WEBVTT - John Brown

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<v Speaker 1>R and b's money.

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<v Speaker 2>We are.

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<v Speaker 3>Thank you, take valotility.

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<v Speaker 1>We are the authority on all things R and B.

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<v Speaker 3>Ladies and gentlemen, what's going on.

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<v Speaker 4>My name is Tanks and this this this, This is

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<v Speaker 4>the R BE Money Podcast, the authority on all things

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<v Speaker 4>R and B.

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<v Speaker 1>Straight up.

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<v Speaker 3>And sometimes you know, it's not just a guess, it's

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<v Speaker 3>not just an artist. Sometimes it's just family along with

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<v Speaker 3>all of those other things, you know. Top tens, a

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<v Speaker 3>few albums, a bunch of shows here and there from Detroit,

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<v Speaker 3>but R and B through and through, make some noise

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<v Speaker 3>with my brother, mister.

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<v Speaker 5>John bro Yes, sir, thank you, thank you, thank you.

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<v Speaker 5>Appreciate that shaded fellers chilling, chilling.

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<v Speaker 3>Yeah, come on man, listen man, we are happy to

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<v Speaker 3>have your home, my brother.

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<v Speaker 1>Thank you.

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<v Speaker 3>You're like a little brother of me. You know what

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<v Speaker 3>I'm saying.

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<v Speaker 1>Thank you, man.

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<v Speaker 3>And it's crazy, like like running back into you in Dallas, yep,

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<v Speaker 3>because we hadn't seen each other in fourteen years. I'd

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<v Speaker 3>have been fourteen, fourteen fourteen.

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<v Speaker 1>Since the session we had done fourteen yeah, Lee, And

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<v Speaker 1>when I saw you it was a meeting. I was like,

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<v Speaker 1>what are you doing here? What's on there?

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<v Speaker 3>Right, like I'm opening. I was like, no one told

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<v Speaker 3>me this, right right, but I'd always remembered you and

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<v Speaker 3>was like.

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<v Speaker 1>That was my guy, that was my little guy. That

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<v Speaker 1>was we did some work together.

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<v Speaker 3>We did, and then sitting down in that room and

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<v Speaker 3>having a conversation with you, you know, just about how

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<v Speaker 3>you felt about where you were and and what you

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<v Speaker 3>needed moving forward. And from that point on, you know,

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<v Speaker 3>my vow to you was, hey, man, whatever you need,

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<v Speaker 3>I got you straight up. And the first thing we're

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<v Speaker 3>gonna do, We're gonna get you a record. Yep, we

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<v Speaker 3>went and damn it got you and got you.

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<v Speaker 5>I mean.

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<v Speaker 1>Definitely.

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<v Speaker 3>But listen, man, let's get into the you know, Army

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<v Speaker 3>Money podcast is about getting into the history of of

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<v Speaker 3>a of a of a guy, of a gal and

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<v Speaker 3>understanding where it all comes from.

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<v Speaker 1>Right you can say, oh thanks man.

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<v Speaker 3>That's that's the one thing you can say.

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<v Speaker 6>Look right now, we got some dynamic singers, right, yeah,

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<v Speaker 6>come on, you got to bring when you're.

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<v Speaker 1>You can sing.

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<v Speaker 3>And I want to get into the history of kind

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<v Speaker 3>of where it all started for you, and not just

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<v Speaker 3>from a business standpoint, but even just developing and honing

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<v Speaker 3>your craft, Like where did that start for you and

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<v Speaker 3>when did somebody say you got something or when did

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<v Speaker 3>you feel like you had something?

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<v Speaker 6>It started my dad's church in Detroit, so rest in

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<v Speaker 6>Peace with my father, Pastor Brown started there was playing

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<v Speaker 6>an organ, doing some of everything, and then from there

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<v Speaker 6>progressing to talent shows, you know, just the same stuff

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<v Speaker 6>we all pretty much did.

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<v Speaker 5>And then from there I think, like I got to

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<v Speaker 5>deal with Universe Republic. That's when we first cat moving fast.

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<v Speaker 3>How did you? How did you get a deal with

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<v Speaker 3>Universal Republic? And did somebody say, hey, man, you need

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<v Speaker 3>to come see this guy that's singing and all these

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<v Speaker 3>talent shows in Detroit?

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<v Speaker 1>All right? See me that? All right?

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<v Speaker 6>So how I got to deal with Universal? There was

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<v Speaker 6>a guy in Detroit who heard me sing foind me

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<v Speaker 6>on my Space and he's like, man, I know a

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<v Speaker 6>guy who's in a radio business. He can get you.

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<v Speaker 6>I was like, man, whatever, man, this is Detroit. Cat

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<v Speaker 6>talking no offense to Detroit. I love Detroit, but you

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<v Speaker 6>know people talk, you.

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<v Speaker 1>Can talk about it.

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<v Speaker 5>So I'm like, man, you know he playing.

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<v Speaker 6>Maybe two months later he introduced me to my manager,

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<v Speaker 6>Maurice Harley, and so from there he was like, man,

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<v Speaker 6>I'm a radio guy, and you know, I want to

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<v Speaker 6>try to help you out put a few songs out.

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<v Speaker 5>Then boom, it just started to grow.

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<v Speaker 1>And that was it, and they just called you.

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<v Speaker 6>They just called me, like, well, four labels called me,

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<v Speaker 6>but then Universal I decided to go with them.

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<v Speaker 2>So for for you as a young artist at the time,

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<v Speaker 2>and you just kind of looking at you know, these

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<v Speaker 2>these offers being on the table for you, what makes

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<v Speaker 2>you at that age say this label makes the most

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<v Speaker 2>sense for me.

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<v Speaker 6>That's a good question because I'm gonna say, honestly, I

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<v Speaker 6>can't even say that was really my thought process. I

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<v Speaker 6>think it was more so like I finally have a deal,

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<v Speaker 6>so let me roll with it, you know, versus me

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<v Speaker 6>really strategically figuring now if this was like the right

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<v Speaker 6>thing for me. I was just more so excited that

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<v Speaker 6>somebody wanted to sign me.

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<v Speaker 1>So so they excited you the.

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<v Speaker 2>Most, you know, just in all honesty, brother, because.

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<v Speaker 6>The money, y'all know what time it was more money,

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<v Speaker 6>So I was like, I'm gonna go here. But yeah,

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<v Speaker 6>it was an experience.

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<v Speaker 2>So now, in hindsight, with that situation not working out,

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<v Speaker 2>in would you do would you go to that same

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<v Speaker 2>label over these other three, because it's four altogether.

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<v Speaker 1>When you look at your artistry, are you trying to

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<v Speaker 1>start something? Not even that I'm trying to start something.

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<v Speaker 1>I'm trying to.

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<v Speaker 2>For the for the kids that are watching and them

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<v Speaker 2>having an understanding that every team don't match the player facts.

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<v Speaker 2>Right In in sports, you can't really pick who drafts you.

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<v Speaker 2>In music, you can unless there's only one and you

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<v Speaker 2>just chasing that. But if you have multiple offers, you

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<v Speaker 2>now have the opportunity to say this, an R has

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<v Speaker 2>done such and.

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<v Speaker 1>Such, Maybe that works with what I do. You know what.

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<v Speaker 2>They have no one up there that that does what

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<v Speaker 2>I do, and that can help. But maybe that could

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<v Speaker 2>hurt me because maybe they don't know what to do with.

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<v Speaker 1>Me, and I think artists don't. We don't. We don't stand.

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<v Speaker 2>Back and assess, just say, oh shit, y'all offer me

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<v Speaker 2>two dollars, they offer me two fifty.

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<v Speaker 1>So I'm gonna roll with this.

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<v Speaker 3>I'm go with that extra extra. That's a couple extra

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<v Speaker 3>sandwiches where I'm from, you know what I mean.

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<v Speaker 2>So that's why I asked, because we try to be

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<v Speaker 2>as formed as informative as we possibly can exactly, you know,

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<v Speaker 2>to the listener who either they don't know the music business,

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<v Speaker 2>are they're coming up and they want to be in

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<v Speaker 2>the music business. We want to give that to them

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<v Speaker 2>so they can have an understanding of how to look

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<v Speaker 2>at it, you know, when you're coming in.

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<v Speaker 1>That's that's true.

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<v Speaker 6>I mean yeah, So, I mean when you put it

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<v Speaker 6>that way for the listeners, I think, in hindsight, I

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<v Speaker 6>should have more so just maybe figured out if there

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<v Speaker 6>was better situations out versus rushing into you know what

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<v Speaker 6>I mean, y'all make sure y'all just know what y'all

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<v Speaker 6>getting y'allselves into before y'all get involved in it. Not

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<v Speaker 6>to say that it was a bad deal, but I

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<v Speaker 6>think if I would have just waited a little bit longer,

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<v Speaker 6>it might have been a little bit better. M hm,

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<v Speaker 6>just in any deal, in any deal, you know, Yeah,

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<v Speaker 6>I think that's yeah.

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<v Speaker 3>I think the I think the hunger for the deal

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<v Speaker 3>as an artist, I mean, it's just it's just a

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<v Speaker 3>real thing that's unavoidable because you feel like that is

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<v Speaker 3>the validation that is a stand.

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<v Speaker 1>I'm really I'm really in this ship, you know what

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<v Speaker 1>I'm saying.

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<v Speaker 3>I'm professional now, I got this paperwork, I got this contract.

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<v Speaker 1>You know what I'm saying. It's got it's got terms

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<v Speaker 1>and conditions on it. You know what I'm saying.

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<v Speaker 3>And you know I got to build and I can

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<v Speaker 3>go to where they know my name?

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<v Speaker 2>You think you can go to that too? Do you

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<v Speaker 2>think you can go? Do you think who? Do you

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<v Speaker 2>think they know your name?

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<v Speaker 1>Who? If you call, I just gotta sign here. If

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<v Speaker 1>you call.

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<v Speaker 3>Debbie, is your dad not asked for the chairman? Does

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<v Speaker 3>his name Debbie mean anything? Nab Debbie, Debbie, Debbie Reynolds,

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<v Speaker 3>wieb Wire. So hold on, let's go back at sixteen

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<v Speaker 3>and what age? What age is this? Were you getting

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<v Speaker 3>the universal thing? That was.

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<v Speaker 1>Nineteen? Okay, so lets eighteen.

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<v Speaker 3>Let's go back a little bit. Yeah, fellow, at sixteen,

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<v Speaker 3>aren't you signing the White Cleft?

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<v Speaker 1>Johan?

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<v Speaker 3>Is that? Is that? What happens there?

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<v Speaker 1>Yep?

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<v Speaker 6>Sixteen signed the Cleft and he came through Detroit. No,

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<v Speaker 6>so right, you know that ain't happening. So somebody knew

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<v Speaker 6>Cleft's cousin Jerry Wonder Jerry one day Jerry. Jerry was

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<v Speaker 6>like god, yeah, yeah, And so they wanted to audition

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<v Speaker 6>my boys, and I like, well, my group and I

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<v Speaker 6>and so we drove from Detroit to New York did

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<v Speaker 6>the audition, like immediately want to sign us. So that's

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<v Speaker 6>how that deal kind of went. Moved to Jersey boom.

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<v Speaker 1>It was an.

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<v Speaker 6>Experience, you know, yeah, it was an experience. But cleft

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<v Speaker 6>shout out to cleft man, great dude.

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<v Speaker 3>How long was you in Jersey?

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<v Speaker 5>Like two years?

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<v Speaker 3>Oh oh, y'all was really getting into it.

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<v Speaker 5>Yeah, yeah, we were recording.

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<v Speaker 1>So when you're going to school high school?

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<v Speaker 6>Yeah, man, I transfer my senior year. It was crazy

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<v Speaker 6>we eleventh grade?

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<v Speaker 1>Did you actually do school work in Jersey to No?

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<v Speaker 3>I did it?

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<v Speaker 1>The truth?

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<v Speaker 6>Well, you know, you moved this group from one place

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<v Speaker 6>to another city we've never been to.

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<v Speaker 5>We were trying to have fun.

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<v Speaker 1>Man.

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<v Speaker 5>You know, young folks getting in trouble.

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<v Speaker 1>Enrolled in the New Jersey high school.

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<v Speaker 3>Only me.

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<v Speaker 1>Everybody already finished, okay, yeah, so when they're still hanging out,

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<v Speaker 1>you're supposed to go to class.

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<v Speaker 6>Exactly, so you are new time. It was it was like, man,

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<v Speaker 6>this do they hang out all night? I'm trying to study, Like,

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<v Speaker 6>just come on, man, chill is. I'm like, all I

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<v Speaker 6>forget it. It wasn't a good experience in terms of

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<v Speaker 6>not doing my work, But overall it was a good experience.

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<v Speaker 3>You know, what did what do you feel like you

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<v Speaker 3>got from that experience or or got from Claff because

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<v Speaker 3>were you'll working with Jerry at the time.

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<v Speaker 5>Yeah, we're working with Jerry now y'all where y'all at

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<v Speaker 5>Platinum Sound Sound and Booker Basement and hold on what

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<v Speaker 5>year two thousand.

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<v Speaker 1>One? Two? Okay? Three?

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<v Speaker 3>Yeah, yeah, okay, so you're working with the guy? Yeah, yeah,

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<v Speaker 3>And so what do you feel like? First of all,

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<v Speaker 3>what did you get from that? And what do you

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<v Speaker 3>feel like was the part that didn't where it didn't

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<v Speaker 3>add up and it ended up dissolving.

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<v Speaker 5>I think that what we learned from CLAFF was more

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<v Speaker 5>more so just just staying focused.

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<v Speaker 6>We were young and it's a new experience. So when

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<v Speaker 6>you take said these young kids from one environment to

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<v Speaker 6>the next, it's like, Okay, we just want to have fun.

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<v Speaker 6>But Cleft wanted us to just focus. Yeah, and so

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<v Speaker 6>some of us did, and some of us wanted to

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<v Speaker 6>run around and do our thing and not really focused.

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<v Speaker 6>So ultimately Cleft cut a few members, chopped them down,

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<v Speaker 6>you know, got rid of them, and then from there

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<v Speaker 6>we just try to read regroup and get a new group,

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<v Speaker 6>and then boom. It just kind of sprout after that

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<v Speaker 6>because we had new people in the group and people

0:11:31.720 --> 0:11:34.079
<v Speaker 6>weren't really just didn't have the same commitment, so it

0:11:34.200 --> 0:11:36.800
<v Speaker 6>just kind of threw everything and we didn't well we

0:11:36.880 --> 0:11:42.559
<v Speaker 6>knew some of them, but not four four And where's

0:11:42.600 --> 0:11:42.880
<v Speaker 6>your call?

0:11:43.360 --> 0:11:43.840
<v Speaker 5>E two G?

0:11:44.840 --> 0:11:45.440
<v Speaker 3>What does that mean?

0:11:45.840 --> 0:11:48.760
<v Speaker 5>I don't even remember elements two thousands something like that.

0:11:49.240 --> 0:11:51.680
<v Speaker 5>I had. I had no say something that.

0:11:52.040 --> 0:11:55.280
<v Speaker 3>E two G. Right software coming.

0:12:00.200 --> 0:12:00.680
<v Speaker 1>To kids.

0:12:01.080 --> 0:12:04.199
<v Speaker 5>It wasn't my joy, it wasn't listen to.

0:12:04.280 --> 0:12:06.320
<v Speaker 1>That's probably one of the worst names.

0:12:07.440 --> 0:12:07.640
<v Speaker 3>Yo.

0:12:08.280 --> 0:12:09.560
<v Speaker 1>You know who came up with that name?

0:12:09.640 --> 0:12:10.040
<v Speaker 3>What' me?

0:12:10.240 --> 0:12:13.880
<v Speaker 1>So that's what old.

0:12:14.160 --> 0:12:15.880
<v Speaker 3>Got coming to an Android near you?

0:12:16.040 --> 0:12:17.040
<v Speaker 1>E two G.

0:12:18.200 --> 0:12:21.319
<v Speaker 3>These apps are off the chain, right, You.

0:12:21.280 --> 0:12:22.800
<v Speaker 1>Got that new yout g on your phone?

0:12:23.320 --> 0:12:25.960
<v Speaker 3>The update is crazy t G update like.

0:12:27.360 --> 0:12:28.000
<v Speaker 1>It makes the worst.

0:12:28.000 --> 0:12:30.079
<v Speaker 6>One of the group members got that name tattooed on him,

0:12:30.080 --> 0:12:36.640
<v Speaker 6>So I yeah, sorry, brother, if you're watching this, man,

0:12:36.679 --> 0:12:37.360
<v Speaker 6>I ain't trying.

0:12:37.200 --> 0:12:40.440
<v Speaker 5>To play you with you.

0:12:41.880 --> 0:12:44.240
<v Speaker 3>Damn, what do we come on?

0:12:44.320 --> 0:12:46.920
<v Speaker 1>Let's come up with some good let's feeling then.

0:12:46.920 --> 0:12:51.280
<v Speaker 5>Get out of here, man, get out everything, just.

0:12:50.960 --> 0:12:58.120
<v Speaker 3>Everything to get uh uh evolve together together.

0:12:58.000 --> 0:13:03.000
<v Speaker 1>Yeah, evolved up together, eat together, Eat together together.

0:13:04.400 --> 0:13:05.760
<v Speaker 3>That might work work.

0:13:06.160 --> 0:13:10.080
<v Speaker 5>No, it didn't work. We tried.

0:13:10.520 --> 0:13:14.160
<v Speaker 1>So E two G falls apart for obvious reasons. Started

0:13:15.000 --> 0:13:15.400
<v Speaker 1>that name.

0:13:19.040 --> 0:13:21.960
<v Speaker 3>I can't sign nobody eat G. I can't walk up

0:13:21.960 --> 0:13:24.200
<v Speaker 3>in no company telling them, is you EAT two G

0:13:24.360 --> 0:13:27.080
<v Speaker 3>network home? You ain't signed on the heat to the

0:13:27.120 --> 0:13:33.120
<v Speaker 3>eat G that's got the most band wid All right? Man?

0:13:33.559 --> 0:13:37.400
<v Speaker 3>E two G? This band and and what you go

0:13:37.480 --> 0:13:40.160
<v Speaker 3>back home? Went back home, back to Detroit.

0:13:40.760 --> 0:13:42.559
<v Speaker 1>So you ain't been home in two years?

0:13:42.600 --> 0:13:45.640
<v Speaker 5>Two years? You just pop back up, back up. So

0:13:45.679 --> 0:13:46.800
<v Speaker 5>how does that go to?

0:13:46.960 --> 0:13:47.120
<v Speaker 1>Though?

0:13:47.160 --> 0:13:51.040
<v Speaker 2>When you leave Detroit at sixteen, you leave your senior

0:13:51.120 --> 0:13:53.240
<v Speaker 2>year and you're like, man, I'm going I'm signing the cleft.

0:13:53.280 --> 0:13:56.960
<v Speaker 1>I'm out y'all because niggas in the hood is waiting

0:13:56.960 --> 0:13:58.520
<v Speaker 1>to see you on TV exactly.

0:13:58.800 --> 0:14:01.840
<v Speaker 6>So I knew what she was alluding to. It was

0:14:02.679 --> 0:14:05.400
<v Speaker 6>let's just say we hit our faces. Yeah I know

0:14:05.520 --> 0:14:07.720
<v Speaker 6>I did. I was like, Yo, I'm not even like

0:14:07.800 --> 0:14:10.400
<v Speaker 6>I disappeared, man, really, because I.

0:14:10.360 --> 0:14:11.920
<v Speaker 5>Mean, you're going back home. People think you know you

0:14:12.440 --> 0:14:15.040
<v Speaker 5>from the D so it's kind of like people think

0:14:15.080 --> 0:14:16.600
<v Speaker 5>you made it. Once we get back, it's like y.

0:14:16.640 --> 0:14:19.840
<v Speaker 1>Why y'all back, Like you know how I go.

0:14:21.280 --> 0:14:24.320
<v Speaker 3>I'm just here for a second and two until the

0:14:24.360 --> 0:14:25.640
<v Speaker 3>paperwork because it's a new paper.

0:14:29.560 --> 0:14:31.920
<v Speaker 5>Yeah, man, it was yeah, because.

0:14:31.680 --> 0:14:37.440
<v Speaker 3>That going home, going home after because everyone at home

0:14:37.840 --> 0:14:42.200
<v Speaker 3>and at home is everywhere for everybody, right, going back

0:14:42.280 --> 0:14:48.360
<v Speaker 3>home after this quote unquote breakthrough. You know what I'm saying.

0:14:49.080 --> 0:14:55.160
<v Speaker 3>It's the hardest, hardest lesson man to learn from and

0:14:55.200 --> 0:15:00.400
<v Speaker 3>get over. Like for me, I was never going home

0:15:00.920 --> 0:15:01.720
<v Speaker 3>when I got to l A.

0:15:02.000 --> 0:15:02.520
<v Speaker 1>That was it.

0:15:02.960 --> 0:15:09.920
<v Speaker 3>I'm never going home. I was filling up a stolen

0:15:11.440 --> 0:15:15.800
<v Speaker 3>uh Lincoln town car with pennies from the ash tray.

0:15:16.960 --> 0:15:17.760
<v Speaker 3>But I was not.

0:15:18.560 --> 0:15:27.320
<v Speaker 6>Going That's called determination, man, ever.

0:15:24.680 --> 0:15:28.720
<v Speaker 3>Damn but that you know, there's a different lesson than that.

0:15:28.760 --> 0:15:32.120
<v Speaker 3>I ain't go home, but I went to ranch a Cuckamoka.

0:15:34.400 --> 0:15:36.200
<v Speaker 1>Helped me out with that one. You see you see

0:15:36.280 --> 0:15:39.720
<v Speaker 1>next Friday. Oh, I'm the cave. But I wasn't that bad.

0:15:40.560 --> 0:15:43.320
<v Speaker 1>He wasn't in that part.

0:15:43.360 --> 0:15:47.040
<v Speaker 3>And I definitely want the can. I was walking around,

0:15:49.840 --> 0:15:53.000
<v Speaker 3>he wasn't. He went over there. Did I have it

0:15:53.080 --> 0:15:58.280
<v Speaker 3>but a two bedroom apartment? Trying to figure trying to

0:15:58.280 --> 0:16:01.960
<v Speaker 3>figure it out, right, because things do fall apart and

0:16:02.040 --> 0:16:04.200
<v Speaker 3>so at that time, you know, I was on the

0:16:04.280 --> 0:16:08.200
<v Speaker 3>outswip with my label and all of that. Like that

0:16:08.320 --> 0:16:10.280
<v Speaker 3>was right before me and Jay and when Jay met me,

0:16:10.360 --> 0:16:13.800
<v Speaker 3>like I was, I was riding riding in the town, uh,

0:16:13.920 --> 0:16:17.360
<v Speaker 3>in a four door for that escort crazy manual would

0:16:17.440 --> 0:16:21.720
<v Speaker 3>roll down windows nuts. Yeah, but I wasn't going home.

0:16:30.040 --> 0:16:36.200
<v Speaker 3>I'm not going home. So so now now we can

0:16:36.240 --> 0:16:38.480
<v Speaker 3>fast forward to you got to get back to work,

0:16:38.520 --> 0:16:40.360
<v Speaker 3>because that's how you get discovered pretty much just for

0:16:40.400 --> 0:16:44.880
<v Speaker 3>the university situation, yep. So who who What did you

0:16:44.960 --> 0:16:46.720
<v Speaker 3>do in between that time while you were trying to

0:16:46.800 --> 0:16:47.600
<v Speaker 3>keep your face hidden?

0:16:48.960 --> 0:16:51.760
<v Speaker 1>Uh, you're still young, you you know.

0:16:52.240 --> 0:16:55.400
<v Speaker 6>I was preparing to go to college at that point. Wow, yeah, yeah,

0:16:55.480 --> 0:16:58.560
<v Speaker 6>I said, at this point because again we thought this

0:16:58.640 --> 0:16:59.360
<v Speaker 6>was a major deal.

0:16:59.640 --> 0:17:01.640
<v Speaker 5>So it's like it didn't happen. So it's like, all right,

0:17:01.640 --> 0:17:02.440
<v Speaker 5>what's the next option?

0:17:02.640 --> 0:17:03.040
<v Speaker 1>School?

0:17:03.760 --> 0:17:05.600
<v Speaker 5>So I went off to Grambling State and that was that.

0:17:06.760 --> 0:17:09.160
<v Speaker 1>But I kept singing what he went to Gramblin?

0:17:11.920 --> 0:17:12.920
<v Speaker 3>You singing that Gramblin.

0:17:13.640 --> 0:17:18.760
<v Speaker 5>I was singing that Grambling that did Oh it did something.

0:17:19.560 --> 0:17:21.480
<v Speaker 5>It did something, man, I'm gonna tell you it was.

0:17:21.680 --> 0:17:22.480
<v Speaker 5>It was an experience.

0:17:22.560 --> 0:17:25.240
<v Speaker 1>You a bunch of youtub gf there. Yeah, man, get

0:17:25.320 --> 0:17:29.720
<v Speaker 1>you a bunch of you could use.

0:17:30.320 --> 0:17:30.720
<v Speaker 3>Everything.

0:17:30.880 --> 0:17:32.000
<v Speaker 1>Yeah yeah.

0:17:32.240 --> 0:17:37.159
<v Speaker 3>And so Gramlin State and then Universal are you doing

0:17:37.240 --> 0:17:39.600
<v Speaker 3>music there at all? Are like in the band up there?

0:17:39.640 --> 0:17:39.800
<v Speaker 2>Now?

0:17:39.840 --> 0:17:43.800
<v Speaker 5>You just talent shows? But you doing talent shows shows.

0:17:43.520 --> 0:17:50.680
<v Speaker 6>And Gramblin Booze the bad. But I became popular after

0:17:50.720 --> 0:17:54.560
<v Speaker 6>singing your records. And that was that what you say slow?

0:17:56.119 --> 0:17:56.239
<v Speaker 1>No?

0:17:56.400 --> 0:17:59.320
<v Speaker 5>I said, maybe I sing maybe I deserve and I sang.

0:18:01.640 --> 0:18:03.560
<v Speaker 1>Slowly. That's crazy.

0:18:04.480 --> 0:18:08.000
<v Speaker 6>Yeah, they didn't get boot. No, they talked about that

0:18:08.040 --> 0:18:11.720
<v Speaker 6>to this day. No way, I promise you. It was

0:18:11.760 --> 0:18:14.439
<v Speaker 6>like the best performance they've ever seen in Gramlin's history

0:18:15.040 --> 0:18:15.720
<v Speaker 6>from a student.

0:18:16.800 --> 0:18:16.960
<v Speaker 3>Yeah.

0:18:17.840 --> 0:18:20.399
<v Speaker 2>Probably, Yeah, he would probably have a problem with you

0:18:20.440 --> 0:18:21.440
<v Speaker 2>saying that because he went there.

0:18:21.520 --> 0:18:28.480
<v Speaker 5>Oh man, well I'm a singer disregarding side.

0:18:28.920 --> 0:18:29.879
<v Speaker 1>But no, that was it.

0:18:29.960 --> 0:18:34.320
<v Speaker 5>And then from there a guy was working with Jahim.

0:18:34.560 --> 0:18:35.320
<v Speaker 5>He hit me up.

0:18:35.800 --> 0:18:38.320
<v Speaker 6>He apparently he worked at Gramblin. So I went out

0:18:38.400 --> 0:18:40.920
<v Speaker 6>to Jersey. I started doing work with other people who

0:18:40.920 --> 0:18:44.480
<v Speaker 6>work with Jahim, and yeah, man, from there, it just

0:18:44.560 --> 0:18:46.120
<v Speaker 6>kept focusing on my dream.

0:18:46.200 --> 0:18:47.159
<v Speaker 5>But then coming back.

0:18:47.000 --> 0:18:49.800
<v Speaker 6>To school, just trying to stay busy with music because

0:18:49.800 --> 0:18:50.920
<v Speaker 6>again I'm a singer.

0:18:50.960 --> 0:18:53.120
<v Speaker 5>We're all singers. We want to keep doing it to.

0:18:53.119 --> 0:18:56.320
<v Speaker 6>Kind of keep that, you know, keep ourselves polished. Yeah,

0:18:56.359 --> 0:18:58.800
<v Speaker 6>so I kept going.

0:18:58.880 --> 0:19:00.560
<v Speaker 3>So when did you get into the space to where

0:19:00.600 --> 0:19:03.199
<v Speaker 3>you came to see us? What time was that? That was?

0:19:06.240 --> 0:19:12.480
<v Speaker 5>That was two thousand and nine, yeah, yeah, yeah.

0:19:11.160 --> 0:19:12.880
<v Speaker 3>So I had a lot of time elapsed between that.

0:19:12.920 --> 0:19:17.280
<v Speaker 6>Right, Yeah, yeah, a lot of time. So in other words,

0:19:17.280 --> 0:19:18.000
<v Speaker 6>you asking what happened?

0:19:18.040 --> 0:19:18.119
<v Speaker 3>Right?

0:19:20.040 --> 0:19:23.680
<v Speaker 5>So from there I was just on recording still talent shows.

0:19:24.840 --> 0:19:25.520
<v Speaker 5>And that's about it.

0:19:25.560 --> 0:19:26.240
<v Speaker 3>Were you're working?

0:19:26.720 --> 0:19:28.720
<v Speaker 1>I was working? Where were you working? You really want

0:19:28.720 --> 0:19:30.920
<v Speaker 1>to know that? Absolutely? Yeah, because the people people want

0:19:30.960 --> 0:19:31.119
<v Speaker 1>to know.

0:19:31.240 --> 0:19:35.639
<v Speaker 5>I'm gonna tell you, I'm how thing go chicken?

0:19:35.960 --> 0:19:37.280
<v Speaker 1>You gave me the hook up? Yeah?

0:19:37.280 --> 0:19:39.400
<v Speaker 3>I would because I used to go to the popeye'es

0:19:39.680 --> 0:19:45.040
<v Speaker 3>and they would give me extra tenders and extra fries, and.

0:19:45.000 --> 0:19:47.840
<v Speaker 1>The bus the same one, the same one. You just

0:19:47.920 --> 0:19:49.040
<v Speaker 1>knew that they was gonna get at it.

0:19:49.000 --> 0:19:50.080
<v Speaker 3>Up the street from my mama house.

0:19:50.200 --> 0:19:53.879
<v Speaker 1>Wow. No, I love Pope, Yeah, oh yeah, they love They.

0:19:53.720 --> 0:19:56.320
<v Speaker 3>Treat me right, Oh yeah, they will the right person

0:19:56.359 --> 0:20:01.399
<v Speaker 3>with that, with that Marty Crown mustard, that must have

0:20:01.400 --> 0:20:05.520
<v Speaker 3>got your thing and they want to people be talking

0:20:05.560 --> 0:20:06.080
<v Speaker 3>about the other.

0:20:06.480 --> 0:20:09.240
<v Speaker 1>They got a good fact. Nobody messing with that.

0:20:09.320 --> 0:20:13.640
<v Speaker 2>So you're you're at Popeye's before or after the Universal deal,

0:20:14.720 --> 0:20:16.560
<v Speaker 2>after after the university.

0:20:16.800 --> 0:20:18.679
<v Speaker 5>So that's how it really gets. You may think you're

0:20:18.680 --> 0:20:20.840
<v Speaker 5>about to make it. Yeah, but you're back to the streets,

0:20:21.200 --> 0:20:24.320
<v Speaker 5>back to the streets in Detroit and the d mm.

0:20:24.280 --> 0:20:27.040
<v Speaker 1>Hmm shout that you want to shout that Pope is out.

0:20:28.119 --> 0:20:38.040
<v Speaker 5>Many know, y'all eight miles and you know what you

0:20:38.119 --> 0:20:42.479
<v Speaker 5>do what you do giving away free food your ass

0:20:42.480 --> 0:20:43.560
<v Speaker 5>to I know you would have.

0:20:44.040 --> 0:20:45.919
<v Speaker 1>I'm trying to run a business here what I'm trying.

0:20:45.760 --> 0:20:48.320
<v Speaker 6>To hook up my people? You know that made enough money.

0:20:49.440 --> 0:20:54.200
<v Speaker 6>It was a late night hour at there's a lot

0:20:54.200 --> 0:20:56.000
<v Speaker 6>of biscus. There's a lot of biscuits. It's a lot

0:20:56.040 --> 0:20:57.320
<v Speaker 6>of a lot of biscuits.

0:20:58.440 --> 0:21:01.960
<v Speaker 5>No, but still the man still, you know.

0:21:02.240 --> 0:21:05.240
<v Speaker 3>And how did you get out of Popeyes? Of course

0:21:05.280 --> 0:21:07.399
<v Speaker 3>they fired you. But how do you get from Popeye's

0:21:07.920 --> 0:21:10.199
<v Speaker 3>to to come and to see us?

0:21:10.200 --> 0:21:11.480
<v Speaker 1>So what record coming to where you are? When you

0:21:11.520 --> 0:21:15.320
<v Speaker 1>came to Republic? Universal Republic? He said, He said, Pope's

0:21:15.400 --> 0:21:16.640
<v Speaker 1>is after Universal Republic.

0:21:16.960 --> 0:21:22.960
<v Speaker 5>No Universal was before before? Okay, okay, the Republic is

0:21:23.240 --> 0:21:25.680
<v Speaker 5>after you get okay, right, that was the white Cleff

0:21:25.680 --> 0:21:27.240
<v Speaker 5>situation when we came back home.

0:21:27.320 --> 0:21:30.240
<v Speaker 1>You go to Popeye's after why cleft? Yeah?

0:21:30.640 --> 0:21:34.600
<v Speaker 6>Well yeah, yeah yeah, don't judge me right now.

0:21:34.480 --> 0:21:38.719
<v Speaker 1>It's a little nobody listen. You gotta listen. You have

0:21:38.800 --> 0:21:42.080
<v Speaker 1>to work, You gotta take care of yourself. It ain't.

0:21:42.280 --> 0:21:44.760
<v Speaker 1>People get too caught up.

0:21:45.080 --> 0:21:50.000
<v Speaker 2>Emphasis on caught up facts with what kind of job

0:21:50.080 --> 0:21:50.919
<v Speaker 2>or where you like?

0:21:51.080 --> 0:21:53.560
<v Speaker 1>Bro do something to take care of yourself?

0:21:53.640 --> 0:21:54.920
<v Speaker 5>Yeah, man, it's important.

0:21:55.760 --> 0:21:59.720
<v Speaker 1>Are you gonna sit in that sale and wish you

0:21:59.760 --> 0:22:03.400
<v Speaker 1>would have done something else? Fact? To take care of yourself?

0:22:03.440 --> 0:22:03.879
<v Speaker 1>A fact?

0:22:03.920 --> 0:22:05.800
<v Speaker 2>You know what I mean, because we've all faced it

0:22:05.840 --> 0:22:07.560
<v Speaker 2>at some point in our life where it's like.

0:22:09.800 --> 0:22:11.439
<v Speaker 1>What what what the else is going for?

0:22:12.960 --> 0:22:15.720
<v Speaker 3>How much? Tell me how? What exactly do I gotta do?

0:22:15.760 --> 0:22:17.360
<v Speaker 1>I take the bag, you know what I mean?

0:22:17.440 --> 0:22:21.840
<v Speaker 2>Like everybody, our community, mention our community. Man, it's it's

0:22:21.880 --> 0:22:26.520
<v Speaker 2>always this this quick fix, this easy way out, and

0:22:26.560 --> 0:22:28.679
<v Speaker 2>it's actually the easiest way in.

0:22:30.480 --> 0:22:31.359
<v Speaker 1>They gonna lock.

0:22:31.280 --> 0:22:34.200
<v Speaker 5>Your ass up. Inevitably, if you keep going, they're going

0:22:34.280 --> 0:22:34.840
<v Speaker 5>to lock you up.

0:22:34.880 --> 0:22:36.720
<v Speaker 2>And sometimes you don't even make it to the keep

0:22:37.800 --> 0:22:40.040
<v Speaker 2>this feelings out here that got Oh man, I just

0:22:40.080 --> 0:22:42.800
<v Speaker 2>I just had it. I was hustling for about a

0:22:42.800 --> 0:22:47.719
<v Speaker 2>week and also robusted. Yeah, so it's like, bro, I

0:22:47.800 --> 0:22:50.520
<v Speaker 2>respect it. Appreciate that absolutely, I respect it.

0:22:50.600 --> 0:22:51.280
<v Speaker 1>Yeah.

0:22:51.840 --> 0:22:54.320
<v Speaker 5>The sad part is some people don't respect it.

0:23:09.000 --> 0:23:12.439
<v Speaker 3>Taking care of yourself is a real thing, right, And

0:23:12.520 --> 0:23:16.400
<v Speaker 3>so what you learn about, you know, doing this doing

0:23:16.480 --> 0:23:20.119
<v Speaker 3>music is that it's creb. We just had this conversation,

0:23:20.240 --> 0:23:22.920
<v Speaker 3>Like doing music under duress is way different than doing

0:23:23.000 --> 0:23:25.720
<v Speaker 3>music because you love to do music, and so most

0:23:25.720 --> 0:23:28.480
<v Speaker 3>people go through this duress process where they're under pressure.

0:23:28.920 --> 0:23:31.720
<v Speaker 3>For them, they put the pressure on the music to perform.

0:23:31.800 --> 0:23:34.280
<v Speaker 3>It has to perform in such a way in order

0:23:34.280 --> 0:23:38.480
<v Speaker 3>for them to survive, which is a tough space to

0:23:38.520 --> 0:23:39.520
<v Speaker 3>make music from.

0:23:40.160 --> 0:23:41.200
<v Speaker 1>You know what I'm saying, Like.

0:23:42.800 --> 0:23:46.280
<v Speaker 3>Having that job to make sure your bills are paid

0:23:47.920 --> 0:23:51.840
<v Speaker 3>will give you less time in the space. But when

0:23:51.880 --> 0:23:56.560
<v Speaker 3>you're making the music, making money is not on your mind.

0:23:58.040 --> 0:24:00.600
<v Speaker 3>Making music is pretty much when you get in front

0:24:00.600 --> 0:24:08.760
<v Speaker 3>of the chicken. You know what that is. I can

0:24:08.800 --> 0:24:22.040
<v Speaker 3>go a few different ways, you know, talking about wow,

0:24:22.720 --> 0:24:28.080
<v Speaker 3>but that job, that thing that I just I just believe,

0:24:28.160 --> 0:24:33.399
<v Speaker 3>we gotta we gotta, we gotta teach teach you know

0:24:34.359 --> 0:24:36.720
<v Speaker 3>anybody coming up in entertainment or anybody coming up in

0:24:36.760 --> 0:24:43.040
<v Speaker 3>any field that in the beginning is a labor of

0:24:43.280 --> 0:24:50.680
<v Speaker 3>labor of love until you actually become economically self sufficient

0:24:50.720 --> 0:24:52.920
<v Speaker 3>in that space. You want to do something to make

0:24:52.960 --> 0:24:58.240
<v Speaker 3>sure that you're okay facts, because it takes a toll

0:24:58.320 --> 0:25:03.159
<v Speaker 3>on the mind to be trying to figure out like

0:25:03.280 --> 0:25:06.520
<v Speaker 3>I had a baby early, you gotta feed the baby,

0:25:06.520 --> 0:25:09.000
<v Speaker 3>You got a wife early, you got a wife.

0:25:09.800 --> 0:25:12.600
<v Speaker 1>All of these things hit you hard, man.

0:25:12.640 --> 0:25:15.560
<v Speaker 3>So you you make you you writing songs like your

0:25:15.600 --> 0:25:18.439
<v Speaker 3>life is on the line. And most of us are

0:25:18.480 --> 0:25:21.840
<v Speaker 3>from that fire, from sleeping on floors and all of

0:25:21.840 --> 0:25:25.720
<v Speaker 3>these things. We're built in that fire. But something happened

0:25:26.240 --> 0:25:28.960
<v Speaker 3>when we were able to just really do this because

0:25:28.960 --> 0:25:36.200
<v Speaker 3>we love to do it. Something special happened. And don't

0:25:36.240 --> 0:25:40.200
<v Speaker 3>shy away from that. Don't shy away from that foundation

0:25:40.440 --> 0:25:42.760
<v Speaker 3>or making sure that people understand that part of the story,

0:25:42.760 --> 0:25:44.520
<v Speaker 3>because Pope's chicken is important.

0:25:45.080 --> 0:25:48.520
<v Speaker 5>Yeah, for real, it got me to this point. Yeah,

0:25:48.680 --> 0:25:52.240
<v Speaker 5>it was an experience. So you go to Republic and

0:25:52.320 --> 0:25:53.960
<v Speaker 5>how do you get to us?

0:25:55.680 --> 0:25:58.400
<v Speaker 6>I can't remember her name, but I would always say.

0:25:58.400 --> 0:26:00.760
<v Speaker 6>She would always ask who's your favorite artist? So I'm like, man,

0:26:02.600 --> 0:26:03.240
<v Speaker 6>I say.

0:26:03.240 --> 0:26:04.800
<v Speaker 5>Tank said, who else?

0:26:04.840 --> 0:26:09.400
<v Speaker 6>I'm like, Tank, who else? Tank was like, you gotta

0:26:09.440 --> 0:26:11.119
<v Speaker 6>be somebody else. I'm like, well, I like James Brown,

0:26:11.200 --> 0:26:15.600
<v Speaker 6>you know, voice to man, of course. But she was like,

0:26:15.600 --> 0:26:18.680
<v Speaker 6>but who really inspirted Tank? So I ain't just saying

0:26:18.680 --> 0:26:20.439
<v Speaker 6>that because you hear it, man, nonybody knows when they know,

0:26:20.760 --> 0:26:24.320
<v Speaker 6>it's the truth. So she was like, oh, that's interesting.

0:26:24.320 --> 0:26:25.879
<v Speaker 6>I'm gonna see if I know him. I'm gonna see if

0:26:25.880 --> 0:26:28.200
<v Speaker 6>I can figure. I'm like, what, you know, you definitely

0:26:28.240 --> 0:26:31.680
<v Speaker 6>know who he is. She surprised me, went over to

0:26:31.800 --> 0:26:35.720
<v Speaker 6>was it Harvey Mason? I was knocked out. I never

0:26:35.720 --> 0:26:38.720
<v Speaker 6>forget this day. Man, uh Steve Burkle's name?

0:26:38.720 --> 0:26:39.119
<v Speaker 5>What's his name?

0:26:39.160 --> 0:26:39.400
<v Speaker 3>Again?

0:26:40.800 --> 0:26:41.359
<v Speaker 1>I woke up?

0:26:41.400 --> 0:26:43.959
<v Speaker 6>Man, I was knocked out because I mean you quite frankly,

0:26:44.000 --> 0:26:44.639
<v Speaker 6>you took a while.

0:26:44.960 --> 0:26:47.120
<v Speaker 5>You ain't you ain't come on time, but it's all right.

0:26:47.400 --> 0:26:47.840
<v Speaker 1>You came.

0:26:48.720 --> 0:26:50.320
<v Speaker 5>And then when you got there, you were singing like

0:26:50.320 --> 0:26:51.200
<v Speaker 5>who's this John Bryan?

0:26:51.240 --> 0:26:51.840
<v Speaker 1>Who's the joint?

0:26:52.240 --> 0:26:54.639
<v Speaker 6>I'm like that voice aren't familiar? And you started doing runs.

0:26:54.640 --> 0:26:57.159
<v Speaker 6>I'm like, nah, I ain't no Tank, and it was

0:26:57.200 --> 0:26:58.000
<v Speaker 6>you and that.

0:26:58.040 --> 0:26:58.679
<v Speaker 3>Was that was it?

0:26:58.720 --> 0:27:02.200
<v Speaker 5>That right, I think I think the floor.

0:27:04.720 --> 0:27:06.200
<v Speaker 1>Did you know it was at the studio with us.

0:27:06.240 --> 0:27:08.760
<v Speaker 6>He was there in the room like he was in

0:27:08.200 --> 0:27:10.840
<v Speaker 6>the weighting room or something like warming up some food.

0:27:11.280 --> 0:27:13.200
<v Speaker 1>I woke up, like Steve, that's my dog.

0:27:15.560 --> 0:27:17.000
<v Speaker 5>He was in there. He was like, yeah, you know.

0:27:17.000 --> 0:27:18.560
<v Speaker 5>Of course, I'm like making you do the article and

0:27:18.560 --> 0:27:18.800
<v Speaker 5>all that.

0:27:18.840 --> 0:27:21.880
<v Speaker 1>He's like, nah, you did I promise. But I'm young.

0:27:22.520 --> 0:27:27.959
<v Speaker 1>I'm young, man. Don't don't judge me. Don't judge judge that.

0:27:28.040 --> 0:27:28.840
<v Speaker 5>Don't judge me.

0:27:28.920 --> 0:27:29.120
<v Speaker 3>Man.

0:27:29.480 --> 0:27:30.399
<v Speaker 1>Listen, Listen to people.

0:27:31.040 --> 0:27:31.960
<v Speaker 5>It's a truthful moment.

0:27:32.800 --> 0:27:37.400
<v Speaker 1>But listen people when you see don't never do it.

0:27:37.760 --> 0:27:40.080
<v Speaker 2>When you see people that you you know you love

0:27:40.160 --> 0:27:42.800
<v Speaker 2>something that they've done or that you know you respect it,

0:27:43.240 --> 0:27:47.400
<v Speaker 2>just tell them that. Don't ask them like, don't run

0:27:47.480 --> 0:27:49.280
<v Speaker 2>up on Carlton talk about can you do the car

0:27:49.359 --> 0:27:50.919
<v Speaker 2>our files.

0:27:50.640 --> 0:27:53.000
<v Speaker 1>That were bare right, and asked him to do the

0:27:53.080 --> 0:27:53.520
<v Speaker 1>call to.

0:27:54.680 --> 0:27:58.119
<v Speaker 2>Don't run up on Julio White and asked him to

0:27:58.200 --> 0:27:59.560
<v Speaker 2>do the Earth Yeah.

0:27:59.560 --> 0:28:00.000
<v Speaker 3>You do it.

0:28:00.760 --> 0:28:01.760
<v Speaker 1>But he was cool about it.

0:28:01.840 --> 0:28:05.959
<v Speaker 6>He was just like him a good day, I believe.

0:28:07.320 --> 0:28:09.120
<v Speaker 6>So I wasn't expecting that because this was my first

0:28:09.160 --> 0:28:12.680
<v Speaker 6>time really in La So I'm like dang what people

0:28:12.680 --> 0:28:15.440
<v Speaker 6>are really around When you came to the steps, I'm like, yo,

0:28:15.480 --> 0:28:16.359
<v Speaker 6>this is nuts.

0:28:16.720 --> 0:28:20.360
<v Speaker 5>And that was that. Yeah, what did we work?

0:28:20.400 --> 0:28:26.440
<v Speaker 1>What was the song? What's that song? Hustle Hard?

0:28:27.240 --> 0:28:27.600
<v Speaker 5>So hard?

0:28:29.160 --> 0:28:29.560
<v Speaker 1>That one?

0:28:29.880 --> 0:28:33.920
<v Speaker 5>Uh man, we did like four of them.

0:28:34.119 --> 0:28:36.119
<v Speaker 1>I got him somewhere too. I got those right, you

0:28:36.119 --> 0:28:38.400
<v Speaker 1>got full of those up, I got right. I know

0:28:38.480 --> 0:28:40.480
<v Speaker 1>hustle Hard was one of them. He was absolutely one

0:28:40.480 --> 0:28:41.800
<v Speaker 1>of them. Yeah, yeah, but.

0:28:42.160 --> 0:28:45.120
<v Speaker 6>Yeah, I was excited. I was there, man, that was

0:28:45.120 --> 0:28:48.040
<v Speaker 6>my whole thing. Like I'm working with my idol.

0:28:47.800 --> 0:28:50.400
<v Speaker 3>So and so at this point you're still living in Detroit,

0:28:50.440 --> 0:28:51.880
<v Speaker 3>but you just flew into the sessions.

0:28:52.360 --> 0:28:52.560
<v Speaker 2>Yeah.

0:28:52.760 --> 0:28:57.040
<v Speaker 3>True, what is what? What came with those sessions in

0:28:57.120 --> 0:28:59.600
<v Speaker 3>terms of like the ones with you with the labels,

0:29:00.120 --> 0:29:03.760
<v Speaker 3>like your Journey recording those records.

0:29:03.800 --> 0:29:06.760
<v Speaker 6>Nothing happened with those records. Something should have happened with

0:29:06.800 --> 0:29:08.520
<v Speaker 6>those records. But I think people wanted to take me

0:29:08.520 --> 0:29:12.600
<v Speaker 6>in a different direction. And so yeah, that was that

0:29:12.760 --> 0:29:14.600
<v Speaker 6>asked me to deal ended, though I feel like we

0:29:14.680 --> 0:29:16.320
<v Speaker 6>had to write music during that time.

0:29:16.320 --> 0:29:19.080
<v Speaker 5>It would have been a little more sustainable.

0:29:19.240 --> 0:29:24.200
<v Speaker 1>So that deal ended too, unfortunately. Okay, Yeah, yeah, sounds

0:29:24.200 --> 0:29:26.280
<v Speaker 1>like me. I went from deal to deal man, like

0:29:26.280 --> 0:29:27.040
<v Speaker 1>we're done over here.

0:29:27.280 --> 0:29:28.960
<v Speaker 5>Yes, it was a rough one.

0:29:29.200 --> 0:29:31.240
<v Speaker 3>So what's the next So what is the next deal?

0:29:31.280 --> 0:29:32.720
<v Speaker 3>How do you get to the next place? And when

0:29:32.760 --> 0:29:35.280
<v Speaker 3>do you start putting out records? And let's get to

0:29:35.360 --> 0:29:36.680
<v Speaker 3>this top ten space.

0:29:37.320 --> 0:29:43.880
<v Speaker 5>The next deal happened after that. I stopped doing music.

0:29:44.280 --> 0:29:50.240
<v Speaker 5>I was done after after the university university public. Yeah, man,

0:29:50.280 --> 0:29:53.640
<v Speaker 5>depression set in, and it's real, you know, it hits you. Man,

0:29:53.640 --> 0:29:56.280
<v Speaker 5>at some point when you just figure out, okay, is

0:29:56.320 --> 0:29:58.800
<v Speaker 5>this really for me? You psych yourself out.

0:29:58.840 --> 0:29:58.959
<v Speaker 1>Man.

0:29:58.960 --> 0:30:00.800
<v Speaker 5>I was basically at war my ulf at that point.

0:30:01.000 --> 0:30:01.200
<v Speaker 5>You know.

0:30:01.240 --> 0:30:03.040
<v Speaker 6>The deal in this was like where do I go

0:30:03.080 --> 0:30:05.760
<v Speaker 6>from here? You know, because the focal point is music.

0:30:05.880 --> 0:30:08.320
<v Speaker 6>So it's like, if you're not focused on school, you're

0:30:08.360 --> 0:30:11.840
<v Speaker 6>not focused on working what comes next? So I was

0:30:11.840 --> 0:30:14.920
<v Speaker 6>just working a whole bunch of odd jobs after that pretty.

0:30:14.640 --> 0:30:16.800
<v Speaker 1>Much for how long? For a minute?

0:30:17.760 --> 0:30:21.840
<v Speaker 5>For years, years, funeral homes, all sorts.

0:30:21.680 --> 0:30:25.000
<v Speaker 3>Of stuff, the funeral home, like like with the bodies,

0:30:25.680 --> 0:30:26.800
<v Speaker 3>like in bombing the bodies.

0:30:27.160 --> 0:30:29.120
<v Speaker 6>No, but I was like an apprentice in a sense,

0:30:29.960 --> 0:30:32.120
<v Speaker 6>so I was there doing the process and everything.

0:30:32.840 --> 0:30:36.200
<v Speaker 5>So you like Brown pe Valley, I've never seen pe Valley.

0:30:36.720 --> 0:30:37.920
<v Speaker 5>I heard this story.

0:30:37.960 --> 0:30:39.080
<v Speaker 1>Yeah, what do it do? Is we work?

0:30:39.920 --> 0:30:40.240
<v Speaker 3>He like?

0:30:40.360 --> 0:30:43.280
<v Speaker 1>He like we working at Yeah?

0:30:43.320 --> 0:30:45.520
<v Speaker 5>Man, I was just trying to make ends meet man

0:30:46.440 --> 0:30:47.120
<v Speaker 5>at the funeral home.

0:30:47.480 --> 0:30:49.560
<v Speaker 3>And here's and here's there's a question going back to

0:30:49.640 --> 0:30:52.520
<v Speaker 3>the you know, the real conversations. What are the people

0:30:52.560 --> 0:30:55.120
<v Speaker 3>at homes sang that know you can sing that know

0:30:55.240 --> 0:30:56.800
<v Speaker 3>you've had these stills.

0:30:56.400 --> 0:30:59.960
<v Speaker 6>And I mean I've heard stories no one really saying

0:31:00.120 --> 0:31:01.600
<v Speaker 6>thing to me. But you know how it goes like,

0:31:01.640 --> 0:31:04.600
<v Speaker 6>oh he fell off. You know, it's overform. He had

0:31:04.600 --> 0:31:07.520
<v Speaker 6>a few records, same stuff we all probably heard before,

0:31:07.640 --> 0:31:10.920
<v Speaker 6>you know. But again, man, it takes a toll on you,

0:31:10.920 --> 0:31:13.160
<v Speaker 6>you know, once you realize like, I'm not where I

0:31:13.200 --> 0:31:15.880
<v Speaker 6>want to be, you know. And so I mean I

0:31:15.880 --> 0:31:18.240
<v Speaker 6>would assume that's how some of the stories went, people

0:31:18.360 --> 0:31:19.880
<v Speaker 6>just talking crap about you.

0:31:19.960 --> 0:31:23.120
<v Speaker 1>But that's how it goes, you know, And what gets

0:31:23.160 --> 0:31:26.520
<v Speaker 1>you back into it the love for music. Man.

0:31:26.760 --> 0:31:29.520
<v Speaker 6>You know, my manager hit me up and I was like, man,

0:31:29.560 --> 0:31:31.000
<v Speaker 6>you want to get back at it. I was like, nah,

0:31:31.000 --> 0:31:35.080
<v Speaker 6>I'm cool because you It's like is it gonna happen right?

0:31:35.160 --> 0:31:39.160
<v Speaker 6>You know, based on those previous exper previous experiences, so I'm.

0:31:39.000 --> 0:31:40.760
<v Speaker 1>Like, am I'm straight.

0:31:41.240 --> 0:31:43.120
<v Speaker 5>He was like, man, let's just give another try. I'm like, nah,

0:31:43.120 --> 0:31:44.360
<v Speaker 5>I'm cool.

0:31:44.720 --> 0:31:47.960
<v Speaker 6>Go to New York, quught a few records, and I

0:31:47.960 --> 0:31:52.080
<v Speaker 6>had a top ten record within like the next five

0:31:52.120 --> 0:31:55.440
<v Speaker 6>to six months really after recording it. Yeah, who did

0:31:55.440 --> 0:31:56.640
<v Speaker 6>that record?

0:31:56.920 --> 0:31:57.440
<v Speaker 1>I don't know.

0:31:57.920 --> 0:31:59.960
<v Speaker 5>That's a good question. Good but I just record.

0:32:00.200 --> 0:32:00.480
<v Speaker 1>I don't know.

0:32:00.480 --> 0:32:02.080
<v Speaker 6>I don't know who wrote it. Someone else wrote it.

0:32:02.440 --> 0:32:03.880
<v Speaker 6>I sang it, and then uh yeah, he.

0:32:03.880 --> 0:32:05.680
<v Speaker 1>Just put it out.

0:32:06.040 --> 0:32:10.960
<v Speaker 6>Richard started doing this work in his magic Sunrod sunset.

0:32:13.960 --> 0:32:15.560
<v Speaker 1>And this is after how many years.

0:32:15.360 --> 0:32:18.960
<v Speaker 5>Off, twelve to fourteen.

0:32:19.600 --> 0:32:19.840
<v Speaker 1>Yeah.

0:32:20.640 --> 0:32:23.640
<v Speaker 5>Yeah, so performing.

0:32:23.160 --> 0:32:25.000
<v Speaker 6>Everything, I was just like, yo, I can't do this,

0:32:25.280 --> 0:32:29.000
<v Speaker 6>do none of it. Nothing, nothing, just worked.

0:32:29.080 --> 0:32:29.720
<v Speaker 5>Just worked.

0:32:29.960 --> 0:32:30.200
<v Speaker 1>Yeah.

0:32:30.240 --> 0:32:33.040
<v Speaker 6>Man, I was depressed. Man, it was tough. When I

0:32:33.040 --> 0:32:36.360
<v Speaker 6>say tough, it was tough. So by the grace of.

0:32:36.320 --> 0:32:37.240
<v Speaker 5>God, man, I just.

0:32:38.720 --> 0:32:38.960
<v Speaker 1>Got that.

0:32:39.640 --> 0:32:40.959
<v Speaker 5>He brought me back to it. Yeah.

0:32:41.000 --> 0:32:42.880
<v Speaker 3>So that top five breathed the different life thing to

0:32:42.920 --> 0:32:43.960
<v Speaker 3>you though. It did.

0:32:44.040 --> 0:32:44.280
<v Speaker 1>Man.

0:32:44.440 --> 0:32:47.200
<v Speaker 6>But then of course there's you still has the tennis

0:32:47.320 --> 0:32:50.960
<v Speaker 6>like we're doing it independently, which by the way, is

0:32:51.000 --> 0:32:54.480
<v Speaker 6>a great thing, you know, but still, you know, I

0:32:54.480 --> 0:32:57.040
<v Speaker 6>still have these you know, these preconceived notions like will

0:32:57.120 --> 0:32:57.640
<v Speaker 6>it happened?

0:32:58.040 --> 0:32:58.240
<v Speaker 3>You know?

0:32:58.600 --> 0:33:00.840
<v Speaker 6>But then after that we had another one, and then

0:33:00.880 --> 0:33:03.960
<v Speaker 6>another one, and then another one, then another one, and

0:33:04.000 --> 0:33:06.880
<v Speaker 6>then I had one with my bro so five top.

0:33:06.720 --> 0:33:09.280
<v Speaker 1>Ten records, name them name the top ten red So.

0:33:09.240 --> 0:33:12.320
<v Speaker 5>Sunrise Sunset was the first. Give It to You was

0:33:12.320 --> 0:33:12.880
<v Speaker 5>the second.

0:33:15.240 --> 0:33:15.680
<v Speaker 6>Vibe.

0:33:16.080 --> 0:33:22.800
<v Speaker 5>No Moon was the third, Vibe was the fourth, Don't rush?

0:33:22.840 --> 0:33:24.560
<v Speaker 1>What's the fifth? So far?

0:33:24.840 --> 0:33:27.520
<v Speaker 6>Yeah, I get a little excited. So I missed, you know,

0:33:27.960 --> 0:33:31.200
<v Speaker 6>I'm miss calculated. Don't judge met.

0:33:31.120 --> 0:33:34.400
<v Speaker 1>With it was.

0:33:34.440 --> 0:33:38.680
<v Speaker 3>It's funny because I think we've all I've never taken

0:33:38.720 --> 0:33:41.560
<v Speaker 3>a fourteen year off, but I was. I was at

0:33:41.600 --> 0:33:43.840
<v Speaker 3>five you know what I'm saying, where I have to

0:33:43.880 --> 0:33:46.600
<v Speaker 3>try and figure it out straight because it was like yeah,

0:33:46.640 --> 0:33:47.920
<v Speaker 3>and I was at the point where I didn't even

0:33:47.920 --> 0:33:51.000
<v Speaker 3>want to go to seven yep, wow, Yeah, I didn't

0:33:51.040 --> 0:33:53.080
<v Speaker 3>want to give nobody no music. But I was like,

0:33:54.120 --> 0:33:55.360
<v Speaker 3>what else am I going to do?

0:33:56.640 --> 0:33:56.840
<v Speaker 1>Right?

0:33:57.720 --> 0:34:00.480
<v Speaker 3>I've gotten fired from every job I had. I'm no

0:34:00.560 --> 0:34:03.440
<v Speaker 3>good at nine to five? Yeah, man, am I gonna

0:34:03.480 --> 0:34:05.280
<v Speaker 3>train people? Like? What am I to do? You know

0:34:05.280 --> 0:34:07.000
<v Speaker 3>what I'm saying? And then I go into this space

0:34:07.040 --> 0:34:10.800
<v Speaker 3>to where you know, you know, I'm working with Fox,

0:34:10.840 --> 0:34:12.799
<v Speaker 3>and then you know, I meet the underdogs and then

0:34:12.840 --> 0:34:14.440
<v Speaker 3>meet Jay and then we just you know, the music

0:34:14.560 --> 0:34:17.439
<v Speaker 3>just starts flowing in that way. And finally I wasn't

0:34:17.440 --> 0:34:20.120
<v Speaker 3>the person that got me back into being an artist. Wow,

0:34:20.320 --> 0:34:21.799
<v Speaker 3>Harvey looked at me and say, hey, man, we should

0:34:21.800 --> 0:34:25.000
<v Speaker 3>do a tank album. I was like, why don't we

0:34:25.000 --> 0:34:28.360
<v Speaker 3>do that. Let's just do a tank Let's do some

0:34:28.400 --> 0:34:28.839
<v Speaker 3>thank song.

0:34:29.120 --> 0:34:32.000
<v Speaker 5>Your focal point, which is writing at that prod that's

0:34:32.040 --> 0:34:32.520
<v Speaker 5>all I had.

0:34:33.040 --> 0:34:37.320
<v Speaker 3>Label, label wouldn't wouldn't blink at me, insane, you know

0:34:37.360 --> 0:34:40.200
<v Speaker 3>what I'm saying. And so you know, an album like sex,

0:34:40.239 --> 0:34:46.360
<v Speaker 3>Love and Pain comes from pain, from really all the

0:34:46.400 --> 0:34:48.960
<v Speaker 3>pain I was going exactly during that time.

0:34:48.760 --> 0:34:51.520
<v Speaker 1>But also freedom also freedom too.

0:34:51.400 --> 0:34:54.279
<v Speaker 2>Though because you, like you said, you worked, Yeah, you

0:34:54.360 --> 0:35:00.319
<v Speaker 2>stayed working right, you found another space, which is tough

0:35:00.320 --> 0:35:03.880
<v Speaker 2>for a lot of artists as well, to say, especially

0:35:03.880 --> 0:35:06.600
<v Speaker 2>someone who's had success as an artist first to say,

0:35:06.600 --> 0:35:08.640
<v Speaker 2>you know what, I'm all these great songs I'm writing,

0:35:08.680 --> 0:35:10.879
<v Speaker 2>I'm going to give them away. I'm gonna give all

0:35:10.880 --> 0:35:13.680
<v Speaker 2>my babies away to everyone else, and then I'm going

0:35:13.760 --> 0:35:17.879
<v Speaker 2>to watch, you know. I remember going to the Millennium tour,

0:35:19.600 --> 0:35:24.120
<v Speaker 2>seeing multiple songs that I wrote crazy, you know what

0:35:24.120 --> 0:35:25.960
<v Speaker 2>I mean. I'm sorry, I call it the millennium to

0:35:26.000 --> 0:35:31.279
<v Speaker 2>it now, Yes, scream to it. Seeing multiple songs that

0:35:31.280 --> 0:35:33.640
<v Speaker 2>I've written being performed by someone else?

0:35:34.520 --> 0:35:37.560
<v Speaker 5>So what did that do to you? I?

0:35:37.719 --> 0:35:41.719
<v Speaker 2>For me, you know, I enjoyed it because I was

0:35:41.960 --> 0:35:46.560
<v Speaker 2>I was never a uh, I was never.

0:35:46.640 --> 0:35:50.239
<v Speaker 1>A artist who looked at it from the space of.

0:35:52.719 --> 0:35:55.480
<v Speaker 2>These are just my songs and I can't don't touch

0:35:55.560 --> 0:35:58.520
<v Speaker 2>my I never looked at it like that. I never

0:35:58.600 --> 0:36:01.600
<v Speaker 2>had that that mindset so for me, but I had

0:36:01.640 --> 0:36:05.960
<v Speaker 2>also not had my own records at that point, you

0:36:06.000 --> 0:36:07.840
<v Speaker 2>know what I mean That that we're that were moving

0:36:07.880 --> 0:36:10.440
<v Speaker 2>and I, you know, he had already seen the world

0:36:10.520 --> 0:36:14.360
<v Speaker 2>and been performing these records everywhere. For me, yeah, I

0:36:14.440 --> 0:36:17.120
<v Speaker 2>had deals and I you know, I was working on

0:36:17.160 --> 0:36:20.200
<v Speaker 2>different stuff, but it wasn't like I knew that they

0:36:20.239 --> 0:36:23.200
<v Speaker 2>would scream different if I sang them got.

0:36:24.120 --> 0:36:25.560
<v Speaker 1>So I just I just embraced it.

0:36:25.600 --> 0:36:28.040
<v Speaker 2>But I'm like, damn, this is crazy, Like these people

0:36:28.200 --> 0:36:34.640
<v Speaker 2>fuck with right, I wrote about some situations, you know

0:36:34.719 --> 0:36:36.320
<v Speaker 2>what I mean, It's.

0:36:36.160 --> 0:36:37.919
<v Speaker 1>It's crazy, man, so I think.

0:36:38.080 --> 0:36:43.160
<v Speaker 2>But but having the freedom of being able to like

0:36:43.239 --> 0:36:47.000
<v Speaker 2>you said do it without distress because at that point,

0:36:47.280 --> 0:36:49.120
<v Speaker 2>during that point, we was having such a good time

0:36:49.120 --> 0:36:51.440
<v Speaker 2>at the dogs. Yeah, I mean we was having a

0:36:51.440 --> 0:36:54.839
<v Speaker 2>ball at the underdogs. It was really I didn't even

0:36:54.840 --> 0:36:57.920
<v Speaker 2>have a lot of money either, but it's a good time.

0:36:58.000 --> 0:36:58.840
<v Speaker 1>I was having a good.

0:36:58.719 --> 0:37:00.200
<v Speaker 5>Time, which made things.

0:37:00.560 --> 0:37:05.799
<v Speaker 3>Yeah, I mean, it just was. It was fun and

0:37:06.360 --> 0:37:08.759
<v Speaker 3>like back to but it was there was no the rest,

0:37:08.800 --> 0:37:10.720
<v Speaker 3>there was no pressure. We had enough for White teas.

0:37:11.200 --> 0:37:13.879
<v Speaker 3>We had White teas and Air Force one. I don't

0:37:13.880 --> 0:37:15.960
<v Speaker 3>know where they was getting these Air Force ones from,

0:37:16.080 --> 0:37:19.520
<v Speaker 3>but they were coming boxes off the boat, y'all. And

0:37:19.560 --> 0:37:21.560
<v Speaker 3>we had we called the Marshmountains.

0:37:22.320 --> 0:37:26.840
<v Speaker 2>We had a cack to You gotta imagine it's ten

0:37:28.000 --> 0:37:31.080
<v Speaker 2>at least ten guys up there that are just working

0:37:31.440 --> 0:37:34.920
<v Speaker 2>were we were a full machine. We were a full machine.

0:37:35.280 --> 0:37:38.680
<v Speaker 2>And it's this is what we're doing every day. So

0:37:38.760 --> 0:37:41.120
<v Speaker 2>like we had the people that would bring us to

0:37:41.239 --> 0:37:43.560
<v Speaker 2>white teas and they would bring them in fifties. Yeah,

0:37:43.960 --> 0:37:46.600
<v Speaker 2>they would bring White teas in fifties in a bundle

0:37:46.640 --> 0:37:49.720
<v Speaker 2>of fifty, and then you would bring Air Force ones

0:37:49.760 --> 0:37:50.200
<v Speaker 2>in a.

0:37:50.080 --> 0:37:51.680
<v Speaker 3>Bundle of twenty or third.

0:37:52.280 --> 0:37:54.560
<v Speaker 2>Everybody come get they want or two pairs that week

0:37:54.640 --> 0:37:55.400
<v Speaker 2>or whatever.

0:37:55.520 --> 0:37:56.360
<v Speaker 1>Did you have to pay for them?

0:37:56.440 --> 0:37:58.760
<v Speaker 3>Yeah, it was, but it was just it was delivered.

0:37:58.880 --> 0:38:02.080
<v Speaker 1>It was delivered its place bro like like the Edmonds

0:38:02.120 --> 0:38:06.759
<v Speaker 1>Building legendary, man legendary. It was legendary.

0:38:06.760 --> 0:38:06.960
<v Speaker 3>It was.

0:38:07.000 --> 0:38:09.440
<v Speaker 2>It was a good time and you know, people were

0:38:09.520 --> 0:38:13.200
<v Speaker 2>just being able to be creative and you know, ultimately

0:38:13.760 --> 0:38:18.320
<v Speaker 2>either get themselves back, keep that ship going, you know

0:38:18.320 --> 0:38:21.880
<v Speaker 2>what I mean, like come through there like whatever it was,

0:38:21.960 --> 0:38:23.080
<v Speaker 2>it was, you know, it was just a it was

0:38:23.120 --> 0:38:25.759
<v Speaker 2>a great moment in time. It's a great moment in time.

0:38:25.840 --> 0:38:28.879
<v Speaker 2>And look at you on the still yeah.

0:38:29.239 --> 0:38:31.879
<v Speaker 1>Still, but have a lot of fun, have a lot

0:38:31.920 --> 0:38:33.920
<v Speaker 1>of fun. Yeah, ultimately have a lot of fun.

0:38:33.960 --> 0:38:36.200
<v Speaker 3>You know what I'm saying, Like we get to uh,

0:38:37.000 --> 0:38:40.520
<v Speaker 3>we get to now create moments. We're cultivating a really

0:38:40.560 --> 0:38:43.360
<v Speaker 3>cool moment with this right you know, run into you

0:38:43.480 --> 0:38:45.759
<v Speaker 3>my brother and say we need to do something. We

0:38:45.760 --> 0:38:46.720
<v Speaker 3>need to create a moment.

0:38:47.440 --> 0:38:47.640
<v Speaker 1>You know.

0:38:47.719 --> 0:38:49.800
<v Speaker 3>Taking a record that was for me, I'm.

0:38:49.680 --> 0:38:53.759
<v Speaker 5>Like, oh yeah, I'm still surprised at that this.

0:38:53.800 --> 0:38:58.080
<v Speaker 1>Will work perfect for John Brown. I like that record

0:38:58.080 --> 0:38:58.359
<v Speaker 1>a lot.

0:38:58.640 --> 0:39:02.440
<v Speaker 5>I know you did. I was like giving me this

0:39:02.520 --> 0:39:04.640
<v Speaker 5>when Travis sent it to me, I was like he

0:39:04.680 --> 0:39:05.279
<v Speaker 5>played it for me.

0:39:05.360 --> 0:39:06.879
<v Speaker 3>He was like, you know, I know you're still working

0:39:06.880 --> 0:39:08.400
<v Speaker 3>at just want to play because you know Travis is

0:39:08.400 --> 0:39:10.560
<v Speaker 3>real modest, play something. You know, it's just a vibe.

0:39:10.560 --> 0:39:12.480
<v Speaker 1>I don't know if you feel if you're gonna be

0:39:12.480 --> 0:39:13.919
<v Speaker 1>on it like that, but you're gonna play for your player.

0:39:14.160 --> 0:39:16.719
<v Speaker 3>You played, I was like, I was like, I was like,

0:39:16.760 --> 0:39:19.960
<v Speaker 3>it's something in there. I was like, the vibe is crazy.

0:39:20.080 --> 0:39:22.960
<v Speaker 3>All you have every melody we need in the song.

0:39:23.600 --> 0:39:26.399
<v Speaker 3>It's just changing the structure just a little bit. I said, yeah,

0:39:26.400 --> 0:39:30.680
<v Speaker 3>I need this, and then I was like, no, I don't.

0:39:31.040 --> 0:39:36.640
<v Speaker 3>John Brown needs this. Wow, John Brown needs this. I

0:39:36.719 --> 0:39:38.319
<v Speaker 3>called you straighter, I said, we got one.

0:39:38.520 --> 0:39:41.080
<v Speaker 5>Yeah, pretty much verybatim based on what you just said.

0:39:41.239 --> 0:39:45.880
<v Speaker 3>We got one and just you know, seeing you and

0:39:45.920 --> 0:39:48.719
<v Speaker 3>more walk in the building and like it was like

0:39:48.760 --> 0:39:50.360
<v Speaker 3>for you if for you, it was like when mom was.

0:39:50.360 --> 0:39:51.800
<v Speaker 1>Like, Okay, this is really happening.

0:39:52.360 --> 0:39:54.960
<v Speaker 3>We're really gonna do this, and it felt like maybe

0:39:55.040 --> 0:39:56.680
<v Speaker 3>a bunch of people said they were going to do

0:39:56.719 --> 0:39:58.440
<v Speaker 3>some things. So maybe a bunch of people said some

0:39:58.480 --> 0:40:02.480
<v Speaker 3>things were gonna happen and we were able to actually

0:40:03.120 --> 0:40:04.000
<v Speaker 3>come through for you.

0:40:04.680 --> 0:40:07.520
<v Speaker 5>Yeah, So shout out to you. Man, let's moment.

0:40:08.960 --> 0:40:12.520
<v Speaker 1>Did you clap for yourself depend as well?

0:40:12.960 --> 0:40:13.560
<v Speaker 5>For the moment?

0:40:14.520 --> 0:40:17.040
<v Speaker 3>I'm happy we were able to come through through for that.

0:40:17.600 --> 0:40:19.919
<v Speaker 3>It's crazy we shooting that video and I got sick

0:40:19.960 --> 0:40:20.560
<v Speaker 3>on that video.

0:40:21.320 --> 0:40:23.200
<v Speaker 1>Yeah, man, it was it was gone.

0:40:23.280 --> 0:40:25.319
<v Speaker 3>I had food poisoning for the next days.

0:40:25.400 --> 0:40:26.000
<v Speaker 1>That's nuts.

0:40:26.200 --> 0:40:28.320
<v Speaker 3>I was. I lost thirteen pounds in like four.

0:40:28.239 --> 0:40:31.600
<v Speaker 5>Days and still managed to record it or feel it rather.

0:40:31.960 --> 0:40:34.400
<v Speaker 1>I mean, I think we got enough, but I was

0:40:34.680 --> 0:40:35.560
<v Speaker 1>that was a lots.

0:40:36.000 --> 0:40:38.600
<v Speaker 5>I was considering how you were feeling than you.

0:40:38.680 --> 0:40:38.879
<v Speaker 3>Brother.

0:40:39.440 --> 0:40:39.600
<v Speaker 6>Man.

0:40:39.640 --> 0:40:40.800
<v Speaker 3>It's gotta be there for my brother.

0:40:40.960 --> 0:40:41.160
<v Speaker 1>Yeah.

0:40:41.440 --> 0:40:41.640
<v Speaker 5>Yeah.

0:40:42.120 --> 0:40:47.319
<v Speaker 3>So what is after your fifth top ten? What is

0:40:47.360 --> 0:40:49.520
<v Speaker 3>your movement now? What? And how do you feel now

0:40:49.560 --> 0:40:52.600
<v Speaker 3>coming from all of these deals that you've been through,

0:40:53.040 --> 0:40:57.399
<v Speaker 3>coming from a twelve thirteen, fourteen year layoff, coming back

0:40:57.440 --> 0:41:00.920
<v Speaker 3>to now starting to you know, really pick up some

0:41:01.000 --> 0:41:05.440
<v Speaker 3>momentum in the space that you've always wanted to be in.

0:41:05.480 --> 0:41:06.719
<v Speaker 5>The move now is to keep going.

0:41:06.880 --> 0:41:08.520
<v Speaker 6>You know, we got my new album out, Chapter in

0:41:08.600 --> 0:41:11.120
<v Speaker 6>Versus doing pretty well, so shouts out to my team,

0:41:11.200 --> 0:41:16.799
<v Speaker 6>you know SRG, you know version, you know we're making

0:41:16.840 --> 0:41:19.440
<v Speaker 6>some traction. You know, we just dropped the deluxe version,

0:41:19.440 --> 0:41:21.800
<v Speaker 6>so it's been doing pretty well. Now we're working on

0:41:21.840 --> 0:41:25.640
<v Speaker 6>a new album, so it's just putting out music, man,

0:41:25.719 --> 0:41:27.080
<v Speaker 6>But prepare for a new single.

0:41:27.400 --> 0:41:31.480
<v Speaker 2>So do you continue to try to keep things in

0:41:31.520 --> 0:41:34.320
<v Speaker 2>the market, like, because you're working from an independent.

0:41:33.880 --> 0:41:38.880
<v Speaker 1>Sense basically, right, So obviously you're not waiting on you know,

0:41:39.000 --> 0:41:40.560
<v Speaker 1>release schedules and that whole.

0:41:40.360 --> 0:41:43.240
<v Speaker 2>Thing, are you or do you have like for you like, Okay,

0:41:43.440 --> 0:41:45.680
<v Speaker 2>I'm gonna put something out every six months? I got

0:41:45.760 --> 0:41:48.160
<v Speaker 2>you know this content this like give us a breakdown

0:41:48.200 --> 0:41:51.040
<v Speaker 2>of how your business works of.

0:41:52.480 --> 0:41:55.560
<v Speaker 6>So, I mean I would say like every six months,

0:41:55.600 --> 0:41:58.120
<v Speaker 6>you know, because it takes six months for a record.

0:41:58.320 --> 0:42:00.319
<v Speaker 1>Well, I guess it depends on the life one for sure.

0:42:00.360 --> 0:42:02.400
<v Speaker 3>I mean we could say say six months and give

0:42:02.440 --> 0:42:02.719
<v Speaker 3>you something.

0:42:02.719 --> 0:42:04.920
<v Speaker 6>I would say every six months is constantly putting stuff

0:42:04.920 --> 0:42:06.640
<v Speaker 6>out because consistently is the key.

0:42:06.719 --> 0:42:07.000
<v Speaker 1>Right.

0:42:07.200 --> 0:42:11.960
<v Speaker 5>So I think at this point, considering we've had the success,

0:42:12.600 --> 0:42:14.360
<v Speaker 5>the only way to do it now is to keep moving.

0:42:14.719 --> 0:42:16.280
<v Speaker 5>So we're just putting our music.

0:42:16.320 --> 0:42:17.879
<v Speaker 3>Man, how's your road life?

0:42:19.360 --> 0:42:20.120
<v Speaker 1>It's looking good?

0:42:21.360 --> 0:42:24.640
<v Speaker 6>You know, it's there, not all the way there, but

0:42:24.680 --> 0:42:27.319
<v Speaker 6>it's there. You know, I'm happy, you know, it's it's

0:42:27.360 --> 0:42:30.879
<v Speaker 6>it's definitely a it's a process, man, I say that,

0:42:31.000 --> 0:42:33.560
<v Speaker 6>you know, but in terms of road life in general,

0:42:34.719 --> 0:42:35.560
<v Speaker 6>doing this thing, and.

0:42:35.600 --> 0:42:37.360
<v Speaker 3>How do you how do you feel like the fans

0:42:39.520 --> 0:42:41.319
<v Speaker 3>are responding to the music? You know what I mean?

0:42:41.320 --> 0:42:43.960
<v Speaker 3>Like when you sing your top five, your top ten songs,

0:42:44.480 --> 0:42:47.400
<v Speaker 3>do you see the do you see the excitement? Do

0:42:47.480 --> 0:42:48.720
<v Speaker 3>you see the word for word?

0:42:48.800 --> 0:42:49.400
<v Speaker 1>And I do?

0:42:49.680 --> 0:42:51.120
<v Speaker 3>I you can hear the mic out there and let

0:42:51.160 --> 0:42:54.520
<v Speaker 3>them do the rest. How does how does don't Rush feel?

0:42:54.840 --> 0:42:56.680
<v Speaker 3>That's a good question because I haven't been out there

0:42:56.680 --> 0:42:57.520
<v Speaker 3>for don't Rush.

0:42:57.680 --> 0:43:00.000
<v Speaker 6>Yeah, yeah, that's the one. So it's a great feeling.

0:43:00.040 --> 0:43:01.719
<v Speaker 6>And I tell you that now that you can really

0:43:02.200 --> 0:43:04.719
<v Speaker 6>I think don't rush. No, I know, don't rush. It's

0:43:04.800 --> 0:43:08.480
<v Speaker 6>like that defining record and considering you on the record

0:43:08.480 --> 0:43:11.720
<v Speaker 6>with me. So like now when I perform people singing

0:43:11.719 --> 0:43:12.520
<v Speaker 6>it with me, it's.

0:43:12.400 --> 0:43:16.319
<v Speaker 1>Just like do you sing his part? I stay away

0:43:16.320 --> 0:43:19.279
<v Speaker 1>from it. Hey man, it's your song.

0:43:19.440 --> 0:43:20.319
<v Speaker 3>Man, you know what.

0:43:20.800 --> 0:43:23.480
<v Speaker 6>I just did a show on Buffalo and I attempted it.

0:43:23.520 --> 0:43:25.680
<v Speaker 6>I mean, I'm not gonna say at tempted it.

0:43:26.560 --> 0:43:28.760
<v Speaker 1>I did it.

0:43:28.800 --> 0:43:30.920
<v Speaker 5>But sometimes you get in your own head. But I

0:43:30.960 --> 0:43:33.080
<v Speaker 5>made it work. Man, it didn't work or I just

0:43:33.120 --> 0:43:34.840
<v Speaker 5>get a mic to the audience and they just sing it.

0:43:34.920 --> 0:43:37.080
<v Speaker 3>So who's going to show you? You did it?

0:43:37.120 --> 0:43:37.680
<v Speaker 1>In Buffalo?

0:43:38.520 --> 0:43:41.799
<v Speaker 6>This young lady named Mayvies. She's a dope artist. She's

0:43:41.800 --> 0:43:45.680
<v Speaker 6>from like North Carolina. She's really dope, so shouts out

0:43:45.680 --> 0:43:47.160
<v Speaker 6>to Maybe she's pretty dope. But it was just her

0:43:47.200 --> 0:43:50.520
<v Speaker 6>and I basically some guy named Dudley, old school calf

0:43:50.560 --> 0:43:52.120
<v Speaker 6>from LA but dope.

0:43:52.280 --> 0:43:55.319
<v Speaker 5>So show I mean, no, it was my I was

0:43:55.320 --> 0:43:56.080
<v Speaker 5>like the headliner.

0:43:56.160 --> 0:43:59.120
<v Speaker 1>But yeah, headline, say a headline, you.

0:43:59.120 --> 0:44:08.160
<v Speaker 5>Know, shout out the Buffalo.

0:44:09.000 --> 0:44:14.799
<v Speaker 3>Because here's the thing, right, you know, I think success, right,

0:44:14.840 --> 0:44:18.880
<v Speaker 3>it can be defined differently for for anybody that you

0:44:18.920 --> 0:44:25.400
<v Speaker 3>asked this question. But the fact that you are doing

0:44:25.440 --> 0:44:29.200
<v Speaker 3>what you love to do again and that you are

0:44:30.120 --> 0:44:33.719
<v Speaker 3>finally having some some real success with it, you know,

0:44:34.640 --> 0:44:37.680
<v Speaker 3>that's defining, you know what I mean. And as you

0:44:38.239 --> 0:44:40.759
<v Speaker 3>as you fight for more, as you push for more,

0:44:41.840 --> 0:44:44.759
<v Speaker 3>to continue to go higher and continue to grow, you

0:44:44.840 --> 0:44:48.920
<v Speaker 3>know what I mean, like really really realize and and

0:44:48.920 --> 0:44:53.879
<v Speaker 3>and understand where you've come from, how far you've come,

0:44:54.800 --> 0:44:57.719
<v Speaker 3>you know what I'm saying, and and embrace it and

0:44:57.880 --> 0:44:58.439
<v Speaker 3>enjoy it.

0:44:59.000 --> 0:45:02.000
<v Speaker 1>Yeah, it's stand on it. Yeah, you're right.

0:45:02.160 --> 0:45:05.720
<v Speaker 3>You went from from a fourteen year layoff to five

0:45:05.880 --> 0:45:06.680
<v Speaker 3>top tens.

0:45:06.840 --> 0:45:09.399
<v Speaker 1>Yeah, do you feel like you can look at it

0:45:09.480 --> 0:45:10.960
<v Speaker 1>and say this is my career?

0:45:11.040 --> 0:45:13.279
<v Speaker 3>Now? Have you had that?

0:45:13.640 --> 0:45:16.279
<v Speaker 5>With all the great questions? Man, that's a really tough one.

0:45:16.640 --> 0:45:17.319
<v Speaker 1>Good.

0:45:17.400 --> 0:45:19.560
<v Speaker 5>It's funny you mentioned that because I thought about that yesterday.

0:45:19.719 --> 0:45:24.080
<v Speaker 2>I don't only look like a my rash right right?

0:45:26.640 --> 0:45:27.440
<v Speaker 1>Who do I look like?

0:45:31.640 --> 0:45:31.680
<v Speaker 3>No?

0:45:33.000 --> 0:45:47.080
<v Speaker 7>From fucking that's funny?

0:45:47.640 --> 0:45:48.040
<v Speaker 1>Seriously.

0:45:49.560 --> 0:45:52.120
<v Speaker 6>Yeah, yeah, I say no, I can officially say it's

0:45:52.160 --> 0:45:57.240
<v Speaker 6>a career. Yeah, I've arrived in a sense. Yeah, since

0:45:57.719 --> 0:45:59.920
<v Speaker 6>But I can say it's a career now, you know, because.

0:46:00.280 --> 0:46:01.359
<v Speaker 1>People get caught up in.

0:46:03.000 --> 0:46:06.560
<v Speaker 2>Thinking it has to be a certain thing other than

0:46:06.600 --> 0:46:10.040
<v Speaker 2>this is something that I love to do, takes care

0:46:10.080 --> 0:46:13.080
<v Speaker 2>of me, takes care of my family. I get up

0:46:13.080 --> 0:46:15.080
<v Speaker 2>and do it, and I can go find a gig

0:46:15.120 --> 0:46:16.880
<v Speaker 2>and I can go perform and you know, I mean,

0:46:16.920 --> 0:46:18.560
<v Speaker 2>I got records on the radio and you know what

0:46:18.560 --> 0:46:18.839
<v Speaker 2>I mean.

0:46:18.880 --> 0:46:20.239
<v Speaker 1>So that's why I asked.

0:46:20.160 --> 0:46:21.160
<v Speaker 5>No, that's a great question.

0:46:21.239 --> 0:46:23.000
<v Speaker 6>No, I can, like I said, I talked about this

0:46:23.040 --> 0:46:24.759
<v Speaker 6>the other day to a few friends, and I'm like, man,

0:46:24.800 --> 0:46:27.320
<v Speaker 6>I honestly can say that it's a career.

0:46:27.360 --> 0:46:30.480
<v Speaker 5>Now you have a career music that record, don't rutch,

0:46:30.520 --> 0:46:31.440
<v Speaker 5>I think that really.

0:46:31.239 --> 0:46:33.759
<v Speaker 1>Made it pretty much.

0:46:33.840 --> 0:46:36.680
<v Speaker 5>Yeah, so thank you manap again.

0:46:37.040 --> 0:46:39.319
<v Speaker 3>No, no, we gotta get on stage, you know, you

0:46:39.320 --> 0:46:44.239
<v Speaker 3>gotta be somewhere, and then I just gotta when you

0:46:44.520 --> 0:46:45.279
<v Speaker 3>when's your next show?

0:46:46.120 --> 0:46:49.640
<v Speaker 5>My next show? New Year's Eve?

0:46:50.640 --> 0:46:51.640
<v Speaker 1>Oh yeah, that's not gonna work.

0:46:52.600 --> 0:46:55.400
<v Speaker 5>That would have been dope. He's like, no, I'm already

0:46:55.440 --> 0:46:57.400
<v Speaker 5>locked down enough.

0:46:58.320 --> 0:47:02.200
<v Speaker 3>I got a gig, man, stay working. No, I got it.

0:47:02.480 --> 0:47:04.160
<v Speaker 3>And New Year's Day is my birth me and my

0:47:04.200 --> 0:47:04.880
<v Speaker 3>son's birthday.

0:47:05.520 --> 0:47:08.719
<v Speaker 1>Yeah. Oh wow. So you know we always find ourselves

0:47:08.800 --> 0:47:10.600
<v Speaker 1>somewhere tropical. That's funny.

0:47:11.280 --> 0:47:14.400
<v Speaker 5>Which one for your birthday? Which want your birthday?

0:47:15.040 --> 0:47:15.279
<v Speaker 2>More?

0:47:28.239 --> 0:47:28.479
<v Speaker 1>More?

0:47:28.920 --> 0:47:36.239
<v Speaker 5>More more beanies, that's what I want.

0:47:37.120 --> 0:47:39.799
<v Speaker 3>Give me some different colors that.

0:47:39.880 --> 0:47:40.560
<v Speaker 5>Multi pack.

0:47:44.000 --> 0:47:49.879
<v Speaker 3>On the side, multi pack. Here's the funniest question. Here's

0:47:49.880 --> 0:47:55.040
<v Speaker 3>the funniest thing. So on on the plane on this

0:47:55.160 --> 0:47:58.480
<v Speaker 3>plane headed to Paris, when the kids went to Paris,

0:47:59.080 --> 0:48:03.640
<v Speaker 3>it was my plan, don't and and this young lady,

0:48:04.200 --> 0:48:07.239
<v Speaker 3>this little girl shout out to my guy Albie is

0:48:07.320 --> 0:48:13.080
<v Speaker 3>his daughter, right, And she has to be, you know,

0:48:13.320 --> 0:48:18.160
<v Speaker 3>one of them little kids that just just is a star.

0:48:19.239 --> 0:48:28.640
<v Speaker 3>And she's not even trying. She's smart, eloquent, uh, beautiful everything.

0:48:28.840 --> 0:48:32.360
<v Speaker 3>She has all the tools. And she's looking at me

0:48:32.400 --> 0:48:36.319
<v Speaker 3>and she's like, I've seen you wear that beanie a lot.

0:48:37.920 --> 0:48:41.040
<v Speaker 3>She's observing, No, no, fully observed.

0:48:42.120 --> 0:48:46.359
<v Speaker 1>She's like, do you like beanies? Yeah?

0:48:46.360 --> 0:48:51.800
<v Speaker 3>I think, she said, Wow, you have any other colors?

0:48:53.200 --> 0:49:01.600
<v Speaker 3>I said no. She's subliminally like, she's like, I mean,

0:49:01.760 --> 0:49:04.040
<v Speaker 3>since you like them a lot, you should probably get a.

0:49:04.040 --> 0:49:04.600
<v Speaker 1>Lot of colors.

0:49:05.120 --> 0:49:09.200
<v Speaker 3>I could see you in like a blue, white, maybe

0:49:09.239 --> 0:49:14.960
<v Speaker 3>a green. What do you think, like what I'm enjoying

0:49:14.960 --> 0:49:15.840
<v Speaker 3>the black beanie.

0:49:15.600 --> 0:49:18.879
<v Speaker 2>I have out here with a white bean like part

0:49:18.920 --> 0:49:23.440
<v Speaker 2>of snow patrol boy said, I said, listening from a

0:49:23.480 --> 0:49:25.560
<v Speaker 2>town where we just we wear dark colors, keeping you know,

0:49:25.600 --> 0:49:26.960
<v Speaker 2>the grays black.

0:49:27.000 --> 0:49:28.160
<v Speaker 3>You know, we stay around.

0:49:28.000 --> 0:49:28.600
<v Speaker 1>From the town.

0:49:29.600 --> 0:49:31.200
<v Speaker 3>She's like, you should do that.

0:49:31.520 --> 0:49:32.480
<v Speaker 1>You should get more beanies.

0:49:32.520 --> 0:49:34.600
<v Speaker 3>I like the beanies on you, And so for the

0:49:34.640 --> 0:49:43.359
<v Speaker 3>rest of the trip, she said, hey, beanie. I think

0:49:43.360 --> 0:49:46.000
<v Speaker 3>one time we got on the bus somewhere said still

0:49:46.040 --> 0:49:46.760
<v Speaker 3>rocking the beanies.

0:49:49.400 --> 0:49:53.520
<v Speaker 5>I was like, that's she sounds funy.

0:49:53.640 --> 0:49:55.680
<v Speaker 3>Maybe I want some beanies for my birthday. All right,

0:49:55.960 --> 0:49:58.400
<v Speaker 3>where'd you listen? Let me know where you're gonna be

0:49:58.520 --> 0:50:01.319
<v Speaker 3>after that and I'm gonna pull up.

0:50:01.880 --> 0:50:02.160
<v Speaker 2>All right.

0:50:02.160 --> 0:50:02.840
<v Speaker 1>I'm holding you to that.

0:50:03.960 --> 0:50:06.759
<v Speaker 5>I believe you know, you know if you said you're

0:50:06.760 --> 0:50:07.080
<v Speaker 5>gonna do it.

0:50:07.120 --> 0:50:09.440
<v Speaker 3>I can't wait to pull up, man, walk out there

0:50:09.440 --> 0:50:13.760
<v Speaker 3>on that stage. I will now, I'm still you can't

0:50:13.800 --> 0:50:16.959
<v Speaker 3>manage my turn up man and his show?

0:50:18.320 --> 0:50:20.239
<v Speaker 5>What you mean?

0:50:19.040 --> 0:50:22.680
<v Speaker 1>I was asking? Go ahead?

0:50:22.680 --> 0:50:26.120
<v Speaker 3>Do you do push ups in between? Man?

0:50:27.400 --> 0:50:27.640
<v Speaker 1>Man?

0:50:27.920 --> 0:50:28.759
<v Speaker 5>That what they call it?

0:50:28.760 --> 0:50:32.279
<v Speaker 1>In and out? It's it's still calling different. It's a

0:50:32.280 --> 0:50:32.680
<v Speaker 1>tough one.

0:50:34.320 --> 0:50:37.400
<v Speaker 5>It's a journey. It's a journey, man, it's a journey.

0:50:38.320 --> 0:50:42.480
<v Speaker 3>All right. Listen, man, I want to get into your

0:50:42.520 --> 0:50:45.400
<v Speaker 3>R and B mind. Oh yeah, we'll get into your

0:50:45.440 --> 0:50:48.279
<v Speaker 3>R and B mind. You know you sing the R

0:50:48.280 --> 0:50:50.800
<v Speaker 3>and B. You got you got to try to records

0:50:50.800 --> 0:50:53.040
<v Speaker 3>in the R and B. But do you really know

0:50:54.200 --> 0:50:54.480
<v Speaker 3>R and b?

0:50:55.880 --> 0:50:56.279
<v Speaker 1>Mm hmm.

0:50:57.680 --> 0:51:01.640
<v Speaker 3>Let's get into this top five segment. Oh, there'll be

0:51:01.680 --> 0:51:03.080
<v Speaker 3>theme music soon, So.

0:51:03.680 --> 0:51:06.160
<v Speaker 1>I figured I was waiting. I was waiting for it.

0:51:15.080 --> 0:51:19.880
<v Speaker 3>Is that the same Music's got a lot of porn

0:51:19.880 --> 0:51:25.960
<v Speaker 3>on it, a lot of Ron Jeremy on that shout

0:51:25.960 --> 0:51:26.600
<v Speaker 3>out to Pinky.

0:51:28.320 --> 0:51:32.680
<v Speaker 1>I grew up on Pinky. Pinky was Vanessa Dale real

0:51:32.840 --> 0:51:33.560
<v Speaker 1>amount of time.

0:51:34.640 --> 0:51:39.239
<v Speaker 3>Wasn't that a time obsession? Anybody want to talk too far?

0:51:39.880 --> 0:51:44.120
<v Speaker 3>We're getting in the top five? Is my brother? Who's

0:51:44.120 --> 0:51:48.120
<v Speaker 3>your top five R and B artists?

0:51:49.080 --> 0:51:49.520
<v Speaker 1>All right?

0:51:50.840 --> 0:51:53.160
<v Speaker 6>Before I say this, don't take no offense to it.

0:51:54.239 --> 0:51:59.440
<v Speaker 6>You mean to the viewers you're five top no specific order.

0:51:59.280 --> 0:52:00.960
<v Speaker 3>Though, right the order your world?

0:52:01.920 --> 0:52:03.080
<v Speaker 1>The top five.

0:52:05.080 --> 0:52:06.720
<v Speaker 5>Teddy Pendergrass.

0:52:07.600 --> 0:52:17.719
<v Speaker 6>Strong, Oh sure you got to do that? Genuine the

0:52:17.719 --> 0:52:24.680
<v Speaker 6>wine my guy r Kelly? Yes, it are we four

0:52:24.800 --> 0:52:25.120
<v Speaker 6>right now?

0:52:25.320 --> 0:52:25.759
<v Speaker 3>Four? Four?

0:52:26.200 --> 0:52:30.399
<v Speaker 1>Tank and tank round it out? It's tank. Yeah, it's

0:52:30.440 --> 0:52:32.560
<v Speaker 1>helpfulest helpless.

0:52:33.680 --> 0:52:35.160
<v Speaker 5>I mean that's my five.

0:52:35.480 --> 0:52:36.640
<v Speaker 3>You had the beanies on from.

0:52:37.480 --> 0:52:41.680
<v Speaker 5>The multi pack multi is gonna fit.

0:52:41.600 --> 0:52:46.080
<v Speaker 1>Like on side bad word?

0:52:46.680 --> 0:52:49.560
<v Speaker 5>Roll up after the second man?

0:52:49.800 --> 0:52:50.120
<v Speaker 3>All right?

0:52:52.520 --> 0:52:58.480
<v Speaker 1>Top five R and B songs? Oh dang.

0:53:00.960 --> 0:53:01.839
<v Speaker 5>Does the matter of the year?

0:53:02.400 --> 0:53:03.439
<v Speaker 1>No? Top five?

0:53:04.120 --> 0:53:04.480
<v Speaker 5>All right?

0:53:04.680 --> 0:53:15.680
<v Speaker 6>Uh b BC? All right bye? Is that before six

0:53:15.719 --> 0:53:18.839
<v Speaker 6>A twelve? In my opinion? Six A twelve by Brianny Knight.

0:53:19.160 --> 0:53:24.600
<v Speaker 6>Oh wow, that's one of my favorite records. Uh guy,

0:53:28.560 --> 0:53:30.040
<v Speaker 6>why am I forgetting the name of It's gonna help

0:53:30.040 --> 0:53:31.040
<v Speaker 6>me out?

0:53:31.440 --> 0:53:38.480
<v Speaker 1>Slow, let's chill, let's chill. Love that monster record. Maybe

0:53:38.520 --> 0:53:41.600
<v Speaker 1>I deserve mm hmm records.

0:53:41.600 --> 0:53:45.920
<v Speaker 5>Okay, right, one who sings that.

0:53:47.960 --> 0:53:48.880
<v Speaker 3>Start treating different?

0:53:49.760 --> 0:53:56.399
<v Speaker 5>Nope, Nope, I don't want to say that one.

0:53:56.640 --> 0:53:57.640
<v Speaker 3>You can if you want to.

0:53:58.440 --> 0:54:02.320
<v Speaker 1>Your body's calling me R Kelly. Great record, great record.

0:54:02.680 --> 0:54:06.160
<v Speaker 1>Did already say R Kelly before he did? Type of artists?

0:54:06.640 --> 0:54:07.600
<v Speaker 1>I'm bad, you're good?

0:54:07.640 --> 0:54:08.480
<v Speaker 5>What that song is?

0:54:08.520 --> 0:54:12.719
<v Speaker 1>Just dope? Yeah, h sweet lady.

0:54:14.560 --> 0:54:17.280
<v Speaker 2>Great R and B record, Great R and B record

0:54:17.280 --> 0:54:21.320
<v Speaker 2>written by a young man, young man fifteen sixteen, a

0:54:21.440 --> 0:54:24.840
<v Speaker 2>young man who John also was a kid when he

0:54:24.920 --> 0:54:28.319
<v Speaker 2>was like fifteen that record. Yeah, he was a kid

0:54:29.000 --> 0:54:30.200
<v Speaker 2>kid when he about that record.

0:54:30.239 --> 0:54:33.560
<v Speaker 3>All right, that's he's a monster monsters monster song.

0:54:33.840 --> 0:54:35.680
<v Speaker 1>That's nuts. I never knew that.

0:54:36.080 --> 0:54:38.520
<v Speaker 5>And no offense, but I mean obviously I know, but

0:54:38.560 --> 0:54:39.600
<v Speaker 5>I'm just saying I didn't.

0:54:39.360 --> 0:54:40.600
<v Speaker 1>Know that you got joints.

0:54:40.880 --> 0:54:45.600
<v Speaker 3>He'll surprise you crazy, he's surprised neo versus mm hmm.

0:54:45.719 --> 0:54:49.960
<v Speaker 1>He was like, you did that.

0:54:48.400 --> 0:54:54.360
<v Speaker 5>That's nuts. Just drank his wine, right, humble, Yeah I

0:54:54.360 --> 0:54:59.200
<v Speaker 5>did that? Yeah, all right, Okay, we're not done. They're

0:54:59.200 --> 0:55:01.640
<v Speaker 5>gonna put together RM both trying mm hmm.

0:55:01.920 --> 0:55:02.719
<v Speaker 1>Right, and.

0:55:04.239 --> 0:55:08.160
<v Speaker 3>Who are you going to get the vocals from performing style,

0:55:08.960 --> 0:55:14.960
<v Speaker 3>styling and passion of the artists who are you going

0:55:15.000 --> 0:55:16.600
<v Speaker 3>to get the vocals to build your RMB.

0:55:16.600 --> 0:55:21.120
<v Speaker 1>Artists one artist, one artist, thank you.

0:55:22.160 --> 0:55:26.279
<v Speaker 5>Whatever happens, gonna say this, I'm gonna keep it on

0:55:26.560 --> 0:55:28.839
<v Speaker 5>with you, like so you're gonna learn to respect them.

0:55:29.080 --> 0:55:32.239
<v Speaker 6>So so I'm not just saying that because I'm on

0:55:32.320 --> 0:55:33.120
<v Speaker 6>their podcast.

0:55:33.280 --> 0:55:34.799
<v Speaker 5>I'm just being brutally hones.

0:55:34.800 --> 0:55:38.360
<v Speaker 1>That's just his podcast. On that side, I ain't saying.

0:55:38.280 --> 0:55:42.040
<v Speaker 6>We're gonna we're gonna do a merger right now, but

0:55:42.040 --> 0:55:45.759
<v Speaker 6>but vocally, I feel like you would definitely know where

0:55:45.800 --> 0:55:46.040
<v Speaker 6>to go.

0:55:46.560 --> 0:55:49.839
<v Speaker 1>So I've been trying to get some respector Ryan for long.

0:55:49.960 --> 0:55:53.440
<v Speaker 6>I know I could get some better snaps, some cheesus

0:55:53.480 --> 0:55:54.200
<v Speaker 6>ain't really.

0:55:57.880 --> 0:56:01.360
<v Speaker 3>Who are you? Who are you getting the performance style from?

0:56:01.880 --> 0:56:02.520
<v Speaker 1>Bobby Brown?

0:56:04.320 --> 0:56:08.640
<v Speaker 5>If you could do that, boy, boy boy, they're lucky.

0:56:08.719 --> 0:56:09.919
<v Speaker 3>I can't do with Bobby Brown.

0:56:10.480 --> 0:56:11.320
<v Speaker 5>Bobby is crazy?

0:56:11.400 --> 0:56:12.080
<v Speaker 3>You kidding me?

0:56:14.880 --> 0:56:16.160
<v Speaker 1>Okay, thank Bobby?

0:56:16.560 --> 0:56:21.120
<v Speaker 3>Who you who you're getting the styling from? What do

0:56:21.120 --> 0:56:22.360
<v Speaker 3>you want the artists to look like?

0:56:23.160 --> 0:56:24.080
<v Speaker 1>That's a good question.

0:56:24.920 --> 0:56:27.000
<v Speaker 3>When you look on stage, we'll be having that ship.

0:56:29.040 --> 0:56:31.319
<v Speaker 5>A lot of people can dress man. That's a tough one.

0:56:31.920 --> 0:56:32.440
<v Speaker 1>Mm hmmm.

0:56:33.400 --> 0:56:43.840
<v Speaker 5>Keep sweat yeah, yeah, I mean sweat crazy or yeah, sweat.

0:56:43.880 --> 0:56:45.520
<v Speaker 3>Sweat is the gentleman on stage.

0:56:45.760 --> 0:56:47.839
<v Speaker 2>Yeah, you know I'm gonna lift I'm gonna lift my foot, baby,

0:56:47.880 --> 0:56:49.000
<v Speaker 2>so I can see these red.

0:56:49.239 --> 0:56:53.640
<v Speaker 1>You know, you see it. You know you know once

0:56:53.680 --> 0:56:56.359
<v Speaker 1>I kicked Miami, it's time.

0:56:56.400 --> 0:56:59.080
<v Speaker 3>I'm changing three times. I know I'm the only changed twice.

0:57:01.280 --> 0:57:05.080
<v Speaker 3>They know I got it on me right. And then

0:57:05.280 --> 0:57:08.480
<v Speaker 3>who You're getting the passion from the heart of the artists.

0:57:09.600 --> 0:57:16.600
<v Speaker 5>Jeller Bert Mmmm yeah, one of my favorite performers and singers.

0:57:17.280 --> 0:57:21.160
<v Speaker 1>Yeah, little verb. He didn't miss no the god. No,

0:57:21.520 --> 0:57:25.320
<v Speaker 1>he didn't miss crazy. He did miss Yeah, he didn't

0:57:25.360 --> 0:57:26.000
<v Speaker 1>miss m hm.

0:57:27.280 --> 0:57:30.560
<v Speaker 3>He got the same reaction with his clothes on, better

0:57:30.640 --> 0:57:32.800
<v Speaker 3>reaction with his clothes on. My clothes off.

0:57:33.040 --> 0:57:34.240
<v Speaker 5>He's crazy, He's crazy.

0:57:34.440 --> 0:57:36.080
<v Speaker 1>Usually you got man, he's just a guy.

0:57:36.360 --> 0:57:39.320
<v Speaker 2>Yeah, facts, it's a guy that's a great volt run

0:57:39.800 --> 0:57:42.040
<v Speaker 2>and it's pops oh man.

0:57:42.120 --> 0:57:42.680
<v Speaker 1>Yeah, it's over.

0:57:42.840 --> 0:57:43.040
<v Speaker 3>Yeah.

0:57:43.200 --> 0:57:49.560
<v Speaker 6>His dad is yeah, insane Eddie Eddie.

0:57:52.240 --> 0:57:56.440
<v Speaker 2>So we got another segment, another, another very very very

0:57:56.440 --> 0:57:57.280
<v Speaker 2>important segment.

0:57:59.120 --> 0:58:02.120
<v Speaker 1>It's called I Ain't saying no names. You know what

0:58:02.160 --> 0:58:02.440
<v Speaker 1>I mean?

0:58:02.480 --> 0:58:05.920
<v Speaker 2>And you've experienced this business, are you know? Are the

0:58:05.920 --> 0:58:07.120
<v Speaker 2>streets of Detroit either.

0:58:06.920 --> 0:58:10.720
<v Speaker 5>One potentially get me I don't know, brother, I don't

0:58:10.760 --> 0:58:12.280
<v Speaker 5>know stuff.

0:58:13.480 --> 0:58:13.920
<v Speaker 1>You know what I mean?

0:58:13.960 --> 0:58:15.760
<v Speaker 2>You tell your story how you won't tell your story?

0:58:15.760 --> 0:58:19.880
<v Speaker 2>All right, it's called I ain't saying no names. And

0:58:19.960 --> 0:58:22.800
<v Speaker 2>the story can be either funny or fucked up or

0:58:22.840 --> 0:58:26.800
<v Speaker 2>funny and fucked up. The only rule is you can't

0:58:26.800 --> 0:58:30.600
<v Speaker 2>say the names of the people in the story that

0:58:30.760 --> 0:58:32.000
<v Speaker 2>maybe did the ship to you?

0:58:33.320 --> 0:58:34.000
<v Speaker 3>Are you know?

0:58:34.200 --> 0:58:38.800
<v Speaker 1>For you whatever? Mm hm, no name. The other participants

0:58:38.840 --> 0:58:40.280
<v Speaker 1>cannot be named. M hm.

0:58:41.840 --> 0:58:46.760
<v Speaker 2>So this right here is John Brown's I ain't saying no.

0:58:46.720 --> 0:58:49.000
<v Speaker 1>Names one person.

0:58:51.840 --> 0:58:54.280
<v Speaker 6>But in the industry, your world, do what you do,

0:58:55.120 --> 0:59:03.160
<v Speaker 6>all right, no rules, I ain't saying no names. Start

0:59:03.160 --> 0:59:07.320
<v Speaker 6>off like that. I wasn't the one who slept with

0:59:07.320 --> 0:59:11.640
<v Speaker 6>your girlfriend, flat out, that's it.

0:59:15.880 --> 0:59:19.400
<v Speaker 5>I was the one slept with your girlfriend after that show.

0:59:21.720 --> 0:59:25.800
<v Speaker 1>Yeah, now we.

0:59:25.720 --> 0:59:29.960
<v Speaker 5>All know who did, but you know I wasn't the one.

0:59:31.280 --> 0:59:31.480
<v Speaker 2>Good.

0:59:32.280 --> 0:59:33.240
<v Speaker 1>That's actually pretty good.

0:59:33.720 --> 0:59:34.640
<v Speaker 3>It wasn't the story.

0:59:35.680 --> 0:59:36.240
<v Speaker 5>It wasn't me.

0:59:36.840 --> 0:59:37.400
<v Speaker 3>It wasn't me.

0:59:37.600 --> 0:59:44.040
<v Speaker 5>It was not me. No, if you're watching, they definitely

0:59:44.080 --> 0:59:44.400
<v Speaker 5>wasn't me.

0:59:44.520 --> 0:59:45.000
<v Speaker 1>It wasn't me.

0:59:46.160 --> 0:59:50.560
<v Speaker 5>You think it's me, he still do, And it wasn't me.

0:59:52.040 --> 0:59:54.080
<v Speaker 5>You asked, was it you?

0:59:54.120 --> 0:59:54.320
<v Speaker 1>No?

0:59:54.320 --> 0:59:57.000
<v Speaker 6>No, no, I've never been that type of dude. Okay,

0:59:57.960 --> 1:00:00.840
<v Speaker 6>we know who did it though we know you know.

1:00:01.920 --> 1:00:08.000
<v Speaker 1>I don't know what you're talking about it. I wasn't

1:00:08.000 --> 1:00:08.440
<v Speaker 1>on that to it.

1:00:10.480 --> 1:00:13.200
<v Speaker 5>But no, that was that that Yeah.

1:00:13.640 --> 1:00:17.680
<v Speaker 3>Yeah, yeah, we'll look here man. And of course you

1:00:17.720 --> 1:00:21.680
<v Speaker 3>are brother man, you know you, you your family, you know.

1:00:21.840 --> 1:00:27.120
<v Speaker 3>Having you here goes without saying, there's more for you, man,

1:00:27.600 --> 1:00:29.640
<v Speaker 3>thank you. It's more. It's more for you to do

1:00:30.360 --> 1:00:35.800
<v Speaker 3>and really aggressively get to it. Yeah, don't let don't

1:00:35.840 --> 1:00:42.840
<v Speaker 3>let these moments pass you by without taking advantage of

1:00:43.600 --> 1:00:49.280
<v Speaker 3>every single part of it and inserting yourself if no

1:00:49.320 --> 1:00:54.920
<v Speaker 3>one is willing to insert you into whatever conversation or position,

1:00:55.040 --> 1:01:00.560
<v Speaker 3>that that is aggressively. Because now the conversation it's different,

1:01:02.320 --> 1:01:05.920
<v Speaker 3>and it's not you know, it's not what I think

1:01:05.960 --> 1:01:10.760
<v Speaker 3>I can do it. It's motherfucker let me I can

1:01:10.800 --> 1:01:14.160
<v Speaker 3>do it. I'm doing it exactly. Your hand has to

1:01:14.200 --> 1:01:17.560
<v Speaker 3>be raised different. Yeah, your conversation gotta feel different. You're nice,

1:01:17.640 --> 1:01:21.640
<v Speaker 3>You're a nice You're a nice guy. You nice, humble

1:01:22.600 --> 1:01:29.280
<v Speaker 3>nick and you got five top ten records. Yep, last

1:01:29.320 --> 1:01:30.120
<v Speaker 3>time to act like it.

1:01:31.120 --> 1:01:35.600
<v Speaker 6>My god, take what yours, my brother, My god, I'm

1:01:35.600 --> 1:01:37.440
<v Speaker 6>gonna take it, man, I believe it.

1:01:38.160 --> 1:01:38.800
<v Speaker 1>I'm ready.

1:01:39.040 --> 1:01:39.400
<v Speaker 3>Be sure.

1:01:39.600 --> 1:01:40.320
<v Speaker 5>I'm positive.

1:01:41.520 --> 1:01:44.800
<v Speaker 1>I'm here. You have me here, y'all, I have me here.

1:01:44.880 --> 1:01:48.840
<v Speaker 1>I'm here. There is we want to see that you gentlemen.

1:01:48.880 --> 1:01:51.400
<v Speaker 3>My name is Sake, I'm Jay Valentine and this is

1:01:51.440 --> 1:01:57.240
<v Speaker 3>the R and B Money Podcast, the authority on all

1:01:57.360 --> 1:01:58.880
<v Speaker 3>things R and B.

1:01:59.880 --> 1:02:03.840
<v Speaker 1>The This thing is about a journey, and just when

1:02:03.840 --> 1:02:05.200
<v Speaker 1>you think the journey is over.

1:02:07.040 --> 1:02:10.800
<v Speaker 3>You can start all over again. It'd be top ten,

1:02:13.240 --> 1:02:15.320
<v Speaker 3>plady and gentlemen, thanks to John Yes.

1:02:18.480 --> 1:02:20.520
<v Speaker 5>R and B Money.

1:02:20.720 --> 1:02:22.520
<v Speaker 2>R and B Money is a production of the Black

1:02:22.520 --> 1:02:27.360
<v Speaker 2>Effect Podcast Network. For more podcasts from iHeartRadio, visit the

1:02:27.400 --> 1:02:31.240
<v Speaker 2>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:02:31.280 --> 1:02:35.160
<v Speaker 2>favorite shows. Don't forget to subscribe to and rate our show,

1:02:35.480 --> 1:02:38.080
<v Speaker 2>and you can connect with us on social media at

1:02:38.160 --> 1:02:42.400
<v Speaker 2>Jay Valentine and at the Real Tank. For the extended episode,

1:02:42.520 --> 1:02:46.720
<v Speaker 2>subscribe to YouTube dot com or slash R and B

1:02:46.840 --> 1:02:47.120
<v Speaker 2>Money