WEBVTT - A Clown By Any Other Name (with Eve L. Ewing)

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<v Speaker 1>Got Milk campaign totally created by the Dairy Farmers Association

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<v Speaker 1>of America. Milk questionable in its health benefits? Actually right,

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<v Speaker 1>I don't even know if it's questionable at this murder

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<v Speaker 1>every other way. Yeah, it's really not good for you.

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<v Speaker 1>And like most of us are lactose intolerant, you know,

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<v Speaker 1>Like if you look back at those ads, those ads

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<v Speaker 1>are blends because they have professional athletes then and they're like, oh,

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<v Speaker 1>after I get my fam you ain't working out and

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<v Speaker 1>breaking a class of girl. That is disgusting that It

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<v Speaker 1>was literally the Gatorade commercials with not you a whole lot.

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<v Speaker 1>Come on now, the money man turning stuff. You can't

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<v Speaker 1>tell me. Boom boom, boom boom. There it is there,

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<v Speaker 1>it is there. It is. Ladies and gentlemen, Welcome to

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<v Speaker 1>another phenomenal episode of My Mama Told Me, the podcast

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<v Speaker 1>where we unpacked we dive deep into the world of

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<v Speaker 1>black conspiracy theories. Gonna Be finally worked to prove that

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<v Speaker 1>Mr T did not cut his hair into that old hag.

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<v Speaker 1>The nigga just couldn't grow hair between his sideburns and

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<v Speaker 1>that landing strip in the middle. He had a rare

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<v Speaker 1>form of alopecia. It's called almost pecia, and the man

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<v Speaker 1>has been crying out for help all these years. Help

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<v Speaker 1>Mr t everyone, please, I'm your host, length and Kerman.

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<v Speaker 1>I'm delighted to be here. I'm doing well. I'm pretty

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<v Speaker 1>much just eating snacks and enjoying myself while the world tarns.

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<v Speaker 1>It's it's the way I plan to live. I'm just

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<v Speaker 1>gonna die in the apocalypse. Real silly. That's my pa.

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<v Speaker 1>My guest today. She's wonderful. I imagine she's gonna do

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<v Speaker 1>a lot of cool things before the apocalypse comes, much

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<v Speaker 1>more substantial than eating snacks and just letting things burn

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<v Speaker 1>around her. She's amazing. She's a poet, she's a writer.

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<v Speaker 1>She's an important thinker out in the world. You know

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<v Speaker 1>her from her book Electric Arches. You know her from

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<v Speaker 1>her work on Iron Her she is writing cool last

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<v Speaker 1>comic books. She's amazing. Please give it up from my guest,

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<v Speaker 1>Miss Eve. You is Yes, we're excited. You got on

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<v Speaker 1>a goosebump shirt and I think that's very fitting to

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<v Speaker 1>the conspiracy theory that you sort of brought to us.

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<v Speaker 1>That I think is really important that it hit home.

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<v Speaker 1>It hit home for me in a way of sweet

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<v Speaker 1>nostalgia that that made me excited. You said, my mama

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<v Speaker 1>told me the legend of Owe me the Clown. Yes, yes,

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<v Speaker 1>can I tell you all about it? Okay, So, first

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<v Speaker 1>of all, I try to not be on a lot

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<v Speaker 1>of podcasts because everybody has a podcast. Every single week,

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<v Speaker 1>people emailed me and ask me to be in their podcast.

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<v Speaker 1>I'm so honored and grateful that people want me on

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<v Speaker 1>their podcast. But if I said yes to all the podcasts,

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<v Speaker 1>I wouldn't I would literally do nothing else. So I

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<v Speaker 1>have had like a podcast moratorium for a long time now.

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<v Speaker 1>But when your producers reached out to me, I said, okay,

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<v Speaker 1>number one is lengths. I'm a big fan. But more importantly,

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<v Speaker 1>this is time for me to speak my truth because

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<v Speaker 1>I have been trying. I have been trying for years

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<v Speaker 1>to write about this, and nobody wants to hear me.

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<v Speaker 1>Nobody wants to let me write about it. Various publications

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<v Speaker 1>have reached out and said, oh, if you have any ideas,

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<v Speaker 1>I'm like, I want to write about this time and

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<v Speaker 1>they're like, oh, I don't know. They're you know, they're

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<v Speaker 1>like from a living color and I'm like no, it's

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<v Speaker 1>so much deeper than that, and so I was like,

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<v Speaker 1>you know, Lengths and you and I are pretty much

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<v Speaker 1>the same age. You know, we're from the same place.

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<v Speaker 1>And so I was like, Langston is going to be

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<v Speaker 1>here for me to speak the truth to the people

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<v Speaker 1>finding about Homie the Clown, And I knew that you

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<v Speaker 1>would get it, So I'm here to expose the real

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<v Speaker 1>real I'm so happy you're doing that. We often get

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<v Speaker 1>these conspiracy theories that are very like big and sort

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<v Speaker 1>of like widespread, and this is one that's so Chicago

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<v Speaker 1>specific and local. It's it's the moving on of conspiracy theories.

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<v Speaker 1>I can't wait, So please tell the people what they

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<v Speaker 1>need to know about Homie the Clown. All right, I'm

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<v Speaker 1>gonna lay it on you, okay. So, first of all,

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<v Speaker 1>when people hear Holming the Clown right away, you may

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<v Speaker 1>be thinking of the iconic character from in Living Color,

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<v Speaker 1>and so people are like, yeah, yeah, Holmi the Clown.

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<v Speaker 1>But when we were kids, when we were coming up,

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<v Speaker 1>we were told I'm saying we I'm assuming without you

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<v Speaker 1>even confirming that you were also included in this. Yes, yes,

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<v Speaker 1>this was Chicago wide, yes fact, and specifically it's Chicago

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<v Speaker 1>wide Black children and I think I think like children

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<v Speaker 1>of color, because I've also heard this from like Mexican

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<v Speaker 1>Puerto Rican homies, like kids of our vintage. We're told

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<v Speaker 1>when we were kids, you need to watch out for

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<v Speaker 1>a white van that is driving around Chicago and Homie

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<v Speaker 1>the clown is in it and he's gonna kidnap you.

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<v Speaker 1>And there's variations on this theme, so people would say,

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<v Speaker 1>always a white van, there's a white man driving around.

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<v Speaker 1>And Homie the clown was not Homie from the TV

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<v Speaker 1>show Who We All Knew and Love. It was someone

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<v Speaker 1>who had appropriated Homie's name and was using it to

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<v Speaker 1>do nefarious deeds because a dude dress as a clown

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<v Speaker 1>and Austin times also part of this would be that

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<v Speaker 1>he had like a sock or a bag full of

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<v Speaker 1>rocks or nickels, right, so he had like a sock

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<v Speaker 1>of of rocks and he hits you on the head

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<v Speaker 1>and he was going to take you away and kidnap you.

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<v Speaker 1>And and and if I may murder and or molescue,

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<v Speaker 1>you're not coming back. No, you're done, You're dune. It's

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<v Speaker 1>over for you. And furthermore, you know, obviously in the

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<v Speaker 1>skit in in the sketch on a living color. That

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<v Speaker 1>homie also hits people on the head and says, Homie,

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<v Speaker 1>don't play that, which is his iconic line. But this

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<v Speaker 1>homie is bad, so it's like it's like a tethered

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<v Speaker 1>like underworld version of the other homie is good and funny.

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<v Speaker 1>This homie is bad and scary. Right, this homie keeps

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<v Speaker 1>little children awake at night, whereas the other one. It

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<v Speaker 1>kind of becomes a bit that you do at school, like, ha,

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<v Speaker 1>we remember, we all saw that thing. And also the

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<v Speaker 1>this knowledge comes to me despite the name of the podcast,

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<v Speaker 1>this knowledge always came to me from older kids, right,

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<v Speaker 1>and very very serious, like not older kids trying to

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<v Speaker 1>scare you, but like older kids really trying to look

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<v Speaker 1>out for you, right, and they want you to they

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<v Speaker 1>really want you to not to not get got by Homie.

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<v Speaker 1>And so then fast forward, I became a Chicaogo public

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<v Speaker 1>school teacher. And I know you're also a former Edge cater.

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<v Speaker 1>And when I was in Chicago, but you were in

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<v Speaker 1>high school. So I taught at a school that was

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<v Speaker 1>fourth grade through eighth grade, and I used to have

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<v Speaker 1>playground duty and taught in the school is a school

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<v Speaker 1>on the South side. You know, I taught middle school,

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<v Speaker 1>but the school went down as low as fourth grade,

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<v Speaker 1>and I had playground duty, you know, once a week

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<v Speaker 1>or whatever. And playground duty you stand around and you

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<v Speaker 1>talk to the kids that, um, they're not social. I'm

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<v Speaker 1>trying to nice the kids, and these kids that I

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<v Speaker 1>was right, So there, I'm into that because I'm also

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<v Speaker 1>a dork. And so it would be the kids that like,

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<v Speaker 1>they're not really trying to play basketball, and so they're

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<v Speaker 1>kind of like hanging around you because to talk to you.

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<v Speaker 1>And so I used to talk to kids in the

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<v Speaker 1>morning and these kids I overheard them saying, you know, Missy,

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<v Speaker 1>did you know there's a white van going around and

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<v Speaker 1>there is a clown that is And this blew me

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<v Speaker 1>because you know, this is like years and years later,

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<v Speaker 1>and Homie was never talked about in like the media

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<v Speaker 1>and except for there's one exception which I think will

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<v Speaker 1>probably get into and to assume there's a notable exception here,

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<v Speaker 1>I too, am a researcher, so you know I have

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<v Speaker 1>like the researcher. You're giving me far more credit than

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<v Speaker 1>well that's but for the most part, this isn't the

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<v Speaker 1>thing that most people know about right, And sure, my theory,

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<v Speaker 1>my which is real, some might call conspiratorial. But I

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<v Speaker 1>think that there is something about Homie that only kids

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<v Speaker 1>can like see him or access this knowledge. There's something

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<v Speaker 1>about the culture. There's a there's a children's because Okay,

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<v Speaker 1>as black people, we know that, like like all people,

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<v Speaker 1>we have folklore and we have culture, right, so we

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<v Speaker 1>have things that your parents tell you, your grandparents tell you,

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<v Speaker 1>and it gets passed from generation to generations. But people

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<v Speaker 1>don't talk about Homie in adulthood. So what I don't

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<v Speaker 1>understand is how the transmission would happen between kids in

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<v Speaker 1>the early nineties and kids in the twenties. Right, how

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<v Speaker 1>does that happen? You're giving me a lot to unpack here,

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<v Speaker 1>and yeah, I list and I think about it. I'm excited.

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<v Speaker 1>Let's start at the base of what you just premised.

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<v Speaker 1>You're suggesting that there is a almost like mythical kind

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<v Speaker 1>of quality to Homie. That this is if he is

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<v Speaker 1>in fact a real sort of like threat. It is

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<v Speaker 1>not just a threat of a weird dude with a van,

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<v Speaker 1>but has more of an it kind of quality where

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<v Speaker 1>it's like kids are at threat and kids can see

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<v Speaker 1>it better than adults, kids and only kids, that there's

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<v Speaker 1>something that happens to you when you pass into adulthood

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<v Speaker 1>that you can't see Homie anymore. And if you think

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<v Speaker 1>about it, Bill, am I going to solve my personal problem? Right? Well,

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<v Speaker 1>I'm thinking about it a little bit like an evil

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<v Speaker 1>version of like Peter Pan and the Lost Boys type

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<v Speaker 1>of situation, right, Like there's something where you get too

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<v Speaker 1>old and you can no longer access Homie, like you

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<v Speaker 1>can't see him anymore. And maybe Homie was never evil,

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<v Speaker 1>Maybe he was only I don't know he maybe there's

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<v Speaker 1>something about his relationship to kids that we can't understand

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<v Speaker 1>as an adult, But I'm very fascinated with him. You're

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<v Speaker 1>you're getting to something that I think is really interesting

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<v Speaker 1>because they're uh, and I don't this feels pretty understood.

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<v Speaker 1>But there's no empirical evidence that Homie ever took a kid, correct,

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<v Speaker 1>Like none of us know a kid that got took

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<v Speaker 1>by the clown, But everybody knows a kid whose cousin

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<v Speaker 1>wrote to school of us with somebody who used to

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<v Speaker 1>talk to their friend from down the block who got taken, right,

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<v Speaker 1>And And that's what's so I think that, Like, I'm

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<v Speaker 1>very interested in my work, not to like be real serious,

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<v Speaker 1>but I'm very interested in storytelling and has stories which

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<v Speaker 1>stories get told, you know, And so I'm so fascinated

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<v Speaker 1>by Like, to me, this is an urban quote unquote

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<v Speaker 1>myth because is it a myth we don't know, but

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<v Speaker 1>if we were to call it an urban myth, it's

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<v Speaker 1>one that only exists within the culture of children, and

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<v Speaker 1>we could think about it. Also, I mean similar like

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<v Speaker 1>the cousin to this, the white people's us into this

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<v Speaker 1>is like Bloody Mary or Resurrection Mary, you know, which

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<v Speaker 1>like is another Chicago story. And obviously Candyman the o

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<v Speaker 1>g as well. Um, and so there's all these things

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<v Speaker 1>that specifically kids talk about but like me. And then

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<v Speaker 1>the other really obvious thing that we have to mention

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<v Speaker 1>is that there was a real clown, a real clown

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<v Speaker 1>who murdered people, and that was John Wayne gayzy right right.

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<v Speaker 1>John Wayne Gay is a white man though, and Homie

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<v Speaker 1>is black. John Wayne Gay was a white man, but

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<v Speaker 1>he killed everybody. He wasn't discriminatory in any kind of way.

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<v Speaker 1>He took a white boys, but he got everybody. I'm

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<v Speaker 1>curious to know because based off of the premise that

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<v Speaker 1>you set up. Are you suggesting then, that you do

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<v Speaker 1>still believe in Homie. You just now are unable to

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<v Speaker 1>see everything that a child is able to see in

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<v Speaker 1>your belief, if that makes sense. I believe in Homie

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<v Speaker 1>as much as I believe in America or any other

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<v Speaker 1>type of mythological abstract concept. Right. So, I believe that

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<v Speaker 1>there are things that humans invent to create sutures that

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<v Speaker 1>buying together our culture and hold us away from the

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<v Speaker 1>threat of chaos. And those ideas include things like nation hood,

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<v Speaker 1>like religion, right and so, and I believe that Homie

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<v Speaker 1>is in that category. I believe that really honestly links

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<v Speaker 1>and Homie is the only thing between us and the

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<v Speaker 1>total like collapse of society. He's the glue. He's the

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<v Speaker 1>glue that holds children's culture together, and that he does

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<v Speaker 1>with all great urban myths do, which is there's like

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<v Speaker 1>a moralistic tale, right, which is like you have to

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<v Speaker 1>watch out, don't stray too far, don't stand over by

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<v Speaker 1>that fence. And the other amazing thing about the Homie

0:12:50.280 --> 0:12:53.719
<v Speaker 1>myth is the white van, right, because Homie always has

0:12:53.720 --> 0:12:57.040
<v Speaker 1>a white van. Now, white vans are just like everybody

0:12:57.080 --> 0:12:59.079
<v Speaker 1>you know, they're in a city like Chicago, white vans

0:12:59.080 --> 0:13:02.120
<v Speaker 1>are ubiquitous, right, because a white van is there somebody

0:13:02.160 --> 0:13:04.560
<v Speaker 1>on their way to do whatever contract work or whatever.

0:13:05.120 --> 0:13:08.160
<v Speaker 1>And it's also about like in the eighties and nineties,

0:13:08.160 --> 0:13:11.200
<v Speaker 1>there's all this like stranger danger of fear. There's all

0:13:11.200 --> 0:13:15.600
<v Speaker 1>this like urban inner city, urban whatever fear, you know,

0:13:15.920 --> 0:13:18.600
<v Speaker 1>to that sticker that they had on every door with

0:13:18.679 --> 0:13:21.320
<v Speaker 1>the guy in the big trench coat and he could

0:13:21.320 --> 0:13:23.960
<v Speaker 1>only see his eyes and the hat. He looked like

0:13:24.000 --> 0:13:27.079
<v Speaker 1>Dick Tracy. But he's meant to be a sign that like, hey,

0:13:27.120 --> 0:13:31.640
<v Speaker 1>kidnappings happened here, kidnappings happen. You know. Scruff McGruff is

0:13:31.679 --> 0:13:35.160
<v Speaker 1>on TV at this time. Like everything is about scaring

0:13:35.280 --> 0:13:38.760
<v Speaker 1>kids out of the idea and scaring kids into compliance

0:13:38.800 --> 0:13:42.040
<v Speaker 1>by letting them know that criminals are everywhere. Right. But

0:13:42.160 --> 0:13:45.280
<v Speaker 1>the thing about Homie is also that like it's such

0:13:45.320 --> 0:13:49.440
<v Speaker 1>a specifically like black and like Mexican American Chicago thing

0:13:49.600 --> 0:13:52.680
<v Speaker 1>that I'm also I'm curious about, Like I've never heard

0:13:52.679 --> 0:13:55.560
<v Speaker 1>white people talk about Homie the clown. You know. That's

0:13:55.559 --> 0:13:58.880
<v Speaker 1>that's interesting because in the little bit of research that

0:13:58.960 --> 0:14:01.520
<v Speaker 1>I did, and I'm sure yours is much more efficient,

0:14:01.559 --> 0:14:04.560
<v Speaker 1>but the research that I did. There are a lot

0:14:04.640 --> 0:14:08.520
<v Speaker 1>of articles that sort of came out of white spaces

0:14:09.040 --> 0:14:13.600
<v Speaker 1>basically affirming the same timelines and the same opinions and

0:14:13.679 --> 0:14:17.520
<v Speaker 1>fears from white kids, suburban kids, like all kinds of

0:14:17.559 --> 0:14:21.240
<v Speaker 1>communities outside of our own. I do think. I mean,

0:14:21.280 --> 0:14:23.240
<v Speaker 1>I was a suburban kid, right, Like I grew up

0:14:23.240 --> 0:14:25.680
<v Speaker 1>in Oak Park. It wasn't as if like I was,

0:14:25.960 --> 0:14:29.360
<v Speaker 1>And granted I was tapped into probably a different lexicon

0:14:29.880 --> 0:14:33.520
<v Speaker 1>just being black in Chicago and my mom being you know,

0:14:33.600 --> 0:14:36.760
<v Speaker 1>all over the place whatever, But like, I do think

0:14:36.800 --> 0:14:39.680
<v Speaker 1>that some of this, just to your point, is allegorical

0:14:40.400 --> 0:14:48.000
<v Speaker 1>there for it reaches further than even like race and culture, right, yeah, absolutely,

0:14:48.040 --> 0:14:51.080
<v Speaker 1>And I think that it's just interesting that like real

0:14:51.320 --> 0:14:55.800
<v Speaker 1>things that are empirically demonstrably real, like Damon Williams over here,

0:14:55.960 --> 0:14:59.320
<v Speaker 1>John Wayne Gacy over here, that those things get synthesized

0:14:59.400 --> 0:15:02.040
<v Speaker 1>into you know, this mythos of homie that I think

0:15:02.120 --> 0:15:04.320
<v Speaker 1>is so fascinating. I have to ask you, actually, I've

0:15:04.320 --> 0:15:06.440
<v Speaker 1>been wanting to ask you. Did you do you feel

0:15:06.440 --> 0:15:09.440
<v Speaker 1>like in Oak Park where people talking about homie, it

0:15:09.520 --> 0:15:12.760
<v Speaker 1>wasn't a constant fear, if that makes sense. I think

0:15:12.760 --> 0:15:15.480
<v Speaker 1>that I knew I've now like grown up and known

0:15:15.520 --> 0:15:17.200
<v Speaker 1>people who were like on the South Side, and they

0:15:17.240 --> 0:15:19.440
<v Speaker 1>were like no, no, no. We talked about it every

0:15:19.520 --> 0:15:22.680
<v Speaker 1>day like that was like a thing that we were

0:15:22.800 --> 0:15:26.240
<v Speaker 1>constantly we're vigilant. And this is the other thing is

0:15:26.240 --> 0:15:28.720
<v Speaker 1>that there's no phones during that, right, there's no phones.

0:15:28.760 --> 0:15:31.440
<v Speaker 1>There's no spies, right, So part of this is also

0:15:31.520 --> 0:15:33.480
<v Speaker 1>like you're just a kid on the playground. It's four

0:15:33.520 --> 0:15:37.400
<v Speaker 1>degrees outside, right, Like you're just staying around waiting for

0:15:37.440 --> 0:15:40.640
<v Speaker 1>the builders, which is like, what is there to discuss.

0:15:41.200 --> 0:15:44.120
<v Speaker 1>I I truly am and maybe you'll feel this way.

0:15:44.160 --> 0:15:47.280
<v Speaker 1>I truly am impressed that my parents kept me alive.

0:15:47.760 --> 0:15:51.440
<v Speaker 1>Like the the amount of times that I was sort

0:15:51.440 --> 0:15:54.760
<v Speaker 1>of like meant to go home by myself, do things

0:15:54.840 --> 0:15:58.360
<v Speaker 1>completely alone, with no way of contacting me, no way

0:15:58.360 --> 0:16:00.760
<v Speaker 1>of assuring that I made it, say, flee from point

0:16:00.760 --> 0:16:03.840
<v Speaker 1>A to point B. The fact that I survived is

0:16:03.880 --> 0:16:06.840
<v Speaker 1>truly a testament. Oh it's miraculous. Yeah, it's a miracle.

0:16:06.920 --> 0:16:09.760
<v Speaker 1>And yeah, that's why you need a homie the clown.

0:16:09.840 --> 0:16:13.160
<v Speaker 1>You need somebody to like constantly be like there is

0:16:13.200 --> 0:16:17.000
<v Speaker 1>a murdering clown available to take you if you choose

0:16:17.080 --> 0:16:20.400
<v Speaker 1>to not follow every sting that I'm laying out for

0:16:20.440 --> 0:16:22.840
<v Speaker 1>you right, whether I'm there or not, because there's no

0:16:22.960 --> 0:16:26.880
<v Speaker 1>find my iPhone, there's no GPS, there's no there's none

0:16:26.880 --> 0:16:29.600
<v Speaker 1>of that, you know. And yeah, no I I got

0:16:29.640 --> 0:16:33.080
<v Speaker 1>my own key to the crib when I was seven, so,

0:16:33.360 --> 0:16:36.920
<v Speaker 1>you know, so starting at age seven, it was like,

0:16:37.120 --> 0:16:39.840
<v Speaker 1>you know, you come and you let yourself in, you know,

0:16:40.000 --> 0:16:43.000
<v Speaker 1>And we had neighbors and there's a crossing guard. My

0:16:43.040 --> 0:16:44.840
<v Speaker 1>mom was always telling me that the crossing guard was

0:16:44.880 --> 0:16:47.640
<v Speaker 1>watching me, you know, but it was like it was

0:16:47.720 --> 0:16:52.000
<v Speaker 1>real out here, and so without Homie, where would we be? Honestly, right,

0:16:52.360 --> 0:16:56.640
<v Speaker 1>we just all kidnapped from less less silly reasons. We

0:16:56.800 --> 0:17:00.880
<v Speaker 1>kidnapped for. It's not a clown, it's a grown man

0:17:01.040 --> 0:17:05.080
<v Speaker 1>who wanted to I guess the same, but just meaner.

0:17:05.920 --> 0:17:09.000
<v Speaker 1>That's right. Let me ask you this, how many of

0:17:09.040 --> 0:17:13.200
<v Speaker 1>the people in your life have you shared this theory

0:17:13.280 --> 0:17:16.360
<v Speaker 1>with and do you feel like they would support this

0:17:16.440 --> 0:17:20.360
<v Speaker 1>theory or are they going like Eve, you Wi don't

0:17:20.359 --> 0:17:23.160
<v Speaker 1>write your books, but you're acting up you out here? Yeah?

0:17:23.240 --> 0:17:26.439
<v Speaker 1>So I think you know, sometimes when you when you

0:17:26.480 --> 0:17:29.440
<v Speaker 1>are a party to a difficult truth, it really hard

0:17:29.480 --> 0:17:33.320
<v Speaker 1>to bear the burden, you know, within a generation to

0:17:33.480 --> 0:17:37.280
<v Speaker 1>bear the heaviest, the head that wears the Homie the Clown,

0:17:38.080 --> 0:17:42.680
<v Speaker 1>as they say, and I think that I have. This

0:17:42.720 --> 0:17:45.920
<v Speaker 1>is not something I have widely discussed with my loved ones.

0:17:47.119 --> 0:17:49.480
<v Speaker 1>I have told my husband, you know that I have

0:17:49.600 --> 0:17:54.000
<v Speaker 1>these these opinions about Homie. He's intrigued, he's fascinated. And

0:17:54.400 --> 0:17:56.679
<v Speaker 1>from Chicago as well. He's from New Jersey. He's from

0:17:56.720 --> 0:18:00.199
<v Speaker 1>North New Jersey. So they have their own it's you know,

0:18:00.280 --> 0:18:02.840
<v Speaker 1>they have their own stuff going on out there. But

0:18:03.600 --> 0:18:06.399
<v Speaker 1>one person I have shared this with, who I believe

0:18:06.440 --> 0:18:08.560
<v Speaker 1>it's been a guest on the podcast is our our

0:18:08.600 --> 0:18:13.080
<v Speaker 1>dear mutual friend, Nathaniel Armstead Marshall Nate. And I told they,

0:18:13.240 --> 0:18:15.320
<v Speaker 1>you know, I was I'm going on link since podcast

0:18:15.600 --> 0:18:17.800
<v Speaker 1>and I'm going to talk about Homie the Clown. And

0:18:17.840 --> 0:18:21.840
<v Speaker 1>he was delighted. He was thrilled, you know, because he

0:18:22.000 --> 0:18:28.080
<v Speaker 1>shares my affinity for hyperlocal um hyper hyperlocal content. But yeah,

0:18:28.200 --> 0:18:30.119
<v Speaker 1>you know, it's really hard. It's really hard when you

0:18:30.160 --> 0:18:31.760
<v Speaker 1>know something that you know the rest of the world

0:18:31.800 --> 0:18:34.600
<v Speaker 1>isn't ready for. Well, that's really it's really tough. I

0:18:34.640 --> 0:18:37.000
<v Speaker 1>have to imagine. It's also a hard part of sharing

0:18:37.040 --> 0:18:40.840
<v Speaker 1>it is that because it's so localize, there's there's something

0:18:41.000 --> 0:18:45.000
<v Speaker 1>almost crazy in that, right, Like it's like when people

0:18:45.160 --> 0:18:49.240
<v Speaker 1>argue about fucking hot dogs. It's like, well, these are

0:18:49.280 --> 0:18:52.160
<v Speaker 1>the best ones and these ones aren't good, but you don't.

0:18:52.440 --> 0:18:55.439
<v Speaker 1>You don't have a way of communicating why it is

0:18:55.480 --> 0:18:58.000
<v Speaker 1>the best or what makes it different. It just is.

0:18:58.200 --> 0:19:01.240
<v Speaker 1>It just is. It's just facts. Yeah, but I didn't

0:19:01.240 --> 0:19:04.400
<v Speaker 1>experience it, so I don't know you're chirping over. It's

0:19:04.440 --> 0:19:07.080
<v Speaker 1>like the pizza thing. The pizza the quote unquote debate

0:19:07.119 --> 0:19:09.440
<v Speaker 1>really gets on my nerves because when people are like, oh,

0:19:09.520 --> 0:19:12.119
<v Speaker 1>Chicago style pizza, you know, da da dada us this

0:19:12.280 --> 0:19:15.560
<v Speaker 1>it is that it's like, we don't Chicagoans. We don't

0:19:15.560 --> 0:19:18.040
<v Speaker 1>eat deep dish pizza on the regular, Like you don't.

0:19:18.080 --> 0:19:21.880
<v Speaker 1>You're not like Friday night pizza. Right, It's like a celebration,

0:19:22.400 --> 0:19:24.240
<v Speaker 1>like a cake. It's like getting a birthday cake. It's

0:19:24.280 --> 0:19:26.280
<v Speaker 1>not a thing that you eat. We eat regularly, eat

0:19:26.280 --> 0:19:28.800
<v Speaker 1>tavern style, a little squares of pizza. That's the true

0:19:28.840 --> 0:19:32.040
<v Speaker 1>Chicago The true Chicago style pizza that you will not

0:19:32.080 --> 0:19:35.080
<v Speaker 1>get as a tourist is a little square you know

0:19:36.520 --> 0:19:40.359
<v Speaker 1>that that gets cut up in sixty eight squares, tiny little,

0:19:40.440 --> 0:19:43.400
<v Speaker 1>very small, very small squares, and you have to eat

0:19:43.440 --> 0:19:45.639
<v Speaker 1>twelve pieces to feel like you've had a meal. You know,

0:19:46.119 --> 0:19:48.159
<v Speaker 1>that's real Chicago style pizza. So I'm like, we're not

0:19:48.200 --> 0:19:50.639
<v Speaker 1>even entering on the same conversation. And with with with

0:19:50.680 --> 0:19:53.600
<v Speaker 1>the Homie, with the matter of Homie, the damon Wayne's

0:19:53.640 --> 0:19:56.760
<v Speaker 1>party makes it complicated because it's weird to say I'm

0:19:56.760 --> 0:19:59.280
<v Speaker 1>going to tell you about something. You already have heard

0:19:59.359 --> 0:20:01.560
<v Speaker 1>this phrase and already know what I'm talking about, but

0:20:01.640 --> 0:20:03.679
<v Speaker 1>you don't, right, and then like and he hits you

0:20:03.720 --> 0:20:06.240
<v Speaker 1>on the head, They're like yeah, Like David White is like, no,

0:20:06.359 --> 0:20:10.119
<v Speaker 1>it's not the same. So yeah, it's very it's very complicated.

0:20:10.160 --> 0:20:11.720
<v Speaker 1>And as I said, I'm very grateful to have the

0:20:11.760 --> 0:20:13.480
<v Speaker 1>chance to come in the show today and finally tell

0:20:13.520 --> 0:20:17.840
<v Speaker 1>America to about Homie. Let me ask you this, do

0:20:17.960 --> 0:20:22.959
<v Speaker 1>you think that part of what kids are seeing is

0:20:23.040 --> 0:20:27.320
<v Speaker 1>intentionally being placed there by adults? Because that's that's part

0:20:27.359 --> 0:20:29.720
<v Speaker 1>of where I'm trying to make sure that I'm understanding

0:20:30.200 --> 0:20:34.119
<v Speaker 1>how the allegory exists. Does that allegory merely exists because

0:20:34.320 --> 0:20:38.119
<v Speaker 1>we morally are sort of checking ourselves as children or

0:20:38.200 --> 0:20:41.400
<v Speaker 1>is that something that adults are intentionally sort of like

0:20:41.640 --> 0:20:44.200
<v Speaker 1>planting the seed. They can't see it anymore, but a

0:20:44.320 --> 0:20:48.080
<v Speaker 1>child's imagination allows them to build the world of the

0:20:48.080 --> 0:20:51.240
<v Speaker 1>white van. That's such a good question. I think you

0:20:51.280 --> 0:20:55.600
<v Speaker 1>are rehearsed it at home and you're a professional, you know, Okay,

0:20:55.600 --> 0:20:57.879
<v Speaker 1>So I hope I'm not jumping the gun by bringing

0:20:57.880 --> 0:21:03.280
<v Speaker 1>this up. But there's this article from probably and the

0:21:03.359 --> 0:21:07.880
<v Speaker 1>newspaper article in Chicago, and it's about police investigating claims

0:21:07.920 --> 0:21:12.800
<v Speaker 1>of homie. Have you seen this article article? So it's

0:21:12.840 --> 0:21:15.679
<v Speaker 1>from the early nineties, and it's kids were going to

0:21:15.720 --> 0:21:17.960
<v Speaker 1>their teachers and to their parents and saying, I saw

0:21:18.000 --> 0:21:21.000
<v Speaker 1>this white van and it's Homi the clown and police

0:21:21.040 --> 0:21:23.040
<v Speaker 1>the Chicago police Partment was like, we are really, we

0:21:23.080 --> 0:21:26.040
<v Speaker 1>are taking this seriously. We are looking into it. We

0:21:26.119 --> 0:21:28.720
<v Speaker 1>have not found any evidence, right, And I think that

0:21:28.720 --> 0:21:31.000
<v Speaker 1>that moment is funny because it's a moment where like

0:21:31.160 --> 0:21:35.760
<v Speaker 1>the lore of children crosses over into like actual law enforcement. Again,

0:21:35.760 --> 0:21:37.800
<v Speaker 1>this is the nineties at the time everybody's scared of

0:21:37.880 --> 0:21:41.240
<v Speaker 1>child abductions. They are they're trying to take this really seriously.

0:21:41.280 --> 0:21:43.399
<v Speaker 1>There's like there's a what who? And then in the

0:21:43.560 --> 0:21:46.640
<v Speaker 1>article they're like reports, you know, reports come from like

0:21:46.800 --> 0:21:51.880
<v Speaker 1>you know, Avondale, Inglewood, Back of the Yards and roseland

0:21:52.160 --> 0:21:54.920
<v Speaker 1>it's like all these flights is that are like nowhere

0:21:55.000 --> 0:21:57.720
<v Speaker 1>near each other. Right, It's like but which was also

0:21:57.760 --> 0:21:59.440
<v Speaker 1>fascinating because on the one hand, it's kind of a

0:21:59.520 --> 0:22:02.680
<v Speaker 1>till that like, maybe this story isn't quite what it

0:22:02.920 --> 0:22:05.760
<v Speaker 1>seems to be because most child deductors I don't really

0:22:05.800 --> 0:22:07.359
<v Speaker 1>I'm just talking because I actually don't want to talk

0:22:07.400 --> 0:22:09.720
<v Speaker 1>about but I assume the most child deductors are not

0:22:09.840 --> 0:22:17.320
<v Speaker 1>driving like literally all of it. You're driving a Chevy

0:22:17.359 --> 0:22:22.920
<v Speaker 1>ascro Can. You can find enough murderable kids and within

0:22:23.000 --> 0:22:26.080
<v Speaker 1>the five city, but you go to one playground, you

0:22:26.119 --> 0:22:28.520
<v Speaker 1>go to the one dayground where you know, the teachers

0:22:28.560 --> 0:22:31.040
<v Speaker 1>aid like how don't take a slight break every two minute?

0:22:31.040 --> 0:22:33.920
<v Speaker 1>You know, like you're not gonna drive from North Lawndale,

0:22:34.160 --> 0:22:39.639
<v Speaker 1>you know, uh, to Pullman to find some kids. So anyway,

0:22:39.720 --> 0:22:42.320
<v Speaker 1>to answer your actual question, I think that the role

0:22:42.400 --> 0:22:45.840
<v Speaker 1>of like the older kid is really important here. Right.

0:22:45.880 --> 0:22:51.080
<v Speaker 1>It's like the kid who is like ten, eleven, twelve, thirteen, Right,

0:22:51.600 --> 0:22:54.520
<v Speaker 1>you're when you're five or six, or seven. That kid

0:22:54.640 --> 0:22:57.960
<v Speaker 1>is old old, right, and so that kid is also

0:22:58.080 --> 0:23:00.359
<v Speaker 1>still a kid, and so they're very susceptible to like

0:23:00.480 --> 0:23:05.440
<v Speaker 1>hearing and perhaps misunderstanding information. So I think that adults

0:23:06.160 --> 0:23:11.760
<v Speaker 1>were saying scary things around kids, and that the older

0:23:11.840 --> 0:23:15.240
<v Speaker 1>kid who was kind of like in this interwoven space

0:23:15.359 --> 0:23:18.640
<v Speaker 1>between the young and the old, right between the child,

0:23:18.760 --> 0:23:21.439
<v Speaker 1>childhood and adulthood, that they're the ones who kind of

0:23:21.480 --> 0:23:24.600
<v Speaker 1>transposed this into the realm of myth, which they then

0:23:24.640 --> 0:23:27.960
<v Speaker 1>bring as a cautionary tale dutifully to their younger brethren.

0:23:28.119 --> 0:23:30.800
<v Speaker 1>I really like that. I think it hits home for

0:23:30.840 --> 0:23:33.359
<v Speaker 1>me in a way that I'm the oldest of five,

0:23:33.440 --> 0:23:36.240
<v Speaker 1>but I'm substantially older than all of my siblings. The

0:23:36.280 --> 0:23:39.320
<v Speaker 1>next in line is ten years younger than and so

0:23:39.400 --> 0:23:41.600
<v Speaker 1>in that way, I know that there's like a lot

0:23:41.600 --> 0:23:45.720
<v Speaker 1>of mythology that I probably handed down to my siblings

0:23:45.760 --> 0:23:48.760
<v Speaker 1>that they then took as fact, even though it was

0:23:48.840 --> 0:23:51.760
<v Speaker 1>just me being a kid and having my own fears

0:23:51.800 --> 0:23:55.040
<v Speaker 1>and traumas that I'm attempting to unpack or figure out

0:23:55.359 --> 0:23:57.520
<v Speaker 1>in front of them. But it's like, no, I'm technically

0:23:57.560 --> 0:24:00.919
<v Speaker 1>an authority figure and now I'm giving you this information

0:24:00.960 --> 0:24:03.359
<v Speaker 1>and that becomes permanent in you and you pass it

0:24:03.400 --> 0:24:06.760
<v Speaker 1>down maybe to a kid younger than you, and on

0:24:06.840 --> 0:24:12.760
<v Speaker 1>the kindergarten, on the kindergarten playground exactly and forever, right,

0:24:12.800 --> 0:24:14.600
<v Speaker 1>homie lives forever. I used to ride the bus for

0:24:14.640 --> 0:24:17.560
<v Speaker 1>school to school, um, and the riding of the school

0:24:17.560 --> 0:24:19.480
<v Speaker 1>bus is also where a lot of knowledge is like

0:24:20.320 --> 0:24:24.760
<v Speaker 1>shared among kids because there's no supervision. There's there's one adult, right,

0:24:25.040 --> 0:24:28.960
<v Speaker 1>there's one adult, and it's not he's a bus driver.

0:24:29.119 --> 0:24:31.640
<v Speaker 1>So they're trained to drive a bus. They're not trained

0:24:31.680 --> 0:24:35.840
<v Speaker 1>to you know, managed kids. And if they were there

0:24:35.840 --> 0:24:38.400
<v Speaker 1>in this position where like physically they can't see any

0:24:38.440 --> 0:24:42.320
<v Speaker 1>of the kids, right, and they're also d literally driving

0:24:42.440 --> 0:24:46.040
<v Speaker 1>a bus through the streets of Chicago. And so the

0:24:46.119 --> 0:24:47.880
<v Speaker 1>other thing about the school bus for me is that

0:24:48.320 --> 0:24:51.119
<v Speaker 1>I went to a Magnet school and so the school

0:24:51.160 --> 0:24:54.360
<v Speaker 1>I went to was very racially and socio economically diverse.

0:24:54.760 --> 0:24:57.520
<v Speaker 1>But then your bus is based on where you live, right,

0:24:57.560 --> 0:24:59.680
<v Speaker 1>And so the bus people is like the people who

0:24:59.680 --> 0:25:02.920
<v Speaker 1>are from um, your neighborhood and there, and they know

0:25:02.960 --> 0:25:06.080
<v Speaker 1>all they know your business. They know that one time,

0:25:06.240 --> 0:25:08.280
<v Speaker 1>you know, your parents push you out and it was

0:25:08.480 --> 0:25:10.639
<v Speaker 1>you didn't have. You know, they know everything about you

0:25:10.720 --> 0:25:12.679
<v Speaker 1>and your situation and where you live and what your

0:25:12.680 --> 0:25:14.600
<v Speaker 1>building lists like and what your block looks like and

0:25:15.040 --> 0:25:17.359
<v Speaker 1>all of that stuff. Um and so. And it's a

0:25:17.400 --> 0:25:20.040
<v Speaker 1>totally age right. It's kindergarten through eighth grade. My school

0:25:20.080 --> 0:25:24.080
<v Speaker 1>bus with kindergarteners through eighth graders on one bus and so, um, yeah,

0:25:24.080 --> 0:25:26.719
<v Speaker 1>that's where a lot of knowledge, knowledge gets. And I

0:25:26.800 --> 0:25:29.679
<v Speaker 1>will say it sounds to me like that also is

0:25:29.680 --> 0:25:33.480
<v Speaker 1>how that knowledge sort of cross pollinates with communities that

0:25:33.600 --> 0:25:37.560
<v Speaker 1>otherwise would not have had it right exactly snitching to

0:25:37.680 --> 0:25:41.120
<v Speaker 1>these other magnet school kids exactly take it to their

0:25:41.200 --> 0:25:44.160
<v Speaker 1>neighborhood that's very far from where you live. And now

0:25:44.200 --> 0:25:48.240
<v Speaker 1>we all got homie we previously maybe did not in

0:25:48.280 --> 0:25:50.480
<v Speaker 1>our Even if you think about, like the way a

0:25:50.560 --> 0:25:53.200
<v Speaker 1>conversation happens on the school bus is that there's two

0:25:53.200 --> 0:25:55.920
<v Speaker 1>people sitting next to each other talking right or there.

0:25:55.920 --> 0:25:57.840
<v Speaker 1>Maybe you're talking across the aisle to your friend and

0:25:57.880 --> 0:25:59.359
<v Speaker 1>you're talking to your friend who sits next to you

0:25:59.400 --> 0:26:02.840
<v Speaker 1>on the bus, and then there's other kids listening through

0:26:02.920 --> 0:26:05.720
<v Speaker 1>like a leather seat, you know, and you can't see

0:26:05.720 --> 0:26:07.520
<v Speaker 1>each other. Like, the more I think about it the

0:26:07.600 --> 0:26:10.840
<v Speaker 1>more of an extremely bizarre social experiment. This is because

0:26:11.400 --> 0:26:13.080
<v Speaker 1>and also when we were kids, it was like you

0:26:13.119 --> 0:26:14.800
<v Speaker 1>did not wear a seat belt. None of us wore

0:26:14.840 --> 0:26:21.200
<v Speaker 1>seat belts. They have them, well they have well, I've

0:26:21.359 --> 0:26:24.400
<v Speaker 1>I've been a chaperone. I've chaperone some field tricks, and

0:26:24.480 --> 0:26:26.720
<v Speaker 1>sometimes they do have the kids wearing the seat belts. Now, yes,

0:26:27.840 --> 0:26:30.399
<v Speaker 1>while here, you know, but they're also those types of

0:26:30.600 --> 0:26:33.000
<v Speaker 1>they're not full seat belts that go across the front

0:26:33.040 --> 0:26:34.640
<v Speaker 1>of you. So it's a kind of seatbelt that might

0:26:35.119 --> 0:26:40.080
<v Speaker 1>half metal and uh the buck around yeah, you know, yeah,

0:26:40.240 --> 0:26:42.080
<v Speaker 1>and it might save your life, but it also might

0:26:42.119 --> 0:26:46.680
<v Speaker 1>bisect your entire It was probably in half if this

0:26:46.760 --> 0:26:52.960
<v Speaker 1>dude stops to slow right right anyway, all right, well

0:26:52.960 --> 0:27:00.560
<v Speaker 1>we're going to take another break and no you and

0:27:00.840 --> 0:27:17.520
<v Speaker 1>more of my mama told me, and we are like

0:27:18.720 --> 0:27:23.800
<v Speaker 1>teenage girls when you say teenage, how are we talking? Yeah,

0:27:23.960 --> 0:27:29.119
<v Speaker 1>we're back here with more reviewing, more immacing. I'm missing

0:27:29.160 --> 0:27:31.760
<v Speaker 1>at R Kelly. You're wrong for that. You're wrong for that.

0:27:32.400 --> 0:27:35.439
<v Speaker 1>We're still talking about Homie the Clown, the legend of

0:27:35.480 --> 0:27:38.280
<v Speaker 1>Holmie of the Clown, be him real or fake, and

0:27:38.359 --> 0:27:43.359
<v Speaker 1>certainly the massive effect it had on our childhood, childhoods

0:27:43.400 --> 0:27:45.760
<v Speaker 1>and the childhoods that followed many You've got to be

0:27:45.800 --> 0:27:47.840
<v Speaker 1>thinking about R Kelly now and the way that R

0:27:47.920 --> 0:27:49.640
<v Speaker 1>Kelly is related to hold Me the Clown, And I'm

0:27:49.680 --> 0:27:53.520
<v Speaker 1>so disturbed. Oh, tell me about this connection. Well, because

0:27:53.560 --> 0:27:55.760
<v Speaker 1>part of it is like the thing about so we

0:27:55.760 --> 0:28:00.280
<v Speaker 1>already talking about, like all myths exists as cause Mary

0:28:00.320 --> 0:28:05.000
<v Speaker 1>tales against real threats, right, And so we tell ourselves,

0:28:05.080 --> 0:28:08.320
<v Speaker 1>we tell kids, we tell people in our society about

0:28:08.480 --> 0:28:12.879
<v Speaker 1>mythological pseudo real things too, as a controllable way to

0:28:12.880 --> 0:28:15.879
<v Speaker 1>warn them about real things. And you know, R Kelly

0:28:16.000 --> 0:28:19.399
<v Speaker 1>really was out here right praying on young people. And

0:28:19.440 --> 0:28:21.560
<v Speaker 1>so I'm just thinking about and using schools as a

0:28:21.600 --> 0:28:23.560
<v Speaker 1>space to do that. So I'm just thinking about and

0:28:23.800 --> 0:28:26.000
<v Speaker 1>I'm just that's just like a bizarre connection. And I'm

0:28:26.040 --> 0:28:28.160
<v Speaker 1>also thinking about the fact that R. Kelly had tried

0:28:28.200 --> 0:28:30.280
<v Speaker 1>to have his laptop while he was incarcerated in said

0:28:30.320 --> 0:28:32.800
<v Speaker 1>he was going to make music. Hey, come on, my man,

0:28:32.920 --> 0:28:35.560
<v Speaker 1>gotta make beats. He can't, can't. And then how that

0:28:35.560 --> 0:28:37.800
<v Speaker 1>that woman who was a preschool teacher posted all that

0:28:37.840 --> 0:28:39.960
<v Speaker 1>money to bail him out, and just I have I'm

0:28:40.000 --> 0:28:43.000
<v Speaker 1>just I never felt upset about R. Kelly. He's so exciting.

0:28:43.800 --> 0:28:45.560
<v Speaker 1>I do think that at a certain point we just

0:28:45.680 --> 0:28:49.440
<v Speaker 1>have to settle into the fact that like what is

0:28:49.480 --> 0:28:52.959
<v Speaker 1>done is done, and hopefully now finally some version of

0:28:53.000 --> 0:28:56.800
<v Speaker 1>justice gets served. But I am especially interested in what

0:28:56.840 --> 0:29:00.600
<v Speaker 1>you're saying about the way that like these myths take

0:29:00.680 --> 0:29:04.400
<v Speaker 1>on a form and so uh and maybe even transfer

0:29:04.520 --> 0:29:07.680
<v Speaker 1>forms that in some ways, Homi the clown is R

0:29:07.800 --> 0:29:10.960
<v Speaker 1>Kelly right, that like we are afraid that your kids

0:29:11.000 --> 0:29:13.760
<v Speaker 1>get snatched or that you could be taken away, and

0:29:13.840 --> 0:29:17.080
<v Speaker 1>instead of facing the actual monster, which is the dude

0:29:17.160 --> 0:29:21.080
<v Speaker 1>that's singing on the radio, exactly mythical one that you know,

0:29:21.160 --> 0:29:24.640
<v Speaker 1>has a big class, that's more controllable, right, And if anything,

0:29:24.680 --> 0:29:27.800
<v Speaker 1>like the figure of somebody like Homie the Clown also

0:29:27.960 --> 0:29:31.080
<v Speaker 1>lets somebody like R Kelly do what he does. Because

0:29:31.520 --> 0:29:34.160
<v Speaker 1>if you think that what a child abduction looks like

0:29:34.320 --> 0:29:37.120
<v Speaker 1>is that dude in a clown suit is going to

0:29:37.240 --> 0:29:38.840
<v Speaker 1>jump out of a van and hit you in the

0:29:38.880 --> 0:29:43.160
<v Speaker 1>head with some rocks, right, uh, then you are less

0:29:43.240 --> 0:29:45.200
<v Speaker 1>And I think that that is still like when it

0:29:45.200 --> 0:29:48.280
<v Speaker 1>comes to sexual assault and like kidnapping in our country,

0:29:48.360 --> 0:29:49.880
<v Speaker 1>that's what a lot of people think it is. They

0:29:49.880 --> 0:29:52.160
<v Speaker 1>think it's most likely to be a stranger jumping out

0:29:52.160 --> 0:29:53.960
<v Speaker 1>of a bush, and those things do happen, but it's

0:29:53.960 --> 0:29:58.400
<v Speaker 1>just not as common as you know, the dude who yeah,

0:29:58.480 --> 0:30:02.320
<v Speaker 1>or somebody that you know very you well exact partner

0:30:04.040 --> 0:30:06.400
<v Speaker 1>all of that. So anyway, I'm sorry I ruined your

0:30:06.400 --> 0:30:08.520
<v Speaker 1>comedy podcast, but you did it. You brought r Kelly

0:30:08.560 --> 0:30:10.600
<v Speaker 1>into it for those Now, this is my fault and

0:30:10.640 --> 0:30:12.680
<v Speaker 1>I made mistakes and I got to own up to that.

0:30:12.800 --> 0:30:16.560
<v Speaker 1>Let's get into this research. I think that one of

0:30:16.600 --> 0:30:18.960
<v Speaker 1>the things that you've hit on all the important parts

0:30:19.000 --> 0:30:23.400
<v Speaker 1>that it's around, that this sort of figure starts to

0:30:23.480 --> 0:30:28.200
<v Speaker 1>emerge Homi the clown, and largely it's becomes connected to

0:30:28.480 --> 0:30:31.440
<v Speaker 1>the in living color character from Damon Wain's but a

0:30:31.560 --> 0:30:34.640
<v Speaker 1>much more sinister version. One of the things that I

0:30:34.760 --> 0:30:38.920
<v Speaker 1>ended up finding was that there was basically a ship

0:30:39.040 --> 0:30:44.520
<v Speaker 1>ton of media that in Ish that started to at

0:30:44.600 --> 0:30:47.200
<v Speaker 1>least try to address the thing, and to your point,

0:30:47.560 --> 0:30:50.880
<v Speaker 1>it becomes this really fascinating thing where it's similar to

0:30:50.920 --> 0:30:54.280
<v Speaker 1>the way that like the FBI eventually had to just

0:30:54.400 --> 0:30:59.240
<v Speaker 1>acknowledge that everybody was saying Milannia wasn't the real Milannia,

0:30:59.680 --> 0:31:02.000
<v Speaker 1>you and me. They have to answer. It rises to

0:31:02.040 --> 0:31:04.040
<v Speaker 1>the level that has to be addressed. It has to

0:31:04.080 --> 0:31:06.600
<v Speaker 1>be addressed by the way. That is not the real Milannia.

0:31:06.640 --> 0:31:11.400
<v Speaker 1>I'm just gonna that is not Milannia. Milania. That is

0:31:11.440 --> 0:31:14.440
<v Speaker 1>the Milania. That's all I have to say about that.

0:31:14.680 --> 0:31:18.360
<v Speaker 1>All right, well Milannia, That's what I'm voting for next time.

0:31:18.440 --> 0:31:22.719
<v Speaker 1>But I will say that, like, it's that same energy,

0:31:22.880 --> 0:31:25.680
<v Speaker 1>right of so many people are talking about this. It's

0:31:25.720 --> 0:31:28.640
<v Speaker 1>so widespread, so many children are being haunted by it,

0:31:28.840 --> 0:31:30.920
<v Speaker 1>that we're starting to see it in the media. So

0:31:31.040 --> 0:31:35.720
<v Speaker 1>in on October nine, wlf L D t V ran

0:31:35.760 --> 0:31:40.240
<v Speaker 1>a thirty second there you go saying that the police

0:31:40.320 --> 0:31:42.840
<v Speaker 1>were treating Home with the Clown as an urban legend,

0:31:43.040 --> 0:31:46.520
<v Speaker 1>which while they're denying it, they're also acknowledging, like, hey,

0:31:46.560 --> 0:31:51.360
<v Speaker 1>that ship you're scared of is legit, right in that

0:31:51.440 --> 0:31:54.280
<v Speaker 1>the police have to release a statement about it exactly.

0:31:54.400 --> 0:31:57.880
<v Speaker 1>And then two days later, the Chicago Tribune ran an

0:31:58.040 --> 0:32:02.680
<v Speaker 1>article called police take in clown sighting seriously, which is

0:32:06.280 --> 0:32:10.480
<v Speaker 1>where they're yeah, they're completely disrupting the attempt the police

0:32:10.520 --> 0:32:13.920
<v Speaker 1>made to be like no, this is we're not dealing

0:32:13.920 --> 0:32:15.880
<v Speaker 1>with it. But then the Chicago trubing was like, I

0:32:15.920 --> 0:32:18.400
<v Speaker 1>don't know, these motherfucker's look like they're taken too seriously

0:32:18.440 --> 0:32:22.360
<v Speaker 1>to me. And then my beautiful hometown. On October six,

0:32:23.000 --> 0:32:26.840
<v Speaker 1>Park in their Wednesday Journal ran the headline police dismissed

0:32:26.880 --> 0:32:31.040
<v Speaker 1>youth sightings of deviant clown as unfounded. We read that,

0:32:31.240 --> 0:32:35.560
<v Speaker 1>read that headline again, youth sightings specifically, Yeah, this is deep.

0:32:35.680 --> 0:32:40.960
<v Speaker 1>This is deep. Police dismissed youth sightings of devian clowns

0:32:41.120 --> 0:32:48.600
<v Speaker 1>as unfounded. What an amazing They're like, these kids, right,

0:32:48.720 --> 0:32:51.800
<v Speaker 1>they don't know what they're talking about. Deviant clown, all

0:32:51.840 --> 0:32:54.040
<v Speaker 1>the other clowns totally, the clowns that are on a

0:32:54.080 --> 0:32:58.040
<v Speaker 1>straight and narrow very real devian clown false. Well, it's

0:32:58.080 --> 0:33:00.520
<v Speaker 1>so funny that you should bring that up, because there's

0:33:00.720 --> 0:33:03.240
<v Speaker 1>I read a few things that sort of talk about

0:33:03.280 --> 0:33:06.400
<v Speaker 1>the fallout that came with Homy the clown for all

0:33:06.440 --> 0:33:11.400
<v Speaker 1>of the other clowns around town in Chicago, clowns around town,

0:33:12.160 --> 0:33:16.200
<v Speaker 1>Crown Listen. They didn't like any of the rhymes. They

0:33:16.200 --> 0:33:18.600
<v Speaker 1>were very outset with what was happening. There was this

0:33:18.720 --> 0:33:24.400
<v Speaker 1>there was like happening on the ground. I remember a penny.

0:33:24.400 --> 0:33:26.960
<v Speaker 1>I'm in for a poun o, Canada, get it all out,

0:33:27.120 --> 0:33:31.760
<v Speaker 1>just get okay, here we go. There's a quote from

0:33:31.800 --> 0:33:34.880
<v Speaker 1>this dude, Cleo the Clown, who was a long time

0:33:34.920 --> 0:33:40.680
<v Speaker 1>clown in Chicago, apparently very reputable, very respected, not deviant

0:33:40.800 --> 0:33:43.560
<v Speaker 1>at all, at least you know by his own claims.

0:33:43.600 --> 0:33:45.600
<v Speaker 1>Who knows what Cleo the Clown is doing in his

0:33:45.720 --> 0:33:49.400
<v Speaker 1>personal time. But he said, I do remember kind of arise,

0:33:49.600 --> 0:33:54.520
<v Speaker 1>especially in black and Latino neighborhoods, a backlash and negative response.

0:33:54.840 --> 0:33:58.640
<v Speaker 1>It was discrimination against clowns in general. People crossed the

0:33:58.680 --> 0:34:01.600
<v Speaker 1>street when they saw him come and called him names,

0:34:01.880 --> 0:34:08.120
<v Speaker 1>including Homie. Oh no, this sad, poor Cleo. He was

0:34:08.160 --> 0:34:11.120
<v Speaker 1>discriminated again. He said it was now so Cleo the

0:34:11.160 --> 0:34:14.000
<v Speaker 1>Clown is a black clown. I'm black clown. That's right. Okay.

0:34:14.040 --> 0:34:17.360
<v Speaker 1>So he said, this discrimination against clowns in general, This

0:34:17.480 --> 0:34:21.960
<v Speaker 1>is so sad. It is sad. But then it gets

0:34:22.080 --> 0:34:25.080
<v Speaker 1>it gets funnier and sadder because he goes on to say,

0:34:25.120 --> 0:34:28.000
<v Speaker 1>I used to say Homie to clown carries the stock, right,

0:34:28.320 --> 0:34:32.600
<v Speaker 1>I carry a Louisville slugger. I say Tom, I'm Homie's

0:34:32.600 --> 0:34:35.359
<v Speaker 1>older brother. I'm I'm from the hood, homies not from

0:34:35.400 --> 0:34:37.680
<v Speaker 1>the hood. How far do you think homie would get

0:34:37.680 --> 0:34:39.960
<v Speaker 1>on your block before people would take that sock and

0:34:40.000 --> 0:34:47.360
<v Speaker 1>beat him with it. It's like contest too much, right, Cleo?

0:34:47.440 --> 0:34:50.200
<v Speaker 1>What exactly? So Cleo started out being like, it's really

0:34:50.200 --> 0:34:52.120
<v Speaker 1>sad how people are scared of me because they think

0:34:52.160 --> 0:34:55.640
<v Speaker 1>that that clowns beat each other, which I totally will do.

0:34:56.800 --> 0:34:58.640
<v Speaker 1>If you cross me, I will beat you with a

0:34:58.680 --> 0:35:03.399
<v Speaker 1>baseball bat. He was like, something way harder than right.

0:35:03.640 --> 0:35:05.879
<v Speaker 1>It sounds like Cleo has a different beef, and he's

0:35:05.920 --> 0:35:07.719
<v Speaker 1>not quite willing to admit it, but it sounds like

0:35:07.760 --> 0:35:10.680
<v Speaker 1>Cleo's real beef is that he feels like he got

0:35:10.680 --> 0:35:13.640
<v Speaker 1>swagger jacked a little bit, you know, like he feels

0:35:13.680 --> 0:35:16.440
<v Speaker 1>like HOMEI as a bier and he feels like he's

0:35:16.480 --> 0:35:18.640
<v Speaker 1>the O G hood clown, right, Like hood clown has

0:35:18.680 --> 0:35:22.040
<v Speaker 1>been his identity and he had a sacrifice to cultivate

0:35:22.080 --> 0:35:24.040
<v Speaker 1>that identity. He had to be out here at these

0:35:24.080 --> 0:35:28.799
<v Speaker 1>backyard parties for years, putting in work, maybe risking being

0:35:28.920 --> 0:35:31.880
<v Speaker 1>mugged from time to time, carry his Louisville slugger to

0:35:31.880 --> 0:35:35.200
<v Speaker 1>protect himself. Maybe Cleo, you know, cut somebody from time

0:35:35.239 --> 0:35:37.560
<v Speaker 1>to time as needed or just you know, let the

0:35:37.600 --> 0:35:41.560
<v Speaker 1>threat of cutting somebody being a presence in his interactions.

0:35:41.920 --> 0:35:44.320
<v Speaker 1>And he did all that work just for Damon Wayne's

0:35:44.360 --> 0:35:47.000
<v Speaker 1>to ride off the tad tails of his family name,

0:35:47.440 --> 0:35:50.640
<v Speaker 1>get on television and claim the mantle, put in his

0:35:50.800 --> 0:35:54.880
<v Speaker 1>clown around, go to this tech clown around town. And

0:35:54.920 --> 0:35:56.880
<v Speaker 1>Cleo is not He's not here for that. So I

0:35:56.960 --> 0:35:59.040
<v Speaker 1>think that Cleo is at that point it was personal

0:35:59.080 --> 0:36:02.360
<v Speaker 1>for I. You love what you're saying. I've always maintained that, Cleo,

0:36:02.400 --> 0:36:05.320
<v Speaker 1>if you're listening, I support you. I'm sorry for what happens.

0:36:06.400 --> 0:36:09.480
<v Speaker 1>I think that Chicago is a city filled with haters

0:36:09.560 --> 0:36:14.279
<v Speaker 1>in the most beautiful, majestic way, that we really are

0:36:14.400 --> 0:36:16.759
<v Speaker 1>a bunch of haters. And I think that Cleo is

0:36:16.840 --> 0:36:19.440
<v Speaker 1>exactly that he's seeing Damon Williams get off on the

0:36:19.560 --> 0:36:23.320
<v Speaker 1>character that he's fucking perfected for years, and this dude's

0:36:23.360 --> 0:36:26.040
<v Speaker 1>doing it as a throwaway for a three minute sketch.

0:36:26.560 --> 0:36:30.480
<v Speaker 1>He's bitter and he's angry, and then it becomes fucking violent.

0:36:30.719 --> 0:36:33.520
<v Speaker 1>Now I losing work now, the work off of this.

0:36:33.960 --> 0:36:35.880
<v Speaker 1>Yeah no, it's it's so real, and you know, for

0:36:35.920 --> 0:36:38.759
<v Speaker 1>a Chicago and the number one insult is he ain't

0:36:38.800 --> 0:36:40.960
<v Speaker 1>even from Chicago. You ain't even from here. He is

0:36:41.160 --> 0:36:45.799
<v Speaker 1>out here. How he's not even you didn't even he's

0:36:45.800 --> 0:36:49.799
<v Speaker 1>from you know that? Good? Whatnot like? So that's rough.

0:36:49.880 --> 0:36:52.120
<v Speaker 1>I'm sorry, tough look for my guy, Cleo. Cleo, if

0:36:52.120 --> 0:36:55.480
<v Speaker 1>you're listening, I hope you're still clowning. Shut up, shout

0:36:55.520 --> 0:36:58.000
<v Speaker 1>out to clear the clown. So one of the things

0:36:58.040 --> 0:37:00.880
<v Speaker 1>that that I became particularly in turst it in and

0:37:00.920 --> 0:37:03.440
<v Speaker 1>you you sort of brought this up earlier about like

0:37:03.520 --> 0:37:07.640
<v Speaker 1>sort of like the weird relationship that Chicago has with clowns. Right,

0:37:07.960 --> 0:37:11.400
<v Speaker 1>So first we have the Bozo Show. Bozo a Chicago original.

0:37:11.600 --> 0:37:15.920
<v Speaker 1>Chicago original goes from nineteen sixty to two thousand one.

0:37:16.040 --> 0:37:18.799
<v Speaker 1>If ever you wanted to watch kids throw balls in

0:37:18.800 --> 0:37:21.840
<v Speaker 1>a cup in the morning, you can watch Boso and

0:37:21.960 --> 0:37:25.040
<v Speaker 1>his homies do that every single morning. And so that's

0:37:25.120 --> 0:37:28.360
<v Speaker 1>a a kind sweet relationship in some ways they have

0:37:28.560 --> 0:37:31.640
<v Speaker 1>with clowns. But then we also have John Way Gaycy

0:37:31.960 --> 0:37:35.520
<v Speaker 1>who murders thirty three young men and boys and then

0:37:35.840 --> 0:37:40.239
<v Speaker 1>like basically burries right in the seventies. That's right, But

0:37:40.680 --> 0:37:43.279
<v Speaker 1>one of the things that is argued in terms of

0:37:43.400 --> 0:37:46.080
<v Speaker 1>I started to think about, like why a clown? And

0:37:46.239 --> 0:37:48.440
<v Speaker 1>this goes to your mythology of it all. Why are

0:37:48.480 --> 0:37:51.319
<v Speaker 1>we picking a clown? And where is this fear of

0:37:51.400 --> 0:37:54.399
<v Speaker 1>clowns coming from? And there are plenty of people who

0:37:54.600 --> 0:37:57.320
<v Speaker 1>argue that this sort of like active fear of clowns

0:37:57.360 --> 0:38:00.880
<v Speaker 1>that exist today is born in the seventies from like

0:38:00.960 --> 0:38:06.319
<v Speaker 1>the Stephen King novels. And that's all these other parts, right,

0:38:06.960 --> 0:38:09.239
<v Speaker 1>that's really deep, you know. I I want to say,

0:38:09.239 --> 0:38:13.240
<v Speaker 1>I want to say shout out to Bozo. I love Bozo. Bozo.

0:38:13.280 --> 0:38:15.920
<v Speaker 1>I used to watch Bozo every morning before school, and

0:38:15.960 --> 0:38:18.520
<v Speaker 1>when it was time for the Grand Prize Game, that's

0:38:18.520 --> 0:38:20.960
<v Speaker 1>when I knew it was time to go catch the school.

0:38:20.960 --> 0:38:25.520
<v Speaker 1>But yeah, no, not the grand prize game, the Grand March.

0:38:25.640 --> 0:38:27.640
<v Speaker 1>So after the Grand Prize Game, which is which we

0:38:27.719 --> 0:38:30.520
<v Speaker 1>just called Bozo buckets, right, which is throwing a ball

0:38:30.560 --> 0:38:32.960
<v Speaker 1>into a bucket, then there's the Grand March, which is

0:38:33.000 --> 0:38:36.200
<v Speaker 1>the closing parade where Bozo and all his friends march

0:38:36.280 --> 0:38:38.160
<v Speaker 1>around the TV set and all the kids who've been

0:38:38.200 --> 0:38:40.560
<v Speaker 1>in the audience get in the parade and they march around.

0:38:40.880 --> 0:38:42.480
<v Speaker 1>And it's so funny to me because I feel like

0:38:42.520 --> 0:38:45.759
<v Speaker 1>a lot of people like, obviously everybody knows Krusty the clown, right,

0:38:45.960 --> 0:38:49.120
<v Speaker 1>but Krusty is Bozo, right. It's like the idea of

0:38:49.160 --> 0:38:50.840
<v Speaker 1>like the kids in the audience. I think a lot

0:38:50.920 --> 0:38:52.839
<v Speaker 1>of people don't know that that is a Chicago thing.

0:38:52.880 --> 0:38:55.640
<v Speaker 1>It was w g N. It was nationally syndicated and

0:38:55.680 --> 0:38:57.680
<v Speaker 1>as you said, it ran all this time. So I

0:38:57.760 --> 0:39:01.560
<v Speaker 1>love Bozo and Bozo buck It's this game of like

0:39:01.880 --> 0:39:03.879
<v Speaker 1>standing behind the line and trying to throw a ball

0:39:03.960 --> 0:39:06.960
<v Speaker 1>into a bucket. Going back to my time as a teacher,

0:39:07.040 --> 0:39:09.600
<v Speaker 1>this was also something we would do it every field day,

0:39:09.640 --> 0:39:13.600
<v Speaker 1>at every like a birthday party. It would be like, where,

0:39:13.680 --> 0:39:15.200
<v Speaker 1>you know, what games are we going to play? We're

0:39:15.200 --> 0:39:17.880
<v Speaker 1>gonna play tug of war, We're gonna play kickball, We're

0:39:17.920 --> 0:39:20.279
<v Speaker 1>gonna play you know, sixteen in softball, and we're gonna

0:39:20.280 --> 0:39:23.719
<v Speaker 1>do Bozo buckets. We got you gotta do Bozo buckets.

0:39:23.760 --> 0:39:25.600
<v Speaker 1>And and then the other thing I want to say

0:39:25.600 --> 0:39:27.680
<v Speaker 1>about Bozo is that I was in the audience of

0:39:27.760 --> 0:39:30.880
<v Speaker 1>the Bozo Show, and I was in kindergarten and we

0:39:30.920 --> 0:39:33.120
<v Speaker 1>got to go sit My mom knew a guy, who

0:39:33.200 --> 0:39:34.880
<v Speaker 1>knew a guy, and we got to sit in the

0:39:34.920 --> 0:39:39.879
<v Speaker 1>audience and watch the Bozo Show, did you? I did

0:39:39.960 --> 0:39:41.719
<v Speaker 1>not make a batch in the grand prize game. It

0:39:41.760 --> 0:39:44.000
<v Speaker 1>was a Halloween show, and so I was wearing a

0:39:44.000 --> 0:39:46.880
<v Speaker 1>Halloween costumer. I was back Girl, and which was a

0:39:46.920 --> 0:39:49.200
<v Speaker 1>pair of footie pajamas that my mother had sowed a

0:39:49.280 --> 0:39:54.760
<v Speaker 1>yellow Batman logo onto. It was great, and a Zoro

0:39:54.840 --> 0:39:56.960
<v Speaker 1>mask and had a Zoro mask. That was my costume.

0:39:57.160 --> 0:40:00.279
<v Speaker 1>Was like the pajamas, a mask and a Batman logo

0:40:00.560 --> 0:40:02.440
<v Speaker 1>because you know, the Tim Burton Batman had just come

0:40:02.480 --> 0:40:05.719
<v Speaker 1>out like two years prior. I was killing the game. Yeah,

0:40:05.880 --> 0:40:08.479
<v Speaker 1>I was riding away. I was Backgirl for like four years.

0:40:08.880 --> 0:40:11.600
<v Speaker 1>I love that. I'm not mad at that. That's beautiful.

0:40:11.920 --> 0:40:14.040
<v Speaker 1>So I got to meet Bozo, and I don't remember

0:40:14.080 --> 0:40:16.920
<v Speaker 1>anything from the show other than the grand march at

0:40:16.920 --> 0:40:19.759
<v Speaker 1>the end, and I remember that my mom tried to

0:40:19.760 --> 0:40:22.640
<v Speaker 1>tell Boso like who their mutual friend was, and she

0:40:22.719 --> 0:40:24.960
<v Speaker 1>was trying to talk to him while the show was happening,

0:40:24.960 --> 0:40:28.600
<v Speaker 1>and I was embarrassed by that. Som No, she was

0:40:28.640 --> 0:40:31.319
<v Speaker 1>trying to be like Boso, you know, like you meant,

0:40:31.440 --> 0:40:33.000
<v Speaker 1>you know, like when people are trying to tell you,

0:40:33.040 --> 0:40:35.279
<v Speaker 1>Oh Langston, you know, I know. I went to you.

0:40:35.520 --> 0:40:38.960
<v Speaker 1>You don't know me, but you know your cousin is

0:40:39.000 --> 0:40:41.719
<v Speaker 1>at work. He ain't trying to process law on a

0:40:41.840 --> 0:40:46.000
<v Speaker 1>camera is rolling like so I remember being like kind

0:40:46.000 --> 0:40:48.279
<v Speaker 1>of embarrassed by that, and that was that's that's the

0:40:48.320 --> 0:40:49.880
<v Speaker 1>main thing I remember from the show. But it was

0:40:49.920 --> 0:40:52.520
<v Speaker 1>it was iconic. It's an iconic moment in my childhood.

0:40:52.520 --> 0:40:55.880
<v Speaker 1>And I have a lot of love Proboso extremely iconic show,

0:40:56.200 --> 0:40:59.479
<v Speaker 1>especially I think for Chicago kids who had a TV

0:40:59.760 --> 0:41:02.040
<v Speaker 1>to watch in the morning before they had to get

0:41:02.080 --> 0:41:05.520
<v Speaker 1>on a bus or school, and I think there it's

0:41:05.600 --> 0:41:10.040
<v Speaker 1>a fascinating turn of clowns where in nineteen sixty clowns

0:41:10.040 --> 0:41:13.600
<v Speaker 1>are cute and suddenly make this transformation. Now there are

0:41:13.719 --> 0:41:19.160
<v Speaker 1>researchers who say that the bad clown mythology actually goes

0:41:19.200 --> 0:41:22.120
<v Speaker 1>all the way back to ancient Greece, that like they're

0:41:22.360 --> 0:41:26.240
<v Speaker 1>they're used to be, and that these ancient Grecian clown

0:41:26.400 --> 0:41:30.320
<v Speaker 1>people actually influenced like the court jesters and the harlequin

0:41:30.440 --> 0:41:33.960
<v Speaker 1>characters that followed years later. And they even point to

0:41:34.560 --> 0:41:39.440
<v Speaker 1>in the fifteen hundreds the conception of Punch the clown

0:41:39.480 --> 0:41:43.480
<v Speaker 1>puppet and Judy exactly who used to beat his his

0:41:43.600 --> 0:41:47.040
<v Speaker 1>lady Judy over the head with a stick, so much

0:41:47.120 --> 0:41:49.360
<v Speaker 1>so that that was his whole name. He was named

0:41:49.400 --> 0:41:51.800
<v Speaker 1>after what he did, what he did to the woman

0:41:51.880 --> 0:41:55.960
<v Speaker 1>that he spent No, I think I don't think punches

0:41:56.360 --> 0:41:59.000
<v Speaker 1>making it through the me to movement. Punch is a

0:41:59.040 --> 0:42:02.239
<v Speaker 1>bad clown. We're gonna have an infographic on Instagram after

0:42:02.280 --> 0:42:06.480
<v Speaker 1>the show Good Clowns and Bad Clowns. R Kelly, Bad Punch,

0:42:06.719 --> 0:42:14.120
<v Speaker 1>bad clown, good good clown. Crusty. Crusty is in between.

0:42:14.200 --> 0:42:17.120
<v Speaker 1>Krusty has proves that there's truly no borders in life.

0:42:17.239 --> 0:42:20.920
<v Speaker 1>That's tire. We can we can shout that sec right, Wow,

0:42:20.960 --> 0:42:24.040
<v Speaker 1>that's crazy. This is where I think it gets even

0:42:24.080 --> 0:42:26.759
<v Speaker 1>more interesting because you started to talk about how your

0:42:26.840 --> 0:42:32.399
<v Speaker 1>students were still actively sort of living in this mythology

0:42:32.600 --> 0:42:35.799
<v Speaker 1>even years after and how did they get it? Where

0:42:35.800 --> 0:42:39.200
<v Speaker 1>did they year from? Well, it's it's an interesting because

0:42:39.200 --> 0:42:42.000
<v Speaker 1>I don't know if you remember this, but in there

0:42:42.080 --> 0:42:48.480
<v Speaker 1>was there became like this nationwide resurgence of yes, yes,

0:42:49.000 --> 0:42:52.200
<v Speaker 1>people all over the country, really Chicago being a place

0:42:52.239 --> 0:42:55.000
<v Speaker 1>where it was happening a lot in in partly because

0:42:55.040 --> 0:42:59.080
<v Speaker 1>of that homy the clown sort of legend. People dressed

0:42:59.160 --> 0:43:01.719
<v Speaker 1>up as creepy clown ounce and go stand in the

0:43:01.760 --> 0:43:06.600
<v Speaker 1>woods and parking lots, sometimes driving cars and threatening people

0:43:06.719 --> 0:43:10.399
<v Speaker 1>or at least making people massively. I totally forgot about that.

0:43:10.480 --> 0:43:13.160
<v Speaker 1>I mean partially because, like, you know, a lot else

0:43:13.239 --> 0:43:18.919
<v Speaker 1>was happening. Sure, wait, that wasn't the biggest issue of people.

0:43:18.960 --> 0:43:20.759
<v Speaker 1>I forgot about that, you know what. A lot of that.

0:43:20.840 --> 0:43:25.200
<v Speaker 1>So I've never seen or read it, and so I

0:43:25.280 --> 0:43:29.279
<v Speaker 1>always like, I obviously know penny Wise the character. I've

0:43:29.320 --> 0:43:32.000
<v Speaker 1>always like a little bit like it's always a little

0:43:32.040 --> 0:43:34.280
<v Speaker 1>bit above my head when people. And then I also

0:43:34.320 --> 0:43:36.080
<v Speaker 1>links and kind of tell you the real secret. I

0:43:36.120 --> 0:43:40.360
<v Speaker 1>actually really like clowns, Like I really I really like clowns.

0:43:40.360 --> 0:43:42.560
<v Speaker 1>To stop you right there, that's how they get That's

0:43:42.560 --> 0:43:47.640
<v Speaker 1>how they get you. I really like clowns, and so

0:43:47.760 --> 0:43:50.320
<v Speaker 1>I think that like whenever people are like, oh, clowns

0:43:50.320 --> 0:43:53.600
<v Speaker 1>are scary clowns, and I'm always like, yeah, but I

0:43:53.760 --> 0:43:56.200
<v Speaker 1>really actually really like clowns. I think clowns are fun

0:43:56.239 --> 0:43:59.879
<v Speaker 1>and funny, and I until you know, when they it's good.

0:44:00.000 --> 0:44:02.200
<v Speaker 1>They shut down Wringling Brothers because they had those elephants

0:44:02.239 --> 0:44:05.200
<v Speaker 1>living in like New York apartments and whatnot, like Facebook

0:44:05.560 --> 0:44:07.520
<v Speaker 1>that that's not good. But I used to love to

0:44:07.560 --> 0:44:10.680
<v Speaker 1>go see the clowns, and I love the Universal Circus

0:44:10.719 --> 0:44:13.000
<v Speaker 1>and I love I just think clowns are funny. I

0:44:13.040 --> 0:44:14.600
<v Speaker 1>don't know, I'm just like a kind of a loser.

0:44:14.800 --> 0:44:18.120
<v Speaker 1>So you see a creepy clown, one of these resurged

0:44:18.760 --> 0:44:22.040
<v Speaker 1>creepy clowns standing somewhere, and you're not haunted. This doesn't

0:44:22.080 --> 0:44:25.480
<v Speaker 1>Oh no, I mean those plounds are intentionally very frightening.

0:44:25.520 --> 0:44:27.719
<v Speaker 1>But I think that, like the I think that it's

0:44:27.760 --> 0:44:30.080
<v Speaker 1>a little sad in our society much. I think I

0:44:30.160 --> 0:44:32.839
<v Speaker 1>agree with Cleo here, you know, our man's Cleo that, like,

0:44:33.400 --> 0:44:35.879
<v Speaker 1>I think it's a little sad that it used to be.

0:44:35.920 --> 0:44:38.799
<v Speaker 1>I think it used to be that like clowns, most

0:44:38.800 --> 0:44:41.440
<v Speaker 1>people were like clowns good, and then a minority of

0:44:41.520 --> 0:44:43.640
<v Speaker 1>people were like I have a clown phobia, where I'm

0:44:43.719 --> 0:44:45.640
<v Speaker 1>I really have a thing with clowns, which was okay, fine,

0:44:45.680 --> 0:44:48.000
<v Speaker 1>people have all type of phobias, I haven't. I have

0:44:48.040 --> 0:44:50.520
<v Speaker 1>an aunt who is definitely I'm not even kidding with this,

0:44:50.680 --> 0:44:53.360
<v Speaker 1>very serious, like she has a deep phobia of paper clips,

0:44:54.520 --> 0:44:56.799
<v Speaker 1>which is like a like and if you ask her

0:44:56.800 --> 0:44:58.319
<v Speaker 1>about it. She says, it's like the way that the

0:44:58.400 --> 0:45:00.600
<v Speaker 1>way they are shaped is very disturbing to her. And

0:45:00.600 --> 0:45:01.920
<v Speaker 1>when I was a kid, I used to think it

0:45:02.000 --> 0:45:04.239
<v Speaker 1>was really fun to torment her about this, and then

0:45:04.239 --> 0:45:06.640
<v Speaker 1>as an adult, I realized this was like a literal,

0:45:06.800 --> 0:45:10.040
<v Speaker 1>very real phobia. So people have all types of phobias.

0:45:10.160 --> 0:45:12.560
<v Speaker 1>And it used to be that it was like most

0:45:12.560 --> 0:45:15.840
<v Speaker 1>people were like, clowns are good, but some people were like, oh, clowns,

0:45:15.840 --> 0:45:18.600
<v Speaker 1>I have a clown phobia. Now I feel like the

0:45:19.160 --> 0:45:21.880
<v Speaker 1>idea that clowns are creepy or bad is more like

0:45:21.960 --> 0:45:25.319
<v Speaker 1>the default in our pop culture. And when a lot

0:45:25.360 --> 0:45:28.120
<v Speaker 1>of people think about our talk about clowns, now that's

0:45:28.160 --> 0:45:30.560
<v Speaker 1>like where they go to Now. Granted I don't like

0:45:30.880 --> 0:45:32.920
<v Speaker 1>go to a lot of children's birthday parties, and so

0:45:33.000 --> 0:45:36.160
<v Speaker 1>maybe there's a corner of the world where um clowns

0:45:36.160 --> 0:45:38.319
<v Speaker 1>are still a okay, But I think it's like I

0:45:38.360 --> 0:45:42.239
<v Speaker 1>think he's really taking a hit. Yeah, I don't know that.

0:45:42.560 --> 0:45:45.279
<v Speaker 1>I it's certainly no adults in my life, and we're

0:45:45.320 --> 0:45:47.600
<v Speaker 1>both at an age where like we have friends and

0:45:47.680 --> 0:45:50.880
<v Speaker 1>family who have children and are like raising full families,

0:45:50.960 --> 0:45:52.879
<v Speaker 1>and right, I never see a picture of like here's

0:45:52.880 --> 0:45:55.360
<v Speaker 1>my kid's second birthday. I got them the clown. Yeah

0:45:55.400 --> 0:45:58.440
<v Speaker 1>that I don't think that that culture exists anymore. And

0:45:58.480 --> 0:46:00.360
<v Speaker 1>I think part of that might come from like this

0:46:00.560 --> 0:46:04.240
<v Speaker 1>constant fear that we have about like bringing strange adults

0:46:04.280 --> 0:46:07.080
<v Speaker 1>around you, right, which is going to be after COVID

0:46:07.160 --> 0:46:10.560
<v Speaker 1>even more of a thing. Yeah, like literally nobody that

0:46:10.640 --> 0:46:14.000
<v Speaker 1>isn't tested and blood related it is probably ever going

0:46:14.040 --> 0:46:17.400
<v Speaker 1>to meet a child. But but but people still go

0:46:17.480 --> 0:46:19.680
<v Speaker 1>to Santa, People still take kids, and they put their

0:46:19.719 --> 0:46:26.080
<v Speaker 1>kids on a stranger's lap, and which maybe they like pictures.

0:46:26.120 --> 0:46:30.200
<v Speaker 1>Are kids crossed traumatized by the experience. I was thinking

0:46:30.200 --> 0:46:31.759
<v Speaker 1>about that the other day. I was like, y'all, really

0:46:31.760 --> 0:46:34.880
<v Speaker 1>getting these viral photos off your kid is like scarred

0:46:35.000 --> 0:46:39.759
<v Speaker 1>fight No, I think I think like clowning is it's

0:46:39.760 --> 0:46:42.040
<v Speaker 1>a hundreds you know, hundreds of years old. That's an

0:46:42.120 --> 0:46:44.360
<v Speaker 1>art form, and I think it is actually really sad.

0:46:44.760 --> 0:46:49.120
<v Speaker 1>I think that clowns need a resuscitated campaign. I think

0:46:49.160 --> 0:46:51.960
<v Speaker 1>that people need to be reminded of the good clowns,

0:46:52.520 --> 0:46:56.120
<v Speaker 1>not the homies, and you know the many hard working

0:46:56.120 --> 0:46:58.600
<v Speaker 1>clowns all across this world who are really just trying

0:46:58.640 --> 0:47:02.000
<v Speaker 1>to bring lighthearted spirit, although can I tell you a

0:47:02.000 --> 0:47:07.440
<v Speaker 1>bad clown story? Okay, So a few years ago, so

0:47:07.640 --> 0:47:10.479
<v Speaker 1>my niece, she was probably like maybe three years old,

0:47:10.840 --> 0:47:13.959
<v Speaker 1>and my mom was like, let's go to the Universal Circus, right,

0:47:14.080 --> 0:47:16.759
<v Speaker 1>and which is really fun. You gotta go every couple

0:47:16.800 --> 0:47:20.359
<v Speaker 1>of years. It's wild. It's like it's as much a

0:47:20.400 --> 0:47:23.799
<v Speaker 1>party as it is as it's ridiculous. It's a it's

0:47:23.800 --> 0:47:26.040
<v Speaker 1>a circus in a different type of way. Right, So

0:47:26.080 --> 0:47:28.040
<v Speaker 1>we go to the We go to the circus, and

0:47:28.400 --> 0:47:30.280
<v Speaker 1>my niece is like, I want to take a picture

0:47:30.320 --> 0:47:32.840
<v Speaker 1>with the clown and I'm like, okay, now if you

0:47:32.880 --> 0:47:34.200
<v Speaker 1>were I don't know the last time you've been to

0:47:34.239 --> 0:47:38.080
<v Speaker 1>the Universal Circus. Really, a lot of the clowns are

0:47:38.840 --> 0:47:43.160
<v Speaker 1>essentially bucket boys with like a wig on a lot

0:47:43.200 --> 0:47:48.240
<v Speaker 1>of the clowns like they're just beause we gotta translate something, okay,

0:47:48.280 --> 0:47:51.920
<v Speaker 1>bucket boys, okay boys to the listeners with that. So

0:47:52.040 --> 0:47:55.160
<v Speaker 1>a bucket boy in Chicago is a young person, almost

0:47:55.200 --> 0:47:58.640
<v Speaker 1>always a boy, young man who is on a corner

0:47:58.880 --> 0:48:03.480
<v Speaker 1>and who is raising money by performing like drumming on buckets.

0:48:03.880 --> 0:48:06.000
<v Speaker 1>And it's a lot of them are super super good

0:48:06.000 --> 0:48:09.120
<v Speaker 1>and super talented, and it's really hard and they drew

0:48:09.160 --> 0:48:12.360
<v Speaker 1>do this drumming really fast, and they get money for

0:48:12.440 --> 0:48:14.239
<v Speaker 1>doing that. But like, I guess what I'm saying is

0:48:14.280 --> 0:48:16.040
<v Speaker 1>a lot of the clowns of the Universal Circus. They're

0:48:16.040 --> 0:48:22.600
<v Speaker 1>basically like they look like kind of like around away boys,

0:48:22.680 --> 0:48:24.640
<v Speaker 1>and they can dance, and they have the bare minimum

0:48:24.680 --> 0:48:27.480
<v Speaker 1>makeup and they have a wig on. So so those

0:48:27.480 --> 0:48:30.160
<v Speaker 1>clowns are cool. My niece was like, I was like, okay,

0:48:30.160 --> 0:48:32.640
<v Speaker 1>which clown, Let's go take a picture. And then she's

0:48:32.719 --> 0:48:36.960
<v Speaker 1>like that one and she points to the most I'll

0:48:37.000 --> 0:48:38.880
<v Speaker 1>send you a picture of this after the summer. The

0:48:38.920 --> 0:48:45.000
<v Speaker 1>most grimiest, scariest, pervious, sketchiest looking clown I have ever

0:48:45.000 --> 0:48:47.120
<v Speaker 1>seen in my life. And he wasn't one of the

0:48:47.440 --> 0:48:50.560
<v Speaker 1>young dancer. He was just I was actually like, is

0:48:50.560 --> 0:48:57.520
<v Speaker 1>this just a dude who's terrifying, super scary? And I

0:48:57.600 --> 0:48:59.560
<v Speaker 1>was like, what about a different clown? She's like, no,

0:48:59.600 --> 0:49:02.600
<v Speaker 1>that out and so then so I go down and

0:49:02.640 --> 0:49:04.520
<v Speaker 1>I was like, sir, can we take a picture with you?

0:49:04.600 --> 0:49:07.640
<v Speaker 1>He's like absolutely, So my niece looks like me, right,

0:49:07.680 --> 0:49:10.080
<v Speaker 1>She's like, she looks like she could be my daughter.

0:49:10.280 --> 0:49:11.799
<v Speaker 1>And so I'm holding her on my hip and we

0:49:11.840 --> 0:49:15.880
<v Speaker 1>take this selfie and he leans all into me unnecessarily,

0:49:16.200 --> 0:49:18.560
<v Speaker 1>and then he looks at my niece and he goes,

0:49:18.680 --> 0:49:23.800
<v Speaker 1>tell your mommy, I'm gonna be your new daddy. Jesus, Okay,

0:49:23.840 --> 0:49:29.040
<v Speaker 1>we're gonna Can I go now. It was so terrified,

0:49:29.080 --> 0:49:30.719
<v Speaker 1>and I was like, and she didn't really hear, you know,

0:49:30.800 --> 0:49:32.720
<v Speaker 1>she he said it to me, but he was looking

0:49:32.719 --> 0:49:35.600
<v Speaker 1>at her obviously he was talking to me. I was like,

0:49:35.800 --> 0:49:38.440
<v Speaker 1>my worst fears about this clown were absolutely confirmed. And

0:49:38.560 --> 0:49:41.560
<v Speaker 1>the thing I can't I can't tell you how much

0:49:41.600 --> 0:49:46.000
<v Speaker 1>I hope that that was Cleo the clown. I hope

0:49:46.120 --> 0:49:49.440
<v Speaker 1>this links and leave him out of this. But it

0:49:49.520 --> 0:49:52.000
<v Speaker 1>was so crazy because like, as we were walking down there,

0:49:52.000 --> 0:49:54.640
<v Speaker 1>I was like, if you are prejudiced against this clown,

0:49:54.719 --> 0:49:57.759
<v Speaker 1>like you are judging him just because you know his

0:49:57.880 --> 0:50:00.600
<v Speaker 1>particular makeup doesn't look as good as you know. He's

0:50:00.600 --> 0:50:02.120
<v Speaker 1>just out here trying to make a living. And then

0:50:02.200 --> 0:50:04.759
<v Speaker 1>in our fourth second interaction, he was like, how can

0:50:04.800 --> 0:50:10.600
<v Speaker 1>I maximize the creepy predatory nature of this if we

0:50:10.719 --> 0:50:13.400
<v Speaker 1>take it a picture, baby girl, let's talk, Let's do it.

0:50:13.480 --> 0:50:16.200
<v Speaker 1>Let's get this get done. Okay, let's get on with it.

0:50:16.239 --> 0:50:19.360
<v Speaker 1>Get on so um. But I still I still maintain,

0:50:19.600 --> 0:50:22.640
<v Speaker 1>I still maintain my positive clowns. I think it's beautiful

0:50:22.680 --> 0:50:26.400
<v Speaker 1>and I think it's it's impressive given this, how little

0:50:26.480 --> 0:50:29.560
<v Speaker 1>good news is coming out from clowns. I'll hit you

0:50:29.600 --> 0:50:32.680
<v Speaker 1>with a little bit more research on this. But apparently

0:50:32.800 --> 0:50:36.560
<v Speaker 1>after the two thousand sixteen resurgence, a number of like

0:50:36.719 --> 0:50:41.040
<v Speaker 1>media outlets then decided that the year later they would

0:50:41.040 --> 0:50:44.760
<v Speaker 1>like preemptively write a bunch of articles warming people about

0:50:44.760 --> 0:50:48.680
<v Speaker 1>the possibility of the Killer Clowns showing back up in

0:50:48.880 --> 0:50:52.239
<v Speaker 1>various places. So much though, but the following year someone

0:50:52.239 --> 0:50:56.680
<v Speaker 1>actually gets murdered because they're doing the killer clown ship

0:50:56.880 --> 0:50:59.600
<v Speaker 1>pretending to be an evil clown and somebody in New

0:50:59.680 --> 0:51:02.200
<v Speaker 1>Jersey he just stabs the ship out of him in

0:51:02.440 --> 0:51:05.920
<v Speaker 1>like self defense from what possibly could be like a

0:51:06.040 --> 0:51:09.239
<v Speaker 1>mortal threat. See here's my thing. I have a rule

0:51:09.239 --> 0:51:13.040
<v Speaker 1>in life. I don't do anything where if I die

0:51:13.280 --> 0:51:15.680
<v Speaker 1>in the process of doing it, my parents are going

0:51:15.760 --> 0:51:17.759
<v Speaker 1>to have to be embarrassed like my death for the

0:51:17.760 --> 0:51:19.360
<v Speaker 1>rest of your life. This is a rule that I

0:51:19.400 --> 0:51:21.319
<v Speaker 1>live by. When I'm about to do some people like

0:51:21.400 --> 0:51:24.160
<v Speaker 1>if you want to go you know, I'm like, if

0:51:24.239 --> 0:51:27.239
<v Speaker 1>I get killed, and people say to my mother for

0:51:27.280 --> 0:51:30.200
<v Speaker 1>the next you know whatever, her natural lifespan is right

0:51:30.200 --> 0:51:33.040
<v Speaker 1>a decade, she got decades ago, knock out right prayers up.

0:51:33.920 --> 0:51:37.919
<v Speaker 1>Oh my god, your daughter. Oh that's so sad. What happened? Oh,

0:51:38.040 --> 0:51:40.320
<v Speaker 1>she was dressed as a clown at a gas station.

0:51:40.960 --> 0:51:43.799
<v Speaker 1>It hillside your jersey, and she got sad because she

0:51:43.840 --> 0:51:45.719
<v Speaker 1>thought it was funny to run up on somebody trying

0:51:45.719 --> 0:51:52.400
<v Speaker 1>to make a character. I just thought it was funny

0:51:52.440 --> 0:51:54.880
<v Speaker 1>to try to make, you know, viral videos on the internet.

0:51:54.920 --> 0:51:57.120
<v Speaker 1>I tried really hard not to put myself in that situation,

0:51:57.160 --> 0:51:59.719
<v Speaker 1>to embarrass, to bring shame to my family. Al I

0:51:59.760 --> 0:52:02.520
<v Speaker 1>p that person though. That's that's it's very sad, And

0:52:02.520 --> 0:52:05.480
<v Speaker 1>there are there are a couple other incidents where violence

0:52:05.520 --> 0:52:09.000
<v Speaker 1>sort of takes transpires because of these kinds of situations.

0:52:09.200 --> 0:52:12.400
<v Speaker 1>But it made me think how much of this is

0:52:12.520 --> 0:52:16.520
<v Speaker 1>rooted in sort of like the response to Homie So

0:52:16.600 --> 0:52:19.600
<v Speaker 1>hear me, I think that there's a possibility that a

0:52:19.600 --> 0:52:22.480
<v Speaker 1>bunch of kids grew up like us, hearing this legend

0:52:22.800 --> 0:52:25.719
<v Speaker 1>of Homie the Clown, particularly white children, are hearing this

0:52:25.840 --> 0:52:28.160
<v Speaker 1>legend of Homie the Clown in their own community and

0:52:29.680 --> 0:52:35.040
<v Speaker 1>that's necessarily feeling the threat that black kids felt in

0:52:35.080 --> 0:52:38.080
<v Speaker 1>the way that because it's not as scary when you

0:52:38.120 --> 0:52:41.280
<v Speaker 1>truly aren't out walking the street having to get yourself

0:52:41.320 --> 0:52:45.000
<v Speaker 1>to and from a place rependently. And so then they

0:52:45.040 --> 0:52:46.560
<v Speaker 1>grow up and they go, you know, it would be

0:52:46.600 --> 0:52:51.400
<v Speaker 1>funny if I was Homie the Clown, if I and

0:52:51.440 --> 0:52:53.919
<v Speaker 1>then they go out and dress up as the thing

0:52:54.000 --> 0:52:56.480
<v Speaker 1>and become the haunting thing that was sort of born

0:52:56.680 --> 0:53:00.399
<v Speaker 1>from our our own brains. If that, if you yo,

0:53:00.560 --> 0:53:03.239
<v Speaker 1>that is so deep and so real because the thing

0:53:03.360 --> 0:53:05.799
<v Speaker 1>is like the other very serious backdrop of it for

0:53:05.920 --> 0:53:08.480
<v Speaker 1>us is that you know, when you're a black kid,

0:53:08.600 --> 0:53:11.200
<v Speaker 1>you also really do know that you could get kidnapped

0:53:11.239 --> 0:53:15.080
<v Speaker 1>and nope, nothing, nobody is like you won't get found, right,

0:53:15.120 --> 0:53:17.279
<v Speaker 1>And so like there's there's stories and the news about

0:53:17.280 --> 0:53:20.200
<v Speaker 1>black kids that really do go missing. And you are

0:53:20.239 --> 0:53:22.640
<v Speaker 1>not going to be on the cover of USA today.

0:53:22.760 --> 0:53:24.920
<v Speaker 1>You are not going to be You ain't even getting

0:53:24.920 --> 0:53:28.399
<v Speaker 1>on the milk big boy, you got milk money, We're

0:53:28.440 --> 0:53:31.319
<v Speaker 1>just gone. And and so it's really like and like

0:53:31.400 --> 0:53:33.799
<v Speaker 1>you said, also, if you're a latch key kid during

0:53:33.840 --> 0:53:35.360
<v Speaker 1>this time, if you're just a kid who has to

0:53:35.400 --> 0:53:37.759
<v Speaker 1>be in your neighborhood, you also know that there really

0:53:37.800 --> 0:53:40.080
<v Speaker 1>are scary people that you actually do have to navigate

0:53:40.120 --> 0:53:42.520
<v Speaker 1>on a daily basis, that you really have to learn

0:53:42.520 --> 0:53:45.359
<v Speaker 1>those skills. And so it's really not funny as a kid, right,

0:53:45.360 --> 0:53:48.560
<v Speaker 1>And I totally and it your theory, Like it plays

0:53:48.600 --> 0:53:50.840
<v Speaker 1>so well to me because there's so many other things

0:53:50.920 --> 0:53:54.680
<v Speaker 1>like that. I have a colleague who's a sociologist in Washington,

0:53:55.040 --> 0:53:57.200
<v Speaker 1>and he writes about this is the phenomenon of living

0:53:57.239 --> 0:54:00.400
<v Speaker 1>the wire. So he writes about like white people in

0:54:00.480 --> 0:54:02.440
<v Speaker 1>d C who will move to certain neighborhoods a d

0:54:02.480 --> 0:54:05.480
<v Speaker 1>C and they'll tell him like, oh yeah, like somebody

0:54:05.480 --> 0:54:07.480
<v Speaker 1>got shot on my block this week. But there they

0:54:07.520 --> 0:54:11.040
<v Speaker 1>say it in this like kind of hushed tone of excitement, right,

0:54:11.040 --> 0:54:15.440
<v Speaker 1>whereas black residents are like, I'm actually very afraid of violence.

0:54:15.920 --> 0:54:18.480
<v Speaker 1>And so I think that that's that's just like so deep.

0:54:18.520 --> 0:54:20.879
<v Speaker 1>It also reminds me of being at the protests and

0:54:21.000 --> 0:54:23.400
<v Speaker 1>like the way like certain white people will run up

0:54:23.400 --> 0:54:26.480
<v Speaker 1>on police and just be like yeah, and it's like, okay, buddy,

0:54:26.960 --> 0:54:31.040
<v Speaker 1>all right, I'm not trying to do to death, right,

0:54:31.080 --> 0:54:36.399
<v Speaker 1>this still got a gun, like and so yeah, that's

0:54:36.440 --> 0:54:39.160
<v Speaker 1>so real to me though, it's like literally putting on

0:54:39.200 --> 0:54:41.600
<v Speaker 1>a costume of something that for us is like a

0:54:41.600 --> 0:54:46.160
<v Speaker 1>mortal fear that's deep. Yeah, it's happy and it's sad,

0:54:46.400 --> 0:54:49.920
<v Speaker 1>but it also good. If that's the person that gets stabbed,

0:54:49.920 --> 0:54:53.120
<v Speaker 1>I'm okay with it, I'll make peace. Well, I'm still

0:54:53.160 --> 0:54:55.359
<v Speaker 1>I still hope that some clowns are listening to this

0:54:55.440 --> 0:54:57.760
<v Speaker 1>and take my advice that we need a pro clown

0:54:57.840 --> 0:55:01.200
<v Speaker 1>movement in this country. And it's for clowns to to

0:55:01.640 --> 0:55:05.759
<v Speaker 1>take back, take back, take back your culture. You deserve it.

0:55:05.840 --> 0:55:10.040
<v Speaker 1>Take back your culture, you you idiots. And also, don't

0:55:10.080 --> 0:55:12.480
<v Speaker 1>walk around in public with the makeup on. Maybe just

0:55:12.480 --> 0:55:15.120
<v Speaker 1>show up at the place and then get dressed. But

0:55:15.280 --> 0:55:18.719
<v Speaker 1>you know that's even worse. You have to show up

0:55:18.760 --> 0:55:20.640
<v Speaker 1>as the clown at the party. You can't show up

0:55:20.640 --> 0:55:22.320
<v Speaker 1>and be like, can I at least use your watching?

0:55:22.440 --> 0:55:26.040
<v Speaker 1>Hey I'm James. Can I get into bad or worse?

0:55:26.120 --> 0:55:30.480
<v Speaker 1>You're changing in the van? That's you know what. Maybe

0:55:30.560 --> 0:55:33.480
<v Speaker 1>clowns are a thing of the past. Yeah, maybe it's

0:55:33.520 --> 0:55:37.919
<v Speaker 1>just a thing that used to be and it's no more. Well,

0:55:38.160 --> 0:55:41.000
<v Speaker 1>you you heard it here first, you had first, we

0:55:41.000 --> 0:55:42.960
<v Speaker 1>were rooting for you. Now we're saying, your job is

0:55:44.280 --> 0:55:46.560
<v Speaker 1>the world. It's a cold world. All right, We're gonna

0:55:46.600 --> 0:55:49.520
<v Speaker 1>say one more break, We'll be back with more, eing more.

0:55:49.640 --> 0:56:10.160
<v Speaker 1>My mama told me that we're not gonna let Joe

0:56:10.239 --> 0:56:15.640
<v Speaker 1>Biden and Kamala Harris cut America's meat. That's that on that,

0:56:15.920 --> 0:56:20.000
<v Speaker 1>that's that on that. Yeah, we're back here kind America's meat.

0:56:23.520 --> 0:56:28.600
<v Speaker 1>It was like when Mike Pence was like going places

0:56:28.680 --> 0:56:32.319
<v Speaker 1>and trying to reassure Americans that, you know, whenever you

0:56:32.320 --> 0:56:34.200
<v Speaker 1>hear Mike Pence talk, I'm like, I have no idea

0:56:34.200 --> 0:56:40.720
<v Speaker 1>who that is, because he don't be talking his own

0:56:40.840 --> 0:56:43.880
<v Speaker 1>He's got his own little weird melisse. So you know

0:56:43.920 --> 0:56:45.960
<v Speaker 1>what I heard this podcast where they said that when

0:56:45.960 --> 0:56:48.600
<v Speaker 1>Mike Pence was they were trying to convince forty five

0:56:48.680 --> 0:56:51.319
<v Speaker 1>to pick Mike Pence as a VP. Yeah, he was

0:56:51.400 --> 0:56:54.360
<v Speaker 1>like no because he has too many pets, like somehow

0:56:54.640 --> 0:56:57.319
<v Speaker 1>like Trump thought it was like very low class that

0:56:57.360 --> 0:57:00.399
<v Speaker 1>a person would have like multiple you know, my friends,

0:57:00.440 --> 0:57:02.360
<v Speaker 1>has like a family, you know, and he's like a

0:57:02.480 --> 0:57:05.080
<v Speaker 1>kind of like I guess, like a pretty normal Indiana human,

0:57:05.239 --> 0:57:08.920
<v Speaker 1>you know, yeah, except for the electrocuting gay people. I

0:57:08.960 --> 0:57:13.480
<v Speaker 1>said the normal Indiana, human Indiana. I'm sorry to the

0:57:13.480 --> 0:57:16.520
<v Speaker 1>state of Indiana, but you know what do you have

0:57:16.560 --> 0:57:21.040
<v Speaker 1>to own? Y'all have to own your situation from Chicago.

0:57:21.080 --> 0:57:23.120
<v Speaker 1>I hear people say bass about where I'm from all

0:57:23.200 --> 0:57:25.040
<v Speaker 1>day every day. The Indiana people, you just have to

0:57:25.080 --> 0:57:27.200
<v Speaker 1>take it. I'm sorry. Yeah, I think that's fair. You'll

0:57:27.200 --> 0:57:30.160
<v Speaker 1>get no judgment over here. All right, let's play a game.

0:57:30.360 --> 0:57:32.479
<v Speaker 1>This is a fun game that I like to call

0:57:32.720 --> 0:57:36.720
<v Speaker 1>white ugly. You're disgusting, I'm gonna kill you. Give me

0:57:36.760 --> 0:57:40.640
<v Speaker 1>two white lines. It's a fun game in which I'm

0:57:40.680 --> 0:57:44.760
<v Speaker 1>going to introduce to you a a widely believed white

0:57:44.880 --> 0:57:47.920
<v Speaker 1>conspiracy theory, one that was spreading in the white community.

0:57:47.920 --> 0:57:49.680
<v Speaker 1>And what I would love for you to do, eve

0:57:49.960 --> 0:57:53.840
<v Speaker 1>is unpacked where you think this conspiracy come from? And

0:57:53.880 --> 0:57:58.120
<v Speaker 1>more importantly, why do you think the white man believes

0:57:58.240 --> 0:58:00.840
<v Speaker 1>in it? Would be here? From other? Fucker's up to

0:58:01.320 --> 0:58:03.160
<v Speaker 1>I'm so here for this. Here we go. This is

0:58:03.200 --> 0:58:05.600
<v Speaker 1>a fun one and it it's actually somewhat new to me,

0:58:05.720 --> 0:58:08.560
<v Speaker 1>although it makes sense how this would happen. But there

0:58:08.600 --> 0:58:12.480
<v Speaker 1>were arguments back during UH and you'll remember this that

0:58:12.600 --> 0:58:16.240
<v Speaker 1>the ice Bucket challenged say was in fact really a

0:58:16.400 --> 0:58:20.720
<v Speaker 1>Satanic ritual. Oh God, that this was a mass trick

0:58:20.960 --> 0:58:23.280
<v Speaker 1>to get a bunch of people to follow through with

0:58:23.600 --> 0:58:27.720
<v Speaker 1>Satanic ritual and basically all like basically welcomed the devil

0:58:27.880 --> 0:58:31.240
<v Speaker 1>back to the earth. Did I miss a step? Two?

0:58:31.320 --> 0:58:35.880
<v Speaker 1>There is there? It's like it's that one. Not really,

0:58:36.080 --> 0:58:39.760
<v Speaker 1>it was basically it was like a basically like a

0:58:39.920 --> 0:58:44.840
<v Speaker 1>move towards homage, really towards like human sacrifice that us

0:58:44.920 --> 0:58:47.920
<v Speaker 1>all participating in it. It was a Santanic ritual that

0:58:47.960 --> 0:58:51.840
<v Speaker 1>would like merge us with the devil. And of course

0:58:52.280 --> 0:58:55.240
<v Speaker 1>it makes perfect sense. Anyway, I question for you, why

0:58:55.280 --> 0:58:57.320
<v Speaker 1>do you think the Whites believe in this one? Oh?

0:58:57.400 --> 0:59:00.720
<v Speaker 1>I already know. Okay. The reason is because so, first

0:59:00.720 --> 0:59:04.480
<v Speaker 1>of all, ice bucket challenge ridiculous. I hope you. I

0:59:04.560 --> 0:59:06.200
<v Speaker 1>mean it was this on my head because I was

0:59:06.280 --> 0:59:09.320
<v Speaker 1>doing a cross room puzzle yesterday where the answer was

0:59:09.440 --> 0:59:12.360
<v Speaker 1>a l S and like disease helped by the white

0:59:12.400 --> 0:59:14.760
<v Speaker 1>ice bucket challenge. So literally, I twenty four hours ago

0:59:14.760 --> 0:59:16.480
<v Speaker 1>I thought about the ice bucket challenge for this time

0:59:16.520 --> 0:59:19.120
<v Speaker 1>in years. Okay, here's what the ice bucket challenge is

0:59:19.160 --> 0:59:22.440
<v Speaker 1>really about. There is a thing where when you live

0:59:22.480 --> 0:59:26.120
<v Speaker 1>a life of privilege and comfort. You want to bring

0:59:26.360 --> 0:59:31.160
<v Speaker 1>unnecessary and bizarre torment, physical torment into your life to

0:59:31.520 --> 0:59:35.360
<v Speaker 1>experience a thrill, right to feel something anything, right, And

0:59:35.560 --> 0:59:38.880
<v Speaker 1>so I think that like a lot of white suburban

0:59:39.080 --> 0:59:42.440
<v Speaker 1>people were dumping ice all over their bodies as a

0:59:42.520 --> 0:59:47.200
<v Speaker 1>way of like feeling something after like basically deadening their

0:59:47.240 --> 0:59:51.360
<v Speaker 1>senses and their empathy for human suffering in the rest

0:59:51.400 --> 0:59:55.560
<v Speaker 1>of their lives and not having everyday risks, right, the

0:59:55.680 --> 0:59:57.800
<v Speaker 1>fear of death that I you know, that we all

0:59:57.880 --> 1:00:00.600
<v Speaker 1>fear like every time we go outside. So now the

1:00:00.680 --> 1:00:03.120
<v Speaker 1>thing about feeling something is like there's a kind of

1:00:03.280 --> 1:00:09.120
<v Speaker 1>puritanical route to white American culture that wants people to

1:00:09.760 --> 1:00:12.360
<v Speaker 1>you know, that goes back to literally the Puritans and

1:00:12.680 --> 1:00:15.800
<v Speaker 1>earliest you know, folks that consider themselves settlers of this

1:00:15.880 --> 1:00:18.960
<v Speaker 1>country that were actually you know, engaging in violent settler

1:00:20.000 --> 1:00:23.920
<v Speaker 1>and their religious practice is also about like deadening the senses, right.

1:00:24.120 --> 1:00:26.520
<v Speaker 1>And so the idea is if you feel too much,

1:00:27.040 --> 1:00:32.040
<v Speaker 1>that that is inherently devilish. Is really just about like this,

1:00:32.200 --> 1:00:35.120
<v Speaker 1>there's this idea that to feel anything is devilish, right,

1:00:35.800 --> 1:00:39.520
<v Speaker 1>that the idea of feeling emotion or sensation right, like

1:00:39.800 --> 1:00:43.120
<v Speaker 1>related to sex, related to joy, related to anything that

1:00:43.200 --> 1:00:46.360
<v Speaker 1>that's like hedonistic or devilish. And so I think that

1:00:46.600 --> 1:00:51.520
<v Speaker 1>it is the puritanical origins of white American culture that

1:00:51.680 --> 1:00:55.440
<v Speaker 1>makes people susceptible to the idea that dumping ice all

1:00:55.480 --> 1:00:57.800
<v Speaker 1>over your skin and the thrill that it presents is

1:00:57.880 --> 1:01:06.800
<v Speaker 1>somehow satanic in nature's psychoanalysis of that old Oh man,

1:01:07.040 --> 1:01:10.360
<v Speaker 1>you just hit something I that was great. I'll say this,

1:01:10.920 --> 1:01:13.520
<v Speaker 1>You hit a few things that I that really make

1:01:13.560 --> 1:01:16.760
<v Speaker 1>a lot of sense for me. Number one, just the

1:01:16.920 --> 1:01:19.400
<v Speaker 1>instinct of the ice bucket challenge. Like I think the

1:01:19.440 --> 1:01:23.160
<v Speaker 1>original conception was somebody saying that this was the closest

1:01:23.200 --> 1:01:26.439
<v Speaker 1>you could get to the feeling of a ls of life. See,

1:01:26.440 --> 1:01:28.680
<v Speaker 1>I don't even know, because there's no None of these

1:01:28.720 --> 1:01:30.520
<v Speaker 1>people wanted to even talk about that. And that's what

1:01:31.000 --> 1:01:33.560
<v Speaker 1>to your point, that's what makes it so complicated, right,

1:01:33.640 --> 1:01:36.720
<v Speaker 1>is that it's conceived with like empathy in mind, and

1:01:36.760 --> 1:01:39.520
<v Speaker 1>then a bunch of people skirt the empathy. They removed

1:01:39.600 --> 1:01:42.480
<v Speaker 1>the pictures of the people suffering from the disease. They

1:01:42.560 --> 1:01:45.200
<v Speaker 1>don't ever really even connect some of the links to

1:01:45.320 --> 1:01:47.880
<v Speaker 1>remind people to pay for the ship or help pay

1:01:47.960 --> 1:01:50.280
<v Speaker 1>for the ship. They just are pouring buckets of vice

1:01:50.360 --> 1:01:54.480
<v Speaker 1>on themselves to numb the feelings, and in doing so,

1:01:54.720 --> 1:01:57.960
<v Speaker 1>they are quote unquote doing or rather the argument would

1:01:58.000 --> 1:02:02.360
<v Speaker 1>be a satanic ritual because everybody is wincing and feeling something. Yeah,

1:02:02.480 --> 1:02:05.280
<v Speaker 1>it's shocking, and you feel thrilled, if you feel anxiety,

1:02:05.480 --> 1:02:09.800
<v Speaker 1>you feel anticipation. All those things are like very forbidden feeling. Yeah,

1:02:10.320 --> 1:02:14.360
<v Speaker 1>very devilish and satanic feelings through this worldview. And it's

1:02:14.440 --> 1:02:17.080
<v Speaker 1>also like anytime you say I'm doing this to quote

1:02:17.120 --> 1:02:19.040
<v Speaker 1>unquote bring awareness or something, that's how you know what

1:02:19.120 --> 1:02:22.080
<v Speaker 1>you're doing is face. If your all plan is bring awareness,

1:02:22.720 --> 1:02:30.000
<v Speaker 1>you need a plan. Yeah you we're aware. You were aware? Right, Wow,

1:02:30.560 --> 1:02:33.760
<v Speaker 1>I forgot about that. This is beautiful. You did a

1:02:33.960 --> 1:02:36.600
<v Speaker 1>You did a beautiful job and this was a great episode.

1:02:36.640 --> 1:02:38.600
<v Speaker 1>Could you tell the kind people at home where they

1:02:38.640 --> 1:02:42.080
<v Speaker 1>can find you and what cool stuff you've got going on? Why? Sure?

1:02:42.360 --> 1:02:44.800
<v Speaker 1>Thank you so much. So you can find me on

1:02:45.040 --> 1:02:48.880
<v Speaker 1>Instagram at eve dot you and E W I N

1:02:48.960 --> 1:02:51.840
<v Speaker 1>G on Instagram. I am still technically on Twitter, but

1:02:51.880 --> 1:02:53.920
<v Speaker 1>I don't really be honor like that. But my Twitter

1:02:54.080 --> 1:02:56.600
<v Speaker 1>name is Viewing and I go by the name of

1:02:56.680 --> 1:02:59.480
<v Speaker 1>Wikipedia Brown, which some people think is my government name?

1:03:00.040 --> 1:03:05.360
<v Speaker 1>Funny people? Not smart? Not smart people. Um, And I

1:03:05.520 --> 1:03:07.960
<v Speaker 1>have my next book that's coming out. I have a

1:03:08.040 --> 1:03:10.800
<v Speaker 1>book coming out in July. It's a book for kids.

1:03:11.240 --> 1:03:12.840
<v Speaker 1>So if you want to read something to your kids

1:03:12.920 --> 1:03:15.439
<v Speaker 1>that doesn't involve clowns, you can check out my book

1:03:15.480 --> 1:03:17.920
<v Speaker 1>for children called Maya in the Robot, which is coming

1:03:17.960 --> 1:03:20.919
<v Speaker 1>out in July. And you can read my Marvel comic

1:03:20.960 --> 1:03:23.560
<v Speaker 1>books not it And you won't see me on the

1:03:23.560 --> 1:03:25.600
<v Speaker 1>street because it's COVID times and I'm staying in my crib,

1:03:25.760 --> 1:03:28.600
<v Speaker 1>so hell yeah, read these books. She's great. This was

1:03:28.640 --> 1:03:31.800
<v Speaker 1>a great time. And as always, follow me at Langston Kerman.

1:03:31.920 --> 1:03:34.200
<v Speaker 1>And please, if you want to send us stuff, you

1:03:34.280 --> 1:03:37.080
<v Speaker 1>can send it to my mama pot at gmail dot com.

1:03:37.160 --> 1:03:40.280
<v Speaker 1>I would love to hear all of your thoughts, your nonsense,

1:03:40.400 --> 1:03:43.680
<v Speaker 1>your drops, whatever the funk you can send me. I

1:03:43.760 --> 1:03:45.880
<v Speaker 1>ain't got nothing else going on, so send it to me,

1:03:46.280 --> 1:04:00.440
<v Speaker 1>all right, Get the funk out of here by step

1:04:00.960 --> 1:04:08.080
<v Speaker 1>my f the oastal players, Ohostly money versions, many turkey stuff.

1:04:08.120 --> 1:04:11.800
<v Speaker 1>You know. I can't tell me nothing. My lo