WEBVTT - Loving HER Was Red (feat. Bowen Yang)

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<v Speaker 1>Do you know what my favorite sound is? Emma Emma.

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<v Speaker 1>That is so our friendship exactly. It's you saying Emma

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<v Speaker 1>to me. It's also kind of you saying Emma to me.

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<v Speaker 1>But when I'm saying Emma to you, it's like, please

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<v Speaker 1>see me as a human being, and yours is like

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<v Speaker 1>stop being being, I see you as a whole. Oh,

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<v Speaker 1>thank you, Fran. Yes, what's your favorite color? It's probably

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<v Speaker 1>an Eves Climb blue. What about yours? I would also

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<v Speaker 1>say blue. I don't have a specific kind of blue though.

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<v Speaker 1>Oh really, you just like all blues, like just like blue,

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<v Speaker 1>even like a like a like a hideous like navy blue. See.

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<v Speaker 1>I think this is one of the differences between us

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<v Speaker 1>is you have to know exactly what kind of blue

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<v Speaker 1>you like. I just like the color blue. Okay, okay,

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<v Speaker 1>so why did you ask me? That? Color? Is going

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<v Speaker 1>to be very important today because we will be talking

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<v Speaker 1>about an album that has the name of a color,

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<v Speaker 1>and what color would that be? Rose? It would be

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<v Speaker 1>read Today we'll be talking about Red by Taylor Swift,

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<v Speaker 1>maybe my second favorite color, maybe my second favorite Taylor

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<v Speaker 1>Swift album. I guess we'll get into it. Welcome back

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<v Speaker 1>to Like a Virgin, the podcast where we talk about

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<v Speaker 1>yesterday's pop culture but give it today's takes. I'm Rose,

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<v Speaker 1>damn you, I'm Fran Toronto, and today, as stated, we

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<v Speaker 1>will be diving into Taylor Swift's iconic album Red, with

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<v Speaker 1>the help of bow and Yang of Saturday Night Live

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<v Speaker 1>and the podcast Lost Culture Stas. I'm so excited to

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<v Speaker 1>really get into Red with Bowen. But before that, let's

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<v Speaker 1>talk about what's going on in you know, the news

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<v Speaker 1>and pop culture right now. This week is in many

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<v Speaker 1>ways all about one woman and the emotional chokehold she

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<v Speaker 1>has on us, our community, our community, and on the world.

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<v Speaker 1>And that woman is Taylor Swift, of course, Taylor Allison Swift.

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<v Speaker 1>Last week, Taylor Swift released Red, Taylor's Version, the latest

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<v Speaker 1>in her effort to re record all of her albums. Fran,

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<v Speaker 1>what did you think? First of all, it's like seventeen

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<v Speaker 1>hours long, um, which is such a gift, such a

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<v Speaker 1>gift in my opinion. I mean, even though a lot

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<v Speaker 1>of the songs are just carbon copies of the originals,

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<v Speaker 1>I did love what she did change, Like this song

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<v Speaker 1>Girl at Home to Me is like maybe the most

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<v Speaker 1>significantly different, And I did not like that song on

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<v Speaker 1>the original Red and Taylor's version to me was like

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<v Speaker 1>so grown and a little more poppy, and what did

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<v Speaker 1>you think? I have to agree. I really liked the

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<v Speaker 1>new production on Girl at Home, but really, for me,

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<v Speaker 1>it was all about the from the Vault tracks. I

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<v Speaker 1>obviously love the song with Phoebe Bridgers. It was my

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<v Speaker 1>favorite song. I also really love the song Message in

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<v Speaker 1>a Bottle, which I saw someone on TikTok say is

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<v Speaker 1>like a song from the Trolls World War three credits

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<v Speaker 1>and what I didn't love it, but I love it

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<v Speaker 1>so much. I have been listening to it kind of NonStop.

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<v Speaker 1>But we have to talk about the film Rose. I

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<v Speaker 1>had fun watching it. I think it's silly, but it's

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<v Speaker 1>and and like very literal, but I'm I'm happy it happened.

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<v Speaker 1>It was another moment in this very aggressive, like a

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<v Speaker 1>week long album release cycle, because I think she understands

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<v Speaker 1>that she has until Adele thirty comes out to do

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<v Speaker 1>promo for Red Tailor's version, and so she's amming it

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<v Speaker 1>all into one week. I thought it was a little

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<v Speaker 1>on the nose that it played behind her during the

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<v Speaker 1>SNL performance, but I loved her in The Red Wig.

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<v Speaker 1>What did you think of it? Like that was your

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<v Speaker 1>main takeaway? I loved her in The Red Wig. It

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<v Speaker 1>was my main takeaway. It was similar to my main

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<v Speaker 1>takeaway from the Bad Blood video. Loved her in The

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<v Speaker 1>Red Wig. Loved her in The Red Wig. I okay.

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<v Speaker 1>I My first reaction was like, this is messy Boots,

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<v Speaker 1>Like it is. It is quintessential Taylor to write and

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<v Speaker 1>direct a ten minute film about a breakup that happened

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<v Speaker 1>a decade ago, opening with a Pablo Naruta quote about

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<v Speaker 1>how he'll never forgive Jake Jillen Hall. Because like, when

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<v Speaker 1>I listened to the ten minute version without the film,

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<v Speaker 1>I was like, oh, you know, maybe she's actually not

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<v Speaker 1>that mad at Jake, and she's just writing it for

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<v Speaker 1>the marketing, very shrewdly and wisely, like go off, Taylor, um,

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<v Speaker 1>and like she doesn't actually feel a type of way

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<v Speaker 1>about it was just fun to write because allegedly, according

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<v Speaker 1>to like Redditt threads and fan listeners or whatever, she

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<v Speaker 1>was like, you know, in the studio for whatever reason,

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<v Speaker 1>and they were recording all too well, and she just

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<v Speaker 1>started riffing versus and I think, actually, I think they

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<v Speaker 1>were rehearsing for a tour and she and she like

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<v Speaker 1>was in feeling a certain type of way, sat down

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<v Speaker 1>at the piano and just started playing and like and

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<v Speaker 1>all too well is kind of like an improvised ten

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<v Speaker 1>minute song, but they cut down and this is now

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<v Speaker 1>the this is not the original version. And after she

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<v Speaker 1>was riffing this, I guess it was ages ago, the

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<v Speaker 1>producer walked up to her after almost like and by

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<v Speaker 1>the way, like I recorded that if if you want

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<v Speaker 1>it for later, and so this is later, mama, and

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<v Speaker 1>we now. Actually what happened is that her mom walked

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<v Speaker 1>up to love the live fact that you just let

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<v Speaker 1>your you're letting me spew conspiracy theories when you have

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<v Speaker 1>all the facts. You're in the reddit threads. It comes.

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<v Speaker 1>I'm not in the reddit threads. She talked about this

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<v Speaker 1>like on Steth Myers or Jimmy Fallon or something that

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<v Speaker 1>she was like at rehearsal in her feelings started playing

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<v Speaker 1>this and then afterwards her mom went up to like

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<v Speaker 1>the sound engineer and was like did you record that?

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<v Speaker 1>And they had so key how it is now it

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<v Speaker 1>is what it is, Fran did you order a funk

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<v Speaker 1>the Patriarchy key chain from Taylor Swift dot com. I

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<v Speaker 1>mean no, I didn't. I don't love the typeface, but

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<v Speaker 1>I actually would if it was maybe to have the

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<v Speaker 1>asterisk and can't you just say funck? I understand that

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<v Speaker 1>she has a lot of young fans, but like if

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<v Speaker 1>they have if they're carrying around a key chain that

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<v Speaker 1>says the patriarchy, like they know what it is. I

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<v Speaker 1>did buy some merch. I bought the All Too Well

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<v Speaker 1>t shirt and the red Taylor's version. Now, Jean Bottle,

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<v Speaker 1>are you going to wear it with your cardigan? Your

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<v Speaker 1>Taylor Swift again? I will be. I now at this

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<v Speaker 1>point own too much Taylor Swift merch, so I will

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<v Speaker 1>be layering it to um stay warm during this uh

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<v Speaker 1>Los Angeles winter. I guess my only question for you

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<v Speaker 1>is what to you is the most unhinged lyric and

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<v Speaker 1>or moment from the All two Well ten minute version

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<v Speaker 1>or the film Oh well, I mean not unhinged, but

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<v Speaker 1>my favorite lyric is you kept me like a secret,

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<v Speaker 1>but I kept you like an oath. You know. Don't

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<v Speaker 1>don't hate that I'm being sincere, but that is pure

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<v Speaker 1>Taylor Gold songwriting. It is so evocative, it is definitely peaked.

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<v Speaker 1>Taylor is is her magnum opus. I don't say that

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<v Speaker 1>even in a facetious way. I think it's emblematic of

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<v Speaker 1>like everything she does. My main takeaway was that Taylor

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<v Speaker 1>Swift will direct a Marvel movie. She what that? I

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<v Speaker 1>don't know about that. Is she going to direct the

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<v Speaker 1>next Eternals? Is that? What's going to happen? Journals too?

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<v Speaker 1>And she will be one of the Eternals as well?

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<v Speaker 1>Oh no, there are already too many Eternals. We simply

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<v Speaker 1>do not have room for more. And her power will

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<v Speaker 1>be something song based. Yeah yeah, well yeah, okay, okay,

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<v Speaker 1>maybe she'll have ten rings for each minute of um

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<v Speaker 1>all too well. Uh, speaking of rings, I haven't watched

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<v Speaker 1>the Adele one Night Only whatever, but I did see

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<v Speaker 1>the clip of the proposal that happened at it. Your take,

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<v Speaker 1>there are only two takes from you. Either you hated

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<v Speaker 1>it and you found it foul and disgusting, or you

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<v Speaker 1>loved animated you cry, well, which one do you think

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<v Speaker 1>it was? I am gonna guess cry no, oh damn it. Okay,

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<v Speaker 1>so I thought it was. I thought it was disgusting.

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<v Speaker 1>I hate I hate a surprise proposals in front of

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<v Speaker 1>a lot of people, and especially in front of celebrities.

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<v Speaker 1>And it's funny that we're talking about Taylor Swift because

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<v Speaker 1>this used to happen to her a lot at her

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<v Speaker 1>meet and greets. I remember when we were both writing

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<v Speaker 1>together as journalists. Um, there was something that happened where

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<v Speaker 1>she went to a gay bar to surprise a gay

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<v Speaker 1>couple and like played something on the guitar while they

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<v Speaker 1>got engaged. Um, I'm just not into that thing and

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<v Speaker 1>this Adele thing. Like I guess I'm happy for them,

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<v Speaker 1>but even though I don't believe in marriage, I don't

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<v Speaker 1>want anyone to propose to me. But even if I did,

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<v Speaker 1>that is not how I would want to be proposed to.

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<v Speaker 1>The gist is congrats to this lucky couple. I hope

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<v Speaker 1>you are very happy together and have many long years

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<v Speaker 1>of listening to Adele's music. And after those long years,

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<v Speaker 1>I'm sure you'll probably cry about this in therapy because

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<v Speaker 1>it'll be maybe an issue in your marriage a decade down. Fran,

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<v Speaker 1>you know, it's rare that you are caught up on

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<v Speaker 1>something in pop culture that I am not, but it

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<v Speaker 1>is not unprecedented. Case in point, you are watching the

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<v Speaker 1>current season of Real hospives of Salt Lake City, and

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<v Speaker 1>I am not so as our Salt Lake City correspondent.

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<v Speaker 1>Can you give me the download on what's going on

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<v Speaker 1>because I know the past two weeks have been insane,

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<v Speaker 1>so Rose, I don't want to get too into the

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<v Speaker 1>into the thick of it, as they say, um into

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<v Speaker 1>the thick of it, exactly into the thick of it

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<v Speaker 1>Ocean Kelly Remix, Yes, because you know, we don't want

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<v Speaker 1>to become a Real Housewives recap podcast. However, Andy did

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<v Speaker 1>say this was a top five episode for him out

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<v Speaker 1>of any franchise. You know the gist of the characters.

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<v Speaker 1>You watched a little bit of the first season crapt

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<v Speaker 1>and I watched the first episode of this season. Okay,

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<v Speaker 1>so you're caught up on a little bit, and you

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<v Speaker 1>also watched you've seen clips online, you watched the previews.

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<v Speaker 1>The gist is the show has become a C. S

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<v Speaker 1>I level crime thriller that could potentially even supersed what

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<v Speaker 1>we were given by Erica Jane in Real Housewives of

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<v Speaker 1>Beverly Hills. Of course, this is at the federal level,

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<v Speaker 1>similar to Erica Jane, but the Department of Homeland Security

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<v Speaker 1>showed up with a swat team to the production and

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<v Speaker 1>to get gen Shaw, who had fled the scene basically

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<v Speaker 1>minutes before they arrived. Why did they need a swat

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<v Speaker 1>team which she armed? So here's the thing is that

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<v Speaker 1>they did. There was a lot of theories and hypothesizations

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<v Speaker 1>completely made up word um spewed in the bus as

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<v Speaker 1>they had basically a six hour bus ride right after

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<v Speaker 1>the swat team shows up to their bus. Can you

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<v Speaker 1>imagine that like the gaggiest thing that ever happened, and

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<v Speaker 1>then you have six hours in a moving vehicle to

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<v Speaker 1>talk about it. That's that's the dream. That is honestly

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<v Speaker 1>what made the episode so brilliant because these housewives were

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<v Speaker 1>breaking it down in real time, almost as if they

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<v Speaker 1>were doing it with the audience, like trying to figure

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<v Speaker 1>out what the funk went down. Clearly production was involved

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<v Speaker 1>in some way. They were like, she's on the bus. Yeah,

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<v Speaker 1>the production probably tipped off the FBI. I mean, I

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<v Speaker 1>think it's pretty clear the production tipped off. However, I

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<v Speaker 1>think what the narrative is is that Meredith Marks did it,

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<v Speaker 1>thus securing her place as my number one housewife in

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<v Speaker 1>this franchise and in My Housewives All Stars cast point

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<v Speaker 1>blank period. The only thing I did see from this

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<v Speaker 1>episode on Twitter was the clip of Meredith um in

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<v Speaker 1>the bathtub. Can you please explain what was going on? There?

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<v Speaker 1>A crucial dichotomy as the women are on this bus,

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<v Speaker 1>all of them sobbing. I should say, you know, it

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<v Speaker 1>is very funny, but all of their immediate reactions, with

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<v Speaker 1>the exception of Jenny, who is iconic and stone face,

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<v Speaker 1>the whole time they're all crying. They have a friend

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<v Speaker 1>who has basically lied to them at the federal level,

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<v Speaker 1>and it's revealed that their friends. Yeah, all one day

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<v Speaker 1>one day as the SWAT team breaks down my apartment door, um,

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<v Speaker 1>and uh, they're all like very emotional with this experience, um,

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<v Speaker 1>and trying to figure out what the fuck is going on.

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<v Speaker 1>Lisa calls all six of her lawyers in an iconic

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<v Speaker 1>montage that is like in House Lives history, And meanwhile

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<v Speaker 1>Meredith Mars is drunk toasted in the bath like a

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<v Speaker 1>huge bubble bath serving honestly me, Um, I think she

0:13:23.440 --> 0:13:25.480
<v Speaker 1>has like a glass of champagne, or she doesn't, she

0:13:25.520 --> 0:13:28.719
<v Speaker 1>should and she waits in that bath for hours so

0:13:28.760 --> 0:13:31.400
<v Speaker 1>that it is the way that she greets the women

0:13:31.480 --> 0:13:34.040
<v Speaker 1>as they arrived to the vacation home that this six

0:13:34.080 --> 0:13:37.080
<v Speaker 1>hour bus is going to fully naked. She is definitely

0:13:37.120 --> 0:13:39.320
<v Speaker 1>fully naked. She might be wearing like a nude panty

0:13:39.440 --> 0:13:45.320
<v Speaker 1>or something like for production, but the garden venus Mary

0:13:45.360 --> 0:13:47.680
<v Speaker 1>Cosby was not in the bus. She arrives ahead of

0:13:47.720 --> 0:13:50.560
<v Speaker 1>time as Meredith Mars has like drawn this long bath

0:13:50.600 --> 0:13:54.360
<v Speaker 1>obviously just for production purposes, and they sit and gossip

0:13:54.480 --> 0:13:57.840
<v Speaker 1>about jen Shaw for so long that all the bubbles disintegrate,

0:13:57.840 --> 0:14:00.560
<v Speaker 1>and so Meredith is like clutched in the corner of

0:14:00.600 --> 0:14:03.120
<v Speaker 1>the bath, nude, still trying to conceal herself in gossip

0:14:03.200 --> 0:14:06.120
<v Speaker 1>about federal cases. Okay, what I want to know is

0:14:06.160 --> 0:14:11.000
<v Speaker 1>in the pantheon of iconic unhinged Housewives moments, Um, where

0:14:11.000 --> 0:14:15.000
<v Speaker 1>does this stuck up against? Like, but now we've said it,

0:14:15.760 --> 0:14:20.920
<v Speaker 1>Beverly Hills Charay pulling Kim Zolesiac's wig off on Atlanta

0:14:21.600 --> 0:14:25.560
<v Speaker 1>and Scary Island from New York. You know what I

0:14:25.680 --> 0:14:29.080
<v Speaker 1>thought about Scary Island and but now we've said it.

0:14:29.160 --> 0:14:33.200
<v Speaker 1>When I watched this episode, it has definitely one upped.

0:14:34.000 --> 0:14:38.240
<v Speaker 1>The Charay pulling off of the wig is definitely more

0:14:38.520 --> 0:14:42.920
<v Speaker 1>enthralling and engaging than that episode. Compared to Scary Island.

0:14:43.320 --> 0:14:46.480
<v Speaker 1>Nothing compares to Scary Nothing contars to Scary Island. However,

0:14:46.640 --> 0:14:50.080
<v Speaker 1>it is definitely in that canon, definitely in top five.

0:14:50.400 --> 0:14:52.040
<v Speaker 1>I don't know if you plan on watching it, but

0:14:52.120 --> 0:14:54.280
<v Speaker 1>I do feel like you will be. I will. I

0:14:54.320 --> 0:14:58.080
<v Speaker 1>will definitely go watch these two episodes where this happened.

0:14:58.200 --> 0:15:01.280
<v Speaker 1>But I think that's as much I need to see. Okay,

0:15:01.360 --> 0:15:03.960
<v Speaker 1>t b D, tb D. I hope you enjoy the

0:15:04.080 --> 0:15:07.680
<v Speaker 1>ride and then that you text me under penalty of death.

0:15:08.560 --> 0:15:12.880
<v Speaker 1>I absolutely will. Now that we have covered this week's

0:15:13.360 --> 0:15:17.360
<v Speaker 1>pop culture happenings, let's talk about Red with Bow and Yang.

0:15:17.360 --> 0:15:19.520
<v Speaker 1>I'm so excited now that we've talked about Taylor's version

0:15:19.560 --> 0:15:24.440
<v Speaker 1>to really dig into how it has radicalized us as

0:15:24.440 --> 0:15:43.440
<v Speaker 1>the swifties we are today. Don't don't don't Fran. You

0:15:43.560 --> 0:15:47.240
<v Speaker 1>have named your stands the fran base. I have not.

0:15:47.360 --> 0:15:50.440
<v Speaker 1>I have a person, really, and you have named yours

0:15:50.440 --> 0:15:54.640
<v Speaker 1>the Rosebuds. Well, they actually named themselves the Rosebuds. And

0:15:54.680 --> 0:15:58.600
<v Speaker 1>I'm wondering if our guest has our guest bow and Yang.

0:15:59.040 --> 0:16:01.360
<v Speaker 1>Do your stands have name? I don't think they do.

0:16:01.560 --> 0:16:06.080
<v Speaker 1>I don't wish. I I celebrate fan names I just

0:16:06.160 --> 0:16:11.160
<v Speaker 1>don't if I think about people who like identify as

0:16:11.280 --> 0:16:13.960
<v Speaker 1>liking me, then that that really freaks me out. Well,

0:16:14.000 --> 0:16:17.080
<v Speaker 1>it must be different from for you because you're actually favored.

0:16:17.120 --> 0:16:20.240
<v Speaker 1>No no, no, no, no no no. I already get

0:16:20.320 --> 0:16:23.560
<v Speaker 1>too many d ms or tags where people will hashtag

0:16:23.680 --> 0:16:26.080
<v Speaker 1>like yang yang me, and I'm like, that's not for me.

0:16:26.280 --> 0:16:28.440
<v Speaker 1>You guys know that I don't know what you're talking about.

0:16:28.520 --> 0:16:32.000
<v Speaker 1>Yangang sounds perfect, stop and it just rolls off the tongue.

0:16:32.680 --> 0:16:35.520
<v Speaker 1>And it's honestly a very good hashtag. It's a very

0:16:35.560 --> 0:16:39.120
<v Speaker 1>good like base name. We love a rhyme, we love

0:16:39.160 --> 0:16:42.400
<v Speaker 1>a rhyme, but like it just there's there. There's there's

0:16:42.440 --> 0:16:44.360
<v Speaker 1>a lot of baggage that has nothing to do with me,

0:16:44.520 --> 0:16:46.680
<v Speaker 1>and so therefore I don't I don't want it. You know, well,

0:16:46.720 --> 0:16:50.040
<v Speaker 1>today we want you to unpack that baggage. Also, if

0:16:50.080 --> 0:16:53.520
<v Speaker 1>you couldn't tell today we're talking about Red Red, what

0:16:53.640 --> 0:16:58.400
<v Speaker 1>year was Red? October twelve came out and today is

0:16:58.440 --> 0:17:02.960
<v Speaker 1>October two to twenty two. The magic of recording this

0:17:03.040 --> 0:17:05.719
<v Speaker 1>episode is coming to you from the past. Yes, um,

0:17:05.960 --> 0:17:08.960
<v Speaker 1>it is not actually live and happening as you listen

0:17:09.000 --> 0:17:11.400
<v Speaker 1>to it, and we are recording it on the anniversary

0:17:11.440 --> 0:17:13.679
<v Speaker 1>of Red's release. Did you mean for that to happen?

0:17:14.520 --> 0:17:19.560
<v Speaker 1>I don't know. We did not. And Taylor Swift, as

0:17:19.600 --> 0:17:24.040
<v Speaker 1>we know, is a numerologist famously puzzles Da Vinci code.

0:17:24.440 --> 0:17:27.000
<v Speaker 1>And we may not have known that this is happening,

0:17:27.000 --> 0:17:29.919
<v Speaker 1>but she knew. And all of us are Robert Langdon

0:17:30.800 --> 0:17:33.040
<v Speaker 1>the main character in the da Vinci code. Well, I

0:17:33.160 --> 0:17:35.840
<v Speaker 1>might be who's the villain in the da Vinci code?

0:17:35.960 --> 0:17:40.840
<v Speaker 1>There's um is it Leonardo da Vinci? It's Mary Magdalench.

0:17:43.480 --> 0:17:47.520
<v Speaker 1>You are Mary Magdalene? You really are? You really are? Bowen? Yeah?

0:17:47.600 --> 0:17:50.840
<v Speaker 1>Tell us about Red? Okay, so Red it is one

0:17:50.840 --> 0:17:53.160
<v Speaker 1>of the top albums, and this album is the top.

0:17:54.160 --> 0:17:57.640
<v Speaker 1>I think this album is. I think this album is

0:17:57.680 --> 0:18:02.720
<v Speaker 1>like full true true verse. I would say the lead

0:18:02.760 --> 0:18:06.240
<v Speaker 1>singles are all tops, except for maybe begin Again, which

0:18:06.280 --> 0:18:08.840
<v Speaker 1>seems like a bottom anthem, not an anthem, just to

0:18:08.920 --> 0:18:13.879
<v Speaker 1>bottom sort of acoustic plucky song. Anyway. Red is Taylor

0:18:13.920 --> 0:18:19.000
<v Speaker 1>Swift's fourth studio album. It marked the inflection of her

0:18:19.400 --> 0:18:23.280
<v Speaker 1>country roots quote unquote into this pop sound that many

0:18:23.600 --> 0:18:26.879
<v Speaker 1>would say that she had always sort of tipped her

0:18:26.920 --> 0:18:29.520
<v Speaker 1>way into. Played with it. She played with it well,

0:18:29.760 --> 0:18:32.720
<v Speaker 1>this was the first like declarative. I guess you could

0:18:32.720 --> 0:18:35.439
<v Speaker 1>say that was like the first like she build it

0:18:35.480 --> 0:18:38.000
<v Speaker 1>as like her first true pop album. But Red was

0:18:38.080 --> 0:18:41.480
<v Speaker 1>like an album of many first This is when it started,

0:18:41.520 --> 0:18:43.879
<v Speaker 1>This is when it started ended. You know. She comes

0:18:43.880 --> 0:18:46.959
<v Speaker 1>out with We're Never Getting Back Together, which becomes her

0:18:47.000 --> 0:18:52.840
<v Speaker 1>first number one single. Yeah, she it's her first album

0:18:52.840 --> 0:18:56.840
<v Speaker 1>with Max Martin songs and hear that and you can

0:18:57.000 --> 0:19:00.480
<v Speaker 1>hear that the maximal is the maximum. I was talking

0:19:00.480 --> 0:19:02.399
<v Speaker 1>to Roles about how this came in the era of

0:19:02.480 --> 0:19:05.800
<v Speaker 1>music where every song sounded like a pit Bull song. Yes,

0:19:05.840 --> 0:19:09.120
<v Speaker 1>it's like Gangham style. And this was also the era

0:19:09.200 --> 0:19:11.600
<v Speaker 1>of dub step, as you can hear on I Knew

0:19:11.600 --> 0:19:15.360
<v Speaker 1>You Were Trouble and it's I think it's your longest

0:19:15.400 --> 0:19:17.680
<v Speaker 1>Oh no, I think it was eventually beat by folklore.

0:19:17.720 --> 0:19:20.560
<v Speaker 1>It was her longest album with the most tracks. It

0:19:20.680 --> 0:19:25.080
<v Speaker 1>is a long album, a lot of tracks. It's another

0:19:25.320 --> 0:19:28.879
<v Speaker 1>another kind of maximalism. There's the maximalism of Max Martin

0:19:29.040 --> 0:19:31.159
<v Speaker 1>being involved, and there's a maximalism of like just the

0:19:31.520 --> 0:19:33.680
<v Speaker 1>volume and the breadth of the of the song. It

0:19:33.720 --> 0:19:38.520
<v Speaker 1>was also we could say an emotional maximalism. Sure, wait,

0:19:39.040 --> 0:19:44.440
<v Speaker 1>go into this time because this is a very well,

0:19:44.480 --> 0:19:46.840
<v Speaker 1>this is a breakup album. You know, it's a breakup

0:19:46.840 --> 0:19:50.119
<v Speaker 1>album and it has I think some of her most

0:19:50.359 --> 0:19:54.800
<v Speaker 1>emotive songs on it. Yes, absolutely. I think it's also

0:19:54.880 --> 0:19:59.120
<v Speaker 1>the first time where people started to kind of notice

0:19:59.200 --> 0:20:03.320
<v Speaker 1>this concept of the track five and Taylor Swift albums

0:20:03.359 --> 0:20:06.200
<v Speaker 1>and now it's like, I guess sort of people vaguely

0:20:06.240 --> 0:20:10.800
<v Speaker 1>know it maybe, but like typically her track fives on

0:20:10.840 --> 0:20:14.719
<v Speaker 1>her albums are the most emotionally raw song. What are

0:20:14.800 --> 0:20:16.919
<v Speaker 1>some of the other track five? Um, all you have

0:20:17.000 --> 0:20:22.359
<v Speaker 1>to do with stay? Track five on Reputation was delicate? Um.

0:20:22.560 --> 0:20:26.439
<v Speaker 1>Track five on speak Now is I think Dear John

0:20:27.280 --> 0:20:31.440
<v Speaker 1>like and white Horse was on Fearless. I can't believe

0:20:31.880 --> 0:20:34.760
<v Speaker 1>how you are summoning this swifty out of me. Look,

0:20:34.880 --> 0:20:37.600
<v Speaker 1>so else would we call into the studio? We picked

0:20:37.680 --> 0:20:42.440
<v Speaker 1>up our Swift follows and it was a red phone.

0:20:42.520 --> 0:20:45.280
<v Speaker 1>It was a red phone, And then I said, a crisis.

0:20:46.200 --> 0:20:50.119
<v Speaker 1>Can we what was the red thing? With? Ta okay,

0:20:50.200 --> 0:20:52.240
<v Speaker 1>here we go. This is the red thing. This is

0:20:52.280 --> 0:20:55.880
<v Speaker 1>my theory on the Red Thing. Around this time, there

0:20:55.920 --> 0:20:59.359
<v Speaker 1>was an announcement that they were making a biopic about

0:20:59.440 --> 0:21:02.640
<v Speaker 1>Joni Mitch Carly Simon and Carol King and I think

0:21:02.640 --> 0:21:05.600
<v Speaker 1>it's called Girls Like Us or something, And the rumor

0:21:05.800 --> 0:21:10.720
<v Speaker 1>was and Taylor Swift was vying for the Joni Mitchell role,

0:21:11.760 --> 0:21:14.080
<v Speaker 1>and Joni Mitchell years later would say, I put a

0:21:14.119 --> 0:21:16.640
<v Speaker 1>stop to that myself. I don't like her. I don't

0:21:16.680 --> 0:21:19.360
<v Speaker 1>like Taylor. ID just sown Taylor. But I think Taylor

0:21:19.400 --> 0:21:24.240
<v Speaker 1>has always held this musical torch for Jonie for obviously.

0:21:24.280 --> 0:21:25.960
<v Speaker 1>I mean, we all love Joni Mitchell, like everyone loves

0:21:26.000 --> 0:21:28.800
<v Speaker 1>Johny Mitchell. And I think, honestly, I think Taylor probably

0:21:28.880 --> 0:21:31.000
<v Speaker 1>was like I want to like transition out of this

0:21:31.080 --> 0:21:37.760
<v Speaker 1>like teen adjacent country pop style sound into something more

0:21:37.840 --> 0:21:41.640
<v Speaker 1>quote unquote adult or mature. And she probably saw Blue

0:21:41.720 --> 0:21:45.520
<v Speaker 1>by Joni Mitchell as this like north Star, Like this

0:21:45.600 --> 0:21:47.400
<v Speaker 1>is like I want to create an album that has

0:21:47.480 --> 0:21:50.960
<v Speaker 1>this kind of like not monument I wouldn't say Blue

0:21:50.960 --> 0:21:53.640
<v Speaker 1>was like monumental, but like there's this like I'm sure

0:21:53.680 --> 0:21:57.000
<v Speaker 1>she wanted some like big legacy thing like she was

0:21:57.040 --> 0:22:00.600
<v Speaker 1>going after like a future classic like Blue. And then

0:22:00.640 --> 0:22:03.800
<v Speaker 1>Read is a very literal song about like synesthesia whatever.

0:22:04.280 --> 0:22:07.920
<v Speaker 1>But why do all of these artists of synesthesia. I'm

0:22:08.000 --> 0:22:12.800
<v Speaker 1>so jealous. I don't think it's real. But Taylor doesn't

0:22:12.800 --> 0:22:15.280
<v Speaker 1>have synesthesia. Well, Lord is going to call the studio

0:22:15.400 --> 0:22:22.480
<v Speaker 1>right now, and how dare you invisibilize me and my keyboard? Anyways,

0:22:22.680 --> 0:22:24.679
<v Speaker 1>I feel like the big thing about Taylor and I

0:22:24.680 --> 0:22:26.280
<v Speaker 1>think that Joni Mitchell of it all is like her

0:22:26.280 --> 0:22:29.240
<v Speaker 1>mode of like storytelling, and like I think that like

0:22:29.280 --> 0:22:31.280
<v Speaker 1>the way she kind of like put herself into a

0:22:31.600 --> 0:22:35.320
<v Speaker 1>into a song and like I guess reveled in her contradictions,

0:22:35.760 --> 0:22:38.560
<v Speaker 1>especially with this album, was really nice. I feel like

0:22:38.640 --> 0:22:42.800
<v Speaker 1>before it's like quintessential girl next door. Just what how

0:22:42.800 --> 0:22:44.480
<v Speaker 1>old was she when she started fifty? She was like

0:22:44.760 --> 0:22:48.440
<v Speaker 1>she was technically sixteen like when the album released, but

0:22:48.520 --> 0:22:50.800
<v Speaker 1>she was like she started when she was like fourteen, right,

0:22:50.960 --> 0:22:52.280
<v Speaker 1>and so in that it's like it was a lot

0:22:52.280 --> 0:22:54.840
<v Speaker 1>of innocence. She was a little sassy, she had a

0:22:54.880 --> 0:22:56.680
<v Speaker 1>funny sense of humor. But this was the album where

0:22:56.720 --> 0:22:59.320
<v Speaker 1>she was just like I came to fuck and these

0:22:59.320 --> 0:23:02.840
<v Speaker 1>are all of contradictions. It almost like was like a

0:23:02.840 --> 0:23:05.639
<v Speaker 1>prequel to I was going to say a prequel to

0:23:05.680 --> 0:23:07.840
<v Speaker 1>a reputation, but I'm not like no no no, no

0:23:07.840 --> 0:23:10.040
<v Speaker 1>no no no, don't keep going next Yes, followed because

0:23:10.080 --> 0:23:13.080
<v Speaker 1>so much of it was like the anger of Red

0:23:13.320 --> 0:23:15.359
<v Speaker 1>and like the kind of that that it was. It

0:23:15.440 --> 0:23:17.679
<v Speaker 1>was not like a sad breakup album. It wasn't like

0:23:17.720 --> 0:23:22.520
<v Speaker 1>it was angry. It was receipts, receipts. Well. It is

0:23:22.560 --> 0:23:25.280
<v Speaker 1>her first album where she acknowledges her fame, like who's

0:23:25.280 --> 0:23:29.880
<v Speaker 1>Taylor Swift anyway? Like You're much records, much cooler than mine.

0:23:29.960 --> 0:23:32.520
<v Speaker 1>Like this is like her finally coming into some self awareness,

0:23:32.560 --> 0:23:34.719
<v Speaker 1>being like I know who I am, how I who

0:23:34.800 --> 0:23:36.600
<v Speaker 1>I am in this world, who I am to people?

0:23:37.200 --> 0:23:39.879
<v Speaker 1>And like I think, yes, that is a very astute observation.

0:23:40.160 --> 0:23:42.359
<v Speaker 1>Also just before I forget, like one, I think the

0:23:42.359 --> 0:23:45.720
<v Speaker 1>first time she like sings through another person's perspective, I

0:23:45.720 --> 0:23:47.960
<v Speaker 1>think in Um, I think in Starlight, where she's like

0:23:48.000 --> 0:23:50.520
<v Speaker 1>basically like singing about like being with like Kennedy and

0:23:50.600 --> 0:23:53.600
<v Speaker 1>like the sixties or something like she's like traveling through

0:23:53.640 --> 0:23:55.480
<v Speaker 1>time and like I think, and then like that ends

0:23:55.560 --> 0:23:57.399
<v Speaker 1>up like being this the this thing that recurs in

0:23:57.480 --> 0:24:00.239
<v Speaker 1>folklore where she's like different points of view, like when

0:24:00.280 --> 0:24:03.240
<v Speaker 1>we last Great American Dynasty. There you go like period

0:24:04.000 --> 0:24:09.439
<v Speaker 1>down my favorite hate, like one of my favorite songs

0:24:09.440 --> 0:24:12.560
<v Speaker 1>on folklore is last great American dynasty. Like I can

0:24:12.600 --> 0:24:16.040
<v Speaker 1>be in my car like going hard to it. I would,

0:24:16.160 --> 0:24:20.880
<v Speaker 1>I would snore the line of Kennemy into American Dynasty. Yeah,

0:24:20.920 --> 0:24:24.040
<v Speaker 1>I gotta, I gotta. I have snorted a lot of

0:24:26.280 --> 0:24:30.280
<v Speaker 1>Wait where we were we were in Big Bear. Oh yeah,

0:24:30.280 --> 0:24:32.280
<v Speaker 1>when we were in Big Bear, we did and listened

0:24:32.320 --> 0:24:42.159
<v Speaker 1>to folk. I'm so jealous we're getting a cabin. What

0:24:42.320 --> 0:24:44.600
<v Speaker 1>I want to know is when did your relationship with

0:24:44.640 --> 0:24:48.480
<v Speaker 1>Taylor Swift begin? Yea, it began with Red because I

0:24:48.520 --> 0:24:51.200
<v Speaker 1>did not care for her until this album because loving

0:24:51.320 --> 0:24:56.280
<v Speaker 1>her was red. Hev her was product Red was product right.

0:24:56.359 --> 0:24:58.560
<v Speaker 1>That was like a decade before did I had that?

0:24:58.760 --> 0:25:01.560
<v Speaker 1>I had at the Flipbone, did of the Motor product right.

0:25:01.640 --> 0:25:04.520
<v Speaker 1>I guess I'm I'm pro AIDS because I never bought

0:25:04.520 --> 0:25:07.879
<v Speaker 1>a productress. You are you? You hate YouTube? Who was

0:25:07.920 --> 0:25:11.800
<v Speaker 1>the least thing bo right? And there's there's another there's

0:25:11.800 --> 0:25:13.760
<v Speaker 1>a YouTube connection to Red. Oh my god? Is it really?

0:25:14.760 --> 0:25:16.320
<v Speaker 1>I just I just feel like State of Grace the

0:25:16.359 --> 0:25:19.800
<v Speaker 1>opening track, my god, it is my favorite. It's my favorite.

0:25:19.800 --> 0:25:26.080
<v Speaker 1>It's my favorite Taylor Swift song ever. And sisters told me, sister,

0:25:26.200 --> 0:25:28.400
<v Speaker 1>I feel so held by it is when Okay, when

0:25:28.400 --> 0:25:30.639
<v Speaker 1>Spotify earlier this year did a thing where it was

0:25:30.680 --> 0:25:35.440
<v Speaker 1>like gave you the like time. It was like, you're

0:25:35.560 --> 0:25:38.159
<v Speaker 1>your most listened to artists, and like the songs of

0:25:38.200 --> 0:25:40.800
<v Speaker 1>theirs that you listened to the most. My list was

0:25:40.880 --> 0:25:44.320
<v Speaker 1>number one All Too Well, number two State of Grace,

0:25:44.400 --> 0:25:50.959
<v Speaker 1>and then number three was Macavity from the Taylor Connection.

0:25:51.040 --> 0:25:55.760
<v Speaker 1>She was in cats Her It was no was Taylor's Taylor.

0:25:57.119 --> 0:26:01.200
<v Speaker 1>Oh my god? Okay, so play going back to placing

0:26:01.200 --> 0:26:04.080
<v Speaker 1>Bowen in time and when the Red album came out,

0:26:04.280 --> 0:26:07.600
<v Speaker 1>what was going on with you? I can so amazing.

0:26:08.560 --> 0:26:14.080
<v Speaker 1>We're recording in midtown. I was working beautiful midtown, beautiful

0:26:14.119 --> 0:26:16.720
<v Speaker 1>exotic midtown. Well, this was this was where I was

0:26:16.760 --> 0:26:20.560
<v Speaker 1>at in my life. I just graduated college. I didn't

0:26:20.600 --> 0:26:22.800
<v Speaker 1>know what to do, like I like basically through my

0:26:22.920 --> 0:26:25.520
<v Speaker 1>degree in the trash, my science degree in the trash.

0:26:25.640 --> 0:26:27.240
<v Speaker 1>Didn't want to go to med school. This was a

0:26:27.280 --> 0:26:32.239
<v Speaker 1>period of tumult in my life, and I was like,

0:26:32.440 --> 0:26:34.600
<v Speaker 1>I'll figure it out in the city somehow. I'll just

0:26:34.720 --> 0:26:36.920
<v Speaker 1>work temp jobs. I was working in a temp job

0:26:36.960 --> 0:26:40.960
<v Speaker 1>on like fifty seven and Lexington, like so many girls

0:26:41.040 --> 0:26:44.360
<v Speaker 1>have done before. You truly in a legacy, but truly

0:26:44.480 --> 0:26:48.000
<v Speaker 1>like lunch breaks you'd walk to like Sutton Place or whatever,

0:26:49.240 --> 0:26:52.640
<v Speaker 1>go to Essen and like just window shop at Bloomingdale's

0:26:52.720 --> 0:26:54.639
<v Speaker 1>or something like that was like such a I was

0:26:54.680 --> 0:26:57.439
<v Speaker 1>like true, like I was. I didn't know back then,

0:26:57.520 --> 0:27:00.960
<v Speaker 1>but I definitely was depressed at like was going through

0:27:01.040 --> 0:27:03.560
<v Speaker 1>such a rough patch in my life, like really didn't

0:27:03.600 --> 0:27:05.919
<v Speaker 1>know what the hell I was gonna do. And like

0:27:06.760 --> 0:27:10.720
<v Speaker 1>something happened around August when we are never getting back

0:27:10.720 --> 0:27:13.920
<v Speaker 1>together came out and I was just like, oh my god,

0:27:13.960 --> 0:27:17.000
<v Speaker 1>this is this is an incredible moment in my life

0:27:17.040 --> 0:27:20.280
<v Speaker 1>that I am listening to this song and loving like

0:27:20.400 --> 0:27:23.639
<v Speaker 1>there's something about there was something finally exciting to me

0:27:23.640 --> 0:27:25.800
<v Speaker 1>about Taylor Swift working with Max Martin because I knew

0:27:25.800 --> 0:27:27.760
<v Speaker 1>who Max Martin was, and I was just like, I

0:27:27.800 --> 0:27:29.720
<v Speaker 1>think by by that time, people like had an awareness

0:27:29.720 --> 0:27:31.960
<v Speaker 1>of who he was, like on a greater on a

0:27:32.040 --> 0:27:34.480
<v Speaker 1>larger scale. It's when we kind of started to understand

0:27:34.560 --> 0:27:40.280
<v Speaker 1>the producers who were behind exactly exactly, and like it

0:27:40.320 --> 0:27:42.680
<v Speaker 1>was just so thrilling to me and we're never something

0:27:42.760 --> 0:27:45.439
<v Speaker 1>really I don't know why I like confected myself to

0:27:45.520 --> 0:27:49.320
<v Speaker 1>this song but I was like, I love this singer now.

0:27:49.920 --> 0:27:53.359
<v Speaker 1>And then in the anticipation for the red release, like

0:27:53.400 --> 0:27:54.760
<v Speaker 1>I would just go back and listen to her old

0:27:54.800 --> 0:27:57.160
<v Speaker 1>stuff and I found it like had an appreciation for that.

0:27:57.359 --> 0:28:00.520
<v Speaker 1>But then literally it was she did almost on Good

0:28:00.520 --> 0:28:03.800
<v Speaker 1>Morning America. She released a promotional single like the three

0:28:03.840 --> 0:28:06.760
<v Speaker 1>weeks before the album came out in October and September,

0:28:06.800 --> 0:28:09.119
<v Speaker 1>and I think State of Grace was like the second

0:28:09.160 --> 0:28:11.439
<v Speaker 1>one she released. And I listened to the snip of

0:28:11.720 --> 0:28:15.600
<v Speaker 1>snippet of it on the broadcast of Good Morning America,

0:28:15.800 --> 0:28:18.719
<v Speaker 1>and I heard the soaring chorus and I was like,

0:28:18.920 --> 0:28:21.600
<v Speaker 1>what this is? What is she doing? This is going

0:28:21.600 --> 0:28:23.800
<v Speaker 1>to be incredible. And then the song comes out at

0:28:23.800 --> 0:28:26.159
<v Speaker 1>midnight and I listened to it and I go, this

0:28:26.240 --> 0:28:29.280
<v Speaker 1>is one of the best songs in the last like

0:28:29.600 --> 0:28:35.560
<v Speaker 1>five ever and that is still today. It's a transcendent song.

0:28:36.000 --> 0:28:38.080
<v Speaker 1>It hits me when I start listening to it. It

0:28:38.160 --> 0:28:40.640
<v Speaker 1>like starts in my gut, s's way up in my

0:28:40.720 --> 0:28:43.680
<v Speaker 1>chest and explodes out of me. There are car rides

0:28:43.720 --> 0:28:46.040
<v Speaker 1>in Los Angeles where I will just listen to State

0:28:46.080 --> 0:28:50.120
<v Speaker 1>of Grace on repeated sister, and and this morning when

0:28:50.160 --> 0:28:52.640
<v Speaker 1>I was coming to the studio. There is nothing like

0:28:52.760 --> 0:28:56.040
<v Speaker 1>walking to the subway and autumnal New York listening to

0:28:56.120 --> 0:29:00.520
<v Speaker 1>State very it's it's such an autumnal album and then

0:29:00.560 --> 0:29:02.960
<v Speaker 1>the song and like I was, and then I have

0:29:03.080 --> 0:29:06.000
<v Speaker 1>like a gustatory association with this album too, because it

0:29:06.120 --> 0:29:09.160
<v Speaker 1>was like me walking on my lunch break around Midtown

0:29:09.440 --> 0:29:11.840
<v Speaker 1>clutching a pumpkin spice latte listening to I knew you

0:29:11.880 --> 0:29:14.240
<v Speaker 1>were trouble, being like, this is fall, this is following

0:29:14.280 --> 0:29:20.120
<v Speaker 1>New York, My just salad. She now owns Fault. You know.

0:29:20.160 --> 0:29:23.000
<v Speaker 1>I had a sort of similar experience of Taylor, but

0:29:23.040 --> 0:29:26.920
<v Speaker 1>like slightly different because I, like, before Red, I really

0:29:26.960 --> 0:29:30.760
<v Speaker 1>liked individual Taylor songs, Like I was very into our

0:29:30.840 --> 0:29:34.840
<v Speaker 1>song yes, um maybe like the rhythm of it or something.

0:29:36.360 --> 0:29:38.560
<v Speaker 1>So did you start with those albums or did you

0:29:38.560 --> 0:29:40.640
<v Speaker 1>start with Red ASUM know, I started with those albums

0:29:40.640 --> 0:29:42.800
<v Speaker 1>when she was first breaking out, but really it was

0:29:43.040 --> 0:29:45.800
<v Speaker 1>song based and I was like, not a Taylor Swift fan.

0:29:46.520 --> 0:29:49.080
<v Speaker 1>And then when Red came out, that's when I was like, oh,

0:29:49.280 --> 0:29:53.960
<v Speaker 1>I like Taylor Swift as an artist. And then nine

0:29:54.040 --> 0:29:58.560
<v Speaker 1>is what radicalized me as a Swifty was what radicalized

0:29:58.680 --> 0:30:00.880
<v Speaker 1>me as a swift e. UM. I had moved to

0:30:00.880 --> 0:30:04.040
<v Speaker 1>New York in after so I actually didn't listen to

0:30:04.080 --> 0:30:06.840
<v Speaker 1>the album in real time, surprising no one. UM, I

0:30:06.880 --> 0:30:10.360
<v Speaker 1>respect it, thank you. It wasn't not there eventually. I

0:30:10.440 --> 0:30:12.960
<v Speaker 1>just you know, it's a gap. It it's a gapic

0:30:13.040 --> 0:30:18.080
<v Speaker 1>playing catch up culturally. Um. And I turned twenty two

0:30:17.800 --> 0:30:23.120
<v Speaker 1>and there is a song on this album. Yes, that

0:30:23.280 --> 0:30:25.720
<v Speaker 1>is very good, and I was like, oh my god,

0:30:25.840 --> 0:30:30.480
<v Speaker 1>I'm happy you've reconfused as well. I think her as

0:30:30.560 --> 0:30:34.479
<v Speaker 1>a thirty three year old, thirty two year old singing

0:30:34.480 --> 0:30:38.920
<v Speaker 1>twenty two to us people in our thirties, I think

0:30:38.920 --> 0:30:41.240
<v Speaker 1>we will connect, we will, we will reconnect to it.

0:30:41.440 --> 0:30:44.800
<v Speaker 1>There's going to be a new I think the same

0:30:44.840 --> 0:30:48.520
<v Speaker 1>way with the Taylor's version fifteen. Yeah, there is that.

0:30:48.560 --> 0:30:54.320
<v Speaker 1>There was this nostalgic aspect like grafted onto it because

0:30:54.320 --> 0:30:57.800
<v Speaker 1>of the new lens she's singing through yep, yep. And

0:30:57.840 --> 0:31:01.479
<v Speaker 1>I think I think that is like twenty two is

0:31:01.560 --> 0:31:05.400
<v Speaker 1>like a really it does manage to capture something about

0:31:05.480 --> 0:31:07.880
<v Speaker 1>that time in your life. Even for her is just

0:31:08.040 --> 0:31:10.520
<v Speaker 1>like at that point she was some like millionaire like

0:31:10.640 --> 0:31:15.160
<v Speaker 1>recording artist still able to like know, Okay, how can

0:31:15.200 --> 0:31:17.800
<v Speaker 1>I make this somewhat relatable and that's like the store.

0:31:17.880 --> 0:31:20.200
<v Speaker 1>That's the unifying theory of Taylor Swift is that she

0:31:20.320 --> 0:31:23.840
<v Speaker 1>is like constantly trying to shift the folk rum on

0:31:23.960 --> 0:31:27.120
<v Speaker 1>how to make herself relatable but also keep her distance

0:31:27.320 --> 0:31:30.680
<v Speaker 1>very calibrated. Like I think twenty two is a perfect

0:31:30.680 --> 0:31:32.760
<v Speaker 1>example of that. And I do think, yes, like there

0:31:32.760 --> 0:31:34.880
<v Speaker 1>will be a nostalgiographed onto it when it comes out.

0:31:35.080 --> 0:31:40.000
<v Speaker 1>I I think that's very true, and especially like what

0:31:40.040 --> 0:31:41.800
<v Speaker 1>you were saying before about how this was the first

0:31:41.800 --> 0:31:44.760
<v Speaker 1>time she grappled with her fame, because you know, this

0:31:44.840 --> 0:31:48.880
<v Speaker 1>album was released um during like the pinnacle of hipster

0:31:49.640 --> 0:31:54.840
<v Speaker 1>and and like irony culture, and so I think I

0:31:55.000 --> 0:31:59.520
<v Speaker 1>think part of this album was her being like, I

0:31:59.520 --> 0:32:03.280
<v Speaker 1>know I'm not cool, um and that's fine. I'm gonna

0:32:03.520 --> 0:32:06.440
<v Speaker 1>just like do this anyway. And it's like a very

0:32:06.480 --> 0:32:11.520
<v Speaker 1>interesting acknowledgement of like try hardness, Like there's like that

0:32:11.600 --> 0:32:16.600
<v Speaker 1>Anne Hathaway quality. I mean, but I mean, you know,

0:32:16.920 --> 0:32:20.960
<v Speaker 1>I was watching I watched The Witches on my flight

0:32:21.040 --> 0:32:28.200
<v Speaker 1>list rewatch multiple rewatches. That's so true, though, And I like,

0:32:28.240 --> 0:32:30.680
<v Speaker 1>I think that's something about like Taylor's ethos that has

0:32:30.840 --> 0:32:33.080
<v Speaker 1>always resonated with me and the thing that I always

0:32:33.120 --> 0:32:34.880
<v Speaker 1>like latch onto and I say this to Rouse all

0:32:34.880 --> 0:32:37.560
<v Speaker 1>the time, but like it's like my best and also

0:32:37.600 --> 0:32:40.600
<v Speaker 1>like my worst quality that I try so hard, you know,

0:32:40.640 --> 0:32:42.480
<v Speaker 1>like I think that's in a lot of and you've

0:32:42.480 --> 0:32:46.000
<v Speaker 1>got so far and in the it doesn't really matter.

0:33:08.240 --> 0:33:11.000
<v Speaker 1>I feel like people our age and I love that

0:33:11.040 --> 0:33:13.840
<v Speaker 1>there's this gen z Swift e like oh my group

0:33:13.880 --> 0:33:17.280
<v Speaker 1>that like truly loves her, and they do make the

0:33:17.320 --> 0:33:19.960
<v Speaker 1>discourse kind of fun, like very funny. This TikTok is

0:33:20.000 --> 0:33:23.760
<v Speaker 1>exclusively Taylor Swift conspiracy theories. Yeah, it's it's Taylor Swift

0:33:23.760 --> 0:33:27.200
<v Speaker 1>conspiracy theories about you know, when she's releasing certain things,

0:33:27.720 --> 0:33:29.920
<v Speaker 1>and it's always so funny to see them like the

0:33:29.960 --> 0:33:33.440
<v Speaker 1>next day and they were like, well, we're wrong, but

0:33:33.440 --> 0:33:37.720
<v Speaker 1>but also but then they're like, here's how we might

0:33:37.800 --> 0:33:41.479
<v Speaker 1>still not be wrong. Sometimes they're right, sometimes they're right,

0:33:41.480 --> 0:33:45.000
<v Speaker 1>and then they're follow up TikTok and then there's you know,

0:33:45.040 --> 0:33:49.680
<v Speaker 1>like Taylor Swift lesbian conspiracyies UM, and then there's also

0:33:49.720 --> 0:33:55.000
<v Speaker 1>the conspiracy theories about um, like the Taylor's version of

0:33:55.000 --> 0:33:58.400
<v Speaker 1>it all. Like a friend was telling me about this

0:33:58.520 --> 0:34:03.160
<v Speaker 1>theory about the re records and why like sort of

0:34:03.200 --> 0:34:05.800
<v Speaker 1>the way that they're being staggered out and why we're

0:34:05.800 --> 0:34:08.799
<v Speaker 1>getting certain things before other things. And the theory is

0:34:08.840 --> 0:34:13.960
<v Speaker 1>that she's releasing the album's that has the songs that

0:34:14.000 --> 0:34:18.040
<v Speaker 1>gets licensed the most first. That's who devalue the catalog

0:34:18.640 --> 0:34:21.600
<v Speaker 1>enough that she can just buy it back and not

0:34:21.760 --> 0:34:26.520
<v Speaker 1>have to rerecord everything. Like that's why she started with Fearless,

0:34:26.640 --> 0:34:29.279
<v Speaker 1>which has you know, like love story, you Belong with

0:34:29.320 --> 0:34:32.320
<v Speaker 1>Me read, you know, has like we're never ever getting

0:34:32.320 --> 0:34:35.640
<v Speaker 1>back together. She did Wildest Dreams when it was trending

0:34:35.680 --> 0:34:39.200
<v Speaker 1>on TikTok, so she released the Love Story rereleased when

0:34:39.200 --> 0:34:41.200
<v Speaker 1>it was on that when it was in an Ami

0:34:41.760 --> 0:34:44.520
<v Speaker 1>Bryan Reynolds company because their friends are oh yeah yeah yeah,

0:34:44.640 --> 0:34:46.880
<v Speaker 1>and even and Wildest Dreams, like first it was in

0:34:47.000 --> 0:34:50.800
<v Speaker 1>that horse movie movie um, and then it was a

0:34:50.880 --> 0:34:56.359
<v Speaker 1>TikTok sound so um. So I do see a lot

0:34:56.360 --> 0:34:58.640
<v Speaker 1>of people on TikTok were like, Okay, let's get this

0:34:58.719 --> 0:35:02.239
<v Speaker 1>song trending, so she has to release it. That's so funny.

0:35:02.440 --> 0:35:05.560
<v Speaker 1>Speaking of Kennemy, I feel like a lot of I

0:35:05.600 --> 0:35:07.200
<v Speaker 1>feel like when I was listening to this and I

0:35:07.239 --> 0:35:10.200
<v Speaker 1>was listening to like aggressiveness and anger. I do feel

0:35:10.239 --> 0:35:13.400
<v Speaker 1>like a lot of this was um a foray into like,

0:35:14.120 --> 0:35:17.880
<v Speaker 1>you know, bad Taylor, like she wants to be Bad Taylor,

0:35:17.960 --> 0:35:20.839
<v Speaker 1>and like I was, I was, you know, looking through

0:35:20.840 --> 0:35:23.920
<v Speaker 1>her you know, history and career ahead of this podcast.

0:35:24.000 --> 0:35:26.560
<v Speaker 1>I was reading that when she was on the she

0:35:26.760 --> 0:35:29.000
<v Speaker 1>was the opening set for like Rascal Flats, which is

0:35:29.040 --> 0:35:32.320
<v Speaker 1>one of her big breaks or whatever, because the person

0:35:32.480 --> 0:35:35.760
<v Speaker 1>that they already had scheduled for the opening act played

0:35:35.800 --> 0:35:38.000
<v Speaker 1>too loud and too long on his first set and

0:35:38.000 --> 0:35:41.440
<v Speaker 1>they fired him and hired Taylor Swift. And someone from

0:35:41.520 --> 0:35:43.680
<v Speaker 1>Rascal Flats made a joke to Taylor, and I think

0:35:43.680 --> 0:35:46.040
<v Speaker 1>she was like fourteen fifteen or whatever made a joke

0:35:46.080 --> 0:35:49.160
<v Speaker 1>to Taylor and said, you should send him a thank

0:35:49.200 --> 0:35:53.160
<v Speaker 1>you for like your gold record because it's because he

0:35:53.239 --> 0:35:58.320
<v Speaker 1>got fired that you whatever. But she did she and

0:35:58.840 --> 0:36:01.480
<v Speaker 1>thank you. Let her to this guy that was fired.

0:36:02.360 --> 0:36:05.160
<v Speaker 1>I bring that up because bad Taylor has always been

0:36:05.160 --> 0:36:07.799
<v Speaker 1>there and this is this was the first glimmers of

0:36:08.160 --> 0:36:12.200
<v Speaker 1>reputation Taylor. Yes, so what did you think about because

0:36:12.239 --> 0:36:14.480
<v Speaker 1>like this is for me in cultural memory, this is

0:36:14.480 --> 0:36:16.799
<v Speaker 1>when she did the Harry Styles impression on what was

0:36:16.840 --> 0:36:19.360
<v Speaker 1>it the v m A s or the MTV move Right,

0:36:19.400 --> 0:36:23.160
<v Speaker 1>because they dated briefly during the recording of this. I

0:36:23.200 --> 0:36:25.839
<v Speaker 1>do think this is when I became more interested in

0:36:26.680 --> 0:36:30.400
<v Speaker 1>the persona of Taylor because maybe because I was seeing

0:36:30.400 --> 0:36:32.880
<v Speaker 1>a lot of people like this was the time of

0:36:32.880 --> 0:36:35.040
<v Speaker 1>my life where I was like really involved in the

0:36:35.200 --> 0:36:37.680
<v Speaker 1>like underground queer art scene in Brooklyn. I was seeing

0:36:37.680 --> 0:36:41.160
<v Speaker 1>a lot of people who were mining this for like

0:36:41.440 --> 0:36:46.960
<v Speaker 1>performance art, like earnestly. Earnestly but also psychotically, of course,

0:36:47.239 --> 0:36:51.000
<v Speaker 1>but it lends itself to that psycho psychosis. Absolutely. Oh yeah,

0:36:51.080 --> 0:36:56.000
<v Speaker 1>that's why swifties are a thing. Yes, are crazy. I'm

0:36:56.040 --> 0:36:58.840
<v Speaker 1>among you. I were crazy. It's the one group I

0:36:58.880 --> 0:37:02.440
<v Speaker 1>will never piss off. I make sure to to tweet

0:37:02.480 --> 0:37:05.319
<v Speaker 1>about being swifty, like at least once a month so

0:37:05.360 --> 0:37:08.680
<v Speaker 1>that when I need them they will be there. And girl,

0:37:09.000 --> 0:37:13.160
<v Speaker 1>I have crossed the swift Wait really yeah, I would

0:37:13.239 --> 0:37:15.200
<v Speaker 1>let to talk about it. Do you want to want

0:37:15.200 --> 0:37:17.960
<v Speaker 1>to go first? Mine's like so embarrassing, minds mind stupid

0:37:18.000 --> 0:37:20.000
<v Speaker 1>to mine. I was working with Rows at the time

0:37:20.080 --> 0:37:23.480
<v Speaker 1>out magazine and I it was the year that Casey one,

0:37:23.840 --> 0:37:26.560
<v Speaker 1>you know, Record of the Year, all his awards, and

0:37:26.960 --> 0:37:28.440
<v Speaker 1>I was just so in love with her. And at

0:37:28.440 --> 0:37:31.239
<v Speaker 1>the time I was really angry with Taylor, I think

0:37:31.280 --> 0:37:34.160
<v Speaker 1>for you know, like the reasons that everyone else was,

0:37:34.200 --> 0:37:37.319
<v Speaker 1>but also like maybe there there's some unfoundedness just being

0:37:37.320 --> 0:37:38.920
<v Speaker 1>angry because there are a lot of celebrities that don't

0:37:38.960 --> 0:37:40.560
<v Speaker 1>talk about Donald Trump. But she was one of the

0:37:40.560 --> 0:37:43.239
<v Speaker 1>ones where I was just like, come on, girl, like

0:37:43.320 --> 0:37:45.120
<v Speaker 1>what are you doing? And anyways, we don't have to

0:37:45.160 --> 0:37:46.880
<v Speaker 1>get into like the documentary of at all and how

0:37:46.920 --> 0:37:49.640
<v Speaker 1>she reconciled that. But like, I was very annoyed with Taylor,

0:37:49.880 --> 0:37:53.839
<v Speaker 1>and so I posted a meme of of I feel

0:37:54.160 --> 0:37:58.080
<v Speaker 1>very innocent and funny meme of um, Kasey must Gray

0:37:58.120 --> 0:38:00.640
<v Speaker 1>is pushing Taylor Swift off a building. Um, and I

0:38:00.680 --> 0:38:03.280
<v Speaker 1>remember when you did that, and it did go viral,

0:38:03.920 --> 0:38:06.759
<v Speaker 1>but like in a in it, I think and in

0:38:06.800 --> 0:38:09.799
<v Speaker 1>a mixed review, in a mixed reviews way and Swift ease,

0:38:11.160 --> 0:38:13.759
<v Speaker 1>they I mean, they found me and they found my

0:38:13.840 --> 0:38:15.920
<v Speaker 1>d M. There was blood in the water, they found

0:38:15.920 --> 0:38:18.200
<v Speaker 1>my friends d M, they found my thought. How did

0:38:18.200 --> 0:38:22.040
<v Speaker 1>they get They didn't find Social Security? That I know.

0:38:22.160 --> 0:38:25.120
<v Speaker 1>I'm I'm grateful that I've survived. This is the bad

0:38:25.160 --> 0:38:26.920
<v Speaker 1>art friend thing where it's like they can subpoena my

0:38:27.000 --> 0:38:31.640
<v Speaker 1>mean text, but it was. It was a terrifying moment.

0:38:31.680 --> 0:38:33.439
<v Speaker 1>I never deleted the tweets, so you can go ahead

0:38:33.480 --> 0:38:37.759
<v Speaker 1>and retweet and yeah, reinvigorate this, per I mean, that's

0:38:37.760 --> 0:38:40.880
<v Speaker 1>the thing. I'm a tweet deleter. Yeah, I don't know,

0:38:40.880 --> 0:38:42.799
<v Speaker 1>want to keep it, not above it. But you know,

0:38:43.120 --> 0:38:44.680
<v Speaker 1>it was a part of like just that, that the

0:38:44.800 --> 0:38:47.160
<v Speaker 1>fury because at the time, I still I still was

0:38:47.200 --> 0:38:49.960
<v Speaker 1>a Taylor Swift Like. I think that's why the disappointment

0:38:50.000 --> 0:38:52.160
<v Speaker 1>was so strong and care if you yeah, yeah, I

0:38:52.200 --> 0:38:54.719
<v Speaker 1>remember hearing Matt talk about that, Matt Rogers talking about

0:38:54.760 --> 0:38:57.040
<v Speaker 1>this even like you can be the most visceral Swifty

0:38:57.040 --> 0:39:00.359
<v Speaker 1>and still be so disappointed of course. But anyways, longs short,

0:39:00.440 --> 0:39:02.840
<v Speaker 1>I survived. The Swifties did try to get me fired

0:39:03.080 --> 0:39:05.440
<v Speaker 1>um on on many accounts, the email from out from

0:39:06.320 --> 0:39:09.960
<v Speaker 1>all as if they could find we're gonna fire you

0:39:10.040 --> 0:39:14.200
<v Speaker 1>from being a bit about a pop star, like excuse

0:39:15.760 --> 0:39:19.800
<v Speaker 1>all my podcast network. Anyways, So what was your swift?

0:39:20.080 --> 0:39:23.160
<v Speaker 1>My swifty story is similar. It was election day sixteen

0:39:23.640 --> 0:39:25.200
<v Speaker 1>and we're I don't know if you remember, she was

0:39:25.200 --> 0:39:27.680
<v Speaker 1>silent the whole the whole election cycle, but she was

0:39:27.680 --> 0:39:30.239
<v Speaker 1>busy at trying out celebrities on her tour, and then

0:39:30.640 --> 0:39:33.080
<v Speaker 1>on election day she posted a photo on Instagram of

0:39:33.120 --> 0:39:36.360
<v Speaker 1>her winning in line at the polls. And then I

0:39:36.400 --> 0:39:39.480
<v Speaker 1>think I tweeted, yeah, I quote tweeted or I replied,

0:39:39.480 --> 0:39:41.759
<v Speaker 1>I was like toot too little, too fucking late, or

0:39:41.800 --> 0:39:45.400
<v Speaker 1>something like that, something so stupid um. And then of

0:39:45.440 --> 0:39:48.920
<v Speaker 1>course the Swifties saw it and then like tore into me.

0:39:49.000 --> 0:39:52.319
<v Speaker 1>They didn't fucking go through my ship though, ducks you.

0:39:52.680 --> 0:39:54.800
<v Speaker 1>But I like made the mistake of replying to a

0:39:54.840 --> 0:39:56.880
<v Speaker 1>lot of them and being like you're literally twelve, you

0:39:57.320 --> 0:40:02.200
<v Speaker 1>do not step to this out a ever ever. I

0:40:02.239 --> 0:40:04.920
<v Speaker 1>know it's such a miscalculation. I mean, I like I

0:40:04.960 --> 0:40:07.759
<v Speaker 1>didn't know then, we did not know. I mean I

0:40:07.800 --> 0:40:10.840
<v Speaker 1>will say that, like, I think the Swifties need to

0:40:10.880 --> 0:40:13.960
<v Speaker 1>own this actually, because if she is acknowledging it in

0:40:14.160 --> 0:40:16.960
<v Speaker 1>like her interviews and her press that like, yeah, I

0:40:16.960 --> 0:40:19.120
<v Speaker 1>should have spoken up more during the election cycle than

0:40:19.239 --> 0:40:21.640
<v Speaker 1>like that's it, Like you have to, like Swifties have to,

0:40:21.719 --> 0:40:23.920
<v Speaker 1>like we all have to like own that. And I

0:40:23.920 --> 0:40:27.480
<v Speaker 1>feel somewhat vindicated, And I'm sure I don't know if

0:40:27.480 --> 0:40:29.799
<v Speaker 1>you do too. I felt very vindicated because she kind

0:40:29.800 --> 0:40:32.160
<v Speaker 1>of just proved herself like wrong over and over again.

0:40:32.239 --> 0:40:37.000
<v Speaker 1>And then she she finally disavowed Trump hours before she

0:40:37.080 --> 0:40:40.480
<v Speaker 1>released her Lover Her Right, and I was like, yeah,

0:40:41.080 --> 0:40:43.279
<v Speaker 1>right under the wire. But like, I don't know, I

0:40:43.280 --> 0:40:47.240
<v Speaker 1>feel differently about it now, but but like I feel like, um,

0:40:47.280 --> 0:40:51.719
<v Speaker 1>I remember when um the what was like the worst song,

0:40:52.040 --> 0:40:56.600
<v Speaker 1>the me song me, and like so I had to

0:40:56.640 --> 0:40:59.120
<v Speaker 1>block it on Spotify so it wouldn't come up when

0:40:59.160 --> 0:41:02.000
<v Speaker 1>I listened to I do miss hey kids spelling and

0:41:02.040 --> 0:41:05.960
<v Speaker 1>stunt anyway, it's spelling, It's fun. Yeah. But then when

0:41:06.000 --> 0:41:08.080
<v Speaker 1>she did like the whole the Pride video that like

0:41:08.200 --> 0:41:14.479
<v Speaker 1>kind of like it's like Google, lgbt Q celebrities filled

0:41:14.480 --> 0:41:17.799
<v Speaker 1>it whatever, and uum I remember tweeting about that and

0:41:18.000 --> 0:41:20.239
<v Speaker 1>trying to nuance it and being like, what is this

0:41:20.280 --> 0:41:23.719
<v Speaker 1>like opportunistic bullshit? I said it in a much more

0:41:23.760 --> 0:41:27.080
<v Speaker 1>salient and incisive way, of course, but like Taylor Swift

0:41:27.120 --> 0:41:31.480
<v Speaker 1>fans would like they literally tweeted like like fact, fucking

0:41:31.560 --> 0:41:34.960
<v Speaker 1>faggot whatever, And then I would go to their like, um,

0:41:35.400 --> 0:41:37.760
<v Speaker 1>go to their bio, and the link in their bio

0:41:37.800 --> 0:41:42.360
<v Speaker 1>would be like the equality Like um, it was the

0:41:42.400 --> 0:41:46.760
<v Speaker 1>Equality Act of linked to their like in their bio

0:41:46.800 --> 0:41:48.600
<v Speaker 1>calling me a fagot, and I was like, this is

0:41:49.280 --> 0:41:52.160
<v Speaker 1>this there's just no self there's no self awareness. I

0:41:52.200 --> 0:41:55.600
<v Speaker 1>think it is swift um. And also this does radiate

0:41:55.640 --> 0:41:58.839
<v Speaker 1>out to all of the stand um stands do the

0:41:58.920 --> 0:42:04.400
<v Speaker 1>same thing as It's just like they they have to

0:42:04.560 --> 0:42:09.319
<v Speaker 1>love their faith in a way that is destructive, that

0:42:09.440 --> 0:42:12.759
<v Speaker 1>is destructive and does not allow for nuance. Because and

0:42:12.840 --> 0:42:15.000
<v Speaker 1>I used to find this a lot as a gaga

0:42:15.000 --> 0:42:18.200
<v Speaker 1>Stan and you and I have talked about this before. Um,

0:42:18.239 --> 0:42:20.880
<v Speaker 1>you know, like part of part of my like loving

0:42:20.880 --> 0:42:24.279
<v Speaker 1>an artist is being critical of them. And it's unfortunate

0:42:24.440 --> 0:42:27.160
<v Speaker 1>that especially a lot of these young stands, I feel

0:42:27.200 --> 0:42:30.960
<v Speaker 1>like they have to love these pop stars who will

0:42:31.000 --> 0:42:34.160
<v Speaker 1>never be perfect in a way in which they are

0:42:34.200 --> 0:42:37.200
<v Speaker 1>always right about everything and they can never be critical

0:42:37.280 --> 0:42:42.320
<v Speaker 1>about them at all, and anyone who is must literally die. Yeah, okay,

0:42:42.400 --> 0:42:45.200
<v Speaker 1>that's so funny that you said that. I unfortunately searched

0:42:45.239 --> 0:42:50.279
<v Speaker 1>Taylor on like my Twitter and I found this. Yes,

0:42:50.480 --> 0:42:53.400
<v Speaker 1>this is this is the This is a classic swiftymeme.

0:42:53.920 --> 0:42:58.040
<v Speaker 1>Someone who's handles at Taylor ts so an underscore, I

0:42:58.080 --> 0:43:01.000
<v Speaker 1>want to kill myself. They tweeted, and then and then

0:43:01.000 --> 0:43:04.120
<v Speaker 1>the person replying, wait to lover drops please, we can't

0:43:04.160 --> 0:43:07.320
<v Speaker 1>lose sales. That's a nice Yeah, well as is the

0:43:07.800 --> 0:43:12.080
<v Speaker 1>Swifty who went to prison because she because she refused

0:43:12.080 --> 0:43:17.839
<v Speaker 1>to join the Israeli army. Oh my god. Well then

0:43:17.880 --> 0:43:21.520
<v Speaker 1>we obviously are on hurt. We were, yeah, yeah, because

0:43:21.560 --> 0:43:26.880
<v Speaker 1>we I mean, this podcast supports BDS. Yes, comrade, Swift, Comrade,

0:43:28.560 --> 0:43:32.440
<v Speaker 1>there is an overlap between like just a hardcore radical

0:43:32.520 --> 0:43:37.520
<v Speaker 1>socialists and swifties. Well, I mean Red Red Red the

0:43:37.560 --> 0:43:41.719
<v Speaker 1>communist and she was letting us know along with a

0:43:41.719 --> 0:43:47.360
<v Speaker 1>little wink or or it's like the log having Republican anthelm,

0:43:47.680 --> 0:43:54.080
<v Speaker 1>maybe being facetious, but you could be right. You could

0:43:54.080 --> 0:43:56.640
<v Speaker 1>be right about it. So how do you think Taylor

0:43:57.280 --> 0:44:00.919
<v Speaker 1>changed after Red? I think she changed in every way,

0:44:01.000 --> 0:44:03.000
<v Speaker 1>Like this is what I'm saying, Like there was I

0:44:03.040 --> 0:44:05.000
<v Speaker 1>think there was this line and the people will will

0:44:05.040 --> 0:44:10.799
<v Speaker 1>say that it's I think like it read. And so

0:44:10.880 --> 0:44:12.920
<v Speaker 1>much has been said about how Taylor Swift is a

0:44:13.000 --> 0:44:16.400
<v Speaker 1>very good quote unquote business person as far as like

0:44:17.400 --> 0:44:19.840
<v Speaker 1>laying out a strategy. But I do think this was

0:44:19.840 --> 0:44:22.120
<v Speaker 1>a conscious choice for her to be like, let me

0:44:22.760 --> 0:44:26.600
<v Speaker 1>do a transitional album. I mean, let me not fully crossover,

0:44:26.680 --> 0:44:33.239
<v Speaker 1>yet let me like persuasively let everybody know that I

0:44:33.280 --> 0:44:36.680
<v Speaker 1>can do the pop thing by releasing this album that

0:44:36.800 --> 0:44:40.200
<v Speaker 1>is like a very carefully calibrated blend between like country

0:44:40.280 --> 0:44:42.640
<v Speaker 1>and pop and some almost like country. Paris will site, Well,

0:44:42.640 --> 0:44:44.480
<v Speaker 1>she was always pop, but I feel like this was

0:44:44.560 --> 0:44:47.239
<v Speaker 1>like the album that she needed to put out in

0:44:47.320 --> 0:44:50.520
<v Speaker 1>order to like get to version of Taylor Swift. But

0:44:50.600 --> 0:44:54.320
<v Speaker 1>she didn't sell out this, like she didn't like half

0:44:54.360 --> 0:44:56.640
<v Speaker 1>asked the fact that this was a transitional album. She

0:44:56.719 --> 0:44:59.400
<v Speaker 1>like really poured everything into it. And I think I

0:44:59.440 --> 0:45:02.720
<v Speaker 1>think it's I really think it's one of the best albums.

0:45:02.800 --> 0:45:06.279
<v Speaker 1>And where does it fall for you? Okay on the

0:45:06.440 --> 0:45:10.560
<v Speaker 1>on your ranking of Taylor Swift album this is Wild,

0:45:13.239 --> 0:45:19.840
<v Speaker 1>I would I will say it's number two after after

0:45:20.560 --> 0:45:29.680
<v Speaker 1>being edged out by Reputation. No, I was not. I know,

0:45:29.840 --> 0:45:34.520
<v Speaker 1>I know people a second everybody everybody hold on I

0:45:34.560 --> 0:45:37.080
<v Speaker 1>think reputation. I listened back to and I go, this

0:45:37.120 --> 0:45:39.239
<v Speaker 1>is the only album where I think she's making like

0:45:39.719 --> 0:45:44.200
<v Speaker 1>an observation about society or about the world or about herself,

0:45:44.239 --> 0:45:48.480
<v Speaker 1>Like I just it is it isn't there's an observation

0:45:48.960 --> 0:45:52.960
<v Speaker 1>that's like ingrained in the entire thing. Red is like

0:45:53.000 --> 0:45:56.600
<v Speaker 1>this like beautiful maximalist thing of like let me try

0:45:56.680 --> 0:45:59.640
<v Speaker 1>all of these things at once and you're and it

0:45:59.680 --> 0:46:03.520
<v Speaker 1>will work. Um. And so that's why I like read

0:46:04.160 --> 0:46:06.719
<v Speaker 1>we we don't have to get too much into reputation

0:46:06.719 --> 0:46:08.879
<v Speaker 1>and why I love it. But I do fucking love

0:46:08.880 --> 0:46:11.640
<v Speaker 1>that album despite hating it when it first came out,

0:46:11.640 --> 0:46:13.960
<v Speaker 1>being like this is crazy. This is for me, of

0:46:14.000 --> 0:46:18.680
<v Speaker 1>all the Taylor albums, like, besides Folklore, Reputation feels like

0:46:18.719 --> 0:46:22.200
<v Speaker 1>the one that I is the most lived in for me. Yes,

0:46:22.400 --> 0:46:25.719
<v Speaker 1>like it was such I spent so much time with

0:46:25.800 --> 0:46:28.399
<v Speaker 1>it when it came out. It does not quite make

0:46:28.440 --> 0:46:32.040
<v Speaker 1>it to the top of the list for me. And

0:46:32.200 --> 0:46:35.279
<v Speaker 1>I want to know, do you think has Folklore? Have

0:46:35.360 --> 0:46:37.560
<v Speaker 1>Folklore and Evermore been out long enough for you to

0:46:37.640 --> 0:46:40.479
<v Speaker 1>place them? I think so because I think I've gotten

0:46:40.520 --> 0:46:44.040
<v Speaker 1>to that point as well, only just recently. Yeah, and

0:46:44.280 --> 0:46:45.680
<v Speaker 1>but we talked about this, so you're more of an

0:46:45.719 --> 0:46:48.120
<v Speaker 1>Evermore girl. No, I'm more of a Folklore girl. God

0:46:48.120 --> 0:46:53.040
<v Speaker 1>blessed and Folklore is my favorite Taylor Swift album. Folklore

0:46:53.080 --> 0:46:56.080
<v Speaker 1>is up there. It's it's it's the three our reputation,

0:46:56.120 --> 0:46:59.520
<v Speaker 1>Read and Folklore just like very closely orbiting each other.

0:46:59.719 --> 0:47:04.080
<v Speaker 1>For me, it's Folklore red and very good. I love

0:47:05.400 --> 0:47:10.440
<v Speaker 1>so much, excellent album. I think Read and stuff for

0:47:10.480 --> 0:47:12.160
<v Speaker 1>this thing where they dip in the second half a

0:47:12.239 --> 0:47:16.200
<v Speaker 1>little bit too much. Sure Folklore is like virtuosic and

0:47:16.320 --> 0:47:20.080
<v Speaker 1>likes such. It was so like she really stuck the

0:47:20.160 --> 0:47:23.359
<v Speaker 1>landing on it, and like what an incredible album reputation

0:47:23.440 --> 0:47:27.120
<v Speaker 1>is Like I'll killer no filler to me, every no

0:47:28.600 --> 0:47:30.960
<v Speaker 1>truly no skips and it's about like fifteen tracks, like

0:47:31.360 --> 0:47:34.520
<v Speaker 1>and it says something about like wow, like the only

0:47:34.560 --> 0:47:36.440
<v Speaker 1>thing you have at the end of the day is yourself,

0:47:36.480 --> 0:47:38.520
<v Speaker 1>even when you're someone like Taylor Swift and you have

0:47:38.560 --> 0:47:42.399
<v Speaker 1>all like in you know you or like when when

0:47:42.480 --> 0:47:45.960
<v Speaker 1>people are fucking like trying to tear you down, like

0:47:46.120 --> 0:47:50.239
<v Speaker 1>you have to have this like solid, solid sense of

0:47:50.280 --> 0:47:55.480
<v Speaker 1>self in order to survive something that seems completely unprocessable.

0:47:55.560 --> 0:47:58.720
<v Speaker 1>Like I think, I don't know, this is so gross,

0:47:58.719 --> 0:48:00.359
<v Speaker 1>but I listened to that album now and I think

0:48:00.400 --> 0:48:05.640
<v Speaker 1>this is like the this is the most astute meditation

0:48:05.680 --> 0:48:08.040
<v Speaker 1>on fame that I've ever like really encountered, and like

0:48:08.120 --> 0:48:11.320
<v Speaker 1>I'll relate to it in that way a little bit um,

0:48:11.360 --> 0:48:13.959
<v Speaker 1>but anyway that those are my three. I also feel

0:48:13.960 --> 0:48:17.200
<v Speaker 1>like her like, um, the kind of thing that she

0:48:17.239 --> 0:48:19.440
<v Speaker 1>was drawing into question with the album about like fame

0:48:19.520 --> 0:48:23.680
<v Speaker 1>and like how um we consume celebrity. I think that

0:48:23.760 --> 0:48:26.680
<v Speaker 1>the critical response to reputation and how people are kind

0:48:26.680 --> 0:48:29.399
<v Speaker 1>of immediately flop. Yeah, they kind of proved her right

0:48:30.000 --> 0:48:35.399
<v Speaker 1>exactly exactly. I mean, because like I feel like when

0:48:35.400 --> 0:48:38.800
<v Speaker 1>I listened to some was like my gateway drug and

0:48:38.880 --> 0:48:41.680
<v Speaker 1>too Taylor. I guess technically twenty two, if I were

0:48:41.719 --> 0:48:44.560
<v Speaker 1>to like metaphorize this, okay, twenty two is like me

0:48:44.880 --> 0:48:48.000
<v Speaker 1>having a little bit of weed part of somebody's like

0:48:48.080 --> 0:48:51.359
<v Speaker 1>high school party. And then in nineteen in nineteen nine

0:48:51.440 --> 0:48:52.960
<v Speaker 1>is like in the boom boom room and I'm like

0:48:52.960 --> 0:48:55.560
<v Speaker 1>I'm doing coked. Yeah yeah yeah yeah yeah yeah yeah yeah.

0:48:55.719 --> 0:49:00.520
<v Speaker 1>And so when love that metaphor yeah, thank you, thank you,

0:49:00.800 --> 0:49:05.239
<v Speaker 1>um blank space was like I don't know, goodbye. Have

0:49:05.360 --> 0:49:08.160
<v Speaker 1>I ever listened to a song that many times in

0:49:08.200 --> 0:49:11.640
<v Speaker 1>a row. I remember when the second the song came out,

0:49:11.920 --> 0:49:17.040
<v Speaker 1>I was late to something and I stood outside already

0:49:17.080 --> 0:49:20.640
<v Speaker 1>like fifteen, stood outside to watch the video on my phone.

0:49:20.760 --> 0:49:23.680
<v Speaker 1>It was it really was. And the thing about that

0:49:23.800 --> 0:49:27.960
<v Speaker 1>video was the way she drew so much even more

0:49:28.000 --> 0:49:30.719
<v Speaker 1>She's always been like drawn self awareness into her work,

0:49:30.880 --> 0:49:32.359
<v Speaker 1>but that was a moment where she was like, this

0:49:32.440 --> 0:49:34.279
<v Speaker 1>is the caricature of me, and I know you think

0:49:34.280 --> 0:49:36.359
<v Speaker 1>it's funny and I think it's funny too, and that

0:49:36.440 --> 0:49:39.520
<v Speaker 1>grew into like reputation, you know. I think Blank Spaces

0:49:39.560 --> 0:49:43.320
<v Speaker 1>when she reached the singularity, when it was like, oh,

0:49:43.400 --> 0:49:47.319
<v Speaker 1>everyone has heard this song on this video and do

0:49:47.360 --> 0:49:50.880
<v Speaker 1>you remember the there was like a Grammy performance she did.

0:49:51.360 --> 0:49:52.759
<v Speaker 1>I was just about to bring this up and it's

0:49:52.840 --> 0:49:55.960
<v Speaker 1>such a good fucking performance. Yeah, I was, okay, So

0:49:56.000 --> 0:49:58.680
<v Speaker 1>I was actually talking about one of the earlier performances

0:49:58.680 --> 0:50:01.960
<v Speaker 1>of Blank Space she did where she was like levitating

0:50:01.960 --> 0:50:06.200
<v Speaker 1>and there was like fire. Yeah, wait, what performance are

0:50:06.200 --> 0:50:08.200
<v Speaker 1>you talking about, though, I'm talking about Grammy Museum where

0:50:08.200 --> 0:50:13.640
<v Speaker 1>she's on the acoustic guitar. Well that's also I'm sorry, yeah,

0:50:13.680 --> 0:50:15.960
<v Speaker 1>but but let's talk about that because that performance of

0:50:16.080 --> 0:50:21.040
<v Speaker 1>Wildest Dreams on the electric guitar, and she she she

0:50:21.239 --> 0:50:24.400
<v Speaker 1>had never sounded better, and I think that that's none

0:50:24.440 --> 0:50:28.080
<v Speaker 1>of her top vocal performances. She's the vocalist, she is

0:50:29.280 --> 0:50:32.080
<v Speaker 1>without a doubt and like truly, like I also just

0:50:32.120 --> 0:50:35.080
<v Speaker 1>love the last full minute of twenty two. Sorry I'm

0:50:35.120 --> 0:50:36.600
<v Speaker 1>jumping all over the place, but the last fumnute of

0:50:36.600 --> 0:50:39.600
<v Speaker 1>twenty two is just her belting her fucking tits off,

0:50:39.600 --> 0:50:43.160
<v Speaker 1>like yeah, yeah, yeah, like just like it's like any

0:50:43.640 --> 0:50:46.080
<v Speaker 1>like just going crazy for a full minute, like like,

0:50:46.160 --> 0:50:48.319
<v Speaker 1>go back and listen to it. The last minute of

0:50:48.320 --> 0:50:50.520
<v Speaker 1>this four minute long song. A quarter of this song,

0:50:50.880 --> 0:50:54.440
<v Speaker 1>the last quarter of this song was heard just fat wailing. Anyway.

0:50:54.840 --> 0:50:57.799
<v Speaker 1>What do we think? Grammy performance? Amazing? I don't know

0:50:57.840 --> 0:50:59.359
<v Speaker 1>how much more I can say about it. It's just

0:50:59.400 --> 0:51:03.799
<v Speaker 1>like so it's so cathartic to watch, and um, it

0:51:03.800 --> 0:51:07.080
<v Speaker 1>feels like a triumphant moment for her, such a triumph

0:51:07.320 --> 0:51:09.640
<v Speaker 1>and her in that like black turtleneck with the guitar

0:51:09.760 --> 0:51:14.000
<v Speaker 1>and she her her hair was so good, speaking of

0:51:14.040 --> 0:51:17.319
<v Speaker 1>her hair was red when she got bangs. Red was

0:51:17.360 --> 0:51:19.759
<v Speaker 1>when she got was red, was when she si yes,

0:51:19.920 --> 0:51:23.640
<v Speaker 1>red was when she straightened her hair and then got bangs. Yes,

0:51:24.480 --> 0:51:28.880
<v Speaker 1>god wait that is oh my gosh, yeah, the ramification

0:51:29.200 --> 0:51:33.239
<v Speaker 1>truly getting bangs and straightening her hair and she has

0:51:33.280 --> 0:51:38.200
<v Speaker 1>had bangs ever since. In the same timespan where Joni

0:51:38.320 --> 0:51:43.160
<v Speaker 1>Mitchell said you should fucking die. Um, that was really hard.

0:51:43.200 --> 0:51:45.080
<v Speaker 1>I mean, I'm kind of Joonie is like one of

0:51:45.120 --> 0:51:47.080
<v Speaker 1>my be all end alls, and I'm really disappointed at her.

0:51:47.239 --> 0:51:50.880
<v Speaker 1>Well it's like, but I think, but you can't be

0:51:50.960 --> 0:51:55.880
<v Speaker 1>like that girl. But I think she but like it

0:51:55.920 --> 0:51:58.879
<v Speaker 1>does like play into the narrative of Taylor Swift, which

0:51:58.920 --> 0:52:00.799
<v Speaker 1>is that even though she didn't get that like co

0:52:01.040 --> 0:52:05.279
<v Speaker 1>sign from Joni Mitchell, Red is still her blue, and

0:52:05.480 --> 0:52:07.640
<v Speaker 1>it is still her It is still her blue, and

0:52:07.680 --> 0:52:10.919
<v Speaker 1>it is as I think impactful for people of our

0:52:10.960 --> 0:52:15.200
<v Speaker 1>generation as Blue probably was for people of that generation.

0:52:16.239 --> 0:52:18.319
<v Speaker 1>I think, so, I really think so. I mean it's

0:52:18.320 --> 0:52:20.840
<v Speaker 1>like Blue. I would I would honestly say that like

0:52:20.920 --> 0:52:25.879
<v Speaker 1>control by scissors, like our generations Blue. That's real, that's

0:52:26.000 --> 0:52:28.239
<v Speaker 1>really true. That's really true. But like Red is just

0:52:28.320 --> 0:52:31.680
<v Speaker 1>this like Red is like epic. I don't think Blue

0:52:31.760 --> 0:52:37.719
<v Speaker 1>is like epic. Red is very restrained. Red is like expansive. Yeah,

0:52:37.760 --> 0:52:41.319
<v Speaker 1>but but also like what Red does is like her

0:52:42.200 --> 0:52:46.840
<v Speaker 1>songwriting has never been better. Besides maybe like folks, I

0:52:46.880 --> 0:52:50.040
<v Speaker 1>do think some of the songwriting on folklore is truly

0:52:50.080 --> 0:52:54.000
<v Speaker 1>still like poetic. But some of my favorite. I think

0:52:54.200 --> 0:52:57.840
<v Speaker 1>the way that she talked about herself and her relationships

0:52:58.320 --> 0:53:02.480
<v Speaker 1>in the lyricism of it is incredible. And she was literally,

0:53:02.560 --> 0:53:06.719
<v Speaker 1>like even before she turned years old, writing these songs,

0:53:06.760 --> 0:53:10.000
<v Speaker 1>like writing a song like Treacherous where the structure is

0:53:10.280 --> 0:53:15.800
<v Speaker 1>verse mini chorus, verse, mini chorus, full like post chorus, slash,

0:53:15.920 --> 0:53:20.520
<v Speaker 1>like bridge ish into like another mini course into like

0:53:20.600 --> 0:53:24.359
<v Speaker 1>an even bigger post course, like I love Differ so

0:53:24.440 --> 0:53:26.600
<v Speaker 1>much did I say this already? It's an important album

0:53:26.640 --> 0:53:30.520
<v Speaker 1>because it was important for Taylor in that it made

0:53:30.560 --> 0:53:34.239
<v Speaker 1>Taylor like who she is now. It's when she crystallized

0:53:35.200 --> 0:53:40.320
<v Speaker 1>the final form final form. Sorry I'm being self referential awful,

0:53:40.560 --> 0:53:43.719
<v Speaker 1>but like I again, I did not care for I

0:53:43.719 --> 0:53:46.840
<v Speaker 1>was ambivalent about Taylor Swift until read and then something

0:53:46.880 --> 0:53:48.640
<v Speaker 1>just clipped where I was like, I'm going to be

0:53:48.680 --> 0:54:10.719
<v Speaker 1>obsessed with you for the rest of my life. Well,

0:54:10.760 --> 0:54:14.200
<v Speaker 1>you know, we've talked a lot today about how formative

0:54:14.320 --> 0:54:18.319
<v Speaker 1>the album Red was UM, and we thought it would

0:54:18.320 --> 0:54:20.840
<v Speaker 1>be fun to talk, you know, like we talk a

0:54:20.880 --> 0:54:23.760
<v Speaker 1>lot on this podcast about things that were really important

0:54:23.760 --> 0:54:26.719
<v Speaker 1>to us in our childhoods UM and how we like

0:54:26.760 --> 0:54:28.759
<v Speaker 1>became the people we are, So we thought it would

0:54:28.800 --> 0:54:32.479
<v Speaker 1>be fun to have you tell us about the Bow

0:54:32.520 --> 0:54:36.400
<v Speaker 1>and Yang starter pack? What are the items the things

0:54:36.440 --> 0:54:39.400
<v Speaker 1>in your arsenal as a kid that you know you

0:54:39.480 --> 0:54:41.719
<v Speaker 1>either always need to have a round or define who

0:54:41.719 --> 0:54:45.600
<v Speaker 1>you were. This is this is a really perfect framework

0:54:45.680 --> 0:54:51.360
<v Speaker 1>of a question of a prompt. Um, I will say

0:54:51.719 --> 0:54:55.279
<v Speaker 1>random like a sampling. It's like, let's talk about love

0:54:55.320 --> 0:55:02.680
<v Speaker 1>by Celine dion Um, It's m a game Boy with

0:55:02.760 --> 0:55:08.799
<v Speaker 1>like Kirby Tilton, Tumble and Pokemon Blue, Pokemon Crystal, and

0:55:08.800 --> 0:55:13.320
<v Speaker 1>then like Bagel bites from Costco. You're a Costco girl, yeah,

0:55:13.480 --> 0:55:18.319
<v Speaker 1>Costco girl, and then a girl oh yes, yes, yes

0:55:18.360 --> 0:55:21.800
<v Speaker 1>of course, and then um, how many how many items

0:55:21.800 --> 0:55:25.800
<v Speaker 1>do people typically bottle off? You're the first one, okay,

0:55:25.920 --> 0:55:28.480
<v Speaker 1>as they want? Those are three? Those are those are

0:55:28.480 --> 0:55:31.920
<v Speaker 1>the three pillars Bagel Bites, game Boy and and and Selene.

0:55:32.040 --> 0:55:35.279
<v Speaker 1>But then like it's it's honestly like it was. It

0:55:35.360 --> 0:55:38.160
<v Speaker 1>was a lot of like me trying to like draw

0:55:38.320 --> 0:55:42.080
<v Speaker 1>my own and original anime characters and like having no

0:55:42.120 --> 0:55:43.920
<v Speaker 1>one to show them too, because it was like I

0:55:44.000 --> 0:55:46.839
<v Speaker 1>knew it was a little too embarrassing, like having some

0:55:47.000 --> 0:55:50.640
<v Speaker 1>shame already built into like my work and my output

0:55:50.760 --> 0:55:53.960
<v Speaker 1>is like truly, like it is like since day one,

0:55:54.040 --> 0:55:57.319
<v Speaker 1>like a part of like since day one, you had

0:55:57.360 --> 0:56:00.000
<v Speaker 1>to have learned at some point drawing. Yeah, I love

0:56:00.040 --> 0:56:02.520
<v Speaker 1>to draw. No, no no, no, I mean the shame, the shame.

0:56:02.640 --> 0:56:06.840
<v Speaker 1>Oh sure, sure were cultured into shame. But like I

0:56:06.880 --> 0:56:10.000
<v Speaker 1>would like draw stuff and then show it to people

0:56:10.000 --> 0:56:11.480
<v Speaker 1>at school, and for a period of time it was

0:56:11.520 --> 0:56:13.759
<v Speaker 1>like cool that I could do this, and then it

0:56:13.920 --> 0:56:15.680
<v Speaker 1>was like and then it was just it would just

0:56:15.760 --> 0:56:19.600
<v Speaker 1>literally be me like getting lost for hours just at

0:56:19.640 --> 0:56:22.000
<v Speaker 1>my desk with like reams of paper that my dad

0:56:22.000 --> 0:56:26.279
<v Speaker 1>would bring home from his office, um, and I would

0:56:26.320 --> 0:56:29.239
<v Speaker 1>just draw characters, cut them out, put them in like

0:56:29.360 --> 0:56:32.360
<v Speaker 1>a photo album with like a plastic film, and I

0:56:32.520 --> 0:56:34.840
<v Speaker 1>would just flipped through it and like beat out a

0:56:34.880 --> 0:56:37.759
<v Speaker 1>whole season of like some anime that would never get

0:56:37.800 --> 0:56:39.680
<v Speaker 1>made in my head. But that was like that was

0:56:39.680 --> 0:56:41.919
<v Speaker 1>like a writer early thing where it was like, oh,

0:56:41.960 --> 0:56:47.040
<v Speaker 1>I'm like your story, story telling, world building, yeah exactly. Okay,

0:56:47.200 --> 0:56:49.520
<v Speaker 1>sorry to expose us, but did you know that Rose

0:56:49.520 --> 0:56:54.160
<v Speaker 1>and I were also closeted childhood drawers. We were so

0:56:54.680 --> 0:56:59.279
<v Speaker 1>much anime stuff mythology. Huh, Like you know who else?

0:56:59.280 --> 0:57:00.960
<v Speaker 1>Patty Harrison and I think there's like there's like we

0:57:01.200 --> 0:57:03.200
<v Speaker 1>all need to come out of the shadows with this

0:57:06.239 --> 0:57:10.759
<v Speaker 1>and make an adult cartoon series, which no one's ever done.

0:57:10.920 --> 0:57:13.200
<v Speaker 1>But but fran is still a pretty good artist. He

0:57:13.239 --> 0:57:16.040
<v Speaker 1>actually drew the mock up for our like our photo

0:57:16.080 --> 0:57:21.560
<v Speaker 1>shoot like cover art that we're doing. So I my

0:57:21.680 --> 0:57:28.720
<v Speaker 1>starter pack would be like Jagged Little Pill. The album. Um,

0:57:28.720 --> 0:57:31.880
<v Speaker 1>it would be some book and I'm going to say

0:57:32.000 --> 0:57:35.720
<v Speaker 1>right now, since it's spooky season, it would be Curses Incorporated,

0:57:36.520 --> 0:57:40.120
<v Speaker 1>which is an anthology series of like modern of like

0:57:40.280 --> 0:57:44.720
<v Speaker 1>modern spooky stories about a boy who like buys hexes online.

0:57:45.560 --> 0:57:49.919
<v Speaker 1>I'm cool and um oh, and then it would be

0:57:50.120 --> 0:57:53.520
<v Speaker 1>the afghan that my grandma nit me that I used

0:57:53.520 --> 0:57:57.120
<v Speaker 1>to wrap around myself as a dress. Was like I'm

0:57:57.160 --> 0:57:59.320
<v Speaker 1>a girl and I used to be Dorothy from the

0:57:59.360 --> 0:58:04.000
<v Speaker 1>Wizard of Oz. There you go. Wow, I love that. Okay.

0:58:04.160 --> 0:58:09.240
<v Speaker 1>Mine was definitely um Hotel Paper by Michelle Brand checked

0:58:09.280 --> 0:58:11.760
<v Speaker 1>out from the library. I didn't even own it. Oh

0:58:11.840 --> 0:58:13.720
<v Speaker 1>my god, We're going to have to do a Michelle

0:58:13.720 --> 0:58:15.920
<v Speaker 1>Branch episode. Oh yeah, without a doubt that she was

0:58:15.960 --> 0:58:18.640
<v Speaker 1>a big part of my secular awakening when I was

0:58:18.680 --> 0:58:21.760
<v Speaker 1>like I discovered that everyone else wasn't listening to like

0:58:21.840 --> 0:58:25.320
<v Speaker 1>Christian Christian reliant kay and it actually people also listen

0:58:25.360 --> 0:58:27.880
<v Speaker 1>to Michelle Branch. Oh my god, it's so important. I

0:58:27.920 --> 0:58:30.280
<v Speaker 1>didn't know you were a Christian rock person for a second.

0:58:30.360 --> 0:58:35.000
<v Speaker 1>I know the words to almost every single, every single

0:58:35.000 --> 0:58:37.960
<v Speaker 1>Relying Case song in their first five albums. I've never

0:58:38.000 --> 0:58:40.520
<v Speaker 1>talked to you about my switch foot phase in like

0:58:40.680 --> 0:58:44.160
<v Speaker 1>middle school, high school, I had a switch with it

0:58:44.200 --> 0:58:46.200
<v Speaker 1>was it was just that it was the it was

0:58:46.600 --> 0:58:48.400
<v Speaker 1>right after a watch to remember when like they really

0:58:48.400 --> 0:58:52.680
<v Speaker 1>were like big a cross overstream. It was there red.

0:58:53.080 --> 0:58:55.960
<v Speaker 1>It was there red, Remember there Red? But then you

0:58:56.000 --> 0:58:58.960
<v Speaker 1>know what I like, I was obsessed. I thought, you know,

0:58:59.080 --> 0:59:00.960
<v Speaker 1>I thought the song to any four, which is the

0:59:01.000 --> 0:59:03.280
<v Speaker 1>last song off of that album, that was like the

0:59:03.320 --> 0:59:06.640
<v Speaker 1>best song of all time. I would and we were

0:59:06.680 --> 0:59:09.760
<v Speaker 1>like twelve, Well one day I'll be twenty four and

0:59:09.800 --> 0:59:11.400
<v Speaker 1>this is going to be so meaningful. And then you

0:59:11.400 --> 0:59:14.440
<v Speaker 1>turned twenty four and you were like Switch, which I

0:59:14.440 --> 0:59:16.080
<v Speaker 1>mean like the fact that like we're like shipping on

0:59:16.120 --> 0:59:19.720
<v Speaker 1>twenty four by Switch, but we're still like beautiful revering Taylor.

0:59:20.080 --> 0:59:23.640
<v Speaker 1>That is the power of Taylor Taylor. Yeah, I mean,

0:59:23.960 --> 0:59:28.000
<v Speaker 1>like twenty one. Yes, is there? I don't know If

0:59:28.000 --> 0:59:30.000
<v Speaker 1>there an, I don't know. I'm trying to do numerology

0:59:30.120 --> 0:59:33.360
<v Speaker 1>with no with no landing point. Anyways. Also, in my

0:59:33.440 --> 0:59:37.800
<v Speaker 1>started back Um Harvest moon On, Oh my gosh, I

0:59:37.840 --> 0:59:41.520
<v Speaker 1>loved like um games without any conflict at yes, farming

0:59:41.520 --> 0:59:43.960
<v Speaker 1>game if you don't know it, Um. I was an

0:59:43.960 --> 0:59:47.880
<v Speaker 1>oregonmy kid. Instead of having friends, I did Oregon. I

0:59:47.920 --> 0:59:51.360
<v Speaker 1>wanted to do Oregon. I could make paper cranes really well,

0:59:52.080 --> 0:59:53.760
<v Speaker 1>so could on. I can make a lot of things.

0:59:53.760 --> 0:59:56.800
<v Speaker 1>I could still make a paper crane. Today had stacks

0:59:56.920 --> 0:59:59.840
<v Speaker 1>of Oregony books and I had an oregonmy party, which

0:59:59.840 --> 1:00:02.080
<v Speaker 1>is it was really sad. I invited three of my

1:00:02.120 --> 1:00:04.680
<v Speaker 1>crushes and they all came. That's cute. So you you

1:00:04.720 --> 1:00:09.080
<v Speaker 1>were into video games, Yeah, I don't. I don't like

1:00:09.240 --> 1:00:12.680
<v Speaker 1>games of any kind. I respect. That's kind of surprising

1:00:12.680 --> 1:00:15.240
<v Speaker 1>to me because you were so into like fantasy and

1:00:15.280 --> 1:00:17.360
<v Speaker 1>sci fi and so many things that come with the

1:00:17.400 --> 1:00:21.320
<v Speaker 1>culture of gaming. Yeah, but I'm I like the actual story.

1:00:21.440 --> 1:00:24.600
<v Speaker 1>I don't want to have to like play I would

1:00:24.800 --> 1:00:27.120
<v Speaker 1>I would rather read a book than play a game. Sure,

1:00:27.280 --> 1:00:30.080
<v Speaker 1>but now what now? What? Now? What I know some

1:00:30.120 --> 1:00:33.160
<v Speaker 1>people do is they'll just watch a playthrough on like YouTube,

1:00:33.360 --> 1:00:35.040
<v Speaker 1>or they'll just watch the cut scenes of a game.

1:00:35.120 --> 1:00:37.080
<v Speaker 1>So I might just start doing this now with like,

1:00:37.480 --> 1:00:39.240
<v Speaker 1>I'm sorry, I haven't played the Last of Us, and

1:00:39.280 --> 1:00:42.000
<v Speaker 1>I'm like, I need to know what this game is

1:00:42.160 --> 1:00:43.680
<v Speaker 1>and I need to like I might just like sit

1:00:43.680 --> 1:00:46.320
<v Speaker 1>down and watch like an eight hour play through anyway, Sorry,

1:00:46.320 --> 1:00:50.840
<v Speaker 1>why not when it sounds fun? Do you think Taylor games? No, okay,

1:00:50.880 --> 1:00:55.080
<v Speaker 1>and that's okay, she's too disciplined. Like Taylor is the

1:00:55.080 --> 1:00:58.120
<v Speaker 1>girl that watches her boyfriend play video games. You know,

1:00:58.160 --> 1:01:01.760
<v Speaker 1>that's like a whole I think. I think Joe is

1:01:01.800 --> 1:01:05.280
<v Speaker 1>like in his dog crate with the with the Nintendo switch,

1:01:05.560 --> 1:01:08.720
<v Speaker 1>and Taylor is somewhere else. Oh I see, yeah, to

1:01:08.760 --> 1:01:11.320
<v Speaker 1>get the kid that the thing. Yeah. The only other

1:01:11.320 --> 1:01:13.120
<v Speaker 1>thing I could think of, maybe that Rose and I

1:01:13.200 --> 1:01:16.160
<v Speaker 1>have in common is um Delaire's Big Book of Greekness.

1:01:16.920 --> 1:01:21.320
<v Speaker 1>That's definitely one of the past things that I started drawing.

1:01:21.720 --> 1:01:24.040
<v Speaker 1>It's one of my first like sexual awakenings. Remember being

1:01:24.080 --> 1:01:27.320
<v Speaker 1>horny for my own drawings. Yes, oh my god. I

1:01:27.320 --> 1:01:30.480
<v Speaker 1>would draw like naked dude, yeah, and I'd be like, oh,

1:01:30.520 --> 1:01:33.000
<v Speaker 1>oh no, is this this is going to be a problem,

1:01:33.520 --> 1:01:37.080
<v Speaker 1>like I remember wow. Also when my starter pack would

1:01:37.080 --> 1:01:43.000
<v Speaker 1>be Muppet Treasure Island the movie um and and um

1:01:43.320 --> 1:01:47.000
<v Speaker 1>a um. And this is not like a specific action figure,

1:01:47.120 --> 1:01:48.800
<v Speaker 1>but this is something that I used to do with

1:01:48.840 --> 1:01:51.240
<v Speaker 1>my action figures. I might have told you this before.

1:01:51.560 --> 1:01:53.920
<v Speaker 1>When I would get like an action figure as a

1:01:53.960 --> 1:01:57.000
<v Speaker 1>gift for my birthday or for Hanukah, I would open

1:01:57.040 --> 1:01:59.720
<v Speaker 1>it up, you know, and be like yeah. And then

1:01:59.760 --> 1:02:02.960
<v Speaker 1>that night I would um put it back in the packaging,

1:02:03.040 --> 1:02:05.000
<v Speaker 1>tape it back up, and wrap it again so that

1:02:05.080 --> 1:02:10.280
<v Speaker 1>I could open it again. But that's sick, that's erotic,

1:02:11.000 --> 1:02:14.440
<v Speaker 1>because for me, it wasn't about the thing itself. It

1:02:14.520 --> 1:02:17.640
<v Speaker 1>was about the experience of like opening it and the

1:02:17.720 --> 1:02:21.080
<v Speaker 1>thrill of that. But honestly, like very developed of you

1:02:21.360 --> 1:02:24.000
<v Speaker 1>to like pinpoint that as like the moment, like the

1:02:24.360 --> 1:02:27.720
<v Speaker 1>thrilling moment, the moment of pleasure or whatever, and then

1:02:27.720 --> 1:02:30.200
<v Speaker 1>you recreate that and restage that like that is. But

1:02:30.200 --> 1:02:34.280
<v Speaker 1>it was never the same. It was never the wow.

1:02:34.400 --> 1:02:37.160
<v Speaker 1>I Love Love and I'm I'm sitting with two Henson

1:02:37.320 --> 1:02:42.280
<v Speaker 1>heads YouTube YouTube. Both loved them Apo Love, Miss Piggy

1:02:42.520 --> 1:02:45.720
<v Speaker 1>Love Kermit. I had a Kermit stuffed animal that like

1:02:46.520 --> 1:02:52.960
<v Speaker 1>I ran ragged. Kermit's hot, Kermit's hot, Kermit is hot. Yeah, Kermit,

1:02:53.760 --> 1:03:00.920
<v Speaker 1>I'm doing the Kermit Arms. Listeners, you can tweet us

1:03:00.920 --> 1:03:03.360
<v Speaker 1>your takes on this week's episode. I'm actually really excited

1:03:03.400 --> 1:03:06.080
<v Speaker 1>to know what y'all think of the podcast. Rose. Are

1:03:06.120 --> 1:03:08.640
<v Speaker 1>you excited? Rose? Yes? But only if it's positive? Okay,

1:03:08.880 --> 1:03:12.080
<v Speaker 1>no critiquet. I'm your co host fran Toronto. You can

1:03:12.120 --> 1:03:14.720
<v Speaker 1>find me at Franz Squish co on any social media

1:03:14.800 --> 1:03:16.840
<v Speaker 1>you want. I'm Rose damn You. You can find me

1:03:16.880 --> 1:03:19.600
<v Speaker 1>out Rose Damn you on Twitter and Instagram. You can

1:03:19.640 --> 1:03:22.240
<v Speaker 1>subscribe to Like a Virgin anywhere you listen to podcasts,

1:03:22.280 --> 1:03:25.120
<v Speaker 1>and definitely leave us a review because it helps brand

1:03:25.120 --> 1:03:27.720
<v Speaker 1>new podcast quite a lot. Like a Virgin is an

1:03:27.720 --> 1:03:30.400
<v Speaker 1>i Heeart Radio production. Our producer is Phoebe Unter, with

1:03:30.440 --> 1:03:34.200
<v Speaker 1>support from Lindsay Hoffman, Julian Weller, Jess Crane Chitch and

1:03:34.520 --> 1:03:39.320
<v Speaker 1>Nikki Utour. Until next week, See You Later Visions Chow.

1:03:44.360 --> 1:03:46.960
<v Speaker 1>Our producer Phoebe has told us that our podcast is

1:03:46.960 --> 1:03:51.560
<v Speaker 1>a Scorpio Sun Aquarius moon leave ro rising. So do

1:03:51.640 --> 1:03:53.720
<v Speaker 1>with that? Why you will do that? Why you will

1:03:54.000 --> 1:03:56.040
<v Speaker 1>leave a comment? If you have an opinion about it,

1:04:04.800 --> 1:04:06.720
<v Speaker 1>Diam