1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:09,560 --> 00:00:20,120 Speaker 2: Oh that's just you. Gilmore Girls Gazette with Amy Sugarman 3 00:00:20,239 --> 00:00:24,480 Speaker 2: and Danielle Romo, an iHeart Radio podcast. 4 00:00:24,200 --> 00:00:27,160 Speaker 1: We take you back to February of twenty eleven. The 5 00:00:27,240 --> 00:00:30,280 Speaker 1: number one song in America was Grenade by Bruno Mars. 6 00:00:30,320 --> 00:00:33,480 Speaker 1: The number one movie was a horror film called The Right. 7 00:00:34,040 --> 00:00:37,080 Speaker 1: The number one show on TV was American Idol. But 8 00:00:37,120 --> 00:00:39,120 Speaker 1: if you keep going down that lift, all the way 9 00:00:39,159 --> 00:00:43,239 Speaker 1: down to number forty five, you will find parenthood. And 10 00:00:43,280 --> 00:00:47,120 Speaker 1: that's what we're recapping today in twenty twenty five. Beautiful, Okay, 11 00:00:47,120 --> 00:00:48,080 Speaker 1: thank you, thank you. 12 00:00:48,600 --> 00:00:53,320 Speaker 2: It just brought every Ryan Seacrest Casey Caseum feeling in 13 00:00:53,360 --> 00:00:53,880 Speaker 2: my body. 14 00:00:54,240 --> 00:00:54,800 Speaker 1: That's so nice. 15 00:00:55,120 --> 00:00:57,040 Speaker 2: Five is actually higher than I thought. 16 00:00:57,320 --> 00:00:59,680 Speaker 1: Yeah, I was. I looked lower for that when I. 17 00:00:59,680 --> 00:01:02,720 Speaker 2: First You're gonna say seventy, because this show was always like, oh, 18 00:01:02,760 --> 00:01:05,880 Speaker 2: it's the critical darling, but it's not a rating smash, 19 00:01:05,959 --> 00:01:07,320 Speaker 2: and like for me, forty. 20 00:01:07,000 --> 00:01:08,720 Speaker 1: Five, no, and it goes all the way to one 21 00:01:08,800 --> 00:01:09,520 Speaker 1: hundred and forty one. 22 00:01:09,560 --> 00:01:11,400 Speaker 2: So yeah, right, I'm like they were in the top 23 00:01:11,560 --> 00:01:12,080 Speaker 2: third of the. 24 00:01:12,040 --> 00:01:15,520 Speaker 1: Pack, exactly right down there next to Mister Sunshine and 25 00:01:15,600 --> 00:01:18,360 Speaker 1: ABC and Law and Order. Resci of you on NBC. 26 00:01:18,600 --> 00:01:22,440 Speaker 2: Okay, stilling Law and Order like its huge still around, 27 00:01:22,720 --> 00:01:25,959 Speaker 2: mister Sunshine, I'm struggling to recall what that was. I 28 00:01:26,000 --> 00:01:28,040 Speaker 2: feel Matthew Perry, but I think I made that up. 29 00:01:28,720 --> 00:01:30,440 Speaker 1: I think you might be right about let's. 30 00:01:30,240 --> 00:01:32,520 Speaker 2: Say much amazingly amazing. 31 00:01:32,920 --> 00:01:36,440 Speaker 1: Here it is and it is Matthew Perry very good wow, 32 00:01:36,880 --> 00:01:39,880 Speaker 1: and Alison Janny Wow. 33 00:01:40,480 --> 00:01:42,360 Speaker 2: I could not pull that, but I sure pulled Matthew 34 00:01:42,360 --> 00:01:43,160 Speaker 2: Perry out that is. 35 00:01:43,440 --> 00:01:44,160 Speaker 1: That was nice. 36 00:01:44,640 --> 00:01:47,800 Speaker 2: That shows some crazy stuff in my brain because if 37 00:01:47,840 --> 00:01:51,960 Speaker 2: you asked me, like, do I remember going to class 38 00:01:52,040 --> 00:01:56,320 Speaker 2: in college, I'd be like this, no, I don't, but 39 00:01:56,360 --> 00:01:57,559 Speaker 2: mis remember. 40 00:01:58,240 --> 00:02:03,640 Speaker 1: With those ratings, barely survived, SVU is still going strong, 41 00:02:03,720 --> 00:02:04,960 Speaker 1: so really fascinating. 42 00:02:05,760 --> 00:02:09,360 Speaker 2: Thanks for joining us with Nielsen Talk one oh one. 43 00:02:09,600 --> 00:02:11,760 Speaker 1: Loving it And here is the recap of the show, 44 00:02:11,840 --> 00:02:14,080 Speaker 1: the synopsis of what We're doing today season show. 45 00:02:14,320 --> 00:02:16,480 Speaker 2: This episode was better than Sorry to Interrupt, was better 46 00:02:16,520 --> 00:02:17,320 Speaker 2: than the week before. 47 00:02:17,680 --> 00:02:19,680 Speaker 1: I say it's on par with the week before, but 48 00:02:19,720 --> 00:02:22,720 Speaker 1: it was all he was excellent, very good. Agree it's 49 00:02:22,720 --> 00:02:25,960 Speaker 1: called a House divided. Christina refuses to accept Hattie's relationship 50 00:02:25,960 --> 00:02:28,079 Speaker 1: with Alex, causing Hattie to move in with her grandparents. 51 00:02:28,080 --> 00:02:29,799 Speaker 1: Sarah puts her foot down at work and demands a 52 00:02:29,840 --> 00:02:33,160 Speaker 1: higher salary to pay for Amber's tuition. Meanwhile, Mac makes 53 00:02:33,160 --> 00:02:36,799 Speaker 1: a camping trip with Zeke extremely difficult. Julia throws the 54 00:02:36,840 --> 00:02:39,959 Speaker 1: bachelorette party for Jasmine, welcoming her to the Braverman tribe, 55 00:02:40,080 --> 00:02:42,440 Speaker 1: while Adam gets more than a bargain for during a 56 00:02:42,480 --> 00:02:46,480 Speaker 1: meeting with Corey, shocking the entire family to begin. 57 00:02:46,639 --> 00:02:49,680 Speaker 2: Because every single storyline I loved every single one of those. 58 00:02:50,120 --> 00:02:55,520 Speaker 2: I'm in Welcome back Julia. They did her dirty the 59 00:02:55,520 --> 00:02:57,520 Speaker 2: week before, They did not give her enough to do, 60 00:02:57,680 --> 00:03:01,560 Speaker 2: and she is a real highlight to these episodes. And 61 00:03:01,639 --> 00:03:04,799 Speaker 2: let me tell you why. It is not just her, 62 00:03:05,560 --> 00:03:07,639 Speaker 2: it is the reaction to her. 63 00:03:07,880 --> 00:03:10,120 Speaker 1: Yes, Joel with. 64 00:03:10,120 --> 00:03:13,040 Speaker 2: Julia, Sorry, I came in a little hot there, Mike, 65 00:03:13,520 --> 00:03:15,240 Speaker 2: Mike does not remind you of. 66 00:03:22,080 --> 00:03:23,040 Speaker 1: And a gas tire? 67 00:03:24,160 --> 00:03:33,919 Speaker 2: MOI got okay. It is Joel and Julia's combination when 68 00:03:33,960 --> 00:03:36,960 Speaker 2: Julia is preparing for the party and Joel with his 69 00:03:37,040 --> 00:03:41,040 Speaker 2: face fabulous face acting, Sam Jager, Yeager, we don't know 70 00:03:41,080 --> 00:03:41,480 Speaker 2: what to call it. 71 00:03:41,560 --> 00:03:43,839 Speaker 1: Yes, I have another example of face acting to come, 72 00:03:43,880 --> 00:03:44,440 Speaker 1: but yes. 73 00:03:44,520 --> 00:03:49,280 Speaker 2: Great, it's it's why I love her because he's so good. 74 00:03:49,520 --> 00:03:53,800 Speaker 2: Then when Peter Krause is just mowing the appetizer and 75 00:03:53,840 --> 00:03:58,240 Speaker 2: she's so like, it's aren't for you, He's just like 76 00:03:58,320 --> 00:04:00,840 Speaker 2: these are amissing and just thank you, but they're not 77 00:04:00,920 --> 00:04:05,560 Speaker 2: for you. Like bless her and her really bad party throwing. 78 00:04:05,640 --> 00:04:07,680 Speaker 2: When she was at the table, I guess we're starting 79 00:04:07,680 --> 00:04:09,520 Speaker 2: with this, yeah, and she's like, okay, now we're going 80 00:04:09,560 --> 00:04:11,600 Speaker 2: to go into the living room to play some games. 81 00:04:11,640 --> 00:04:15,040 Speaker 2: And they're like we're already at the table having great topics, 82 00:04:15,120 --> 00:04:17,600 Speaker 2: and she's like okay, so yeah, but we're gonna move 83 00:04:17,760 --> 00:04:18,440 Speaker 2: rooms like she. 84 00:04:18,480 --> 00:04:23,159 Speaker 1: Is so type egg table topics. 85 00:04:21,760 --> 00:04:24,680 Speaker 2: Mark she is. That's why she's such a good lawyer. 86 00:04:24,839 --> 00:04:26,600 Speaker 1: Yes, that's why her house. 87 00:04:26,400 --> 00:04:28,680 Speaker 2: Is always clean and organized, right, But she is not 88 00:04:28,760 --> 00:04:32,320 Speaker 2: a good party thrower because she is so rigid, although 89 00:04:32,320 --> 00:04:36,120 Speaker 2: she is a surprisingly good cook. Would you not extract 90 00:04:36,839 --> 00:04:39,039 Speaker 2: out of character for somebody that's like a career woman 91 00:04:39,080 --> 00:04:42,200 Speaker 2: because I am a career woman and I cannot barely 92 00:04:42,360 --> 00:04:45,120 Speaker 2: make an egg like I can muddle through an egg. 93 00:04:45,720 --> 00:04:51,680 Speaker 1: The awkwardness between Camille and Christina is so palpable. 94 00:04:51,320 --> 00:04:56,280 Speaker 2: And awesome because it's not outright mean. It's so uncomfortable. 95 00:04:56,400 --> 00:04:59,320 Speaker 1: Oh it's so cringey, it's really. 96 00:05:00,520 --> 00:05:02,920 Speaker 2: And I really feel for Camille. I have to say, 97 00:05:03,480 --> 00:05:07,480 Speaker 2: it's Christina that I'm like, really yes. And also, here's 98 00:05:07,520 --> 00:05:08,960 Speaker 2: the thing, Mark, let me ask you this as a dad, 99 00:05:09,680 --> 00:05:12,880 Speaker 2: say that your kid is dating some guy you don't like, 100 00:05:13,440 --> 00:05:16,359 Speaker 2: would they even be your kid that isn't in college? 101 00:05:16,440 --> 00:05:18,560 Speaker 2: You know what I mean? 102 00:05:18,120 --> 00:05:19,040 Speaker 1: Silly? 103 00:05:19,800 --> 00:05:24,760 Speaker 2: Are you letting her go to the grandparents? Like Christina? Adam? 104 00:05:25,160 --> 00:05:26,760 Speaker 1: Yeah, what are you doing? 105 00:05:26,800 --> 00:05:28,560 Speaker 2: Like, You're not going to just run to your grandparents 106 00:05:28,600 --> 00:05:31,160 Speaker 2: and stay there. That's not like, that's not how it works. 107 00:05:31,279 --> 00:05:35,160 Speaker 1: And finally in this episode, Adam realizes we screwed up here, 108 00:05:35,200 --> 00:05:37,320 Speaker 1: we made a mistake, but he can't admit that, and 109 00:05:37,360 --> 00:05:39,640 Speaker 1: Christina is like, oh, now I'm losing you. But they 110 00:05:39,640 --> 00:05:42,400 Speaker 1: both know what on some level racked. 111 00:05:42,800 --> 00:05:45,719 Speaker 2: Also, because Michael B. Jordan is such a good dude. 112 00:05:45,920 --> 00:05:48,880 Speaker 2: How about the fact that Michael B. Jordan will not 113 00:05:49,200 --> 00:05:53,920 Speaker 2: date her until the parents approve. Sorry for the. 114 00:05:53,880 --> 00:05:56,520 Speaker 1: Key there, that's okay, hot, Mike, but that alone is 115 00:05:56,560 --> 00:05:57,880 Speaker 1: a reason to love this kid. 116 00:05:57,960 --> 00:06:00,479 Speaker 2: That's thank you so much. That is exactly how I 117 00:06:00,520 --> 00:06:04,640 Speaker 2: feel that all Sarah Ramos what is her name, Hattie 118 00:06:04,839 --> 00:06:06,680 Speaker 2: means to say, is this guy won't even date me 119 00:06:06,760 --> 00:06:08,599 Speaker 2: now because he's not gonna date me until you guys 120 00:06:08,600 --> 00:06:13,479 Speaker 2: give me permission. Also, they let her date the guy 121 00:06:13,560 --> 00:06:17,400 Speaker 2: that slept with everybody, right, it's like fun, Okay, parents, 122 00:06:17,400 --> 00:06:20,160 Speaker 2: I know I've mentioned this. I'm a you know, repeater, 123 00:06:20,640 --> 00:06:26,600 Speaker 2: but what Yeah, Also, could Michael B. Jordan be more 124 00:06:26,640 --> 00:06:26,960 Speaker 2: Michael B. 125 00:06:27,080 --> 00:06:27,400 Speaker 3: Jordany? 126 00:06:27,520 --> 00:06:31,760 Speaker 2: Like it's just like, like this guy is a movie star. Yes, clearly, 127 00:06:32,080 --> 00:06:34,600 Speaker 2: like let your daughter date this guy that's a movie star. 128 00:06:34,880 --> 00:06:38,440 Speaker 1: So I noticed something really interesting when that whole storyline begins. Right, 129 00:06:38,520 --> 00:06:42,280 Speaker 1: So the so Adam and Christina show up at Camille's door, 130 00:06:42,360 --> 00:06:45,680 Speaker 1: which is weird, and then Hattie's in the doorway, yeah, knocking, 131 00:06:45,720 --> 00:06:48,159 Speaker 1: and then Hattie comes to the door, but behind Hattie 132 00:06:48,720 --> 00:06:49,839 Speaker 1: Zeke just walks by. 133 00:06:50,400 --> 00:06:51,480 Speaker 2: I think I saw about that. 134 00:06:51,520 --> 00:06:53,960 Speaker 1: He didn't have a line or he kind of looks like, oh, 135 00:06:54,000 --> 00:06:56,240 Speaker 1: something's going down, but not even the line, like did 136 00:06:56,240 --> 00:06:58,880 Speaker 1: he go through hair and makeup and costume and everything 137 00:06:59,000 --> 00:06:59,880 Speaker 1: just to walk by? 138 00:07:00,040 --> 00:07:02,360 Speaker 2: Because I love that well, also because that's what happens 139 00:07:02,360 --> 00:07:02,640 Speaker 2: at a. 140 00:07:02,600 --> 00:07:04,120 Speaker 1: House, yes, exactly. 141 00:07:04,800 --> 00:07:06,760 Speaker 2: In the scene there's one of those scenes you love 142 00:07:06,800 --> 00:07:08,680 Speaker 2: at the party where they're all talking over each other, 143 00:07:08,720 --> 00:07:10,960 Speaker 2: and you can understand everywhere there's an those scenes them 144 00:07:11,040 --> 00:07:12,200 Speaker 2: come you and I can't do that. 145 00:07:13,080 --> 00:07:13,600 Speaker 1: I don't know. 146 00:07:13,720 --> 00:07:15,640 Speaker 2: We talk over each other and it's like, dude, here, 147 00:07:15,680 --> 00:07:17,960 Speaker 2: I can't even hear you or me, And obviously everyone 148 00:07:18,000 --> 00:07:19,440 Speaker 2: listening is like it just sounds. 149 00:07:19,200 --> 00:07:24,760 Speaker 1: Like this, Oh I also loved and this is the 150 00:07:24,800 --> 00:07:27,240 Speaker 1: face acting I'm talking about. In that same conversation, which 151 00:07:27,280 --> 00:07:30,560 Speaker 1: does not go well, Christina says you want to be 152 00:07:30,600 --> 00:07:33,360 Speaker 1: with him, Yes, you want to be with him more 153 00:07:33,360 --> 00:07:34,840 Speaker 1: than you want to be with us. And when she 154 00:07:34,920 --> 00:07:38,480 Speaker 1: says that, Adam winces because he knows that is not 155 00:07:38,640 --> 00:07:40,000 Speaker 1: the question to ask here. 156 00:07:40,080 --> 00:07:42,800 Speaker 2: Well, that's not even a question, Like that's literally like 157 00:07:42,880 --> 00:07:45,119 Speaker 2: do you like apples or oranges? Both? 158 00:07:45,600 --> 00:07:45,960 Speaker 1: Right? 159 00:07:46,200 --> 00:07:49,320 Speaker 2: You don't pick a boyfriend over your family, because it's 160 00:07:49,360 --> 00:07:51,119 Speaker 2: that's like, it's just such a weird question. 161 00:07:51,280 --> 00:07:54,320 Speaker 1: I was like, love the little cringe on his face, like, oh, han, 162 00:07:54,400 --> 00:07:56,400 Speaker 1: that wasn't the question. She says yes, and then there's 163 00:07:56,440 --> 00:07:58,720 Speaker 1: nothing more to say and the conversation is over. 164 00:07:58,880 --> 00:08:01,880 Speaker 2: You could argue that Christina is the best and worst 165 00:08:01,880 --> 00:08:05,960 Speaker 2: mother on this show. Sure, she really is the best 166 00:08:06,000 --> 00:08:06,480 Speaker 2: and the worst. 167 00:08:06,600 --> 00:08:07,720 Speaker 1: You could argue both sides. 168 00:08:07,800 --> 00:08:10,400 Speaker 2: And she's also got a chip on her shoulder that 169 00:08:10,400 --> 00:08:14,840 Speaker 2: we don't acknowledge, like they don't talk about it. She 170 00:08:15,080 --> 00:08:18,080 Speaker 2: is the one who's just completely stuck in this family. Yes, 171 00:08:18,600 --> 00:08:22,000 Speaker 2: do you know what I'm saying. Yes, it's like she 172 00:08:22,040 --> 00:08:25,080 Speaker 2: doesn't have you know, like Jason has her mom, right, 173 00:08:25,640 --> 00:08:29,920 Speaker 2: and Joel is a man, and so Christina is like 174 00:08:31,080 --> 00:08:33,880 Speaker 2: the odd man out in this family a little bit. 175 00:08:34,400 --> 00:08:36,520 Speaker 1: Yeah, and then Adam and Christina get get into it 176 00:08:36,559 --> 00:08:39,680 Speaker 1: pretty good. But it's such a realistic husband wife fight, 177 00:08:40,000 --> 00:08:43,400 Speaker 1: you know, although he's trying not to escalate very clearly, 178 00:08:43,559 --> 00:08:47,319 Speaker 1: and she is just very upset. And I loved it. 179 00:08:47,320 --> 00:08:48,439 Speaker 1: It just rang so true. 180 00:08:48,600 --> 00:08:50,640 Speaker 2: Here's the part I don't like though, And again I'm 181 00:08:50,640 --> 00:08:53,880 Speaker 2: not married, so you tell me. I don't really think 182 00:08:53,920 --> 00:08:57,600 Speaker 2: it's a great idea ever to tell your spouse, oh 183 00:08:57,760 --> 00:08:58,400 Speaker 2: your mother. 184 00:08:59,559 --> 00:09:06,520 Speaker 1: No, it's really not, but it's going to happen sometimes. Yeah, 185 00:09:06,559 --> 00:09:09,080 Speaker 1: you gotta be team spouse in this. But she says, yeah, 186 00:09:09,200 --> 00:09:12,280 Speaker 1: your mom is so condescending, which is a tough thing 187 00:09:12,280 --> 00:09:14,160 Speaker 1: to say because she's really not being that. 188 00:09:14,920 --> 00:09:19,240 Speaker 2: To be so nice, you're choosing an understanding and also 189 00:09:19,280 --> 00:09:20,439 Speaker 2: how about hey, thank you? 190 00:09:20,960 --> 00:09:23,320 Speaker 1: Yes, but she can't because when she says stuff like 191 00:09:23,320 --> 00:09:26,600 Speaker 1: she's falling in love with him, it just stabs Christina 192 00:09:26,640 --> 00:09:28,680 Speaker 1: in the heart because she's supposed to be the one 193 00:09:28,720 --> 00:09:29,439 Speaker 1: involved in this. 194 00:09:29,840 --> 00:09:34,240 Speaker 2: Right. Also, Christina chill, She's not chill. No, not at all, 195 00:09:34,280 --> 00:09:36,280 Speaker 2: She's not chill even. And here's my thing with the camping, 196 00:09:36,360 --> 00:09:37,839 Speaker 2: let's pivot to the campaign. 197 00:09:37,679 --> 00:09:39,960 Speaker 1: Right, it didn't go that badly. 198 00:09:40,480 --> 00:09:45,800 Speaker 2: No, Like the Notebook, it's almost too much. It's like, hey, 199 00:09:46,559 --> 00:09:48,800 Speaker 2: here's what's going to happen. Here's what you can do 200 00:09:48,920 --> 00:09:50,760 Speaker 2: about it, do you know what I mean? Like all 201 00:09:50,800 --> 00:09:53,240 Speaker 2: the notebook in this and that life does need some 202 00:09:53,280 --> 00:09:56,800 Speaker 2: of that. But also the notebook didn't solve it. 203 00:09:57,880 --> 00:10:00,679 Speaker 1: Adam solved it, which, by the way, I got weepy 204 00:10:00,800 --> 00:10:03,920 Speaker 1: and yeah, yeah, when he says, hey, Bud, you can 205 00:10:03,920 --> 00:10:05,520 Speaker 1: go home if you want to, but the lace wings 206 00:10:05,559 --> 00:10:07,360 Speaker 1: come out in the morning, I got I got weepy. 207 00:10:07,440 --> 00:10:10,040 Speaker 2: Yeah, I know, that was really good. And then Max was. 208 00:10:10,000 --> 00:10:13,440 Speaker 1: Like yeah, and then I also got weepy when they 209 00:10:13,440 --> 00:10:16,360 Speaker 1: got back and Zeke just says to Adam, he's a 210 00:10:16,400 --> 00:10:19,000 Speaker 1: wonderful boy. That was really beautiful. 211 00:10:19,280 --> 00:10:23,120 Speaker 2: Really really, that's the way they did. This is so good. 212 00:10:24,200 --> 00:10:26,920 Speaker 1: He's so Zeke. You know, Zeke is so Zeke, and 213 00:10:26,960 --> 00:10:29,960 Speaker 1: he's now seen his grandson. Maybe not it is worse, 214 00:10:30,040 --> 00:10:33,360 Speaker 1: but he's seen that really difficult, challenging side of his grandson. 215 00:10:33,440 --> 00:10:37,000 Speaker 1: But his takeaway is not, man, what's wrong with this kid? 216 00:10:37,080 --> 00:10:39,640 Speaker 1: Or man, you gotta shape that kid up. His reaction 217 00:10:39,800 --> 00:10:41,200 Speaker 1: is he's a wonderful boy. 218 00:10:41,520 --> 00:10:46,200 Speaker 2: May I argue that without Craig T. Nelson, I'll just 219 00:10:46,200 --> 00:10:47,600 Speaker 2: go to a show, you know. 220 00:10:47,960 --> 00:10:50,640 Speaker 1: Side note we're watching because my kids had never seen it, 221 00:10:51,160 --> 00:10:56,680 Speaker 1: and hooch to Tom Hanks and he is and he's 222 00:10:56,720 --> 00:10:58,240 Speaker 1: so young, and it's amazing. 223 00:10:58,440 --> 00:11:00,319 Speaker 2: That's not a movie I would ever click gone. But 224 00:11:00,360 --> 00:11:04,280 Speaker 2: you know what, I watch a lot, like a lot, Okay, 225 00:11:04,559 --> 00:11:06,000 Speaker 2: pulter guys, Poltergeist. 226 00:11:06,040 --> 00:11:08,040 Speaker 1: He's very good. And I think that's probably same era 227 00:11:08,360 --> 00:11:09,840 Speaker 1: age for Christie. 228 00:11:09,559 --> 00:11:15,959 Speaker 3: Nelson Close Coach was later years yea, and so is 229 00:11:16,040 --> 00:11:18,679 Speaker 3: Joe Beth Williams like there young, like you know, it's 230 00:11:18,679 --> 00:11:20,240 Speaker 3: something if Joe Beth Williams. 231 00:11:19,880 --> 00:11:21,959 Speaker 2: Is like slinking around in a T shirt and are like. 232 00:11:22,000 --> 00:11:26,160 Speaker 1: Underwater, like half the cast pass away under weird circumstances, 233 00:11:26,240 --> 00:11:27,040 Speaker 1: that's a weird one. 234 00:11:27,120 --> 00:11:32,920 Speaker 2: Yeah, there's some crazy. Yeah, Cultergeist lore. That is like 235 00:11:33,679 --> 00:11:39,120 Speaker 2: also literally I live in a community where it's like 236 00:11:39,160 --> 00:11:42,160 Speaker 2: a community, and then they're sort of like I would 237 00:11:42,240 --> 00:11:47,880 Speaker 2: call it like Section D that never got built. Okay, 238 00:11:48,040 --> 00:11:54,160 Speaker 2: like somebody owns twenty lots attached to my community with 239 00:11:54,320 --> 00:11:57,240 Speaker 2: the driveways cut out, like the little indense where the 240 00:11:57,320 --> 00:12:00,880 Speaker 2: driveways would be. The lots are cleared out. No houses 241 00:12:00,920 --> 00:12:03,640 Speaker 2: were ever built, but you can like walk up there 242 00:12:03,920 --> 00:12:06,720 Speaker 2: and every time, I'm like, they just left the bodies 243 00:12:09,480 --> 00:12:11,360 Speaker 2: if you know, you know, they just left the bodies. 244 00:12:11,360 --> 00:12:15,120 Speaker 2: It's weird they didn't move the bodies, because that was 245 00:12:15,120 --> 00:12:18,000 Speaker 2: the whole drama. It was like, they didn't move the bodies. 246 00:12:18,160 --> 00:12:21,160 Speaker 2: Polder guys one is like really really good. Oh yeah, 247 00:12:21,160 --> 00:12:25,400 Speaker 2: there's a Polder guys with an old sort of grandpa guy. 248 00:12:25,920 --> 00:12:26,600 Speaker 2: It's too scary. 249 00:12:26,760 --> 00:12:29,480 Speaker 1: Polter guys in the Amityville horror rocked me when I 250 00:12:29,559 --> 00:12:29,920 Speaker 1: was young. 251 00:12:30,040 --> 00:12:33,800 Speaker 2: Oh Amedyville. Yeah, never really got into it other than 252 00:12:33,800 --> 00:12:35,760 Speaker 2: the one was that, the one with Ryan Reynolds. 253 00:12:35,800 --> 00:12:49,440 Speaker 1: So to redo, possibly, let's go to well Sarah's job review, 254 00:12:49,600 --> 00:12:52,000 Speaker 1: which I don't have a lot to say about, but oh. 255 00:12:51,880 --> 00:12:54,400 Speaker 2: My god, you know, skater boy like skater boys. 256 00:12:54,800 --> 00:12:57,480 Speaker 1: I enjoyed the hang loose versus rock On. Clarification that 257 00:12:57,520 --> 00:12:58,199 Speaker 1: Adam did for. 258 00:12:58,200 --> 00:13:04,880 Speaker 2: Sarah Irony is that his response is actually accurate, like, Hey, 259 00:13:04,880 --> 00:13:06,640 Speaker 2: I'm not gonna be able to give you a raise. Hey, 260 00:13:06,640 --> 00:13:10,200 Speaker 2: what do you want to do? You should go do that? Yes, right, 261 00:13:10,679 --> 00:13:18,840 Speaker 2: his his surfy skaty edible eating response was actually totally accurate. 262 00:13:19,000 --> 00:13:20,240 Speaker 1: Yes it was. Yeah. 263 00:13:20,240 --> 00:13:24,160 Speaker 2: I was like, wow, all all his rain manny not 264 00:13:24,280 --> 00:13:29,160 Speaker 2: rain many beautiful minding with those colors weird. 265 00:13:29,440 --> 00:13:31,440 Speaker 1: And also, we're doing too much of this company. We 266 00:13:31,440 --> 00:13:33,680 Speaker 1: need to focus on just one shoe and do it 267 00:13:33,720 --> 00:13:36,600 Speaker 1: really well. There's something to that too. Correct. 268 00:13:37,440 --> 00:13:41,320 Speaker 2: This guy's not right. But I also get like Adam's 269 00:13:41,320 --> 00:13:45,040 Speaker 2: sort of like what right? Although if your company is flailing, 270 00:13:46,440 --> 00:13:48,880 Speaker 2: you gotta try something new if you're gonna just keep 271 00:13:48,920 --> 00:13:49,600 Speaker 2: doing the same thing. 272 00:13:50,120 --> 00:13:50,240 Speaker 1: Right. 273 00:13:51,320 --> 00:13:54,120 Speaker 2: Here is my one thing about Adam. 274 00:13:54,640 --> 00:13:58,880 Speaker 1: He said edible, He did stay oedible. I noticed that do. 275 00:13:58,840 --> 00:14:01,280 Speaker 2: You want an edible or do you want this edible? 276 00:14:01,760 --> 00:14:03,640 Speaker 2: And Adam just took the lollipop. 277 00:14:03,720 --> 00:14:06,600 Speaker 1: Also, I'm wondering if calling them edibles wasn't a thing 278 00:14:06,600 --> 00:14:09,920 Speaker 1: in twenty eleven, is that a more modern thing? 279 00:14:10,360 --> 00:14:13,840 Speaker 2: Correct? Also, how man many lollipops did he have, because 280 00:14:13,840 --> 00:14:18,240 Speaker 2: there's zero chance that little like got you know, like 281 00:14:18,600 --> 00:14:21,760 Speaker 2: I want to say, like dentist office lollipop, doctors office 282 00:14:21,840 --> 00:14:25,120 Speaker 2: lollipop is going to even last to get him to 283 00:14:25,160 --> 00:14:29,320 Speaker 2: the car let alone home over to their house. 284 00:14:29,960 --> 00:14:32,320 Speaker 1: Like what I did enjoy high Adam though, that was 285 00:14:32,320 --> 00:14:32,800 Speaker 1: really fun. 286 00:14:32,880 --> 00:14:36,600 Speaker 2: Oh hilarious. The dancing and the eating and the like 287 00:14:37,200 --> 00:14:37,840 Speaker 2: the whole thing. 288 00:14:38,200 --> 00:14:41,520 Speaker 1: Yeah, it was very good. But wasn't that when he 289 00:14:41,560 --> 00:14:43,320 Speaker 1: talked down Max. I thought that was sweet and he 290 00:14:43,440 --> 00:14:45,360 Speaker 1: was high when he was telling Max the lace. 291 00:14:45,280 --> 00:14:48,360 Speaker 2: Wings out of it sidebar. I have started watching nine 292 00:14:48,440 --> 00:14:51,600 Speaker 2: one one again, Okay, despite how upset I am about 293 00:14:51,600 --> 00:14:54,200 Speaker 2: Peter Krause's death. Well, let me tell you, never watched 294 00:14:54,200 --> 00:14:56,960 Speaker 2: those episodes. The minute I heard he died, I stopped 295 00:14:57,000 --> 00:15:00,600 Speaker 2: watching last season. Did not pick up this season. 296 00:15:00,920 --> 00:15:03,520 Speaker 1: Yeah, we need him back in some capacity on our TVs. 297 00:15:03,680 --> 00:15:05,320 Speaker 2: I don't want to dream sequence. 298 00:15:05,360 --> 00:15:06,040 Speaker 3: I don't need that. 299 00:15:06,200 --> 00:15:07,600 Speaker 1: No, no, thank you, I don't need that. 300 00:15:07,880 --> 00:15:10,240 Speaker 2: Here's what I'm gonna say about the ninety one one franchise. Okay, 301 00:15:10,320 --> 00:15:15,560 Speaker 2: listen if you want to. I am the antics are crazy, 302 00:15:15,640 --> 00:15:18,480 Speaker 2: but yet at the core like the show good but 303 00:15:18,600 --> 00:15:21,240 Speaker 2: like the girl flying with the kite. They're off in space. 304 00:15:21,520 --> 00:15:26,600 Speaker 2: They've solved the space problem. Mark Consuelo's got swallowed by 305 00:15:26,600 --> 00:15:30,880 Speaker 2: a whale, like the thing is inside the whale on 306 00:15:31,080 --> 00:15:34,800 Speaker 2: his watch phone. Like the antics are nuts, but at 307 00:15:34,840 --> 00:15:39,600 Speaker 2: the core they don't miss an episode. Was there even 308 00:15:39,680 --> 00:15:42,320 Speaker 2: Jasmine in this episode? Oh yeah, U went to the party, 309 00:15:43,400 --> 00:15:44,120 Speaker 2: which I loved. 310 00:15:44,280 --> 00:15:46,520 Speaker 1: There wasn't much. I don't think Jabbar was in this episode. 311 00:15:46,720 --> 00:15:48,160 Speaker 2: I loved how much she didn't want to go to 312 00:15:48,200 --> 00:15:50,720 Speaker 2: the party right. I loved how much she never put 313 00:15:50,720 --> 00:15:53,920 Speaker 2: that veil on her head, only held it the entire party, 314 00:15:53,960 --> 00:15:58,560 Speaker 2: which is yes, what I would do. Literally, let me 315 00:15:58,600 --> 00:16:00,400 Speaker 2: tell you. When people say what do you want to 316 00:16:00,400 --> 00:16:04,600 Speaker 2: do for your birthday? And I say nothing, I mean it, yeah, 317 00:16:05,000 --> 00:16:09,880 Speaker 2: And why people cannot believe you, I don't know, Like 318 00:16:09,920 --> 00:16:11,640 Speaker 2: they go, no, no, no, we have to do something, 319 00:16:11,680 --> 00:16:14,040 Speaker 2: and they like literally peer pressure for you. And I say, okay, 320 00:16:14,200 --> 00:16:15,760 Speaker 2: we can all go to like dinner, but please don't 321 00:16:15,760 --> 00:16:17,400 Speaker 2: please don't bring presents. I don't want a cake, and 322 00:16:17,400 --> 00:16:19,760 Speaker 2: please don't say happy birthday. Suddenly comes the cake with 323 00:16:19,800 --> 00:16:22,640 Speaker 2: the candle and the song, the singing, and I'm just like, 324 00:16:23,360 --> 00:16:26,120 Speaker 2: I'm going to have to draw a line soon I 325 00:16:26,160 --> 00:16:31,040 Speaker 2: don't want this. I don't like it. It ruins my 326 00:16:31,160 --> 00:16:34,760 Speaker 2: actual day, just saying sorry, I maybe I need therapy. 327 00:16:35,000 --> 00:16:37,400 Speaker 1: Maybe yeah, because I think you don't like to a 328 00:16:37,400 --> 00:16:38,000 Speaker 1: certain degree. 329 00:16:38,200 --> 00:16:40,720 Speaker 2: No, I don't like you with your friends. 330 00:16:40,840 --> 00:16:42,000 Speaker 1: They don't have to sing to you, they don't have 331 00:16:42,040 --> 00:16:42,800 Speaker 1: to get you a cake. 332 00:16:42,720 --> 00:16:45,160 Speaker 2: But they tell you they won't that time I popped 333 00:16:45,200 --> 00:16:47,880 Speaker 2: my tea. Never even heard of that. They tell you 334 00:16:48,000 --> 00:16:51,120 Speaker 2: they won't, and they lie. I say, please, no cake, 335 00:16:51,160 --> 00:16:54,200 Speaker 2: no gifts, no singing out. That's I'm telling you. Mark. 336 00:16:54,440 --> 00:16:57,680 Speaker 2: They go and they whispering and out comes the candle. 337 00:16:58,400 --> 00:17:00,640 Speaker 2: I'm gonna have to draw line. 338 00:17:00,760 --> 00:17:02,880 Speaker 1: I love it all, so I can't relate. I love 339 00:17:02,920 --> 00:17:06,760 Speaker 1: the cake. I like the Yeah, I do. I like 340 00:17:06,800 --> 00:17:07,720 Speaker 1: being the center of attention. 341 00:17:08,440 --> 00:17:10,480 Speaker 2: Ooh, I don't see that in you at all. Wow, 342 00:17:10,720 --> 00:17:13,200 Speaker 2: I do just learn something new. It's today years old. 343 00:17:13,440 --> 00:17:15,720 Speaker 2: I will say what I'm gonna do for my birthday though, Okay, 344 00:17:16,000 --> 00:17:19,520 Speaker 2: I want to go see the movie That Looks So 345 00:17:19,720 --> 00:17:24,080 Speaker 2: Good with Rachel McAdams. So my birthday is January thirty thirty. First, 346 00:17:24,119 --> 00:17:26,600 Speaker 2: Oh my god, say my right birthday. This movie comes 347 00:17:26,640 --> 00:17:32,000 Speaker 2: out January thirty. Okay, Rachel McAdams in a plane crash 348 00:17:32,080 --> 00:17:37,160 Speaker 2: with not Dylan Ephron, Dylan, the guy from that movie 349 00:17:37,200 --> 00:17:40,240 Speaker 2: Mays Runner Dylan. I think his name is Dylan. Okay, 350 00:17:40,960 --> 00:17:43,760 Speaker 2: looked up May's Runner star. Thank you so much, Emma. 351 00:17:43,840 --> 00:17:47,280 Speaker 2: Dylan O'Brien there is. He's a terrible boss, a little 352 00:17:47,320 --> 00:17:50,480 Speaker 2: overacting on the bossy part. He's like, ah, lady, you 353 00:17:50,760 --> 00:17:53,320 Speaker 2: smell and you'll do that, like whatever. They crash on 354 00:17:53,359 --> 00:17:55,840 Speaker 2: an island. The two of them survive and they have 355 00:17:55,880 --> 00:17:59,320 Speaker 2: to survive on the deserted island together, and she goes 356 00:17:59,640 --> 00:18:03,400 Speaker 2: full that movie with the boys and the pig. 357 00:18:04,240 --> 00:18:06,399 Speaker 1: Uh piggy right, piggy. 358 00:18:06,200 --> 00:18:08,280 Speaker 2: Yeah, yeah, but there is a pog running and they 359 00:18:08,320 --> 00:18:09,120 Speaker 2: have to stab the hog. 360 00:18:09,200 --> 00:18:10,679 Speaker 1: Yeah, my kids read that book. 361 00:18:10,880 --> 00:18:12,639 Speaker 2: Uh. I already read the book and it was a movie. 362 00:18:12,680 --> 00:18:14,359 Speaker 2: Thank you that you have menopausal. 363 00:18:14,000 --> 00:18:14,840 Speaker 1: Lord of the Flies. 364 00:18:15,760 --> 00:18:20,040 Speaker 2: Thank you again. You got to go to the young people, 365 00:18:20,240 --> 00:18:23,640 Speaker 2: get the names. She goes all Lord of the Flies 366 00:18:23,800 --> 00:18:27,399 Speaker 2: and he's literally like, I can't even deal now. If 367 00:18:27,440 --> 00:18:28,600 Speaker 2: it turns, I think it's got it kind of a 368 00:18:28,600 --> 00:18:30,280 Speaker 2: horror movie, like she might have tried to kill I'm 369 00:18:30,280 --> 00:18:33,360 Speaker 2: not sure it looks perfect for what I want. 370 00:18:33,400 --> 00:18:35,080 Speaker 1: I'm okay, good there you go. There's a lot of 371 00:18:35,080 --> 00:18:37,000 Speaker 1: great movies coming out, but that's probably a conversation for 372 00:18:37,040 --> 00:18:37,680 Speaker 1: another time. 373 00:18:38,040 --> 00:18:38,840 Speaker 2: It's for listen. 374 00:18:38,880 --> 00:18:41,680 Speaker 1: If you want to perfect starting in January. 375 00:18:41,400 --> 00:18:42,880 Speaker 2: It cannot start that till Daniel's back. 376 00:18:43,119 --> 00:18:46,840 Speaker 1: The final scene, Hattie comes home, Mom, Dad, I miss you, 377 00:18:47,000 --> 00:18:52,080 Speaker 1: I love you. But it's crazy. Correct, it's great, she's 378 00:18:52,160 --> 00:18:54,120 Speaker 1: right because Hattie's in the right and she knows she's 379 00:18:54,160 --> 00:18:54,560 Speaker 1: in the right. 380 00:18:55,000 --> 00:18:57,200 Speaker 2: But also just say to your kid, find we give. 381 00:18:57,200 --> 00:18:59,800 Speaker 1: Up, we cave. It's weird, yeah, really weird. 382 00:19:00,000 --> 00:19:02,080 Speaker 2: It's like, all right, fine, here's our boundaries. You can 383 00:19:02,119 --> 00:19:03,320 Speaker 2: date him, but here's what, here's our. 384 00:19:03,240 --> 00:19:06,360 Speaker 1: Ruleting themselves into a corner by overreacting, and now they're 385 00:19:06,359 --> 00:19:08,520 Speaker 1: gonna have to eat some crow. It's actually kind of 386 00:19:09,640 --> 00:19:12,320 Speaker 1: it's kind of dumb. I give this episode a nine 387 00:19:12,359 --> 00:19:12,840 Speaker 1: point six. 388 00:19:13,160 --> 00:19:14,360 Speaker 2: I'm gonna give it a nine point five. 389 00:19:14,359 --> 00:19:17,000 Speaker 1: I really enjoyed it fair enough. Next time, did you 390 00:19:17,040 --> 00:19:18,520 Speaker 1: get last week that nine point eight? 391 00:19:19,680 --> 00:19:21,679 Speaker 2: So your whole it's on par Is Live. 392 00:19:21,840 --> 00:19:23,960 Speaker 1: It's on par It's just slightly under. 393 00:19:24,080 --> 00:19:28,000 Speaker 2: I just disagree so much, with so much respect and 394 00:19:28,040 --> 00:19:29,760 Speaker 2: love not disagree. 395 00:19:29,880 --> 00:19:32,320 Speaker 1: Recifcated the week before was not good. 396 00:19:32,760 --> 00:19:33,640 Speaker 2: It was great. 397 00:19:33,760 --> 00:19:37,399 Speaker 1: I mean the scene with Adam and Michael B. Jordan 398 00:19:37,600 --> 00:19:40,640 Speaker 1: in the office, the best scene of the season so far. 399 00:19:40,800 --> 00:19:44,720 Speaker 2: Mark, but oh, first of all, also not accurate, not true. 400 00:19:45,320 --> 00:19:47,160 Speaker 2: But I love that you love it. 401 00:19:47,320 --> 00:19:47,800 Speaker 3: I love it. 402 00:19:47,880 --> 00:19:51,679 Speaker 1: I love it. Next week is season two, episode fifteen. 403 00:19:51,720 --> 00:19:58,680 Speaker 1: It's called Just Go Home, probably Hattie related. We'll find out, 404 00:19:58,880 --> 00:19:59,560 Speaker 1: we'll find out. 405 00:20:00,320 --> 00:20:01,840 Speaker 2: I'm hoping you have a shebang of an n. 406 00:20:02,920 --> 00:20:07,240 Speaker 1: We'll see you next week and may you stay forever. 407 00:20:07,400 --> 00:20:09,639 Speaker 1: Young Braverman's out. 408 00:20:09,840 --> 00:20:16,639 Speaker 2: Go on to say ship bangs William Hung version, Oh wow, Ricky. 409 00:20:16,640 --> 00:20:17,879 Speaker 1: Back to twenty eleven again. 410 00:20:19,680 --> 00:20:20,040 Speaker 2: You're rock. 411 00:20:20,119 --> 00:20:50,720 Speaker 1: Bye. Thank you everybody, and don't forget. 412 00:20:50,760 --> 00:20:54,800 Speaker 2: Follow us on Instagram at I Am all In podcast 413 00:20:54,880 --> 00:21:04,080 Speaker 2: and email us at Gilmore at iHeartRadio dot com.