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Speaker 1: Philadelphia, We will be live in your city July twenty

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Speaker 1: fifth at City Wannery. Ironically, I just want to let

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Speaker 1: you guys know, Rocky is my favorite movie. I love

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Speaker 1: that one with Mark Wahlberg where he's like a bartender

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Speaker 1: and then he makes the Philadelphia Eagles. Everything to do

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Speaker 1: with Phillya is my favorite in the entire world. That

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Speaker 1: was a rock movie. Well, now I was Rocky and

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Speaker 1: then the Mark Wahlberg won where he plays for the Eagles.

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Speaker 1: Those are my two favorite movies ever. Yeah, so you know, Philadelphia,

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Speaker 1: We Love You. Tickets available now Newroamont dot com. Get them.

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Speaker 2: All right. We got a situait.

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Speaker 1: The guy I will their head. Yeah. Walking in on

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Speaker 1: a Monday morning to see Pege at his desk with

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Speaker 1: two honey packs just chilling to the left to him

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Speaker 1: was not how I thought we were going to start

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Speaker 1: this weekend and didn't know what they were. He claimed

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Speaker 1: he thought it was sunscreen, so you know, he rub

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Speaker 1: rubbed it into his pores and now he's bricked up.

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Speaker 1: You can't understand why he was hitting the key so hot.

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Speaker 1: The back of the honey pack says last for forty

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Speaker 1: eight hours. Peage had two of them. He's gonna be

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Speaker 1: bricked up for four days. That's wow. What was the

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Speaker 1: last time you guys took a honey pack? What was

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Speaker 1: your last worst headache?

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Speaker 3: It's been a while, bro, Like that's why I can't

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Speaker 3: do shit like that, like the gas station ship, and

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Speaker 3: I can't.

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Speaker 1: I was never into that. I was late to the party.

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Speaker 1: I used to like laugh at people that did that,

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Speaker 1: And then I tried a honey pack and I was like,

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Speaker 1: I see what the hype is about. I was in

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Speaker 1: there performing like an amateur adult film star. So now

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Speaker 1: you understand why Barry bonds. I understood back then he

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Speaker 1: doesn't deserve an asterisk. Ope, and it's just the record.

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Speaker 1: He's a Hall of fame. But take the ash. Shorty

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Speaker 1: didn't put an asterisk next to my name after that. She didn't,

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Speaker 1: you know, I don't think she knew I was juicing though,

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Speaker 1: And I think she just thought this was the experience.

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Speaker 3: She oh, yeah, buy me, and she finds out on

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Speaker 3: her phone she gonna have to put amoji next to

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Speaker 3: your name. Now, that's like the ashes to put amoji, Like, yeah,

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Speaker 3: he was on that honey pack, like the.

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Speaker 1: Little honey emoji. You don't think I like a honey jar.

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Speaker 4: Molds they have a honey jar.

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Speaker 1: Yeah. I always thought the Break of Pelvis saw some

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Speaker 1: some douce in a honeypack.

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Speaker 4: That's a nasty cocktail.

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Speaker 5: I thought it. I thought it was a small paint samples.

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Speaker 6: When I saw them on the desk, it looked like

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Speaker 6: little mini tubes of paint.

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Speaker 7: Well, yeah, because it's like off, it's like brand X,

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Speaker 7: it's not like official honey pack.

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Speaker 1: I really thought they were peages. And then he said,

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Speaker 1: you know, by the way, those really aren't mine. He

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Speaker 1: was just going along with the jokes. And then we

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Speaker 1: find out that these honey packs were found in my

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Speaker 1: merch boxes. Like they sent you too, Grit who was

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Speaker 1: who was packing up my album merch and just dropped

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Speaker 1: two honey packs next to the socks and slides by.

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Speaker 4: Accident they heard you was having trouble.

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Speaker 1: You out. That's a good merch friend, right there, merchant.

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Speaker 1: I could just buy one of these for five dollars. Yeah,

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Speaker 1: like I didn't across the street. You can get them anywhere.

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Speaker 1: It's not at all. You don't have to send it

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Speaker 1: in the shipment from La Yo. One of the worst

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Speaker 1: headedches I've ever had is office. Oh black bull extremes.

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Speaker 6: Yeah, this looks like paint. I thought this was someone

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Speaker 6: came in here and was doing some detailing over the weekend.

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Speaker 1: He thought that was something to put in your beard.

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Speaker 1: Beaig is beig peppermint tea. He thought that was Beijing

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Speaker 1: to go.

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Speaker 3: When you're out on lunch and a little bit when

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Speaker 3: you're out at lunch and a little bit of grays

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Speaker 3: get in the way.

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Speaker 5: Yeah, it's like one Jing to Go.

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Speaker 1: Once I gave in and tried one of these, it

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Speaker 1: really was because I wanted to even playing field. Once

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Speaker 1: I found out all my competition was juicing, I was like,

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Speaker 1: I got it, joined how'd you find that out? Girls

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Speaker 1: were just telling me that, yeah, it's a regular thing

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Speaker 1: for God to take honey packs. I was like, I

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Speaker 1: kind of thought that was like a joke on Twitter.

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Speaker 1: Y'all really be taking gas station honey packs before you

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Speaker 1: go fuck? Yeah. And then I took the one and

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Speaker 1: I said, I get.

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Speaker 3: All these little young dudes. They perked up, pilled up,

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Speaker 3: They can't get hard. They wrecked out the dysfunction at

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Speaker 3: twenty three years old.

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Speaker 1: That's crazy, man. Now they need this.

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Speaker 3: All they do is ship koonyak and pot perks all day.

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Speaker 3: No circulation, blood ain't flowing. Haven't done a jumping jack

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Speaker 3: in six months, six years from my heart attack, heart disease, diabetes.

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Speaker 3: You know, fucking take a honey pack, ozamp in the pack. Yeah,

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Speaker 3: take miss he was naming man, what is misso thelioma?

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Speaker 1: What is that? That sounds Spanish? You get that dyking

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Speaker 1: probably you could probably get that to go on, dykeman,

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Speaker 1: sounds like a Dominican gang. Oh it's a cancer?

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Speaker 3: Is that from like the forms and authent tissue of

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Speaker 3: the lines of many of your internal organs? Okay, yeah,

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Speaker 3: some niggas out there with mister deleoma for sure.

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Speaker 1: But you just take a little honeypack, you'd be all right. Yeah,

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Speaker 1: you'll get through. You'll get through that messo through to me.

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Speaker 1: So Mysa is gonna stop me for fucking no? Got

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Speaker 1: the boll rory?

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Speaker 4: Am I dark in than mall?

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Speaker 8: Now?

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Speaker 3: Yo, themarriage is a wild question. Why do you ask

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Speaker 3: me that? No, she asked peached that. Let me let

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Speaker 3: me state the whole ship for you earlier. So themarage

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Speaker 3: I walked in the marriage like your mom black and you.

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Speaker 3: I thought maybe she probably went to like, you know,

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Speaker 3: one of those retreats and found out like her roots. Okay, dope,

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Speaker 3: she said, noa, I got a ten. I'm like, oh, okay,

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Speaker 3: you sat out in the sun.

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Speaker 1: This week and it was nice. Okay, I get it. Well.

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Speaker 1: I saw her ig real that she posted this morning,

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Speaker 1: and I thought it was like one of those travel girls,

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Speaker 1: like not a girl. I even follow it's the four

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Speaker 1: you paide ship and then I look at the act

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Speaker 1: and it's Demeris. Well, you was at some private rooftop pool. Yeah,

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Speaker 1: like ass naked.

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Speaker 9: I was not ass naked. I kind of looked like

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Speaker 9: it at first. And see how quick that cut was.

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Speaker 9: I thought you were ass naked.

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Speaker 6: No.

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Speaker 4: And also I'm in Brooklyn. That's Brooklyn.

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Speaker 6: Look at you.

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Speaker 1: No, that's.

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Speaker 7: Downtown. My rooftop is downtown Brooklyn. It has a view

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Speaker 7: of the city, so this is your building. No I

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Speaker 7: live anyway. Long story short, I'm darker than Moll. I'm

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Speaker 7: now the darkest person on this podcast, and I like

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Speaker 7: to be acknowledged.

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Speaker 3: As But you're not, though, PGI local white resident uh

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Speaker 3: Measurer of Melon Melanin. He confirmed that you, in fact

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Speaker 3: are not, if anything, the same color now, but definitely

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Speaker 3: not darker.

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Speaker 1: But you look good though, like you laid out got

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Speaker 1: some good son. Well, I mean I went to the shore.

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Speaker 1: Do I look a little Yeah, you look a little darker,

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Speaker 1: litt a little truth, a little little more freckles on

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Speaker 1: my arm. Yeah, I was. I was outside for a

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Speaker 1: little bit. I went to the Jersey Shore. When you

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Speaker 1: say if a little even like seventeen minutes, No, like

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Speaker 1: I was under like a canopy, like my feet were

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Speaker 1: kind of outside. You know what I don't buy.

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Speaker 3: You know, the bucket has to come with a little

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Speaker 3: umbrella on it. Yeah, of course I'm gonna get you

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Speaker 3: one of those. I need one of those, like help

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Speaker 3: you out so you can to just walk the streets

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Speaker 3: to the stay outside a little longer. Get your little

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Speaker 3: bucket had with the umbrella on top of it.

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Speaker 1: Yeah, went down to Jersey Shore for the day just

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Speaker 1: to uh kick it on the beach in the shade.

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Speaker 1: Ran into Jaywiw's ex husband, So you know, I got

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Speaker 1: the full experience of Jersey Shore. Yeah, you got to

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Speaker 1: see somebody from the Jersey The moment you cross that bridge,

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Speaker 1: you just run into all of the VH one Superstars alumni. Yeah,

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Speaker 1: he was sitting right next to us at the table.

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Speaker 1: I didn't want to make a big deal about it. Yeah,

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Speaker 1: thought about asking him for a picture, because you know

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Speaker 1: that's like bucket lists. Yeah, there's only a few people

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Speaker 1: I'd ask for a picture. Guys were comparing tattoos, and

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Speaker 1: it would be it'd be Rog. Yeah, shout out to Rog.

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Speaker 1: How was the How was it sure packed? No, it

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Speaker 1: actually was surprisingly not as crazy as I thought it

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Speaker 1: was going to be. But it was fun, just funt

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Speaker 1: quick day trip. I got to hang in the pool

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Speaker 1: for a while, so it was fun. I'm glad that

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Speaker 1: little heat wave we had his table off. Oh my god.

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Speaker 1: People don't understand this New York heat in the summertime.

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Speaker 1: The humidity, it's not you can't really enjoy yourself outside, no,

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Speaker 1: like because your back is soaking wet. Yeah, you know

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Speaker 1: what I mean, Like you just hot.

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Speaker 3: You know, everybody's kind of like got that little summer smells.

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Speaker 1: Just everybody's arms. Think like, you know what I mean, it's.

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Speaker 5: Just like the arms.

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Speaker 6: If that thing heats up, it cooks the trash that's

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Speaker 6: sitting in the streets. Oh man, smells like you walked in.

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Speaker 3: Trash from the sidewalks is like somebody, it's a body

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Speaker 3: in here, somebody should check it.

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Speaker 1: Just walking around with a wet lower back, just nasty,

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Speaker 1: and sit down on the train and then all the

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Speaker 1: sweat hits your shirt and.

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Speaker 7: Then everybody has a dog and the hot dog urine.

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Speaker 7: Everybody has a fucking dog, and I'm over it.

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Speaker 1: COVID.

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Speaker 3: It needs to rain. We need like two days of

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Speaker 3: rain right now. The sidewalks are dirty and stink, the

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Speaker 3: streets of stink.

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Speaker 1: Oh you you are officially old and one of those

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Speaker 1: people that looks outside and goes, yeah, we needed this rain.

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Speaker 1: This rain man.

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Speaker 3: I love when that guy at the screen door, Oh yeah, yeah,

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Speaker 3: one hundred percent. Definitely.

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Speaker 1: I'll lean into all of that ship now, Roy, you

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Speaker 1: have no idea. I can't.

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Speaker 3: I'm about to start planting ship. Oh yeah, I'm near,

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Speaker 3: I'm near the marriage. I'm planning, I'm getting soils. I'm

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Speaker 3: doing all of that ship.

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Speaker 1: I could see you being one of those because you

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Speaker 1: are so far right now. You're you're like one one

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Speaker 1: Fox News episode away from growing your own food. For sure,

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Speaker 1: as you think the apocalypse is coming if Biden comes

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Speaker 1: back in so I get it. You have your own garden.

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Speaker 3: If Biden comes back, I'm leaving for shure. We can't

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Speaker 3: do four more years.

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Speaker 1: We we got a lease here. No, I'm gone. We

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Speaker 1: have a lease here, still going gone.

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Speaker 3: I'm out of here. I can't do it, No fucking way,

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Speaker 3: not four more.

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Speaker 1: Did you do anything over the weekend? No, I didn't

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Speaker 1: do much.

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Speaker 6: I was.

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Speaker 3: I mean, I did local ship, went uptown, saw my

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Speaker 3: cousins and ship and haul them and that was it.

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Speaker 1: I ain't do too much.

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Speaker 3: I was in the hood, chilling, Okay, Yeah, I didn't

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Speaker 3: didn't check in with anyone, showed up in.

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Speaker 1: Yeah, check my pops, like checked in with my dad,

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Speaker 1: you know, like that. He gave you a pass.

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Speaker 3: He did, in fact give me a b He was like,

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Speaker 3: I'm good up here in these streets. You know what

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Speaker 3: I'm saying. He was like, it's a little shaky right now,

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Speaker 3: but everything is good.

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Speaker 1: Who is your favorite character in Jersey Shore?

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Speaker 3: My favorite character in Jersey Shore. I like I like No,

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Speaker 3: I like I like uh, what's the what's the uh?

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Speaker 1: The Italian?

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Speaker 3: I like pauly D and I like Uh. I like

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Speaker 3: Jay Wild. I like Snooky too, though I like Snookie.

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Speaker 1: I like Snooky so so if he was with me

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Speaker 1: at the shore, you would have steped Roger because jay Wile'

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Speaker 1: is your one.

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Speaker 3: No no, no, And I like that. I ain't stepping

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Speaker 3: in nobody step dislike. I like I like Ji because

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Speaker 3: Jay wile she kind of always seemed like she wasn't

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Speaker 3: with the messy bullshit. She always seemed like the mediator,

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Speaker 3: like she was always the one after the bullshit goes down.

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Speaker 1: With this cast and crew. Yes, anyone could look like

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Speaker 1: they're not with the message ship just by saying, hey,

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Speaker 1: everyone calmed down once.

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Speaker 3: Yeah, that's all you have to do. But I like

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Speaker 3: Snooky too. Snooky was cool. But I like I like

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Speaker 3: pauly d And and Vinnie.

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Speaker 1: That was one of the greatest reality TV shows ever.

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Speaker 6: I like it.

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Speaker 1: I know it embarrassed Italians and they hated it, and

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Speaker 1: it's not Jersey culture fuck on that. That show was

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Speaker 1: fucking hilarious. You know. It was one of the greatest,

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Speaker 1: amazing cinema.

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Speaker 3: One of the greatest shows ever. And I loved I

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Speaker 3: love like where everybody is at.

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Speaker 1: NAP how far the situation listen and say what you

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Speaker 1: want about the situation. He was ten to's did his

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Speaker 1: time like a man. No one went down with him.

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Speaker 1: Now he's raising his kids. That's a man right there. Yeah,

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Speaker 1: that's a man. Look at him, beautiful.

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Speaker 5: He used to call whomen grenades every night. Now look

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Speaker 5: at him.

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Speaker 1: Look at them alms full of two daughters. That's what

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Speaker 1: life is, man. They would just get drunk, not get pussy,

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Speaker 1: and then just knock anyone out around them. What was

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Speaker 1: the producers were like, now, you can't bring girls back.

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Speaker 1: It's liker. I wan to knock someone out. Then what

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Speaker 1: was they thing?

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Speaker 3: Jim laundry and tan gtl GTL Jim tannel laundry.

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Speaker 6: That was pauly d had some classics.

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Speaker 1: He's probably like a multi multi multi millionaire, right because

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Speaker 1: he had like a real profession outside of it. Didn't

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Speaker 1: you have a Vegas residency?

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Speaker 5: Yeah, DJ's a lot.

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Speaker 1: Yeah, that was set up for him to be a star.

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Speaker 1: No DJ. After the show, they definitely.

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Speaker 3: Did what they were supposed to do with that platform

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Speaker 3: as far as like everything after.

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Speaker 6: That, he looks exactly the same. He's forty three, looks

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Speaker 6: good man. He looks exactly the same. Air Jel just wonders.

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Speaker 1: Jim tanned laundry. The Fellas would go to the tanning

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Speaker 1: bed when they lived at the beach. That was always

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Speaker 1: funny to me. They didn't even have to go You're

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Speaker 1: Italian and you're at the beach, they just go outside.

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Speaker 1: They didn't even have to go to the beach.

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Speaker 3: They had a beautiful deck, Like they could have just

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Speaker 3: chilled at the crib, you know what I mean.

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Speaker 7: Like, but that doesn't make you orange. You gotta go

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Speaker 7: get the orange tan.

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Speaker 1: Yeah, but that's what they're trying to get. Don't like

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Speaker 1: Italians have that night. It's like olive ten. Why don't

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Speaker 1: you want to have that? They want the obnoxious bullshit?

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Speaker 6: Yeah, because if they're Italian with the American cut, they're

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Speaker 6: not really Italian.

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Speaker 1: Got what the American cut?

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Speaker 6: Yeah?

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Speaker 1: Would you ever date a girl that was on one

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Speaker 1: of those shows Dawn Like? They were young? They were

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Speaker 1: in their twenties Jersey Shore, Yeah, or show like it.

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Speaker 4: They were like twenty two twenty one. They were young.

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Speaker 1: I think Vinnie was like seventeen. He was like a

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Speaker 1: miner on that show. No, he was. He couldn't go

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Speaker 1: to like the club for the first six seasons.

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Speaker 7: Shout out to Vinnie. Vinnie also, yeah, shout out to Vinnie.

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Speaker 7: Everybody knows why, but shout out of Vinnie.

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Speaker 1: Oh because he has a big dick? Why yeah? Hold yeah,

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Speaker 1: First of all, no, no, you guysn't wrong with the honey pop.

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Speaker 1: How do you know that? Because I watched the show

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Speaker 1: and that was a big thing. That's clearly what you know?

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Speaker 1: You know what else about Vinnie? If you know, you know.

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Speaker 4: He exclusively dates black women?

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Speaker 1: That oh I don't know that he didn't he fock snookie,

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Speaker 1: that's TV.

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Speaker 4: But in real life he's only been caught with black women.

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Speaker 10: But caught he can't bring he can't bring him back

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Speaker 10: to that. Now you're caught, you like you like black women?

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Speaker 10: You caught, We caught you with a black woman?

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Speaker 1: Vinnie. Yeah, I did not know that was the thing

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Speaker 1: with Vinnie. I was in an elevator with Vinnie at

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Speaker 1: the Mandre on like three or four La trips Ago,

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Speaker 1: just the two of them.

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Speaker 5: You look down.

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Speaker 1: I mean I may have peaked at the end scene

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Speaker 1: to see if the rumors were true.

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Speaker 6: All right, I'm not a math person, but he's thirty six. Now,

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Speaker 6: this show aired in two thousand and nine, so how

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Speaker 6: old was here?

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Speaker 1: Yeah, seventeen years ago. I can't read nineteen all right, so,

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Speaker 1: yeah he was underage. No, that was fifteen years ago, right, Yeah,

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Speaker 1: he's thirty six.

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Speaker 6: Thirty six, so he was twenty one.

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Speaker 1: I never really kept up with it once they went

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Speaker 1: to like Italy and did the reunions and all that.

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Speaker 1: But first two seasons, yeah, I was watching everything.

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Speaker 3: No, this was one of those shows that is by

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Speaker 3: far the cult classic, one of the biggest reality shows ever.

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Speaker 3: But they would you know, they set up a bunch

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Speaker 3: of other shows off spins, different Jersey Shore reunions and

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Speaker 3: things like that. This is a the Jersey Shore brand

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Speaker 3: is huge.

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Speaker 1: There was nothing funny about Snookie getting her like clocked cleaned,

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Speaker 1: but imagine someone airing that on TV.

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Speaker 5: Now, Oh that was crazy. She got she got rot.

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Speaker 1: And then I remember, like the guy that did his

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Speaker 1: dad was complaining to some newspaper that like, his son

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Speaker 1: can't get a job now and they ruined his life

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Speaker 1: and it's not fair you knocked a woman clean out

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Speaker 1: at the bar on television. Yeah. I don't think the

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Speaker 1: system is the problem here. I think it might be

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Speaker 1: your raging alcoholic son.

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Speaker 4: Good morning violence against women. If you're watching this on YouTube, and.

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Speaker 1: I'm sure they know what we're talking about Yeah, I

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Speaker 1: feel like this is one of the first virals.

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Speaker 6: Like, oh, they did edit out that well when it aired,

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Speaker 6: they showed it like fifteen times. They played that shit back.

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Speaker 6: That was the commercial it was. They brought in the

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Speaker 6: guy from Sports science, Max Kellerman.

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Speaker 1: A breakdown of it.

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Speaker 6: They brought in the guy from sports But yeah, now

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Speaker 6: it's now it's very diff for different world.

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Speaker 7: I started, as it should be a different world. I

360
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Speaker 7: started the Bear yesterday.

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Speaker 2: Bear.

362
00:15:06,760 --> 00:15:09,400
Speaker 4: No, you guys never seen the Bear, none of you.

363
00:15:09,200 --> 00:15:11,920
Speaker 6: No, it's the Jeremy all and White. That that actor

364
00:15:12,000 --> 00:15:13,640
Speaker 6: that cooking show in Chicago.

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Speaker 1: Oh, I see, he's a mean like all the time. Yeah,

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Speaker 1: he's constantly I mean, but he's always exhausted. I don't.

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Speaker 1: I feel like he was.

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Speaker 5: A part of the rap Boy summer. Look, we talked

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Speaker 5: about that on Patreon.

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Speaker 1: Gotcha, it's so good.

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Speaker 7: Like I was trying to figure out what to watch next.

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Speaker 7: I was gonna do the Sopranos, but I remember Mal

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Speaker 7: said that I should wait for him.

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Speaker 4: So I'm waiting for mall.

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Speaker 1: So you're gonna be waiting for quite some time to

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Speaker 1: watch the Sopranos. Yeah, so we started this week. We're

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Speaker 1: gonna started this week. Okay, was going to whose House?

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Speaker 4: Episodes one through four?

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00:15:38,720 --> 00:15:39,800
Speaker 1: Episodes one through.

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Speaker 7: One through four, we're doing this week, We're gonna watch

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Speaker 7: all four episode four episodes the Sopranos.

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Speaker 1: Yeah, you know there's more than four episodes. I know.

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00:15:45,680 --> 00:15:47,840
Speaker 4: I'm saying this week, watch four episodes.

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Speaker 5: Are you gonna watch that together? You're going out? Like

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Speaker 5: are you going to be like a FaceTime Okay, one, two, three?

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00:15:52,720 --> 00:15:54,520
Speaker 4: Hip, You're gonna watch it separately? And I'll text him

387
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Speaker 4: and say, oh, you saw that.

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Speaker 1: That's crazy, But Mall has already seen it, so we

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Speaker 1: can pretend to be watching it over.

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Speaker 4: I've seen this, Oh I've I've never seen it.

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Speaker 3: Yeah, but I don't mind, Like the Sopranos are such

392
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Speaker 3: a great show, I don't mind watching it from the beginning,

393
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Speaker 3: like like I just did with Picky Blonde Is. I

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Speaker 3: just watched that again for the you know, like probably

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Speaker 3: the third time.

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Speaker 1: I made Kia watched the entire series, and I watched

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Speaker 1: every episode with her willingly amazing.

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Speaker 4: That's what I do with rais Anatomy.

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Speaker 3: So I'm trying to find some new shows though, like

400
00:16:17,320 --> 00:16:19,240
Speaker 3: I'm trying to find watch the Bear. I know you

401
00:16:19,360 --> 00:16:22,360
Speaker 3: told me to start House of Dragon. I didn't, well,

402
00:16:22,400 --> 00:16:23,240
Speaker 3: I'm going to start that.

403
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Speaker 1: I wasn't really in like a magical move this weekend,

404
00:16:25,360 --> 00:16:27,400
Speaker 1: but it did cross my mind that I not magic.

405
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Speaker 1: Tell Dumeris that I would watch that. Yeah, I gotta

406
00:16:29,560 --> 00:16:32,000
Speaker 1: start House. I thought it was like the pret magic

407
00:16:32,040 --> 00:16:34,800
Speaker 1: in it. It's not like so it's before magic and

408
00:16:34,840 --> 00:16:36,760
Speaker 1: then the magic came for Game of Thrones.

409
00:16:37,040 --> 00:16:39,040
Speaker 4: There was no magic in Game of Thrones. It's not

410
00:16:39,080 --> 00:16:39,720
Speaker 4: Harry Potter.

411
00:16:40,360 --> 00:16:42,239
Speaker 1: It's just there's But there's dragons.

412
00:16:42,640 --> 00:16:46,440
Speaker 7: Yeah, that's the only dragons. Dragons are not magical. Okay,

413
00:16:46,560 --> 00:16:46,880
Speaker 7: they're not.

414
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Speaker 1: That was not real.

415
00:16:49,400 --> 00:16:49,960
Speaker 4: That's fine.

416
00:16:50,520 --> 00:16:55,200
Speaker 1: You don't believe in dragons. I mean Cisco, yeah, he

417
00:16:55,320 --> 00:16:59,960
Speaker 1: is the dragon. But other than that, no, I mean

418
00:17:00,120 --> 00:17:03,640
Speaker 1: maybe they existed at one point. I don't need someone

419
00:17:03,640 --> 00:17:06,080
Speaker 1: on TikTok telling me the real history of them again,

420
00:17:06,080 --> 00:17:08,000
Speaker 1: because you already know where I stayed with dinosaurs. Yeah,

421
00:17:08,040 --> 00:17:09,520
Speaker 1: aren't they kind of similar?

422
00:17:09,880 --> 00:17:11,800
Speaker 4: Kind of yeah, fire breathing dinosaurs.

423
00:17:11,880 --> 00:17:13,800
Speaker 1: Is there a conspiracy that I missed that dragons were real?

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00:17:13,840 --> 00:17:16,960
Speaker 1: And this wasn't something that some author made up? Because

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00:17:16,960 --> 00:17:18,520
Speaker 1: I'm on the side that magic was real at one

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00:17:18,560 --> 00:17:19,320
Speaker 1: point and still.

427
00:17:19,119 --> 00:17:22,520
Speaker 4: Is magic is real. I don't think dragons really real.

428
00:17:23,080 --> 00:17:24,200
Speaker 1: What do you mean magic is real?

429
00:17:24,320 --> 00:17:25,000
Speaker 4: Magic is real.

430
00:17:25,560 --> 00:17:27,040
Speaker 1: I believe it like I think there was someone on

431
00:17:27,080 --> 00:17:29,200
Speaker 1: the grassy No, but I also believe in the magic bullet.

432
00:17:30,240 --> 00:17:30,840
Speaker 1: Magic is real.

433
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Speaker 5: Man, they shot his ass in the face.

434
00:17:33,280 --> 00:17:35,919
Speaker 1: Well, manipulation is spun around, that's what magic is.

435
00:17:36,320 --> 00:17:38,160
Speaker 7: You don't so you don't believe in magic at all,

436
00:17:38,600 --> 00:17:42,080
Speaker 7: like any type of magic. Autumn Spanish girls, you doundated

437
00:17:42,119 --> 00:17:44,400
Speaker 7: autumn corner stores. You don't went into with them. Santaia

438
00:17:44,440 --> 00:17:46,440
Speaker 7: Kando's growing up in the Bronx. You're telling me you

439
00:17:46,440 --> 00:17:47,240
Speaker 7: don't believe in magic.

440
00:17:48,080 --> 00:17:48,320
Speaker 1: M hm.

441
00:17:48,400 --> 00:17:50,840
Speaker 5: Yeah, but just because those things exist doesn't mean that they're.

442
00:17:51,440 --> 00:17:53,760
Speaker 3: And I think they only work when you believe in it,

443
00:17:53,880 --> 00:17:57,639
Speaker 3: like Matilda, So then it's real. Well not to me

444
00:17:58,640 --> 00:18:01,159
Speaker 3: saying if you think magic is real and maybe some

445
00:18:01,200 --> 00:18:03,360
Speaker 3: ship will work on you, I don't think if David

446
00:18:03,400 --> 00:18:04,919
Speaker 3: Blaine came in here and starts spitting.

447
00:18:04,680 --> 00:18:06,320
Speaker 1: Up frogs in front of me, I wouldn't be But

448
00:18:06,359 --> 00:18:09,520
Speaker 1: that's that's not magic. That was just like performative art.

449
00:18:09,600 --> 00:18:10,159
Speaker 1: That's wild.

450
00:18:10,880 --> 00:18:13,000
Speaker 6: Yeah, he's more of an endurance He's more of an

451
00:18:13,119 --> 00:18:18,280
Speaker 6: endurance performer. Yeah, his stunts are more extreme physical bouts

452
00:18:18,400 --> 00:18:20,480
Speaker 6: rather than like whatever.

453
00:18:20,600 --> 00:18:22,840
Speaker 1: Wasn't a magician, the greatest magician ever.

454
00:18:22,960 --> 00:18:24,840
Speaker 4: Okay, so when we're okay, when we were talking.

455
00:18:24,600 --> 00:18:26,680
Speaker 1: About magic, a bay rute to me he didn't go

456
00:18:26,720 --> 00:18:30,200
Speaker 1: against the best competition. Like that's true, there were not We're.

457
00:18:30,000 --> 00:18:32,399
Speaker 7: Not talk about angel magic. Oh my god, there's a

458
00:18:32,560 --> 00:18:34,680
Speaker 7: rabbit behind my ear, like we're not. We're not talking

459
00:18:34,680 --> 00:18:40,120
Speaker 7: about that kind of magic. We're talking about magic, voodoo, whoodoo,

460
00:18:41,840 --> 00:18:44,080
Speaker 7: those type of like magics.

461
00:18:45,240 --> 00:18:47,400
Speaker 1: I don't believe in that ship. Well, you believe in dragons,

462
00:18:47,800 --> 00:18:50,280
Speaker 1: tell me that theory. When were the dragons here? I

463
00:18:50,320 --> 00:18:51,840
Speaker 1: don't believe in dragons. Oh, I thought you were trying

464
00:18:51,840 --> 00:18:52,920
Speaker 1: to tell me that. You would look at me like

465
00:18:52,920 --> 00:18:55,120
Speaker 1: you don't believe in dragons. Not never crossed my mind

466
00:18:55,119 --> 00:18:56,120
Speaker 1: to believe. I thought you did.

467
00:18:56,560 --> 00:19:01,119
Speaker 3: No, you look like a dragon believer, Drew Hill. And

468
00:19:01,119 --> 00:19:04,320
Speaker 3: that's why or your wall growing up, for sure.

469
00:19:05,280 --> 00:19:07,200
Speaker 4: But you said you were looking for something new to watch.

470
00:19:07,400 --> 00:19:08,120
Speaker 1: Yes, I am bear.

471
00:19:08,200 --> 00:19:10,600
Speaker 4: Everybody told me to watch the Bear. I went into it.

472
00:19:11,160 --> 00:19:13,840
Speaker 7: I'm not knowing what to expect other than the Jeremy

473
00:19:13,840 --> 00:19:14,920
Speaker 7: Allen White memes.

474
00:19:15,200 --> 00:19:17,240
Speaker 4: And it's an amazing show. I love it so much.

475
00:19:17,320 --> 00:19:19,480
Speaker 7: It will give you anxiety if you're not a person

476
00:19:19,520 --> 00:19:21,399
Speaker 7: that's used to chaos, But I like it a lot.

477
00:19:21,520 --> 00:19:21,840
Speaker 2: Have y'all.

478
00:19:22,040 --> 00:19:26,240
Speaker 3: Have y'all watched Natalie Nun showing zeus baddies. Have y'all

479
00:19:26,240 --> 00:19:26,600
Speaker 3: seen it?

480
00:19:27,119 --> 00:19:29,320
Speaker 1: I have some clips here. That is the sickest shit

481
00:19:29,359 --> 00:19:33,120
Speaker 1: on TV by far. I'm away. They just on their fighting. Yeah.

482
00:19:33,119 --> 00:19:35,040
Speaker 1: I had a striper friend that put me onto that show,

483
00:19:35,080 --> 00:19:37,119
Speaker 1: and I was judging her at first, and then I

484
00:19:37,160 --> 00:19:38,720
Speaker 1: watched a few clips and I was like, this is

485
00:19:38,720 --> 00:19:40,600
Speaker 1: the show. It was the funniest show on telling her

486
00:19:40,640 --> 00:19:44,280
Speaker 1: I watched the whole first season. I'm on season two.

487
00:19:45,359 --> 00:19:48,320
Speaker 1: They just get y'all what's up and just starting telling

488
00:19:48,320 --> 00:19:49,160
Speaker 1: me you don't believe the magic.

489
00:19:49,960 --> 00:19:53,000
Speaker 3: When Natalie Nne is doing that Zoos's magic, I'm like, wait,

490
00:19:53,119 --> 00:19:57,520
Speaker 3: So there's no storylines. These girls just follow each other

491
00:19:57,560 --> 00:19:59,520
Speaker 3: on social media or they know each other's social media.

492
00:20:00,600 --> 00:20:03,200
Speaker 3: She said something slick, and now she's in the house,

493
00:20:03,520 --> 00:20:05,320
Speaker 3: so I'm trying to see what's up, Like she tweeted

494
00:20:05,359 --> 00:20:07,879
Speaker 3: something crazy, and it's like as soon as the chicks

495
00:20:07,880 --> 00:20:09,080
Speaker 3: walk in, they say hello.

496
00:20:09,720 --> 00:20:11,240
Speaker 1: You got to see the casting call that.

497
00:20:11,200 --> 00:20:15,520
Speaker 3: They just did with Natalie Nunn Shincia and I forgot

498
00:20:15,520 --> 00:20:18,919
Speaker 3: the other reggae artist's name, but like chicks was just

499
00:20:18,920 --> 00:20:20,160
Speaker 3: coming in there and they was like, yo, you want

500
00:20:20,160 --> 00:20:21,240
Speaker 3: to get in the house. They'd be like yeah, they

501
00:20:21,359 --> 00:20:23,800
Speaker 3: like fight her right now, and they just start swinging

502
00:20:23,840 --> 00:20:26,879
Speaker 3: on each other. I'm like, wait, this is TV. This

503
00:20:26,960 --> 00:20:29,000
Speaker 3: is like, this is what's going on on TV right now.

504
00:20:29,160 --> 00:20:31,640
Speaker 1: I mean, this is like squid Game but reality TV

505
00:20:31,760 --> 00:20:32,160
Speaker 1: versus BRO.

506
00:20:32,280 --> 00:20:35,640
Speaker 3: They are just I don't think you understand. There's no storylines.

507
00:20:35,720 --> 00:20:37,359
Speaker 3: They just like, yo, you looking at me?

508
00:20:37,440 --> 00:20:37,800
Speaker 1: Funny?

509
00:20:38,160 --> 00:20:40,680
Speaker 3: I think you are you jealous? And they just start

510
00:20:40,720 --> 00:20:43,840
Speaker 3: scrapping and that's just the show. And the Nally comes

511
00:20:43,880 --> 00:20:46,399
Speaker 3: in and says it shot a clock, they take a shot,

512
00:20:46,760 --> 00:20:47,520
Speaker 3: they fuck hit me.

513
00:20:48,359 --> 00:20:50,680
Speaker 1: I'm like, yo, wait, how did I get in this house? Yeah?

514
00:20:50,720 --> 00:20:52,480
Speaker 1: I'm like, yo, what is Natalie nothing doing?

515
00:20:52,520 --> 00:20:54,520
Speaker 3: And it's like this is the thing though, like and

516
00:20:54,560 --> 00:20:57,560
Speaker 3: it's like this season you could tell the production budget

517
00:20:57,600 --> 00:20:59,720
Speaker 3: is bigger, which means somebody cut a big check.

518
00:21:00,080 --> 00:21:01,400
Speaker 1: Like people are in tuned this ship.

519
00:21:01,440 --> 00:21:03,520
Speaker 3: But it's just like all these girls are doing is

520
00:21:03,560 --> 00:21:04,479
Speaker 3: straight up fighting.

521
00:21:04,560 --> 00:21:09,880
Speaker 1: Wait, they got the goat Krashan Rock yeah, Oh, she's

522
00:21:09,920 --> 00:21:10,440
Speaker 1: ready to fight.

523
00:21:11,160 --> 00:21:11,760
Speaker 5: She got on.

524
00:21:12,880 --> 00:21:16,080
Speaker 3: Sister's on there to Takeishi. I think in it Takeshi.

525
00:21:16,359 --> 00:21:17,359
Speaker 3: I'm sorry, I'm mester name.

526
00:21:17,480 --> 00:21:21,200
Speaker 1: I don't want you fighting yo, taking out your thinking

527
00:21:21,280 --> 00:21:24,240
Speaker 1: to hit the vape, hit the VAPI. Know this baddie ship.

528
00:21:24,240 --> 00:21:27,680
Speaker 3: If you haven't seen this, this is by far some

529
00:21:27,760 --> 00:21:30,800
Speaker 3: of the funniest and best TV I've ever seen, because

530
00:21:30,840 --> 00:21:33,560
Speaker 3: it's just girls on here fighting for no reason other

531
00:21:33,600 --> 00:21:35,359
Speaker 3: than I don't like the way she looked at me

532
00:21:36,560 --> 00:21:37,679
Speaker 3: and they just start fighting.

533
00:21:37,720 --> 00:21:39,000
Speaker 1: Can I borrow your zeus account?

534
00:21:39,200 --> 00:21:41,320
Speaker 3: Oh yeah, one hundred per I want everybody to watch

535
00:21:41,359 --> 00:21:43,360
Speaker 3: this ship. This is the greatest shit on TV right now.

536
00:21:43,400 --> 00:21:45,440
Speaker 4: Well, did you watch Jocelyn's Cabaret?

537
00:21:45,920 --> 00:21:48,520
Speaker 3: That's no one see I'm just getting into you know

538
00:21:48,560 --> 00:21:50,520
Speaker 3: what I mean, Like, I'm just getting into that world,

539
00:21:50,560 --> 00:21:52,720
Speaker 3: baby d So let me kind of but I'm getting

540
00:21:52,720 --> 00:21:55,040
Speaker 3: into that next because I didn't see some clips, I'm like, wait,

541
00:21:55,400 --> 00:21:57,040
Speaker 3: this is how Choceln was giving it up.

542
00:21:57,320 --> 00:21:59,719
Speaker 1: So my stripper friend, that's the one. They just they

543
00:21:59,760 --> 00:22:02,920
Speaker 1: just it's like backyard wrestling. That's right there. Oh I

544
00:22:02,920 --> 00:22:03,640
Speaker 1: can tell by the stand.

545
00:22:03,800 --> 00:22:07,120
Speaker 3: No, No, she could fight, No, she could fight and look

546
00:22:07,160 --> 00:22:08,160
Speaker 3: at the boom Mics.

547
00:22:08,480 --> 00:22:11,040
Speaker 1: Yeah, Baddy's East. Are you more of the Baddy's East

548
00:22:11,080 --> 00:22:13,240
Speaker 1: or Baddies West. I'm from the East Coast. I like

549
00:22:13,240 --> 00:22:14,280
Speaker 1: to I like to the home team.

550
00:22:14,359 --> 00:22:16,280
Speaker 3: Yeah, I like the East Coast Baddies. But now it's

551
00:22:16,320 --> 00:22:18,560
Speaker 3: the Baddies Caribbean that the Caribbean fighting. He's bitch just

552
00:22:18,600 --> 00:22:25,080
Speaker 3: fighting on saying it's all kind of going on, Like, Yo, this.

553
00:22:25,040 --> 00:22:27,119
Speaker 1: Is the greatest shit on TV. Could you see yourself

554
00:22:27,160 --> 00:22:29,520
Speaker 1: like maybe investing in a fighter and like maybe sponsoring

555
00:22:29,520 --> 00:22:32,760
Speaker 1: one of these girls? Oh yeah, yeah yeah, manager emotional.

556
00:22:33,040 --> 00:22:34,200
Speaker 1: Yeah did you maul?

557
00:22:34,240 --> 00:22:36,400
Speaker 6: Have you checked out that there's a boy version? There's

558
00:22:36,440 --> 00:22:37,080
Speaker 6: bad boys?

559
00:22:37,320 --> 00:22:39,280
Speaker 1: No, I see, I don't. I don't. I don't want to.

560
00:22:39,280 --> 00:22:40,760
Speaker 6: You don't want to watch the men throw down in

561
00:22:40,800 --> 00:22:42,280
Speaker 6: Texas because.

562
00:22:42,040 --> 00:22:44,800
Speaker 1: I think they're gay but they fight, Yeah, but I

563
00:22:44,840 --> 00:22:46,720
Speaker 1: don't want to see gay gay man can scrap. Yeah,

564
00:22:46,720 --> 00:22:47,520
Speaker 1: I don't want to see that.

565
00:22:48,920 --> 00:22:50,600
Speaker 5: I mean, this looks exciting.

566
00:22:51,119 --> 00:22:56,480
Speaker 1: Oh damn oh they could right in the ring. This

567
00:22:56,600 --> 00:22:57,960
Speaker 1: is what reality is used to.

568
00:22:58,000 --> 00:23:01,280
Speaker 6: Be, saying there's no goals, just women and men fighting.

569
00:23:01,440 --> 00:23:03,720
Speaker 1: It's still fucked puff. But like, if you remember making

570
00:23:03,720 --> 00:23:05,760
Speaker 1: the band in the early days, before they put like

571
00:23:05,880 --> 00:23:09,160
Speaker 1: laws on this ship. They were scrapping in that house

572
00:23:09,240 --> 00:23:10,679
Speaker 1: for two episodes straight.

573
00:23:10,920 --> 00:23:14,360
Speaker 3: No, this is if y'all thought that when e nes

574
00:23:14,400 --> 00:23:16,600
Speaker 3: and what's the name for it and making the man if,

575
00:23:16,640 --> 00:23:20,800
Speaker 3: y'all thought that was crazy. Yeah, it's Nus and Freddy fight.

576
00:23:20,880 --> 00:23:22,960
Speaker 3: This is nothing compared to what the baddies is doing.

577
00:23:23,280 --> 00:23:26,040
Speaker 1: Uh. Pause. They had great stamina in this fight, though,

578
00:23:26,040 --> 00:23:28,480
Speaker 1: because they fight for like a good fifteen minutes. You know,

579
00:23:28,520 --> 00:23:30,560
Speaker 1: the hardness to fight for fifteen minutes in the studio,

580
00:23:30,760 --> 00:23:33,199
Speaker 1: and there there was one fight in the house when

581
00:23:33,200 --> 00:23:35,560
Speaker 1: they were going to different floors. You run up some

582
00:23:35,560 --> 00:23:37,880
Speaker 1: steps and then keep fighting. Yeah, it's on now you're

583
00:23:37,920 --> 00:23:38,399
Speaker 1: in shape.

584
00:23:38,480 --> 00:23:41,000
Speaker 4: They could never may be that angry in my life.

585
00:23:41,200 --> 00:23:45,080
Speaker 6: Ever changing changing levels and continuing to fight.

586
00:23:45,200 --> 00:23:45,920
Speaker 5: It's crazy.

587
00:23:46,040 --> 00:23:48,840
Speaker 1: I thought it was not just siblings, but sometimes you

588
00:23:48,880 --> 00:23:49,119
Speaker 1: need that.

589
00:23:49,240 --> 00:23:51,040
Speaker 3: Sometimes you need a good you know, you gotta just

590
00:23:51,080 --> 00:23:53,720
Speaker 3: fight things out, man, and then we could be cool later.

591
00:23:54,400 --> 00:23:56,639
Speaker 1: But to me, that made more sense than when they

592
00:23:56,640 --> 00:24:00,480
Speaker 1: were singing boys to men for their bed. Yeah, fight

593
00:24:00,560 --> 00:24:02,760
Speaker 1: for the bit. Yoh, y'all would have stayed in his

594
00:24:02,800 --> 00:24:04,400
Speaker 1: house at the end of the road. Is not getting

595
00:24:04,400 --> 00:24:05,840
Speaker 1: me on that pillow. That's what Natalie is doing. You

596
00:24:05,840 --> 00:24:07,320
Speaker 1: want to stay in this house, you gotta fight her.

597
00:24:07,800 --> 00:24:10,200
Speaker 7: Do y'all judge they have a house. Do y'all judge

598
00:24:10,240 --> 00:24:11,880
Speaker 7: women that watch shows like that?

599
00:24:12,240 --> 00:24:14,320
Speaker 1: No, I think everyone can just turn their brain on

600
00:24:14,480 --> 00:24:15,960
Speaker 1: judge women that watch shows like that.

601
00:24:16,000 --> 00:24:18,600
Speaker 3: But I do judge if you the type that like

602
00:24:18,680 --> 00:24:21,640
Speaker 3: that's what consumes your like social life as far as

603
00:24:21,640 --> 00:24:24,600
Speaker 3: like what you're talking about and things like that every day,

604
00:24:24,640 --> 00:24:26,399
Speaker 3: it's like that's when it's like you're a little too

605
00:24:26,440 --> 00:24:27,360
Speaker 3: invested into that ship.

606
00:24:28,280 --> 00:24:32,000
Speaker 1: Yeah, but I've locked in Worth Bentley getting in your

607
00:24:32,000 --> 00:24:33,080
Speaker 1: face with a bow tie.

608
00:24:33,240 --> 00:24:35,920
Speaker 6: Fawns were playing mediators, hilarious.

609
00:24:37,160 --> 00:24:39,800
Speaker 1: What is fins Worth up to? I don't know, man.

610
00:24:40,680 --> 00:24:44,400
Speaker 1: How old is he? He has to bring colors back him?

611
00:24:44,440 --> 00:24:46,080
Speaker 1: Kanye Andre three thousand.

612
00:24:46,520 --> 00:24:48,160
Speaker 5: He's fifty.

613
00:24:48,320 --> 00:24:50,720
Speaker 1: Yeah, I'm not sure what Farnes Bentley's up to. Man.

614
00:24:50,760 --> 00:24:52,320
Speaker 5: How many of them brows do you think he owns?

615
00:24:53,760 --> 00:24:56,800
Speaker 1: I've never thought about that, Julian, Yeah, he's got quite

616
00:24:56,800 --> 00:24:58,199
Speaker 1: a collect He was kind of like one of the

617
00:24:58,240 --> 00:25:01,920
Speaker 1: early male fashion and influencers. I feel like, what's your

618
00:25:01,960 --> 00:25:02,320
Speaker 1: for sure?

619
00:25:02,480 --> 00:25:04,920
Speaker 5: How's he not of his Umbrella brand collab.

620
00:25:04,720 --> 00:25:08,719
Speaker 1: I'm sure he does that an a ka umbrella. I mean,

621
00:25:08,720 --> 00:25:13,360
Speaker 1: it's just picking. I thought I thought that their arms

622
00:25:13,440 --> 00:25:16,320
Speaker 1: was right there to watch the watch and the bow ties.

623
00:25:16,480 --> 00:25:22,119
Speaker 1: I mean, how you tired in thes this was a

624
00:25:22,119 --> 00:25:27,040
Speaker 1: fun time. Well, No, Jocelyn's Cabernet is fucking crazy. Cabernet

625
00:25:27,080 --> 00:25:32,159
Speaker 1: or cabaret whatever that she did, Josh, I'm say she

626
00:25:32,160 --> 00:25:34,760
Speaker 1: got Wine out Johnson not fucking around with Josh Wine

627
00:25:34,920 --> 00:25:36,639
Speaker 1: making jail. Yeah, she about to get y'all drunk and

628
00:25:36,680 --> 00:25:37,200
Speaker 1: then fighting.

629
00:25:38,560 --> 00:25:41,480
Speaker 7: No, But so I watched like an episode or two

630
00:25:41,560 --> 00:25:44,160
Speaker 7: of Jocelyn's because my homegirl used to watch it, and

631
00:25:44,400 --> 00:25:47,320
Speaker 7: Jocelyn is very entertaining, So I didn't mind, Like if

632
00:25:47,359 --> 00:25:49,040
Speaker 7: she made me watch that with her, if I come over,

633
00:25:49,160 --> 00:25:51,000
Speaker 7: I'll tell her I'm not watching that.

634
00:25:51,520 --> 00:25:54,280
Speaker 3: Off that clip with Jocelyn walking through like fucking whole

635
00:25:54,320 --> 00:25:57,520
Speaker 3: Cogan at WrestleMania at backstage and she was fighting everybody.

636
00:25:58,480 --> 00:26:02,000
Speaker 3: That's Cocaine bid for real, y'all talking about the movie

637
00:26:02,000 --> 00:26:05,239
Speaker 3: Cocaine bit. When Joscelyn starts slapping niggas told about you

638
00:26:05,240 --> 00:26:07,959
Speaker 3: get out my way. She was just swinging on everybody.

639
00:26:07,440 --> 00:26:10,959
Speaker 1: And they moved, Oh yeah, move and she has probably

640
00:26:10,960 --> 00:26:14,320
Speaker 1: the craziest thing that's ever been said on cable when

641
00:26:14,400 --> 00:26:17,280
Speaker 1: a girl was crying about two abortions that she got

642
00:26:17,320 --> 00:26:19,720
Speaker 1: and then Joscell said, damn, bitch, double homicide.

643
00:26:19,800 --> 00:26:21,720
Speaker 4: No, that was a jost was the girl behind her?

644
00:26:21,800 --> 00:26:23,800
Speaker 1: Either way, she was this. She was a GM of

645
00:26:23,800 --> 00:26:24,320
Speaker 1: that whole ship.

646
00:26:24,440 --> 00:26:27,160
Speaker 7: Yeah, she aborted twins and the girl she was like, yeah,

647
00:26:27,200 --> 00:26:28,639
Speaker 7: like you know, talk about herbortion. She was like, and

648
00:26:28,680 --> 00:26:30,679
Speaker 7: it was twins, and the girl behind her was like,

649
00:26:30,800 --> 00:26:32,360
Speaker 7: damn double homicide.

650
00:26:32,760 --> 00:26:32,920
Speaker 6: Yo.

651
00:26:33,040 --> 00:26:34,920
Speaker 4: The girl's herod was like, bitch.

652
00:26:34,720 --> 00:26:38,359
Speaker 9: That was on the Caberne though, right, yeah, right there, I.

653
00:26:38,440 --> 00:26:44,159
Speaker 7: Just had an abortion twins, twins, Yeah, double homicide.

654
00:26:48,480 --> 00:26:50,439
Speaker 1: If you couldn't think of a more inappropriate thing to

655
00:26:50,440 --> 00:26:55,600
Speaker 1: say in this fucking moment, so much that is me.

656
00:26:55,960 --> 00:26:58,560
Speaker 1: But the girl that said it, or the editor that

657
00:26:58,680 --> 00:27:02,960
Speaker 1: scored it, like drop the music and it cut to

658
00:27:03,000 --> 00:27:09,160
Speaker 1: the wide shots. Yeahicide, Oh it was her.

659
00:27:09,760 --> 00:27:11,760
Speaker 6: I didn't see which one of thee it was back

660
00:27:11,800 --> 00:27:14,640
Speaker 6: right right here. She fixes her glasses.

661
00:27:16,280 --> 00:27:20,600
Speaker 1: The bitch she said, oh, I'm sorry, No you're not.

662
00:27:22,160 --> 00:27:24,600
Speaker 4: That ship is prime fucking set up, bro.

663
00:27:24,960 --> 00:27:26,800
Speaker 3: Yeah, I gotta see all of this ship that's going on.

664
00:27:26,800 --> 00:27:29,399
Speaker 3: On like this is one of those networks that they

665
00:27:29,520 --> 00:27:31,639
Speaker 3: just putting up. Like listen, man, I like the people

666
00:27:31,680 --> 00:27:34,080
Speaker 3: over there because you bring an idea to them, They're like,

667
00:27:34,080 --> 00:27:35,000
Speaker 3: fuck it, we gonna find.

668
00:27:34,840 --> 00:27:36,399
Speaker 1: A way to do it. And why I can't judge

669
00:27:36,560 --> 00:27:39,680
Speaker 1: is instead of watching Dragon, which is probably like high

670
00:27:39,800 --> 00:27:42,679
Speaker 1: level TV, real storyline make you think, I was like, Noah,

671
00:27:42,760 --> 00:27:44,960
Speaker 1: funk that I'm watching the Dallas Cowboy Cheerleader series on

672
00:27:45,000 --> 00:27:48,600
Speaker 1: Netflix for an entire weekend. I finished the series. Why

673
00:27:49,400 --> 00:27:52,919
Speaker 1: why not? Those women are inspiring. I even cried at

674
00:27:52,960 --> 00:27:55,920
Speaker 1: one point. So it's like it's like Hard Knocks, exactly

675
00:27:56,240 --> 00:27:59,679
Speaker 1: like Hard Knocks, but for the Dallas Cowboy Cheerleaders. I

676
00:27:59,720 --> 00:28:03,080
Speaker 1: didn't realize how inspiring them. No, it's just about like

677
00:28:03,160 --> 00:28:03,840
Speaker 1: making the squad.

678
00:28:03,840 --> 00:28:05,440
Speaker 3: They got to get on their BADDI shit, theyin't got

679
00:28:05,520 --> 00:28:06,400
Speaker 3: no baddies over there.

680
00:28:06,560 --> 00:28:09,600
Speaker 1: No, because they're supposed to be America's sweethearts like Classy

681
00:28:09,640 --> 00:28:13,600
Speaker 1: and l Noda and Natalie. None has America sweethearts. These chicks,

682
00:28:13,760 --> 00:28:15,680
Speaker 1: I give them all the credit because that shit is

683
00:28:15,720 --> 00:28:17,679
Speaker 1: way tougher than I ever thought it would be. But

684
00:28:17,760 --> 00:28:19,200
Speaker 1: to do all that for minimum wage is crazy.

685
00:28:19,280 --> 00:28:22,400
Speaker 5: Ye, all that for a skirt and ten dollars like.

686
00:28:22,440 --> 00:28:24,000
Speaker 1: It's kind of wild, but I have a lot of

687
00:28:24,000 --> 00:28:26,240
Speaker 1: respect for them. They they are very talented, Like I

688
00:28:26,240 --> 00:28:29,919
Speaker 1: didn't realize the process. These are like trained professional dancers,

689
00:28:30,720 --> 00:28:33,200
Speaker 1: I mean aren't all They just for some reason only

690
00:28:33,320 --> 00:28:35,879
Speaker 1: dance to ac DC. Like these women are coming in

691
00:28:35,920 --> 00:28:38,680
Speaker 1: as as dancing to Mozart and all that shit for

692
00:28:38,680 --> 00:28:40,840
Speaker 1: the tryouts and they're like, yeah, run down the field,

693
00:28:40,880 --> 00:28:44,760
Speaker 1: smile to Thunderstrike like you know, these are these women

694
00:28:45,120 --> 00:28:47,560
Speaker 1: could be on Broadway.

695
00:28:47,480 --> 00:28:50,000
Speaker 5: So they're probably like a students.

696
00:28:49,520 --> 00:28:50,000
Speaker 1: Some of them do.

697
00:28:50,080 --> 00:28:51,760
Speaker 3: Some of them are like I think some of this

698
00:28:51,960 --> 00:28:55,360
Speaker 3: nick city dancers. Well, I mean I think all cheerleaders

699
00:28:55,400 --> 00:28:57,760
Speaker 3: are professionally trained dancers. I think all of them went

700
00:28:57,800 --> 00:28:59,080
Speaker 3: to school for dance.

701
00:28:59,560 --> 00:29:03,400
Speaker 7: Now a lot of them, but no, no, it's it's

702
00:29:03,440 --> 00:29:06,520
Speaker 7: that's not a requirement, but for them like the Dallas

703
00:29:06,520 --> 00:29:10,320
Speaker 7: So yes, there's professional cheerleaders. But then there's the Dallas

704
00:29:10,320 --> 00:29:12,920
Speaker 7: Cowboys cheerleader which is a different different brand.

705
00:29:13,200 --> 00:29:16,160
Speaker 3: No, well, Dallas Cowboys period, that brand is on a

706
00:29:16,160 --> 00:29:19,800
Speaker 3: different level than any other organization probably in sports outside

707
00:29:19,840 --> 00:29:22,200
Speaker 3: of maybe the Yankees, yes.

708
00:29:22,240 --> 00:29:26,640
Speaker 1: It's probably Yankees Cowboys. They always like herself black girl. Yeah,

709
00:29:26,880 --> 00:29:30,000
Speaker 1: I mean not the Lakers now no offense. But even like,

710
00:29:30,040 --> 00:29:32,960
Speaker 1: even when the Cowboys suck, they're still one of, if

711
00:29:33,000 --> 00:29:35,760
Speaker 1: not the highest grossing French They are the biggest. They

712
00:29:35,800 --> 00:29:37,680
Speaker 1: are one of the biggest brands in the world, and

713
00:29:37,920 --> 00:29:41,240
Speaker 1: Cowboys the cheerleaders are a huge part of that brand.

714
00:29:41,320 --> 00:29:43,720
Speaker 1: Like that shit is for real. It's very very serious.

715
00:29:43,760 --> 00:29:45,160
Speaker 1: Do you have a favorite roy do they do? They

716
00:29:45,200 --> 00:29:48,160
Speaker 1: give you some like characters that you can Reese was

717
00:29:48,160 --> 00:29:50,840
Speaker 1: my favorite. She was a rookie.

718
00:29:51,120 --> 00:29:52,520
Speaker 5: Rookies and me.

719
00:29:52,800 --> 00:29:58,040
Speaker 1: And Kea was hating. She's beautiful. I can't pick them

720
00:29:58,040 --> 00:30:01,600
Speaker 1: out of this you know, they make them all look alike.

721
00:30:02,800 --> 00:30:06,160
Speaker 1: She is dating one of the one of the cuter chicks,

722
00:30:06,160 --> 00:30:09,320
Speaker 1: super sweet and is dating like a thumb. That's the

723
00:30:09,360 --> 00:30:11,719
Speaker 1: only way I could describe him. I know, it's not

724
00:30:11,720 --> 00:30:15,280
Speaker 1: exactly what you mean. And she brought him into like

725
00:30:15,320 --> 00:30:17,040
Speaker 1: introduce to the girls and everyone else. And she went

726
00:30:17,080 --> 00:30:20,080
Speaker 1: to Alabama and was an Alabama cheerleader. And I guess

727
00:30:20,160 --> 00:30:22,640
Speaker 1: this kid went like viral for doing some dumb drunk

728
00:30:22,680 --> 00:30:24,920
Speaker 1: shit out an Alabama game. That's how she like saw

729
00:30:24,960 --> 00:30:28,240
Speaker 1: him and everyone when he walked in, Oh, we thought

730
00:30:28,280 --> 00:30:31,800
Speaker 1: you were dating someone from the team. No, and then

731
00:30:31,880 --> 00:30:35,560
Speaker 1: here comes in someone shorter and uglier than me and

732
00:30:35,800 --> 00:30:38,640
Speaker 1: with one of the baddest young cheerleaders, and it was

733
00:30:38,640 --> 00:30:41,840
Speaker 1: like it and she DMed him. I was like, he

734
00:30:41,880 --> 00:30:44,280
Speaker 1: either has to be the funniest guy. He had no job,

735
00:30:44,320 --> 00:30:45,960
Speaker 1: by the way, either he just moved to Dallas with

736
00:30:46,040 --> 00:30:47,560
Speaker 1: her and was like, yeah, I think I'll find a gig.

737
00:30:49,920 --> 00:30:53,400
Speaker 1: Either he either has the craziest honey pack dick on earth,

738
00:30:54,520 --> 00:30:58,360
Speaker 1: or he's hilarious because he doesn't have family, money and

739
00:30:58,400 --> 00:30:59,959
Speaker 1: no offense. Because they seem happy, I really don't want

740
00:30:59,960 --> 00:31:02,560
Speaker 1: to sound like I'm shitting. I'm hating. This is hate. Yeah,

741
00:31:02,760 --> 00:31:05,840
Speaker 1: it's okay. I know I wasn't the only one watching

742
00:31:05,840 --> 00:31:08,120
Speaker 1: that show, including all the other cheerleaders and the coach,

743
00:31:08,160 --> 00:31:11,640
Speaker 1: and was like, he looks like a sweet guy. Probably

744
00:31:12,240 --> 00:31:14,400
Speaker 1: since when new sweet guys win, they.

745
00:31:14,280 --> 00:31:17,480
Speaker 9: Do win, they always that's flattering.

746
00:31:17,600 --> 00:31:19,360
Speaker 5: He got like Ted Cruise.

747
00:31:19,400 --> 00:31:22,720
Speaker 1: That's probably the most flattering photo of him. That's this

748
00:31:22,760 --> 00:31:27,480
Speaker 1: is hate. I'm sorry they're happy his face is round. Listen, man,

749
00:31:27,520 --> 00:31:29,560
Speaker 1: I think I was probably because me and he had

750
00:31:29,560 --> 00:31:31,240
Speaker 1: a crush on Reese. I think that's why we were hating.

751
00:31:32,160 --> 00:31:34,400
Speaker 7: That doesn't look like your type. It must have been

752
00:31:34,440 --> 00:31:35,240
Speaker 7: her personality.

753
00:31:35,360 --> 00:31:38,280
Speaker 1: Yeah, she was like, you know, she's cute. They like

754
00:31:38,320 --> 00:31:41,880
Speaker 1: haven't even touched though. They're like super religious. Oh that's

755
00:31:41,880 --> 00:31:49,600
Speaker 1: why I share type religion. Yeah yeah, yo, I was

756
00:31:49,640 --> 00:31:50,760
Speaker 1: trying to find a common ground.

757
00:31:51,200 --> 00:31:52,920
Speaker 5: You guys do a photo shoot like this for like

758
00:31:52,920 --> 00:31:54,320
Speaker 5: tour promo or something.

759
00:31:54,240 --> 00:31:57,720
Speaker 1: Because we're not gay, that's why. Well, not like this,

760
00:31:58,000 --> 00:32:00,960
Speaker 1: but like there's a lot of Llion types on the show.

761
00:32:01,280 --> 00:32:04,640
Speaker 1: I do suggest watching it. It was entertaining and much

762
00:32:04,680 --> 00:32:07,760
Speaker 1: more than I thought goes in with. But I mean,

763
00:32:07,920 --> 00:32:10,520
Speaker 1: you know idea one of the rookie I used.

764
00:32:10,440 --> 00:32:12,120
Speaker 7: To be addicted to watching they when they used to

765
00:32:12,120 --> 00:32:14,440
Speaker 7: do the tryouts every year every summer. I would watch

766
00:32:14,480 --> 00:32:16,520
Speaker 7: it like they would have the episodes back to back

767
00:32:16,520 --> 00:32:16,760
Speaker 7: to back.

768
00:32:16,760 --> 00:32:20,080
Speaker 4: I will watch it every summer. It's like a core memory.

769
00:32:20,440 --> 00:32:23,520
Speaker 1: Yeah, and it was obvious, but I didn't realize it

770
00:32:23,560 --> 00:32:26,120
Speaker 1: until they said it. Like these women are stocked every day.

771
00:32:26,120 --> 00:32:29,080
Speaker 1: They find air tags on their cars, like, oh yeah,

772
00:32:29,120 --> 00:32:31,320
Speaker 1: it's fucking nuts. They have to walk around with security

773
00:32:31,960 --> 00:32:35,760
Speaker 1: more than rappers, Like even photographers like the Thanksgiving Day

774
00:32:35,760 --> 00:32:38,560
Speaker 1: Game are grabbing their asses and shit, like cops have

775
00:32:38,600 --> 00:32:42,560
Speaker 1: to be on alert just for them. That's fucking crazy. Yeah.

776
00:32:42,560 --> 00:32:44,760
Speaker 5: Well, we were briefly talking about this before we start recruitment.

777
00:32:44,800 --> 00:32:46,680
Speaker 6: I said, they have this whole thing too in their

778
00:32:46,680 --> 00:32:49,920
Speaker 6: contract where they're not allowed to mix and co mingle

779
00:32:49,960 --> 00:32:53,440
Speaker 6: with players and staff, and we all think that that's

780
00:32:53,520 --> 00:32:56,440
Speaker 6: just for a legal byline. We don't think that's upheld

781
00:32:56,480 --> 00:32:57,440
Speaker 6: at all in reality.

782
00:32:59,720 --> 00:33:04,760
Speaker 7: In their coaches don't play like I don't like, don't

783
00:33:04,760 --> 00:33:05,680
Speaker 7: play at all.

784
00:33:06,120 --> 00:33:08,720
Speaker 1: No, they should. They should be like war generals. Those

785
00:33:08,720 --> 00:33:12,360
Speaker 1: two women, they run a tight fucking ship. But I

786
00:33:12,840 --> 00:33:14,600
Speaker 1: don't see it, because that is a big thing they

787
00:33:14,640 --> 00:33:16,040
Speaker 1: say in the beginning, like you have to sign this

788
00:33:16,440 --> 00:33:19,320
Speaker 1: no fraternizing with anyone in the organization, can't even like

789
00:33:19,400 --> 00:33:22,720
Speaker 1: speak to them separate hotels. I get it. I just don't.

790
00:33:22,960 --> 00:33:24,800
Speaker 1: I don't know if they even run into each other

791
00:33:24,840 --> 00:33:26,960
Speaker 1: like that, because they need to use the field with

792
00:33:27,000 --> 00:33:29,320
Speaker 1: all the yard markers, so they can't be there when

793
00:33:29,360 --> 00:33:31,320
Speaker 1: the players are there because they both need the field.

794
00:33:31,480 --> 00:33:33,000
Speaker 1: I don't think they run into each other all right,

795
00:33:33,920 --> 00:33:34,840
Speaker 1: maybe on Instagram.

796
00:33:34,920 --> 00:33:38,400
Speaker 3: I can't speak for NFL because I haven't been around

797
00:33:39,120 --> 00:33:42,120
Speaker 3: NFL organizations that much, but NBA.

798
00:33:42,000 --> 00:33:45,440
Speaker 1: Cheerleaders, oh yeah, of course. Yeah, but let's not act like.

799
00:33:45,400 --> 00:33:48,920
Speaker 3: I've dripped after leaving the Homies cribs. All I'm saying like,

800
00:33:49,880 --> 00:33:53,160
Speaker 3: maybe not an arena. You can't say hello and you

801
00:33:53,200 --> 00:33:56,160
Speaker 3: can't speak, you can't do it in arena. But after

802
00:33:56,160 --> 00:33:57,880
Speaker 3: them games is over, that arena closed.

803
00:33:58,680 --> 00:33:59,240
Speaker 1: I know a lot of.

804
00:33:59,280 --> 00:34:01,520
Speaker 3: Cheerleaders from from a few teams. That's all I'm gonna say.

805
00:34:02,760 --> 00:34:05,480
Speaker 1: I mean, and I'm not downplaying NBA cheerleaders. I just

806
00:34:05,480 --> 00:34:08,560
Speaker 1: think it's drastically different than the Dallas Cowboy cheerleader brand.

807
00:34:09,440 --> 00:34:13,160
Speaker 1: Like they're they're there for this brand, not to just

808
00:34:13,200 --> 00:34:14,320
Speaker 1: be around athletes.

809
00:34:14,760 --> 00:34:18,680
Speaker 6: Okay, what NBA cheerleader like, what is a good There's

810
00:34:18,719 --> 00:34:22,000
Speaker 6: no like coveted, you know what I mean?

811
00:34:22,400 --> 00:34:24,800
Speaker 1: Yeah, but it's I mean, it's there's no coveted.

812
00:34:24,840 --> 00:34:26,640
Speaker 6: What like the way in which we were saying, like

813
00:34:26,640 --> 00:34:29,160
Speaker 6: do when you think football Dallas Cowboys leaders, they're they're

814
00:34:29,239 --> 00:34:31,960
Speaker 6: the number one, They're the bar for the NBA. There's

815
00:34:31,960 --> 00:34:34,960
Speaker 6: not even there's no like outlier team right like that team.

816
00:34:36,800 --> 00:34:37,680
Speaker 1: For sure it used to be.

817
00:34:38,360 --> 00:34:39,319
Speaker 4: I don't know about nothing, but.

818
00:34:39,280 --> 00:34:42,080
Speaker 1: Even then, like how an arena is set up, the

819
00:34:42,160 --> 00:34:45,040
Speaker 1: Dallas Cowboy cheerleaders are cheering the entire game on the

820
00:34:45,040 --> 00:34:47,920
Speaker 1: sidelines like all around. They have to like sit Indian

821
00:34:47,960 --> 00:34:49,920
Speaker 1: style for like most of the game and just have

822
00:34:49,920 --> 00:34:51,680
Speaker 1: to wait for a time out and then they like

823
00:34:51,719 --> 00:34:54,759
Speaker 1: sneak on the court. You don't. They're not like a

824
00:34:54,800 --> 00:34:56,799
Speaker 1: big part of the process, Yeah, the way I think

825
00:34:56,920 --> 00:34:59,680
Speaker 1: NFL is. But listen, I got a lot of respect

826
00:34:59,680 --> 00:35:02,319
Speaker 1: because that that shit looked very tough. Well, I'm glad

827
00:35:02,360 --> 00:35:03,960
Speaker 1: you found a new show to watch, and even I

828
00:35:04,000 --> 00:35:06,560
Speaker 1: finished it in one weekend. Yeah, I can't wait for

829
00:35:06,600 --> 00:35:08,440
Speaker 1: next seak. You made the squad?

830
00:35:08,520 --> 00:35:11,000
Speaker 7: How would you feel about Tomara being becoming a Dallas

831
00:35:11,000 --> 00:35:11,920
Speaker 7: Cowboys chearlier?

832
00:35:13,080 --> 00:35:14,800
Speaker 1: If you would have asked me that before the series,

833
00:35:14,800 --> 00:35:17,280
Speaker 1: I would have given you a misogynistic fuck no answer,

834
00:35:17,719 --> 00:35:20,000
Speaker 1: But now actually learning about it, yeah, I think it'd

835
00:35:20,000 --> 00:35:22,560
Speaker 1: be really cool. She just I think it's egregious what

836
00:35:22,600 --> 00:35:24,440
Speaker 1: they pay them and for the time they put in,

837
00:35:25,480 --> 00:35:27,880
Speaker 1: and like how easily they can be cut, Like you

838
00:35:27,880 --> 00:35:29,600
Speaker 1: could be a four year veteran you get cut the

839
00:35:29,600 --> 00:35:32,680
Speaker 1: next year. Everyone has to try out again every year.

840
00:35:32,960 --> 00:35:36,080
Speaker 1: They had six new rookies for this season, which means

841
00:35:36,400 --> 00:35:38,280
Speaker 1: six other people that were there before got cut.

842
00:35:38,520 --> 00:35:40,600
Speaker 5: Yeah, so damn and.

843
00:35:40,560 --> 00:35:43,640
Speaker 1: It's not like everyone's local. People are flying in and

844
00:35:43,680 --> 00:35:45,000
Speaker 1: moving to Dallas just to try out.

845
00:35:45,120 --> 00:35:47,560
Speaker 4: Yeah, to make fifteen dollars hour.

846
00:35:48,280 --> 00:35:51,080
Speaker 1: But you'd be like one chick was a dentist. Like

847
00:35:51,840 --> 00:35:54,680
Speaker 1: they don't have career one day of the week, right, No,

848
00:35:54,840 --> 00:35:55,719
Speaker 1: they have practices.

849
00:35:55,800 --> 00:35:57,239
Speaker 4: They practiced like three times a week.

850
00:35:57,480 --> 00:36:02,040
Speaker 1: They had practice. But then they do so many fundraisers. Yeah,

851
00:36:02,080 --> 00:36:04,600
Speaker 1: the Christmas celebration that the Cowboys do is the whole

852
00:36:04,600 --> 00:36:06,560
Speaker 1: month of December, like every weekend.

853
00:36:07,000 --> 00:36:08,120
Speaker 5: They do a lot of appearance.

854
00:36:08,160 --> 00:36:09,800
Speaker 1: They make a lot of appearances. So they do what

855
00:36:09,880 --> 00:36:14,799
Speaker 1: they paid just salary. So fifteen dollars okay, so if

856
00:36:14,800 --> 00:36:16,719
Speaker 1: there's other things going on, but I don't know if

857
00:36:16,719 --> 00:36:18,880
Speaker 1: that includes practice. They didn't give us a whole breakdown.

858
00:36:19,080 --> 00:36:21,400
Speaker 1: Matter of fact, they really tried to avoid what the

859
00:36:21,400 --> 00:36:25,520
Speaker 1: compensation was. Jerry Jones' daughter was avoiding every question that

860
00:36:25,600 --> 00:36:27,319
Speaker 1: had to do with that. Yeah.

861
00:36:27,360 --> 00:36:30,200
Speaker 3: So this is just a classic example of just wanting

862
00:36:30,239 --> 00:36:32,319
Speaker 3: to be a part of a brand because you have

863
00:36:32,400 --> 00:36:34,960
Speaker 3: another play in mind that once you're done with this,

864
00:36:35,760 --> 00:36:38,359
Speaker 3: girls probably dance for three four years, five years maybe

865
00:36:38,400 --> 00:36:40,080
Speaker 3: and then they want to transition to do something else.

866
00:36:40,120 --> 00:36:42,520
Speaker 3: But having this on your resume does stand out.

867
00:36:42,719 --> 00:36:45,000
Speaker 7: Yeah, I think a lot of these girls it was

868
00:36:45,080 --> 00:36:47,720
Speaker 7: if you're a dancer, this is your dream since you're

869
00:36:47,880 --> 00:36:50,640
Speaker 7: you were a kid, like you dream about being you

870
00:36:50,680 --> 00:36:51,520
Speaker 7: know what I'm saying, Like you dream.

871
00:36:51,600 --> 00:36:53,040
Speaker 3: I've had a lot of dreams since I was a kid,

872
00:36:53,040 --> 00:36:55,239
Speaker 3: and once those dreams come to fruition, you realize what

873
00:36:55,280 --> 00:36:56,280
Speaker 3: the fuck was I dreaming.

874
00:36:56,480 --> 00:36:58,319
Speaker 1: It was around sixth grade that I realized I wasn't

875
00:36:58,360 --> 00:37:03,160
Speaker 1: making the league. Yeah, it's like what we were good and

876
00:37:03,239 --> 00:37:07,239
Speaker 1: see whyl There was a lot of controversy, Like I

877
00:37:07,280 --> 00:37:11,560
Speaker 1: was reading articles that were outraged by this series because

878
00:37:11,560 --> 00:37:13,880
Speaker 1: it digs into like body shaming and you have to

879
00:37:13,920 --> 00:37:16,040
Speaker 1: be a certain type of figure and you have to

880
00:37:16,120 --> 00:37:18,359
Speaker 1: keep a certain amount of weight. I get it if

881
00:37:18,360 --> 00:37:22,040
Speaker 1: that was like in high school or college, but that's

882
00:37:22,080 --> 00:37:24,600
Speaker 1: the gig. If that's what they want. Yeah, I can

883
00:37:24,600 --> 00:37:29,000
Speaker 1: see how that would be harmful, but it's they're all adults. Yeah,

884
00:37:29,040 --> 00:37:31,560
Speaker 1: like you got to make weight in other shit, what's

885
00:37:31,640 --> 00:37:33,560
Speaker 1: wrong with them having to make weight too? They were

886
00:37:33,600 --> 00:37:36,960
Speaker 1: saying it was very misogynistic and objectifies women and makes

887
00:37:37,000 --> 00:37:39,760
Speaker 1: them feel like shit, And one girl talked about eating disorder,

888
00:37:39,760 --> 00:37:42,759
Speaker 1: which was awful, but that is the gig. Like, I

889
00:37:42,800 --> 00:37:46,200
Speaker 1: don't think the cowboys are shitty if that's the brand

890
00:37:46,200 --> 00:37:48,400
Speaker 1: that they want to put out there, not the Cowboys.

891
00:37:48,520 --> 00:37:52,160
Speaker 3: I think probably what people are saying is that sometimes

892
00:37:52,400 --> 00:37:56,040
Speaker 3: these restrictions are a little too much to put on somebody,

893
00:37:56,080 --> 00:37:59,080
Speaker 3: because if a woman really wants this gig and she

894
00:37:59,160 --> 00:38:01,400
Speaker 3: has to make weight, things that some women will put

895
00:38:01,440 --> 00:38:05,279
Speaker 3: themselves through just to achieve this goal of being a

896
00:38:05,360 --> 00:38:09,919
Speaker 3: Dallas Cowboy Chileader. It's like, you know, like maybe y'all

897
00:38:09,920 --> 00:38:12,160
Speaker 3: should lighten up on some of these restrictions, Like maybe

898
00:38:12,160 --> 00:38:15,280
Speaker 3: a woman should be over one hundred and fifty pounds,

899
00:38:15,640 --> 00:38:18,240
Speaker 3: maybe she could be one fifty seven and still perform

900
00:38:18,320 --> 00:38:19,720
Speaker 3: to the highest levels.

901
00:38:19,760 --> 00:38:22,359
Speaker 1: If it's image and athletic ability does have to deal

902
00:38:22,400 --> 00:38:25,560
Speaker 1: with your weight, what would be the difference if they

903
00:38:25,600 --> 00:38:27,520
Speaker 1: were in a Broadway show that required them to look

904
00:38:27,560 --> 00:38:29,680
Speaker 1: a certain way, you have to continue to stay at

905
00:38:29,680 --> 00:38:30,600
Speaker 1: that image?

906
00:38:30,920 --> 00:38:32,880
Speaker 5: Whatso shitty?

907
00:38:32,960 --> 00:38:36,399
Speaker 1: Example, fighters have to make a weight, like, they do

908
00:38:36,440 --> 00:38:38,960
Speaker 1: horrible things sometimes to make weight. Wrestlers do horrible things

909
00:38:38,960 --> 00:38:40,880
Speaker 1: to make weight. Yeah, it's fucked up, but that's the

910
00:38:40,920 --> 00:38:43,200
Speaker 1: gig that you're signing up for. Well, in high school

911
00:38:43,200 --> 00:38:44,600
Speaker 1: and all that other shit. I know you shouldn't be

912
00:38:44,600 --> 00:38:46,440
Speaker 1: doing that to kid that's making way more money than

913
00:38:46,480 --> 00:38:47,239
Speaker 1: these girls.

914
00:38:47,239 --> 00:38:49,359
Speaker 7: Effects I mean, off the top of that, fighters are

915
00:38:49,360 --> 00:38:51,960
Speaker 7: making weight, if I'm not mistaken, that's for they have

916
00:38:52,040 --> 00:38:54,400
Speaker 7: to have a certain weight for like health and safety,

917
00:38:54,600 --> 00:38:55,560
Speaker 7: like safety issues.

918
00:38:55,560 --> 00:38:57,479
Speaker 4: We have to be around the same weight or whatever.

919
00:38:57,760 --> 00:38:59,799
Speaker 1: Enough. Sure, but I'm saying people do fucked up things

920
00:38:59,840 --> 00:39:02,720
Speaker 1: to make a weight or image four gigs.

921
00:39:02,320 --> 00:39:04,839
Speaker 7: Like and also like we have to stop with this

922
00:39:04,920 --> 00:39:07,719
Speaker 7: like super soft shit. Granted, yes, restrictions are really really

923
00:39:07,760 --> 00:39:10,080
Speaker 7: hard on women. They call us all types of fat bitches,

924
00:39:10,120 --> 00:39:12,680
Speaker 7: and they're awful to us. That's the world, right, it's awful.

925
00:39:12,680 --> 00:39:14,400
Speaker 7: It needs to change. But when it comes to something

926
00:39:14,480 --> 00:39:17,520
Speaker 7: like that, you don't have to do it. No one

927
00:39:17,600 --> 00:39:20,920
Speaker 7: is forcing you to not eat bagels for four days

928
00:39:20,920 --> 00:39:23,400
Speaker 7: because you have to make weight, Like that's a decision,

929
00:39:23,440 --> 00:39:25,360
Speaker 7: like Roy said, that you're making as a grown woman.

930
00:39:25,400 --> 00:39:27,359
Speaker 7: If you don't support that, then don't do it.

931
00:39:27,440 --> 00:39:27,600
Speaker 6: Now.

932
00:39:27,640 --> 00:39:30,640
Speaker 1: Maybe they could hire a nutrition nutritionist because they're making

933
00:39:30,640 --> 00:39:32,480
Speaker 1: so much fucking money and paying nobody. At least give

934
00:39:32,480 --> 00:39:34,839
Speaker 1: these girls like a doctor that could help instead of

935
00:39:34,960 --> 00:39:38,360
Speaker 1: choosing bolimia. But you know it's not like they're working

936
00:39:38,440 --> 00:39:41,000
Speaker 1: at an advertising agency and the boss is like, yeah,

937
00:39:41,000 --> 00:39:43,760
Speaker 1: you need to lose weight, Like that's fucked up. Yeah,

938
00:39:43,840 --> 00:39:46,759
Speaker 1: but that's this is the gig. They flat out say

939
00:39:46,760 --> 00:39:49,279
Speaker 1: you're supposed to look like America's Sweetheart, which probably has

940
00:39:49,320 --> 00:39:51,480
Speaker 1: a lot of racist undertones. I'm with you on that one.

941
00:39:51,520 --> 00:39:55,120
Speaker 1: But losing weight, isn't it. That's just y'all brand. That's

942
00:39:55,120 --> 00:39:56,759
Speaker 1: the Cowboys cheerleaders and you.

943
00:39:56,719 --> 00:39:58,640
Speaker 7: Know that when you go to sign up. So the

944
00:39:58,680 --> 00:40:01,640
Speaker 7: girls aren't complaining. No one trying out for that team

945
00:40:01,719 --> 00:40:03,560
Speaker 7: is complaining. It's other people complaining.

946
00:40:04,480 --> 00:40:07,240
Speaker 1: Yeah, that was a long run about the Cowboys. Sorry,

947
00:40:07,800 --> 00:40:10,600
Speaker 1: I'm about the Cowboys from that one.

948
00:40:10,640 --> 00:40:10,839
Speaker 6: Yeah.

949
00:40:11,880 --> 00:40:15,440
Speaker 1: I think it's the rejection from Reese. Like once I

950
00:40:15,440 --> 00:40:17,600
Speaker 1: found out she had a guy, I was that started

951
00:40:17,640 --> 00:40:25,520
Speaker 1: to resent her. Serious help you guys watch the Olympic trials. Yeah, yeah,

952
00:40:25,760 --> 00:40:28,960
Speaker 1: I can't wait for the Olympics this year. One track

953
00:40:29,080 --> 00:40:33,160
Speaker 1: is trendy Paris. Yeah you're not gonna go out there? Nah?

954
00:40:33,360 --> 00:40:37,000
Speaker 3: I would love to, but I've never been to no

955
00:40:37,440 --> 00:40:39,520
Speaker 3: Olympic games now that I think about it.

956
00:40:39,600 --> 00:40:44,480
Speaker 7: Never should carry out their smoking ship like, oh my heart,

957
00:40:44,560 --> 00:40:45,120
Speaker 7: she makes my mom.

958
00:40:45,120 --> 00:40:46,759
Speaker 3: I'm happy for her man because she had a rough

959
00:40:46,800 --> 00:40:48,359
Speaker 3: She had a rough moment a couple of years ago,

960
00:40:50,040 --> 00:40:51,479
Speaker 3: and it would have been easy for her to fold,

961
00:40:51,560 --> 00:40:53,319
Speaker 3: to kind of like just disappear, and we never know

962
00:40:53,400 --> 00:40:56,960
Speaker 3: about what happened with her. But you know, she rebranded

963
00:40:56,960 --> 00:41:00,879
Speaker 3: herself and you know, got back on the track, worked out,

964
00:41:00,920 --> 00:41:02,880
Speaker 3: and now she's on her way till first Olympics.

965
00:41:03,360 --> 00:41:06,960
Speaker 5: So first one, right, Yeah, she got banned from Tokyo.

966
00:41:07,040 --> 00:41:09,680
Speaker 6: I'm excited and she had I mean that race, the race,

967
00:41:09,719 --> 00:41:12,560
Speaker 6: she just ran an awful start. She took a side

968
00:41:12,560 --> 00:41:15,200
Speaker 6: step to the right, which if anyone knows how the blocks,

969
00:41:15,200 --> 00:41:18,680
Speaker 6: that costs that significant time. And she's still smoked, smoked

970
00:41:18,680 --> 00:41:20,160
Speaker 6: the last sixty meters of that race.

971
00:41:20,200 --> 00:41:21,480
Speaker 5: She cooks ran a ten eight eight.

972
00:41:21,760 --> 00:41:24,120
Speaker 6: I think she could crack ten six on her best

973
00:41:24,160 --> 00:41:25,520
Speaker 6: day at ten to five in the final.

974
00:41:25,719 --> 00:41:28,759
Speaker 1: Yeah, her second fifty was always ye best if she

975
00:41:28,760 --> 00:41:31,680
Speaker 1: could fix her start. Yeah, she's going to be.

976
00:41:32,200 --> 00:41:34,399
Speaker 6: There's two falls out the blocks. There's a forward fall

977
00:41:34,440 --> 00:41:36,040
Speaker 6: and then a side fall, and the side fall is

978
00:41:36,080 --> 00:41:38,200
Speaker 6: the worst fall. And she still won that heat, so

979
00:41:38,800 --> 00:41:40,879
Speaker 6: she's she's looking really really good.

980
00:41:41,000 --> 00:41:44,839
Speaker 7: Her final heat, she ran a ten seven and she

981
00:41:44,920 --> 00:41:47,280
Speaker 7: wasn't even she was celebrating before the line, like she's

982
00:41:47,560 --> 00:41:49,360
Speaker 7: that girl is insane.

983
00:41:49,640 --> 00:41:51,239
Speaker 1: I mean, I think it's gonna be even though she

984
00:41:51,280 --> 00:41:53,440
Speaker 1: didn't make it the last Olympics, but for the past

985
00:41:53,880 --> 00:41:56,200
Speaker 1: four years, women's track has been more exciting than men's

986
00:41:56,239 --> 00:41:58,520
Speaker 1: track for the first time, so I'm happy she's going.

987
00:41:58,640 --> 00:42:00,520
Speaker 3: I think I feel like women's sports is more exciting

988
00:42:00,560 --> 00:42:04,640
Speaker 3: than men's sports at this time. Being honest, I was

989
00:42:04,640 --> 00:42:07,400
Speaker 3: talking to somebody about the NBA finals, and you know,

990
00:42:07,600 --> 00:42:09,560
Speaker 3: this is the first year. I was kind of like,

991
00:42:09,920 --> 00:42:11,879
Speaker 3: you know, I had Dallas to win it. I thought

992
00:42:11,920 --> 00:42:15,080
Speaker 3: Luke and Kyrie was gonna win it. I'm glad Tatum

993
00:42:15,120 --> 00:42:17,560
Speaker 3: and Brown got a ring. They've been knocking at the

994
00:42:17,640 --> 00:42:20,920
Speaker 3: championship door for the last few years. But even in

995
00:42:21,320 --> 00:42:24,560
Speaker 3: even in them winning, it didn't feel like a team

996
00:42:24,600 --> 00:42:25,720
Speaker 3: had just won the finals.

997
00:42:25,800 --> 00:42:28,840
Speaker 1: That finals with Trash, Let's just tell the playoffs this

998
00:42:28,920 --> 00:42:30,520
Speaker 1: year were great finals for Trash.

999
00:42:30,280 --> 00:42:31,920
Speaker 3: I was like, yo, this is this is it? Like

1000
00:42:31,960 --> 00:42:34,359
Speaker 3: this is the championship. This season is over? Like this

1001
00:42:34,440 --> 00:42:37,560
Speaker 3: is it just didn't feel it didn't have that. It

1002
00:42:37,600 --> 00:42:42,360
Speaker 3: didn't have that that that championship energy, that championship a

1003
00:42:42,480 --> 00:42:45,680
Speaker 3: lord like this is a trophy that most players will

1004
00:42:45,719 --> 00:42:49,680
Speaker 3: never win, and watch the team win it, it didn't

1005
00:42:49,760 --> 00:42:51,680
Speaker 3: feel like, you know, they just didn't. I don't know,

1006
00:42:51,719 --> 00:42:54,640
Speaker 3: it's something. It just doesn't The NBA doesn't have that energy.

1007
00:42:54,680 --> 00:42:56,360
Speaker 3: I don't know what it is, but for the last

1008
00:42:56,520 --> 00:43:00,319
Speaker 3: couple of years it's been a very lack us to

1009
00:43:00,560 --> 00:43:04,040
Speaker 3: vibe with the NBA playoffs in the Championship.

1010
00:43:03,600 --> 00:43:06,560
Speaker 1: With women's sports on the rise, and me just watching

1011
00:43:06,600 --> 00:43:08,719
Speaker 1: this Dallas Cowboys cheerleader thing, like I think I have

1012
00:43:08,760 --> 00:43:11,360
Speaker 1: a full grasp of what it takes. Could we start

1013
00:43:11,360 --> 00:43:14,520
Speaker 1: the first male cheerleader crew, like maybe for the Liberty,

1014
00:43:14,960 --> 00:43:19,480
Speaker 1: for the Sparks, me U g Herbo like, we could

1015
00:43:19,560 --> 00:43:21,839
Speaker 1: just we could be the male chip if we make weight,

1016
00:43:21,920 --> 00:43:24,879
Speaker 1: we could be the male cheerleaders for women's sports.

1017
00:43:24,920 --> 00:43:25,480
Speaker 6: Oh you're out.

1018
00:43:25,880 --> 00:43:27,520
Speaker 1: Yeah, I'll pass on that. I'm cool.

1019
00:43:27,600 --> 00:43:29,200
Speaker 4: Y'all can't lift each other up? Y'all weak?

1020
00:43:30,680 --> 00:43:31,000
Speaker 6: Who can?

1021
00:43:31,280 --> 00:43:31,680
Speaker 1: You couldn't?

1022
00:43:31,760 --> 00:43:34,440
Speaker 3: You couldn't lift for Ri up, like hold him above

1023
00:43:34,440 --> 00:43:35,799
Speaker 3: my head? Yeah no, I can't do that.

1024
00:43:36,120 --> 00:43:38,680
Speaker 1: Exactly. Get Jada Kiss. I just saw him on the

1025
00:43:38,760 --> 00:43:42,800
Speaker 1: rings Kiss Kiss on rings. You didn't see him do

1026
00:43:42,840 --> 00:43:46,160
Speaker 1: that crazy acrobatic ship. Jada Kiss was on like the

1027
00:43:46,239 --> 00:43:50,319
Speaker 1: rings inverted? No, how did you see this? This shit

1028
00:43:50,360 --> 00:43:52,280
Speaker 1: went viral? They'll tell me Kiss was on no rings?

1029
00:43:52,560 --> 00:43:58,000
Speaker 1: I see wait for it? No way, you better stop

1030
00:43:58,239 --> 00:44:01,239
Speaker 1: playing with Jada. No, but he's doing like okay, no wait,

1031
00:44:01,280 --> 00:44:01,879
Speaker 1: wait for it.

1032
00:44:03,480 --> 00:44:05,720
Speaker 5: Mm hm oh shit.

1033
00:44:06,200 --> 00:44:08,080
Speaker 4: If you're on audio, you gotta go see the video

1034
00:44:08,080 --> 00:44:08,279
Speaker 4: on you.

1035
00:44:08,400 --> 00:44:10,360
Speaker 1: And then there's another version where he just holds himself

1036
00:44:10,440 --> 00:44:13,720
Speaker 1: upside down for like a minute. So Kiss could definitely

1037
00:44:13,800 --> 00:44:17,120
Speaker 1: join our cheer squad. Kiss, What the fuck you got

1038
00:44:17,120 --> 00:44:17,680
Speaker 1: going on? Man?

1039
00:44:18,160 --> 00:44:20,080
Speaker 3: Who kiss over the though I know he didn't he No,

1040
00:44:20,640 --> 00:44:22,759
Speaker 3: I'm that's dope. But on the rings, like where did

1041
00:44:22,800 --> 00:44:23,520
Speaker 3: kids even find those?

1042
00:44:23,680 --> 00:44:26,799
Speaker 1: Which Jim is that he did it in a trench coat? Yeah,

1043
00:44:26,800 --> 00:44:30,720
Speaker 1: I think this was doing. I can't believe you missed this.

1044
00:44:30,719 --> 00:44:34,480
Speaker 1: This was crazy in the trench. Yeah go Kiss, go ahead,

1045
00:44:35,640 --> 00:44:37,840
Speaker 1: look at that. That takes core strength.

1046
00:44:37,880 --> 00:44:39,960
Speaker 3: Yeah, he worked, but he's been and he been on this.

1047
00:44:40,040 --> 00:44:41,960
Speaker 3: He's been on his workout ship for a few years though.

1048
00:44:43,600 --> 00:44:45,120
Speaker 3: That at the end is hilarious.

1049
00:44:48,320 --> 00:44:48,480
Speaker 1: Yo.

1050
00:44:48,560 --> 00:44:51,880
Speaker 3: This nigga got real songs with Biggie, No made up ships,

1051
00:44:52,120 --> 00:44:54,839
Speaker 3: no made up ships crazy, So.

1052
00:44:54,800 --> 00:44:56,440
Speaker 1: You wouldn't want to look into that with me. No,

1053
00:44:56,800 --> 00:45:00,440
Speaker 1: what squad would you want to cheer on? I'm not.

1054
00:45:00,560 --> 00:45:00,840
Speaker 6: I'm not.

1055
00:45:01,520 --> 00:45:03,600
Speaker 3: I'm not a cheerleader, bro. I mean, well, let the

1056
00:45:03,600 --> 00:45:04,680
Speaker 3: internet teller I am.

1057
00:45:06,160 --> 00:45:06,359
Speaker 6: Yeah.

1058
00:45:06,400 --> 00:45:08,440
Speaker 1: I guess that was set up for easy joke. I

1059
00:45:08,440 --> 00:45:10,320
Speaker 1: didn't even I didn't even put those two and two together.

1060
00:45:10,320 --> 00:45:12,640
Speaker 1: I like the record, you know whatever, Listen, we don't

1061
00:45:12,640 --> 00:45:14,920
Speaker 1: have to go down that path. There was people in

1062
00:45:15,040 --> 00:45:17,920
Speaker 1: my d MS multiple over the weekend that said that

1063
00:45:17,960 --> 00:45:20,720
Speaker 1: they were going to murder me and my daughter based

1064
00:45:20,800 --> 00:45:22,840
Speaker 1: off my opinion of wanting to hear some B sides

1065
00:45:22,840 --> 00:45:27,839
Speaker 1: at the Kendrick Show. Welcome to the club. Yeah, yet

1066
00:45:28,120 --> 00:45:30,759
Speaker 1: yet I'm the weirdo's that's a light weekend. You want

1067
00:45:30,800 --> 00:45:33,440
Speaker 1: to kill you and your daughter? That's light, that's like,

1068
00:45:33,600 --> 00:45:36,799
Speaker 1: that's that's fine. But for the reason it's the craziest part.

1069
00:45:36,960 --> 00:45:38,920
Speaker 1: That's not wanting to murder me and my daughter. That's

1070
00:45:38,960 --> 00:45:40,480
Speaker 1: up to park leant to kill a nigga because he

1071
00:45:40,480 --> 00:45:42,840
Speaker 1: don't like who you like. That's not glazy. No, I

1072
00:45:42,880 --> 00:45:44,680
Speaker 1: actually liked the guy so much. I wanted to hear

1073
00:45:44,719 --> 00:45:49,680
Speaker 1: his B sides. I wanted to hear some Section eighty stuff.

1074
00:45:49,719 --> 00:45:51,880
Speaker 3: You niggas you in and that niggas are so weird,

1075
00:45:52,000 --> 00:45:54,840
Speaker 3: man oh man, But I love having fun with them, so.

1076
00:45:54,600 --> 00:45:56,520
Speaker 1: No, it's great to have the conversations back and forth.

1077
00:45:56,560 --> 00:45:59,840
Speaker 1: I just I understand like a lot of the flak

1078
00:45:59,840 --> 00:46:02,759
Speaker 1: we been getting just from that point of view. But

1079
00:46:02,880 --> 00:46:05,799
Speaker 1: the b side one, I have just racking my mind

1080
00:46:05,880 --> 00:46:08,600
Speaker 1: all weekend of why that was so offensive to everyone

1081
00:46:08,640 --> 00:46:11,200
Speaker 1: that I personally just felt like I wanted that Welcome

1082
00:46:11,239 --> 00:46:13,480
Speaker 1: to the club, man, welcome to the fucking club. But

1083
00:46:13,520 --> 00:46:17,560
Speaker 1: it's cool. Bobby was setting them straight over the weekend.

1084
00:46:17,600 --> 00:46:20,000
Speaker 1: They didn't need me, so they sent They sent Big

1085
00:46:20,040 --> 00:46:23,239
Speaker 1: Bob over there. So Kendrick is a Bob. Kendrick shot

1086
00:46:23,239 --> 00:46:24,719
Speaker 1: a video for not Like Us.

1087
00:46:25,600 --> 00:46:27,640
Speaker 3: So not only do we have the Amazon show, now

1088
00:46:27,640 --> 00:46:29,120
Speaker 3: we have the video ready to come out.

1089
00:46:29,360 --> 00:46:32,080
Speaker 1: Oh you sound like me and w Reith you said

1090
00:46:32,160 --> 00:46:35,439
Speaker 1: outside too much. That's sit. Now we got the video.

1091
00:46:35,480 --> 00:46:38,320
Speaker 1: Because the videos on the way, I thought it was cool,

1092
00:46:38,520 --> 00:46:42,520
Speaker 1: like BTS for videos being a thing again, even Complex

1093
00:46:42,800 --> 00:46:44,640
Speaker 1: who you know we've been back and forth with. I

1094
00:46:44,680 --> 00:46:46,600
Speaker 1: thought it was cool they were on set like old

1095
00:46:46,719 --> 00:46:50,080
Speaker 1: MTV news shit covering music videos. I thought that was

1096
00:46:50,520 --> 00:46:53,600
Speaker 1: something I miss in the culture when music videos like

1097
00:46:53,680 --> 00:46:56,080
Speaker 1: mattered and they all of media stopped what they were

1098
00:46:56,080 --> 00:46:58,680
Speaker 1: doing to go to the set and interview people. That

1099
00:46:58,760 --> 00:47:00,560
Speaker 1: was cool and all of the shit.

1100
00:47:00,600 --> 00:47:02,920
Speaker 3: Aside, y'all, don't think this is like it's a bit

1101
00:47:03,000 --> 00:47:06,840
Speaker 3: much with this record now, Like, y'all don't think that

1102
00:47:06,920 --> 00:47:09,400
Speaker 3: it's like it's like we've dragged it a little like

1103
00:47:09,440 --> 00:47:12,000
Speaker 3: it's a diss record, number one grade all of this

1104
00:47:12,200 --> 00:47:13,440
Speaker 3: Amazon showed great.

1105
00:47:13,880 --> 00:47:15,279
Speaker 1: But if you have a number one record, you're not

1106
00:47:15,280 --> 00:47:18,200
Speaker 1: going to shoot the video. First of all, I don't

1107
00:47:18,200 --> 00:47:19,960
Speaker 1: believe that record with number one. That's just it did.

1108
00:47:20,080 --> 00:47:22,880
Speaker 1: But whatever, it's definitely number two. I get it.

1109
00:47:22,920 --> 00:47:26,120
Speaker 3: But like, now we get the video, which means now

1110
00:47:26,120 --> 00:47:28,240
Speaker 3: we got to roll the video out into the album.

1111
00:47:28,719 --> 00:47:29,880
Speaker 1: Like sounds like a rollout.

1112
00:47:29,960 --> 00:47:31,640
Speaker 4: Damn, it sounds like a successful rollout.

1113
00:47:31,760 --> 00:47:34,279
Speaker 1: It sounds like, yeah, but I'm just saying off of

1114
00:47:34,320 --> 00:47:40,040
Speaker 1: a disrecord. Though, Yeah, Drake shot a video, didn't he

1115
00:47:40,160 --> 00:47:42,680
Speaker 1: rolled a whole van into the sixth? Did he roll

1116
00:47:42,680 --> 00:47:45,280
Speaker 1: out an album over a disrecord? No?

1117
00:47:45,719 --> 00:47:47,440
Speaker 3: So back to what I was saying, y'all, don't think

1118
00:47:47,440 --> 00:47:51,719
Speaker 3: this is a bit like didn't he not do that interviews?

1119
00:47:54,320 --> 00:47:58,640
Speaker 1: Yes, phone was views. Didn't he take the momentum from

1120
00:47:58,719 --> 00:48:01,839
Speaker 1: the Meek Thing into the Future thing and then interviews.

1121
00:48:03,120 --> 00:48:05,360
Speaker 1: I think the Meek ship went right into the Future

1122
00:48:05,600 --> 00:48:08,000
Speaker 1: collab album like that was momentum.

1123
00:48:08,040 --> 00:48:11,440
Speaker 3: That's different, bro, this is this is what meetsh it

1124
00:48:11,520 --> 00:48:13,040
Speaker 3: was was that me shit on the future album?

1125
00:48:14,080 --> 00:48:16,799
Speaker 1: He did the thirty for thirty free style right after

1126
00:48:17,040 --> 00:48:19,040
Speaker 1: was charged up back to best the leak song on

1127
00:48:19,120 --> 00:48:21,680
Speaker 1: the album. Don't I don't think that. You don't know that,

1128
00:48:21,760 --> 00:48:23,319
Speaker 1: not like us, it's going to be on Kendrick's album.

1129
00:48:23,640 --> 00:48:27,880
Speaker 1: Are you Rory? Don't make me kick your child? It

1130
00:48:27,920 --> 00:48:29,719
Speaker 1: don't make me care you You you put out on me?

1131
00:48:29,840 --> 00:48:31,960
Speaker 1: So did you put out music? You you think that

1132
00:48:31,960 --> 00:48:33,799
Speaker 1: that song is not going to be on the album?

1133
00:48:34,200 --> 00:48:34,719
Speaker 1: I don't know.

1134
00:48:34,800 --> 00:48:35,560
Speaker 5: I don't think it will.

1135
00:48:36,000 --> 00:48:38,440
Speaker 1: Why. Yeah, I'm kind of sorry, man, I'm kind of

1136
00:48:38,480 --> 00:48:40,359
Speaker 1: on the side that Kendrick won't do that. I don't

1137
00:48:40,400 --> 00:48:41,200
Speaker 1: I could be very wrong.

1138
00:48:41,200 --> 00:48:41,879
Speaker 6: I don't think it will.

1139
00:48:41,760 --> 00:48:43,319
Speaker 1: Because it would be the smart thing to do it.

1140
00:48:43,680 --> 00:48:46,000
Speaker 1: Oh yeah, y'all bolden on the crazy side because Kendricks.

1141
00:48:46,000 --> 00:48:47,200
Speaker 5: Because Kendrick's albums.

1142
00:48:46,920 --> 00:48:48,319
Speaker 1: Are so you think that this song is not gonna

1143
00:48:48,320 --> 00:48:49,040
Speaker 1: be a Kendrick's album.

1144
00:48:49,080 --> 00:48:53,880
Speaker 6: No, because his album is so conceptually concise that thematically.

1145
00:48:53,960 --> 00:48:56,000
Speaker 6: I don't think this would fall in line with whatever

1146
00:48:56,080 --> 00:48:59,880
Speaker 6: message he's putting out. If anything bonus, it would be like,

1147
00:49:00,040 --> 00:49:03,480
Speaker 6: here's the album, twelve songs, whatever, track thirteen bonus.

1148
00:49:03,520 --> 00:49:05,160
Speaker 5: Not like us, but it wouldn't.

1149
00:49:04,880 --> 00:49:07,600
Speaker 1: If you thall is not going to be on Kendrick's album.

1150
00:49:07,680 --> 00:49:09,560
Speaker 6: I don't think it would fall in sequence of the

1151
00:49:09,640 --> 00:49:12,600
Speaker 6: message of the album itself. But I can see a

1152
00:49:12,600 --> 00:49:14,640
Speaker 6: world where it would be added as a bonus record

1153
00:49:14,640 --> 00:49:15,080
Speaker 6: to the album.

1154
00:49:15,120 --> 00:49:16,400
Speaker 1: I mean, okay, you think this is going to be

1155
00:49:16,440 --> 00:49:17,640
Speaker 1: a bonus record on Kendrick?

1156
00:49:17,640 --> 00:49:18,840
Speaker 6: Sure? Maybe maybe.

1157
00:49:19,320 --> 00:49:21,799
Speaker 1: Hotline Bling obviously wasn't a dis to Meek, but it

1158
00:49:21,840 --> 00:49:23,320
Speaker 1: was in the three pack that had a dis to

1159
00:49:23,360 --> 00:49:25,120
Speaker 1: Meek as a throwaway, and then it ended up being

1160
00:49:25,120 --> 00:49:26,759
Speaker 1: as big ast song. He shot a video and put

1161
00:49:26,760 --> 00:49:27,400
Speaker 1: it on his album.

1162
00:49:27,719 --> 00:49:29,239
Speaker 3: Yeah, but when that came out, I was one of

1163
00:49:29,280 --> 00:49:30,920
Speaker 3: the ones that was like, yo, y'all listening to these

1164
00:49:30,960 --> 00:49:36,200
Speaker 3: dis records. Ling record is fucking insane, but we're talking

1165
00:49:36,239 --> 00:49:37,719
Speaker 3: about it. But not like us, y'all think that this

1166
00:49:37,800 --> 00:49:39,960
Speaker 3: is not going to be on his album. Julie said

1167
00:49:39,960 --> 00:49:40,880
Speaker 3: he think it's gonna be a bon.

1168
00:49:40,760 --> 00:49:43,920
Speaker 1: I think if any artist wouldn't do it. It would be Kendrick.

1169
00:49:44,600 --> 00:49:46,479
Speaker 1: I think any other artists would and it's a smart

1170
00:49:46,520 --> 00:49:48,760
Speaker 1: thing to do. I just don't know if he's gonna

1171
00:49:48,760 --> 00:49:52,000
Speaker 1: do that. I think this is all more rolling into

1172
00:49:52,000 --> 00:49:54,880
Speaker 1: the TD twenty year anniversary momentum than it is whatever

1173
00:49:54,960 --> 00:49:55,800
Speaker 1: solo shit Kendrick.

1174
00:49:55,960 --> 00:49:59,080
Speaker 3: This is Kendrick's first album on PG Liane Yes, Yes,

1175
00:49:59,160 --> 00:50:00,680
Speaker 3: and y'all don't think that this this record is gonna

1176
00:50:00,680 --> 00:50:05,160
Speaker 3: be an album.

1177
00:50:05,440 --> 00:50:08,080
Speaker 1: I feel like if he was still on TD and Innerscope,

1178
00:50:08,120 --> 00:50:10,440
Speaker 1: they would force him to. But I think he can

1179
00:50:10,480 --> 00:50:13,200
Speaker 1: make his own decisions now, and Kendrick would be one

1180
00:50:13,239 --> 00:50:14,640
Speaker 1: of the artists that I think wouldn't do that.

1181
00:50:14,840 --> 00:50:17,239
Speaker 7: Okay, I wouldn't listen. I'm not saying it won't be.

1182
00:50:17,480 --> 00:50:18,920
Speaker 7: I don't think it will, but I'm not saying it

1183
00:50:18,920 --> 00:50:21,880
Speaker 7: won't be. It's a possibility. Business wise, it would be

1184
00:50:21,880 --> 00:50:23,040
Speaker 7: smart to put it on there.

1185
00:50:23,600 --> 00:50:27,360
Speaker 1: But this is this is what business right, music business.

1186
00:50:27,600 --> 00:50:30,000
Speaker 7: Yeah, I'm saying that it wouldn't that he shouldn't do it,

1187
00:50:30,080 --> 00:50:30,560
Speaker 7: or that it's.

1188
00:50:30,400 --> 00:50:31,200
Speaker 4: Not smart for him to do it.

1189
00:50:31,200 --> 00:50:31,319
Speaker 7: All.

1190
00:50:32,320 --> 00:50:33,719
Speaker 1: If you think it will be, you said no.

1191
00:50:34,000 --> 00:50:34,239
Speaker 6: I don't.

1192
00:50:34,280 --> 00:50:36,759
Speaker 7: I don't think that it will be but as far

1193
00:50:36,840 --> 00:50:39,040
Speaker 7: as the video and stuff, mal like. You know, usually

1194
00:50:39,040 --> 00:50:40,680
Speaker 7: when people be saying you be hating, I'll be like

1195
00:50:40,719 --> 00:50:44,239
Speaker 7: sticking up for you. But nah, Like, it's when a

1196
00:50:44,320 --> 00:50:46,640
Speaker 7: song has this momentum, Like you just said, it's a business.

1197
00:50:46,640 --> 00:50:49,399
Speaker 7: When a song has this momentum and this much talk, Yeah,

1198
00:50:49,400 --> 00:50:52,480
Speaker 7: you shoot a video for it. Yeah, that's that's what

1199
00:50:52,520 --> 00:50:56,239
Speaker 7: you do. You would be a dumb ass businessman to

1200
00:50:56,360 --> 00:50:56,880
Speaker 7: not do so.

1201
00:50:57,239 --> 00:50:58,680
Speaker 1: But you don't. But you don't think he's gonna put

1202
00:50:58,719 --> 00:50:59,280
Speaker 1: on an album.

1203
00:51:00,480 --> 00:51:02,480
Speaker 4: No, I don't. But that's not because.

1204
00:51:02,239 --> 00:51:04,800
Speaker 1: I don't think it's that important to how big of

1205
00:51:04,840 --> 00:51:07,560
Speaker 1: an artist that Kendrick is that he would need to

1206
00:51:07,560 --> 00:51:10,120
Speaker 1: put that on there to make sure it sells. It's

1207
00:51:10,160 --> 00:51:12,439
Speaker 1: going to sell Andrew la Marcells every time he puts

1208
00:51:12,520 --> 00:51:15,800
Speaker 1: music out. If this, if this was reversed to and

1209
00:51:15,880 --> 00:51:18,759
Speaker 1: let's say there was a knot like us on the

1210
00:51:18,840 --> 00:51:20,719
Speaker 1: Drake side and he was about to put an album out,

1211
00:51:20,760 --> 00:51:22,279
Speaker 1: I would say Drake wouldn't need to put that on

1212
00:51:22,280 --> 00:51:26,880
Speaker 1: there either. They're both A list artists that can make

1213
00:51:26,920 --> 00:51:29,759
Speaker 1: their own decisions. Two very different artists for sure, but

1214
00:51:29,800 --> 00:51:31,520
Speaker 1: they're both A listers.

1215
00:51:32,600 --> 00:51:35,359
Speaker 7: And hence the line Kendrick just opened his mouth. Someone

1216
00:51:35,400 --> 00:51:36,960
Speaker 7: go give him a Grammy right now, Like there's a

1217
00:51:37,000 --> 00:51:38,600
Speaker 7: reason why.

1218
00:51:38,440 --> 00:51:40,680
Speaker 1: He said that. Of course, there's a reason.

1219
00:51:40,800 --> 00:51:43,080
Speaker 4: Kendrick don't need help selling. He don't need to.

1220
00:51:43,200 --> 00:51:45,560
Speaker 3: That's not why he said that. So I think you

1221
00:51:45,600 --> 00:51:47,080
Speaker 3: took that ball, Ron, It's not why he said that.

1222
00:51:47,239 --> 00:51:49,960
Speaker 3: What do you mean he said that because he's basically

1223
00:51:49,960 --> 00:51:51,919
Speaker 3: saying that no matter what he says, people are gonna

1224
00:51:51,920 --> 00:51:53,080
Speaker 3: act like it's the greatest shit in the world.

1225
00:51:53,120 --> 00:51:54,880
Speaker 1: And Nani mc grammy, yea, he was a good bar

1226
00:51:56,239 --> 00:52:00,160
Speaker 1: but also he's never had struggles selling. No, I'm this

1227
00:52:00,239 --> 00:52:02,080
Speaker 1: is not about that. I'm saying that I don't think

1228
00:52:02,120 --> 00:52:03,400
Speaker 1: they need Bobby at the Park.

1229
00:52:03,719 --> 00:52:05,759
Speaker 3: You think that this song that got him a bag

1230
00:52:05,760 --> 00:52:08,600
Speaker 3: from Amazon to do a show and now shooting a

1231
00:52:08,640 --> 00:52:10,560
Speaker 3: video for it, you think all of that, but he's

1232
00:52:10,560 --> 00:52:13,279
Speaker 3: not gonna put it on his first album on his own.

1233
00:52:13,640 --> 00:52:16,600
Speaker 1: I think that Drake Kendrick thing, he's closing that chapter.

1234
00:52:16,680 --> 00:52:17,840
Speaker 1: It's done, and then he's gonna move on to that.

1235
00:52:17,920 --> 00:52:19,640
Speaker 7: And I also think that even if Not Like Us

1236
00:52:19,880 --> 00:52:22,640
Speaker 7: hadn't come out, I still think that Kendrick will get

1237
00:52:22,640 --> 00:52:23,320
Speaker 7: that Amazon.

1238
00:52:24,040 --> 00:52:25,839
Speaker 1: Now do I think there's going to be another disc

1239
00:52:25,960 --> 00:52:29,040
Speaker 1: on the album that's new, Yes, I do. I don't

1240
00:52:29,040 --> 00:52:30,759
Speaker 1: think it's gonna be not like us. I think it'd

1241
00:52:30,760 --> 00:52:34,719
Speaker 1: be a brand new verse or song in itself. And

1242
00:52:34,719 --> 00:52:37,000
Speaker 1: I think Drake's gonna do the same thing. I think

1243
00:52:37,000 --> 00:52:39,200
Speaker 1: they're gonna go back and forth the way Jay and

1244
00:52:39,280 --> 00:52:42,920
Speaker 1: Os continued on when it was done Blueprint two versus

1245
00:52:43,000 --> 00:52:45,680
Speaker 1: God's Plan like God's Son.

1246
00:52:45,719 --> 00:52:48,600
Speaker 3: I'm sorry, Well, back to the Amazon show. One person

1247
00:52:48,640 --> 00:52:50,200
Speaker 3: that we talked about that wasn't there the game, he

1248
00:52:50,239 --> 00:52:51,080
Speaker 3: finally addressed.

1249
00:52:52,160 --> 00:52:54,880
Speaker 1: I guess all of the talking.

1250
00:52:54,680 --> 00:52:58,680
Speaker 3: And the rumblings of why he wasn't there, and you know,

1251
00:52:59,040 --> 00:53:04,319
Speaker 3: he basically basically set the record straight on why he

1252
00:53:04,360 --> 00:53:07,200
Speaker 3: wasn't there. He said, motherfucker's and my dms and all

1253
00:53:07,239 --> 00:53:10,000
Speaker 3: these blog sites and whatnot talking about the West Coast

1254
00:53:10,040 --> 00:53:11,920
Speaker 3: ain't fucking with you, and you ain't this and you

1255
00:53:11,920 --> 00:53:12,600
Speaker 3: ain't that.

1256
00:53:12,840 --> 00:53:14,640
Speaker 1: And you signed with this nigga and that nigga.

1257
00:53:15,120 --> 00:53:17,279
Speaker 3: When the fuck y'all heard me say motherfucking thing about

1258
00:53:17,320 --> 00:53:19,239
Speaker 3: who I'm signing with and this and that I being

1259
00:53:19,320 --> 00:53:22,120
Speaker 3: my own a chilling nigga taking care of my kids.

1260
00:53:22,160 --> 00:53:26,840
Speaker 1: Out the fucking way. I mean, I get what he

1261
00:53:26,920 --> 00:53:29,480
Speaker 1: was saying. And I understand why he addressed it. I

1262
00:53:29,520 --> 00:53:31,680
Speaker 1: don't know if he needed to per se he needed,

1263
00:53:31,760 --> 00:53:34,160
Speaker 1: but he definitely needed Yeah, I got I take that back.

1264
00:53:34,200 --> 00:53:35,279
Speaker 1: He kind of didn't need to say something.

1265
00:53:35,280 --> 00:53:36,799
Speaker 3: I love what he said about his He said his

1266
00:53:36,840 --> 00:53:39,880
Speaker 3: relationship with Drake. My relationship with Drake. Drake is my brother.

1267
00:53:41,239 --> 00:53:42,960
Speaker 3: I fuck with Drake. If I called Drake and tell

1268
00:53:43,040 --> 00:53:45,279
Speaker 3: him I need this, I need that, he gonna do it.

1269
00:53:45,320 --> 00:53:47,920
Speaker 3: If I tell him my kids want concert tickets, Nigga

1270
00:53:47,960 --> 00:53:49,719
Speaker 3: ain't in that, bitch. I'm a father first, and my

1271
00:53:49,760 --> 00:53:53,680
Speaker 3: loyalty is with motherfuckers. That's loyal to me. So my

1272
00:53:53,800 --> 00:53:57,120
Speaker 3: loyalty is with motherfuckers that's loyal to me.

1273
00:53:58,719 --> 00:53:59,600
Speaker 1: That stood out.

1274
00:54:00,920 --> 00:54:04,680
Speaker 3: Because basically what you're saying is, Okay, I'm only loyal

1275
00:54:04,719 --> 00:54:06,480
Speaker 3: to the niggas that's loyal to me. So who's not

1276
00:54:06,640 --> 00:54:11,120
Speaker 3: loyal to Game? I said it over the the past

1277
00:54:11,600 --> 00:54:14,000
Speaker 3: a couple of weeks. It's been the thing that I,

1278
00:54:14,080 --> 00:54:15,560
Speaker 3: you know, talking to people in LA, and a lot

1279
00:54:15,560 --> 00:54:19,399
Speaker 3: of people really feel like LA don't don't embrace Game

1280
00:54:19,440 --> 00:54:20,719
Speaker 3: the way he should. I know a lot of people

1281
00:54:20,800 --> 00:54:24,959
Speaker 3: saying it it's because of his management with Whack. People

1282
00:54:24,960 --> 00:54:26,719
Speaker 3: don't really fuck with with Whack like that.

1283
00:54:28,160 --> 00:54:30,120
Speaker 1: But I think Game has done a good job of

1284
00:54:31,040 --> 00:54:33,680
Speaker 1: publicly having a stance on even though Whack is his manager,

1285
00:54:33,719 --> 00:54:36,120
Speaker 1: he does not agree, Like remember that own Nipsey versus

1286
00:54:36,120 --> 00:54:38,680
Speaker 1: Whack thing, What's happened Drink Champs and all that. Game

1287
00:54:38,800 --> 00:54:41,200
Speaker 1: was extremely vocal and saying, I don't agree with not

1288
00:54:41,320 --> 00:54:43,640
Speaker 1: one fucking word. He just said, he's my manager. I

1289
00:54:43,680 --> 00:54:47,360
Speaker 1: fuck with him, but that's bullshit. I don't agree everything

1290
00:54:47,400 --> 00:54:50,439
Speaker 1: Whack says doesn't mean Game agrees with it. So he's

1291
00:54:50,480 --> 00:54:52,160
Speaker 1: made that separation. But I could see how could rub

1292
00:54:52,200 --> 00:54:57,400
Speaker 1: people the wrong way because Whack is a very powerful

1293
00:54:57,480 --> 00:54:59,520
Speaker 1: voice and has a lot of opinions that rub people

1294
00:54:59,520 --> 00:55:02,920
Speaker 1: the wrong way. Yeah, but so who do you think

1295
00:55:03,000 --> 00:55:05,200
Speaker 1: is not loyal to Game? What are you alluding to? Oh,

1296
00:55:05,440 --> 00:55:05,799
Speaker 1: I don't know.

1297
00:55:05,840 --> 00:55:07,799
Speaker 3: I'm just saying this been talks about, you know, LA

1298
00:55:08,040 --> 00:55:09,880
Speaker 3: kind of turning it back on him, Compton kind of

1299
00:55:09,920 --> 00:55:11,799
Speaker 3: turning it back on him again.

1300
00:55:11,800 --> 00:55:12,160
Speaker 1: I don't know.

1301
00:55:12,200 --> 00:55:13,839
Speaker 3: I'm not from the city, so I don't I don't.

1302
00:55:13,880 --> 00:55:15,680
Speaker 3: I don't know, but just speaking from people from LA,

1303
00:55:16,080 --> 00:55:17,719
Speaker 3: it's some things that people were saying, and I.

1304
00:55:18,239 --> 00:55:19,680
Speaker 1: Was surprised by it because I didn't.

1305
00:55:20,000 --> 00:55:21,640
Speaker 3: I didn't know that that's where it stood with Game,

1306
00:55:21,719 --> 00:55:25,120
Speaker 3: but I like that he did address it and he

1307
00:55:25,200 --> 00:55:29,719
Speaker 3: made the record clear he fucked with Drake, so he

1308
00:55:29,880 --> 00:55:31,400
Speaker 3: of course he wouldn't be a part of of a

1309
00:55:31,480 --> 00:55:36,600
Speaker 3: show that's seemingly uh, you know, put Peyton Drake in

1310
00:55:36,640 --> 00:55:39,920
Speaker 3: a certain type of light because that's his brother, as

1311
00:55:39,960 --> 00:55:44,200
Speaker 3: he said, and I respect that. You know, it's tough

1312
00:55:44,239 --> 00:55:46,480
Speaker 3: when you're from a city and an artist from the

1313
00:55:46,480 --> 00:55:49,640
Speaker 3: same city you're from is beefing or got a situation

1314
00:55:49,640 --> 00:55:52,200
Speaker 3: where somebody cool with it. Takes a lot for you

1315
00:55:52,239 --> 00:55:53,560
Speaker 3: to stand there and be like, yo, I get it,

1316
00:55:53,840 --> 00:55:58,560
Speaker 3: this is Compton. I support Kendrick, but that's my man.

1317
00:55:58,880 --> 00:56:00,640
Speaker 3: You know, that's my brother. Drake is my brother. So

1318
00:56:01,320 --> 00:56:03,560
Speaker 3: I'm signing I stand with Drake in this situation.

1319
00:56:03,920 --> 00:56:07,120
Speaker 1: Okay, but if you heard top Dog, wouldn't you feel

1320
00:56:07,200 --> 00:56:09,759
Speaker 1: some type of way? No, you can't. I don't think

1321
00:56:09,800 --> 00:56:12,640
Speaker 1: you could feel away. But like, if he's standing with Drake,

1322
00:56:12,760 --> 00:56:14,840
Speaker 1: that is standing with the opposite. You're not being neutral,

1323
00:56:14,880 --> 00:56:15,879
Speaker 1: You're just saying I staying with Drake.

1324
00:56:16,120 --> 00:56:19,000
Speaker 3: Yeah, But that's why I respect that. Okay, That's why

1325
00:56:19,000 --> 00:56:21,200
Speaker 3: I respect it because it's like, yo, nah, this is

1326
00:56:21,239 --> 00:56:24,080
Speaker 3: my brother, This is my He obviously has a different

1327
00:56:24,120 --> 00:56:26,280
Speaker 3: type of relationship with Drake than he does with Kendrick,

1328
00:56:26,320 --> 00:56:26,960
Speaker 3: and that's okay.

1329
00:56:27,400 --> 00:56:29,759
Speaker 1: We get more so a Top in their history.

1330
00:56:29,480 --> 00:56:32,840
Speaker 3: And I mean again, he feels like his relationship with

1331
00:56:32,960 --> 00:56:36,520
Speaker 3: Drake is a lot. They have a stronger bond, They

1332
00:56:36,520 --> 00:56:38,800
Speaker 3: have a stronger connection to stronger relationship.

1333
00:56:38,360 --> 00:56:40,560
Speaker 1: Than where him and Top may have just more time

1334
00:56:40,640 --> 00:56:44,279
Speaker 1: together rather than closeness. So I don't know, man, these guys.

1335
00:56:44,320 --> 00:56:46,839
Speaker 1: And obviously I was talking like I knew game last

1336
00:56:46,920 --> 00:56:47,640
Speaker 1: last episodes.

1337
00:56:47,719 --> 00:56:50,839
Speaker 3: Oh yeah, you diagnosed but four different mental illnesses because

1338
00:56:50,840 --> 00:56:51,360
Speaker 3: I'm a doctor.

1339
00:56:51,480 --> 00:56:53,160
Speaker 1: Yeah, doctor doctor Farrell.

1340
00:56:53,520 --> 00:56:56,120
Speaker 3: I watched the Cowboys cheerleaders and once you watch that,

1341
00:56:56,160 --> 00:56:57,759
Speaker 3: you become pH.

1342
00:56:57,560 --> 00:56:58,719
Speaker 1: Those ladies get injured a lot.

1343
00:56:58,800 --> 00:56:59,359
Speaker 5: Yeah, I get it.

1344
00:56:59,640 --> 00:57:02,960
Speaker 1: I could definitely diagnosed twisted ankle immediately just off how

1345
00:57:03,000 --> 00:57:08,040
Speaker 1: swollen it was. But either way, I'm glad this shit

1346
00:57:08,120 --> 00:57:10,399
Speaker 1: is starting to die down. But with this video, I'm

1347
00:57:10,440 --> 00:57:13,800
Speaker 1: sure it overignite everything. I actually really have no opinion

1348
00:57:13,880 --> 00:57:17,160
Speaker 1: on the Bobby allthough things I don't know. I've said

1349
00:57:17,200 --> 00:57:19,960
Speaker 1: my piece about Bobby her being there with Wygi't are

1350
00:57:20,000 --> 00:57:21,840
Speaker 1: they doing an interview? Was that just part of the

1351
00:57:21,880 --> 00:57:23,200
Speaker 1: interview that's going to come out with Waygi.

1352
00:57:23,400 --> 00:57:26,080
Speaker 3: It's like mascot shit at this point, bring Bobby to

1353
00:57:26,120 --> 00:57:27,320
Speaker 3: the hood, paradeo around.

1354
00:57:29,120 --> 00:57:31,680
Speaker 1: I've said my piece since the second Bobby episode, so

1355
00:57:31,720 --> 00:57:33,200
Speaker 1: it's not hating. If I thought it was weird she

1356
00:57:33,280 --> 00:57:34,680
Speaker 1: was there, it was weird.

1357
00:57:35,000 --> 00:57:40,160
Speaker 6: I was reading some stuff about Kendrick that I thought

1358
00:57:40,240 --> 00:57:41,640
Speaker 6: was interesting. Most of the stuff I just kind of

1359
00:57:41,640 --> 00:57:43,560
Speaker 6: combed through it, Tognore because it's all like fan fodder.

1360
00:57:43,560 --> 00:57:46,520
Speaker 6: But there was this whole thing about is Kendrick's been

1361
00:57:46,600 --> 00:57:48,840
Speaker 6: the most the most we've seen Kendrick in the spotlight

1362
00:57:48,880 --> 00:57:52,040
Speaker 6: really seemingly ever, is like since this beef with the show,

1363
00:57:52,160 --> 00:57:54,520
Speaker 6: the music video, just like him being outside and people

1364
00:57:54,520 --> 00:57:59,640
Speaker 6: are speculating, is Kendrick ready to assume the role of

1365
00:57:59,680 --> 00:58:02,760
Speaker 6: being someone that's more of a public figure, like being

1366
00:58:03,480 --> 00:58:07,439
Speaker 6: seen outside consistently making music or do you guys think

1367
00:58:07,640 --> 00:58:09,200
Speaker 6: you think he'll assume that role and stay in this

1368
00:58:09,240 --> 00:58:11,080
Speaker 6: position or will do you think he'll kind of slowly

1369
00:58:11,600 --> 00:58:13,880
Speaker 6: once this whole rollout the album comes out, kind of

1370
00:58:14,120 --> 00:58:15,840
Speaker 6: go back into his way.

1371
00:58:16,040 --> 00:58:18,600
Speaker 1: When PG LANG was first being announced over many years ago,

1372
00:58:18,640 --> 00:58:23,120
Speaker 1: that was before mister Morrele My prediction was that out

1373
00:58:23,120 --> 00:58:25,439
Speaker 1: of whatever this is, because we didn't know much about

1374
00:58:25,480 --> 00:58:28,360
Speaker 1: it at all at that point, I predicted that Kendrick

1375
00:58:28,480 --> 00:58:30,240
Speaker 1: was going to be outside a lot more. We'd be

1376
00:58:30,240 --> 00:58:32,760
Speaker 1: seeing a lot more of him. He'd be doing more features,

1377
00:58:33,840 --> 00:58:37,160
Speaker 1: be more visuals, like I just don't think it's going

1378
00:58:37,200 --> 00:58:39,760
Speaker 1: to be the quiet Kendrick anymore. Now that he's free

1379
00:58:39,840 --> 00:58:42,120
Speaker 1: with his own company. I think we're going to see

1380
00:58:42,120 --> 00:58:44,439
Speaker 1: a lot more of Kendrick. But I thought that before

1381
00:58:44,440 --> 00:58:47,840
Speaker 1: the whole Drake thing, So yeah, I think this is

1382
00:58:47,880 --> 00:58:50,640
Speaker 1: going to be part of the career, part of Kendrick's

1383
00:58:50,640 --> 00:58:52,920
Speaker 1: career where we see him way more than we did before.

1384
00:58:53,320 --> 00:58:55,440
Speaker 3: I don't know, I haven't thought that much about it.

1385
00:58:55,520 --> 00:58:57,600
Speaker 3: I think that Kendrick is still gonna be who he is.

1386
00:58:57,640 --> 00:59:01,280
Speaker 3: He's not a guy that's you just see all the time,

1387
00:59:03,360 --> 00:59:05,520
Speaker 3: So I don't know. I mean, it's album time. You

1388
00:59:05,560 --> 00:59:08,560
Speaker 3: gotta be outside, you got to be more visible accessible.

1389
00:59:09,680 --> 00:59:12,439
Speaker 3: So we'll have to see once this album rolls out

1390
00:59:12,520 --> 00:59:15,960
Speaker 3: and you know it's that that period is overweight, we

1391
00:59:16,000 --> 00:59:18,320
Speaker 3: would have to see what type of role Kendrick is

1392
00:59:18,320 --> 00:59:20,080
Speaker 3: willing to step because now they crowned him the king

1393
00:59:20,080 --> 00:59:21,360
Speaker 3: of the West.

1394
00:59:22,000 --> 00:59:26,040
Speaker 1: But that was like before this people were saying that

1395
00:59:26,120 --> 00:59:26,320
Speaker 1: I was.

1396
00:59:26,320 --> 00:59:29,160
Speaker 6: Gonna say who who even before then would have been

1397
00:59:29,200 --> 00:59:29,720
Speaker 6: if it's not.

1398
00:59:29,680 --> 00:59:35,960
Speaker 1: Him, There's been amazing West Coast artists, but it felt

1399
00:59:35,960 --> 00:59:40,720
Speaker 1: like it went from Game to Kendrick pretty seamlessly. Well

1400
00:59:40,760 --> 00:59:43,040
Speaker 1: that's not discredit well Snoop at the house.

1401
00:59:45,520 --> 00:59:47,640
Speaker 3: And even the Game might have said that that Kendrick

1402
00:59:47,680 --> 00:59:50,760
Speaker 3: was the king of the West at one point. I

1403
00:59:50,760 --> 00:59:52,560
Speaker 3: don't know, but I just think that when you when

1404
00:59:52,600 --> 00:59:54,440
Speaker 3: you are in that role now and with all of

1405
00:59:54,440 --> 00:59:56,320
Speaker 3: this that's going on, with this, this new album and

1406
00:59:56,360 --> 00:59:59,480
Speaker 3: this is the record now, I think that Kendrick has

1407
00:59:59,520 --> 01:00:01,880
Speaker 3: to be a little more visible. He has to be

1408
01:00:01,960 --> 01:00:06,560
Speaker 3: a little more accessible. I don't know if he will be, though.

1409
01:00:06,840 --> 01:00:08,720
Speaker 3: I think Kendrick is at that point in his life

1410
01:00:08,720 --> 01:00:11,200
Speaker 3: where he can do what the fuck he want to do.

1411
01:00:11,240 --> 01:00:12,800
Speaker 3: So if you want to disappear after this is over

1412
01:00:12,840 --> 01:00:15,160
Speaker 3: with and not be seen for a couple of years,

1413
01:00:15,200 --> 01:00:16,680
Speaker 3: I think he'll very much do that too.

1414
01:00:16,880 --> 01:00:18,680
Speaker 1: Well. I mean, out of the big three, Kendrick was

1415
01:00:18,720 --> 01:00:21,320
Speaker 1: the only one that hadn't like owned his own label.

1416
01:00:22,800 --> 01:00:25,400
Speaker 1: So I think just by proxy, now that he has

1417
01:00:25,440 --> 01:00:28,240
Speaker 1: PG lang with Dave Free as a business owner, and

1418
01:00:28,400 --> 01:00:31,880
Speaker 1: they talked about signing acts, doing multimedia experiences and all

1419
01:00:31,880 --> 01:00:33,920
Speaker 1: this shit. He's going to have to be visible just

1420
01:00:34,000 --> 01:00:38,000
Speaker 1: for his company. M hm. Like Cole who's private, it's

1421
01:00:38,000 --> 01:00:40,160
Speaker 1: still seen a lot, especially when it's time to do

1422
01:00:40,200 --> 01:00:43,760
Speaker 1: the Dreamville compilations or ship. He'll pop up at Ari

1423
01:00:43,920 --> 01:00:48,480
Speaker 1: shows like he is very visible when his crew needs

1424
01:00:48,520 --> 01:00:50,880
Speaker 1: it because he's the leader and that's Dreamville, him and

1425
01:00:50,880 --> 01:00:54,920
Speaker 1: Eve Drake. The same way he'll hop on Ovio albums,

1426
01:00:54,920 --> 01:00:57,920
Speaker 1: he'll show up for them. Kendrick now needs to do

1427
01:00:58,000 --> 01:01:00,760
Speaker 1: that more than ever. Yeah, that he has his own company,

1428
01:01:00,840 --> 01:01:05,200
Speaker 1: so he'll be wrong, which is great. We'll see. Definitely

1429
01:01:05,200 --> 01:01:08,120
Speaker 1: want to see what they did with the video. Yeah,

1430
01:01:08,120 --> 01:01:10,960
Speaker 1: I hope they used some footage from the live stream. Oh,

1431
01:01:11,040 --> 01:01:15,160
Speaker 1: I'm sure they will. I'm sure the video this I mean,

1432
01:01:15,240 --> 01:01:18,080
Speaker 1: of course they performed not like us ten times because

1433
01:01:18,120 --> 01:01:19,720
Speaker 1: of the moment, but I think they also did that

1434
01:01:19,840 --> 01:01:21,680
Speaker 1: to get as much footage as they could for the video,

1435
01:01:22,720 --> 01:01:24,960
Speaker 1: the same way Kanye and Jay for Paris when they

1436
01:01:24,960 --> 01:01:27,240
Speaker 1: did it seven times because they were shooting the video. Oh,

1437
01:01:27,280 --> 01:01:29,360
Speaker 1: I thought they did it so that Westbrook keep getting

1438
01:01:29,360 --> 01:01:30,200
Speaker 1: the shit off on stage.

1439
01:01:31,840 --> 01:01:35,160
Speaker 9: Lets your ass he was in the groove, and Kevier

1440
01:01:35,280 --> 01:01:37,040
Speaker 9: was just like, keep going because you said he was

1441
01:01:37,080 --> 01:01:37,880
Speaker 9: shaking his ass.

1442
01:01:37,920 --> 01:01:41,160
Speaker 3: He was shaking his ass. You want me to do

1443
01:01:41,200 --> 01:01:42,280
Speaker 3: I mean, I say he was t working.

1444
01:01:42,320 --> 01:01:42,960
Speaker 4: He was sure he was dad.

1445
01:01:43,080 --> 01:01:45,200
Speaker 1: He was shaking his ass. You could shake your ass

1446
01:01:45,200 --> 01:01:47,640
Speaker 1: and average a triple double. Yeah, it's possible. It's a

1447
01:01:47,720 --> 01:01:54,040
Speaker 1: quadruple double maul. You finally got your moment. You've been

1448
01:01:54,040 --> 01:01:57,200
Speaker 1: talking about it for months. Oh yes, Chief Keith performed

1449
01:01:57,240 --> 01:02:00,360
Speaker 1: in Chicago. It first happened. It happened.

1450
01:02:00,800 --> 01:02:03,360
Speaker 3: We didn't hear about nothing happening after the show and

1451
01:02:03,520 --> 01:02:05,960
Speaker 3: at the show, so that means it was a success.

1452
01:02:06,840 --> 01:02:09,720
Speaker 3: Chief Keep performed for the first time in Chicago and

1453
01:02:10,000 --> 01:02:15,280
Speaker 3: uh year, over ten years, and this was dope. Man,

1454
01:02:16,440 --> 01:02:18,960
Speaker 3: this was a fucking moment. I've seen the clips, the

1455
01:02:19,040 --> 01:02:23,160
Speaker 3: videos from it. Uh, this was this was huge.

1456
01:02:23,200 --> 01:02:24,280
Speaker 1: Man. We happened.

1457
01:02:24,320 --> 01:02:26,720
Speaker 3: We didn't talk what happened last week, but Rory sent

1458
01:02:26,800 --> 01:02:30,000
Speaker 3: me the clip the night it happened, and I was

1459
01:02:30,000 --> 01:02:33,800
Speaker 3: happy for Chief Keith to be back in Chicago. I

1460
01:02:33,800 --> 01:02:35,840
Speaker 3: didn't think I'm gonna be honest, I did not think

1461
01:02:35,880 --> 01:02:38,200
Speaker 3: this was gonna happen. I didn't I thought they were

1462
01:02:38,200 --> 01:02:40,920
Speaker 3: gonna cancel last minute, and you know the city was

1463
01:02:40,960 --> 01:02:42,880
Speaker 3: gonna step in, like yo, it's too much of a risk,

1464
01:02:42,960 --> 01:02:45,200
Speaker 3: too much of a you know, it's it's a problem

1465
01:02:45,280 --> 01:02:45,920
Speaker 3: for the public.

1466
01:02:46,920 --> 01:02:47,920
Speaker 1: But it happened.

1467
01:02:48,560 --> 01:02:53,000
Speaker 3: And just looking at this clip, everyone's recording, everybody has

1468
01:02:53,040 --> 01:02:54,760
Speaker 3: their fans that their phones out.

1469
01:02:55,080 --> 01:03:03,240
Speaker 1: This was a huge, huge moment, man, Yeah, this was.

1470
01:03:03,720 --> 01:03:08,600
Speaker 1: This is you know how like at venues you can

1471
01:03:08,640 --> 01:03:10,960
Speaker 1: feel the entire place start to shake at certain points.

1472
01:03:11,000 --> 01:03:13,280
Speaker 1: I think he probably made that park shake when that

1473
01:03:13,520 --> 01:03:16,640
Speaker 1: This almost rivals when what was DMX at when he

1474
01:03:16,800 --> 01:03:18,360
Speaker 1: Woodstock Woodstock ninety eight.

1475
01:03:18,440 --> 01:03:22,280
Speaker 3: I think this might Obviously it's not as many people

1476
01:03:23,280 --> 01:03:26,360
Speaker 3: at this festival that Chief Keith was at, but this

1477
01:03:26,480 --> 01:03:29,400
Speaker 3: is right up there with that moment for me, Like,

1478
01:03:30,080 --> 01:03:32,240
Speaker 3: this is to me, Actually, the Chief Keep.

1479
01:03:32,160 --> 01:03:33,200
Speaker 1: Moment might be bigger than this.

1480
01:03:33,920 --> 01:03:36,880
Speaker 3: More it was more people at this because it's Woodstock,

1481
01:03:37,040 --> 01:03:41,520
Speaker 3: But Chief Keep performing Fernito in Chicago after not being

1482
01:03:41,560 --> 01:03:43,520
Speaker 3: in the city for a little over ten years.

1483
01:03:43,320 --> 01:03:45,800
Speaker 1: After being banned from a major city in the United

1484
01:03:45,840 --> 01:03:49,200
Speaker 1: States that he was a resident of. Yeah, that's that's

1485
01:03:49,240 --> 01:03:50,680
Speaker 1: that's a that's a fucking moment.

1486
01:03:50,720 --> 01:03:50,919
Speaker 2: Man.

1487
01:03:51,640 --> 01:03:54,880
Speaker 7: Can y'all imagine Jay Z not being able to perform

1488
01:03:55,200 --> 01:03:57,880
Speaker 7: in New York for ten years and then comes back

1489
01:03:57,880 --> 01:04:01,080
Speaker 7: and performs Niggas in Paris first time in New York.

1490
01:04:01,640 --> 01:04:03,600
Speaker 1: We might have feel like this would even be a

1491
01:04:03,600 --> 01:04:04,680
Speaker 1: bigger moment than that.

1492
01:04:06,080 --> 01:04:10,720
Speaker 3: Yeah, what Chief Keif has done just culturally in Chicago

1493
01:04:10,760 --> 01:04:13,640
Speaker 3: and what he's you know, not just from music period,

1494
01:04:13,640 --> 01:04:17,320
Speaker 3: well music, but but more importantly in the city of Chicago. Uh,

1495
01:04:17,640 --> 01:04:20,560
Speaker 3: you know, we all know obviously there's a lot of

1496
01:04:20,760 --> 01:04:24,240
Speaker 3: you know, negative energy that kind of seeped into that

1497
01:04:24,560 --> 01:04:29,680
Speaker 3: whole movement unfortunately, but just that that is still a

1498
01:04:29,680 --> 01:04:32,240
Speaker 3: part of it as well, that's part of the entire thing.

1499
01:04:34,520 --> 01:04:37,840
Speaker 3: That moment right there though, Chief Keif back in Chicago

1500
01:04:38,080 --> 01:04:43,040
Speaker 3: is definitely one of the biggest moments in hip hop.

1501
01:04:42,880 --> 01:04:44,440
Speaker 1: History, without a doubt.

1502
01:04:44,640 --> 01:04:48,280
Speaker 3: That's something that will be talked about. If you were there,

1503
01:04:48,440 --> 01:04:53,280
Speaker 3: You're never going to forget that moment. And it means

1504
01:04:53,280 --> 01:04:55,120
Speaker 3: a lot. It means a lot to the city. A

1505
01:04:55,120 --> 01:04:56,480
Speaker 3: lot of those a lot of those people in the

1506
01:04:56,480 --> 01:05:01,520
Speaker 3: crowd never seen Chief Keif perform. They've never seen him

1507
01:05:01,960 --> 01:05:07,200
Speaker 3: in Chicago, you know, so to have that moment and

1508
01:05:07,400 --> 01:05:11,880
Speaker 3: you know, Chief Keif, you know, just bringing the energy

1509
01:05:11,880 --> 01:05:15,560
Speaker 3: that he brought to the city of Chicago. Again, it's

1510
01:05:15,560 --> 01:05:18,560
Speaker 3: a lot of negative things that happen as a result

1511
01:05:18,640 --> 01:05:21,680
Speaker 3: of that, but you know, we also got to look

1512
01:05:21,720 --> 01:05:24,160
Speaker 3: at the fact that what he did for music in

1513
01:05:24,200 --> 01:05:27,400
Speaker 3: his city and the opportunities that he's given the cats

1514
01:05:27,400 --> 01:05:28,600
Speaker 3: that came behind him.

1515
01:05:28,480 --> 01:05:31,240
Speaker 1: There can be some redemption in all the negative that

1516
01:05:31,240 --> 01:05:34,720
Speaker 1: didn't come out absolutely of this entire thing. But I mean, listen,

1517
01:05:34,760 --> 01:05:36,720
Speaker 1: when he performed in Philly, I was losing my mind.

1518
01:05:37,000 --> 01:05:38,320
Speaker 1: I can only imagine in Chicago.

1519
01:05:38,880 --> 01:05:40,880
Speaker 3: Shout out to Chief Keif Man, that was a big moment.

1520
01:05:40,920 --> 01:05:42,720
Speaker 3: I'm glad that the city of Chicago was able to

1521
01:05:42,720 --> 01:05:43,400
Speaker 3: make it happen.

1522
01:05:44,560 --> 01:05:48,640
Speaker 6: Shout out called Bennett lyrical lemonade, just delivering that moment

1523
01:05:48,680 --> 01:05:50,480
Speaker 6: to that city's Ye incredible man.

1524
01:05:50,320 --> 01:05:51,000
Speaker 1: Shout out to them.

1525
01:05:51,040 --> 01:05:52,840
Speaker 3: That was a big moment for the city, a big

1526
01:05:52,880 --> 01:05:55,200
Speaker 3: moment for Chief Keif, a big moment for hip hop.

1527
01:05:55,920 --> 01:06:00,400
Speaker 3: And you know, hopefully they're able to create other oportunities

1528
01:06:00,480 --> 01:06:01,920
Speaker 3: for things like that to happen in the city of

1529
01:06:02,000 --> 01:06:04,120
Speaker 3: Chicago as well. And you know, I would like to

1530
01:06:04,120 --> 01:06:07,480
Speaker 3: see Chief keep do some things in Chicago as far

1531
01:06:07,520 --> 01:06:10,440
Speaker 3: as like you know, trying to trying to clean up

1532
01:06:10,480 --> 01:06:13,000
Speaker 3: some of the mess and talking to some of the

1533
01:06:13,000 --> 01:06:15,120
Speaker 3: people that are there and some of the guys.

1534
01:06:15,120 --> 01:06:15,320
Speaker 1: Man.

1535
01:06:15,360 --> 01:06:18,200
Speaker 3: Hopefully this is a step in the direction of like

1536
01:06:18,240 --> 01:06:24,680
Speaker 3: World said, redemption, changing things create more opportunities for the young,

1537
01:06:24,760 --> 01:06:29,360
Speaker 3: the next generation, the generation. Now, don't let it just

1538
01:06:29,400 --> 01:06:32,040
Speaker 3: be one moment on stage that night, like let it

1539
01:06:32,040 --> 01:06:33,920
Speaker 3: Paula into other other avenues as well.

1540
01:06:33,960 --> 01:06:35,760
Speaker 1: In the city of Chicago, we almost shout up late

1541
01:06:35,760 --> 01:06:37,680
Speaker 1: to our Roots Picnic set because we were watching Chief Key.

1542
01:06:37,840 --> 01:06:38,560
Speaker 1: Oh yeah, I had to.

1543
01:06:39,040 --> 01:06:40,880
Speaker 3: I never that was my first time seeing Chief Keep

1544
01:06:40,880 --> 01:06:42,040
Speaker 3: perform live, so I had to.

1545
01:06:42,480 --> 01:06:44,360
Speaker 1: We had to do that. I didn't embarrass it at

1546
01:06:44,360 --> 01:06:46,920
Speaker 1: all of that because I was like really into the set. No,

1547
01:06:46,960 --> 01:06:49,400
Speaker 1: not at all. It was dope to see I almost

1548
01:06:49,400 --> 01:06:51,520
Speaker 1: took my shirt off. Yeah, I'm glad you didn't do that.

1549
01:06:51,640 --> 01:06:55,280
Speaker 5: Or it was doing like the finger guns too, he's.

1550
01:06:55,160 --> 01:06:57,040
Speaker 1: Doing a finger guns. Yeah, definitely not doing the thing.

1551
01:06:57,080 --> 01:06:58,520
Speaker 5: Yeah, he did like ten pushups too.

1552
01:07:00,080 --> 01:07:01,280
Speaker 1: Why did you push up?

1553
01:07:01,560 --> 01:07:01,760
Speaker 6: Why?

1554
01:07:01,800 --> 01:07:04,320
Speaker 1: He was performing? What? What? What? Chief peoples on stage?

1555
01:07:04,360 --> 01:07:05,760
Speaker 6: He was in the I remember that year he was

1556
01:07:05,760 --> 01:07:08,080
Speaker 6: in the pavilion, right, he had that place jumping because

1557
01:07:08,080 --> 01:07:11,080
Speaker 6: that that's the best spot for sound at that Festival.

1558
01:07:11,840 --> 01:07:14,240
Speaker 3: You know, it was that even that in Philly, that

1559
01:07:14,240 --> 01:07:17,040
Speaker 3: that moment seeing him on stage, I was like, yeah,

1560
01:07:17,400 --> 01:07:20,160
Speaker 3: he still has he still has the following that I

1561
01:07:20,240 --> 01:07:21,800
Speaker 3: thought he did without a doubt.

1562
01:07:22,480 --> 01:07:25,520
Speaker 1: Speaking of not like Us, Double XL Freshman Class twenty

1563
01:07:25,600 --> 01:07:28,880
Speaker 1: twenty four Not quite sure why it says not like

1564
01:07:28,960 --> 01:07:29,880
Speaker 1: us on the cover, but.

1565
01:07:29,960 --> 01:07:31,160
Speaker 6: Kind of whacked that they did that.

1566
01:07:31,200 --> 01:07:32,080
Speaker 5: I'm not gonna lie, and.

1567
01:07:32,040 --> 01:07:34,400
Speaker 1: That's not a Kendrick there. It's just it's very unoriginal

1568
01:07:34,400 --> 01:07:37,440
Speaker 1: I double XCEL to do that, in my opinion, Like,

1569
01:07:37,480 --> 01:07:38,520
Speaker 1: what what does that have to do?

1570
01:07:38,520 --> 01:07:39,920
Speaker 5: What does that have to do with any of these people?

1571
01:07:40,080 --> 01:07:44,320
Speaker 7: Do they name the Double XL cover every year? Do

1572
01:07:44,360 --> 01:07:46,480
Speaker 7: they do like a little cute little catchphrase.

1573
01:07:46,200 --> 01:07:50,960
Speaker 1: Or anything, No, like maybe next up? Yeah we got next,

1574
01:07:51,080 --> 01:07:54,240
Speaker 1: or like yeah, not just what the hottest song is

1575
01:07:54,280 --> 01:07:57,120
Speaker 1: at the moment to just put right there? Yeah, not

1576
01:07:57,160 --> 01:07:57,360
Speaker 1: like that.

1577
01:07:57,560 --> 01:08:00,920
Speaker 5: Like it's interestingly like when.

1578
01:08:00,840 --> 01:08:03,280
Speaker 1: Younger Maid in twenty fourteen, they didn't just put like, ooh,

1579
01:08:03,400 --> 01:08:06,880
Speaker 1: it's a class of twenty fourteen. Yeah. No, it's a

1580
01:08:06,880 --> 01:08:09,920
Speaker 1: little corny at me, but I'm not really mad at

1581
01:08:10,400 --> 01:08:12,480
Speaker 1: the choices this year. Usually I have no idea who

1582
01:08:12,520 --> 01:08:15,240
Speaker 1: the fuck is on this cover, but the pictures here

1583
01:08:15,240 --> 01:08:15,560
Speaker 1: were cool.

1584
01:08:16,240 --> 01:08:18,840
Speaker 3: Listen to Bronx Legend is on the cover, Cashcow Bang

1585
01:08:19,080 --> 01:08:21,479
Speaker 3: anyone from the Bronx the legend right, cash Go bangs

1586
01:08:21,479 --> 01:08:25,800
Speaker 3: the legend for sure, shoutut the Skiller Baby, boss Man Dealer.

1587
01:08:25,840 --> 01:08:27,679
Speaker 3: Boss Man Dilo had a show here in the city.

1588
01:08:27,720 --> 01:08:30,360
Speaker 3: I think last week. Really, somebody had told me about it.

1589
01:08:30,760 --> 01:08:34,080
Speaker 3: I didn't know until like the late that night it

1590
01:08:34,120 --> 01:08:35,600
Speaker 3: was over. I probably would have went to that just

1591
01:08:35,600 --> 01:08:37,840
Speaker 3: to see what that was like. See with a boss

1592
01:08:37,840 --> 01:08:40,000
Speaker 3: Man Delo show was like, yeah.

1593
01:08:39,840 --> 01:08:43,840
Speaker 1: Four four bats on there, Scarlet that Mexican ot. Who's

1594
01:08:43,880 --> 01:08:45,439
Speaker 1: great show.

1595
01:08:45,560 --> 01:08:48,200
Speaker 3: A lot of people on here done shout out Late Banks,

1596
01:08:48,240 --> 01:08:49,120
Speaker 3: shout out the scarlet.

1597
01:08:49,479 --> 01:08:51,080
Speaker 4: Shoutout Lay Banks. That's my girl.

1598
01:08:51,960 --> 01:08:53,519
Speaker 1: Oh and they did a producer. Have they done a

1599
01:08:53,520 --> 01:08:54,680
Speaker 1: producer in the past.

1600
01:08:55,040 --> 01:08:58,320
Speaker 6: Well, it's the person that mixes the freestyle.

1601
01:08:58,560 --> 01:09:00,559
Speaker 1: I was about to say, because south Side is death not.

1602
01:09:00,479 --> 01:09:02,680
Speaker 5: A fresh yet, it's usually a legacy.

1603
01:09:02,560 --> 01:09:05,760
Speaker 1: Person for Okay, gotcha. Will they do the freestyles this year?

1604
01:09:07,320 --> 01:09:08,439
Speaker 1: I'm assuming so yeah.

1605
01:09:08,439 --> 01:09:09,879
Speaker 4: If they say it beats by south.

1606
01:09:09,720 --> 01:09:14,560
Speaker 1: Side, I think what was the what year was it

1607
01:09:14,600 --> 01:09:18,160
Speaker 1: when it was Uzi Denzel Curry, Yati twenty sixteen. To me,

1608
01:09:18,280 --> 01:09:21,080
Speaker 1: that was, like we talk about extremely pivotal moments in

1609
01:09:21,120 --> 01:09:24,680
Speaker 1: hip hop, Like we've talked a million times about the

1610
01:09:24,840 --> 01:09:27,280
Speaker 1: Kanye beating fifty thing for the first time to show

1611
01:09:27,320 --> 01:09:30,639
Speaker 1: like nerds, we're beating the street shit. That twenty sixteen

1612
01:09:30,720 --> 01:09:34,000
Speaker 1: Double XL freestyle is one of the most pivotal moments,

1613
01:09:34,040 --> 01:09:37,040
Speaker 1: whether you like it or not, in hip hop. And

1614
01:09:37,080 --> 01:09:41,600
Speaker 1: how it changed, Like the sound completely completely changed. And

1615
01:09:41,680 --> 01:09:44,080
Speaker 1: look at everyone that's was on that cover and where

1616
01:09:44,120 --> 01:09:47,920
Speaker 1: they are now, right Kodak Black twenty one, Savage Uzi, Yati,

1617
01:09:48,200 --> 01:09:52,280
Speaker 1: Denzel Curry, Like this really epitomized what the future was

1618
01:09:52,280 --> 01:09:53,840
Speaker 1: looking like. And again, whether you like that or not

1619
01:09:54,000 --> 01:09:56,120
Speaker 1: is your own opinion. And I remember the day when

1620
01:09:56,120 --> 01:09:59,320
Speaker 1: it dropped. I'm not saying I was sitting there going

1621
01:09:59,360 --> 01:10:04,120
Speaker 1: like the future is here. I'm happy. Old had Twitter

1622
01:10:04,200 --> 01:10:07,519
Speaker 1: was really pissed during this day, and I see why

1623
01:10:07,560 --> 01:10:09,320
Speaker 1: if you grew up on a different type of hip hop.

1624
01:10:09,920 --> 01:10:12,080
Speaker 1: But I think we all, as like the older haters,

1625
01:10:12,120 --> 01:10:14,320
Speaker 1: need to look back at this and see where all

1626
01:10:14,360 --> 01:10:17,719
Speaker 1: these gentlemen are now and the good that they have done.

1627
01:10:19,080 --> 01:10:22,920
Speaker 1: Oh yeah, this this was a wild moment in hip hop.

1628
01:10:23,479 --> 01:10:26,559
Speaker 3: I mean because it's you know at that time, when

1629
01:10:26,640 --> 01:10:32,840
Speaker 3: was this twenty sixteen, Yeah, this was you know, it's

1630
01:10:32,920 --> 01:10:36,559
Speaker 3: just the the look, the aesthetic was just so much different.

1631
01:10:38,120 --> 01:10:40,639
Speaker 3: So I think, you know, the prototypical hip hop heads

1632
01:10:40,720 --> 01:10:43,040
Speaker 3: was like, yo, what is this shit? But this was

1633
01:10:43,080 --> 01:10:46,320
Speaker 3: just the next generation expressing themselves. They sound different, they

1634
01:10:46,320 --> 01:10:46,880
Speaker 3: look different.

1635
01:10:47,320 --> 01:10:50,240
Speaker 1: All to this day are covering different basis of hip hop. Yeah,

1636
01:10:50,400 --> 01:10:53,160
Speaker 1: even you know, Denzil Curry still fucks with the underground

1637
01:10:53,160 --> 01:10:56,360
Speaker 1: Griselda guys and everything too. Like they covered their basis

1638
01:10:56,400 --> 01:10:58,439
Speaker 1: on this one. There's been a lot of shitty years

1639
01:10:58,439 --> 01:11:01,920
Speaker 1: with that Hosel, but this one they got right. They

1640
01:11:02,000 --> 01:11:04,639
Speaker 1: knocked this one out the park. As far as freshman

1641
01:11:04,640 --> 01:11:08,880
Speaker 1: and who's up next? Yeah? Absolutely, what's your favorite class?

1642
01:11:09,920 --> 01:11:12,920
Speaker 1: Oh man? Uh?

1643
01:11:13,360 --> 01:11:13,679
Speaker 5: I love?

1644
01:11:13,720 --> 01:11:22,880
Speaker 1: I love O nine? Who was that? Big Sean Wilele Asher, Roth, Corey, Gunns,

1645
01:11:23,640 --> 01:11:28,960
Speaker 1: Bob Bob, Charles Hamilton, Blue, Littlefiky Facts, Ace Hood, Currency,

1646
01:11:29,000 --> 01:11:33,280
Speaker 1: Kid Cutty. Oh nine, Like two thousand and seven had

1647
01:11:33,320 --> 01:11:35,080
Speaker 1: some great people on it, but it didn't make a

1648
01:11:35,120 --> 01:11:36,840
Speaker 1: lot of noise. Oh nine, I feel like is when

1649
01:11:37,240 --> 01:11:41,360
Speaker 1: the freshman allure started, because they like really did a

1650
01:11:41,439 --> 01:11:43,000
Speaker 1: full rollout for that entire thing.

1651
01:11:43,040 --> 01:11:45,680
Speaker 6: Twenty eleven is tough, twenty twenty.

1652
01:11:45,439 --> 01:11:48,960
Speaker 1: Ten is crazy. Cole Pill Nipsey, Freddie Big, Sewan Whiskal

1653
01:11:49,080 --> 01:11:51,320
Speaker 1: for Oj the Juice Man, j Rock, for Sean Donnis

1654
01:11:51,320 --> 01:11:51,960
Speaker 1: Sick Yes.

1655
01:11:51,840 --> 01:11:55,320
Speaker 6: Nuts twenty eleven, I mean Meek Big Crits Hi Hi,

1656
01:11:55,840 --> 01:11:58,720
Speaker 6: and then for me, I mean Mac Mac yg lil

1657
01:11:58,760 --> 01:11:59,400
Speaker 6: b Kendrick.

1658
01:12:00,160 --> 01:12:03,560
Speaker 1: What do y'all feel like this stopped mattering shit.

1659
01:12:03,640 --> 01:12:06,719
Speaker 6: After twenty six I feel like it stopped.

1660
01:12:06,720 --> 01:12:09,920
Speaker 7: It stopped mattering to us because we got older. I

1661
01:12:09,960 --> 01:12:12,719
Speaker 7: feel like it still matters to the younger generation.

1662
01:12:13,800 --> 01:12:17,080
Speaker 1: I feel like the younger generation no offense to double XCEL,

1663
01:12:17,160 --> 01:12:20,800
Speaker 1: doesn't give a fuck about double XL. We revered double

1664
01:12:20,880 --> 01:12:23,000
Speaker 1: XL because we grew up on it, But when they

1665
01:12:23,040 --> 01:12:25,559
Speaker 1: went full digital, these kids were on other blogs and

1666
01:12:25,920 --> 01:12:30,439
Speaker 1: other sites. Double XL didn't really capitalize digitally. But I

1667
01:12:30,479 --> 01:12:33,639
Speaker 1: also can't hate here twenty seventeen, you have a boogie

1668
01:12:33,640 --> 01:12:39,400
Speaker 1: their PNB Rock Playboy CARDI in tensasion like those guys

1669
01:12:39,439 --> 01:12:42,719
Speaker 1: are legends in their own right. M and I felt

1670
01:12:42,720 --> 01:12:44,679
Speaker 1: in twenty seventeen it didn't matter that much, but clearly

1671
01:12:44,720 --> 01:12:48,559
Speaker 1: they got it right. Yeah, I give them a lot

1672
01:12:48,560 --> 01:12:49,720
Speaker 1: of shit but they do get it right.

1673
01:12:50,080 --> 01:12:52,120
Speaker 4: Yeah, twenty eighteen they got it right too.

1674
01:12:52,320 --> 01:12:54,519
Speaker 6: Nineteen is a tough line of ta wack to Baby,

1675
01:12:54,600 --> 01:12:58,320
Speaker 6: Roddy Rich Corde, Rico, Nasty Gna, Blue Face, MEGANE Stallion.

1676
01:12:59,040 --> 01:13:00,320
Speaker 4: They got it. They get it right every year.

1677
01:13:01,040 --> 01:13:02,720
Speaker 5: But it's also like they're not taking risks. There's no

1678
01:13:02,760 --> 01:13:03,120
Speaker 5: one new.

1679
01:13:03,200 --> 01:13:06,320
Speaker 1: Oh for sure means they are established people for the

1680
01:13:06,320 --> 01:13:06,840
Speaker 1: most part.

1681
01:13:07,000 --> 01:13:10,680
Speaker 3: I mean, I think it's like what ro said that

1682
01:13:10,760 --> 01:13:13,639
Speaker 3: once once it went digital, once Double Exel went digital,

1683
01:13:14,360 --> 01:13:17,360
Speaker 3: and like because we used to find out who the

1684
01:13:17,400 --> 01:13:19,280
Speaker 3: freshman cover was, like when we saw that, when I

1685
01:13:19,360 --> 01:13:21,439
Speaker 3: all speak for myself, when I was actually in the

1686
01:13:21,479 --> 01:13:25,439
Speaker 3: store and sorted the magazine, Yeah, it wasn't about seeing

1687
01:13:25,479 --> 01:13:28,080
Speaker 3: it on Instagram and things like that, like you would

1688
01:13:28,080 --> 01:13:30,519
Speaker 3: actually see it at the news stand. So I think

1689
01:13:30,560 --> 01:13:33,200
Speaker 3: once that kind of phased out and it went straight digital,

1690
01:13:33,640 --> 01:13:35,840
Speaker 3: it kind of lost the lure that it had at

1691
01:13:35,880 --> 01:13:38,920
Speaker 3: one point. But just as far as the list, they

1692
01:13:38,960 --> 01:13:42,600
Speaker 3: do a pretty good job at putting the people in

1693
01:13:42,680 --> 01:13:45,800
Speaker 3: the class that turned out to do some really really

1694
01:13:45,840 --> 01:13:47,400
Speaker 3: dope things in the culture.

1695
01:13:47,479 --> 01:13:50,160
Speaker 1: So for that, you know, absolute Double Exelf.

1696
01:13:50,200 --> 01:13:51,760
Speaker 3: But I just don't think that it means as much

1697
01:13:51,960 --> 01:13:55,040
Speaker 3: as it did at one point because the transitioned from

1698
01:13:55,200 --> 01:13:56,040
Speaker 3: just print.

1699
01:13:55,960 --> 01:13:59,960
Speaker 1: To digital, well, digital was taking over everything. I think

1700
01:14:00,040 --> 01:14:00,600
Speaker 1: they were one of.

1701
01:14:00,600 --> 01:14:04,040
Speaker 3: The brands that kind of lost some of the law

1702
01:14:04,120 --> 01:14:05,600
Speaker 3: because of the transition.

1703
01:14:05,640 --> 01:14:09,360
Speaker 1: And what year did Hotel Benny not to do it? Well,

1704
01:14:09,360 --> 01:14:13,000
Speaker 1: Benny was on it was that or advised against it,

1705
01:14:14,360 --> 01:14:15,800
Speaker 1: was saying it just doesn't have the same lord, it

1706
01:14:15,800 --> 01:14:19,120
Speaker 1: doesn't have the same validation. Like yeah, and you're Benny,

1707
01:14:19,120 --> 01:14:21,120
Speaker 1: You're above a lot of these artists already and now

1708
01:14:21,120 --> 01:14:25,200
Speaker 1: they're just catching up. Yeah, nineteen, that was right before

1709
01:14:25,200 --> 01:14:29,280
Speaker 1: the pandemic. Listen, man, they missed Draken on nine. So yeah,

1710
01:14:29,800 --> 01:14:33,599
Speaker 1: I still have that that cover and that whole magazine

1711
01:14:34,080 --> 01:14:36,000
Speaker 1: Drake is in like in the show and proved section

1712
01:14:36,080 --> 01:14:38,519
Speaker 1: or whatever of that Freshman cover of Like Yo, this

1713
01:14:38,600 --> 01:14:42,519
Speaker 1: guy is a Canadian actor, which is crazy that he

1714
01:14:42,720 --> 01:14:45,920
Speaker 1: is in that that article but is not one of

1715
01:14:45,920 --> 01:14:46,880
Speaker 1: the front at that time.

1716
01:14:47,720 --> 01:14:48,400
Speaker 6: But I don't know.

1717
01:14:48,520 --> 01:14:51,400
Speaker 1: I mean, still still a pastime that I love. It's nostalgic.

1718
01:14:53,200 --> 01:14:55,200
Speaker 1: I'm curious what these freestyles would look like even if

1719
01:14:55,240 --> 01:14:59,000
Speaker 1: they do them. I think Mexican Ot might clean clean

1720
01:14:59,080 --> 01:15:00,200
Speaker 1: up everybody.

1721
01:15:00,360 --> 01:15:02,080
Speaker 5: He's nice, He really is.

1722
01:15:02,240 --> 01:15:05,120
Speaker 1: I think people underestimate how good he could.

1723
01:15:04,960 --> 01:15:07,400
Speaker 6: Wrap side step because I'm just looking at the rest

1724
01:15:07,400 --> 01:15:09,080
Speaker 6: of his cover. Here, there's a question here in this

1725
01:15:10,280 --> 01:15:14,680
Speaker 6: box our streamers and podcasters running hip hop? Is this

1726
01:15:14,760 --> 01:15:16,639
Speaker 6: like a newer conversation I feel like this has been

1727
01:15:16,760 --> 01:15:20,800
Speaker 6: had Or is that am I living in I may

1728
01:15:20,840 --> 01:15:21,360
Speaker 6: be talking.

1729
01:15:21,160 --> 01:15:21,599
Speaker 5: About that more.

1730
01:15:21,720 --> 01:15:24,320
Speaker 3: That might be the interview that I did. I think

1731
01:15:24,320 --> 01:15:25,880
Speaker 3: I did an interview for the I think it was

1732
01:15:25,880 --> 01:15:26,800
Speaker 3: double exelf for this.

1733
01:15:27,160 --> 01:15:29,400
Speaker 1: That might be it. Oh so, ma is mal is

1734
01:15:29,439 --> 01:15:31,839
Speaker 1: in the class of twenty twenty. He wanted a freshman

1735
01:15:32,280 --> 01:15:34,680
Speaker 1: then you being in the cover that says not like us.

1736
01:15:35,600 --> 01:15:36,160
Speaker 1: I think I did it.

1737
01:15:37,040 --> 01:15:39,000
Speaker 3: I think I did the interview. I think that's what

1738
01:15:39,040 --> 01:15:42,000
Speaker 3: it was. It was the topic was that our streamers

1739
01:15:42,000 --> 01:15:43,519
Speaker 3: and podcasters.

1740
01:15:43,280 --> 01:15:45,200
Speaker 1: I mean as far as media goes. Yeah, I think that.

1741
01:15:45,439 --> 01:15:47,599
Speaker 1: I don't even think you need to pose that question.

1742
01:15:48,160 --> 01:15:50,040
Speaker 1: But that's also why a lot of print that went

1743
01:15:50,080 --> 01:15:53,000
Speaker 1: digital is just so late to the party. Like the

1744
01:15:53,040 --> 01:15:57,320
Speaker 1: answers yes, and it's not even close if they're talking

1745
01:15:57,320 --> 01:15:57,960
Speaker 1: about media.

1746
01:15:58,160 --> 01:16:00,519
Speaker 5: Yeah, I was gonna say it's a rather redundant question.

1747
01:16:01,000 --> 01:16:02,519
Speaker 4: It depends on how they're asking it.

1748
01:16:02,600 --> 01:16:05,400
Speaker 7: Are they asking are they running the coverage or are

1749
01:16:05,479 --> 01:16:08,599
Speaker 7: they running the actual hip hop not just the coverage

1750
01:16:08,600 --> 01:16:09,040
Speaker 7: of hip hop?

1751
01:16:09,080 --> 01:16:10,800
Speaker 1: If that makes sense. I think I think the real

1752
01:16:10,880 --> 01:16:12,600
Speaker 1: question to pose, if they're trying to get ahead of

1753
01:16:12,640 --> 01:16:15,720
Speaker 1: the curve to have a conversation is will streamers permanently

1754
01:16:15,760 --> 01:16:18,599
Speaker 1: replace podcasters in hip hop media?

1755
01:16:18,680 --> 01:16:19,720
Speaker 4: Yeah?

1756
01:16:19,880 --> 01:16:21,760
Speaker 1: That would be the como to have for the next

1757
01:16:21,800 --> 01:16:24,439
Speaker 1: five years if it's going to shift like that. But yeah,

1758
01:16:24,439 --> 01:16:29,160
Speaker 1: I mean the answer is yes, who else would radio?

1759
01:16:29,520 --> 01:16:32,519
Speaker 4: Would you guys become streamers If that's where.

1760
01:16:32,280 --> 01:16:35,200
Speaker 1: It moves, you have to, of course, you have to adapt.

1761
01:16:36,200 --> 01:16:38,160
Speaker 1: I'm not mad at it. I mean I would want

1762
01:16:38,200 --> 01:16:40,840
Speaker 1: to kind of change the way you stream.

1763
01:16:41,040 --> 01:16:43,920
Speaker 4: Uh as far as what you make ex sample.

1764
01:16:44,280 --> 01:16:47,840
Speaker 1: I'm not having a sleepover. I mean you won't even

1765
01:16:47,880 --> 01:16:48,800
Speaker 1: have us over for dinner.

1766
01:16:48,880 --> 01:16:50,479
Speaker 6: Well, no, I think I think what de Maris is saying,

1767
01:16:50,479 --> 01:16:53,599
Speaker 6: it's more about it's less like this studio like this.

1768
01:16:53,720 --> 01:16:56,479
Speaker 6: It's more just about the medium being streaming rather than

1769
01:16:56,560 --> 01:17:00,320
Speaker 6: like us cutting this, editing, putting this on YouTube, Patreon whatever.

1770
01:17:00,439 --> 01:17:02,320
Speaker 4: Streaming has a lower overhead.

1771
01:17:02,560 --> 01:17:07,320
Speaker 1: Yeah, for sure. I mean I think we do stream

1772
01:17:07,360 --> 01:17:10,400
Speaker 1: in our own right with the audience we have. When

1773
01:17:10,400 --> 01:17:12,759
Speaker 1: it comes to like discord Live and the private YouTube

1774
01:17:12,840 --> 01:17:15,160
Speaker 1: links that we put out to Patreon and even like

1775
01:17:15,200 --> 01:17:18,880
Speaker 1: Twitter spaces. I know that's not traditional streaming per se,

1776
01:17:18,920 --> 01:17:21,720
Speaker 1: but it is in the moment media. Yeah. So, I mean,

1777
01:17:21,840 --> 01:17:24,360
Speaker 1: of course, if the adjustment had to come where all

1778
01:17:24,400 --> 01:17:28,559
Speaker 1: the audiences no longer want podcasts in this form where

1779
01:17:28,600 --> 01:17:31,240
Speaker 1: they can listen to it whenever they want, they may

1780
01:17:31,280 --> 01:17:33,200
Speaker 1: want to eight pm every Wednesday night, and then we

1781
01:17:33,240 --> 01:17:34,120
Speaker 1: throw it out the next day.

1782
01:17:34,560 --> 01:17:36,479
Speaker 3: If you have to adapt, you have to adapt. You

1783
01:17:36,520 --> 01:17:40,400
Speaker 3: definitely have to adapt. But yeah, I'm not against streaming.

1784
01:17:40,880 --> 01:17:42,519
Speaker 7: Would you guys start like, let's say I brought that

1785
01:17:42,600 --> 01:17:45,519
Speaker 7: up next production mean we're producing right now. If I

1786
01:17:45,520 --> 01:17:47,280
Speaker 7: brought that up next production meeting, hey, we're gonna pick

1787
01:17:47,280 --> 01:17:47,720
Speaker 7: a day a week.

1788
01:17:47,720 --> 01:17:48,960
Speaker 4: We're gonna stream every If.

1789
01:17:48,840 --> 01:17:50,719
Speaker 1: That Kendrick Show wasn't so late, we would have stream

1790
01:17:50,760 --> 01:17:53,880
Speaker 1: that in these seats. Yeah, yeah, for sure, I mean

1791
01:17:54,760 --> 01:17:57,120
Speaker 1: done that. I'm always with that.

1792
01:17:58,840 --> 01:18:01,559
Speaker 5: Why come on, man, you don't want to hate in

1793
01:18:01,560 --> 01:18:02,080
Speaker 5: real time?

1794
01:18:03,520 --> 01:18:03,920
Speaker 6: I wouldn't.

1795
01:18:03,920 --> 01:18:06,400
Speaker 3: I wouldn't want to sit here and stream and it

1796
01:18:06,520 --> 01:18:08,680
Speaker 3: just wasn't The show wasn't worth that to me.

1797
01:18:09,760 --> 01:18:12,120
Speaker 1: It was okay, it was cool, But I mean streaming

1798
01:18:12,200 --> 01:18:16,679
Speaker 1: isn't really based on doing it for what is the quality.

1799
01:18:16,680 --> 01:18:18,360
Speaker 1: It's watching it in real time. If it ends up

1800
01:18:18,360 --> 01:18:20,680
Speaker 1: sucking that you're just streaming some shit that.

1801
01:18:20,800 --> 01:18:23,840
Speaker 3: Yeah, you know, so we're sitting here watching it because

1802
01:18:23,880 --> 01:18:25,040
Speaker 3: what we have to watch the show.

1803
01:18:25,120 --> 01:18:27,400
Speaker 1: Well, that's why a lot of people do like streaming,

1804
01:18:27,400 --> 01:18:29,439
Speaker 1: because it is in real time, and especially if it's

1805
01:18:29,520 --> 01:18:32,360
Speaker 1: something we're all watching together, they feel even more part

1806
01:18:32,360 --> 01:18:34,759
Speaker 1: of it. The way we just talk about podcasting feels

1807
01:18:34,760 --> 01:18:37,599
Speaker 1: like fans think that this is like their group chat.

1808
01:18:37,640 --> 01:18:40,040
Speaker 1: That's why they like it streaming is that on steroids,

1809
01:18:40,080 --> 01:18:41,519
Speaker 1: they feel like they're in the group chat at the

1810
01:18:41,520 --> 01:18:44,439
Speaker 1: real moment of what we're watching. So I get the

1811
01:18:44,520 --> 01:18:48,080
Speaker 1: value of it. It's it's definitely the next platform, if

1812
01:18:48,080 --> 01:18:50,720
Speaker 1: not already the dominant force of everything for sure. I

1813
01:18:50,800 --> 01:18:54,160
Speaker 1: just think there's still value in traditional podcasting right now. Absolutely,

1814
01:18:55,000 --> 01:18:57,000
Speaker 1: So you just have to find a balance of both.

1815
01:18:57,720 --> 01:19:09,519
Speaker 1: That's all voicemails. You've got mail, Yeah, let's do it.

1816
01:19:09,520 --> 01:19:11,479
Speaker 6: I mean, I think since we're kind of having these

1817
01:19:11,479 --> 01:19:14,360
Speaker 6: more professional conversations, let's just continue on this.

1818
01:19:14,400 --> 01:19:16,280
Speaker 1: Voicemail professional voicemail.

1819
01:19:16,960 --> 01:19:19,600
Speaker 5: It's like more of a work career conversation.

1820
01:19:19,880 --> 01:19:20,800
Speaker 6: Cool, what's going on.

1821
01:19:20,720 --> 01:19:25,120
Speaker 8: Guys, really fuck with the pods. I'm gonna keep this short,

1822
01:19:25,240 --> 01:19:28,360
Speaker 8: so basically, and this might be for Rory and Julian

1823
01:19:28,840 --> 01:19:31,200
Speaker 8: since y'all have like worked in entertainment and I guess

1824
01:19:31,240 --> 01:19:34,080
Speaker 8: in the corporate world, but I also do that. I

1825
01:19:34,120 --> 01:19:36,000
Speaker 8: work in an A and r at A label. I'm

1826
01:19:36,040 --> 01:19:40,360
Speaker 8: pretty I'm gonna senior position. But I also kind of

1827
01:19:40,360 --> 01:19:42,559
Speaker 8: have my own company on the side. I play bass,

1828
01:19:42,600 --> 01:19:45,120
Speaker 8: I produced them playing based like fourteen years producing for

1829
01:19:45,160 --> 01:19:48,559
Speaker 8: a long minute too, and I kind of have a

1830
01:19:48,600 --> 01:19:51,839
Speaker 8: side company where we work on a bunch of different things,

1831
01:19:51,920 --> 01:19:55,080
Speaker 8: you know what I'm saying, entertainment wise, And just wanted

1832
01:19:55,160 --> 01:20:00,479
Speaker 8: y'all's thoughts on like how to best pursue both because

1833
01:20:00,520 --> 01:20:03,080
Speaker 8: I feel like I'm in a place of best of

1834
01:20:03,160 --> 01:20:06,840
Speaker 8: both worlds where I am employed as the employee, you know,

1835
01:20:06,920 --> 01:20:09,120
Speaker 8: like in the industry, but I'm also working towards my

1836
01:20:09,160 --> 01:20:13,479
Speaker 8: own thing. Obviously there is some conflict between the two. Again,

1837
01:20:13,560 --> 01:20:18,760
Speaker 8: trying to be anonymous. I don't know what would y'all's

1838
01:20:19,120 --> 01:20:22,360
Speaker 8: general game plan be as far as not mutting the

1839
01:20:22,400 --> 01:20:24,360
Speaker 8: waters too much or is that not possible?

1840
01:20:24,920 --> 01:20:29,400
Speaker 1: Appreciate y'all, thank you all right, so what I gathered

1841
01:20:29,439 --> 01:20:33,240
Speaker 1: with him being super vague because obviously there's a conflict

1842
01:20:33,280 --> 01:20:36,400
Speaker 1: of interest of saying what label he works at. It

1843
01:20:36,439 --> 01:20:38,599
Speaker 1: sounds like he's doing the right things, though, like keep

1844
01:20:38,640 --> 01:20:41,280
Speaker 1: your day job as an A and R until you

1845
01:20:41,479 --> 01:20:45,360
Speaker 1: feel like you've made your side gig your full time gig.

1846
01:20:45,760 --> 01:20:48,040
Speaker 1: He working on that on the side. I guess I

1847
01:20:48,080 --> 01:20:49,800
Speaker 1: don't know what the conflict of interest be if he's

1848
01:20:49,840 --> 01:20:53,160
Speaker 1: also doing A and R shit with his own company

1849
01:20:53,600 --> 01:20:58,760
Speaker 1: and choosing that over his day job, But I mean,

1850
01:20:58,800 --> 01:21:02,519
Speaker 1: I feel like usually A and rs that do that

1851
01:21:02,560 --> 01:21:06,320
Speaker 1: type of stuff don't work with artists that the label

1852
01:21:06,320 --> 01:21:09,160
Speaker 1: wouldn't have signed to begin with, Right, Like, they'll bring

1853
01:21:09,200 --> 01:21:10,880
Speaker 1: some bullshit to the major as an A and R

1854
01:21:11,040 --> 01:21:12,719
Speaker 1: because they know that's what they want, and then they'll

1855
01:21:13,040 --> 01:21:16,160
Speaker 1: work with the shit they're passionate about over here. Right,

1856
01:21:16,200 --> 01:21:18,840
Speaker 1: So I would just keep doing what you're doing until

1857
01:21:18,880 --> 01:21:21,240
Speaker 1: the side gig becomes the full time gig. Don't just

1858
01:21:21,320 --> 01:21:24,000
Speaker 1: quit your job if you're not in a financial space

1859
01:21:24,080 --> 01:21:24,720
Speaker 1: that you need to be.

1860
01:21:24,760 --> 01:21:26,920
Speaker 6: Well, let me ask you this then, because and I'll

1861
01:21:26,920 --> 01:21:28,880
Speaker 6: get into like my personal experience with this kind of

1862
01:21:28,920 --> 01:21:31,400
Speaker 6: situation in a bit. But if for him if say

1863
01:21:31,400 --> 01:21:33,840
Speaker 6: he's A and R, is this a matter of him

1864
01:21:33,880 --> 01:21:36,479
Speaker 6: bringing in artists to the label and then also asking

1865
01:21:36,520 --> 01:21:39,200
Speaker 6: them to do work for him, Because I'm thinking, Okay,

1866
01:21:39,439 --> 01:21:41,960
Speaker 6: if there's an artist, two artists, one you have for

1867
01:21:42,040 --> 01:21:44,280
Speaker 6: your main gig you're nine to five. The other artists

1868
01:21:44,280 --> 01:21:46,599
Speaker 6: you're working on that's for the side stuff. But what if,

1869
01:21:46,600 --> 01:21:49,280
Speaker 6: like artist A is on the label and also doing

1870
01:21:49,320 --> 01:21:51,599
Speaker 6: side stuff. That's when I think people can like start

1871
01:21:51,640 --> 01:21:55,000
Speaker 6: feeling away. If you have two artists ones here, one's there.

1872
01:21:55,439 --> 01:21:57,519
Speaker 6: I can see why he can be like, yes, that's fine,

1873
01:21:57,560 --> 01:21:59,840
Speaker 6: like these are two separate worlds, but when one of

1874
01:21:59,840 --> 01:22:02,120
Speaker 6: these guy starts doing both things, then I think that's

1875
01:22:02,120 --> 01:22:03,200
Speaker 6: when people feel the way.

1876
01:22:04,320 --> 01:22:06,639
Speaker 1: Yeah, he was so vague, so it's tough to really answer.

1877
01:22:07,680 --> 01:22:09,040
Speaker 5: I would imagine he's doing that.

1878
01:22:09,160 --> 01:22:11,080
Speaker 1: And another angle when I was at def JAM. I

1879
01:22:11,120 --> 01:22:13,519
Speaker 1: won't say the gentleman's name. Obviously, he still works in

1880
01:22:13,520 --> 01:22:17,160
Speaker 1: the major label system. He was high up in marketing

1881
01:22:17,920 --> 01:22:21,400
Speaker 1: at one point, and he had a photography company and

1882
01:22:21,760 --> 01:22:24,559
Speaker 1: a media company where he was signing checks to himself.

1883
01:22:24,920 --> 01:22:28,960
Speaker 1: I know he was hiring his side company for def

1884
01:22:29,000 --> 01:22:32,680
Speaker 1: JAM artists to work with. And it's not like he

1885
01:22:32,720 --> 01:22:34,799
Speaker 1: was doing bullshit work. It's not like anyone was suffering.

1886
01:22:35,680 --> 01:22:38,000
Speaker 1: I thought he was smart. I mean, I guess that's

1887
01:22:38,000 --> 01:22:41,280
Speaker 1: insider trading, but he was legitimately signing out checks to

1888
01:22:41,360 --> 01:22:46,120
Speaker 1: his own LLC and then he would go be the

1889
01:22:46,120 --> 01:22:48,840
Speaker 1: photographer for the artist or anything else. Like I thought

1890
01:22:48,840 --> 01:22:51,160
Speaker 1: it was smart. But if you can still get away

1891
01:22:51,160 --> 01:22:55,320
Speaker 1: with that, this was more at that time. I don't

1892
01:22:55,360 --> 01:22:58,519
Speaker 1: know the way they count pennies now, Like budgets aren't

1893
01:22:58,560 --> 01:22:59,760
Speaker 1: the same as they were when I was.

1894
01:22:59,760 --> 01:23:02,040
Speaker 6: At I think A and R is more than anyone

1895
01:23:02,160 --> 01:23:05,280
Speaker 6: in the hierarchy of major label positions get this off,

1896
01:23:05,280 --> 01:23:07,040
Speaker 6: more than anyone because I know so many A and

1897
01:23:07,160 --> 01:23:10,880
Speaker 6: rs that also manage producers and artists. Yeah, that they

1898
01:23:10,920 --> 01:23:12,760
Speaker 6: literally just turned to the label and be like, hey,

1899
01:23:12,800 --> 01:23:14,559
Speaker 6: we need five million dollars.

1900
01:23:14,880 --> 01:23:17,600
Speaker 5: Oh bet, So not only are you the A and

1901
01:23:17,680 --> 01:23:17,840
Speaker 5: R and.

1902
01:23:17,880 --> 01:23:19,840
Speaker 6: The project, but you're also getting your management feet on

1903
01:23:19,880 --> 01:23:21,800
Speaker 6: top of that, and then you're obviously when it comes

1904
01:23:21,800 --> 01:23:24,639
Speaker 6: time to talk budgets, you're going to be going hard

1905
01:23:24,680 --> 01:23:26,360
Speaker 6: for the budget for the guy that you signed, because

1906
01:23:26,360 --> 01:23:28,360
Speaker 6: you know the back end money that I get from that.

1907
01:23:28,479 --> 01:23:30,439
Speaker 1: I know this guy who has a brother that worked

1908
01:23:30,439 --> 01:23:32,600
Speaker 1: at Rockefeller as an A and R that used to

1909
01:23:32,640 --> 01:23:36,720
Speaker 1: manage producers just blaze Kanye West, like I know that guy.

1910
01:23:36,760 --> 01:23:39,400
Speaker 1: I know his brother too that you know used to

1911
01:23:39,439 --> 01:23:40,240
Speaker 1: do similar things.

1912
01:23:40,840 --> 01:23:43,840
Speaker 6: Yeah, like that's a class. Yeah, that's a literally it's great.

1913
01:23:43,920 --> 01:23:45,160
Speaker 6: One of the greatest moves you can make.

1914
01:23:45,200 --> 01:23:47,639
Speaker 1: It happens. Yeah, Hop was doing what he was supposed

1915
01:23:47,640 --> 01:23:50,040
Speaker 1: to do. Yeah. If I'm an A and R putting

1916
01:23:50,040 --> 01:23:53,000
Speaker 1: all these albums together and I find a three in

1917
01:23:53,080 --> 01:23:56,040
Speaker 1: house producers, yeah I'm not also going to manage them.

1918
01:23:56,320 --> 01:23:56,840
Speaker 1: It makes sense.

1919
01:23:56,880 --> 01:23:58,880
Speaker 3: I mean I think sometimes you fall into that because

1920
01:23:58,880 --> 01:24:01,080
Speaker 3: you look at it like, yo, as well, just work.

1921
01:24:01,160 --> 01:24:02,400
Speaker 5: I talked to him more than anyone.

1922
01:24:02,760 --> 01:24:04,600
Speaker 1: There are in house producers. I'm the A and R.

1923
01:24:05,560 --> 01:24:07,360
Speaker 1: I should just be your manager at this point. Yeah,

1924
01:24:07,400 --> 01:24:10,000
Speaker 1: it happens. Sometimes it happens like that. So again he

1925
01:24:10,080 --> 01:24:12,640
Speaker 1: was vague, so we can't like really answer this specifically.

1926
01:24:12,680 --> 01:24:15,920
Speaker 1: But I would either find a way to merge those

1927
01:24:15,960 --> 01:24:17,840
Speaker 1: in a safe way where you're not going to get

1928
01:24:17,840 --> 01:24:21,240
Speaker 1: fired or do some shady shit with you know, again,

1929
01:24:21,240 --> 01:24:24,639
Speaker 1: because budgets, they're checking every penny. Don't get yourself fired.

1930
01:24:25,160 --> 01:24:27,040
Speaker 1: But there could be ways to merge and if there

1931
01:24:27,160 --> 01:24:30,559
Speaker 1: isn't keep your nine to five until it's time to quit.

1932
01:24:30,800 --> 01:24:32,880
Speaker 1: When you feel like your side gig is the main.

1933
01:24:32,840 --> 01:24:35,360
Speaker 6: And if it feels wrong, it might be wrong. Just

1934
01:24:35,520 --> 01:24:38,760
Speaker 6: check yourself throughout this process to make sure that if

1935
01:24:38,760 --> 01:24:41,479
Speaker 6: anyone catches wind of something that you could at least

1936
01:24:41,560 --> 01:24:45,120
Speaker 6: justify why it makes sense to what you're doing. But

1937
01:24:46,280 --> 01:24:49,360
Speaker 6: when I was at Atlantic, I started to feel as

1938
01:24:49,439 --> 01:24:51,479
Speaker 6: if it was weird because I would get cool with

1939
01:24:51,520 --> 01:24:54,360
Speaker 6: my artists that were signed to our label, Few in particular,

1940
01:24:54,560 --> 01:24:57,320
Speaker 6: and I thought people looked at me weird because I

1941
01:24:57,360 --> 01:25:00,360
Speaker 6: was getting too close or had developing relationship with someone

1942
01:25:01,280 --> 01:25:04,439
Speaker 6: that they would have rather kept between, say the project manager.

1943
01:25:04,560 --> 01:25:05,720
Speaker 5: Yeah, it was always like that.

1944
01:25:05,760 --> 01:25:05,960
Speaker 6: It was.

1945
01:25:06,040 --> 01:25:07,840
Speaker 5: I always thought it was like a petty and like.

1946
01:25:08,840 --> 01:25:11,000
Speaker 6: I always thought these really like benign arguments we would

1947
01:25:11,000 --> 01:25:12,599
Speaker 6: get over. I'm like, why does this matter. We're both

1948
01:25:12,640 --> 01:25:15,280
Speaker 6: working with the same person. We're not boxing you out.

1949
01:25:15,360 --> 01:25:17,320
Speaker 6: I'm just becoming better at my job.

1950
01:25:17,600 --> 01:25:20,160
Speaker 1: That's corporate in general, not even just the music business.

1951
01:25:20,200 --> 01:25:23,000
Speaker 1: People harbor relationships iteing weird about that entire thing.

1952
01:25:23,600 --> 01:25:25,839
Speaker 6: But then at the end of my tenure at Atlantic,

1953
01:25:25,880 --> 01:25:27,880
Speaker 6: when I was getting closer with Dreamville, That's when shit

1954
01:25:27,920 --> 01:25:30,120
Speaker 6: started to get even weirder. And then at that same time,

1955
01:25:30,160 --> 01:25:32,000
Speaker 6: I was doing the pod like just a social at

1956
01:25:32,040 --> 01:25:32,320
Speaker 6: the time.

1957
01:25:32,640 --> 01:25:35,000
Speaker 7: No, I can understand the pod being a conflican interest.

1958
01:25:35,080 --> 01:25:37,200
Speaker 7: I don't know how though, working for a label, I

1959
01:25:37,200 --> 01:25:38,280
Speaker 7: get that because I told.

1960
01:25:38,120 --> 01:25:40,240
Speaker 1: My dear, I told her our marketings. I was like, hey,

1961
01:25:40,280 --> 01:25:42,120
Speaker 1: like it could be a conflict. I could send an

1962
01:25:42,160 --> 01:25:44,360
Speaker 1: knowing how you fucking with Dreamville. I don't think there's

1963
01:25:44,360 --> 01:25:45,559
Speaker 1: a conflict of interest that all.

1964
01:25:45,600 --> 01:25:46,719
Speaker 4: You run your mouth for a living.

1965
01:25:47,000 --> 01:25:48,759
Speaker 1: No, I don't know. Even when he was doing socials

1966
01:25:48,800 --> 01:25:49,400
Speaker 1: before he was on.

1967
01:25:49,439 --> 01:25:50,880
Speaker 5: I wasn't talking at the time.

1968
01:25:51,120 --> 01:25:53,240
Speaker 1: Oh yeah, there could be a conflict of interest if

1969
01:25:53,320 --> 01:25:56,240
Speaker 1: Maul and I say something negative about somebody from Atlantic

1970
01:25:56,320 --> 01:26:00,839
Speaker 1: and Julian is forced to post us saying something negative

1971
01:26:00,840 --> 01:26:02,280
Speaker 1: about their and you have.

1972
01:26:02,360 --> 01:26:05,559
Speaker 7: And also you you working for this is a media company.

1973
01:26:05,880 --> 01:26:08,120
Speaker 7: Literally it's in the name. So this is a media company,

1974
01:26:08,160 --> 01:26:10,840
Speaker 7: and you have access to secrets because you work at

1975
01:26:10,880 --> 01:26:13,760
Speaker 7: a label. There's some ship that they don't want the

1976
01:26:13,880 --> 01:26:16,600
Speaker 7: talking heads knowing.

1977
01:26:15,880 --> 01:26:19,040
Speaker 1: And even though we're not those guys, like I could

1978
01:26:19,040 --> 01:26:21,639
Speaker 1: see someone at a label going no, but now you're

1979
01:26:21,640 --> 01:26:25,360
Speaker 1: working with anybody. But even though even though Breakfast Club

1980
01:26:25,439 --> 01:26:27,040
Speaker 1: was on retainer with Atlantic. But it's cool.

1981
01:26:27,400 --> 01:26:29,040
Speaker 6: This is what yeah, like, come on, that's what I'm

1982
01:26:29,040 --> 01:26:30,599
Speaker 6: talking And not only that, but this is what made

1983
01:26:30,640 --> 01:26:31,960
Speaker 6: it funny to be Even though le Or.

1984
01:26:32,000 --> 01:26:34,000
Speaker 1: Cohen went to start and said, Yo, I want to

1985
01:26:34,040 --> 01:26:36,920
Speaker 1: do an album. Here's in an advance for one point

1986
01:26:36,920 --> 01:26:39,000
Speaker 1: five million dollars. Star came back and said I have

1987
01:26:39,040 --> 01:26:41,000
Speaker 1: some songs, and Leo said, I didn't ask you to

1988
01:26:41,040 --> 01:26:43,640
Speaker 1: do album. Take the money and don't ever speak to

1989
01:26:43,680 --> 01:26:45,519
Speaker 1: me again. You know what that was for.

1990
01:26:45,560 --> 01:26:49,280
Speaker 6: We had We would have artists or whomever come in.

1991
01:26:49,320 --> 01:26:51,400
Speaker 6: They were you know, they're looking for pr opportunities album.

1992
01:26:51,400 --> 01:26:54,360
Speaker 6: Well it's all that shit, and people was known in

1993
01:26:54,360 --> 01:26:56,080
Speaker 6: the building. I wasn't hiding it that I was doing

1994
01:26:56,080 --> 01:26:57,639
Speaker 6: this time because it was like whatever, it gives a shit,

1995
01:26:57,640 --> 01:27:01,559
Speaker 6: I'm just posting on socials and everyone would ignore it

1996
01:27:01,560 --> 01:27:03,040
Speaker 6: in the room. And then I would go back to

1997
01:27:03,080 --> 01:27:05,559
Speaker 6: my office and like a project manager, like some higher

1998
01:27:05,600 --> 01:27:07,760
Speaker 6: like someone else would knock on the door and be like, hey,

1999
01:27:08,880 --> 01:27:10,559
Speaker 6: so and so is coming into town for like we're

2000
01:27:10,560 --> 01:27:12,680
Speaker 6: gonna do like you know, complexes. This is do you

2001
01:27:12,720 --> 01:27:14,559
Speaker 6: think you can? Like ask Rory and Mom like why

2002
01:27:14,640 --> 01:27:17,040
Speaker 6: is this shit? Need to be like so secretive and

2003
01:27:17,080 --> 01:27:18,439
Speaker 6: at the time I was texting guys like, hey, are

2004
01:27:18,439 --> 01:27:20,439
Speaker 6: you guys interested in working with the You guys would

2005
01:27:20,439 --> 01:27:22,040
Speaker 6: just give me a straight yes or no. But I

2006
01:27:22,040 --> 01:27:23,519
Speaker 6: didn't feel the way. I was like, this is great,

2007
01:27:23,560 --> 01:27:26,080
Speaker 6: Like I'm helping the artists in the building, and not

2008
01:27:26,160 --> 01:27:28,120
Speaker 6: only that, I run the socials. I can help you

2009
01:27:28,160 --> 01:27:29,760
Speaker 6: pick the clip that you want, like to go out.

2010
01:27:29,760 --> 01:27:31,760
Speaker 6: I was never like trying to out or do someone dirt.

2011
01:27:31,880 --> 01:27:33,120
Speaker 5: Yeah, like it was.

2012
01:27:33,200 --> 01:27:35,120
Speaker 6: I just never understood why. It was always like this

2013
01:27:35,200 --> 01:27:39,160
Speaker 6: weird double dip. No, that's better for the building, Like

2014
01:27:39,200 --> 01:27:40,799
Speaker 6: I'm doing this for us.

2015
01:27:40,880 --> 01:27:43,280
Speaker 7: But kind of eventually a conflict of interest would have

2016
01:27:43,320 --> 01:27:44,960
Speaker 7: come up eventually.

2017
01:27:44,520 --> 01:27:47,240
Speaker 1: Kind of back to double XL's question of our streamers

2018
01:27:47,240 --> 01:27:51,479
Speaker 1: and podcasters running hip hop. These are the first media

2019
01:27:51,520 --> 01:27:53,840
Speaker 1: platforms that I of course some are being bought, don't

2020
01:27:53,840 --> 01:27:56,240
Speaker 1: get me wrong. This is the first time I feel

2021
01:27:56,240 --> 01:27:58,439
Speaker 1: like the majors have not been in complete control of

2022
01:27:58,479 --> 01:28:01,759
Speaker 1: what the media is saying. Like they were only focused

2023
01:28:01,800 --> 01:28:05,280
Speaker 1: on Hot ninety seven, Power one of five, UH, Power

2024
01:28:05,320 --> 01:28:08,439
Speaker 1: one oh six, MTV News one O six, and Park

2025
01:28:08,720 --> 01:28:12,120
Speaker 1: t r L like they were in controllable. They're not

2026
01:28:12,240 --> 01:28:15,360
Speaker 1: in control of some twenty year old kid that gets

2027
01:28:15,600 --> 01:28:17,599
Speaker 1: a million people at night on his stream and can

2028
01:28:17,640 --> 01:28:20,720
Speaker 1: say anything he fucking wants. So it scares them, so

2029
01:28:20,760 --> 01:28:23,400
Speaker 1: I can see them being weird, Like Joan, you can't

2030
01:28:23,439 --> 01:28:27,000
Speaker 1: be like those are the ops. Media is not. Media

2031
01:28:27,080 --> 01:28:28,680
Speaker 1: is not our friend like it used to be the

2032
01:28:28,760 --> 01:28:32,360
Speaker 1: ops to majors. Yeah, unlet's like, I mean, we still

2033
01:28:32,400 --> 01:28:34,520
Speaker 1: talk to publish.

2034
01:28:34,160 --> 01:28:36,160
Speaker 3: In my life every day online and you ask them

2035
01:28:36,160 --> 01:28:36,959
Speaker 3: to we to ops.

2036
01:28:37,840 --> 01:28:39,920
Speaker 1: They said they wanted to murder Amara because I wanted

2037
01:28:39,960 --> 01:28:45,920
Speaker 1: to hear sing about me and YadA ops y'all os

2038
01:28:46,280 --> 01:28:51,439
Speaker 1: look off just YouTube, Yeah, just us. Also at maybe

2039
01:28:51,479 --> 01:28:53,920
Speaker 1: another angle he's getting at here again because he was

2040
01:28:54,000 --> 01:28:56,400
Speaker 1: vague he said he played instruments. He played bass for

2041
01:28:56,439 --> 01:29:01,000
Speaker 1: however many years. You're not overstepping your boundaries. If you're

2042
01:29:01,040 --> 01:29:04,760
Speaker 1: working on music with your artists that you A and R.

2043
01:29:04,800 --> 01:29:07,559
Speaker 1: That's actually used to be the definition of the gig. Yeah,

2044
01:29:08,200 --> 01:29:11,520
Speaker 1: I mean now it's more about just like translating lyrics

2045
01:29:11,560 --> 01:29:14,679
Speaker 1: and clearing features. But yeah, go in there and get

2046
01:29:14,680 --> 01:29:17,639
Speaker 1: your splits like an RS that actually used to really

2047
01:29:17,720 --> 01:29:20,840
Speaker 1: be involved would get publishing and splits too. Now it

2048
01:29:21,000 --> 01:29:25,400
Speaker 1: just be an RS that sign somebody that went viral

2049
01:29:25,400 --> 01:29:28,320
Speaker 1: and they're getting splits. Yeah, that's another The game has

2050
01:29:28,439 --> 01:29:32,040
Speaker 1: changed that yeo that this system you guys think, it's

2051
01:29:32,040 --> 01:29:33,599
Speaker 1: like they count pennies and they pinch.

2052
01:29:33,840 --> 01:29:35,400
Speaker 5: There's just new ways to get around it.

2053
01:29:35,640 --> 01:29:38,479
Speaker 6: I know these they get so many bags that you

2054
01:29:38,520 --> 01:29:40,639
Speaker 6: would that if the higher ups that the label new about,

2055
01:29:40,640 --> 01:29:41,679
Speaker 6: they'd be like, this is fucking.

2056
01:29:41,800 --> 01:29:45,240
Speaker 1: I know an rs that just take no name producers

2057
01:29:45,400 --> 01:29:49,200
Speaker 1: and the way that like ghost producing used to be. Yeah,

2058
01:29:49,320 --> 01:29:52,160
Speaker 1: an rs do that with no name producers now mm hm.

2059
01:29:52,600 --> 01:29:55,800
Speaker 1: They'll get twenty five percent split on a beat that

2060
01:29:56,080 --> 01:29:58,479
Speaker 1: they just found some kid online and it was like

2061
01:29:58,479 --> 01:30:00,479
Speaker 1: here take your other, even though the the kids should

2062
01:30:00,479 --> 01:30:03,160
Speaker 1: be getting fifty. There's an r's in the credit. I'm like,

2063
01:30:03,360 --> 01:30:06,280
Speaker 1: you ain't. You just did your job as an R

2064
01:30:06,400 --> 01:30:08,160
Speaker 1: to connect to people right there. That's not PuF, But

2065
01:30:08,240 --> 01:30:10,840
Speaker 1: the fuck you? Why are you in the credits? Like

2066
01:30:10,880 --> 01:30:12,760
Speaker 1: I said, there's so many ways to skin a horse

2067
01:30:12,800 --> 01:30:13,439
Speaker 1: now though.

2068
01:30:13,560 --> 01:30:15,360
Speaker 7: You got well, you gotta get paid somehow because the

2069
01:30:15,439 --> 01:30:18,400
Speaker 7: label's being tight with money, fire and people every five

2070
01:30:18,439 --> 01:30:20,719
Speaker 7: seconds like you gotta do what the fuck.

2071
01:30:20,520 --> 01:30:21,000
Speaker 6: You gotta do?

2072
01:30:22,000 --> 01:30:23,559
Speaker 1: Make sure you good? Look it.

2073
01:30:23,720 --> 01:30:26,000
Speaker 6: The thing I never liked about a lot of that,

2074
01:30:26,040 --> 01:30:28,400
Speaker 6: like with Rory saying on these poor like ghost producers

2075
01:30:28,400 --> 01:30:31,240
Speaker 6: and that system is you're just abusing. You're just taking

2076
01:30:31,280 --> 01:30:37,280
Speaker 6: advantage of someone's like desire, and you're a dream like

2077
01:30:37,320 --> 01:30:38,840
Speaker 6: their dream is to be in this industry. So if

2078
01:30:38,840 --> 01:30:40,519
Speaker 6: someone from a major comes in and say, hey, I

2079
01:30:40,520 --> 01:30:43,439
Speaker 6: really like this beat, here's like fucking five, here's pennies

2080
01:30:43,520 --> 01:30:45,120
Speaker 6: to a song that we know is gonna go create.

2081
01:30:45,360 --> 01:30:46,519
Speaker 5: That's always the thing I never heard that.

2082
01:30:46,600 --> 01:30:49,160
Speaker 1: Always we're here to promise, do what's a solid on

2083
01:30:49,240 --> 01:30:50,519
Speaker 1: this one? Yeah, the next, the.

2084
01:30:50,560 --> 01:30:53,360
Speaker 6: Next one, knowing that you got the this beats going

2085
01:30:53,400 --> 01:30:55,679
Speaker 6: to Cardi B and no you won't see a fucking

2086
01:30:55,720 --> 01:30:56,360
Speaker 6: penny from it.

2087
01:30:56,360 --> 01:30:57,880
Speaker 1: And line and them like yeah I played it, she

2088
01:30:58,200 --> 01:31:00,160
Speaker 1: wasn't into it. You didn't even go in to that

2089
01:31:00,240 --> 01:31:03,720
Speaker 1: room and play anything. Yeah, but that's all for that.

2090
01:31:03,720 --> 01:31:06,040
Speaker 1: It is stupid though. I mean, some of these kids

2091
01:31:06,320 --> 01:31:08,599
Speaker 1: are super young and just throwing their beats on YouTube

2092
01:31:08,600 --> 01:31:11,120
Speaker 1: and like they become hits. And these kids are none

2093
01:31:11,160 --> 01:31:14,160
Speaker 1: the wiser. You're just young and looking for an opportunity

2094
01:31:14,200 --> 01:31:15,400
Speaker 1: and think this is the way the shit goes.

2095
01:31:16,240 --> 01:31:18,120
Speaker 3: It's a cold game, man, This is this music business

2096
01:31:18,160 --> 01:31:22,479
Speaker 3: shit is so fucking it's insane. It's insane. But I

2097
01:31:22,479 --> 01:31:24,960
Speaker 3: mean I'm not mad at well, dude is doing this

2098
01:31:25,080 --> 01:31:27,720
Speaker 3: age old trick. People have been doing it for years,

2099
01:31:27,720 --> 01:31:30,559
Speaker 3: like you said, Rory, and I'm pretty sure now it's.

2100
01:31:30,439 --> 01:31:32,120
Speaker 1: Way easier to do a lot of this shit than

2101
01:31:32,160 --> 01:31:34,280
Speaker 1: it was before. Yeah, but I.

2102
01:31:34,240 --> 01:31:38,599
Speaker 4: Mean, good luck though on your business, sir, sir.

2103
01:31:39,840 --> 01:31:41,479
Speaker 6: And I do think the fact that he's calling in

2104
01:31:41,640 --> 01:31:44,840
Speaker 6: and wanted like our opinion on this matter means that

2105
01:31:44,920 --> 01:31:47,040
Speaker 6: his heart, like he's in the right place. He wants

2106
01:31:47,120 --> 01:31:50,320
Speaker 6: to do good on both his company and his own work.

2107
01:31:51,240 --> 01:31:54,040
Speaker 1: Yeah, he's not trying to fun, trying to fuck anybody over, No,

2108
01:31:54,080 --> 01:31:54,479
Speaker 1: he just like.

2109
01:31:54,560 --> 01:31:56,439
Speaker 3: Yo, he just feels like, damn, am I in the

2110
01:31:56,439 --> 01:31:58,400
Speaker 3: wrong here? Like am I doing some wack shit?

2111
01:31:58,840 --> 01:32:01,600
Speaker 1: But that's all like that if you get into that

2112
01:32:01,680 --> 01:32:04,840
Speaker 1: corporate life for too long and it just becomes a mentality.

2113
01:32:05,800 --> 01:32:09,000
Speaker 1: Like I've talked about this with Sife before, so I'm

2114
01:32:09,000 --> 01:32:11,880
Speaker 1: not saying anything that he hasn't even said publicly. He

2115
01:32:11,920 --> 01:32:15,680
Speaker 1: got so brainwashed by that Hot ninety seven logo that

2116
01:32:15,720 --> 01:32:18,320
Speaker 1: he was like, I'm defending something that doesn't care about me.

2117
01:32:18,840 --> 01:32:20,519
Speaker 1: Why am I changing my life because I feel like

2118
01:32:20,520 --> 01:32:23,000
Speaker 1: I have to be loyal to Hot ninety seven when

2119
01:32:23,720 --> 01:32:27,040
Speaker 1: they're kicking me off mid days and throwing me back

2120
01:32:27,080 --> 01:32:28,559
Speaker 1: to mornings when I didn't want to do that, Like

2121
01:32:28,600 --> 01:32:30,680
Speaker 1: I've been here for twenty years. Y'all been here for

2122
01:32:30,680 --> 01:32:33,519
Speaker 1: two years, and I'm walking around like this is my flag.

2123
01:32:33,800 --> 01:32:36,240
Speaker 1: You get in that mentality, I feel like, especially with

2124
01:32:36,320 --> 01:32:38,320
Speaker 1: labels too. I felt it when I was at def

2125
01:32:38,400 --> 01:32:40,160
Speaker 1: Jam the fucking what's the deaf jam? I'm going to

2126
01:32:40,200 --> 01:32:40,479
Speaker 1: do for me?

2127
01:32:40,840 --> 01:32:41,200
Speaker 5: That part?

2128
01:32:41,360 --> 01:32:43,960
Speaker 1: Throw me on my mass when something doesn't click, when

2129
01:32:44,000 --> 01:32:47,000
Speaker 1: someone else makes a mistake, they'll blame me and throw

2130
01:32:47,000 --> 01:32:48,840
Speaker 1: me on my ass. Why am I running around with

2131
01:32:49,000 --> 01:32:53,200
Speaker 1: the deaf jam flag? It's a mentality when you get

2132
01:32:53,240 --> 01:32:55,439
Speaker 1: in that corporate that corporate shit.

2133
01:32:55,560 --> 01:32:56,880
Speaker 7: Yeah, and the don't be afraid to stop out It

2134
01:32:56,960 --> 01:32:58,920
Speaker 7: sounds like he's scared. Don't if you get to the

2135
01:32:58,920 --> 01:33:01,120
Speaker 7: point where you feel like you could make it, pretend

2136
01:33:01,120 --> 01:33:03,160
Speaker 7: that you don't have a job and like you're fighting

2137
01:33:03,200 --> 01:33:04,840
Speaker 7: for your life and step out on your own. I

2138
01:33:04,840 --> 01:33:07,320
Speaker 7: feel like sometimes you get comfortable at a job and

2139
01:33:07,320 --> 01:33:09,280
Speaker 7: you're so and you know, we're adults, like we all

2140
01:33:09,280 --> 01:33:11,679
Speaker 7: have bills and shit like that you're afraid to fall.

2141
01:33:11,720 --> 01:33:13,760
Speaker 7: But if you get to a place where you like yo,

2142
01:33:13,880 --> 01:33:16,400
Speaker 7: like I really could like do this, this could be

2143
01:33:16,479 --> 01:33:18,240
Speaker 7: my full time job, then quit.

2144
01:33:18,600 --> 01:33:19,679
Speaker 4: You might, you might fall.

2145
01:33:19,680 --> 01:33:21,759
Speaker 7: You'll never know, like you'll never if you can't put

2146
01:33:21,960 --> 01:33:23,679
Speaker 7: you know, you only have one hundred percent of yourself

2147
01:33:23,680 --> 01:33:26,040
Speaker 7: if you're given forty of it to your day job

2148
01:33:26,240 --> 01:33:28,679
Speaker 7: and you're only giving the other sixty percent to your job.

2149
01:33:28,760 --> 01:33:30,920
Speaker 7: Like what could if you put one hundred percent into

2150
01:33:30,920 --> 01:33:33,439
Speaker 7: your own company? Like, imagine what it could be. So

2151
01:33:33,520 --> 01:33:35,240
Speaker 7: don't be afraid to take that leap and tell them

2152
01:33:35,240 --> 01:33:36,639
Speaker 7: to fuck them and do your own thing.

2153
01:33:39,080 --> 01:33:39,760
Speaker 1: We got another one.

2154
01:33:40,520 --> 01:33:42,920
Speaker 5: Yeah, this is uh, this is a little lighter.

2155
01:33:44,280 --> 01:33:47,200
Speaker 2: Hey, y'all, hope you're all doing well. It's David from Maryland,

2156
01:33:47,400 --> 01:33:51,240
Speaker 2: big fan of the pod. I'm in this dilemma where

2157
01:33:51,240 --> 01:33:53,479
Speaker 2: I'm a big fan of hip hop. I love the

2158
01:33:53,520 --> 01:33:55,240
Speaker 2: history of hip hop. That's what I grew up on,

2159
01:33:55,320 --> 01:33:59,760
Speaker 2: that's what I listen to the most currently. And I

2160
01:33:59,840 --> 01:34:01,920
Speaker 2: was in the discord with you guys the other night

2161
01:34:01,960 --> 01:34:04,559
Speaker 2: watching the pop out and I was hyped to going

2162
01:34:04,600 --> 01:34:06,120
Speaker 2: to work the next day and talk to it with

2163
01:34:06,200 --> 01:34:09,360
Speaker 2: friends and coworkers, but they didn't seem to even really

2164
01:34:09,360 --> 01:34:11,840
Speaker 2: care or they didn't know it was on, which is fine,

2165
01:34:11,840 --> 01:34:14,559
Speaker 2: I'm that mad at them for that. It just really

2166
01:34:14,600 --> 01:34:17,439
Speaker 2: made me realize that, like, I don't have much of

2167
01:34:17,520 --> 01:34:22,960
Speaker 2: an outlet to like share this interest with, So I

2168
01:34:22,960 --> 01:34:24,439
Speaker 2: don't expect you guys to have an answer for that.

2169
01:34:24,479 --> 01:34:26,000
Speaker 2: I just wanted to kind of share that dilemma I'm

2170
01:34:26,040 --> 01:34:28,439
Speaker 2: in right now. But my question to y'all is, have

2171
01:34:28,520 --> 01:34:31,800
Speaker 2: you guys been in that sort of situation where you

2172
01:34:31,920 --> 01:34:35,040
Speaker 2: have a passion or an interest or a hobby whatever,

2173
01:34:36,120 --> 01:34:38,760
Speaker 2: and you guys might be into at the time, and

2174
01:34:38,800 --> 01:34:41,880
Speaker 2: you don't have like anybody to share that interest with

2175
01:34:42,280 --> 01:34:46,280
Speaker 2: or talk to you about it. I just thought it

2176
01:34:46,320 --> 01:34:51,160
Speaker 2: was very interesting. Thank you for taking this voicemail so sweet.

2177
01:34:51,920 --> 01:34:53,919
Speaker 1: Sounds like a nice kid. He's very sweet.

2178
01:34:54,040 --> 01:34:54,599
Speaker 4: Hi, David.

2179
01:34:55,400 --> 01:34:57,559
Speaker 7: This episode Well, David, Well, you have a whole discord

2180
01:34:57,560 --> 01:35:00,880
Speaker 7: on Patreon community who will love nothing more but to

2181
01:35:00,960 --> 01:35:02,920
Speaker 7: sit there and talk hip hop with you all day.

2182
01:35:02,960 --> 01:35:05,880
Speaker 7: So please please make sure you're talking to the new

2183
01:35:05,960 --> 01:35:09,719
Speaker 7: roy and Maw community because they'll argue and yell about

2184
01:35:09,720 --> 01:35:10,200
Speaker 7: that shit.

2185
01:35:10,000 --> 01:35:10,519
Speaker 6: All day with you.

2186
01:35:10,600 --> 01:35:11,960
Speaker 5: Pedro dot com for sashon in.

2187
01:35:12,000 --> 01:35:15,519
Speaker 1: All, Yes, there's always a community that will argue hip

2188
01:35:15,520 --> 01:35:17,880
Speaker 1: hop with you no matter what. But I've also found,

2189
01:35:17,920 --> 01:35:19,920
Speaker 1: like the older I've gotten, sometimes it's nice to just

2190
01:35:19,960 --> 01:35:24,000
Speaker 1: have your own hobbies that aren't really for other people. Like,

2191
01:35:24,040 --> 01:35:26,280
Speaker 1: that's just my interest in the thing that I don't

2192
01:35:26,280 --> 01:35:28,200
Speaker 1: need to share. I can be a nerd about this

2193
01:35:28,280 --> 01:35:31,120
Speaker 1: by myself rather than having to have someone to talk

2194
01:35:31,160 --> 01:35:32,880
Speaker 1: to about it. It's nice to have your own things.

2195
01:35:32,960 --> 01:35:35,160
Speaker 5: What's yours? What's your what are your what would be your? Uh?

2196
01:35:35,200 --> 01:35:36,880
Speaker 1: Well, I have a podcast, so I literally share every

2197
01:35:36,960 --> 01:35:40,360
Speaker 1: last fucking thing that's I'm That's what I'm trying to

2198
01:35:40,360 --> 01:35:41,639
Speaker 1: tell y'all. It's nice to have things.

2199
01:35:41,760 --> 01:35:43,720
Speaker 7: Yeah, yeah, but he doesn't have a podcast, so he

2200
01:35:43,720 --> 01:35:46,320
Speaker 7: doesn't talk for a living, so I'm sure he wants to,

2201
01:35:46,400 --> 01:35:48,200
Speaker 7: you know, share it with people.

2202
01:35:48,320 --> 01:35:49,679
Speaker 4: It's a perfect time to make new friends.

2203
01:35:49,680 --> 01:35:50,280
Speaker 5: But that's not true.

2204
01:35:50,320 --> 01:35:53,280
Speaker 6: Just because you share something doesn't mean like I share

2205
01:35:53,320 --> 01:35:54,760
Speaker 6: all the time with you guys, and you guys make

2206
01:35:54,800 --> 01:35:55,800
Speaker 6: fun of everything I do.

2207
01:35:56,000 --> 01:35:58,280
Speaker 1: So those your interests are like, oh, your hobbies are

2208
01:35:58,280 --> 01:35:59,000
Speaker 1: like dating apps.

2209
01:35:59,520 --> 01:36:01,960
Speaker 5: Oh, I have fourteen plants that I take care of.

2210
01:36:02,000 --> 01:36:06,280
Speaker 1: At home when I come back to the house. You

2211
01:36:06,280 --> 01:36:07,479
Speaker 1: know how many plants you take care.

2212
01:36:07,680 --> 01:36:09,880
Speaker 6: I have fourteen and I'm about to propagate too. I'm

2213
01:36:09,880 --> 01:36:12,679
Speaker 6: about to make sixteen hopefully tomorrow.

2214
01:36:13,280 --> 01:36:13,559
Speaker 4: Plants.

2215
01:36:13,560 --> 01:36:15,040
Speaker 1: Are you about to make the plants? Fuck? No?

2216
01:36:15,120 --> 01:36:15,320
Speaker 7: You know.

2217
01:36:15,479 --> 01:36:19,040
Speaker 6: Propagation is you take a healthy root and you remove

2218
01:36:19,120 --> 01:36:21,280
Speaker 6: it from a plant and put it in a it's

2219
01:36:21,280 --> 01:36:21,880
Speaker 6: a soil proper.

2220
01:36:21,960 --> 01:36:23,680
Speaker 5: I mean I did a soil propagation. This will be

2221
01:36:23,720 --> 01:36:24,280
Speaker 5: a water one.

2222
01:36:24,360 --> 01:36:24,479
Speaker 6: Oh.

2223
01:36:24,479 --> 01:36:27,400
Speaker 1: So that's how like you get Baisley when she she's

2224
01:36:27,400 --> 01:36:29,519
Speaker 1: a multison and a poodle mix. So you're just doing

2225
01:36:29,520 --> 01:36:31,559
Speaker 1: that with plants. You're making like ligers.

2226
01:36:31,600 --> 01:36:33,519
Speaker 7: No, it's like if he cut Baisley's leg off and

2227
01:36:33,520 --> 01:36:35,400
Speaker 7: grew a new Baisley.

2228
01:36:35,560 --> 01:36:37,479
Speaker 1: You know how it's like when you cut worms in half.

2229
01:36:37,520 --> 01:36:41,080
Speaker 6: So this is it's really a beautiful process, especially if

2230
01:36:41,120 --> 01:36:42,360
Speaker 6: you do it in the water, because you see the

2231
01:36:42,439 --> 01:36:44,280
Speaker 6: roots grow, and then when the roots are long enough

2232
01:36:44,320 --> 01:36:46,800
Speaker 6: and healthy enough, you can plant this into a new

2233
01:36:46,880 --> 01:36:50,559
Speaker 6: pot and soil. But again, I am now talking about

2234
01:36:50,560 --> 01:36:51,960
Speaker 6: it here, but this is stuff that I do on

2235
01:36:52,000 --> 01:36:53,960
Speaker 6: my own that I would never really talk to you

2236
01:36:53,960 --> 01:36:55,559
Speaker 6: guys about, because I.

2237
01:36:55,560 --> 01:37:00,680
Speaker 3: Know about probably getting your plants for the weekend, like

2238
01:37:00,680 --> 01:37:01,080
Speaker 3: get the fun.

2239
01:37:01,120 --> 01:37:03,400
Speaker 1: But again, I like to keep certain things to myself,

2240
01:37:03,439 --> 01:37:06,840
Speaker 1: like that's cool. Don't talk to me about that, which

2241
01:37:06,880 --> 01:37:08,479
Speaker 1: is like I mean, in a good way. Just do

2242
01:37:08,520 --> 01:37:10,160
Speaker 1: that shit in your crib and enjoy it. Go find

2243
01:37:10,200 --> 01:37:13,720
Speaker 1: propagate Twitter some shit. I don't know. I forgot how

2244
01:37:13,720 --> 01:37:15,680
Speaker 1: many years ago when I came in here and admitted that, like,

2245
01:37:15,720 --> 01:37:18,960
Speaker 1: one of my side hobbies is arranging flowers. And you know,

2246
01:37:19,360 --> 01:37:22,160
Speaker 1: I should have never told y'all that. You guys clowned me.

2247
01:37:22,360 --> 01:37:24,719
Speaker 1: I still do it, we're supposed to, but of course,

2248
01:37:24,880 --> 01:37:26,280
Speaker 1: but I could have just kept that to myself.

2249
01:37:26,320 --> 01:37:27,920
Speaker 5: You should have kept what's your favorite flower?

2250
01:37:28,040 --> 01:37:32,439
Speaker 1: Or I'm more of a color color guy. I like

2251
01:37:32,479 --> 01:37:33,440
Speaker 1: to arrange different.

2252
01:37:33,160 --> 01:37:34,800
Speaker 5: I thought you don't see color though, I.

2253
01:37:34,720 --> 01:37:39,200
Speaker 1: Don't look she had like a dolt. Yeah, I can

2254
01:37:39,240 --> 01:37:42,160
Speaker 1: tell by the grays, the hues of the gray, got it, Paul?

2255
01:37:42,240 --> 01:37:43,680
Speaker 4: Do you have any hobbies that she don't talk to

2256
01:37:43,760 --> 01:37:44,080
Speaker 4: us about?

2257
01:37:44,240 --> 01:37:45,840
Speaker 1: Yes, a ship?

2258
01:37:45,920 --> 01:37:47,840
Speaker 5: Look what's her name? What?

2259
01:37:48,200 --> 01:37:48,400
Speaker 1: Huh?

2260
01:37:48,960 --> 01:37:49,120
Speaker 6: Oh?

2261
01:37:49,200 --> 01:37:51,599
Speaker 7: Y'all always ask pressing them all about a girl like

2262
01:37:51,680 --> 01:37:53,040
Speaker 7: y'all mean in his dick business?

2263
01:37:53,120 --> 01:37:54,000
Speaker 1: Bad?

2264
01:37:54,479 --> 01:37:54,639
Speaker 6: Right?

2265
01:37:54,600 --> 01:37:55,160
Speaker 4: All right, mam?

2266
01:37:55,680 --> 01:37:55,880
Speaker 1: Right?

2267
01:37:56,400 --> 01:37:57,599
Speaker 5: What do you think he's gonna say that?

2268
01:37:58,080 --> 01:37:58,240
Speaker 6: Right?

2269
01:37:58,360 --> 01:38:00,320
Speaker 1: She only gets me too option shit? Right or right? Yeah?

2270
01:38:00,800 --> 01:38:03,280
Speaker 1: And first of all, I also agree, Yeah, well I

2271
01:38:03,280 --> 01:38:12,960
Speaker 1: want to know. You want to know who I'm sleeping with? Yeah,

2272
01:38:13,120 --> 01:38:15,160
Speaker 1: I thought, like I didn't realize you put a period

2273
01:38:15,160 --> 01:38:16,840
Speaker 1: at the end of the sentence. I thought it was like, Okay,

2274
01:38:18,360 --> 01:38:21,840
Speaker 1: set me call in and then you were gonna tell me,

2275
01:38:21,880 --> 01:38:24,000
Speaker 1: Oh gotcha? Okay. I just asked the question like you

2276
01:38:24,000 --> 01:38:26,720
Speaker 1: want to know. But to answer this this very nice

2277
01:38:26,720 --> 01:38:30,439
Speaker 1: gentleman's question, seek out the community the same way DeMar

2278
01:38:30,640 --> 01:38:35,519
Speaker 1: said specifically, our discord and you know, our listenership loves

2279
01:38:35,560 --> 01:38:37,400
Speaker 1: to debate about hip hop, like you can find your

2280
01:38:37,400 --> 01:38:39,720
Speaker 1: community and your tribe when it comes to your weird.

2281
01:38:39,520 --> 01:38:43,840
Speaker 3: You can literally tweet whatever you're thinking about and people

2282
01:38:43,880 --> 01:38:47,320
Speaker 3: are going to jump in that. Look, got two new

2283
01:38:47,360 --> 01:38:48,400
Speaker 3: people to argue it all night.

2284
01:38:48,640 --> 01:38:50,800
Speaker 1: Yeah, and I don't think it's weird, Like all right,

2285
01:38:50,840 --> 01:38:55,160
Speaker 1: if hip hop is your your hobby and talking about it,

2286
01:38:55,160 --> 01:38:57,240
Speaker 1: but you can't find anyone to go to shows? Ye

2287
01:38:57,439 --> 01:39:00,320
Speaker 1: meet people? Yeah, you know if people go to shows

2288
01:39:00,320 --> 01:39:03,040
Speaker 1: by themselves and just meet friends. Yeah, absolutely, and you're

2289
01:39:03,040 --> 01:39:03,920
Speaker 1: there for a common thing.

2290
01:39:04,640 --> 01:39:07,080
Speaker 3: Obviously we all hear we like this artist or we're

2291
01:39:07,080 --> 01:39:10,080
Speaker 3: interested in this artist, So yeah, go to shows.

2292
01:39:10,400 --> 01:39:10,559
Speaker 6: Uh.

2293
01:39:10,600 --> 01:39:13,000
Speaker 1: Social media is everybody's always.

2294
01:39:12,640 --> 01:39:16,120
Speaker 3: Willing to argue and engage in any type of debate

2295
01:39:16,120 --> 01:39:18,920
Speaker 3: about music and artists and things like that.

2296
01:39:19,920 --> 01:39:21,879
Speaker 1: So yeah, David, that was a that was a cool VOICEMAILO.

2297
01:39:21,920 --> 01:39:22,599
Speaker 1: I appreciate that.

2298
01:39:23,200 --> 01:39:25,880
Speaker 7: There's nothing worse than talking to somebody about something you're

2299
01:39:25,960 --> 01:39:28,360
Speaker 7: super passionate about and you're just like gushing and super

2300
01:39:28,400 --> 01:39:31,559
Speaker 7: happy and they look so disinterested like that shit makes

2301
01:39:31,560 --> 01:39:34,320
Speaker 7: your heart just drop like this interested.

2302
01:39:34,400 --> 01:39:38,000
Speaker 3: But it's cool when somebody is disinterested because they don't know,

2303
01:39:38,040 --> 01:39:39,639
Speaker 3: but they're willing to learn what.

2304
01:39:39,560 --> 01:39:41,320
Speaker 1: You're talking about. Like I like that.

2305
01:39:41,360 --> 01:39:42,639
Speaker 3: It's like you may not know what the fuck I'm

2306
01:39:42,640 --> 01:39:44,320
Speaker 3: talking about right now, but if you're like, yeah, I

2307
01:39:44,320 --> 01:39:46,840
Speaker 3: don't know what that is, like, but tell me more

2308
01:39:46,880 --> 01:39:49,320
Speaker 3: about that, Like yeah, that type of shit is cool

2309
01:39:49,320 --> 01:39:51,559
Speaker 3: because it's like, Okay, this is somebody that has nothing,

2310
01:39:51,560 --> 01:39:52,719
Speaker 3: Like we talk about house and dragons.

2311
01:39:52,720 --> 01:39:54,240
Speaker 7: I'm like, okay, it's just about to bring that up,

2312
01:39:54,240 --> 01:39:55,439
Speaker 7: Like how gush about house and dragon?

2313
01:39:55,520 --> 01:39:57,080
Speaker 3: Ye, Like I gotta I gotta start it, Like okay,

2314
01:39:57,160 --> 01:39:58,880
Speaker 3: you sold that to me, I bet boom, like I

2315
01:39:58,880 --> 01:40:02,040
Speaker 3: gotta start painting to So I'm not mad at people

2316
01:40:02,320 --> 01:40:05,160
Speaker 3: not knowing anything about what the fuck I'm saying, but

2317
01:40:05,240 --> 01:40:07,760
Speaker 3: at least be willing to like learn about what I'm saying.

2318
01:40:07,920 --> 01:40:10,320
Speaker 1: Okay, cool, tell me more about it. Like when I

2319
01:40:10,320 --> 01:40:12,280
Speaker 1: talk about my passion for b sides, I didn't know

2320
01:40:12,320 --> 01:40:14,439
Speaker 1: my daughter would be murdered because of it. So, like,

2321
01:40:14,479 --> 01:40:16,960
Speaker 1: you know, things you should just keep to your self, exactly.

2322
01:40:18,280 --> 01:40:20,679
Speaker 6: Hobby. Outside of that, I have a lot of hobby.

2323
01:40:20,960 --> 01:40:24,320
Speaker 7: I mean I read a lot, but y'all don't you read?

2324
01:40:24,360 --> 01:40:27,400
Speaker 7: When a girl you like reads, but y'all don't read,

2325
01:40:27,720 --> 01:40:29,760
Speaker 7: So there's I'm not gonna come out here and talk

2326
01:40:29,800 --> 01:40:31,320
Speaker 7: about books with y'all.

2327
01:40:33,000 --> 01:40:40,800
Speaker 1: Y'all don't Jean Burllows Mafia book what murdered? Uh? I

2328
01:40:40,840 --> 01:40:43,439
Speaker 1: did not even the audiobook I read. I bought the

2329
01:40:43,479 --> 01:40:44,160
Speaker 1: book and read it.

2330
01:40:44,479 --> 01:40:45,479
Speaker 4: How many pages was it?

2331
01:40:45,960 --> 01:40:46,160
Speaker 1: You know?

2332
01:40:46,160 --> 01:40:46,639
Speaker 5: It was a lot?

2333
01:40:46,680 --> 01:40:48,920
Speaker 1: No, it was a it was a real book. It

2334
01:40:48,960 --> 01:40:52,360
Speaker 1: only had like two picture tons of pages, Yeah, tons

2335
01:40:52,439 --> 01:40:55,680
Speaker 1: of pages. The font was kind of big though. I

2336
01:40:55,760 --> 01:40:59,280
Speaker 1: was like, this might be fourteen content moment, like they

2337
01:40:59,320 --> 01:41:03,320
Speaker 1: set this up for mert that used to know, when

2338
01:41:03,320 --> 01:41:05,400
Speaker 1: I used to be able to flirt and like was

2339
01:41:05,400 --> 01:41:07,200
Speaker 1: out in these streets. That was always my go to

2340
01:41:07,360 --> 01:41:09,200
Speaker 1: question to a girl, What are you a nerd about?

2341
01:41:09,560 --> 01:41:10,639
Speaker 1: They used to love that question.

2342
01:41:11,280 --> 01:41:12,360
Speaker 4: Who was your favorite answer?

2343
01:41:13,520 --> 01:41:20,000
Speaker 1: Hopefully me and fucking Rory. Seriously, I wasn't looking for

2344
01:41:20,040 --> 01:41:23,479
Speaker 1: an answer. I love asking people that what are you

2345
01:41:23,479 --> 01:41:25,280
Speaker 1: a nerd about? I'm a nerd, so I like to

2346
01:41:25,360 --> 01:41:28,080
Speaker 1: know what other people are nerds about. I like when

2347
01:41:28,080 --> 01:41:30,120
Speaker 1: people get super excited and passionate about some shit that

2348
01:41:30,680 --> 01:41:32,920
Speaker 1: isn't for me. I think that's cool to find out

2349
01:41:32,920 --> 01:41:35,719
Speaker 1: about people like what really makes them excited.

2350
01:41:35,960 --> 01:41:38,640
Speaker 4: I'm laughing because one of me and Rory's first conversations

2351
01:41:38,640 --> 01:41:40,800
Speaker 4: that we ever had, we tried to out Drake and

2352
01:41:40,880 --> 01:41:41,479
Speaker 4: nerd each other.

2353
01:41:42,200 --> 01:41:44,320
Speaker 5: See he won.

2354
01:41:44,400 --> 01:41:45,920
Speaker 7: He was like, No, you're not even really a Drake

2355
01:41:45,960 --> 01:41:48,040
Speaker 7: fan for real. This was like an hour long conversation.

2356
01:41:48,720 --> 01:41:50,599
Speaker 7: We were trying to see who was the bigger Drake nerd.

2357
01:41:50,960 --> 01:41:53,519
Speaker 1: But I also liked Kendrick. We just didn't get to

2358
01:41:53,640 --> 01:41:58,040
Speaker 1: Kendrick in the combo. Okay, we should just edit that

2359
01:41:58,080 --> 01:42:00,439
Speaker 1: part out before I get another death threat. You definitely

2360
01:42:00,479 --> 01:42:04,400
Speaker 1: are you weren't us? I thought the barbers were scary

2361
01:42:04,920 --> 01:42:09,160
Speaker 1: Kendricks hith oh no a llamas.

2362
01:42:12,040 --> 01:42:15,080
Speaker 6: That's what they call right A big steppers.

2363
01:42:15,120 --> 01:42:16,640
Speaker 7: Now, that's not what they're called, by the way, I

2364
01:42:16,720 --> 01:42:18,640
Speaker 7: just made that up and like it, like caught on.

2365
01:42:18,760 --> 01:42:22,160
Speaker 7: But they're not called the lamas, I don't they're called.

2366
01:42:22,439 --> 01:42:24,120
Speaker 1: When it cools down a bit. I was going to

2367
01:42:24,160 --> 01:42:27,040
Speaker 1: get into this this golf thing you mentioned that before. Yeah,

2368
01:42:27,400 --> 01:42:29,439
Speaker 1: I definitely want to start playing golf. I'm not far

2369
01:42:29,520 --> 01:42:31,320
Speaker 1: from from a course. I'm really good.

2370
01:42:31,479 --> 01:42:34,960
Speaker 6: I'd play with pause, I'd play with you or golfing.

2371
01:42:35,280 --> 01:42:37,600
Speaker 6: Your golf is there like three times a year, but

2372
01:42:37,720 --> 01:42:38,880
Speaker 6: it's always amazing.

2373
01:42:38,520 --> 01:42:40,720
Speaker 3: Well on the East Coast's telling unless you travel on

2374
01:42:40,720 --> 01:42:42,200
Speaker 3: the East Coast to play golf. But in New York

2375
01:42:42,320 --> 01:42:44,280
Speaker 3: is you only get a couple of months of good golf.

2376
01:42:44,320 --> 01:42:46,960
Speaker 3: But your golf is definitely something I want to pick up,

2377
01:42:47,000 --> 01:42:49,680
Speaker 3: and Belly has been dying to teach me. But I

2378
01:42:49,720 --> 01:42:52,640
Speaker 3: just don't spend enough time on the West Coast in California.

2379
01:42:52,760 --> 01:42:55,240
Speaker 3: So but I definitely want to get into golf.

2380
01:42:55,800 --> 01:42:58,240
Speaker 7: I want to get into tennis. I've been me and

2381
01:42:58,280 --> 01:43:00,960
Speaker 7: Alex I have been looking at tennis the knees.

2382
01:43:01,000 --> 01:43:02,800
Speaker 1: Might you might be a little too old to start that,

2383
01:43:02,880 --> 01:43:05,519
Speaker 1: Oh no, baby, tones work think about pickleball. Pickleball might

2384
01:43:05,560 --> 01:43:05,800
Speaker 1: be better.

2385
01:43:05,800 --> 01:43:06,719
Speaker 4: I don't want to do pickleball.

2386
01:43:06,720 --> 01:43:09,000
Speaker 1: I wanted to listen. Listen tennis. I'm telling you something

2387
01:43:09,000 --> 01:43:10,800
Speaker 1: for your health and for your safety. Are you like

2388
01:43:10,880 --> 01:43:14,519
Speaker 1: in these courts like that, like pickleball, No tennis. Like

2389
01:43:14,520 --> 01:43:17,360
Speaker 1: you know, tennis is way more aggressive on your body

2390
01:43:17,360 --> 01:43:17,959
Speaker 1: than pickleball.

2391
01:43:18,080 --> 01:43:19,679
Speaker 7: And that's fine. I'm a think with that. I want

2392
01:43:19,680 --> 01:43:21,160
Speaker 7: it as a workout and I want to learn how

2393
01:43:21,160 --> 01:43:23,639
Speaker 7: to do it. I can do hard.

2394
01:43:23,439 --> 01:43:26,479
Speaker 1: Things, mom, I'm not saying you can't. I'm training for.

2395
01:43:26,479 --> 01:43:28,040
Speaker 7: A five k by the way, I'm running a five

2396
01:43:28,120 --> 01:43:31,280
Speaker 7: k in August, signed up, so I'm in the process

2397
01:43:31,280 --> 01:43:32,120
Speaker 7: of training for a five k.

2398
01:43:32,280 --> 01:43:34,160
Speaker 1: Somebody tweeted, you know you're getting old when your friends

2399
01:43:34,160 --> 01:43:39,240
Speaker 1: start training for marathons. Yeah, it's cool, good line. I'm

2400
01:43:39,240 --> 01:43:41,200
Speaker 1: excited for you. We'll go to the finish line.

2401
01:43:41,400 --> 01:43:43,719
Speaker 4: It's in Rockaway Beach, so it's not far o great.

2402
01:43:44,400 --> 01:43:46,840
Speaker 1: Yeah, this should be fun. I'll definitely be at the

2403
01:43:46,880 --> 01:43:47,960
Speaker 1: finish line. Way for your baby.

2404
01:43:48,040 --> 01:43:51,360
Speaker 7: D yay, okay, I'll be there. I don't want to

2405
01:43:51,400 --> 01:43:53,280
Speaker 7: run a half marathon by next summer.

2406
01:43:53,360 --> 01:43:56,559
Speaker 1: So my I found this out when it went down

2407
01:43:56,600 --> 01:43:58,400
Speaker 1: to the shore. My god brother just did a like

2408
01:43:59,240 --> 01:44:02,040
Speaker 1: the mini iron Man, Like it's not as far as

2409
01:44:02,080 --> 01:44:04,080
Speaker 1: all the it's like cut in half. It's still swimming,

2410
01:44:04,080 --> 01:44:07,040
Speaker 1: biking and running. He trained for a while, was very

2411
01:44:07,040 --> 01:44:10,840
Speaker 1: proud of him. They did biking last, and he was

2412
01:44:10,880 --> 01:44:14,519
Speaker 1: making great time and he took his water bottle and

2413
01:44:14,640 --> 01:44:17,559
Speaker 1: thought he was putting it like in the slot, put

2414
01:44:17,600 --> 01:44:23,679
Speaker 1: it in his spokes. Imagine swimming mad far, running mad far,

2415
01:44:24,160 --> 01:44:26,519
Speaker 1: getting on the bike like why I can get some

2416
01:44:26,640 --> 01:44:30,800
Speaker 1: energy back, and then you just flip over face for no,

2417
01:44:30,920 --> 01:44:33,000
Speaker 1: did he get up in like face? He got fifteenth?

2418
01:44:33,120 --> 01:44:34,120
Speaker 1: He still got fifteenth?

2419
01:44:34,240 --> 01:44:36,080
Speaker 4: Oh wow, yeah, he could have probably won.

2420
01:44:36,880 --> 01:44:40,000
Speaker 1: Yeah, he was training for real. So half the funny

2421
01:44:40,040 --> 01:44:42,200
Speaker 1: thing is training that hard and then what takes you

2422
01:44:42,240 --> 01:44:45,120
Speaker 1: out is just misplacing your water bottle. That's life, that's

2423
01:44:45,120 --> 01:44:45,839
Speaker 1: mental fatigue.

2424
01:44:46,080 --> 01:44:49,160
Speaker 6: Half iron Man is a one point two miles swim,

2425
01:44:49,280 --> 01:44:53,000
Speaker 6: a fifty six mile bike ride in a thirteen half marathon,

2426
01:44:53,000 --> 01:44:54,160
Speaker 6: thirteen point one mile run.

2427
01:44:54,320 --> 01:44:57,639
Speaker 1: Crazy. Even the mini iron Man is insane.

2428
01:44:57,640 --> 01:45:00,519
Speaker 5: Seventy point three total miles nuts.

2429
01:45:01,560 --> 01:45:03,880
Speaker 3: I ain't gonna lie. Swimming for a mile one point

2430
01:45:03,920 --> 01:45:05,120
Speaker 3: two miles is crazy?

2431
01:45:05,200 --> 01:45:06,680
Speaker 6: Yeah, what's what's the real iron Man?

2432
01:45:07,280 --> 01:45:07,599
Speaker 5: Double?

2433
01:45:07,640 --> 01:45:13,000
Speaker 6: This so again not a math guy, but.

2434
01:45:13,360 --> 01:45:16,400
Speaker 1: Two miles then right, I don't know if it's really good.

2435
01:45:16,439 --> 01:45:18,720
Speaker 6: Yeah, two point four miles one hundred and twelve mile

2436
01:45:18,800 --> 01:45:21,720
Speaker 6: bike ride and uh a full marathon. Doing that and

2437
01:45:21,760 --> 01:45:24,320
Speaker 6: then running a full marathon is fucking like, Yeah, that's

2438
01:45:24,360 --> 01:45:26,759
Speaker 6: the that's the dessert is the full marathon.

2439
01:45:27,840 --> 01:45:30,000
Speaker 1: And my question is what are they doing is for.

2440
01:45:31,760 --> 01:45:34,120
Speaker 5: The challenges during strength? Yeah, and challenges of.

2441
01:45:35,479 --> 01:45:38,599
Speaker 1: Yeah, some people like when they get older, they need

2442
01:45:38,640 --> 01:45:42,800
Speaker 1: to find things to challenge themselves, get more disciplined, stay healthy.

2443
01:45:42,880 --> 01:45:44,680
Speaker 3: Riding a bike for one hundred and twelve miles is

2444
01:45:44,720 --> 01:45:45,880
Speaker 3: fucking I could do that part.

2445
01:45:45,920 --> 01:45:47,320
Speaker 5: That's the only part I'd be able to do.

2446
01:45:47,400 --> 01:45:49,400
Speaker 1: Yeah, I can probably do that, so I can't watch.

2447
01:45:49,280 --> 01:45:51,559
Speaker 1: The easiest thing to do on a fucking Swimming for.

2448
01:45:51,560 --> 01:45:53,920
Speaker 5: A mile is fucking crazy.

2449
01:45:54,120 --> 01:45:58,519
Speaker 1: Swimming four hundred meters is fucking yeah a mile, and

2450
01:45:58,560 --> 01:46:00,439
Speaker 1: they usually do it in the ocean like you're not

2451
01:46:00,479 --> 01:46:05,160
Speaker 1: in a pool, you're swimming against a current like with fishy.

2452
01:46:05,200 --> 01:46:07,080
Speaker 1: I'm cool. I'm ana find another way to challenge myself.

2453
01:46:07,920 --> 01:46:09,160
Speaker 1: You know this golf things looking.

2454
01:46:09,280 --> 01:46:12,200
Speaker 3: Yeah, yeah, I'm gonna find another way. I ain't man,

2455
01:46:12,280 --> 01:46:14,400
Speaker 3: get the fuck out of here. I'm not fucking swimming.

2456
01:46:14,400 --> 01:46:15,160
Speaker 1: No. Two miles.

2457
01:46:15,400 --> 01:46:16,800
Speaker 5: Yeah, a lot of people get hurt, a lot of

2458
01:46:16,800 --> 01:46:19,000
Speaker 5: heat exhaustion, but a.

2459
01:46:19,000 --> 01:46:22,519
Speaker 1: Lot of people find themselves. Like some people just get

2460
01:46:22,560 --> 01:46:26,160
Speaker 1: older and have been spending their whole twenties in office

2461
01:46:26,400 --> 01:46:28,320
Speaker 1: or like just doing the same thing every day. I

2462
01:46:28,400 --> 01:46:29,360
Speaker 1: get this is a new way to.

2463
01:46:30,720 --> 01:46:33,479
Speaker 3: I'm talking to salute anybody that's able to do some

2464
01:46:33,520 --> 01:46:36,160
Speaker 3: ship like that. Yeah, I'm telling you who ain't swimming

2465
01:46:36,160 --> 01:46:39,240
Speaker 3: no two miles, get the fuck out of here.

2466
01:46:39,280 --> 01:46:39,600
Speaker 6: Not me.

2467
01:46:40,320 --> 01:46:42,640
Speaker 3: Not if I have if I have to now for

2468
01:46:42,720 --> 01:46:44,960
Speaker 3: my life, then I'll do it. But just on a

2469
01:46:45,120 --> 01:46:46,439
Speaker 3: random Sunday, like, Yo, we're gonna go.

2470
01:46:47,520 --> 01:46:51,320
Speaker 1: They have they have scuba at the pool that Amara

2471
01:46:51,360 --> 01:46:53,880
Speaker 1: does hert swim lessons at, and like I saw them

2472
01:46:53,920 --> 01:46:56,280
Speaker 1: one night doing the scuba shit and I was like

2473
01:46:56,320 --> 01:46:58,760
Speaker 1: that looks fun and intriguing, and then I really thought

2474
01:46:58,800 --> 01:47:00,559
Speaker 1: about it. Even if I get to fight, I'm not

2475
01:47:00,560 --> 01:47:04,519
Speaker 1: going in the ocean with a with a scuba tank,

2476
01:47:04,920 --> 01:47:07,479
Speaker 1: no school with school with do like I'd be Scoop,

2477
01:47:07,520 --> 01:47:09,439
Speaker 1: I'd be doing scuba in a pool. Like why did

2478
01:47:09,439 --> 01:47:12,000
Speaker 1: I do this? Yeah, because I'm not going in that place,

2479
01:47:12,240 --> 01:47:16,000
Speaker 1: not going in a lake scuba Steve a Lake, Scooba

2480
01:47:16,000 --> 01:47:17,120
Speaker 1: diving on a lake is crazy.

2481
01:47:17,320 --> 01:47:18,800
Speaker 4: Oh that that file.

2482
01:47:21,040 --> 01:47:27,600
Speaker 1: You scooled lake. What are you certified? Like scuba? He

2483
01:47:27,640 --> 01:47:29,040
Speaker 1: said us a high school.

2484
01:47:28,520 --> 01:47:32,960
Speaker 5: Okay, I don't gonna do that. It's too claustrophobic for me.

2485
01:47:33,760 --> 01:47:37,120
Speaker 4: Anything anything that requires equipment.

2486
01:47:37,479 --> 01:47:40,120
Speaker 6: The mouth, just like knowing that my only oxygen source

2487
01:47:40,200 --> 01:47:41,800
Speaker 6: is this thing that and then I would get the

2488
01:47:41,800 --> 01:47:44,840
Speaker 6: anxiety that if like if my mouth opens or if

2489
01:47:44,840 --> 01:47:47,160
Speaker 6: there's something like the water gets in, then I'm cooked.

2490
01:47:47,160 --> 01:47:48,479
Speaker 5: Like it just the anxiety of that.

2491
01:47:48,520 --> 01:47:51,240
Speaker 6: Well, if you got a cough, yeah, like god, yeah,

2492
01:47:51,439 --> 01:47:53,400
Speaker 6: I thought mad you sneeze or cough and like ship

2493
01:47:53,520 --> 01:47:55,680
Speaker 6: just goes awrye that anxiety.

2494
01:47:55,400 --> 01:47:59,439
Speaker 1: Kneasing well scoop, I don't know, man, you're gonna bust

2495
01:47:59,439 --> 01:48:01,400
Speaker 1: your fucking drums. Man, it's over for you.

2496
01:48:01,560 --> 01:48:03,479
Speaker 6: And the cramp and then that's like the thing where

2497
01:48:03,520 --> 01:48:05,880
Speaker 6: if you go so low to a certain depth, you

2498
01:48:05,920 --> 01:48:07,360
Speaker 6: have to what do they call when you have to

2499
01:48:07,400 --> 01:48:09,720
Speaker 6: like slowly breach. You can't just pop up, because that's

2500
01:48:09,760 --> 01:48:11,960
Speaker 6: that's when you your head will explode. You need to

2501
01:48:12,000 --> 01:48:14,720
Speaker 6: like sit at twenty meters and then go up to

2502
01:48:14,800 --> 01:48:17,040
Speaker 6: ten meters and wait, like your body have to slowly

2503
01:48:18,280 --> 01:48:20,200
Speaker 6: breach it's just too much. I'm good.

2504
01:48:20,320 --> 01:48:23,400
Speaker 1: My dad is a certified in Scooba. But that was

2505
01:48:23,400 --> 01:48:25,320
Speaker 1: more for like his job, like when he was working

2506
01:48:25,360 --> 01:48:27,040
Speaker 1: on boats and long storm and shit like, Yeah, he

2507
01:48:27,160 --> 01:48:30,920
Speaker 1: was legitimately clean, like the sides of boats like you

2508
01:48:31,000 --> 01:48:32,240
Speaker 1: have to put the Scooba shit on.

2509
01:48:32,320 --> 01:48:35,160
Speaker 7: Yeah, if God wanted me to be up underneath water

2510
01:48:35,200 --> 01:48:36,479
Speaker 7: that long, he'd have made me a fish.

2511
01:48:36,680 --> 01:48:38,360
Speaker 4: He didn't make me a human. Give me legs.

2512
01:48:38,400 --> 01:48:43,160
Speaker 3: That's like that that docutary on Netflix. I think it's

2513
01:48:43,520 --> 01:48:46,639
Speaker 3: Free Dive. Oh yeah, that's that was a popular one.

2514
01:48:46,760 --> 01:48:49,559
Speaker 3: That shit was crazy. Those are the real gangsters on earth,

2515
01:48:50,280 --> 01:48:53,720
Speaker 3: niggas that free dive. You know how crazy that is?

2516
01:48:53,760 --> 01:48:57,600
Speaker 3: You dip that deep with no oxygen. It's just you

2517
01:48:57,720 --> 01:49:00,360
Speaker 3: just pinch your nose, put something, pinch your those just

2518
01:49:01,120 --> 01:49:03,160
Speaker 3: dive down so you can't it can't even see you.

2519
01:49:03,280 --> 01:49:04,680
Speaker 1: Have you ever seen anything come back up?

2520
01:49:04,800 --> 01:49:04,960
Speaker 2: Nah?

2521
01:49:05,000 --> 01:49:06,960
Speaker 1: That's fucking crazy. Have you seen like the workouts they

2522
01:49:07,000 --> 01:49:09,599
Speaker 1: do like an hour and a half before they go down. Yeah,

2523
01:49:09,640 --> 01:49:12,600
Speaker 1: it's like a whole That shit is crazy. Thats like

2524
01:49:12,640 --> 01:49:15,000
Speaker 1: a beautiful process. Yeah.

2525
01:49:15,960 --> 01:49:18,360
Speaker 6: Current world records for free dives than Man one hundred

2526
01:49:18,360 --> 01:49:22,280
Speaker 6: and twenty one meters three hundred ninety seven feet woman

2527
01:49:22,400 --> 01:49:25,320
Speaker 6: one hundred and nine meters three hundred and fifty eight feet.

2528
01:49:25,880 --> 01:49:29,680
Speaker 1: Yeah, their breathing exercises, like look like they're possessed in

2529
01:49:29,720 --> 01:49:30,680
Speaker 1: the pool before.

2530
01:49:30,439 --> 01:49:33,320
Speaker 3: That Na that that that documentary on Netflix was crazy.

2531
01:49:33,400 --> 01:49:35,479
Speaker 3: I couldn't believe people was really doing shit like this

2532
01:49:36,360 --> 01:49:38,160
Speaker 3: just for like, fuck it, this is what I do.

2533
01:49:38,680 --> 01:49:40,320
Speaker 4: But I feel the same way about jumping out.

2534
01:49:40,200 --> 01:49:42,000
Speaker 5: Of a plane, like I would do that.

2535
01:49:43,000 --> 01:49:45,639
Speaker 1: I tried to do it once. It was too windy.

2536
01:49:45,880 --> 01:49:47,400
Speaker 5: Oh really damn Yeah that sucks.

2537
01:49:47,520 --> 01:49:49,120
Speaker 1: Drove like an hour and a half to South Jersey

2538
01:49:49,160 --> 01:49:52,200
Speaker 1: and then they were like, nah, I mean, get this shit.

2539
01:49:53,160 --> 01:49:56,160
Speaker 5: That's their only guide is this stupid fucking rope.

2540
01:49:56,120 --> 01:49:58,320
Speaker 1: No oxygen, just hold your breath.

2541
01:49:59,280 --> 01:49:59,920
Speaker 4: That's yeah.

2542
01:50:00,560 --> 01:50:02,800
Speaker 6: And you know it's you know how dark it gets

2543
01:50:02,840 --> 01:50:03,320
Speaker 6: down there.

2544
01:50:03,680 --> 01:50:04,360
Speaker 1: I'm not doing it.

2545
01:50:04,320 --> 01:50:06,280
Speaker 5: It's so scary.

2546
01:50:06,400 --> 01:50:08,880
Speaker 4: Yeah, people, I guess real life is just boring for

2547
01:50:08,920 --> 01:50:09,439
Speaker 4: some people, Like.

2548
01:50:09,439 --> 01:50:13,400
Speaker 1: They don't really that adrenaline junkie type ship, which I mean,

2549
01:50:15,040 --> 01:50:16,840
Speaker 1: not something I would do, but I guess I get

2550
01:50:16,840 --> 01:50:19,080
Speaker 1: it to see how far you could take the human body.

2551
01:50:19,080 --> 01:50:22,559
Speaker 1: That's how some people operate. Yeah, I just happens when

2552
01:50:22,600 --> 01:50:25,920
Speaker 1: you find out you can't take the human body that far. Well,

2553
01:50:25,920 --> 01:50:28,519
Speaker 1: that's where death comes in exactly. I just feel like

2554
01:50:28,560 --> 01:50:30,760
Speaker 1: once the scuba tank was invented, I don't know if

2555
01:50:30,760 --> 01:50:31,880
Speaker 1: we really needed there.

2556
01:50:33,760 --> 01:50:34,840
Speaker 4: Are you guys afraid of death?

2557
01:50:35,439 --> 01:50:39,960
Speaker 1: No? Not really. I mean I'm scared for Amara and

2558
01:50:40,040 --> 01:50:41,880
Speaker 1: my family, but I'm not really scared for myself.

2559
01:50:42,000 --> 01:50:43,120
Speaker 4: I agree. I'm the same way.

2560
01:50:43,720 --> 01:50:45,760
Speaker 7: Like if I died today, I would be cool, but

2561
01:50:45,800 --> 01:50:47,200
Speaker 7: like you don't.

2562
01:50:47,880 --> 01:50:48,439
Speaker 1: It be cool.

2563
01:50:48,840 --> 01:50:50,240
Speaker 5: I would be cool.

2564
01:50:50,400 --> 01:50:52,800
Speaker 1: I would be cool. You'd be dead, you.

2565
01:50:52,880 --> 01:50:54,960
Speaker 7: Know, But I mean, like, okay, like let's say higher

2566
01:50:55,040 --> 01:50:56,720
Speaker 7: power or whatever came to be tas like the Marias

2567
01:50:56,760 --> 01:50:57,479
Speaker 7: today your last day.

2568
01:50:57,479 --> 01:50:59,120
Speaker 4: I wouldn't be like no, no, no.

2569
01:50:59,040 --> 01:51:01,519
Speaker 7: I don't want like I'm like, I bet, but you

2570
01:51:01,560 --> 01:51:03,479
Speaker 7: know I would be sad for my family and stuff

2571
01:51:03,520 --> 01:51:05,400
Speaker 7: like that. I will hope that I've given them all

2572
01:51:05,400 --> 01:51:06,720
Speaker 7: the tools to You.

2573
01:51:06,680 --> 01:51:08,120
Speaker 1: Want to ask for like a few more hours to

2574
01:51:08,160 --> 01:51:11,760
Speaker 1: get your affairs in order, like just try to reasonly. Yeah,

2575
01:51:11,840 --> 01:51:13,960
Speaker 1: I got you, bro, I know you're here for me. Yeah,

2576
01:51:14,000 --> 01:51:16,040
Speaker 1: but let me let me let me call Chase.

2577
01:51:16,760 --> 01:51:19,320
Speaker 6: Clear mind, let me come into my eye clouds, let

2578
01:51:19,320 --> 01:51:21,320
Speaker 6: me wipe my phone. That's a good question if you

2579
01:51:21,320 --> 01:51:23,840
Speaker 6: wouldn't if someone said to say that death devil knocks

2580
01:51:23,840 --> 01:51:25,680
Speaker 6: in your door and says you have an hour to live,

2581
01:51:25,760 --> 01:51:26,840
Speaker 6: figure it out, what are you gonna do?

2582
01:51:28,000 --> 01:51:29,280
Speaker 1: A great episode?

2583
01:51:29,360 --> 01:51:29,840
Speaker 5: Not an hour?

2584
01:51:29,960 --> 01:51:31,920
Speaker 1: This was a classic to not kill people.

2585
01:51:31,920 --> 01:51:34,040
Speaker 6: I'm saying, like, all right, find twenty minute you wipe

2586
01:51:34,080 --> 01:51:34,599
Speaker 6: in your phone?

2587
01:51:34,720 --> 01:51:36,960
Speaker 7: Like, what's the I don't care about my phone. I

2588
01:51:37,040 --> 01:51:38,599
Speaker 7: stand on everything I ever said or did.

2589
01:51:38,720 --> 01:51:41,360
Speaker 1: Yeah, my phone, I'm not really that worried of I'm cool.

2590
01:51:42,200 --> 01:51:43,880
Speaker 6: Yeah, because it was doing you great when you were here.

2591
01:51:45,479 --> 01:51:46,720
Speaker 1: What do you mean I don't know.

2592
01:51:48,040 --> 01:51:50,000
Speaker 4: I mean like it's as I stand on everything I

2593
01:51:50,040 --> 01:51:50,439
Speaker 4: said or did.

2594
01:51:50,520 --> 01:51:52,000
Speaker 7: I don't have anything that I will want to get

2595
01:51:52,080 --> 01:51:54,000
Speaker 7: rid of in my phone that I wouldn't want anybody to.

2596
01:51:54,320 --> 01:51:56,400
Speaker 1: I'm only saying that because when I got this new phone,

2597
01:51:56,640 --> 01:51:59,840
Speaker 1: iCloud like wie damn near wiped everything. There's not it's

2598
01:52:00,000 --> 01:52:01,160
Speaker 1: there's not much in the last week.

2599
01:52:01,320 --> 01:52:04,519
Speaker 3: Yeah, that happened with my friend when he passed away,

2600
01:52:04,600 --> 01:52:08,640
Speaker 3: Like they got his phone and it was just it

2601
01:52:08,680 --> 01:52:10,960
Speaker 3: was wild ship, like we found out some wild ship.

2602
01:52:11,360 --> 01:52:14,640
Speaker 1: I know no friends and parents have passed and they

2603
01:52:14,640 --> 01:52:17,240
Speaker 1: went through their parents' phone. I was like I'm cool.

2604
01:52:18,680 --> 01:52:20,040
Speaker 1: I told him. I was like, yo, I don't even

2605
01:52:20,040 --> 01:52:20,559
Speaker 1: want to know which.

2606
01:52:20,720 --> 01:52:22,720
Speaker 3: But a lot of the homies was like, you know,

2607
01:52:22,800 --> 01:52:25,840
Speaker 3: he was on some like weird ship, like he was

2608
01:52:25,840 --> 01:52:28,599
Speaker 3: free diving, talking crazy about like all of the homies

2609
01:52:28,680 --> 01:52:30,360
Speaker 3: and to like girls and shit like that.

2610
01:52:30,400 --> 01:52:32,400
Speaker 1: It was just like, but that's his girl. If you

2611
01:52:32,439 --> 01:52:36,200
Speaker 1: can't talk, not his girls, different girls. I didn't care,

2612
01:52:36,439 --> 01:52:38,559
Speaker 1: Like what the fuck it I'm do? Yeah, like what

2613
01:52:38,640 --> 01:52:41,719
Speaker 1: the food gives a fuck? He's an angel now exactly.

2614
01:52:42,120 --> 01:52:46,680
Speaker 7: But the crazy shit, it depends on where I'm at.

2615
01:52:46,720 --> 01:52:48,559
Speaker 4: If I'm at my house, I'm gonna clean my house.

2616
01:52:49,840 --> 01:52:52,840
Speaker 1: I really would. I would. I would clean even upset

2617
01:52:52,840 --> 01:52:55,040
Speaker 1: peage with that, Like no, for real.

2618
01:52:55,120 --> 01:52:56,800
Speaker 3: Like your house when you got twenty minutes to live,

2619
01:52:56,800 --> 01:53:00,320
Speaker 3: you're gonna spend vacuuming.

2620
01:53:01,000 --> 01:53:04,439
Speaker 1: No, but like straight like dropping with the vacuum on. Yeah,

2621
01:53:04,760 --> 01:53:06,680
Speaker 1: I might just start the process, take as much d

2622
01:53:06,800 --> 01:53:09,840
Speaker 1: MT as I can, and just just take myself there.

2623
01:53:09,880 --> 01:53:11,840
Speaker 5: I would probably go to drugs. That'd be kind of sick.

2624
01:53:12,560 --> 01:53:14,920
Speaker 7: I would call my parents and tell them, like call

2625
01:53:15,000 --> 01:53:17,480
Speaker 7: my family, tell them I love them, and make sure

2626
01:53:17,720 --> 01:53:19,680
Speaker 7: anything that I wouldn't want people to see in my

2627
01:53:19,720 --> 01:53:22,120
Speaker 7: house is put away. Tell my sister where it's at,

2628
01:53:22,160 --> 01:53:25,679
Speaker 7: and hide the guns. Whatever, the guns?

2629
01:53:25,720 --> 01:53:29,400
Speaker 1: Nobody you dead? Who gives a fuck? Who? Kids? You

2630
01:53:29,439 --> 01:53:30,760
Speaker 1: got guns in your house? When you did?

2631
01:53:31,360 --> 01:53:33,240
Speaker 4: I don't want you know some people are not comfortable

2632
01:53:33,560 --> 01:53:34,679
Speaker 4: handling guns though.

2633
01:53:35,360 --> 01:53:39,280
Speaker 3: What your diagy twenty minutes, yo, go hide the guns.

2634
01:53:39,360 --> 01:53:41,120
Speaker 3: You got twenty minutes of your hoide the guns.

2635
01:53:41,880 --> 01:53:44,120
Speaker 6: Give me the vacuum, the vacuum your fucking let me

2636
01:53:44,160 --> 01:53:44,360
Speaker 6: do it.

2637
01:53:44,400 --> 01:53:46,559
Speaker 1: I'll fold, I'll fold the sheets. I want to know

2638
01:53:46,560 --> 01:53:50,000
Speaker 1: why you didn't hide them when you were alive. They

2639
01:53:50,120 --> 01:53:53,120
Speaker 1: just out like they just ain't in my house. The

2640
01:53:53,320 --> 01:53:55,639
Speaker 1: just on the fucking table, Like, okay, that's what's up?

2641
01:53:56,080 --> 01:53:57,120
Speaker 4: Anybody in my house?

2642
01:53:57,520 --> 01:53:59,000
Speaker 1: I got twenty minutes to live. I'm gonna cry.

2643
01:53:59,040 --> 01:54:01,040
Speaker 3: I don't know what the fuck is you know what.

2644
01:54:02,080 --> 01:54:03,519
Speaker 3: I'm fucking crying like a baby.

2645
01:54:03,560 --> 01:54:05,280
Speaker 1: I got tweet. I'm like, it's over, this is it.

2646
01:54:05,479 --> 01:54:07,320
Speaker 1: I feel like I would fuck up the whole like

2647
01:54:07,400 --> 01:54:11,120
Speaker 1: speech to everybody, like my last words. I'd overthink it

2648
01:54:11,160 --> 01:54:16,160
Speaker 1: like read yeah, it'd be it'd be awful. Off your

2649
01:54:16,160 --> 01:54:17,599
Speaker 1: next funeral, arrange.

2650
01:54:17,360 --> 01:54:21,080
Speaker 3: Your next life, leave off your next life. Use code

2651
01:54:21,160 --> 01:54:22,839
Speaker 3: Rory Ma's do it again.

2652
01:54:23,400 --> 01:54:24,479
Speaker 4: Damn, twenty minutes up.

2653
01:54:24,880 --> 01:54:28,200
Speaker 1: What's on what's a little pamphlet you get at funerals? Obituary?

2654
01:54:28,200 --> 01:54:28,760
Speaker 4: Obituary?

2655
01:54:29,280 --> 01:54:31,240
Speaker 1: I thought that was just what like? I mean, the

2656
01:54:31,280 --> 01:54:33,480
Speaker 1: obituary is on the pample, but there's other ship too.

2657
01:54:34,040 --> 01:54:37,600
Speaker 4: The what is it called? It's not called the obituary,

2658
01:54:37,600 --> 01:54:38,040
Speaker 4: but I know what.

2659
01:54:38,000 --> 01:54:40,280
Speaker 1: Your obituary is in that pamphlet, but it is a

2660
01:54:40,320 --> 01:54:41,160
Speaker 1: bunch of other stuff.

2661
01:54:42,640 --> 01:54:44,120
Speaker 5: Is it called the program?

2662
01:54:44,200 --> 01:54:44,680
Speaker 4: Program?

2663
01:54:44,840 --> 01:54:45,080
Speaker 6: Yep?

2664
01:54:45,400 --> 01:54:45,800
Speaker 4: Program?

2665
01:54:45,960 --> 01:54:48,440
Speaker 1: Calling anything a program at a funeral is fucking hilarious. Yeah,

2666
01:54:48,440 --> 01:54:51,560
Speaker 1: the program, But is it the program in the obituary? No,

2667
01:54:51,720 --> 01:54:55,320
Speaker 1: the obituary, the life summary?

2668
01:54:55,480 --> 01:54:59,480
Speaker 7: Yeah, obituary is just Rory May seven, eighteen ninety one.

2669
01:54:59,720 --> 01:55:02,640
Speaker 1: Not okay, hey fourth, Oh sh you're off year and

2670
01:55:02,960 --> 01:55:03,600
Speaker 1: the day?

2671
01:55:03,720 --> 01:55:04,920
Speaker 4: Oh fourth nineteen nine.

2672
01:55:04,920 --> 01:55:07,560
Speaker 1: Actually ninety one is cool. That's my industry age now,

2673
01:55:08,920 --> 01:55:11,080
Speaker 1: but a year younger, thirty four or thirty five, you're

2674
01:55:11,200 --> 01:55:13,840
Speaker 1: the oldest fuck doing an industry age for just one

2675
01:55:13,920 --> 01:55:17,800
Speaker 1: year younger? Is fucking da you to your life. With

2676
01:55:17,920 --> 01:55:20,320
Speaker 1: all that said, Peach might be my call for twenty minutes.

2677
01:55:20,920 --> 01:55:23,680
Speaker 1: I want to put together like the best funeral program

2678
01:55:24,160 --> 01:55:25,800
Speaker 1: ever with Peach.

2679
01:55:26,280 --> 01:55:28,600
Speaker 7: That'd be my first one o the graphics. Yeah, oh,

2680
01:55:28,680 --> 01:55:31,000
Speaker 7: can we let the casket?

2681
01:55:31,280 --> 01:55:35,240
Speaker 1: We could just what if there was traffic in the cast,

2682
01:55:35,560 --> 01:55:37,400
Speaker 1: She said, can we photoshop you in the casket.

2683
01:55:37,560 --> 01:55:39,400
Speaker 5: I'll be just live that's when we start live feling

2684
01:55:39,440 --> 01:55:40,200
Speaker 5: from Roy's funeral.

2685
01:55:41,120 --> 01:55:44,080
Speaker 1: That'd be cool to just live stream and like then

2686
01:55:44,080 --> 01:55:45,000
Speaker 1: I guess just croak.

2687
01:55:46,280 --> 01:55:48,160
Speaker 3: I did that for one of my friend's funeral because

2688
01:55:48,160 --> 01:55:49,960
Speaker 3: it was in Cali, so we had a lot lot

2689
01:55:50,000 --> 01:55:51,640
Speaker 3: I didn't I didn't go, so we lived.

2690
01:55:51,600 --> 01:55:53,560
Speaker 1: That, but been a lot during COVID. Yeah, but that

2691
01:55:53,600 --> 01:55:57,520
Speaker 1: was all you could do during COVID. Yeah, which was stupid.

2692
01:55:57,560 --> 01:56:00,520
Speaker 7: But I mean, listen, I just told y'all were afraid

2693
01:56:00,560 --> 01:56:02,920
Speaker 7: of if y'all were afraid of death, y'all said, y'all aren't.

2694
01:56:02,920 --> 01:56:06,000
Speaker 4: Well, Rory's not, but me and him are both suicidal.

2695
01:56:05,480 --> 01:56:07,840
Speaker 3: Afraid of death. No, but I ain't trying to meet

2696
01:56:07,840 --> 01:56:10,680
Speaker 3: that motherfucker. No, tom soon, I'm going on that. Yeah,

2697
01:56:10,760 --> 01:56:12,879
Speaker 3: I'm not really. I always said this to my parents.

2698
01:56:12,880 --> 01:56:13,880
Speaker 3: Probably sounds awful.

2699
01:56:13,880 --> 01:56:16,280
Speaker 6: I was like, I'm three of my grandparents were gone

2700
01:56:16,280 --> 01:56:19,200
Speaker 6: before I was born, and selfishly I like that.

2701
01:56:19,960 --> 01:56:21,360
Speaker 5: I can't. I'm bad at grief.

2702
01:56:21,600 --> 01:56:24,800
Speaker 6: I'd rather just not know it's dark as ship, but

2703
01:56:24,840 --> 01:56:26,520
Speaker 6: like I knew one of my grandparents when he passed,

2704
01:56:26,520 --> 01:56:28,880
Speaker 6: it crushed me. So if I had to do that

2705
01:56:28,920 --> 01:56:30,200
Speaker 6: three more times, I'm good.

2706
01:56:31,440 --> 01:56:34,240
Speaker 1: But I mean, I mean I have a long, healthy life.

2707
01:56:34,840 --> 01:56:36,320
Speaker 1: A lot of people are gonna die around you.

2708
01:56:36,440 --> 01:56:38,800
Speaker 6: Oh no, I know. That's why to this scenario. I'm

2709
01:56:38,840 --> 01:56:40,520
Speaker 6: not saying I'd kill you take me now, but like

2710
01:56:40,600 --> 01:56:43,600
Speaker 6: I just I hate grieving and in this scenario, I

2711
01:56:43,640 --> 01:56:46,360
Speaker 6: would just be the person to go mmmmm.

2712
01:56:47,720 --> 01:56:50,040
Speaker 4: That's like when some people like I never understood that

2713
01:56:50,080 --> 01:56:50,680
Speaker 4: when something.

2714
01:56:50,720 --> 01:56:53,280
Speaker 1: So really can't take care of my plants, malls, No,

2715
01:56:53,280 --> 01:56:55,200
Speaker 1: I got you, I'll think it. I'll smoke the motherfucker,

2716
01:56:55,880 --> 01:56:56,760
Speaker 1: even the cross breeder.

2717
01:56:56,920 --> 01:57:00,560
Speaker 7: Yeah, some people really can't handle like dark, like dark shit,

2718
01:57:00,600 --> 01:57:03,240
Speaker 7: like it'll like granted, dark shit changes you like whatever,

2719
01:57:03,280 --> 01:57:07,240
Speaker 7: but it really turns some people off from ever wanting

2720
01:57:07,320 --> 01:57:09,240
Speaker 7: to feel the good part of that feeling again. Like

2721
01:57:09,280 --> 01:57:11,400
Speaker 7: I know people who have lost a dog and they

2722
01:57:11,400 --> 01:57:13,400
Speaker 7: say they'll never get another dog because they never want

2723
01:57:13,440 --> 01:57:15,640
Speaker 7: to feel like that, Or people who have gotten their

2724
01:57:15,640 --> 01:57:18,520
Speaker 7: heartbroken and they stand on like, yo, I'm never loving

2725
01:57:18,520 --> 01:57:20,200
Speaker 7: again because I never want to feel that. And I'm

2726
01:57:20,240 --> 01:57:23,120
Speaker 7: just like y'all don't like, Okay, that heartbreak or that

2727
01:57:23,160 --> 01:57:25,680
Speaker 7: grief or whatever might last a year or whatever, but

2728
01:57:25,720 --> 01:57:28,280
Speaker 7: like the good part lasted for years. You don't want

2729
01:57:28,320 --> 01:57:31,760
Speaker 7: to feel that again, Like you're not optimistic about that part.

2730
01:57:32,360 --> 01:57:36,360
Speaker 1: Lewis K and Louis has a clip that's on YouTube

2731
01:57:36,360 --> 01:57:39,320
Speaker 1: called love and Heartbreak that's very similar to what Demaris

2732
01:57:39,360 --> 01:57:41,440
Speaker 1: is saying, and they're pointing out that that is the

2733
01:57:41,480 --> 01:57:46,680
Speaker 1: actual beauty of it, Like it's amazing that we get heartbreak, grief,

2734
01:57:46,760 --> 01:57:49,120
Speaker 1: Like it means that we loved, Like that's the greatest

2735
01:57:49,120 --> 01:57:51,240
Speaker 1: part of this entire thing. Yeah, is when you don't

2736
01:57:51,240 --> 01:57:54,280
Speaker 1: feel that is when it's you know, you're a sociopath.

2737
01:57:55,360 --> 01:57:58,320
Speaker 1: He couldn't wait to get his heart broke again. You couldn't.

2738
01:57:58,360 --> 01:58:00,600
Speaker 1: He's like, Yeah, the bad part is when you don't

2739
01:58:00,640 --> 01:58:03,000
Speaker 1: care anymore. Yeah, Once you don't care, it's like, all right,

2740
01:58:03,040 --> 01:58:04,760
Speaker 1: what the fuck is going on with life? Then? Yeah,

2741
01:58:04,880 --> 01:58:07,440
Speaker 1: what's the point of it? Yeah? YouTube that Luis K

2742
01:58:07,800 --> 01:58:10,800
Speaker 1: Love and Heartbreak scene one of my favorite shows.

2743
01:58:11,040 --> 01:58:15,680
Speaker 3: Yeah, all right, newroymul dot com live show tickets are

2744
01:58:15,720 --> 01:58:16,880
Speaker 3: available Philly.

2745
01:58:17,080 --> 01:58:19,080
Speaker 1: We will be there.

2746
01:58:18,560 --> 01:58:21,280
Speaker 3: Twenty fifth City at the City Winery. We'll be in

2747
01:58:21,280 --> 01:58:23,320
Speaker 3: Philadelphia to see the good people down there in Philly.

2748
01:58:23,560 --> 01:58:26,800
Speaker 3: Looking forward to seeing y'all. Tickets available now, tickets are moving,

2749
01:58:27,720 --> 01:58:29,960
Speaker 3: merch is available and new merch will be available soon.

2750
01:58:30,160 --> 01:58:33,280
Speaker 1: Merch is on sale guys, twenty percent off right now,

2751
01:58:34,080 --> 01:58:36,240
Speaker 1: and there will be also new merch at the show.

2752
01:58:36,360 --> 01:58:41,000
Speaker 3: Absolutely so Philly, We will see you July twenty fifth, Citywinery.

2753
01:58:41,040 --> 01:58:44,280
Speaker 3: Tickets available now at Newroryenmall dot com.

2754
01:58:44,360 --> 01:58:47,400
Speaker 1: And if you also live in Detroit, Chicago, London, Toronto, Atlanta,

2755
01:58:47,480 --> 01:58:50,839
Speaker 1: or New York, tickets are available as well New Roymall

2756
01:58:50,880 --> 01:58:51,400
Speaker 1: dot com.

2757
01:58:52,200 --> 01:58:55,080
Speaker 3: All right, well see you guys at the end of

2758
01:58:55,080 --> 01:58:58,280
Speaker 3: the week a couple of days. Well not you good good,

2759
01:58:58,360 --> 01:59:01,960
Speaker 3: Thank god. Won't see Julie and goodbye. You have a

2760
01:59:02,000 --> 01:59:02,600
Speaker 3: modeling gig.

2761
01:59:03,080 --> 01:59:06,960
Speaker 6: No, my brother is getting married. I will be officiating

2762
01:59:06,960 --> 01:59:08,840
Speaker 6: it and giving the best man speech.

2763
01:59:10,080 --> 01:59:12,280
Speaker 1: Oh yeah, I wasn't like eavesdropping or you were telling

2764
01:59:12,280 --> 01:59:13,960
Speaker 1: someone it was in the office. You were talking loud,

2765
01:59:14,200 --> 01:59:16,200
Speaker 1: aren't you like working through your best man speech? And

2766
01:59:16,200 --> 01:59:17,880
Speaker 1: you have like some really dark jokes that's gonna make.

2767
01:59:17,840 --> 01:59:20,040
Speaker 6: It joke, Like my brother is just about like a

2768
01:59:20,040 --> 01:59:22,520
Speaker 6: car accident or something died, like and I feel like

2769
01:59:22,880 --> 01:59:24,960
Speaker 6: so bringing up at his wedding. Yeah, because it's like

2770
01:59:25,000 --> 01:59:26,760
Speaker 6: it makes sense in the whole thing.

2771
01:59:27,240 --> 01:59:28,840
Speaker 5: I don't know. I'll let you know, guys know how

2772
01:59:28,880 --> 01:59:29,160
Speaker 5: it goes.

2773
01:59:29,160 --> 01:59:31,640
Speaker 1: Next week you're literally going to drain that it may crash, and.

2774
01:59:31,840 --> 01:59:34,640
Speaker 6: We're just talking about the Louis shit through the dark times,

2775
01:59:34,680 --> 01:59:35,880
Speaker 6: come the it's the whole thing.

2776
01:59:35,920 --> 01:59:37,120
Speaker 5: It's the similar to the pasage.

2777
01:59:37,240 --> 01:59:40,000
Speaker 1: You get it. Listen, if you start to bomb, just

2778
01:59:40,560 --> 01:59:42,320
Speaker 1: go to the toast. That's it.

2779
01:59:42,480 --> 01:59:43,000
Speaker 5: That's fact.

2780
01:59:43,560 --> 01:59:46,080
Speaker 3: Raise your glasses, get drunk. What told you on a

2781
01:59:46,120 --> 01:59:47,440
Speaker 3: couple of days, Be safe, be blessed.

2782
01:59:47,440 --> 01:59:53,880
Speaker 1: I'm that nigga. He's just ginger peace before you leave.

2783
01:59:53,920 --> 01:59:56,760
Speaker 1: Here as a snippet from our most recent Patreon episode.

2784
01:59:56,920 --> 02:00:00,440
Speaker 1: You can listen to the full episode by subscribing to

2785
02:00:00,520 --> 02:00:04,000
Speaker 1: patreon dot com slash new Roumall. Also, you can get

2786
02:00:04,080 --> 02:00:07,680
Speaker 1: access to our discord bonus content, merch First Rights, to

2787
02:00:07,720 --> 02:00:11,960
Speaker 1: Merge First Rights, tickets, everything is there, those new episodes

2788
02:00:12,000 --> 02:00:15,000
Speaker 1: every week. It's it's the greatest multimedia experience that you

2789
02:00:15,000 --> 02:00:17,960
Speaker 1: could think of. Subscribe now. So I'll double down on

2790
02:00:17,960 --> 02:00:22,160
Speaker 1: what I'm saying. I think Jordan Peele made a very shitty,

2791
02:00:22,240 --> 02:00:26,640
Speaker 1: low budget version of what scary movie would be. I

2792
02:00:26,720 --> 02:00:30,960
Speaker 1: love scary movie with What Get Out? Yes, And I

2793
02:00:31,000 --> 02:00:34,240
Speaker 1: think the world interpreted as some deep fucking message. And

2794
02:00:34,280 --> 02:00:38,600
Speaker 1: I think when that movie first week hit, Jordan Peele

2795
02:00:38,680 --> 02:00:41,760
Speaker 1: was sitting in his living room like, holy shit, that's

2796
02:00:41,800 --> 02:00:43,080
Speaker 1: not my intention at all.

2797
02:00:44,200 --> 02:00:45,160
Speaker 6: What deep message?

2798
02:00:45,160 --> 02:00:45,320
Speaker 1: Though.

2799
02:00:45,360 --> 02:00:47,160
Speaker 6: I don't think that movie was supposed to be like,

2800
02:00:47,400 --> 02:00:50,360
Speaker 6: oh my god, I'm so like this is so thought provoking.

2801
02:00:50,520 --> 02:00:52,120
Speaker 6: I just think it was supposed to be just like

2802
02:00:52,160 --> 02:00:54,640
Speaker 6: an easy watch, just a.

2803
02:00:55,240 --> 02:00:59,120
Speaker 1: There was a thousand think pieces way into history.

2804
02:00:59,200 --> 02:01:01,600
Speaker 6: It only became other people the only think piece because

2805
02:01:01,600 --> 02:01:03,919
Speaker 6: of the race at hand. He just flipped the dynamic.

2806
02:01:04,120 --> 02:01:05,960
Speaker 6: Usually it's just white people. He used to do some

2807
02:01:05,960 --> 02:01:08,080
Speaker 6: black people in the mix, but that trope, like that

2808
02:01:08,280 --> 02:01:10,840
Speaker 6: storyline of like the crazy we've.

2809
02:01:13,440 --> 02:01:14,640
Speaker 5: Just put in the mix.

2810
02:01:14,680 --> 02:01:17,280
Speaker 1: Outside of Kean Peele, which I think was a great show,

2811
02:01:17,600 --> 02:01:21,840
Speaker 1: nothing Jordan Peele does with movies is original. I think

2812
02:01:21,920 --> 02:01:25,000
Speaker 1: Jordan Peele stinks as a fucking director. I think he's

2813
02:01:25,440 --> 02:01:29,200
Speaker 1: an amazing sketch writer and is a legend in his

2814
02:01:29,280 --> 02:01:31,400
Speaker 1: own right because I even like Mad TV. I'm one

2815
02:01:31,400 --> 02:01:34,800
Speaker 1: of those weirdos. He is just awful at making movies.

2816
02:01:35,360 --> 02:01:36,640
Speaker 1: His movies stink.

2817
02:01:37,480 --> 02:01:41,240
Speaker 6: Did you watch he did Us?

2818
02:01:41,880 --> 02:01:44,360
Speaker 1: I liked us. The best part of US was that

2819
02:01:44,400 --> 02:01:46,040
Speaker 1: they used like a clips beat in the trailer or

2820
02:01:46,040 --> 02:01:47,880
Speaker 1: some ship that's sick.

2821
02:01:48,400 --> 02:01:49,160
Speaker 6: And he didn't know.

2822
02:01:50,680 --> 02:01:51,640
Speaker 1: Exactly. I didn't see.

2823
02:01:51,680 --> 02:01:52,640
Speaker 6: No, I fucked with No.

2824
02:01:52,920 --> 02:01:54,520
Speaker 1: I didn't see No. That's what you.

2825
02:01:54,480 --> 02:01:57,040
Speaker 6: Said exactly, that's what Keky Palmer.

2826
02:01:57,480 --> 02:01:59,400
Speaker 1: Yeah, I didn't. I didn't see I didn't see no

2827
02:01:59,600 --> 02:02:02,000
Speaker 1: waste of the genius that Kiki Palmer is.

2828
02:02:02,280 --> 02:02:04,680
Speaker 5: You know, if she smokes this role, you even see.

2829
02:02:04,600 --> 02:02:06,120
Speaker 1: Kee Palmer's extremely talented.

2830
02:02:06,160 --> 02:02:06,800
Speaker 6: Did you watch No?

2831
02:02:07,120 --> 02:02:09,960
Speaker 1: Of course not fuck you crazy?

2832
02:02:10,120 --> 02:02:11,720
Speaker 6: That's hate.

2833
02:02:12,200 --> 02:02:15,160
Speaker 1: I watched get Out. That was enough for you. I

2834
02:02:15,200 --> 02:02:17,840
Speaker 1: think I needed to continue on you see us? No,

2835
02:02:19,280 --> 02:02:22,160
Speaker 1: US wasn't bad. Yes it was. No, it wasn't. I

2836
02:02:22,200 --> 02:02:23,640
Speaker 1: didn't see it. What I know it was.

2837
02:02:24,200 --> 02:02:27,400
Speaker 6: You're saying, you know to movies, you haven't seen you seen.

2838
02:02:27,200 --> 02:02:30,120
Speaker 1: That confident when it comes to Jordan Peele and creating movies.

2839
02:02:30,080 --> 02:02:33,120
Speaker 5: You're damn, that's your Chris Rocket comedy of movies.

2840
02:02:33,280 --> 02:02:36,240
Speaker 1: It's gonna sound like I'm hating, and I kind of am,

2841
02:02:36,440 --> 02:02:39,720
Speaker 1: but you are. I like Keyan Peele. I liked him

2842
02:02:39,720 --> 02:02:41,080
Speaker 1: on Mad TV. I think he's great.

2843
02:02:41,360 --> 02:02:41,640
Speaker 6: That's it.

2844
02:02:41,920 --> 02:02:45,080
Speaker 1: I laughed at the Canoe New or whatever that cat

2845
02:02:45,120 --> 02:02:48,160
Speaker 1: movie was. I saw some some scenes. They were funny.

2846
02:02:48,800 --> 02:02:51,400
Speaker 1: But when he tries to get in this like serious satire,

2847
02:02:52,200 --> 02:02:55,880
Speaker 1: horror bag, it's the biggest piece of shit. You're not

2848
02:02:55,920 --> 02:02:58,440
Speaker 1: fucking with it. Like I can smell how bad Nope

2849
02:02:58,760 --> 02:03:00,520
Speaker 1: is from here. I can smell it.

2850
02:03:02,280 --> 02:03:03,280
Speaker 6: Nope, it's good, man.

2851
02:03:04,280 --> 02:03:06,240
Speaker 1: I gotta watch it. I gotta check you. I gotta

2852
02:03:06,240 --> 02:03:08,000
Speaker 1: watch that one. That's the only one I haven't seen.

2853
02:03:08,520 --> 02:03:10,920
Speaker 6: And I'm not even like a Jordan Peele Black Stories Matter.

2854
02:03:10,960 --> 02:03:12,520
Speaker 5: I'm not even I'm not that guy.

2855
02:03:12,800 --> 02:03:15,160
Speaker 1: On June something. But that's what.

2856
02:03:16,560 --> 02:03:18,960
Speaker 6: No, I didn't say that. No, Like, it's just the

2857
02:03:20,200 --> 02:03:20,920
Speaker 6: I hate like that.

2858
02:03:21,160 --> 02:03:23,360
Speaker 1: Can you like get the fact sheet of get Out

2859
02:03:23,400 --> 02:03:28,040
Speaker 1: and all the records that broke and everything. He's ammunition,

2860
02:03:28,960 --> 02:03:32,160
Speaker 1: fucking fucky more ammunition for hate, Like you get the

2861
02:03:32,400 --> 02:03:35,240
Speaker 1: get the accolades. No, because it has all the accolades.

2862
02:03:35,400 --> 02:03:38,960
Speaker 1: It broke fucking records, it has everything. Yeah, it's the

2863
02:03:39,000 --> 02:03:42,960
Speaker 1: biggest piece of low budget bullshit, terrible writing. It was

2864
02:03:43,000 --> 02:03:46,600
Speaker 1: shot horribly. It made one hundred and fifty six million dollars.

2865
02:03:46,640 --> 02:03:51,040
Speaker 1: They probably spent ten million. If that, if that something,

2866
02:03:51,080 --> 02:03:53,720
Speaker 1: they may be spent three. Know, that's that's not hate,

2867
02:03:53,760 --> 02:03:54,040
Speaker 1: that's it.

2868
02:03:54,240 --> 02:03:54,400
Speaker 5: Bro.

2869
02:03:55,480 --> 02:03:56,560
Speaker 1: That sounds like a log right now.

2870
02:03:56,600 --> 02:04:00,640
Speaker 6: I'm just saying Sky as ship highest grossing gay based

2871
02:04:00,640 --> 02:04:02,839
Speaker 6: on an original screenplay.

2872
02:04:03,000 --> 02:04:05,760
Speaker 1: You think that movie should have garnered that that type

2873
02:04:05,760 --> 02:04:06,160
Speaker 1: of sales.

2874
02:04:06,840 --> 02:04:10,040
Speaker 5: Yeah, Okay, I.

2875
02:04:09,960 --> 02:04:10,880
Speaker 1: Think that it changed.

2876
02:04:11,000 --> 02:04:13,680
Speaker 3: I think that it definitely changed the way I think

2877
02:04:13,760 --> 02:04:14,760
Speaker 3: movies look now.

2878
02:04:14,640 --> 02:04:16,880
Speaker 6: Though it he clips the Blair Witch Project.

2879
02:04:16,680 --> 02:04:18,000
Speaker 1: Or do movie stink now?

2880
02:04:18,600 --> 02:04:22,040
Speaker 6: Yeah, but that's the thing, Roy, you're looking at someone

2881
02:04:22,320 --> 02:04:24,760
Speaker 6: the film or not, which fine, you can say if

2882
02:04:24,760 --> 02:04:26,520
Speaker 6: the storyline or if the film itself isn't for you.

2883
02:04:26,920 --> 02:04:29,640
Speaker 6: The thing with that he does at least it's an

2884
02:04:29,640 --> 02:04:32,120
Speaker 6: original script. We don't see original stories in it. It's

2885
02:04:32,120 --> 02:04:35,520
Speaker 6: all the same bullshit. Yeah, it's like Batman in doing

2886
02:04:35,520 --> 02:04:40,160
Speaker 6: this or like all these super heroin Yeah, like another

2887
02:04:40,200 --> 02:04:43,560
Speaker 6: Mission impossible. It's like we're just regurgitating, just like like

2888
02:04:43,640 --> 02:04:45,200
Speaker 6: the stories that we know are successful.

2889
02:04:45,280 --> 02:04:46,280
Speaker 1: Top Gun seventeen.

2890
02:04:46,840 --> 02:04:49,960
Speaker 6: This is he's selling a new idea.

2891
02:04:50,640 --> 02:04:53,000
Speaker 1: What's the what's the new idea that he's selling.

2892
02:04:53,320 --> 02:04:55,840
Speaker 6: A non franchise film, original screenplay.

2893
02:04:56,600 --> 02:04:57,960
Speaker 1: That's the only movies that come out.

2894
02:04:59,120 --> 02:05:00,800
Speaker 5: You're just ignored it. Everything I just said.

2895
02:05:00,920 --> 02:05:04,320
Speaker 3: He is what am I ignoring? He's saying that this

2896
02:05:04,400 --> 02:05:09,000
Speaker 3: is an original screenplay. That is the highest grossing original screenplay. Yeah,

2897
02:05:09,040 --> 02:05:11,680
Speaker 3: that is something to be celebrated, because now all we

2898
02:05:11,720 --> 02:05:14,280
Speaker 3: do is fucking remake fucking movies that we already know.

2899
02:05:14,640 --> 02:05:16,560
Speaker 1: I think that's unfair to say, because even though yes,

2900
02:05:16,600 --> 02:05:19,320
Speaker 1: that is true, the franchises, they just remake fucking everything.

2901
02:05:19,360 --> 02:05:21,120
Speaker 1: I get it. But to say that there's no original

2902
02:05:21,160 --> 02:05:23,560
Speaker 1: screenplays within the last ten years that aren't insane?

2903
02:05:23,840 --> 02:05:25,320
Speaker 5: Okay to say and.

2904
02:05:25,240 --> 02:05:27,360
Speaker 3: There, Yeah, who did that? Who did the other movie

2905
02:05:27,360 --> 02:05:33,080
Speaker 3: that he was in Jordan? The actor Daniel Kukluia is

2906
02:05:33,120 --> 02:05:35,800
Speaker 3: in uh when they was him and the girl they

2907
02:05:35,880 --> 02:05:36,480
Speaker 3: was on the run?

2908
02:05:37,880 --> 02:05:38,400
Speaker 1: Who did that?

2909
02:05:38,440 --> 02:05:38,640
Speaker 6: Fuck?

2910
02:05:39,840 --> 02:05:40,760
Speaker 1: That movie was dope?

2911
02:05:41,320 --> 02:05:41,520
Speaker 6: God?

2912
02:05:41,560 --> 02:05:43,560
Speaker 1: What is the name of that ship? It's like both

2913
02:05:44,280 --> 02:05:46,240
Speaker 1: Queen is Slim, Queen Slim is dope?

2914
02:05:46,360 --> 02:05:47,080
Speaker 6: Who directed that?

2915
02:05:47,520 --> 02:05:48,960
Speaker 1: Yeah?

2916
02:05:49,080 --> 02:05:50,440
Speaker 5: It's soundtrack to Molina?

2917
02:05:52,200 --> 02:05:54,680
Speaker 1: All right, what's better Queen and Slim or get out

2918
02:05:55,280 --> 02:05:58,440
Speaker 1: Queen and Slim original screenplay? Right? But Queen is no.

2919
02:05:58,600 --> 02:06:01,240
Speaker 3: We know that story, that's the that's the Bonnie and

2920
02:06:01,240 --> 02:06:03,600
Speaker 3: Clyde thing like that. Who we know that story?

2921
02:06:04,960 --> 02:06:07,320
Speaker 1: We know that story. They want to run together, you know,

2922
02:06:07,600 --> 02:06:09,640
Speaker 1: the whole thing. We didn't know the get out story.

2923
02:06:10,440 --> 02:06:13,160
Speaker 1: I saw that coming from the opening.

2924
02:06:13,520 --> 02:06:15,440
Speaker 6: No bullshit, as soon as she came off.

2925
02:06:16,920 --> 02:06:19,440
Speaker 1: That was the most predictable fucking movie ever. The best

2926
02:06:19,440 --> 02:06:22,800
Speaker 1: part of that movie was was Lil Rel's like phone calls.

2927
02:06:23,080 --> 02:06:24,840
Speaker 1: They were hilarious, and other than that, it was a

2928
02:06:24,880 --> 02:06:28,800
Speaker 1: piece of fucking ship. It's okay to say that movie stinks. Man,

2929
02:06:28,960 --> 02:06:32,480
Speaker 1: it's everything's writings batch shot horribly.

2930
02:06:32,920 --> 02:06:34,960
Speaker 3: I mean to you, to your to your point. I

2931
02:06:34,960 --> 02:06:37,080
Speaker 3: haven't watched that movie in a very long time. There's

2932
02:06:37,120 --> 02:06:39,000
Speaker 3: not one of the movies I go back to and watch, so.

2933
02:06:39,320 --> 02:06:40,200
Speaker 5: I really want you to watch.

2934
02:06:40,240 --> 02:06:43,920
Speaker 1: Nope that I am gonna watch. What's what's this one?

2935
02:06:43,920 --> 02:06:46,360
Speaker 1: What's this one about? Nope?

2936
02:06:47,800 --> 02:06:53,000
Speaker 6: It's like, uh, alien alien ish. They're on a they're

2937
02:06:53,000 --> 02:06:57,120
Speaker 6: on a there there original ideas here a horse breeder,

2938
02:06:58,520 --> 02:07:00,640
Speaker 6: and then there's like this these cloud outs in this

2939
02:07:00,760 --> 02:07:03,560
Speaker 6: thing that kind of takes over the farm. Things start

2940
02:07:03,560 --> 02:07:06,080
Speaker 6: acting weird on the ranch, and then there's I don't

2941
02:07:06,080 --> 02:07:07,760
Speaker 6: want to spoil too much, but it's it's you.

2942
02:07:07,960 --> 02:07:08,880
Speaker 1: You can spoil it all.

2943
02:07:09,000 --> 02:07:12,120
Speaker 6: No watch it? Well, No, I don't want to say

2944
02:07:12,120 --> 02:07:12,560
Speaker 6: too much.

2945
02:07:12,480 --> 02:07:15,520
Speaker 1: He said. He said, Court Freeder, clouds and aliens. That

2946
02:07:15,640 --> 02:07:15,840
Speaker 1: was the.

2947
02:07:17,320 --> 02:07:17,400
Speaker 8: Right.

2948
02:07:17,440 --> 02:07:20,920
Speaker 6: Well, Kiki Palmer and the what's his name called, I

2949
02:07:20,920 --> 02:07:23,720
Speaker 6: don't know how to pronounce his name. Daniel Khalulia are

2950
02:07:23,920 --> 02:07:27,760
Speaker 6: brother and sister. Their dad has this farm ranch. Uh,

2951
02:07:28,120 --> 02:07:32,120
Speaker 6: something happens to him now they're in charge. They the

2952
02:07:32,360 --> 02:07:34,720
Speaker 6: ship starts acting up on the ranch, like the animals

2953
02:07:34,720 --> 02:07:37,040
Speaker 6: start acting weird, and then there's like a fair ground

2954
02:07:37,200 --> 02:07:39,440
Speaker 6: not too far off from where they are. You saw it, right,

2955
02:07:40,160 --> 02:07:41,600
Speaker 6: you haven't seen it, so I just.

2956
02:07:41,520 --> 02:07:43,880
Speaker 1: Said that's the only one of his moves I haven't seen.

2957
02:07:44,480 --> 02:07:46,200
Speaker 5: I don't just watch the fucking movie.

2958
02:07:46,880 --> 02:07:48,360
Speaker 1: I don't want to listen.

2959
02:07:48,360 --> 02:07:50,360
Speaker 6: You sold it for me, bro, I don't toil it.

2960
02:07:51,120 --> 02:07:51,960
Speaker 1: He sold my point.

2961
02:07:53,720 --> 02:07:59,360
Speaker 3: You just you going, George, I get it.

2962
02:07:59,360 --> 02:08:01,640
Speaker 1: It's okay. No one wanted to admit get Out is trash.

2963
02:08:01,720 --> 02:08:03,680
Speaker 1: I'm giving you the confidence. I will stand by you.

2964
02:08:03,800 --> 02:08:06,280
Speaker 1: Everyone this camera. It's okay to say get Out was

2965
02:08:06,320 --> 02:08:08,320
Speaker 1: a piece of shit. I know that was taboo to

2966
02:08:08,320 --> 02:08:10,920
Speaker 1: say before it was so important to the culture. It's not.

2967
02:08:11,120 --> 02:08:16,240
Speaker 1: It stinks, Okay, that's fair. There's what did his other

2968
02:08:16,320 --> 02:08:17,480
Speaker 1: movies sell after Get Up?

2969
02:08:18,320 --> 02:08:21,520
Speaker 6: Nope? Did a one hundred and seventy two million box

2970
02:08:21,560 --> 02:08:25,720
Speaker 6: office That sounds good. Yeah, I don't know how my

2971
02:08:25,840 --> 02:08:29,760
Speaker 6: I'm sure it cost far more than Get Out dud Oh.

2972
02:08:29,800 --> 02:08:31,560
Speaker 1: I'm sure they gave him every budget in the world

2973
02:08:31,600 --> 02:08:34,640
Speaker 1: after get Out, as he should have, like look what

2974
02:08:34,720 --> 02:08:35,080
Speaker 1: he did with.

2975
02:08:35,040 --> 02:08:39,560
Speaker 6: It cost sixty eight to make grossed one seventy. Yeah,

2976
02:08:39,560 --> 02:08:42,720
Speaker 6: they just two point three fucking money. Yes, they do

2977
02:08:43,640 --> 02:08:46,680
Speaker 6: not need so I just imagine. How is that just

2978
02:08:46,840 --> 02:08:50,680
Speaker 6: here's your here's your budget. Yes, sixty eight million dollar

2979
02:08:50,720 --> 02:08:53,680
Speaker 6: and movies. I mean there's more to it then, but

2980
02:08:53,840 --> 02:08:56,960
Speaker 6: just production wise, you're looking at shooting this in at

2981
02:08:57,080 --> 02:08:59,280
Speaker 6: most three months. More and more and more of most

2982
02:08:59,280 --> 02:09:00,800
Speaker 6: films are shot two months.

2983
02:09:01,880 --> 02:09:04,760
Speaker 1: What's the director from Black Panther? What's his name?

2984
02:09:05,920 --> 02:09:07,080
Speaker 5: Cooler? Ryan Cooler?

2985
02:09:07,240 --> 02:09:10,760
Speaker 1: Wasn't it wasn't. Wasn't he going through something recently with

2986
02:09:10,840 --> 02:09:14,760
Speaker 1: the studio? I think Deshon say he didn't he doesn't

2987
02:09:14,800 --> 02:09:20,920
Speaker 1: own the movie or something like that. Did he own Black? No,

2988
02:09:21,000 --> 02:09:21,560
Speaker 1: it was something.

2989
02:09:21,560 --> 02:09:23,480
Speaker 3: It was something I think that he was fighting with

2990
02:09:23,560 --> 02:09:27,560
Speaker 3: them over a couple week, like maybe two years ago.

2991
02:09:29,480 --> 02:09:31,440
Speaker 1: Another confession. Never seen Black Panther?

2992
02:09:32,080 --> 02:09:33,880
Speaker 6: What have the original?

2993
02:09:34,880 --> 02:09:37,280
Speaker 1: The one that everyone loves as a recent I never

2994
02:09:37,360 --> 02:09:42,200
Speaker 1: thought that was a quick snippet from our Patreon. Patreon

2995
02:09:42,280 --> 02:09:45,680
Speaker 1: dot com forward slash New Royal mall subscribe now You

2996
02:09:45,760 --> 02:09:50,560
Speaker 1: get a new episode every single week. Yes, bonus episodes

2997
02:09:50,680 --> 02:09:55,320
Speaker 1: NonStop every single week. You also get exclusive merch first

2998
02:09:55,400 --> 02:09:59,440
Speaker 1: DIBs on tickets, Ram Radio, just bonus content across the

2999
02:09:59,480 --> 02:10:02,360
Speaker 1: board every single week. That's where you want to be.

3000
02:10:02,880 --> 02:10:05,040
Speaker 1: Patreon dot com forward slash New royma