1
00:00:04,320 --> 00:00:16,439
Speaker 1: Thinking Sideways. I don't you never know stories of things

2
00:00:16,480 --> 00:00:20,960
Speaker 1: we simply don't know the answer too. Hey everyone, it's

3
00:00:20,960 --> 00:00:25,320
Speaker 1: Thinking Side with the podcast. I'm Devin, joined per usual

4
00:00:25,600 --> 00:00:29,760
Speaker 1: by Joe and Steve. Today we're going to talk about

5
00:00:29,760 --> 00:00:32,320
Speaker 1: a mystery. If you follow us on Twitter, you may

6
00:00:32,680 --> 00:00:37,000
Speaker 1: have a little spoilers about this one. Uh. We're going

7
00:00:37,040 --> 00:00:40,160
Speaker 1: to talk about the Denver Airport d I A Denver

8
00:00:40,240 --> 00:00:43,960
Speaker 1: International Airport. It's the technical code for it is d

9
00:00:44,040 --> 00:00:46,199
Speaker 1: E N, but everybody calls it d I A. That

10
00:00:46,440 --> 00:00:49,920
Speaker 1: kind of makes sense that in arrival or something like that. No, yeah,

11
00:00:50,159 --> 00:00:55,600
Speaker 1: but yeah, yeah, that makes sense Denver International Airport. Now, yeah, exactly.

12
00:00:55,880 --> 00:00:58,560
Speaker 1: And before we get too far, this was a suggestion

13
00:00:58,720 --> 00:01:01,600
Speaker 1: by actually a lot of people, and I don't have

14
00:01:01,640 --> 00:01:06,280
Speaker 1: everybody's name written down. Everybody suggested different things. Pretty much.

15
00:01:06,319 --> 00:01:09,200
Speaker 1: What would happen is somebody would say, oh, somebody, anybody

16
00:01:09,280 --> 00:01:11,479
Speaker 1: suggested the Denver Airport to you, and I would say, oh,

17
00:01:11,560 --> 00:01:13,880
Speaker 1: that it's this thing, and they would say no, it's

18
00:01:13,920 --> 00:01:17,440
Speaker 1: this other thing, and it's like, okay, so I guess

19
00:01:17,440 --> 00:01:20,000
Speaker 1: we'll do a show about it. Yeah, that's about time.

20
00:01:20,319 --> 00:01:24,200
Speaker 1: And just so everybody knows, I traveled for this episode

21
00:01:24,440 --> 00:01:27,399
Speaker 1: she did. I did feel the research. I went to

22
00:01:27,480 --> 00:01:31,280
Speaker 1: Denver International Airport, she found a hidden door. I did

23
00:01:31,440 --> 00:01:35,040
Speaker 1: manage to pick the law, found many many underground passages.

24
00:01:36,280 --> 00:01:39,240
Speaker 1: Some some like the sort of cultiv kind of devil

25
00:01:39,280 --> 00:01:41,960
Speaker 1: worshiping altars that have blood all of them and stuff.

26
00:01:42,040 --> 00:01:45,440
Speaker 1: You know, yeah, some guys that had like horns and

27
00:01:46,200 --> 00:01:49,640
Speaker 1: weird alien shaped faces, or you ate at McDonald's in

28
00:01:49,680 --> 00:01:55,280
Speaker 1: the airport. And but I especially like when we found

29
00:01:55,280 --> 00:01:57,560
Speaker 1: out that those giant crests on that huge room that

30
00:01:57,680 --> 00:02:00,720
Speaker 1: had that the crest, I said, and wo when that

31
00:02:00,760 --> 00:02:04,040
Speaker 1: had a giant imposed on the top, that was pretty good.

32
00:02:04,400 --> 00:02:11,680
Speaker 1: That was good research I did. Whichever same thing. Alright,

33
00:02:13,080 --> 00:02:15,040
Speaker 1: let's tell these people what's going on with the Denver.

34
00:02:15,560 --> 00:02:18,359
Speaker 1: Let's talk about Denver a little bit. Well not Denver,

35
00:02:18,480 --> 00:02:22,600
Speaker 1: but the Denver Airport. The greater Denver area was served

36
00:02:22,600 --> 00:02:27,720
Speaker 1: by Stapleton International Airport until in, which I think makes

37
00:02:27,880 --> 00:02:31,000
Speaker 1: d I a one of the newer airports in America.

38
00:02:31,560 --> 00:02:34,360
Speaker 1: So it's a lot of research to do. Just so

39
00:02:34,440 --> 00:02:38,120
Speaker 1: you know, there's no list I could find on the

40
00:02:38,120 --> 00:02:41,840
Speaker 1: internet that was you know, I googled list of airports

41
00:02:41,919 --> 00:02:45,440
Speaker 1: in America by year built, and it when it came

42
00:02:45,480 --> 00:02:48,680
Speaker 1: with nothing, so I didn't look too far into it.

43
00:02:48,760 --> 00:02:52,880
Speaker 1: But yeah, I didn't bother looking into it either. I

44
00:02:52,960 --> 00:02:55,320
Speaker 1: can't think. Yeah, I can't really think of one that's

45
00:02:55,320 --> 00:02:58,920
Speaker 1: been built since then, but you know, maybe somewhere. Initially,

46
00:02:59,160 --> 00:03:02,680
Speaker 1: the d I A Denver Airport was meant to open

47
00:03:02,760 --> 00:03:07,640
Speaker 1: on October twenty ninth, but it turns out the project

48
00:03:07,720 --> 00:03:11,160
Speaker 1: wasn't super well planned, and some of the airports that

49
00:03:11,200 --> 00:03:14,400
Speaker 1: were meant to hub out of there changed their requirements.

50
00:03:14,520 --> 00:03:17,720
Speaker 1: Oh and also there was this automated baggage system that

51
00:03:17,880 --> 00:03:22,800
Speaker 1: was kind of a problem. So yeah, so the project

52
00:03:22,840 --> 00:03:25,680
Speaker 1: was pushed back a few months, then a few months more.

53
00:03:26,480 --> 00:03:30,600
Speaker 1: Then a strike happened, so they pushed the project back

54
00:03:30,639 --> 00:03:35,760
Speaker 1: to May, not two thousand. In April of that year,

55
00:03:35,920 --> 00:03:38,480
Speaker 1: some reporters were given a sneak peek at this hotly

56
00:03:38,520 --> 00:03:43,160
Speaker 1: anticipated automated baggage system, which apparently no one had tested.

57
00:03:43,200 --> 00:03:45,920
Speaker 1: I guess because if they had, I'm sure they wouldn't

58
00:03:45,960 --> 00:03:48,760
Speaker 1: have let the media. I think they tested it, but

59
00:03:48,880 --> 00:03:51,960
Speaker 1: not with actual baggage. Yeah, I don't know what happened.

60
00:03:52,000 --> 00:03:54,360
Speaker 1: I don't know why. Somebody said, yeah, let's bring the

61
00:03:54,440 --> 00:03:58,840
Speaker 1: media in here. But when they did. Reporters well reported

62
00:03:59,160 --> 00:04:02,000
Speaker 1: that close and personal items were strewn under the track

63
00:04:02,080 --> 00:04:04,160
Speaker 1: system and that the parts of the system that were

64
00:04:04,160 --> 00:04:06,840
Speaker 1: meant to transport luggage were actually just dumping the bags

65
00:04:06,920 --> 00:04:09,240
Speaker 1: right off the system entirely. No, No, it's kind of

66
00:04:09,240 --> 00:04:12,880
Speaker 1: like how they handed your baggage now, except for it's

67
00:04:12,880 --> 00:04:17,120
Speaker 1: not people, it's machines. Machines will do the same abuse

68
00:04:17,120 --> 00:04:19,159
Speaker 1: of your luggage for a lot shaper, which is great.

69
00:04:19,320 --> 00:04:22,640
Speaker 1: It's a giant conveyor system. But if I remember watching it,

70
00:04:23,160 --> 00:04:26,599
Speaker 1: basically there was little actuator arms that would shove the

71
00:04:26,640 --> 00:04:29,560
Speaker 1: baggage based on what it figured out where it's supposed

72
00:04:29,600 --> 00:04:33,800
Speaker 1: to go on to convey A or B. Unfortunately they

73
00:04:34,839 --> 00:04:44,679
Speaker 1: were when Grandma's luggage and send Olliver clo. So because

74
00:04:44,680 --> 00:04:49,680
Speaker 1: of that, the May fifteenth and n open date was

75
00:04:49,760 --> 00:04:54,760
Speaker 1: once again pushed back, and finally on February d i

76
00:04:54,839 --> 00:04:57,960
Speaker 1: A was opened, which was eighteen months after the initial

77
00:04:58,040 --> 00:05:03,240
Speaker 1: date set. Oh and fun fact, it was about two billion, yes,

78
00:05:03,279 --> 00:05:08,240
Speaker 1: with a B dollars over budget. I wonder how much.

79
00:05:09,160 --> 00:05:11,680
Speaker 1: I wonder how much the baggage system cost. It was

80
00:05:11,760 --> 00:05:15,000
Speaker 1: actually one of the more expensive parts of the airport. Well,

81
00:05:15,400 --> 00:05:18,479
Speaker 1: do you remember Devin, what was the total cost of

82
00:05:18,560 --> 00:05:21,800
Speaker 1: this airport? I remember reading it, but I can't think

83
00:05:21,800 --> 00:05:23,599
Speaker 1: of it off of my mind. But I'd have to

84
00:05:23,640 --> 00:05:27,760
Speaker 1: say at least a third of their cost, at least

85
00:05:27,760 --> 00:05:30,160
Speaker 1: in my mind, and I could be wrong. Was that

86
00:05:30,400 --> 00:05:34,960
Speaker 1: stupid baggage system because they kept trying to fix it? Well, yeah,

87
00:05:35,120 --> 00:05:37,720
Speaker 1: I think that if you factor in the fact that

88
00:05:37,880 --> 00:05:41,360
Speaker 1: it is what kept pushing the date back, the opening

89
00:05:41,400 --> 00:05:44,000
Speaker 1: date back. I think they estimated that every day they

90
00:05:44,040 --> 00:05:48,000
Speaker 1: delayed opening the airport cost them one million dollars. So

91
00:05:48,160 --> 00:05:50,919
Speaker 1: if you factor that into the quote overall cost of

92
00:05:50,920 --> 00:05:54,160
Speaker 1: the automatic baggage system, which you should, it was absolutely

93
00:05:54,200 --> 00:05:57,680
Speaker 1: the most expensive part of the entire project. Yeah. Yeah,

94
00:05:58,240 --> 00:05:59,920
Speaker 1: I mean, you know, I'm part of the course was

95
00:06:00,000 --> 00:06:02,680
Speaker 1: building the tunnels for all the automated, automated stuff to

96
00:06:02,680 --> 00:06:04,520
Speaker 1: exist in. And maybe they can retrieve some of the

97
00:06:04,600 --> 00:06:07,000
Speaker 1: sunk costs by clearing the equipment out of the tunnels

98
00:06:07,000 --> 00:06:11,640
Speaker 1: and use the tunnels for something else, maybe you know,

99
00:06:11,760 --> 00:06:17,640
Speaker 1: secret government installations. Yes, maybe. So there's a whole mess

100
00:06:17,760 --> 00:06:21,120
Speaker 1: of things surrounding this place, as we kind of mentioned earlier,

101
00:06:21,200 --> 00:06:24,000
Speaker 1: So we'll just jump in. I just want to start off.

102
00:06:24,040 --> 00:06:26,200
Speaker 1: I guess by saying that right off the bat, there

103
00:06:26,200 --> 00:06:29,160
Speaker 1: are a lot of things about the Denver Airport that

104
00:06:29,240 --> 00:06:32,680
Speaker 1: I think, taken alone, are pretty innocuous. You know, there's

105
00:06:32,680 --> 00:06:36,240
Speaker 1: some are there's some other stuff, And if they all existed,

106
00:06:36,400 --> 00:06:39,640
Speaker 1: just one thing at one airport and another weird thing

107
00:06:39,640 --> 00:06:42,760
Speaker 1: at another airport, I would be way more willing to say, yeah, no,

108
00:06:42,880 --> 00:06:45,200
Speaker 1: that's totally I mean, it's a little weird, but it's

109
00:06:45,200 --> 00:06:47,600
Speaker 1: totally innocent. But when you can kind of take it all,

110
00:06:47,720 --> 00:06:49,760
Speaker 1: you take a step back and take it all in

111
00:06:49,760 --> 00:06:52,800
Speaker 1: in this one building, things get a little fun. And

112
00:06:53,440 --> 00:06:55,000
Speaker 1: the nice the thing that you got to point out

113
00:06:55,040 --> 00:06:57,359
Speaker 1: to people is I've been to the Denver Airport. I

114
00:06:57,400 --> 00:06:59,640
Speaker 1: was there, I don't know, ten years ago or something.

115
00:07:00,240 --> 00:07:04,400
Speaker 1: I had no idea and I probably saw one of

116
00:07:04,440 --> 00:07:07,960
Speaker 1: the things that we're going to talk about and would

117
00:07:08,200 --> 00:07:14,680
Speaker 1: have never gassed that there was so much hubbub surrounding

118
00:07:14,720 --> 00:07:19,120
Speaker 1: it all because so many things are innocuous on their own. Yeah,

119
00:07:19,240 --> 00:07:21,720
Speaker 1: I too have been there, and I didn't know anything

120
00:07:21,720 --> 00:07:23,400
Speaker 1: out of the source either, But I didn't actually spend

121
00:07:23,400 --> 00:07:25,160
Speaker 1: a lot of time in the airport, so I spent

122
00:07:25,240 --> 00:07:27,520
Speaker 1: it in the airport bar. I didn't have time I

123
00:07:27,560 --> 00:07:29,800
Speaker 1: didn't have time to go like see that Hugh's mirror

124
00:07:29,840 --> 00:07:34,320
Speaker 1: with a creepy Nazi with the ak Yeah, yeah, that

125
00:07:34,400 --> 00:07:39,080
Speaker 1: was fun. Yeah, we're gonna just attack this line item style,

126
00:07:41,080 --> 00:07:44,000
Speaker 1: So we'll just start with the horse. So each of these,

127
00:07:44,040 --> 00:07:46,200
Speaker 1: in other words, is a discreet mystery on its own.

128
00:07:46,360 --> 00:07:48,400
Speaker 1: Yeah kind of. So what are we gonna work our

129
00:07:48,440 --> 00:07:50,320
Speaker 1: way from the inside out or the outside in or

130
00:07:50,360 --> 00:07:54,320
Speaker 1: what kind of ish We're gonna start with the horse?

131
00:07:55,040 --> 00:07:58,840
Speaker 1: Of course, of course, the horse, the famous Mr. You

132
00:07:58,840 --> 00:08:00,480
Speaker 1: guys have a picture in for of you. It's in

133
00:08:00,520 --> 00:08:03,400
Speaker 1: black and white. I'm sorry it's much less impressive than

134
00:08:03,480 --> 00:08:06,800
Speaker 1: it is color, but hopefully you got a chance to

135
00:08:06,800 --> 00:08:09,800
Speaker 1: see it, and you listeners at home will probably post

136
00:08:09,840 --> 00:08:12,200
Speaker 1: a picture of it. Now. I've seen this photo in color.

137
00:08:12,280 --> 00:08:17,560
Speaker 1: It's actually a really nice photo. It's awesome. I did.

138
00:08:18,120 --> 00:08:22,480
Speaker 1: Did you notice what's behind the bronco Oh, the thunderstorm

139
00:08:22,760 --> 00:08:25,880
Speaker 1: the mushroom cloud. It looks like a mushroom pick does

140
00:08:25,960 --> 00:08:29,800
Speaker 1: It's like thunder e too, thunder and lightning. Apocalyptic. That's

141
00:08:29,800 --> 00:08:32,679
Speaker 1: super apocalyptic. This this is one of the first things

142
00:08:32,720 --> 00:08:35,520
Speaker 1: that you will notice about d I A as you

143
00:08:35,559 --> 00:08:40,000
Speaker 1: approach from the ground. This dude. He's officially called Blue Mustang.

144
00:08:40,320 --> 00:08:46,320
Speaker 1: He's also referred um to as Bluesifer or the demon

145
00:08:46,360 --> 00:08:49,760
Speaker 1: Bronco by locals. Since you're not looking at the picture,

146
00:08:49,800 --> 00:08:52,319
Speaker 1: because this is a podcast not a TV show, I'll

147
00:08:52,360 --> 00:08:55,720
Speaker 1: go ahead and just describe this gentleman to you. This

148
00:08:55,840 --> 00:08:59,840
Speaker 1: beast of a gentleman. He is nine thousand pounds statue.

149
00:09:00,160 --> 00:09:01,840
Speaker 1: And by the way, if he was actually made of

150
00:09:01,960 --> 00:09:04,320
Speaker 1: like say, bronze or something like that, anyway, I help

151
00:09:04,360 --> 00:09:07,560
Speaker 1: a lot more than nine pounds. Yeah, he's a fairly

152
00:09:07,600 --> 00:09:09,920
Speaker 1: new addition to the weirdness of d a A. He

153
00:09:10,000 --> 00:09:14,719
Speaker 1: was commissioned in by um well, I guess we'll get

154
00:09:14,720 --> 00:09:19,320
Speaker 1: to that, but it was meant to be art. Are

155
00:09:19,320 --> 00:09:22,120
Speaker 1: pretty impressive piece of skull it is. Yeah, absolutely, it's

156
00:09:22,200 --> 00:09:26,320
Speaker 1: a thirty two ft tall blue Mustang rearing up. It's

157
00:09:26,480 --> 00:09:35,719
Speaker 1: pretty dang anatomically correct. Yeah, that absurdly anatomically necessary. I

158
00:09:35,760 --> 00:09:40,040
Speaker 1: don't know. Ribs show through the skin the way the

159
00:09:40,160 --> 00:09:42,120
Speaker 1: light shines on it. I initially, when I was looking

160
00:09:42,160 --> 00:09:44,480
Speaker 1: at the picture and when I saw it in real life,

161
00:09:44,600 --> 00:09:49,360
Speaker 1: I thought, oh, there's like weird zombie skin parts of it.

162
00:09:49,400 --> 00:09:50,640
Speaker 1: But the more I looked at it, the more, I

163
00:09:50,679 --> 00:09:53,160
Speaker 1: realized it's just the way that it's lit. The way

164
00:09:53,200 --> 00:09:56,120
Speaker 1: the light hits it, it gives it some yellowy areas,

165
00:09:56,320 --> 00:09:59,199
Speaker 1: which looks like zombie rot to me. But it's not, well,

166
00:09:59,240 --> 00:10:03,520
Speaker 1: he's it's a fiberglass, right, so I think that the

167
00:10:03,559 --> 00:10:07,240
Speaker 1: fiberglass is colored is part of it. So it's not

168
00:10:07,320 --> 00:10:11,320
Speaker 1: an even mix, so you get weirdness areas. I think, well,

169
00:10:11,360 --> 00:10:13,520
Speaker 1: he is he is totally blue. I've seen other pictures

170
00:10:13,559 --> 00:10:16,360
Speaker 1: of him. He's okay blue. It's just a weird way

171
00:10:16,360 --> 00:10:19,800
Speaker 1: that the lights. So he's not a zombie horse. No,

172
00:10:20,240 --> 00:10:24,839
Speaker 1: his tail and mane are are spiky, and oh yeah,

173
00:10:24,880 --> 00:10:27,040
Speaker 1: he has red glowing eyes, which I love. I think

174
00:10:27,040 --> 00:10:30,319
Speaker 1: that's awesome they are is not a line kid, genuinely.

175
00:10:30,440 --> 00:10:32,760
Speaker 1: I've seen this with my own eyes, and that is

176
00:10:32,800 --> 00:10:34,520
Speaker 1: the first thing you notice. You just kind of go,

177
00:10:35,679 --> 00:10:40,160
Speaker 1: there's some red eyes glowing in the distance. There. It's

178
00:10:40,200 --> 00:10:44,840
Speaker 1: on a horse exactly. But now, actually I think that

179
00:10:44,920 --> 00:10:47,640
Speaker 1: the reason for that is it's just aircraft warning lights.

180
00:10:48,880 --> 00:10:51,160
Speaker 1: It's not they're not high enough to be on the

181
00:10:51,240 --> 00:10:53,599
Speaker 1: very top. I think it's a nice touch though, I

182
00:10:53,679 --> 00:10:57,240
Speaker 1: do too. So the sculpture wasn't installed until two thousand eight.

183
00:10:57,880 --> 00:11:01,320
Speaker 1: Why so late, you might ask, Well, it was sculpted

184
00:11:01,320 --> 00:11:05,679
Speaker 1: by a man named Louise Himenez, and he died in

185
00:11:06,000 --> 00:11:10,680
Speaker 1: two thousand and six. And you might be wondering, how well,

186
00:11:11,000 --> 00:11:14,559
Speaker 1: just because the nine thousand pounds statue of a double

187
00:11:14,559 --> 00:11:17,640
Speaker 1: horse fell on him and in order in his legs,

188
00:11:18,679 --> 00:11:22,200
Speaker 1: I bet you can guess which one. There's not that many,

189
00:11:22,240 --> 00:11:24,360
Speaker 1: but I bet you can guess which nine thousand pound

190
00:11:24,480 --> 00:11:29,280
Speaker 1: horse saying which legs. It wasn't the whole horse, it was,

191
00:11:29,320 --> 00:11:33,600
Speaker 1: just which still weighs a lot, I'm sure, But again,

192
00:11:33,640 --> 00:11:35,720
Speaker 1: it's fiberglass. Imagine if this thing was made out of

193
00:11:35,720 --> 00:11:38,720
Speaker 1: steel or bronze or something like that. So the sculpture

194
00:11:38,760 --> 00:11:41,600
Speaker 1: was finished by his family and some students he had,

195
00:11:41,679 --> 00:11:44,439
Speaker 1: and then directed much later, two years later. I bet

196
00:11:44,440 --> 00:11:47,439
Speaker 1: they're the ones who had the rig blowing eyes. Yeah. Maybe,

197
00:11:47,760 --> 00:11:51,640
Speaker 1: But because of that, people kind of saying it's cursed

198
00:11:51,679 --> 00:11:55,040
Speaker 1: from the get go. Of course, of course they're saying

199
00:11:55,040 --> 00:11:57,559
Speaker 1: that the horses cursed, or because it's killed the person

200
00:11:57,600 --> 00:12:01,000
Speaker 1: who was making it. Yeah, I mean, that's pretty suspicious.

201
00:12:01,280 --> 00:12:04,920
Speaker 1: That suspicious behavior for a horsehead. It depends, is this

202
00:12:05,200 --> 00:12:08,959
Speaker 1: a horsehead from the mob. It could be as far

203
00:12:09,000 --> 00:12:11,320
Speaker 1: as we know it could be. Do you know who

204
00:12:11,400 --> 00:12:18,720
Speaker 1: financed it? No, the Denver International Airport. Do you know

205
00:12:18,720 --> 00:12:22,720
Speaker 1: who finance We're getting ahead of ourselves, all right. Next

206
00:12:22,800 --> 00:12:26,320
Speaker 1: up is the weird shape of the airport. This sorry,

207
00:12:26,400 --> 00:12:29,760
Speaker 1: this is dumb. I agree. The airport is made to

208
00:12:29,880 --> 00:12:33,720
Speaker 1: resemble snow capped mountains and reflect the history of Colorado's

209
00:12:33,760 --> 00:12:38,559
Speaker 1: native people. And by the airport, you mean the building

210
00:12:38,880 --> 00:12:41,959
Speaker 1: the terminal. Okay, just making sure you're not talking about

211
00:12:42,280 --> 00:12:47,000
Speaker 1: the whole surrounding area. Yeah. Sorry. It's also meant to

212
00:12:47,040 --> 00:12:50,480
Speaker 1: reflect Colorado's natives who lived in tps across the Great Plains.

213
00:12:50,840 --> 00:12:54,080
Speaker 1: So the roof is actually made of fabric and it's

214
00:12:54,360 --> 00:12:59,400
Speaker 1: big white peaks. Well, the roof. Some people say that

215
00:12:59,520 --> 00:13:02,840
Speaker 1: it is meant to resemble a UFO. Doesn't resemble any

216
00:13:03,120 --> 00:13:06,200
Speaker 1: UFO I've ever seen. Well, since UFOs are definitely housed

217
00:13:06,200 --> 00:13:09,200
Speaker 1: below the airport, which we'll get to in a minute. Uh,

218
00:13:10,040 --> 00:13:12,640
Speaker 1: that's what they're made resemble. But I really think it

219
00:13:12,679 --> 00:13:15,240
Speaker 1: just looks like a giant circus tent. I agree. When

220
00:13:15,400 --> 00:13:17,160
Speaker 1: when the first time I saw it, that's what I thought.

221
00:13:18,559 --> 00:13:20,760
Speaker 1: Who decided to do this? I don't know. I also

222
00:13:20,880 --> 00:13:25,079
Speaker 1: kind of wonder who, like, Colorado not the most stable

223
00:13:25,160 --> 00:13:29,720
Speaker 1: weather state, Denver also not the most stable weather city.

224
00:13:30,400 --> 00:13:32,720
Speaker 1: I'm not totally sure who was like, oh, you know,

225
00:13:32,720 --> 00:13:37,480
Speaker 1: it's an excellent idea, let's make this out of fabric. Well, okay,

226
00:13:37,679 --> 00:13:39,959
Speaker 1: so there's two things. Ones a joke, which is they

227
00:13:39,960 --> 00:13:43,880
Speaker 1: have a lot of weed and color. The other is,

228
00:13:44,000 --> 00:13:46,640
Speaker 1: and I'm actually gonna bash on this a couple of times,

229
00:13:46,760 --> 00:13:52,040
Speaker 1: which is artists perspectives and interpretations that they can pitch

230
00:13:52,080 --> 00:13:55,920
Speaker 1: and sell. And I work in the art industry, I

231
00:13:56,040 --> 00:14:02,360
Speaker 1: understand this. But somebody did a fan TASTICX sales job

232
00:14:03,120 --> 00:14:07,640
Speaker 1: saying this is what it abstract means and blah blah blah.

233
00:14:07,840 --> 00:14:10,360
Speaker 1: And I'm sure that what they did is they showed

234
00:14:10,400 --> 00:14:13,040
Speaker 1: him a rendering of one or two of the little

235
00:14:13,120 --> 00:14:15,960
Speaker 1: TP tops that their snow capped mountains that they were

236
00:14:15,960 --> 00:14:19,400
Speaker 1: supposed to be, instead of the what is it nine

237
00:14:19,560 --> 00:14:23,760
Speaker 1: or ten or something? I mean, it lose. It doesn't

238
00:14:23,880 --> 00:14:27,200
Speaker 1: look anything like it's supposed to And I'm I would

239
00:14:27,280 --> 00:14:30,560
Speaker 1: be willing to bet dollars to donuts that's how that happened. Well,

240
00:14:30,920 --> 00:14:34,680
Speaker 1: the interesting thing is, um gosh, I don't remember when

241
00:14:34,720 --> 00:14:37,600
Speaker 1: I think it was two thousand eight, but I can't

242
00:14:37,600 --> 00:14:41,840
Speaker 1: recall exactly. Uh, there was a huge snow storm and

243
00:14:41,920 --> 00:14:44,560
Speaker 1: it ripped the open part of the ceiling. And what

244
00:14:44,600 --> 00:14:48,160
Speaker 1: did they do? They just fixed it. Yeah, they weren't.

245
00:14:48,200 --> 00:14:51,040
Speaker 1: They didn't say, oh, hey, maybe fabric's a bad idea.

246
00:14:51,400 --> 00:14:55,520
Speaker 1: They just quote unquote improved their snow removal systems. It

247
00:14:55,600 --> 00:14:59,160
Speaker 1: had two ft of snow on the floor of the airport.

248
00:15:00,000 --> 00:15:04,800
Speaker 1: It's called They closed it down for like four days.

249
00:15:05,000 --> 00:15:06,920
Speaker 1: It was like a thirty ft long rip if I

250
00:15:06,960 --> 00:15:08,960
Speaker 1: remember right by the end. You know, of course it

251
00:15:09,400 --> 00:15:12,640
Speaker 1: keeps growing, but it was just it had huge implications

252
00:15:12,720 --> 00:15:16,480
Speaker 1: for the air traffic control of America. Yeah, oh yeah,

253
00:15:16,640 --> 00:15:19,360
Speaker 1: it's it's a major hub. And the interesting thing is,

254
00:15:19,400 --> 00:15:22,280
Speaker 1: like you know, I have noted this a lot of times,

255
00:15:22,400 --> 00:15:26,720
Speaker 1: your your artistic architectural types. We'll design these cool things

256
00:15:26,760 --> 00:15:29,600
Speaker 1: with absolutely no thought to how they can possibly be

257
00:15:29,960 --> 00:15:32,000
Speaker 1: maintained and repaired. How do you how exactly do you

258
00:15:32,040 --> 00:15:34,080
Speaker 1: get up there to clean that roof? You can't exactly

259
00:15:34,080 --> 00:15:36,320
Speaker 1: walk on it, can you. I don't know, I don't

260
00:15:36,320 --> 00:15:39,920
Speaker 1: think so. Yeah, it's just how do you get up

261
00:15:39,920 --> 00:15:43,560
Speaker 1: there to repair it? Well, you know, there's these things

262
00:15:43,640 --> 00:15:47,440
Speaker 1: that are called man lifts that scissor up and reach

263
00:15:47,560 --> 00:15:50,440
Speaker 1: over and there's some yo yo with with the pressure washer.

264
00:15:51,120 --> 00:15:55,000
Speaker 1: Maybe I'll bet you that's how they do. Second, as

265
00:15:55,040 --> 00:15:56,600
Speaker 1: they have a crane and they had they had some

266
00:15:56,680 --> 00:15:58,400
Speaker 1: guy in the harness and they just lower room face

267
00:15:58,480 --> 00:16:01,280
Speaker 1: down on a rope like con cruise. That's impossible. It's

268
00:16:01,280 --> 00:16:04,800
Speaker 1: holding a hose in his hand. You never want to

269
00:16:04,800 --> 00:16:16,760
Speaker 1: make the crane upper, you're mad because he'll just bump. Yeah, alright, sorry, okay,

270
00:16:16,800 --> 00:16:18,800
Speaker 1: So anyway, but no, we didn't answer the question though,

271
00:16:18,840 --> 00:16:21,240
Speaker 1: I mean, okay, so are we gonna answer it later?

272
00:16:21,240 --> 00:16:24,840
Speaker 1: Are there actually UFOs underneath? We'll talk about it. Yeah,

273
00:16:24,920 --> 00:16:27,320
Speaker 1: of course, of course. I think it's that's that directly

274
00:16:27,360 --> 00:16:33,280
Speaker 1: related to the mountaintop slash t P roof. They were

275
00:16:33,280 --> 00:16:35,760
Speaker 1: saying that people were saying that that this reminiscent of UFOs,

276
00:16:35,760 --> 00:16:38,360
Speaker 1: which of course are stored underneath the airport. That's I

277
00:16:38,360 --> 00:16:40,960
Speaker 1: think that I think, correct me if I'm wrong, if

278
00:16:41,000 --> 00:16:43,240
Speaker 1: either of you come across this. But I think that's

279
00:16:43,320 --> 00:16:50,000
Speaker 1: because UFOs traditionally are considered as a round saucer. Well

280
00:16:50,040 --> 00:16:56,080
Speaker 1: a t P it's base is around saucer, so it's

281
00:16:56,120 --> 00:16:58,960
Speaker 1: a series. It would be considered kind of a series

282
00:16:59,080 --> 00:17:01,520
Speaker 1: of them, or the other way to look at it

283
00:17:01,640 --> 00:17:06,600
Speaker 1: is what was that stargate where that ship would land

284
00:17:06,640 --> 00:17:09,159
Speaker 1: on the pyramids? So we're making, you know, points for

285
00:17:09,160 --> 00:17:11,359
Speaker 1: work to land on an anchor on. I mean, this

286
00:17:11,480 --> 00:17:13,400
Speaker 1: is the only thing I can come up with because

287
00:17:13,400 --> 00:17:14,960
Speaker 1: I didn't find a whole lot. I didn't find a

288
00:17:15,040 --> 00:17:20,359
Speaker 1: whole lot either, and you know, it seems we make

289
00:17:20,440 --> 00:17:22,920
Speaker 1: fun of I think would be the term I would

290
00:17:23,000 --> 00:17:26,800
Speaker 1: use a lot of conspiracy theories, not necessarily because I

291
00:17:26,840 --> 00:17:31,600
Speaker 1: want to disregard them, but more because I just can't

292
00:17:32,320 --> 00:17:36,120
Speaker 1: buy into anything that just says offhand, oh yeah, because

293
00:17:36,160 --> 00:17:38,720
Speaker 1: it's because it looks like it looks like UFOs and

294
00:17:38,840 --> 00:17:42,119
Speaker 1: then doesn't explain how I couldn't find anything. There's so

295
00:17:42,200 --> 00:17:46,480
Speaker 1: much hot air and handwaving. But when you say, okay,

296
00:17:46,800 --> 00:17:51,400
Speaker 1: I'm totally willing to accept that, just give me something

297
00:17:51,480 --> 00:17:55,840
Speaker 1: to base it on besides your personal observation and belief.

298
00:17:55,880 --> 00:17:58,400
Speaker 1: And I think that's where we are. I think all

299
00:17:58,400 --> 00:18:01,600
Speaker 1: three of us run into is shoose. Yeah. I think

300
00:18:01,640 --> 00:18:04,720
Speaker 1: that this, this one thing in particular, is one of

301
00:18:04,720 --> 00:18:06,800
Speaker 1: those instances where people just thought they'd put a whole

302
00:18:06,800 --> 00:18:08,640
Speaker 1: lot of billage out there and see how how much

303
00:18:08,720 --> 00:18:11,960
Speaker 1: how much act? Yeah, and a lot, because yes, there's

304
00:18:12,000 --> 00:18:15,200
Speaker 1: a lot of things like this, things that are completely

305
00:18:15,640 --> 00:18:18,320
Speaker 1: seemed to be kind of baseless and just based on

306
00:18:18,440 --> 00:18:21,199
Speaker 1: just one person's assertion. That's yeah. So anyway, but I'm

307
00:18:21,200 --> 00:18:27,400
Speaker 1: getting ahead of myself. Next up the murals. Admittedly these

308
00:18:27,440 --> 00:18:30,320
Speaker 1: are super weird. Okay, they just are. No, they just

309
00:18:30,359 --> 00:18:35,680
Speaker 1: aren't agree they are. Yeah. We uh. We wandered around

310
00:18:35,760 --> 00:18:39,439
Speaker 1: d i A looking definitely not suspicious at all, taking

311
00:18:39,520 --> 00:18:42,000
Speaker 1: all sorts of pictures. So I'm sure I'm on a

312
00:18:42,040 --> 00:18:45,560
Speaker 1: lot of lists at this point are but this one

313
00:18:45,760 --> 00:18:49,880
Speaker 1: in particular, My guide and I spent I would say,

314
00:18:49,880 --> 00:18:51,960
Speaker 1: an hour and a half wandering around trying to find them,

315
00:18:52,160 --> 00:18:54,679
Speaker 1: walk past them like twice on just the other side

316
00:18:54,720 --> 00:18:58,320
Speaker 1: of the the hallway that they're in, because you know,

317
00:18:58,359 --> 00:19:00,960
Speaker 1: they always have those like ads and maps and stuff

318
00:19:01,000 --> 00:19:03,280
Speaker 1: like that. So we're just like, where are these things?

319
00:19:03,640 --> 00:19:05,800
Speaker 1: And then we stopped and I took like a million

320
00:19:05,840 --> 00:19:09,160
Speaker 1: pictures and just like kept looking around waiting for people

321
00:19:09,200 --> 00:19:11,800
Speaker 1: to pass the murals. So I didn't have anything that

322
00:19:11,800 --> 00:19:15,439
Speaker 1: that's a regular occurrences, I hope, so seem to be

323
00:19:15,480 --> 00:19:18,320
Speaker 1: kind of famous the murals, they are, they're weird. My

324
00:19:18,440 --> 00:19:22,040
Speaker 1: guide insisted that they were just meant to quote to

325
00:19:22,200 --> 00:19:25,880
Speaker 1: pick man made environmental destruction and genocide along with humanity

326
00:19:25,920 --> 00:19:28,440
Speaker 1: coming together to heal nature and live in peace. Oh,

327
00:19:28,480 --> 00:19:31,560
Speaker 1: you hired a native guide, which is quite awesome, which

328
00:19:31,600 --> 00:19:34,320
Speaker 1: is bunk, and that is actually just a quote from

329
00:19:34,359 --> 00:19:38,080
Speaker 1: the artists, not my guide. But my guide said, yes,

330
00:19:38,119 --> 00:19:41,800
Speaker 1: that's pretty much he not so eloquently said those words.

331
00:19:42,080 --> 00:19:43,920
Speaker 1: So you think that you think that the artist's words

332
00:19:44,080 --> 00:19:46,280
Speaker 1: in describing as as painting as your bunk or do

333
00:19:46,320 --> 00:19:49,000
Speaker 1: you think that is his thoughts talking about humanity coming

334
00:19:49,040 --> 00:19:50,840
Speaker 1: together heal nature and live in peace. Do you think

335
00:19:50,920 --> 00:19:54,280
Speaker 1: that's I think his description of what the murals are

336
00:19:54,280 --> 00:19:56,720
Speaker 1: meant to be about his bunk. Yeah, so you're gonna

337
00:19:56,720 --> 00:20:00,960
Speaker 1: wait till the end on this, thank you. Yeah. In fairness,

338
00:20:00,960 --> 00:20:05,400
Speaker 1: there are there two murals which are each two panels each,

339
00:20:06,160 --> 00:20:10,120
Speaker 1: and parts of the overall aret are often left out.

340
00:20:11,119 --> 00:20:15,320
Speaker 1: The rational wiki on the murals in fact, says that

341
00:20:15,359 --> 00:20:18,680
Speaker 1: the second mural murals, the second half of the murals,

342
00:20:18,680 --> 00:20:21,800
Speaker 1: which are the quote oft left out ones, are quote

343
00:20:21,880 --> 00:20:25,000
Speaker 1: much happier, which no, they're not. They're not really, I

344
00:20:25,040 --> 00:20:26,920
Speaker 1: mean they're a little happier, but they're all still They're

345
00:20:26,960 --> 00:20:31,120
Speaker 1: just so weird, all of them, And I guess I'll

346
00:20:31,160 --> 00:20:34,159
Speaker 1: just describe them a little bit. You can find pictures

347
00:20:34,200 --> 00:20:39,879
Speaker 1: of these online really really easily. One is called In

348
00:20:40,040 --> 00:20:43,040
Speaker 1: Peace and Harmony with Nature, and the second one is

349
00:20:43,080 --> 00:20:46,080
Speaker 1: called The Children of the World Dream of World Peace.

350
00:20:46,400 --> 00:20:49,720
Speaker 1: The one titled in Peace and Harmony with Nature shows

351
00:20:50,520 --> 00:20:53,480
Speaker 1: sad children over the instruction of the environment and extinction

352
00:20:53,520 --> 00:20:57,040
Speaker 1: of life. A huge fire burns behind them, animals are

353
00:20:57,080 --> 00:21:00,000
Speaker 1: dead and in glass cases, and oh yeah, there's three

354
00:21:00,040 --> 00:21:02,440
Speaker 1: dead women in coffins at the bottom of the mural.

355
00:21:02,480 --> 00:21:04,400
Speaker 1: I think one of them is even like a little girl.

356
00:21:05,560 --> 00:21:09,320
Speaker 1: The pairing of this, the second pain, I guess of it,

357
00:21:09,359 --> 00:21:12,800
Speaker 1: is a bunch of kids in traditional outfit outfits, crowded

358
00:21:12,840 --> 00:21:17,520
Speaker 1: joyfully around some kind of rainbow plant thing, with animals

359
00:21:17,520 --> 00:21:21,840
Speaker 1: and healthy landscapes behind them. The Children of the World

360
00:21:22,280 --> 00:21:28,200
Speaker 1: Dream of World Peace Redundant is the one that lots

361
00:21:28,240 --> 00:21:29,840
Speaker 1: of people kind of point to. It's the one that's

362
00:21:29,840 --> 00:21:32,920
Speaker 1: pretty awful. And the first panel is a soldier and

363
00:21:33,000 --> 00:21:36,199
Speaker 1: a gas mask. He's often described as a Nazi soldier.

364
00:21:36,480 --> 00:21:45,359
Speaker 1: There's no actual because you can literally just he's got

365
00:21:45,359 --> 00:21:47,320
Speaker 1: a gun in one hand and a sword in the other.

366
00:21:47,520 --> 00:21:50,400
Speaker 1: He's slicing a dove open, and it looks like there's

367
00:21:50,400 --> 00:21:54,439
Speaker 1: a concentration camp kind of in the background. The artist

368
00:21:54,480 --> 00:21:57,200
Speaker 1: often points out that there are sleeping children in the rubble,

369
00:21:57,359 --> 00:22:00,720
Speaker 1: so it makes it okay, but they actually kind of

370
00:22:00,760 --> 00:22:03,800
Speaker 1: just looked dead, not sleeping. Yeah. I've never figured out

371
00:22:03,840 --> 00:22:07,359
Speaker 1: how that was supposed to be sleeping. Yeah. The second half,

372
00:22:07,560 --> 00:22:11,040
Speaker 1: or a second pain of this one is kids from

373
00:22:11,040 --> 00:22:14,360
Speaker 1: countries around the world, and pairing is traditionally signifying tensions.

374
00:22:14,800 --> 00:22:17,280
Speaker 1: That is, an American kid and a Russian kid or

375
00:22:17,320 --> 00:22:21,520
Speaker 1: a Palestinian kid and any really kid carrying weapons wrapped

376
00:22:21,520 --> 00:22:23,600
Speaker 1: in their respective flags, to be broken in half by

377
00:22:23,600 --> 00:22:28,040
Speaker 1: a blonde super aaryan looking kid over the crippled body

378
00:22:28,080 --> 00:22:30,760
Speaker 1: of the soldier from the previous pain looks to me

379
00:22:30,840 --> 00:22:33,680
Speaker 1: like he's dead. Yeah. I think he's a statue that's

380
00:22:33,680 --> 00:22:37,359
Speaker 1: been not because the feet looked like they're broken and

381
00:22:37,400 --> 00:22:39,800
Speaker 1: locked in one place and the body is down and

382
00:22:39,880 --> 00:22:43,560
Speaker 1: another I think it was a statue kind Yeah. So

383
00:22:43,600 --> 00:22:48,280
Speaker 1: I think that the quote unquote happier versions of these

384
00:22:48,359 --> 00:22:51,800
Speaker 1: are still really really weird, still have a lot of

385
00:22:51,800 --> 00:22:54,520
Speaker 1: really weird symbolism in them. And I guess really the

386
00:22:54,520 --> 00:22:57,680
Speaker 1: big question is, though I I kind of appreciate the

387
00:22:57,800 --> 00:23:00,639
Speaker 1: artistry and I think that I kind of understand what

388
00:23:00,720 --> 00:23:04,639
Speaker 1: artist is trying to do. I just think the Denver

389
00:23:04,680 --> 00:23:08,119
Speaker 1: Airport is a real weird place for them and for

390
00:23:08,200 --> 00:23:10,880
Speaker 1: somebody to be just to make that strong of a statement.

391
00:23:10,960 --> 00:23:16,680
Speaker 1: This is actually easy explained by three words publicly funded art. Yeah,

392
00:23:16,720 --> 00:23:22,080
Speaker 1: I can actually explain it in one word, procrastination. I'm

393
00:23:22,119 --> 00:23:24,240
Speaker 1: pretty sure those look like their oil paintings to me,

394
00:23:24,760 --> 00:23:30,200
Speaker 1: and I'm pretty sure that's the artist in question. They again,

395
00:23:30,240 --> 00:23:34,280
Speaker 1: they said here's by reasoning, and YadA, YadA, YadA, and

396
00:23:34,320 --> 00:23:37,160
Speaker 1: they did a great sales job and everybody said, yes,

397
00:23:37,600 --> 00:23:40,359
Speaker 1: we'll put those up. But I'm really pretty sure that

398
00:23:40,400 --> 00:23:43,160
Speaker 1: they got pitched one idea and they could never make

399
00:23:43,200 --> 00:23:45,720
Speaker 1: it happen. But they just happened to have a bunch

400
00:23:45,720 --> 00:23:49,480
Speaker 1: of canvases sitting around and either they had already done

401
00:23:49,520 --> 00:23:55,640
Speaker 1: those artworks that were just completely hair brained, or oh crap,

402
00:23:55,840 --> 00:23:59,119
Speaker 1: I'm just gonna start. I'm just gonna start painting something

403
00:23:59,160 --> 00:24:01,240
Speaker 1: and sees what up and say it comes out super

404
00:24:01,280 --> 00:24:06,080
Speaker 1: stuper dark, and I don't have time to fix this.

405
00:24:06,080 --> 00:24:10,920
Speaker 1: This is for children in world peace. I really, I've

406
00:24:10,960 --> 00:24:15,200
Speaker 1: read the artist description. Don't buy any now, not really,

407
00:24:15,240 --> 00:24:17,400
Speaker 1: but I think actually, I think really the culprit here

408
00:24:17,600 --> 00:24:21,840
Speaker 1: is the baggage system. There was there was only like

409
00:24:21,880 --> 00:24:24,720
Speaker 1: about fifty bucks left over in the budget for our art,

410
00:24:24,840 --> 00:24:27,440
Speaker 1: and so yeah, they had to get some graffiti artists

411
00:24:27,440 --> 00:24:29,280
Speaker 1: off the street and say it's got to look like

412
00:24:29,480 --> 00:24:31,679
Speaker 1: you're not quite like graffiti, can you do something? And

413
00:24:31,880 --> 00:24:34,080
Speaker 1: you know that's so that's what they got. But that's

414
00:24:34,119 --> 00:24:36,280
Speaker 1: not the only bit of weird, aren't there? Oh? I

415
00:24:36,400 --> 00:24:40,639
Speaker 1: see Steve's notebook out. Yes, as always do you guys

416
00:24:40,720 --> 00:24:44,120
Speaker 1: remember in anybody who's been through the baggage claim area

417
00:24:44,160 --> 00:24:48,840
Speaker 1: will know this. The gargoyles. Yeah, the weirdest thing. I

418
00:24:48,880 --> 00:24:52,800
Speaker 1: was about to use a different words, the weirdest thing ever,

419
00:24:53,040 --> 00:24:56,960
Speaker 1: especially to get off a flight at like hey midnight,

420
00:24:58,320 --> 00:25:03,120
Speaker 1: after having been moving all day and walking to baggage

421
00:25:03,119 --> 00:25:05,800
Speaker 1: claim and having that be the very first thing you

422
00:25:05,840 --> 00:25:09,520
Speaker 1: really see of Denver Airport. For anybody who hasn't been

423
00:25:09,560 --> 00:25:14,400
Speaker 1: to Denver Airport, there are two gargoyles in the baggage

424
00:25:14,440 --> 00:25:17,800
Speaker 1: claim area and it is kind of the old school

425
00:25:17,920 --> 00:25:22,760
Speaker 1: sam snide luggage and then a gargoyle is sticking out

426
00:25:22,760 --> 00:25:26,280
Speaker 1: of it in their goofy weird creepy looking because they're gargoyles,

427
00:25:26,280 --> 00:25:30,600
Speaker 1: but people also all kinds of things are attributed to

428
00:25:30,800 --> 00:25:35,520
Speaker 1: why those gargoyles are there. I did a little research. Awesome,

429
00:25:35,800 --> 00:25:37,560
Speaker 1: I can tell you. Also, I guess to add to

430
00:25:37,600 --> 00:25:42,000
Speaker 1: it their uplet anybody who knows anything about lighting, it's

431
00:25:42,080 --> 00:25:44,600
Speaker 1: really creepy, you know. They really they really should have

432
00:25:44,600 --> 00:25:48,080
Speaker 1: made them animatronics. So they late at night and the

433
00:25:48,119 --> 00:25:49,560
Speaker 1: lights are a little dim and there's not a lot

434
00:25:49,560 --> 00:25:51,679
Speaker 1: of people. Suddenly hear this noise and you look up

435
00:25:51,680 --> 00:25:56,399
Speaker 1: and that thing it's starting to like it's like all

436
00:25:56,440 --> 00:25:59,640
Speaker 1: they had to do is put weird moving red eyes. Well,

437
00:26:00,480 --> 00:26:03,400
Speaker 1: well they blew the eye budget on the horse. Yeah. Yeah,

438
00:26:03,600 --> 00:26:05,240
Speaker 1: But imagine if you're down there and like you're just

439
00:26:05,280 --> 00:26:07,160
Speaker 1: sort of there's only a few people there. To start,

440
00:26:07,200 --> 00:26:08,680
Speaker 1: some move his wings a little bit and its head

441
00:26:08,720 --> 00:26:11,120
Speaker 1: swivels around and it looks it turns its beady red

442
00:26:11,119 --> 00:26:14,560
Speaker 1: eyes on you. What would you do? I would run, Yeah,

443
00:26:15,680 --> 00:26:18,240
Speaker 1: I would run fast. I would figure was it animatronic

444
00:26:18,280 --> 00:26:20,840
Speaker 1: and be eaten a line by the real gargoyle. Yeah,

445
00:26:20,960 --> 00:26:23,560
Speaker 1: all the way back to your thing. Well, no, so, gargoyles,

446
00:26:23,960 --> 00:26:27,439
Speaker 1: anybody who's looked at architectural history have been around forever,

447
00:26:28,119 --> 00:26:33,000
Speaker 1: and gargoyles were initially they're they're a symbol of protection

448
00:26:33,280 --> 00:26:37,720
Speaker 1: for buildings and people. So I put on the outside.

449
00:26:38,200 --> 00:26:40,200
Speaker 1: Don't they have to be on the outside. No, No,

450
00:26:40,200 --> 00:26:44,480
Speaker 1: they're on the outside because gargoyles were on the outside

451
00:26:44,520 --> 00:26:49,359
Speaker 1: because they were used as a a drainage system for

452
00:26:49,600 --> 00:26:52,600
Speaker 1: the roofs. Yeah, they were a dector voice. So you've

453
00:26:52,640 --> 00:26:54,800
Speaker 1: got all the drainage coming off the roof and it

454
00:26:54,880 --> 00:26:57,679
Speaker 1: hits a pipe and it shoots way out over the building.

455
00:26:57,760 --> 00:27:02,840
Speaker 1: And the name gargoyle comes from the sound that water

456
00:27:02,960 --> 00:27:06,119
Speaker 1: makes when it runs through that mouth opening pipe. Of

457
00:27:08,440 --> 00:27:11,359
Speaker 1: it's kind of sounds like it. But gargoyles are a

458
00:27:11,440 --> 00:27:16,600
Speaker 1: symbol of protection. There's nothing nefarious or disturbing. I mean,

459
00:27:16,720 --> 00:27:18,879
Speaker 1: if you ever watched the well I know Joe didn't,

460
00:27:18,920 --> 00:27:22,240
Speaker 1: but you might have watched that cartoon gargoyles back in

461
00:27:22,280 --> 00:27:26,720
Speaker 1: the late nineties early two thousand's. Do you remember that. Okay, See,

462
00:27:26,760 --> 00:27:29,639
Speaker 1: they were protectors, they were good gargoyles. Well, they're just

463
00:27:29,680 --> 00:27:37,040
Speaker 1: like puzzoozuate, gargoyle. I put you through college, and this

464
00:27:37,080 --> 00:27:42,640
Speaker 1: is how you repaying me. Butoyles are a thing of protection,

465
00:27:42,840 --> 00:27:45,000
Speaker 1: so that I think that's where that came from. I

466
00:27:45,080 --> 00:27:46,960
Speaker 1: think that actually they put them in the baggage claim

467
00:27:47,000 --> 00:27:49,000
Speaker 1: area so that that would sort of intimidate people and

468
00:27:49,000 --> 00:27:52,080
Speaker 1: people wouldn't try to steal other people's baggage. There's another

469
00:27:52,119 --> 00:27:55,239
Speaker 1: thing that I that was in the baggage claim just

470
00:27:55,320 --> 00:27:57,480
Speaker 1: as the side note that I've never seen anywhere else.

471
00:27:57,520 --> 00:28:01,760
Speaker 1: I'm sure it exists other places, but they're oversized baggage claim.

472
00:28:01,880 --> 00:28:03,440
Speaker 1: I don't know if you guys noticed this when you

473
00:28:03,480 --> 00:28:06,880
Speaker 1: went through Denver. They're really just like big vertical stalls

474
00:28:07,520 --> 00:28:11,160
Speaker 1: that go around on a conveyor belt in a horizontal manner.

475
00:28:11,600 --> 00:28:14,200
Speaker 1: So it's like you could literally like step in one

476
00:28:14,240 --> 00:28:18,600
Speaker 1: of those and they're actually perfectly human sized and it

477
00:28:18,680 --> 00:28:22,720
Speaker 1: just goes around. And my first thought was really, just

478
00:28:22,800 --> 00:28:25,200
Speaker 1: like it kind of looks like a human vending machine,

479
00:28:27,040 --> 00:28:29,480
Speaker 1: like it did? I mean it just they were perfectly

480
00:28:29,560 --> 00:28:33,680
Speaker 1: human sized. It was very odd you didn't did not

481
00:28:34,240 --> 00:28:37,920
Speaker 1: She did not want to be any human vending machine.

482
00:28:38,200 --> 00:28:40,520
Speaker 1: I don't blame you, but I guess speaking of art.

483
00:28:40,600 --> 00:28:43,360
Speaker 1: There's some it's kind of art. This next thing, we're

484
00:28:43,360 --> 00:28:49,720
Speaker 1: going to talk about the markings on the ground. Yes, okay, okay, okay, okay, okay, okay.

485
00:28:49,760 --> 00:28:53,920
Speaker 1: What is AU A G mean? This is golden silver?

486
00:28:55,720 --> 00:29:00,320
Speaker 1: No A AU and then a G right two separate right,

487
00:29:00,640 --> 00:29:03,800
Speaker 1: Golden silver too, minerals traditionally found in Colorado. Source of

488
00:29:03,800 --> 00:29:07,080
Speaker 1: the state's history. AU stands for golden A G stands

489
00:29:07,120 --> 00:29:10,080
Speaker 1: for silver. Right. What if I told you that it

490
00:29:10,160 --> 00:29:16,080
Speaker 1: also stands for Australia antigen a U A G, which

491
00:29:16,120 --> 00:29:20,720
Speaker 1: is a webinized strain of heptitis B. Also also that

492
00:29:20,840 --> 00:29:24,280
Speaker 1: it's engraved or inlaid in the floor at the Denver Airport.

493
00:29:24,840 --> 00:29:29,120
Speaker 1: So I'm saying that, like it's like a Hepatitis B center,

494
00:29:29,920 --> 00:29:33,520
Speaker 1: weaponized hepatitis B. Yeah. Did you guys also know that

495
00:29:33,560 --> 00:29:38,280
Speaker 1: the person who discovered this weaponized h hepatitis B he funded,

496
00:29:38,400 --> 00:29:40,800
Speaker 1: He was the sponsor of the Denver Airport. Did you

497
00:29:40,800 --> 00:29:43,800
Speaker 1: know that? Do you know that, Steve? Did you know that?

498
00:29:43,840 --> 00:29:49,440
Speaker 1: I'm okay, well that's not true, none of that's true.

499
00:29:49,560 --> 00:29:52,720
Speaker 1: But you know we got everywhere, well except for the

500
00:29:52,760 --> 00:29:56,680
Speaker 1: golden silver, but that stuff is true. Yeah, Well, the

501
00:29:56,720 --> 00:29:58,960
Speaker 1: good news is the actual marker for the strain of

502
00:29:59,000 --> 00:30:03,440
Speaker 1: hepatitis B is actually HBS A G, not a U

503
00:30:03,520 --> 00:30:08,800
Speaker 1: A G. And I think Steve did some research on this,

504
00:30:08,880 --> 00:30:12,720
Speaker 1: but it's an antigen which I had always understood and

505
00:30:12,760 --> 00:30:18,640
Speaker 1: Steve corroborated, is actually what your body produces to fight

506
00:30:18,760 --> 00:30:28,680
Speaker 1: the thing. Yeah, I'm not totally Yeah, actually a lot

507
00:30:28,680 --> 00:30:32,200
Speaker 1: more benevolent than these people make it sound. Yeah. Oh

508
00:30:32,200 --> 00:30:38,520
Speaker 1: oh hey. Also the man in question who discovered the

509
00:30:38,640 --> 00:30:42,080
Speaker 1: strain of hepatitis B. Oh, he happens to be Nobel

510
00:30:42,160 --> 00:30:47,000
Speaker 1: Laureate Baruk Samuel Bloomberg, who has literally no link whatsoever

511
00:30:47,080 --> 00:30:51,400
Speaker 1: to Denver airports. So so you'd like to he'd like

512
00:30:51,440 --> 00:30:54,160
Speaker 1: you to think he was also not wildly rich. He

513
00:30:54,600 --> 00:30:59,200
Speaker 1: certainly wasn't wildly rich enough to sponsor an entire airport

514
00:30:59,240 --> 00:31:01,800
Speaker 1: to himself. I usually lead that stuff to the city

515
00:31:01,800 --> 00:31:06,200
Speaker 1: in question, and maybe the airlines. Yeah. Yeah. So Also

516
00:31:06,520 --> 00:31:08,720
Speaker 1: that brick with a U A G on it. Guess

517
00:31:08,840 --> 00:31:13,480
Speaker 1: guess what's right over it? They're surrounding it. Yeah, it's no,

518
00:31:13,840 --> 00:31:16,520
Speaker 1: it's a it's a mining cart right over it. And

519
00:31:16,520 --> 00:31:20,040
Speaker 1: then it's it's you know, capital a lowercase you. And

520
00:31:20,080 --> 00:31:23,360
Speaker 1: then lots of spaces and then a capital a capital

521
00:31:24,080 --> 00:31:28,680
Speaker 1: lowercase G. And there's lots of other bricks all around it.

522
00:31:29,080 --> 00:31:33,960
Speaker 1: Mostly tiles, I guess, yeah, tiles its floor, right, big, Yeah,

523
00:31:34,000 --> 00:31:37,320
Speaker 1: they're big stones. Yeah, so they are tiles. You're right,

524
00:31:37,440 --> 00:31:39,360
Speaker 1: that's probably a better word for them. But most of

525
00:31:39,400 --> 00:31:42,400
Speaker 1: them are Native American symbols or words or things like that.

526
00:31:42,440 --> 00:31:45,560
Speaker 1: You will see other places people talking about the alien

527
00:31:45,600 --> 00:31:50,680
Speaker 1: writing that's written the floor. Those are literally all Indian

528
00:31:50,680 --> 00:31:54,160
Speaker 1: words there. They just are Native American words. Um, okay.

529
00:31:54,200 --> 00:31:57,720
Speaker 1: But then people, but then the question arises, but why

530
00:31:57,920 --> 00:31:59,960
Speaker 1: why is this one right in front of the mural

531
00:32:00,200 --> 00:32:03,000
Speaker 1: with the death Nazi on it? Well, it's not it's

532
00:32:03,040 --> 00:32:07,200
Speaker 1: not even close. It's not even like adjacent. They're saying,

533
00:32:07,240 --> 00:32:09,680
Speaker 1: this is in front of the mural that's got the

534
00:32:09,760 --> 00:32:13,960
Speaker 1: guy with the sword. Okay, they've clearly never been there.

535
00:32:14,120 --> 00:32:16,560
Speaker 1: I think that they need to call in that guy

536
00:32:17,240 --> 00:32:20,880
Speaker 1: from you know, the damn Brown Book, Da Vinci Code. Yeah,

537
00:32:21,400 --> 00:32:23,320
Speaker 1: I'm sure he can figure this out in a heartbeat. Yeah,

538
00:32:23,320 --> 00:32:26,720
Speaker 1: I'm pretty sure. Been taking like twelve hours, he'd have

539
00:32:26,760 --> 00:32:31,280
Speaker 1: a crazy chase through the tunnels and yeah, yeah, okay,

540
00:32:31,320 --> 00:32:34,240
Speaker 1: what else? What? What? What other fun do we have here.

541
00:32:34,320 --> 00:32:37,400
Speaker 1: Next thing is we're gonna talk about the dedication marker next,

542
00:32:37,560 --> 00:32:40,520
Speaker 1: also often referred to as the capstone. You know, that

543
00:32:40,560 --> 00:32:43,280
Speaker 1: thing just looks to me like something to trip over. Yeah,

544
00:32:43,360 --> 00:32:46,400
Speaker 1: it's pretty big. It's I guess, to be fair, it's

545
00:32:46,440 --> 00:32:49,520
Speaker 1: a hard thing to ignore. It's what lights people's hair on. Fine,

546
00:32:49,680 --> 00:32:55,720
Speaker 1: it sure does. And I think first, yeah, it's kind

547
00:32:55,760 --> 00:32:59,000
Speaker 1: of like a sundial a little bit. The cap stone,

548
00:32:59,080 --> 00:33:01,760
Speaker 1: it's a caps on and then it has a big

549
00:33:01,840 --> 00:33:04,040
Speaker 1: kind of rod sticking out of it a little bit.

550
00:33:04,160 --> 00:33:07,880
Speaker 1: It's not a circle. The capstone is well like a keystone.

551
00:33:08,720 --> 00:33:12,480
Speaker 1: It's like, um, it actually looks like the big heavy

552
00:33:12,480 --> 00:33:15,160
Speaker 1: thing on top of a tomb, the big heavy stone

553
00:33:15,160 --> 00:33:17,120
Speaker 1: on top of a two. Yeah. It just makes you

554
00:33:17,160 --> 00:33:21,440
Speaker 1: think like a big headstone. Yeah. Well so it's it

555
00:33:21,520 --> 00:33:25,200
Speaker 1: not only informs the public of the details of the

556
00:33:25,240 --> 00:33:29,000
Speaker 1: projects kind of, but also it marks the spot of

557
00:33:29,040 --> 00:33:32,520
Speaker 1: a time capsule that's meant to be opened in UM

558
00:33:33,000 --> 00:33:38,560
Speaker 1: two thousand and The contents of the capsule include lots

559
00:33:38,600 --> 00:33:40,160
Speaker 1: of things, you know, the kind of things you would

560
00:33:40,160 --> 00:33:44,040
Speaker 1: put in a time capsule. Photos of notable places in

561
00:33:44,080 --> 00:33:47,960
Speaker 1: Denver around the nine nineties, memorabilia from the old Denver Airport,

562
00:33:48,120 --> 00:33:51,920
Speaker 1: Colorado Flags newspapers a credit card for some reason, because

563
00:33:51,960 --> 00:33:55,400
Speaker 1: those were awesome. Yeah, I suppose you're going to be

564
00:33:55,480 --> 00:33:58,640
Speaker 1: gone by the time. It's just one credit card. I

565
00:33:58,720 --> 00:34:02,440
Speaker 1: don't know why. I don't know that's card has not

566
00:34:02,560 --> 00:34:07,720
Speaker 1: been reported lost or stolen yet yet. It also includes

567
00:34:07,800 --> 00:34:12,840
Speaker 1: some programs from all of the New World Airport Commission's events.

568
00:34:12,960 --> 00:34:17,080
Speaker 1: This is just one exciting time. I can't wait to

569
00:34:17,120 --> 00:34:20,600
Speaker 1: open this one up. Yeah. Well, actually, you may be

570
00:34:20,719 --> 00:34:24,280
Speaker 1: wondering you at home. There may have been some words

571
00:34:24,280 --> 00:34:27,239
Speaker 1: in there that kind of piqued your interest, like the

572
00:34:27,280 --> 00:34:30,120
Speaker 1: New World Airport Commission. I thought you were talking about

573
00:34:30,120 --> 00:34:32,920
Speaker 1: credit card, but you may be wondering what that is then.

574
00:34:32,960 --> 00:34:36,920
Speaker 1: To be honest, um me too. I couldn't find anything

575
00:34:36,960 --> 00:34:40,319
Speaker 1: that wasn't outright conspiracy theories on the organization online, and

576
00:34:40,360 --> 00:34:43,399
Speaker 1: I know Steve is giving me the look, which means

577
00:34:43,480 --> 00:34:47,080
Speaker 1: he found some stuff, which is fine. You know, when

578
00:34:47,080 --> 00:34:51,120
Speaker 1: you google New World Airport Commission, it either comes up

579
00:34:51,160 --> 00:34:54,560
Speaker 1: with Denver Airport or oh my god, these people are

580
00:34:54,600 --> 00:35:00,000
Speaker 1: going to take over the population to two million. Yeah,

581
00:35:00,560 --> 00:35:04,719
Speaker 1: it's not the New World Order, but just close to

582
00:35:04,800 --> 00:35:10,200
Speaker 1: the New World Order. Airport. So this capstone also has

583
00:35:10,320 --> 00:35:13,120
Speaker 1: names of the mayor, governor, and Secretary of Transportation at

584
00:35:13,120 --> 00:35:15,719
Speaker 1: the time on it. The notice of the time capsule

585
00:35:16,040 --> 00:35:22,799
Speaker 1: then also the massonic Freemason symbol. Also engraved on it

586
00:35:22,920 --> 00:35:27,040
Speaker 1: are quote the most Worshipful Prince Hall, Grand Lodge F

587
00:35:27,280 --> 00:35:31,440
Speaker 1: and a M of Colorado and jurisdiction, and then quote

588
00:35:31,880 --> 00:35:34,480
Speaker 1: the most Worshipful Grand Lodge of a D and a

589
00:35:34,719 --> 00:35:38,640
Speaker 1: M of Colorado. It also then below says that the

590
00:35:38,680 --> 00:35:42,160
Speaker 1: airport was funded by the New World Airport or yeah,

591
00:35:42,160 --> 00:35:45,919
Speaker 1: the New World Airport Commission. And again it doesn't. It's

592
00:35:46,080 --> 00:35:48,880
Speaker 1: it's not an official thing, and that lights a lot

593
00:35:48,920 --> 00:35:51,239
Speaker 1: of people on fire. Is is the term I guess

594
00:35:51,239 --> 00:35:55,680
Speaker 1: we're using right now. But listed under it are contributors

595
00:35:57,200 --> 00:35:59,960
Speaker 1: which are an architecture firm, a metal company and Aaron

596
00:36:00,040 --> 00:36:03,600
Speaker 1: Aeronautics company. And even if before I let Steve because

597
00:36:03,600 --> 00:36:05,640
Speaker 1: he's like trauma at the bit right now, before I

598
00:36:05,719 --> 00:36:09,600
Speaker 1: let him go out, even if these are just three

599
00:36:09,960 --> 00:36:14,800
Speaker 1: innocent sponsors who formed a commission called the New World

600
00:36:14,840 --> 00:36:17,759
Speaker 1: Airport Commission, come on, guys, like pick a pick a

601
00:36:17,760 --> 00:36:20,440
Speaker 1: better name, like pick a less suspicious name, though terrible,

602
00:36:20,680 --> 00:36:23,040
Speaker 1: like why would you why would that be the thing

603
00:36:23,080 --> 00:36:25,040
Speaker 1: that you pick. But the thing is is like that

604
00:36:25,200 --> 00:36:28,120
Speaker 1: the whole new World Order thing hadn't really blossomed that much.

605
00:36:28,120 --> 00:36:31,600
Speaker 1: I mean it was like this was like the New

606
00:36:31,600 --> 00:36:34,279
Speaker 1: World Order didn't come into being until the speech was

607
00:36:34,320 --> 00:36:37,520
Speaker 1: given by George W. George H. W. Bush, the first Bush.

608
00:36:37,560 --> 00:36:40,479
Speaker 1: And what I think that the very early nineties, after

609
00:36:40,480 --> 00:36:43,279
Speaker 1: the fall of the Soviet Union, we were we were

610
00:36:43,280 --> 00:36:45,680
Speaker 1: looking at a whole different world order because of Soviets

611
00:36:45,719 --> 00:36:48,920
Speaker 1: were gone. And when did the airport open? It opened

612
00:36:48,960 --> 00:36:56,719
Speaker 1: in this is after that speech. But if but the

613
00:36:56,920 --> 00:37:00,360
Speaker 1: construction on the airport began before that speech, right, But

614
00:37:00,400 --> 00:37:03,240
Speaker 1: they weren't. It wasn't like a registered LLC or anything.

615
00:37:03,320 --> 00:37:06,160
Speaker 1: That was just it was a bunch of business guys

616
00:37:06,360 --> 00:37:09,920
Speaker 1: who got together and said, we're going to help sponsor this.

617
00:37:09,920 --> 00:37:16,120
Speaker 1: This is the new for the area World airport exactly.

618
00:37:16,520 --> 00:37:19,040
Speaker 1: It's not a new world it's new world airport because

619
00:37:19,040 --> 00:37:21,719
Speaker 1: it's an international airport exactly. And the thing about it

620
00:37:21,800 --> 00:37:26,200
Speaker 1: is is like, uh, he gives his speech and he

621
00:37:26,239 --> 00:37:28,359
Speaker 1: talks about, well, you know, it's a new world order

622
00:37:28,360 --> 00:37:31,040
Speaker 1: because Gully, it's not a bipolar world and and all

623
00:37:31,040 --> 00:37:33,759
Speaker 1: that stuff. The Cold War is over, And of course

624
00:37:33,800 --> 00:37:35,799
Speaker 1: the conspiracy in that case is in the paranoids go

625
00:37:35,960 --> 00:37:37,600
Speaker 1: nuts with this and start running with it. But do

626
00:37:37,640 --> 00:37:39,560
Speaker 1: you really expect a bunch of middle aged businessmen to

627
00:37:39,600 --> 00:37:41,240
Speaker 1: be up on that stuff and to be paying attention

628
00:37:41,360 --> 00:37:46,000
Speaker 1: of that stuff. No, No, that's true. It just seems

629
00:37:46,040 --> 00:37:50,960
Speaker 1: like maybe saying like new International Airport or the new

630
00:37:51,160 --> 00:37:59,200
Speaker 1: Denver International Airport Mission, something way more description descriptive instead

631
00:37:59,200 --> 00:38:02,600
Speaker 1: of I got this cool, Yeah, the new World Airport Commissions. Yes,

632
00:38:03,160 --> 00:38:05,479
Speaker 1: I mean it makes sense if you if you look

633
00:38:05,560 --> 00:38:08,560
Speaker 1: at it without running it together and adding you know,

634
00:38:08,600 --> 00:38:12,799
Speaker 1: all these other things to the name the new World Airport,

635
00:38:13,200 --> 00:38:17,879
Speaker 1: it makes sense makes sense locally kind of How would

636
00:38:17,880 --> 00:38:22,480
Speaker 1: have just called it the new Friggan Airport or International

637
00:38:23,040 --> 00:38:27,439
Speaker 1: or about time we got a new airport commission? Yeah,

638
00:38:27,440 --> 00:38:30,160
Speaker 1: their old airports. It was not great. No, it was

639
00:38:30,239 --> 00:38:32,719
Speaker 1: really bad. You know a lot of people claim that

640
00:38:33,520 --> 00:38:35,680
Speaker 1: it wasn't nearly that bad at all, and so that's

641
00:38:35,719 --> 00:38:38,240
Speaker 1: part of that fed in the conspiracy theories they replaced

642
00:38:38,280 --> 00:38:41,239
Speaker 1: it was. It was really really it was. I just

643
00:38:41,280 --> 00:38:42,839
Speaker 1: want to go ahead and go on record and say

644
00:38:42,880 --> 00:38:46,640
Speaker 1: it was a noise complaints in the bad snowstorms I

645
00:38:46,640 --> 00:38:50,719
Speaker 1: don't remember how many airports runways it had, but they

646
00:38:50,760 --> 00:38:55,920
Speaker 1: could operate about what they were supposed to run. And

647
00:38:55,960 --> 00:38:58,960
Speaker 1: of course Denver's you know, usually has bad, bad weather

648
00:38:59,239 --> 00:39:01,799
Speaker 1: in the winter time. It's high up, it's snowy. Yet

649
00:39:01,840 --> 00:39:04,480
Speaker 1: well they so actually so this was a fun fact.

650
00:39:05,200 --> 00:39:08,000
Speaker 1: They layout of the runways was such that they were

651
00:39:08,000 --> 00:39:11,200
Speaker 1: too close together, so an implement whether they couldn't they

652
00:39:11,200 --> 00:39:14,080
Speaker 1: could only use one of those two. But then also

653
00:39:14,600 --> 00:39:19,120
Speaker 1: the runways intersected each other at multiple points, so you

654
00:39:19,160 --> 00:39:23,160
Speaker 1: couldn't have a airplane taking off and landing at the

655
00:39:23,160 --> 00:39:25,880
Speaker 1: same time. It was basically just like a cross, like

656
00:39:25,880 --> 00:39:29,840
Speaker 1: a half Yeah. And then they just couldn't use like

657
00:39:29,960 --> 00:39:32,759
Speaker 1: most of them because the weather was bad. No, yeah,

658
00:39:33,160 --> 00:39:34,800
Speaker 1: that kind of continue to use it. They just wouldn't

659
00:39:34,800 --> 00:39:37,040
Speaker 1: have been a major hub as they are now. Yeah,

660
00:39:37,320 --> 00:39:40,120
Speaker 1: well especially in the wintertime. But the thing that I

661
00:39:40,239 --> 00:39:44,120
Speaker 1: found that I was really I got really excited about

662
00:39:44,480 --> 00:39:49,239
Speaker 1: at first is so we've got the Masons are sponsoring

663
00:39:49,360 --> 00:39:53,160
Speaker 1: part of this, and they're on that that dedication, and

664
00:39:53,360 --> 00:39:56,560
Speaker 1: we've talked about the New World Order and how it's

665
00:39:56,640 --> 00:40:02,600
Speaker 1: trying to reduce the population to two billion. I think, Yeah,

666
00:40:03,239 --> 00:40:08,719
Speaker 1: I managed to somehow, I believe figure out where that

667
00:40:08,800 --> 00:40:10,520
Speaker 1: name number came from. I like that this is where

668
00:40:10,520 --> 00:40:14,719
Speaker 1: we're taking this on. This is in the middle of

669
00:40:14,760 --> 00:40:17,840
Speaker 1: an episode about the Denver Airport. We're gonna myth bust

670
00:40:18,040 --> 00:40:24,319
Speaker 1: the two billion frosted. Yeah, So I I gotta thank

671
00:40:24,360 --> 00:40:28,680
Speaker 1: the guys at Stuff. You should know because they did

672
00:40:28,719 --> 00:40:33,320
Speaker 1: an episode on population control and that's where I suddenly

673
00:40:33,360 --> 00:40:36,640
Speaker 1: made the links. Though they never actually laid it out.

674
00:40:36,680 --> 00:40:39,319
Speaker 1: I figured it out. So there's a guy by the

675
00:40:39,440 --> 00:40:45,800
Speaker 1: name of Thomas Robert Malthus and he uh, he wrote

676
00:40:46,000 --> 00:40:52,080
Speaker 1: of what he called the Malthusian catastrophe, which was overpopulation

677
00:40:52,120 --> 00:40:55,520
Speaker 1: would lead to famine and death. And this is back

678
00:40:55,560 --> 00:40:58,000
Speaker 1: in the eighteen hundreds he writes this. I think it

679
00:40:58,040 --> 00:41:00,520
Speaker 1: was the late eighteen hundreds is when he he did

680
00:41:00,640 --> 00:41:08,239
Speaker 1: his research for population control. You jump forward to and

681
00:41:08,320 --> 00:41:11,200
Speaker 1: I know Joe is looking at because he knows what's coming.

682
00:41:11,880 --> 00:41:18,600
Speaker 1: It's Paul Airlick rights the population bomb, which is everybody

683
00:41:18,600 --> 00:41:21,600
Speaker 1: calls an alarmous piece of work because he the first

684
00:41:21,600 --> 00:41:23,440
Speaker 1: thing he starts out with saying is that we're all

685
00:41:23,440 --> 00:41:27,319
Speaker 1: gonna die, essentially saying that the world can't sustain us.

686
00:41:27,400 --> 00:41:30,399
Speaker 1: And two billion is the max number, and we need

687
00:41:30,440 --> 00:41:33,520
Speaker 1: to control bursts and we need to change all this stuff.

688
00:41:33,880 --> 00:41:38,120
Speaker 1: But somehow, I mean today most people look at his

689
00:41:38,200 --> 00:41:41,200
Speaker 1: work and say he's wrong. His math was wrong. He

690
00:41:41,680 --> 00:41:48,040
Speaker 1: and mouths we're wrong. But somehow that two billion got

691
00:41:48,239 --> 00:41:51,640
Speaker 1: pulled in with the New World Order, and that number

692
00:41:51,760 --> 00:41:54,600
Speaker 1: always gets drug along when you're talking about the New

693
00:41:54,640 --> 00:41:59,799
Speaker 1: World Order stuff. It's all this human carrying capacity. That's

694
00:41:59,800 --> 00:42:02,239
Speaker 1: where it comes from. Yeah, it's funny think about air

695
00:42:02,320 --> 00:42:04,520
Speaker 1: like is that he may had a lot of predictions,

696
00:42:04,560 --> 00:42:08,400
Speaker 1: not just about overpopulation. I don't know every single one

697
00:42:08,400 --> 00:42:11,040
Speaker 1: of them was wrong. Um one. He was the John

698
00:42:11,040 --> 00:42:16,280
Speaker 1: Teeter of Yeah. I mean, so his not not busy,

699
00:42:16,280 --> 00:42:18,920
Speaker 1: and it's still very popular. I mean there's still people

700
00:42:19,000 --> 00:42:22,239
Speaker 1: today protecting all sorts of dire out comes, at least

701
00:42:22,280 --> 00:42:25,080
Speaker 1: in the days of mouthuse is you know, the original days,

702
00:42:25,080 --> 00:42:27,279
Speaker 1: And I mean famine was not that uncommon back in

703
00:42:27,360 --> 00:42:30,120
Speaker 1: his day, So he can be forgiven, I suppose. But

704
00:42:31,040 --> 00:42:33,479
Speaker 1: some of the people that are still jumping on board

705
00:42:33,560 --> 00:42:35,959
Speaker 1: some of the bandwagons. So the things like oh my god,

706
00:42:36,040 --> 00:42:39,520
Speaker 1: peak oil, now we're not running short anytime soon, things

707
00:42:39,560 --> 00:42:43,400
Speaker 1: like that, there's plenty of food and population and the

708
00:42:43,400 --> 00:42:46,520
Speaker 1: two billion number. I the thing that the reason I

709
00:42:46,560 --> 00:42:49,040
Speaker 1: have a problem with the two billion number and relating

710
00:42:49,080 --> 00:42:52,399
Speaker 1: it to the New World Order is the New World Order?

711
00:42:52,440 --> 00:42:56,000
Speaker 1: Are these people who are behind it? They are They're

712
00:42:56,000 --> 00:42:59,200
Speaker 1: part of our elite. They're part of this probably extremely

713
00:42:59,320 --> 00:43:02,600
Speaker 1: rich capital to lead get well, reducing the population to

714
00:43:02,680 --> 00:43:05,719
Speaker 1: two billion people really doesn't make them any money, I

715
00:43:05,800 --> 00:43:08,360
Speaker 1: don't think. And that's why the paranoia over you know,

716
00:43:08,400 --> 00:43:12,239
Speaker 1: this mass reduction in population is ludicrous because hey, you know,

717
00:43:12,560 --> 00:43:15,240
Speaker 1: we're really going to like cause our economies to shrink

718
00:43:15,239 --> 00:43:17,120
Speaker 1: and cus us all to cause us all to get poorer.

719
00:43:17,120 --> 00:43:19,680
Speaker 1: Are we really going to do this? Well? I think

720
00:43:19,760 --> 00:43:22,280
Speaker 1: that people look at it is is if that top

721
00:43:22,440 --> 00:43:26,640
Speaker 1: echelon of people, these these rich guys that are at

722
00:43:26,640 --> 00:43:30,360
Speaker 1: the top and in control, they if they if the

723
00:43:30,360 --> 00:43:33,960
Speaker 1: New World Order goes into effect, and we I don't

724
00:43:33,960 --> 00:43:36,440
Speaker 1: know how this happens, but suddenly the population is cut

725
00:43:36,480 --> 00:43:40,919
Speaker 1: to two billion. Now their royalty, so now they get

726
00:43:40,960 --> 00:43:44,800
Speaker 1: to make that royalty lineage. So it's not making money

727
00:43:44,800 --> 00:43:49,160
Speaker 1: in a capitalist sense. They're just they're top dogs and

728
00:43:49,200 --> 00:43:52,759
Speaker 1: they're they're gonna sit on the pile of cash and

729
00:43:52,800 --> 00:43:55,640
Speaker 1: all their descendants are gonna sit there and we're way

730
00:43:55,719 --> 00:43:59,160
Speaker 1: off topic here, but but that's what I found and

731
00:43:59,280 --> 00:44:01,080
Speaker 1: I had to bring it up. Is that's where this

732
00:44:01,160 --> 00:44:05,480
Speaker 1: whole new World Order billion people thing comes from. As

733
00:44:05,560 --> 00:44:07,440
Speaker 1: best I can tell, this is the first time I've

734
00:44:07,480 --> 00:44:11,240
Speaker 1: ever been able to put two and two together on this. Yeah,

735
00:44:11,480 --> 00:44:15,400
Speaker 1: I've it's nobody really knows what the magic number is.

736
00:44:15,480 --> 00:44:17,560
Speaker 1: I mean, I think the Earth could support like tens

737
00:44:17,560 --> 00:44:23,000
Speaker 1: of billions more people, whether we should or not. You know, well,

738
00:44:23,160 --> 00:44:26,279
Speaker 1: you know why two billion is suspicious, right, because that's

739
00:44:26,360 --> 00:44:31,399
Speaker 1: exactly how over budget they went on this project. Oh

740
00:44:31,480 --> 00:44:35,840
Speaker 1: my god, So that explains everything. That explains I mean

741
00:44:35,880 --> 00:44:37,359
Speaker 1: they were they were like they were like looking at

742
00:44:37,400 --> 00:44:39,640
Speaker 1: this and thinking, oh my god, you know that we're

743
00:44:39,680 --> 00:44:41,520
Speaker 1: not gonna go over budget at all. What can we do?

744
00:44:41,719 --> 00:44:46,160
Speaker 1: I have an automated luggage system, and let's do something else.

745
00:44:46,200 --> 00:44:48,239
Speaker 1: But you're going to talk about that later. We're gonna

746
00:44:48,239 --> 00:44:50,600
Speaker 1: get some weird paintings, there was somebody. Yeah, the weird

747
00:44:50,640 --> 00:44:52,839
Speaker 1: paint I told you. I already proved they only paid

748
00:44:52,880 --> 00:44:56,720
Speaker 1: fifty bucks for those paintings. Next up is the layout

749
00:44:56,719 --> 00:44:58,560
Speaker 1: of the runways, and all I have to say about

750
00:44:58,600 --> 00:45:00,680
Speaker 1: that is calm down, you guys, it really doesn't look

751
00:45:00,719 --> 00:45:05,240
Speaker 1: that much like a swastica. Just calm down. Next, draw

752
00:45:05,360 --> 00:45:09,520
Speaker 1: lines on the airport and then remove the photo of

753
00:45:09,640 --> 00:45:13,400
Speaker 1: the airport and the runways don't look like a swastica. Yeah, no,

754
00:45:13,520 --> 00:45:17,640
Speaker 1: calm down. Next up underground bunkers and tunnels. Okay, So

755
00:45:18,160 --> 00:45:20,400
Speaker 1: now we're venturing into territory that I didn't get to

756
00:45:20,440 --> 00:45:22,840
Speaker 1: see with my own two eyes because people are the

757
00:45:22,880 --> 00:45:26,080
Speaker 1: worst in my security clearance wasn't approved in time. Yeah,

758
00:45:26,640 --> 00:45:28,920
Speaker 1: probably know. You probably walked right past a bunch of

759
00:45:28,960 --> 00:45:31,959
Speaker 1: secret Yeah. I probably did. Um, And since I didn't

760
00:45:31,960 --> 00:45:33,160
Speaker 1: get to see it with my own two eyes, were

761
00:45:33,200 --> 00:45:35,680
Speaker 1: just going to not even talk about this part. Cool? Great,

762
00:45:36,120 --> 00:45:41,239
Speaker 1: really just kidding there. So there's a tram system that,

763
00:45:41,320 --> 00:45:44,839
Speaker 1: as far as I can tell, takes not as far

764
00:45:44,880 --> 00:45:47,719
Speaker 1: as I can tell, it takes you from one concourse

765
00:45:47,760 --> 00:45:51,279
Speaker 1: to another, and I didn't I couldn't tell if there

766
00:45:51,360 --> 00:45:55,359
Speaker 1: was a way to walk between concourses. There should be,

767
00:45:55,480 --> 00:45:58,920
Speaker 1: but I don't think there there has There should be, ye,

768
00:46:00,239 --> 00:46:03,919
Speaker 1: if if the if the trains go down, you have

769
00:46:04,040 --> 00:46:06,759
Speaker 1: to have a way for people to walk out, Yeah,

770
00:46:06,800 --> 00:46:11,000
Speaker 1: out of the train system, sure, but walk in between concourses.

771
00:46:11,040 --> 00:46:14,160
Speaker 1: I don't know that was It's fine, it doesn't really matter.

772
00:46:14,200 --> 00:46:16,920
Speaker 1: I didn't want to pour too much stuff into that. Now. Well,

773
00:46:16,920 --> 00:46:19,799
Speaker 1: I'm just thinking is that I've been in airports, like

774
00:46:19,840 --> 00:46:22,440
Speaker 1: I was in Atlanta a couple of months back, and

775
00:46:22,480 --> 00:46:25,520
Speaker 1: I know that you can get on the train and

776
00:46:25,760 --> 00:46:29,320
Speaker 1: it zips you from concourse to concourse in no time flat.

777
00:46:29,920 --> 00:46:34,239
Speaker 1: But unfortunately, about ten years prior, I had said, well,

778
00:46:34,320 --> 00:46:37,960
Speaker 1: I'm used to the Portland International Airport, they can't be

779
00:46:38,080 --> 00:46:41,600
Speaker 1: that far. I decided to walk from one to the

780
00:46:41,640 --> 00:46:45,799
Speaker 1: other and it took me twenty five minutes. Well, like

781
00:46:45,840 --> 00:46:48,319
Speaker 1: in l A, you literally can't you have to get

782
00:46:48,320 --> 00:46:51,520
Speaker 1: on a bus or the tram right there. You can't

783
00:46:51,520 --> 00:46:53,239
Speaker 1: because it goes it's there on the other side of

784
00:46:53,280 --> 00:46:56,520
Speaker 1: the tarmac. Ah. So I don't know if it was

785
00:46:56,600 --> 00:46:58,080
Speaker 1: like that. I didn't get a good sense of that.

786
00:46:58,320 --> 00:47:00,600
Speaker 1: It's not really that important. The only thing that really

787
00:47:00,640 --> 00:47:03,040
Speaker 1: stood out to me on the trams well, actually that's

788
00:47:03,040 --> 00:47:06,200
Speaker 1: not true. My guide was telling me about how in

789
00:47:06,320 --> 00:47:10,000
Speaker 1: the tunnels on one side of the tunnels there's these

790
00:47:10,080 --> 00:47:13,200
Speaker 1: like silver pin wheel things, lots of them, and uh,

791
00:47:13,400 --> 00:47:15,440
Speaker 1: he said to me, well, what are they trying to

792
00:47:15,480 --> 00:47:20,879
Speaker 1: distract you from huh, So I turned when we when

793
00:47:20,880 --> 00:47:23,160
Speaker 1: we saw them, I like turned to the other side.

794
00:47:23,200 --> 00:47:25,759
Speaker 1: It's just wall, it's just concrete. There's nothing there, you know.

795
00:47:26,080 --> 00:47:27,920
Speaker 1: The only thing that I did notice are these what

796
00:47:27,920 --> 00:47:30,319
Speaker 1: do these pin wheel things look like? Exactly? They just

797
00:47:30,320 --> 00:47:32,719
Speaker 1: look like little silver pin wheels. They're just interesting, you know,

798
00:47:32,719 --> 00:47:35,040
Speaker 1: because the way they set in the wall or what. Yeah,

799
00:47:35,080 --> 00:47:37,400
Speaker 1: they're like a little off the wall. They're basically the

800
00:47:37,480 --> 00:47:40,560
Speaker 1: train goes by, the wind makes some spin or something.

801
00:47:40,719 --> 00:47:46,200
Speaker 1: You see there. So, yeah, did you notice at any

802
00:47:46,200 --> 00:47:48,400
Speaker 1: point we're watching the trash, did you notice like like

803
00:47:48,560 --> 00:47:51,680
Speaker 1: tracks branching off and just going into a blank wall

804
00:47:52,080 --> 00:47:54,759
Speaker 1: a wall. But I will say that it did seem

805
00:47:54,800 --> 00:47:59,239
Speaker 1: like the tram system. You know, there are moments in

806
00:47:59,280 --> 00:48:02,239
Speaker 1: a subway system, right that it opens up a little bit,

807
00:48:02,280 --> 00:48:05,960
Speaker 1: and there's all these interchanges, and it seemed a little

808
00:48:06,080 --> 00:48:10,160
Speaker 1: more complex than necessary for what I deemed to be

809
00:48:10,239 --> 00:48:13,759
Speaker 1: just a back and forth tram system. But I'm sure

810
00:48:13,760 --> 00:48:15,919
Speaker 1: there are a lot of reasonable explanations for that, other

811
00:48:16,000 --> 00:48:20,000
Speaker 1: than we're transporting this car of Illuminati members often to

812
00:48:20,120 --> 00:48:22,680
Speaker 1: the distance so it can go to their under Chances

813
00:48:22,719 --> 00:48:27,080
Speaker 1: are good that the trams system station where they do

814
00:48:27,120 --> 00:48:32,040
Speaker 1: all their maintenance runs off the same line and they

815
00:48:32,120 --> 00:48:34,520
Speaker 1: have to have multiple junctions. We have a trained system

816
00:48:34,560 --> 00:48:37,759
Speaker 1: here in Portland that I ride every day, and there

817
00:48:37,800 --> 00:48:41,120
Speaker 1: are all kinds of junctions on that thing. The very

818
00:48:41,200 --> 00:48:43,399
Speaker 1: thing is it's above ground and I can see where

819
00:48:43,440 --> 00:48:48,719
Speaker 1: they go into a big building where they work on them.

820
00:48:49,040 --> 00:48:54,640
Speaker 1: Were something's going on. You don't know what that? Yeah, yeah, wait,

821
00:48:54,880 --> 00:48:57,960
Speaker 1: thanks for shooting that. Apart of I totally had that

822
00:48:58,000 --> 00:49:03,040
Speaker 1: solve on saying that I've actually been in the strange

823
00:49:03,080 --> 00:49:05,600
Speaker 1: a lot they probably don't work on. Probably that's a

824
00:49:05,640 --> 00:49:10,640
Speaker 1: good point to the underground. Also, there's that fascinating defunct

825
00:49:10,680 --> 00:49:18,480
Speaker 1: automated baggage system that I mentioned earlier. Well, theorists suggest

826
00:49:18,640 --> 00:49:20,640
Speaker 1: I'm just using the term theorists. I'm not going to

827
00:49:20,640 --> 00:49:22,640
Speaker 1: preface that one with anything, but we can all fill

828
00:49:22,640 --> 00:49:25,560
Speaker 1: in the blank there suggest that there's something more nefarious

829
00:49:25,560 --> 00:49:29,239
Speaker 1: going on down there, mostly because the system cost a

830
00:49:29,280 --> 00:49:32,879
Speaker 1: bunch of money and never really worked. Oh it's not

831
00:49:33,040 --> 00:49:37,399
Speaker 1: like we've never done that before. Yeah no, really, it

832
00:49:37,440 --> 00:49:39,920
Speaker 1: looks like it was a cool concept, but I'm not

833
00:49:40,040 --> 00:49:43,319
Speaker 1: totally sure why it never really worked. There's a lot

834
00:49:43,360 --> 00:49:46,040
Speaker 1: of stuff flying around the internet about why. Tons of

835
00:49:46,120 --> 00:49:50,880
Speaker 1: mechanical issues, yeah, design, you know, some people say that

836
00:49:50,960 --> 00:49:53,400
Speaker 1: it was too complex. Others say that it was a

837
00:49:53,440 --> 00:49:57,080
Speaker 1: failed concept from the start. Still others say it's covering

838
00:49:57,160 --> 00:50:00,279
Speaker 1: up something sinister, like an underground base for any thing

839
00:50:00,600 --> 00:50:06,600
Speaker 1: ranging from the American government to the Illuminati to yep, aliens.

840
00:50:07,600 --> 00:50:13,040
Speaker 1: Did you just say the Illuminati? I did. Are you

841
00:50:11,480 --> 00:50:15,879
Speaker 1: sure to bring those guys up? I think we're gonna

842
00:50:15,880 --> 00:50:19,879
Speaker 1: be okay. Can we get back to the automated bagging system? Yeah? Yeah,

843
00:50:20,000 --> 00:50:21,799
Speaker 1: you have more things to say, No, No, I just

844
00:50:21,920 --> 00:50:24,840
Speaker 1: I just have a very simple personal observation, which is,

845
00:50:25,760 --> 00:50:30,480
Speaker 1: if anybody were to build that baggage system today, it

846
00:50:30,480 --> 00:50:34,480
Speaker 1: would work. You know why, because we actually have decent

847
00:50:34,600 --> 00:50:39,040
Speaker 1: computers that have good laser scanners for reading and barcodes

848
00:50:39,080 --> 00:50:41,440
Speaker 1: and all that. Robotics are a lot better than they

849
00:50:41,440 --> 00:50:45,839
Speaker 1: were back. I don't know how that thing figured out

850
00:50:45,880 --> 00:50:49,160
Speaker 1: what went where, but I'm guessing that that was part

851
00:50:49,200 --> 00:50:52,960
Speaker 1: of the problem. Is it was probably a barely advanced

852
00:50:52,960 --> 00:50:56,760
Speaker 1: pass prototype stage thing, and that's why it never made well.

853
00:50:57,080 --> 00:50:59,480
Speaker 1: I mean, but they couldn't afford to pull it all

854
00:50:59,520 --> 00:51:02,279
Speaker 1: out of the Honestly, though, I don't think that it.

855
00:51:02,880 --> 00:51:05,600
Speaker 1: I don't think that the computer system would have been

856
00:51:05,640 --> 00:51:09,200
Speaker 1: really the big problem. Yes, it's what twenty some odd

857
00:51:09,280 --> 00:51:14,440
Speaker 1: years ago at this point, You're welcome. Everyone was like

858
00:51:14,600 --> 00:51:17,839
Speaker 1: more than twenty years ago. But there's people that next

859
00:51:17,960 --> 00:51:24,520
Speaker 1: year we'll get to drink. Yeah, okay, but scanners still existed,

860
00:51:24,560 --> 00:51:27,279
Speaker 1: computers were. Okay, it's not as though this is a

861
00:51:27,480 --> 00:51:31,240
Speaker 1: highly complex task that we were asking computers and machines

862
00:51:31,280 --> 00:51:35,120
Speaker 1: to do. It's fairly rudimentary. It should have been possible.

863
00:51:35,719 --> 00:51:39,040
Speaker 1: It truly should have been possible, but for whatever reason,

864
00:51:39,680 --> 00:51:43,759
Speaker 1: but it wasn't. Yeah, I'm gonna I was about to

865
00:51:43,920 --> 00:51:45,960
Speaker 1: launch into host of well, it's got to be this

866
00:51:46,000 --> 00:51:47,239
Speaker 1: and that and this and that and this and all

867
00:51:47,280 --> 00:51:52,040
Speaker 1: these details. But my answer is, it's simple as embedding

868
00:51:52,080 --> 00:51:55,920
Speaker 1: our FID tags in those silly little baggage tags that

869
00:51:56,000 --> 00:51:59,719
Speaker 1: you get. Now, that solves the entire problem absolutely, But

870
00:52:00,160 --> 00:52:04,120
Speaker 1: just the I mean the simple idea of putting a scanner.

871
00:52:04,640 --> 00:52:07,279
Speaker 1: They all have those barcodes on them anyways, that's how

872
00:52:07,320 --> 00:52:10,080
Speaker 1: they do it right now. Anyways, it just takes the

873
00:52:10,160 --> 00:52:12,919
Speaker 1: human element out of it to pick up the tag.

874
00:52:14,000 --> 00:52:16,759
Speaker 1: Should have been possible, but for whatever reason, it wasn't

875
00:52:17,120 --> 00:52:20,120
Speaker 1: I say. Yeah, I mean we've actually humanity is designed

876
00:52:20,160 --> 00:52:22,359
Speaker 1: far more complex systems. I mean, look at the moon

877
00:52:22,440 --> 00:52:27,239
Speaker 1: landings for press sex. So it's possible. Yeah, yeah, I mean,

878
00:52:27,280 --> 00:52:29,799
Speaker 1: as we said, and as I said earlier. Okay, yeah,

879
00:52:29,960 --> 00:52:32,839
Speaker 1: so they built all these tunnels. The tunnels can't be

880
00:52:32,960 --> 00:52:35,359
Speaker 1: used for anything else because they couldn't afford to pull

881
00:52:35,400 --> 00:52:39,640
Speaker 1: all the stuff out. They were crammed with all these

882
00:52:39,680 --> 00:52:43,080
Speaker 1: parts that were thousands of dollars. And you're not you've

883
00:52:43,080 --> 00:52:46,040
Speaker 1: abandoned the idea. You're not going to spend it thousands

884
00:52:46,080 --> 00:52:48,520
Speaker 1: of dollars a day for dudes to go in there

885
00:52:48,520 --> 00:52:50,640
Speaker 1: with wrenches and pull it all out. Yeah. I mean,

886
00:52:50,680 --> 00:52:53,879
Speaker 1: and then they might actually be thinking, um, at some point,

887
00:52:53,960 --> 00:52:56,120
Speaker 1: we can rehabilitate this whole thing. With a little some

888
00:52:56,200 --> 00:52:59,359
Speaker 1: advances in technology, we can actually make it work possible. Yeah.

889
00:52:59,680 --> 00:53:05,880
Speaker 1: There's also several very unsubstantiated claims that we might have

890
00:53:05,920 --> 00:53:10,720
Speaker 1: substantiated that when d I A was first being built,

891
00:53:10,760 --> 00:53:15,879
Speaker 1: five buildings were built somehow wrong and just buried. Yeah.

892
00:53:15,920 --> 00:53:18,520
Speaker 1: I like that. It's like you guys, guys screw bury

893
00:53:18,560 --> 00:53:20,600
Speaker 1: these buildings, just bury them instead of tearing them down,

894
00:53:20,640 --> 00:53:22,800
Speaker 1: they just buried them and then built the current airport

895
00:53:22,840 --> 00:53:25,640
Speaker 1: on top of it. Just how deep of the hole

896
00:53:25,840 --> 00:53:28,879
Speaker 1: you'd have to dig to or how much ground you'd

897
00:53:28,880 --> 00:53:32,760
Speaker 1: have to stack on top toy a single story building,

898
00:53:33,000 --> 00:53:35,360
Speaker 1: I don't think. Well, these were not single story buildings,

899
00:53:35,440 --> 00:53:38,399
Speaker 1: or they weren't single stories. But but that's my point. Yeah,

900
00:53:38,560 --> 00:53:41,960
Speaker 1: I mean right, but on top of that, parts of

901
00:53:42,600 --> 00:53:47,880
Speaker 1: the current d i A. Are underground, so you'd have

902
00:53:47,960 --> 00:53:54,280
Speaker 1: to bury it deep enough and all, well, nobody saw it. Yeah,

903
00:53:54,320 --> 00:53:56,520
Speaker 1: I don't. What do you get all the dirt for that?

904
00:53:56,640 --> 00:53:58,640
Speaker 1: Because I mean if you just bury the buildings, and

905
00:53:58,760 --> 00:54:01,040
Speaker 1: what you've got is you've got this big old hill

906
00:54:01,520 --> 00:54:03,120
Speaker 1: right there in the middle of it, right next to

907
00:54:03,200 --> 00:54:05,879
Speaker 1: your airport, right right, which I can't see in any

908
00:54:06,000 --> 00:54:10,000
Speaker 1: pictures or aerials or anything. No, although there is that

909
00:54:10,040 --> 00:54:12,960
Speaker 1: suspicious landfill not so far away, they could have just

910
00:54:13,000 --> 00:54:16,120
Speaker 1: covered it with trash. Did you did you find anything?

911
00:54:16,480 --> 00:54:19,239
Speaker 1: I'm just being a jerk. I looked. I'd look for

912
00:54:19,280 --> 00:54:21,239
Speaker 1: information on the landfill and I couldn't find it. On

913
00:54:21,239 --> 00:54:24,440
Speaker 1: areals everybody screens about the landfill, and I couldn't find it.

914
00:54:24,560 --> 00:54:27,880
Speaker 1: And I was there, like I didn't notice like giant landfill.

915
00:54:27,920 --> 00:54:31,040
Speaker 1: Although like, I don't fifty three square miles. It could

916
00:54:31,040 --> 00:54:34,000
Speaker 1: be pretty far out there, I guess, But I wrote,

917
00:54:34,000 --> 00:54:36,920
Speaker 1: I mean I was around Denver in the airport for

918
00:54:36,960 --> 00:54:44,240
Speaker 1: a while, so doing research obviously. So apparently the claims

919
00:54:44,280 --> 00:54:49,480
Speaker 1: come from a quote unquote construction company whistleblower. Which this

920
00:54:49,560 --> 00:54:51,040
Speaker 1: is one of those things that I think. It's one

921
00:54:51,040 --> 00:54:52,879
Speaker 1: of those ones that I think people make up something

922
00:54:52,920 --> 00:54:55,880
Speaker 1: that's just so preposterous that you know, how could anybody

923
00:54:55,920 --> 00:54:57,760
Speaker 1: possibly believe it? They just put it on the internet

924
00:54:57,760 --> 00:55:00,640
Speaker 1: and see who goes with it. I well have I

925
00:55:01,040 --> 00:55:04,520
Speaker 1: just don't understand how that is possible to raise the

926
00:55:04,640 --> 00:55:08,680
Speaker 1: grade so much that you can bury a single or

927
00:55:08,800 --> 00:55:12,040
Speaker 1: multi story building. Yeah, well, I guess. I don't want

928
00:55:12,080 --> 00:55:14,440
Speaker 1: to be a downer. But there is a news channel

929
00:55:14,480 --> 00:55:17,600
Speaker 1: that's based in Denver that makes a habit of debunking

930
00:55:17,760 --> 00:55:21,279
Speaker 1: d I A myths, and this is one of the

931
00:55:21,320 --> 00:55:24,040
Speaker 1: myths that they took on. So they were granted the

932
00:55:24,080 --> 00:55:28,439
Speaker 1: access that I was denied because bureaucracy, man, damn man.

933
00:55:29,280 --> 00:55:31,520
Speaker 1: They got to take their cameras down under to see

934
00:55:31,560 --> 00:55:35,440
Speaker 1: what's really going on. And long story short, and nothing nothing. Wait,

935
00:55:35,480 --> 00:55:39,240
Speaker 1: were the baggage tunnels or the tunnels, the buried buildings.

936
00:55:39,320 --> 00:55:43,560
Speaker 1: There were no buried buildings, but they were in all

937
00:55:43,600 --> 00:55:47,080
Speaker 1: the tunnels under there, and it it's pretty boring. It's eerie,

938
00:55:47,600 --> 00:55:51,759
Speaker 1: for sure, but there's not really anything going on down there.

939
00:55:52,239 --> 00:55:54,440
Speaker 1: The question, you've got to expect that the Illuminati and

940
00:55:54,840 --> 00:55:57,879
Speaker 1: the New World orderlies and all those people um are

941
00:55:57,920 --> 00:56:02,080
Speaker 1: probably their order and the New World orderlies. Yes, obviously

942
00:56:02,480 --> 00:56:04,480
Speaker 1: you gotta expect. These people are very adept at creating

943
00:56:04,520 --> 00:56:07,600
Speaker 1: things like false walls. And then I guess, in fairness, right,

944
00:56:07,640 --> 00:56:10,120
Speaker 1: they would be a good tactic to say, oh, yeah,

945
00:56:10,200 --> 00:56:15,080
Speaker 1: you can come down, there's nothing down here. Oh what

946
00:56:15,280 --> 00:56:20,000
Speaker 1: the that door, Oh that's the emergency exit. It'll sound

947
00:56:20,000 --> 00:56:27,279
Speaker 1: an alarm. Don't go through there, don't do it. Yeah, yeah,

948
00:56:27,520 --> 00:56:31,080
Speaker 1: like just written in sharpie on it, do not enter

949
00:56:31,200 --> 00:56:34,640
Speaker 1: on like a piece of printer paper, taps to the wall. Yeah.

950
00:56:35,200 --> 00:56:37,399
Speaker 1: I would, Yeah, it would be It would be really

951
00:56:37,400 --> 00:56:39,280
Speaker 1: funny if you actually, if you work for the airport,

952
00:56:39,320 --> 00:56:41,440
Speaker 1: you know, before you can take them down of the tunnels,

953
00:56:41,880 --> 00:56:43,680
Speaker 1: you take you take some sort of a fine tool

954
00:56:43,760 --> 00:56:46,040
Speaker 1: to to cut what looks like the outline of a

955
00:56:46,120 --> 00:56:48,520
Speaker 1: door on the side of you know, and all that,

956
00:56:48,760 --> 00:56:50,520
Speaker 1: and then what you do is you have like, you know,

957
00:56:50,560 --> 00:56:53,040
Speaker 1: what appears to be a nameplate or something like that.

958
00:56:53,680 --> 00:56:55,200
Speaker 1: You make a little shadow that and then you have

959
00:56:55,280 --> 00:56:57,279
Speaker 1: that pride off you know, and everything like that. You

960
00:56:57,680 --> 00:56:59,640
Speaker 1: just see if they notice it, and if they do,

961
00:56:59,680 --> 00:57:07,160
Speaker 1: it's just oh, oh that's nothing. That's Scooby Doo. I

962
00:57:07,239 --> 00:57:12,040
Speaker 1: never watch Scooby Doo. That explains so many I know.

963
00:57:12,800 --> 00:57:17,280
Speaker 1: So yeah, that's that's pretty much it. Yeah, this is

964
00:57:17,360 --> 00:57:19,600
Speaker 1: this is one of those stories that just it's it's

965
00:57:19,760 --> 00:57:23,400
Speaker 1: so hard because there's so many things and I'm using

966
00:57:23,440 --> 00:57:29,400
Speaker 1: air quotes. Yeah, there's things that are mingled together. It

967
00:57:29,520 --> 00:57:31,320
Speaker 1: leaves a funny taste to my mouth. I don't know

968
00:57:31,360 --> 00:57:34,240
Speaker 1: how to how to approach this one around. Yeah, I

969
00:57:34,280 --> 00:57:38,200
Speaker 1: don't think there's very much to say about it. You know,

970
00:57:38,280 --> 00:57:40,000
Speaker 1: I got to like say it to you that people

971
00:57:40,160 --> 00:57:42,000
Speaker 1: be more discriminating in your mystery. You know, this is

972
00:57:42,040 --> 00:57:44,360
Speaker 1: just not a great I mean, there's so much ink

973
00:57:44,440 --> 00:57:47,720
Speaker 1: spilled over this of this mystery or mysteries I guess,

974
00:57:47,760 --> 00:57:50,240
Speaker 1: and there's so many better mysteries of spilling over. Dude,

975
00:57:50,600 --> 00:57:56,040
Speaker 1: stop wasting your time valuable ones in Zeros. I think

976
00:57:56,200 --> 00:57:59,400
Speaker 1: you know the thing, like I said earlier, The thing

977
00:57:59,640 --> 00:58:04,520
Speaker 1: is to me is that I I do think that

978
00:58:04,640 --> 00:58:08,280
Speaker 1: if each of these I don't know mysteries were all

979
00:58:08,400 --> 00:58:12,440
Speaker 1: separated out into different places, I'd be much more willing

980
00:58:12,480 --> 00:58:15,200
Speaker 1: to say, like, that's nothing when you're talking about But

981
00:58:15,240 --> 00:58:17,640
Speaker 1: the fact that they're all there, you know, one half

982
00:58:17,680 --> 00:58:19,440
Speaker 1: of my brain wants to say, well, yeah, I mean

983
00:58:19,480 --> 00:58:21,560
Speaker 1: it's a little weird. On the other hand, I want

984
00:58:21,600 --> 00:58:24,600
Speaker 1: to say, it's not that weird, but the well, the

985
00:58:26,240 --> 00:58:32,800
Speaker 1: grouping of circumstances that happened to be odd together, I

986
00:58:32,920 --> 00:58:36,800
Speaker 1: admit it's weird. But the problem is then spawns so

987
00:58:36,920 --> 00:58:40,880
Speaker 1: many other little urban myths around it. And there's a

988
00:58:40,920 --> 00:58:43,200
Speaker 1: myth if I can't remember it was, was it the

989
00:58:43,280 --> 00:58:47,520
Speaker 1: queen or the president? The queen in England was in

990
00:58:47,760 --> 00:58:53,440
Speaker 1: Denver at Land all around it? Yeah, well go figure.

991
00:58:54,160 --> 00:58:58,000
Speaker 1: They their money is tied up in real estate. It's

992
00:58:58,080 --> 00:59:04,240
Speaker 1: an airport. What typically goes up around airports businesses? Yeah,

993
00:59:05,200 --> 00:59:08,200
Speaker 1: service the airport or used the airport, like it totally

994
00:59:08,240 --> 00:59:11,440
Speaker 1: makes sense that they'd be buying that. But oh no,

995
00:59:11,560 --> 00:59:13,640
Speaker 1: that's so that they can rush the queen there and

996
00:59:13,680 --> 00:59:17,240
Speaker 1: in case of a nuclear event and stuffer in a tunnel. Yeah,

997
00:59:17,360 --> 00:59:21,160
Speaker 1: that was the thing about the the asteroid to another comment,

998
00:59:21,200 --> 00:59:22,880
Speaker 1: I mean, um, and I was I was going to

999
00:59:22,920 --> 00:59:24,760
Speaker 1: actually make notes about this, but I figured he would

1000
00:59:24,800 --> 00:59:26,640
Speaker 1: include a new script and so I didn't bother. But

1001
00:59:28,040 --> 00:59:34,840
Speaker 1: the comment was we'll call it comment yeah coming a

1002
00:59:35,760 --> 00:59:38,960
Speaker 1: yeah yeah a U g uh. It was due to

1003
00:59:39,280 --> 00:59:42,280
Speaker 1: come to within twenty two miles of the Earth's surface,

1004
00:59:42,360 --> 00:59:44,120
Speaker 1: according to one of the pages that was out there,

1005
00:59:44,640 --> 00:59:49,439
Speaker 1: on the date of December I think something like that.

1006
00:59:50,040 --> 00:59:54,040
Speaker 1: And coincidentally, President Obama was in the Denver airport that

1007
00:59:54,200 --> 00:59:57,440
Speaker 1: same day because just in case there was an impact.

1008
00:59:57,680 --> 01:00:01,080
Speaker 1: You know, it's like he's there's there's massive shelters right there.

1009
01:00:01,160 --> 01:00:04,920
Speaker 1: That's another another thing is that the underground buildings and everything.

1010
01:00:04,960 --> 01:00:07,520
Speaker 1: Someone them say, that's just that there's this massive bomb

1011
01:00:07,600 --> 01:00:11,160
Speaker 1: shelter down there for all the elites and everything. Of course,

1012
01:00:11,400 --> 01:00:14,360
Speaker 1: the comment actually didn't come any It passed year like

1013
01:00:14,440 --> 01:00:17,720
Speaker 1: months before that, and it didn't come twenty two miles

1014
01:00:17,720 --> 01:00:19,919
Speaker 1: of our surface because we all would have heard about that.

1015
01:00:20,400 --> 01:00:24,480
Speaker 1: It was twenty two million miles. So there was one

1016
01:00:24,520 --> 01:00:30,200
Speaker 1: thing where there was some uh gosh, there were coordinates

1017
01:00:30,240 --> 01:00:34,480
Speaker 1: that were released in conjunction with some huge conspiracy something

1018
01:00:34,600 --> 01:00:37,280
Speaker 1: and everybody was saying, well, the coordinates are exactly where

1019
01:00:37,280 --> 01:00:39,680
Speaker 1: the Denver Airport was, but the coordinates were released like

1020
01:00:39,880 --> 01:00:44,600
Speaker 1: seventy years prior and they actually are like fifty five

1021
01:00:44,680 --> 01:00:47,240
Speaker 1: miles away from the airport. You know, it's just if

1022
01:00:47,280 --> 01:00:50,880
Speaker 1: there's a somebody, I think it was the pr person

1023
01:00:50,920 --> 01:00:54,200
Speaker 1: for the Denver Airport is quoted as saying, if there's

1024
01:00:54,240 --> 01:00:57,480
Speaker 1: a conspiracy theory, it's linked to the Denver Airport, and

1025
01:00:57,520 --> 01:00:59,920
Speaker 1: I think that's true. I would not actually be surprised

1026
01:01:00,240 --> 01:01:02,480
Speaker 1: if that person or maybe a person is working for

1027
01:01:02,480 --> 01:01:04,760
Speaker 1: the Denver Airport are putting this stuff out. It's got

1028
01:01:04,760 --> 01:01:07,680
Speaker 1: to be fun as hell. Yeah. Probably you're you're gonna

1029
01:01:07,760 --> 01:01:10,240
Speaker 1: work at this great new airport and then you have

1030
01:01:10,360 --> 01:01:12,960
Speaker 1: to wait a year and a half for your job

1031
01:01:13,560 --> 01:01:16,520
Speaker 1: and you're angry at it. So you know, I'm just

1032
01:01:16,520 --> 01:01:18,720
Speaker 1: gonna come up, oh, well, I know this was weird.

1033
01:01:19,480 --> 01:01:22,280
Speaker 1: I'm just gonna put that out there. Just keep going.

1034
01:01:22,520 --> 01:01:27,880
Speaker 1: It's not costing any business. The rest of us still

1035
01:01:27,920 --> 01:01:34,000
Speaker 1: have to fly through there because the airline goes through it. Yeah. So, um,

1036
01:01:34,080 --> 01:01:36,920
Speaker 1: if you want to read some of the links for

1037
01:01:36,960 --> 01:01:39,520
Speaker 1: our research or see any of the pictures that we

1038
01:01:39,520 --> 01:01:42,640
Speaker 1: were talking about that will all be on our website,

1039
01:01:42,880 --> 01:01:46,720
Speaker 1: which is Thinking Sideways podcast dot com. You can listen

1040
01:01:46,800 --> 01:01:51,240
Speaker 1: to and download our episodes there. You can also listen

1041
01:01:51,320 --> 01:01:54,400
Speaker 1: to and download our podcast on iTunes, which is probably

1042
01:01:54,440 --> 01:01:57,680
Speaker 1: what you're doing. If you do, don't forget to subscribe.

1043
01:01:57,800 --> 01:02:00,640
Speaker 1: Also leave us a comments and a rating, writing it

1044
01:02:00,640 --> 01:02:02,880
Speaker 1: doesn't matter what kind of reading. Joe likes good ones.

1045
01:02:02,920 --> 01:02:05,360
Speaker 1: I don't really care. I just don't read them. Yeah,

1046
01:02:05,400 --> 01:02:10,320
Speaker 1: I don't either anymore. People are nice to us. Yeah

1047
01:02:10,800 --> 01:02:15,600
Speaker 1: that's a hard part. Oh yeah, So you can also

1048
01:02:15,720 --> 01:02:20,160
Speaker 1: stream us on literally anything that streams were on now

1049
01:02:20,200 --> 01:02:24,280
Speaker 1: at this point. You can connect with us on Facebook.

1050
01:02:24,360 --> 01:02:26,840
Speaker 1: We have the group and the page, so find us,

1051
01:02:26,840 --> 01:02:29,560
Speaker 1: friend us, like us, as Joe says, you can also

1052
01:02:29,600 --> 01:02:34,439
Speaker 1: follow us on Twitter, Thinking Sideways don't forget. Of course,

1053
01:02:34,520 --> 01:02:36,920
Speaker 1: we've got the T shirts and everything. Oh, we have

1054
01:02:37,080 --> 01:02:41,720
Speaker 1: merch dice T shirts, phone cases. I have a phone case.

1055
01:02:41,760 --> 01:02:45,000
Speaker 1: That's pretty awesome. I think we have a nightlight. We

1056
01:02:45,040 --> 01:02:48,720
Speaker 1: have a nightlight and and a coffee mug. You can

1057
01:02:48,760 --> 01:02:51,920
Speaker 1: find a link to that on our face No, I'm sorry,

1058
01:02:52,040 --> 01:02:57,240
Speaker 1: on our website. It's the donate button right right above

1059
01:02:57,240 --> 01:03:00,200
Speaker 1: the donate button on the right sidebar. And then I us.

1060
01:03:00,280 --> 01:03:02,960
Speaker 1: The last bit is, if you want to talk to

1061
01:03:03,040 --> 01:03:06,040
Speaker 1: us about this or any other mystery you have suggestions,

1062
01:03:06,160 --> 01:03:09,000
Speaker 1: you're an expert in something that you want to contribute

1063
01:03:09,000 --> 01:03:12,840
Speaker 1: to the show, UH, send us an email Thinking Sideways

1064
01:03:12,880 --> 01:03:17,120
Speaker 1: Podcast at gmail dot com. Well, I guess with that,

1065
01:03:18,040 --> 01:03:20,880
Speaker 1: I'm gonna fly on out of here. I knew you

1066
01:03:20,960 --> 01:03:27,360
Speaker 1: were gonna say, so corny you are. I'm just gonna

1067
01:03:27,360 --> 01:03:34,480
Speaker 1: say to Lou, I booked a ticket the worst out

1068
01:03:34,480 --> 01:03:47,800
Speaker 1: of here. Yeah, you guys, just say goodbye. You can't

1069
01:03:47,800 --> 01:03:54,840
Speaker 1: spell dedication without dead. I think that