1 00:00:02,480 --> 00:00:04,720 Speaker 1: What's up this way up at Angela. 2 00:00:04,800 --> 00:00:07,560 Speaker 2: Ye, I'm here with my guy Maino and we got 3 00:00:07,640 --> 00:00:08,640 Speaker 2: Valiant in the building. 4 00:00:08,680 --> 00:00:09,160 Speaker 1: What's up? 5 00:00:10,560 --> 00:00:10,840 Speaker 3: Yeah? 6 00:00:10,880 --> 00:00:12,520 Speaker 2: Well, first of all, thank you so much for coming through. 7 00:00:12,560 --> 00:00:14,720 Speaker 2: I know we were trying to get our schedules aligned. 8 00:00:15,480 --> 00:00:18,200 Speaker 2: And you've been traveling. Where have you been recently on tour? 9 00:00:18,640 --> 00:00:19,840 Speaker 4: Uh? Sure? 10 00:00:20,160 --> 00:00:22,639 Speaker 2: Monsterra Okay, you know that's my family's fam so we 11 00:00:22,680 --> 00:00:24,360 Speaker 2: got to start with that. I saw you were a 12 00:00:24,360 --> 00:00:26,639 Speaker 2: master Rat and I was like, now, hold on for 13 00:00:26,720 --> 00:00:29,440 Speaker 2: Saint Patrick's Day, that's like the biggest holiday in Mansrat. 14 00:00:29,800 --> 00:00:31,600 Speaker 2: And I was so excited because I was like a 15 00:00:31,600 --> 00:00:34,400 Speaker 2: lot of people have never been there. No, no, so 16 00:00:34,400 --> 00:00:35,199 Speaker 2: what do you think about it? 17 00:00:35,120 --> 00:00:37,360 Speaker 4: It was a vibe. We did a tour to see 18 00:00:37,400 --> 00:00:39,360 Speaker 4: like the volcanoes and everything. It was a vibe. 19 00:00:39,360 --> 00:00:41,199 Speaker 1: You did the helicopter tour or you just went in 20 00:00:41,240 --> 00:00:42,720 Speaker 1: the okay, So. 21 00:00:43,280 --> 00:00:45,880 Speaker 4: What I'm learning? What I'm learning about Monster At the 22 00:00:45,920 --> 00:00:48,960 Speaker 4: first time I win that certain plane can on Monster. 23 00:00:49,720 --> 00:00:50,440 Speaker 4: So it's like a. 24 00:00:50,400 --> 00:00:52,120 Speaker 1: Ten passenger plane only Yeah. 25 00:00:52,000 --> 00:00:54,800 Speaker 4: And there are four people like on the island and 26 00:00:55,000 --> 00:00:56,560 Speaker 4: like two toes that came over to see. So it 27 00:00:56,600 --> 00:00:57,360 Speaker 4: was like a vibe. 28 00:00:57,560 --> 00:00:58,760 Speaker 1: Listen, that's it. 29 00:00:59,400 --> 00:01:02,120 Speaker 2: That was big for the island because I'm not gonna lie, 30 00:01:02,240 --> 00:01:04,360 Speaker 2: you know, I always I've never been for Saint Patrick's Day. 31 00:01:04,360 --> 00:01:07,399 Speaker 2: I always go for like around Christmas and sometimes in 32 00:01:07,400 --> 00:01:09,080 Speaker 2: the summer. Growing up, we were there all the time. 33 00:01:09,080 --> 00:01:12,479 Speaker 2: My grandfather lived there. But I saw I was looking. 34 00:01:12,480 --> 00:01:15,160 Speaker 2: I follow their page and so I saw I was like, now, 35 00:01:15,160 --> 00:01:17,520 Speaker 2: hold on, I know they didn't have Valiant there, so 36 00:01:17,760 --> 00:01:19,360 Speaker 2: I was just excited to see you there. 37 00:01:19,480 --> 00:01:21,800 Speaker 1: So yes, but you've been. 38 00:01:21,880 --> 00:01:23,920 Speaker 2: And what's great about that is going to an island, 39 00:01:23,959 --> 00:01:25,880 Speaker 2: like you said, four thousand people and then you're doing 40 00:01:25,880 --> 00:01:28,640 Speaker 2: shows with fifty thousand people in the audience. So it's 41 00:01:28,720 --> 00:01:30,840 Speaker 2: nice that you're still encapsulating all of that. 42 00:01:32,200 --> 00:01:32,399 Speaker 1: You know. 43 00:01:32,640 --> 00:01:35,119 Speaker 2: One thing about you, too, is that you're also self taught, 44 00:01:35,120 --> 00:01:38,360 Speaker 2: and I've seen you discussing that. So as far as 45 00:01:38,400 --> 00:01:40,280 Speaker 2: doing music, this was something you knew you wanted to 46 00:01:40,280 --> 00:01:41,240 Speaker 2: do from a young age. 47 00:01:41,319 --> 00:01:43,840 Speaker 4: Yeah, it's a pression. It's not just doing it for 48 00:01:44,200 --> 00:01:46,759 Speaker 4: the fame or of the publicity. And I think I'm 49 00:01:46,760 --> 00:01:48,280 Speaker 4: in love, like literally love it. 50 00:01:48,960 --> 00:01:51,880 Speaker 1: Yeah, And man, I was in here listening. 51 00:01:51,560 --> 00:01:52,880 Speaker 3: To one hundred. 52 00:01:59,040 --> 00:01:59,920 Speaker 1: The song. Though you know. 53 00:02:01,520 --> 00:02:04,640 Speaker 4: I have some I wasn't monster even cutting you like 54 00:02:05,040 --> 00:02:07,600 Speaker 4: some songs that did like way before, like the Big 55 00:02:07,640 --> 00:02:10,760 Speaker 4: blow Up, like they love them, like why are you're 56 00:02:10,800 --> 00:02:12,079 Speaker 4: putting that is like a sauce. 57 00:02:12,120 --> 00:02:15,800 Speaker 2: You know, it's nice to have a whole catalog because 58 00:02:15,800 --> 00:02:18,079 Speaker 2: I think what happens is to see where you are now. 59 00:02:18,120 --> 00:02:20,760 Speaker 2: People are now going back and listening to the older 60 00:02:20,800 --> 00:02:24,200 Speaker 2: stuff and being like, Okay, he's been doing this, So 61 00:02:24,320 --> 00:02:26,080 Speaker 2: let's talk about how you even got to where you 62 00:02:26,120 --> 00:02:29,160 Speaker 2: are today, because it has been a grind to even 63 00:02:29,200 --> 00:02:33,240 Speaker 2: get here. And I know previously you also were unruly. 64 00:02:33,280 --> 00:02:38,040 Speaker 2: You were unruly artists. While you laughing, I said, it's good. 65 00:02:39,840 --> 00:02:40,520 Speaker 1: And listen. 66 00:02:40,880 --> 00:02:42,919 Speaker 2: And to be fair, there were artists there that are 67 00:02:43,080 --> 00:02:45,760 Speaker 2: you know, super talented. But I have to ask because 68 00:02:45,760 --> 00:02:47,960 Speaker 2: sometimes people will tell you it's difficult to be signed 69 00:02:48,080 --> 00:02:49,000 Speaker 2: to another artist. 70 00:02:49,040 --> 00:02:50,520 Speaker 1: What was that experience like for you? 71 00:02:50,760 --> 00:02:53,960 Speaker 4: It was a learning experience, you know, you when you 72 00:02:54,040 --> 00:02:59,320 Speaker 4: learned artists scare, manage, artists carrier. But I learned that 73 00:03:00,000 --> 00:03:02,799 Speaker 4: I don't know. First this was our own furnace, was 74 00:03:02,840 --> 00:03:05,320 Speaker 4: our own shive. They got this was our own. But 75 00:03:06,520 --> 00:03:09,640 Speaker 4: I wanted more, you know, for myself. So you know, no, 76 00:03:09,639 --> 00:03:12,000 Speaker 4: I do my own thing. No, no bad terms or 77 00:03:12,040 --> 00:03:14,080 Speaker 4: anything like that's just do my one thing and just 78 00:03:14,120 --> 00:03:16,800 Speaker 4: try to forget the look for me one for myself. 79 00:03:17,120 --> 00:03:19,519 Speaker 4: Sometimes people have good interest fear and about the time 80 00:03:19,520 --> 00:03:22,280 Speaker 4: one of my focused on themselves is like them can't 81 00:03:22,320 --> 00:03:23,720 Speaker 4: really get for doing the field. 82 00:03:23,760 --> 00:03:25,240 Speaker 3: So you feel like that was the best move for you, 83 00:03:25,320 --> 00:03:27,000 Speaker 3: right there is all right? 84 00:03:27,160 --> 00:03:27,520 Speaker 4: No so. 85 00:03:29,919 --> 00:03:33,800 Speaker 2: Good still you know, you know, just even when you 86 00:03:33,840 --> 00:03:36,720 Speaker 2: think back to those days, how was it getting off 87 00:03:36,800 --> 00:03:38,560 Speaker 2: of because I don't know what the contact was like, 88 00:03:38,600 --> 00:03:40,240 Speaker 2: but was it like a blessing like go ahead, do 89 00:03:40,280 --> 00:03:42,520 Speaker 2: your thing? Or was it because I know here we 90 00:03:42,560 --> 00:03:44,400 Speaker 2: always think about legally. It's always like I got to 91 00:03:44,440 --> 00:03:47,120 Speaker 2: get out of this situation. How do I make it happen? 92 00:03:47,200 --> 00:03:48,320 Speaker 2: Or how did that work? 93 00:03:48,600 --> 00:03:53,119 Speaker 4: Well? Basically putting me bigger popcorn. See, we don't know 94 00:03:55,000 --> 00:03:57,400 Speaker 4: the talent, and I put it out in our type 95 00:03:57,400 --> 00:03:59,880 Speaker 4: of way, like to make people see say, oh Valley. 96 00:04:00,120 --> 00:04:02,120 Speaker 4: But you know, I did a couple of interviews with 97 00:04:02,200 --> 00:04:04,440 Speaker 4: him in Jamaican thing. But it wasn't like I term 98 00:04:04,520 --> 00:04:10,520 Speaker 4: with any like Deep any Lion, last Suit or anything like. 99 00:04:10,560 --> 00:04:12,440 Speaker 3: It was the son in your life away, So. 100 00:04:12,920 --> 00:04:15,200 Speaker 4: It wasn't like that. It was like giving an opportunity 101 00:04:15,280 --> 00:04:18,960 Speaker 4: like then you're annually giving you that push so people 102 00:04:18,960 --> 00:04:21,960 Speaker 4: can see people know pop can so eventually from pop 103 00:04:22,040 --> 00:04:25,640 Speaker 4: campost Valiant, people ever get to know Valiant. But I 104 00:04:25,680 --> 00:04:29,480 Speaker 4: don't know. I wanted more. I needed no because at 105 00:04:29,480 --> 00:04:33,800 Speaker 4: that time my son just came, so we needed no no, no, no, 106 00:04:33,800 --> 00:04:35,160 Speaker 4: no work everything. 107 00:04:35,279 --> 00:04:37,840 Speaker 2: So yeah, it's kind of like a boot camp too, 108 00:04:37,880 --> 00:04:39,600 Speaker 2: because then it is a good way for you to 109 00:04:39,680 --> 00:04:42,120 Speaker 2: like learn as far as even learn. 110 00:04:42,320 --> 00:04:46,040 Speaker 4: Yeah, learn learn a lot around the camp, like work ethics, 111 00:04:46,120 --> 00:04:49,560 Speaker 4: him taking music serious, like really really really serious. I'm 112 00:04:49,640 --> 00:04:52,400 Speaker 4: learning a lot about him and you don't know the 113 00:04:52,480 --> 00:04:58,159 Speaker 4: money eat makes so learned not any man longevity about 114 00:04:58,200 --> 00:05:03,240 Speaker 4: longevity music that play ten yearstrom No, yeah. 115 00:05:02,680 --> 00:05:04,640 Speaker 2: And even with the because you've been putting that music 116 00:05:04,680 --> 00:05:06,960 Speaker 2: for a few years and there's they still consider you 117 00:05:07,040 --> 00:05:10,280 Speaker 2: like the newer class, right I would say the new generation. Yeah, 118 00:05:10,320 --> 00:05:12,560 Speaker 2: the new generation. But it feels like the new generation 119 00:05:12,800 --> 00:05:15,120 Speaker 2: gets along pretty well because I know it's a competitive 120 00:05:16,000 --> 00:05:19,159 Speaker 2: genre from historically it has been, but it feels like 121 00:05:19,240 --> 00:05:19,960 Speaker 2: this is different. 122 00:05:20,000 --> 00:05:21,120 Speaker 1: It feels like more unity. 123 00:05:21,160 --> 00:05:23,640 Speaker 4: What do you think, Uh, it's more unity. Everybody the 124 00:05:23,680 --> 00:05:27,440 Speaker 4: younger generation is trying to do something different. You don't 125 00:05:27,480 --> 00:05:30,640 Speaker 4: know the older generations supported way toward we try to 126 00:05:30,680 --> 00:05:34,839 Speaker 4: do something different like for go more, bigger. We don't 127 00:05:34,880 --> 00:05:37,920 Speaker 4: know what we do, but we don't know exactly what 128 00:05:37,960 --> 00:05:39,840 Speaker 4: we do, but we'll just do it because we love 129 00:05:39,880 --> 00:05:42,520 Speaker 4: the music. I think that generation I love the music. 130 00:05:43,200 --> 00:05:45,599 Speaker 4: To me still love the music. So it's our work. 131 00:05:45,680 --> 00:05:50,360 Speaker 4: Because I went to Stary, came here like new artists 132 00:05:50,360 --> 00:05:52,960 Speaker 4: who just came out the music I played on there, 133 00:05:53,000 --> 00:05:56,880 Speaker 4: someone would say, it's a start. It's you know, to 134 00:05:57,000 --> 00:05:59,720 Speaker 4: do more work hunting, but unity you know the dance 135 00:06:00,040 --> 00:06:02,400 Speaker 4: and we'll try. As you can see you don't know 136 00:06:02,520 --> 00:06:06,000 Speaker 4: Vibesco and Bone Good and the just get them visa 137 00:06:06,000 --> 00:06:09,200 Speaker 4: and things so that I'm more look for the dance 138 00:06:09,200 --> 00:06:12,200 Speaker 4: side for we took them said it, so we go 139 00:06:12,480 --> 00:06:13,679 Speaker 4: open night to So yeah. 140 00:06:14,360 --> 00:06:17,480 Speaker 2: It is nice to see those legacy artists selling out 141 00:06:17,520 --> 00:06:22,200 Speaker 2: shows expensive as shows too, because sometimes people may not 142 00:06:22,279 --> 00:06:23,719 Speaker 2: even give it there. I feel like a lot of 143 00:06:23,720 --> 00:06:26,560 Speaker 2: times people don't give dance all the respect that it deserves. 144 00:06:28,040 --> 00:06:30,039 Speaker 4: Yeah them gon get DOWNE sell the respect. But we'll 145 00:06:30,080 --> 00:06:32,720 Speaker 4: work towards forget the respect and put the table upon 146 00:06:32,800 --> 00:06:33,800 Speaker 4: our SIDEFU. 147 00:06:34,640 --> 00:06:37,039 Speaker 3: Yeah, New York is a big we grew up on 148 00:06:37,080 --> 00:06:41,040 Speaker 3: the part of our lives. So it's like New York, Florida. 149 00:06:41,720 --> 00:06:43,400 Speaker 4: Those are places that the Caribbean. 150 00:06:44,720 --> 00:06:47,200 Speaker 2: Yeah, yeah, certain places, but I think like when you 151 00:06:47,240 --> 00:06:49,159 Speaker 2: go to other cities, some cities are like I don't 152 00:06:49,200 --> 00:06:50,440 Speaker 2: know who you know? 153 00:06:50,560 --> 00:06:53,880 Speaker 4: This is like certain artists is like. But that's that's 154 00:06:53,920 --> 00:06:58,440 Speaker 4: what I take, like time and like like do some 155 00:06:58,600 --> 00:07:01,880 Speaker 4: shows or which management that teach me? I'm sure I 156 00:07:01,960 --> 00:07:04,760 Speaker 4: for just do WITHO even looking for something, just for 157 00:07:04,800 --> 00:07:06,800 Speaker 4: get getting a fun Ba's it. 158 00:07:08,320 --> 00:07:11,080 Speaker 2: And it's funny how little viral moments can also make 159 00:07:11,120 --> 00:07:14,360 Speaker 2: people be acquainted with you too. Social media, I think 160 00:07:14,400 --> 00:07:16,280 Speaker 2: for you guys, has been amazing. 161 00:07:16,000 --> 00:07:17,480 Speaker 4: The main platform for promotion. 162 00:07:18,720 --> 00:07:20,280 Speaker 2: Who would have ever thought it because it's something that 163 00:07:20,320 --> 00:07:23,160 Speaker 2: doesn't cost you any money and you can go viral 164 00:07:23,200 --> 00:07:26,280 Speaker 2: internationally off of that and then you have to ride 165 00:07:26,320 --> 00:07:26,800 Speaker 2: that wave. 166 00:07:27,320 --> 00:07:30,080 Speaker 4: Yeah, continue with the consistency. 167 00:07:30,640 --> 00:07:32,880 Speaker 1: So now I want to talk about the new music 168 00:07:32,880 --> 00:07:33,320 Speaker 1: that you have. 169 00:07:33,640 --> 00:07:35,520 Speaker 2: They just sent us a couple of songs right before 170 00:07:35,520 --> 00:07:37,400 Speaker 2: you got here, and Ugly hit me right away as 171 00:07:37,440 --> 00:07:42,640 Speaker 2: soon as it's so talk to us about the song 172 00:07:42,760 --> 00:07:44,440 Speaker 2: Ugly You think women like ugly men? 173 00:07:44,680 --> 00:07:49,240 Speaker 4: No, it's first, we just heard it. Explain. So I 174 00:07:49,280 --> 00:07:53,400 Speaker 4: have ep coming on and improve them wrong. We infuse 175 00:07:53,480 --> 00:07:57,640 Speaker 4: with R and B vibes and downside music because I 176 00:07:57,680 --> 00:08:00,760 Speaker 4: was thinking about something different, not just giving the world 177 00:08:00,800 --> 00:08:04,840 Speaker 4: a dance project, but something different, like for instance, Rhianna 178 00:08:04,920 --> 00:08:07,760 Speaker 4: Drake all of them artistics, something from dancer. Something I'm 179 00:08:07,760 --> 00:08:09,720 Speaker 4: going to take something from the R and B. I'm 180 00:08:09,720 --> 00:08:13,520 Speaker 4: putting my music so ugly. No, I had I have 181 00:08:13,560 --> 00:08:16,840 Speaker 4: a song that's all. No, it's modeled. It's an expression. 182 00:08:17,360 --> 00:08:19,160 Speaker 4: It's an expression like how you feel a lot of 183 00:08:19,200 --> 00:08:21,960 Speaker 4: people say, like one of them days, I just feel 184 00:08:22,000 --> 00:08:23,920 Speaker 4: like I frustrated and I feel like I put it 185 00:08:23,920 --> 00:08:26,520 Speaker 4: in a song so ugly. No, it's not really like 186 00:08:26,640 --> 00:08:29,040 Speaker 4: women of ugly men or whatever like that. It's just 187 00:08:29,840 --> 00:08:33,160 Speaker 4: a saying like most men, like, you know, most men 188 00:08:33,679 --> 00:08:37,360 Speaker 4: like rough, you look rough. No, pretty men like it's 189 00:08:37,480 --> 00:08:40,240 Speaker 4: kind of pretty mean like no, pretty many ugly men, 190 00:08:40,280 --> 00:08:44,360 Speaker 4: So female are more attractive to more masculine, you know. 191 00:08:44,760 --> 00:08:45,960 Speaker 1: We don't like pretty boys. 192 00:08:46,280 --> 00:08:49,360 Speaker 4: Like masculine, more rough, more of you know. 193 00:08:50,000 --> 00:08:52,640 Speaker 1: Yeah, so you consider yourself ugly many? 194 00:08:54,040 --> 00:08:56,920 Speaker 4: Definitely, definitely, definitely. 195 00:08:57,320 --> 00:08:58,760 Speaker 1: I feel like you're looking at little more. 196 00:08:59,000 --> 00:09:02,200 Speaker 4: No, no, no, don't do that. 197 00:09:00,559 --> 00:09:06,520 Speaker 1: No, no, the clean look at the looking a little. 198 00:09:10,240 --> 00:09:11,320 Speaker 3: As as far as it goes. 199 00:09:11,320 --> 00:09:15,520 Speaker 4: As far as just once you after and you know 200 00:09:15,559 --> 00:09:18,079 Speaker 4: it's a moving Yeah, that's a better try to what. 201 00:09:18,080 --> 00:09:19,560 Speaker 1: Kind of women would you say you like? Then? 202 00:09:20,160 --> 00:09:21,959 Speaker 2: If that's what women like, what would what would you 203 00:09:21,960 --> 00:09:24,040 Speaker 2: say you like? When it comes to I'm gonna ask 204 00:09:24,040 --> 00:09:25,400 Speaker 2: you to, man, what kind of women do. 205 00:09:25,360 --> 00:09:25,880 Speaker 1: You all like? 206 00:09:28,760 --> 00:09:30,120 Speaker 4: Skinny type of woman? 207 00:09:30,160 --> 00:09:32,360 Speaker 1: It doesn't matter a type if I have a type. 208 00:09:32,920 --> 00:09:37,480 Speaker 4: No, your personality once you're like he not val I'm. 209 00:09:37,320 --> 00:09:41,600 Speaker 1: Good, Okay, you like the real you? And that's hard now, 210 00:09:42,200 --> 00:09:43,600 Speaker 1: is very very hard. 211 00:09:43,640 --> 00:09:45,959 Speaker 4: But you know I'm not I'm not really looking for love. No, 212 00:09:46,000 --> 00:09:47,319 Speaker 4: I'm just looking for hit songs. 213 00:09:48,559 --> 00:09:50,160 Speaker 1: Man is the type for sure, you know. 214 00:09:50,320 --> 00:09:52,520 Speaker 4: I mean, listen, what I've been liking is it hasn't 215 00:09:52,559 --> 00:09:55,040 Speaker 4: been working obviously, So I think I'm I'm gonna start with. 216 00:09:55,160 --> 00:09:58,800 Speaker 3: B b w's big, big what is it? 217 00:09:58,880 --> 00:09:59,800 Speaker 1: Big beautiful women? 218 00:10:00,040 --> 00:10:00,760 Speaker 4: Beautiful woman? 219 00:10:00,880 --> 00:10:02,280 Speaker 3: Yeah, and the I'm gonna go with those. 220 00:10:02,920 --> 00:10:03,280 Speaker 1: Okay. 221 00:10:03,440 --> 00:10:05,000 Speaker 2: No, man has the type I told him, though, his 222 00:10:05,040 --> 00:10:07,120 Speaker 2: type has not been working for him, so maybe sometimes 223 00:10:07,160 --> 00:10:08,240 Speaker 2: it's time to switch that up. 224 00:10:09,760 --> 00:10:10,800 Speaker 1: I did I told you that. 225 00:10:10,800 --> 00:10:12,439 Speaker 3: I said that they haven't been working for me? 226 00:10:12,600 --> 00:10:15,920 Speaker 2: Or I said that I suggested you try something new. 227 00:10:16,200 --> 00:10:17,040 Speaker 3: Let'st this argument. 228 00:10:17,840 --> 00:10:20,480 Speaker 4: You have a type? 229 00:10:21,080 --> 00:10:21,960 Speaker 1: Do I have a type? Yeah? 230 00:10:21,960 --> 00:10:24,280 Speaker 2: I like regular guys. I like nice guys to treat 231 00:10:24,320 --> 00:10:28,679 Speaker 2: me well. I'm very into like thoughtful people. But looks 232 00:10:28,679 --> 00:10:30,880 Speaker 2: do matter to me too. I know some people would say, like, 233 00:10:30,920 --> 00:10:33,840 Speaker 2: looks don't matter. I don't think that's true. You have 234 00:10:33,880 --> 00:10:35,520 Speaker 2: to like and I'm not saying that it has to 235 00:10:35,559 --> 00:10:37,880 Speaker 2: be a traditionally good looking person. It just has to 236 00:10:37,920 --> 00:10:40,000 Speaker 2: be somebody I'm attracted to. It don't mean somebody else 237 00:10:40,000 --> 00:10:43,040 Speaker 2: will be attracted to them, you know. So that that's 238 00:10:43,080 --> 00:10:44,920 Speaker 2: what it is when it comes to me. What about 239 00:10:44,920 --> 00:10:47,880 Speaker 2: another artist then, because like you said, you know, for women, 240 00:10:47,920 --> 00:10:49,559 Speaker 2: you want somebody that's gonna like you for you or 241 00:10:49,600 --> 00:10:50,760 Speaker 2: not just because you're valiant. 242 00:10:50,800 --> 00:11:00,000 Speaker 1: Maybe you could date another artist been they're done that. 243 00:11:00,200 --> 00:11:07,080 Speaker 4: You know what I mean? Yeah, you know something, not 244 00:11:07,120 --> 00:11:11,120 Speaker 4: really talk about relationship. I'm gonna I'm gonna be toxic, 245 00:11:11,160 --> 00:11:12,000 Speaker 4: so I don't really talk. 246 00:11:11,840 --> 00:11:14,840 Speaker 2: About your toxic. Okay, So the song that Mano likes, 247 00:11:14,840 --> 00:11:15,560 Speaker 2: the poly song? 248 00:11:15,679 --> 00:11:18,040 Speaker 3: Then about greatest song? 249 00:11:19,320 --> 00:11:20,959 Speaker 1: His ears perked up like that's. 250 00:11:20,800 --> 00:11:23,800 Speaker 3: My yeah, and talk about it? Yeah? 251 00:11:24,320 --> 00:11:26,720 Speaker 2: So is that a so first of all, I want 252 00:11:26,720 --> 00:11:29,600 Speaker 2: to say this, I think guys am in theory it 253 00:11:29,720 --> 00:11:32,319 Speaker 2: sounds good, but I think in practice it doesn't work 254 00:11:32,360 --> 00:11:34,720 Speaker 2: for a lot of y'all who don't work for just 255 00:11:34,760 --> 00:11:37,400 Speaker 2: because it's hard enough for you guys to deal with 256 00:11:37,440 --> 00:11:41,160 Speaker 2: one woman, I think, and hold that down and keep 257 00:11:41,240 --> 00:11:44,440 Speaker 2: one woman happy, imagine having to keep several women happy. 258 00:11:45,120 --> 00:11:46,960 Speaker 4: I've done it. 259 00:11:46,679 --> 00:11:49,000 Speaker 1: Did you think you can handle that? 260 00:11:50,160 --> 00:11:50,800 Speaker 3: Many times? 261 00:11:51,440 --> 00:11:53,560 Speaker 1: I think it feels like y'all would be stressed out. 262 00:11:56,679 --> 00:11:59,280 Speaker 4: Like I like, eating with a lot of women is 263 00:11:59,320 --> 00:12:01,679 Speaker 4: like it's a lot of anger, a lot of emotions, 264 00:12:01,720 --> 00:12:04,040 Speaker 4: a lot of feelings, a lot of time when you're 265 00:12:04,080 --> 00:12:06,600 Speaker 4: a hustler when I try to forget certain things, So 266 00:12:08,080 --> 00:12:11,719 Speaker 4: this is kind of it's hard. Female want attention and 267 00:12:11,760 --> 00:12:14,600 Speaker 4: when even something they need to see and know a 268 00:12:14,640 --> 00:12:15,760 Speaker 4: lot a lot of things. 269 00:12:15,920 --> 00:12:17,040 Speaker 1: Yeah, that's what I'm saying. 270 00:12:17,080 --> 00:12:19,920 Speaker 2: I feel like that's just too much, you know, and 271 00:12:20,240 --> 00:12:24,200 Speaker 2: women can say it's okay, but like, how would you feel? Well, okay, 272 00:12:24,240 --> 00:12:26,679 Speaker 2: maybe if the women like each other too, they do that. 273 00:12:28,120 --> 00:12:31,000 Speaker 1: Yeah, that's why that's the part what you. 274 00:12:31,000 --> 00:12:37,920 Speaker 3: Say, my girlfriend, there you go, that's what we're talking about, 275 00:12:38,240 --> 00:12:39,200 Speaker 3: the only way it works. 276 00:12:39,240 --> 00:12:40,960 Speaker 1: But then I feel like, you'll get jealous of that. 277 00:12:40,880 --> 00:12:45,200 Speaker 4: Too, don't maybe love No, we don't know. Maybe the 278 00:12:45,200 --> 00:12:47,520 Speaker 4: females get jealous because maybe you're liking one more. 279 00:12:47,840 --> 00:12:50,840 Speaker 3: Is what communication is about, every communication. 280 00:12:51,000 --> 00:12:52,920 Speaker 2: But if they end up liking each other more than you, 281 00:12:52,960 --> 00:12:56,599 Speaker 2: well they're like, oh man here coming home now, we 282 00:12:56,679 --> 00:12:57,400 Speaker 2: got to act. 283 00:12:57,160 --> 00:13:00,640 Speaker 4: Like we like him, Safari. 284 00:13:02,880 --> 00:13:03,559 Speaker 1: You never know. 285 00:13:04,320 --> 00:13:06,840 Speaker 2: But I do like the variety in your music because 286 00:13:06,920 --> 00:13:09,800 Speaker 2: I'm a dance hall fan, and I do I feel 287 00:13:09,840 --> 00:13:11,520 Speaker 2: like sometimes people want dance all to be like a 288 00:13:11,559 --> 00:13:14,240 Speaker 2: little softer nowadays, but I kind of feel like the 289 00:13:14,240 --> 00:13:15,160 Speaker 2: premise of what it is. 290 00:13:15,200 --> 00:13:18,080 Speaker 1: It's like, you know, like matter. I love how that sounds, 291 00:13:18,160 --> 00:13:20,120 Speaker 1: I love like how hard that is. 292 00:13:21,440 --> 00:13:23,600 Speaker 2: And I like the variety because sometimes I think we're 293 00:13:23,640 --> 00:13:26,960 Speaker 2: in a very politically correct time where people kind of 294 00:13:26,960 --> 00:13:29,640 Speaker 2: don't want you to discuss certain things or say certain things. 295 00:13:30,040 --> 00:13:32,480 Speaker 2: But it's always been like an aspect of it that 296 00:13:32,640 --> 00:13:35,400 Speaker 2: is sexual, you know, it's all of that. 297 00:13:35,840 --> 00:13:39,920 Speaker 4: Yeah, I don't I like, for instance, what you're saying. 298 00:13:40,000 --> 00:13:43,040 Speaker 4: I don't really like like listen to like what most 299 00:13:43,040 --> 00:13:45,360 Speaker 4: people have to say about like what they want to hear. 300 00:13:45,400 --> 00:13:48,319 Speaker 4: I give them what they want to hear. Because music 301 00:13:48,320 --> 00:13:50,199 Speaker 4: has to do with like emotion and at the time 302 00:13:50,200 --> 00:13:52,840 Speaker 4: I want to feel a sad, want to feel you 303 00:13:52,840 --> 00:13:57,160 Speaker 4: have certain songs that work with certain emres and so 304 00:13:57,240 --> 00:13:59,400 Speaker 4: I like my life with my music is fun. I 305 00:13:59,400 --> 00:14:02,880 Speaker 4: don't like this to feel side all the time. So 306 00:14:02,920 --> 00:14:05,079 Speaker 4: that's what artists like will come with different things, will 307 00:14:05,080 --> 00:14:08,720 Speaker 4: make everybody feel different. But Dance have his hardcore. It's 308 00:14:08,760 --> 00:14:11,840 Speaker 4: sexual can doncea let I say more rough it right, 309 00:14:12,360 --> 00:14:15,440 Speaker 4: but we have every side, you know. That's what we're 310 00:14:15,440 --> 00:14:18,479 Speaker 4: trying to do. No more female songs. 311 00:14:19,280 --> 00:14:21,520 Speaker 2: Like Batti Dad And I like that video too, and 312 00:14:21,600 --> 00:14:23,880 Speaker 2: people were very into that video because of the women 313 00:14:23,920 --> 00:14:25,600 Speaker 2: that were in there, and I think that was really 314 00:14:25,640 --> 00:14:29,200 Speaker 2: dope because they were like, these look like beautiful women, 315 00:14:29,280 --> 00:14:29,640 Speaker 2: but not. 316 00:14:29,800 --> 00:14:31,560 Speaker 4: Like extra beauty. 317 00:14:31,720 --> 00:14:33,520 Speaker 1: Yeah you know what I'm saying. 318 00:14:33,560 --> 00:14:36,360 Speaker 2: I don't want to say not just beautiful like women 319 00:14:36,400 --> 00:14:39,440 Speaker 2: that you could see and feel like, Okay, she's got 320 00:14:39,480 --> 00:14:41,440 Speaker 2: herself put together, I could, you know. 321 00:14:42,440 --> 00:14:45,080 Speaker 4: But it is a good song. It's on my project, 322 00:14:45,080 --> 00:14:48,640 Speaker 4: the remix with Aphrobian Missus Bunks. 323 00:14:49,240 --> 00:14:51,440 Speaker 1: So let's talk about the new project that's coming out. 324 00:14:51,680 --> 00:14:56,040 Speaker 2: Okay, So you have that and you have Selfish that's 325 00:14:56,040 --> 00:14:57,280 Speaker 2: featured on this upcoming EP. 326 00:14:57,400 --> 00:14:58,240 Speaker 1: When is that coming out? 327 00:14:58,560 --> 00:15:04,920 Speaker 4: Me and the twenty third Selfish was produced by and Friday. Uh. 328 00:15:05,120 --> 00:15:08,680 Speaker 4: It's one of my songs where I'm expressing my toxic, 329 00:15:08,800 --> 00:15:11,120 Speaker 4: toxic and narcissist wheeze. Yeah. 330 00:15:11,720 --> 00:15:14,480 Speaker 1: Yeah, narcissistic is a song. So you're aware of it me? 331 00:15:14,760 --> 00:15:17,240 Speaker 4: Yeah, soelf awareness awareness, So what do. 332 00:15:17,200 --> 00:15:18,920 Speaker 2: You do about it? It's one thing to say this 333 00:15:19,040 --> 00:15:20,560 Speaker 2: is who I am and what I am. 334 00:15:20,600 --> 00:15:23,400 Speaker 4: But now what if you're a jealous person and somebody 335 00:15:23,480 --> 00:15:25,480 Speaker 4: wants to talk to you, your first thing you put 336 00:15:25,360 --> 00:15:26,800 Speaker 4: out to them and tell them that you're jealous. There 337 00:15:26,800 --> 00:15:28,760 Speaker 4: after this come and like work with it. 338 00:15:28,880 --> 00:15:31,960 Speaker 2: Right, So you're saying this is who I am, that's 339 00:15:32,000 --> 00:15:33,600 Speaker 2: how I am, right right? 340 00:15:33,760 --> 00:15:34,080 Speaker 4: Yeah? 341 00:15:34,320 --> 00:15:36,160 Speaker 2: Because I looked at it like maybe these are things 342 00:15:36,160 --> 00:15:38,040 Speaker 2: you feel like, I don't want to be toxic because 343 00:15:38,040 --> 00:15:40,600 Speaker 2: then you are kind of you attract what you are, 344 00:15:42,080 --> 00:15:42,960 Speaker 2: you like toxic women. 345 00:15:47,680 --> 00:15:51,040 Speaker 4: Yeah, I guess, yeah. 346 00:15:51,240 --> 00:15:53,400 Speaker 1: May not definitely you like that for a fact. 347 00:15:53,800 --> 00:15:57,440 Speaker 4: He does for me, like as an artist, like music wise, 348 00:15:57,480 --> 00:15:59,720 Speaker 4: it's crazy, like. 349 00:15:59,640 --> 00:16:03,680 Speaker 2: For right music, it's great things to write about. Yeah, yeah, 350 00:16:03,680 --> 00:16:07,320 Speaker 2: like she did this to you? She did and it's exciting. Yeah, 351 00:16:07,440 --> 00:16:08,720 Speaker 2: I guess for a period of time and then you 352 00:16:08,720 --> 00:16:10,040 Speaker 2: could just go on the road and I deal with 353 00:16:10,080 --> 00:16:12,000 Speaker 2: that for a little while. For some reason, y'all like 354 00:16:12,080 --> 00:16:14,920 Speaker 2: to like argue over the phone, like sometimes may' come 355 00:16:14,920 --> 00:16:15,840 Speaker 2: in here beefing on the phone. 356 00:16:15,840 --> 00:16:18,960 Speaker 1: I'm like, what do you? But he enjoys it. 357 00:16:20,560 --> 00:16:21,520 Speaker 4: We can't do it? 358 00:16:22,480 --> 00:16:23,800 Speaker 3: Should I play some of my tapes? 359 00:16:23,960 --> 00:16:24,160 Speaker 4: Yeah? 360 00:16:24,760 --> 00:16:27,440 Speaker 2: He loves to get those messages like the voice knows too. 361 00:16:27,480 --> 00:16:29,720 Speaker 2: You get voice notes some women just going off on you. 362 00:16:30,000 --> 00:16:35,800 Speaker 4: I'm gonna pull up right now. Now where are you at? 363 00:16:37,880 --> 00:16:38,120 Speaker 3: Yeah? 364 00:16:38,120 --> 00:16:42,240 Speaker 1: Because you do have an our song called Narcissistant? Yeah? 365 00:16:42,360 --> 00:16:45,720 Speaker 2: Yeah, So basically you like that and you are that? 366 00:16:46,440 --> 00:16:46,640 Speaker 4: Yeah? 367 00:16:47,440 --> 00:16:50,200 Speaker 3: See what I have except who you are is before 368 00:16:50,240 --> 00:16:52,760 Speaker 3: you can change anything about who you are, you gotta 369 00:16:52,760 --> 00:16:53,800 Speaker 3: first accept who you are. 370 00:16:54,160 --> 00:16:55,200 Speaker 1: Do you want to prove us wrong? 371 00:16:55,240 --> 00:16:55,440 Speaker 4: Though? 372 00:16:56,960 --> 00:17:01,840 Speaker 2: The does prove them wrong? Okay, you came up with 373 00:17:01,920 --> 00:17:04,320 Speaker 2: that title. What do you have to prove us wrong about? 374 00:17:04,760 --> 00:17:08,680 Speaker 4: Basically about some livers that you think downside cannot reach? Okay, 375 00:17:08,880 --> 00:17:12,960 Speaker 4: so about like it's for me basically it's proved them wrong. 376 00:17:13,000 --> 00:17:15,760 Speaker 4: It's all about me proving a lot of people wrong 377 00:17:15,800 --> 00:17:18,679 Speaker 4: that say I couldn't reach this far? How far the 378 00:17:18,800 --> 00:17:21,320 Speaker 4: music can't reach and where to stop on all of that. 379 00:17:21,400 --> 00:17:23,760 Speaker 4: So it proved them wrong, is about it. It's like 380 00:17:24,240 --> 00:17:27,359 Speaker 4: as you can say, like I said, stelling, putting some 381 00:17:27,400 --> 00:17:31,160 Speaker 4: things in the atmosphere for me. Yeah, so it's like manifesting. 382 00:17:31,520 --> 00:17:33,800 Speaker 2: You feel like you've already proved people wrong, though, because 383 00:17:34,200 --> 00:17:36,600 Speaker 2: I think you are a lot further along than anyone 384 00:17:36,600 --> 00:17:38,240 Speaker 2: could have ever anticipated. 385 00:17:38,400 --> 00:17:40,760 Speaker 4: Yeah, and this is my first official project, so that's 386 00:17:40,880 --> 00:17:42,800 Speaker 4: I kind of proved them wrong because I did a 387 00:17:42,800 --> 00:17:44,400 Speaker 4: lot of things improve a lot of people wrong. 388 00:17:45,000 --> 00:17:48,240 Speaker 2: So when did you realize that this was going to 389 00:17:48,280 --> 00:17:50,600 Speaker 2: be it? Because sometimes when people are doubting you, or 390 00:17:50,640 --> 00:17:53,800 Speaker 2: things happen and there's setbacks, some people are like, I 391 00:17:54,160 --> 00:17:55,760 Speaker 2: this may be not for me. I don't know if 392 00:17:55,800 --> 00:17:57,719 Speaker 2: this is going to work out. Some people really do 393 00:17:57,760 --> 00:18:00,200 Speaker 2: give up. But when did you realize this is at 394 00:18:00,200 --> 00:18:00,760 Speaker 2: to really. 395 00:18:01,000 --> 00:18:04,920 Speaker 4: The first thing about me? My manager can tell it, 396 00:18:05,320 --> 00:18:07,600 Speaker 4: to tell them for coming to the studio more. I'm 397 00:18:08,800 --> 00:18:11,800 Speaker 4: I'm I never try to get comfortable. Never, never try 398 00:18:11,880 --> 00:18:15,320 Speaker 4: to get comfortable. Like the first time I felt like 399 00:18:15,600 --> 00:18:21,400 Speaker 4: this was it? It it it when wireless, if it's 400 00:18:20,400 --> 00:18:25,440 Speaker 4: on wireless. I did around ninety thousand people the festival. Yeah, yeah, 401 00:18:25,520 --> 00:18:29,440 Speaker 4: in the UK and every song that I sing them 402 00:18:29,520 --> 00:18:34,080 Speaker 4: know ah, like as the show, as the show finished, 403 00:18:34,960 --> 00:18:39,440 Speaker 4: just to that now need meant more music like it's good. Yeah. 404 00:18:39,480 --> 00:18:41,240 Speaker 4: I did a lot of shows before that, a lot 405 00:18:41,280 --> 00:18:43,480 Speaker 4: of shows fifty people twenty four. Yeah, I did. But 406 00:18:43,720 --> 00:18:48,439 Speaker 4: this feels different because you're different racist, different people. Like 407 00:18:48,800 --> 00:18:51,040 Speaker 4: knowing the song word for word, you gave me a 408 00:18:51,040 --> 00:18:53,240 Speaker 4: different feeling like I need to do more work, you know, 409 00:18:53,560 --> 00:18:56,960 Speaker 4: checking my DM sing like from Funs, telling me certain 410 00:18:57,000 --> 00:19:00,000 Speaker 4: things to motivate me, like you know it's crazy about 411 00:19:00,680 --> 00:19:01,919 Speaker 4: yeah from that time. 412 00:19:02,000 --> 00:19:03,719 Speaker 2: And you said this project is going to have some 413 00:19:03,760 --> 00:19:05,480 Speaker 2: type of R and B infusions in it. 414 00:19:05,760 --> 00:19:06,800 Speaker 1: Are you doing collabs? 415 00:19:06,920 --> 00:19:07,920 Speaker 4: Yeah, I'm doing collabs. 416 00:19:08,480 --> 00:19:09,840 Speaker 1: Can we get some tea? 417 00:19:10,240 --> 00:19:12,159 Speaker 4: Uh? Me and Friday have a collab? 418 00:19:13,880 --> 00:19:17,399 Speaker 1: Nice? I love Friday that it sounds so good. How 419 00:19:17,480 --> 00:19:18,399 Speaker 1: did you guys link up? 420 00:19:18,640 --> 00:19:22,240 Speaker 4: Well? Career want of the executive produce them on the project? 421 00:19:22,280 --> 00:19:24,959 Speaker 4: I don't know. Me and Friday, I was I've been 422 00:19:25,000 --> 00:19:28,480 Speaker 4: listening to Friday since album drop and I made a 423 00:19:28,520 --> 00:19:32,280 Speaker 4: link with Career and I went to Wireless. What it so? 424 00:19:32,359 --> 00:19:35,680 Speaker 4: We're coming intos though MAK trailer was right here in 425 00:19:35,760 --> 00:19:42,240 Speaker 4: this trailer was right here and. 426 00:19:40,000 --> 00:19:45,160 Speaker 1: And the energy this he's a good guy and super talented. 427 00:19:44,960 --> 00:19:47,679 Speaker 4: Very very talented. So I was trying to infuse like 428 00:19:47,720 --> 00:19:49,920 Speaker 4: the dance with his sons. Yeah. 429 00:19:50,320 --> 00:19:52,080 Speaker 2: How many people have reached out to you from the 430 00:19:52,119 --> 00:19:54,600 Speaker 2: States to try to do something, because I can't imagine 431 00:19:54,640 --> 00:19:55,440 Speaker 2: that it hasn't been a. 432 00:19:55,400 --> 00:19:58,800 Speaker 4: Lot like cash come in a lot of people like 433 00:19:59,359 --> 00:20:04,280 Speaker 4: what ooh one ear from like you, But illists do 434 00:20:04,440 --> 00:20:06,840 Speaker 4: chucks with them like I do stuff with them until 435 00:20:06,880 --> 00:20:08,720 Speaker 4: it works because you know their team. I'm still listen 436 00:20:08,760 --> 00:20:10,320 Speaker 4: to you, my team. I'm still listen to you to 437 00:20:10,359 --> 00:20:11,119 Speaker 4: make it work. You know. 438 00:20:11,400 --> 00:20:13,600 Speaker 2: Okay, I can see that. Well, I'm excited for you. 439 00:20:13,640 --> 00:20:16,160 Speaker 2: I'm excited for this project. I told you as soon 440 00:20:16,160 --> 00:20:18,679 Speaker 2: as I heard Ugly. I can tell you have a 441 00:20:18,680 --> 00:20:19,760 Speaker 2: good sense of humor too. 442 00:20:19,960 --> 00:20:20,400 Speaker 4: Yeah. 443 00:20:20,480 --> 00:20:21,760 Speaker 1: Yeah, and then you have your your. 444 00:20:21,760 --> 00:20:25,400 Speaker 2: Very tuned into what's going on in the Yeah, it's 445 00:20:25,480 --> 00:20:27,000 Speaker 2: just in general in everyday life. 446 00:20:27,320 --> 00:20:27,520 Speaker 1: Man. 447 00:20:27,560 --> 00:20:30,359 Speaker 2: Well, listen, I appreciate you for coming through. Like I said, 448 00:20:30,960 --> 00:20:32,520 Speaker 2: we had to make this happen. I know we were 449 00:20:32,560 --> 00:20:35,359 Speaker 2: back and forth with dates and everything, but I was like, Okay, 450 00:20:35,359 --> 00:20:36,120 Speaker 2: he's going to be in town. 451 00:20:36,160 --> 00:20:36,760 Speaker 1: We got to do it. 452 00:20:36,800 --> 00:20:39,600 Speaker 2: So congratulations on that. We'll make sure that we preview 453 00:20:39,640 --> 00:20:40,160 Speaker 2: that up here. 454 00:20:40,359 --> 00:20:42,040 Speaker 4: Yeah, me and the twenty three prove them wrong. 455 00:20:42,119 --> 00:20:44,280 Speaker 1: You know, made the twenty third prove them wrong. 456 00:20:44,320 --> 00:20:46,080 Speaker 2: You're going to prove us all well, I feel like 457 00:20:46,119 --> 00:20:47,480 Speaker 2: you've proven a lot already. 458 00:20:47,640 --> 00:20:48,480 Speaker 1: Can you feel that way? 459 00:20:49,080 --> 00:20:50,240 Speaker 4: Keep proving, thanks bro. 460 00:20:50,680 --> 00:20:53,320 Speaker 2: Yeah, I cannot listen. And remember we're all a work 461 00:20:53,359 --> 00:20:55,920 Speaker 2: in progress. So you know, I don't think either one 462 00:20:55,920 --> 00:21:02,400 Speaker 2: of you is cut out for polygamy. Beyond that, good 463 00:21:02,480 --> 00:21:03,000 Speaker 2: luck guys. 464 00:21:03,119 --> 00:21:04,920 Speaker 1: All right, but no, but thank you. I appreciate it 465 00:21:07,480 --> 00:21:08,000 Speaker 4: Way up