Speaker 1: the city is yours like that, Like the celebration never stops.

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Speaker 1: Like you feel like this is like America the corporation.

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Speaker 1: You feel like you own the company. They feel like

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Speaker 1: they got stocked in America. You feel I think that

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Speaker 1: we're black. We only know what we feel like we're

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Speaker 1: spending the night over somebody the house and we don't

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Speaker 1: know that ain't nobody coming to get us, Like we're

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Speaker 1: being forced to spend the night, Like we could leave,

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Speaker 1: but we didn't get ourselves over here. We need to

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Speaker 1: right back. Yeah, we're forever brothers on this earth. Now.

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Speaker 1: I think I think the whole being white. You gotta

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Speaker 1: act like that ship ain't the ship in advantage. You

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00:19:41,280 --> 00:19:43,480
Speaker 1: gotta kind of you gotta you gotta be playing down.

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Speaker 1: It's it's but when they're not around, I'm clicking my heels.

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Speaker 1: This ship is so much smoother when niggas ain't around.

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Speaker 1: That's how they just wanted the type of weird ship

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Speaker 1: that they do when they ain't know niggas around. I

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Speaker 1: believe they pull a match and go underground and eat

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Speaker 1: carrots and ship. I would think it's all type of

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Speaker 1: clandestine ship. We don't know nothing. They're just doing the

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00:20:04,400 --> 00:20:08,359
Speaker 1: same ship. They might just look around and be like, nigger,

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Speaker 1: they give a hundred dollars, they say, you know, a

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Speaker 1: hundred dollars, I mean probably next next level racism. Ship

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00:20:27,640 --> 00:20:30,959
Speaker 1: didn't really make you, man, I sucked my money up.

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Speaker 1: Now I can't re up. Why did you do that? Nigger?

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Speaker 1: They probably was coming. They waited, they all and they

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Speaker 1: look around, and then music get cut off, and then

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Speaker 1: somebody was like, black lives matter? Am I right? But

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Speaker 1: what if it's like a woman. What if it's like

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Speaker 1: a woman? Wh you know, I would a woman come

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Speaker 1: over and take their brawls out? They'd be like, oh,

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Speaker 1: what if it's like that for white people? When they

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Speaker 1: give home? They finally sit up? Nigger? Oh god, I've

329
00:21:01,080 --> 00:21:05,240
Speaker 1: been holding that one all day. Jesus Christ, whoa God?

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Speaker 1: I mean, we did some type of event today where

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Speaker 1: they had a whole bunch of them comment It was

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Speaker 1: just that's the crazy thing about it, though, that's how

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00:21:12,440 --> 00:21:16,000
Speaker 1: out of the loop we are. They we've probably got

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Speaker 1: a whole new code for nigga then don't even don't

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00:21:19,440 --> 00:21:22,880
Speaker 1: even involve the word, and they've been using them. It's

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00:21:22,920 --> 00:21:26,080
Speaker 1: a whole backdoor racism. We don't need to know nothing about.

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00:21:27,240 --> 00:21:32,480
Speaker 1: That's to ship. Were the areas urban? The codes? Dumb

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00:21:32,520 --> 00:21:38,240
Speaker 1: ship like, honey, are you okay? They asked me some

339
00:21:38,320 --> 00:21:40,879
Speaker 1: simple ship like they really care about you. That's probably

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00:21:40,880 --> 00:21:45,520
Speaker 1: the racism. How are you doing everything all right? You know?

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00:21:45,560 --> 00:21:46,960
Speaker 1: I asked the Black Eye to day if he was

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Speaker 1: doing all right? I told him I was peachy. We

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Speaker 1: know what that means. That's how they picked it's not.

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Speaker 1: It's not us, it's not. That's crazy. The same way

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00:22:00,080 --> 00:22:02,239
Speaker 1: people that were laughing that, they'd be laughing at them

346
00:22:02,240 --> 00:22:06,240
Speaker 1: too all the way. That's funny though, because we got

347
00:22:06,400 --> 00:22:10,359
Speaker 1: people from all over the world walk just be hitting

348
00:22:10,440 --> 00:22:12,159
Speaker 1: us something like, hey man, did you know you're all

349
00:22:12,240 --> 00:22:16,000
Speaker 1: good on nip too? Ain't going over the ship? I go,

350
00:22:16,560 --> 00:22:19,359
Speaker 1: you're not trying to FOI to him. If you go

351
00:22:19,440 --> 00:22:21,200
Speaker 1: with the white people, they're gonna make sure you know

352
00:22:21,840 --> 00:22:25,000
Speaker 1: if they definitely did they take it in Hey, hey,

353
00:22:25,080 --> 00:22:28,639
Speaker 1: hey hey, everything's on me. But about the thing you

354
00:22:28,720 --> 00:22:30,920
Speaker 1: go to space with him? Have you said the space

355
00:22:31,000 --> 00:22:34,239
Speaker 1: movieill never come out good? Bro? Like, yeah, everywhere, right,

356
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Speaker 1: that's a good We got the right one where it

357
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Speaker 1: come out good. Yeah, they started blacktoy. Wait a minute,

358
00:22:42,680 --> 00:22:48,320
Speaker 1: wait a minute, we gotta wait. It wasn't that bad.

359
00:22:48,720 --> 00:22:53,360
Speaker 1: But it wasn't they do what they check this out ambitious?

360
00:22:53,400 --> 00:22:55,480
Speaker 1: It funked up sad fire for one of the last

361
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Speaker 1: time you watched the episode of Homeboys, Now I'm not

362
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Speaker 1: I watched. I showed my do on the episode of

363
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Speaker 1: Homeboys and out of Space, and she looked at me like, bro, like,

364
00:23:04,520 --> 00:23:06,399
Speaker 1: I'm so glad that I didn't grow up with you.

365
00:23:06,600 --> 00:23:09,399
Speaker 1: I'm like, no, I just want you to see one

366
00:23:09,480 --> 00:23:14,760
Speaker 1: season and it was ridiculous. We had a space movie

367
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Speaker 1: when white people hijacked what was the matrix? Matrix? I

368
00:23:19,800 --> 00:23:23,360
Speaker 1: told you about that. Now come on the Max movie. Bro, Look,

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Speaker 1: if you take me or Major had to come show

370
00:23:26,560 --> 00:23:29,080
Speaker 1: this motherfucker how to come. He showed him. It's still

371
00:23:29,200 --> 00:23:32,879
Speaker 1: some people in the earth. Then they look at them.

372
00:23:32,960 --> 00:23:35,760
Speaker 1: Look at the core of the movie. Nigga Lawrence Fishburn

373
00:23:36,160 --> 00:23:41,640
Speaker 1: showed up with Jada Pinket. Magical Negro theory exactly came

374
00:23:41,760 --> 00:23:45,240
Speaker 1: from the future of the white Man. The magical ship.

375
00:23:45,400 --> 00:23:48,480
Speaker 1: The Oracle was black, a nigga and the leather Coat

376
00:23:48,560 --> 00:23:52,240
Speaker 1: showed up with who fixed the never connessurable? Come on

377
00:23:52,560 --> 00:23:55,040
Speaker 1: him and his brother? They was born in the matrix.

378
00:23:56,320 --> 00:23:59,560
Speaker 1: Pure matrix is the white people got in the matrix.

379
00:23:59,560 --> 00:24:03,119
Speaker 1: Shi funked up. Niggas was just traveling through different galaxies

380
00:24:03,200 --> 00:24:05,600
Speaker 1: trying to put history back together. But see that's it.

381
00:24:05,760 --> 00:24:07,480
Speaker 1: That's the part of it that I don't like why.

382
00:24:07,760 --> 00:24:09,760
Speaker 1: But you know what though, to know that, to know

383
00:24:09,920 --> 00:24:12,639
Speaker 1: that Will Smith was supposed to be neo, that changes

384
00:24:12,720 --> 00:24:18,880
Speaker 1: that that that makes Will Smith been neo. We would

385
00:24:18,920 --> 00:24:21,359
Speaker 1: have been in a better place. You things. I know

386
00:24:21,560 --> 00:24:23,600
Speaker 1: so well. You know what he said right when he

387
00:24:23,640 --> 00:24:27,720
Speaker 1: said he couldn't quite understanding when he didn't mean it black,

388
00:24:27,960 --> 00:24:31,119
Speaker 1: But he said that. Niggas came to him and they

389
00:24:31,240 --> 00:24:33,240
Speaker 1: was like, hey man, we got this camera that came

390
00:24:33,280 --> 00:24:36,040
Speaker 1: out yet we've been a camera and it's gonna shoot

391
00:24:36,080 --> 00:24:38,560
Speaker 1: you around when you jump up like it's gonna go

392
00:24:38,640 --> 00:24:41,760
Speaker 1: around you and the ship like and they were like

393
00:24:41,880 --> 00:24:43,720
Speaker 1: and then it's about being in the world, but you

394
00:24:43,800 --> 00:24:45,800
Speaker 1: ain't in the real world. You plugged in and he

395
00:24:45,960 --> 00:24:51,960
Speaker 1: was like, they sent the wrong eating. He said, came

396
00:24:52,200 --> 00:25:00,600
Speaker 1: they got to create the camera. The camera they came

397
00:25:00,640 --> 00:25:02,840
Speaker 1: out yet, but they building it and you jumped and

398
00:25:02,880 --> 00:25:05,200
Speaker 1: you're gonna stay there, it's gonna go around you like.

399
00:25:05,400 --> 00:25:07,840
Speaker 1: He was like, yeah, man, I'm gonna work with you.

400
00:25:07,920 --> 00:25:10,200
Speaker 1: Got more background on the ship that you heard the

401
00:25:10,320 --> 00:25:13,600
Speaker 1: uncut brow and I just seen some ship and that

402
00:25:13,920 --> 00:25:16,280
Speaker 1: what's the agents in the movie, like the chip that

403
00:25:16,359 --> 00:25:18,399
Speaker 1: they was doing. That's what the police to do. The

404
00:25:18,440 --> 00:25:23,760
Speaker 1: thing is every day come on literally and about the matrix.

405
00:25:23,840 --> 00:25:26,840
Speaker 1: Though you gotta have a land land. I couldn't figure

406
00:25:26,880 --> 00:25:31,719
Speaker 1: out what I didn't like. Mr Randers. It's the smell.

407
00:25:33,000 --> 00:25:37,440
Speaker 1: That's the you know that movie was written for a

408
00:25:37,480 --> 00:25:39,600
Speaker 1: black man. I can tell you right now. I come

409
00:25:39,680 --> 00:25:46,960
Speaker 1: here and I just never get over the stitch, Like, man,

410
00:25:47,119 --> 00:25:51,000
Speaker 1: fuck you, so you said he was basically saying, it

411
00:25:51,119 --> 00:25:55,640
Speaker 1: smells like Nick Niggers. That's what I heard. Yeah, that's

412
00:25:55,680 --> 00:25:57,920
Speaker 1: what I ain'ty crazy though with us the van all

413
00:25:57,960 --> 00:26:02,240
Speaker 1: this racist technology. Racis nigger. We probably didn't survive more

414
00:26:02,400 --> 00:26:07,440
Speaker 1: racism our lives than the previous motherfucker's ever. You know what,

415
00:26:07,800 --> 00:26:10,120
Speaker 1: I'm glad you said that I got a something that's

416
00:26:10,200 --> 00:26:12,320
Speaker 1: that's considered to be a hot take, and I respect

417
00:26:12,400 --> 00:26:14,840
Speaker 1: you brothers minds on another level. So I'm gonna ask

418
00:26:14,920 --> 00:26:18,280
Speaker 1: what y'all think about ship. Don't start no ship. I

419
00:26:18,280 --> 00:26:20,239
Speaker 1: ain't gonna start no ship, at least I don't think

420
00:26:20,280 --> 00:26:21,960
Speaker 1: I am. You know what I mean. But I gotta

421
00:26:22,040 --> 00:26:24,240
Speaker 1: ask because I gotta get the perspective of two niggers

422
00:26:24,280 --> 00:26:26,800
Speaker 1: who think on the level that y'all thinking. Anybody can

423
00:26:26,880 --> 00:26:29,680
Speaker 1: chime in at any point if you want. I personally

424
00:26:29,720 --> 00:26:35,800
Speaker 1: believe our ship that crack cocaine did more damage to

425
00:26:35,960 --> 00:26:42,240
Speaker 1: black people enslavery, and I'll tell you the reason. One

426
00:26:42,280 --> 00:26:45,800
Speaker 1: of the reasons why. Because what took four hundred years

427
00:26:45,920 --> 00:26:52,520
Speaker 1: to do, crack did in ten eighties, let's say eighty

428
00:26:52,600 --> 00:26:56,720
Speaker 1: four and ninet in teen years. The damage that crack

429
00:26:56,840 --> 00:27:00,639
Speaker 1: cocaine caused the black community or the black people in

430
00:27:00,800 --> 00:27:05,840
Speaker 1: general all across America was you can never bounce back

431
00:27:05,880 --> 00:27:12,800
Speaker 1: from its. The crag error over. Yes, the error is over,

432
00:27:12,920 --> 00:27:14,600
Speaker 1: but crack is you know what I mean. That's why

433
00:27:14,640 --> 00:27:16,720
Speaker 1: I personally believe that bacon sold is the worst thing

434
00:27:16,760 --> 00:27:19,359
Speaker 1: that ever happened to niggas man because coke have been

435
00:27:19,400 --> 00:27:22,640
Speaker 1: around forever. Nick has been doing coke and he's been

436
00:27:22,680 --> 00:27:24,920
Speaker 1: doing drugs. But when they hit it with that almond hammer,

437
00:27:25,520 --> 00:27:29,280
Speaker 1: it turned into something that destroyed a community. But when

438
00:27:29,320 --> 00:27:32,160
Speaker 1: it's in that ship, you can clean your teeth, when

439
00:27:32,200 --> 00:27:35,360
Speaker 1: it get corrosion off your car, put it in yourfrigerator.

440
00:27:35,520 --> 00:27:38,960
Speaker 1: Nigger cookies make cookies. But when you hit it with

441
00:27:39,119 --> 00:27:42,080
Speaker 1: some when you mix it with some cokeaine and look

442
00:27:42,160 --> 00:27:49,040
Speaker 1: cold and some cold water, and and well, and boy,

443
00:27:49,960 --> 00:27:55,160
Speaker 1: I'm talking about for real. My personal opinion. I think

444
00:27:55,240 --> 00:27:58,119
Speaker 1: that some people disagree, some people a Greek, but I

445
00:27:58,280 --> 00:28:02,040
Speaker 1: personally believe that's the case because during that time of

446
00:28:02,680 --> 00:28:06,399
Speaker 1: of of you know, the oppression, which is still going

447
00:28:06,480 --> 00:28:09,639
Speaker 1: on now, we had a commonality of knowing we are

448
00:28:09,720 --> 00:28:12,800
Speaker 1: being oppressed because when they dropped that dope off, we

449
00:28:13,000 --> 00:28:15,879
Speaker 1: was like nig every man for herself. I got ounces

450
00:28:15,920 --> 00:28:20,680
Speaker 1: at half ounces all day long. Nigga didn't give a

451
00:28:20,720 --> 00:28:23,440
Speaker 1: funk about what happened to you no more. And this

452
00:28:23,520 --> 00:28:25,639
Speaker 1: is the crazy part about the apple. This is the

453
00:28:25,680 --> 00:28:30,800
Speaker 1: crazy thing about crack. Bro. You stay around longer you

454
00:28:30,920 --> 00:28:34,560
Speaker 1: stay around some crack, your probability of smoking it goes

455
00:28:34,760 --> 00:28:40,280
Speaker 1: up a because under the niggas who was selling crack

456
00:28:40,520 --> 00:28:43,080
Speaker 1: ended up on the ship. But I'm saying, but look

457
00:28:43,120 --> 00:28:45,360
Speaker 1: at the young people. It's like if you if you

458
00:28:45,480 --> 00:28:48,680
Speaker 1: grew up with somebody that was on crack, these motherucker's

459
00:28:48,680 --> 00:28:56,160
Speaker 1: ain't crack. Huh go ahead, yah, nick, But see but

460
00:28:56,240 --> 00:29:00,280
Speaker 1: that's what I'm saying. You're seeing right, But you seen

461
00:29:00,320 --> 00:29:02,360
Speaker 1: what it did to a whole I'm talking about in

462
00:29:02,440 --> 00:29:04,720
Speaker 1: teen years. My name, how old are you? You name?

463
00:29:05,480 --> 00:29:07,960
Speaker 1: Two years old? His name was born in ninety nine?

464
00:29:08,280 --> 00:29:11,320
Speaker 1: Cash money taking over for the nine and he know

465
00:29:12,120 --> 00:29:16,840
Speaker 1: this and ship, I can't funk with it. Ever, it's

466
00:29:16,960 --> 00:29:23,320
Speaker 1: nothing that ever, But I don't know. Slavery was a

467
00:29:23,880 --> 00:29:28,440
Speaker 1: slavery gonna always be number one. More was made off

468
00:29:28,520 --> 00:29:31,200
Speaker 1: of it, more was taken off of you know what

469
00:29:31,240 --> 00:29:33,800
Speaker 1: I'm saying, like crack, Like, maybe you could put it

470
00:29:33,880 --> 00:29:35,840
Speaker 1: to that if we got to keep that money. We

471
00:29:35,880 --> 00:29:41,240
Speaker 1: didn't get to keep none that they let us. They

472
00:29:41,320 --> 00:29:44,320
Speaker 1: gave us the tool to show how brilliant black men were.

473
00:29:44,640 --> 00:29:47,239
Speaker 1: Think about all of these legendary niggas. They make all

474
00:29:47,280 --> 00:29:50,560
Speaker 1: of these documentaries about who made hundreds of millions of

475
00:29:50,680 --> 00:29:54,600
Speaker 1: dollars selling these are even though they were selling drugs.

476
00:29:54,680 --> 00:29:59,000
Speaker 1: These are brilliant business mind that are now incarcerated for

477
00:29:59,080 --> 00:30:02,000
Speaker 1: the rest of their fives for selling some ship that

478
00:30:02,360 --> 00:30:05,760
Speaker 1: was given to the community. Yeah, they were part of

479
00:30:05,840 --> 00:30:08,320
Speaker 1: They got caught up in the game. It got us

480
00:30:08,360 --> 00:30:11,480
Speaker 1: both ways. Slavery was one way. Nigger, you are nigger

481
00:30:11,560 --> 00:30:13,920
Speaker 1: and you belong to me. You can't read, you can't

482
00:30:14,480 --> 00:30:17,160
Speaker 1: you can't do nothing. You can't you run away with

483
00:30:17,240 --> 00:30:20,320
Speaker 1: cutting foot that It was horrendous. I read the slave nerder.

484
00:30:20,400 --> 00:30:24,000
Speaker 1: It was fucking horrible. But crack made us do it

485
00:30:24,080 --> 00:30:26,960
Speaker 1: to ourselves. Bro, like to where you look at the

486
00:30:27,040 --> 00:30:30,000
Speaker 1: nigger and say, you know what, I don't give a

487
00:30:30,080 --> 00:30:32,880
Speaker 1: funk that that's my partner's mama. I don't give a

488
00:30:32,960 --> 00:30:35,480
Speaker 1: funk that this is my partner's father. I don't give

489
00:30:35,520 --> 00:30:37,479
Speaker 1: a funk that I know is turned the family up.

490
00:30:37,840 --> 00:30:41,080
Speaker 1: I got to get this money because young people don't

491
00:30:41,120 --> 00:30:46,360
Speaker 1: crack all the way around. But it destroyed It destroyed us.

492
00:30:47,400 --> 00:30:50,520
Speaker 1: It destroyed us, bro, it was it destroyed us. I

493
00:30:50,680 --> 00:30:54,960
Speaker 1: truly believe it whatever was left or the community. We

494
00:30:55,040 --> 00:31:00,880
Speaker 1: got black neighborhoods. But then Craig was this second epidemic

495
00:31:00,960 --> 00:31:03,880
Speaker 1: though bro Haro was everybody hero went sucking up. It's

496
00:31:03,920 --> 00:31:06,920
Speaker 1: so Craig, but that's what I'm saying. He has been around,

497
00:31:07,160 --> 00:31:09,320
Speaker 1: they was somewhere else. But then you say everybody was

498
00:31:09,360 --> 00:31:13,080
Speaker 1: affected by slavery. Everybody in the South, it's affected. You

499
00:31:13,120 --> 00:31:15,960
Speaker 1: got crackhead of your family. Probably you got crack of

500
00:31:15,960 --> 00:31:22,560
Speaker 1: your family. You know he to Craighead, it's more than

501
00:31:22,800 --> 00:31:25,840
Speaker 1: don't act like he's just one Craighead. Everybody got back.

502
00:31:26,600 --> 00:31:28,840
Speaker 1: It's a junkie's got a whole We got a whole

503
00:31:28,960 --> 00:31:32,280
Speaker 1: branch of crackheads in my family. Yeah, it's affecting every family.

504
00:31:32,400 --> 00:31:34,880
Speaker 1: It's right up the middle too. It's a Craig branch.

505
00:31:35,120 --> 00:31:37,440
Speaker 1: It's it's flimsy. We're hoping it's gonna fall out, but

506
00:31:39,240 --> 00:31:44,160
Speaker 1: there's a whole the fountree c c. You know what

507
00:31:44,280 --> 00:31:47,520
Speaker 1: you could power big hands bold in the family tree crack.

508
00:31:48,600 --> 00:31:51,600
Speaker 1: Do you hear me, crack family veins. You imagine if

509
00:31:51,640 --> 00:31:54,080
Speaker 1: crackheads walking around with T shirts to say that on

510
00:31:54,200 --> 00:31:57,719
Speaker 1: it powered by crack, That's that's making a statement right

511
00:31:57,800 --> 00:32:01,160
Speaker 1: there that crack preserve you. That's why crackheads be that

512
00:32:01,320 --> 00:32:04,720
Speaker 1: same they waited that commercial. If you smoke crack from

513
00:32:04,960 --> 00:32:09,160
Speaker 1: nineteen two thousand and six, you may be entitled to

514
00:32:09,280 --> 00:32:14,840
Speaker 1: government compensation. Yeah, we made it. We're sorry. We gotta

515
00:32:14,840 --> 00:32:22,640
Speaker 1: pay what Sorry, we gotta pay y'all that that I

516
00:32:22,720 --> 00:32:24,680
Speaker 1: might that might happen. We might be able to suit

517
00:32:24,800 --> 00:32:28,160
Speaker 1: them for that ship before we get We're sorry. Yeah,

518
00:32:28,240 --> 00:32:30,920
Speaker 1: we're sorry. All you gotta do is prove that this

519
00:32:31,080 --> 00:32:34,080
Speaker 1: crap came from the government. We're sorry. You would have

520
00:32:34,200 --> 00:32:36,400
Speaker 1: to hire some scientists and they would have to do

521
00:32:36,520 --> 00:32:38,480
Speaker 1: some lab tests, and they would have to break that

522
00:32:38,560 --> 00:32:41,200
Speaker 1: ship back down the cocaine to find that when it

523
00:32:41,320 --> 00:32:46,600
Speaker 1: came from you. They just niggas out of jail, you know,

524
00:32:46,680 --> 00:32:55,200
Speaker 1: these niggas outside with us. Yeah, yeah, that don't matter.

525
00:32:55,480 --> 00:32:58,480
Speaker 1: Some motherfuckers don't need to be in the world. But

526
00:32:59,120 --> 00:33:02,800
Speaker 1: whenever ain't definitely, you don't know what they've been doing

527
00:33:02,920 --> 00:33:06,200
Speaker 1: since they've been in there. They're in there that Yeah,

528
00:33:06,240 --> 00:33:09,120
Speaker 1: they never think they was coming home. They didn't gotta

529
00:33:09,520 --> 00:33:12,080
Speaker 1: used to living in prison, and they didn't did some

530
00:33:12,240 --> 00:33:14,440
Speaker 1: ship and they need to stay in there doing it.

531
00:33:15,560 --> 00:33:18,520
Speaker 1: Y'all always had about letting motherfucker's out. Bro Le the

532
00:33:18,640 --> 00:33:21,760
Speaker 1: motherfucker's where the niggas that went in for them all

533
00:33:21,840 --> 00:33:24,960
Speaker 1: drug defenses that them niggas out nas been in jail

534
00:33:25,080 --> 00:33:27,240
Speaker 1: for forty years. You know what, they're gonna come out

535
00:33:27,280 --> 00:33:30,360
Speaker 1: here and do them Let let them go because they

536
00:33:30,400 --> 00:33:34,400
Speaker 1: can come out here and help the community. These are

537
00:33:34,520 --> 00:33:38,480
Speaker 1: the same motherfucker's that's been terrorizing niggas in jail because

538
00:33:38,520 --> 00:33:42,600
Speaker 1: they thought they would never coming home. They're not into

539
00:33:42,640 --> 00:33:45,120
Speaker 1: innocent and they're not These got the niggas were like, bro,

540
00:33:45,400 --> 00:33:50,000
Speaker 1: just amen, these niggas got nice. This motherfucking big and

541
00:33:50,120 --> 00:33:58,240
Speaker 1: ship because that's the vie home I'm gonna do right exactly.

542
00:33:58,480 --> 00:34:00,640
Speaker 1: You don't want to make him paid, you don't want

543
00:34:00,800 --> 00:34:08,000
Speaker 1: TV all these niggas right, Let's let don't you think

544
00:34:08,040 --> 00:34:12,879
Speaker 1: I want to shake melting skittles down making I want

545
00:34:12,920 --> 00:34:17,960
Speaker 1: to make cakes? And you're not incorporating the fact that

546
00:34:18,080 --> 00:34:20,279
Speaker 1: these niggas they had no pussy And I don't know

547
00:34:20,400 --> 00:34:23,480
Speaker 1: how I'm just playing devil's advocate. She goes, sometimes you

548
00:34:23,560 --> 00:34:27,400
Speaker 1: have the factory in that maybe you gotta let everybody out. No,

549
00:34:27,560 --> 00:34:30,200
Speaker 1: you can't let everybody there you go. Don't say that, No, no, no,

550
00:34:30,280 --> 00:34:33,719
Speaker 1: I'm talking about the niggas. That that something for the

551
00:34:33,800 --> 00:34:37,120
Speaker 1: years for having an ounce of crack on. That's a

552
00:34:37,160 --> 00:34:41,200
Speaker 1: lot of crack. Crack. That's a lot of crapuns. Only

553
00:34:41,280 --> 00:34:44,320
Speaker 1: a lot when it comes to drug because there's nothing

554
00:34:44,440 --> 00:34:46,600
Speaker 1: in any other you like, you know what I'm saying,

555
00:34:46,800 --> 00:34:49,200
Speaker 1: any other term of measurement. The house is very small

556
00:34:50,000 --> 00:34:53,960
Speaker 1: because because it's enough for two people. Whatever woman gave

557
00:34:54,000 --> 00:34:58,040
Speaker 1: you apple accepted. You know how long the oun suppussed with?

558
00:34:58,160 --> 00:35:02,600
Speaker 1: Let's do that ship. I'm need a pound of pound,

559
00:35:02,680 --> 00:35:07,879
Speaker 1: but I'm rolling up skimps after I'm rolling up something

560
00:35:07,960 --> 00:35:12,960
Speaker 1: so skimpy after pound puss ou man, why why you

561
00:35:13,120 --> 00:35:15,640
Speaker 1: why that? This was a little if I smoke man

562
00:35:22,880 --> 00:35:37,719
Speaker 1: ship skim nick nn rending skimpies really skimpy wimpy. Yeah,

563
00:35:38,560 --> 00:35:45,120
Speaker 1: stretch pussy. Literally, man, that was about the ounce. That's it.

564
00:35:45,920 --> 00:35:48,160
Speaker 1: You know a dollar A dollar will do you? I

565
00:35:48,200 --> 00:35:52,640
Speaker 1: don't know, man, the black community fucked up? Well we

566
00:35:52,719 --> 00:35:58,960
Speaker 1: have what about the drugs? Okay? No, I just forgot

567
00:35:59,000 --> 00:36:01,680
Speaker 1: what we was because he had and then that just

568
00:36:01,840 --> 00:36:06,120
Speaker 1: you know, start thinking about talking about pussy, bro. This

569
00:36:06,320 --> 00:36:08,520
Speaker 1: is a great platform for black men to be able

570
00:36:08,520 --> 00:36:10,520
Speaker 1: to speak about pussy. Yeah, that's why I was just

571
00:36:10,600 --> 00:36:15,160
Speaker 1: thing on scale we don't. I'm not too much the

572
00:36:15,200 --> 00:36:18,560
Speaker 1: way because I feel like we should have the type

573
00:36:18,600 --> 00:36:22,160
Speaker 1: of relationship, but we shouldn't have to way up. Yeah,

574
00:36:23,840 --> 00:36:32,000
Speaker 1: I trudged you free range pussy, free ragee cage free pussy.

575
00:36:32,640 --> 00:36:36,080
Speaker 1: Oh all right, I'm gonna ask you a question. That's great,

576
00:36:36,800 --> 00:36:41,160
Speaker 1: all right, it's a regular woman pussy better than hope pussy.

577
00:36:41,880 --> 00:36:49,680
Speaker 1: M be honest, what you know question? I gotta use

578
00:36:49,920 --> 00:36:52,120
Speaker 1: a lifeline on that one. What do you consider to

579
00:36:52,160 --> 00:36:54,920
Speaker 1: be regular woman? A woman who ain't got a lot

580
00:36:54,960 --> 00:36:57,359
Speaker 1: of street mouths, a woman who hasn't had a lot

581
00:36:57,440 --> 00:37:00,200
Speaker 1: of sexual partners, as opposed to a woman who you

582
00:37:00,320 --> 00:37:04,480
Speaker 1: knew was liberal with her sex. That's the better way

583
00:37:04,520 --> 00:37:06,960
Speaker 1: to put it in. What did you say so with

584
00:37:07,280 --> 00:37:11,400
Speaker 1: like a sexually liberated woman versus a woman who hasn't

585
00:37:11,440 --> 00:37:15,040
Speaker 1: participated in a lot of sexual lack of participation. Yeah,

586
00:37:15,360 --> 00:37:18,520
Speaker 1: but that doesn't necessarily mean she's not sexually liberated though,

587
00:37:18,760 --> 00:37:22,480
Speaker 1: But I'm saying someone who's more reserved sexually versus a

588
00:37:22,640 --> 00:37:28,719
Speaker 1: sexually liberated woman. That's so you're saying, if she the

589
00:37:28,920 --> 00:37:34,880
Speaker 1: fuck more people, basically the whole bunch of motherfucker but

590
00:37:35,239 --> 00:37:39,040
Speaker 1: versus not having fucked as many. But you're not considering

591
00:37:39,120 --> 00:37:42,040
Speaker 1: what the not as fun as many did when she

592
00:37:42,239 --> 00:37:45,120
Speaker 1: was sucking, right, But we're not. That's not the part

593
00:37:45,200 --> 00:37:47,560
Speaker 1: of the question though. That's a whole another that I'm

594
00:37:47,600 --> 00:37:50,920
Speaker 1: just okay, you're you're I'm asking additions. You're trying to

595
00:37:50,960 --> 00:37:53,640
Speaker 1: get to multiple case which one is better? I'm saying

596
00:37:53,719 --> 00:37:58,320
Speaker 1: your personal personal pain. Um, because we want to dispel

597
00:37:58,480 --> 00:38:04,040
Speaker 1: some myths, I would say regular woman pussy because of

598
00:38:04,239 --> 00:38:10,440
Speaker 1: what you can teach. Why the fund you laughing, Joe

599
00:38:13,000 --> 00:38:15,440
Speaker 1: even two year old? Like, what wasn't trying to teacher?

600
00:38:15,440 --> 00:38:19,400
Speaker 1: Just pussy? Hey, you got a good point doing then

601
00:38:19,520 --> 00:38:21,560
Speaker 1: back that pussy is gonna be what he wanted to be.

602
00:38:22,200 --> 00:38:24,360
Speaker 1: But no, no, no, no, don't see you here. He

603
00:38:24,440 --> 00:38:28,239
Speaker 1: had to downstage twenty two. Yeah, I mean I'm talking

604
00:38:28,239 --> 00:38:31,600
Speaker 1: about he just coming and playing. He's just sucking, dig out,

605
00:38:31,680 --> 00:38:36,840
Speaker 1: fucking hurry up. Yeah, this nigger, that's what he's doing. Like,

606
00:38:38,880 --> 00:38:42,360
Speaker 1: you're not even qualified. Even he'vening he hadn't sicked you.

607
00:38:42,480 --> 00:38:45,200
Speaker 1: Still yeah you still having seen you know, you don't,

608
00:38:45,840 --> 00:38:52,480
Speaker 1: he said, having said before him soon he weed, I'm

609
00:38:52,560 --> 00:39:01,480
Speaker 1: having sex. Stop man, stop mother, stop having all his sex. Man,

610
00:39:02,080 --> 00:39:04,520
Speaker 1: that's what he's doing now. So you you were just qualify.

611
00:39:05,040 --> 00:39:07,080
Speaker 1: I know why you said what you're teaching to put

612
00:39:07,160 --> 00:39:12,560
Speaker 1: it you just go with you, you know you gotta

613
00:39:12,560 --> 00:39:13,800
Speaker 1: do and just put it in and go like this

614
00:39:14,000 --> 00:39:16,879
Speaker 1: and then you're still fucking like the point you watch

615
00:39:17,040 --> 00:39:23,640
Speaker 1: thinking like that. You know you gotta stand. We had

616
00:39:23,680 --> 00:39:26,920
Speaker 1: a different saves. But when I say teach you other day,

617
00:39:26,920 --> 00:39:29,520
Speaker 1: I'll talk about this sexual experience that you can create

618
00:39:29,600 --> 00:39:32,439
Speaker 1: with this woman versus a woman who has been tee

619
00:39:32,520 --> 00:39:34,360
Speaker 1: you through the most, because you don't usually go that

620
00:39:34,480 --> 00:39:36,759
Speaker 1: dec Yeah, Virtue was a woman who has probably had

621
00:39:36,800 --> 00:39:39,080
Speaker 1: every type of sexual experience that you can have with

622
00:39:39,200 --> 00:39:44,040
Speaker 1: a man. Stop man stop stop can't quick man quick

623
00:39:44,920 --> 00:39:47,359
Speaker 1: looking around like somebody coming like I can't either ship,

624
00:39:47,680 --> 00:39:54,279
Speaker 1: I can't believe it home ship, you ain't gonna fall right.

625
00:40:00,000 --> 00:40:01,759
Speaker 1: He has strong he said it when he's at it up.

626
00:40:01,880 --> 00:40:05,640
Speaker 1: What's she gonna teach the pussy? And she's gonna teach

627
00:40:05,719 --> 00:40:10,840
Speaker 1: the pussy nigga man. That nigga got a debatable point, though, bro.

628
00:40:12,800 --> 00:40:18,040
Speaker 1: One thing that's the show hardheaded man, who's the hard

629
00:40:18,120 --> 00:40:26,440
Speaker 1: headed brother, I'm telling you you have to reprogram. Yeah,

630
00:40:26,680 --> 00:40:28,400
Speaker 1: that's what I'm saying. Can you do that with a

631
00:40:28,480 --> 00:40:32,879
Speaker 1: woman that is liberators? And and I hold in your

632
00:40:33,000 --> 00:40:38,360
Speaker 1: in your termin knowledge and a term not terminology, determine determinology.

633
00:40:39,400 --> 00:40:43,520
Speaker 1: Reprogram one that has been you know something ship you

634
00:40:43,600 --> 00:40:46,279
Speaker 1: just can't be rebooted. It's the mother again in the city.

635
00:40:46,360 --> 00:40:49,040
Speaker 1: That's why I asked it, because it's like basically what

636
00:40:49,200 --> 00:40:54,920
Speaker 1: he said, Like, nigga, you know, pussy reset itself so

637
00:40:55,239 --> 00:40:57,319
Speaker 1: you can teach whatever you want to, but that means

638
00:40:57,360 --> 00:41:04,719
Speaker 1: you you're there. I'm talking about a collective of plusit world. Girl,

639
00:41:07,960 --> 00:41:10,680
Speaker 1: What is your what is your your stance on church?

640
00:41:11,960 --> 00:41:14,719
Speaker 1: Person that women that are sexually liberated to have better

641
00:41:14,800 --> 00:41:17,640
Speaker 1: sex because they already know what they want. Okay, So

642
00:41:17,880 --> 00:41:20,479
Speaker 1: that's what I'm saying you. You know women, a woman

643
00:41:20,520 --> 00:41:24,239
Speaker 1: who was not sexually liberated wants you to find what

644
00:41:25,640 --> 00:41:28,440
Speaker 1: that woman who sexually liberated knows what she wants and

645
00:41:28,520 --> 00:41:30,560
Speaker 1: she will show you. Nigga, right here, this is what

646
00:41:30,719 --> 00:41:33,359
Speaker 1: you do to this puss the circles, right. I mean,

647
00:41:33,560 --> 00:41:36,160
Speaker 1: that's cool, that's cool, and that saved you some time.

648
00:41:36,880 --> 00:41:39,080
Speaker 1: But you know what I mean, It makes the experience.

649
00:41:40,040 --> 00:41:43,479
Speaker 1: You can bring out a positivele woman that she didn't

650
00:41:43,480 --> 00:41:45,320
Speaker 1: know that she had inside of her. You didn't know,

651
00:41:45,440 --> 00:41:47,560
Speaker 1: she didn't know that she can get this nasty until

652
00:41:47,640 --> 00:41:51,239
Speaker 1: you came in. You're talking about spurting. Yeah, I mean

653
00:41:51,320 --> 00:41:54,360
Speaker 1: not just that, that's very that's very exciting, you know

654
00:41:54,360 --> 00:41:56,000
Speaker 1: what I mean, like when you bring it out, when

655
00:41:56,040 --> 00:41:59,000
Speaker 1: she when she and you can see it, but that

656
00:41:59,239 --> 00:42:01,600
Speaker 1: like over time you realize that she's down with the

657
00:42:01,640 --> 00:42:04,040
Speaker 1: ship for real now and you know that this didn't

658
00:42:04,080 --> 00:42:07,000
Speaker 1: exist before you came in and put your spin on it.

659
00:42:07,960 --> 00:42:10,080
Speaker 1: That's why I would say, don't do that anyway. Whatever

660
00:42:10,160 --> 00:42:12,400
Speaker 1: she's doing, I mean that exactly, you can't help it

661
00:42:12,440 --> 00:42:15,120
Speaker 1: if you are a certain types of er. So she

662
00:42:15,280 --> 00:42:18,719
Speaker 1: got going on then coming through like puffy, I'm about

663
00:42:18,760 --> 00:42:27,280
Speaker 1: to remix the pussy. This is the red bad Clayton.

664
00:42:27,320 --> 00:42:30,040
Speaker 1: What say you? I said? I said, I said, a

665
00:42:30,080 --> 00:42:34,000
Speaker 1: good girl or the not the regular woman as you

666
00:42:34,080 --> 00:42:36,680
Speaker 1: put it. But she ain't regular, she you know she am. No,

667
00:42:36,840 --> 00:42:40,080
Speaker 1: it's it's some abnormal things here, not that I ain't

668
00:42:40,080 --> 00:42:44,480
Speaker 1: come across. I got the most fascinating and intriguing them

669
00:42:44,520 --> 00:42:48,560
Speaker 1: pussies that you wouldn't get from somebody. That's you know

670
00:42:48,600 --> 00:42:50,560
Speaker 1: what I'm saying, seeing it all done at all, that's

671
00:42:50,600 --> 00:42:52,720
Speaker 1: what I'm saying. I'm saying. But that's the thing about

672
00:42:57,520 --> 00:42:59,359
Speaker 1: like you said, if you could, if you could come

673
00:42:59,400 --> 00:43:02,120
Speaker 1: through and create the moment, So you're saying, I'm saying

674
00:43:02,160 --> 00:43:05,080
Speaker 1: you could create create a moment. Either way, they've only

675
00:43:05,160 --> 00:43:09,200
Speaker 1: been fun. Like my man, that's what he was saying.

676
00:43:09,280 --> 00:43:14,000
Speaker 1: That's what I said. He ain't alway because look, I'll

677
00:43:14,000 --> 00:43:17,320
Speaker 1: be looking at it. You can't look at pussy like

678
00:43:17,480 --> 00:43:20,480
Speaker 1: the opponent like you gotta look at it like you

679
00:43:20,560 --> 00:43:22,680
Speaker 1: gotta show up to it like a ship. It's like

680
00:43:23,280 --> 00:43:25,480
Speaker 1: I'll be showing him like can you be God damn

681
00:43:25,840 --> 00:43:28,600
Speaker 1: Bobby flame, like whatever the fucking is, I'm about to

682
00:43:28,640 --> 00:43:30,520
Speaker 1: make the ship, make it? Can you cook with this?

683
00:43:30,719 --> 00:43:33,000
Speaker 1: What when I put my little gardens from the pussy

684
00:43:33,960 --> 00:43:41,600
Speaker 1: looks red wearing motherfucking reduction vine a grid. No, this

685
00:43:41,760 --> 00:43:56,440
Speaker 1: ain't even pussy, no moment. They said we have to

686
00:43:56,760 --> 00:43:59,320
Speaker 1: talk top ship. What do we have here? Well, this

687
00:43:59,440 --> 00:44:02,360
Speaker 1: is a literally pussy's topped with the mug. This is

688
00:44:02,440 --> 00:44:08,880
Speaker 1: my rendition. Have bacon those representative lips. We have a

689
00:44:09,160 --> 00:44:23,360
Speaker 1: very special with a clam so I don't mango chutney chuttney.

690
00:44:24,080 --> 00:44:29,479
Speaker 1: What I made to think smoked pussy with a nice

691
00:44:29,760 --> 00:44:35,680
Speaker 1: roasted vinegarrette, sour cream and a little baking bitsfel the crunch.

692
00:44:36,440 --> 00:44:41,800
Speaker 1: So I smoked this pussy for twelve hours. I actually

693
00:44:41,960 --> 00:44:47,719
Speaker 1: poached this pussy. I cook this pussy to speed and

694
00:44:47,880 --> 00:44:49,920
Speaker 1: a little bit well, I was a little deaf and

695
00:44:50,040 --> 00:44:52,280
Speaker 1: actually bro the pussy to give it a nice crunch

696
00:44:52,360 --> 00:45:01,560
Speaker 1: on top of candle on the inside. So I wanted

697
00:45:01,560 --> 00:45:03,680
Speaker 1: to go in a whole nuther direction, and I made

698
00:45:04,000 --> 00:45:11,279
Speaker 1: a pussy crimp roulette that is hilarious. You can never

699
00:45:11,360 --> 00:45:16,800
Speaker 1: put that on TV. But nigger, who's gonna be the

700
00:45:16,840 --> 00:45:20,920
Speaker 1: freaking nigger to eat the blueberry and puss? I don't know.

701
00:45:21,360 --> 00:45:30,239
Speaker 1: Sounds delicious, man, I missed y'all. Think you said you

702
00:45:30,280 --> 00:45:34,400
Speaker 1: want to talking about you, But this is an in

703
00:45:34,480 --> 00:45:37,520
Speaker 1: the world like like you gotta understand. I ask you

704
00:45:37,719 --> 00:45:39,960
Speaker 1: this question. We could do this ship man, and don't

705
00:45:40,040 --> 00:45:42,759
Speaker 1: There's not so many spaces that exists where you can

706
00:45:43,560 --> 00:45:47,000
Speaker 1: talk to ship. This is the question for you, Chico.

707
00:45:47,880 --> 00:45:52,799
Speaker 1: You yes, what type of pussy do you think influence

708
00:45:52,880 --> 00:45:55,640
Speaker 1: some of your favorites on? Oh my god, I was

709
00:45:55,719 --> 00:45:57,719
Speaker 1: just I talked about this on stage now, like the

710
00:45:57,840 --> 00:46:00,920
Speaker 1: different eras of pussy, Like nine these pussy had to

711
00:46:00,960 --> 00:46:04,000
Speaker 1: be the best pussy ever because of the music that

712
00:46:04,120 --> 00:46:07,200
Speaker 1: it inspired, Like the music that it made niggas make.

713
00:46:07,280 --> 00:46:11,000
Speaker 1: What Nigga said, like described the whole last night. I

714
00:46:11,239 --> 00:46:15,399
Speaker 1: was inside of you, Nigga. He saw the sun, the moon,

715
00:46:15,560 --> 00:46:19,600
Speaker 1: the mountains, the rivers, and heaven. I mean, I mean,

716
00:46:20,360 --> 00:46:22,920
Speaker 1: it's been an eye since you've been gone, and that's

717
00:46:22,960 --> 00:46:27,440
Speaker 1: too long, So come back home like that. It's a

718
00:46:27,520 --> 00:46:30,600
Speaker 1: different era. But the seventies pussy, I'll be terrified of

719
00:46:30,680 --> 00:46:34,240
Speaker 1: that pussy because that it was different, because that pussy

720
00:46:34,280 --> 00:46:36,920
Speaker 1: would make niggas home with Like if you lose your

721
00:46:37,000 --> 00:46:39,360
Speaker 1: girl in the seventies, both you niggas gotta help me

722
00:46:39,480 --> 00:46:43,840
Speaker 1: find her. Like that's a totally different type of pussy

723
00:46:43,920 --> 00:46:46,399
Speaker 1: when you lose it, Like Nigga, she go, I need

724
00:46:46,480 --> 00:46:49,920
Speaker 1: you or what we need and empty her face everywhere

725
00:46:50,000 --> 00:46:53,480
Speaker 1: I go and his feet or even at the pictures show,

726
00:46:53,880 --> 00:46:56,480
Speaker 1: have you seen her? Like that's a different ror right there,

727
00:46:57,200 --> 00:46:59,680
Speaker 1: That's a different earror. So I think that personally, I

728
00:46:59,760 --> 00:47:03,080
Speaker 1: think that nineties pussy had that ten year period had

729
00:47:03,160 --> 00:47:05,440
Speaker 1: to be the best pussy that was ever given in

730
00:47:05,680 --> 00:47:08,239
Speaker 1: in the in the in the all of the decades

731
00:47:09,440 --> 00:47:12,040
Speaker 1: of at least when you compare it to music, when

732
00:47:12,040 --> 00:47:13,880
Speaker 1: you put it into the music that was made because

733
00:47:13,920 --> 00:47:16,960
Speaker 1: of it, don't nine get better than the nineties. The nineties,

734
00:47:17,000 --> 00:47:20,320
Speaker 1: the niggers were singing all the way. I'm talking about

735
00:47:21,040 --> 00:47:26,719
Speaker 1: to the core, letting you know, I'm thinking of that

736
00:47:26,880 --> 00:47:29,080
Speaker 1: nigga wanted what was in them so bad. But that

737
00:47:29,239 --> 00:47:31,920
Speaker 1: was after the nineties. That was early two two thousands,

738
00:47:31,960 --> 00:47:34,560
Speaker 1: So you gotta respect the era too. But the nineties, man,

739
00:47:34,719 --> 00:47:37,520
Speaker 1: like the nineties A and B music. At what point

740
00:47:37,560 --> 00:47:40,080
Speaker 1: in the nineties when I think pussy was at its best.

741
00:47:41,040 --> 00:47:44,399
Speaker 1: I want to say between like ninety two and ninety four,

742
00:47:44,600 --> 00:47:47,880
Speaker 1: whenever h Town took off. We're knocking the boot? That

743
00:47:48,320 --> 00:47:54,799
Speaker 1: did you how that nigga came out. He didn't wait

744
00:47:54,880 --> 00:47:58,000
Speaker 1: on nothing. That nigga was singing before the music started.

745
00:47:58,200 --> 00:48:00,440
Speaker 1: That's what the pussy made done. The music gone and

746
00:48:00,520 --> 00:48:02,560
Speaker 1: he was already with the pussy. Make you do that

747
00:48:02,640 --> 00:48:07,440
Speaker 1: Nigga put it in Yeah, yeah, bro, if if you

748
00:48:07,640 --> 00:48:11,040
Speaker 1: got some pussy that head you saying good love and

749
00:48:11,160 --> 00:48:15,320
Speaker 1: body rocking knocking boots all night long. You know you

750
00:48:15,440 --> 00:48:19,080
Speaker 1: got if you got some of that pussy this weekend, nigga,

751
00:48:19,560 --> 00:48:23,920
Speaker 1: fuck you up. My question is with huh No, that

752
00:48:24,080 --> 00:48:27,960
Speaker 1: was just rocking knocking the boot. He just made something

753
00:48:28,080 --> 00:48:31,000
Speaker 1: up like Okay, No he didn't because when you if

754
00:48:31,040 --> 00:48:33,200
Speaker 1: you walk back you hear somebody, he'd be like, it's

755
00:48:33,239 --> 00:48:38,800
Speaker 1: somebody kicking some boots but knocking popular Yeah, poetic justice

756
00:48:38,840 --> 00:48:40,960
Speaker 1: all the little time period where bitches was wearing the

757
00:48:41,080 --> 00:48:46,960
Speaker 1: little boots. Yeah, you think about building with boots silks

758
00:48:47,080 --> 00:48:50,480
Speaker 1: and let me nicky up and down until you say

759
00:48:50,640 --> 00:48:53,279
Speaker 1: let me nigga. That was the nigga came straight on

760
00:48:53,360 --> 00:48:56,520
Speaker 1: the song because to night baby, I don't want to

761
00:48:56,680 --> 00:49:00,520
Speaker 1: get freaking with you like he's smart enough to say

762
00:49:00,600 --> 00:49:03,920
Speaker 1: until you say stopped, because after you eat the pussy

763
00:49:03,920 --> 00:49:10,080
Speaker 1: and shooting about too good time for give me, give

764
00:49:10,120 --> 00:49:14,560
Speaker 1: me Joe to see. I mean, I'm just saying crap,

765
00:49:15,320 --> 00:49:23,160
Speaker 1: what cray for you? Yeah, I don't know what I cry.

766
00:49:26,120 --> 00:49:29,000
Speaker 1: I don't know what the fun gonna happen, but basic

767
00:49:29,120 --> 00:49:33,080
Speaker 1: bottom line, I'm crying. If you take this pussy away.

768
00:49:33,200 --> 00:49:36,640
Speaker 1: Actually two songs and bare minimum tears. If you just

769
00:49:36,760 --> 00:49:39,080
Speaker 1: take you can split that song right at the end

770
00:49:39,280 --> 00:49:41,879
Speaker 1: when they started doing the begging part. That's a whole

771
00:49:41,960 --> 00:49:49,399
Speaker 1: goddamn soon baby, big big, big baby like nigger. That's

772
00:49:49,680 --> 00:49:51,920
Speaker 1: just the nineties, man, if you look at that. No,

773
00:49:52,080 --> 00:49:55,680
Speaker 1: it's it's cliche to talk about this person now because

774
00:49:55,719 --> 00:50:00,920
Speaker 1: he's in a whole bunch of you. I'm sorry before

775
00:50:01,480 --> 00:50:09,239
Speaker 1: you switch games though, before I'm sorry. You can't leave

776
00:50:09,280 --> 00:50:12,359
Speaker 1: out of Jode without bringing up feen it. Oh yeah,

777
00:50:13,080 --> 00:50:17,360
Speaker 1: I can't leave you alone. You got me. And this

778
00:50:17,480 --> 00:50:19,600
Speaker 1: is like you said, now, this at the height of

779
00:50:19,640 --> 00:50:24,000
Speaker 1: the crack come right for them to compare this girl

780
00:50:24,440 --> 00:50:27,080
Speaker 1: to being on some ship didn't nobody want no parts

781
00:50:27,160 --> 00:50:29,919
Speaker 1: of and they nobody ever really got off. You can't

782
00:50:29,920 --> 00:50:32,000
Speaker 1: get off it. You can stop smoking it, but you

783
00:50:32,080 --> 00:50:37,239
Speaker 1: ain't never off it. When Jo left in the leather,

784
00:50:37,400 --> 00:50:39,560
Speaker 1: that leather ship in the middle of the desert or

785
00:50:39,640 --> 00:50:42,279
Speaker 1: whatever the funk that was, I knew them niggas was

786
00:50:42,360 --> 00:50:48,800
Speaker 1: different then. Hey, yeah, but you even think about the

787
00:50:49,200 --> 00:50:52,640
Speaker 1: song that the women made back then, like Nigga Howard

788
00:50:52,840 --> 00:50:56,759
Speaker 1: Nigger Mary J. Blanche's character had a whole moment right

789
00:50:56,800 --> 00:50:58,960
Speaker 1: in the middle. Yeah, I mean she had the whole

790
00:50:59,040 --> 00:51:00,719
Speaker 1: moment all the way through. You know what I mean,

791
00:51:00,840 --> 00:51:04,400
Speaker 1: Like she's the grand she's the queen. She's makes songs

792
00:51:04,480 --> 00:51:08,279
Speaker 1: so good. Niggas feel bad for the ship. Mary be

793
00:51:08,400 --> 00:51:11,040
Speaker 1: singing about that nigga did to her. She got the

794
00:51:11,200 --> 00:51:14,960
Speaker 1: guilt trip, like when you go through some ship with

795
00:51:15,040 --> 00:51:19,200
Speaker 1: your girl. And she played that Mary j It's gonna

796
00:51:19,360 --> 00:51:23,320
Speaker 1: be jes if you hear that. Everything's not fine. Nothing

797
00:51:23,440 --> 00:51:26,760
Speaker 1: you said work pretty. Everything is not fine. Fine fine,

798
00:51:27,440 --> 00:51:31,120
Speaker 1: it's fine for her, not your heads. Everything is fucked up,

799
00:51:31,160 --> 00:51:35,120
Speaker 1: but for you it's everything you can didn't leave. That

800
00:51:35,280 --> 00:51:39,160
Speaker 1: song is the one. Whatever you did over Tony Braxon.

801
00:51:39,200 --> 00:51:41,440
Speaker 1: Nigga was hitting Tony Braxon so good. She said if

802
00:51:41,480 --> 00:51:44,560
Speaker 1: the nigga left, she wouldn't breathe no more. That was

803
00:51:44,560 --> 00:51:46,839
Speaker 1: about the nigga choking. I don't know that's what I heard,

804
00:51:49,000 --> 00:51:52,319
Speaker 1: but I got people to be around. No, No, that's

805
00:51:52,400 --> 00:51:54,759
Speaker 1: not this case, because you almost had me until I

806
00:51:54,800 --> 00:51:56,840
Speaker 1: thought about the lyrics that wait a minute, Clayton, But no,

807
00:51:57,040 --> 00:51:59,640
Speaker 1: she said, if you leave, I won't breathe. If people

808
00:51:59,680 --> 00:52:01,600
Speaker 1: to stay, she wouldn't be breathing if that was the case.

809
00:52:04,400 --> 00:52:07,880
Speaker 1: See that. I think she liked to be choked a

810
00:52:07,960 --> 00:52:11,520
Speaker 1: little bit. Or whoever wrote the song that was that's

811
00:52:11,560 --> 00:52:15,839
Speaker 1: what get from. So we were talking about good buzzes songs. Bro,

812
00:52:16,520 --> 00:52:20,200
Speaker 1: how about that song you Make My Love Come Down. Yeah,

813
00:52:20,440 --> 00:52:24,440
Speaker 1: that's that song is about. That's the eighties. That's the eighties.

814
00:52:24,600 --> 00:52:27,440
Speaker 1: Like see, the eighties was different too, like you know

815
00:52:27,440 --> 00:52:29,160
Speaker 1: what I mean like that, that's when you had that

816
00:52:29,280 --> 00:52:37,840
Speaker 1: ready for the world that night, that sweet it was.

817
00:52:38,200 --> 00:52:41,680
Speaker 1: It was a sweet It was better ask for the

818
00:52:42,040 --> 00:52:44,600
Speaker 1: for a longer time in the eighties and the nineties.

819
00:52:45,040 --> 00:52:47,239
Speaker 1: Like I guess some of the eighties head carried over

820
00:52:47,320 --> 00:52:49,080
Speaker 1: to the nineties because ma had man. You know, like

821
00:52:49,160 --> 00:52:51,759
Speaker 1: the eighties songs took a long time. You were big

822
00:52:51,840 --> 00:52:55,160
Speaker 1: for the pussy to the end of the song. And

823
00:52:55,200 --> 00:52:57,719
Speaker 1: then in the nintes, niggers just was knocking boots. Soon

824
00:52:57,800 --> 00:53:00,399
Speaker 1: as the ship came on all the way you would

825
00:53:00,400 --> 00:53:02,239
Speaker 1: skirt around it in the ages, you would say, a

826
00:53:02,280 --> 00:53:06,120
Speaker 1: little clever ship and then my bells a little shit

827
00:53:06,239 --> 00:53:08,880
Speaker 1: like that, and see what nigga's like tray songs, And

828
00:53:08,920 --> 00:53:11,319
Speaker 1: then came there. The door was already wide open now

829
00:53:11,400 --> 00:53:13,160
Speaker 1: that nigga had the freedom to come out and just

830
00:53:13,239 --> 00:53:15,279
Speaker 1: say it. In the beginning, which one of y'all going

831
00:53:15,360 --> 00:53:19,360
Speaker 1: home with trigger. You ain't even heard the song that

832
00:53:19,520 --> 00:53:24,400
Speaker 1: was that nigga opening things which come along with trigger?

833
00:53:24,680 --> 00:53:29,200
Speaker 1: What song is this the woman where you be about

834
00:53:29,239 --> 00:53:34,920
Speaker 1: to take op my shirt? Mr? Shod, Mr. Still Girl?

835
00:53:35,000 --> 00:53:39,080
Speaker 1: That's like, come on, is Mr Still your girl? Like yeah,

836
00:53:39,360 --> 00:53:41,560
Speaker 1: my nigga, that's a good boy. He came in, Ye

837
00:53:42,280 --> 00:53:44,879
Speaker 1: still your girl? Like, Bro, like you want still my girl?

838
00:53:46,760 --> 00:53:50,719
Speaker 1: Come here? You know man, this song right here, this

839
00:53:51,040 --> 00:53:55,440
Speaker 1: fucking song heard used us as the nigga communic when

840
00:53:55,520 --> 00:53:58,759
Speaker 1: Chris Brown dropped that when a rich nigga won't you

841
00:53:59,320 --> 00:54:03,000
Speaker 1: and your nigga can't do nothing for you? Boy, Now

842
00:54:03,200 --> 00:54:06,560
Speaker 1: that one right there. I'm telling you, I don't know

843
00:54:06,760 --> 00:54:08,480
Speaker 1: like on the list of ship that was out to

844
00:54:08,600 --> 00:54:11,160
Speaker 1: get us, but Nigga, that song is right there on

845
00:54:11,320 --> 00:54:15,040
Speaker 1: like that was that was hard on the regular because

846
00:54:15,640 --> 00:54:19,600
Speaker 1: took the way the way he said it. He got rich.

847
00:54:20,040 --> 00:54:22,960
Speaker 1: It wouldn't have a for us what they got rich

848
00:54:23,120 --> 00:54:26,000
Speaker 1: just now And the first thing he did was taking

849
00:54:26,080 --> 00:54:29,239
Speaker 1: proke a bit. That's hate. Let's hate. You didn't buy

850
00:54:29,239 --> 00:54:34,040
Speaker 1: a change. See you didn't do that. This is the

851
00:54:34,080 --> 00:54:36,800
Speaker 1: type of ship. We gotta talk about it, Chris, We

852
00:54:36,880 --> 00:54:39,600
Speaker 1: speak on it. Bro Dance in this asshole and the

853
00:54:39,719 --> 00:54:42,239
Speaker 1: point of view that you took on the song. Let

854
00:54:42,360 --> 00:54:47,600
Speaker 1: us know that it wasn't for us. This was letting loyal. Yeah,

855
00:54:47,719 --> 00:54:50,600
Speaker 1: but you took her. She would have been fine. It

856
00:54:50,719 --> 00:54:52,680
Speaker 1: was like, why you take that nigger girl to prove

857
00:54:52,719 --> 00:54:59,960
Speaker 1: the point and took her check and chick. Oh yeah,

858
00:55:00,120 --> 00:55:05,200
Speaker 1: I saw you and him walking in the rain. You

859
00:55:05,280 --> 00:55:07,400
Speaker 1: know That's what I'm saying. I'm scared of that pussy

860
00:55:07,920 --> 00:55:09,920
Speaker 1: like to make you follow somebody in the rain. You're

861
00:55:09,920 --> 00:55:12,160
Speaker 1: seeing the video, this nigger hand, no umbrella or nothing.

862
00:55:12,320 --> 00:55:15,320
Speaker 1: I should have walking across the street with a goddamn

863
00:55:15,400 --> 00:55:17,920
Speaker 1: trich colde or just went in a bit looking like

864
00:55:18,120 --> 00:55:21,840
Speaker 1: he almost shot the dude, Clay. You heard what he

865
00:55:21,880 --> 00:55:25,000
Speaker 1: said at the end, right he said, I should have

866
00:55:25,040 --> 00:55:32,480
Speaker 1: went and grabbed the Jimmy. Listen, you and this chicken mcnif,

867
00:55:33,400 --> 00:55:36,040
Speaker 1: this nigga said he called it, nigga, you just a

868
00:55:36,120 --> 00:55:39,600
Speaker 1: squirrel trying to get a nut. Then they were mad

869
00:55:39,600 --> 00:55:43,359
Speaker 1: about that. I ain't boy, that's a whole another right

870
00:55:43,400 --> 00:55:45,799
Speaker 1: there that got their heartbroke on the record. I'm gonna

871
00:55:45,840 --> 00:55:49,520
Speaker 1: tell you one to get over sometimes take maybe I deserved.

872
00:55:49,600 --> 00:55:52,600
Speaker 1: That's one of my favorite songs. Yes, I cheated on you.

873
00:55:54,400 --> 00:55:57,960
Speaker 1: I'm like, what are you doing to grab my coat

874
00:55:58,320 --> 00:56:01,359
Speaker 1: and cheating you down? Do you know how much thing

875
00:56:01,560 --> 00:56:03,320
Speaker 1: goes then when you're that mad that you're about to

876
00:56:03,400 --> 00:56:05,919
Speaker 1: change her didn't think it's chili out that bitch. Grab

877
00:56:06,000 --> 00:56:08,920
Speaker 1: your coat because you know you're not gonna stop. I

878
00:56:09,040 --> 00:56:11,400
Speaker 1: gotta make sure I got everything I need to catch her.

879
00:56:11,520 --> 00:56:13,560
Speaker 1: Oh you didn't listen to the rest of that point,

880
00:56:14,400 --> 00:56:16,200
Speaker 1: like the end of the song where it shouldn't be

881
00:56:16,239 --> 00:56:18,960
Speaker 1: faving now and then nigga said, just grab your nick

882
00:56:19,040 --> 00:56:21,880
Speaker 1: and tell you lead me. No. Yeah, he was beefing

883
00:56:21,920 --> 00:56:24,440
Speaker 1: on that one. He was beefing because that's she did

884
00:56:24,560 --> 00:56:26,960
Speaker 1: the same thing to him. That's why I tell Diggs

885
00:56:27,000 --> 00:56:28,719
Speaker 1: on the top, Bro, don't play that game. You can't

886
00:56:28,800 --> 00:56:31,399
Speaker 1: hurt her like she can hurt you. Whoa, it's gonna

887
00:56:31,440 --> 00:56:34,160
Speaker 1: feel different. It's gonna feel different. When that nigga called

888
00:56:34,200 --> 00:56:36,480
Speaker 1: at two o'clock of the border, she said, it's just

889
00:56:36,640 --> 00:56:39,399
Speaker 1: my homeboy, And who will tell your nigga that was hurt? Hurt?

890
00:56:39,560 --> 00:56:44,200
Speaker 1: Who's h Oh? Yeah he was. That nigga said, every

891
00:56:44,280 --> 00:56:51,120
Speaker 1: time I see you, I get a bad vibe just

892
00:56:51,280 --> 00:56:57,479
Speaker 1: thinking of someone else. In between you and you thought

893
00:56:57,520 --> 00:57:02,280
Speaker 1: you was sick. Han't tricks up when that one nigga

894
00:57:02,320 --> 00:57:05,879
Speaker 1: hold up, here's the boy that and I'm singing your

895
00:57:05,920 --> 00:57:10,120
Speaker 1: stupid and I know you tying on me. When the

896
00:57:10,160 --> 00:57:12,399
Speaker 1: nigga ad when the nigga take a word, he had

897
00:57:12,480 --> 00:57:15,200
Speaker 1: like a syllables to fote by a little word. That

898
00:57:15,320 --> 00:57:20,440
Speaker 1: nigga said, your sleeve about this ship, nigga, now that

899
00:57:20,520 --> 00:57:22,800
Speaker 1: bitch had a little sleep. Ain't nobody you know what

900
00:57:22,960 --> 00:57:25,040
Speaker 1: you had a little chicks had a lot of friends

901
00:57:25,080 --> 00:57:30,920
Speaker 1: of the sleeve. What you mean, I ain't nothing mean

902
00:57:32,320 --> 00:57:42,040
Speaker 1: with the sleeve dressed like ship fall out, you ning

903
00:57:45,040 --> 00:57:47,600
Speaker 1: dick on her sleep? My nigga matter just laying that.

904
00:57:47,720 --> 00:57:50,200
Speaker 1: The botshops know what happen to me. But him took

905
00:57:50,200 --> 00:57:52,200
Speaker 1: the goat off with dick out of sleep. But if

906
00:57:52,200 --> 00:57:54,120
Speaker 1: that's what he said first, but they made him chong.

907
00:57:54,600 --> 00:58:04,320
Speaker 1: You had to dick something your sleeve. We gotta change.

908
00:58:05,920 --> 00:58:16,480
Speaker 1: We got dick. You know what else was hurt Aunle

909
00:58:16,600 --> 00:58:22,760
Speaker 1: Sam that nigga never wanted. Nigga said, early one morning,

910
00:58:23,120 --> 00:58:25,280
Speaker 1: what this is? What this was a nigga going through

911
00:58:25,280 --> 00:58:27,520
Speaker 1: a girl phone before you can go through a girl phone.

912
00:58:27,920 --> 00:58:31,520
Speaker 1: He made that song, nigga wrote a letter to this nigga.

913
00:58:32,440 --> 00:58:35,280
Speaker 1: Hey man, I just want to let you know fucking

914
00:58:35,320 --> 00:58:42,080
Speaker 1: your bitch, No, no disrespect. I mean, I know I'm

915
00:58:42,080 --> 00:58:44,680
Speaker 1: your best friend and all that, but my nigga, this pussy,

916
00:58:44,760 --> 00:58:46,800
Speaker 1: I had to I sat here and wrote this letter,

917
00:58:46,840 --> 00:58:48,720
Speaker 1: so you know I respect you, but I just wanted

918
00:58:48,760 --> 00:58:50,280
Speaker 1: to leave it. You know, I mean early in the

919
00:58:50,360 --> 00:58:51,720
Speaker 1: morning when you first wake up. You know, you get

920
00:58:51,760 --> 00:58:53,120
Speaker 1: your day start us you can had a whole day

921
00:58:53,160 --> 00:58:55,640
Speaker 1: to think about it and figure it out. But yeah,

922
00:58:55,760 --> 00:58:57,240
Speaker 1: this is this is this me, now you know what

923
00:58:57,280 --> 00:59:00,520
Speaker 1: I mean? Like that nigga niggas be You know what else?

924
00:59:00,600 --> 00:59:06,000
Speaker 1: Was mad? Genuine Genuine was mad on that ut my

925
00:59:06,160 --> 00:59:09,760
Speaker 1: fingers down to the ball and that's how he can't

926
00:59:09,760 --> 00:59:12,320
Speaker 1: split on the song. He ain't say nothing else, he

927
00:59:12,440 --> 00:59:14,800
Speaker 1: just can't split the pitch. I worked my fingers down

928
00:59:15,040 --> 00:59:20,040
Speaker 1: to the dog bone. Yeah, yeah, I put it down

929
00:59:20,240 --> 00:59:23,040
Speaker 1: from nine to five. So you should know. The nigga

930
00:59:23,040 --> 00:59:24,720
Speaker 1: talked to himself and said, and you know what else,

931
00:59:26,400 --> 00:59:30,120
Speaker 1: I was my ass sold you to live like it

932
00:59:30,240 --> 00:59:33,240
Speaker 1: was beefing bro. Genuine gave us one of the best

933
00:59:33,320 --> 00:59:37,160
Speaker 1: side nigga handles of all time only when you're loaning.

934
00:59:37,880 --> 00:59:42,840
Speaker 1: Oh yeah, but you was talking about Uncle Sam the

935
00:59:42,960 --> 00:59:45,240
Speaker 1: fucking lives on that song that you know that nig

936
00:59:45,360 --> 00:59:47,400
Speaker 1: was really her. Yeah, and he was like, I don't,

937
00:59:47,920 --> 00:59:52,240
Speaker 1: I don't. He was hurt then the nigga from boys

938
00:59:52,280 --> 00:59:54,959
Speaker 1: to men. He ain't even. He just came and talking, Yeah,

939
00:59:55,880 --> 00:59:59,560
Speaker 1: you did me so wrong. I wasn't blind, but now

940
00:59:59,720 --> 01:00:03,439
Speaker 1: I he niggas boy. That's what I'm saying. That music

941
01:00:03,560 --> 01:00:06,440
Speaker 1: in that era. But the nineties they gave you every emotion.

942
01:00:06,640 --> 01:00:09,480
Speaker 1: Now it ain't like that no more now. But they

943
01:00:09,600 --> 01:00:14,439
Speaker 1: hope for the beat cold but they beat. But they hope,

944
01:00:14,560 --> 01:00:18,920
Speaker 1: but they beat. Huh. Oh no, if you should got

945
01:00:18,960 --> 01:00:24,240
Speaker 1: some joints to even you thought made like here here, Yeah,

946
01:00:25,080 --> 01:00:34,120
Speaker 1: I need it because I need help for myself. I'm

947
01:00:34,160 --> 01:00:43,840
Speaker 1: like rust. He talks about that I need. That's the

948
01:00:43,920 --> 01:00:46,680
Speaker 1: whole another try. He was pleading for help. I want

949
01:00:46,720 --> 01:00:52,240
Speaker 1: if anybody help. He can see that's the type of

950
01:00:52,240 --> 01:00:54,480
Speaker 1: ship he's saying. Then he'll come right back and say

951
01:00:55,080 --> 01:00:57,680
Speaker 1: if she catched me cheating, not ne never tell him sorry.

952
01:00:59,200 --> 01:01:01,520
Speaker 1: I mean, hey, this is the same the dirty over

953
01:01:01,600 --> 01:01:04,280
Speaker 1: you bit. You know, I he's getting lose. This is

954
01:01:04,320 --> 01:01:06,760
Speaker 1: the same nigga that said it don't sunk with my conscious.

955
01:01:06,760 --> 01:01:09,400
Speaker 1: I served my auntie there, bro, Yeah, come on man

956
01:01:10,600 --> 01:01:13,520
Speaker 1: to my grandma own needle bill sleeping on the float.

957
01:01:18,680 --> 01:01:20,840
Speaker 1: He tell you, you know his songs what he think? Said?

958
01:01:20,880 --> 01:01:24,280
Speaker 1: His young nigga said that like church, like that, like church.

959
01:01:24,320 --> 01:01:30,880
Speaker 1: I don't never let that nigga. But I don't think right.

960
01:01:32,920 --> 01:01:35,960
Speaker 1: I'm telling you all the way he told you, I'm

961
01:01:36,000 --> 01:01:37,919
Speaker 1: sorry to be sucking these olds. I don't be coming.

962
01:01:38,520 --> 01:01:41,640
Speaker 1: I mean, you main't got a point. But the nineties,

963
01:01:41,680 --> 01:01:43,120
Speaker 1: they was coming to him in the nineties and they

964
01:01:43,160 --> 01:01:47,120
Speaker 1: were sick. I listened hold that song that about getting

965
01:01:47,160 --> 01:01:50,240
Speaker 1: his hot broken. They all men that nigga. What what

966
01:01:50,360 --> 01:01:54,680
Speaker 1: the fund is that? That day? Hollister for real? What's

967
01:01:54,720 --> 01:01:59,600
Speaker 1: the car Thomas? Oh yeah, yeah, that's he was talking

968
01:01:59,720 --> 01:02:04,800
Speaker 1: on Not My Favorite Girl to Dave Holliston John, No, um, girl,

969
01:02:05,000 --> 01:02:10,680
Speaker 1: I gotta go. I can't stay. You said things would change,

970
01:02:11,480 --> 01:02:17,600
Speaker 1: But girl, things are still on the same. Serious. But

971
01:02:18,280 --> 01:02:21,320
Speaker 1: I think I said when we first just the same.

972
01:02:22,800 --> 01:02:25,479
Speaker 1: That ain't the cold of ship, Dave. When Dave came

973
01:02:25,640 --> 01:02:29,120
Speaker 1: on the song and said, girl, what's wrong with your

974
01:02:29,440 --> 01:02:33,320
Speaker 1: shady egg? Oh yeah, yeah, waking me up early, and

975
01:02:35,400 --> 01:02:38,560
Speaker 1: don't you know what nigga happ for? Sleep? Yeah, why

976
01:02:38,600 --> 01:02:41,360
Speaker 1: do you you keep on paging me? Man? Listen, man,

977
01:02:41,440 --> 01:02:43,240
Speaker 1: some of y'all, y'all gotta come on the show man

978
01:02:43,280 --> 01:02:45,320
Speaker 1: so we can ask y'all some questions about what y'all

979
01:02:45,400 --> 01:02:47,760
Speaker 1: was going through when y'all wrote these songs. Man, Man

980
01:02:47,800 --> 01:02:52,120
Speaker 1: wet like the creation probably like what was the like?

981
01:02:52,320 --> 01:02:54,760
Speaker 1: What did she do? Specifically? If we're just find the

982
01:02:54,840 --> 01:02:57,240
Speaker 1: niggas who really wrote the song and bringing them, it

983
01:02:57,320 --> 01:03:00,080
Speaker 1: don't matter whoever somebody out of yea because it's gonna be.

984
01:03:00,160 --> 01:03:02,000
Speaker 1: It's gonna be a few motherfuckers that were probably the

985
01:03:02,080 --> 01:03:04,400
Speaker 1: popping song right at the time unless the group ain't

986
01:03:04,400 --> 01:03:06,760
Speaker 1: do it theyselves. But still, but then with the strength

987
01:03:06,760 --> 01:03:10,400
Speaker 1: you gotta find and sing that ship my name ain't

988
01:03:10,480 --> 01:03:12,160
Speaker 1: to be able to sing some of these songs. Who

989
01:03:12,280 --> 01:03:16,000
Speaker 1: Hurt You? That's what it's gonna be. Who Hurt You?

990
01:03:16,080 --> 01:03:19,840
Speaker 1: Who hurt You? Hurt You? R and B Special coming

991
01:03:19,920 --> 01:03:23,240
Speaker 1: soon to the network. Gotta be dope, Like you just

992
01:03:23,280 --> 01:03:25,400
Speaker 1: get niggas to come and tell their story because don't

993
01:03:25,400 --> 01:03:27,880
Speaker 1: body won't then don't get to tell they tried to

994
01:03:27,960 --> 01:03:30,840
Speaker 1: kill me? That's how a lot of them gonna start twice.

995
01:03:31,960 --> 01:03:33,360
Speaker 1: I let the first one slide. Then she tried to

996
01:03:33,400 --> 01:03:35,560
Speaker 1: shoot me the second time. I don't like word, no knife, Like,

997
01:03:36,120 --> 01:03:39,160
Speaker 1: I can't do this ship no more. Damn. It's a

998
01:03:39,240 --> 01:03:44,680
Speaker 1: hard life out here for a nigga boy. Oh yeah,

999
01:03:44,800 --> 01:03:46,560
Speaker 1: we were just talking about that earlier, like how the

1000
01:03:46,640 --> 01:03:48,520
Speaker 1: hell did well? Like I said, I don't know if

1001
01:03:48,520 --> 01:03:51,240
Speaker 1: we're supposed to talk. We don't know. We don't like you,

1002
01:03:51,680 --> 01:03:55,600
Speaker 1: we don't know, but we don't. We just gonna that

1003
01:03:55,720 --> 01:04:00,680
Speaker 1: part known, guys, you gotta let it go, and you know,

1004
01:04:00,880 --> 01:04:03,640
Speaker 1: I know, ma'am. I'm I'm I'm working through the product,

1005
01:04:04,800 --> 01:04:09,600
Speaker 1: like just like just slapping his finger and it's just

1006
01:04:09,720 --> 01:04:13,880
Speaker 1: the race. You have to man as wrong, wrong as wrong.

1007
01:04:14,200 --> 01:04:22,640
Speaker 1: You're right, wrong is wrong, but god damn, I know, alright, wrong, alright, guys, alright, guys, everybody,

1008
01:04:22,720 --> 01:04:26,040
Speaker 1: what you do at home is your baby Calm all right.

1009
01:04:26,360 --> 01:04:28,480
Speaker 1: You gotta stop playing in the park a lot. Yeah

1010
01:04:28,520 --> 01:04:34,680
Speaker 1: you got to that's where you lost me. But I'm sorry, Yeah,

1011
01:04:34,800 --> 01:04:37,200
Speaker 1: I can't. You're not gonna tell me. I get it.

1012
01:04:38,080 --> 01:04:44,880
Speaker 1: We understand, yeah, but you know I understand process. Yeah, Yeah,

1013
01:04:44,960 --> 01:04:52,080
Speaker 1: she stopped cat stop stop, you see me trying to

1014
01:04:52,160 --> 01:04:55,120
Speaker 1: make progress here. Yeah, maybe we do not want to

1015
01:04:55,160 --> 01:04:58,040
Speaker 1: be on the list of people who are being chastised

1016
01:04:58,080 --> 01:05:01,560
Speaker 1: and canceled for having a personal pay. He's got that ship, Yeah,

1017
01:05:01,680 --> 01:05:04,040
Speaker 1: let it, let it go. You know what's that miss

1018
01:05:04,160 --> 01:05:07,520
Speaker 1: big ship? Which one? How the hell is she your friend?

1019
01:05:08,080 --> 01:05:10,200
Speaker 1: And you don't know if she got kids or whatever?

1020
01:05:10,280 --> 01:05:19,200
Speaker 1: That go downstairs back? He has then the coldest part

1021
01:05:19,280 --> 01:05:21,440
Speaker 1: in the songs when he sung when he caught her

1022
01:05:21,520 --> 01:05:24,919
Speaker 1: in laughed, Oh yeah, he quot her line a couple

1023
01:05:24,960 --> 01:05:31,600
Speaker 1: of times. She was like, huh, that was now earlier

1024
01:05:34,800 --> 01:05:41,840
Speaker 1: when I just asked shopping, which one you would do?

1025
01:05:43,600 --> 01:05:53,280
Speaker 1: How the hell he should be just said over? He

1026
01:05:53,480 --> 01:05:57,880
Speaker 1: broke this ship? He win an argument on the track

1027
01:05:58,440 --> 01:06:02,360
Speaker 1: like that. That's successful that nigga went, oh what you're

1028
01:06:02,400 --> 01:06:05,240
Speaker 1: talking about? Man? It's so minute songs when niggas got hurt.

1029
01:06:05,360 --> 01:06:07,840
Speaker 1: But they're just they catch it. So you gotta just

1030
01:06:08,000 --> 01:06:15,680
Speaker 1: listen to him. Nobody to give a man like you're

1031
01:06:15,680 --> 01:06:17,680
Speaker 1: a man. You know that ship. Don't post hurt you

1032
01:06:17,800 --> 01:06:20,400
Speaker 1: like that? Why are you acting like a bit? See

1033
01:06:20,440 --> 01:06:23,000
Speaker 1: that ship? But they can turn that ship off and

1034
01:06:23,080 --> 01:06:26,040
Speaker 1: on when they want to niggas be out here really hurt.

1035
01:06:26,480 --> 01:06:29,200
Speaker 1: For like when you listening to that motherfucking up baby

1036
01:06:29,240 --> 01:06:31,280
Speaker 1: face break when that Nick the other nigga came on

1037
01:06:31,360 --> 01:06:33,520
Speaker 1: the song and said, bitch, don't call my phone. No

1038
01:06:33,680 --> 01:06:37,680
Speaker 1: more fun that other nig that's the depth of hurt.

1039
01:06:38,760 --> 01:06:41,080
Speaker 1: The only one man get hurt. Look at will Smith,

1040
01:06:41,160 --> 01:06:45,600
Speaker 1: he got hurt. He came out that entanglement ship. The

1041
01:06:45,720 --> 01:06:47,840
Speaker 1: nigga gained all that weight for the first time. It

1042
01:06:47,960 --> 01:06:53,000
Speaker 1: was like this nigger that nigga was in shape. Yeah, man,

1043
01:06:53,080 --> 01:06:56,680
Speaker 1: that's a Luca will Man the camera. I said that.

1044
01:06:57,640 --> 01:07:02,160
Speaker 1: I said, if I can't the guy and we're not

1045
01:07:02,200 --> 01:07:09,160
Speaker 1: going to talk about the guy, all right? Should you

1046
01:07:09,240 --> 01:07:12,720
Speaker 1: let your little old boy saying about sorry fucking show

1047
01:07:12,800 --> 01:07:15,400
Speaker 1: nig what you don't think I watched it? Sorry? I'm

1048
01:07:15,480 --> 01:07:19,960
Speaker 1: sorry man, you don't think I watched Clayton Hunt show.

1049
01:07:20,120 --> 01:07:24,640
Speaker 1: They didn't invite me over there. I ain't giving sorry

1050
01:07:25,360 --> 01:07:28,080
Speaker 1: right all crazy but real that Yeah, what's up? Colos?

1051
01:07:28,320 --> 01:07:34,920
Speaker 1: He already had said it. Yeah, nigga like Colos was

1052
01:07:35,000 --> 01:07:43,000
Speaker 1: his word? Yeah me up? When that was shut talking

1053
01:07:43,000 --> 01:07:45,760
Speaker 1: about my wife, Boody hold a different with that Nick.

1054
01:07:45,880 --> 01:07:49,160
Speaker 1: Why do you repeat the ship you go talking about

1055
01:07:49,280 --> 01:07:53,400
Speaker 1: I didn't say he that was hypothetical. You're just trying

1056
01:07:53,440 --> 01:07:55,680
Speaker 1: to get Will to get mad again. No, man, I

1057
01:07:55,800 --> 01:07:57,959
Speaker 1: love Will Man. We would love you to come stop

1058
01:07:58,000 --> 01:08:03,640
Speaker 1: talking about it. Turn all this I'm saying. So I'm

1059
01:08:03,680 --> 01:08:09,280
Speaker 1: talking about for the seconds a little back, take that out,

1060
01:08:09,560 --> 01:08:13,560
Speaker 1: put a commercial back in second T shirt. Let me

1061
01:08:13,640 --> 01:08:16,719
Speaker 1: do it funny? Is Joe not gonna do it in there?

1062
01:08:19,240 --> 01:08:23,800
Speaker 1: Brush comedy Bro Joe doo edit ship. That's all it is,

1063
01:08:23,920 --> 01:08:28,080
Speaker 1: Brock comedy Bros. Do you know that every clip that

1064
01:08:28,160 --> 01:08:30,160
Speaker 1: we've been like, ye, take that out, never get taken

1065
01:08:30,200 --> 01:08:36,280
Speaker 1: out comedy. This thing is not Those guys can't take comedy, Bro,

1066
01:08:36,400 --> 01:08:38,719
Speaker 1: What the fun even watching for Bro? It's fucking funny.

1067
01:08:39,400 --> 01:08:42,800
Speaker 1: I laughed. I laughed the old thing. Not an editor

1068
01:08:43,040 --> 01:08:47,520
Speaker 1: he uploaded. He just just make sure this ship is continuous.

1069
01:08:51,560 --> 01:08:53,479
Speaker 1: It'll be a half for this clip and half of

1070
01:08:53,560 --> 01:08:56,960
Speaker 1: the clips somebody else put. You're gonna put new face

1071
01:08:57,000 --> 01:09:01,200
Speaker 1: clip in this bit him be edited and ship. They

1072
01:09:01,280 --> 01:09:09,080
Speaker 1: don't take that out, hey man, because everything's gonna care

1073
01:09:09,160 --> 01:09:13,760
Speaker 1: with DC Man. We're the pep in man. He and

1074
01:09:13,880 --> 01:09:16,439
Speaker 1: for a long time, my damn Joe didn't even end

1075
01:09:16,479 --> 01:09:19,320
Speaker 1: it out when the nigga went to pe what bro,

1076
01:09:19,400 --> 01:09:23,320
Speaker 1: It's funny, bro, it's only people want people. People love

1077
01:09:23,360 --> 01:09:25,920
Speaker 1: you guys. Hey, man, y'all might love you, y'all might

1078
01:09:26,040 --> 01:09:28,720
Speaker 1: want to take you out. Thirty seven fifteen, Clayton was

1079
01:09:28,760 --> 01:09:32,639
Speaker 1: on the phone, Broke. Those are the conversations to love

1080
01:09:32,800 --> 01:09:35,479
Speaker 1: about some guys. Bro, those are the things that people

1081
01:09:35,560 --> 01:09:38,800
Speaker 1: want to see. It's those little g tricking pieces. Guys

1082
01:09:38,840 --> 01:09:44,240
Speaker 1: who you are? Joe want to take out ship, nigga

1083
01:09:44,280 --> 01:09:49,920
Speaker 1: pull out man pounds weeding for good. They don't cut that, bro.

1084
01:09:50,040 --> 01:09:52,680
Speaker 1: There's a whole pocketive people who do the same thing.

1085
01:09:53,160 --> 01:09:59,200
Speaker 1: You're there people. It's fucking comedy, Bron, that's funny. Going

1086
01:09:59,240 --> 01:10:02,000
Speaker 1: out of there, Bro, drop me timely and Joe to

1087
01:10:02,080 --> 01:10:05,400
Speaker 1: take out. Oh yeah there he'd be like, Yoe you

1088
01:10:05,439 --> 01:10:07,559
Speaker 1: they check it out? O, Man, I missed the mark.

1089
01:10:07,720 --> 01:10:09,400
Speaker 1: Wasn't what was the mark on it? But I hold

1090
01:10:09,439 --> 01:10:11,640
Speaker 1: on this is my side. Bitch, cut this, Joe all right,

1091
01:10:13,160 --> 01:10:18,200
Speaker 1: whole conversation. Yeah, bitch, pull up. You'll sell yellow rippy

1092
01:10:18,280 --> 01:10:23,160
Speaker 1: area outside and the beauty. It's a beauty over there.

1093
01:10:23,600 --> 01:10:25,559
Speaker 1: Look you finally got in me. Hey, I cut those

1094
01:10:25,640 --> 01:10:28,760
Speaker 1: and you wouldn't that ship happened that. I don't cut this. No,

1095
01:10:28,880 --> 01:10:33,280
Speaker 1: I'm not us motherfuck's dinner and cut that out. Joe

1096
01:10:33,560 --> 01:10:35,559
Speaker 1: cut the punt out of you said, hey, I cut those.

1097
01:10:36,080 --> 01:10:39,040
Speaker 1: Everything else stays, but I do cut the side bitch conversations.

1098
01:10:41,400 --> 01:10:43,360
Speaker 1: Joe be at the end of the table like this, Yeah,

1099
01:10:46,320 --> 01:10:48,320
Speaker 1: let make it, and he hit the button to be

1100
01:10:48,400 --> 01:10:57,160
Speaker 1: like fund man, oh man, set up a little more minutes. Hey, Joe,

1101
01:10:57,240 --> 01:10:59,400
Speaker 1: did you watch it when you finished? I ain't seen

1102
01:10:59,439 --> 01:11:01,920
Speaker 1: it And say that though where you know this is

1103
01:11:01,960 --> 01:11:04,840
Speaker 1: the only man it ain't ending every show. He ain't

1104
01:11:04,840 --> 01:11:09,360
Speaker 1: even seen every show. I just uploaded the ship. Man.

1105
01:11:09,439 --> 01:11:13,519
Speaker 1: I don't know, Bro, I had some cooking on the stove.

1106
01:11:13,600 --> 01:11:16,320
Speaker 1: I was back and forth. Man, that's just up there, Bro,

1107
01:11:16,439 --> 01:11:18,320
Speaker 1: what the fun you want me to do? They put

1108
01:11:18,360 --> 01:11:20,120
Speaker 1: it up? Man, let me go get a coffee. Man,

1109
01:11:20,439 --> 01:11:26,160
Speaker 1: you got I put it up. That's it, that's it.

1110
01:11:26,280 --> 01:11:30,720
Speaker 1: Whatever it was was now you just jump put the

1111
01:11:30,800 --> 01:11:35,040
Speaker 1: camera on me, right on Clayton. That's like, that's why

1112
01:11:35,080 --> 01:11:37,200
Speaker 1: it's good that we're putting more these morefuckers out, because

1113
01:11:37,240 --> 01:11:39,760
Speaker 1: you're just make a person to forget with the new show, like, hey,

1114
01:11:39,880 --> 01:11:43,120
Speaker 1: with these guys, there's another one you forget about this

1115
01:11:43,520 --> 01:11:45,599
Speaker 1: having the last but like, no, no, no, but remember

1116
01:11:45,640 --> 01:11:48,320
Speaker 1: when you say, I had to say ship, ma'am all

1117
01:11:48,400 --> 01:11:54,240
Speaker 1: right for everybody out this comedy, man, it's fucking jokes.

1118
01:11:54,520 --> 01:11:57,200
Speaker 1: Everybody wants to laugh. That's where we live in. We

1119
01:11:57,320 --> 01:11:59,519
Speaker 1: live in the world where everything ain't joke. She can't

1120
01:11:59,560 --> 01:12:05,960
Speaker 1: make jokes. You just gotta make jokes about objects. I

1121
01:12:06,000 --> 01:12:10,200
Speaker 1: can't talk about no nothing, nothing, nothing, not good time.

1122
01:12:10,520 --> 01:12:12,919
Speaker 1: Would we ever think we would be in a position

1123
01:12:13,080 --> 01:12:15,920
Speaker 1: where we can't You need know this ning it for real?

1124
01:12:18,439 --> 01:12:27,519
Speaker 1: You can't talk about a little body. Damn we didn't

1125
01:12:27,520 --> 01:12:29,519
Speaker 1: wait to the motherfucker sending the clip back a bro

1126
01:12:30,360 --> 01:12:34,599
Speaker 1: Angelina Jolie like the little ship you said? What she's watching?

1127
01:12:35,720 --> 01:12:38,920
Speaker 1: Oh my clinician sucks at this point because now we're

1128
01:12:39,000 --> 01:12:42,720
Speaker 1: running into these niggers like I heard that you said

1129
01:12:42,720 --> 01:12:45,200
Speaker 1: about I guess we'll never work. You want a brother?

1130
01:12:45,840 --> 01:12:48,960
Speaker 1: What ya yeah? Because we had to flag and pay

1131
01:12:49,120 --> 01:12:52,320
Speaker 1: so many times free Forrest Gump references. What the fucking

1132
01:12:52,520 --> 01:12:54,400
Speaker 1: rubbing up? What do you mean to me? That's the

1133
01:12:54,479 --> 01:12:59,240
Speaker 1: type of ship that's old enough. Back, don't say that.

1134
01:13:00,800 --> 01:13:03,760
Speaker 1: I know I can't say ship. Hey, don't he's gonna

1135
01:13:03,760 --> 01:13:05,439
Speaker 1: get to a point where we're just gonna be sitting

1136
01:13:05,479 --> 01:13:10,320
Speaker 1: and looking at Say it with your face. Say it

1137
01:13:10,360 --> 01:13:17,800
Speaker 1: with your face, bitch, nothing's awful. Take it back to

1138
01:13:17,840 --> 01:13:21,160
Speaker 1: the Charlie Choppling days. Just we're just gonna be on

1139
01:13:21,280 --> 01:13:25,160
Speaker 1: this bitch doing slapstick. You know what, you know what,

1140
01:13:25,320 --> 01:13:31,360
Speaker 1: you know what the Presley Stop doing that, save that

1141
01:13:31,600 --> 01:13:36,679
Speaker 1: for wee have to get to that point on this mom,

1142
01:13:37,360 --> 01:13:40,000
Speaker 1: I don't know what we're gonna be discussing talking about

1143
01:13:40,040 --> 01:13:45,679
Speaker 1: ship that already happened that too. You could just say,

1144
01:13:45,760 --> 01:13:52,600
Speaker 1: like you could just put a disclaimer. But you just

1145
01:13:52,680 --> 01:13:56,120
Speaker 1: put a disclaimer. That's your answer to ship. Yeah, that's

1146
01:13:56,120 --> 01:13:58,040
Speaker 1: how you do it. It ain't even got to say

1147
01:13:58,080 --> 01:14:03,439
Speaker 1: no real ship. Just make a small Hey, if you're

1148
01:14:03,439 --> 01:14:07,080
Speaker 1: reading this, good for you, your little dummy. But nothing

1149
01:14:07,120 --> 01:14:10,599
Speaker 1: that we're saying it's harmful for anyone. That's just jokes

1150
01:14:10,760 --> 01:14:15,960
Speaker 1: and this big the residents don't matter. Hey, man, who

1151
01:14:16,040 --> 01:14:18,720
Speaker 1: the fun? This TV thing that you're talking about parental

1152
01:14:18,840 --> 01:14:23,360
Speaker 1: discretion Advance TV isn't parent My parents would be mad.

1153
01:14:23,400 --> 01:14:26,160
Speaker 1: I go wake him up to watch this, watch this.

1154
01:14:28,479 --> 01:14:33,880
Speaker 1: I'm trying to don't watch trying to watch this. Man

1155
01:14:34,160 --> 01:14:38,920
Speaker 1: watch this get up to get up real quickly. Your

1156
01:14:38,960 --> 01:14:43,160
Speaker 1: point with me, Press discretion. I'm trying to watch these

1157
01:14:43,240 --> 01:14:53,640
Speaker 1: motheruckers again. Watch that ship and for forgiveness, not permission.

1158
01:14:54,560 --> 01:14:57,040
Speaker 1: This is a crazy ship. Everything is sensing now in

1159
01:14:57,120 --> 01:14:59,720
Speaker 1: the world where you can see anything at any point. Oh,

1160
01:15:00,080 --> 01:15:01,840
Speaker 1: you gotta do is pull that phone up. You can

1161
01:15:01,920 --> 01:15:05,759
Speaker 1: pull up anything but on the phone and immediately buzzed

1162
01:15:05,840 --> 01:15:09,800
Speaker 1: over MoMA jumping off of building. This is the world

1163
01:15:09,840 --> 01:15:13,760
Speaker 1: we live in. But we can't censorship in an unsensored world.

1164
01:15:13,880 --> 01:15:17,200
Speaker 1: That's crazy and it's crazy because you can walk out

1165
01:15:17,280 --> 01:15:19,720
Speaker 1: side and sense ship that you can never pull up

1166
01:15:20,720 --> 01:15:23,400
Speaker 1: depending on where you are now these days, because everybody

1167
01:15:23,479 --> 01:15:27,280
Speaker 1: got a video camera. Yeah, but what I'm saying, you

1168
01:15:27,320 --> 01:15:32,519
Speaker 1: will see some real ship also, Yeah, I can't sense

1169
01:15:32,560 --> 01:15:38,720
Speaker 1: of that. Yeah, that's true. You want things. We can

1170
01:15:38,760 --> 01:15:40,760
Speaker 1: say what we want, We just can't say what we

1171
01:15:40,880 --> 01:15:48,479
Speaker 1: want to say you have. Yeah, that makes sense, like

1172
01:15:48,520 --> 01:15:51,000
Speaker 1: a mama. You can say what you want, just don't

1173
01:15:51,000 --> 01:15:54,240
Speaker 1: say what you want to say. Yeah, that's a point

1174
01:15:54,360 --> 01:15:57,799
Speaker 1: right there, because what you want to say don't necessarily

1175
01:15:57,840 --> 01:16:01,040
Speaker 1: be what you want to say. You can't say what

1176
01:16:01,160 --> 01:16:05,640
Speaker 1: you see either. No, you definitely can't say what you

1177
01:16:05,720 --> 01:16:07,360
Speaker 1: see because if you say what you see, somebody that

1178
01:16:07,520 --> 01:16:10,960
Speaker 1: might dislike the way you've seen it. I don't like

1179
01:16:11,080 --> 01:16:13,160
Speaker 1: the way you saw that ship. You know why why?

1180
01:16:13,320 --> 01:16:16,479
Speaker 1: Because it's not the way it looks. Is it ever

1181
01:16:16,520 --> 01:16:23,880
Speaker 1: the way it looks not to you? Mm hmm? Look

1182
01:16:23,920 --> 01:16:27,800
Speaker 1: at Joe like this is gonna be awesome. This is

1183
01:16:27,840 --> 01:16:30,000
Speaker 1: what I'm talking about. I'm gonna turn this part black

1184
01:16:30,040 --> 01:16:34,680
Speaker 1: and white. You nobody asked you to do that. That

1185
01:16:34,840 --> 01:16:37,559
Speaker 1: part is still in there, it's been made, it grainy,

1186
01:16:37,640 --> 01:16:41,000
Speaker 1: it's eight millimeter and shipping some effects on it. Or

1187
01:16:41,000 --> 01:16:42,800
Speaker 1: you gotta still mad about the old will sniping. I

1188
01:16:42,800 --> 01:16:46,960
Speaker 1: don't worry about that. He's cool, clean, good. What do

1189
01:16:47,040 --> 01:16:54,040
Speaker 1: you mean what you gonna's really mad at you? Man?

1190
01:16:54,120 --> 01:16:56,880
Speaker 1: It was cool because you didn't take that ship out.

1191
01:16:57,880 --> 01:17:03,400
Speaker 1: I don't added this show. Look at Chad, he laughed

1192
01:17:03,400 --> 01:17:06,880
Speaker 1: because he ain't gonna do about it. Who does edited?

1193
01:17:07,640 --> 01:17:13,000
Speaker 1: Who edits? Edits the computer? Kenny says, key, saying ship

1194
01:17:13,080 --> 01:17:19,120
Speaker 1: because everybody might then fell off. At this point, she

1195
01:17:19,240 --> 01:17:21,720
Speaker 1: shi my pocket that y'all were saying we didn't get

1196
01:17:21,880 --> 01:17:26,680
Speaker 1: none of last talking about editing, and dropped out. The

1197
01:17:26,840 --> 01:17:29,479
Speaker 1: dropped out dropped out away. He was like, bro that

1198
01:17:29,560 --> 01:17:31,320
Speaker 1: was the dope bad show y'all did. We can't use

1199
01:17:31,360 --> 01:17:33,040
Speaker 1: none of this ship because your mike was on your thop.

1200
01:17:33,160 --> 01:17:37,679
Speaker 1: But hey man, oh man, the unusable episode. We y'all

1201
01:17:37,800 --> 01:17:44,559
Speaker 1: ever have an unusable episode? What listen, y'all that Joe

1202
01:17:45,439 --> 01:17:48,920
Speaker 1: Joe has whole entire cities mad at us because they

1203
01:17:49,000 --> 01:17:52,200
Speaker 1: episode didn't come out and we don't telling them. And

1204
01:17:52,240 --> 01:17:54,760
Speaker 1: when we tell him that's a hard draft crash, they'd

1205
01:17:54,800 --> 01:18:02,400
Speaker 1: be like, broke, send it to me. Not oh good good?

1206
01:18:02,479 --> 01:18:09,920
Speaker 1: What everything we filmed is out? We have nothing every everything. No, no,

1207
01:18:10,160 --> 01:18:13,800
Speaker 1: y'all have a blooper reel usable No, no, listen, they

1208
01:18:13,920 --> 01:18:18,280
Speaker 1: lost all that ship. We have a we have a

1209
01:18:18,600 --> 01:18:20,719
Speaker 1: you know how they say, like, what do they catalog?

1210
01:18:21,560 --> 01:18:28,280
Speaker 1: We have a catalog of ship that chickens? Ready a

1211
01:18:28,439 --> 01:18:30,720
Speaker 1: f on the floor? What the fun is going on?

1212
01:18:33,760 --> 01:18:36,600
Speaker 1: Push got some man that ship didn't come out, and

1213
01:18:36,640 --> 01:18:38,280
Speaker 1: then were like, fuck it, I got the ship on

1214
01:18:38,360 --> 01:18:42,080
Speaker 1: my phone. I put it out. He put it. Man,

1215
01:18:44,320 --> 01:18:48,360
Speaker 1: Hey man, y'all, look would do it? I asked, I'm

1216
01:18:48,400 --> 01:18:51,240
Speaker 1: talking about I'm talking about all types of shows. I'm

1217
01:18:51,240 --> 01:18:54,400
Speaker 1: talking about the camera. What's the word to use plethora.

1218
01:18:54,560 --> 01:18:57,840
Speaker 1: We have a plethora when we go to a city

1219
01:18:57,880 --> 01:19:00,519
Speaker 1: and do three shows back to back and do three

1220
01:19:00,720 --> 01:19:03,679
Speaker 1: whole new shows, and people be like, so you're saying,

1221
01:19:03,720 --> 01:19:05,880
Speaker 1: ain't known of this ship? Like nign watch all three

1222
01:19:05,920 --> 01:19:13,240
Speaker 1: of them missing. The really thing would be laying plathora

1223
01:19:13,520 --> 01:19:17,560
Speaker 1: of material. Clayton I'm talking about already know it is.

1224
01:19:18,200 --> 01:19:23,479
Speaker 1: We have ship that people on YouTube actually think we

1225
01:19:23,640 --> 01:19:30,919
Speaker 1: need you stop stealing our content, bitches. I'm telling everybody

1226
01:19:31,040 --> 01:19:34,879
Speaker 1: you're not helping us. You're actually stealing from a black business.

1227
01:19:35,360 --> 01:19:40,800
Speaker 1: Look at it, y'all stealing ship. We don't need Jill help.

1228
01:19:40,880 --> 01:19:42,840
Speaker 1: You don't work show up to your door with a laugh.

1229
01:19:43,000 --> 01:19:47,200
Speaker 1: That's clean on the age. When your many views you

1230
01:19:47,360 --> 01:19:51,240
Speaker 1: got on the last ship, you so stop stealing our content.

1231
01:19:51,439 --> 01:19:54,400
Speaker 1: That's why we moved into another platform because y'all just

1232
01:19:54,520 --> 01:19:57,720
Speaker 1: some haters, and y'all that's why we didn't got That's

1233
01:19:57,720 --> 01:20:00,360
Speaker 1: why we ain't made it to Ferrari level yet. Man,

1234
01:20:00,880 --> 01:20:05,360
Speaker 1: we're still doing ship ourselves, stealing from us. Y'all don't

1235
01:20:05,400 --> 01:20:11,160
Speaker 1: do that ship to Jake Paul. Now, that's that's why

1236
01:20:11,200 --> 01:20:16,200
Speaker 1: they'll stop with Jake Paul. But see when these issues arise. No,

1237
01:20:16,360 --> 01:20:18,080
Speaker 1: it's because we're black and they think that they can

1238
01:20:18,160 --> 01:20:21,439
Speaker 1: just take our content and then get half the views

1239
01:20:21,760 --> 01:20:28,880
Speaker 1: they happen. That's stealing, right, This is Blue Magic. You

1240
01:20:28,960 --> 01:20:31,479
Speaker 1: don't got to do nothing to it. Nobody ever, We

1241
01:20:31,560 --> 01:20:35,000
Speaker 1: don't need you to trim thehing down to your top ten.

1242
01:20:35,600 --> 01:20:37,400
Speaker 1: I don't care if you put a dog coll on it.

1243
01:20:37,439 --> 01:20:40,479
Speaker 1: They called the Blue Dog Ship, just don't call the

1244
01:20:40,560 --> 01:20:42,760
Speaker 1: Blue Magic Chat and Joe, has that ever happened? Has

1245
01:20:42,760 --> 01:20:45,800
Speaker 1: anybody ever respected us enough to reach like, hey man,

1246
01:20:45,840 --> 01:20:49,320
Speaker 1: can I use this? You know they always just reboot

1247
01:20:49,360 --> 01:20:54,160
Speaker 1: as ship Chico being top ten outfits, goof your ship

1248
01:20:54,600 --> 01:20:59,640
Speaker 1: greatest moments in Nashville. Nobody asked for this. You're not

1249
01:21:00,120 --> 01:21:03,880
Speaker 1: you're not being creative. We've already discussed and not doing

1250
01:21:03,960 --> 01:21:10,960
Speaker 1: this because you do it so the show how good?

1251
01:21:11,040 --> 01:21:15,960
Speaker 1: They added off, Hey, look what I did. Stop. Walt

1252
01:21:16,040 --> 01:21:18,439
Speaker 1: Disney would fuck you niggas up. You wouldn't even be

1253
01:21:18,520 --> 01:21:22,719
Speaker 1: allowed on the internet. You get two times to steal

1254
01:21:22,800 --> 01:21:28,240
Speaker 1: from Walt Disney. You can't even log into your Facebook page. No,

1255
01:21:28,320 --> 01:21:29,720
Speaker 1: it ain't even gonna be that. You're gonna go to

1256
01:21:29,760 --> 01:21:31,479
Speaker 1: take a shower one day and Mickey gonna be in

1257
01:21:31,520 --> 01:21:38,280
Speaker 1: your bathtub. But you ain't all right watching this. If

1258
01:21:38,320 --> 01:21:41,160
Speaker 1: you're so good, let me see how good you steal

1259
01:21:41,320 --> 01:21:44,920
Speaker 1: some other shot the ship. Your whole page is my ship.

1260
01:21:45,040 --> 01:21:46,960
Speaker 1: They can put a movie on. I don't even know

1261
01:21:47,200 --> 01:21:50,360
Speaker 1: you want a movie up. You're not helping me. Want

1262
01:21:50,360 --> 01:21:53,559
Speaker 1: of HBO shows up on that bitch and you're that good.

1263
01:21:53,680 --> 01:21:57,160
Speaker 1: Put up an NBA games, he'll a movie that l Yeah,

1264
01:21:57,640 --> 01:22:01,160
Speaker 1: put that ship up, still a document. Put that ship

1265
01:22:01,320 --> 01:22:09,000
Speaker 1: up and then get shut the funk down. Its we

1266
01:22:09,200 --> 01:22:14,080
Speaker 1: soon Clayton conquering Esquire and the socio. Y'all evern't even

1267
01:22:14,160 --> 01:22:20,280
Speaker 1: seen Underscore eight show. Yeah good, the best space funked

1268
01:22:20,360 --> 01:22:22,320
Speaker 1: up party. They put some ship so they ain't seen.

1269
01:22:22,360 --> 01:22:24,080
Speaker 1: They was like, damn when we do this, Like when

1270
01:22:24,120 --> 01:22:26,160
Speaker 1: you get this from it's something y'all took down, but

1271
01:22:26,240 --> 01:22:29,320
Speaker 1: I had it over. We're relative. Sometimes they put the

1272
01:22:29,360 --> 01:22:34,439
Speaker 1: ship up so fast, nigga, you just did it. Put

1273
01:22:34,479 --> 01:22:36,519
Speaker 1: it up while it's on now now, and I can

1274
01:22:36,600 --> 01:22:39,760
Speaker 1: respect to people doing lashing videos and stuff like, you know,

1275
01:22:40,840 --> 01:22:43,639
Speaker 1: if you're still in the check the show and put

1276
01:22:43,680 --> 01:22:45,840
Speaker 1: it on your page. What are you doing up? What

1277
01:22:45,960 --> 01:22:49,280
Speaker 1: are you doing? Top ten moments of five funnest moments.

1278
01:22:49,320 --> 01:22:53,760
Speaker 1: So Joe won't edit the ship out right. These you

1279
01:22:53,840 --> 01:22:57,599
Speaker 1: can see an opportunity. So they're like, we're gonna edit

1280
01:22:57,680 --> 01:23:01,439
Speaker 1: this ship up. Okay, looking for that point when the

1281
01:23:01,520 --> 01:23:05,520
Speaker 1: tennis okay, top ten tennis in the building. Joe, bullshit,

1282
01:23:06,400 --> 01:23:15,000
Speaker 1: I don't mean to steal y'all. I just ever specific game.

1283
01:23:15,240 --> 01:23:17,599
Speaker 1: That's that's that's a good point you're making that call off.

1284
01:23:18,439 --> 01:23:20,760
Speaker 1: I wasn't we still in Mecca? Y'all want this a

1285
01:23:20,760 --> 01:23:25,640
Speaker 1: little murdy. I ain't made with twenty two us. You're

1286
01:23:25,680 --> 01:23:32,280
Speaker 1: gonna lift that good with twinter. Well, that's how create Superman,

1287
01:23:32,439 --> 01:23:34,759
Speaker 1: you know, that's how you fit right, How you create

1288
01:23:34,920 --> 01:23:37,720
Speaker 1: right that make Mad Name Man come out with the

1289
01:23:37,840 --> 01:23:41,479
Speaker 1: night Like the ninety five Norm Show when this nigga

1290
01:23:41,520 --> 01:23:44,559
Speaker 1: is just really attempting every time Joe going to uploads

1291
01:23:44,600 --> 01:23:46,639
Speaker 1: and ship didn't get the right one. It's one second left.

1292
01:23:46,680 --> 01:23:49,560
Speaker 1: That ship just cracked and the crazy pot and the

1293
01:23:49,680 --> 01:23:52,760
Speaker 1: nigga problem, the cold. I don't know why I sent

1294
01:23:52,880 --> 01:23:56,000
Speaker 1: my ship in perfect it was ended it down. You

1295
01:23:56,080 --> 01:23:57,960
Speaker 1: get here. I turned up the sad with the South

1296
01:23:58,080 --> 01:24:02,160
Speaker 1: New York on the last letter room dress old stand

1297
01:24:02,600 --> 01:24:05,200
Speaker 1: right for real, I'm all I'm saying that I want

1298
01:24:05,240 --> 01:24:09,600
Speaker 1: you to believe in yourself like you believe in us. No,

1299
01:24:09,760 --> 01:24:13,280
Speaker 1: it's not one man, it's a plethora of man. It's

1300
01:24:14,600 --> 01:24:16,760
Speaker 1: sleather of man. Don't know if their boys are not,

1301
01:24:17,920 --> 01:24:19,920
Speaker 1: they're probably gonna hit this part of like, oh, really

1302
01:24:21,439 --> 01:24:24,040
Speaker 1: unleashed the secret footage of them getting out of their

1303
01:24:24,200 --> 01:24:30,200
Speaker 1: vehicles right, Oh, I have footage, Carlos. They got a

1304
01:24:30,280 --> 01:24:33,439
Speaker 1: camera ship all right, that's where that beat went off.

1305
01:24:33,560 --> 01:24:37,439
Speaker 1: That ship is just the real You thought that it

1306
01:24:37,560 --> 01:24:40,519
Speaker 1: was the television. Now, that's how you sex didn't come

1307
01:24:40,600 --> 01:24:43,080
Speaker 1: in secret camera. They got you in the hotel. You

1308
01:24:43,400 --> 01:24:49,639
Speaker 1: neber booty that I that I fuck, that's a nightmare

1309
01:24:49,680 --> 01:24:54,240
Speaker 1: you just described. I don't even know there was your

1310
01:24:54,360 --> 01:24:59,760
Speaker 1: last point before you left that quick, the whole sex,

1311
01:25:00,000 --> 01:25:05,559
Speaker 1: it's one man and sick. Oh my god, I gotta

1312
01:25:05,560 --> 01:25:07,800
Speaker 1: get out, like time to stop now because you just

1313
01:25:07,920 --> 01:25:12,519
Speaker 1: said some ship that fucking crazy hold out waking up

1314
01:25:12,680 --> 01:25:15,080
Speaker 1: and saying some funking you did that. You didn't know

1315
01:25:15,200 --> 01:25:19,280
Speaker 1: it was being recorded, my ne bro. You didn't have

1316
01:25:19,560 --> 01:25:22,720
Speaker 1: no like, you didn't know what time you recorded. And

1317
01:25:23,560 --> 01:25:25,519
Speaker 1: people I'm talking about it, they didn't call it one

1318
01:25:25,560 --> 01:25:28,920
Speaker 1: of you got damn meneo for for efforts that bit

1319
01:25:29,040 --> 01:25:32,400
Speaker 1: out run with the crazy body. They looked like you

1320
01:25:33,120 --> 01:25:35,720
Speaker 1: it's all in the camera. It's this to come over

1321
01:25:36,640 --> 01:25:39,080
Speaker 1: boom boom boom, like nig setting it up. You don't

1322
01:25:39,080 --> 01:25:42,240
Speaker 1: even know you're fucking with the magdal babe. What be

1323
01:25:42,360 --> 01:25:44,800
Speaker 1: even worse than if you said they that looked like

1324
01:25:44,920 --> 01:25:49,720
Speaker 1: you were just in the game your face, what it mean?

1325
01:25:49,920 --> 01:25:53,559
Speaker 1: Your little hair brother? And they put one out when

1326
01:25:53,600 --> 01:25:55,639
Speaker 1: you thought you did a great job in the internet.

1327
01:25:55,720 --> 01:25:58,560
Speaker 1: Get the trashy. You can't funk the ship, nigga. You

1328
01:25:58,640 --> 01:26:00,880
Speaker 1: know your whole confidence is up that you like that.

1329
01:26:00,920 --> 01:26:02,920
Speaker 1: I thought I was killing this mother fucking no, not

1330
01:26:03,040 --> 01:26:06,200
Speaker 1: according to the web. Damn. That's when they let you

1331
01:26:06,240 --> 01:26:09,439
Speaker 1: know how long you fuck? You said a minute the

1332
01:26:09,560 --> 01:26:13,960
Speaker 1: clock right there, man, Like well, I could just want

1333
01:26:13,960 --> 01:26:20,439
Speaker 1: to hit with na man. It was nig that was

1334
01:26:20,560 --> 01:26:22,920
Speaker 1: ending our shows and broke that ship down. Top ten

1335
01:26:23,000 --> 01:26:25,760
Speaker 1: moments from any five South jo Sex tape. He didn't cut,

1336
01:26:26,320 --> 01:26:32,080
Speaker 1: he didn't cut all you're sucking out one. They just

1337
01:26:32,240 --> 01:26:37,800
Speaker 1: keep everyone and the only ship is the end. That's

1338
01:26:37,840 --> 01:26:40,559
Speaker 1: the only had Like the ship going off the credits,

1339
01:26:40,840 --> 01:26:42,200
Speaker 1: that was I gotta get up out of here. And

1340
01:26:42,320 --> 01:26:44,320
Speaker 1: that is a night man right there. Boy, you wake

1341
01:26:44,400 --> 01:26:46,759
Speaker 1: up to sex tape out, you ain't no you recorded.

1342
01:26:46,760 --> 01:26:48,400
Speaker 1: If you knew you recorded it, did it be like?

1343
01:26:48,520 --> 01:26:51,040
Speaker 1: Who the fuck? You gotta drop a better one, you know,

1344
01:26:52,360 --> 01:26:54,280
Speaker 1: the only thing you could do is a better one.

1345
01:26:54,400 --> 01:26:56,920
Speaker 1: Now you gotta go and really put a professional one together,

1346
01:26:57,040 --> 01:26:59,800
Speaker 1: like give me a red camera. Get it right right,

1347
01:27:00,000 --> 01:27:02,040
Speaker 1: I'm written out the suite of the w they I

1348
01:27:02,080 --> 01:27:04,679
Speaker 1: gotta seen written and everything. You gotta hire a point

1349
01:27:04,720 --> 01:27:07,040
Speaker 1: start of being there. You gotta get the trump right,

1350
01:27:07,200 --> 01:27:12,120
Speaker 1: somebody that really do it, and the Platt gotta be Hey,

1351
01:27:12,200 --> 01:27:13,720
Speaker 1: I gotta do this for my cam. They want to

1352
01:27:13,760 --> 01:27:16,240
Speaker 1: let you down. I know I know what you saw.

1353
01:27:16,479 --> 01:27:21,200
Speaker 1: I know that ain't me. So you saw me in

1354
01:27:21,320 --> 01:27:22,960
Speaker 1: my words. I want you to see me in my

1355
01:27:23,080 --> 01:27:27,680
Speaker 1: bed bag that they're doing one in p s A.

1356
01:27:28,240 --> 01:27:30,120
Speaker 1: First of all, I just want to say to my

1357
01:27:30,240 --> 01:27:34,639
Speaker 1: family and if you dunk, that was fucking you. Ain't

1358
01:27:34,640 --> 01:27:41,920
Speaker 1: seen nothing yet. Let I mean went to I mean

1359
01:27:42,720 --> 01:27:45,160
Speaker 1: hand at this point, but like you know me, I

1360
01:27:45,240 --> 01:27:47,200
Speaker 1: don't want to say to my family, I want to

1361
01:27:47,200 --> 01:27:50,640
Speaker 1: apologize for what, for what what I'm about to do,

1362
01:27:52,160 --> 01:27:56,800
Speaker 1: for what I'm about to do. This is more for

1363
01:27:56,960 --> 01:27:59,719
Speaker 1: me than it is for you. And if I gotta

1364
01:27:59,760 --> 01:28:02,800
Speaker 1: go out like that, I gotta go out on my turn.

1365
01:28:02,880 --> 01:28:07,000
Speaker 1: Gotta go out. Not only is this my real effort,

1366
01:28:07,240 --> 01:28:10,840
Speaker 1: I bought a real professional way hit this and she

1367
01:28:11,080 --> 01:28:17,040
Speaker 1: not gonna fake nothing. And then you throw a blueo

1368
01:28:17,200 --> 01:28:23,120
Speaker 1: ad in the middle of that long dost of magnum.

1369
01:28:23,360 --> 01:28:28,760
Speaker 1: Get sponsorship to everybody with this. Damn you got the boy.

1370
01:28:28,840 --> 01:28:30,880
Speaker 1: That's a hell of a task to make up. You

1371
01:28:31,000 --> 01:28:33,360
Speaker 1: gotta get your face back from the world seeing you're

1372
01:28:33,400 --> 01:28:38,400
Speaker 1: doing the first of all. Cash is one of the sponsors.

1373
01:28:39,560 --> 01:28:43,920
Speaker 1: I want some good lights. Can we get Benny Benn

1374
01:28:44,000 --> 01:28:47,400
Speaker 1: the director? Shave funk that somebody to get picking on

1375
01:28:47,479 --> 01:28:49,960
Speaker 1: the line, I won't pick it in the director Pinky's

1376
01:28:50,000 --> 01:28:54,479
Speaker 1: gonna be my creative director on this man. Then he's like, Loos,

1377
01:28:54,479 --> 01:28:56,240
Speaker 1: how did you prevent for this ship? They're just gonna

1378
01:28:56,240 --> 01:28:58,479
Speaker 1: see me and Westley Pipes over there talking to the wall.

1379
01:28:58,760 --> 01:29:01,400
Speaker 1: You like that, dick, don't you bit sat again? Take

1380
01:29:01,479 --> 01:29:04,920
Speaker 1: that bit, you dirty bitch? That ain't it Again't lock

1381
01:29:05,000 --> 01:29:09,160
Speaker 1: down the mid dig like a pity Yeah, going through

1382
01:29:09,200 --> 01:29:12,679
Speaker 1: training like Rocky. They're still the dig like a bank robber.

1383
01:29:14,360 --> 01:29:16,920
Speaker 1: Still this stick for me. She better steal this dick

1384
01:29:17,000 --> 01:29:19,760
Speaker 1: for me. I still got dick left. You must don't

1385
01:29:19,760 --> 01:29:25,960
Speaker 1: want to steal all up. Oh you gotta go through it.

1386
01:29:27,040 --> 01:29:31,479
Speaker 1: Take that dick, buy nigga good by. Oh my god, bro,

1387
01:29:33,000 --> 01:29:34,720
Speaker 1: you know nigga missed the markets. Teach you how to

1388
01:29:34,800 --> 01:29:39,080
Speaker 1: keep you and you know that's the craziest ship when

1389
01:29:39,160 --> 01:29:41,160
Speaker 1: the woman wants you to want to hear that type

1390
01:29:41,200 --> 01:29:44,640
Speaker 1: of ship, say that ship when you fucking still that

1391
01:29:44,760 --> 01:29:48,880
Speaker 1: dick like the bank rock. Oh man, you don't even

1392
01:29:48,920 --> 01:29:51,320
Speaker 1: know if you know how funny that ship is right there,

1393
01:29:51,439 --> 01:29:54,360
Speaker 1: my nigga, Oh my god, you gotta talk to these

1394
01:29:54,400 --> 01:29:57,920
Speaker 1: women crazy while you're having to say, spend the weekend

1395
01:29:58,000 --> 01:29:59,640
Speaker 1: and this pluss it like when your family comes to

1396
01:29:59,720 --> 01:30:04,639
Speaker 1: visit and don't go home. Yeah yeah, and that west

1397
01:30:04,680 --> 01:30:06,920
Speaker 1: they probably the greatest that they canna say anything to

1398
01:30:07,000 --> 01:30:09,160
Speaker 1: a bit. Yeah, but you probably have the stove on,

1399
01:30:09,320 --> 01:30:11,960
Speaker 1: didn you, ungrateful bitch? You don't even give a funk

1400
01:30:12,000 --> 01:30:15,840
Speaker 1: about this electric bill and this motherfucking dudy bitch. Yeah,

1401
01:30:15,920 --> 01:30:20,559
Speaker 1: I'm gonna suck the electric bill, grateful bit. You left

1402
01:30:20,600 --> 01:30:23,680
Speaker 1: my stove on. D Yeah, bitch, I'm a sucking for

1403
01:30:23,760 --> 01:30:28,200
Speaker 1: this electric Well this goddamn lights on, you're just gonna

1404
01:30:28,280 --> 01:30:31,680
Speaker 1: run the goddamn like bill right, that digg it was different, bro,

1405
01:30:32,439 --> 01:30:36,120
Speaker 1: that nigg it was different here to talk about anything, Yeah, bitch, Yeah,

1406
01:30:36,160 --> 01:30:37,960
Speaker 1: I know you left the car running. Then you bitch,

1407
01:30:38,040 --> 01:30:40,400
Speaker 1: you think you leave and I'm for a long time.

1408
01:30:41,160 --> 01:30:46,960
Speaker 1: Yeah about your gas ship out she for a long time.

1409
01:30:47,360 --> 01:30:49,639
Speaker 1: You thought this was gonna be a short scene, No bits,

1410
01:30:49,720 --> 01:30:53,599
Speaker 1: this an episode, Bitch, this dig longer than the rat

1411
01:30:53,720 --> 01:30:56,680
Speaker 1: over here. You like this type of ship, You like

1412
01:30:56,920 --> 01:31:01,599
Speaker 1: this type of ship though, you're a crazy bitch, crazy bitch,

1413
01:31:19,560 --> 01:31:31,920
Speaker 1: you gotta tell some ship like that ship longer in

1414
01:31:32,000 --> 01:31:41,960
Speaker 1: the ro Oh man, oh, ship man, Oh I love

1415
01:31:42,040 --> 01:31:46,880
Speaker 1: this ship. Man, god, oh god man. There's nothing like

1416
01:31:47,600 --> 01:31:50,240
Speaker 1: just just say you're talking about how westy pipe to

1417
01:31:50,320 --> 01:31:53,160
Speaker 1: be talking a bit bordos and ship like I told crazy,

1418
01:31:53,280 --> 01:31:56,320
Speaker 1: think a little the pipe on the gin bit just

1419
01:31:56,439 --> 01:32:05,240
Speaker 1: tick longer in the rat over here, say anything. Hey,

1420
01:32:05,560 --> 01:32:08,000
Speaker 1: he told two bitches, He said, you take my dick

1421
01:32:08,120 --> 01:32:11,160
Speaker 1: that way, you take my balls that way. I said this,

1422
01:32:11,520 --> 01:32:15,240
Speaker 1: nigga crazy, He said, yeah, you get over there with

1423
01:32:15,320 --> 01:32:18,840
Speaker 1: that dick. You get over there with the balls. I said, yeah,

1424
01:32:19,000 --> 01:32:24,519
Speaker 1: this this this dick, this this is my ship. Like, bro, hey,

1425
01:32:24,720 --> 01:32:27,439
Speaker 1: Wesley Parkes, come on the show man. You gotta ask

1426
01:32:27,479 --> 01:32:34,000
Speaker 1: you some questions. Brot the greatest, like pornographic literature. If

1427
01:32:34,000 --> 01:32:36,560
Speaker 1: you just wrote down all the ship he said, I

1428
01:32:36,560 --> 01:32:39,439
Speaker 1: remember he was he had one. He was some green

1429
01:32:39,560 --> 01:32:42,200
Speaker 1: chucks on. He said, yeah, I know, y'all wonder why

1430
01:32:42,240 --> 01:32:49,280
Speaker 1: I got these motherfucker's on Happy St. Patrick's today. Nigga, Bro,

1431
01:32:49,840 --> 01:32:54,040
Speaker 1: this nigga was the chick he grabbed. Get your wass

1432
01:32:54,080 --> 01:33:00,439
Speaker 1: out of the camp. This is my shot. Yeah, you know,

1433
01:33:01,040 --> 01:33:04,519
Speaker 1: just the craziest out to. No, I don't cut this out,

1434
01:33:04,640 --> 01:33:06,960
Speaker 1: and I don't know what you think it might be.

1435
01:33:07,080 --> 01:33:10,160
Speaker 1: I have a Disney series coming out. This nigging the

1436
01:33:10,280 --> 01:33:13,880
Speaker 1: voice of the Teacups and ship. I do space Jam

1437
01:33:13,960 --> 01:33:17,040
Speaker 1: and ain't telling nobody. They just gotta check for thirty million.

1438
01:33:17,120 --> 01:33:21,240
Speaker 1: He just coming to keep a low profile. Did all

1439
01:33:21,320 --> 01:33:25,559
Speaker 1: the body works for all the background cartoons, right, million

1440
01:33:25,600 --> 01:33:29,000
Speaker 1: dollar check like they go with us too. So at

1441
01:33:29,080 --> 01:33:33,320
Speaker 1: some point they got to a voice. You know, man,

1442
01:33:33,400 --> 01:33:35,719
Speaker 1: we need to be we will be getting them shots.

1443
01:33:35,760 --> 01:33:37,600
Speaker 1: People want to hear us because they don't know that

1444
01:33:37,720 --> 01:33:40,280
Speaker 1: we want to be over there like you guys want

1445
01:33:40,479 --> 01:33:42,800
Speaker 1: want to get some voice officers who I would love

1446
01:33:42,880 --> 01:33:45,080
Speaker 1: to be. I don't even care, Like make me a

1447
01:33:45,200 --> 01:33:48,600
Speaker 1: serial character's voice a new one. Now you need to

1448
01:33:48,640 --> 01:33:54,160
Speaker 1: be two voice of the hoodie. Who's who voice by

1449
01:33:54,280 --> 01:33:57,479
Speaker 1: Chicko man? That would be dope can man. Then they

1450
01:33:57,720 --> 01:33:59,479
Speaker 1: come out and be like follow your no, no I

1451
01:33:59,560 --> 01:34:04,200
Speaker 1: main and your mama eat your fruit loose. You did

1452
01:34:06,840 --> 01:34:08,920
Speaker 1: the new thing that glows? She was told the tiger

1453
01:34:09,000 --> 01:34:18,640
Speaker 1: bro boy, you know, make it hood They're good. I

1454
01:34:18,720 --> 01:34:24,600
Speaker 1: want to be the voice to Tyrone and he's the

1455
01:34:24,760 --> 01:34:36,439
Speaker 1: goodest series voice. But all the store there the brand

1456
01:34:37,800 --> 01:34:40,160
Speaker 1: you know you you know you'll be cool. They can

1457
01:34:40,240 --> 01:34:43,439
Speaker 1: get motherfucker couch chocolar bro. No, they gotta be that honeyball.

1458
01:34:45,040 --> 01:34:50,800
Speaker 1: Can't get enough of that golden cre that they can

1459
01:34:50,840 --> 01:34:55,280
Speaker 1: be walked around high with no paints on sweater. Sugar Baby,

1460
01:34:55,680 --> 01:34:59,400
Speaker 1: you ever try, sugar Baby, it may be cool because

1461
01:34:59,479 --> 01:35:01,960
Speaker 1: sugar Ba ever to go go back eu that they

1462
01:35:02,080 --> 01:35:04,760
Speaker 1: got one of the colds. Ever said, before you come

1463
01:35:04,880 --> 01:35:08,840
Speaker 1: see sugar Bear, caught mer hair brush your hair. I

1464
01:35:09,200 --> 01:35:14,360
Speaker 1: hold that. Then the song went off left that that

1465
01:35:14,520 --> 01:35:17,120
Speaker 1: was his last message, before you come see sugar bear,

1466
01:35:17,439 --> 01:35:19,400
Speaker 1: call me here, bus your if I had a serial,

1467
01:35:19,479 --> 01:35:25,360
Speaker 1: you know what, what save me songs? Some save me songs. Yeah,

1468
01:35:28,479 --> 01:35:32,240
Speaker 1: it's all the serial takes. Everybody tastes like it's the

1469
01:35:32,360 --> 01:35:37,479
Speaker 1: last one, right, don't get something that's good. Everybody tastes

1470
01:35:37,479 --> 01:35:39,439
Speaker 1: like it's the last bite, and they're gonna be good.

1471
01:35:39,479 --> 01:35:42,479
Speaker 1: You can feed them to your baby, just dry your baby.

1472
01:35:42,520 --> 01:35:45,280
Speaker 1: I love it. Yeah, they're gonna have the same nutritional value.

1473
01:35:45,320 --> 01:35:53,360
Speaker 1: It's cheerios. Help your hearts, cholesterol boy with flavor cheerios around,

1474
01:35:53,400 --> 01:35:56,840
Speaker 1: save your life on the look regular cheerios. If your

1475
01:35:56,920 --> 01:36:00,360
Speaker 1: doctor prescribe your cheerios, you're in trouble. I mean, if

1476
01:36:00,400 --> 01:36:05,480
Speaker 1: you really need the two most bland, cheering, regular chereos

1477
01:36:05,680 --> 01:36:10,280
Speaker 1: and regular kicks, eat regular kicks with nothing on them.

1478
01:36:10,320 --> 01:36:15,000
Speaker 1: Then used the cold blood nigger project. You grew up

1479
01:36:15,040 --> 01:36:21,280
Speaker 1: in the project every day you might, I know, yeah,

1480
01:36:21,479 --> 01:36:24,760
Speaker 1: regular kicks nigger. Worst serious I ever had in my

1481
01:36:24,880 --> 01:36:28,439
Speaker 1: life is goddamned total. I live in the house of

1482
01:36:28,520 --> 01:36:33,519
Speaker 1: old people. Total in that bitch. That total I ain't

1483
01:36:33,560 --> 01:36:39,360
Speaker 1: even gonna say that. You can have it. That tastes

1484
01:36:39,400 --> 01:36:44,960
Speaker 1: like what was it called the total ship? Oh yeah,

1485
01:36:45,000 --> 01:36:47,240
Speaker 1: Total it's that tastes. Yeah, but they taste like the

1486
01:36:47,280 --> 01:36:49,920
Speaker 1: rece Christie, not the one I had. It ain't taste

1487
01:36:49,920 --> 01:36:54,280
Speaker 1: like no Rice, Crispie. That ship tastes like weat bread

1488
01:36:54,360 --> 01:36:56,599
Speaker 1: with milk on it. That you're talking about, Crispy Rice.

1489
01:36:56,760 --> 01:37:01,040
Speaker 1: They got some ships that's like flakes, but they tasted

1490
01:37:01,120 --> 01:37:08,519
Speaker 1: like the breasts them, y'all. Okay, Cristicks, I have seen

1491
01:37:08,560 --> 01:37:12,800
Speaker 1: that we put an extra layer. Get this stupid shot

1492
01:37:12,840 --> 01:37:16,720
Speaker 1: out of here. You didn't think you was gonna like,

1493
01:37:16,840 --> 01:37:21,679
Speaker 1: but what the fund is that got a little clown

1494
01:37:21,800 --> 01:37:26,800
Speaker 1: faces with little marshmallows and the marshmallows flavor. Yeah, get

1495
01:37:26,880 --> 01:37:33,760
Speaker 1: that ship in big lots. Okay, Yeah, I don't know

1496
01:37:33,840 --> 01:37:35,400
Speaker 1: if I ever had something I didn't think I was

1497
01:37:35,439 --> 01:37:38,200
Speaker 1: gonna sun with some of them checks. Yoh yeah. I

1498
01:37:38,320 --> 01:37:40,240
Speaker 1: was about to say check straight, you know what I mean?

1499
01:37:40,920 --> 01:37:45,439
Speaker 1: Check is good? What's another unusual serious there's some ship

1500
01:37:45,560 --> 01:37:48,040
Speaker 1: that's that's called olds. I don't know if you know

1501
01:37:48,080 --> 01:37:49,640
Speaker 1: what they they're come in the yellow box with a

1502
01:37:49,720 --> 01:37:53,360
Speaker 1: red sign on they called ohs my name, Jesus, oh

1503
01:37:53,439 --> 01:37:55,439
Speaker 1: my god. If you never had none of them, go

1504
01:37:55,560 --> 01:37:57,240
Speaker 1: get you some of them. They sell them at wal

1505
01:37:57,360 --> 01:37:59,800
Speaker 1: Mart and ship they called old Dick, yellow Box with

1506
01:38:00,080 --> 01:38:03,479
Speaker 1: red old one. These bitches parties, all the groom people

1507
01:38:03,520 --> 01:38:06,400
Speaker 1: watching this. It ain't gonna be about tempercing. That guy

1508
01:38:06,520 --> 01:38:08,920
Speaker 1: actually drink milk, right, yeah I ain't. I can't no

1509
01:38:09,040 --> 01:38:11,080
Speaker 1: more evil but a And then they got all the

1510
01:38:11,160 --> 01:38:14,000
Speaker 1: other milks. No, I can't drink that even I'm allergic

1511
01:38:14,280 --> 01:38:18,720
Speaker 1: oat milk, oat milk, got oat milk. Yeah, but that

1512
01:38:18,760 --> 01:38:25,120
Speaker 1: ship tastes saying like you had something. Yeah, what's drinking again?

1513
01:38:28,360 --> 01:38:31,559
Speaker 1: I think milk is gonna taste how you imagine it? Yeah,

1514
01:38:31,680 --> 01:38:34,719
Speaker 1: it's just it ain't too different like the cash you milk.

1515
01:38:34,800 --> 01:38:37,760
Speaker 1: I haven't had that ship. That ship ain't too different. Yeah,

1516
01:38:39,680 --> 01:38:44,720
Speaker 1: yeah I should sweat up. Yeah, I'm allergic to not

1517
01:38:44,880 --> 01:38:49,960
Speaker 1: not no no, but if she rubbed it's some peanut butter,

1518
01:38:51,080 --> 01:38:54,320
Speaker 1: that's she trying to kill me. Yeah, trying to kill me.

1519
01:38:54,400 --> 01:38:58,799
Speaker 1: But that's fucked up. You never know the sweet taste

1520
01:38:58,840 --> 01:39:03,240
Speaker 1: of peanut butter on the that's a real reasons call. Hey,

1521
01:39:04,160 --> 01:39:06,160
Speaker 1: that's where they got the idea for the reasons cup.

1522
01:39:06,240 --> 01:39:09,479
Speaker 1: He said, man made me a little areola. I respect

1523
01:39:09,520 --> 01:39:14,680
Speaker 1: that the taste like peanut butter. We're being busy. I'm

1524
01:39:14,680 --> 01:39:17,560
Speaker 1: about to let these people know the Ariola jerseys have

1525
01:39:17,680 --> 01:39:22,800
Speaker 1: coming soon. They've been asking Ariola, Jera popular demand, that's

1526
01:39:22,840 --> 01:39:25,080
Speaker 1: one of the one why just had made for me?

1527
01:39:25,200 --> 01:39:27,519
Speaker 1: And I ain't know nobody wanting ain't nowhere on the

1528
01:39:27,560 --> 01:39:30,080
Speaker 1: one on here And he's like, Nick, you don't site

1529
01:39:30,840 --> 01:39:34,720
Speaker 1: so Ariola, Jess, I'm gonna make I'm gonna bring a

1530
01:39:34,800 --> 01:39:37,400
Speaker 1: couple of color variations. I'm gonna come out with a

1531
01:39:37,479 --> 01:39:41,800
Speaker 1: whole bunch of teams and ship's name on the back chain.

1532
01:39:41,880 --> 01:39:49,040
Speaker 1: My name is Jeri Ariola, Like Jerry, what's your number?

1533
01:39:49,160 --> 01:39:56,639
Speaker 1: And what's your number? Ship was in bro we Jeri

1534
01:39:56,680 --> 01:40:01,719
Speaker 1: Ariola and I won't cheat. I won't cheat. It's Chief

1535
01:40:03,320 --> 01:40:11,160
Speaker 1: Chief Ariola. What's your name? Whoa let me see? Mind

1536
01:40:11,280 --> 01:40:19,760
Speaker 1: gonna be got damn oh we how about Jack Nipolas,

1537
01:40:21,800 --> 01:40:26,639
Speaker 1: Jack Nipples, Jack Nipolas, Jari Aiola and Chief I Sierio

1538
01:40:27,680 --> 01:40:29,040
Speaker 1: and man, we need that on the back of the

1539
01:40:29,120 --> 01:40:31,559
Speaker 1: joint and you can get your personalized if you want

1540
01:40:31,600 --> 01:40:33,160
Speaker 1: one of those. You're going one of that special We

1541
01:40:33,320 --> 01:40:35,800
Speaker 1: had those available for y'alls. We're about to have it

1542
01:40:35,840 --> 01:40:38,840
Speaker 1: out wrap all that. What's the other teams? Are you

1543
01:40:38,960 --> 01:40:46,680
Speaker 1: keeping them secret. Hello, too high? I was too low?

1544
01:40:48,800 --> 01:40:52,800
Speaker 1: You got too low? What other teams coming out? Let

1545
01:40:52,920 --> 01:40:55,880
Speaker 1: me see? Don't tell them yet because you know they'll

1546
01:40:55,880 --> 01:40:57,400
Speaker 1: be out here. They'd be to put the ship on

1547
01:40:57,479 --> 01:41:00,479
Speaker 1: the bootleg page. They might put it on the bootley

1548
01:41:00,560 --> 01:41:05,559
Speaker 1: paid don't tell them, yeah, saying you don't see when

1549
01:41:05,600 --> 01:41:08,040
Speaker 1: you see maybe they didn't made the ship already, right,

1550
01:41:11,240 --> 01:41:16,720
Speaker 1: yea be on my Facebook page, Jack Nippoles, how the

1551
01:41:16,800 --> 01:41:19,719
Speaker 1: fun you get? Sent you a friend request. I'm gonna

1552
01:41:19,720 --> 01:41:21,680
Speaker 1: go to Google. That's gonna show this old white man

1553
01:41:21,760 --> 01:41:26,599
Speaker 1: with tennis highlights, Jack Nipolas, first white man to integrate

1554
01:41:26,680 --> 01:41:30,000
Speaker 1: white people sports under the guys have been a minority.

1555
01:41:33,439 --> 01:41:37,479
Speaker 1: Uh yeah, man, I just funk with arios. And I

1556
01:41:37,560 --> 01:41:39,639
Speaker 1: feel like there's a lot of people out there who

1557
01:41:39,680 --> 01:41:42,720
Speaker 1: don't appreciate. There's a lot of women who don't even

1558
01:41:42,760 --> 01:41:47,920
Speaker 1: have none. Just straight nipple? What nipple ain't no area?

1559
01:41:48,280 --> 01:41:56,519
Speaker 1: Just typle titty nipple? Is that the scientific term port area?

1560
01:41:57,120 --> 01:41:59,320
Speaker 1: That's a good name for the Jersey t eat nipple.

1561
01:42:00,600 --> 01:42:09,040
Speaker 1: That was already one of my nipple. Yeah, okay, ted

1562
01:42:09,160 --> 01:42:12,960
Speaker 1: eat nipple, that's what I got. That one not already

1563
01:42:13,040 --> 01:42:16,000
Speaker 1: that was the original one. Okay. On the back, it

1564
01:42:16,080 --> 01:42:21,320
Speaker 1: was gonna say lover. Okay, was it the mascot ted

1565
01:42:21,400 --> 01:42:23,599
Speaker 1: eating and I kept saying, like, what is it tired?

1566
01:42:23,720 --> 01:42:27,120
Speaker 1: I was like, no, it's titty, So is it together?

1567
01:42:27,200 --> 01:42:35,200
Speaker 1: I was like, no, it's space, bro. And then he

1568
01:42:35,240 --> 01:42:38,840
Speaker 1: gave you some ship to said tired love. Yeah, let's

1569
01:42:39,080 --> 01:42:43,160
Speaker 1: what I asked. It looked like tad love, but it's

1570
01:42:43,280 --> 01:42:47,479
Speaker 1: titty lover, titty love. We can come out with some candy,

1571
01:42:47,560 --> 01:42:51,160
Speaker 1: called them teddy suckers. Let me like titty shake and

1572
01:42:51,160 --> 01:42:53,240
Speaker 1: they're gonna give him out of that baby show. It's

1573
01:42:53,280 --> 01:42:58,880
Speaker 1: two over two up right double boom, and it's like

1574
01:42:59,040 --> 01:43:01,360
Speaker 1: like some gus you send nipple, so like you gotta

1575
01:43:01,800 --> 01:43:05,519
Speaker 1: yeah that you took it. Yeah, she sut with that idea,

1576
01:43:05,840 --> 01:43:10,559
Speaker 1: that's brilliant, and she was like that's too much. Well

1577
01:43:10,640 --> 01:43:15,160
Speaker 1: maybe cooking. You're trying to come up with the products. Yeah,

1578
01:43:17,200 --> 01:43:19,360
Speaker 1: y'all got some great ideas. Bro. We should do more

1579
01:43:19,479 --> 01:43:24,040
Speaker 1: picture meetings. You know what you go you gonna get, uh,

1580
01:43:24,200 --> 01:43:27,479
Speaker 1: you gotta get something for the scammels. We don't see

1581
01:43:27,760 --> 01:43:34,560
Speaker 1: scam the navy in Jersey, Yeah, scammed the neighbors. You

1582
01:43:34,640 --> 01:43:38,320
Speaker 1: know what would be cold the Scammamaniacs to make it

1583
01:43:38,439 --> 01:43:41,680
Speaker 1: like a cartoon, the scammer Maniacs like the Animaniacs, but

1584
01:43:41,720 --> 01:43:47,559
Speaker 1: it's just a cartoon about niggas that scam everybody. Mm hmm.

1585
01:43:48,240 --> 01:43:51,880
Speaker 1: They go to jail every episode everyone, but they get out.

1586
01:43:53,800 --> 01:43:55,600
Speaker 1: It's just like Pinky in the brain. They try to

1587
01:43:55,680 --> 01:43:57,840
Speaker 1: take over the world through scamming and never work out.

1588
01:44:00,320 --> 01:44:06,320
Speaker 1: Mm hmmm. Be on somebody network like The Scamamaniacs coming

1589
01:44:06,320 --> 01:44:10,720
Speaker 1: to a Netflix series. So check this out and hit.

1590
01:44:11,320 --> 01:44:15,240
Speaker 1: It takes place in scam New Jersey. Okay, that's what

1591
01:44:16,479 --> 01:44:18,360
Speaker 1: hit you. So y'all gonna take our ship like this?

1592
01:44:20,280 --> 01:44:23,960
Speaker 1: Oh you mean it's a group already problem It will

1593
01:44:24,000 --> 01:44:28,960
Speaker 1: be about scamamaniacs on y'all. Y'all shouldn't have never said

1594
01:44:29,040 --> 01:44:32,760
Speaker 1: our name. Y'all want to sit there and talk about

1595
01:44:32,840 --> 01:44:36,719
Speaker 1: us on y'all. Don't y'all post our music or something.

1596
01:44:37,680 --> 01:44:41,840
Speaker 1: You're gonna keep our name, y'all. I don't think I

1597
01:44:41,960 --> 01:44:44,080
Speaker 1: know one thing. If you niggas ever come to South

1598
01:44:44,200 --> 01:44:49,559
Speaker 1: Dakota though, that's believe it's going down your nigga. Oh,

1599
01:44:50,280 --> 01:44:52,799
Speaker 1: I know one place y'all won't be doing no shows

1600
01:44:52,880 --> 01:44:58,960
Speaker 1: that playing field South Dakota scalp a Babia. They get niggas.

1601
01:44:59,080 --> 01:45:02,760
Speaker 1: You're to wrestle, Bay is gonna be at least we

1602
01:45:02,920 --> 01:45:06,560
Speaker 1: at least fifty niggas. Deep nigga, bitch. We call the

1603
01:45:06,600 --> 01:45:10,320
Speaker 1: city scam a lot NIGGAO states nigga. A matter of fact, nigga,

1604
01:45:10,360 --> 01:45:12,800
Speaker 1: don't say my name. I'm starch scamm a lot. I

1605
01:45:12,920 --> 01:45:15,160
Speaker 1: know one thing, nigga, I've been not see none of

1606
01:45:15,240 --> 01:45:23,400
Speaker 1: you niggas with no orange on one Nigga. I'm scamming

1607
01:45:23,439 --> 01:45:42,320
Speaker 1: your colors ship. That's just stupid. Mm hmm. No, man,

1608
01:45:42,840 --> 01:45:46,040
Speaker 1: we're taking over. We gotta do some more pictures though.

1609
01:45:47,400 --> 01:45:49,960
Speaker 1: A lot of ship needs to be out here. Oh man.

1610
01:45:50,200 --> 01:45:54,840
Speaker 1: So yeah, yeah. I mean, I feel like the best

1611
01:45:54,960 --> 01:45:57,160
Speaker 1: I could really offer in the world of scamming is

1612
01:45:57,200 --> 01:45:58,840
Speaker 1: if I can come out withold a like like a

1613
01:45:58,960 --> 01:46:03,400
Speaker 1: line up exclusive bags with a lot of zimpers and

1614
01:46:03,439 --> 01:46:06,080
Speaker 1: ship on the inside. I think you can target the

1615
01:46:06,160 --> 01:46:10,400
Speaker 1: SCA need more bags with compartments. I feel like scammers

1616
01:46:10,479 --> 01:46:13,840
Speaker 1: made thing right now. They come out with some bags

1617
01:46:13,880 --> 01:46:17,560
Speaker 1: and call them the Glove Company utility function empty on

1618
01:46:17,640 --> 01:46:21,519
Speaker 1: the glove compartments or not. They need to look empty

1619
01:46:21,880 --> 01:46:25,560
Speaker 1: like yeah, you can, Like, that's possible no matter what

1620
01:46:25,640 --> 01:46:27,760
Speaker 1: you put it. But they can't look too crazy. Yeah,

1621
01:46:29,160 --> 01:46:31,720
Speaker 1: like it's empty, but it's room for some ship. But

1622
01:46:31,840 --> 01:46:39,200
Speaker 1: it's empty, it's possible with it being fulled various pockets

1623
01:46:39,920 --> 01:46:44,400
Speaker 1: like a computer hacker. Yeah. I think we should come

1624
01:46:44,439 --> 01:46:48,200
Speaker 1: out with some underwear from nasty people, like underwear that

1625
01:46:48,320 --> 01:46:56,320
Speaker 1: cleans your ass. That's that's why sometimes you think you

1626
01:46:56,439 --> 01:46:58,600
Speaker 1: did it better than you did, but you didn't. You

1627
01:46:58,720 --> 01:47:00,640
Speaker 1: didn't do as good as you did. Each pair of

1628
01:47:00,760 --> 01:47:05,120
Speaker 1: drowns got two asses and you just ripped await one white,

1629
01:47:07,920 --> 01:47:16,280
Speaker 1: So you gotto we called you got to shoot you

1630
01:47:16,439 --> 01:47:20,000
Speaker 1: pull it out. White guys, toss that motherfucker and then

1631
01:47:20,080 --> 01:47:23,679
Speaker 1: there's one more. Yeah, and then after that you're done. Done.

1632
01:47:23,720 --> 01:47:28,800
Speaker 1: You get your home. Got it gets you home. They

1633
01:47:28,920 --> 01:47:35,320
Speaker 1: always get your home. You just you just got page

1634
01:47:35,400 --> 01:47:39,160
Speaker 1: like in the ground beef. Yeah, want to be on

1635
01:47:39,200 --> 01:47:42,960
Speaker 1: the bottom and the chickens to be on the bottom

1636
01:47:43,000 --> 01:47:47,519
Speaker 1: of the chicken take one of them out and she

1637
01:47:47,800 --> 01:47:55,040
Speaker 1: got That's like, that's one of the still making making

1638
01:47:55,120 --> 01:47:58,639
Speaker 1: real comfortable. You out, you shot on yourself with your boot.

1639
01:47:58,720 --> 01:48:03,080
Speaker 1: Is you see guy rolls and you ain't even got

1640
01:48:03,160 --> 01:48:06,960
Speaker 1: to change your drolls. That's it, man. What's the fleshable

1641
01:48:07,000 --> 01:48:19,360
Speaker 1: boot of the part? That's it? Crazy scratch, do a snatch.

1642
01:48:19,560 --> 01:48:25,240
Speaker 1: That's all you gotta do. Right ahead, Man, you're kind

1643
01:48:25,280 --> 01:48:30,080
Speaker 1: of having to wipe your ass on the go for

1644
01:48:30,200 --> 01:48:34,080
Speaker 1: the man who can't stop to wipe his ass shutter

1645
01:48:34,280 --> 01:48:38,400
Speaker 1: at the point the devil eggs run right through you.

1646
01:48:39,600 --> 01:48:59,479
Speaker 1: We speak like the last kind of ship. Man. They've

1647
01:48:59,479 --> 01:49:02,160
Speaker 1: been keeping black man from advent ship for the last

1648
01:49:02,240 --> 01:49:05,960
Speaker 1: couple of hundred years. Yeah, you heard it here first. Yeah,

1649
01:49:06,320 --> 01:49:08,720
Speaker 1: much of ship they had heard here first and it

1650
01:49:08,840 --> 01:49:14,519
Speaker 1: ran off. I really made that version of Meet the Bradness.

1651
01:49:14,600 --> 01:49:18,639
Speaker 1: I saw it. M Yeah, he showed me that ship,

1652
01:49:18,680 --> 01:49:20,640
Speaker 1: and I said, I gonna do the show Meet the

1653
01:49:20,680 --> 01:49:24,160
Speaker 1: Bradness about a black dude getting with a white chicken

1654
01:49:24,200 --> 01:49:27,880
Speaker 1: and they just scam in America mm hmm. And her

1655
01:49:28,040 --> 01:49:30,360
Speaker 1: kids and his kids get together and they scammed into

1656
01:49:30,479 --> 01:49:34,120
Speaker 1: and they used her racism to the advantage and ship.

1657
01:49:35,680 --> 01:49:40,559
Speaker 1: This classic we're talking about it. That Steve Studio Meet

1658
01:49:40,600 --> 01:49:45,360
Speaker 1: the Bradness people made flys and ship for wait minute,

1659
01:49:45,400 --> 01:49:48,800
Speaker 1: so this was this is what you said? Yeah, and

1660
01:49:48,880 --> 01:49:51,240
Speaker 1: then what they said they got a show coming and

1661
01:49:51,320 --> 01:49:54,719
Speaker 1: they ain't say nothing to you. So they're talking about

1662
01:49:54,760 --> 01:49:59,200
Speaker 1: them there, they said, and then they stopped saying. They

1663
01:49:59,280 --> 01:50:01,120
Speaker 1: just showed it. I've just seen it, just came on

1664
01:50:05,960 --> 01:50:16,880
Speaker 1: and it's what you the premise yep, yep, such as

1665
01:50:16,920 --> 01:50:19,439
Speaker 1: the life of a Niggative Solid. That's all right, We're

1666
01:50:19,479 --> 01:50:22,200
Speaker 1: about to come out with some motion. Booty is gonna

1667
01:50:22,200 --> 01:50:24,920
Speaker 1: take the game over already. Ain't working with them and

1668
01:50:25,560 --> 01:50:30,200
Speaker 1: a million dollars first week and they're gonna steal that

1669
01:50:30,280 --> 01:50:34,160
Speaker 1: ship literally, Yep, damn, that's all right. I got a

1670
01:50:34,200 --> 01:50:39,160
Speaker 1: lot of ideas. You gotta get them out. They can't

1671
01:50:39,160 --> 01:50:42,519
Speaker 1: stop this. We still got that Collos, but now we

1672
01:50:42,600 --> 01:50:45,519
Speaker 1: got that's the part that they don't know. It's got

1673
01:50:45,600 --> 01:50:51,080
Speaker 1: an age. Yeah, hit boy boy. The commercials we're gonna

1674
01:50:51,080 --> 01:50:53,720
Speaker 1: shoot for that. We don't have. Motherfucker's so respectful. The

1675
01:50:53,840 --> 01:50:56,960
Speaker 1: drunk around here. I'm talking about a two step drunk.

1676
01:50:58,680 --> 01:51:01,639
Speaker 1: You know, you get drunk started. Yeah, but there ain't

1677
01:51:01,760 --> 01:51:04,120
Speaker 1: no music on. But you ain't nobody's way and ain't

1678
01:51:04,120 --> 01:51:12,160
Speaker 1: nobody in yrs Calos Bana game change. It's gonna be great.

1679
01:51:13,400 --> 01:51:19,759
Speaker 1: Burgh whiskey kanyak kak, that's what that's how the commercial

1680
01:51:19,880 --> 01:51:24,200
Speaker 1: like you gotta turn them down that nobody wants to

1681
01:51:24,280 --> 01:51:29,679
Speaker 1: conquer the delicious market and liver you delicious. Delicious. People

1682
01:51:29,760 --> 01:51:33,559
Speaker 1: like it because it tastes good. H ain't no krnyak

1683
01:51:33,640 --> 01:51:37,439
Speaker 1: that tastes good. This one's gonna be delicious. What was?

1684
01:51:38,439 --> 01:51:42,280
Speaker 1: I can't I can't tell you what's gonna be the

1685
01:51:42,360 --> 01:51:48,439
Speaker 1: flavor profile just delicious. You can't give me hints or

1686
01:51:48,520 --> 01:51:56,640
Speaker 1: notes of nothing mornings in Athens mornings. You know what

1687
01:51:56,760 --> 01:52:03,200
Speaker 1: it tastes like? Know what it takes you like success? Okay,

1688
01:52:04,960 --> 01:52:09,640
Speaker 1: tastes like well, not olympus pineapple with a hint of

1689
01:52:09,720 --> 01:52:13,519
Speaker 1: jolly rinch. There you go, joy er pineapple, jolly rancher,

1690
01:52:13,600 --> 01:52:22,080
Speaker 1: No pineapple hint a hint of a hind of green apple,

1691
01:52:22,160 --> 01:52:26,280
Speaker 1: jolly rancher, go so hard. But you know what the

1692
01:52:26,320 --> 01:52:35,360
Speaker 1: flavored profile is spicy sweet, spicy This Mexican it's more

1693
01:52:35,520 --> 01:52:43,719
Speaker 1: like like like Haber narrow sweet and sale. It's gonna

1694
01:52:43,720 --> 01:52:46,720
Speaker 1: be spicy sweet because it's gonna hit you like the

1695
01:52:46,800 --> 01:52:49,479
Speaker 1: liquor need to hit you. And the sweetness is it

1696
01:52:50,160 --> 01:52:54,559
Speaker 1: right there to make you keep drinking and ship where

1697
01:52:54,640 --> 01:52:56,639
Speaker 1: you know when you when you mix these two together,

1698
01:52:56,760 --> 01:52:59,240
Speaker 1: you know what you got you have a delicious liquor.

1699
01:53:00,520 --> 01:53:02,880
Speaker 1: What to stop looking like you're not gonna buy this? Man?

1700
01:53:03,120 --> 01:53:07,280
Speaker 1: You know what she like this? Oh you mean the

1701
01:53:07,400 --> 01:53:11,160
Speaker 1: two flavors. Yeah, when you mix these two flavors, when

1702
01:53:11,200 --> 01:53:13,800
Speaker 1: you get put those two elements together, you get a

1703
01:53:13,920 --> 01:53:19,639
Speaker 1: delicious liquor. It's great for celebration, it's great for all

1704
01:53:19,800 --> 01:53:24,479
Speaker 1: types of things. The list, that's the distribution sad notes.

1705
01:53:24,520 --> 01:53:26,200
Speaker 1: You know, when you've been somewhere on a long time,

1706
01:53:26,240 --> 01:53:29,000
Speaker 1: when the young nigga starts stealing snacks, that's when it

1707
01:53:30,280 --> 01:53:35,240
Speaker 1: three times. That's all he likes snacks, food, just snack.

1708
01:53:36,000 --> 01:53:39,920
Speaker 1: He brought him and he went three times that they

1709
01:53:40,000 --> 01:53:44,920
Speaker 1: got the halapeeno cheetos over there living his wildest dreams

1710
01:53:44,960 --> 01:53:46,920
Speaker 1: in the small buny like nigger walking. I can have

1711
01:53:47,160 --> 01:53:49,960
Speaker 1: whatever I want. Hey man, the next bag had to

1712
01:53:50,000 --> 01:53:56,679
Speaker 1: be three those. He's been in this being a cold boss.

1713
01:53:58,000 --> 01:54:02,360
Speaker 1: You know he's been doing it bad. They three websites.

1714
01:54:02,800 --> 01:54:09,000
Speaker 1: Let's see that amazing. He salls cryptocurrency. W one, Do

1715
01:54:09,120 --> 01:54:11,280
Speaker 1: we see the good ones? No, they're cheat They like

1716
01:54:11,360 --> 01:54:15,840
Speaker 1: a dad. He's selling the ones he made. I got,

1717
01:54:15,920 --> 01:54:20,200
Speaker 1: I got, I got my crypto. I can get you

1718
01:54:21,280 --> 01:54:23,639
Speaker 1: the other one. But some real ship. We gotta get

1719
01:54:23,800 --> 01:54:30,839
Speaker 1: us a cryptocurrency man, n f t S non fungible

1720
01:54:30,920 --> 01:54:34,680
Speaker 1: token something like that is what is it? Basically you

1721
01:54:34,840 --> 01:54:39,160
Speaker 1: just pay the half crypto version of whatever piece of

1722
01:54:39,240 --> 01:54:41,320
Speaker 1: media they decide for it to be. Other people can

1723
01:54:41,400 --> 01:54:43,360
Speaker 1: still see the ship, they can look at it whatever

1724
01:54:43,440 --> 01:54:48,040
Speaker 1: the but out the way he put out his n

1725
01:54:48,120 --> 01:54:51,120
Speaker 1: f t S and that makes people buy the motherfucker

1726
01:54:52,480 --> 01:54:57,120
Speaker 1: you want to sell them, yeah, sell them that hard

1727
01:54:57,840 --> 01:55:01,120
Speaker 1: and some exclusive ship. Just they don't get the physic.

1728
01:55:01,720 --> 01:55:04,760
Speaker 1: A rich as eight I want to get. You don't

1729
01:55:04,800 --> 01:55:13,960
Speaker 1: get the physical. It's like a digital goddamn trading card. Damn.

1730
01:55:14,000 --> 01:55:16,600
Speaker 1: Then it don't make sense getting me a crypto curacy.

1731
01:55:17,000 --> 01:55:26,760
Speaker 1: What you're gonna call it? Titty corn, titty cord, titty ky.

1732
01:55:30,200 --> 01:55:32,120
Speaker 1: I was trying to buy some bitcoin, but I saw

1733
01:55:33,200 --> 01:55:37,120
Speaker 1: a lot of cheap down. I got got to start

1734
01:55:37,160 --> 01:55:41,160
Speaker 1: going down to look like long, yeah, titty sit up.

1735
01:55:41,280 --> 01:55:44,920
Speaker 1: They had the market, girl, how's the tinny market? Well,

1736
01:55:45,000 --> 01:55:48,320
Speaker 1: you know it's up and down. Yeah, COUCHI coring to

1737
01:55:48,400 --> 01:55:58,800
Speaker 1: be cool to man that might already exist somewhere club

1738
01:55:58,920 --> 01:56:01,280
Speaker 1: somewhere in America. With that's what you had to put

1739
01:56:01,320 --> 01:56:04,200
Speaker 1: in the jukebox. That's gonna be the one. It works

1740
01:56:04,280 --> 01:56:09,400
Speaker 1: for all the guy damn nasty sites. That's how you

1741
01:56:09,480 --> 01:56:11,280
Speaker 1: pay for your only fans. That's how you pay for

1742
01:56:11,320 --> 01:56:15,120
Speaker 1: your little freaky couch your card, Yeah, couch, your card.

1743
01:56:16,520 --> 01:56:20,800
Speaker 1: You got a transfer subscription you pay white people. If

1744
01:56:20,840 --> 01:56:24,160
Speaker 1: it's his name that sounds futuristic. We could come out

1745
01:56:24,160 --> 01:56:26,560
Speaker 1: with the baby Daddy coin and call it baby Daticus,

1746
01:56:26,640 --> 01:56:33,440
Speaker 1: and they would baptatic Baticus coin. Ye, Baphtaticus, and we're

1747
01:56:33,520 --> 01:56:37,280
Speaker 1: all aware of the rabbit hole now traveled all the

1748
01:56:37,320 --> 01:56:43,160
Speaker 1: way down. Baphtaticus. Where did the name come from? It's

1749
01:56:43,200 --> 01:56:53,120
Speaker 1: an ancient placing right at the first misology, call the

1750
01:56:53,200 --> 01:57:00,880
Speaker 1: amount olympus. Baby. Maybe daddy is the first nigga slay

1751
01:57:00,960 --> 01:57:05,080
Speaker 1: the child support system. I am the third grandson the

1752
01:57:05,200 --> 01:57:12,960
Speaker 1: baby Dadakis. You've probably heard him referred to such names

1753
01:57:13,080 --> 01:57:18,440
Speaker 1: as Baptanticus, your baby. It's the same, whether it's Greek

1754
01:57:20,240 --> 01:57:26,280
Speaker 1: philosopher Bapdadicus came from the mountains of Negrotius Dame down

1755
01:57:27,640 --> 01:57:34,080
Speaker 1: writing an elephant, first brother of manson musa great grandson

1756
01:57:34,200 --> 01:57:40,520
Speaker 1: of Shapa Zulu. Baptanicus said us, whereabouts unknown until he

1757
01:57:40,600 --> 01:57:45,120
Speaker 1: started ruling the Persian Empire from five till seven hundred.

1758
01:57:47,560 --> 01:57:50,200
Speaker 1: Dad Kiss once fought a thousand men back to back,

1759
01:57:50,920 --> 01:57:53,200
Speaker 1: defeating them all by pushing him in the dick over

1760
01:57:53,240 --> 01:57:59,320
Speaker 1: and over again. At that point he saved the Negropolis.

1761
01:58:02,200 --> 01:58:07,840
Speaker 1: The king of Negropolis from seven hundred to seven twenty BC,

1762
01:58:08,360 --> 01:58:13,280
Speaker 1: when he was defeated by Babe Monicus. She was the

1763
01:58:13,360 --> 01:58:17,560
Speaker 1: only female ruler of the empire. It is as biggest

1764
01:58:17,560 --> 01:58:22,280
Speaker 1: Africa themselves. She came from the east and he came

1765
01:58:22,360 --> 01:58:27,400
Speaker 1: in the west. Mother of thirty seven babe Us. Babe

1766
01:58:27,440 --> 01:58:33,440
Speaker 1: Danakis died port and broke under the rule of child Saporcas.

1767
01:58:34,320 --> 01:58:40,680
Speaker 1: Negropolis was no longer no longer Mandicus was slaved by

1768
01:58:40,720 --> 01:58:49,800
Speaker 1: the rule of didn't marry Babe Monicas, sold half of

1769
01:58:49,880 --> 01:58:55,120
Speaker 1: the empire to the whites. That's when the Europeans moved

1770
01:58:55,200 --> 01:59:00,320
Speaker 1: into the Brudian to the Nebroodian mountains and reached lorded

1771
01:59:00,400 --> 01:59:10,840
Speaker 1: all of the natural resources. Freak lanes Babe death, Oh man,

1772
01:59:11,200 --> 01:59:21,680
Speaker 1: his kingdom now is known as Brazil. How that motherfucker

1773
01:59:21,960 --> 01:59:25,320
Speaker 1: the ocean and drowned just just snagged him to death.

1774
01:59:25,880 --> 01:59:28,760
Speaker 1: Didn't have a lot where to go, pushed him into

1775
01:59:29,280 --> 01:59:33,840
Speaker 1: Emily until he grew up his intestines. The same move

1776
01:59:34,000 --> 01:59:37,200
Speaker 1: that he had grown famous for had been turned on

1777
01:59:37,480 --> 01:59:41,520
Speaker 1: its head and to living right to his to the

1778
01:59:41,640 --> 01:59:47,320
Speaker 1: same move that he created. Another legend that Babe Monicas

1779
01:59:47,440 --> 01:59:55,280
Speaker 1: talked him to death. His last word with you first

1780
01:59:55,640 --> 01:59:58,720
Speaker 1: was that rather drowned and listen to this ship. He

1781
01:59:58,880 --> 02:00:03,440
Speaker 1: walked five down to the ocean and Philly was no.

1782
02:00:05,760 --> 02:00:19,400
Speaker 1: Oh man Sava of Babe Dadicus coming to the father

1783
02:00:19,520 --> 02:00:24,320
Speaker 1: of the university said to have over seventeen million. One

1784
02:00:24,360 --> 02:00:43,560
Speaker 1: in three people are oh, man, man stupid. That's crazy, man, Babicus, go,

1785
02:00:44,000 --> 02:00:52,120
Speaker 1: don't make it into a show. Right next phonetics storry,

1786
02:00:52,440 --> 02:00:59,200
Speaker 1: Tom Hayes rights, take digs club me short? Right? Who

1787
02:00:59,280 --> 02:01:03,480
Speaker 1: used to be in tile here? But watch that the period? Alright, alright,

1788
02:01:03,600 --> 02:01:07,000
Speaker 1: stop right the luck guys have been in the corner.

1789
02:01:07,320 --> 02:01:09,280
Speaker 1: We went through that. Look, that's why you have it

1790
02:01:09,360 --> 02:01:17,160
Speaker 1: because ain't tyler? Are you work? Will? Where I started on?

1791
02:01:17,680 --> 02:01:24,520
Speaker 1: You stopped? Yeah? You worst with you in the car.

1792
02:01:28,600 --> 02:01:36,840
Speaker 1: He's not welcoming here, he's not welcome. He never took

1793
02:01:36,920 --> 02:01:40,360
Speaker 1: me around the youre not built for this type of

1794
02:01:41,880 --> 02:01:44,560
Speaker 1: That's right, y'all know everybody cool. Wait till you get

1795
02:01:44,640 --> 02:01:47,560
Speaker 1: me some motherfucking friends, and then they're gonna show up

1796
02:01:47,560 --> 02:01:51,680
Speaker 1: with Bad Daddy. Y'all can have these old limited ass

1797
02:01:51,800 --> 02:01:55,360
Speaker 1: black actors. I'm coming through with the coolest motherfucker ever,

1798
02:01:55,960 --> 02:02:01,440
Speaker 1: Christopher Walking. I did somewhere here, man, Look all right,

1799
02:02:01,760 --> 02:02:05,800
Speaker 1: that's hap of God something with the Kingdom New York

1800
02:02:05,920 --> 02:02:13,000
Speaker 1: making all right've been working lower. He don't give a

1801
02:02:13,040 --> 02:02:15,680
Speaker 1: funk what I see on this show about that brand,

1802
02:02:15,720 --> 02:02:19,080
Speaker 1: Pitt love it. Yeah, we're working on fight club too.

1803
02:02:21,080 --> 02:02:25,960
Speaker 1: That's the name alter ego and it's gonna be called Square.

1804
02:02:26,200 --> 02:02:32,680
Speaker 1: That's what no fight club, that's one called Square. Man.

1805
02:02:33,240 --> 02:02:36,280
Speaker 1: This is the fight club to club ledgend of Tyler Dirton,

1806
02:02:37,400 --> 02:02:40,760
Speaker 1: and he's gonna be your alter ego. Yeah, well, it's

1807
02:02:40,920 --> 02:02:44,240
Speaker 1: just like he was. We kind of like alter egos together.

1808
02:02:46,000 --> 02:02:47,960
Speaker 1: It's kind of hard display without getting in the way.

1809
02:02:48,600 --> 02:02:52,960
Speaker 1: He's an alter ego. And I'm gonna soma, you know

1810
02:02:53,000 --> 02:02:56,840
Speaker 1: what I'm saying. It's like he gonna do half the ship,

1811
02:02:57,480 --> 02:02:59,880
Speaker 1: then I'm gonna do another hand and then what kind

1812
02:02:59,880 --> 02:03:02,080
Speaker 1: of meet in the middle, and then like the middle

1813
02:03:02,440 --> 02:03:08,840
Speaker 1: is like the direct conflict, like exactly, but perspective. Once

1814
02:03:08,840 --> 02:03:13,520
Speaker 1: you to make you know, we'll get into you. I'm working,

1815
02:03:14,720 --> 02:03:17,480
Speaker 1: we know, I'm working. I got a shot. Two irons

1816
02:03:17,560 --> 02:03:20,640
Speaker 1: in the fire. This ship don't stop. And that ship

1817
02:03:21,120 --> 02:03:25,600
Speaker 1: that money been gone. Yeah, all that ship were acting.

1818
02:03:26,200 --> 02:03:28,400
Speaker 1: Once you fire, you're done. You file the acting money go,

1819
02:03:28,840 --> 02:03:31,120
Speaker 1: you're done. You're fired. It ain't gone. But when you're doing,

1820
02:03:31,200 --> 02:03:36,120
Speaker 1: you're fired. But from that ship that's gonna like. Yeah,

1821
02:03:36,160 --> 02:03:38,720
Speaker 1: you work with a big name people. They got all

1822
02:03:38,720 --> 02:03:42,280
Speaker 1: the money. They took all the money. Yeah, you want

1823
02:03:42,320 --> 02:03:43,360
Speaker 1: to be in the ship. I want to be in

1824
02:03:43,400 --> 02:03:46,040
Speaker 1: the ship. No you don't. Being the ship with ain't nobody.

1825
02:03:46,080 --> 02:03:49,040
Speaker 1: So they got some money for you. Just you, that's

1826
02:03:49,080 --> 02:03:51,400
Speaker 1: the name of the movie. Has some money for me.

1827
02:03:52,440 --> 02:03:57,520
Speaker 1: You're working with great actors. Myself, I feel you, m

1828
02:04:00,040 --> 02:04:03,080
Speaker 1: I'm working on some ship though. I can't wait for

1829
02:04:03,160 --> 02:04:08,160
Speaker 1: y'all to see them. Like, oh, let's say that me

1830
02:04:08,240 --> 02:04:12,240
Speaker 1: and Marvin Gate. That's who's coming in. You know, they

1831
02:04:12,320 --> 02:04:15,480
Speaker 1: got the bio pick coming mart put that picture in there,

1832
02:04:15,520 --> 02:04:18,400
Speaker 1: they do. I'm sitting in it. They got speaking it

1833
02:04:18,480 --> 02:04:22,160
Speaker 1: into exactly and gave bio pick Man. You could be

1834
02:04:22,200 --> 02:04:24,200
Speaker 1: one of the things in d C. In his early life.

1835
02:04:24,920 --> 02:04:31,080
Speaker 1: I'm probably gonna being one of the main characters. He's

1836
02:04:31,120 --> 02:04:34,120
Speaker 1: gonna be Ma, I'm so believable. I'm gonna be mart

1837
02:04:34,400 --> 02:04:36,920
Speaker 1: I'm not gonna be Marvin close to him, family member,

1838
02:04:36,960 --> 02:04:39,840
Speaker 1: but I'm gonna be like right there with I'm gonna

1839
02:04:39,840 --> 02:04:42,360
Speaker 1: be like to do it. Who'll be like they're playing

1840
02:04:42,480 --> 02:04:46,840
Speaker 1: us on the radio. I'm getting that role. I'm getting

1841
02:04:46,880 --> 02:04:50,960
Speaker 1: that heard it on the radio? Yeah? Yeah. Do you

1842
02:04:51,040 --> 02:04:52,560
Speaker 1: hear in the call? Do you hear at the house

1843
02:04:52,640 --> 02:04:55,480
Speaker 1: like the fire hobbies did. I don't know what they

1844
02:04:55,680 --> 02:04:58,200
Speaker 1: I don't know the script yet, but I'm letting you

1845
02:04:58,280 --> 02:05:01,960
Speaker 1: know I'm in there. But gosh, speaking how they're gonna

1846
02:05:01,960 --> 02:05:03,720
Speaker 1: do the morm And gave movie and not putting me

1847
02:05:03,760 --> 02:05:09,160
Speaker 1: in it. They can't. I've been working on my ship too,

1848
02:05:09,920 --> 02:05:17,920
Speaker 1: what my drama? Oh all right, Marvin Gay just got

1849
02:05:18,000 --> 02:05:24,480
Speaker 1: to night at the club Huntsville, Alabama, nineteen fifty nine.

1850
02:05:24,560 --> 02:05:27,040
Speaker 1: And when he first getting started, they won't let him in,

1851
02:05:27,600 --> 02:05:29,480
Speaker 1: and you the motherucker at the door talking to the

1852
02:05:29,520 --> 02:05:33,640
Speaker 1: white man to turn him away. Mar Marvin. They're saying,

1853
02:05:33,720 --> 02:05:38,120
Speaker 1: we can't perform the man. I know. When calmed down, Marvin,

1854
02:05:38,240 --> 02:05:41,080
Speaker 1: let me talk to these people. Just let me talk

1855
02:05:41,160 --> 02:05:45,320
Speaker 1: to him. Man, what do you mean then we can't

1856
02:05:45,360 --> 02:05:52,280
Speaker 1: perform here? Let's talk turkey to you. Man. Take cousin Martha.

1857
02:05:52,760 --> 02:05:56,440
Speaker 1: You mightn't blacking it up a little bit. Yeah, I

1858
02:05:56,600 --> 02:05:58,480
Speaker 1: was gonna cut it. I'm glad you did. It's my

1859
02:05:58,560 --> 02:06:01,440
Speaker 1: assistant director. We're gonna need a little bit more. Now.

1860
02:06:01,600 --> 02:06:03,800
Speaker 1: This is you didn't say what network it was? No, No,

1861
02:06:03,920 --> 02:06:06,800
Speaker 1: we're done. You can't. This is this is where I

1862
02:06:06,880 --> 02:06:11,440
Speaker 1: brought my experienced Carlos in that hand up. You can't

1863
02:06:11,440 --> 02:06:13,360
Speaker 1: get down there yelling at the white food. Now we're

1864
02:06:13,400 --> 02:06:15,200
Speaker 1: gonna need you that, we need you. We're not telling

1865
02:06:15,240 --> 02:06:16,440
Speaker 1: you to. Yeah, we're gonna need you to put a

1866
02:06:16,480 --> 02:06:18,240
Speaker 1: little bit more of that pain in your voice, a

1867
02:06:18,320 --> 02:06:20,840
Speaker 1: little more soul, a little more soul and paining your voice.

1868
02:06:20,840 --> 02:06:22,320
Speaker 1: I want you to. I want to feel like I

1869
02:06:22,400 --> 02:06:25,920
Speaker 1: want to feel like. That's what that's they'll be trying

1870
02:06:25,960 --> 02:06:32,440
Speaker 1: to do, banking up. It's an other kind of words. Ah,

1871
02:06:37,360 --> 02:06:39,360
Speaker 1: funk on that, man, put a little bit more funk

1872
02:06:39,400 --> 02:06:44,360
Speaker 1: on that one. This is so brother. Yeah, I don't

1873
02:06:44,360 --> 02:06:45,480
Speaker 1: need you to put a little bit more funk on

1874
02:06:45,520 --> 02:06:47,880
Speaker 1: the soul. Brother, Come on, man, all right, I was

1875
02:06:48,000 --> 02:06:50,040
Speaker 1: good for the script. Now let me see you do it?

1876
02:06:51,400 --> 02:06:56,360
Speaker 1: Can I just see you dance? They're not gonna ask

1877
02:06:56,400 --> 02:06:58,920
Speaker 1: me to dance. And the mom and gave morm And

1878
02:06:59,000 --> 02:07:02,720
Speaker 1: gave wasn't mom and Gate wasn't a good dance. That's

1879
02:07:02,720 --> 02:07:04,880
Speaker 1: probably got to be a main part of the movie. No,

1880
02:07:05,240 --> 02:07:08,560
Speaker 1: they're gonna reenact that scene from the album cover from

1881
02:07:08,600 --> 02:07:12,120
Speaker 1: the Good Time post. That was a whole scene that

1882
02:07:12,240 --> 02:07:16,000
Speaker 1: really happened. Yeah, that was a club marm and Gate

1883
02:07:16,120 --> 02:07:19,240
Speaker 1: wasn't a dancing everybody know he couldn't. Then he was performing, though,

1884
02:07:19,440 --> 02:07:21,920
Speaker 1: so you might have to dance as the But I'm

1885
02:07:21,960 --> 02:07:25,200
Speaker 1: not gonna be like one of the niggas singing. But

1886
02:07:25,320 --> 02:07:26,880
Speaker 1: you're going, that's what I'm saying. You're in the crowd,

1887
02:07:27,000 --> 02:07:30,560
Speaker 1: dancing like you're in the crowd. Turn up. I'm good

1888
02:07:30,800 --> 02:07:33,000
Speaker 1: on the side of the stage. Yeah, like if like

1889
02:07:33,080 --> 02:07:36,080
Speaker 1: I'm in the club. You know how I sucked that up? Bro?

1890
02:07:36,360 --> 02:07:39,880
Speaker 1: Then the club group, ye all right, and they got it.

1891
02:07:39,920 --> 02:07:42,320
Speaker 1: I'm probably gonna be dravving like a catlic or something,

1892
02:07:42,560 --> 02:07:45,360
Speaker 1: so you know, I'm trustworthy with that type of ship.

1893
02:07:46,600 --> 02:07:48,400
Speaker 1: And that's the thing about it where they're gonna find

1894
02:07:48,480 --> 02:07:50,960
Speaker 1: some young niggas cat just just did this to a

1895
02:07:51,080 --> 02:07:53,840
Speaker 1: shirance of that man. What else they gonna find some

1896
02:07:53,960 --> 02:07:56,160
Speaker 1: niggas that can drive a Catillac like that? Now, you

1897
02:07:56,200 --> 02:07:57,760
Speaker 1: should have asked me to do the same way. I

1898
02:07:57,840 --> 02:08:00,280
Speaker 1: whip up into Catillac at the radio station with some

1899
02:08:00,400 --> 02:08:06,120
Speaker 1: fresh vinyl and like Marving Gay, this is the new wave. Baby.

1900
02:08:07,040 --> 02:08:11,160
Speaker 1: You don't know, Marvin Gay. This song be sweeping all

1901
02:08:11,240 --> 02:08:14,120
Speaker 1: across the nation, baby, and you can only get it

1902
02:08:14,200 --> 02:08:15,680
Speaker 1: from me. No, no, no, no, look, no no, no,

1903
02:08:15,840 --> 02:08:17,440
Speaker 1: the look. I don't play them new records. Now. You're

1904
02:08:17,440 --> 02:08:20,400
Speaker 1: the third time that came down here, all right, No, no, no,

1905
02:08:20,520 --> 02:08:22,120
Speaker 1: I don't know what's different about this guy in the

1906
02:08:22,240 --> 02:08:23,760
Speaker 1: last three guys you brought up here. But I can't

1907
02:08:23,760 --> 02:08:26,480
Speaker 1: play nothing records you bring up here. Now, Mr Washington,

1908
02:08:27,160 --> 02:08:30,800
Speaker 1: you want to know what's different about this guy? Then

1909
02:08:30,920 --> 02:08:36,360
Speaker 1: the last three guys twenty dollar bill and from there,

1910
02:08:38,080 --> 02:08:40,240
Speaker 1: I'm trying to tell you, baby, morm and games in

1911
02:08:40,320 --> 02:08:44,040
Speaker 1: the way, this record is sweeping the nation. That's when

1912
02:08:44,080 --> 02:08:48,440
Speaker 1: the movie changed. That's what me and Martin gonna get

1913
02:08:48,440 --> 02:08:53,240
Speaker 1: our ship done. We're gonna come through with the Shannon motherfuckers,

1914
02:08:53,280 --> 02:08:56,760
Speaker 1: and then he's gonna hit me one of these and

1915
02:08:56,880 --> 02:08:59,040
Speaker 1: that's when we both jump into Cadillac. Man gonna be

1916
02:08:59,120 --> 02:09:01,520
Speaker 1: stupid like he i'mna be like a yellow one. He's

1917
02:09:01,520 --> 02:09:03,200
Speaker 1: gonna be like a scat blue or some shing here

1918
02:09:03,240 --> 02:09:05,320
Speaker 1: in the front because he Marvin Gay. I'm in the

1919
02:09:05,400 --> 02:09:08,360
Speaker 1: back because you know he Mom and Gate, but I'm

1920
02:09:08,400 --> 02:09:12,920
Speaker 1: in my I gotta caller too. You're just driving you right,

1921
02:09:12,960 --> 02:09:17,600
Speaker 1: he getting shops down. Yeah right. We can't write this

1922
02:09:17,720 --> 02:09:20,680
Speaker 1: movie for them. Hey, look that's enough. I'm just talking

1923
02:09:20,680 --> 02:09:25,440
Speaker 1: about I'm talking about my scene, that scene that at

1924
02:09:25,480 --> 02:09:27,280
Speaker 1: the table with marm and Gate kind of go off

1925
02:09:27,320 --> 02:09:29,720
Speaker 1: on everybody. Who you think gonna be the nigga who

1926
02:09:29,880 --> 02:09:37,160
Speaker 1: like in this scene? Yeah, you and everybody go off

1927
02:09:37,200 --> 02:09:40,120
Speaker 1: on everybody. Then Marvel walked out the road. Jake, talk

1928
02:09:40,240 --> 02:09:49,720
Speaker 1: to your cousin, all right up to you. I'm not already, yeah,

1929
02:09:49,720 --> 02:09:52,640
Speaker 1: because somebody gotta act like the food was real good

1930
02:09:52,720 --> 02:09:58,400
Speaker 1: in that. I guess I go right before me and

1931
02:09:58,480 --> 02:10:00,280
Speaker 1: Mom and get go on the road. I'm to leave

1932
02:10:00,360 --> 02:10:03,800
Speaker 1: him a little sweetheart of me there. An, I don't

1933
02:10:03,800 --> 02:10:07,320
Speaker 1: know what's this rule got for? And cousin, I'm gonna

1934
02:10:07,360 --> 02:10:09,480
Speaker 1: make sure that no that that's when they loading up

1935
02:10:09,480 --> 02:10:13,320
Speaker 1: the bus up. Come on, man, we got the gold

1936
02:10:13,400 --> 02:10:18,600
Speaker 1: level boy, and then we started good. Um, we started

1937
02:10:18,680 --> 02:10:20,960
Speaker 1: really bro and Niggas is loading up the bottom of

1938
02:10:21,040 --> 02:10:22,760
Speaker 1: the bus and then we come home and she's like,

1939
02:10:23,040 --> 02:10:28,120
Speaker 1: what's stop? What's you cocaine? Listen? I don't want to

1940
02:10:28,160 --> 02:10:31,040
Speaker 1: talk about it right now. But it ain't about me,

1941
02:10:31,560 --> 02:10:34,040
Speaker 1: Like I'm just like, I'm not on the drugs, Like

1942
02:10:34,120 --> 02:10:36,320
Speaker 1: it's Marvin's cocaine, had it, but I've been doing it

1943
02:10:36,400 --> 02:10:38,040
Speaker 1: with him, But I'm all for it. At this point,

1944
02:10:38,200 --> 02:10:40,760
Speaker 1: you know what, right you try to get off of it,

1945
02:10:40,840 --> 02:10:43,400
Speaker 1: to get him off. I got off of but it

1946
02:10:43,480 --> 02:10:45,960
Speaker 1: ain't going. At the point of the movie where mom

1947
02:10:46,000 --> 02:10:48,680
Speaker 1: and stopped listening to him, we kind of fell out.

1948
02:10:49,320 --> 02:10:51,680
Speaker 1: At this point, it's just montage scenes of me doing

1949
02:10:51,720 --> 02:10:53,880
Speaker 1: regular ship because I ain't on the road with Marta again.

1950
02:10:55,040 --> 02:10:59,800
Speaker 1: I ain't to see I'm a Cadillac. Yeah, you know,

1951
02:11:01,880 --> 02:11:04,360
Speaker 1: but you're in there, but your story are you don't

1952
02:11:04,400 --> 02:11:08,880
Speaker 1: know who that person. And right before morm And gave

1953
02:11:08,960 --> 02:11:11,320
Speaker 1: made sexual hell and that's when he came back out.

1954
02:11:11,440 --> 02:11:15,280
Speaker 1: That's when they get back and the chemistry was still there. Marvin,

1955
02:11:15,360 --> 02:11:17,200
Speaker 1: I got one for you, man. Running to each other

1956
02:11:17,280 --> 02:11:19,360
Speaker 1: somewhere random someone they both used to. Just like the

1957
02:11:19,520 --> 02:11:21,320
Speaker 1: scene at the beginning of the movie where Niggas was

1958
02:11:21,360 --> 02:11:25,000
Speaker 1: playing basketball or something in markets neighborhood. I've spent the

1959
02:11:25,280 --> 02:11:30,920
Speaker 1: last seven years right in the song only Marvin Gakin scene,

1960
02:11:32,720 --> 02:11:37,560
Speaker 1: well come let me hit it then didn't cut wake up,

1961
02:11:37,640 --> 02:11:39,880
Speaker 1: wake up, wake up, man, this ship is gonna win up.

1962
02:11:40,160 --> 02:11:44,080
Speaker 1: We got stopped writing this movie for these people. Man, alright, alright, stop.

1963
02:11:44,320 --> 02:11:45,920
Speaker 1: I don't even we don't even know if that's what

1964
02:11:46,000 --> 02:11:49,400
Speaker 1: happened with his life. But based off the information that

1965
02:11:49,520 --> 02:11:52,040
Speaker 1: we had, we did a great great guys. I mean,

1966
02:11:52,200 --> 02:11:54,960
Speaker 1: they could feel that in later timeline is a little shaky,

1967
02:11:55,080 --> 02:12:03,920
Speaker 1: but we're just stitballing right now. We just yeah, yeah, yeah,

1968
02:12:04,120 --> 02:12:09,160
Speaker 1: nothing wrong with that, snaking to professional I know. All right, man,

1969
02:12:09,280 --> 02:12:12,160
Speaker 1: let's wrap it up. The chicken been ready to thirty minutes.

1970
02:12:12,960 --> 02:12:14,920
Speaker 1: It's not even hot, no more on the clock. Just

1971
02:12:15,040 --> 02:12:19,600
Speaker 1: say nine nine five nine nine nine, not not nothing

1972
02:12:19,800 --> 02:12:26,720
Speaker 1: that that sounds like the number for some bullshit. Damn.

1973
02:12:26,760 --> 02:12:33,040
Speaker 1: I thought, ran nah, just fuck, it ain't coming. And

1974
02:12:33,120 --> 02:12:34,960
Speaker 1: that's why they y'all king eating all them cheet though

1975
02:12:36,520 --> 02:12:42,240
Speaker 1: terrible man. Yeah, man, I guess some celebratory wings. Well, man,

1976
02:12:42,600 --> 02:12:46,240
Speaker 1: you're seeing you motherfucker's again. Hey man, so good glad

1977
02:12:46,320 --> 02:12:50,000
Speaker 1: to heavy bag and I'm glad to be here. Always

1978
02:12:50,040 --> 02:12:52,840
Speaker 1: glad to be here. Man, you know, I mean damn

1979
02:12:52,960 --> 02:12:55,480
Speaker 1: and don't matter what. Don't you forget this dick is

1980
02:12:55,560 --> 02:12:58,640
Speaker 1: longer than the rat over here? Yeah, tell her this

1981
02:13:00,040 --> 02:13:09,160
Speaker 1: is this. I'll tell her that in any moment. Oh

1982
02:13:09,280 --> 02:13:16,400
Speaker 1: my goodness, Well y'all, motherfucker's it crazy? Stop laying on

1983
02:13:16,520 --> 02:13:21,680
Speaker 1: the text, Mr. With cheating on the yo, man, b B.

1984
02:13:22,520 --> 02:13:26,520
Speaker 1: How is the game? He was a good luck on today.

1985
02:13:27,760 --> 02:13:29,880
Speaker 1: I was really at the club, wasn't that though? At

1986
02:13:29,920 --> 02:13:34,120
Speaker 1: the club? Why are you? You're back like you gotta

1987
02:13:34,600 --> 02:13:41,880
Speaker 1: likes so dope dressed like the riffer. We had to

1988
02:13:41,960 --> 02:13:42,200
Speaker 1: do now